WEBVTT - Writing Your Way Through with Kristin Hannah

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<v Speaker 1>Hi, Catherine, Hi, Chelsea, how are you hi.

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<v Speaker 2>I'm very excited about our guest today because she's an author,

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<v Speaker 2>and all my friends up here are reading her books

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<v Speaker 2>knowing and anticipation that she's coming on. So this is

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<v Speaker 2>an exciting time, you know how I much? I love

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<v Speaker 2>authors and I what's going on? What's going on? Well?

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<v Speaker 2>I had a whirlwind week. I was in Deer Valley

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<v Speaker 2>skiing this week. I was performing and then I went

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<v Speaker 2>to the Oscar parties to put my get my dress

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<v Speaker 2>and my glam on. And my friends and Whistler are like,

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<v Speaker 2>every time we see pictures of you dressed up, We're like,

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<v Speaker 2>that can't be you. That's not her. I'm like, that's

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<v Speaker 2>the real me.

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<v Speaker 1>You do look nine feet tall in these column dresses,

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<v Speaker 1>you would look extrameline feet tall.

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<v Speaker 2>I know yesterday I was skiing, I got these I

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<v Speaker 2>got this new ski off it sent to me from Bogner.

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<v Speaker 2>Shout out to Bogner Skiwear, thank you for that. And

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<v Speaker 2>my friends are like, oh my god, your body, your ass,

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<v Speaker 2>your legs. I was like, keep it coming, girls.

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<v Speaker 1>I am also loving all the outtakes from your Your

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<v Speaker 1>birthday is shut as well. Popping up up here and there.

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<v Speaker 1>I'm like, damn, girl, you've been working out.

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<v Speaker 2>Her niece really really got a lot of attention, and

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<v Speaker 2>I think she likes being in a baby beorn on

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<v Speaker 2>my back because she was just so chill and relaxed,

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<v Speaker 2>and I was like, God, do you love skiing as

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<v Speaker 2>much as your mama does?

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<v Speaker 1>Her legs sticking out. She was like in heaven.

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<v Speaker 2>She's like attacked. She looks like she's been taxidermid, which

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<v Speaker 2>is my type. But Doug, I just I mean, everyone

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<v Speaker 2>wanted to have Doug this last weekend. All my friends

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<v Speaker 2>and Whistler are like, who's taking care of Doug? Bernice

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<v Speaker 2>is popular too, but Doug is like other level. Because

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<v Speaker 2>I don't I have to keep you know, and I'm

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<v Speaker 2>trying to split them up so I don't have to

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<v Speaker 2>ask somebody to watch two of my dogs. But Doug

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<v Speaker 2>is ridiculous. Did I tell you about his diarrhea?

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<v Speaker 3>Yes?

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<v Speaker 1>You did?

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<v Speaker 2>Well, so now he's diaryiea Doug.

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<v Speaker 1>He's feeling better after his little say it's be He'll

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<v Speaker 1>still be diarrhea Doug in my heart forever. Hey, Chelsea,

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<v Speaker 1>here's a question for you. Was there a book that

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<v Speaker 1>everybody loved that you just could not get through.

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<v Speaker 2>Yeah, a lot of books. Catch twenty two Midnight Children

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<v Speaker 2>by Sam and Rushdie. I could never finish that. I

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<v Speaker 2>didn't know what the fuck he was talking about. By

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<v Speaker 2>the third I was like, what, there's a man in

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<v Speaker 2>a boat I don't wear. So I didn't read that.

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<v Speaker 2>But growing up, I think the most seminal book was

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<v Speaker 2>The fountain Head by Ann Rand. I read that like

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<v Speaker 2>three times. I'm not sure really what I got out

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<v Speaker 2>of it, but I liked it and I liked rereading it.

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<v Speaker 2>Uh yeah, fountain Head. That was a good That was

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<v Speaker 2>like an eighteen year old book. Yeah.

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<v Speaker 1>Well, clearly you didn't get your politics from that, so

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<v Speaker 1>that's a good things.

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<v Speaker 2>No, I did, and I don't even think I understood

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<v Speaker 2>what I was reading, but I liked the idea. I

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<v Speaker 2>liked some of the ideas in it. And then when

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<v Speaker 2>I would read book discussions on it, I'm like, oh wait,

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<v Speaker 2>I don't even know what happened. I was like, wait,

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<v Speaker 2>my comprehension skills were not where they needed to be.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, for me, I was Pachinko and my mom like

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<v Speaker 1>loved this book. Everyone loved this book. But I just

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<v Speaker 1>I couldn't like lock In with the Carrick. So I

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<v Speaker 1>think I'm gonna have to watch the show of that,

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<v Speaker 1>because I've heard it's really really good. There's like a

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<v Speaker 1>series of it.

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<v Speaker 2>Yeah, I remember reading Pichenko. I really liked Pachinko, but

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<v Speaker 2>I know, yeah, I tried to watch the show, but

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<v Speaker 2>I couldn't get into it. I don't like one. But

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<v Speaker 2>they make books into shows. It's one or the other

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<v Speaker 2>with me, not both for sure.

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<v Speaker 1>All right, Well, we have an amazing guest today. Actually,

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<v Speaker 1>my mom and my mother in law are really excited

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<v Speaker 1>about her.

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<v Speaker 2>Oh yes, yes, our guest today is the best selling

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<v Speaker 2>author of The Women, The Great Alone, The Nightingale, and

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<v Speaker 2>Flyerfly Lane, Flyer Fly Lane, and currently has the number

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<v Speaker 2>one selling book in America, which is called The Women.

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<v Speaker 2>Please welcome author Kristin Hannah.

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<v Speaker 3>Hi, guys.

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<v Speaker 2>First of all, she has the number one book in

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<v Speaker 2>the New York Times well pretty much every bestsellers list

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<v Speaker 2>and booklist is right now. Number one is The Women.

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<v Speaker 2>And you may know Kristin from her other books like

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<v Speaker 2>The Nightingale and The Great Alone, which Kristin, I have

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<v Speaker 2>to say that subject matter couldn't be less appealing to me,

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<v Speaker 2>and I could not put that book down like I

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<v Speaker 2>have sent that book. I sent two books out this

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<v Speaker 2>year as Christmas gifts to everybody. One was The Grade Alone,

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<v Speaker 2>and then there was another book. And people, I mean everyone,

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<v Speaker 2>all my friends in Whistler are all of them. We

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<v Speaker 2>just like referenced it all the time because it was

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<v Speaker 2>so painful, painful and traumatizing and beautiful and all of

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<v Speaker 2>the things that you're known for. So let's talk a

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<v Speaker 2>little bit about all your inspiration for these books. There's

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<v Speaker 2>a lot of common themes that you talk, you write about.

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<v Speaker 2>You write a lot about PTSD. You write a lot

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<v Speaker 2>about the war, whether it's Vietnam or World War Two.

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<v Speaker 2>I think, oh no, no, the guy in Great Alone

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<v Speaker 2>was from he had PTSD from Vietnam, right, So what

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<v Speaker 2>made you so interested in that topic?

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<v Speaker 3>You know? I think, actually, Chelsea, it's because I was

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<v Speaker 3>a kid during the Vietnam War, and you know, it

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<v Speaker 3>was such a fraught time and there was so much

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<v Speaker 3>anger and political division. And I had a best friend,

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<v Speaker 3>you know, we were like in third grade, and her

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<v Speaker 3>father served in Vietnam and was shot down and never returned.

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<v Speaker 3>And so I've always sort of just remembered that and

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<v Speaker 3>thought about it, and we wore these prisoner war bracelets

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<v Speaker 3>where we had the serviceman's name and the number that

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<v Speaker 3>they were or the date that they were lost on

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<v Speaker 3>your wrist. And the idea was that you would wear

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<v Speaker 3>this until he came home. So I wore it for

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<v Speaker 3>decades waiting, And I think it just when I saw

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<v Speaker 3>how the Vietnam vets were treated when they came home,

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<v Speaker 3>it just really stuck with me. And you know, and

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<v Speaker 3>obviously we've had wars since then, but I just think

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<v Speaker 3>it's so important that if we're going to ask people

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<v Speaker 3>to go off and serve their nation and put themselves

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<v Speaker 3>in harms way for us, that we care for them

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<v Speaker 3>when they come back. And so I keep coming back

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<v Speaker 3>to this issue that means a lot to me.

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<v Speaker 2>M Yeah, it is pretty it's a pretty embarrassing when

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<v Speaker 2>you find out what vets have when they returned, and

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<v Speaker 2>how many of our homeless population are vets who aren't

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<v Speaker 2>taken care of by our own government who they sacrifice for.

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<v Speaker 2>It doesn't I mean, how do you look at it, Like,

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<v Speaker 2>how old were you when the Vietnam War was happening.

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<v Speaker 3>Well, let's see, I was thirteen, I think when it ended,

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<v Speaker 3>and so I was, you know, like in kindergarten or

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<v Speaker 3>something when it started.

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<v Speaker 2>Jesus, that's a long time. When you compare the way

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<v Speaker 2>we are now with everything that's going on in the

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<v Speaker 2>world now, and you think back to that time, what

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<v Speaker 2>strikes you in terms of this position our country is in,

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<v Speaker 2>or the temperature of our country maybe.

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<v Speaker 3>Well, the political division that we're seeing now and that

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<v Speaker 3>we were seeing, you know, during the pandemic and for

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<v Speaker 3>the last you know, several years, felt very much like Vietnam,

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<v Speaker 3>which is why, you know, I think I chose this

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<v Speaker 3>moment to write the book. But it was a very

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<v Speaker 3>different time because in terms of the political division, in

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<v Speaker 3>simplest terms, you could say that it was sort of

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<v Speaker 3>young versus old, and left versus right. And you know,

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<v Speaker 3>there was this whole movement, the whole Flower power, Make

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<v Speaker 3>Love not War, you know, all of that kind of stuff.

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<v Speaker 3>So the what we were fighting about was much I think,

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<v Speaker 3>much more philosophical.

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<v Speaker 2>I mean, right, philosophical, same kind of divisions, but people,

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<v Speaker 2>there's very it was very disparate like being in that war.

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<v Speaker 2>First of all, the way that our government lied to

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<v Speaker 2>us over and over again about what was happening over there,

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<v Speaker 2>which I'm sure still happens every single day in our

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<v Speaker 2>country in whatever war we're in. We're being lied to.

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<v Speaker 2>So that's disappointing. But in terms of like, I want

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<v Speaker 2>to talk a little bit about your writing process because

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<v Speaker 2>you're so prolific. I mean, I don't know. I can't

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<v Speaker 2>believe you when you DMed me and said have you

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<v Speaker 2>read my book yet? I'm like, you wrote another book

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<v Speaker 2>when I just got done with the last one. So

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<v Speaker 2>I want to talk about that because how do you

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<v Speaker 2>what is your process and how long does it take

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<v Speaker 2>you and what do you do you every day?

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<v Speaker 3>Well, so for you, okay, so we have to go

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<v Speaker 3>back a little bit. I started this career. I used

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<v Speaker 3>to be a lawyer, and I started this career because

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<v Speaker 3>I got pregnant and had a baby and wanted to

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<v Speaker 3>be an at home mom. So I wanted something that

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<v Speaker 3>I could do that was sort of for myself but

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<v Speaker 3>was at home, which meant that in the beginning, you know,

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<v Speaker 3>I wrote during nap time, and I've just sort of

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<v Speaker 3>continued on and so for years I wrote a book

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<v Speaker 3>a year, and then a couple of times I would

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<v Speaker 3>take two years, like Firefly Lane. If I wanted to

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<v Speaker 3>sort of redefine myself, and I think when I reached

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<v Speaker 3>a certain age, I and with it corresponds to writing

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<v Speaker 3>The Nightingale. I started going three years between books. What's

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<v Speaker 3>weird about now is the books keep selling. I mean,

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<v Speaker 3>like The Grade Alone. I mean it was out in

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<v Speaker 3>twenty eighteen, but people were still discovering it in twenty

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<v Speaker 3>twenty two. So it sort of feels like I'm having

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<v Speaker 3>another book instantly, But really, it's been three years.

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<v Speaker 2>And did it hit number one? Was it very popular

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<v Speaker 2>when it came out or did it gain its popularity

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<v Speaker 2>after a couple of years?

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<v Speaker 3>The Great Elege So it hit number one, and you

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<v Speaker 3>know it was popular. Actually, you know, the Great Alone

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<v Speaker 3>popularity surprised me. I didn't actually because, as you point out,

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<v Speaker 3>it was a dark subject matter and you know, it

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<v Speaker 3>was it was kind of difficult. So I've been really

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<v Speaker 3>surprised that people have responded to both the beauty and

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<v Speaker 3>the harshness of Alaska and the sort of difficulty of

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<v Speaker 3>that relationship.

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<v Speaker 2>Have you you spent time in Alaska?

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<v Speaker 3>Right? Yeah. My family's business is sport fishing lodges, and

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<v Speaker 3>they have one in Alaska. They have a bear camp

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<v Speaker 3>and a fishing camp.

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<v Speaker 2>Yeah, I guess you. I mean, I don't see how

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<v Speaker 2>you could possibly write about that, that aloneeness unless you've

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<v Speaker 2>experienced it. And when anyone wants to talk about a

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<v Speaker 2>loneeness or feeling alone, they need to read that book

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<v Speaker 2>and think about elast because that's when you're really fucking alone.

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<v Speaker 2>I mean, that is one of the most unfeeling back

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<v Speaker 2>drops I could ever ever imagine. Okay, so what's your

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<v Speaker 2>process writing?

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<v Speaker 3>Like?

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<v Speaker 2>Do you write every morning? Do you write it? You

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<v Speaker 2>write nap time?

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<v Speaker 3>What?

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<v Speaker 2>That's what you used to do? But I mean, are

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<v Speaker 2>you disciplined? You must be.

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<v Speaker 3>Yeah, I am really disciplined. I mean it's a it's

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<v Speaker 3>a two prong thing. First of all, it's a job.

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<v Speaker 3>And you know, I remember like when I was a lawyer,

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<v Speaker 3>nobody said, hey, do you feel like practicing law today?

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<v Speaker 3>You just went in and sort of, you know, did

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<v Speaker 3>your job. And so that's what I try to do.

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<v Speaker 3>And in terms of, you know, the writing process, I'm

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<v Speaker 3>asked all the time, well, what about when inspiration and

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<v Speaker 3>when you need the muse to show up and when

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<v Speaker 3>you need to be inspired? And I really find that

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<v Speaker 3>the mews shows up when I sit down, and you

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<v Speaker 3>know that if I go in search of it, I'm

0:10:52.640 --> 0:10:56.640
<v Speaker 3>more likely to find it. So yes, I'm very disciplined.

0:10:56.760 --> 0:10:59.280
<v Speaker 3>I sit down every day. I write pretty much from

0:10:59.320 --> 0:11:02.600
<v Speaker 3>seven to four or how much with my husband and

0:11:02.720 --> 0:11:04.880
<v Speaker 3>you know, and then I write. And then what I

0:11:04.920 --> 0:11:09.440
<v Speaker 3>do now is I take months off where I'm not writing.

0:11:09.640 --> 0:11:12.840
<v Speaker 3>So I you know, I work fifty hours a week

0:11:12.880 --> 0:11:15.000
<v Speaker 3>when I am writing, and then I'll take you know,

0:11:15.040 --> 0:11:19.280
<v Speaker 3>two or three months off and travel or hang out,

0:11:19.600 --> 0:11:20.840
<v Speaker 3>drink wine whatever.

0:11:21.240 --> 0:11:23.240
<v Speaker 2>Yeah, I'm with you on that. There's a time, like

0:11:23.320 --> 0:11:25.320
<v Speaker 2>you know, to harvest, and then there's a time for

0:11:25.400 --> 0:11:27.680
<v Speaker 2>so you know, there's a time for planting, and there's

0:11:27.679 --> 0:11:30.800
<v Speaker 2>a time for harvesting. And if we don't, like as creatives,

0:11:30.960 --> 0:11:34.000
<v Speaker 2>if people, if we're not filling ourselves up with real life,

0:11:34.000 --> 0:11:35.800
<v Speaker 2>it's like then what we have? What kind of output

0:11:35.880 --> 0:11:38.240
<v Speaker 2>do we have? I'm with you on the three months off.

0:11:38.280 --> 0:11:41.560
<v Speaker 2>I love taking my vacation time very seriously because I

0:11:41.600 --> 0:11:46.200
<v Speaker 2>need to experience things and you know, experience stories that

0:11:46.320 --> 0:11:48.800
<v Speaker 2>I can then put back, spit back out and regurg

0:11:48.840 --> 0:11:51.880
<v Speaker 2>you to it's true. And without that life experience, it's like, well,

0:11:51.960 --> 0:11:54.080
<v Speaker 2>what you know, I think that is so important, and

0:11:54.120 --> 0:11:57.840
<v Speaker 2>people don't give, especially American culture. It's not about that.

0:11:57.960 --> 0:11:59.880
<v Speaker 2>You're not supposed to be taking so many breaks. It's

0:12:00.000 --> 0:12:03.040
<v Speaker 2>out a hustle, hustle, hustle, But you can hustle and

0:12:03.080 --> 0:12:05.600
<v Speaker 2>also take breaks. Those two things can work together. What

0:12:05.760 --> 0:12:07.439
<v Speaker 2>happens when you find out you're number one on the

0:12:07.440 --> 0:12:08.640
<v Speaker 2>New York Times list.

0:12:08.880 --> 0:12:11.880
<v Speaker 3>Well, Champagne is sort of the you know, the first thing,

0:12:12.240 --> 0:12:16.240
<v Speaker 3>and I think almost it's a great sense of relief.

0:12:16.760 --> 0:12:20.079
<v Speaker 3>It's joyful, obviously, it's exciting. I love all of that,

0:12:20.679 --> 0:12:24.959
<v Speaker 3>but it's it's mostly just okay. So I think it's

0:12:25.000 --> 0:12:27.319
<v Speaker 3>probably the same for anyone, for you, for anyone when

0:12:27.360 --> 0:12:30.320
<v Speaker 3>you get reviews in when you realize that something that

0:12:30.360 --> 0:12:33.640
<v Speaker 3>you have poured your heart and soul in in private, alone,

0:12:33.800 --> 0:12:38.120
<v Speaker 3>behind closed doors for years is being embraced by people,

0:12:38.720 --> 0:12:42.800
<v Speaker 3>and for this book even more than number one. What

0:12:42.960 --> 0:12:46.959
<v Speaker 3>has been so huge is sort of the outpouring of

0:12:47.120 --> 0:12:52.640
<v Speaker 3>love and support and gratitude really from female and male

0:12:52.760 --> 0:12:56.520
<v Speaker 3>veterans and their families. And I can't tell you how

0:12:56.520 --> 0:13:00.319
<v Speaker 3>many you know, women have come up to me crying saying,

0:13:01.000 --> 0:13:05.360
<v Speaker 3>you know, thank you for just reminding people that we

0:13:05.559 --> 0:13:08.000
<v Speaker 3>matter in the service that we're out there that we're

0:13:08.440 --> 0:13:12.200
<v Speaker 3>we're working, we're doing our best, and I think you

0:13:12.280 --> 0:13:16.000
<v Speaker 3>get to an age I'm certainly there now where you

0:13:16.040 --> 0:13:20.600
<v Speaker 3>realize that remembrance and gratitude matters. You know, you don't

0:13:20.720 --> 0:13:24.320
<v Speaker 3>want to do all of this in avoid whether it's

0:13:24.440 --> 0:13:29.119
<v Speaker 3>stay at home motherhood or your job or your creative process.

0:13:29.679 --> 0:13:31.319
<v Speaker 3>I think we all need to be seen.

0:13:32.160 --> 0:13:35.800
<v Speaker 2>Absolutely. I love that. Yeah, I think that is the

0:13:35.800 --> 0:13:37.560
<v Speaker 2>one thing. I think that is the one thing that

0:13:37.640 --> 0:13:41.040
<v Speaker 2>you know growing up, when you're a kid and you

0:13:41.080 --> 0:13:43.440
<v Speaker 2>and you are seen. When you feel seen right by

0:13:43.520 --> 0:13:46.600
<v Speaker 2>a teacher or by your aunt or uncle and not

0:13:46.679 --> 0:13:49.760
<v Speaker 2>in a creepy way, that really does empower you. Like

0:13:49.800 --> 0:13:53.280
<v Speaker 2>if someone notices you and notices whatever you're good at

0:13:53.880 --> 0:13:56.600
<v Speaker 2>and is encouraging. I mean, being seen, I think is

0:13:56.640 --> 0:13:59.199
<v Speaker 2>the number one thing people don't feel right. When people

0:13:59.240 --> 0:14:02.800
<v Speaker 2>feel that kind of tenderness or aloneness or vulnerability, they

0:14:02.840 --> 0:14:05.080
<v Speaker 2>just feel like they're not understood or misunderstood.

0:14:05.160 --> 0:14:08.440
<v Speaker 3>It can change your life. I mean one teacher coming

0:14:08.520 --> 0:14:11.760
<v Speaker 3>up and saying, I had a teacher in eighth grade

0:14:11.880 --> 0:14:15.880
<v Speaker 3>who said, you know what, you have a power here

0:14:16.280 --> 0:14:19.520
<v Speaker 3>people like you. You don't have to be so afraid

0:14:19.560 --> 0:14:22.200
<v Speaker 3>all the time, because I went to a million different

0:14:22.200 --> 0:14:24.080
<v Speaker 3>schools and I was always the new kid in the

0:14:24.120 --> 0:14:27.280
<v Speaker 3>wrong jeans with the wrong haircut, and so I tried

0:14:27.360 --> 0:14:31.000
<v Speaker 3>to be invisible. And you know, in eighth grade someone said,

0:14:31.040 --> 0:14:33.000
<v Speaker 3>you know, hey, you don't have to do that, and

0:14:33.080 --> 0:14:34.840
<v Speaker 3>it was really pretty life changing.

0:14:35.440 --> 0:14:38.560
<v Speaker 2>I had a teacher who actually passed away this last

0:14:38.560 --> 0:14:41.200
<v Speaker 2>week named missus Sheckman, and she was my third grade teacher,

0:14:41.560 --> 0:14:45.280
<v Speaker 2>and I always was problematic and she would take me

0:14:45.320 --> 0:14:47.360
<v Speaker 2>on the weekends to her husband. She hear her husband

0:14:47.400 --> 0:14:49.480
<v Speaker 2>had a house down the Jersey shore, and she was

0:14:49.480 --> 0:14:51.480
<v Speaker 2>trying to help my parents. She's like, let me guide her,

0:14:51.600 --> 0:14:53.400
<v Speaker 2>let me help her. Because I was so full of

0:14:53.440 --> 0:14:56.320
<v Speaker 2>it and angst. I just wanted to be a woman.

0:14:56.480 --> 0:14:59.600
<v Speaker 2>I couldn't handle childhood. I was like, this is so annoying.

0:15:00.320 --> 0:15:02.840
<v Speaker 2>And she would take me and she would sit with

0:15:02.880 --> 0:15:04.760
<v Speaker 2>me and just be like, do you understand You're going

0:15:04.800 --> 0:15:06.720
<v Speaker 2>to do amazing things in this world? Like You're going

0:15:06.760 --> 0:15:08.760
<v Speaker 2>to be incredible. But it wasn't at a time where

0:15:08.760 --> 0:15:10.760
<v Speaker 2>I ever thought that I was only eight or nine.

0:15:10.800 --> 0:15:13.600
<v Speaker 2>I was like, well, yeah, whatever. I just couldn't And

0:15:13.800 --> 0:15:16.080
<v Speaker 2>the time that she spent with me, I can't remember

0:15:16.160 --> 0:15:18.280
<v Speaker 2>anything she said to me, but I know that feeling,

0:15:18.840 --> 0:15:21.760
<v Speaker 2>and it was I felt so cared for and so

0:15:22.000 --> 0:15:24.200
<v Speaker 2>special that she went out of her way to spend

0:15:24.200 --> 0:15:26.760
<v Speaker 2>time with me. That I will never forget that. And

0:15:26.840 --> 0:15:28.680
<v Speaker 2>I always think of that when I think of children,

0:15:28.720 --> 0:15:31.560
<v Speaker 2>you know, because I don't have a high tolerance for them,

0:15:31.600 --> 0:15:32.960
<v Speaker 2>so I really have to pick and choose the ones

0:15:33.000 --> 0:15:34.560
<v Speaker 2>that I want to be around. But it is so

0:15:34.720 --> 0:15:37.240
<v Speaker 2>impactful to have that kind of influence. Now do you

0:15:37.320 --> 0:15:41.080
<v Speaker 2>mentor anyone Are you into that in terms of writing,

0:15:41.240 --> 0:15:42.520
<v Speaker 2>Like do you help other authors?

0:15:42.880 --> 0:15:45.680
<v Speaker 3>I do? I do. I haven't helped I haven't worked

0:15:45.720 --> 0:15:48.840
<v Speaker 3>with a lot of beginning novelists, but I work with,

0:15:49.040 --> 0:15:51.040
<v Speaker 3>you know, a sort of a big group of us

0:15:51.240 --> 0:15:53.960
<v Speaker 3>who all sort of came of age at the same time.

0:15:54.240 --> 0:15:57.520
<v Speaker 3>And there's something so powerful. I was going to point

0:15:57.560 --> 0:15:59.160
<v Speaker 3>out what you were going to what you were saying

0:15:59.200 --> 0:16:02.760
<v Speaker 3>earlier about children and being you know, mentored like that.

0:16:03.200 --> 0:16:07.200
<v Speaker 3>It's especially important for girls, and I found, like with

0:16:07.360 --> 0:16:12.600
<v Speaker 3>the women female writers community, there was for a long

0:16:12.680 --> 0:16:15.360
<v Speaker 3>time this don't ever tell anybody what you're doing, what

0:16:15.400 --> 0:16:20.160
<v Speaker 3>you're making, what you're getting, you know, keep everything very competitive.

0:16:20.880 --> 0:16:23.960
<v Speaker 3>And so I've got this big group of female friends

0:16:24.040 --> 0:16:28.320
<v Speaker 3>where we share information now, and that's another thing that's

0:16:28.440 --> 0:16:32.920
<v Speaker 3>kind of life changing, is women sort of owning their

0:16:32.960 --> 0:16:38.520
<v Speaker 3>own ambition and coming together to share information that is

0:16:38.560 --> 0:16:39.640
<v Speaker 3>withheld from us.

0:16:40.200 --> 0:16:44.800
<v Speaker 2>Yeah, which also seems like a newer thing. Females supporting females.

0:16:45.040 --> 0:16:47.840
<v Speaker 2>It's like we finally cracked the code and we're like, oh, wait,

0:16:48.280 --> 0:16:50.800
<v Speaker 2>why the hell are we listening to men tell us

0:16:51.000 --> 0:16:53.200
<v Speaker 2>to you know, they're the ones that are separating us

0:16:53.240 --> 0:16:55.600
<v Speaker 2>and making us so competitive. And it feels like a

0:16:55.640 --> 0:16:58.120
<v Speaker 2>recent thing where women are really showing up for each

0:16:58.160 --> 0:17:01.360
<v Speaker 2>other and understanding we're not each other's enemy. You know,

0:17:01.720 --> 0:17:04.440
<v Speaker 2>we actually have to stick together and become the most

0:17:04.440 --> 0:17:05.719
<v Speaker 2>powerful version of ourselves.

0:17:05.760 --> 0:17:07.880
<v Speaker 3>Absolutely, and that's one of the best things I see

0:17:07.920 --> 0:17:09.919
<v Speaker 3>happening around us now. I mean, when I was a

0:17:09.960 --> 0:17:13.800
<v Speaker 3>young lawyer, there were very few you know, female lawyers

0:17:13.800 --> 0:17:16.600
<v Speaker 3>that were partners or you know, we're running the firms

0:17:16.680 --> 0:17:20.639
<v Speaker 3>or anything, and there was very little mentoring going on,

0:17:20.760 --> 0:17:23.760
<v Speaker 3>and it all felt very competitive, like there was only

0:17:23.840 --> 0:17:27.080
<v Speaker 3>room for one at a time. And I think we

0:17:27.240 --> 0:17:31.119
<v Speaker 3>have all learned how important it is to you know,

0:17:31.240 --> 0:17:33.760
<v Speaker 3>offer a hand to the people coming to the girls

0:17:33.800 --> 0:17:34.960
<v Speaker 3>coming up behind us.

0:17:35.080 --> 0:17:36.639
<v Speaker 2>Yeah, you write, I mean there's a lot of female

0:17:36.680 --> 0:17:39.679
<v Speaker 2>friendships in the books. Obviously, there's always, you know, a

0:17:39.760 --> 0:17:43.280
<v Speaker 2>strong connection, especially in the Women and the Great Alone,

0:17:43.320 --> 0:17:46.359
<v Speaker 2>you know, that community in Alaska and the Nightingale, and

0:17:46.440 --> 0:17:51.840
<v Speaker 2>so that must feel important for you to demonstrate, you know, absolutely,

0:17:51.920 --> 0:17:54.359
<v Speaker 2>and that was something you know, Like I said, I

0:17:54.400 --> 0:17:58.160
<v Speaker 2>moved around a lot, so so childhood friendships are rare.

0:17:58.800 --> 0:18:01.480
<v Speaker 3>And I think it was until I was in college

0:18:01.960 --> 0:18:04.359
<v Speaker 3>and then a young mother and a young wife and

0:18:04.400 --> 0:18:08.120
<v Speaker 3>all those things where I really sort of understood this

0:18:08.880 --> 0:18:12.240
<v Speaker 3>truth that had not been sort of passed along to

0:18:12.359 --> 0:18:15.160
<v Speaker 3>me anyway for whatever reason. My mom died very young,

0:18:15.320 --> 0:18:18.879
<v Speaker 3>so maybe that's part of it. But this truth that

0:18:19.720 --> 0:18:22.960
<v Speaker 3>it is your girlfriends who will carry you through life,

0:18:23.000 --> 0:18:26.320
<v Speaker 3>who will be there when you know, when the shit

0:18:26.440 --> 0:18:29.840
<v Speaker 3>hits the fan. It's your girlfriends that you call when

0:18:29.880 --> 0:18:33.000
<v Speaker 3>you feel like a bad mother. It's your girlfriends when

0:18:33.040 --> 0:18:36.760
<v Speaker 3>you want to celebrate anything that happens. And I think

0:18:36.800 --> 0:18:39.920
<v Speaker 3>it's so important because we come together, we witness each

0:18:39.920 --> 0:18:43.960
<v Speaker 3>other's lives, we are each other's support. In many ways,

0:18:44.600 --> 0:18:48.080
<v Speaker 3>we're soulmates, you know, with our best friends. And I

0:18:48.119 --> 0:18:52.040
<v Speaker 3>think that's kind of an idea that is, it feels

0:18:52.119 --> 0:18:53.800
<v Speaker 3>new even though it shouldn't be.

0:18:54.960 --> 0:18:57.560
<v Speaker 2>I know, isn't that so weird? It's so within us

0:18:58.040 --> 0:19:00.880
<v Speaker 2>and in our DNA, like as a you know, we're

0:19:00.880 --> 0:19:04.200
<v Speaker 2>so maternal just by nature. We have to really unlearn

0:19:04.960 --> 0:19:06.840
<v Speaker 2>all of these things that have been kind of put

0:19:06.920 --> 0:19:09.040
<v Speaker 2>on us. How old were you when your mom passed?

0:19:09.440 --> 0:19:10.720
<v Speaker 3>I think it was about twenty four?

0:19:11.200 --> 0:19:14.400
<v Speaker 2>Okay, So how does that affect you? Being a mother?

0:19:14.720 --> 0:19:16.000
<v Speaker 2>Losing your mother at that age?

0:19:16.000 --> 0:19:18.840
<v Speaker 3>You know, it's hard. I mean it's really hard, and

0:19:18.880 --> 0:19:22.520
<v Speaker 3>then you have to rely on your dad. And my

0:19:22.640 --> 0:19:25.399
<v Speaker 3>dad was of course broken at the time as well,

0:19:25.160 --> 0:19:28.200
<v Speaker 3>we all were, you know, she was so young, forty six,

0:19:28.960 --> 0:19:34.280
<v Speaker 3>and so at twenty four you don't realize how impactful

0:19:34.320 --> 0:19:36.679
<v Speaker 3>this is going to be because you are at that

0:19:36.760 --> 0:19:39.919
<v Speaker 3>age where you think you've got it nailed. You know everything,

0:19:40.040 --> 0:19:43.000
<v Speaker 3>you know, you're the smartest girl in the room. And

0:19:43.119 --> 0:19:47.760
<v Speaker 3>so it wasn't until I would say, really almost forty

0:19:48.280 --> 0:19:52.600
<v Speaker 3>when it really struck me. I didn't know my mother

0:19:53.240 --> 0:19:56.440
<v Speaker 3>and I had to sort of go and search for her,

0:19:56.640 --> 0:19:58.960
<v Speaker 3>you know, try to find her myself. And I did

0:19:58.960 --> 0:20:01.560
<v Speaker 3>that the way I do ever every thing, which is

0:20:01.560 --> 0:20:04.320
<v Speaker 3>through writing and so that's why I wrote the book

0:20:04.400 --> 0:20:07.679
<v Speaker 3>Firefly Lane, about a woman who is, you know, dealing

0:20:07.720 --> 0:20:10.480
<v Speaker 3>with breast cancer, because that was my best way to

0:20:10.680 --> 0:20:13.720
<v Speaker 3>try to figure out, like, what did this look like

0:20:13.840 --> 0:20:15.680
<v Speaker 3>from her side?

0:20:16.240 --> 0:20:20.240
<v Speaker 2>Yeah, and I'm curious at how it actually impacts your parenting,

0:20:20.359 --> 0:20:23.520
<v Speaker 2>because you know that you're giving her something that you

0:20:23.560 --> 0:20:25.560
<v Speaker 2>didn't necessarily get for that long.

0:20:26.040 --> 0:20:30.000
<v Speaker 3>Yeah, I mean what it does. I think always in

0:20:30.000 --> 0:20:34.920
<v Speaker 3>the back of your mind is this idea that being

0:20:35.000 --> 0:20:40.240
<v Speaker 3>a parent is really important, being there and showing up

0:20:40.400 --> 0:20:44.359
<v Speaker 3>is really important, but also understanding I think that you

0:20:44.440 --> 0:20:48.119
<v Speaker 3>have a finite amount of time and knowing sort of

0:20:48.640 --> 0:20:52.439
<v Speaker 3>I guess the peaks and valleys that the relationship you know,

0:20:52.520 --> 0:20:55.840
<v Speaker 3>will go through. And I just always try, to the

0:20:55.880 --> 0:21:00.159
<v Speaker 3>best of my ability to never sort of do something

0:21:00.240 --> 0:21:03.000
<v Speaker 3>that I think is across the line, because you just

0:21:03.119 --> 0:21:04.600
<v Speaker 3>never know how much time you have.

0:21:05.200 --> 0:21:07.760
<v Speaker 2>Yeah, Okay, Wow, we're going to take a break and

0:21:07.800 --> 0:21:14.080
<v Speaker 2>we're going to be right back and we're back with

0:21:14.200 --> 0:21:17.000
<v Speaker 2>Kristin Hannah. I'm so happy to have you on the

0:21:17.040 --> 0:21:20.000
<v Speaker 2>podcast today, Katherine. Do we have some callers we're going

0:21:20.000 --> 0:21:22.280
<v Speaker 2>to give advice, Kristin, so buckle up.

0:21:22.600 --> 0:21:26.159
<v Speaker 1>Our first email really just has to do with recommendations.

0:21:26.240 --> 0:21:31.160
<v Speaker 1>Our listeners love books and are constantly asking for more recommendations.

0:21:31.440 --> 0:21:35.400
<v Speaker 1>So Kathy says, my name is Kathy Quinn. I'm from Dublin, Ireland.

0:21:35.400 --> 0:21:37.240
<v Speaker 1>I'm about to go on vacation and I would love

0:21:37.359 --> 0:21:39.639
<v Speaker 1>a list of book recommendations. Kathy.

0:21:40.359 --> 0:21:42.639
<v Speaker 3>Oh, okay, So Kathy, you're not telling me what you

0:21:42.760 --> 0:21:44.080
<v Speaker 3>actually like to read.

0:21:44.200 --> 0:21:45.520
<v Speaker 2>So no, I tricky.

0:21:46.440 --> 0:21:49.320
<v Speaker 3>There's a book called We Begin at the End by

0:21:49.359 --> 0:21:53.480
<v Speaker 3>Chris Whitaker that I love. I almost always recommend Shadow

0:21:53.520 --> 0:21:57.679
<v Speaker 3>of the Wind by Carlos Ruiza Phone And for a

0:21:57.800 --> 0:22:01.600
<v Speaker 3>vacation read, I mean, Lessons in Chemistry is way too easy,

0:22:01.680 --> 0:22:05.280
<v Speaker 3>so I will go with remarkably bright creatures.

0:22:05.640 --> 0:22:08.080
<v Speaker 2>I have to say I agree with I felt Lessons

0:22:08.080 --> 0:22:10.560
<v Speaker 2>of Chemistry. I felt like I was reading like a

0:22:10.600 --> 0:22:13.359
<v Speaker 2>school book, like not a school book, and it was

0:22:13.440 --> 0:22:15.399
<v Speaker 2>just too light and too easy. I'm like, no, I

0:22:15.400 --> 0:22:17.960
<v Speaker 2>need it a little bit a step up, no offense.

0:22:18.040 --> 0:22:22.440
<v Speaker 2>So I think Bonnie Garland wrote that, right Armus, Yeah, Garmus, Garmus. Sorry,

0:22:22.600 --> 0:22:24.760
<v Speaker 2>it's a great book. But I also felt that way.

0:22:24.960 --> 0:22:27.400
<v Speaker 2>And also I just got Belly of the Elephant. Loving

0:22:27.440 --> 0:22:28.440
<v Speaker 2>the Belly of the Elephant.

0:22:28.480 --> 0:22:28.760
<v Speaker 4>You guys.

0:22:28.760 --> 0:22:29.880
<v Speaker 2>Have you guys heard about that book.

0:22:29.920 --> 0:22:30.480
<v Speaker 3>I didn't read that.

0:22:30.560 --> 0:22:32.600
<v Speaker 2>It's going around with my Whistler crew, so they gave

0:22:32.640 --> 0:22:34.119
<v Speaker 2>one to me for my birthday. So I'm going to

0:22:34.160 --> 0:22:35.879
<v Speaker 2>get into that as soon as I'm done with the Women.

0:22:36.160 --> 0:22:38.280
<v Speaker 2>But I also would say to our caller, just the

0:22:38.320 --> 0:22:40.679
<v Speaker 2>Great Alone is not ever going to disappoint you if

0:22:40.720 --> 0:22:45.200
<v Speaker 2>you haven't read that. That is the best page turning emotionally,

0:22:45.440 --> 0:22:48.600
<v Speaker 2>like you're so invested and you feel like you've been

0:22:48.640 --> 0:22:51.400
<v Speaker 2>spun around the spin cycle and like an a laundromat

0:22:51.480 --> 0:22:54.080
<v Speaker 2>after you read that, because you are have been through

0:22:54.160 --> 0:22:58.080
<v Speaker 2>every kind of gamut of emotion and it's just so beautiful.

0:22:58.320 --> 0:23:01.080
<v Speaker 2>And I'm sure many of our listens haven't yet read it,

0:23:01.680 --> 0:23:04.560
<v Speaker 2>but the way that you ended that book was done

0:23:04.600 --> 0:23:09.359
<v Speaker 2>in such a tasteful, non cheesy way and believable. Like

0:23:09.400 --> 0:23:12.840
<v Speaker 2>I loved that, because sometimes when books have that kind

0:23:12.880 --> 0:23:15.359
<v Speaker 2>of ending, they can go it's just too much, like

0:23:15.400 --> 0:23:17.760
<v Speaker 2>it's like almost like a pad com Yeah yeah, and

0:23:17.800 --> 0:23:21.080
<v Speaker 2>you're like, no, that's not real. But this felt just

0:23:21.160 --> 0:23:23.760
<v Speaker 2>perfect everything about it from start to finish. It's just

0:23:23.800 --> 0:23:24.399
<v Speaker 2>blown away.

0:23:24.600 --> 0:23:27.679
<v Speaker 1>I'd see a couple of recommendations of things I've read recently.

0:23:28.240 --> 0:23:30.560
<v Speaker 1>This is an old one, but I just finished Into

0:23:30.560 --> 0:23:33.520
<v Speaker 1>thin Air, which is John Crackhouer, and he talks about

0:23:33.800 --> 0:23:38.680
<v Speaker 1>being on Mount Everest during the deadliest year of Everest expeditions.

0:23:39.119 --> 0:23:41.800
<v Speaker 1>I also just read Over the Top, which is Jonathan

0:23:41.880 --> 0:23:44.679
<v Speaker 1>van Ness's first book, and I really loved that. It

0:23:44.800 --> 0:23:48.119
<v Speaker 1>was really a lot more frank than I expected, and

0:23:48.200 --> 0:23:50.320
<v Speaker 1>so that was great. But one of my favorites that

0:23:50.359 --> 0:23:53.360
<v Speaker 1>I've read recently is The Square of Sevens. It's by

0:23:53.440 --> 0:23:56.439
<v Speaker 1>Laura Shephard Robinson and it follows a woman in the

0:23:56.440 --> 0:23:59.440
<v Speaker 1>seventeen hundreds who sort of does some divination and reads

0:23:59.440 --> 0:24:02.679
<v Speaker 1>cards for people. It's really really cool and exciting, and

0:24:02.720 --> 0:24:05.520
<v Speaker 1>I will say there is something about the way you write,

0:24:05.600 --> 0:24:08.919
<v Speaker 1>Kristin that I found myself, especially with the women, but

0:24:09.080 --> 0:24:12.159
<v Speaker 1>also with the grade alone, Like you're reading, but you

0:24:12.240 --> 0:24:13.919
<v Speaker 1>forget that you're reading it. You're just seeing it in

0:24:13.960 --> 0:24:16.040
<v Speaker 1>your mind. You're just sort of like visually seeing this,

0:24:16.240 --> 0:24:19.879
<v Speaker 1>experiencing the characters, and they're just there their Yemi reads.

0:24:20.440 --> 0:24:24.320
<v Speaker 2>It's pure escapism. You're writing like it's really just takes

0:24:24.320 --> 0:24:26.560
<v Speaker 2>you away, and which is what you want from a book,

0:24:26.600 --> 0:24:27.199
<v Speaker 2>at least I do.

0:24:27.520 --> 0:24:31.840
<v Speaker 3>But really as I'm writing, it almost feels like I'm

0:24:31.840 --> 0:24:35.080
<v Speaker 3>watching a movie and transcribing it. It's so you know,

0:24:35.400 --> 0:24:38.120
<v Speaker 3>fully formed in my head, and so I think that's

0:24:38.160 --> 0:24:41.159
<v Speaker 3>why I mean, I hear cinematic all the time, and

0:24:41.240 --> 0:24:44.560
<v Speaker 3>I think I am it's a huge you know, visual person.

0:24:44.960 --> 0:24:46.960
<v Speaker 2>Has anyone bought the rights to the grade alone?

0:24:47.160 --> 0:24:50.679
<v Speaker 3>It is actually in development for whatever that means. And

0:24:50.720 --> 0:24:54.200
<v Speaker 3>Warner Brothers has just bought the women and it looks

0:24:54.359 --> 0:24:57.320
<v Speaker 3>actually like the Nightingale may film this year, which is

0:24:57.359 --> 0:25:01.919
<v Speaker 3>pretty exciting after you know, co and the strikes and

0:25:02.000 --> 0:25:03.640
<v Speaker 3>everything that we've had to deal with.

0:25:04.119 --> 0:25:07.600
<v Speaker 2>Wow, that's awesome. Congratulations. I love that.

0:25:08.040 --> 0:25:12.680
<v Speaker 1>Yeah. Well, let's jump to our first caller here. Our

0:25:12.720 --> 0:25:17.359
<v Speaker 1>first caller is Nicole and she is a wellness coach

0:25:17.400 --> 0:25:22.080
<v Speaker 1>and writer. She says, Dear Chelsea, I'm writing to ask

0:25:22.160 --> 0:25:24.840
<v Speaker 1>you about writing. I'm twenty eight years old and have

0:25:25.000 --> 0:25:27.480
<v Speaker 1>endured a lot in my lifetime and feel called to

0:25:27.480 --> 0:25:29.159
<v Speaker 1>write about it, but I still have a lot of

0:25:29.200 --> 0:25:33.080
<v Speaker 1>doubts if my story is enough. Last September I had

0:25:33.080 --> 0:25:36.000
<v Speaker 1>a personal essay published in The Cut. I lost my

0:25:36.080 --> 0:25:38.040
<v Speaker 1>dad on nine to eleven, and I'm still searching for

0:25:38.080 --> 0:25:40.800
<v Speaker 1>who he was. Was the title of it. Right now,

0:25:40.840 --> 0:25:43.520
<v Speaker 1>I'm in the final sprint of writing my memoir along

0:25:43.520 --> 0:25:46.199
<v Speaker 1>with a group of female writers doing the same. I

0:25:46.240 --> 0:25:48.560
<v Speaker 1>have about twenty five k words down. My goal is

0:25:48.560 --> 0:25:50.920
<v Speaker 1>to hit forty K, but I can't help but feel

0:25:50.960 --> 0:25:54.080
<v Speaker 1>stuck and resistant when writing the rest. I've been writing

0:25:54.160 --> 0:25:56.240
<v Speaker 1>in no particular order, and I feel like my story

0:25:56.240 --> 0:25:58.840
<v Speaker 1>doesn't have the needed beats to flow that other memoirs

0:25:58.920 --> 0:25:59.440
<v Speaker 1>en compass.

0:26:00.000 --> 0:26:00.160
<v Speaker 3>Ooh.

0:26:00.200 --> 0:26:02.840
<v Speaker 1>I've been piecing together memories and scenes and lessons that

0:26:02.880 --> 0:26:04.920
<v Speaker 1>stand out in my memory from the past twenty or

0:26:04.960 --> 0:26:08.480
<v Speaker 1>so years. It's been challenging to capture a moment in time,

0:26:08.560 --> 0:26:11.240
<v Speaker 1>so I include all of it. I keep reminding myself

0:26:11.480 --> 0:26:14.359
<v Speaker 1>that it's just a first draft, but it doesn't make

0:26:14.400 --> 0:26:16.600
<v Speaker 1>it any easier to sit down and write the hard stuff.

0:26:17.240 --> 0:26:18.840
<v Speaker 1>Reading Life Will Be The Death of Me was a

0:26:18.840 --> 0:26:21.800
<v Speaker 1>beautiful and soul crushing experience. As a reader, I admire

0:26:21.840 --> 0:26:24.040
<v Speaker 1>how vulnerable you are surrounding the loss of your brother

0:26:24.160 --> 0:26:26.679
<v Speaker 1>Chet and its impact on you. So my question for

0:26:26.720 --> 0:26:29.520
<v Speaker 1>you is, how do you push past resistance and write

0:26:29.520 --> 0:26:33.000
<v Speaker 1>about super personal, vulnerable moments from your life and childhood.

0:26:33.320 --> 0:26:35.920
<v Speaker 1>What wisdom can you share from your experience writing previous

0:26:35.960 --> 0:26:39.360
<v Speaker 1>books and the one you're working on now. Thanks so much, Nicole.

0:26:39.800 --> 0:26:45.359
<v Speaker 2>Hi, Nicole, Hi, Hi. You're very lucky because we have

0:26:45.400 --> 0:26:48.280
<v Speaker 2>a very big author on today. I'm Kristin. I'm going

0:26:48.359 --> 0:26:50.360
<v Speaker 2>to let you go first because I consider you much

0:26:50.359 --> 0:26:51.880
<v Speaker 2>more professional than I do myself.

0:26:52.480 --> 0:26:56.240
<v Speaker 3>First of all, I find it extremely difficult to write

0:26:56.240 --> 0:27:00.199
<v Speaker 3>out of order because you lose the connective tissue you

0:27:00.320 --> 0:27:03.000
<v Speaker 3>of one moment to the next, and then you're trying

0:27:03.040 --> 0:27:07.040
<v Speaker 3>to sort of recapture what you were doing before. But

0:27:07.160 --> 0:27:10.040
<v Speaker 3>if you're writing what you should be writing, you're slightly

0:27:10.160 --> 0:27:13.960
<v Speaker 3>changed in every single moment, and those need to progress.

0:27:14.119 --> 0:27:16.280
<v Speaker 3>So I would say that first of all, and I

0:27:16.320 --> 0:27:21.360
<v Speaker 3>would also say that everyone's first draft is terrible and

0:27:21.440 --> 0:27:25.240
<v Speaker 3>frightening and difficult, and you're sure that it's not good enough,

0:27:25.800 --> 0:27:29.440
<v Speaker 3>And the point of that is to sit down and

0:27:29.480 --> 0:27:32.879
<v Speaker 3>to push through and get to the end, because really,

0:27:33.000 --> 0:27:36.679
<v Speaker 3>only at the end can you look back with clear

0:27:36.840 --> 0:27:41.200
<v Speaker 3>eyes and see what the best story is and how

0:27:41.240 --> 0:27:43.600
<v Speaker 3>to tell it. You have to get all of that

0:27:43.800 --> 0:27:45.320
<v Speaker 3>out of the way first.

0:27:45.920 --> 0:27:48.040
<v Speaker 2>I agree with that writing out of order can be

0:27:48.119 --> 0:27:51.240
<v Speaker 2>frustrating because you kind of lose your tempo, and then

0:27:51.400 --> 0:27:54.320
<v Speaker 2>I always have to write chronologically. I started this book

0:27:54.359 --> 0:27:56.199
<v Speaker 2>by just writing essays and then I was like, oh,

0:27:56.240 --> 0:27:58.760
<v Speaker 2>we'll put them together, and I'm like, no, no, I actually

0:27:58.760 --> 0:28:00.920
<v Speaker 2>have to go in a time order. So I agree

0:28:00.960 --> 0:28:03.480
<v Speaker 2>with that, and I also think, like, first of all,

0:28:03.560 --> 0:28:05.600
<v Speaker 2>it's amazing that you're sitting down and writing a book.

0:28:06.000 --> 0:28:08.280
<v Speaker 2>So patch yourself on the back for actually even taking

0:28:08.280 --> 0:28:10.760
<v Speaker 2>on that task. You've set yourself up for success with

0:28:10.800 --> 0:28:12.920
<v Speaker 2>a group of other women that are also doing the

0:28:12.960 --> 0:28:15.439
<v Speaker 2>same thing as you. And your first draft isn't going

0:28:15.520 --> 0:28:17.520
<v Speaker 2>to be the draft that you want, but it's just

0:28:17.560 --> 0:28:20.600
<v Speaker 2>important to get just keep moving, you know what I mean,

0:28:20.640 --> 0:28:24.480
<v Speaker 2>towards your goal and keep writing and you don't get

0:28:24.480 --> 0:28:26.919
<v Speaker 2>the answers, like you know, sometimes I'm writing something, I'm like,

0:28:26.960 --> 0:28:28.720
<v Speaker 2>this isn't going to work with this and this doesn't

0:28:28.720 --> 0:28:31.400
<v Speaker 2>connect to this, and then like sometimes in the middle

0:28:31.400 --> 0:28:33.480
<v Speaker 2>of the day, it just pops into my head the answer.

0:28:33.840 --> 0:28:39.000
<v Speaker 2>Because when you spend enough time being creative like that,

0:28:39.080 --> 0:28:42.760
<v Speaker 2>creativity begets more creativity. So it's just like Kristin was

0:28:42.800 --> 0:28:44.680
<v Speaker 2>saying earlier, you weren't on the phone yet, but when

0:28:44.680 --> 0:28:47.520
<v Speaker 2>she sits down and she writes, you have to put

0:28:47.560 --> 0:28:50.360
<v Speaker 2>the time in for that effort and then it does

0:28:50.480 --> 0:28:53.240
<v Speaker 2>kind of all come together when it's supposed to. But

0:28:53.360 --> 0:28:55.520
<v Speaker 2>you're not supposed to be perfect in your first book.

0:28:55.560 --> 0:28:58.600
<v Speaker 2>I learned more in my first book and the editing process,

0:28:58.880 --> 0:29:02.480
<v Speaker 2>and I'm on my seventh book. So just all of that,

0:29:02.640 --> 0:29:06.120
<v Speaker 2>like sentence structure and thought structure and where this goes

0:29:06.200 --> 0:29:08.720
<v Speaker 2>and times and places like all of that stuff. There's

0:29:08.760 --> 0:29:11.200
<v Speaker 2>so much to learn in the editing process that you

0:29:11.320 --> 0:29:12.960
<v Speaker 2>just have to know that that is going to be.

0:29:13.280 --> 0:29:16.680
<v Speaker 2>I think for me that is the most important ingredient

0:29:16.760 --> 0:29:19.360
<v Speaker 2>for anything I do, is the editing, whether it's my

0:29:19.440 --> 0:29:21.880
<v Speaker 2>stand up, whether it's my books or being on TV.

0:29:22.080 --> 0:29:25.920
<v Speaker 2>Like you always want to edit to amplify. That's what

0:29:26.000 --> 0:29:28.760
<v Speaker 2>I always think. You don't need to have everything in there,

0:29:29.120 --> 0:29:31.560
<v Speaker 2>but you can put everything down and then you go

0:29:31.680 --> 0:29:34.360
<v Speaker 2>in and go, this isn't necessary, this isn't necessary, and

0:29:34.400 --> 0:29:37.760
<v Speaker 2>tighten everything to make it just really like full, juicy

0:29:37.880 --> 0:29:39.920
<v Speaker 2>and fast, you know, moving, moving, moving.

0:29:40.240 --> 0:29:40.840
<v Speaker 4>Yeah.

0:29:41.000 --> 0:29:43.640
<v Speaker 3>To add on to that, which I think is absolutely true,

0:29:44.200 --> 0:29:49.120
<v Speaker 3>the act of writing is, especially your own story, is

0:29:49.200 --> 0:29:54.400
<v Speaker 3>so cathartic and so powerful and it changes you and

0:29:54.680 --> 0:29:57.640
<v Speaker 3>just simply the fact that you undertake this and you

0:29:57.680 --> 0:30:01.240
<v Speaker 3>write it you know, don't focus too much on is

0:30:01.280 --> 0:30:04.720
<v Speaker 3>this publishable? Where will this go? What will I do

0:30:04.840 --> 0:30:08.040
<v Speaker 3>with it? Just sit down and focus on the idea

0:30:08.200 --> 0:30:13.680
<v Speaker 3>of you telling your story for you, and don't you think, Chelsea,

0:30:13.760 --> 0:30:17.680
<v Speaker 3>it's just so powerful to do that and getting to

0:30:17.720 --> 0:30:21.320
<v Speaker 3>the end is the crucial moment. So just keep going.

0:30:22.200 --> 0:30:25.280
<v Speaker 1>Nicole, So you've written about losing your dad in this

0:30:25.560 --> 0:30:28.960
<v Speaker 1>very traumatic way and you've published an article about it.

0:30:29.040 --> 0:30:30.920
<v Speaker 1>Is that what you're finding the most difficult to write

0:30:30.920 --> 0:30:32.920
<v Speaker 1>about or is it some of the other you know,

0:30:32.960 --> 0:30:35.800
<v Speaker 1>connective tissue the other parts of your life.

0:30:36.440 --> 0:30:39.000
<v Speaker 4>Yeah, I think it's kind of revisiting in it and

0:30:39.080 --> 0:30:42.160
<v Speaker 4>continuing to revisit in revisions and just kind of constantly

0:30:42.760 --> 0:30:44.640
<v Speaker 4>looking at it or thinking about it. Is like the

0:30:44.640 --> 0:30:47.480
<v Speaker 4>process of a writer. But I also was diagnosed with

0:30:47.520 --> 0:30:50.200
<v Speaker 4>leukemia when I was fifteen, so about ten years after

0:30:50.240 --> 0:30:52.080
<v Speaker 4>I lost my dad, and that's kind of where the

0:30:52.160 --> 0:30:54.840
<v Speaker 4>story begins. And then I'm going back in time a

0:30:54.880 --> 0:30:57.760
<v Speaker 4>little bit there with how this relates to the philoss

0:30:57.800 --> 0:30:59.640
<v Speaker 4>with my dad and how they all kind of come

0:30:59.680 --> 0:31:02.200
<v Speaker 4>to get So he was wondering, when you're writing about

0:31:02.200 --> 0:31:05.640
<v Speaker 4>these moments of grief and complicated grief, Like, how do

0:31:05.640 --> 0:31:08.280
<v Speaker 4>you kind of structure or process you're writing so that

0:31:08.400 --> 0:31:10.920
<v Speaker 4>you're not feeling that all the time or you're kind

0:31:10.920 --> 0:31:12.120
<v Speaker 4>of getting back to the present.

0:31:12.680 --> 0:31:16.480
<v Speaker 2>Well, I think in any natural like rhythm, you're going

0:31:16.520 --> 0:31:18.840
<v Speaker 2>to be right. I mean I remember writing the Life

0:31:18.880 --> 0:31:20.520
<v Speaker 2>will be the Death of Me parts of it, and

0:31:20.600 --> 0:31:24.800
<v Speaker 2>I was bawling crying writing it. But like anything with grief,

0:31:25.080 --> 0:31:27.760
<v Speaker 2>you're not sitting in it all the time. So you

0:31:27.840 --> 0:31:30.040
<v Speaker 2>have to be very gentle with yourself, like when you're

0:31:30.080 --> 0:31:33.120
<v Speaker 2>having those moments, have those moments. That's where the most

0:31:33.160 --> 0:31:37.680
<v Speaker 2>beautiful stuff can come from, you know, deep pain and grief,

0:31:37.840 --> 0:31:40.280
<v Speaker 2>and so allow yourself the time to sit with that

0:31:40.400 --> 0:31:44.000
<v Speaker 2>and don't make such strict rules for yourself. Right, You're

0:31:44.000 --> 0:31:45.960
<v Speaker 2>going to find your own rhythms about things. You're going

0:31:46.040 --> 0:31:47.760
<v Speaker 2>to find out like when the best time of day

0:31:47.800 --> 0:31:49.720
<v Speaker 2>is to write. If you haven't already, you're going to

0:31:49.800 --> 0:31:52.280
<v Speaker 2>find out Okay, I just wrote this, and now I

0:31:52.320 --> 0:31:54.320
<v Speaker 2>need a break to write something a little bit lighter.

0:31:54.520 --> 0:31:56.280
<v Speaker 2>You're going to get into your rhythm. So just pay

0:31:56.360 --> 0:31:59.680
<v Speaker 2>close attention to you. When you've had a really productive day,

0:32:00.280 --> 0:32:02.320
<v Speaker 2>be like, okay, what was that that led to that

0:32:02.360 --> 0:32:05.040
<v Speaker 2>productive day, you know, so you can really just keep

0:32:05.080 --> 0:32:08.200
<v Speaker 2>cultivating the best habits for you and I'm not worried

0:32:08.240 --> 0:32:10.120
<v Speaker 2>about it at all. For you, like this is the

0:32:10.200 --> 0:32:13.280
<v Speaker 2>process and your first book is it can be terrifying,

0:32:13.560 --> 0:32:16.400
<v Speaker 2>so it's just already bold that you're doing it.

0:32:16.920 --> 0:32:20.440
<v Speaker 4>Thank you. I really appreciate that. Yeah, the balance between

0:32:20.640 --> 0:32:23.320
<v Speaker 4>the creativity and then like you know, having to produce

0:32:23.440 --> 0:32:25.960
<v Speaker 4>something too and having something you know, I want out there.

0:32:26.000 --> 0:32:28.880
<v Speaker 4>But I think having less pressure and kind of figuring

0:32:28.920 --> 0:32:31.480
<v Speaker 4>out what works for me is the process I've been

0:32:31.520 --> 0:32:32.960
<v Speaker 4>on and I can lead into that more.

0:32:33.440 --> 0:32:36.160
<v Speaker 2>Yeah. Okay, well, good luck to you. I can't wait

0:32:36.200 --> 0:32:36.960
<v Speaker 2>to read your book.

0:32:37.160 --> 0:32:39.880
<v Speaker 4>Thank you so much. I really appreciate talking to everyone's day.

0:32:40.280 --> 0:32:41.000
<v Speaker 1>Thanks to call.

0:32:41.400 --> 0:32:45.680
<v Speaker 2>Thank you, Nicole, take care bye. She seemed like an author.

0:32:45.960 --> 0:32:47.880
<v Speaker 1>Yeah, I know. And when I first talked to her,

0:32:48.120 --> 0:32:50.000
<v Speaker 1>she's like, oh, well, I you know, I'm a wellness

0:32:50.000 --> 0:32:52.160
<v Speaker 1>coach and stuff and yeah, I'm not really a rite

0:32:52.160 --> 0:32:54.040
<v Speaker 1>And I was like, no, you are a writer. I

0:32:54.080 --> 0:32:56.680
<v Speaker 1>was like that, you know, that's your day job, that's

0:32:56.720 --> 0:32:58.040
<v Speaker 1>you know, you might have a nine to five.

0:32:58.120 --> 0:33:01.360
<v Speaker 2>But it's just so funny that men will always say

0:33:01.600 --> 0:33:04.000
<v Speaker 2>like that. You know, it's like we can't ever just

0:33:04.080 --> 0:33:06.080
<v Speaker 2>lean in, like I'm going to be a writer. I'm

0:33:06.080 --> 0:33:08.960
<v Speaker 2>writing my first book. It's you know, no, men have

0:33:09.080 --> 0:33:11.400
<v Speaker 2>no problem. Yeah I'm an author before they publish a

0:33:11.400 --> 0:33:11.920
<v Speaker 2>fucking thing.

0:33:14.360 --> 0:33:16.320
<v Speaker 1>I wish like a we could gift to all women,

0:33:16.440 --> 0:33:19.280
<v Speaker 1>like ten percent of the confidence of like a twenty

0:33:19.360 --> 0:33:21.880
<v Speaker 1>two year old white guy who's just graduated from college,

0:33:21.960 --> 0:33:23.120
<v Speaker 1>Like just ten percent.

0:33:23.160 --> 0:33:23.840
<v Speaker 3>It'd be perfect.

0:33:24.480 --> 0:33:26.760
<v Speaker 2>My nephew Max will start with your confidence.

0:33:27.320 --> 0:33:27.840
<v Speaker 3>Perfect.

0:33:28.480 --> 0:33:30.280
<v Speaker 1>Oh and I just wanted to add two for Nicole.

0:33:30.360 --> 0:33:32.480
<v Speaker 1>We chatted about it. She has cancer free now, so

0:33:32.640 --> 0:33:35.440
<v Speaker 1>she no longer has leukemia and she's doing great. So

0:33:36.600 --> 0:33:42.040
<v Speaker 1>our next caller is Sarah. Sarah is thirty six, and

0:33:42.080 --> 0:33:45.360
<v Speaker 1>she's here in La, she says, Dear Chelsea. Last year

0:33:45.400 --> 0:33:47.960
<v Speaker 1>I left my full time copywriting job to pursue my

0:33:48.040 --> 0:33:51.400
<v Speaker 1>dream of feminist writing. Since then, I've started a weekly

0:33:51.440 --> 0:33:54.440
<v Speaker 1>newsletter that has amassed a pretty decent following and continues

0:33:54.440 --> 0:33:57.640
<v Speaker 1>to grow daily. I've also landed a few big byelines

0:33:57.680 --> 0:34:01.240
<v Speaker 1>on hot feminist topics, writing a book that uses some

0:34:01.280 --> 0:34:04.479
<v Speaker 1>of my own story to highlight how evangelical Christianity and

0:34:04.520 --> 0:34:08.719
<v Speaker 1>purity culture harmed millennial girls. Since it draws heavily upon

0:34:08.760 --> 0:34:12.600
<v Speaker 1>my own experiences. My book will implicate people from my past,

0:34:12.840 --> 0:34:15.640
<v Speaker 1>such as my ex husband, my old church, and, to

0:34:15.680 --> 0:34:19.120
<v Speaker 1>my great discomfort, even my family. I don't want to

0:34:19.200 --> 0:34:22.000
<v Speaker 1>use this opportunity to bash or hurt anyone, but I

0:34:22.080 --> 0:34:24.279
<v Speaker 1>do want to be honest about what happens so I

0:34:24.320 --> 0:34:27.400
<v Speaker 1>can help other women. How do I stay vulnerable about

0:34:27.400 --> 0:34:31.000
<v Speaker 1>my experiences without undermining my credibility and looking like I

0:34:31.040 --> 0:34:33.880
<v Speaker 1>have an axe to grind? I admire your candidness and

0:34:33.920 --> 0:34:36.520
<v Speaker 1>fairness when talking about your own painful moments of the past,

0:34:36.520 --> 0:34:39.080
<v Speaker 1>and I would love your insight. Sarah.

0:34:39.160 --> 0:34:44.680
<v Speaker 2>Hi, Sarah, Hi, Hi, Hi. This is Kristin Hannah, our

0:34:44.719 --> 0:34:45.720
<v Speaker 2>special guest today.

0:34:46.280 --> 0:34:48.759
<v Speaker 3>So nice, Thank you, Hi, Sarah.

0:34:48.800 --> 0:34:51.160
<v Speaker 2>So are you you're writing? Is it a novel? Are

0:34:51.200 --> 0:34:52.240
<v Speaker 2>you making it fiction?

0:34:52.520 --> 0:34:55.480
<v Speaker 5>No, it's it's kind of a memoir. Plus it's going

0:34:55.520 --> 0:35:00.000
<v Speaker 5>to be kind of a deep dive into evangelical purity culture.

0:35:00.320 --> 0:35:03.399
<v Speaker 5>And I got married at twenty two because of that

0:35:03.480 --> 0:35:08.520
<v Speaker 5>whole ecosystem. So it would, you know, talk about generally

0:35:08.600 --> 0:35:12.000
<v Speaker 5>how that whole y two k era harmed women and

0:35:12.040 --> 0:35:14.640
<v Speaker 5>girls like me, So it would use my story, but

0:35:14.960 --> 0:35:17.560
<v Speaker 5>kind of do more of a cultural deep dive.

0:35:18.120 --> 0:35:20.759
<v Speaker 2>Well in the process. As Kristin can attest as well,

0:35:21.120 --> 0:35:24.680
<v Speaker 2>you are going everyone is writing about themselves to some degree,

0:35:24.760 --> 0:35:27.799
<v Speaker 2>and whether it's fiction or nonfiction, like we all are.

0:35:27.960 --> 0:35:31.080
<v Speaker 2>And if you're going to write a nonfiction memoir, you're

0:35:31.080 --> 0:35:33.880
<v Speaker 2>going to have to change the names and the people. Anyway,

0:35:33.960 --> 0:35:36.840
<v Speaker 2>it's a legal issue, so you're gonna they're going to

0:35:36.880 --> 0:35:40.200
<v Speaker 2>step in your editor and help you with that, because

0:35:40.320 --> 0:35:42.200
<v Speaker 2>you don't have the liberty to, like, you know, tell

0:35:42.200 --> 0:35:45.359
<v Speaker 2>other people's stories. Unfortunately. I know that because I've gotten

0:35:45.400 --> 0:35:47.680
<v Speaker 2>in trouble many, many times. So you do have to

0:35:47.760 --> 0:35:49.879
<v Speaker 2>kind of disguise everybody. I mean, you could still tell

0:35:49.920 --> 0:35:52.319
<v Speaker 2>your story, you're just kind of protecting the people that

0:35:52.960 --> 0:35:55.520
<v Speaker 2>aren't agreeing to be written about unless you can get

0:35:55.520 --> 0:35:58.759
<v Speaker 2>their permission. So I wouldn't really worry about that, you know.

0:35:58.880 --> 0:36:01.319
<v Speaker 2>I mean, Kristin, you've probably to do that. I mean,

0:36:01.400 --> 0:36:05.680
<v Speaker 2>you're writing more fiction, obviously, But what has been your

0:36:05.760 --> 0:36:08.400
<v Speaker 2>experience with change when you're basing a character on a

0:36:08.440 --> 0:36:11.000
<v Speaker 2>real person or on an experience in your life.

0:36:11.120 --> 0:36:13.880
<v Speaker 3>Do you know what. I've actually been really careful not

0:36:14.239 --> 0:36:17.880
<v Speaker 3>to include real people in my fiction to a great

0:36:17.920 --> 0:36:21.560
<v Speaker 3>extent for this very reason. And since I don't do memoirs,

0:36:21.560 --> 0:36:25.120
<v Speaker 3>I can't really speak to that. But it's it's interesting

0:36:25.600 --> 0:36:29.120
<v Speaker 3>because I mean, maybe you know this Chelsea, if she

0:36:29.520 --> 0:36:34.319
<v Speaker 3>calls it a novel and everyone is you know, fictional

0:36:34.560 --> 0:36:37.560
<v Speaker 3>and it doesn't look too much like her actual husband,

0:36:38.120 --> 0:36:39.560
<v Speaker 3>where is the line there?

0:36:40.440 --> 0:36:42.960
<v Speaker 2>Yeah, I would say that that would be a better

0:36:43.000 --> 0:36:45.440
<v Speaker 2>avenue for you not to have to worry about it,

0:36:45.480 --> 0:36:47.719
<v Speaker 2>because once you fictionalize it, then you can color it

0:36:47.760 --> 0:36:50.080
<v Speaker 2>with whatever you want, you know. I mean, you can

0:36:50.120 --> 0:36:51.759
<v Speaker 2>do that in a memoir, but it's that's not really

0:36:51.800 --> 0:36:54.520
<v Speaker 2>what a memoir is. But have you thought about making

0:36:54.520 --> 0:36:57.040
<v Speaker 2>it fiction? No, But that's really interesting.

0:36:57.280 --> 0:36:59.360
<v Speaker 5>That's a really interesting idea.

0:36:59.320 --> 0:37:01.360
<v Speaker 2>Because then you can kind of just let it loose,

0:37:01.600 --> 0:37:02.200
<v Speaker 2>you know what I mean?

0:37:02.280 --> 0:37:05.520
<v Speaker 3>Yeah, and you could address issues that perhaps you didn't

0:37:05.560 --> 0:37:09.319
<v Speaker 3>personally face, but you feel, you know, need to be

0:37:09.520 --> 0:37:12.640
<v Speaker 3>explored and need to be talked about. And then you

0:37:12.680 --> 0:37:17.160
<v Speaker 3>could use your personal story as sort of marketing and

0:37:17.239 --> 0:37:19.520
<v Speaker 3>you know, and how to sell the book because you

0:37:19.600 --> 0:37:23.239
<v Speaker 3>would bring so much to a novel as you know,

0:37:23.360 --> 0:37:24.319
<v Speaker 3>as someone to talk to.

0:37:24.800 --> 0:37:28.279
<v Speaker 5>Oh that's really interesting. Okay, Yeah, Well the first book

0:37:28.320 --> 0:37:31.719
<v Speaker 5>I wrote was a novel, so I have experience doing that,

0:37:31.840 --> 0:37:34.240
<v Speaker 5>so that that's I had not considered that.

0:37:34.239 --> 0:37:36.880
<v Speaker 2>That's a great idea, Yeah, because it's like historical fiction

0:37:37.000 --> 0:37:41.440
<v Speaker 2>what you're talking about. Yeah, Okay, well, great problem solved,

0:37:41.480 --> 0:37:43.120
<v Speaker 2>I think, yeah.

0:37:43.160 --> 0:37:45.880
<v Speaker 1>And I mean I am someone who went through some

0:37:45.920 --> 0:37:48.000
<v Speaker 1>of the same stuff where like you know, youth group

0:37:48.000 --> 0:37:50.200
<v Speaker 1>and purity culture and all this stuff that like, really,

0:37:50.719 --> 0:37:53.000
<v Speaker 1>you know, I've found stuff rattling around in my brain

0:37:53.280 --> 0:37:55.279
<v Speaker 1>decades later that I'm like, I didn't know that was

0:37:55.320 --> 0:37:58.080
<v Speaker 1>still in there. A couple of books that I recommend

0:37:58.080 --> 0:38:00.680
<v Speaker 1>to for anybody who did go through that, Pure by

0:38:00.719 --> 0:38:03.279
<v Speaker 1>Linda ka Klin was something that helped me sort of

0:38:03.440 --> 0:38:06.600
<v Speaker 1>unearth a lot of those things rattling around in there

0:38:06.600 --> 0:38:09.520
<v Speaker 1>that weren't very healthy. And then also Kate Kennedy just

0:38:09.520 --> 0:38:11.440
<v Speaker 1>wrote a book called One in a Millennial that's on

0:38:11.480 --> 0:38:13.759
<v Speaker 1>the New York Times bestseller list at the moment, and

0:38:14.239 --> 0:38:17.440
<v Speaker 1>it's a lot about uh, millennial culture, but also some

0:38:17.480 --> 0:38:19.360
<v Speaker 1>of the religious stuff that maybe mess us up a

0:38:19.400 --> 0:38:19.759
<v Speaker 1>little bit.

0:38:19.800 --> 0:38:21.719
<v Speaker 3>So well, thank you both, Thank you.

0:38:21.800 --> 0:38:23.959
<v Speaker 5>Nice to meet you both. I've been such a huge

0:38:23.960 --> 0:38:26.000
<v Speaker 5>fan of both of you, so I appreciate it.

0:38:26.040 --> 0:38:26.400
<v Speaker 3>Thank you.

0:38:26.960 --> 0:38:32.320
<v Speaker 1>Yeah, can keep us posted, Okay, Okay, we'll do by awesome,

0:38:33.239 --> 0:38:36.040
<v Speaker 1>And if anyone wants to check out Sarah's feminist newsletter,

0:38:36.239 --> 0:38:38.960
<v Speaker 1>it is called Reclaiming and you can find it at

0:38:39.000 --> 0:38:43.200
<v Speaker 1>reclaimingthewsletter dot com. I kind of wonder too, Christ And

0:38:43.239 --> 0:38:45.680
<v Speaker 1>I wonder if you you know, your career is at

0:38:45.680 --> 0:38:47.839
<v Speaker 1>the point where one book feeds into the next, as

0:38:47.880 --> 0:38:49.719
<v Speaker 1>far as like you have a following and this sort

0:38:49.760 --> 0:38:52.920
<v Speaker 1>of thing. Is there any advice you'd give to beginner

0:38:53.000 --> 0:38:56.080
<v Speaker 1>authors or writers as far as connecting with a publisher,

0:38:56.239 --> 0:38:58.560
<v Speaker 1>selling your book, getting the word out there, maybe on

0:38:58.600 --> 0:39:00.560
<v Speaker 1>social media, any of that stuff you work.

0:39:01.120 --> 0:39:05.360
<v Speaker 3>You know, when you're a beginning writer, everything seems like

0:39:05.440 --> 0:39:08.959
<v Speaker 3>it's about one book and how does this book sell?

0:39:09.080 --> 0:39:12.960
<v Speaker 3>How does this book get reviewed? What happens? And I mean,

0:39:13.000 --> 0:39:16.520
<v Speaker 3>I'm living proof that a career is made book by

0:39:16.520 --> 0:39:20.200
<v Speaker 3>book by book, but also in the aggregate, and a

0:39:20.239 --> 0:39:24.040
<v Speaker 3>book that failed, you know, ten years ago, can suddenly

0:39:24.080 --> 0:39:26.960
<v Speaker 3>be on the bestseller list. And so I think the

0:39:27.040 --> 0:39:30.520
<v Speaker 3>important thing is, you know, to just if this is

0:39:30.600 --> 0:39:32.400
<v Speaker 3>what you want to do, if you want to be

0:39:32.480 --> 0:39:37.680
<v Speaker 3>a working writer, then you have to make the sacrifices

0:39:37.719 --> 0:39:41.440
<v Speaker 3>that are necessary to do that. You know, you have

0:39:41.480 --> 0:39:43.319
<v Speaker 3>to find the time to sit down, you have to

0:39:43.360 --> 0:39:46.400
<v Speaker 3>actually write. You need to find a group of people

0:39:46.440 --> 0:39:50.839
<v Speaker 3>that support you because it's a lonely endeavor. And then

0:39:50.880 --> 0:39:53.319
<v Speaker 3>you have to not give up. You know, you have

0:39:53.400 --> 0:39:56.400
<v Speaker 3>to not let failure derail you. You have to not

0:39:56.560 --> 0:40:01.279
<v Speaker 3>let anything push you aside and keep believing in yourself

0:40:01.480 --> 0:40:06.240
<v Speaker 3>and your vision and believing that like I said earlier,

0:40:06.800 --> 0:40:10.120
<v Speaker 3>the writing itself is the most important thing, you know.

0:40:10.560 --> 0:40:12.600
<v Speaker 3>It's sort of if you build it, they will follow,

0:40:12.719 --> 0:40:14.959
<v Speaker 3>you know, if you do your best time after time

0:40:15.000 --> 0:40:18.680
<v Speaker 3>after time, and you get lucky, you can have a

0:40:18.760 --> 0:40:22.160
<v Speaker 3>career or a job at this. But it will never

0:40:22.680 --> 0:40:25.719
<v Speaker 3>be easy. And I don't know about you, Chelsea, but

0:40:25.960 --> 0:40:29.480
<v Speaker 3>like every new endeavor, I think, can I do it again?

0:40:30.080 --> 0:40:32.799
<v Speaker 3>Do I still have it in me? And you just

0:40:32.880 --> 0:40:35.320
<v Speaker 3>have to battle that, I think, like we were talking

0:40:35.360 --> 0:40:37.520
<v Speaker 3>about earlier, especially as women.

0:40:37.800 --> 0:40:39.880
<v Speaker 2>But it's so interesting though, because you know it's like

0:40:39.920 --> 0:40:41.640
<v Speaker 2>do I still have it in me? And I would

0:40:41.719 --> 0:40:43.960
<v Speaker 2>argue that we get better as we get older, you know,

0:40:44.040 --> 0:40:46.360
<v Speaker 2>in terms of creative Like I loved what you just said.

0:40:46.400 --> 0:40:49.200
<v Speaker 2>It's book by book. It reminds me of that bird

0:40:49.239 --> 0:40:52.200
<v Speaker 2>By bird By and LaMotte that book because somebody should

0:40:52.200 --> 0:40:54.960
<v Speaker 2>write a book called book by books it's for authors,

0:40:55.040 --> 0:40:59.080
<v Speaker 2>because that's so true. You think, you know, it's everything's

0:40:59.120 --> 0:41:01.400
<v Speaker 2>writing on this one book, and it's like, that's just

0:41:01.520 --> 0:41:04.279
<v Speaker 2>not the case. I've had very successful books and I've

0:41:04.280 --> 0:41:07.680
<v Speaker 2>had less successful books, and it is an aggregate and

0:41:07.920 --> 0:41:10.480
<v Speaker 2>it is it's like it's the whole collection, you know,

0:41:10.719 --> 0:41:13.239
<v Speaker 2>So everything is just kind of a step when you're

0:41:13.440 --> 0:41:16.600
<v Speaker 2>when you're a writer, it's like, this is your first book,

0:41:16.640 --> 0:41:18.239
<v Speaker 2>and you know that there's going to be one after

0:41:18.280 --> 0:41:21.080
<v Speaker 2>that and another one after that, and it doesn't have

0:41:21.239 --> 0:41:23.440
<v Speaker 2>to be the most successful book in the world for

0:41:23.480 --> 0:41:25.440
<v Speaker 2>you to get another book deal. You know, all you

0:41:25.520 --> 0:41:29.320
<v Speaker 2>need is your creative artistic intelligence and you're gonna figure

0:41:29.360 --> 0:41:31.520
<v Speaker 2>it out. But I also think when when you have

0:41:31.560 --> 0:41:35.359
<v Speaker 2>a clear vision about something and you can see it,

0:41:35.440 --> 0:41:38.080
<v Speaker 2>like what Kristin what you were saying about when you're writing.

0:41:39.040 --> 0:41:41.359
<v Speaker 2>I feel that way about things when i'm really like,

0:41:41.880 --> 0:41:43.719
<v Speaker 2>I guess in your flow state. You know, when you're

0:41:43.760 --> 0:41:46.080
<v Speaker 2>in your flow state and it's just easy and it

0:41:46.120 --> 0:41:49.600
<v Speaker 2>comes to you, but you're very clear about where you're going.

0:41:50.840 --> 0:41:55.560
<v Speaker 2>It's kind of like it's almost impossible not to succeed

0:41:55.680 --> 0:41:57.280
<v Speaker 2>when you have such a clear vision.

0:41:57.920 --> 0:42:01.000
<v Speaker 3>I think that's true, and it's long as Like the corollarily,

0:42:01.160 --> 0:42:03.480
<v Speaker 3>I would add to that is what you said earlier,

0:42:04.000 --> 0:42:07.520
<v Speaker 3>editing matters. You know, you can easily get to a

0:42:07.560 --> 0:42:11.160
<v Speaker 3>point where, and especially beginning writers, where they just think

0:42:11.239 --> 0:42:14.000
<v Speaker 3>everything is perfect as it comes out to them because

0:42:14.040 --> 0:42:17.120
<v Speaker 3>they feel like they're in that flow state. And the

0:42:17.200 --> 0:42:19.400
<v Speaker 3>fact is, you you know, you have to be an

0:42:19.560 --> 0:42:23.160
<v Speaker 3>artist for half of the project, and then at some

0:42:23.360 --> 0:42:27.359
<v Speaker 3>point you have to be a business person. You you know,

0:42:27.440 --> 0:42:30.800
<v Speaker 3>you have to look at your work with really cold,

0:42:30.840 --> 0:42:35.279
<v Speaker 3>hard eyes and try to make it the best. And

0:42:35.320 --> 0:42:37.719
<v Speaker 3>I think one of the things that's great about writing

0:42:37.880 --> 0:42:41.080
<v Speaker 3>in terms of for the long term is the more

0:42:41.160 --> 0:42:45.200
<v Speaker 3>you change and grow, the more your work changes and grows,

0:42:45.760 --> 0:42:49.240
<v Speaker 3>and the more you bring to the table. And that's

0:42:49.480 --> 0:42:53.040
<v Speaker 3>I think pretty exciting to sort of watch yourself, you know,

0:42:53.239 --> 0:42:54.440
<v Speaker 3>improve over time.

0:42:55.080 --> 0:42:57.799
<v Speaker 2>Yes, yes, that is very satisfying.

0:42:58.320 --> 0:43:00.680
<v Speaker 1>And kind of along those lines, I've read somewhere that

0:43:00.719 --> 0:43:03.080
<v Speaker 1>you had the idea for the women like decades ago,

0:43:03.200 --> 0:43:05.680
<v Speaker 1>but you didn't feel like you were ready to tackle that.

0:43:06.080 --> 0:43:09.040
<v Speaker 1>Is there a way that you know when it's time

0:43:09.160 --> 0:43:12.400
<v Speaker 1>to tackle an older idea or when you're ready.

0:43:12.800 --> 0:43:16.360
<v Speaker 3>Well, when I first pitched a book about Vietnam, it

0:43:16.400 --> 0:43:19.839
<v Speaker 3>was nineteen ninety seven, so I was thirty seven, and

0:43:19.920 --> 0:43:22.080
<v Speaker 3>I had an editor who had been at Berkeley in

0:43:22.160 --> 0:43:25.800
<v Speaker 3>nineteen sixty eight, and she was a very smart woman.

0:43:26.560 --> 0:43:29.319
<v Speaker 3>And that's one thing I would say, surround yourself with

0:43:29.400 --> 0:43:32.120
<v Speaker 3>the smartest people you can and then listen to them.

0:43:32.280 --> 0:43:35.600
<v Speaker 3>I mean, that's super important. And she said, you know, honey,

0:43:35.640 --> 0:43:38.120
<v Speaker 3>you're not old enough and you're not good enough, but

0:43:38.239 --> 0:43:40.360
<v Speaker 3>come back when you are, because it's a good idea.

0:43:40.480 --> 0:43:43.200
<v Speaker 3>And in nineteen ninety seven, no one wanted to talk

0:43:43.320 --> 0:43:46.719
<v Speaker 3>or hear about Vietnam, and so I just kind of

0:43:46.760 --> 0:43:50.080
<v Speaker 3>waited and I kept it was almost like my Bellweather,

0:43:50.239 --> 0:43:52.360
<v Speaker 3>like okay, am I old enough? Am I good enough?

0:43:52.560 --> 0:43:55.399
<v Speaker 3>And I started realizing, okay, I'm now old enough. And

0:43:55.480 --> 0:43:58.000
<v Speaker 3>part of that was motherhood. Part of that was seeing

0:43:58.040 --> 0:44:02.520
<v Speaker 3>the world change around me. Part of that was understanding

0:44:02.719 --> 0:44:06.920
<v Speaker 3>things about government and politics and American society that I

0:44:06.960 --> 0:44:10.880
<v Speaker 3>could not possibly have understood when I was, you know, younger.

0:44:11.520 --> 0:44:17.240
<v Speaker 3>And part of was leaning into risk taking and saying, Okay,

0:44:17.640 --> 0:44:22.080
<v Speaker 3>I've done this for a very long time, and I

0:44:22.120 --> 0:44:25.560
<v Speaker 3>am ready to fail if that's what it takes and

0:44:25.800 --> 0:44:27.080
<v Speaker 3>this is my moment.

0:44:27.560 --> 0:44:28.960
<v Speaker 1>And Chelsea, do you have thoughts on that as well

0:44:29.000 --> 0:44:31.919
<v Speaker 1>as far as one part of your story when it's

0:44:31.960 --> 0:44:34.799
<v Speaker 1>time to tell that going back to things that might

0:44:34.840 --> 0:44:37.279
<v Speaker 1>be old or painful or no.

0:44:37.600 --> 0:44:39.520
<v Speaker 2>I mean, I think you just know when you're like

0:44:39.600 --> 0:44:42.200
<v Speaker 2>you've got, when you've ready to drum something up, you know,

0:44:42.400 --> 0:44:44.759
<v Speaker 2>you're like, I have output. I have enough now, I've

0:44:44.760 --> 0:44:48.360
<v Speaker 2>collected enough new information that I need to get some

0:44:48.480 --> 0:44:52.440
<v Speaker 2>ideas out there. You know, the book I'm writing now,

0:44:52.440 --> 0:44:55.400
<v Speaker 2>I've had a more I was trying to like jam

0:44:55.440 --> 0:44:57.920
<v Speaker 2>it in and jam it in and write and like

0:44:58.080 --> 0:45:00.239
<v Speaker 2>I was like, okay, let me write here and write there,

0:45:00.239 --> 0:45:02.799
<v Speaker 2>And it's like that's not a natural flow when you're

0:45:02.840 --> 0:45:05.240
<v Speaker 2>doing that. Now, when I've been a you know, whistler

0:45:05.239 --> 0:45:07.239
<v Speaker 2>for a month or two, that's when I get my

0:45:07.280 --> 0:45:09.560
<v Speaker 2>writing done. When I could do it every morning, the

0:45:09.600 --> 0:45:12.160
<v Speaker 2>first thing I do is get my computer and write

0:45:12.160 --> 0:45:14.960
<v Speaker 2>for three hours. And half of my writing is editing.

0:45:15.040 --> 0:45:18.040
<v Speaker 2>Like I'm always editing. I'm always looking through things again

0:45:18.320 --> 0:45:21.600
<v Speaker 2>because I just I find that to be the sharpest way,

0:45:22.840 --> 0:45:25.880
<v Speaker 2>especially for comedy, you need to have a good editor,

0:45:25.920 --> 0:45:28.319
<v Speaker 2>and you need to be a good self editor. That's

0:45:28.360 --> 0:45:30.719
<v Speaker 2>another thing. You know, people can get really married to

0:45:30.800 --> 0:45:34.520
<v Speaker 2>their own ideas and thoughts. And when Kristen says, listen

0:45:34.560 --> 0:45:36.319
<v Speaker 2>to people who are smarter than you, you know, I do

0:45:36.400 --> 0:45:39.400
<v Speaker 2>defer to my editors every single time when they're like

0:45:39.440 --> 0:45:42.359
<v Speaker 2>this isn't really working or I'm not somebody who has

0:45:42.440 --> 0:45:44.120
<v Speaker 2>to be like, no, I need this, I need this.

0:45:44.360 --> 0:45:46.680
<v Speaker 2>I'm very open to feedback, and I think that is

0:45:46.719 --> 0:45:49.480
<v Speaker 2>a very critical you know, because some people are too

0:45:49.520 --> 0:45:51.359
<v Speaker 2>open to feedback and they don't you know, they kind

0:45:51.360 --> 0:45:55.560
<v Speaker 2>of lose themselves to the feedback versus being so obstinate

0:45:55.600 --> 0:45:58.800
<v Speaker 2>you can't hear any constructive criticism. There's a nice place

0:45:58.800 --> 0:46:01.200
<v Speaker 2>in the middle to find where you are open to feedback,

0:46:01.200 --> 0:46:04.080
<v Speaker 2>but you still have an idea of where you're going

0:46:04.160 --> 0:46:07.200
<v Speaker 2>and you're married to that idea and people can edit

0:46:07.239 --> 0:46:08.880
<v Speaker 2>around that, but you have to stay true to what

0:46:08.920 --> 0:46:09.759
<v Speaker 2>your vision is.

0:46:10.000 --> 0:46:13.799
<v Speaker 3>So, Chelsea, how do you I mean, You've got a

0:46:13.880 --> 0:46:17.279
<v Speaker 3>lot of creative pursuits going at any one time, right,

0:46:17.400 --> 0:46:21.440
<v Speaker 3>lots of different avenues for your creativity. How do you

0:46:22.200 --> 0:46:25.840
<v Speaker 3>balance when is the time for what? And when to

0:46:26.000 --> 0:46:29.560
<v Speaker 3>lean in and when to take a moment and wait,

0:46:30.600 --> 0:46:31.240
<v Speaker 3>I don't know.

0:46:31.400 --> 0:46:33.480
<v Speaker 2>I'm a little bit of a you know, like a

0:46:33.520 --> 0:46:36.200
<v Speaker 2>live wire. I just kind of I get in a

0:46:36.239 --> 0:46:38.480
<v Speaker 2>good state, like a flow state with my stand up

0:46:38.480 --> 0:46:40.040
<v Speaker 2>and then I'm like, you know what, I'm loving this

0:46:40.160 --> 0:46:42.480
<v Speaker 2>so much. I'm loving the show. I'm going to extend

0:46:42.520 --> 0:46:45.320
<v Speaker 2>it and do fifty more dates before I shoot my special.

0:46:45.680 --> 0:46:48.800
<v Speaker 2>When I'm writing, if I'm only writing, then I really

0:46:48.840 --> 0:46:51.080
<v Speaker 2>get into writing. When you have like too many plates

0:46:51.120 --> 0:46:53.040
<v Speaker 2>in the air, I find that it diminishes some of

0:46:53.080 --> 0:46:55.640
<v Speaker 2>your work. So I need, like certain I need to

0:46:55.680 --> 0:46:57.920
<v Speaker 2>really focus when I'm writing. I really need to focus

0:46:57.960 --> 0:46:59.600
<v Speaker 2>on that. I wouldn't be able to start a book,

0:46:59.719 --> 0:47:02.040
<v Speaker 2>and so my stand up set is exactly where I wanted.

0:47:02.320 --> 0:47:04.799
<v Speaker 2>So once that's an a plus, then I can move

0:47:04.840 --> 0:47:05.680
<v Speaker 2>on to another.

0:47:05.520 --> 0:47:08.400
<v Speaker 1>Endeavor like seasons kind of yeah.

0:47:08.480 --> 0:47:12.359
<v Speaker 2>And I also am very good about taking breaks and

0:47:12.440 --> 0:47:16.560
<v Speaker 2>really filling myself up with travel and culture and exercise

0:47:16.640 --> 0:47:18.839
<v Speaker 2>and all the stuff that feeds your soul. You know,

0:47:19.080 --> 0:47:23.040
<v Speaker 2>different people, and exposing yourself to things that aren't really

0:47:23.080 --> 0:47:25.080
<v Speaker 2>that interesting to you a lot of the time, because

0:47:25.080 --> 0:47:27.360
<v Speaker 2>you're going to find out that you know, there's so

0:47:27.480 --> 0:47:30.239
<v Speaker 2>much to gain from, like going into a situation you're

0:47:30.239 --> 0:47:32.160
<v Speaker 2>not that interested in, and you know, it's kind of

0:47:32.160 --> 0:47:34.399
<v Speaker 2>how I feel about the grade alone. It was such

0:47:34.440 --> 0:47:39.120
<v Speaker 2>a good example of nothing about that story is anything

0:47:39.160 --> 0:47:43.440
<v Speaker 2>I care about, Like, I have no interest in that world,

0:47:43.719 --> 0:47:46.239
<v Speaker 2>yet it's you know, because of the power of your

0:47:46.239 --> 0:47:50.000
<v Speaker 2>writing and the story, it made me so interested. And

0:47:50.120 --> 0:47:54.080
<v Speaker 2>I think of that as an example of being curious

0:47:54.239 --> 0:47:56.400
<v Speaker 2>enough to go to a place that you're not that

0:47:56.480 --> 0:47:57.080
<v Speaker 2>interested in.

0:47:57.400 --> 0:47:59.279
<v Speaker 1>Well, let's take a quick break and I have one

0:47:59.280 --> 0:48:01.120
<v Speaker 1>more short question when we come back.

0:48:01.239 --> 0:48:06.800
<v Speaker 2>Perfect and we're back.

0:48:06.920 --> 0:48:11.719
<v Speaker 1>We are back, So Joseph writes, Dear Chelsea, I'm an

0:48:11.760 --> 0:48:14.880
<v Speaker 1>aspiring author working on my first book in a series.

0:48:15.200 --> 0:48:17.680
<v Speaker 1>I'm writing a sci fi outer space saga that I've

0:48:17.719 --> 0:48:20.440
<v Speaker 1>been creating for the past five years. It's taken a

0:48:20.480 --> 0:48:22.319
<v Speaker 1>long time to write a good chunk of it, being

0:48:22.360 --> 0:48:25.800
<v Speaker 1>as I work full time. I'm roughly fifty pages from finishing,

0:48:25.960 --> 0:48:28.920
<v Speaker 1>but lately I've hit a giant wall blocking me from finishing.

0:48:29.640 --> 0:48:31.319
<v Speaker 1>I know how I want the book to end, but

0:48:31.440 --> 0:48:33.560
<v Speaker 1>I get in my head and in my emotions about

0:48:33.560 --> 0:48:37.000
<v Speaker 1>imposter syndrome. How do you push past writer's block? And

0:48:37.080 --> 0:48:40.000
<v Speaker 1>also what kind of environment best suits you for writing

0:48:40.160 --> 0:48:43.520
<v Speaker 1>soft music? Coffee shop, dead silence. What's best for getting

0:48:43.520 --> 0:48:44.000
<v Speaker 1>in the groove?

0:48:44.200 --> 0:48:49.760
<v Speaker 2>Joseph, I like dead silence. I mean that's ideal, but yeah,

0:48:49.800 --> 0:48:51.000
<v Speaker 2>what about you dead.

0:48:50.840 --> 0:48:55.759
<v Speaker 3>Silence and no rituals? Like it's time, it's time to

0:48:55.800 --> 0:48:59.160
<v Speaker 3>sit down, so I sit down. Doesn't mean I'm necessarily

0:48:59.239 --> 0:49:02.880
<v Speaker 3>doing anything when I sit down, But like I said,

0:49:04.160 --> 0:49:09.839
<v Speaker 3>my muse shows up when I sit down. And in

0:49:09.960 --> 0:49:14.760
<v Speaker 3>terms of imposter syndrome and doing all of that, that's

0:49:14.800 --> 0:49:18.000
<v Speaker 3>all sort of you know, that's all in your head

0:49:18.040 --> 0:49:21.040
<v Speaker 3>and it's always there and we all have to deal

0:49:21.080 --> 0:49:23.840
<v Speaker 3>with it all the time. And the bottom line is

0:49:23.920 --> 0:49:26.600
<v Speaker 3>the only way through is to write your way through.

0:49:26.680 --> 0:49:29.719
<v Speaker 3>You have to get the words on the page that

0:49:29.840 --> 0:49:34.879
<v Speaker 3>you can then you know, turn into something else. You

0:49:34.960 --> 0:49:35.440
<v Speaker 3>just have to.

0:49:36.719 --> 0:49:39.239
<v Speaker 2>Yeah, and I agree, like I don't really have rituals

0:49:39.280 --> 0:49:41.279
<v Speaker 2>at all. I mean I meditate every day, but that's

0:49:41.280 --> 0:49:44.080
<v Speaker 2>a separate that's not for writing per se. But I

0:49:44.520 --> 0:49:47.080
<v Speaker 2>find that that sometimes can even take up more time.

0:49:47.320 --> 0:49:50.200
<v Speaker 2>Like you know, like if you sit down and you're

0:49:50.200 --> 0:49:52.480
<v Speaker 2>in front of your computer or a legal power however,

0:49:52.560 --> 0:49:55.040
<v Speaker 2>you write and you just say, like I'm gonna be

0:49:55.080 --> 0:49:58.040
<v Speaker 2>here for two hours, you're gonna start writing stuff, and

0:49:58.200 --> 0:50:00.600
<v Speaker 2>it might not always work or always be stuff that

0:50:00.600 --> 0:50:02.680
<v Speaker 2>you're going to use. That's part of the process too.

0:50:03.160 --> 0:50:06.480
<v Speaker 2>As far as imposter syndrome goes, it's like, that's not

0:50:06.560 --> 0:50:09.640
<v Speaker 2>that original either. Everyone feels that way, so it's almost

0:50:09.640 --> 0:50:13.280
<v Speaker 2>not even worth discussing because it's just part of the package.

0:50:13.360 --> 0:50:16.080
<v Speaker 2>Everyone's just gonna feel like, you know, you kind of

0:50:16.120 --> 0:50:19.759
<v Speaker 2>vacillate between that and then bounts of confidence and capability

0:50:20.360 --> 0:50:22.920
<v Speaker 2>and we all feel that way, and that's just your

0:50:23.000 --> 0:50:25.120
<v Speaker 2>voice in your head. And so the quicker you can

0:50:25.160 --> 0:50:27.440
<v Speaker 2>get those thoughts through, the quicker you're going to be

0:50:27.480 --> 0:50:29.200
<v Speaker 2>able to focus on your story and fill in the

0:50:29.239 --> 0:50:30.720
<v Speaker 2>blanks that you feel are missing.

0:50:30.880 --> 0:50:33.800
<v Speaker 1>I think even imposter syndrome like gets bigger the closer

0:50:33.840 --> 0:50:35.359
<v Speaker 1>you get to finishing something too.

0:50:36.160 --> 0:50:38.560
<v Speaker 2>Yeah, and the more you focus on it, the bigger

0:50:38.600 --> 0:50:39.240
<v Speaker 2>it becomes.

0:50:39.600 --> 0:50:42.120
<v Speaker 3>I would say too that Joseph, if you are fifty

0:50:42.160 --> 0:50:45.320
<v Speaker 3>pages from the end, and this is this is just personal,

0:50:45.480 --> 0:50:48.560
<v Speaker 3>so this may not be true for you. But if

0:50:48.600 --> 0:50:50.920
<v Speaker 3>I get to a place where I'm fifty pages from

0:50:50.960 --> 0:50:52.880
<v Speaker 3>the end of a novel that I've been working on

0:50:53.000 --> 0:50:56.120
<v Speaker 3>for a long period of time and I cannot write

0:50:56.200 --> 0:51:00.480
<v Speaker 3>those last fifty pages, the answer to the question, is

0:51:00.560 --> 0:51:04.359
<v Speaker 3>in the pages that came before, there is somewhere that

0:51:04.480 --> 0:51:07.799
<v Speaker 3>you have taken a wrong turn, that you have put

0:51:07.800 --> 0:51:11.360
<v Speaker 3>your character in a situation that either lessens the conflict

0:51:11.760 --> 0:51:16.640
<v Speaker 3>or doesn't lead inevitably to your confusion. So you know,

0:51:16.719 --> 0:51:19.319
<v Speaker 3>you can push through to the end, or you can

0:51:19.360 --> 0:51:22.560
<v Speaker 3>go back to the beginning and edit to take you

0:51:22.680 --> 0:51:25.959
<v Speaker 3>back up to that moment. But most likely that's where

0:51:26.000 --> 0:51:27.320
<v Speaker 3>your problem lies.

0:51:28.400 --> 0:51:31.080
<v Speaker 1>That's really good advice, And this is really a question

0:51:31.160 --> 0:51:33.640
<v Speaker 1>for each of you. Do you start with an outline

0:51:34.000 --> 0:51:36.279
<v Speaker 1>or a skeleton for what you're writing or are you

0:51:36.440 --> 0:51:38.520
<v Speaker 1>just like, let's go with the vision. I have an idea,

0:51:38.600 --> 0:51:40.040
<v Speaker 1>let's go What.

0:51:40.040 --> 0:51:40.800
<v Speaker 2>About you, Kristin.

0:51:41.080 --> 0:51:43.040
<v Speaker 3>I don't begin a book until I have a very

0:51:43.040 --> 0:51:45.680
<v Speaker 3>clear vision and I've done a lot of research and

0:51:45.760 --> 0:51:50.120
<v Speaker 3>I know the story intimately, and then I sit down

0:51:50.160 --> 0:51:53.120
<v Speaker 3>and write a completely different novel and just pray to

0:51:53.160 --> 0:51:55.759
<v Speaker 3>God that I can get to a better ending than

0:51:55.800 --> 0:51:57.320
<v Speaker 3>I had originally intended.

0:51:58.680 --> 0:52:01.320
<v Speaker 2>Yeah, I'm not an outline. First, my editors asked me

0:52:01.360 --> 0:52:03.279
<v Speaker 2>for an outline about three times, and I just had

0:52:03.320 --> 0:52:06.320
<v Speaker 2>to tell her that's not happening. I'm not an outlined person.

0:52:06.360 --> 0:52:07.040
<v Speaker 3>I just do it.

0:52:07.400 --> 0:52:10.239
<v Speaker 2>I need to just do it in my own way. Yeah.

0:52:11.000 --> 0:52:13.200
<v Speaker 3>Well, that's the thing about writing, and that's what's so

0:52:13.440 --> 0:52:17.279
<v Speaker 3>empowering it. There is not one size fits all. I mean,

0:52:17.320 --> 0:52:20.719
<v Speaker 3>you can get you can get information like this, and

0:52:20.760 --> 0:52:23.600
<v Speaker 3>I think what happens is when you hear from other writers,

0:52:24.320 --> 0:52:26.759
<v Speaker 3>you know what speaks to you, and you hear the

0:52:26.800 --> 0:52:30.359
<v Speaker 3>information when you need to hear it, and otherwise it

0:52:30.480 --> 0:52:32.880
<v Speaker 3>just collects in there. So the more you can listen to,

0:52:33.280 --> 0:52:36.880
<v Speaker 3>you know, conversations like this, I think the more you

0:52:37.040 --> 0:52:39.520
<v Speaker 3>can find the answer that you're looking for.

0:52:40.120 --> 0:52:42.960
<v Speaker 2>Yeah, yeah, Okay. Well, christ and Hannah, oh my god,

0:52:43.040 --> 0:52:45.480
<v Speaker 2>what a delight. I love you and it was so

0:52:45.640 --> 0:52:47.399
<v Speaker 2>nice to meet you. I hope I see you again

0:52:47.440 --> 0:52:48.919
<v Speaker 2>in person sometimes, I.

0:52:48.840 --> 0:52:51.440
<v Speaker 3>Hope so, I would love to. This was really great.

0:52:51.560 --> 0:52:54.520
<v Speaker 2>Thank you so much, and congrats on all of your

0:52:54.680 --> 0:52:55.640
<v Speaker 2>earned success.

0:52:55.920 --> 0:52:57.560
<v Speaker 3>It's pretty great. It's been a good week.

0:52:58.560 --> 0:53:01.400
<v Speaker 2>Yes, congrats, that's congrats.

0:53:01.040 --> 0:53:03.319
<v Speaker 3>All right, and good luck with the book you're working on.

0:53:03.800 --> 0:53:06.640
<v Speaker 2>Thank you, Thank you all right, take care of you guys,

0:53:06.719 --> 0:53:07.280
<v Speaker 2>Take care.

0:53:07.200 --> 0:53:08.440
<v Speaker 1>Ay, but thanks Kristen.

0:53:09.480 --> 0:53:12.520
<v Speaker 2>Okay, So, Chelsea Handler is my name, and comedy is

0:53:12.640 --> 0:53:16.000
<v Speaker 2>my game. Comedy and therapy. There are my games. I'm sorry,

0:53:16.320 --> 0:53:19.160
<v Speaker 2>I misspoke. I have added more shows. I added a

0:53:19.200 --> 0:53:21.840
<v Speaker 2>second show in Vancouver, so I have two shows in

0:53:21.920 --> 0:53:25.480
<v Speaker 2>Vancouver March twenty ninth March thirtieth. Then I've added another

0:53:25.520 --> 0:53:28.600
<v Speaker 2>show in Sydney, Australia on July thirteenth, so i have

0:53:28.640 --> 0:53:32.000
<v Speaker 2>two shows in Sydney July twelfth and thirteenth. For other

0:53:32.040 --> 0:53:34.880
<v Speaker 2>shows in Australia and New Zealand, go to Chelseahandler dot com.

0:53:35.200 --> 0:53:39.239
<v Speaker 2>And I've added two shows in Oklahoma, Norman, Oklahoma on

0:53:39.320 --> 0:53:44.640
<v Speaker 2>May third, and one in Thackerville, Oklahoma, which is May fourth,

0:53:45.080 --> 0:53:47.280
<v Speaker 2>and then I'll be at the YouTube Theater May eleventh

0:53:47.320 --> 0:53:51.000
<v Speaker 2>in Los Angeles with Matteo Lane and Vanessa Gonzalez and

0:53:51.040 --> 0:53:54.960
<v Speaker 2>Fortune Fiemester and Sam Jay. Those are my updates and

0:53:55.280 --> 0:53:57.040
<v Speaker 2>more shows are coming, so pay attention.

0:53:57.680 --> 0:54:00.000
<v Speaker 1>If you'd like advice from Chelsea, shoot us an email

0:54:00.120 --> 0:54:02.920
<v Speaker 1>at Dear Chelsea podcast at gmail dot com and be

0:54:02.960 --> 0:54:06.000
<v Speaker 1>sure to include your phone number. Dear Chelsea is edited

0:54:06.040 --> 0:54:09.680
<v Speaker 1>and engineered by Brad Dickert executive producer Katherine Law and

0:54:09.760 --> 0:54:12.160
<v Speaker 1>be sure to check out our merch at Chelseahandler dot

0:54:12.200 --> 0:54:16.120
<v Speaker 1>com