WEBVTT - Amnesia (Part 3)

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<v Speaker 1>Solve Presents Amnesia, Part three. Okay, it's okay. Deep breaths,

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<v Speaker 1>come on, deep breath in, deep breath out. I'm sorry, Cass.

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<v Speaker 1>Maybe that was too much, too soon. I can't be right,

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<v Speaker 1>can it? I killed the reporter? No? No way, No,

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<v Speaker 1>you must not be remembering correctly. Everything's all scrambled up there,

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<v Speaker 1>the poor thing? You still like tea? I suppose I'll

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<v Speaker 1>put on a pot. Thanks, Alice. That hypnosis gave me

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<v Speaker 1>a headache. Yeah, I can do that. Do you have

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<v Speaker 1>any aspirin? Yeah? I think there's some in that side table.

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<v Speaker 1>What the hell? What are you doing with a gun? Alice? Wow?

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<v Speaker 1>What your vibrations are so high? That's good, that's very good.

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<v Speaker 1>You're a natural, Alice. I look at you, and do

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<v Speaker 1>you know what I see? No? What a star. If

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<v Speaker 1>you use our system to harness this power, there is

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<v Speaker 1>nothing you can't accomplish. That sounds really cool. What do

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<v Speaker 1>I have to do? Well, we know how high you

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<v Speaker 1>can vibrate, but now we need to know how low

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<v Speaker 1>you can go, what your floor is. It's how we

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<v Speaker 1>established the baseline. Okay, how do we do at recall

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<v Speaker 1>a low moment in your life? Oh? How could I

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<v Speaker 1>even pick. You have difficult memories, embarrassing ones, humiliating, actually

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<v Speaker 1>things that I never told anyone before. It's okay, Ellis,

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<v Speaker 1>you're safe here. I am a doctor, so there are

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<v Speaker 1>confidentiality rules. Now, what did you do? Ellis? What the

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<v Speaker 1>fuck you know? I think that hypnosis not something loose.

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<v Speaker 1>Things are starting to come back to me. Well that's great,

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<v Speaker 1>like what when to usc apparently, because that's good to know?

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<v Speaker 1>Like this, this feels familiar. We were roommates in college.

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<v Speaker 1>That's right. Wow, yeah, yeah, we we used to stay

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<v Speaker 1>up all night talking in the kitchen. Imagine how much

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<v Speaker 1>better our grades would have been at Berkeley if we

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<v Speaker 1>actually got some sleep. You were always so smart, chast

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<v Speaker 1>I don't think it affected you at all. A t Alice,

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<v Speaker 1>how did you know how to get to the commune?

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<v Speaker 1>I saw on my way out of there. It's pretty

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<v Speaker 1>well hidden unless you know where you're going. I I,

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<v Speaker 1>who are you? Alice? WHOA put the gun down? You're

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<v Speaker 1>with them with the institute. Okay, listen, I was with

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<v Speaker 1>the institute. You. I recruited you. I remember I never

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<v Speaker 1>met you before that. You told me I pay you

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<v Speaker 1>for the system for all these conferences, and I'd have

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<v Speaker 1>more money than I ever dreamed of. All I had

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<v Speaker 1>to do was get five friends to join. You just

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<v Speaker 1>kept up selling me, telling me I had to buy

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<v Speaker 1>into the next level of the system to learn how

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<v Speaker 1>to vibrate at higher frequencies. Five friends became ten. I

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<v Speaker 1>couldn't keep up. I lost everything, And when I couldn't

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<v Speaker 1>afford to go to conferences anymore, you called me weak,

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<v Speaker 1>problematic individual. You couldn't report us. We had your money

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<v Speaker 1>and your secrets. You were helpless until did that reporter

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<v Speaker 1>reach out to you. He somehow got my name. He

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<v Speaker 1>knew about the recordings, so you killed him to stop

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<v Speaker 1>your secrets from getting out. I wasn't even there. You're

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<v Speaker 1>still lying. Why else would you go looking for me? Huh?

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<v Speaker 1>Why do you have this gun to protect myself in

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<v Speaker 1>case Beckett's guys came here, which they did. They asked

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<v Speaker 1>me if i'd seen you, asked about the recordings, and

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<v Speaker 1>then I saw your face on the news and they

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<v Speaker 1>said you might be experiencing memory loss. I thought I

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<v Speaker 1>could get you to give the recordings to me. Now, No,

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<v Speaker 1>you were there. You were the one who came up

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<v Speaker 1>behind me in the garage. You shot the reporter, not me, Cassandra,

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<v Speaker 1>you're the one with the gun in your hand. Hello, Miles, Hey, hey,

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<v Speaker 1>and you were giving me shit about locking up. I'm

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<v Speaker 1>not staying. I just came to tell you I'm alive,

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<v Speaker 1>and now I'm leaving. Where are you going? Does it matter?

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<v Speaker 1>Anywhere I go? I take myself with me, And the

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<v Speaker 1>more I learned about myself, the more I sound like

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<v Speaker 1>a ship travel companion. What did Alice say? A lot

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<v Speaker 1>of things? Impossible to know how much of it was true.

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<v Speaker 1>She was lying to me, pretending to be my friend.

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<v Speaker 1>But I don't have any real friends. Everyone could be

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<v Speaker 1>lying to me for all I know, even you. Maybe

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<v Speaker 1>you're not who you say you are. Your mother didn't

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<v Speaker 1>have Alzheimer's. You were just saying how I was the

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<v Speaker 1>only person you can trust. I can't trust anyone, not

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<v Speaker 1>even myself, Miles. I killed that reporter. I shot him.

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<v Speaker 1>It was me. No, you didn't, Rainbow. She came looking

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<v Speaker 1>for you. Guess you get a friend after all. On

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<v Speaker 1>the house. Thanks, Rainbow. I need your help. I need

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<v Speaker 1>your help remembering. Okay, I know you were in that

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<v Speaker 1>cult with me. I know you know what happened that night.

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<v Speaker 1>You said not to say anything. Listen, I am not

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<v Speaker 1>working for Beckett. I am asking you to trust me.

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<v Speaker 1>What is this flash drive? It's Pendora's box. Miles, got

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<v Speaker 1>a computer, got my laptop right here. There are tons

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<v Speaker 1>of folders here, People's names, it looks like audiophiles inside.

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<v Speaker 1>Oh these are the recordings? Rainbow. Did I give this

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<v Speaker 1>to you before you went to meet Daniel at the garage? Daniel,

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<v Speaker 1>that's the reporter you said lots of powerful people are

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<v Speaker 1>on there, that they kill fort and that I shouldn't

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<v Speaker 1>give it to anyone but Daniel, not even you. Oh

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<v Speaker 1>but now he's dead and you're here, and I don't

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<v Speaker 1>know if I'm doing the right thing. No, Rainbow, Rainbow,

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<v Speaker 1>stop hitting yourself. You're doing the right thing here, Okay,

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<v Speaker 1>I promise Miles, you realize what this means. I wasn't

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<v Speaker 1>there to kill Daniel. I was working with him. I

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<v Speaker 1>was the one who was going to expose Beckett, and

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<v Speaker 1>I was going to use that drive to do it.

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<v Speaker 1>So anyone whose name was that drive would have a

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<v Speaker 1>reason to stop you. How many confessions you get on there? Thousands?

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<v Speaker 1>Hey wait a minute here here, I am Cassandral Loomis

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<v Speaker 1>three years ago. Are you sure you want to listen

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<v Speaker 1>to that? I've been trying to figure out who I am.

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<v Speaker 1>So far the only thing people can tell me about

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<v Speaker 1>myself is that I was one of Beckett's followers. I

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<v Speaker 1>want to know who I was before I joined. Recall

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<v Speaker 1>a low moment in your life, one a little bit negative,

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<v Speaker 1>and well that's easy. Six months ago, I was in

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<v Speaker 1>a car accident. Yes, keep going. I was driving, my

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<v Speaker 1>sister was in the passenger seat, and it was a

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<v Speaker 1>drunk driver crossed three lanes to hit us. The car rolled.

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<v Speaker 1>Was everyone okay? Drunk driver walked away without a scratch. Um.

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<v Speaker 1>I had a concussion lacerations from the broken glass. But

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<v Speaker 1>my sister, sheia, she died, And I don't know. Maybe

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<v Speaker 1>had I seen the car earlier or swerved in a

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<v Speaker 1>different direction than maybe loss. It's difficult. Grief is difficult.

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<v Speaker 1>It is low frequency vibration in its purest form. What

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<v Speaker 1>would your sister want for you? Would she want you

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<v Speaker 1>to be successful, for all of your dreams to come true? Yeah? Yeah,

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<v Speaker 1>I think so. Then you've come to the right place.

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<v Speaker 1>Was that true? Yep, my sister Amy, I remember praying

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<v Speaker 1>on people at the lowest moments. That's what these people do.

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<v Speaker 1>I stayed under his spell for three years. I've got

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<v Speaker 1>to take some responsibility for that. But what changed for

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<v Speaker 1>me Ramo, my sister and I lived on the compound.

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<v Speaker 1>My sister Britt it was nice not to have to

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<v Speaker 1>worry about anything other than just feeling good. But one

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<v Speaker 1>day back it gave her some really bad ship. I

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<v Speaker 1>don't know where he got it, and uh, that's what

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<v Speaker 1>it was. I knew what it was like to lose

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<v Speaker 1>a sister. Oh fuck, I remember after that. It was

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<v Speaker 1>like waking up from a really long nightmare. I got

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<v Speaker 1>Rainbow out of there. I downloaded the files off back

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<v Speaker 1>it's computer. God, it's all coming back to me. Can

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<v Speaker 1>you remember what happened a few nights ago in the garage? Okay, yeah, yeah,

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<v Speaker 1>let me think I remember. I remember walking down the garage. Hey,

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<v Speaker 1>what's wrong? I think I might have been followed someone

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<v Speaker 1>from the institute. Yeah, I think Beckett knows, which means

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<v Speaker 1>I've been deemed a problematic individual, which means I could

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<v Speaker 1>be dead soon. Then let's go to the police that

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<v Speaker 1>it has followers on the force. If you publish this article,

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<v Speaker 1>nobody will be able to stop it. Not even the police. Okay, fine,

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<v Speaker 1>but look, I'm going to email you a contact of

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<v Speaker 1>mine at the FBI. There's no way that he's a follower.

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<v Speaker 1>He's helped some of my sources get into witness protection. Thanks.

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<v Speaker 1>But I planned to disappear after this anyway. All right,

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<v Speaker 1>that's your choice. Do you have the drive? It's someplace safe.

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<v Speaker 1>I want some assurances first. Then there was a noise

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<v Speaker 1>behind me. Someone was there listening the whole time. Who

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<v Speaker 1>was it? Is your laptop hooked up to WiFi? Yeah,

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<v Speaker 1>because I just remembered my email password. This, Detective Knox

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<v Speaker 1>is going to be much longer. Hey, get over here.

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<v Speaker 1>After I lost you at the conference center, I thought

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<v Speaker 1>you'd be in Mexico by now. Not yet. Are you

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<v Speaker 1>here to turn yourself in? Not exactly. Listen that Beckett Institute,

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<v Speaker 1>it's this huge pyramid scheme and cult, screwing people out

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<v Speaker 1>of their savings, trafficking drugs. What does that have to

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<v Speaker 1>do with you. I was a member. I tried bringing

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<v Speaker 1>them down once before, and I'm going to do it again.

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<v Speaker 1>I was given a contact at the FBI. Woo, FBI. Look,

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<v Speaker 1>this is a homicide investigation. If you shall anything that

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<v Speaker 1>proves criminal activity in this cult, I'll be the one

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<v Speaker 1>to move it up the proper channels. Come on, I

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<v Speaker 1>got a book here, I've got your proof right here,

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<v Speaker 1>flash drive. What's on that secret recordings? Proof of Beckett's

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<v Speaker 1>blackmail scheme? Your victim, the reporter he was after this?

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<v Speaker 1>Beckett made sure he didn't get it. Let me see it,

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<v Speaker 1>all right, I'll get this in the right hands. But

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<v Speaker 1>unless there's anything on here that exonerates you, I'm not

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<v Speaker 1>sure there's anything else I can do for you. I

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<v Speaker 1>have an idea how we can use that drive to

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<v Speaker 1>get a confession out of the real killer. I made copies.

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<v Speaker 1>I'm going to tell Beckett that if he doesn't admit

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<v Speaker 1>to being behind the murder, the real story behind the

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<v Speaker 1>institute will go out to every newspaper in the country.

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<v Speaker 1>I need you to take me there. And why would

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<v Speaker 1>I do that to witness the confession. You're plain clothes,

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<v Speaker 1>who won't know who you are. I don't know if

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<v Speaker 1>this is such a good idea. Look, you want to

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<v Speaker 1>catch the killer, don't you. I'll show you who it is. Sandra,

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<v Speaker 1>you've come home and who might this be? A friend? Well?

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<v Speaker 1>Thank you so much for returning our Cassandra, I'm not

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<v Speaker 1>back back it. I'm here to tell you that I

0:14:17.800 --> 0:14:23.280
<v Speaker 1>know you're behind the reporter's murder. Take your pad. I'm sorry,

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<v Speaker 1>Cassandra here, I sustained a bit of a head injury

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<v Speaker 1>and is confused. She's not the only one. You wanted

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<v Speaker 1>him dead because you knew I was going to him

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<v Speaker 1>with a story, and then I was going to give

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<v Speaker 1>him this flash drive, all of your secret recordings. Make

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<v Speaker 1>sure that anyone deemed a problematic individual doesn't do what

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<v Speaker 1>I did. Try to expose you. So your memory is returning.

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<v Speaker 1>It may not be all the way back, but I

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<v Speaker 1>remember enough, and I remember what happened that night. Cassandra.

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<v Speaker 1>I'm not sure what you're accusing me off, but I

0:15:09.560 --> 0:15:12.640
<v Speaker 1>can swear to you I didn't kill anyone. Oh, I

0:15:12.720 --> 0:15:17.000
<v Speaker 1>know you didn't, But you gave the order to whom

0:15:17.200 --> 0:15:21.440
<v Speaker 1>detective knocks. What are you doing? Didn't we agree? I'm undercover. No,

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<v Speaker 1>I'm saying you did it? What, sir? I'm sorry for

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<v Speaker 1>wasting your time. Come on, let's go. I didn't recognize you,

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<v Speaker 1>you know. It wasn't until I remembered my conversation with

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<v Speaker 1>Daniel in the garage then let's go to the police.

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<v Speaker 1>Beck it has followers on the force. And then there

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<v Speaker 1>was that sound behind me. As soon as I heard it,

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<v Speaker 1>I knew who it was. All right, that's your choice.

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<v Speaker 1>Do you have the drive it's someplace safe. I want

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<v Speaker 1>some assurances first, it was your car, your siren knocks.

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<v Speaker 1>Don't hurt This is all on me. I'm not going

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<v Speaker 1>to hurt anyone here. You can even have my gun

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<v Speaker 1>if it'll make you feel safer. I'm not touching that.

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<v Speaker 1>Come on, it's easy. You just take it into your

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<v Speaker 1>hand like so and pointed at your target. We don't

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<v Speaker 1>to me what a situation we have here. This man's

0:16:21.680 --> 0:16:23.720
<v Speaker 1>been shot in your finger. Cunts are all over the gun.

0:16:24.640 --> 0:16:27.080
<v Speaker 1>I have my service weapon right here, so that must

0:16:27.120 --> 0:16:33.040
<v Speaker 1>be yours. You can't do this, he calmed down. I

0:16:33.080 --> 0:16:36.200
<v Speaker 1>can make all this go awing. Just give me the

0:16:36.240 --> 0:16:39.280
<v Speaker 1>recordings and come back with me to the compound. Back.

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<v Speaker 1>It is very forgiving. Yeah, don't make this any works.

0:16:45.160 --> 0:16:57.440
<v Speaker 1>Yeah stop stop ship. Yes, yeah, you got messy. Did

0:16:57.440 --> 0:17:00.560
<v Speaker 1>you give you the recordings? She didn't have monor listen.

0:17:00.600 --> 0:17:02.920
<v Speaker 1>I just kind of sent her head into her parking column. Here,

0:17:03.560 --> 0:17:07.120
<v Speaker 1>she's out cold, bleeding, pretty bad, I say we leave her.

0:17:07.680 --> 0:17:11.119
<v Speaker 1>I can make this work, no padiot. As long as

0:17:11.160 --> 0:17:14.359
<v Speaker 1>she has her recordings, she must live. Get her to

0:17:14.440 --> 0:17:17.720
<v Speaker 1>a hospital at once, and make sure you're there when

0:17:17.760 --> 0:17:20.360
<v Speaker 1>she wakes up. We have to find out where she's

0:17:20.440 --> 0:17:28.800
<v Speaker 1>hid in them as soon as possible. So detected Knox.

0:17:29.920 --> 0:17:34.400
<v Speaker 1>Given Cassandra's recollection of events, and given we now had

0:17:34.480 --> 0:17:38.960
<v Speaker 1>the drive, why haven't you disposed of her? She says

0:17:39.000 --> 0:17:41.639
<v Speaker 1>she has copies and that she send them out to

0:17:41.680 --> 0:17:45.320
<v Speaker 1>the media if you don't confess, Is that your plan, Cassandra?

0:17:45.840 --> 0:17:49.560
<v Speaker 1>After all I've done for you? You mean, after all

0:17:49.640 --> 0:17:55.840
<v Speaker 1>you've taken from me? Fine, I asked Knox to quash

0:17:55.880 --> 0:18:00.760
<v Speaker 1>the story by any means necessary. But Cassandra, I never

0:18:00.840 --> 0:18:03.000
<v Speaker 1>asked for you to be hurt. I wanted to bring

0:18:03.040 --> 0:18:06.240
<v Speaker 1>you home unharmed. You shouldn't have fought with me. So

0:18:06.320 --> 0:18:10.359
<v Speaker 1>now that's our cards on the table. How about yours?

0:18:10.880 --> 0:18:14.880
<v Speaker 1>Where are the copies? Oh, there aren't any copies? What

0:18:15.520 --> 0:18:18.480
<v Speaker 1>there's only one? And what you're holding in your hand

0:18:18.520 --> 0:18:21.480
<v Speaker 1>isn't even it. That's just a spare drive. My friend

0:18:21.480 --> 0:18:28.159
<v Speaker 1>Miles head lying around, but he's knocks. I'll get yours. No,

0:18:28.920 --> 0:18:34.640
<v Speaker 1>it's the Fed. How did the check her? But she's

0:18:34.640 --> 0:18:37.199
<v Speaker 1>wearing a wire. You're the one who taught me how

0:18:37.240 --> 0:18:41.000
<v Speaker 1>to record people without their permission? Backett, what is the

0:18:41.119 --> 0:18:47.159
<v Speaker 1>point of wars redemption? This doesn't erase your role in

0:18:47.240 --> 0:18:52.280
<v Speaker 1>the institute. None of this changes what you've done. You're right,

0:18:53.400 --> 0:19:05.359
<v Speaker 1>I don't Table three. Wasn't sure i'd ever see you

0:19:05.400 --> 0:19:08.879
<v Speaker 1>in here again. Yeah, it's been a crazy few weeks.

0:19:09.520 --> 0:19:12.080
<v Speaker 1>I've been following it on the news. Does this mean

0:19:12.080 --> 0:19:15.439
<v Speaker 1>you've got your memory back? Still piecing it together? It

0:19:15.520 --> 0:19:18.719
<v Speaker 1>comes in flashes. The neurologists they set me up with,

0:19:18.760 --> 0:19:21.040
<v Speaker 1>says it will take a while. Where does this leave you?

0:19:21.040 --> 0:19:24.439
<v Speaker 1>With the law clear of the murder, not of my

0:19:24.560 --> 0:19:27.639
<v Speaker 1>role in recruiting for a pyramid scheme? What does that

0:19:27.680 --> 0:19:31.440
<v Speaker 1>mean jail time? Well as a cooperating witness. They're willing

0:19:31.440 --> 0:19:36.399
<v Speaker 1>to drop the felony charges, probably looking at probation. Well

0:19:36.440 --> 0:19:38.920
<v Speaker 1>that's the best case scenario, right, So what are you

0:19:38.960 --> 0:19:42.040
<v Speaker 1>gonna do now? Amnesia or not? I spent the past

0:19:42.119 --> 0:19:45.679
<v Speaker 1>three years isolated from the real world. Pretty much have

0:19:45.760 --> 0:19:50.040
<v Speaker 1>to start over. I don't suppose you could use an

0:19:50.040 --> 0:19:55.680
<v Speaker 1>extra pair of hands around here. I don't know, Rainbow

0:19:58.119 --> 0:20:01.919
<v Speaker 1>what do you think should be irakasan drum? Fine? Just

0:20:02.280 --> 0:20:06.440
<v Speaker 1>you can't wash the dishes. That's my job, Rainbow? When

0:20:06.480 --> 0:20:09.239
<v Speaker 1>did this happen? When I realized you can clean an

0:20:09.320 --> 0:20:11.840
<v Speaker 1>entire night's worth of dishes in ten minutes. Girls got

0:20:11.920 --> 0:20:16.600
<v Speaker 1>unlimited reserves of energy. I could use some help out

0:20:16.640 --> 0:20:18.480
<v Speaker 1>here on the floor. What do you think about a

0:20:18.480 --> 0:20:23.400
<v Speaker 1>serving Jop? I think if I'm going to work here,

0:20:23.840 --> 0:20:27.120
<v Speaker 1>I should probably try the food first. I am starving.

0:20:27.920 --> 0:20:30.560
<v Speaker 1>You've got it. Here's a menu. What do you like?

0:20:31.920 --> 0:21:02.760
<v Speaker 1>M hmm, that's a very good question. Cassandra Loomis was

0:21:02.800 --> 0:21:08.280
<v Speaker 1>played by Katie McClellan. Detective Knox by Darren Cooper, Beckett,

0:21:08.359 --> 0:21:14.000
<v Speaker 1>DuPont by Francois k Terry, Rainbow by Brianna Kennedy, Miles

0:21:14.040 --> 0:21:18.359
<v Speaker 1>by Chris Gardner, Alice by Laura Face Smith, Tilly by

0:21:18.480 --> 0:21:23.439
<v Speaker 1>Natalie Holp McDonald, Daniel by Frank Capello. This episode of

0:21:23.440 --> 0:21:27.160
<v Speaker 1>Solve was written and directed by Corey Surge. Story by

0:21:27.200 --> 0:21:32.199
<v Speaker 1>Corey Surge and Peter Barnes. Directed by Corey Surge Executive

0:21:32.200 --> 0:21:36.359
<v Speaker 1>produced by Corey Surge, Executive produced by Walt Palmer and

0:21:36.400 --> 0:21:42.040
<v Speaker 1>Sterling Barnett. Casting by Daisy Laura. Audio production and post

0:21:42.040 --> 0:21:47.480
<v Speaker 1>production by Salt Audio production manager Liz Lamay, Recording engineers

0:21:47.560 --> 0:21:51.280
<v Speaker 1>Hope Brush and John Schmidt. Original music and score by

0:21:51.359 --> 0:21:57.040
<v Speaker 1>Nathan Turchon, edited and mixed by Zach Jurich, Assistant editor

0:21:57.280 --> 0:22:02.959
<v Speaker 1>Hope Brush. Sound designed by Jasper van Dyke, Script supervisor

0:22:03.040 --> 0:22:11.560
<v Speaker 1>Marilyn Miller, h