WEBVTT - The Aftermath

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>to stop believing old tales? Because when it comes to

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<v Speaker 1>After ordering some coffee, I checked my phone. I had

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<v Speaker 1>a ton of messages, social media alerts and miscalls from Marcos,

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<v Speaker 1>but nothing from my mom Utro Rico. I decided to

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<v Speaker 1>see what the news was saying, if anything, before I

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<v Speaker 1>called or texted anyone back. Oh yeah, absolutely. And that's

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<v Speaker 1>what's great about the Grammy Awards. The surprise performance is

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<v Speaker 1>to take a song to another level or introduce you

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<v Speaker 1>to an artist you didn't know before. I hear a.

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<v Speaker 1>Thelita is quite well known that they find the music

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<v Speaker 1>scene the label Hello, Hellolita. Hi, Sorry if my call

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<v Speaker 1>woke you up, but my phone is ringing off the hawk.

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<v Speaker 1>I'm up, I'm up, and it looks like the response

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<v Speaker 1>is really positive. Yes, even at the handle radio. Oh

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<v Speaker 1>my god. Oh that's a relief. Have you talked to

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<v Speaker 1>my mom? I've been texting her since last night, but

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<v Speaker 1>she's ignoring me. Did she went back to Elpaso? Oh? Yeah,

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<v Speaker 1>give her some time. Once she gets over the shock

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<v Speaker 1>of what's happening, she'll come around. Listen, I'm sending over

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<v Speaker 1>a handle to travel with you back to El Paso.

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<v Speaker 1>The corporate plane going back to New York tonight. So

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<v Speaker 1>unfortunately you'll have to travel commercial. I've traveled commercial most

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<v Speaker 1>of my career. Yeah, but your career, rear and anonymity

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<v Speaker 1>has changed overnight. You'll need a little more protection than

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<v Speaker 1>what you used to right, Okay, So let's set up

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<v Speaker 1>some time this week to discuss the next steps. I

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<v Speaker 1>want to make sure that this transition is as smooth

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<v Speaker 1>as possible. Sounds good. Yeah, I talk to you soon, Okay, Okay.

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<v Speaker 1>Once we get to the terminal security and someone from

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<v Speaker 1>the airline will meet us there, so we shouldn't have

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<v Speaker 1>too many issues with Paparaxi or with fans. I'm assuming

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<v Speaker 1>the same will happen when we arrive in Ela Passo.

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<v Speaker 1>I have a feeling of fans there will be a

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<v Speaker 1>little bit more enthusiastic. Yes, exactly, it'll work the same way.

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<v Speaker 1>I've already set it up with the ground crew and

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<v Speaker 1>El Paso, so you stay with me on the plane.

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<v Speaker 1>I'm sorry. I'm sorry for all the questions. My mother

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<v Speaker 1>usually handles all this. Don't worry about it. I know

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<v Speaker 1>it can be overwhelming. And yes, I'll be with you

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<v Speaker 1>until we get you home. If it's okay with you,

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<v Speaker 1>I'll take the housie. I find that it helps to

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<v Speaker 1>keep people away too. Yeah. Sure, Hey makoos, they're not power.

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<v Speaker 1>On one h six, we've released a new version of

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<v Speaker 1>No Strings as a single and it's premiering in that

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<v Speaker 1>lake right now. I got it. You release the live

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<v Speaker 1>performance from last night. Oh no, no, no no. I

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<v Speaker 1>got a copy of the studio recording from Rodrigo. You

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<v Speaker 1>didn't mention anything. I asked him not to tell you.

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<v Speaker 1>I wanted to be a surprise. Okay, I'll let you

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<v Speaker 1>go so you can enjoy it. Congratulations again, I'll call

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<v Speaker 1>your mother about setting up a time to talk. Right,

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<v Speaker 1>all right, I'm excited about your future that last. Thanks

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<v Speaker 1>for having my back on this, Marico's Eye. I appreciate it.

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<v Speaker 1>It's gonna be great. I told you soon, sweety Okay, yeah, bye, Monica?

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<v Speaker 1>Can you turn up the volume? Sure thing? Miss pas Oh? Yes,

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<v Speaker 1>this song is going to be a big hit, Dad's really.

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<v Speaker 1>It's a really good song, right, better than the original. Hey,

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<v Speaker 1>you reach a legal you know what to do. Hey,

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<v Speaker 1>I hope you got home. Okay, I'm I'm on my

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<v Speaker 1>way back to l a X. And our song is

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<v Speaker 1>on the radio. Did you hear it? Maybe you're listening

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<v Speaker 1>to it right now too. I hope you know this

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<v Speaker 1>is your song as much as it is mine. Yes, Roliga,

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<v Speaker 1>I'm home. Hello. Oh my god, he's really gone, took

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<v Speaker 1>all of his things. Why are reporters texting me? What

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<v Speaker 1>is this? Would you like to comment on the press

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<v Speaker 1>conference with? What press conference? What preence conference? I'm in

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<v Speaker 1>Natalia just a couple of weeks ago, and I was

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<v Speaker 1>so impressed with her talent and her charisma. I have

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<v Speaker 1>no doubt that we will be signing a record deal

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<v Speaker 1>in no time. She is extraordinary. Yes, miss pass are

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<v Speaker 1>you still going to manage your daughter's career or are

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<v Speaker 1>you replacing her now that it looks like she's making

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<v Speaker 1>the transition out of Tehano music replacing her? Don't be ridiculous.

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<v Speaker 1>Nothing between my daughter and me has changed. I just

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<v Speaker 1>think that they're saying a whole new generation of Mexican

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<v Speaker 1>singers that we should cultivate, especially when they come from

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<v Speaker 1>my hometown. Let's do that's why. And I am from

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<v Speaker 1>finn that one of those singers isn't Natalia. Sorry type,

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<v Speaker 1>if I could just add an hi, I'm Natalia. Mucho gusto,

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<v Speaker 1>thank you all for coming. No one could ever replace Adanita. Besides,

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<v Speaker 1>we sing different styles of music, and in my case,

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<v Speaker 1>I only sing in Spanish. Why I sing in English

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<v Speaker 1>when you can sing in the most poetic language in

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<v Speaker 1>the world. Right, I guess that was a job at me.

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<v Speaker 1>I'm excited that Miss Foss is taking me on because

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<v Speaker 1>I know she will help me achieve my goals as

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<v Speaker 1>an artist. And I can't wait for you to hear

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<v Speaker 1>what I have planned. Okay, that's all for today, but

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<v Speaker 1>get ready, Natalia is about to take Mexican music by storm.

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<v Speaker 1>Thank you everybody. Mom signing Natalia was not really a surprise,

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<v Speaker 1>but it's still stung that she didn't let me know first.

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<v Speaker 1>This is not at all how I thought the aftermath

0:08:12.800 --> 0:08:17.880
<v Speaker 1>of the Grammys would go. Still, I tried to remind

0:08:17.960 --> 0:08:29.320
<v Speaker 1>myself about riding your ways, Hi and Wilma. As a dad, actor, producer,

0:08:29.320 --> 0:08:32.560
<v Speaker 1>and activist, my schedule fills up fast, and as we

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<v Speaker 1>all know, life can be unpredictable. That's why good help

0:08:35.520 --> 0:08:37.960
<v Speaker 1>is always welcome, like when your friend offers you those

0:08:38.320 --> 0:08:41.559
<v Speaker 1>important words of advice, or when your mom makes your

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<v Speaker 1>favorite food, just because it's holding act of kindness and support.

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<v Speaker 1>That's why Stay Farm is their twenty four seven with

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<v Speaker 1>for your eyes, Shaving your hair makes it grow back thicker,

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<v Speaker 1>or you can get a cold from walking barefoot. How

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<v Speaker 1>many times have you heard these popular so called truths?

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<v Speaker 1>Well know what they're not really truths? Are they more

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<v Speaker 1>like old tales? And what about electric cars? How many

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<v Speaker 1>tales have you heard? They lack performance, take too long

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<v Speaker 1>to charge, don't have a good warrant tea. Okay, the

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<v Speaker 1>saying it. Dozens and dozens of global awards around the

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<v Speaker 1>world say it. So isn't it time to stop believing

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<v Speaker 1>old tales when it comes to debunking myths? Honday's thinking

0:11:12.320 --> 0:11:21.959
<v Speaker 1>of every mile, Honday, it's your journey. Mom finally texted

0:11:22.000 --> 0:11:24.800
<v Speaker 1>me back the next morning, but she kept it very

0:11:24.840 --> 0:11:28.360
<v Speaker 1>business like, reminding me about our meeting with Michael is

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<v Speaker 1>An iag that afternoon. I texted her back that I

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<v Speaker 1>would meet her there. Hey, Mom, Avelita, I missed you

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<v Speaker 1>at the after party. I didn't realize you were heading

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<v Speaker 1>back to Albaso early. There didn't seem to be much

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<v Speaker 1>need for me to be there, Mom, don't be like that.

0:11:58.360 --> 0:12:02.720
<v Speaker 1>We couldn't tell anyone for obvious reasons, so you thought

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<v Speaker 1>I would leave it. No, but you would have never

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<v Speaker 1>let me do it, not the way I wanted. I see, Well,

0:12:11.800 --> 0:12:14.560
<v Speaker 1>you've accomplished what you set out to do. It was

0:12:14.640 --> 0:12:19.760
<v Speaker 1>definitely a surprise. But did you like it? I'm pretty

0:12:19.800 --> 0:12:24.440
<v Speaker 1>sure it doesn't matter. Where's Rodrigo? Oh, he's been dealing

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<v Speaker 1>with a migraine. I'll update him later. Congrats on signing Natalia,

0:12:31.360 --> 0:12:34.480
<v Speaker 1>by the way, she's really great. Have you talked to

0:12:34.600 --> 0:12:39.800
<v Speaker 1>Marcos about her briefly at the Grammys? He's meeting her today.

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<v Speaker 1>He'll sign her. Oh, I'm sure. I guess I should

0:12:44.840 --> 0:12:49.760
<v Speaker 1>congratulate you too. You got what you wanted, and now

0:12:49.760 --> 0:12:53.280
<v Speaker 1>that Marcus is on board, I can't really stop you, O,

0:12:53.400 --> 0:13:01.880
<v Speaker 1>can I just remember? Miha wonderful as it might feel

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<v Speaker 1>to have Marcos' full support, He's still the label and

0:13:06.640 --> 0:13:12.160
<v Speaker 1>only cares about one thing that you deliver. Big I'm

0:13:12.200 --> 0:13:15.440
<v Speaker 1>your mother, and I've only ever done what's best for you.

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<v Speaker 1>Do you realize that the best thing that's happened to

0:13:18.480 --> 0:13:21.920
<v Speaker 1>my career was because I didn't listen to you. At

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<v Speaker 1>least Marcos is showing me how much he believes in me.

0:13:25.920 --> 0:13:30.720
<v Speaker 1>You're not. Let me tell you something, Ablita. You want

0:13:30.720 --> 0:13:33.000
<v Speaker 1>to know why Marcos gave you a record deal in

0:13:33.000 --> 0:13:37.800
<v Speaker 1>the first place, Because I had talent? Or wait, I'm

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<v Speaker 1>sure it's because of you. You made all of this happen. Stop.

0:13:42.600 --> 0:13:46.480
<v Speaker 1>I'm not asking so that you give me credit. I'm

0:13:46.520 --> 0:13:49.040
<v Speaker 1>asking because I think you're old enough now to know

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<v Speaker 1>the truth. Yes, you were talented, more than most fifteen

0:13:53.280 --> 0:13:57.080
<v Speaker 1>year old singers, but he gave you a deal because

0:13:57.160 --> 0:14:00.880
<v Speaker 1>he felt guilty for walking away you before you were

0:14:00.920 --> 0:14:06.120
<v Speaker 1>even bored. So please don't insult me by giving him

0:14:06.120 --> 0:14:12.559
<v Speaker 1>more credit than he'd sut. Sorry, I'm lake. What did

0:14:12.559 --> 0:14:23.400
<v Speaker 1>I miss? It was scary how my mom could go

0:14:23.480 --> 0:14:25.800
<v Speaker 1>on like she hadn't just told me that Mancos was

0:14:25.840 --> 0:14:31.400
<v Speaker 1>my father. I had questions. I felt so betrayed, confused, speechless.

0:14:32.960 --> 0:14:35.560
<v Speaker 1>They talked about doing a press tour with Wisdom, getting

0:14:35.560 --> 0:14:38.680
<v Speaker 1>me into a studio with new producers, all if I

0:14:38.720 --> 0:14:42.800
<v Speaker 1>wasn't even in the room. I nodded along and ran

0:14:42.920 --> 0:15:01.400
<v Speaker 1>out of there the minute I could. Hey, you great

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<v Speaker 1>to Aligo, you know what to do Frodrico. Hi, h.

0:15:09.080 --> 0:15:11.000
<v Speaker 1>I know I don't deserve anything from you right now,

0:15:11.080 --> 0:15:15.120
<v Speaker 1>but my mom just dropped a bomb on me. Please

0:15:15.200 --> 0:15:17.440
<v Speaker 1>please thank you. Don't talk to anyone else about this.

0:15:20.760 --> 0:15:31.600
<v Speaker 1>I need you. Please call me back. I waited two

0:15:31.720 --> 0:15:37.000
<v Speaker 1>whole hours Ferrodrico to call me. Then I said, fuck it.

0:15:37.920 --> 0:16:00.440
<v Speaker 1>He wants me to sort up my feelings. Okay, Hey, Adelita, Hi,

0:16:00.840 --> 0:16:04.080
<v Speaker 1>you you would want to come in? Give me a minute?

0:16:04.240 --> 0:16:10.400
<v Speaker 1>Oh okay. So I wasn't just caught up in the

0:16:10.440 --> 0:16:14.760
<v Speaker 1>moment after the show. I mean I was, but it

0:16:14.800 --> 0:16:18.680
<v Speaker 1>was more than that, something I couldn't control because I

0:16:18.720 --> 0:16:21.440
<v Speaker 1>had been thinking about it for so long. Whoa, whoa, whoa, whoa.

0:16:21.480 --> 0:16:24.520
<v Speaker 1>I'd elite to look. Don't be saying shit, you regret.

0:16:25.160 --> 0:16:28.680
<v Speaker 1>I mean, Rodrigo's my friend, but and he's my husband,

0:16:30.200 --> 0:16:36.400
<v Speaker 1>but he he said it himself. I need to find

0:16:36.440 --> 0:16:40.800
<v Speaker 1>out how I really feel. And I don't think I'm

0:16:40.840 --> 0:16:45.600
<v Speaker 1>the only one who's having these feelings. So can I

0:16:45.600 --> 0:17:08.040
<v Speaker 1>come in. If you're enjoying Adelita Changing the Key, please subscribe, rate,

0:17:08.160 --> 0:17:11.960
<v Speaker 1>and review our show wherever you're listening. Adelita Changing the

0:17:12.040 --> 0:17:15.520
<v Speaker 1>Key is a production of Sonoro in partnership with Rhearts

0:17:15.600 --> 0:17:19.880
<v Speaker 1>Michael Tura Network, created and written by li Jia Vijalobos,

0:17:20.400 --> 0:17:25.160
<v Speaker 1>Produced by Luisa Duardo, Castillo, Grinza Chaires and Bettina Lopez Mendoza.

0:17:25.760 --> 0:17:31.160
<v Speaker 1>Directed by Javier Perrazza. Developed by Jasmine Romero, Betina Lopez

0:17:31.359 --> 0:17:35.679
<v Speaker 1>and Christian Hatar. Executive produced by Gisel Banzes and conal

0:17:35.720 --> 0:17:40.160
<v Speaker 1>Byrne for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:17:40.680 --> 0:17:45.840
<v Speaker 1>Executive produced by Dayangerero and li Jiavianoos. This episode written

0:17:45.840 --> 0:17:50.360
<v Speaker 1>by li Javiaalobos with help from Daniela Sarkis, Betina Lopez,

0:17:50.600 --> 0:17:55.600
<v Speaker 1>Rodrigo Bravo, Moniza Hinrichs, Bariana Martinez Gomez and ed Garriesteva.

0:17:56.160 --> 0:18:02.720
<v Speaker 1>Performances in this episode by Diangerero, Beninia DestinE, An Artist,

0:18:03.000 --> 0:18:07.560
<v Speaker 1>Eli Hernandez and Lamar k Chester. Recording and engineering by

0:18:07.600 --> 0:18:12.600
<v Speaker 1>Andres Bayena and Emiliano Quintana, with sound designed by Andres Bayena,

0:18:13.080 --> 0:18:19.920
<v Speaker 1>Armando Utino, Lunirigo, Emiliano Quintana and Cassandra Tinajero. Additional editing

0:18:19.960 --> 0:18:24.080
<v Speaker 1>by Daniel Pavilla, Fernando Calaviz and Manuel Parre. Casting and

0:18:24.200 --> 0:18:29.439
<v Speaker 1>coordination by Rli Day Mike Paige, Christina Blevins Andres Chaires,

0:18:29.760 --> 0:18:36.320
<v Speaker 1>Alexandra Gonzalez, Querenzachais, Christian Hatar and Nick Milanez. Original songs

0:18:36.320 --> 0:18:41.520
<v Speaker 1>by Laura Cruz, Ector Fernandez, Sean Metta, Miranda Johnson and

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<v Speaker 1>plays Am music director Kamara Kamban as a dad actor

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<v Speaker 1>producer for an Activists. Schedule feels up fast and as

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<v Speaker 1>we all know, life can be unpredictable. That's why good

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