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Speaker 1: Indy has reached a glorious age that I don't think

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Speaker 1: I quite got here until way later, like maybe in

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Speaker 1: my teens.

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Speaker 2: But man, kids are sophisticated. Indie's very sophisticated media savvy.

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Speaker 2: He is now enjoying bad movies. We like watching horrible

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Speaker 2: movies together.

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Speaker 1: He's discovered the like, I think it's really empowering for kids,

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Speaker 1: you know, when they realized like, oh it's okay that

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Speaker 1: this is bad or that that's bad acting. And so

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Speaker 1: I had never seen this film, but there is a

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Speaker 1: legendary bad movie called Troll two.

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Speaker 3: Yeah it will. I have not, but it is a legend.

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Speaker 4: It is a legend.

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Speaker 3: Yes, okay, we've watched it twice. His friends.

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Speaker 1: We have now watched the documentary that the kid who

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Speaker 1: was in the movie made in two thousand and eight,

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Speaker 1: which is spectacular. I am telling you this is like

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Speaker 1: I mean, I had heard about this forever. It's one

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Speaker 1: of those like film geek things like oh, there's tons

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Speaker 1: of bad movies and then there's one that's.

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Speaker 3: Like so bad but also so entertaining, and it's Troll two.

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Speaker 1: And so I was like, oh, India, you know, because

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Speaker 1: he was like, I want to watch a bad movie

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Speaker 1: where in this on this kick and I'm like, let's

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Speaker 1: do it, and Alex had never seen it. We laughed

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Speaker 1: start to finish, and like literally the next night he's like,

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Speaker 1: let's watch it again, and yeah.

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Speaker 3: Were you lost because you hadn't seen the first one?

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Speaker 3: Were you?

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Speaker 4: Like? Wait? But I don't know these characters.

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Speaker 1: The best part is that this was this is a

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Speaker 1: movie about goblins. They never mentioned trolls once to troll one, apparently.

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Speaker 5: Our trolls and goblins interchangeable.

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Speaker 3: Well, according to this movie, but according to me, according

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Speaker 3: to Will, of course.

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Speaker 1: Not, they're completely different tribes, different languages.

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Speaker 4: Yes, exactly what system.

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Speaker 1: It's like mixing leprechauns and trolls. It doesn't make any sense.

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Speaker 5: Oh yeah, thank you? Yeah yeah.

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Speaker 1: So this this film it so bonkers, you guys. It's basically,

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Speaker 1: they go to this family. This little boy is being

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Speaker 1: haunted by the ghost of his dead grandfather who's telling

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Speaker 1: them that his family cannot go to this town because

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Speaker 1: they're going to be eaten by the goblins there.

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Speaker 3: Okay, so you got me right, And.

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Speaker 1: The goblins are eating people and the whole movie is

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Speaker 1: anti vegetarianism. Oh my, Apparently the woman who wrote it,

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Speaker 1: so it's an Italian couple that wrote it and directed it,

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Speaker 1: and that kind of goes a long way to explain

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Speaker 1: why the movie is so weird. Is that there was

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Speaker 1: a language barrier. They were trying to communicate with these actors,

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Speaker 1: American actors who had no idea what was going on.

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Speaker 1: And if you watch a documentary, you get to see

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Speaker 1: them like re creating what it was like directing and you're.

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Speaker 3: Like, oh, well, this is why this movie is so bad.

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Speaker 1: But what makes it so great, And like the problem

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Speaker 1: with most bad movies is that they get boring after

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Speaker 1: a while because you could just see the like the

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Speaker 1: poor filmmaking. You could see like, oh, they just got lazy,

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Speaker 1: they gave up, they didn't get that shot, they didn't

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Speaker 1: have the effects. This movie is so committed it actually

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Speaker 1: believes it's got an important thing to say about how

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Speaker 1: vegetarians are awful and that these goblins who are turning

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Speaker 1: people into trees in order to eat them. So even

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Speaker 1: though the goblins are eating people, they're vegetarians. That's that's

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Speaker 1: like the weird.

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Speaker 3: Right, none of it makes it.

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Speaker 1: And then like from actor to actor, like some people

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Speaker 1: like are so committed and believing that they're in like

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Speaker 1: just a full on horror film that's like straight, and

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Speaker 1: then other people are playing it so campy and over

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Speaker 1: the top, like they're in like, you know, a kid's

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Speaker 1: movie that's.

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Speaker 3: Like whoa, it's so creepy. It is the most ridiculous

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Speaker 3: You will have so much fun.

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Speaker 4: Is it the worst movie you've ever seen?

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Speaker 6: You know?

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Speaker 4: No, I mean that's the thing.

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Speaker 3: It's the most entertaining bad movie I've ever seen.

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Speaker 1: Like I we laughed start to finish, We learned a lot,

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Speaker 1: We talked a lot, like and you know, I think,

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Speaker 1: like I'm saying, for Indians, empowering to be like that

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Speaker 1: person's a bad actor and be like, yeah, yeah, they

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Speaker 1: really are. And he's like, because no one talks like that.

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Speaker 1: You're like exactly, and we're just we just had so

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Speaker 1: much fun. And so now last night we started Macing Me,

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Speaker 1: which is like an.

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Speaker 4: Et ripoff, which is which is staggeringly badly staggeringly.

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Speaker 7: Bad, with a McDonald's commercial with McDonald's.

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Speaker 3: In the middle of the dance number McDonald's.

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Speaker 7: Oh my god. I think one other crazy trivia about

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Speaker 7: troll Ye Okay, so first you mentioned the documentary Michael

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Speaker 7: Stevenson made a great doc It's beautiful.

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Speaker 3: It's actually profound. I thought it was such a good documentary.

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Speaker 7: Yeah, the first Troll is a decent, you know, bad

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Speaker 7: horror movie, not like Troll two.

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Speaker 3: I've heard the first one.

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Speaker 7: The main character's name in Troll one Harry Potter.

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Speaker 3: No really ye? Could she have been inspired with No?

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Speaker 7: I think it's just weirdly coincidental coincidence.

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Speaker 4: That's what happens to Harry, who goes out over the

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Speaker 4: dark arts and he becomes a troll.

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Speaker 3: I love it.

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Speaker 5: A goblin.

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Speaker 4: Well, no, the first one's a troll.

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Speaker 3: First one they moved to the town of nil nil

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Speaker 3: Bog Nilog.

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Speaker 1: Yeah, and you're sitting there going and then the kid

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Speaker 1: and you're like, well, it's goblin backwards, And the kid

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Speaker 1: finally says, nil Bog, it's goblin backwards. We all saw it,

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Speaker 1: and we're like, that's why they couldn't change it to goblin.

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Speaker 1: They had to keep a troll. But then they were like,

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Speaker 1: but it's too important that the town they couldn't have moved.

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Speaker 3: Lore No exactly, rather effective.

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Speaker 7: Can I suggest your next bad movie for.

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Speaker 3: I've got one too, I've got one too.

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Speaker 7: You go first, here we go bird bird.

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Speaker 3: Yeah, I'm so good and I'm gonna throw rubber onto

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Speaker 3: the Oh.

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Speaker 7: My god, rubbers. Good Will, what are you talking about?

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Speaker 3: Bad?

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Speaker 4: Good though, Jensen?

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Speaker 7: Oh, I just suggested a movie. Will suggested a good

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Speaker 7: movie that's a.

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Speaker 4: Chandemic and your rubbers about right. It's so good.

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Speaker 3: Wait, wait, that's the tire that's going on. I heard

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Speaker 3: that was like a great movie.

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Speaker 4: It is, it is great, incredible things. It's a great No,

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Speaker 4: it's great, but it's it's not a good movie.

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Speaker 3: It's a bee movie. You're you're just making like a

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Speaker 3: good B movie.

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Speaker 1: I want a movie that's like like Sady is going, yeah,

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Speaker 1: making something great, really reaching and just doesn't get there,

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Speaker 1: because that's where it's so fun.

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Speaker 3: I mean, even macinbe wasn't nearly as entertainment.

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Speaker 7: Will suggested a movie that's actually pretty great. I suggested

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Speaker 7: a movie that shows a scene where someone walks out

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Speaker 7: of their house, gets in a car, drives to another place,

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Speaker 7: and gets out of their car, and that's the entire scene.

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Speaker 7: You don't great, don't talk and brilliant.

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Speaker 4: That's the point. Entrance ins and exits, they say, make

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Speaker 4: those longer in every film that's the best way to

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Speaker 4: do it. Okay, so troll to Troll two.

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Speaker 1: But then also will you have to watch the documentary.

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Speaker 1: It's one of the best documentaries about fandom and how

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Speaker 1: people relate to like something that they were in that

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Speaker 1: I've seen since Treki's.

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Speaker 3: Remember Treki's, Yeah, great movie. It feels like that.

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Speaker 1: And and in the same way that Treki's has that

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Speaker 1: documentary where you're like, you are judging these people, but

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Speaker 1: then you kind of start to feel sorry for them

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Speaker 1: and like you kind of you get emotionally invested in them,

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Speaker 1: the Troll two documentary does the same thing.

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Speaker 3: With the actors.

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Speaker 1: You watch them realize they were in a bad movie

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Speaker 1: come to terms with it, some of them, others completely

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Speaker 1: not understand it.

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Speaker 3: Some like it's it's and it's all being.

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Speaker 1: Directed by the kids. So he like grew up thinking,

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Speaker 1: like I was in this movie? What was that all about?

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Speaker 1: And then it became this sort of cult phenomenon, and

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Speaker 1: he's trying to make this documentary collecting the rest of

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Speaker 1: the cast, and you really, I mean like it's it

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Speaker 1: has a little bit of a Podmeats world vibe to

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Speaker 1: it around like what was I in?

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Speaker 4: What?

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Speaker 3: How do other people feel about it? How does the

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Speaker 3: culture feel about it?

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Speaker 1: And you watch these actors like kind of go through

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Speaker 1: they start going to conventions and like they think it's

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Speaker 1: really cool, and then they like kind of get addicted

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Speaker 1: to like needing the feedback of everyone loving this bad

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Speaker 1: movie and they're not quite so interesting.

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Speaker 3: That's a really great document.

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Speaker 4: The only thing I would take umbrage with is judging

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Speaker 4: the people from Treky's because I started at Star Trek

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Speaker 4: conventions when I was a kid, Gary and I would go.

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Speaker 3: My oldest brother would take me and.

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Speaker 4: We loved it. So I love one of those people.

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Speaker 1: Right, No, but you know how Treky's like just let

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Speaker 1: it roll on, like the people being awkward or less socially,

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Speaker 1: and it was clear that the director was like, this

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Speaker 1: person's behavior is a little you know, abnormal or just

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Speaker 1: different than like what and this h the documentary for

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Speaker 1: Troll two does the same thing, like just lets it rest.

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Speaker 1: And at first you're like kind of like, oh my god,

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Speaker 1: I can't believe that person said that.

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Speaker 3: That's that's hysterical or that's weird.

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Speaker 1: And then you start to feel for them and you're

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Speaker 1: like no, I totally like you get invested it's yeah.

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Speaker 3: These both available somewhere to stream. Yeah.

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Speaker 1: Yeah, I think Troll two is on HBO right now,

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Speaker 1: or maybe we rented it. We might have had to

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Speaker 1: rent Troll too, but the doc is available. I think

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Speaker 1: the doc was available.

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Speaker 5: Let's try to get Michael. Let's try to get Michael Stevenson.

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Speaker 5: Heck yeah, let's interview him. That'd be.

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Speaker 7: Best best worst movie.

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Speaker 3: By the way, is there a Troll three? Yeah? I

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Speaker 3: think so. I think so.

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Speaker 4: But is this one about elves? It's just never just

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Speaker 4: the first Troll is just about trolls. Now, Danielle, tell

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Speaker 4: us what you know about goblin society. Mmm.

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Speaker 5: I think goblins are small, okay, but I don't know.

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Speaker 5: I think goblins have pointy ears. Okay. I thought goblins

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Speaker 5: were only things that were statues.

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Speaker 3: Those are GOLs or are you mean goblins?

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Speaker 4: You know you're talking about Yeah, Uhblin. He did a

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Speaker 4: whole cartoon about him. Gotham.

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Speaker 5: They're called they're outside of the library. Yeah, that's what

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Speaker 5: I'm thinking of.

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Speaker 4: That's not a goblin.

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Speaker 3: No, that's as think of this, not think of this word.

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Speaker 4: No, it's not a there's.

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Speaker 7: No, it's I'm helping you. This is way too funny.

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Speaker 4: You don't know. I have the same thing. Goblins.

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Speaker 5: They have little they have short malstunacks and their statues

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Speaker 5: outside of like.

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Speaker 3: Thanks, those statues that come to life. It's not called goblins.

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Speaker 3: Those are No, they're not.

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Speaker 5: Yeah, they are, that's what they can't remember.

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Speaker 7: They'll do it. They're gargoyles.

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Speaker 4: Gargoyles. Thank you.

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Speaker 5: Well, I think a goblin is a gargoyle.

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Speaker 1: No, no, no, gargoyles fly gargoyles or statues. Gargoyles guard things. Yeah, no,

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Speaker 1: goblins are you know. They tend to live underground.

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Speaker 3: They have round heads. They live underground.

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Speaker 4: Their shirt they're about usually warriors, a lot to do

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Speaker 4: with smelting metal.

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Speaker 1: Usually they're sort of like the evil dwarves.

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Speaker 3: They're like the opposite of doors. They're always at war

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Speaker 3: with dwarves and.

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Speaker 4: Or elves or elves.

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Speaker 3: Yeah, goblins. Goblins are usually pretty. They're they're kind.

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Speaker 4: Of always they're they're the bad guy if you're really

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Speaker 4: a goblinist.

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Speaker 3: That's the thing that's the problem.

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Speaker 4: There's a lot of people out there that deal in

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Speaker 4: goblinism that I'm not a big fan of.

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Speaker 3: Just like, don't judge a book by its cover.

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Speaker 4: People, that's all saying.

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Speaker 5: This is fascinating. Yeah, welcome to Pond meets World.

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Speaker 3: I'm Danielle Fischel, I'm writer Strong, and I'm Bracht. It's

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Speaker 3: my goblin name.

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Speaker 4: I'm Wilcome. You mean.

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Speaker 3: Carg name, Cargo name.

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Speaker 5: Sometimes it's difficult for writer and me to accept the

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Speaker 5: fact that our best friend here, Will has any other

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Speaker 5: friends or coworkers. How can that be more than us?

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Speaker 5: How does he have time in between thinking about us?

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Speaker 5: Come on, But we have to admit it. He's been

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Speaker 5: in other things and made other friends. He was a

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Speaker 5: batman for goodness sake. He probably even knows the joker well.

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Speaker 5: Earlier this week we dug into one of those projects,

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Speaker 5: and now we dig into one of those friends. Will

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Speaker 5: is beloved for his work on the animated show Kim Possible,

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Speaker 5: for which we just recapped an episode, and Yes, in

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Speaker 5: addition to Eric Matthews, he will also always be known

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Speaker 5: as Ron Stoppable, and a part of that lore will

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Speaker 5: always include his co star, the icon the uber cool

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Speaker 5: high school student by day, globe trotting crime fighter by night.

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Speaker 5: Kim Possible. She was an incredibly rare female heroine in

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Speaker 5: the two thousands, giving hope to girls everywhere that they

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Speaker 5: could be both the relatable main character yet an extraordinary

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Speaker 5: leader at the same time. And the show has withstood

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Speaker 5: the test of time, almost as popular today on Disney

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Speaker 5: Plus as it was during its Disney Channel run. Just

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Speaker 5: ask the Beebers, a family who dressed up as Team

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Speaker 5: Possible just last Halloween. And so to analyze Kim Possible

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Speaker 5: even more, this week, we're talking to the hero herself, capable, confident,

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Speaker 5: stress free, and ready to save the day. I'm talking

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Speaker 5: about the guests now, not Kim Possible. This week on

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Speaker 5: Podmets World, let's welcome Christy Carlson Ramana on the podcast.

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Speaker 5: Welcome Christy, thank you so much for joining our little

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Speaker 5: Kim Possible reunion. We had realized that writer and I

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Speaker 5: were criminally uneducated when it came to the show, so

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Speaker 5: we're digging in. But once we realized Writer was on it,

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Speaker 5: it seemed like the uh, the perfect time to recap it.

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Speaker 4: Didn't matter that I was on it, just that they're like,

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Speaker 4: oh my god, writers on the show, let's recap it.

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Speaker 5: I was like, Yeah, firs of us are in something.

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Speaker 5: It feels like we absolutely have to cover it.

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Speaker 6: I think that's fair and you know, Kim Possible was

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Speaker 6: so good about casting, like so many great people, right,

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Speaker 6: like we've talked about it at cons and just like

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Speaker 6: we got really lucky.

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Speaker 4: We had insane guest stars, like especially the villains. I

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Speaker 4: mean it was well, I mean what Elliott Gould played

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Speaker 4: my dad, Jean Smart was your mom. Ricardo Montalband played

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Speaker 4: one of the I mean it was like one after

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Speaker 4: another of these incredible people that we never got to meet.

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Speaker 6: Yeah, that was the only crappy part was having the

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Speaker 6: community if impossible to not actually knowing significant Yeah, like writer,

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Speaker 6: you were a consistent character like Brick was in almost

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Speaker 6: every episode.

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Speaker 1: I feel, No, I think I only did. I don't

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Speaker 1: know how many I did, but but I.

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Speaker 3: Actually met you.

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Speaker 1: You were the only cast member met because we met

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Speaker 1: in New York at a recording session because we were

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Speaker 1: both Yeah, we were both recording in New York, right

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Speaker 1: because you were were you going to school there or

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Speaker 1: you were just living there?

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Speaker 6: Yeah, it was in Columbia at the time.

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Speaker 3: Did I So that's the thing.

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Speaker 5: What, Yes, you guys didn't know that you were at

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Speaker 5: Columbia Again, I.

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Speaker 1: Remember I remember when you were at Columbia, but I

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Speaker 1: remember the idea that was like, oh, we're both recording remotely,

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Speaker 1: but we didn't actually record together. We just passed each

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Speaker 1: other in the hallway and I was like, oh, you're Kim,

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Speaker 1: And I was like, I don't know what this show is, like,

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Speaker 1: you's no rules on it, but I guess Kim's a

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Speaker 1: big part. Nice to meet you and we met. So

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Speaker 1: when did you guys meet? When did actually in person.

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Speaker 4: For the last Did we audition together? Did we do

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Speaker 4: an audition together at the end, or did we just

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Speaker 4: go straight in and record the pilot together?

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Speaker 3: I can't remember.

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Speaker 6: I think that there was like what they called like

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Speaker 6: an animatic where they were testing out at least me

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Speaker 6: and in like a scene, but then you were in

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Speaker 6: the scene, so I just don't remember if your voice

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Speaker 6: was already attached to that.

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Speaker 3: I can't remember, because I know they were looking for both.

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Speaker 4: I mean, I I know that for Ron, there was

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Speaker 4: the people that they brought in was were like John

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Speaker 4: Cena apparently read to play.

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Speaker 6: Really, there's a lot of more surrounding that there is.

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Speaker 4: Pat Neil Patrick Harris was another one. Apparently there's like

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Speaker 4: this longest you can.

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Speaker 6: See him being a good option.

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Speaker 3: Yeah, he probably would have been better. Let's say, Yeah,

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Speaker 3: I think he would be.

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Speaker 4: It would have been more musical.

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Speaker 3: That's that's what I'm saying. I sang I did a

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Speaker 3: couple of songs for.

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Speaker 4: Yah Make Yeah, but no, I did an actual song

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Speaker 4: too with John Demanto. We did a Christmas song together

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Speaker 4: Ron Jacken. Yeah, Ron and Dracken did a Christmas song together,

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Speaker 4: which was which was really funny.

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Speaker 6: Wow.

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Speaker 4: But no, I don't remember. I don't remember when we

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Speaker 4: actually met the first time. But and then we recorded

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Speaker 4: the pilot together, maybe one episode, and then I don't

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Speaker 4: think I ever saw you again.

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Speaker 6: No, come on, we saw each other more than that.

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Speaker 6: I think we saw each other maybe a handful of times.

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Speaker 4: Yeah, but you were in New York recording and I

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Speaker 4: was always with Nicole Sullivan and Johnny Demagio who were

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Speaker 4: chatting Dracken.

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Speaker 3: Yeah.

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Speaker 6: Yeah, I saw you the most of everybody. And now

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Speaker 6: now we can't get enough of each other because.

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Speaker 4: Yeah, exactly.

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Speaker 6: You know we've had podcasts.

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Speaker 3: Yeah, you were my first.

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Speaker 4: This is my I feel like I'm cheating on you

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Speaker 4: with my It's like I'm with my new podcast family

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Speaker 4: with my first wife, and it's like, oh, hey, okay,

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Speaker 4: we did I Hear Voices Together, which is the first

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Speaker 4: podcast I'd ever done.

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Speaker 6: And I'm your side piece, Christie.

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Speaker 5: It was a little bit difficult to fully confirm online,

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Speaker 5: but was Kim possible your first ever voiceover gig? It

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Speaker 5: was not.

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Speaker 6: I mean a lot of us who grew up in

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Speaker 6: the biz in New York specifically too, like we were

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Speaker 6: pushed into so many different little rooms, dark rooms, and

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Speaker 6: like I did jingles, I did books on tape when

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Speaker 6: I was in New York. I did. I definitely did.

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Speaker 6: I did some really whack a doo a show on

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Speaker 6: Nickelodeon called any an Audi. Google it if you want

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Speaker 6: to get scarred.

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Speaker 5: Oh.

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Speaker 6: When Nickelodeon did a lot of like you know, the

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Speaker 6: Big Help in the nineties, they did a lot of

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Speaker 6: like really wacky shows. They still do. But it was

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Speaker 6: like two little girl's stomachs and like it was one

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Speaker 6: wasn't any and one was an audi, and the actresses

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Speaker 6: would move their bellies to make it talk.

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Speaker 4: Solast action bellies like actual live action bellies.

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Speaker 5: With you the voice of the innye or the audi.

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Speaker 6: I don't remember, but Jess to Chico was the other

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Speaker 6: was was.

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Speaker 3: The other belly button. But it wasn't your real belly button.

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Speaker 6: You have to she was not, and hopefully they were

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Speaker 6: not minor belly buttons, you know what I mean, Like

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Speaker 6: I think that it was theyfully grown up stomachs.

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Speaker 3: How would you audition for this for the live action

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Speaker 3: belly You.

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Speaker 6: Called Nickelodeon Studios and it was it was on Times.

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Speaker 3: Square back then. I remember that.

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Speaker 6: Yeah, yeah, you would just go up and they would

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Speaker 6: have the wacky elevators with I.

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Speaker 1: Don't want to know how that pitch meeting went, like, what, executive,

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Speaker 1: you know what we need belly button?

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Speaker 3: You know, you know why?

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Speaker 4: You know what a lot of that is from though.

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Speaker 4: Do you remember one of the biggest commercials at the

401
00:18:33,400 --> 00:18:37,239
Speaker 4: time was the Whistling belly Button with the song Oh,

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00:18:37,280 --> 00:18:39,080
Speaker 4: I forget the song, but it became big and it

403
00:18:39,160 --> 00:18:42,320
Speaker 4: was what's her name from Sopranos was the one singing

404
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Speaker 4: the song that was coming out.

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Speaker 3: Of the belly button.

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Speaker 6: Jamie Lynn.

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Speaker 3: Yeah, it was Jamie Lynn.

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Speaker 4: I think he was who was singing the belly the

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Speaker 4: belly button song and it's like whistling, and it became

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Speaker 4: one of the biggest commercials of like the late nineties

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Speaker 4: early aughts. So I bet you that had something to

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Speaker 4: do with and and everyone will know exactly when when

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Speaker 4: they see it, they'll know exactly the commercial that I'm

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Speaker 4: talk talking about. And I, oh, I'm coming out. I

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Speaker 4: want the word to and she's singing that. It's the

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Speaker 4: belly Button singing that as it's going and that became

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Speaker 4: a huge thing.

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Speaker 3: I'm coming out.

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Speaker 6: I see Jamie often. She lives in Austin.

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Speaker 4: Here where I love really Okay, yeah.

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Speaker 6: And she's a sweetheart. And actually we were both Bell

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Speaker 6: on Broadway, so there's a lot of as people.

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Speaker 3: Know, Bell and belly Button.

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Speaker 6: Kelly and me and there you go.

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Speaker 5: So you were already a Disney Channel mainstay with live

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Speaker 5: action stuff, even Stevens and Cadet Kelly. Were they trying

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Speaker 5: to plug you into a lot of other Disney projects

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Speaker 5: or how did Kim possible come to you?

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Speaker 6: I feel like at that point, Kim was like the

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Speaker 6: cherry on top, and I don't think I could have

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Speaker 6: committed to doing anything else because I was still you know,

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Speaker 6: I was still trying to get into college, and so

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Speaker 6: it was like my dance card was full. So like

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Speaker 6: during the week, it would be even Stevens and then

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Speaker 6: after hours, I chose not to do tutoring on set,

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Speaker 6: so I would go home and do the education a

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Speaker 6: portion of my day. So it was like I would

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Speaker 6: still clock in thirteen hour days every day and then

439
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Speaker 6: on the weekends it would be my Kim possible recording

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Speaker 6: prior to me even in New York. So there was

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Speaker 6: about a good i want to say, six months of

442
00:20:14,119 --> 00:20:18,000
Speaker 6: me doing KIM in LA, which is where probably I

443
00:20:18,000 --> 00:20:19,119
Speaker 6: saw you a couple times.

444
00:20:19,200 --> 00:20:21,919
Speaker 4: Wait a second, Wait a second, You can opt out

445
00:20:21,960 --> 00:20:24,879
Speaker 4: of doing set school and do it at home. I

446
00:20:24,880 --> 00:20:26,040
Speaker 4: didn't even know that was an option.

447
00:20:26,680 --> 00:20:29,200
Speaker 6: Yes, it was when we when it came to us

448
00:20:29,240 --> 00:20:33,080
Speaker 6: being as convicted as my mom was, is like Christy's

449
00:20:33,119 --> 00:20:37,199
Speaker 6: getting into you know, a good school. Yeah, I don't know.

450
00:20:38,200 --> 00:20:42,760
Speaker 4: Oh interesting. So then you were essentially homeschooled while you

451
00:20:42,800 --> 00:20:45,800
Speaker 4: were also doing also acting.

452
00:20:45,480 --> 00:20:47,800
Speaker 6: And everything aggressively homeschooled by the way, like there was

453
00:20:47,840 --> 00:20:51,240
Speaker 6: still like SAT prep and stuff, and I like tas

454
00:20:51,400 --> 00:20:57,040
Speaker 6: from UCLA or yeah that would come for individual subjects,

455
00:20:57,080 --> 00:20:58,960
Speaker 6: so they were like, you know, it was just kind

456
00:20:58,960 --> 00:21:00,600
Speaker 6: of like as if you were an ap classes. But

457
00:21:01,040 --> 00:21:03,119
Speaker 6: I think that they also logged my hours, which is

458
00:21:03,119 --> 00:21:06,760
Speaker 6: probably what was the workaround for that. Right right, Yeah,

459
00:21:06,840 --> 00:21:09,760
Speaker 6: So I would recommend it. To be honest, I would

460
00:21:09,760 --> 00:21:12,479
Speaker 6: recommend it because I just think that when we're on set,

461
00:21:12,880 --> 00:21:15,879
Speaker 6: especially as young people are like, it's hard to be

462
00:21:15,960 --> 00:21:19,399
Speaker 6: present and then get pulled into try and learning. So

463
00:21:19,880 --> 00:21:21,280
Speaker 6: I don't know, I think it's a good.

464
00:21:21,400 --> 00:21:23,960
Speaker 5: Yeah, keeping them separate sounds like a great idea.

465
00:21:24,040 --> 00:21:25,520
Speaker 3: Yeah, I didn't. Again, I didn't even know that was

466
00:21:25,520 --> 00:21:26,720
Speaker 3: a thing. I didn't even know you could do that.

467
00:21:26,920 --> 00:21:27,240
Speaker 4: Great.

468
00:21:27,840 --> 00:21:30,399
Speaker 5: It's not as time efficient because there's obviously lots of

469
00:21:30,400 --> 00:21:32,640
Speaker 5: downtime on a set, and so it does make sense

470
00:21:32,680 --> 00:21:36,560
Speaker 5: that you're like, well, I could be learning during this downtime,

471
00:21:36,880 --> 00:21:39,320
Speaker 5: but you're right that, Like, you go back and you've

472
00:21:39,320 --> 00:21:41,240
Speaker 5: got twenty minutes and you get really into something, and

473
00:21:41,280 --> 00:21:42,640
Speaker 5: then all of a Suddeny're like, we need you on set,

474
00:21:42,640 --> 00:21:43,920
Speaker 5: and you're like, all right, I guess I'll put this

475
00:21:43,960 --> 00:21:45,760
Speaker 5: down for forty five minutes and I'll come back to it.

476
00:21:45,840 --> 00:21:48,280
Speaker 5: And it's hard to kind of switch that on and off.

477
00:21:48,320 --> 00:21:50,320
Speaker 5: But you know, it does seem like it would be

478
00:21:50,320 --> 00:21:52,040
Speaker 5: better for your schooling if you could just commit to

479
00:21:52,080 --> 00:21:53,680
Speaker 5: the you know, solid chunk of time.

480
00:21:53,880 --> 00:21:56,679
Speaker 6: I know the writer and I both ended up at

481
00:21:56,720 --> 00:21:58,800
Speaker 6: the same school, so it worked out.

482
00:21:58,880 --> 00:22:00,240
Speaker 3: It worked out, I've worked out.

483
00:22:01,320 --> 00:22:04,160
Speaker 5: So when was the first time you saw your character

484
00:22:04,280 --> 00:22:07,280
Speaker 5: design for Kim Possible? She is such a cool y

485
00:22:07,400 --> 00:22:10,200
Speaker 5: two k like cool girl aesthetic.

486
00:22:10,160 --> 00:22:15,680
Speaker 6: She does let's see see if you're looking at video, Yeah, Kim,

487
00:22:15,960 --> 00:22:16,680
Speaker 6: I saw her.

488
00:22:18,280 --> 00:22:18,520
Speaker 7: Once.

489
00:22:18,600 --> 00:22:20,639
Speaker 6: I think I saw her in the animatic because they

490
00:22:20,640 --> 00:22:22,600
Speaker 6: want to see if I can do that. Adr I

491
00:22:22,600 --> 00:22:24,199
Speaker 6: think that was one of the bigger tests, was like

492
00:22:24,640 --> 00:22:26,800
Speaker 6: she's young, you know, I was actually the age of

493
00:22:26,840 --> 00:22:29,480
Speaker 6: the characters, so they were just like, can she actually

494
00:22:29,640 --> 00:22:33,960
Speaker 6: navigate the tech of this? And they were really great

495
00:22:34,000 --> 00:22:36,280
Speaker 6: at directing. You know, we had Chris as our first.

496
00:22:36,119 --> 00:22:39,480
Speaker 3: Director, well, Chris Bailey was our first director, yep.

497
00:22:39,680 --> 00:22:42,720
Speaker 6: And then Lisa Schaeffer after him. But Chris was really

498
00:22:42,800 --> 00:22:45,280
Speaker 6: patient and so they really brought me into the fold

499
00:22:45,760 --> 00:22:47,720
Speaker 6: and gave me a shot, like a true shot, not

500
00:22:47,880 --> 00:22:50,520
Speaker 6: like a you know, we love aliceon Hannigan and we

501
00:22:50,640 --> 00:22:55,040
Speaker 6: kind of really want, you know, a veteran celebrity here.

502
00:22:55,320 --> 00:22:58,240
Speaker 6: But it was more like this freshness right where where

503
00:22:58,320 --> 00:23:01,560
Speaker 6: Kim I think spoke like and define a whole generation.

504
00:23:02,119 --> 00:23:04,160
Speaker 6: And so having been a part of that, I'm very

505
00:23:04,160 --> 00:23:07,520
Speaker 6: protective of it and I'm so honored to have played

506
00:23:07,520 --> 00:23:10,280
Speaker 6: it because I was her age and like I was

507
00:23:10,320 --> 00:23:11,760
Speaker 6: going through a lot of that stuff. Then they would

508
00:23:11,760 --> 00:23:15,520
Speaker 6: ask me questions about like where she worked. Club Banana

509
00:23:15,840 --> 00:23:18,040
Speaker 6: was based on where I shopped at, which was like

510
00:23:18,080 --> 00:23:22,360
Speaker 6: Club Monico. And I think they've paired it with Banana Republican.

511
00:23:22,040 --> 00:23:24,080
Speaker 5: Yeah exactly, Club Banana.

512
00:23:24,119 --> 00:23:24,880
Speaker 3: Yeah, yeah.

513
00:23:24,960 --> 00:23:26,960
Speaker 4: No. And then for people out there listening who don't know,

514
00:23:27,000 --> 00:23:31,000
Speaker 4: an animatic, by the way, is before they actually will

515
00:23:31,520 --> 00:23:34,720
Speaker 4: fully animate a cartoon or animated series in any way,

516
00:23:34,720 --> 00:23:36,560
Speaker 4: shape or form, they'll do something called an animatic, which

517
00:23:36,560 --> 00:23:40,040
Speaker 4: is usually can be anywhere from ninety seconds to sometimes

518
00:23:40,040 --> 00:23:43,119
Speaker 4: two or three minutes long. It's usually sometimes nothing more

519
00:23:43,160 --> 00:23:46,320
Speaker 4: than really pencil sketch that they will animate and allow

520
00:23:46,359 --> 00:23:48,560
Speaker 4: to do voiceover for as well, so you can kind

521
00:23:48,600 --> 00:23:50,520
Speaker 4: of get the vibe of what the show is going

522
00:23:50,600 --> 00:23:52,600
Speaker 4: to be without putting in all of the pencil mileage,

523
00:23:52,600 --> 00:23:55,399
Speaker 4: without painting, without doing everything. That takes forever, because you know,

524
00:23:55,440 --> 00:23:57,919
Speaker 4: we record an episode and then they'll send it to

525
00:23:58,000 --> 00:23:59,919
Speaker 4: wherever it's being animated. A lot of times it's an

526
00:23:59,880 --> 00:24:04,080
Speaker 4: Asia Ireland has become big with it now, and that

527
00:24:04,119 --> 00:24:07,600
Speaker 4: episode will disappear for eight nine months a year, you know,

528
00:24:07,640 --> 00:24:10,399
Speaker 4: sometimes more, and then it comes back and then you

529
00:24:10,440 --> 00:24:11,080
Speaker 4: clean it up again.

530
00:24:11,119 --> 00:24:13,600
Speaker 3: You do an eight R process, you do more dialogue there.

531
00:24:13,600 --> 00:24:15,640
Speaker 4: It's like, oh, when we recorded this a year ago,

532
00:24:16,119 --> 00:24:17,920
Speaker 4: you and I were yelling at each other because they're

533
00:24:17,920 --> 00:24:20,520
Speaker 4: supposed to be standing across this giant cavern, and now

534
00:24:20,520 --> 00:24:22,400
Speaker 4: they animated it where we're standing in the same room.

535
00:24:22,480 --> 00:24:25,000
Speaker 4: So obviously us screaming at each other doesn't make any sense.

536
00:24:25,080 --> 00:24:26,320
Speaker 4: So you got to go in and kind of fix

537
00:24:26,359 --> 00:24:28,560
Speaker 4: it up again. But the animatic I think was it

538
00:24:28,600 --> 00:24:30,480
Speaker 4: was it Steve Loder who did all the animatics too.

539
00:24:30,520 --> 00:24:31,920
Speaker 3: I mean I think he probably.

540
00:24:32,200 --> 00:24:34,439
Speaker 6: I mean, it's very in house at that point. I think, like,

541
00:24:34,600 --> 00:24:37,120
Speaker 6: you know, and then I do remember seeing more artwork

542
00:24:38,160 --> 00:24:41,480
Speaker 6: when I went over to the animation building in Burbank,

543
00:24:41,920 --> 00:24:45,320
Speaker 6: and that was when I got to meet, you know, Eugene,

544
00:24:45,480 --> 00:24:50,800
Speaker 6: who's of our beautifully eccentric old school Disney two D animators.

545
00:24:52,400 --> 00:24:55,760
Speaker 6: I guess the imagineers like because they treat them differently

546
00:24:55,800 --> 00:24:58,720
Speaker 6: at Disney, like the the animation gets to have sideburns

547
00:24:58,720 --> 00:25:02,440
Speaker 6: and tattoos and like rks and stuff like, whereas when

548
00:25:02,520 --> 00:25:05,280
Speaker 6: you're not an imagineer, uh, you have to have a

549
00:25:05,320 --> 00:25:07,879
Speaker 6: very or they used to. I think maybe they're but

550
00:25:07,960 --> 00:25:10,439
Speaker 6: it used to be very strict, like dress coding for

551
00:25:10,640 --> 00:25:13,560
Speaker 6: work and corporate culture was very different at that time.

552
00:25:13,640 --> 00:25:14,560
Speaker 7: But I want to have been.

553
00:25:14,480 --> 00:25:17,360
Speaker 6: Over there to see all this different artwork. It hit

554
00:25:17,400 --> 00:25:19,520
Speaker 6: me that I was like part of something really major,

555
00:25:20,480 --> 00:25:21,720
Speaker 6: and I was just really excited.

556
00:25:23,160 --> 00:25:25,320
Speaker 5: So when was the first time you also heard the

557
00:25:25,320 --> 00:25:28,440
Speaker 5: theme song, which is done by Christina Milion. It is

558
00:25:28,600 --> 00:25:31,119
Speaker 5: so much better than it needed to be. It is

559
00:25:31,200 --> 00:25:31,879
Speaker 5: stuck around.

560
00:25:32,000 --> 00:25:35,400
Speaker 4: It is so good. It is far better.

561
00:25:37,840 --> 00:25:39,600
Speaker 6: But I was getting ready today, I was thinking about

562
00:25:39,600 --> 00:25:42,440
Speaker 6: the fact that like there's no way to thank her

563
00:25:42,920 --> 00:25:47,320
Speaker 6: for how important, like what kind of contribution she made

564
00:25:47,359 --> 00:25:49,440
Speaker 6: to the show. There's just no way to think she

565
00:25:49,440 --> 00:25:51,159
Speaker 6: she owns it a little bit, but she's not like

566
00:25:51,440 --> 00:25:54,240
Speaker 6: super nostalgic because she has a full you know, she's

567
00:25:54,280 --> 00:25:57,600
Speaker 6: got for j Low and like everything else. So but

568
00:25:57,680 --> 00:25:59,639
Speaker 6: I know she knows that it's like one of the

569
00:25:59,680 --> 00:26:03,560
Speaker 6: things that is dear to her heart, right, But there's

570
00:26:03,600 --> 00:26:06,760
Speaker 6: she really is one of because she was in every

571
00:26:07,040 --> 00:26:10,639
Speaker 6: episode two with that song. She's like a character in

572
00:26:10,720 --> 00:26:13,360
Speaker 6: the without even like it being.

573
00:26:13,960 --> 00:26:16,720
Speaker 4: It was iconic that was starting with that I mean again.

574
00:26:17,000 --> 00:26:19,560
Speaker 4: I was at a convention this weekend with Writer, and

575
00:26:19,680 --> 00:26:20,439
Speaker 4: across the room I.

576
00:26:20,440 --> 00:26:22,560
Speaker 3: Heard the deep deep, deep deep, which is the start.

577
00:26:22,320 --> 00:26:24,200
Speaker 4: Of the thing. And I looked up and you just

578
00:26:24,240 --> 00:26:26,760
Speaker 4: get that visceral like, oh god, Kim's calling or Wade's

579
00:26:26,760 --> 00:26:29,560
Speaker 4: calling whatever. And I talked to the girl had it.

580
00:26:29,560 --> 00:26:31,040
Speaker 4: She's like, oh god, this has been my ring tone

581
00:26:31,080 --> 00:26:32,840
Speaker 4: since two thousand and three. She's like, every new phone,

582
00:26:32,840 --> 00:26:34,639
Speaker 4: I get, every new everything, so I can hear it

583
00:26:34,640 --> 00:26:37,600
Speaker 4: over everything, says you know, maybe half the time my

584
00:26:37,600 --> 00:26:39,440
Speaker 4: phone goes off somewhere somebody comes up to me and goes,

585
00:26:39,440 --> 00:26:40,919
Speaker 4: oh my god, the Kim Possible ringtone.

586
00:26:40,960 --> 00:26:42,520
Speaker 3: It's just very well.

587
00:26:42,760 --> 00:26:47,840
Speaker 5: We were actually all in Columbus together Will Writer and

588
00:26:47,840 --> 00:26:50,680
Speaker 5: and myself, and we were with our dear friend Joey,

589
00:26:51,119 --> 00:26:53,960
Speaker 5: and we were sitting there having breakfast or lunch, I

590
00:26:53,960 --> 00:26:56,480
Speaker 5: don't remember, and all of a sudden, from across the room,

591
00:26:56,760 --> 00:27:01,040
Speaker 5: We're like, is that the Kim Possible song? And then

592
00:27:01,080 --> 00:27:03,760
Speaker 5: we like started looking around thinking are they doing it

593
00:27:03,800 --> 00:27:08,080
Speaker 5: because they know Will is here? Nope, no glances toward us. Nothing.

594
00:27:08,080 --> 00:27:09,919
Speaker 5: We were like, how do we how do we do this?

595
00:27:10,400 --> 00:27:13,000
Speaker 5: So Writer and I got up and maybe Joey was

596
00:27:13,040 --> 00:27:16,000
Speaker 5: the one who said it. I think, is that? Is

597
00:27:16,040 --> 00:27:19,040
Speaker 5: that the Kim Possible theme song? From your friend? She's like,

598
00:27:19,040 --> 00:27:21,280
Speaker 5: oh yeah, I absolutely love it. And Will came over

599
00:27:21,400 --> 00:27:24,040
Speaker 5: and did the voice of Ron for them, and they

600
00:27:24,720 --> 00:27:26,000
Speaker 5: lost their minds.

601
00:27:27,359 --> 00:27:30,720
Speaker 4: There was the middle of a restaurant, just like some restaurant.

602
00:27:31,400 --> 00:27:35,760
Speaker 5: No, not even not even at the con, just in life.

603
00:27:36,040 --> 00:27:39,000
Speaker 5: It happened randomly and it was so cool. It was

604
00:27:39,040 --> 00:27:41,200
Speaker 5: the voice that you did for Kim. Was it always

605
00:27:41,200 --> 00:27:43,240
Speaker 5: the voice or had you tried other things?

606
00:27:44,240 --> 00:27:44,480
Speaker 3: Yeah?

607
00:27:45,080 --> 00:27:48,320
Speaker 6: I would say that it was very nuanced, and of

608
00:27:48,320 --> 00:27:50,360
Speaker 6: course my voice did end up changing, which I'm sure

609
00:27:50,359 --> 00:27:55,120
Speaker 6: we'll talk about. But when I started it, I probably

610
00:27:55,160 --> 00:27:59,040
Speaker 6: approached it very bubbly. But then what ended up happening

611
00:27:59,040 --> 00:28:00,760
Speaker 6: with our first rector was they were like, we need

612
00:28:00,840 --> 00:28:04,400
Speaker 6: him to be like action ready and sarcastic and sort

613
00:28:04,400 --> 00:28:05,520
Speaker 6: of witty and dry.

614
00:28:06,640 --> 00:28:07,000
Speaker 3: I was.

615
00:28:07,119 --> 00:28:11,680
Speaker 6: I've always been a really great Oh gosh, will help

616
00:28:11,680 --> 00:28:13,119
Speaker 6: me out. What do they call it? The not the

617
00:28:13,200 --> 00:28:17,680
Speaker 6: dry man, the hey man straight man. Yes, so that's

618
00:28:17,680 --> 00:28:19,480
Speaker 6: like my thing, and I can come off a little.

619
00:28:20,880 --> 00:28:22,720
Speaker 6: I'm really good at cast being cast as like a

620
00:28:23,200 --> 00:28:26,360
Speaker 6: like in general, I've been cast that sometimes or.

621
00:28:26,320 --> 00:28:30,960
Speaker 3: Like put you to Shia, Yeah, are connects.

622
00:28:31,160 --> 00:28:33,200
Speaker 6: I was a straight man to Shia, and I think

623
00:28:33,600 --> 00:28:36,920
Speaker 6: they wanted a little bit more of that to Will's Ron.

624
00:28:37,480 --> 00:28:40,240
Speaker 6: And I think that's why we paired so well vocally

625
00:28:40,600 --> 00:28:43,560
Speaker 6: because my and so Yeah, I think over the years

626
00:28:43,680 --> 00:28:47,640
Speaker 6: I became more sarcastic, more dry, but they were always

627
00:28:47,680 --> 00:28:50,640
Speaker 6: very quick to be like, hey, don't come off, don't

628
00:28:50,720 --> 00:28:54,720
Speaker 6: come off like you're you can't stand Ron. And so

629
00:28:54,920 --> 00:28:57,080
Speaker 6: they wanted her to be a hero, you know, but

630
00:28:57,160 --> 00:28:59,800
Speaker 6: also be a really smart person, smart girl.

631
00:29:00,440 --> 00:29:00,560
Speaker 1: Uh.

632
00:29:00,760 --> 00:29:02,120
Speaker 4: They went out of their way to that where the

633
00:29:02,480 --> 00:29:04,959
Speaker 4: father is a rocket scientist and the mother's a brain surgeon.

634
00:29:05,240 --> 00:29:06,720
Speaker 3: Yeah, that was like, that's.

635
00:29:06,600 --> 00:29:08,120
Speaker 4: What they're supposed to do, is they're supposed to She's

636
00:29:08,120 --> 00:29:11,160
Speaker 4: supposed to be like the daughter of these two incredibly

637
00:29:11,560 --> 00:29:13,880
Speaker 4: bright people who your dad is Gary Cole and your

638
00:29:13,880 --> 00:29:14,920
Speaker 4: mom is Jean Smart.

639
00:29:15,360 --> 00:29:17,080
Speaker 6: And you know what I loved about them and watching

640
00:29:17,080 --> 00:29:20,200
Speaker 6: our episode that we watched for this is just like

641
00:29:20,400 --> 00:29:23,680
Speaker 6: how real they played it. Mary Cole was still cracking

642
00:29:23,760 --> 00:29:26,240
Speaker 6: dad jokes. But then he would like talk about a satellite.

643
00:29:26,720 --> 00:29:29,160
Speaker 4: Yeah, he always He's Gary Cole too, he always He's

644
00:29:29,160 --> 00:29:31,000
Speaker 4: just got that kind of Well, I don't know, Ronald,

645
00:29:31,080 --> 00:29:34,800
Speaker 4: He's just he's just Gary, you know, it's so funny.

646
00:29:34,600 --> 00:29:36,600
Speaker 6: The perfect And yeah, it was actually that Kelly to

647
00:29:36,680 --> 00:29:38,920
Speaker 6: you guys. So I had actually been with him that

648
00:29:38,960 --> 00:29:42,400
Speaker 6: whole summer, I think before we really got into filming him,

649
00:29:42,920 --> 00:29:45,280
Speaker 6: and I knew his voice.

650
00:29:45,440 --> 00:29:48,840
Speaker 3: I mean, oh, yes, so great and very iconic voice.

651
00:29:48,920 --> 00:29:50,640
Speaker 6: But you know, Jeane Smart, I think I'm at once

652
00:29:50,920 --> 00:29:51,720
Speaker 6: we were.

653
00:29:51,520 --> 00:29:53,480
Speaker 4: Did you lucky? I never got a chance to meet her.

654
00:29:53,520 --> 00:29:56,680
Speaker 6: I know, in passing, and she she was just such

655
00:29:56,680 --> 00:30:02,400
Speaker 6: a class act. And she wasn't Designing Women right, Yes, Okay,

656
00:30:02,400 --> 00:30:04,680
Speaker 6: so I grew up watching Designing Women and that's how

657
00:30:04,720 --> 00:30:05,239
Speaker 6: I knew her.

658
00:30:05,640 --> 00:30:09,360
Speaker 4: Yeah, she was with Delta Burke and everybody else, Dixie Carter, Jeans.

659
00:30:09,520 --> 00:30:10,000
Speaker 3: Delta Burke.

660
00:30:10,040 --> 00:30:12,880
Speaker 6: Yeah, I mean I didn't realize just how iconic she was.

661
00:30:13,080 --> 00:30:16,480
Speaker 3: Yeah, she's really glad that. Yeah.

662
00:30:16,520 --> 00:30:18,920
Speaker 5: When you think of Kim, how do you like, how

663
00:30:18,920 --> 00:30:21,000
Speaker 5: would you describe who Kim Possible is?

664
00:30:21,600 --> 00:30:33,720
Speaker 6: Oh? Wow, fierce, loyal, fair, inclusive, uh, really warm and loving? Yeah,

665
00:30:33,880 --> 00:30:37,360
Speaker 6: self sacrificing Yeah those things.

666
00:30:37,720 --> 00:30:40,520
Speaker 4: Okay, And she's the Disney I mean, she's the thing

667
00:30:40,600 --> 00:30:42,920
Speaker 4: they did so well. But it's so weird is in

668
00:30:43,040 --> 00:30:44,960
Speaker 4: any other circumstance.

669
00:30:44,480 --> 00:30:47,040
Speaker 3: She's the Disney princess. I mean she's got aerial hair.

670
00:30:48,280 --> 00:30:50,360
Speaker 4: I mean it's like but at the same time, she's

671
00:30:50,520 --> 00:30:52,240
Speaker 4: a regular high school girl. It's like, take one of

672
00:30:52,280 --> 00:30:54,520
Speaker 4: those Disney princesses and just put them in high school

673
00:30:54,560 --> 00:30:56,240
Speaker 4: for every day, and that's impossible.

674
00:30:56,400 --> 00:31:00,680
Speaker 6: Well, and our animators actually Drew Bell and Drew Yeah,

675
00:31:01,160 --> 00:31:02,520
Speaker 6: so I think they were modeling her.

676
00:31:03,000 --> 00:31:03,640
Speaker 3: That's interesting.

677
00:31:03,680 --> 00:31:06,880
Speaker 1: I didn't really so they you think they consciously did that.

678
00:31:06,920 --> 00:31:08,760
Speaker 1: They were like, we're going to take the look of

679
00:31:08,800 --> 00:31:12,080
Speaker 1: a Disney princess but completely change the character because I

680
00:31:12,120 --> 00:31:15,840
Speaker 1: think so, Yeah, certainly, not like the typical Disney princess.

681
00:31:15,840 --> 00:31:19,360
Speaker 3: Now a complete action star and midriff, like showing the

682
00:31:19,360 --> 00:31:20,240
Speaker 3: mid drift and all that.

683
00:31:21,360 --> 00:31:24,320
Speaker 6: Yeah, like they modernized a Disney princess silhouette, right, Like

684
00:31:24,320 --> 00:31:28,800
Speaker 6: they were trying to do something unique and they achieved it.

685
00:31:28,920 --> 00:31:31,880
Speaker 4: And right Remember we were just at the convention with

686
00:31:31,920 --> 00:31:34,080
Speaker 4: Steve and when we did that panel, Steve said that

687
00:31:34,120 --> 00:31:38,520
Speaker 4: there was meeting after meeting after meeting about her breasts,

688
00:31:38,560 --> 00:31:41,160
Speaker 4: like the shape of a breath, should they be pointy,

689
00:31:41,280 --> 00:31:43,280
Speaker 4: should they be round? Should they be I mean this is,

690
00:31:43,440 --> 00:31:45,760
Speaker 4: you know, a bunch of people sitting in a room

691
00:31:45,840 --> 00:31:51,600
Speaker 4: talking about a sixteen year old animated character's silhouette. But right,

692
00:31:51,840 --> 00:31:54,080
Speaker 4: I mean just that's but it shows you the amount

693
00:31:54,120 --> 00:31:56,760
Speaker 4: of meetings that they haven't these we remember, you know,

694
00:31:56,840 --> 00:32:00,200
Speaker 4: one of the things being like talking to the Mark

695
00:32:00,240 --> 00:32:03,920
Speaker 4: mccorky and Bob's goooley about who are the creators of

696
00:32:03,960 --> 00:32:08,440
Speaker 4: the show about you know, her outfit and they're like, yeah,

697
00:32:08,520 --> 00:32:12,520
Speaker 4: we we have to have like hundreds of meetings if

698
00:32:12,560 --> 00:32:15,960
Speaker 4: we want to change her shirt. Where so they you know,

699
00:32:16,040 --> 00:32:18,520
Speaker 4: that's why she's she wears that what she's wearing in

700
00:32:18,560 --> 00:32:21,600
Speaker 4: the picture behind Christy right now, she wears that. She

701
00:32:21,600 --> 00:32:24,320
Speaker 4: wears her cheerleading outfit. That's it for like the entire

702
00:32:24,400 --> 00:32:27,920
Speaker 4: series until the end where they're like, look, we want

703
00:32:27,920 --> 00:32:29,280
Speaker 4: to switch it up. We want to put her in

704
00:32:29,320 --> 00:32:31,640
Speaker 4: different things, but then everything has to be re animated.

705
00:32:31,680 --> 00:32:34,120
Speaker 4: They have to do different kind of It's weird they're

706
00:32:34,160 --> 00:32:37,200
Speaker 4: doing clothing wardrobe fittings on an animated character.

707
00:32:37,480 --> 00:32:40,160
Speaker 6: Yeah, I think that in this episode that we watched,

708
00:32:40,680 --> 00:32:45,040
Speaker 6: she also has her streetwear outfit, which is like she yeah,

709
00:32:45,080 --> 00:32:48,120
Speaker 6: she had like a white shirt and green pants or something.

710
00:32:48,760 --> 00:32:50,960
Speaker 4: But it was a major deal if they wanted to

711
00:32:51,080 --> 00:32:55,600
Speaker 4: change this animated characters shirt was like meetings.

712
00:32:55,440 --> 00:32:58,400
Speaker 1: Because I do think that it was pretty revolutionary to

713
00:32:58,440 --> 00:33:02,040
Speaker 1: have like a girl superhero right hero at the time.

714
00:33:02,440 --> 00:33:04,440
Speaker 1: I feel like now it's kind of standard, but it

715
00:33:04,520 --> 00:33:06,239
Speaker 1: is interesting to be the way that they sort of

716
00:33:06,280 --> 00:33:08,800
Speaker 1: made her kind of perfect. You know, she's everything.

717
00:33:08,840 --> 00:33:11,800
Speaker 3: She's a cheerleader, popular and a.

718
00:33:11,760 --> 00:33:14,240
Speaker 1: Hero and like I also, you know, going back to

719
00:33:14,240 --> 00:33:16,680
Speaker 1: the princess thing, like I had the conscious thought, I

720
00:33:16,720 --> 00:33:18,720
Speaker 1: was like, oh, Brick is the princess being saved by

721
00:33:18,800 --> 00:33:21,600
Speaker 1: Kim and this he's the one in peril, right, yes,

722
00:33:21,680 --> 00:33:24,400
Speaker 1: but you take a jock and the big football jock,

723
00:33:24,400 --> 00:33:26,600
Speaker 1: and he's the one tied up that she's got to save.

724
00:33:27,040 --> 00:33:30,360
Speaker 1: Do you Guysmber, what was the initial pitch beyond the

725
00:33:30,440 --> 00:33:34,840
Speaker 1: story points? Like, what was like, yeah, so the guys

726
00:33:35,200 --> 00:33:37,160
Speaker 1: Bob and Mark, great story.

727
00:33:37,240 --> 00:33:39,520
Speaker 6: They were going up to pitch something else, I believe,

728
00:33:39,600 --> 00:33:40,440
Speaker 6: right or no they.

729
00:33:40,400 --> 00:33:42,880
Speaker 4: Left after a no no, no, I think they were going up.

730
00:33:42,920 --> 00:33:47,000
Speaker 4: Weren't they the story? And now again everyone hears these stories.

731
00:33:47,320 --> 00:33:49,720
Speaker 4: It's like the Michael Jacobs stories about I knew this

732
00:33:49,840 --> 00:33:51,560
Speaker 4: or so we've heard this story.

733
00:33:51,560 --> 00:33:52,240
Speaker 3: One hundred times.

734
00:33:52,240 --> 00:33:55,000
Speaker 6: But who knows, well, yeah, panels and oh no, But

735
00:33:55,200 --> 00:33:56,840
Speaker 6: when did Bob and Mark tell us this? I don't

736
00:33:56,840 --> 00:33:57,440
Speaker 6: even remember.

737
00:33:57,640 --> 00:33:59,200
Speaker 4: I think they've I think they said it on the

738
00:33:59,240 --> 00:34:01,280
Speaker 4: on the DVD commentary too, and I think they've told

739
00:34:01,360 --> 00:34:02,600
Speaker 4: us this a number of times.

740
00:34:02,960 --> 00:34:04,520
Speaker 3: Tell the story.

741
00:34:04,600 --> 00:34:08,239
Speaker 6: Sorry, Okay. So basically, they were going up to the

742
00:34:08,239 --> 00:34:11,160
Speaker 6: Disney Channel building where Gary Marsh was awaiting them. Gary

743
00:34:11,200 --> 00:34:14,960
Speaker 6: Marsh was a long time president and then global president

744
00:34:15,000 --> 00:34:18,200
Speaker 6: of Disney Channel. He's pretty much the reason why Disney

745
00:34:18,280 --> 00:34:21,440
Speaker 6: broke for so long in the Golden Era, so to speak,

746
00:34:22,480 --> 00:34:25,319
Speaker 6: and he mentored a bunch of us young girls at

747
00:34:25,320 --> 00:34:27,520
Speaker 6: the time. He was a really great guy anyway, So

748
00:34:27,800 --> 00:34:30,480
Speaker 6: they were going up to him, and you know, I

749
00:34:30,480 --> 00:34:32,479
Speaker 6: think Bob looks at Mark, or Mark looks at Bob

750
00:34:32,680 --> 00:34:36,840
Speaker 6: and he goes, she's kim Possible, she can do anything.

751
00:34:37,080 --> 00:34:38,960
Speaker 6: And the other looked at the at him and he goes,

752
00:34:39,320 --> 00:34:41,840
Speaker 6: he's ron stoppable and he can't do anything.

753
00:34:42,200 --> 00:34:42,480
Speaker 7: Something.

754
00:34:42,800 --> 00:34:43,200
Speaker 4: That was it.

755
00:34:43,239 --> 00:34:45,719
Speaker 3: They literally they just literally said those names to each other.

756
00:34:46,360 --> 00:34:49,480
Speaker 4: In an elevator, apparently to buy themselves totally silent. One

757
00:34:49,480 --> 00:34:51,160
Speaker 4: turned to the other and said, Kim Possible, she can

758
00:34:51,200 --> 00:34:52,919
Speaker 4: do anything. And the other one turned back and said ron.

759
00:34:52,840 --> 00:34:55,960
Speaker 6: Stoppable, and then they went upstairs they pitched it somehow

760
00:34:56,520 --> 00:34:57,200
Speaker 6: and then that was it.

761
00:34:57,280 --> 00:34:59,720
Speaker 3: Yeah, yeah, and that was that's so it's names.

762
00:35:00,120 --> 00:35:00,640
Speaker 6: Yeah, it is.

763
00:35:00,719 --> 00:35:02,880
Speaker 4: Yeah, that's what it's branding at the time. I mean

764
00:35:02,920 --> 00:35:04,880
Speaker 4: when you think about it. But I know that we

765
00:35:05,080 --> 00:35:08,160
Speaker 4: were the first show in the history of Disney Channel.

766
00:35:08,160 --> 00:35:10,440
Speaker 4: And this is pre the Internet, the first show to

767
00:35:10,440 --> 00:35:13,400
Speaker 4: be picked up for a fourth season because Disney Channel

768
00:35:13,400 --> 00:35:14,960
Speaker 4: had the sixty five and out rules, so you hit

769
00:35:15,000 --> 00:35:16,359
Speaker 4: three seasons and you're done.

770
00:35:16,880 --> 00:35:18,000
Speaker 3: Yeah, and was.

771
00:35:19,000 --> 00:35:21,360
Speaker 6: Part of that, like we kicked out. And then I

772
00:35:21,400 --> 00:35:23,160
Speaker 6: think Raven was the first.

773
00:35:23,800 --> 00:35:26,799
Speaker 4: Live action yep, and ours was the first show on

774
00:35:26,840 --> 00:35:29,839
Speaker 4: the entire Disney Channel and it was solely based on

775
00:35:30,360 --> 00:35:33,759
Speaker 4: letter a letter campaign that people wrote in saying they

776
00:35:33,800 --> 00:35:36,840
Speaker 4: wanted more episodes of Kim Possible. No Internet, nothing, just

777
00:35:37,400 --> 00:35:39,640
Speaker 4: handwritten letters, we want more Kimpossible. I think there was

778
00:35:39,640 --> 00:35:41,600
Speaker 4: a petition and they brought it back for a fourth season.

779
00:35:41,920 --> 00:35:43,279
Speaker 3: Wow, which is really cool. And then we did a

780
00:35:43,280 --> 00:35:44,160
Speaker 3: movie which was great.

781
00:35:44,280 --> 00:35:46,520
Speaker 5: Yeah, how was the movie? How did the movie? When

782
00:35:46,520 --> 00:35:47,880
Speaker 5: did they pitch the movie idea to you?

783
00:35:48,360 --> 00:35:48,480
Speaker 4: Oh?

784
00:35:48,520 --> 00:35:49,840
Speaker 6: Gosh, we did multiple movies.

785
00:35:49,920 --> 00:35:52,640
Speaker 3: We did oh wait, wait, I guess that's right.

786
00:35:52,680 --> 00:35:54,680
Speaker 4: I guess, well, what they would do is they would

787
00:35:54,719 --> 00:35:57,319
Speaker 4: do three or four episodes in a row that was

788
00:35:57,400 --> 00:35:59,520
Speaker 4: one storyline, and then packages of this movie.

789
00:35:59,719 --> 00:36:02,520
Speaker 5: Oh so perhaps how they did the movies.

790
00:36:02,400 --> 00:36:05,760
Speaker 4: Well, I think A Stitch in Time was done that way,

791
00:36:05,800 --> 00:36:08,400
Speaker 4: but I think so the drama was done as a movie,

792
00:36:10,239 --> 00:36:12,120
Speaker 4: I believe. So. I think so what they'll do is

793
00:36:12,400 --> 00:36:14,920
Speaker 4: they'll say, hey, we're going to do four episodes in

794
00:36:14,960 --> 00:36:18,200
Speaker 4: a row that are this one storyline, and then we'll

795
00:36:18,200 --> 00:36:20,680
Speaker 4: package that as a movie. And then do they.

796
00:36:20,560 --> 00:36:23,160
Speaker 5: Do that because there's some financial benefit.

797
00:36:22,800 --> 00:36:25,160
Speaker 3: To There must be there must be something.

798
00:36:25,640 --> 00:36:27,920
Speaker 4: But then we thought the series was over and so

799
00:36:27,920 --> 00:36:29,520
Speaker 4: they were going to end with the drama.

800
00:36:29,600 --> 00:36:31,960
Speaker 6: When you do voice over work, you're paid per session,

801
00:36:32,320 --> 00:36:35,080
Speaker 6: and you know, that was a little bit of a

802
00:36:35,080 --> 00:36:37,239
Speaker 6: thing that we did back and forth on and I

803
00:36:37,280 --> 00:36:40,520
Speaker 6: think some people in the cast were really good about

804
00:36:40,560 --> 00:36:44,520
Speaker 6: standing their ground on you know, different seasons and renegotiating,

805
00:36:44,560 --> 00:36:46,600
Speaker 6: and I'm like really grateful to that because I hadn't.

806
00:36:46,719 --> 00:36:50,239
Speaker 6: I was just happy to be there. But in the end,

807
00:36:50,280 --> 00:36:52,520
Speaker 6: I think we got paid pretty fairly and like we

808
00:36:52,920 --> 00:36:57,960
Speaker 6: had really great morale with Lisa and Bob and Marcin. Yeah,

809
00:36:58,000 --> 00:37:00,399
Speaker 6: like we all loved each other even from you.

810
00:37:00,360 --> 00:37:01,920
Speaker 3: Know, well, we're still friends with all them.

811
00:37:01,960 --> 00:37:03,640
Speaker 4: I talk to Lisa all the time, and you know,

812
00:37:03,840 --> 00:37:06,640
Speaker 4: Lisa directed me then in Guardians of the Galaxy and batmanber.

813
00:37:06,680 --> 00:37:08,560
Speaker 4: I mean, there's a number of things that I've worked

814
00:37:08,560 --> 00:37:10,759
Speaker 4: with Lisa on. She did Big Hero six, which you

815
00:37:10,760 --> 00:37:13,760
Speaker 4: brought you on as well. That's right, they're they're they're great.

816
00:37:13,880 --> 00:37:16,880
Speaker 4: But yeah, there was I mean, especially under the Gary

817
00:37:16,920 --> 00:37:21,279
Speaker 4: Marsh regime in Disney Channel history, they synergy. We always

818
00:37:21,360 --> 00:37:23,680
Speaker 4: joke about the Disney synergy, but especially on the Channel

819
00:37:24,640 --> 00:37:28,359
Speaker 4: was hugely important. So it's like, that's what they want

820
00:37:28,360 --> 00:37:30,560
Speaker 4: to do, is they want to take you know, a

821
00:37:30,600 --> 00:37:33,680
Speaker 4: star like a Raven, you know, a perfect example, somebody

822
00:37:33,680 --> 00:37:36,040
Speaker 4: like Raven who's so multi talented, and it's like, Okay,

823
00:37:36,040 --> 00:37:38,120
Speaker 4: we want you to star in your own sitcom, and

824
00:37:38,160 --> 00:37:40,319
Speaker 4: then we want to do an animated series with you,

825
00:37:40,480 --> 00:37:42,600
Speaker 4: and then we want to do the Cheetah Girls with you.

826
00:37:42,680 --> 00:37:44,680
Speaker 4: It's like, what can we do to build the brand?

827
00:37:44,680 --> 00:37:46,560
Speaker 4: And you saw this with Miley Cyrus and you saw

828
00:37:46,600 --> 00:37:48,759
Speaker 4: this with Christy and I mean it's that's what they're

829
00:37:48,760 --> 00:37:50,520
Speaker 4: trying to do. Is build the brand as much as

830
00:37:50,560 --> 00:37:52,319
Speaker 4: then and that's all. That was all Gary Marsh and

831
00:37:52,320 --> 00:37:53,240
Speaker 4: I think I feel.

832
00:37:54,440 --> 00:38:01,000
Speaker 6: You do the old school Hollywood like club studio system contractor.

833
00:38:01,280 --> 00:38:01,680
Speaker 7: It worked.

834
00:38:02,200 --> 00:38:04,759
Speaker 4: It worked, Yeah, it did, especially with Disney Channel, who

835
00:38:04,960 --> 00:38:07,000
Speaker 4: who legitimately would say we can't.

836
00:38:06,760 --> 00:38:08,440
Speaker 3: Pay you what other studios would pay you.

837
00:38:08,719 --> 00:38:12,000
Speaker 4: Yeah, because we don't have the money. And when you know,

838
00:38:13,160 --> 00:38:15,799
Speaker 4: when Fox or Paramount, well no, but that's the thing

839
00:38:15,880 --> 00:38:17,719
Speaker 4: is when Fox or paramout says we don't have the money,

840
00:38:17,719 --> 00:38:19,880
Speaker 4: you go, come on, You're making one hundred million dollar movies.

841
00:38:20,280 --> 00:38:23,480
Speaker 4: Disney Channel was always kind of its own little entity

842
00:38:23,800 --> 00:38:25,160
Speaker 4: in the world of Disney.

843
00:38:25,360 --> 00:38:26,719
Speaker 3: So they were making.

844
00:38:26,560 --> 00:38:29,239
Speaker 4: Four hundred thousand dollars movies, a million dollar movies, one

845
00:38:29,280 --> 00:38:31,919
Speaker 4: point five million dollar movies. Now with Zombies. The last

846
00:38:31,960 --> 00:38:35,879
Speaker 4: Zombies movie was forty million dollars shut up. So that

847
00:38:35,960 --> 00:38:39,040
Speaker 4: I mean, they're obviously now in that rarefied air, but

848
00:38:39,080 --> 00:38:40,719
Speaker 4: before back in the day, when they're like, we don't

849
00:38:40,719 --> 00:38:42,320
Speaker 4: have the money, they kind of didn't.

850
00:38:42,800 --> 00:38:45,440
Speaker 3: Yeah, Disney had the money, right, Disney Channel.

851
00:38:45,560 --> 00:38:47,640
Speaker 5: Correct, And they are separate companies.

852
00:38:47,360 --> 00:38:49,560
Speaker 4: Yeah, correct, correct, that was it was. It was two

853
00:38:49,680 --> 00:38:51,239
Speaker 4: very different things, but they were always I'm sorry, I.

854
00:38:51,320 --> 00:38:54,360
Speaker 6: Just take it over that Zombies was forty million million, and.

855
00:38:54,360 --> 00:38:56,279
Speaker 4: The next descendants I'm sure will be even bigger than

856
00:38:56,320 --> 00:38:58,600
Speaker 4: that because they're pulling in huge numbers and streaming and

857
00:38:58,640 --> 00:39:00,320
Speaker 4: they're trying to get people to their platform.

858
00:39:00,400 --> 00:39:03,200
Speaker 6: We're also Disney doesn't really existing or Disney Channel proper.

859
00:39:03,239 --> 00:39:05,200
Speaker 6: I mean you guys can confirm, but I think it's

860
00:39:05,239 --> 00:39:06,880
Speaker 6: Disney branded partners.

861
00:39:06,719 --> 00:39:09,200
Speaker 3: It is, and like Disney XD is gone.

862
00:39:09,360 --> 00:39:12,799
Speaker 4: Disney yeah, so the technical d com is probably gone,

863
00:39:12,880 --> 00:39:15,880
Speaker 4: but it's they're now just huge tent pole movies on

864
00:39:15,960 --> 00:39:18,839
Speaker 4: these the days of Brink and the smaller even Steve

865
00:39:18,920 --> 00:39:19,279
Speaker 4: at like.

866
00:39:19,320 --> 00:39:21,680
Speaker 6: Even My Date with the President's Daughter.

867
00:39:21,719 --> 00:39:23,400
Speaker 4: No, that was that was wonderful World of Disney. That

868
00:39:23,440 --> 00:39:25,560
Speaker 4: was ABC. That was a different That's a whole different brand.

869
00:39:25,680 --> 00:39:28,880
Speaker 5: There are so many umbrellas and so many different names.

870
00:39:29,160 --> 00:39:31,640
Speaker 4: Chances are everything is owned by Disney. By the way, Christy,

871
00:39:31,719 --> 00:39:34,319
Speaker 4: you you have the distinction, which you've talked about, a

872
00:39:34,320 --> 00:39:37,600
Speaker 4: magical rewind of still having the kiss that does not

873
00:39:37,680 --> 00:39:40,760
Speaker 4: belong on the Disney Channel in the Even Stevens movie,

874
00:39:41,920 --> 00:39:45,000
Speaker 4: Oh yeah, she because everybody else lives like Disney Channel kisses.

875
00:39:45,000 --> 00:39:49,040
Speaker 4: It's like kiss, kiss, Kiss, Christy grabs Josh Keaton and

876
00:39:49,120 --> 00:39:52,520
Speaker 4: shoves her tongue down this man's and we're like sitting

877
00:39:52,520 --> 00:39:55,840
Speaker 4: there watching and we're like, oh, that's not a Disney

878
00:39:55,920 --> 00:39:58,520
Speaker 4: Channel kiss at all. Yeah, it was very good. We

879
00:39:58,600 --> 00:39:59,000
Speaker 4: still have that.

880
00:39:59,280 --> 00:39:59,920
Speaker 6: We were dated.

881
00:40:01,200 --> 00:40:03,520
Speaker 4: Yeah, they were together and they forgot.

882
00:40:03,360 --> 00:40:07,600
Speaker 5: That junior on Boy Meets World, mister Wilfred Oh with

883
00:40:07,719 --> 00:40:16,759
Speaker 5: one love Hewitt exactly. You all have receipts.

884
00:40:16,920 --> 00:40:19,080
Speaker 6: Good God, I'm okay.

885
00:40:33,440 --> 00:40:36,759
Speaker 5: So I noticed on your I m dB, Christie that

886
00:40:37,040 --> 00:40:43,279
Speaker 5: you played screaming fan in a Backstreet Boys sears commercial.

887
00:40:43,880 --> 00:40:45,839
Speaker 5: Please tell us everything about this.

888
00:40:46,160 --> 00:40:48,319
Speaker 6: You can google this because I did get tagged and

889
00:40:48,360 --> 00:40:50,280
Speaker 6: asked about it. By the way, Writer, you're still quiet,

890
00:40:50,320 --> 00:40:50,880
Speaker 6: are you okay?

891
00:40:51,200 --> 00:40:51,399
Speaker 7: Yeah?

892
00:40:52,160 --> 00:40:54,080
Speaker 3: There's too many of us. If I jump in every time,

893
00:40:54,120 --> 00:40:58,959
Speaker 3: it's gonna be always described. Yes, yes, yes, this is writer.

894
00:40:59,360 --> 00:41:03,799
Speaker 6: He's a thinker, he's a binger. That was back in

895
00:41:03,840 --> 00:41:06,360
Speaker 6: New York right before I did the pilot for Even Stevens.

896
00:41:06,400 --> 00:41:09,040
Speaker 6: I got cast with Jenna Ushkowitz, who's from g.

897
00:41:09,560 --> 00:41:11,600
Speaker 5: Oh we knew Jenna. Yeah, we've done a podswap with

898
00:41:11,680 --> 00:41:12,480
Speaker 5: Jenna Ushkowitz.

899
00:41:12,640 --> 00:41:14,879
Speaker 6: She was a baby. She's younger than I am and

900
00:41:14,920 --> 00:41:17,880
Speaker 6: we had done some like Broadway Kid things back in

901
00:41:17,920 --> 00:41:19,840
Speaker 6: New York, and so we just knew each other and

902
00:41:19,880 --> 00:41:23,640
Speaker 6: then we ended up all getting cast in this strange

903
00:41:23,719 --> 00:41:27,719
Speaker 6: I think it was Marshalls Sears and it was their

904
00:41:27,840 --> 00:41:33,279
Speaker 6: Millennium Tour and uh, Larger than Life is playing like

905
00:41:33,480 --> 00:41:38,040
Speaker 6: and we're chasing these guys and we were featured extras essentially.

906
00:41:38,280 --> 00:41:39,960
Speaker 5: Yeah, you had a name screaming fan.

907
00:41:40,080 --> 00:41:44,960
Speaker 6: There screaming, and so we ran after them all day long.

908
00:41:45,000 --> 00:41:47,319
Speaker 6: We had to run after them and scream and like

909
00:41:47,920 --> 00:41:48,520
Speaker 6: it really them?

910
00:41:48,600 --> 00:41:50,800
Speaker 4: Was it really the Backtree Boys commercial? Wow?

911
00:41:50,880 --> 00:41:53,000
Speaker 6: Yeah, it was really them, you can see very clearly.

912
00:41:53,040 --> 00:41:55,000
Speaker 6: And then and then I have a picture with them

913
00:41:55,160 --> 00:41:58,239
Speaker 6: and with Jenna and all the other you have.

914
00:41:58,239 --> 00:42:00,960
Speaker 5: You seen the Millennium Tour show its sphere.

915
00:42:02,000 --> 00:42:05,640
Speaker 6: I saw that it's happening, okay, And I want to say, like,

916
00:42:05,840 --> 00:42:08,600
Speaker 6: I've definitely chatted with some of the guys over the

917
00:42:08,680 --> 00:42:11,120
Speaker 6: years and seen them and stuff, and I'm like, if

918
00:42:11,120 --> 00:42:13,160
Speaker 6: I go, it's gonna it would be amazing.

919
00:42:13,360 --> 00:42:13,560
Speaker 3: It was.

920
00:42:13,640 --> 00:42:16,719
Speaker 4: It's an incredible show. As somebody who's not I mean,

921
00:42:16,840 --> 00:42:18,880
Speaker 4: I like them all as people. They're they're great guys.

922
00:42:19,200 --> 00:42:21,680
Speaker 4: But you know, obviously I'm not the demographic for their music,

923
00:42:21,719 --> 00:42:22,839
Speaker 4: but man, what a show.

924
00:42:23,040 --> 00:42:23,400
Speaker 7: It was.

925
00:42:23,719 --> 00:42:26,160
Speaker 6: Happy for them, I know for them, it was.

926
00:42:26,280 --> 00:42:27,799
Speaker 3: A really wonderful way to spend a night.

927
00:42:27,880 --> 00:42:28,319
Speaker 4: It really was.

928
00:42:29,239 --> 00:42:32,800
Speaker 5: So since we're on this two thousands millennium tour Backstreet

929
00:42:32,840 --> 00:42:37,280
Speaker 5: Boys section of the interview, I thought a very dated

930
00:42:37,400 --> 00:42:39,520
Speaker 5: question I might be able to ask you is did

931
00:42:39,560 --> 00:42:44,320
Speaker 5: people ever ask you to record their voicemail messages in character?

932
00:42:45,360 --> 00:42:45,560
Speaker 4: You know?

933
00:42:46,239 --> 00:42:48,080
Speaker 6: I think I had that listed when I first doing

934
00:42:48,160 --> 00:42:51,760
Speaker 6: comic cons because I heard that Tom Kenny did it. Yeah,

935
00:42:51,800 --> 00:42:56,000
Speaker 6: and that Gary Mariano, who's another Gary at Disney. He

936
00:42:56,120 --> 00:42:59,480
Speaker 6: was like our biggest PR guy. He would have people

937
00:42:59,560 --> 00:43:01,879
Speaker 6: do his voicemails. So he had goofy and he had

938
00:43:01,960 --> 00:43:05,360
Speaker 6: you know, Jim coming and so yeah, I think I

939
00:43:05,400 --> 00:43:07,800
Speaker 6: did that for a few but I don't do it anymore.

940
00:43:07,920 --> 00:43:09,160
Speaker 6: But that would be fun, wasn't it.

941
00:43:09,560 --> 00:43:14,439
Speaker 4: I just did one last weekend n stopping No at

942
00:43:14,440 --> 00:43:16,480
Speaker 4: a convention. Somebody came up and they said, we record

943
00:43:16,560 --> 00:43:19,560
Speaker 4: my voice ment no as Kid as Ron. So I'm

944
00:43:19,920 --> 00:43:23,640
Speaker 4: hey here, Jen's not here right now? Leave message Bill. Yeah,

945
00:43:23,719 --> 00:43:26,080
Speaker 4: like that kind of thing. It was all really funky.

946
00:43:26,160 --> 00:43:28,400
Speaker 6: So yeah, he said that Kim's voice is just my

947
00:43:28,440 --> 00:43:33,960
Speaker 6: customer service voice, and I I disagree that makes sense.

948
00:43:33,960 --> 00:43:36,080
Speaker 4: Whereas that's one of the things I really noticed, and

949
00:43:36,120 --> 00:43:39,320
Speaker 4: we talked about this in the episode when we recapped

950
00:43:39,360 --> 00:43:43,360
Speaker 4: the Kim Possible episode, is my voice changes so much

951
00:43:43,440 --> 00:43:47,000
Speaker 4: from the from starting ron Ron season one is essentially

952
00:43:47,080 --> 00:43:50,120
Speaker 4: just me like, come on, kp you gotta and by

953
00:43:50,160 --> 00:43:52,080
Speaker 4: the end, I'm all the way up here, and he's

954
00:43:52,120 --> 00:43:53,560
Speaker 4: so much crazier.

955
00:43:53,120 --> 00:43:56,719
Speaker 3: And it's like not even close to being the same voice. Yeah,

956
00:43:56,840 --> 00:43:59,440
Speaker 3: So I noticed that watching this episode. I was like,

957
00:43:59,440 --> 00:44:03,240
Speaker 3: when we'll us the voice, it's way different, it's way higher.

958
00:44:02,880 --> 00:44:04,960
Speaker 1: And this was closer to you, and I was like,

959
00:44:05,200 --> 00:44:08,120
Speaker 1: but then throughout the episode it got more ron like.

960
00:44:08,320 --> 00:44:10,279
Speaker 3: And by the end it's crazy and so okay.

961
00:44:10,960 --> 00:44:12,600
Speaker 1: I was wondering if that was something that just happened

962
00:44:12,640 --> 00:44:14,680
Speaker 1: after you finished the show, like just over the years

963
00:44:14,719 --> 00:44:15,520
Speaker 1: you've gotten more exact.

964
00:44:15,600 --> 00:44:17,520
Speaker 4: I remember sitting and when we talked about this, I

965
00:44:17,520 --> 00:44:19,719
Speaker 4: remember sitting in a booth with John Demagio.

966
00:44:19,760 --> 00:44:21,360
Speaker 3: It was just the two of us of this one episode.

967
00:44:21,360 --> 00:44:24,520
Speaker 4: It was the start of season whatever three, but it

968
00:44:24,560 --> 00:44:26,120
Speaker 4: was I should have listened to him because of the

969
00:44:26,160 --> 00:44:29,000
Speaker 4: episode started and I said, someone like you know what KP.

970
00:44:29,120 --> 00:44:30,360
Speaker 4: And he's like, that's not the voice.

971
00:44:30,480 --> 00:44:30,640
Speaker 3: You know.

972
00:44:30,719 --> 00:44:33,040
Speaker 4: Johnny was like, that's not it, and I'm like what.

973
00:44:33,160 --> 00:44:34,759
Speaker 4: He's like, dude, that's not Ron and I'm like it's

974
00:44:34,760 --> 00:44:36,480
Speaker 4: not and then I couldn't get it back, and so

975
00:44:36,560 --> 00:44:38,920
Speaker 4: from here on he was just like this. So I

976
00:44:39,080 --> 00:44:41,959
Speaker 4: going back, I would love to have kept it kind

977
00:44:42,000 --> 00:44:44,319
Speaker 4: of in the initial register that we saw of this

978
00:44:44,360 --> 00:44:46,000
Speaker 4: one episode where it was just kind of like my

979
00:44:46,120 --> 00:44:49,160
Speaker 4: voice right, because he really got I mean, obviously it's

980
00:44:49,160 --> 00:44:52,440
Speaker 4: a cartoon, but super cartoony towards the end and it's

981
00:44:52,440 --> 00:44:55,640
Speaker 4: like it's if you watch the second episode and the

982
00:44:55,680 --> 00:44:59,360
Speaker 4: second to last episode, it's two completely different characters. So

983
00:44:59,440 --> 00:45:00,839
Speaker 4: I mean the voice this is different.

984
00:45:01,080 --> 00:45:03,680
Speaker 6: Because I went to college and started smoking SIGs and

985
00:45:05,000 --> 00:45:06,400
Speaker 6: they had a little chat with me and they were

986
00:45:06,400 --> 00:45:08,960
Speaker 6: looked good, and I was like, yeah, I'm sorry. And

987
00:45:09,000 --> 00:45:12,000
Speaker 6: then I ended up having actually to be farewell. I

988
00:45:12,040 --> 00:45:15,440
Speaker 6: had a double nodular surgery before Beauty and the Beast.

989
00:45:16,320 --> 00:45:18,960
Speaker 6: I found out that I had damaged my vocal cords

990
00:45:19,000 --> 00:45:22,480
Speaker 6: over the years, and so I think once I fixed that,

991
00:45:22,560 --> 00:45:27,439
Speaker 6: I probably was back to being old Kim and yeah.

992
00:45:27,120 --> 00:45:28,840
Speaker 4: But yeah, you were, I mean you were in college,

993
00:45:28,920 --> 00:45:30,400
Speaker 4: so you would come in and when you were on

994
00:45:30,480 --> 00:45:36,400
Speaker 4: phone patch, you'd be like morning, like, oh, hey.

995
00:45:35,920 --> 00:45:37,680
Speaker 6: I didn't put those pieces together. It had to have

996
00:45:37,680 --> 00:45:40,200
Speaker 6: been the nodules, It really did, because those things are nasty.

997
00:45:40,239 --> 00:45:43,439
Speaker 4: Because again I smoked for twenty five years by that point,

998
00:45:43,560 --> 00:45:45,600
Speaker 4: and you could still get up to the top register.

999
00:45:45,719 --> 00:45:48,120
Speaker 4: But no, you had you had vocal damage. So that's

1000
00:45:48,280 --> 00:45:49,839
Speaker 4: I mean, that's what it was. I mean you could

1001
00:45:49,880 --> 00:45:52,719
Speaker 4: tell the that that rasp does not start within a

1002
00:45:52,800 --> 00:45:53,560
Speaker 4: year of smoking.

1003
00:45:54,080 --> 00:45:57,279
Speaker 6: Yeah, I know that was. I think that who has

1004
00:45:57,280 --> 00:46:02,040
Speaker 6: it filed? Not philled Collins? Uh? Who's that? Rod Stewart

1005
00:46:02,960 --> 00:46:05,439
Speaker 6: nodules And he never let them go because he liked

1006
00:46:05,440 --> 00:46:07,160
Speaker 6: the texture that boys.

1007
00:46:07,440 --> 00:46:09,520
Speaker 3: Yeah, oh you never you never knew.

1008
00:46:09,560 --> 00:46:12,399
Speaker 4: I remember one voiceover actor said to me, his name

1009
00:46:12,440 --> 00:46:16,200
Speaker 4: is Corey Burton, who smoked for like forty years. And

1010
00:46:16,280 --> 00:46:18,600
Speaker 4: I remember saying to him one time, Hey, Corey, and

1011
00:46:18,640 --> 00:46:20,279
Speaker 4: this guy did the voice of everything. I said, Hey, Corey,

1012
00:46:20,280 --> 00:46:21,759
Speaker 4: are you ever going to quit smoking? And he said, no,

1013
00:46:21,840 --> 00:46:23,520
Speaker 4: I figure another five or six years and I can.

1014
00:46:23,480 --> 00:46:25,080
Speaker 3: Hit every register that I want.

1015
00:46:25,719 --> 00:46:26,000
Speaker 7: Wow.

1016
00:46:26,080 --> 00:46:28,080
Speaker 3: So it's like in his head he was like smoking

1017
00:46:28,160 --> 00:46:29,959
Speaker 3: for a reason. I was like he said.

1018
00:46:29,960 --> 00:46:32,719
Speaker 4: At one time, he literally tried to write off his

1019
00:46:32,760 --> 00:46:36,920
Speaker 4: cigarettes as a work expense because he's like, I'm a

1020
00:46:37,000 --> 00:46:39,040
Speaker 4: voiceover actor and I smoke because I want the RASP

1021
00:46:39,040 --> 00:46:40,799
Speaker 4: and I want the lower registers. But and of course

1022
00:46:40,840 --> 00:46:42,319
Speaker 4: the government was like, yeah, that's not going to work.

1023
00:46:42,360 --> 00:46:43,719
Speaker 4: But he tried, because he.

1024
00:46:43,760 --> 00:46:46,320
Speaker 3: Write off his cancer treatment. Yeah, right, exactly, yeah, exactly.

1025
00:46:46,560 --> 00:46:48,279
Speaker 3: Don't smoke, kids, don't smoke kids.

1026
00:46:48,320 --> 00:46:48,879
Speaker 4: It's very good.

1027
00:46:49,840 --> 00:46:50,320
Speaker 2: Wow.

1028
00:46:52,400 --> 00:46:55,680
Speaker 5: So back to kimpossible. Did I know you obviously did

1029
00:46:55,680 --> 00:46:58,080
Speaker 5: not remember that writer had well you actually thought writer

1030
00:46:58,239 --> 00:47:00,000
Speaker 5: was on many many more episodes.

1031
00:47:02,640 --> 00:47:09,320
Speaker 6: Yes, I love he wished that she would have actually

1032
00:47:09,480 --> 00:47:13,279
Speaker 6: taken Brick seriously, because my toxic trait is that I

1033
00:47:13,360 --> 00:47:15,800
Speaker 6: love my husband is like not brick, but he looks

1034
00:47:15,800 --> 00:47:16,200
Speaker 6: like brick.

1035
00:47:18,280 --> 00:47:19,920
Speaker 4: It does kind of look like brick, doesn't it.

1036
00:47:20,120 --> 00:47:22,279
Speaker 6: And I always had a thing for, like, you know,

1037
00:47:22,760 --> 00:47:26,799
Speaker 6: dumb guys. So my husband, however, is not dumb.

1038
00:47:26,840 --> 00:47:30,480
Speaker 4: But didn't he also he also went to Columbia your

1039
00:47:30,480 --> 00:47:31,319
Speaker 4: your husband, didn't he?

1040
00:47:31,400 --> 00:47:31,640
Speaker 6: Yeah?

1041
00:47:31,880 --> 00:47:34,160
Speaker 3: Yes, and was a marine not dumb guy.

1042
00:47:34,520 --> 00:47:36,960
Speaker 6: But I like that, like, you know, you know whatever,

1043
00:47:37,080 --> 00:47:39,080
Speaker 6: I'm going to go down the rabbit hole. I shouldn't,

1044
00:47:39,480 --> 00:47:41,640
Speaker 6: but but.

1045
00:47:41,680 --> 00:47:44,000
Speaker 3: I a little meathead. A little meathead is good? Is

1046
00:47:44,000 --> 00:47:44,640
Speaker 3: that what you're saying?

1047
00:47:44,760 --> 00:47:48,520
Speaker 6: Like, survive me apocalypse with me? You know, yeah, cut

1048
00:47:48,560 --> 00:47:49,360
Speaker 6: down a tree.

1049
00:47:49,920 --> 00:47:52,319
Speaker 4: Survived the apocalypse with me. I love that.

1050
00:47:53,000 --> 00:47:55,680
Speaker 3: Oh my god, I remember because I didn't. I don't

1051
00:47:55,719 --> 00:47:57,080
Speaker 3: even know if I had a picture of Brick.

1052
00:47:57,120 --> 00:47:59,600
Speaker 1: I just remember they just cast me, I guess because

1053
00:47:59,600 --> 00:48:02,239
Speaker 1: they knew connection to Will or whatever. And I just

1054
00:48:02,280 --> 00:48:04,600
Speaker 1: remember getting going into the studio in New York and

1055
00:48:04,640 --> 00:48:05,200
Speaker 1: be like, how.

1056
00:48:05,160 --> 00:48:06,520
Speaker 3: You know, what do you want? And they were like, uh,

1057
00:48:06,880 --> 00:48:08,719
Speaker 3: I think your voice is pretty close, just a.

1058
00:48:08,719 --> 00:48:10,920
Speaker 1: Little kanu, and I just dropped it a little bit

1059
00:48:11,000 --> 00:48:13,480
Speaker 1: and you know, slowed down, and that was Brick, and

1060
00:48:13,560 --> 00:48:14,480
Speaker 1: watching I was like.

1061
00:48:14,440 --> 00:48:17,920
Speaker 3: Oh, yes, it fits this. This This look very much

1062
00:48:18,000 --> 00:48:20,000
Speaker 3: not me, but it fit it fit the character.

1063
00:48:20,239 --> 00:48:23,440
Speaker 6: Can you look at yourself as an animated character? Do

1064
00:48:23,480 --> 00:48:26,399
Speaker 6: you see your voice mostly or do you actually see

1065
00:48:26,400 --> 00:48:27,640
Speaker 6: it blended into your character?

1066
00:48:28,840 --> 00:48:31,600
Speaker 4: I see me if I'm doing it right. If the

1067
00:48:31,680 --> 00:48:34,120
Speaker 4: voice is wrong, I don't see me. And that's how

1068
00:48:34,120 --> 00:48:36,839
Speaker 4: I know the voice is wrong. Like, for instance, I

1069
00:48:36,920 --> 00:48:39,840
Speaker 4: never saw me in star Lord on Guardians of the

1070
00:48:39,880 --> 00:48:42,640
Speaker 4: Galaxy because I pitched the register too high, so the

1071
00:48:42,719 --> 00:48:45,000
Speaker 4: voice was too high for the animation that they had.

1072
00:48:45,080 --> 00:48:47,640
Speaker 4: And I never saw me, whereas I always see me

1073
00:48:47,719 --> 00:48:49,840
Speaker 4: and Ron I see me and Terry McGinnis Batman. I

1074
00:48:49,840 --> 00:48:52,160
Speaker 4: see me in almost every other animated character I do.

1075
00:48:52,360 --> 00:48:54,840
Speaker 4: But if it's not right, then I don't see myself.

1076
00:48:55,640 --> 00:48:58,000
Speaker 3: Interesting. Yeah, I never watch anything I've ever done. This

1077
00:48:58,080 --> 00:48:59,200
Speaker 3: might be the first person ever.

1078
00:48:59,280 --> 00:49:01,760
Speaker 4: You never watched Star Versus The Forces of Evil or whatever.

1079
00:49:01,600 --> 00:49:03,239
Speaker 3: The other one you know, India wanted to watch one.

1080
00:49:03,280 --> 00:49:04,799
Speaker 1: I don't think it was one that I was in,

1081
00:49:05,920 --> 00:49:07,880
Speaker 1: But you know, that's just my voice, just kind of.

1082
00:49:08,920 --> 00:49:10,480
Speaker 3: I mean, I mostly just do my voice.

1083
00:49:10,480 --> 00:49:13,799
Speaker 1: I don't really do character work, so but brick, Yeah,

1084
00:49:13,800 --> 00:49:15,720
Speaker 1: this was it was weird. I was definitely like, that's

1085
00:49:15,760 --> 00:49:16,279
Speaker 1: not me.

1086
00:49:16,600 --> 00:49:17,520
Speaker 3: But I guess cool.

1087
00:49:19,920 --> 00:49:24,319
Speaker 5: You were Emmy nominated for Kim Possible Best Best Voice Performance.

1088
00:49:24,400 --> 00:49:26,520
Speaker 5: Do you remember who you lost to? And should we

1089
00:49:26,560 --> 00:49:27,040
Speaker 5: curse them?

1090
00:49:27,080 --> 00:49:31,560
Speaker 6: Now? I love you, Danielle. You are keeping up this

1091
00:49:31,719 --> 00:49:33,960
Speaker 6: ship sailing.

1092
00:49:36,320 --> 00:49:36,560
Speaker 4: Nice.

1093
00:49:36,960 --> 00:49:41,960
Speaker 6: We were aware in their life? Yeah, I do, because

1094
00:49:42,000 --> 00:49:44,160
Speaker 6: I showed up and I looked really good. And oh

1095
00:49:45,200 --> 00:49:51,200
Speaker 6: but it's okay because it was Oh my god, why

1096
00:49:51,200 --> 00:49:53,040
Speaker 6: am I forgetting Clifford the Big Red Dog?

1097
00:49:53,400 --> 00:49:53,880
Speaker 4: Okay?

1098
00:49:54,400 --> 00:49:57,319
Speaker 6: And it was the gentleman who played I'm so sorry, guys,

1099
00:49:57,440 --> 00:50:03,760
Speaker 6: you can kill me for this. Who the fonts?

1100
00:50:01,600 --> 00:50:06,040
Speaker 5: Oh gosh, I take it back. I would never.

1101
00:50:05,960 --> 00:50:11,640
Speaker 4: Curse because he's a name. That's usually how it worked

1102
00:50:11,640 --> 00:50:14,759
Speaker 4: with animation, especially back in the day. Yeah, you'd have

1103
00:50:14,760 --> 00:50:18,880
Speaker 4: two amazing anime you know, incredible animation actors and voice actors,

1104
00:50:18,960 --> 00:50:20,799
Speaker 4: and then Nathan Lane and it was like, all right,

1105
00:50:20,840 --> 00:50:22,319
Speaker 4: I'm not well, I'm not going to win, even though

1106
00:50:22,360 --> 00:50:24,960
Speaker 4: he just was Nathan Lane. It's like somebody's but for

1107
00:50:25,000 --> 00:50:27,000
Speaker 4: those of us who have never been nominated, you should

1108
00:50:27,040 --> 00:50:28,040
Speaker 4: just be happy to be nominated.

1109
00:50:28,280 --> 00:50:31,760
Speaker 6: I'm so I don't deserve it. Yeah, when it happened,

1110
00:50:32,080 --> 00:50:34,279
Speaker 6: what is this happening? But you know, Shia, I think

1111
00:50:34,320 --> 00:50:35,960
Speaker 6: around the same. I think it was maybe the year

1112
00:50:36,000 --> 00:50:38,000
Speaker 6: after that, actually one.

1113
00:50:38,880 --> 00:50:39,879
Speaker 3: Yeah, and the whole thing.

1114
00:50:39,760 --> 00:50:42,240
Speaker 6: With Disney Channel guys, was like they were always competing

1115
00:50:42,280 --> 00:50:45,120
Speaker 6: with Nickelodeon, and so at that point they started realizing

1116
00:50:45,160 --> 00:50:49,600
Speaker 6: their programming was getting like awarded and it became really

1117
00:50:49,640 --> 00:50:52,160
Speaker 6: interesting where then maybe the money started coming for them,

1118
00:50:52,280 --> 00:50:55,720
Speaker 6: because then they were greenlighting more things. And I remember

1119
00:50:55,760 --> 00:51:00,279
Speaker 6: Adam came to see me record a pilot on my

1120
00:51:00,320 --> 00:51:04,239
Speaker 6: way out before Columbia, I got a big pilot with

1121
00:51:04,280 --> 00:51:06,719
Speaker 6: the creators of Friends and Stuff, and that was maybe

1122
00:51:06,840 --> 00:51:08,840
Speaker 6: gonna be my next thing, but it didn't well, and

1123
00:51:08,880 --> 00:51:13,080
Speaker 6: I was Columbia said. Anyway, long story short, Adam Bunnett said,

1124
00:51:13,160 --> 00:51:15,080
Speaker 6: that was my first time ever seeing a sitcom. Now

1125
00:51:15,120 --> 00:51:16,840
Speaker 6: I want to go do a sitcom at Disney and

1126
00:51:16,880 --> 00:51:19,080
Speaker 6: that is why Raven started.

1127
00:51:20,360 --> 00:51:22,239
Speaker 3: That's cool, and it's cheaper.

1128
00:51:22,160 --> 00:51:24,680
Speaker 6: Like I think it was a million dollars an episode

1129
00:51:24,680 --> 00:51:28,360
Speaker 6: for even Stevens, and I think it's a bit cheaper

1130
00:51:28,440 --> 00:51:29,680
Speaker 6: from what I was told. Yeah.

1131
00:51:29,719 --> 00:51:32,400
Speaker 4: No, that's why we're amazed that sitcom hasn't come back,

1132
00:51:32,440 --> 00:51:34,240
Speaker 4: because it's cheaper than doing single cameras.

1133
00:51:34,280 --> 00:51:36,319
Speaker 3: So I don't why are we not doing four? I'm

1134
00:51:36,360 --> 00:51:37,760
Speaker 3: not going to I'm not going to harp.

1135
00:51:38,239 --> 00:51:43,200
Speaker 5: Okay, you guys both just got funko pops. People always

1136
00:51:43,360 --> 00:51:47,680
Speaker 5: dress as the characters for Halloween, including Justin and Hayley

1137
00:51:47,800 --> 00:51:53,520
Speaker 5: Bieber last year. Are you surprised how much Kim Possible

1138
00:51:53,760 --> 00:51:58,239
Speaker 5: is like, even more in the mainstream zeitgeist now than

1139
00:51:58,280 --> 00:52:01,680
Speaker 5: ever before? No, No, I'm not.

1140
00:52:03,160 --> 00:52:03,520
Speaker 6: Probably.

1141
00:52:03,680 --> 00:52:07,000
Speaker 4: Yeah, this is I'm really here every week, guest here,

1142
00:52:07,120 --> 00:52:08,560
Speaker 4: and I'm here every week.

1143
00:52:09,160 --> 00:52:12,880
Speaker 5: You're like, I host this show, right, you're the guest.

1144
00:52:12,480 --> 00:52:14,600
Speaker 4: I'm one of the show.

1145
00:52:14,480 --> 00:52:15,040
Speaker 3: So I'm here.

1146
00:52:17,040 --> 00:52:19,880
Speaker 6: No, I'm not surprised. I think Y two K is

1147
00:52:19,920 --> 00:52:24,680
Speaker 6: still trending. Yeah, and it's wild that it's still trending.

1148
00:52:24,680 --> 00:52:27,600
Speaker 6: But it is a really interesting time for our culture,

1149
00:52:28,200 --> 00:52:30,920
Speaker 6: and I think Kim was a really important part of

1150
00:52:30,920 --> 00:52:34,839
Speaker 6: that culture because I'll be honest, when Kim came out,

1151
00:52:34,880 --> 00:52:36,839
Speaker 6: there wasn't a lot of really great female role models

1152
00:52:36,880 --> 00:52:40,600
Speaker 6: outside of you did right, of course, but like for

1153
00:52:40,719 --> 00:52:45,000
Speaker 6: the for the tweens, right, and so what we did

1154
00:52:45,120 --> 00:52:47,520
Speaker 6: was a service to a whole generation of young girls

1155
00:52:47,640 --> 00:52:50,000
Speaker 6: who could only really look to Paras Sultan. No, no

1156
00:52:50,040 --> 00:52:52,839
Speaker 6: shade on Paras Sultan now. But back then she was

1157
00:52:52,920 --> 00:52:55,080
Speaker 6: in a heart. She had a hard time. It's like

1158
00:52:55,160 --> 00:52:59,399
Speaker 6: you were seeing these like bits of Kate Moss being

1159
00:52:59,440 --> 00:53:02,400
Speaker 6: super skinned and like any kind of women in the

1160
00:53:02,400 --> 00:53:05,160
Speaker 6: public eye were in mostly had. There was a lot

1161
00:53:05,160 --> 00:53:07,520
Speaker 6: of eating disorders, there's a lot of sex tapes, line,

1162
00:53:07,520 --> 00:53:08,919
Speaker 6: I mean, there was a lot of stuff I would

1163
00:53:09,000 --> 00:53:13,040
Speaker 6: as a mom now would really want to protect, you know,

1164
00:53:13,239 --> 00:53:16,040
Speaker 6: my kids from. So when Kim came out, she was

1165
00:53:16,280 --> 00:53:19,160
Speaker 6: a breath of fresh air for parents I'm sure, and

1166
00:53:19,480 --> 00:53:21,920
Speaker 6: also just girls wanting to feel like they could be

1167
00:53:21,960 --> 00:53:24,960
Speaker 6: popular but nice, yeah, you know, not mean, like I

1168
00:53:24,960 --> 00:53:27,160
Speaker 6: don't have to be a socialite, mean person. I don't

1169
00:53:27,200 --> 00:53:28,799
Speaker 6: have to be rich, I don't have to be this.

1170
00:53:29,520 --> 00:53:31,319
Speaker 6: And like even just putting her in Middleton, when you

1171
00:53:31,320 --> 00:53:33,680
Speaker 6: think about it, it's like she's literally the most likable,

1172
00:53:33,760 --> 00:53:39,960
Speaker 6: most relatable, most well intentioned person and she to that end,

1173
00:53:39,960 --> 00:53:41,759
Speaker 6: she really is kind of a Disney princess, like she

1174
00:53:41,880 --> 00:53:46,279
Speaker 6: carries virtues. Yeah, and then she made it apply to

1175
00:53:46,400 --> 00:53:48,600
Speaker 6: a you know, a kid's daily life.

1176
00:53:49,600 --> 00:53:51,759
Speaker 4: You know how rare it is, especially nowadays, to have

1177
00:53:51,800 --> 00:53:53,960
Speaker 4: something that you know, you can sit and watch with

1178
00:53:54,040 --> 00:53:56,879
Speaker 4: your kids and not have to worry about anything that's

1179
00:53:56,920 --> 00:53:58,840
Speaker 4: going to pop on the screen. And that's one of

1180
00:53:58,840 --> 00:54:01,319
Speaker 4: the things Disney Channel did better than everybody else was

1181
00:54:01,400 --> 00:54:03,520
Speaker 4: It's just like even nowadays we keep going back to

1182
00:54:03,560 --> 00:54:05,600
Speaker 4: Descendants or Zombies or the Tenth Pole kind of movies

1183
00:54:05,640 --> 00:54:08,880
Speaker 4: that they have, there is still kind of something for everybody.

1184
00:54:08,880 --> 00:54:11,680
Speaker 4: They're bright, they're fun, there's music, you're never maybe there's

1185
00:54:11,719 --> 00:54:13,680
Speaker 4: going to be a chaste kiss or something like that,

1186
00:54:13,840 --> 00:54:18,359
Speaker 4: or a Christy Carlsonmino kiss exactly. But it is. It's

1187
00:54:18,400 --> 00:54:20,359
Speaker 4: one of those things where you don't have to worry

1188
00:54:20,400 --> 00:54:22,040
Speaker 4: about it, and especially in this day and age with

1189
00:54:22,080 --> 00:54:23,960
Speaker 4: streaming where you could just press a button and you

1190
00:54:23,960 --> 00:54:25,120
Speaker 4: could see whatever you want.

1191
00:54:26,320 --> 00:54:28,879
Speaker 3: It's it's nice to go back to kind of the.

1192
00:54:28,800 --> 00:54:32,480
Speaker 4: Ease of Disney Channel in the early two thousands and

1193
00:54:32,719 --> 00:54:34,080
Speaker 4: Boy Meets World and stuff like that the night and

1194
00:54:34,120 --> 00:54:36,120
Speaker 4: so that's why so many people are that's why the

1195
00:54:36,120 --> 00:54:38,879
Speaker 4: Backstreet Boys are selling out night after night after night

1196
00:54:38,960 --> 00:54:40,880
Speaker 4: at spheres. People want to go back to that time.

1197
00:54:41,280 --> 00:54:44,120
Speaker 4: It just seemed safer. Probably it wasn't technically, but it

1198
00:54:44,239 --> 00:54:48,000
Speaker 4: just seemed like a safer, happier time. So yeah, I

1199
00:54:48,000 --> 00:54:49,600
Speaker 4: think that's one of the reasons. And sitting there with

1200
00:54:49,640 --> 00:54:52,560
Speaker 4: you at conventions and seeing a five year old girl

1201
00:54:52,640 --> 00:54:54,640
Speaker 4: run up to you dressed like Kim Possible, I mean,

1202
00:54:54,680 --> 00:54:57,000
Speaker 4: fully decked out, going like this is the best. And

1203
00:54:57,040 --> 00:55:00,120
Speaker 4: it's the mom or even the grandmother we're finding in

1204
00:55:00,040 --> 00:55:02,200
Speaker 4: in places now. We're doing that with Boyman's World too,

1205
00:55:02,200 --> 00:55:05,759
Speaker 4: Like my grandma loved you. It's like, oh, great, thank you,

1206
00:55:05,760 --> 00:55:08,520
Speaker 4: you just it's it's truly amazing that it's still there.

1207
00:55:09,000 --> 00:55:11,120
Speaker 6: Yeah, the Funkos are really cool. The Funkos took a

1208
00:55:11,160 --> 00:55:14,880
Speaker 6: really long time to come out. I mean, it's interesting

1209
00:55:14,880 --> 00:55:17,520
Speaker 6: how Kim has kind of stood the test of time

1210
00:55:17,600 --> 00:55:21,040
Speaker 6: in the hearts of the fans and a generation of

1211
00:55:21,120 --> 00:55:23,480
Speaker 6: like globally too, because she was ever there was. We

1212
00:55:23,520 --> 00:55:26,320
Speaker 6: were just the English speaking ones, right, like, there's kim

1213
00:55:26,480 --> 00:55:28,680
Speaker 6: Is everywhere across the world. There's a brick, there's a

1214
00:55:28,920 --> 00:55:31,680
Speaker 6: Saudi Arabian brick flag, like he's somewhere out there.

1215
00:55:32,200 --> 00:55:34,000
Speaker 4: Well, don't you remember what we did? It's still one

1216
00:55:34,000 --> 00:55:36,720
Speaker 4: of the coolest things ever did. We hosted a show

1217
00:55:36,840 --> 00:55:40,359
Speaker 4: at the Royal Albert Hall in London, Yeah, which is,

1218
00:55:40,440 --> 00:55:42,360
Speaker 4: you know, one of the one of the greatest theaters

1219
00:55:42,400 --> 00:55:45,640
Speaker 4: in the world, literally, and the entire show was Kim

1220
00:55:45,680 --> 00:55:49,120
Speaker 4: Possible themed. So it's we wes had what ten thousand

1221
00:55:49,200 --> 00:55:51,880
Speaker 4: was full, ten thousand screaming kids, whatever, and it's all

1222
00:55:52,000 --> 00:55:52,279
Speaker 4: dark and.

1223
00:55:52,360 --> 00:55:53,319
Speaker 3: Here do do do do?

1224
00:55:53,440 --> 00:55:55,759
Speaker 4: And the lights pop on and ten or fifteen Kim

1225
00:55:55,800 --> 00:55:58,600
Speaker 4: Possibles come down from the ceiling. Oh my god, and

1226
00:55:58,640 --> 00:56:02,560
Speaker 4: then it's all these know, all the local Disney UK

1227
00:56:02,760 --> 00:56:04,880
Speaker 4: people were hosting with us, and it was it was

1228
00:56:05,080 --> 00:56:07,560
Speaker 4: the whole thing was Kim Possible based, and so you're

1229
00:56:07,560 --> 00:56:09,839
Speaker 4: literally were standing on the stage, the Beatles were on

1230
00:56:09,960 --> 00:56:11,319
Speaker 4: and Adele's selling out.

1231
00:56:11,320 --> 00:56:13,600
Speaker 3: I mean it is literally the greatest water. That was

1232
00:56:13,600 --> 00:56:14,640
Speaker 3: why the show was on the air.

1233
00:56:14,840 --> 00:56:17,359
Speaker 4: No, this was slightly after I think wasn't when would

1234
00:56:17,360 --> 00:56:19,839
Speaker 4: go there, like two thousand and seven, two thousand and eight,

1235
00:56:19,840 --> 00:56:20,279
Speaker 4: when was that.

1236
00:56:20,520 --> 00:56:23,840
Speaker 6: Yeah, probably it was before. It was before Bell and

1237
00:56:23,920 --> 00:56:26,239
Speaker 6: it was definitely after you can see it. That's why

1238
00:56:26,280 --> 00:56:28,520
Speaker 6: I'm hiding my memoir right now, and I've been going

1239
00:56:28,560 --> 00:56:30,440
Speaker 6: on wire and it's just to remember things.

1240
00:56:30,800 --> 00:56:34,560
Speaker 4: Ye oh yeah, yeah, it is so yeah, but I

1241
00:56:34,600 --> 00:56:37,720
Speaker 4: mean it was it was everywhere. You mean, you're really

1242
00:56:37,800 --> 00:56:40,280
Speaker 4: really cool because it's you know, it's kind of timeless.

1243
00:56:40,280 --> 00:56:43,680
Speaker 4: And that's the thing that's so interesting about animation, unlike

1244
00:56:43,719 --> 00:56:45,960
Speaker 4: Boy Meets World, where you know, when you go see

1245
00:56:46,000 --> 00:56:49,279
Speaker 4: Boy Mets World in Germany, it's our faces, but there

1246
00:56:49,320 --> 00:56:51,600
Speaker 4: might be a German actor's voice coming out, whereas you

1247
00:56:51,640 --> 00:56:54,080
Speaker 4: go see Kim Possible in Germany, we got nothing to

1248
00:56:54,080 --> 00:56:56,120
Speaker 4: do with it. It's it's Kim and Ron and then a

1249
00:56:56,120 --> 00:56:58,640
Speaker 4: German actor. So to go to the kind of the

1250
00:56:58,680 --> 00:57:01,239
Speaker 4: English speaking countries where Kim was big, we saw how

1251
00:57:01,239 --> 00:57:02,759
Speaker 4: big a god. It was really really cool.

1252
00:57:03,040 --> 00:57:06,280
Speaker 5: Yeah, well, I know all of us and our listeners

1253
00:57:06,400 --> 00:57:08,520
Speaker 5: will want to know how you are doing for those

1254
00:57:08,520 --> 00:57:11,040
Speaker 5: who don't know, and I'm it's shocking to say it

1255
00:57:11,040 --> 00:57:15,360
Speaker 5: out loud. You were accidentally shot in the eye during

1256
00:57:15,480 --> 00:57:19,160
Speaker 5: a clay pigeon shooting accident. How are you doing now.

1257
00:57:20,440 --> 00:57:27,040
Speaker 6: I'm laughing, Okay, I'm alive. And if you see, you

1258
00:57:27,080 --> 00:57:29,480
Speaker 6: can't even see it. If I pull my skin a

1259
00:57:29,520 --> 00:57:31,880
Speaker 6: little bit, you can see some of the little bit

1260
00:57:31,920 --> 00:57:35,720
Speaker 6: of scar tissue. I actually got shot. I got bird

1261
00:57:35,880 --> 00:57:40,160
Speaker 6: shot scattered, which is still technically being shot. Right, So

1262
00:57:40,200 --> 00:57:42,320
Speaker 6: people like she didn't get shot with a bullet, I'm like,

1263
00:57:43,000 --> 00:57:43,760
Speaker 6: you got shot.

1264
00:57:44,000 --> 00:57:46,040
Speaker 3: Yeah, they're qualifying it.

1265
00:57:46,120 --> 00:57:48,200
Speaker 4: You got shot in the face with a shotgun blast,

1266
00:57:48,320 --> 00:57:50,240
Speaker 4: Like she didn't get shot.

1267
00:57:49,720 --> 00:57:53,840
Speaker 6: Two hundred feet away. Yeah. So, and this is why

1268
00:57:54,080 --> 00:57:58,720
Speaker 6: I really just took a term of spirituality. Not like

1269
00:57:58,720 --> 00:58:01,040
Speaker 6: I'm a Bible thump or anything, but it's like I

1270
00:58:01,160 --> 00:58:05,120
Speaker 6: just had to recognize that I received a miracle, you know.

1271
00:58:05,200 --> 00:58:07,360
Speaker 6: And like the reason I say it's a miracle is

1272
00:58:07,360 --> 00:58:11,200
Speaker 6: because where the thing entered my eye actually entered a

1273
00:58:11,240 --> 00:58:14,480
Speaker 6: fat pocket. And then that was miracle number one, right,

1274
00:58:14,520 --> 00:58:16,880
Speaker 6: And then the miracle number two is that it landed

1275
00:58:16,960 --> 00:58:21,560
Speaker 6: behind the eyeball one millimeter, which is a tiny pencils

1276
00:58:21,600 --> 00:58:25,360
Speaker 6: hit from anything critical that would have blinded this eye.

1277
00:58:26,000 --> 00:58:28,600
Speaker 6: So when I went to the trauma surgeons, they were like,

1278
00:58:28,920 --> 00:58:32,360
Speaker 6: there's multiple miracles at play here, but we don't we don't,

1279
00:58:32,400 --> 00:58:35,800
Speaker 6: we can't say their miracles. And I really had to

1280
00:58:35,840 --> 00:58:38,000
Speaker 6: sit with that and just be like, well, you know,

1281
00:58:38,640 --> 00:58:41,680
Speaker 6: I'm never going shooting again and trying to be cool

1282
00:58:41,760 --> 00:58:45,040
Speaker 6: and trial life. But to be fair, Special Forces had

1283
00:58:45,080 --> 00:58:47,520
Speaker 6: just come out, and I guess I was on a

1284
00:58:47,600 --> 00:58:51,360
Speaker 6: high with it's a crazy show. Don't ever do it, guys,

1285
00:58:51,440 --> 00:58:54,600
Speaker 6: don't don't y'all Danielle here on Dancing with the Stars

1286
00:58:54,680 --> 00:58:55,040
Speaker 6: right now.

1287
00:58:56,640 --> 00:58:58,520
Speaker 5: That's much more of my wheelhouse, much more of my

1288
00:58:58,520 --> 00:59:00,439
Speaker 5: wheelhouse been shot.

1289
00:59:01,280 --> 00:59:02,280
Speaker 4: Even though I've never.

1290
00:59:02,160 --> 00:59:06,120
Speaker 5: Had any dance experience, there is for sure chance I

1291
00:59:06,160 --> 00:59:07,480
Speaker 5: will not get shot in the eye.

1292
00:59:07,520 --> 00:59:11,640
Speaker 3: So I knocking wood knockingwood is because.

1293
00:59:11,440 --> 00:59:13,880
Speaker 6: I'm just saying, okay, I'll pray for you, and also

1294
00:59:14,360 --> 00:59:16,360
Speaker 6: Team Danielle once again, thank.

1295
00:59:16,200 --> 00:59:16,800
Speaker 5: You so much.

1296
00:59:17,040 --> 00:59:20,200
Speaker 4: No. I just remember seeing the It was it was

1297
00:59:20,240 --> 00:59:22,600
Speaker 4: like something came out and it was just hey, pray

1298
00:59:22,760 --> 00:59:24,440
Speaker 4: pray for us or something like that, and I instantly

1299
00:59:24,440 --> 00:59:26,480
Speaker 4: called Brendan. I'm like, dude, what happened? And I'll just

1300
00:59:26,520 --> 00:59:28,040
Speaker 4: never forget. He's like, oh, yeah, Christy got shot in

1301
00:59:28,080 --> 00:59:31,919
Speaker 4: the face. I was like, wait what because he's like, yeah,

1302
00:59:32,040 --> 00:59:33,720
Speaker 4: it was and he explained the whole story, but it

1303
00:59:33,760 --> 00:59:36,400
Speaker 4: was just like she got wait what and then you

1304
00:59:36,680 --> 00:59:40,120
Speaker 4: like hopped on the phone like hey, yeah, her face.

1305
00:59:40,280 --> 00:59:42,080
Speaker 4: They were face timing because you're like, yeah, look at

1306
00:59:42,080 --> 00:59:44,840
Speaker 4: all and I'm just like and you're all just all

1307
00:59:44,880 --> 00:59:47,200
Speaker 4: sorts of up and you're like, yeah, I got a

1308
00:59:47,240 --> 00:59:49,120
Speaker 4: shotgun blast of the face. And I was just like, wait,

1309
00:59:49,920 --> 00:59:53,320
Speaker 4: wait what because you don't you can't comprehend what you

1310
00:59:53,400 --> 00:59:55,400
Speaker 4: just said that you.

1311
00:59:55,520 --> 00:59:59,600
Speaker 6: Just it was on ABC Nightly News, Like I was like,

1312
01:00:00,200 --> 01:00:02,080
Speaker 6: how are you not gonna It had the word Disney

1313
01:00:02,160 --> 01:00:05,400
Speaker 6: and it had shot and a face element. So I

1314
01:00:05,440 --> 01:00:08,240
Speaker 6: was like, well, clearly, And here's the reason I even

1315
01:00:08,280 --> 01:00:10,919
Speaker 6: shared it. Okay, guys, I shared it because I had

1316
01:00:11,760 --> 01:00:14,800
Speaker 6: a clarance ad that was coming up and I didn't

1317
01:00:14,880 --> 01:00:18,000
Speaker 6: and I was like, well, skincare. I love skincare. But

1318
01:00:18,200 --> 01:00:20,680
Speaker 6: I was like, shoot, like I'm not just gonna put

1319
01:00:20,760 --> 01:00:23,600
Speaker 6: I can't hide from this reality, Like I can't pretend

1320
01:00:23,600 --> 01:00:27,000
Speaker 6: this didn't happen, and I was really forced to look

1321
01:00:27,000 --> 01:00:29,840
Speaker 6: inside and be like, all right, this like ad like,

1322
01:00:29,880 --> 01:00:32,840
Speaker 6: if they drop it because it's on deadline, screw them, right,

1323
01:00:32,920 --> 01:00:35,760
Speaker 6: But they didn't. They're lovely. And then I just went

1324
01:00:35,760 --> 01:00:38,400
Speaker 6: ahead and shot something and was like, this is what happened.

1325
01:00:38,760 --> 01:00:41,040
Speaker 6: And I was trying to be as authentic and honest

1326
01:00:41,080 --> 01:00:42,760
Speaker 6: as I could be in that moment. It was scary

1327
01:00:42,800 --> 01:00:46,200
Speaker 6: moment and it wasn't like I was doing that for

1328
01:00:46,320 --> 01:00:52,000
Speaker 6: views at all. I was just trying to Yeah, I

1329
01:00:52,400 --> 01:00:55,600
Speaker 6: was just trying to share something, and strangely, a lot

1330
01:00:55,600 --> 01:00:59,200
Speaker 6: of people who have had eye damage like came out.

1331
01:00:59,240 --> 01:01:00,880
Speaker 6: It's like a niche group of people.

1332
01:01:01,440 --> 01:01:05,640
Speaker 1: Yeah, there's always a group, the Sisterhood of Eyes Lost.

1333
01:01:05,920 --> 01:01:06,080
Speaker 4: Yeah.

1334
01:01:06,120 --> 01:01:09,360
Speaker 6: They're like, we're a group of people. We're here for you.

1335
01:01:09,520 --> 01:01:11,800
Speaker 6: It's like, it's great, somebody, right.

1336
01:01:11,760 --> 01:01:14,800
Speaker 3: Did you do your skincare ad like? And that's when I, oh, oh,

1337
01:01:15,560 --> 01:01:17,040
Speaker 3: oh no, I didn't do that.

1338
01:01:17,040 --> 01:01:19,840
Speaker 6: That's good, horrible, Like, listen, we need to keep we

1339
01:01:19,880 --> 01:01:21,760
Speaker 6: need to keep feeding these babies. I got two of them.

1340
01:01:23,520 --> 01:01:26,560
Speaker 5: It really it really was the most kim possible accident

1341
01:01:26,680 --> 01:01:29,960
Speaker 5: you could have possibly had. You're basically now a superhero,

1342
01:01:30,240 --> 01:01:32,600
Speaker 5: so what would Ron have said to make her feel better?

1343
01:01:32,640 --> 01:01:32,840
Speaker 6: Will?

1344
01:01:34,480 --> 01:01:40,200
Speaker 4: Probably, Hey, at least it didn't hit your eye.

1345
01:01:40,120 --> 01:01:41,560
Speaker 6: Ron, It totally did.

1346
01:01:41,960 --> 01:01:43,720
Speaker 4: It went behind it and went into a fat pocket.

1347
01:01:43,760 --> 01:01:45,560
Speaker 4: You explained the whole thing. You're fine, come on, let's go.

1348
01:01:45,720 --> 01:01:47,760
Speaker 4: You really shot, yea, let's go get a nacho. You

1349
01:01:47,800 --> 01:01:49,520
Speaker 4: weren't really shot. It was just bird shot. It was

1350
01:01:49,520 --> 01:01:50,720
Speaker 4: two hundred yards away.

1351
01:01:50,520 --> 01:01:54,000
Speaker 5: Talking out like a man exactly.

1352
01:01:54,680 --> 01:01:56,560
Speaker 4: Let me explain to you why that's wrong, christ.

1353
01:01:59,360 --> 01:02:01,960
Speaker 5: Christy. I want everyone to know what you are up

1354
01:02:02,000 --> 01:02:04,560
Speaker 5: to now. You mentioned that you're writing a memoir. What

1355
01:02:04,600 --> 01:02:06,520
Speaker 5: do you want people to know about your life and

1356
01:02:06,560 --> 01:02:07,479
Speaker 5: your career right now?

1357
01:02:07,840 --> 01:02:08,000
Speaker 4: Oh?

1358
01:02:08,040 --> 01:02:12,800
Speaker 6: Gosh, I'm doing good and I'm pretty happy and healthy.

1359
01:02:12,880 --> 01:02:17,000
Speaker 6: I live in Austin, you know, Ron. Oh my god? Sorry, Will,

1360
01:02:17,040 --> 01:02:18,240
Speaker 6: and I will.

1361
01:02:18,120 --> 01:02:23,120
Speaker 3: Do something that was a lot.

1362
01:02:23,160 --> 01:02:25,880
Speaker 4: Actually, what's the other thing you call me all the time?

1363
01:02:26,520 --> 01:02:27,840
Speaker 6: Oh, we don't say that, right.

1364
01:02:27,920 --> 01:02:29,200
Speaker 4: Another thing you call me all the time?

1365
01:02:29,320 --> 01:02:32,280
Speaker 3: Yeah, no, you call me Brendan all the time.

1366
01:02:33,720 --> 01:02:35,800
Speaker 4: Yeah. We'll be places and she's like, and that's when Brendan,

1367
01:02:35,840 --> 01:02:40,040
Speaker 4: I'm like, no, that's your husband, A right, Sorry, And

1368
01:02:40,120 --> 01:02:40,520
Speaker 4: I think.

1369
01:02:40,360 --> 01:02:42,400
Speaker 6: We'll be doing more com cons together. I've been out

1370
01:02:42,400 --> 01:02:44,360
Speaker 6: of it for a while, but since the Phocos came out,

1371
01:02:44,400 --> 01:02:45,919
Speaker 6: I think it's a lot of fun to be going

1372
01:02:45,960 --> 01:02:48,840
Speaker 6: back into that world and yeah, meeting people, so please

1373
01:02:48,880 --> 01:02:52,560
Speaker 6: come and see us together. Yeah, my deadline is coming

1374
01:02:52,640 --> 01:02:56,480
Speaker 6: up on that book, so you out next year, next fall.

1375
01:02:57,920 --> 01:02:57,960
Speaker 4: A.

1376
01:02:58,040 --> 01:03:00,520
Speaker 6: Really, you know, it's a big publisher, and clearly we've

1377
01:03:00,520 --> 01:03:02,800
Speaker 6: had a lot of people who grow up in Hollywood

1378
01:03:02,880 --> 01:03:05,320
Speaker 6: have really great memoirs, like Alison Stoner just had what

1379
01:03:05,480 --> 01:03:09,160
Speaker 6: come out. Their book is amazing, Jeneva Curti's book just

1380
01:03:09,200 --> 01:03:13,080
Speaker 6: came out on different and you know, different perspective in general,

1381
01:03:13,120 --> 01:03:16,480
Speaker 6: everyone's got their own story. So really proud of it already,

1382
01:03:16,520 --> 01:03:19,120
Speaker 6: but give me some time. It's it's you know, the

1383
01:03:19,160 --> 01:03:21,760
Speaker 6: marketing will come out at some point. Also, am I

1384
01:03:21,840 --> 01:03:24,800
Speaker 6: doing gosh, I don't know. It's a hard question. I'm

1385
01:03:24,840 --> 01:03:25,880
Speaker 6: not podcasting right now.

1386
01:03:26,000 --> 01:03:27,320
Speaker 3: I can okay on that.

1387
01:03:28,040 --> 01:03:30,439
Speaker 5: So taking a podcasting break.

1388
01:03:30,760 --> 01:03:33,080
Speaker 6: Yeah, you podcasting break well.

1389
01:03:33,280 --> 01:03:35,600
Speaker 5: Christy. Thank you so much for being here with us,

1390
01:03:35,680 --> 01:03:39,160
Speaker 5: Thank you for joining us and sharing this kimpossible reunion.

1391
01:03:38,720 --> 01:03:39,200
Speaker 6: With all of us.

1392
01:03:39,240 --> 01:03:42,600
Speaker 5: It's always so good to see you. And yes, thank

1393
01:03:42,640 --> 01:03:43,880
Speaker 5: you for finally joining us.

1394
01:03:44,520 --> 01:03:47,080
Speaker 6: Anytime if you need me, back. I'm I'm here.

1395
01:03:47,160 --> 01:03:49,360
Speaker 4: Well you got to come back on Magical rewind because

1396
01:03:49,400 --> 01:03:52,439
Speaker 4: we got I think we're going to do Cadet Kelly's coming. Yes,

1397
01:03:53,480 --> 01:03:54,920
Speaker 4: we got to rip into that. Do you make out

1398
01:03:54,920 --> 01:03:56,520
Speaker 4: with any Well? I don't don't want to know yet,

1399
01:03:57,000 --> 01:03:59,160
Speaker 4: we'll see I don't you don't, Okay.

1400
01:03:58,960 --> 01:04:02,400
Speaker 5: Good, all right, Okay, thank you Christy. Great to see

1401
01:04:02,400 --> 01:04:06,400
Speaker 5: you by bye. Well, thank you all for joining us

1402
01:04:06,400 --> 01:04:08,080
Speaker 5: for this episode of Pod Meets World. As always, you

1403
01:04:08,120 --> 01:04:10,360
Speaker 5: can follow us on Instagram pod Meets World Show. You

1404
01:04:10,360 --> 01:04:12,880
Speaker 5: can send us your emails at Podmeets Worldshow at gmail

1405
01:04:12,920 --> 01:04:15,280
Speaker 5: dot com. And we've got merch.

1406
01:04:15,240 --> 01:04:17,760
Speaker 4: Bill yat Never Be Normal and by.

1407
01:04:17,720 --> 01:04:22,479
Speaker 5: Some merch Podmeetsworldshow dot com writer send us out.

1408
01:04:22,640 --> 01:04:24,320
Speaker 3: We love you all, pod dismissed.

1409
01:04:26,040 --> 01:04:28,720
Speaker 1: Pod Meets World is an iHeart podcast producer hosted by

1410
01:04:28,800 --> 01:04:32,800
Speaker 1: Danielle Fischel, Wilfridell and Ryder Strong. Executive producers Jensen Carp

1411
01:04:32,800 --> 01:04:36,000
Speaker 1: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1412
01:04:36,200 --> 01:04:40,040
Speaker 1: producer and editor, Tarasubasch, producer, Maddie Moore, engineer and Boy

1413
01:04:40,080 --> 01:04:43,120
Speaker 1: Meets World superman Easton Allen. Our theme song is by

1414
01:04:43,200 --> 01:04:46,520
Speaker 1: Kyle Morton of Typhoon. Follow us on Instagram at Podmeets

1415
01:04:46,560 --> 01:04:49,560
Speaker 1: World Show, or email us at Podmeets World Show at

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Speaker 1: gmail dot com.