1 00:00:01,960 --> 00:00:05,520 Speaker 1: Hey, guys, welcome to I have never said this before 2 00:00:05,880 --> 00:00:10,080 Speaker 1: with me Tommy di Dario. Today's guest is the brilliantly 3 00:00:10,160 --> 00:00:13,280 Speaker 1: talented Ed Westwick. Now you may know Ed from his 4 00:00:13,360 --> 00:00:16,600 Speaker 1: breakout role of Chuck Bass in the pop culture phenomenon 5 00:00:16,720 --> 00:00:20,200 Speaker 1: known as gossip Girl. You know you love me xoxo 6 00:00:20,640 --> 00:00:24,160 Speaker 1: gossip Girl. Yeah, I had to do it just once. Okay, 7 00:00:24,200 --> 00:00:27,720 Speaker 1: I'm mortified, moving on. The show is based off the 8 00:00:27,800 --> 00:00:33,000 Speaker 1: tremendously popular book series which catapulted ed into international stardom. 9 00:00:33,080 --> 00:00:35,120 Speaker 1: Now Ed and I we are around the same age, 10 00:00:35,159 --> 00:00:37,760 Speaker 1: so I grew up watching the show and loving every 11 00:00:37,880 --> 00:00:41,000 Speaker 1: single second of it. It really was iconic, and because 12 00:00:41,040 --> 00:00:44,360 Speaker 1: of streaming, younger generations are falling in love with the 13 00:00:44,440 --> 00:00:47,040 Speaker 1: series as well, which I know for Ed is pretty 14 00:00:47,040 --> 00:00:49,760 Speaker 1: cool to see. Ed has gone on to play so 15 00:00:49,920 --> 00:00:53,800 Speaker 1: many other incredible characters in film and TV. But out 16 00:00:53,880 --> 00:00:57,600 Speaker 1: now is his new movie Dark Game. He plays a 17 00:00:57,680 --> 00:01:00,080 Speaker 1: determined detective who was in a race against time to 18 00:01:00,160 --> 00:01:03,560 Speaker 1: stop a twisted game show on the dark Web where 19 00:01:03,560 --> 00:01:07,840 Speaker 1: captives are forced to compete for their lives. Yeah, the 20 00:01:07,880 --> 00:01:09,800 Speaker 1: movie is gonna have you at the edge of your seats. 21 00:01:09,880 --> 00:01:12,560 Speaker 1: It is so well done. It's everything the more that 22 00:01:12,600 --> 00:01:16,720 Speaker 1: you want in a suspenseful, thrilling, semi horror type of film. 23 00:01:17,040 --> 00:01:19,920 Speaker 1: And today we dive into the movie. We're gonna revisit 24 00:01:19,959 --> 00:01:22,959 Speaker 1: his old friend Chuck Bass from Gossip Girl, of course, 25 00:01:23,480 --> 00:01:27,960 Speaker 1: and we even get a little philosophical. So let's see 26 00:01:27,959 --> 00:01:30,440 Speaker 1: if today we can get Ed to say something that 27 00:01:30,520 --> 00:01:41,039 Speaker 1: he has never said before. Ed Westwickman, Man, how you 28 00:01:41,080 --> 00:01:41,720 Speaker 1: doing today? 29 00:01:42,200 --> 00:01:42,520 Speaker 2: Tell me? 30 00:01:42,640 --> 00:01:44,759 Speaker 3: I'm doing so good. It's great to be with you, man. 31 00:01:44,800 --> 00:01:45,640 Speaker 3: Thank you for having me. 32 00:01:46,080 --> 00:01:48,080 Speaker 1: I'm so psyched to have you. We have so much 33 00:01:48,080 --> 00:01:49,880 Speaker 1: to talk about. You have a lot going on right now. 34 00:01:49,880 --> 00:01:53,200 Speaker 1: But before we jump into your brand new movie, I 35 00:01:53,240 --> 00:01:55,920 Speaker 1: gotta say, I feel like you just set the Internet 36 00:01:55,960 --> 00:01:58,240 Speaker 1: on fire and you knew what you were doing. 37 00:01:58,280 --> 00:01:59,760 Speaker 2: Do you have any idea what I'm referring to. 38 00:02:00,520 --> 00:02:02,360 Speaker 4: I'm going to take a wild guess here. He's talking 39 00:02:02,400 --> 00:02:03,280 Speaker 4: about my engagement. 40 00:02:03,840 --> 00:02:07,080 Speaker 1: Okay, good guess, and that could be wrong, but that's 41 00:02:07,120 --> 00:02:07,880 Speaker 1: actually wrong? 42 00:02:08,680 --> 00:02:10,960 Speaker 4: Holy cow? Okay, no, what is it? Tell me? 43 00:02:11,440 --> 00:02:13,840 Speaker 1: You were in New York, you put up a post, 44 00:02:14,680 --> 00:02:18,240 Speaker 1: you visited the Palace Hotel, and you kind of slipped 45 00:02:18,240 --> 00:02:21,000 Speaker 1: back into your character of Chuck Bass's shoes. You knew 46 00:02:21,000 --> 00:02:22,880 Speaker 1: what you were doing with that post, didn't you? 47 00:02:23,040 --> 00:02:24,880 Speaker 3: One hundred percent? I knew what I was doing, And 48 00:02:24,919 --> 00:02:26,959 Speaker 3: you know what it is, Tommy. The reason why I 49 00:02:27,000 --> 00:02:29,720 Speaker 3: said the engagement because it's the biggest thing in my life, 50 00:02:29,720 --> 00:02:32,520 Speaker 3: of course, but we just had so much going on 51 00:02:32,639 --> 00:02:35,800 Speaker 3: right now. It's been such great period in my life. 52 00:02:35,840 --> 00:02:38,440 Speaker 3: There's amazing stuff. I feel super blessed, super grateful with 53 00:02:38,520 --> 00:02:39,679 Speaker 3: so much support out there. 54 00:02:40,040 --> 00:02:41,880 Speaker 4: It's really cool. But I mean, yeah, I went to 55 00:02:41,919 --> 00:02:42,400 Speaker 4: New York. 56 00:02:42,480 --> 00:02:45,400 Speaker 3: I was doing promotion for the movie we're probably going 57 00:02:45,480 --> 00:02:47,639 Speaker 3: to talk about, and I thought. 58 00:02:47,520 --> 00:02:51,160 Speaker 4: You know what I'm here, let's go buy an older 59 00:02:51,440 --> 00:02:53,200 Speaker 4: stomping ground as it were, you know. 60 00:02:53,320 --> 00:02:55,360 Speaker 3: So I went back over to the Palace, which was 61 00:02:55,360 --> 00:02:58,040 Speaker 3: the place where we shot the pilot opening scenes. 62 00:02:58,080 --> 00:03:00,639 Speaker 4: I had all of these flashback what's happening. 63 00:03:00,720 --> 00:03:02,320 Speaker 3: It was like it was like a scene in a 64 00:03:02,400 --> 00:03:05,320 Speaker 3: show where the character has a flashback. And I'm not 65 00:03:05,360 --> 00:03:08,400 Speaker 3: somebody in real life who actually has flashbacks, but I 66 00:03:08,440 --> 00:03:10,280 Speaker 3: swear to god, I had flashbacks like. 67 00:03:10,240 --> 00:03:12,800 Speaker 4: It was a TV show. And the weird thing is 68 00:03:12,840 --> 00:03:15,640 Speaker 4: I had flashbacks on the TV show. So I h. 69 00:03:16,400 --> 00:03:18,560 Speaker 3: Yeah, we were there and we were like, oh my god, 70 00:03:18,560 --> 00:03:20,720 Speaker 3: we've got to take a picture. We got to, you know, 71 00:03:20,919 --> 00:03:23,120 Speaker 3: play with people in a good way and let them 72 00:03:23,160 --> 00:03:26,399 Speaker 3: know that I'm back and was thinking about these old times, 73 00:03:26,520 --> 00:03:29,240 Speaker 3: and so many good memories from New York, so many 74 00:03:29,240 --> 00:03:30,280 Speaker 3: good memories from Gossip. 75 00:03:30,760 --> 00:03:31,640 Speaker 4: It was wonderful. 76 00:03:31,680 --> 00:03:34,239 Speaker 3: And do you know what, People still watch the show, 77 00:03:34,320 --> 00:03:36,480 Speaker 3: They still talk about it. I still take pictures with 78 00:03:36,520 --> 00:03:39,240 Speaker 3: people who are fans of it. It blows my mind. 79 00:03:39,280 --> 00:03:42,120 Speaker 3: It's got a real legacy. Wow, what are things to 80 00:03:42,120 --> 00:03:42,680 Speaker 3: be involved in? 81 00:03:42,880 --> 00:03:44,680 Speaker 1: People are crazy over that post and that was so 82 00:03:44,760 --> 00:03:46,880 Speaker 1: much fun. And we'll reflect back on that a little 83 00:03:46,880 --> 00:03:50,520 Speaker 1: bit later. But let's get into Dark Game, because man, 84 00:03:50,600 --> 00:03:54,080 Speaker 1: the movie is terrifying. It's gruesome, it has you at. 85 00:03:54,000 --> 00:03:54,920 Speaker 2: The edge of your seat. 86 00:03:55,160 --> 00:03:59,520 Speaker 1: It's horror, it's mystery, it's all the things. So what 87 00:03:59,840 --> 00:04:02,120 Speaker 1: you say yes to wanting to do this type of 88 00:04:02,120 --> 00:04:02,880 Speaker 1: a movie. 89 00:04:03,080 --> 00:04:07,000 Speaker 3: I mean, first and foremost, I'd never played a detective, 90 00:04:07,080 --> 00:04:13,160 Speaker 3: I never played a cop. I was fascinated by that character, 91 00:04:13,240 --> 00:04:14,960 Speaker 3: and I think a lot of people are, and I 92 00:04:14,960 --> 00:04:16,679 Speaker 3: think maybe it's common for actors. 93 00:04:16,720 --> 00:04:17,360 Speaker 4: I don't know. 94 00:04:17,920 --> 00:04:20,520 Speaker 3: It seems to be like a type of character that 95 00:04:20,560 --> 00:04:22,400 Speaker 3: we see a lot of in terms of. 96 00:04:22,320 --> 00:04:24,320 Speaker 4: That genre, and that's understandable. 97 00:04:24,440 --> 00:04:31,040 Speaker 3: Right, because it's this very individual, specialized thing that not 98 00:04:31,080 --> 00:04:33,039 Speaker 3: a lot of people want to do and not a 99 00:04:33,040 --> 00:04:36,719 Speaker 3: lot of people want to really experience because it's heavy. 100 00:04:36,960 --> 00:04:39,800 Speaker 3: You know, you're going to see some traumatizing stuff, You're 101 00:04:39,800 --> 00:04:42,400 Speaker 3: going to be involved in probably what the worst of 102 00:04:42,480 --> 00:04:43,599 Speaker 3: society has. 103 00:04:43,640 --> 00:04:44,520 Speaker 4: You're going to experience that. 104 00:04:44,640 --> 00:04:47,880 Speaker 3: So look, as an actor, maybe it's a safe way 105 00:04:47,880 --> 00:04:51,120 Speaker 3: of experiencing that. Of course it's not really experiencing it, 106 00:04:51,400 --> 00:04:55,160 Speaker 3: but it's just interesting to get to play in that world. 107 00:04:55,839 --> 00:04:59,080 Speaker 3: I find that as a movie fan and as a 108 00:04:59,120 --> 00:05:02,280 Speaker 3: TV fan, I love these kind of things. I love 109 00:05:02,320 --> 00:05:05,560 Speaker 3: True Detective, I love Heat, I love Seven. These are 110 00:05:05,880 --> 00:05:09,360 Speaker 3: iconic productions for me. So I was like, I want 111 00:05:09,400 --> 00:05:11,640 Speaker 3: to play that kind of a role, you know. So 112 00:05:12,800 --> 00:05:15,040 Speaker 3: that's what drew me in. I'd worked with the producer 113 00:05:15,080 --> 00:05:17,640 Speaker 3: before he said he had this project. 114 00:05:17,720 --> 00:05:17,880 Speaker 2: You know. 115 00:05:17,920 --> 00:05:20,640 Speaker 3: We made this movie for not a lot of money. 116 00:05:21,240 --> 00:05:24,159 Speaker 3: It's always a great challenge making movies. This was a 117 00:05:24,160 --> 00:05:26,800 Speaker 3: great challenge. I feel so blessed that we put together 118 00:05:26,839 --> 00:05:29,480 Speaker 3: something that's the looks and feels as it does. And 119 00:05:29,520 --> 00:05:31,760 Speaker 3: all the feedback I'm getting on social media people that 120 00:05:31,839 --> 00:05:33,240 Speaker 3: love in the movie, which is great. 121 00:05:33,760 --> 00:05:35,080 Speaker 4: But that's what drew me to it. 122 00:05:35,080 --> 00:05:37,000 Speaker 3: It was the genre, the fact I had not done 123 00:05:37,040 --> 00:05:39,479 Speaker 3: anything like that, and knowing that I have an ease 124 00:05:39,520 --> 00:05:43,080 Speaker 3: of way of working with Tom the producer. 125 00:05:43,320 --> 00:05:46,279 Speaker 1: So playing a detective live up to your expectation since 126 00:05:46,279 --> 00:05:48,320 Speaker 1: you've always wanted to step into that kind of role. 127 00:05:48,720 --> 00:05:51,839 Speaker 3: One D plus, I just come off a movie where 128 00:05:51,880 --> 00:05:55,559 Speaker 3: I was playing a bit of a just a nice 129 00:05:55,600 --> 00:05:58,159 Speaker 3: guy who was caught up in a difficult Situation's a 130 00:05:58,200 --> 00:06:02,080 Speaker 3: survival thriller called Deep Fear, And you know, it was 131 00:06:02,120 --> 00:06:04,000 Speaker 3: just he was just a nice guy, you know. It 132 00:06:04,120 --> 00:06:07,720 Speaker 3: was a nice guy getting on with his life. This 133 00:06:07,880 --> 00:06:11,960 Speaker 3: character in Dark Game, he's flawed, not his own kind 134 00:06:12,000 --> 00:06:16,040 Speaker 3: of cause his family are brutally murdered, essentially, and that's 135 00:06:16,080 --> 00:06:19,600 Speaker 3: what drives him to become a detective. And then he's 136 00:06:19,640 --> 00:06:21,640 Speaker 3: caught up in this whole story that takes place in 137 00:06:21,720 --> 00:06:24,479 Speaker 3: the movie. But I was drawn to it in that regard. 138 00:06:24,520 --> 00:06:26,360 Speaker 3: I wanted to do something different, right, just come from 139 00:06:26,360 --> 00:06:28,560 Speaker 3: from this character. It was a bit lighter. Wanted to 140 00:06:28,560 --> 00:06:31,000 Speaker 3: play something darker. It's always a nice way to do 141 00:06:31,040 --> 00:06:35,039 Speaker 3: it if you have those opportunities, you know. But it 142 00:06:35,160 --> 00:06:38,520 Speaker 3: was great, It was great. It was really moody, and 143 00:06:38,560 --> 00:06:40,599 Speaker 3: I like doing Moody, and people like it when I 144 00:06:40,600 --> 00:06:42,320 Speaker 3: do Moody. You know, I think they like it when 145 00:06:42,360 --> 00:06:43,000 Speaker 3: I do Moody. 146 00:06:43,360 --> 00:06:43,600 Speaker 4: You know. 147 00:06:43,720 --> 00:06:47,440 Speaker 2: So you give good Moody, you give good my. 148 00:06:47,360 --> 00:06:48,880 Speaker 4: Fiance, I'll tell you I'm pretty moody. 149 00:06:48,880 --> 00:06:49,280 Speaker 2: No, I'm jo. 150 00:06:49,760 --> 00:06:52,000 Speaker 4: We're all mood I'm a Ktsarian, you know. 151 00:06:52,080 --> 00:06:54,640 Speaker 3: I think it's I think it's one of those things 152 00:06:54,680 --> 00:06:56,440 Speaker 3: that you're just born with. 153 00:06:56,520 --> 00:06:57,920 Speaker 4: I'm an actor, I'm an artist. 154 00:06:57,960 --> 00:07:00,240 Speaker 2: You get it, you know, Yeah, I get it, man, 155 00:07:00,279 --> 00:07:00,960 Speaker 2: I get it well. 156 00:07:00,960 --> 00:07:02,880 Speaker 1: And what's so cool about this movie is, you know, 157 00:07:02,960 --> 00:07:05,320 Speaker 1: even if you're not the biggest horror fan or you 158 00:07:05,360 --> 00:07:07,720 Speaker 1: get freaked out easily or kind of scared, it's a 159 00:07:07,839 --> 00:07:10,680 Speaker 1: very smart film. And I think it's very relevant to 160 00:07:10,840 --> 00:07:13,080 Speaker 1: this day and age. Would you say the same thing. 161 00:07:13,400 --> 00:07:15,960 Speaker 3: Oh, one hundred percent would. I think it's got a 162 00:07:16,000 --> 00:07:18,160 Speaker 3: real sitgeist thing going on. 163 00:07:18,400 --> 00:07:20,440 Speaker 4: You know, these crimes are. 164 00:07:20,280 --> 00:07:22,880 Speaker 3: Taking place on the dark Web, right, and we're all 165 00:07:23,000 --> 00:07:26,160 Speaker 3: kind of becoming more familiar with this thing that is 166 00:07:26,200 --> 00:07:28,800 Speaker 3: the dark Web, and it's the sinister place, and there's 167 00:07:29,200 --> 00:07:33,640 Speaker 3: nefarious activities taking place on there, you know, and it's 168 00:07:33,640 --> 00:07:36,600 Speaker 3: becoming more and more of like a household thing that 169 00:07:36,640 --> 00:07:39,120 Speaker 3: we're aware of, you know, even if we're not on it, 170 00:07:39,200 --> 00:07:42,680 Speaker 3: you know. But I think are becoming more and more 171 00:07:43,360 --> 00:07:47,400 Speaker 3: open to the idea that terrible things are taking place. 172 00:07:47,480 --> 00:07:48,360 Speaker 4: I mean it's sad, you know. 173 00:07:48,360 --> 00:07:50,560 Speaker 3: I mean, I'm sure they always have, but now there's 174 00:07:50,600 --> 00:07:53,720 Speaker 3: new ways for them to happen, right, And the dark 175 00:07:53,720 --> 00:07:56,320 Speaker 3: web is probably a place where such a thing can 176 00:07:56,480 --> 00:07:58,040 Speaker 3: take place in our story. 177 00:07:58,120 --> 00:08:01,080 Speaker 4: It's something really, really bad. It is a gruesome movie. 178 00:08:01,120 --> 00:08:03,680 Speaker 4: I mean, it's in the title dark Game. It's a 179 00:08:03,720 --> 00:08:05,000 Speaker 4: game that's pretty damn. 180 00:08:04,840 --> 00:08:08,600 Speaker 3: Dark, so, you know, not for the squeamish, but you 181 00:08:08,640 --> 00:08:11,000 Speaker 3: can always close your eyes for fifteen seconds. If you're 182 00:08:11,000 --> 00:08:13,680 Speaker 3: watching the movie with a buddy or someone you know, 183 00:08:13,800 --> 00:08:15,240 Speaker 3: they can just say, hey, close your. 184 00:08:15,120 --> 00:08:15,840 Speaker 4: Eyes for this part. 185 00:08:16,200 --> 00:08:18,440 Speaker 3: But look, it is a cat and mouse thriller. It 186 00:08:18,600 --> 00:08:20,960 Speaker 3: is a bit of mystery. It is a little bit 187 00:08:20,960 --> 00:08:22,760 Speaker 3: of horror just because of what's going on. 188 00:08:22,840 --> 00:08:24,040 Speaker 4: I mean, it's a. 189 00:08:23,960 --> 00:08:28,400 Speaker 3: Horrifying scenario to imagine yourself being in. You would never 190 00:08:28,480 --> 00:08:30,840 Speaker 3: want to be, of course not So it's all of 191 00:08:30,840 --> 00:08:36,440 Speaker 3: those things, and hopefully it's entertaining, leaves you feeling you 192 00:08:36,440 --> 00:08:40,400 Speaker 3: know something and that might not be utter joy and 193 00:08:40,480 --> 00:08:43,599 Speaker 3: happiness but you know what, sometimes it's good to be 194 00:08:43,640 --> 00:08:47,079 Speaker 3: a little bit freaked out. Maybe it'll keep you make 195 00:08:47,160 --> 00:08:49,440 Speaker 3: you will go and join some self defense classes or 196 00:08:49,480 --> 00:08:50,640 Speaker 3: something like that, you know. 197 00:08:50,960 --> 00:08:52,920 Speaker 1: And honestly too, something I kind of got out of 198 00:08:52,960 --> 00:08:55,400 Speaker 1: it is we live in the same age with especially 199 00:08:55,480 --> 00:08:58,280 Speaker 1: social media. You're scrolling and you see videos online and 200 00:08:58,320 --> 00:09:01,000 Speaker 1: you're like, wait, why is somebody recording that and not 201 00:09:01,080 --> 00:09:04,079 Speaker 1: actually like doing something to help the situation. And I 202 00:09:04,200 --> 00:09:06,520 Speaker 1: kept thinking about that as I watch this movie. 203 00:09:06,559 --> 00:09:07,640 Speaker 2: Man, there's a. 204 00:09:07,559 --> 00:09:10,080 Speaker 3: Real thing going on, isn't there, with the whole bystander 205 00:09:11,160 --> 00:09:15,120 Speaker 3: type of thing and voyeurism in a way, and maybe 206 00:09:15,120 --> 00:09:17,720 Speaker 3: a bit of cowardice as well. You know, but I 207 00:09:17,800 --> 00:09:22,800 Speaker 3: think people are automatically thinking. We see it at concerts, 208 00:09:22,880 --> 00:09:25,440 Speaker 3: right when people go to concerts, the phone is up 209 00:09:25,880 --> 00:09:28,680 Speaker 3: and they're filming straight away. And I've got to think, 210 00:09:28,800 --> 00:09:31,840 Speaker 3: how many times do people actually then watch those videos 211 00:09:31,920 --> 00:09:35,079 Speaker 3: unless you're posting like a couple of seconds clip or something. 212 00:09:35,160 --> 00:09:37,880 Speaker 4: This is in my experience anyway, I'll. 213 00:09:37,679 --> 00:09:41,440 Speaker 3: Make loads of videos, put our video loads of stuff. 214 00:09:41,880 --> 00:09:43,960 Speaker 3: How much of that am I really watching back? Or 215 00:09:44,000 --> 00:09:46,800 Speaker 3: is it just sitting on my phone? So there's that mentality, 216 00:09:46,840 --> 00:09:50,199 Speaker 3: But then Also with the instances you're talking about where 217 00:09:50,520 --> 00:09:53,720 Speaker 3: people are capturing a crime, it's like it's almost become 218 00:09:53,760 --> 00:09:54,960 Speaker 3: like an involuntary thing. 219 00:09:55,040 --> 00:09:56,319 Speaker 4: It's just, oh, I've got to get the. 220 00:09:56,280 --> 00:09:59,360 Speaker 3: Phone out, I've got to capture this because this needs 221 00:09:59,400 --> 00:10:01,679 Speaker 3: to be you know, broadcasted. 222 00:10:02,360 --> 00:10:05,440 Speaker 4: It's a weird time, it's a fascinating time. You know. 223 00:10:05,559 --> 00:10:09,080 Speaker 3: I'm of the opinion that there's so much positivity come 224 00:10:09,080 --> 00:10:11,600 Speaker 3: out of tech, come out of social media. 225 00:10:12,240 --> 00:10:14,480 Speaker 4: But then of course there's always a downside. But that 226 00:10:14,760 --> 00:10:18,680 Speaker 4: is life. Man. It's nothing perfect. Nothing's black and white. 227 00:10:18,800 --> 00:10:21,319 Speaker 4: There's a gray area. You know. We just got to 228 00:10:21,400 --> 00:10:22,240 Speaker 4: kind of muddle through. 229 00:10:22,320 --> 00:10:25,680 Speaker 3: You know, that's my philosophy, motivational part of the interview. 230 00:10:25,880 --> 00:10:26,600 Speaker 2: I'm so with you. 231 00:10:26,600 --> 00:10:28,560 Speaker 1: I always kind of laugh to myself because, especially on 232 00:10:28,600 --> 00:10:31,760 Speaker 1: these like inflate videos where someone acts bananas and then 233 00:10:31,760 --> 00:10:33,760 Speaker 1: they have to isolate the person because they're threatening. 234 00:10:34,480 --> 00:10:36,240 Speaker 4: I've been watching like three of them the other day. 235 00:10:36,320 --> 00:10:38,240 Speaker 1: Yeah, if they're crazy, and I'm always like, well, I 236 00:10:38,280 --> 00:10:39,560 Speaker 1: want to be the guy filming it. I'd be the 237 00:10:39,559 --> 00:10:41,720 Speaker 1: guy getting up and trying to kick some ass to 238 00:10:41,760 --> 00:10:44,240 Speaker 1: figure out the situation. I'm not promoting violence. I'm just 239 00:10:44,320 --> 00:10:46,440 Speaker 1: kidding but like I would need to get involved in 240 00:10:46,480 --> 00:10:48,720 Speaker 1: the situation. I wouldn't want to sit there filming it 241 00:10:48,760 --> 00:10:51,120 Speaker 1: on my phone. So it's just such a crazy concept 242 00:10:51,160 --> 00:10:51,439 Speaker 1: to me. 243 00:10:51,480 --> 00:10:53,600 Speaker 3: You know, I think, and I always want to well, 244 00:10:54,200 --> 00:10:56,400 Speaker 3: you know, I'm like you, I'm like, yes, there would 245 00:10:56,400 --> 00:10:58,640 Speaker 3: be a line that is crossed where you're like, hang 246 00:10:58,679 --> 00:11:00,720 Speaker 3: on a minute, we need to do so thing. But 247 00:11:00,800 --> 00:11:03,920 Speaker 3: there's also then there's the empathetic thing that comes in 248 00:11:03,960 --> 00:11:04,440 Speaker 3: where I'm like. 249 00:11:04,559 --> 00:11:06,720 Speaker 4: What's going on with that person? You know? 250 00:11:07,040 --> 00:11:09,120 Speaker 3: And I think we live in a day and age 251 00:11:09,320 --> 00:11:13,360 Speaker 3: as well, it's always been there, but where some people 252 00:11:13,440 --> 00:11:16,600 Speaker 3: are at breaking point for whatever reasons, whether it's cost 253 00:11:16,600 --> 00:11:19,720 Speaker 3: of living, whether it's you know, a mental health stuff 254 00:11:19,800 --> 00:11:24,000 Speaker 3: from social media or from work or whatever, and you 255 00:11:24,120 --> 00:11:26,680 Speaker 3: never know what's going on with somebody, and. 256 00:11:26,600 --> 00:11:28,080 Speaker 4: That's a difficult thing to navigate. 257 00:11:28,120 --> 00:11:31,079 Speaker 3: We're navigating ourselves, but we've got to navigate what other 258 00:11:31,120 --> 00:11:32,520 Speaker 3: people are going through as well. 259 00:11:32,559 --> 00:11:33,760 Speaker 4: And it's it's. 260 00:11:33,640 --> 00:11:36,079 Speaker 3: Hard, man, you know, none of this there's no real 261 00:11:36,160 --> 00:11:42,000 Speaker 3: manual for living in such a fast pace advancing world 262 00:11:42,080 --> 00:11:44,679 Speaker 3: in life. You know, It's it's crazy, but hey man, 263 00:11:44,679 --> 00:11:46,280 Speaker 3: we all just got to try and do our best, right, 264 00:11:46,440 --> 00:11:46,880 Speaker 3: I think. 265 00:11:46,760 --> 00:11:49,160 Speaker 1: You and I are solving the world's biggest problems today 266 00:11:49,240 --> 00:11:51,440 Speaker 1: right here, right now. 267 00:11:52,000 --> 00:11:55,040 Speaker 3: I think if we think we're solving it, I think 268 00:11:55,040 --> 00:11:57,040 Speaker 3: we need to tone down the arrogance. 269 00:11:56,800 --> 00:12:02,760 Speaker 4: Maybe the I think we've got the solution, right. 270 00:12:02,120 --> 00:12:04,680 Speaker 2: We are the problem. We are the problem at. 271 00:12:04,640 --> 00:12:05,720 Speaker 4: Least, do you know what, dude? 272 00:12:05,760 --> 00:12:08,000 Speaker 3: At least we're being I think we just say at 273 00:12:08,080 --> 00:12:11,320 Speaker 3: least we're aware and we're talking about it, you know, 274 00:12:11,440 --> 00:12:13,960 Speaker 3: And I think there's something in that for sure. So, 275 00:12:14,280 --> 00:12:16,960 Speaker 3: but hopefully I like to think of myself as a solution. 276 00:12:16,679 --> 00:12:29,000 Speaker 1: To so this film, you know, it's escape is in, 277 00:12:29,440 --> 00:12:32,200 Speaker 1: it's dark, it's it's all those things we talked about. 278 00:12:32,480 --> 00:12:36,199 Speaker 1: How do you not get sucked into that world of darkness? 279 00:12:36,320 --> 00:12:39,440 Speaker 1: Is it very hard for you to separate art from 280 00:12:39,480 --> 00:12:41,280 Speaker 1: real life when you're in it? Or you're really good 281 00:12:41,280 --> 00:12:42,760 Speaker 1: at kind of comparimentalizing it. 282 00:12:42,920 --> 00:12:44,840 Speaker 4: I mean, look, it's part of me that enjoys that. 283 00:12:44,920 --> 00:12:46,600 Speaker 3: I'm not going to lie to you because I think 284 00:12:46,640 --> 00:12:51,000 Speaker 3: that I I'm able to know in my core that 285 00:12:51,080 --> 00:12:57,240 Speaker 3: it's not real, but I'm also able to exist within 286 00:12:58,280 --> 00:13:03,320 Speaker 3: the mindset for a temporary time, and I know that 287 00:13:03,360 --> 00:13:07,400 Speaker 3: it's temporary. So that might be me just being on 288 00:13:07,440 --> 00:13:09,520 Speaker 3: set obviously when you're kind of want to be in 289 00:13:09,600 --> 00:13:12,320 Speaker 3: the movie for it, maybe taking it back to the 290 00:13:12,360 --> 00:13:15,240 Speaker 3: hotel with me and staying in that mindset a little bit. 291 00:13:15,480 --> 00:13:17,840 Speaker 3: I was away from home. I was in a hotel 292 00:13:17,920 --> 00:13:21,880 Speaker 3: that was pretty dark, and I was isolated. You know, 293 00:13:22,000 --> 00:13:22,800 Speaker 3: I didn't see people. 294 00:13:22,840 --> 00:13:23,320 Speaker 4: After work. 295 00:13:23,360 --> 00:13:25,000 Speaker 3: I went back, I ate my food, I looked at 296 00:13:25,000 --> 00:13:26,720 Speaker 3: my lines for the next day, I went to bed. 297 00:13:27,280 --> 00:13:28,040 Speaker 4: That's what I did. 298 00:13:28,240 --> 00:13:30,480 Speaker 3: So I did that for like a month, and so 299 00:13:31,400 --> 00:13:36,760 Speaker 3: that's isolating and your mind becomes the only person talking to. 300 00:13:36,720 --> 00:13:37,600 Speaker 4: You a lot of the time. 301 00:13:38,280 --> 00:13:41,120 Speaker 3: And so I stayed in the character because he is 302 00:13:41,160 --> 00:13:45,520 Speaker 3: a very isolated individual although he has this he has 303 00:13:45,559 --> 00:13:49,599 Speaker 3: his girl and she's pregnant, and that's a very interesting, 304 00:13:50,400 --> 00:13:52,160 Speaker 3: you know, set up for us in the movie because 305 00:13:52,160 --> 00:13:54,960 Speaker 3: it represents this, this other side what he has on 306 00:13:55,000 --> 00:13:58,200 Speaker 3: the line. It's an opportunity for us to show more 307 00:13:58,240 --> 00:13:59,720 Speaker 3: tender moments with the character. 308 00:14:00,600 --> 00:14:03,440 Speaker 4: But you know, he is in his own world. 309 00:14:03,480 --> 00:14:05,400 Speaker 3: He's holding on to so much, you know, and I 310 00:14:05,440 --> 00:14:08,600 Speaker 3: try to demonstrate that with the you know, there's a 311 00:14:08,600 --> 00:14:10,720 Speaker 3: bit of there's a hint towards his drinking, and there's 312 00:14:10,760 --> 00:14:14,360 Speaker 3: also a hint towards his use of nicotine pouches. 313 00:14:14,400 --> 00:14:14,959 Speaker 4: You know, it's just. 314 00:14:14,920 --> 00:14:17,040 Speaker 3: Subtle because I don't ever want to overplay it. But 315 00:14:17,080 --> 00:14:19,680 Speaker 3: these are things that I thought that I just add in. 316 00:14:20,360 --> 00:14:22,160 Speaker 3: So for me, I like to kind of stay in 317 00:14:22,200 --> 00:14:23,920 Speaker 3: there as much as I feel the need to. I 318 00:14:23,920 --> 00:14:26,880 Speaker 3: think as an actor, you need to do whatever you 319 00:14:27,600 --> 00:14:31,280 Speaker 3: need to do in order to feel comfortable and that 320 00:14:31,320 --> 00:14:35,120 Speaker 3: you're believing what you're talking about, you know, because if 321 00:14:35,160 --> 00:14:38,400 Speaker 3: you don't believe it, if you don't feel relaxed with it, 322 00:14:38,920 --> 00:14:40,680 Speaker 3: then the camera's not going to pick it up. That 323 00:14:40,760 --> 00:14:43,560 Speaker 3: camera's going to pick up the falsity of it, you know. 324 00:14:43,720 --> 00:14:46,960 Speaker 3: So that's what I try to do. You know, I'm 325 00:14:46,960 --> 00:14:49,200 Speaker 3: sure there's times that you know, you can't be like 326 00:14:49,200 --> 00:14:50,640 Speaker 3: we said at the side, you can't be one hundred 327 00:14:50,640 --> 00:14:52,920 Speaker 3: percent perfect in whatever you do all the time or whatever. 328 00:14:53,040 --> 00:14:54,080 Speaker 4: So you just try your best. 329 00:14:54,080 --> 00:14:57,160 Speaker 3: But that's a kind of a mentality or a guidingline 330 00:14:57,200 --> 00:14:58,320 Speaker 3: that I like to try and stick to. 331 00:14:58,480 --> 00:15:00,240 Speaker 1: Are you the type of person when you're working on 332 00:15:00,280 --> 00:15:02,960 Speaker 1: something like this you kind of take a step back 333 00:15:03,000 --> 00:15:06,160 Speaker 1: from friendships and real relationships in your life. You kind 334 00:15:06,160 --> 00:15:08,760 Speaker 1: of go a little mia or you live your life 335 00:15:09,040 --> 00:15:10,160 Speaker 1: as normally as you can. 336 00:15:10,760 --> 00:15:14,200 Speaker 3: I remember, you know, Amy, my fiance, and I had 337 00:15:14,240 --> 00:15:18,840 Speaker 3: been together about five months when we shot this movie, 338 00:15:18,960 --> 00:15:21,520 Speaker 3: and so I was brand new, wildly in love and 339 00:15:21,520 --> 00:15:24,320 Speaker 3: I'm still wildly in love. But it was that first 340 00:15:24,880 --> 00:15:28,080 Speaker 3: chapter of our relationship and I didn't like being I 341 00:15:28,080 --> 00:15:29,720 Speaker 3: still don't like not being with her. 342 00:15:29,720 --> 00:15:31,360 Speaker 4: But like I didn't, you know, I wanted to be 343 00:15:31,400 --> 00:15:32,720 Speaker 4: around her. I wanted to know what's going on. So 344 00:15:32,760 --> 00:15:32,960 Speaker 4: I was. 345 00:15:33,160 --> 00:15:36,080 Speaker 3: I was talking to her, you know, in between breaks 346 00:15:36,080 --> 00:15:37,800 Speaker 3: and stuff like that, when I. 347 00:15:37,760 --> 00:15:41,120 Speaker 4: Felt like out of my work mode. So I wasn't 348 00:15:41,240 --> 00:15:41,960 Speaker 4: entirely MIA. 349 00:15:42,080 --> 00:15:47,040 Speaker 3: But but yeah, I think it's it's each project is different, 350 00:15:47,120 --> 00:15:51,840 Speaker 3: each character is different, Each thing requires a different approach, 351 00:15:52,000 --> 00:15:56,040 Speaker 3: you know. In terms of my experience and training, you know, 352 00:15:56,280 --> 00:15:58,600 Speaker 3: I come from the UK. There's a lot of fantastic, 353 00:15:58,760 --> 00:16:00,920 Speaker 3: really traditional drop schools here. 354 00:16:01,280 --> 00:16:02,320 Speaker 4: I didn't go to one. 355 00:16:02,760 --> 00:16:06,960 Speaker 3: I picked up a lot of my lessons on set 356 00:16:07,240 --> 00:16:08,960 Speaker 3: early on in my career. 357 00:16:09,000 --> 00:16:11,920 Speaker 4: I started working when I was seventeen years old. I 358 00:16:11,920 --> 00:16:14,840 Speaker 4: got very lucky. I continue to be lucky to this day. 359 00:16:15,040 --> 00:16:16,800 Speaker 4: You know. I think that's what a big part of 360 00:16:16,840 --> 00:16:18,240 Speaker 4: this industry is. 361 00:16:18,800 --> 00:16:22,160 Speaker 3: And so, you know, I find myself not with this 362 00:16:22,320 --> 00:16:26,560 Speaker 3: kind of three years of traditional acting training like you 363 00:16:26,600 --> 00:16:28,400 Speaker 3: get at university, because that's what it is here. You 364 00:16:28,440 --> 00:16:30,920 Speaker 3: can get a degree in acting or drama or whatever, 365 00:16:31,680 --> 00:16:34,800 Speaker 3: and so there's no textbook for me. I'm just kind 366 00:16:34,840 --> 00:16:39,640 Speaker 3: of figuring it out using instincts, using life experience, using 367 00:16:40,200 --> 00:16:42,920 Speaker 3: technique that I've built up on sets. And Gossip Girl 368 00:16:43,000 --> 00:16:47,400 Speaker 3: for me, was an education but in life, like in 369 00:16:47,440 --> 00:16:51,960 Speaker 3: a live scenario, because we did so many episodes day in, 370 00:16:52,080 --> 00:16:54,240 Speaker 3: day out, and you were able to kind of work 371 00:16:54,280 --> 00:16:57,480 Speaker 3: on things and just home techniques and home practices and 372 00:16:57,840 --> 00:17:00,160 Speaker 3: home that American accent. Although I haven't done it in 373 00:17:00,160 --> 00:17:02,320 Speaker 3: a while now, so I don't know how good it'll be, 374 00:17:02,360 --> 00:17:03,440 Speaker 3: but but. 375 00:17:03,440 --> 00:17:04,639 Speaker 4: Yeah, it's all of those things. 376 00:17:04,920 --> 00:17:05,600 Speaker 2: That's cool, man. 377 00:17:05,640 --> 00:17:07,720 Speaker 1: And I like your story because there's not one path 378 00:17:07,800 --> 00:17:10,880 Speaker 1: to achieving great success. And I think people always think, oh, 379 00:17:11,040 --> 00:17:13,760 Speaker 1: to do X, Y and Z, you have to follow 380 00:17:13,800 --> 00:17:16,240 Speaker 1: a very strict guideline of how to get there, and 381 00:17:16,240 --> 00:17:17,600 Speaker 1: that's just not the case. If you put in the 382 00:17:17,600 --> 00:17:19,960 Speaker 1: work and you bust your ass like you do, look 383 00:17:20,000 --> 00:17:21,040 Speaker 1: where you can end up. 384 00:17:21,480 --> 00:17:24,120 Speaker 4: I just think there are no rules anymore, man, There 385 00:17:24,119 --> 00:17:25,280 Speaker 4: are no rules. You know. 386 00:17:25,840 --> 00:17:28,480 Speaker 3: I've got a band, right now and for the longest time, 387 00:17:29,000 --> 00:17:31,199 Speaker 3: I wanted to do music and I thought, ah, you 388 00:17:31,240 --> 00:17:32,480 Speaker 3: can't be music or an actor. 389 00:17:32,480 --> 00:17:33,439 Speaker 4: I don't do it. You know. 390 00:17:33,480 --> 00:17:38,000 Speaker 3: I pigeonholed myself, you know, pigeonholed myself even though there 391 00:17:38,000 --> 00:17:38,639 Speaker 3: were people doing it. 392 00:17:38,560 --> 00:17:40,160 Speaker 4: It was just this weird thing I got in my mind. 393 00:17:40,160 --> 00:17:41,680 Speaker 4: And this was in my early twenties, right. 394 00:17:41,760 --> 00:17:43,359 Speaker 3: I had a band when I was a kid, just 395 00:17:43,359 --> 00:17:45,840 Speaker 3: for fun, like with my mates growing up. 396 00:17:46,160 --> 00:17:46,359 Speaker 4: You know. 397 00:17:46,440 --> 00:17:47,919 Speaker 3: Then I moved to New York and was doing this 398 00:17:47,960 --> 00:17:50,399 Speaker 3: thing and like the thought, oh, I can't do music, 399 00:17:50,640 --> 00:17:52,040 Speaker 3: and then I wanted to be in a band, but 400 00:17:52,200 --> 00:17:54,760 Speaker 3: I just felt this, I put a ceiling on myself. 401 00:17:54,880 --> 00:17:57,240 Speaker 4: It was the weirdest thing. And then more recently, I'm like, 402 00:17:57,440 --> 00:17:59,520 Speaker 4: I'm going to do whatever I want to do. I'm 403 00:17:59,520 --> 00:18:01,800 Speaker 4: going to do it everything. I always wanted to record 404 00:18:01,840 --> 00:18:02,320 Speaker 4: an album. 405 00:18:02,520 --> 00:18:05,119 Speaker 3: I had these wonderfully talented musicians that came into my 406 00:18:05,200 --> 00:18:08,080 Speaker 3: life through mutual friends. We put together this thing. We 407 00:18:08,160 --> 00:18:10,600 Speaker 3: recorded an album. We're going to release that album. I've 408 00:18:10,600 --> 00:18:14,760 Speaker 3: got other interests in some cool like startup projects, et cetera, 409 00:18:14,760 --> 00:18:17,920 Speaker 3: et cetera. This is the age where there are no 410 00:18:18,480 --> 00:18:22,359 Speaker 3: rules in terms of constraints in terms of your path 411 00:18:22,440 --> 00:18:23,240 Speaker 3: to success. 412 00:18:23,760 --> 00:18:27,440 Speaker 4: Go for it. You know, anything can happen, man, anything. 413 00:18:27,080 --> 00:18:29,560 Speaker 1: Can happen, and especially as an artist, all of that 414 00:18:29,720 --> 00:18:32,679 Speaker 1: enriches your life to be able to deliver these amazing 415 00:18:32,720 --> 00:18:36,320 Speaker 1: characters because you're living you're actually living your life. 416 00:18:36,200 --> 00:18:38,359 Speaker 3: Right one hundred percent. I couldn't agree with you that more. 417 00:18:38,480 --> 00:18:42,560 Speaker 3: That's a great point, Like everything is creation. If you're 418 00:18:42,600 --> 00:18:48,400 Speaker 3: creating a business, if you're creating an approach and a negotiation. 419 00:18:47,920 --> 00:18:50,480 Speaker 4: In that business, you're creating a product, if. 420 00:18:50,359 --> 00:18:53,680 Speaker 3: You're creating a relationship with someone that you want to 421 00:18:53,720 --> 00:18:57,760 Speaker 3: get married to, if you're creating a character. For everything 422 00:18:57,960 --> 00:19:02,359 Speaker 3: is creation. This whole universe is based on creation, you know. 423 00:19:02,600 --> 00:19:04,040 Speaker 3: So it's amazing. 424 00:19:04,680 --> 00:19:07,720 Speaker 1: You strike me as someone who is very much an optimist. 425 00:19:08,119 --> 00:19:10,239 Speaker 1: From chatting with you up until this point. You know, 426 00:19:10,280 --> 00:19:12,600 Speaker 1: you've seem to love the work you do. You said 427 00:19:12,600 --> 00:19:15,480 Speaker 1: you've been doing it since you were seventeen. You're still 428 00:19:15,480 --> 00:19:19,080 Speaker 1: doing it, you're pursuing other passions. Do you often have 429 00:19:19,200 --> 00:19:23,200 Speaker 1: bad days in your work because I think people often assume, oh, 430 00:19:23,240 --> 00:19:26,160 Speaker 1: he's got it made, he's a Hollywood actor, he's killing it, 431 00:19:26,280 --> 00:19:28,520 Speaker 1: like the world is his oyster. But do you have 432 00:19:28,640 --> 00:19:30,119 Speaker 1: bad days and how do you kind of want to 433 00:19:30,280 --> 00:19:30,760 Speaker 1: juggle that? 434 00:19:31,040 --> 00:19:31,879 Speaker 4: Oh my god, dude. 435 00:19:31,920 --> 00:19:35,720 Speaker 3: So I have done probably five thousand auditions in my life, 436 00:19:36,200 --> 00:19:38,760 Speaker 3: and you have seen the work I've done. Well, you know, 437 00:19:38,800 --> 00:19:40,960 Speaker 3: there's you can look up the work I've got. So 438 00:19:41,040 --> 00:19:44,080 Speaker 3: that means I did not get tons of those jobs. 439 00:19:44,600 --> 00:19:47,320 Speaker 3: It's we're very well known. There is so much rejection 440 00:19:48,040 --> 00:19:52,280 Speaker 3: in this acting business. So those are bad days when 441 00:19:52,320 --> 00:19:55,479 Speaker 3: you've tried putting a lot of efforts to make an 442 00:19:55,480 --> 00:19:58,000 Speaker 3: audition tape and you don't get the job, or when 443 00:19:58,040 --> 00:20:00,240 Speaker 3: you have in a shitty day and you don't in 444 00:20:00,280 --> 00:20:01,760 Speaker 3: a lot of effort and you don't get the job, 445 00:20:01,800 --> 00:20:03,840 Speaker 3: And then you're like, why did I not put in 446 00:20:03,880 --> 00:20:05,840 Speaker 3: more effort that day? What was going on with me? 447 00:20:06,400 --> 00:20:08,960 Speaker 3: Why am I feeling demotivated today? So, of course, you know, 448 00:20:09,040 --> 00:20:11,080 Speaker 3: right now I feel great. I had a great night's sleep, 449 00:20:11,160 --> 00:20:13,920 Speaker 3: i had a great workout. I'm pumped for this interview. 450 00:20:14,160 --> 00:20:17,240 Speaker 3: It's wonderful. So everything's good. But yeah, of course I 451 00:20:17,280 --> 00:20:19,720 Speaker 3: have bad days. You know, I lost both my parents 452 00:20:19,840 --> 00:20:22,359 Speaker 3: to cancer eleven years ago, one a year and a 453 00:20:22,400 --> 00:20:26,159 Speaker 3: half ago. These are terrible things, These are difficult things, 454 00:20:26,840 --> 00:20:29,159 Speaker 3: and I've dealt with them differently because I was at 455 00:20:29,160 --> 00:20:32,240 Speaker 3: different points in my life. You know, I used to 456 00:20:32,280 --> 00:20:33,080 Speaker 3: party too much. 457 00:20:33,600 --> 00:20:34,640 Speaker 4: Now I don't party at all. 458 00:20:34,880 --> 00:20:37,680 Speaker 3: You know, It's like it's one of those things and 459 00:20:37,720 --> 00:20:40,240 Speaker 3: that helps with feeling good, you know, because you're not 460 00:20:40,280 --> 00:20:41,280 Speaker 3: messing yourself up. 461 00:20:41,800 --> 00:20:44,320 Speaker 4: So it's one of those things, man. I mean, life 462 00:20:44,400 --> 00:20:47,480 Speaker 4: is a continuous work in progress. But of course, man, 463 00:20:47,520 --> 00:20:50,280 Speaker 4: I have stressful moments. I have overwhelming moments. 464 00:20:50,320 --> 00:20:52,639 Speaker 3: I have anxious moments, and I have moments where I 465 00:20:52,680 --> 00:20:55,320 Speaker 3: just don't feel great. But I get back in the game, 466 00:20:55,520 --> 00:20:58,399 Speaker 3: and you know, and I think, now, what I'm more 467 00:20:58,440 --> 00:21:02,360 Speaker 3: aware of than ever is that, look, we're on a 468 00:21:02,600 --> 00:21:05,960 Speaker 3: not a roller coaster, but we're on there's waves. Man, 469 00:21:06,240 --> 00:21:09,399 Speaker 3: there's waves, you know, and you're gonna have good times 470 00:21:10,040 --> 00:21:13,000 Speaker 3: and some bad times. And ultimately, I think, especially in 471 00:21:13,080 --> 00:21:15,679 Speaker 3: my in my kind of career, and I mean the 472 00:21:15,720 --> 00:21:17,960 Speaker 3: acting and all the other stuff, it's about kyd of 473 00:21:18,000 --> 00:21:21,240 Speaker 3: catching a bus. You might sit around and you've got 474 00:21:21,240 --> 00:21:23,119 Speaker 3: to wait for the bus. You catch the bus, you 475 00:21:23,160 --> 00:21:23,879 Speaker 3: get on that bus. 476 00:21:23,880 --> 00:21:24,679 Speaker 4: But sometimes you're. 477 00:21:24,560 --> 00:21:26,200 Speaker 3: Waiting around for a while, and it could be pretty 478 00:21:26,240 --> 00:21:27,919 Speaker 3: boring in the bus stop, you know, it could be 479 00:21:28,000 --> 00:21:31,120 Speaker 3: quiet you could be the only person there. But yeah, 480 00:21:31,280 --> 00:21:33,840 Speaker 3: it's it's just life. Life is amazing. But I think 481 00:21:33,880 --> 00:21:37,119 Speaker 3: if what I've worked to do is cultivate a mentality 482 00:21:37,200 --> 00:21:41,280 Speaker 3: that it's an adventure, and when I embrace that, things 483 00:21:41,800 --> 00:21:42,520 Speaker 3: should turn out. 484 00:21:42,560 --> 00:21:45,679 Speaker 4: Okay, they've been pretty good so far. Let's carry on. 485 00:21:45,800 --> 00:21:47,480 Speaker 1: Yeah, you put one foot in front of the other. 486 00:21:47,720 --> 00:21:49,640 Speaker 1: That's that's the only way to do it, in my opinion. 487 00:21:49,720 --> 00:21:52,520 Speaker 1: And I like that people like you share that with 488 00:21:52,680 --> 00:21:54,800 Speaker 1: the world and interviews like this, because it's very easy 489 00:21:54,840 --> 00:21:57,440 Speaker 1: to get caught up in your own ship cycle and 490 00:21:57,480 --> 00:21:59,399 Speaker 1: think life sucks sometimes and then you just have to 491 00:21:59,440 --> 00:22:01,000 Speaker 1: have that ground and grounding again. 492 00:22:01,080 --> 00:22:03,280 Speaker 2: So I love that mentality so much. 493 00:22:09,440 --> 00:22:12,480 Speaker 1: You mentioned Chuck Vass at the beginning of this interview. 494 00:22:13,320 --> 00:22:14,280 Speaker 2: I brought him up too. 495 00:22:15,320 --> 00:22:17,160 Speaker 1: I get the sense that you kind of miss him, 496 00:22:17,600 --> 00:22:20,320 Speaker 1: but you slipping into his shoes from time to time. 497 00:22:20,600 --> 00:22:24,399 Speaker 4: I do. Do you know what, here's my whole mentality 498 00:22:24,440 --> 00:22:26,040 Speaker 4: on it. I'll track my thoughts for you. 499 00:22:26,560 --> 00:22:28,840 Speaker 3: I was nineteen when I started Gossip Golf finished when 500 00:22:28,840 --> 00:22:31,480 Speaker 3: I was twenty five and thirty six now, and what 501 00:22:31,560 --> 00:22:33,800 Speaker 3: happened was this we were thrust. 502 00:22:33,440 --> 00:22:35,960 Speaker 4: It into this show. You know, I chose to put 503 00:22:36,000 --> 00:22:37,879 Speaker 4: myself in it. I got the part. It was great, 504 00:22:38,760 --> 00:22:40,840 Speaker 4: and then it exploded and it was amazing. 505 00:22:40,920 --> 00:22:42,920 Speaker 3: And we were in New York and I was young, 506 00:22:43,080 --> 00:22:46,240 Speaker 3: and I had money and I had fame, and it 507 00:22:46,440 --> 00:22:47,919 Speaker 3: was wow, you know. 508 00:22:48,440 --> 00:22:50,520 Speaker 4: And I had also people telling me, oh my god, 509 00:22:50,560 --> 00:22:52,320 Speaker 4: you're doing such a great job. You're doing a great job. 510 00:22:52,359 --> 00:22:54,880 Speaker 4: You'll killing it. Oh yeah, thanks, yeah, yeah, all right, 511 00:22:54,920 --> 00:22:57,760 Speaker 4: I am great. And you know, you. 512 00:22:57,760 --> 00:23:00,840 Speaker 3: Develop a little bit of ego around that. You're moving quick. 513 00:23:00,840 --> 00:23:03,000 Speaker 3: And it was New York. We were partying hard, we 514 00:23:03,000 --> 00:23:04,680 Speaker 3: were having fun, we were working hard. 515 00:23:04,720 --> 00:23:05,480 Speaker 4: It was a good time. 516 00:23:06,520 --> 00:23:10,040 Speaker 3: And then the show ends and a sense of your 517 00:23:10,080 --> 00:23:13,359 Speaker 3: identity kind of is put into question because you have 518 00:23:13,480 --> 00:23:18,280 Speaker 3: identified with this show, this character, this lifestyle so much. 519 00:23:18,760 --> 00:23:21,159 Speaker 3: And I moved out to LA and I'm just like, huh, 520 00:23:21,240 --> 00:23:24,280 Speaker 3: what's going on? Because I felt LA was the natural progression. 521 00:23:24,520 --> 00:23:27,320 Speaker 3: Then my dad died, which obviously I was twenty six. 522 00:23:27,400 --> 00:23:29,240 Speaker 3: It was crazy. It was very difficult to deal with, 523 00:23:29,880 --> 00:23:32,480 Speaker 3: and they went through this period of not feeling great, 524 00:23:33,320 --> 00:23:35,040 Speaker 3: you know, and then kind of coming out of that 525 00:23:35,080 --> 00:23:39,520 Speaker 3: in my early thirties for about thirty and just continuing 526 00:23:39,600 --> 00:23:45,399 Speaker 3: to evolve and to grow and become a very positive person, 527 00:23:45,440 --> 00:23:48,639 Speaker 3: I guess in general. And then I was able to 528 00:23:49,560 --> 00:23:54,160 Speaker 3: have hindsight and reflect on this amazing period and this show. 529 00:23:54,240 --> 00:23:56,200 Speaker 3: And the one of the reasons for that is because 530 00:23:56,200 --> 00:23:59,399 Speaker 3: I was constantly reminded of it because so many people 531 00:23:59,400 --> 00:24:00,840 Speaker 3: love it, and. 532 00:24:01,440 --> 00:24:03,960 Speaker 4: I thought, this is incredible. This has been years now 533 00:24:04,040 --> 00:24:07,320 Speaker 4: we're talking about this. This is what? Wow? What is this? 534 00:24:07,680 --> 00:24:11,520 Speaker 4: And it is somewhat of Promena And because of streaming 535 00:24:11,560 --> 00:24:14,080 Speaker 4: and all of these things that have conspired in order 536 00:24:14,119 --> 00:24:16,920 Speaker 4: for this to take place. The invention of streaming means 537 00:24:16,960 --> 00:24:18,480 Speaker 4: the show can live on this platform. 538 00:24:18,880 --> 00:24:21,640 Speaker 3: The invention of social media means that this thing can 539 00:24:22,200 --> 00:24:24,399 Speaker 3: be talked about in this commentary on it, and people 540 00:24:24,400 --> 00:24:26,520 Speaker 3: communicated the message past say have you seen this? 541 00:24:26,600 --> 00:24:27,080 Speaker 4: Have you seen this? 542 00:24:27,920 --> 00:24:31,200 Speaker 3: So all of this stuff happens. That means that this 543 00:24:31,240 --> 00:24:34,760 Speaker 3: stuff can happen. And I just reflected on it. I 544 00:24:34,800 --> 00:24:38,159 Speaker 3: was like, huh wow, because in the beginning I was 545 00:24:38,200 --> 00:24:40,000 Speaker 3: a little bit like, oh, I'm done with it. 546 00:24:40,040 --> 00:24:41,400 Speaker 4: You know, I want to move on Like. 547 00:24:41,840 --> 00:24:43,639 Speaker 3: I was young, you know, you want to feel like 548 00:24:43,720 --> 00:24:45,240 Speaker 3: there's more to life, there's more you want to get 549 00:24:45,240 --> 00:24:49,120 Speaker 3: on with. But now I just I'm so fascinated by 550 00:24:50,000 --> 00:24:54,280 Speaker 3: what that show achieves. I'm so fascinated by the impact 551 00:24:54,320 --> 00:24:58,160 Speaker 3: it's had. And then, of course, naturally, because I am 552 00:24:58,400 --> 00:25:01,560 Speaker 3: you know, storytelling is a I said, part of my 553 00:25:02,400 --> 00:25:05,200 Speaker 3: life and my existence, and because I know the fans 554 00:25:05,240 --> 00:25:06,560 Speaker 3: have such an. 555 00:25:06,560 --> 00:25:09,960 Speaker 4: Enjoyment for it, of course I think, hey, could there 556 00:25:10,000 --> 00:25:10,440 Speaker 4: be more? 557 00:25:11,560 --> 00:25:14,720 Speaker 3: Now there's not going to be more, there's no spoiler 558 00:25:14,720 --> 00:25:15,280 Speaker 3: alert there. 559 00:25:16,240 --> 00:25:19,600 Speaker 4: I would love to have done something. Unfortunately that's not 560 00:25:19,640 --> 00:25:22,160 Speaker 4: on the cards. I've been told, which is fine. 561 00:25:22,560 --> 00:25:26,399 Speaker 3: But you know what, I think, what we've discovered, and 562 00:25:26,440 --> 00:25:29,800 Speaker 3: what I've discovered in my career is that people probably 563 00:25:29,840 --> 00:25:33,160 Speaker 3: mostly enjoy me playing certain types of characters, and I'm 564 00:25:33,160 --> 00:25:36,080 Speaker 3: not forgiving them more of those types of characters if 565 00:25:36,119 --> 00:25:38,040 Speaker 3: I get given the opportunity. 566 00:25:38,160 --> 00:25:39,560 Speaker 4: So we'll see what happens. 567 00:25:39,760 --> 00:25:41,520 Speaker 2: It's so cool because I'm thirty eight. 568 00:25:41,520 --> 00:25:43,600 Speaker 1: I grew up with the show and watched it, and 569 00:25:43,640 --> 00:25:46,000 Speaker 1: at that time, I felt like I was watching a 570 00:25:46,040 --> 00:25:49,919 Speaker 1: lot of shocking never before seeing things on television, and 571 00:25:49,960 --> 00:25:52,040 Speaker 1: I couldn't believe it, and it was like, oh my god, 572 00:25:52,080 --> 00:25:53,920 Speaker 1: I can't believe a show is showing. 573 00:25:53,600 --> 00:25:54,320 Speaker 2: Something like that. 574 00:25:54,720 --> 00:25:57,560 Speaker 1: And now it's so cool because like you said, there's 575 00:25:57,600 --> 00:26:00,720 Speaker 1: all new generations twelve thirteen, fourteen year old watching it, 576 00:26:01,160 --> 00:26:02,920 Speaker 1: and I'm so curious in this day and age when 577 00:26:03,000 --> 00:26:05,600 Speaker 1: so much more is on TV, so much racy things 578 00:26:05,680 --> 00:26:08,160 Speaker 1: and topics that weren't really talked about, Like how how 579 00:26:08,160 --> 00:26:11,080 Speaker 1: it still captivates them is fascinating. 580 00:26:11,840 --> 00:26:14,719 Speaker 3: I think, Look, I haven't seen Euphoria, but from what 581 00:26:14,800 --> 00:26:20,400 Speaker 3: I've heard, some of the storylines were pretty extreme. And 582 00:26:20,920 --> 00:26:26,919 Speaker 3: I think there's a line again with people like, you 583 00:26:27,000 --> 00:26:29,000 Speaker 3: know that old thing your mum used to say to 584 00:26:29,040 --> 00:26:31,920 Speaker 3: you when you'd watched something violent, and like you can 585 00:26:31,960 --> 00:26:35,080 Speaker 3: talk about it with like porn for example, Like people 586 00:26:35,119 --> 00:26:38,919 Speaker 3: were like, don't look at certain things. It will it 587 00:26:39,000 --> 00:26:41,959 Speaker 3: kind of messes you up, or it's like too much 588 00:26:42,160 --> 00:26:45,320 Speaker 3: or you know. And so I think the majority of 589 00:26:45,400 --> 00:26:49,399 Speaker 3: people maybe don't want the most extreme storyline in the 590 00:26:49,440 --> 00:26:52,040 Speaker 3: history of mankind on their TV show. They just want 591 00:26:52,040 --> 00:26:56,040 Speaker 3: to be entertained in an intelligent way that's fine and witty, 592 00:26:56,280 --> 00:26:58,400 Speaker 3: and Escape is a bit and doesn't have to kind 593 00:26:58,400 --> 00:27:01,280 Speaker 3: of really make them feel a little bit dare I 594 00:27:01,320 --> 00:27:07,119 Speaker 3: say dirty? So Gossip Girl at the time was edgy, 595 00:27:07,920 --> 00:27:10,680 Speaker 3: but now because of other stuff that's out there, it's 596 00:27:10,720 --> 00:27:11,720 Speaker 3: not edgy, but. 597 00:27:12,359 --> 00:27:14,840 Speaker 4: It resonates probably because. 598 00:27:14,520 --> 00:27:18,240 Speaker 3: Of its other assets, which are, hey, it was witty, Hey, 599 00:27:18,280 --> 00:27:20,600 Speaker 3: the great fashion. Hey, they had characters that you could 600 00:27:20,640 --> 00:27:23,680 Speaker 3: relate to because maybe they weren't doing like super super 601 00:27:23,680 --> 00:27:24,320 Speaker 3: crazy stuff. 602 00:27:24,359 --> 00:27:26,719 Speaker 4: You know, maybe it's just a little bit more. You know. 603 00:27:26,800 --> 00:27:30,359 Speaker 4: It was warm instead of burning hot, you know. 604 00:27:30,920 --> 00:27:32,880 Speaker 2: And people loved the love stories. 605 00:27:32,920 --> 00:27:35,440 Speaker 1: I mean a million people have written that your love 606 00:27:35,520 --> 00:27:38,040 Speaker 1: story with Blair Waldorf, of course in the show, is 607 00:27:38,080 --> 00:27:40,920 Speaker 1: one of the greatest love stories in any television series 608 00:27:40,920 --> 00:27:42,720 Speaker 1: in the world. I mean, when you hear things like that, 609 00:27:42,720 --> 00:27:44,160 Speaker 1: that must feel pretty damn good. 610 00:27:44,680 --> 00:27:47,080 Speaker 4: It feels amazing. You know that again, you were part 611 00:27:47,160 --> 00:27:47,840 Speaker 4: of this thing. 612 00:27:48,560 --> 00:27:51,080 Speaker 3: But that's testimony to the writers, you know, and late 613 00:27:51,080 --> 00:27:55,520 Speaker 3: in the night doing our thing. But we had great writers, 614 00:27:56,160 --> 00:28:00,000 Speaker 3: you know, we had great editors, We had great music supervised. 615 00:28:00,200 --> 00:28:03,280 Speaker 3: Is that put a whole package together with kick ass music, 616 00:28:03,960 --> 00:28:05,720 Speaker 3: you know, that makes as anyone knows. 617 00:28:05,720 --> 00:28:07,480 Speaker 4: If you've ever watched a movie. 618 00:28:07,600 --> 00:28:09,159 Speaker 3: Which not a lot of people have unless you're in 619 00:28:09,160 --> 00:28:12,040 Speaker 3: the business, you probably have of course, with no score 620 00:28:12,119 --> 00:28:14,000 Speaker 3: on it, with no music. 621 00:28:14,280 --> 00:28:15,439 Speaker 4: It's like what am I watching? 622 00:28:15,760 --> 00:28:19,600 Speaker 3: Yeah, Then you put that stuff together with the music 623 00:28:19,640 --> 00:28:21,879 Speaker 3: and it comes alive and you get the chills and 624 00:28:21,880 --> 00:28:22,840 Speaker 3: it's fantastic. 625 00:28:23,119 --> 00:28:24,639 Speaker 4: That's what it's about. That's the full package. 626 00:28:24,720 --> 00:28:27,840 Speaker 3: That's why it's about a big team that goes into 627 00:28:27,960 --> 00:28:30,920 Speaker 3: making these productions. That's why there's so many names at 628 00:28:30,920 --> 00:28:33,199 Speaker 3: the end of a movie or a show, you know, 629 00:28:33,359 --> 00:28:34,560 Speaker 3: because a lot of people involve. 630 00:28:34,880 --> 00:28:37,560 Speaker 1: Well, I think it's cool that you'll always hold that 631 00:28:38,160 --> 00:28:40,800 Speaker 1: special place in your heart for that role and for 632 00:28:40,960 --> 00:28:43,000 Speaker 1: that show. Because I talk to a lot of people who, 633 00:28:44,080 --> 00:28:47,400 Speaker 1: you know, don't necessarily feel the same way about past projects, 634 00:28:47,440 --> 00:28:47,880 Speaker 1: and I don't. 635 00:28:48,200 --> 00:28:49,320 Speaker 2: I don't always quite get it. 636 00:28:49,360 --> 00:28:51,920 Speaker 1: I get wanting to move on and expand your arrange 637 00:28:51,960 --> 00:28:54,520 Speaker 1: and do different things, but to kind of almost act 638 00:28:54,600 --> 00:28:57,800 Speaker 1: like something didn't exist, I'm always like, huh, it's. 639 00:28:57,680 --> 00:28:59,880 Speaker 3: The weirdest thing in the wild man, because like, look, 640 00:29:00,080 --> 00:29:02,480 Speaker 3: in all honesty, like I still make a living off 641 00:29:02,520 --> 00:29:05,160 Speaker 3: a gossip girl, you know, so why would I hate 642 00:29:05,160 --> 00:29:08,760 Speaker 3: something that still helps me pay my bills aid? And 643 00:29:08,800 --> 00:29:11,960 Speaker 3: then like it's still I'm still essentially working on it, do. 644 00:29:11,920 --> 00:29:13,320 Speaker 4: You know what I mean? It's ongoing. 645 00:29:13,560 --> 00:29:15,960 Speaker 3: And then something that's brought so many people like joy, 646 00:29:16,120 --> 00:29:19,360 Speaker 3: like hello, you were involved in something really positive here, 647 00:29:19,400 --> 00:29:22,600 Speaker 3: Like what are you talking about? You know, I get 648 00:29:22,600 --> 00:29:24,200 Speaker 3: it with actors, like they don't want to be known 649 00:29:24,240 --> 00:29:26,360 Speaker 3: for one thing or like, but you know when I 650 00:29:26,360 --> 00:29:28,480 Speaker 3: mean at least anybody who knows you for anything. Man, 651 00:29:28,560 --> 00:29:31,360 Speaker 3: it's like that old Sinatra thing, like I'm going to 652 00:29:31,400 --> 00:29:35,040 Speaker 3: butcher the quote, but it's like about, well, look, they 653 00:29:35,040 --> 00:29:38,040 Speaker 3: could be yelling at you instead of applauding you or 654 00:29:38,080 --> 00:29:41,640 Speaker 3: like whatever it is. You know, if you've done anything 655 00:29:41,680 --> 00:29:44,760 Speaker 3: that people have seen, you've been lucky to give that opportunity. 656 00:29:44,800 --> 00:29:47,320 Speaker 3: Try and be grateful for it. But who knows. Some 657 00:29:47,360 --> 00:29:49,400 Speaker 3: people have a really bad time as an actor on 658 00:29:49,440 --> 00:29:49,720 Speaker 3: a show. 659 00:29:50,000 --> 00:29:51,640 Speaker 4: I didn't. I had a great time. 660 00:29:51,920 --> 00:29:53,560 Speaker 1: I know, life happens and you can't keep in touch 661 00:29:53,600 --> 00:29:55,560 Speaker 1: with everyone. But is it kind of like the gangs 662 00:29:55,560 --> 00:29:58,120 Speaker 1: back together when you all see each other or check in. 663 00:29:58,520 --> 00:30:02,160 Speaker 3: I'm going to see Chase Brawford on March the thirtieth 664 00:30:02,720 --> 00:30:03,760 Speaker 3: in Paris, France. 665 00:30:04,320 --> 00:30:06,160 Speaker 4: We're doing a convention together. 666 00:30:06,640 --> 00:30:07,000 Speaker 2: Oh wow. 667 00:30:07,040 --> 00:30:09,680 Speaker 3: And we did one in North Carolina about two years 668 00:30:09,720 --> 00:30:12,360 Speaker 3: ago and I hadn't seen him in ages and it 669 00:30:12,480 --> 00:30:15,520 Speaker 3: was just like the last day on set, you know. 670 00:30:15,680 --> 00:30:18,440 Speaker 3: But he'll always if I love those guys, they'll always 671 00:30:18,560 --> 00:30:21,280 Speaker 3: have a very very special place in my heart, and 672 00:30:21,720 --> 00:30:24,400 Speaker 3: of course time has passed. Of course we've all moved on. 673 00:30:25,080 --> 00:30:28,000 Speaker 3: It's gonna be great to see him, and it's gonna 674 00:30:28,000 --> 00:30:28,280 Speaker 3: be good. 675 00:30:28,440 --> 00:30:28,680 Speaker 2: You know. 676 00:30:29,000 --> 00:30:30,680 Speaker 1: I'm going to say it again because it keeps coming 677 00:30:30,720 --> 00:30:33,080 Speaker 1: to mind throughout this interview. I just so love your 678 00:30:33,280 --> 00:30:36,040 Speaker 1: grounding and your gratitude for everything you've accomplished, where you've 679 00:30:36,040 --> 00:30:38,400 Speaker 1: been and where you're going. It's refreshing to hear. And 680 00:30:38,440 --> 00:30:40,880 Speaker 1: I think that that's probably why you're someone who. 681 00:30:40,720 --> 00:30:42,480 Speaker 2: Is continuing to achieve so much. 682 00:30:42,360 --> 00:30:45,520 Speaker 1: Success as you're really seemingly I mean, what do I know, 683 00:30:45,520 --> 00:30:47,360 Speaker 1: but you seem to be very in touch with yourself 684 00:30:47,400 --> 00:30:50,160 Speaker 1: and in the life that you want, in the life 685 00:30:50,160 --> 00:30:50,720 Speaker 1: you've created. 686 00:30:50,800 --> 00:30:51,840 Speaker 2: I think that's really cool. 687 00:30:52,440 --> 00:30:53,240 Speaker 4: Well, dude, do. 688 00:30:53,200 --> 00:30:56,000 Speaker 3: You know what, man, it's a pretty I actually put 689 00:30:56,000 --> 00:31:00,120 Speaker 3: a dark thought into the mix up. One day there 690 00:31:00,120 --> 00:31:03,080 Speaker 3: won't be a day. One day everything will be gone. 691 00:31:03,400 --> 00:31:06,840 Speaker 3: It will all be gone. And these legacies that men 692 00:31:06,920 --> 00:31:09,240 Speaker 3: try or women or whoever try to hold on to, 693 00:31:09,560 --> 00:31:13,160 Speaker 3: these fights and these spats and this bitterness and this 694 00:31:13,480 --> 00:31:14,520 Speaker 3: suing each other or. 695 00:31:14,520 --> 00:31:16,720 Speaker 4: Whatever it is that we all get caught up. 696 00:31:16,680 --> 00:31:20,040 Speaker 3: In, none of it will matter, And you have to 697 00:31:20,120 --> 00:31:22,920 Speaker 3: ultimately say what is the point. 698 00:31:23,160 --> 00:31:25,320 Speaker 4: What is my point? You know, what is the point 699 00:31:25,320 --> 00:31:26,480 Speaker 4: in me actually being here? 700 00:31:26,840 --> 00:31:30,720 Speaker 3: And mine is to try and be happy, man, because 701 00:31:31,120 --> 00:31:34,400 Speaker 3: that's when everything good happens for me, everything good happens 702 00:31:34,400 --> 00:31:38,520 Speaker 3: for those around me, and there's no point in really 703 00:31:38,760 --> 00:31:41,240 Speaker 3: wasting your time in the other direction. 704 00:31:41,960 --> 00:31:42,840 Speaker 4: It's a difficult notion. 705 00:31:42,960 --> 00:31:44,520 Speaker 3: A lot of people don't want to think about the 706 00:31:44,640 --> 00:31:47,680 Speaker 3: end of humanity, the end of this planet. But you know, 707 00:31:47,800 --> 00:31:50,280 Speaker 3: if we believe in science, which I do, that day 708 00:31:50,320 --> 00:31:51,880 Speaker 3: is coming. I mean, it's going to come a long way, 709 00:31:51,960 --> 00:31:55,000 Speaker 3: thank god, you know, but it's a reality, and it 710 00:31:55,080 --> 00:31:57,200 Speaker 3: just kind of frames the fact that, look, man, it's 711 00:31:57,240 --> 00:32:00,760 Speaker 3: all impermanent, and stop taking everything so seriously, the good 712 00:32:00,840 --> 00:32:01,480 Speaker 3: and the bad. 713 00:32:01,720 --> 00:32:02,960 Speaker 4: Don't take it so seriously. 714 00:32:03,680 --> 00:32:06,120 Speaker 3: And I know that's sometimes easier said than done because 715 00:32:06,120 --> 00:32:08,760 Speaker 3: we have emotional people when we get attached to things. 716 00:32:09,120 --> 00:32:12,400 Speaker 3: But if you could just try and have a little 717 00:32:12,400 --> 00:32:15,240 Speaker 3: bit of perspective. And I'm not this guy all. 718 00:32:15,160 --> 00:32:17,320 Speaker 4: The time, and I'm not sounding pre chy, probably i am, 719 00:32:17,360 --> 00:32:18,040 Speaker 4: but I don't mean to. 720 00:32:19,200 --> 00:32:21,560 Speaker 3: Hopefully if that my mentality can kind of set you 721 00:32:21,600 --> 00:32:24,560 Speaker 3: a bit free and you can chill. But I did 722 00:32:24,600 --> 00:32:26,360 Speaker 3: have a great night sleep and I did have a 723 00:32:26,440 --> 00:32:29,240 Speaker 3: workout today, so I've done some good things that make 724 00:32:29,320 --> 00:32:30,560 Speaker 3: me make me feel good. 725 00:32:30,760 --> 00:32:33,880 Speaker 1: And it's funny because I usually end these conversations in 726 00:32:33,920 --> 00:32:36,960 Speaker 1: my show with a question based off the title, which 727 00:32:37,280 --> 00:32:39,600 Speaker 1: what is one thing you've never said before? But I 728 00:32:39,600 --> 00:32:41,240 Speaker 1: feel like you kind of just answer that like that 729 00:32:41,280 --> 00:32:43,440 Speaker 1: felt like a great answer unless you have something else 730 00:32:43,480 --> 00:32:45,160 Speaker 1: for me. But I feel like you've been so open 731 00:32:45,240 --> 00:32:46,320 Speaker 1: during the whole conversation. 732 00:32:46,920 --> 00:32:48,640 Speaker 3: I mean, the only other thing to say is that 733 00:32:48,720 --> 00:32:51,280 Speaker 3: I know pretty much every lyric to every song to 734 00:32:51,440 --> 00:32:54,800 Speaker 3: Parc wrote so and I've never said that before. I've 735 00:32:54,800 --> 00:32:56,240 Speaker 3: never openly admitted it, but. 736 00:32:56,320 --> 00:32:59,880 Speaker 2: There every so you would go on record and say every. 737 00:32:59,800 --> 00:33:06,840 Speaker 3: Lyric, I said nearly every lik nearly okay. 738 00:33:04,960 --> 00:33:07,640 Speaker 4: Every song, nearly every song, nearly every song. 739 00:33:07,840 --> 00:33:10,239 Speaker 3: There's some songs I know every lyric too, you know, 740 00:33:10,400 --> 00:33:13,840 Speaker 3: but I've never really spoken about my love affair with 741 00:33:13,880 --> 00:33:17,640 Speaker 3: the two puts your openly so my metaphorical love affair, 742 00:33:17,720 --> 00:33:18,080 Speaker 3: of course. 743 00:33:19,640 --> 00:33:20,680 Speaker 2: Thank you for clarifying. 744 00:33:20,960 --> 00:33:24,440 Speaker 1: Yeah, that's awesome, well cool, unexpected, but I love that 745 00:33:24,520 --> 00:33:25,239 Speaker 1: I'm here for it. 746 00:33:25,280 --> 00:33:26,120 Speaker 2: That's super fun. 747 00:33:26,680 --> 00:33:26,760 Speaker 3: Ed. 748 00:33:27,320 --> 00:33:28,880 Speaker 2: I could talk to you for hours. This has been 749 00:33:28,920 --> 00:33:29,680 Speaker 2: such a good time. 750 00:33:29,960 --> 00:33:32,520 Speaker 1: Remind everybody where we can watch your new movie and 751 00:33:32,800 --> 00:33:33,400 Speaker 1: check it out. 752 00:33:33,920 --> 00:33:37,200 Speaker 4: Thank you, Tomy. So Dark Game is out now. 753 00:33:37,640 --> 00:33:44,000 Speaker 3: It is available on all demand platforms, Apple TV, Amazon Prime, Voodoo, 754 00:33:44,080 --> 00:33:46,280 Speaker 3: all of those, Fandango great, it's all of them. 755 00:33:46,280 --> 00:33:49,440 Speaker 1: It's ready to go, awesome, rock on, go watch the movie, guys. 756 00:33:49,480 --> 00:33:51,840 Speaker 1: It's so much fun and I'm going to look forward 757 00:33:51,920 --> 00:33:54,480 Speaker 1: to continuing to follow your career. I love the work 758 00:33:54,480 --> 00:33:56,600 Speaker 1: you do and after chatting with you, you're You're an 759 00:33:56,600 --> 00:33:58,360 Speaker 1: awesome guy and it's really been nice to get to 760 00:33:58,360 --> 00:33:58,880 Speaker 1: know you more. 761 00:33:59,240 --> 00:34:00,720 Speaker 4: Tommy, great to be you can read you man. Thanks 762 00:34:00,760 --> 00:34:01,200 Speaker 4: for your time. 763 00:34:04,400 --> 00:34:07,920 Speaker 1: I've Never Said This Before is hosted by Me Tommy Dederio. 764 00:34:08,640 --> 00:34:12,880 Speaker 1: This podcast is executive produced by Andrew Piblisi at iHeartRadio 765 00:34:13,000 --> 00:34:17,319 Speaker 1: and by me Tommy, with editing by Joshua Colaudney. I've 766 00:34:17,360 --> 00:34:19,719 Speaker 1: Never Said This Before is part of the Elvis Duran 767 00:34:19,840 --> 00:34:24,080 Speaker 1: podcast Network on iHeart Podcasts. For more, rate review and 768 00:34:24,200 --> 00:34:27,120 Speaker 1: subscribe to our show and if you liked this episode, 769 00:34:27,320 --> 00:34:30,680 Speaker 1: tell your friends. Until next time. I'm Tommy Dederio