WEBVTT - Outliers, Revisited

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<v Speaker 1>Pushkin.

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<v Speaker 2>In the middle of our preparations for season seven of

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<v Speaker 2>This Your Favorite podcast, the Revisionist History team got on

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<v Speaker 2>a train to Philadelphia, four of us carrying props, recording equipment,

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<v Speaker 2>and extra microphones. Our destination the Gothic, ivy covered Cathedral

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<v Speaker 2>of Higher Learning that is the University of Pennsylvania. And

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<v Speaker 2>why did we go Because we had cooked up a

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<v Speaker 2>little experiment and we were curious to see how it

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<v Speaker 2>would fly.

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<v Speaker 3>Thank you welcome.

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<v Speaker 2>We commandeered one of the main lecture halls at the

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<v Speaker 2>Wharton School. I did seventy five or so students, all seniors, smart,

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<v Speaker 2>focused discipline, future masters of the universe, and asked them

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<v Speaker 2>to answer ten simple questions, such as, how many years

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<v Speaker 2>of your K twelve education were a public school and

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<v Speaker 2>how many were a private school at the time of

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<v Speaker 2>your graduation from high school? How many continents had you

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<v Speaker 2>visited at any point during your middle school and high

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<v Speaker 2>school years? Did your parents provide you with a private tutor?

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<v Speaker 4>Are you doing that?

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<v Speaker 2>Mister pretty good? Joined myself. I looked out at Rose

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<v Speaker 2>and rose at eager students hunched over their deaths in anticipation,

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<v Speaker 2>took a deep breath and began So my name is

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<v Speaker 2>Malcolm Gladwell. I am the host of the podcast Revision's History.

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<v Speaker 2>The theme of this season of Revision's History is experiments,

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<v Speaker 2>and one of the experiments of this season involves all

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<v Speaker 2>of you. So, you guys are guinea pigs. Yes, guinea pigs,

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<v Speaker 2>because in the manner of all guinea pigs, they were

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<v Speaker 2>entirely in the dark about what we had in store

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<v Speaker 2>for them. And as you probably guessed from some of

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<v Speaker 2>the questions that you were given, what I'm trying to

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<v Speaker 2>do is I'm conducting an experimental investigation into the nature

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<v Speaker 2>of the privilege of the people in this room. The

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<v Speaker 2>students quickly finished the questionnaires and put their names and

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<v Speaker 2>birth dates at the top. My producers, Elowise and Harrison

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<v Speaker 2>are sitting at a big table at the front of

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<v Speaker 2>the room, in full view of all the guinea pigs.

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<v Speaker 2>They go through the completed questionnaires one by one and

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<v Speaker 2>use the answers to generate a number, a score, which

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<v Speaker 2>they write on a giant white sticker with a big

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<v Speaker 2>fat sharpie. And now the real experiment begins. I'm going

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<v Speaker 2>to sign every one of you a number. If they

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<v Speaker 2>can figure out what their number means. They will understand

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<v Speaker 2>something essential about how broken the system was that propelled

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<v Speaker 2>them to the IVY League and how to fix it.

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<v Speaker 2>Just peel off the back and I'd like you to

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<v Speaker 2>fix the sticker to your chest so we can all

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<v Speaker 2>see each other's numbers. You're going to look around the room,

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<v Speaker 2>see everyone else's numbers, see your number, and hopefully that

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<v Speaker 2>will aid you in your investigation of what exactly the

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<v Speaker 2>nature of this experiment is. I'll just read the students

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<v Speaker 2>sat there with their numbers stuck to their chests, looking

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<v Speaker 2>around in befuddlement, trying to make sense of everyone's score.

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<v Speaker 2>I tried to help them figure it out, gave them

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<v Speaker 2>hints nudges. First, think about this. I gave you a

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<v Speaker 2>series of questions. Some of those questions involved a yes

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<v Speaker 2>or no answer. So you saw two people, Hellowy's and Harrison,

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<v Speaker 2>who quite quickly, in the space of about five minutes

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<v Speaker 2>ten minutes, went through seventy five or so responses and

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<v Speaker 2>were able to very quickly and easily assign you a number.

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<v Speaker 2>So think about this. Logically, it wasn't a complex algorithm, right,

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<v Speaker 2>there was no computer used Alowys, How long would you

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<v Speaker 2>say you were spending in, Harrison, how long would you

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<v Speaker 2>spending on each questionnaire? Six seconds?

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<v Speaker 4>Five?

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<v Speaker 2>Six seconds? Okay, that's a clue, guys, let's go come on. Hi.

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<v Speaker 2>My name is Abe.

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<v Speaker 4>They might have just looked at the zip code, because

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<v Speaker 4>that's a pretty good predictor of privilege just in and

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<v Speaker 4>of itself.

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<v Speaker 2>Abe has derived his hypothesis from question six, what is

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<v Speaker 2>the zip code your family lived in during your high

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<v Speaker 2>school years? Perhaps he speculates the number on his chest

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<v Speaker 2>with some kind of complex, mysterious derivative of his zip code.

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<v Speaker 5>I didn't see if you had a computer, but if

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<v Speaker 5>you did.

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<v Speaker 2>There was no El's Was there a computer?

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<v Speaker 6>Now?

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<v Speaker 7>I did have to use a calculator.

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<v Speaker 2>Gota Abraham, with all due respect, are you suggesting that

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<v Speaker 2>Eloise and Harrison had memorized every zip code? It's plausible

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<v Speaker 2>they're very smart. Not that smart, I'm Zach. I think

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<v Speaker 2>it really has to do strictly with the private versus

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<v Speaker 2>public education system in the US. Nope, that's not what

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<v Speaker 2>we were looking for. Hi, my name is Joseph.

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<v Speaker 8>A question that I thought was very interesting on there

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<v Speaker 8>was about if you have any siblings and if so,

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<v Speaker 8>how many.

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<v Speaker 2>Nope, not that either.

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<v Speaker 6>Hi, I'm Kaylee.

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<v Speaker 9>One that I don't think I've ever been asked in

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<v Speaker 9>relation to this was if I drank when I was

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<v Speaker 9>in high school?

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<v Speaker 1>What age did I get drunk at?

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<v Speaker 2>Kayley's referring to question number nine in high school, did

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<v Speaker 2>you drink alcohol? And if yes, when did you first

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<v Speaker 2>get drunk? Could you come up with any reason why

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<v Speaker 2>I would have asked that question? Or do you think

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<v Speaker 2>that's just one of the ones that I'm blowing smoke on?

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<v Speaker 9>I have my own hypothesis, but I can't.

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<v Speaker 2>Oh, come on, what if I'm wrong? This is all

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<v Speaker 2>about being wrong? Oh, this is all about being wrong.

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<v Speaker 2>Once upon a time, in two thousand and eight, I

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<v Speaker 2>wrote a book called Outliers, the first chapter of which

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<v Speaker 2>was devoted to a phenomenon discovered in the nineteen eighties

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<v Speaker 2>by the Canadian psychologist Roger Barnsley. Here's some of what

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<v Speaker 2>I wrote. The explanation for who gets to the top

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<v Speaker 2>of the hockey world is a lot more interesting and

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<v Speaker 2>complicated than it looks. Good, Lord, I do not sound

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<v Speaker 2>like I'm enjoying reading my own book listening to this

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<v Speaker 2>part of the Outliers audiobook. Now, I'll admit I have

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<v Speaker 2>some regrets about that chapter. We'll get to that, I promise. Anyway,

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<v Speaker 2>it occurred to me as I planned our trip to

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<v Speaker 2>Philly that I should talk to Barnsley again and go

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<v Speaker 2>over his discovery one more time, make sure I understood everything.

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<v Speaker 2>So I called him up and asked him to retell

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<v Speaker 2>the story of how in the early nineteen eighties he

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<v Speaker 2>and his wife Paula stumbled upon what has come to

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<v Speaker 2>be known as their relative age effect.

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<v Speaker 7>We were living in Lethbvirge, Alberta, and we went to

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<v Speaker 7>a Junior A hockey team. It was the Lethbridge Broncos.

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<v Speaker 7>At that time.

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<v Speaker 2>Barnsley's wife Paula started reading the game program, which had

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<v Speaker 2>the rosters of both teams listed in it.

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<v Speaker 7>Paula said over to me, Roger, when do you think

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<v Speaker 7>all of these hockey players were born? And I remember

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<v Speaker 7>thinking to myself, well, you know, that's kind of a

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<v Speaker 7>silly question. So I did a quick calculation. I said,

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<v Speaker 7>you know, Paula, they're average age eighteen. It's about nineteen

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<v Speaker 7>eighty two, so they're probably all born in around nineteen

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<v Speaker 7>sixty four. And she said, no, no, no, I'm not

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<v Speaker 7>talking about the year. I'm talking about the month, and

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<v Speaker 7>I said, what are you talking about? And she opened

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<v Speaker 7>up the page of the program where they had listed

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<v Speaker 7>the roster of the team, and it just jumped out

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<v Speaker 7>at us, just jumped out that the majority of these

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<v Speaker 7>players were January, February, March, and then you seem to

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<v Speaker 7>get the aud April in May, and very few in

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<v Speaker 7>the fall. And I said, my goodness, that's just remarkable.

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<v Speaker 2>He went home and expanded his search further. Everywhere he

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<v Speaker 2>looked in competitive hockey, same thing. For some reason, most

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<v Speaker 2>players were born in the first part of the year.

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<v Speaker 7>And that's when that famous forty thirty twenty ten by

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<v Speaker 7>the Courters of the Year showed up.

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<v Speaker 2>The famous forty thirty twenty ten phenomenon that he's talking

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<v Speaker 2>about is what in Outliers I referred to as the

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<v Speaker 2>iron law of Canadian hockey. Quote. In any elite group

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<v Speaker 2>of hockey players, the very best of the best, forty

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<v Speaker 2>percent of the players will have been born between January

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<v Speaker 2>and March, thirty percent between April and June, twenty percent

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<v Speaker 2>between July and September, and ten percent between October and

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<v Speaker 2>December end.

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<v Speaker 8>Quote.

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<v Speaker 2>Now why is this. It's because Canada is obsessed with hockey,

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<v Speaker 2>and coaches start picking players for all star traveling squads

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<v Speaker 2>at the age of nine or ten. Since the eligibility

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<v Speaker 2>cut off for Canadian hockey is January first, that means

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<v Speaker 2>the coaches are choosing among nine year olds who are

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<v Speaker 2>as much as twelve months apart, and twelve months age

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<v Speaker 2>difference at the age of nine is a lot. The

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<v Speaker 2>January kids are bigger and stronger and more coordinated than

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<v Speaker 2>the December kids, which means that the January kid is

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<v Speaker 2>more likely to be chosen by the coaches for the

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<v Speaker 2>traveling squad, which means in turn that they will practic

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<v Speaker 2>two or three times as often, play more games, have

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<v Speaker 2>better coaches, better competition than the kids left behind, and

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<v Speaker 2>what began as a completely arbitrary advantage based on a

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<v Speaker 2>quirk of birthdays turns over time into a real advantage.

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<v Speaker 2>The same phenomenon holds to in other sports, soccer, swimming,

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<v Speaker 2>you name it. You can find the relative age effect everywhere,

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<v Speaker 2>and of course it also applies to the classroom. Teachers

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<v Speaker 2>aren't any better than coaches at disentangling ability from maturity,

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<v Speaker 2>so relatively older kids in elementary and middle school end

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<v Speaker 2>up getting more encouragement they tend to get better grades,

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<v Speaker 2>and they are more likely to be chosen for things

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<v Speaker 2>like gifted and Talented programs. Meanwhile, relatively younger kids are

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<v Speaker 2>more likely to be diagnosed with learning disorders or flagged

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<v Speaker 2>for problem behavior. I cannot tell you how many parents

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<v Speaker 2>have come up to me over the years and said,

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<v Speaker 2>because I read your book Outliers, I held my kid

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<v Speaker 2>back from starting school, and it was the best decision

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<v Speaker 2>I ever made.

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<v Speaker 9>Of course it was.

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<v Speaker 2>But parents holding their kids back doesn't solve the problem.

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<v Speaker 2>It just creates a relative age effect arms race. There's

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<v Speaker 2>a fancy private school near me where so many parents

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<v Speaker 2>of younger children have held their kids back that now

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<v Speaker 2>the parents of the formerly eldest children have responded by

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<v Speaker 2>holding their kids back, whereupon the first out of parents

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<v Speaker 2>are increasingly holding their kids back a second time, meaning

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<v Speaker 2>that there is at least a theoretical possibility that in

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<v Speaker 2>the most competitive corners of American private education, some kids

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<v Speaker 2>may never graduate from high school. Maybe I should have

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<v Speaker 2>seen on that coming when I wrote Outliers. I should

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<v Speaker 2>have made it clear that I was not trying to

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<v Speaker 2>teach neurotic, upper middle class helicopter parents how to gain

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<v Speaker 2>the system. I just wanted schools and sports leagues to

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<v Speaker 2>stop behaving like idiots. So Barnsley's paper on relative age

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<v Speaker 2>effect came out in nineteen eighty five Outliers, which was

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<v Speaker 2>I think the first time Barnsley's work got wide publicity,

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<v Speaker 2>was published in two thousand and eight. The world has

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<v Speaker 2>been alerted for decades to the fact that all kinds

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<v Speaker 2>of supposedly meritocratic systems have been hijacked. Has anything changed?

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<v Speaker 2>You're in front of your computer. Oh, I put the

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<v Speaker 2>question to Roger Barnsley, the og of relative age effect research.

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<v Speaker 2>What have we learned? Can you google the roster of

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<v Speaker 2>the Canadian junior hockey team national hockey team for twenty

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<v Speaker 2>twenty one twenty two, the current roster.

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<v Speaker 7>I'll do it right now, and.

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<v Speaker 2>I want you to go down the list of the forwards.

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<v Speaker 2>Just use the forwards for the sake of simplicity, And

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<v Speaker 2>I want you to to just read the twenty one

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<v Speaker 2>months of birth of the forwards on the current Canadian

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<v Speaker 2>junior national hockey team.

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<v Speaker 7>Their birthdates are just their names.

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<v Speaker 2>I just want their birth months, okay, to see And

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<v Speaker 2>then Barnsley repeated what his wife Paula did decades ago

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<v Speaker 2>at the Lethbridge Broncos hockey game. He listed the birth

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<v Speaker 2>months by number of the members of the national junior

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<v Speaker 2>hockey team. Listen for birth months of seven or higher.

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<v Speaker 7>Two ten, one, one, one, two eleven, eight, four two ten, five, four, five,

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<v Speaker 7>two six one three one one five three two four

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<v Speaker 7>seven to one.

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<v Speaker 2>It's the same thing, the same thing. They've learned nothing.

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<v Speaker 2>It's the same phenomenon. You saw, you saw it this

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<v Speaker 2>forty years ago. The iron law of Canadian hockey is

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<v Speaker 2>still an iron law.

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<v Speaker 7>Isn't that funny? Funny at all? It's depressing, very depressing,

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<v Speaker 7>very depressing.

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<v Speaker 2>Here we are both Canadians, we are we are citizens

0:14:22.716 --> 0:14:26.356
<v Speaker 2>of a country that cares more about hockey excellence than

0:14:26.596 --> 0:14:30.676
<v Speaker 2>anything else, must be clear, anything else. And we are

0:14:30.796 --> 0:14:34.756
<v Speaker 2>leaving an astonishing amount of talent on the table, exactly

0:14:35.076 --> 0:14:40.076
<v Speaker 2>and refusing to learn. What of Canada's own prominent academics

0:14:40.196 --> 0:14:42.756
<v Speaker 2>forty years ago said to the hockey establishment, what are

0:14:42.756 --> 0:14:45.676
<v Speaker 2>you doing? Yeah, that's right, and they didn't. They haven't

0:14:45.716 --> 0:14:51.236
<v Speaker 2>done anything. Canadian hockey hasn't done anything. But maybe revisionist

0:14:51.316 --> 0:15:06.476
<v Speaker 2>history can the inspiration for the revisionist history Warton School

0:15:06.556 --> 0:15:09.916
<v Speaker 2>relative age effect experiment came to me when I was

0:15:09.956 --> 0:15:15.436
<v Speaker 2>talking to Adam Kelly, former footballer turned university professor. Kelly

0:15:15.516 --> 0:15:18.316
<v Speaker 2>is a disciple of Roger Barnsley. He works with sports

0:15:18.396 --> 0:15:22.156
<v Speaker 2>leagues to help them solve their age related problems, like

0:15:22.276 --> 0:15:26.596
<v Speaker 2>England's basketball Federation, which spent a small fortune setting up

0:15:26.636 --> 0:15:29.196
<v Speaker 2>regional centers to identify promising players.

0:15:30.036 --> 0:15:32.156
<v Speaker 3>We looked at the proportion of players who were selected

0:15:32.156 --> 0:15:36.516
<v Speaker 3>into those talent centers across at the nation, and that.

0:15:36.476 --> 0:15:36.916
<v Speaker 7>Was at age.

0:15:36.916 --> 0:15:42.716
<v Speaker 3>Groups selected from thirteen to fifteen, both at male and female,

0:15:43.596 --> 0:15:45.796
<v Speaker 3>and those who were born in birth quarter one were

0:15:46.356 --> 0:15:49.516
<v Speaker 3>ten times more likely to be selected ten times.

0:15:50.116 --> 0:15:53.196
<v Speaker 2>Birth quarter one is the three months closest to the

0:15:53.236 --> 0:15:55.836
<v Speaker 2>English basketball eligibility cutoff date.

0:15:57.116 --> 0:15:58.636
<v Speaker 3>Which is absolutely crazy, isn't it?

0:15:59.756 --> 0:16:02.756
<v Speaker 2>Same old story. The talent spotters thought they were picking

0:16:02.756 --> 0:16:05.356
<v Speaker 2>the most promising players, but in fact they were just

0:16:05.396 --> 0:16:09.276
<v Speaker 2>picking the oldest kids because the oldest kids were, of

0:16:09.316 --> 0:16:14.196
<v Speaker 2>course the tallest and most coordinated. Anyway, Kelly's also thought

0:16:14.436 --> 0:16:15.516
<v Speaker 2>a lot about education.

0:16:16.516 --> 0:16:19.436
<v Speaker 3>Why is everyone taking their exam at exactly the same time.

0:16:20.196 --> 0:16:23.076
<v Speaker 3>Surely we should all be taking it at that same

0:16:23.076 --> 0:16:27.556
<v Speaker 3>time within our lifespan. So if you're born in August,

0:16:28.556 --> 0:16:32.836
<v Speaker 3>you're taking your exam almost twelve months earlier than someone

0:16:32.836 --> 0:16:35.876
<v Speaker 3>who's born in September. So that person's had twelve months

0:16:35.916 --> 0:16:36.756
<v Speaker 3>more learning.

0:16:36.516 --> 0:16:39.916
<v Speaker 2>Than you, which is super obvious when you think about it.

0:16:40.316 --> 0:16:43.436
<v Speaker 2>In New York State, all the big elementary school math

0:16:43.516 --> 0:16:46.756
<v Speaker 2>and English standardized tests are in late March early April.

0:16:47.036 --> 0:16:50.436
<v Speaker 2>We're talking third graders, eight and nine year olds. At

0:16:50.436 --> 0:16:54.276
<v Speaker 2>that age, kids get smarter every week. Yet we're trying

0:16:54.316 --> 0:16:56.636
<v Speaker 2>to assess kids by their test scores, and some of

0:16:56.676 --> 0:16:59.076
<v Speaker 2>the kids were judging have been around as much as

0:16:59.116 --> 0:17:03.116
<v Speaker 2>a year longer than other kids. Why don't we have

0:17:03.236 --> 0:17:06.596
<v Speaker 2>the January kids all take the test in January, and

0:17:06.676 --> 0:17:10.076
<v Speaker 2>the February kids in February, and on and on down

0:17:10.076 --> 0:17:16.076
<v Speaker 2>the line. I have no idea, honestly no idea. So

0:17:16.116 --> 0:17:19.556
<v Speaker 2>I gathered the research arm of Revisionist History with our props,

0:17:19.916 --> 0:17:24.116
<v Speaker 2>recording equipment, and extra microphones and headed for the Gothic,

0:17:24.356 --> 0:17:27.956
<v Speaker 2>ivy covered Cathedral of Higher Learning that is the University

0:17:28.156 --> 0:17:31.636
<v Speaker 2>of Pennsylvania to see if a group of really, really

0:17:31.676 --> 0:17:34.796
<v Speaker 2>smart young people can figure out the importance of the

0:17:34.836 --> 0:17:40.116
<v Speaker 2>month when they happen to be born turn all your

0:17:40.116 --> 0:17:43.236
<v Speaker 2>pieces of favor. That's what your name of the toms,

0:17:43.836 --> 0:17:49.196
<v Speaker 2>and once you're finished, we will collect them and then

0:17:49.636 --> 0:17:53.156
<v Speaker 2>we will commence the exercise. So we give out our

0:17:53.196 --> 0:17:58.636
<v Speaker 2>elaborate questionnaire, but secretly, all we're interested in is people's birthdays,

0:17:58.956 --> 0:18:01.916
<v Speaker 2>and then Elouise and Harrison go through each questionnaire and

0:18:02.036 --> 0:18:06.036
<v Speaker 2>use the birthdays to do a simple calculation. Technically, the

0:18:06.076 --> 0:18:08.556
<v Speaker 2>youngest you could be as a college senior at the

0:18:08.556 --> 0:18:11.676
<v Speaker 2>time of our EXPERIMID was to be born in September

0:18:11.916 --> 0:18:13.476
<v Speaker 2>two thousand and one.

0:18:13.716 --> 0:18:14.516
<v Speaker 1>So if you were.

0:18:14.436 --> 0:18:18.756
<v Speaker 2>Born then you got a zero zero birth privilege. If

0:18:18.796 --> 0:18:21.996
<v Speaker 2>you were one month older, born in August two thousand

0:18:22.036 --> 0:18:25.396
<v Speaker 2>and one, you got a one. July two thousand and

0:18:25.396 --> 0:18:28.836
<v Speaker 2>one you got a two, and so on. The higher

0:18:28.916 --> 0:18:32.316
<v Speaker 2>the number on the sticker, the older the student wearing it.

0:18:33.196 --> 0:18:35.676
<v Speaker 2>We even had a contingency for students who might have

0:18:35.716 --> 0:18:38.236
<v Speaker 2>skipped a grade somewhere along the way. You get a

0:18:38.276 --> 0:18:41.676
<v Speaker 2>negative number if you were younger than the expected age

0:18:41.676 --> 0:18:45.516
<v Speaker 2>of a college senior. First thing we found out there

0:18:45.556 --> 0:18:48.476
<v Speaker 2>were no negative numbers in the room. Back when I

0:18:48.516 --> 0:18:50.796
<v Speaker 2>was in college, I knew dozens of people who had

0:18:50.796 --> 0:18:55.156
<v Speaker 2>skipped grades. Apparently that doesn't happen much anymore. But it

0:18:55.196 --> 0:19:07.276
<v Speaker 2>was worse than that. There's no zero. They were a one, two, twos, threes, fours, fives,

0:19:08.436 --> 0:19:13.716
<v Speaker 2>anyone less than ten stand up. One student finally stood

0:19:13.796 --> 0:19:16.276
<v Speaker 2>up in a back row, a college senior who was

0:19:16.316 --> 0:19:20.076
<v Speaker 2>a few months shy of her twenty second birthday. Or

0:19:20.116 --> 0:19:22.796
<v Speaker 2>you're ten, Oh, a ten in a back row. Oh,

0:19:22.836 --> 0:19:26.276
<v Speaker 2>another ten emerges. We've got the twelve, We've got these twelves,

0:19:26.356 --> 0:19:29.236
<v Speaker 2>We've got some tens. Take a look. This is bananas.

0:19:29.796 --> 0:19:32.596
<v Speaker 2>This is as bad as the Canadian national junior hockey team.

0:19:32.956 --> 0:19:35.356
<v Speaker 2>In our sample of students from one of the world's

0:19:35.356 --> 0:19:40.116
<v Speaker 2>most selective universities, there were no young seniors, none, not

0:19:40.236 --> 0:19:43.676
<v Speaker 2>even close. There was no one at all who had

0:19:43.676 --> 0:19:45.956
<v Speaker 2>been born in two thousand and one, which is the

0:19:46.116 --> 0:19:48.276
<v Speaker 2>year you would expect most seniors to be born in.

0:19:49.076 --> 0:19:52.116
<v Speaker 2>At one point, a student started talking about her experience

0:19:52.236 --> 0:19:55.396
<v Speaker 2>in a Gifted and talented program. So I asked for

0:19:55.436 --> 0:19:57.636
<v Speaker 2>a show of hands. Do you mind me asking how

0:19:57.676 --> 0:19:59.996
<v Speaker 2>many of you guys were were in gifted in town

0:20:00.076 --> 0:20:05.196
<v Speaker 2>to programs? Wow? Basically all of you, which makes sense right.

0:20:05.956 --> 0:20:08.836
<v Speaker 2>These were a group of relatively old students and being

0:20:08.876 --> 0:20:11.276
<v Speaker 2>real to the older makes it more likely to get

0:20:11.316 --> 0:20:14.516
<v Speaker 2>into a gifted and talented program, and getting into a

0:20:14.516 --> 0:20:17.236
<v Speaker 2>gifted and talented program makes it more likely to get

0:20:17.236 --> 0:20:19.756
<v Speaker 2>into a school like Penn, which is why a group

0:20:19.796 --> 0:20:23.316
<v Speaker 2>of seniors that day at Wharton were all really old.

0:20:24.196 --> 0:20:30.316
<v Speaker 2>What begins as arbitrary advantage hardens into privilege, a simple

0:20:30.396 --> 0:20:34.996
<v Speaker 2>fact about their own success that our students still hadn't

0:20:34.996 --> 0:20:43.276
<v Speaker 2>figured out. I'm going to hear another clue, guys, the

0:20:43.436 --> 0:20:48.116
<v Speaker 2>particular dimension of privilege we're interested in measuring, I'm going

0:20:48.196 --> 0:20:51.876
<v Speaker 2>to say, with a great deal of certainty, is in

0:20:51.916 --> 0:20:57.436
<v Speaker 2>this room the most significant form of privilege or lack

0:20:57.476 --> 0:21:02.796
<v Speaker 2>of it, that you would have experienced as students. At

0:21:02.796 --> 0:21:05.956
<v Speaker 2>this point, I've pulled out all the stops trying to

0:21:05.996 --> 0:21:09.276
<v Speaker 2>help them. I've had people with the highest numbers stand up.

0:21:09.396 --> 0:21:11.636
<v Speaker 2>At one point, I made everyone with the number over

0:21:11.676 --> 0:21:14.556
<v Speaker 2>twenty get up from their seats and line up against

0:21:14.596 --> 0:21:17.476
<v Speaker 2>the wall. They were still guessing, but it was like

0:21:17.596 --> 0:21:19.676
<v Speaker 2>they were throwing darts with a blindfold on.

0:21:20.636 --> 0:21:25.396
<v Speaker 6>There were pretty clear demographic similarity at the top end

0:21:25.396 --> 0:21:31.476
<v Speaker 6>of the spectrum. Racially was the most obvious in my eyes. Yeah,

0:21:32.396 --> 0:21:34.876
<v Speaker 6>but also just in general that there were very few

0:21:34.916 --> 0:21:37.636
<v Speaker 6>at the low end of the spectrum was also noteworthy.

0:21:37.676 --> 0:21:40.956
<v Speaker 2>How do you feel about being in the higher number

0:21:41.076 --> 0:21:42.836
<v Speaker 2>group as opposed to the lower number group.

0:21:46.076 --> 0:21:48.196
<v Speaker 6>I mean, it's just a fact, like it is.

0:21:48.636 --> 0:21:48.996
<v Speaker 1>It's an I.

0:21:50.916 --> 0:21:53.196
<v Speaker 6>Would say, I'm coming into it. I I'm aware of

0:21:53.196 --> 0:21:58.076
<v Speaker 6>my privilege as a white woman, but I think it's

0:21:58.076 --> 0:21:59.756
<v Speaker 6>about what you do with that privilege that's important.

0:22:01.876 --> 0:22:05.116
<v Speaker 2>And then, after forty minutes of floundering in the shallow

0:22:05.236 --> 0:22:08.556
<v Speaker 2>end of the revisionist history research pool, a group of

0:22:08.556 --> 0:22:12.396
<v Speaker 2>students in the front row put their heads together and

0:22:12.436 --> 0:22:16.556
<v Speaker 2>then raise their hands.

0:22:16.916 --> 0:22:18.476
<v Speaker 3>We have a hypothesis.

0:22:18.796 --> 0:22:22.596
<v Speaker 2>That's Adam. Everyone in this front row group had the

0:22:22.716 --> 0:22:26.636
<v Speaker 2>highest privileged score. We handed out twenty four plus. Of

0:22:26.756 --> 0:22:29.316
<v Speaker 2>course they figured it out first. They were the oldest

0:22:29.316 --> 0:22:32.756
<v Speaker 2>students in the class. Next to Adam was Joseph. He

0:22:32.876 --> 0:22:34.796
<v Speaker 2>was wearing a suit and a tie.

0:22:35.116 --> 0:22:35.356
<v Speaker 6>Yeah.

0:22:35.836 --> 0:22:36.916
<v Speaker 4>Yeah, we have a hypothesis.

0:22:36.956 --> 0:22:37.796
<v Speaker 2>So the twenty four.

0:22:37.636 --> 0:22:40.156
<v Speaker 8>Plus is that a significant factor?

0:22:40.196 --> 0:22:40.476
<v Speaker 2>Here?

0:22:41.316 --> 0:22:41.836
<v Speaker 3>Is age?

0:22:41.956 --> 0:22:42.996
<v Speaker 2>Our absolute age?

0:22:43.716 --> 0:22:44.996
<v Speaker 3>Like how old are you those?

0:22:45.076 --> 0:22:48.596
<v Speaker 1>We're all a bunch of old seniors over here, older

0:22:48.636 --> 0:22:49.796
<v Speaker 1>than usual.

0:22:50.396 --> 0:22:57.316
<v Speaker 2>Eureka. Phase one of the experiment was over now phase

0:22:57.356 --> 0:23:00.876
<v Speaker 2>two because I intended to ask them if they wanted

0:23:00.876 --> 0:23:15.676
<v Speaker 2>to do something about their arbitrary privilege. In Australia, they've

0:23:15.716 --> 0:23:22.716
<v Speaker 2>invented something called maturity based Corrective Adjustment Procedures MACCAPS, as

0:23:22.756 --> 0:23:26.036
<v Speaker 2>it's known for provisional use in the sport of swimming.

0:23:27.836 --> 0:23:31.636
<v Speaker 2>I will confess that I am madly in love with

0:23:31.676 --> 0:23:34.556
<v Speaker 2>this idea. It turns out that if you take a

0:23:34.596 --> 0:23:37.876
<v Speaker 2>bunch of measurements of kids and plug them into an equation,

0:23:38.476 --> 0:23:42.836
<v Speaker 2>you can estimate their physical maturity quite accurately. So you

0:23:42.916 --> 0:23:45.996
<v Speaker 2>don't have to rely on chronological age to assess someone's

0:23:46.076 --> 0:23:49.716
<v Speaker 2>level of development. You can do one better and measure

0:23:49.996 --> 0:23:51.516
<v Speaker 2>maturity directly.

0:23:52.236 --> 0:23:55.276
<v Speaker 5>So what these equations do is they fight are in

0:23:55.276 --> 0:24:00.556
<v Speaker 5>indices like height, weight, chronological age and sitting height, and

0:24:00.596 --> 0:24:03.956
<v Speaker 5>they use those fighters to then estimate how far away

0:24:04.556 --> 0:24:08.676
<v Speaker 5>a particular individual is from that point of peak growth.

0:24:09.436 --> 0:24:12.876
<v Speaker 2>That's Stephen Cobley, a professor at the University of Sydney

0:24:13.076 --> 0:24:17.076
<v Speaker 2>who created matcaps along with his colleague Minkel Roman. Here's

0:24:17.116 --> 0:24:19.996
<v Speaker 2>how it works. Imagine we have two fourteen year old

0:24:19.996 --> 0:24:23.916
<v Speaker 2>swimmers competing in a hundred meter freestyle, both with the

0:24:23.956 --> 0:24:28.316
<v Speaker 2>exact same birthday, Joey and Tim. So these academics would

0:24:28.356 --> 0:24:32.956
<v Speaker 2>first calculate the biological maturity status of each swimmer, that is,

0:24:33.196 --> 0:24:36.356
<v Speaker 2>how far each one is from their estimated point of

0:24:36.396 --> 0:24:40.756
<v Speaker 2>peak performance. So let's say, for example, Joey is actually

0:24:40.796 --> 0:24:45.356
<v Speaker 2>twelve months less biologically mature than Tim at this exact moment.

0:24:46.236 --> 0:24:50.116
<v Speaker 2>Then comes the cool part. Cobbley then looks at thousands

0:24:50.116 --> 0:24:52.316
<v Speaker 2>of data points for fourteen year old swimming in a

0:24:52.396 --> 0:24:56.036
<v Speaker 2>hundred meter freestyle and calculates what is twelve months of

0:24:56.116 --> 0:24:59.516
<v Speaker 2>maturity worth on average in terms of swimming time for

0:24:59.636 --> 0:25:03.036
<v Speaker 2>kids competing in that age group. He enters the data

0:25:03.156 --> 0:25:07.916
<v Speaker 2>into the maturation based corrective adjustment procedures algorithm and prestow

0:25:09.516 --> 0:25:12.596
<v Speaker 2>adjusts Joey's time to account for the fact that at

0:25:12.636 --> 0:25:16.796
<v Speaker 2>the moment he raised Tim, he was twelve months behind developmentally.

0:25:17.156 --> 0:25:21.196
<v Speaker 2>An adolescent swim meet in Cobley's ideal universe has two

0:25:21.276 --> 0:25:25.516
<v Speaker 2>sets of results, the raw results and then the maturity

0:25:25.636 --> 0:25:26.716
<v Speaker 2>adjusted results.

0:25:27.716 --> 0:25:31.436
<v Speaker 5>What you're doing is you're effectively lowering the time of

0:25:31.516 --> 0:25:34.636
<v Speaker 5>the folks who are slightly behind in terms of their

0:25:34.796 --> 0:25:35.876
<v Speaker 5>maturity status.

0:25:36.676 --> 0:25:39.716
<v Speaker 2>Cobbley did a test run of the maccap's algorithm on

0:25:39.796 --> 0:25:44.116
<v Speaker 2>a sample of seven hundred Australian swimmers, all boys competing

0:25:44.156 --> 0:25:47.716
<v Speaker 2>in one hundred meter freestyle. The first thing he discovers

0:25:47.836 --> 0:25:50.396
<v Speaker 2>is similar to what we found a pen. Among the

0:25:50.436 --> 0:25:54.036
<v Speaker 2>top twenty five percent of all adolescent swimmers, there were

0:25:54.156 --> 0:25:59.636
<v Speaker 2>no late maturing boys, none, zero, which is an astonishing fact.

0:26:00.236 --> 0:26:03.956
<v Speaker 2>Australia is a country that takes swimming as seriously as

0:26:03.996 --> 0:26:08.116
<v Speaker 2>Canada takes hockey, and they have basically decided to banish

0:26:08.276 --> 0:26:12.196
<v Speaker 2>a big group of young swimmers from consideration just because

0:26:12.236 --> 0:26:16.676
<v Speaker 2>their talent happens not to appear soon enough. When you

0:26:16.676 --> 0:26:19.996
<v Speaker 2>looked at these seven hundred swimmers, in some sense, the

0:26:20.116 --> 0:26:23.916
<v Speaker 2>damage has already been done. We've already chased away the

0:26:23.956 --> 0:26:29.396
<v Speaker 2>slow developers. They've quit, they've got discouraged. They they thought

0:26:29.436 --> 0:26:34.356
<v Speaker 2>they were bad swimmers. They didn't realize they were simply behind. Yeah,

0:26:35.036 --> 0:26:38.076
<v Speaker 2>so what happens when you run everyone's race times through

0:26:38.076 --> 0:26:42.836
<v Speaker 2>the Mattcaps algorithm, adjusting for maturity, the order of finish

0:26:43.116 --> 0:26:46.876
<v Speaker 2>in every race changes. They're really talented swimmers who just

0:26:46.916 --> 0:26:49.676
<v Speaker 2>happen to be slower to mature now have a chance.

0:26:50.276 --> 0:26:52.396
<v Speaker 2>They used to be lost to the system. Now you

0:26:52.396 --> 0:26:54.756
<v Speaker 2>can tell who they are. Now you can go up

0:26:54.756 --> 0:26:57.036
<v Speaker 2>to young Joey and say, I know you didn't make

0:26:57.036 --> 0:26:59.716
<v Speaker 2>the final, but take a look at your matt CAP's time.

0:27:00.076 --> 0:27:02.916
<v Speaker 2>You might be the best swimmer out there. What's the

0:27:02.956 --> 0:27:04.476
<v Speaker 2>most somebody moved up?

0:27:05.516 --> 0:27:08.956
<v Speaker 5>But we've seen large percentages, We've certainly seen big changes

0:27:08.956 --> 0:27:13.556
<v Speaker 5>in ranks. So if we've got cases for events where

0:27:14.036 --> 0:27:17.756
<v Speaker 5>someone who was outside let's say the top twenty, suddenly

0:27:17.836 --> 0:27:18.596
<v Speaker 5>was in the top three.

0:27:19.676 --> 0:27:22.596
<v Speaker 2>I read your paper and the first that I had was,

0:27:23.236 --> 0:27:28.156
<v Speaker 2>oh wow, this belongs in the classroom. Right when you

0:27:28.196 --> 0:27:31.756
<v Speaker 2>identify who gets into special gifted and talented programs, or

0:27:31.796 --> 0:27:34.796
<v Speaker 2>when you decide who just isn't smart enough for when

0:27:34.836 --> 0:27:37.996
<v Speaker 2>you look at who you discourage and who you encourage,

0:27:38.236 --> 0:27:40.396
<v Speaker 2>you've got to be making the same mistake.

0:27:40.516 --> 0:27:45.036
<v Speaker 5>Right, Yeah, I think so. I think the cautionary bit

0:27:45.076 --> 0:27:47.836
<v Speaker 5>that we have to remember is it's that old question

0:27:47.876 --> 0:27:50.196
<v Speaker 5>of yeah, but how far do we go? So if

0:27:50.196 --> 0:27:52.556
<v Speaker 5>we're going to factor, if we are going to factor

0:27:52.636 --> 0:27:57.596
<v Speaker 5>relative agent in education or biological development in education adjustments,

0:27:57.956 --> 0:28:00.036
<v Speaker 5>shouldn't we be factoring in other things that we know

0:28:00.116 --> 0:28:00.916
<v Speaker 5>are influential?

0:28:01.436 --> 0:28:08.276
<v Speaker 2>Absolutely? Why wouldn't we, Well, exactly why wouldn't we If

0:28:08.276 --> 0:28:11.836
<v Speaker 2>we've developed a better way of identifying talent. Why wouldn't

0:28:11.876 --> 0:28:17.956
<v Speaker 2>we want to use it everywhere? Back at Wharton, I

0:28:18.156 --> 0:28:22.036
<v Speaker 2>climbed up on my soapbox. I talked about how maccaps

0:28:22.156 --> 0:28:25.876
<v Speaker 2>had freed swimmers from the tyranny of birthdays, communicated my

0:28:26.276 --> 0:28:30.436
<v Speaker 2>enthusiasm for bringing the Australian Revolution to the shores of

0:28:30.436 --> 0:28:33.196
<v Speaker 2>the United States. So in Australia they started to do this.

0:28:33.476 --> 0:28:36.316
<v Speaker 2>Eleven year olds are all swimming the one hundred meter freestyle.

0:28:37.476 --> 0:28:40.956
<v Speaker 2>We've got twelve kids. We have, you know, an order

0:28:40.956 --> 0:28:43.876
<v Speaker 2>of finish. Then they run the times through an algorithm

0:28:43.996 --> 0:28:48.596
<v Speaker 2>and have a new Now, would you feel comfortable with

0:28:48.796 --> 0:28:51.156
<v Speaker 2>all of your if you go back to your k

0:28:51.236 --> 0:28:54.236
<v Speaker 2>through twelve experiences? Would you feel comfortable if they ran

0:28:54.636 --> 0:28:58.316
<v Speaker 2>all of your test scores through an age correction algorithm?

0:28:58.756 --> 0:29:02.476
<v Speaker 2>Around the room I saw young people of promise, focused,

0:29:02.796 --> 0:29:06.756
<v Speaker 2>eager they would be my disciples. I was so full

0:29:06.796 --> 0:29:10.996
<v Speaker 2>of excitement. I put the question to a vote, yes

0:29:11.076 --> 0:29:14.676
<v Speaker 2>or no, I say to a shorthands who likes the idea.

0:29:16.356 --> 0:29:19.476
<v Speaker 2>There was a great stirring and wrestling. My heart leapt

0:29:19.476 --> 0:29:21.956
<v Speaker 2>into my throat. I thought I had brought the birthday

0:29:21.996 --> 0:29:25.356
<v Speaker 2>rights revolution into the heart of the lion's den. I

0:29:25.396 --> 0:29:32.436
<v Speaker 2>looked up, looked around, and nothing, no roar of support,

0:29:33.356 --> 0:29:40.036
<v Speaker 2>only a long, cold silence. I've never seen less enthusiasm

0:29:40.156 --> 0:29:42.556
<v Speaker 2>for a great idea in my life. Wait, what is

0:29:42.596 --> 0:29:46.716
<v Speaker 2>the matter with you guys? A young man spoke up first.

0:29:47.276 --> 0:29:51.556
<v Speaker 10>Well, it's like, be completely honest. It's to be selfish

0:29:51.636 --> 0:29:53.716
<v Speaker 10>about it. It would probably have heard our chances of

0:29:53.716 --> 0:29:57.236
<v Speaker 10>being right here in this room because I'm old. For

0:29:57.356 --> 0:29:59.996
<v Speaker 10>my grade, I did well my standardized test scores. Maybe

0:29:59.996 --> 0:30:02.116
<v Speaker 10>if they readjusted it, I would be more in the mediate.

0:30:02.796 --> 0:30:05.076
<v Speaker 2>He was a twenty two year old senior in college.

0:30:05.996 --> 0:30:08.236
<v Speaker 10>So selfishly I would say, no, it's not a good

0:30:08.236 --> 0:30:10.156
<v Speaker 10>idea from a societal standpoint.

0:30:10.916 --> 0:30:12.116
<v Speaker 2>Perhaps, so you're being honest.

0:30:12.156 --> 0:30:14.836
<v Speaker 10>I'm being honest. Yeah, it's like saying, uh, you know,

0:30:15.196 --> 0:30:17.596
<v Speaker 10>legacy admissions or something like that. My father went to

0:30:17.596 --> 0:30:18.676
<v Speaker 10>PEN and my mother went to pen.

0:30:18.996 --> 0:30:21.636
<v Speaker 2>Oh you're drowning. I'm drowning.

0:30:21.796 --> 0:30:23.796
<v Speaker 10>Yes, if we get rid of this, you know, But

0:30:23.876 --> 0:30:24.796
<v Speaker 10>I'm just going to be honest.

0:30:27.316 --> 0:30:31.996
<v Speaker 2>It's fantastic. Who else wants to Then Mateo raises his hand.

0:30:32.356 --> 0:30:35.316
<v Speaker 2>He is an eighteen on his sticker, an age privilege

0:30:35.316 --> 0:30:37.596
<v Speaker 2>advantage of a year and a half.

0:30:38.716 --> 0:30:41.036
<v Speaker 4>And I think that's a poor idea because it assumes

0:30:41.036 --> 0:30:43.556
<v Speaker 4>that everyone who is older is like always going to

0:30:43.556 --> 0:30:45.236
<v Speaker 4>be smarter, and I want whose owner is always going

0:30:45.276 --> 0:30:47.676
<v Speaker 4>to be less smart. I've seen some pretty old people

0:30:47.716 --> 0:30:48.636
<v Speaker 4>do some terrible things.

0:30:49.476 --> 0:30:53.116
<v Speaker 2>No, no, no, BUTTAO does not what it does well, it's neutral.

0:30:53.596 --> 0:30:55.796
<v Speaker 2>It just adjusts for the age, Grady.

0:30:55.876 --> 0:30:57.356
<v Speaker 4>I want my score to be my score.

0:30:57.516 --> 0:30:59.156
<v Speaker 2>But wait, wait, I want to I want to. Can

0:30:59.156 --> 0:31:01.196
<v Speaker 2>I just harp? You said you want your score to

0:31:01.196 --> 0:31:01.836
<v Speaker 2>be your score?

0:31:02.036 --> 0:31:02.436
<v Speaker 6>Yeah?

0:31:02.476 --> 0:31:05.716
<v Speaker 2>But why is? Why is an adjusted score a score

0:31:05.716 --> 0:31:09.836
<v Speaker 2>that accounts for your degree of maturity somehow less characteristic

0:31:09.836 --> 0:31:12.236
<v Speaker 2>of who you are than an unadjusted score. I would

0:31:12.236 --> 0:31:16.196
<v Speaker 2>have thought the opposite. A score that doesn't include information

0:31:16.276 --> 0:31:18.156
<v Speaker 2>on your level of maturity would seem to be more

0:31:18.236 --> 0:31:19.476
<v Speaker 2>artificial than one that does.

0:31:20.196 --> 0:31:21.916
<v Speaker 4>I don't know, I guess i'd have I would want

0:31:21.916 --> 0:31:24.276
<v Speaker 4>to look at the algorithm before I made an actual judgment,

0:31:24.596 --> 0:31:28.796
<v Speaker 4>because I'd be surprised if I was okay with everything theoretically,

0:31:28.836 --> 0:31:30.636
<v Speaker 4>that everything that the algorithm would say.

0:31:31.356 --> 0:31:34.636
<v Speaker 2>The students stood up, one by one, using their prodigious

0:31:34.676 --> 0:31:38.476
<v Speaker 2>powers of analysis and imagination to come up with one

0:31:38.476 --> 0:31:42.396
<v Speaker 2>objection after another. Why do you think you guys are

0:31:42.436 --> 0:31:45.836
<v Speaker 2>so hostile to it. Two attempts to remedy the situation.

0:31:47.436 --> 0:31:49.276
<v Speaker 8>My fear with the algorithm is that it could be gamed.

0:31:49.396 --> 0:31:52.476
<v Speaker 8>So if this were implemented where we know that if

0:31:52.476 --> 0:31:54.436
<v Speaker 8>you're younger, you get say one hundred point bump in

0:31:54.436 --> 0:31:58.316
<v Speaker 8>the SAT or are viewed more favorably throughout your educational career,

0:31:58.676 --> 0:32:00.796
<v Speaker 8>then we're probably sending our kids off to kindergarten at four,

0:32:01.676 --> 0:32:03.996
<v Speaker 8>or we're planning whenever we have our kids, looking at

0:32:03.996 --> 0:32:05.796
<v Speaker 8>whever the cutoff date is for kindergarten, you know, in

0:32:05.796 --> 0:32:08.196
<v Speaker 8>September maybe, and saying all right, we're going to reproduce

0:32:08.276 --> 0:32:13.396
<v Speaker 8>nine months before that in December or January.

0:32:14.236 --> 0:32:18.076
<v Speaker 2>And the current system that's being gamed. We're responding to

0:32:18.116 --> 0:32:19.436
<v Speaker 2>the gaming, are we not?

0:32:20.516 --> 0:32:25.236
<v Speaker 8>Yeah, so I guess I'm the fears that the algrum regained.

0:32:26.436 --> 0:32:27.916
<v Speaker 8>And yes, exactly.

0:32:32.356 --> 0:32:34.756
<v Speaker 2>I put my hand on the table to steady myself.

0:32:35.116 --> 0:32:38.356
<v Speaker 2>My head was spinning. These were the children of outliers,

0:32:38.916 --> 0:32:41.516
<v Speaker 2>children raised according to the rules of a game I

0:32:41.636 --> 0:32:45.516
<v Speaker 2>kind of helped set in motion. And now the consensus

0:32:45.516 --> 0:32:49.636
<v Speaker 2>among seventy five elderly ivy leaguers was that the system

0:32:49.676 --> 0:32:53.876
<v Speaker 2>should remain rigged in favor of the elderly. The apple

0:32:53.956 --> 0:32:58.476
<v Speaker 2>cart must remain upright with the shiniest and oldest apples

0:32:58.836 --> 0:33:04.516
<v Speaker 2>on the top. Now do I blame them, No, I don't.

0:33:05.116 --> 0:33:07.516
<v Speaker 2>This is what happens when we give up on fairness

0:33:07.836 --> 0:33:12.916
<v Speaker 2>as an essential principle. All that remains is cynicism. The

0:33:12.956 --> 0:33:15.436
<v Speaker 2>students a PEN do not see the point of changing

0:33:15.436 --> 0:33:18.516
<v Speaker 2>the system because their parents did not see the point

0:33:18.516 --> 0:33:21.236
<v Speaker 2>of changing the system, and their parents didn't see the

0:33:21.276 --> 0:33:25.116
<v Speaker 2>point because the schools didn't see the point. And the schools,

0:33:25.156 --> 0:33:28.436
<v Speaker 2>for goodness sake, can't even rise from the slumber of

0:33:28.476 --> 0:33:31.116
<v Speaker 2>their indifference to see that it makes no sense to

0:33:31.156 --> 0:33:35.516
<v Speaker 2>give everyone an assessment test on the same day we

0:33:35.676 --> 0:33:40.716
<v Speaker 2>gain the things that we've given up on. I try

0:33:40.796 --> 0:33:44.116
<v Speaker 2>my best in Outliers, but I subtitled the book the

0:33:44.156 --> 0:33:47.036
<v Speaker 2>Story of Success, And if I learned anything from that

0:33:47.156 --> 0:33:49.916
<v Speaker 2>afternoon at PEN, it's that we want to think about

0:33:49.956 --> 0:33:54.716
<v Speaker 2>success as a word to describe ourselves, our own progress.

0:33:55.436 --> 0:33:58.836
<v Speaker 2>But it's not really people who are successful. It's the

0:33:58.916 --> 0:34:03.756
<v Speaker 2>systems around us. Great students and great hockey players come

0:34:03.796 --> 0:34:07.156
<v Speaker 2>from great teams and great classrooms. And if you want

0:34:07.156 --> 0:34:10.956
<v Speaker 2>to judge the success of those teams in classrooms start

0:34:10.996 --> 0:34:15.956
<v Speaker 2>by looking at their composition, like when was everyone born?

0:34:17.556 --> 0:34:21.476
<v Speaker 2>And if we can't get that one right, God help

0:34:21.556 --> 0:34:29.516
<v Speaker 2>us with everything else. All right, Thank you guys. I

0:34:29.556 --> 0:34:32.876
<v Speaker 2>hope this has all been fun. I hope this makes

0:34:32.876 --> 0:34:35.436
<v Speaker 2>you feel free to wear your numbers for the balance

0:34:35.476 --> 0:34:43.276
<v Speaker 2>of the school year. Revisionist History is produced by Eloise Linton,

0:34:43.596 --> 0:34:48.316
<v Speaker 2>Leeman Gestu, and Jacob Smith, with Tolly Emlin and Harrison VJ. Choi.

0:34:48.836 --> 0:34:52.996
<v Speaker 2>Our editor is Julia Barton. Our executive producer is Mia Label.

0:34:53.476 --> 0:34:57.356
<v Speaker 2>Original scoring by Luis Kara, mastering by Flon Williams, and

0:34:57.476 --> 0:35:02.476
<v Speaker 2>engineering by Nina Lawrence. Fact checking by Keishaw Williams. Special

0:35:02.476 --> 0:35:06.396
<v Speaker 2>thanks to somon ohod Kahn for production help on this episode.

0:35:07.196 --> 0:35:17.676
<v Speaker 2>I'm Malcolm glava Hey Revision's History listeners. I'm capping off

0:35:17.676 --> 0:35:20.676
<v Speaker 2>this episode with a preview of a new Pushkin show

0:35:21.036 --> 0:35:23.796
<v Speaker 2>that really has me hooked. It's called Death of an Artist.

0:35:24.356 --> 0:35:26.316
<v Speaker 2>Death of an Artist has all the elements of a

0:35:26.356 --> 0:35:31.516
<v Speaker 2>gripping story, a suspicious death, tumultuous relationship, a murder trial,

0:35:31.636 --> 0:35:35.116
<v Speaker 2>questions of morality, feminism, power and balance, and a divided

0:35:35.196 --> 0:35:38.436
<v Speaker 2>art world. On September eighth, nineteen eighty five, up and

0:35:38.476 --> 0:35:42.516
<v Speaker 2>coming artist Anna Mendietta fell from the thirty fourth floor

0:35:42.516 --> 0:35:46.636
<v Speaker 2>window of her husband and famous sculptor Karl Andre's apartment.

0:35:47.356 --> 0:35:52.476
<v Speaker 2>Host Helen Molesworth asks was Karl Andre involved? You'll revisit

0:35:52.556 --> 0:35:55.676
<v Speaker 2>on his untimely death, the trial that followed, and both

0:35:55.676 --> 0:36:00.516
<v Speaker 2>the protests and silence that have followed this story ever since. Okay,

0:36:00.636 --> 0:36:03.396
<v Speaker 2>here comes a sneak peek. You can follow the story

0:36:03.556 --> 0:36:06.876
<v Speaker 2>by searching for death of an Artist wherever you get

0:36:06.916 --> 0:36:08.036
<v Speaker 2>your podcasts.

0:36:08.716 --> 0:36:13.956
<v Speaker 1>It's in a nineteen seventy three Iowa city. There's a

0:36:13.996 --> 0:36:16.956
<v Speaker 1>damp chill in the air. We are on a sort

0:36:16.956 --> 0:36:20.156
<v Speaker 1>of shabby block in front of a brick apartment building

0:36:20.236 --> 0:36:22.436
<v Speaker 1>with a white door in need of a paint job

0:36:22.676 --> 0:36:28.076
<v Speaker 1>and a storefront window with its blind strawn shut. The

0:36:28.156 --> 0:36:32.116
<v Speaker 1>sidewalk just in front of the door is covered in blood,

0:36:33.116 --> 0:36:35.876
<v Speaker 1>and it looks like the blood might be seeping out

0:36:35.956 --> 0:36:40.756
<v Speaker 1>from under the door jam. It's a busy weekday and

0:36:40.796 --> 0:36:43.836
<v Speaker 1>as pedestrians pass the puddle of blood, they notice it

0:36:43.956 --> 0:36:47.836
<v Speaker 1>and casually step around it. Eventually, a man in a

0:36:47.876 --> 0:36:52.076
<v Speaker 1>green and black plaid jacket pauses and looks around as

0:36:52.076 --> 0:36:57.036
<v Speaker 1>if looking for an explanation. When none comes, he walks away.

0:36:57.916 --> 0:37:00.836
<v Speaker 1>Then a well dressed white woman uses her umbrella to

0:37:00.876 --> 0:37:03.756
<v Speaker 1>poke at the bloody puddle, but after a moment or

0:37:03.796 --> 0:37:09.076
<v Speaker 1>two of inspection, she also walks away. Finally, an old,

0:37:09.116 --> 0:37:13.436
<v Speaker 1>older gentleman emerges from a nearby storefront and silently cleans

0:37:13.516 --> 0:37:16.956
<v Speaker 1>up the mess, and the evidence of whatever happened is

0:37:16.956 --> 0:37:21.436
<v Speaker 1>suddenly gone, and with it disappears any account of whose

0:37:21.476 --> 0:37:29.036
<v Speaker 1>blood was spilled and how. The whole scene is being

0:37:29.076 --> 0:37:33.276
<v Speaker 1>captured by two young women in their twenties, sisters who

0:37:33.356 --> 0:37:36.876
<v Speaker 1>sit in an old car park nearby. One of them

0:37:36.916 --> 0:37:39.756
<v Speaker 1>holds a super eight camera, the kind you'd make home

0:37:39.796 --> 0:37:43.796
<v Speaker 1>movies with back then the other snaps photos with a

0:37:43.836 --> 0:37:49.036
<v Speaker 1>thirty five millimeter camera. They are Anna and Raklein Mendietta,

0:37:49.596 --> 0:37:53.676
<v Speaker 1>Cuban refugees who landed in this unlikely place as children

0:37:58.396 --> 0:38:01.396
<v Speaker 1>in nineteen seventy three. Anna was a first year MFA

0:38:01.476 --> 0:38:06.596
<v Speaker 1>student at the University of Iowa. She was funny, loud, outrageous,

0:38:06.876 --> 0:38:10.156
<v Speaker 1>and had to take no prisoner's vibe and in the

0:38:10.196 --> 0:38:13.316
<v Speaker 1>way of sisters, she had roped directlyan into helping her

0:38:13.356 --> 0:38:16.556
<v Speaker 1>make a new piece, and like many works on a maid.

0:38:17.076 --> 0:38:20.036
<v Speaker 1>It would come to seem tragically prophetic in the wake

0:38:20.076 --> 0:38:20.636
<v Speaker 1>of her death.

0:38:22.556 --> 0:38:29.316
<v Speaker 9>She basically staged what looked like the remnants of, you know,

0:38:29.356 --> 0:38:32.516
<v Speaker 9>physical violence with what looked like blood in the doorway

0:38:32.596 --> 0:38:35.516
<v Speaker 9>of a building, and I thought it was extremely powerful

0:38:36.156 --> 0:38:39.236
<v Speaker 9>for a very young artist to be doing that, and

0:38:39.316 --> 0:38:42.676
<v Speaker 9>to be doing it in this small, largely white town

0:38:42.756 --> 0:38:45.156
<v Speaker 9>of Iowa City was fascinating to me.

0:38:46.196 --> 0:38:49.076
<v Speaker 1>That's Connie Butler, one of the many curators who would

0:38:49.116 --> 0:38:51.876
<v Speaker 1>come to admire and study on a Mendietta's work in

0:38:51.916 --> 0:38:55.796
<v Speaker 1>the decades that followed. The photos in film the Mendieta

0:38:55.876 --> 0:38:58.916
<v Speaker 1>sisters took that day would ultimately become a work of

0:38:59.036 --> 0:39:01.556
<v Speaker 1>art called Moffat Building Piece.

0:39:02.476 --> 0:39:04.676
<v Speaker 9>The fact that it still exists only in these little

0:39:04.716 --> 0:39:07.636
<v Speaker 9>thirty five millimeters slides, which you know you have to

0:39:07.676 --> 0:39:11.196
<v Speaker 9>get very close to with a loop, and it's a

0:39:11.276 --> 0:39:15.316
<v Speaker 9>very intimate way of viewing these things. You know, that

0:39:15.356 --> 0:39:17.636
<v Speaker 9>implicates you as a viewer too, almost as if you

0:39:17.676 --> 0:39:19.356
<v Speaker 9>are yourself looking at a crime scene.

0:39:20.556 --> 0:39:23.716
<v Speaker 1>Anna's interest in blood wasn't only meant to shock. She

0:39:23.836 --> 0:39:27.756
<v Speaker 1>was keenly aware of violence and injustice. When she made

0:39:27.796 --> 0:39:30.796
<v Speaker 1>them off At Building Piece. She was investigating her own

0:39:30.876 --> 0:39:35.156
<v Speaker 1>community's reaction to a brutal crime, a rape and murder

0:39:35.156 --> 0:39:38.596
<v Speaker 1>that had happened on campus a few months before. Here's

0:39:38.636 --> 0:39:40.436
<v Speaker 1>how she explained her inspiration.

0:39:41.476 --> 0:39:44.716
<v Speaker 11>A young woman was killed, raped and killed at Iowa

0:39:45.156 --> 0:39:47.876
<v Speaker 11>in one of the dorms, and it just really freaked

0:39:47.916 --> 0:39:51.556
<v Speaker 11>me out. So I did several rape performances type things

0:39:51.716 --> 0:39:55.516
<v Speaker 11>at that time, using my own body. I did something

0:39:55.556 --> 0:39:58.996
<v Speaker 11>I believe in and that I felt I had to do.

0:39:59.756 --> 0:40:03.436
<v Speaker 1>That's not actually Anna Mendieta's voice you're hearing. That was

0:40:03.476 --> 0:40:07.196
<v Speaker 1>Tanya Burghera, another artist from Cuba who you'll hear from

0:40:07.236 --> 0:40:16.276
<v Speaker 1>more later. Anna Mendieta's question was could you make art

0:40:16.436 --> 0:40:20.676
<v Speaker 1>about something so awful? And she used blood, not paint.

0:40:21.236 --> 0:40:24.596
<v Speaker 1>Blood is the most essential substance of life. Could it

0:40:24.676 --> 0:40:28.396
<v Speaker 1>jolt people out of their daily routines? Could blood make

0:40:28.436 --> 0:40:32.716
<v Speaker 1>people pay attention? She didn't know it yet, but the

0:40:32.756 --> 0:40:35.956
<v Speaker 1>Moffat Building piece was about to be her first major artwork,

0:40:36.716 --> 0:40:40.436
<v Speaker 1>and in a circular way, that's kind of terrifying. The

0:40:40.516 --> 0:40:44.716
<v Speaker 1>question she asked about how we react when we encounter

0:40:44.836 --> 0:40:48.916
<v Speaker 1>the residue of violence. This question would haunt all of

0:40:48.996 --> 0:40:56.076
<v Speaker 1>us after she died. I'm your host Helen Moulesworth and

0:40:56.116 --> 0:41:00.916
<v Speaker 1>from Pushkin Industries, Something Else and Sony Music Entertainment. This

0:41:01.156 --> 0:41:18.396
<v Speaker 1>is Death of an Artist, Episode one. The haunting for

0:41:18.556 --> 0:41:21.476
<v Speaker 1>my entire professional life. I've been a member of something

0:41:21.516 --> 0:41:28.076
<v Speaker 1>called the art world, an exclusive network of artists, gallery dealers, curators, collectors,

0:41:28.196 --> 0:41:32.156
<v Speaker 1>and philanthropists for two decades. I was lucky enough to

0:41:32.156 --> 0:41:35.116
<v Speaker 1>be a museum curator, making me one of a small

0:41:35.156 --> 0:41:38.916
<v Speaker 1>group of cultural insiders who determine what art we see

0:41:39.276 --> 0:41:42.796
<v Speaker 1>and how we talk about it. In the museum world

0:41:42.916 --> 0:41:45.596
<v Speaker 1>and in art history, there are a lot of unspoken

0:41:45.676 --> 0:41:48.676
<v Speaker 1>rules about what you can say publicly and what is

0:41:48.676 --> 0:41:52.836
<v Speaker 1>supposed to stay private. It turns out I wasn't that

0:41:52.876 --> 0:41:56.116
<v Speaker 1>good at sticking to the script, and I guess I'm

0:41:56.156 --> 0:41:58.596
<v Speaker 1>still not good at it, because I'm going to tell

0:41:58.636 --> 0:42:02.676
<v Speaker 1>you Anna Mendietta's whole story, all the way to its

0:42:02.756 --> 0:42:09.796
<v Speaker 1>shocking and troubling end, and much to my surprise, I

0:42:09.916 --> 0:42:12.756
<v Speaker 1>discovered it's a story many of my colleagues in the

0:42:12.836 --> 0:42:20.116
<v Speaker 1>art world would prefer I didn't tell at first, blush.

0:42:20.876 --> 0:42:22.996
<v Speaker 1>It seemed like people didn't want me to talk about

0:42:23.036 --> 0:42:25.556
<v Speaker 1>it because of who else is part of that story.

0:42:26.036 --> 0:42:30.956
<v Speaker 1>Anna's husband, the famous sculptor Carl Andre. He is one

0:42:30.956 --> 0:42:34.396
<v Speaker 1>of the so called fathers of minimalism, a cultural hero

0:42:34.556 --> 0:42:39.316
<v Speaker 1>to many are revered artists with lots of connections, and

0:42:39.396 --> 0:42:46.116
<v Speaker 1>he was a suspect in Anna's death. Even though Carl

0:42:46.156 --> 0:42:49.836
<v Speaker 1>Andrea and Anna Mendieta were a highly visible art world couple,

0:42:50.876 --> 0:42:54.116
<v Speaker 1>even though something terrible happened between them the night she died,

0:42:54.716 --> 0:42:56.876
<v Speaker 1>you will not read about it on a museum wall

0:42:56.956 --> 0:43:00.876
<v Speaker 1>label or in most art history textbooks reviews of their

0:43:00.956 --> 0:43:03.676
<v Speaker 1>exhibitions tend to take care of it in a sentence

0:43:03.756 --> 0:43:07.916
<v Speaker 1>or two. You would not know that Mendieta's death divided

0:43:07.916 --> 0:43:11.476
<v Speaker 1>the art world in nineteen eight, and in many ways

0:43:11.916 --> 0:43:19.556
<v Speaker 1>still does. I'm not the first person to try and

0:43:19.636 --> 0:43:23.156
<v Speaker 1>tell this story. In fact, many of the voices you'll

0:43:23.196 --> 0:43:27.116
<v Speaker 1>hear in this show are from interviews conducted by investigative

0:43:27.196 --> 0:43:31.396
<v Speaker 1>journalist Robert Katz. He published a book in nineteen ninety

0:43:31.396 --> 0:43:36.236
<v Speaker 1>that remains the most comprehensive look into this art world tragedy.

0:43:36.316 --> 0:43:39.116
<v Speaker 1>He spoke with dozens of Anna and Carl's friends in

0:43:39.196 --> 0:43:43.316
<v Speaker 1>noisy restaurants, in parks, in busy offices, and you'll hear

0:43:43.356 --> 0:43:46.676
<v Speaker 1>the voices of some art world insiders on these tapes

0:43:46.956 --> 0:43:51.036
<v Speaker 1>who have since decided not to talk. Most folks don't

0:43:51.036 --> 0:43:53.796
<v Speaker 1>want to discuss what happened that night. They don't want

0:43:53.836 --> 0:43:56.556
<v Speaker 1>to talk about what the ramifications of that night were

0:43:56.716 --> 0:43:59.916
<v Speaker 1>on the art world. They don't want to contemplate what

0:43:59.996 --> 0:44:03.396
<v Speaker 1>it means when a community is torn apart by violence,

0:44:03.996 --> 0:44:06.796
<v Speaker 1>and they don't want to discuss whether or not justice

0:44:06.916 --> 0:44:11.596
<v Speaker 1>has been served. These different folks not talking for all

0:44:11.676 --> 0:44:15.116
<v Speaker 1>of their different reasons means that a veil of silence

0:44:15.196 --> 0:44:19.996
<v Speaker 1>started to fall over this project, and I can't lie.

0:44:20.156 --> 0:44:24.076
<v Speaker 1>The more silence we encountered, the more sad and frustrated

0:44:24.116 --> 0:44:28.076
<v Speaker 1>I became. And the more silence we encountered, the more

0:44:28.116 --> 0:44:28.996
<v Speaker 1>I wanted to talk,