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Speaker 1: Ready ready, Yeah, hi friend, high friend, how are you?

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Speaker 1: I mean, I know we've we've spoke this morning, but

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Speaker 1: how yeah you spoke this morning.

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Speaker 2: It's been a it's been a wild couple of days

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Speaker 2: here in l A.

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Speaker 3: Yeah.

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Speaker 2: I think a lot of people know.

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Speaker 1: Uh, the city has really been on fire in every

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Speaker 1: possible direction, and yeah, it was pretty it was.

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Speaker 2: It's been pretty crazy. Uh, And places that you.

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Speaker 1: Always thought you that would never be affected by a

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Speaker 1: you know, fast moving, wind blowing wildfire, you found.

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Speaker 2: That that's not the case.

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Speaker 1: Right up the hill from us, like just a couple

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Speaker 1: of blocks in Studio City, there was some houses that

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Speaker 1: were on fire which looked like sort of suspicious the houses,

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Speaker 1: the fire started inside the houses and all that, like

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Speaker 1: it might be someone just I don't know, being like,

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Speaker 1: oh no our house burn down the wind and filing

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Speaker 1: for insurance. Oh yeah, but yeah, that one.

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Speaker 2: But it was here and with the wind and everything.

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Speaker 1: Yeah, people were you know, we were all loading our

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Speaker 1: cars up last night, all the neighbors, like just in case.

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Speaker 1: But obviously we're We're okay, and I'm incredibly grateful for that.

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Speaker 1: But there are, God, there are a lot of people

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Speaker 1: here in LA that aren't so many people that we know.

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Speaker 2: Have lost everything, right, right, So I just.

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Speaker 3: Uh, it's yeah, yeah, it's it's unsettling and really hard

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Speaker 3: to watch. We're as we're recording this. This is day

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Speaker 3: two of the fires, Day two or day three. I

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Speaker 3: don't even know day three. This is three?

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Speaker 2: Well what uh No, yesterday was day two.

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Speaker 3: Yesterday was day too, so they stay ye the day day.

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Speaker 3: So the fires are still raging, the main ones.

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Speaker 1: Palisades and the eaten fire, yeah, the house one.

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Speaker 3: Yeah, So we're just it's checking in on friends. I like,

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Speaker 3: I'm I'm pretty far. I'm down in Orange County, so

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Speaker 3: I'm pretty far from the fires. But I still packed

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Speaker 3: a bag.

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Speaker 2: I mean, you and I were just talking the other day.

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Speaker 1: Your house is in an area where you it was

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Speaker 1: hard to get fire insurance now because it's that's right,

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Speaker 1: so prevalent.

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Speaker 3: We were just talking about that last week that I'm

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Speaker 3: in a high high risk, high fire risk area and

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Speaker 3: it took a while. I almost didn't buy this house

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Speaker 3: because I couldn't get fire insurance, and somehow, by the

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Speaker 3: grace of God, I got it. So because I wasn't,

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Speaker 3: I'm going to buy a house if I can't have

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Speaker 3: fire insurance.

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Speaker 2: So well, that's what a lot of people are finding

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Speaker 2: out now.

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Speaker 1: And I think it's, you know, again one of those

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Speaker 1: consequences of what happens during the you know, the next

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Speaker 1: twenty years or so of climate change and of all

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Speaker 1: the stuff. It's like, it's not just you know, flooding

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Speaker 1: or fires, it's then the things of well, now you okay,

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Speaker 1: so you have a house, but you can't insure it right,

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Speaker 1: or you have you know, or there's no insurance to

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Speaker 1: be had, you know, it's insolvent or whatever. Like, there's

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Speaker 1: just a lot of things. I think, yeah, that people

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Speaker 1: are you know, it's the snowball effect of what happens

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Speaker 1: is just insane. And I know we were all checking

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Speaker 1: in on the the full House group chat yesterday. Yeah,

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Speaker 1: the cast is safe, the whole cast cat is saved.

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Speaker 3: Everybody's safe.

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Speaker 2: A lot of people. I mean, you know, Dave and

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Speaker 2: Candice don't live in La anymore.

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Speaker 1: Scott said he was okay. Lori and John had lost power.

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Speaker 1: So John went to Disneyland.

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Speaker 2: As you do.

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Speaker 3: I saw that. I was like, of course, it's just.

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Speaker 2: Like home away from you.

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Speaker 1: It would be the equivalent of like being like I'm

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Speaker 1: going to my mom's house like he's going to Disney.

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Speaker 3: Yeah, it's like his emotional support. This his emotional support Mark.

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Speaker 1: Yeah. But yeah, you know, the cast is safe. But Candice,

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Speaker 1: did you know she sent us a video of her

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Speaker 1: old neighborhood and the house that she had built and

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Speaker 1: was living in when we were doing Fuller.

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Speaker 3: Yeah, and she just sold that house.

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Speaker 2: She just sold it less.

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Speaker 1: Yeah, and sent us a video that one of her

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Speaker 1: neighbors had had shown and the entire street and neighborhood

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Speaker 1: has just gone.

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Speaker 2: There's nothing there.

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Speaker 3: Yeah, she's, uh, she's having a hard time just because

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Speaker 3: those are all of her memories, like her kids high

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Speaker 3: school that they went to burn down, you know, the

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Speaker 3: where they went and got coffee every day. Like it's

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Speaker 3: all thirty years of memories are gone. And so even

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Speaker 3: though she doesn't live there anymore, I can't imagine just

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Speaker 3: the emotions surrounding that, you know. It's yeah, it's very

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Speaker 3: it's very sober.

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Speaker 1: Yesterday morning, I actually had to drive over Laurel Canyon

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Speaker 1: to take the kids to an Orthodonis appointment super early

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Speaker 1: in the morning, and you know, usually it takes like

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Speaker 1: an hour to drive over the hill. From my side

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Speaker 1: to the other, and I made it over there in

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Speaker 1: like seventeen minutes.

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Speaker 2: There was nobody out. Even today there's nobody out.

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Speaker 1: It's I mean, so many people have had to evacuate,

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Speaker 1: and so many people are like going to work, you know,

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Speaker 1: it's just it's a it's a strangely eerie and empty

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Speaker 1: up here, particularly like in the hills and around.

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Speaker 3: But but yeah.

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Speaker 1: I took them and I ran into someone, a woman

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Speaker 1: who was there at the office bringing her daughter in

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Speaker 1: and they lived in the Palisades. Her husband's a rabbi,

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Speaker 1: and she was talking about how they were helping evacuate

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Speaker 1: the that nursing home that.

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Speaker 2: That burned down in the Palisades.

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Speaker 1: And she was saying that there was you know a

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Speaker 1: lot of congregants from their temple who their families don't

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Speaker 1: live here. It's just them, you know, in a nursing

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Speaker 1: home or or people. She was talking about a lot

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Speaker 1: of people, the elderly people that were in their houses

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Speaker 1: and didn't want to leave place they've known, and so

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Speaker 1: they were staying and they and then then it was

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Speaker 1: you know, really scary to get out because by the

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Speaker 1: time they were like, okay, we got to go there

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Speaker 1: was nobody there to get them. So this woman was

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Speaker 1: saying that, you know a lot of a lot of

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Speaker 1: people were really stepping up and pitching in and you know,

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Speaker 1: evacuating neighbors and elderly and pets, and you know, I

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Speaker 1: have a friend who has a bunch of trailers and

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Speaker 1: a horse trailer. So I've been offering his services up

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Speaker 1: to anybody if they need it. You know, I'm going

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Speaker 1: to try to get a group together and go do

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Speaker 1: some volunteering at one of the Red Cross locations or

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Speaker 1: animal shelters whatever. Just yeah, anyway I can jump in

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Speaker 1: and be of service.

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Speaker 3: Yeah, no, just even just bringing supplies, yeah, to people

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Speaker 3: that don't have you know, just springing and the heartbreaking

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Speaker 3: thing a lot of people.

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Speaker 1: There were quite a few people who were trying to

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Speaker 1: leave on sunset and had to just get out of

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Speaker 1: their cars and leave everything, and so everything that they

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Speaker 1: were taking in their cars, the stuff.

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Speaker 2: That they were like, this is the stuff I have

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Speaker 2: to be essentials.

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Speaker 1: Yeah, that got destroyed and then they left the cars

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Speaker 1: and then cars got bulldozed out of the way because.

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Speaker 2: You know, the fire trucks had to get in there.

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Speaker 1: Yeah, but they just you know, so like the car

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Speaker 1: and the stuff that they were at least like, oh

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Speaker 1: I got out with this is it?

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Speaker 3: So anyway, Yeah, it's really it's it's devastating to see

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Speaker 3: and it is devastating, and our thoughts and prayers are

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Speaker 3: obviously with everybody. Just don't I don't know what to do,

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Speaker 3: Like I don't. I just feel so helpless in this situation.

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Speaker 3: I know everybody's posting great resources. You posted great resources,

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Speaker 3: but it still doesn't feel like enough.

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Speaker 1: I just I feel like, yeah, I feel like it's

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Speaker 1: just it's sort of weirdly beyond the scope of anything.

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Speaker 2: It's you know what it reminds me of sort of

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Speaker 2: it reminds me.

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Speaker 1: Of like Northridge earthquake time when it's it's that time

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Speaker 1: when the city just is kind of goes like, oh

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Speaker 1: that's right.

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Speaker 2: We yeah, this is.

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Speaker 3: You know, this is a force of nature that we control.

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Speaker 1: Yeah, so pretty uh yeah, it's it's been it's been

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Speaker 1: pretty pretty gnarly.

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Speaker 2: But luckily, you know, we're safe.

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Speaker 1: Everyone that I know, even if they had to evacuate,

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Speaker 1: uh is safe.

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Speaker 2: Pets are safe.

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Speaker 1: And uh you know houses uh are not, but that

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Speaker 1: can stuff can can come and go. So anyway, Fan

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Speaker 1: rito's we love you guys, and you know, so many

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Speaker 1: of you were also checking in on us because yes, no,

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Speaker 1: we're in LA, so we really appreciate that. And yeah,

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Speaker 1: I really appreciate it. And uh yeah, God, are you

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Speaker 1: ready to be funny because I am, you know, just

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Speaker 1: roll right out of here with some jokes and yeah.

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Speaker 3: I'll try. Yeah, it's a weird day. It's a it's

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Speaker 3: January ninth, which is so I'm gonna be a little

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Speaker 3: off today because yeah, I'm going to say it's also yeah,

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Speaker 3: so it's just it's just a D day. It's a

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Speaker 3: really shy day. Uh yeah. So I'm trying to get

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Speaker 3: forgets in there, to get my head into this. All right,

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Speaker 3: So what can I do?

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Speaker 1: How do I make this as absurd as possible? Because

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Speaker 1: that's I might not be good in a lot of

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Speaker 1: situations of knowing what to say, but I do know

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Speaker 1: if I can make it feel stupid, then I'm then

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Speaker 1: we're in. You know, I can make a joke about

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Speaker 1: something that people would probably go that's too soon, then

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Speaker 1: I know I've I've done my job.

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Speaker 3: Yes, you're channelling Bob. I mean yeah, For people who

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Speaker 3: don't know, it's it's January ninth, which is the three

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Speaker 3: year anniversary of Bob's passing and also the fourth anniversary

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Speaker 3: of my mom passing. So yeah, I brought her. You know,

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Speaker 3: I have pictures of her with me and her little plant,

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Speaker 3: and so I was fine. Actually, yeah, her little love plant,

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Speaker 3: the little heart plant. Yeah, the hoya carry. Yeah, it

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Speaker 3: was fine actually until I brought until I did my

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Speaker 3: setup and brought the picture. And I'm wearing her cardigan, ah,

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Speaker 3: in honor of her. And I have the Bob the

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Speaker 3: Bob sweatshirt. Oh yes, yeah, John Mayertt created. So I've

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Speaker 3: got everybody surrounding me. But yeah, so if I seem

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Speaker 3: off today, it's I can blame it on that instead

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Speaker 3: of my menopause.

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Speaker 1: Instead of the fires or the nine other things that

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Speaker 1: are going right right, pick one. What what's why are

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Speaker 1: you feeling crappy today? Well, I've got five really giant reasons,

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Speaker 1: thank you very much. You know what I will say, though,

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Speaker 1: is that last night, when you know, the neighborhood was like,

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Speaker 1: oh maybe we should get our stuff and like get

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Speaker 1: in the car. The only two things that I took

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Speaker 1: out of the Office of Memorabilia. I was like standing

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Speaker 1: here like, what do I grab? The only things I

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Speaker 1: grabbed were mister Bear. Yeah, and the signed couch.

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Speaker 2: Because it has everyone's signature on it, and the watch

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Speaker 2: flat the plaid couch with Bob and John and Dave

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Speaker 2: and everybody's signature on it.

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Speaker 1: Because I was like, those are two things that I

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Speaker 1: can't get back replaceable.

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Speaker 3: Yeah that's so sweet.

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Speaker 1: But yeah, but nothing still in the bag by the door.

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Speaker 1: I haven't brought them back. And yet I realized this

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Speaker 1: morning was gonna start recording, and I was like, oh god,

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Speaker 1: where's my computer, my iPad?

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Speaker 3: Like you had to completely unpack to do this podcast?

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Speaker 1: And it was I also started looking in the bags

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Speaker 1: and I was like, this is what you brought.

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Speaker 2: This is the things that you decided.

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Speaker 1: Why, you know what I mean, Like, it's just the

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Speaker 1: thing when the when the dust settles, you go, oh

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Speaker 1: that's what was what I can I mean, it was,

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Speaker 1: you know the stuff that you like, irreplaceable stuff and

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Speaker 1: then passports, important documents, right, credit cards, everything else whatever.

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Speaker 3: But yeah, there's there's the important stuff. But then suddenly

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Speaker 3: you're like, oh, like this Kleenex box, I have to.

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Speaker 1: You're like, I just Kleenex, right, right? What if all

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Speaker 1: the Kleenex is burned down. You know, it's paper. I mean,

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Speaker 1: who knows there might not be any.

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Speaker 3: Like, let's bring toilet paper. It's like COVID, you know,

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Speaker 3: we're like packing for Yeah.

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Speaker 2: It was like and you know, I'm poor Bee.

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Speaker 1: Of course b had fallen asleep on the couch last night,

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Speaker 1: and so she was asleep when everything was happening, and

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Speaker 1: I was laying on the couch too, and I almost

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Speaker 1: didn't hear anything. I heard all the helicopters, and I

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Speaker 1: was like, you know, I think I'll look out there,

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Speaker 1: and then I just saw on the hill and I

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Speaker 1: was like, so I'm like running around trying to pack

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Speaker 1: up stuff without waking her up to like freak out. Right.

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Speaker 1: Then I was like, but she needs to grab some

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Speaker 1: of her stuff too. So I was like, Hi, hey, panic, but.

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Speaker 3: Uh, don't pack a pack, but pack a bag. And

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Speaker 3: she was just like what. So anyway, kids reacting, My

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Speaker 3: kids are very much not like they're just very well,

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Speaker 3: I mean, like can I like, can I go play

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Speaker 3: basketball with Mike? Can I go? And I'm like, well,

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Speaker 3: I mean it's also.

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Speaker 1: But you guys, also you were a little further out,

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Speaker 1: so it wasn't white as uh yeah, I me know,

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Speaker 1: it's not critical, it's just kids kill.

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Speaker 2: You're like, now, really, now's the time.

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Speaker 3: I No, don't go outside and play anything right now,

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Speaker 3: you don't. You don't need to be sniffing, you don't

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Speaker 3: need to be inhaling bad air. Like, just stay home.

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Speaker 3: Just stay home and doom scroll like I'm doing like

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Speaker 3: a right.

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Speaker 1: Right, Just stay home and just work yourself into a

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Speaker 1: panic like everyone else. Come on, do you handle this

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Speaker 1: appropriately and just freak out? Yeah?

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Speaker 3: Yeah, god, okay, Well anyways, well enough of the.

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Speaker 1: Doom and the bullet and oh sorry, we're gonna have

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Speaker 1: to just bleep me whatever, you know what.

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Speaker 2: The world's on fire to forget it. Sorry, fan of

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Speaker 2: Rito's Joy's off the rails.

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Speaker 3: We're unplugged today, and we're.

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Speaker 2: Plugged, we're uncensored, we're unhinged.

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Speaker 3: But this will be a good distraction for us.

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Speaker 1: It's gonna be well, this is gonna be a great distraction.

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Speaker 1: And we're also recording our episode today that is going

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Speaker 1: to be potentially the most unhinged thing we've ever done.

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Speaker 2: You guys are gonna have to tune in creating episodes.

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Speaker 3: I'm terrified. I don't know why I'm terrified, Probably because

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Speaker 3: I didn't prepare this is good. I've been so distracted

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Speaker 3: with the fire coverage that I didn't like. I did

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Speaker 3: not prepare for today, so I owed no good. I

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Speaker 3: didn't read anything, I look at anything. So it's going

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Speaker 3: to be Yeah, it's going to be a great experiment.

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Speaker 1: Okay, and uh and today we are reviewing good News

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Speaker 1: Bad News, which was a was a very funny episode

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Speaker 1: and also had bitterment in it, so I was, Oh, God.

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Speaker 3: God, God, blessed bitter man. I was so happy when

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Speaker 3: I saw him.

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Speaker 1: Until I saw that mullet, and then I was like, wow,

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Speaker 1: is that always there?

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Speaker 3: I can't believe that was real that it didn't It

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Speaker 3: looked clipped on, but that was his reel. Heir.

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Speaker 2: Yeah. Anyways, well we'll get there.

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Speaker 3: We'll get there. Hey, Fana Ritos, it's the announcement we've

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Speaker 3: all been waiting for. How Rude Tannerritos now has Merch

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Speaker 3: whoa Baby. We have a limited selection of designs for

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Speaker 3: this launch, all created by Jody and me from I

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Speaker 3: Love that Amphibian to the World is small, but the

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Speaker 3: house is full. Check it out at Howarudemerch dot Com.

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Speaker 3: Welcome back to How Rude Tantarritos. I'm Andrea Barber and

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Speaker 3: I'm Jody Sweeten, And like Jody said, today, we're discussing

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Speaker 3: season four, episode five, Good News, Bad News, which originally

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Speaker 3: aired October nineteenth, nineteen ninety. And it goes a little

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Speaker 3: something like this. DJ becomes editor of the school newspaper

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Speaker 3: faces backlash when she appoints Kimmy to a position for

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Speaker 3: which she is unqualified. Oh do I remember this?

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Speaker 1: People used to be up in arms over a school

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Speaker 1: newspaper unqualified positions.

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Speaker 2: How far we've come?

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Speaker 3: Right?

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Speaker 2: Okay?

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Speaker 3: It was directed by joel's Wick. It was written by

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Speaker 3: Ellen Guiless. Uh actually loved her.

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Speaker 2: She was, Yes, she was.

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Speaker 3: I mean, all of our writers were fantastic, but she

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Speaker 3: in particular, she was really really great. Uh. And we

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Speaker 3: have one guest star. As mentioned, Christian Goosick returns as

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Speaker 3: Jake Bitterman. I think this might be his last performance,

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Speaker 3: but like I said, I didn't I didn't prepare to

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Speaker 3: look it up, so I don't know if he comes

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Speaker 3: back or not. Could be his last, could be his

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Speaker 3: second or last. We don't know, but we love him.

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Speaker 3: We love Bitterman. Yes, So we start with the teaser

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Speaker 3: in Michelle's room and Joey's teaching Michelle her very first

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Speaker 3: knock knock joke. He starts off knock knock, and Michelle responds,

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Speaker 3: who's there. Joey tells her boo. Michelle's eyebrows furrow. That's

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Speaker 3: not funny. Joey walks through through the entirety of the joke,

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Speaker 3: explaining how it's supposed to go, and Michelle nods, got it, dude.

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Speaker 3: Then there's an actual knock on the door. Michelle applies

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Speaker 3: her knowledge, asking who's there. Danny opens the door with

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Speaker 3: a grin. It's dad. Michelle asks Dad, who Danny frowns,

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Speaker 3: You don't know your own dad. Michelle answers with the

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Speaker 3: line she learned from Joey, don't cry. It's only a joke,

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Speaker 3: and we're out of the teach.

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Speaker 1: Some of the best comedy writing I've ever seen in

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Speaker 1: this tser truly hilarity comedy.

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Speaker 3: One O one you know, yeah, well.

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Speaker 2: Because you know what always makes a joke better explaining

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Speaker 2: the joke.

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Speaker 3: It's painful. It's like this kind that you get an.

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Speaker 1: Audience to go, oh yeah, yeah, it's delayed reaction.

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Speaker 2: There, yes, So.

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Speaker 3: Next, we're in the girl's room and the DJ is

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Speaker 3: sitting at the table doing schoolwork when Michelle walks in

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Speaker 3: and she shouts want to play. DJ tells her she

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Speaker 3: can't write now. Michelle wines, but you're my favorite sister.

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Speaker 3: DJ beams at this sentiment, but her refusal still stands.

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Speaker 3: She explains that she was made editor of the school newspaper,

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Speaker 3: so she's busy at the moment. DJ confidently asks what

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Speaker 3: do you think of your favorite sister now? And Michelle

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Speaker 3: flicks her wrist down as she lets out aboard eh.

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Speaker 3: Then Steph walks in enthusiastically greeting her sisters. Hey babes.

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Speaker 3: That was was that odd lib? That was an odd

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Speaker 3: Hey babes.

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Speaker 1: I have no idea where did that's come from. I

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Speaker 1: was rattling around in my strange little nine year old brain.

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Speaker 1: You know, I blame the Bangs. The Bangs did something

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Speaker 1: all that hairspray.

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Speaker 2: Really, it was just.

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Speaker 3: An odd thing to say. I don't know why it

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Speaker 3: bumped me, but I was just like that. That is

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Speaker 3: I don't call my well, it's just like what, Yeah,

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Speaker 3: that's a Jesse line, Hey babes and the stuff, Hey babes.

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Speaker 3: Michelle follows uff over to her bed and asks, want

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Speaker 3: to play? You're my favorite sister. Steph's eyes light up.

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Speaker 3: I am did you hear that? DJ and DJ smirks

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Speaker 3: enjoy it. While it lasts, Michelle tells Stephanie that they

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Speaker 3: should play Shadow.

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Speaker 2: Oh boy.

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Speaker 3: Steph shakes her head, no thank you. Michelle mimics her

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Speaker 3: no thank you, and Steph realizes she's in a pickle.

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Speaker 3: She tries a different approach. I'll do anything, Stephanie says,

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Speaker 3: and Michelle repeats, I'll do anything, Stephanie says. Steph continues.

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Speaker 3: Stephanie says stop playing, and Michelle echoes. Steph says, stop playing,

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Speaker 3: And finally Stephanie's size was defeat. It was worth a shot,

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Speaker 3: and Michelle repeats her words again, that's what's This is

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Speaker 3: the most annoying game.

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Speaker 1: Did your kids ever do something like that to you, yes,

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Speaker 1: or cousins or like.

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Speaker 3: This is this is a rite of passage. Just please stuck.

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Speaker 3: Oh it's so annoying, it is right, but they they

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Speaker 3: love it. And this was actually kind of a g

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Speaker 3: way to work with the Olsen Twinsk Well.

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Speaker 1: I was gonna say, like this is basically what we

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Speaker 1: were doing anyway with feeding them the line and having

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Speaker 1: them repeated, except now we didn't have to edit Adria's

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Speaker 1: voice out. I just said it, and then she said it,

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Speaker 1: and then we really cut down that.

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Speaker 3: It's kind of brilliant.

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Speaker 1: We should have done every episode like this, Oh, every episode.

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Speaker 1: The best story should have been Michelle playing shadow. That

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Speaker 1: wouldn't have gotten old.

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Speaker 3: At all, and then Adria would have had some time off,

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Speaker 3: like to give that woman a brain. She had ance.

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Speaker 3: It's true hysterical. So then Kimmy enters wearing I don't

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Speaker 3: even have words for to describe what I was. This

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Speaker 3: is the worst of all.

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Speaker 1: First of all, I loved it, okay, oh my god.

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Speaker 1: And honestly I remember this outfit.

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Speaker 3: This is seared into my brain. I had a visceral

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Speaker 3: reaction when I walked in. I saw myself walking. I

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Speaker 3: was like, that's actually I was like, that's it's a

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Speaker 3: I like it. I don't know why I don't, but

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00:20:57,280 --> 00:20:59,520
Speaker 3: I don't different it's so we'll describe it. It's a black,

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Speaker 3: like a black body suit with like biker tattoos on it.

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Speaker 3: It had like a heart.

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Speaker 1: With mom written like yeah, and there was there was

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Speaker 1: like a like a like a sort of old school

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Speaker 1: like a like a very.

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Speaker 3: Ed hardy esque like Mermaid.

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Speaker 1: Yeah, which all I could steer up were the Mermaid

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Speaker 1: butts all over your Like I was just like, wow,

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00:21:20,840 --> 00:21:25,320
Speaker 1: just just putting just badonka donks right all over your outfit,

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Speaker 1: you know, it's all.

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Speaker 3: It's all I could look at.

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Speaker 1: There was just a glime green, very uh juicy little

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Speaker 1: mermaid butt right here, and I was alway.

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Speaker 3: To look at. This is an iconic outfit. I have

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Speaker 3: no idea where they found it, but I will tell

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Speaker 3: you at the time, I hated it, Like I absolutely, well,

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Speaker 3: you looked so cute. Thank you? You looked I did not.

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Speaker 3: As a fourteen year old, I was super self conscious.

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Speaker 3: It was form fitting, which I did not like. And

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Speaker 3: it was just so outlandish that I hated it. But

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Speaker 3: I grinned and beared it. And I you Knowbca Roberta

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Speaker 3: loved this outfit. Where did she find that? Absolutely probably not.

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Speaker 3: She was so excited about this outfit.

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Speaker 1: I look like, I said, I was like, I think

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Speaker 1: I might Actually I.

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Speaker 3: Would you would, Yes, you look great in this, I

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00:22:14,600 --> 00:22:17,879
Speaker 3: would like I would wear that. Yeah, But yeah, I

436
00:22:18,160 --> 00:22:21,720
Speaker 3: I was not a fan. I and I That's not

437
00:22:21,760 --> 00:22:25,280
Speaker 3: a knock against our costumers. Like they were very they

438
00:22:25,280 --> 00:22:27,920
Speaker 3: were great with us as kids. This is this is

439
00:22:27,960 --> 00:22:30,920
Speaker 3: common about me. Like I never spoke up and met

440
00:22:30,960 --> 00:22:33,520
Speaker 3: and said, hey, I'm uncomfortable with this, can we go

441
00:22:33,560 --> 00:22:36,560
Speaker 3: a different direction? Didn't have my didn't have that voice

442
00:22:36,640 --> 00:22:39,720
Speaker 3: at the time. So I just I wanted to be

443
00:22:39,760 --> 00:22:41,600
Speaker 3: a trooper. I wanted to be a team player. So

444
00:22:41,600 --> 00:22:44,480
Speaker 3: I was just like, okay, so I just stuffed those

445
00:22:44,560 --> 00:22:48,080
Speaker 3: uncomfortable emotions down and did it. Anyways, you stuffed him

446
00:22:48,160 --> 00:22:52,040
Speaker 3: right into those Mermaids. Yes, And I was watching myself

447
00:22:52,080 --> 00:22:53,520
Speaker 3: and I was I'm like, okay, you know what, you

448
00:22:53,560 --> 00:22:57,600
Speaker 3: can't tell from this scene that how uncomfortable I was.

449
00:22:57,680 --> 00:22:59,919
Speaker 3: So I'm proud of myself, not at all.

450
00:23:00,080 --> 00:23:02,680
Speaker 1: You couldn't And I know you were uncomfortable a lot

451
00:23:02,720 --> 00:23:07,160
Speaker 1: of the time. Yeah, being Kimmy, you could never ever

452
00:23:07,240 --> 00:23:08,160
Speaker 1: see I'm glad.

453
00:23:08,200 --> 00:23:10,960
Speaker 2: I was relieved. So you were dying on the inside.

454
00:23:11,000 --> 00:23:14,600
Speaker 1: But you look great on things things really what matters

455
00:23:14,600 --> 00:23:14,840
Speaker 1: in this.

456
00:23:14,920 --> 00:23:17,520
Speaker 3: Yes, I'm very proud of myself for just powering through

457
00:23:17,560 --> 00:23:20,200
Speaker 3: and giving a great performance regardless. But I do wish

458
00:23:20,600 --> 00:23:24,640
Speaker 3: in hindsight now as a forty eight year old life hindsight. Indeed,

459
00:23:27,000 --> 00:23:29,639
Speaker 3: that's it. I'm getting you this outfit Mermaid, but for

460
00:23:29,720 --> 00:23:35,280
Speaker 3: your birthday. Oh my god, just just only mermaid butts.

461
00:23:35,320 --> 00:23:36,920
Speaker 1: Just and just the butts, you know what I mean,

462
00:23:36,960 --> 00:23:38,679
Speaker 1: Like not even the fold. There's like, is that what

463
00:23:38,800 --> 00:23:39,040
Speaker 1: is that?

464
00:23:39,119 --> 00:23:39,640
Speaker 3: Is that a peek?

465
00:23:39,720 --> 00:23:39,880
Speaker 1: Oh?

466
00:23:39,960 --> 00:23:42,639
Speaker 3: It's just a Okay, I think I have an idea

467
00:23:42,680 --> 00:23:43,960
Speaker 3: for our next merch item.

468
00:23:44,119 --> 00:23:48,520
Speaker 1: Let's just sell these bodies, just a lime green Mermaid bodysuit.

469
00:23:49,400 --> 00:23:54,640
Speaker 3: Yeah, insane, insane. Okay, Let's let's move on from uh please,

470
00:23:54,720 --> 00:23:59,560
Speaker 3: let's move on from Yes. So, Kimmy says, hid everybody

471
00:23:59,640 --> 00:24:03,960
Speaker 3: and call them Tanner Tots and steph size. Oh great,

472
00:24:04,119 --> 00:24:07,920
Speaker 3: Kimmy's here, and Michelle repeats after her with the same sarcasm.

473
00:24:08,359 --> 00:24:12,119
Speaker 3: Kimmy frowns, You guys sound just like my parents. For

474
00:24:12,359 --> 00:24:18,320
Speaker 3: Kimmy right right, Like this girl, why was she really

475
00:24:18,359 --> 00:24:20,160
Speaker 3: should have been put in therapy at this age?

476
00:24:21,560 --> 00:24:22,920
Speaker 2: Yeah, or someone else?

477
00:24:24,880 --> 00:24:28,560
Speaker 3: That's why she was always at the Tanners to her family,

478
00:24:28,600 --> 00:24:29,600
Speaker 3: and it took her decades.

479
00:24:29,640 --> 00:24:31,359
Speaker 1: She's like, they're not as mean to me as my

480
00:24:31,400 --> 00:24:33,040
Speaker 1: real parents are. So it's okay.

481
00:24:33,160 --> 00:24:37,359
Speaker 3: It's a sad commentary on Kimmy Gibler's home life that

482
00:24:37,480 --> 00:24:41,840
Speaker 3: she preferred the abuse from Jesse and Danny and Joey

483
00:24:41,960 --> 00:24:48,240
Speaker 3: right and Stephanie. So Stephanie addresses Michelle, Okay, copy cat,

484
00:24:48,320 --> 00:24:52,600
Speaker 3: I'm gonna go eat broccoli, and Michelle slightly states, okay,

485
00:24:52,600 --> 00:24:55,520
Speaker 3: copy Cat, I'm gonna go eat ice cream, and they

486
00:24:55,520 --> 00:24:56,640
Speaker 3: walk out disqualified.

487
00:24:57,240 --> 00:25:00,720
Speaker 1: Disqualified, you're not she lost the game right in the

488
00:25:00,800 --> 00:25:02,600
Speaker 1: end of this game, and she finally learned how to

489
00:25:02,600 --> 00:25:03,520
Speaker 1: pronounce ice cream.

490
00:25:03,640 --> 00:25:06,359
Speaker 3: It's not ice cream anymore. Oh god, right, Well, at

491
00:25:06,440 --> 00:25:08,840
Speaker 3: least she's improved in one area.

492
00:25:08,960 --> 00:25:11,359
Speaker 1: Also, why didn't Stephanie ever just think? Just shut up,

493
00:25:11,800 --> 00:25:13,800
Speaker 1: stop talking, and she'll have nothing to repeat.

494
00:25:13,840 --> 00:25:14,520
Speaker 2: Are you kidding?

495
00:25:14,680 --> 00:25:17,320
Speaker 3: There's no way Stephanie or Little Jody would have been

496
00:25:17,359 --> 00:25:20,120
Speaker 3: able to shut up well or Big Jody. That's true.

497
00:25:20,160 --> 00:25:21,240
Speaker 3: That that's a yeah.

498
00:25:21,280 --> 00:25:23,080
Speaker 1: I don't even know why I thought of that. That's

499
00:25:23,119 --> 00:25:24,240
Speaker 1: nothing I would do ever.

500
00:25:24,240 --> 00:25:28,400
Speaker 3: That's an impossibility. So Kimmy takes a seat next to DJ,

501
00:25:28,720 --> 00:25:33,600
Speaker 3: excitedly calling her madam editor, before suggesting give me a

502
00:25:33,680 --> 00:25:35,680
Speaker 3: job on that paper and we are going to rule

503
00:25:35,800 --> 00:25:39,320
Speaker 3: the school. DJ's shopped. You want to work on the paper.

504
00:25:39,720 --> 00:25:43,239
Speaker 3: I've never even seen you read a paper. Kimmy assures her,

505
00:25:43,400 --> 00:25:46,240
Speaker 3: I read papers whenever I'm in line at the supermarket.

506
00:25:47,880 --> 00:25:50,480
Speaker 3: DJ jokes that they won't be needing any articles about

507
00:25:50,560 --> 00:25:53,760
Speaker 3: finding Elvis on Mars, and Kimmy corrects her.

508
00:25:53,840 --> 00:25:56,680
Speaker 1: Or bat Boy, that boy was very big. That boy

509
00:25:56,920 --> 00:26:00,800
Speaker 1: remember that book bat Boy, Oh My God, on the

510
00:26:00,800 --> 00:26:03,840
Speaker 1: cover of those trashy magazines and it was like bat

511
00:26:03,840 --> 00:26:08,280
Speaker 1: Boy found in Cave and it was like a pictures

512
00:26:08,359 --> 00:26:12,520
Speaker 1: some like no Speratu looking kid with like pointy ears

513
00:26:12,560 --> 00:26:16,960
Speaker 1: and like t yeah, and that was that boy was

514
00:26:17,000 --> 00:26:19,800
Speaker 1: a very big story that I that was repeatedly seen

515
00:26:19,840 --> 00:26:23,520
Speaker 1: on the cover of like Inquiry Wow Wow world or

516
00:26:23,680 --> 00:26:26,680
Speaker 1: or Worldwide News or whatever, like the really trashy ones

517
00:26:26,720 --> 00:26:28,320
Speaker 1: are Wow.

518
00:26:28,520 --> 00:26:32,480
Speaker 3: That's that's still look. I'm still looking for that. Let's

519
00:26:32,520 --> 00:26:37,320
Speaker 3: get him on the pod. I want it. Yeah, So,

520
00:26:37,400 --> 00:26:40,679
Speaker 3: Kimmy pleads, I need an extracurricular activity, so it looks

521
00:26:40,720 --> 00:26:44,480
Speaker 3: like I care about the stupid school. DJ admits she'd

522
00:26:44,480 --> 00:26:46,359
Speaker 3: be happy to find her a job, but the only

523
00:26:46,400 --> 00:26:50,479
Speaker 3: position left is sports editor. Kimmy insists that's the perfect

524
00:26:50,560 --> 00:26:52,680
Speaker 3: job for her. In fact, her mom used to be

525
00:26:52,720 --> 00:26:58,480
Speaker 3: a professional wrestler. Again, the little the little deats that

526
00:26:58,560 --> 00:27:02,920
Speaker 3: come out about the Gimblers. It's just so weird, right.

527
00:27:03,600 --> 00:27:06,320
Speaker 3: Jimmy begs DJ for the job, giving her a puppy

528
00:27:06,359 --> 00:27:09,439
Speaker 3: dog face paired with a few whimpers as she reminds

529
00:27:09,520 --> 00:27:14,440
Speaker 3: DJ she's her best, best, best friend. DJ sighs and

530
00:27:14,480 --> 00:27:17,800
Speaker 3: gives in Kimmy's got the job. So Kimmy springs up

531
00:27:17,800 --> 00:27:20,359
Speaker 3: and exclaims, I'm one of those people who writes for

532
00:27:20,400 --> 00:27:24,480
Speaker 3: a newspaper. DJ tells her it's called a journalist, and

533
00:27:24,560 --> 00:27:29,600
Speaker 3: Kimmy's face scrunches. Really, it sounds so geeky. Then Steph

534
00:27:29,640 --> 00:27:32,440
Speaker 3: comes bolting into the room, shouting, hide me, hide me,

535
00:27:32,920 --> 00:27:36,560
Speaker 3: and she runs into DJ's closet for shelter. A second later,

536
00:27:36,640 --> 00:27:40,000
Speaker 3: Michelle runs in and repeats Steph's words. Kimmy and DJ

537
00:27:40,080 --> 00:27:43,600
Speaker 3: wordlessly point to the closet, directing her right to Steph.

538
00:27:43,840 --> 00:27:47,399
Speaker 3: Michelle runs into it and Stephanie huffs, thanks you guys,

539
00:27:47,760 --> 00:27:52,080
Speaker 3: and of course Michelle repeats her after her, of course.

540
00:27:51,920 --> 00:27:54,439
Speaker 2: Keep your beast, and it wouldn't happen.

541
00:27:55,200 --> 00:27:58,240
Speaker 3: So next we're in the attic. Joey placed a pair

542
00:27:58,280 --> 00:28:01,760
Speaker 3: of sunglasses and comet and dangles a treat above him,

543
00:28:01,800 --> 00:28:04,680
Speaker 3: so his head moves side to side. He calls comet

544
00:28:05,000 --> 00:28:08,320
Speaker 3: Stevie Wonderdog and sings, isn't she lovely? To really get

545
00:28:08,320 --> 00:28:11,399
Speaker 3: into the bit, this felt weird.

546
00:28:11,680 --> 00:28:12,800
Speaker 2: I don't know how I feel about that.

547
00:28:12,920 --> 00:28:14,360
Speaker 1: I mean, I mean, it was you know, it's sort

548
00:28:14,359 --> 00:28:16,320
Speaker 1: of like it's I get it like that is it's

549
00:28:16,320 --> 00:28:17,280
Speaker 1: a Stevie wonder move.

550
00:28:17,320 --> 00:28:20,880
Speaker 2: It has nothing to you know, with him being visually impaired.

551
00:28:20,640 --> 00:28:22,840
Speaker 3: Right, or maybe it does. I did feel a little

552
00:28:22,880 --> 00:28:25,240
Speaker 3: bit like, I don't know, if it didn't was he

553
00:28:25,280 --> 00:28:27,840
Speaker 3: making fun of him? I don't know, it's it felt

554
00:28:27,880 --> 00:28:30,760
Speaker 3: borderline weird. It was probably wasn't as weird as nineteen ninety,

555
00:28:31,000 --> 00:28:32,240
Speaker 3: but it felt a little weird today.

556
00:28:33,000 --> 00:28:35,200
Speaker 1: I'm gonna say the weirdest thing about this whole scene

557
00:28:35,280 --> 00:28:38,120
Speaker 1: is that the I think the attic got bigger. That's

558
00:28:38,160 --> 00:28:39,920
Speaker 1: the weirdest thing about this whole I was like, oh

559
00:28:40,000 --> 00:28:42,800
Speaker 1: my god, it's three times the size. It's one of

560
00:28:42,840 --> 00:28:44,000
Speaker 1: the biggest sets that.

561
00:28:43,960 --> 00:28:46,000
Speaker 3: We have to have a They could have a roller

562
00:28:46,080 --> 00:28:49,240
Speaker 3: skating rink in there. You know, it's massive. This has

563
00:28:49,280 --> 00:28:53,200
Speaker 3: been unused real estate for four years. Come on, Danny, like,

564
00:28:54,360 --> 00:28:58,240
Speaker 3: put it to good use. Finally, Yeah, we got Steph

565
00:28:58,320 --> 00:28:59,880
Speaker 3: and DJ sharing a room.

566
00:29:00,000 --> 00:29:00,360
Speaker 1: We got it.

567
00:29:00,360 --> 00:29:03,160
Speaker 3: We could fit a whole other family up there, which

568
00:29:03,160 --> 00:29:07,320
Speaker 3: we could have rented it out and subsidized the mortgage.

569
00:29:06,920 --> 00:29:10,040
Speaker 2: Because mortgage that nobody pays for any bills in this house.

570
00:29:10,080 --> 00:29:10,400
Speaker 3: Nobody.

571
00:29:10,400 --> 00:29:14,360
Speaker 1: There's no nothing. And he's throwing money around. Remember he's

572
00:29:14,720 --> 00:29:16,120
Speaker 1: got some sort of money launches.

573
00:29:16,360 --> 00:29:19,480
Speaker 3: Yeah, that's right, I forgot about the money laundry ski Yeah.

574
00:29:19,560 --> 00:29:20,160
Speaker 2: Yeah.

575
00:29:20,560 --> 00:29:24,360
Speaker 3: So Jesse's sitting off to the side, looking less than pleased.

576
00:29:24,960 --> 00:29:27,720
Speaker 3: He wonders if they started the production company just so

577
00:29:27,880 --> 00:29:32,600
Speaker 3: Joey could do stupid pet tricks. Joey shields Commet's ears

578
00:29:32,600 --> 00:29:36,640
Speaker 3: from the insult. They can't disrespect their only client. Joey

579
00:29:36,640 --> 00:29:38,280
Speaker 3: reminds Jesse that they just have to wait for the

580
00:29:38,320 --> 00:29:41,040
Speaker 3: phone to ring, and while they do, Joey can now

581
00:29:41,080 --> 00:29:45,480
Speaker 3: pretend that comment is Spock the Vulcan retriever. This poor

582
00:29:45,600 --> 00:29:50,120
Speaker 3: dog like that, he's just soish, like Golden's are the best.

583
00:29:50,160 --> 00:29:52,560
Speaker 3: They're so yeah, like they just want to make you.

584
00:29:52,640 --> 00:29:55,600
Speaker 1: This scene in particularly just gets messy, but he was

585
00:29:55,680 --> 00:29:57,880
Speaker 1: just so like, yeah, you know.

586
00:29:58,200 --> 00:30:02,320
Speaker 3: He's to god bless Golden Retrievers. You know, they just

587
00:30:02,360 --> 00:30:06,800
Speaker 3: think they're so much. Oh, got a sweet dog. So

588
00:30:06,920 --> 00:30:09,680
Speaker 3: Jesse's not having it, But then he gets his own idea.

589
00:30:10,040 --> 00:30:12,800
Speaker 3: He sits next to the dog and raises the dog's

590
00:30:12,840 --> 00:30:17,360
Speaker 3: mouth to one side, mimicking Elvis, and then he sings

591
00:30:17,400 --> 00:30:19,800
Speaker 3: his own rendition of heartbreak Hotel.

592
00:30:22,040 --> 00:30:24,600
Speaker 2: I would have gone with hound dogs to make that joke,

593
00:30:24,680 --> 00:30:25,760
Speaker 2: But I'm.

594
00:30:26,040 --> 00:30:30,160
Speaker 3: Mist opportunity right there. Let's go back and reshoot it

595
00:30:30,280 --> 00:30:32,800
Speaker 3: right now. Yeah, I ain't I ain't.

596
00:30:32,560 --> 00:30:34,320
Speaker 2: Nothing but a houn dog. That would have been that.

597
00:30:34,320 --> 00:30:34,840
Speaker 2: That's the job.

598
00:30:34,880 --> 00:30:36,960
Speaker 3: How did and how did yeah? How did the rider

599
00:30:37,040 --> 00:30:39,840
Speaker 3: miss this? How did John miss this? John loves to

600
00:30:39,840 --> 00:30:42,280
Speaker 3: rewrite his lines on the spot, so he should have

601
00:30:42,320 --> 00:30:45,880
Speaker 3: he should have picked up on this. So Danny and

602
00:30:45,920 --> 00:30:49,000
Speaker 3: Becky walk upstairs just in time to see this performance,

603
00:30:49,360 --> 00:30:52,360
Speaker 3: and Danny interrupts, well, I knew when I invested in

604
00:30:52,400 --> 00:30:54,880
Speaker 3: this company that you boys would make me proud.

605
00:30:56,080 --> 00:30:59,720
Speaker 2: Invested, Yes, invested washing that money.

606
00:31:00,320 --> 00:31:04,520
Speaker 3: But He's quickly change change course, scolding Commet for being

607
00:31:04,560 --> 00:31:07,320
Speaker 3: a bad dog and forcing him away from the equipment.

608
00:31:07,840 --> 00:31:11,320
Speaker 3: Joey admits they're going crazy without a job. He shoots

609
00:31:11,360 --> 00:31:14,320
Speaker 3: Danny a hopeful look. Any worried about us shooting that

610
00:31:14,360 --> 00:31:18,520
Speaker 3: commercial for Wake Up San Francisco? Becky and Danny briefly

611
00:31:18,640 --> 00:31:20,960
Speaker 3: argue over who will get to tell them the news,

612
00:31:21,040 --> 00:31:23,000
Speaker 3: but Danny decides they can just break the news at

613
00:31:23,000 --> 00:31:26,920
Speaker 3: the same time, so he counts down one, two and

614
00:31:26,960 --> 00:31:30,719
Speaker 3: Becky blurts out, you got the job. Danny pouts, you cheated.

615
00:31:31,640 --> 00:31:35,160
Speaker 3: Joey and Jesse are thrilled. It's their first commercial with

616
00:31:35,400 --> 00:31:40,760
Speaker 3: their very own production company just for it. The nepotism

617
00:31:40,920 --> 00:31:41,440
Speaker 3: is strong.

618
00:31:42,400 --> 00:31:45,440
Speaker 1: I'm like, wait, so yeah, they're very own production company

619
00:31:45,440 --> 00:31:47,840
Speaker 1: that Danny paid for and is not having them do.

620
00:31:48,160 --> 00:31:51,680
Speaker 3: So Danny's provided the space, the money, and the job.

621
00:31:51,920 --> 00:31:55,360
Speaker 3: It's like, what are the what are Jesse? What are Jesse?

622
00:31:57,280 --> 00:31:57,480
Speaker 1: Right?

623
00:31:58,120 --> 00:32:01,000
Speaker 2: I mean lounging around in a jig recording.

624
00:32:00,720 --> 00:32:02,960
Speaker 3: Studio playing with the dog? You know? Do you know

625
00:32:03,000 --> 00:32:03,520
Speaker 3: how much.

626
00:32:03,480 --> 00:32:08,200
Speaker 1: Those recording boards even are, Like, yeah, I.

627
00:32:08,120 --> 00:32:09,680
Speaker 2: Saw that sitting just sitting in there.

628
00:32:09,680 --> 00:32:10,760
Speaker 3: How'd you get it up there?

629
00:32:10,920 --> 00:32:14,440
Speaker 1: We have questions, We have question so many questions. How

630
00:32:14,440 --> 00:32:16,040
Speaker 1: did you get that giant thing up to the attic?

631
00:32:16,200 --> 00:32:19,200
Speaker 3: Maybe there's a portal through the backyard and up through

632
00:32:19,280 --> 00:32:22,560
Speaker 3: the attic. You know it's there. It's like the platform the.

633
00:32:22,520 --> 00:32:24,360
Speaker 2: Sideway stories from Wayside School.

634
00:32:24,440 --> 00:32:27,160
Speaker 1: It's just like that the backyard just changes and it

635
00:32:27,240 --> 00:32:28,920
Speaker 1: like elevates and pops.

636
00:32:28,640 --> 00:32:32,840
Speaker 3: It right in there actually, so, Jesse is confident that

637
00:32:32,880 --> 00:32:35,720
Speaker 3: they'll have the whole city psyched to watch Wake Up

638
00:32:35,760 --> 00:32:39,760
Speaker 3: San Francisco with Rebecca Donaldson and Danny Tanner. Then he

639
00:32:39,800 --> 00:32:42,320
Speaker 3: shows them the storyboard that they've already mapped out for

640
00:32:42,360 --> 00:32:46,440
Speaker 3: the project, but Danny immediately interrupts. He explains that it's

641
00:32:46,440 --> 00:32:49,040
Speaker 3: a small, it's a bitsy point that he it's hardly

642
00:32:49,080 --> 00:32:53,200
Speaker 3: worth mentioning, but it's always been starring Danny Tanner and

643
00:32:53,240 --> 00:32:56,680
Speaker 3: Rebecca Donaldson. Jesse and Joey ignore this comment and go

644
00:32:56,760 --> 00:32:59,160
Speaker 3: right back to the storyboard, but then it's Becky who

645
00:32:59,200 --> 00:33:02,800
Speaker 3: interrupts them. She tries maintaining a polite persona when telling

646
00:33:02,880 --> 00:33:06,320
Speaker 3: Danny that since the show is making some changes, other

647
00:33:06,440 --> 00:33:10,280
Speaker 3: changes may also be long overdue. Jesse and Joey don't

648
00:33:10,280 --> 00:33:13,360
Speaker 3: make a peep as the argument begins to escalate. Danny

649
00:33:13,400 --> 00:33:15,600
Speaker 3: thought that they had discussed all of the changes that

650
00:33:15,720 --> 00:33:19,440
Speaker 3: needed to be made. Becky admits with a smile, I

651
00:33:19,480 --> 00:33:21,760
Speaker 3: think the show would be more balanced if I talked

652
00:33:21,760 --> 00:33:25,000
Speaker 3: a little more and you talked a little less. Danny

653
00:33:25,040 --> 00:33:27,400
Speaker 3: doesn't deny that sometimes he'll go on a bit, but

654
00:33:27,480 --> 00:33:32,440
Speaker 3: he thought Becky enjoyed it, considering her unwavering perkiness. That's

655
00:33:32,480 --> 00:33:35,720
Speaker 3: when Becky's face falls and her eyes narrow. You got

656
00:33:35,720 --> 00:33:39,320
Speaker 3: a problem with perky. The argument continues, and we see

657
00:33:39,440 --> 00:33:43,200
Speaker 3: Jesse and Joey awkwardly standing off to the side. Jesse

658
00:33:43,400 --> 00:33:46,240
Speaker 3: suggests to Joey, maybe we can do this with puppets,

659
00:33:46,680 --> 00:33:50,760
Speaker 3: and Joey nods in agreement, suggesting hand puppets in particular.

660
00:33:50,440 --> 00:33:52,520
Speaker 2: Everything is better with handy always.

661
00:33:52,600 --> 00:33:55,680
Speaker 1: Yes, truly, you can take the most ridiculous thing and

662
00:33:55,760 --> 00:33:57,080
Speaker 1: reenact it with hand puppets.

663
00:33:57,840 --> 00:33:59,000
Speaker 2: It makes it that much better.

664
00:33:59,400 --> 00:34:02,760
Speaker 3: Yes, it elevates, It can elevate any situation.

665
00:34:03,160 --> 00:34:05,200
Speaker 2: I mean, I have a special spot in my heart

666
00:34:05,200 --> 00:34:05,760
Speaker 2: for puppets.

667
00:34:06,000 --> 00:34:08,719
Speaker 3: Yes, you do, you do, You're a big fan. So

668
00:34:08,800 --> 00:34:12,239
Speaker 3: next we are in the school newspaper classroom and DJ

669
00:34:12,360 --> 00:34:15,920
Speaker 3: walks around collecting articles from her classmates when she stumbles

670
00:34:15,960 --> 00:34:21,160
Speaker 3: upon Bitterman with his aforementioned mullet, which is in a ponytail. Today.

671
00:34:21,400 --> 00:34:24,520
Speaker 3: It's but but.

672
00:34:24,480 --> 00:34:28,520
Speaker 1: It's so it's interesting because if you look like it's

673
00:34:28,640 --> 00:34:31,720
Speaker 1: like like I'd say, seventy five percent of his head

674
00:34:32,800 --> 00:34:35,560
Speaker 1: is all the same length and short, and then there's

675
00:34:35,840 --> 00:34:39,600
Speaker 1: just like a bit in the back, in the center

676
00:34:39,760 --> 00:34:43,239
Speaker 1: of the back of the head that that grows out.

677
00:34:43,360 --> 00:34:45,080
Speaker 3: It's like a it's like a tail of a horse.

678
00:34:45,480 --> 00:34:47,759
Speaker 2: It's just well remember that member of rat tails, the

679
00:34:47,840 --> 00:34:48,719
Speaker 2: real skinny.

680
00:34:48,440 --> 00:34:49,880
Speaker 3: Ones that people would do with that.

681
00:34:50,000 --> 00:34:53,160
Speaker 1: Yeah, this was this was like a This was a

682
00:34:53,320 --> 00:34:54,839
Speaker 1: larger form right now.

683
00:34:54,840 --> 00:34:58,239
Speaker 3: This had volume. This had volume and maybe its own

684
00:34:58,280 --> 00:34:59,680
Speaker 3: brain or its own zip code.

685
00:34:59,719 --> 00:35:00,400
Speaker 2: It was a it was a.

686
00:35:02,360 --> 00:35:06,440
Speaker 3: Mullet to be racked. Really, it could rival Uncle Jesse

687
00:35:06,560 --> 00:35:10,600
Speaker 3: Season one, It could rival Ratail Ripper, Like, oh.

688
00:35:10,520 --> 00:35:13,440
Speaker 1: God, oh you know what, maybe this is may did

689
00:35:13,440 --> 00:35:15,480
Speaker 1: we ever find out is Bitterman maybe Ratail Ripper?

690
00:35:16,480 --> 00:35:18,880
Speaker 3: No, we have to. We never got to the origin

691
00:35:18,920 --> 00:35:22,640
Speaker 3: of who Ratail Ripper was, so we will never know, unfortunately,

692
00:35:23,200 --> 00:35:23,680
Speaker 3: very sad.

693
00:35:24,040 --> 00:35:27,000
Speaker 1: Maybe maybe Bitterman does never met his dad and maybe

694
00:35:27,000 --> 00:35:30,239
Speaker 1: he doesn't know that his dad is Ratail Ripper, and

695
00:35:30,320 --> 00:35:32,799
Speaker 1: but but he has that somebody's like, I feel like

696
00:35:32,840 --> 00:35:34,359
Speaker 1: I need to have this hair.

697
00:35:34,440 --> 00:35:38,920
Speaker 3: Yeah, the gene gene is active. So yeah, the bullet

698
00:35:39,120 --> 00:35:42,759
Speaker 3: continues even though he doesn't have a father. The mullet continues.

699
00:35:42,920 --> 00:35:47,560
Speaker 3: So DJ asks for Bitterman's article and he frowns some article.

700
00:35:47,760 --> 00:35:49,799
Speaker 3: I mean, all I do is copy the menu from

701
00:35:49,840 --> 00:35:53,960
Speaker 3: the school cafeteria. DJ tries to be supportive, reminding him

702
00:35:54,360 --> 00:35:56,720
Speaker 3: it is the most popular article in the whole paper.

703
00:35:58,239 --> 00:36:02,480
Speaker 3: But Bitterman is bitter. I should be sports editor, not

704
00:36:02,600 --> 00:36:06,279
Speaker 3: your best friend. Kimmy Gibbler on cue. Kimmy runs into

705
00:36:06,320 --> 00:36:10,000
Speaker 3: the classroom sharing some exciting news with DJ. I got

706
00:36:10,040 --> 00:36:13,120
Speaker 3: an exclusive interview with Robbie Hawkins, the star of the

707
00:36:13,160 --> 00:36:17,520
Speaker 3: basketball team, and Bitterman scoffs. Robbie isn't even on the

708
00:36:17,520 --> 00:36:22,080
Speaker 3: basketball team. He's the equipment manager, and Kimmy responds, yeah,

709
00:36:22,080 --> 00:36:24,640
Speaker 3: but he looks so cute passing out those little cups

710
00:36:24,680 --> 00:36:28,040
Speaker 3: of gatorade. Bitterman rolls his eyes and looks at DJ.

711
00:36:28,520 --> 00:36:33,120
Speaker 3: See what I mean? But DJ tries to remain optimistic. Well,

712
00:36:33,120 --> 00:36:36,080
Speaker 3: I'm sure it's a very well written article, and Kimmy

713
00:36:36,120 --> 00:36:39,960
Speaker 3: hands her a napkin with her work scribbled on it.

714
00:36:40,000 --> 00:36:43,480
Speaker 3: Bitterman suggests that DJ reads the article aloud for everyone

715
00:36:43,520 --> 00:36:47,760
Speaker 3: to hear, and Kimmy glares at him. What's for lunch, Bitterman?

716
00:36:49,080 --> 00:36:50,319
Speaker 3: One of my favorite lines of.

717
00:36:50,280 --> 00:36:53,080
Speaker 2: All time was it was so great, Oh, it was

718
00:36:53,400 --> 00:36:54,120
Speaker 2: so good.

719
00:36:54,560 --> 00:36:55,839
Speaker 3: The delivery that you gave.

720
00:36:55,920 --> 00:37:00,840
Speaker 1: That line was just pete so pointed, and the underneath

721
00:37:00,840 --> 00:37:01,359
Speaker 1: it was a.

722
00:37:01,280 --> 00:37:04,719
Speaker 3: Big f yes and that, but it just yeah, I

723
00:37:04,800 --> 00:37:07,640
Speaker 3: love for lunch. It really should have made him like

724
00:37:07,680 --> 00:37:09,600
Speaker 3: a full like a recurring character.

725
00:37:10,200 --> 00:37:13,000
Speaker 1: He would have been a great recurring Yeah, yeah, he really.

726
00:37:13,080 --> 00:37:14,919
Speaker 3: I wish he had been in more seasons. I wish

727
00:37:15,000 --> 00:37:16,920
Speaker 3: we had brought him back for fuller, Like, I know,

728
00:37:16,960 --> 00:37:19,960
Speaker 3: he doesn't act any more like that, but so many

729
00:37:20,000 --> 00:37:21,520
Speaker 3: missed opportunities.

730
00:37:20,880 --> 00:37:23,000
Speaker 2: Here, yeah hound.

731
00:37:24,600 --> 00:37:27,399
Speaker 3: So DJ reads the article and it doesn't start off

732
00:37:27,400 --> 00:37:31,160
Speaker 3: on the best note. Kimmy introduces Robbie as the megacute

733
00:37:31,200 --> 00:37:34,640
Speaker 3: guy who cleans up, who cleans up like, who cleans

734
00:37:34,719 --> 00:37:38,840
Speaker 3: up the sweat puddles? Who cleans up like telling you

735
00:37:40,680 --> 00:37:41,839
Speaker 3: it was I'd hate to see him.

736
00:37:41,960 --> 00:37:43,680
Speaker 2: I'd hate to see if that's his cleaning up. I'd

737
00:37:43,680 --> 00:37:44,520
Speaker 2: hate to see it before.

738
00:37:45,360 --> 00:37:48,480
Speaker 3: It wasn't my line, so I don't remember it, like

739
00:37:48,520 --> 00:37:52,279
Speaker 3: I don't know it just Kimmy in the article deep

740
00:37:52,320 --> 00:37:55,200
Speaker 3: dives into the color of his eyes instead of focusing

741
00:37:55,239 --> 00:37:59,720
Speaker 3: on anything even remotely sports related. Bitterman and his friend

742
00:38:00,120 --> 00:38:04,640
Speaker 3: who is Candace's real life friend Ryan. They stand nearby,

743
00:38:05,080 --> 00:38:08,920
Speaker 3: laughing at Kimmy's work. DJ's not impressed, though. She points

744
00:38:08,920 --> 00:38:11,479
Speaker 3: out that Kimmy didn't even record who won the game,

745
00:38:11,960 --> 00:38:14,719
Speaker 3: so she's gonna have to rewrite it, and Kimmy gives

746
00:38:14,760 --> 00:38:17,680
Speaker 3: her a puzzled look. Rewrite it, you mean write it again?

747
00:38:18,600 --> 00:38:21,399
Speaker 3: DJ crumples the napkin in her hand and clarifies yes,

748
00:38:21,640 --> 00:38:26,960
Speaker 3: with different words, words about sports. Kimmy looks disappointed. If

749
00:38:27,000 --> 00:38:29,040
Speaker 3: you think I'm so bad, why did you even give

750
00:38:29,040 --> 00:38:31,920
Speaker 3: me the job it? DJ admits I gave it to

751
00:38:31,960 --> 00:38:36,160
Speaker 3: you because we're best friends. Bitterman shouts that's nepotism, and

752
00:38:36,239 --> 00:38:40,719
Speaker 3: DJ argues, no, it's not, it's favoritism. He responds, well, she.

753
00:38:40,760 --> 00:38:44,279
Speaker 1: Learned that from Danny right, Yes, yeah, the genus. We

754
00:38:44,320 --> 00:38:46,839
Speaker 1: don't believe in nepotism in our we call it favor

755
00:38:47,080 --> 00:38:47,759
Speaker 1: like this is just a.

756
00:38:47,840 --> 00:38:52,959
Speaker 3: History repeating itself over and over and over. So DJ

757
00:38:53,040 --> 00:38:55,440
Speaker 3: walks over to her desk and emphasizes to Kimmy that

758
00:38:55,480 --> 00:38:58,839
Speaker 3: she needs a new article right away. Kimmy shrugs, then

759
00:38:58,880 --> 00:39:02,799
Speaker 3: write one. DJ reminds her that that's her job, and

760
00:39:02,840 --> 00:39:06,120
Speaker 3: Kimmy gets sassy, what's your job, queen of the paper.

761
00:39:07,080 --> 00:39:09,600
Speaker 3: The whole classroom responds to the dig with an ooh,

762
00:39:10,880 --> 00:39:14,640
Speaker 3: but DJ doesn't back down. As editor, she demands Kimmy

763
00:39:14,680 --> 00:39:18,239
Speaker 3: to rewrite the article. Kimmy shakes her head, no way,

764
00:39:18,520 --> 00:39:20,960
Speaker 3: I skipped my nap in algebra to write that. I'm

765
00:39:21,000 --> 00:39:24,040
Speaker 3: not doing it. DJ threatens, then, I guess you're not

766
00:39:24,120 --> 00:39:27,719
Speaker 3: sports editor, and Kimmy fires back. Then I guess we're

767
00:39:27,719 --> 00:39:32,760
Speaker 3: not friends. DJ cannot hide her shock. She shouts fine,

768
00:39:32,920 --> 00:39:36,120
Speaker 3: and Kimmy shouts fine. Kimmy storms out of the classroom

769
00:39:36,120 --> 00:39:38,080
Speaker 3: and throws her article in the trash as we cut

770
00:39:38,120 --> 00:39:43,560
Speaker 3: to a sad commercial break. Dang, that escalated fast, and

771
00:39:44,920 --> 00:39:47,520
Speaker 3: Kimmy's wrong, like, I will take owner.

772
00:39:47,719 --> 00:39:50,280
Speaker 2: Jimmy not know that this was gonna I mean.

773
00:39:50,200 --> 00:39:54,480
Speaker 3: Is she she's an airhead. I forgive her air her

774
00:39:54,520 --> 00:39:58,160
Speaker 3: airhead ish nish, that's not a word. I forgive her

775
00:39:58,200 --> 00:40:00,920
Speaker 3: for being an airhead. But when she was like, well,

776
00:40:00,960 --> 00:40:03,560
Speaker 3: we're not friends anymore, that's like, that's below the belt.

777
00:40:03,640 --> 00:40:07,120
Speaker 3: Come on, like Kimmy's Kimmy. Kimmy fights a little. She

778
00:40:07,160 --> 00:40:09,520
Speaker 3: fights a little dirty. Since second dirty, I mean.

779
00:40:09,520 --> 00:40:12,160
Speaker 1: What do you expect from from a child who has

780
00:40:12,200 --> 00:40:14,000
Speaker 1: been so obviously rejected.

781
00:40:13,600 --> 00:40:14,040
Speaker 2: From her face?

782
00:40:14,120 --> 00:40:17,680
Speaker 1: This is true she has learned very unhealthy coping mechanisms

783
00:40:17,719 --> 00:40:19,960
Speaker 1: and how to treat people. So yeah, she's like, fine,

784
00:40:20,040 --> 00:40:22,640
Speaker 1: you made me unhappy, then I don't want you anymore

785
00:40:22,680 --> 00:40:23,839
Speaker 1: because that's what her parents do.

786
00:40:24,000 --> 00:40:26,319
Speaker 3: She has no good role models in her life. She's

787
00:40:26,320 --> 00:40:28,239
Speaker 3: done a lot of arrest trauma, and so this is

788
00:40:28,239 --> 00:40:32,279
Speaker 3: how it comes out. This is her only trusted person DJ.

789
00:40:32,320 --> 00:40:35,840
Speaker 1: Right, it comes out with with these sports articles is.

790
00:40:35,840 --> 00:40:40,880
Speaker 3: How it comes out. But yeah, this is that was

791
00:40:41,880 --> 00:40:43,520
Speaker 3: that was not fun to watch because I'm just like,

792
00:40:43,640 --> 00:40:45,439
Speaker 3: I hate it when my character is bad things because

793
00:40:45,480 --> 00:40:47,279
Speaker 3: I want to root for my character, you know, And

794
00:40:47,320 --> 00:40:58,759
Speaker 3: it's Kimmy's in the wrong this time. I'll admit it. Hey,

795
00:40:58,840 --> 00:41:01,600
Speaker 3: fan of Rito's, I know you've all been waiting for this.

796
00:41:02,239 --> 00:41:03,240
Speaker 3: It's out.

797
00:41:03,640 --> 00:41:07,560
Speaker 2: We have merch I know how rudemerch dot com.

798
00:41:07,680 --> 00:41:10,800
Speaker 1: You can go there. We've got several different designs that A. B.

799
00:41:10,920 --> 00:41:14,799
Speaker 1: And I personally came up with worked on. We think

800
00:41:14,800 --> 00:41:17,239
Speaker 1: you're gonna like them, and you know, if you don't,

801
00:41:17,280 --> 00:41:19,960
Speaker 1: then don't buy one. But if you do, you can

802
00:41:20,000 --> 00:41:22,080
Speaker 1: have any of the art. You can put on a hoodie,

803
00:41:22,120 --> 00:41:25,279
Speaker 1: on a T shirt or hoody your T shirt. I

804
00:41:25,320 --> 00:41:26,799
Speaker 1: think for now, but you know what, we might move

805
00:41:26,840 --> 00:41:29,680
Speaker 1: into more things. We are so excited that we get

806
00:41:29,680 --> 00:41:32,719
Speaker 1: to start here. We have a world of small The

807
00:41:32,760 --> 00:41:35,600
Speaker 1: house is full t shirt. There's a pink bunny. There

808
00:41:35,680 --> 00:41:38,359
Speaker 1: might even be an amphibian. There might that we.

809
00:41:38,280 --> 00:41:39,719
Speaker 2: Love and that you too love.

810
00:41:40,360 --> 00:41:43,759
Speaker 1: So if you need a turtle on a shirt, then

811
00:41:43,800 --> 00:41:47,239
Speaker 1: you need to head to howard Merch dot com.

812
00:41:47,239 --> 00:41:49,439
Speaker 2: And you can get all of the best how Rude

813
00:41:49,480 --> 00:41:50,640
Speaker 2: merch for yourself.

814
00:41:51,200 --> 00:41:53,800
Speaker 3: So we are back in the living room. Steph peaks

815
00:41:53,840 --> 00:41:56,800
Speaker 3: her head through the front door, surveying the room for Michelle.

816
00:41:57,320 --> 00:42:01,080
Speaker 3: Once the coast is clear, she tiptoes inside, but Michelle

817
00:42:01,120 --> 00:42:05,000
Speaker 3: was hiding behind the door. She tiptoes behind Steph. Steph

818
00:42:05,000 --> 00:42:09,160
Speaker 3: stops and lets out a sigh of relief. Ah no, Michelle,

819
00:42:10,120 --> 00:42:14,400
Speaker 3: and then Michelle repeats, ah no Michelle. Steph turns to

820
00:42:14,440 --> 00:42:17,759
Speaker 3: find her sister. Turns and finds her sister and lets

821
00:42:17,760 --> 00:42:21,080
Speaker 3: out a groan. Michelle follows suit. And you're wearing this

822
00:42:21,320 --> 00:42:23,160
Speaker 3: like this outfit, You're wear in the hot pink with

823
00:42:23,239 --> 00:42:27,360
Speaker 3: the black arrow with the arrows everywhere, Like this is

824
00:42:27,400 --> 00:42:29,799
Speaker 3: also a core memory for me, Like I remember this.

825
00:42:30,400 --> 00:42:31,600
Speaker 2: I didn't remember this outfit?

826
00:42:31,920 --> 00:42:33,239
Speaker 3: Yeah, I know this. I was just like, oh, it's

827
00:42:33,280 --> 00:42:35,560
Speaker 3: the arrow outfit. It was so stylish.

828
00:42:35,640 --> 00:42:37,640
Speaker 2: Yeah, I didn't, I did not remember.

829
00:42:37,320 --> 00:42:39,760
Speaker 1: But it was. It was a very matchy, matchy little

830
00:42:40,040 --> 00:42:40,640
Speaker 1: uh you.

831
00:42:40,600 --> 00:42:41,800
Speaker 2: Know, leggings.

832
00:42:41,880 --> 00:42:45,880
Speaker 3: Yeah, Stephanie loved her legs, her bike shorts, her leggings.

833
00:42:45,920 --> 00:42:49,719
Speaker 3: The matchie matchie stuff was all over that stuff. So

834
00:42:49,800 --> 00:42:53,080
Speaker 3: DJ comes storming into the house looking worn out. Steph

835
00:42:53,160 --> 00:42:56,520
Speaker 3: complains as she points to Michelle she is driving me bananas,

836
00:42:57,080 --> 00:43:00,040
Speaker 3: and Michelle copies her. Of course, DJ tells me she

837
00:43:00,320 --> 00:43:02,560
Speaker 3: can't deal with this right now. She's had a horrible day.

838
00:43:02,840 --> 00:43:06,120
Speaker 3: She and Kimmy are never speaking again, and a big

839
00:43:06,160 --> 00:43:10,680
Speaker 3: grin spreads across Steph's face as she sarcastically responds, gee,

840
00:43:10,680 --> 00:43:15,359
Speaker 3: that's a shame. When Michelle's antics continue, Steph tries to

841
00:43:15,400 --> 00:43:18,560
Speaker 3: outsmart her again. She rattles off the Pledge of Allegiance

842
00:43:18,600 --> 00:43:22,160
Speaker 3: at lightning speed and tells her sister to try that,

843
00:43:22,800 --> 00:43:27,440
Speaker 3: and Michelle repeats, try that, very impressive? How with your

844
00:43:27,480 --> 00:43:29,200
Speaker 3: speed of this Pledge of Allegiance?

845
00:43:30,520 --> 00:43:30,719
Speaker 1: Right?

846
00:43:32,560 --> 00:43:35,959
Speaker 3: I missed a few words in there? All right, isn't

847
00:43:35,960 --> 00:43:38,120
Speaker 3: this the second time you've done the Pledge of Allegiance?

848
00:43:38,120 --> 00:43:41,280
Speaker 3: Didn't you do this in season one where you rattled

849
00:43:41,280 --> 00:43:42,080
Speaker 3: off the yeah.

850
00:43:42,000 --> 00:43:44,040
Speaker 1: Which is such Do you know how everyone else in

851
00:43:44,080 --> 00:43:45,600
Speaker 1: the world is like, wait, you guys, do what in

852
00:43:45,600 --> 00:43:47,160
Speaker 1: the story used to pledge of allegiance?

853
00:43:48,080 --> 00:43:49,120
Speaker 2: No, one used to do it every time.

854
00:43:49,160 --> 00:43:51,239
Speaker 1: But the other polices in the world do not do

855
00:43:51,360 --> 00:43:53,120
Speaker 1: pledges of allegiance into their flag.

856
00:43:53,400 --> 00:43:55,759
Speaker 3: But they don't do it even now. But back when

857
00:43:55,800 --> 00:43:58,400
Speaker 3: we when we were in elementary school, we would stand

858
00:43:58,480 --> 00:44:02,279
Speaker 3: up and pledge allegiance ever morning before starting school. That

859
00:44:02,440 --> 00:44:02,839
Speaker 3: was a thing.

860
00:44:03,000 --> 00:44:04,799
Speaker 2: Yeah, so weird.

861
00:44:04,840 --> 00:44:07,480
Speaker 3: I know, it's such a weird it's a weird thing.

862
00:44:07,520 --> 00:44:10,480
Speaker 3: We didn't question it as kids. We just questioned right now.

863
00:44:10,560 --> 00:44:12,320
Speaker 2: Yeah.

864
00:44:12,360 --> 00:44:15,680
Speaker 3: So steph slumps into the nearby chair and sighs hie

865
00:44:15,800 --> 00:44:19,719
Speaker 3: ay ay, and Michelle copies her. Stephanie slams her hand

866
00:44:19,719 --> 00:44:22,480
Speaker 3: onto her eyes in frustration, and Michelle does the same.

867
00:44:23,760 --> 00:44:26,240
Speaker 3: This is a cute bit, Like it's it is cute.

868
00:44:26,320 --> 00:44:28,560
Speaker 3: I know how Michelle is super annoying, but it's a

869
00:44:28,640 --> 00:44:29,239
Speaker 3: very cute bit.

870
00:44:29,480 --> 00:44:32,279
Speaker 1: But yeah, and you could tell that, like Ashley Mary Kate,

871
00:44:32,280 --> 00:44:33,440
Speaker 1: we're having comment that totally.

872
00:44:33,800 --> 00:44:34,080
Speaker 2: Yes.

873
00:44:36,680 --> 00:44:40,240
Speaker 3: So next in the kitchen, DJ is aggressively making herself

874
00:44:40,239 --> 00:44:44,360
Speaker 3: a sandwich. When Kimmy Waltz is in announcing DJ, I

875
00:44:44,400 --> 00:44:46,640
Speaker 3: thought about what you said to me today and that's

876
00:44:46,640 --> 00:44:49,520
Speaker 3: why I wrote this. She shows off a few stapled

877
00:44:49,600 --> 00:44:54,799
Speaker 3: pieces of paper. DJ is ecstatic, assuming this is the rewrite,

878
00:44:55,320 --> 00:44:57,880
Speaker 3: but Kimmy holds up the front page so DJ can

879
00:44:57,920 --> 00:45:01,480
Speaker 3: see it nice and clear. It reads the Gibbler Gazette

880
00:45:01,680 --> 00:45:05,000
Speaker 3: at the top, and DJ is in shock. Kimm Me

881
00:45:05,040 --> 00:45:07,040
Speaker 3: hands the paper to her and tells her to read

882
00:45:07,040 --> 00:45:11,279
Speaker 3: it and weep. Do you remember my mother created a

883
00:45:11,320 --> 00:45:15,040
Speaker 3: newsletter for my fans and called it the Gibbler Gazette. Yes,

884
00:45:15,280 --> 00:45:17,319
Speaker 3: like I do remember that I do.

885
00:45:17,480 --> 00:45:19,960
Speaker 1: And I was like wait because I heard the Gibbler

886
00:45:20,000 --> 00:45:23,480
Speaker 1: Gazette And then I was like, wait did we do that?

887
00:45:23,600 --> 00:45:25,600
Speaker 1: Like was that a thing that we turned into something

888
00:45:25,719 --> 00:45:28,200
Speaker 1: in like the school, like the studio classroom or so

889
00:45:28,239 --> 00:45:30,440
Speaker 1: I was like, I feel like the Gibbler Gazette lived.

890
00:45:30,160 --> 00:45:32,400
Speaker 3: It did, and now I know why it lived on

891
00:45:32,480 --> 00:45:35,200
Speaker 3: in it's peak Sherry Barber. And she would just put

892
00:45:35,239 --> 00:45:37,279
Speaker 3: like little snippets of whatever was going on in my

893
00:45:37,320 --> 00:45:40,040
Speaker 3: life and send it out to people who wanted to

894
00:45:40,080 --> 00:45:40,400
Speaker 3: read that.

895
00:45:40,480 --> 00:45:42,160
Speaker 2: Care is what I will tell you.

896
00:45:42,160 --> 00:45:45,680
Speaker 1: Your mom's Christmas newsletter. Okay, was the only one that

897
00:45:45,719 --> 00:45:48,000
Speaker 1: I ever gave a shit about. Yes, it was the

898
00:45:48,040 --> 00:45:50,799
Speaker 1: only one that was well when and wasn't like like

899
00:45:50,840 --> 00:45:51,480
Speaker 1: I actually it was.

900
00:45:51,520 --> 00:45:53,960
Speaker 3: I looked forward to reading. No, she was a good writer.

901
00:45:54,080 --> 00:45:55,360
Speaker 2: She did mom amazing.

902
00:45:55,640 --> 00:45:58,040
Speaker 3: She wasn't like into like the braggy stuff. No, she

903
00:45:58,120 --> 00:46:00,920
Speaker 3: just wrote it like it was she was. Yeah, and

904
00:46:01,000 --> 00:46:05,560
Speaker 3: also like with a little funny snark to it, but like, yeah,

905
00:46:05,760 --> 00:46:07,279
Speaker 3: it was funny. I do still have copies of the

906
00:46:07,280 --> 00:46:10,000
Speaker 3: Ghibbler Gazette. I wasn't able to pull him out of

907
00:46:10,080 --> 00:46:12,439
Speaker 3: the attic because it's been a weird obviously weird week,

908
00:46:12,480 --> 00:46:14,880
Speaker 3: But yeah, I'll try to. I'll try to bring some.

909
00:46:15,000 --> 00:46:17,640
Speaker 3: We can put it up on our Instagram because that

910
00:46:17,680 --> 00:46:22,000
Speaker 3: would be a classic. So DJ reads the front page

911
00:46:22,160 --> 00:46:26,560
Speaker 3: of the Gibbler Gazette. Power Hungry editor Donna Joe Tanner

912
00:46:26,760 --> 00:46:30,759
Speaker 3: stabs best friend in the back actual photo on page two.

913
00:46:31,640 --> 00:46:34,840
Speaker 3: DJ frantically flips to the second page and we see

914
00:46:34,840 --> 00:46:39,880
Speaker 3: her face pasted onto Freddy Krueger's body. DJ can't believe

915
00:46:40,000 --> 00:46:43,279
Speaker 3: Kimmy would do this to her. She shouts, that's it now,

916
00:46:43,280 --> 00:46:47,120
Speaker 3: our friendship is really over. Kimmy snaps a picture of her.

917
00:46:47,560 --> 00:46:50,040
Speaker 3: Thanks that face is going to look great on Fred

918
00:46:50,080 --> 00:46:59,120
Speaker 3: Flintstone's body. Damn kim Kiss terrible in this space. Well yeah, yeah,

919
00:46:59,360 --> 00:47:02,040
Speaker 3: she don't have any excuses for it, Like this is

920
00:47:02,080 --> 00:47:04,120
Speaker 3: I admit it. She is terrible. Yeah, she was not

921
00:47:04,160 --> 00:47:08,480
Speaker 3: a good friend to DJ no. So DJ crumples the

922
00:47:08,480 --> 00:47:14,120
Speaker 3: newspaper and sighs as she watches Kimmy storm out. But

923
00:47:14,200 --> 00:47:16,440
Speaker 3: this is kind of the equivalent, Like kids still do

924
00:47:16,480 --> 00:47:18,359
Speaker 3: this to this day, but it's on social media now.

925
00:47:18,400 --> 00:47:22,440
Speaker 3: It's like exactly anonymous Instagram accounts or what anonymous Instagram?

926
00:47:22,560 --> 00:47:26,640
Speaker 1: Yeah right, they which is worse because then you there's

927
00:47:26,680 --> 00:47:29,440
Speaker 1: just no reprieve. But yeah, but yeah, kids are always

928
00:47:29,480 --> 00:47:32,960
Speaker 1: you know, it's like it's always get their their feelings

929
00:47:33,000 --> 00:47:35,759
Speaker 1: hurt and they don't quite understand like why you know, like, no,

930
00:47:35,840 --> 00:47:37,880
Speaker 1: you actually have to like work for something, yeah you know,

931
00:47:38,160 --> 00:47:40,000
Speaker 1: I mean unless you wind up in the Tanner household,

932
00:47:40,000 --> 00:47:44,640
Speaker 1: in which case you don't. DJ has also look Kimmi

933
00:47:44,680 --> 00:47:46,799
Speaker 1: as trauma. DJ has a very skewed idea of what

934
00:47:46,920 --> 00:47:49,920
Speaker 1: nepotism is. So yeah, I think that's just.

935
00:47:49,840 --> 00:47:51,479
Speaker 3: A bad This was an inevitable fight.

936
00:47:52,120 --> 00:47:56,359
Speaker 1: It was an inevitable fight where you know, DJ's like, yeah, sure,

937
00:47:56,400 --> 00:47:58,040
Speaker 1: I'll give you a job because that's just what you do.

938
00:47:58,120 --> 00:48:00,000
Speaker 1: And then Kimmy screws it up and is like, am,

939
00:48:00,320 --> 00:48:01,880
Speaker 1: but I've been watching you guys.

940
00:48:01,719 --> 00:48:03,280
Speaker 2: And like, none of you guys know what you're doing.

941
00:48:03,360 --> 00:48:07,399
Speaker 1: So yeah, they got a recording studio act they don't

942
00:48:07,400 --> 00:48:07,840
Speaker 1: know anything.

943
00:48:08,080 --> 00:48:09,319
Speaker 2: Yeah.

944
00:48:10,000 --> 00:48:12,839
Speaker 3: Uh So next we are on the Wake Up San

945
00:48:12,840 --> 00:48:17,200
Speaker 3: Francisco commercial set. Jesse and Joey are speaking to two

946
00:48:17,280 --> 00:48:20,080
Speaker 3: actors who are laying in a bed in their pjs.

947
00:48:20,640 --> 00:48:23,920
Speaker 3: Jesse reminds them their two typical San Francisco viewers who

948
00:48:23,960 --> 00:48:27,919
Speaker 3: are just waking up. Joey chimes in, yeah, your hair

949
00:48:27,960 --> 00:48:30,840
Speaker 3: is smushed. You got that white crud caked on the

950
00:48:30,920 --> 00:48:33,960
Speaker 3: corner of your mouth. Jesse stares at him in disgust

951
00:48:34,000 --> 00:48:38,000
Speaker 3: and says, stop, oh right, that's yea, the very descriptive

952
00:48:38,080 --> 00:48:41,799
Speaker 3: there right. The guys walk behind the camera so they

953
00:48:41,800 --> 00:48:45,840
Speaker 3: can start the rehearsal. Jesse calls action, and suddenly Becky

954
00:48:45,880 --> 00:48:48,720
Speaker 3: and Danny pop out from under the covers alongside the couple.

955
00:48:49,360 --> 00:48:53,800
Speaker 3: They cheerfully shout wake Up San Francisco, and they introduce themselves,

956
00:48:53,840 --> 00:48:57,600
Speaker 3: with Danny going first as Becky talks about the new

957
00:48:57,600 --> 00:49:00,960
Speaker 3: and approved show. Danny cuts her off. In response, Becky

958
00:49:01,040 --> 00:49:03,719
Speaker 3: rolls her eyes. Here we go again, and she and

959
00:49:03,760 --> 00:49:06,680
Speaker 3: the two actors fall back onto the bed to restart.

960
00:49:07,920 --> 00:49:11,040
Speaker 3: Danny directs his attention towards the guys. Shouldn't we be

961
00:49:11,160 --> 00:49:13,800
Speaker 3: waking up a little more naturally? She's shooting up like

962
00:49:13,840 --> 00:49:17,480
Speaker 3: a pop tart in a toaster. Becky gasps at this criticism.

963
00:49:18,440 --> 00:49:21,640
Speaker 3: She explains her perception of the scene, which was them

964
00:49:21,800 --> 00:49:24,719
Speaker 3: waking up with some energy. She turns to Jesse and

965
00:49:24,719 --> 00:49:30,000
Speaker 3: smiles sweetly, right pumpkin. Jesse grinns, yes, sweetheart. He whispers

966
00:49:30,040 --> 00:49:32,919
Speaker 3: to Joey, I'll handle her. You handle the tall one.

967
00:49:34,360 --> 00:49:37,879
Speaker 1: I feel like there's like there's nepotism wrapped in nepotism

968
00:49:38,080 --> 00:49:41,360
Speaker 1: in this, you know, like it's.

969
00:49:40,480 --> 00:49:42,279
Speaker 3: It's layered, layered nepotism.

970
00:49:42,400 --> 00:49:45,520
Speaker 1: There's right right, Like, not only did Danny get them

971
00:49:45,560 --> 00:49:48,920
Speaker 1: the job, but then Jesse's also playing favorites with Becky

972
00:49:49,600 --> 00:49:53,440
Speaker 1: within the realm of the nepotism commercial.

973
00:49:53,560 --> 00:49:56,160
Speaker 3: This is Oh yeah, I was. I was impressed. It

974
00:49:56,239 --> 00:49:58,799
Speaker 3: really is, like it's hard to wrap your head around

975
00:49:58,800 --> 00:50:00,920
Speaker 3: when you put it like that. Mostly I was just

976
00:50:00,960 --> 00:50:02,719
Speaker 3: like none of you people can get mad about any

977
00:50:02,719 --> 00:50:02,920
Speaker 3: of this.

978
00:50:03,719 --> 00:50:04,640
Speaker 2: You're all doing it.

979
00:50:05,200 --> 00:50:07,640
Speaker 3: I'll just make it work. People come on being great,

980
00:50:07,680 --> 00:50:09,120
Speaker 3: figure it out. Yeah.

981
00:50:09,160 --> 00:50:10,920
Speaker 1: Look, if you guys are all gonna just, you know,

982
00:50:11,360 --> 00:50:14,480
Speaker 1: give each other the job, then then just go for it.

983
00:50:14,560 --> 00:50:19,680
Speaker 3: Yep. So Jesse walks over to Becky and gushes, oh honey, muffin,

984
00:50:19,920 --> 00:50:22,080
Speaker 3: I love you, and I love the way you woke up.

985
00:50:22,680 --> 00:50:24,640
Speaker 3: He puckers his lips and she gives him a kiss.

986
00:50:25,400 --> 00:50:27,920
Speaker 3: Danny watches them with a frown and complains to Joey

987
00:50:28,160 --> 00:50:32,120
Speaker 3: he's playing favorites. So Joey responds by putting his arm

988
00:50:32,160 --> 00:50:35,239
Speaker 3: around Danny and mi macking Jesse. Oh honey, muffin, I

989
00:50:35,320 --> 00:50:37,120
Speaker 3: love you, and I love the way you woke up.

990
00:50:39,840 --> 00:50:42,520
Speaker 3: Joey asks if he feels better, and Danny nods a

991
00:50:42,520 --> 00:50:45,879
Speaker 3: little bit. Joey insists that they have to have some

992
00:50:45,920 --> 00:50:48,399
Speaker 3: sort of compromise so Danny will wake up a little

993
00:50:48,440 --> 00:50:51,440
Speaker 3: more pop tarty and Becky will wake up with a

994
00:50:51,440 --> 00:50:55,080
Speaker 3: little more stiff. They get in place for another take

995
00:50:55,120 --> 00:50:59,839
Speaker 3: and Jesse calls action. Immediately, Danny calls cut and there's

996
00:50:59,840 --> 00:51:02,279
Speaker 3: just one more tense when see problem that he needs

997
00:51:02,320 --> 00:51:05,400
Speaker 3: to address all of the lights are on Becky's side,

998
00:51:05,440 --> 00:51:07,759
Speaker 3: so he's forced to sit in the shadows like a

999
00:51:07,800 --> 00:51:11,600
Speaker 3: troll under a bridge way. Danny's really a diva in

1000
00:51:11,680 --> 00:51:13,560
Speaker 3: this scene, right right.

1001
00:51:13,600 --> 00:51:17,839
Speaker 2: I was like, Danny settled down right, what it was?

1002
00:51:17,960 --> 00:51:18,040
Speaker 3: So?

1003
00:51:18,640 --> 00:51:20,080
Speaker 2: Uh, yeah, it was kind.

1004
00:51:19,880 --> 00:51:22,960
Speaker 1: Of weird for Dan, like, it's weird, although it kind

1005
00:51:23,000 --> 00:51:25,439
Speaker 1: of happened when Becky got brought on, but I felt

1006
00:51:25,520 --> 00:51:28,560
Speaker 1: I felt like we had sort of moved past that, right, Yeah,

1007
00:51:28,600 --> 00:51:31,080
Speaker 1: it's weird, felt out of character thing about like it's

1008
00:51:31,120 --> 00:51:31,839
Speaker 1: my show and it.

1009
00:51:31,840 --> 00:51:34,120
Speaker 3: Yeah, yeah, it did feel it felt out of character,

1010
00:51:34,200 --> 00:51:36,400
Speaker 3: but it was kind of in character for Bob, you know,

1011
00:51:36,440 --> 00:51:38,319
Speaker 3: like why isn't the light on? Right? I was like,

1012
00:51:38,360 --> 00:51:40,040
Speaker 3: this is very right, right right, very much.

1013
00:51:40,040 --> 00:51:42,400
Speaker 2: Bob was like, I I think I need more jokes.

1014
00:51:42,680 --> 00:51:45,719
Speaker 1: I think this actually not to rupt, like would just

1015
00:51:45,719 --> 00:51:46,479
Speaker 1: start into a scene.

1016
00:51:46,480 --> 00:51:47,520
Speaker 2: Okay, wait wait wait wait.

1017
00:51:47,360 --> 00:51:49,680
Speaker 3: Wait, I need more lighting, I need more powder.

1018
00:51:50,080 --> 00:51:53,120
Speaker 2: So this, yeah, it was very much Bob, not as

1019
00:51:53,160 --> 00:51:53,600
Speaker 2: much dance.

1020
00:51:53,719 --> 00:51:58,600
Speaker 3: Yep, yep. So Jesse explains, we feel too much light

1021
00:51:58,640 --> 00:52:03,759
Speaker 3: would accentuate theingularities of your features, and Danny clarifies, are

1022
00:52:03,800 --> 00:52:07,080
Speaker 3: you saying my nose is too big? Jesse assures him

1023
00:52:07,080 --> 00:52:09,560
Speaker 3: that his nose is the perfect size, it's just his

1024
00:52:09,719 --> 00:52:12,560
Speaker 3: face that's a little too small, and Becky laughs at this.

1025
00:52:13,600 --> 00:52:16,360
Speaker 3: Joey instructs them to do a full run through without

1026
00:52:16,400 --> 00:52:19,680
Speaker 3: any interruptions. Jesse reminds Danny to perk it up and

1027
00:52:19,719 --> 00:52:22,279
Speaker 3: Becky to perk it down, and then he calls action.

1028
00:52:23,400 --> 00:52:25,520
Speaker 3: The co hosts pop out of bed once again, but

1029
00:52:25,600 --> 00:52:28,960
Speaker 3: this time, Danny introduces himself as the perky Danny Tanner,

1030
00:52:29,400 --> 00:52:33,160
Speaker 3: and so Becky follows suit, calling herself the stiff Rebecca Donaldson.

1031
00:52:34,080 --> 00:52:35,919
Speaker 3: Then the two jump out of the bed and fight

1032
00:52:36,000 --> 00:52:38,760
Speaker 3: for space in front of the camera. With each new sentence.

1033
00:52:39,520 --> 00:52:42,359
Speaker 3: Tension is rising. As the commercial continues and they take

1034
00:52:42,400 --> 00:52:44,960
Speaker 3: their seats on the talk show set, they clink their

1035
00:52:45,040 --> 00:52:47,880
Speaker 3: mugs together, causing both of the mugs to shatter on

1036
00:52:48,120 --> 00:52:54,000
Speaker 3: impact tense together guys like, come on. Although I do

1037
00:52:54,080 --> 00:52:56,800
Speaker 3: like the parallels of people, you know, like Duo's fighting

1038
00:52:56,880 --> 00:52:59,040
Speaker 3: in the episode, it's.

1039
00:52:58,960 --> 00:53:01,319
Speaker 1: Kind of the the the whole point of it. It

1040
00:53:01,320 --> 00:53:03,200
Speaker 1: does make it for a very good like through.

1041
00:53:03,360 --> 00:53:06,400
Speaker 3: Yeah, yeah, no, this was a This was definitely well written.

1042
00:53:07,360 --> 00:53:10,040
Speaker 1: Yeah, I mean not that the nepotism ever gets dealt

1043
00:53:10,040 --> 00:53:12,000
Speaker 1: with in the hat like it's not like we ever

1044
00:53:12,120 --> 00:53:14,000
Speaker 1: go you know, maybe we should not do that. Like

1045
00:53:14,040 --> 00:53:15,920
Speaker 1: we're like, oh yeah, DJ, don't do that.

1046
00:53:16,120 --> 00:53:18,080
Speaker 3: Don't work with don't work with your friends. It's a

1047
00:53:18,200 --> 00:53:21,080
Speaker 3: number one, right I don't, I say not as I do.

1048
00:53:23,080 --> 00:53:25,200
Speaker 3: So back in the kitchen, DJ is sitting at the

1049
00:53:25,200 --> 00:53:28,120
Speaker 3: table type in on a typewriter, well crumpled.

1050
00:53:27,760 --> 00:53:28,800
Speaker 2: Up paper typewriter.

1051
00:53:29,440 --> 00:53:34,080
Speaker 1: This is this has so many what do you like murder?

1052
00:53:34,160 --> 00:53:37,520
Speaker 2: She wrote, what do you.

1053
00:53:36,239 --> 00:53:40,919
Speaker 3: There's so many, like just artifacts from the nineties, this one.

1054
00:53:41,280 --> 00:53:44,399
Speaker 1: I was like, I was like thinking of how many

1055
00:53:44,400 --> 00:53:46,680
Speaker 1: things we'd actually have to explain what the hell that

1056
00:53:46,800 --> 00:53:49,400
Speaker 1: even is because it doesn't exist anymore.

1057
00:53:49,480 --> 00:53:53,400
Speaker 3: Yes, it's so great. So Stefph walks up to her

1058
00:53:53,440 --> 00:53:56,400
Speaker 3: and asks are you still typing? And of course Michelle's

1059
00:53:56,440 --> 00:54:00,000
Speaker 3: behind her, asking DJ the same question. So DJ questions

1060
00:54:00,120 --> 00:54:03,520
Speaker 3: her littlest sister, aren't you tired of the Shadow Game yet?

1061
00:54:03,960 --> 00:54:07,840
Speaker 3: And Michelle shakes her head no way, Jose. Steph nudges

1062
00:54:07,920 --> 00:54:11,440
Speaker 3: DJ and gives her a mischievous grin. She looks at

1063
00:54:11,480 --> 00:54:15,759
Speaker 3: Michelle and repeats, no way, Jose. Michelle is unamused, Hey,

1064
00:54:15,800 --> 00:54:20,320
Speaker 3: that's my game, and Stephanie echoes her again. Michelle frowns,

1065
00:54:20,360 --> 00:54:23,240
Speaker 3: I quit and she runs out of the room. Steph

1066
00:54:23,360 --> 00:54:25,279
Speaker 3: copies her words one last time and then gives a

1067
00:54:25,320 --> 00:54:29,560
Speaker 3: sigh of relief. I'm free. But Michelle pops out from

1068
00:54:29,560 --> 00:54:34,040
Speaker 3: around the corner and shouts, I'm free. Steph bags, please

1069
00:54:34,080 --> 00:54:37,200
Speaker 3: give me my life back. Michelle copies her words again,

1070
00:54:37,280 --> 00:54:40,520
Speaker 3: and Steph storms out of the room. Michelle is smiling

1071
00:54:40,600 --> 00:54:45,320
Speaker 3: to go and beat up her little sister. Michelle is

1072
00:54:45,360 --> 00:54:48,040
Speaker 3: smiling near to ear as she exclaims I love this game,

1073
00:54:49,080 --> 00:54:51,279
Speaker 3: and DJ smiles back at her and then gets back

1074
00:54:51,280 --> 00:54:54,640
Speaker 3: to work. Jesse and Joey walk in, and she asks

1075
00:54:54,640 --> 00:54:57,960
Speaker 3: the guys how everything went. Joey shrugs, we made a

1076
00:54:57,960 --> 00:55:01,520
Speaker 3: great commercial. Unfortunately it took twenty four cups of coffee

1077
00:55:01,560 --> 00:55:05,280
Speaker 3: to get it. Becky and Danny walk in, still arguing.

1078
00:55:05,719 --> 00:55:08,200
Speaker 3: Jesse has to remind them no fighting in front of

1079
00:55:08,239 --> 00:55:12,040
Speaker 3: the kid. Becky and Danny angrily nod their heads in agreement.

1080
00:55:13,280 --> 00:55:16,120
Speaker 3: DJ assures them it's okay because she's been fighting all day.

1081
00:55:16,440 --> 00:55:19,440
Speaker 3: She tells them about firing Kimmy from the school newspaper

1082
00:55:19,719 --> 00:55:23,240
Speaker 3: and pointedly states that she's now her ex best friend.

1083
00:55:24,280 --> 00:55:27,799
Speaker 3: Danny's size I can't believe I'm saying this. But don't

1084
00:55:27,800 --> 00:55:30,360
Speaker 3: you think you and Kimmy ought to work this out?

1085
00:55:30,760 --> 00:55:33,920
Speaker 3: DJ nods, I am. I'm working on an editorial that's

1086
00:55:33,960 --> 00:55:38,319
Speaker 3: gonna trash her reputation. I've got secrets stored up since kindergarten.

1087
00:55:39,320 --> 00:55:43,359
Speaker 3: Oooh she about to fight dirty? Oh yeah, yep, yeah, yeah,

1088
00:55:43,360 --> 00:55:47,239
Speaker 3: here for it. Yeah. Becky chimes in, but you too,

1089
00:55:47,280 --> 00:55:50,399
Speaker 3: have You guys have been through so much together. You're

1090
00:55:50,440 --> 00:55:54,719
Speaker 3: a team. Like where where where were these Tanners when

1091
00:55:55,120 --> 00:55:58,120
Speaker 3: when Kimmy was in the house and they were insulting her.

1092
00:55:58,280 --> 00:56:02,160
Speaker 3: Now they're coming to her defense, you know, Like right, it's.

1093
00:56:02,080 --> 00:56:05,040
Speaker 1: Very mixed messaging. Right, They're like, we don't want you here, wait,

1094
00:56:05,080 --> 00:56:05,480
Speaker 1: don't leave.

1095
00:56:06,000 --> 00:56:08,880
Speaker 3: It's yeah, they're they're mean to her face, and then

1096
00:56:08,920 --> 00:56:10,680
Speaker 3: they defend her when she's gone.

1097
00:56:11,640 --> 00:56:15,560
Speaker 2: Right, So starry, poor backwards man just never had a changel.

1098
00:56:16,760 --> 00:56:20,040
Speaker 3: So Jesse notes the similarities here. He uses Becky and

1099
00:56:20,120 --> 00:56:23,000
Speaker 3: Danny as an example for DJ. Take a look at

1100
00:56:23,000 --> 00:56:26,320
Speaker 3: these two. They'd never let a little squabble come between them,

1101
00:56:26,680 --> 00:56:29,040
Speaker 3: and Danny and Becky look at each other with hesitation.

1102
00:56:30,320 --> 00:56:33,319
Speaker 3: Joey adds, no matter what your differences are, you and

1103
00:56:33,400 --> 00:56:37,200
Speaker 3: Kimmy have always been there for each other. Right. Becky

1104
00:56:37,200 --> 00:56:40,400
Speaker 3: and Danny share another apologetic look with one another, and

1105
00:56:40,520 --> 00:56:43,520
Speaker 3: Jesse reminds DJ that it doesn't take strength to hold

1106
00:56:43,560 --> 00:56:46,719
Speaker 3: a grudge. It takes strength to let go of one,

1107
00:56:47,320 --> 00:56:48,719
Speaker 3: and the most important, sometimes it.

1108
00:56:48,680 --> 00:56:49,959
Speaker 2: Takes strength to hold on to one.

1109
00:56:50,120 --> 00:56:52,880
Speaker 1: Sometimes you really gotta you really got to grip that grunty,

1110
00:56:53,160 --> 00:56:54,919
Speaker 1: you know, hold on for dear life.

1111
00:56:55,080 --> 00:56:57,759
Speaker 3: True, Yes, that's true. It takes it takes DaMina to

1112
00:56:57,800 --> 00:56:58,800
Speaker 3: hold onto that anger.

1113
00:56:59,320 --> 00:57:01,759
Speaker 2: That's what it takes. It takes stamina. Right, it is

1114
00:57:01,800 --> 00:57:02,600
Speaker 2: a long term.

1115
00:57:02,800 --> 00:57:05,359
Speaker 1: Yeah, it's like a marathon. You know, you gotta really

1116
00:57:05,400 --> 00:57:06,000
Speaker 1: prepare for it.

1117
00:57:07,520 --> 00:57:10,959
Speaker 3: Uh So, the most important thing in friendship is forgiveness.

1118
00:57:11,760 --> 00:57:15,359
Speaker 3: Becky and Danny break after hearing this. They immediately run

1119
00:57:15,400 --> 00:57:18,800
Speaker 3: towards each other, throwing out multiple apologies as they hug.

1120
00:57:19,720 --> 00:57:22,320
Speaker 3: Joey asks DJ, doesn't that make you want to run

1121
00:57:22,360 --> 00:57:25,439
Speaker 3: next door and give Kimmy a big hug? And DJ

1122
00:57:25,560 --> 00:57:28,320
Speaker 3: shakes her head, no, not really, thanks for the talk.

1123
00:57:29,080 --> 00:57:32,160
Speaker 3: She rips her paper out of the typewriter and wonders aloud,

1124
00:57:32,760 --> 00:57:35,280
Speaker 3: I wonder if it's I wonder if cheese for brains

1125
00:57:35,400 --> 00:57:39,560
Speaker 3: is hyphenated, and then she walks away. Jesse sighs, well,

1126
00:57:40,000 --> 00:57:43,840
Speaker 3: at least our speech saved one friendship. Becky tells Danny,

1127
00:57:43,960 --> 00:57:46,480
Speaker 3: if my perkiness ever gets on your nerves, just let

1128
00:57:46,480 --> 00:57:49,280
Speaker 3: me know, and Danny nods in agreement. If I start

1129
00:57:49,280 --> 00:57:52,959
Speaker 3: talking too much or rambling or babbling, and Becky cuts

1130
00:57:53,000 --> 00:57:55,800
Speaker 3: him off, Danny, he puts his hands up in surrender.

1131
00:57:56,080 --> 00:57:59,600
Speaker 3: All shut up. Just then Kimmy walks in carrying a

1132
00:57:59,600 --> 00:58:02,360
Speaker 3: box of things. She announces to the group, this is

1133
00:58:02,400 --> 00:58:04,600
Speaker 3: the last time you'll see Kimmy Gibbler in this house.

1134
00:58:04,920 --> 00:58:08,560
Speaker 3: I'm returning all of your stuff. First, she hands Jesse

1135
00:58:08,680 --> 00:58:12,760
Speaker 3: his hair brush, which is covered in gross hair. You peels,

1136
00:58:12,920 --> 00:58:15,160
Speaker 3: whose hair is that? It wasn't my color?

1137
00:58:15,960 --> 00:58:17,800
Speaker 1: Have you been we you know what? You were probably

1138
00:58:17,800 --> 00:58:19,800
Speaker 1: brushing your ostrich with it? It did?

1139
00:58:20,080 --> 00:58:24,360
Speaker 3: It looked like ostrie colored hair, Yeah, it was.

1140
00:58:24,680 --> 00:58:25,560
Speaker 2: It was the ostriches.

1141
00:58:25,600 --> 00:58:28,680
Speaker 1: Wig is what you were coming? Yeah, because of course

1142
00:58:28,680 --> 00:58:29,440
Speaker 1: the Gibblers have a.

1143
00:58:29,360 --> 00:58:31,200
Speaker 3: Wig for the of course they do, right, Why wouldn't they?

1144
00:58:31,280 --> 00:58:33,000
Speaker 2: Yeah?

1145
00:58:31,480 --> 00:58:35,520
Speaker 3: Yeah, So Jesse peels the hair off in disgust, telling

1146
00:58:35,560 --> 00:58:38,520
Speaker 3: her to keep it. Then she hands which she does.

1147
00:58:38,600 --> 00:58:42,800
Speaker 3: By the way, Hey, you know she's sentimental like that.

1148
00:58:44,040 --> 00:58:47,480
Speaker 3: So she hands Joey's car keys, next, commenting, time for

1149
00:58:47,520 --> 00:58:51,240
Speaker 3: a new car stereo, And Joey has a car. Didn't

1150
00:58:51,280 --> 00:58:54,320
Speaker 3: I back that bitch? That's right? Did he get another car?

1151
00:58:54,640 --> 00:58:57,320
Speaker 2: Well, the insurance, you know, the insurance paid for a

1152
00:58:57,360 --> 00:58:58,400
Speaker 2: new car. That's right.

1153
00:58:58,720 --> 00:58:59,720
Speaker 3: The insurance scams.

1154
00:58:59,760 --> 00:59:02,280
Speaker 1: There's a lot going on in this new car and

1155
00:59:02,320 --> 00:59:04,080
Speaker 1: the car stereo is what got us into that problem

1156
00:59:04,120 --> 00:59:04,680
Speaker 1: in the first place.

1157
00:59:04,760 --> 00:59:06,880
Speaker 3: Right, you're right, he should have ripped that thing right out.

1158
00:59:07,440 --> 00:59:08,360
Speaker 2: Yeah.

1159
00:59:08,520 --> 00:59:12,720
Speaker 3: Lastly, she gives Danny his answering machine beeper, noting, what

1160
00:59:12,880 --> 00:59:15,000
Speaker 3: you don't remember.

1161
00:59:14,760 --> 00:59:15,400
Speaker 1: That is this?

1162
00:59:16,560 --> 00:59:19,160
Speaker 3: What is an answering machine? Okay? You would hold it

1163
00:59:19,240 --> 00:59:22,080
Speaker 3: up when you would pick up your landline. It it

1164
00:59:22,240 --> 00:59:24,800
Speaker 3: was like a device that you put on the phone

1165
00:59:25,320 --> 00:59:27,680
Speaker 3: and for some reason it was it was able you

1166
00:59:27,720 --> 00:59:31,880
Speaker 3: could remotely get to your answering machine messages. I don't

1167
00:59:31,920 --> 00:59:38,400
Speaker 3: know how it worked. It sounds very technologically advanced. But yeah, no,

1168
00:59:38,480 --> 00:59:39,960
Speaker 3: it's like I think my mom had one.

1169
00:59:40,040 --> 00:59:42,560
Speaker 2: It was just so we did have one of those.

1170
00:59:42,560 --> 00:59:45,320
Speaker 3: We are I remember we had like the answering machine.

1171
00:59:45,360 --> 00:59:47,400
Speaker 1: You'd call and like, you know, you, I'll have to

1172
00:59:47,440 --> 00:59:49,080
Speaker 1: let it go through and you'd be like, press whatever

1173
00:59:49,120 --> 00:59:50,720
Speaker 1: your coat is and then it would play.

1174
00:59:50,480 --> 00:59:51,960
Speaker 2: The messages for you.

1175
00:59:52,000 --> 00:59:55,160
Speaker 1: No, even I was like, what in the hell is

1176
00:59:55,200 --> 00:59:56,040
Speaker 1: an answering machine?

1177
00:59:56,080 --> 00:59:58,800
Speaker 3: Before? I don't think they were very popular because, like

1178
00:59:58,840 --> 01:00:01,040
Speaker 3: you said, you could dial in after a while and

1179
01:00:01,080 --> 01:00:03,200
Speaker 3: put in your pin and read your messages. But no,

1180
01:00:03,280 --> 01:00:06,160
Speaker 3: the answering machine, it would have like a curd like

1181
01:00:06,200 --> 01:00:07,080
Speaker 3: a sound to.

1182
01:00:07,080 --> 01:00:12,800
Speaker 2: It when you were getting dial up internet, Like, yeah, okay,

1183
01:00:13,080 --> 01:00:14,280
Speaker 2: this is just Oh.

1184
01:00:14,360 --> 01:00:16,560
Speaker 3: I love this episode for so many.

1185
01:00:16,360 --> 01:00:18,480
Speaker 2: Reasons, and all the things that I'm pulling out of the.

1186
01:00:18,480 --> 01:00:23,800
Speaker 3: Box, I was like, are those It's great? So Kimmy

1187
01:00:23,800 --> 01:00:26,959
Speaker 3: tells them that that's all she borrowed, and Danny corrects her.

1188
01:00:27,280 --> 01:00:31,520
Speaker 3: To borrow, you need consent otherwise it's called stealing. And

1189
01:00:31,600 --> 01:00:34,920
Speaker 3: Kimmy responds, mister t I'll miss your dry sense of

1190
01:00:35,000 --> 01:00:39,880
Speaker 3: humor most of all, and she leaves up up in

1191
01:00:39,880 --> 01:00:43,720
Speaker 3: the girls room, DJ is reading her editorial about Kimmy aloud.

1192
01:00:44,440 --> 01:00:48,160
Speaker 3: By second grade, Kimmy's diseased mind reached a new low.

1193
01:00:48,560 --> 01:00:52,360
Speaker 3: She faked the mumps with two hostess snowballs stuffed in

1194
01:00:52,440 --> 01:00:56,320
Speaker 3: her cheeks. Then Stephanie was the mumps, a thing that

1195
01:00:56,400 --> 01:00:57,320
Speaker 3: was still going around them.

1196
01:00:57,320 --> 01:00:59,960
Speaker 2: I thought we got rid of the mumps in like.

1197
01:01:00,280 --> 01:01:03,920
Speaker 3: Yeah, when did when did the edible vaccine come into existence?

1198
01:01:03,960 --> 01:01:07,520
Speaker 3: You're right? Was mumps still ms rebella? Maybe measles was

1199
01:01:07,560 --> 01:01:15,400
Speaker 3: still around? I felt like chicken measles, chicken measles weas Okay,

1200
01:01:15,640 --> 01:01:16,040
Speaker 3: that was.

1201
01:01:16,080 --> 01:01:18,440
Speaker 2: Like a fifties or sixties thing, sort of, wasn't it.

1202
01:01:18,560 --> 01:01:20,600
Speaker 3: I think so? Well, the joke has to work, and

1203
01:01:20,640 --> 01:01:25,160
Speaker 3: so the visual snowball hosted in your cheeks. I guess

1204
01:01:25,200 --> 01:01:27,280
Speaker 3: I don't know which are delicious, by the way, because

1205
01:01:27,280 --> 01:01:28,960
Speaker 3: they're covered in cocaine. I kind of I kind of

1206
01:01:28,960 --> 01:01:30,160
Speaker 3: feel like one now I love.

1207
01:01:30,040 --> 01:01:31,960
Speaker 2: Those, you know what. They're not as good. I had one,

1208
01:01:32,040 --> 01:01:34,000
Speaker 2: I have one recently. Really doesn't.

1209
01:01:34,080 --> 01:01:34,880
Speaker 3: Yeah, it's a bummer.

1210
01:01:35,360 --> 01:01:36,840
Speaker 2: All the hostess stuff tastes like crap.

1211
01:01:36,840 --> 01:01:37,760
Speaker 3: Now they must have changed the.

1212
01:01:39,240 --> 01:01:42,440
Speaker 1: Yep, they just made it all Yeah, Twinkies tank it

1213
01:01:42,680 --> 01:01:43,840
Speaker 1: doesn't have the same.

1214
01:01:43,960 --> 01:01:46,320
Speaker 3: Not that it is not worth it, not worth it. No.

1215
01:01:47,400 --> 01:01:50,240
Speaker 3: So Steph bolts into the room, panting. As she slams

1216
01:01:50,280 --> 01:01:53,400
Speaker 3: the door shut, she announces, I did it. I lost

1217
01:01:53,400 --> 01:01:56,160
Speaker 3: her going through the doggy door. Just then there's a

1218
01:01:56,280 --> 01:01:59,240
Speaker 3: knock on the bedroom door. She begs, oh, please, don't

1219
01:01:59,280 --> 01:02:01,640
Speaker 3: let it be Michelle Well, but the person on the

1220
01:02:01,640 --> 01:02:05,000
Speaker 3: other side yells it's Kimmy Gibbler and Steph rolls her

1221
01:02:05,000 --> 01:02:09,760
Speaker 3: eyes or Kimmy Gibbler. Kimmy bursts in carrying her box

1222
01:02:09,800 --> 01:02:13,320
Speaker 3: of borrowed items. DJ asks what are you doing here, Gibbler,

1223
01:02:13,720 --> 01:02:17,919
Speaker 3: and Kimmy retorts, bringing back all your stuff Tanner. DJ

1224
01:02:18,080 --> 01:02:21,000
Speaker 3: uses Steph as her messenger, tell Kimmy to leave my

1225
01:02:21,080 --> 01:02:24,320
Speaker 3: stuff and go. So Steph walks over to Kimmy and says,

1226
01:02:24,720 --> 01:02:27,360
Speaker 3: DJ says, get out and get you and your chicken

1227
01:02:27,440 --> 01:02:32,640
Speaker 3: legs out of here. Stefph is so into embellishing these insults,

1228
01:02:33,040 --> 01:02:35,120
Speaker 3: like this is my time, this is yeah.

1229
01:02:35,120 --> 01:02:36,040
Speaker 2: She's living for this.

1230
01:02:36,200 --> 01:02:38,040
Speaker 1: She's like, finally I get to say what I want,

1231
01:02:38,080 --> 01:02:39,520
Speaker 1: cloaked under the veil of being.

1232
01:02:39,320 --> 01:02:43,360
Speaker 3: Helpful, like this is your moment. You've been waiting for

1233
01:02:43,400 --> 01:02:47,880
Speaker 3: this for four seasons, right. So Kimmy gives her response

1234
01:02:47,960 --> 01:02:50,840
Speaker 3: to Stephanie, tell your sister, I want all of my

1235
01:02:51,000 --> 01:02:54,800
Speaker 3: stuff back too, and Stephanie tells her sister. Kimmy says

1236
01:02:54,840 --> 01:02:57,000
Speaker 3: she wants her stuff back so she can leave and

1237
01:02:57,080 --> 01:03:02,400
Speaker 3: never ever come back here again. Ever. Man step is

1238
01:03:02,520 --> 01:03:04,760
Speaker 3: just she's just brutal in this.

1239
01:03:05,320 --> 01:03:06,040
Speaker 2: Yeah.

1240
01:03:06,320 --> 01:03:09,080
Speaker 3: So DJ gets up and snatches a cassette tape off

1241
01:03:09,120 --> 01:03:11,480
Speaker 3: of her shelf. She slams it on the tape in

1242
01:03:11,560 --> 01:03:14,400
Speaker 3: a cassette. See was there a pencil in there? Winding

1243
01:03:15,160 --> 01:03:19,160
Speaker 3: right right? So she slams it on the table in

1244
01:03:19,160 --> 01:03:21,840
Speaker 3: front of Kimmy. Here's the Bananaama tape you got me

1245
01:03:21,880 --> 01:03:25,000
Speaker 3: for my birthday? And Kimmy responds, Yes, that was a

1246
01:03:25,040 --> 01:03:27,720
Speaker 3: real band. Guys. It was named Vina. Oh I love Bananaama.

1247
01:03:28,600 --> 01:03:31,480
Speaker 3: Kimmy responds, shows what you know. I gave you Bananaama

1248
01:03:31,560 --> 01:03:34,240
Speaker 3: for Christmas. For your birthday, I bought you the Bengals.

1249
01:03:35,440 --> 01:03:40,040
Speaker 3: Steph jumps in Bengals Bananarama. What's the difference? What's important

1250
01:03:40,200 --> 01:03:45,120
Speaker 3: is you two are history. You're so funny in this episode.

1251
01:03:46,360 --> 01:03:48,760
Speaker 3: You have one missionferences.

1252
01:03:48,960 --> 01:03:50,560
Speaker 2: Yeah, just get the hell out of here.

1253
01:03:51,520 --> 01:03:55,800
Speaker 3: Kimmy and DJ angrily exchange items with one another, including

1254
01:03:55,840 --> 01:03:56,520
Speaker 3: an Eric.

1255
01:03:56,360 --> 01:03:59,480
Speaker 1: Astre items that are now in the Smithsonian. By the way,

1256
01:04:00,240 --> 01:04:02,920
Speaker 1: I was like, oh my god, the.

1257
01:04:03,040 --> 01:04:07,880
Speaker 3: Eric Estrada chips action figure, like I was. We laughed

1258
01:04:07,920 --> 01:04:09,680
Speaker 3: and like that. This was such a funny scene that

1259
01:04:09,720 --> 01:04:13,360
Speaker 3: Cason I kept breaking because she I can't. When we

1260
01:04:13,720 --> 01:04:17,720
Speaker 3: held it up, the Eric Strada Chips action figure, we

1261
01:04:17,720 --> 01:04:21,240
Speaker 3: would just break laughing because it was so ridiculous, so ridiculous,

1262
01:04:21,240 --> 01:04:24,800
Speaker 3: so ridiculous. The old reticulus Chips was Chips.

1263
01:04:24,800 --> 01:04:27,360
Speaker 1: Even Chips wasn't even still on then, like Chips was

1264
01:04:27,360 --> 01:04:29,800
Speaker 1: on like the early eighties, like it had already been

1265
01:04:30,640 --> 01:04:31,479
Speaker 1: gone and bye bye.

1266
01:04:31,520 --> 01:04:33,880
Speaker 3: I think, why would we as teenage girls have an

1267
01:04:33,920 --> 01:04:35,960
Speaker 3: ericas well? I guess he was cute, So maybe because

1268
01:04:36,520 --> 01:04:38,840
Speaker 3: like everyone had a question. Okay, we were of the

1269
01:04:38,880 --> 01:04:42,800
Speaker 3: age of crushes, so maybe that's why it's just but yeah, there.

1270
01:04:42,720 --> 01:04:44,320
Speaker 2: Wasn't a lot of action figure selection.

1271
01:04:44,600 --> 01:04:48,919
Speaker 1: You know, you had your he Man's, your Eric Estrada's, Yeah,

1272
01:04:49,160 --> 01:04:50,280
Speaker 1: your skeletors.

1273
01:04:50,600 --> 01:04:53,960
Speaker 2: It was not you know, maybe maybe you had some

1274
01:04:54,040 --> 01:04:56,080
Speaker 2: of the the Wildcats or whatever this.

1275
01:04:57,280 --> 01:04:59,400
Speaker 3: Yeah, you know, we were limited. We were limited, so

1276
01:05:00,080 --> 01:05:04,880
Speaker 3: Castrata it was. They also pull out an old retainer

1277
01:05:05,240 --> 01:05:09,320
Speaker 3: and a shrunken head. Steph watches them and admits, you

1278
01:05:09,360 --> 01:05:13,800
Speaker 3: guys had a weird relationship. Indeed, Kimmy is certain that

1279
01:05:13,800 --> 01:05:17,560
Speaker 3: that is not her shrunken head, and DJ insists that

1280
01:05:17,640 --> 01:05:20,760
Speaker 3: it is. She gave it to DJ in the third grade.

1281
01:05:20,800 --> 01:05:23,040
Speaker 3: At the carnival after she got sick from one of

1282
01:05:23,080 --> 01:05:25,479
Speaker 3: those rides. It was supposed to make her feel better,

1283
01:05:26,200 --> 01:05:29,480
Speaker 3: and Kimmy suddenly remembers it fondly. And then you said

1284
01:05:29,520 --> 01:05:32,920
Speaker 3: it looked like our teacher, missus Hunt. DJ grabs the

1285
01:05:32,960 --> 01:05:37,560
Speaker 3: head and admits, actually, Missus Hunt, Missus Hunt's head was smaller.

1286
01:05:39,160 --> 01:05:41,640
Speaker 3: So Stephanie interrupts them, seeing as they're starting to look

1287
01:05:41,640 --> 01:05:45,160
Speaker 3: happy again. Girls, why are we laughing? We're supposed to

1288
01:05:45,200 --> 01:05:50,160
Speaker 3: be fighting. DJ size asking Kimmy, We've been through a

1289
01:05:50,200 --> 01:05:50,640
Speaker 3: lot together.

1290
01:05:50,720 --> 01:05:51,280
Speaker 1: Huh.

1291
01:05:51,840 --> 01:05:54,840
Speaker 3: Steph face drops as she backs up towards her bed. No,

1292
01:05:56,360 --> 01:05:59,040
Speaker 3: Kimmy smiles, Yeah, it'd be a shame to give all

1293
01:05:59,080 --> 01:06:02,480
Speaker 3: this good stuff back. Stephanie is still walking backwards. No.

1294
01:06:04,320 --> 01:06:07,520
Speaker 3: DJ tells Kimmy she's sorry, and Kimmy says the same.

1295
01:06:08,160 --> 01:06:10,720
Speaker 3: They give each other a big hug, and Stephanie shouts

1296
01:06:10,880 --> 01:06:14,680
Speaker 3: no as she crosses her arms against her chest like

1297
01:06:14,720 --> 01:06:20,840
Speaker 3: a vampire and falls backwards onto her bed. Oh so dramatic.

1298
01:06:22,120 --> 01:06:25,320
Speaker 3: Kimmy sighs, I'm sorry about the Gibbler Gazette. I'll tear

1299
01:06:25,360 --> 01:06:28,640
Speaker 3: them all up, and DJ admits I hated what you

1300
01:06:28,680 --> 01:06:31,200
Speaker 3: wrote about me, but I loved the way you wrote it.

1301
01:06:31,680 --> 01:06:33,760
Speaker 3: How would you like to be our new gossip colonist?

1302
01:06:34,600 --> 01:06:37,520
Speaker 3: Kimmy's eyes light up. Really, you want me to poke

1303
01:06:37,600 --> 01:06:40,200
Speaker 3: my nose in other people's business and spread wild rumors

1304
01:06:40,240 --> 01:06:43,720
Speaker 3: around the school. DJ shrugs, you do it anyways, you

1305
01:06:43,800 --> 01:06:47,280
Speaker 3: might as well write it down. Kimmy beams, this is great.

1306
01:06:47,720 --> 01:06:51,080
Speaker 3: We can spend even more time together, and they hug again.

1307
01:06:52,120 --> 01:06:56,720
Speaker 3: Stephanie whins, stop you're killing me, and just then Michelle

1308
01:06:56,720 --> 01:07:00,480
Speaker 3: appears in the doorway and mimics her words, stop me.

1309
01:07:01,440 --> 01:07:04,000
Speaker 3: Stephanie springs out of bed with a devious look on

1310
01:07:04,040 --> 01:07:07,200
Speaker 3: her face. She asks Kimmy if she wants to play shadow.

1311
01:07:07,920 --> 01:07:11,280
Speaker 3: Kimmy responds, no, I hate that game, and then Michelle

1312
01:07:11,320 --> 01:07:15,320
Speaker 3: repeats after Kimmy, no I hate that game. Kimmy tries

1313
01:07:15,320 --> 01:07:18,480
Speaker 3: to get Michelle to stop, but she is relentless. Stephanie

1314
01:07:18,480 --> 01:07:21,720
Speaker 3: silently cheers from in between them and rushes off to freedom.

1315
01:07:22,360 --> 01:07:25,360
Speaker 3: Michelle continues to copy Kimmy word for word, and DJ

1316
01:07:25,480 --> 01:07:28,200
Speaker 3: watches them with a laugh. And this was import like this.

1317
01:07:28,280 --> 01:07:31,680
Speaker 3: They wouldn't cut, so I just kept going. Did you

1318
01:07:31,720 --> 01:07:35,600
Speaker 3: notice that? Oh? I could totally tell they just would

1319
01:07:35,640 --> 01:07:37,040
Speaker 3: I'm like Okay, I guess I'll just keep going till

1320
01:07:37,040 --> 01:07:38,520
Speaker 3: they cut, and they kept rolling.

1321
01:07:38,640 --> 01:07:41,360
Speaker 1: I was like, Joel, I could tell that you were like,

1322
01:07:41,880 --> 01:07:42,600
Speaker 1: stop doing that.

1323
01:07:43,440 --> 01:07:48,200
Speaker 3: Anyone is anyone gonna Joel, He'll cut and it wouldn't comes.

1324
01:07:48,200 --> 01:07:49,800
Speaker 3: I'm like, all right, I guess we'll just keep going.

1325
01:07:50,120 --> 01:07:51,080
Speaker 2: No, it was. It was cute.

1326
01:07:51,360 --> 01:07:53,240
Speaker 1: It was very cute, and I'm very I was glad

1327
01:07:53,240 --> 01:07:55,200
Speaker 1: to see Steph pass on her problems to other.

1328
01:07:55,080 --> 01:07:58,720
Speaker 3: Hey, you know, Steph's a problem solver. She knows what

1329
01:07:58,760 --> 01:07:59,280
Speaker 3: she's doing.

1330
01:07:59,400 --> 01:08:01,440
Speaker 2: Yeah, k if you're going to be here, you're going

1331
01:08:01,520 --> 01:08:02,480
Speaker 2: to take some of this misery.

1332
01:08:02,560 --> 01:08:06,440
Speaker 3: Yeah. Yeah. Oh goodness, well that's that's our show. It

1333
01:08:06,520 --> 01:08:09,480
Speaker 3: was such an episode. Oh, I love it really was.

1334
01:08:09,520 --> 01:08:10,200
Speaker 3: It was fun.

1335
01:08:10,440 --> 01:08:14,520
Speaker 1: It was It highlighted the rampant nepotism of everyone in

1336
01:08:14,520 --> 01:08:15,080
Speaker 1: this family.

1337
01:08:15,160 --> 01:08:18,160
Speaker 3: Yep. There was some fighting. There was some make it up.

1338
01:08:18,200 --> 01:08:18,960
Speaker 3: There was fighting.

1339
01:08:19,200 --> 01:08:19,439
Speaker 2: Yep.

1340
01:08:19,560 --> 01:08:24,320
Speaker 1: Steph, Stephan, DJ, Kimme and DJ had their little moment. Yep.

1341
01:08:24,400 --> 01:08:28,599
Speaker 1: Steph and Michelle were just sort of there driving each

1342
01:08:28,600 --> 01:08:29,160
Speaker 1: other crazy.

1343
01:08:29,360 --> 01:08:30,680
Speaker 2: No, it was. It was very funny though. It was

1344
01:08:30,680 --> 01:08:32,800
Speaker 2: a cute. It was a cute episode. We saw Bitterman again.

1345
01:08:32,920 --> 01:08:33,360
Speaker 3: Bitterman.

1346
01:08:34,000 --> 01:08:37,160
Speaker 2: Oh, any anywhere you look, any everywhere you look.

1347
01:08:37,360 --> 01:08:40,840
Speaker 3: Yes, I had I had one. Where did I put it? Again?

1348
01:08:40,960 --> 01:08:45,000
Speaker 3: Just going off of our you know, ancient items artifacts

1349
01:08:45,000 --> 01:08:49,120
Speaker 3: from the nineties. In the classroom scene by the door,

1350
01:08:49,400 --> 01:08:54,200
Speaker 3: did you see the manual pencil sharpener that was like

1351
01:08:54,439 --> 01:08:58,599
Speaker 3: on the wall, it's attached to the wall. I remember that.

1352
01:08:58,720 --> 01:08:59,759
Speaker 2: That was ranking.

1353
01:09:00,160 --> 01:09:03,000
Speaker 1: Yes, I do, because that was the excuse to get

1354
01:09:03,000 --> 01:09:03,839
Speaker 1: out of my seats.

1355
01:09:04,080 --> 01:09:05,920
Speaker 3: Yes, that was your excuse to stretch your minds.

1356
01:09:06,200 --> 01:09:08,840
Speaker 1: Like every fifteen minutes, I was like I need to go. Well,

1357
01:09:08,880 --> 01:09:10,280
Speaker 1: it was usually like I was like I need to

1358
01:09:10,280 --> 01:09:12,519
Speaker 1: go walk across the room and slyly deliver a note

1359
01:09:12,520 --> 01:09:14,760
Speaker 1: to someone's desk, you know, and like pretend like I'm

1360
01:09:14,760 --> 01:09:16,200
Speaker 1: sharpening a pencil that's already taken.

1361
01:09:16,479 --> 01:09:19,680
Speaker 3: Yes, Like those things were great, and there you had different.

1362
01:09:19,640 --> 01:09:22,000
Speaker 2: Different it always and you'd hear that. I can hear

1363
01:09:22,040 --> 01:09:22,479
Speaker 2: it in.

1364
01:09:22,400 --> 01:09:25,160
Speaker 3: My head, the grinding, you know, and then your butt

1365
01:09:25,200 --> 01:09:27,639
Speaker 3: would always like shake a little bit with the movement

1366
01:09:27,720 --> 01:09:28,360
Speaker 3: of the crank.

1367
01:09:28,760 --> 01:09:32,000
Speaker 1: Yeah, yeah, yeah, and then and yeah, and and then

1368
01:09:32,520 --> 01:09:35,400
Speaker 1: like it all changed when the electric pencil sharp I

1369
01:09:35,439 --> 01:09:36,400
Speaker 1: know came you know.

1370
01:09:36,479 --> 01:09:37,160
Speaker 2: Then that was a thing.

1371
01:09:37,240 --> 01:09:39,920
Speaker 3: I loved those manual pencil sharp Those were great.

1372
01:09:39,960 --> 01:09:41,920
Speaker 1: Remember what your friends used to get, Like take the

1373
01:09:41,960 --> 01:09:44,200
Speaker 1: pencil and they let it get so short that they

1374
01:09:44,240 --> 01:09:46,720
Speaker 1: could barely put it in the little thing and turn it.

1375
01:09:47,040 --> 01:09:48,840
Speaker 3: Like did we have I never got there? I never

1376
01:09:48,840 --> 01:09:50,640
Speaker 3: got there with one? Why? Why? Why was that was

1377
01:09:50,680 --> 01:09:52,040
Speaker 3: just a thing that we did.

1378
01:09:52,439 --> 01:09:54,080
Speaker 2: It's just a thing that we did. Yeah, Like, I'm

1379
01:09:54,120 --> 01:09:56,880
Speaker 2: going to use this pencil until there's nothing left.

1380
01:09:57,280 --> 01:09:59,599
Speaker 3: Okay, man, this is the days.

1381
01:09:59,400 --> 01:10:00,000
Speaker 2: Before the internet.

1382
01:10:00,040 --> 01:10:03,960
Speaker 1: This is what we said, how we sharpened pencils to content.

1383
01:10:04,200 --> 01:10:07,040
Speaker 3: Yes, it's the kids these days. Don't know what they're

1384
01:10:07,040 --> 01:10:10,680
Speaker 3: missing out on. Don't know what they're missing. Pencil sharpeners

1385
01:10:11,320 --> 01:10:16,400
Speaker 3: on the eric Estrata, action figures, answering machine, beeper, come on.

1386
01:10:17,880 --> 01:10:19,440
Speaker 2: The things we're missing today.

1387
01:10:20,080 --> 01:10:22,720
Speaker 1: Everyone that's younger than us listening to this is like,

1388
01:10:22,760 --> 01:10:25,639
Speaker 1: oh my god, how did they live.

1389
01:10:25,560 --> 01:10:29,640
Speaker 3: Like you's so ancient? Did you have any everywhere? It

1390
01:10:29,680 --> 01:10:32,120
Speaker 3: looks I did have an everywhere you look?

1391
01:10:32,360 --> 01:10:38,879
Speaker 1: Uh so in this scene, uh where they're shooting the commercial.

1392
01:10:40,880 --> 01:10:45,559
Speaker 1: The camera operator who was a woman, there was one

1393
01:10:45,600 --> 01:10:47,000
Speaker 1: of our camera operators.

1394
01:10:47,040 --> 01:10:49,800
Speaker 3: Oh okay, I didn't it was the one.

1395
01:10:49,920 --> 01:10:52,559
Speaker 1: It was the one female camera operator that we had

1396
01:10:53,000 --> 01:10:56,880
Speaker 1: for a few seasons. There were camera departments are are

1397
01:10:57,600 --> 01:11:01,439
Speaker 1: notoriously very male heavy, so you don't, uh, it's that's

1398
01:11:01,520 --> 01:11:03,200
Speaker 1: changing a lot though. I've had a lot of great

1399
01:11:03,360 --> 01:11:07,360
Speaker 1: female camera ops and and dps lately. But you know,

1400
01:11:07,400 --> 01:11:11,760
Speaker 1: it used to be really rare to see women camera operators,

1401
01:11:11,760 --> 01:11:12,639
Speaker 1: and she was one of ours.

1402
01:11:13,000 --> 01:11:16,240
Speaker 3: It wasn't dead was it wasn't It wasn't it was.

1403
01:11:16,280 --> 01:11:19,000
Speaker 2: I want to I want to say Ellen.

1404
01:11:18,840 --> 01:11:21,519
Speaker 3: Okay, I don't remember, I don't remember her name.

1405
01:11:22,000 --> 01:11:25,680
Speaker 1: But I'm sure yeah, But but anyway, I recognized her

1406
01:11:25,760 --> 01:11:28,599
Speaker 1: as one of our yeah, one of our camera operators. Yeah.

1407
01:11:28,600 --> 01:11:32,120
Speaker 1: And then on on Fuller we had and Deb O'Brien

1408
01:11:32,120 --> 01:11:34,439
Speaker 1: who was on Fuller with us, had done you know,

1409
01:11:34,479 --> 01:11:37,920
Speaker 1: some episodes when we were younger, but really was one

1410
01:11:37,920 --> 01:11:38,679
Speaker 1: of the one.

1411
01:11:38,600 --> 01:11:41,200
Speaker 3: Of our great camera ops. Was about Yeah I love

1412
01:11:41,280 --> 01:11:43,960
Speaker 3: de Yeah me too, but yeah.

1413
01:11:43,760 --> 01:11:45,959
Speaker 1: That was that was what I noticed, is I was like, oh,

1414
01:11:46,280 --> 01:11:48,760
Speaker 1: I know the back of that, that's great. Yeah.

1415
01:11:49,200 --> 01:11:50,960
Speaker 3: I wonder if they get paid extra. I know she

1416
01:11:50,960 --> 01:11:52,920
Speaker 3: didn't have any lines, but I wonder, just being in

1417
01:11:52,960 --> 01:11:55,640
Speaker 3: the shot and operating that little camera, I wonder if

1418
01:11:55,640 --> 01:11:57,600
Speaker 3: they get paid extra. Probably not. This was This was

1419
01:11:57,640 --> 01:11:58,160
Speaker 3: the nineties.

1420
01:11:58,240 --> 01:12:02,320
Speaker 1: No, they're like, we don't even your face, that's true. Yeah,

1421
01:12:02,439 --> 01:12:04,000
Speaker 1: they're like, don't you dare turn around, we'll.

1422
01:12:03,840 --> 01:12:04,439
Speaker 2: Have to pay any more.

1423
01:12:05,520 --> 01:12:07,719
Speaker 3: And then the makeup artists that come in and powder,

1424
01:12:08,600 --> 01:12:11,280
Speaker 3: I can't any of them I recognize them, So I

1425
01:12:11,280 --> 01:12:13,439
Speaker 3: don't I didn't either don't know. I don't think they

1426
01:12:13,439 --> 01:12:15,360
Speaker 3: were our makeup artists. I don't know if they were

1427
01:12:15,400 --> 01:12:18,000
Speaker 3: just stand downs or I don't know who they were Rando's.

1428
01:12:18,080 --> 01:12:18,559
Speaker 3: I don't know.

1429
01:12:19,439 --> 01:12:20,240
Speaker 2: Yeah, who who?

1430
01:12:21,040 --> 01:12:21,240
Speaker 1: Who?

1431
01:12:21,280 --> 01:12:21,920
Speaker 3: Did they know?

1432
01:12:22,000 --> 01:12:23,400
Speaker 2: Who's whose? Nepotism?

1433
01:12:23,680 --> 01:12:28,599
Speaker 3: Uh, you know, somebody's cousin or something.

1434
01:12:28,760 --> 01:12:33,120
Speaker 1: Somebody right right, somebody's cousin. Yeah, basically no, no, but

1435
01:12:33,240 --> 01:12:35,840
Speaker 1: everyone on this show and on the wake Up San

1436
01:12:35,880 --> 01:12:39,679
Speaker 1: Francisco just we don't get paid. We just all work.

1437
01:12:39,560 --> 01:12:42,840
Speaker 3: For each other. We just all hire our friends and family. Right.

1438
01:12:44,400 --> 01:12:48,479
Speaker 3: The nepotism runs strong. Oh it does, it does? Well.

1439
01:12:49,120 --> 01:12:51,280
Speaker 2: That was what I had for this episode. That's all

1440
01:12:51,560 --> 01:12:53,639
Speaker 2: you have anything, That's all that's all I got.

1441
01:12:53,760 --> 01:12:55,080
Speaker 3: I love them. It was great.

1442
01:12:56,120 --> 01:12:57,800
Speaker 2: Yes, it was very it was very cute.

1443
01:12:57,800 --> 01:13:01,280
Speaker 1: You were hilarious and you were really really funny.

1444
01:13:01,400 --> 01:13:03,960
Speaker 3: And this was this was DJ and Kimmy's second fight

1445
01:13:04,600 --> 01:13:08,000
Speaker 3: The first one was I think season two where Kimmy

1446
01:13:08,040 --> 01:13:11,400
Speaker 3: walked out on her birthday party to be the cool girls.

1447
01:13:12,720 --> 01:13:15,200
Speaker 3: So this is our second fight. I mean, we have

1448
01:13:15,240 --> 01:13:15,920
Speaker 3: many more to go.

1449
01:13:16,000 --> 01:13:19,760
Speaker 2: But uh, I mean very typical for you know, so.

1450
01:13:19,840 --> 01:13:23,200
Speaker 3: Typical, so typical. But I do love watching them work

1451
01:13:23,240 --> 01:13:24,840
Speaker 3: it out. They always work it out.

1452
01:13:25,200 --> 01:13:29,000
Speaker 1: So yeah, and I will say Kimmy, Kimmy goes for

1453
01:13:29,080 --> 01:13:32,640
Speaker 1: it like she she's like, oh, oh, you're gonna.

1454
01:13:32,360 --> 01:13:34,880
Speaker 3: You will feel the wrath of She plays dirty. She

1455
01:13:35,080 --> 01:13:38,160
Speaker 3: plays dirty at times, and this is she does.

1456
01:13:38,800 --> 01:13:41,519
Speaker 1: But she's gotta you know, she got to stand up

1457
01:13:41,560 --> 01:13:43,680
Speaker 1: for herself nobody else. Yes, you're right, somebody else is

1458
01:13:43,720 --> 01:13:46,400
Speaker 1: standing up for Kimmy. So she's like, I've learned you

1459
01:13:46,400 --> 01:13:47,040
Speaker 1: gotta be harsh.

1460
01:13:47,320 --> 01:13:50,519
Speaker 3: Yep, It's it's true, Kimmy. Kimmy's just trying to survive

1461
01:13:50,560 --> 01:13:52,520
Speaker 3: out there.

1462
01:13:52,600 --> 01:13:54,760
Speaker 2: Kimmy Kimmy.

1463
01:13:55,160 --> 01:13:57,479
Speaker 1: Well, thank you guys so much for listening. Fan Ritos,

1464
01:13:58,080 --> 01:14:02,000
Speaker 1: we just we adore you guys again, for anybody that's

1465
01:14:02,000 --> 01:14:04,479
Speaker 1: been affected by all the craziness of the fires and

1466
01:14:04,479 --> 01:14:05,400
Speaker 1: stuff here in La.

1467
01:14:06,000 --> 01:14:06,479
Speaker 3: We love you.

1468
01:14:06,840 --> 01:14:07,599
Speaker 2: We're here for you.

1469
01:14:07,760 --> 01:14:11,280
Speaker 1: We hope that you have all of the help and

1470
01:14:11,320 --> 01:14:13,400
Speaker 1: the and the family and the love and.

1471
01:14:13,360 --> 01:14:14,439
Speaker 2: The resources that you need.

1472
01:14:15,240 --> 01:14:17,120
Speaker 1: People who are doing some really great work out here

1473
01:14:17,520 --> 01:14:19,759
Speaker 1: showing up and helping and doing all kinds of stuff.

1474
01:14:19,800 --> 01:14:23,720
Speaker 1: So I hope that it all continues and it all

1475
01:14:23,760 --> 01:14:27,240
Speaker 1: sort of dies down, and that we will be seeing

1476
01:14:27,240 --> 01:14:28,240
Speaker 1: the end of this very soon.

1477
01:14:28,360 --> 01:14:29,879
Speaker 2: Yes, thank you, fan of ritos.

1478
01:14:29,920 --> 01:14:32,760
Speaker 1: If you want to check in with us on Instagram,

1479
01:14:32,800 --> 01:14:35,040
Speaker 1: you can follow us at how Rude Podcast. You can

1480
01:14:35,080 --> 01:14:37,160
Speaker 1: also send us messages on there. We we have a

1481
01:14:37,160 --> 01:14:38,920
Speaker 1: lot of polls up there. We ask a lot of

1482
01:14:39,000 --> 01:14:41,960
Speaker 1: questions things that we that we want to you know, know,

1483
01:14:42,040 --> 01:14:43,800
Speaker 1: what you guys want to see, what do you want

1484
01:14:43,840 --> 01:14:47,160
Speaker 1: to hear? And then we ignore it, but then we

1485
01:14:48,560 --> 01:14:50,479
Speaker 1: know and then we take those things to heart and

1486
01:14:50,479 --> 01:14:50,960
Speaker 1: we love.

1487
01:14:50,880 --> 01:14:52,599
Speaker 2: Hearing from our listeners. So we love you guys.

1488
01:14:53,200 --> 01:14:57,559
Speaker 1: And also you can email the podcast at how Arude

1489
01:14:57,640 --> 01:14:59,800
Speaker 1: tanner Rito's at gmail dot com.

1490
01:15:00,120 --> 01:15:01,880
Speaker 3: I don't even see that written in the notes, like

1491
01:15:01,960 --> 01:15:02,800
Speaker 3: that's impressive.

1492
01:15:03,280 --> 01:15:07,920
Speaker 1: It's not brought it out of my mind, I know,

1493
01:15:08,320 --> 01:15:11,400
Speaker 1: I know. All I remembered was it's not Howard podcast.

1494
01:15:12,080 --> 01:15:15,000
Speaker 1: So the I was like, it's simpler than that. It's

1495
01:15:15,040 --> 01:15:17,519
Speaker 1: the name of the show. So yeah, yeah, job.

1496
01:15:18,080 --> 01:15:19,880
Speaker 3: I was proud of my if you look at me, go,

1497
01:15:20,320 --> 01:15:23,599
Speaker 3: even a broken talk is right twice a day, right, right?

1498
01:15:23,680 --> 01:15:27,120
Speaker 1: Even? Yeah, what even a blind chicken gets a few

1499
01:15:27,160 --> 01:15:30,360
Speaker 1: kernels of corn now and then you know, yeah.

1500
01:15:30,080 --> 01:15:30,960
Speaker 3: Well done, sweet?

1501
01:15:32,479 --> 01:15:35,759
Speaker 1: Well anyway, you guys, uh yeah, send us messages, emails,

1502
01:15:35,840 --> 01:15:36,240
Speaker 1: d ms.

1503
01:15:36,280 --> 01:15:40,720
Speaker 3: We'd love to hear from you, and what else. We'll

1504
01:15:40,760 --> 01:15:41,160
Speaker 3: be back.

1505
01:15:41,439 --> 01:15:43,840
Speaker 1: Oh but we'll be back next week. Yeah, we'll be

1506
01:15:43,880 --> 01:15:45,599
Speaker 1: back next week. I almost forgot the most important thing.

1507
01:15:46,000 --> 01:15:46,960
Speaker 1: We'll be back next week.

1508
01:15:47,040 --> 01:15:47,960
Speaker 3: Of course we will.

1509
01:15:48,000 --> 01:15:52,080
Speaker 2: Remember the world is small, but the house is full

1510
01:15:53,160 --> 01:15:54,519
Speaker 2: of nepotism.

1511
01:15:54,120 --> 01:15:55,080
Speaker 3: Is it?

1512
01:15:55,160 --> 01:16:00,519
Speaker 1: Is it just brimming with nepotism, just full up all

1513
01:16:00,520 --> 01:16:03,439
Speaker 1: the way to be addic yep, yeah, every every character,

1514
01:16:03,840 --> 01:16:07,800
Speaker 1: every single character. I wish my family or anyone that

1515
01:16:07,840 --> 01:16:10,120
Speaker 1: I knew had this level of nepotism.

1516
01:16:10,800 --> 01:16:12,840
Speaker 3: It would be working a lot, Yeah, it would be

1517
01:16:12,880 --> 01:16:15,880
Speaker 3: gainfully employed all the time. Right, I'd be living in

1518
01:16:15,880 --> 01:16:21,680
Speaker 3: someone's attic with a recording studio. All right, we love you.