WEBVTT - VPR EP Alex Baskin

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<v Speaker 1>Hello, gorgeous.

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<v Speaker 2>Oh my freaking god, I cannot believe it. We are

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<v Speaker 2>back for season eleven. We're recapping shit.

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<v Speaker 1>I feel like I'm gonna shit my pants. We have

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<v Speaker 1>Alex Basket as my guest today, our guest. Welcome to

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<v Speaker 1>the casting couch, the legitimate one.

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<v Speaker 3>Thank you for having me casting couch. Are you nervous

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<v Speaker 3>a little bit? I have to say.

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<v Speaker 2>I'm a little starstruck because usually I talk to you

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<v Speaker 2>and we just like shoot the shit. But now you're

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<v Speaker 2>sitting here and I'm like, Okay, this is the creator

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<v Speaker 2>of all things that make me survive during like the

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<v Speaker 2>rough moments, like you are the person that created ohc

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<v Speaker 2>bh vander Pump. I mean, do you ever think, like,

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<v Speaker 2>holy shit, everything I touch turns to gold?

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<v Speaker 3>No, not at all, because I just always think that

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<v Speaker 3>everyday gold is going to turn and shit trying to

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<v Speaker 3>keep them going, and sometimes I just wonder how I'm

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<v Speaker 3>still here?

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<v Speaker 1>That makes sense.

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<v Speaker 4>Yeah, I'm very curious about how you got into producing.

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<v Speaker 2>Well, producing reality television. Was that always the goal or

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<v Speaker 2>were you like wanting to be in movies and scripted.

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<v Speaker 3>I used to joke that no one's goal was to

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<v Speaker 3>end up in reality you just did so totally and

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<v Speaker 3>it's changed obviously. I think that, you know, in the

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<v Speaker 3>pecking order of things, reality is much higher, and I

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<v Speaker 3>think things are blurred and blended now. But I got

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<v Speaker 3>into it as accidentally as anyone. I grew up in

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<v Speaker 3>LA My dad was a writer, and I got an

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<v Speaker 3>internship at MTV the summer after my senior year in

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<v Speaker 3>high school. And that's when MTV was doing a lot

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<v Speaker 3>of cool shit, and I just loved it. I loved

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<v Speaker 3>all of the action. I love the fact that you

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<v Speaker 3>could go from idea to air quickly. And I loved

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<v Speaker 3>it so much that I went off to law school.

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<v Speaker 3>So I designed that maybe I wanted to be an

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<v Speaker 3>attorney and love law school. Knew I did not want

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<v Speaker 3>to practice law. I looked around at the successful partners

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<v Speaker 3>and firms that I've worked for over the summers, and

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<v Speaker 3>I thought, I don't want one thing that you have, Like,

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<v Speaker 3>I'm very bored by this. So I called up Doug

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<v Speaker 3>Ross from Evolution, who I had met when I was

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<v Speaker 3>at MTV, and I was like, do you remember me

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<v Speaker 3>all these years ago? And you thought that I was

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<v Speaker 3>a bright young kid and it wanted to hire me?

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<v Speaker 3>Do you have a place for me, and he hired me,

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<v Speaker 3>and so that was my only job for many years

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<v Speaker 3>until I started my own company. And he just kind

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<v Speaker 3>of caught the wave. And you know, when reality became

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<v Speaker 3>as big as it did, and it made all of

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<v Speaker 3>those cable networks in particular, and so I was an

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<v Speaker 3>ambitious young person at a time that an industry was booming.

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<v Speaker 1>That's amazing, really amazing.

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<v Speaker 4>What did you work on specific Were you like working

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<v Speaker 4>on the Real World MTV?

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<v Speaker 3>No, you know, I was working in development, but I

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<v Speaker 3>had the balls more then than I do now to

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<v Speaker 3>pitch them when I was interning there. So I set

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<v Speaker 3>up a meeting and I set up a pilot there

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<v Speaker 3>for a project that I wanted to do with them,

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<v Speaker 3>and I got like dressed up and sorted this formal meeting,

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<v Speaker 3>and so that's how I ended up meeting a few

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<v Speaker 3>producers because needed someone to actually make that. But I

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<v Speaker 3>just I love the fact that you could make anything possible.

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<v Speaker 3>And the fun thing at the time too, was just

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<v Speaker 3>you know, pop culture trends were set by MTV. And

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<v Speaker 3>that's the thing that was so fun about the current

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<v Speaker 3>wave that we're riding on. Vander Pump Rules is It's

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<v Speaker 3>one of the few recent examples of everyone coming together

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<v Speaker 3>and watching a show at the same time. It's just

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<v Speaker 3>a conversation across the board, you know.

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<v Speaker 2>Right, like, no matter what your background was, where you

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<v Speaker 2>came from, what you did for a living, Like it

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<v Speaker 2>was to the point where you couldn't not acknowledge that

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<v Speaker 2>it was happening, because it was everywhere. You said that

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<v Speaker 2>scanned of all, what it was coined was the craziest

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<v Speaker 2>thing that had happened to our show, but it's also

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<v Speaker 2>kind of the worst thing that happened to our show.

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<v Speaker 2>So when Scanaval happened and we decided to go into

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<v Speaker 2>season eleven, what were your fears?

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<v Speaker 3>Well, I thought, contrary to what certain people in certain

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<v Speaker 3>quarters have said about that incident or not that incident,

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<v Speaker 3>that controversy saving the show, the truth is we were

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<v Speaker 3>making a great show in season ten, and in fact,

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<v Speaker 3>we had made a great season and it was a

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<v Speaker 3>bounce back season, and the audience was into it, and

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<v Speaker 3>I felt like it there's a danger in burning too

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<v Speaker 3>fast and too brightly. And I also thought that is

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<v Speaker 3>the one thing that has happened to this group that

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<v Speaker 3>has threatened to tear it completely apart. Everything else has

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<v Speaker 3>been something we've been able to overcome. And I didn't

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<v Speaker 3>know that we could put the pieces back together, and

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<v Speaker 3>so I thought, look, I would trade putting aside all

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<v Speaker 3>of the human damage and everything else, just purely analytically

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<v Speaker 3>as a producer. I wish it ever happened.

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<v Speaker 4>Wow, wild really And you think that will never change

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<v Speaker 4>that opinion?

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<v Speaker 3>It could, And I mean, you know other things that

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<v Speaker 3>have come out of it, like, for example, the Valley,

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<v Speaker 3>you know, the new series, which may or may not

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<v Speaker 3>have happened if there weren't such momentum. So I think

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<v Speaker 3>there's that and I think, you know, things change in

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<v Speaker 3>unexpected ways, but that is the way that for a

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<v Speaker 3>while that I felt. And you know that's still my

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<v Speaker 3>analysis right now.

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<v Speaker 2>Well yeah, because if you think about it now, now

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<v Speaker 2>I have like the big wig backing up what I

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<v Speaker 2>have said right that no matter whether whether Scandabal happened

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<v Speaker 2>or not, season ten was going to be great. And

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<v Speaker 2>all of these people saying it was set up to

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<v Speaker 2>make season ten or make the show pop off. We've

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<v Speaker 2>been popping, not at this level, but we have our

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<v Speaker 2>main producer saying I wish it wouldn't have happened because

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<v Speaker 2>for the first time ever, you have a group of

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<v Speaker 2>people where it's like, where, how do we rebuild? How

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<v Speaker 2>do we even move on from this? And I said,

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<v Speaker 2>this is a group for season eleven, this is a

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<v Speaker 2>group of people, And I said, it's for the first time,

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<v Speaker 2>we're all very selfish.

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<v Speaker 1>Now I know that we're a selfish group.

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<v Speaker 2>From what it looks like, for the first time ever,

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<v Speaker 2>no one gives a damn about anybody except themselves.

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<v Speaker 1>Everyone is living up their own ass.

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<v Speaker 2>Season eleven, it's it's gonna be a wild season to watch.

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<v Speaker 1>Do you think it's good?

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<v Speaker 2>Like I haven't seen it obviously, I've seen the first episode.

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<v Speaker 1>You've seen quite a few cuts. Do you think it's good?

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<v Speaker 3>I do. I think it's really good. And I wasn't

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<v Speaker 3>sure that it would be. So I had great trepidation

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<v Speaker 3>going into the season because I thought we had less

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<v Speaker 3>control than we've ever had. And there's just, you know,

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<v Speaker 3>the show that you might want to make, and then

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<v Speaker 3>there's the one that you do make that you have

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<v Speaker 3>to make, which is just you know, sort of where

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<v Speaker 3>everyone is. And so we can't bring the group back

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<v Speaker 3>together if that's not where they are, and we have

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<v Speaker 3>there's a questions all the time, like you know, well,

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<v Speaker 3>uh what about Arianna shooting with Tom? Whatever? It's like,

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<v Speaker 3>what are we supposed to do? Right? I mean, you know,

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<v Speaker 3>we sort of take people for where they are. But

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<v Speaker 3>I think it's fascinating. I think that it's still really

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<v Speaker 3>interesting to see the dynamics. Interestingly, even with Arianna and Tom,

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<v Speaker 3>the fact that they live together through the season is wild.

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<v Speaker 3>So I think people are going to enjoy seeing that documented.

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<v Speaker 1>No, it really it's.

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<v Speaker 3>The Is that a storyline for them? Also?

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<v Speaker 5>That's what I thought looking down, Did they live together

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<v Speaker 5>for a storyline?

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<v Speaker 2>Oh?

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<v Speaker 3>You mean you mean you mean like years ago right

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<v Speaker 3>in the houses there, Like it'll be a great story.

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<v Speaker 3>You couldn't get them to agree on anything.

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<v Speaker 5>But if I was seriously just getting the hell out, yeah,

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<v Speaker 5>I don't care.

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<v Speaker 2>No, but that's what the season, that's we'll see, right,

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<v Speaker 2>You're going to see it all play out. Because there's

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<v Speaker 2>a lot of things that are said that you're like,

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<v Speaker 2>I can't get down with what you're saying because of

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<v Speaker 2>the way that you're moving and I don't understand this.

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<v Speaker 1>By the way, Easton does not watch reality TV.

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<v Speaker 3>I have to start.

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<v Speaker 2>I just told him about the episode where I told

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<v Speaker 2>Stacy and Kristen to wrap it up looking like a

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<v Speaker 2>drunk shit sue.

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<v Speaker 1>I have something to go home and watch. They has

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<v Speaker 1>no idea.

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<v Speaker 5>It's so different from me, Like I've never watched it,

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<v Speaker 5>even when like your first season when I was like, oh,

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<v Speaker 5>maybe i'll watch it, I watched one and it's so weird,

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<v Speaker 5>saying like.

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<v Speaker 1>Your sister just do all this shit, and then you.

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<v Speaker 5>See her like making out with James, and I'm like,

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<v Speaker 5>I can't know it it is. It's just so different

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<v Speaker 5>from like a brother's standpoint. I can't get by, but

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<v Speaker 5>I'm gonna. I'm gonna try my hardest, but I like

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<v Speaker 5>I can do the Valley. It's just like when you're

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<v Speaker 5>on it.

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<v Speaker 1>It's like, h the Valley. I can't wait for.

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<v Speaker 2>And you did say if there wasn't so much momentum,

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<v Speaker 2>like you never know if if the Valley would have

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<v Speaker 2>happened or not, Like we really will never know.

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<v Speaker 1>I'm so excited about it.

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<v Speaker 2>Can you give us any sort of teachers about the

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<v Speaker 2>valley teaser?

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<v Speaker 4>And what is the main difference between py U seeing

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<v Speaker 4>the Valley and producing vander Pump.

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<v Speaker 3>Good question. Okay, so here's my teas. We start the

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<v Speaker 3>valley with a crossover between Jack's and Tom Sandaval and

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<v Speaker 3>so you have Jax joining Boys Night, which is with

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<v Speaker 3>Schwartz and James and Sandoval, and Jax has a few

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<v Speaker 3>choice words for sand of fal Okay and it's really fun.

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<v Speaker 3>And then we see Jacks drive over the hill and

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<v Speaker 3>go into the valley. So do I it is it's

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<v Speaker 3>cinematic in our world?

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<v Speaker 1>Yes, of course. I mean, this is like when it's

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<v Speaker 1>the start of a new production.

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<v Speaker 2>No, but it's like remembering being in Utah and watching

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<v Speaker 2>Beverly Hills and all of a sudden, I'm watching a

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<v Speaker 2>new show called vander Pump Rules. Remember you you did

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<v Speaker 2>a similar crosshow so?

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<v Speaker 3>Yeah, yeah, we did. Yeah, I mean in that one.

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<v Speaker 3>It's funny. I almost hate to invoke that one because

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<v Speaker 3>we can't POSSI compared to that because the stakes were

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<v Speaker 3>so high and so we'd like one hundred percent audience retention.

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<v Speaker 3>I'd love to say that was my idea. It was not.

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<v Speaker 3>It was someone else's and then I know helped put

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<v Speaker 3>it into motion, right, But you know, this still will

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<v Speaker 3>give you the feeling of being in one and then

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<v Speaker 3>being in the next one. And I think where the

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<v Speaker 3>Valley is very different is it's a different phase in life,

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<v Speaker 3>and the idea is adulting. And it's also that this

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<v Speaker 3>is a group that is trying to raise families or

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<v Speaker 3>figure out what's next, but they don't have anything figured out.

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<v Speaker 3>And so that's the fun of it to me, is

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<v Speaker 3>that Jax is still.

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<v Speaker 2>Jacks Sis will never not be anything kids.

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<v Speaker 3>Yeah, that's what it is. And so you know, Jack's

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<v Speaker 3>preaches and proclaims that he has grown up and everyone

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<v Speaker 3>needs to find the maturity that he has, and we

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<v Speaker 3>see by the end of the first episode that that's dubious.

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<v Speaker 1>I am so excited to watch this I'm hearing.

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<v Speaker 4>Do you think it's accurate when people say it's it's

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<v Speaker 4>a show that falls somewhere in between vander Pump Rules

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<v Speaker 4>and Housewives.

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<v Speaker 3>That's how I pitched it.

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<v Speaker 2>Oh okay, so you would say that's true, Yeah, okay.

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<v Speaker 2>Did you show a lot of like the kids and

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<v Speaker 2>them being parents?

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<v Speaker 3>We show a We show a good amount. We show

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<v Speaker 3>enough so that you can see that they are all

0:11:22.080 --> 0:11:24.480
<v Speaker 3>caring parents and kind of trying to figure it out.

0:11:24.800 --> 0:11:26.240
<v Speaker 3>But at the same time, there's only so much that

0:11:26.240 --> 0:11:28.760
<v Speaker 3>you can watch of children, right, and I meanty even

0:11:28.760 --> 0:11:30.280
<v Speaker 3>thing for you, Like, doesn't it stretch you out to

0:11:30.320 --> 0:11:31.600
<v Speaker 3>watch people with their children?

0:11:32.880 --> 0:11:33.760
<v Speaker 1>I don't mean to be rude.

0:11:33.800 --> 0:11:36.480
<v Speaker 2>I just don't care about other right too, I just

0:11:36.520 --> 0:11:38.640
<v Speaker 2>don't like I know that I care a lot about

0:11:38.679 --> 0:11:39.560
<v Speaker 2>my child, but.

0:11:39.480 --> 0:11:41.560
<v Speaker 1>Like I really don't give a shit about yours.

0:11:41.640 --> 0:11:44.320
<v Speaker 3>Other people's hats and kids are not interesting.

0:11:44.920 --> 0:11:47.160
<v Speaker 1>I don't, I don't care.

0:11:48.000 --> 0:11:48.720
<v Speaker 3>I don't disagree.

0:11:50.040 --> 0:11:52.200
<v Speaker 4>That's how everyone is, though. It's like no one's ever

0:11:52.240 --> 0:11:54.160
<v Speaker 4>gonna think your kid or pet is as.

0:11:54.080 --> 0:11:54.920
<v Speaker 1>Cute as you do.

0:11:55.280 --> 0:11:59.760
<v Speaker 4>My question between the Housewives franchise, vander Pump and now

0:11:59.800 --> 0:12:03.920
<v Speaker 4>the this might be hard, but what was the most

0:12:04.000 --> 0:12:06.440
<v Speaker 4>difficult one to produce and why they've all.

0:12:06.320 --> 0:12:09.199
<v Speaker 3>Been difficult in different ways. I would say where vander

0:12:09.240 --> 0:12:12.199
<v Speaker 3>Pump has been easier in some ways is you had

0:12:12.200 --> 0:12:15.000
<v Speaker 3>a group that was fully in and so everyone has

0:12:15.040 --> 0:12:18.079
<v Speaker 3>had their moments. It's like, you know, in your first

0:12:18.120 --> 0:12:21.319
<v Speaker 3>few seasons on the show, like like oh, bad day,

0:12:21.440 --> 0:12:27.120
<v Speaker 3>She's fleeing to Utah and literally not picking up a

0:12:27.160 --> 0:12:30.160
<v Speaker 3>call from anyone. There's nothing we can do, and the

0:12:30.200 --> 0:12:32.360
<v Speaker 3>network would be like, what do you mean she's in Utah.

0:12:32.440 --> 0:12:35.000
<v Speaker 3>She's in Utah. That's what I mean like it's physically

0:12:35.000 --> 0:12:40.080
<v Speaker 3>in Utah, so but you know, or like Stasse's New

0:12:40.160 --> 0:12:44.160
<v Speaker 3>York Adventure those things like, Right, So there was some

0:12:44.200 --> 0:12:45.800
<v Speaker 3>of that, but you still had a group that was

0:12:45.840 --> 0:12:49.360
<v Speaker 3>constantly generating story and was as game as anyone that

0:12:49.360 --> 0:12:52.760
<v Speaker 3>I've ever met, to tell it, So there's that Housewives.

0:12:52.800 --> 0:12:55.640
<v Speaker 3>It always felt like the stakes were higher whether or

0:12:55.679 --> 0:12:57.840
<v Speaker 3>not they were, just was a group that is, like,

0:12:58.040 --> 0:13:02.559
<v Speaker 3>you know, very serious about those things. And then I'm

0:13:02.600 --> 0:13:06.160
<v Speaker 3>trying to think about the Valley actually was a fairly

0:13:07.240 --> 0:13:10.679
<v Speaker 3>seamless production, and I think, you know, I didn't know

0:13:10.800 --> 0:13:13.200
<v Speaker 3>kind of what everyone's frame of mind would be for it,

0:13:13.280 --> 0:13:15.439
<v Speaker 3>but but they were all pretty into it in game.

0:13:15.440 --> 0:13:18.360
<v Speaker 3>And I think it also helped having Jax and Brittany

0:13:18.360 --> 0:13:21.120
<v Speaker 3>and Christen, so we had like three ringers in there, right.

0:13:21.160 --> 0:13:24.720
<v Speaker 2>And then Janet is someone who's you know, she's never

0:13:24.760 --> 0:13:26.720
<v Speaker 2>really been at the forefront of vander Pump rules, but

0:13:26.760 --> 0:13:28.960
<v Speaker 2>she seems to know the drill. She's been friends with

0:13:29.000 --> 0:13:30.720
<v Speaker 2>all of us for quite some time, so it's like

0:13:30.880 --> 0:13:34.880
<v Speaker 2>she understands how this works totally. I just think it

0:13:34.920 --> 0:13:39.160
<v Speaker 2>would be the person that I feel like the most

0:13:39.200 --> 0:13:41.360
<v Speaker 2>for because I can't even imagine filming a show like

0:13:41.400 --> 0:13:44.960
<v Speaker 2>this and just I just given birth to not one,

0:13:45.000 --> 0:13:45.680
<v Speaker 2>but two babies.

0:13:45.760 --> 0:13:49.720
<v Speaker 1>Oh my god, Nia, Okay, two babies.

0:13:49.760 --> 0:13:53.080
<v Speaker 2>She's got three kids under two that she just gave birth.

0:13:53.720 --> 0:13:56.920
<v Speaker 2>I mean she yes, like they literally they were so

0:13:57.120 --> 0:13:59.920
<v Speaker 2>brand new. She's like one of the things I filmed.

0:14:00.040 --> 0:14:03.079
<v Speaker 2>We were at Jackson, Brits. But she's in a room

0:14:03.200 --> 0:14:05.640
<v Speaker 2>like both babies on the tit and I'm like that,

0:14:05.840 --> 0:14:09.360
<v Speaker 2>You're a superhero, Like, right, guys, I don't know how

0:14:09.400 --> 0:14:11.320
<v Speaker 2>she did it. I think the Valley is going to

0:14:11.360 --> 0:14:14.280
<v Speaker 2>be absolutely spectacular. And I told Brittany, you must have

0:14:14.320 --> 0:14:17.319
<v Speaker 2>a watch party every single week. And I can't wait

0:14:17.720 --> 0:14:21.320
<v Speaker 2>to get on social media and talk about how I

0:14:21.320 --> 0:14:23.240
<v Speaker 2>feel about Jack's Taylor in each episode.

0:14:23.640 --> 0:14:27.960
<v Speaker 1>Oh, I've been a segment now, it'll probably be on

0:14:28.000 --> 0:14:28.600
<v Speaker 1>the podcast.

0:14:28.720 --> 0:14:30.640
<v Speaker 3>By the way, what a ride that's going to be

0:14:30.640 --> 0:14:35.040
<v Speaker 3>because he is just the first episode. Like, your observations

0:14:35.080 --> 0:14:36.480
<v Speaker 3>are going to be all over the place about him

0:14:36.520 --> 0:14:37.680
<v Speaker 3>because it's really fun.

0:14:38.160 --> 0:14:41.640
<v Speaker 2>Well, Alex, I can't wait because before we started, there

0:14:42.000 --> 0:14:44.720
<v Speaker 2>was a time when Jacks and Kristen Dodie were no

0:14:44.800 --> 0:14:46.520
<v Speaker 2>longer a part of vander Pump and I would see

0:14:46.520 --> 0:14:49.120
<v Speaker 2>people talk about how evolved they are now and how

0:14:49.200 --> 0:14:52.520
<v Speaker 2>much they've changed, and I just can't wait for people

0:14:52.600 --> 0:14:53.480
<v Speaker 2>to see.

0:14:53.360 --> 0:14:56.680
<v Speaker 1>Where they are now and see people's take.

0:14:57.040 --> 0:14:59.720
<v Speaker 3>We give them the full opportunity to show how evolve

0:14:59.760 --> 0:15:00.160
<v Speaker 3>they are.

0:15:00.240 --> 0:15:01.600
<v Speaker 5>All right, Well, I can't and they've done it.

0:15:02.040 --> 0:15:02.840
<v Speaker 3>They've done they have.

0:15:06.080 --> 0:15:08.360
<v Speaker 5>I had a question about production and when when you're

0:15:08.360 --> 0:15:11.440
<v Speaker 5>going into it and like selecting a cast, how do

0:15:11.480 --> 0:15:12.440
<v Speaker 5>you go about that?

0:15:12.600 --> 0:15:12.800
<v Speaker 4>Oh?

0:15:12.920 --> 0:15:18.000
<v Speaker 5>Yeah, like do you because obviously Monica said that she.

0:15:18.000 --> 0:15:22.120
<v Speaker 1>From he will apply. She was like, I applied for

0:15:22.200 --> 0:15:22.680
<v Speaker 1>this gig.

0:15:22.960 --> 0:15:23.800
<v Speaker 3>So I was thinking, like.

0:15:23.840 --> 0:15:25.680
<v Speaker 5>I was like, I haven't even thought about that side

0:15:25.680 --> 0:15:28.200
<v Speaker 5>of producing. Do you have people in mind that you've

0:15:28.240 --> 0:15:32.960
<v Speaker 5>seen or is it a kind of putting in a resume?

0:15:33.240 --> 0:15:35.000
<v Speaker 3>Well, I love that, you know, she acts like it's

0:15:35.000 --> 0:15:39.200
<v Speaker 3>a job at best Buy that is not like putting together.

0:15:39.320 --> 0:15:42.920
<v Speaker 3>The valley started with conversations I was having with Jack's

0:15:43.480 --> 0:15:45.560
<v Speaker 3>and so he and I went out to dinner and

0:15:45.720 --> 0:15:47.360
<v Speaker 3>we were just talking about what's going on in his

0:15:47.440 --> 0:15:49.760
<v Speaker 3>life now and who his friends are. And I quickly

0:15:50.280 --> 0:15:54.360
<v Speaker 3>settled on the idea of doing something about families or couples, right,

0:15:54.800 --> 0:15:56.520
<v Speaker 3>and then we kind of built it out from there.

0:15:56.720 --> 0:16:00.200
<v Speaker 3>And so we put on tape pretty much everyone it's

0:16:00.200 --> 0:16:04.200
<v Speaker 3>in his close inner circle and kind of went from there.

0:16:04.720 --> 0:16:08.120
<v Speaker 3>So everyone really knows each other, they're all invested in

0:16:08.160 --> 0:16:11.560
<v Speaker 3>each other, they all care, and we didn't want to,

0:16:11.800 --> 0:16:14.520
<v Speaker 3>you know, add any gimmicks or try to fill out

0:16:14.520 --> 0:16:17.280
<v Speaker 3>the cast in a way that wasn't authentic. I think

0:16:17.400 --> 0:16:19.360
<v Speaker 3>other shows are a little different. So I think if

0:16:19.360 --> 0:16:21.520
<v Speaker 3>there's a show that is more of a construct and

0:16:21.560 --> 0:16:24.400
<v Speaker 3>it's not necessarily about a group, then you know, maybe

0:16:24.400 --> 0:16:26.680
<v Speaker 3>it's put together differently. But look, it's like when you

0:16:26.800 --> 0:16:30.320
<v Speaker 3>join Vanderpump, you know, you and James have been an

0:16:30.360 --> 0:16:34.520
<v Speaker 3>Ariana are the examples of additions to the group because

0:16:35.000 --> 0:16:36.920
<v Speaker 3>you guys were a part of the group and made

0:16:37.000 --> 0:16:39.680
<v Speaker 3>yourself matter to the group. And any time that we

0:16:39.760 --> 0:16:43.080
<v Speaker 3>ever just broad in someone random who had just worked

0:16:43.080 --> 0:16:45.080
<v Speaker 3>at SIRR a little bit, it didn't work.

0:16:45.160 --> 0:16:46.040
<v Speaker 1>It never worked.

0:16:46.280 --> 0:16:49.520
<v Speaker 2>It felt like you've been here for five minutes, where

0:16:50.040 --> 0:16:53.080
<v Speaker 2>when I joined it was like I'd been getting wasted

0:16:53.120 --> 0:16:54.960
<v Speaker 2>at SIR since I was eighteen.

0:16:55.400 --> 0:16:56.240
<v Speaker 1>You know what?

0:16:56.480 --> 0:16:59.920
<v Speaker 4>Right it was like, bit, what was your initial and

0:17:00.040 --> 0:17:01.120
<v Speaker 4>impressions of Lalla?

0:17:01.160 --> 0:17:02.840
<v Speaker 1>Did you have a thought of like this girl's not.

0:17:05.800 --> 0:17:09.280
<v Speaker 3>Away I just thought, well, there's my pressure from casting

0:17:09.320 --> 0:17:13.000
<v Speaker 3>and then production. So from casting, I thought she was

0:17:13.040 --> 0:17:15.320
<v Speaker 3>a gem. I thought you were great because I was like,

0:17:15.400 --> 0:17:18.440
<v Speaker 3>who the fuck is this? So I thought you were

0:17:18.760 --> 0:17:20.840
<v Speaker 3>one of a kind. You were living in Stasse's bedroom

0:17:20.920 --> 0:17:23.440
<v Speaker 3>like that was weird, you know, So the whole thing

0:17:23.520 --> 0:17:25.399
<v Speaker 3>was great, Like we were all in on that and

0:17:25.440 --> 0:17:28.080
<v Speaker 3>I could not quite figure you out. And then in

0:17:28.160 --> 0:17:30.800
<v Speaker 3>production it was a different story because we had never

0:17:30.880 --> 0:17:33.200
<v Speaker 3>met anyone that I said who just was like, nope,

0:17:33.240 --> 0:17:38.760
<v Speaker 3>not doing it. So there was that, but you were

0:17:38.760 --> 0:17:40.320
<v Speaker 3>worth it. You were pain in the ass, but you

0:17:40.320 --> 0:17:40.880
<v Speaker 3>were worth it.

0:17:42.880 --> 0:17:45.200
<v Speaker 1>I was gonna say, was less, so let's less.

0:17:44.960 --> 0:17:48.760
<v Speaker 3>So I actually could I didn't really not anymore because

0:17:49.000 --> 0:17:52.520
<v Speaker 3>I think, I mean, you've just changed and matured so much,

0:17:52.640 --> 0:17:55.480
<v Speaker 3>and you just view it differently and you're grounded and

0:17:56.080 --> 0:17:58.800
<v Speaker 3>different things matter to you and you're much more secure,

0:17:58.920 --> 0:18:01.439
<v Speaker 3>so you're really not a pain in the ass at

0:18:01.480 --> 0:18:01.840
<v Speaker 3>this point.

0:18:02.400 --> 0:18:04.640
<v Speaker 1>At this point, like it feels like therapy.

0:18:04.800 --> 0:18:09.960
<v Speaker 2>Like before, when I see anybody, because I love reality TV,

0:18:10.040 --> 0:18:12.840
<v Speaker 2>when I see anyone freaking out about something that may

0:18:12.880 --> 0:18:15.160
<v Speaker 2>come out, I'm like, girl, just let it come out.

0:18:15.440 --> 0:18:17.239
<v Speaker 2>And the next year, no one's gonna care and it's

0:18:17.240 --> 0:18:18.920
<v Speaker 2>gonna be a completely different storyline.

0:18:19.080 --> 0:18:20.480
<v Speaker 1>Yeah, it is interesting.

0:18:20.520 --> 0:18:24.480
<v Speaker 4>You get to see all these personalities on these different shows.

0:18:24.920 --> 0:18:27.840
<v Speaker 4>Do you ever sort of look at these people and

0:18:27.960 --> 0:18:31.679
<v Speaker 4>think this person would be great doing a project with

0:18:31.800 --> 0:18:32.480
<v Speaker 4>this person?

0:18:32.680 --> 0:18:33.800
<v Speaker 1>Maybe I should do?

0:18:33.800 --> 0:18:35.960
<v Speaker 3>Do you ever all of the time?

0:18:36.080 --> 0:18:36.359
<v Speaker 1>Okay?

0:18:36.400 --> 0:18:38.719
<v Speaker 3>I mean I think it's really fun to sort of

0:18:38.760 --> 0:18:41.760
<v Speaker 3>mash things up. And I mean we've talked about, you know,

0:18:41.920 --> 0:18:47.280
<v Speaker 3>certain potential partnerships. Yes, right, that because I just it.

0:18:47.840 --> 0:18:51.480
<v Speaker 3>You get to know different people and sort of see

0:18:51.480 --> 0:18:55.800
<v Speaker 3>how there might be some synergenistic you know, combination between them,

0:18:55.960 --> 0:18:58.120
<v Speaker 3>and so I think that all the time. Or sometimes

0:18:58.160 --> 0:19:00.600
<v Speaker 3>I'm jealous. Sometimes I think a look at a show

0:19:00.680 --> 0:19:02.440
<v Speaker 3>and think, well, we really could use her over here.

0:19:02.480 --> 0:19:05.200
<v Speaker 3>It's too bad it can't make, you know, like a trade.

0:19:05.400 --> 0:19:06.080
<v Speaker 1>I love that.

0:19:06.440 --> 0:19:09.000
<v Speaker 2>Do you ever look at projects and you're like, damn,

0:19:09.119 --> 0:19:12.480
<v Speaker 2>what I would have given to be the person that

0:19:12.560 --> 0:19:13.199
<v Speaker 2>came up with that.

0:19:13.440 --> 0:19:15.480
<v Speaker 3>Yeah, it's the best feeling when you're the person who

0:19:15.520 --> 0:19:18.040
<v Speaker 3>makes the announcement that everyone else thinks is really obvious.

0:19:18.080 --> 0:19:20.800
<v Speaker 3>I'm like I got their first, you know. Yeah, like

0:19:20.840 --> 0:19:23.280
<v Speaker 3>with Botch for example, is is I just that came

0:19:23.320 --> 0:19:27.080
<v Speaker 3>about because I was at dinner with Paul Nassif this

0:19:27.200 --> 0:19:30.200
<v Speaker 3>is when he and Adrian Malouf were divorcing, and he

0:19:30.240 --> 0:19:33.000
<v Speaker 3>wanted me back on television again. I'm just like, what

0:19:33.040 --> 0:19:34.800
<v Speaker 3>do you do all day as a plastic surgeon? And

0:19:34.840 --> 0:19:38.800
<v Speaker 3>he started describing revision plastic surgery. I was like, Okay,

0:19:39.359 --> 0:19:41.560
<v Speaker 3>what about a show where we're fixing that? So I

0:19:41.600 --> 0:19:44.800
<v Speaker 3>called it nip Fucked and I added him and Terry

0:19:44.800 --> 0:19:46.520
<v Speaker 3>de bro together because I thought they would be good.

0:19:46.520 --> 0:19:48.760
<v Speaker 1>So they did. They not know each other before you

0:19:48.880 --> 0:19:49.600
<v Speaker 1>came into the mix.

0:19:49.600 --> 0:19:51.560
<v Speaker 3>They didn't seen each other fear they had met, or

0:19:51.600 --> 0:19:53.400
<v Speaker 3>they knew each other from years ago but hadn't talked

0:19:53.400 --> 0:19:55.040
<v Speaker 3>about it. They weren't homie, no, not at all.

0:19:55.320 --> 0:19:58.359
<v Speaker 2>Is their chemistry on camera You would think that they

0:19:58.520 --> 0:20:01.199
<v Speaker 2>go and get drinks and they're so different, but it

0:20:01.400 --> 0:20:02.560
<v Speaker 2>just works so well.

0:20:02.680 --> 0:20:05.159
<v Speaker 3>It worked from the minute that we shot this like

0:20:05.240 --> 0:20:09.800
<v Speaker 3>bootleg tape where basically I put celebrities on carbers. Somebody

0:20:09.800 --> 0:20:11.879
<v Speaker 3>said it had bad surgeries and they talked about how

0:20:11.880 --> 0:20:15.119
<v Speaker 3>they would undo that work. Yeah, it just worked. So

0:20:15.760 --> 0:20:18.639
<v Speaker 3>that was one that I, you know, I couldn't have

0:20:18.720 --> 0:20:21.320
<v Speaker 3>ever imagined that they would be that good together. But

0:20:21.480 --> 0:20:24.000
<v Speaker 3>I just I thought you needed too, and those guys.

0:20:23.760 --> 0:20:24.640
<v Speaker 1>You had to have too.

0:20:24.800 --> 0:20:28.480
<v Speaker 2>Yeah, No, that one is awesome. And I love that

0:20:28.560 --> 0:20:30.960
<v Speaker 2>one is neck down and the other one's neck.

0:20:30.880 --> 0:20:33.200
<v Speaker 3>Up, although they fight over that. So the really funny

0:20:33.200 --> 0:20:35.800
<v Speaker 3>thing is Terry in I want to say it was

0:20:35.800 --> 0:20:38.359
<v Speaker 3>like starting in season three because by the way, everyone's happy,

0:20:38.359 --> 0:20:40.040
<v Speaker 3>you get two seasons of a hit show. Everyone's a

0:20:40.080 --> 0:20:42.720
<v Speaker 3>real good sport whatever. Yeah, and then starting in season three,

0:20:42.800 --> 0:20:45.200
<v Speaker 3>he's like, hey, why are you giving Paul all the faces?

0:20:45.280 --> 0:20:47.439
<v Speaker 3>I do faces too. I'm like, I know, but you

0:20:47.440 --> 0:20:49.680
<v Speaker 3>also do the body and Paul doesn't.

0:20:49.400 --> 0:20:51.560
<v Speaker 2>So right, so you're gonna have to just like take

0:20:51.600 --> 0:20:54.200
<v Speaker 2>one for the team and only focus on the tits

0:20:54.240 --> 0:20:58.399
<v Speaker 2>and tummy. Yes, you know exactly, Like, and why are

0:20:58.400 --> 0:20:59.240
<v Speaker 2>you complaining about it?

0:20:59.359 --> 0:20:59.639
<v Speaker 1>Terror?

0:21:00.960 --> 0:21:03.480
<v Speaker 3>Terry's the best, so I good naturedly give him shit.

0:21:03.560 --> 0:21:05.800
<v Speaker 3>And then Paul's complaint during at that point on the

0:21:05.840 --> 0:21:08.639
<v Speaker 3>show too, was Paul all of a sudden wanted it

0:21:08.720 --> 0:21:10.720
<v Speaker 3>was like a car service complaint. He wanted like a

0:21:10.720 --> 0:21:13.080
<v Speaker 3>car service to go like two hundred feet, and so

0:21:13.160 --> 0:21:15.240
<v Speaker 3>I ran into him. Was literally we were shooting the

0:21:15.280 --> 0:21:17.080
<v Speaker 3>after show, and he wanted car service and he's like

0:21:17.160 --> 0:21:19.399
<v Speaker 3>he lived, like, you know, like two miles from there

0:21:19.480 --> 0:21:21.399
<v Speaker 3>or something. So I ran into him at a party

0:21:21.720 --> 0:21:23.320
<v Speaker 3>and I said, hey, Paul, how'd you get here tonight?

0:21:23.800 --> 0:21:25.440
<v Speaker 3>And this is fun of like a group of people,

0:21:25.520 --> 0:21:27.760
<v Speaker 3>and he's like, I drove, I go, so you do drive?

0:21:29.440 --> 0:21:29.679
<v Speaker 3>I know?

0:21:30.560 --> 0:21:36.960
<v Speaker 2>Oh no, now that is a devo good Wait, so

0:21:37.200 --> 0:21:39.159
<v Speaker 2>did did he get car service?

0:21:39.200 --> 0:21:39.400
<v Speaker 1>Though?

0:21:40.160 --> 0:21:42.040
<v Speaker 3>He like he let He was like, you hurt my feelings,

0:21:42.080 --> 0:21:45.080
<v Speaker 3>but you made your point. So I'm like, all right,

0:21:45.160 --> 0:21:45.640
<v Speaker 3>that's a when.

0:21:45.880 --> 0:21:49.920
<v Speaker 1>You have a way of doing that hurting feelings. Yeah, no,

0:21:50.320 --> 0:21:53.200
<v Speaker 1>of like making good points. Yeah no, I'm making a

0:21:53.280 --> 0:21:55.399
<v Speaker 1>good points. I have a question for you.

0:21:55.600 --> 0:21:59.760
<v Speaker 2>Yeah, does it ever get hard when you start developing

0:22:00.280 --> 0:22:03.600
<v Speaker 2>like real connections with people on these shows that you

0:22:03.800 --> 0:22:07.640
<v Speaker 2>are creating and producing. You they call you to vent,

0:22:08.440 --> 0:22:11.240
<v Speaker 2>you take an interest in their life. You become a confidant,

0:22:11.680 --> 0:22:14.199
<v Speaker 2>but you know that you still have to tell their story.

0:22:14.240 --> 0:22:17.480
<v Speaker 2>Does it ever get sticky where you're like, God, I

0:22:17.560 --> 0:22:21.200
<v Speaker 2>really wish that I was not as close to this person.

0:22:22.280 --> 0:22:26.520
<v Speaker 3>Yeah, it can be really hard because they're people that

0:22:26.560 --> 0:22:29.639
<v Speaker 3>I care about, and so I know that telling the

0:22:29.680 --> 0:22:33.000
<v Speaker 3>story is going to impact their lives. But at the

0:22:33.040 --> 0:22:35.960
<v Speaker 3>same time, that's the job, and you know, they sort

0:22:36.000 --> 0:22:39.040
<v Speaker 3>of know that that's the show that they're on. But

0:22:39.119 --> 0:22:41.359
<v Speaker 3>it does feel tough. I think that because of the

0:22:41.400 --> 0:22:44.120
<v Speaker 3>depth of the relationships, they understand that it isn't personal.

0:22:44.160 --> 0:22:47.520
<v Speaker 3>And I also don't do anything that is gratuitous, So

0:22:47.640 --> 0:22:49.520
<v Speaker 3>there's always the story that we could tell, right, And

0:22:49.560 --> 0:22:51.800
<v Speaker 3>it's like you could make anything, you know, a thousand

0:22:51.840 --> 0:22:54.480
<v Speaker 3>times worse. There's things that for the sake of discretion

0:22:54.680 --> 0:22:57.520
<v Speaker 3>that you don't include. But you know the deal is.

0:22:57.800 --> 0:22:59.640
<v Speaker 3>You know, look, if you sign up for it, then

0:23:00.000 --> 0:23:02.800
<v Speaker 3>you know those things are open and are discussed, and

0:23:03.320 --> 0:23:05.560
<v Speaker 3>you know, I can't make that go away, but it does.

0:23:05.640 --> 0:23:08.360
<v Speaker 3>I mean there are times when I've thought, you know,

0:23:08.480 --> 0:23:10.080
<v Speaker 3>maybe I need to take a break from doing it

0:23:10.119 --> 0:23:13.800
<v Speaker 3>because it's because it's hard, right, you know, And again

0:23:14.080 --> 0:23:16.840
<v Speaker 3>you're all too well aware that these are real people

0:23:17.440 --> 0:23:19.240
<v Speaker 3>and they really have to live with it. I also,

0:23:19.320 --> 0:23:22.200
<v Speaker 3>on the other hand, have enough perspective to know everything

0:23:22.280 --> 0:23:24.760
<v Speaker 3>passes and so the things that in the moment feel

0:23:24.800 --> 0:23:27.520
<v Speaker 3>like you know, the end of your life are not

0:23:28.160 --> 0:23:30.639
<v Speaker 3>and you know time goes on, so I'm aware of

0:23:30.680 --> 0:23:32.760
<v Speaker 3>that too, but but it's really hard. It weighs on me.

0:23:33.160 --> 0:23:33.520
<v Speaker 3>It does.

0:23:33.760 --> 0:23:36.439
<v Speaker 2>Yeah, I was wondering that because I know that you

0:23:36.480 --> 0:23:41.080
<v Speaker 2>and Kyle Richards are very close, and you know, I

0:23:41.320 --> 0:23:45.639
<v Speaker 2>just I can't imagine having something like a twenty seven

0:23:45.720 --> 0:23:50.199
<v Speaker 2>year marriage that's been put under a microscope. Children are involved,

0:23:50.240 --> 0:23:52.520
<v Speaker 2>like you had such a picture perfect life, and then

0:23:52.520 --> 0:23:55.680
<v Speaker 2>this unfolds on television, and I think that was the

0:23:55.720 --> 0:23:57.639
<v Speaker 2>first time that I was like, damn, I wonder if

0:23:57.680 --> 0:23:59.600
<v Speaker 2>that ever kind of fucks with Alex.

0:24:00.160 --> 0:24:03.280
<v Speaker 3>Yeah, that one was really hard to see because they're

0:24:03.320 --> 0:24:06.399
<v Speaker 3>both great people and they have had a great marriage. Yeah,

0:24:06.440 --> 0:24:10.320
<v Speaker 3>so it's not the you know, proverbial housewife. Oh okay,

0:24:10.400 --> 0:24:13.600
<v Speaker 3>I saw that coming, and maybe everybody is better off

0:24:13.600 --> 0:24:18.119
<v Speaker 3>for it. Right, So that was really really tough to experience,

0:24:18.280 --> 0:24:20.320
<v Speaker 3>and you know, you want to, on the one hand,

0:24:20.359 --> 0:24:22.200
<v Speaker 3>be there for her as a human being, but also

0:24:22.280 --> 0:24:24.080
<v Speaker 3>you have to tell a story too, right.

0:24:24.880 --> 0:24:28.040
<v Speaker 2>I find when I get because you do become extremely

0:24:28.119 --> 0:24:31.040
<v Speaker 2>close with producers, like I find that they become like

0:24:31.280 --> 0:24:34.160
<v Speaker 2>my friends but also kind of like family members because

0:24:34.200 --> 0:24:37.240
<v Speaker 2>you talk to them, you know that you're telling a story,

0:24:37.920 --> 0:24:40.600
<v Speaker 2>and in order for you to tell the story properly,

0:24:41.480 --> 0:24:44.199
<v Speaker 2>you need to know exactly where my head's at, so

0:24:45.080 --> 0:24:47.600
<v Speaker 2>I find it. There's some people that are new and

0:24:47.640 --> 0:24:50.280
<v Speaker 2>they're like, don't tell producers anything, and it's like, well,

0:24:50.320 --> 0:24:52.840
<v Speaker 2>then you're you. If you don't want any control over

0:24:52.880 --> 0:24:57.120
<v Speaker 2>your narrative, do that. Otherwise pick up the phone. Because

0:24:57.119 --> 0:24:59.480
<v Speaker 2>there are many times where I could be saying something

0:25:00.040 --> 0:25:02.000
<v Speaker 2>and a producer says to me, this is how I

0:25:02.000 --> 0:25:03.600
<v Speaker 2>took it, and I'm like, hold up, no, we got

0:25:03.600 --> 0:25:04.200
<v Speaker 2>to rewind.

0:25:04.280 --> 0:25:05.560
<v Speaker 1>This is where my head's at in there.

0:25:05.640 --> 0:25:09.600
<v Speaker 2>Go great, let's let's tell that story because it's the

0:25:09.680 --> 0:25:10.440
<v Speaker 2>true story.

0:25:10.560 --> 0:25:13.280
<v Speaker 3>You're so right, and it's counterintuitive. So you tend to

0:25:13.280 --> 0:25:15.639
<v Speaker 3>think that if you withhold and control information that you

0:25:15.680 --> 0:25:18.560
<v Speaker 3>control the story, and it isn't true. And look the

0:25:18.600 --> 0:25:23.639
<v Speaker 3>case study for that is Arianna and scandabal Yeah, so

0:25:24.280 --> 0:25:29.000
<v Speaker 3>she found Sandival's phone or she she whatever, she you know,

0:25:29.359 --> 0:25:31.600
<v Speaker 3>saw what she did on scan on Sandoval's phone. And

0:25:31.600 --> 0:25:37.639
<v Speaker 3>then I was called in Scandabalio these days. And then

0:25:38.280 --> 0:25:41.040
<v Speaker 3>and then she let production knowe right away, and she

0:25:41.160 --> 0:25:45.359
<v Speaker 3>told that story, and I would say, pretty powerfully, so.

0:25:44.480 --> 0:25:49.439
<v Speaker 2>She said, I called production immediately because I knew that

0:25:49.640 --> 0:25:52.719
<v Speaker 2>he would try to get me to not talk about it,

0:25:53.200 --> 0:25:55.440
<v Speaker 2>not tell them. We were going to concoct something, and

0:25:55.520 --> 0:25:58.040
<v Speaker 2>because it was years of us in a relationship together,

0:25:58.160 --> 0:26:01.280
<v Speaker 2>he probably could have got me to change my mind.

0:26:01.840 --> 0:26:04.040
<v Speaker 2>And I got chills when I heard that. I was like, damn,

0:26:04.600 --> 0:26:07.040
<v Speaker 2>it's just wild that. That's what I mean, Like the

0:26:07.080 --> 0:26:11.040
<v Speaker 2>production team becomes your family. The first person you call.

0:26:11.359 --> 0:26:13.159
<v Speaker 2>By the way, there's a lot of things that have

0:26:13.200 --> 0:26:15.040
<v Speaker 2>happened in my life. Were the first person I call

0:26:15.040 --> 0:26:17.720
<v Speaker 2>obviously my mama, but then I'm calling a producer?

0:26:18.119 --> 0:26:19.040
<v Speaker 1>Yeah, immediately.

0:26:19.280 --> 0:26:21.280
<v Speaker 4>Was there any world in which you were not picking

0:26:21.320 --> 0:26:22.280
<v Speaker 4>cameras back up for that?

0:26:22.800 --> 0:26:23.000
<v Speaker 3>No?

0:26:23.359 --> 0:26:25.040
<v Speaker 1>Or was it you had no?

0:26:25.119 --> 0:26:26.439
<v Speaker 3>I mean, we were going to do that, but we

0:26:26.480 --> 0:26:28.399
<v Speaker 3>and it just was not even a question we had.

0:26:28.440 --> 0:26:34.000
<v Speaker 3>There were a couple of contributors to the decision who

0:26:34.640 --> 0:26:36.960
<v Speaker 3>thought we should just hold until the reunion, and we

0:26:37.000 --> 0:26:40.639
<v Speaker 3>thought that was asenine, like, no, We're going in right now.

0:26:41.359 --> 0:26:42.879
<v Speaker 1>I still get chills thinking about it.

0:26:42.960 --> 0:26:46.040
<v Speaker 2>Yeah, I do too, having Jeremiah be like, you're not

0:26:46.160 --> 0:26:48.960
<v Speaker 2>allowed to leave LA because we're picking up cameras like

0:26:49.520 --> 0:26:53.960
<v Speaker 2>tomorrow right, Damn damn. What do you think about everyone

0:26:54.119 --> 0:26:56.280
<v Speaker 2>saying like I think it's so so again. I watch

0:26:56.359 --> 0:26:59.600
<v Speaker 2>a lot of reality TV. Kyle stepping into her interview

0:26:59.680 --> 0:27:03.320
<v Speaker 2>with like the red cutout top on We've got Southern

0:27:03.440 --> 0:27:06.800
<v Speaker 2>charm people who I think her name's Olivia. It is

0:27:06.800 --> 0:27:11.040
<v Speaker 2>Olivia shows up in like her kind of revenge dress

0:27:11.080 --> 0:27:14.720
<v Speaker 2>and now no one, not a soul am Bravo can

0:27:14.760 --> 0:27:17.840
<v Speaker 2>go through something like being done dirty by a man.

0:27:18.280 --> 0:27:21.400
<v Speaker 1>No one can have that happen and then wear red

0:27:21.440 --> 0:27:24.840
<v Speaker 1>with cutouts or they're immediately labeled Ariana. Yeah, is that

0:27:25.000 --> 0:27:26.960
<v Speaker 1>the craziest shit to watch?

0:27:27.000 --> 0:27:28.840
<v Speaker 3>Alex so funny.

0:27:30.000 --> 0:27:32.680
<v Speaker 2>Everyone's like Mauricio and Kyle planned list have a scan

0:27:32.760 --> 0:27:35.639
<v Speaker 2>of all moment. I'm like, yes, the couple that's been

0:27:35.640 --> 0:27:40.360
<v Speaker 2>together for twenty seven years wanted a scan a scandal

0:27:40.440 --> 0:27:40.920
<v Speaker 2>all moment.

0:27:41.080 --> 0:27:42.879
<v Speaker 3>Yeah, that's what they were thinking. So that what she

0:27:42.960 --> 0:27:46.200
<v Speaker 3>could continue on the show. I mean think she's you know.

0:27:46.240 --> 0:27:49.440
<v Speaker 2>But Kyle's been the glue from the very beginning. Erica

0:27:49.520 --> 0:27:52.560
<v Speaker 2>Jane said it. I think it was either two reunions

0:27:52.560 --> 0:27:55.720
<v Speaker 2>ago a year ago where she's like she is the

0:27:55.800 --> 0:27:58.920
<v Speaker 2>queen of the group, she's the glue to all of us,

0:27:59.200 --> 0:28:00.800
<v Speaker 2>and I feel like that it's very true.

0:28:01.240 --> 0:28:04.080
<v Speaker 3>Well, you know, obviously she's been around since the beginning.

0:28:04.400 --> 0:28:08.119
<v Speaker 3>The show is you know important she's been great for

0:28:08.200 --> 0:28:10.399
<v Speaker 3>the show, and she does hold it all together. She

0:28:10.560 --> 0:28:14.639
<v Speaker 3>just is in some ways the ultimate real housewife, you know,

0:28:14.800 --> 0:28:17.040
<v Speaker 3>she she just gets it, and she does it in

0:28:17.040 --> 0:28:20.600
<v Speaker 3>a way too that doesn't compromise herself. So she knows

0:28:20.640 --> 0:28:22.639
<v Speaker 3>what she's doing, wants to make a show, but stands

0:28:22.640 --> 0:28:25.800
<v Speaker 3>behind what she's done as well, right, And I think

0:28:25.800 --> 0:28:30.040
<v Speaker 3>it's great. I think, you know, she's challenging the perception

0:28:30.119 --> 0:28:32.119
<v Speaker 3>of her right now because she just is in a

0:28:32.160 --> 0:28:35.560
<v Speaker 3>different place than she was, and so I think that's

0:28:35.600 --> 0:28:38.280
<v Speaker 3>throwing people off a lot. But she's just, you know,

0:28:38.400 --> 0:28:40.320
<v Speaker 3>the bedrock of that show. By the way.

0:28:40.360 --> 0:28:42.400
<v Speaker 1>I don't think she's ever looked better.

0:28:42.880 --> 0:28:46.880
<v Speaker 2>I find her attitude to be very sexy and inspiring

0:28:47.720 --> 0:28:49.480
<v Speaker 2>and I dig her.

0:28:49.760 --> 0:28:52.040
<v Speaker 3>Oh she doesn't give a shit anymore too. I mean

0:28:52.040 --> 0:28:52.600
<v Speaker 3>that's kind of.

0:28:52.520 --> 0:28:54.840
<v Speaker 2>The not at all fun of it, because you know

0:28:54.920 --> 0:28:57.920
<v Speaker 2>there were many times where like she didn't want she

0:28:57.920 --> 0:29:01.080
<v Speaker 2>didn't like confrontation. Yeah, kind of like clammed up a bit.

0:29:01.640 --> 0:29:05.000
<v Speaker 2>Now she's like, you're a fucking bitch right now. Stop

0:29:05.120 --> 0:29:08.480
<v Speaker 2>And it's like, oh, I'm a little wet you.

0:29:09.080 --> 0:29:10.160
<v Speaker 3>No, she's activated.

0:29:10.520 --> 0:29:11.360
<v Speaker 1>She's activated.

0:29:12.280 --> 0:29:15.040
<v Speaker 3>So we have that reunion on Friday, the.

0:29:15.000 --> 0:29:16.160
<v Speaker 1>Reunion is on Friday.

0:29:16.880 --> 0:29:20.640
<v Speaker 2>Why you're obviously boots on the ground with that. Yeah,

0:29:20.800 --> 0:29:22.400
<v Speaker 2>I cannot wait.

0:29:23.000 --> 0:29:24.880
<v Speaker 1>Oh, it's gonna be good. It's so good.

0:29:27.840 --> 0:29:31.479
<v Speaker 2>When you think about all of the seasons that you

0:29:31.520 --> 0:29:33.920
<v Speaker 2>have under your belt, of all the shows, is there

0:29:34.040 --> 0:29:36.320
<v Speaker 2>one season of any of the shows that sticks out

0:29:36.360 --> 0:29:39.280
<v Speaker 2>in your mind going that was a freaking hard season, Like,

0:29:39.680 --> 0:29:42.280
<v Speaker 2>I'm so glad that shit is done.

0:29:42.800 --> 0:29:46.520
<v Speaker 3>To me, it's either the strongest or the weakest seasons. Okay,

0:29:46.760 --> 0:29:51.400
<v Speaker 3>the weakest seasons sometimes, which is because it just doesn't

0:29:51.440 --> 0:29:53.400
<v Speaker 3>work right, I mean, and there are there are good

0:29:53.440 --> 0:29:55.200
<v Speaker 3>seasons and bad seasons.

0:29:55.200 --> 0:29:57.520
<v Speaker 2>So my overstepping by asking is there a season we

0:29:57.640 --> 0:29:57.960
<v Speaker 2>were like.

0:29:57.920 --> 0:29:59.960
<v Speaker 1>That was a really shitty season at show?

0:30:00.240 --> 0:30:03.360
<v Speaker 3>You know, look, I thought vander Pump season nine was

0:30:03.400 --> 0:30:04.479
<v Speaker 3>dogshit beyond.

0:30:05.120 --> 0:30:06.600
<v Speaker 1>I was like, we're not coming back.

0:30:07.680 --> 0:30:09.760
<v Speaker 3>I thought, I thought we're done. And that's why I've

0:30:09.800 --> 0:30:13.520
<v Speaker 3>said a bunch that to me, you know, we caught

0:30:13.520 --> 0:30:17.479
<v Speaker 3>this big scandal and we went right in and you know,

0:30:17.560 --> 0:30:20.000
<v Speaker 3>everyone sort of did what they did with it. But

0:30:20.080 --> 0:30:22.760
<v Speaker 3>to me, the accomplishment was being around for that to happen,

0:30:23.080 --> 0:30:25.720
<v Speaker 3>was still being around for a season ten and you

0:30:25.840 --> 0:30:27.920
<v Speaker 3>kind of ride it out, and you know, there's ebbs

0:30:27.960 --> 0:30:31.520
<v Speaker 3>and flows. So I think with Orange County, I thought

0:30:31.720 --> 0:30:34.000
<v Speaker 3>last season was really good. The season before was not.

0:30:34.400 --> 0:30:35.520
<v Speaker 1>Was that the one with Noela?

0:30:36.080 --> 0:30:36.240
<v Speaker 3>Yeah?

0:30:36.280 --> 0:30:38.040
<v Speaker 1>Season sixteen, yeah that wasn't great.

0:30:38.200 --> 0:30:42.280
<v Speaker 2>Last season was great, really, but the one with Noela

0:30:42.400 --> 0:30:45.840
<v Speaker 2>without I don't think Vicky or Tamra made an appearance

0:30:45.880 --> 0:30:47.640
<v Speaker 2>at all, that was a tough one to watch.

0:30:47.680 --> 0:30:48.720
<v Speaker 1>I should have watched it, but.

0:30:48.640 --> 0:30:50.880
<v Speaker 3>It just didn't come together. It didn't it didn't happen,

0:30:51.000 --> 0:30:53.840
<v Speaker 3>And so there's that. Beverly Hills has had some seasons too.

0:30:54.320 --> 0:30:56.000
<v Speaker 3>You do the best that you can with any of it,

0:30:56.040 --> 0:30:58.840
<v Speaker 3>but yeah, I think that it's really hard when it

0:30:58.840 --> 0:31:01.160
<v Speaker 3>doesn't all come together. And then sometimes it's really hard

0:31:01.200 --> 0:31:04.360
<v Speaker 3>when you're going through something that's just tough to manage

0:31:04.400 --> 0:31:05.360
<v Speaker 3>and tough to trudge through.

0:31:05.480 --> 0:31:08.160
<v Speaker 5>Are there seasons that you on any of the shows

0:31:08.160 --> 0:31:10.880
<v Speaker 5>that you've produced that you're like, that season you can

0:31:10.920 --> 0:31:15.120
<v Speaker 5>watch one through fifteen, or is there a season of

0:31:15.160 --> 0:31:19.160
<v Speaker 5>a show that you're like that was incredible or just through.

0:31:19.080 --> 0:31:20.400
<v Speaker 1>And through every episode was.

0:31:20.400 --> 0:31:23.920
<v Speaker 5>Incredible, like top to bottom, Yeah, it was unreal perfect.

0:31:24.120 --> 0:31:26.440
<v Speaker 5>Or if you could only watch one season of a

0:31:26.480 --> 0:31:28.000
<v Speaker 5>show you produced, what season.

0:31:28.000 --> 0:31:29.480
<v Speaker 1>Would that, Oh, I love that.

0:31:29.480 --> 0:31:32.320
<v Speaker 3>That's a good question. I would say it tends to

0:31:32.360 --> 0:31:35.560
<v Speaker 3>be earlier seasons for me because I just have the

0:31:35.800 --> 0:31:39.520
<v Speaker 3>removal in the distance from them to just you know, yeah,

0:31:39.560 --> 0:31:41.920
<v Speaker 3>and probably rewrite them in my mind and everything is

0:31:41.960 --> 0:31:43.440
<v Speaker 3>perfect and I'm like, oh, this is when I was

0:31:43.440 --> 0:31:46.120
<v Speaker 3>coming of age and I started doing Yeah, totally. It's

0:31:46.120 --> 0:31:48.160
<v Speaker 3>just what we do. You know, like you look through

0:31:48.200 --> 0:31:51.640
<v Speaker 3>photos of yourself smiling, and you know you're not aware

0:31:51.680 --> 0:31:54.000
<v Speaker 3>of like the hour before you know, where you were

0:31:54.000 --> 0:31:57.520
<v Speaker 3>grounded by your parents or whatever. So I just that's

0:31:57.520 --> 0:31:59.719
<v Speaker 3>what I think. I think the early seasons of Beverly Hills.

0:32:00.440 --> 0:32:03.280
<v Speaker 3>I think there's a few great seasons of Fan or Pump,

0:32:03.320 --> 0:32:05.520
<v Speaker 3>but I still season one was fun just because I

0:32:05.560 --> 0:32:07.640
<v Speaker 3>knew we were onto something, you know, and it started

0:32:07.680 --> 0:32:11.600
<v Speaker 3>with the crossover and whatever. So there's that. And then

0:32:12.040 --> 0:32:15.880
<v Speaker 3>Orange County. Yeah, I mean I liked the last season

0:32:15.920 --> 0:32:18.680
<v Speaker 3>of Orange County because it was a renaissance and so

0:32:18.760 --> 0:32:20.200
<v Speaker 3>that was fun to me, and I thought we were

0:32:20.240 --> 0:32:22.120
<v Speaker 3>back from the dead, and that's always a really good

0:32:22.120 --> 0:32:24.320
<v Speaker 3>feeling like Okay, we've still got it.

0:32:24.560 --> 0:32:27.440
<v Speaker 2>That's how it felt. Yeah, as someone who's watched since

0:32:27.520 --> 0:32:29.960
<v Speaker 2>the beginning. But there is something like you said about

0:32:30.000 --> 0:32:33.239
<v Speaker 2>OG seasons before anybody got injected and realized what they

0:32:33.280 --> 0:32:36.080
<v Speaker 2>were going to look like on camera, where you were.

0:32:36.000 --> 0:32:37.480
<v Speaker 1>Just like showing.

0:32:37.520 --> 0:32:39.400
<v Speaker 2>It felt like you were walking around with a tape

0:32:39.400 --> 0:32:40.720
<v Speaker 2>recorder on these people.

0:32:41.040 --> 0:32:43.680
<v Speaker 3>There is so the head current Programming from prof was Sherrylathini.

0:32:43.720 --> 0:32:47.080
<v Speaker 3>She was head for many years. Used to she's great,

0:32:47.120 --> 0:32:51.080
<v Speaker 3>she's brilliant woman, but is just savage and cutting in

0:32:51.120 --> 0:32:53.160
<v Speaker 3>what she says. And so I remember after the first

0:32:53.200 --> 0:32:55.640
<v Speaker 3>season of Beverly Hills, she's like, congratulations, it'll never be

0:32:55.680 --> 0:32:57.720
<v Speaker 3>that good again, Like, do.

0:32:57.720 --> 0:32:59.600
<v Speaker 4>You feel that way It's never been that good again.

0:32:59.840 --> 0:33:02.280
<v Speaker 3>I don't think that's true, because I think it's just different.

0:33:02.280 --> 0:33:04.360
<v Speaker 3>And I thought that season two was great for that

0:33:04.400 --> 0:33:06.080
<v Speaker 3>show too, But oh.

0:33:05.880 --> 0:33:07.200
<v Speaker 1>My god, yes, but.

0:33:07.160 --> 0:33:09.600
<v Speaker 3>I know it show. I know what she means, and

0:33:09.800 --> 0:33:13.960
<v Speaker 3>it was it's your point to where something changes when

0:33:14.000 --> 0:33:17.480
<v Speaker 3>people watch themselves and when other people comment on them,

0:33:17.600 --> 0:33:20.840
<v Speaker 3>and you cannot deny that social media has an impact

0:33:20.880 --> 0:33:23.640
<v Speaker 3>on people, and there's a self awareness that you know,

0:33:23.760 --> 0:33:27.000
<v Speaker 3>maybe doesn't exist for season one, and maybe we can't

0:33:27.040 --> 0:33:30.680
<v Speaker 3>even get to that these days anyway, because everyone knows

0:33:30.720 --> 0:33:33.000
<v Speaker 3>how the shows are made or think they do anyway,

0:33:33.080 --> 0:33:35.120
<v Speaker 3>or thinks that they've cracked the code. So there's there's

0:33:35.160 --> 0:33:37.640
<v Speaker 3>self conscious anyway. But by the way, I found that

0:33:37.680 --> 0:33:40.040
<v Speaker 3>refreshing with the Valley. I actually didn't think that there

0:33:40.080 --> 0:33:42.040
<v Speaker 3>was a ton of image crafting. I thought that people

0:33:42.080 --> 0:33:44.480
<v Speaker 3>showed up as who they were and things happened.

0:33:44.520 --> 0:33:48.720
<v Speaker 4>So well, speaking of social media, do you, let's be

0:33:48.800 --> 0:33:51.800
<v Speaker 4>honest here, do you guys take what the fans say

0:33:52.200 --> 0:33:54.120
<v Speaker 4>into account when filming these shows?

0:33:54.280 --> 0:33:57.400
<v Speaker 3>When I think we apply the appropriate discount factors. So

0:33:57.440 --> 0:33:59.560
<v Speaker 3>I'm not going to say that we're not aware of it,

0:33:59.640 --> 0:34:02.360
<v Speaker 3>but I will say that social media is a measure

0:34:02.440 --> 0:34:07.040
<v Speaker 3>of intensity more than anything. But it isn't. It doesn't

0:34:07.080 --> 0:34:10.560
<v Speaker 3>line up with any research that you would do, any

0:34:10.760 --> 0:34:14.439
<v Speaker 3>any rigorous research because it tends to be the same

0:34:14.520 --> 0:34:17.320
<v Speaker 3>people on social media who are heated time and again,

0:34:17.960 --> 0:34:21.120
<v Speaker 3>and it does not reflect it. It's a really small

0:34:21.200 --> 0:34:22.960
<v Speaker 3>and very biased sample size.

0:34:23.040 --> 0:34:26.399
<v Speaker 2>Okay, so how do you decide if there's a new

0:34:26.440 --> 0:34:28.600
<v Speaker 2>cast member that comes into the mix. How do you

0:34:28.640 --> 0:34:31.520
<v Speaker 2>decide if that person is coming back or if they're not.

0:34:31.600 --> 0:34:32.640
<v Speaker 1>Because someone could think.

0:34:32.560 --> 0:34:35.520
<v Speaker 2>They did great, but overall, like, how do you measure

0:34:35.520 --> 0:34:36.280
<v Speaker 2>if they did great.

0:34:36.880 --> 0:34:38.920
<v Speaker 3>It's hard and it is not a science. And I

0:34:38.920 --> 0:34:41.480
<v Speaker 3>always think that it's a mistake to try to turn

0:34:41.560 --> 0:34:44.600
<v Speaker 3>something that is creative and that is, you know, sort

0:34:44.600 --> 0:34:47.520
<v Speaker 3>of floating an amorphous into something that it isn't. And

0:34:47.560 --> 0:34:50.680
<v Speaker 3>so it's a series of conversations. So it'll be the

0:34:50.719 --> 0:34:54.040
<v Speaker 3>producers and the network and you arrive at some kind

0:34:54.040 --> 0:34:56.640
<v Speaker 3>of consensus, and you know, not everyone may be pleased

0:34:56.680 --> 0:34:59.759
<v Speaker 3>with it, but it's an analysis based on what you

0:34:59.760 --> 0:35:02.120
<v Speaker 3>think of that specific person, what they're fit is within

0:35:02.160 --> 0:35:04.000
<v Speaker 3>the group, where you think you can go with them.

0:35:04.040 --> 0:35:07.040
<v Speaker 3>It's all of those things. It's much more qualitative than quantitative.

0:35:07.560 --> 0:35:10.080
<v Speaker 2>Do you find that a lot of these new housewives

0:35:10.239 --> 0:35:14.759
<v Speaker 2>that are being cast come in and they see what

0:35:14.800 --> 0:35:15.880
<v Speaker 2>they could be making.

0:35:15.640 --> 0:35:16.160
<v Speaker 1>On the show?

0:35:16.680 --> 0:35:19.200
<v Speaker 2>Like do you find that sometimes you hit a dead

0:35:19.320 --> 0:35:21.120
<v Speaker 2>end where it's like this person would have been great,

0:35:21.239 --> 0:35:23.840
<v Speaker 2>but they're coming in here asking for the sun stars

0:35:23.840 --> 0:35:25.560
<v Speaker 2>in the moon and they gotta go.

0:35:25.760 --> 0:35:28.120
<v Speaker 3>Well, I mean, we lead or I lead a lot

0:35:28.120 --> 0:35:31.239
<v Speaker 3>of conversations by telling people like, you know, congratulations, I

0:35:31.239 --> 0:35:32.880
<v Speaker 3>have good news. We want you on the show. Now

0:35:32.920 --> 0:35:35.600
<v Speaker 3>we're about to insult you. Yeah, so you know you

0:35:35.600 --> 0:35:38.160
<v Speaker 3>should be This is what it is and you know,

0:35:38.280 --> 0:35:41.719
<v Speaker 3>this is the economics of this business and you have

0:35:41.760 --> 0:35:45.399
<v Speaker 3>to accept that. And also it sounds right, but it's

0:35:45.400 --> 0:35:47.920
<v Speaker 3>the truth. You're not signing up for the show just

0:35:47.960 --> 0:35:50.400
<v Speaker 3>to make money from the show's it's really what does

0:35:50.440 --> 0:35:51.839
<v Speaker 3>this do for you on the whole? What is your

0:35:51.880 --> 0:35:54.200
<v Speaker 3>plan you know, to use this. So we have all

0:35:54.239 --> 0:35:56.800
<v Speaker 3>of those conversations, but I do think that people sometimes

0:35:56.840 --> 0:35:59.160
<v Speaker 3>are not realistic about it. And I've seen people talk

0:35:59.200 --> 0:36:01.799
<v Speaker 3>themselves out of, you know, opportunities that would have been great,

0:36:01.840 --> 0:36:04.120
<v Speaker 3>and then circle back to us, you know, a year

0:36:04.200 --> 0:36:06.080
<v Speaker 3>later and say now I'm ready, Like, well, now we're

0:36:06.080 --> 0:36:07.080
<v Speaker 3>not right.

0:36:07.840 --> 0:36:11.000
<v Speaker 1>It's like, well, how we've moved on for me? We

0:36:11.040 --> 0:36:13.440
<v Speaker 1>don't care. You spent one season? What about shows?

0:36:13.480 --> 0:36:16.359
<v Speaker 4>Let's talk about shows you do not produce. Do you

0:36:16.440 --> 0:36:20.440
<v Speaker 4>see any maybe some of the Housewise franchise, maybe Summer

0:36:20.520 --> 0:36:24.319
<v Speaker 4>House that you're like, I would have killed it or

0:36:24.440 --> 0:36:25.880
<v Speaker 4>I would have done this differently.

0:36:26.200 --> 0:36:29.280
<v Speaker 3>It's the cheapest thing to do. Yes, I do. Okay,

0:36:29.360 --> 0:36:33.560
<v Speaker 3>So because you're not you know, I'm aware that people

0:36:33.600 --> 0:36:36.440
<v Speaker 3>are doing the same thing to the shows that I'm on,

0:36:36.920 --> 0:36:38.839
<v Speaker 3>but that's kind of it's hard not to do that,

0:36:38.920 --> 0:36:41.360
<v Speaker 3>and it's hard as a producer not to watch, especially

0:36:41.440 --> 0:36:44.279
<v Speaker 3>if it's this genre and and just you know, think

0:36:44.280 --> 0:36:46.960
<v Speaker 3>that you can extrapolate what the circumstances are and that

0:36:47.320 --> 0:36:49.960
<v Speaker 3>you might have handled it differently. But at the same time,

0:36:50.120 --> 0:36:51.719
<v Speaker 3>there are plenty of shows that I watch and I

0:36:51.840 --> 0:36:54.120
<v Speaker 3>marvel at what other producers have done with it and think,

0:36:54.239 --> 0:36:55.880
<v Speaker 3>you know, thank god, I'm just watching this and I

0:36:55.920 --> 0:36:56.920
<v Speaker 3>didn't have to make it.

0:36:57.400 --> 0:37:00.440
<v Speaker 4>Yeah, right, do you have a specific you have a

0:37:00.440 --> 0:37:02.880
<v Speaker 4>specific show, whether or not it's like Real Housewives of

0:37:02.920 --> 0:37:04.200
<v Speaker 4>Miami or like that.

0:37:04.320 --> 0:37:06.799
<v Speaker 1>You're like, I could have killed it. I could have

0:37:06.840 --> 0:37:10.520
<v Speaker 1>done well fewer in in the Bravo universe.

0:37:10.719 --> 0:37:12.960
<v Speaker 3>Yeah, because because you kind of think in any of

0:37:12.960 --> 0:37:15.000
<v Speaker 3>those shows you think, you know, you could do, but

0:37:15.200 --> 0:37:17.839
<v Speaker 3>other people could do the shows that I do as well. Right,

0:37:17.840 --> 0:37:20.600
<v Speaker 3>it's kind of the same formula exactly, and they're just

0:37:20.840 --> 0:37:23.759
<v Speaker 3>you know, they're different. There's different dynamics, the relationships matter.

0:37:23.840 --> 0:37:27.040
<v Speaker 3>But there's you know, people that do that. To me.

0:37:27.320 --> 0:37:30.840
<v Speaker 3>It's things that I just that I've never done before,

0:37:31.640 --> 0:37:35.040
<v Speaker 3>or like for example, if you guys watch on bitconned

0:37:35.440 --> 0:37:36.040
<v Speaker 3>on Netflix.

0:37:36.200 --> 0:37:37.640
<v Speaker 1>No, so it's.

0:37:37.520 --> 0:37:40.440
<v Speaker 3>Great, it's just a it's a cryptocurrency scam show. But

0:37:40.480 --> 0:37:43.480
<v Speaker 3>it just is really stylishly done, and I just thought

0:37:43.480 --> 0:37:44.640
<v Speaker 3>everything I've.

0:37:44.480 --> 0:37:47.720
<v Speaker 2>Heard of this, yeah, yeah, because you have to remember

0:37:48.120 --> 0:37:53.160
<v Speaker 2>shows on Bravo, no matter what production company is being used,

0:37:53.400 --> 0:37:56.000
<v Speaker 2>you have to send the cut over to Bravo and

0:37:56.040 --> 0:37:57.040
<v Speaker 2>they make their notes.

0:37:57.080 --> 0:38:01.600
<v Speaker 1>So in a sense, when you watch there, they're all the.

0:38:01.640 --> 0:38:04.160
<v Speaker 2>Vibe is the same throughout no matter what, which is

0:38:04.239 --> 0:38:07.280
<v Speaker 2>why people get so addicted. That's why we have things

0:38:07.320 --> 0:38:12.440
<v Speaker 2>like BRAVOCN because you just become a fan of it.

0:38:12.520 --> 0:38:16.920
<v Speaker 2>All right, You're watching the same game, inserting different players

0:38:17.080 --> 0:38:20.000
<v Speaker 2>that are all fucking savage and awesome.

0:38:20.320 --> 0:38:20.560
<v Speaker 4>You know.

0:38:20.840 --> 0:38:25.520
<v Speaker 2>Yeah, yeah, it gives me chill talking about it.

0:38:26.400 --> 0:38:28.840
<v Speaker 1>Question for you before I let you go, do you

0:38:29.000 --> 0:38:31.160
<v Speaker 1>think we would ever?

0:38:31.360 --> 0:38:33.560
<v Speaker 2>We as if I have a say, do you think

0:38:33.600 --> 0:38:37.560
<v Speaker 2>you guys would ever if Rachel Raquel picked up the

0:38:37.600 --> 0:38:40.880
<v Speaker 2>phone and said, I really think I messed up and

0:38:40.880 --> 0:38:43.399
<v Speaker 2>I'd like to be back on the show if you'll

0:38:43.400 --> 0:38:47.720
<v Speaker 2>have me with everything that you know going behind the scenes.

0:38:48.680 --> 0:38:50.560
<v Speaker 2>Number one, how do you feel if she were to

0:38:50.719 --> 0:38:52.200
<v Speaker 2>say that, would we bring her back in?

0:38:53.160 --> 0:38:58.640
<v Speaker 3>I I don't know. I mean, I hesitate to say never,

0:38:58.840 --> 0:39:02.520
<v Speaker 3>but I just it's such a far fetched scenario that

0:39:02.600 --> 0:39:04.919
<v Speaker 3>I would say, right now, we're good where we are,

0:39:04.960 --> 0:39:06.360
<v Speaker 3>and I hope she's good where she is.

0:39:07.000 --> 0:39:07.880
<v Speaker 1>I love that answer.

0:39:08.600 --> 0:39:10.520
<v Speaker 2>So Alex, we do an ach and relief at the

0:39:10.600 --> 0:39:14.640
<v Speaker 2>end of every episode. Just you'll start us off, so

0:39:14.680 --> 0:39:16.640
<v Speaker 2>Alex knows what this means.

0:39:16.680 --> 0:39:19.120
<v Speaker 4>Okay, So this is the day after the vander Pump

0:39:19.200 --> 0:39:21.520
<v Speaker 4>Rules Season eleven premiere.

0:39:21.160 --> 0:39:21.880
<v Speaker 1>So I can say this.

0:39:22.480 --> 0:39:27.279
<v Speaker 4>My relief is your vulnerability in this premiere episode.

0:39:27.400 --> 0:39:28.480
<v Speaker 1>I was so proud of you.

0:39:29.280 --> 0:39:32.920
<v Speaker 4>I don't know what the viewers have said at this point,

0:39:32.960 --> 0:39:36.080
<v Speaker 4>but I'm excited to see. I know you're nervous, but

0:39:36.200 --> 0:39:39.160
<v Speaker 4>I think it's a side of you that is very

0:39:39.200 --> 0:39:40.279
<v Speaker 4>refreshing to you.

0:39:41.200 --> 0:39:42.080
<v Speaker 1>That's my relief.

0:39:42.280 --> 0:39:45.640
<v Speaker 4>My ache is that we still have now another week

0:39:45.719 --> 0:39:48.960
<v Speaker 4>pretty much for season or for episode two, because it

0:39:49.040 --> 0:39:51.560
<v Speaker 4>was such a good season eleven premiere episode.

0:39:51.680 --> 0:39:55.640
<v Speaker 1>Love it a relief of the week.

0:39:55.760 --> 0:39:58.840
<v Speaker 5>My ache is going to be the Miami SA Aquarium again.

0:39:59.280 --> 0:40:01.440
<v Speaker 1>I love it. Tell us out out there.

0:40:01.520 --> 0:40:03.920
<v Speaker 5>I know there was another video that came out January

0:40:04.200 --> 0:40:07.359
<v Speaker 5>of this year, twenty twenty four. Okay, and there's more

0:40:07.400 --> 0:40:09.600
<v Speaker 5>dolphins in it. There's three and one that I see.

0:40:09.719 --> 0:40:12.520
<v Speaker 5>It's a video. If you would like to watch you know.

0:40:12.480 --> 0:40:15.160
<v Speaker 2>What, I bet the wall risks Whisper is all over

0:40:15.200 --> 0:40:15.719
<v Speaker 2>that shit.

0:40:16.000 --> 0:40:17.399
<v Speaker 1>He shout out for him.

0:40:17.520 --> 0:40:19.600
<v Speaker 5>But yeah, they've had one hundred and twenty dolphins die

0:40:19.640 --> 0:40:22.160
<v Speaker 5>in this seaquarium, so let's just keep it up and

0:40:22.600 --> 0:40:23.160
<v Speaker 5>keep out.

0:40:23.000 --> 0:40:26.360
<v Speaker 1>In them despicable. What's your relief.

0:40:26.440 --> 0:40:28.800
<v Speaker 5>My relief is going to be outing them, So I'm.

0:40:30.040 --> 0:40:32.800
<v Speaker 1>Having a platform to out that. Yes, so that's what

0:40:33.080 --> 0:40:33.800
<v Speaker 1>that's my relief.

0:40:33.840 --> 0:40:35.120
<v Speaker 5>So let's go get them Easton.

0:40:35.239 --> 0:40:36.239
<v Speaker 1>I love that for you.

0:40:36.560 --> 0:40:36.920
<v Speaker 3>Thank you.

0:40:38.080 --> 0:40:42.959
<v Speaker 2>My ache is going to be that. I really thought

0:40:42.960 --> 0:40:45.400
<v Speaker 2>that it was going to be more like five or six.

0:40:46.040 --> 0:40:49.759
<v Speaker 2>I guess I can wait until VPR episode eight for

0:40:49.800 --> 0:40:53.080
<v Speaker 2>the Valley to come out. That's my ache. My relief

0:40:53.120 --> 0:40:58.200
<v Speaker 2>is knowing that it's coming out because I got in

0:40:58.320 --> 0:41:01.640
<v Speaker 2>trouble for talk talking about it on my Amazon Live.

0:41:02.120 --> 0:41:03.040
<v Speaker 1>Alex might not know this.

0:41:03.160 --> 0:41:07.279
<v Speaker 2>Yeah, Bravo hit me up, not me personally, they hit

0:41:07.320 --> 0:41:09.440
<v Speaker 2>a member of my team up and they said, please

0:41:09.560 --> 0:41:12.360
<v Speaker 2>tell her to shut the fuck up and stop talking.

0:41:12.120 --> 0:41:15.160
<v Speaker 1>About the Valley. I'm just so excited about it.

0:41:15.280 --> 0:41:17.480
<v Speaker 2>You like people talking about it, well, not when it's

0:41:17.520 --> 0:41:18.480
<v Speaker 2>not announced yet.

0:41:18.680 --> 0:41:20.640
<v Speaker 3>Yeah sure, I mean that was like.

0:41:20.600 --> 0:41:23.160
<v Speaker 5>A couple of days before the announcement huh more of.

0:41:23.280 --> 0:41:25.799
<v Speaker 1>Like a couple of months. But it's okay, all right,

0:41:25.840 --> 0:41:26.399
<v Speaker 1>you shit the bed.

0:41:26.440 --> 0:41:30.880
<v Speaker 3>I was off, Yeah, I mean I don't mind people

0:41:30.920 --> 0:41:33.000
<v Speaker 3>talking about anything. And I think that also was a

0:41:33.120 --> 0:41:36.319
<v Speaker 3>badly kept secret anyway, right, I mean, there's no way

0:41:36.360 --> 0:41:38.919
<v Speaker 3>that people wouldn't know that we were shooting that show.

0:41:39.160 --> 0:41:41.080
<v Speaker 2>So I was like, how am I the one to

0:41:41.120 --> 0:41:44.560
<v Speaker 2>out this when you have people like Jack say, you're

0:41:44.680 --> 0:41:45.120
<v Speaker 2>telling me?

0:41:45.760 --> 0:41:48.000
<v Speaker 1>Neither of them have spilled the beans on it. Jax

0:41:48.080 --> 0:41:49.919
<v Speaker 1>was telling me us about it before I even started filming.

0:41:49.960 --> 0:41:50.960
<v Speaker 5>He was like, yeah, we're going to start it.

0:41:51.000 --> 0:41:53.040
<v Speaker 1>I was like, oh, nolexcitedn't think it was happening. I

0:41:53.080 --> 0:41:54.520
<v Speaker 1>was like, I really didn't need Jack.

0:41:54.600 --> 0:41:57.160
<v Speaker 3>Jax was coming out. I think you even sent me

0:41:57.160 --> 0:41:58.359
<v Speaker 3>a note. You're like, hey, is this thing real?

0:41:58.440 --> 0:42:02.640
<v Speaker 2>I was like, because, like Jack's I don't care if

0:42:02.640 --> 0:42:04.359
<v Speaker 2>he lives in his own world, but I'm concerned about

0:42:04.360 --> 0:42:06.640
<v Speaker 2>what he tells Brittany, and so like, if this is

0:42:06.640 --> 0:42:08.480
<v Speaker 2>not real, I need to sit Brittany down and be like, girl,

0:42:08.719 --> 0:42:10.239
<v Speaker 2>we got to move on from the conversation.

0:42:11.640 --> 0:42:15.719
<v Speaker 3>So my ach is the Beverly Hills reunion. At the

0:42:15.800 --> 0:42:17.279
<v Speaker 3>end of this week because I just want to be

0:42:17.320 --> 0:42:20.759
<v Speaker 3>done with that, okay. And then my relief and it

0:42:20.840 --> 0:42:25.160
<v Speaker 3>pertains to the first episode of VPR is that Tom

0:42:25.200 --> 0:42:26.520
<v Speaker 3>finally came back from New Zealand.

0:42:27.239 --> 0:42:32.080
<v Speaker 2>Yeah that was annoying right anyway, I love it, Alex.

0:42:32.120 --> 0:42:34.960
<v Speaker 2>Thank you so much for coming on my podcast, My Loves,

0:42:35.000 --> 0:42:36.840
<v Speaker 2>I love you all. Thank you for listening to another

0:42:36.880 --> 0:42:39.160
<v Speaker 2>episode of the Give Them All a Podcast. Remember, do

0:42:39.200 --> 0:42:43.239
<v Speaker 2>not support any places that use animals for entertainment. No

0:42:43.360 --> 0:42:45.800
<v Speaker 2>animals in captivities, spay in new to your pets, adopt,

0:42:45.880 --> 0:42:46.440
<v Speaker 2>don't shop.

0:42:46.560 --> 0:42:48.080
<v Speaker 1>I love you and I'll catch you next week.