WEBVTT - Conversations About  Super Bowl Halftime Show LIX

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sinners Podcast with your hosts Now fuck that with your

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<v Speaker 1>load glasses, Malone, what's in and y'all, what's the deal man?

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<v Speaker 1>Weekend Monday, We're back here at noon, No Sentners Live.

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<v Speaker 1>I know it's a little early, and we don't get

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<v Speaker 1>all of the you know, the riff raft that come after,

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<v Speaker 1>you know, everybody get off work and now they you know,

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<v Speaker 1>they finally tired of being ignored at their job by

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<v Speaker 1>the rest of the uh, by the rest of their coworkers.

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<v Speaker 1>So this is this time, this time period is a

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<v Speaker 1>real special group of people. This time, this time group

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<v Speaker 1>is a real special group of people. I tell you

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<v Speaker 1>that much. Uh oh, let me fix this.

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<v Speaker 2>Uh oh.

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<v Speaker 3>Uh uh it was perfect before, uh huh.

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<v Speaker 1>Okay yeah yeah, yeah, yeah ah, I like that. I

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<v Speaker 1>don't know about that right there? Yeah, really, what's happening.

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<v Speaker 1>I'm fixing it. I'm fixing it. Chill out, I'm fixing

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<v Speaker 1>I'm just fixing it, fixing it. Okay, three right here,

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<v Speaker 1>boom three.

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<v Speaker 3>Boom, there we go.

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<v Speaker 1>Yeah, it's a special group of people that that come.

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<v Speaker 1>This is the lunch hour, you feel me? This the

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<v Speaker 1>lunch hour what's what's.

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<v Speaker 2>Having, big bro? What's love to the dew rocks? Man?

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<v Speaker 2>Washed up with it? Yeah?

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<v Speaker 3>Uh?

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<v Speaker 2>How was your weekend, big bro?

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<v Speaker 3>Man?

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<v Speaker 2>It was cool?

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<v Speaker 3>It was you know what. I can't complain about it. Man,

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<v Speaker 3>we were here, we live. It was cool.

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<v Speaker 4>I didn't have a bad weekend and always seemed like

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<v Speaker 4>you go quick and I never really you know what,

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<v Speaker 4>you know what, I figured it out, man. Everybody got

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<v Speaker 4>their own schedule. You want to talk about as far

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<v Speaker 4>as the family though, you know? And what's funny? What

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<v Speaker 4>kills me? It's my daughter has a dog right now,

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<v Speaker 4>but the dog is always with me and her thing

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<v Speaker 4>is just put him in the backyard. Put her in

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<v Speaker 4>the backyard and it's one hundred degrees outside. What was

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<v Speaker 4>gonna kill the dog? Throw the dog back in eat?

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<v Speaker 4>I can't do that, you feel what I'm saying. So

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<v Speaker 4>it's like I always wandered with it, so all might

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<v Speaker 4>would start seeing it's my dog.

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<v Speaker 1>Yeah I said that long time ago, that's your dog,

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<v Speaker 1>and you kind of got mad at me and cuts

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<v Speaker 1>me out.

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<v Speaker 4>But the thing is, had I had the choice of

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<v Speaker 4>getting it, Don't get me wrong, Gee, I like dogs,

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<v Speaker 4>but I wouldn't have got a dog right now because

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<v Speaker 4>I don't have time for it. I don't have really

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<v Speaker 4>time to take care of a dog, and not the

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<v Speaker 4>way it should be. A dog is a committment, especially

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<v Speaker 4>in their younger years.

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<v Speaker 2>Well, I think you also baby your dog a little so.

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<v Speaker 4>No, not really. You just got to take care of him.

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<v Speaker 4>I know you think that. Like see, you used to

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<v Speaker 4>them dogs from back in the day that you just

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<v Speaker 4>put outside all day and time on the rope to

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<v Speaker 4>the side of so no, they in there. You got

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<v Speaker 4>to feed them, You got all kinds of stuff. They

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<v Speaker 4>just they just a lot. And I would prefer not

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<v Speaker 4>to be taking care.

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<v Speaker 3>Of a dog right now.

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<v Speaker 2>You're just a moody person. Pete. How was your weekend?

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<v Speaker 5>It was cool, It's my usual. Didn't didn't lose any

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<v Speaker 5>sports bets on Saturday, so that was a rare positive.

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<v Speaker 1>MM shout out to Garrett. Garrett said he on that

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<v Speaker 1>New Mexico. He on that rig from New Mexico head

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<v Speaker 1>the Texas. I appreciate you checking in with his man.

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<v Speaker 5>He on the forty or the ten.

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<v Speaker 2>You're in the forty at the ten.

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<v Speaker 5>Uh.

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<v Speaker 1>Shout out to everybody who do make these no seilllings

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<v Speaker 1>lives my brother Frank was having brody washed up. Shout

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<v Speaker 1>out to everybody who makes these lives at noon the

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<v Speaker 1>clock with a special group of people. You know what

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<v Speaker 1>I'm saying, Because we ain't the man, don't control us.

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<v Speaker 1>We're doing our thing in the middle of the day.

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<v Speaker 5>I like the New Mexico, so either of both major

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<v Speaker 5>interstates through New Mexico. That is the most desolate, empty

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<v Speaker 5>stretch of highway. It's so it's just like peaceful. There

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<v Speaker 5>is a shit, there's about four incres of Albuquerque and dirt.

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<v Speaker 3>I think that's cool.

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<v Speaker 2>Yeah, man, what's happening? He said? He on a forty

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<v Speaker 2>pet my boy on Love It, Love It.

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<v Speaker 3>That's what I'm gonna do when I get done with podcasts.

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<v Speaker 3>I'm gonna get me a truck man.

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<v Speaker 4>I would much rather be my myself on a big

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<v Speaker 4>rig somewhere is all across the country.

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<v Speaker 5>Man, an dedicated route from like Miami to California. I

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<v Speaker 5>would just run it three freeways, just ninety five ten five.

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<v Speaker 4>Can you imagine just being in the cab and your

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<v Speaker 4>truck man, just being by yourself, listening to music and

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<v Speaker 4>just rolling.

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<v Speaker 5>If I can set this up, I'd just be potting

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<v Speaker 5>Live twenty four to seven.

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<v Speaker 4>It's by yourself person still, big brother, I would love

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<v Speaker 4>to be by you know what I mean. I think

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<v Speaker 4>it's a certain piece to driving by yourself.

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<v Speaker 1>Sometimes, but you don't strike me as a by yourself

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<v Speaker 1>person that much.

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<v Speaker 3>That's a lot of by yourself turn. No, not really.

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<v Speaker 3>Shout out to the homeboy being friend.

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<v Speaker 4>I suspect you know what do I love bab Probably

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<v Speaker 4>because you know my stepdad is a truck driver. Man.

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<v Speaker 4>Truck drivers man make the country go around. They really run.

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<v Speaker 4>We really depend on them man to get all the

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<v Speaker 4>goods we got. You know, without them, we'd get in

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<v Speaker 4>some trouble.

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<v Speaker 1>Yeah, well, resent PC to your wife, Garrett Man, that

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<v Speaker 1>was cool. She used to ride with you because I

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<v Speaker 1>don't know if most women, you know, I always respect

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<v Speaker 1>them wise that would ride with their truck or husbands.

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<v Speaker 1>That's they really love you if they're gonna ride with you,

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<v Speaker 1>because that's a real commitment to that role. But really,

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<v Speaker 1>if you think somebody love you, that would be the

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<v Speaker 1>best place. Shout out to Kimmy's closet was good. I mean,

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<v Speaker 1>we're up in here about to talk about this halftime

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<v Speaker 1>show for the Super Bowl. One of the greatest things

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<v Speaker 1>that happen to a West Coast artist, to the West

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<v Speaker 1>Coast hip hop movement period. My boy Kado was picked

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<v Speaker 1>to perform at the super Bowl twenty twenty five in

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<v Speaker 1>New Orleans.

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<v Speaker 3>You think he brings Someboddy up with him, You think

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<v Speaker 3>he gonna do anohing pop up.

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<v Speaker 1>I mean, I think he'll make the super Bowl as

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<v Speaker 1>entertaining as it needs to be.

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<v Speaker 3>You know what, You think his album would be out

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<v Speaker 3>by then?

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<v Speaker 2>I hope so I would like for that to happen.

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<v Speaker 4>As Jamins that they not like this song, I don't

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<v Speaker 4>want to hear that at the super Bowl.

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<v Speaker 2>I definitely want to hear that at the super Bowl. Three.

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<v Speaker 3>I've heard that enough. Man, I've heard they not liked us.

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<v Speaker 2>You should never say that, matter of fact, take that

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<v Speaker 2>back publicly.

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<v Speaker 3>I love I love the song, but I think.

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<v Speaker 2>But say you love this and all, You're not Finna

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<v Speaker 2>in my.

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<v Speaker 3>Head the whole time.

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<v Speaker 2>You just say you didn't want to hear thriller when

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<v Speaker 2>Michael Jackson was there.

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<v Speaker 3>I just get that in my head.

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<v Speaker 2>So I'm not hating.

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<v Speaker 3>I'm glad it did.

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<v Speaker 2>But that's a big thriller. You are thriller one hundred

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<v Speaker 2>million times.

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<v Speaker 1>You ain't never one time in your life saw Michael

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<v Speaker 1>Jackson before and said, you don't want to hear thriller now,

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<v Speaker 1>all of a sudden, you don't want to hear the

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<v Speaker 1>Homy song.

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<v Speaker 3>You know what? I just think he could have some

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<v Speaker 3>new music by then.

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<v Speaker 2>You don't want to hear Michael Jackson's new music when

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<v Speaker 2>he did.

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<v Speaker 5>The super Bowl works. The super Bowl is not a

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<v Speaker 5>place to showcase new music. It's a place to showcase

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<v Speaker 5>the most tired, overplayed song in your catalog because it's

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<v Speaker 5>the most common.

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<v Speaker 1>Yes, you want to hear like us three times? I

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<v Speaker 1>wanted not like us three times. Shout was big though dog,

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<v Speaker 1>shout out the karma pharmacist boy NIGGI Minajen Birdman tweaking

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<v Speaker 1>on Twitter right now. I've been seeing the rebellious part

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<v Speaker 1>of the conversation. I've been seeing the rebellious part of

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<v Speaker 1>the conversation. The super Bowl is in New Orleans, and

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<v Speaker 1>people like, well you in New Orleans, you should have

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<v Speaker 1>Lil Wayne performed. And Lil Wayne is very much you

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<v Speaker 1>know worthy. Lil Wayne is top three most famous rappers

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<v Speaker 1>to ever make rap music.

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<v Speaker 2>He is that type of act.

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<v Speaker 1>Little Wayne is such a special, phenomenal talent. He is

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<v Speaker 1>by far one of the greatest five rappers to ever live.

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<v Speaker 2>No question.

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<v Speaker 1>But this is the part of the business that I

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<v Speaker 1>hate that hip hop got involved in hip hop and

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<v Speaker 1>in Super Bowl because before we would have never thought that.

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<v Speaker 1>Before last year, we wouldn't even care because we didn't

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<v Speaker 1>care about that part of the business, so we didn't

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<v Speaker 1>deal with it. But now that hip hop has made

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<v Speaker 1>an entrance, you know a year ago, I mean, people

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<v Speaker 1>are losing their mind, right, And what's happening is is Shenanigans.

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<v Speaker 1>You don't need a hometown act to sell out the

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<v Speaker 1>super Bowl. It's the Super Bowl. I'm sure somewhere along

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<v Speaker 1>the line the business didn't work out, you know what

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<v Speaker 1>I'm saying. That's that's simple as that the business worked

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<v Speaker 1>out better for an artist or whatever it was. That's

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<v Speaker 1>that's simple as that this whole Shenanigans that they are not.

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<v Speaker 2>Choosing little way ain't because of Drake.

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<v Speaker 1>No, what's driving this whole outraged, fake outrage conversation is

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<v Speaker 1>don't know, real Drake fan want to hear not like

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<v Speaker 1>us on national television on the biggest stage that the

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<v Speaker 1>world has.

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<v Speaker 2>At a single moment.

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<v Speaker 4>I don't think it has nothing to do with Drake

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<v Speaker 4>at all, because you notice who haven't said nothing. Lil

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<v Speaker 4>Wayne ain't saying nothing because stuff like this don't define

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<v Speaker 4>his story career. I don't think he give it THEMN.

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<v Speaker 5>I think I mean last year they said a precedent

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<v Speaker 5>because that's how they promoted the ship last year. So

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<v Speaker 5>if last year was about the hometown hip hop cultural

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<v Speaker 5>thing for LA, you can't go to the next town

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<v Speaker 5>and run the same fucking thing. And now now you're

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<v Speaker 5>redefining the whole thing because they because they set it

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<v Speaker 5>up like that last year.

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<v Speaker 2>Well when you think about that was at last year,

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<v Speaker 2>that was a year ago.

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<v Speaker 5>Whatever, close years ago whatever. First of all, last year

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<v Speaker 5>two years of same shit.

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<v Speaker 4>I don't think Wayne give it. And just because the

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<v Speaker 4>super Bowl is in New Orleans don't mean now. I

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<v Speaker 4>can see if they knew the Saints was playing or whatever.

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<v Speaker 4>And even again, I don't think they give a damn.

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<v Speaker 4>And who's to say because me and you both know

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<v Speaker 4>that that Wayne is probably one of DUTs major influences.

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<v Speaker 4>So he might plan on bringing them up like we

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<v Speaker 4>don't know what's go happen.

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<v Speaker 2>I would bet yeah.

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<v Speaker 1>I would bet that probably would happen, right, But again,

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<v Speaker 1>what's driving this conversation is the Drake fandom. I'm telling

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<v Speaker 1>you people talking about what Mason Cam saying. Mason Cam

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<v Speaker 1>was saying, Drake is winning the battle, like the same

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<v Speaker 1>people like if I'm Nicki Minaj, I don't want to

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<v Speaker 1>hear Kendrick up on that stage singing that my homeboy

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<v Speaker 1>is a pdfil, I don't.

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<v Speaker 2>Want to hear that.

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<v Speaker 1>If I'm Birdman, I definitely kind of want to side

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<v Speaker 1>with my artists. But in reality, this has nothing to

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<v Speaker 1>do with Shade. I've heard all kind of ridiculous shit.

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<v Speaker 2>Jay Z j z Oh jay Z jay z Oh

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<v Speaker 2>jay Z has a problem with Wayne.

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<v Speaker 1>He has a problem with Drake, so he don't want

0:11:06.200 --> 0:11:08.080
<v Speaker 1>them to get the Super Bowl.

0:11:08.200 --> 0:11:10.760
<v Speaker 2>Look, blah blah blah, all this whining.

0:11:12.600 --> 0:11:16.199
<v Speaker 4>Well, I think that if I'm if I'm not mistaken,

0:11:16.280 --> 0:11:21.800
<v Speaker 4>Bro hasn't Hole looked out for Wayne before? Don't they

0:11:21.840 --> 0:11:23.920
<v Speaker 4>got a great relationship? Like, I don't know what hell

0:11:23.920 --> 0:11:27.400
<v Speaker 4>these people be talking about. I don't think it's like that.

0:11:26.080 --> 0:11:29.000
<v Speaker 5>Don't by the NFL.

0:11:29.559 --> 0:11:31.600
<v Speaker 4>I just think that Kendrick is the hottest dude in

0:11:31.600 --> 0:11:33.280
<v Speaker 4>the game, right, and that's what they said.

0:11:33.320 --> 0:11:34.640
<v Speaker 3>They was on the Super Bowl.

0:11:34.920 --> 0:11:35.640
<v Speaker 2>Yeah, I think it was.

0:11:36.600 --> 0:11:38.560
<v Speaker 1>I'm sure they came across a couple of people and

0:11:38.640 --> 0:11:43.760
<v Speaker 1>made a choice. Shout out to Magniff, my little brother,

0:11:43.840 --> 0:11:49.040
<v Speaker 1>Magniff Karma pharmacists. They think it's an Illuminati conspiracy to

0:11:49.200 --> 0:11:52.760
<v Speaker 1>take down Drake, like Drake ain't the Illuminati.

0:11:52.800 --> 0:11:54.080
<v Speaker 2>That's the craziest part.

0:11:53.880 --> 0:11:59.400
<v Speaker 5>To experiments to prop up Drake's career and the deseminization

0:11:59.559 --> 0:12:01.120
<v Speaker 5>of of American men.

0:12:01.640 --> 0:12:03.600
<v Speaker 3>Do you trust me and believe when I say this?

0:12:03.679 --> 0:12:05.800
<v Speaker 4>And videos are they don't give a damn with no

0:12:05.880 --> 0:12:08.040
<v Speaker 4>rep niggas got to talk about men.

0:12:08.960 --> 0:12:12.000
<v Speaker 3>I don't think they're tripping off no rappers, that's for sure.

0:12:13.840 --> 0:12:16.200
<v Speaker 5>Yeah, I don't know it's an Illuminati thing. Here's how

0:12:16.240 --> 0:12:18.520
<v Speaker 5>the Illuminati works, and you can see it right now

0:12:18.720 --> 0:12:19.959
<v Speaker 5>in the presidential campaign.

0:12:19.960 --> 0:12:21.560
<v Speaker 2>And you can trust Pee because he's white.

0:12:22.040 --> 0:12:26.360
<v Speaker 5>It's grab a black person, throw him out there and

0:12:27.080 --> 0:12:29.200
<v Speaker 5>throw a party because you found a black person to

0:12:29.200 --> 0:12:32.080
<v Speaker 5>throw out there. Then fuck over black people behind their

0:12:32.120 --> 0:12:34.079
<v Speaker 5>back while they're having a party about how you put

0:12:34.080 --> 0:12:35.920
<v Speaker 5>a black person out there so that they can celebrate

0:12:35.960 --> 0:12:39.120
<v Speaker 5>about That's how the Illuminati game plan runs.

0:12:42.480 --> 0:12:46.960
<v Speaker 2>That's so how would the Illuminati had did this?

0:12:47.160 --> 0:12:51.920
<v Speaker 1>If the Illuminati was controlling this.

0:12:50.600 --> 0:12:55.280
<v Speaker 5>Just like this, just like this here here, here it is.

0:12:55.679 --> 0:12:58.160
<v Speaker 5>You take Kamala proper out there and they go, yeah,

0:12:58.200 --> 0:13:02.200
<v Speaker 5>we do presidential Canada and the yank all their ship

0:13:02.320 --> 0:13:05.880
<v Speaker 5>from behind their back. And what's gonna happen? I don't know.

0:13:06.040 --> 0:13:09.280
<v Speaker 5>Two weeks prior to the super Bowl, they're gonna inaugurator

0:13:09.440 --> 0:13:12.959
<v Speaker 5>everyone yay. Oh we got Kendrick in the super Bowl, yay.

0:13:13.040 --> 0:13:15.839
<v Speaker 5>And what's gonna happen. Fifty executive orders are gonna get

0:13:15.840 --> 0:13:19.559
<v Speaker 5>signed during halftime, and forty nine of them are gonna

0:13:19.559 --> 0:13:21.560
<v Speaker 5>fuck you guys out of your money while you're all

0:13:21.600 --> 0:13:24.600
<v Speaker 5>happy about commelin Kendrick. That's the Illuminati game plan.

0:13:27.920 --> 0:13:29.079
<v Speaker 2>And you know Pete would know.

0:13:30.520 --> 0:13:32.280
<v Speaker 3>Man, I don't know. I think people just take.

0:13:32.360 --> 0:13:33.920
<v Speaker 5>The media and the media said is gonna do what

0:13:34.000 --> 0:13:36.240
<v Speaker 5>the media cycle is going to talk about the super

0:13:36.240 --> 0:13:40.240
<v Speaker 5>Bowl like hell for a week and not talk about

0:13:41.120 --> 0:13:42.959
<v Speaker 5>fifty executive orders like hell for a week.

0:13:43.000 --> 0:13:44.719
<v Speaker 4>And what is what is done is saying what is

0:13:44.760 --> 0:13:47.360
<v Speaker 4>bird is saying, y'all go put some respect on my

0:13:47.480 --> 0:13:52.840
<v Speaker 4>son's name. Junior super Bowl, my lug like that Juniors

0:13:52.840 --> 0:13:56.720
<v Speaker 4>should be at that Super Bowl. My luck not playing glasses.

0:13:56.760 --> 0:14:02.000
<v Speaker 4>Put some respect on my name. I saw you nigga

0:14:02.360 --> 0:14:06.840
<v Speaker 4>my podcast talking about me, yea, but I.

0:14:06.960 --> 0:14:11.480
<v Speaker 1>Kick you out there. Put out the stream, bro, stop

0:14:11.480 --> 0:14:13.640
<v Speaker 1>playing with my nigga. Bro, don't play with my don't

0:14:13.640 --> 0:14:14.000
<v Speaker 1>play with.

0:14:13.960 --> 0:14:16.640
<v Speaker 5>My shoot A text to Kendrick, I have one request.

0:14:17.040 --> 0:14:19.680
<v Speaker 4>Okay, so you gonna kick me off behind bird? Yes,

0:14:20.600 --> 0:14:22.720
<v Speaker 4>I will put some respect on Bird's name.

0:14:23.240 --> 0:14:25.320
<v Speaker 2>All right, keep playing boot your ass.

0:14:25.440 --> 0:14:29.080
<v Speaker 4>I want you behind behind behind.

0:14:29.200 --> 0:14:32.200
<v Speaker 1>Man, yes, because you can't be I'm tired of I

0:14:32.240 --> 0:14:34.960
<v Speaker 1>don't know in which world do people not understand my

0:14:35.040 --> 0:14:36.160
<v Speaker 1>allegiance to Stunner.

0:14:36.200 --> 0:14:36.400
<v Speaker 3>Man.

0:14:36.440 --> 0:14:40.440
<v Speaker 1>Bro, that's like I said, if Stunner was talking about you,

0:14:40.520 --> 0:14:42.320
<v Speaker 1>I kicked stunt out through them. They don't say nothing

0:14:42.320 --> 0:14:43.600
<v Speaker 1>about I.

0:14:43.480 --> 0:14:47.480
<v Speaker 4>Didn't say nothing about my homie and all that.

0:14:47.520 --> 0:14:51.040
<v Speaker 2>Don't do that. Don't do that. First off you you are.

0:14:51.200 --> 0:14:52.640
<v Speaker 5>On a roller. He's almost been thrown off.

0:14:54.960 --> 0:14:58.479
<v Speaker 3>You love bird man, I love strike.

0:14:58.280 --> 0:15:00.080
<v Speaker 2>To because you won't strike to.

0:15:00.080 --> 0:15:04.880
<v Speaker 1>Strike one was talking about thank you commercial break the

0:15:04.920 --> 0:15:07.120
<v Speaker 1>first one is not like us. You was hating on

0:15:07.240 --> 0:15:09.120
<v Speaker 1>not like us. That was the first fucking ship. I

0:15:09.240 --> 0:15:13.960
<v Speaker 1>let you get that off. You ain't never saw Michael.

0:15:14.080 --> 0:15:15.360
<v Speaker 1>You did not watch the Super Bowl.

0:15:15.240 --> 0:15:15.520
<v Speaker 3>Black man.

0:15:15.560 --> 0:15:17.680
<v Speaker 1>I don't want even to perform thriller. If he get

0:15:17.760 --> 0:15:19.920
<v Speaker 1>up there and perform thriller, I'm gonna cut my TV off.

0:15:19.920 --> 0:15:21.880
<v Speaker 1>You ain't never said that in your life, but all

0:15:21.880 --> 0:15:23.440
<v Speaker 1>of a sudden, you hating on the homie because he

0:15:23.480 --> 0:15:24.400
<v Speaker 1>got his own thriller.

0:15:24.840 --> 0:15:27.800
<v Speaker 4>No, you know what, he actually got songs. I'm like

0:15:27.840 --> 0:15:31.400
<v Speaker 4>more than that. I love you know, I'm a fan.

0:15:31.440 --> 0:15:34.360
<v Speaker 4>I'm a k Off fanetic. You know, dude, that's you,

0:15:36.480 --> 0:15:39.320
<v Speaker 4>you know, actual silence before so long hair.

0:15:39.440 --> 0:15:42.000
<v Speaker 2>I know he did it exactly with my boy name.

0:15:42.800 --> 0:15:46.440
<v Speaker 5>Ain't he's he's trying to roast him up a little bit.

0:15:46.520 --> 0:15:50.840
<v Speaker 1>But yeah, for you know that, you wouldn't say it.

0:15:52.080 --> 0:15:55.600
<v Speaker 1>Slander and no ceilings. There's no Little Wayne slandering, no selings.

0:15:55.640 --> 0:15:58.280
<v Speaker 1>There's no Kendrick slander and no cilings. And there's no

0:15:58.360 --> 0:16:00.000
<v Speaker 1>stunning Man slander and no ceilings.

0:16:00.160 --> 0:16:02.360
<v Speaker 5>There's probably also no Snoop slander.

0:16:02.200 --> 0:16:06.960
<v Speaker 2>And slander, yes, no dog slander, no sinners needed. Can

0:16:07.000 --> 0:16:07.600
<v Speaker 2>you get up?

0:16:08.160 --> 0:16:12.240
<v Speaker 5>Can you get Wayne and Bird paintings also in the studio,

0:16:12.400 --> 0:16:16.160
<v Speaker 5>just so that we can have the whole list immortalized

0:16:16.200 --> 0:16:18.120
<v Speaker 5>on the walls in the studio, so we know. If

0:16:18.160 --> 0:16:21.000
<v Speaker 5>you aren't sure who's off limits, just check the walls.

0:16:21.240 --> 0:16:23.160
<v Speaker 1>I got you, I got you. I make sure I

0:16:23.160 --> 0:16:26.920
<v Speaker 1>put that down. Slander the homie.

0:16:27.520 --> 0:16:31.440
<v Speaker 5>In my one request on on the Kendrick deal, I

0:16:31.440 --> 0:16:35.120
<v Speaker 5>hope that there's no DJ to music. I want the

0:16:35.200 --> 0:16:38.240
<v Speaker 5>whole music background to be the Southern band.

0:16:38.920 --> 0:16:39.240
<v Speaker 2>That's all.

0:16:39.600 --> 0:16:40.520
<v Speaker 5>That would be hardest.

0:16:40.680 --> 0:16:42.960
<v Speaker 2>I'm playing music on our live stream, man.

0:16:44.440 --> 0:16:46.280
<v Speaker 5>The podcast.

0:16:46.360 --> 0:16:47.680
<v Speaker 3>This is all I seen. It was.

0:16:51.480 --> 0:16:54.600
<v Speaker 2>Hey, you know, I'm telling you you you finished? You

0:16:54.720 --> 0:17:02.120
<v Speaker 2>finished South like thought you were playing yourself. Stop playing

0:17:02.160 --> 0:17:04.920
<v Speaker 2>with my boy. Damn.

0:17:04.960 --> 0:17:08.040
<v Speaker 1>I just got a crazy clip Jan Thug and barrd

0:17:08.119 --> 0:17:10.240
<v Speaker 1>Man the cues and conspire, Man, I'm not getting in

0:17:10.280 --> 0:17:12.480
<v Speaker 1>that anyway.

0:17:12.320 --> 0:17:15.240
<v Speaker 5>Conspiring to what if you said, conspired to Killer Tomy

0:17:15.280 --> 0:17:17.840
<v Speaker 5>Kwan or some stupid ass ship. I'm done. I'm done.

0:17:18.680 --> 0:17:22.480
<v Speaker 2>Rat Ray, rat Youerr Ray? Is that ratcher?

0:17:22.560 --> 0:17:22.679
<v Speaker 5>Ray?

0:17:23.119 --> 0:17:25.240
<v Speaker 1>How about have a debate without slander they can be.

0:17:25.359 --> 0:17:28.840
<v Speaker 1>I agree with you, Ray, That's what.

0:17:28.840 --> 0:17:30.720
<v Speaker 4>I think gonna happen. I think she got it right.

0:17:30.760 --> 0:17:33.120
<v Speaker 4>I think Doc gonna bring them little Wayne up. See y'all,

0:17:33.160 --> 0:17:36.480
<v Speaker 4>what they don't understand is all these people first off

0:17:36.600 --> 0:17:38.560
<v Speaker 4>killing me talking about these people like they know them

0:17:38.560 --> 0:17:41.840
<v Speaker 4>personally or something. If you know, if you really know,

0:17:42.640 --> 0:17:46.640
<v Speaker 4>Doc loves little Wayne. That was one of his major influences,

0:17:47.080 --> 0:17:49.800
<v Speaker 4>major influences. So he might just bring him out because

0:17:49.840 --> 0:17:53.159
<v Speaker 4>he is. You know, everybody is talking about this except

0:17:53.160 --> 0:17:55.320
<v Speaker 4>for Wayne. I don't even think Bird is tripping off

0:17:55.400 --> 0:17:55.720
<v Speaker 4>of him.

0:17:56.320 --> 0:18:00.560
<v Speaker 1>Well, Barr tweeted something said, Hayton, but look, I don't

0:18:00.560 --> 0:18:03.840
<v Speaker 1>think it's nothing wrong for Wayne's for all of us,

0:18:03.920 --> 0:18:07.320
<v Speaker 1>even as Wayne family and Wayne's people, to rally around Wayne.

0:18:07.920 --> 0:18:09.520
<v Speaker 1>You know, it's nothing wrong with that for them not

0:18:09.640 --> 0:18:13.520
<v Speaker 1>choosing Wayne. But again, there's no conspiracy for it not

0:18:13.640 --> 0:18:21.400
<v Speaker 1>to be Wayne. Like that just don't make sense. And

0:18:21.640 --> 0:18:24.000
<v Speaker 1>this is another thing. Shout out to my knees DJNA.

0:18:25.640 --> 0:18:31.280
<v Speaker 1>They're mad at jay Z, not Kendrick. And that's kind

0:18:31.280 --> 0:18:33.760
<v Speaker 1>of what it is too, this job.

0:18:35.040 --> 0:18:36.520
<v Speaker 2>What how am I doing my job?

0:18:36.800 --> 0:18:39.359
<v Speaker 4>I said, Jay is doing his job. Kendrick is the

0:18:39.359 --> 0:18:42.560
<v Speaker 4>hottest dude in the game right now, undeniedly like, who

0:18:42.560 --> 0:18:43.080
<v Speaker 4>else is it?

0:18:44.000 --> 0:18:46.920
<v Speaker 2>Well, I don't think the super Bowl book's hot. That's

0:18:47.040 --> 0:18:47.520
<v Speaker 2>not standing.

0:18:47.600 --> 0:18:49.399
<v Speaker 3>So do you think if either put Jacob out there,

0:18:49.440 --> 0:18:50.680
<v Speaker 3>people will be talking about.

0:18:50.440 --> 0:18:53.840
<v Speaker 1>All this I mean, I think yes, I think people

0:18:53.880 --> 0:18:58.679
<v Speaker 1>would still be saying not having Little Wayne for Louisiana's

0:18:58.680 --> 0:19:01.560
<v Speaker 1>super Bowl at this point, knowing hip hop is a possibility.

0:19:01.880 --> 0:19:04.399
<v Speaker 2>Who did super Bowl twenty three? That's messed up. I

0:19:04.400 --> 0:19:06.960
<v Speaker 2>can't remember that. Who did super Bowl twenty.

0:19:08.520 --> 0:19:09.000
<v Speaker 3>If I.

0:19:10.760 --> 0:19:12.800
<v Speaker 2>Remember? Ain't that crazy?

0:19:13.640 --> 0:19:16.080
<v Speaker 5>What's her name doing? Swift? Or was it too busy

0:19:16.080 --> 0:19:16.879
<v Speaker 5>in the in the booth?

0:19:20.920 --> 0:19:24.800
<v Speaker 2>Swift? Who did? Who did the last Super Bowl? It

0:19:24.920 --> 0:19:27.119
<v Speaker 2>was this year? That's crazy. All I remember is Snoop

0:19:27.119 --> 0:19:27.359
<v Speaker 2>and Dre.

0:19:28.640 --> 0:19:31.280
<v Speaker 5>I remember losing some money because Hard Rock Casino was

0:19:31.280 --> 0:19:33.760
<v Speaker 5>supposed to reimburse my first hundred dollars bet and I

0:19:33.840 --> 0:19:36.120
<v Speaker 5>bet one hundred dollars and lost, and they said.

0:19:35.920 --> 0:19:37.560
<v Speaker 2>Oh it was yourself.

0:19:38.840 --> 0:19:41.960
<v Speaker 5>It was oh yeah, pregnant and all that ship. Good God,

0:19:42.359 --> 0:19:43.760
<v Speaker 5>I can't get any worse than that.

0:19:44.160 --> 0:19:45.600
<v Speaker 3>So I'm gonna tell you to be hard.

0:19:46.119 --> 0:19:48.920
<v Speaker 4>If the Illuminati control the Super Bowl, duve c woiuld

0:19:48.920 --> 0:19:50.199
<v Speaker 4>be out there, how hard would that be?

0:19:51.760 --> 0:19:54.600
<v Speaker 2>History, I'd be right at the front.

0:19:54.280 --> 0:19:55.399
<v Speaker 3>Coming up in the super Bowl.

0:19:59.280 --> 0:20:03.760
<v Speaker 1>Man, Now you finish just that, this is what you do,

0:20:08.200 --> 0:20:09.320
<v Speaker 1>your goddamn face.

0:20:10.320 --> 0:20:17.720
<v Speaker 4>Glasses, But the games beginning glasses and turn all this look.

0:20:17.640 --> 0:20:18.440
<v Speaker 3>Queen with my name?

0:20:20.720 --> 0:20:22.000
<v Speaker 2>What is wrong with you today?

0:20:22.040 --> 0:20:22.200
<v Speaker 4>Bro?

0:20:22.280 --> 0:20:25.879
<v Speaker 3>You high being being found? No, I'm not. I'm just

0:20:25.920 --> 0:20:26.560
<v Speaker 3>having some fun.

0:20:26.880 --> 0:20:29.520
<v Speaker 5>What's the what's what's the upper strand of weed? Again?

0:20:29.880 --> 0:20:30.800
<v Speaker 5>Is sativa upper?

0:20:31.240 --> 0:20:33.080
<v Speaker 2>Yeah? Sativa is an upper Yeah, that's right.

0:20:33.119 --> 0:20:37.240
<v Speaker 5>He's he looks like he off sativa. I think he

0:20:37.400 --> 0:20:38.119
<v Speaker 5>vaped a little bit of.

0:20:39.400 --> 0:20:42.680
<v Speaker 1>You know you love came I would love it for sure.

0:20:42.800 --> 0:20:44.680
<v Speaker 1>But I'm not saying nothing wrong with that. I'm saying,

0:20:44.720 --> 0:20:46.200
<v Speaker 1>why are you emulating his voice?

0:20:47.280 --> 0:20:56.280
<v Speaker 5>He's he's in mode. He's in impersonation mode today.

0:20:57.200 --> 0:21:01.520
<v Speaker 1>Ray said pineapple upside down cake string for sure?

0:21:02.160 --> 0:21:02.320
<v Speaker 3>Right?

0:21:04.200 --> 0:21:06.200
<v Speaker 4>No, actually, man, you know what. I'm off the weed

0:21:06.240 --> 0:21:11.040
<v Speaker 4>no more. I do not smoke marijuana no more. I'm

0:21:11.920 --> 0:21:16.800
<v Speaker 4>I'm on the natural my friends on the live. I'm

0:21:16.840 --> 0:21:19.840
<v Speaker 4>just cutting up. No, I think it would be dope

0:21:19.880 --> 0:21:22.000
<v Speaker 4>if we if we did have dubs on it, you

0:21:22.040 --> 0:21:23.879
<v Speaker 4>make a dub c up there doing the seatwalk.

0:21:23.960 --> 0:21:26.240
<v Speaker 2>Man, Yes, that would be great.

0:21:28.280 --> 0:21:30.600
<v Speaker 4>That would be hard. They have Dudu, one of the

0:21:30.640 --> 0:21:32.040
<v Speaker 4>most underrated of all time.

0:21:32.800 --> 0:21:37.280
<v Speaker 1>I mean, listen, I think it's really great that they

0:21:37.359 --> 0:21:44.320
<v Speaker 1>chose Kendrick Lamar. I think he's gonna put together. I

0:21:44.320 --> 0:21:46.920
<v Speaker 1>think he's going to put together a really great performance.

0:21:47.240 --> 0:21:49.800
<v Speaker 1>He's one of the greater performance of one of the

0:21:49.800 --> 0:21:54.320
<v Speaker 1>greater performers of the modern era in hip hop. I

0:21:54.320 --> 0:21:59.200
<v Speaker 1>think now you know, he has enough really huge songs, right,

0:21:59.280 --> 0:22:02.439
<v Speaker 1>he has enough really great relationships to where if you

0:22:02.520 --> 0:22:06.879
<v Speaker 1>wanted to make it anything, he doesn't need one person

0:22:06.960 --> 0:22:10.359
<v Speaker 1>to make it special. Isn't that crazy that Kendrick Lamar

0:22:10.480 --> 0:22:16.119
<v Speaker 1>is doing the super Bowl twice? Has anybody done the

0:22:16.160 --> 0:22:17.120
<v Speaker 1>super Bowl twice?

0:22:17.640 --> 0:22:20.080
<v Speaker 3>Yeah? Kenner did the super Bowl?

0:22:20.640 --> 0:22:22.520
<v Speaker 2>Remember he did it. He came out with Doctor Dre

0:22:22.800 --> 0:22:23.399
<v Speaker 2>and Snoop.

0:22:23.840 --> 0:22:24.640
<v Speaker 3>That's right.

0:22:25.800 --> 0:22:29.639
<v Speaker 4>You just hip hop, just hip hop period. You know

0:22:29.720 --> 0:22:32.160
<v Speaker 4>what we need to be celebrating this hip hop period.

0:22:32.880 --> 0:22:35.240
<v Speaker 4>Super Bowl is great because I remember when they were

0:22:35.240 --> 0:22:37.680
<v Speaker 4>saying this stuff wasn't go last. I remember when people

0:22:37.800 --> 0:22:40.800
<v Speaker 4>really thought that this was a flashlar fan thing. Most

0:22:40.800 --> 0:22:42.160
<v Speaker 4>of these people ain't old enough.

0:22:43.240 --> 0:22:45.400
<v Speaker 2>Most of you focused.

0:22:45.440 --> 0:22:48.200
<v Speaker 1>I'm swinting and talk to people. You over here trying

0:22:48.200 --> 0:22:50.000
<v Speaker 1>to do my job. My job, I got it.

0:22:50.359 --> 0:22:52.439
<v Speaker 3>I'm not I'm not squinting, I'm not tripping on what

0:22:52.440 --> 0:22:52.880
<v Speaker 3>they're saying.

0:22:52.920 --> 0:22:57.919
<v Speaker 4>But most of these guys are aren't old enough to

0:22:57.960 --> 0:23:00.080
<v Speaker 4>remember when they were talking about hip hop was a

0:23:00.960 --> 0:23:03.120
<v Speaker 4>I remember when they were talking about this wouldn't gonna

0:23:03.119 --> 0:23:03.520
<v Speaker 4>be around.

0:23:03.560 --> 0:23:05.320
<v Speaker 3>Now we're doing the super Bowl and then how big

0:23:05.440 --> 0:23:05.560
<v Speaker 3>is that?

0:23:06.680 --> 0:23:12.160
<v Speaker 1>Man the time like thirty years ago, too Short, Too

0:23:12.280 --> 0:23:16.400
<v Speaker 1>Short and Ice Team both told me in very long

0:23:16.480 --> 0:23:19.520
<v Speaker 1>conversations that we had how people was hating on to

0:23:20.000 --> 0:23:23.080
<v Speaker 1>how people was hating on uh, how people was hating

0:23:23.119 --> 0:23:25.920
<v Speaker 1>on hip hop when y'all was coming up, you know

0:23:25.960 --> 0:23:27.880
<v Speaker 1>what I mean, like they looked at it like they

0:23:28.480 --> 0:23:31.720
<v Speaker 1>R and B was hating, Jazz was hating different other

0:23:31.840 --> 0:23:35.399
<v Speaker 1>genres was hating. And now like we're on the biggest

0:23:35.440 --> 0:23:39.719
<v Speaker 1>stage in the world. That's pretty cool. Has jazz been

0:23:39.760 --> 0:23:41.919
<v Speaker 1>on the stage still? Do you remember jazz musician ever

0:23:41.960 --> 0:23:43.680
<v Speaker 1>played in Super Bowl?

0:23:43.840 --> 0:23:44.840
<v Speaker 2>Herbie do It?

0:23:45.480 --> 0:23:49.840
<v Speaker 4>A jazz musician never played the Super Bowl? Hold on

0:23:49.840 --> 0:23:51.240
<v Speaker 4>one Second, bro hold on.

0:23:54.000 --> 0:23:54.719
<v Speaker 2>Dog Running.

0:23:56.960 --> 0:24:00.240
<v Speaker 5>Typically it was like Top forty acts I think most

0:24:00.280 --> 0:24:03.800
<v Speaker 5>of the time, or the older like formerly Top forty.

0:24:04.040 --> 0:24:06.680
<v Speaker 2>Yeah, you had to have a catalog of smash records before.

0:24:06.800 --> 0:24:10.199
<v Speaker 5>Yeah, Like I remember, even even after the whole Janet

0:24:10.240 --> 0:24:12.480
<v Speaker 5>Titty thing, the next year they brought out like a

0:24:12.600 --> 0:24:16.480
<v Speaker 5>geriatric Paul McCartney or the Rolling Stones, in their seventies

0:24:17.160 --> 0:24:19.119
<v Speaker 5>or some shit. The Rolling Stones probably did it in

0:24:19.160 --> 0:24:23.880
<v Speaker 5>their fifties as well, but that kind of thing they

0:24:23.960 --> 0:24:27.200
<v Speaker 5>almost I think what's different now is in the last

0:24:27.200 --> 0:24:30.119
<v Speaker 5>decade they've gone from trying to aim to the middle,

0:24:30.240 --> 0:24:33.240
<v Speaker 5>like we're just having something that's like the most elevator

0:24:33.240 --> 0:24:35.960
<v Speaker 5>of music, y like least alienating, to now, let's let's

0:24:36.000 --> 0:24:38.040
<v Speaker 5>do something it's the most provocative so that we can

0:24:38.119 --> 0:24:43.520
<v Speaker 5>get more of a spun off, you know, media coverage,

0:24:43.560 --> 0:24:47.040
<v Speaker 5>conversation after the fact, and it looks like more that

0:24:47.160 --> 0:24:51.560
<v Speaker 5>the concern is not about opportunity costs from audience alienation,

0:24:51.680 --> 0:24:58.040
<v Speaker 5>but of opportunity to be gained from the conversation about

0:24:58.040 --> 0:25:02.439
<v Speaker 5>it leading up to and afterwards, that there's metrics that

0:25:02.680 --> 0:25:05.080
<v Speaker 5>indicate that there's more value in that approach.

0:25:06.160 --> 0:25:08.720
<v Speaker 1>Shout out to bad Sea, Shout out to our angel.

0:25:09.119 --> 0:25:11.359
<v Speaker 1>Thank y'all for joining us on this lunch hour No

0:25:11.520 --> 0:25:14.679
<v Speaker 1>Sellings Live. Make sure you click the link in the

0:25:14.760 --> 0:25:19.120
<v Speaker 1>bottom for the latest podcast. They drop every Tuesday on

0:25:19.359 --> 0:25:22.520
<v Speaker 1>Apple Podcasts or anywhere else you get your podcast from.

0:25:22.560 --> 0:25:23.800
<v Speaker 2>This is the Live to support it.

0:25:23.840 --> 0:25:30.680
<v Speaker 1>Monday, Wednesday and Friday, David Lartigue asked a really great question. Emotionally,

0:25:30.800 --> 0:25:33.320
<v Speaker 1>I don't want to really believe this is true, but

0:25:33.359 --> 0:25:36.480
<v Speaker 1>he asks, why is it when West Coast? Why is

0:25:36.520 --> 0:25:39.200
<v Speaker 1>it when the West Coast performs the Super Bowl? Y'all

0:25:39.200 --> 0:25:46.800
<v Speaker 1>bring out issues? That is true, heard as much complaints

0:25:47.840 --> 0:25:52.280
<v Speaker 1>right for who's performing at the Super Bowl. It really

0:25:52.600 --> 0:25:57.040
<v Speaker 1>never mattered as much, But all of a sudden it's

0:25:57.080 --> 0:26:02.120
<v Speaker 1>a big problem. And there's a line and the Kendrick

0:26:02.680 --> 0:26:06.080
<v Speaker 1>song that says that people really don't like the West Coast,

0:26:06.119 --> 0:26:08.639
<v Speaker 1>and I'm fine with it. I would push the line

0:26:08.680 --> 0:26:12.879
<v Speaker 1>with it. Why don't people like the West still shout

0:26:12.880 --> 0:26:15.879
<v Speaker 1>out to get the chili? Chili was hading and player

0:26:15.920 --> 0:26:19.600
<v Speaker 1>we in here lunch hour like usual Monday, Wednesday and Friday.

0:26:20.000 --> 0:26:22.120
<v Speaker 1>We got a super chat. If y'all feel like buying

0:26:22.200 --> 0:26:24.639
<v Speaker 1>us lunch, y'all can hit the super chat. This is

0:26:24.640 --> 0:26:29.360
<v Speaker 1>the lunch hour with no sellers live. Pete elaborate what.

0:26:29.160 --> 0:26:32.320
<v Speaker 5>Was the response when a non West Coast hip hop

0:26:32.359 --> 0:26:34.359
<v Speaker 5>act had the halftime show at Super Bowl?

0:26:35.359 --> 0:26:36.840
<v Speaker 2>When does it ever happen? It's never happened.

0:26:36.840 --> 0:26:39.000
<v Speaker 5>Fact, then what the fuck are we talking about?

0:26:39.359 --> 0:26:43.480
<v Speaker 1>Well, I'm thinking, why is it when anybody can think

0:26:43.520 --> 0:26:44.240
<v Speaker 1>about who's.

0:26:44.040 --> 0:26:46.040
<v Speaker 2>Performing at the super Bowl.

0:26:47.119 --> 0:26:50.439
<v Speaker 1>Ever, when has anybody ever cared about who performed at

0:26:50.440 --> 0:26:51.119
<v Speaker 1>the Super Bowl.

0:26:51.720 --> 0:26:53.480
<v Speaker 5>If Gucci came out because they do it at the

0:26:53.480 --> 0:26:55.920
<v Speaker 5>Mercedes ben Center in two years, people are gonna bitch

0:26:55.960 --> 0:26:56.440
<v Speaker 5>about that.

0:26:56.720 --> 0:26:59.400
<v Speaker 2>I'm sure some people would be upset if Gucci did

0:26:59.400 --> 0:26:59.960
<v Speaker 2>the super Bowl.

0:27:00.520 --> 0:27:03.240
<v Speaker 5>Watch them, you don't. Don't start a sentence with it.

0:27:03.280 --> 0:27:06.960
<v Speaker 5>I don't think people will be upset if in the modern.

0:27:06.680 --> 0:27:10.359
<v Speaker 1>Eracci that's true, it is the modern era.

0:27:13.280 --> 0:27:16.159
<v Speaker 2>But that's my point.

0:27:16.240 --> 0:27:16.400
<v Speaker 3>Ray.

0:27:16.480 --> 0:27:21.040
<v Speaker 1>I've seen people complain after a performance, right, I've watched

0:27:21.080 --> 0:27:24.800
<v Speaker 1>people complain after the super Bowl performance. But I've never

0:27:24.880 --> 0:27:28.399
<v Speaker 1>heard anybody complain or get an attitude about who is

0:27:28.560 --> 0:27:30.360
<v Speaker 1>chosen to perform at a super Bowl.

0:27:30.480 --> 0:27:35.320
<v Speaker 5>Until now, I feel like it was a thing for

0:27:35.600 --> 0:27:39.720
<v Speaker 5>like on a lower level to some degree, like over

0:27:39.760 --> 0:27:42.359
<v Speaker 5>and over again. Less I feel like I feel like

0:27:42.400 --> 0:27:46.440
<v Speaker 5>that Janet Timberlake thing made it a thing. And then

0:27:46.520 --> 0:27:49.720
<v Speaker 5>afterwards they went way in the other direction. Then after

0:27:49.760 --> 0:27:52.240
<v Speaker 5>that they went way in the other direction, and it's

0:27:52.280 --> 0:27:57.040
<v Speaker 5>become like a little independent media cycle of its own.

0:27:57.119 --> 0:27:59.480
<v Speaker 5>The declaration of who will be the superwol halftime show,

0:27:59.720 --> 0:28:03.000
<v Speaker 5>like it whatever the fuck? And then people go yeah,

0:28:03.080 --> 0:28:05.199
<v Speaker 5>and other people go, I don't know.

0:28:05.359 --> 0:28:09.879
<v Speaker 1>No, last year, they right, it's been We're two years

0:28:09.920 --> 0:28:11.719
<v Speaker 1>removed from Snoop and Dre.

0:28:11.880 --> 0:28:14.760
<v Speaker 2>Super Bowl, wasn't it Rihanna and Usher?

0:28:17.800 --> 0:28:22.240
<v Speaker 5>I remember Rihanna looked awfully pregnant and I could have

0:28:22.240 --> 0:28:25.200
<v Speaker 5>lived about that. I'm not big on I'm pregnant.

0:28:25.920 --> 0:28:27.719
<v Speaker 2>You're not big on pregnant people doing stuff.

0:28:28.119 --> 0:28:30.000
<v Speaker 5>I'm not big on having to look at pregnant stomachs.

0:28:30.040 --> 0:28:33.440
<v Speaker 2>Now you don't think that's a beautiful thing, Pete.

0:28:33.240 --> 0:28:38.320
<v Speaker 5>No, I it's fantastic for all parties involved. Those parties

0:28:38.320 --> 0:28:39.960
<v Speaker 5>are not me, and that's fine.

0:28:42.680 --> 0:28:43.480
<v Speaker 3>That's crazy.

0:28:43.520 --> 0:28:45.480
<v Speaker 2>So you against the look of life.

0:28:47.560 --> 0:28:49.520
<v Speaker 5>When life gets stretched out.

0:28:50.640 --> 0:28:54.479
<v Speaker 1>Yeah, so if you was married and your wife was pregnant,

0:28:54.520 --> 0:28:56.360
<v Speaker 1>you would be like one of those husbands who wouldn't

0:28:56.360 --> 0:28:58.120
<v Speaker 1>sleep with your wife because she was pregnant.

0:28:58.400 --> 0:28:59.880
<v Speaker 5>What do you mean, wouldn't sleep with like I wouldn't

0:28:59.880 --> 0:29:01.840
<v Speaker 5>fuer wouldn't literally just sleep next.

0:29:01.640 --> 0:29:06.520
<v Speaker 2>To you know the difference. No, in our context of language.

0:29:06.560 --> 0:29:10.480
<v Speaker 5>In the context of my life, an ideal marriage for

0:29:10.560 --> 0:29:14.480
<v Speaker 5>me is I get to have my own room and

0:29:14.600 --> 0:29:18.560
<v Speaker 5>sleep unbothered by somebody next to me. That would be ideal.

0:29:19.640 --> 0:29:23.560
<v Speaker 5>So I didn't know if you meant in reference to that.

0:29:22.880 --> 0:29:26.080
<v Speaker 2>That wish, I mean having sex with your pregnant wife rather.

0:29:25.880 --> 0:29:30.240
<v Speaker 5>Than I mean you gotta bite the bullet for what's

0:29:30.240 --> 0:29:32.800
<v Speaker 5>best for the marriage. But it's one of those things

0:29:32.800 --> 0:29:35.280
<v Speaker 5>that you tolerate, like a lot of things in marriages.

0:29:35.480 --> 0:29:36.400
<v Speaker 5>Is why I'm not married.

0:29:41.240 --> 0:29:44.040
<v Speaker 1>Mike Smooth asked a really good question. Shout out to

0:29:44.080 --> 0:29:48.120
<v Speaker 1>the hommie. Mike's move. Does Kendrick have enough songs.

0:29:47.760 --> 0:29:48.920
<v Speaker 2>To do a Super Bowl?

0:29:49.800 --> 0:29:50.920
<v Speaker 5>Oh? It tastes like four.

0:29:54.280 --> 0:29:57.480
<v Speaker 1>Yes, Mike's move. Kendrick has enough songs to do a soup?

0:29:57.560 --> 0:29:58.480
<v Speaker 1>That's just crazy, Mike.

0:29:58.600 --> 0:29:59.800
<v Speaker 5>He has one song that he does.

0:30:02.920 --> 0:30:06.960
<v Speaker 2>Are you talking about? What are you talking? Why would

0:30:07.000 --> 0:30:12.840
<v Speaker 2>you ask that? Mike? What is wrong with you? Oh? Man,

0:30:14.280 --> 0:30:15.840
<v Speaker 2>what are you doing? Just stop staying? What are you

0:30:15.840 --> 0:30:16.600
<v Speaker 2>looking something up?

0:30:16.880 --> 0:30:19.160
<v Speaker 3>No? I'm doing something. You do the show. Let me

0:30:19.200 --> 0:30:21.120
<v Speaker 3>do what I'm doing right now. I was actually doing

0:30:21.160 --> 0:30:21.640
<v Speaker 3>something for.

0:30:21.560 --> 0:30:22.600
<v Speaker 5>The show on the show.

0:30:22.640 --> 0:30:24.320
<v Speaker 2>What does that mean exactly?

0:30:24.760 --> 0:30:26.360
<v Speaker 3>Let me do something like what do you want me

0:30:26.400 --> 0:30:26.600
<v Speaker 3>to do?

0:30:26.640 --> 0:30:30.920
<v Speaker 1>You just told me we're having a conversation. I would

0:30:31.120 --> 0:30:33.760
<v Speaker 1>like you to contribute to said conversation.

0:30:33.920 --> 0:30:36.160
<v Speaker 3>I was everything I said. If you told me, Kick

0:30:36.240 --> 0:30:36.880
<v Speaker 3>me off.

0:30:37.120 --> 0:30:38.480
<v Speaker 2>I'm just you.

0:30:38.560 --> 0:30:40.960
<v Speaker 1>I would kick you out for no seelings because you

0:30:41.080 --> 0:30:44.800
<v Speaker 1>first started the slander not like us, which that's crazy

0:30:44.840 --> 0:30:48.240
<v Speaker 1>because you are not. I hope he does other songs

0:30:48.280 --> 0:30:51.120
<v Speaker 1>besides oh you said, I hope he doesn't do that song.

0:30:52.520 --> 0:30:55.520
<v Speaker 1>Imagine Michael Jackson performing somewhere without Thriller.

0:30:58.600 --> 0:31:00.520
<v Speaker 4>I'm just saying, man, I think he could have an album.

0:31:00.760 --> 0:31:02.480
<v Speaker 4>Do you think his album for he out by then?

0:31:02.680 --> 0:31:05.040
<v Speaker 2>I hope so. But why would you not still want

0:31:05.080 --> 0:31:06.200
<v Speaker 2>to see him do thriller?

0:31:08.880 --> 0:31:10.920
<v Speaker 4>Because I think he got so many other songs in

0:31:10.960 --> 0:31:13.840
<v Speaker 4>his catalog. He does have a pretty big catalog right

0:31:13.840 --> 0:31:14.840
<v Speaker 4>now at this point.

0:31:15.240 --> 0:31:18.400
<v Speaker 2>So the biggest, grandest stage in the world.

0:31:19.760 --> 0:31:22.000
<v Speaker 4>I'm pretty sure he's gonna do the song. Man, you know,

0:31:22.080 --> 0:31:23.840
<v Speaker 4>I'm pretty sure he's gonna do it. But hopefully he

0:31:23.880 --> 0:31:25.320
<v Speaker 4>don't do it no two or three times?

0:31:25.760 --> 0:31:26.120
<v Speaker 1>Why not?

0:31:27.880 --> 0:31:28.600
<v Speaker 4>Well, he don't need to.

0:31:28.680 --> 0:31:30.080
<v Speaker 3>He got so many other great songs.

0:31:30.120 --> 0:31:35.800
<v Speaker 4>He don't have to just focus on that one what song?

0:31:35.840 --> 0:31:38.640
<v Speaker 5>Since he had what would be what would be his third, fourth,

0:31:38.680 --> 0:31:44.200
<v Speaker 5>and fifth like smash hit multi regionally, universally known, everybody

0:31:44.280 --> 0:31:47.360
<v Speaker 5>knows when they hear it songs third fourth, you can

0:31:47.400 --> 0:31:47.760
<v Speaker 5>get it.

0:31:47.880 --> 0:31:49.920
<v Speaker 4>You can get it, you can get it. Wouldn't that

0:31:49.960 --> 0:31:53.040
<v Speaker 4>be a song? He did that with Drake Who Existice?

0:31:55.400 --> 0:31:57.360
<v Speaker 4>What Exists was a pretty big record.

0:31:58.080 --> 0:31:59.120
<v Speaker 2>Bro, What is wrong with you?

0:31:59.800 --> 0:32:06.600
<v Speaker 3>You high? No, I'm not high? Swimming pools a whole

0:32:06.640 --> 0:32:07.640
<v Speaker 3>bunch of other stuff.

0:32:07.360 --> 0:32:10.880
<v Speaker 5>That's what I'm saying. Besides, besides swimming Pools and that one?

0:32:11.200 --> 0:32:13.160
<v Speaker 5>What other songs he had that are smashed hits that

0:32:13.200 --> 0:32:16.440
<v Speaker 5>everybody just knows the second they hear it. Wire to

0:32:16.520 --> 0:32:18.200
<v Speaker 5>wire through four times?

0:32:18.560 --> 0:32:20.959
<v Speaker 3>He got some big records, Man, what are they?

0:32:21.600 --> 0:32:27.400
<v Speaker 4>D n A, d n A? What's the one he

0:32:27.480 --> 0:32:29.880
<v Speaker 4>deald with the homie in Atlantic seat from from Atlanta.

0:32:32.640 --> 0:32:38.600
<v Speaker 3>Served sandwiches? What was the what was the name of

0:32:40.920 --> 0:32:43.680
<v Speaker 3>when viral? What was that one? That's the jam right there?

0:32:44.080 --> 0:32:47.600
<v Speaker 2>You don't know the name of his universally.

0:32:48.760 --> 0:32:49.200
<v Speaker 3>Think of it?

0:32:49.560 --> 0:32:51.560
<v Speaker 5>Are you can't even remember the names of them.

0:32:53.080 --> 0:32:54.760
<v Speaker 1>You don't want to hear the one song you know

0:32:54.840 --> 0:33:01.760
<v Speaker 1>the name of Bassie and T says he needs to

0:33:01.920 --> 0:33:04.840
<v Speaker 1>perform not like us. I want to hear fifty thousand

0:33:04.880 --> 0:33:08.440
<v Speaker 1>people sing along to wop wop wop wop wop.

0:33:08.920 --> 0:33:09.560
<v Speaker 2>Fuck up?

0:33:10.520 --> 0:33:12.560
<v Speaker 3>Yeah, that'll be all that would be hard. But you

0:33:12.640 --> 0:33:13.680
<v Speaker 3>know he gotta do Humble.

0:33:15.080 --> 0:33:17.160
<v Speaker 1>I don't remember the name of the song. Yeah, I

0:33:17.240 --> 0:33:27.560
<v Speaker 1>remember the name of the song, Mike, Mike song, Mike TV.

0:33:27.920 --> 0:33:36.320
<v Speaker 1>Stop doing my job any big songs. So you're trying

0:33:36.360 --> 0:33:39.480
<v Speaker 1>to read, focus on talking to me? And please, what

0:33:39.640 --> 0:33:40.800
<v Speaker 1>do you know what I'm trying to read?

0:33:41.280 --> 0:33:42.920
<v Speaker 5>Are you say my mind? Right now?

0:33:45.200 --> 0:33:48.480
<v Speaker 1>All of us on YouTube, anybody who's staring at you,

0:33:48.680 --> 0:33:51.200
<v Speaker 1>we can see your eyes. So when you squint, you

0:33:51.360 --> 0:33:53.760
<v Speaker 1>can squint. We can see it. We can see you

0:33:53.880 --> 0:33:56.040
<v Speaker 1>reading all the comments. We can see everything you're doing.

0:33:56.080 --> 0:33:58.360
<v Speaker 1>When you're telling your dog to shut up, we could

0:33:58.400 --> 0:34:00.920
<v Speaker 1>see your eyes looking over at you. We're looking right

0:34:01.000 --> 0:34:04.360
<v Speaker 1>at you. Still, We're looking at you. We're looking right

0:34:04.400 --> 0:34:04.680
<v Speaker 1>at you.

0:34:04.960 --> 0:34:06.080
<v Speaker 3>What am I looking at right now?

0:34:06.960 --> 0:34:07.800
<v Speaker 2>We listen.

0:34:07.920 --> 0:34:09.799
<v Speaker 5>We know you're not looking at us, so I can

0:34:09.840 --> 0:34:12.560
<v Speaker 5>tell you he's just trying to point looking at the wall.

0:34:15.280 --> 0:34:18.800
<v Speaker 1>Just Kendrick, don't have no big songs, Mike smooth, what

0:34:18.920 --> 0:34:21.000
<v Speaker 1>is wrong? Which I wouldn't even honor that, Mike, you just.

0:34:22.520 --> 0:34:24.400
<v Speaker 5>Three universally like.

0:34:26.520 --> 0:34:27.200
<v Speaker 3>Was a big record.

0:34:29.239 --> 0:34:32.960
<v Speaker 1>Humble is the number one song in the country, and

0:34:33.080 --> 0:34:40.960
<v Speaker 1>it's a big shon this mhm sh it was like

0:34:41.320 --> 0:34:42.439
<v Speaker 1>glasses what is wrong?

0:34:44.840 --> 0:34:45.239
<v Speaker 3>Shut Up?

0:34:46.440 --> 0:34:48.040
<v Speaker 4>That was my favorite part of the song, shut Up,

0:34:49.280 --> 0:34:55.600
<v Speaker 4>Shut up, bitch. I would love to dub C on

0:34:55.680 --> 0:34:57.120
<v Speaker 4>it though. I just want to see dub C on

0:34:57.160 --> 0:34:58.880
<v Speaker 4>the Super Bowl. We see dub on it, that's when

0:34:58.920 --> 0:35:01.640
<v Speaker 4>we know everything is just. I would love to see

0:35:01.719 --> 0:35:04.239
<v Speaker 4>dub C. What if they just made a getaway as

0:35:04.320 --> 0:35:07.520
<v Speaker 4>super Bowl one here, put dub C on their little boozy?

0:35:07.560 --> 0:35:13.680
<v Speaker 4>Who else a gettaway as Rapper and Master Pete going

0:35:13.719 --> 0:35:15.759
<v Speaker 4>in and go about HI about it?

0:35:16.960 --> 0:35:18.640
<v Speaker 2>Do you think Master P would have been a better

0:35:18.719 --> 0:35:20.160
<v Speaker 2>performer in New Orleans?

0:35:21.520 --> 0:35:23.520
<v Speaker 3>You know what, man, I'll be honest with you.

0:35:24.400 --> 0:35:27.840
<v Speaker 4>I think that by Doc being in New Orleans, you

0:35:27.920 --> 0:35:29.440
<v Speaker 4>don't You don't want to hear who I thought?

0:35:29.480 --> 0:35:30.560
<v Speaker 3>Who I think it turned out?

0:35:30.640 --> 0:35:30.759
<v Speaker 4>Man.

0:35:30.840 --> 0:35:32.719
<v Speaker 3>I think if they did do no limit and did

0:35:32.840 --> 0:35:35.000
<v Speaker 3>make him say, I think that would turn stuff out.

0:35:36.239 --> 0:35:38.120
<v Speaker 5>I think I think if you if you throw a

0:35:38.200 --> 0:35:39.760
<v Speaker 5>mescal out there, things will be fine.

0:35:40.320 --> 0:35:42.560
<v Speaker 3>Well, Mischi can't keep his hands on.

0:35:44.480 --> 0:35:46.200
<v Speaker 5>I thought that would make it funnier because of the

0:35:46.280 --> 0:35:49.280
<v Speaker 5>Drake accusations. To have the real, the real ticket out there.

0:35:49.520 --> 0:35:50.160
<v Speaker 3>You know what I do.

0:35:50.560 --> 0:35:52.400
<v Speaker 4>But speaking of Mistical, I do hope he cut his

0:35:52.480 --> 0:35:54.160
<v Speaker 4>hair off when he comes on. I can't stand when

0:35:54.200 --> 0:35:57.040
<v Speaker 4>I see brothers with receive trying to hold on that stuff.

0:35:57.040 --> 0:35:58.759
<v Speaker 4>He got them braids sitting way back here.

0:35:58.920 --> 0:36:00.600
<v Speaker 5>He got braids back again. I thought he got rid

0:36:00.640 --> 0:36:01.439
<v Speaker 5>of his hair for a while.

0:36:03.000 --> 0:36:05.359
<v Speaker 4>No, I think Father Tim got rid of his hair

0:36:05.400 --> 0:36:08.080
<v Speaker 4>for him. He still got them braids back there, George Jefferson.

0:36:10.960 --> 0:36:13.640
<v Speaker 5>Still, you know what, when he did the song with Birdman,

0:36:13.640 --> 0:36:14.839
<v Speaker 5>I don't think he had hair in that video.

0:36:16.400 --> 0:36:18.960
<v Speaker 1>Still, you're like the black Harvey Levin Bro. From here

0:36:19.000 --> 0:36:22.719
<v Speaker 1>on out, we're gonna start calling you Harvey Levin, black

0:36:22.800 --> 0:36:26.560
<v Speaker 1>har Yeah. See how you're doing it again. See how

0:36:26.600 --> 0:36:28.560
<v Speaker 1>your eyes squinched up. You're starting to read because you're

0:36:28.600 --> 0:36:29.839
<v Speaker 1>doing something. You're doing something.

0:36:30.320 --> 0:36:33.400
<v Speaker 4>We could see what you're doing. Actually, actually, Bro, I

0:36:33.520 --> 0:36:35.319
<v Speaker 4>was trying to see what that was that popped up

0:36:35.360 --> 0:36:37.399
<v Speaker 4>over there. I thought something happened. I'm trying to look

0:36:37.400 --> 0:36:38.400
<v Speaker 4>at technical stuff too.

0:36:39.040 --> 0:36:39.520
<v Speaker 1>Mm hmm.

0:36:40.760 --> 0:36:41.880
<v Speaker 3>You know what I like?

0:36:42.080 --> 0:36:44.960
<v Speaker 4>Honestly, I don't think nobody you know, what would be

0:36:45.040 --> 0:36:48.400
<v Speaker 4>dope if he did. If he did, they not like

0:36:48.560 --> 0:36:50.160
<v Speaker 4>just the line band, you know, to be having the

0:36:50.239 --> 0:36:53.279
<v Speaker 4>band down there, that would be hard.

0:36:53.600 --> 0:36:59.160
<v Speaker 5>I just said that hard should do no, DJ and

0:36:59.280 --> 0:37:01.560
<v Speaker 5>have the southern and through the whole ship.

0:37:02.040 --> 0:37:04.719
<v Speaker 2>This is how I know you are not involved in

0:37:04.760 --> 0:37:06.520
<v Speaker 2>the conversation at this wrap.

0:37:06.440 --> 0:37:06.759
<v Speaker 5>Over the.

0:37:11.040 --> 0:37:12.360
<v Speaker 3>That would be I am involved.

0:37:12.440 --> 0:37:13.759
<v Speaker 4>You know what, if you want to know what I

0:37:13.880 --> 0:37:16.520
<v Speaker 4>must be doing while you're telling everything, I was sharing

0:37:16.560 --> 0:37:20.200
<v Speaker 4>this stuff on YouTube to the community so everybody would

0:37:20.239 --> 0:37:23.359
<v Speaker 4>know that we're here. That's what I was doing when

0:37:23.400 --> 0:37:26.319
<v Speaker 4>I was in the things. I'm always engaged, he said,

0:37:26.360 --> 0:37:27.239
<v Speaker 4>bring out m c A.

0:37:27.560 --> 0:37:28.239
<v Speaker 3>That would be good.

0:37:29.000 --> 0:37:32.000
<v Speaker 2>The stopped reading my comments.

0:37:32.480 --> 0:37:34.799
<v Speaker 3>Bro, how are you just so you know what you are?

0:37:35.120 --> 0:37:39.000
<v Speaker 3>You are a dictator? Yes, you are a dictator.

0:37:39.080 --> 0:37:40.080
<v Speaker 2>Read my comment.

0:37:40.719 --> 0:37:42.359
<v Speaker 3>You are a dictator. Don't read.

0:37:42.520 --> 0:37:43.040
<v Speaker 2>I don't want to.

0:37:44.920 --> 0:37:47.000
<v Speaker 3>I want you know what I'm gonna do. I'm just

0:37:47.000 --> 0:37:48.960
<v Speaker 3>gonna talk when you ask me to see it like this.

0:37:49.440 --> 0:37:51.480
<v Speaker 1>No, I would love for you to be involved in

0:37:51.560 --> 0:37:56.600
<v Speaker 1>the conversation, but I also don't want you moderating our comments.

0:37:57.400 --> 0:37:58.480
<v Speaker 3>I'm not moderating them.

0:37:59.320 --> 0:38:00.680
<v Speaker 2>Read none of all our comments.

0:38:01.360 --> 0:38:03.520
<v Speaker 5>How can he get to see the comments that I don't.

0:38:05.400 --> 0:38:07.760
<v Speaker 2>Because he's he's a moderator on the page.

0:38:09.920 --> 0:38:11.080
<v Speaker 3>I'm gonna put it back slide.

0:38:11.320 --> 0:38:13.480
<v Speaker 1>Yes, let me do this because you are ruined it

0:38:13.520 --> 0:38:16.439
<v Speaker 1>shout out to my brother Frank Frank Hernandez in the house.

0:38:16.480 --> 0:38:19.400
<v Speaker 1>We up in here Man Monday, Wednesday and Friday at

0:38:20.400 --> 0:38:24.279
<v Speaker 1>roon Digital Soapbox, Executive produced by Charlotte Mane of God and.

0:38:24.400 --> 0:38:27.319
<v Speaker 2>Black Effects and Digital soap Box the YouTube. Y'all check

0:38:27.360 --> 0:38:27.600
<v Speaker 2>it out.

0:38:27.880 --> 0:38:31.040
<v Speaker 1>Classes are you telling me Kendrick has better songs than Wayne?

0:38:31.200 --> 0:38:34.520
<v Speaker 1>Better is preference? Wayne has more songs than just about

0:38:34.640 --> 0:38:37.759
<v Speaker 1>everybody not named Snoop Dogg and jay Z. So no,

0:38:37.920 --> 0:38:40.839
<v Speaker 1>he doesn't have more songs than Kendrick Lamar that are big.

0:38:41.160 --> 0:38:44.040
<v Speaker 1>But it's not about who has the most amount of songs, right.

0:38:44.360 --> 0:38:47.240
<v Speaker 1>It's about the business of performing at the Super Bowl halftime,

0:38:47.320 --> 0:38:50.520
<v Speaker 1>and Kendrick has more than enough songs to be there.

0:38:50.800 --> 0:38:54.040
<v Speaker 1>He's more than enough presence. It wasn't a choice between

0:38:54.160 --> 0:38:57.280
<v Speaker 1>Wayne or Kendrick. The choice that they made was Kendrick.

0:38:57.760 --> 0:39:00.360
<v Speaker 1>It's not because of who has the better song. Homes

0:39:00.960 --> 0:39:03.520
<v Speaker 1>Like y'all never argued about who was doing the Super

0:39:03.560 --> 0:39:06.040
<v Speaker 1>Bowl before this moment. What are you talking about when?

0:39:06.320 --> 0:39:08.160
<v Speaker 1>When when Usher did it last year to say no

0:39:08.239 --> 0:39:10.400
<v Speaker 1>bell I R Kelly? Let R Kelly do it the

0:39:10.480 --> 0:39:13.880
<v Speaker 1>year before with Rihanna Due you didn't saying that, Carrie

0:39:14.719 --> 0:39:18.640
<v Speaker 1>feel me. No, Kendrick Lamar shout out to the elite king. No,

0:39:18.800 --> 0:39:21.480
<v Speaker 1>Kendrick Lamar is not from New Orleans and neither was

0:39:21.600 --> 0:39:24.000
<v Speaker 1>Usher from where the last super Bowl, and neither did

0:39:24.080 --> 0:39:28.200
<v Speaker 1>they in the Barbados. This is they don't need the

0:39:28.360 --> 0:39:31.800
<v Speaker 1>hometown act to sell tickets.

0:39:31.960 --> 0:39:33.120
<v Speaker 2>This is the super Bowl.

0:39:34.280 --> 0:39:37.839
<v Speaker 5>That's the problem with promoting the the one in LA

0:39:37.920 --> 0:39:40.240
<v Speaker 5>the way that they did. They did that one time,

0:39:41.000 --> 0:39:43.440
<v Speaker 5>but that's the only time that they had a hip

0:39:43.440 --> 0:39:45.799
<v Speaker 5>hop artist in the city. That's that.

0:39:47.719 --> 0:39:50.360
<v Speaker 2>Don't matter. That don't even saying it matters.

0:39:50.800 --> 0:39:54.960
<v Speaker 5>I'm saying established an expectation, because that's that's not.

0:39:55.040 --> 0:39:57.239
<v Speaker 1>Even an expectation. That was two or three years ago.

0:39:58.920 --> 0:40:00.959
<v Speaker 5>The only other hip hop artists.

0:40:00.680 --> 0:40:04.440
<v Speaker 3>To answer the question you asked me earlier.

0:40:04.480 --> 0:40:06.520
<v Speaker 4>If a jazz musicians never did the Super Bowl, Ella

0:40:06.560 --> 0:40:10.640
<v Speaker 4>Fitzgerald get the Super Bowl had a jazz tribute, she did.

0:40:11.080 --> 0:40:14.439
<v Speaker 1>That's how you contribute to the conversation. No, Kendrick Lamar,

0:40:14.600 --> 0:40:16.240
<v Speaker 1>elite is not from New Orleans.

0:40:16.280 --> 0:40:17.200
<v Speaker 2>But that doesn't matter.

0:40:17.400 --> 0:40:19.000
<v Speaker 5>If that's a sarcastic question.

0:40:19.840 --> 0:40:24.200
<v Speaker 1>Yes, Eminem is in Los Angeles. Fifty cent is not

0:40:24.320 --> 0:40:27.040
<v Speaker 1>from Los Angeles. Usher is not from where the last

0:40:27.080 --> 0:40:27.880
<v Speaker 1>super Bowl was at.

0:40:27.960 --> 0:40:28.600
<v Speaker 2>We don't care.

0:40:28.960 --> 0:40:30.280
<v Speaker 5>How was that was that in Arizona?

0:40:31.400 --> 0:40:31.800
<v Speaker 3>You know what?

0:40:32.040 --> 0:40:33.959
<v Speaker 5>I wonder now Vegas.

0:40:33.880 --> 0:40:36.200
<v Speaker 4>Hadn't been anybody else that performed at the super Bowl.

0:40:36.239 --> 0:40:38.840
<v Speaker 4>Where somebody have a problem. I think they just hate me.

0:40:39.160 --> 0:40:41.560
<v Speaker 4>You know how you start somebody start winning so much

0:40:41.600 --> 0:40:44.920
<v Speaker 4>that people start disliking them. I think it's all about

0:40:45.400 --> 0:40:47.920
<v Speaker 4>they just magaged. The homie is winning so bad man

0:40:47.960 --> 0:40:49.160
<v Speaker 4>that they don't want him to do nothing.

0:40:49.840 --> 0:40:52.439
<v Speaker 5>I think people just like to bitch because when they bitch,

0:40:52.480 --> 0:40:54.200
<v Speaker 5>people respond to them, so they get attention.

0:40:54.320 --> 0:40:58.040
<v Speaker 3>It's like baby, the weirdest thing I heard people somebody

0:40:58.160 --> 0:41:00.400
<v Speaker 3>said that he's doing this. They're doing this this spite

0:41:00.520 --> 0:41:02.520
<v Speaker 3>Drake exactly.

0:41:02.680 --> 0:41:04.839
<v Speaker 2>It was my problem. That's myo thing.

0:41:05.600 --> 0:41:06.320
<v Speaker 5>The reason.

0:41:08.280 --> 0:41:11.759
<v Speaker 2>People about Drake, the reason this.

0:41:11.920 --> 0:41:16.399
<v Speaker 1>Outrage is happening is because of Drake fandom. People really

0:41:16.520 --> 0:41:21.399
<v Speaker 1>don't want Kendrick to prosper or win anymore. And now

0:41:21.560 --> 0:41:24.839
<v Speaker 1>they're using everything, they're figuring out a bunch of other

0:41:25.040 --> 0:41:27.360
<v Speaker 1>silly stuff. Now it's like, well, let me put gas

0:41:27.560 --> 0:41:32.080
<v Speaker 1>into Wayne. Let me put the gas into Wayne. Oh

0:41:32.200 --> 0:41:34.600
<v Speaker 1>I'm I'm gonna let Wayne be my point. Now there

0:41:34.840 --> 0:41:39.640
<v Speaker 1>is a legit, a legit audience of people, right, a

0:41:39.760 --> 0:41:42.800
<v Speaker 1>legit audience of people that really do want to see Wayne,

0:41:42.880 --> 0:41:47.560
<v Speaker 1>and Wayne does deserve it. But again it's business. Most

0:41:47.600 --> 0:41:50.400
<v Speaker 1>people don't notice. But the super Bowl doesn't pay. They

0:41:50.440 --> 0:41:53.160
<v Speaker 1>don't pay you money. You don't get paid to do

0:41:53.239 --> 0:41:56.640
<v Speaker 1>the super Bowl. It has to it has to make

0:41:56.760 --> 0:41:58.480
<v Speaker 1>sense based off their business.

0:41:59.080 --> 0:42:01.000
<v Speaker 3>But the benefits are astronomical.

0:42:01.200 --> 0:42:03.680
<v Speaker 4>You get a lot of benefits from getting the super Bowl, extreams,

0:42:03.719 --> 0:42:04.719
<v Speaker 4>door up and everything else.

0:42:04.760 --> 0:42:06.680
<v Speaker 3>So it's a good business move for both parties.

0:42:08.400 --> 0:42:11.760
<v Speaker 1>I mean, what happens when they perform at Arizona, shout

0:42:11.800 --> 0:42:13.920
<v Speaker 1>out to my boy Willie Norpoe? Is that who's supposed

0:42:13.920 --> 0:42:16.320
<v Speaker 1>to do it? When they go to the Bay Area?

0:42:16.719 --> 0:42:18.080
<v Speaker 1>Are they gonna put e forty on it?

0:42:21.800 --> 0:42:22.399
<v Speaker 3>Forty in there?

0:42:22.600 --> 0:42:22.880
<v Speaker 2>They're not.

0:42:25.320 --> 0:42:28.600
<v Speaker 1>They gotta find things that fit their business. If forty

0:42:28.680 --> 0:42:30.760
<v Speaker 1>fits their business, they will use unc.

0:42:31.600 --> 0:42:34.160
<v Speaker 3>You can't be legit, No forty war, it can't be legit,

0:42:34.200 --> 0:42:35.120
<v Speaker 3>But no forty water.

0:42:35.360 --> 0:42:37.800
<v Speaker 1>They're not gonna go to Seattle and bring mix a

0:42:37.840 --> 0:42:40.680
<v Speaker 1>lot back. They're not gonna go to Portland and and

0:42:41.280 --> 0:42:42.440
<v Speaker 1>bro what the fuck.

0:42:44.200 --> 0:42:44.279
<v Speaker 5>They?

0:42:44.719 --> 0:42:45.800
<v Speaker 2>And I think and forgive me.

0:42:45.920 --> 0:42:48.760
<v Speaker 1>I do think Wayne wants to look, but I'm sure

0:42:49.000 --> 0:42:51.400
<v Speaker 1>somewhere along the line it had to fit both of

0:42:51.480 --> 0:42:53.480
<v Speaker 1>their business and that's the fallout.

0:42:53.719 --> 0:42:56.080
<v Speaker 2>It has nothing to do with this conspiracy.

0:42:56.280 --> 0:42:59.239
<v Speaker 1>This whole weird space of the industry trying to take

0:42:59.360 --> 0:43:01.000
<v Speaker 1>Drake down is just lame.

0:43:01.440 --> 0:43:04.200
<v Speaker 2>It's getting worse and worse. Bro The industry made drink.

0:43:04.440 --> 0:43:07.480
<v Speaker 1>Drake is a Nicolodeon kid that got signed to Against

0:43:07.480 --> 0:43:09.759
<v Speaker 1>the Rap label to put out Nickelodeon raps and turn

0:43:09.840 --> 0:43:10.799
<v Speaker 1>into against the rapper.

0:43:12.640 --> 0:43:13.840
<v Speaker 2>The industry made that.

0:43:14.520 --> 0:43:16.440
<v Speaker 3>And had he did with his boss told him to do,

0:43:16.520 --> 0:43:17.240
<v Speaker 3>he'd have been already.

0:43:20.000 --> 0:43:20.759
<v Speaker 5>What did he not do?

0:43:21.520 --> 0:43:23.680
<v Speaker 4>No, Well, Wayne told him just be who you are.

0:43:26.160 --> 0:43:29.440
<v Speaker 4>Just be who you are, stay a normal dude, talk

0:43:29.520 --> 0:43:36.040
<v Speaker 4>to the chicks. But gee, a super Bowl in the

0:43:36.120 --> 0:43:38.239
<v Speaker 4>baby well you know, Kendrick said, the best one be

0:43:38.360 --> 0:43:38.880
<v Speaker 4>leading ship with.

0:43:38.920 --> 0:43:39.640
<v Speaker 3>No forty water.

0:43:40.080 --> 0:43:42.879
<v Speaker 5>If they brought out the forty for a Super Bowl

0:43:42.920 --> 0:43:45.560
<v Speaker 5>in the Bay Area, dude, that would be an embarrassment,

0:43:46.200 --> 0:43:52.120
<v Speaker 5>like dead ass serious years old, because nobody west of

0:43:52.200 --> 0:43:54.279
<v Speaker 5>east of the five fucking Freeway can name want a

0:43:54.360 --> 0:43:54.719
<v Speaker 5>song of his?

0:43:55.480 --> 0:43:56.479
<v Speaker 3>You got your mind?

0:43:56.880 --> 0:43:59.680
<v Speaker 5>No not, and that's not and that's not that would

0:43:59.719 --> 0:44:02.239
<v Speaker 5>be like, because we're in Detroit, we need psy or

0:44:02.280 --> 0:44:06.920
<v Speaker 5>eminem when Detroit is motown. Detroit is motown. San Francisco

0:44:07.120 --> 0:44:09.759
<v Speaker 5>is not e forty. The Bay Area culturally is not

0:44:09.920 --> 0:44:14.200
<v Speaker 5>e forty. That's not the hallmark contribution of that region

0:44:14.239 --> 0:44:14.919
<v Speaker 5>of the country music.

0:44:15.120 --> 0:44:16.960
<v Speaker 3>It's just.

0:44:20.360 --> 0:44:24.040
<v Speaker 1>I don't think they're gonna book hometown acts for most

0:44:25.239 --> 0:44:27.080
<v Speaker 1>for most super Bowls.

0:44:27.280 --> 0:44:32.359
<v Speaker 5>Here's a great example. I'm pretty sure and don't quote

0:44:32.400 --> 0:44:34.520
<v Speaker 5>mess because I might because I was really little, Like

0:44:34.600 --> 0:44:38.080
<v Speaker 5>what I'm thinking of is way outside of my normal

0:44:38.160 --> 0:44:43.000
<v Speaker 5>memory range. But I'm pretty sure the Gloria Stefan or

0:44:43.480 --> 0:44:45.680
<v Speaker 5>Stefan or whatever her name was, who was like super

0:44:45.760 --> 0:44:48.640
<v Speaker 5>huge in the eighties of Latina singer did the Super

0:44:48.680 --> 0:44:51.400
<v Speaker 5>Bowl in Miami. I think she might have, but I

0:44:51.440 --> 0:44:52.000
<v Speaker 5>don't know if the.

0:44:53.000 --> 0:44:53.880
<v Speaker 3>Miami versus he.

0:44:56.000 --> 0:44:58.279
<v Speaker 2>She was and then they brought other people out.

0:44:59.160 --> 0:45:02.959
<v Speaker 5>No, I'm talking nineteen eighties, eighties, like in the eighties.

0:45:03.480 --> 0:45:08.759
<v Speaker 3>International Superstar Beater, so I Miami, But.

0:45:08.840 --> 0:45:11.239
<v Speaker 5>I don't think it hurt. They didn't feel compelled to

0:45:11.400 --> 0:45:14.400
<v Speaker 5>have Luke out because if you look at Miami in whole,

0:45:14.920 --> 0:45:18.840
<v Speaker 5>the bigger footprint in Miami is Gloria than anybody in

0:45:19.000 --> 0:45:24.920
<v Speaker 5>hip hop in Miami. I would say that Motown is

0:45:25.000 --> 0:45:29.200
<v Speaker 5>bigger to Detroit than Eminem is to Detroit. Is totality,

0:45:29.680 --> 0:45:30.080
<v Speaker 5>that's fair.

0:45:31.680 --> 0:45:36.040
<v Speaker 1>A Motown show, a Motime halftime show, would probably be

0:45:36.400 --> 0:45:38.839
<v Speaker 1>bigger than an Eminem halftime show.

0:45:39.440 --> 0:45:40.919
<v Speaker 2>Not bigger, that's probably the word.

0:45:41.200 --> 0:45:42.840
<v Speaker 5>It would be bigger. I would say it would be

0:45:43.200 --> 0:45:48.560
<v Speaker 5>more reflective of the greatest contribution to music from that city.

0:45:51.000 --> 0:45:55.719
<v Speaker 5>Motown contributed more to music in totality then singularly Eminem did.

0:45:56.160 --> 0:45:59.439
<v Speaker 2>Sure culturally, Okay, okay, it's Motown. We're saying as a whole.

0:45:59.719 --> 0:46:03.520
<v Speaker 4>Yeah, you know what, DoD has won seventeen Grannies, Bro,

0:46:04.640 --> 0:46:08.200
<v Speaker 4>your granny's loving. He has won seventeen Grannies in a

0:46:08.239 --> 0:46:11.080
<v Speaker 4>politic prize. Can't nobody fuck with little bro Bro, So

0:46:11.280 --> 0:46:12.719
<v Speaker 4>get off his nuts and get over it.

0:46:13.840 --> 0:46:14.320
<v Speaker 3>I agree.

0:46:14.680 --> 0:46:16.160
<v Speaker 5>Aren't you complaining about it?

0:46:16.600 --> 0:46:16.640
<v Speaker 4>No?

0:46:16.840 --> 0:46:17.240
<v Speaker 3>I wouldn't.

0:46:17.280 --> 0:46:19.239
<v Speaker 4>I just was making a statement about the song when

0:46:19.280 --> 0:46:21.399
<v Speaker 4>that was an inside joke between me and She's really

0:46:21.440 --> 0:46:23.640
<v Speaker 4>more than anything else. I love that, that's my little brother.

0:46:24.040 --> 0:46:28.800
<v Speaker 4>I love Kate at Dog, I love kat out, and

0:46:28.840 --> 0:46:31.040
<v Speaker 4>I'm extremely proud of him man, And I think that

0:46:31.200 --> 0:46:33.919
<v Speaker 4>that's big Man seeing that little dude in the backs

0:46:34.040 --> 0:46:35.400
<v Speaker 4>that used to sit in the back, see the my

0:46:35.480 --> 0:46:36.719
<v Speaker 4>truck and eating cheeseburgers.

0:46:36.800 --> 0:46:39.520
<v Speaker 3>Now he diddline the super Bowl. It's amazing to me though.

0:46:40.400 --> 0:46:44.479
<v Speaker 1>No Sayings Live every Monday, Wednesday Friday at twelve noon

0:46:44.640 --> 0:46:45.919
<v Speaker 1>Pacific Standard time.

0:46:46.719 --> 0:46:48.879
<v Speaker 2>Y'all hear lunch break? You know what I'm saying. We're

0:46:48.920 --> 0:46:49.520
<v Speaker 2>still in here.

0:46:49.560 --> 0:46:52.440
<v Speaker 1>Shout out to everybody that's in these comments going crazy.

0:46:53.080 --> 0:46:56.360
<v Speaker 1>Joe Capone, Yep, that's exactly what Pete looked like. I

0:46:56.560 --> 0:47:04.480
<v Speaker 1>finally see what Peter looks like. Who Joe Capone? He

0:47:04.640 --> 0:47:05.400
<v Speaker 1>been looking for you?

0:47:07.520 --> 0:47:08.680
<v Speaker 2>But what is it that I look like?

0:47:09.040 --> 0:47:11.840
<v Speaker 1>Oh, you just haven't seen me in No Because everybody

0:47:11.920 --> 0:47:16.560
<v Speaker 1>who's a fan of No Seilings, Oh, the link is below, y'all,

0:47:16.600 --> 0:47:18.440
<v Speaker 1>make sure y'all listen to the neatest episode.

0:47:18.520 --> 0:47:19.759
<v Speaker 2>Subscribe to it again.

0:47:19.840 --> 0:47:23.000
<v Speaker 1>This is No Seilings Live where we actually built on

0:47:23.200 --> 0:47:26.840
<v Speaker 1>the podcast we have that released every Tuesday on Apple

0:47:26.960 --> 0:47:30.920
<v Speaker 1>Podcasts or anywhere else you get your podcasts. No Seilings

0:47:31.000 --> 0:47:35.000
<v Speaker 1>Live Where is Monday, Wednesday and Friday at noon. It's

0:47:35.480 --> 0:47:38.040
<v Speaker 1>live on Digital Soapbox on YouTube. Make sure y'all click

0:47:38.120 --> 0:47:41.319
<v Speaker 1>that subscribe button. Hey, listen, we ain't a lunch yet,

0:47:41.360 --> 0:47:43.239
<v Speaker 1>so y'all can get them super chats and buy some

0:47:43.400 --> 0:47:46.120
<v Speaker 1>lunch when y'all think we deserve it, and we're going off,

0:47:46.320 --> 0:47:47.760
<v Speaker 1>you know, I mean, we're gonna keep They're.

0:47:47.600 --> 0:47:49.880
<v Speaker 5>Gonna bind me rat poison and a biscuit.

0:47:50.760 --> 0:47:51.320
<v Speaker 3>Don't think.

0:47:53.600 --> 0:47:55.919
<v Speaker 5>When you when you read that thing, what I heard

0:47:55.920 --> 0:47:58.120
<v Speaker 5>in my head was you said, like Joe Capone and

0:47:58.200 --> 0:47:59.960
<v Speaker 5>that's what Peter looks like. I thought that there was

0:48:00.120 --> 0:48:01.880
<v Speaker 5>a famous person that I hadn't heard of named Joe

0:48:01.960 --> 0:48:04.440
<v Speaker 5>Capone that you thought resembled me. So I'm like, I

0:48:04.440 --> 0:48:07.120
<v Speaker 5>don't even know who I was at all of them.

0:48:08.360 --> 0:48:10.920
<v Speaker 5>I didn't know that you were quoting the speaker and

0:48:11.000 --> 0:48:13.000
<v Speaker 5>then saying his comment, So I fucked it all up

0:48:13.040 --> 0:48:13.439
<v Speaker 5>in my brain.

0:48:14.520 --> 0:48:17.440
<v Speaker 1>Lil Wayne was more than qualified to be chosen, and

0:48:17.560 --> 0:48:20.320
<v Speaker 1>I'm sure that he was definitely one of the top choices.

0:48:20.920 --> 0:48:23.279
<v Speaker 1>I don't think for two seconds Lil Wayne wasn't one

0:48:23.360 --> 0:48:26.480
<v Speaker 1>of the top choices. I think Lil Wayne for sure

0:48:26.600 --> 0:48:29.320
<v Speaker 1>was in talks to do the super Boar in New Orleans,

0:48:29.560 --> 0:48:32.640
<v Speaker 1>just minus it's in New Orleans, just here for the

0:48:32.719 --> 0:48:33.200
<v Speaker 1>fifth time.

0:48:33.280 --> 0:48:35.440
<v Speaker 3>I believe that is gonna bring him up, dude.

0:48:35.520 --> 0:48:35.600
<v Speaker 5>Like.

0:48:38.280 --> 0:48:38.480
<v Speaker 2>Say that.

0:48:38.800 --> 0:48:42.520
<v Speaker 1>Listen during the rebney say that I'm saying. I'm sure

0:48:42.640 --> 0:48:44.960
<v Speaker 1>he was in talks to beat him. Lil Wayne is

0:48:45.040 --> 0:48:48.520
<v Speaker 1>that type of talent. He's a successful enough act. He's

0:48:48.560 --> 0:48:52.920
<v Speaker 1>one of the greatest ever. He's a fantastic performer. Everything

0:48:52.960 --> 0:48:55.440
<v Speaker 1>about Lil Wayne is fantastic, and if you put him

0:48:55.480 --> 0:48:58.640
<v Speaker 1>in the moment, he'll rise to any any occasion. Lil

0:48:58.719 --> 0:49:01.440
<v Speaker 1>Wayne is a really unique talent. Any as great as

0:49:01.480 --> 0:49:04.479
<v Speaker 1>it can be in hip hop, you know, actually great as.

0:49:04.400 --> 0:49:06.759
<v Speaker 2>It could be in music. He's that phenomenal.

0:49:07.280 --> 0:49:09.680
<v Speaker 1>But again, I don't think this was like, Okay, do

0:49:09.800 --> 0:49:13.640
<v Speaker 1>we choose between Lil Wayne and Kendrick Lamar one of

0:49:13.719 --> 0:49:18.400
<v Speaker 1>those two guys. En know, something about the super Bowl's

0:49:18.520 --> 0:49:23.600
<v Speaker 1>business made sense for Kendrick in a place where either

0:49:23.760 --> 0:49:26.839
<v Speaker 1>it made sense for Kendrick or the business didn't make

0:49:26.920 --> 0:49:27.840
<v Speaker 1>sense for Lil Wayne.

0:49:29.400 --> 0:49:29.960
<v Speaker 2>Simple as that.

0:49:31.000 --> 0:49:32.600
<v Speaker 5>That's kind of along the lines I was going to

0:49:32.680 --> 0:49:34.600
<v Speaker 5>ask you. I mean, you know, I mean, at that

0:49:34.920 --> 0:49:39.439
<v Speaker 5>top tier of media, there's a pretty smaller circle. There's

0:49:39.760 --> 0:49:42.520
<v Speaker 5>tight relationships, there's gives and takes and favors and around.

0:49:43.000 --> 0:49:46.200
<v Speaker 5>Do you think this is a matter of in the moment.

0:49:46.320 --> 0:49:51.600
<v Speaker 5>It's just there are power players invested with certain company,

0:49:51.680 --> 0:49:54.040
<v Speaker 5>A company B or whatever where they have more to

0:49:54.160 --> 0:49:56.920
<v Speaker 5>gain from this, and it's like, hey, look do this

0:49:57.320 --> 0:50:00.680
<v Speaker 5>for us here, We'll get that for you. On the

0:50:00.719 --> 0:50:03.360
<v Speaker 5>flip side, whatever the hell this is gonna make us

0:50:03.360 --> 0:50:05.560
<v Speaker 5>a ton of money. We don't get a bunch of

0:50:05.600 --> 0:50:07.560
<v Speaker 5>money bringing Wayne in here right now in that in

0:50:07.640 --> 0:50:09.560
<v Speaker 5>that regard, because Wayne's I gonna dump a record next

0:50:09.640 --> 0:50:11.320
<v Speaker 5>year and this is going to be a twenty million dollars,

0:50:11.640 --> 0:50:14.320
<v Speaker 5>you know, wind fall for us. So look out for

0:50:14.440 --> 0:50:16.640
<v Speaker 5>us on this and then a year or two later

0:50:16.680 --> 0:50:18.759
<v Speaker 5>when you need us to twist somebody's arm to get

0:50:18.760 --> 0:50:20.560
<v Speaker 5>into your movie or to do your TV show, or

0:50:20.600 --> 0:50:22.120
<v Speaker 5>to Christ knows what we got your back?

0:50:23.280 --> 0:50:28.360
<v Speaker 1>Who knows what type of backdoor build business things are happening,

0:50:28.440 --> 0:50:29.920
<v Speaker 1>you know what I mean. I wouldn't even like to

0:50:30.400 --> 0:50:33.640
<v Speaker 1>I wouldn't even try to spect, like speculate on how

0:50:33.719 --> 0:50:38.399
<v Speaker 1>much business is into performing at the Super Bowl halftime show,

0:50:38.920 --> 0:50:41.640
<v Speaker 1>this is probably the greatest moment in television that the

0:50:41.880 --> 0:50:46.000
<v Speaker 1>advertisement spots are worth the most money. I think maybe

0:50:46.160 --> 0:50:48.640
<v Speaker 1>in that commercial in the Super Bowl, how much money

0:50:48.680 --> 0:50:52.200
<v Speaker 1>do they generate? They generate nine figures in advertisement, right.

0:50:52.719 --> 0:50:57.000
<v Speaker 3>What they generate a whole lot of women.

0:50:58.480 --> 0:51:00.760
<v Speaker 5>So again, I'm sure this is close to a million

0:51:00.800 --> 0:51:01.440
<v Speaker 5>dollars a second.

0:51:01.520 --> 0:51:03.680
<v Speaker 4>Right more, I.

0:51:03.719 --> 0:51:07.200
<v Speaker 1>Don't know what's some crazy? It's the commercials are I

0:51:07.280 --> 0:51:09.799
<v Speaker 1>think the commercials are eight figures now for.

0:51:09.880 --> 0:51:12.400
<v Speaker 5>Sure, they're close to a million dollars a second.

0:51:12.880 --> 0:51:16.439
<v Speaker 1>Yeah, So at that point it's like, I'm sure that's

0:51:16.560 --> 0:51:19.640
<v Speaker 1>the business driving because they have to sell the ads.

0:51:20.440 --> 0:51:24.040
<v Speaker 1>Right and again, somebody asked me, did I think they did?

0:51:24.360 --> 0:51:25.200
<v Speaker 2>They get it? Correct?

0:51:25.560 --> 0:51:25.919
<v Speaker 5>I did.

0:51:27.320 --> 0:51:30.680
<v Speaker 2>No super Bowl has been marked. No super Bowl performance.

0:51:30.320 --> 0:51:34.719
<v Speaker 1>In history has probably had this type of buzz and awareness,

0:51:35.680 --> 0:51:38.080
<v Speaker 1>like they're gonna charge more for the Super Bowl ads.

0:51:38.560 --> 0:51:41.720
<v Speaker 1>They could charge right now, jay Z looks like a genius,

0:51:41.920 --> 0:51:45.080
<v Speaker 1>people think because they're supplying it with negative press. You

0:51:45.160 --> 0:51:48.479
<v Speaker 1>know how many other times, everybody, how many times super

0:51:48.520 --> 0:51:51.759
<v Speaker 1>Bowl have time performances have trended at the beginning of

0:51:51.840 --> 0:51:53.160
<v Speaker 1>the season never.

0:51:54.960 --> 0:51:58.080
<v Speaker 4>Okay, the answer your question. For thirty seconds the super

0:51:58.120 --> 0:52:00.480
<v Speaker 4>Bowl advertising time, it's setting me dollars.

0:52:00.920 --> 0:52:02.239
<v Speaker 5>Okay, I was way off.

0:52:02.880 --> 0:52:04.879
<v Speaker 3>That's crazy. Seven million dollars.

0:52:05.200 --> 0:52:06.600
<v Speaker 5>It's a million for four seconds.

0:52:09.840 --> 0:52:12.800
<v Speaker 4>That is crazy. Though for sixty seconds it's thirteen or

0:52:12.840 --> 0:52:17.080
<v Speaker 4>fourteen million dollars. Yeah, that's a lot of money, man.

0:52:17.280 --> 0:52:19.680
<v Speaker 4>Just imagine the people that you're reaching. It's that expensive

0:52:19.719 --> 0:52:20.240
<v Speaker 4>for a reason.

0:52:21.680 --> 0:52:24.680
<v Speaker 1>So I have no idea, you know what I mean

0:52:24.920 --> 0:52:29.160
<v Speaker 1>why Dot was chosen. Yeah, I mean I know why

0:52:29.280 --> 0:52:30.000
<v Speaker 1>Dot was chosen.

0:52:30.040 --> 0:52:30.360
<v Speaker 2>Forgive me.

0:52:30.440 --> 0:52:32.399
<v Speaker 1>That's the wrong way to put it. I don't think

0:52:32.480 --> 0:52:36.000
<v Speaker 1>it ever came down to between those two. Somewhere along

0:52:36.080 --> 0:52:39.440
<v Speaker 1>the line, the business made perfect sense, and they did

0:52:39.560 --> 0:52:43.200
<v Speaker 1>the best business that they could do for their own organization.

0:52:44.360 --> 0:52:46.319
<v Speaker 4>That is the artist of the year right now? Man,

0:52:46.360 --> 0:52:49.120
<v Speaker 4>Who's who's really in hip hop? Who's bigger than him? Now?

0:52:49.160 --> 0:52:49.279
<v Speaker 5>Bro?

0:52:49.320 --> 0:52:50.920
<v Speaker 3>Who bigger than him in music? Right now?

0:52:54.080 --> 0:52:54.279
<v Speaker 5>Big?

0:52:54.400 --> 0:52:55.600
<v Speaker 2>He's definitely the hottest.

0:52:55.800 --> 0:52:58.160
<v Speaker 1>Shout out to LLL COOJ who just dropped that really

0:52:58.239 --> 0:53:01.160
<v Speaker 1>great album that's gonna win the Grammy Hip Hop Hour

0:53:01.280 --> 0:53:05.520
<v Speaker 1>Rap Album of the Year with Yeah ll the Force

0:53:05.680 --> 0:53:08.239
<v Speaker 1>with ll UH and Q Tip Q Tip, you did

0:53:08.280 --> 0:53:10.480
<v Speaker 1>an amazing job. I think that album is gonna win

0:53:10.520 --> 0:53:13.440
<v Speaker 1>a Grammy. I think you're gonna get LLL his uh

0:53:14.080 --> 0:53:18.720
<v Speaker 1>like it's an art piece. It's really really amazing. But again,

0:53:18.840 --> 0:53:23.600
<v Speaker 1>it's look, it's okay if if if Birdman is upset

0:53:24.280 --> 0:53:26.880
<v Speaker 1>that you know, his son is not performing at the

0:53:26.960 --> 0:53:30.560
<v Speaker 1>super Bowl. I wouldn't even say anything to Birdman about that.

0:53:30.800 --> 0:53:33.320
<v Speaker 1>I wouldn't say nothing to stunt Up about being upset.

0:53:33.360 --> 0:53:36.200
<v Speaker 1>I wouldn't be upset that p is saying, man, Lil

0:53:36.320 --> 0:53:39.040
<v Speaker 1>Wayne should have did it. I'm not upset that Nikki

0:53:39.160 --> 0:53:41.160
<v Speaker 1>is saying, oh, Wayne should have did it?

0:53:41.440 --> 0:53:41.839
<v Speaker 2>You know what I mean?

0:53:41.960 --> 0:53:44.239
<v Speaker 1>What the thing that fucks with me is when people

0:53:44.280 --> 0:53:47.640
<v Speaker 1>act like this is some kind of conspiracy against Drake.

0:53:48.120 --> 0:53:54.600
<v Speaker 2>That's weird. Go ahead, Pete, I'm waiting a month.

0:53:55.080 --> 0:53:59.480
<v Speaker 5>I was waiting to be called on. I was curious

0:53:59.560 --> 0:54:03.640
<v Speaker 5>if you have any insight as to who does, specifically

0:54:03.840 --> 0:54:10.880
<v Speaker 5>who does the the voting for Hip Hop Grammys, because

0:54:10.880 --> 0:54:12.400
<v Speaker 5>they really.

0:54:14.360 --> 0:54:15.160
<v Speaker 2>Who has votes?

0:54:15.480 --> 0:54:17.480
<v Speaker 5>I don't. I don't know because it always, it seems

0:54:17.560 --> 0:54:23.759
<v Speaker 5>oftentimes to be a little bit more favoring the the

0:54:24.040 --> 0:54:26.480
<v Speaker 5>artsier side of the genre and who wins that. So

0:54:26.520 --> 0:54:30.120
<v Speaker 5>I didn't know who comprised the voting population for the Grammys,

0:54:30.160 --> 0:54:31.920
<v Speaker 5>what their kind of criteria was, like all that kind

0:54:31.920 --> 0:54:33.000
<v Speaker 5>of stuff. You know what I'm saying.

0:54:33.560 --> 0:54:38.400
<v Speaker 2>I mean, the Grammys is an artistic award, is not

0:54:38.520 --> 0:54:39.440
<v Speaker 2>a sale award.

0:54:39.880 --> 0:54:42.040
<v Speaker 5>Yeah, I'm not even saying relative to sales, like say,

0:54:43.000 --> 0:54:45.640
<v Speaker 5>like the hottest shit in the streets is Joe Blow,

0:54:46.360 --> 0:54:49.200
<v Speaker 5>and the artist album of the year is you know,

0:54:50.080 --> 0:54:54.520
<v Speaker 5>variable A. Variable A is gonna get the the thing

0:54:54.760 --> 0:54:56.799
<v Speaker 5>more than Joe Blow, and then Joe Blow might get

0:54:57.840 --> 0:54:59.719
<v Speaker 5>a Grammy like four years later.

0:55:00.280 --> 0:55:00.560
<v Speaker 3>You know, I.

0:55:03.000 --> 0:55:05.120
<v Speaker 1>Think people just agree on what they feel is the

0:55:05.400 --> 0:55:10.359
<v Speaker 1>is the more you know, piece that represents the art piece,

0:55:10.400 --> 0:55:13.520
<v Speaker 1>whether it's a record, whether it's the album that represents

0:55:13.800 --> 0:55:16.879
<v Speaker 1>you know, a level of of of beauty from from

0:55:16.920 --> 0:55:19.200
<v Speaker 1>a richer place. If that makes sense, I get that

0:55:19.280 --> 0:55:21.719
<v Speaker 1>for sure. Wealthy and thought. I mean like Killer Mike,

0:55:22.040 --> 0:55:24.640
<v Speaker 1>Like Killer Mike sweeping the Grammys. You know last year

0:55:24.800 --> 0:55:28.600
<v Speaker 1>was big because his art piece was fantastic, Like ll

0:55:28.800 --> 0:55:32.040
<v Speaker 1>Coo Jason Q tips, like that's a really great album

0:55:32.120 --> 0:55:35.040
<v Speaker 1>and that as long as ll you know, and his

0:55:35.160 --> 0:55:39.279
<v Speaker 1>team and and q tips team begin to market that conversation,

0:55:40.000 --> 0:55:42.360
<v Speaker 1>when you listen to the forest, you will hear the

0:55:42.480 --> 0:55:43.040
<v Speaker 1>beauty in it.

0:55:43.200 --> 0:55:44.719
<v Speaker 2>It'll make all the sense in the world.

0:55:45.239 --> 0:55:48.360
<v Speaker 5>Oh, I'm not saying it doesn't. I'm just saying general speak.

0:55:48.560 --> 0:55:50.440
<v Speaker 5>Get you get artists that that are a little bit

0:55:50.480 --> 0:55:52.960
<v Speaker 5>more seasoned generally, which which could lend itself to being

0:55:53.080 --> 0:55:56.359
<v Speaker 5>more artistically but sure, rather than like saying artists who

0:55:56.480 --> 0:55:59.239
<v Speaker 5>might be very groundbreaking early in his career, where it's like,

0:55:59.280 --> 0:56:02.759
<v Speaker 5>boy that that that sound really shook the industry, that

0:56:02.880 --> 0:56:05.120
<v Speaker 5>was monumentally innovative or whatever it might be.

0:56:05.200 --> 0:56:08.400
<v Speaker 4>It's also hey, gee, well we're speaking no music and

0:56:08.480 --> 0:56:10.480
<v Speaker 4>I shout the song out. I just heard it last

0:56:10.560 --> 0:56:12.839
<v Speaker 4>night and I thought it was dope as hell. Sure

0:56:13.080 --> 0:56:16.160
<v Speaker 4>since I was little, the Homie problem, DJ Quick and

0:56:16.239 --> 0:56:18.720
<v Speaker 4>bun Bee and uh homye jay Worthy.

0:56:18.840 --> 0:56:21.760
<v Speaker 3>Have you heard that? No, it's jamming.

0:56:21.920 --> 0:56:25.000
<v Speaker 5>That's the jam of record dog Wait you said problem?

0:56:25.640 --> 0:56:26.680
<v Speaker 3>Yeah? What he calls it?

0:56:27.080 --> 0:56:32.200
<v Speaker 5>Jason Martin, Jason Martin, Yeah, yeah, like I was little, that.

0:56:32.360 --> 0:56:33.120
<v Speaker 3>Song is jamming.

0:56:34.480 --> 0:56:37.200
<v Speaker 1>This is incorrect Mike's move. Mike's move has less of

0:56:37.760 --> 0:56:41.400
<v Speaker 1>Mike's move has left a comment. NAS still hasn't won

0:56:41.480 --> 0:56:43.399
<v Speaker 1>a Grammy. That's crazy. That's not true.

0:56:43.800 --> 0:56:46.680
<v Speaker 2>NAS did when a Grammy?

0:56:49.360 --> 0:56:50.280
<v Speaker 5>Is it hip hop shotter?

0:56:51.000 --> 0:56:51.040
<v Speaker 3>No?

0:56:51.280 --> 0:56:53.560
<v Speaker 2>NAS wanted Grammy like two years ago?

0:56:54.440 --> 0:56:56.080
<v Speaker 3>Is that the producer homie Mike's move.

0:56:56.600 --> 0:56:58.480
<v Speaker 2>Yeah, that's the producer homie. Mike's move.

0:56:58.880 --> 0:57:00.839
<v Speaker 3>Shout out to Mike's move, I got right there.

0:57:01.160 --> 0:57:05.160
<v Speaker 1>Move is delirious right now, King's Disease one Rap Album

0:57:05.160 --> 0:57:07.640
<v Speaker 1>of the Year twenty twenty one, Mike's move you got

0:57:07.760 --> 0:57:12.480
<v Speaker 1>to catch up behind my niece said. Now Birdman has

0:57:12.600 --> 0:57:15.360
<v Speaker 1>entered the chat as he should. He should, you know

0:57:16.040 --> 0:57:19.280
<v Speaker 1>he should. He should vigorously make sure people know that

0:57:19.480 --> 0:57:20.920
<v Speaker 1>Wayne was the correct choice.

0:57:21.000 --> 0:57:23.240
<v Speaker 2>That's were not upset at that. That's fine.

0:57:25.200 --> 0:57:27.560
<v Speaker 4>I think some of these people man for them, they

0:57:27.800 --> 0:57:30.480
<v Speaker 4>just know that that they say something. Just go get mentions.

0:57:30.560 --> 0:57:32.720
<v Speaker 4>I think people do stuff now, man, just to get

0:57:34.680 --> 0:57:35.520
<v Speaker 4>just to get mentions.

0:57:35.720 --> 0:57:36.800
<v Speaker 2>Now you're doing that right to see.

0:57:36.960 --> 0:57:39.360
<v Speaker 3>See I wasn't. Man, It's a natural thing. She can

0:57:39.400 --> 0:57:41.200
<v Speaker 3>stuff pop up. I can't help it, man, But the

0:57:41.280 --> 0:57:43.880
<v Speaker 3>look drop it on the stream, I just can't help you.

0:57:44.120 --> 0:57:48.480
<v Speaker 3>Adhd like got my look at it. You know, some

0:57:48.600 --> 0:57:50.120
<v Speaker 3>pop up and you go, look it don't mean I'm

0:57:50.120 --> 0:57:52.000
<v Speaker 3>trying to read it, so I just look straight like this.

0:57:52.520 --> 0:57:54.280
<v Speaker 5>When you are Wayne and bird Man, do they still

0:57:54.280 --> 0:57:57.600
<v Speaker 5>have a professional relationship or is Wayne fully divested from

0:57:57.600 --> 0:57:58.640
<v Speaker 5>a business standpoint from.

0:57:59.040 --> 0:58:01.200
<v Speaker 2>I think they still have some level of a business

0:58:01.240 --> 0:58:02.880
<v Speaker 2>relationship to some degree.

0:58:03.480 --> 0:58:04.040
<v Speaker 3>I think they.

0:58:04.040 --> 0:58:06.880
<v Speaker 4>Always will, man, I think that's a relationship. This will

0:58:06.960 --> 0:58:08.600
<v Speaker 4>always be kind of Extra Stone.

0:58:09.360 --> 0:58:12.520
<v Speaker 1>Okay, so Mike's move said, he's not the producer Mike Smooth.

0:58:12.960 --> 0:58:16.479
<v Speaker 1>Are you the DJ Mike's move? That's the real question.

0:58:17.680 --> 0:58:18.880
<v Speaker 5>Which Mike Smith are you?

0:58:19.480 --> 0:58:20.480
<v Speaker 2>Which Mike Smooth?

0:58:20.640 --> 0:58:20.880
<v Speaker 3>Brother?

0:58:21.560 --> 0:58:22.440
<v Speaker 2>How smooth are you?

0:58:22.600 --> 0:58:27.760
<v Speaker 1>Mike no Ceilings live Monday, Wednesday and Friday at noon

0:58:28.640 --> 0:58:30.200
<v Speaker 1>Pacific Standard time.

0:58:30.680 --> 0:58:32.680
<v Speaker 2>Right here on Digital Soapbox.

0:58:34.000 --> 0:58:36.600
<v Speaker 3>Uh, you know what not to cut you off? My

0:58:36.760 --> 0:58:39.440
<v Speaker 3>bad is DJ Mike Smooth? I forgot man, you know, Mike.

0:58:41.360 --> 0:58:45.000
<v Speaker 1>That's not That's not DJ Mike's move or the producer

0:58:45.040 --> 0:58:48.680
<v Speaker 1>Mike's move. This is a different smooth Mike. Try to

0:58:48.720 --> 0:58:49.800
<v Speaker 1>call you smooth Mike.

0:58:49.920 --> 0:58:50.120
<v Speaker 2>Mike.

0:58:51.840 --> 0:58:57.000
<v Speaker 1>He's from Buffalo, New York, home of the Buffalo. Imagine,

0:58:58.400 --> 0:59:01.520
<v Speaker 1>imagine the Super Bowl and buff Flow with Rick James performing.

0:59:01.880 --> 0:59:04.040
<v Speaker 1>You know, I wouldn't mind seeing a tribute being at

0:59:04.080 --> 0:59:04.760
<v Speaker 1>a super Bowl.

0:59:05.720 --> 0:59:08.080
<v Speaker 3>No, they would never do that. Man too much money

0:59:08.120 --> 0:59:10.240
<v Speaker 3>at all for the bunch of nobody's up there.

0:59:10.400 --> 0:59:12.160
<v Speaker 5>They'll Halo grab it before that happens.

0:59:15.240 --> 0:59:18.400
<v Speaker 1>My niece asked, so Berdman, shout out to DJNA. My

0:59:18.520 --> 0:59:21.000
<v Speaker 1>niece asked, so Berdman doesn't like jay Z either, or

0:59:21.080 --> 0:59:25.320
<v Speaker 1>he is just upset. It's a combination of both they have.

0:59:25.560 --> 0:59:28.080
<v Speaker 1>Now they may have their own little thing going on,

0:59:28.360 --> 0:59:32.320
<v Speaker 1>but he's upset. Stunner Man is upset because I'm sure

0:59:32.440 --> 0:59:34.880
<v Speaker 1>everybody wanted Tune to be at the super Bowl in

0:59:34.960 --> 0:59:35.480
<v Speaker 1>New Orleans.

0:59:35.600 --> 0:59:37.880
<v Speaker 2>It just didn't happen and went to a kid from Compton.

0:59:38.160 --> 0:59:39.480
<v Speaker 2>How can you be upset at that?

0:59:40.320 --> 0:59:44.480
<v Speaker 5>Could you please clarify for me, just for me, what

0:59:44.680 --> 0:59:46.600
<v Speaker 5>does jay Z have to do with this that I'm

0:59:46.680 --> 0:59:49.880
<v Speaker 5>not aware of? Does he own the team the Super Bowl?

0:59:49.920 --> 0:59:50.120
<v Speaker 2>To state?

0:59:50.480 --> 0:59:58.280
<v Speaker 4>What is it? He's as an ambassador's he does things

0:59:58.320 --> 0:59:59.560
<v Speaker 4>for the NFL right now?

0:59:59.720 --> 1:00:02.480
<v Speaker 1>Yeah, there's a job with the NFL, the proper title

1:00:02.600 --> 1:00:05.400
<v Speaker 1>of his job. Through Craft's effort, jay Z and his

1:00:05.480 --> 1:00:08.840
<v Speaker 1>company Rock Nation got involved with the NFL Commissioner Roger Goodell,

1:00:09.400 --> 1:00:12.600
<v Speaker 1>eventually inking a five year, twenty five million dollar deal

1:00:12.680 --> 1:00:15.680
<v Speaker 1>with the league aimed at revamping the Super Bowl halftime

1:00:15.760 --> 1:00:21.000
<v Speaker 1>show and amplifying NFL social justice agenda, among other things.

1:00:21.160 --> 1:00:24.000
<v Speaker 1>Wickersham Rowe, that makes sense why you select the Kendrick

1:00:24.760 --> 1:00:25.320
<v Speaker 1>at that point?

1:00:25.560 --> 1:00:26.400
<v Speaker 2>So again, let me.

1:00:26.480 --> 1:00:29.160
<v Speaker 1>Repeat, let me repeat to you the deal jay Z

1:00:29.280 --> 1:00:33.600
<v Speaker 1>strugg with the NFL. Through craft effort, jay Z and

1:00:33.680 --> 1:00:37.720
<v Speaker 1>his company Rock Nation got involved with the NFL Commissioner

1:00:37.800 --> 1:00:42.200
<v Speaker 1>Roger Goodell, eventually inking a five year, twenty five million

1:00:42.240 --> 1:00:46.080
<v Speaker 1>dollar deal with the league aimed at revamping the Super

1:00:46.160 --> 1:00:52.720
<v Speaker 1>Bowl halftime show and amplifying the NFL social adjust the

1:00:53.000 --> 1:00:58.800
<v Speaker 1>NFL's social justice agenda, amongst other things. So that makes

1:00:58.920 --> 1:01:04.479
<v Speaker 1>sense why you would select Kendrick Lamar. That makes sense

1:01:04.960 --> 1:01:09.600
<v Speaker 1>why you would select Kendrick Lamar, especially when you're talking

1:01:09.680 --> 1:01:13.280
<v Speaker 1>about social justice agenda and you are still trying to

1:01:13.360 --> 1:01:17.520
<v Speaker 1>keep it hip hop. Sure, he is pretty much credited,

1:01:18.840 --> 1:01:22.200
<v Speaker 1>you know, as a social justice MC, and it makes

1:01:22.240 --> 1:01:24.160
<v Speaker 1>sense when you have a battle with Drake and they're

1:01:24.200 --> 1:01:26.520
<v Speaker 1>saying you're trying to free the slaves and then you

1:01:26.680 --> 1:01:30.080
<v Speaker 1>have a song where he's teaching you on what happened

1:01:30.760 --> 1:01:36.120
<v Speaker 1>in America to black people. So they definitely chose the

1:01:36.280 --> 1:01:38.640
<v Speaker 1>correct person for the job. If that was the goal

1:01:38.800 --> 1:01:42.480
<v Speaker 1>for Rock Nation in the NFL, that makes sense.

1:01:42.480 --> 1:01:43.120
<v Speaker 2>Still, you're in.

1:01:43.600 --> 1:01:45.520
<v Speaker 4>Makes a lot of sense. You know what I figured out,

1:01:46.240 --> 1:01:48.200
<v Speaker 4>I do like this song. You know what I don't

1:01:48.320 --> 1:01:50.400
<v Speaker 4>like about They're Not Like Us is when people like

1:01:50.520 --> 1:01:52.760
<v Speaker 4>come on, Kamala hers go up and say they're not

1:01:52.960 --> 1:01:55.640
<v Speaker 4>like us, and how people are just kind of taking

1:01:55.680 --> 1:01:58.040
<v Speaker 4>that slogan and just made it all kind of other things.

1:01:58.760 --> 1:02:00.600
<v Speaker 5>Well, it happens when that big.

1:02:01.000 --> 1:02:02.800
<v Speaker 2>Yeah, that's what happened with no vaciline in either.

1:02:03.560 --> 1:02:03.760
<v Speaker 5>Yeah.

1:02:04.760 --> 1:02:06.720
<v Speaker 1>I mean people using it all the time. All he

1:02:06.760 --> 1:02:08.760
<v Speaker 1>gave it to me with no vascline. No, that's meant

1:02:08.800 --> 1:02:09.320
<v Speaker 1>for you, brother?

1:02:09.760 --> 1:02:12.120
<v Speaker 5>What was like how many times like how many straight

1:02:12.160 --> 1:02:14.800
<v Speaker 5>out of other things than Compton were there? How many

1:02:15.040 --> 1:02:18.240
<v Speaker 5>makes something something other than America great hats were there

1:02:18.720 --> 1:02:21.440
<v Speaker 5>for you know, just any time that a slogan or

1:02:21.560 --> 1:02:24.240
<v Speaker 5>concept gets that big, it's going to get running up

1:02:24.280 --> 1:02:28.840
<v Speaker 5>with That's true, straight straight out of olive oil, like

1:02:29.080 --> 1:02:31.040
<v Speaker 5>they were saying, straight out, not as if they they

1:02:31.120 --> 1:02:33.280
<v Speaker 5>came from there, but if they ran out of the thing.

1:02:33.720 --> 1:02:37.560
<v Speaker 1>Yes, this is what happened when these cultural iconic phrases

1:02:38.000 --> 1:02:38.920
<v Speaker 1>go mainstream.

1:02:40.360 --> 1:02:42.240
<v Speaker 4>You know, I guess Bird had them when he said,

1:02:42.320 --> 1:02:46.200
<v Speaker 4>put some respect on my name. See that became No,

1:02:46.480 --> 1:02:49.480
<v Speaker 4>that did become a cultural thing. It became a cultural thing.

1:02:49.600 --> 1:02:51.880
<v Speaker 4>Put some respect on my name when you said.

1:02:51.840 --> 1:02:55.000
<v Speaker 2>That with bird man with me around, I'm not playing with.

1:02:55.080 --> 1:02:56.959
<v Speaker 3>Him, man, I got the most respect for bird.

1:02:58.200 --> 1:03:01.800
<v Speaker 5>Put some respect on my name needs to do Wimbledon

1:03:02.680 --> 1:03:05.080
<v Speaker 5>because those guys used to rock on them Rolexes back

1:03:05.120 --> 1:03:07.000
<v Speaker 5>in the bling bling days, and Wimbledon's brought to you

1:03:07.120 --> 1:03:08.840
<v Speaker 5>by rolex It's a natural marriage.

1:03:12.880 --> 1:03:14.280
<v Speaker 2>Shame on you, brothers.

1:03:17.560 --> 1:03:19.760
<v Speaker 3>That would be hard if they brought Manny Frish and Birdlan.

1:03:20.640 --> 1:03:22.360
<v Speaker 5>You get it, Booze.

1:03:25.120 --> 1:03:27.920
<v Speaker 2>Thank y'all for joining us. Everybody's been weary.

1:03:28.600 --> 1:03:32.680
<v Speaker 1>No Sentners Live every Monday, Wednesday and Friday right.

1:03:32.600 --> 1:03:37.480
<v Speaker 2>Here on Digital Soapbox YouTube at New Pacific standard time.

1:03:38.040 --> 1:03:42.720
<v Speaker 1>Click the link below. Click the link below subscribe to

1:03:42.840 --> 1:03:46.800
<v Speaker 1>this channel. Listen to the latest episode of No Sinner's podcast.

1:03:47.000 --> 1:03:48.520
<v Speaker 2>A new one goes up tomorrow.

1:03:48.600 --> 1:03:52.480
<v Speaker 1>It's a great conversation about Drake and Kendrick lamar further

1:03:53.160 --> 1:03:56.040
<v Speaker 1>and we'll be back here Wednesday, right here on Digital

1:03:56.120 --> 1:04:00.680
<v Speaker 1>Soapbox YouTube Live to talk about the POW podcast that's

1:04:00.760 --> 1:04:01.520
<v Speaker 1>dropping tomorrow.

1:04:01.680 --> 1:04:06.880
<v Speaker 2>More conversations about Drake versus Kendrick here.

1:04:07.280 --> 1:04:08.920
<v Speaker 3>And put some respect on my name.

1:04:09.600 --> 1:04:13.480
<v Speaker 2>Fucking asshole, fucking asshold man shit.

1:04:18.000 --> 1:04:20.600
<v Speaker 1>Good looking out for tuning into The note Seller's podcast.

1:04:20.920 --> 1:04:24.160
<v Speaker 1>Please do us a favorite, subscribe, rate commentist share. This

1:04:24.360 --> 1:04:26.600
<v Speaker 1>episode was recorded right here on the West coast of

1:04:26.640 --> 1:04:30.040
<v Speaker 1>the USA. It produced by The Black Effect podcast network

1:04:30.240 --> 1:04:31.200
<v Speaker 1>and Nowheart Radio.

1:04:31.760 --> 1:04:31.960
<v Speaker 2>Yeah.