WEBVTT - I Choose … Quirky, Curious and Kind with Carrie Preston

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<v Speaker 1>You're listening to I Choose Me with Jenny Girl. Hi. Everyone,

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<v Speaker 1>welcome to I Choose Me. This podcast is all about

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<v Speaker 1>the bold and sometimes quirky choices we make. From her

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<v Speaker 1>Emmy Award winning turn as the brilliant and unconventional Elsbeth

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<v Speaker 1>Tascone on the Good Wife and the Good Fight to

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<v Speaker 1>leading CBS's hit series Elsbeth, Carrie Preston has turned her

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<v Speaker 1>quirk into clarity and curiosity into power. Endlessly versatile, Carrie

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<v Speaker 1>has moved seamlessly between comedy and drama, television and film stage,

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<v Speaker 1>and directing from Elsbeth to True Blood and Clause to

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<v Speaker 1>The Holdovers. She has built a career defined not by

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<v Speaker 1>chasing trends, but by choosing roles that feel surprising and

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<v Speaker 1>emphasize individuality. That instinct continued to pay off this year,

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<v Speaker 1>earning her a Critics Choice Best Actress in a Comedy

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<v Speaker 1>Series nomination. Offscreen, Carrie brings that same intentionality to how

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<v Speaker 1>she lives, Supporting all kinds of human rights, enjoying a

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<v Speaker 1>long and loving marriage with fellow actor Michael Emerson, and

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<v Speaker 1>in an industry that can reward bitter competition, Carrie quietly

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<v Speaker 1>has built a reputation for being gracious and kind. She

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<v Speaker 1>doesn't just play characters who choose themselves and others. She

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<v Speaker 1>lives it. So happy to have Carrie Preston with me today.

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<v Speaker 1>There's something I think that's really great about you is

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<v Speaker 1>that you and your husband, Michael Emerson have been together

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<v Speaker 1>for a good minute.

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<v Speaker 2>Yeah.

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<v Speaker 1>You both share life and creative work together. And I'm

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<v Speaker 1>sure over the is it twenty six years now?

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<v Speaker 2>Yeah, we've been married twenty seven. Yeah, we've been together

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<v Speaker 2>for thirty one.

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<v Speaker 1>Wow, whoa wow, Hello, I'm praying, I'm bounce to you.

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<v Speaker 2>I'm losing count, you know, I'm like, wait a minute,

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<v Speaker 2>wait a minute. What is it? Sort of like when

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<v Speaker 2>sometimes when people ask me what aide, how old are you?

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<v Speaker 2>I'm like, I think you know, it's it's like that

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<v Speaker 2>with with the with the marriage for sure, just you know, well,

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<v Speaker 2>first of all, time is flying by, and then second

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<v Speaker 2>of all he's just been such a steady that I

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<v Speaker 2>I don't need you.

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<v Speaker 1>Know, Yes, I'm sure over the over all the years,

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<v Speaker 1>you've seen all the ups and downs of the life

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<v Speaker 1>of not just one actor, but two. Yes, being married

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<v Speaker 1>to another actor I means sharing a very uncertain industry,

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<v Speaker 1>one that comes with a lot of all the things, rejection, stress,

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<v Speaker 1>absurd schedules, not aligning, having to be in the public

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<v Speaker 1>eye so much of the time. How do you and

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<v Speaker 1>your husband choose to protect your marriage?

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<v Speaker 2>Yeah, we are, you know, we're like that boring married couple,

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<v Speaker 2>you know, And I'm saying we we like we we

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<v Speaker 2>we stay home when we can, we next together. Well,

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<v Speaker 2>we have you know, similar interests. We it's all those

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<v Speaker 2>things that you like learned in kindergarten, you know. We

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<v Speaker 2>we respect each other. We we say please, we say

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<v Speaker 2>thank you, We know how to share. You know. It's

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<v Speaker 2>just those things that help, you know, keep the marriage

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<v Speaker 2>going and keep and keep it protected because there is

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<v Speaker 2>that respect for each other, and there's that joy, and

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<v Speaker 2>there's that understanding of what the other one is doing,

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<v Speaker 2>you know, supporting each other in choices. Oh, I want

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<v Speaker 2>to go and do a series. It's going to shoot

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<v Speaker 2>in another city for we don't know how long. Right,

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<v Speaker 2>how are we going to navigate the time of part?

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<v Speaker 2>We have like little rules, you know. We talk every day.

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<v Speaker 2>We're old school. We talk on the phone.

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<v Speaker 1>Don't really be a telephone, you actually talk into it.

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<v Speaker 2>We talked into it like this. Wow, I know, it's weird.

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<v Speaker 2>We don't do the FaceTime. Well, I don't know, it's

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<v Speaker 2>just that's how we started. And so that's what feels

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<v Speaker 2>comfortable to us, is just the miihoring of the voice.

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<v Speaker 2>And we if we're apart, we try to see each

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<v Speaker 2>other at least every two weeks, you know. It's like

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<v Speaker 2>we rule and even if it's for a day, we

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<v Speaker 2>see each other. And somehow that seems do you have worked?

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<v Speaker 1>Yeah, I mean it's crazy because I'm sure both of

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<v Speaker 1>you are just moving a million miles an hour in

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<v Speaker 1>different directions a lot of the times. Yeah, but that

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<v Speaker 1>staying connected is so important.

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<v Speaker 2>It is, it is, and you know, it's it's interesting

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<v Speaker 2>this time, at this time in my life, I'm I'm

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<v Speaker 2>the super busy one, and he's the one that's kind

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<v Speaker 2>of enjoying not being busy, right, And that's has been

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<v Speaker 2>a wonderful balance for us because he is really great

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<v Speaker 2>at domestic things, like he takes care of the home

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<v Speaker 2>and our lives. And you know, he just brought me

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<v Speaker 2>lunch to make sure I was eating, you know, like

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<v Speaker 2>he's because he knows I'm I'm busy doing things for

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<v Speaker 2>the show and and and I like that he understands

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<v Speaker 2>the weird hours. He understands when you know, I have

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<v Speaker 2>to get up at four am and I, you know,

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<v Speaker 2>I have to go to bed at a certain hour,

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<v Speaker 2>or I'm always having lines or whatever it is. And

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<v Speaker 2>I think it helps that we both, you know, have

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<v Speaker 2>been in the same perfection and you know, we get

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<v Speaker 2>what those weird demands are. And then when we neither

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<v Speaker 2>one of us is working, we really take advantage of

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<v Speaker 2>that time together. Yeah.

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<v Speaker 1>Yeah, I'm so glad it's working out for you being

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<v Speaker 1>married to an actor, because yeah, it was a little

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<v Speaker 1>challenging for me, but that's okay. I'm happy for you.

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<v Speaker 2>Well, we don't really talk about the industry much.

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<v Speaker 1>Oh that's a good idea.

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<v Speaker 2>And that's good idea. And you know, we watch each

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<v Speaker 2>other's work and just go amazing and then that's it.

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<v Speaker 2>You know. He we worked together. He came on Elsbeth

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<v Speaker 2>last season. He did ARC and it was funny because

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<v Speaker 2>they they you know, everybody loves Michael. He's brilliant. Yes, yes, oh,

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<v Speaker 2>let's figure out how to keep him on longer. And

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<v Speaker 2>Michael was like, I'm good. I like, I just want

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<v Speaker 2>to be in this amount, and then I want to

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<v Speaker 2>give the show back to Carrie and let her just

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<v Speaker 2>that's her show, and you know, and I want her

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<v Speaker 2>to I don't want to be a part, you know.

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<v Speaker 2>I only want to be a part of it to

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<v Speaker 2>a certain degree. And that was very healthy for us.

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<v Speaker 2>I think I love that.

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<v Speaker 1>Yeah, you've played so many unconventional women who succeed by

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<v Speaker 1>kind of leaning into what makes them different. Yeah. What

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<v Speaker 1>what such interesting choices? What was there a moment in

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<v Speaker 1>your own real life or even in your career when

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<v Speaker 1>you consciously chose yourself over fitting into the mold.

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<v Speaker 2>I feel like all the time. You know, I had

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<v Speaker 2>an amazing I have an amazing mother, and I had

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<v Speaker 2>a very supportive childhood in encouraging me to be who

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<v Speaker 2>I am and to find whatever passion it is that

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<v Speaker 2>I want out of life. My mom's was a visual

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<v Speaker 2>artist and art therapist and so very supportive of letting

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<v Speaker 2>each of her kids be individual and who we are.

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<v Speaker 2>And so I feel like it was kind of inherent

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<v Speaker 2>in me from the get go to do that. And

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<v Speaker 2>when I fell in love with theater, I fell in

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<v Speaker 2>love with acting, there was never trying to talk me

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<v Speaker 2>out of it. You know, and even when I was

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<v Speaker 2>a kid and starting to do plays, when I was

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<v Speaker 2>like nine years old, I was wanted to play the

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<v Speaker 2>strange characters, the weird characters, the character characters I wanted

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<v Speaker 2>to play. You know, I didn't want to play Cinderella

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<v Speaker 2>or snow White. I wanted to play the ditsy maid

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<v Speaker 2>or the kookie fairy godmother. You know, I wanted those parts.

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<v Speaker 2>And I don't know why. I mean, I don't know what.

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<v Speaker 1>It was like, they seem more fun, they.

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<v Speaker 2>Were more fun, and they got to do more interesting

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<v Speaker 2>things and so and I feel like I, you know,

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<v Speaker 2>was able to bring my own unique brand, even though

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<v Speaker 2>you know, people like when I was in college and

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<v Speaker 2>even when I first got out in the industry, it

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<v Speaker 2>was like, oh, you're an angenue, you should don't play

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<v Speaker 2>the I was like, no, I don't want to do ingenue.

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<v Speaker 2>You know, I don't want to. I want to do

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<v Speaker 2>the you know, that's not who I feel like I

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<v Speaker 2>am on the inside.

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<v Speaker 1>You know, it doesn't match up, doesn't match up. So

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<v Speaker 1>good to know that about yourself at such an age too.

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<v Speaker 2>Yeah, But the industry, you know, when when I was

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<v Speaker 2>certainly launched into it, I went to school for a

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<v Speaker 2>really long time. I really liked it.

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<v Speaker 1>You went to Juilliard, but I went to before that.

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<v Speaker 2>I went to college, so I was you know, I

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<v Speaker 2>was in school for like a solid eight years and

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<v Speaker 2>and and loved that. I liked the you know, the

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<v Speaker 2>kind of insular womb that it was, you know. And

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<v Speaker 2>then when I got catapuled it out into the industry

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<v Speaker 2>in the nineties, you know, it was very much about

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<v Speaker 2>what's on the outside. Oh yes, you know, as you know,

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<v Speaker 2>and I was just I just couldn't I just couldn't

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<v Speaker 2>quite just couldn't quite keep up with that, you know.

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<v Speaker 2>It was just like I just like didn't know how

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<v Speaker 2>to do that. So I, you know, just kept leaning

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<v Speaker 2>into you know, playing these fun supporting roles and a

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<v Speaker 2>lot of them ended up being comedic. And I found that,

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<v Speaker 2>you know, I that was something that I could offer,

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<v Speaker 2>and it would be the less pressure on on on

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<v Speaker 2>all whatever the requirements that you be on.

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<v Speaker 1>The y the standards.

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<v Speaker 2>So what I would have hold on to that when

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<v Speaker 2>you say choose me, I would choose that, you know, say, no,

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<v Speaker 2>I'm leaning into this, I'm choosing this right I want to.

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<v Speaker 2>That's what I feel like. I have to offer, you know, yeah,

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<v Speaker 2>you know, I don't. I don't really like the term

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<v Speaker 2>character actor because like, we're all characters. Yeah, you know

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<v Speaker 2>what I'm saying, Like Joy Roberts is playing a character.

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<v Speaker 2>But you know that word I like to I like

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<v Speaker 2>to call us more like illusionists, you know, people who

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<v Speaker 2>are really illusionists, yeah, who want to create an illusion,

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<v Speaker 2>but being somebody different than them.

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<v Speaker 1>It sounds like you just always really stayed true to

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<v Speaker 1>your authenticity. And that's so admirable. Like even when the

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<v Speaker 1>industry wanted to change it, get rid of it, make

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<v Speaker 1>you do what everybody else was doing.

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<v Speaker 2>It's painful. It's painful, you know. I remember one time

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<v Speaker 2>I gotten you know, I was a theater girl, right,

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<v Speaker 2>So I was doing all this theater and I had

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<v Speaker 2>been in theater school and stuff, and I didn't know

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<v Speaker 2>what style. I didn't know about styling, I didn't know

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<v Speaker 2>about stylists, I didn't know about any of that stuff,

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<v Speaker 2>and so I would just sort of dress the way

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<v Speaker 2>I want to dress. And I had just gotten some

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<v Speaker 2>new clothes and I thought they were really cute, and

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<v Speaker 2>you know, I did my makeup and my hair in

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<v Speaker 2>the way that I thought I looked pretty. And I

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<v Speaker 2>went into an audition and you know that, I got

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<v Speaker 2>a call from my agent, well, we have some feedback

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<v Speaker 2>for you, okay, And I was like, oh that I

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<v Speaker 2>hold the feedback. Yeah, I hate the feedback, you know.

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<v Speaker 2>I was like, you were great, you were like one

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<v Speaker 2>of the best actors. But they said you need to

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<v Speaker 2>start paying more attention to how you look, and okay,

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<v Speaker 2>I just I was like, what does that mean? Like,

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<v Speaker 2>I don't even know what to I don't even know

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<v Speaker 2>how to do. And I said to my agent, I

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<v Speaker 2>don't know, I don't know what to do with that,

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<v Speaker 2>and she was like, well, you know, maybe you should

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<v Speaker 2>get a stylist. And I was like, I can't afford

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<v Speaker 2>a stylist, you know. I couldn't afford to get somebody

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<v Speaker 2>who could do that. So I just had to like

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<v Speaker 2>live with that and then think, okay, well what does

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<v Speaker 2>that mean in terms of business. I guess it means, I,

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<v Speaker 2>you know, I need to I don't know, change my

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<v Speaker 2>hair color and do a little I don't know, do

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<v Speaker 2>some stuff.

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<v Speaker 1>I noticed myself up a little.

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<v Speaker 2>Pitted myself up, and so I did that, and you know,

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<v Speaker 2>it's it's sort of worked. But I just love it

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<v Speaker 2>that now I'm playing this woman who ELL's Betasi, who

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<v Speaker 2>dresses the way she wants to dress out. Now it's fabulous,

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<v Speaker 2>but it's not like anybody else is dressing.

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<v Speaker 1>Oh it's so good.

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<v Speaker 2>You know, doesn't know how to do her hair and

0:12:50.320 --> 0:12:53.679
<v Speaker 2>make up really, you know, she just does what she

0:12:53.960 --> 0:12:58.800
<v Speaker 2>can with her life. I just love that from that point,

0:12:59.080 --> 0:13:02.240
<v Speaker 2>you know, that moment in my real life that it's

0:13:02.320 --> 0:13:04.520
<v Speaker 2>now lining up with I'm playing a character that was

0:13:04.559 --> 0:13:07.440
<v Speaker 2>doing the same thing that I was. That's so cool

0:13:07.679 --> 0:13:08.200
<v Speaker 2>doing them.

0:13:08.320 --> 0:13:10.760
<v Speaker 1>You know, it's like full circle for you, full.

0:13:10.559 --> 0:13:12.840
<v Speaker 2>Circle fifteen years though of.

0:13:12.520 --> 0:13:16.200
<v Speaker 1>The same character Elisabeth. Oh, the course of three different shows.

0:13:16.200 --> 0:13:17.240
<v Speaker 1>Am I right on that?

0:13:17.280 --> 0:13:19.560
<v Speaker 2>You are right? Yes, What is.

0:13:19.440 --> 0:13:22.000
<v Speaker 1>The secret to this role's longevity?

0:13:22.559 --> 0:13:25.360
<v Speaker 2>I don't know. I mean, well, in the Good Wife

0:13:25.360 --> 0:13:28.480
<v Speaker 2>and Good Fight, you know, she was just recurring, like

0:13:28.520 --> 0:13:30.600
<v Speaker 2>I would maybe play her once a year, if that.

0:13:31.800 --> 0:13:34.480
<v Speaker 2>I think I played her over the those two shows

0:13:34.559 --> 0:13:39.080
<v Speaker 2>maybe twenty times, nineteen twenty times over there, you know,

0:13:39.120 --> 0:13:42.959
<v Speaker 2>And that was fourteen years of you know their shows,

0:13:43.200 --> 0:13:46.400
<v Speaker 2>right right, seven seasons and another seven or six or

0:13:46.640 --> 0:13:47.280
<v Speaker 2>seven seasons.

0:13:47.320 --> 0:13:48.920
<v Speaker 1>So it's something about her.

0:13:48.880 --> 0:13:51.960
<v Speaker 2>And then just something about her. I think she just

0:13:52.120 --> 0:13:55.760
<v Speaker 2>has She's a very unique person. Her perspective on life

0:13:55.800 --> 0:14:03.280
<v Speaker 2>is unique. She's very positive, she's very present, she's very curious.

0:14:03.080 --> 0:14:07.720
<v Speaker 2>It brings a lot of energy and joy to her life.

0:14:07.800 --> 0:14:10.679
<v Speaker 2>I think it's a choice. I think she talk about choose.

0:14:11.280 --> 0:14:15.040
<v Speaker 2>She uses that. It's it is a decisive thing. It

0:14:15.120 --> 0:14:18.480
<v Speaker 2>is something that you have to work at to be

0:14:18.640 --> 0:14:21.120
<v Speaker 2>that way in the world. You know. I think our

0:14:21.160 --> 0:14:25.120
<v Speaker 2>tendency is to, you know, not be that, because why

0:14:25.240 --> 0:14:28.320
<v Speaker 2>you know, you you're opening yourself up more to being hurt,

0:14:28.760 --> 0:14:31.800
<v Speaker 2>to be judged, to be all those things. And this

0:14:31.920 --> 0:14:35.200
<v Speaker 2>is a woman who chooses, uh not to do that.

0:14:35.480 --> 0:14:38.120
<v Speaker 2>And I think that's infectious, and I think people it's

0:14:38.160 --> 0:14:39.960
<v Speaker 2>infectious for me to play her, but I think it's

0:14:40.000 --> 0:14:44.840
<v Speaker 2>also hopefully what brings people back to want to watch

0:14:44.880 --> 0:14:49.560
<v Speaker 2>her again. You know. Yes, yes, she makes things about

0:14:50.080 --> 0:14:52.440
<v Speaker 2>not herself, about she makes it about the other person,

0:14:52.480 --> 0:14:55.240
<v Speaker 2>about the problem, about the puzzle, about the mystery, about

0:14:55.280 --> 0:14:58.240
<v Speaker 2>the law, the legal case she's working on. It's always

0:14:58.320 --> 0:15:00.440
<v Speaker 2>about other things, which I think is it's kind of

0:15:00.680 --> 0:15:04.200
<v Speaker 2>a subversive way of choosing herself.

0:15:03.880 --> 0:15:07.320
<v Speaker 1>Right, right, Yeah, Her quirkiness is so fun because it's

0:15:07.320 --> 0:15:11.920
<v Speaker 1>never explained or apologize for no really is yeah, right?

0:15:12.000 --> 0:15:15.560
<v Speaker 1>And I think that it sounds like it was helpful

0:15:15.600 --> 0:15:18.760
<v Speaker 1>for you to kind of be in that unconventional sort

0:15:18.800 --> 0:15:21.760
<v Speaker 1>of state of mind. But do you think it's it's

0:15:21.960 --> 0:15:25.400
<v Speaker 1>helpful for the viewers too. It's something that they're noticing.

0:15:25.440 --> 0:15:28.200
<v Speaker 1>It's not something when you're unconventional, it's not something that

0:15:28.240 --> 0:15:29.800
<v Speaker 1>you need to hide from, but it's something that you

0:15:29.840 --> 0:15:31.400
<v Speaker 1>should protect and even highlight.

0:15:32.040 --> 0:15:34.480
<v Speaker 2>Yeah, I think so. I think I think it's true.

0:15:34.520 --> 0:15:40.320
<v Speaker 2>And and but she's so singular, she's so unique, and

0:15:41.880 --> 0:15:44.760
<v Speaker 2>people like to ask me, you know, what does she have?

0:15:45.400 --> 0:15:47.200
<v Speaker 2>What is what is she on the spectrum? It's like

0:15:47.240 --> 0:15:50.520
<v Speaker 2>what's going on? They want to diagnose her and I

0:15:51.000 --> 0:15:52.280
<v Speaker 2>and we don't want to do that.

0:15:52.520 --> 0:15:55.480
<v Speaker 1>You know, what do you say to her that while I.

0:15:55.400 --> 0:15:58.600
<v Speaker 2>Say we don't we she is who she is, She

0:15:58.720 --> 0:16:02.640
<v Speaker 2>is herself. She's not one thing. She's not a diagnosis.

0:16:03.040 --> 0:16:05.640
<v Speaker 2>And plus, you know, if you were to diagnose, you know,

0:16:05.640 --> 0:16:09.920
<v Speaker 2>you were to put like a diagnosis on somebody, then

0:16:10.960 --> 0:16:14.040
<v Speaker 2>it opens it up to oh, well, well that's not

0:16:14.160 --> 0:16:16.600
<v Speaker 2>really true, that's not that, that's not that thing, that's

0:16:16.640 --> 0:16:21.200
<v Speaker 2>not that thing. And instead I think it's it's more.

0:16:21.880 --> 0:16:24.400
<v Speaker 2>I think it's better in a way with this character

0:16:24.800 --> 0:16:29.200
<v Speaker 2>to let her be who she is as a statement

0:16:29.680 --> 0:16:34.360
<v Speaker 2>to let anybody be who they are. And you know,

0:16:34.520 --> 0:16:37.640
<v Speaker 2>what's so great about her is that people don't see

0:16:37.640 --> 0:16:42.080
<v Speaker 2>her coming, you know. And so when she's trying to,

0:16:43.840 --> 0:16:45.640
<v Speaker 2>you know, have a cat and mouse, she has a

0:16:45.640 --> 0:16:48.000
<v Speaker 2>cat and mouse with this with a killer, and she's

0:16:48.040 --> 0:16:49.880
<v Speaker 2>trying to get them to slip up and say a

0:16:49.880 --> 0:16:54.880
<v Speaker 2>thing they're going to because they are they don't know

0:16:54.960 --> 0:16:57.600
<v Speaker 2>what she's going to say next or do next. Throws

0:16:57.640 --> 0:17:00.640
<v Speaker 2>them off their game. It's unexpected, and I think hopefully

0:17:00.680 --> 0:17:03.400
<v Speaker 2>that's what keeps the viewer watching too, is that they

0:17:03.720 --> 0:17:06.200
<v Speaker 2>aren't expecting, right, And.

0:17:06.040 --> 0:17:09.240
<v Speaker 1>It's got to be a great way for you to

0:17:09.320 --> 0:17:12.560
<v Speaker 1>stay you know, like fresh and motivated, because you do

0:17:12.880 --> 0:17:16.399
<v Speaker 1>never know what's going to come up, what's going to.

0:17:15.359 --> 0:17:19.280
<v Speaker 2>Be right, Yes, it does, and you know, it's the

0:17:19.320 --> 0:17:25.120
<v Speaker 2>most material I've ever been trusted with for in such

0:17:25.119 --> 0:17:29.720
<v Speaker 2>a short amount of time, for twenty episodes. So it's

0:17:29.880 --> 0:17:34.000
<v Speaker 2>I'm constantly my brain is constantly being engaged. I'm learning

0:17:34.119 --> 0:17:39.840
<v Speaker 2>fifty page of dialogue every eight days. I'm submerged, I'm

0:17:39.880 --> 0:17:44.160
<v Speaker 2>immersed in the world of this character and the world

0:17:44.200 --> 0:17:46.960
<v Speaker 2>of our set. And I love it. I mean, it's

0:17:46.960 --> 0:17:52.119
<v Speaker 2>a it's a wonderful creative gift, you know, able to

0:17:53.359 --> 0:17:56.560
<v Speaker 2>do that, and to be to be trusted with that

0:17:56.720 --> 0:18:01.159
<v Speaker 2>amount of material, and to be working with people who

0:18:01.320 --> 0:18:05.919
<v Speaker 2>are giving me such wonderful scripts to work with, you know,

0:18:06.040 --> 0:18:08.840
<v Speaker 2>It's it's like a once in a lifetime kind of

0:18:08.880 --> 0:18:09.879
<v Speaker 2>experience I'm having.

0:18:10.640 --> 0:18:13.920
<v Speaker 1>It's it's so great. Okay, So do you carry a tote?

0:18:14.920 --> 0:18:18.280
<v Speaker 2>Do you? Okay, So I'm gonna show you. Actually I

0:18:18.280 --> 0:18:18.800
<v Speaker 2>got I.

0:18:18.760 --> 0:18:22.040
<v Speaker 1>Want to know what is in Carrie's tote as opposed

0:18:22.080 --> 0:18:24.000
<v Speaker 1>to what would be an Els tote.

0:18:24.400 --> 0:18:27.080
<v Speaker 2>So this is a tote bag that actually I work

0:18:27.160 --> 0:18:28.720
<v Speaker 2>with a tote bag designer on.

0:18:29.040 --> 0:18:30.919
<v Speaker 1>Oh my gosh, that's so fun.

0:18:31.160 --> 0:18:32.920
<v Speaker 2>I know. I call it the carry it all the

0:18:33.080 --> 0:18:35.560
<v Speaker 2>A R I E. They carry it all? Cute? I

0:18:35.600 --> 0:18:37.760
<v Speaker 2>do I carry it all? I mean, this bag goes

0:18:37.800 --> 0:18:41.320
<v Speaker 2>with me everywhere, and I've got everything that I need

0:18:41.600 --> 0:18:45.360
<v Speaker 2>in it in the same way that Elsbeth does. You know, Okay,

0:18:45.400 --> 0:18:48.840
<v Speaker 2>I carry my day's worth of gosh. I have everything

0:18:48.840 --> 0:18:51.880
<v Speaker 2>in here, from hand sanitizer to and if I start

0:18:51.920 --> 0:18:54.160
<v Speaker 2>to get a cold, I have like dual defense I've

0:18:54.160 --> 0:19:01.040
<v Speaker 2>got like things, rollers, rollers, I got you know, get everything.

0:19:01.359 --> 0:19:03.080
<v Speaker 1>Yeah, like me, Like, I don't want to leave the

0:19:03.119 --> 0:19:06.320
<v Speaker 1>house because without all my things, because what I might

0:19:06.400 --> 0:19:07.080
<v Speaker 1>need something.

0:19:07.280 --> 0:19:09.320
<v Speaker 2>I mean, if I had had kids, I don't know

0:19:09.359 --> 0:19:11.080
<v Speaker 2>what I would have. I mean I would have probably

0:19:11.119 --> 0:19:13.679
<v Speaker 2>had to have a whole nother you know, stroller or

0:19:13.720 --> 0:19:15.960
<v Speaker 2>something just to carry all the stuff.

0:19:16.680 --> 0:19:19.240
<v Speaker 1>I was much more organized when I had the kids,

0:19:19.560 --> 0:19:21.720
<v Speaker 1>like you know, their diaper bag or their whatever bag.

0:19:22.680 --> 0:19:25.800
<v Speaker 1>But now it's like the bigger the bag, the more

0:19:25.800 --> 0:19:27.840
<v Speaker 1>stuff I throw in it, and I have no idea

0:19:27.880 --> 0:19:28.960
<v Speaker 1>what's even in there anymore.

0:19:28.960 --> 0:19:31.399
<v Speaker 2>Well, see, this bag has lots of pockets, so I

0:19:31.480 --> 0:19:34.919
<v Speaker 2>do know where everything is. I like the I am

0:19:34.960 --> 0:19:37.359
<v Speaker 2>a pretty organized person. So that's why I like it,

0:19:37.359 --> 0:19:40.000
<v Speaker 2>because it has lots of bad places for all them.

0:19:40.040 --> 0:19:42.400
<v Speaker 1>Oh my gosh, that's a cute bag. So where if

0:19:42.400 --> 0:19:43.800
<v Speaker 1>somebody wanted to buy that is?

0:19:43.840 --> 0:19:44.080
<v Speaker 2>Yeah?

0:19:44.119 --> 0:19:44.600
<v Speaker 1>For sale?

0:19:44.880 --> 0:19:47.439
<v Speaker 2>It is Oh yeah, actually you can go to Yobi

0:19:47.600 --> 0:19:53.080
<v Speaker 2>mam Okay yob I Mocho Yobi and they have it's

0:19:53.119 --> 0:19:54.200
<v Speaker 2>called the Carry It All.

0:19:55.000 --> 0:19:59.199
<v Speaker 1>Uh so good. Yeah you did a low collab. I

0:19:59.280 --> 0:20:01.040
<v Speaker 1>did really fun.

0:20:01.400 --> 0:20:08.040
<v Speaker 2>Yeah.

0:20:08.080 --> 0:20:13.040
<v Speaker 1>What has playing such a fashionable and colorfully styled gal

0:20:13.720 --> 0:20:16.960
<v Speaker 1>done for your own fashion sense, has her style sort

0:20:16.960 --> 0:20:18.960
<v Speaker 1>of bled across into your real life.

0:20:19.280 --> 0:20:22.159
<v Speaker 2>I like to think that we kind of meet in

0:20:22.200 --> 0:20:24.960
<v Speaker 2>the middle, you know, because I always have been somebody

0:20:25.000 --> 0:20:29.879
<v Speaker 2>who is not afraid. So I always wore lots of color.

0:20:30.040 --> 0:20:31.840
<v Speaker 2>I mean when I hid, my mom used to call

0:20:31.880 --> 0:20:35.320
<v Speaker 2>it humor dressing. She was like, oh, you're humor dressing again,

0:20:35.359 --> 0:20:37.400
<v Speaker 2>because I would wear like back, you know, some big

0:20:37.480 --> 0:20:41.040
<v Speaker 2>baggy parachute pant or something, and I'd wear some oversized,

0:20:41.119 --> 0:20:44.440
<v Speaker 2>you know, multicolored sweatshirt or and when I was really little,

0:20:44.480 --> 0:20:47.840
<v Speaker 2>I love to wear long dresses. I just wanted long dresses.

0:20:47.840 --> 0:20:49.920
<v Speaker 2>I thought it was just it was it was fun.

0:20:49.680 --> 0:20:51.760
<v Speaker 1>To to twirl around. Yeah.

0:20:51.840 --> 0:20:54.959
<v Speaker 2>Yeah, even though no one else is everybody's wearing shorts

0:20:55.000 --> 0:20:59.879
<v Speaker 2>and long down I just loved it. So, you know,

0:21:00.080 --> 0:21:03.359
<v Speaker 2>I always had that tendency to want to have something

0:21:03.400 --> 0:21:06.760
<v Speaker 2>that's you know, this is fun chitahs, you know, a

0:21:06.800 --> 0:21:09.040
<v Speaker 2>little cheetahs on. Yeah, lots to have things that say,

0:21:09.160 --> 0:21:13.119
<v Speaker 2>say a thing. Then I started playing Elsbeth and the

0:21:13.200 --> 0:21:17.840
<v Speaker 2>brilliant Dan Lawson, who is our costume designer, who is

0:21:19.000 --> 0:21:24.879
<v Speaker 2>you know, it's an extraordinarily talented genius. Uh you know,

0:21:25.000 --> 0:21:28.480
<v Speaker 2>I just stand there like this and hands me the

0:21:28.560 --> 0:21:31.320
<v Speaker 2>character and has done that since day one.

0:21:32.080 --> 0:21:34.600
<v Speaker 1>I love that when you can just count on somebody

0:21:34.880 --> 0:21:35.560
<v Speaker 1>that gets it.

0:21:36.400 --> 0:21:40.159
<v Speaker 2>He gets it, he understands the character. He'll he sends me,

0:21:40.760 --> 0:21:42.919
<v Speaker 2>you know, we have these epic fittings at the beginning

0:21:42.960 --> 0:21:45.840
<v Speaker 2>of the season. I mean like, I'll do a nine

0:21:45.880 --> 0:21:48.200
<v Speaker 2>hour fitting one day and the next day I'll do

0:21:48.359 --> 0:21:50.800
<v Speaker 2>like a six hour fitting. And and so he's building

0:21:50.840 --> 0:21:53.960
<v Speaker 2>up the closet for the season because we do twenty

0:21:54.000 --> 0:21:57.200
<v Speaker 2>episodes and it's I can't do a fitting every right,

0:21:57.359 --> 0:21:59.840
<v Speaker 2>you're busy. So he has got a whole closet and

0:22:00.000 --> 0:22:03.600
<v Speaker 2>and he he puts all the clothes together on on on,

0:22:03.920 --> 0:22:07.720
<v Speaker 2>He has a form that's that's uh, got my measurements

0:22:07.960 --> 0:22:09.440
<v Speaker 2>and he just puts them on. And then he sends

0:22:09.480 --> 0:22:11.320
<v Speaker 2>me photos and this is what you're wearing. And I

0:22:11.480 --> 0:22:13.960
<v Speaker 2>never doubt it, you know, I never die. I'm just like, yep,

0:22:14.040 --> 0:22:16.120
<v Speaker 2>great sounds good. Wow. Am I going to be able

0:22:16.160 --> 0:22:18.240
<v Speaker 2>to you know, move around in it? Yes? Okay, good,

0:22:18.400 --> 0:22:21.600
<v Speaker 2>you know, And and then I'll have these like little

0:22:22.400 --> 0:22:24.800
<v Speaker 2>you know, spot fittings throughout the season. If there's like

0:22:24.840 --> 0:22:28.040
<v Speaker 2>the Halloween episode or you know, which he went all

0:22:28.080 --> 0:22:34.840
<v Speaker 2>out on this year. I wore four different looks from

0:22:34.840 --> 0:22:37.680
<v Speaker 2>My Fair Lady, Audrey Hepburn's looks from My Fair Lady,

0:22:37.680 --> 0:22:39.600
<v Speaker 2>and they were all custom built.

0:22:39.960 --> 0:22:42.119
<v Speaker 1>Oh my god, that sounds fun.

0:22:42.800 --> 0:22:47.080
<v Speaker 2>It was amazing, amazing, you know, from the hats and

0:22:47.119 --> 0:22:50.639
<v Speaker 2>the whole thing. It was incredible. So you know this, uh,

0:22:51.000 --> 0:22:55.240
<v Speaker 2>this guy's amazing and and he understands, you know, he

0:22:55.359 --> 0:22:58.199
<v Speaker 2>understands like that the character needs the character dresses this

0:22:58.240 --> 0:23:03.000
<v Speaker 2>way because she it makes her feel good. You know,

0:23:03.080 --> 0:23:08.400
<v Speaker 2>she wants to go out into the world with an

0:23:08.600 --> 0:23:10.879
<v Speaker 2>an expression of on her body of what's going on

0:23:10.920 --> 0:23:14.040
<v Speaker 2>inside of her. But she also should be I think,

0:23:14.240 --> 0:23:20.560
<v Speaker 2>and she also knows that people underestimate that her. Yeah, right,

0:23:20.600 --> 0:23:22.360
<v Speaker 2>and so you know, as a superpower.

0:23:22.480 --> 0:23:24.960
<v Speaker 1>It's also another thing where they're like, wait, what's happening,

0:23:25.040 --> 0:23:26.600
<v Speaker 1>what's coming for me right now? I don't know what

0:23:27.200 --> 0:23:31.960
<v Speaker 1>this is. It's so colorful and very all these choices.

0:23:32.000 --> 0:23:35.280
<v Speaker 1>It's so good. Okay, so this is your third season,

0:23:35.359 --> 0:23:36.240
<v Speaker 1>right of Elsbeth.

0:23:36.800 --> 0:23:37.720
<v Speaker 2>This is the third season.

0:23:37.800 --> 0:23:41.639
<v Speaker 1>Yes, incredible, incredible, everybody check it out. It's out now.

0:23:41.720 --> 0:23:46.080
<v Speaker 1>So whatever rock we've been living under, get out from

0:23:46.160 --> 0:23:48.200
<v Speaker 1>under it and check out the show. It's so fun.

0:23:48.760 --> 0:23:52.120
<v Speaker 1>But you are also producing the show now along with

0:23:52.200 --> 0:23:54.959
<v Speaker 1>your show creators, which I think is amazing. How has

0:23:55.080 --> 0:23:57.919
<v Speaker 1>this new title change things for you?

0:23:58.880 --> 0:24:01.720
<v Speaker 2>I guess I just, you know, feel like I have

0:24:02.359 --> 0:24:06.199
<v Speaker 2>a formal voice. I always had a voice. Thankfully, the

0:24:06.200 --> 0:24:10.200
<v Speaker 2>people that I work with are very collaborative, they're very

0:24:11.560 --> 0:24:14.000
<v Speaker 2>and they're also very, very good at what they're doing.

0:24:14.080 --> 0:24:20.000
<v Speaker 2>John Tolan is our showrunner, is excellent, and so I

0:24:20.080 --> 0:24:25.199
<v Speaker 2>feel lucky that I already have people that are that

0:24:25.320 --> 0:24:30.080
<v Speaker 2>are able to receive what I say. But it just

0:24:30.200 --> 0:24:32.919
<v Speaker 2>became a little more formal, as you know, with that

0:24:32.960 --> 0:24:36.800
<v Speaker 2>producer producer credit. Yeah, And I mean, you know, when

0:24:36.800 --> 0:24:39.920
<v Speaker 2>you're an actor and you're on you know, you're playing

0:24:39.920 --> 0:24:41.840
<v Speaker 2>the title character, and you're on the show as much

0:24:41.880 --> 0:24:44.920
<v Speaker 2>as I am, in a way, you're already a producer

0:24:45.000 --> 0:24:49.920
<v Speaker 2>because you are producing what they're writing give the show.

0:24:50.359 --> 0:24:53.720
<v Speaker 2>You're producing it, you know, like you're standing there doing

0:24:53.760 --> 0:24:54.440
<v Speaker 2>it the level.

0:24:54.840 --> 0:24:58.440
<v Speaker 1>Yeah, So congrats on that. I mean, that just opens

0:24:58.520 --> 0:25:00.560
<v Speaker 1>up a lot of doors for the future. But you,

0:25:00.680 --> 0:25:03.240
<v Speaker 1>because you seem like somebody that likes to grow and

0:25:03.320 --> 0:25:08.560
<v Speaker 1>likes to challenge yourself, you're not just an award winning actress.

0:25:08.600 --> 0:25:11.239
<v Speaker 1>You're an executive producer like we just mentioned, and you're

0:25:11.280 --> 0:25:17.200
<v Speaker 1>also a highly sought out director. Yeah, you directed, yes,

0:25:17.560 --> 0:25:20.919
<v Speaker 1>which is a crazy amount of energy, and I know

0:25:20.960 --> 0:25:23.480
<v Speaker 1>how hard that is, especially when you're acting and directing

0:25:23.520 --> 0:25:28.919
<v Speaker 1>at the same time. But you directed Your Honor with

0:25:29.119 --> 0:25:33.400
<v Speaker 1>Brian Cranston. Loved that show. I love the look of it.

0:25:34.119 --> 0:25:37.400
<v Speaker 1>I love the way it was directed and shot. Great job.

0:25:37.480 --> 0:25:39.600
<v Speaker 1>I'm not sure which, if which episode you did, but

0:25:40.320 --> 0:25:41.440
<v Speaker 1>it's in general.

0:25:41.320 --> 0:25:43.600
<v Speaker 2>That show because I came on in the second season,

0:25:43.920 --> 0:25:47.600
<v Speaker 2>but the way they do it, it's, uh, you block

0:25:48.080 --> 0:25:53.600
<v Speaker 2>shoot two episodes simultaneously. So I was directing two episodes

0:25:53.960 --> 0:25:57.760
<v Speaker 2>at the same time. Oh boy. And so it was

0:25:57.920 --> 0:26:01.640
<v Speaker 2>really more like directing feature film because it was two

0:26:01.640 --> 0:26:07.199
<v Speaker 2>hours of television, right and uh but in a you know,

0:26:07.760 --> 0:26:14.000
<v Speaker 2>shorter amount of time than you get to direct. But uh,

0:26:14.640 --> 0:26:20.120
<v Speaker 2>the producers on that were very open. They really let

0:26:20.160 --> 0:26:24.560
<v Speaker 2>the directors be creative. They weren't prescriptive about these are

0:26:24.600 --> 0:26:27.159
<v Speaker 2>the only kinds of shots that we do, you know.

0:26:27.240 --> 0:26:33.639
<v Speaker 2>They were very what's your vision and they helped to

0:26:33.640 --> 0:26:36.359
<v Speaker 2>to help you bring that to life. And so I

0:26:36.359 --> 0:26:38.960
<v Speaker 2>felt I had a lot of creative agency with that,

0:26:39.080 --> 0:26:42.960
<v Speaker 2>which I like, Yeah, it was, and it was probably

0:26:43.000 --> 0:26:46.040
<v Speaker 2>the most challenging thing I've ever done as a director

0:26:46.119 --> 0:26:48.639
<v Speaker 2>just because of that. The two and both of the

0:26:48.640 --> 0:26:51.800
<v Speaker 2>episodes were different tonally. You know, one of them was

0:26:51.920 --> 0:26:54.359
<v Speaker 2>very high action pack and the other one was had

0:26:54.400 --> 0:26:58.000
<v Speaker 2>a little bit more of like, uh, a slower pace,

0:26:58.520 --> 0:27:02.399
<v Speaker 2>more of a It was kind of the Denument in

0:27:02.400 --> 0:27:04.800
<v Speaker 2>a way. It was like coming down off of this

0:27:04.840 --> 0:27:06.760
<v Speaker 2>big high one that I had done. That must have

0:27:06.800 --> 0:27:07.560
<v Speaker 2>been hard to do.

0:27:07.640 --> 0:27:10.960
<v Speaker 1>Like, yeah, it shows it once, so you mean you're

0:27:11.000 --> 0:27:12.560
<v Speaker 1>like shooting one direction.

0:27:13.040 --> 0:27:16.480
<v Speaker 2>Well, you're shooting more like its locations. So like when

0:27:16.520 --> 0:27:19.239
<v Speaker 2>we would go and this location, we would do all

0:27:19.280 --> 0:27:23.480
<v Speaker 2>the scenes that were in both episodes in that location,

0:27:23.640 --> 0:27:26.399
<v Speaker 2>and then we had to go It was set in

0:27:26.440 --> 0:27:28.399
<v Speaker 2>New Orleans, but we shot in a lot of it

0:27:28.440 --> 0:27:32.440
<v Speaker 2>in LA in season two, so you know, finding those

0:27:32.480 --> 0:27:35.480
<v Speaker 2>locations that look like New Orleans in LA you know

0:27:35.600 --> 0:27:36.760
<v Speaker 2>that kind of thing, and then we would go to

0:27:36.800 --> 0:27:39.639
<v Speaker 2>New Orleans for a week and shoot everything that we

0:27:39.720 --> 0:27:43.479
<v Speaker 2>needed to shoot in New Orleans for both episodes at

0:27:43.480 --> 0:27:44.280
<v Speaker 2>that scene.

0:27:44.400 --> 0:27:47.920
<v Speaker 1>Yeah, that takes a lot of mind management, going flopping

0:27:47.960 --> 0:27:50.400
<v Speaker 1>back and forth totally I.

0:27:50.320 --> 0:27:52.280
<v Speaker 2>Know, but I love that. I don't know, I'm kind

0:27:52.320 --> 0:27:54.040
<v Speaker 2>of I don't know, I'm weird about it, but I

0:27:54.040 --> 0:27:56.720
<v Speaker 2>guess I really like. It's like a math It's like

0:27:56.760 --> 0:27:58.199
<v Speaker 2>a huge math problem or something.

0:27:59.400 --> 0:27:59.600
<v Speaker 1>Yeah.

0:27:59.760 --> 0:28:03.359
<v Speaker 2>I enjoyed that, enjoy putting that puzzle together.

0:28:03.640 --> 0:28:05.000
<v Speaker 1>You are the puppet master.

0:28:05.880 --> 0:28:09.160
<v Speaker 2>Yeah. Yeah. And also I just you know, I love actors,

0:28:09.400 --> 0:28:13.560
<v Speaker 2>and you know, they had some amazing actors on that show.

0:28:13.680 --> 0:28:16.200
<v Speaker 2>And to be able to you know, work with them

0:28:16.480 --> 0:28:21.000
<v Speaker 2>and help them and you know, and just you know,

0:28:21.040 --> 0:28:23.200
<v Speaker 2>see their work come to life, that was a great,

0:28:23.760 --> 0:28:27.000
<v Speaker 2>a great thing. Yeah. I don't know if I want

0:28:27.040 --> 0:28:30.480
<v Speaker 2>to direct Elsbeth because I'm just on screen so much.

0:28:31.160 --> 0:28:34.080
<v Speaker 2>I think it would I don't. I don't have that

0:28:34.160 --> 0:28:36.400
<v Speaker 2>much i'd send you over that I think it might

0:28:36.520 --> 0:28:38.760
<v Speaker 2>send me o it. Yeah, Well, is.

0:28:38.720 --> 0:28:41.640
<v Speaker 1>There anything more in the industry that is calling you? Like,

0:28:41.800 --> 0:28:45.880
<v Speaker 1>what's your next chapter look like? Do you think you

0:28:45.920 --> 0:28:46.160
<v Speaker 1>know what?

0:28:46.240 --> 0:28:48.880
<v Speaker 2>I'm being totally honest right now that this is the

0:28:49.000 --> 0:28:54.480
<v Speaker 2>dream come true. So I really am doing my best

0:28:54.880 --> 0:29:00.160
<v Speaker 2>to be present with it, to take care of it it,

0:29:01.600 --> 0:29:08.280
<v Speaker 2>not overextend myself so that it gets compromised and focused

0:29:08.560 --> 0:29:14.440
<v Speaker 2>saying focused but also knowing that the stamina that it

0:29:14.480 --> 0:29:19.040
<v Speaker 2>takes really does require some downtime when I can get it,

0:29:20.200 --> 0:29:22.720
<v Speaker 2>and not feeling like I need to pile in a

0:29:22.760 --> 0:29:26.800
<v Speaker 2>bunch of work during my downtime. If we're lucky enough

0:29:26.800 --> 0:29:29.280
<v Speaker 2>to get a season four, I'll have three months off,

0:29:30.000 --> 0:29:34.240
<v Speaker 2>and I don't necessarily want to do something that takes

0:29:34.320 --> 0:29:38.040
<v Speaker 2>up those three months. I do need to refill the well,

0:29:38.320 --> 0:29:42.520
<v Speaker 2>you know, because I really love this job and I

0:29:42.560 --> 0:29:46.120
<v Speaker 2>want it. I want to honor it and do it

0:29:46.400 --> 0:29:48.800
<v Speaker 2>just as in the best way. I know how. I'm

0:29:48.840 --> 0:29:50.840
<v Speaker 2>part of that is I've got to take kind of

0:29:51.080 --> 0:29:54.080
<v Speaker 2>take care of myself. Yeah. I think it's a you

0:29:54.160 --> 0:29:55.160
<v Speaker 2>know that more than anyone.

0:29:55.480 --> 0:29:59.040
<v Speaker 1>It's a marathon, and it's easy to just spend it all. Yeah,

0:29:59.040 --> 0:30:01.000
<v Speaker 1>and then all of a sudden you're like, whoa, Okay,

0:30:01.080 --> 0:30:02.280
<v Speaker 1>I don't know how I'm going to do this.

0:30:02.920 --> 0:30:05.960
<v Speaker 2>Yeah, I know you'll You'll use up your body budget.

0:30:06.120 --> 0:30:08.760
<v Speaker 2>You know, Shoot, it's I spent it.

0:30:09.000 --> 0:30:10.880
<v Speaker 1>How do you what does it look like for you,

0:30:10.960 --> 0:30:15.000
<v Speaker 1>like during a work week, how do you choose yourself

0:30:15.240 --> 0:30:17.680
<v Speaker 1>amidst that crazy schedule and all those demands.

0:30:17.840 --> 0:30:22.840
<v Speaker 2>I'm very protective of my morning time, so I will

0:30:22.840 --> 0:30:27.320
<v Speaker 2>get up early, and it's tough when you have to

0:30:27.320 --> 0:30:29.040
<v Speaker 2>get up with something that starts with a four.

0:30:31.640 --> 0:30:33.920
<v Speaker 1>It was a brutal Yeah, I miss those days.

0:30:33.960 --> 0:30:36.760
<v Speaker 2>No, you don't. You don't miss them, but you know,

0:30:36.800 --> 0:30:38.720
<v Speaker 2>you'll get your you know, And I get up and

0:30:39.600 --> 0:30:43.840
<v Speaker 2>I always try to at least do twenty minutes of

0:30:44.400 --> 0:30:48.760
<v Speaker 2>pilates nice, get the body going, and then I'll do

0:30:48.800 --> 0:30:54.040
<v Speaker 2>a ten minute meditation every perspect that's that's enough. Yeah,

0:30:54.280 --> 0:30:56.080
<v Speaker 2>And that's like pretty much all I have time for.

0:30:56.160 --> 0:30:57.880
<v Speaker 2>I can't go to the gym. I can't, you know,

0:30:58.160 --> 0:31:02.880
<v Speaker 2>I'll work my plate's instructor, who's wonderful. She made me

0:31:02.960 --> 0:31:06.200
<v Speaker 2>these twenty minute videos that I can go to if

0:31:06.240 --> 0:31:09.920
<v Speaker 2>I can meet with her and online, I will if

0:31:09.920 --> 0:31:12.640
<v Speaker 2>I have, like you know, I happen to have a

0:31:12.680 --> 0:31:14.920
<v Speaker 2>morning free, I'm not in the first scene. I'll meet

0:31:14.960 --> 0:31:17.440
<v Speaker 2>up with her in person in the studio. But you know,

0:31:17.600 --> 0:31:22.840
<v Speaker 2>I definitely find that when I don't do that, my

0:31:22.920 --> 0:31:26.640
<v Speaker 2>body doesn't feel like it's ready for what it needs

0:31:26.680 --> 0:31:27.680
<v Speaker 2>to do that day.

0:31:28.080 --> 0:31:32.240
<v Speaker 1>Right, right, it's you have to you're like a trained athlete.

0:31:32.320 --> 0:31:34.520
<v Speaker 2>Yeah, it's like an athlete. Yeah, it's an an athlete,

0:31:34.600 --> 0:31:38.040
<v Speaker 2>especially with my character because the way I enjoyed playing

0:31:38.040 --> 0:31:42.000
<v Speaker 2>her is very physically. You know, she's embodies things, a

0:31:42.040 --> 0:31:45.400
<v Speaker 2>lot of energy. Not from Europe, it's the whole, you know,

0:31:45.480 --> 0:31:46.960
<v Speaker 2>head to toe experience.

0:31:47.000 --> 0:31:49.520
<v Speaker 1>Well, I've loved getting to know you a little bit more.

0:31:50.720 --> 0:31:55.880
<v Speaker 1>But before we go, Yeah, Carrie Preston, what was your

0:31:55.960 --> 0:31:57.200
<v Speaker 1>last I Choose me moment?

0:31:59.160 --> 0:32:04.000
<v Speaker 2>I mean, this morning, I knew I was had a

0:32:04.040 --> 0:32:07.600
<v Speaker 2>busy day, I had a me and so I got

0:32:07.680 --> 0:32:16.720
<v Speaker 2>up early, I made my smoothie, I meditated, and I

0:32:16.800 --> 0:32:23.320
<v Speaker 2>just chose to do absolutely nothing for an hour. And

0:32:23.680 --> 0:32:29.120
<v Speaker 2>it was an important thing because then it lined me

0:32:29.280 --> 0:32:33.800
<v Speaker 2>up and grounded me for what I had to do today.

0:32:33.840 --> 0:32:37.680
<v Speaker 2>It's busy right now, New York City is insane, and

0:32:38.960 --> 0:32:42.720
<v Speaker 2>doing nothing for me is not the easiest thing to

0:32:42.760 --> 0:32:46.760
<v Speaker 2>do because I'm such a doer too, and so it

0:32:46.880 --> 0:32:52.320
<v Speaker 2>was a way to choose me. You know, it was

0:32:52.320 --> 0:32:56.600
<v Speaker 2>something that I think I would maybe not normally do.

0:32:56.800 --> 0:32:58.280
<v Speaker 2>I mean I could do it for ten minutes, but

0:32:58.520 --> 0:33:01.600
<v Speaker 2>for an hour that was tough. Yeah, that's like.

0:33:01.560 --> 0:33:04.560
<v Speaker 1>An hour long meditation you did this morning basically.

0:33:04.680 --> 0:33:06.120
<v Speaker 2>Yeah, yeah, so good.

0:33:06.520 --> 0:33:09.560
<v Speaker 1>Yeah, just the best advice. I love everything you're about

0:33:09.640 --> 0:33:12.479
<v Speaker 1>and I'm so excited for everything that's in store for

0:33:12.560 --> 0:33:16.440
<v Speaker 1>you. You deserve it all. You're a good person. Carrie comes

0:33:16.480 --> 0:33:21.520
<v Speaker 1>back with her colorfully enthusiastic Elsbeth on February twenty six,

0:33:22.000 --> 0:33:25.240
<v Speaker 1>and please come back here for more of my conversation

0:33:25.320 --> 0:33:29.360
<v Speaker 1>with Carrie Preston, when we jump into the challenges and

0:33:29.640 --> 0:33:34.240
<v Speaker 1>advantages of aging on camera. Subscribe to this pod now

0:33:34.280 --> 0:33:37.560
<v Speaker 1>to get notified when it drops.