1 00:00:09,000 --> 00:00:15,760 Speaker 1: I invited you here, thought I made myself perfectly clear. 2 00:00:17,040 --> 00:00:22,160 Speaker 1: But you're a guess to my home. You gotta come 3 00:00:22,200 --> 00:00:24,080 Speaker 1: to me empty, And. 4 00:00:25,560 --> 00:00:27,240 Speaker 2: I said, no guests. 5 00:00:27,560 --> 00:00:34,320 Speaker 1: Your presences presents enough. I already had too much stuff, 6 00:00:35,120 --> 00:00:38,240 Speaker 1: So how did you dad to surbey me? 7 00:00:49,440 --> 00:00:53,880 Speaker 3: Very quickly? The live show sold out. It's June twenty sixth. 8 00:00:53,880 --> 00:00:55,680 Speaker 3: If you still want to watch it, you can buy 9 00:00:55,800 --> 00:00:59,480 Speaker 3: a livestream at Dynasty typewriter dot com. And so you know, 10 00:00:59,520 --> 00:01:02,160 Speaker 3: if you you know, failed to buy a ticket, or 11 00:01:02,200 --> 00:01:05,200 Speaker 3: if your plane is canceled because of a blizzard or something, 12 00:01:05,520 --> 00:01:09,200 Speaker 3: you can still watch it on the internet Dynasty typewriter 13 00:01:09,400 --> 00:01:15,440 Speaker 3: dot com. Okay, now, podcast, welcome to I said no gifts. 14 00:01:15,440 --> 00:01:21,000 Speaker 3: I'm Bridger Wineger. We're in the backyard. Night is falling. 15 00:01:22,200 --> 00:01:27,200 Speaker 3: I took the rarely successful six point fifteen nap and 16 00:01:27,280 --> 00:01:31,679 Speaker 3: it worked out. I feel okay. The dishwasher is broken 17 00:01:31,720 --> 00:01:37,520 Speaker 3: beyond repair, but I do have I did get enough 18 00:01:37,640 --> 00:01:40,840 Speaker 3: points for a free chicken sandwich. So you know, when 19 00:01:40,840 --> 00:01:43,160 Speaker 3: you reach those highs, you have to accept some of 20 00:01:43,200 --> 00:01:46,679 Speaker 3: these lows, and everything kind of evens out into kind 21 00:01:46,720 --> 00:01:50,960 Speaker 3: of a dull, muted numbness. And that's fine. Let's get 22 00:01:51,000 --> 00:01:53,920 Speaker 3: into the podcast. I adore today's guest. I think they're 23 00:01:53,960 --> 00:01:58,200 Speaker 3: so fantastic. It's Erfi Master. Welcome to I said no gifts. 24 00:01:58,200 --> 00:02:02,480 Speaker 2: Hello. Oh, I'm so excited to be hearing your beautiful backyard. 25 00:02:02,600 --> 00:02:04,560 Speaker 3: I'm so thrilled to have you. And apparently you live 26 00:02:04,640 --> 00:02:07,600 Speaker 3: pretty nearby. We're neighbors. I can walk to you and 27 00:02:07,640 --> 00:02:08,800 Speaker 3: you're going to all the time. 28 00:02:08,919 --> 00:02:12,639 Speaker 2: Yeah, and I've been walking to you saying please put 29 00:02:12,680 --> 00:02:14,680 Speaker 2: me on the pod, please please. 30 00:02:14,880 --> 00:02:17,160 Speaker 3: Just the middle of the night. Pebble's being thrown against 31 00:02:17,240 --> 00:02:17,800 Speaker 3: the window. 32 00:02:19,440 --> 00:02:22,040 Speaker 2: Me again? Are you up. 33 00:02:23,480 --> 00:02:24,240 Speaker 3: To say me again? 34 00:02:24,280 --> 00:02:28,080 Speaker 2: In the middle of the night to someone's frightening fierce. 35 00:02:28,160 --> 00:02:31,160 Speaker 2: I think any anything that starts in that cadence is 36 00:02:31,639 --> 00:02:36,480 Speaker 2: going to be disturbing. Hey me again. 37 00:02:37,560 --> 00:02:43,320 Speaker 3: So sorry, I'm your burden. No, it's been an interesting 38 00:02:43,400 --> 00:02:45,959 Speaker 3: day for me. I woke up at five am. Why 39 00:02:46,240 --> 00:02:49,840 Speaker 3: I woke up hungry at five What is my body 40 00:02:49,880 --> 00:02:52,600 Speaker 3: doing in the middle of the night to make me hungry? 41 00:02:52,880 --> 00:02:57,880 Speaker 2: Well, you're shredded. You're shredded, so it's probably making more muscles. 42 00:02:58,000 --> 00:03:01,080 Speaker 3: It must absolutely just I'm getting ripped in the middle 43 00:03:01,120 --> 00:03:01,519 Speaker 3: of the night. 44 00:03:01,760 --> 00:03:03,840 Speaker 2: What do I do for a workout? Because you are shredded. 45 00:03:04,680 --> 00:03:06,079 Speaker 3: I appreciate that. What's it? 46 00:03:06,160 --> 00:03:07,400 Speaker 2: Does everyone know this about you? 47 00:03:08,520 --> 00:03:08,960 Speaker 3: I don't know. 48 00:03:09,040 --> 00:03:10,840 Speaker 2: Are you one of those workout people where they're like, 49 00:03:10,880 --> 00:03:11,600 Speaker 2: oh my god. 50 00:03:11,880 --> 00:03:15,840 Speaker 3: I'm not. I didn't start working out until twenty nineteen, 51 00:03:16,480 --> 00:03:19,200 Speaker 3: and I go to a husband and wife team and 52 00:03:19,520 --> 00:03:22,720 Speaker 3: no shit. Yeah, it's like a small gym that like 53 00:03:22,880 --> 00:03:25,760 Speaker 3: it's not personal training, but they keep an eye on you. 54 00:03:26,200 --> 00:03:28,800 Speaker 3: I love that you go for half an hour afterwards, 55 00:03:28,800 --> 00:03:31,880 Speaker 3: you dry heath or I do once I threw up 56 00:03:31,919 --> 00:03:35,280 Speaker 3: in the gutter. Wow, If you're not throwing up after 57 00:03:35,320 --> 00:03:37,400 Speaker 3: the gym, you've got to find a new gym to 58 00:03:37,440 --> 00:03:37,680 Speaker 3: go to. 59 00:03:37,880 --> 00:03:39,040 Speaker 2: So it's hit you're doing. 60 00:03:40,280 --> 00:03:41,800 Speaker 3: Yeah, I think that's is that what it's called? 61 00:03:41,880 --> 00:03:43,520 Speaker 2: It has to be. See, I don't even know if 62 00:03:43,520 --> 00:03:44,720 Speaker 2: you're throwing up afterwards. 63 00:03:44,760 --> 00:03:47,680 Speaker 3: Sure, I just go there and they tell me what 64 00:03:47,760 --> 00:03:51,280 Speaker 3: to do. Wow, And I'm a good student. I love that, 65 00:03:51,320 --> 00:03:54,480 Speaker 3: and I just it's horrible, awful feeling. But I get 66 00:03:54,560 --> 00:03:58,240 Speaker 3: It's the only time I've ever committed to working out 67 00:03:58,800 --> 00:04:00,440 Speaker 3: because it's working out awful. 68 00:04:01,400 --> 00:04:04,440 Speaker 2: I'm obsessed with working out, and I'm kind of obsessed 69 00:04:04,440 --> 00:04:06,240 Speaker 2: with everybody's like pathway. 70 00:04:06,080 --> 00:04:08,360 Speaker 3: What do you what's your situation. 71 00:04:09,320 --> 00:04:12,160 Speaker 2: I I'll do whatever I need to, you know what 72 00:04:12,200 --> 00:04:14,080 Speaker 2: I mean, Like if I'm like prepping for a show, 73 00:04:14,280 --> 00:04:17,040 Speaker 2: I change my whole like workout, or if I'm like 74 00:04:17,120 --> 00:04:18,800 Speaker 2: right now, I'm about to go on tour and so 75 00:04:18,880 --> 00:04:21,640 Speaker 2: I'm like doing a lot of like joint focused stuff. 76 00:04:21,640 --> 00:04:24,919 Speaker 3: Oh yeah, Like what is joint focused stuff? 77 00:04:25,200 --> 00:04:30,480 Speaker 2: A lot more like I'm doing pliometrics, but I'm focusing 78 00:04:30,560 --> 00:04:32,600 Speaker 2: on the landing for my knees. 79 00:04:32,720 --> 00:04:34,400 Speaker 3: What You've just said means nothing to me. 80 00:04:37,080 --> 00:04:39,680 Speaker 2: I'm jumping onto boxes and I'm jumping off of them 81 00:04:40,120 --> 00:04:43,359 Speaker 2: instead of lifting heavyweights right to be to so I 82 00:04:43,400 --> 00:04:46,159 Speaker 2: can brace for like the impact of my own body weight. 83 00:04:46,600 --> 00:04:48,560 Speaker 2: Because when you're on tour, you're just kind of like 84 00:04:48,920 --> 00:04:50,520 Speaker 2: constantly uncomfortable. 85 00:04:50,960 --> 00:04:53,000 Speaker 3: Are you a van, a bus? 86 00:04:53,320 --> 00:04:56,240 Speaker 2: Everything we're doing vans and planes and then you know, 87 00:04:56,320 --> 00:04:59,040 Speaker 2: you stand for an hour and fifteen minutes with like 88 00:04:59,480 --> 00:05:03,480 Speaker 2: an instrum on you, and everything just starts like to crumble, 89 00:05:03,600 --> 00:05:05,040 Speaker 2: everything starts to go away. 90 00:05:05,200 --> 00:05:07,680 Speaker 3: I can I go on a plane for five hours 91 00:05:07,720 --> 00:05:12,680 Speaker 3: and I'm done for a week, feel awful, hospitalized, absolutely hospitalized. 92 00:05:12,720 --> 00:05:15,120 Speaker 3: Every time they have the ambulance waiting for me on 93 00:05:15,200 --> 00:05:17,440 Speaker 3: the tar mat. No here he comes. 94 00:05:17,560 --> 00:05:19,200 Speaker 2: Yeah, they don't even charge me anymore. 95 00:05:21,920 --> 00:05:24,480 Speaker 3: Your stage presence, what is what's your general thing? Are 96 00:05:24,520 --> 00:05:25,320 Speaker 3: you jumping around? 97 00:05:25,360 --> 00:05:25,480 Speaker 1: Are? 98 00:05:25,640 --> 00:05:29,359 Speaker 3: Because your music is very it lends itself to jumping 99 00:05:29,400 --> 00:05:30,440 Speaker 3: around and thrashing. 100 00:05:30,480 --> 00:05:33,960 Speaker 2: I would say, you know, I think the I get 101 00:05:33,960 --> 00:05:38,640 Speaker 2: this really beautiful wave of calm actually when I'm up there, 102 00:05:38,720 --> 00:05:42,120 Speaker 2: so like the first few songs there's like a real 103 00:05:42,200 --> 00:05:45,680 Speaker 2: nervous energy, and then at some point during a show, 104 00:05:45,800 --> 00:05:48,920 Speaker 2: I just feel like this, like you know, to get 105 00:05:49,000 --> 00:05:50,719 Speaker 2: kind of fruity about it. I feel this like truly 106 00:05:50,880 --> 00:05:53,719 Speaker 2: beam of like light that just centers me. And so 107 00:05:53,839 --> 00:05:57,880 Speaker 2: I don't think I actually get like hyper, I get really. 108 00:05:58,520 --> 00:06:03,719 Speaker 3: Still okay, really in it, right, lost, absolutely lost. The 109 00:06:03,760 --> 00:06:04,680 Speaker 3: audience is worried. 110 00:06:04,960 --> 00:06:07,040 Speaker 2: Yeah, the audience is like where are they? I can't 111 00:06:07,040 --> 00:06:09,720 Speaker 2: get back to the stage. I can't find the bathroom. 112 00:06:09,800 --> 00:06:11,760 Speaker 2: I said I was gonna get water fifteen minutes ago. 113 00:06:12,200 --> 00:06:13,200 Speaker 3: The music stopped. 114 00:06:14,640 --> 00:06:15,880 Speaker 2: Yeah, we barely even started. 115 00:06:17,600 --> 00:06:21,680 Speaker 3: Give me my refund. How many cities you're going to? 116 00:06:22,400 --> 00:06:26,960 Speaker 2: We're doing nine cities. Oh wow, Yeah, we're doing nine 117 00:06:27,000 --> 00:06:30,560 Speaker 2: cities and it's only like a three week tour. So 118 00:06:31,040 --> 00:06:33,920 Speaker 2: it's it's pretty lush. Actually, it's only ten ten shows 119 00:06:33,920 --> 00:06:37,720 Speaker 2: over three weeks, which is great. We're all decrepit, so 120 00:06:37,920 --> 00:06:39,920 Speaker 2: it's it's better that way. Like if I was twenty two, 121 00:06:39,960 --> 00:06:41,440 Speaker 2: I'd be like, we need to fit more in here, 122 00:06:41,480 --> 00:06:45,400 Speaker 2: and I'm like, ten shows, Jesus Christ. So I'm excited. 123 00:06:45,720 --> 00:06:48,400 Speaker 3: I'm so curious about the touring life of a musician. 124 00:06:48,960 --> 00:06:52,440 Speaker 3: It's just I mean, it seems relentless. 125 00:06:52,640 --> 00:06:54,440 Speaker 2: Well, I'm only toured comedy before. 126 00:06:54,680 --> 00:06:56,280 Speaker 3: So is this your first music tour? 127 00:06:56,360 --> 00:06:57,440 Speaker 2: This is our first tour. 128 00:06:57,600 --> 00:06:59,279 Speaker 3: God, this could really be something. 129 00:06:59,440 --> 00:07:03,080 Speaker 2: Yes, I mean it could be an absolute disaster. Yeah, 130 00:07:03,600 --> 00:07:05,200 Speaker 2: you're you will I will text you. 131 00:07:06,600 --> 00:07:08,800 Speaker 3: I just had a huge meltdown on stage. Everything we 132 00:07:08,839 --> 00:07:09,680 Speaker 3: talked about was true. 133 00:07:09,760 --> 00:07:13,360 Speaker 2: I did get lost. Yeah, it's this is the first. 134 00:07:13,840 --> 00:07:16,000 Speaker 2: You know, we've been playing a bunch of shows at 135 00:07:16,080 --> 00:07:18,800 Speaker 2: the band. This band is only it's less than a 136 00:07:18,840 --> 00:07:21,120 Speaker 2: year old, so we've been playing a bunch of shows 137 00:07:21,200 --> 00:07:24,280 Speaker 2: and we've done New York and LA but this is 138 00:07:24,320 --> 00:07:28,000 Speaker 2: our first. We're going coast to coast and yeah, I'm 139 00:07:28,320 --> 00:07:28,960 Speaker 2: really excited. 140 00:07:29,240 --> 00:07:31,720 Speaker 3: And the band, I mean, it's your last name, hm, 141 00:07:32,200 --> 00:07:35,040 Speaker 3: so it's kind of you. It is it is me 142 00:07:35,280 --> 00:07:38,440 Speaker 3: and is the rest of the band rotating are they 143 00:07:38,440 --> 00:07:39,960 Speaker 3: aware they could go at any time? 144 00:07:40,480 --> 00:07:44,560 Speaker 2: That's so funny because when I started picking them, I 145 00:07:44,600 --> 00:07:46,840 Speaker 2: actually basically said, like, I want you to know that 146 00:07:46,880 --> 00:07:47,880 Speaker 2: you could go at any time? 147 00:07:48,560 --> 00:07:49,080 Speaker 3: Is that true? 148 00:07:49,160 --> 00:07:52,040 Speaker 2: That is true? And I and I said it to 149 00:07:52,080 --> 00:07:54,400 Speaker 2: them because I was like, I want you to feel 150 00:07:55,320 --> 00:07:59,160 Speaker 2: really excited about being here, because if you're not excited, 151 00:07:59,640 --> 00:08:04,400 Speaker 2: I don't want you to feel like you like the 152 00:08:05,160 --> 00:08:08,680 Speaker 2: It's not in a negative way, but nobody's irreplaceable, right that. 153 00:08:08,720 --> 00:08:11,760 Speaker 2: They're all integral. I love everything that they do. That's 154 00:08:11,760 --> 00:08:14,040 Speaker 2: why they're there. But if they don't want to be there, 155 00:08:14,080 --> 00:08:17,520 Speaker 2: they're gone, right, And that and I've but and I've 156 00:08:17,600 --> 00:08:20,520 Speaker 2: you know, like we're we're both in the entertainment industry, 157 00:08:20,560 --> 00:08:23,160 Speaker 2: Like we're both you become your own business. This is 158 00:08:23,160 --> 00:08:25,520 Speaker 2: like kind of just how I like kind boss. 159 00:08:25,360 --> 00:08:29,600 Speaker 3: Energy, Right, that makes perfect sense. And I mean, who 160 00:08:29,640 --> 00:08:32,400 Speaker 3: wants to be on tour if they're not happy anyway? 161 00:08:33,000 --> 00:08:35,680 Speaker 2: And you you think about it like it's my last 162 00:08:35,720 --> 00:08:37,720 Speaker 2: name and these are my songs, But what it really 163 00:08:37,760 --> 00:08:40,640 Speaker 2: is is it's it's I spend the money to do 164 00:08:40,679 --> 00:08:41,880 Speaker 2: this thing, you know what I mean? You always spend 165 00:08:41,960 --> 00:08:45,080 Speaker 2: money to make the art, and they I make sure 166 00:08:45,200 --> 00:08:48,760 Speaker 2: that they're paid the best absolute that I can, all 167 00:08:48,840 --> 00:08:49,240 Speaker 2: the time. 168 00:08:49,360 --> 00:08:49,560 Speaker 3: Right. 169 00:08:49,960 --> 00:08:53,560 Speaker 2: So that's the benefit of being able to be a 170 00:08:53,600 --> 00:08:57,360 Speaker 2: plug and play person, right. I'm not if they were 171 00:08:57,800 --> 00:09:00,599 Speaker 2: if we were all brothers and their last name is 172 00:09:00,600 --> 00:09:02,640 Speaker 2: fat Master too, I would expect them to give me 173 00:09:02,720 --> 00:09:06,319 Speaker 2: money to help pay for this tour, right, But that's 174 00:09:06,360 --> 00:09:07,079 Speaker 2: not how it is. 175 00:09:07,400 --> 00:09:09,200 Speaker 3: They're just coming along and getting paid. 176 00:09:09,200 --> 00:09:11,880 Speaker 2: Yes, and they're proud of what they do, and I 177 00:09:12,000 --> 00:09:14,040 Speaker 2: love that. In the minute they don't feel that way, 178 00:09:13,840 --> 00:09:16,800 Speaker 2: they get to leave and then there's no hard feelings. 179 00:09:16,800 --> 00:09:18,040 Speaker 2: But it's easier that way. 180 00:09:18,160 --> 00:09:21,920 Speaker 3: What is the job interview aspect of bringing in a 181 00:09:21,960 --> 00:09:22,920 Speaker 3: band member. 182 00:09:23,520 --> 00:09:26,000 Speaker 2: It's a great question. I so the the guy who 183 00:09:26,040 --> 00:09:29,800 Speaker 2: plays my drums, Riley Gears, also co produces The Right 184 00:09:29,880 --> 00:09:32,160 Speaker 2: and so that was a no brainer. And he has 185 00:09:32,200 --> 00:09:34,160 Speaker 2: played for other bands that I'm in love with. He 186 00:09:34,200 --> 00:09:38,480 Speaker 2: plays for Caroline Rose who Oh my God, Incredible and 187 00:09:39,000 --> 00:09:44,400 Speaker 2: Unknown Mortal Orchestra, and so I just gauged his interests 188 00:09:44,440 --> 00:09:46,720 Speaker 2: and he was so excited about this project that he 189 00:09:46,760 --> 00:09:48,680 Speaker 2: immediately wanted to be on board. So that was easy. 190 00:09:49,240 --> 00:09:53,480 Speaker 2: And then my best friend who toured with me, Nick Gage, 191 00:09:53,600 --> 00:09:56,360 Speaker 2: he is my synth player, and he toured comedy with. 192 00:09:56,320 --> 00:09:59,079 Speaker 3: Me for Okay, so he's kind of proven and he's 193 00:09:59,120 --> 00:09:59,720 Speaker 3: not annoying. 194 00:10:00,120 --> 00:10:03,320 Speaker 2: He's the opposite of annoying. He can take a punch 195 00:10:03,480 --> 00:10:06,160 Speaker 2: to the nose and smile through it. He's like just 196 00:10:06,360 --> 00:10:10,840 Speaker 2: constantly good energy. And then the guitarist I found. I 197 00:10:10,880 --> 00:10:15,600 Speaker 2: was watching his videos online during COVID, and once COVID 198 00:10:15,679 --> 00:10:18,080 Speaker 2: kind of cleared, he texted me out of the blue 199 00:10:18,160 --> 00:10:19,440 Speaker 2: to be like, hey, would you ever want to get 200 00:10:19,440 --> 00:10:21,079 Speaker 2: a coffee? And I was like blown away because he's 201 00:10:21,080 --> 00:10:23,680 Speaker 2: such a shredder. We went out for coffee. He's, first 202 00:10:23,679 --> 00:10:27,040 Speaker 2: of all, he's like six five, which to me very high. 203 00:10:27,120 --> 00:10:29,960 Speaker 3: Oh of course, I mean, who is that not hot too? 204 00:10:30,080 --> 00:10:32,000 Speaker 2: I don't know anybody that says otherwise is lying, and 205 00:10:32,040 --> 00:10:35,560 Speaker 2: it's like absolutely bullshit. It's bullshit. And he was. He 206 00:10:35,720 --> 00:10:39,840 Speaker 2: was so nice and so like eager to be a 207 00:10:39,840 --> 00:10:41,840 Speaker 2: part of something. And so I guess the thing that 208 00:10:41,920 --> 00:10:44,440 Speaker 2: I realized I was looking for is people that were 209 00:10:44,520 --> 00:10:48,280 Speaker 2: eager to be there right right, And that's the thing. 210 00:10:48,559 --> 00:10:52,600 Speaker 3: And did you say, you know, like play something for me? No, 211 00:10:53,920 --> 00:10:54,880 Speaker 3: that seems insane. 212 00:10:55,040 --> 00:10:57,240 Speaker 2: That's the nice part about social media is you can 213 00:10:57,280 --> 00:10:58,760 Speaker 2: go and look at the course. 214 00:10:58,880 --> 00:11:00,679 Speaker 3: Yeah, what did people used to do that? I guess 215 00:11:00,679 --> 00:11:03,680 Speaker 3: they'd have to sit down and be like, oh my god, 216 00:11:04,800 --> 00:11:11,800 Speaker 3: Alas just fired a gun at that Happy Birthday. It's 217 00:11:11,840 --> 00:11:15,920 Speaker 3: fireworks season, that's right, it is until Christmas. 218 00:11:16,040 --> 00:11:18,959 Speaker 2: Yeah, I love them to la buckle up. I do 219 00:11:19,000 --> 00:11:19,400 Speaker 2: love it. 220 00:11:22,720 --> 00:11:24,040 Speaker 3: When did you start playing music? 221 00:11:24,559 --> 00:11:27,320 Speaker 2: I've been playing music since, like instruments, since I was 222 00:11:27,320 --> 00:11:27,680 Speaker 2: like six. 223 00:11:27,840 --> 00:11:29,040 Speaker 3: What was your first instrument? 224 00:11:29,280 --> 00:11:29,640 Speaker 2: Piano? 225 00:11:29,920 --> 00:11:30,040 Speaker 4: Oh? 226 00:11:30,120 --> 00:11:30,480 Speaker 3: Me too? 227 00:11:30,840 --> 00:11:32,440 Speaker 2: Yeah, how long have you been playing? 228 00:11:32,800 --> 00:11:32,959 Speaker 1: Oh? 229 00:11:33,080 --> 00:11:35,320 Speaker 3: I took piano lessons for at least a decade and 230 00:11:35,400 --> 00:11:36,760 Speaker 3: learned virtually nothing. 231 00:11:36,840 --> 00:11:37,000 Speaker 2: Yeah. 232 00:11:38,400 --> 00:11:42,640 Speaker 3: I can read the right hand what is the treble cleft? 233 00:11:43,240 --> 00:11:47,160 Speaker 3: I can form chords, but I cannot put those things 234 00:11:47,160 --> 00:11:48,240 Speaker 3: together to make music. 235 00:11:48,880 --> 00:11:52,120 Speaker 2: I can only write music. I can't read it at all. 236 00:11:52,200 --> 00:11:55,040 Speaker 3: Oh wow, and you've been I mean I can't read 237 00:11:55,040 --> 00:11:55,679 Speaker 3: that at all. 238 00:11:57,080 --> 00:11:59,000 Speaker 2: No, and I and I barely know what's going on 239 00:11:59,000 --> 00:12:00,880 Speaker 2: on like the neck of my guitar. I'm like, it's 240 00:12:01,040 --> 00:12:02,920 Speaker 2: I don't know what to tell you, guys, it's due, 241 00:12:03,600 --> 00:12:05,840 Speaker 2: you know what I mean? Like they're like no that 242 00:12:05,880 --> 00:12:07,360 Speaker 2: he says that's an F sharp and I'm. 243 00:12:07,200 --> 00:12:10,559 Speaker 3: Like, sure, you're just doing it tonally. 244 00:12:10,720 --> 00:12:10,920 Speaker 2: Yeah. 245 00:12:11,040 --> 00:12:13,240 Speaker 3: Oh I'm so jealous of that to be able to 246 00:12:13,280 --> 00:12:15,959 Speaker 3: just do it by feeling rather than what do I have? What? 247 00:12:16,280 --> 00:12:18,960 Speaker 3: What do I have to show? Bothering my boyfriend on 248 00:12:18,960 --> 00:12:21,880 Speaker 3: the piano? Just yes, clanking around. 249 00:12:22,000 --> 00:12:24,640 Speaker 2: That's what piano's for, is for hurting others. 250 00:12:25,080 --> 00:12:30,840 Speaker 3: It's ultimately a weapon, is the piano percussion? It should 251 00:12:30,840 --> 00:12:35,239 Speaker 3: be holys is nodding, Yes, Yeah, it's fascinating percussion. 252 00:12:35,800 --> 00:12:36,560 Speaker 2: It's really cool. 253 00:12:36,640 --> 00:12:39,360 Speaker 3: I need to get more like drums with that make 254 00:12:40,240 --> 00:12:44,839 Speaker 3: piano noises. Piano noises ultimate, I'll figure it out. This 255 00:12:44,920 --> 00:12:48,800 Speaker 3: is kind of your ultimate goal. I think sometimes about 256 00:12:49,600 --> 00:12:52,240 Speaker 3: other planets. Certainly there are other people there. I mean, 257 00:12:52,320 --> 00:12:55,240 Speaker 3: what is an alien instrument? That's all. That's the only 258 00:12:55,240 --> 00:12:57,000 Speaker 3: thing I care about on other planets is to find 259 00:12:57,000 --> 00:12:58,440 Speaker 3: out what sort of instruments they're. 260 00:12:58,360 --> 00:13:03,800 Speaker 2: Using one hundred percent and can they also fuck with them? Yes, 261 00:13:04,280 --> 00:13:06,920 Speaker 2: because I'm looking at a lot of these instruments that 262 00:13:06,960 --> 00:13:09,360 Speaker 2: we have and I'm like, we're supposed to want to 263 00:13:09,360 --> 00:13:12,480 Speaker 2: fuck that for sure, We're supposed to be finding ways. 264 00:13:12,600 --> 00:13:15,319 Speaker 2: I know, maybe maybe not everyone agrees with me. I 265 00:13:15,360 --> 00:13:17,120 Speaker 2: don't know. I look at a lot of these instruments 266 00:13:17,120 --> 00:13:21,920 Speaker 2: and I'm like, they're begging for it. That's part of it, absolutely, 267 00:13:21,960 --> 00:13:22,440 Speaker 2: of course. 268 00:13:22,520 --> 00:13:28,360 Speaker 3: Yeah, I've wondered Alien certainly at least some of their instruments. Yeah, 269 00:13:28,400 --> 00:13:30,280 Speaker 3: what's your face? Do you have a least favorite. 270 00:13:29,960 --> 00:13:32,120 Speaker 2: Song on our set list? 271 00:13:32,520 --> 00:13:35,720 Speaker 3: No, of all time? I like to ask musicians this. 272 00:13:37,120 --> 00:13:40,320 Speaker 2: Oh my fucking god. You know, it's maybe not my 273 00:13:40,480 --> 00:13:46,400 Speaker 2: least favorite song of all time, but I don't like 274 00:13:46,440 --> 00:13:49,319 Speaker 2: to be too negative. But it's seeping out of me 275 00:13:49,360 --> 00:13:52,560 Speaker 2: because I heard it today. I hate Dave Matthews band. Sure, 276 00:13:52,840 --> 00:13:54,840 Speaker 2: I hate it so much, like it comes on and 277 00:13:54,840 --> 00:14:00,240 Speaker 2: I get so fucking mad. I just can't even under Dan. 278 00:14:01,240 --> 00:14:03,720 Speaker 2: And you know when people like hate Scott just like 279 00:14:03,760 --> 00:14:05,920 Speaker 2: to hate it. I don't feel that way. I like 280 00:14:06,000 --> 00:14:09,160 Speaker 2: try to like everything, and I don't know what the 281 00:14:09,200 --> 00:14:13,400 Speaker 2: fuck is going on with that, and it's such like 282 00:14:14,640 --> 00:14:17,240 Speaker 2: I don't know, God damn it. It's like all straight 283 00:14:17,280 --> 00:14:19,800 Speaker 2: people have like that moment where like they'll hear like 284 00:14:19,800 --> 00:14:23,520 Speaker 2: Byron and a room full of straight people be like 285 00:14:24,080 --> 00:14:30,640 Speaker 2: ah and point to like some non existent speaker Jesus Christ. 286 00:14:30,840 --> 00:14:33,400 Speaker 3: So I guess that I'm I mean, I'm on the 287 00:14:33,440 --> 00:14:36,720 Speaker 3: same page. And Dave Matthew's bend is kind of interesting. 288 00:14:36,720 --> 00:14:39,840 Speaker 3: I don't know that much of the Dave Matthews band music, 289 00:14:39,880 --> 00:14:42,440 Speaker 3: but it's like, it's funny how greating it is considering 290 00:14:42,440 --> 00:14:46,240 Speaker 3: how mellow. It's like, ah, turn that off. 291 00:14:46,520 --> 00:14:48,120 Speaker 2: I remember when they shot on those people. 292 00:14:48,280 --> 00:14:50,600 Speaker 3: Oh of course, yeah, one of the most famous. I mean, 293 00:14:50,640 --> 00:14:53,600 Speaker 3: that's a huge part of the twentieth century is then 294 00:14:53,760 --> 00:14:57,440 Speaker 3: dumping sewage all over before? Was that the twentieth century 295 00:14:57,520 --> 00:14:57,800 Speaker 3: or was that? 296 00:14:58,800 --> 00:15:01,200 Speaker 2: Yes? What is the allowed to be mad at them? 297 00:15:01,240 --> 00:15:03,920 Speaker 3: I mean they really did like this. It's such a 298 00:15:04,240 --> 00:15:08,080 Speaker 3: metaphor for what they've been doing musically for decades. 299 00:15:08,200 --> 00:15:11,320 Speaker 2: But the metaphor would only be like good if the 300 00:15:11,360 --> 00:15:16,120 Speaker 2: people on the boat were like, yum shit, Because that's true. 301 00:15:16,200 --> 00:15:17,960 Speaker 2: That's what the concerts feel like to me. 302 00:15:18,040 --> 00:15:19,360 Speaker 3: They're all opening their mouths. 303 00:15:19,560 --> 00:15:22,440 Speaker 2: Yes, I'm sorry, but it's too many concerts where people 304 00:15:22,440 --> 00:15:26,000 Speaker 2: are being blankets. Like if every concert youth throw somebody 305 00:15:26,000 --> 00:15:31,640 Speaker 2: can bring a blanket, it's probably not pleasant. Yeah enough Jesus. 306 00:15:31,960 --> 00:15:35,520 Speaker 3: Yeah, I feel like the blankets probably should come into 307 00:15:35,560 --> 00:15:38,120 Speaker 3: like your third chapter of your musical career. 308 00:15:38,200 --> 00:15:40,040 Speaker 2: Yeah, third and final, when your. 309 00:15:40,040 --> 00:15:42,760 Speaker 3: Fan base's age were all ready to be at the 310 00:15:42,800 --> 00:15:44,440 Speaker 3: park on a blank they it. 311 00:15:44,440 --> 00:15:46,960 Speaker 2: Feels like to me, they started as blanket band. 312 00:15:48,280 --> 00:15:51,240 Speaker 3: There was never a standing no no no. They were 313 00:15:51,280 --> 00:15:55,440 Speaker 3: never at the will Turn. They were permanently in Red Rocks. 314 00:15:55,560 --> 00:15:59,520 Speaker 3: Kind of just appeared there and been there forever. I'm 315 00:15:59,520 --> 00:16:02,640 Speaker 3: on the same page Dave Matthews bandwise with you for sure. 316 00:16:02,440 --> 00:16:04,200 Speaker 2: Okay when I have another one, and I think this 317 00:16:04,320 --> 00:16:08,440 Speaker 2: is like, this is gonna upset more people of my generation. 318 00:16:08,600 --> 00:16:12,800 Speaker 2: But Red Hot Chili Peppers there is one. My mom 319 00:16:12,800 --> 00:16:15,840 Speaker 2: played one of the songs while she was pregnant with me, 320 00:16:16,000 --> 00:16:22,240 Speaker 2: oh boy, and I like, it's a oh my god, 321 00:16:22,280 --> 00:16:24,520 Speaker 2: Like just so many of those songs. I think it's 322 00:16:24,560 --> 00:16:26,640 Speaker 2: because she played them that I just want to like, 323 00:16:26,800 --> 00:16:28,840 Speaker 2: I want to end it like I want to end it. 324 00:16:28,880 --> 00:16:30,960 Speaker 2: I want it to stop. I want my life to stop. 325 00:16:31,360 --> 00:16:32,760 Speaker 2: So but those are the kind of the only two 326 00:16:32,800 --> 00:16:33,960 Speaker 2: bands that I really feel that way. 327 00:16:34,000 --> 00:16:35,640 Speaker 3: But are they're very strong feelings. 328 00:16:35,760 --> 00:16:38,360 Speaker 2: They're soup. I mean, it's guttural. 329 00:16:39,040 --> 00:16:41,760 Speaker 3: I mean the Chili Peppers, I would say, are irritating, 330 00:16:42,080 --> 00:16:44,240 Speaker 3: Unlike Dave Matthews, Like when you turn on Red Hot 331 00:16:44,280 --> 00:16:46,720 Speaker 3: Chili Peppers, it's frantic, it's obnoxious. 332 00:16:46,840 --> 00:16:48,720 Speaker 2: They want to irritate you. So I don't even feel 333 00:16:48,720 --> 00:16:51,120 Speaker 2: bad about it, right, And I can still look at 334 00:16:51,160 --> 00:16:53,400 Speaker 2: like what both of these bands are doing and like 335 00:16:53,560 --> 00:16:56,360 Speaker 2: understand the beautiful musical feats like Flee that you know 336 00:16:56,440 --> 00:16:59,880 Speaker 2: the bass player is doing absolutely insane shit and like 337 00:17:00,080 --> 00:17:02,920 Speaker 2: if you play that to me in a cell, I 338 00:17:02,920 --> 00:17:10,240 Speaker 2: would talk, I would confess to things. Yeah, yeah, yes. 339 00:17:10,440 --> 00:17:12,880 Speaker 3: I think it was Julie Klausner who said the Red 340 00:17:12,920 --> 00:17:17,119 Speaker 3: Hot Chili Peppers are the funky Doors oh yeah, which 341 00:17:17,280 --> 00:17:22,239 Speaker 3: was like, yes, that is exactly what's happening. They all 342 00:17:22,280 --> 00:17:23,200 Speaker 3: seem like nice guys. 343 00:17:23,560 --> 00:17:26,119 Speaker 2: Sure, I'm sure, yeah, but I just. 344 00:17:26,119 --> 00:17:28,720 Speaker 3: Don't need them playing music for me. I just don't 345 00:17:28,800 --> 00:17:29,159 Speaker 3: need them. 346 00:17:29,400 --> 00:17:31,560 Speaker 2: And there's plenty of people who disagree, and those are 347 00:17:31,600 --> 00:17:33,440 Speaker 2: the people. Those are the people that they get to 348 00:17:33,440 --> 00:17:34,119 Speaker 2: play music for. 349 00:17:34,480 --> 00:17:37,680 Speaker 3: And I you know, I support anybody doing anything as 350 00:17:37,680 --> 00:17:39,119 Speaker 3: long as it's not anywhere near. 351 00:17:39,040 --> 00:17:42,480 Speaker 2: Me one hundred percent. That's called tolerance. Do you have 352 00:17:42,520 --> 00:17:46,080 Speaker 2: a favorite Ish band right now? I'm on a real 353 00:17:46,160 --> 00:17:46,720 Speaker 2: Heart kick? 354 00:17:46,960 --> 00:17:49,639 Speaker 3: Oh wow? Yeah, see, I mean, I know, like the 355 00:17:49,640 --> 00:17:51,800 Speaker 3: two big Heart singles, and then I would. I've never 356 00:17:51,960 --> 00:17:53,360 Speaker 3: really dipped into it. 357 00:17:53,760 --> 00:17:57,000 Speaker 2: I kind of visit bands like like chapters, and it's 358 00:17:57,040 --> 00:17:59,360 Speaker 2: usually because I'm writing music or I'm like trying to 359 00:17:59,600 --> 00:18:02,159 Speaker 2: learn any thing and then I'll just you know, hyper 360 00:18:02,160 --> 00:18:05,240 Speaker 2: focus on them for a long time. And what I've 361 00:18:05,280 --> 00:18:09,359 Speaker 2: been enjoying about listening to Heart is there's so many 362 00:18:09,560 --> 00:18:13,240 Speaker 2: iconic sounds, like when everybody knows the beginning of Barrakuda, 363 00:18:14,920 --> 00:18:19,360 Speaker 2: and she's kind of like Billie Holliday where she's choosing 364 00:18:19,480 --> 00:18:23,919 Speaker 2: notes that are not obvious and she's beating her players 365 00:18:24,240 --> 00:18:27,439 Speaker 2: to the key change. Like, so she's doing all these 366 00:18:27,480 --> 00:18:29,880 Speaker 2: things as a vocalist where you're listening to it and 367 00:18:30,040 --> 00:18:34,360 Speaker 2: it's you have to study it to replicate it right, right, 368 00:18:34,480 --> 00:18:37,280 Speaker 2: And I don't know, I find but when you're listening 369 00:18:37,359 --> 00:18:39,359 Speaker 2: to it outside of music, you're like, oh my god, 370 00:18:39,520 --> 00:18:42,800 Speaker 2: it seems effortless, right, So I don't know, there's something 371 00:18:42,840 --> 00:18:46,040 Speaker 2: really creative about what she's doing. And that's that's my 372 00:18:46,560 --> 00:18:47,560 Speaker 2: hyper focus right now. 373 00:18:47,640 --> 00:18:51,680 Speaker 3: How would I've never really thought about Heart within genre? 374 00:18:51,760 --> 00:18:54,520 Speaker 3: They're not like a hair metal band? Are they just 375 00:18:54,760 --> 00:18:56,760 Speaker 3: a rock band? Is that what we would say? 376 00:18:57,000 --> 00:19:00,919 Speaker 2: They're a rock band, But they're kind of like Fleetwood 377 00:19:00,920 --> 00:19:03,240 Speaker 2: in that sense that they can do kind of that like, well, 378 00:19:03,280 --> 00:19:06,080 Speaker 2: they're maybe a bit more expansive than Fleeva could Fleeva 379 00:19:06,160 --> 00:19:06,800 Speaker 2: gets into like. 380 00:19:06,720 --> 00:19:07,920 Speaker 3: That folky territory. 381 00:19:08,359 --> 00:19:11,000 Speaker 2: But Heart had a really big period where they were 382 00:19:11,000 --> 00:19:14,840 Speaker 2: doing like like kind of like Cynthia eighties, right, you 383 00:19:14,880 --> 00:19:17,639 Speaker 2: know what I mean, right, almost new wavy but not Yes, 384 00:19:18,480 --> 00:19:20,200 Speaker 2: and then they have like a Crazy on You which 385 00:19:20,200 --> 00:19:23,359 Speaker 2: starts with that like incredible like beautiful acoustic guitar solo. 386 00:19:23,480 --> 00:19:25,439 Speaker 2: And then they have something like Barracuda, which is like 387 00:19:25,600 --> 00:19:29,600 Speaker 2: kind of timeless. Right, So there's just a really expansive 388 00:19:29,880 --> 00:19:30,360 Speaker 2: rock band. 389 00:19:30,960 --> 00:19:31,800 Speaker 3: Undefinable. 390 00:19:32,000 --> 00:19:35,240 Speaker 2: Yeah, like Dave Matthews, like like the all time great 391 00:19:36,160 --> 00:19:40,280 Speaker 2: Dave Matthew. Do you have a favorite band. 392 00:19:41,920 --> 00:19:44,600 Speaker 3: I don't think I have a favorite band. I A 393 00:19:44,640 --> 00:19:47,359 Speaker 3: friend texted me recently, like, what are your favorite albums? 394 00:19:47,359 --> 00:19:49,360 Speaker 3: I couldn't even really. I was like, he said ten. 395 00:19:49,440 --> 00:19:51,040 Speaker 3: I was like, well, I just can't give you ten. 396 00:19:51,720 --> 00:19:54,280 Speaker 3: So I ended up sending him this way over long 397 00:19:54,400 --> 00:19:58,119 Speaker 3: text favorite, I mean my favorite band in high school. 398 00:19:58,800 --> 00:20:02,199 Speaker 3: This is kind of horrifying, is in some ways we 399 00:20:02,320 --> 00:20:05,840 Speaker 3: ser oh, yeah, fun because I have two good albums 400 00:20:05,840 --> 00:20:07,159 Speaker 3: and then it's just nonstopping. 401 00:20:07,200 --> 00:20:08,400 Speaker 2: But they're solid good. 402 00:20:08,600 --> 00:20:10,960 Speaker 3: I mean they're so good to Yes, I mean one 403 00:20:11,000 --> 00:20:13,480 Speaker 3: thing I'll say that Kanye West has done for me, 404 00:20:14,760 --> 00:20:18,320 Speaker 3: is be more embarrassing than we ser so people who 405 00:20:18,440 --> 00:20:20,159 Speaker 3: are fans of him. I'm like, well, at least my 406 00:20:20,440 --> 00:20:25,840 Speaker 3: favorite band didn't get to you know, yes, confusing white supremacy. 407 00:20:26,000 --> 00:20:28,399 Speaker 2: Yeah, yeah, yeah, one hundred percent. He's kind of like 408 00:20:28,600 --> 00:20:31,960 Speaker 2: they went and bought homes, right, This is an honorable 409 00:20:32,040 --> 00:20:34,680 Speaker 2: thing to do when you're a band is make money 410 00:20:34,680 --> 00:20:37,120 Speaker 2: and then go buy home and be quiet for a while. 411 00:20:37,200 --> 00:20:40,840 Speaker 3: Quiet, and then vet all of your ideas. 412 00:20:41,320 --> 00:20:43,680 Speaker 2: Yes, a bunch of bunch of people before they ever 413 00:20:43,680 --> 00:20:44,680 Speaker 2: make it out of the internet. 414 00:20:44,920 --> 00:20:49,120 Speaker 3: Yes, get so many safeguards that you're guaranteed it won't 415 00:20:49,160 --> 00:20:50,119 Speaker 3: be a problem that. 416 00:20:50,000 --> 00:20:53,040 Speaker 2: Goes for most of us. I think I want us 417 00:20:53,040 --> 00:20:56,160 Speaker 2: all to do our creative pursuits until we become unpleasant. 418 00:20:56,359 --> 00:20:59,560 Speaker 2: Then buy a house and just be quiet. 419 00:21:00,320 --> 00:21:05,960 Speaker 3: Silently makes your sing your song for yourself. Yes, but yeah, 420 00:21:05,960 --> 00:21:07,440 Speaker 3: Weezer was the band. 421 00:21:07,480 --> 00:21:11,480 Speaker 2: I like a lot of loud music. I like when 422 00:21:11,520 --> 00:21:14,320 Speaker 2: you work out, what's that? What do you work out to? 423 00:21:15,080 --> 00:21:18,639 Speaker 3: Whatever they have on at the gym, which is actually 424 00:21:18,680 --> 00:21:23,240 Speaker 3: a pretty decent mix of like garage rock and new 425 00:21:23,320 --> 00:21:26,480 Speaker 3: wave and like synthpop. There was a period though, when 426 00:21:26,480 --> 00:21:31,960 Speaker 3: they were playing like hardcore or like death metal covers 427 00:21:32,000 --> 00:21:36,080 Speaker 3: of like Lady Gaga and there was like screaming monster voice, 428 00:21:36,080 --> 00:21:38,880 Speaker 3: and it put me in the absolute worst mood. Possibly 429 00:21:38,880 --> 00:21:41,560 Speaker 3: I'm already mad when I'm there, I'm already like truly 430 00:21:41,640 --> 00:21:44,120 Speaker 3: angry that I'm doing and then to have like this 431 00:21:44,280 --> 00:21:46,280 Speaker 3: insane cover of Lady it. 432 00:21:46,200 --> 00:21:49,080 Speaker 2: Was like the stuff they played at. 433 00:21:48,760 --> 00:21:50,160 Speaker 3: Yes, it was one hundred percent. 434 00:21:50,240 --> 00:21:53,359 Speaker 2: That's literally what they played for them is like scream metal. 435 00:21:53,840 --> 00:21:57,159 Speaker 3: Yes, not for me in any situation, let alone when 436 00:21:57,160 --> 00:21:59,440 Speaker 3: I'm like throwing like one hundred pounds over my hand. 437 00:21:59,640 --> 00:22:02,920 Speaker 2: No, oh yeah, I don't think it's supposed to be listenable, right, 438 00:22:03,440 --> 00:22:04,280 Speaker 2: that's not the intent. 439 00:22:04,440 --> 00:22:05,520 Speaker 3: What is the intent? 440 00:22:06,640 --> 00:22:10,200 Speaker 2: It's the intent is to say you're in a screen band. 441 00:22:11,080 --> 00:22:16,840 Speaker 3: That's the intent by these tattoos. You've got to do 442 00:22:17,000 --> 00:22:22,600 Speaker 3: something like yes, yeah. I feel like someone must have 443 00:22:22,680 --> 00:22:25,560 Speaker 3: complained because I was about to complain and then they 444 00:22:25,600 --> 00:22:28,320 Speaker 3: stopped playing the music. So but every day I'm like, 445 00:22:28,359 --> 00:22:30,679 Speaker 3: what if it's today's the day, and then I'm going 446 00:22:30,760 --> 00:22:33,240 Speaker 3: to be trapped in here and my life will be ruined. 447 00:22:33,680 --> 00:22:35,439 Speaker 2: If you if you were going to run a marathon 448 00:22:35,520 --> 00:22:37,359 Speaker 2: and you had to listen to one song on repeat, 449 00:22:37,400 --> 00:22:39,560 Speaker 2: what would it be oh, I would. 450 00:22:40,880 --> 00:22:43,320 Speaker 3: See. When people have started asking me music questions, I'm 451 00:22:43,359 --> 00:22:46,720 Speaker 3: trying not to just panic an answer. I say, I'm 452 00:22:46,720 --> 00:22:48,960 Speaker 3: going to think about this. I think there's a song 453 00:22:49,160 --> 00:22:53,080 Speaker 3: by the Oss called The Dream. It's about seven minutes long, 454 00:22:53,680 --> 00:22:58,160 Speaker 3: and it's got a nice rhythm. It's it's I think 455 00:22:58,160 --> 00:22:59,760 Speaker 3: it would be a perfect running song. It has a 456 00:22:59,840 --> 00:23:03,920 Speaker 3: mo in it that there's like a burst in the 457 00:23:03,960 --> 00:23:05,840 Speaker 3: middle of the song that I almost drive off the 458 00:23:05,880 --> 00:23:08,240 Speaker 3: road every time that comes song. I'm so excited for 459 00:23:08,359 --> 00:23:10,800 Speaker 3: it to happen because it like kind of slows down 460 00:23:11,000 --> 00:23:13,960 Speaker 3: and then erupts in this way and it's like, oh, 461 00:23:14,560 --> 00:23:18,880 Speaker 3: my entire body has become the cosmost really, but ultimately 462 00:23:18,920 --> 00:23:20,720 Speaker 3: I wouldn't be running because I hate running. 463 00:23:20,760 --> 00:23:22,000 Speaker 2: Oh well, it's it's a sin. 464 00:23:22,200 --> 00:23:25,159 Speaker 3: What song would you do? You know what? 465 00:23:25,480 --> 00:23:29,720 Speaker 2: Right now? It would maybe be a Chapel Rowan song. 466 00:23:30,160 --> 00:23:33,520 Speaker 3: Oh Chapel is really I mean just blown up in 467 00:23:33,600 --> 00:23:34,400 Speaker 3: the craziest way. 468 00:23:34,560 --> 00:23:36,680 Speaker 2: And she's you know, she's been doing this shit since 469 00:23:36,720 --> 00:23:37,560 Speaker 2: she's like fifteen. 470 00:23:37,760 --> 00:23:40,320 Speaker 3: That's got to be so satisfying, so sad, I mean 471 00:23:40,400 --> 00:23:40,639 Speaker 3: to be. 472 00:23:40,680 --> 00:23:42,480 Speaker 2: Doing it since you're fifteen and then be twenty five 473 00:23:42,560 --> 00:23:44,720 Speaker 2: and like now finally getting attention, Like most of us 474 00:23:44,720 --> 00:23:46,800 Speaker 2: start out the thing that we're gonna happen. We're twenty five, 475 00:23:46,960 --> 00:23:49,440 Speaker 2: and then remember thirty five, we are retired. 476 00:23:51,480 --> 00:23:53,320 Speaker 3: Wow, twenty I didn't realize she was that young. 477 00:23:53,400 --> 00:23:54,160 Speaker 2: Yeah, she's a baby. 478 00:23:54,240 --> 00:23:56,920 Speaker 3: I just assume everyone's successful is older than me, I 479 00:23:57,000 --> 00:23:59,280 Speaker 3: would hope. So, yeah, I know, it's just what I hope. 480 00:23:59,320 --> 00:23:59,719 Speaker 3: So I get. 481 00:24:00,200 --> 00:24:01,920 Speaker 2: It's so mad when I find out otherwise. 482 00:24:02,440 --> 00:24:04,680 Speaker 3: When I'm watching the NBA now, it's always like I 483 00:24:04,760 --> 00:24:06,840 Speaker 3: have to just constantly remind myself these people are in 484 00:24:06,920 --> 00:24:10,119 Speaker 3: their twenties and like very early maybe early thirties. 485 00:24:10,720 --> 00:24:14,520 Speaker 2: Well, and the ones that look really old, early thirties. 486 00:24:14,440 --> 00:24:16,919 Speaker 3: Right, some of them do look aged. 487 00:24:17,280 --> 00:24:20,800 Speaker 2: Yes, they're like graying and they're thirty four. I guess 488 00:24:20,840 --> 00:24:23,840 Speaker 2: that's the stress of the big place. Yes, did you 489 00:24:23,880 --> 00:24:25,040 Speaker 2: play any sports in high school? 490 00:24:25,640 --> 00:24:25,800 Speaker 1: Yeah? 491 00:24:25,840 --> 00:24:28,400 Speaker 2: I played volleyball and basketball, and I played a little 492 00:24:28,440 --> 00:24:29,240 Speaker 2: volleyball in college. 493 00:24:29,320 --> 00:24:31,320 Speaker 3: Oh, in college, so you must be decent. 494 00:24:31,840 --> 00:24:32,480 Speaker 2: I was decent. 495 00:24:33,080 --> 00:24:36,720 Speaker 3: Volleyball is my number one most feared sport. Why I'm 496 00:24:36,920 --> 00:24:38,040 Speaker 3: horrified fun and playing. 497 00:24:38,040 --> 00:24:39,200 Speaker 2: You are built like a setter. 498 00:24:40,840 --> 00:24:44,560 Speaker 3: Great, Yes, are the ball coming at me? I'm screaming. 499 00:24:44,680 --> 00:24:45,720 Speaker 3: I feel like it's going to hit me. 500 00:24:45,800 --> 00:24:46,760 Speaker 2: You're not athletic at all. 501 00:24:47,400 --> 00:24:51,040 Speaker 3: I don't play any sports. I played badminton, okay, and 502 00:24:51,119 --> 00:24:54,440 Speaker 3: I played basketball in middle school and simply never scored 503 00:24:54,440 --> 00:24:56,680 Speaker 3: a point. That the pause was me trying to remember 504 00:24:56,720 --> 00:25:01,640 Speaker 3: what badminton was. Oh, badminton is lovely of like tennis, 505 00:25:02,240 --> 00:25:05,760 Speaker 3: the long long one. Yeah, it's like a long Uh, 506 00:25:05,920 --> 00:25:08,960 Speaker 3: it's thin. It's kind of like uh. I would say, 507 00:25:09,000 --> 00:25:11,080 Speaker 3: it's like the Virginia slim of tennis. 508 00:25:11,720 --> 00:25:14,240 Speaker 2: That makes an Is it the birdie or what I mean? 509 00:25:14,400 --> 00:25:16,560 Speaker 3: Yeah, it's a birdie or a shuttlecock I think is 510 00:25:16,600 --> 00:25:20,639 Speaker 3: probably what they call it in the Olympics. Do they 511 00:25:20,680 --> 00:25:23,840 Speaker 3: play badminton in the Olympics on the app too? I hope, 512 00:25:23,920 --> 00:25:27,399 Speaker 3: So give me something to watch. No, it's it's a 513 00:25:27,440 --> 00:25:30,320 Speaker 3: great sport because there's no heavy object that you're afraid 514 00:25:30,400 --> 00:25:31,000 Speaker 3: is going to hit you. 515 00:25:31,400 --> 00:25:33,640 Speaker 2: Yeah, and if you did make a big fuss about 516 00:25:33,640 --> 00:25:36,440 Speaker 2: that little thing hitting you, you shouldn't be playing anyway. 517 00:25:36,359 --> 00:25:39,119 Speaker 3: Right, And also everyone would get to enjoy you freaking 518 00:25:39,160 --> 00:25:44,040 Speaker 3: out about that. They should make a Challengers for badminton. Now, 519 00:25:44,119 --> 00:25:48,320 Speaker 3: that would be sexy, that would be probably That's probably 520 00:25:48,320 --> 00:25:50,800 Speaker 3: why they chose tennis. It was too erotic if they 521 00:25:50,880 --> 00:25:51,879 Speaker 3: had badminton. 522 00:25:52,000 --> 00:25:56,400 Speaker 4: Oh yeah, badminton has been an official Olympics sport since 523 00:25:56,600 --> 00:25:57,520 Speaker 4: nineteen ninety two. 524 00:25:57,920 --> 00:25:58,480 Speaker 3: Ninety two. 525 00:25:58,800 --> 00:26:03,600 Speaker 2: Wow interest sting, Wow thirty one thirty two solid years. 526 00:26:03,960 --> 00:26:06,200 Speaker 3: Ninety two feels late for badminton to be entering. It 527 00:26:06,240 --> 00:26:08,360 Speaker 3: feels like something that would have been like nineteen hundreds 528 00:26:08,880 --> 00:26:11,320 Speaker 3: or eighteen hundred or ancient Greece. 529 00:26:12,520 --> 00:26:14,320 Speaker 2: This was one of the first sports, for sure. 530 00:26:16,160 --> 00:26:20,960 Speaker 3: Well, there's something else we need to talk about. Unfortunately. Look, 531 00:26:21,480 --> 00:26:23,760 Speaker 3: I was really excited to have you here today. I 532 00:26:23,880 --> 00:26:25,320 Speaker 3: was looking forward to it. 533 00:26:26,640 --> 00:26:26,800 Speaker 2: You know. 534 00:26:27,000 --> 00:26:28,879 Speaker 3: I took a nap before so I would have the 535 00:26:29,040 --> 00:26:32,320 Speaker 3: energy to, you know, just have a great time with you. Thought, 536 00:26:32,600 --> 00:26:36,000 Speaker 3: er will come over, nothing will go wrong, my night 537 00:26:36,040 --> 00:26:40,320 Speaker 3: won't be ruined. So I was a little surprised. My 538 00:26:40,400 --> 00:26:43,480 Speaker 3: heart was pounding when I saw you walking up into 539 00:26:43,520 --> 00:26:48,440 Speaker 3: my backyard holding this gorgeous gift bag. Yes, the podcast 540 00:26:48,520 --> 00:26:50,480 Speaker 3: is called I said, no gifts right. 541 00:26:50,560 --> 00:26:51,280 Speaker 2: Well, I didn't read that. 542 00:26:53,960 --> 00:26:55,920 Speaker 3: You you just got into the rest of the email 543 00:26:56,840 --> 00:26:57,560 Speaker 3: left over there. 544 00:26:57,640 --> 00:27:00,440 Speaker 2: I never read the title of an email. I kind 545 00:27:00,480 --> 00:27:01,399 Speaker 2: of don't, you know. 546 00:27:01,760 --> 00:27:03,639 Speaker 3: I famously don't use subject lines. 547 00:27:03,800 --> 00:27:06,720 Speaker 2: No the titles for the person sending it. Yes, it's 548 00:27:06,760 --> 00:27:09,800 Speaker 2: for their it's their a little art projector itself. 549 00:27:10,480 --> 00:27:13,920 Speaker 3: Get creative, it's for you. Do the subject line you 550 00:27:13,960 --> 00:27:14,880 Speaker 3: would love to read. 551 00:27:16,600 --> 00:27:18,440 Speaker 2: Yeah, that's certainly not for anybody else. 552 00:27:20,160 --> 00:27:23,920 Speaker 3: Okay, well that's a perfect excuse. Uh should I open 553 00:27:23,960 --> 00:27:24,840 Speaker 3: this yere on the podcast? 554 00:27:25,160 --> 00:27:26,880 Speaker 2: Yeah? I like to watch people open their guess. 555 00:27:28,320 --> 00:27:34,240 Speaker 3: Like everyone, Yeah, Okay, we're gonna dip into this kind 556 00:27:34,240 --> 00:27:37,879 Speaker 3: of crispy brown bag and I'm pulling it. 557 00:27:38,840 --> 00:27:42,240 Speaker 2: Oh, I'm thrilled about this. I'm actually thrilled. It's a 558 00:27:42,440 --> 00:27:44,879 Speaker 2: disposable camera. Yeah, and let me explain. 559 00:27:45,680 --> 00:27:46,760 Speaker 3: I explain. 560 00:27:48,480 --> 00:27:49,200 Speaker 2: On your Instagram. 561 00:27:49,320 --> 00:27:50,960 Speaker 3: Okay, and I saw that. 562 00:27:51,000 --> 00:27:54,560 Speaker 2: You take all these incredibly compelling photos of trash, thank 563 00:27:54,600 --> 00:27:58,200 Speaker 2: you so much. And I thought we have to elevate 564 00:27:58,280 --> 00:28:03,000 Speaker 2: these onto film, and I just I kind of want 565 00:28:03,040 --> 00:28:04,720 Speaker 2: to see what you're capable of when you're doing it. 566 00:28:04,800 --> 00:28:08,080 Speaker 2: And you know, photography's rare, you know, the. 567 00:28:08,240 --> 00:28:11,880 Speaker 3: Raw form, they're lacking that texture, they're lacking a little 568 00:28:11,880 --> 00:28:16,200 Speaker 3: bit of grain. Yeah, this is a I feel like 569 00:28:16,240 --> 00:28:18,200 Speaker 3: it is like a recently trendy thing to get a 570 00:28:18,240 --> 00:28:22,200 Speaker 3: disposal camera. But I received one. Someone gave me one 571 00:28:22,240 --> 00:28:26,119 Speaker 3: on this podcast pre pandemic. We recorded sixteen episodes before 572 00:28:26,400 --> 00:28:29,359 Speaker 3: the pandemic crushed us, and someone gave me one and 573 00:28:29,440 --> 00:28:31,760 Speaker 3: I took a picture probably once every four months during 574 00:28:31,800 --> 00:28:35,720 Speaker 3: the pandemic, and then a month ago got them developed. Finally. 575 00:28:35,840 --> 00:28:38,520 Speaker 2: Are they incredible? I know they they're awesome. 576 00:28:38,840 --> 00:28:41,920 Speaker 3: Oh this is going to sound so stupid, but there's 577 00:28:41,960 --> 00:28:44,400 Speaker 3: something about them that feels more like the memory to 578 00:28:44,520 --> 00:28:47,160 Speaker 3: me than a digital like an iPhone camera. 579 00:28:47,440 --> 00:28:51,400 Speaker 2: Well, I think that's honest. I think that's true. Like 580 00:28:51,480 --> 00:28:54,280 Speaker 2: I think with like these, this is like a twenty 581 00:28:54,440 --> 00:28:58,080 Speaker 2: three milimeter like, oh, sure, it's like closer to what 582 00:28:58,240 --> 00:29:00,960 Speaker 2: the human eye is than your iPhone lens. 583 00:29:01,160 --> 00:29:02,160 Speaker 3: Oh is that true? 584 00:29:02,360 --> 00:29:04,880 Speaker 2: Yes? And so when you're looking at these things like it, 585 00:29:05,080 --> 00:29:08,080 Speaker 2: Actually when I don't take fucking photos on my phone 586 00:29:08,080 --> 00:29:11,120 Speaker 2: anymore because they drive me nuts, they don't ever look 587 00:29:11,240 --> 00:29:14,680 Speaker 2: like the thing, and they don't have any nostalgia attached. 588 00:29:14,800 --> 00:29:18,040 Speaker 2: And I think that because there I don't know what 589 00:29:18,160 --> 00:29:20,880 Speaker 2: the hell it is, but everything feels either long or 590 00:29:21,120 --> 00:29:25,360 Speaker 2: wide or distorted in some way. And I like how 591 00:29:25,680 --> 00:29:27,680 Speaker 2: flat film is. 592 00:29:28,080 --> 00:29:30,120 Speaker 3: It looks so beautiful. 593 00:29:30,240 --> 00:29:33,000 Speaker 2: It's like you blinked, And that is the memory you 594 00:29:33,080 --> 00:29:33,800 Speaker 2: get to keep. 595 00:29:33,720 --> 00:29:35,880 Speaker 3: Well that makes perfect sense. Yeah, I looked at those 596 00:29:35,920 --> 00:29:37,719 Speaker 3: and I thought, these is like twenty four photos are 597 00:29:37,760 --> 00:29:41,920 Speaker 3: more valuable than the last truly twelve thousand photos I took. 598 00:29:42,160 --> 00:29:44,560 Speaker 2: Yes, And then you take less photos, which I actually 599 00:29:44,720 --> 00:29:47,160 Speaker 2: like because I have one of these on me at 600 00:29:47,200 --> 00:29:51,040 Speaker 2: all times now, and you take way less photos. But 601 00:29:51,320 --> 00:29:54,200 Speaker 2: and it just takes up less. I'm not like now 602 00:29:54,400 --> 00:29:56,960 Speaker 2: I get to be pretentious about being the like when 603 00:29:56,960 --> 00:29:59,040 Speaker 2: people like take out their photo to look at something, 604 00:30:00,200 --> 00:30:04,959 Speaker 2: it's ridiculous soft they don't understand, and I'll bring out 605 00:30:04,960 --> 00:30:06,760 Speaker 2: my little I mean, I feel like a Duevus in 606 00:30:06,840 --> 00:30:08,680 Speaker 2: my own right, like having a little disposable with me. 607 00:30:08,800 --> 00:30:11,640 Speaker 2: But it always looks fucking cool, and I don't spend 608 00:30:11,720 --> 00:30:14,479 Speaker 2: it like fifteen minutes like opening my camera looking at 609 00:30:14,480 --> 00:30:17,040 Speaker 2: a photo of my fucking dog and then like zooming in, 610 00:30:17,280 --> 00:30:20,080 Speaker 2: zooming in, accidentally flipping it to portrait mode, you know 611 00:30:20,120 --> 00:30:22,120 Speaker 2: what I mean, Like there's something elegant about it, and 612 00:30:22,240 --> 00:30:24,040 Speaker 2: you really have to just think about the photo and 613 00:30:24,080 --> 00:30:25,840 Speaker 2: then it's gone. You don't have to get to you 614 00:30:25,880 --> 00:30:28,400 Speaker 2: don't get a thousand chances to take it, and if 615 00:30:28,440 --> 00:30:29,640 Speaker 2: you fuck it up, you fuck it up. 616 00:30:29,760 --> 00:30:32,520 Speaker 3: And that feels good. Yeah, you get a nice messy 617 00:30:32,600 --> 00:30:34,320 Speaker 3: picture and who cares? 618 00:30:34,480 --> 00:30:35,000 Speaker 2: Who cares? 619 00:30:35,200 --> 00:30:36,600 Speaker 3: Where do you get yours? Developed? 620 00:30:37,160 --> 00:30:37,280 Speaker 1: Uh? 621 00:30:37,400 --> 00:30:38,000 Speaker 2: Fromax? 622 00:30:38,320 --> 00:30:38,480 Speaker 1: Oh? 623 00:30:38,640 --> 00:30:38,960 Speaker 3: What's that? 624 00:30:39,800 --> 00:30:42,880 Speaker 2: Fromax? Is this place? What's it? 625 00:30:43,240 --> 00:30:43,280 Speaker 1: Not? 626 00:30:43,520 --> 00:30:44,720 Speaker 2: Is it? Maybe Alta Dina? 627 00:30:45,120 --> 00:30:45,479 Speaker 3: Okay? 628 00:30:45,920 --> 00:30:47,520 Speaker 2: But you have to go to the places in the 629 00:30:47,560 --> 00:30:49,920 Speaker 2: city that are like you know, I would not get 630 00:30:50,040 --> 00:30:52,880 Speaker 2: my stuff developed at Walgreen because the Walgreen's or CBS 631 00:30:52,960 --> 00:30:54,680 Speaker 2: or anything, because I actually think they like fuck it 632 00:30:54,760 --> 00:30:57,560 Speaker 2: up somehow. I mean, I just think they do. But 633 00:30:57,680 --> 00:31:01,200 Speaker 2: these these folks, they they they not only develop the photos, 634 00:31:01,240 --> 00:31:03,520 Speaker 2: but then they digitize them for you and they send 635 00:31:03,560 --> 00:31:07,040 Speaker 2: them to you. So it's actually really relatively easy. Now 636 00:31:07,080 --> 00:31:07,640 Speaker 2: it feels like a. 637 00:31:07,680 --> 00:31:11,000 Speaker 3: Ritual, right. I go to a place like that in Glendale, 638 00:31:11,120 --> 00:31:15,000 Speaker 3: near some sort of salad store, perfect Salad to Go 639 00:31:15,360 --> 00:31:18,080 Speaker 3: or something. I cannot remember the name of the photo 640 00:31:18,200 --> 00:31:21,240 Speaker 3: place sandwiched between an eye hop and a Salad to Go. 641 00:31:21,760 --> 00:31:22,360 Speaker 2: Salad to Go. 642 00:31:22,560 --> 00:31:24,120 Speaker 3: Well, I don't know that that's the name, but something 643 00:31:24,280 --> 00:31:24,360 Speaker 3: like that. 644 00:31:24,680 --> 00:31:28,000 Speaker 2: But if it is the name, what a passionless project? 645 00:31:29,320 --> 00:31:33,200 Speaker 3: Can you imagine? Your life's stream is salad to Go. 646 00:31:33,520 --> 00:31:37,080 Speaker 2: You get married to some guy named Chris and he 647 00:31:37,440 --> 00:31:42,440 Speaker 2: owns a salad to Go franchise. Jesus Christ. 648 00:31:44,720 --> 00:31:48,640 Speaker 3: God, Now that's my goal. I'm going to get all 649 00:31:48,720 --> 00:31:50,800 Speaker 3: of my money into Salad to Go to Go. 650 00:31:51,520 --> 00:31:54,000 Speaker 2: If it was named like Crispy Greens, I could respect it. 651 00:31:54,160 --> 00:31:56,680 Speaker 3: Sure you're at least thinking about the vegetable. 652 00:31:56,800 --> 00:31:59,360 Speaker 2: Yeah, is there any opportunity to eat it in the store? 653 00:32:00,080 --> 00:32:04,280 Speaker 3: And I don't think so. Oh No, Salad to Go 654 00:32:04,440 --> 00:32:07,680 Speaker 3: is my business concept. Sharks. In front of you is 655 00:32:07,680 --> 00:32:09,960 Speaker 3: a bowl of salad. Imagine being able to take that 656 00:32:10,040 --> 00:32:10,680 Speaker 3: wherever you go. 657 00:32:10,920 --> 00:32:13,880 Speaker 2: I want one hundred percent equity for one hundred dollars. 658 00:32:15,120 --> 00:32:19,600 Speaker 3: Please take this from get this out of everyone in 659 00:32:19,800 --> 00:32:24,680 Speaker 3: my life. It's kind of like, what's the tape that 660 00:32:24,760 --> 00:32:26,240 Speaker 3: you pass along and it kills people? 661 00:32:26,400 --> 00:32:26,920 Speaker 2: Tape worm? 662 00:32:28,560 --> 00:32:32,800 Speaker 3: Yeah, let's pass along by kissing as we all know. Yeah, 663 00:32:32,880 --> 00:32:37,560 Speaker 3: you kissing cooked mouth, you will get a tape worm? 664 00:32:37,760 --> 00:32:40,160 Speaker 2: Or are you talking about the one from the Ring? 665 00:32:40,520 --> 00:32:43,560 Speaker 3: The Ring? I keep I kept thinking the View, the curse, 666 00:32:43,760 --> 00:32:45,040 Speaker 3: the tape view. 667 00:32:47,080 --> 00:32:47,280 Speaker 2: Hard. 668 00:32:49,240 --> 00:32:51,120 Speaker 3: I want you very heart to get the ring. 669 00:32:51,560 --> 00:32:54,800 Speaker 2: Oh man. I would watch an entire like spin off 670 00:32:54,920 --> 00:32:57,360 Speaker 2: where it's the ladies from the View watch the ring 671 00:32:57,440 --> 00:32:58,440 Speaker 2: and pass it around. 672 00:32:58,240 --> 00:33:00,719 Speaker 3: To each other, just kind of around in her. 673 00:33:02,840 --> 00:33:05,280 Speaker 2: They keep surviving because they just they keep passing. 674 00:33:05,320 --> 00:33:07,840 Speaker 3: It brought a tape in to work for. 675 00:33:07,920 --> 00:33:10,560 Speaker 2: You, one haunted tape. 676 00:33:11,280 --> 00:33:14,080 Speaker 3: You know this is a different tape. 677 00:33:14,400 --> 00:33:16,280 Speaker 2: Yeah, I wouldn't do that to you four times. 678 00:33:16,760 --> 00:33:22,000 Speaker 3: You know how many tapes I have at home? The Ring. 679 00:33:22,280 --> 00:33:24,400 Speaker 2: That's right, it's the scariest movie of all times. 680 00:33:24,440 --> 00:33:26,680 Speaker 3: I might watch it in the last five years. No shit, 681 00:33:27,000 --> 00:33:28,000 Speaker 3: it was pretty scary. 682 00:33:28,400 --> 00:33:30,240 Speaker 2: You're lucky you watched it in the last five years. 683 00:33:30,280 --> 00:33:31,880 Speaker 2: I watched it as a child at room in my life. 684 00:33:31,880 --> 00:33:33,440 Speaker 3: Oh, that would have been a rough experience. 685 00:33:34,320 --> 00:33:34,520 Speaker 2: Yeah. 686 00:33:34,640 --> 00:33:37,080 Speaker 3: I it scared me as an adult, and I'm hard 687 00:33:37,160 --> 00:33:39,280 Speaker 3: to scare as an adult at this point. I'm pretty 688 00:33:39,360 --> 00:33:40,760 Speaker 3: numb to most horror films. 689 00:33:40,840 --> 00:33:42,720 Speaker 2: So it's terrifying. 690 00:33:43,120 --> 00:33:44,080 Speaker 3: That's got the little girl. 691 00:33:44,960 --> 00:33:47,920 Speaker 2: All you need is a little girl with the Japanese 692 00:33:48,000 --> 00:33:49,960 Speaker 2: water ghost. That's all you need to put in any 693 00:33:50,040 --> 00:33:51,719 Speaker 2: story for me. And I'm gonna be afraid. 694 00:33:51,960 --> 00:33:52,880 Speaker 3: Where is she coming from? 695 00:33:53,120 --> 00:33:53,680 Speaker 2: Why and why? 696 00:33:54,000 --> 00:33:54,800 Speaker 3: What's her agenda? 697 00:33:55,000 --> 00:33:56,960 Speaker 2: And of course, like we find out you know that 698 00:33:57,080 --> 00:33:58,640 Speaker 2: she gets like pushed in the well or whatever, but 699 00:33:58,880 --> 00:33:59,440 Speaker 2: we also. 700 00:33:59,280 --> 00:34:02,680 Speaker 3: Find out that evil right, so she kind of deserved her. 701 00:34:02,920 --> 00:34:04,760 Speaker 2: Her parents had to kill her because she was being 702 00:34:04,840 --> 00:34:05,320 Speaker 2: a bitch. 703 00:34:07,280 --> 00:34:08,480 Speaker 3: Get out of our lives. 704 00:34:08,800 --> 00:34:10,600 Speaker 2: Also a crazy part of that story now that I'm 705 00:34:10,640 --> 00:34:14,080 Speaker 2: thinking about that, that like, remember I think it's Nami Watts, Yes, 706 00:34:14,280 --> 00:34:17,160 Speaker 2: Nami Wats is like like finding out that the little 707 00:34:17,200 --> 00:34:19,320 Speaker 2: girl is like has been killed by somebody close to 708 00:34:19,360 --> 00:34:23,040 Speaker 2: her whatever, and then she like is doing more research 709 00:34:23,200 --> 00:34:25,919 Speaker 2: and she realizes it's because the little girl's a bitch. 710 00:34:27,680 --> 00:34:30,160 Speaker 2: And that's when we're supposed to be like, oh, good, good, good, 711 00:34:30,400 --> 00:34:32,400 Speaker 2: Like I'm glad she was killed. We gotta put the 712 00:34:32,480 --> 00:34:35,080 Speaker 2: fucking cover on the hot tub or the well? 713 00:34:37,239 --> 00:34:38,560 Speaker 3: Is there a hot tub in the movie? 714 00:34:39,480 --> 00:34:42,440 Speaker 2: To me, I'm realizing that wells look like hot. 715 00:34:42,719 --> 00:34:44,319 Speaker 3: If she doesn't crawl out of a hot tub at 716 00:34:44,400 --> 00:34:45,520 Speaker 3: some point, what were they doing? 717 00:34:45,640 --> 00:34:48,920 Speaker 2: Missed opportunity. When we reboot this for the women from 718 00:34:49,000 --> 00:34:49,840 Speaker 2: the view, it. 719 00:34:49,880 --> 00:34:51,680 Speaker 3: Will be a hot tub and she will be so 720 00:34:51,880 --> 00:34:53,920 Speaker 3: relaxed crawling out of it, and. 721 00:34:54,120 --> 00:34:55,239 Speaker 2: She'll have combed her hair. 722 00:34:57,960 --> 00:35:00,080 Speaker 3: God, isn't there something to do with a horse in 723 00:35:00,160 --> 00:35:01,799 Speaker 3: that movie? Does a horse jump off a boat? 724 00:35:02,480 --> 00:35:04,120 Speaker 2: Yeah? Yeah, Oh it kills itself. 725 00:35:04,440 --> 00:35:06,160 Speaker 3: It kills it stuff? Did it? Watch the tape? 726 00:35:06,400 --> 00:35:11,360 Speaker 2: It had to Yes, a fairy there's a horse on 727 00:35:11,440 --> 00:35:13,200 Speaker 2: the fair fairy and it jumps off and it like 728 00:35:13,280 --> 00:35:14,800 Speaker 2: throws itself into the blades. 729 00:35:15,560 --> 00:35:19,560 Speaker 3: Oh, another shot from on, only you have one more chance. 730 00:35:20,400 --> 00:35:23,640 Speaker 4: I brought one with exactly three bullets, which is a 731 00:35:23,719 --> 00:35:25,960 Speaker 4: frantic horse because I just saw this recently too, But 732 00:35:26,040 --> 00:35:28,640 Speaker 4: I forgot a frantic horse breaks out of its trailer 733 00:35:28,640 --> 00:35:31,600 Speaker 4: when Rachel approaches and throws itself off of a fairy where. 734 00:35:31,760 --> 00:35:33,719 Speaker 4: Oh I don't want to say this, so it's after 735 00:35:33,840 --> 00:35:37,040 Speaker 4: where it's promptly shredded by the propellers to. 736 00:35:37,080 --> 00:35:37,680 Speaker 3: Be shredded by. 737 00:35:38,320 --> 00:35:39,239 Speaker 2: But we want to know why. 738 00:35:40,120 --> 00:35:41,880 Speaker 3: It's just a frantic horse. It's just to set the 739 00:35:41,920 --> 00:35:42,480 Speaker 3: mood problem. 740 00:35:42,600 --> 00:35:43,520 Speaker 2: Yeah, I was off. 741 00:35:43,760 --> 00:35:47,960 Speaker 3: Yeah, it was mad. It had a bad day at work, 742 00:35:48,040 --> 00:35:50,319 Speaker 3: and it was like, I can't do another fairy ride. 743 00:35:50,400 --> 00:35:51,480 Speaker 2: Fuck shred me. 744 00:35:51,840 --> 00:35:57,040 Speaker 3: Yeah, absolutely take me through a propeller. Have you ever 745 00:35:57,120 --> 00:35:57,720 Speaker 3: water skied? 746 00:35:59,080 --> 00:36:06,680 Speaker 2: Oh? My god, First of all, unbelievable transition. Unbelievable. My 747 00:36:06,840 --> 00:36:10,560 Speaker 2: girlfriend in high school, her dad had a boat and 748 00:36:10,760 --> 00:36:13,480 Speaker 2: he would take us out to water ski and I 749 00:36:13,600 --> 00:36:15,400 Speaker 2: would watch him try to kill her. 750 00:36:17,000 --> 00:36:18,239 Speaker 3: But she's a little girl. From the ring. 751 00:36:18,760 --> 00:36:20,800 Speaker 2: One hundred percent. That was the energy. It is like 752 00:36:20,880 --> 00:36:23,800 Speaker 2: she deserved it, but I but when I watched it 753 00:36:23,840 --> 00:36:25,080 Speaker 2: then they would always try to get me on the 754 00:36:25,080 --> 00:36:27,640 Speaker 2: skis and I was like, no, I do it. I 755 00:36:27,840 --> 00:36:30,839 Speaker 2: see the bit. The bit is like you want people 756 00:36:30,880 --> 00:36:33,200 Speaker 2: to wipe out. I'm never going to do this. I'm 757 00:36:33,239 --> 00:36:36,400 Speaker 2: not going to do something where I'm not in control, 758 00:36:36,480 --> 00:36:38,680 Speaker 2: is what I'm learning. Of Course, if I was driving 759 00:36:38,719 --> 00:36:40,200 Speaker 2: the boat and I was the one on the skis, 760 00:36:40,520 --> 00:36:41,600 Speaker 2: sure right. 761 00:36:42,600 --> 00:36:44,640 Speaker 3: If your doppelganger was driving the boat. 762 00:36:44,640 --> 00:36:46,000 Speaker 2: If it was my twin and I could trust some 763 00:36:46,080 --> 00:36:49,840 Speaker 2: we had the same brain. But there's kind of no 764 00:36:50,120 --> 00:36:53,960 Speaker 2: fucking way I'm letting a human being do that to me. Impossible. 765 00:36:54,360 --> 00:36:56,200 Speaker 3: So you never got up on the skis. 766 00:36:56,080 --> 00:37:00,560 Speaker 2: Not a single fucking time. Fuck that shit. I've got 767 00:37:00,680 --> 00:37:03,640 Speaker 2: to get you out on the boat like a true prank. 768 00:37:04,280 --> 00:37:05,120 Speaker 2: Is that sport to me? 769 00:37:05,440 --> 00:37:08,759 Speaker 3: Oh, I haven't been since I was a kid, but 770 00:37:09,680 --> 00:37:11,960 Speaker 3: want to go so bad. I don't know that it's 771 00:37:11,960 --> 00:37:13,239 Speaker 3: athletic rope. 772 00:37:13,480 --> 00:37:15,920 Speaker 2: No, it's athletic. You have to get up, you have 773 00:37:16,000 --> 00:37:18,360 Speaker 2: to get You just have to be able to be dragged. 774 00:37:19,360 --> 00:37:21,360 Speaker 2: And I can be dragged through anything. 775 00:37:22,920 --> 00:37:25,319 Speaker 3: I really do think this is kind of a thing 776 00:37:25,840 --> 00:37:29,000 Speaker 3: I've recently realized that my life feels like when you 777 00:37:29,040 --> 00:37:31,080 Speaker 3: first learn to water ski, they tell you to let 778 00:37:31,160 --> 00:37:33,320 Speaker 3: go of the rope because if you follow, you should 779 00:37:33,400 --> 00:37:34,880 Speaker 3: go of the rope because you'll just get dragged through 780 00:37:34,920 --> 00:37:37,640 Speaker 3: the water. And I feel like my entire life is 781 00:37:37,880 --> 00:37:39,680 Speaker 3: just holding onto the rope and getting dragged through the water, 782 00:37:39,840 --> 00:37:42,839 Speaker 3: just blasted in the face over and over. Please let 783 00:37:42,880 --> 00:37:43,440 Speaker 3: me get on the ski. 784 00:37:43,600 --> 00:37:47,359 Speaker 2: I'm hearing persistence, I'm hearing resilience. I'm gonna turn those 785 00:37:47,640 --> 00:37:50,560 Speaker 2: self a steak. No, you can say that, I'm gonna 786 00:37:50,560 --> 00:37:51,840 Speaker 2: say persistence, resilience. 787 00:37:52,480 --> 00:37:55,840 Speaker 3: I wish you'd go water ski. I just wish it. 788 00:37:55,880 --> 00:37:58,239 Speaker 2: Will never happen for me. There are things that I 789 00:37:58,360 --> 00:38:02,680 Speaker 2: understand that thatga of outcome far outweighs me having the best. 790 00:38:02,520 --> 00:38:05,440 Speaker 3: Time of my life being in a devilment gum commercial. 791 00:38:05,840 --> 00:38:08,600 Speaker 2: Yeah no, I'm absolutely impossibility. 792 00:38:08,880 --> 00:38:10,799 Speaker 3: The thing for me that I won't get on ever 793 00:38:10,840 --> 00:38:13,200 Speaker 3: again is did you ever see the tube behind the boat? 794 00:38:13,640 --> 00:38:14,839 Speaker 2: Fuck that that too? 795 00:38:15,160 --> 00:38:17,920 Speaker 3: No, thank you, because that anytime anytime someone's in that, 796 00:38:17,960 --> 00:38:20,160 Speaker 3: they're trying to get you off of it exact you're 797 00:38:20,160 --> 00:38:22,880 Speaker 3: gonna get your head ripped off. Yes, yes, yes, no, 798 00:38:23,200 --> 00:38:24,919 Speaker 3: Oh my god, I don't want to live in fear. 799 00:38:24,960 --> 00:38:26,840 Speaker 3: And you you really have no control when you're on 800 00:38:26,920 --> 00:38:28,759 Speaker 3: the tube. At least with the skis you can let go. 801 00:38:29,200 --> 00:38:33,160 Speaker 2: No, I heard an awful story about girl who went 802 00:38:34,320 --> 00:38:37,560 Speaker 2: water skiing and she fell in such a way that 803 00:38:37,760 --> 00:38:42,759 Speaker 2: she had a full prolapse because of a jet of water. Oh, 804 00:38:43,400 --> 00:38:48,560 Speaker 2: and I'm I'm not like like that for me. As 805 00:38:48,600 --> 00:38:50,440 Speaker 2: you hear that story and you go and thank you 806 00:38:51,120 --> 00:38:53,600 Speaker 2: and thank you very much. You know you don't hear that. 807 00:38:53,719 --> 00:38:56,160 Speaker 2: You go, But I'm I'm I'm going to take my chances, 808 00:38:56,320 --> 00:38:58,160 Speaker 2: but I might as well give it a shot. Yeah, No, 809 00:38:58,560 --> 00:39:03,000 Speaker 2: I'm good. Everything I have I want tucked neatly inside 810 00:39:03,080 --> 00:39:04,440 Speaker 2: still for. 811 00:39:04,600 --> 00:39:07,359 Speaker 3: Now, for now, you may have a change of heart. Yeah, 812 00:39:08,920 --> 00:39:11,120 Speaker 3: our high school bully got his hand ripped off. 813 00:39:11,320 --> 00:39:12,360 Speaker 2: Jesus God. 814 00:39:12,920 --> 00:39:16,640 Speaker 3: Yeah, on a fucking jet like a rope got wrapped. 815 00:39:17,040 --> 00:39:18,880 Speaker 3: I mean I should have you know, I should have 816 00:39:18,920 --> 00:39:19,720 Speaker 3: warned the listener. 817 00:39:20,520 --> 00:39:24,600 Speaker 2: Maybe it's too late. You suck it up, enough, suck 818 00:39:24,640 --> 00:39:25,200 Speaker 2: it up, But. 819 00:39:25,320 --> 00:39:28,000 Speaker 3: These things happen. We need to know because I'm tempting 820 00:39:28,080 --> 00:39:29,760 Speaker 3: you to water ski And now I need to reveal 821 00:39:29,840 --> 00:39:31,440 Speaker 3: that I know someone got their hand ripped off. 822 00:39:31,480 --> 00:39:33,000 Speaker 2: It was it was the high school bully. 823 00:39:33,120 --> 00:39:35,520 Speaker 3: The high school bully, which is you know, it's a 824 00:39:35,600 --> 00:39:40,360 Speaker 3: hard thing to hear because you know, what, what feeling 825 00:39:40,680 --> 00:39:43,960 Speaker 3: do you have? I'm trying to have a generous heart. 826 00:39:44,440 --> 00:39:45,520 Speaker 2: Oh my god. 827 00:39:46,080 --> 00:39:50,360 Speaker 3: But at the time, you know, it was interesting. That 828 00:39:50,440 --> 00:39:50,879 Speaker 3: can happen. 829 00:39:51,000 --> 00:39:52,120 Speaker 2: I'm going to think about it forever. 830 00:39:52,280 --> 00:39:54,400 Speaker 3: And it happens to people who aren't high school bullies. 831 00:39:54,719 --> 00:39:57,640 Speaker 2: Yeah, those people have not so interesting a story. But 832 00:39:57,800 --> 00:39:58,520 Speaker 2: high school bully. 833 00:39:59,480 --> 00:40:02,600 Speaker 3: Jesus, do not let things get wrapped around your hand. 834 00:40:02,680 --> 00:40:04,640 Speaker 2: That's how you don't make fun of people. That's why 835 00:40:05,280 --> 00:40:08,520 Speaker 2: someday you might have a little nub from a skiing accident. 836 00:40:08,640 --> 00:40:10,440 Speaker 2: And now now who's gonna get bullied? 837 00:40:10,440 --> 00:40:13,359 Speaker 3: And now everyone's feelings are complicated? Me. Yeah, that's why 838 00:40:13,400 --> 00:40:16,320 Speaker 3: I don't wear a metal ring to the gym, because 839 00:40:16,360 --> 00:40:20,000 Speaker 3: I to anywhere, because I know someone And again, graphics story, 840 00:40:20,239 --> 00:40:22,360 Speaker 3: I know someone who got their ring caught on a 841 00:40:22,400 --> 00:40:23,960 Speaker 3: fence and ripped their fingers. 842 00:40:24,440 --> 00:40:25,560 Speaker 2: What are these people doing? 843 00:40:25,800 --> 00:40:26,919 Speaker 3: What's happening in my life? 844 00:40:27,000 --> 00:40:27,719 Speaker 2: Why were they climbing? 845 00:40:27,760 --> 00:40:28,640 Speaker 3: The factbeah, I'm the ring. 846 00:40:29,000 --> 00:40:29,239 Speaker 4: Ah. 847 00:40:29,880 --> 00:40:32,319 Speaker 3: I think it was like in mid elementary school or something, 848 00:40:32,360 --> 00:40:37,080 Speaker 3: you know, climbing fences in elementary school and what And 849 00:40:37,120 --> 00:40:38,759 Speaker 3: then I was wearing a metal ring once putting the 850 00:40:38,800 --> 00:40:40,719 Speaker 3: dishes away, and a fork got caught in the metal 851 00:40:40,800 --> 00:40:42,960 Speaker 3: ring and I said, never again. Yeah, no, thank you. 852 00:40:43,480 --> 00:40:47,680 Speaker 2: Yeah, imagine you've got the disposal. You imagine horror. 853 00:40:48,719 --> 00:40:49,960 Speaker 3: Have you ever been to the hospital? 854 00:40:50,600 --> 00:40:53,040 Speaker 2: Yeah, yeah, I got. I got a really bad concussion 855 00:40:53,040 --> 00:40:55,040 Speaker 2: when I was like thirteen. I fell like ten feet 856 00:40:55,200 --> 00:40:58,320 Speaker 2: straight onto my head on cement. I heard from what 857 00:40:58,600 --> 00:41:01,520 Speaker 2: everything I was standing on like the back of a chair, 858 00:41:01,600 --> 00:41:04,000 Speaker 2: balancing on the back of a chair, and my friend 859 00:41:04,560 --> 00:41:07,560 Speaker 2: H kicked it out because that would be funny. You know, 860 00:41:07,640 --> 00:41:09,239 Speaker 2: when your friend of lopes not developed, You're like, that 861 00:41:09,280 --> 00:41:11,600 Speaker 2: would be funny. And I found and I didn't catch 862 00:41:11,640 --> 00:41:13,399 Speaker 2: myself with my hands or my back or anything because 863 00:41:13,520 --> 00:41:17,680 Speaker 2: I fell so fast and I split from the back 864 00:41:17,760 --> 00:41:19,280 Speaker 2: of like the nape of my neck. 865 00:41:19,360 --> 00:41:21,360 Speaker 3: Up to the front of Oh my god. 866 00:41:21,560 --> 00:41:25,680 Speaker 2: But the grossest part, listener, is that my skin didn't break, 867 00:41:26,640 --> 00:41:29,480 Speaker 2: and so there was just a bunch of bleeding. A balloon. 868 00:41:29,880 --> 00:41:31,240 Speaker 2: It was a fucking balloon. 869 00:41:32,719 --> 00:41:35,120 Speaker 3: This podcast has become very violent recently. 870 00:41:35,760 --> 00:41:37,839 Speaker 2: We brought up that fucking little girl from the ring. 871 00:41:38,440 --> 00:41:41,719 Speaker 2: I know what happened to her. By the way, this 872 00:41:41,880 --> 00:41:45,680 Speaker 2: is yes, bring her up anywhere if you if you're 873 00:41:45,800 --> 00:41:47,680 Speaker 2: gonna be a kid and a bitch. 874 00:41:49,200 --> 00:41:51,319 Speaker 3: Kind of scam, he's a scam. 875 00:41:51,400 --> 00:41:53,640 Speaker 2: You're gonna end up in a while. That's nobody's fault 876 00:41:53,640 --> 00:41:54,080 Speaker 2: but yours. 877 00:41:55,160 --> 00:41:56,879 Speaker 3: And suddenly you're hosting the view. 878 00:41:58,280 --> 00:42:00,319 Speaker 2: I'm trying to say it. It's nobody's fault, yours. 879 00:42:02,320 --> 00:42:04,600 Speaker 3: Ah wow, that's uh so, what like what did they 880 00:42:04,640 --> 00:42:05,320 Speaker 3: do to repair you? 881 00:42:06,320 --> 00:42:08,839 Speaker 2: Well? I was put in like a little three day 882 00:42:08,880 --> 00:42:11,000 Speaker 2: coma and then I wasn't allowed to do activities for 883 00:42:11,040 --> 00:42:11,319 Speaker 2: a while. 884 00:42:11,400 --> 00:42:11,759 Speaker 1: But my. 885 00:42:13,520 --> 00:42:16,600 Speaker 2: Basketball coach I came it was like, this happened in 886 00:42:16,640 --> 00:42:18,719 Speaker 2: the summer, And I told my basketball coach at the 887 00:42:18,800 --> 00:42:20,759 Speaker 2: end of summer when was started, it was like, I'm 888 00:42:20,800 --> 00:42:23,360 Speaker 2: not allowed to technically start like doing anything for the 889 00:42:23,440 --> 00:42:24,960 Speaker 2: next like month and a half. And he was like, 890 00:42:25,480 --> 00:42:27,080 Speaker 2: then you won't be on the team, and I was like, well, 891 00:42:28,040 --> 00:42:31,480 Speaker 2: yes I will. And so I just got back into it. Wow. Yeah, 892 00:42:31,560 --> 00:42:35,640 Speaker 2: And now they did tell me that it would interfere 893 00:42:35,719 --> 00:42:38,840 Speaker 2: with like rage and because of where I hit it, 894 00:42:39,400 --> 00:42:42,600 Speaker 2: and let me tell you it did in what way? 895 00:42:43,640 --> 00:42:47,160 Speaker 2: I it like truly, I had a very like angry 896 00:42:47,320 --> 00:42:49,960 Speaker 2: and depressed teenage years, but like in a very like 897 00:42:51,600 --> 00:42:57,640 Speaker 2: not always connected to things. Oh fascinating, Yeah, but that's subsided, yes, yeah, 898 00:42:58,560 --> 00:43:01,440 Speaker 2: I yeah, the older I get them more like mitigated 899 00:43:01,480 --> 00:43:06,160 Speaker 2: it is. But it was like, certainly up to fifteen 900 00:43:06,239 --> 00:43:09,080 Speaker 2: years afterwards, it was like quick quick, quick to rage, 901 00:43:10,840 --> 00:43:12,040 Speaker 2: could not get down from it? 902 00:43:12,360 --> 00:43:15,000 Speaker 3: Could the same thing happen and make you happy? Quick to? 903 00:43:16,760 --> 00:43:19,760 Speaker 2: I mean yes, because I was reading a book about 904 00:43:21,000 --> 00:43:22,919 Speaker 2: music lovers, like it's I think it's called like music 905 00:43:22,960 --> 00:43:26,000 Speaker 2: Aphelia or whatever, and they're people that I've had like 906 00:43:26,719 --> 00:43:32,560 Speaker 2: really traumatic brain injuries or near death experiences. They some 907 00:43:32,719 --> 00:43:36,440 Speaker 2: of them come back and they can write and compose music. Oh, 908 00:43:36,800 --> 00:43:41,600 Speaker 2: never having done it before. That's like that's magic, magic magic, 909 00:43:41,719 --> 00:43:46,399 Speaker 2: like completely like beautiful mysticism, like will make you listen 910 00:43:46,560 --> 00:43:48,520 Speaker 2: reading this book of like it will make you believe 911 00:43:48,560 --> 00:43:51,120 Speaker 2: in God, Like it's just like crazy, but it is 912 00:43:51,239 --> 00:43:53,520 Speaker 2: like that a part of their brain was affected and 913 00:43:53,719 --> 00:43:56,600 Speaker 2: it turned on specifically music. It's a whole book of 914 00:43:56,640 --> 00:43:58,640 Speaker 2: people that had this happened to them. So you're like, yeah, 915 00:43:59,280 --> 00:44:01,160 Speaker 2: there there are atter ways to get your head. 916 00:44:01,040 --> 00:44:03,960 Speaker 3: Injured, right, look for those ways when falling off a 917 00:44:04,120 --> 00:44:08,440 Speaker 3: chair yeah, did your friend learn a lesson? 918 00:44:09,320 --> 00:44:11,200 Speaker 2: I was at a I was at a private high 919 00:44:11,200 --> 00:44:15,120 Speaker 2: school and my uh, my friend was there on scholarship, 920 00:44:15,200 --> 00:44:17,400 Speaker 2: and so I did not ever tell on my friend. 921 00:44:18,440 --> 00:44:20,879 Speaker 2: And so my friend, my friend and I never talked 922 00:44:20,920 --> 00:44:22,880 Speaker 2: about her anything. I just we did each other a 923 00:44:23,000 --> 00:44:24,240 Speaker 2: solid and we're like, never. 924 00:44:24,120 --> 00:44:26,560 Speaker 3: Brought it up. And wow, now the principal's going to 925 00:44:26,600 --> 00:44:29,240 Speaker 3: hear this podcast and we're sinned there, and I agree. 926 00:44:29,480 --> 00:44:31,480 Speaker 2: I hope they go back and find him and his 927 00:44:31,640 --> 00:44:32,279 Speaker 2: last name is. 928 00:44:33,880 --> 00:44:37,440 Speaker 3: Take that diploma. Yeah, rip it off his parents wall exactly. 929 00:44:38,200 --> 00:44:38,800 Speaker 2: Shame on you. 930 00:44:41,040 --> 00:44:42,640 Speaker 3: Wow, that's very generous of you. 931 00:44:44,160 --> 00:44:46,320 Speaker 2: Snitches get stitches in their spirit. 932 00:44:46,880 --> 00:44:50,800 Speaker 3: I mean, this is a very pro snitch podcast. We 933 00:44:50,960 --> 00:44:51,279 Speaker 3: love a. 934 00:44:51,320 --> 00:44:53,080 Speaker 2: Snitch, okay, and that's fair. 935 00:44:54,880 --> 00:44:56,880 Speaker 3: I love a rat. Yeah, I love someone who just 936 00:44:56,960 --> 00:44:58,520 Speaker 3: can't keep a secret to themselves. 937 00:44:58,600 --> 00:45:00,239 Speaker 2: Well, I'm a gemini, so me. 938 00:45:02,440 --> 00:45:05,600 Speaker 3: I'm afraid I probably would snitch. I feel like I 939 00:45:05,640 --> 00:45:08,840 Speaker 3: would be a snitch. Yes, you know, we all have. 940 00:45:08,880 --> 00:45:11,560 Speaker 2: To be honest with about who we are. And I'm 941 00:45:11,760 --> 00:45:15,000 Speaker 2: I'm I ain't no snitch, but they're definitely I have 942 00:45:15,120 --> 00:45:17,400 Speaker 2: definitely shared secrets I was not supposed to. 943 00:45:17,680 --> 00:45:20,400 Speaker 3: Oh yeah, it's fair. You know, it's so much fun hard. 944 00:45:20,800 --> 00:45:24,080 Speaker 3: It feels great, yes, you, and then the feeling goes 945 00:45:24,080 --> 00:45:25,120 Speaker 3: away and you have to do it again. 946 00:45:25,400 --> 00:45:27,560 Speaker 2: Yes, you gotta get that hit. 947 00:45:30,280 --> 00:45:32,719 Speaker 3: Just divulging secrets all over time. 948 00:45:32,840 --> 00:45:36,120 Speaker 2: Yeah, it's hard. It's hard. One big, one big personal 949 00:45:36,239 --> 00:45:39,320 Speaker 2: secret a year that is not in any way yours 950 00:45:39,400 --> 00:45:42,359 Speaker 2: to share. And yeah, you're gonna have some shame. Yes, 951 00:45:42,440 --> 00:45:44,120 Speaker 2: you're gonna have some gal it's gonna eat you. You're 952 00:45:44,120 --> 00:45:46,279 Speaker 2: gonna be worried about. Oh God, is the person I 953 00:45:46,400 --> 00:45:50,560 Speaker 2: tell being responsible with it like I was supposed to be. Still, 954 00:45:50,640 --> 00:45:52,600 Speaker 2: it's worth every every minute. 955 00:45:52,960 --> 00:45:53,880 Speaker 3: Do you like gossip? 956 00:45:55,280 --> 00:45:57,000 Speaker 2: Mm hmm, me too. 957 00:45:57,280 --> 00:45:59,560 Speaker 3: I just love to spread the news. 958 00:46:00,280 --> 00:46:02,080 Speaker 2: Sorry, it's a beautiful thing. 959 00:46:02,360 --> 00:46:03,960 Speaker 3: It's such a special thing. 960 00:46:04,160 --> 00:46:07,440 Speaker 2: Yes. And obviously any anybody who doesn't like gossip I 961 00:46:07,480 --> 00:46:09,880 Speaker 2: find very irritating. They're like when people are like, uh, 962 00:46:10,640 --> 00:46:12,480 Speaker 2: you know, let's talk about something positive, I'm like, this 963 00:46:12,640 --> 00:46:18,200 Speaker 2: is positive. It's making me happy. We're connecting right now 964 00:46:18,560 --> 00:46:19,959 Speaker 2: over something salacious. 965 00:46:20,600 --> 00:46:21,799 Speaker 3: It feels so good. 966 00:46:22,000 --> 00:46:23,120 Speaker 2: What's more positive than that? 967 00:46:23,400 --> 00:46:27,080 Speaker 3: Yeah? And you know you're learning and maybe it's edifying 968 00:46:27,160 --> 00:46:29,600 Speaker 3: you in some way. You're you'll look out for those 969 00:46:29,719 --> 00:46:30,680 Speaker 3: people or you know. 970 00:46:31,239 --> 00:46:33,920 Speaker 2: The excuse you can tell yourself is that sometimes when 971 00:46:33,920 --> 00:46:38,040 Speaker 2: you're gossiping about others, if you're doing it quote unquote empathetically, 972 00:46:38,800 --> 00:46:41,719 Speaker 2: you're building out your understanding of them in your mind 973 00:46:41,880 --> 00:46:45,280 Speaker 2: so that you can treat them with more empathy. 974 00:46:45,760 --> 00:46:46,360 Speaker 3: Exactly. 975 00:46:46,600 --> 00:46:49,080 Speaker 2: Like I know that someone's so cheated on his wife, 976 00:46:49,280 --> 00:46:52,360 Speaker 2: and he he must have done that, because. 977 00:46:53,560 --> 00:46:55,719 Speaker 3: You know what I mean, And we as a community, 978 00:46:56,160 --> 00:46:58,919 Speaker 3: as many of us as possible, need to know this, Yes, 979 00:46:59,640 --> 00:47:02,600 Speaker 3: so that we can support him and her. We need 980 00:47:02,680 --> 00:47:04,080 Speaker 3: to be there for both of them. 981 00:47:04,280 --> 00:47:04,480 Speaker 2: Yes. 982 00:47:06,640 --> 00:47:09,440 Speaker 3: No, I love gossip, but I like, I mean, it's 983 00:47:09,480 --> 00:47:12,600 Speaker 3: been a real uh drought since the beginning of the 984 00:47:12,640 --> 00:47:16,520 Speaker 3: pandemic and then zoom. People aren't working in the same 985 00:47:16,640 --> 00:47:19,560 Speaker 3: rooms as much anymore, so you don't get quite as much. 986 00:47:19,960 --> 00:47:22,759 Speaker 2: Yeah, it's it's been a really hard time for for 987 00:47:22,920 --> 00:47:23,440 Speaker 2: gay people. 988 00:47:23,800 --> 00:47:26,040 Speaker 3: Yes, it's been extremely hard. That's why I'm going back 989 00:47:26,080 --> 00:47:28,120 Speaker 3: to church for the gossip. 990 00:47:28,320 --> 00:47:32,440 Speaker 2: Yeah, you need a little bit more punishment. Yeah, you 991 00:47:32,719 --> 00:47:36,439 Speaker 2: wrote for I hope this makes you happy. You wrote 992 00:47:36,440 --> 00:47:38,719 Speaker 2: for me Schman, Oh yeah, of course, and loved it. 993 00:47:38,960 --> 00:47:41,200 Speaker 2: I would you know, argue like obviously one of the 994 00:47:41,560 --> 00:47:46,440 Speaker 2: top three comedies of all time when I I was 995 00:47:46,520 --> 00:47:51,520 Speaker 2: like showing my comedies to my partner because she's not 996 00:47:51,680 --> 00:47:53,759 Speaker 2: like super She just like did not grow up with 997 00:47:53,840 --> 00:47:55,919 Speaker 2: these genre just was like not a big comedy person, 998 00:47:56,800 --> 00:48:00,440 Speaker 2: and I was trying to get her in to comedy. 999 00:48:00,480 --> 00:48:02,440 Speaker 2: And Kimmy Schmidt was the first show I thought of. 1000 00:48:03,080 --> 00:48:06,239 Speaker 2: I felt so lucky to work on that show. It's 1001 00:48:07,000 --> 00:48:08,680 Speaker 2: I mean, to work for those people was wonderful. It 1002 00:48:08,680 --> 00:48:09,720 Speaker 2: felt like going to the Olympics. 1003 00:48:09,760 --> 00:48:11,960 Speaker 3: It was crazy. Because I loved thirty Rocks so much, 1004 00:48:12,600 --> 00:48:14,719 Speaker 3: I've been working on Kimmy was just wonderful. I have 1005 00:48:14,800 --> 00:48:17,600 Speaker 3: a small I'm in Kimmy. I play a gay. 1006 00:48:17,480 --> 00:48:20,759 Speaker 2: Swat guy unbelievable who like is. 1007 00:48:20,880 --> 00:48:24,120 Speaker 3: Brought onto dish with Kimmy's friend. 1008 00:48:24,360 --> 00:48:25,760 Speaker 2: So you get to do that because you're shredded. 1009 00:48:26,320 --> 00:48:31,480 Speaker 3: I said, who else here is shredded? We did kind 1010 00:48:31,480 --> 00:48:33,760 Speaker 3: of an office witch hunt about who's shredded? 1011 00:48:34,360 --> 00:48:35,680 Speaker 2: Who the fuck is? 1012 00:48:37,440 --> 00:48:39,560 Speaker 3: Now? This was pre media ever lifting a weight, so 1013 00:48:39,640 --> 00:48:43,600 Speaker 3: I was at the time very scrawny. Wow, you know 1014 00:48:43,719 --> 00:48:48,120 Speaker 3: I couldn't lift a pencil. Now I can lift two 1015 00:48:48,200 --> 00:48:53,560 Speaker 3: paper clips. Yeah, Kimmy Schmid, I really adored that show. 1016 00:48:53,640 --> 00:48:55,839 Speaker 3: And uh yeah, I feel like there aren't that many 1017 00:48:55,920 --> 00:48:58,239 Speaker 3: real laughy comedies. 1018 00:48:57,800 --> 00:49:01,120 Speaker 2: Now, no, and not not. I'm I mean Kimmy is 1019 00:49:01,200 --> 00:49:03,240 Speaker 2: like a joke every fifteen seconds. 1020 00:49:04,560 --> 00:49:06,799 Speaker 3: Yeah. To be able to like miss jokes and then 1021 00:49:06,880 --> 00:49:09,160 Speaker 3: have to go back to hear them unbelievable. 1022 00:49:09,440 --> 00:49:09,640 Speaker 1: Yeah. 1023 00:49:09,719 --> 00:49:11,440 Speaker 2: You could rewatch the show so many times. 1024 00:49:11,680 --> 00:49:16,120 Speaker 3: Yeah, and Jane Krakowski everybody, and it's wonderful. What a show. 1025 00:49:17,080 --> 00:49:17,279 Speaker 2: Um? 1026 00:49:18,120 --> 00:49:20,120 Speaker 3: Do we have anything else to say about cameras before 1027 00:49:20,160 --> 00:49:20,600 Speaker 3: we move on? 1028 00:49:21,920 --> 00:49:25,040 Speaker 2: I really sincerely hope that you do take some trash 1029 00:49:25,120 --> 00:49:25,560 Speaker 2: picks on this. 1030 00:49:25,680 --> 00:49:28,320 Speaker 3: I'm going to take a total of twenty seven pictures 1031 00:49:28,360 --> 00:49:31,800 Speaker 3: of twenty six because we need to get a shot together. 1032 00:49:32,200 --> 00:49:34,719 Speaker 3: Oh interesting, Yes, we'll take one and that will still 1033 00:49:34,760 --> 00:49:36,960 Speaker 3: be trash, and that will be absolute garbage. That'll be 1034 00:49:37,000 --> 00:49:40,120 Speaker 3: the worst of all of them. And then I'll get 1035 00:49:40,120 --> 00:49:43,440 Speaker 3: them developed at some point and then they'll appear on Instagram. 1036 00:49:43,520 --> 00:49:45,759 Speaker 3: I'm sure we're in a book and I'll do the 1037 00:49:45,800 --> 00:49:48,440 Speaker 3: pic coffee table book. Why don't I have a coffee 1038 00:49:48,480 --> 00:49:48,959 Speaker 3: table book? 1039 00:49:49,040 --> 00:49:51,120 Speaker 2: I don't know, because people are sleeping on you. 1040 00:49:51,680 --> 00:49:57,880 Speaker 3: My manager is not doing her job, name her. I 1041 00:49:58,160 --> 00:50:02,560 Speaker 3: have a proposal, get me a publisher. I have so 1042 00:50:02,680 --> 00:50:06,480 Speaker 3: many pictures of trash, say er sent to you. Yes, 1043 00:50:07,160 --> 00:50:11,359 Speaker 3: you can write the forward. Oh please, oh my god, 1044 00:50:13,640 --> 00:50:15,799 Speaker 3: and then you'll be in the author bio. We'll use 1045 00:50:15,840 --> 00:50:20,080 Speaker 3: this photo as the yes. Yes, yeah, pictured Bridger Winegar 1046 00:50:20,160 --> 00:50:20,600 Speaker 3: and friend. 1047 00:50:20,920 --> 00:50:27,440 Speaker 2: I I love that. 1048 00:50:28,320 --> 00:50:28,520 Speaker 1: Yes. 1049 00:50:28,800 --> 00:50:32,080 Speaker 3: Oh well, I'm very excited to have this. I'm genuinely thrilled. 1050 00:50:32,280 --> 00:50:35,600 Speaker 3: I love a disposable camera. And we need to all 1051 00:50:35,680 --> 00:50:37,919 Speaker 3: start buying the more so the prices will lower again. 1052 00:50:38,080 --> 00:50:40,160 Speaker 3: Oh my god, you about four dollars and now I 1053 00:50:40,200 --> 00:50:43,120 Speaker 3: feel like they're like twenty bucks twenty one. Yeah, this 1054 00:50:43,280 --> 00:50:45,520 Speaker 3: is something that used to just you know, grab one 1055 00:50:45,520 --> 00:50:46,560 Speaker 3: at the grocery store that. 1056 00:50:46,640 --> 00:50:49,239 Speaker 2: You can get them for ten dollars A from X 1057 00:50:49,480 --> 00:50:51,200 Speaker 2: ten dollars. They're not fucking around. 1058 00:50:51,280 --> 00:50:53,840 Speaker 3: Okay, well that's where I've got to go. Maybe Costco 1059 00:50:53,880 --> 00:50:58,000 Speaker 3: should start carrying them. Costco reach out. It's time to 1060 00:50:58,040 --> 00:50:59,880 Speaker 3: play a game. Okay, we're gonna play a game called 1061 00:51:00,080 --> 00:51:02,800 Speaker 3: After a Curse. But first I needed to number between 1062 00:51:02,880 --> 00:51:06,560 Speaker 3: one and ten from you m six. Okay, I have 1063 00:51:06,719 --> 00:51:09,480 Speaker 3: to do some light calculating to get our game pieces. 1064 00:51:09,800 --> 00:51:12,759 Speaker 3: So right now, you can recommend something, promote something, do 1065 00:51:12,840 --> 00:51:14,080 Speaker 3: whatever you want with the microphone. 1066 00:51:14,440 --> 00:51:17,360 Speaker 2: Okay, Well, if you like sports, I encourage you to 1067 00:51:17,480 --> 00:51:19,800 Speaker 2: listen to the podcast that I run with my friends 1068 00:51:20,000 --> 00:51:23,040 Speaker 2: Katie Kershaw and Ten Tran. This podcast is called Jocular 1069 00:51:23,160 --> 00:51:27,480 Speaker 2: get it anywhere you listen to your pod. And also, 1070 00:51:27,640 --> 00:51:29,120 Speaker 2: I don't know when this is coming out, but I 1071 00:51:29,200 --> 00:51:32,560 Speaker 2: hope you come see me on tour. You can find 1072 00:51:32,719 --> 00:51:35,320 Speaker 2: that info about tour at the link in my bio 1073 00:51:35,680 --> 00:51:37,759 Speaker 2: at genderless gap ad on Instagram. 1074 00:51:38,480 --> 00:51:43,960 Speaker 3: Perfect great podcast recommendation too. Ten's been on the podcast Rules. 1075 00:51:44,320 --> 00:51:47,040 Speaker 3: She gave me some gorgeous bangs clip on bangs. 1076 00:51:47,360 --> 00:51:48,640 Speaker 2: Oh I bet they looked incredible. 1077 00:51:48,800 --> 00:51:51,879 Speaker 3: I look stunning. And it's a whole new media. Yeah, 1078 00:51:52,360 --> 00:51:57,360 Speaker 3: everyone goes seeeer on tour. Follow them on whatever internet. 1079 00:51:57,600 --> 00:52:00,640 Speaker 2: Please sing please, please follow me please as fuck. 1080 00:52:00,880 --> 00:52:07,000 Speaker 3: They were begging me off podcasts saying the numbers want 1081 00:52:08,200 --> 00:52:08,960 Speaker 3: it's embarrassing. 1082 00:52:09,200 --> 00:52:12,920 Speaker 2: It sucks. Yeah, fuck you guys. I need a million overnight. 1083 00:52:15,040 --> 00:52:19,359 Speaker 3: Someone buy them some followers. This is how we play 1084 00:52:19,400 --> 00:52:21,680 Speaker 3: gift or a Curse. I'm gonna name three things. You're 1085 00:52:21,719 --> 00:52:23,600 Speaker 3: gonna tell me if they're a gift or a curse 1086 00:52:23,920 --> 00:52:26,279 Speaker 3: and why, and then I'll tell you if you're right 1087 00:52:26,360 --> 00:52:28,759 Speaker 3: or wrong, because there are correct answers and you can 1088 00:52:28,880 --> 00:52:32,080 Speaker 3: lose this game in a big way, So care fuck okay. 1089 00:52:32,520 --> 00:52:35,040 Speaker 3: Number one This is from a listener named Gianna. Gift 1090 00:52:35,120 --> 00:52:38,720 Speaker 3: or a curse the piece of paper on ice cream cones. 1091 00:52:40,160 --> 00:52:46,080 Speaker 3: It's a gift wrapper paper cone shape. It's a gift 1092 00:52:46,120 --> 00:52:52,120 Speaker 3: because you don't get your hands so dirty. Interesting, it 1093 00:52:52,280 --> 00:52:54,600 Speaker 3: is a gift. I love it. It's a you know, 1094 00:52:54,680 --> 00:52:57,759 Speaker 3: a little extra touch that you know, shows that they 1095 00:52:57,800 --> 00:53:01,040 Speaker 3: were willing to go a little further. Saves on gloves. 1096 00:53:01,880 --> 00:53:03,800 Speaker 3: The employee doesn't need to wear a glove while it, 1097 00:53:04,160 --> 00:53:05,879 Speaker 3: and you could eat the little last piece of paper 1098 00:53:05,920 --> 00:53:07,880 Speaker 3: if you like, and it's like a dare to yourself. 1099 00:53:08,040 --> 00:53:09,719 Speaker 2: Yeah, that is a good point. I don't want them 1100 00:53:09,800 --> 00:53:12,960 Speaker 2: fucking handing me a thing with like no little paper. 1101 00:53:12,760 --> 00:53:17,359 Speaker 3: Bear hand on my bare cone. Get away from God. 1102 00:53:18,200 --> 00:53:24,680 Speaker 2: No, you just you just keep it. I didn't know 1103 00:53:24,719 --> 00:53:26,080 Speaker 2: it was going to be like this. Just keep it, 1104 00:53:26,840 --> 00:53:27,279 Speaker 2: you know what. 1105 00:53:29,960 --> 00:53:32,520 Speaker 3: Uh yeah, absolutely a gift. You get to the end 1106 00:53:32,560 --> 00:53:35,160 Speaker 3: of the cone you're ripping off, it's that satisfying crunch 1107 00:53:35,200 --> 00:53:38,360 Speaker 3: of the paper being ripped and then, if you know, 1108 00:53:38,440 --> 00:53:40,439 Speaker 3: if you're still hungry, there's that little piece of paper 1109 00:53:40,480 --> 00:53:40,960 Speaker 3: to eat. 1110 00:53:40,880 --> 00:53:44,240 Speaker 2: Right, And I'm not a red flag to you about 1111 00:53:44,440 --> 00:53:46,120 Speaker 2: like where you're at. But red flags are helpful. 1112 00:53:46,280 --> 00:53:50,240 Speaker 3: They are helpful, that's why they exist. They're warnings about 1113 00:53:50,360 --> 00:53:54,319 Speaker 3: worse things. Come yeah, okay, okay, you've gotten one right 1114 00:53:54,400 --> 00:53:57,719 Speaker 3: so far. That's incredible. Number two This is from a 1115 00:53:57,760 --> 00:54:01,200 Speaker 3: listener named John Gift or a Curse while on vacation 1116 00:54:01,440 --> 00:54:04,279 Speaker 3: in a different city, watching the local news in the 1117 00:54:04,360 --> 00:54:05,000 Speaker 3: hotel room. 1118 00:54:07,080 --> 00:54:12,800 Speaker 2: Gift, why, I think you can figure out everything about 1119 00:54:13,400 --> 00:54:17,239 Speaker 2: the about the city from the local news, like, like 1120 00:54:18,680 --> 00:54:21,920 Speaker 2: is the anchor hot? Because that's important. If you're if 1121 00:54:21,920 --> 00:54:24,400 Speaker 2: you've got a hot anchor, it's a cool city. If 1122 00:54:24,400 --> 00:54:27,000 Speaker 2: you're if you got a dumpy anchor, it's a dumpy 1123 00:54:27,080 --> 00:54:33,880 Speaker 2: city period. Dumpy InCor dumpy anchored, dumpy city period. 1124 00:54:34,960 --> 00:54:39,080 Speaker 3: Oh er, I'm so sorry. It's a curve possible. You 1125 00:54:39,280 --> 00:54:42,680 Speaker 3: go to these cities, you watch these incredible local news programs. 1126 00:54:42,760 --> 00:54:47,000 Speaker 3: They become your friends, and then you can't access them anymore. 1127 00:54:47,440 --> 00:54:48,200 Speaker 3: They're gone. 1128 00:54:48,480 --> 00:54:50,480 Speaker 2: You don't need to. You keep their hot or dumpy 1129 00:54:50,480 --> 00:54:51,680 Speaker 2: image in your mind. 1130 00:54:52,880 --> 00:54:56,480 Speaker 3: The painful memory of having to think about them. You know, 1131 00:54:56,640 --> 00:54:59,359 Speaker 3: there was this local news thing in Palm Springs called 1132 00:54:59,440 --> 00:55:03,920 Speaker 3: Desert Tea two. You know, women probably in their late eighties, 1133 00:55:04,000 --> 00:55:06,719 Speaker 3: that would kind of chat. I love them so much, 1134 00:55:07,160 --> 00:55:10,160 Speaker 3: could never find that well there, I imagine I know 1135 00:55:10,200 --> 00:55:16,120 Speaker 3: where they are and not well, but you know it's heartbreaking. Yeah, 1136 00:55:16,400 --> 00:55:19,319 Speaker 3: I need the anchors to be there for me when 1137 00:55:19,320 --> 00:55:20,160 Speaker 3: I turn on the TV. 1138 00:55:20,640 --> 00:55:24,480 Speaker 2: So you are you are avoiding having that relationship so 1139 00:55:24,600 --> 00:55:27,640 Speaker 2: that you don't have to experience the heartbreak. Exact, gotcha? 1140 00:55:27,920 --> 00:55:29,399 Speaker 2: I understand? Okay, urning a lot. 1141 00:55:29,840 --> 00:55:31,440 Speaker 3: I don't know if you just want to look into 1142 00:55:31,480 --> 00:55:35,640 Speaker 3: my personality and writing it down. Okay, you've gotten one 1143 00:55:35,680 --> 00:55:38,359 Speaker 3: out of two so far. Number three this is from 1144 00:55:38,360 --> 00:55:41,600 Speaker 3: a listener named Amy. Gift or a curse. A chessboard 1145 00:55:41,760 --> 00:55:43,880 Speaker 3: painted on top of an end table. 1146 00:55:44,560 --> 00:55:47,719 Speaker 2: Uh, listen, I feel like this is supposed to be 1147 00:55:47,760 --> 00:55:50,839 Speaker 2: a gift. It's a curse. It's a curse because where 1148 00:55:50,880 --> 00:55:51,560 Speaker 2: are the pieces? 1149 00:55:51,800 --> 00:55:51,840 Speaker 1: Like? 1150 00:55:52,120 --> 00:55:54,719 Speaker 2: The thing about a chess board is that you can, 1151 00:55:54,840 --> 00:55:56,800 Speaker 2: like usually bend it in half and it goes inside 1152 00:55:56,840 --> 00:55:58,320 Speaker 2: its own box or it is its own box, and 1153 00:55:58,360 --> 00:56:01,320 Speaker 2: then the chess pieces are inside. It's just a checkerboard. 1154 00:56:01,360 --> 00:56:06,000 Speaker 2: Countertime awful And was it painted? I mean it was 1155 00:56:06,040 --> 00:56:06,640 Speaker 2: painting on there? 1156 00:56:06,760 --> 00:56:06,800 Speaker 1: No? 1157 00:56:06,960 --> 00:56:07,799 Speaker 2: No, no, no in lay? 1158 00:56:07,920 --> 00:56:14,480 Speaker 3: Maybe correct? It's a curse. I mean, I didn't even 1159 00:56:14,520 --> 00:56:16,279 Speaker 3: think about the pieces. Where are you getting those? 1160 00:56:16,560 --> 00:56:18,120 Speaker 2: Exactly what you brought? You brought them with you? 1161 00:56:18,440 --> 00:56:21,000 Speaker 3: And are you using like a spool of thread? 1162 00:56:21,920 --> 00:56:22,200 Speaker 2: They're no. 1163 00:56:22,800 --> 00:56:25,080 Speaker 3: And also where does it end? You're putting the tape 1164 00:56:25,200 --> 00:56:27,640 Speaker 3: the chessboard on the table, so you're gonna be painting 1165 00:56:27,640 --> 00:56:28,360 Speaker 3: those on everything? 1166 00:56:28,440 --> 00:56:30,560 Speaker 2: Yeah, and what happens when you get a little pawn 1167 00:56:30,600 --> 00:56:33,320 Speaker 2: off your is there enough room on the edge of 1168 00:56:33,520 --> 00:56:36,040 Speaker 2: the table to put the pawn down? Or do you 1169 00:56:36,160 --> 00:56:37,879 Speaker 2: hold it after you take your opponent's pawn? 1170 00:56:37,960 --> 00:56:38,920 Speaker 3: And where's my drink? 1171 00:56:39,080 --> 00:56:40,600 Speaker 2: This makes me sick to think about. 1172 00:56:41,360 --> 00:56:47,759 Speaker 3: Ultimately, it's a disgusting concept. It's not charming, it's not whimsical. No, no, no, 1173 00:56:48,080 --> 00:56:52,080 Speaker 3: it's a pain, agony curse. You got two out of three. 1174 00:56:52,440 --> 00:56:54,920 Speaker 2: I felt okay about that. I feel okay about that too. 1175 00:56:55,440 --> 00:56:57,279 Speaker 2: You can't feel great about it two out of three? No, 1176 00:56:57,440 --> 00:57:01,120 Speaker 2: it's it's pathetic, but it's not humiliating. 1177 00:57:01,560 --> 00:57:05,080 Speaker 3: Humiliating I think is one out of three? Zero out 1178 00:57:05,120 --> 00:57:06,879 Speaker 3: of three is a lost cause? 1179 00:57:07,120 --> 00:57:08,960 Speaker 2: Yeah? Zero out of three. You made a choice to 1180 00:57:09,120 --> 00:57:09,640 Speaker 2: be a loser. 1181 00:57:09,880 --> 00:57:12,319 Speaker 3: Yeah, you know what your life is and you keep 1182 00:57:12,520 --> 00:57:17,360 Speaker 3: making those choices. Wow, incredible, Well, This is the final 1183 00:57:17,440 --> 00:57:19,960 Speaker 3: segment of the podcast. It's called I said no emails 1184 00:57:20,040 --> 00:57:23,240 Speaker 3: people they write into I said no gifts at gmail 1185 00:57:23,320 --> 00:57:26,600 Speaker 3: dot com. Just ready to beg me for answers. Will 1186 00:57:26,680 --> 00:57:28,000 Speaker 3: you help me answer a question? 1187 00:57:28,200 --> 00:57:28,560 Speaker 2: Of course? 1188 00:57:28,760 --> 00:57:33,000 Speaker 3: Okay, this says dear bridger and humble guest, as a 1189 00:57:33,080 --> 00:57:36,240 Speaker 3: person who can appreciate the sanctity of a backyard, I 1190 00:57:36,320 --> 00:57:38,280 Speaker 3: thought you might have good advice to help me solve 1191 00:57:38,360 --> 00:57:41,200 Speaker 3: my problem. I am lucky enough to live in a 1192 00:57:41,240 --> 00:57:45,960 Speaker 3: house with a lovely garden areum. Unfortunately, whenever I am 1193 00:57:46,120 --> 00:57:50,280 Speaker 3: enjoying the backyard, I inevitably and repeatedly catch a heavy 1194 00:57:50,320 --> 00:57:56,280 Speaker 3: whiff of my neighbor's terry disgusting cigarette smoke. Okay, wow, 1195 00:57:56,400 --> 00:58:01,720 Speaker 3: this snob, I get it from both sides. Both houses 1196 00:58:01,760 --> 00:58:03,360 Speaker 3: to my left and right appear to be filled with 1197 00:58:03,480 --> 00:58:06,000 Speaker 3: chain smokers who go out frequently to indulge in their 1198 00:58:06,120 --> 00:58:09,440 Speaker 3: bad habit. It is inevitably followed by the sounds of 1199 00:58:09,600 --> 00:58:12,480 Speaker 3: hacking and tossing loogies. How do I let them know 1200 00:58:12,600 --> 00:58:15,640 Speaker 3: how bothersome this constant smoking is without being used as 1201 00:58:15,680 --> 00:58:19,360 Speaker 3: a human ashtray. Do I give them some mysterious nicotine gum? 1202 00:58:19,560 --> 00:58:22,040 Speaker 3: Do I crank up the sprinkler. Do I just wait 1203 00:58:22,160 --> 00:58:25,320 Speaker 3: for them to die? Any help would be greatly appreciated. 1204 00:58:25,640 --> 00:58:30,680 Speaker 3: With love, Sarah. Okay, Sarah's not all these questions. Should 1205 00:58:30,680 --> 00:58:32,000 Speaker 3: I do this? Should I do this? Should I do this? 1206 00:58:32,600 --> 00:58:33,800 Speaker 3: Sarah should start smoking? 1207 00:58:33,880 --> 00:58:38,320 Speaker 2: Exactly exactly. I can't even believe she had to ask. 1208 00:58:38,440 --> 00:58:41,920 Speaker 2: It's so obvious, Sarah, you have to pick up smoking. 1209 00:58:44,800 --> 00:58:47,080 Speaker 3: Any surgeon general would tell you yes. 1210 00:58:47,360 --> 00:58:51,320 Speaker 2: And Sarah, you're the if they're on either side, you're surrounded. No, no, no, 1211 00:58:51,480 --> 00:58:52,480 Speaker 2: maybe you're the outlier. 1212 00:58:52,560 --> 00:58:53,160 Speaker 3: You're a loser. 1213 00:58:53,600 --> 00:58:56,880 Speaker 2: You're being a loser. You have to start smoking. A 1214 00:58:56,920 --> 00:58:58,280 Speaker 2: lot of people are gonna say it's bad for you. 1215 00:58:58,400 --> 00:59:00,400 Speaker 2: You know, it's fucking bad for you, living every single 1216 00:59:00,480 --> 00:59:02,320 Speaker 2: day you get older, closer to death. 1217 00:59:02,960 --> 00:59:05,280 Speaker 3: What's bad for you is not having friends nearby. 1218 00:59:05,520 --> 00:59:07,760 Speaker 2: Yes, what's bad for you is having a garden that 1219 00:59:07,800 --> 00:59:14,040 Speaker 2: you can't use because you don't smoke. God damn it, Sarah, 1220 00:59:15,040 --> 00:59:20,160 Speaker 2: just like them. Wake up, Sarah, I mean it was 1221 00:59:20,720 --> 00:59:22,960 Speaker 2: there all along. She goes out in the backyard. The 1222 00:59:23,040 --> 00:59:25,520 Speaker 2: answer is just all it's in her clothes and her hair, 1223 00:59:26,000 --> 00:59:28,240 Speaker 2: and she can already smell like you smoke. Sarah. Everyone 1224 00:59:28,240 --> 00:59:34,280 Speaker 2: at work things you smoke, enjoy it, enjoy it and 1225 00:59:34,440 --> 00:59:34,800 Speaker 2: the fix. 1226 00:59:35,400 --> 00:59:36,520 Speaker 3: Yes, I feel like that. 1227 00:59:36,600 --> 00:59:36,920 Speaker 2: I mean that. 1228 00:59:37,480 --> 00:59:41,480 Speaker 3: There's no other answer to this, No, no, no, period. 1229 00:59:41,680 --> 00:59:43,280 Speaker 3: She wants to get in a fight with the neighbors. 1230 00:59:43,960 --> 00:59:48,840 Speaker 2: You're gonna send them gums, Sarah. First of all, no 1231 00:59:49,000 --> 00:59:52,440 Speaker 2: one likes to hear it. But it's hot to smoke. Okay. 1232 00:59:52,920 --> 00:59:55,720 Speaker 2: When I gave up smoking, what I gave up was 1233 00:59:55,840 --> 00:59:58,920 Speaker 2: access to being the hottest person on the planet. You 1234 00:59:59,000 --> 01:00:01,200 Speaker 2: know what I mean. Now, when I want to break 1235 01:00:01,240 --> 01:00:03,360 Speaker 2: from people, I have to go outside and stand outside 1236 01:00:03,440 --> 01:00:05,240 Speaker 2: and look like I'm just like, I don't know, like 1237 01:00:05,360 --> 01:00:08,160 Speaker 2: I'm vibing on my own thoughts. It's not true, it's 1238 01:00:08,200 --> 01:00:10,920 Speaker 2: not honest. I'm feeling insecure, I'm feeling anxious. If I 1239 01:00:10,960 --> 01:00:16,560 Speaker 2: go out there with a cigarette, I'm hot, mysterious, Sarah. 1240 01:00:17,800 --> 01:00:20,680 Speaker 3: She wants to be the lady who hands out Gumar. 1241 01:00:20,720 --> 01:00:24,760 Speaker 3: Get arrested, Sarah, get real, Get in that backyard, fire 1242 01:00:24,840 --> 01:00:27,880 Speaker 3: up the lawnmower, and start smoking. Yes, just you know, 1243 01:00:28,480 --> 01:00:32,600 Speaker 3: chopping weeds out, smoking, Do whatever you want, right, Smoking, 1244 01:00:32,760 --> 01:00:36,600 Speaker 3: become the vibe, become the vibe, add to the vibe. Yes, 1245 01:00:37,280 --> 01:00:41,919 Speaker 3: get lung cancer. Yes, Ultimately, these are these are solutions. Yes, 1246 01:00:42,200 --> 01:00:45,400 Speaker 3: that's why people write into the podcast, Sarah. If you 1247 01:00:45,520 --> 01:00:48,840 Speaker 3: ever write in again, I am going to have an 1248 01:00:49,000 --> 01:00:50,520 Speaker 3: absolute melting make it. 1249 01:00:50,560 --> 01:00:51,240 Speaker 2: A real question. 1250 01:00:51,440 --> 01:00:55,800 Speaker 3: If you write in, Sarah, it's actually difficult to answer. 1251 01:00:57,160 --> 01:01:01,960 Speaker 3: Oh boy, they answered it perfect. Please. I have my 1252 01:01:02,080 --> 01:01:05,600 Speaker 3: new flash camera. Why do I say, Well, it's called 1253 01:01:05,640 --> 01:01:08,240 Speaker 3: the flash camera. That's their problem. It's a quick snap 1254 01:01:08,320 --> 01:01:11,960 Speaker 3: flash camera by Fujifilm Flash for Trash, flash for true. 1255 01:01:12,000 --> 01:01:15,520 Speaker 3: Oh my god. Wow, interesting that could be the name 1256 01:01:15,560 --> 01:01:23,600 Speaker 3: of my foundation. Sure er, I've had such a wonderful time. 1257 01:01:23,480 --> 01:01:25,120 Speaker 2: With you here, absolutely wonderful. 1258 01:01:25,280 --> 01:01:27,160 Speaker 3: Thank you for joining me on the podcast. 1259 01:01:27,480 --> 01:01:27,840 Speaker 2: Thank you. 1260 01:01:27,920 --> 01:01:30,320 Speaker 3: And we'll take a picture with the flash camera after 1261 01:01:30,640 --> 01:01:33,760 Speaker 3: and that will appear on the internet, probably years down 1262 01:01:33,800 --> 01:01:35,720 Speaker 3: the road. Once I've got all these pictures, other pictures 1263 01:01:35,760 --> 01:01:36,160 Speaker 3: of trash. 1264 01:01:36,240 --> 01:01:38,600 Speaker 2: I want to see it in twenty twenty eight. No sooner, 1265 01:01:38,680 --> 01:01:43,560 Speaker 2: no later, don't tempt me. Thank you for being here, 1266 01:01:43,720 --> 01:01:45,080 Speaker 2: Thank you for having me. It was fun. 1267 01:01:45,320 --> 01:01:49,400 Speaker 3: Listener, it's time for the podcast to be over. You 1268 01:01:49,560 --> 01:01:52,200 Speaker 3: knew it was coming. You tried to put it off 1269 01:01:52,240 --> 01:01:54,040 Speaker 3: for as long as you possibly could, but you're not 1270 01:01:54,160 --> 01:01:54,720 Speaker 3: in control. 1271 01:01:54,840 --> 01:01:55,160 Speaker 2: I am. 1272 01:01:55,520 --> 01:02:04,080 Speaker 3: I'm ending the podcast I love you goodbye, I said, 1273 01:02:04,160 --> 01:02:07,360 Speaker 3: No Gifts is an exactly right production. It's produced by 1274 01:02:07,400 --> 01:02:10,600 Speaker 3: our dear friend Analise Nelson, and it's beautifully mixed by 1275 01:02:10,640 --> 01:02:13,800 Speaker 3: Ben Holliday. And we couldn't do it without our guest booker, 1276 01:02:14,000 --> 01:02:18,200 Speaker 3: Patrick Coottner. The theme song, of course, could only come 1277 01:02:18,280 --> 01:02:22,280 Speaker 3: from miracle worker Amy Mann. You must follow the show 1278 01:02:22,440 --> 01:02:24,960 Speaker 3: on Instagram at I said no gifts, I don't want 1279 01:02:24,960 --> 01:02:27,200 Speaker 3: to hear any excuses. That's where you get to see 1280 01:02:27,240 --> 01:02:29,680 Speaker 3: pictures of all these gorgeous gifts I'm getting. And don't 1281 01:02:29,680 --> 01:02:31,400 Speaker 3: you want to see pictures of the gifts. 1282 01:02:33,280 --> 01:02:34,800 Speaker 2: I invit? Did you hear? 1283 01:02:37,360 --> 01:02:42,560 Speaker 1: Funa man myself perfectly clear. When you're a guest to me, 1284 01:02:45,440 --> 01:02:51,520 Speaker 1: you gotta come to me empty. And I said, no guests, 1285 01:02:51,800 --> 01:02:58,600 Speaker 1: your presences presence in and I'm already too much stuff, 1286 01:02:59,360 --> 01:03:02,520 Speaker 1: So you dared disobey me