1 00:00:08,200 --> 00:00:12,760 Speaker 1: Greetings that then Veniel's fellow seekers of the Dark, I'm 2 00:00:12,880 --> 00:00:20,200 Speaker 1: Danny three. Welcome to Nocturnal Tales from the Shadow. By 3 00:00:20,239 --> 00:00:24,360 Speaker 1: the enchanted frames of this fire, we transcend time and 4 00:00:24,480 --> 00:00:30,080 Speaker 1: space to enter the darkest depths of the Latin American imagination, 5 00:00:31,480 --> 00:00:35,640 Speaker 1: legend and lore passed down through the years and retold 6 00:00:36,080 --> 00:00:43,440 Speaker 1: with a twist in Tonight's story. War and play have ravaged. 7 00:00:43,040 --> 00:00:47,880 Speaker 2: The world, and in these ruins we will encounter Kukuri Khan, 8 00:00:48,400 --> 00:00:52,839 Speaker 2: the mighty feathered serpent of the Maya, a bearer of wisdom, 9 00:00:53,240 --> 00:00:57,880 Speaker 2: a cosmic force of transformation. For in the end of time, 10 00:00:58,440 --> 00:01:26,759 Speaker 2: there is only one choice is to make adapt or perish. 11 00:01:27,560 --> 00:01:32,959 Speaker 3: Day forty three, We're getting close. Ivy thinks the entrance 12 00:01:33,040 --> 00:01:35,560 Speaker 3: is nearby, buried somewhere. 13 00:01:35,240 --> 00:01:37,800 Speaker 4: Under the jungle. 14 00:01:37,480 --> 00:01:41,560 Speaker 3: Floor, the top secret lab that discovered the infamous cure 15 00:01:41,720 --> 00:01:50,120 Speaker 3: for the mushrooms of Salvation or one hope for the 16 00:01:50,160 --> 00:01:55,919 Speaker 3: future of humanity. It's a lot of process. Ivey doesn't 17 00:01:55,920 --> 00:02:01,320 Speaker 3: talk much about it, but I know her mentor gave 18 00:02:01,360 --> 00:02:05,480 Speaker 3: her life to pass on these maps, and here we 19 00:02:05,520 --> 00:02:10,480 Speaker 3: are on the edge of whatever comes next. I pray 20 00:02:10,720 --> 00:02:12,519 Speaker 3: that we find what we're looking for. 21 00:02:14,400 --> 00:02:16,160 Speaker 5: Hey, guys. Wait up. 22 00:02:19,600 --> 00:02:22,919 Speaker 6: You know I'm sorry to find the whole circling vultures 23 00:02:22,919 --> 00:02:23,959 Speaker 6: being kind of comforting. 24 00:02:24,600 --> 00:02:26,119 Speaker 7: No our own little. 25 00:02:28,600 --> 00:02:32,679 Speaker 8: Comelo. You do know they're scavengers right, like, they are 26 00:02:32,720 --> 00:02:34,000 Speaker 8: not interested. 27 00:02:33,560 --> 00:02:34,080 Speaker 9: In the living. 28 00:02:34,560 --> 00:02:35,160 Speaker 2: Here's the thing. 29 00:02:35,680 --> 00:02:38,000 Speaker 6: I don't think they very much have faith in us 30 00:02:38,200 --> 00:02:38,959 Speaker 6: as the living. 31 00:02:40,240 --> 00:02:45,360 Speaker 3: My grandma said, vultures carrying omens from the underworld. 32 00:02:46,320 --> 00:02:48,360 Speaker 7: The fact that they've been. 33 00:02:48,680 --> 00:02:53,280 Speaker 3: Following us for three days in a row definitely feels. 34 00:02:52,960 --> 00:02:59,000 Speaker 8: Like some kind of sign, like maybe a sign of 35 00:02:59,000 --> 00:03:00,639 Speaker 8: the healthy eCos something that's. 36 00:03:00,520 --> 00:03:02,960 Speaker 10: Capable of supporting a robust vent your population. 37 00:03:03,080 --> 00:03:05,760 Speaker 11: Mone So what a nerd. 38 00:03:10,200 --> 00:03:12,320 Speaker 12: I'm with coming on this one. 39 00:03:12,840 --> 00:03:23,320 Speaker 3: Sorry, sweetie, And for that you get a snaky snack. Thanks. 40 00:03:24,560 --> 00:03:24,960 Speaker 13: What's wrong? 41 00:03:25,840 --> 00:03:27,280 Speaker 5: Just the snaps? 42 00:03:27,360 --> 00:03:29,880 Speaker 9: They we we should have reached the facility by now. 43 00:03:30,680 --> 00:03:35,480 Speaker 12: Maybe we passed it that he's so overgrown. 44 00:03:36,000 --> 00:03:38,480 Speaker 14: No, no, no, just something would have picked up on 45 00:03:38,560 --> 00:03:43,800 Speaker 14: the scanner unless the scanner is busted or our directions 46 00:03:43,800 --> 00:03:45,840 Speaker 14: are off, which would suck. 47 00:03:46,600 --> 00:03:47,360 Speaker 11: Let's be honest. 48 00:03:47,800 --> 00:03:49,760 Speaker 14: Did you really think that we were going to find anything? 49 00:03:49,880 --> 00:03:51,200 Speaker 10: Huh do? 50 00:03:51,320 --> 00:03:54,280 Speaker 14: Here's the dude, you just came along to balance out 51 00:03:54,320 --> 00:03:56,960 Speaker 14: our our last shred of hope. 52 00:03:57,120 --> 00:04:02,040 Speaker 6: I mean, yeah, every position needs nihilis right. 53 00:04:03,040 --> 00:04:06,360 Speaker 9: Okay, just you're insufferable, babe. 54 00:04:06,560 --> 00:04:08,600 Speaker 3: He comes bearing snacks. 55 00:04:08,680 --> 00:04:10,240 Speaker 7: You know, what can I say? 56 00:04:11,080 --> 00:04:19,360 Speaker 14: I'm your emotional support pessimist. Okay, but all jokes aside 57 00:04:19,760 --> 00:04:21,120 Speaker 14: this mushroom. 58 00:04:21,279 --> 00:04:22,159 Speaker 9: It's the real deal. 59 00:04:22,240 --> 00:04:22,520 Speaker 15: Com you. 60 00:04:23,360 --> 00:04:24,880 Speaker 8: We find the sporest, we find. 61 00:04:24,640 --> 00:04:27,200 Speaker 14: The cure, will rule to me this. 62 00:04:29,920 --> 00:04:33,080 Speaker 2: If they've already found the cure to the Great Green death, 63 00:04:33,880 --> 00:04:34,640 Speaker 2: why is heap. 64 00:04:34,480 --> 00:04:35,320 Speaker 7: Of humanity dead? 65 00:04:35,400 --> 00:04:35,760 Speaker 11: Huh? 66 00:04:36,640 --> 00:04:40,320 Speaker 10: Because the lab god kids hard, the Americans, White South, 67 00:04:40,480 --> 00:04:42,680 Speaker 10: everything above the ground. In the first wave of the 68 00:04:42,760 --> 00:04:46,760 Speaker 10: air strikes, only a few of the scientists got out 69 00:04:46,839 --> 00:04:49,479 Speaker 10: and the rest disappeared. 70 00:04:50,760 --> 00:04:52,440 Speaker 16: Classic yep. 71 00:04:53,160 --> 00:04:56,080 Speaker 14: And now we are the only ones on the planet 72 00:04:56,200 --> 00:04:57,599 Speaker 14: who know this labesn't exist. 73 00:04:57,640 --> 00:04:59,640 Speaker 9: So you know, try to have some faith. 74 00:05:00,640 --> 00:05:00,839 Speaker 17: Mind. 75 00:05:00,839 --> 00:05:03,039 Speaker 14: If we take a few minutes, I want to go over. 76 00:05:02,880 --> 00:05:03,520 Speaker 8: These map. 77 00:05:05,000 --> 00:05:05,960 Speaker 11: I'll just be over here. 78 00:05:06,120 --> 00:05:10,400 Speaker 2: It's inspiring about how made of the world rests on 79 00:05:10,560 --> 00:05:14,280 Speaker 2: our shoulders. 80 00:05:16,640 --> 00:05:18,919 Speaker 4: Hey, any of my help with anything? 81 00:05:19,920 --> 00:05:23,560 Speaker 9: No, I'm good to them. I would do your thing. 82 00:05:24,279 --> 00:05:24,920 Speaker 9: I love you. 83 00:05:26,520 --> 00:05:27,279 Speaker 10: I love you too. 84 00:05:32,160 --> 00:05:33,560 Speaker 4: Still day forty three. 85 00:05:34,120 --> 00:05:35,800 Speaker 3: I know we're here for the mushrooms. 86 00:05:36,880 --> 00:05:38,440 Speaker 4: They you're all of that, But. 87 00:05:40,360 --> 00:05:44,960 Speaker 16: It feels strange being and you got done in this place. 88 00:05:45,200 --> 00:05:49,239 Speaker 4: My mom and grandma talked about so much. It feels 89 00:05:49,480 --> 00:05:55,440 Speaker 4: precious and fragile. Just diary. 90 00:05:57,040 --> 00:05:58,960 Speaker 3: I was in the middle of a serious moment. 91 00:06:01,520 --> 00:06:02,080 Speaker 14: I'm sorry. 92 00:06:02,520 --> 00:06:03,039 Speaker 13: I didn't need that. 93 00:06:03,320 --> 00:06:05,920 Speaker 9: I was just hey, we need to get moving. 94 00:06:06,400 --> 00:06:07,080 Speaker 7: What's going on? 95 00:06:07,880 --> 00:06:11,440 Speaker 14: I just picked up a short wait thing northeast squadrons 96 00:06:11,800 --> 00:06:14,279 Speaker 14: coming south, could be looters, could could be worse. 97 00:06:14,600 --> 00:06:18,120 Speaker 6: Okay, at least if we end up as human beef jerk, 98 00:06:18,160 --> 00:06:19,560 Speaker 6: you will have made something of ourselves. 99 00:06:19,960 --> 00:06:25,320 Speaker 14: Oh that is sick, Camillo, Seriously, what you don't like? 100 00:06:25,360 --> 00:06:28,479 Speaker 2: Cannibal humor noted it? My bad. 101 00:06:29,760 --> 00:06:32,680 Speaker 3: I really don't want to think about that. 102 00:06:33,320 --> 00:06:36,280 Speaker 14: Okay, let's just get to the facility. It'll be safe there. 103 00:06:36,360 --> 00:06:38,640 Speaker 14: I figured out the map is sure. We were off, 104 00:06:38,720 --> 00:06:41,640 Speaker 14: but I know the way now. It's not so much further. 105 00:06:42,200 --> 00:06:43,320 Speaker 11: He leads a way. 106 00:06:44,040 --> 00:06:44,400 Speaker 7: Mm hmm. 107 00:06:52,200 --> 00:06:55,479 Speaker 9: That's the signal. It has to be around here. 108 00:06:56,640 --> 00:06:58,479 Speaker 6: The hell are we supposed to find if it's so 109 00:06:58,560 --> 00:06:59,039 Speaker 6: well hidden. 110 00:07:00,360 --> 00:07:04,400 Speaker 14: Everyone just grab a stick and hate the ground. We 111 00:07:04,440 --> 00:07:12,960 Speaker 14: are listening for a hollow. Sounds all fun, old needle. 112 00:07:12,800 --> 00:07:13,640 Speaker 9: To hate that game. 113 00:07:18,640 --> 00:07:25,720 Speaker 5: Over here? Listen black spot. Okay, let's let's dig dig 114 00:07:26,360 --> 00:07:27,360 Speaker 5: Have you seen my arms? 115 00:07:27,920 --> 00:07:28,440 Speaker 8: Come Inlo? 116 00:07:28,680 --> 00:07:29,400 Speaker 9: I believe in you? 117 00:07:29,880 --> 00:07:32,720 Speaker 2: M m, I don't believe in me. 118 00:07:39,120 --> 00:07:39,600 Speaker 5: This is it. 119 00:07:41,600 --> 00:07:54,000 Speaker 14: Everyone just grab an edge and and and pull. Okay, 120 00:07:54,760 --> 00:07:58,040 Speaker 14: boy like ready, let's go. 121 00:08:00,120 --> 00:08:12,320 Speaker 18: M oh oh. 122 00:08:15,560 --> 00:08:15,800 Speaker 19: Oh. 123 00:08:18,320 --> 00:08:20,800 Speaker 3: It's a surprisingly good condition. 124 00:08:22,600 --> 00:08:25,040 Speaker 4: Must have been sealed up pretty good, yep. 125 00:08:25,600 --> 00:08:28,120 Speaker 9: And the places have been sealed up tied for the 126 00:08:28,160 --> 00:08:31,960 Speaker 9: last decade. Do you know what does that mean? We 127 00:08:32,000 --> 00:08:32,760 Speaker 9: can need these? 128 00:08:32,840 --> 00:08:33,720 Speaker 7: All right? 129 00:08:33,800 --> 00:08:34,640 Speaker 12: Are you sure. 130 00:08:37,120 --> 00:08:38,640 Speaker 9: We don't need them? 131 00:08:38,679 --> 00:08:38,719 Speaker 10: Not? 132 00:08:38,880 --> 00:08:45,440 Speaker 9: Down here? A little musty, but I feel so good. 133 00:08:45,800 --> 00:08:54,800 Speaker 8: Okay, it almost feels taboo to breathe like this. 134 00:08:55,960 --> 00:08:58,040 Speaker 6: All right here you go. 135 00:09:00,040 --> 00:09:05,880 Speaker 7: Mm hmmm mm hmm. A sweet sweet smell of old 136 00:09:05,920 --> 00:09:06,840 Speaker 7: batteries and mildew. 137 00:09:11,640 --> 00:09:14,840 Speaker 9: You you hear? That's hum? Power is coming from somewhere. 138 00:09:17,120 --> 00:09:24,040 Speaker 7: Hey, hey, binga, you got this monitor? Oh that's all 139 00:09:24,080 --> 00:09:31,120 Speaker 7: squats hell? Oh shit, whoa? What would I do? 140 00:09:31,679 --> 00:09:32,360 Speaker 12: There's lights? 141 00:09:32,559 --> 00:09:36,559 Speaker 9: Wow, this is amazing. I wonder if I can still 142 00:09:36,800 --> 00:09:38,040 Speaker 9: access on me of the data. 143 00:09:41,040 --> 00:09:45,440 Speaker 4: Still day forty three, we're here at last. 144 00:09:46,400 --> 00:09:50,160 Speaker 3: I can't help thinking all this advanced science, all this 145 00:09:50,400 --> 00:09:56,200 Speaker 3: knowledge for what a world torn apart by war and greed. 146 00:09:59,040 --> 00:10:01,520 Speaker 4: There's there's writing. 147 00:10:01,200 --> 00:10:02,120 Speaker 19: Here so. 148 00:10:03,960 --> 00:10:04,360 Speaker 12: Chummy. 149 00:10:05,920 --> 00:10:10,079 Speaker 20: Hey, guys, I think the harvesting zone. 150 00:10:09,960 --> 00:10:10,720 Speaker 12: Is behind this door. 151 00:10:12,440 --> 00:10:14,800 Speaker 7: It looks more like a fawn. How the fuck are 152 00:10:14,840 --> 00:10:15,400 Speaker 7: we gonna open that? 153 00:10:17,559 --> 00:10:19,199 Speaker 9: Um? 154 00:10:19,280 --> 00:10:25,560 Speaker 8: Yeah, it looks like it needs some kind of access badge. 155 00:10:25,720 --> 00:10:28,520 Speaker 7: Maybe we use that emergency acts on the wall. 156 00:10:28,880 --> 00:10:33,479 Speaker 9: So what cuts her solid seal? I don't think so, commumo. 157 00:10:33,800 --> 00:10:37,320 Speaker 7: No to probably open the panels, hats. 158 00:10:38,559 --> 00:10:43,520 Speaker 6: Hats so we can hot wire it. 159 00:10:44,960 --> 00:10:49,280 Speaker 8: Come me, loie, this is why we se you around. 160 00:10:50,200 --> 00:10:51,280 Speaker 7: My pops will be proud. 161 00:10:52,040 --> 00:10:54,160 Speaker 6: He tried to teach me the trade, but I was 162 00:10:54,200 --> 00:10:56,520 Speaker 6: too busy writing shitty poems about the end of the world. 163 00:10:57,480 --> 00:10:59,840 Speaker 9: Nola looks like his schooling works. 164 00:10:59,600 --> 00:10:59,760 Speaker 14: You know. 165 00:11:00,120 --> 00:11:07,839 Speaker 7: Poet ex poet. Help me pull this baby open? 166 00:11:13,280 --> 00:11:15,560 Speaker 9: This thing is heavy. Can you give us a head? 167 00:11:16,040 --> 00:11:26,400 Speaker 12: Okay? Okay? Who yeah? 168 00:11:26,600 --> 00:11:28,760 Speaker 9: I think we're gonna need a flashlight. 169 00:11:34,679 --> 00:11:35,880 Speaker 12: Does that mean? 170 00:11:41,120 --> 00:11:41,400 Speaker 19: Okay? 171 00:11:41,400 --> 00:11:42,640 Speaker 7: Okay, I got it. 172 00:11:44,000 --> 00:11:44,400 Speaker 9: Good thing. 173 00:11:44,440 --> 00:11:45,960 Speaker 7: There are no caps to rest as I. 174 00:11:49,200 --> 00:11:53,040 Speaker 21: After you trespass hersh way, Thank. 175 00:11:52,800 --> 00:11:53,559 Speaker 12: You, kind sir. 176 00:11:58,800 --> 00:12:03,319 Speaker 7: This is amazing. Well the hell are there's no light? 177 00:12:04,720 --> 00:12:05,880 Speaker 7: Is this even more of the lab? 178 00:12:07,200 --> 00:12:10,040 Speaker 9: It must be in Tanta. Mushrooms grow fast in the dark. 179 00:12:11,360 --> 00:12:13,920 Speaker 4: The walls or stone. 180 00:12:14,320 --> 00:12:17,840 Speaker 3: It looks like they built a facility around the temple. 181 00:12:18,400 --> 00:12:22,760 Speaker 7: Oh hold on, hold on, is that a sinkhole? 182 00:12:23,360 --> 00:12:27,840 Speaker 9: Must be the harvesting zone. Supports and loves heats and caps. 183 00:12:27,880 --> 00:12:31,880 Speaker 8: Thats are probably down there, careful pretty deep. 184 00:12:34,720 --> 00:12:36,280 Speaker 7: Oh no, it's flooded. 185 00:12:37,080 --> 00:12:37,720 Speaker 9: This is bad. 186 00:12:38,640 --> 00:12:41,880 Speaker 12: Fuck Ivy. 187 00:12:42,040 --> 00:12:45,280 Speaker 9: It came for nothing. It is flooded. The Muslims are gone. 188 00:12:45,360 --> 00:12:46,000 Speaker 9: It is over. 189 00:12:46,320 --> 00:12:49,400 Speaker 7: It's okay gone. Maybe patrons can breathe underwater. 190 00:12:49,960 --> 00:12:57,280 Speaker 8: Not now, come elo, Sorry sorry, Ivy, I'm sorry many, 191 00:12:57,320 --> 00:12:58,920 Speaker 8: but I just needs a minute. 192 00:12:59,400 --> 00:12:59,840 Speaker 7: Ivy. 193 00:13:01,040 --> 00:13:01,400 Speaker 12: Listen. 194 00:13:02,800 --> 00:13:08,040 Speaker 8: What's that a drone security drum probably still running automated protocol. 195 00:13:08,320 --> 00:13:19,080 Speaker 5: Ship stick out now it's arm Something's that gonly arnge? 196 00:13:19,240 --> 00:13:19,440 Speaker 12: Yeah? 197 00:13:19,480 --> 00:13:27,040 Speaker 5: No ship? Yeah, but more of been gummy. We need 198 00:13:27,080 --> 00:13:30,280 Speaker 5: a pope, been doing that? Okay? 199 00:13:31,200 --> 00:13:36,560 Speaker 14: Yet, push and stop Bush. 200 00:13:43,960 --> 00:13:44,960 Speaker 12: We're trapped in here. 201 00:13:45,760 --> 00:13:47,960 Speaker 9: Then we better pray there is another way out. 202 00:13:57,840 --> 00:14:05,040 Speaker 7: Huh, dis Christ? So is this it? Are we just? 203 00:14:06,520 --> 00:14:11,359 Speaker 7: Are we just stuck in here? I mean say something. 204 00:14:13,200 --> 00:14:20,200 Speaker 7: I don't know, Ivy. You okay, not really wait you 205 00:14:20,320 --> 00:14:21,800 Speaker 7: guys check this out. 206 00:14:24,200 --> 00:14:26,760 Speaker 12: I don't think this is the harvesting pit. 207 00:14:27,320 --> 00:14:27,960 Speaker 7: What do you mean? 208 00:14:28,880 --> 00:14:32,400 Speaker 4: Look at the walls, the mineral deposits the moss. 209 00:14:35,080 --> 00:14:35,760 Speaker 12: This is a s. 210 00:14:36,160 --> 00:14:41,400 Speaker 7: Day, meaning what exactly? This could be the entrance to 211 00:14:41,440 --> 00:14:44,720 Speaker 7: a cave system. Maybe the mushrooms are grown underground. 212 00:14:44,920 --> 00:14:48,360 Speaker 8: Body, holy shit, you're right. 213 00:14:48,680 --> 00:14:53,560 Speaker 9: Mm hmm. Look, guys, there's a draft coming from below. 214 00:14:54,040 --> 00:14:54,640 Speaker 9: You feel good? 215 00:14:55,760 --> 00:15:00,360 Speaker 7: Shine your lights over here? Over here? See that. Oh, 216 00:15:00,400 --> 00:15:04,880 Speaker 7: there's a ledge cut into the wall. There's an entrance. 217 00:15:05,320 --> 00:15:06,880 Speaker 6: I'd say I have a bad finging about this, but 218 00:15:07,720 --> 00:15:09,520 Speaker 6: there are killer drones on the other side of that door, 219 00:15:09,560 --> 00:15:11,920 Speaker 6: So yeah, what are we waiting for? 220 00:15:12,720 --> 00:15:28,000 Speaker 19: I second that, let's do it. 221 00:15:30,200 --> 00:15:35,000 Speaker 4: Day forty four. We all slept somehow deep sleep. 222 00:15:35,440 --> 00:15:39,920 Speaker 16: I dreamt of an enormous snake with black horse hair. 223 00:15:40,640 --> 00:15:44,000 Speaker 4: It came from the river, and everyone sort of really 224 00:15:44,000 --> 00:15:45,640 Speaker 4: sorry to draw what. 225 00:15:46,920 --> 00:15:52,400 Speaker 6: I dreamt about a snake too, where you did. Yeah, 226 00:15:52,520 --> 00:15:57,480 Speaker 6: it was huge. I think it was slowly swallowing me. 227 00:15:58,440 --> 00:16:02,120 Speaker 6: But weirdly, I feel kind of cuddly. 228 00:16:02,320 --> 00:16:06,280 Speaker 9: What hmm, now that you mention it. 229 00:16:06,560 --> 00:16:11,440 Speaker 8: I had a snake dream too, This beautiful bow of 230 00:16:11,520 --> 00:16:14,720 Speaker 8: some kind of iridescent scales. 231 00:16:14,200 --> 00:16:17,680 Speaker 9: Perfect symmetry, just beautiful. 232 00:16:18,600 --> 00:16:21,800 Speaker 8: I go to touch it and then suddenly it just 233 00:16:22,280 --> 00:16:26,520 Speaker 8: cracks open, rightes down. It's fine and wings just start 234 00:16:26,720 --> 00:16:27,560 Speaker 8: pushing out. 235 00:16:27,400 --> 00:16:28,760 Speaker 9: So it's so hard. 236 00:16:30,240 --> 00:16:35,280 Speaker 8: Yeah, isn't it weird that we all dreamt of snakes underground? 237 00:16:35,320 --> 00:16:38,680 Speaker 9: Isolation messes with the circadian rhythms. 238 00:16:39,520 --> 00:16:43,360 Speaker 6: That or maybe we're just fucking cursed like the rest 239 00:16:43,360 --> 00:16:44,040 Speaker 6: of humanity. 240 00:16:44,600 --> 00:16:45,560 Speaker 3: I don't know, but. 241 00:16:46,480 --> 00:16:47,920 Speaker 12: I think it means something. 242 00:16:48,880 --> 00:16:50,840 Speaker 4: There's something special about this place. 243 00:16:51,920 --> 00:16:52,880 Speaker 12: Can't you feel it? 244 00:16:53,320 --> 00:16:53,640 Speaker 17: M m? 245 00:16:54,880 --> 00:16:55,800 Speaker 9: You know what's I feel? 246 00:16:56,080 --> 00:16:57,080 Speaker 14: What that? 247 00:16:57,200 --> 00:17:00,040 Speaker 9: I love you? 248 00:17:00,040 --> 00:17:00,960 Speaker 2: You guys are disgusting. 249 00:17:07,920 --> 00:17:10,200 Speaker 9: Wait do you see that? 250 00:17:10,640 --> 00:17:10,920 Speaker 15: Whoa? 251 00:17:12,119 --> 00:17:13,000 Speaker 7: Yeah? 252 00:17:13,040 --> 00:17:16,000 Speaker 4: Where's it coming from? 253 00:17:16,000 --> 00:17:19,880 Speaker 7: It's not like any light I've ever seen. It's like. 254 00:17:21,840 --> 00:17:22,520 Speaker 12: Pulls here. 255 00:17:25,080 --> 00:17:28,320 Speaker 8: I think it's by aluminescence. What do you want to 256 00:17:28,359 --> 00:17:30,600 Speaker 8: bet that that is where we're gonna find the mushrooms? 257 00:17:30,800 --> 00:17:31,000 Speaker 19: Oh? 258 00:17:31,359 --> 00:17:34,600 Speaker 9: Oh, I'm really a. 259 00:17:47,200 --> 00:17:51,679 Speaker 3: Day forty five at this moment like these when I 260 00:17:51,720 --> 00:17:52,840 Speaker 3: wish I had a camera. 261 00:17:54,000 --> 00:17:56,160 Speaker 12: I don't know if words can describe it. 262 00:17:57,040 --> 00:18:01,440 Speaker 16: Walking into this chamber felt like walking into a temple. 263 00:18:02,320 --> 00:18:05,439 Speaker 4: Moss on the walls and the mushrols. 264 00:18:06,359 --> 00:18:12,200 Speaker 16: My god, they're so beautiful. They have this soft green 265 00:18:12,400 --> 00:18:17,840 Speaker 16: glow that pulls this like breath or a heartbeat. Ivy 266 00:18:17,880 --> 00:18:21,520 Speaker 16: has been collecting samples for the last hour and just 267 00:18:21,520 --> 00:18:25,160 Speaker 16: seeing the hope in her eyes gives me hope too. 268 00:18:25,960 --> 00:18:30,400 Speaker 12: Hey, Moneys, check this out? 269 00:18:31,080 --> 00:18:31,560 Speaker 7: What's fake? 270 00:18:35,160 --> 00:18:40,360 Speaker 12: Oh wow? How do you think this smearal is old enough? 271 00:18:41,359 --> 00:18:44,560 Speaker 7: Grace? The snake dude has wings like. 272 00:18:43,960 --> 00:18:49,120 Speaker 6: Like Ivy's dream, right, Hey Ivy, why Ivy's check this out? 273 00:18:52,560 --> 00:18:53,720 Speaker 12: Oh wow? 274 00:18:54,320 --> 00:18:56,000 Speaker 9: I mean just look at that. 275 00:18:56,520 --> 00:18:58,600 Speaker 12: Oh that's Schukurgan. 276 00:18:59,320 --> 00:19:04,159 Speaker 3: I think he was considered a major deity associated with 277 00:19:04,480 --> 00:19:08,840 Speaker 3: creation storms, bringer of wisdom and culture to the people. 278 00:19:09,520 --> 00:19:13,240 Speaker 8: Cool, cool, come, that must be what's the mushroom stream 279 00:19:13,440 --> 00:19:15,359 Speaker 8: was made for my senna? 280 00:19:17,320 --> 00:19:20,720 Speaker 6: So if these mushrooms are connected to a divine serpent god, 281 00:19:21,680 --> 00:19:23,480 Speaker 6: they must give some pretty wow. 282 00:19:24,440 --> 00:19:29,320 Speaker 9: I don't even think about it. No, no, Camilo, you 283 00:19:29,400 --> 00:19:36,000 Speaker 9: did not just cheat that comute commute. 284 00:19:41,000 --> 00:19:42,640 Speaker 7: Goda. 285 00:19:44,280 --> 00:19:45,040 Speaker 9: You're an idiot. 286 00:19:49,119 --> 00:19:50,200 Speaker 6: Okay, that wasn't me. 287 00:19:51,040 --> 00:19:55,160 Speaker 9: Clearly, there's nights here. Let's just stay alert. 288 00:19:55,600 --> 00:19:57,360 Speaker 7: You want me to try? 289 00:19:57,960 --> 00:20:01,840 Speaker 9: Hey, Camila, can you know how me with these samples 290 00:20:01,880 --> 00:20:02,280 Speaker 9: over here? 291 00:20:04,560 --> 00:20:07,840 Speaker 8: You know that thing that I had planned and once 292 00:20:07,920 --> 00:20:09,280 Speaker 8: we found the mushrooms? 293 00:20:09,560 --> 00:20:12,399 Speaker 6: Oh that thing? 294 00:20:12,920 --> 00:20:14,320 Speaker 9: Do you still think I should go. 295 00:20:14,200 --> 00:20:14,760 Speaker 12: Ahead with it? 296 00:20:16,040 --> 00:20:16,880 Speaker 6: If not, that will win? 297 00:20:18,359 --> 00:20:22,800 Speaker 9: Mm hmm, Marisol, I want to ask you something? 298 00:20:23,119 --> 00:20:23,919 Speaker 11: What is it? 299 00:20:25,400 --> 00:20:29,440 Speaker 12: Wait? No, what are you doing. 300 00:20:30,800 --> 00:20:33,680 Speaker 9: Marisoul Madelena Vas? 301 00:20:34,960 --> 00:20:35,879 Speaker 12: Will you marry me? 302 00:20:37,520 --> 00:20:39,040 Speaker 6: You know you don't have to say yes just because 303 00:20:39,080 --> 00:20:39,879 Speaker 6: it's the apocalypse. 304 00:20:42,240 --> 00:20:51,159 Speaker 22: Yes, you knew, maybe a little. 305 00:20:53,240 --> 00:20:53,640 Speaker 5: I just. 306 00:20:55,160 --> 00:20:56,440 Speaker 11: I love you so much. 307 00:20:57,000 --> 00:20:59,439 Speaker 8: We'll find a way to get you your beach wedding. 308 00:21:00,800 --> 00:21:05,960 Speaker 3: Okay, I demand iguanas a little both. 309 00:21:06,840 --> 00:21:11,200 Speaker 9: Yes, Suana's in both eyes for sure. But in the meantime, 310 00:21:12,000 --> 00:21:13,280 Speaker 9: do you have to take Camillo? 311 00:21:13,640 --> 00:21:13,720 Speaker 10: What? 312 00:21:14,359 --> 00:21:14,600 Speaker 19: Yes? 313 00:21:14,680 --> 00:21:18,639 Speaker 7: Ma'am you okay? 314 00:21:19,160 --> 00:21:19,520 Speaker 19: Okay? 315 00:21:19,640 --> 00:21:20,800 Speaker 9: And I have to dance. 316 00:21:29,800 --> 00:21:30,520 Speaker 17: I love. 317 00:21:32,160 --> 00:21:36,639 Speaker 11: So it just mirror the speeding. 318 00:21:38,240 --> 00:21:39,600 Speaker 12: He's drunk on love. 319 00:21:40,480 --> 00:21:48,679 Speaker 2: Yeah, okays, do you hear that? 320 00:21:53,160 --> 00:21:53,640 Speaker 9: Camille? 321 00:21:54,760 --> 00:21:55,160 Speaker 11: You good? 322 00:22:00,560 --> 00:22:00,800 Speaker 19: Come? 323 00:22:01,760 --> 00:22:04,200 Speaker 9: Are you? 324 00:22:05,359 --> 00:22:05,399 Speaker 5: What? 325 00:22:05,560 --> 00:22:06,000 Speaker 11: Did I know? 326 00:22:11,560 --> 00:22:11,600 Speaker 13: No? 327 00:22:40,280 --> 00:22:42,080 Speaker 3: Day forty six. 328 00:22:42,920 --> 00:22:46,240 Speaker 4: We have been trying to reach the lower chambers. We 329 00:22:46,320 --> 00:22:47,359 Speaker 4: think that's where he fell. 330 00:22:48,080 --> 00:22:49,520 Speaker 7: I don't think since morseless. 331 00:22:49,640 --> 00:22:53,440 Speaker 4: I see it in her eyes, but I just can't 332 00:22:53,560 --> 00:22:55,040 Speaker 4: keep up on Camuno. 333 00:22:59,040 --> 00:23:02,160 Speaker 9: Made. Maybe it's time return back. 334 00:23:02,520 --> 00:23:05,760 Speaker 12: No, we keep going for Camino. 335 00:23:08,040 --> 00:23:18,359 Speaker 9: Okay, for Camillo. H you hear them? 336 00:23:18,400 --> 00:23:20,600 Speaker 4: I think it's coming from the mushrooms. 337 00:23:21,560 --> 00:23:24,879 Speaker 9: Don't stop walking for a second. 338 00:23:26,160 --> 00:23:31,520 Speaker 12: I want to record it. 339 00:23:34,359 --> 00:23:35,560 Speaker 4: They're saying something. 340 00:23:35,720 --> 00:23:36,679 Speaker 9: No, they're not. 341 00:23:43,920 --> 00:23:47,920 Speaker 8: It's just the spores messing with your head. 342 00:23:48,680 --> 00:23:52,480 Speaker 9: Let's keep going a little longer, then we can turn back. 343 00:23:52,840 --> 00:24:03,400 Speaker 15: Okay, Oh god, is that a human school? 344 00:24:04,320 --> 00:24:04,560 Speaker 21: With this? 345 00:24:04,720 --> 00:24:07,320 Speaker 7: Pine's going like a snake. 346 00:24:07,760 --> 00:24:10,640 Speaker 9: It's just mixed remains, you see. It's all the time 347 00:24:10,640 --> 00:24:14,840 Speaker 9: in cave sex. I don't think so. So you're an archaeologist. 348 00:24:14,920 --> 00:24:29,000 Speaker 12: Now, Oh god, it breaks in here. 349 00:24:30,040 --> 00:24:32,680 Speaker 9: Some kind of fermented run off. 350 00:24:36,520 --> 00:24:37,199 Speaker 10: What is a. 351 00:24:39,280 --> 00:24:39,600 Speaker 11: Camel? 352 00:24:40,160 --> 00:24:40,880 Speaker 9: He's alive? 353 00:24:41,320 --> 00:24:49,760 Speaker 8: Oh my god, you buddy, you're gonna be all right. 354 00:24:50,440 --> 00:24:54,640 Speaker 9: Okay, Oh my god. 355 00:24:55,480 --> 00:25:01,440 Speaker 8: His skin, the tissue, it is all knitted at that head. 356 00:25:01,520 --> 00:25:02,600 Speaker 9: One should have killed him. 357 00:25:03,040 --> 00:25:07,640 Speaker 8: Mushrooms must have saved him somehow or something, because. 358 00:25:10,960 --> 00:25:12,960 Speaker 9: What is he saying? 359 00:25:13,359 --> 00:25:13,560 Speaker 10: Good? 360 00:25:13,680 --> 00:25:17,440 Speaker 4: Gun is waking God's children? 361 00:25:18,520 --> 00:25:18,840 Speaker 19: We are. 362 00:25:21,800 --> 00:25:25,280 Speaker 8: He's delirious, sheet How are we going to get him 363 00:25:25,280 --> 00:25:26,240 Speaker 8: out of here's? 364 00:25:26,440 --> 00:25:28,160 Speaker 9: His legs are all twisted. 365 00:25:28,600 --> 00:25:29,879 Speaker 12: He can't walk. 366 00:25:29,960 --> 00:25:30,120 Speaker 17: And. 367 00:25:34,560 --> 00:25:35,480 Speaker 12: But he can crow. 368 00:25:35,800 --> 00:25:38,200 Speaker 9: A mean lord, stop you'll you'll. 369 00:25:37,960 --> 00:25:38,639 Speaker 5: Make it worse. 370 00:25:38,960 --> 00:25:41,920 Speaker 12: We will lend it. I think he's trying to show 371 00:25:42,000 --> 00:25:42,439 Speaker 12: us something. 372 00:25:43,240 --> 00:25:50,320 Speaker 9: What Oh wow, a sella. 373 00:25:51,320 --> 00:25:54,879 Speaker 16: Those figures look like the skeletons we saw cub and 374 00:25:55,000 --> 00:25:57,080 Speaker 16: his serpent bodies. 375 00:25:56,840 --> 00:26:13,200 Speaker 8: All something gone. 376 00:26:13,240 --> 00:26:39,720 Speaker 20: To take that money, give it. 377 00:26:29,160 --> 00:26:33,359 Speaker 4: Say forty six or forty seven. I don't know anymore. 378 00:26:34,400 --> 00:26:35,320 Speaker 10: He's in shock. 379 00:26:36,240 --> 00:26:38,440 Speaker 4: She doesn't want to talk about what happened to come 380 00:26:38,520 --> 00:26:45,600 Speaker 4: in That thing that came out of him. Heart nake weren't. 381 00:26:45,520 --> 00:26:49,000 Speaker 9: Human, just like the vacures and the mural. 382 00:26:49,680 --> 00:26:52,480 Speaker 17: Buddy, can you turn that damn thing off and. 383 00:26:52,480 --> 00:26:53,960 Speaker 9: Help me find the way out of your. 384 00:26:55,560 --> 00:26:58,240 Speaker 12: Sorry, I just have to take mos. 385 00:26:59,600 --> 00:27:11,320 Speaker 5: Outright, there's more than me. 386 00:27:11,680 --> 00:27:14,160 Speaker 9: It is not just communal children. 387 00:27:15,840 --> 00:27:16,480 Speaker 21: They're hunching. 388 00:27:17,880 --> 00:27:21,800 Speaker 8: What come on, we're god, We need to get out 389 00:27:21,840 --> 00:27:22,520 Speaker 8: of your fashion. 390 00:27:25,240 --> 00:27:27,760 Speaker 9: Did we come up from the left of the rise right? 391 00:27:28,400 --> 00:27:33,880 Speaker 5: Did they think right there there is the way out? 392 00:27:34,160 --> 00:27:43,600 Speaker 8: So careful the lad just take my hand. 393 00:27:45,960 --> 00:27:49,320 Speaker 4: What the hell these moms and moss? 394 00:27:49,880 --> 00:27:52,080 Speaker 12: It looks like a hundred years of house. 395 00:27:52,800 --> 00:27:58,920 Speaker 9: This doesn't make any sense. Listen, I don't hear anything. 396 00:27:59,640 --> 00:28:02,720 Speaker 9: He's no electrical home means no power. 397 00:28:02,880 --> 00:28:05,840 Speaker 8: Maybe there are no more drones on the other side 398 00:28:05,840 --> 00:28:06,360 Speaker 8: of this door. 399 00:28:07,960 --> 00:28:18,200 Speaker 17: Only one way to find out way the mine's are Gemini? 400 00:28:19,080 --> 00:28:26,240 Speaker 17: Help me, Maddy. 401 00:28:27,000 --> 00:28:27,600 Speaker 5: They're coming. 402 00:28:28,600 --> 00:28:31,719 Speaker 9: Okay, that's okay, that's okay, that's okay. We can lock 403 00:28:31,760 --> 00:28:33,200 Speaker 9: them in and we just have to see the huts 404 00:28:33,240 --> 00:28:33,760 Speaker 9: behind us. 405 00:28:34,560 --> 00:28:36,280 Speaker 5: Mighty hurry, they're coming. 406 00:28:37,600 --> 00:28:39,240 Speaker 7: I'm not going up there. 407 00:28:39,840 --> 00:28:41,000 Speaker 5: What are you talking about? 408 00:28:41,520 --> 00:28:49,880 Speaker 11: The gods made humans from my wood thence each version thing. 409 00:28:50,720 --> 00:28:52,120 Speaker 9: It's not our turn anymore. 410 00:28:52,160 --> 00:28:56,160 Speaker 8: No, no, no, no, Maddy, Maddy, please don't. I know you're 411 00:28:56,200 --> 00:28:59,920 Speaker 8: tired hend to Mary's, but we need to keep going. 412 00:29:00,680 --> 00:29:06,160 Speaker 8: We have the samples, we have the data, we can cure. Okay, 413 00:29:06,680 --> 00:29:07,440 Speaker 8: we can survive. 414 00:29:08,240 --> 00:29:12,080 Speaker 9: I don't want to just survive anymore. Why are you saying. 415 00:29:12,440 --> 00:29:17,480 Speaker 4: On the other side on left door, there's nothing left 416 00:29:17,560 --> 00:29:18,000 Speaker 4: for us. 417 00:29:18,640 --> 00:29:21,440 Speaker 12: Don't you see that It's. 418 00:29:21,400 --> 00:29:23,200 Speaker 9: Time for something else? 419 00:29:23,360 --> 00:29:25,680 Speaker 2: Now we have. 420 00:29:25,800 --> 00:29:33,400 Speaker 8: To choose, keep running, become part of it. 421 00:29:37,120 --> 00:29:39,040 Speaker 9: It's okay, okay, I got it. 422 00:29:39,080 --> 00:29:40,160 Speaker 5: Open money, let's go. 423 00:29:41,840 --> 00:29:44,160 Speaker 9: Heii ny it's too late. 424 00:29:46,600 --> 00:29:49,280 Speaker 12: I at one of the bushrooms. 425 00:29:50,840 --> 00:29:55,280 Speaker 8: When back in the cave, I can already feel my 426 00:29:55,400 --> 00:29:56,400 Speaker 8: body change. 427 00:29:56,480 --> 00:29:59,160 Speaker 7: Your life is coming. 428 00:30:00,120 --> 00:30:00,440 Speaker 5: Okay. 429 00:30:00,880 --> 00:30:02,040 Speaker 9: I can't make you throw it up. 430 00:30:02,360 --> 00:30:03,200 Speaker 21: We'll find I can't. 431 00:30:03,240 --> 00:30:06,560 Speaker 9: We just see it out of here, please please money. 432 00:30:06,880 --> 00:30:18,560 Speaker 11: Oh, I don't want to leave you man, you don't have. 433 00:30:23,560 --> 00:30:35,880 Speaker 7: But you haven't hurry there's coming. Take it to swallow it. 434 00:30:44,800 --> 00:30:47,080 Speaker 9: Whatever happens to you happens to me. 435 00:30:47,240 --> 00:30:54,560 Speaker 5: To make sure me my my. 436 00:30:56,320 --> 00:31:08,880 Speaker 7: You. No no priest dressed fross and emotion. Oh, brasses, 437 00:31:09,240 --> 00:31:10,040 Speaker 7: its smooth. 438 00:31:11,080 --> 00:31:17,200 Speaker 22: My thoughts just agree. 439 00:31:21,000 --> 00:31:22,360 Speaker 5: Why do you have ris h. 440 00:31:34,920 --> 00:31:38,040 Speaker 9: They're here. 441 00:31:56,760 --> 00:32:00,520 Speaker 4: We held each other's hands until there was nothing told. 442 00:32:01,920 --> 00:32:08,600 Speaker 4: Our fear fell away with our skin. We grew wens scales, 443 00:32:09,840 --> 00:32:16,200 Speaker 4: saw with right new yellow eyes the children of Kukulkan, 444 00:32:17,440 --> 00:32:22,000 Speaker 4: and in great numbers we rose to reclaim the earth. 445 00:32:23,280 --> 00:32:30,320 Speaker 4: This was not the end, It's just the beginning. Goukulkan 446 00:32:30,920 --> 00:32:34,360 Speaker 4: is waking. And if you can hear this. 447 00:32:35,000 --> 00:32:46,160 Speaker 22: If this message reaches you, I hope you'll join us. 448 00:32:59,080 --> 00:33:10,800 Speaker 1: Well that's one way to say, I do better. Keep 449 00:33:10,840 --> 00:33:11,680 Speaker 1: my voice. 450 00:33:11,400 --> 00:33:21,600 Speaker 13: Down awake you know who this has been Nocturnal Tales 451 00:33:21,640 --> 00:33:22,720 Speaker 13: from the Shadows. 452 00:33:23,480 --> 00:33:24,960 Speaker 2: Thank you for joining us. 453 00:33:35,960 --> 00:33:39,960 Speaker 21: Nocturno Tales from the Shadows was produced by Sonoro in 454 00:33:40,000 --> 00:33:44,560 Speaker 21: partnership with Iheartsmichael to the Podcast Network. Produced and directed 455 00:33:44,640 --> 00:33:48,600 Speaker 21: by Luisa Luardo Castillio, Developed and produced. 456 00:33:48,080 --> 00:33:49,480 Speaker 7: By Bettina Lopez. 457 00:33:49,960 --> 00:33:54,520 Speaker 21: Executive produced by Royal Pearson, Arlene Santana and Leo Gomez 458 00:33:54,560 --> 00:33:58,720 Speaker 21: for iHeart and Camilla Victoriano and Josho Weinstein fortun Not. 459 00:33:59,600 --> 00:34:05,600 Speaker 21: This was written by Elijah Savigneva. Performances in this episode 460 00:34:05,640 --> 00:34:13,040 Speaker 21: by Danny Trejo, Briza kovarubiez Aila Eloi, Amador Placentia Junior 461 00:34:13,640 --> 00:34:19,760 Speaker 21: and Constantine Cascante. Our supervising producer is Cadin Sa Chainies. 462 00:34:20,360 --> 00:34:25,640 Speaker 21: Recording engineering and sound design by Cassandra Tinagero and Andres Baena, 463 00:34:26,120 --> 00:34:30,800 Speaker 21: with helped by Emiliano Quintaner and Diego Campos casting a 464 00:34:30,880 --> 00:34:36,759 Speaker 21: coordination by Nick Milanes and Alex Gonzalez. Voices recorded at 465 00:34:36,800 --> 00:34:40,680 Speaker 21: the Invisible Studios, dg IS Studios an Outloud Audio in 466 00:34:40,760 --> 00:34:44,520 Speaker 21: Los Angeles, the Relic Room in New York, Panoramic Audio 467 00:34:44,520 --> 00:34:48,440 Speaker 21: in Miami, sab Boom Bank Studios in Houston, and Cavit 468 00:34:48,480 --> 00:34:54,080 Speaker 21: Sound in Santa Fe, with engineering by Charles Carroll, Sharon Carney, 469 00:34:54,560 --> 00:35:01,480 Speaker 21: Stephen George, David Lukerelli, Gary Forbes, Jody Abbott, Ivan Correas, 470 00:35:01,480 --> 00:35:07,520 Speaker 21: Ethan Grafton, Robert Thayer, Brett Tuban, J K. Hurad, Alfredo 471 00:35:07,560 --> 00:35:15,960 Speaker 21: Fuentez and Colin Angerlider. If you're enjoying Octuron No Tales 472 00:35:16,000 --> 00:35:19,520 Speaker 21: from the Shadows, please subscribe, rate, and review our show 473 00:35:19,560 --> 00:35:20,680 Speaker 21: wherever you're listening