WEBVTT - Stickiness, Part 3

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 2>is Robert.

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<v Speaker 3>Lamb and I'm Joe McCormick, and we're back with Part

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<v Speaker 3>three of our series on the physical property of stickiness.

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<v Speaker 3>Maybe you didn't know we were going to do a

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<v Speaker 3>part three, Maybe we didn't know we were going to

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<v Speaker 3>do a part three, but here we are back to

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<v Speaker 3>finish it out today.

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<v Speaker 2>Now.

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<v Speaker 3>In Part one of this series, we talked about starches

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<v Speaker 3>and sticky foods, most notably sticky rice aka sweet rice

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<v Speaker 3>aka glutinous rice, a wonderful food stuff that has a

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<v Speaker 3>lot of interesting chemical properties. And this sort of came

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<v Speaker 3>up in the context of my inspiration for this series,

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<v Speaker 3>which was, you know, my young child is eating fruits

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<v Speaker 3>and fruit based foods and those tend to like leave

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<v Speaker 3>mysterious sticky patches all over the house. Now, but so

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<v Speaker 3>we did that in part one. In Part two, we

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<v Speaker 3>talked about the unbelievably sticky feet of geckos, and we

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<v Speaker 3>also talked about a chapter in a book I've been

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<v Speaker 3>reading called Sticky, The Secret Science of Surfaces by Lori Winkless,

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<v Speaker 3>which is out just this year. And this chapter talked

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<v Speaker 3>about different ways that adhesive materials actually stick to one another.

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<v Speaker 3>Seems like it is much more complicated and less well

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<v Speaker 3>understood than you might guess.

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<v Speaker 2>That's right. The one of the realities we keep coming

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<v Speaker 2>up against in this series is that, yeah, the word

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<v Speaker 2>sticky covers a lot of ground, and so you know,

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<v Speaker 2>if you can't just narrow it down and say, oh, look,

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<v Speaker 2>this is sticky and this is something else, like what

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<v Speaker 2>kind of sticky? What flavor of sticky are you talking about?

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<v Speaker 2>It's a very general turn.

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<v Speaker 3>And as we come back to explore the topic for

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<v Speaker 3>one more episode, I'm going to take us in a

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<v Speaker 3>much less physical and more metaphorical direction because I got

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<v Speaker 3>very interested in the idea of sticky mental content. What

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<v Speaker 3>makes a memory or an idea stick in the mind.

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<v Speaker 3>And of course this is a question that could be

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<v Speaker 3>looked at a ton of different ways. I just isolated

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<v Speaker 3>one facet of this issue because it was so interesting

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<v Speaker 3>to me. What I want to talk about is something

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<v Speaker 3>known as flash bulb memories. Rob, I wonder if you

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<v Speaker 3>have similar experiences to this. I remember, when I was

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<v Speaker 3>young hearing my parents and friends of theirs. People in

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<v Speaker 3>my parents' age. You know, they'd be talking at a

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<v Speaker 3>party or get together or something, and I remember them

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<v Speaker 3>saying almost this exact sentence. I remember exactly where I

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<v Speaker 3>was when I heard about the Kennedy assassination.

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<v Speaker 2>Yeah, absolutely, I remember hearing the sort of thing growing up,

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<v Speaker 2>and then of course post nine to eleven there were

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<v Speaker 2>all new versions of this. Everyone not everyone, but a

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<v Speaker 2>lot of people had a similar take. I remember exactly

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<v Speaker 2>where I was, what I was wearing, what breakfast cereal,

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<v Speaker 2>the ceial I was eating when this occurred.

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<v Speaker 3>Right, exactly right. So in these types of memories, you

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<v Speaker 3>find out about some public event that has happened, and

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<v Speaker 3>you seem to have a memory of that moment of

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<v Speaker 3>finding out that is just rich with incredible, vivid detail,

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<v Speaker 3>and you have extreme confidence about the accuracy of those details.

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<v Speaker 3>I remember my parents saying this about the Kennedy assassination,

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<v Speaker 3>or people my parents were talking to. People our age,

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<v Speaker 3>like you say, might have similar memories about the nine

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<v Speaker 3>to eleven attacks. And if you're one of these people

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<v Speaker 3>and you have a memory of this kind, you can

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<v Speaker 3>almost like go back to that moment bodily right now.

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<v Speaker 3>You remember exactly where you were, who you were with,

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<v Speaker 3>how you heard about it and so forth. I actually

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<v Speaker 3>do have a very clear and strong memory of finding

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<v Speaker 3>out about the nine to eleven attacks in high school.

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<v Speaker 3>I remember we were gathering for some kind of morning

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<v Speaker 3>school assembly and I saw a friend of mine and

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<v Speaker 3>I sat down next to him, and he mentioned that

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<v Speaker 3>he had heard something. I think he think he said

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<v Speaker 3>on the radio or something, but he said mentioned he

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<v Speaker 3>had heard something about a plane hitting the World Trade Center.

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<v Speaker 3>And I have no way of knowing now if this

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<v Speaker 3>memory is actually accurate, but it feels extremely accurate. It

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<v Speaker 3>has stuck in my mind like glue.

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<v Speaker 2>Yeah, I mean, I have similar memories. But I also

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<v Speaker 2>feel like we've covered the we've covered false memories enough

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<v Speaker 2>on the show before, and we've discussed this exact scenario

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<v Speaker 2>regarding these these memories that we think we can trust,

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<v Speaker 2>but ultimately, upon close scrutiny, you know, the details fall apart.

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<v Speaker 2>Like that's enough to where I really I probably distrust

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<v Speaker 2>these memories more compared to other memories, just because I

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<v Speaker 2>know the sort of thing that goes on with them, right,

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<v Speaker 2>So I'm yeah, so I'm hesitant to really even state

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<v Speaker 2>that I was wearing this or I was with so

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<v Speaker 2>and so, and I even even even more recent examples

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<v Speaker 2>of this sort of thing, like I remember where I

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<v Speaker 2>was when I heard about the last presidential election results,

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<v Speaker 2>that sort of thing. But when I pause to think

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<v Speaker 2>about it for more than a moment and ask myself, well,

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<v Speaker 2>do you really can you really name all the people

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<v Speaker 2>that were there? Do you remember exactly where you were

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<v Speaker 2>when you were finishing up this kayak excursion and then

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<v Speaker 2>you somebody checked their phone and found the news. No,

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<v Speaker 2>I'm not that confident in the memory.

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<v Speaker 3>Well, yeah, I guess the irony is that, given how

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<v Speaker 3>much we read about memory research and how much we've

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<v Speaker 3>been primed by all of these studies finding you know,

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<v Speaker 3>the illusory confidence people have in things. Yeah, maybe maybe

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<v Speaker 3>the fact that it feels so so sticky in my

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<v Speaker 3>brain makes me actually more suspicious of it. But people

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<v Speaker 3>in general, I think, are mostly not suspicious of memories

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<v Speaker 3>like this. People in general think, well, yeah, maybe memory

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<v Speaker 3>is inaccurate sometimes. But one I'm absolutely certain about is

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<v Speaker 3>I remember hearing about the Kennedy assassination, or you know,

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<v Speaker 3>decades and decades later, or I remember where I was

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<v Speaker 3>when I heard about nine to eleven. That is like

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<v Speaker 3>the highest quality memory in my brain. And yet, given

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<v Speaker 3>neither of these historical examples, you know, nine to eleven

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<v Speaker 3>or the Kennedy assassination, do we usually have vivid, elaborate

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<v Speaker 3>memories about other events the same week? You know, if

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<v Speaker 3>you ask somebody who strongly remembers exactly how they heard

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<v Speaker 3>about the Kennedy assassination, they don't have detailed memories of

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<v Speaker 3>what they had for lunch the day before or what

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<v Speaker 3>they did after school the day after. So what causes

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<v Speaker 3>the details of a specific memory to become sticky in

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<v Speaker 3>this way where it stays in your mind for, you know,

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<v Speaker 3>sixty years later and still feels like it's in such

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<v Speaker 3>incredibly vivid detail, like you know that you're remembering it

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<v Speaker 3>exactly right. And why do these memories seem so accurate

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<v Speaker 3>compared to our forgetfulness of other memories from around the

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<v Speaker 3>same time in our lives. And why do these kinds

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<v Speaker 3>of intense, detailed snapshot memories tend to be associated. Of course,

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<v Speaker 3>we have similarly intense memories about other types of things,

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<v Speaker 3>But why is a category for these intense vivid memories

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<v Speaker 3>learning about a big, momentous public event, often a public tragedy.

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<v Speaker 3>Another often cited example is the Challenger explosion, and it

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<v Speaker 3>turns out psychologists have actually studied this phenomenon and have

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<v Speaker 3>looked into these questions. They have firmer answers to some

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<v Speaker 3>of these questions than other ones. These types of memories

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<v Speaker 3>have a special name. They're called flash bulb memories. So

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<v Speaker 3>I think the idea behind the name is it's kind

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<v Speaker 3>of like there is a flash photograph taken in a

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<v Speaker 3>darkened room, so everything around it is dark and obscure,

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<v Speaker 3>but the flash goes off and a picture of a

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<v Speaker 3>particular moment is captured and then frozen in memory, perhaps

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<v Speaker 3>for the rest of your life.

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<v Speaker 2>In fact, I think if we could ask JJ to

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<v Speaker 2>do this, JJ, can you hit us with just the

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<v Speaker 2>sound effect of a flash bulb, because many of you

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<v Speaker 2>haven't heard it in real life life at this point

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<v Speaker 2>or happened in a long time, but you've probably heard

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<v Speaker 2>it in movies, often with kind of a freeze framed

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<v Speaker 2>black and white effect, which does kind of get to

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<v Speaker 2>the heart of it, like the idea that here is

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<v Speaker 2>something has occurred and it is just you know, flash

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<v Speaker 2>bulb sound effect. It is it is set in your

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<v Speaker 2>mind and it will never change. This is a pristine

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<v Speaker 2>memory of what is occurring.

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<v Speaker 3>Okay, so time to mention a source. I've been reading

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<v Speaker 3>a paper collecting and summarizing the research on flashbulb memories.

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<v Speaker 3>This paper is called flashbulb Memories, published in Current Directions

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<v Speaker 3>in Psychological Science in the year twenty sixteen, and this

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<v Speaker 3>is by William Hurst and Elizabeth A. Phelps. So this

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<v Speaker 3>is trying to look at all of the research that

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<v Speaker 3>had been done up till that point and see what

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<v Speaker 3>conclusions could be drawn. So the term flashbulb memories traces

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<v Speaker 3>back to a pair of researchers named Roger Brown and

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<v Speaker 3>James Koolick who studied the phenomenon and published important research

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<v Speaker 3>on it in the year nineteen seventy seven. So to

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<v Speaker 3>briefly separate out, just so there's no confusion what flash

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<v Speaker 3>bold memories are and what they are not. Flash bold

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<v Speaker 3>memories are memories of the circumstances in which one learned

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<v Speaker 3>about a public event. So it's when you found out

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<v Speaker 3>about a public event, and this differentiates it from first

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<v Speaker 3>hand memories, like the kind of memory where you remember

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<v Speaker 3>an event that happened to you personally, something you were

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<v Speaker 3>there for, rather than something that you heard about or

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<v Speaker 3>read about. So flash bold memories are kind of interesting

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<v Speaker 3>that they straddle two different kinds of memory at the

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<v Speaker 3>same time. In one sense, they are autobiographical because they're

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<v Speaker 3>directly asking you to remember things about where you were

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<v Speaker 3>and who you were with and what happened to you

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<v Speaker 3>and what you felt. But they concern that that situation

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<v Speaker 3>that you're remembering in your own life is elicited by

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<v Speaker 3>a public event. It's not something that happened directly to you,

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<v Speaker 3>but a moment of gaining in information, of learning about

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<v Speaker 3>something that happened to other people. Another distinction is because

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<v Speaker 3>their autobiographical flashbuld memories are different from what are called

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<v Speaker 3>event memories in the literature. That name can be a

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<v Speaker 3>little confusing because it's like, if you have a memory

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<v Speaker 3>of an event in your life that sounds like that

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<v Speaker 3>would be an event memory, but what this refers to

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<v Speaker 3>is information about the public event itself. So you might

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<v Speaker 3>have your flashbuld memory of finding out about the Kennedy assassination.

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<v Speaker 3>That's where you were, how you heard about it, all

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<v Speaker 3>that stuff. But then also there would be public event memories,

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<v Speaker 3>which would be things like the date that had happened,

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<v Speaker 3>what time of day, the city it took place in,

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<v Speaker 3>what type of car Kennedy was riding, in the name

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<v Speaker 3>of the alleged assassin, and so forth. This is like

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<v Speaker 3>information about the eliciting event. That's also a different kind

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<v Speaker 3>of memory. So the flash bold memory is an autobiographical

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<v Speaker 3>memory about yourself in the circumstance of learning about this

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<v Speaker 3>important public event. And examples of events that have been

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<v Speaker 3>studied for creating slash bold memories include assassinations and other

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<v Speaker 3>politically charged public events. Also things with a more positive connotation.

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<v Speaker 3>The paper cited, like relevant World Cup victories like if

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<v Speaker 3>your country wins the World Cup, also events like the

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<v Speaker 3>fall of the Berlin Wall, and also natural disasters like

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<v Speaker 3>major earthquakes.

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<v Speaker 2>Okay, but at least some positive things thrun in the mix.

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<v Speaker 3>A lot more negative things than positive things have been studied,

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<v Speaker 3>and I want to talk about that later because that

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<v Speaker 3>may be interesting. I wonder if there are differences in

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<v Speaker 3>how those things are recorded. I guess the news that's

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<v Speaker 3>worth reporting is more often bad than good, right right.

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<v Speaker 3>So Brown and Kolick, the two researchers who did this

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<v Speaker 3>important early work on flash bold memories, argued that even

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<v Speaker 3>though these public events don't happen to us personally. They

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<v Speaker 3>involve so much emotion that the brain records them kind

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<v Speaker 3>of as if they did happen to us personally in

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<v Speaker 3>the moment that we find out about them. So we

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<v Speaker 3>have these unusual levels of accurate and exquisite detail. So

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<v Speaker 3>ultimately they sort of said, these memories seem to be

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<v Speaker 3>reliable and unchanging, like a photograph. In fact, the words

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<v Speaker 3>they use, which are quoted in this review paper, they

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<v Speaker 3>say these memories were quote unchanging as the slumbering rhine gold.

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<v Speaker 2>Oh oh, that's nice. You know, it is interesting the

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<v Speaker 2>idea that even though it doesn't happen to you directly,

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<v Speaker 2>like through our media absorption, we do a lot of

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<v Speaker 2>living vicariously through people in the media, celebrities and the

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<v Speaker 2>public eye and so forth. And then I also wonder

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<v Speaker 2>too you think about how we've evolved as a species

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<v Speaker 2>and the sort of groups we are supposed to occupy,

0:12:46.520 --> 0:12:49.040
<v Speaker 2>and the sort of information about said groups who would

0:12:49.080 --> 0:12:52.520
<v Speaker 2>have like we didn't we didn't evolve to live in

0:12:52.559 --> 0:12:56.640
<v Speaker 2>a continental or global society in which you could have

0:12:56.720 --> 0:13:01.760
<v Speaker 2>something catastrophic occur that did not directly or potentially directly affect.

0:13:01.440 --> 0:13:04.240
<v Speaker 3>You, right, I mean yeah, So I almost think there

0:13:04.679 --> 0:13:07.040
<v Speaker 3>is maybe a mental switch that has to be flipped

0:13:07.040 --> 0:13:10.480
<v Speaker 3>where we can like ignore most of the news we

0:13:10.640 --> 0:13:13.360
<v Speaker 3>encounter as being like, well, that doesn't directly affect me.

0:13:13.679 --> 0:13:17.320
<v Speaker 3>But for some reason, there's an emotional switch that you

0:13:17.360 --> 0:13:20.920
<v Speaker 3>can flip where even if it doesn't directly affect your life,

0:13:21.520 --> 0:13:24.120
<v Speaker 3>it's hit that emotion and now it feels like it

0:13:24.160 --> 0:13:26.360
<v Speaker 3>does It feels like it happened. You know, something that

0:13:26.360 --> 0:13:29.080
<v Speaker 3>happened to the president of the United States feels like

0:13:29.120 --> 0:13:31.920
<v Speaker 3>it happened to the leader of your ten person band.

0:13:32.640 --> 0:13:34.840
<v Speaker 2>Yeah, yeah, I guess there are a lot of moving

0:13:34.880 --> 0:13:36.880
<v Speaker 2>parts here because you can also you know, draw in

0:13:36.960 --> 0:13:40.360
<v Speaker 2>things like social norms and our you know, intense need

0:13:40.440 --> 0:13:43.440
<v Speaker 2>to fit in socially with our given survival group and

0:13:43.480 --> 0:13:44.360
<v Speaker 2>so forth.

0:13:44.679 --> 0:13:47.000
<v Speaker 3>Right, maybe we can come back and speculate more on

0:13:47.040 --> 0:13:50.080
<v Speaker 3>this when we finish with what the research has found.

0:13:50.080 --> 0:13:52.320
<v Speaker 3>So what we have brown and cool, Like they say,

0:13:52.440 --> 0:13:55.800
<v Speaker 3>these memories, they are as unchanging as the slumbering rine goal.

0:13:55.920 --> 0:13:58.480
<v Speaker 3>Do you just remember what happened in that moment and

0:13:58.559 --> 0:14:00.600
<v Speaker 3>it never changes the rest of your life. It is

0:14:00.640 --> 0:14:04.160
<v Speaker 3>like the treasure the under the river, is that under

0:14:04.160 --> 0:14:06.160
<v Speaker 3>the water being guarded by the Rhyine Maidens.

0:14:06.800 --> 0:14:08.720
<v Speaker 2>Yes, yes, the three Rhine Maidens.

0:14:08.840 --> 0:14:11.520
<v Speaker 3>But the authors of this review paper point out that

0:14:11.559 --> 0:14:15.480
<v Speaker 3>Brown and Kulick didn't actually have information that would justify

0:14:15.480 --> 0:14:18.520
<v Speaker 3>the claim that flash bold memories were unchanging as the

0:14:18.600 --> 0:14:22.360
<v Speaker 3>Rhine gold because they had nothing to compare their subject's

0:14:22.360 --> 0:14:26.400
<v Speaker 3>accounts too. Essentially, people would be prompted to recall a

0:14:26.440 --> 0:14:29.360
<v Speaker 3>flash bold memory like do you have a memory of this,

0:14:30.200 --> 0:14:33.960
<v Speaker 3>and then people would say, just like we've heard before, yes,

0:14:34.040 --> 0:14:36.880
<v Speaker 3>I remember exactly where I was. This is how I

0:14:36.960 --> 0:14:40.760
<v Speaker 3>found out, Here's what happened. Here are all the details. Now,

0:14:40.920 --> 0:14:43.880
<v Speaker 3>in light of other findings in psychology that people can

0:14:44.080 --> 0:14:47.800
<v Speaker 3>have the strong genuine impression of remembering things in ways

0:14:47.840 --> 0:14:52.600
<v Speaker 3>that you can prove objectively are inaccurate, some researchers started

0:14:52.600 --> 0:14:56.240
<v Speaker 3>to doubt whether these flash bold memories were actually as

0:14:56.280 --> 0:15:00.560
<v Speaker 3>accurate as Brown and Kulick suggested and as act as

0:15:00.560 --> 0:15:03.200
<v Speaker 3>people generally feel that they are in their own lives.

0:15:03.880 --> 0:15:06.400
<v Speaker 3>But this would be a difficult thing to test, right, Like,

0:15:06.440 --> 0:15:09.400
<v Speaker 3>what can you do? You can't follow people around twenty

0:15:09.400 --> 0:15:12.120
<v Speaker 3>four to seven with a video camera and just wait

0:15:12.200 --> 0:15:14.720
<v Speaker 3>for them to hear about a major public event and

0:15:14.760 --> 0:15:16.680
<v Speaker 3>then test them on it later and compare it to

0:15:16.720 --> 0:15:22.440
<v Speaker 3>the videotape that's obviously not feasible. So while testing the

0:15:22.880 --> 0:15:28.080
<v Speaker 3>true accuracy of flash Bold memories to the direct events themselves,

0:15:28.120 --> 0:15:30.880
<v Speaker 3>the moment people find out about these things, that would

0:15:30.880 --> 0:15:33.480
<v Speaker 3>be extremely difficult. But researchers did come up with what

0:15:33.600 --> 0:15:36.440
<v Speaker 3>I think is a very clever proxy, and it's very simple.

0:15:36.520 --> 0:15:41.520
<v Speaker 3>Instead of testing accuracy, they would test consistency, and so

0:15:41.640 --> 0:15:45.480
<v Speaker 3>this would work on the test retest method. So it

0:15:45.560 --> 0:15:48.400
<v Speaker 3>works like this, as soon as possible after a major

0:15:48.440 --> 0:15:51.080
<v Speaker 3>public event, the same day, if possible, or the very

0:15:51.120 --> 0:15:54.880
<v Speaker 3>next day, you give people a questionnaire asking them to

0:15:55.040 --> 0:15:57.560
<v Speaker 3>narrate how they found out and answer a whole bunch

0:15:57.560 --> 0:16:01.080
<v Speaker 3>of autobiographical questions about that moment. You know, where were you,

0:16:01.200 --> 0:16:03.440
<v Speaker 3>how did you hear about it, who was with you,

0:16:03.680 --> 0:16:06.960
<v Speaker 3>and so forth, And then you just hold on to

0:16:07.080 --> 0:16:11.000
<v Speaker 3>their answers to that questionnaire, and then after a delay,

0:16:11.280 --> 0:16:15.240
<v Speaker 3>you give subsets of that initial sample group at different

0:16:15.280 --> 0:16:18.760
<v Speaker 3>periods exactly the same questionnaire. So maybe a few days

0:16:18.800 --> 0:16:21.080
<v Speaker 3>later some people will get it, maybe a few weeks later,

0:16:21.400 --> 0:16:24.080
<v Speaker 3>a few months, even years down the road, and you

0:16:24.120 --> 0:16:28.360
<v Speaker 3>simply compare their answers to the later questionnaire to what

0:16:28.400 --> 0:16:32.800
<v Speaker 3>they said immediately after the event. So what do studies

0:16:32.840 --> 0:16:35.480
<v Speaker 3>of this sort reveal. Well, the results are a little

0:16:35.480 --> 0:16:39.120
<v Speaker 3>bit mixed. There were a few reports supporting some broad

0:16:39.240 --> 0:16:43.120
<v Speaker 3>levels of consistency after delays, but the majority of these

0:16:43.120 --> 0:16:47.920
<v Speaker 3>studies have found substantial changes to flash Bold memories over time,

0:16:48.480 --> 0:16:51.040
<v Speaker 3>and for the most part, we have no idea that

0:16:51.120 --> 0:16:54.640
<v Speaker 3>these changes are happening In our own brains. We remember

0:16:54.720 --> 0:16:58.200
<v Speaker 3>the flash Bold moment one way a year later, and

0:16:58.280 --> 0:17:02.240
<v Speaker 3>it feels intensely vivid, inaccurate, and we are sure this

0:17:02.280 --> 0:17:05.200
<v Speaker 3>is exactly how it happened. We could not be wrong,

0:17:05.680 --> 0:17:08.040
<v Speaker 3>but it's not what we said happened the same day

0:17:08.119 --> 0:17:11.280
<v Speaker 3>or the day after. Now, I guess you could say

0:17:11.280 --> 0:17:14.119
<v Speaker 3>it's possible that the first questionnaire is wrong, that the

0:17:14.160 --> 0:17:16.600
<v Speaker 3>initial reports from right around the time of the event

0:17:16.680 --> 0:17:20.840
<v Speaker 3>are not accurate. But if there are differences between what

0:17:20.920 --> 0:17:23.199
<v Speaker 3>you remember the same day or the day after and

0:17:23.240 --> 0:17:26.159
<v Speaker 3>what you remember a year later, is it likely that

0:17:26.200 --> 0:17:29.280
<v Speaker 3>the memory from a year later is the more accurate one.

0:17:29.520 --> 0:17:33.120
<v Speaker 3>I would tend to think no. And so while consistency

0:17:33.240 --> 0:17:36.360
<v Speaker 3>is different from accuracy, I think it's a decent proxy

0:17:36.400 --> 0:17:36.760
<v Speaker 3>for it.

0:17:37.400 --> 0:17:40.679
<v Speaker 2>Yeah, absolutely, of course, This also brings me back to

0:17:40.760 --> 0:17:43.399
<v Speaker 2>other memory of related topics we've discussed in terms of

0:17:43.680 --> 0:17:47.040
<v Speaker 2>retrieval errors and the idea that every time you retrieve

0:17:47.080 --> 0:17:52.920
<v Speaker 2>a memory, it is susceptible to change. So frequently retrieved memories,

0:17:53.240 --> 0:17:55.800
<v Speaker 2>or the memories we retrieve the most, are also the

0:17:55.840 --> 0:17:58.919
<v Speaker 2>ones that have been augmented the most. And I can

0:17:58.960 --> 0:18:01.560
<v Speaker 2>imagine you have a synay, it's like, what is causing

0:18:01.600 --> 0:18:05.040
<v Speaker 2>you to retrieve said memory, and the necessity of the

0:18:05.119 --> 0:18:10.640
<v Speaker 2>retrieval then alters the surface of the memory retrieved.

0:18:10.760 --> 0:18:13.560
<v Speaker 3>You know, yeah, yeah, I think that may well play

0:18:13.560 --> 0:18:15.800
<v Speaker 3>a role in what's going on here, because there are

0:18:15.840 --> 0:18:20.480
<v Speaker 3>patterns of how we treat different types of autobiographical memories,

0:18:20.800 --> 0:18:23.800
<v Speaker 3>and these flashbulb moments are things that may well be

0:18:24.440 --> 0:18:30.280
<v Speaker 3>sort of unusually rehearsed compared to other day to day memories.

0:18:30.800 --> 0:18:32.960
<v Speaker 2>Yeah, yeah, And then think, for instance, they can be

0:18:33.400 --> 0:18:37.760
<v Speaker 2>potentially altered by someone else retrieving said memory, someone else

0:18:37.800 --> 0:18:39.840
<v Speaker 2>telling you where they were when such and such happen,

0:18:39.920 --> 0:18:42.600
<v Speaker 2>And then you retrieve your story. But maybe it's a

0:18:42.640 --> 0:18:45.280
<v Speaker 2>little bit different this time. Maybe it's a little more

0:18:45.520 --> 0:18:48.520
<v Speaker 2>like the one you just heard, or it's sort of

0:18:48.560 --> 0:18:51.480
<v Speaker 2>almost intentionally different in some regards compared to the one

0:18:51.480 --> 0:18:53.800
<v Speaker 2>you just heard. There's so many ways you could slice it.

0:18:54.200 --> 0:18:56.280
<v Speaker 3>Despite the fact that I think Brown and Kolick we're

0:18:56.280 --> 0:18:59.560
<v Speaker 3>wrong about these memories being accurate and unchanging, or at

0:18:59.640 --> 0:19:03.400
<v Speaker 3>least being wrong about them being unchanging, they did discover

0:19:03.600 --> 0:19:07.879
<v Speaker 3>something important, which was that these memories are sticky in

0:19:08.000 --> 0:19:11.600
<v Speaker 3>one sense. The research reveals the memories are sticky, but

0:19:11.640 --> 0:19:14.400
<v Speaker 3>they're not sticky in the way that we think they are.

0:19:14.760 --> 0:19:17.159
<v Speaker 3>They're sticky in the sense that they do stick in

0:19:17.240 --> 0:19:20.600
<v Speaker 3>the memory, and we recall them later with great ease

0:19:20.640 --> 0:19:24.200
<v Speaker 3>of retrieval and confidence in their details, and great depth

0:19:24.240 --> 0:19:27.520
<v Speaker 3>of feeling about our ability to relive the moment. But

0:19:27.600 --> 0:19:30.679
<v Speaker 3>they're not actually sticky in the sense of preserving the

0:19:30.760 --> 0:19:34.840
<v Speaker 3>details of what happened on that day unchanged, at least

0:19:34.880 --> 0:19:37.119
<v Speaker 3>not as well as it feels like they do. In

0:19:37.160 --> 0:19:39.840
<v Speaker 3>the words of the authors of this review paper, Hurston

0:19:39.880 --> 0:19:43.800
<v Speaker 3>Phelps quote Brown and Kulick, and researchers employing the test

0:19:43.880 --> 0:19:49.720
<v Speaker 3>retest method are discussing two different claims about forgetting. Brown

0:19:49.760 --> 0:19:53.720
<v Speaker 3>and Kulick treated forgetting as a failure to have a memory.

0:19:53.880 --> 0:19:57.120
<v Speaker 3>You know, somebody's saying I can't remember anything whereas those

0:19:57.119 --> 0:20:01.680
<v Speaker 3>employing a test retest methodology treat forgetting as a failure

0:20:01.760 --> 0:20:05.919
<v Speaker 3>to remember the past consistently. When Brown and Kolik stated

0:20:05.920 --> 0:20:08.720
<v Speaker 3>that there is no forgetting, they are right in the

0:20:08.760 --> 0:20:12.439
<v Speaker 3>sense that most members of the public report having a

0:20:12.520 --> 0:20:16.399
<v Speaker 3>memory even after ten years. That's not true about a

0:20:16.440 --> 0:20:19.320
<v Speaker 3>whole lot that goes on in our lives. But then

0:20:19.320 --> 0:20:22.360
<v Speaker 3>the authors go on as the test retest work indicates

0:20:22.600 --> 0:20:26.480
<v Speaker 3>the memory may not be consistent, but it is long lasting.

0:20:27.440 --> 0:20:29.640
<v Speaker 3>I think that's a really interesting distinction they're making.

0:20:30.560 --> 0:20:34.200
<v Speaker 2>Yeah, yeah, there is something about the memory that is lasting,

0:20:34.680 --> 0:20:38.080
<v Speaker 2>which raises the question why does it last? Why does

0:20:38.119 --> 0:20:41.160
<v Speaker 2>it remain stuck to the fridge of memory even if

0:20:41.240 --> 0:20:45.280
<v Speaker 2>the details of the node or the drawing or whatever

0:20:45.800 --> 0:20:47.560
<v Speaker 2>have changed even substantially.

0:20:48.040 --> 0:20:50.359
<v Speaker 3>I think that's a great question. So one thing I

0:20:50.400 --> 0:20:54.920
<v Speaker 3>was fascinated by was details about how the memories change,

0:20:54.960 --> 0:20:59.120
<v Speaker 3>like what actually changes about them. A few interesting observations

0:20:59.440 --> 0:21:03.679
<v Speaker 3>they mentioned. One is that there is a type of

0:21:03.760 --> 0:21:06.919
<v Speaker 3>consistency that emerges in how we remember these memories, but

0:21:06.960 --> 0:21:10.520
<v Speaker 3>it's not consistency to the day to like the original event.

0:21:10.920 --> 0:21:14.000
<v Speaker 3>The way they put it is, once a consistency emerges

0:21:14.119 --> 0:21:16.960
<v Speaker 3>in our memory of a flash bulb event, it tends

0:21:17.000 --> 0:21:19.800
<v Speaker 3>to stick. So I'm just making up this example. But

0:21:20.720 --> 0:21:25.080
<v Speaker 3>for illustration, let's say you answer a questionnaire on the

0:21:25.160 --> 0:21:28.639
<v Speaker 3>day of the event saying that you heard about the

0:21:28.640 --> 0:21:30.960
<v Speaker 3>event because you were up in the morning by yourself

0:21:31.040 --> 0:21:33.080
<v Speaker 3>making coffee and you heard about it on the radio

0:21:33.160 --> 0:21:35.320
<v Speaker 3>in the kitchen, and you can give all these details

0:21:35.359 --> 0:21:38.639
<v Speaker 3>about that. And then you do the same questionnaire a

0:21:38.680 --> 0:21:41.080
<v Speaker 3>couple of months later, or even a few weeks later,

0:21:41.440 --> 0:21:43.280
<v Speaker 3>and you say, you heard about it when you were

0:21:43.320 --> 0:21:47.040
<v Speaker 3>stuck in traffic with your carpool group on the freeway

0:21:47.400 --> 0:21:48.919
<v Speaker 3>on the way to work, and you heard about it

0:21:48.960 --> 0:21:52.320
<v Speaker 3>on the radio. What the research tends to find is

0:21:52.520 --> 0:21:58.080
<v Speaker 3>people will tend to pretty consistently reproduce the second story.

0:21:58.680 --> 0:22:01.720
<v Speaker 3>So you ask them again years on and they will

0:22:01.760 --> 0:22:05.000
<v Speaker 3>tell the same story they told in the later questionnaire,

0:22:05.280 --> 0:22:08.440
<v Speaker 3>So that one tends to stick as if it were

0:22:08.480 --> 0:22:11.240
<v Speaker 3>the original one, and people think it's the original one.

0:22:11.480 --> 0:22:14.560
<v Speaker 3>But for some reason, there's this change that occurs early on,

0:22:14.760 --> 0:22:17.800
<v Speaker 3>within the first year after the event. So it's kind

0:22:17.840 --> 0:22:21.640
<v Speaker 3>of like there is a stickiness quality and a consistency equality.

0:22:21.640 --> 0:22:25.560
<v Speaker 3>But what sticks is not the memory of the event itself,

0:22:26.000 --> 0:22:28.960
<v Speaker 3>but the way it emerges as a narrative in your

0:22:29.000 --> 0:22:31.720
<v Speaker 3>brain typically it's sort of fine. They say that it

0:22:31.760 --> 0:22:34.520
<v Speaker 3>finds this form within the first year after the event,

0:22:34.840 --> 0:22:37.800
<v Speaker 3>and once it finds that changed form in the brain.

0:22:37.880 --> 0:22:40.000
<v Speaker 3>Of course, to be fair, I want to make sure

0:22:40.560 --> 0:22:43.359
<v Speaker 3>I'm saying it doesn't always change. It just does in

0:22:43.400 --> 0:22:46.840
<v Speaker 3>a whole lot of cases. Once it finds that changed form,

0:22:47.240 --> 0:22:50.159
<v Speaker 3>it tends to change a lot less after that. So

0:22:50.480 --> 0:22:55.280
<v Speaker 3>it's the inaccurate or inconsistent story that we start telling

0:22:55.400 --> 0:22:58.440
<v Speaker 3>about how we remember the about how we remember the event,

0:22:58.720 --> 0:23:02.880
<v Speaker 3>that we keep remembering for years on after that fascinating.

0:23:03.359 --> 0:23:06.359
<v Speaker 3>Another interesting thing the author has mentioned here is that

0:23:06.880 --> 0:23:10.960
<v Speaker 3>the inconsistent details that emerge in later questionnaires about these

0:23:11.000 --> 0:23:16.600
<v Speaker 3>flashbulb events are not always like just you know, fabricated

0:23:16.760 --> 0:23:19.840
<v Speaker 3>details from out of nowhere. One common thing that happens

0:23:20.160 --> 0:23:24.040
<v Speaker 3>is what they call time slice confusions, and this is

0:23:24.119 --> 0:23:29.240
<v Speaker 3>essentially the tendency to remember a second or third time

0:23:29.600 --> 0:23:33.040
<v Speaker 3>you found out about an event as the original time.

0:23:33.640 --> 0:23:36.159
<v Speaker 3>So maybe you hear about the event on the radio,

0:23:36.680 --> 0:23:39.640
<v Speaker 3>and then you say in this original questionnaire that later

0:23:39.760 --> 0:23:42.000
<v Speaker 3>the same day you had a conversation with a friend

0:23:42.000 --> 0:23:44.920
<v Speaker 3>about the event a few weeks down the road, you

0:23:45.000 --> 0:23:48.800
<v Speaker 3>might remember the conversation with the friend as how you

0:23:48.920 --> 0:23:50.119
<v Speaker 3>found out about the event.

0:23:50.640 --> 0:23:53.560
<v Speaker 2>That's interesting, again, a lot of moving parts there, right,

0:23:53.560 --> 0:23:56.679
<v Speaker 2>because the first version in theory here is just like

0:23:56.720 --> 0:24:00.280
<v Speaker 2>a solo discovery of the event of the same second

0:24:00.320 --> 0:24:04.639
<v Speaker 2>one is like a social interaction and you know, conceivably

0:24:04.640 --> 0:24:08.720
<v Speaker 2>a discussion about the event with social ramifications. And then

0:24:08.760 --> 0:24:11.200
<v Speaker 2>you're coming back and remembering that. You know, what does

0:24:11.200 --> 0:24:13.280
<v Speaker 2>that mean? Is it? How much of it is like

0:24:13.320 --> 0:24:15.119
<v Speaker 2>the power of narrative, like we were talking about, You've

0:24:15.160 --> 0:24:18.159
<v Speaker 2>given it narrative form, You've given it more life and stickiness.

0:24:18.640 --> 0:24:20.800
<v Speaker 2>Or is social interaction is that something that gives it

0:24:20.840 --> 0:24:22.480
<v Speaker 2>more stickiness, et cetera.

0:24:23.080 --> 0:24:25.800
<v Speaker 3>Yeah, it also strikes me as though that was just

0:24:26.040 --> 0:24:28.439
<v Speaker 3>a possible example I brought up. I mean, it strikes

0:24:28.480 --> 0:24:33.440
<v Speaker 3>me that generally combining multiple finding out about something events

0:24:33.480 --> 0:24:37.760
<v Speaker 3>into a single event is the same kind of It's

0:24:37.800 --> 0:24:39.560
<v Speaker 3>the same kind of work like you might do when

0:24:39.600 --> 0:24:42.600
<v Speaker 3>you're revising a story you've written to like condense things

0:24:42.640 --> 0:24:44.280
<v Speaker 3>and to like make it punchier.

0:24:44.400 --> 0:24:48.679
<v Speaker 2>You know. Yeah, Like, I mean, it even applies I

0:24:48.720 --> 0:24:53.240
<v Speaker 2>think to really unimportant things. I mean, you know subjectively,

0:24:53.520 --> 0:24:55.359
<v Speaker 2>you know things about like where did you discover a

0:24:55.400 --> 0:24:58.040
<v Speaker 2>particular artist? You know, where did you first hear a

0:24:58.080 --> 0:25:01.760
<v Speaker 2>particular song? Like, you know, the less interesting version is like,

0:25:01.760 --> 0:25:03.320
<v Speaker 2>oh I heard it a few times and I didn't

0:25:03.359 --> 0:25:05.520
<v Speaker 2>like it or didn't notice it, and then finally one

0:25:05.600 --> 0:25:08.080
<v Speaker 2>day I just suddenly it sounded good. No, No, you

0:25:08.880 --> 0:25:11.080
<v Speaker 2>want like a more pure discovery story if you want

0:25:11.119 --> 0:25:13.919
<v Speaker 2>to impress people, It's like, well, I was driving along

0:25:14.640 --> 0:25:18.000
<v Speaker 2>this deserted stretch of road and this song started playing

0:25:18.040 --> 0:25:19.760
<v Speaker 2>and it was like unlike, it was unlike anything I'd

0:25:19.800 --> 0:25:20.680
<v Speaker 2>ever heard before.

0:25:21.160 --> 0:25:23.399
<v Speaker 3>I bet this happens a lot, and this wouldn't be

0:25:23.400 --> 0:25:26.280
<v Speaker 3>a flashbold memory, but I bet this same kind of

0:25:26.520 --> 0:25:30.000
<v Speaker 3>streamlining of memories happens a lot in how people remember

0:25:30.440 --> 0:25:33.840
<v Speaker 3>meeting like their partner significant other, because I think a

0:25:33.880 --> 0:25:36.280
<v Speaker 3>lot of times people might be kind of in the

0:25:36.280 --> 0:25:40.840
<v Speaker 3>social orbit of somebody and like meet them a few

0:25:40.840 --> 0:25:43.119
<v Speaker 3>times and it just doesn't really make any impression, and

0:25:43.160 --> 0:25:45.520
<v Speaker 3>then they have a moment where they're like, oh, here's

0:25:45.560 --> 0:25:47.480
<v Speaker 3>the first time we really like talked and got to

0:25:47.520 --> 0:25:50.439
<v Speaker 3>know each other, and they remember that as their first

0:25:50.480 --> 0:25:52.520
<v Speaker 3>meeting when it was not. Actually it was just that

0:25:52.800 --> 0:25:55.800
<v Speaker 3>these other earlier meetings are just not very interesting and

0:25:55.840 --> 0:25:58.440
<v Speaker 3>nothing happened, so you don't actually remember you met them.

0:25:58.480 --> 0:26:01.679
<v Speaker 2>Then, yeah, because sometimes it happens like that in the movies,

0:26:01.680 --> 0:26:04.320
<v Speaker 2>but more often than not it doesn't. More often than not,

0:26:04.400 --> 0:26:06.359
<v Speaker 2>you have that big dramatic moment, you know, that that

0:26:06.520 --> 0:26:09.199
<v Speaker 2>sappy moment of eyes meeting across the room and the

0:26:09.280 --> 0:26:12.400
<v Speaker 2>music kicks in, and on some level, yeah, you want

0:26:12.440 --> 0:26:16.840
<v Speaker 2>to retell your story in a way that fits the myth,

0:26:17.359 --> 0:26:21.000
<v Speaker 2>that fits the you know, the ideal version that has

0:26:21.040 --> 0:26:23.560
<v Speaker 2>presented you to you in popular narratives.

0:26:33.160 --> 0:26:35.840
<v Speaker 3>So, coming back to this paper, studies have tried to

0:26:35.840 --> 0:26:39.600
<v Speaker 3>figure out what are the necessary and sufficient conditions for

0:26:39.760 --> 0:26:42.920
<v Speaker 3>the formation of flash bulb memories, when and under what

0:26:42.960 --> 0:26:46.320
<v Speaker 3>conditions are they formed, But the goal of finding these

0:26:46.359 --> 0:26:49.960
<v Speaker 3>conditions has been it's proven elusive, like it's hard to

0:26:50.040 --> 0:26:54.719
<v Speaker 3>identify features common to all flash bulb type memories. So

0:26:54.880 --> 0:26:58.399
<v Speaker 3>the researchers have asked questions like, is the event being

0:26:58.480 --> 0:27:03.080
<v Speaker 3>consequential to a person's life necessary or sufficient to call

0:27:03.160 --> 0:27:06.080
<v Speaker 3>us a flash bold memory? The answer seems to be no.

0:27:06.320 --> 0:27:09.800
<v Speaker 3>We create flash bold memories for things that don't personally

0:27:09.880 --> 0:27:12.000
<v Speaker 3>affect us. Of course, we do also for things that

0:27:12.080 --> 0:27:15.280
<v Speaker 3>do but they don't have to affect us personally. Sometimes

0:27:15.359 --> 0:27:18.080
<v Speaker 3>things that really have no tangible impact on our lives

0:27:18.160 --> 0:27:21.439
<v Speaker 3>will make one of these type memories. Also, there are

0:27:21.520 --> 0:27:24.719
<v Speaker 3>lots of things that have major direct impacts on our

0:27:24.760 --> 0:27:27.520
<v Speaker 3>lives and they don't elicit flash bold memories when we

0:27:27.560 --> 0:27:29.879
<v Speaker 3>find out about them, so it seems to be neither

0:27:30.000 --> 0:27:34.000
<v Speaker 3>necessary nor sufficient for it to have impact on us personally.

0:27:34.480 --> 0:27:37.360
<v Speaker 2>Plus, the impact is subjective, right, because I can think

0:27:37.400 --> 0:27:40.760
<v Speaker 2>of plenty of examples where a celebrity has passed and

0:27:40.800 --> 0:27:43.639
<v Speaker 2>you'll see or know people, or perhaps you are the

0:27:43.640 --> 0:27:47.640
<v Speaker 2>person who has like a real significant reaction to it,

0:27:47.720 --> 0:27:50.360
<v Speaker 2>And sometimes it's because it lines up with something else

0:27:50.400 --> 0:27:52.320
<v Speaker 2>in your personal life, or it's just you know, you're

0:27:52.359 --> 0:27:56.280
<v Speaker 2>a huge fan and all that's fair, but you know,

0:27:56.880 --> 0:27:59.040
<v Speaker 2>it's a different animal than perhaps hearing about this other

0:27:59.119 --> 0:28:02.919
<v Speaker 2>celebrity that the same week that you don't have the

0:28:02.920 --> 0:28:06.440
<v Speaker 2>connection with, or they don't remind you of your dad

0:28:06.600 --> 0:28:08.439
<v Speaker 2>or your mom or your grandfather or something.

0:28:08.880 --> 0:28:14.080
<v Speaker 3>Right, And unsurprisingly, there's at least some research finding that

0:28:14.160 --> 0:28:17.679
<v Speaker 3>people are more likely to report high confidence in the

0:28:17.880 --> 0:28:21.040
<v Speaker 3>accuracy of their flash bold memories if the central figure

0:28:21.560 --> 0:28:24.359
<v Speaker 3>in the public event is someone they feel a social

0:28:24.440 --> 0:28:27.919
<v Speaker 3>bond with. And that comes around to another factor influencing

0:28:28.000 --> 0:28:30.520
<v Speaker 3>the formation of these memories that the researchers bring up,

0:28:30.520 --> 0:28:34.520
<v Speaker 3>and that's the concept of social identity. It seems like

0:28:34.680 --> 0:28:37.679
<v Speaker 3>flash bold memories, even though they relate to finding out

0:28:38.080 --> 0:28:42.240
<v Speaker 3>about public rather than personal events, are more likely to

0:28:42.280 --> 0:28:46.560
<v Speaker 3>be things that somehow kind of form the story of yourself.

0:28:47.400 --> 0:28:49.600
<v Speaker 3>So to read a passage from Hurst and Phelps here

0:28:49.720 --> 0:28:52.840
<v Speaker 3>quote they play this role in part because they mark

0:28:52.880 --> 0:28:56.520
<v Speaker 3>those instances during which people feel that they are part

0:28:56.680 --> 0:29:01.440
<v Speaker 3>of the history of their social group. In nineteen eighty two,

0:29:01.520 --> 0:29:05.520
<v Speaker 3>wrote and here they're quoting this other researcher. One quote

0:29:05.840 --> 0:29:10.200
<v Speaker 3>recalls an occasion where two narratives that we ordinarily keep separate,

0:29:10.480 --> 0:29:13.040
<v Speaker 3>the course of history and the course of our lives,

0:29:13.400 --> 0:29:18.240
<v Speaker 3>were momentarily put into alignment. Details are linked between our

0:29:18.280 --> 0:29:22.840
<v Speaker 3>own history and history capital h flashball memories are the

0:29:22.920 --> 0:29:26.160
<v Speaker 3>places we line up our lives with the source of

0:29:26.280 --> 0:29:30.400
<v Speaker 3>history itself, and say, I was there, I thought that

0:29:30.480 --> 0:29:35.920
<v Speaker 3>was really interesting. Yeah, yeah, about the intersection of the

0:29:35.920 --> 0:29:38.240
<v Speaker 3>two lines. So, yeah, we tell the story of ourselves.

0:29:38.240 --> 0:29:41.720
<v Speaker 3>But sometimes there's just like the moment that connects with

0:29:41.880 --> 0:29:45.480
<v Speaker 3>the event that everybody else remembers, with something that was

0:29:45.560 --> 0:29:49.720
<v Speaker 3>known and experienced by everyone, almost kind of like the

0:29:49.760 --> 0:29:53.480
<v Speaker 3>forest gump syndrome, you know it just keep you're intersecting

0:29:53.560 --> 0:29:57.320
<v Speaker 3>with known public events in history, and for some reason

0:29:57.480 --> 0:30:02.080
<v Speaker 3>we form these feelings were remembering these events very strongly,

0:30:02.120 --> 0:30:03.760
<v Speaker 3>and they stick with us throughout our lives.

0:30:04.600 --> 0:30:04.800
<v Speaker 2>Hmm.

0:30:05.040 --> 0:30:09.479
<v Speaker 3>Fascinating, And the authors point out interesting findings that the

0:30:09.640 --> 0:30:13.200
<v Speaker 3>common feelings of a social group about a historical event

0:30:14.080 --> 0:30:17.600
<v Speaker 3>may affect and alter how members of that group remember

0:30:17.680 --> 0:30:22.680
<v Speaker 3>the autobiographical details of learning of that event themselves. For example,

0:30:23.120 --> 0:30:26.160
<v Speaker 3>the authors cite one study that this is the kind

0:30:26.160 --> 0:30:28.640
<v Speaker 3>of finding that it's like almost too perfect, So I

0:30:28.640 --> 0:30:31.040
<v Speaker 3>wouldn't want to hang too much on this study. In

0:30:31.160 --> 0:30:33.640
<v Speaker 3>less similar findings were replicated all over the place, but

0:30:34.200 --> 0:30:39.000
<v Speaker 3>in isolation. It is interesting. So the researchers were Berntson

0:30:39.080 --> 0:30:42.880
<v Speaker 3>and Thompson in two thousand and five, and they studied

0:30:43.240 --> 0:30:47.840
<v Speaker 3>elderly Danes who had something like flash bolt memories of

0:30:48.320 --> 0:30:51.440
<v Speaker 3>when they learned about the German invasion of Denmark, the

0:30:51.760 --> 0:30:54.800
<v Speaker 3>Nazi invasion of their country in World War Two, and

0:30:55.200 --> 0:30:57.920
<v Speaker 3>when they learned about the German withdrawal from their country.

0:30:58.400 --> 0:31:02.080
<v Speaker 3>In these autobiographical memories related to these public events, the

0:31:02.160 --> 0:31:05.920
<v Speaker 3>Danes were more likely to remember the weather as being

0:31:06.120 --> 0:31:08.720
<v Speaker 3>worse than it was on the day they found out

0:31:08.760 --> 0:31:12.200
<v Speaker 3>about the invasion, and to remember the weather as being

0:31:12.280 --> 0:31:15.240
<v Speaker 3>better than it actually was on the day of the withdrawal.

0:31:17.560 --> 0:31:21.520
<v Speaker 3>So like these autobiographical memories are being influenced by like

0:31:22.440 --> 0:31:24.520
<v Speaker 3>you know, sort of like feelings as part of a

0:31:24.560 --> 0:31:28.760
<v Speaker 3>social group about the moral valence or the positive or

0:31:28.760 --> 0:31:32.920
<v Speaker 3>negative valance of what's happening in the news. Finally, another

0:31:32.960 --> 0:31:35.920
<v Speaker 3>feature of these these sticky memories can be illustrated in

0:31:36.000 --> 0:31:38.080
<v Speaker 3>the title of a paper from two thousand and three

0:31:38.200 --> 0:31:41.720
<v Speaker 3>by Jennifer M. Talerico and David C. Rubin, and that

0:31:41.800 --> 0:31:47.720
<v Speaker 3>title is confidence, not consistency, characterizes flash bold memories. This

0:31:47.880 --> 0:31:50.960
<v Speaker 3>was in psychological science again this the year two thousand

0:31:50.960 --> 0:31:55.160
<v Speaker 3>and three. Hurston Phelps write, quote One agreed upon difference

0:31:55.200 --> 0:31:59.400
<v Speaker 3>between flash bold memories and everyday autobiographical memories, even those

0:31:59.480 --> 0:32:03.600
<v Speaker 3>that are raed as important, is that confidence in flash

0:32:03.600 --> 0:32:09.000
<v Speaker 3>bold memories remains high even when consistency declines, whereas confidence

0:32:09.040 --> 0:32:14.719
<v Speaker 3>in every day autobiographical memories declines along with consistency, So

0:32:14.760 --> 0:32:17.880
<v Speaker 3>does that make sense? Like the memories for regular events,

0:32:18.000 --> 0:32:20.760
<v Speaker 3>they decline in consistency, you know, trying to remember what

0:32:20.800 --> 0:32:22.479
<v Speaker 3>you had for lunch or what you talked about at

0:32:22.520 --> 0:32:26.720
<v Speaker 3>work or whatever, that declines in consistency of recall. Over time,

0:32:26.880 --> 0:32:30.440
<v Speaker 3>we remember them differently. But also for those regular events,

0:32:30.480 --> 0:32:34.840
<v Speaker 3>we lose confidence in how accurate those memories are. So ironically,

0:32:35.440 --> 0:32:39.640
<v Speaker 3>for normal memories, we're sort of accurately assessing that our

0:32:39.720 --> 0:32:44.200
<v Speaker 3>fading memories might be wrong. Whereas with these incredibly sticky,

0:32:44.200 --> 0:32:48.480
<v Speaker 3>flash bold memories, we lose consistency of recall. Over time.

0:32:48.520 --> 0:32:50.960
<v Speaker 3>They do degrade in quality, and you can show that

0:32:51.000 --> 0:32:53.600
<v Speaker 3>it changes how we remember them, but we're much more

0:32:53.760 --> 0:32:57.440
<v Speaker 3>likely to say in these cases with very high confidence, no, no, no,

0:32:57.640 --> 0:33:00.920
<v Speaker 3>it's not changing. I remember exactly how it happened.

0:33:01.320 --> 0:33:05.040
<v Speaker 2>Well, yeah, the way that I recall it being discussed

0:33:05.080 --> 0:33:08.840
<v Speaker 2>before in the past, when I read about it was that, yeah,

0:33:08.840 --> 0:33:12.360
<v Speaker 2>these these additional details, things like what what was I

0:33:12.440 --> 0:33:14.520
<v Speaker 2>eating for breakfast? Or what did I wear that day,

0:33:14.960 --> 0:33:16.880
<v Speaker 2>or even you know, some of the other things surrounding

0:33:16.920 --> 0:33:19.840
<v Speaker 2>the discovery or the you know, the or the hearing

0:33:19.920 --> 0:33:23.360
<v Speaker 2>of the word you. The brain kind of fills in

0:33:23.400 --> 0:33:26.960
<v Speaker 2>the blanks on that. Uh, it's like that there's something

0:33:27.040 --> 0:33:30.560
<v Speaker 2>more important that has to be solidified in your memory,

0:33:30.680 --> 0:33:32.840
<v Speaker 2>and therefore it kind of like the memory. The rest

0:33:32.840 --> 0:33:35.200
<v Speaker 2>of the memory is rushed. They're like, well, it's like

0:33:35.240 --> 0:33:37.480
<v Speaker 2>there's an assembly crew in there, and it's like, well,

0:33:37.480 --> 0:33:39.200
<v Speaker 2>what should we put down for breakfast on this memory?

0:33:39.200 --> 0:33:41.120
<v Speaker 2>It doesn't matter, just put down anything. We can change

0:33:41.160 --> 0:33:43.640
<v Speaker 2>it later. We will change it later. The important thing

0:33:44.080 --> 0:33:47.360
<v Speaker 2>is that this terrible thing happened or this great thing happened,

0:33:47.600 --> 0:33:51.680
<v Speaker 2>and they heard about it and and yeah, yeah, and

0:33:52.080 --> 0:33:54.840
<v Speaker 2>that you were that they were there, and that they

0:33:55.240 --> 0:33:56.920
<v Speaker 2>they are part of it. I like this idea that

0:33:56.960 --> 0:34:00.480
<v Speaker 2>it's like, yeah, it's like the capital h h history

0:34:00.520 --> 0:34:04.680
<v Speaker 2>and lowercase age history converging. Like in a way, it's

0:34:04.720 --> 0:34:08.279
<v Speaker 2>you know, it's it's it's defining self in comparison to

0:34:08.320 --> 0:34:10.919
<v Speaker 2>the larger group. You know, perhaps you can also throw

0:34:10.960 --> 0:34:14.880
<v Speaker 2>in the you know, vital survival information as well. Something

0:34:15.000 --> 0:34:18.880
<v Speaker 2>terrible happened and it has to be remembered because I

0:34:18.920 --> 0:34:22.960
<v Speaker 2>want slash need to avoid terrible things. But yeah, the

0:34:23.320 --> 0:34:26.920
<v Speaker 2>details are not as important. It's that it's that central

0:34:27.000 --> 0:34:29.839
<v Speaker 2>detail that has to be recorded, right.

0:34:29.880 --> 0:34:33.319
<v Speaker 3>That moment of finding out feels entirely like you can

0:34:33.360 --> 0:34:36.400
<v Speaker 3>recreate it in your mind right now. But there's a

0:34:36.400 --> 0:34:39.000
<v Speaker 3>good chance that if you had written down what happened

0:34:39.000 --> 0:34:40.520
<v Speaker 3>to that day and you compared it to what you

0:34:40.600 --> 0:34:44.240
<v Speaker 3>remember now, it would be different. And so a question

0:34:44.320 --> 0:34:47.719
<v Speaker 3>would be, why are we so confident about the accuracy

0:34:47.760 --> 0:34:50.560
<v Speaker 3>of our flash bold memories when research shows that, you know,

0:34:50.640 --> 0:34:52.520
<v Speaker 3>you can show that they're not as accurate as we

0:34:52.560 --> 0:34:56.160
<v Speaker 3>think they are, And this is hard to say, The

0:34:56.200 --> 0:34:58.560
<v Speaker 3>authors point out, you know, there's a general finding about

0:34:58.560 --> 0:35:03.239
<v Speaker 3>memory that quote, vivid elaborateness and ease of retrieval are

0:35:03.320 --> 0:35:07.200
<v Speaker 3>thought to influence the judgment that an event occurred. So

0:35:07.800 --> 0:35:11.600
<v Speaker 3>if you can make the details of a memory really vivid,

0:35:11.680 --> 0:35:13.880
<v Speaker 3>you know, you can just see them in your mind,

0:35:14.280 --> 0:35:16.839
<v Speaker 3>And if you can add lots of details, and if

0:35:16.880 --> 0:35:19.760
<v Speaker 3>you can make the memory come to mind without much effort,

0:35:20.440 --> 0:35:23.560
<v Speaker 3>people have more confidence that the memory is accurate, even

0:35:23.600 --> 0:35:26.000
<v Speaker 3>if it's not. And this would apply to other memory,

0:35:26.080 --> 0:35:30.279
<v Speaker 3>other types of memories too, And they're just maybe features

0:35:30.320 --> 0:35:35.280
<v Speaker 3>of flashbold memories that incubate these qualities of vividness, elaborateness,

0:35:35.320 --> 0:35:38.440
<v Speaker 3>and an ease of retrieval. Maybe because they come up

0:35:38.440 --> 0:35:41.880
<v Speaker 3>often in conversation or maybe because of this, maybe it

0:35:41.920 --> 0:35:44.480
<v Speaker 3>has something to do about this, Yeah, this intersection or

0:35:44.480 --> 0:35:49.120
<v Speaker 3>connection point with history more broadly, that that causes us

0:35:49.160 --> 0:35:51.360
<v Speaker 3>to almost kind of like write them out as a

0:35:51.360 --> 0:35:53.960
<v Speaker 3>detailed story in the mind in a way that you

0:35:54.040 --> 0:35:56.680
<v Speaker 3>don't do for most other events, even important events.

0:35:57.320 --> 0:35:59.480
<v Speaker 2>Yeah, and then you end up having high confidence in

0:35:59.520 --> 0:36:03.279
<v Speaker 2>this narrative that is ultimately you know, it can be,

0:36:03.320 --> 0:36:06.480
<v Speaker 2>you know, defining of yourself. And so of course you

0:36:06.600 --> 0:36:09.080
<v Speaker 2>can have confidence in it, because what happens when you

0:36:09.080 --> 0:36:12.200
<v Speaker 2>don't have confidence in the in the autobiographical stories that

0:36:12.320 --> 0:36:14.400
<v Speaker 2>define who you are, I mean, you end up like

0:36:14.440 --> 0:36:16.480
<v Speaker 2>I guess, you know, at least like me, because I

0:36:16.480 --> 0:36:20.240
<v Speaker 2>feel like every time we cover these these memory topics

0:36:20.239 --> 0:36:22.959
<v Speaker 2>that kind of if it forces a lot of self

0:36:22.960 --> 0:36:26.520
<v Speaker 2>reflection on the memories that do define me, you know,

0:36:26.560 --> 0:36:28.400
<v Speaker 2>and I think back on them as like, well, you know,

0:36:28.440 --> 0:36:31.080
<v Speaker 2>to what extent is that what happened? And then to

0:36:31.120 --> 0:36:33.719
<v Speaker 2>what extent doesn't matter if it's not like you have

0:36:33.760 --> 0:36:37.800
<v Speaker 2>to sort of face the fact that you know, all

0:36:37.840 --> 0:36:42.719
<v Speaker 2>memories are potentially incorrect to some degree.

0:36:42.840 --> 0:36:45.239
<v Speaker 3>Right, And you know, I want to come back on

0:36:45.280 --> 0:36:48.200
<v Speaker 3>the other hand, and say that all these studies about

0:36:48.200 --> 0:36:52.120
<v Speaker 3>the faultiness of memory, they don't mean that, like, none

0:36:52.239 --> 0:36:54.439
<v Speaker 3>of your memories are accurate. You know, probably a lot

0:36:54.440 --> 0:36:57.160
<v Speaker 3>of your memories are basically accurate. The point is that

0:36:57.200 --> 0:36:59.320
<v Speaker 3>they're not as reliable as they feel.

0:37:00.080 --> 0:37:02.200
<v Speaker 2>There's a lot of truth in your memories.

0:37:02.000 --> 0:37:05.239
<v Speaker 3>Yes, yeah, there's just like there's a decent chance that

0:37:05.360 --> 0:37:07.920
<v Speaker 3>you remember a lot of things with high confidence and

0:37:07.960 --> 0:37:11.240
<v Speaker 3>in fact it didn't happen that way. Yeah, but plenty

0:37:11.239 --> 0:37:13.120
<v Speaker 3>of things did happen more or less the way you

0:37:13.120 --> 0:37:13.640
<v Speaker 3>remember them.

0:37:13.960 --> 0:37:15.879
<v Speaker 2>Yeah, I mean, and it cuts both ways, right, I mean,

0:37:15.880 --> 0:37:18.360
<v Speaker 2>it can You can certainly have a memory that is

0:37:18.440 --> 0:37:22.120
<v Speaker 2>more traumatic because it has been made more traumatic through

0:37:22.200 --> 0:37:24.480
<v Speaker 2>recall and through you know, the way that it is

0:37:24.640 --> 0:37:28.800
<v Speaker 2>ultimately embellished through memory. But other times, like you remember

0:37:28.880 --> 0:37:31.680
<v Speaker 2>something with kind of rose tinted glasses, you know, you

0:37:31.719 --> 0:37:34.800
<v Speaker 2>remember the fun part of a particular vacation as opposed

0:37:34.840 --> 0:37:37.880
<v Speaker 2>to the you know, the minor squabbles that may have

0:37:37.920 --> 0:37:39.759
<v Speaker 2>accompanied the endeavor. Right.

0:37:39.880 --> 0:37:43.000
<v Speaker 3>Oh, And because so one thing that springs up is

0:37:43.040 --> 0:37:48.680
<v Speaker 3>that with flashbul memories, because they often involve these these

0:37:48.719 --> 0:37:52.239
<v Speaker 3>public events that are negative in quality that could lead

0:37:52.280 --> 0:37:56.120
<v Speaker 3>people to the to the erroneous assumption that flashbul memories

0:37:56.160 --> 0:37:59.160
<v Speaker 3>work the same way like traumatic memories of first hand

0:37:59.239 --> 0:38:02.239
<v Speaker 3>events work, and that's not necessarily true. We don't know

0:38:02.440 --> 0:38:06.160
<v Speaker 3>the extent to which there are similarities and differences there fully,

0:38:06.560 --> 0:38:09.440
<v Speaker 3>first hand traumatic memories I think are going to be

0:38:09.440 --> 0:38:12.560
<v Speaker 3>governed by possibly some different thing this than these flash

0:38:12.560 --> 0:38:16.640
<v Speaker 3>bold memories are. But that also brings us to this

0:38:16.760 --> 0:38:18.799
<v Speaker 3>question that you brought up earlier, that I think is

0:38:18.800 --> 0:38:22.040
<v Speaker 3>a good one. A few studies have looked at flash

0:38:22.080 --> 0:38:25.880
<v Speaker 3>bold memories elicited by positive public events. You know, follow

0:38:25.920 --> 0:38:27.839
<v Speaker 3>the Berlin Wall, a lot of people who remember that

0:38:27.920 --> 0:38:30.240
<v Speaker 3>see that is a positive thing, or you know, maybe

0:38:30.280 --> 0:38:33.080
<v Speaker 3>World Cup victories for your home country or something. But

0:38:33.280 --> 0:38:36.200
<v Speaker 3>most of these studies look at negative events, and that

0:38:36.480 --> 0:38:38.319
<v Speaker 3>probably just has a lot to do with like the

0:38:38.440 --> 0:38:41.640
<v Speaker 3>nature of big public events in the news. You know,

0:38:41.680 --> 0:38:44.400
<v Speaker 3>there's more often a big negative event than a big

0:38:44.440 --> 0:38:47.280
<v Speaker 3>positive event, at least in how it's covered in the media.

0:38:47.760 --> 0:38:52.680
<v Speaker 3>So if we had more investigations of big public positive events,

0:38:53.040 --> 0:38:55.319
<v Speaker 3>do you think there would be any major differences in

0:38:55.360 --> 0:38:58.000
<v Speaker 3>memory responses or would it be pretty much the same thing?

0:38:58.680 --> 0:39:00.920
<v Speaker 2>Yeah, I guess one of the I mean one of

0:39:00.920 --> 0:39:04.120
<v Speaker 2>the problems is just like the the negative the catastrophic

0:39:05.320 --> 0:39:08.160
<v Speaker 2>headlines are the ones that like instantly come to mind,

0:39:08.280 --> 0:39:10.600
<v Speaker 2>Like when when you try to, I have trouble just

0:39:10.640 --> 0:39:15.480
<v Speaker 2>thinking of of significant good news events that would have

0:39:15.520 --> 0:39:19.160
<v Speaker 2>that kind of magnitude. They would have to be you know,

0:39:19.680 --> 0:39:22.000
<v Speaker 2>you know, things like the you know, the end of

0:39:22.120 --> 0:39:27.960
<v Speaker 2>major wars, the you know, just overwhelmingly good news. And

0:39:28.040 --> 0:39:31.640
<v Speaker 2>it seems like the moon landing maybe moonlanding, moon landing,

0:39:31.760 --> 0:39:32.879
<v Speaker 2>moon landing is a good one.

0:39:33.000 --> 0:39:35.920
<v Speaker 3>Yeah, this might just be a fact of reality that

0:39:36.440 --> 0:39:41.520
<v Speaker 3>good news is stuff that tends to develop gradually over time,

0:39:41.640 --> 0:39:44.680
<v Speaker 3>and then you can sort of discover it retrospectively. You

0:39:44.680 --> 0:39:47.400
<v Speaker 3>can be like, oh, something very good happened over the

0:39:47.480 --> 0:39:51.240
<v Speaker 3>last twenty five years gradually, whereas bad news often tends

0:39:51.239 --> 0:39:52.480
<v Speaker 3>to happen all at once.

0:39:53.160 --> 0:39:54.799
<v Speaker 2>Yeah, I think, I think. I think you're right. Though.

0:39:54.840 --> 0:39:59.800
<v Speaker 2>It's like the way we retrospectively evaluate the importance of

0:39:59.800 --> 0:40:03.360
<v Speaker 2>them moment is key, and you know it's and is

0:40:03.400 --> 0:40:06.320
<v Speaker 2>there like this one moment that really like rings out

0:40:06.760 --> 0:40:09.800
<v Speaker 2>as opposed to like a gradual swelling.

0:40:09.640 --> 0:40:12.120
<v Speaker 3>Right, Like if you're trying to remember a public person,

0:40:12.200 --> 0:40:15.360
<v Speaker 3>if it's a person you have positive feelings about the

0:40:15.400 --> 0:40:18.040
<v Speaker 3>good things they did are probably like a whole career

0:40:18.239 --> 0:40:21.200
<v Speaker 3>of good things that developed gradually and you could develop

0:40:21.200 --> 0:40:25.319
<v Speaker 3>an appreciation for it. It didn't happen one day, but they

0:40:25.400 --> 0:40:27.400
<v Speaker 3>might they die on one day.

0:40:28.040 --> 0:40:33.320
<v Speaker 2>Right. It punctuates this lifetime of achievements or contributions, et cetera.

0:40:34.000 --> 0:40:36.440
<v Speaker 2>You know, forces you to reflect on those and value

0:40:36.440 --> 0:40:39.920
<v Speaker 2>those often, you know, value those even more while also

0:40:40.000 --> 0:40:43.719
<v Speaker 2>feeling you know this at very least intense bitter sweetness

0:40:43.960 --> 0:40:46.719
<v Speaker 2>regarding the whole situation where you realize, oh, I loved

0:40:46.719 --> 0:40:49.719
<v Speaker 2>all these albums that say David Bowie put out, I

0:40:49.800 --> 0:40:51.680
<v Speaker 2>liked the last album, but I didn't know it was

0:40:51.719 --> 0:40:54.279
<v Speaker 2>going to be the last album, and now I do. So,

0:40:54.360 --> 0:40:56.880
<v Speaker 2>you know, a lot of emotions to feel about those moments.

0:40:57.200 --> 0:40:59.959
<v Speaker 3>So there we go. Flash bold memories actually very stick

0:41:00.239 --> 0:41:04.279
<v Speaker 3>but not in the way people think they are. Yeah,

0:41:04.320 --> 0:41:09.680
<v Speaker 3>illusory stickiness maybe so. So I thought that was very interesting,

0:41:09.719 --> 0:41:12.239
<v Speaker 3>and maybe we can come back to other types of

0:41:12.640 --> 0:41:15.520
<v Speaker 3>sticky memories and sticky memory research in the future.

0:41:16.000 --> 0:41:18.759
<v Speaker 2>Absolutely, I think we will. You know, we'll always come

0:41:18.800 --> 0:41:31.000
<v Speaker 2>back to memory based topics. All right. For the last

0:41:31.040 --> 0:41:33.120
<v Speaker 2>little bit here, I want to bring it back to

0:41:33.560 --> 0:41:36.520
<v Speaker 2>physical stickiness, I thought it might be interesting to think

0:41:36.520 --> 0:41:42.239
<v Speaker 2>about sticky substances, specifically glues and adhesives in history. The

0:41:42.280 --> 0:41:45.120
<v Speaker 2>most crucial sticky substance to consider in all of this

0:41:45.719 --> 0:41:49.600
<v Speaker 2>is plant resin. Plant resin is exuded by some trees

0:41:49.640 --> 0:41:52.800
<v Speaker 2>and other plants, such as fir and pine trees in particular,

0:41:53.440 --> 0:41:56.480
<v Speaker 2>and most resin trickles out in response to injury of

0:41:56.520 --> 0:42:00.319
<v Speaker 2>some sort to the tree or plant in question. These

0:42:00.800 --> 0:42:03.759
<v Speaker 2>resins are not soluble in water, and they typically lose

0:42:03.880 --> 0:42:07.799
<v Speaker 2>volatile compounds via evaporation, leaven behind a soft residue that

0:42:07.920 --> 0:42:12.760
<v Speaker 2>is initially soluble but becomes insoluble as it ages. Okay, initially, however,

0:42:13.040 --> 0:42:17.160
<v Speaker 2>it's viscous, it's sticky. And if you don't already have

0:42:17.280 --> 0:42:20.759
<v Speaker 2>like the smell memory in your nostrils, well, then if

0:42:21.320 --> 0:42:24.319
<v Speaker 2>you're of a certain age, then perhaps you remember a

0:42:24.400 --> 0:42:28.680
<v Speaker 2>key scene in nineteen eighty nine's Christmas Vacation starring Chevy Chase.

0:42:29.040 --> 0:42:31.400
<v Speaker 2>There's a scene where he has just cut down a

0:42:31.480 --> 0:42:35.480
<v Speaker 2>Christmas tree, and now it's the evening. He's laying in

0:42:35.520 --> 0:42:39.160
<v Speaker 2>bed next to his wife played by Beverly D'Angelo, and

0:42:39.760 --> 0:42:42.920
<v Speaker 2>Chevy Chase is like messing around with them with a

0:42:42.960 --> 0:42:45.600
<v Speaker 2>magazine he's trying and then he's trying to turn off

0:42:45.600 --> 0:42:48.240
<v Speaker 2>the light and his fingers are sticking to everything because

0:42:48.239 --> 0:42:50.200
<v Speaker 2>it's they're covered with tree resin.

0:42:50.480 --> 0:42:52.520
<v Speaker 3>This is a great scene because it's not the point

0:42:52.560 --> 0:42:55.400
<v Speaker 3>of the scene. He's just happening in the background that

0:42:55.440 --> 0:42:57.879
<v Speaker 3>every time he touches a magazine page it tears off

0:42:57.880 --> 0:42:58.600
<v Speaker 3>on his fingers.

0:42:58.840 --> 0:42:59.480
<v Speaker 2>Yeah.

0:42:59.719 --> 0:43:03.920
<v Speaker 3>I'm myself have vivid memories which may or may not

0:43:03.960 --> 0:43:07.880
<v Speaker 3>be accurate to reality, of being a kid and climbing

0:43:07.920 --> 0:43:10.759
<v Speaker 3>on pine trees in uh, I guess on around the

0:43:10.760 --> 0:43:15.760
<v Speaker 3>playground at my school and getting sap or resin whatever

0:43:15.800 --> 0:43:17.799
<v Speaker 3>it is from the tree stuck to my hands, into

0:43:17.840 --> 0:43:20.600
<v Speaker 3>my arms. Actually, I remember it going up my wrists

0:43:20.680 --> 0:43:24.800
<v Speaker 3>and stuff, and again may or may not be accurate,

0:43:24.840 --> 0:43:27.400
<v Speaker 3>but what I remember is that it was really really

0:43:27.440 --> 0:43:29.600
<v Speaker 3>difficult to wash off, Like you'd rub it with water

0:43:29.680 --> 0:43:31.479
<v Speaker 3>and soap and it would just stay on there.

0:43:32.040 --> 0:43:35.080
<v Speaker 2>Yeah. Yeah, it's just very sticky stuff where, Yeah, if

0:43:35.080 --> 0:43:37.120
<v Speaker 2>you're horsing around in the woods at all, you're going

0:43:37.160 --> 0:43:39.400
<v Speaker 2>to encounter it at some point and you may wonder

0:43:39.440 --> 0:43:42.160
<v Speaker 2>like if will this ever come off? And you know,

0:43:42.239 --> 0:43:45.120
<v Speaker 2>eventually it does anyway. Yeah, then, as far as Christmas

0:43:45.200 --> 0:43:47.560
<v Speaker 2>Vacation goes a lot of broad comedy in that movie.

0:43:47.880 --> 0:43:49.480
<v Speaker 2>But that's kind of like one of the nice scenes

0:43:49.520 --> 0:43:51.880
<v Speaker 2>of more subtle comedy that I always liked, though I

0:43:51.920 --> 0:43:53.719
<v Speaker 2>guess it gets a little broad towards the end of that.

0:43:53.920 --> 0:43:56.840
<v Speaker 2>That's the sequence swimming, knocking over the lamp and so forth,

0:43:56.840 --> 0:43:58.799
<v Speaker 2>and his hand gets stuck to her hair.

0:43:59.160 --> 0:44:01.120
<v Speaker 3>Oh yeah, I forgot about that. I just remember them,

0:44:02.000 --> 0:44:04.360
<v Speaker 3>Am I remembering this right? Like he touches the magazine

0:44:04.360 --> 0:44:06.520
<v Speaker 3>pages and they just tear off on his fingers.

0:44:06.560 --> 0:44:06.759
<v Speaker 2>Yeah.

0:44:06.920 --> 0:44:07.240
<v Speaker 3>Okay.

0:44:08.800 --> 0:44:11.000
<v Speaker 2>Now, speaking of movies from the eighties and nineties, if

0:44:11.000 --> 0:44:13.480
<v Speaker 2>you've ever seen a little film titleed Jurassic Park from

0:44:13.560 --> 0:44:16.719
<v Speaker 2>nineteen ninety three, then you know the basics of what

0:44:16.760 --> 0:44:21.080
<v Speaker 2>I'm going to talk about next. Insects and other organic

0:44:21.120 --> 0:44:26.480
<v Speaker 2>bits winding up stuck in the tree resin and eventually

0:44:26.520 --> 0:44:30.000
<v Speaker 2>becoming amber. A whole host of insects were trapped in

0:44:30.000 --> 0:44:35.560
<v Speaker 2>this way and later discovered by humans, includes flies, lice, beetles, ants, butterflies,

0:44:35.600 --> 0:44:43.360
<v Speaker 2>and moths. Amber has also been found to contain spiders, webbing, frogs, crustaceans, hair, feathers,

0:44:43.400 --> 0:44:44.280
<v Speaker 2>all sorts of stuff.

0:44:44.600 --> 0:44:46.520
<v Speaker 3>It's nature's museum display case.

0:44:47.239 --> 0:44:49.440
<v Speaker 2>Yeah, it's just I mean, come and get back to

0:44:49.480 --> 0:44:53.440
<v Speaker 2>what happens. Imagine a scenario where a tree is injured

0:44:53.480 --> 0:44:57.560
<v Speaker 2>one way or another by another organism, by something falling

0:44:57.600 --> 0:45:01.160
<v Speaker 2>into it, et cetera. And things on the trees, things

0:45:01.200 --> 0:45:04.439
<v Speaker 2>come into contact with the trees, and then they get

0:45:04.480 --> 0:45:07.480
<v Speaker 2>caught in it. They may overflow them and then ultimately

0:45:07.520 --> 0:45:10.759
<v Speaker 2>preserve them. Now, it is of note on the whole

0:45:10.840 --> 0:45:14.480
<v Speaker 2>Jurassic Park idea. The idea of DNA extraction from a

0:45:14.560 --> 0:45:18.480
<v Speaker 2>mosquito in amber has seen in Jurassic Park. This seems

0:45:18.480 --> 0:45:22.600
<v Speaker 2>to remain unrealized, despite some starts and stops and actual

0:45:22.600 --> 0:45:27.240
<v Speaker 2>scientific attempts to do just this. Contamination by modern DNA

0:45:27.320 --> 0:45:29.120
<v Speaker 2>seems to have played a role in some of the

0:45:29.120 --> 0:45:32.239
<v Speaker 2>false positives that have popped up. Examples, you know, where

0:45:32.280 --> 0:45:35.240
<v Speaker 2>scientists have come forward with the study and said, we've

0:45:35.320 --> 0:45:39.000
<v Speaker 2>done it. We've been able to successfully retrieve DNA in

0:45:39.040 --> 0:45:42.520
<v Speaker 2>one form or another from the contents of this amber.

0:45:43.400 --> 0:45:45.239
<v Speaker 2>And I believe in those cases it tends to be

0:45:45.239 --> 0:45:47.560
<v Speaker 2>a situation where you actually have modern DNA that has

0:45:47.560 --> 0:45:49.080
<v Speaker 2>contaminated the results.

0:45:50.360 --> 0:45:52.280
<v Speaker 3>I sort of hesitate to say this because I didn't

0:45:52.320 --> 0:45:55.560
<v Speaker 3>double check before we recorded. But I think there would

0:45:55.560 --> 0:45:59.520
<v Speaker 3>be a real problem trying to extract DNA from like

0:45:59.680 --> 0:46:03.239
<v Speaker 3>dyne era insects and amber like they do in Jurassic Park,

0:46:03.440 --> 0:46:06.399
<v Speaker 3>just because the DNA molecule degrades too much over time

0:46:06.760 --> 0:46:08.719
<v Speaker 3>for it to last that long. But maybe you could

0:46:08.800 --> 0:46:12.439
<v Speaker 3>feasibly get DNA from an insect in amber from more

0:46:12.520 --> 0:46:13.400
<v Speaker 3>recent times.

0:46:14.160 --> 0:46:18.160
<v Speaker 2>Yeah, apparently there's still scientific debate about how long DNA

0:46:18.320 --> 0:46:21.839
<v Speaker 2>can survive in different settings, but you know, I guess

0:46:21.880 --> 0:46:24.360
<v Speaker 2>it's a never say never situation. Some scientists continue to

0:46:24.400 --> 0:46:28.160
<v Speaker 2>pursue this angle for potential ancient DNA retrieval, and of

0:46:28.160 --> 0:46:31.360
<v Speaker 2>course ancient covers a lot of ground. In twenty twenty,

0:46:31.400 --> 0:46:35.400
<v Speaker 2>scientists actually succeeded in pulling insect DNA from amber, though

0:46:35.520 --> 0:46:39.640
<v Speaker 2>the amber in question was from twenty fourteen common era

0:46:39.800 --> 0:46:42.640
<v Speaker 2>twenty fourteen to be clear. So it's you know, it's

0:46:42.680 --> 0:46:45.279
<v Speaker 2>not not a not a not a home run, not

0:46:45.320 --> 0:46:48.560
<v Speaker 2>a not a touchdown, or what have you, but you

0:46:48.600 --> 0:46:51.480
<v Speaker 2>know it's something to go on now. As a as

0:46:51.520 --> 0:46:53.960
<v Speaker 2>a tangent, I was looking around about ancient DNA retrieval

0:46:54.000 --> 0:46:55.600
<v Speaker 2>and I got kind of interested in a few different

0:46:56.920 --> 0:46:59.960
<v Speaker 2>a different different angles on this and a twenty twenty

0:47:00.200 --> 0:47:03.680
<v Speaker 2>two paper that the title caught my attention. It was

0:47:03.719 --> 0:47:07.480
<v Speaker 2>from the journal Molecular Biology and Evolution titled Ancient Human

0:47:07.560 --> 0:47:12.200
<v Speaker 2>Genomes and Environmental DNA and the sement attaching two thousand

0:47:12.280 --> 0:47:17.160
<v Speaker 2>year old headlice knits. And this paper indeed explored to

0:47:17.160 --> 0:47:20.800
<v Speaker 2>what extent quote host DNA is protected by the cement

0:47:20.840 --> 0:47:24.879
<v Speaker 2>that glues headlice knits to the hair of ancient Argentinian

0:47:24.960 --> 0:47:29.200
<v Speaker 2>mummies fifteen hundred to two thousand years old.

0:47:29.320 --> 0:47:31.960
<v Speaker 3>Wow, this is my kind of study. What do they find?

0:47:33.120 --> 0:47:38.799
<v Speaker 2>Well, the findings suggest that ectoparasitic lyce sheaths may prove

0:47:38.920 --> 0:47:42.359
<v Speaker 2>to be a reasonable tool in ancient DNA retrieval. So

0:47:42.480 --> 0:47:47.160
<v Speaker 2>stickiness strikes again here, Like there's this idea that you know,

0:47:47.200 --> 0:47:50.440
<v Speaker 2>as we're trying to again, you know, ongoing debate about

0:47:50.640 --> 0:47:53.560
<v Speaker 2>to what extent DNA survives and where it can survive

0:47:53.600 --> 0:47:57.320
<v Speaker 2>and what conditions, this study indicates that, yeah, the place

0:47:57.360 --> 0:48:01.040
<v Speaker 2>to look might be these knits, these little places where

0:48:01.600 --> 0:48:05.200
<v Speaker 2>lice have used their glue to, you know, to hold

0:48:05.200 --> 0:48:09.319
<v Speaker 2>eggs in place. Beautiful though, of course, one can't help

0:48:09.360 --> 0:48:11.440
<v Speaker 2>but go in a sci fi direction. With all of this,

0:48:11.520 --> 0:48:15.560
<v Speaker 2>and imagine half lice, half human mummy hybrids shambling out

0:48:15.560 --> 0:48:17.880
<v Speaker 2>of the cloning tanks. You know where it's like, we

0:48:17.920 --> 0:48:20.120
<v Speaker 2>did it, we clone the mummies. Oh, we've forgot about

0:48:20.120 --> 0:48:21.040
<v Speaker 2>all that lice DNA.

0:48:21.320 --> 0:48:22.400
<v Speaker 3>I am brundle lice.

0:48:22.880 --> 0:48:27.279
<v Speaker 2>Yeah. At any rate, Amber has managed to preserve insect activity.

0:48:27.960 --> 0:48:33.040
<v Speaker 2>You know, we have examples of mating, examples of egg laying, parasitism,

0:48:33.400 --> 0:48:37.560
<v Speaker 2>swarming behavior, just a few examples of the things where

0:48:37.560 --> 0:48:39.160
<v Speaker 2>we can look and say, Okay, not only do we

0:48:39.160 --> 0:48:41.279
<v Speaker 2>see a particular species, not only do we see this

0:48:41.360 --> 0:48:45.080
<v Speaker 2>snapshot in time of what the organism look like. Sometimes

0:48:45.120 --> 0:48:48.160
<v Speaker 2>we can make out behavior. You know, we can also

0:48:48.320 --> 0:48:52.440
<v Speaker 2>sometimes make out key details about individual structures. I believe

0:48:52.480 --> 0:48:53.920
<v Speaker 2>some of this has come up on the show before.

0:48:54.640 --> 0:48:58.200
<v Speaker 2>You know, what did this particular type of insects head

0:48:58.640 --> 0:49:02.400
<v Speaker 2>look like? What did its particular you know, feeding apparatus

0:49:02.440 --> 0:49:06.640
<v Speaker 2>look like? Millions of years ago? Structural colors another thing

0:49:06.680 --> 0:49:11.040
<v Speaker 2>that is sometimes preserved and can be analyzed. And you know,

0:49:11.080 --> 0:49:13.400
<v Speaker 2>we're talking about specimens from as long ago as like

0:49:13.400 --> 0:49:14.920
<v Speaker 2>two hundred and thirty million years.

0:49:15.320 --> 0:49:19.680
<v Speaker 3>Okay, So whether or not Amber can successfully preserve the

0:49:19.800 --> 0:49:24.120
<v Speaker 3>DNA molecule intact enough over time, it can certainly preserve

0:49:24.680 --> 0:49:29.960
<v Speaker 3>macroscopic objects, structures, and almost like scenes or dioramas in

0:49:30.000 --> 0:49:30.480
<v Speaker 3>some case.

0:49:31.040 --> 0:49:35.560
<v Speaker 2>Yeah, so something that is physically sticky ends up preserving

0:49:35.760 --> 0:49:39.200
<v Speaker 2>creating a kind of like sticky physical memory for humans

0:49:39.200 --> 0:49:42.240
<v Speaker 2>to contemplate in the far future.

0:49:42.520 --> 0:49:43.040
<v Speaker 3>Interesting.

0:49:43.440 --> 0:49:48.000
<v Speaker 2>Now, speaking of prehistoric stickiness, speaking of the ancients and sap,

0:49:48.320 --> 0:49:51.080
<v Speaker 2>I thought we might turn to the oldest manufactured glue

0:49:51.120 --> 0:49:53.520
<v Speaker 2>that we know of in human history, and that's birch

0:49:53.560 --> 0:49:57.200
<v Speaker 2>bark tar. This is created by heating birch bark via.

0:49:57.840 --> 0:50:00.640
<v Speaker 2>I think there are four different methods that are that

0:50:00.680 --> 0:50:03.680
<v Speaker 2>are generally recognized. I was reading about this in a

0:50:03.719 --> 0:50:07.400
<v Speaker 2>twenty nineteen paper by Nikas at All published in the

0:50:07.440 --> 0:50:12.839
<v Speaker 2>journal Anthropology. According to these authors, there's condensation method, there's

0:50:12.880 --> 0:50:15.959
<v Speaker 2>ash mound method, there's pit and vessel method, and there's

0:50:16.040 --> 0:50:20.080
<v Speaker 2>raised structure method, which involves earth and mound containing a

0:50:20.160 --> 0:50:24.640
<v Speaker 2>vessel and screen. Those are in order of complexity as well,

0:50:24.920 --> 0:50:28.520
<v Speaker 2>and the more complex the greater the yield. So my

0:50:28.680 --> 0:50:30.960
<v Speaker 2>understanding based on this is like, yeah, if using the

0:50:30.960 --> 0:50:33.520
<v Speaker 2>condensation method, you would have to do so much more

0:50:33.520 --> 0:50:36.640
<v Speaker 2>of it to get the same amount of birch bark

0:50:36.760 --> 0:50:39.360
<v Speaker 2>tar that you would get using the raised structure method.

0:50:40.520 --> 0:50:44.000
<v Speaker 2>So birch bark tar use dates back to the Paleolithic period.

0:50:44.200 --> 0:50:49.080
<v Speaker 2>Our ancestors used it to have to tools to decorate objects.

0:50:49.560 --> 0:50:53.560
<v Speaker 2>But this wasn't only a technology of Homo sapiens. This

0:50:54.080 --> 0:50:57.879
<v Speaker 2>really I found this really fascinating. Archaeological evidence shows that Neanderthals,

0:50:58.160 --> 0:51:01.880
<v Speaker 2>are extinct evolutionary cousins also used it and seem to

0:51:01.960 --> 0:51:04.600
<v Speaker 2>have produced it, using it on at least some of

0:51:04.600 --> 0:51:06.960
<v Speaker 2>their tools. I don't think all of them, but we

0:51:07.080 --> 0:51:12.160
<v Speaker 2>have found Neanderthal artifacts where they used this tar to

0:51:12.880 --> 0:51:16.640
<v Speaker 2>construct their tools, and they use some of the more

0:51:16.640 --> 0:51:20.120
<v Speaker 2>complex methods of driving the birch bark.

0:51:20.000 --> 0:51:22.760
<v Speaker 3>Tar ah so like higher up the list of four.

0:51:23.400 --> 0:51:25.640
<v Speaker 2>Yeah, yeah, so they weren't just using the most primitive

0:51:25.719 --> 0:51:28.520
<v Speaker 2>version of it, which which I think is also pretty

0:51:29.080 --> 0:51:33.719
<v Speaker 2>you know, potentially insightful about who the Neanderthals were and

0:51:33.760 --> 0:51:36.400
<v Speaker 2>what they were up to. And I think in general,

0:51:36.560 --> 0:51:41.439
<v Speaker 2>whether you're talking about prehistoric humans or or Neanderthals, it's

0:51:41.480 --> 0:51:43.680
<v Speaker 2>it's easy for a lot of us, you know, certainly

0:51:43.719 --> 0:51:46.680
<v Speaker 2>without deeper knowledge of actual tool construction, you know, and

0:51:46.760 --> 0:51:50.960
<v Speaker 2>methods of tool construction specifically in prehistoric times. To assume

0:51:50.960 --> 0:51:53.600
<v Speaker 2>that you know, everything was lashed together, right, everything kind

0:51:53.600 --> 0:51:55.440
<v Speaker 2>of looked like there's kind of an image of a

0:51:55.640 --> 0:51:58.160
<v Speaker 2>stone age tool that may enter your mind and it

0:51:58.200 --> 0:52:01.319
<v Speaker 2>involves like a you know, something wedged in wood, maybe

0:52:01.320 --> 0:52:04.680
<v Speaker 2>strapped with some hide in wood, and you don't think

0:52:04.719 --> 0:52:10.160
<v Speaker 2>about how important adhesive technology was and has never stopped being.

0:52:10.560 --> 0:52:14.600
<v Speaker 3>We talked about this in our Invention episode on chewing Gum.

0:52:14.680 --> 0:52:20.760
<v Speaker 3>I believe, but the Iceman Oatzy, the fourth millennium BCE

0:52:21.320 --> 0:52:23.680
<v Speaker 3>Stone Age mummy who was preserved in a glacier in

0:52:23.719 --> 0:52:27.520
<v Speaker 3>the Italian Alps, was discovered in the early nineteen nineties.

0:52:27.800 --> 0:52:31.000
<v Speaker 3>Oatzy so many fascinating things about Otzy, but one of

0:52:31.040 --> 0:52:34.480
<v Speaker 3>which was he carried with him this copper axe. And

0:52:34.640 --> 0:52:39.239
<v Speaker 3>the copper axe, the blade of the axe was secured

0:52:39.400 --> 0:52:44.520
<v Speaker 3>to the handle with multiple means. It did have some

0:52:44.880 --> 0:52:47.680
<v Speaker 3>wrapping of leather straps like you were talking about, but

0:52:47.800 --> 0:52:50.960
<v Speaker 3>it also was glued in place using birch bark tar

0:52:51.120 --> 0:52:54.200
<v Speaker 3>adhesives made from the birch tree. Also in that episode,

0:52:54.200 --> 0:52:57.799
<v Speaker 3>we talked about a paper called chewing Tar in the

0:52:57.800 --> 0:53:05.480
<v Speaker 3>Early Holocene that was about indications that lumps of birch

0:53:05.520 --> 0:53:10.520
<v Speaker 3>bark tar had been chewed, and the idea is like, okay,

0:53:10.800 --> 0:53:13.920
<v Speaker 3>was this being used as like chewing gum in the

0:53:13.960 --> 0:53:17.520
<v Speaker 3>ancient world, or maybe maybe was chewing on it a

0:53:17.560 --> 0:53:20.200
<v Speaker 3>way of treating it so that it could be used

0:53:20.239 --> 0:53:21.440
<v Speaker 3>in the creation of tools.

0:53:21.880 --> 0:53:27.279
<v Speaker 2>Yeah, I remember this discussion now, Yeah, it's it's fascinating again.

0:53:27.320 --> 0:53:30.360
<v Speaker 2>It's so easy to dismiss the importance of adhesives, the

0:53:30.360 --> 0:53:33.880
<v Speaker 2>importance of glues and sticky things, you know, but I

0:53:33.920 --> 0:53:36.400
<v Speaker 2>mean it makes sense too, because again, humans would have

0:53:36.440 --> 0:53:39.120
<v Speaker 2>gone out into the world, they got sticky, they got

0:53:39.160 --> 0:53:43.480
<v Speaker 2>sticky things on them, and everything that they encountered, they

0:53:43.600 --> 0:53:46.600
<v Speaker 2>you know, inevitably asked the question can I use this?

0:53:47.040 --> 0:53:49.560
<v Speaker 2>Is this of use to me? How can I combine

0:53:49.560 --> 0:53:51.880
<v Speaker 2>this with other things to create useful things? And of

0:53:51.880 --> 0:53:54.719
<v Speaker 2>course sticky is going to play an important role there,

0:53:55.040 --> 0:53:57.719
<v Speaker 2>and you know, factors into construction. Obviously we already talked

0:53:57.719 --> 0:54:00.000
<v Speaker 2>a bit of We talked about mud bricks in previous episodes.

0:54:00.080 --> 0:54:02.800
<v Speaker 2>We talked about sticky rice mortar earlier in this series.

0:54:03.080 --> 0:54:06.000
<v Speaker 2>But there are also plenty of other methods of construction

0:54:06.120 --> 0:54:08.200
<v Speaker 2>out there, Like one that I was reading about is

0:54:08.239 --> 0:54:12.720
<v Speaker 2>wattle and daub which you know, sounds like an interesting

0:54:12.800 --> 0:54:15.319
<v Speaker 2>law firm or something. But now this is where you

0:54:15.360 --> 0:54:19.320
<v Speaker 2>have woven flexible branches called wattle, and they're essentially daubed

0:54:19.400 --> 0:54:23.040
<v Speaker 2>up with a sticky combination of such materials as mud

0:54:23.120 --> 0:54:26.240
<v Speaker 2>and clay and possibly dun you know, not all that different,

0:54:26.280 --> 0:54:28.640
<v Speaker 2>I guess in some respects than you know, compared to

0:54:28.800 --> 0:54:34.239
<v Speaker 2>mud bricks. But but again another construction method, another recipe

0:54:34.239 --> 0:54:38.400
<v Speaker 2>for building something that involves using something that is sticky.

0:54:39.080 --> 0:54:41.280
<v Speaker 2>And of course, if you get back into the problem

0:54:41.360 --> 0:54:44.279
<v Speaker 2>of the word sticky and just how vague it is,

0:54:44.640 --> 0:54:47.560
<v Speaker 2>I mean basically that can bring in any kind of

0:54:47.600 --> 0:54:52.239
<v Speaker 2>like plaster scenario, mortar scenario, brick making scenario, and more.

0:54:52.719 --> 0:54:55.160
<v Speaker 2>Now I have to say I really wanted to end

0:54:55.200 --> 0:54:56.920
<v Speaker 2>it on a monster here. I was like, there's got

0:54:56.920 --> 0:54:59.600
<v Speaker 2>to be a nice sticky monster out there, and perhaps

0:54:59.640 --> 0:55:01.839
<v Speaker 2>there is, and I just didn't have time to find it.

0:55:02.239 --> 0:55:06.719
<v Speaker 2>I got really excited when I discovered a Japanese yokai

0:55:07.239 --> 0:55:11.040
<v Speaker 2>known as Beto Beto Son, which is sometimes translated as

0:55:11.120 --> 0:55:15.200
<v Speaker 2>mister Sticky, though this ultimately doesn't really hold up because

0:55:15.239 --> 0:55:19.840
<v Speaker 2>apparently the more accurate translation is mister footsteps. This is

0:55:19.840 --> 0:55:23.560
<v Speaker 2>the connection I think only makes sense within the Japanese language.

0:55:23.600 --> 0:55:27.080
<v Speaker 2>But basically, this is a yokai that follows people around

0:55:27.120 --> 0:55:29.920
<v Speaker 2>at night on dark streets and you hear his footfall,

0:55:30.040 --> 0:55:32.160
<v Speaker 2>so it's like they you know. The whole idea is

0:55:32.200 --> 0:55:34.680
<v Speaker 2>just the sound of being followed in the dark, or

0:55:34.800 --> 0:55:37.640
<v Speaker 2>the potential of being followed in the dark. It doesn't

0:55:37.640 --> 0:55:40.120
<v Speaker 2>actually have anything to do with like a super sticky

0:55:40.440 --> 0:55:43.240
<v Speaker 2>ghost creature, much to my dismay.

0:55:43.200 --> 0:55:45.840
<v Speaker 3>Bummer, I wish it was a monster with like sticky hands,

0:55:45.920 --> 0:55:47.080
<v Speaker 3>like the sticky hand toy.

0:55:47.840 --> 0:55:50.879
<v Speaker 2>Yeah. Yeah, so I don't know if anyone out there

0:55:50.880 --> 0:55:53.759
<v Speaker 2>can think of any sticky monsters, especially as we get

0:55:53.760 --> 0:55:57.959
<v Speaker 2>into our Halloween festivities here. Let us know, I guess

0:55:58.000 --> 0:56:00.439
<v Speaker 2>you could. You could have talked about the z morph

0:56:00.480 --> 0:56:03.000
<v Speaker 2>to some extent. It didn't like sticking people to walls

0:56:03.000 --> 0:56:03.760
<v Speaker 2>and in walls.

0:56:04.840 --> 0:56:08.000
<v Speaker 3>Uh yeah, it's secreted a stick. You never really see

0:56:08.040 --> 0:56:11.319
<v Speaker 3>it secreting that stuff, do you You see the you

0:56:11.360 --> 0:56:15.799
<v Speaker 3>see the caustic blood. I wonder do you think it's

0:56:15.840 --> 0:56:18.880
<v Speaker 3>only the queen that secretes all of that that sticky

0:56:18.920 --> 0:56:20.680
<v Speaker 3>material that cocoons the people.

0:56:21.440 --> 0:56:25.480
<v Speaker 2>I don't know if it has So I know this varies.

0:56:25.480 --> 0:56:27.839
<v Speaker 2>There's no like hard cannon on this, but I guess

0:56:27.880 --> 0:56:30.960
<v Speaker 2>you have like the warrior xenomorphs, you have the queen zenomrph.

0:56:31.200 --> 0:56:34.040
<v Speaker 2>Do you have like some sort of like construction drone

0:56:34.160 --> 0:56:37.360
<v Speaker 2>type xenomorphor would that be done by the warriors? Like

0:56:37.360 --> 0:56:41.600
<v Speaker 2>who's building that elaborate nest? Like she's busy creating eggs?

0:56:41.680 --> 0:56:44.000
<v Speaker 2>Right that if we're going to compare it to you know,

0:56:44.040 --> 0:56:47.880
<v Speaker 2>like say ant and termite models, you know, her role

0:56:48.040 --> 0:56:51.360
<v Speaker 2>is very specific within the hive, and you must have

0:56:51.480 --> 0:56:56.279
<v Speaker 2>some other classification of the species that's busy building these

0:56:56.320 --> 0:56:59.879
<v Speaker 2>things and secreting stuff and sticking people in walls after

0:57:00.840 --> 0:57:03.799
<v Speaker 2>you know they've after an egg has been positioned in

0:57:03.840 --> 0:57:04.680
<v Speaker 2>the proximity.

0:57:05.000 --> 0:57:08.680
<v Speaker 3>That's right. Ripley famously asks an alien, so who's laying

0:57:08.680 --> 0:57:11.440
<v Speaker 3>the eggs? But I have a secondary question, so who's

0:57:11.440 --> 0:57:12.640
<v Speaker 3>secreting the gunk?

0:57:13.320 --> 0:57:16.640
<v Speaker 2>Yeah, there we go. We knowed that's what we need

0:57:16.640 --> 0:57:19.320
<v Speaker 2>for the next alien film. Let's really dive down into

0:57:19.440 --> 0:57:20.479
<v Speaker 2>who's secreting here.

0:57:21.120 --> 0:57:22.840
<v Speaker 3>It must be something we haven't seen yet.

0:57:25.560 --> 0:57:28.920
<v Speaker 2>A whole movie about the most boring member of the

0:57:29.600 --> 0:57:34.160
<v Speaker 2>but scientifically interesting member of the xenomorp five I'm in

0:57:34.680 --> 0:57:36.560
<v Speaker 2>all right, we're gonna go ahead and close it up there,

0:57:36.640 --> 0:57:38.880
<v Speaker 2>but hey, we'd love to hear from everyone out there.

0:57:39.280 --> 0:57:41.600
<v Speaker 2>What are your thoughts on stickiness? Can you think of

0:57:41.600 --> 0:57:45.240
<v Speaker 2>the sticky monster in general? Oh, and sticky memories? You know,

0:57:45.600 --> 0:57:47.760
<v Speaker 2>this is something we can all relate to, So I'm

0:57:47.760 --> 0:57:50.480
<v Speaker 2>hoping we'll hear from a lot of folks on that. Also,

0:57:50.920 --> 0:57:53.080
<v Speaker 2>Like I just said, we're getting into the Halloween season here,

0:57:53.120 --> 0:57:56.360
<v Speaker 2>and we're gonna quickly be you know, putting together a

0:57:56.360 --> 0:57:58.840
<v Speaker 2>loose outline of what we're going to be covering. But

0:57:59.160 --> 0:58:01.800
<v Speaker 2>now's a great time if you have something particular in mind,

0:58:01.880 --> 0:58:03.600
<v Speaker 2>or if you want to remind us of something we

0:58:03.640 --> 0:58:07.919
<v Speaker 2>said we'd cover in the past but didn't, then yeah,

0:58:07.960 --> 0:58:10.880
<v Speaker 2>write in. We'd love to hear from you. A reminder

0:58:10.920 --> 0:58:13.120
<v Speaker 2>that Stuff to Blow Your Mind is a science podcast

0:58:13.120 --> 0:58:16.360
<v Speaker 2>with core episodes on Tuesdays and Thursdays, listener mail on Monday,

0:58:16.440 --> 0:58:19.760
<v Speaker 2>short form artifact or monster Fact on Wednesday, and on Friday,

0:58:19.800 --> 0:58:21.840
<v Speaker 2>we set aside most serious concerns to just talk about

0:58:21.840 --> 0:58:24.480
<v Speaker 2>a weird movie on Weird House Cinema.

0:58:24.640 --> 0:58:28.000
<v Speaker 3>Huge thanks to our excellent audio producer JJ Posway. If

0:58:28.040 --> 0:58:29.560
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0:58:29.720 --> 0:58:32.480
<v Speaker 3>feedback on this episode or any other, to suggest a

0:58:32.520 --> 0:58:34.600
<v Speaker 3>topic for the future, or just to say hi. You

0:58:34.600 --> 0:58:37.720
<v Speaker 3>can email us at contact stuff to Blow your Mind

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0:58:46.040 --> 0:58:48.960
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