WEBVTT - Thunderbolts #1 - Background and Book Club

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<v Speaker 1>Warning.

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<v Speaker 2>Today's episode canday spoilers for the debut of the Thunderbolts

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<v Speaker 2>team in Marvel Comics in nineteen ninety seven. And if

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<v Speaker 2>you didn't read that, don't worry because we're just going

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<v Speaker 2>to tell you everything that happened. Hello, my name is

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<v Speaker 2>Jason Muceepsion and I'm Mersey Night and welcome to next

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<v Speaker 2>our vision of the podcast where we dive deep into

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<v Speaker 2>your favorite Joe's movie comics of pop culture.

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<v Speaker 1>Coming to you from iHeart Podcast.

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<v Speaker 2>We'll bring you three episodes a week every Tuesday, Wednesday,

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<v Speaker 2>Thursday plus news plus news.

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<v Speaker 1>In today's episode, it's a book club episode. But you

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<v Speaker 1>know what, guys, we're looking through Ip mcgeddon and there's

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<v Speaker 1>so much going on. We're covering the Lost of Us,

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<v Speaker 1>we're covering and or we're covering the Thunderbolts. So you

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<v Speaker 1>know what, if you didn't get a chance, don't want

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<v Speaker 1>to read this issue, don't worry because guess what we're

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<v Speaker 1>going to tell you exactly what happens in it. So

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<v Speaker 1>this is Thunderbot's number one from ninety ninety seven.

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<v Speaker 2>All right, Thunderbolts number one, tell us about it, Rosie.

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<v Speaker 1>Okay, So in the wake of the Onslaught event where

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<v Speaker 1>we saw the terrifying villain Onslaugh essentially kill. They are

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<v Speaker 1>the Dangers and the Fantastic Four. They are dead. Guys

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<v Speaker 1>can come on for ninety ninety seven. They are dead.

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<v Speaker 1>And I have to say, I think there's a pretty

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<v Speaker 1>important point in this comic because we don't really know

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<v Speaker 1>what the status quo is going to be going into Thunderbolts,

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<v Speaker 1>So all we know is that people keep saying the

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<v Speaker 1>Avengers are not going to come and save us, so

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<v Speaker 1>who knows. So the Marvel universe is without the heroes

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<v Speaker 1>it has long depended on. New York is in ruins

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<v Speaker 1>after Onslaughts attack, and the world is facing a future

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<v Speaker 1>without superheroes. That is until a mysterious team of heroes

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<v Speaker 1>shows up on the scene known as the Thunderbolts Citizen

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<v Speaker 1>V Techno, mac One, Songbird, Atlas, and Meteorite, and Mark

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<v Speaker 1>Bagley gives these motherfuckers the most nineties looking costumes of

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<v Speaker 1>all time, and.

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<v Speaker 2>So looly really nineties.

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<v Speaker 1>You're reading this as a kid, and you're like, oh,

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<v Speaker 1>this is gonna be just another group of nineties superheroes.

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<v Speaker 1>Who cares they don't make any impact on me? But

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<v Speaker 1>the book wants you to know they're important, so they're

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<v Speaker 1>going to start off by taking down the rat Pack,

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<v Speaker 1>who are wearing some interestingly Barren Zemo coded outfits, and

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<v Speaker 1>the Wrecking Crew, showing that they are incredibly strong. Because

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<v Speaker 1>the Wrecking Crew are very strong, they have magical artifacts,

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<v Speaker 1>and the new team, the Thunderbolts, took them down very easily.

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<v Speaker 1>But just as New York and the world are getting

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<v Speaker 1>ready to accept their new savers, the issue has a

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<v Speaker 1>legendary rug pool when it is revealed on the final

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<v Speaker 1>page that Citizen v Is Baron Helmet z Emo and

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<v Speaker 1>the Thunderbolts are actually the Masters of Evil. WHOA. Now,

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<v Speaker 1>it's kind of hard to explain how this was back

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<v Speaker 1>in the day, because it was marketed as if this

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<v Speaker 1>was the new team you needed to know. This was

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<v Speaker 1>the new hero team you were going to care about.

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<v Speaker 1>There were no leaks, there were no forums. They're probably

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<v Speaker 1>very early versions of forums, but not the kind that

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<v Speaker 1>would be leaking like this. There were no constant clickbait coverage,

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<v Speaker 1>so we were really shocked when this happened, and it's

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<v Speaker 1>a huge establishing point for the name of the Thunderbolts team,

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<v Speaker 1>which when we go into the movie. We're going to

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<v Speaker 1>be very interested to see if they keep because the

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<v Speaker 1>thing that is key to the Thunderbolts is the idea

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<v Speaker 1>that you think they are heroes, but they are not.

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<v Speaker 1>Whereas from what we've seen of the trailers, this is

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<v Speaker 1>the inversion of that, you think they are villains or

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<v Speaker 1>morally gray heroes who are now going to become heroes

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<v Speaker 1>in a true sense. So that would be a direct

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<v Speaker 1>kind of flip of what we expect from the Thunderbolts.

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<v Speaker 2>Let's talk about that. I wonder how much of that,

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<v Speaker 2>how much of a mistaken identity mm hmmm, dynamic will

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<v Speaker 2>be involved in the movie based on this. As you mentioned,

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<v Speaker 2>it's pretty it's central to Thunderbolts.

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<v Speaker 1>It's central. So why had such an impact is to.

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<v Speaker 2>The issue and and to the ongoing run, which takes

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<v Speaker 2>some really fun directions, like you know, Zemo, son of

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<v Speaker 2>a Nazi thirteenth Year zero is you know, pretty keen

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<v Speaker 2>on kind of subverting heroism and doing evil while pretending

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<v Speaker 2>to be a bad guy. But the conflict that becomes

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<v Speaker 2>the most interesting conflict that drives the Thunderbolts is that

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<v Speaker 2>a lot of his team is like, wait a second,

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<v Speaker 2>I kind of like being good guy, like it.

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<v Speaker 1>Seems kind of good like people like people. It's kind

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<v Speaker 1>of easier than being villains. We don't have to do

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<v Speaker 1>as much scheming.

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<v Speaker 2>And so I wonder if in the movie there's something

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<v Speaker 2>there's either that or you know, or or if the

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<v Speaker 2>team they flip it and the team gets set up

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<v Speaker 2>almost as bad guys.

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<v Speaker 1>I do want if we are rooting for them, but

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<v Speaker 1>we end up in a situation where we know they

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<v Speaker 1>were trying to do the right thing, but they end

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<v Speaker 1>as antagonists. I think that would be really clever and

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<v Speaker 1>it would make sense. Put on your spoiler earmuffs if

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<v Speaker 1>you're going into this not seeing any trailers and you

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<v Speaker 1>don't want to know anything that's happening, because I do

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<v Speaker 1>think this is something they should have kept out the trailers.

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<v Speaker 1>We're gonna spoil. Now we know thanks to the trailers

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<v Speaker 1>that you know Bob and Sentry are the same person.

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<v Speaker 1>So I wonder if the thing here is Bob is

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<v Speaker 1>on their team, working alongside them, and at the end

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<v Speaker 1>it's revealed like, well, you guys have been working with Century,

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<v Speaker 1>who is the bad guy you were supposed to be

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<v Speaker 1>taking down all along, so you must truly be the

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<v Speaker 1>villains of the piece, and we end up in a

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<v Speaker 1>situation where they are perceived that way and go into

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<v Speaker 1>future stories as antagonists. That would be very brave of them.

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<v Speaker 1>I think to do that with Bucky.

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<v Speaker 2>I agree, especially I I'm going to pitch a haircut

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<v Speaker 2>on your idea. I wonder if the Countess's idea is

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<v Speaker 2>we can't control Century. He becomes the Void, he kills people.

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<v Speaker 2>What if we frame the Thunderbolts for all these deaths.

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<v Speaker 2>They're bad guys anyway, and I think maybe that's where

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<v Speaker 2>we might end up at the end, where they defeat

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<v Speaker 2>the centry work that makes a defeat defeat they you know,

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<v Speaker 2>defeat the Void and stabilize Bob slash the Century, but

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<v Speaker 2>all the destruction that happens in New York and the

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<v Speaker 2>casualties then become the official story, then becomes the Thunderbolts.

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<v Speaker 1>Did this? Yes, that actually makes a lot of sense.

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<v Speaker 1>Could see them on the run, could see that bond

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<v Speaker 1>as a team tested. We also know that the Asterix,

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<v Speaker 1>which has been a big part of the marketing and

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<v Speaker 1>at first seemed like maybe was less of a marketing

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<v Speaker 1>thing and was more of an actual Disney wasn't sure

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<v Speaker 1>if they were going to call it that, but it

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<v Speaker 1>has become a key part of the marketing. I definitely

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<v Speaker 1>think we could end up in a world where these

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<v Speaker 1>by the end, they're like being called the Dark Avengers,

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<v Speaker 1>or they're being called, you know, something different than the Thunderbolts,

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<v Speaker 1>but the Thunderbolt's name would make a lot of sense

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<v Speaker 1>if it goes that route. Jason, that's a that's a

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<v Speaker 1>very good take. I think that could definitely happen. And

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<v Speaker 1>this is very interesting as well in a historical sense,

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<v Speaker 1>which go back and listen to our who are the

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<v Speaker 1>Thunderbolts episode if you want to hear Jason really dig

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<v Speaker 1>deep into this in a really fantastic omnibus. But one

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<v Speaker 1>of our discord users, Giant Asian Man, who I've met

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<v Speaker 1>fantastic comic book lover, he asked a question that was

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<v Speaker 1>basically like the book came out of the shadow of

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<v Speaker 1>Marvel's bankruptcy filing. Obviously the issue was planned and in

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<v Speaker 1>the works, but did that have any effect on its reception?

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<v Speaker 1>So I'm going to do a little brief answer to

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<v Speaker 1>that that yeah, touches on it, And the answer is,

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<v Speaker 1>like the bubble had already like the early nineties when

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<v Speaker 1>Image was founded nineteen ninety three, ninety ninety four, we're

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<v Speaker 1>talking about eight million sales for X Men issue one,

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<v Speaker 1>you know, the Chris Climont, Jim Lee issue Image Comics,

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<v Speaker 1>the death of Superman. These are huge stories, but around

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<v Speaker 1>the mid nineties it just absolutely tanked corporate greedfully supplanted

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<v Speaker 1>kind of creative ambition. The comic book retail sector, which

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<v Speaker 1>had been inflated by years of gimmick covers and variants

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<v Speaker 1>and foil covers and all those things we loved as

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<v Speaker 1>kids and fake promises of their collectability kind of popped

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<v Speaker 1>in nineteen ninety six and this massive store closers ensued,

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<v Speaker 1>and a foolish gamble from Marvel, which again we have

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<v Speaker 1>a lot of fun talking about on that whose Standerbot's

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<v Speaker 1>issue saw The publisher turned to Rob Eifeld and Jim Lee,

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<v Speaker 1>who had left found Image Comics, and they were given

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<v Speaker 1>the Avengers and the Fantastic Four with the freedom to

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<v Speaker 1>start a new storyline outside of ongoing Marvel continuity, and

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<v Speaker 1>the Onslaught crossover that we mentioned provided basically an in

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<v Speaker 1>story excuse that resulted in Heroes reborn, a misguided initiative

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<v Speaker 1>that only further deflated confidence in the publisher. During that time,

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<v Speaker 1>cap Irom Manthor and the Fantastic Four were off the table,

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<v Speaker 1>So in the throes of impending bankruptcy and ownership they

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<v Speaker 1>Marvel began to experiment and the most shocking and long

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<v Speaker 1>lasting of that was this Busiac and Bagley Thunderbolts, which

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<v Speaker 1>they were kind of able to do, this completely wild

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<v Speaker 1>swing for the fences. And as we've seen now you know,

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<v Speaker 1>we're in a situation where we're almost you know, decades later.

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<v Speaker 1>It had such an impact that we are having this

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<v Speaker 1>adaptation question mark influence question Mark. It's gonna be interesting

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<v Speaker 1>to see where it led.

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<v Speaker 2>Yeah, do you think the reveal that Shield was Hydra

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<v Speaker 2>steals a little bit of this thunderas of the the

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<v Speaker 2>original idea of the thunderbolts, Like if they couldn't obviously

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<v Speaker 2>I think do a one to one adaptation. I think

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<v Speaker 2>because you know, we've already done one of the most

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<v Speaker 2>crazy twists in the MCU, which is that shockingly Shield

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<v Speaker 2>for a number of decades was secretly a neo Hydra,

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<v Speaker 2>neo Nazi organization run by Hydra at the highest levels.

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<v Speaker 1>I think you make a great point. I definitely think

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<v Speaker 1>that's an issue they ran into, and I think that's

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<v Speaker 1>why we're getting this kind of reimagined later stage Thunderbolts.

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<v Speaker 1>And there has been times in the last few years

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<v Speaker 1>where now the Thunderbolts are more of this kind of

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<v Speaker 1>like a suicide squad for Marvel, which I think is

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<v Speaker 1>what they are kind of pushing them towards in this.

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<v Speaker 1>So yeah, but I think the Hydra Cap kind of

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<v Speaker 1>hydro Nazi stuff was so well done in the movies,

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<v Speaker 1>and then we even got that great throwback in you know,

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<v Speaker 1>endgame where Cap says like, Hail Hydra when he's in

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<v Speaker 1>the lift, so he doesn't have to have the fight like,

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<v Speaker 1>so we even get that, So yeah, I do think

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<v Speaker 1>that makes it harder. But I also think that we

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<v Speaker 1>are in an interesting situation with the MCU where we

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<v Speaker 1>are now in a time when the MCU isn't maybe

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<v Speaker 1>being looked at as kind of creatively bankrupt, just as

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<v Speaker 1>the way the comics were being looked at by then,

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<v Speaker 1>So could this be that return. I do think that

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<v Speaker 1>with the new trailers we've seen with Florence Pugh jumping

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<v Speaker 1>off the second tallest building in the world like nine

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<v Speaker 1>times getting her Tom cruise on and the kind of

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<v Speaker 1>a twenty four branding. I think they want us to

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<v Speaker 1>see this as a new era for the MCU, not

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<v Speaker 1>just in storytelling, but also in the way the movies

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<v Speaker 1>are made. So it could be interesting to see if

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<v Speaker 1>Thunderbolts acts and has that same impact as the comic

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<v Speaker 1>did all those years ago.

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<v Speaker 2>Let me ask you this, this being you know, I

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<v Speaker 2>think one of the most impactful in a kind of

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<v Speaker 2>plot shape and marketing way impactful issue to Marvel's success

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<v Speaker 2>in the twenty first century. Do you have any like

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<v Speaker 2>what would be your favorite runs and or issues, let's

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<v Speaker 2>say your Mount Rushmore of nineties Marvel. Oh, and where

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<v Speaker 2>would Thunderbolts land on that Mount Rushmore?

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<v Speaker 1>I think that I think that for the actual like

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<v Speaker 1>story of it, and kind of I would say, like

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<v Speaker 1>the for me, the notion of the Thunderbolts is cooler

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<v Speaker 1>than necessarily maybe the execution though I do remember deeply

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<v Speaker 1>like feeling like it's so important and great. But I

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<v Speaker 1>do think that for me, I can't help it, like

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<v Speaker 1>as a nineties kid, like the number one has to

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<v Speaker 1>be that X Men number one. I just remember so

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<v Speaker 1>deeply it coming out with that trifl cover and the

0:13:08.320 --> 0:13:12.760
<v Speaker 1>connecting issues, and obviously I was like not reading it

0:13:12.760 --> 0:13:14.160
<v Speaker 1>when it first came out because I would have been

0:13:14.200 --> 0:13:15.839
<v Speaker 1>like three, But I was probably reading it two years

0:13:15.920 --> 0:13:17.480
<v Speaker 1>later when I was five or six, and I just

0:13:17.520 --> 0:13:20.360
<v Speaker 1>thought it was the coolest thing in the whole world.

0:13:20.640 --> 0:13:22.480
<v Speaker 1>So that would definitely be up there for me, even

0:13:22.520 --> 0:13:25.800
<v Speaker 1>though ironically as an adult I now know it kind

0:13:25.840 --> 0:13:28.040
<v Speaker 1>of ended my favorite era of X Men, which is

0:13:28.080 --> 0:13:32.360
<v Speaker 1>Chris Clamont's X Men. Other ones I do think the

0:13:32.640 --> 0:13:39.319
<v Speaker 1>Infinity Gauntlets and stuff I Marvel work is yeah, unbelievable,

0:13:39.480 --> 0:13:41.840
<v Speaker 1>and the fact that it's basically like George Pez and

0:13:41.840 --> 0:13:44.080
<v Speaker 1>then Ron Limbs, so it's like people that I just

0:13:44.200 --> 0:13:47.440
<v Speaker 1>love so much. Infinity. You got Infinity Gauntlet ninety ninety one,

0:13:47.480 --> 0:13:50.360
<v Speaker 1>Infinity War ninety two, Infinity Crusade ninety three, which I

0:13:50.360 --> 0:13:54.320
<v Speaker 1>think is fantastically underrated and should definitely be checked out.

0:13:54.800 --> 0:13:58.120
<v Speaker 1>Other ones that I really love, I would say that now,

0:13:58.440 --> 0:14:02.439
<v Speaker 1>especially post Spider Verse and the impact, I would say

0:14:02.440 --> 0:14:04.480
<v Speaker 1>Spider Man twenty ninety nine is up there for me.

0:14:04.600 --> 0:14:09.280
<v Speaker 1>It's I think it's such a different, cool vibe. And

0:14:09.360 --> 0:14:12.320
<v Speaker 1>when you did your omnibus on it. It really like inspired

0:14:12.360 --> 0:14:14.439
<v Speaker 1>me to go back and kind of look at it

0:14:14.640 --> 0:14:18.520
<v Speaker 1>and explore that just how different it was to anything

0:14:18.559 --> 0:14:22.280
<v Speaker 1>that we'd ever really seen before, and the tone and

0:14:22.440 --> 0:14:26.760
<v Speaker 1>it's so extreme and so nineties, which is one of

0:14:26.760 --> 0:14:30.240
<v Speaker 1>my favorite things about the kind of that era.

0:14:30.760 --> 0:14:33.800
<v Speaker 2>I definitely did not think that twenty ninety nine, that

0:14:33.840 --> 0:14:37.480
<v Speaker 2>Spider Man twenty ninety nine would have the impact that

0:14:37.560 --> 0:14:37.960
<v Speaker 2>it has.

0:14:38.120 --> 0:14:39.000
<v Speaker 1>I thought it was cool.

0:14:39.480 --> 0:14:41.840
<v Speaker 2>I definitely don't think we'd still be talking about a

0:14:41.880 --> 0:14:44.320
<v Speaker 2>Spider Man twenty ninety nine thirty years later.

0:14:44.440 --> 0:14:49.120
<v Speaker 1>Yeah, right, that's kind of crazy. Also, really any for me,

0:14:49.240 --> 0:14:52.480
<v Speaker 1>I'm a big I'm a big lover of the X Men,

0:14:52.680 --> 0:14:56.160
<v Speaker 1>so all your kind of like you know, New Warriors

0:14:56.280 --> 0:14:58.960
<v Speaker 1>and stuff like that. If we're talking, Yeah, like those

0:14:59.040 --> 0:15:03.160
<v Speaker 1>eras I think were really good. Also, I would say aesthetically,

0:15:03.320 --> 0:15:06.280
<v Speaker 1>and something that I've still loved since then to this

0:15:06.400 --> 0:15:10.040
<v Speaker 1>day is Tom McFarland's Spider Man. I think that is

0:15:10.080 --> 0:15:13.240
<v Speaker 1>some of the best Spider Man we've we've ever had. Also,

0:15:13.680 --> 0:15:16.640
<v Speaker 1>that is, you know, something that we've talked a lot about,

0:15:16.680 --> 0:15:20.360
<v Speaker 1>but you're talking about some of the really great you know,

0:15:20.560 --> 0:15:23.320
<v Speaker 1>comic you're talking about like the Marvel Nights stuff. Some

0:15:23.400 --> 0:15:26.000
<v Speaker 1>of that started in the early, like the late nineties,

0:15:26.000 --> 0:15:27.360
<v Speaker 1>you know, when they were trying to work out what

0:15:27.400 --> 0:15:30.320
<v Speaker 1>would happen. So, like, you know Christopher Priest Black Panther,

0:15:30.440 --> 0:15:33.240
<v Speaker 1>which is just such an iconic reimagining of.

0:15:33.200 --> 0:15:34.760
<v Speaker 2>The character that's up there.

0:15:35.000 --> 0:15:37.600
<v Speaker 1>That's definitely I think that was like a game changer.

0:15:37.680 --> 0:15:40.040
<v Speaker 1>I would also say this is controversial. I'm sorry, guys,

0:15:40.040 --> 0:15:44.280
<v Speaker 1>I just but I do. I loved the Clone Sago

0:15:44.320 --> 0:15:46.320
<v Speaker 1>when I was a kid with Ben Riley. Like, I

0:15:46.440 --> 0:15:49.360
<v Speaker 1>know it's hated, I know the choice is hated, but

0:15:49.440 --> 0:15:51.600
<v Speaker 1>I think that had a huge impact on me. And

0:15:51.640 --> 0:15:54.480
<v Speaker 1>I remember that being another comic where when it was

0:15:54.560 --> 0:15:57.120
<v Speaker 1>kind of revealed this idea that Spider Man had never

0:15:57.160 --> 0:15:59.560
<v Speaker 1>been Spider Man. I was so shocked.

0:15:59.760 --> 0:16:02.320
<v Speaker 2>I just true, it's crazy.

0:16:02.000 --> 0:16:05.080
<v Speaker 1>It's a crazy reveal. Okay, so what are yours?

0:16:05.360 --> 0:16:09.480
<v Speaker 2>I would go? I would go Generation X just Y

0:16:10.200 --> 0:16:14.520
<v Speaker 2>X slash Mutant spin off with a bunch of new

0:16:15.560 --> 0:16:20.960
<v Speaker 2>fun very nineties characters included I Love You, Chamber, Jubilee,

0:16:21.400 --> 0:16:21.920
<v Speaker 2>et cetera.

0:16:22.840 --> 0:16:24.320
<v Speaker 1>I would go Christopher.

0:16:23.840 --> 0:16:27.280
<v Speaker 2>Pries Black Panther because I think it was Yes, we

0:16:27.640 --> 0:16:31.520
<v Speaker 2>don't have the Marv the MCU version of T'Challa and

0:16:31.520 --> 0:16:36.880
<v Speaker 2>the Black Panther about that, and then I think, I

0:16:36.920 --> 0:16:39.680
<v Speaker 2>think the Infinity side, the George, I'll just call it

0:16:39.680 --> 0:16:43.160
<v Speaker 2>the George Peress Saga, Infinity Saga and Ultronunlimited.

0:16:43.240 --> 0:16:45.840
<v Speaker 1>Those two, oh, those two are soga. Yeah. I would

0:16:45.840 --> 0:16:48.280
<v Speaker 1>also say you touched on something with gen X because

0:16:48.320 --> 0:16:50.760
<v Speaker 1>Chamber is one of my old time favorite characters, and also,

0:16:50.840 --> 0:16:54.800
<v Speaker 1>like Chris Pachallo, like what an artist like to me,

0:16:55.160 --> 0:16:58.040
<v Speaker 1>the nineties kind of stuff, and that was during the

0:16:58.080 --> 0:17:02.600
<v Speaker 1>Phalanx Covenant storyline, which is so inherently nineties. But yeah,

0:17:02.640 --> 0:17:05.520
<v Speaker 1>I think I think those are some good some good

0:17:05.600 --> 0:17:08.080
<v Speaker 1>reads if you guys want to want to check out

0:17:08.119 --> 0:17:13.360
<v Speaker 1>some other nineties stories that honestly still inspiring the MCU.

0:17:13.640 --> 0:17:16.080
<v Speaker 1>I do find it very interesting that we're in an

0:17:16.119 --> 0:17:20.040
<v Speaker 1>era now where those nineties comics, which at the time

0:17:20.080 --> 0:17:22.639
<v Speaker 1>you know, did sell so much, like think about Venom.

0:17:22.880 --> 0:17:29.640
<v Speaker 1>Venom is another they hated and hated Redesclined, But now

0:17:30.040 --> 0:17:36.959
<v Speaker 1>they are shaping these billion dollar the Studios Hope franchises

0:17:37.040 --> 0:17:39.120
<v Speaker 1>in a way that I think nobody could have ever

0:17:39.200 --> 0:17:42.960
<v Speaker 1>really seen. And I think that is a really interesting

0:17:43.200 --> 0:17:46.800
<v Speaker 1>space to be in, especially when a lot of those

0:17:46.800 --> 0:17:50.080
<v Speaker 1>creators are still active. Jim Lee is still there still

0:17:50.600 --> 0:17:53.720
<v Speaker 1>at DC. You know. Rob Liefeld still there, just relaunched

0:17:53.800 --> 0:17:56.520
<v Speaker 1>Young Blood, you know, Mark Civestriet is still just keeping

0:17:56.520 --> 0:18:01.199
<v Speaker 1>it going over it to number one, volume one, like fifteen, Like,

0:18:01.720 --> 0:18:05.879
<v Speaker 1>you know, it's definitely a really interesting time. And to

0:18:05.960 --> 0:18:09.920
<v Speaker 1>have a Thunderbolts comic Thunderbolts movie come out that is

0:18:10.040 --> 0:18:16.399
<v Speaker 1>essentially like weighing on the notion of like is it

0:18:16.440 --> 0:18:18.960
<v Speaker 1>gonna be the movie that saves the MCU? Like, yeah,

0:18:19.160 --> 0:18:22.120
<v Speaker 1>Wolverine Deadpool. It made a billion dollars, but it did

0:18:22.160 --> 0:18:24.359
<v Speaker 1>not set the MCU back on any track. You know,

0:18:24.400 --> 0:18:28.120
<v Speaker 1>it was almost the Elseworld's type story. So it's interesting

0:18:28.160 --> 0:18:31.600
<v Speaker 1>to be in this situation again and see see how

0:18:31.600 --> 0:18:32.600
<v Speaker 1>it shakes out.

0:18:33.160 --> 0:18:36.280
<v Speaker 2>Well, what should we read next? What should we be

0:18:36.840 --> 0:18:39.879
<v Speaker 2>watching next? Let us know the discord. That's it for

0:18:39.920 --> 0:18:41.119
<v Speaker 2>this episode. Thanks for listening.

0:18:41.560 --> 0:18:43.920
<v Speaker 1>I have a good day well.

0:18:50.920 --> 0:18:54.280
<v Speaker 2>X ray Vision is hosted by Jason Gitsubsion and Rosie

0:18:54.320 --> 0:18:58.560
<v Speaker 2>Knight and is a production of iHeart Podcasts. Our executive

0:18:58.560 --> 0:19:02.800
<v Speaker 2>producers are Jewell Smith and Aaron Kaufman. Our supervising producer

0:19:03.160 --> 0:19:07.919
<v Speaker 2>is a Boo zafar Our. Producers are Carmen Laurent and

0:19:08.040 --> 0:19:11.480
<v Speaker 2>Mia Taylor. Our theme song is by Brian Basquez.

0:19:11.960 --> 0:19:16.240
<v Speaker 1>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:19:16.600 --> 0:19:18.679
<v Speaker 1>and Heidi our discord moderator.