WEBVTT - #160 - Gabby Barrett - Singer + American Idol Finalist

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<v Speaker 1>See episode one sixty here with Gabby Barrett. Right before

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<v Speaker 1>we went on. You can ask the question the go ahead,

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<v Speaker 1>I said, what is the purpose of having headphones if

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<v Speaker 1>you just in talking into them? Mike, if you take

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<v Speaker 1>off your headphones and you could hear the same thing.

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<v Speaker 1>Now you hear that. I get it. There's music that's

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<v Speaker 1>accompanying our conversation. Okay, sound effects, yeah, got For example,

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<v Speaker 1>if I were to play I hope if you didn't

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<v Speaker 1>have headphones on, you wouldn't hear it. But because okay,

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<v Speaker 1>got it, they're useful. Okay, what do you wanna up? Yeah,

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<v Speaker 1>it's gonna flat on the top of my hair, but

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<v Speaker 1>it's okay. Well it's really rainy too. Is that a

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<v Speaker 1>thing for you? Yes, of course. I You should have

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<v Speaker 1>seen me running to get in here. It wasn't my house. Yes,

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<v Speaker 1>this is the first I've been here. Huh. So we

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<v Speaker 1>met on American Idol. Yes, they brought me into the

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<v Speaker 1>top twenty four, to mental top twenty four, and they

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<v Speaker 1>brought me back again later on when it was you,

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<v Speaker 1>Caleb and Maddie at the end. So you made to

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<v Speaker 1>the top top three of last season, made to the

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<v Speaker 1>final show with congratulations on that thank you. But I

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<v Speaker 1>guess we had spent a little time together because I

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<v Speaker 1>was doing a show on Pittsburgh, a stand up show,

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<v Speaker 1>and you and your family came to the show. And

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<v Speaker 1>this is why I don't was still going, and I

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<v Speaker 1>really couldn't even say you were there because it was

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<v Speaker 1>still secret, and they wouldn't even let you get up

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<v Speaker 1>and saying because we were gonna do a song or that. No.

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<v Speaker 1>I was so bummed about that too. But yeah, I

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<v Speaker 1>didn't come to that show. And you put on a

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<v Speaker 1>great chiel. Pretty funny guy. But is that what is

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<v Speaker 1>that you laugh when I tell a joke. Yeah, I'm

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<v Speaker 1>so curious about what happens, and I want to guess

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<v Speaker 1>work backwards right like today? For example, UM, today, what

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<v Speaker 1>did you do in town today? Today? I went to

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<v Speaker 1>I had phone call meetings, and I had um a

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<v Speaker 1>record label wating okay, without saying the name of the

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<v Speaker 1>record label. Yes, you went to a record label and

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<v Speaker 1>did what? Um? I sang some songs you did? Yes?

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<v Speaker 1>I did. So describe what that's like because here you

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<v Speaker 1>are your new artists are do you live here yet?

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<v Speaker 1>Are you moving here? I don't know, I don't know.

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<v Speaker 1>I don't know. I mean, I feel like it's not

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<v Speaker 1>a bad thing that I don't live here, because if

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<v Speaker 1>I fly down here for two weeks but then fly

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<v Speaker 1>back to living somewhere for free. UM, I'll take this

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<v Speaker 1>as of right now. If you don't live here, you'll

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<v Speaker 1>never make it here. You don't link to start now.

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<v Speaker 1>If you make it big, you can move out, you

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<v Speaker 1>can go. Justin Moore does it. He lives in Arkansas,

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<v Speaker 1>but he was here. Zach Brown is probably the biggest example.

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<v Speaker 1>But again he's Zach Brown. So not that you're not

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<v Speaker 1>Gabby Barrett, but you're just Gabby Barrett right now. My

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<v Speaker 1>advice to you, I'm still mentoring it. You're ready. I

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<v Speaker 1>know you're eight teen, but you gotta move here. You

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<v Speaker 1>have to because you have to be with everybody all

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<v Speaker 1>the time. You have to be writing all the time,

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<v Speaker 1>like every day, every night. You have to be writing.

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<v Speaker 1>But how do you pay your bills in your hand? Exactly?

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<v Speaker 1>You go and you work at tootsies, you wait tables.

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<v Speaker 1>There's there's no shame. You can't have shame anymore. It's

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<v Speaker 1>how bad do you want it? Because if you're not here,

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<v Speaker 1>there's gonna be so many opportunities pass you by. Someone's

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<v Speaker 1>gonna go we need someone tomorrow night, and you're gonna

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<v Speaker 1>be in Pittsburgh's Yeah, and I'll fly down that night.

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<v Speaker 1>What happened? I'm telling you I've already done it before.

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<v Speaker 1>You haven't I have. I've taken many red eyes down

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<v Speaker 1>here before. Well, not the same. I'm just telling you

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<v Speaker 1>it's not gonna work until you come down here and work,

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<v Speaker 1>and then it's gonna take a while. It's gonna take

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<v Speaker 1>a couple of years. Do you believe that? Yeah, yeah

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<v Speaker 1>I do. I'm trying to get in the door early

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<v Speaker 1>as early as I can. But because you're good, there's

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<v Speaker 1>no doubt about it. It's it's crazy to come to

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<v Speaker 1>a place like Nashville where everybody is so good and

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<v Speaker 1>you need to be around them all the time because

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<v Speaker 1>they'll make you better and you'll make them better and

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<v Speaker 1>you'll write songs all the time. And you have Let's like,

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<v Speaker 1>you ever been to camp, like church camp or regular

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<v Speaker 1>camp or summer camp. I don't know what people go

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<v Speaker 1>to you have anything like that? Okay? You know how

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<v Speaker 1>you go in with your little group and those are

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<v Speaker 1>like the people and you're like, oh, that's my class

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<v Speaker 1>and all my mama folks, or like high school even

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<v Speaker 1>did you get to high school? Like everybody went to

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<v Speaker 1>high school? When you graduate, like at your class, you

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<v Speaker 1>make those in Nashville and then as everybody rises, they

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<v Speaker 1>kind of pull each other up or they you know,

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<v Speaker 1>they helped away. The point is you have to move here.

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<v Speaker 1>We'll see, Okay, we'll see. Are they telling you have

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<v Speaker 1>to move here? Um? I actually talked to Luke Brian

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<v Speaker 1>about it, and he said he's the one who actually

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<v Speaker 1>said to me. He said, if you're coming down every

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<v Speaker 1>two weeks and then go back for two weeks, he

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<v Speaker 1>was like, you're doing all right? And so that's what

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<v Speaker 1>I listened to make sixty million a year. He's completely

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<v Speaker 1>out of Luke moved here. He had Luke had to

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<v Speaker 1>move here to make it. Yeah, So anyway, I don't

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<v Speaker 1>want to harp on that. I actually have quite general

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<v Speaker 1>questions about what happened today. So tell me about today.

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<v Speaker 1>You go and you you're they say, hey, come play.

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<v Speaker 1>Is something like your leather rubbing? What's that noise? Leather squeaking?

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<v Speaker 1>It's squeaking against the quarter of the headphones that make

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<v Speaker 1>the noises. So you go and you go to a

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<v Speaker 1>record label room. Who's in that room? Um, it's me,

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<v Speaker 1>my manager and three other people. That's it. Yes, And

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<v Speaker 1>they say what to you? I'm sorry, I am my

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<v Speaker 1>guitar blayer okay, and they say what do what? UM?

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<v Speaker 1>We just started talking about what's been going on after idol,

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<v Speaker 1>UM and before idle and UM. We played some of

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<v Speaker 1>the songs that I have, some of the songs I

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<v Speaker 1>have in preparation to release UM as well as I hope,

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<v Speaker 1>and then I did some songs live so they could

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<v Speaker 1>hear what I sound like live and how many songs

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<v Speaker 1>do you play them? How many songs did I do? Three?

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<v Speaker 1>And it's awkward when they're only three people watching and

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<v Speaker 1>they're like judging everything that you're doing, or you kind

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<v Speaker 1>of just getting your own space. It's definitely a challenge

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<v Speaker 1>for short because it's like when you have three people.

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<v Speaker 1>I felt like I was back on the executive rounds

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<v Speaker 1>on American Idol whenever the producers were in the room

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<v Speaker 1>and you know, there was only ten people, because it's

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<v Speaker 1>all eyes are on you and it's more concentrated a

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<v Speaker 1>smaller group than a big crowd. It's easier to do that,

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<v Speaker 1>so it is, but um, I think it went well.

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<v Speaker 1>So were you watching their faces as you were playing? Yeah, yeah,

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<v Speaker 1>to see if they like the song you're not and

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<v Speaker 1>what they liked it? They liked it. Yeah, it's like

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<v Speaker 1>it's a little bit of like everything. So they were

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<v Speaker 1>liking it at least, I hope. So and what do

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<v Speaker 1>they say when you leave the room? Is that, hey,

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<v Speaker 1>that was great, like generic generic? And then they go

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<v Speaker 1>and tell you really later how they feel or did

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<v Speaker 1>they give you any sort of direction. Normally you can tell, um,

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<v Speaker 1>because I have met with a few record labels before,

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<v Speaker 1>and normally you can tell if they are like feeling

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<v Speaker 1>it or not. Um, and their reactions seemed pretty genuine.

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<v Speaker 1>He was like like, basically, I'm I'm really thinking about

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<v Speaker 1>being on board here. Oh yeah, so what do you

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<v Speaker 1>have to do next? Um? I just told them I

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<v Speaker 1>would continue to send them songs and content and stuff

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<v Speaker 1>and if they need anything for me that I'll send it.

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<v Speaker 1>And then you went from over there to over here. Yes,

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<v Speaker 1>that's pretty cool. It's a pretty cool day. You get

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<v Speaker 1>to a plan for a big record people, it's a

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<v Speaker 1>good day. So tell me about Let's go back to idle.

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<v Speaker 1>Let's kind of rewind a bit. So you auditioned where

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<v Speaker 1>what city? Addition to Nashville? Channels say right here? Why

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<v Speaker 1>did you fly down here to do it? Um? Because

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<v Speaker 1>when the producers had contacted me to audition for the show,

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<v Speaker 1>they said you could choose from three places, and I

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<v Speaker 1>was like, yeah, Nashville is definitely a place. How did

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<v Speaker 1>they find you to tell you to do the show? Um?

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<v Speaker 1>They have producers that reach out or look on the

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<v Speaker 1>internet for through YouTube and through hashtags on Instagram and

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<v Speaker 1>things like that, and I would always put hashtag American,

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<v Speaker 1>I all and stuff, and they reached out from seeing

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<v Speaker 1>videos on the INN. And the first time a producer

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<v Speaker 1>reaches out, are you going come on? You messing with me? Almost? Yeah?

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<v Speaker 1>Because well, when you get an email like a producer

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<v Speaker 1>wants to skype with you, you're like, is this spam

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<v Speaker 1>or is it real? So like you you don't want

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<v Speaker 1>to like set yourself up, and you're like, okay, if

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<v Speaker 1>this is real. And then when you see them come

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<v Speaker 1>up on the thing and they're like, okay, we'll call

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<v Speaker 1>you back, You're like, oh my god, oh my gosh,

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<v Speaker 1>it's real. So it was really cool. So what does

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<v Speaker 1>the producer say to you when you get on Skype,

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<v Speaker 1>like I'm Gabby, I am. I think they're like saying

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<v Speaker 1>your name and your age, and then what are you

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<v Speaker 1>gonna sing for us? And you tell them what you're

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<v Speaker 1>gonna saying. Do you sing? And then they're like, yeah,

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<v Speaker 1>I did. I did have to sing on Skype and

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<v Speaker 1>he was like what do you do in these days? Um?

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<v Speaker 1>And I was like yes because I didn't feeling he

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<v Speaker 1>was going to set. If he said that, then that

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<v Speaker 1>means he likes what he's hearing. So do you know

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<v Speaker 1>who it was? His name is Peter. Yes, So you

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<v Speaker 1>sing in front of Peter. Peter says, come to Nashville.

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<v Speaker 1>Did they buy your plane ticket or did you just

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<v Speaker 1>get like a kind of cut pass? Did they buy

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<v Speaker 1>my plane ticket? I can't even I can't remember that.

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<v Speaker 1>I don't know if I have been because I don't.

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<v Speaker 1>I don't deal with any I didn't deal with at

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<v Speaker 1>that time. So you fly down? Do you cut the

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<v Speaker 1>line at all? Since they've already seen you? I was

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<v Speaker 1>like the first one there? Um, I remember I got

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<v Speaker 1>to It was at the forgetting the name of the

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<v Speaker 1>Country Music the Hall of Fame. Yeah, it was there.

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<v Speaker 1>It was there. And I was downstairs in a lobby

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<v Speaker 1>at six five, and I remember, Um, I was like

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<v Speaker 1>the first one there, and then they all took us

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<v Speaker 1>upstairs and then one by one did the audition and

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<v Speaker 1>how to go for you? Did you feel like you

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<v Speaker 1>knocked it out? Um? You know you know, I mean

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<v Speaker 1>it didn't go the way that I thought it was

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<v Speaker 1>going to know, Um, why what what did you expect?

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<v Speaker 1>First of all, you expected to walk in a way? Um? Well,

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<v Speaker 1>I walked in and sang a country so long because

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<v Speaker 1>that is mainly what I love to do, UM as

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<v Speaker 1>my main genre. And they were kind of confused buy

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<v Speaker 1>it um because I did originally start in a gospel

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<v Speaker 1>choir R and B was originally my roots UM. And

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<v Speaker 1>so they weren't very fond of the country at first.

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<v Speaker 1>And then so I actually got through with a gospel song,

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<v Speaker 1>gospel what do you sing? His Eyes on the Sparrow?

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<v Speaker 1>And then they said, okay, but you're a country artist.

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<v Speaker 1>Well actually saying, um, Carrie Underwood, uh, good Girls and

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<v Speaker 1>Church Bells three songs. Yeah. I had to sing to

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<v Speaker 1>those two songs. And they were like, do you have

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<v Speaker 1>anything that's not Carrie? And I was like, um, I

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<v Speaker 1>have Gretchen Wilson read kneck woman, who was like, don't

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<v Speaker 1>like that. I was like okay. And then we were

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<v Speaker 1>only supposed to have three songs prepared, so whatever they

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<v Speaker 1>asked me to do, it was on the like on

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<v Speaker 1>the spot, on the fly from there. And then they

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<v Speaker 1>asked me to do a church song and I was like, okay,

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<v Speaker 1>that's the first one I'm gona do because that was

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<v Speaker 1>my main song when I was in the church singing

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<v Speaker 1>when I was nine. So then you go back home, yeah,

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<v Speaker 1>and they say you get the Golden ticket or whatever.

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<v Speaker 1>They go to Hollywood, right, so it's gonna be a

0:10:05.440 --> 0:10:08.320
<v Speaker 1>few weeks. A month before that was like a couple

0:10:08.360 --> 0:10:11.000
<v Speaker 1>of months. It was in October, and then Hollywood Week

0:10:11.040 --> 0:10:12.440
<v Speaker 1>was in January, so you had to wait that long.

0:10:12.559 --> 0:10:14.600
<v Speaker 1>Just excited the whole time, like every day they're going,

0:10:14.640 --> 0:10:16.240
<v Speaker 1>I can't wait, I can't wait, I can't wait. Yeah.

0:10:16.240 --> 0:10:17.840
<v Speaker 1>I was coming up with like a blueprint in my

0:10:17.880 --> 0:10:21.040
<v Speaker 1>head if I'm to pass this, what I'm gonna do next,

0:10:21.120 --> 0:10:22.679
<v Speaker 1>the next, the next, instead of coming up with it

0:10:22.679 --> 0:10:25.120
<v Speaker 1>while I'm there. So I did Hollywood Week this year.

0:10:25.160 --> 0:10:27.880
<v Speaker 1>I started at the beginning of the season, right, Yeah,

0:10:28.120 --> 0:10:31.520
<v Speaker 1>I um the Hollywood. We kind of a grind. Oh yeah,

0:10:31.559 --> 0:10:34.360
<v Speaker 1>that's the toughest week. The overnight happen to get in

0:10:34.400 --> 0:10:37.480
<v Speaker 1>the groups. Even I was feeling bad for the kids. Um,

0:10:38.000 --> 0:10:40.480
<v Speaker 1>you know, you know, you know, you've watched the TV.

0:10:40.520 --> 0:10:42.720
<v Speaker 1>It looks fun and it was right, It still was fun,

0:10:42.720 --> 0:10:44.560
<v Speaker 1>but these kids were getting in groups and fighting with

0:10:44.600 --> 0:10:47.520
<v Speaker 1>each other and they were all sleep deprived. No, it's

0:10:47.520 --> 0:10:49.840
<v Speaker 1>a difficult week. I remember going through that week and

0:10:49.880 --> 0:10:53.840
<v Speaker 1>I was like, well, shoot, like this is hard. I mean,

0:10:53.880 --> 0:10:56.160
<v Speaker 1>but but it was fun too because I'm a person

0:10:56.200 --> 0:10:59.679
<v Speaker 1>that likes to challenge myself on literally everything. So something's

0:10:59.679 --> 0:11:02.640
<v Speaker 1>a chat orange to me, I'm like, let's go, let's go. Um,

0:11:02.679 --> 0:11:05.120
<v Speaker 1>And so that week is too. It separates the week

0:11:05.160 --> 0:11:07.400
<v Speaker 1>from the strong. Honestly, who cracks and who doesn't and

0:11:07.440 --> 0:11:09.719
<v Speaker 1>who's ready to go on with the competition because the

0:11:09.720 --> 0:11:13.640
<v Speaker 1>competition is not easy. It's not easy at all. So um,

0:11:13.679 --> 0:11:19.200
<v Speaker 1>whoever can outlast longest? So you do the group, then

0:11:19.240 --> 0:11:22.480
<v Speaker 1>you it's solo and group. You move on to the

0:11:22.480 --> 0:11:25.400
<v Speaker 1>top twenty four. And then that's where I came in,

0:11:25.840 --> 0:11:27.240
<v Speaker 1>And I guess I met you for the first time.

0:11:28.160 --> 0:11:31.120
<v Speaker 1>I remember what I don't I'm trying to think if

0:11:31.160 --> 0:11:32.600
<v Speaker 1>I can remember what you were wearing. I remember what

0:11:32.640 --> 0:11:35.000
<v Speaker 1>I don't remember what I was wearing. They just give

0:11:35.040 --> 0:11:37.360
<v Speaker 1>me I want to pick out my clothes and then

0:11:37.360 --> 0:11:40.400
<v Speaker 1>I just put them on. Those producers, Pepper, you with

0:11:40.600 --> 0:11:43.080
<v Speaker 1>so many questions all the time now, like they just

0:11:43.679 --> 0:11:45.360
<v Speaker 1>and they brought me in to not be a producer, right,

0:11:45.400 --> 0:11:47.800
<v Speaker 1>to be a human. You guys could actually talk to it,

0:11:48.040 --> 0:11:49.360
<v Speaker 1>and I'd be like, well, I'm a human too, let

0:11:49.400 --> 0:11:51.679
<v Speaker 1>me I understand this. But man, I would want those

0:11:51.679 --> 0:11:53.800
<v Speaker 1>producers and all and they're all black. You get behind

0:11:53.800 --> 0:11:56.200
<v Speaker 1>the camera and they just like a thousand questions you

0:11:56.200 --> 0:11:59.280
<v Speaker 1>guys all the time? Yeah, they do, they always, I mean,

0:11:59.760 --> 0:12:02.160
<v Speaker 1>just to get every single possible answer. I guess out

0:12:02.160 --> 0:12:05.000
<v Speaker 1>of us that they can, because sometimes it's hard to

0:12:05.000 --> 0:12:07.000
<v Speaker 1>get answers out when you're excited about something. What was

0:12:07.040 --> 0:12:10.040
<v Speaker 1>your storyline? My storyline on American I don't like, what

0:12:10.040 --> 0:12:12.800
<v Speaker 1>were they highlighting about you? Because everybody kind of has

0:12:12.840 --> 0:12:15.800
<v Speaker 1>a story, right, Yeah, your dad was there a lot

0:12:15.920 --> 0:12:19.240
<v Speaker 1>because you're you're underage mine or as they called him,

0:12:19.280 --> 0:12:21.160
<v Speaker 1>and so your family was there. Yeah, that was my

0:12:21.200 --> 0:12:23.920
<v Speaker 1>main story. Um, I'm just extremely close with my dad.

0:12:24.320 --> 0:12:26.720
<v Speaker 1>One of eight. Um, I was always a daddy's girl

0:12:26.720 --> 0:12:29.840
<v Speaker 1>growing up, and so he you know, even before American

0:12:29.840 --> 0:12:31.600
<v Speaker 1>and I don't when I started when I started singing

0:12:31.679 --> 0:12:34.640
<v Speaker 1>at nine in the choir, and then eleven I did

0:12:34.640 --> 0:12:36.840
<v Speaker 1>my first show all the way up to seventeen, and

0:12:37.040 --> 0:12:38.840
<v Speaker 1>at seventeen years old, before I know, I did a

0:12:38.880 --> 0:12:41.600
<v Speaker 1>hundred and thirties six shows that year alone. So I

0:12:41.640 --> 0:12:44.640
<v Speaker 1>mean doing shows in the gospel choir or just playing yourself,

0:12:44.760 --> 0:12:47.520
<v Speaker 1>no myself. So like I was with the gospel choir

0:12:47.520 --> 0:12:50.360
<v Speaker 1>from nine to eleven, and then eleven I left the

0:12:50.360 --> 0:12:53.160
<v Speaker 1>gospel choir and started doing shows, doing the anthem for

0:12:53.160 --> 0:12:55.560
<v Speaker 1>the Pirate of Steelers, just different stuff all the way up.

0:12:56.000 --> 0:12:58.400
<v Speaker 1>So it was like a grind for six years. So

0:12:58.400 --> 0:13:01.000
<v Speaker 1>you're saying the anthem of the Pirates is the pretty cool. Yeah,

0:13:01.040 --> 0:13:03.240
<v Speaker 1>the Pirates steeling the Steelers will be a bigger thing.

0:13:03.280 --> 0:13:06.040
<v Speaker 1>It's more concentrated in one game. Yeah, nerve wracking. You

0:13:06.160 --> 0:13:09.800
<v Speaker 1>see the anthem And it was the hinesvilld Um Yeah

0:13:09.800 --> 0:13:12.080
<v Speaker 1>it was Hinsfeld No, because it was a bigger crowd.

0:13:12.160 --> 0:13:15.120
<v Speaker 1>Because it's like bigger you can't see like eyes on you.

0:13:15.200 --> 0:13:18.120
<v Speaker 1>I just I got more of adrenaline rush from that

0:13:18.400 --> 0:13:23.040
<v Speaker 1>and rather than nerves you ever mess up? Um in general?

0:13:23.240 --> 0:13:27.480
<v Speaker 1>No singing the anthem, No, thankfully not yet, hopefully not

0:13:28.320 --> 0:13:30.880
<v Speaker 1>at all, but um, I actually have to sing the

0:13:30.880 --> 0:13:35.079
<v Speaker 1>anthem coming up soon in March sometimes for a basketball game.

0:13:35.160 --> 0:13:36.600
<v Speaker 1>How old you be the first time you're sanging on

0:13:36.640 --> 0:13:39.480
<v Speaker 1>a big stage? Um? The first time I sang ever

0:13:40.520 --> 0:13:44.640
<v Speaker 1>anthem for the Pirates? Really, were you freaked out at all?

0:13:45.920 --> 0:13:48.240
<v Speaker 1>You know what? You know what freaked me out a

0:13:48.280 --> 0:13:51.000
<v Speaker 1>little bit. Wasn't the people. It was the delay of

0:13:51.040 --> 0:13:53.719
<v Speaker 1>the mic in the stadium, because you'll do this and

0:13:53.760 --> 0:13:55.280
<v Speaker 1>then this comes over the top of you like a

0:13:55.320 --> 0:13:58.320
<v Speaker 1>second later, a whole second, and me, being twelve years old,

0:13:58.360 --> 0:14:01.120
<v Speaker 1>I just started never experience out before. I was like,

0:14:01.559 --> 0:14:05.520
<v Speaker 1>what the heck? Um? But I still like managed to

0:14:05.559 --> 0:14:07.959
<v Speaker 1>get through it. Um. But that was difficult because some

0:14:08.080 --> 0:14:10.840
<v Speaker 1>stadiums give you ears that you can turn up a

0:14:10.920 --> 0:14:14.319
<v Speaker 1>pack and you don't hear that. They didn't, so I

0:14:14.360 --> 0:14:16.440
<v Speaker 1>was like, well, I gotta deal with this. I'm gonna

0:14:16.480 --> 0:14:19.000
<v Speaker 1>do a commercial real quick. The world is full of

0:14:19.200 --> 0:14:21.440
<v Speaker 1>sounds that warn you of danger, like if you get

0:14:21.440 --> 0:14:24.120
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0:14:24.120 --> 0:14:27.160
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0:14:27.520 --> 0:14:29.840
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0:14:29.880 --> 0:14:33.200
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0:14:33.240 --> 0:14:36.680
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0:14:36.840 --> 0:14:39.320
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0:14:46.160 --> 0:14:48.280
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0:14:51.920 --> 0:14:55.280
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0:14:55.320 --> 0:14:57.640
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0:15:08.920 --> 0:15:11.720
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0:15:14.200 --> 0:15:16.240
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0:15:16.280 --> 0:15:19.640
<v Speaker 1>flock dot com. All right, what are you drinking over there?

0:15:19.640 --> 0:15:22.840
<v Speaker 1>What is that Starbucks? Well, yeah, I know it's Strawberry

0:15:22.880 --> 0:15:26.480
<v Speaker 1>ASA or a fresh start? Is that your drink? I

0:15:26.520 --> 0:15:28.880
<v Speaker 1>don't drink coffee. I don't like coffee. I'm not a

0:15:28.880 --> 0:15:30.280
<v Speaker 1>coffee When I was going to Dance with the Stars,

0:15:30.320 --> 0:15:31.920
<v Speaker 1>I drink coffee it a little bit because it was

0:15:32.600 --> 0:15:34.880
<v Speaker 1>that's all they had and I was exhausted all the time.

0:15:34.920 --> 0:15:37.680
<v Speaker 1>But it's never good. Yeah it's bitter. Yeah, I'm not

0:15:37.720 --> 0:15:39.760
<v Speaker 1>a fan of that. But that I started drinking too

0:15:39.840 --> 0:15:41.640
<v Speaker 1>much sugar with that. But you're eight teen, who cares? Right?

0:15:42.200 --> 0:15:45.440
<v Speaker 1>My metabolicalism is very fast. I was in Chicago, I think,

0:15:45.440 --> 0:15:47.760
<v Speaker 1>and you were opening up for Chris Lane when I

0:15:47.840 --> 0:15:51.280
<v Speaker 1>was on Stars where you playing Joe's Yeah, I did.

0:15:51.280 --> 0:15:54.920
<v Speaker 1>How's that going? Really good? Chris Line's tour was absolutely amazing.

0:15:55.040 --> 0:15:59.320
<v Speaker 1>He's amazing though, I mean, like he I can't I

0:15:59.360 --> 0:16:01.880
<v Speaker 1>can't say thank you to him enough because he brought

0:16:01.880 --> 0:16:04.120
<v Speaker 1>me unto the tour with him and was so unbelievably

0:16:04.160 --> 0:16:06.920
<v Speaker 1>nice and still is like to this day, we're friends.

0:16:06.920 --> 0:16:09.560
<v Speaker 1>Down it's it's just really cool to see somebody help

0:16:09.600 --> 0:16:11.920
<v Speaker 1>you up and pick you up without looking for something

0:16:12.000 --> 0:16:14.160
<v Speaker 1>in return, because it's very hard to find, and this

0:16:14.440 --> 0:16:17.800
<v Speaker 1>especially in this music industry, to find somebody that wants

0:16:17.880 --> 0:16:20.400
<v Speaker 1>to help you without asking for something in return. And

0:16:20.480 --> 0:16:23.840
<v Speaker 1>he is one of those people and I know that. Um,

0:16:24.040 --> 0:16:26.040
<v Speaker 1>you know I'll be friends with him for a long time.

0:16:26.240 --> 0:16:28.160
<v Speaker 1>So he's great and it went good. He tell you

0:16:28.200 --> 0:16:29.640
<v Speaker 1>to move to Nashville is the only way to make it.

0:16:29.720 --> 0:16:33.920
<v Speaker 1>He did not. He did it all right. So you

0:16:34.000 --> 0:16:37.640
<v Speaker 1>go and idle you. They're all whittling down. One goes down,

0:16:37.680 --> 0:16:39.680
<v Speaker 1>one goes home, one goes home, one goes home. It's

0:16:39.680 --> 0:16:41.440
<v Speaker 1>about the top five or so. Did you feel like

0:16:41.480 --> 0:16:44.600
<v Speaker 1>you were the favorite? The favorite? Because I felt like

0:16:44.600 --> 0:16:46.720
<v Speaker 1>you were the favorite. I felt like not the favorite

0:16:46.720 --> 0:16:47.800
<v Speaker 1>of the people, but I felt like you had the

0:16:47.800 --> 0:16:49.640
<v Speaker 1>best shot to win at about the top five, almost

0:16:49.640 --> 0:16:51.160
<v Speaker 1>like I think you got the best shot to win

0:16:51.200 --> 0:16:53.720
<v Speaker 1>the show. You did you feel that way? Um? I

0:16:53.840 --> 0:16:57.000
<v Speaker 1>was confident. I wanted to win, that's for sure. I

0:16:57.800 --> 0:16:59.680
<v Speaker 1>knew since I got to that spot, I was like,

0:17:00.040 --> 0:17:02.280
<v Speaker 1>all right, I'm gonna hit it even harder like each time,

0:17:02.400 --> 0:17:07.440
<v Speaker 1>especially as the numbers were bendling down. So, um, I

0:17:07.480 --> 0:17:10.400
<v Speaker 1>was just really grateful, very thankful, And every time the

0:17:10.440 --> 0:17:14.240
<v Speaker 1>cuts came, I was just I had to be accepting

0:17:14.480 --> 0:17:17.119
<v Speaker 1>if I were to get eliminated, because I was just

0:17:17.240 --> 0:17:20.040
<v Speaker 1>very thankful to have made it that far. Already get

0:17:20.040 --> 0:17:23.000
<v Speaker 1>to the final. Yeah, final show. There's three of you

0:17:23.080 --> 0:17:25.760
<v Speaker 1>left going into that show. Did you feel like, all right,

0:17:25.800 --> 0:17:27.520
<v Speaker 1>I can I can do this. I'm gonna win this thing.

0:17:27.560 --> 0:17:31.000
<v Speaker 1>Were you feeling confident? Um? Yes, what the performances? Yes,

0:17:31.119 --> 0:17:34.320
<v Speaker 1>but I could tell you right now whenever me, Maddie

0:17:34.320 --> 0:17:38.200
<v Speaker 1>and Caleb were standing there and Ryan Seacrest said, UM,

0:17:38.480 --> 0:17:43.400
<v Speaker 1>din't like the second they said or he said Caleb's name,

0:17:44.000 --> 0:17:46.359
<v Speaker 1>I knew for a fact I was not getting through

0:17:46.640 --> 0:17:49.719
<v Speaker 1>because I'm saying Caleb. I knew something told me that

0:17:49.760 --> 0:17:53.879
<v Speaker 1>Maddie was getting through. And when they said Caleb, I

0:17:54.160 --> 0:17:57.400
<v Speaker 1>freaking knew it. I was like, no way I'm getting through.

0:17:57.400 --> 0:17:59.359
<v Speaker 1>No way I'm getting through. That's why I mean it

0:17:59.440 --> 0:18:01.800
<v Speaker 1>was so I was. I accepted the fact before they

0:18:01.800 --> 0:18:04.119
<v Speaker 1>even said her name, because I just knew something you

0:18:04.240 --> 0:18:06.800
<v Speaker 1>got tells you saw. But I was okay with everything.

0:18:07.000 --> 0:18:10.280
<v Speaker 1>What happens after idol is over? The next day idols over?

0:18:10.400 --> 0:18:13.600
<v Speaker 1>What do you do the next day idols over? Um?

0:18:13.760 --> 0:18:15.639
<v Speaker 1>We had to do a bunch of press and interviews

0:18:15.800 --> 0:18:18.720
<v Speaker 1>on the just the whole competition in general, and how

0:18:18.720 --> 0:18:20.679
<v Speaker 1>we took everything. Does it suck to lose and have

0:18:20.720 --> 0:18:23.879
<v Speaker 1>to go be interviewed. Are you more so happy that

0:18:24.080 --> 0:18:26.880
<v Speaker 1>of the experience, like really the next day, yeah, I

0:18:26.920 --> 0:18:29.480
<v Speaker 1>was happy. Of course, you're sad that you lost, because

0:18:29.880 --> 0:18:31.720
<v Speaker 1>when you set yourself up for something for so long.

0:18:31.800 --> 0:18:34.359
<v Speaker 1>I mean, this was months upon months, um, that you

0:18:34.440 --> 0:18:37.360
<v Speaker 1>worked and you were so busy every single second, so

0:18:37.440 --> 0:18:40.680
<v Speaker 1>focused on something. So of course it sucks that you lose,

0:18:40.720 --> 0:18:44.040
<v Speaker 1>because everybody you know once that winning spot. Um. But

0:18:44.080 --> 0:18:46.720
<v Speaker 1>I again, I accepted the fact that it's okay, and

0:18:46.800 --> 0:18:49.560
<v Speaker 1>that was all part of the plan for me. So um,

0:18:49.600 --> 0:18:52.320
<v Speaker 1>And I'm really glad that Klea and Maddie you know,

0:18:52.480 --> 0:18:55.639
<v Speaker 1>got first and second place. They absolutely deserve it. They're amazing,

0:18:55.680 --> 0:18:59.040
<v Speaker 1>amazing singers, amazing people, so you know, and especially as

0:18:59.080 --> 0:19:02.160
<v Speaker 1>the numbers doing down, as you said, Um, you get

0:19:02.200 --> 0:19:04.200
<v Speaker 1>really close to people and it's not even almost a

0:19:04.280 --> 0:19:07.959
<v Speaker 1>competition anymore. It's you're happy to see if somebody succeeds whatever.

0:19:08.000 --> 0:19:11.119
<v Speaker 1>I wouldn't be listen. There were four Dance with the

0:19:11.160 --> 0:19:12.800
<v Speaker 1>Stars and I was like, I better win this freaking thing.

0:19:13.240 --> 0:19:14.480
<v Speaker 1>I didn't think I was going to, but I I didn't

0:19:14.480 --> 0:19:16.600
<v Speaker 1>give a crap. Were you close with any of the other. Yeah,

0:19:16.640 --> 0:19:18.280
<v Speaker 1>I liked everybody, but when it's time to compete, when

0:19:18.280 --> 0:19:20.879
<v Speaker 1>it's not how to compete, it's well, I like Milo

0:19:21.000 --> 0:19:24.879
<v Speaker 1>and I, Um, we're as close as we could because

0:19:24.880 --> 0:19:28.000
<v Speaker 1>Milo is your age. Um, but he was really good.

0:19:28.720 --> 0:19:32.320
<v Speaker 1>Um Ivana from Harry Potter with her and I got

0:19:32.359 --> 0:19:34.160
<v Speaker 1>closer to the end, but Alexis Rand and I weren't

0:19:34.160 --> 0:19:36.879
<v Speaker 1>that close. Um so but really, who cares who I

0:19:36.920 --> 0:19:38.680
<v Speaker 1>was competing? Who gives a crap about the other people?

0:19:39.000 --> 0:19:41.560
<v Speaker 1>Like all week long we were cool and Milan I

0:19:41.640 --> 0:19:44.560
<v Speaker 1>was super cool. But but then when it's the game

0:19:44.600 --> 0:19:46.639
<v Speaker 1>time one, I don't want to lose. And if I lose,

0:19:46.680 --> 0:19:48.480
<v Speaker 1>I'm gonna want to eat my kidney. I would be

0:19:48.560 --> 0:19:51.919
<v Speaker 1>still so. But um, you're good for you. You're more

0:19:51.960 --> 0:19:55.080
<v Speaker 1>mature than I am. Apparently, Oh no, thank you. I'm

0:19:55.800 --> 0:19:59.159
<v Speaker 1>I hate losing. I have a problem losing. Um, if

0:19:59.200 --> 0:20:01.560
<v Speaker 1>you're already complex, don't worry one day. One day you'll

0:20:01.600 --> 0:20:04.080
<v Speaker 1>have to go to therapist and it all come out. Yeah,

0:20:04.119 --> 0:20:06.880
<v Speaker 1>it all come out. You're still young. Wait for don manifest. Okay,

0:20:07.040 --> 0:20:09.879
<v Speaker 1>just come back. So you go home? When do you

0:20:09.880 --> 0:20:12.320
<v Speaker 1>go home? How many days after idols over um idol

0:20:12.400 --> 0:20:15.440
<v Speaker 1>ended one of May. That was when the finale was

0:20:15.640 --> 0:20:18.160
<v Speaker 1>twenty second. We did all the press the next day

0:20:18.200 --> 0:20:20.360
<v Speaker 1>after that we went back. So what's it like when

0:20:20.359 --> 0:20:23.320
<v Speaker 1>you go home? It's weird. I mean, it's so weird

0:20:23.400 --> 0:20:27.840
<v Speaker 1>because you're so used again being in this like this

0:20:28.160 --> 0:20:33.440
<v Speaker 1>different world literally Idols a different world. It's it's a flip.

0:20:33.520 --> 0:20:36.760
<v Speaker 1>It's a flip of what your life has been. Um,

0:20:36.800 --> 0:20:42.160
<v Speaker 1>you're constantly working, constantly emotional, like it's insane. So going

0:20:42.240 --> 0:20:44.720
<v Speaker 1>home and like you already know the answers to everything

0:20:44.760 --> 0:20:47.480
<v Speaker 1>when with Idol like that you were curious about the

0:20:47.640 --> 0:20:50.159
<v Speaker 1>entire time. It's like so weird. But then we had

0:20:50.200 --> 0:20:52.920
<v Speaker 1>to prep for the Idol tour. Oh then you had

0:20:52.920 --> 0:20:56.440
<v Speaker 1>to go to tour. Yeah. Yeah, so it wasn't all

0:20:56.440 --> 0:20:59.040
<v Speaker 1>the way over because the show was over, but then

0:20:59.080 --> 0:21:01.160
<v Speaker 1>you had more work to do for Idle. Yeah. They

0:21:01.200 --> 0:21:07.639
<v Speaker 1>pay you guys, good, m decent enough to you. It

0:21:07.760 --> 0:21:10.560
<v Speaker 1>was cool, I guess. Yeah, Like when I did dance

0:21:10.600 --> 0:21:13.200
<v Speaker 1>with the Star Store, they paid me like thousand bucks

0:21:13.240 --> 0:21:15.520
<v Speaker 1>a night. I think it's what it was. Really you

0:21:15.520 --> 0:21:18.960
<v Speaker 1>guys weren't that much A thousand but oh heck it

0:21:19.040 --> 0:21:22.600
<v Speaker 1>was ten tho dollars a week and if you did

0:21:22.600 --> 0:21:26.679
<v Speaker 1>a full week, oh my gosh, I think that's a

0:21:26.720 --> 0:21:28.560
<v Speaker 1>lot or something like that. Well, yeah, but I only

0:21:28.600 --> 0:21:29.879
<v Speaker 1>I only did one week. I mean, I don't know

0:21:29.880 --> 0:21:32.200
<v Speaker 1>if that's a lot, like four days, but I just

0:21:32.240 --> 0:21:34.800
<v Speaker 1>wanted it was an idol tour like that. No it wasn't.

0:21:35.960 --> 0:21:37.399
<v Speaker 1>I don't know. I have no idea. I don't know

0:21:37.440 --> 0:21:42.560
<v Speaker 1>if no, no, it wasn't. Um yeah, no, I'm not

0:21:42.720 --> 0:21:44.800
<v Speaker 1>an expert on the whole money thing, but I know

0:21:44.880 --> 0:21:48.720
<v Speaker 1>that it wasn't like ten thou dollars. I didn't. I'm

0:21:48.720 --> 0:21:51.920
<v Speaker 1>just being like some people. I don't think that. I

0:21:51.920 --> 0:21:53.480
<v Speaker 1>don't think I made as much as a dancer, the

0:21:53.680 --> 0:21:57.119
<v Speaker 1>pro dancers. Yeah, I think because we were working in shorts.

0:21:57.119 --> 0:21:59.639
<v Speaker 1>Short but I'd still take that. Well yeah, that's and

0:21:59.720 --> 0:22:01.240
<v Speaker 1>I did it that I didn't have to the tour,

0:22:02.320 --> 0:22:05.399
<v Speaker 1>and I was like, yeah, absolutely, look it up right, Okay,

0:22:05.400 --> 0:22:07.359
<v Speaker 1>so you go, did you save your money? Did I

0:22:07.440 --> 0:22:11.240
<v Speaker 1>save it from the tour? Um all that jacket? No,

0:22:11.359 --> 0:22:14.000
<v Speaker 1>you know what I had to do. You have to pay.

0:22:14.520 --> 0:22:17.800
<v Speaker 1>This is a whole thing with the music industry. You

0:22:17.840 --> 0:22:22.080
<v Speaker 1>have to pay towards all of your music stuff because

0:22:22.080 --> 0:22:24.320
<v Speaker 1>this is very expensive. So on a tour. You have

0:22:24.400 --> 0:22:26.640
<v Speaker 1>to put money down on a tour for and that's

0:22:26.640 --> 0:22:28.199
<v Speaker 1>what I did. So, yeah, I did save it from

0:22:28.240 --> 0:22:30.119
<v Speaker 1>the audit tour and then I ended up putting it

0:22:30.400 --> 0:22:32.560
<v Speaker 1>on the next tour that I went on right after

0:22:32.640 --> 0:22:34.640
<v Speaker 1>the American audit tour was over. Now did you make

0:22:34.680 --> 0:22:39.240
<v Speaker 1>money back on that tour? Um? I think so. Marchandise, Ye,

0:22:39.520 --> 0:22:41.199
<v Speaker 1>you start. You need to start figuring this stuff out.

0:22:41.240 --> 0:22:43.240
<v Speaker 1>You got a business You have a business manager? Yet? Yes?

0:22:43.280 --> 0:22:45.200
<v Speaker 1>I do? All right, you have a good one, yeah,

0:22:45.440 --> 0:22:47.040
<v Speaker 1>because that's a good one. That for me was tough.

0:22:47.040 --> 0:22:49.040
<v Speaker 1>I don't understand the business manager stuff. Now I do

0:22:49.119 --> 0:22:51.600
<v Speaker 1>because I like to understand everything. Yeah, I'm not going

0:22:51.680 --> 0:22:55.000
<v Speaker 1>to have a manager. Do I have a manager? Yeah?

0:22:55.520 --> 0:22:58.240
<v Speaker 1>Sitting right there all right, just making sure he's sitting

0:22:58.240 --> 0:23:03.359
<v Speaker 1>across the room. Do you know the percentage that he gets? Um? No,

0:23:05.000 --> 0:23:07.000
<v Speaker 1>I feel like I don't know it. But I don't know.

0:23:07.119 --> 0:23:08.320
<v Speaker 1>Spit it out. What do you think it is? I

0:23:08.320 --> 0:23:10.159
<v Speaker 1>don't know? Is it like five, ten, fifteen? What is that?

0:23:10.240 --> 0:23:11.960
<v Speaker 1>If it's five? We need to talk because I need

0:23:12.080 --> 0:23:15.840
<v Speaker 1>I need to redo my deal. I can't if you're

0:23:16.240 --> 0:23:18.040
<v Speaker 1>clising me on all this math. And I failed geome

0:23:18.359 --> 0:23:21.080
<v Speaker 1>my school. This isn't. This isn't. I have people that

0:23:21.160 --> 0:23:23.399
<v Speaker 1>handle that I can't. Don't first of all, never be

0:23:23.480 --> 0:23:25.560
<v Speaker 1>that person. But it's my dad, So I can trust

0:23:25.560 --> 0:23:28.960
<v Speaker 1>my dad absolutely. Well sometimes no, yes, there's been a

0:23:29.040 --> 0:23:31.240
<v Speaker 1>lot of stories about dad's Okay, well not my dad.

0:23:31.240 --> 0:23:33.200
<v Speaker 1>And here's my advice to you. Ready, I'm gonna continue

0:23:33.200 --> 0:23:35.360
<v Speaker 1>my mentorship because I'm listen, I'm in the business too,

0:23:35.560 --> 0:23:38.960
<v Speaker 1>right in your full you're like full time on this season, right, Yeah,

0:23:39.040 --> 0:23:42.919
<v Speaker 1>I just talk. I'm talking about music again. You just

0:23:43.000 --> 0:23:44.639
<v Speaker 1>you don't have to know everything's coming in and out

0:23:44.680 --> 0:23:46.320
<v Speaker 1>when you're so busy, right, you have people to do that,

0:23:46.359 --> 0:23:48.520
<v Speaker 1>but you need to know what percentages you're paying people. Okay,

0:23:48.840 --> 0:23:51.040
<v Speaker 1>I'll pay attention to it more, just even in your phone,

0:23:51.160 --> 0:23:53.760
<v Speaker 1>like you need to know. Okaycent goes to my manager.

0:23:54.560 --> 0:23:57.320
<v Speaker 1>I don't know what yours is. What yours is? Yeah,

0:23:58.880 --> 0:24:00.159
<v Speaker 1>goes to the agent. I don't know what you're is,

0:24:00.280 --> 0:24:02.399
<v Speaker 1>but that's mine. Okay, you know five percent goes to

0:24:02.400 --> 0:24:05.119
<v Speaker 1>your business manager. Okay, so I think that's I know

0:24:05.200 --> 0:24:07.120
<v Speaker 1>that one. Yeah, it sucks because all your money is gone.

0:24:07.119 --> 0:24:08.600
<v Speaker 1>You make it, you make a dollar, and you know

0:24:08.760 --> 0:24:11.160
<v Speaker 1>forty cents. But the good news is is that they're

0:24:11.160 --> 0:24:12.879
<v Speaker 1>worth more than that forty cents, so it's actually a

0:24:12.880 --> 0:24:14.399
<v Speaker 1>really good investment. But you just need to know that

0:24:14.440 --> 0:24:18.399
<v Speaker 1>stuff just so much. Someone asked you, what do you

0:24:18.400 --> 0:24:20.160
<v Speaker 1>pay your manager that you don't look like a du fist?

0:24:20.160 --> 0:24:21.679
<v Speaker 1>Because I used to be the dupist, because like, what

0:24:21.720 --> 0:24:24.480
<v Speaker 1>do you pay a manager? I don't know one? Dang?

0:24:24.760 --> 0:24:27.160
<v Speaker 1>All right, that's note number two. Alright to things we've

0:24:27.200 --> 0:24:28.800
<v Speaker 1>learned before. One, you have to move to Nashville to

0:24:28.800 --> 0:24:32.480
<v Speaker 1>make it to you to know your percentages my others

0:24:32.520 --> 0:24:34.439
<v Speaker 1>only ever one I've done when I'm like tutoring the

0:24:34.440 --> 0:24:39.200
<v Speaker 1>PERSI during it. Okay, back to you. So you decide

0:24:40.640 --> 0:24:42.159
<v Speaker 1>what do you decide your home? And you're like, I

0:24:42.200 --> 0:24:44.199
<v Speaker 1>think I want to make a run in music, like

0:24:44.240 --> 0:24:46.399
<v Speaker 1>in country music, or do you go I don't want

0:24:46.440 --> 0:24:49.040
<v Speaker 1>to try go to college? Like what what's the now?

0:24:50.560 --> 0:24:53.520
<v Speaker 1>A terrible idea? No, I knew that. I knew I

0:24:53.560 --> 0:24:56.080
<v Speaker 1>wasn't going to college before I did American Idol, because

0:24:56.240 --> 0:24:58.200
<v Speaker 1>me and my dad had talked about that. I told him,

0:24:58.240 --> 0:25:00.159
<v Speaker 1>I said, this is plan A and plan B. What

0:25:00.200 --> 0:25:03.280
<v Speaker 1>was planning and plane B? To make it in music, okay,

0:25:03.480 --> 0:25:05.720
<v Speaker 1>and just this was it. This is what I wanted

0:25:05.760 --> 0:25:08.240
<v Speaker 1>to do for the rest of my life. Um and

0:25:08.320 --> 0:25:11.040
<v Speaker 1>so even after American, I don't I knew already what

0:25:11.359 --> 0:25:13.199
<v Speaker 1>who I wanted to be like as an artist. That

0:25:13.320 --> 0:25:16.400
<v Speaker 1>was something that even but going through American I will

0:25:16.440 --> 0:25:21.159
<v Speaker 1>definitely reassured me of that, which is country. Um, I

0:25:21.160 --> 0:25:22.840
<v Speaker 1>always help people. I wanted to be the Whitney Houston

0:25:23.000 --> 0:25:25.639
<v Speaker 1>country music so and that's what I do want to be.

0:25:25.800 --> 0:25:28.720
<v Speaker 1>So we'll say that happens. How many labels have been

0:25:28.720 --> 0:25:35.440
<v Speaker 1>saying in front of labels, Um, probably I'd say like

0:25:36.840 --> 0:25:38.880
<v Speaker 1>five or six. Have you had some bad, bad ones

0:25:38.920 --> 0:25:40.440
<v Speaker 1>where you go, oh, that one didn't go so well,

0:25:40.800 --> 0:25:43.080
<v Speaker 1>not that I recall, thankfully, Have you had something better

0:25:43.080 --> 0:25:44.840
<v Speaker 1>than others? We're like, oh, for sure, they want me

0:25:44.920 --> 0:25:47.159
<v Speaker 1>to sign with them. Yeah, it depends. I mean it

0:25:47.160 --> 0:25:49.600
<v Speaker 1>also depends on the person's mood of the day. Like

0:25:49.640 --> 0:25:51.800
<v Speaker 1>they could be having a bad day and you know

0:25:51.960 --> 0:25:53.919
<v Speaker 1>they're not in a good mood. So it just depends

0:25:53.960 --> 0:25:57.840
<v Speaker 1>on the day. Are you recording music right now? Yes? Really, yes,

0:25:58.080 --> 0:26:00.280
<v Speaker 1>I've been working so hard on music since last year,

0:26:00.359 --> 0:26:03.760
<v Speaker 1>since right after I got off the Chris Lane tour. Well, actually,

0:26:04.200 --> 0:26:07.560
<v Speaker 1>in between the American Idol tour, UM, I talked to

0:26:07.560 --> 0:26:09.880
<v Speaker 1>Carrie under One on the phone. I called her because

0:26:09.920 --> 0:26:16.359
<v Speaker 1>she after American Idol. UM, I'm just saying, go ahead,

0:26:16.840 --> 0:26:22.320
<v Speaker 1>oh please your context in your phone. After American Idol,

0:26:22.400 --> 0:26:24.280
<v Speaker 1>she reached out to me and said, you know, like

0:26:24.320 --> 0:26:26.720
<v Speaker 1>if you need any help with anything or I'm here

0:26:26.720 --> 0:26:29.480
<v Speaker 1>for you. She gave me a number. I called her. UM.

0:26:29.600 --> 0:26:31.359
<v Speaker 1>We talked a few times, and I just asked her.

0:26:31.400 --> 0:26:33.040
<v Speaker 1>I was like, what did you do after American Idol

0:26:33.080 --> 0:26:34.560
<v Speaker 1>to keep your my lad I'm going. She was like,

0:26:34.600 --> 0:26:37.760
<v Speaker 1>I would just constantly work. Um, Like while I was

0:26:37.760 --> 0:26:40.040
<v Speaker 1>on the American Idol tour, I would constantly work. And

0:26:40.080 --> 0:26:42.879
<v Speaker 1>I said, Okay, that's what I'm gonna do. Um. So

0:26:43.400 --> 0:26:46.160
<v Speaker 1>during the American Ado tour, we would have like four shows,

0:26:46.280 --> 0:26:48.720
<v Speaker 1>five shows in a row. Show show, show, show, show.

0:26:49.040 --> 0:26:52.120
<v Speaker 1>We have one day off. I would fly here, record

0:26:52.160 --> 0:26:54.880
<v Speaker 1>and write, fly back the next day and do the show.

0:26:54.920 --> 0:26:57.440
<v Speaker 1>So I mean like any day that I have off,

0:26:57.440 --> 0:26:59.800
<v Speaker 1>I'm doing something. Always music that's good. I like that.

0:26:59.800 --> 0:27:01.960
<v Speaker 1>At about you think that's something you really can't teach

0:27:02.000 --> 0:27:04.440
<v Speaker 1>a work ethic and if you were doing that, that's good.

0:27:04.440 --> 0:27:08.040
<v Speaker 1>You kind of taking the day off and just chilled. Yeah,

0:27:08.080 --> 0:27:10.800
<v Speaker 1>but there's I think of it as like how many

0:27:10.920 --> 0:27:14.360
<v Speaker 1>people want the same thing and what separates you from

0:27:14.359 --> 0:27:17.160
<v Speaker 1>other people? Though, Listen, this is what you're coming into

0:27:17.160 --> 0:27:21.080
<v Speaker 1>a Nashville. Everybody's really freaking good. Everybody is really good.

0:27:21.080 --> 0:27:22.920
<v Speaker 1>What separates you is the amount of work you put

0:27:22.960 --> 0:27:27.320
<v Speaker 1>into it. It's like the NFL. The the line between

0:27:28.240 --> 0:27:31.320
<v Speaker 1>super athletic and super super atletic is so thin. It's

0:27:31.359 --> 0:27:33.719
<v Speaker 1>the people who put in the work. But that's good.

0:27:33.760 --> 0:27:36.480
<v Speaker 1>I don't know you were doing that. I commend to

0:27:36.480 --> 0:27:38.480
<v Speaker 1>you get you get a ribbon after this is over

0:27:38.480 --> 0:27:43.160
<v Speaker 1>for all right for doing that the song here? Uh?

0:27:43.400 --> 0:27:47.040
<v Speaker 1>I hope you wrote with John Knight. That's how did

0:27:47.040 --> 0:27:51.320
<v Speaker 1>you get that? Right? Um? Through a great man? Okay,

0:27:51.320 --> 0:27:52.920
<v Speaker 1>because I was like, damn, look at that. You're already

0:27:52.920 --> 0:27:56.360
<v Speaker 1>writing with like cool big songwriters. Yeah, they're really They're

0:27:56.400 --> 0:27:58.159
<v Speaker 1>really cool. I've gotten to write with a few co

0:27:58.600 --> 0:28:00.479
<v Speaker 1>you wrote the song with the Zachary on John Knight.

0:28:00.480 --> 0:28:02.200
<v Speaker 1>I'm gonna play a little bit of I Hope Here

0:28:02.240 --> 0:28:22.240
<v Speaker 1>we Go, produced by Ross Cooperman. Yeah, whoo whoo, come on,

0:28:22.480 --> 0:28:26.719
<v Speaker 1>I can't even get these people in the room with me. Hi,

0:28:28.520 --> 0:28:30.240
<v Speaker 1>you you come in tally work with the biggest and

0:28:30.280 --> 0:28:32.800
<v Speaker 1>the best Already, I'm very blessed. Yeah, so what do

0:28:32.880 --> 0:28:34.160
<v Speaker 1>you what's the light getting in room with those guys?

0:28:34.160 --> 0:28:35.480
<v Speaker 1>What do you do in the writing room? You walk in,

0:28:35.520 --> 0:28:39.480
<v Speaker 1>You're like, hey, I'm dabbing Barrett. Yeah, um yeah, I

0:28:39.520 --> 0:28:42.200
<v Speaker 1>just make sure like everybody's comfortable. I feel like that's

0:28:42.240 --> 0:28:44.440
<v Speaker 1>such an important thing because when you're uncomfortable and like

0:28:45.240 --> 0:28:47.800
<v Speaker 1>I don't know, things just don't click very well and

0:28:47.840 --> 0:28:50.000
<v Speaker 1>you don't connect and you don't come up necessarily with

0:28:50.040 --> 0:28:51.920
<v Speaker 1>a good song. And they're the best song that you

0:28:52.080 --> 0:28:54.160
<v Speaker 1>come up with. So anytime I get into a room,

0:28:54.200 --> 0:28:57.440
<v Speaker 1>I just want to keep writing songs that could blow up. Um.

0:28:57.520 --> 0:28:59.520
<v Speaker 1>And so we got in that room with John Knight

0:28:59.520 --> 0:29:02.280
<v Speaker 1>and Zach Kale love them both. Um. We got in

0:29:02.280 --> 0:29:04.720
<v Speaker 1>the room that day. It was on Halloween, um of

0:29:04.800 --> 0:29:07.720
<v Speaker 1>last year, and we got on the room. We were

0:29:07.720 --> 0:29:09.320
<v Speaker 1>trying to figure out what we were going to write about.

0:29:09.480 --> 0:29:11.880
<v Speaker 1>And I was like, let's write a relationship song. They're like, okay,

0:29:12.000 --> 0:29:14.000
<v Speaker 1>let's start a song about a guy and a girl.

0:29:15.000 --> 0:29:17.000
<v Speaker 1>You know, they don't work out, but the girl still

0:29:17.040 --> 0:29:19.480
<v Speaker 1>kind of wishes him well, and I was like, that

0:29:19.600 --> 0:29:22.280
<v Speaker 1>is not how a girl's think towards Like when a

0:29:22.360 --> 0:29:25.960
<v Speaker 1>guy does this wrong, we don't go. You know, I

0:29:26.000 --> 0:29:28.640
<v Speaker 1>wish you will. We're like, I hope everything bad happens

0:29:28.680 --> 0:29:31.080
<v Speaker 1>to you. I hope you get cheated on literally the

0:29:31.120 --> 0:29:32.840
<v Speaker 1>worst thing. I know it sounds rough, but that's how

0:29:32.880 --> 0:29:34.720
<v Speaker 1>girls are. When you do us wrong, that's why you

0:29:34.760 --> 0:29:37.480
<v Speaker 1>don't do it's wrong. So I wanted to write a

0:29:37.560 --> 0:29:41.640
<v Speaker 1>song that was like, that was the song that females

0:29:42.080 --> 0:29:45.440
<v Speaker 1>never got to say to that person, so that when

0:29:45.480 --> 0:29:47.120
<v Speaker 1>they hear it, they can dedicate it to that that

0:29:47.200 --> 0:29:50.360
<v Speaker 1>type of person. Um words that you know they never

0:29:50.400 --> 0:29:52.840
<v Speaker 1>got to say, but they really did feel. M it's

0:29:52.840 --> 0:29:55.760
<v Speaker 1>pretty cool he switched up like that. Yeah, get all

0:29:58.280 --> 0:30:01.200
<v Speaker 1>that happened to you? Uh. Yeah, I've been in a

0:30:01.240 --> 0:30:03.840
<v Speaker 1>bed relationship before, so I understand and can relate to

0:30:03.880 --> 0:30:05.640
<v Speaker 1>girls that have to Who else have you written with

0:30:05.640 --> 0:30:08.400
<v Speaker 1>this school? I've written to list them. I'll give me

0:30:08.400 --> 0:30:13.920
<v Speaker 1>a couple though. Um David Garcia, Josh Miller, um, uh,

0:30:14.160 --> 0:30:20.320
<v Speaker 1>Zach Kale, John Knight, Ross Copperman, Um, Josh Ker. Oh yeah,

0:30:20.760 --> 0:30:23.640
<v Speaker 1>that's like heavy hitters. Man. Damn, your people must think

0:30:23.640 --> 0:30:25.320
<v Speaker 1>you're pretty good. If they're getting in right with you,

0:30:25.960 --> 0:30:28.040
<v Speaker 1>that's a good thank you, That is a good thing.

0:30:28.120 --> 0:30:30.960
<v Speaker 1>So okay, so you're here today, Yes, then what happens

0:30:31.000 --> 0:30:32.400
<v Speaker 1>did you play tomorrow? Do you go back home for

0:30:32.440 --> 0:30:33.960
<v Speaker 1>like eight months and then come back for another day

0:30:34.040 --> 0:30:37.280
<v Speaker 1>or what? Go home for eight months? Come on now now? Um?

0:30:37.560 --> 0:30:42.840
<v Speaker 1>No tomorrow, I um, I'm trying to think on my um. Tomorrow,

0:30:42.880 --> 0:30:45.040
<v Speaker 1>I have a writing session actually with Zach Kale and

0:30:45.080 --> 0:30:48.200
<v Speaker 1>two others from eleven three, and then I have to

0:30:48.240 --> 0:30:50.320
<v Speaker 1>record downos on another song that I did. So you

0:30:50.320 --> 0:30:52.360
<v Speaker 1>get a lot of work done while you're here, absolutely, yeah,

0:30:52.920 --> 0:30:56.360
<v Speaker 1>stacked schedule Your dad here, yeah, even though you're eighteen,

0:30:56.680 --> 0:31:00.480
<v Speaker 1>he's here. Yeah, because you can't like, he doesn't want

0:31:00.480 --> 0:31:02.640
<v Speaker 1>to leave me by myself. You can have one a

0:31:02.680 --> 0:31:06.320
<v Speaker 1>girl and an eighteen year old girl wondering around. Yeah,

0:31:06.440 --> 0:31:08.160
<v Speaker 1>but if you had a daughter that was eighteen, would

0:31:08.160 --> 0:31:10.440
<v Speaker 1>you want to buy yourself down here? Oh? I mean

0:31:10.480 --> 0:31:15.440
<v Speaker 1>I'd like a girlfriend much less a daughter. All right,

0:31:15.720 --> 0:31:19.120
<v Speaker 1>I'm saying. If I'm saying, if I think if she

0:31:19.240 --> 0:31:21.080
<v Speaker 1>was like, I'm gonna go pursue something in college, same

0:31:21.120 --> 0:31:22.680
<v Speaker 1>thing if you went to college. He's not with you

0:31:23.000 --> 0:31:25.520
<v Speaker 1>I remember having this conversation with you while we're on idol. Yeah.

0:31:25.520 --> 0:31:27.200
<v Speaker 1>I was like, eventually you gotta cut the court. Remember

0:31:27.240 --> 0:31:30.240
<v Speaker 1>that conversation. Yeah, Okay, you don't have to do anything.

0:31:30.640 --> 0:31:33.200
<v Speaker 1>I know, but he's just he's very loyal to me,

0:31:33.400 --> 0:31:35.440
<v Speaker 1>and so I believe that I'm supposed to be loyal

0:31:35.480 --> 0:31:37.280
<v Speaker 1>back towards him. I like him. He's a good dude.

0:31:37.360 --> 0:31:39.920
<v Speaker 1>He's great. I like hanging out with him. What do

0:31:39.920 --> 0:31:44.200
<v Speaker 1>you think about all this? Um, he's loving watching it.

0:31:44.240 --> 0:31:45.840
<v Speaker 1>I mean he's been a part of it with me

0:31:45.960 --> 0:31:49.600
<v Speaker 1>since I was just started. He's the reason why I

0:31:49.640 --> 0:31:53.200
<v Speaker 1>even I am where I am, honestly, because he's just

0:31:53.280 --> 0:31:55.080
<v Speaker 1>been my rock and my support system through it all.

0:31:55.160 --> 0:31:57.800
<v Speaker 1>He's the one that's given money to get me two shows.

0:31:57.840 --> 0:31:59.600
<v Speaker 1>He's the one that's given his time. He's the one

0:31:59.640 --> 0:32:02.160
<v Speaker 1>that's not everything. So I wouldn't be here without him,

0:32:02.200 --> 0:32:05.000
<v Speaker 1>and he is really my main support system. So he's

0:32:05.000 --> 0:32:07.200
<v Speaker 1>just enjoying everything. I just give you a hard time

0:32:07.200 --> 0:32:09.560
<v Speaker 1>because I like you. You You know that, right? That's sweet? Thanks? Thanks?

0:32:09.600 --> 0:32:13.920
<v Speaker 1>Love hate relationship, No, there's no hate. There's no Are

0:32:13.960 --> 0:32:17.760
<v Speaker 1>you still dating the long hair dude? Yeah? Kate? Where's

0:32:17.800 --> 0:32:20.640
<v Speaker 1>he lived? Texas still. Did you guy see each other ever? Yeah,

0:32:20.760 --> 0:32:22.160
<v Speaker 1>but I just saw him not that long ago. Have

0:32:22.200 --> 0:32:24.480
<v Speaker 1>you ever come to town? Um? Yeah, we actually come

0:32:25.040 --> 0:32:27.680
<v Speaker 1>quite often together and we do our own stuff. Did

0:32:27.680 --> 0:32:30.280
<v Speaker 1>your dad go on your dates with you? Good for that?

0:32:31.160 --> 0:32:33.320
<v Speaker 1>How's that going you guys? Good? It's really good coming

0:32:33.400 --> 0:32:39.280
<v Speaker 1>up on a year. So yeah, yep. And Ryan Seacrest

0:32:39.280 --> 0:32:41.880
<v Speaker 1>out at us in front of everybody. We were the

0:32:41.920 --> 0:32:45.160
<v Speaker 1>first American Idol couple. Actually, some people think like, oh,

0:32:45.200 --> 0:32:48.760
<v Speaker 1>Mannie Caleb were the first, but with the first, okay,

0:32:48.800 --> 0:32:50.360
<v Speaker 1>so how did that happen? You go on the show,

0:32:50.440 --> 0:32:51.960
<v Speaker 1>You keep it quiet from the producers at first that

0:32:52.000 --> 0:32:53.600
<v Speaker 1>you guys kind of like each other. Yes, and then

0:32:53.600 --> 0:32:56.960
<v Speaker 1>the producers literally just ask you every possible question they

0:32:57.000 --> 0:33:00.360
<v Speaker 1>can and scant what's been going on? And then told

0:33:00.360 --> 0:33:02.440
<v Speaker 1>I guess they told Ryan Secrest and he outed it

0:33:02.520 --> 0:33:05.080
<v Speaker 1>because I had no idea when he performed, and they like,

0:33:05.480 --> 0:33:08.760
<v Speaker 1>he did the whole reveal of everything. I was backstage like,

0:33:08.880 --> 0:33:12.280
<v Speaker 1>oh no, oh, you didn't know it's coming. No, because

0:33:12.280 --> 0:33:14.840
<v Speaker 1>we separated relationship from business, we were like, we're not

0:33:14.880 --> 0:33:17.080
<v Speaker 1>gonna we're not gonna put this on the television because

0:33:17.080 --> 0:33:19.040
<v Speaker 1>we came here to win the competition. We didn't come

0:33:19.040 --> 0:33:25.120
<v Speaker 1>to have the bachelorette on UM so because we knew

0:33:25.240 --> 0:33:27.360
<v Speaker 1>you know, we knew of Maddie and Caleb too, so

0:33:27.400 --> 0:33:29.600
<v Speaker 1>we'd always like go out together. So it was just

0:33:29.640 --> 0:33:32.440
<v Speaker 1>funny how everything unwinded though. You try to keep a secret,

0:33:32.720 --> 0:33:35.200
<v Speaker 1>did I try? They everybody tries right to. Of course

0:33:35.440 --> 0:33:37.720
<v Speaker 1>you keep it on the d L. It's it's crazy

0:33:37.600 --> 0:33:40.320
<v Speaker 1>the minors they call them on American Idol. You guys

0:33:40.360 --> 0:33:42.320
<v Speaker 1>had your own schedule. Yeah, you had to go first

0:33:42.320 --> 0:33:44.600
<v Speaker 1>because you couldn't do you can do the long hours, right.

0:33:44.760 --> 0:33:46.400
<v Speaker 1>That would be pretty cool to be like seventeen and

0:33:46.440 --> 0:33:48.640
<v Speaker 1>a half and do Idol and not eighteen, right because

0:33:48.640 --> 0:33:52.000
<v Speaker 1>you get all the provincial treamment. Yeah, it was interesting

0:33:52.440 --> 0:33:54.720
<v Speaker 1>you know now that Yeah, you're pointing that out. I

0:33:54.760 --> 0:33:57.120
<v Speaker 1>mean in the beginning because I turned eighteen while on

0:33:57.160 --> 0:34:00.160
<v Speaker 1>the show, So from the beginning, Yeah, during all the

0:34:00.160 --> 0:34:03.640
<v Speaker 1>hard parts where people had to like stay super duper long,

0:34:04.120 --> 0:34:06.320
<v Speaker 1>I got to go back UM. But then like on

0:34:06.400 --> 0:34:09.080
<v Speaker 1>the right timing, I turned eighteen, So it's like it

0:34:09.120 --> 0:34:11.040
<v Speaker 1>all worked. It was really cool. Did you get nervous

0:34:11.080 --> 0:34:14.960
<v Speaker 1>on the live shows? Yeah? Yeah, I mean I when

0:34:15.000 --> 0:34:17.520
<v Speaker 1>I first started, like, I was very fortunate not to

0:34:17.600 --> 0:34:21.279
<v Speaker 1>get nerves around anybody that I said, but American I

0:34:21.440 --> 0:34:25.719
<v Speaker 1>absolutely was definitely a challenge because it's like you've so

0:34:25.760 --> 0:34:27.839
<v Speaker 1>many people telling you, like, look at the camera, look

0:34:27.880 --> 0:34:29.279
<v Speaker 1>at this, pay attention to this, do this, do this,

0:34:29.320 --> 0:34:31.160
<v Speaker 1>do this, and there's a camera with a red dot.

0:34:31.200 --> 0:34:32.760
<v Speaker 1>When you see the red dot come up, there's sixty

0:34:32.760 --> 0:34:36.040
<v Speaker 1>million people watching you. Don't mess up. There's three celebrities

0:34:36.320 --> 0:34:38.480
<v Speaker 1>that you didn't even think we're human beings also watching

0:34:38.520 --> 0:34:42.040
<v Speaker 1>you and critiquing what you're doing. Don't mess up. It's like, yeah,

0:34:42.160 --> 0:34:43.799
<v Speaker 1>so it's kind of hard. And then once you get

0:34:43.840 --> 0:34:46.040
<v Speaker 1>yourself into that mode, it is so hard to get

0:34:46.080 --> 0:34:48.680
<v Speaker 1>out of. It's like an avalanche, Like it's a snowball.

0:34:48.680 --> 0:34:50.600
<v Speaker 1>Don't get nervous, don't and nervous you get more nervous.

0:34:50.640 --> 0:34:53.160
<v Speaker 1>So it was a challenge. I had to keep going

0:34:53.200 --> 0:34:55.160
<v Speaker 1>back and forth with myself. Do you watch your social

0:34:55.160 --> 0:34:57.640
<v Speaker 1>media the whole time? Did I watch my social media? Yeah?

0:34:57.719 --> 0:35:00.840
<v Speaker 1>It was crazy to see everything want to grow. Yeah,

0:35:00.920 --> 0:35:04.080
<v Speaker 1>it was awesome, and it's really nice that they stuck

0:35:04.120 --> 0:35:06.759
<v Speaker 1>with me. Yeah, even after American Idol, it's really really nice.

0:35:06.800 --> 0:35:09.640
<v Speaker 1>Like with I hope seeing that, you know, just from

0:35:09.640 --> 0:35:12.400
<v Speaker 1>a straight fan base, it's shot to fourteen on iTunes

0:35:12.560 --> 0:35:15.719
<v Speaker 1>was crazy to me, didn't that means? That just showed me, like,

0:35:15.920 --> 0:35:17.719
<v Speaker 1>while these people are really sticking with me even after

0:35:17.760 --> 0:35:21.799
<v Speaker 1>American Idol, which means a lot. So they're probably all listening. Now, Hey,

0:35:22.040 --> 0:35:24.080
<v Speaker 1>what do you want to say to them? I love

0:35:24.120 --> 0:35:26.319
<v Speaker 1>you guys so much. You have no idea. Thank you

0:35:26.360 --> 0:35:28.719
<v Speaker 1>so much to everybody that supported me, because you have

0:35:28.719 --> 0:35:31.080
<v Speaker 1>no idea what it means to me, and I wouldn't

0:35:31.080 --> 0:35:34.800
<v Speaker 1>be here without you. It's really all about you guys. Um,

0:35:34.920 --> 0:35:38.879
<v Speaker 1>anytime I perform, it's about everybody else, not yourself. So um,

0:35:39.000 --> 0:35:41.240
<v Speaker 1>just thank you so much and we're gonna do it together.

0:35:41.600 --> 0:35:45.160
<v Speaker 1>Keep climbing Garden in two years. That's what you used

0:35:45.200 --> 0:35:46.960
<v Speaker 1>to say. That's what you would say that you've moved.

0:35:48.320 --> 0:35:50.160
<v Speaker 1>We talked to here because it was three but now

0:35:50.200 --> 0:35:52.480
<v Speaker 1>it's two thousand nineteen, so it's too Yeah, you would say,

0:35:52.480 --> 0:35:56.480
<v Speaker 1>I'm gonna play Madison Square Garden went headline in three years. Yeah,

0:35:56.480 --> 0:35:59.279
<v Speaker 1>you have two years now, that's the goal? Ye, what

0:35:59.400 --> 0:36:00.400
<v Speaker 1>is it? Goal? What do you want to do? Like

0:36:00.440 --> 0:36:02.440
<v Speaker 1>if we're back here at my house in a year

0:36:02.480 --> 0:36:04.160
<v Speaker 1>and we're in front of the microphones. Where do you

0:36:04.160 --> 0:36:06.759
<v Speaker 1>want to be? Where do I want to be? Um?

0:36:06.800 --> 0:36:10.120
<v Speaker 1>I want too. I think it would be so cool

0:36:10.200 --> 0:36:14.680
<v Speaker 1>to be my ear I have an earring. Do you

0:36:14.680 --> 0:36:16.160
<v Speaker 1>have an ear ring or your ache? I have an

0:36:16.200 --> 0:36:19.040
<v Speaker 1>ear ring? Hearing in and it's like pressing against earring.

0:36:19.040 --> 0:36:22.760
<v Speaker 1>But it's okay, it's okay, beauty Spain, um and okay.

0:36:22.800 --> 0:36:27.680
<v Speaker 1>Next year, I would like to be nominated for um

0:36:27.719 --> 0:36:31.000
<v Speaker 1>A c m A Award. Yeah, I think that would

0:36:31.000 --> 0:36:32.759
<v Speaker 1>be really really cool. That would be really cool. I'd

0:36:32.800 --> 0:36:36.640
<v Speaker 1>like to be nominated for c m A Awards. I

0:36:36.680 --> 0:36:38.399
<v Speaker 1>think that'd be really cool. That's a goal of mine

0:36:38.440 --> 0:36:40.640
<v Speaker 1>for sure. With that's why I'm trying to make the

0:36:40.680 --> 0:36:42.960
<v Speaker 1>best of best songs. You know what you don't like

0:36:43.000 --> 0:36:45.600
<v Speaker 1>about you? You have no shortness. There's no short of

0:36:45.640 --> 0:36:48.120
<v Speaker 1>confidence with you, which you have to have. You have

0:36:48.160 --> 0:36:49.520
<v Speaker 1>to you have to have so much confidence to be

0:36:49.560 --> 0:36:51.280
<v Speaker 1>here all the time. You have to be so sure

0:36:51.280 --> 0:36:55.000
<v Speaker 1>of yourself. And then your goals are super high, which

0:36:55.000 --> 0:36:57.640
<v Speaker 1>is great and people may look at you and go, gab,

0:36:57.719 --> 0:36:59.319
<v Speaker 1>you're crazy. But the crazy ones are the ones that

0:36:59.320 --> 0:37:02.040
<v Speaker 1>are just crazy enough to make it. Yeah, because I'm nuts.

0:37:03.600 --> 0:37:05.680
<v Speaker 1>I've always been told all your nuts, your goals, you

0:37:05.719 --> 0:37:08.160
<v Speaker 1>need to be big. Yeah, you know, if you don't

0:37:08.160 --> 0:37:11.640
<v Speaker 1>have goals for yourself, nobody else will go bigger go home. No,

0:37:11.719 --> 0:37:15.080
<v Speaker 1>don't go home, But you gotta go big, go big.

0:37:15.760 --> 0:37:17.400
<v Speaker 1>I mean, if you're not going big, what's what are

0:37:17.400 --> 0:37:19.239
<v Speaker 1>you doing? Well? You learn when it doesn't go right

0:37:19.239 --> 0:37:21.480
<v Speaker 1>and you keep going big, don't go home. Okay, don't

0:37:21.480 --> 0:37:24.240
<v Speaker 1>pack up your grab and go home. I mean unless

0:37:24.239 --> 0:37:28.080
<v Speaker 1>you're living in Nashville and then go back. Okay, all right, listen,

0:37:28.400 --> 0:37:30.759
<v Speaker 1>it's been good to see you. We did how long?

0:37:30.800 --> 0:37:34.640
<v Speaker 1>Half an hour? Did half? Half an hour? Interview? How

0:37:34.680 --> 0:37:37.400
<v Speaker 1>you feel about it? Good? I haven't seen you know

0:37:37.400 --> 0:37:39.080
<v Speaker 1>what I've seen you since the finale, you know. I

0:37:39.160 --> 0:37:41.080
<v Speaker 1>just said that to my manager coming in. I was like,

0:37:41.480 --> 0:37:43.719
<v Speaker 1>how's at your door? And I was like, oh my god,

0:37:43.800 --> 0:37:46.000
<v Speaker 1>I would see if this American idol? This is so weird.

0:37:46.120 --> 0:37:48.960
<v Speaker 1>So I'm growing so much. I'm a lot taller. Yeah,

0:37:49.200 --> 0:37:51.919
<v Speaker 1>you look a lot different. I was under my house

0:37:51.960 --> 0:37:54.320
<v Speaker 1>but before you got everying to catch a cat, a

0:37:54.480 --> 0:37:56.120
<v Speaker 1>cat that was under my house, and I was crawling

0:37:56.200 --> 0:37:57.799
<v Speaker 1>in the crawl space and I got I got it out.

0:37:58.000 --> 0:38:00.480
<v Speaker 1>He did. Yeah, I'm scared. Yeah, it out right on

0:38:00.520 --> 0:38:03.960
<v Speaker 1>the other side of the outside. I know you think, well, fancy, Bobby. No,

0:38:04.000 --> 0:38:05.600
<v Speaker 1>you know who gets his own cat front of the house. Me.

0:38:05.960 --> 0:38:10.640
<v Speaker 1>There was no butler that does that? I do that. Yeah,

0:38:10.719 --> 0:38:14.879
<v Speaker 1>there's no Butler. No, No, Mike is the closest thing yet. Listen,

0:38:14.920 --> 0:38:17.520
<v Speaker 1>it's good to see at Gabby Barrett underscore. Right g

0:38:17.680 --> 0:38:20.120
<v Speaker 1>A B B Y B A R R E T

0:38:20.360 --> 0:38:24.239
<v Speaker 1>T underscore underscore? Why the underscore to someone already have

0:38:24.239 --> 0:38:26.799
<v Speaker 1>Gabby Barrett and you can't buy it from them? Did

0:38:26.840 --> 0:38:29.279
<v Speaker 1>you try? Now? I tried. They won't tell me. Bobby Bones,

0:38:30.080 --> 0:38:31.680
<v Speaker 1>why don't you try to buy to Gay Barrett. I'm

0:38:31.680 --> 0:38:33.680
<v Speaker 1>gonna look into it. I have never tried that yet.

0:38:33.760 --> 0:38:35.279
<v Speaker 1>So we'll say, all that money you got from the

0:38:35.280 --> 0:38:37.799
<v Speaker 1>Idol tour, Yeah yeah, but does an underscore really make

0:38:37.840 --> 0:38:40.040
<v Speaker 1>like a huge difference? Well, yeah, it's just easier to

0:38:40.080 --> 0:38:43.480
<v Speaker 1>go at Gabby Barrett than the underscore. That's right after it.

0:38:44.640 --> 0:38:47.960
<v Speaker 1>All right, I've had enough of you, alright, I'm just kinished.

0:38:49.320 --> 0:38:51.640
<v Speaker 1>In a year come back, we'll talk about your or

0:38:51.680 --> 0:38:54.319
<v Speaker 1>a c M nomination. All right, it sounds like, let's

0:38:54.320 --> 0:38:55.560
<v Speaker 1>see you by the way. You have you know, I

0:38:55.600 --> 0:38:57.520
<v Speaker 1>forgot to bring up you have seven brothers sisters, right, yes,

0:38:57.840 --> 0:39:01.279
<v Speaker 1>because you brought like half of them to the show. Yes, yeah,

0:39:01.280 --> 0:39:03.120
<v Speaker 1>And I was like, yeah, yeah, like we got all

0:39:03.160 --> 0:39:05.759
<v Speaker 1>these kids absolutely folks. Yeah, because I was I'm a

0:39:05.800 --> 0:39:07.640
<v Speaker 1>big fan of you, so I was like, you guys

0:39:07.719 --> 0:39:09.279
<v Speaker 1>have to come. We all are big fans of you.

0:39:09.440 --> 0:39:11.200
<v Speaker 1>We all would listen to you. So it was really

0:39:11.239 --> 0:39:13.000
<v Speaker 1>cool and it's really cool to being back here. So

0:39:13.120 --> 0:39:15.480
<v Speaker 1>thank you very much. Yeah, all right, Gabby Barrett, there

0:39:15.560 --> 0:39:17.640
<v Speaker 1>we go. We'll see you soon. Alright, I check out,

0:39:17.719 --> 0:39:20.879
<v Speaker 1>I hope, and you're gonna put other music out. I assuming, yes,

0:39:21.800 --> 0:39:24.799
<v Speaker 1>music coming. Very not your last song ever, you're saying

0:39:24.880 --> 0:39:26.359
<v Speaker 1>within the next few weeks you'll hear a new song.

0:39:26.360 --> 0:39:28.200
<v Speaker 1>All right. There we go, gat Bart Everybody, Episode sixt