WEBVTT - Ben Shapiro Book Club Part 5: The Big Finale

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<v Speaker 1>Welcome to Worst Year Ever, a production of I Heart

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<v Speaker 1>Radio Together Everything, So don't don't ah, it's the Worst

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<v Speaker 1>Year Ever, the only podcast whose title was just plagiarized

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<v Speaker 1>by Radio Lab. We are in the process, I promise you,

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<v Speaker 1>of of pursuing legally. Um. I feel confident saying their

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<v Speaker 1>offices will be nothing but a bloody crater in the ground.

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<v Speaker 1>When wait, did they plagiarized us for their sure duke,

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<v Speaker 1>they have a series or at least an episode called

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<v Speaker 1>Worst Year Ever? They know the worst year to be

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<v Speaker 1>alive on planet Earth, and I have never been angrier. Yeah,

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<v Speaker 1>they just did. They just take um clips from our

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<v Speaker 1>show over the past few years. It's just our show,

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<v Speaker 1>is as I understand it. It's it's just our a show, um.

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<v Speaker 1>But but cutting it and editing it very carefully to

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<v Speaker 1>have Cody admit to being the UNI bomber. Well, yeah, no,

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<v Speaker 1>it's not a hard well that sounds like good journalism,

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<v Speaker 1>capustrated stitch together. That's my assumption. I've said it before

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<v Speaker 1>and I'll say it again. No, they put periods in

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<v Speaker 1>between the words. Oh yeah, yeah, that's just trying to

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<v Speaker 1>trick the algorithms so they don't get a d m

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<v Speaker 1>C A motherfucker's I'm going to burn radio Lab to

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<v Speaker 1>the ground. Yeah, I think it's a real lab, right,

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<v Speaker 1>It's like, oh yeah, it's it's a laboratory. So there's

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<v Speaker 1>a lot of flammable things in there. They should not

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<v Speaker 1>tried us. Yeah, they'll be they'll be too busy being

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<v Speaker 1>on fire, on fire a d O lab people collab.

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<v Speaker 1>Welcome back to the worst year we've been reading books.

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<v Speaker 1>Good we have been. Has there been news? I don't

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<v Speaker 1>think so. It doesn't seem likely, does not seem like

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<v Speaker 1>a thing there's been. The only news I care about

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<v Speaker 1>is what's going to happen to this tiny little guy

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<v Speaker 1>inside of another guy. That's what matters to me. The

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<v Speaker 1>emotion allegory we discovered this was this week. Yeah, you

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<v Speaker 1>know there's people in the reddit who are frustrated who

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<v Speaker 1>say that the story What's Fair had a point and

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<v Speaker 1>we didn't get it. I think we got it. They're like,

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<v Speaker 1>you doing an iron rand allegory. We got it, it's

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<v Speaker 1>just incompetently done. So there's not actually a point because

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<v Speaker 1>it's not really established whether or not um like, what's

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<v Speaker 1>his name? The murderer brother is any Like, we just

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<v Speaker 1>hear from his perspective that his physical labor is what's

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<v Speaker 1>saving the farm, and we never actually get a reveal

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<v Speaker 1>to show that his brother was actually doing anything that

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<v Speaker 1>kept the farm going or the family going. So again,

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<v Speaker 1>yeah's that's what Ben is trying to do, but there's

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<v Speaker 1>no message because he didn't do it competent do it.

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<v Speaker 1>That's my argument with reddit. Well, also the other brother. Uh,

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<v Speaker 1>not only did he not demonstrate that he was actually

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<v Speaker 1>doing uh uh, it did demonstrate that the work he

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<v Speaker 1>did do was build a tractor that did not work,

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<v Speaker 1>that did not work, that that was not effective. Didn't

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<v Speaker 1>it didn't work when you press the button should have

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<v Speaker 1>been easy. Uh. Yeah. If the messages that like, there's

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<v Speaker 1>uberman inventors and laborers and laborers need to know their place.

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<v Speaker 1>We never established that the Uberman's is in fact good

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<v Speaker 1>at anything. It's not actually shown by anything that happens

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<v Speaker 1>in the story. Yeah, one could argue that it demonstrated

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<v Speaker 1>that he was bad at it. Yeah, that that just

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<v Speaker 1>that the messages that sometimes two people who are bad

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<v Speaker 1>at things have a murder. Yeah, sometimes, and sometimes a

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<v Speaker 1>murder happens between two people with very fewer teeming qualities

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<v Speaker 1>or qualities at all, oh qualities whatsoever, because they're not

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<v Speaker 1>really characters in any meaningful way. Yeah, well, important thing,

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<v Speaker 1>are we? Where did we leave off on this other

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<v Speaker 1>this other book, I think the one that we haven't

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<v Speaker 1>gotten wrong yet. The pictures of the mechanical might have

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<v Speaker 1>been breaking through tearing the halo apart. I think we

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<v Speaker 1>created a cliffhanger um and two listeners to eagle eared listeners.

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<v Speaker 1>We may be repeating ourselves, and that's okay, because it

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<v Speaker 1>was so good that we had to read it twice.

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<v Speaker 1>The story is so nice we read it twice because

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<v Speaker 1>we forgot exactly where the story so forgettable that we're

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<v Speaker 1>gonna read. We may repeat ourselves. So I think the

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<v Speaker 1>mites are coming, dozens of them, hundreds of them. I pull,

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<v Speaker 1>I tug, I yank. Finally, I pry the damn thing open.

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<v Speaker 1>I think he's talking about the halo here halo. I

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<v Speaker 1>I skipped. I skipped some important bit. Okay, So first

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<v Speaker 1>of yeah, so he's climbing, all right, A climb through

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<v Speaker 1>the hole in the halo, grab the stomach, lining and

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<v Speaker 1>climb toward what looks like a closed ring above me.

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<v Speaker 1>I have to get out. I have to get the

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<v Speaker 1>hell out now. It takes me a second to realize

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<v Speaker 1>that the stomach acid is burning away layers of skin.

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<v Speaker 1>I'd scream, but I need the air instead. I grit

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<v Speaker 1>my teeth, breaking a moler as my shoulder muscle is exposed.

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<v Speaker 1>I do remember this. The mites are gaining. The liquid

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<v Speaker 1>is gluing me to the walls too, like a fly

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<v Speaker 1>stuck in a web. Yes, this is where. It's just

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<v Speaker 1>above me is the ring of the esophagus. Hand over hand,

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<v Speaker 1>I grab my legs, hang free. Wait, how did you

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<v Speaker 1>I thought you were stuck. I thought he was climbing

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<v Speaker 1>hand over hand. He was climbing hand over hand on

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<v Speaker 1>the walls. But he was stuck because of the liquid

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<v Speaker 1>that they said. It doesn't matter. My legs hang free though.

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<v Speaker 1>As I am hand over hand grabbing, I'm upside down.

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<v Speaker 1>A drop of stomach gas bathes my face, a drop

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<v Speaker 1>burning off the skin. I don't think almost fast. Okay,

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<v Speaker 1>all right, too late? Yeah, sure, sandwich goes in, Robert,

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<v Speaker 1>that's fine, that's fine. This is what might do. And

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<v Speaker 1>this is also the esophagus works. You PLoP it down

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<v Speaker 1>and it just Stomach acid is basically the acid from

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<v Speaker 1>alien exactly excellent. Yeah, yeah, we all know this. We

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<v Speaker 1>all learned this, we're all learning it now maybe, But

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<v Speaker 1>the important thing is learning is important. I'm upside down now.

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<v Speaker 1>A drop of stomach acid baits my face, burning off

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<v Speaker 1>the skin. But I'm almost there. I feel the jerk

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<v Speaker 1>before I see it. A mechanical might has my leg

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<v Speaker 1>claws at it frantically. Not a good sentence. Ken might

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<v Speaker 1>has my leg and claws at it frantically. But who

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<v Speaker 1>has the time to write the word? And I kick again,

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<v Speaker 1>But my leg feels slow, unresponsive. Then I feel warm.

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<v Speaker 1>When I look down. The mechanical might is gone, so

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<v Speaker 1>is my right leg. Below the knee. The bone hangs

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<v Speaker 1>out in shards. I bite right through my bottom lip.

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<v Speaker 1>Bone hangs out in shards. It would fall away in shards.

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<v Speaker 1>If it's in shards, it's not, it's others right, Yeah,

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<v Speaker 1>he doesn't hang out in shards. It hangs out right

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<v Speaker 1>like splintered. Maybe you know Ben's wife is a doctor.

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<v Speaker 1>Oh you're right, I'm sorry, Yeah, sure, she's the one

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<v Speaker 1>who said that if you if you wind up vomiting,

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<v Speaker 1>you have to get clear immediately because the stomach acid

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<v Speaker 1>will eat a hole in your floor. Oh yeah, whenever

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<v Speaker 1>you know, whenever you like throw up. Yeah, it goes

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<v Speaker 1>right through the toilet, is coated with stomach acid, and

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<v Speaker 1>you never speak again. Yeah. That's why everyone dies when

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<v Speaker 1>they throw up a single time. It's the leading cause

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<v Speaker 1>of death. Throwing up once. It's a real problem. Yeah yeah, Well,

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<v Speaker 1>you know we'll get through it h with collective action

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<v Speaker 1>together and not a rugged individualism. That will Oh god,

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<v Speaker 1>it's trying to get away from the news. When I

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<v Speaker 1>look down, the mechanical might is gone. So is my

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<v Speaker 1>right leg below the knee. The bone hangs out in shards.

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<v Speaker 1>I bite right through my bottom lip and the acid

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<v Speaker 1>gets in. I don't know. The adrenaline is coming. I

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<v Speaker 1>know to fight the pain, but I use it instead

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<v Speaker 1>to pull myself up, push myself through the ring, do both.

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<v Speaker 1>It won't give way. The mites are coming, dozens of them,

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<v Speaker 1>hundreds of them, So many fucking commas in this Uh,

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<v Speaker 1>it won't give It won't give way. Semi cool, and

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<v Speaker 1>the mites are coming. Comma, dozens of them, Comma, hundreds

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<v Speaker 1>of them. Period. I pull tug yank. Finally I pry

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<v Speaker 1>the damn thing open, pull myself halfway through formatting her

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<v Speaker 1>and it closes around my waist. I'm trapped. The clicking

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<v Speaker 1>sounds of the mites closer and closer. I'm dead and

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<v Speaker 1>I know it. I'm going to die down here in

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<v Speaker 1>the gut of the whale. Amy will never know what

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<v Speaker 1>happened to me. She might she knew you were, she

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<v Speaker 1>knew what you signed up for. You didn't tell her

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<v Speaker 1>that you were going to do this for three years. Yeah,

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<v Speaker 1>that does seem like something you would chat about, because,

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<v Speaker 1>like mentioned, I don't know what the risks are. Love.

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<v Speaker 1>Love is a powerful force. But also most people whose

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<v Speaker 1>partners abandoned them without explanation for three years will return

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<v Speaker 1>to find that person has moved on. Yeah, maybe don't

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<v Speaker 1>expect her to care happened to you if you just

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<v Speaker 1>sort of disappeared, So maybe expect her to be like livid,

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<v Speaker 1>because that's incredibly not okay. You should have told me

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<v Speaker 1>you were going to shrink down to a tiny guy

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<v Speaker 1>and go go help kill dust mites that are apparently bloodthirsty.

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<v Speaker 1>And I have been with some very forgiving people, um

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<v Speaker 1>but but I don't think anybody would forgive that really

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<v Speaker 1>really unacceptable. Love you, babe, but I just gotta do

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<v Speaker 1>it for me, you know, but even sign there, you

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<v Speaker 1>just like left right, just left, just out God, assuming

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<v Speaker 1>she's waiting, sitting at the door every day like a

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<v Speaker 1>that dog in the Futurama episode the Sad One, but

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<v Speaker 1>less sad because but less sad because no one competent

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<v Speaker 1>wrote this. Take a stomach acid for you, babe, drop

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<v Speaker 1>h Amy will never know what happened to me because

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<v Speaker 1>I didn't tell her. They'll they'll tell her some fiction

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<v Speaker 1>about dying, a huge plot hole, Like you're just assuming

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<v Speaker 1>she's going to be around and fine, yeah, waiting to

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<v Speaker 1>hear the news about the secret this is a secret company.

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<v Speaker 1>Oh yeah, again, we know nothing about this world about

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<v Speaker 1>because Ben is terrified of actually telling the story. We

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<v Speaker 1>know basically nothing about. Like is this a normal thing?

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<v Speaker 1>Do like all crazy rich people now do versions of this?

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<v Speaker 1>Is this guy famous for shrinking people down then to

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<v Speaker 1>shrinking technology, so you would think he'd be famous for that.

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<v Speaker 1>Like what is the extent to which any of this

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<v Speaker 1>is commonly known? Or like what is the actual cultural

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<v Speaker 1>relevance of all of this? How has it changed life? These?

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<v Speaker 1>These are the questions that a science fiction writer would Yeah,

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<v Speaker 1>I heard a great quote the other day, Cody Katie. Um.

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<v Speaker 1>I didn't come up with it. I don't know who

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<v Speaker 1>came up with it, but it's. Um, science fiction is

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<v Speaker 1>not anticipating the internal combustion engine. It's anticipating traffic, right,

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<v Speaker 1>Like that's like, what's actually interesting science fiction? And look

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<v Speaker 1>at this cool thing? It's how does this How how

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<v Speaker 1>would this cool thing impact people? Um, generally in ways

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<v Speaker 1>that are not obvious or would not be based on

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<v Speaker 1>the intent. Um. Yeah, it's great. Yeah, it says it's

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<v Speaker 1>it's it says everything. UM. And I guess Ben is

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<v Speaker 1>telling us that the unintended consequence of shrinking technology would

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<v Speaker 1>be that tiny people fight dust mites on cigarettes. Yeah,

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<v Speaker 1>he really thought it through. I think that the primary

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<v Speaker 1>problem with Ben in general is that I think that

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<v Speaker 1>he can't be bothered. You know, we've danced around this,

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<v Speaker 1>but not just with you know, his works of fiction,

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<v Speaker 1>but with his tweets, with his articles, with just anything.

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<v Speaker 1>He can't be bothered to do the work of sitting

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<v Speaker 1>and thinking through and answering some of the questions he poses.

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<v Speaker 1>Otherwise it wouldn't make sense and he wouldn't have an answer.

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<v Speaker 1>But that's like across the board. So I guess it's

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<v Speaker 1>not surprising that that's how he shows up. Oh yeah,

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<v Speaker 1>but it is just, of course a fucking course. Yeah.

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<v Speaker 1>If this, then what is not a sentence or question here? No? No,

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<v Speaker 1>If this, then that's the fact. No. Bill has never

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<v Speaker 1>asked a question, like a real question where you actually

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<v Speaker 1>are hoping to learn something that might inform or alter

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<v Speaker 1>the way that you see the world, because that would

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<v Speaker 1>that would imply that his view of the world could

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<v Speaker 1>possibly change. Yeah. No, he asks uh quote like rhetorical

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<v Speaker 1>questions that like he has his prepared answer for. But

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<v Speaker 1>he was never He's not a curious mind at all. Yeah, absolutely,

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<v Speaker 1>he can't be. It's immortal to be a curious A

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<v Speaker 1>movie about Ben, A movie about Ben would be an

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<v Speaker 1>incurious mind. I'm curious mind. Curious someone write it, Yeah,

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<v Speaker 1>it would. I'm imagining it it being like, um, what's

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<v Speaker 1>that Ben Affle? Like Matt Damon movie where there's like

0:13:27.600 --> 0:13:30.160
<v Speaker 1>there's like a math problem on a chalkboard and he

0:13:30.280 --> 0:13:34.080
<v Speaker 1>just erases it in writes in sex is I don't

0:13:34.080 --> 0:13:38.120
<v Speaker 1>know penises or shouldn't do anything. That's something something terrible.

0:13:38.200 --> 0:13:42.559
<v Speaker 1>I didn't have together, don't have sex, don't be married yeah,

0:13:42.760 --> 0:13:48.080
<v Speaker 1>or like and like, don't be married unless you're straight. Yeah,

0:13:48.640 --> 0:13:53.120
<v Speaker 1>my wife is a doctor. Normalized straight marriage, normally straight

0:13:53.160 --> 0:13:57.320
<v Speaker 1>marriage and swallowing stuff and having whatever you eat go

0:13:57.480 --> 0:14:02.520
<v Speaker 1>plink plink plink against the walls of your esophagus machine

0:14:03.600 --> 0:14:06.720
<v Speaker 1>like a fuck it, it's amazing. Okay, please continue, all right.

0:14:07.200 --> 0:14:09.880
<v Speaker 1>So he's dead and he knows it, and he's gonna

0:14:09.920 --> 0:14:13.120
<v Speaker 1>die down there in the gut of the whale capitalized

0:14:13.160 --> 0:14:17.080
<v Speaker 1>T capitalized w Amy will never know what happened to me.

0:14:17.360 --> 0:14:19.400
<v Speaker 1>This is where this is where we keep getting stopped

0:14:19.480 --> 0:14:22.480
<v Speaker 1>up right, a tiny note, right, a tiny note, and

0:14:22.520 --> 0:14:25.920
<v Speaker 1>then then grow it. That's a perfect plan. Uh, They'll

0:14:25.960 --> 0:14:29.400
<v Speaker 1>they'll tell her some fiction about dying hero against the mites,

0:14:29.800 --> 0:14:33.400
<v Speaker 1>doing my job, the whole routine. My skeleton will be

0:14:33.440 --> 0:14:36.440
<v Speaker 1>digested by the whale. He'll outlive me. You can put

0:14:36.440 --> 0:14:40.000
<v Speaker 1>like a butt my skeleton with whatever is in sheer despair.

0:14:40.600 --> 0:14:43.800
<v Speaker 1>I slam my fist against the ring and miraculously it

0:14:43.920 --> 0:14:47.720
<v Speaker 1>loosens for an instant. I pull myself up and it

0:14:47.800 --> 0:14:52.240
<v Speaker 1>snaps closed, locking out the mites. This is like, like,

0:14:52.280 --> 0:14:54.240
<v Speaker 1>I know what he's going for here. It's just like happens.

0:14:54.240 --> 0:14:57.760
<v Speaker 1>So like quickly amidst like all this other bullshit that like,

0:14:57.760 --> 0:15:00.280
<v Speaker 1>like what he's doing is like the like the Sienna

0:15:00.360 --> 0:15:03.360
<v Speaker 1>Jones hat grabbing a hat right when the door closes,

0:15:03.400 --> 0:15:06.120
<v Speaker 1>Like he wants a suspensiful moment where's like getting through

0:15:06.120 --> 0:15:08.800
<v Speaker 1>a doorway and it snaps shut and the horde of

0:15:08.920 --> 0:15:11.920
<v Speaker 1>mites get like slams into it and he's safe. But

0:15:12.000 --> 0:15:15.560
<v Speaker 1>it's just like too much work to describe that. Nope, yea,

0:15:16.520 --> 0:15:19.200
<v Speaker 1>all of a sudden works and the mites are trapped

0:15:19.240 --> 0:15:23.000
<v Speaker 1>up way Okay, it's like incredibly boring, like and she's yeah,

0:15:23.680 --> 0:15:25.520
<v Speaker 1>just gets a ring miraculusly it loosens for an instant

0:15:25.560 --> 0:15:27.360
<v Speaker 1>and put myself up and it snaps close, locking at

0:15:27.400 --> 0:15:32.040
<v Speaker 1>the mites. Okay that and I know, I'm sure Again

0:15:32.240 --> 0:15:35.400
<v Speaker 1>Ben's intention is that the actual bad guy here is

0:15:35.440 --> 0:15:40.600
<v Speaker 1>the whale um. But he's also not a character um

0:15:40.640 --> 0:15:45.320
<v Speaker 1>not not really and uh there's no all of the

0:15:45.360 --> 0:15:48.320
<v Speaker 1>actual like action tension is between him and these very

0:15:48.360 --> 0:15:53.240
<v Speaker 1>boring enemies that that aren't exciting or cool, And that

0:15:53.280 --> 0:15:56.400
<v Speaker 1>would be fine if the focus of the story was

0:15:56.440 --> 0:15:59.160
<v Speaker 1>anything other than him fighting them, but that's all Ben

0:15:59.240 --> 0:16:02.040
<v Speaker 1>seems to want to right, Is this guy struggling against mites,

0:16:02.080 --> 0:16:05.400
<v Speaker 1>which is again the least interesting part of the story. Yeah,

0:16:05.560 --> 0:16:10.320
<v Speaker 1>it's the facials, horde of mechanical mtes that couldn't do

0:16:10.360 --> 0:16:14.480
<v Speaker 1>the job that he's hiring. He's tiny people to do. Yeah,

0:16:14.720 --> 0:16:18.800
<v Speaker 1>program to kill the other mites. It's like in an

0:16:18.840 --> 0:16:23.720
<v Speaker 1>alien the the alien is not the thing that is

0:16:23.760 --> 0:16:28.480
<v Speaker 1>like the most interesting. Like, that's not the bulk of

0:16:28.480 --> 0:16:30.360
<v Speaker 1>of the movie. The bulk of the movie is how

0:16:30.520 --> 0:16:33.200
<v Speaker 1>like these individual human beings react in the choices that

0:16:33.240 --> 0:16:36.360
<v Speaker 1>they make, and like the alien is important as to

0:16:36.520 --> 0:16:39.480
<v Speaker 1>how it pushes them to make choices and reveals things

0:16:39.520 --> 0:16:41.880
<v Speaker 1>about the characters and causes conflicts for them. But like,

0:16:42.520 --> 0:16:45.000
<v Speaker 1>the movie is always centered on the people and the

0:16:45.040 --> 0:16:47.960
<v Speaker 1>things that they are doing and what it reveals about

0:16:48.040 --> 0:16:50.840
<v Speaker 1>like them and and the world that they're in. There's

0:16:50.840 --> 0:16:53.480
<v Speaker 1>a lot of like commentary and one not in that movie,

0:16:53.480 --> 0:16:56.840
<v Speaker 1>and a number of things. Um then appears to think

0:16:56.840 --> 0:17:00.120
<v Speaker 1>that the thing people actually want is just a I

0:17:00.360 --> 0:17:06.000
<v Speaker 1>for no real reason, fighting weird hero. Yeah, it's like,

0:17:06.160 --> 0:17:08.920
<v Speaker 1>um another example, you kept saying the thing that people

0:17:09.000 --> 0:17:12.440
<v Speaker 1>want or whatever, like the thing. If Ben made the thing,

0:17:12.800 --> 0:17:15.200
<v Speaker 1>it would be like a bunch of battles with the

0:17:15.240 --> 0:17:18.760
<v Speaker 1>monster instead of a movie about like the isolation and

0:17:18.800 --> 0:17:21.640
<v Speaker 1>mistrust and all these characters and how they deal with that.

0:17:22.280 --> 0:17:27.320
<v Speaker 1>Um yeah, I was gonna say, to be fair, we

0:17:27.359 --> 0:17:30.320
<v Speaker 1>are referencing a lot of like much longer works than

0:17:30.359 --> 0:17:33.320
<v Speaker 1>a short story. But to be even more fair, doesn't

0:17:33.359 --> 0:17:37.240
<v Speaker 1>matter the principles of storytelling pertain to a short story.

0:17:37.640 --> 0:17:40.600
<v Speaker 1>I just felt like it's good to acknowledge, like, yeah,

0:17:40.600 --> 0:17:45.160
<v Speaker 1>we're talking about larger pieces of writing, but there's lots

0:17:45.160 --> 0:17:49.800
<v Speaker 1>of people that have written brilliant, beautiful, concise short stories

0:17:49.800 --> 0:17:55.359
<v Speaker 1>while also following these same kind of Right, you could

0:17:55.359 --> 0:17:59.160
<v Speaker 1>write a short story version of Alien and still get

0:17:59.160 --> 0:18:01.200
<v Speaker 1>all of that across us. A good writer would be

0:18:01.200 --> 0:18:06.240
<v Speaker 1>able to do that. A competent right, I'll go step

0:18:06.320 --> 0:18:12.040
<v Speaker 1>for further forward farther. Just a writer, a writer Philip K.

0:18:12.200 --> 0:18:14.560
<v Speaker 1>Dick could have taken this story and and thrown in

0:18:14.600 --> 0:18:17.000
<v Speaker 1>a giant head screaming at him from the sky. And

0:18:17.080 --> 0:18:19.560
<v Speaker 1>you know, with with just a couple of pounds of amphetamines,

0:18:19.640 --> 0:18:21.480
<v Speaker 1>we would we we might have something you could make

0:18:21.560 --> 0:18:25.960
<v Speaker 1>and do a Paul Verhoeven movie. Oh, this would be

0:18:26.000 --> 0:18:29.080
<v Speaker 1>a This would not be a good movie, no matter

0:18:29.119 --> 0:18:32.560
<v Speaker 1>who makes it sorry now, Like, wait, maybe no, you

0:18:32.560 --> 0:18:34.920
<v Speaker 1>would need that extra bit of Philip K. Dick being

0:18:34.960 --> 0:18:37.760
<v Speaker 1>on amphetamines listening to a giant head screaming at him

0:18:37.760 --> 0:18:40.520
<v Speaker 1>from the sky. Maybe it's like a sequel to the

0:18:40.920 --> 0:18:43.520
<v Speaker 1>Honey I Shrunk the Kids franchise. You can take a

0:18:43.600 --> 0:18:46.960
<v Speaker 1>nugget of it somehow, But yeah, honey, we gave we

0:18:47.080 --> 0:18:51.320
<v Speaker 1>resurrected Philip K. Dick, gave him or meth amphetamine and

0:18:51.440 --> 0:18:55.480
<v Speaker 1>handed him a bit Shapiro short story and he made

0:18:55.480 --> 0:18:59.640
<v Speaker 1>it like, Okay, it's family friendly, you give it back.

0:18:59.800 --> 0:19:05.320
<v Speaker 1>It's very erotic and erotic, family friendly foot a lot

0:19:05.359 --> 0:19:07.359
<v Speaker 1>of extra scenes with the mites, if you know what,

0:19:10.720 --> 0:19:13.600
<v Speaker 1>Philip K. Dick really focused in on the mites, really

0:19:13.640 --> 0:19:19.560
<v Speaker 1>focused on the mites. Yeah wait, wait, wait before we continue,

0:19:20.440 --> 0:19:22.000
<v Speaker 1>I think he's starting to take a quick ad break.

0:19:22.200 --> 0:19:24.040
<v Speaker 1>Oh but before we do a quick ad break, I

0:19:24.080 --> 0:19:26.320
<v Speaker 1>have one more paragraph to get through before they break

0:19:26.400 --> 0:19:29.520
<v Speaker 1>that pen makes So we got a cliffhanger coming up, surely,

0:19:29.560 --> 0:19:32.119
<v Speaker 1>and it's gonna be exciting because in Sheer Despair, I

0:19:32.200 --> 0:19:34.960
<v Speaker 1>slam my fist against the ring and miracuously it loosens

0:19:35.000 --> 0:19:37.879
<v Speaker 1>for an instant I pull myself up and it snaps close,

0:19:38.160 --> 0:19:41.160
<v Speaker 1>locking out the mites. The adrenaline is wearing off now

0:19:41.280 --> 0:19:44.080
<v Speaker 1>and I can feel myself losing consciousness. I shoved the

0:19:44.119 --> 0:19:47.040
<v Speaker 1>stump of my lower leg onto the ring. Let the

0:19:47.080 --> 0:19:51.200
<v Speaker 1>remnants of stomach acid on the ring caught aize the wound.

0:19:52.680 --> 0:19:59.520
<v Speaker 1>The blood turns, the flesh burns into darkness, just like

0:19:59.640 --> 0:20:03.360
<v Speaker 1>sign ends we'll be back. That's how it works. That's

0:20:03.359 --> 0:20:06.840
<v Speaker 1>how stomach acid works. That's why if you both puke

0:20:07.080 --> 0:20:09.879
<v Speaker 1>and cut open an artery at the same time, you

0:20:09.960 --> 0:20:11.800
<v Speaker 1>just jam some of that puke in the wound and

0:20:11.800 --> 0:20:14.480
<v Speaker 1>you're good to go. Baby. If you ever, if you

0:20:14.520 --> 0:20:18.320
<v Speaker 1>ever get cut, puke on yourself. Yeah, if somebody ever

0:20:18.400 --> 0:20:22.040
<v Speaker 1>gets an arterial injury where and you're around, just stick

0:20:22.080 --> 0:20:24.639
<v Speaker 1>your fingers down your throat and vomit on their open wound,

0:20:24.680 --> 0:20:28.040
<v Speaker 1>and you will save their life. That's actually what military

0:20:28.080 --> 0:20:30.520
<v Speaker 1>medics are trained to do in combat. They just puke

0:20:30.720 --> 0:20:35.080
<v Speaker 1>right on the gunshot wound. Star Wars was accurate, just

0:20:35.080 --> 0:20:36.400
<v Speaker 1>to be like a bunch of people puking on each

0:20:36.400 --> 0:20:40.359
<v Speaker 1>other's vomiting on each other's laser birds. And on that note,

0:20:41.760 --> 0:20:55.120
<v Speaker 1>here's a word from together everything. Don't don't and we're

0:20:55.200 --> 0:21:02.879
<v Speaker 1>back from Yeah, I care what happens. What happens? What

0:21:03.080 --> 0:21:05.679
<v Speaker 1>where did we leave? Where did we leave off our

0:21:05.800 --> 0:21:12.080
<v Speaker 1>hero anyone? Where do we leave off our heroes? I

0:21:12.119 --> 0:21:17.800
<v Speaker 1>already can't remember conscience. He slipped into darkness after losing

0:21:17.920 --> 0:21:20.280
<v Speaker 1>like a couple of his limbs. Yeah, he lost his

0:21:20.400 --> 0:21:22.560
<v Speaker 1>leg and he caught herrized it with stomach acid. So

0:21:22.680 --> 0:21:28.840
<v Speaker 1>we're good. He's fine. Yah. Yeah, thank god for stomach acid.

0:21:29.400 --> 0:21:37.240
<v Speaker 1>Mm hmm. Nature's turniquet. At least utilize natural remedy for wounds.

0:21:38.359 --> 0:21:45.960
<v Speaker 1>Get on a healthcare system. Okay, September. I've lost all

0:21:46.080 --> 0:21:49.119
<v Speaker 1>sense of time, But you just said what day it was.

0:21:51.480 --> 0:21:53.640
<v Speaker 1>He's done this a couple of times where he said

0:21:53.680 --> 0:21:54.959
<v Speaker 1>the date and he's like, I don't know how long

0:21:55.000 --> 0:22:00.320
<v Speaker 1>it's been, nonsense. I can tell by my size. I'm

0:22:00.359 --> 0:22:03.879
<v Speaker 1>now about three inches tall. That has been another thirty

0:22:04.000 --> 0:22:06.720
<v Speaker 1>six hours. So you haven't lost all sense of time.

0:22:07.440 --> 0:22:10.080
<v Speaker 1>You have a sense of time. I love saying something

0:22:10.160 --> 0:22:13.280
<v Speaker 1>and then immediately contradicting myself, like even the thing that

0:22:13.359 --> 0:22:16.239
<v Speaker 1>I've written and have the ability to edit, like if

0:22:16.280 --> 0:22:18.800
<v Speaker 1>I'm if you're in the woods and you don't have

0:22:18.880 --> 0:22:20.600
<v Speaker 1>a watch and you don't know how long it's been,

0:22:20.800 --> 0:22:22.720
<v Speaker 1>and you look at the sun and you can determine

0:22:22.760 --> 0:22:25.200
<v Speaker 1>how long it's been. That is a sense of time.

0:22:26.160 --> 0:22:28.760
<v Speaker 1>It's a it's an external you have, like you're like

0:22:28.920 --> 0:22:32.720
<v Speaker 1>using your environment. But like, Cody, do you remember we

0:22:32.920 --> 0:22:35.159
<v Speaker 1>just opened a part of this with him listing the

0:22:35.280 --> 0:22:37.359
<v Speaker 1>date and then saying, I don't know what day it is,

0:22:38.119 --> 0:22:41.280
<v Speaker 1>like I've lost all sense of time. So actually you haven't.

0:22:41.359 --> 0:22:43.520
<v Speaker 1>And I can tell by my size how how much

0:22:43.800 --> 0:22:47.600
<v Speaker 1>time there's gone by. It's very funny in the same sentence.

0:22:47.600 --> 0:22:52.440
<v Speaker 1>It's the sandwich of like contradictory, like it's so been

0:22:52.760 --> 0:22:56.800
<v Speaker 1>Try it a little harder, just like read read what

0:22:56.920 --> 0:23:04.520
<v Speaker 1>you wrote once. No, Cody, No, okay, anyway, it's been

0:23:04.520 --> 0:23:07.800
<v Speaker 1>another thirty six hours despite me having no sense of time.

0:23:08.840 --> 0:23:14.880
<v Speaker 1>The acceleration will be fast now, all acceleration is. It's fine.

0:23:15.000 --> 0:23:17.400
<v Speaker 1>It's fine. I'm fine. It's fine. It's fine. It's fine,

0:23:17.400 --> 0:23:20.359
<v Speaker 1>doesn't it doesn't matter, it's fine. There's no room to expand.

0:23:20.840 --> 0:23:23.320
<v Speaker 1>I'm standing in the whales esophagus. Actually there would be

0:23:23.320 --> 0:23:26.960
<v Speaker 1>a little room to expand. It's fine, discussed the esophagus. Okay,

0:23:27.040 --> 0:23:31.359
<v Speaker 1>it's fine. Sign sign I'm standing in the whales esophagus

0:23:31.640 --> 0:23:34.280
<v Speaker 1>on my one good leg. How are you wait, it's

0:23:34.359 --> 0:23:38.560
<v Speaker 1>fine standing, I know I'm curious about that too. What

0:23:38.640 --> 0:23:44.160
<v Speaker 1>are you standing on? How are you standing? I don't

0:23:44.280 --> 0:23:47.200
<v Speaker 1>want him to explain, because then that would be more words.

0:23:47.320 --> 0:23:50.280
<v Speaker 1>But also, yeah, you need to explain, like even just

0:23:50.440 --> 0:23:53.760
<v Speaker 1>like if you're in like as he's imagining a pipe,

0:23:54.600 --> 0:23:56.960
<v Speaker 1>then you're like your leg is against one side and

0:23:57.080 --> 0:24:00.920
<v Speaker 1>your hands are like pushing against this, either to hold

0:24:01.000 --> 0:24:07.520
<v Speaker 1>yourself up or something. It doesn't matter anyway, it doesn't matter.

0:24:09.000 --> 0:24:13.040
<v Speaker 1>I'm standing the whales's esophagus. Wait you have I mean,

0:24:13.119 --> 0:24:15.600
<v Speaker 1>what was the thing that snap clothes beneath him or whatever?

0:24:17.800 --> 0:24:21.880
<v Speaker 1>The halo the halo so theoretically, but like the edge

0:24:21.920 --> 0:24:26.720
<v Speaker 1>of the esophagus or something. Yeah, just say that. Actually,

0:24:26.960 --> 0:24:29.320
<v Speaker 1>you're right, that's where he's standing. He's standing at the

0:24:29.359 --> 0:24:34.359
<v Speaker 1>bottom where the little hole is closed. All right, there's

0:24:34.400 --> 0:24:40.280
<v Speaker 1>barely any air, Okay. I breathed slowly, laboriously, trying not

0:24:40.400 --> 0:24:43.280
<v Speaker 1>to use up all the oxygen the whale has swallowed.

0:24:44.240 --> 0:24:47.520
<v Speaker 1>The whale will realize I'm alive soon. I'm large enough

0:24:47.600 --> 0:24:49.560
<v Speaker 1>that he should be able to feel me. It's only

0:24:49.640 --> 0:24:52.240
<v Speaker 1>a matter of time before they try something else, right, Like,

0:24:52.359 --> 0:24:54.359
<v Speaker 1>isn't he like isn't the whale? Like wouldn't he be choking?

0:24:54.480 --> 0:24:57.720
<v Speaker 1>Right now? You're standing in his esophagus. There's a three

0:24:59.359 --> 0:25:06.280
<v Speaker 1>man's that's a really big thing to have on your vomiting.

0:25:06.600 --> 0:25:12.359
<v Speaker 1>I would think there's like that's huge. Yeah, that's like

0:25:14.320 --> 0:25:18.280
<v Speaker 1>that's like the size of an iPod or at least

0:25:18.320 --> 0:25:23.000
<v Speaker 1>an iPod nano stuck in your esophagus. This is nonsense.

0:25:23.440 --> 0:25:27.520
<v Speaker 1>Now now I'm upset because I'm sorry. It's only a

0:25:27.560 --> 0:25:29.440
<v Speaker 1>matter of time before they try something else, like I

0:25:29.440 --> 0:25:32.320
<v Speaker 1>don't know, the himlick or something, because sucking iPod nanos

0:25:32.320 --> 0:25:34.920
<v Speaker 1>in your throat, which gives me just a little while

0:25:35.000 --> 0:25:37.639
<v Speaker 1>to climb my way out. Uh huh, I've made up

0:25:37.680 --> 0:25:39.440
<v Speaker 1>my mind. I'm going to go out the way I

0:25:39.560 --> 0:25:42.240
<v Speaker 1>came in. Yeah, you have to. You didn't go the

0:25:42.320 --> 0:25:47.480
<v Speaker 1>other The esophagus will lead up into the throat and

0:25:47.640 --> 0:25:51.439
<v Speaker 1>then I'll force my way out. But before I can

0:25:51.560 --> 0:25:56.080
<v Speaker 1>try it, the water comes pouring down. It comes down

0:25:56.160 --> 0:26:00.720
<v Speaker 1>in great gushes. Bad, it comes down own like the

0:26:01.080 --> 0:26:05.240
<v Speaker 1>water comes pouring down period new paragraph formatting air. It

0:26:05.359 --> 0:26:09.280
<v Speaker 1>comes down in great gushes, washing over me, refreshing me.

0:26:10.000 --> 0:26:14.200
<v Speaker 1>But then the stream becomes too strong. The ring opens again,

0:26:14.359 --> 0:26:17.120
<v Speaker 1>sucking the water into the stomach. I grabbed the wall

0:26:17.160 --> 0:26:20.000
<v Speaker 1>of the esophagus and hold on for dear life. I'm

0:26:20.040 --> 0:26:23.720
<v Speaker 1>not going back in there with those metal mites, says

0:26:23.760 --> 0:26:28.000
<v Speaker 1>the iPod nano in the throat. The water stops, and

0:26:28.080 --> 0:26:31.240
<v Speaker 1>the whale takes a deep breath, swelling his belly out,

0:26:31.640 --> 0:26:35.159
<v Speaker 1>swelling out his belly. Now that I'm in the esophagus,

0:26:35.240 --> 0:26:37.840
<v Speaker 1>I can hear everything better. And now that I'm bigger,

0:26:38.000 --> 0:26:41.399
<v Speaker 1>the voices don't seem quite so distorted, which means I

0:26:41.520 --> 0:26:44.240
<v Speaker 1>can hear that the doctor is back. Too many new

0:26:44.320 --> 0:26:49.399
<v Speaker 1>paragraphs for so little to say. Sir, he's saying, I

0:26:49.520 --> 0:26:53.439
<v Speaker 1>cannot imagine how we survived. But oh I can't demadge,

0:26:53.520 --> 0:26:56.160
<v Speaker 1>and how you botched it, says the whale. But you'd

0:26:56.200 --> 0:26:59.359
<v Speaker 1>better fix it. I feel the pressure in my chist.

0:27:00.600 --> 0:27:03.440
<v Speaker 1>I know it is, and it's growing worse all the time.

0:27:03.800 --> 0:27:09.640
<v Speaker 1>How are you talking so well with an iPod nano throat? Yeah,

0:27:10.920 --> 0:27:14.080
<v Speaker 1>not quite throat, not quite throat yet, and the esophagus,

0:27:14.240 --> 0:27:16.760
<v Speaker 1>but like what it seems like it would make it

0:27:16.920 --> 0:27:22.960
<v Speaker 1>difficult to talk, difficult I've never shoved an iPod nano

0:27:23.160 --> 0:27:25.480
<v Speaker 1>into my esophagus, but I don't think I would be

0:27:25.560 --> 0:27:28.520
<v Speaker 1>able to speak the way I normally speak, especially if

0:27:28.560 --> 0:27:33.639
<v Speaker 1>it's like got little hands and it's grabbing. It seems

0:27:33.680 --> 0:27:37.399
<v Speaker 1>like it would be a problem, be a problem. I

0:27:37.400 --> 0:27:39.959
<v Speaker 1>don't know. We can ask Ben Shapiro's doctor wife. Perhaps

0:27:40.040 --> 0:27:42.800
<v Speaker 1>she will say, no, the esophagus actually does fine with

0:27:42.880 --> 0:27:45.399
<v Speaker 1>an iPod nano in it. We do it all the

0:27:45.440 --> 0:27:48.600
<v Speaker 1>time in our family. We eat I pod nanos, but

0:27:48.800 --> 0:27:51.080
<v Speaker 1>not all the way. We keep them in our throats,

0:27:52.119 --> 0:27:59.320
<v Speaker 1>keep them stuck. That's called medicine. Esopha. Guys that he

0:27:59.320 --> 0:28:04.560
<v Speaker 1>should started. Esophagus is a good band. It's okay band.

0:28:04.920 --> 0:28:12.639
<v Speaker 1>I've listened to them. Yeah, Esophagus rock rock joke on

0:28:13.640 --> 0:28:19.720
<v Speaker 1>hip hop fans out there radio in radio land. I smile.

0:28:20.400 --> 0:28:23.159
<v Speaker 1>At least I'm giving the bastard a little pain. But

0:28:23.280 --> 0:28:27.960
<v Speaker 1>you're clearly all right. He seems very actually notice at all.

0:28:29.960 --> 0:28:36.800
<v Speaker 1>Then I punch his esophagus from the Yeah, he flinches.

0:28:38.080 --> 0:28:41.800
<v Speaker 1>I feel it now, he says, I feel it now,

0:28:42.000 --> 0:28:44.760
<v Speaker 1>he says, kind of, because he's got the thing in

0:28:44.800 --> 0:28:49.080
<v Speaker 1>his throat. We tried the mice, says the doctor, how

0:28:49.160 --> 0:28:54.600
<v Speaker 1>about a metic smart, very smart. They know I must

0:28:54.640 --> 0:28:56.800
<v Speaker 1>be out of the halo one way or another. Yeah,

0:28:56.840 --> 0:29:00.200
<v Speaker 1>you punched his esophagus and then and they know that

0:29:00.280 --> 0:29:03.680
<v Speaker 1>I haven't been killed by the stomach acid because you

0:29:03.840 --> 0:29:08.040
<v Speaker 1>punched the esophagus. Wounds. It helps you. So if they

0:29:08.080 --> 0:29:10.320
<v Speaker 1>can't bring me to the acid, they'll have to bring

0:29:10.400 --> 0:29:13.920
<v Speaker 1>the acid to me. If he vomits, he'll bring up everything,

0:29:14.080 --> 0:29:19.720
<v Speaker 1>including the acid. I'll be burned beyond recognition. Or he'll

0:29:19.840 --> 0:29:23.120
<v Speaker 1>throw you up, and then you'll be outside of his

0:29:23.280 --> 0:29:29.760
<v Speaker 1>body in a very shallow pool of puke that you'll

0:29:29.800 --> 0:29:34.280
<v Speaker 1>get out of quickly, because puke doesn't dissolve, doesn't dissolve

0:29:34.360 --> 0:29:39.440
<v Speaker 1>skin particularly quickly. Guys his world, his rules, his world,

0:29:39.760 --> 0:29:44.719
<v Speaker 1>his rules, his dream. These facts don't care about your

0:29:44.840 --> 0:29:49.600
<v Speaker 1>feelings of how the world, But my facts do care. Ah,

0:29:50.280 --> 0:29:54.680
<v Speaker 1>I can't, says the whale. My ulcer. It'll start beating again.

0:29:55.440 --> 0:29:58.240
<v Speaker 1>Good point. So that's what that red spot was in

0:29:58.320 --> 0:30:03.040
<v Speaker 1>the stomach. He already knew this. Hold on, yes, hold on,

0:30:03.360 --> 0:30:06.320
<v Speaker 1>I gotta word. Just banged my head on the table.

0:30:07.960 --> 0:30:10.440
<v Speaker 1>What do you I feel like He's already noticed this

0:30:10.560 --> 0:30:13.360
<v Speaker 1>and guessed it was an ulcer but whatever. Uh, maybe

0:30:13.400 --> 0:30:16.480
<v Speaker 1>I'm just making it up because he should have. So

0:30:16.600 --> 0:30:18.520
<v Speaker 1>that's what that red spot was in the stomach. Well,

0:30:18.640 --> 0:30:23.560
<v Speaker 1>bless God for the whale's coffee and stress addiction. Okay, no,

0:30:23.840 --> 0:30:26.520
<v Speaker 1>it won't, she said. No, he's the doctor speaking. No

0:30:26.640 --> 0:30:30.040
<v Speaker 1>one won't, says the doctor. That medicine you talk earlier.

0:30:31.160 --> 0:30:33.800
<v Speaker 1>Here we go. No one won't, says the doctor. That

0:30:33.920 --> 0:30:36.320
<v Speaker 1>medicine you took earlier. Couded your stomach lining the acer

0:30:36.360 --> 0:30:40.120
<v Speaker 1>should be closed temporarily. The whale leans forward. I can

0:30:40.200 --> 0:30:44.800
<v Speaker 1>feel him do it, Yes, he says, I see your

0:30:44.960 --> 0:30:52.200
<v Speaker 1>point like it's like c W dialogue. No, the ced

0:30:52.440 --> 0:30:56.120
<v Speaker 1>the c W dialogue is always better written than this. Yes,

0:30:56.280 --> 0:31:03.840
<v Speaker 1>I see your point like it talks like that. All right,

0:31:04.400 --> 0:31:08.360
<v Speaker 1>I prepare myself to die, amy, if only I could

0:31:08.360 --> 0:31:17.360
<v Speaker 1>say goodbye. Also formatting error on that paragraph, of course,

0:31:17.640 --> 0:31:20.760
<v Speaker 1>it doesn't doesn't matter. The doctor pads out of the room.

0:31:22.360 --> 0:31:25.800
<v Speaker 1>The doctor pads out of the room. That is the

0:31:25.960 --> 0:31:31.040
<v Speaker 1>ridiculous pads out of the room. Is um a phrase

0:31:31.320 --> 0:31:35.280
<v Speaker 1>that you see when you're describing sleepy little children up

0:31:35.760 --> 0:31:41.520
<v Speaker 1>going back. Maybe he's like, he's just like being careful

0:31:41.600 --> 0:31:47.000
<v Speaker 1>not to upset the whale. You know. Ah, the doctor

0:31:47.040 --> 0:31:48.920
<v Speaker 1>pads out of the room, or at least it sounds

0:31:49.000 --> 0:31:51.840
<v Speaker 1>like it. A few minutes later he's back. See this

0:31:52.000 --> 0:31:54.520
<v Speaker 1>is where we get like earlier, when he's literally in

0:31:54.640 --> 0:31:57.920
<v Speaker 1>the person's stomach and he's describing like what the people

0:31:58.000 --> 0:32:03.440
<v Speaker 1>are doing with utter like complete, like omnipresent confidence, and

0:32:03.560 --> 0:32:05.480
<v Speaker 1>here he is, the doctor pads out of him, or

0:32:05.480 --> 0:32:07.600
<v Speaker 1>at least it sounds like it. Yeah, so just from

0:32:08.520 --> 0:32:12.160
<v Speaker 1>the beginning, describe what things sound like, not what is

0:32:12.240 --> 0:32:15.120
<v Speaker 1>literally happening. And then five pages later be like, well,

0:32:15.200 --> 0:32:17.440
<v Speaker 1>I mean it sounds like that's going on. It's like

0:32:17.520 --> 0:32:19.840
<v Speaker 1>it sounds like the doctor leaves and comes back five

0:32:19.920 --> 0:32:23.600
<v Speaker 1>minutes later. Yeah, Like it's like I hear I hear footsteps.

0:32:23.680 --> 0:32:26.080
<v Speaker 1>It sounds like having a thing the size of a

0:32:26.160 --> 0:32:30.040
<v Speaker 1>smartphone jammed in your esophagus is not a problem enough

0:32:30.080 --> 0:32:35.000
<v Speaker 1>that they need to like rush a ton. Also, the

0:32:35.080 --> 0:32:36.400
<v Speaker 1>doctor pads out of the room, or at least it

0:32:36.440 --> 0:32:38.400
<v Speaker 1>sounds like it, and a few months later he's back.

0:32:38.760 --> 0:32:45.680
<v Speaker 1>So here's the thing, Ben, Your character has resigned himself

0:32:45.720 --> 0:32:47.840
<v Speaker 1>to die. He's gonna die, and he wants to say

0:32:47.880 --> 0:32:52.160
<v Speaker 1>goodbye to Amy, whoever that fucking is but you've already

0:32:52.240 --> 0:32:55.520
<v Speaker 1>established it. Like he can grab onto the esophagus from

0:32:55.560 --> 0:32:58.720
<v Speaker 1>the inside, and like you're like standing in there and

0:32:59.680 --> 0:33:01.600
<v Speaker 1>you just like hanging out for a few minutes knowing

0:33:01.640 --> 0:33:04.240
<v Speaker 1>that he's gonna puke you up. So just like climb

0:33:04.560 --> 0:33:09.520
<v Speaker 1>use those few minutes to climb the esophagus. Right, he's

0:33:09.560 --> 0:33:13.440
<v Speaker 1>just like chilling down there. It's just like a wasted

0:33:13.440 --> 0:33:18.040
<v Speaker 1>seems like wasted time. Anyway. A few minutes later, nothing happens,

0:33:18.080 --> 0:33:22.640
<v Speaker 1>and now he's back. Follow he orders, and here comes

0:33:22.720 --> 0:33:26.120
<v Speaker 1>the shower again. Not water in a pill. No, they're

0:33:26.160 --> 0:33:28.800
<v Speaker 1>too smart for that. They know I'd grabbed the pill

0:33:29.200 --> 0:33:33.560
<v Speaker 1>prevented from hitting the stomach. Now you wouldn't it were

0:33:33.600 --> 0:33:36.640
<v Speaker 1>like knock. It's like it'd be like half your son. Whatever. No,

0:33:37.040 --> 0:33:41.400
<v Speaker 1>this shower is of epicac slime all over me. Too

0:33:41.440 --> 0:33:46.880
<v Speaker 1>many commas. You need to right, sens is better, very

0:33:46.920 --> 0:33:50.440
<v Speaker 1>apparent right now, No comma. This showers of epicac comma

0:33:50.600 --> 0:33:54.320
<v Speaker 1>slime all over me. The ring opens, sucking it in

0:33:55.160 --> 0:33:56.960
<v Speaker 1>just a few seconds now before the guys are of

0:33:56.960 --> 0:34:00.640
<v Speaker 1>acidic vomit comes up, finishing me. I rubbed my right

0:34:00.760 --> 0:34:04.000
<v Speaker 1>leg what's left of it, and looked down through the ring.

0:34:04.880 --> 0:34:08.080
<v Speaker 1>The epicac is washing through the stomach. The mechanical mites

0:34:08.080 --> 0:34:11.200
<v Speaker 1>are swimming around in it. Soon they'll be joining me

0:34:11.440 --> 0:34:14.920
<v Speaker 1>along with the acid. Okay, so the acid doesn't affect

0:34:14.960 --> 0:34:18.720
<v Speaker 1>the mechanical mines. Oh yeah, no, they're fine. It burns

0:34:18.800 --> 0:34:25.440
<v Speaker 1>through than very quickly. Yeah. The mites, well, obviously, that's

0:34:25.440 --> 0:34:28.319
<v Speaker 1>why there are so many mites in our stomachs. That's

0:34:28.320 --> 0:34:31.440
<v Speaker 1>why we got the mites. Soon they'll be joining me

0:34:31.480 --> 0:34:35.240
<v Speaker 1>along with the acid. New paragraph, unless I joined them first,

0:34:37.080 --> 0:34:42.680
<v Speaker 1>the script, the ulcer. New paragraph. It's the only chance.

0:34:43.360 --> 0:34:46.680
<v Speaker 1>New paragraph. All of these new paragraphs are designed to

0:34:46.760 --> 0:34:49.600
<v Speaker 1>be like dramatic and it's just dumb. Well, it's because

0:34:49.640 --> 0:34:52.759
<v Speaker 1>each of them is expressing a completely distinct thought. M

0:34:53.239 --> 0:34:56.040
<v Speaker 1>So you gotta switch, you gotta switch. Well, yeah, because

0:34:56.120 --> 0:34:59.680
<v Speaker 1>like it's like he wants the suspense of like timing

0:34:59.760 --> 0:35:02.880
<v Speaker 1>and space, um and like drawing it out, but he

0:35:03.000 --> 0:35:06.160
<v Speaker 1>can't write enough words, so he's got to make two

0:35:06.400 --> 0:35:11.440
<v Speaker 1>word paragraphs and like it's the illusion of suspense, right, Um,

0:35:11.960 --> 0:35:16.320
<v Speaker 1>but I'm full of suspense, so let's find out what happens.

0:35:16.360 --> 0:35:19.160
<v Speaker 1>I can't make it up the esophagus in time. You

0:35:19.320 --> 0:35:22.280
<v Speaker 1>had a few minutes while the doctor was gone. Buddy,

0:35:23.239 --> 0:35:25.839
<v Speaker 1>this is like, yeah, you could have been climbing up

0:35:25.840 --> 0:35:28.200
<v Speaker 1>by that. I can't make it up the esophagus in time.

0:35:28.360 --> 0:35:32.399
<v Speaker 1>You could have when the doctor was gone. I did,

0:35:32.760 --> 0:35:35.520
<v Speaker 1>all right, Not with this time bomb below me. Well

0:35:35.640 --> 0:35:37.600
<v Speaker 1>you had time. It wasn't a time bomb when the

0:35:37.680 --> 0:35:40.320
<v Speaker 1>doctor was gone. But I can make it down. I

0:35:40.440 --> 0:35:43.279
<v Speaker 1>hold my breath and dive down through the ring. The

0:35:43.400 --> 0:35:46.799
<v Speaker 1>fall seems endless. I feel like I'm skydiving through noxious air.

0:35:47.120 --> 0:35:49.319
<v Speaker 1>I briefly wonder if I'll survive the fall at all,

0:35:49.680 --> 0:35:52.120
<v Speaker 1>but then I'm on the side of the stomach. I

0:35:52.320 --> 0:35:57.160
<v Speaker 1>claw at the wall, grabbing a handhold, plastering myself as

0:35:57.200 --> 0:36:01.000
<v Speaker 1>the acid swirls below me. The mites haven't noticed me yet,

0:36:01.320 --> 0:36:04.240
<v Speaker 1>covered as I am, and the sticky gou that coated

0:36:04.320 --> 0:36:07.800
<v Speaker 1>the stomach just a few body lengths away. As the ulcer.

0:36:08.080 --> 0:36:10.879
<v Speaker 1>It's covered in that same coup, but not for long.

0:36:11.200 --> 0:36:14.200
<v Speaker 1>If I can keep holding my breath, I edged my

0:36:14.280 --> 0:36:18.120
<v Speaker 1>way down toward it. It's raised and throbbing, but yes, right,

0:36:18.360 --> 0:36:20.880
<v Speaker 1>but not obvious to the mites. I fall to my

0:36:21.000 --> 0:36:24.720
<v Speaker 1>knees and begin scraping away the now hardened black coating,

0:36:25.120 --> 0:36:28.719
<v Speaker 1>chunk by chunk, I rip it away. The mites turn

0:36:28.800 --> 0:36:31.480
<v Speaker 1>and see me, but they see something else, the red,

0:36:31.840 --> 0:36:36.279
<v Speaker 1>ugly flesh of the ulcer, bleeding, inviting them because they

0:36:36.520 --> 0:36:41.720
<v Speaker 1>love blood, love to as much as they love tobacco.

0:36:42.239 --> 0:36:46.359
<v Speaker 1>Mechanical mites. Um, yeah right, these are the mechanical mites too,

0:36:46.440 --> 0:36:50.080
<v Speaker 1>So they don't they eat, No, they're they've been programmed

0:36:50.120 --> 0:36:57.240
<v Speaker 1>to chase attack ulcers, to crave blood like normal mtes

0:36:57.440 --> 0:37:01.800
<v Speaker 1>also crave, apparently because the normal whites were also bloodthirsty. Correct.

0:37:02.239 --> 0:37:05.759
<v Speaker 1>That's fucking great, Ben, very good, and it's so good,

0:37:05.800 --> 0:37:08.040
<v Speaker 1>in fact, that I think this is a wonderful time

0:37:08.520 --> 0:37:14.160
<v Speaker 1>first suspense cliffhanger time. We'll be back. I promised that

0:37:14.320 --> 0:37:17.160
<v Speaker 1>this story is over in a couple of pages. I

0:37:17.239 --> 0:37:19.960
<v Speaker 1>don't promise ship because it's been Shapiro. There could be

0:37:20.000 --> 0:37:22.840
<v Speaker 1>a whole another version of this story that he's producing

0:37:23.520 --> 0:37:28.319
<v Speaker 1>with his new film team. Oh god, yeah, I hope

0:37:28.360 --> 0:37:31.000
<v Speaker 1>he is. I was gonna say that he is. I

0:37:31.080 --> 0:37:34.239
<v Speaker 1>bet he's not, because and hear what's some what's a

0:37:34.320 --> 0:37:37.560
<v Speaker 1>failed actor who turned into a right? I mean Kevin

0:37:37.600 --> 0:37:44.320
<v Speaker 1>Sorbos as guy fighting mites, Kevin Sorbo Dean Kane is

0:37:44.360 --> 0:37:47.000
<v Speaker 1>probably the whale or the doctor. Yeah, Dean Cane will

0:37:47.000 --> 0:37:49.799
<v Speaker 1>be the whale. Get like kid Rock in there or something. Yeah,

0:37:49.880 --> 0:37:52.800
<v Speaker 1>Kid Rock could be his friend who dies tragically to

0:37:52.880 --> 0:37:58.080
<v Speaker 1>the mites. Man, I'm already wow, perfect casting. Maybe could

0:37:58.080 --> 0:38:01.759
<v Speaker 1>be a throw Kirsty Alley in there. I know we

0:38:01.840 --> 0:38:05.040
<v Speaker 1>have a winner. M I'd watch it. I would too,

0:38:05.400 --> 0:38:15.320
<v Speaker 1>I absolutely would. Of course, will be right back together.

0:38:21.640 --> 0:38:28.719
<v Speaker 1>Oh we're back. I'm thinking of Kirstie Ali waiting at

0:38:28.800 --> 0:38:32.520
<v Speaker 1>home for Kevin Sorbo to finish his three years fighting,

0:38:33.400 --> 0:38:36.160
<v Speaker 1>having no idea where he went, having no idea where

0:38:36.200 --> 0:38:39.160
<v Speaker 1>he went, but waiting faithfully reading all these news stories

0:38:39.239 --> 0:38:42.920
<v Speaker 1>about the one guy who invented shrinking technology and exclusively

0:38:43.040 --> 0:38:45.160
<v Speaker 1>uses it to shrink down people to kill the mites

0:38:45.239 --> 0:38:50.680
<v Speaker 1>that he fears are drinking his blood. Yes, that's why

0:38:50.760 --> 0:38:54.600
<v Speaker 1>he made mechanical mites to drink his one. Exactly. You

0:38:54.680 --> 0:38:58.280
<v Speaker 1>gotta get those. It's more sterile, right because they're mechanical.

0:38:58.560 --> 0:39:02.200
<v Speaker 1>Oh absolutely, yeah, that makes sense to me. M M,

0:39:02.840 --> 0:39:07.759
<v Speaker 1>all right, what happens he's been Oh we're gonna get you,

0:39:07.960 --> 0:39:12.440
<v Speaker 1>We're gonna get you up from that cliff. The ulcers

0:39:12.520 --> 0:39:16.879
<v Speaker 1>bleeding and inviting the mites. They rush at it, pincers,

0:39:16.960 --> 0:39:22.040
<v Speaker 1>scraping together with twisted glee. The first mite virtually leaps

0:39:22.120 --> 0:39:25.960
<v Speaker 1>over me, and it's eagerness to be flesh. Oh yeah, firstually,

0:39:29.239 --> 0:39:31.960
<v Speaker 1>I didn't read it fairly. The first mite virtue. Man, No,

0:39:32.320 --> 0:39:35.280
<v Speaker 1>that's bad. That's not that's not that's not my fault.

0:39:35.520 --> 0:39:38.719
<v Speaker 1>Correct that the first mite virtually leaps over me, is eager.

0:39:39.000 --> 0:39:41.319
<v Speaker 1>It leaps over you. It leapt. It either leapt over

0:39:41.400 --> 0:39:43.800
<v Speaker 1>you or it did not. Yah, did it? Like? What

0:39:43.880 --> 0:39:45.360
<v Speaker 1>are you saying? Are you saying it like leapt and

0:39:45.400 --> 0:39:47.520
<v Speaker 1>then hit you in the head because it didn't get

0:39:47.560 --> 0:39:50.680
<v Speaker 1>above you? Are you saying that it it jumped up

0:39:50.719 --> 0:39:56.080
<v Speaker 1>and then like walked around you? Or yeah? At this bad?

0:39:56.120 --> 0:40:00.720
<v Speaker 1>At this? It plunges deep into the ulcer, dig blood

0:40:00.800 --> 0:40:05.520
<v Speaker 1>oozing from the interesting that the stomach acid is not

0:40:05.640 --> 0:40:10.799
<v Speaker 1>caught aizing the ulcer wound that he's describing. I thought

0:40:10.840 --> 0:40:14.000
<v Speaker 1>that that's what the stomach acid did to all wounds.

0:40:14.760 --> 0:40:21.960
<v Speaker 1>Maybe it's just if you're tiny. The whale screams convulsive. Sorry, Katie,

0:40:21.960 --> 0:40:23.960
<v Speaker 1>I cut you off with no, I did. I had

0:40:24.080 --> 0:40:29.879
<v Speaker 1>nothing to say. Really, screams gonna keep coming. I grab

0:40:29.960 --> 0:40:33.320
<v Speaker 1>another chunk, pull it off the ulcer, throw it away.

0:40:33.480 --> 0:40:36.040
<v Speaker 1>How big is this ulcer? Now the blood of the

0:40:36.080 --> 0:40:38.800
<v Speaker 1>whale is around my knees, and the mites are coming.

0:40:39.480 --> 0:40:44.719
<v Speaker 1>Oh they're coming. Yeah, sorry, and we're sure these are

0:40:44.760 --> 0:40:49.080
<v Speaker 1>still the robot mites which which he has programmed to

0:40:49.239 --> 0:40:52.880
<v Speaker 1>be insatiably attracted to his blood. To blood apparently, and

0:40:53.000 --> 0:40:58.040
<v Speaker 1>not just mites or one guy, but the blood of

0:40:58.960 --> 0:41:01.719
<v Speaker 1>the man who invent to them and is deploying them. Yeah,

0:41:03.160 --> 0:41:06.440
<v Speaker 1>it's a classic story of hubrists, the hubris of a

0:41:06.520 --> 0:41:08.880
<v Speaker 1>man who made mites that don't need to eat, but

0:41:09.040 --> 0:41:13.680
<v Speaker 1>somehow are again insatiably attracted to his blood. A little

0:41:14.080 --> 0:41:19.239
<v Speaker 1>to the sun, um a great, what happens? A little

0:41:19.280 --> 0:41:25.840
<v Speaker 1>too close to the halo? Mistic All right, oh what happens?

0:41:26.640 --> 0:41:32.200
<v Speaker 1>They're coming by the tens, the dozens, the hundreds, drawn

0:41:32.360 --> 0:41:35.120
<v Speaker 1>by the blood, and they follow the first much Where

0:41:35.200 --> 0:41:39.520
<v Speaker 1>are they coming from? All over? He is now the

0:41:39.680 --> 0:41:43.040
<v Speaker 1>size of like an iPod. Those mites will be almost

0:41:43.120 --> 0:41:47.120
<v Speaker 1>microscopically small. Tom shouldn't he be able to stomp on

0:41:47.200 --> 0:41:51.839
<v Speaker 1>him or something? Anyway? Also than this ulcer by now?

0:41:52.360 --> 0:41:56.480
<v Speaker 1>Yeah he's yeah, I was just thinking that too, But

0:41:57.760 --> 0:42:03.440
<v Speaker 1>they're coming by the ends. The dozens the drawn by

0:42:03.520 --> 0:42:07.120
<v Speaker 1>the blood, and they follow the first mite, tearing into

0:42:07.160 --> 0:42:10.440
<v Speaker 1>the open flesh, the first mite, which virtually leapt over me.

0:42:11.760 --> 0:42:17.080
<v Speaker 1>That's not included in this. It's fine. The whale screams again.

0:42:20.920 --> 0:42:26.720
<v Speaker 1>Then I'm horizontal, Comma flat. The whale has been pushed

0:42:26.760 --> 0:42:31.000
<v Speaker 1>to the ground. The acid drips towards me slowly. I

0:42:31.160 --> 0:42:34.560
<v Speaker 1>climb for higher ground. But something is going on above me.

0:42:34.920 --> 0:42:39.479
<v Speaker 1>A scraping, a cutting, too many commas. They're cutting open

0:42:39.520 --> 0:42:43.879
<v Speaker 1>the whale. They're gutting him. My breath is running out,

0:42:44.320 --> 0:42:47.160
<v Speaker 1>but the sawing is growing nearer. Then I see it,

0:42:48.239 --> 0:42:52.480
<v Speaker 1>a sliver of light. They're almost at the stomach. Then

0:42:52.560 --> 0:42:55.680
<v Speaker 1>they're through. I see the point of the scalpel sliced

0:42:55.719 --> 0:42:59.520
<v Speaker 1>through the tissue. An enormous hand reaches down towards the ulcer,

0:43:00.000 --> 0:43:04.680
<v Speaker 1>airrying an enormous piece of gauze. Is he gauzing the ulcer?

0:43:05.200 --> 0:43:08.719
<v Speaker 1>That that is what he's doing? Wait, I'm sorry? Is

0:43:08.760 --> 0:43:12.759
<v Speaker 1>that is that a treatment for ulcers? I don't think

0:43:13.040 --> 0:43:16.520
<v Speaker 1>cutting someone open is? I mean, I guess there's sometimes

0:43:16.560 --> 0:43:19.960
<v Speaker 1>you do. Sometimes there are surgeries for ulcers, And I

0:43:20.040 --> 0:43:21.919
<v Speaker 1>don't think you just like cut them open and shove

0:43:22.000 --> 0:43:24.960
<v Speaker 1>gauze on it. Not a doctor pretty sure that's not

0:43:25.040 --> 0:43:29.279
<v Speaker 1>the treatment. Is also pretty sure, like we have their

0:43:29.440 --> 0:43:31.160
<v Speaker 1>right and if he's like, if it was a bleeding

0:43:31.280 --> 0:43:34.120
<v Speaker 1>situation bad enough that they needed to do an immediate intervention.

0:43:34.200 --> 0:43:36.760
<v Speaker 1>We have stuff like cellocks today that like stops bleeding

0:43:36.840 --> 0:43:41.040
<v Speaker 1>extremely quickly, and I imagine in this future where they

0:43:41.080 --> 0:43:45.400
<v Speaker 1>can shrink things, maybe they have other options, but no,

0:43:45.600 --> 0:43:47.840
<v Speaker 1>they're just jamming gauze onto an ulcers. Just wanted to

0:43:47.920 --> 0:43:52.160
<v Speaker 1>make sure. Um, yeah, science has progressed to the point

0:43:52.200 --> 0:43:59.080
<v Speaker 1>of shrinking technology, but literally nothing else. So this is

0:43:59.160 --> 0:44:02.319
<v Speaker 1>my chance, and I take it. I leap as far

0:44:02.400 --> 0:44:05.520
<v Speaker 1>as I can grasp the hand so like quite a bit.

0:44:07.360 --> 0:44:12.319
<v Speaker 1>I hear a gasp. Remarkable for only having one leg, truly, yeah,

0:44:12.440 --> 0:44:15.239
<v Speaker 1>really pretty good jump for a one legged man. This

0:44:15.400 --> 0:44:17.720
<v Speaker 1>is where we find he's got some like moon boots

0:44:17.760 --> 0:44:25.319
<v Speaker 1>onto that. Yeah, like grappling sort of gutten type of thing,

0:44:25.480 --> 0:44:32.880
<v Speaker 1>or much like the actual left over him. He leaps

0:44:32.960 --> 0:44:36.520
<v Speaker 1>as far as he can, but literally I hear a

0:44:36.560 --> 0:44:39.120
<v Speaker 1>gasp from above, and suddenly I'm flying through the air

0:44:39.440 --> 0:44:42.040
<v Speaker 1>clear of the whale in the bright artificial light of

0:44:42.120 --> 0:44:47.440
<v Speaker 1>the office. I'm on the carpet, screaming, laughing, all at once,

0:44:47.760 --> 0:44:50.880
<v Speaker 1>covered in the whale's blood, covered in his filth, crying

0:44:51.000 --> 0:44:53.520
<v Speaker 1>for air and crying for joy. I'm alive. I got

0:44:53.640 --> 0:44:56.920
<v Speaker 1>to read the sentence again. I'm on the carpet. Comma screaming,

0:44:57.040 --> 0:45:00.440
<v Speaker 1>Comma laughing all at once, Comma covered in the whale blood,

0:45:00.600 --> 0:45:03.800
<v Speaker 1>Comma covered in his filth, Comma crying for air and

0:45:04.000 --> 0:45:09.560
<v Speaker 1>crying for joy. What a bad sentence. I'm alive. Period,

0:45:09.719 --> 0:45:15.480
<v Speaker 1>That's a complete sentence. No, Katie, you are right, and

0:45:15.560 --> 0:45:18.960
<v Speaker 1>I did it again. That's what this is for. We

0:45:19.080 --> 0:45:21.000
<v Speaker 1>can't just read all the way through. How is that

0:45:21.080 --> 0:45:24.480
<v Speaker 1>a way to enjoy this piece of art? Uh? Then

0:45:24.600 --> 0:45:27.279
<v Speaker 1>I look up into the eyes of the whale. He

0:45:27.480 --> 0:45:34.520
<v Speaker 1>sees me, his eyes widened. Kill him. Sherihspers and the

0:45:34.640 --> 0:45:43.880
<v Speaker 1>doctor turns, but he falls to his knees. Job second,

0:45:44.160 --> 0:45:48.719
<v Speaker 1>kill him, Step on him, whale, step will kill him.

0:45:48.920 --> 0:45:53.560
<v Speaker 1>He whispers, and the doctor turns. Period new paragraph. But

0:45:53.680 --> 0:45:57.719
<v Speaker 1>he falls to his knees, bleeding. I look up and

0:45:57.800 --> 0:46:02.160
<v Speaker 1>there's Jensen Giant in the light, sweating, holding a scissors.

0:46:04.800 --> 0:46:09.640
<v Speaker 1>My name is that the guy that was supposed to die?

0:46:11.040 --> 0:46:14.279
<v Speaker 1>Uh is the guy who's like on the calm, right, Okay,

0:46:14.320 --> 0:46:18.239
<v Speaker 1>I do my casting. This guy's kid Rock. Absolutely, this

0:46:18.280 --> 0:46:25.280
<v Speaker 1>is kid Rock. Uh yeah, with the my name. Okay,

0:46:26.680 --> 0:46:30.279
<v Speaker 1>to explained the thing I just did. I look up

0:46:30.320 --> 0:46:33.759
<v Speaker 1>and there's Jensen Giant in the light, sweating holding a scissors.

0:46:34.800 --> 0:46:38.279
<v Speaker 1>They're dripping blood to the blood of the doctor. Oh

0:46:38.400 --> 0:46:41.720
<v Speaker 1>my god, then we know it's the blood of the doctor.

0:46:42.000 --> 0:46:44.799
<v Speaker 1>But wait, just a point of clarification. Did he say

0:46:45.040 --> 0:46:47.520
<v Speaker 1>holding us scissors? He did, thank you. I kind of

0:46:47.560 --> 0:46:52.800
<v Speaker 1>glossed over that holding scissors, holding scissors, scissors, holding a

0:46:52.880 --> 0:46:58.600
<v Speaker 1>pair of scissors. Tiny, But that's important, nobody. Yeah, I

0:46:58.680 --> 0:47:01.359
<v Speaker 1>think in general, writing is important in a story. Yes,

0:47:01.840 --> 0:47:07.440
<v Speaker 1>I entirely agree. It's just like, it's just how like

0:47:07.520 --> 0:47:14.280
<v Speaker 1>a six year old would say it scissors. He pads

0:47:14.360 --> 0:47:17.680
<v Speaker 1>to his bedroom. His pads to his bedroom holding a scissors.

0:47:18.880 --> 0:47:23.840
<v Speaker 1>A thank you for because I thought I was putting

0:47:23.920 --> 0:47:26.960
<v Speaker 1>enough sauce on that that part to really to really

0:47:27.040 --> 0:47:29.640
<v Speaker 1>highlight I feel like, but I feel like it sort

0:47:29.640 --> 0:47:32.800
<v Speaker 1>of passed us by. Um, this is a team effort,

0:47:32.920 --> 0:47:35.320
<v Speaker 1>you know, what are the things passed us by? So

0:47:35.600 --> 0:47:39.640
<v Speaker 1>the doctor turns, he falls to his knees bleeding. I

0:47:39.800 --> 0:47:42.800
<v Speaker 1>look up and there's Jensen, giant in the light, sweating,

0:47:42.880 --> 0:47:47.120
<v Speaker 1>holding a scissors. They're dripping blood to the blood of

0:47:47.160 --> 0:47:55.439
<v Speaker 1>the doctor. Again, they're dripping bloods too. He did say

0:47:55.520 --> 0:47:59.080
<v Speaker 1>the words correctly or write them down correctly, but like

0:48:00.520 --> 0:48:04.320
<v Speaker 1>it's just it's bad. It's bad. This is this is

0:48:04.360 --> 0:48:09.200
<v Speaker 1>the this is the c W stuff where it's like, oh, oh, oh, okay,

0:48:09.320 --> 0:48:12.040
<v Speaker 1>now I get it. Now I've been explained enough to

0:48:12.200 --> 0:48:16.680
<v Speaker 1>understand this like dramatic thing you're trying to create where

0:48:16.760 --> 0:48:19.960
<v Speaker 1>we really realize Jensen has stabbed the doctor. I know

0:48:20.200 --> 0:48:23.000
<v Speaker 1>he stabbed the doctor. He doesn't explain the things he

0:48:23.200 --> 0:48:28.800
<v Speaker 1>needs to explain, and over explains the things that are obvious. Yes, anyway,

0:48:29.080 --> 0:48:36.680
<v Speaker 1>she over explained. He's she said, explaining Lee their whole

0:48:36.760 --> 0:48:39.600
<v Speaker 1>They're dripping blood the scissors or us is or is

0:48:39.760 --> 0:48:44.320
<v Speaker 1>dripping bloods the bloods of the doctor. He slumps beside me,

0:48:44.520 --> 0:48:50.720
<v Speaker 1>his dead eyes staring through me. Yeah, you know he's dead, Jensen.

0:48:51.000 --> 0:48:58.759
<v Speaker 1>I squeak. Oh sorry, I squeak camp, he says. The

0:48:58.840 --> 0:49:05.080
<v Speaker 1>whale's eyes turned to Jensen. You bastard, you betrayed me. Kemp,

0:49:05.880 --> 0:49:12.279
<v Speaker 1>whose name is Kemp his name is kemp Ah. You

0:49:12.840 --> 0:49:22.120
<v Speaker 1>you bastard. You betrayed me. No, says Jensen, you betrayed yourself. Okay.

0:49:22.480 --> 0:49:25.440
<v Speaker 1>Jensen sits down next to the whale, and the whale

0:49:25.480 --> 0:49:32.200
<v Speaker 1>bleeds period. He bleeds period. Yeah. Down by my feet.

0:49:32.320 --> 0:49:34.840
<v Speaker 1>I can see the dust mites feeding on his blood

0:49:35.200 --> 0:49:38.440
<v Speaker 1>as they do. Sure, that's what dust mites love. Also,

0:49:38.800 --> 0:49:42.160
<v Speaker 1>you can still see them, m I can see the

0:49:42.239 --> 0:49:45.520
<v Speaker 1>dust mites feeding on his blood. Dust mites are visible

0:49:45.680 --> 0:49:51.440
<v Speaker 1>easily by the naked eye. I laugh. I laughed for myself.

0:49:52.840 --> 0:49:58.240
<v Speaker 1>I laugh for Phillips, and I laugh for Amy, mostly Amy,

0:49:58.320 --> 0:50:00.920
<v Speaker 1>who has no idea where you been for three Oh? No,

0:50:01.280 --> 0:50:03.440
<v Speaker 1>oh no. I laughed for her. When she's gonna she's

0:50:03.440 --> 0:50:05.920
<v Speaker 1>gonna laugh at this story when she finds out what

0:50:06.080 --> 0:50:08.560
<v Speaker 1>I've done and why I didn't explain where I was

0:50:08.640 --> 0:50:12.759
<v Speaker 1>going and where contact or where my leg went, why

0:50:13.120 --> 0:50:17.440
<v Speaker 1>my entire body is burned. Sorry. Protagonist Amy is busy

0:50:17.520 --> 0:50:20.240
<v Speaker 1>fucking a guy who works for being there that invented

0:50:20.280 --> 0:50:24.360
<v Speaker 1>an enlargening ray, so she always knows where he is

0:50:24.360 --> 0:50:27.960
<v Speaker 1>because he's so big. He's so big, how can you disappeared?

0:50:28.040 --> 0:50:30.359
<v Speaker 1>She wanted a man who was so gigantic, she could

0:50:30.440 --> 0:50:34.080
<v Speaker 1>never not know where he was. This the sequel to this,

0:50:34.280 --> 0:50:36.960
<v Speaker 1>as he goes home and Amy hasn't been faithful and

0:50:37.040 --> 0:50:41.279
<v Speaker 1>he becomes some sort of in cell. Yeah yeah, he

0:50:41.400 --> 0:50:45.160
<v Speaker 1>like becomes an anti small game. Yeah yeah. He comes

0:50:45.200 --> 0:50:47.000
<v Speaker 1>home and Amy is living in the shoe with her

0:50:47.040 --> 0:50:53.040
<v Speaker 1>gigantic boyfriend. The tiny man got cut like but like

0:50:54.760 --> 0:50:59.759
<v Speaker 1>like if Amy did get together with like an enlarged guy,

0:51:00.400 --> 0:51:03.600
<v Speaker 1>like that would make this story just good, like I

0:51:03.640 --> 0:51:10.480
<v Speaker 1>would like every favorite an amazing Ah. Well, fingers crossed.

0:51:10.600 --> 0:51:12.360
<v Speaker 1>We still have a couple of sentences left, we do.

0:51:13.840 --> 0:51:18.600
<v Speaker 1>I laugh. I laughed for myself. I laughed for Phillips,

0:51:18.680 --> 0:51:23.160
<v Speaker 1>and I laughed for Amy. Mostly I laughed because I'm alive.

0:51:24.960 --> 0:51:35.040
<v Speaker 1>End of story. That's the conclusion. Um. So like, well,

0:51:35.080 --> 0:51:37.080
<v Speaker 1>I want to come back to like what the the

0:51:37.160 --> 0:51:41.600
<v Speaker 1>allegory was supposed to be about abortion, as he made

0:51:41.760 --> 0:51:46.680
<v Speaker 1>very clear two times within like two paragraphs and then

0:51:46.800 --> 0:51:50.640
<v Speaker 1>never again. I feel like nothing else in this story

0:51:50.880 --> 0:51:53.239
<v Speaker 1>does that. He didn't even like come back to it,

0:51:54.480 --> 0:51:57.400
<v Speaker 1>Like I guess technically the actions of like, oh, the

0:51:57.520 --> 0:52:01.600
<v Speaker 1>doctor and then like his friend the abortion doctor, right,

0:52:01.719 --> 0:52:06.200
<v Speaker 1>like that's what he's advocating for. I guess, unless do

0:52:06.280 --> 0:52:08.800
<v Speaker 1>you think that he doesn't he has to be conscious

0:52:09.320 --> 0:52:12.840
<v Speaker 1>that he was doing an abortion allegory. Oh, he definitely was.

0:52:12.960 --> 0:52:15.719
<v Speaker 1>He like there are so many uh sentences about like

0:52:15.840 --> 0:52:19.160
<v Speaker 1>choice and like it's my body, my purview. He was

0:52:19.800 --> 0:52:22.840
<v Speaker 1>very obviously an abortion, but then it wasn't. But then

0:52:22.920 --> 0:52:28.239
<v Speaker 1>it wasn't. So maybe he's just saying, um, yeah, you're

0:52:28.360 --> 0:52:32.759
<v Speaker 1>justified in killing people if they're trying to do abortions.

0:52:33.120 --> 0:52:37.000
<v Speaker 1>I don't know. I guess, yeah, sure, that's the message.

0:52:37.880 --> 0:52:42.240
<v Speaker 1>I just I guess we're giving him too much credit.

0:52:42.280 --> 0:52:46.200
<v Speaker 1>If there is a message, Well, I think the message

0:52:46.280 --> 0:52:49.200
<v Speaker 1>that people who are fans of him would get from

0:52:49.280 --> 0:52:51.240
<v Speaker 1>this if you read it was like, oh, I agree,

0:52:51.320 --> 0:52:54.440
<v Speaker 1>abortion is bad, Like that's what he like. It's so

0:52:55.080 --> 0:52:57.440
<v Speaker 1>empty and lazy that like all he needs to do

0:52:57.760 --> 0:53:01.160
<v Speaker 1>is those two sentences and then and someone like, oh, yeah,

0:53:01.200 --> 0:53:03.480
<v Speaker 1>I get it, but it's not really what you're doing.

0:53:04.560 --> 0:53:09.399
<v Speaker 1>These tech people not trustworthy. Maybe there's something I don't know. Um,

0:53:10.680 --> 0:53:13.800
<v Speaker 1>and like the idea that the law the law is

0:53:13.960 --> 0:53:16.360
<v Speaker 1>that like if you have a little guy inside you,

0:53:17.520 --> 0:53:21.440
<v Speaker 1>like some adult man shrunk down to kill your mites,

0:53:21.760 --> 0:53:24.439
<v Speaker 1>then you have the right to kill him, which again,

0:53:24.520 --> 0:53:28.000
<v Speaker 1>I feel like it's not the law unless he's again,

0:53:28.120 --> 0:53:31.640
<v Speaker 1>unless he signed a contract it said. Even then, I'm

0:53:31.680 --> 0:53:34.480
<v Speaker 1>not sure you can sign a contract to let somebody

0:53:35.239 --> 0:53:37.839
<v Speaker 1>murder you in this way. I don't know. Maybe I'm

0:53:37.880 --> 0:53:39.799
<v Speaker 1>sure you can sign a contract that like, if I die,

0:53:40.000 --> 0:53:41.719
<v Speaker 1>it's not his fault, but I don't know that it

0:53:41.719 --> 0:53:48.800
<v Speaker 1>would apply in this instance. Liability waiver, sure, but not murder,

0:53:49.160 --> 0:53:52.040
<v Speaker 1>not active murder. Yeah, I mean, I'm sure he could

0:53:52.080 --> 0:53:56.080
<v Speaker 1>hide I accidentally swallowed you and like you're gonna be

0:53:58.200 --> 0:54:04.040
<v Speaker 1>the benefit of the doubt on that m That was

0:54:04.080 --> 0:54:07.200
<v Speaker 1>a great short story that changed my feelings about all

0:54:07.239 --> 0:54:11.520
<v Speaker 1>of society. Also, I have a quick question about society.

0:54:12.200 --> 0:54:17.520
<v Speaker 1>Um how is it? No? Um? So the because the

0:54:18.760 --> 0:54:21.319
<v Speaker 1>Maybe it's just because we've stretched this out over three

0:54:21.360 --> 0:54:23.759
<v Speaker 1>different episodes. Why did the whale want to kill him

0:54:23.800 --> 0:54:26.279
<v Speaker 1>once he was inside him? Um? Oh, because he'd seen

0:54:26.360 --> 0:54:28.759
<v Speaker 1>that the whale had cancer and was going to die

0:54:29.000 --> 0:54:32.440
<v Speaker 1>and could tell people and that would be bad for that.

0:54:34.320 --> 0:54:38.120
<v Speaker 1>Wait and why Yeah, that's that's why the way I

0:54:38.160 --> 0:54:40.120
<v Speaker 1>wanted to get him. You know, part of the reason

0:54:40.200 --> 0:54:43.200
<v Speaker 1>why you forgot Cody is because it didn't get mentioned

0:54:43.200 --> 0:54:48.439
<v Speaker 1>ever again. Ever, again, and you would speak, You would

0:54:48.520 --> 0:54:52.520
<v Speaker 1>think that that would factor in somehow, in some way,

0:54:53.600 --> 0:55:00.320
<v Speaker 1>body invented shrinking technology, business will be fine. But he

0:55:00.520 --> 0:55:06.920
<v Speaker 1>only uses it to have tiny men fight, never monet down.

0:55:08.920 --> 0:55:12.080
<v Speaker 1>Like it's like it's like sometimes as an artist, you

0:55:12.200 --> 0:55:14.840
<v Speaker 1>write something, or you you put together a song or whatever,

0:55:14.960 --> 0:55:17.600
<v Speaker 1>and you you just you don't want to sell it.

0:55:17.960 --> 0:55:19.520
<v Speaker 1>You just want to put it out there because you

0:55:19.560 --> 0:55:21.320
<v Speaker 1>didn't make it for the money, and you want just

0:55:21.440 --> 0:55:26.200
<v Speaker 1>one thing that's pure and disconnected from capitalism. That's shrinking technology.

0:55:26.280 --> 0:55:31.080
<v Speaker 1>For this billionaire, we all have our things I'd forgotten

0:55:31.200 --> 0:55:38.040
<v Speaker 1>that is so fucking stupid. Stop him from ruining his

0:55:38.200 --> 0:55:42.520
<v Speaker 1>company's stocks or something right, stop him from ruining his

0:55:42.600 --> 0:55:47.960
<v Speaker 1>company's stocks by like revealing information that like his technology

0:55:48.040 --> 0:55:51.200
<v Speaker 1>can fix. But also like if you just got him out,

0:55:52.000 --> 0:55:56.239
<v Speaker 1>he wouldn't like be trying to ruin your life. They

0:55:56.360 --> 0:55:59.319
<v Speaker 1>saved him and didn't try to kill him. Be like, man,

0:55:59.400 --> 0:56:01.359
<v Speaker 1>can we not talk about what you saw? I'm really

0:56:01.360 --> 0:56:04.759
<v Speaker 1>struggling to deal with my cancer diagnosis. Of course, of

0:56:04.880 --> 0:56:09.960
<v Speaker 1>course you saved my life. Also as like your employee

0:56:10.280 --> 0:56:13.239
<v Speaker 1>money suggests using this amazing shrinking technology to shrink the

0:56:13.280 --> 0:56:16.200
<v Speaker 1>tumor down to nothing. But yeah, maybe we could use

0:56:16.280 --> 0:56:22.759
<v Speaker 1>this miracle technology you invented to stop this, Like, don't

0:56:22.800 --> 0:56:24.759
<v Speaker 1>even you have, like, don't even tell anybody that you

0:56:24.840 --> 0:56:26.239
<v Speaker 1>used it for that if you don't want to use

0:56:26.360 --> 0:56:28.200
<v Speaker 1>like obviously you should, but like you can keep it

0:56:28.239 --> 0:56:31.480
<v Speaker 1>to yourself. Man. Also speaking of keeping things to yourself,

0:56:31.960 --> 0:56:35.160
<v Speaker 1>So maybe this guy signed a contract that said, if

0:56:35.200 --> 0:56:37.040
<v Speaker 1>I get stuck in your stomach, you can kill me.

0:56:37.800 --> 0:56:42.759
<v Speaker 1>But almost definitely if you have tiny humans in your

0:56:42.840 --> 0:56:46.399
<v Speaker 1>office killing the mites for years, because there's no other

0:56:46.440 --> 0:56:50.360
<v Speaker 1>way to kill the mites. If you have that, you

0:56:50.560 --> 0:56:54.040
<v Speaker 1>definitely have them. Like sign an n d A for

0:56:54.160 --> 0:56:57.960
<v Speaker 1>this exact reason. Yeah, the first time you overheard a

0:56:58.040 --> 0:57:01.680
<v Speaker 1>phone call in all your being a tiny guy in

0:57:01.840 --> 0:57:06.480
<v Speaker 1>this guy's office like this the last minute, I finally

0:57:06.520 --> 0:57:09.439
<v Speaker 1>heard a phone call, and I'm gonna tell everybody because

0:57:09.480 --> 0:57:13.120
<v Speaker 1>I didn't sign an n d A, which is utter nonsense. Um.

0:57:13.640 --> 0:57:20.840
<v Speaker 1>Bad job, Ben, bad job, no benefit of the doubt. Um.

0:57:21.240 --> 0:57:25.240
<v Speaker 1>So we're at the time. I guess that's that's all

0:57:25.280 --> 0:57:30.200
<v Speaker 1>we need. There is one more short story left and

0:57:30.760 --> 0:57:35.600
<v Speaker 1>before we go for listeners for you all, I think

0:57:35.680 --> 0:57:38.320
<v Speaker 1>we can play a little game a quick guess of

0:57:38.440 --> 0:57:41.320
<v Speaker 1>what you think this is called. Keep in mind, this

0:57:41.480 --> 0:57:45.240
<v Speaker 1>is a Ben Shapiro short story that is a very

0:57:45.520 --> 0:57:50.720
<v Speaker 1>poorly veiled allegory for something about how like I don't

0:57:50.720 --> 0:57:54.160
<v Speaker 1>know equality is wrong or fairness is whatever it is.

0:57:54.760 --> 0:57:58.200
<v Speaker 1>This one was I believe, sorry me, I believe this

0:57:58.360 --> 0:58:01.240
<v Speaker 1>was called in the in the Depths or something or

0:58:01.280 --> 0:58:03.840
<v Speaker 1>like in the whole. Yeah, it's from the Jonah and

0:58:03.960 --> 0:58:07.600
<v Speaker 1>the Whale. But I was gonna say it's real meaning,

0:58:07.840 --> 0:58:11.560
<v Speaker 1>like actual message again Jonah and want to read it. Yes,

0:58:11.720 --> 0:58:13.920
<v Speaker 1>I'm aware he had a message. He just did not

0:58:14.160 --> 0:58:17.640
<v Speaker 1>succeed in getting it across to absolutely obviously has a message.

0:58:17.640 --> 0:58:21.160
<v Speaker 1>It's bad, it's just incompetent. Mean when we say that

0:58:21.600 --> 0:58:24.040
<v Speaker 1>is that there's no actual message because of how badly

0:58:24.120 --> 0:58:31.600
<v Speaker 1>he wrote the episode. Complete nonsense. Yeah, and fair sex.

0:58:32.120 --> 0:58:36.080
<v Speaker 1>Oh interesting? Um, I guess I'm excited for Amy to

0:58:36.240 --> 0:58:39.560
<v Speaker 1>realize where her lover has been for three years. I

0:58:39.600 --> 0:58:41.480
<v Speaker 1>don't think she cares. She's got that big guy. She's

0:58:41.520 --> 0:58:45.640
<v Speaker 1>dating that giant guy. She got the enlargening array inventor

0:58:46.280 --> 0:58:50.520
<v Speaker 1>who weirdly makes tumors bigger. Yeah, it makes them so

0:58:50.640 --> 0:58:53.320
<v Speaker 1>big they can't hurt you. Yeah, you just live inside

0:58:53.360 --> 0:58:55.480
<v Speaker 1>your tumor. You get a free flesh house. That's the

0:58:55.560 --> 0:59:01.520
<v Speaker 1>trips um an answer to the housing crisis. Really, yeah, Robert,

0:59:01.600 --> 0:59:04.800
<v Speaker 1>what's your guest for the next chapter. I clearly guessed wrong.

0:59:05.560 --> 0:59:09.280
<v Speaker 1>That's the title of the story. Yeah, we're guessing um

0:59:10.320 --> 0:59:16.200
<v Speaker 1>why liberals um are bad. You're both wrong, but you're

0:59:16.240 --> 0:59:19.920
<v Speaker 1>both very close. Uh. The next one, and I cannot

0:59:19.960 --> 0:59:25.960
<v Speaker 1>wait to read this is called utopia. Oh my god. Okay,

0:59:27.400 --> 0:59:30.400
<v Speaker 1>a little nauseous because it's been I'm gonna guess it's

0:59:30.480 --> 0:59:34.360
<v Speaker 1>like some sort of leftist utopia that is uh nine

0:59:34.960 --> 0:59:38.160
<v Speaker 1>four but written by an idiot. I guarantee that that's

0:59:38.240 --> 0:59:44.080
<v Speaker 1>what it is. Okay, I'm very excited. I'm extremely excited dystopia.

0:59:44.160 --> 0:59:46.840
<v Speaker 1>In fact, I'm so excited for this I am going

0:59:47.000 --> 0:59:50.959
<v Speaker 1>to read the first sentence of this story out loud.

0:59:51.040 --> 0:59:53.960
<v Speaker 1>Oh Cody, what an embarrassment of riches for our listeners.

0:59:54.080 --> 0:59:58.440
<v Speaker 1>Oh my gosh, you are so lucky, you greedy listener.

0:59:58.640 --> 1:00:01.160
<v Speaker 1>Whip your dicks out, listening. Is it's time for happy,

1:00:02.080 --> 1:00:05.760
<v Speaker 1>It's time for the mites to come all right, in

1:00:05.920 --> 1:00:11.000
<v Speaker 1>all caps, it's a quotation in all caps, all men

1:00:11.120 --> 1:00:21.280
<v Speaker 1>are created equal, excellent fantastic. Yeah, yeah, Oh my god, utopia,

1:00:21.800 --> 1:00:25.120
<v Speaker 1>that's what I likes to hear. Well, we're all gonna

1:00:25.200 --> 1:00:28.320
<v Speaker 1>wait with bated breath for this next installment. This has

1:00:28.360 --> 1:00:34.479
<v Speaker 1>been a delight, the most excited I have of course.

1:00:36.960 --> 1:00:40.400
<v Speaker 1>All Right, all right, we'll be back next week. Check

1:00:40.480 --> 1:00:46.360
<v Speaker 1>us out, check in next week, Brohems and other teams. Oh,

1:00:46.640 --> 1:00:49.960
<v Speaker 1>there's so many words that he's capitalized for no reason.

1:00:55.000 --> 1:01:04.000
<v Speaker 1>Every Daniel Worst Year Ever is a production of I

1:01:04.160 --> 1:01:07.040
<v Speaker 1>Heart Radio. For more podcasts from my heart Radio, visit

1:01:07.080 --> 1:01:09.880
<v Speaker 1>the i heart Radio app, Apple Podcasts, or wherever you

1:01:09.960 --> 1:01:11.160
<v Speaker 1>listen to your favorite shows.