WEBVTT - Listener Mail: Halloween Hangover 2019

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>I Heart Radios How Stuff Works. Hey, welcome to Stuff

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<v Speaker 1>to Blow your Mind. My name is Robert Lamb and

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<v Speaker 1>I'm Joe McCormick, and it's our yearly Halloween Hangover listener

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<v Speaker 1>mail episode. We always get tons of great listener mail.

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<v Speaker 1>We have got an absolutely overflowing mail bag right now,

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<v Speaker 1>so much so that we decided we're gonna do too

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<v Speaker 1>listener mail episodes this week to catch up and frankly,

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<v Speaker 1>to help us get through a part of the year

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<v Speaker 1>that is always very tight and very busy. Yeah, yeah,

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<v Speaker 1>this and then this is a good time to first

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<v Speaker 1>of all, to have one more heaping scoop of Halloween

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<v Speaker 1>right here in the gray zone between the end of

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<v Speaker 1>October and you know, the beginning of saying Thanksgiving and

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<v Speaker 1>Christmas like the full on holidays. Well, and we have

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<v Speaker 1>we have so much great content to read here. And

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<v Speaker 1>then after that it's gonna be it's gonna be all

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<v Speaker 1>Christmas around here. It's gonna be Holidays like like like

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<v Speaker 1>you've never seen it before. But also we've got some

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<v Speaker 1>weird science lined up for the next few weeks that

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<v Speaker 1>that you probably wouldn't believe, so you should be very excited,

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<v Speaker 1>all right, And I'm excited as well to have Carney

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<v Speaker 1>here with us, our mail bot who's been with us

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<v Speaker 1>the whole time, continually changing over the years, getting new

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<v Speaker 1>new augments, new programming, etcetera. And today is no different, right.

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<v Speaker 1>Carney seems to have been very interested in our episodes

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<v Speaker 1>about photography burned from the Mind's Eye, the idea of

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<v Speaker 1>projecting images onto film that a lot of supposed psychics

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<v Speaker 1>throughout the years have claimed to be able to do.

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<v Speaker 1>We talked about that in a couple of Halloween episodes,

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<v Speaker 1>and and Carney has really caught the bug. So now

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<v Speaker 1>instead of printing out listener mail as he normally does,

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<v Speaker 1>he projects it psychically robotically onto various bread products. So

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<v Speaker 1>we will be reading your listener mails burned from Carney's

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<v Speaker 1>Mind's Eye onto Tortilla's toast. PETA's all the like. Yeah,

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<v Speaker 1>he's not supposed to be paying attention into the Invention

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<v Speaker 1>podcast listener mail, but I think he caught a few

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<v Speaker 1>regarding our episode on toast, and that may have also

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<v Speaker 1>led to this current obsession. Here we go, should we

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<v Speaker 1>jump right in, Robert, let's do it? What alright, This

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<v Speaker 1>first message comes to us from our listener Alex. This

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<v Speaker 1>is about the Burned from the Mind's Eye episode, and

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<v Speaker 1>Alex writes in Hi, Robert and Joe, I just listened

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<v Speaker 1>to the burn from the Mind's Eye podcast. A major

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<v Speaker 1>and in visual studies in college, and remember to study

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<v Speaker 1>about retinal mapping in the mid century. They showed a

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<v Speaker 1>monkey a simple image and placed a radioactive film directly

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<v Speaker 1>on the visual cortex with the monkey's brain exposed. It

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<v Speaker 1>was basically photosensitive paper, but was sensitive to the electrical

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<v Speaker 1>impulses of the brain. The results were a pretty accurate

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<v Speaker 1>neuronal map to the visual stimulus, but slightly distorted. Basically,

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<v Speaker 1>the retina is mapped specially onto the brain. While the

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<v Speaker 1>same process probably couldn't reproduce Garfield or a complex image,

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<v Speaker 1>you can actually get a picture to actually from the brain.

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<v Speaker 1>Since the occipital or visual cortex is involved in mental

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<v Speaker 1>imagery as well as in vision, it follows that with

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<v Speaker 1>technology from the fifties and sixties, you might be able

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<v Speaker 1>to make thoughtography of an imagined simple shape. That's assuming

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<v Speaker 1>the visual cortex response of an imagined image is mapped

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<v Speaker 1>the same as a visually stimulated response. So what's going

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<v Speaker 1>on here is we were discussing in the episode how

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<v Speaker 1>imagery is represented in the brain, and our proposition was

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<v Speaker 1>that there's not a screen inside the brain that the

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<v Speaker 1>brain watches imagery take place on that could be projected

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<v Speaker 1>straight out onto thoughtography. Uh, this sort of complicates it

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<v Speaker 1>somewhat now, I think as Alex is saying, there's no

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<v Speaker 1>way you could like find an image of Garfield somewhere

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<v Speaker 1>in the brain. That doesn't seem to exist even if

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<v Speaker 1>you're picturing Garfield. But there does seem to be some

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<v Speaker 1>correlation between what parts of the visual field are being

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<v Speaker 1>stimulated with various types of light and what parts of

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<v Speaker 1>the occipital cortex in the back of the head show

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<v Speaker 1>the most activity. So you can sort of map places

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<v Speaker 1>on the retina basically parts of the visual field of

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<v Speaker 1>things you're looking at, to certain parts of the brain

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<v Speaker 1>showing increased activity. And I think one consequence of this

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<v Speaker 1>is that if you show somebody like a very simple

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<v Speaker 1>black and white shape, you could almost sort of see

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<v Speaker 1>a version of that shape represented in brain activity in

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<v Speaker 1>the occipital cortex. So, yeah, it all seems to be

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<v Speaker 1>just a matter of you know, fine tuning the technology

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<v Speaker 1>and the data needed to translate this information. Yeah, and

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<v Speaker 1>again this probably doesn't work as well, or almost certainly

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<v Speaker 1>doesn't work as well once the image has more complexity

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<v Speaker 1>to it. Especially, I think it makes a difference, you know,

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<v Speaker 1>once you consider talking talking about like the moving of

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<v Speaker 1>the focus of the eyes and all this. But you know,

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<v Speaker 1>you can represent parts of the retina, parts of the

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<v Speaker 1>visual field within a sort of uh a map of

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<v Speaker 1>the visual processing center of the brain. Uh. And I

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<v Speaker 1>didn't know this before, so thank you so much for sharing, Alex.

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<v Speaker 1>This is really interesting. I still don't think this would

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<v Speaker 1>really make thoughtography anymore plausible, because, I mean, there are

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<v Speaker 1>multiple problems. Uh. Photography tends to project images as you

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<v Speaker 1>would take with a camera. And again this is not

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<v Speaker 1>you're You're not getting maps on the brain projecting complex images.

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<v Speaker 1>It's more sort of like rough correlations of areas of

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<v Speaker 1>the brain to parts of shapes that you would look at.

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<v Speaker 1>But and then also like how would the signal escape

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<v Speaker 1>the skull. The fact that people tended to do it

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<v Speaker 1>at a distance or with the thing in the front

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<v Speaker 1>of the head instead of in the back. I think

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<v Speaker 1>they're there are multiple reasons for saying that this, this

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<v Speaker 1>doesn't really make photography anymore plausible unless you were to say,

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<v Speaker 1>remove the skull and only look at extremely simple shapes

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<v Speaker 1>and accept very distorted versions of them as you're projected image. Well,

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<v Speaker 1>and it reminds me to how we've talked in the

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<v Speaker 1>past about how, you know, a lot of times we're

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<v Speaker 1>reaching for an idea of how psychic transmission of ideas

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<v Speaker 1>could occur, how I can get the contents of my

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<v Speaker 1>skull into your skull. And then we overlooked the fact

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<v Speaker 1>that we have this thing called language that does exactly that. Uh, so, yeah,

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<v Speaker 1>this might be just another bridge between minds, this one

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<v Speaker 1>though technological as opposed to linguistic exactly. Uh, Robert, do

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<v Speaker 1>you mind if I jump onto the next one, because

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<v Speaker 1>it's kind of related. So we were talking about the

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<v Speaker 1>question it was raised in one of the papers we

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<v Speaker 1>looked at of whether mental imagery could be unconsciously perceived.

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<v Speaker 1>Can you picture something without being conscious of perceiving it?

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<v Speaker 1>This is a strange question, And Robert, you said, well, wait,

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<v Speaker 1>could you even see something in with regular vision without

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<v Speaker 1>being conscious of it? And I answered that I thought

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<v Speaker 1>there was some evidence for this, like in the invisible

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<v Speaker 1>guerilla line of research. I seemed to recall there were

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<v Speaker 1>some things where like people wouldn't consciously note seeing a guerrilla,

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<v Speaker 1>but then they might be primed on the subject of

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<v Speaker 1>guerrillas afterwards, so like maybe some part of them had

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<v Speaker 1>seen it, but they weren't conscious of seeing it. But

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<v Speaker 1>after recording the episode, some listeners brought up the condition,

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<v Speaker 1>and I also thought of the condition that that I

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<v Speaker 1>should have mentioned there, which is blind site, which we

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<v Speaker 1>definitely should have thought of because we're both big fans

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<v Speaker 1>of the Peter Wattson novel where he invokes the concept.

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<v Speaker 1>But basically, blind site is a neurological condition in which

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<v Speaker 1>people can respond to visual stimuli behaviorally, and yet they

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<v Speaker 1>believe they are blind or blind in some particular part

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<v Speaker 1>of their visual field. So like you can, I don't know,

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<v Speaker 1>for example, somebody could toss a ball at you and

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<v Speaker 1>you could reach up and catch it, but you are

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<v Speaker 1>but you are not conscious of seeing the ball, like

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<v Speaker 1>you don't believe you can see it or have seen it. Yeah, yeah,

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<v Speaker 1>I mean certainly with the ball. I think we've all

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<v Speaker 1>had that, that situation where you're just suddenly catching the

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<v Speaker 1>ball or I've had. I had that situation when my

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<v Speaker 1>son was younger, where he he fell off of some

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<v Speaker 1>playground equipment and suddenly I was like holding him the foot, Uh,

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<v Speaker 1>you know where it's It's just another in another part

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<v Speaker 1>of our mental machinery is kicking in to make that possible. Yes,

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<v Speaker 1>And so what I think this means is that it

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<v Speaker 1>seems to me the brain is perfectly capable of processing

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<v Speaker 1>visual imagery and reacting in some cases in some ways

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<v Speaker 1>without making that imagery available to the conscious part of

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<v Speaker 1>the brain that talks. So Yes, I think there's definitely

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<v Speaker 1>evidence that it's possible to see unconsciously with regular vision.

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<v Speaker 1>But that still leaves the other question unanswered, whether it's

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<v Speaker 1>possible to imagine visual imagery unconsciously? Can you picture Garfield

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<v Speaker 1>without knowing your picturing Garfield? And our next email addresses this.

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<v Speaker 1>So this is from our listener Tanya. Tanya says, Hey, guys,

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<v Speaker 1>you mentioned the question can mental imagery be unconscious? I

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<v Speaker 1>have some experience concerning this question. Sometimes, when I read

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<v Speaker 1>a novel or play a rather boring game on the computer,

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<v Speaker 1>I suddenly become aware that my mind was busy the

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<v Speaker 1>last hour with understanding what I read and in the

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<v Speaker 1>same time picturing something completely unrelated. Normally it's a landscape

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<v Speaker 1>of some sort, something I know more or less well,

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<v Speaker 1>I move in this area, similar to the movement you

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<v Speaker 1>do when you use Google street View. I had this

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<v Speaker 1>experience long before Google and its maps was invented. Uh.

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<v Speaker 1>The pictures I produce are not put into words, but

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<v Speaker 1>stay completely visual until I become aware. Therefore, I would

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<v Speaker 1>call them unconscious. It happens that I come to places

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<v Speaker 1>I haven't been to physically in years, but as soon

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<v Speaker 1>as I see them again, I remember having been there

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<v Speaker 1>recently in my mind. Oh that's interesting, kind of creepy feeling.

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<v Speaker 1>But in the moment of picturing them, I was completely unaware.

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<v Speaker 1>Sometimes I'm astounded how inaccurate my inner maps are, Like

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<v Speaker 1>all memories are, I guess. Fascinated listener from Germany Tanya. Interesting. Yeah,

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<v Speaker 1>So this this whole idea, and I think this is

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<v Speaker 1>why it was so perplexing when we talked about it

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<v Speaker 1>the first time. Is we really have to figure out

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<v Speaker 1>what we mean by being conscious of seeing something or

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<v Speaker 1>conscious of having a visual image of it. Does that

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<v Speaker 1>mean that I are we just talking about? Uh? It

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<v Speaker 1>occurring at all, are we talking about me having uh,

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<v Speaker 1>like a focused awareness of it, you know, uh, And

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<v Speaker 1>I feel like there's there's sort of room on a

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<v Speaker 1>scale between the two. Yeah, I mean it's kind of hazy.

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<v Speaker 1>I understand what Tanya is talking about here, like having

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<v Speaker 1>the idea that you retrospectively remember that you were thinking

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<v Speaker 1>about something, but you don't have the impression that you

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<v Speaker 1>were conscious of thinking about it when you were thinking

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<v Speaker 1>about it. Well, like, like, here's a question when you're

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<v Speaker 1>in the shower and you're having like shower thoughts, like,

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<v Speaker 1>are you conscious of those thoughts? Is this there's it's

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<v Speaker 1>not directed cognition perhaps, you know, but it's I wouldn't

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<v Speaker 1>say that I am unconscious when I'm having you know,

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<v Speaker 1>various images and ideas rolling through my head, or if

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<v Speaker 1>I'm you know, staring off into space and daydreaming. Um. Yeah,

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<v Speaker 1>I mean it's weird. We almost think of consciousness is

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<v Speaker 1>is like the definitive property of directed cognition, right, But like,

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<v Speaker 1>if you are thinking about something, it's almost implied that

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<v Speaker 1>necessarily it's conscious, but maybe not. I don't know. Consciousness

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<v Speaker 1>is so weird again, It's well, let's move on to

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<v Speaker 1>the next listener mail that Karney has for us, because

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<v Speaker 1>this will add even more fuel to the fire. All right,

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<v Speaker 1>this one comes to us from Windy. Windy rides in

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<v Speaker 1>and says, hi, guys, First, the democ Oregan episode was tremendous. Second,

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<v Speaker 1>you can definitely unconsciously envisioned things I always thought I

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<v Speaker 1>thought in words, mostly until I started meditating. I was

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<v Speaker 1>surprised to realize that there was a background of images

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<v Speaker 1>accompanying the monologue. They impacted and augmented what I thought,

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<v Speaker 1>and I had no idea they were there. Meditation is neat,

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<v Speaker 1>So I love it that they brought up meditation because

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<v Speaker 1>that's also one of the things that I thought about,

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<v Speaker 1>the idea that, yes, when I engaging in a meditative state,

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<v Speaker 1>I will sometimes have well, very often, I think, have

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<v Speaker 1>engaged with visual imagery that arises, you know, um unsummoned,

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<v Speaker 1>you know. But when I really get down and start

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<v Speaker 1>thinking about it again, I'm asking myself, well, does that

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<v Speaker 1>mean that that I am unconscious of this image? Like

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<v Speaker 1>I am, I am aware of the imagery taking place.

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<v Speaker 1>It is, it is perceived by me, even if it

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<v Speaker 1>feels like I am less in control of it. But

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<v Speaker 1>does that mean that it's somehow always back there. It

0:12:36.800 --> 0:12:38.640
<v Speaker 1>gets gets really tricky. I feel like we end up

0:12:38.640 --> 0:12:40.960
<v Speaker 1>in a situation where we can't really see the forest

0:12:41.000 --> 0:12:42.720
<v Speaker 1>for the trees, you know, we get into that blind

0:12:42.760 --> 0:12:45.480
<v Speaker 1>brain effect. And to come back to meditation, I mean,

0:12:45.480 --> 0:12:49.360
<v Speaker 1>of course, when you're meditation is all about awareness and

0:12:49.440 --> 0:12:54.800
<v Speaker 1>about consciousness and changing the way that your awareness is focused,

0:12:55.080 --> 0:12:57.920
<v Speaker 1>taking it, you know, away from these things that you

0:12:57.920 --> 0:13:01.120
<v Speaker 1>would normally miss and focusing on something that is there

0:13:01.120 --> 0:13:06.760
<v Speaker 1>here in the present. Yeah, alright, here's another one. This

0:13:06.800 --> 0:13:10.600
<v Speaker 1>one comes to us from Skylar. Hey, guys, Skyler from Kansas.

0:13:10.640 --> 0:13:13.680
<v Speaker 1>Just finished listening to Burned from the Mind's Eye Part

0:13:13.720 --> 0:13:16.400
<v Speaker 1>two and the end. What you talked about a neural

0:13:16.440 --> 0:13:19.520
<v Speaker 1>network being able to draw mental images was really great.

0:13:19.679 --> 0:13:23.080
<v Speaker 1>It reminded me of a YouTube channel called data Bots.

0:13:23.679 --> 0:13:26.600
<v Speaker 1>It's d A d A dotta bots. I guess not

0:13:26.800 --> 0:13:30.560
<v Speaker 1>like data where a neural network is creating live death

0:13:30.600 --> 0:13:35.520
<v Speaker 1>metal and jazz music. Seven. I've actually heard this. Yeah, yeah,

0:13:35.600 --> 0:13:40.120
<v Speaker 1>it's like AI generated death metal that's just streamed constantly.

0:13:40.480 --> 0:13:43.920
<v Speaker 1>Is it death metal jazz? Is that? I think these

0:13:43.920 --> 0:13:46.880
<v Speaker 1>are two different things, maybe two different channels. Yeah, maybe

0:13:47.400 --> 0:13:50.240
<v Speaker 1>the one I heard it sounded kind of like like

0:13:50.440 --> 0:13:53.560
<v Speaker 1>MS sugar, you know, sort of more a tonal, but

0:13:54.160 --> 0:13:56.600
<v Speaker 1>they're definitely funk elements in sugar though, But I don't

0:13:56.600 --> 0:13:59.600
<v Speaker 1>know about I don't know about jazz. Um Okay, well

0:13:59.600 --> 0:14:03.080
<v Speaker 1>this is the sounds interesting anyway, Scotler continues. The longer

0:14:03.120 --> 0:14:05.560
<v Speaker 1>I listened to it, the crazier and more real the

0:14:05.640 --> 0:14:08.760
<v Speaker 1>music sounds. Just thought you would like that, love the show,

0:14:08.840 --> 0:14:11.600
<v Speaker 1>keep it up. This is interesting because it touches on

0:14:12.840 --> 0:14:16.079
<v Speaker 1>I think this this really intriguing idea of the future

0:14:16.360 --> 0:14:19.920
<v Speaker 1>of creative AI, and that is that not that you

0:14:19.920 --> 0:14:22.280
<v Speaker 1>would have a machine that makes all your death metal

0:14:22.800 --> 0:14:24.680
<v Speaker 1>or a machine that makes all your jazz, it writes

0:14:24.680 --> 0:14:28.200
<v Speaker 1>all your books, etcetera. Um, I you know, maybe we'll

0:14:28.240 --> 0:14:30.000
<v Speaker 1>get to that point. But I think the more exciting

0:14:30.640 --> 0:14:34.920
<v Speaker 1>idea is that, of course you have humans using AI

0:14:35.000 --> 0:14:39.880
<v Speaker 1>to augment their existing talents and creative ideas. So someone

0:14:39.960 --> 0:14:43.080
<v Speaker 1>saying I want to make a jazzy death metal album, Um,

0:14:43.120 --> 0:14:45.640
<v Speaker 1>but I want to I want to break free from

0:14:45.680 --> 0:14:48.000
<v Speaker 1>sort of the you know, the boxes that are enclosing

0:14:48.040 --> 0:14:51.480
<v Speaker 1>me here, and then you might turn to creative AI

0:14:51.520 --> 0:14:54.280
<v Speaker 1>as a way to sort of discover where you could

0:14:54.320 --> 0:14:57.200
<v Speaker 1>break free and also then be able to rein it

0:14:57.240 --> 0:14:59.040
<v Speaker 1>in and say, well, I don't really want to go

0:14:59.040 --> 0:15:01.120
<v Speaker 1>in this direction or this action, but here's a direction

0:15:01.320 --> 0:15:03.920
<v Speaker 1>I never even thought off before. You could almost use

0:15:04.080 --> 0:15:07.640
<v Speaker 1>AI kind of like a creative each ing or something,

0:15:07.720 --> 0:15:11.200
<v Speaker 1>you know, like introducing elements of of random input for

0:15:11.240 --> 0:15:14.200
<v Speaker 1>you to sort through and make your own sense of. Yeah. Yeah,

0:15:14.360 --> 0:15:18.840
<v Speaker 1>And of course there have been creative methodologies like that

0:15:18.880 --> 0:15:21.920
<v Speaker 1>performer reminded of the cut Up Machine exactly approach to

0:15:21.960 --> 0:15:28.200
<v Speaker 1>fiction totally. All right. So this next message comes in

0:15:28.280 --> 0:15:31.280
<v Speaker 1>response to our episode I Drink Your Blood Type, which

0:15:31.880 --> 0:15:34.000
<v Speaker 1>which had one of our favorite skits in a while,

0:15:34.040 --> 0:15:37.760
<v Speaker 1>I think about the Blood Club. Yeah, and then it

0:15:37.840 --> 0:15:40.560
<v Speaker 1>was about blood types and also about the idea of

0:15:41.360 --> 0:15:44.760
<v Speaker 1>people believing in blood type personality correlations like some of

0:15:44.840 --> 0:15:47.960
<v Speaker 1>the blood type horoscopes and things blood blood type diets

0:15:48.040 --> 0:15:50.600
<v Speaker 1>and so forth. This was a really great piece of

0:15:50.600 --> 0:15:54.640
<v Speaker 1>feedback from our listener Annie. She says, Hey, guys, I

0:15:54.680 --> 0:15:56.520
<v Speaker 1>love the show, and I just listened to the episode

0:15:56.520 --> 0:15:59.480
<v Speaker 1>on blood. Being a geneticist and neuroscientist, I thought I

0:15:59.480 --> 0:16:01.560
<v Speaker 1>would add my two cents worth in relation to your

0:16:01.600 --> 0:16:05.440
<v Speaker 1>comments about blood type being linked to certain personality traits.

0:16:05.720 --> 0:16:09.760
<v Speaker 1>While blood type is simply inherited by a single gene, locusts.

0:16:10.120 --> 0:16:13.840
<v Speaker 1>Personality is complex and is an interaction of many genes

0:16:13.840 --> 0:16:17.680
<v Speaker 1>and environment. Certain learned behaviors can be passed down through

0:16:17.720 --> 0:16:20.920
<v Speaker 1>families and in fact by different populations or ethnic groups

0:16:20.960 --> 0:16:23.960
<v Speaker 1>at the same time as blood groups are inherited, so

0:16:24.080 --> 0:16:28.320
<v Speaker 1>by pure coincidence due to specific personality traits of population groups,

0:16:28.560 --> 0:16:31.760
<v Speaker 1>both blood type and these traits may track together. In

0:16:31.760 --> 0:16:34.040
<v Speaker 1>this case, the two would be correlated with each other,

0:16:34.080 --> 0:16:36.600
<v Speaker 1>but there's no evidence that one will cause the other.

0:16:37.040 --> 0:16:40.280
<v Speaker 1>The other way blood groups could possibly follow inherited personality

0:16:40.320 --> 0:16:43.600
<v Speaker 1>traits is if the genes are inherited together on the chromosome,

0:16:43.920 --> 0:16:45.880
<v Speaker 1>and this is more likely to happen if the genes

0:16:45.920 --> 0:16:49.240
<v Speaker 1>are closer in proximity on the chromosome, thus having less

0:16:49.320 --> 0:16:52.320
<v Speaker 1>chance of being separated during the stages of crossing over.

0:16:52.400 --> 0:16:56.000
<v Speaker 1>During myosis, the blood group gene is on the long

0:16:56.200 --> 0:17:00.600
<v Speaker 1>arm of chromosome nine. Interestingly, a genetic mutation making one

0:17:00.640 --> 0:17:04.040
<v Speaker 1>more susceptible to a certain type of dementia. C nine

0:17:04.040 --> 0:17:07.200
<v Speaker 1>O r F seventy two is also on chromosome nine,

0:17:07.400 --> 0:17:10.400
<v Speaker 1>albeit on the other end of the chromosome, thus requiring

0:17:10.440 --> 0:17:13.159
<v Speaker 1>an even number of crossings over to allow them to

0:17:13.200 --> 0:17:17.040
<v Speaker 1>be inherited together. This form of dementia can cause behavioral

0:17:17.119 --> 0:17:21.160
<v Speaker 1>variations which may cause personality changes decades before the dementia

0:17:21.200 --> 0:17:24.800
<v Speaker 1>sets in. Finally, in regards to the comment about personality

0:17:24.880 --> 0:17:27.800
<v Speaker 1>being related to the gut microbiome, uh, and this was

0:17:27.840 --> 0:17:29.879
<v Speaker 1>when we were talking about the plausibility of the thing.

0:17:29.920 --> 0:17:32.439
<v Speaker 1>We didn't think that that the blood type predictor of

0:17:32.480 --> 0:17:36.080
<v Speaker 1>personality was very plausible, but we did say there's a

0:17:36.080 --> 0:17:39.040
<v Speaker 1>surface level kind of plausibility because you know, things about

0:17:39.040 --> 0:17:43.960
<v Speaker 1>the gut microbiome can predict personality, at least potentially. Uh So, so, Uh,

0:17:44.600 --> 0:17:47.800
<v Speaker 1>it might seem to people why couldn't the blood predicted

0:17:47.840 --> 0:17:51.360
<v Speaker 1>as well? Uh? But any continues about the gut microbiome.

0:17:51.800 --> 0:17:54.320
<v Speaker 1>This is much more feasible since the biota in the

0:17:54.359 --> 0:17:58.800
<v Speaker 1>gut produced neurotransmitters which can affect mood and personality, and

0:17:58.880 --> 0:18:01.720
<v Speaker 1>the stems from in reology, when the gut and spinal

0:18:01.760 --> 0:18:04.840
<v Speaker 1>cord were in fact one organ called the neural crest.

0:18:05.359 --> 0:18:08.720
<v Speaker 1>The neural crest separates early during development, but the resulting

0:18:08.760 --> 0:18:12.440
<v Speaker 1>gut and central nervous system are still closely linked during life,

0:18:12.520 --> 0:18:15.119
<v Speaker 1>as can be seen when we get gut reactions to

0:18:15.200 --> 0:18:18.440
<v Speaker 1>certain brain stimuli. And we are now starting to see

0:18:18.480 --> 0:18:20.959
<v Speaker 1>evidence of how the types of foods we eat affect

0:18:21.000 --> 0:18:24.040
<v Speaker 1>the gut microbiome, which in turn can affect our mood

0:18:24.160 --> 0:18:27.159
<v Speaker 1>and general state of mind. Looking forward to continuing to

0:18:27.200 --> 0:18:30.680
<v Speaker 1>having my mind blown by you all the best, Annie, Well,

0:18:30.680 --> 0:18:33.400
<v Speaker 1>it was great to have a geneticist and neuroscientists chime

0:18:33.440 --> 0:18:36.240
<v Speaker 1>in on that. Oh yeah, I always love when when

0:18:36.280 --> 0:18:38.840
<v Speaker 1>you'll let their share your expertise with us. All right,

0:18:38.880 --> 0:18:40.640
<v Speaker 1>On that note, I think we should probably take our

0:18:40.640 --> 0:18:43.680
<v Speaker 1>first break, but when we come back, we will turn

0:18:43.800 --> 0:18:50.760
<v Speaker 1>flesh into salt. Thank thank Alright, we're back all right now.

0:18:50.800 --> 0:18:54.679
<v Speaker 1>This next message concerned some episodes that came before Halloween,

0:18:55.119 --> 0:18:57.840
<v Speaker 1>but since it also touches on some Halloween e stuff,

0:18:58.680 --> 0:19:00.920
<v Speaker 1>I think we're throwing it in with Halloween. Lat Yeah,

0:19:00.960 --> 0:19:03.800
<v Speaker 1>but plus the non Halloween episodes that they touched on

0:19:03.800 --> 0:19:05.880
<v Speaker 1>are also at least a little bit HALLOWEENI I mean,

0:19:06.040 --> 0:19:08.720
<v Speaker 1>you know how it goes. But this listener has written

0:19:08.720 --> 0:19:11.639
<v Speaker 1>in before and always sends great messages. This is from Jesser.

0:19:14.320 --> 0:19:16.800
<v Speaker 1>Jesse writes, Hey, guys, I wanted to write in to

0:19:16.880 --> 0:19:19.359
<v Speaker 1>share some thoughts on some recent episodes, along with a

0:19:19.400 --> 0:19:22.960
<v Speaker 1>little bit of monster history since it's getting close to October.

0:19:23.359 --> 0:19:25.800
<v Speaker 1>In the Flesh into Salt episodes, you talked about how

0:19:25.880 --> 0:19:29.359
<v Speaker 1>Lot's wife might have been inspired by natural formations, But

0:19:29.560 --> 0:19:31.840
<v Speaker 1>what could have been the inspiration for the story of

0:19:31.880 --> 0:19:34.199
<v Speaker 1>Sodom and go Mora as a whole. While I'm not

0:19:34.240 --> 0:19:36.560
<v Speaker 1>a scholar of the Hebrew Bible, I have a theory

0:19:36.880 --> 0:19:39.840
<v Speaker 1>it's a bit of Bronze Age sci fi, going off

0:19:39.840 --> 0:19:43.359
<v Speaker 1>of Isaac Asimov's definition of sci fi as stories which

0:19:43.400 --> 0:19:46.760
<v Speaker 1>deal with human response to new technology. Maybe Sodom and

0:19:46.760 --> 0:19:50.840
<v Speaker 1>Gomorrah is a pastoral culture's idea of city has gone

0:19:50.880 --> 0:19:55.119
<v Speaker 1>too far, where urbanization has destroyed the custom of hospitality.

0:19:55.480 --> 0:19:58.560
<v Speaker 1>If you start looking at Hebrew Bible stories through this lens,

0:19:58.800 --> 0:20:01.359
<v Speaker 1>the Tower of Babble Become is a cautionary tale about

0:20:01.400 --> 0:20:04.879
<v Speaker 1>monumental buildings, Shadrack Mishak and a Ben to Go a

0:20:04.920 --> 0:20:09.200
<v Speaker 1>story about smelting furnaces taken too far, and Joseph interpreting

0:20:09.200 --> 0:20:12.520
<v Speaker 1>the Pharaoh's dreams at parable about the importance of storing

0:20:12.600 --> 0:20:16.640
<v Speaker 1>surplus grain. These stories would have entered the oral tradition

0:20:16.720 --> 0:20:19.879
<v Speaker 1>when these ideas were still new then preserved when written

0:20:19.920 --> 0:20:23.080
<v Speaker 1>down as religious text. This is all speculation, but ancient

0:20:23.160 --> 0:20:26.240
<v Speaker 1>people's could have expressed their anxieties about new technologies through

0:20:26.280 --> 0:20:30.520
<v Speaker 1>stories the same way we do today. I love this idea.

0:20:30.600 --> 0:20:33.159
<v Speaker 1>I mean again, this is it's speculative. You can't like

0:20:33.280 --> 0:20:35.560
<v Speaker 1>know this is the case, really, but you could look

0:20:35.560 --> 0:20:37.879
<v Speaker 1>for clues in this and the stories. Maybe. I I

0:20:38.240 --> 0:20:41.320
<v Speaker 1>like the idea that a lot of Bible stories and

0:20:41.400 --> 0:20:45.040
<v Speaker 1>traditional myths might in fact be like three thousand year

0:20:45.040 --> 0:20:48.359
<v Speaker 1>old episodes of Black Mirror. Yeah. I mean, what do

0:20:48.400 --> 0:20:51.320
<v Speaker 1>we know about about the way we think about the

0:20:51.359 --> 0:20:54.919
<v Speaker 1>passage of time. We know that, yes, we are always

0:20:55.080 --> 0:20:58.240
<v Speaker 1>anxious about new technologies as they have presented. Uh, the

0:20:58.280 --> 0:21:02.800
<v Speaker 1>older generation is always suspicious of the younger generation and

0:21:02.960 --> 0:21:06.200
<v Speaker 1>or fearful of them. We know that technology has profound

0:21:06.200 --> 0:21:09.520
<v Speaker 1>effects on culture, that changes culture constantly. Yeah. So I

0:21:09.520 --> 0:21:12.440
<v Speaker 1>mean this, You know, on on the surface, this sounds

0:21:12.840 --> 0:21:15.000
<v Speaker 1>very plausible. And now I don't know to what extend.

0:21:15.040 --> 0:21:19.439
<v Speaker 1>Anyone has ever explored the concept of certainly of of

0:21:19.520 --> 0:21:24.080
<v Speaker 1>mythology and folklore as as sort of primitive science fiction

0:21:24.240 --> 0:21:27.600
<v Speaker 1>or prescience fiction sci fi. But I would be interested

0:21:27.600 --> 0:21:30.679
<v Speaker 1>to learn more about about how this might work. This

0:21:30.680 --> 0:21:33.880
<v Speaker 1>sounds like this could be a fascinating book, and if

0:21:33.880 --> 0:21:38.199
<v Speaker 1>it hasn't already been written, alright, so um Jesser continues quote,

0:21:38.240 --> 0:21:40.840
<v Speaker 1>I also have a thought about a part of what

0:21:41.000 --> 0:21:44.200
<v Speaker 1>makes the vantage Mind manuscripts so alluring. It's the fact

0:21:44.320 --> 0:21:46.479
<v Speaker 1>that it's so mundane. You expect a hoax or an

0:21:46.520 --> 0:21:50.200
<v Speaker 1>invention to be more flamboyant, to call more attention to itself.

0:21:50.400 --> 0:21:53.359
<v Speaker 1>But as strange as the manuscript is, it doesn't go anywhere.

0:21:53.520 --> 0:21:56.440
<v Speaker 1>In fact, it seems to get less interesting towards the end,

0:21:56.440 --> 0:21:59.639
<v Speaker 1>where you'd expect some sort of punchline or absurd conclusion.

0:22:00.960 --> 0:22:02.560
<v Speaker 1>This is This is a great point. I think this

0:22:02.600 --> 0:22:06.120
<v Speaker 1>is one of the reasons that um House of Leaves

0:22:06.680 --> 0:22:09.760
<v Speaker 1>is so so convincing at times, because I had that

0:22:09.800 --> 0:22:12.240
<v Speaker 1>experience where I felt that it towards the end it

0:22:12.240 --> 0:22:17.280
<v Speaker 1>gets more just reference referential, you know, and and perhaps

0:22:17.359 --> 0:22:19.359
<v Speaker 1>less engaging, but in a way that makes it more

0:22:19.960 --> 0:22:23.560
<v Speaker 1>it feels more authentic in that regard. Yeah, totally, they continue.

0:22:23.880 --> 0:22:27.880
<v Speaker 1>The Codex Serafinitus makes a good comparison because it's much

0:22:27.880 --> 0:22:31.720
<v Speaker 1>more obviously playful and fantastic you don't have to decipher

0:22:31.760 --> 0:22:34.520
<v Speaker 1>its text to understand the point. But because the Vontage

0:22:34.560 --> 0:22:37.920
<v Speaker 1>Manuscript appears to be so straightforward and serious about its subject,

0:22:38.119 --> 0:22:41.239
<v Speaker 1>people assume there must be some meaning behind it. The

0:22:41.320 --> 0:22:45.879
<v Speaker 1>idea that it might mean nothing is existentially unsatisfying. I

0:22:46.200 --> 0:22:50.000
<v Speaker 1>can totally see this. Yeah. The and the Codex Serafinitus

0:22:50.080 --> 0:22:52.119
<v Speaker 1>is a good point in comparison. We brought it up

0:22:52.119 --> 0:22:55.199
<v Speaker 1>in the Bondage Manuscript episode because it is something that

0:22:55.280 --> 0:22:58.240
<v Speaker 1>we know was intentionally created as like an art project.

0:22:58.680 --> 0:23:00.840
<v Speaker 1>It doesn't actually have a meaning, is just there to

0:23:00.960 --> 0:23:04.359
<v Speaker 1>be interesting and be you know, fun. Yeah. And in

0:23:04.600 --> 0:23:07.520
<v Speaker 1>case in point, there are multiple pages of in it

0:23:07.640 --> 0:23:10.800
<v Speaker 1>that you would potentially like frame on the wall, you know,

0:23:10.840 --> 0:23:12.920
<v Speaker 1>I mean, it looks like a work of art, whereas

0:23:12.920 --> 0:23:16.560
<v Speaker 1>the Vonish manuscript and not every page is really like

0:23:16.680 --> 0:23:19.920
<v Speaker 1>that interesting without knowing what it is or in fact

0:23:20.000 --> 0:23:21.800
<v Speaker 1>what it is not. Yeah, And a lot of the

0:23:21.840 --> 0:23:24.840
<v Speaker 1>more interesting pages come like, I don't know, two fifths

0:23:24.840 --> 0:23:28.200
<v Speaker 1>of the way through, Like it's in the like balneological sections,

0:23:28.480 --> 0:23:31.040
<v Speaker 1>the stuff with the weird baths and the like tentacle

0:23:31.240 --> 0:23:35.040
<v Speaker 1>pipes and stuff that that's where things get really weird.

0:23:35.119 --> 0:23:37.720
<v Speaker 1>And then after that it descends more into like I think,

0:23:37.720 --> 0:23:39.679
<v Speaker 1>after that it's like astrology, and then you get the

0:23:39.720 --> 0:23:42.160
<v Speaker 1>recipes towards the end, which is by far the least

0:23:42.200 --> 0:23:46.000
<v Speaker 1>interesting part. Yeah, whenever you're reading a story, especially if

0:23:46.000 --> 0:23:48.000
<v Speaker 1>you're watching a movie that that has a like a

0:23:48.119 --> 0:23:51.480
<v Speaker 1>dark book that shows up a strange book, generally it

0:23:51.520 --> 0:23:53.159
<v Speaker 1>looks like they can just turn to any page and

0:23:53.200 --> 0:23:58.840
<v Speaker 1>it's instantly monstrous or weird or you know, Eldric and

0:23:58.880 --> 0:24:01.439
<v Speaker 1>so forth. Though, but uh, you know, I like the

0:24:01.480 --> 0:24:05.679
<v Speaker 1>idea that a true mystery book would only its mysteries,

0:24:05.680 --> 0:24:07.760
<v Speaker 1>would only present themselves if you you knew what you're

0:24:07.760 --> 0:24:09.720
<v Speaker 1>looking for, you know. So yeah, I would take this

0:24:09.760 --> 0:24:12.119
<v Speaker 1>as at least a little bit of evidence more to

0:24:12.200 --> 0:24:14.520
<v Speaker 1>the side that it does have a real meaning, because

0:24:14.560 --> 0:24:17.080
<v Speaker 1>it gets less interesting as it goes on. You'd expect

0:24:17.160 --> 0:24:19.600
<v Speaker 1>if it were a hoax, that would be structured to

0:24:19.640 --> 0:24:24.760
<v Speaker 1>have more of a climax of weirdness. Absolutely so, Jesser continues, Uh,

0:24:25.280 --> 0:24:29.840
<v Speaker 1>they make a future episode suggestion regarding uh created languages

0:24:30.200 --> 0:24:32.520
<v Speaker 1>and so forth, which I think could be interesting. Uh,

0:24:32.600 --> 0:24:35.480
<v Speaker 1>and then there's this quote. Lastly, I wanted to toss

0:24:35.480 --> 0:24:37.800
<v Speaker 1>in some Halloween history about which is we all know

0:24:37.880 --> 0:24:40.359
<v Speaker 1>the stereotype of which is as older women wearing pointy

0:24:40.359 --> 0:24:43.280
<v Speaker 1>hats during bubbling cauldrons, flying on brooms, and hanging out

0:24:43.320 --> 0:24:46.360
<v Speaker 1>with cats. Where did this come from? It all goes

0:24:46.400 --> 0:24:49.679
<v Speaker 1>back to beer beer all right, let's hear hear all

0:24:49.720 --> 0:24:52.480
<v Speaker 1>about it. In fourteenth and fifteenth century Europe, brewing beer

0:24:52.560 --> 0:24:55.000
<v Speaker 1>was considered a woman's job, part of keeping the house.

0:24:55.400 --> 0:24:57.879
<v Speaker 1>Being a beer beer brewer was one of the few

0:24:58.040 --> 0:25:01.720
<v Speaker 1>professions acceptable for older married women to have, and when

0:25:01.720 --> 0:25:05.080
<v Speaker 1>the witch craze began, these women were the most targeted demographic,

0:25:05.160 --> 0:25:08.000
<v Speaker 1>both for social reasons seen as being jealous of women

0:25:08.040 --> 0:25:11.119
<v Speaker 1>who were married and had children, and and economic reasons

0:25:11.200 --> 0:25:13.639
<v Speaker 1>lacking the resources of a father's or husband's family to

0:25:13.640 --> 0:25:16.600
<v Speaker 1>protect them. The traditional brewers hat was tall and pointed

0:25:16.680 --> 0:25:19.480
<v Speaker 1>with a wide brim, like an anvil for a blacksmith.

0:25:19.600 --> 0:25:22.600
<v Speaker 1>The traditional symbol of a brewer was the broom. Brewers

0:25:22.680 --> 0:25:25.320
<v Speaker 1>kept cats as mousers to protect their stores of grain,

0:25:25.400 --> 0:25:28.400
<v Speaker 1>and brewing beer does involve some stirring of bubbling cauldrons.

0:25:28.440 --> 0:25:32.119
<v Speaker 1>Illustrations of typical witches had all of these traits, and

0:25:32.280 --> 0:25:35.800
<v Speaker 1>people at the time would understand as signifying beer brewers.

0:25:36.040 --> 0:25:38.840
<v Speaker 1>Over time, the cultural context was lost, but the signifiers remained,

0:25:38.920 --> 0:25:41.280
<v Speaker 1>leaving us with the modern image of the witch. Thanks

0:25:41.280 --> 0:25:43.600
<v Speaker 1>for all the work you do in making my favorite

0:25:43.640 --> 0:25:46.879
<v Speaker 1>poly math podcast I have. I've done some reading about

0:25:47.240 --> 0:25:49.840
<v Speaker 1>which is before I haven't even run across this beer

0:25:49.840 --> 0:25:52.880
<v Speaker 1>brewer argument. Yeah, I don't know what I think. Like,

0:25:52.960 --> 0:25:54.639
<v Speaker 1>I like the case you make here. I feel like

0:25:54.640 --> 0:25:56.399
<v Speaker 1>I'd have to do the research and check all this

0:25:56.520 --> 0:26:00.840
<v Speaker 1>for myself. But I'm definitely intrigued, Yes, sir, I mean it.

0:26:00.840 --> 0:26:03.399
<v Speaker 1>It does sound concise in a way that tends to

0:26:03.440 --> 0:26:08.080
<v Speaker 1>make me suspicious of of anything that's explaining a cultural

0:26:08.119 --> 0:26:12.240
<v Speaker 1>motif for a mythical monster. But I mean, I'm I'm

0:26:12.240 --> 0:26:14.560
<v Speaker 1>open to the idea that perhaps this is at least

0:26:14.600 --> 0:26:16.840
<v Speaker 1>part of the story. I mean, I definitely have read

0:26:16.840 --> 0:26:20.040
<v Speaker 1>about beer brewing in the medieval or Renaissance period being

0:26:20.080 --> 0:26:24.199
<v Speaker 1>primarily the work of women. Um, I think that is

0:26:24.240 --> 0:26:27.840
<v Speaker 1>true about these specific things like the symbol of the

0:26:27.840 --> 0:26:30.080
<v Speaker 1>broom and the hat and all that. I'd have to

0:26:30.160 --> 0:26:33.199
<v Speaker 1>check that out, but yeah, I'm intrigued. Yeah, I mean,

0:26:33.320 --> 0:26:36.200
<v Speaker 1>the broom was already going to be a domestic symbol

0:26:36.880 --> 0:26:39.720
<v Speaker 1>um anyway, and the hat, I don't know. You know,

0:26:39.840 --> 0:26:42.320
<v Speaker 1>the hat is maybe an area of the witch motif

0:26:42.359 --> 0:26:44.520
<v Speaker 1>that I haven't looked at a lot. Uh. It seems

0:26:44.560 --> 0:26:46.479
<v Speaker 1>like things that i've I've read have dealt more with

0:26:46.520 --> 0:26:51.760
<v Speaker 1>the broom. But thanks as always, jes He. This next

0:26:51.800 --> 0:26:55.440
<v Speaker 1>one comes from Billy. This is just general Halloween male

0:26:55.520 --> 0:26:59.680
<v Speaker 1>and concerns cryptids. Billy writes, Hi, this never really took off,

0:26:59.720 --> 0:27:01.840
<v Speaker 1>but earlier in the year, I made a Twitter bot

0:27:01.880 --> 0:27:06.040
<v Speaker 1>that generates random descriptions of cryptids every few hours. You're

0:27:06.080 --> 0:27:10.000
<v Speaker 1>speaking our language, Billy. It draws on banks of existing animals,

0:27:10.040 --> 0:27:12.800
<v Speaker 1>bits of anatomy, adjectives, and a few other variables to

0:27:12.840 --> 0:27:16.119
<v Speaker 1>produce unique and entertaining descriptions. You can find it at

0:27:16.119 --> 0:27:19.680
<v Speaker 1>twitter dot com slash Cryptid Factory. Here's one of my favorites.

0:27:20.280 --> 0:27:23.560
<v Speaker 1>Lord Alfress of Sweden has a tortoise and a glipto.

0:27:23.640 --> 0:27:27.960
<v Speaker 1>Don's delightful inverted front portion, no rear, and the body

0:27:28.000 --> 0:27:31.359
<v Speaker 1>of a marlin the size of an eraser. I'd love

0:27:31.400 --> 0:27:35.120
<v Speaker 1>to know if this brings you any joy. Thanks Billy. Uh, Yeah,

0:27:35.280 --> 0:27:38.600
<v Speaker 1>I I like this idea. I think this is what

0:27:38.640 --> 0:27:42.440
<v Speaker 1>Twitter is good for, is making bots like this. Yeah,

0:27:42.440 --> 0:27:45.680
<v Speaker 1>I mean, I'm always for any you know, listing of

0:27:45.760 --> 0:27:49.960
<v Speaker 1>mythical creatures and descriptions of their you know, their physical characteristics.

0:27:50.000 --> 0:27:53.000
<v Speaker 1>So I'm all in this, springs me joy. I just

0:27:53.080 --> 0:27:55.600
<v Speaker 1>looked up some of the most recent tweets, says of

0:27:55.720 --> 0:27:59.520
<v Speaker 1>the moment we're recording this. Here's one picture the widened

0:27:59.520 --> 0:28:03.280
<v Speaker 1>head of a camel spider, but also an ammonite's bosom,

0:28:03.320 --> 0:28:08.040
<v Speaker 1>commonly seen dragging herself past the undersides of leaves. Not bad.

0:28:08.400 --> 0:28:11.960
<v Speaker 1>One more, she has a shrimps select flavor, the head

0:28:11.960 --> 0:28:14.879
<v Speaker 1>of an evil mouse, a polar bear's waist, and the

0:28:14.920 --> 0:28:17.960
<v Speaker 1>back sections of just a couple of lynx is once

0:28:17.960 --> 0:28:20.960
<v Speaker 1>seen slithering toward carpets. The fluff of a gerbil will

0:28:21.000 --> 0:28:24.200
<v Speaker 1>sporadically also feature. You know that this reminds me of

0:28:24.640 --> 0:28:27.480
<v Speaker 1>are these these children's books? There was one that I

0:28:27.520 --> 0:28:29.199
<v Speaker 1>had when I was a kid, and there's a a

0:28:29.280 --> 0:28:32.680
<v Speaker 1>newer book that has the same concept that I also love,

0:28:32.800 --> 0:28:36.919
<v Speaker 1>as I think far superior art. But each page is

0:28:36.960 --> 0:28:41.400
<v Speaker 1>a different creature, and each page has also been cut

0:28:41.440 --> 0:28:44.720
<v Speaker 1>into three sections so that you can flip and match

0:28:44.800 --> 0:28:47.760
<v Speaker 1>and mismatch the different parts of a creature's body. And

0:28:47.800 --> 0:28:50.720
<v Speaker 1>then at least some versions of this design also include

0:28:50.760 --> 0:28:54.480
<v Speaker 1>text that does the same thing, so you can you

0:28:54.520 --> 0:28:57.760
<v Speaker 1>can just go straight through the book and get this monster,

0:28:57.800 --> 0:29:01.360
<v Speaker 1>than this monster, than this monster, or you can mix

0:29:01.400 --> 0:29:04.360
<v Speaker 1>and match and create, you know, a wider variety of

0:29:04.440 --> 0:29:08.080
<v Speaker 1>strange hybrids. I love this. I've had this book as

0:29:08.080 --> 0:29:09.840
<v Speaker 1>a kid, and I wish I could remember the name

0:29:09.920 --> 0:29:12.000
<v Speaker 1>of the at least the newer because there's a really

0:29:12.040 --> 0:29:14.959
<v Speaker 1>beautiful new book that has the same concept the one

0:29:15.000 --> 0:29:17.000
<v Speaker 1>I had as a kid, which I also I haven't

0:29:17.040 --> 0:29:21.400
<v Speaker 1>I literally have not seen since my childhood, had more

0:29:21.480 --> 0:29:25.640
<v Speaker 1>cartoonish art. But still I remember being really captivated by

0:29:25.680 --> 0:29:28.280
<v Speaker 1>it because there were all these different possibilities within it,

0:29:28.440 --> 0:29:31.240
<v Speaker 1>And really that gets to the heart of so much

0:29:31.440 --> 0:29:34.600
<v Speaker 1>monster creation. It is the hybridity of the of the thing.

0:29:34.680 --> 0:29:40.240
<v Speaker 1>It is the bringing together these different forms. All right,

0:29:40.320 --> 0:29:42.240
<v Speaker 1>here's another bit of a listener mail, and this one

0:29:42.320 --> 0:29:46.040
<v Speaker 1>comes to us from Adam, related to our anthology of

0:29:46.120 --> 0:29:49.960
<v Speaker 1>horror episodes, especially the most recent installments. So last year

0:29:49.960 --> 0:29:52.640
<v Speaker 1>we did volume one. This year we did volume two

0:29:52.720 --> 0:29:56.360
<v Speaker 1>and three. So Adam says, Dear Robert and Joe, I

0:29:56.400 --> 0:29:58.640
<v Speaker 1>find myself writing to you a lot lately. I think

0:29:58.680 --> 0:30:01.320
<v Speaker 1>it means that you've been hit ting on some especially

0:30:01.360 --> 0:30:04.040
<v Speaker 1>engaging topics for me. I wanted to write this email

0:30:04.040 --> 0:30:06.560
<v Speaker 1>in response to the recent anthology of horror episode in

0:30:06.600 --> 0:30:09.520
<v Speaker 1>which you discussed shadow play. This was an episode of

0:30:09.560 --> 0:30:11.720
<v Speaker 1>The Twilight Zone, right. This was the one about the

0:30:12.160 --> 0:30:15.080
<v Speaker 1>guy who claimed he was dreaming everyone around him and

0:30:15.120 --> 0:30:17.040
<v Speaker 1>if they sent him to the electric chair as he

0:30:17.040 --> 0:30:19.280
<v Speaker 1>had been sentenced to, they would all disappear because he

0:30:19.320 --> 0:30:23.040
<v Speaker 1>had stopped dreaming. So Adam continues. Uh discussed shadow play,

0:30:23.240 --> 0:30:27.600
<v Speaker 1>metaphysical solop sism, and the idea that separate consciousnesses may

0:30:27.640 --> 0:30:30.720
<v Speaker 1>exist in the form of other characters within our dreams.

0:30:31.240 --> 0:30:34.000
<v Speaker 1>I have something resembling firsthand experience in this matter, and

0:30:34.040 --> 0:30:36.840
<v Speaker 1>it was terrifying. Some of the details are hazy, as

0:30:36.880 --> 0:30:39.040
<v Speaker 1>it happened in a dream about three years ago. Thankfully,

0:30:39.080 --> 0:30:41.480
<v Speaker 1>I wrote an account soon after that that I was

0:30:41.520 --> 0:30:44.000
<v Speaker 1>able to refer to. I have not engaged in lucid

0:30:44.080 --> 0:30:46.200
<v Speaker 1>dreaming in some time, but I used to practice it,

0:30:46.320 --> 0:30:49.440
<v Speaker 1>and I've experienced it to varying degrees of success. One night,

0:30:49.480 --> 0:30:51.560
<v Speaker 1>I became lucid in a dream where I was in

0:30:51.560 --> 0:30:53.800
<v Speaker 1>a crowded room with a close friend who I will

0:30:53.840 --> 0:30:57.280
<v Speaker 1>call Ben. I was very excited and decided to tell Ben,

0:30:57.440 --> 0:30:59.360
<v Speaker 1>this is all a dream and you're a character in

0:30:59.440 --> 0:31:02.200
<v Speaker 1>my dream. At first, Ben was dismissive, saying that there

0:31:02.240 --> 0:31:04.480
<v Speaker 1>was no way he was a dream, and so forth,

0:31:04.560 --> 0:31:07.200
<v Speaker 1>very similar to many of the characters in shadow play.

0:31:07.240 --> 0:31:09.640
<v Speaker 1>This is the point where I wish that I had

0:31:09.880 --> 0:31:13.800
<v Speaker 1>decided to use my lucidity for something else, but unfortunately

0:31:13.840 --> 0:31:16.160
<v Speaker 1>I decided to try to convince Ben that it was

0:31:16.240 --> 0:31:18.840
<v Speaker 1>a dream. He did not take kindly to it. In

0:31:18.880 --> 0:31:21.080
<v Speaker 1>an instant, all the other people in the room with

0:31:21.240 --> 0:31:23.360
<v Speaker 1>us turned in unison to face me and stared with

0:31:23.400 --> 0:31:27.160
<v Speaker 1>expressionless faces. I somehow knew they had all become some

0:31:27.240 --> 0:31:30.040
<v Speaker 1>kind of hive mind with Ben as their leader. Ben's

0:31:30.080 --> 0:31:33.640
<v Speaker 1>demeanor then shifted from neutral and carefree to sinister and hostile.

0:31:33.920 --> 0:31:36.080
<v Speaker 1>It wasn't just his physical demeanor, but I felt as

0:31:36.120 --> 0:31:39.200
<v Speaker 1>if his negative energy was filling the room. Although I

0:31:39.240 --> 0:31:42.080
<v Speaker 1>was lucid, I got the impression that it was he

0:31:42.160 --> 0:31:44.800
<v Speaker 1>who was in control of the dream. He then began

0:31:44.840 --> 0:31:47.880
<v Speaker 1>to attack me verbally. He talked about a painful rejection

0:31:47.920 --> 0:31:50.680
<v Speaker 1>that I had recently experienced, played on some insecurities that

0:31:50.720 --> 0:31:53.400
<v Speaker 1>I had been experiencing, and told me secrets that I

0:31:53.400 --> 0:31:56.400
<v Speaker 1>have never told anyone. Then he stopped, gave me a

0:31:56.440 --> 0:31:59.600
<v Speaker 1>menacing grin, and said, that's right, I know everything about you.

0:32:00.280 --> 0:32:02.920
<v Speaker 1>At that moment, the crowd moved in unison towards me

0:32:03.000 --> 0:32:05.680
<v Speaker 1>with angry faces, and I awoke with a fright. I

0:32:05.720 --> 0:32:07.560
<v Speaker 1>took a while to get back to sleep, and thankfully,

0:32:07.560 --> 0:32:09.600
<v Speaker 1>when I did it, Ben was not waiting for me.

0:32:10.000 --> 0:32:12.200
<v Speaker 1>A few days later, I posted this story to the

0:32:12.240 --> 0:32:16.200
<v Speaker 1>subreddit Lucid Dreaming, and someone in the comments suggested that

0:32:16.200 --> 0:32:19.560
<v Speaker 1>that this may have been the non dominant hemisphere of

0:32:19.600 --> 0:32:23.800
<v Speaker 1>my brain trying to communicate with the dominant hemisphere. I

0:32:23.840 --> 0:32:25.520
<v Speaker 1>don't know if this is the case, but I fully

0:32:25.560 --> 0:32:29.000
<v Speaker 1>believe that during the interaction there were two separate consciousnesses

0:32:29.040 --> 0:32:32.200
<v Speaker 1>existing in my dreaming mind, and one of them, Ben

0:32:32.400 --> 0:32:36.080
<v Speaker 1>was hostile toward the other me. Regardless of the explanation,

0:32:36.280 --> 0:32:38.760
<v Speaker 1>I would not recommend trying to confront sollop si um

0:32:38.920 --> 0:32:41.640
<v Speaker 1>by telling people they don't exist, even if it's true.

0:32:42.280 --> 0:32:45.000
<v Speaker 1>Uh uh. It would have been far better to keep

0:32:45.040 --> 0:32:48.760
<v Speaker 1>that knowledge to myself far away out of a lucid adventure.

0:32:48.960 --> 0:32:52.840
<v Speaker 1>Best regards Adam Well, I don't know, uh, I don't

0:32:52.840 --> 0:32:54.920
<v Speaker 1>know if I can back up that explanation of it

0:32:55.000 --> 0:32:57.400
<v Speaker 1>being the non dominant hemisphere. But that is one of

0:32:57.400 --> 0:33:00.000
<v Speaker 1>the most horrifying dreams I've ever heard of, because it's

0:33:00.000 --> 0:33:03.480
<v Speaker 1>sort of it has implications that go beyond the dream, right,

0:33:03.960 --> 0:33:05.920
<v Speaker 1>It's like one of the few cases where you could

0:33:05.960 --> 0:33:10.880
<v Speaker 1>imagine a dream actually representing some threat that persists after

0:33:11.000 --> 0:33:14.960
<v Speaker 1>the dream is over. Yeah. And then interesting too that

0:33:15.040 --> 0:33:18.120
<v Speaker 1>like that basically lucidity has been introduced to a certain

0:33:18.120 --> 0:33:21.440
<v Speaker 1>extent within the dream, but then there's still you know

0:33:21.480 --> 0:33:24.640
<v Speaker 1>that the dream characters still have weight, and still have

0:33:24.640 --> 0:33:26.960
<v Speaker 1>have power, and seem to have even uh, you know,

0:33:27.040 --> 0:33:30.720
<v Speaker 1>some state of a mind of their own, which is

0:33:30.880 --> 0:33:34.560
<v Speaker 1>uh yeah, which is interesting and potentially terrifying. Here's the

0:33:34.640 --> 0:33:39.280
<v Speaker 1>question I wonder, Adam, why you thought that Ben was

0:33:39.400 --> 0:33:42.840
<v Speaker 1>conscious and not just like a hostile agent that you

0:33:42.880 --> 0:33:45.920
<v Speaker 1>were imagining in your dream as you would often imagine

0:33:46.320 --> 0:33:48.880
<v Speaker 1>the hostile agent. I mean, we imagine hostile agents in

0:33:48.920 --> 0:33:51.680
<v Speaker 1>our dreams all the times, things chasing us and and

0:33:51.720 --> 0:33:55.240
<v Speaker 1>all this. I introduced the possibility in that episode that

0:33:55.280 --> 0:33:58.480
<v Speaker 1>these other agents we imagine could in some sense be conscious,

0:33:58.480 --> 0:34:01.640
<v Speaker 1>because our minds are possible of anxiousness. You know, we're

0:34:01.680 --> 0:34:04.560
<v Speaker 1>imagining them. So maybe the brain is using some sort

0:34:04.560 --> 0:34:07.880
<v Speaker 1>of its consciousness potential in these separate simulated agents that

0:34:07.920 --> 0:34:11.680
<v Speaker 1>it creates, but there's no way there's like, while I

0:34:11.719 --> 0:34:14.160
<v Speaker 1>can't rule out that possibility, I don't know of strong

0:34:14.320 --> 0:34:17.239
<v Speaker 1>evidence that that's the case. But then it comes back

0:34:17.280 --> 0:34:19.520
<v Speaker 1>to what we were discussing too. You could say, well,

0:34:19.560 --> 0:34:22.160
<v Speaker 1>this is this doesn't mean be was conscious. This just

0:34:22.200 --> 0:34:24.759
<v Speaker 1>means that you, you're sleeping self was engaging in some

0:34:24.880 --> 0:34:28.040
<v Speaker 1>level of theory of mind. But as we discussed what

0:34:28.160 --> 0:34:33.080
<v Speaker 1>a theory of mind is creating some you know, semi

0:34:33.120 --> 0:34:36.680
<v Speaker 1>like low resolution conscious model of what we think another

0:34:36.760 --> 0:34:39.880
<v Speaker 1>person is thinking. Yeah, again, it's like, it's hard to

0:34:40.000 --> 0:34:42.120
<v Speaker 1>rule that out as far as we know. But but

0:34:42.160 --> 0:34:44.640
<v Speaker 1>I don't know of any strong evidence that indicates it.

0:34:44.680 --> 0:34:46.719
<v Speaker 1>But you seem to think that's the case. Maybe it's

0:34:46.760 --> 0:34:50.760
<v Speaker 1>just because if a if another agent that we imagine

0:34:50.800 --> 0:34:54.239
<v Speaker 1>in a dream or something is frightening and lucid and

0:34:54.320 --> 0:34:57.960
<v Speaker 1>real enough, and especially in this case, because it knows it,

0:34:57.960 --> 0:35:01.440
<v Speaker 1>it proclaims to know everything about you. Uh, maybe that

0:35:01.560 --> 0:35:04.160
<v Speaker 1>just naturally leads us to think it's conscious, kind of

0:35:04.200 --> 0:35:06.600
<v Speaker 1>the same way that we start to think robots are conscious.

0:35:06.640 --> 0:35:10.640
<v Speaker 1>If they're sufficiently humanoid. Does that make sense? Yes? But Adam,

0:35:10.680 --> 0:35:12.960
<v Speaker 1>if you if you have other reasons for thinking that

0:35:13.080 --> 0:35:16.160
<v Speaker 1>this been in your mind was actually a separate, truly

0:35:16.239 --> 0:35:19.719
<v Speaker 1>conscious entity, I would be interested in hearing what your

0:35:19.719 --> 0:35:24.839
<v Speaker 1>reasons are for thinking that. All right, here's another quick one.

0:35:25.000 --> 0:35:27.640
<v Speaker 1>This one comes to us from d D says love

0:35:27.719 --> 0:35:32.000
<v Speaker 1>the episode one bit of Barry Nelson trivia. Barry Barry Nelson,

0:35:32.040 --> 0:35:35.400
<v Speaker 1>to remind everybody, was the the actor who played the

0:35:35.640 --> 0:35:39.160
<v Speaker 1>character Ulman in Stanley Kubrick's The Shining. When did Barry

0:35:39.160 --> 0:35:41.799
<v Speaker 1>Nelson come up in the anthology episode? He was in

0:35:42.120 --> 0:35:46.400
<v Speaker 1>the episode of Monsters Far Below, So he played the

0:35:46.480 --> 0:35:49.040
<v Speaker 1>lead in that that episode. This is the and this

0:35:49.080 --> 0:35:50.560
<v Speaker 1>is the one where he's you know, fighting the Googles

0:35:50.560 --> 0:35:53.400
<v Speaker 1>and so forth. But he was a longstanding TV and

0:35:53.440 --> 0:35:56.440
<v Speaker 1>film actor who is probably most famous for being in

0:35:56.480 --> 0:36:00.920
<v Speaker 1>The Shining in that scene where he's a Jack Nicholson's

0:36:00.960 --> 0:36:03.000
<v Speaker 1>characters there for a job interviet And in the moment

0:36:03.040 --> 0:36:05.960
<v Speaker 1>I accidentally confused him with Barry Sullivan, who was in

0:36:06.080 --> 0:36:09.960
<v Speaker 1>Planet of the Vampire. Yes, yeah, So anyway, h D

0:36:10.040 --> 0:36:12.480
<v Speaker 1>shares this one bit of Barry Nelson trivia. He was

0:36:12.520 --> 0:36:15.160
<v Speaker 1>the first actor to play James Bond and an adaptation

0:36:15.200 --> 0:36:18.360
<v Speaker 1>of Casino Royal, which was an episode of that of

0:36:18.360 --> 0:36:22.240
<v Speaker 1>a nineteen fifties TV show called Climax, which was also

0:36:22.400 --> 0:36:26.279
<v Speaker 1>an anthology. I've never seen that, so this apparently even

0:36:26.360 --> 0:36:30.000
<v Speaker 1>pre dates the Was it Peter Sellers who played James

0:36:30.000 --> 0:36:33.880
<v Speaker 1>Bond and like a farcical adaptation of Casino Royal before

0:36:33.920 --> 0:36:36.440
<v Speaker 1>they made dr No, Yeah he did. I went ahead

0:36:36.440 --> 0:36:38.799
<v Speaker 1>and look this up just to make sure, and sure enough,

0:36:38.880 --> 0:36:42.280
<v Speaker 1>Barry Nelson played James Bond and guess who played the villain?

0:36:43.000 --> 0:36:48.560
<v Speaker 1>I don't know, Peter Lorii, Peter Nice. Yes, So I

0:36:48.640 --> 0:36:50.080
<v Speaker 1>kind of want to come back and check this out.

0:36:50.840 --> 0:36:52.560
<v Speaker 1>This would be in nicing to say I've never seen this,

0:36:53.080 --> 0:36:55.319
<v Speaker 1>but I'm obviously I'm a fan of the two leads there.

0:36:55.640 --> 0:36:57.719
<v Speaker 1>I love that I can get a Peter Laurie and

0:36:57.920 --> 0:37:01.080
<v Speaker 1>Christopher Lambert out of the same impression. It's basically the

0:37:01.120 --> 0:37:03.760
<v Speaker 1>same voice that only just the face is more handsome

0:37:04.120 --> 0:37:06.479
<v Speaker 1>in the French model. When I also wanted to share

0:37:06.520 --> 0:37:08.400
<v Speaker 1>something that didn't come in as an email but was

0:37:08.480 --> 0:37:11.480
<v Speaker 1>shared on the Stuff to Blow your Mind Facebook discussion

0:37:11.520 --> 0:37:16.080
<v Speaker 1>module by a listener who I don't since this discussion module,

0:37:16.120 --> 0:37:17.640
<v Speaker 1>I don't know if she'd want to be named or not,

0:37:17.719 --> 0:37:20.160
<v Speaker 1>so I'll just leave her name off for now, um,

0:37:20.719 --> 0:37:23.560
<v Speaker 1>since we didn't discuss that ahead of time, But but

0:37:23.640 --> 0:37:26.080
<v Speaker 1>I wanted to share because she had some interesting feedback.

0:37:26.600 --> 0:37:29.719
<v Speaker 1>She said, just listen to the Anthology of Horror, Part two,

0:37:29.840 --> 0:37:32.200
<v Speaker 1>episode and I have some comments on the discussion you

0:37:32.239 --> 0:37:34.839
<v Speaker 1>had at the end about multiple consciousness is in one

0:37:34.880 --> 0:37:38.920
<v Speaker 1>mind as someone with dissociative identity disorder, This is exactly

0:37:38.920 --> 0:37:41.160
<v Speaker 1>what is going on for me, or at least the

0:37:41.200 --> 0:37:43.600
<v Speaker 1>only way I can describe it. It isn't a far

0:37:43.640 --> 0:37:47.040
<v Speaker 1>out speculation. It's my lived experience and I don't have

0:37:47.080 --> 0:37:50.279
<v Speaker 1>any communication with the other parts, but other people do.

0:37:50.760 --> 0:37:53.560
<v Speaker 1>And my parts leave clues like notes or cuts or

0:37:53.640 --> 0:37:56.200
<v Speaker 1>leftovers of food I never would have wanted to eat.

0:37:56.719 --> 0:37:59.600
<v Speaker 1>Each of these parts is in a way, a separate consciousness,

0:37:59.760 --> 0:38:02.919
<v Speaker 1>with its own reaction to events, own memories, and even

0:38:03.000 --> 0:38:07.080
<v Speaker 1>own favorite pizza topping. And your mini Carl Sagan simulation

0:38:07.120 --> 0:38:10.120
<v Speaker 1>would be what is known as an introject an alter

0:38:10.280 --> 0:38:13.200
<v Speaker 1>a part that exists in you and has its own experiences,

0:38:13.200 --> 0:38:15.759
<v Speaker 1>but is based on something in the outside world that

0:38:15.840 --> 0:38:18.800
<v Speaker 1>seemed to possess enough of the traits needed for survival

0:38:18.880 --> 0:38:21.840
<v Speaker 1>that the mind created it. Wow. I obviously may not

0:38:22.040 --> 0:38:24.400
<v Speaker 1>have everything right here, and I'm not speaking for anyone

0:38:24.400 --> 0:38:27.080
<v Speaker 1>except me, and I'm in no way speaking of the

0:38:27.120 --> 0:38:29.920
<v Speaker 1>experiences of other people with d I D or similar.

0:38:30.280 --> 0:38:32.080
<v Speaker 1>It just seemed odd you didn't bring this up in

0:38:32.080 --> 0:38:34.960
<v Speaker 1>your discussion. This was a really great point, and UH,

0:38:35.000 --> 0:38:37.839
<v Speaker 1>I actually had a back and forth with UH with

0:38:37.920 --> 0:38:41.480
<v Speaker 1>this listener on the subject. The main difference, UH, the

0:38:41.760 --> 0:38:44.560
<v Speaker 1>dissociative identity disorder didn't come up when I was thinking

0:38:44.560 --> 0:38:47.320
<v Speaker 1>about this is we were considering if it's possible for

0:38:47.800 --> 0:38:52.840
<v Speaker 1>the mind to simultaneously have more than one consciousness existing,

0:38:52.920 --> 0:38:56.279
<v Speaker 1>like in your dream. Could it be possible that both

0:38:56.360 --> 0:38:59.080
<v Speaker 1>you with your regular mind, your you know, your primary

0:38:59.120 --> 0:39:02.800
<v Speaker 1>mind are conscio us in the dream, And then also

0:39:03.000 --> 0:39:06.800
<v Speaker 1>the brain is generating some separate conscious entity, maybe a

0:39:07.120 --> 0:39:10.920
<v Speaker 1>kind of like less conscious or lower resolution conscious entity,

0:39:11.040 --> 0:39:13.200
<v Speaker 1>at the same time, and then so there could be

0:39:13.239 --> 0:39:17.760
<v Speaker 1>like two minds generated by the same brain simultaneously. Yeah.

0:39:18.640 --> 0:39:20.759
<v Speaker 1>I mean, for starters, I think that if we were

0:39:20.960 --> 0:39:22.920
<v Speaker 1>we would want to give a like a full proper

0:39:23.040 --> 0:39:26.120
<v Speaker 1>deep dive into into this UH topic. If we were

0:39:26.160 --> 0:39:29.360
<v Speaker 1>to to to discuss h discussed in the future. But

0:39:29.400 --> 0:39:33.000
<v Speaker 1>this also reminds me once again. Blindside, the novel by

0:39:33.000 --> 0:39:36.440
<v Speaker 1>Peter Watts, has a character in it that has multiple

0:39:36.480 --> 0:39:39.960
<v Speaker 1>personalities as I recall where they've through some level of

0:39:40.560 --> 0:39:43.399
<v Speaker 1>I can't remember that had been partially engineered or not.

0:39:44.440 --> 0:39:47.560
<v Speaker 1>But are you remembering this? Yeah, I seem to recall

0:39:47.640 --> 0:39:50.000
<v Speaker 1>that it was a person who had been uh, you know,

0:39:50.080 --> 0:39:53.759
<v Speaker 1>in this sci fi scenario, had been had had this

0:39:53.880 --> 0:39:58.000
<v Speaker 1>done intentionally for some kind of reason, like like maybe

0:39:58.000 --> 0:40:00.759
<v Speaker 1>having different kinds of expertise in the rain. Yeah, that

0:40:00.800 --> 0:40:03.319
<v Speaker 1>sounds right. Yeah, uh And and I just wanted to

0:40:03.320 --> 0:40:06.439
<v Speaker 1>say also in the responses that the same listener says,

0:40:06.600 --> 0:40:09.560
<v Speaker 1>uh that I know there's such thing as d I

0:40:09.640 --> 0:40:14.240
<v Speaker 1>D with altars being co conscious, but but they haven't

0:40:14.280 --> 0:40:17.080
<v Speaker 1>personally experienced it. And so I think this is worth

0:40:17.120 --> 0:40:19.520
<v Speaker 1>revisiting in a future show. Yeah, I think so too.

0:40:19.800 --> 0:40:23.480
<v Speaker 1>By the way, Tiny Carl Sagan. In my brain, I've

0:40:23.520 --> 0:40:26.680
<v Speaker 1>tried to imagine what it's favorite pizza would be, and

0:40:26.719 --> 0:40:30.400
<v Speaker 1>it's it's definitely Hawaiian pizza. It's definitely ham and pineapple.

0:40:30.400 --> 0:40:32.000
<v Speaker 1>I don't know why I have nothing to back that up.

0:40:32.840 --> 0:40:35.319
<v Speaker 1>With but for some reason that seems right. And as

0:40:35.320 --> 0:40:37.120
<v Speaker 1>for the tiny Terence McKenna, can you guess what his

0:40:37.160 --> 0:40:39.840
<v Speaker 1>favorite topping is. Oh, it's gotta be a root pesto.

0:40:41.280 --> 0:40:44.120
<v Speaker 1>I know, I know what you're gonna be mushrooms. Of course,

0:40:44.120 --> 0:40:47.359
<v Speaker 1>it's obviously mushrooms. But I don't know. That's a That's

0:40:47.360 --> 0:40:49.600
<v Speaker 1>an interesting that like that in of itself is an

0:40:49.600 --> 0:40:52.560
<v Speaker 1>interesting question though, because, especially with the Carl Sagan one,

0:40:52.640 --> 0:40:56.040
<v Speaker 1>it's like, to a certain extent, I do have this

0:40:56.120 --> 0:41:00.040
<v Speaker 1>kind of like tiny, you know, conception of who the

0:41:00.120 --> 0:41:02.680
<v Speaker 1>character is and what they like, even if I've never

0:41:03.120 --> 0:41:05.640
<v Speaker 1>stopped for a second to wonder what kind of pizza

0:41:05.840 --> 0:41:09.080
<v Speaker 1>the real life Carl Sagan preferred, or if he ever

0:41:09.120 --> 0:41:13.120
<v Speaker 1>spoke about it. What do you want to read this

0:41:13.160 --> 0:41:16.160
<v Speaker 1>message from Jim in New Jersey? Yes, absolutely all right.

0:41:16.200 --> 0:41:18.680
<v Speaker 1>This one comes to us from Jim and they write,

0:41:19.239 --> 0:41:22.000
<v Speaker 1>I have another TV show about dreams and reality. It

0:41:22.080 --> 0:41:25.960
<v Speaker 1>was the two thousand twelve limited series NBC show Awake.

0:41:26.480 --> 0:41:30.960
<v Speaker 1>Jason Isaacs. Jason Isaacs Always Traffic portrays the police detective

0:41:31.160 --> 0:41:35.040
<v Speaker 1>Michael Britton. The show begins with Brittain and his teenage

0:41:35.080 --> 0:41:37.520
<v Speaker 1>son grieving the death of their wife mother in a

0:41:37.560 --> 0:41:40.080
<v Speaker 1>car accident that involved the entire family. The next morning,

0:41:40.080 --> 0:41:43.880
<v Speaker 1>Britain awakens and finds his wife repainting the house to

0:41:43.920 --> 0:41:47.200
<v Speaker 1>occupy her to help with her grief and the death

0:41:47.239 --> 0:41:50.760
<v Speaker 1>of their son in the same accident. Brittain is living

0:41:50.800 --> 0:41:54.839
<v Speaker 1>two contradictory realities. Each morning, when he awakes, his day

0:41:54.840 --> 0:41:57.359
<v Speaker 1>flips to the other reality. One is where his son

0:41:57.440 --> 0:41:59.680
<v Speaker 1>survived the accident, and one is where his wife does.

0:42:00.200 --> 0:42:03.560
<v Speaker 1>He has a police department psychologist assigned in each reality.

0:42:03.760 --> 0:42:07.239
<v Speaker 1>He tells each of his duality, and both assure him

0:42:07.440 --> 0:42:10.600
<v Speaker 1>that his other reality is the dream, but they can't

0:42:10.640 --> 0:42:13.879
<v Speaker 1>really prove it. Each assumes his vivid dream is some

0:42:14.120 --> 0:42:18.640
<v Speaker 1>form of denial. Beatie Wong does a fantastic job as

0:42:18.680 --> 0:42:20.880
<v Speaker 1>one of the psychologists, But then again, Wong does a

0:42:20.920 --> 0:42:23.680
<v Speaker 1>fantastic job in every performance. To me, he'll always be

0:42:23.760 --> 0:42:28.719
<v Speaker 1>Henry Wu Yeah, alright, anyway, Jim continues. It was an

0:42:28.840 --> 0:42:32.160
<v Speaker 1>entertaining series, but not super sophisticated. Each reality had a

0:42:32.160 --> 0:42:34.440
<v Speaker 1>different color palette, making it easier to keep track of

0:42:34.440 --> 0:42:38.600
<v Speaker 1>where Britain was. The show does reveal which reality is

0:42:38.640 --> 0:42:42.080
<v Speaker 1>which by the end, sort of as for the Twilight series,

0:42:42.160 --> 0:42:45.640
<v Speaker 1>episode wouldn't the people in a dream disappear when the

0:42:45.680 --> 0:42:49.560
<v Speaker 1>dreamer wakes up, whether electrocuted or just awakening. Normally, I

0:42:49.560 --> 0:42:52.000
<v Speaker 1>think that, of course would be the case, But I

0:42:52.000 --> 0:42:54.560
<v Speaker 1>don't know that. It's like Twilight Zone logic, right, Yeah,

0:42:54.760 --> 0:42:57.759
<v Speaker 1>you got to emphasize the most dramatic elements. As for

0:42:57.840 --> 0:43:00.759
<v Speaker 1>our Descartes argument that we can't try star senses and

0:43:00.760 --> 0:43:03.120
<v Speaker 1>the only thing we can depend upon is their own reasoning.

0:43:03.480 --> 0:43:07.120
<v Speaker 1>I'm even starting to doubt that you've discussed consciousness before.

0:43:07.239 --> 0:43:09.680
<v Speaker 1>Where does it exist? The brain is made up of neurons,

0:43:09.719 --> 0:43:13.000
<v Speaker 1>which don't do much individually. When the number of firing

0:43:13.080 --> 0:43:17.520
<v Speaker 1>input synapses crosses the threshold, the neuron triggers its outmost synaps,

0:43:17.680 --> 0:43:20.400
<v Speaker 1>triggering other synapses. The brain is not much more than

0:43:20.440 --> 0:43:24.400
<v Speaker 1>a massively complex adding machine. Maybe the Carts would have

0:43:24.520 --> 0:43:27.840
<v Speaker 1>been more correct and stating I think therefore I some

0:43:28.280 --> 0:43:33.520
<v Speaker 1>or in Latin uh coquito orgo am. Even though I

0:43:33.520 --> 0:43:36.919
<v Speaker 1>can definitely perceive my consciousness, I sometimes wonder if it's

0:43:36.960 --> 0:43:39.759
<v Speaker 1>just a behavior that emerges from all of these neurons

0:43:39.800 --> 0:43:42.960
<v Speaker 1>firing uh ps. I wish I could take credit for

0:43:43.000 --> 0:43:46.200
<v Speaker 1>the some am flip in the Decards quote it's from

0:43:46.440 --> 0:43:50.200
<v Speaker 1>godal escher Bach by Douglas Hofstadter. Okay, going back to

0:43:50.239 --> 0:43:53.239
<v Speaker 1>the to the dream thing, how he's saying, you know,

0:43:53.320 --> 0:43:56.200
<v Speaker 1>whether whenever he wakes up, the people will disappear, whether

0:43:56.239 --> 0:44:00.719
<v Speaker 1>he's electrocuted or not. Uh, maybe it's just grant that

0:44:00.880 --> 0:44:03.800
<v Speaker 1>the main guy in the episode being selfish and saying

0:44:03.920 --> 0:44:06.200
<v Speaker 1>he doesn't want to be electrocuted, and that's the reason

0:44:06.239 --> 0:44:09.520
<v Speaker 1>he's telling people. He wouldn't bother telling them. Also, if

0:44:09.560 --> 0:44:11.520
<v Speaker 1>you just let me hang out here for a while,

0:44:11.560 --> 0:44:14.640
<v Speaker 1>eventually I'll wake up and you'll all disappear. As for

0:44:14.800 --> 0:44:19.440
<v Speaker 1>consciousness being an emergent phenomenon of enough neurons firing, I mean,

0:44:19.480 --> 0:44:21.600
<v Speaker 1>I think I think that's one of the standard models

0:44:21.640 --> 0:44:26.600
<v Speaker 1>that people propose. So yeah, I think that's that's entirely plausible.

0:44:26.840 --> 0:44:29.800
<v Speaker 1>I'm very interested by this NBC show That Awake. I

0:44:29.880 --> 0:44:32.600
<v Speaker 1>may have to go revisiting it. I haven't seen it

0:44:32.600 --> 0:44:36.200
<v Speaker 1>came one. Maybe it came out a little before it's time.

0:44:36.239 --> 0:44:38.600
<v Speaker 1>It's sounding like, yeah, alright, on that note, we're going

0:44:38.640 --> 0:44:41.400
<v Speaker 1>to take one more break and then we'll be right back.

0:44:42.840 --> 0:44:48.880
<v Speaker 1>Thank you, thank you, Alright, We're back, all right. This

0:44:49.000 --> 0:44:51.920
<v Speaker 1>next email being burned onto a tortilla for us. Here

0:44:52.080 --> 0:44:56.319
<v Speaker 1>comes from our listener Rowan, and just a warning if

0:44:56.360 --> 0:44:58.640
<v Speaker 1>if you've got kids listening or something. This one mentions

0:44:58.680 --> 0:45:01.480
<v Speaker 1>the use of psychedelics. Dear Robert and Joe. I've been

0:45:01.480 --> 0:45:03.040
<v Speaker 1>meaning to sit down and write to you for a

0:45:03.080 --> 0:45:05.680
<v Speaker 1>while now, but after your recent episode on driving and

0:45:05.719 --> 0:45:07.920
<v Speaker 1>your Brain, I felt like I had to get on it.

0:45:08.200 --> 0:45:09.960
<v Speaker 1>This was one of the ones we did in October.

0:45:10.000 --> 0:45:12.160
<v Speaker 1>We sort of talked about Christine, we talked about the

0:45:12.239 --> 0:45:16.399
<v Speaker 1>psychological effects of driving. Rowan rights, I drive for nine

0:45:16.440 --> 0:45:18.600
<v Speaker 1>to ten hours a day, and your show was the

0:45:18.640 --> 0:45:21.160
<v Speaker 1>first one I found when I was introduced to podcasts

0:45:21.160 --> 0:45:23.600
<v Speaker 1>about three years ago, and you've been on my drive

0:45:23.640 --> 0:45:26.759
<v Speaker 1>playlist ever since. Oh well, very happy to be there.

0:45:27.000 --> 0:45:28.560
<v Speaker 1>First off, I want to thank you for the work

0:45:28.600 --> 0:45:31.879
<v Speaker 1>you do. You guys are incredibly educational and inspiring. Your

0:45:31.920 --> 0:45:35.160
<v Speaker 1>episode on urban evolution, probably two years ago at this point,

0:45:35.400 --> 0:45:37.759
<v Speaker 1>is the reason I decided to pick my degree back

0:45:37.840 --> 0:45:40.200
<v Speaker 1>up and graduate, and is the reason I plan on

0:45:40.280 --> 0:45:43.400
<v Speaker 1>declaring a major in forestry and a minor in urban planning.

0:45:44.600 --> 0:45:47.720
<v Speaker 1>Great to hear. I love hearing stuff like that. Warms

0:45:47.760 --> 0:45:51.359
<v Speaker 1>my heart. Rowan continues in your Driving episode, you talk

0:45:51.400 --> 0:45:54.040
<v Speaker 1>about tool use and how it can alter our perception

0:45:54.080 --> 0:45:57.960
<v Speaker 1>of distance and size. Anecdotally, I've definitely noticed this in

0:45:58.000 --> 0:46:00.799
<v Speaker 1>an odd way. I drive a large cargo van at

0:46:00.800 --> 0:46:03.440
<v Speaker 1>work and have a rather small personal car that I

0:46:03.520 --> 0:46:06.720
<v Speaker 1>rarely drive, as I walk most everywhere. On the times

0:46:06.760 --> 0:46:09.239
<v Speaker 1>that I do drive, my brain assumes that I'm in

0:46:09.320 --> 0:46:12.080
<v Speaker 1>my van, as in I see my car as being

0:46:12.200 --> 0:46:15.880
<v Speaker 1>much larger. The roadways feel smaller than, say, after a

0:46:15.960 --> 0:46:19.080
<v Speaker 1>vacation where I am away from the van for long periods.

0:46:19.400 --> 0:46:22.800
<v Speaker 1>Imagine if you will watching someone parallel park a Corolla

0:46:22.880 --> 0:46:25.520
<v Speaker 1>as if it were a box truck. That that also

0:46:25.560 --> 0:46:29.840
<v Speaker 1>sounds like a great rod Sterling rod Sterling introduction to

0:46:29.920 --> 0:46:34.880
<v Speaker 1>Twilight zentner Ni Gallery. Imagine if you will watching someone

0:46:34.960 --> 0:46:38.000
<v Speaker 1>parallel park a Corolla as if it were a box truck.

0:46:38.760 --> 0:46:42.920
<v Speaker 1>It couldn't happen, but it could the Twilight Zone. Okay,

0:46:43.040 --> 0:46:45.120
<v Speaker 1>on with the Mail. Another of your episodes that I

0:46:45.160 --> 0:46:47.120
<v Speaker 1>feel I should write in about is your show on

0:46:47.160 --> 0:46:50.520
<v Speaker 1>the split Brain. I have damage to the left hemisphere

0:46:50.520 --> 0:46:53.640
<v Speaker 1>of my brain from what my doctor described as a

0:46:53.719 --> 0:46:56.960
<v Speaker 1>stroke in the third trimester of pregnancy, which interrupted the

0:46:57.000 --> 0:46:59.840
<v Speaker 1>development of the right side of my body and caused

0:47:00.040 --> 0:47:03.279
<v Speaker 1>he like patches of no activity on my m R eyes.

0:47:03.960 --> 0:47:06.200
<v Speaker 1>For a long time, I really only considered how this

0:47:06.280 --> 0:47:09.200
<v Speaker 1>damage had affected me in a physical way. Listening to

0:47:09.239 --> 0:47:11.560
<v Speaker 1>your episodes along with one other shout out to you

0:47:11.600 --> 0:47:13.880
<v Speaker 1>are not so smart if for some reason you need

0:47:13.920 --> 0:47:16.759
<v Speaker 1>a new podcast, really got me thinking about how it

0:47:16.800 --> 0:47:20.120
<v Speaker 1>would have affected my cognitive function. There is a feeling

0:47:20.239 --> 0:47:22.920
<v Speaker 1>I have at times when I am struggling to find

0:47:22.920 --> 0:47:26.520
<v Speaker 1>a word, listen to an explanation someone is giving, or

0:47:26.680 --> 0:47:29.400
<v Speaker 1>think through a problem to try to explain it. It

0:47:29.440 --> 0:47:33.080
<v Speaker 1>feels like the thought is hitting a blockage, similar to

0:47:33.120 --> 0:47:35.800
<v Speaker 1>the feeling of having something on the tip of your tongue,

0:47:35.880 --> 0:47:39.320
<v Speaker 1>but slightly different. It's not that I'm trying to remember something,

0:47:39.440 --> 0:47:42.839
<v Speaker 1>more that I've already remembered it, but I can't say it.

0:47:43.280 --> 0:47:46.960
<v Speaker 1>I suffer from fairly persistent depression and anxiety. However, I

0:47:47.040 --> 0:47:49.960
<v Speaker 1>often feel the physical effects of them and am unable

0:47:49.960 --> 0:47:53.560
<v Speaker 1>to identify the source or even the emotion itself. At times,

0:47:53.840 --> 0:47:56.880
<v Speaker 1>it feels as if my brain gets stuck when trying

0:47:56.920 --> 0:47:59.960
<v Speaker 1>to figure out the reaction my body is having, an

0:48:00.040 --> 0:48:03.160
<v Speaker 1>doesn't quite get to communicating it with my conscious self.

0:48:03.320 --> 0:48:07.719
<v Speaker 1>If that makes sense. Okay, interesting. I mean I think

0:48:07.760 --> 0:48:11.120
<v Speaker 1>some of that just matches up with just normal cognition,

0:48:11.200 --> 0:48:15.080
<v Speaker 1>or at least what my brain assumes his normal cognition.

0:48:15.200 --> 0:48:18.200
<v Speaker 1>But other aspects of that might be you know, singular

0:48:18.239 --> 0:48:20.440
<v Speaker 1>to this condition. Yeah, we did an episode on the

0:48:20.440 --> 0:48:22.880
<v Speaker 1>tip of the tongue phenomenon not too long ago, and

0:48:22.920 --> 0:48:25.200
<v Speaker 1>if you've been listening for three years you probably heard

0:48:25.239 --> 0:48:28.399
<v Speaker 1>that one. Then really knows And I guess this next

0:48:28.440 --> 0:48:30.759
<v Speaker 1>comment comes in response to the fact that we did

0:48:30.800 --> 0:48:33.520
<v Speaker 1>that psychedelic series. The last thing I wanted to mention

0:48:33.560 --> 0:48:35.960
<v Speaker 1>in this long winded email is that, well, I did

0:48:36.120 --> 0:48:38.600
<v Speaker 1>LSD a while back, and it was a hoot. Some

0:48:38.680 --> 0:48:40.680
<v Speaker 1>friends and I spent the day in the yard with

0:48:40.719 --> 0:48:43.200
<v Speaker 1>our dog and had a wonderful time. The one major

0:48:43.280 --> 0:48:46.520
<v Speaker 1>thing I remember was feeling a connectedness to people I

0:48:46.560 --> 0:48:49.319
<v Speaker 1>was with. If you can imagine the feeling of the

0:48:49.360 --> 0:48:54.080
<v Speaker 1>way trees in a forest are connected through microrizal networks

0:48:54.600 --> 0:48:57.680
<v Speaker 1>as or my corpisal. I'm not sure how you pronounced that. Yeah,

0:48:57.800 --> 0:48:59.520
<v Speaker 1>I think we've touched we I can't remember if we've

0:48:59.520 --> 0:49:01.839
<v Speaker 1>touched on. Sorry, just keep meaning to touch on this more.

0:49:02.320 --> 0:49:05.200
<v Speaker 1>I think it came up a little bit in the mushrooms. Uh,

0:49:05.239 --> 0:49:07.719
<v Speaker 1>in the Psychedelics episodes, the uh, you know, the the

0:49:08.520 --> 0:49:11.120
<v Speaker 1>fungal networks to connect these trees and the and some

0:49:11.200 --> 0:49:14.720
<v Speaker 1>of the some really interesting work going into too, looking

0:49:14.760 --> 0:49:17.920
<v Speaker 1>at this sort of communication that occurs, and we can

0:49:18.000 --> 0:49:21.320
<v Speaker 1>come back and go deep on that sometime. But finally,

0:49:21.640 --> 0:49:24.239
<v Speaker 1>Rowan rights, As I'm writing this, I'm also starting to

0:49:24.280 --> 0:49:27.239
<v Speaker 1>get curious as to how hemispheric brain damage would alter

0:49:27.320 --> 0:49:30.879
<v Speaker 1>a psychedelic experience. Huh, yeah, I don't know anything about that. Yeah,

0:49:30.920 --> 0:49:33.600
<v Speaker 1>I don't. I don't think that I've seen that question

0:49:33.640 --> 0:49:36.319
<v Speaker 1>asked before. I would be surprised if there's not some

0:49:36.400 --> 0:49:39.560
<v Speaker 1>kind of ongoing research about that. Yeah, because as we

0:49:39.719 --> 0:49:43.040
<v Speaker 1>discussed like split brains were you know, or anytime you

0:49:43.120 --> 0:49:48.080
<v Speaker 1>have a brain that has, you know, suffered damage of

0:49:48.200 --> 0:49:51.279
<v Speaker 1>some sort asymmetrically affected. Yeah, like that's going to be

0:49:51.360 --> 0:49:56.240
<v Speaker 1>very useful to looking at some sort of a neurological questions.

0:49:56.320 --> 0:49:59.160
<v Speaker 1>So yeah, it stands to reason somebody has at least

0:49:59.200 --> 0:50:02.680
<v Speaker 1>considered that. But uh, yeah, well it was great to

0:50:02.719 --> 0:50:04.759
<v Speaker 1>hear from rolling on all of this. Now, this first

0:50:04.800 --> 0:50:07.120
<v Speaker 1>time I've heard someone say Alice d was a hoot.

0:50:07.719 --> 0:50:11.280
<v Speaker 1>Um I feel like most people would would maybe describe

0:50:11.280 --> 0:50:15.040
<v Speaker 1>it a little differently, but but fair enough. It's all

0:50:15.120 --> 0:50:18.600
<v Speaker 1>very subjective, all right. So let's move on to feedback

0:50:18.640 --> 0:50:22.520
<v Speaker 1>on another episode, our episode on the Garrison Swine. Uh

0:50:22.800 --> 0:50:24.600
<v Speaker 1>this was this is a really fun episode because it

0:50:24.640 --> 0:50:27.960
<v Speaker 1>had it had demons in it, it had pigs in it.

0:50:28.560 --> 0:50:31.879
<v Speaker 1>We got to donibal tool, use animal tool, use pig cognition,

0:50:32.320 --> 0:50:36.520
<v Speaker 1>Bible stories, the whole nine yards. Uh. So, first, here's

0:50:36.560 --> 0:50:38.120
<v Speaker 1>a short bit of listener mail. This one comes to

0:50:38.200 --> 0:50:43.520
<v Speaker 1>us from Chris, Robert and Joe. I listened to Stuff

0:50:43.520 --> 0:50:45.440
<v Speaker 1>to Blew Your Mind pretty much every week, probably my

0:50:45.480 --> 0:50:48.040
<v Speaker 1>favorite podcast. While listening to this episode, I was thinking

0:50:48.040 --> 0:50:51.080
<v Speaker 1>a couple of things. Firstly, I don't remember you ever

0:50:51.160 --> 0:50:54.400
<v Speaker 1>mentioning sea otters as animals that use tools. They're the

0:50:54.480 --> 0:50:58.120
<v Speaker 1>only marine animals to use stone tools. Add in that

0:50:58.200 --> 0:51:03.160
<v Speaker 1>their treacherous necrophiliac I don't know anything about that. Well,

0:51:03.320 --> 0:51:05.840
<v Speaker 1>did you and Christian talk about that in your necrophilia episode?

0:51:05.920 --> 0:51:08.600
<v Speaker 1>Might well have? Yeah. If if you want to hear

0:51:08.600 --> 0:51:11.839
<v Speaker 1>more about necrophilia, check out that episode that Christian and

0:51:11.880 --> 0:51:14.880
<v Speaker 1>I did a few years back. It's a it's a

0:51:14.920 --> 0:51:19.759
<v Speaker 1>good one. It ultimately demystifies necrophilia deals. I think we

0:51:19.840 --> 0:51:22.040
<v Speaker 1>get into human necrophilia a little bit, but we spent

0:51:22.120 --> 0:51:24.160
<v Speaker 1>a lot of time talking about animal necrophilia, which, of

0:51:24.160 --> 0:51:25.960
<v Speaker 1>course it is like the primary place you go to

0:51:26.080 --> 0:51:29.720
<v Speaker 1>understand what this thing is before you get into human complications.

0:51:30.719 --> 0:51:33.200
<v Speaker 1>But then Chris continues to talk about the pigs we

0:51:33.239 --> 0:51:37.239
<v Speaker 1>discussed in that episode. Yeah, they write then during your

0:51:37.280 --> 0:51:40.279
<v Speaker 1>discussion on vision wardy pigs using tools and then not

0:51:40.360 --> 0:51:43.440
<v Speaker 1>being very effective. Perhaps the use of tools is a

0:51:43.520 --> 0:51:47.120
<v Speaker 1>signal that they're building a nest versus rooting around for food.

0:51:47.800 --> 0:51:50.600
<v Speaker 1>Thanks for all the great shows, Chris. I think this

0:51:50.640 --> 0:51:53.560
<v Speaker 1>is an interesting possibility. So one of the questions we

0:51:53.600 --> 0:51:57.239
<v Speaker 1>had was this research into the pigs found that the

0:51:57.280 --> 0:52:00.160
<v Speaker 1>pigs using the like bark and sticks to dig in

0:52:00.200 --> 0:52:03.200
<v Speaker 1>the ground to make nests did seem to fit the

0:52:03.239 --> 0:52:06.560
<v Speaker 1>formal criteria for tool use, but it didn't seem like

0:52:07.160 --> 0:52:09.960
<v Speaker 1>they were much more efficient or at least in all

0:52:10.040 --> 0:52:14.120
<v Speaker 1>cases more efficient at nest building when using the tools

0:52:14.120 --> 0:52:16.000
<v Speaker 1>than they were when they were just digging with their

0:52:16.000 --> 0:52:18.680
<v Speaker 1>hoofs or snouts. So the question is, why are they

0:52:18.760 --> 0:52:21.200
<v Speaker 1>using the tools then if it doesn't necessarily give them

0:52:21.200 --> 0:52:24.520
<v Speaker 1>an advantage, like help them build a nest faster. One

0:52:24.920 --> 0:52:27.000
<v Speaker 1>thing that I offered is, well, what if the parts

0:52:27.000 --> 0:52:29.200
<v Speaker 1>of their bodies they normally dig with just get sore

0:52:29.320 --> 0:52:32.840
<v Speaker 1>from doing it or something That's that's possibility. One of

0:52:32.880 --> 0:52:36.080
<v Speaker 1>the things the authors brought up is that it could

0:52:36.120 --> 0:52:40.480
<v Speaker 1>just be a a social convention, almost sort of like

0:52:40.560 --> 0:52:44.080
<v Speaker 1>pig culture. Uh. And then that would, I think line

0:52:44.120 --> 0:52:46.480
<v Speaker 1>up kind of with what Chris is talking about here. Well, yeah,

0:52:46.560 --> 0:52:48.799
<v Speaker 1>I think I think the idea here is that, if

0:52:48.840 --> 0:52:51.840
<v Speaker 1>I'm understanding Chris correctly, the ideas that picking up a

0:52:51.880 --> 0:52:56.600
<v Speaker 1>tool to start digging shows the other pigs that it's

0:52:56.640 --> 0:52:59.399
<v Speaker 1>time to build a nest instead of just the other

0:52:59.440 --> 0:53:02.279
<v Speaker 1>pigs rooting around like you normally would when you're looking

0:53:02.280 --> 0:53:04.600
<v Speaker 1>for food, right, I mean, you could almost be interpreted.

0:53:04.640 --> 0:53:07.320
<v Speaker 1>I guess it's kind of like a like a fitness display.

0:53:07.480 --> 0:53:11.440
<v Speaker 1>I'm reminded of these documentaries in which you see birds

0:53:11.800 --> 0:53:16.320
<v Speaker 1>male birds building you know, some sort of mating structure

0:53:16.480 --> 0:53:20.120
<v Speaker 1>you know, uh, that is just about attracting the females. Now,

0:53:20.120 --> 0:53:22.840
<v Speaker 1>obviously this would not be exactly the same thing. But

0:53:22.960 --> 0:53:25.760
<v Speaker 1>perhaps the the idea I think that Chris is getting

0:53:25.760 --> 0:53:27.440
<v Speaker 1>at is that the use of the tool could be

0:53:27.520 --> 0:53:30.120
<v Speaker 1>part of of the city. The overall signaling saying that

0:53:30.239 --> 0:53:33.759
<v Speaker 1>I I am building the nest. Now, yeah, and and

0:53:33.800 --> 0:53:36.160
<v Speaker 1>but but tends to I think start with the females

0:53:36.239 --> 0:53:38.640
<v Speaker 1>and the pigs, and that they share the behaviors with

0:53:38.760 --> 0:53:41.439
<v Speaker 1>like they sort of teach the males how to do it.

0:53:41.440 --> 0:53:43.480
<v Speaker 1>It suggests to me that if that is in fact

0:53:43.640 --> 0:53:45.680
<v Speaker 1>what's going on, it could be that it's it's almost

0:53:45.719 --> 0:53:48.680
<v Speaker 1>like ringing the whistle. It's it's time to start work.

0:53:48.760 --> 0:53:51.040
<v Speaker 1>Because the nest building was a social thing. It was

0:53:51.080 --> 0:53:54.120
<v Speaker 1>like more than one pig participated in the digging of

0:53:54.160 --> 0:53:57.080
<v Speaker 1>the nest interest. So it's like maybe maybe picking up

0:53:57.120 --> 0:54:03.680
<v Speaker 1>the bark and doing that gets the other pigs on task. Possibility. Yeah,

0:54:04.080 --> 0:54:05.960
<v Speaker 1>all right, well, now we're going to jump into another

0:54:06.040 --> 0:54:11.720
<v Speaker 1>longer email about the Garascene demoniac. Uh. This one's long

0:54:12.040 --> 0:54:13.560
<v Speaker 1>enough in fact, that I'm going to tag out to

0:54:13.600 --> 0:54:17.719
<v Speaker 1>you during the reading of this email. All right, this

0:54:17.760 --> 0:54:19.960
<v Speaker 1>one comes to us from Sean, Hi, Joe, and Robert.

0:54:20.000 --> 0:54:22.879
<v Speaker 1>I'm a longtime listener and occasionally right in my last

0:54:22.920 --> 0:54:25.200
<v Speaker 1>email that you read out in a listener Maile episode

0:54:25.280 --> 0:54:28.520
<v Speaker 1>was also from Halloween last year, something about Halloween that

0:54:28.680 --> 0:54:31.520
<v Speaker 1>makes me want to write in I feel you. I

0:54:31.560 --> 0:54:34.920
<v Speaker 1>just finished listening to your episode on the Garascene Demoniac,

0:54:35.239 --> 0:54:37.640
<v Speaker 1>which was a fascinating Bible story that I hadn't heard

0:54:37.680 --> 0:54:40.239
<v Speaker 1>of before. You also covered lots of points that I'd

0:54:40.280 --> 0:54:43.040
<v Speaker 1>like to reply to, especially adding input from the other

0:54:43.080 --> 0:54:46.120
<v Speaker 1>side of the world. I live in Indonesia. The very

0:54:46.200 --> 0:54:48.520
<v Speaker 1>first thing I thought of while listening was a story

0:54:48.600 --> 0:54:51.239
<v Speaker 1>from Bali from a few years ago. This story is

0:54:51.280 --> 0:54:54.040
<v Speaker 1>a massive w t F from the start and gets

0:54:54.080 --> 0:54:57.080
<v Speaker 1>so much wilder by the end. A teenage boy was

0:54:57.120 --> 0:54:59.640
<v Speaker 1>caught having sex with a cow and a village in

0:54:59.760 --> 0:55:03.520
<v Speaker 1>the west of Bali. As this act spiritually defiled the

0:55:03.600 --> 0:55:06.319
<v Speaker 1>village and the boy. A wedding ceremony was then held

0:55:06.320 --> 0:55:08.920
<v Speaker 1>between the boy and the cow. Both were dressed up

0:55:08.960 --> 0:55:12.279
<v Speaker 1>in customary wedding attire. To complete the spiritual cleansing of

0:55:12.320 --> 0:55:14.840
<v Speaker 1>the village, the cow was drowned in the sea. The

0:55:15.200 --> 0:55:17.640
<v Speaker 1>here is the earliest report in English I could find

0:55:17.680 --> 0:55:20.680
<v Speaker 1>after a quick Google, and he points to a Metro

0:55:20.800 --> 0:55:24.200
<v Speaker 1>dot Co dot UK story. Man forced to marry cal

0:55:24.320 --> 0:55:27.520
<v Speaker 1>faints at wedding, which, uh, you know, it sounds like

0:55:27.520 --> 0:55:30.520
<v Speaker 1>a you know, a goofier headline than like the true story.

0:55:30.560 --> 0:55:35.120
<v Speaker 1>I feel like we're we're absorbing from this telling. Uh.

0:55:35.160 --> 0:55:38.520
<v Speaker 1>They continue, while a different animal and involving bsality, the

0:55:38.600 --> 0:55:42.520
<v Speaker 1>stories are somewhat similar. They both involve possession of demons

0:55:42.640 --> 0:55:46.279
<v Speaker 1>or bad spirits, they both involve ceremony including animals, and

0:55:46.320 --> 0:55:49.560
<v Speaker 1>they are both concluded with animals dying before the case

0:55:49.640 --> 0:55:54.080
<v Speaker 1>being declared closed. The Balanese religion, while called Hindu, is

0:55:54.080 --> 0:55:57.680
<v Speaker 1>not very similar to the Indian Hinduism, where cows are revered,

0:55:57.719 --> 0:56:01.279
<v Speaker 1>and incorporates a lot more animous beliefs and the ever

0:56:01.360 --> 0:56:04.879
<v Speaker 1>presence of good and bad spirits. While there might not

0:56:05.000 --> 0:56:07.320
<v Speaker 1>be a take home message from this story, it certainly

0:56:07.440 --> 0:56:10.720
<v Speaker 1>is fascinating and quite a unique insight into a unique culture.

0:56:11.520 --> 0:56:15.040
<v Speaker 1>Another part of this episode appealing to me. As you

0:56:15.080 --> 0:56:19.000
<v Speaker 1>talked about religious taboos, particularly the eating of pork, I

0:56:19.000 --> 0:56:21.759
<v Speaker 1>should start by saying, I am a Muslim. I wasn't

0:56:21.800 --> 0:56:24.680
<v Speaker 1>born into Islam, but I converted three years ago, so

0:56:24.760 --> 0:56:27.319
<v Speaker 1>I have experienced growing up in an English culture and

0:56:27.480 --> 0:56:30.640
<v Speaker 1>living a pork free lifestyle. It seems to me that

0:56:30.719 --> 0:56:33.319
<v Speaker 1>while once you pointed out, there may have been initially

0:56:33.719 --> 0:56:36.120
<v Speaker 1>very good reasons to ban the eating of pork, such

0:56:36.120 --> 0:56:38.239
<v Speaker 1>as the reasons you mentioned the fact that the fact

0:56:38.239 --> 0:56:40.880
<v Speaker 1>that pork flesh is a host for parasitic worms and

0:56:40.960 --> 0:56:44.920
<v Speaker 1>more modern farming and food preparation would deem these reasons unimportant.

0:56:45.239 --> 0:56:49.080
<v Speaker 1>Your reason that pigs are indiscriminate eaters and omnivorous makes

0:56:49.200 --> 0:56:51.640
<v Speaker 1>a lot of sense, as it is also forbidden to

0:56:51.640 --> 0:56:55.680
<v Speaker 1>eat animals with things I eat carnivores. Another, however, the

0:56:55.719 --> 0:56:59.040
<v Speaker 1>reason given by the Koran, to my knowledge, but please

0:56:59.040 --> 0:57:00.640
<v Speaker 1>don't take my word of love own, is that the

0:57:00.680 --> 0:57:03.800
<v Speaker 1>flesh is dirty. I believe you were right in saying

0:57:03.960 --> 0:57:06.600
<v Speaker 1>that it is mostly taken nowadays to be a signal

0:57:06.800 --> 0:57:09.839
<v Speaker 1>it is not necessary a sacrifice for any Muslims who

0:57:09.880 --> 0:57:13.439
<v Speaker 1>have never even tried pork, but is definitely seen as

0:57:13.480 --> 0:57:15.560
<v Speaker 1>a we don't do this, the people who aren't in

0:57:15.560 --> 0:57:19.520
<v Speaker 1>our group do situation. I would like to add here

0:57:19.640 --> 0:57:21.960
<v Speaker 1>that that pork is not forbidden if there is no

0:57:22.120 --> 0:57:25.479
<v Speaker 1>other food source available. I should also mention that even

0:57:25.480 --> 0:57:28.880
<v Speaker 1>among the Balinese who are known lovers of pork, there

0:57:28.960 --> 0:57:31.680
<v Speaker 1>was really there's recently been some suspicion as there have

0:57:31.760 --> 0:57:34.480
<v Speaker 1>been a few cases of people becoming infected by bacteria

0:57:34.520 --> 0:57:38.920
<v Speaker 1>and undercooked meat that reportedly lead to meningitis. Personally, I

0:57:38.960 --> 0:57:42.440
<v Speaker 1>think the idea that we follow this rule because nonbelievers

0:57:42.480 --> 0:57:44.960
<v Speaker 1>do the opposite is not a particularly strong argument. It

0:57:44.960 --> 0:57:47.360
<v Speaker 1>affects me personally, as I have two dogs at home

0:57:47.680 --> 0:57:50.960
<v Speaker 1>and in Islam this is not the done thing. But

0:57:51.080 --> 0:57:53.280
<v Speaker 1>the more I try to find out why, it seems

0:57:53.320 --> 0:57:56.600
<v Speaker 1>like the reason is because nonbelievers have dogs and we

0:57:56.640 --> 0:57:59.800
<v Speaker 1>are not nonbelievers. This brings me to my response to

0:58:00.040 --> 0:58:03.320
<v Speaker 1>Gustine's view of animal rights based on his reading of

0:58:03.440 --> 0:58:05.520
<v Speaker 1>the scripture. All Right, I'm gonna tag out now, Joe.

0:58:05.600 --> 0:58:08.360
<v Speaker 1>All Right, Sean goes on. Like I said, many Muslims

0:58:08.360 --> 0:58:10.600
<v Speaker 1>would not have a dog. In some cases, there's a

0:58:10.640 --> 0:58:14.000
<v Speaker 1>strong dislike, hatred, or even abuse of dogs as a result.

0:58:14.360 --> 0:58:17.160
<v Speaker 1>I am, however, adamant that this is not stemming from

0:58:17.200 --> 0:58:19.680
<v Speaker 1>a reading of the Quran or other religious laws, but

0:58:19.760 --> 0:58:23.600
<v Speaker 1>from cultural upbringing. In the Koran, one of three mentions

0:58:23.600 --> 0:58:26.160
<v Speaker 1>of dogs is that you may eat food hunted by

0:58:26.240 --> 0:58:29.680
<v Speaker 1>your dog. Another mention is of a dog who accompanied

0:58:29.680 --> 0:58:32.240
<v Speaker 1>a group of pious believers and protected them as they

0:58:32.240 --> 0:58:35.560
<v Speaker 1>slept in a cave while fleeing persecution. I used to

0:58:35.600 --> 0:58:38.760
<v Speaker 1>work for an animal welfare organization here in Bali, for

0:58:38.800 --> 0:58:41.200
<v Speaker 1>part of which I tried to develop a curriculum that

0:58:41.280 --> 0:58:44.920
<v Speaker 1>incorporated animal welfare. So I look for religious stories or

0:58:44.920 --> 0:58:48.320
<v Speaker 1>texts that would promote animal welfare to children. While Islam

0:58:48.360 --> 0:58:51.600
<v Speaker 1>promotes eating meat and the general idea of humanity is

0:58:51.640 --> 0:58:54.040
<v Speaker 1>above animals, I feel there's nothing in the text that

0:58:54.080 --> 0:58:56.560
<v Speaker 1>would call for the abuse of animals. In fact, the

0:58:56.600 --> 0:58:59.520
<v Speaker 1>opposite is true. It is forbidden to spend money on dogs,

0:58:59.560 --> 0:59:02.360
<v Speaker 1>gamble on animals. It is encouraged to give water and

0:59:02.400 --> 0:59:05.720
<v Speaker 1>food to thirsty and hungry dogs. It's forbidden to slaughter

0:59:05.800 --> 0:59:08.640
<v Speaker 1>a younger animal. There is one story in which Mohammad

0:59:08.720 --> 0:59:11.440
<v Speaker 1>said angels do not visit a house which has a dog,

0:59:11.720 --> 0:59:14.240
<v Speaker 1>and this seems to be the only negative there is.

0:59:14.280 --> 0:59:16.960
<v Speaker 1>Of course, the doctrine of a dog's saliva is impure

0:59:17.040 --> 0:59:19.280
<v Speaker 1>and must be cleaned, but this is alleviated by the

0:59:19.360 --> 0:59:23.520
<v Speaker 1>simple process of cleaning. However, I feel that cultural leanings

0:59:23.520 --> 0:59:26.160
<v Speaker 1>have gone the way of Augustine, taking one story that

0:59:26.320 --> 0:59:29.560
<v Speaker 1>dogs hinder angels from entering a house and one idea

0:59:29.560 --> 0:59:32.880
<v Speaker 1>of impurity about dogs saliva, and using this as an

0:59:32.880 --> 0:59:35.880
<v Speaker 1>excuse to neglect or abuse animals. I know you focus

0:59:35.960 --> 0:59:38.560
<v Speaker 1>mainly on Christianity and animal rights, but I feel this

0:59:38.640 --> 0:59:43.120
<v Speaker 1>reflects the same ideas to summarize cleansing. Ceremonies involving bad

0:59:43.160 --> 0:59:46.200
<v Speaker 1>spirits and animals forced to their deaths are still a thing.

0:59:46.680 --> 0:59:48.960
<v Speaker 1>Pork is probably okay to eat if sourced well and

0:59:49.000 --> 0:59:53.080
<v Speaker 1>cooked right, but nowadays is a cultural signal. And like Augustine,

0:59:53.120 --> 0:59:56.560
<v Speaker 1>many people nowadays take one passage from scripture and use

0:59:56.600 --> 0:59:59.360
<v Speaker 1>it to allow themselves to treat others poorly, ignoring the

0:59:59.400 --> 1:00:02.280
<v Speaker 1>wealth of s pure pointing in the other direction. I'm

1:00:02.360 --> 1:00:04.720
<v Speaker 1>very sorry for the long message. I'm quite surprised I

1:00:04.760 --> 1:00:07.680
<v Speaker 1>had so much to say about a demonic pig exorcism.

1:00:07.720 --> 1:00:09.240
<v Speaker 1>But I hope there are some parts you can take

1:00:09.240 --> 1:00:11.200
<v Speaker 1>away from my email to entertain you or bring to

1:00:11.280 --> 1:00:14.120
<v Speaker 1>lights some views from different cultures. And as always, I

1:00:14.160 --> 1:00:16.280
<v Speaker 1>love the show and look forward to whatever adventure you

1:00:16.320 --> 1:00:19.480
<v Speaker 1>take me on next. All the best, Sean, No, absolutely,

1:00:19.560 --> 1:00:23.160
<v Speaker 1>I I I've really appreciated Sean's inside on this um

1:00:23.880 --> 1:00:25.960
<v Speaker 1>and and you know, I think it also shows that

1:00:26.080 --> 1:00:30.280
<v Speaker 1>you know how interesting this topic was, that you know what,

1:00:30.440 --> 1:00:32.760
<v Speaker 1>on the surface is just kind of a wtf uh

1:00:33.200 --> 1:00:36.640
<v Speaker 1>you know story from the New testament ultimately touches on

1:00:36.720 --> 1:00:40.680
<v Speaker 1>so many different aspects of human culture and human behavior. Yeah.

1:00:40.720 --> 1:00:42.720
<v Speaker 1>I mean, one of the things Sean brings up, which

1:00:42.760 --> 1:00:45.040
<v Speaker 1>I think is true, is that the element of the

1:00:45.080 --> 1:00:48.600
<v Speaker 1>pigs running in the into the sea to die afterwards.

1:00:48.640 --> 1:00:52.040
<v Speaker 1>That could reflect, I don't know, not something about the

1:00:52.080 --> 1:00:55.840
<v Speaker 1>peculiarities of that story itself, but could be a deeper

1:00:55.920 --> 1:00:59.200
<v Speaker 1>sort of motif of like the scapegoat tradition, right, you know,

1:00:59.600 --> 1:01:02.800
<v Speaker 1>putting sends her uncleanness into an animal that is then

1:01:02.840 --> 1:01:05.040
<v Speaker 1>sent out into the wilderness to its death or is

1:01:05.080 --> 1:01:08.640
<v Speaker 1>put to death or something as a way of uh,

1:01:08.880 --> 1:01:12.000
<v Speaker 1>sort of like transferring the bad stuff out. So so

1:01:12.040 --> 1:01:14.080
<v Speaker 1>I can totally see it fitting with that tradition that,

1:01:14.560 --> 1:01:18.360
<v Speaker 1>like as Sean says, is still used in many ways today. Yeah.

1:01:18.400 --> 1:01:21.640
<v Speaker 1>I mean we didn't even talk about scapegoats in that episode. Yeah. Yeah,

1:01:21.720 --> 1:01:23.560
<v Speaker 1>So clearly we could come back and do more in

1:01:23.560 --> 1:01:26.000
<v Speaker 1>the future. All Right, we're getting towards the end here,

1:01:26.000 --> 1:01:28.480
<v Speaker 1>but we have two more bits of Halloween listener mail

1:01:28.840 --> 1:01:31.680
<v Speaker 1>that Carney is insisting that we read because if we don't,

1:01:32.000 --> 1:01:34.560
<v Speaker 1>it might have to go back into the pit until

1:01:34.640 --> 1:01:40.360
<v Speaker 1>next year. So this one comes to us from Um,

1:01:40.400 --> 1:01:44.320
<v Speaker 1>this is Carrie, I believe, and Carrie rides high. Thanks

1:01:44.360 --> 1:01:46.520
<v Speaker 1>for a great show. I just listened to your show

1:01:46.560 --> 1:01:49.480
<v Speaker 1>about Jenny green Teeth. This was an episode from the

1:01:49.560 --> 1:01:53.680
<v Speaker 1>previous year, but when we ran it vault episode about

1:01:53.760 --> 1:01:56.720
<v Speaker 1>Jenny Green Teeth which ended with a recommendation about the

1:01:56.800 --> 1:02:01.040
<v Speaker 1>Hitcher and his scary song about eels Um. The Hitcher

1:02:01.120 --> 1:02:04.320
<v Speaker 1>is of course a character from the British comedy series

1:02:04.360 --> 1:02:06.680
<v Speaker 1>The Mighty Bush, which I think at this point has

1:02:06.680 --> 1:02:10.240
<v Speaker 1>been off the air for like an amazingly long period

1:02:10.280 --> 1:02:13.080
<v Speaker 1>of time, and in age where Netflix and other streaming

1:02:13.080 --> 1:02:15.960
<v Speaker 1>shows are bringing back everything, I'm a little surprised nobody

1:02:16.000 --> 1:02:19.520
<v Speaker 1>has has has given us a Boush revival. But for

1:02:19.600 --> 1:02:21.320
<v Speaker 1>fans of the Great British Bake Off, I don't know

1:02:21.360 --> 1:02:23.680
<v Speaker 1>if you've seen it. Null Fielding is a yeah, he's

1:02:23.680 --> 1:02:26.480
<v Speaker 1>the host, right, yeah, one of them, Yeah, I mean

1:02:26.520 --> 1:02:29.000
<v Speaker 1>both both the Julian as well. They've both continued to

1:02:29.000 --> 1:02:31.560
<v Speaker 1>work a lot and you can certainly find them out there.

1:02:31.600 --> 1:02:34.880
<v Speaker 1>They just aside from some live stuff, they haven't they

1:02:34.880 --> 1:02:37.640
<v Speaker 1>haven't fully come back to the Bush. Rachel and I

1:02:37.720 --> 1:02:40.720
<v Speaker 1>make a lot of baking show jokes about just baking

1:02:40.760 --> 1:02:47.440
<v Speaker 1>a little foxy Mariam. Alright, anyway, so Carrie continues. It

1:02:47.480 --> 1:02:49.640
<v Speaker 1>made me think about a book I just finished called

1:02:49.760 --> 1:02:54.040
<v Speaker 1>The Gospel of the Eels by Patrick Vincent. There is

1:02:54.080 --> 1:02:56.440
<v Speaker 1>a chapter in the book about the eel as a

1:02:56.480 --> 1:03:00.360
<v Speaker 1>creepy and scary being which has haunted us in numerous way.

1:03:00.480 --> 1:03:03.160
<v Speaker 1>It has almost crept into our subconscious and could be

1:03:03.240 --> 1:03:06.960
<v Speaker 1>claimed to have made Sigmund Freud come up with his psychoanalysis,

1:03:06.960 --> 1:03:09.520
<v Speaker 1>since he, as a young scientist, could not find its

1:03:09.600 --> 1:03:14.200
<v Speaker 1>genitals hidden and not possible to directly observe with scientific methods.

1:03:14.600 --> 1:03:17.960
<v Speaker 1>Well later it was naturally found. The way this was

1:03:18.040 --> 1:03:22.000
<v Speaker 1>done also makes up a very intriguing story, and Freud

1:03:22.000 --> 1:03:25.640
<v Speaker 1>had just been studying the wrong metamorphos stage of the

1:03:25.680 --> 1:03:30.400
<v Speaker 1>eel like that. I've never heard that before. I thought

1:03:30.600 --> 1:03:33.240
<v Speaker 1>this could be an interesting October episode, or if you

1:03:33.320 --> 1:03:36.200
<v Speaker 1>do not have the time for the for the moment,

1:03:36.680 --> 1:03:39.959
<v Speaker 1>something inspiring for a later occasion. Below is a link

1:03:40.040 --> 1:03:42.479
<v Speaker 1>to review of the book. Thank you for a great show,

1:03:42.680 --> 1:03:45.520
<v Speaker 1>Keep up the good work. Uh you know I would

1:03:45.600 --> 1:03:47.919
<v Speaker 1>I would be up for an episode on eels and

1:03:48.120 --> 1:03:51.360
<v Speaker 1>our humans relationship with eels. I've I've always found them fascinating.

1:03:51.560 --> 1:03:54.400
<v Speaker 1>Um I got to see one while snorkeling recently and

1:03:54.440 --> 1:03:56.680
<v Speaker 1>that was a lot of fun. Freud in the elusive

1:03:56.760 --> 1:03:59.480
<v Speaker 1>genital sell me on it. So yeah, yeah, yeah, And

1:03:59.520 --> 1:04:01.520
<v Speaker 1>if if Royd has something to say about them, than

1:04:01.640 --> 1:04:06.720
<v Speaker 1>than clearly there's some meat on the bone there. All right,

1:04:06.760 --> 1:04:09.480
<v Speaker 1>we have one last listener mail, would you do the honors?

1:04:09.560 --> 1:04:13.280
<v Speaker 1>Joe Sure? This is in response to another Vault episode

1:04:13.280 --> 1:04:16.680
<v Speaker 1>we released in October, or the one about monstrosity and cuteness.

1:04:16.720 --> 1:04:20.840
<v Speaker 1>Why so many monsters, especially like Japanese Yokai, I believe,

1:04:21.680 --> 1:04:25.160
<v Speaker 1>end up with these very popular cute versions of them

1:04:25.160 --> 1:04:28.640
<v Speaker 1>that exist all throughout culture. So uh land in rites

1:04:28.640 --> 1:04:30.880
<v Speaker 1>in Hello guys. I wanted to respond to this episode

1:04:30.880 --> 1:04:33.240
<v Speaker 1>in a few ways. First, I've never seen a cute

1:04:33.280 --> 1:04:37.280
<v Speaker 1>or adorable version of Suron Saruman, the nas Gul, or

1:04:37.320 --> 1:04:41.200
<v Speaker 1>the Uricai. Maybe they exist, but I've never seen them anywhere. Well,

1:04:41.240 --> 1:04:44.520
<v Speaker 1>hold on, there the whole there's the pop what is it?

1:04:44.600 --> 1:04:47.320
<v Speaker 1>The pop? Funky pop, funk? What is it? I don't

1:04:47.320 --> 1:04:50.360
<v Speaker 1>know what you're talking about. Funk pop. Seth has just

1:04:50.600 --> 1:04:53.880
<v Speaker 1>chimed in the funk pop. Yeah, the little little little

1:04:54.240 --> 1:04:58.080
<v Speaker 1>uh you know, dolls, little uh sculptures of different pop

1:04:58.080 --> 1:05:00.320
<v Speaker 1>culture with the little pill heads. Yeah, I feel like

1:05:00.360 --> 1:05:02.360
<v Speaker 1>there's a kind of cute looking Soron. I think I've

1:05:02.360 --> 1:05:06.720
<v Speaker 1>seen that somewhere. Okay, Uh, I mean it's weird because

1:05:06.760 --> 1:05:08.520
<v Speaker 1>I feel like they would have to make its head

1:05:08.680 --> 1:05:11.400
<v Speaker 1>very wide, and the whole point of Saron's head is

1:05:11.440 --> 1:05:15.000
<v Speaker 1>that his head has verticality. It's a cathedral with the helmet, right,

1:05:15.400 --> 1:05:17.840
<v Speaker 1>But I mean basically just a big head, small body,

1:05:17.960 --> 1:05:21.320
<v Speaker 1>squat little cute form. It's granted, you can only make

1:05:21.360 --> 1:05:24.160
<v Speaker 1>Soron so cute, and obviously there's nothing really you can

1:05:24.160 --> 1:05:28.440
<v Speaker 1>do with the great all Seeing Eye incarnation, but I

1:05:28.880 --> 1:05:31.160
<v Speaker 1>think I think it's been done. I think he's too

1:05:31.160 --> 1:05:33.720
<v Speaker 1>popular to not do up like that. I was a

1:05:33.760 --> 1:05:36.560
<v Speaker 1>little appalled recently when I was at a bookstore with

1:05:36.600 --> 1:05:38.439
<v Speaker 1>my son and we're looking at the Harry Potter stuff

1:05:38.440 --> 1:05:41.920
<v Speaker 1>because it's Harry Potter obsessed and lo and behold, here

1:05:41.920 --> 1:05:45.880
<v Speaker 1>are cute Voldemort's. There should not be cute Voldemort's Voldermore

1:05:46.000 --> 1:05:48.760
<v Speaker 1>Voldemore is not cute in in any way, shape or

1:05:48.800 --> 1:05:51.680
<v Speaker 1>form um. And yet we've we've made them, and I

1:05:51.800 --> 1:05:53.920
<v Speaker 1>presumably people buy them. Oh, I don't know. I can

1:05:53.960 --> 1:05:56.840
<v Speaker 1>go for a cute Sorromon. It almost writes itself. I'm

1:05:56.840 --> 1:06:01.400
<v Speaker 1>Sorromon of many colors, you know, all Landon continues. Second,

1:06:01.440 --> 1:06:03.640
<v Speaker 1>it could the idea to make all these villains and

1:06:03.680 --> 1:06:07.360
<v Speaker 1>monsters cute be related to making the hero more adorable,

1:06:07.360 --> 1:06:11.000
<v Speaker 1>to think the Flintstone Kids, Muppet babies, and even the

1:06:11.040 --> 1:06:15.280
<v Speaker 1>more recent travesty of Marvel Heroes babies. I don't know

1:06:15.320 --> 1:06:18.400
<v Speaker 1>what that refers to. There's a whole lineup of these

1:06:18.440 --> 1:06:23.480
<v Speaker 1>young children, young versions of characters. Maybe someone eventually said

1:06:23.520 --> 1:06:25.800
<v Speaker 1>why not the monster slash villain too? I don't know.

1:06:25.920 --> 1:06:29.000
<v Speaker 1>Does does Muppet babies pre date the cute Yokai? I

1:06:29.040 --> 1:06:32.440
<v Speaker 1>have no idea. Um m, I mean Muppet babies are

1:06:32.440 --> 1:06:36.000
<v Speaker 1>an interesting point. I don't know. There's this. It's like

1:06:36.040 --> 1:06:38.560
<v Speaker 1>as if the adult Muppets were not already cute and

1:06:38.600 --> 1:06:42.080
<v Speaker 1>cuddly enough, right. I mean, I watched way too too

1:06:42.160 --> 1:06:44.640
<v Speaker 1>much of the Muppet Babies. Um, but I can't say

1:06:44.680 --> 1:06:47.800
<v Speaker 1>I loved it at the same time. Oh, I don't know.

1:06:48.480 --> 1:06:50.520
<v Speaker 1>I feel like there is something going on there where.

1:06:50.720 --> 1:06:52.880
<v Speaker 1>If you take something and you essentially turn it into

1:06:52.920 --> 1:06:55.760
<v Speaker 1>a Teddy Bear, there is something going on there. Where

1:06:55.800 --> 1:06:59.160
<v Speaker 1>we're perhaps saying this means so much to me as

1:06:59.200 --> 1:07:01.880
<v Speaker 1>an adult or as a you know, or at least

1:07:01.960 --> 1:07:05.240
<v Speaker 1>a non child, that I can, I can and want

1:07:05.280 --> 1:07:09.160
<v Speaker 1>to transform it into like a larval form, into a

1:07:09.160 --> 1:07:12.080
<v Speaker 1>teddy bear form that I will been cling to now,

1:07:12.240 --> 1:07:15.200
<v Speaker 1>and in doing so, I kind of like retroactively attach

1:07:15.280 --> 1:07:19.160
<v Speaker 1>my childhood to it. Yeah, I see that. Or I

1:07:19.160 --> 1:07:21.440
<v Speaker 1>mean maybe you did read Lord of the Rings when

1:07:21.440 --> 1:07:24.040
<v Speaker 1>you're a kid. I mean I I did, so you know,

1:07:24.280 --> 1:07:26.480
<v Speaker 1>it's not that big of a stretch to like transform

1:07:26.560 --> 1:07:28.840
<v Speaker 1>it into a teddy bear or a doll and then

1:07:29.040 --> 1:07:31.640
<v Speaker 1>love it as an adult, to reconnect with the child

1:07:31.920 --> 1:07:34.280
<v Speaker 1>that you were when you first explored this world. I mean,

1:07:34.360 --> 1:07:37.720
<v Speaker 1>Lord of the Rings already has elements that are insufferably cute,

1:07:37.800 --> 1:07:41.240
<v Speaker 1>Like the Hobbits are, like they're almost too cute to

1:07:41.280 --> 1:07:44.800
<v Speaker 1>read about, you know. Yeah, that's true, But I guess

1:07:44.840 --> 1:07:47.240
<v Speaker 1>that's part of what the contrast there that makes the

1:07:47.240 --> 1:07:50.920
<v Speaker 1>story work. So you've got the doomy darkness of the

1:07:50.960 --> 1:07:53.080
<v Speaker 1>Great War and more Door and all that, and then

1:07:53.120 --> 1:07:55.480
<v Speaker 1>you've got the Hobbits, which are so quaint as too,

1:07:56.440 --> 1:07:59.800
<v Speaker 1>I don't know, make all that stuff the more powerful? Yeah,

1:08:00.080 --> 1:08:01.600
<v Speaker 1>I mean and ultimately, I guess the idea is like

1:08:01.640 --> 1:08:03.520
<v Speaker 1>the shire is what you're fighting for, right, Like the

1:08:03.600 --> 1:08:06.040
<v Speaker 1>shire is that the thing that should be protected, all right,

1:08:06.120 --> 1:08:09.400
<v Speaker 1>Landing goes on. The other idea is based on the

1:08:09.440 --> 1:08:13.160
<v Speaker 1>scripture in the Bible that speaks of Satan as transforming

1:08:13.240 --> 1:08:17.120
<v Speaker 1>himself into an angel of light and Second Corinthians, chapter eleven,

1:08:17.200 --> 1:08:20.400
<v Speaker 1>verse fourteen. That is to say, he makes bad things

1:08:20.520 --> 1:08:23.280
<v Speaker 1>look good, which accounts for much in the world. If

1:08:23.320 --> 1:08:26.720
<v Speaker 1>you ask me to think of the Japanese demons you

1:08:26.720 --> 1:08:29.120
<v Speaker 1>spoke of, for example, people lived in fear of and

1:08:29.240 --> 1:08:31.960
<v Speaker 1>acted and reacted for hundreds of years based on the

1:08:31.960 --> 1:08:34.640
<v Speaker 1>belief that these demons could harm them. Now that the

1:08:34.680 --> 1:08:37.280
<v Speaker 1>world is more quote enlightened, people do not believe in

1:08:37.360 --> 1:08:40.920
<v Speaker 1>demons as much. However, the demons still influence the lives

1:08:40.960 --> 1:08:43.920
<v Speaker 1>of people. Even if this is a new concept. Satan

1:08:44.000 --> 1:08:46.880
<v Speaker 1>has made danger seem safe. What do you guys think.

1:08:47.439 --> 1:08:49.880
<v Speaker 1>I don't know if Landing means this literally or just

1:08:49.920 --> 1:08:52.120
<v Speaker 1>sort of like as a way of I don't know.

1:08:52.160 --> 1:08:55.160
<v Speaker 1>It's a kind of a cultural pattern here. Well. In

1:08:55.240 --> 1:08:59.559
<v Speaker 1>my experience growing up in um like a Baptist church,

1:09:00.040 --> 1:09:02.679
<v Speaker 1>that whole line about Satan transforming himself in an angel

1:09:02.680 --> 1:09:06.320
<v Speaker 1>of light was generally used to explain why you shouldn't

1:09:06.320 --> 1:09:08.439
<v Speaker 1>like something that you like, or you shouldn't want something

1:09:08.439 --> 1:09:12.040
<v Speaker 1>that you want. And of course there are things, yes,

1:09:12.160 --> 1:09:16.240
<v Speaker 1>that any human may feel some desire for that it

1:09:16.320 --> 1:09:18.920
<v Speaker 1>is advisable to be reminded that there may be some

1:09:18.960 --> 1:09:21.519
<v Speaker 1>pitfalls there to wanting that, you know. But on the

1:09:21.520 --> 1:09:24.280
<v Speaker 1>other hand, there are plenty of things that are uh,

1:09:24.439 --> 1:09:28.479
<v Speaker 1>just part of like normal human behavior or just part

1:09:28.560 --> 1:09:31.880
<v Speaker 1>of of life. And it's easy for somebody to come

1:09:31.920 --> 1:09:33.800
<v Speaker 1>along and say, Nope, don't go after that. It's just

1:09:33.840 --> 1:09:36.439
<v Speaker 1>Satan in a disguise right there. Yeah. In my early

1:09:36.479 --> 1:09:41.160
<v Speaker 1>conservative Christian environments, I remember that being deployed much along

1:09:41.200 --> 1:09:44.440
<v Speaker 1>the same lines as uh, the idea that the Antichrist

1:09:44.479 --> 1:09:46.799
<v Speaker 1>will come in the name of peace. This was often

1:09:46.880 --> 1:09:51.559
<v Speaker 1>cited basically against any politician or public figure who who

1:09:51.600 --> 1:09:54.960
<v Speaker 1>was against war or who advocated peace in any kind

1:09:54.960 --> 1:09:57.160
<v Speaker 1>of way. The idea was like, ah, that's a sign

1:09:57.200 --> 1:10:02.080
<v Speaker 1>that they're bad. Yeah, so in wanting peace bad, glowing

1:10:02.680 --> 1:10:07.439
<v Speaker 1>glowing with light also potentially bad. Finally, Lyndon says, thanks

1:10:07.439 --> 1:10:09.320
<v Speaker 1>for all the good work. I love the episodes where

1:10:09.320 --> 1:10:11.759
<v Speaker 1>you read some ancient text or story at the beginning.

1:10:11.840 --> 1:10:15.360
<v Speaker 1>You both have a perfect cadence. Ah, we'll think. I'm

1:10:15.360 --> 1:10:17.640
<v Speaker 1>glad to hear that, because generally we just do it

1:10:17.640 --> 1:10:20.200
<v Speaker 1>because it's fun. But it's always nice when people connect

1:10:20.240 --> 1:10:22.680
<v Speaker 1>with the cold opens. All right, I think that does

1:10:22.680 --> 1:10:26.599
<v Speaker 1>it for this year's Halloween stuff. Yes, that wasn't I'm

1:10:26.640 --> 1:10:28.400
<v Speaker 1>sorry to say that wasn't all the mail we got.

1:10:28.479 --> 1:10:31.960
<v Speaker 1>As we said, our mail bag is overflowing, our our

1:10:32.160 --> 1:10:35.000
<v Speaker 1>cup runneth over, and we really appreciate all of the

1:10:35.000 --> 1:10:37.880
<v Speaker 1>great messages you send us. Sorry if your message didn't

1:10:37.880 --> 1:10:40.400
<v Speaker 1>make it onto this episode, but uh, feel free to

1:10:40.400 --> 1:10:43.479
<v Speaker 1>write us again in the future. Absolutely again. We're going

1:10:43.520 --> 1:10:45.439
<v Speaker 1>to follow this up with another listener mail. That's going

1:10:45.520 --> 1:10:49.639
<v Speaker 1>to be additional non Halloween listener mail. In the meantime,

1:10:49.680 --> 1:10:51.599
<v Speaker 1>if you want to check out other episodes of Stuff

1:10:51.640 --> 1:10:53.880
<v Speaker 1>to Blow your Mind, well you know where to find them.

1:10:53.920 --> 1:10:56.000
<v Speaker 1>There's the website Stuff to Blow your Mind dot com.

1:10:56.040 --> 1:10:58.479
<v Speaker 1>You can also find Stuff to Blow your Mind wherever

1:10:58.520 --> 1:11:00.519
<v Speaker 1>you get your podcasts, and just make sure you have

1:11:00.760 --> 1:11:03.840
<v Speaker 1>subscribed and that you give us a nice rating if

1:11:03.840 --> 1:11:05.920
<v Speaker 1>you If you like the show, that really helps us out.

1:11:06.280 --> 1:11:09.760
<v Speaker 1>As for other projects, there's Invention, our Journey through human

1:11:09.760 --> 1:11:12.360
<v Speaker 1>techno History. Do check that out. If you haven't given

1:11:12.400 --> 1:11:14.680
<v Speaker 1>it a shot, you'll find that at invention pod dot com.

1:11:14.720 --> 1:11:17.160
<v Speaker 1>You'll find it wherever you get your podcasts. That comes

1:11:17.160 --> 1:11:19.439
<v Speaker 1>out once a week and it is a tremendous amount

1:11:19.439 --> 1:11:24.000
<v Speaker 1>of fun. We recently recorded an episode about the Uh

1:11:24.160 --> 1:11:28.160
<v Speaker 1>the spit Dog, which is phenomenal. I think it's maybe

1:11:28.200 --> 1:11:30.919
<v Speaker 1>one of the best episodes we we've recorded for Invention,

1:11:31.000 --> 1:11:33.320
<v Speaker 1>and I really want to encourage everyone to check that out.

1:11:34.040 --> 1:11:37.080
<v Speaker 1>And if you're in the mind for a little sci fi,

1:11:37.240 --> 1:11:40.080
<v Speaker 1>some fiction, a little bit of horror this this season,

1:11:40.520 --> 1:11:42.639
<v Speaker 1>you might want to check out the Second oil Age.

1:11:42.960 --> 1:11:46.439
<v Speaker 1>That's the fiction series that I was involved with, and

1:11:46.720 --> 1:11:49.160
<v Speaker 1>it is I think at this point, as as of

1:11:49.200 --> 1:11:51.880
<v Speaker 1>this recording, like six episodes out of ten or out.

1:11:52.439 --> 1:11:54.080
<v Speaker 1>And if you if you were to wait till go

1:11:54.120 --> 1:11:55.800
<v Speaker 1>ahead and subscribe, but you can wait till the end

1:11:55.840 --> 1:11:57.840
<v Speaker 1>of the month, and then you'll have all ten ready

1:11:57.880 --> 1:12:00.439
<v Speaker 1>to go, ready to binge. Seriously, folks, check out the

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<v Speaker 1>Second oil Age. Delicious dark sci fi. I think you'll

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<v Speaker 1>love it. If you like us, you'll love it all right.

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<v Speaker 1>And that's all I got. How Can they email us?

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<v Speaker 1>Joe Oh, of course you can contact us as always.

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<v Speaker 1>Wait first, I gotta give a shout out to our

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<v Speaker 1>wonderful audio producer Seth Nicholas Johns. Of course, but you

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<v Speaker 1>can email us as always at contact at stuff to

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<v Speaker 1>Blow your Mind dot com. Stuff to Blow Your Mind

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<v Speaker 1>is a production of iHeart Radio's How Stuff Works. For

1:12:31.479 --> 1:12:34.040
<v Speaker 1>more podcasts from my heart Radio, visit the iHeart Radio app,

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<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.