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Speaker 1: What happened beyond the way with you and and BKA.

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Speaker 1: That's like to where Florida, Georgia Lian can't be forever?

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Speaker 2: Yeah, a good question. I mean for me it was

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Speaker 2: it was really unexpected. Uh. But BK came to me

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Speaker 2: and said, Man, I'm really feeling like I want to

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Speaker 2: do a solo thing. Stupid garden games, Lisa language movie,

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Speaker 2: no simple.

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Speaker 1: It's welcome to another episode of Busting with the Boys.

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Speaker 1: If you're listening to us right now on audio, make

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Speaker 1: sure you're subscribed to the Boys. If you're watching on

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Speaker 1: YouTube or rumble again, make sure you are subscribed to

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Speaker 1: the Boys. Look, I know we have a lot of

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Speaker 1: dad listeners out there, and dads and the male population

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Speaker 1: can struggle at times to make sure that we are

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Speaker 1: all subscribed and hitting the right button. So I just

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Speaker 1: want to keep you guys steady in this episode. Today,

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Speaker 1: our interview is with Tyler Hubbard. If you're here for

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Speaker 1: the Tyler Hubbard interview in the Florida Georgia line breakup,

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Speaker 1: you'll fast forward. If you're on YouTube, you'll see the chapters,

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Speaker 1: but you can fast forward to about our fifteen hour

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Speaker 1: thirty minutes in that interview get started on the intro

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Speaker 1: today we talk about We cover the roast of Tom Brady.

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Speaker 1: We talk some good old dad stories and have a

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Speaker 1: little dag set dad segment. We talk twisted question that

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Speaker 1: Mitch brought to us. Shout out, no free shout out.

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Speaker 1: We get into some TV show talk, some current TV

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Speaker 1: shows that your boy was binging these last nine days

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Speaker 1: while his wife was out of town. We also talk

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Speaker 1: about JJ Watt and if he would him playing again

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Speaker 1: in the NFL and saying he would do it if

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Speaker 1: they absolutely needed him out in Houston. We kind of

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Speaker 1: talk more about things in the sports world, obj going

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Speaker 1: to the Dolphins. Our girl Dad Merch drops tomorrow on Wednesday,

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Speaker 1: So make sure your dad, Girl Dad Merch, you get

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Speaker 1: that stuff bought up so that way it can be

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Speaker 1: there in time for Father's Day. Again, thank you guys

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Speaker 1: for listening, Thank you guys for watching. Continue to leave comment,

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Speaker 1: continue to engage, and not to mention. I do still

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Speaker 1: see the comments. Yes, there's some internal conversations going on

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Speaker 1: with the continued developing intro music, because I see people

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Speaker 1: all will says this one day and it's still the

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Speaker 1: same intro. YadA, YadA. Listen the boys here yet we

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Speaker 1: see all the comments. We're working on stuff, we're working

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Speaker 1: toward new things. And we also have our live show

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Speaker 1: in Nashville. We'll be announcing when that will be either today,

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Speaker 1: Tomorrow's sometime this week. But again, thank you guys for watching,

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Speaker 1: Thank you guys for subscribing. Enjoy this episode of Busting

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Speaker 1: with the Boys.

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Speaker 3: Ladies, gentlemen, welcome to another episode of Bust with the Boys.

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Speaker 3: This is episode two seven five. It's a beautiful day

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Speaker 3: to be alive. It is Monday, but you're watching this

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Speaker 3: or listening to this on a Tuesday. And as soon

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Speaker 3: as I get to see the Bust with the Boys

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Speaker 3: is presented by Chevy. This Chevy Truck podcast the greatest

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Speaker 3: trucks ever built, and our good friends at Chevy haven't

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Speaker 3: been a big part of Busts and family and even

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Speaker 3: our personal lives will Compton to the right of me

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Speaker 3: has the Chevy z R two. Every time I see

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Speaker 3: that vehicle, and literally I actually this morning when we

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Speaker 3: were both walking in the gym. I was walking in,

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Speaker 3: I saw his truck pull up and I have I

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Speaker 3: pulled my neck a little bit. Oh, I actually have

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Speaker 3: like a muscle spasm in there if I look down

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Speaker 3: into the to the right kind of like the JFK

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Speaker 3: Magic bullet theory.

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Speaker 1: I have pain and you heard that. You heard that

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Speaker 1: beat drop, you were ripping.

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Speaker 3: Huh it's got great and that's stock radio by the way.

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Speaker 3: Uh So find out for yourself, like so many of

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Speaker 3: our boys, head to Chevy dot com and check out

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Speaker 3: Chevy Trucks, grit and build your own Silverado.

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Speaker 1: Dude.

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Speaker 3: It's like Legos for grown men. It's amazing. You can

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Speaker 3: build it yourself. Uh for do it yourself projects to

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Speaker 3: road trips, off road adventures, to tailgates, whatever wherever things

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Speaker 3: take you, and it all starts with Chevy Trucks. Wow.

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Speaker 1: Yeah, I was banging that not like us.

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Speaker 3: It was not like us.

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Speaker 1: Kendrick lamore his little West Coast beat.

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Speaker 3: Did you Yeah?

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Speaker 1: I did. I was listening to this morning. I basically

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Speaker 1: listened throughout you know, listen to all their beef songs

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Speaker 1: this morning while I was working out, because they have

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Speaker 1: there's like five or six.

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Speaker 3: Now, wait, since since Saturday when Kendrick released that Glove one.

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Speaker 1: The glove one was was the glove one meet the Grahams.

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Speaker 3: No, the Glove one was like six something oh six

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Speaker 3: Oh yeah, it's six sixteen.

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Speaker 1: Dude, did you see did you.

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Speaker 3: See the whole thing on six sixteen? Because apparently Drake

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Speaker 3: said something about like you better come out with a

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Speaker 3: quintuple with something I don't even understand, and there was

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Speaker 3: like a Bible verse of six sixteen, like seven things

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Speaker 3: that God hates and he goes off and the and

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Speaker 3: the song has seven things God hates, and then there

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Speaker 3: was like the album release date. The producer was Taylor

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Speaker 3: Swift's it all I kind of came together. It was

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Speaker 3: like seven things because of six sixteen. Yeah, it's nuts.

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Speaker 1: Yeah, it's it's been a back and forth uh rap battle,

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Speaker 1: as the boys like to call it.

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Speaker 3: I always have trouble following rat battles because it's like

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Speaker 3: you have to listen to this song multiple times to understand.

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Speaker 1: I know, and you need to know the context in history,

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Speaker 1: like I found myself on Instagram and YouTube listen to

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Speaker 1: these people break down. There's an incredible breakdown yesterday day.

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Speaker 1: I forget who the cat was. But it's like seven

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Speaker 1: minutes long or five minutes long? Which one? Did I say?

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Speaker 1: You on Instagram?

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Speaker 4: Yeah?

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Speaker 5: Yeah, I forget you send it to me on Friday.

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Speaker 1: See that's a different one. That one's just a breakdown

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Speaker 1: of euphoria. Yeah, that was just a breakdown of euphoria.

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Speaker 1: Then this cat breaks down that the history of like people,

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Speaker 1: a lot of people in the industry like hating Drake.

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Speaker 1: It's like the weekend, Uh take a back, Rick Ross.

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Speaker 1: He goes through like a timeline of it all going,

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Speaker 1: you know, basically building up the way it is, and

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Speaker 1: Kendrick Lamar having all the you know, subtle comments and

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Speaker 1: the depth to each little bar that he has, Like

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Speaker 1: he's like breaking it down.

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Speaker 3: So obviously I don't know a whole lot about this, dude.

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Speaker 3: Does anybody know the origin story of how Kendrick and

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Speaker 3: Drake started going at it?

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Speaker 1: I couldn't even tell you.

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Speaker 3: But why why is Kendrick coming on? See, there's a

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Speaker 3: whole bunch. I would love somebody in the has to

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Speaker 3: tell me everything that's going on with this, because I

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Speaker 3: don't know how this all started.

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Speaker 1: Yeah, we got five white guys trying to break down exactly,

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Speaker 1: and it's you know, we're just the wrong population to

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Speaker 1: be doing this right now.

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Speaker 3: But Drake has a lyric that's like I'm doing twenty

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Speaker 3: verse one or something. Like that, talking about like all

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Speaker 3: these dudes coming at him, but he's still murdering all

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Speaker 3: of them. All this stuff that I just don't get.

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Speaker 3: I don't understand.

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Speaker 1: Yeah, yeah, other than the and then people people, people,

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Speaker 1: we got these, we got these, we got and we're

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Speaker 1: growing him in this thing.

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Speaker 3: The spring is such a beautiful time. But as spring

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Speaker 3: goes this summer, this fight cast some radiation. Yeah, the

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Speaker 3: amount of bugs I have in my house right now

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Speaker 3: is insane. Look at this motherfuck I know that he's

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Speaker 3: just ripping around.

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Speaker 1: It's a thick boy right there. Yeah.

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Speaker 3: Oh oh yeah, you have him to rest on you.

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Speaker 3: He don't look like he's resting anytime. So, no, he

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Speaker 3: got all the energy.

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Speaker 1: JP's got a little bit of space to work with.

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Speaker 1: If that.

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Speaker 3: Did you get his ass? No, nope, he's right here.

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Speaker 1: He's right here.

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Speaker 3: Anyway, People probably dont want to listen to us.

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Speaker 1: Is this all good news? Though? We get to do

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Speaker 1: a We'll get to run through this intro fairly fairly

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Speaker 1: faster because we have a awesome guest on with Tyler Hebby today. Yes,

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Speaker 1: the breakup of Florida Georgia Lion will be the headlining

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Speaker 1: story of this whole thing.

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Speaker 3: And we shot this episode what like a month ago,

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Speaker 3: a couple months ago, when Tyler was coming out. He

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Speaker 3: came sat on the bus. Dude, was the conversation was incredible?

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Speaker 1: Yeah?

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Speaker 3: Yeah, it was one of those classic busts with the

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Speaker 3: boys or gaining conversations where you feel like things are

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Speaker 3: just flowing great. The entire time. Tyler was very shared

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Speaker 3: a lot lot with the struggles, the trials and tribulations,

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Speaker 3: the origin story of Florida, Georgia line, all of that stuff.

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Speaker 3: But there's been the reason why I say we filmed

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Speaker 3: it so long ago, there's been so many developments since then.

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Speaker 1: Uh BK.

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Speaker 3: Brian Kelly his ex I don't know co singer, would

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Speaker 3: you call it his ex partner? He came out with

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Speaker 3: a a song that says you can kiss my boots now.

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Speaker 3: If you listen to the song on your own, it

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Speaker 3: just sounds like a guy. Have you heard the song?

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Speaker 3: If you listen to the song on your own, it

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Speaker 3: really just sounds like a guy and a girl broke

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Speaker 3: up and the girl's talking shit about the guy and

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Speaker 3: he's like, you know, there's a small town. I hear everything,

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Speaker 3: blah blah blah. But knowing there was a breakup, and

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Speaker 3: a lot of people in the fan bases of Flora's

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Speaker 3: a line kind of picking a side John a line

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Speaker 3: down the middle. You gotta pick b k or Tyler.

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Speaker 3: A lot of fans are coming out and say, hey,

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Speaker 3: this is about Tyler. All this there's like a snow

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Speaker 3: We got a country battle. We got Yeah, we had

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Speaker 3: a cout, we got we got Ketrick Lamarn drink, and

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Speaker 3: we got a country Battley and Tyler. Yeah, we got

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Speaker 3: a southern battle going down with the boys over here

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Speaker 3: in the southeastern area of the country. Is So there's

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Speaker 3: a lot to read into, but this is actually a

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Speaker 3: great episode. He was really gonna enjoy it.

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Speaker 1: Yeah, yeah, yeah, that was a That was a song

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Speaker 1: that you dropped, right, I dropped in our group chat

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Speaker 1: yeh gotcha? Yes, yes, yes, I didn't get to I

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Speaker 1: listened to some of it, but I didn't get to

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Speaker 1: listen to.

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Speaker 3: You can listen to it, and it's very easy if

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Speaker 3: I just say to you it's about Telller Hubbard, and

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Speaker 3: you go listen to a song, you're like, this is

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Speaker 3: one hundred percent about Tell Hubbard, but zero context to me.

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Speaker 3: I was trying to listen to it like without having

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Speaker 3: an year trying to be biastors Styllar. It felt. It

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Speaker 3: also felt like a breakup song. So it's a fun.

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Speaker 3: It's creativity boys. Boys are getting creative in the lab,

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Speaker 3: getting after it.

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Speaker 1: They want to get in the laugh. They want the

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Speaker 1: example of Kendrick and Drake, like now, right now they

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Speaker 1: should be taking notes. That's how you need to be

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Speaker 1: handling a beef because because whatever albums they drop from here,

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Speaker 1: from here on out, their next album is gonna do. Yeah,

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Speaker 1: Drake does anyway, but h and so does Kendrick. But

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Speaker 1: knowing that this beef is going on, I know, it's

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Speaker 1: just got all It reminds me. It's like when the

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Speaker 1: Rock and the Undertakers are showing back up in the WWE.

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Speaker 1: Everyone's going nuts. You got older generations, everybody kind of

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Speaker 1: coming together to watch all this unfold because the rat

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Speaker 1: Battle still hasn't happened for such a long time.

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Speaker 3: Yeah, I wonder there are conspiracy theories about this whole

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Speaker 3: rat battle thing. And as it's like shown that if

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Speaker 3: you get in an ur with another person of popularity,

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Speaker 3: your number are gonna go up because their fans are gonna.

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Speaker 1: Want to watch you and vice versa, Yeah, do.

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Speaker 3: You think this has been this manufactured?

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Speaker 1: Yeah? No, could so?

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Speaker 3: Could it have been?

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Speaker 1: Though? I know, but if you if you're if you

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Speaker 1: kind of follow the timeline of everything, you see Kat Williams,

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Speaker 1: even when he's on Shannon Shark's podcast, he talks about

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Speaker 1: you're twenty twenty four, people are gonna start getting exposed,

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Speaker 1: and people are alluding that to like, oh, this is

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Speaker 1: a you know, Drake's part of this Yeah, Cat Row

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Speaker 1: part of this group.

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Speaker 3: Yeah, Alex Jones.

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Speaker 1: Yeah, they're both. Yeah, they're both. Like Drake is so polarizing.

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Speaker 1: It's like his latest one, it's basically just saying like, oh,

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Speaker 1: you're lying, which you don't really know. And then he

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Speaker 1: said he baited him, he baited him to make the

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Speaker 1: songs before that. But it's like, if you knew you're

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Speaker 1: abating him, why don't you have like actual like say,

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Speaker 1: your phone's out and you're recording yourself like hey, we're

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Speaker 1: about to get his ass type of thing, and then

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Speaker 1: you're showing yourself give the information Like if you're that,

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Speaker 1: if you're that much playing chess, I don't know why

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Speaker 1: you wouldn't do that kind of show that off versus

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Speaker 1: you know, you kind of sit back, you can let

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Speaker 1: comments and the war everybody's words unfolded, and kind of

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Speaker 1: use whatever narrative fits you know, that next song. It

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Speaker 1: kind of reminds me a lot of like when a

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Speaker 1: when all the ab stuff was going down from with

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Speaker 1: the Raiders, and people like, oh, there's probably more to

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Speaker 1: the story here. There's probably more to the story there,

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Speaker 1: and everybody's given him the benefit of the doubt, and

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Speaker 1: then he kind of allows people to paint a certain

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Speaker 1: narrative and then he'll lean into that one because that's

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Speaker 1: what best suits him in that moment.

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Speaker 3: The rap battle thing is interesting because there is really

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Speaker 3: a book pretty much written for it. Eminem batt Yeah,

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Speaker 3: he's there was another track, but I'm talking about like strategically,

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Speaker 3: Like if you look at MGK before he ventured off

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Speaker 3: and went into the punk rock scene, he had that

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Speaker 3: song uh Devil, oh geh rap Devil, and it was

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Speaker 3: about Eminem. The next I think in the within the

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Speaker 3: twenty four hours, Eminem had kill shot on MGK and

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Speaker 3: it was just him going ham on MGK for a minute.

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Speaker 3: And so I don't know why it's that, That's why

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Speaker 3: things just seem manufactured to me, like all this stuff's

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Speaker 3: just coming out now, like we're all the kind of

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Speaker 3: planning you released and all released and you release.

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Speaker 1: Yeah, I don't know. I think that. I think it's

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Speaker 1: been fun.

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Speaker 3: Once again, it's a category that we Yeah.

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Speaker 1: Yeah, I sit back in my Oh, some of the

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Speaker 1: boys are dropping the group chat. Oh another disc track

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Speaker 1: comes up. Oh shit, Oh, take a listen. Yeah, I

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Speaker 1: wonder what he means here, what he means there. I'm

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Speaker 1: trying to research articles to stay privy to the culture,

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Speaker 1: you know what I mean.

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Speaker 3: Yeah, I was at Franklin Factory and that when one

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Speaker 3: of the boys put the disc track in the group chat,

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Speaker 3: I was taking a twosy and the bathroom. I just

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Speaker 3: had it on loud, listening to it myself, full volume

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Speaker 3: and the whole time, Like, I gotta listen to this

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Speaker 3: four more times just to understand the lyrics because it's difficult.

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Speaker 3: It's hard to pick all that ship up.

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Speaker 1: Dude. Yeah, but it's also so that's a little humid

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Speaker 1: in here, A little sneaky one came out.

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Speaker 3: Huh, A little humid in one just greased out of

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Speaker 3: the pipes.

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Speaker 5: Hu.

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Speaker 3: So I think so, yeah, that creativity man to be

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Speaker 3: able to just go out somebody that hard.

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Speaker 1: I know, bro, it's awesome.

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Speaker 3: It makes you appreciate Roan that much more.

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Speaker 1: Did you listen to rons this track on KFC?

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Speaker 3: You check on KFC?

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Speaker 1: Yeah, check that one out just murdered him in cold blood? Yeah,

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Speaker 1: And then I KFC was saying that that they were texting.

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Speaker 1: He's like, hey, I have something written, like, you know,

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Speaker 1: basically asking how much farther do we want to go

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Speaker 1: with this or YadA YadA, and he goes, no, no,

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Speaker 1: it was no, it wasn't manufactured. But KFC's texting with him,

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Speaker 1: trying to, like, you know, find where the line could

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Speaker 1: potentially be. He's like, if I released this, you know,

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Speaker 1: will you have anything else? Blah blah blah, and Ron

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Speaker 1: basically responded like, I'll empty the clip. I will end

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Speaker 1: you if you put this out. If you put something out,

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Speaker 1: put something else out. But Rone, that's you don't want

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Speaker 1: to get involved. We got a espressos Yeah yeah.

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Speaker 3: Lock it him with a lucy real quick, brother. I

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Speaker 3: hate to kill your vibe. I didn't want to kill

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Speaker 3: your flow there.

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Speaker 1: It's like, you don't want to get in beef with

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Speaker 1: Ron because of the rat battleship, and you don't want

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Speaker 1: to get into beef with Francis because of the blogging.

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Speaker 3: If you if you had to categorize who you don't

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Speaker 3: want to make upset at barstool, it would probably go

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Speaker 3: Dave number one, obviously, and then Francis, and then Ron

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Speaker 3: and then probably Big Cat.

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Speaker 1: See I don't to me, I don't think Dave would

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Speaker 1: be the number one. Really, I don't think Dave would be.

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Speaker 1: If I'm going into a beef thing with Dave being

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Speaker 1: number one, I would be more concerned about, like a Francis.

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Speaker 3: In a Ron because creatively, how they would end.

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Speaker 1: Yeah, like they can, they can big brain hurt your feelings. Yeah, yeah,

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Speaker 1: you know what I mean? Yeah yeah, yeah yeah, Like god, damn.

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Speaker 3: I saw a clip of Francis like on Instagram the

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Speaker 3: other day doing stand up. He is so fucking funny.

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Speaker 1: Yeah, genuine Francis is good.

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Speaker 3: Him and his girl starting to try and she's got

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Speaker 3: a whole new bag of tricks. He's like, that's crazy.

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Speaker 3: I've been giving you everything I have this whole time time,

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Speaker 3: and I just think to myself, bro, how do you

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Speaker 3: think of that? It's amazing?

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Speaker 1: Yeah, yeah, that stuff like Francis and Roan have the

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Speaker 1: the ability language a lot wise verbally to just somebody

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Speaker 1: like me, you just gotta go animal brain and you

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Speaker 1: just resort to fighting, you know what I mean, because

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Speaker 1: there's there's nothing you can do. You just get so yeah, bamboozled.

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Speaker 1: It's you kind of can't keep your wits to you.

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Speaker 1: If it's like Dave or Big Cat, like those will

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Speaker 1: be those will be fun battles. But you know, you're

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Speaker 1: just like, you know, I don't know, they seem a

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Speaker 1: little bit more fun like Roan and Francis, you're kind

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Speaker 1: of sitting back like, man, what the fuck is about

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Speaker 1: to happen?

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Speaker 3: Yeah. The thing, the reason why I brought up Dave

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Speaker 3: is number one is because his following is so strong

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Speaker 3: and he just he literally he has a track record

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Speaker 3: and he has receipts of ending people.

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Speaker 1: Yeah. I mean, you'll get ratioed into oblivium oblivion. Yeah.

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Speaker 1: But as far as reading and listening to the stuff.

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Speaker 3: Creatively, if you're talking about just one on one, like

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Speaker 3: to verbally go back and forth with Dave or Big Cat,

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Speaker 3: you feel like those are like more suitors for your cate, right,

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Speaker 3: you could ultimately be like curse words and a lot

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Speaker 3: of insults, but at the end you're couple far.

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Speaker 1: Yeah.

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Speaker 3: Yeah, I'm just trying to be like trying to be

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Speaker 3: funny about it. Like Ron and Francis legitimately are just

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Speaker 3: in a different category than us that we wouldn't be

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Speaker 3: able to handle it.

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Speaker 1: Verbally. Yeah yeah, I would say on who's bad side,

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Speaker 1: I wouldn't want to be on in in a like

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Speaker 1: a like a beef in the Barsil world, I would say.

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Speaker 3: I want to change my I'm gonna change mine as well,

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Speaker 3: because I think Dave does go down the list.

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Speaker 1: Now, let's say Francis, Ron, Dave, that would be my

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Speaker 1: top three. That'd be my top three. It's a good list.

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Speaker 3: It's a good list. Those are the three. Something about

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Speaker 3: sneaky guys though, Rico and Jersey Jerry, not from them,

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Speaker 3: just from their their little armies that just follow them

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Speaker 3: around and are truly willing to come and cause you

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Speaker 3: and actually murder you.

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Speaker 1: I feel like they're they got.

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Speaker 3: They have people that legitimately, if like I really came

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Speaker 3: down to it, would come to your house and kill you.

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Speaker 1: Like for them, like everybody has audiences, they have soldiers

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Speaker 1: exactly that those would there'll probably be four and five

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Speaker 1: because he gets malicious. Yeah, yeah, because he's trying to

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Speaker 1: have a good time. He he does try to find them.

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Speaker 3: He tries to do it in a fun way where

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Speaker 3: he like, like like the draft when we were there,

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Speaker 3: he was like, oh, hey, who are you the whole time.

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Speaker 3: It's like, Oh, he's having fun. I'm glad he's having

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Speaker 3: a good time with this. Yeah, as opposed to Dave,

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Speaker 3: who's just I mean, yeah, he'll come after you. He

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Speaker 3: does you, man, he just comes at you.

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Speaker 1: So is your top through the same.

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Speaker 3: Yeah, I mean I would probably put David three after this.

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Speaker 1: Problem Jerry in there so that way we can have

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Speaker 1: just have I I.

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Speaker 4: Would go.

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Speaker 3: Top three people you don't want to kind of get

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Speaker 3: in a spat with. I would go Francis probably one,

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Speaker 3: just how he handles himself on the mic, and in

397
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Speaker 3: the writing category, I would put Rome two because he's

398
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Speaker 3: just more creative and whatier than both of us. And

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Speaker 3: then I'd probably put Jerry three. I think ever since

400
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Speaker 3: Jerry after Dark, ever since the Hole in one, the Chat,

401
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Speaker 3: he's just got the chat. He has the chat, and

402
00:18:20,800 --> 00:18:22,800
Speaker 3: the chat will handle you. And like I said before,

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Speaker 3: if he if you and Jerry truly got into it

404
00:18:25,160 --> 00:18:27,320
Speaker 3: where there was like true beef, like a Kendrick and

405
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Speaker 3: a Drake situation. Jerry's gonna have a Baker's dozen people

406
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Speaker 3: lining up lining outside your door to truly actually not joking,

407
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Speaker 3: murder you. And they're ready to Jerry's army, right, yeah,

408
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Speaker 3: Jerry's Army's arm Jerry, what we have?

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Speaker 1: Hey, I'll tell you what And I don't want this, bros.

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Speaker 1: Don't sleep on kirkman Inahan. Well, we were talking about

411
00:18:49,119 --> 00:18:52,120
Speaker 1: don't sleep on kirkman Inhan. Whatsoever? I forgot about that one. Hey,

412
00:18:52,280 --> 00:18:54,960
Speaker 1: and all the mini fans out there people, Yeah, I'm

413
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Speaker 1: not trying to fester up, nobody, do not sleep on

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Speaker 1: kirk Inhan.

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Speaker 3: We were talking in Alabama before the live show. I

416
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Speaker 3: would love to feel the wrath of Kirkmanahan, like losing

417
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Speaker 3: his ship on me.

418
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Speaker 1: Yeah.

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Speaker 3: I would appreciate that moment of just not where I'm

420
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Speaker 3: being the bad guy, but like he's getting worked up

421
00:19:09,119 --> 00:19:10,959
Speaker 3: and was say, hey, what's the big deal and then

422
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Speaker 3: he just fucking I'm the person that he decides to

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Speaker 3: go in on even though I've done nothing to him.

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Speaker 3: I would enjoy.

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Speaker 1: He'd find an angle I don't think. I don't think.

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Speaker 1: You just ah, maybe you'd be able to smoke him out,

427
00:19:20,640 --> 00:19:23,440
Speaker 1: but he'd find an angle, he'd find it, he'd find

428
00:19:23,480 --> 00:19:23,879
Speaker 1: an well.

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Speaker 3: When I was watching Barstool Survivor, it seemed like he

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Speaker 3: just took whatever angle he wanted.

431
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Speaker 1: Yeah, but he'll find he'll find He'll find him in

432
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Speaker 1: there in their moments, and then that's when he gets you.

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Speaker 3: That's how he snipes you.

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Speaker 1: That's how he snipes you. Bro.

435
00:19:35,000 --> 00:19:37,959
Speaker 3: God, that Barsool Survivor thing would be a fun thing

436
00:19:38,000 --> 00:19:38,199
Speaker 3: to do.

437
00:19:38,600 --> 00:19:40,600
Speaker 1: I think they're working on trying to get another one going.

438
00:19:40,720 --> 00:19:41,120
Speaker 3: I'm down.

439
00:19:41,200 --> 00:19:42,360
Speaker 1: I know you're on the way.

440
00:19:42,400 --> 00:19:43,639
Speaker 3: They've asked me for you if I want to do it.

441
00:19:43,640 --> 00:19:44,879
Speaker 3: I was like, yeah, I would absolutely do it. I

442
00:19:44,880 --> 00:19:46,120
Speaker 3: think that'd be a lot of fun. I think it'd

443
00:19:46,119 --> 00:19:50,959
Speaker 3: be fun if you were there biz with I know,

444
00:19:52,560 --> 00:19:53,280
Speaker 3: I'm not trying.

445
00:19:53,119 --> 00:19:56,159
Speaker 1: To be in the office for I'm telling you it

446
00:19:56,280 --> 00:19:57,640
Speaker 1: is kind of a bas bro.

447
00:19:57,880 --> 00:20:00,879
Speaker 3: Is maybe the most underrated Barstool talent.

448
00:20:01,359 --> 00:20:03,800
Speaker 1: I don't know if he's underrated. I think he's He's

449
00:20:03,800 --> 00:20:05,920
Speaker 1: probably right, Yeah, I mean he's well on the Name

450
00:20:05,920 --> 00:20:06,199
Speaker 1: Show with.

451
00:20:06,280 --> 00:20:08,119
Speaker 3: Day Yeah, I just whatever, I'm around him, I'm just like,

452
00:20:08,480 --> 00:20:10,560
Speaker 3: what I like. The reason why I think he's underrated

453
00:20:10,640 --> 00:20:14,200
Speaker 3: is when I get around with I enjoy myself more

454
00:20:14,200 --> 00:20:17,119
Speaker 3: than I expect to enjoy myself, you know what I'm saying.

455
00:20:17,520 --> 00:20:18,879
Speaker 3: Like I get there, I'm like, Oh, we're gonna we're

456
00:20:18,880 --> 00:20:20,960
Speaker 3: gonna do a standbager with the boys. Oh, that'll be fun.

457
00:20:20,960 --> 00:20:22,199
Speaker 3: I don't like golf, but it'll be fun to hang

458
00:20:22,240 --> 00:20:23,480
Speaker 3: out the boys. And then I can sit with winn

459
00:20:23,520 --> 00:20:25,359
Speaker 3: a cart for nine holes and I'm like, this is

460
00:20:25,520 --> 00:20:26,840
Speaker 3: way more fun than I expected.

461
00:20:26,960 --> 00:20:30,840
Speaker 1: Yeah, is funny man the best, the best self deprecating,

462
00:20:31,359 --> 00:20:32,280
Speaker 1: that's the best humor.

463
00:20:32,320 --> 00:20:35,439
Speaker 6: Absolutely, I think before you get away from people roasting

464
00:20:35,480 --> 00:20:38,400
Speaker 6: each other, it's probably the perfect segue for.

465
00:20:38,320 --> 00:20:42,200
Speaker 3: The Tom Brady roast. Yes, no, this is the screen.

466
00:20:42,240 --> 00:20:43,320
Speaker 3: Do we want to pause real quick?

467
00:20:43,400 --> 00:20:45,439
Speaker 1: We can onint of knock out an ad all right,

468
00:20:45,440 --> 00:20:45,800
Speaker 1: before we.

469
00:20:45,720 --> 00:20:48,320
Speaker 3: Get into Tom Brady. Let's Tom Brady. Let's talk about

470
00:20:48,400 --> 00:20:48,760
Speaker 3: Draft Kings.

471
00:20:48,840 --> 00:20:51,600
Speaker 1: Yeah, a little word for more sponsors DraftKings. Did you

472
00:20:51,640 --> 00:20:55,719
Speaker 1: ever play the over under game with your friends? You know? Yeah, uh,

473
00:20:55,760 --> 00:20:57,800
Speaker 1: I think I can eat that slice of pizza in

474
00:20:57,920 --> 00:21:00,720
Speaker 1: under thirty seconds, or I I know it'll take you

475
00:21:00,760 --> 00:21:02,480
Speaker 1: over a minute to down that two leader of Cola.

476
00:21:03,080 --> 00:21:06,040
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477
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478
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Speaker 1: super simple. First, download the DraftKings Pick six app, Then

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482
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490
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491
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Speaker 1: and use code bus. New customers play five dollars, get

492
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493
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Speaker 1: only on DraftKings Pick six. The crown is yours. That

494
00:22:01,760 --> 00:22:02,760
Speaker 1: actually sounds fun, dude.

495
00:22:03,119 --> 00:22:05,080
Speaker 3: The over under reminded me of you and I were

496
00:22:05,080 --> 00:22:08,720
Speaker 3: tagged in the video of this high school kid who

497
00:22:08,880 --> 00:22:11,520
Speaker 3: drank five bottles of water in under twenty seconds.

498
00:22:11,760 --> 00:22:13,680
Speaker 1: Oh, I saw that. You saw that. I mean, I'm

499
00:22:13,680 --> 00:22:15,439
Speaker 1: not telling it. I'm not touching him.

500
00:22:15,520 --> 00:22:17,199
Speaker 3: Jack. I'm gonna send this to you and then can

501
00:22:17,240 --> 00:22:19,120
Speaker 3: you put it? Put it up real quick, because I.

502
00:22:19,040 --> 00:22:21,760
Speaker 1: Think we need it. It's insane. He basically he basically

503
00:22:21,760 --> 00:22:24,800
Speaker 1: sits there and he has the five waters, and I

504
00:22:24,840 --> 00:22:27,359
Speaker 1: think that he wasn't allowed to do it at school,

505
00:22:27,400 --> 00:22:29,159
Speaker 1: like the teachers like, yeah, yeah, teacher, they had to

506
00:22:29,200 --> 00:22:31,480
Speaker 1: go off, they had to go off scripting. He challenges

507
00:22:31,520 --> 00:22:32,600
Speaker 1: like me, Taylor, and I think.

508
00:22:32,480 --> 00:22:33,480
Speaker 3: It's a little jack too.

509
00:22:33,800 --> 00:22:36,480
Speaker 1: Kids got a little muscle, a bit of a specimen. Yeah,

510
00:22:36,520 --> 00:22:41,480
Speaker 1: he challenges like me, Taylor and McAfee. Yeah, he's got

511
00:22:41,560 --> 00:22:43,600
Speaker 1: five waters lined up, five bottles of water and he

512
00:22:43,640 --> 00:22:45,520
Speaker 1: basically just goes Jack. I did.

513
00:22:45,720 --> 00:22:49,760
Speaker 3: I I saw all five of Yes, all five of them.

514
00:22:49,760 --> 00:22:50,640
Speaker 3: This is the kid right here.

515
00:22:51,160 --> 00:22:53,399
Speaker 4: All right, So I was not able to do this

516
00:22:53,440 --> 00:22:54,600
Speaker 4: at my school's talent show.

517
00:22:54,680 --> 00:22:59,080
Speaker 6: If you're not allowed to do this, all.

518
00:22:59,080 --> 00:23:01,280
Speaker 1: Right, even the leave it's a talent. Today, I'm gonna

519
00:23:01,280 --> 00:23:02,840
Speaker 1: be doing the five water bottle.

520
00:23:02,600 --> 00:23:06,320
Speaker 4: Chug I nominate Taylor Lewan, Will Compton and Pat McAfee

521
00:23:06,320 --> 00:23:07,240
Speaker 4: to try this challenge.

522
00:23:07,680 --> 00:23:08,639
Speaker 1: Rules are pretty simple.

523
00:23:08,680 --> 00:23:12,320
Speaker 4: Down the water on my guest, Sean, just on me,

524
00:23:12,480 --> 00:23:21,800
Speaker 4: on me, very thank you one.

525
00:23:23,080 --> 00:23:24,040
Speaker 2: That's good.

526
00:23:30,880 --> 00:23:50,959
Speaker 7: Oh my god, get a twenty seconds.

527
00:23:45,000 --> 00:23:45,320
Speaker 1: Again.

528
00:23:45,440 --> 00:23:48,040
Speaker 3: You got a little shoulders on him. He knows what

529
00:23:48,080 --> 00:23:49,720
Speaker 3: he's doing with the one size too small and the

530
00:23:49,720 --> 00:23:53,320
Speaker 3: T shirt too Bro obviously plays the middle linebacker.

531
00:23:53,520 --> 00:23:57,160
Speaker 1: Yeah, I mean I've heard video.

532
00:23:57,560 --> 00:23:58,439
Speaker 3: Oh it's four bottles.

533
00:23:58,680 --> 00:24:00,560
Speaker 1: You can just play it though, like as talking, now,

534
00:24:00,600 --> 00:24:02,120
Speaker 1: cut us out and just play this video.

535
00:24:02,240 --> 00:24:06,880
Speaker 3: Yeah you can see. Look and I like his technique.

536
00:24:06,920 --> 00:24:08,360
Speaker 3: But here's what he does. He does a really good

537
00:24:08,400 --> 00:24:10,560
Speaker 3: job of hiding the entire bottle. See when he crushes it,

538
00:24:10,920 --> 00:24:12,480
Speaker 3: you don't know if he's taking all that. There's probably

539
00:24:12,520 --> 00:24:14,760
Speaker 3: a couple of ounces in there. That's the cheat code.

540
00:24:15,280 --> 00:24:17,520
Speaker 1: I don't know, Bro, he's fucking squeezing the life out

541
00:24:17,520 --> 00:24:18,920
Speaker 1: of him.

542
00:24:19,119 --> 00:24:20,720
Speaker 3: But I think we should try this, I mean, I

543
00:24:21,000 --> 00:24:22,200
Speaker 3: I commented.

544
00:24:24,480 --> 00:24:29,199
Speaker 1: I mean, yeah, I'll do it. I'll fucking put him

545
00:24:29,200 --> 00:24:32,520
Speaker 1: to rest. Hey, you might have met your maker. Bro.

546
00:24:33,320 --> 00:24:35,600
Speaker 3: That's fast. That's fast.

547
00:24:36,640 --> 00:24:41,040
Speaker 1: There's also water, so meaning much easier.

548
00:24:41,000 --> 00:24:42,320
Speaker 4: To know if he threw up afterwards.

549
00:24:42,440 --> 00:24:44,280
Speaker 3: Yeah, I gotta know if he threw up afterwards. Water,

550
00:24:44,440 --> 00:24:49,120
Speaker 3: anything that's not carbonated is obviously easier to drink because

551
00:24:49,160 --> 00:24:51,280
Speaker 3: the carbonation will kind of float float up your tube

552
00:24:51,280 --> 00:24:51,720
Speaker 3: a little bit.

553
00:24:52,000 --> 00:24:53,639
Speaker 1: That's right, Because the way you put down that twisted

554
00:24:53,640 --> 00:24:54,879
Speaker 1: tea and then it kind of just came out of

555
00:24:54,880 --> 00:24:55,840
Speaker 1: your nose, it was so fast.

556
00:24:55,920 --> 00:24:57,360
Speaker 3: Yeah, I had that deviated septum.

557
00:24:57,520 --> 00:24:59,040
Speaker 1: Yeah, but it does.

558
00:24:59,480 --> 00:25:01,400
Speaker 3: That happens all the time to me, even doing beer.

559
00:25:02,440 --> 00:25:05,000
Speaker 1: He like, put it down. It's just dude, the close

560
00:25:05,080 --> 00:25:05,760
Speaker 1: up JP.

561
00:25:05,960 --> 00:25:09,480
Speaker 3: You cut that clip from Alabama Live Show. Dude, that

562
00:25:09,720 --> 00:25:11,920
Speaker 3: was I knew something came out, but I didn't know

563
00:25:12,119 --> 00:25:14,840
Speaker 3: drained out. It looked like that like a oil. It's

564
00:25:14,840 --> 00:25:16,960
Speaker 3: called like a netty pot you put in your nose,

565
00:25:17,000 --> 00:25:19,040
Speaker 3: it just kind of comes out. That's what it's like

566
00:25:19,040 --> 00:25:19,480
Speaker 3: for my nose.

567
00:25:19,520 --> 00:25:20,879
Speaker 1: But it was literally like and then you had a

568
00:25:20,920 --> 00:25:22,399
Speaker 1: certain look on your face, like if you're in a

569
00:25:22,400 --> 00:25:23,880
Speaker 1: horror film and you just look over at your buddy,

570
00:25:23,880 --> 00:25:25,560
Speaker 1: what's happening in Taylor and you just kind of stand

571
00:25:25,560 --> 00:25:27,080
Speaker 1: there and ship just pours out of your nose.

572
00:25:28,520 --> 00:25:30,159
Speaker 3: You guys were going, oh, And I was like.

573
00:25:30,400 --> 00:25:34,800
Speaker 1: What happened the roast of Tom Brady. I haven't got

574
00:25:34,800 --> 00:25:37,240
Speaker 1: to watch. I know I want to see, but I've

575
00:25:37,240 --> 00:25:39,600
Speaker 1: seen a lot of the clips on the internet. What

576
00:25:39,960 --> 00:25:42,560
Speaker 1: a night that must have been with the boys. I know.

577
00:25:42,720 --> 00:25:44,760
Speaker 3: Fights was there too, Yeah, I think I saw a

578
00:25:44,840 --> 00:25:50,040
Speaker 3: picture of him. Yeah there, Yeah, rich Eisen.

579
00:25:49,920 --> 00:25:50,760
Speaker 1: Where was this at?

580
00:25:51,880 --> 00:25:52,680
Speaker 3: Uh Burton?

581
00:25:52,720 --> 00:25:55,400
Speaker 1: Tom Burton? Tom sneaking in there?

582
00:25:55,800 --> 00:25:59,919
Speaker 3: But when they look at this, gosh, dude, that clip

583
00:26:00,080 --> 00:26:02,639
Speaker 3: you just had up, Jack, I saw well. When I

584
00:26:02,640 --> 00:26:04,399
Speaker 3: saw Will this morning, I was like, hey, that's a

585
00:26:04,440 --> 00:26:06,200
Speaker 3: nice little post you had about real in the nine

586
00:26:06,280 --> 00:26:08,920
Speaker 3: days guy I spent together, and Will was talking about

587
00:26:08,920 --> 00:26:10,440
Speaker 3: how he was tearing up even right in the past.

588
00:26:11,040 --> 00:26:12,919
Speaker 1: Yeah, boy was kind of jerking the tears a little bit.

589
00:26:12,960 --> 00:26:15,439
Speaker 1: Making that made you cry on your own videos.

590
00:26:15,680 --> 00:26:17,600
Speaker 3: It's wild how your kids will just make you cry

591
00:26:17,680 --> 00:26:18,280
Speaker 3: for no reason.

592
00:26:18,359 --> 00:26:19,920
Speaker 1: It just turned you into a pussy dude.

593
00:26:20,000 --> 00:26:22,919
Speaker 3: Yeah, baytime, puss, dude, puss.

594
00:26:23,000 --> 00:26:25,800
Speaker 1: I'm sitting there. I was like, Oh, I'm like, sweet ar,

595
00:26:25,960 --> 00:26:27,959
Speaker 1: I'm making up a I'm cooking up a reel right

596
00:26:27,960 --> 00:26:29,160
Speaker 1: now and I almost can't get through it.

597
00:26:30,200 --> 00:26:32,639
Speaker 3: Yeah, fights, fights made at Rich Eisen was there just

598
00:26:32,680 --> 00:26:35,720
Speaker 3: in the crowd, Dana had himself sixty seconds from the crowd. Apparently,

599
00:26:35,800 --> 00:26:36,840
Speaker 3: I didn't you told.

600
00:26:36,640 --> 00:26:38,960
Speaker 1: Me that, right? Yeah, he started off with a transgender

601
00:26:39,040 --> 00:26:41,600
Speaker 1: joke right out of the gate. In Netflix ratings good,

602
00:26:42,400 --> 00:26:46,920
Speaker 1: I'm curious how many people had like a comedian or

603
00:26:47,080 --> 00:26:48,120
Speaker 1: roaster right for them?

604
00:26:48,480 --> 00:26:49,400
Speaker 3: Had to be a lot of them.

605
00:26:49,480 --> 00:26:54,800
Speaker 1: Yeah, Julian Edelman. Did you see his singer? No oh bro? Yeah,

606
00:26:54,920 --> 00:26:57,440
Speaker 1: from the top rope. He's like Bill. You know, Bill

607
00:26:57,480 --> 00:26:59,560
Speaker 1: would always say like, what the fuck are we doing here?

608
00:26:59,600 --> 00:27:02,240
Speaker 1: We can get somebody from Foxborough High to play like

609
00:27:02,280 --> 00:27:04,880
Speaker 1: this basically, and then he goes, I'm waiting a long

610
00:27:04,920 --> 00:27:06,960
Speaker 1: time to say something like this. Got a good little laughing,

611
00:27:06,920 --> 00:27:09,760
Speaker 1: and he's like, what the fuck are you doing? Foxborough High?

612
00:27:09,800 --> 00:27:14,840
Speaker 1: Is the only job offer that you have? Murdered him. Yeah,

613
00:27:15,280 --> 00:27:17,479
Speaker 1: Bill's laughing like it, dude. It was awesome.

614
00:27:17,520 --> 00:27:18,440
Speaker 3: So they had a good time.

615
00:27:18,680 --> 00:27:23,360
Speaker 1: Yeah, Bill Belichick's roasting everybody. He's roasting Gronk. He's like, uh,

616
00:27:23,480 --> 00:27:26,120
Speaker 1: you know, I'm known for do your job. I'm known

617
00:27:26,160 --> 00:27:28,960
Speaker 1: for telling players, hey, just do your job. He's like, Gronk,

618
00:27:29,000 --> 00:27:33,479
Speaker 1: I spent the season watching you on Sunday, like Football America,

619
00:27:33,560 --> 00:27:35,879
Speaker 1: Sunday foot whatever, the show where he's on the panel

620
00:27:35,920 --> 00:27:38,000
Speaker 1: with uh straight hand.

621
00:27:37,760 --> 00:27:41,560
Speaker 3: And all those boys Sunday Night football apreciow.

622
00:27:41,240 --> 00:27:43,560
Speaker 1: Yeah, and he goes, he goes, Gronk, you need to

623
00:27:43,640 --> 00:27:49,879
Speaker 1: stop doing your job killing and then uh kill Tony.

624
00:27:50,080 --> 00:27:54,800
Speaker 1: He had a run Bro clip on on Twitter. Matter

625
00:27:54,840 --> 00:27:56,240
Speaker 1: of fact, should we just watch? Should we just listen

626
00:27:56,280 --> 00:28:02,840
Speaker 1: to it? Can you guys hear it all back there? Okay,

627
00:28:02,920 --> 00:28:05,879
Speaker 1: you've seen it. I mean, just he's killing everybody. You

628
00:28:05,920 --> 00:28:10,040
Speaker 1: said Dane's was good too, Yeah, oh, won't be able

629
00:28:10,080 --> 00:28:11,480
Speaker 1: to see. Okay in near mind, we don't really get

630
00:28:11,600 --> 00:28:15,360
Speaker 1: demonetized deep platform deep, but kill Tony's. Like I knew

631
00:28:15,359 --> 00:28:17,119
Speaker 1: Gronk was here because they ran out of all the

632
00:28:17,200 --> 00:28:19,720
Speaker 1: chocolate milk in the back, so I knew he'd be

633
00:28:19,720 --> 00:28:22,000
Speaker 1: sitting up here like just messing with him on the

634
00:28:22,119 --> 00:28:25,280
Speaker 1: like being like a little kid. Yeah, but Gronk was there.

635
00:28:25,280 --> 00:28:27,480
Speaker 3: Who's the dude? Schultz? Andrew Schultz is there?

636
00:28:28,680 --> 00:28:31,480
Speaker 1: Andrew Andrew Schultz is there? Do you just get done

637
00:28:31,480 --> 00:28:34,000
Speaker 1: watching YouTube videos on how to depo black guys?

638
00:28:35,600 --> 00:28:38,360
Speaker 3: The Burton Burton Tom just staying there talking about Tom

639
00:28:38,360 --> 00:28:40,720
Speaker 3: Brady's photo. I just saw that one clip of them,

640
00:28:40,760 --> 00:28:44,320
Speaker 3: like genuinely laughing about it. I just those two together. Yeah,

641
00:28:44,560 --> 00:28:46,160
Speaker 3: it's just automatically funny.

642
00:28:46,320 --> 00:28:49,360
Speaker 1: You gotta touch on what he got.

643
00:28:49,440 --> 00:28:52,880
Speaker 6: Looks like he got mad at Jeff Frost about Robert Craft.

644
00:28:53,560 --> 00:28:55,800
Speaker 1: That's the only clip I have not seen. I saw

645
00:28:55,840 --> 00:28:57,640
Speaker 1: that clip Taylor was telling me about.

646
00:28:57,440 --> 00:29:01,040
Speaker 3: That Craft makes a joke or not Craft. Jeff Ross

647
00:29:01,080 --> 00:29:03,240
Speaker 3: makes a joke about Robert Kraft having a good time

648
00:29:03,240 --> 00:29:05,720
Speaker 3: ball blah, how great the franchise is, and then kind

649
00:29:05,720 --> 00:29:07,640
Speaker 3: of just pauses for a second says do you want

650
00:29:07,640 --> 00:29:10,440
Speaker 3: a massage? And the crowd does the uncomfortable laugh like

651
00:29:10,480 --> 00:29:14,040
Speaker 3: we're all like, oh, yeah, yeah, but you want those

652
00:29:14,080 --> 00:29:15,680
Speaker 3: in a row, like you want to go too far

653
00:29:15,720 --> 00:29:19,640
Speaker 3: in a right And Tom Brady pulls a Will Smith

654
00:29:20,200 --> 00:29:22,600
Speaker 3: and walks up and whispers and Jeff Ross's ear cut

655
00:29:22,600 --> 00:29:24,280
Speaker 3: that ship out and you can hear him over the mic.

656
00:29:24,360 --> 00:29:25,600
Speaker 2: So that's all I was gonna ask. Do you think

657
00:29:25,640 --> 00:29:26,160
Speaker 2: it was real?

658
00:29:26,240 --> 00:29:28,880
Speaker 1: Do you think That's what I'm curious about, wonder? That's

659
00:29:28,880 --> 00:29:31,160
Speaker 1: why I asked, did it seem like it was real?

660
00:29:31,360 --> 00:29:33,000
Speaker 3: And the thing that we have to I'll have to

661
00:29:33,080 --> 00:29:34,760
Speaker 3: watch like the real I'll have to watch the whole

662
00:29:34,800 --> 00:29:36,960
Speaker 3: thing through. But all the clips I saw whenever they

663
00:29:36,960 --> 00:29:40,480
Speaker 3: panned Tom he's kind of doing the uncomfortable like not

664
00:29:40,800 --> 00:29:42,880
Speaker 3: like he feels uncomfortable in his own skin type of thing.

665
00:29:42,960 --> 00:29:46,160
Speaker 1: Click that hyperlink up there with the confrontation with Jeff Ross.

666
00:29:46,200 --> 00:29:48,800
Speaker 1: Maybe it'll have that video. I think he's playing.

667
00:29:49,040 --> 00:29:49,760
Speaker 3: You think he's playing.

668
00:29:49,840 --> 00:29:52,600
Speaker 1: I think he's playing. Yeah, I think he's I think

669
00:29:52,600 --> 00:29:55,960
Speaker 1: he's playing right there. That was like Tom, like, yeah,

670
00:29:56,120 --> 00:29:57,640
Speaker 1: just coming to coming to bat for his guy.

671
00:29:58,680 --> 00:30:00,800
Speaker 3: Yeah, I mean that is a it's a deal, and

672
00:30:00,800 --> 00:30:03,200
Speaker 3: that's amazing too. Held that whole Robert Craft massage thing

673
00:30:03,280 --> 00:30:05,840
Speaker 3: kind of it was like in the news for twenty

674
00:30:05,880 --> 00:30:07,680
Speaker 3: four hours. It was a quick little deal.

675
00:30:08,040 --> 00:30:11,680
Speaker 1: Yeah, bro, I'm watching. I'll save my shout out. But hey,

676
00:30:11,760 --> 00:30:14,520
Speaker 1: the cats at the top man, it's you know you

677
00:30:15,080 --> 00:30:15,880
Speaker 1: they're untouchable.

678
00:30:17,240 --> 00:30:21,600
Speaker 3: Oh conspiracy, not conspiracy, it's just I'm yeah.

679
00:30:22,120 --> 00:30:23,960
Speaker 1: Yeah, they're just I just think untouchable.

680
00:30:24,360 --> 00:30:25,360
Speaker 2: What about the flake gate?

681
00:30:26,560 --> 00:30:27,440
Speaker 6: Do you see that joke?

682
00:30:27,760 --> 00:30:32,080
Speaker 1: No? Oh see, that's why I hate it because I

683
00:30:32,320 --> 00:30:35,560
Speaker 1: want to watch it and I can't wait to talk

684
00:30:35,600 --> 00:30:38,040
Speaker 1: some shows because I'm stuck right now. And that's the

685
00:30:38,080 --> 00:30:40,160
Speaker 1: only reason why I wasn't watching this, because I was like,

686
00:30:40,280 --> 00:30:42,200
Speaker 1: I gotta get this show, and dude, I'm binging it

687
00:30:42,280 --> 00:30:42,800
Speaker 1: hard right now.

688
00:30:42,840 --> 00:30:44,240
Speaker 3: I was laying in bed last night, I thought I

689
00:30:44,280 --> 00:30:45,880
Speaker 3: should put this on for the show tomorrow.

690
00:30:46,680 --> 00:30:53,400
Speaker 1: Do you want me to? Yeah? Yeah, sure. Oh he

691
00:30:53,520 --> 00:30:56,840
Speaker 1: admits to the flay Gate the uh, and that he

692
00:30:57,160 --> 00:31:01,240
Speaker 1: the flay Gate's real. But Bill Bill steps up and

693
00:31:01,240 --> 00:31:04,680
Speaker 1: he's like, uh, I'm excited to be here at Tom

694
00:31:04,720 --> 00:31:07,320
Speaker 1: Brady's roast, not to be confused with the ten part

695
00:31:07,360 --> 00:31:10,800
Speaker 1: docu series on the Roast of Bill Belichick. I once

696
00:31:10,840 --> 00:31:14,080
Speaker 1: started laughing at that Craft is sitting there because that

697
00:31:14,240 --> 00:31:16,520
Speaker 1: was like a hit job on old Bill Belichick. Everybody's

698
00:31:16,720 --> 00:31:18,320
Speaker 1: I feel not every When I say everybody, I mean

699
00:31:18,360 --> 00:31:20,520
Speaker 1: like players I feel like have been vocal about like

700
00:31:20,680 --> 00:31:23,240
Speaker 1: they hated the way the docu the docu series was.

701
00:31:23,400 --> 00:31:26,320
Speaker 1: I personally loved the Dynasty Docks years because I'm not

702
00:31:26,400 --> 00:31:28,920
Speaker 1: like a Boston like, you know, growing up in the

703
00:31:28,920 --> 00:31:30,960
Speaker 1: Middle West. You don't see all the Northeas stuff like

704
00:31:31,000 --> 00:31:33,280
Speaker 1: how everything was shaken up back in the early two thousands.

705
00:31:33,520 --> 00:31:35,280
Speaker 1: So I thought it was a cool, like look inside

706
00:31:35,320 --> 00:31:37,160
Speaker 1: of everything. But then once you get to the end

707
00:31:37,200 --> 00:31:38,880
Speaker 1: of it and you see Julian Edelman and all these

708
00:31:38,880 --> 00:31:40,959
Speaker 1: players kind of talking about it. You see that it

709
00:31:41,000 --> 00:31:43,560
Speaker 1: was like a like a like a hit job on Bill.

710
00:31:43,680 --> 00:31:45,360
Speaker 1: And then Kraft I want to say, either at the

711
00:31:45,520 --> 00:31:49,200
Speaker 1: head the owners the Owner's summone or something to where

712
00:31:49,200 --> 00:31:51,480
Speaker 1: they're kind of interviewing him, and he's like, oh, I

713
00:31:51,560 --> 00:31:53,320
Speaker 1: kind of hate the way that they portrayed Bill. And

714
00:31:53,360 --> 00:31:56,520
Speaker 1: it's like, Bro, you you for sure signed off on

715
00:31:56,680 --> 00:31:58,560
Speaker 1: every episode before it went out there.

716
00:31:59,080 --> 00:32:01,840
Speaker 3: Yeah, it's interesting how big this country is and how

717
00:32:01,880 --> 00:32:03,719
Speaker 3: you kind of like in your own little your own

718
00:32:03,760 --> 00:32:06,200
Speaker 3: little area based on where you grew up. And because

719
00:32:06,320 --> 00:32:08,040
Speaker 3: when you and I watch it and all of us,

720
00:32:08,080 --> 00:32:11,040
Speaker 3: I think we all really enjoyed the Dynasty docuseries. But

721
00:32:11,080 --> 00:32:12,960
Speaker 3: then you talk to people that are like like Dave,

722
00:32:13,000 --> 00:32:14,520
Speaker 3: we talked to him at UFC two nine.

723
00:32:14,560 --> 00:32:14,960
Speaker 1: He hated it.

724
00:32:15,080 --> 00:32:17,440
Speaker 3: Edelman didn't like it. People that were in that world

725
00:32:17,520 --> 00:32:19,520
Speaker 3: and have been a part of that world since this

726
00:32:19,640 --> 00:32:22,760
Speaker 3: Dynasty started seem like there's a consensus that they don't

727
00:32:22,760 --> 00:32:25,560
Speaker 3: like it very much. Yeah, Yeah, compared to us who

728
00:32:25,600 --> 00:32:27,320
Speaker 3: just watch it are like kind of like, oh my god,

729
00:32:27,360 --> 00:32:28,280
Speaker 3: this is fucking insane.

730
00:32:28,360 --> 00:32:30,280
Speaker 1: Yeah, which I kind of feel. I kind of feel

731
00:32:30,280 --> 00:32:32,440
Speaker 1: the aspect of like they won a lot of Super

732
00:32:32,480 --> 00:32:34,640
Speaker 1: Bowls and football games, obviously, but they seem to always

733
00:32:34,640 --> 00:32:36,880
Speaker 1: talk about the down times and the down years. They

734
00:32:36,960 --> 00:32:39,320
Speaker 1: kind of fast hoard or skip through when they won.

735
00:32:39,840 --> 00:32:42,600
Speaker 1: So I get that, but did so them docu series?

736
00:32:42,640 --> 00:32:44,840
Speaker 1: It seems like it's just hard to hit, hit or

737
00:32:44,880 --> 00:32:47,560
Speaker 1: miss on. Like everybody hated the Florida Gators one.

738
00:32:47,400 --> 00:32:50,920
Speaker 3: Well, that one was bad. Now the Florida the Swamp

739
00:32:50,960 --> 00:32:53,960
Speaker 3: what was it called swamp Kings, Swamp swamp Kings there

740
00:32:54,320 --> 00:32:56,400
Speaker 3: is it should have been a five part series. They're

741
00:32:56,480 --> 00:32:59,080
Speaker 3: trying to put all that information with all those characters

742
00:32:59,480 --> 00:33:02,360
Speaker 3: at the Florida in a forty five minute episode is

743
00:33:02,480 --> 00:33:04,680
Speaker 3: just not doing your service. You don't even touch on

744
00:33:04,680 --> 00:33:07,080
Speaker 3: the Aaron Hernandez stuff, you know, like you hardly touch

745
00:33:07,120 --> 00:33:10,200
Speaker 3: on half the things. So it kind of becomes that

746
00:33:10,200 --> 00:33:12,080
Speaker 3: could have been way better. The problem is is the

747
00:33:12,120 --> 00:33:14,000
Speaker 3: Last Dance with Michael Jordan is one of the best

748
00:33:14,000 --> 00:33:15,920
Speaker 3: documentaries I've ever seen, and how people are trying to

749
00:33:15,920 --> 00:33:18,360
Speaker 3: redo that and the Dynasty could have been that. It

750
00:33:18,400 --> 00:33:20,160
Speaker 3: could have absolutely been that if they would have just

751
00:33:20,200 --> 00:33:23,560
Speaker 3: taken the time to check every single box, because in

752
00:33:23,640 --> 00:33:26,000
Speaker 3: the Last Dance they do such a great job of

753
00:33:26,040 --> 00:33:28,200
Speaker 3: talking about the highs and the lows and finding the

754
00:33:28,240 --> 00:33:30,560
Speaker 3: balance there, of showing like the struggle of how it

755
00:33:30,560 --> 00:33:33,200
Speaker 3: got there, but also like this dude Michael Jordan, who

756
00:33:33,360 --> 00:33:35,240
Speaker 3: like was not taking no for an answer at all,

757
00:33:35,320 --> 00:33:37,080
Speaker 3: like how he was an asshole to people, And that

758
00:33:37,200 --> 00:33:38,960
Speaker 3: is Michael Jordan looking at an iPad be like I

759
00:33:39,000 --> 00:33:42,200
Speaker 3: took that personally seventeen times. Like they did such an

760
00:33:42,200 --> 00:33:44,920
Speaker 3: amazing job. I've literally seen that documentary. I think I've

761
00:33:44,920 --> 00:33:45,760
Speaker 3: rewatched it twice.

762
00:33:46,120 --> 00:33:48,040
Speaker 1: Yeah, it's a good one. Yeah. And with the Jordan one,

763
00:33:48,080 --> 00:33:50,120
Speaker 1: I mean that's decades after he's done playing. Like this

764
00:33:50,120 --> 00:33:52,080
Speaker 1: one's fresh out of the gates and out of the game.

765
00:33:52,240 --> 00:33:54,400
Speaker 1: Is obviously going to be some politicking going on. I

766
00:33:54,440 --> 00:33:56,840
Speaker 1: feel like, so maybe a little bit of rush, you think, Yeah,

767
00:33:56,880 --> 00:33:59,040
Speaker 1: I think so. And again it's it's more from one

768
00:33:59,200 --> 00:34:01,720
Speaker 1: it's more from one angle, and it's fresh. It's like

769
00:34:01,760 --> 00:34:04,280
Speaker 1: the Jordan one you got to your years that went

770
00:34:04,320 --> 00:34:06,960
Speaker 1: by and then I'm sure people were just the writers

771
00:34:07,000 --> 00:34:09,640
Speaker 1: and the content team and the creative team were just

772
00:34:10,040 --> 00:34:11,920
Speaker 1: dialed in on how they wanted to tell the story.

773
00:34:12,000 --> 00:34:17,440
Speaker 3: And it's over one guy, right, versus like an entire organization. Yeah,

774
00:34:17,480 --> 00:34:19,879
Speaker 3: But that's the thing is like if Tom Brady, this

775
00:34:19,920 --> 00:34:22,960
Speaker 3: is Tom Brady, Bill Belichick and Robert Kraft, and if

776
00:34:22,960 --> 00:34:25,560
Speaker 3: you were to take maybe a few more years and

777
00:34:25,640 --> 00:34:28,799
Speaker 3: able to like surround all the storylines together and lay

778
00:34:28,840 --> 00:34:30,840
Speaker 3: it out great as far as like you're saying, like

779
00:34:30,920 --> 00:34:33,560
Speaker 3: not just put it down so quickly, it would have

780
00:34:33,560 --> 00:34:35,560
Speaker 3: been such a better product. The one thing that I

781
00:34:35,560 --> 00:34:38,440
Speaker 3: thought they did really well was quarterbacks this past year.

782
00:34:38,920 --> 00:34:41,600
Speaker 3: Omaha Productions and Netflix did that. I can't wait to

783
00:34:41,600 --> 00:34:45,400
Speaker 3: see receiver this year. The receiver is going to be elite.

784
00:34:46,560 --> 00:34:49,000
Speaker 3: Are they also also they're starting a new one season

785
00:34:49,040 --> 00:34:50,880
Speaker 3: of receiver and they're doing the second season a quarterback.

786
00:34:52,160 --> 00:34:54,400
Speaker 3: What they need to do is tight ends. Do you

787
00:34:54,440 --> 00:34:56,680
Speaker 3: have so many tight end personal right now?

788
00:34:56,719 --> 00:35:03,000
Speaker 1: George is in it is Travis Kittle, Yeah, George Kittle

789
00:35:03,040 --> 00:35:03,600
Speaker 1: is in receiver.

790
00:35:03,800 --> 00:35:07,400
Speaker 3: Yeah, George is doing a great job of creating that brand.

791
00:35:07,560 --> 00:35:07,920
Speaker 6: They need it.

792
00:35:08,000 --> 00:35:11,759
Speaker 1: They need to do. They need to get some hogs. Yeah,

793
00:35:11,800 --> 00:35:15,719
Speaker 1: I just know what I mean. It's just so yeah,

794
00:35:15,760 --> 00:35:18,000
Speaker 1: it's just some big boys. But it's probably would probably

795
00:35:18,000 --> 00:35:20,320
Speaker 1: be so hard to like garner content from it because

796
00:35:20,719 --> 00:35:21,839
Speaker 1: the big boys they just.

797
00:35:23,080 --> 00:35:24,759
Speaker 3: They don't want to They don't want to talk. It is.

798
00:35:24,960 --> 00:35:26,160
Speaker 1: I don't want to get out there like that. I

799
00:35:26,239 --> 00:35:26,719
Speaker 1: don't care.

800
00:35:27,040 --> 00:35:29,920
Speaker 3: No, it's it's changing, It really is. There's a changing

801
00:35:29,920 --> 00:35:32,120
Speaker 3: of the guard right now of like the older generation

802
00:35:32,239 --> 00:35:34,520
Speaker 3: the new generation where offensive linemen are really starting to talk,

803
00:35:34,560 --> 00:35:37,480
Speaker 3: really starting to find their personalities. And I think it's

804
00:35:37,520 --> 00:35:39,319
Speaker 3: going to be in the next couple of years you'll

805
00:35:39,360 --> 00:35:41,239
Speaker 3: have that opportunity to do like an offensive line thing.

806
00:35:42,320 --> 00:35:42,560
Speaker 1: Yeah.

807
00:35:43,360 --> 00:35:49,120
Speaker 3: Probably no. I oh, it's like I think, sitting here

808
00:35:49,200 --> 00:35:52,279
Speaker 3: right now, yes, like right, my personality right now, how

809
00:35:52,320 --> 00:35:55,160
Speaker 3: I've like zoomed out of football. I think it had

810
00:35:55,200 --> 00:35:57,080
Speaker 3: been really difficult for me if I was like week

811
00:35:57,160 --> 00:36:00,879
Speaker 3: four into the season and having a tough game, or

812
00:36:00,880 --> 00:36:02,600
Speaker 3: you know how it is when coaches are always kind

813
00:36:02,640 --> 00:36:04,399
Speaker 3: of on you and always being like that's not good enough,

814
00:36:04,440 --> 00:36:06,360
Speaker 3: that's not good enough, and to think, oh, this is

815
00:36:06,440 --> 00:36:08,799
Speaker 3: getting filmed. I think I would really I would have

816
00:36:08,880 --> 00:36:12,280
Speaker 3: really struggled with that, finding a balance of like keeping

817
00:36:12,320 --> 00:36:15,200
Speaker 3: the same you know, attitude every single day.

818
00:36:15,280 --> 00:36:20,200
Speaker 1: Right, but Devil's advocate. By that point, you'd have already

819
00:36:20,200 --> 00:36:22,279
Speaker 1: signed the dotted line to do it, because you don't

820
00:36:22,280 --> 00:36:24,040
Speaker 1: know you're having those trials and tribulations.

821
00:36:24,160 --> 00:36:25,640
Speaker 3: I think in the off season, you'd catch me and

822
00:36:25,640 --> 00:36:27,359
Speaker 3: I'd say yes, yeah, and I got in the middle

823
00:36:27,360 --> 00:36:28,719
Speaker 3: of the season, I'd be like, why the fuck did

824
00:36:28,719 --> 00:36:29,080
Speaker 3: I do this?

825
00:36:29,200 --> 00:36:29,840
Speaker 1: Yeah, it would be.

826
00:36:29,840 --> 00:36:33,160
Speaker 3: It would be because it's such a it's warfare mentally

827
00:36:33,200 --> 00:36:35,240
Speaker 3: and physically the entire football season.

828
00:36:35,239 --> 00:36:36,719
Speaker 1: That would be so dood, But it still comes out

829
00:36:36,760 --> 00:36:39,359
Speaker 1: as a positive. Yeah, it's a lot of it's a lot.

830
00:36:39,440 --> 00:36:40,799
Speaker 1: It's a lot of things that people don't see.

831
00:36:40,880 --> 00:36:43,239
Speaker 3: Yeah, I would have I would probably do it. I

832
00:36:43,239 --> 00:36:48,520
Speaker 3: would most likely do it, but I would just sitting

833
00:36:48,520 --> 00:36:51,160
Speaker 3: here now, I think, knowing my mental state back then

834
00:36:51,160 --> 00:36:52,960
Speaker 3: and how it was all ball all the time, I

835
00:36:52,960 --> 00:36:55,120
Speaker 3: would have a more difficulty. I had a hard time

836
00:36:55,160 --> 00:36:56,640
Speaker 3: doing this show during while I was playing, and that

837
00:36:56,719 --> 00:36:57,400
Speaker 3: was once a week.

838
00:36:57,719 --> 00:37:00,160
Speaker 1: Yeah, but I mean we were doing it for three years. Yeah,

839
00:37:01,480 --> 00:37:01,759
Speaker 1: it would be.

840
00:37:01,840 --> 00:37:02,560
Speaker 3: It would be a hard thing.

841
00:37:02,600 --> 00:37:04,279
Speaker 1: You would have done. You would have done Hogs, You

842
00:37:04,280 --> 00:37:06,600
Speaker 1: would have done Hawks, Yeah, you would have done Hawks.

843
00:37:06,800 --> 00:37:09,320
Speaker 3: Who would have been who would be in it right now? Hoggs?

844
00:37:10,000 --> 00:37:15,000
Speaker 3: Like right now, Lane Johnson, Trent Williams, Jason Kelsey, Jason

845
00:37:15,040 --> 00:37:15,640
Speaker 3: he's retired.

846
00:37:16,280 --> 00:37:18,000
Speaker 1: Oh yeah, that's right, he said, right now.

847
00:37:23,320 --> 00:37:25,200
Speaker 3: Zach. Dude, Zach doesn't really talk.

848
00:37:26,000 --> 00:37:27,279
Speaker 1: Do you think Quent Nelson would do it?

849
00:37:27,400 --> 00:37:30,319
Speaker 3: I think he would, I do. I think Quentin would

850
00:37:30,360 --> 00:37:31,839
Speaker 3: be really good. That's a good one. We'll put him

851
00:37:31,840 --> 00:37:37,120
Speaker 3: in there. He's my boys in limbo right now. Would

852
00:37:37,120 --> 00:37:40,520
Speaker 3: be fantastic. If he was old Packer's Block right now,

853
00:37:41,320 --> 00:37:42,840
Speaker 3: he'd be a perfect candidate for it. You know what

854
00:37:42,840 --> 00:37:46,960
Speaker 3: I think would be a good candidate is oh Dean Dawkins.

855
00:37:47,360 --> 00:37:48,560
Speaker 1: Yeah, he wills.

856
00:37:48,840 --> 00:37:50,520
Speaker 3: There's four and I think one more. You throw in

857
00:37:50,560 --> 00:37:54,000
Speaker 3: like a Lamby Tunsil now you have big names. Lamby

858
00:37:54,080 --> 00:37:56,719
Speaker 3: loves fashion. He's a good ball player. I don't know

859
00:37:56,760 --> 00:37:58,680
Speaker 3: his personality very well, but I know Dean would do

860
00:37:58,680 --> 00:38:02,759
Speaker 3: a phenomenal job. Bach Man, Yeah, here's some more cats

861
00:38:02,840 --> 00:38:08,120
Speaker 3: right here. Tristan would be good. Pinay, I dude, so

862
00:38:08,320 --> 00:38:11,919
Speaker 3: pinay swell. I don't know a whole lot about this cat.

863
00:38:12,239 --> 00:38:13,799
Speaker 3: I haven't seen a whole lot about his film is

864
00:38:13,840 --> 00:38:19,680
Speaker 3: as he says, pa suwel, but he apparently talking to

865
00:38:19,760 --> 00:38:22,799
Speaker 3: like a couple of lines guys, says he's the best dude. Really, Yeah,

866
00:38:22,840 --> 00:38:25,400
Speaker 3: he's like one of the greatest cats. Awesome to be around,

867
00:38:25,400 --> 00:38:27,399
Speaker 3: hard work, just on a massive deal. I think twenty

868
00:38:27,400 --> 00:38:30,279
Speaker 3: three million a year. Yeah, he's big dog, big dog

869
00:38:30,320 --> 00:38:33,719
Speaker 3: deal playing RT too, Yeah, which is impressive.

870
00:38:33,880 --> 00:38:36,400
Speaker 4: So I think he'd be good.

871
00:38:36,719 --> 00:38:39,160
Speaker 3: Yeah, Jordan would be really good. But I think if

872
00:38:39,160 --> 00:38:41,120
Speaker 3: you had to pick between Jordan and Lane, who you

873
00:38:41,200 --> 00:38:43,680
Speaker 3: taking because you don't want two guys in the same team.

874
00:38:45,200 --> 00:38:46,280
Speaker 4: A family friendly events.

875
00:38:46,719 --> 00:38:48,920
Speaker 3: Jordan over Lane because he does.

876
00:38:48,960 --> 00:38:53,279
Speaker 4: He was huge with the singing for Jason's album last year.

877
00:38:53,360 --> 00:38:53,840
Speaker 3: I'll tell you that.

878
00:38:54,040 --> 00:38:59,880
Speaker 1: Every time and Polynesian you check the box. Yeah, I'm

879
00:39:00,040 --> 00:39:01,960
Speaker 1: saying you gotta have one, you know what I mean.

880
00:39:03,000 --> 00:39:05,880
Speaker 3: Yeah, Yeah, most of the dudes we've said are black

881
00:39:05,960 --> 00:39:06,800
Speaker 3: or checking the box.

882
00:39:07,320 --> 00:39:07,720
Speaker 1: True.

883
00:39:08,760 --> 00:39:10,000
Speaker 3: So if any we need more white guys.

884
00:39:11,640 --> 00:39:13,400
Speaker 1: Yeah, I mean you can't go wrong with either ones.

885
00:39:14,520 --> 00:39:18,120
Speaker 3: Both great guys, both great guys. I don't know Jordan's

886
00:39:18,440 --> 00:39:21,880
Speaker 3: very well. But what about Shawn Slater? Do you know

887
00:39:21,960 --> 00:39:22,680
Speaker 3: anything about him?

888
00:39:22,760 --> 00:39:23,520
Speaker 1: No, I don't. I know.

889
00:39:23,560 --> 00:39:27,279
Speaker 3: He's a good ballplayer, had a bicep last year. They

890
00:39:27,320 --> 00:39:28,720
Speaker 3: need to do rookies.

891
00:39:30,200 --> 00:39:32,840
Speaker 1: Just called the rookie, call it rookie.

892
00:39:32,960 --> 00:39:35,800
Speaker 3: Yeah, that might be a bust with the boys production.

893
00:39:37,880 --> 00:39:39,879
Speaker 3: Ronnie Stanley too, I think he would do really well.

894
00:39:40,800 --> 00:39:41,719
Speaker 3: I think he would do well.

895
00:39:42,320 --> 00:39:44,960
Speaker 1: JJ Watt. Did you see that he's still open to

896
00:39:45,000 --> 00:39:45,880
Speaker 1: return to the NFL.

897
00:39:46,040 --> 00:39:48,279
Speaker 3: No, I didn't see that until they pulled up the.

898
00:39:48,280 --> 00:39:51,040
Speaker 1: Arm You noticed. You noticed that he sees the boys.

899
00:39:51,040 --> 00:39:51,960
Speaker 1: We have our private jet.

900
00:39:52,080 --> 00:39:57,400
Speaker 3: Yeah, that would be our private jets on that plane.

901
00:39:59,400 --> 00:40:02,400
Speaker 1: He said. Last he told Demiko, don't call unless you

902
00:40:02,440 --> 00:40:04,560
Speaker 1: absolutely need it. But if you ever do call, I'll

903
00:40:04,560 --> 00:40:06,640
Speaker 1: be there. And he knows not to call unless he

904
00:40:06,680 --> 00:40:09,120
Speaker 1: absolutely needs it. This is the last year. I'll tell

905
00:40:09,160 --> 00:40:10,759
Speaker 1: him that because I'm not going to keep training the

906
00:40:10,760 --> 00:40:12,799
Speaker 1: way I've been training. But he knows that if if

907
00:40:12,800 --> 00:40:15,480
Speaker 1: he ever truly does need it, I'll be there for him.

908
00:40:16,080 --> 00:40:19,239
Speaker 1: I mean, I don't anticipate it happening. They've got a

909
00:40:19,280 --> 00:40:24,279
Speaker 1: very good group. So you think you think you think

910
00:40:24,280 --> 00:40:27,120
Speaker 1: he's returned. I mean if the depth.

911
00:40:27,160 --> 00:40:29,839
Speaker 3: Based on that quote, I would say, yeah, absolutely. If

912
00:40:29,840 --> 00:40:31,239
Speaker 3: they had a bunch of injuries and it was week

913
00:40:31,280 --> 00:40:33,279
Speaker 3: five or something like that, call him in, get him

914
00:40:33,280 --> 00:40:34,840
Speaker 3: a couple of weeks to warm up and get like

915
00:40:34,880 --> 00:40:36,360
Speaker 3: back in the basics, and you get after it.

916
00:40:36,440 --> 00:40:38,920
Speaker 1: Yeah. Yeah, because he's been more open. I mean you

917
00:40:38,960 --> 00:40:41,440
Speaker 1: can see he goes on the Pat mcavee show. He's

918
00:40:41,200 --> 00:40:43,239
Speaker 1: is a tweet game has been getting out there a

919
00:40:43,239 --> 00:40:44,680
Speaker 1: little bit more. He's tweeting a lot more. And you

920
00:40:44,719 --> 00:40:46,360
Speaker 1: see he's still ask to grass with a lot of

921
00:40:46,360 --> 00:40:48,800
Speaker 1: weight on his back. Yeah, so you know he's still training.

922
00:40:48,920 --> 00:40:51,879
Speaker 3: He's training. He looks fantastic too. Yeah, he looks great.

923
00:40:52,000 --> 00:40:53,799
Speaker 3: And I wonder if it's setting in that, like, Okay,

924
00:40:53,840 --> 00:40:56,640
Speaker 3: football is over. I mean, he's got all the opportunities

925
00:40:56,640 --> 00:40:58,360
Speaker 3: in the world, but still there's always a piece of

926
00:40:58,400 --> 00:41:00,000
Speaker 3: you that's like, man, could I still do it?

927
00:41:00,520 --> 00:41:02,279
Speaker 1: When you're juggling all those things off the field, and

928
00:41:02,400 --> 00:41:04,000
Speaker 1: if you get later in the year and the depth

929
00:41:04,000 --> 00:41:06,880
Speaker 1: of drugg and you could make a return on a

930
00:41:06,920 --> 00:41:08,000
Speaker 1: good squad.

931
00:41:07,719 --> 00:41:09,279
Speaker 3: And the Texans are contenders this.

932
00:41:09,239 --> 00:41:12,239
Speaker 1: Year, even the branding and everything you're doing on the field, like.

933
00:41:12,840 --> 00:41:16,440
Speaker 3: Yeah, yeah, you get the prodigal son returns to Houston

934
00:41:16,520 --> 00:41:19,160
Speaker 3: for one last ride. There's a documentary in its own

935
00:41:19,200 --> 00:41:25,080
Speaker 3: right there, Netflix's own Watt. Yeah, yeah, I think I

936
00:41:25,120 --> 00:41:27,560
Speaker 3: think he could absolutely do it. I mean you look

937
00:41:27,560 --> 00:41:29,280
Speaker 3: it in the last couple of years at the Cardinals,

938
00:41:29,280 --> 00:41:32,479
Speaker 3: like he wasn't J. J. Watt of Houston, but still

939
00:41:32,560 --> 00:41:34,960
Speaker 3: very slippery, still did a great job of rushing the

940
00:41:35,000 --> 00:41:38,359
Speaker 3: passer like he was. He was still he could still

941
00:41:38,360 --> 00:41:40,759
Speaker 3: have played in the NFL this past year and been

942
00:41:41,400 --> 00:41:42,959
Speaker 3: and been a guy you circle and be like, listen,

943
00:41:43,000 --> 00:41:44,480
Speaker 3: he might be older, but he's still a cat that

944
00:41:44,480 --> 00:41:45,239
Speaker 3: you got to worry about.

945
00:41:45,360 --> 00:41:46,920
Speaker 1: He's still disruptive.

946
00:41:46,480 --> 00:41:51,560
Speaker 3: Disruptive, plays hard, gives effort. So yeah, I mean first

947
00:41:51,600 --> 00:41:52,279
Speaker 3: and last out.

948
00:41:53,040 --> 00:41:53,239
Speaker 1: Yeah.

949
00:41:53,280 --> 00:41:55,840
Speaker 3: I think the leadership too, because Houston. I think I

950
00:41:55,920 --> 00:41:57,680
Speaker 3: have to look more at the depth chart, but Houston

951
00:41:57,800 --> 00:42:02,399
Speaker 3: seems like they're squad that is extremely talented but young,

952
00:42:02,800 --> 00:42:04,680
Speaker 3: really young. They have a lot of young talent there.

953
00:42:04,880 --> 00:42:06,840
Speaker 3: And if you brought in a leadership guy like like

954
00:42:06,920 --> 00:42:08,600
Speaker 3: JJ Watt and might be taking him.

955
00:42:08,480 --> 00:42:10,640
Speaker 1: Over the edge, Houston might win it all this year.

956
00:42:11,120 --> 00:42:13,160
Speaker 3: They that's that's a shitty thing, is they might.

957
00:42:13,840 --> 00:42:17,000
Speaker 1: Do what I think that was your early prediction. Yeah,

958
00:42:17,080 --> 00:42:19,560
Speaker 1: I do. I think Houston's got all. Now. Look, I

959
00:42:19,600 --> 00:42:22,560
Speaker 1: think the other day I was watching the divisional round

960
00:42:22,840 --> 00:42:26,520
Speaker 1: Niners versus Packers, watching the Packers just kind of blow

961
00:42:26,520 --> 00:42:29,400
Speaker 1: it there in the last time you watching film, Yeah, like, dude,

962
00:42:30,000 --> 00:42:32,440
Speaker 1: God bless her. But if we're not watching Miss Rachel,

963
00:42:32,440 --> 00:42:34,279
Speaker 1: if I'm like, oh no, you know, we'll watch Miss

964
00:42:34,360 --> 00:42:37,399
Speaker 1: Rachel later or whatever. She'll literally say football. So I'll

965
00:42:37,440 --> 00:42:39,280
Speaker 1: go on. I'll be like, oh, you want to watch football?

966
00:42:39,640 --> 00:42:41,560
Speaker 1: And I'm just thinking, like there's no football on and

967
00:42:41,800 --> 00:42:44,719
Speaker 1: the NFL Network Divisional Round Niners Packers, and we're just

968
00:42:44,760 --> 00:42:50,000
Speaker 1: sitting there watching football and uh. But anyway, the Niners,

969
00:42:51,280 --> 00:42:54,239
Speaker 1: they have to win this year, like their window of

970
00:42:54,320 --> 00:42:58,279
Speaker 1: having all these players is obviously closing, I know, and

971
00:42:58,320 --> 00:43:02,400
Speaker 1: they have such a core unit that it's all or

972
00:43:02,440 --> 00:43:04,399
Speaker 1: nothing this year. I think it's been all or nothing

973
00:43:04,400 --> 00:43:07,640
Speaker 1: from the last cop, you know, losing a couple quarterbacks

974
00:43:07,640 --> 00:43:10,239
Speaker 1: two years ago. Obviously, this past year was like it

975
00:43:10,280 --> 00:43:12,120
Speaker 1: doesn't matter unless they win the whole thing and they

976
00:43:12,120 --> 00:43:14,040
Speaker 1: get to the Super Bowl and then fortunately lost to

977
00:43:14,080 --> 00:43:16,440
Speaker 1: the fucking Chiefs. But this year, I think, like having

978
00:43:16,440 --> 00:43:18,440
Speaker 1: that group together, like they have one more shot.

979
00:43:18,600 --> 00:43:20,560
Speaker 3: If you're playing in the scenario of the forty nine

980
00:43:20,640 --> 00:43:23,279
Speaker 3: ers and they're in the Super Bowl, the team that

981
00:43:23,280 --> 00:43:27,359
Speaker 3: they should play is the Chiefs. Chiefs have won two

982
00:43:27,400 --> 00:43:29,560
Speaker 3: in a row. Chiefs. I don't think I'll get back

983
00:43:30,960 --> 00:43:34,120
Speaker 3: stop dude, U K, I guess we'll see.

984
00:43:35,360 --> 00:43:37,120
Speaker 1: I think Houston. I think Houston is the team in

985
00:43:37,160 --> 00:43:37,759
Speaker 1: the AFC.

986
00:43:39,680 --> 00:43:45,880
Speaker 3: Houston, Baltimore Baltimore's is nasty. Don't sleep on the Steelers.

987
00:43:45,880 --> 00:43:48,759
Speaker 3: They have Arthur Smith at OC right now. Tennessee is

988
00:43:48,800 --> 00:43:50,439
Speaker 3: brewing up a squad right now.

989
00:43:50,520 --> 00:43:52,080
Speaker 1: They're brewing, but it's not gonna be this.

990
00:43:52,200 --> 00:43:54,600
Speaker 3: If you would have ranked AFC South right now, if

991
00:43:54,640 --> 00:43:59,040
Speaker 3: you never know, Jack, you never know. If you're looking

992
00:43:59,080 --> 00:44:01,640
Speaker 3: at the AFC South, this is how would rank AFC

993
00:44:01,719 --> 00:44:04,040
Speaker 3: South right now? You gotta put Houston at one.

994
00:44:04,160 --> 00:44:04,440
Speaker 6: Have to.

995
00:44:05,360 --> 00:44:07,400
Speaker 3: Then you put the Titans at two, I don't know.

996
00:44:07,520 --> 00:44:09,000
Speaker 3: And then you put the Colts at three, and the

997
00:44:09,080 --> 00:44:09,799
Speaker 3: Jags are in four.

998
00:44:10,640 --> 00:44:12,640
Speaker 1: I don't know. I don't I don't know if that's

999
00:44:12,719 --> 00:44:13,200
Speaker 1: that's right.

1000
00:44:14,640 --> 00:44:14,759
Speaker 2: Bro.

1001
00:44:14,880 --> 00:44:18,600
Speaker 3: We were in there with Callahan, you saw the boys.

1002
00:44:17,800 --> 00:44:21,200
Speaker 1: I would go, I would go Houston, I would go Colts.

1003
00:44:21,520 --> 00:44:23,200
Speaker 1: Then I would go Titans in Jacksonville.

1004
00:44:23,880 --> 00:44:25,479
Speaker 3: But Jacksonville's four.

1005
00:44:26,560 --> 00:44:28,920
Speaker 1: Yeah, I think the AFC South is a very tough division.

1006
00:44:29,160 --> 00:44:36,439
Speaker 3: Now, Yes, absolutely, like CJ. Stroud, Trevor Lawrence Young, Will Levis, Yes, dude,

1007
00:44:36,440 --> 00:44:39,080
Speaker 3: it's just and I'm telling you, bro, here's the exciting thing.

1008
00:44:39,120 --> 00:44:41,200
Speaker 3: If you're if you're a Tennessee Titans fan watching this

1009
00:44:41,239 --> 00:44:42,880
Speaker 3: podcast right now, let me get you pumped up a

1010
00:44:42,880 --> 00:44:45,279
Speaker 3: little bit. The last ten years of your life, you've

1011
00:44:45,320 --> 00:44:48,000
Speaker 3: been seeing ground and pound. Please God, let Derrick Henry

1012
00:44:48,000 --> 00:44:49,960
Speaker 3: break one and we're gonna help. We're gonna out defense

1013
00:44:50,000 --> 00:44:53,960
Speaker 3: these guys. Essentially, this is football of the nineties. We

1014
00:44:54,000 --> 00:44:57,839
Speaker 3: are now transitioning into high flying air raid. Put points

1015
00:44:57,880 --> 00:44:59,719
Speaker 3: on the board. We're gonna score more points than you.

1016
00:45:00,280 --> 00:45:01,719
Speaker 3: That's what That's what the Titans are going to try

1017
00:45:01,719 --> 00:45:05,200
Speaker 3: to be this year. I'm Calvin Ridley, DeAndre Hopkins hope

1018
00:45:05,200 --> 00:45:08,560
Speaker 3: to God, who's the kid that we drafted? And Traylon

1019
00:45:08,600 --> 00:45:11,160
Speaker 3: Burke's hope to God he has a year, pray for it.

1020
00:45:11,440 --> 00:45:15,200
Speaker 3: I'm still I'm still gonna sing Kyle Phillips's praises if

1021
00:45:15,200 --> 00:45:18,520
Speaker 3: he can stay healthy. The kids got talent, You got

1022
00:45:18,600 --> 00:45:21,520
Speaker 3: Chig and the have an offensive line that you're building together.

1023
00:45:21,560 --> 00:45:23,799
Speaker 3: You just pay a center fifty million dollars. You got

1024
00:45:23,800 --> 00:45:26,560
Speaker 3: yourself a left tackle. NFP is getting to his third year.

1025
00:45:26,600 --> 00:45:29,040
Speaker 3: He's coming off injury, but his third year. You drafted

1026
00:45:29,040 --> 00:45:31,839
Speaker 3: a guy in the first round at left guard. You

1027
00:45:32,080 --> 00:45:34,960
Speaker 3: have the tools on offense to be successful. You take

1028
00:45:35,000 --> 00:45:37,120
Speaker 3: a kid that that dude from Texas, what's his name,

1029
00:45:38,160 --> 00:45:45,160
Speaker 3: Think Devondre Sweat to Andre Sweat, yeh Autland Trophy winner.

1030
00:45:45,360 --> 00:45:47,640
Speaker 3: He literally says himself, if I can lose weight, I'll

1031
00:45:47,680 --> 00:45:49,640
Speaker 3: be a Hall of Famer. That's terrifying. By the way,

1032
00:45:49,640 --> 00:45:51,200
Speaker 3: if you're a Titans fan, you just need this guy.

1033
00:45:51,360 --> 00:45:53,120
Speaker 3: If you know your only issue to not make it

1034
00:45:53,160 --> 00:45:55,160
Speaker 3: to the Hall of Fame is something that you control. Brother,

1035
00:45:55,840 --> 00:45:57,319
Speaker 3: you got to get your shit together then and then

1036
00:45:57,400 --> 00:46:00,919
Speaker 3: we get done then with Jeff and I think as

1037
00:46:01,000 --> 00:46:03,920
Speaker 3: much as Jeff and I have had our disagreements and

1038
00:46:04,920 --> 00:46:07,640
Speaker 3: my opinions about Jeff, Jeff is going to bully the

1039
00:46:07,760 --> 00:46:10,239
Speaker 3: Sweat kid into being in shape. I've seen him do

1040
00:46:10,280 --> 00:46:12,560
Speaker 3: with other defensive lineman. He's gonna hold him to a standard,

1041
00:46:12,800 --> 00:46:15,200
Speaker 3: and that kid's gonna have a good first year, I believe.

1042
00:46:15,440 --> 00:46:16,560
Speaker 1: Yeah, so we.

1043
00:46:16,680 --> 00:46:19,799
Speaker 3: Got you got Snead too from the Chiefs, who's all

1044
00:46:19,800 --> 00:46:20,560
Speaker 3: pro last year.

1045
00:46:20,680 --> 00:46:21,120
Speaker 1: Yeah.

1046
00:46:21,480 --> 00:46:24,640
Speaker 3: Yeah, Titan's got a squad keeping them at two. I'm

1047
00:46:24,680 --> 00:46:26,920
Speaker 3: giving them a two for one.

1048
00:46:27,000 --> 00:46:29,120
Speaker 1: You're right, you never know, like you don't know how

1049
00:46:29,160 --> 00:46:31,360
Speaker 1: this scene is gonna shake up. I wouldn't be surprised

1050
00:46:31,400 --> 00:46:33,799
Speaker 1: based on the coaching staff that they have and some

1051
00:46:33,840 --> 00:46:36,640
Speaker 1: of the young talent. But I think the Houston Texans

1052
00:46:36,640 --> 00:46:39,719
Speaker 1: bro are absolutely loaded and not to mention they got

1053
00:46:39,719 --> 00:46:42,360
Speaker 1: two of the titans best defensive players last year. Yeah

1054
00:46:42,560 --> 00:46:45,040
Speaker 1: it's Alsha here right, how here?

1055
00:46:45,080 --> 00:46:48,640
Speaker 3: Indico Autry and Anico Autry, who is maybe the sleepiest

1056
00:46:48,640 --> 00:46:50,560
Speaker 3: guy in the league that people sleep on constantly.

1057
00:46:50,640 --> 00:46:55,000
Speaker 1: Yeah, bro, he's nasty. Nay got a squad. Let's talk

1058
00:46:55,000 --> 00:46:58,080
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1059
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1060
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1061
00:47:03,440 --> 00:47:06,800
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1062
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1063
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1065
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1066
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Speaker 1: stylists recommend nutri fall for healthier hair. That's neutrifall dot

1082
00:48:28,320 --> 00:48:33,120
Speaker 1: com spelled n u t r af ol dot com

1083
00:48:33,120 --> 00:48:37,160
Speaker 1: promo code bustin that's nutrifall dot com promo code busting.

1084
00:48:37,360 --> 00:48:41,040
Speaker 3: I want to just tell the viewers you're welcome that

1085
00:48:41,120 --> 00:48:43,759
Speaker 3: Will Compton read that ad just now you saved us

1086
00:48:43,760 --> 00:48:44,799
Speaker 3: fifteen minutes go.

1087
00:48:44,880 --> 00:48:45,520
Speaker 1: Why you said that?

1088
00:48:45,560 --> 00:48:49,160
Speaker 3: Because if I read that thing, brother, there's some big

1089
00:48:49,200 --> 00:48:49,719
Speaker 3: words in there.

1090
00:48:49,800 --> 00:48:51,799
Speaker 1: I'll tell you this. It may Jack highlighted it.

1091
00:48:51,840 --> 00:48:54,520
Speaker 3: My heart rate spiked to one because I was like,

1092
00:48:54,560 --> 00:48:55,600
Speaker 3: how do you even pronounce what?

1093
00:48:55,640 --> 00:48:59,360
Speaker 1: That is? The beautiful thing about reading that ad is

1094
00:48:59,640 --> 00:49:02,400
Speaker 1: I've been taking nutripole and I did. Really I did

1095
00:49:02,480 --> 00:49:04,400
Speaker 1: take the hat off, and I'm moving my hair a

1096
00:49:04,440 --> 00:49:07,120
Speaker 1: little bit because yeah, and I do feel like it works.

1097
00:49:07,719 --> 00:49:08,279
Speaker 3: I love that.

1098
00:49:08,320 --> 00:49:10,160
Speaker 1: What do you think? What do you think about my hairline?

1099
00:49:11,160 --> 00:49:12,520
Speaker 3: I think, pull it back?

1100
00:49:14,000 --> 00:49:14,680
Speaker 1: Don't do this to me?

1101
00:49:14,760 --> 00:49:16,480
Speaker 3: Okay, then I won't they don't do don't do that

1102
00:49:16,880 --> 00:49:20,400
Speaker 3: if it makes you uncomfortable. You got some peaks.

1103
00:49:20,719 --> 00:49:22,480
Speaker 1: I do got some peaks. However, I feel like I've

1104
00:49:22,480 --> 00:49:24,120
Speaker 1: had some peaks for a long time.

1105
00:49:24,880 --> 00:49:27,560
Speaker 3: So if you feel good about it, I do. If

1106
00:49:27,560 --> 00:49:28,919
Speaker 3: you feel good about it, then I feel good about

1107
00:49:28,920 --> 00:49:31,319
Speaker 3: Because the way you wear your hair, I would not

1108
00:49:31,440 --> 00:49:34,680
Speaker 3: walk past you and be like that cat's bolding because.

1109
00:49:34,480 --> 00:49:36,720
Speaker 1: Think about too, like hats are not good for pulling

1110
00:49:36,760 --> 00:49:39,759
Speaker 1: on your pulling on your helmets. We've had said like,

1111
00:49:39,800 --> 00:49:41,680
Speaker 1: I'm mid thirties now, bro.

1112
00:49:41,600 --> 00:49:45,000
Speaker 3: I know they say I'm gonna literally pop a stat

1113
00:49:45,000 --> 00:49:46,680
Speaker 3: out of my ass. That may or may not be true,

1114
00:49:46,680 --> 00:49:49,800
Speaker 3: but I heard by thirty six, if you haven't started,

1115
00:49:49,880 --> 00:49:51,719
Speaker 3: it'll it won't happen. So I got a couple of years,

1116
00:49:51,840 --> 00:49:53,839
Speaker 3: got a couple of years, really a year and a half.

1117
00:49:53,880 --> 00:49:55,600
Speaker 3: Here's what I think. Here's what I think.

1118
00:49:56,120 --> 00:49:59,000
Speaker 1: If you nutropole, if you.

1119
00:49:59,000 --> 00:50:01,400
Speaker 3: Have a deal where we got to have a conversation,

1120
00:50:01,480 --> 00:50:02,960
Speaker 3: do you want me to have that conversation with you?

1121
00:50:05,200 --> 00:50:07,800
Speaker 3: Because I'm trying. It's a it's a hairy sea.

1122
00:50:08,000 --> 00:50:09,640
Speaker 1: But I need it to be a group. I don't

1123
00:50:09,680 --> 00:50:11,480
Speaker 1: need it to be like I need to know that

1124
00:50:11,480 --> 00:50:13,959
Speaker 1: it's multiple people feeling this way right because I feel

1125
00:50:13,960 --> 00:50:16,200
Speaker 1: like I have a very heightened sense of awareness when

1126
00:50:16,239 --> 00:50:19,000
Speaker 1: it comes to my hairline to know, yeah, yeah, absolutely,

1127
00:50:19,040 --> 00:50:21,160
Speaker 1: to know if like my shit's going bad or not?

1128
00:50:21,239 --> 00:50:22,520
Speaker 4: Yeah, would you get the plugs?

1129
00:50:22,520 --> 00:50:28,560
Speaker 1: Ever, I don't think you know. Nothing's off the table. Yeah, dude,

1130
00:50:28,600 --> 00:50:28,960
Speaker 1: I was.

1131
00:50:28,960 --> 00:50:31,280
Speaker 4: Like ten grand they put you on the first class flight.

1132
00:50:31,360 --> 00:50:33,440
Speaker 4: You come back, it's like ten other guys doing the

1133
00:50:33,440 --> 00:50:33,919
Speaker 4: same thing.

1134
00:50:34,080 --> 00:50:37,440
Speaker 3: There's more than ten you see those yeah clips dudes

1135
00:50:37,520 --> 00:50:41,239
Speaker 3: just having the coldest sac with bandages on top of

1136
00:50:41,239 --> 00:50:42,759
Speaker 3: their head, all flying back.

1137
00:50:42,960 --> 00:50:45,040
Speaker 1: Here's the nuns up table. That is.

1138
00:50:45,520 --> 00:50:47,760
Speaker 3: If that doesn't if that is it becomes an option

1139
00:50:47,840 --> 00:50:49,680
Speaker 3: for you, I say do it.

1140
00:50:50,719 --> 00:50:53,040
Speaker 1: Yeah, none's off the table, got you. There could be

1141
00:50:53,080 --> 00:50:56,040
Speaker 1: a moment. Maybe I could be a shaved head kind

1142
00:50:56,080 --> 00:50:59,120
Speaker 1: of guy. How's the shape of your head? I don't

1143
00:50:59,120 --> 00:50:59,440
Speaker 1: know how.

1144
00:50:59,560 --> 00:51:02,040
Speaker 3: I mean, you can't really tell it hair. I had

1145
00:51:02,080 --> 00:51:04,799
Speaker 3: my head shaved for my rookie year because they gave

1146
00:51:04,800 --> 00:51:07,000
Speaker 3: me a rookie haircut where they just kept like this

1147
00:51:07,080 --> 00:51:08,719
Speaker 3: part right here and then shaved all of this and

1148
00:51:08,760 --> 00:51:10,399
Speaker 3: kind of moved it around. It was really fucked up.

1149
00:51:10,800 --> 00:51:13,040
Speaker 3: Wearing a hat looked fine, but then I had to

1150
00:51:13,040 --> 00:51:16,200
Speaker 3: shave it after my after the fourth preseason game. I

1151
00:51:16,239 --> 00:51:17,479
Speaker 3: just don't got a good shaped head.

1152
00:51:18,400 --> 00:51:19,640
Speaker 1: You did kind of look.

1153
00:51:19,920 --> 00:51:21,280
Speaker 3: Yeah I look racist.

1154
00:51:21,600 --> 00:51:25,319
Speaker 1: Yeah you see me, I look like but you ain't

1155
00:51:25,360 --> 00:51:29,960
Speaker 1: got nothing to worry about? Yeah, yeah I do.

1156
00:51:30,040 --> 00:51:31,440
Speaker 3: It is a worry of mine still.

1157
00:51:31,239 --> 00:51:34,759
Speaker 1: Though, Oh well, it's it's it's that's just that's a fake.

1158
00:51:34,800 --> 00:51:37,360
Speaker 1: I appreciate that's that. Yeah, that's a fake, imaginary worry.

1159
00:51:37,480 --> 00:51:37,879
Speaker 1: It is.

1160
00:51:38,040 --> 00:51:41,040
Speaker 3: Yes, but you see cats and you just wonder, hey,

1161
00:51:41,080 --> 00:51:42,479
Speaker 3: if that happens to me. I hope that doesn't happen

1162
00:51:42,480 --> 00:51:43,759
Speaker 3: to me. Literally, every time I sit down with Alan,

1163
00:51:43,760 --> 00:51:45,759
Speaker 3: our barber, I go, brother, you gotta tell me.

1164
00:51:45,960 --> 00:51:47,919
Speaker 1: Like your head of hair? Yeah, your head of hair

1165
00:51:48,000 --> 00:51:50,399
Speaker 1: is so nice that when you say comments like that,

1166
00:51:51,360 --> 00:51:54,319
Speaker 1: you know everybody around you. Whoever you tell that dude,

1167
00:51:54,360 --> 00:52:00,479
Speaker 1: just know, they might not tell you. But it's like, okay, guy, yeah, yeah,

1168
00:52:00,680 --> 00:52:03,839
Speaker 1: yeah yeah. People we just love We just loves people

1169
00:52:03,920 --> 00:52:04,960
Speaker 1: like this. Motherfucker.

1170
00:52:05,360 --> 00:52:07,680
Speaker 3: I get it, I get it. I'm lucky, I'm extremely

1171
00:52:07,800 --> 00:52:09,680
Speaker 3: my dad. Can you pull up a clip a picture

1172
00:52:09,680 --> 00:52:12,080
Speaker 3: of day of Dave? See if you can pull up

1173
00:52:12,160 --> 00:52:15,799
Speaker 3: Dave law Because everyone says it's always the mother's dad,

1174
00:52:15,880 --> 00:52:18,400
Speaker 3: my mother. My mom's dad is bald as can be.

1175
00:52:18,520 --> 00:52:19,200
Speaker 3: Shut up, bud.

1176
00:52:19,719 --> 00:52:21,720
Speaker 1: Yeah, your dad is definitely your future.

1177
00:52:22,239 --> 00:52:24,680
Speaker 3: Yeah, he and I have this. We have the same kind.

1178
00:52:24,520 --> 00:52:29,080
Speaker 1: Of hair and build. You'll be you'll be wearing those

1179
00:52:29,200 --> 00:52:33,799
Speaker 1: uh sleeveless shirts, compression shorts under the shot under the

1180
00:52:33,840 --> 00:52:36,759
Speaker 1: shorts yea where the bottom of the compression shorts don't

1181
00:52:36,760 --> 00:52:37,680
Speaker 1: grab your leg all the way.

1182
00:52:37,960 --> 00:52:40,960
Speaker 3: Dave just he's just gotta do more legs, man.

1183
00:52:42,640 --> 00:52:44,600
Speaker 1: No Dave Lawan on the Google.

1184
00:52:44,960 --> 00:52:46,080
Speaker 3: No Dave law on Google.

1185
00:52:46,200 --> 00:52:46,719
Speaker 2: Damn Dave.

1186
00:52:47,520 --> 00:52:49,400
Speaker 3: Dave watches this show too. It's gonna hurt for him

1187
00:52:49,400 --> 00:52:50,799
Speaker 3: to hear this, but.

1188
00:52:51,840 --> 00:52:53,440
Speaker 1: He'll I think he'll be sitting there green like you

1189
00:52:53,440 --> 00:52:58,400
Speaker 1: guys have the same build, biceps, my upper body, lower body, hair.

1190
00:52:59,320 --> 00:53:01,520
Speaker 3: Yeah, we yeah, we do look very similar.

1191
00:53:02,160 --> 00:53:02,759
Speaker 1: Very yeah.

1192
00:53:02,920 --> 00:53:05,399
Speaker 3: Yeah, isn't it interesting too? And I can't wait. He's

1193
00:53:05,400 --> 00:53:07,359
Speaker 3: a good looking guy, right, I can't wait to see

1194
00:53:07,360 --> 00:53:08,040
Speaker 3: this with our kids.

1195
00:53:08,280 --> 00:53:08,480
Speaker 4: Is.

1196
00:53:08,680 --> 00:53:11,480
Speaker 3: When I was younger, everyone was like, oh, you look

1197
00:53:11,520 --> 00:53:13,880
Speaker 3: like your mom, you do anything like your dad, And

1198
00:53:13,880 --> 00:53:15,560
Speaker 3: as I've gotten older, everyone's like you and your dad

1199
00:53:15,560 --> 00:53:17,839
Speaker 3: are the exact same person. So I'm interested to see

1200
00:53:17,880 --> 00:53:19,560
Speaker 3: with my kids. Hopefully they look like their mom the

1201
00:53:19,719 --> 00:53:20,239
Speaker 3: entire way.

1202
00:53:20,440 --> 00:53:23,680
Speaker 1: Like we just keep going willows you bro, ye, Hey,

1203
00:53:23,719 --> 00:53:26,640
Speaker 1: bring up Taylor the draft day photo where you're standing

1204
00:53:26,680 --> 00:53:29,080
Speaker 1: there the combine the willow.

1205
00:53:29,200 --> 00:53:30,480
Speaker 3: All right, don't be disrespectful.

1206
00:53:30,520 --> 00:53:32,960
Speaker 1: That's not disrespectful, Bro, she looks like your dad, Bro,

1207
00:53:33,160 --> 00:53:34,920
Speaker 1: first looks like your dad. This photo.

1208
00:53:35,320 --> 00:53:38,680
Speaker 3: The comment section is hilarious. Someone said, dude looks like

1209
00:53:38,719 --> 00:53:45,719
Speaker 3: SpongeBob Flatten the front flat in the back. My comin, bro,

1210
00:53:45,880 --> 00:53:48,200
Speaker 3: it is so fucking funny.

1211
00:53:48,400 --> 00:53:48,920
Speaker 1: Low key though.

1212
00:53:48,960 --> 00:53:50,560
Speaker 3: When I saw that photo, I knew there was gonna

1213
00:53:50,560 --> 00:53:52,239
Speaker 3: be chirps, but I thought, yo, you look kind of

1214
00:53:52,320 --> 00:54:00,799
Speaker 3: jack Bro. Yeah that me, bro, meaty boy.

1215
00:54:01,960 --> 00:54:02,880
Speaker 1: We've lost internet.

1216
00:54:03,520 --> 00:54:06,799
Speaker 3: We've lost internet. Anyway, I know Mitchell do a great

1217
00:54:06,880 --> 00:54:10,520
Speaker 3: job of popping up that photo though. It is funny dude,

1218
00:54:10,600 --> 00:54:12,759
Speaker 3: how my ass is not there and my dick is

1219
00:54:12,800 --> 00:54:18,359
Speaker 3: also not there? Yeah, yeah, about doing that. I'll put

1220
00:54:18,360 --> 00:54:21,440
Speaker 3: a sock in there big time, though, brother, I know what.

1221
00:54:21,480 --> 00:54:23,319
Speaker 3: I know what you're thinking about right now. JP, don't

1222
00:54:23,320 --> 00:54:26,359
Speaker 3: even go there. What are you think you're thinking about?

1223
00:54:26,360 --> 00:54:34,080
Speaker 3: The penis and the bottle comment? No, no, no, no, no, yes, bro,

1224
00:54:35,040 --> 00:54:37,280
Speaker 3: that's a thick boy.

1225
00:54:37,600 --> 00:54:40,759
Speaker 1: I was lost to shoulders, arms, lost a.

1226
00:54:42,600 --> 00:54:45,839
Speaker 3: Tiny legs, still did my absolute best with them boys too.

1227
00:54:46,080 --> 00:54:48,600
Speaker 4: It looks like that, like that photo of when you're

1228
00:54:48,600 --> 00:54:50,279
Speaker 4: a kid and you go in your mom's room after

1229
00:54:50,320 --> 00:54:57,319
Speaker 4: you threw up. You just staying in the doorway, like Mom.

1230
00:54:55,800 --> 00:54:57,319
Speaker 1: Your legs don't look that bad here.

1231
00:54:58,239 --> 00:55:04,440
Speaker 3: Yeah, look at that. Not even a bump, dude.

1232
00:55:06,160 --> 00:55:07,719
Speaker 1: That's how it is. That's how it is. When you

1233
00:55:07,760 --> 00:55:10,760
Speaker 1: got them strong thighs like that, I think just hide it. Yeah,

1234
00:55:10,840 --> 00:55:13,359
Speaker 1: when you get them thighs touch and everything else, that's

1235
00:55:13,360 --> 00:55:13,880
Speaker 1: a tough.

1236
00:55:13,960 --> 00:55:15,720
Speaker 3: I miss having strong legs.

1237
00:55:20,239 --> 00:55:22,280
Speaker 1: That's fucking hilarious.

1238
00:55:21,640 --> 00:55:27,680
Speaker 3: Bro, That is funny. Get the back in there, bank, I.

1239
00:55:27,600 --> 00:55:28,640
Speaker 1: Mean, it's a solid that's a.

1240
00:55:31,160 --> 00:55:34,760
Speaker 3: Oh yeah, dude, better times.

1241
00:55:34,920 --> 00:55:38,360
Speaker 1: Hey did you see uh OBJ sign with the Dolphins.

1242
00:55:38,480 --> 00:55:39,319
Speaker 1: It's Miami boy.

1243
00:55:39,480 --> 00:55:41,040
Speaker 3: I know I saw. The one thing I did see

1244
00:55:41,080 --> 00:55:43,640
Speaker 3: on that was Jalen Ramsey saying last time they two

1245
00:55:43,640 --> 00:55:45,120
Speaker 3: were both on the team.

1246
00:55:45,600 --> 00:55:48,640
Speaker 1: Super Bowl towards towards a c L.

1247
00:55:49,080 --> 00:55:52,080
Speaker 3: Yeah, that's tough, dude. One year deal worth four million

1248
00:55:52,120 --> 00:55:54,600
Speaker 3: dollars with incentives to push it up to eight point

1249
00:55:54,640 --> 00:55:58,160
Speaker 3: two five million. Man, I really want back them to

1250
00:55:58,160 --> 00:56:00,520
Speaker 3: get g b O T I know, I want him

1251
00:56:00,800 --> 00:56:01,560
Speaker 3: so bad, dude.

1252
00:56:01,560 --> 00:56:04,759
Speaker 1: I think his uh I love his work ethic, bro.

1253
00:56:06,280 --> 00:56:08,279
Speaker 1: I fel like the dude. Have you listened to him

1254
00:56:08,280 --> 00:56:12,080
Speaker 1: on the pivot, Like the the ups and downs he said,

1255
00:56:12,120 --> 00:56:14,239
Speaker 1: with his knees, with surgeries and stuff like that, and

1256
00:56:14,280 --> 00:56:16,480
Speaker 1: still like being a guy at the peak of where

1257
00:56:16,480 --> 00:56:19,160
Speaker 1: he was and still like loving the game and winning

1258
00:56:19,280 --> 00:56:21,439
Speaker 1: to go play ball even though he's got a base

1259
00:56:21,480 --> 00:56:23,799
Speaker 1: salary of three million up to eight point two you

1260
00:56:23,800 --> 00:56:25,520
Speaker 1: know what I mean. Like he he was like at

1261
00:56:25,520 --> 00:56:28,080
Speaker 1: the I mean he was at the top of the world.

1262
00:56:28,280 --> 00:56:30,600
Speaker 3: I know he was. He was never one he wassentually

1263
00:56:30,640 --> 00:56:33,839
Speaker 3: Patrick Mahomes like that kind of star power. Yeah, when

1264
00:56:33,880 --> 00:56:37,160
Speaker 3: he was in his prime The thing that I really

1265
00:56:37,480 --> 00:56:39,359
Speaker 3: I just wish he could get back on track four

1266
00:56:39,440 --> 00:56:41,919
Speaker 3: is because every human being I came across that played

1267
00:56:41,920 --> 00:56:44,040
Speaker 3: with him at LSU or knew like put with him

1268
00:56:44,040 --> 00:56:46,360
Speaker 3: in Giants or wherever, was like, this dude could be

1269
00:56:46,440 --> 00:56:50,799
Speaker 3: professional at any sport, soccer, baseball, big time athletes, big

1270
00:56:50,840 --> 00:56:53,480
Speaker 3: time athlete, like just has the genetics like that. Yeah,

1271
00:56:53,640 --> 00:56:56,200
Speaker 3: and he's like just a he's just a stunt man.

1272
00:56:56,239 --> 00:56:58,400
Speaker 1: And I feel like he's just a guy that you

1273
00:56:58,520 --> 00:57:01,080
Speaker 1: start to like root for that he hasn't been that,

1274
00:57:01,239 --> 00:57:03,120
Speaker 1: but you know, when when you're at the very tip

1275
00:57:03,160 --> 00:57:04,960
Speaker 1: top and then you have antics on the sidelines and

1276
00:57:05,000 --> 00:57:07,960
Speaker 1: everything else, it's very easy to you know, to comment

1277
00:57:08,080 --> 00:57:11,520
Speaker 1: on the dramatic ship that he mad. Right, But in

1278
00:57:11,560 --> 00:57:13,600
Speaker 1: the last few years the way he's just kind of

1279
00:57:13,640 --> 00:57:16,400
Speaker 1: came on teams, kept his head down, like he's never

1280
00:57:16,480 --> 00:57:19,240
Speaker 1: really been a distraction like the people like we would

1281
00:57:19,240 --> 00:57:21,480
Speaker 1: have thought he probably could have been. I don't know,

1282
00:57:21,560 --> 00:57:24,320
Speaker 1: I kind of fuck with him. Yeah, I don't really

1283
00:57:24,360 --> 00:57:27,200
Speaker 1: know much about him other than like again, he's signing again.

1284
00:57:27,280 --> 00:57:29,680
Speaker 1: It just seems like the boy loves the play ball.

1285
00:57:29,800 --> 00:57:31,760
Speaker 3: You painted a really good picture too, because at one

1286
00:57:31,800 --> 00:57:34,600
Speaker 3: point OBJ kind of became the villain, Like he lived

1287
00:57:34,640 --> 00:57:36,640
Speaker 3: long enough to see him become the villain. And now

1288
00:57:36,640 --> 00:57:39,560
Speaker 3: with the trials and tribulations and him just fighting a

1289
00:57:39,560 --> 00:57:41,280
Speaker 3: good fight over and over again because he loves the

1290
00:57:41,280 --> 00:57:43,720
Speaker 3: game so much, trying to get back on track, it

1291
00:57:43,760 --> 00:57:45,000
Speaker 3: really makes you root for the guy.

1292
00:57:45,120 --> 00:57:48,440
Speaker 1: Yeah, well, I just thought of that first class situation.

1293
00:57:49,320 --> 00:57:51,320
Speaker 1: How I think that was last year, No, that.

1294
00:57:51,280 --> 00:57:51,920
Speaker 3: Was two years ago.

1295
00:57:52,920 --> 00:57:53,440
Speaker 1: I think he was.

1296
00:57:53,480 --> 00:57:55,000
Speaker 3: He was, he was like sleep right.

1297
00:57:55,880 --> 00:58:01,680
Speaker 1: It was, but you know, just a judge nuts.

1298
00:58:01,840 --> 00:58:04,400
Speaker 3: Yeah, let that go, Yeah, throw that to the win,

1299
00:58:04,560 --> 00:58:05,360
Speaker 3: let the breeze take it.

1300
00:58:05,400 --> 00:58:10,160
Speaker 1: That's over. Yeah. But him, Tyreek Hill, Jayleen Waddle, you.

1301
00:58:10,080 --> 00:58:12,000
Speaker 3: Know, I just wonder how many balls he's gonna get.

1302
00:58:12,600 --> 00:58:14,680
Speaker 1: I don't think he I don't think it's like he

1303
00:58:14,760 --> 00:58:18,120
Speaker 1: puts that much expectation on it. I think he does,

1304
00:58:18,160 --> 00:58:20,160
Speaker 1: but I'm saying I think he's very aware of the

1305
00:58:20,160 --> 00:58:22,760
Speaker 1: situation he's going into. You know, he knows the strength

1306
00:58:22,840 --> 00:58:26,000
Speaker 1: of Tyreek Hill, Jalen like, you got Coach McDaniels, like,

1307
00:58:26,000 --> 00:58:28,720
Speaker 1: I'm sure they're gonna find creative ways to get everybody

1308
00:58:28,760 --> 00:58:29,840
Speaker 1: the ball, spread the ball around.

1309
00:58:29,960 --> 00:58:32,400
Speaker 3: Yeah, Tyreech, just the dude. You got to feed over

1310
00:58:32,440 --> 00:58:34,840
Speaker 3: and over again. The thing I wish Tyreek did was

1311
00:58:34,880 --> 00:58:36,800
Speaker 3: hit that two thousand because he was on pace at

1312
00:58:36,840 --> 00:58:39,200
Speaker 3: one point last year. Right, yeah, yeah, I want him

1313
00:58:39,200 --> 00:58:42,200
Speaker 3: to get that so bad. Dude was crushing it. Hit segments.

1314
00:58:42,440 --> 00:58:43,560
Speaker 1: Shout out, no free shout out.

1315
00:58:44,320 --> 00:58:46,080
Speaker 3: You want to get that off your chest. Huh, you've been.

1316
00:58:46,040 --> 00:58:48,400
Speaker 1: Trying to talk. You want to talk shows, Go ahead,

1317
00:58:48,400 --> 00:58:49,880
Speaker 1: start off. I want to talk shows with the boys.

1318
00:58:49,920 --> 00:58:52,520
Speaker 1: Start up my shoutout, no free shot out of the week.

1319
00:58:52,560 --> 00:58:54,960
Speaker 1: First of all, it is brought to you by sport Clips.

1320
00:58:55,000 --> 00:58:56,800
Speaker 1: Your hair may grow fast, but after going to sport

1321
00:58:56,800 --> 00:58:59,920
Speaker 1: clips haircut, you wish it grooven faster. That's because sport

1322
00:59:00,000 --> 00:59:02,440
Speaker 1: Clips has the best seats in hair. We know that

1323
00:59:02,520 --> 00:59:04,720
Speaker 1: watching sports will getting a haircut sure beats watching a

1324
00:59:04,760 --> 00:59:07,640
Speaker 1: reflection getting your haircut, which is why at sport clips,

1325
00:59:07,680 --> 00:59:09,600
Speaker 1: every day is clippers and curve balls, high tops and

1326
00:59:09,640 --> 00:59:12,600
Speaker 1: hell Mary's and even waves and wickets. At sport Clips

1327
00:59:12,600 --> 00:59:14,280
Speaker 1: you can check in with the pros and men's there

1328
00:59:14,320 --> 00:59:17,880
Speaker 1: and totally check out with pure uninterrupted relaxation. So come

1329
00:59:17,920 --> 00:59:20,479
Speaker 1: watch an endless stream of sports on TV while getting

1330
00:59:20,520 --> 00:59:23,480
Speaker 1: an awesome haircut sport Clips. It is a game changer.

1331
00:59:24,000 --> 00:59:25,880
Speaker 1: My shout out, no free shout out this week is

1332
00:59:25,920 --> 00:59:29,080
Speaker 1: going to go to the Boys.

1333
00:59:29,440 --> 00:59:32,320
Speaker 3: Oh and not just the boys, but the Boys.

1334
00:59:32,400 --> 00:59:36,440
Speaker 1: The TV show I watched binged all all of fall

1335
00:59:36,560 --> 00:59:40,280
Speaker 1: There's one season I watched all Fallout, banger show awesome

1336
00:59:40,320 --> 00:59:43,000
Speaker 1: show fall Out. Highly recommend the Boys. I am now

1337
00:59:43,000 --> 00:59:46,720
Speaker 1: in season two and I'm into it.

1338
00:59:46,760 --> 00:59:50,920
Speaker 3: Bro is this the wild They have superpowers?

1339
00:59:52,080 --> 00:59:58,760
Speaker 4: Superhero Yeah, anti hero guys are fucking fish. You know,

1340
00:59:59,200 --> 01:00:00,120
Speaker 4: there's a lot going on.

1341
01:00:00,680 --> 01:00:04,320
Speaker 1: It's basically like just assume it's like the X Men,

1342
01:00:04,400 --> 01:00:06,880
Speaker 1: but the roles, the roles are reversed. They're very well

1343
01:00:06,920 --> 01:00:10,120
Speaker 1: accepted in the world. They are the high power, they're

1344
01:00:10,160 --> 01:00:14,720
Speaker 1: like the superior. They're like the billionaires, and they get

1345
01:00:14,760 --> 01:00:17,200
Speaker 1: away with a lot of devious shit, some stuff that's

1346
01:00:17,240 --> 01:00:21,520
Speaker 1: like you know, Charo. She's like, should I catch up?

1347
01:00:21,520 --> 01:00:23,640
Speaker 1: I'm like, I don't know if you mess with the

1348
01:00:23,640 --> 01:00:25,240
Speaker 1: storyline and the plot, but I don't know if you

1349
01:00:25,320 --> 01:00:27,800
Speaker 1: mess with all like the violent and the negative ship

1350
01:00:27,920 --> 01:00:30,959
Speaker 1: that comes with it, because it's pretty Yeah.

1351
01:00:32,000 --> 01:00:34,479
Speaker 3: That show. I mean, it's so interesting. You think about

1352
01:00:34,480 --> 01:00:36,800
Speaker 3: it all the time, like being a superhero, Like if

1353
01:00:36,800 --> 01:00:38,560
Speaker 3: you found out at one point in your life, you

1354
01:00:38,600 --> 01:00:41,120
Speaker 3: were a superhero, how many of us would actually go

1355
01:00:41,160 --> 01:00:44,160
Speaker 3: and fight crime as opposed to just being extremely good

1356
01:00:44,160 --> 01:00:45,160
Speaker 3: at whatever we wanted.

1357
01:00:44,960 --> 01:00:45,440
Speaker 2: To be good at.

1358
01:00:45,680 --> 01:00:47,760
Speaker 3: Yeah, imagine if you had Superman's powers and we were

1359
01:00:47,760 --> 01:00:49,520
Speaker 3: still in the mindset of wanting to play football, you

1360
01:00:49,640 --> 01:00:51,080
Speaker 3: just be the best football player of all time.

1361
01:00:51,240 --> 01:00:56,320
Speaker 1: Yeah, Taylor might be Homelander.

1362
01:00:57,200 --> 01:01:04,400
Speaker 3: That's a what is what's Homelander? It sounds like it's

1363
01:01:04,400 --> 01:01:07,360
Speaker 3: not a character in the show. I'll make character. Don't

1364
01:01:07,400 --> 01:01:08,360
Speaker 3: even know anything else.

1365
01:01:08,400 --> 01:01:10,880
Speaker 1: Super he's he's basically the Superman of the group.

1366
01:01:11,520 --> 01:01:15,320
Speaker 3: Cool and he doesn't he's probably got check check it out,

1367
01:01:15,440 --> 01:01:17,600
Speaker 3: check it out, check it out. I heard the boys

1368
01:01:17,640 --> 01:01:20,439
Speaker 3: the first season. Uh, there was like some random ship

1369
01:01:20,480 --> 01:01:21,640
Speaker 3: going on. People like I don't know if you want

1370
01:01:21,640 --> 01:01:23,440
Speaker 3: to watch this is it?

1371
01:01:23,440 --> 01:01:28,400
Speaker 4: It's and it's like, yeah, sexual in ways you really don't.

1372
01:01:28,400 --> 01:01:29,080
Speaker 3: Want it to be.

1373
01:01:29,360 --> 01:01:33,360
Speaker 1: And like, he's what you're saying, Jack, Kids become.

1374
01:01:33,200 --> 01:01:35,200
Speaker 4: Orphans, people are fish.

1375
01:01:35,840 --> 01:01:38,760
Speaker 1: Yeah, kids become orphans a little too frequent in my

1376
01:01:39,080 --> 01:01:40,720
Speaker 1: you know, in my opinion, a.

1377
01:01:40,680 --> 01:01:41,840
Speaker 3: Little too much for the children.

1378
01:01:42,160 --> 01:01:43,800
Speaker 1: Yeah, yeah, a little too much. Like as as an

1379
01:01:43,800 --> 01:01:45,720
Speaker 1: apparently watching like god, damn, why do they gotta write

1380
01:01:45,720 --> 01:01:47,960
Speaker 1: this type of ship in there. But it is a

1381
01:01:48,000 --> 01:01:50,600
Speaker 1: good show nonetheless, So that as my shotowt no free shadow.

1382
01:01:50,640 --> 01:01:53,600
Speaker 3: My shoutout, no free shoutout is going to be, It's

1383
01:01:53,600 --> 01:01:55,560
Speaker 3: gonna go to Willie Walker on the Chocolate Factory.

1384
01:01:59,680 --> 01:02:01,800
Speaker 1: Why, dude, my kids.

1385
01:02:01,840 --> 01:02:04,120
Speaker 3: So if anybody who has kids out there goes to

1386
01:02:04,160 --> 01:02:06,880
Speaker 3: their kids' school plays, it's fun for fifteen minutes and

1387
01:02:06,920 --> 01:02:09,240
Speaker 3: then after that you're like, all right, like this, we're

1388
01:02:09,280 --> 01:02:11,920
Speaker 3: not this is not top notch acting. I'm not watching

1389
01:02:11,920 --> 01:02:16,360
Speaker 3: a Broadway musical by any means. But this year, my kids,

1390
01:02:16,360 --> 01:02:18,160
Speaker 3: the whole school, their school they go to, they did

1391
01:02:18,400 --> 01:02:20,080
Speaker 3: a play Willie Walk and the Chocolate to who my

1392
01:02:20,120 --> 01:02:22,200
Speaker 3: both my kids were in olympus. It was sick too

1393
01:02:22,760 --> 01:02:24,480
Speaker 3: when had a whole dance routine everything we used to

1394
01:02:24,520 --> 01:02:28,000
Speaker 3: practice on and uh, I just loved that book growing up.

1395
01:02:28,160 --> 01:02:30,600
Speaker 3: It was my favorite book growing up. I loved the movie.

1396
01:02:30,640 --> 01:02:33,280
Speaker 3: I loved the movie Wonka, and I just it brought

1397
01:02:33,320 --> 01:02:35,560
Speaker 3: me that I had the whole hour where I was

1398
01:02:35,560 --> 01:02:38,080
Speaker 3: like just feeling levels of nostalgia, being like, dude, this

1399
01:02:38,200 --> 01:02:41,360
Speaker 3: movie was so good. Coming out Walka is so great,

1400
01:02:41,680 --> 01:02:44,480
Speaker 3: and legit, these kids were good at the play, not

1401
01:02:44,600 --> 01:02:47,000
Speaker 3: good like we're talking you know what I'm saying relative

1402
01:02:47,040 --> 01:02:49,280
Speaker 3: to the age group we're talking about. They did a

1403
01:02:49,320 --> 01:02:51,520
Speaker 3: good job. Yeah, yes, they did a good job. The

1404
01:02:51,600 --> 01:02:54,240
Speaker 3: one kid who was playing walka kid had a good voice.

1405
01:02:54,800 --> 01:02:57,680
Speaker 3: Kid had a good voice. Uh, Charlie, that kid had

1406
01:02:57,720 --> 01:02:59,440
Speaker 3: a good voice too. All of them, I think did

1407
01:02:59,480 --> 01:03:01,440
Speaker 3: a good job of their characters. And I just kind

1408
01:03:01,440 --> 01:03:05,560
Speaker 3: of sat there and smiled to myself, like my childhood

1409
01:03:05,600 --> 01:03:07,400
Speaker 3: was loving this show, and now my kids are playing

1410
01:03:07,440 --> 01:03:08,920
Speaker 3: this show, sitting here as an adult as their kid,

1411
01:03:08,920 --> 01:03:10,520
Speaker 3: and I thought that was cool. Yeah, I'm mess with

1412
01:03:10,560 --> 01:03:11,000
Speaker 3: love that.

1413
01:03:11,000 --> 01:03:11,560
Speaker 1: That's wholesome.

1414
01:03:11,640 --> 01:03:14,439
Speaker 3: Yeah, it's wholesome. But shout out the boys too, gore,

1415
01:03:14,560 --> 01:03:15,840
Speaker 3: rape and shit like that. That's tight.

1416
01:03:16,920 --> 01:03:17,280
Speaker 1: Yeah.

1417
01:03:17,600 --> 01:03:20,120
Speaker 3: Fuck, I need to watch that show. But I feel

1418
01:03:20,120 --> 01:03:21,479
Speaker 3: like Taylor would not watch that show.

1419
01:03:23,280 --> 01:03:24,880
Speaker 1: Yeah, she's huge. She wouldn't like some parts.

1420
01:03:24,920 --> 01:03:27,840
Speaker 3: Taylor trying to check me on Spootober this year and

1421
01:03:27,920 --> 01:03:30,520
Speaker 3: I was like, dude, don't she wants to do like

1422
01:03:30,560 --> 01:03:32,680
Speaker 3: more like kid friendly, Like we don't need to watch

1423
01:03:32,680 --> 01:03:34,760
Speaker 3: all this like delaying you know, he's like the super

1424
01:03:34,760 --> 01:03:36,880
Speaker 3: goy shit, we don't need She's.

1425
01:03:36,840 --> 01:03:38,240
Speaker 1: Like, hey, we got a six and three year old,

1426
01:03:38,280 --> 01:03:38,880
Speaker 1: like let's.

1427
01:03:38,720 --> 01:03:40,480
Speaker 3: Yeah, we don't even have that in the house. Like,

1428
01:03:40,520 --> 01:03:43,200
Speaker 3: it's bat Like every Spootober seems like something goes wrong

1429
01:03:43,240 --> 01:03:45,560
Speaker 3: on the little one household. Both of my surgeries were

1430
01:03:45,560 --> 01:03:48,280
Speaker 3: in Spootober Like. It's just it's a tough time. But

1431
01:03:48,320 --> 01:03:51,240
Speaker 3: I'm trudging through that mud every single year. I'm going

1432
01:03:51,280 --> 01:03:53,560
Speaker 3: to fight it. Yeah, but she wants to do like

1433
01:03:53,680 --> 01:03:55,720
Speaker 3: less less like horror films. She shoes you can watch

1434
01:03:55,720 --> 01:03:57,439
Speaker 3: the slashes and all that, but all this paranormal shit,

1435
01:03:57,440 --> 01:04:00,919
Speaker 3: you gotta stop watching. I told her no, Yeah, I said,

1436
01:04:02,080 --> 01:04:04,840
Speaker 3: which I said, No, We're not gonna do that.

1437
01:04:06,480 --> 01:04:08,000
Speaker 1: Boys, any shout outs in the back.

1438
01:04:08,920 --> 01:04:12,720
Speaker 4: I'll go Joe West, I will yeah it. Mine's with

1439
01:04:12,880 --> 01:04:15,439
Speaker 4: Key West. But it's going to the reason I was there.

1440
01:04:15,880 --> 01:04:19,840
Speaker 4: I'm shouting out. Thomas Edwards, my very talented musician friend.

1441
01:04:20,200 --> 01:04:22,520
Speaker 4: He released a new song called Old Crowd that is

1442
01:04:22,560 --> 01:04:24,760
Speaker 4: out now on all platforms. And this isn't just some

1443
01:04:24,880 --> 01:04:28,680
Speaker 4: shameless plug. It's a really good fucking song. This song

1444
01:04:28,760 --> 01:04:32,320
Speaker 4: embodies what this bus is. It's about your old friends

1445
01:04:32,760 --> 01:04:35,600
Speaker 4: just hanging out with the crew. It's just the boys,

1446
01:04:35,720 --> 01:04:38,320
Speaker 4: you know, the boys, the girls, whatever. But I'm really

1447
01:04:38,360 --> 01:04:40,520
Speaker 4: proud of him. He's been working really hard. He was

1448
01:04:40,560 --> 01:04:42,840
Speaker 4: the talk of the town with this songwriters fest we're at.

1449
01:04:42,880 --> 01:04:45,600
Speaker 4: So shout out to Thomas Edwards. Shout out to everyone

1450
01:04:45,640 --> 01:04:48,600
Speaker 4: who made Key Wes fun. It's just it's fun to

1451
01:04:48,760 --> 01:04:50,200
Speaker 4: kind of get out of town for a little bit,

1452
01:04:50,520 --> 01:04:53,840
Speaker 4: get some vitamin D, listening to music and uh yeah,

1453
01:04:54,120 --> 01:04:57,120
Speaker 4: just you know love my friends always do. So shout

1454
01:04:57,160 --> 01:04:59,120
Speaker 4: out Tom old crowd stream it now.

1455
01:05:01,280 --> 01:05:04,760
Speaker 5: Oh, stick along the same line, sort of shout out

1456
01:05:04,800 --> 01:05:07,040
Speaker 5: living with your boys. I just moved into a new

1457
01:05:07,040 --> 01:05:11,040
Speaker 5: house and there's three of us that will be currently

1458
01:05:11,160 --> 01:05:13,360
Speaker 5: that will stay there, but one guy who's still like

1459
01:05:13,360 --> 01:05:16,680
Speaker 5: in limbo and as he's moving out. But you you're

1460
01:05:16,720 --> 01:05:19,080
Speaker 5: just never bored. You can always just go annoy somebody.

1461
01:05:19,120 --> 01:05:21,920
Speaker 5: You can always just go hang out with somebody. And

1462
01:05:22,080 --> 01:05:24,240
Speaker 5: this is the most since college, the most amount of

1463
01:05:24,240 --> 01:05:26,360
Speaker 5: people I've lived with, and I'm looking forward to and

1464
01:05:26,400 --> 01:05:28,000
Speaker 5: it's gonna be gonna be a good time. So shout

1465
01:05:28,000 --> 01:05:29,680
Speaker 5: out living with your boys.

1466
01:05:30,120 --> 01:05:38,640
Speaker 1: Living with boys, getting no you get bored, you go

1467
01:05:38,680 --> 01:05:40,560
Speaker 1: set at the edge of their bed like, hey, what

1468
01:05:40,560 --> 01:05:42,320
Speaker 1: are you doing to kick your feet up?

1469
01:05:42,760 --> 01:05:43,439
Speaker 2: How's your day?

1470
01:05:45,120 --> 01:05:48,800
Speaker 6: Mine's kind of similar to the boys theme. We have

1471
01:05:48,880 --> 01:05:51,520
Speaker 6: going on, but it is uh the one friend in

1472
01:05:51,560 --> 01:05:54,400
Speaker 6: the friend group four two that are the real guys.

1473
01:05:55,040 --> 01:05:57,480
Speaker 6: Whenever you're on like a big group trip, they're always

1474
01:05:57,520 --> 01:06:00,480
Speaker 6: ready to cook up some nice food. Our guys are

1475
01:06:00,480 --> 01:06:04,120
Speaker 6: Carter and Danny. They cooked up some Broadway, some hot dogs, easy,

1476
01:06:04,200 --> 01:06:07,800
Speaker 6: easy things to cook up, but their range is unlimited

1477
01:06:07,880 --> 01:06:10,080
Speaker 6: when it comes to food. So shout out to the

1478
01:06:10,120 --> 01:06:13,840
Speaker 6: guys that take on the task of cooking dinner for everyone.

1479
01:06:15,000 --> 01:06:18,240
Speaker 3: Hell yeah, solid, solid one.

1480
01:06:18,880 --> 01:06:20,760
Speaker 1: What else do we have before we get into uh

1481
01:06:21,400 --> 01:06:24,440
Speaker 1: twisted question? We get some dad Yeah, we got some

1482
01:06:24,520 --> 01:06:28,120
Speaker 1: dad moments. Do you want to do a twist the question?

1483
01:06:28,200 --> 01:06:28,920
Speaker 1: We want to talk?

1484
01:06:29,560 --> 01:06:32,280
Speaker 3: Let's do a twisted question. Okay, let's do twist twist.

1485
01:06:32,280 --> 01:06:34,160
Speaker 3: The tea is refreshing, hard ied team made with real

1486
01:06:34,200 --> 01:06:37,320
Speaker 3: brew tea and five percent alcohol. Full of flavor and

1487
01:06:37,440 --> 01:06:40,480
Speaker 3: very refreshing. Twisted tea goes down smooth, there's no carbonation,

1488
01:06:40,640 --> 01:06:43,200
Speaker 3: makes it easy to drink all day long and also chug.

1489
01:06:43,960 --> 01:06:46,240
Speaker 3: It makes it way easier to chug. Twist The tea

1490
01:06:46,240 --> 01:06:49,400
Speaker 3: feels fun and celebrates extreme fandom on game day. It's

1491
01:06:49,400 --> 01:06:51,680
Speaker 3: the perfect alcohol for game day, whether tail getting in

1492
01:06:51,680 --> 01:06:53,640
Speaker 3: a parking lot, watching at a bar or watching with

1493
01:06:53,680 --> 01:06:56,200
Speaker 3: friends at home. Twisted Tea is there to turn up

1494
01:06:56,240 --> 01:06:59,400
Speaker 3: your game day, Keep it twisted and grab a refreshing

1495
01:06:59,400 --> 01:07:03,680
Speaker 3: twisted tea today. The Twisted question this week comes to

1496
01:07:03,720 --> 01:07:07,000
Speaker 3: you from Mitch, who comes to you from.

1497
01:07:06,480 --> 01:07:09,920
Speaker 5: Daniel du Lac du Lac on Instagram. This is This

1498
01:07:09,920 --> 01:07:11,520
Speaker 5: One's a bit of a mouthful, but I think it's a.

1499
01:07:11,480 --> 01:07:13,240
Speaker 3: Good I'm sure you'll handle it just fine, like you

1500
01:07:13,280 --> 01:07:13,760
Speaker 3: always do.

1501
01:07:14,000 --> 01:07:17,240
Speaker 5: You have twenty four hours to complete the following four activities,

1502
01:07:17,520 --> 01:07:20,480
Speaker 5: run a mile, eat a donut, drink a beer, and

1503
01:07:20,560 --> 01:07:23,320
Speaker 5: jerk off. The catch is you have to do each

1504
01:07:23,320 --> 01:07:26,680
Speaker 5: of these activities and increments of six, twelve, eighteen, and

1505
01:07:26,760 --> 01:07:31,360
Speaker 5: twenty four. So example, run six miles, eat twelve donuts,

1506
01:07:31,720 --> 01:07:34,320
Speaker 5: drink eighteen beers, and jerk off twenty four times in

1507
01:07:34,360 --> 01:07:39,560
Speaker 5: twenty four hours. What are you doing for each number.

1508
01:07:41,360 --> 01:07:42,600
Speaker 3: I'm gonna have to put the I'm gonna have to

1509
01:07:42,640 --> 01:07:50,439
Speaker 3: put the miles at six. I'mna start there. I'm gonna

1510
01:07:50,440 --> 01:07:57,160
Speaker 3: eat twenty four donuts. I'm gonna drink was it six?

1511
01:07:57,320 --> 01:08:02,000
Speaker 3: Twelve eighteen? I'll drink eight teen beers. I'm a jerk

1512
01:08:02,000 --> 01:08:02,880
Speaker 3: off twelve times.

1513
01:08:07,160 --> 01:08:12,160
Speaker 1: Fuck man, that's tough. I think you gotta go twenty

1514
01:08:12,160 --> 01:08:16,080
Speaker 1: four donuts have to and it's what beers jerk off

1515
01:08:16,080 --> 01:08:16,719
Speaker 1: in miles.

1516
01:08:21,000 --> 01:08:21,920
Speaker 3: You have to run the miles.

1517
01:08:22,760 --> 01:08:26,639
Speaker 1: I think I'll go run run you can't walk it, okay,

1518
01:08:26,800 --> 01:08:38,400
Speaker 1: I think I'll go eighteen beers twelve miles and jerk

1519
01:08:38,439 --> 01:08:39,240
Speaker 1: off six times.

1520
01:08:41,320 --> 01:08:43,000
Speaker 3: You ain running twelve miles, bro.

1521
01:08:43,000 --> 01:08:46,960
Speaker 1: Bro over twenty four hours, a mile a mile, a

1522
01:08:47,120 --> 01:08:48,320
Speaker 1: mile every two hours.

1523
01:08:49,720 --> 01:08:56,200
Speaker 3: Yeah, I don't know, man, I'll be honest with you.

1524
01:08:56,240 --> 01:08:57,360
Speaker 3: I don't know if you're doing that.

1525
01:08:57,840 --> 01:08:59,400
Speaker 1: But I'm saying that this run.

1526
01:09:00,280 --> 01:09:02,599
Speaker 4: It's hard to jerk off twelve times in a day

1527
01:09:02,640 --> 01:09:03,920
Speaker 4: than it is to run twelve miles.

1528
01:09:04,040 --> 01:09:09,080
Speaker 1: Yeah, yeah, bro, jerk off twelve times one day.

1529
01:09:09,200 --> 01:09:11,240
Speaker 4: I didn't think if you're gonna go run after.

1530
01:09:11,040 --> 01:09:14,160
Speaker 1: That, I think, John, I think I'm using a good

1531
01:09:14,240 --> 01:09:17,720
Speaker 1: number with the six, like I think that one. I

1532
01:09:17,880 --> 01:09:21,240
Speaker 1: was thinking about going miles. I was thinking about going

1533
01:09:21,280 --> 01:09:28,200
Speaker 1: more miles. But if it's in a twenty four hour period, may.

1534
01:09:28,240 --> 01:09:32,400
Speaker 3: Be so tired after that, refeel with the beer and donuts.

1535
01:09:32,720 --> 01:09:34,880
Speaker 1: You're right on my goat. No, I don't know. I

1536
01:09:34,880 --> 01:09:36,360
Speaker 1: think twelve my max.

1537
01:09:36,439 --> 01:09:38,760
Speaker 3: My max would even would be at twelve for miles.

1538
01:09:38,920 --> 01:09:40,120
Speaker 3: I wouldn't be able to go farther than that.

1539
01:09:41,040 --> 01:09:43,719
Speaker 5: I think I would just switch the beers in miles.

1540
01:09:43,720 --> 01:09:46,320
Speaker 5: I would do eighteen miles and twelve beers.

1541
01:09:46,479 --> 01:09:48,680
Speaker 1: I know, That's what I was thinking about too. But

1542
01:09:48,800 --> 01:09:51,679
Speaker 1: eighteen miles again, twenty four hours a long time.

1543
01:09:51,800 --> 01:09:54,519
Speaker 5: Like I mean, if you're like really running running, you

1544
01:09:54,520 --> 01:09:57,200
Speaker 5: can run run like seven minutes, but then you're just

1545
01:09:57,280 --> 01:10:01,400
Speaker 5: cooked cooked, but you slow that down and maybe do

1546
01:10:01,439 --> 01:10:04,840
Speaker 5: like a ten minute mile. That's that's what I'm saying.

1547
01:10:04,840 --> 01:10:06,559
Speaker 5: Like these miles, it's not like they have to be

1548
01:10:06,800 --> 01:10:08,519
Speaker 5: run for an hour. Run for an hour and you

1549
01:10:08,640 --> 01:10:12,800
Speaker 5: got what six miles done? Yeah, and then break and

1550
01:10:12,840 --> 01:10:14,599
Speaker 5: then run for an hour again, you got another six miles.

1551
01:10:14,840 --> 01:10:18,640
Speaker 1: Just zone to it up for twelve miles, not for

1552
01:10:18,720 --> 01:10:20,800
Speaker 1: twelve miles straight I'm breaking them up. But yeah, I

1553
01:10:20,800 --> 01:10:25,800
Speaker 1: think straight. JP probably could. I mean, Jp, I'm not

1554
01:10:25,840 --> 01:10:27,120
Speaker 1: in any cardio shape.

1555
01:10:27,160 --> 01:10:30,000
Speaker 6: But like my roommate, he just ran a half marathon

1556
01:10:30,640 --> 01:10:32,519
Speaker 6: and he trained a little bit and he kept a

1557
01:10:32,560 --> 01:10:34,080
Speaker 6: higher pace than I would do for it, but he

1558
01:10:34,200 --> 01:10:36,760
Speaker 6: finished in like right at two hours, and that was

1559
01:10:36,800 --> 01:10:40,320
Speaker 6: thirteen point one or whatever. That's two hours.

1560
01:10:40,479 --> 01:10:42,000
Speaker 1: Yeah, Like sitting.

1561
01:10:42,120 --> 01:10:46,640
Speaker 6: She ran a marathon one r age group and it

1562
01:10:46,760 --> 01:10:53,320
Speaker 6: was like three forty three forty five or something, right,

1563
01:10:54,520 --> 01:10:55,880
Speaker 6: so you got the whole rest of the day for

1564
01:10:55,920 --> 01:10:58,120
Speaker 6: all these other things, right, right, right, right right. Taylor

1565
01:10:58,160 --> 01:11:00,599
Speaker 6: was locked on that twelve one. Though, that's only when

1566
01:11:00,600 --> 01:11:01,479
Speaker 6: you didn't have to think.

1567
01:11:01,360 --> 01:11:05,640
Speaker 3: Of Yeah, I think you hit an hour hour on

1568
01:11:05,720 --> 01:11:09,280
Speaker 3: the hour, like seven, Yeah, you saw.

1569
01:11:10,240 --> 01:11:10,559
Speaker 1: I'm not.

1570
01:11:11,600 --> 01:11:16,280
Speaker 3: Yeah, I'm thinking about my stamina of my wrist in

1571
01:11:16,360 --> 01:11:18,240
Speaker 3: my form, and I'm also thinking about how bad my

1572
01:11:18,280 --> 01:11:23,560
Speaker 3: piece is gonna hurt too, right, bro, times dehydrated? Get fluids?

1573
01:11:23,960 --> 01:11:25,760
Speaker 1: Like, have you ever came twelve times in a day?

1574
01:11:25,920 --> 01:11:30,120
Speaker 3: No, I think my max I was a nasty little

1575
01:11:30,160 --> 01:11:35,519
Speaker 3: thirteen year old. I maybe six, but I think I

1576
01:11:35,720 --> 01:11:37,479
Speaker 3: think I'm floating those numbers pretty high.

1577
01:11:37,640 --> 01:11:40,760
Speaker 4: Yeah, at the end, six is just like dust coming out.

1578
01:11:41,000 --> 01:11:46,640
Speaker 1: Yeah, Like, I know for sure four maybe five, And

1579
01:11:46,680 --> 01:11:49,840
Speaker 1: that's back in your It's back in your honiest days

1580
01:11:49,840 --> 01:11:52,960
Speaker 1: of all time time. I said, I know for sure four.

1581
01:11:53,400 --> 01:11:55,559
Speaker 1: Maybe there was a fifth time in there at some point,

1582
01:11:55,560 --> 01:11:56,280
Speaker 1: but I don't know.

1583
01:11:56,280 --> 01:11:58,760
Speaker 3: My numbers are inflated. I think I'm four or five

1584
01:11:58,880 --> 01:11:59,240
Speaker 3: as well.

1585
01:12:00,400 --> 01:12:02,920
Speaker 1: And again that's that's back in your horniest times.

1586
01:12:02,960 --> 01:12:06,439
Speaker 3: Bro. All right, I'll go listen. I'll go six.

1587
01:12:08,160 --> 01:12:08,880
Speaker 1: You had your number.

1588
01:12:09,479 --> 01:12:12,080
Speaker 3: I'll go twelve miles, you get a drink.

1589
01:12:11,960 --> 01:12:13,920
Speaker 1: Of you got a jernk off twelve times.

1590
01:12:14,360 --> 01:12:17,559
Speaker 4: That was the fantasy football punishment for one of my buddies,

1591
01:12:17,640 --> 01:12:20,840
Speaker 4: name's Connor. But they took the jerk off out. But

1592
01:12:20,880 --> 01:12:25,840
Speaker 4: it was just twelve eighteen twenty four for donuts, beers

1593
01:12:25,880 --> 01:12:28,320
Speaker 4: and miles. And they had a day party on a

1594
01:12:28,320 --> 01:12:31,040
Speaker 4: Saturday and he brought a tread meal and he played

1595
01:12:31,040 --> 01:12:32,840
Speaker 4: baseball at the Navy and he was like fuck it,

1596
01:12:32,880 --> 01:12:35,400
Speaker 4: and he literally did a full marathon on the tread

1597
01:12:35,439 --> 01:12:38,120
Speaker 4: meal at this party, twenty four donuts and then twenty

1598
01:12:38,120 --> 01:12:42,639
Speaker 4: four beers. He didn't have to do it, but you know, war.

1599
01:12:42,560 --> 01:12:44,960
Speaker 1: Daddy, war daddy, when a challenge comes your way, have

1600
01:12:45,120 --> 01:12:45,360
Speaker 1: to do it.

1601
01:12:45,439 --> 01:12:48,479
Speaker 3: An to the bell and then some I bet he struck.

1602
01:12:48,560 --> 01:12:50,040
Speaker 3: I bet he had a lot of respect from the boys.

1603
01:12:50,120 --> 01:12:52,639
Speaker 4: Oh yeah, and twenty four.

1604
01:12:52,880 --> 01:12:55,840
Speaker 3: We should do something like that. One day you're.

1605
01:12:55,720 --> 01:12:57,519
Speaker 5: Gonna plant and then it's gonna come down to it.

1606
01:12:57,920 --> 01:12:59,320
Speaker 3: I don't want to do it me.

1607
01:13:00,439 --> 01:13:01,519
Speaker 5: I'm more so looking at will.

1608
01:13:02,200 --> 01:13:06,800
Speaker 1: But what if I planned and not want to do no.

1609
01:13:06,840 --> 01:13:09,600
Speaker 5: I just I feel like we have these ideas like

1610
01:13:09,680 --> 01:13:10,000
Speaker 5: let's go.

1611
01:13:10,200 --> 01:13:12,400
Speaker 1: Usually I'm more of a started no, let's get to yes,

1612
01:13:12,560 --> 01:13:13,400
Speaker 1: let me in any.

1613
01:13:13,240 --> 01:13:15,040
Speaker 3: Of our will as it started no, get to yes,

1614
01:13:15,080 --> 01:13:16,680
Speaker 3: I'm a yes, immediately go to no.

1615
01:13:17,840 --> 01:13:18,040
Speaker 2: Yeah.

1616
01:13:18,080 --> 01:13:19,640
Speaker 5: So, like one of you is gonna end up not

1617
01:13:19,680 --> 01:13:22,720
Speaker 5: doing it. I think we should do it.

1618
01:13:23,080 --> 01:13:24,640
Speaker 3: If you were like, we're doing this tomorrow, I'd be like,

1619
01:13:24,640 --> 01:13:26,120
Speaker 3: all right, But if you're like, we're doing this in

1620
01:13:26,120 --> 01:13:28,120
Speaker 3: three months, I would be more likely to say no

1621
01:13:28,200 --> 01:13:30,240
Speaker 3: as opposed to it being flipped for me and will.

1622
01:13:31,680 --> 01:13:31,920
Speaker 2: Yeah.

1623
01:13:33,760 --> 01:13:34,919
Speaker 1: Are you thinking of the combine?

1624
01:13:35,760 --> 01:13:37,840
Speaker 4: Yeah?

1625
01:13:38,479 --> 01:13:40,040
Speaker 1: Trying to think, like what is Mitch thinking of? But

1626
01:13:40,120 --> 01:13:41,799
Speaker 1: it's one thousand percent the combine?

1627
01:13:41,880 --> 01:13:43,679
Speaker 3: Yes, did you do the bench press?

1628
01:13:45,800 --> 01:13:46,040
Speaker 1: I know?

1629
01:13:46,080 --> 01:13:46,880
Speaker 3: But have you done that?

1630
01:13:46,960 --> 01:13:47,160
Speaker 2: Yeah?

1631
01:13:47,200 --> 01:13:47,840
Speaker 5: I did it at home?

1632
01:13:48,120 --> 01:13:48,599
Speaker 3: What was it?

1633
01:13:48,800 --> 01:13:50,480
Speaker 5: I got thirty one?

1634
01:13:50,960 --> 01:13:51,920
Speaker 3: I expected more.

1635
01:13:52,280 --> 01:13:53,280
Speaker 5: I expected more too.

1636
01:13:54,280 --> 01:13:56,479
Speaker 1: It's crazy how it just creeps that no way creeps

1637
01:13:56,520 --> 01:13:56,920
Speaker 1: up on you.

1638
01:13:56,920 --> 01:13:57,479
Speaker 3: Out of nowhere.

1639
01:13:57,560 --> 01:13:59,720
Speaker 5: I didn't have a spot her, though, so I don't

1640
01:13:59,720 --> 01:14:01,920
Speaker 5: know if I could have gotten I want you more,

1641
01:14:02,160 --> 01:14:04,160
Speaker 5: but I was just down there by myself and I

1642
01:14:04,160 --> 01:14:04,920
Speaker 5: didn't want to just kill.

1643
01:14:05,240 --> 01:14:07,479
Speaker 3: That is an underrated thing, is when you have somebody

1644
01:14:07,520 --> 01:14:09,519
Speaker 3: to lift the weight for you, to get you in position.

1645
01:14:10,439 --> 01:14:13,400
Speaker 5: That's they're also just like motivating you a little bit.

1646
01:14:13,479 --> 01:14:14,160
Speaker 2: Come on, let's go.

1647
01:14:14,240 --> 01:14:17,960
Speaker 5: I just put on some hardcore DM and just oh

1648
01:14:18,000 --> 01:14:18,960
Speaker 5: ship dead Moss.

1649
01:14:19,560 --> 01:14:23,080
Speaker 1: Well, I apologize. We do got to get this stuff

1650
01:14:23,120 --> 01:14:25,360
Speaker 1: set up at boost so we can you can run

1651
01:14:25,360 --> 01:14:29,040
Speaker 1: your combine. I know you want to see so bad

1652
01:14:30,439 --> 01:14:31,519
Speaker 1: because you're right. You're right.

1653
01:14:31,600 --> 01:14:33,120
Speaker 5: Jack and I have gone back and forth like who's

1654
01:14:33,120 --> 01:14:35,240
Speaker 5: the most most athletic on the bus, And we've all

1655
01:14:35,280 --> 01:14:38,200
Speaker 5: been on two dimes and everybody's list is different.

1656
01:14:39,160 --> 01:14:40,519
Speaker 4: Also going on two dimes.

1657
01:14:40,720 --> 01:14:44,080
Speaker 3: Yeah, we'll go two dimes about that list. I feel like,

1658
01:14:45,640 --> 01:14:46,280
Speaker 3: list you Jack.

1659
01:14:46,240 --> 01:14:53,200
Speaker 1: Guys, figure out who's the most athletic. Maybe out of

1660
01:14:53,200 --> 01:14:58,599
Speaker 1: the back of the bus. Bro Ain't none of y'all

1661
01:14:58,600 --> 01:14:59,360
Speaker 1: more athletic than me?

1662
01:15:04,840 --> 01:15:09,280
Speaker 3: You don't think so? No, they're younger, dude, younger more.

1663
01:15:09,960 --> 01:15:11,640
Speaker 3: You have a back thing. You got a back thing.

1664
01:15:12,000 --> 01:15:12,840
Speaker 2: That's that's the thing.

1665
01:15:13,479 --> 01:15:15,960
Speaker 3: Will is running about nine hundred to solid strone right now,

1666
01:15:16,000 --> 01:15:17,200
Speaker 3: though he's.

1667
01:15:17,000 --> 01:15:18,679
Speaker 4: Out there peaked like thousand.

1668
01:15:20,800 --> 01:15:24,439
Speaker 1: Yeah. Oh, I don't know. I haven't haven't. I haven't,

1669
01:15:24,560 --> 01:15:28,920
Speaker 1: I haven't, I haven't I haven't tested in uh since

1670
01:15:28,920 --> 01:15:30,680
Speaker 1: that last time where I was. I'll float in some

1671
01:15:30,720 --> 01:15:33,000
Speaker 1: good numbers. I'll float some good numbers.

1672
01:15:33,160 --> 01:15:35,200
Speaker 3: I just got my blood done Wednesday last week. I'm

1673
01:15:35,200 --> 01:15:36,320
Speaker 3: excited to see those numpies.

1674
01:15:37,439 --> 01:15:40,000
Speaker 1: It truly all depends what we're trying to clarify as

1675
01:15:40,000 --> 01:15:43,080
Speaker 1: is like what an athlete is, because it's like we

1676
01:15:43,080 --> 01:15:45,920
Speaker 1: we It's like we could run through the same combine

1677
01:15:45,960 --> 01:15:49,040
Speaker 1: that I have film on out there, cause your bench

1678
01:15:49,040 --> 01:15:51,400
Speaker 1: already didn't get it. But to me, bench is not like.

1679
01:15:52,280 --> 01:15:54,920
Speaker 5: There's like a we did something in college, like a

1680
01:15:54,960 --> 01:15:58,240
Speaker 5: pound for pound. So you're fifteen to twenty more pounds

1681
01:15:58,240 --> 01:16:01,360
Speaker 5: than I am, so you're gonna have more Like you're

1682
01:16:01,400 --> 01:16:02,400
Speaker 5: gonna be able to bench more.

1683
01:16:02,400 --> 01:16:04,519
Speaker 2: But I might be able to run faster like you might.

1684
01:16:04,680 --> 01:16:05,760
Speaker 1: Or we can find that out.

1685
01:16:06,160 --> 01:16:06,439
Speaker 5: We can.

1686
01:16:07,880 --> 01:16:15,679
Speaker 3: I mean, there's a road right outside, don't have. That's Winnings,

1687
01:16:15,720 --> 01:16:17,360
Speaker 3: the black guy. He beat the Landing in that race.

1688
01:16:20,160 --> 01:16:23,240
Speaker 4: I was also filming them running side by side.

1689
01:16:25,479 --> 01:16:28,360
Speaker 1: That is. Jack was saying that too. He's like I

1690
01:16:28,360 --> 01:16:33,479
Speaker 1: was running backwards. We'll get it going, We'll get it going.

1691
01:16:33,479 --> 01:16:34,400
Speaker 1: We'll get it going. We'll get it going.

1692
01:16:34,400 --> 01:16:36,519
Speaker 3: Who would you who would you rank the boys?

1693
01:16:36,520 --> 01:16:39,759
Speaker 1: In the in the back most athletic. Again, we we truly.

1694
01:16:39,920 --> 01:16:42,360
Speaker 1: I do think there are different definitions and different kind

1695
01:16:42,400 --> 01:16:42,760
Speaker 1: of like.

1696
01:16:42,880 --> 01:16:48,040
Speaker 3: Alright, classic definition of are we talking direction, jump speed?

1697
01:16:49,080 --> 01:16:50,200
Speaker 1: M So we're testing?

1698
01:16:50,320 --> 01:16:54,439
Speaker 3: Yeah, because I agree.

1699
01:16:54,280 --> 01:16:58,720
Speaker 1: With you, I would guess I would guess Jack if

1700
01:16:58,720 --> 01:17:01,080
Speaker 1: we're doing if we're talking change direction, I was.

1701
01:17:01,080 --> 01:17:03,840
Speaker 4: Gonna say, Mitch, but if we do that athletic in

1702
01:17:03,920 --> 01:17:06,880
Speaker 4: terms of like how many sports you were able to

1703
01:17:07,240 --> 01:17:10,439
Speaker 4: hold like you're own weight in, that is where I

1704
01:17:10,439 --> 01:17:14,639
Speaker 4: feel like I would have a better chance. But there's

1705
01:17:14,680 --> 01:17:17,639
Speaker 4: only one way to find out.

1706
01:17:16,280 --> 01:17:19,800
Speaker 1: I can't.

1707
01:17:21,200 --> 01:17:21,960
Speaker 2: But anything else.

1708
01:17:22,040 --> 01:17:24,360
Speaker 1: Play defense, play defense, get boards.

1709
01:17:24,439 --> 01:17:25,559
Speaker 2: Yeah, that's yeah.

1710
01:17:25,560 --> 01:17:27,960
Speaker 1: I mean that's a that's a role I.

1711
01:17:27,880 --> 01:17:30,360
Speaker 5: Could jump, I can get the rebounds.

1712
01:17:30,000 --> 01:17:31,800
Speaker 1: And you won't get your team beat.

1713
01:17:32,200 --> 01:17:34,200
Speaker 5: Yeah, I'm not gonna be scoring a lot of points.

1714
01:17:34,479 --> 01:17:36,479
Speaker 1: JP. Are you quick like change the direction? Do you

1715
01:17:36,479 --> 01:17:39,759
Speaker 1: feel confident in your ability against them? I feel confident.

1716
01:17:39,760 --> 01:17:42,200
Speaker 6: I would also probably say, Mitch as far as testing goes,

1717
01:17:42,640 --> 01:17:46,280
Speaker 6: And then, like Jack is saying, I feel more confident

1718
01:17:46,320 --> 01:17:49,439
Speaker 6: that I'm good at a lot of sports, can play

1719
01:17:49,479 --> 01:17:52,160
Speaker 6: a lot of sports. I don't have golf though.

1720
01:17:53,200 --> 01:18:00,400
Speaker 1: Golf tough, but a little worse yeah, swimming. He was

1721
01:18:00,400 --> 01:18:01,800
Speaker 1: on the dive team, which.

1722
01:18:02,760 --> 01:18:03,760
Speaker 2: I didn't have access to that.

1723
01:18:07,000 --> 01:18:08,000
Speaker 3: So who he was rank.

1724
01:18:10,439 --> 01:18:11,120
Speaker 1: We're forgetting about.

1725
01:18:13,400 --> 01:18:15,280
Speaker 3: I feel like Coop. I feel like Coop finds himself

1726
01:18:15,400 --> 01:18:16,200
Speaker 3: middle upper pack.

1727
01:18:16,760 --> 01:18:18,360
Speaker 4: Yeah, I don't know.

1728
01:18:18,840 --> 01:18:19,679
Speaker 2: He might be shifty.

1729
01:18:20,880 --> 01:18:22,280
Speaker 1: Yeah I do. I don't know. I have to figure

1730
01:18:22,280 --> 01:18:24,400
Speaker 1: it out. If I had to, if I had to

1731
01:18:24,439 --> 01:18:26,639
Speaker 1: play sods on it, I would say I would go

1732
01:18:28,320 --> 01:18:34,920
Speaker 1: for going sports category. Jack, Are you any good at baseball? Mitch?

1733
01:18:36,120 --> 01:18:37,759
Speaker 2: He played the high school, is going to play college?

1734
01:18:37,840 --> 01:18:43,920
Speaker 1: Yeah? Okay, Jack, Mitch, JP, Garrett, Coop, I think you're off.

1735
01:18:44,520 --> 01:18:47,400
Speaker 3: I think you're not giving enough credit to Garrett. Everything

1736
01:18:47,439 --> 01:18:50,920
Speaker 3: we've seen Garrett do, he's relatively good at it. Like

1737
01:18:51,080 --> 01:18:53,360
Speaker 3: the way JP is saying, like he can you can

1738
01:18:53,360 --> 01:18:56,320
Speaker 3: play most sports. I've every sport we've done with Garrett.

1739
01:18:56,520 --> 01:18:57,960
Speaker 3: His hand eye coordination is great.

1740
01:18:58,160 --> 01:18:58,400
Speaker 1: Yeah.

1741
01:18:58,960 --> 01:19:01,240
Speaker 3: Uh, he can throw a base ball. He can play

1742
01:19:01,280 --> 01:19:03,680
Speaker 3: golf really well. I think I think you're sleeping on

1743
01:19:03,720 --> 01:19:05,040
Speaker 3: g a little bit. I don't think he I think

1744
01:19:05,040 --> 01:19:05,679
Speaker 3: he's top three.

1745
01:19:05,880 --> 01:19:07,599
Speaker 1: I think g is very skilled.

1746
01:19:07,760 --> 01:19:09,120
Speaker 5: I don't think I.

1747
01:19:09,120 --> 01:19:11,200
Speaker 3: Don't think he tests well. I think, but we're talking

1748
01:19:11,240 --> 01:19:11,839
Speaker 3: about sports.

1749
01:19:12,800 --> 01:19:14,840
Speaker 1: But I want I want cats who have range in

1750
01:19:14,920 --> 01:19:18,479
Speaker 1: every sport that we're playing, Like if we're playing baseball,

1751
01:19:18,520 --> 01:19:20,880
Speaker 1: I need you to play the outfield and cover ground

1752
01:19:22,320 --> 01:19:25,200
Speaker 1: like like, yeah, I'm sure G could be a good picture.

1753
01:19:25,200 --> 01:19:27,519
Speaker 1: I think G is very skilled as far as like

1754
01:19:27,600 --> 01:19:30,719
Speaker 1: some of those that just the athletic stuff of running

1755
01:19:30,760 --> 01:19:34,040
Speaker 1: and moving and changing direction. That's why I value that

1756
01:19:34,200 --> 01:19:37,479
Speaker 1: type of stuff more than being in place.

1757
01:19:40,439 --> 01:19:44,759
Speaker 3: Yeah, there there's a scale that comes out just every sport.

1758
01:19:44,960 --> 01:19:47,120
Speaker 4: You know, a small business that tests all these things.

1759
01:19:47,160 --> 01:19:50,679
Speaker 3: Please please, there's like a have you heard of raz

1760
01:19:51,320 --> 01:19:55,360
Speaker 3: relative athletic Yeah that Yeah, they come out after the combinat.

1761
01:19:55,360 --> 01:19:57,880
Speaker 3: There's that they have like high weight measurement stuff that

1762
01:19:57,920 --> 01:19:58,599
Speaker 3: you can look up.

1763
01:19:58,960 --> 01:20:01,759
Speaker 1: They try to like that measure you're like your number

1764
01:20:02,479 --> 01:20:05,960
Speaker 1: really yeah? Your relative athleticism.

1765
01:20:05,040 --> 01:20:07,960
Speaker 3: Yeah, relative athleticism kind of what we're talking about relative athleticism.

1766
01:20:08,400 --> 01:20:11,720
Speaker 3: If you want a benchmark, I'm the only player in

1767
01:20:11,760 --> 01:20:13,559
Speaker 3: the last twenty years to score a perfect ten. But

1768
01:20:13,760 --> 01:20:15,600
Speaker 3: if you guys have something to go off of, you

1769
01:20:15,600 --> 01:20:20,320
Speaker 3: guys want you're a great athlete.

1770
01:20:20,600 --> 01:20:22,519
Speaker 1: I was not anymore.

1771
01:20:23,320 --> 01:20:25,280
Speaker 3: I just don't think my shoulder. You saw me throwing

1772
01:20:25,320 --> 01:20:28,320
Speaker 3: that pitch. My knee, I can't really run like that,

1773
01:20:28,320 --> 01:20:31,000
Speaker 3: can't change direction like that anymore. I've got a lot weaker.

1774
01:20:32,000 --> 01:20:35,000
Speaker 3: I just don't think I'm holding to these young spry

1775
01:20:35,120 --> 01:20:40,519
Speaker 3: cats anymore. These young bulls. Yeah, they are some young bulls, man,

1776
01:20:41,520 --> 01:20:44,160
Speaker 3: But I think you're up there with them because you

1777
01:20:44,320 --> 01:20:47,639
Speaker 3: wouldn't give me the nod over them. I think you would.

1778
01:20:47,800 --> 01:20:50,599
Speaker 3: Here's where I think. I think if it really came

1779
01:20:50,640 --> 01:20:54,440
Speaker 3: down to an actual combine, you're beating all of them handedly.

1780
01:20:54,960 --> 01:20:56,960
Speaker 3: But I think for the next two weeks they're coming

1781
01:20:56,960 --> 01:20:58,680
Speaker 3: to work and they feel fine and you're dead.

1782
01:20:59,160 --> 01:21:01,160
Speaker 1: Yeah, but we're talking abot just we're talking about one.

1783
01:21:01,720 --> 01:21:02,280
Speaker 1: We're showing up.

1784
01:21:02,320 --> 01:21:02,439
Speaker 2: Yah.

1785
01:21:02,479 --> 01:21:04,120
Speaker 3: Then I think I give you the edge because I

1786
01:21:04,160 --> 01:21:05,960
Speaker 3: don't know if you remember back at the Vanderbilt when

1787
01:21:05,960 --> 01:21:08,680
Speaker 3: you were pretty good at that change of direction thing

1788
01:21:08,960 --> 01:21:11,640
Speaker 3: that you wanted to tell me about, pretty solid at

1789
01:21:11,640 --> 01:21:12,840
Speaker 3: the change direction.

1790
01:21:14,479 --> 01:21:17,599
Speaker 1: That.

1791
01:21:19,000 --> 01:21:22,240
Speaker 3: Yeah, I would put you. I would put you at

1792
01:21:22,280 --> 01:21:22,519
Speaker 3: the top.

1793
01:21:24,840 --> 01:21:27,320
Speaker 6: Before we wrap up, the streets are saying that tear

1794
01:21:27,400 --> 01:21:30,439
Speaker 6: talk might need to make a comeback, just to put that,

1795
01:21:30,560 --> 01:21:31,799
Speaker 6: just float that out there.

1796
01:21:32,320 --> 01:21:36,160
Speaker 1: Some tear talk. We could have been our barstool. Yeah, yeah,

1797
01:21:36,160 --> 01:21:39,000
Speaker 1: I did to your talk today. You got any dad,

1798
01:21:39,080 --> 01:21:44,320
Speaker 1: any dad moments flip the girl that I don't.

1799
01:21:46,360 --> 01:21:53,519
Speaker 3: I would say my dad moment of the week. Just anything, dude,

1800
01:21:53,680 --> 01:21:56,639
Speaker 3: Uh yeah, I got a dad moment. There was a

1801
01:21:56,760 --> 01:22:00,280
Speaker 3: very cool clip on our nanet that Tailor showed when

1802
01:22:00,320 --> 01:22:03,800
Speaker 3: she was putting wind down and when For those of

1803
01:22:03,880 --> 01:22:06,160
Speaker 3: you who have ever met, wyn is the most kind hearted,

1804
01:22:06,920 --> 01:22:09,880
Speaker 3: like truly like she's such a special soul. She cares

1805
01:22:09,880 --> 01:22:12,080
Speaker 3: about other people. She's worried about their people's feelings, like

1806
01:22:12,439 --> 01:22:14,360
Speaker 3: the kid just came out of the womb outstanding. She's

1807
01:22:14,360 --> 01:22:17,080
Speaker 3: a lot like her mom. And Taylor has put her

1808
01:22:17,080 --> 01:22:20,479
Speaker 3: to sleep and Wynn just starts going saying how great

1809
01:22:20,479 --> 01:22:22,280
Speaker 3: of a mom she is. She's the best mom that

1810
01:22:22,360 --> 01:22:25,200
Speaker 3: she could possibly have. And they start talking about parents

1811
01:22:25,240 --> 01:22:27,920
Speaker 3: and stuff like that, and then Wynn said to Taylor,

1812
01:22:28,520 --> 01:22:30,280
Speaker 3: She's like, I love how you make people feel good.

1813
01:22:30,400 --> 01:22:32,840
Speaker 3: And Taylor's like, how do you know that I make

1814
01:22:32,880 --> 01:22:34,479
Speaker 3: people feel good? She's like, well, I've seen you do it,

1815
01:22:34,520 --> 01:22:36,880
Speaker 3: and she starts going over examples of times that Taylor

1816
01:22:37,680 --> 01:22:40,280
Speaker 3: made people feel good. And to me, watching a six

1817
01:22:40,320 --> 01:22:42,880
Speaker 3: year old have that kind of dialogue with her mother

1818
01:22:43,920 --> 01:22:46,240
Speaker 3: just she was like years above, Like she was acting

1819
01:22:46,320 --> 01:22:49,120
Speaker 3: like she was fifty sixty years old with this wealth

1820
01:22:49,160 --> 01:22:50,720
Speaker 3: of knowledge. And I think that to me was a

1821
01:22:50,800 --> 01:22:53,040
Speaker 3: very cool moment to watch a mother. Good awareness to

1822
01:22:53,040 --> 01:22:55,920
Speaker 3: see out of a six year old. Yeah, crazy awareness

1823
01:22:55,920 --> 01:22:57,080
Speaker 3: to see that of a six year old. Now she

1824
01:22:57,160 --> 01:23:00,360
Speaker 3: drives me crazy sometimes because with all that beautiful emotion

1825
01:23:00,600 --> 01:23:03,280
Speaker 3: comes the other side where everything's the biggest deal in

1826
01:23:03,280 --> 01:23:05,760
Speaker 3: the world. And that's difficult for me because we're not

1827
01:23:05,760 --> 01:23:07,320
Speaker 3: just gonna get out of here without complaining a little

1828
01:23:07,320 --> 01:23:10,240
Speaker 3: bit about our kids. We got a bitch a little bit.

1829
01:23:10,280 --> 01:23:11,719
Speaker 3: But I think that was a very special moment.

1830
01:23:12,439 --> 01:23:12,960
Speaker 1: I love that.

1831
01:23:13,120 --> 01:23:13,360
Speaker 3: Yeah.

1832
01:23:13,560 --> 01:23:15,439
Speaker 1: I almost felt a little twinkle on my nose.

1833
01:23:16,600 --> 01:23:19,080
Speaker 3: When I was walking through it. It's kind of.

1834
01:23:19,040 --> 01:23:23,719
Speaker 1: Tough, Yeah, I uh a little shout out to Rue.

1835
01:23:23,720 --> 01:23:26,639
Speaker 1: There's this We have this book called Old Hat New Hat,

1836
01:23:26,920 --> 01:23:31,200
Speaker 1: and her memory is I think special. I don't know.

1837
01:23:31,240 --> 01:23:33,800
Speaker 1: I could just be a biased father thinking that she's

1838
01:23:33,800 --> 01:23:37,040
Speaker 1: got some crazy memory, but she can recite the entire

1839
01:23:37,080 --> 01:23:40,200
Speaker 1: book after a few times of reading through it. Like,

1840
01:23:40,240 --> 01:23:43,320
Speaker 1: I just think she's got a little something to her now.

1841
01:23:43,680 --> 01:23:45,160
Speaker 1: When we were at State Gold the other day and

1842
01:23:45,160 --> 01:23:47,000
Speaker 1: she made a little friend, and Rue does this thing

1843
01:23:47,000 --> 01:23:49,759
Speaker 1: where she has to hug and kiss everything, like hug kiss,

1844
01:23:50,360 --> 01:23:52,040
Speaker 1: even the boys last week, She's like hug and then

1845
01:23:52,040 --> 01:23:53,720
Speaker 1: you hear it kind of say kiss, and there's kind

1846
01:23:53,720 --> 01:23:56,200
Speaker 1: of this awkward moment of like, I wonder what the

1847
01:23:56,200 --> 01:23:59,000
Speaker 1: boys are going to do here? Steven kissed her and

1848
01:23:59,160 --> 01:24:03,040
Speaker 1: uh JP just leaned up with the cheeks. She kind

1849
01:24:03,080 --> 01:24:05,240
Speaker 1: of just sits there. But she made this friend that

1850
01:24:05,360 --> 01:24:09,639
Speaker 1: stayed golden and the family was leaving and we're like, Rue,

1851
01:24:09,680 --> 01:24:11,680
Speaker 1: you gotta say by She's like, hug, hug, and she

1852
01:24:11,800 --> 01:24:13,600
Speaker 1: like comes over. The little girl so I think she

1853
01:24:13,680 --> 01:24:16,040
Speaker 1: was four. She like gives Ru a hug and they

1854
01:24:16,240 --> 01:24:18,040
Speaker 1: Ru like hugs in and then you just hear Rue

1855
01:24:18,040 --> 01:24:21,960
Speaker 1: like on her breath go kiss. And I'm standing there

1856
01:24:22,120 --> 01:24:23,960
Speaker 1: and this girl grabs her face and leans in. They

1857
01:24:23,960 --> 01:24:25,280
Speaker 1: both you know how you know how kids just kind

1858
01:24:25,320 --> 01:24:27,680
Speaker 1: of sit there. They don't like no how yeah, they

1859
01:24:27,680 --> 01:24:30,240
Speaker 1: don't puck her nothing. And she like grabs her face

1860
01:24:30,320 --> 01:24:31,920
Speaker 1: and was going in and it was slow enough to

1861
01:24:31,920 --> 01:24:35,800
Speaker 1: start laughing. I was like, all right, hey, hey, and

1862
01:24:35,880 --> 01:24:38,120
Speaker 1: I'm just thinking like, hey, we gotta work on. We're

1863
01:24:38,200 --> 01:24:40,479
Speaker 1: like driving home, like, uh Rue, you know, you just

1864
01:24:40,880 --> 01:24:43,400
Speaker 1: you want to kiss like people that are family, that

1865
01:24:43,479 --> 01:24:45,960
Speaker 1: are you can't just kiss everybody. You can't just kiss

1866
01:24:45,960 --> 01:24:48,120
Speaker 1: everything because she has to do everything. Like we're putting

1867
01:24:48,120 --> 01:24:50,400
Speaker 1: her down at night, she tries to negotiate, like I

1868
01:24:50,400 --> 01:24:52,439
Speaker 1: gotta hug and kiss the stairs good night. I gotta

1869
01:24:52,520 --> 01:24:55,519
Speaker 1: hug and kiss miss Rachel. That's that's no longer on

1870
01:24:55,520 --> 01:24:56,880
Speaker 1: the screen. But you got to bring her up on

1871
01:24:56,960 --> 01:25:00,320
Speaker 1: pause so she can like hug give kisses. So she

1872
01:25:00,320 --> 01:25:01,720
Speaker 1: has to hug and kiss everything. So we got to

1873
01:25:01,760 --> 01:25:04,439
Speaker 1: kind of yeah, because he's starting to get a little

1874
01:25:04,800 --> 01:25:06,800
Speaker 1: starting to get a little loose with like everybody she's

1875
01:25:06,880 --> 01:25:08,760
Speaker 1: kissing and it was hilarious.

1876
01:25:09,000 --> 01:25:10,400
Speaker 3: You don't want kissing bandit for a child.

1877
01:25:10,520 --> 01:25:12,919
Speaker 1: Yeah, she like hugs and he just here kiss.

1878
01:25:13,680 --> 01:25:15,960
Speaker 3: Can we talk about one thing? Yeah, Steven kissed your

1879
01:25:16,000 --> 01:25:17,320
Speaker 3: kid on the lips.

1880
01:25:17,400 --> 01:25:19,560
Speaker 1: Kid, No kiss on the cheek. He kiss from the

1881
01:25:19,600 --> 01:25:22,800
Speaker 1: cheek because ru goes after after like I'm holding her

1882
01:25:22,800 --> 01:25:24,559
Speaker 1: and she's like hug and she like leans in and

1883
01:25:24,560 --> 01:25:27,160
Speaker 1: she goes kiss and then she sideways. So I'm kind

1884
01:25:27,160 --> 01:25:28,720
Speaker 1: of I'm kind of sitting there like house is going

1885
01:25:28,800 --> 01:25:30,200
Speaker 1: to go down because I know it's I know it's

1886
01:25:30,200 --> 01:25:32,599
Speaker 1: awkward for the she did with JP and GP. GP

1887
01:25:32,800 --> 01:25:34,840
Speaker 1: just kind of leaned and she just like put her

1888
01:25:34,840 --> 01:25:37,800
Speaker 1: face on JP's cheek because I'm thinking, like, I wonder

1889
01:25:37,800 --> 01:25:40,040
Speaker 1: if JP's going to kiss her, because I know that's

1890
01:25:40,040 --> 01:25:43,519
Speaker 1: like awkward, but uh oh. And also just throw a

1891
01:25:43,520 --> 01:25:46,080
Speaker 1: little shout out to myself. Zero text to the wife

1892
01:25:46,120 --> 01:25:48,200
Speaker 1: about how to do how to handle things with ru

1893
01:25:48,200 --> 01:25:49,640
Speaker 1: in the last nine days. I feel like that is

1894
01:25:49,680 --> 01:25:52,879
Speaker 1: a stat that's going to go, you know, not recognize

1895
01:25:52,960 --> 01:25:55,320
Speaker 1: or talked about. I'm just gonna throw myself some flowers there.

1896
01:25:55,680 --> 01:25:57,439
Speaker 1: Zero tech. That was one thing Charles said. She was like,

1897
01:25:57,479 --> 01:26:00,320
Speaker 1: you did you You had zero text to me because

1898
01:26:00,360 --> 01:26:02,080
Speaker 1: she talked about her and the wires were kind of

1899
01:26:02,080 --> 01:26:04,000
Speaker 1: like talking out like oh, it's kind of nice that

1900
01:26:04,000 --> 01:26:06,400
Speaker 1: the husbands aren't like texting us about like what to do.

1901
01:26:06,439 --> 01:26:09,080
Speaker 1: And I'm like, you gotta yeah, you got a good

1902
01:26:09,080 --> 01:26:09,880
Speaker 1: little deal back home.

1903
01:26:09,920 --> 01:26:12,479
Speaker 3: That scoreboard is filthy for your filthy bro.

1904
01:26:13,120 --> 01:26:16,599
Speaker 1: She came in kind of like uh, what did she do?

1905
01:26:16,800 --> 01:26:20,559
Speaker 1: She's like, uh, she asked about like the mail, like, oh,

1906
01:26:20,560 --> 01:26:22,200
Speaker 1: I didn't like see something mail. By the way, I

1907
01:26:22,240 --> 01:26:24,200
Speaker 1: saw our all of our cards, all of our the

1908
01:26:24,280 --> 01:26:28,280
Speaker 1: credit cards for for busting, and I'm thinking, like, okay,

1909
01:26:28,320 --> 01:26:30,160
Speaker 1: you noticed that. I might not check the mail, but

1910
01:26:30,400 --> 01:26:33,840
Speaker 1: you notice that the that the uh little seat corner

1911
01:26:33,880 --> 01:26:36,040
Speaker 1: area over there, no more boxes, all the boxes going

1912
01:26:36,080 --> 01:26:38,920
Speaker 1: on in the garage. I just start listing everything, and

1913
01:26:38,960 --> 01:26:42,800
Speaker 1: she's like, yeah, you did awesome, Like dode you want

1914
01:26:42,880 --> 01:26:46,080
Speaker 1: like a She's like, do you want like a celebration

1915
01:26:46,280 --> 01:26:48,840
Speaker 1: for your holding down the house? Yeah?

1916
01:26:49,080 --> 01:26:49,280
Speaker 2: Yeah.

1917
01:26:49,320 --> 01:26:50,640
Speaker 1: I was like, I mean, I guess when you put

1918
01:26:50,680 --> 01:26:52,639
Speaker 1: it that way, I am doing my job. But either way,

1919
01:26:53,200 --> 01:26:56,320
Speaker 1: your boy's intentional. Your boy's starting to come around. I'm

1920
01:26:56,320 --> 01:26:59,400
Speaker 1: thinking to myself like you. Unfortunately, like I catch myself

1921
01:26:59,439 --> 01:27:00,800
Speaker 1: through the week. I was like, oh, I'm gonna like

1922
01:27:00,840 --> 01:27:02,240
Speaker 1: leave food out, I'm going to do other things. But

1923
01:27:02,280 --> 01:27:04,000
Speaker 1: I caught myself like cleaning up and doing all that.

1924
01:27:04,040 --> 01:27:06,519
Speaker 1: I'm thinking of myself like god, damn it. Like I

1925
01:27:06,560 --> 01:27:10,479
Speaker 1: have been a little trained and domesticated, but I'm thinking like, Okay, yeah,

1926
01:27:10,560 --> 01:27:12,439
Speaker 1: I guess I am just doing my job. But fuck,

1927
01:27:12,520 --> 01:27:16,200
Speaker 1: like your boys, your boys starting, your boys getting better, Yeah,

1928
01:27:16,200 --> 01:27:17,360
Speaker 1: your boys being solid.

1929
01:27:17,400 --> 01:27:21,200
Speaker 3: Appreciate the progress yeah yeah, yeah, like massive progress, massive,

1930
01:27:21,800 --> 01:27:23,759
Speaker 3: But yeah, the way you pay that is a standard,

1931
01:27:23,760 --> 01:27:24,519
Speaker 3: that is the standard.

1932
01:27:24,760 --> 01:27:26,519
Speaker 1: Is the way you.

1933
01:27:26,600 --> 01:27:28,639
Speaker 3: Paint the picture of Charles. I just see her coming

1934
01:27:28,640 --> 01:27:31,599
Speaker 3: home from France and putting our back down. Then immediately

1935
01:27:31,760 --> 01:27:33,840
Speaker 3: just got like saying hierru real quick and then looking

1936
01:27:33,840 --> 01:27:34,320
Speaker 3: all over.

1937
01:27:34,160 --> 01:27:35,240
Speaker 1: The house, just scouting down.

1938
01:27:36,600 --> 01:27:38,439
Speaker 3: I noticed you didn get the mail checked that before

1939
01:27:38,439 --> 01:27:39,120
Speaker 3: I came in the house.

1940
01:27:39,240 --> 01:27:40,760
Speaker 1: Yeah, She's like, did you happen to see this? I

1941
01:27:40,800 --> 01:27:42,760
Speaker 1: was like, oh no, I guess I didn't check the

1942
01:27:42,800 --> 01:27:50,320
Speaker 1: mail once throughout the week. But that is in some solid,

1943
01:27:50,400 --> 01:27:52,479
Speaker 1: some solid dad memories, some very good core memories.

1944
01:27:52,800 --> 01:27:54,519
Speaker 3: And here's the thing about busting with the boys, folks,

1945
01:27:54,600 --> 01:27:57,760
Speaker 3: if you are still somehow with us, you when you

1946
01:27:57,840 --> 01:28:01,240
Speaker 3: I see you dealing with rue and getting the scoreboard

1947
01:28:01,320 --> 01:28:03,439
Speaker 3: up this weekend, in my head, I had you in

1948
01:28:03,520 --> 01:28:05,240
Speaker 3: room my head being like, I gotta get my scoreboard

1949
01:28:05,320 --> 01:28:05,800
Speaker 3: up a little bit.

1950
01:28:05,880 --> 01:28:06,200
Speaker 1: Okay.

1951
01:28:06,320 --> 01:28:08,120
Speaker 3: So kids came in the room, I got up with

1952
01:28:08,160 --> 01:28:10,160
Speaker 3: them in the morning, made breakfast, I did all the things,

1953
01:28:10,240 --> 01:28:12,879
Speaker 3: let tail and sleep in, and I know, on this Monday,

1954
01:28:13,080 --> 01:28:15,240
Speaker 3: I'm feeling good about my scoreboard. I love that feeling

1955
01:28:15,240 --> 01:28:15,680
Speaker 3: good about it.

1956
01:28:15,720 --> 01:28:18,920
Speaker 1: We need more dads. We need more dads showing.

1957
01:28:18,680 --> 01:28:22,880
Speaker 3: Up because you're I mean, listen, moms do a lot too,

1958
01:28:23,240 --> 01:28:25,519
Speaker 3: but I feel like dads are underappreciated. In the in

1959
01:28:25,560 --> 01:28:26,400
Speaker 3: the parent category.

1960
01:28:26,479 --> 01:28:28,720
Speaker 1: This is where it gets a little slippery. Moms do

1961
01:28:28,760 --> 01:28:31,599
Speaker 1: a little bit too. Moms do. Moms do the most.

1962
01:28:32,800 --> 01:28:33,160
Speaker 1: I get it.

1963
01:28:33,200 --> 01:28:37,000
Speaker 3: Moms are number one. However, I think dads are underrated

1964
01:28:37,040 --> 01:28:40,720
Speaker 3: and how much they do can be that you can't be.

1965
01:28:40,880 --> 01:28:44,360
Speaker 3: Can'm not saying every dad's a good dad, but I see,

1966
01:28:44,360 --> 01:28:44,839
Speaker 3: I see.

1967
01:28:44,680 --> 01:28:47,719
Speaker 1: Dads have feelings, dads have things going on and struggles

1968
01:28:47,760 --> 01:28:49,720
Speaker 1: in their own lives with paranoid as well. I see this.

1969
01:28:50,080 --> 01:28:52,360
Speaker 3: I see the dads I surround myself with, and I

1970
01:28:52,360 --> 01:28:54,240
Speaker 3: appreciate the dads I have around me. Yeah, I know

1971
01:28:54,680 --> 01:28:56,280
Speaker 3: a lot for every dad out there.

1972
01:28:56,280 --> 01:28:58,639
Speaker 1: Surround yourself a good dad, no question, no question.

1973
01:29:01,120 --> 01:29:04,320
Speaker 3: Yeah, our girl Dad Merch drops on Wednesday, which is

1974
01:29:04,320 --> 01:29:06,960
Speaker 3: tomorrow for those of you listening for Father's Day that

1975
01:29:07,080 --> 01:29:09,920
Speaker 3: is right around the corner. That's our day. Your goal

1976
01:29:10,040 --> 01:29:12,280
Speaker 3: is to get your scoreboard up as much as possible

1977
01:29:12,280 --> 01:29:14,720
Speaker 3: by Father's Day, so you get fuck off for the

1978
01:29:14,880 --> 01:29:17,559
Speaker 3: entire day, do whatever you want to do, because you're

1979
01:29:17,560 --> 01:29:19,880
Speaker 3: setting the tone before and you're taking that entire day

1980
01:29:19,920 --> 01:29:22,160
Speaker 3: to yourself to do whatever you want. One thing. Your

1981
01:29:22,400 --> 01:29:23,720
Speaker 3: wife can get this for you, but go and get

1982
01:29:23,720 --> 01:29:26,320
Speaker 3: yourself a girl Dad Merchant store up Barstool sports dot com.

1983
01:29:26,680 --> 01:29:29,439
Speaker 3: Should we get to this episode with Tyler Hubbard. Let's

1984
01:29:29,560 --> 01:29:30,599
Speaker 3: jump right in, folks.

1985
01:29:30,840 --> 01:29:33,160
Speaker 1: Let's have a great day.

1986
01:29:34,360 --> 01:29:36,519
Speaker 3: We'll thought to you guys later. Waitter up this episode

1987
01:29:36,560 --> 01:29:39,280
Speaker 3: to bring you Hustle Butter. Hustle Butter has you and

1988
01:29:39,400 --> 01:29:42,760
Speaker 3: your tattoos covered today, tomorrow, forever, so your tattoos can

1989
01:29:42,840 --> 01:29:45,880
Speaker 3: look and feel the best for life. Hustle Butter will

1990
01:29:45,960 --> 01:29:49,679
Speaker 3: keep your tattoos moisturized so they always look and feel fresh,

1991
01:29:50,080 --> 01:29:56,000
Speaker 3: keeps new artwork looking bright and rejuvenated, and rejuvenates old tattoos.

1992
01:29:56,080 --> 01:30:01,120
Speaker 3: Hustle Butter products we're designed for full tattoo process, before tattooing,

1993
01:30:01,240 --> 01:30:06,320
Speaker 3: in process, as aftercare, and forever after. Hustle Butter was

1994
01:30:06,360 --> 01:30:09,560
Speaker 3: created in a partnership with artists for artists, which is

1995
01:30:09,720 --> 01:30:13,000
Speaker 3: why we are the number one artists recommended brand globally

1996
01:30:13,120 --> 01:30:16,880
Speaker 3: Born in New York City in twenty twelve, been on

1997
01:30:16,920 --> 01:30:19,120
Speaker 3: the market for twelve years and is loved by artists

1998
01:30:19,120 --> 01:30:21,519
Speaker 3: and clients around the world. Hustle Butter has a natural

1999
01:30:22,080 --> 01:30:26,040
Speaker 3: derived ingredients, is certified vegan I don't know why that matters,

2000
01:30:26,360 --> 01:30:29,639
Speaker 3: and cruelty free and is what is that word?

2001
01:30:30,360 --> 01:30:30,519
Speaker 1: Free?

2002
01:30:30,640 --> 01:30:35,400
Speaker 3: Petroleum free. Hustle Butter is also a dermatologist is dermaitaris,

2003
01:30:35,479 --> 01:30:39,519
Speaker 3: is tested clinically tested, and products all have a non

2004
01:30:39,680 --> 01:30:46,080
Speaker 3: irritating formula. At Hustle Butter. At Hustle Butter, real never fades, real,

2005
01:30:46,200 --> 01:30:48,320
Speaker 3: never fades by. Now Hustle Butter. Listen, you look at

2006
01:30:48,360 --> 01:30:50,519
Speaker 3: my right arm. I've had this for about ten years.

2007
01:30:50,680 --> 01:30:54,040
Speaker 3: Little Faith New Boys. You had these within the last month.

2008
01:30:54,120 --> 01:30:56,840
Speaker 3: You can see the difference with Hustle Butter. You get

2009
01:30:56,920 --> 01:30:59,920
Speaker 3: this look forever. Let's get back to the episode Welcome

2010
01:31:00,200 --> 01:31:02,320
Speaker 3: the Bus Man. Yeah, it's good to finally have you on.

2011
01:31:02,479 --> 01:31:03,799
Speaker 2: Yeah. Man, it feels good to beek.

2012
01:31:03,800 --> 01:31:05,840
Speaker 3: It's been a few years running now where it's been like, hey,

2013
01:31:05,840 --> 01:31:07,320
Speaker 3: you canna come on? Yeah, man, I'll come on. You

2014
01:31:07,400 --> 01:31:10,120
Speaker 3: get me on one ever, brother, bro, Yeah, go get

2015
01:31:10,160 --> 01:31:10,519
Speaker 3: after it.

2016
01:31:10,560 --> 01:31:11,280
Speaker 2: It's good to be here.

2017
01:31:11,360 --> 01:31:11,479
Speaker 1: Man.

2018
01:31:11,520 --> 01:31:12,760
Speaker 3: The first vibe of the bus like, how do you

2019
01:31:12,800 --> 01:31:13,760
Speaker 3: feel about when you walk in?

2020
01:31:13,840 --> 01:31:16,040
Speaker 2: You want to go camping in this bad Yeah? I

2021
01:31:16,040 --> 01:31:17,400
Speaker 2: want to spend some more time in this thing.

2022
01:31:17,760 --> 01:31:20,040
Speaker 3: This thing is good. This thing is one of those

2023
01:31:20,040 --> 01:31:21,439
Speaker 3: deals man, where you kind of just getting it and

2024
01:31:21,560 --> 01:31:23,439
Speaker 3: it just completely puts you in a different mood. Yeah,

2025
01:31:23,760 --> 01:31:24,080
Speaker 3: you have this.

2026
01:31:26,439 --> 01:31:26,920
Speaker 1: No, that's it.

2027
01:31:28,040 --> 01:31:32,439
Speaker 3: That's it is that mango here I think going about

2028
01:31:32,439 --> 01:31:36,720
Speaker 3: I I got this whole camera. What a way to start. No,

2029
01:31:36,920 --> 01:31:38,360
Speaker 3: those are the mango ones. I want the I want

2030
01:31:38,360 --> 01:31:41,040
Speaker 3: the espresso ones. You ever do, Lucy? Do you do

2031
01:31:41,160 --> 01:31:43,599
Speaker 3: nicotine at all? You try these?

2032
01:31:44,680 --> 01:31:45,719
Speaker 2: Uh zennies?

2033
01:31:46,120 --> 01:31:47,160
Speaker 3: No, they're Lucy's.

2034
01:31:47,400 --> 01:31:48,559
Speaker 2: I can't you got?

2035
01:31:50,840 --> 01:31:56,439
Speaker 3: Yeah, so you like that first taste, Yeah, like a

2036
01:31:56,520 --> 01:32:01,360
Speaker 3: lot of You got these little breakers in them too.

2037
01:32:01,400 --> 01:32:03,240
Speaker 3: Do you just pop them and it makes a flavor

2038
01:32:03,280 --> 01:32:03,800
Speaker 3: that much better?

2039
01:32:03,840 --> 01:32:06,280
Speaker 1: You kid, may bite bite down on it. You should

2040
01:32:06,280 --> 01:32:08,000
Speaker 1: feel like a little ball in there, burst like a

2041
01:32:08,040 --> 01:32:11,599
Speaker 1: little wars, a little orgasm in your mouth.

2042
01:32:11,680 --> 01:32:15,040
Speaker 2: Little camel crush twenty twenty four, Those.

2043
01:32:14,920 --> 01:32:16,920
Speaker 3: Camel crushes and then camel snooze as well. You ever

2044
01:32:17,000 --> 01:32:17,320
Speaker 3: do those?

2045
01:32:17,880 --> 01:32:17,920
Speaker 2: No?

2046
01:32:18,280 --> 01:32:21,080
Speaker 3: They were like little tiny like oval pin like they

2047
01:32:21,120 --> 01:32:23,160
Speaker 3: have a popper in it. No, there's no popper in it.

2048
01:32:23,240 --> 01:32:25,320
Speaker 3: But it had the same kind of thing a camel crush.

2049
01:32:25,360 --> 01:32:29,080
Speaker 3: At camel crushes eighteen to twenty three years old, you

2050
01:32:29,120 --> 01:32:31,479
Speaker 3: got a little festival or something like that. Yeah, it

2051
01:32:31,520 --> 01:32:33,960
Speaker 3: took all that the pain out of the lungs. You

2052
01:32:33,960 --> 01:32:36,960
Speaker 3: ever smoke any of those. Oh, bro, no, those things

2053
01:32:37,240 --> 01:32:37,840
Speaker 3: are where it's.

2054
01:32:37,760 --> 01:32:40,880
Speaker 1: At Lucy's the first I mean, the pouches was like

2055
01:32:40,960 --> 01:32:43,240
Speaker 1: the first time I did the experienced nicking teens.

2056
01:32:44,040 --> 01:32:46,559
Speaker 3: You never smoked a cigarette and nothing. What's your drug

2057
01:32:46,640 --> 01:32:46,960
Speaker 3: life like?

2058
01:32:47,080 --> 01:32:47,160
Speaker 1: Yo?

2059
01:32:47,320 --> 01:32:50,599
Speaker 2: Yeah, my drug life just playing marijuana these days. Yeah,

2060
01:32:50,680 --> 01:32:53,839
Speaker 2: it's pretty marijuana when you diet. Yeah, that's it barely.

2061
01:32:53,960 --> 01:32:56,559
Speaker 2: I don't even I hadn't drank in three months for real. Yeah,

2062
01:32:56,800 --> 01:32:57,200
Speaker 2: what was there?

2063
01:32:57,360 --> 01:32:58,600
Speaker 3: Was there a reason for that where you kind of

2064
01:32:58,640 --> 01:32:59,960
Speaker 3: just like I just kind of want to get away.

2065
01:32:59,760 --> 01:33:00,880
Speaker 2: Hard a while, and then I was like, I just

2066
01:33:00,960 --> 01:33:02,519
Speaker 2: feel like I need to take a break. Yeah, And

2067
01:33:02,640 --> 01:33:05,360
Speaker 2: so I took a break and now I'm just like, oh,

2068
01:33:05,840 --> 01:33:06,960
Speaker 2: I feel pretty awesome.

2069
01:33:07,040 --> 01:33:08,160
Speaker 1: So I'm because of the road.

2070
01:33:09,400 --> 01:33:11,240
Speaker 2: Actually, that was just because I was on vacation and

2071
01:33:11,360 --> 01:33:13,000
Speaker 2: I was just going haym and then I'm like, oh,

2072
01:33:13,040 --> 01:33:14,840
Speaker 2: I need to just I need a break. And that

2073
01:33:15,000 --> 01:33:16,320
Speaker 2: was in like the beginning of December.

2074
01:33:16,400 --> 01:33:18,639
Speaker 3: So yeah, so you've just been kicking it off since

2075
01:33:18,680 --> 01:33:20,680
Speaker 3: middle of December, even through the holiday season.

2076
01:33:20,880 --> 01:33:23,839
Speaker 2: Everything, Birthday, all of it, Cabo trip.

2077
01:33:24,360 --> 01:33:26,640
Speaker 3: You know, just getting out anytime you're in Cobo too,

2078
01:33:26,720 --> 01:33:28,360
Speaker 3: Like you gets towards mango deck or you get some

2079
01:33:28,560 --> 01:33:30,559
Speaker 3: like squid row in those areas, you're like, I can't

2080
01:33:30,640 --> 01:33:32,560
Speaker 3: not drink and not drink it's not a place for me,

2081
01:33:32,680 --> 01:33:34,839
Speaker 3: not that, but to be sober is a ridiculous concept.

2082
01:33:35,439 --> 01:33:36,599
Speaker 3: And copa look good though.

2083
01:33:36,640 --> 01:33:39,640
Speaker 2: Man. I'm like, I don't know if I'm gonna I'm not.

2084
01:33:39,920 --> 01:33:42,160
Speaker 2: I'm not gonna say I'm not gonna drink anymore. But

2085
01:33:42,280 --> 01:33:45,000
Speaker 2: it's just nice to like feel pretty awesome.

2086
01:33:45,120 --> 01:33:48,080
Speaker 3: It's interesting, Like what's super wild to me is like

2087
01:33:48,160 --> 01:33:52,439
Speaker 3: playing sports, drinking before your act, your activity, whatever your

2088
01:33:52,520 --> 01:33:54,519
Speaker 3: thing is, is like a total fou paba. Like in

2089
01:33:54,600 --> 01:33:57,000
Speaker 3: your world, it seems like a couple of drinks before

2090
01:33:57,040 --> 01:33:59,720
Speaker 3: you even go on. Oh, it's like the normal things

2091
01:33:59,760 --> 01:33:59,880
Speaker 3: to do.

2092
01:34:00,080 --> 01:34:01,800
Speaker 2: Oh yeah, that's been my norm for twelve years.

2093
01:34:02,000 --> 01:34:04,080
Speaker 3: Really, you have a couple like take out the jitters

2094
01:34:04,080 --> 01:34:06,519
Speaker 3: a little bit. Yeah, you still get nervous twelve years later.

2095
01:34:08,280 --> 01:34:13,519
Speaker 2: Nervous maybe not, but the excited butterfly feeling a bit still,

2096
01:34:13,600 --> 01:34:14,960
Speaker 2: you know what I mean, When you're a little bit

2097
01:34:15,120 --> 01:34:16,720
Speaker 2: just like I don't know if anxious is the word,

2098
01:34:16,880 --> 01:34:18,639
Speaker 2: just excited a little bit. So you got to get

2099
01:34:18,640 --> 01:34:21,439
Speaker 2: out there and kind of like calming down.

2100
01:34:21,840 --> 01:34:24,559
Speaker 3: What's your Like you ever watched a show onto rush breath? Yeah,

2101
01:34:24,760 --> 01:34:27,599
Speaker 3: it's like Johnny Drama, he would do the auga when

2102
01:34:27,640 --> 01:34:28,080
Speaker 3: you did anything.

2103
01:34:28,160 --> 01:34:28,400
Speaker 1: Do you have?

2104
01:34:28,520 --> 01:34:31,360
Speaker 3: Like anything you do, it's like reset yourself, like all right,

2105
01:34:31,920 --> 01:34:33,559
Speaker 3: hub breas because.

2106
01:34:33,320 --> 01:34:36,040
Speaker 2: What happens is like you'r drelling gets going and it

2107
01:34:36,120 --> 01:34:39,040
Speaker 2: gets harder to uh your bread. You know, your heart

2108
01:34:39,120 --> 01:34:41,680
Speaker 2: rate goes up, your breath, your lung capacity seems to

2109
01:34:41,760 --> 01:34:44,000
Speaker 2: go down, which is you need every bit of lung

2110
01:34:44,080 --> 01:34:47,000
Speaker 2: capacity to sing while you're like running around the stage.

2111
01:34:47,040 --> 01:34:49,840
Speaker 2: So it's really about taking some deep breaths and trying

2112
01:34:49,880 --> 01:34:52,720
Speaker 2: to just like make sure you're at least calmon enough

2113
01:34:52,800 --> 01:34:55,840
Speaker 2: to be able. U. My songs literally have no room

2114
01:34:55,880 --> 01:34:58,120
Speaker 2: for breathing. So it's just about it's basically a lung

2115
01:34:58,280 --> 01:34:59,280
Speaker 2: workout the whole show.

2116
01:34:59,360 --> 01:35:01,599
Speaker 1: So that's sort of you got a really strategy how

2117
01:35:01,640 --> 01:35:02,720
Speaker 1: you're gonna go about on a bit.

2118
01:35:03,040 --> 01:35:04,559
Speaker 2: Yeah, Like if I start to feel like, man, I'm

2119
01:35:04,560 --> 01:35:08,920
Speaker 2: really struggling, I'm sucking air right now, I'll just like, uh,

2120
01:35:09,120 --> 01:35:10,599
Speaker 2: get my guitar or stand in front of the mic

2121
01:35:10,640 --> 01:35:11,840
Speaker 2: and sing a song or two to kind of.

2122
01:35:11,880 --> 01:35:12,880
Speaker 1: Like calm it down.

2123
01:35:13,360 --> 01:35:14,719
Speaker 3: Yeah, Yeah, get back to neutral.

2124
01:35:14,760 --> 01:35:14,920
Speaker 2: Yeah.

2125
01:35:15,000 --> 01:35:17,160
Speaker 1: Yeah, yeah, you still get just as excited going out

2126
01:35:17,200 --> 01:35:18,760
Speaker 1: on stage because you've been doing it, what for like

2127
01:35:18,960 --> 01:35:19,839
Speaker 1: over two decades?

2128
01:35:19,920 --> 01:35:23,160
Speaker 2: Yeah, about twelve years total, like as a professional.

2129
01:35:23,600 --> 01:35:27,479
Speaker 3: Uh, two decades. He'd been like twelve out there, you've

2130
01:35:27,479 --> 01:35:28,440
Speaker 3: been like Philip.

2131
01:35:28,120 --> 01:35:30,120
Speaker 2: Has been seventeen. I'm getting I'm getting on up there,

2132
01:35:30,120 --> 01:35:30,559
Speaker 2: I guess now.

2133
01:35:30,600 --> 01:35:32,880
Speaker 3: But you've been You've been in the spotlight for a

2134
01:35:32,920 --> 01:35:33,840
Speaker 3: little while those years.

2135
01:35:33,920 --> 01:35:36,679
Speaker 2: Yeah, for sure, and it's still fun. Yeah. I still

2136
01:35:36,720 --> 01:35:41,000
Speaker 2: get like the same I still get the same rush, dude. Yeah,

2137
01:35:41,200 --> 01:35:41,719
Speaker 2: it's cool.

2138
01:35:42,160 --> 01:35:44,800
Speaker 3: What's the process Like when you're sitting there and like

2139
01:35:44,920 --> 01:35:47,759
Speaker 3: you're back starting out and you're kind of playing clubs,

2140
01:35:47,960 --> 01:35:50,040
Speaker 3: people aren't really listening, and you're like, man, is this

2141
01:35:50,520 --> 01:35:52,360
Speaker 3: really gonna be it? To now you're doing theaters, now

2142
01:35:52,400 --> 01:35:54,960
Speaker 3: you're doing bridge Stone and all these like touring all

2143
01:35:55,000 --> 01:35:57,719
Speaker 3: over the world type stuff, Like how is that transition?

2144
01:35:57,880 --> 01:35:58,760
Speaker 3: Dealing with that type of fame?

2145
01:35:59,720 --> 01:36:05,040
Speaker 2: Oh oh man, good question, bro. It's what we I

2146
01:36:05,120 --> 01:36:11,519
Speaker 2: would say. It can be difficult, for sure. It's important

2147
01:36:11,560 --> 01:36:15,040
Speaker 2: to have For me, it's important to have some support

2148
01:36:15,080 --> 01:36:15,439
Speaker 2: around me.

2149
01:36:15,880 --> 01:36:16,080
Speaker 1: You know.

2150
01:36:16,320 --> 01:36:20,600
Speaker 2: I also met my wife fairly early on, which was

2151
01:36:20,760 --> 01:36:23,000
Speaker 2: very grounding for me, and she kept me very grounded.

2152
01:36:23,320 --> 01:36:25,400
Speaker 2: And I have some really good friends that I could

2153
01:36:25,479 --> 01:36:28,720
Speaker 2: kind of remain constant and was kind of grounding. But

2154
01:36:29,360 --> 01:36:31,439
Speaker 2: it's definitely a journey. It's a ride, and if you're

2155
01:36:31,479 --> 01:36:35,000
Speaker 2: not careful, all the typical things you think that can

2156
01:36:35,200 --> 01:36:37,519
Speaker 2: kind of take control. Will you know what I'm saying,

2157
01:36:37,560 --> 01:36:41,760
Speaker 2: Whether it's ego, whether it's insecurity, whether it's a substance,

2158
01:36:42,360 --> 01:36:45,120
Speaker 2: whether it's just you know, for me, like my biggest

2159
01:36:45,120 --> 01:36:48,599
Speaker 2: struggle is like overworking or like being a workaholic, I'd say,

2160
01:36:48,680 --> 01:36:52,040
Speaker 2: you know, like having balance life, work, balance and all that.

2161
01:36:52,360 --> 01:36:56,000
Speaker 2: It's a constant setting the intention and trying to stick

2162
01:36:56,040 --> 01:36:58,400
Speaker 2: with it and then checking yourself and making sure and

2163
01:36:58,600 --> 01:37:01,639
Speaker 2: this week is this week balance is my next week balance.

2164
01:37:01,680 --> 01:37:04,559
Speaker 2: So it's like, you know, I wear several different hats

2165
01:37:04,600 --> 01:37:09,680
Speaker 2: between artists, songwriter, husband, dad and friend at times, you know.

2166
01:37:09,800 --> 01:37:11,880
Speaker 2: So I'm like, all right, am I it is my

2167
01:37:12,160 --> 01:37:13,799
Speaker 2: is my week balance?

2168
01:37:13,880 --> 01:37:15,800
Speaker 3: In that in that way, So is Hailey like a

2169
01:37:15,840 --> 01:37:17,320
Speaker 3: big piece of that making sure you're balanced?

2170
01:37:18,560 --> 01:37:22,760
Speaker 2: Uh yeah, she is, yep, because we're both trying to

2171
01:37:22,840 --> 01:37:24,960
Speaker 2: maintain that a bit. You know, like when you got

2172
01:37:25,000 --> 01:37:26,840
Speaker 2: three kids, sometimes it can just be all about the

2173
01:37:26,960 --> 01:37:29,200
Speaker 2: kids and you, and you realize all my marriage is

2174
01:37:29,240 --> 01:37:32,960
Speaker 2: a little bit a little bit off right now. Or

2175
01:37:33,040 --> 01:37:35,400
Speaker 2: we haven't invested in our marriage in the last few weeks.

2176
01:37:35,479 --> 01:37:38,320
Speaker 2: We need to spend some time doing that. Or I

2177
01:37:38,400 --> 01:37:40,080
Speaker 2: hadn't written a song into a couple of weeks, so

2178
01:37:40,120 --> 01:37:41,960
Speaker 2: I need to go write some this week. But yes,

2179
01:37:42,160 --> 01:37:44,120
Speaker 2: like I said, I just feel like I'm constantly looking

2180
01:37:44,160 --> 01:37:46,920
Speaker 2: at my calendar and saying, all right, is it is

2181
01:37:46,960 --> 01:37:47,799
Speaker 2: it fairly balanced?

2182
01:37:47,840 --> 01:37:50,200
Speaker 1: Am I pouring into each bucket correctly? It's say, okay,

2183
01:37:50,240 --> 01:37:52,720
Speaker 1: I'm notarily pouring into the marriage. Oh man, maybe I

2184
01:37:52,760 --> 01:37:54,360
Speaker 1: haven't been a home run the kids. Oh maybe I'm

2185
01:37:54,400 --> 01:37:56,920
Speaker 1: not being in the studios much. Yeah, it's like you

2186
01:37:57,040 --> 01:37:58,720
Speaker 1: got to juggle a lot of those different things.

2187
01:37:58,800 --> 01:38:01,120
Speaker 2: You have to be intentional for sure. Yeah, and I'm

2188
01:38:01,200 --> 01:38:02,160
Speaker 2: sure I was.

2189
01:38:02,160 --> 01:38:04,120
Speaker 1: Gonna say, what was your insecurity when you were coming

2190
01:38:04,200 --> 01:38:05,800
Speaker 1: up to say, before you met your wife? Like you're

2191
01:38:05,800 --> 01:38:07,600
Speaker 1: exploding on the scene because you're right. It's almost like

2192
01:38:08,120 --> 01:38:10,120
Speaker 1: you can go down any road you want to. When

2193
01:38:10,120 --> 01:38:12,840
Speaker 1: you're becoming like a superstar like you. You can drink,

2194
01:38:12,880 --> 01:38:15,200
Speaker 1: you can do all the different things you can. There's women,

2195
01:38:15,280 --> 01:38:17,720
Speaker 1: there's there's a status, it's okay, am I gonna be

2196
01:38:17,720 --> 01:38:19,519
Speaker 1: at this award show? Like? Am I the man?

2197
01:38:19,680 --> 01:38:22,200
Speaker 2: Like you want to surround myself with yes people or

2198
01:38:22,240 --> 01:38:23,920
Speaker 2: people that I know are going to take care of right,

2199
01:38:23,960 --> 01:38:26,000
Speaker 2: I mean, there's all that, There's all those decisions along

2200
01:38:26,040 --> 01:38:29,080
Speaker 2: the way that you kind of have to make, even

2201
01:38:29,120 --> 01:38:31,320
Speaker 2: if it's subconsciously. I would say one of my biggest

2202
01:38:31,360 --> 01:38:35,000
Speaker 2: fears though, was like being because you hear all the stories,

2203
01:38:35,040 --> 01:38:37,320
Speaker 2: you know what I'm saying. You hear the downfall of

2204
01:38:37,400 --> 01:38:39,160
Speaker 2: all the artists you come you know, you come up

2205
01:38:39,200 --> 01:38:43,120
Speaker 2: here and about you know, your icons and becoming you know,

2206
01:38:43,240 --> 01:38:47,840
Speaker 2: becoming alcoholics or dealing with depression or not knowing how

2207
01:38:47,880 --> 01:38:50,599
Speaker 2: to manage or not, or losing your friends and your community,

2208
01:38:50,640 --> 01:38:53,559
Speaker 2: and feeling like you're alone even though you from an

2209
01:38:53,600 --> 01:38:55,960
Speaker 2: outside perspective it looks like you got everything you ever want.

2210
01:38:56,360 --> 01:38:58,200
Speaker 2: But I think that was like my biggest fear.

2211
01:38:58,280 --> 01:38:58,760
Speaker 6: So I was.

2212
01:39:01,040 --> 01:39:03,120
Speaker 2: Pretty intention on the way up of being like, all right,

2213
01:39:03,200 --> 01:39:06,200
Speaker 2: I want to have a successful music career, but I

2214
01:39:06,320 --> 01:39:08,200
Speaker 2: also want to have a regular life, and I want

2215
01:39:08,240 --> 01:39:09,840
Speaker 2: to make sure that I at the end of this,

2216
01:39:10,200 --> 01:39:12,240
Speaker 2: at the end of this ride, wherever this ride ends,

2217
01:39:12,280 --> 01:39:14,519
Speaker 2: that I'm not just sitting there not knowing what to do,

2218
01:39:14,880 --> 01:39:16,880
Speaker 2: like where to go from there, Like I want to

2219
01:39:16,920 --> 01:39:19,320
Speaker 2: have a family one day. I want to have a

2220
01:39:19,360 --> 01:39:22,200
Speaker 2: healthy relationship with my wife. I want to have I

2221
01:39:22,320 --> 01:39:24,320
Speaker 2: want to always be able to have a glass of

2222
01:39:24,400 --> 01:39:26,320
Speaker 2: wine at dinner if I want to, without having to

2223
01:39:26,400 --> 01:39:28,920
Speaker 2: worry about falling off right. So it's just so so

2224
01:39:29,120 --> 01:39:32,720
Speaker 2: kind of just staying in check along the way was big.

2225
01:39:32,840 --> 01:39:34,439
Speaker 2: But I think that was a fear of mine, which

2226
01:39:34,520 --> 01:39:38,240
Speaker 2: is also why I was. You know, when I felt

2227
01:39:38,240 --> 01:39:42,360
Speaker 2: myself slipping or I felt myself headed down a road

2228
01:39:42,960 --> 01:39:45,040
Speaker 2: that I wasn't excited, you know that I knew was

2229
01:39:45,040 --> 01:39:47,720
Speaker 2: a dead end, I would turn it around or get

2230
01:39:47,800 --> 01:39:49,360
Speaker 2: back on track, or at least attempt to.

2231
01:39:49,520 --> 01:39:51,559
Speaker 3: So, yeah, you bring up like when you bring up

2232
01:39:51,600 --> 01:39:53,880
Speaker 3: like yes men, and you say do I write, well,

2233
01:39:53,880 --> 01:39:55,880
Speaker 3: who do I want to surround myself with? Like I

2234
01:39:55,960 --> 01:39:58,240
Speaker 3: feel like anybody who's getting into whether it's music or

2235
01:39:58,240 --> 01:40:01,000
Speaker 3: sports or any sort of entertainment that is spotlight. The

2236
01:40:01,040 --> 01:40:04,680
Speaker 3: most difficult thing to navigate is yes men, because no

2237
01:40:04,720 --> 01:40:07,559
Speaker 3: one likes being told you're wrong. But when people say, hey,

2238
01:40:07,920 --> 01:40:09,680
Speaker 3: you're on the right track, you're doing this, You're doing

2239
01:40:09,760 --> 01:40:12,960
Speaker 3: great at that. It's so easy to fall into like, oh,

2240
01:40:13,040 --> 01:40:15,599
Speaker 3: maybe I am doing better than I thought I was doing,

2241
01:40:15,720 --> 01:40:18,000
Speaker 3: or like taking more of the suggestion of the yes

2242
01:40:18,120 --> 01:40:19,400
Speaker 3: man than the people that are trying to keep you

2243
01:40:19,479 --> 01:40:21,400
Speaker 3: and check that have your best interests involved. Like, how

2244
01:40:21,439 --> 01:40:24,360
Speaker 3: did you when you say you were like really conscious

2245
01:40:24,360 --> 01:40:26,200
Speaker 3: about keeping those people out of your life? How do

2246
01:40:26,280 --> 01:40:27,160
Speaker 3: you sniff that out?

2247
01:40:27,600 --> 01:40:27,760
Speaker 1: Man?

2248
01:40:28,880 --> 01:40:29,080
Speaker 3: Don't?

2249
01:40:29,200 --> 01:40:31,120
Speaker 2: I don't know. I think it's a kind of a

2250
01:40:31,200 --> 01:40:34,880
Speaker 2: gut thing. But what happens to me is like when

2251
01:40:34,920 --> 01:40:37,840
Speaker 2: I'm around those types of people, I realize that their

2252
01:40:37,880 --> 01:40:40,840
Speaker 2: opinion is doesn't really matter much because they're only telling

2253
01:40:40,880 --> 01:40:42,760
Speaker 2: me what I want to hear. They're not telling me all.

2254
01:40:42,800 --> 01:40:45,040
Speaker 2: They're not always telling me truth. So like when I

2255
01:40:45,120 --> 01:40:48,240
Speaker 2: could when I could tell that I had a friend

2256
01:40:48,640 --> 01:40:52,640
Speaker 2: or my wife or a manager or somebody in the

2257
01:40:52,720 --> 01:40:56,880
Speaker 2: band that would shoot me straight, it only validated what

2258
01:40:57,000 --> 01:40:59,160
Speaker 2: they would say when it was positive. Right, when they're

2259
01:40:59,160 --> 01:41:01,240
Speaker 2: like that's an awesome song. You're not just telling me

2260
01:41:01,320 --> 01:41:03,280
Speaker 2: that's an awesome song because you want me to feel good.

2261
01:41:03,320 --> 01:41:05,839
Speaker 2: You're telling me that because you're being honest and being truthful,

2262
01:41:05,840 --> 01:41:07,160
Speaker 2: and it means a ton more. So I was just

2263
01:41:07,320 --> 01:41:09,760
Speaker 2: really drawn to the people that would be like, hey, bro,

2264
01:41:10,000 --> 01:41:11,760
Speaker 2: I don't really love that song as much, you know

2265
01:41:11,800 --> 01:41:14,000
Speaker 2: what I mean, But oh, all right, I can take

2266
01:41:14,080 --> 01:41:16,920
Speaker 2: that because I know you're shooting me straight. And the

2267
01:41:17,040 --> 01:41:20,040
Speaker 2: more success I had, the more valuable those relationships became.

2268
01:41:20,120 --> 01:41:20,479
Speaker 3: For sure.

2269
01:41:21,080 --> 01:41:22,800
Speaker 1: How close are you able to talk about one of

2270
01:41:22,840 --> 01:41:25,000
Speaker 1: those situations where you did get close because you talked

2271
01:41:25,000 --> 01:41:27,160
Speaker 1: about going down different paths and realizing some could be

2272
01:41:27,240 --> 01:41:29,519
Speaker 1: dead ends. Is there a time like in your career

2273
01:41:29,560 --> 01:41:31,320
Speaker 1: where you're like, man, I really almost went off the

2274
01:41:31,360 --> 01:41:32,160
Speaker 1: fucking wagon here.

2275
01:41:32,320 --> 01:41:35,679
Speaker 2: I mean, I think I got fortunate and uh, without

2276
01:41:35,720 --> 01:41:38,320
Speaker 2: bringing too much spirituality into it, I definitely feel like

2277
01:41:38,400 --> 01:41:40,559
Speaker 2: I was looking out for me because there were times where,

2278
01:41:41,560 --> 01:41:43,639
Speaker 2: especially at the beginning, Bro, like we're in a van

2279
01:41:44,800 --> 01:41:49,840
Speaker 2: just roughing it and literally just like drinking straight Jack

2280
01:41:49,960 --> 01:41:53,040
Speaker 2: Daniels every night, popping a night roll so we could

2281
01:41:53,080 --> 01:41:57,000
Speaker 2: drive to the next show, like in just kind of

2282
01:41:57,080 --> 01:41:59,160
Speaker 2: getting into that lifestyle. We were just like, man, we're

2283
01:41:59,200 --> 01:42:01,919
Speaker 2: out here grinding, but we're you know, we're also partying.

2284
01:42:02,479 --> 01:42:05,519
Speaker 2: You know, you're meeting girls that you don't know, you're uh,

2285
01:42:06,120 --> 01:42:07,640
Speaker 2: you know. That was kind of short lived for me,

2286
01:42:07,800 --> 01:42:10,519
Speaker 2: but ultimately I saw pretty quickly like yo, this could

2287
01:42:10,720 --> 01:42:13,400
Speaker 2: this could end in no telling what kind of consequences right,

2288
01:42:13,520 --> 01:42:17,519
Speaker 2: like life changing scenarios here. So again that fear was

2289
01:42:17,560 --> 01:42:19,240
Speaker 2: set in of like man, I don't want that, like

2290
01:42:20,520 --> 01:42:23,240
Speaker 2: like I've been here, I've done that a bit. So

2291
01:42:23,439 --> 01:42:26,120
Speaker 2: like Fortunately, like I said, I met Haley early on

2292
01:42:26,600 --> 01:42:30,400
Speaker 2: like twenty thirteens when we met, so I was already

2293
01:42:30,520 --> 01:42:32,439
Speaker 2: like in my mind, I was ready to meet the

2294
01:42:32,600 --> 01:42:34,400
Speaker 2: I was ready to meet that girl. I was ready

2295
01:42:34,400 --> 01:42:37,360
Speaker 2: to meet Hailey because I was kind of over you know,

2296
01:42:37,840 --> 01:42:40,920
Speaker 2: the scene and meeting random girls and trying to do that.

2297
01:42:41,120 --> 01:42:44,360
Speaker 2: But I think if I think, if I was going

2298
01:42:44,400 --> 01:42:46,719
Speaker 2: to put a finger on a year, it's probably twenty twelve,

2299
01:42:46,880 --> 01:42:49,800
Speaker 2: twenty eleven, even twenty ten when we were before we

2300
01:42:49,880 --> 01:42:52,600
Speaker 2: had a deal where we were just like grinding, bro

2301
01:42:52,760 --> 01:42:55,920
Speaker 2: and we were you know, just in a club every

2302
01:42:56,400 --> 01:42:59,200
Speaker 2: you know, four nights a week, getting drunk every night,

2303
01:42:59,439 --> 01:43:03,360
Speaker 2: just to just to basically I feel like you're surviving

2304
01:43:03,360 --> 01:43:05,439
Speaker 2: a little bit you know in the dream, chasing a

2305
01:43:05,560 --> 01:43:09,160
Speaker 2: dream and roughing it and you know, just you know,

2306
01:43:09,360 --> 01:43:10,520
Speaker 2: you can imagine.

2307
01:43:10,280 --> 01:43:13,599
Speaker 3: Bro, a young thunder kids feeling like we were supposed

2308
01:43:13,600 --> 01:43:15,519
Speaker 3: to be doing on the rocking like you got nothing

2309
01:43:15,560 --> 01:43:17,840
Speaker 3: to lose at the time, so you're just you're just

2310
01:43:17,960 --> 01:43:18,519
Speaker 3: going for it.

2311
01:43:18,760 --> 01:43:18,960
Speaker 1: Yeah.

2312
01:43:19,280 --> 01:43:20,800
Speaker 3: And when you're in your early twenties, dude to hang

2313
01:43:20,840 --> 01:43:23,200
Speaker 3: over nothing, Yeah, you're non existent. You wake up and

2314
01:43:23,200 --> 01:43:25,439
Speaker 3: you're like, I feel kind of bad about myself. I'm

2315
01:43:25,439 --> 01:43:27,320
Speaker 3: gonna move forward. Yeah, I'm gonna do that.

2316
01:43:27,400 --> 01:43:28,120
Speaker 1: I gotta keep up.

2317
01:43:28,320 --> 01:43:30,360
Speaker 3: Yeah, you won't be the guys, not hey boys, not

2318
01:43:30,479 --> 01:43:32,040
Speaker 3: me tonight. Yeah, I'm gonna go sleep in the van.

2319
01:43:32,240 --> 01:43:35,240
Speaker 1: It's like, oh, come on, you're all right.

2320
01:43:35,439 --> 01:43:39,600
Speaker 2: One drink, one drink, eight beers later, you're like, all right,

2321
01:43:39,600 --> 01:43:40,479
Speaker 2: I'm ready to play a show.

2322
01:43:40,640 --> 01:43:43,760
Speaker 3: Yeah, when you're hitting the van, what was like the

2323
01:43:43,840 --> 01:43:45,439
Speaker 3: moment for you that you're like, oh shit, we're gonna

2324
01:43:45,479 --> 01:43:45,640
Speaker 3: make it.

2325
01:43:47,560 --> 01:43:47,760
Speaker 6: Ah.

2326
01:43:49,800 --> 01:43:52,960
Speaker 2: I would say. In two thousand and twelve, we were

2327
01:43:53,040 --> 01:43:55,920
Speaker 2: on a tour called the Country Throwdown Tour. We were

2328
01:43:56,000 --> 01:43:58,200
Speaker 2: the only band that was in a van driving ourselves

2329
01:43:58,200 --> 01:43:59,760
Speaker 2: around the country and it was a bunch of acts

2330
01:43:59,800 --> 01:44:02,519
Speaker 2: on the tour and we were the barbecue band. So

2331
01:44:02,640 --> 01:44:05,400
Speaker 2: to be on this tour we had to agree to

2332
01:44:05,760 --> 01:44:08,679
Speaker 2: play in the afternoon. This was a summer tour as well,

2333
01:44:08,760 --> 01:44:11,120
Speaker 2: so it was like one hundred degrees every day. We

2334
01:44:11,200 --> 01:44:13,720
Speaker 2: were playing at two o'clock. Then we'd load our gear

2335
01:44:13,880 --> 01:44:15,920
Speaker 2: up into a semi that was on the tour because

2336
01:44:16,000 --> 01:44:18,880
Speaker 2: we had a trailer that they made us leave it

2337
01:44:18,960 --> 01:44:22,400
Speaker 2: home because they they gave us a Kingsford barbecue grill

2338
01:44:22,439 --> 01:44:25,080
Speaker 2: and smoker that we pulled behind the van, and we

2339
01:44:25,120 --> 01:44:28,880
Speaker 2: would play our show, load our gear up again, probably

2340
01:44:28,880 --> 01:44:31,240
Speaker 2: struggling from the last the night before, so we're like,

2341
01:44:31,400 --> 01:44:35,679
Speaker 2: you know, hungover, and then they give us a pocket

2342
01:44:35,720 --> 01:44:37,080
Speaker 2: full of cash and say, all right, you got to

2343
01:44:37,120 --> 01:44:39,320
Speaker 2: go grocery shopping and get enough food for the whole

2344
01:44:39,400 --> 01:44:42,720
Speaker 2: tour with this money. And you guys are cooking the

2345
01:44:42,760 --> 01:44:45,280
Speaker 2: hamburgers and hot dogs tonight. And we were the party,

2346
01:44:45,439 --> 01:44:48,200
Speaker 2: like the life of the party. So whenever anybody in

2347
01:44:48,280 --> 01:44:52,120
Speaker 2: the whole tour act crew band, it didn't matter when

2348
01:44:52,120 --> 01:44:54,479
Speaker 2: they got done playing, they would come to where we

2349
01:44:54,560 --> 01:44:56,160
Speaker 2: were at where we were set up, and we were

2350
01:44:56,240 --> 01:44:58,360
Speaker 2: cooking for the whole tour. The whole rest of the

2351
01:44:58,439 --> 01:45:01,200
Speaker 2: night had the music blast and kind like setting the

2352
01:45:01,240 --> 01:45:03,439
Speaker 2: pace for the party. And uh, it was a lot

2353
01:45:03,479 --> 01:45:05,560
Speaker 2: of fun. But we were the first ones up and

2354
01:45:05,680 --> 01:45:08,360
Speaker 2: then we were the last one. Then we'd midnight would

2355
01:45:08,439 --> 01:45:10,120
Speaker 2: roll around at one o'clock. We'd pour a bunch of

2356
01:45:10,200 --> 01:45:11,840
Speaker 2: water on the grill, try to get it to go out.

2357
01:45:11,880 --> 01:45:14,320
Speaker 2: We'd load up in the van, like I said, somebody

2358
01:45:14,400 --> 01:45:16,519
Speaker 2: popping out of all and we would just take off

2359
01:45:16,560 --> 01:45:19,599
Speaker 2: down the road. Literally sometimes there's still like embers flying

2360
01:45:19,640 --> 01:45:23,320
Speaker 2: from the from the grill, going down their state and

2361
01:45:23,439 --> 01:45:27,240
Speaker 2: driving ourselves around the southeast and Midwest. On that tour

2362
01:45:27,439 --> 01:45:30,599
Speaker 2: was that was the roughest. That was definitely the roughest tour.

2363
01:45:30,680 --> 01:45:32,439
Speaker 2: But at the same time, to answer your question, that

2364
01:45:32,520 --> 01:45:34,840
Speaker 2: was when we started to feel some traction and see people.

2365
01:45:34,880 --> 01:45:37,120
Speaker 2: That's when crews came out. We started seeing people show

2366
01:45:37,160 --> 01:45:39,200
Speaker 2: up early to watch us play and sing the words,

2367
01:45:39,240 --> 01:45:42,280
Speaker 2: and me and b K look at each other like, bro, bro,

2368
01:45:42,479 --> 01:45:45,479
Speaker 2: there's like fans out here, dude, Like, holy cow, and

2369
01:45:45,600 --> 01:45:47,240
Speaker 2: we're starting to fill the momentum. And by the end

2370
01:45:47,280 --> 01:45:49,400
Speaker 2: of that tour we were like we thought we were

2371
01:45:49,439 --> 01:45:51,360
Speaker 2: the biggest thing on the tour, but we were still.

2372
01:45:51,200 --> 01:45:55,519
Speaker 3: You know, like grilling, grilling, trying to get food.

2373
01:45:55,600 --> 01:45:56,760
Speaker 2: That's it, dude, dude.

2374
01:45:56,800 --> 01:45:58,760
Speaker 3: That is who were there any notable acts like on

2375
01:45:58,920 --> 01:45:59,280
Speaker 3: that tour.

2376
01:46:00,280 --> 01:46:04,880
Speaker 2: Gary Allen was like one of the headliners there was

2377
01:46:04,920 --> 01:46:08,639
Speaker 2: a few more. I think the year before Branley Gilbert

2378
01:46:08,680 --> 01:46:10,960
Speaker 2: had done that, but there was it's a long guy.

2379
01:46:10,960 --> 01:46:12,759
Speaker 2: I can't even remember. I just remember watching Gary Allen.

2380
01:46:13,240 --> 01:46:13,400
Speaker 1: Uh.

2381
01:46:14,120 --> 01:46:16,080
Speaker 2: Josh Thompson was on that tour, that tour as well,

2382
01:46:16,080 --> 01:46:18,880
Speaker 2: which I was a big fan of him, but Gary

2383
01:46:19,000 --> 01:46:21,640
Speaker 2: was the headliner. So we were kind of watching and

2384
01:46:21,760 --> 01:46:23,080
Speaker 2: dreaming and taking notes from him.

2385
01:46:23,120 --> 01:46:23,720
Speaker 3: You watch him.

2386
01:46:23,880 --> 01:46:26,559
Speaker 2: What were the things he was busy cooking? But yeah,

2387
01:46:26,800 --> 01:46:27,599
Speaker 2: hear from a distance.

2388
01:46:28,080 --> 01:46:29,559
Speaker 3: Was he one of those guys that turned in earlier

2389
01:46:29,600 --> 01:46:30,760
Speaker 3: or was he up now?

2390
01:46:30,920 --> 01:46:32,920
Speaker 2: Gary would Gary would stay up. Yeah, he was one

2391
01:46:32,920 --> 01:46:35,320
Speaker 2: of the last. He'd come. He'd get done then come

2392
01:46:35,360 --> 01:46:39,760
Speaker 2: over to our you know area and hang out and

2393
01:46:39,920 --> 01:46:41,960
Speaker 2: have a burger and do the thing. Yeah, he wasn't

2394
01:46:41,960 --> 01:46:43,320
Speaker 2: afraid to stay up late like that.

2395
01:46:43,680 --> 01:46:45,920
Speaker 1: You guys said all that traction like coming off that tour,

2396
01:46:46,040 --> 01:46:47,920
Speaker 1: like what was the big break, Like what was the

2397
01:46:47,960 --> 01:46:50,120
Speaker 1: big moment where it's going from like oh damn, people

2398
01:46:50,120 --> 01:46:51,840
Speaker 1: are showing up to our shows like begad, this is

2399
01:46:51,920 --> 01:46:54,639
Speaker 1: fucking sick blah blah blah to like the big moment

2400
01:46:54,720 --> 01:46:57,000
Speaker 1: comes and you guys get you know, whether it's a

2401
01:46:57,080 --> 01:46:59,920
Speaker 1: deal whatever it is, where your big break finally came.

2402
01:47:00,720 --> 01:47:02,439
Speaker 2: I think there was a few moments for me. This

2403
01:47:02,560 --> 01:47:05,760
Speaker 2: sounds a little silly, but when I when I moved

2404
01:47:05,800 --> 01:47:09,439
Speaker 2: to Nashville, I realized there was a career called songwriting,

2405
01:47:09,560 --> 01:47:12,519
Speaker 2: and I was like, oh, I just thought, like everybody

2406
01:47:12,600 --> 01:47:14,760
Speaker 2: wrote their own stuff, like you know what I'm saying.

2407
01:47:14,840 --> 01:47:17,760
Speaker 2: So I realized pretty quickly, like I think that's what

2408
01:47:17,840 --> 01:47:20,640
Speaker 2: I want to do. So when I graduated college, me

2409
01:47:20,680 --> 01:47:24,400
Speaker 2: and BK both we were just pursuing being a songwriter.

2410
01:47:25,520 --> 01:47:27,960
Speaker 2: And so in twenty twelve, we signed our first deal,

2411
01:47:28,120 --> 01:47:30,880
Speaker 2: and we signed a publishing deal which paid US fifteen

2412
01:47:30,960 --> 01:47:34,280
Speaker 2: hundred dollars a month, and that was they basically asked,

2413
01:47:34,320 --> 01:47:35,679
Speaker 2: what is it going to take to cover your bills

2414
01:47:35,720 --> 01:47:38,000
Speaker 2: and allow you to write full time? And it's about

2415
01:47:38,040 --> 01:47:41,920
Speaker 2: fifteen hundred bucks. So at that point, to be honest,

2416
01:47:41,920 --> 01:47:44,800
Speaker 2: as where as that sounds, I remember feeling like I'm

2417
01:47:44,840 --> 01:47:48,320
Speaker 2: a professional songwriter now, Like I've done it. Yeah, here

2418
01:47:48,360 --> 01:47:50,679
Speaker 2: we go, and like I don't have to wash cars anymore,

2419
01:47:50,800 --> 01:47:53,760
Speaker 2: Like I can fully wake up and focus on writing songs,

2420
01:47:53,800 --> 01:47:55,519
Speaker 2: which was a dream for me. So that was probably

2421
01:47:55,520 --> 01:47:58,400
Speaker 2: the first like feeling like man, I made it bro

2422
01:47:58,560 --> 01:47:59,799
Speaker 2: like I'm a professional songwriter.

2423
01:48:00,479 --> 01:48:00,599
Speaker 3: Uh.

2424
01:48:01,640 --> 01:48:03,519
Speaker 2: And then there was a moment I remember when we've

2425
01:48:03,800 --> 01:48:06,439
Speaker 2: got our first tour bus. That was also after being

2426
01:48:06,520 --> 01:48:10,639
Speaker 2: in vans sprinter vans. We started out in b CA's Tahoe,

2427
01:48:10,800 --> 01:48:12,720
Speaker 2: you know, so like when we got a tour bus

2428
01:48:12,760 --> 01:48:14,840
Speaker 2: to where we could actually lay down and sleep through

2429
01:48:14,920 --> 01:48:18,320
Speaker 2: the night and have a driver. That was one of

2430
01:48:18,360 --> 01:48:22,040
Speaker 2: the biggest moments for us, is like, bro, we've made it.

2431
01:48:22,120 --> 01:48:22,880
Speaker 1: We got a tour bus.

2432
01:48:23,000 --> 01:48:24,519
Speaker 2: So there's a lot of you know, along the way

2433
01:48:25,880 --> 01:48:27,839
Speaker 2: moments where you look back and you know, in hindsight

2434
01:48:27,880 --> 01:48:29,840
Speaker 2: you're like, we didn't have nothing really going, but in

2435
01:48:29,920 --> 01:48:32,519
Speaker 2: our in our mind like we had made it.

2436
01:48:32,800 --> 01:48:36,200
Speaker 3: Yeah, it'sake small steps in totors, you're driving, then you're

2437
01:48:36,240 --> 01:48:38,800
Speaker 3: on the tour bus, extra flying, next flying private. Like

2438
01:48:38,840 --> 01:48:41,519
Speaker 3: there's always like a new level yep, is there when

2439
01:48:41,600 --> 01:48:44,560
Speaker 3: you started to have this level of success, Like what

2440
01:48:44,760 --> 01:48:48,360
Speaker 3: to you is like the pinnacle of reaching whatever new

2441
01:48:48,400 --> 01:48:49,360
Speaker 3: goal you have in your mind.

2442
01:48:49,439 --> 01:48:53,040
Speaker 2: Right now? Uh wait say that again, right now.

2443
01:48:53,360 --> 01:48:57,000
Speaker 3: Right now? During Florida Georgia line, during whenever you feel

2444
01:48:57,040 --> 01:48:59,840
Speaker 3: like because right now you're you're in a transition and

2445
01:49:00,000 --> 01:49:02,479
Speaker 3: coming off a great album, going into a new album.

2446
01:49:02,560 --> 01:49:04,559
Speaker 3: But like, let's say the pinnacle of Flora Georgia line,

2447
01:49:04,560 --> 01:49:06,479
Speaker 3: where did you see did you see it going even further?

2448
01:49:06,560 --> 01:49:07,400
Speaker 3: And where was that point?

2449
01:49:08,280 --> 01:49:08,439
Speaker 6: Oh?

2450
01:49:08,680 --> 01:49:08,880
Speaker 1: Man?

2451
01:49:10,439 --> 01:49:13,240
Speaker 2: I think selling out stadiums is obviously sort of the

2452
01:49:13,280 --> 01:49:17,560
Speaker 2: pinnacle of where we took it, where we thought it

2453
01:49:17,560 --> 01:49:20,479
Speaker 2: could go, where we dreamed of it going, you know,

2454
01:49:20,880 --> 01:49:25,120
Speaker 2: and we played I think when we did that tour

2455
01:49:25,200 --> 01:49:27,880
Speaker 2: where we it was a baseball stadium tour and it

2456
01:49:28,080 --> 01:49:32,920
Speaker 2: was Backstreet Boys and Nelly were opening for us, so

2457
01:49:33,000 --> 01:49:35,920
Speaker 2: it was it was Backstreet, Nelly and then us, and

2458
01:49:36,040 --> 01:49:38,920
Speaker 2: it was just, you know, I was living out my

2459
01:49:39,040 --> 01:49:42,559
Speaker 2: wildest you know, childhood dreams basically, or middle school dreams,

2460
01:49:42,760 --> 01:49:45,120
Speaker 2: being on tour with Nelly and then getting to see

2461
01:49:45,160 --> 01:49:47,880
Speaker 2: Backstreet do their thing, like it was just nostalgic for me.

2462
01:49:48,160 --> 01:49:51,360
Speaker 2: And it was a pretty surreal tour. So I would

2463
01:49:51,360 --> 01:49:53,120
Speaker 2: say that was one of those moments where I'm like, bro,

2464
01:49:53,360 --> 01:49:55,000
Speaker 2: it doesn't get any better than this. Man. We got

2465
01:49:55,160 --> 01:49:57,640
Speaker 2: sold out stadiums and getting to play with some of

2466
01:49:57,720 --> 01:50:01,720
Speaker 2: our heroes, and and you know, to answer your question

2467
01:50:01,800 --> 01:50:04,120
Speaker 2: about it, if if we saw it getting any bigger,

2468
01:50:04,160 --> 01:50:08,160
Speaker 2: I don't know, man. I mean, the journey was kind

2469
01:50:08,200 --> 01:50:11,000
Speaker 2: of like the trajectory was insane at the beginning, so

2470
01:50:11,160 --> 01:50:14,439
Speaker 2: it really just took us. We just buffled up, dude,

2471
01:50:14,439 --> 01:50:16,760
Speaker 2: and kept our head. You guys exploded on the scene.

2472
01:50:16,760 --> 01:50:18,640
Speaker 1: It was just like because you you like did a

2473
01:50:18,720 --> 01:50:21,920
Speaker 1: collab with Nelly, right, yeah, which was I remember that,

2474
01:50:22,080 --> 01:50:24,160
Speaker 1: Like that is like, you guys did explode on the

2475
01:50:24,200 --> 01:50:27,160
Speaker 1: scene quick. So you just went like a vertical line

2476
01:50:27,200 --> 01:50:27,679
Speaker 1: and you're.

2477
01:50:27,520 --> 01:50:30,800
Speaker 2: Just like, yeah, buckle up, bro so and then it

2478
01:50:30,960 --> 01:50:33,680
Speaker 2: kind of like most careers do it it uh, it

2479
01:50:33,800 --> 01:50:37,080
Speaker 2: had to eventually slow down a bit, and uh, and

2480
01:50:37,200 --> 01:50:38,720
Speaker 2: it did, and we had a kind of our ups

2481
01:50:38,760 --> 01:50:41,320
Speaker 2: and downs and kind of some some great seasons and

2482
01:50:41,439 --> 01:50:43,040
Speaker 2: sort of some like oh that didn't hit as hard

2483
01:50:43,040 --> 01:50:45,560
Speaker 2: as we thought. But for the most part, man, I

2484
01:50:45,640 --> 01:50:48,680
Speaker 2: mean that was just the wildest ride. Looking back, I mean,

2485
01:50:48,720 --> 01:50:53,120
Speaker 2: I wouldn't trade anything, I wouldn't change anything, and it

2486
01:50:53,240 --> 01:50:55,240
Speaker 2: was just incredible. But it really kind of set me

2487
01:50:55,400 --> 01:50:58,920
Speaker 2: up for what we're doing now, you know, being getting

2488
01:50:58,960 --> 01:51:01,280
Speaker 2: to kind of redo it, take everything I learned from

2489
01:51:01,320 --> 01:51:03,519
Speaker 2: back in the day and reapply it to the solo

2490
01:51:03,640 --> 01:51:07,320
Speaker 2: career and also getting to go back and like to

2491
01:51:07,400 --> 01:51:09,120
Speaker 2: where we fell in love with it the first time.

2492
01:51:09,240 --> 01:51:11,960
Speaker 2: Like these clubs and theaters and smaller venues that are

2493
01:51:11,960 --> 01:51:14,120
Speaker 2: super intimate and you get to connect with the fans

2494
01:51:14,200 --> 01:51:17,040
Speaker 2: and like, uh, because you lose that along the way,

2495
01:51:17,160 --> 01:51:19,640
Speaker 2: like when you get in bigger, bigger venues, it's a

2496
01:51:19,680 --> 01:51:22,400
Speaker 2: lot more difficult, and then it just becomes redundant because

2497
01:51:22,400 --> 01:51:26,080
Speaker 2: you go and you play the same fifty venues over

2498
01:51:26,160 --> 01:51:28,519
Speaker 2: and over and over in amphitheaters. And so to be

2499
01:51:28,600 --> 01:51:31,439
Speaker 2: able to go back and kind of reinvent myself slash

2500
01:51:31,600 --> 01:51:35,040
Speaker 2: reconnect with the fans and these cool clubs and stuff,

2501
01:51:35,080 --> 01:51:38,960
Speaker 2: it's been like super super awesome and like giving me

2502
01:51:39,040 --> 01:51:39,559
Speaker 2: new energy.

2503
01:51:39,720 --> 01:51:42,600
Speaker 3: So when you're on the trajectory you're at and you

2504
01:51:42,720 --> 01:51:44,599
Speaker 3: have those years, really okay, that didn't hit as hard

2505
01:51:44,640 --> 01:51:47,680
Speaker 3: as we thought it was going to. Like how how

2506
01:51:47,800 --> 01:51:50,360
Speaker 3: do you like navigate the ego in that situation? Because

2507
01:51:50,400 --> 01:51:52,200
Speaker 3: if you're on this crazy trajectory and you think where

2508
01:51:52,200 --> 01:51:54,000
Speaker 3: it's gonna keep going like this because it inevitably we

2509
01:51:54,080 --> 01:51:56,720
Speaker 3: all think like, oh, this is gonna happen forever until

2510
01:51:56,800 --> 01:52:00,519
Speaker 3: reality sets in. When those lulls did happen, what was

2511
01:52:00,560 --> 01:52:02,200
Speaker 3: your mindset of Is it like, hey, I just got

2512
01:52:02,280 --> 01:52:03,640
Speaker 3: to work harder, or was it.

2513
01:52:03,800 --> 01:52:05,920
Speaker 2: Like so, and I had people on the come up

2514
01:52:05,960 --> 01:52:07,800
Speaker 2: that were like, hey, bro, this ain't gonna last forever.

2515
01:52:08,320 --> 01:52:10,840
Speaker 2: I kept and not a ton of people would say that.

2516
01:52:10,880 --> 01:52:12,920
Speaker 2: But when it did, it really stuck with me that

2517
01:52:13,120 --> 01:52:15,280
Speaker 2: you need to be prepared for when this is not

2518
01:52:15,400 --> 01:52:17,360
Speaker 2: doing what it's doing, because it won't do it forever. Right,

2519
01:52:18,840 --> 01:52:23,680
Speaker 2: So I was somewhat mentally prepared for the trajectory to

2520
01:52:23,760 --> 01:52:28,519
Speaker 2: somewhat level out, and when it did, I do think

2521
01:52:28,560 --> 01:52:31,920
Speaker 2: it motivated me. Uh for sure, Like I'm kind of

2522
01:52:31,960 --> 01:52:36,840
Speaker 2: a driven dude and and uh and probably more competitive

2523
01:52:36,840 --> 01:52:38,760
Speaker 2: than I'd like to give myself credit for. But yeah,

2524
01:52:39,280 --> 01:52:41,120
Speaker 2: to have a little bit of a challenge or a

2525
01:52:41,120 --> 01:52:43,760
Speaker 2: struggle or to not or to try to understand why

2526
01:52:43,800 --> 01:52:47,439
Speaker 2: didn't that connect like we thought it would. Uh, you

2527
01:52:47,520 --> 01:52:49,200
Speaker 2: know a lot of learning lessons along the way. But

2528
01:52:49,280 --> 01:52:53,960
Speaker 2: I would say, you know, the ego thing, Uh, I

2529
01:52:54,000 --> 01:52:56,679
Speaker 2: don't know, man, I took it. I took it in stride.

2530
01:52:56,720 --> 01:52:58,280
Speaker 2: I think I think it was good for us to

2531
01:52:58,360 --> 01:53:00,599
Speaker 2: have little blows of the ego okay aasionally and keep

2532
01:53:00,640 --> 01:53:03,519
Speaker 2: us kind of grounded and then and then yeah, nothing

2533
01:53:03,600 --> 01:53:07,920
Speaker 2: more humbling than having to start all over again, you know,

2534
01:53:08,280 --> 01:53:10,519
Speaker 2: not from ground zero. But pretty close to it. So

2535
01:53:10,680 --> 01:53:13,160
Speaker 2: it's been the last couple of years for me have

2536
01:53:13,320 --> 01:53:17,519
Speaker 2: been just a lesson, a life lesson in humility and

2537
01:53:18,280 --> 01:53:22,880
Speaker 2: you know, and taking and taking that challenge head on,

2538
01:53:23,200 --> 01:53:25,479
Speaker 2: you know what I'm saying. I'll had a couple of

2539
01:53:25,479 --> 01:53:27,439
Speaker 2: people tell me like, well, you can't come out of

2540
01:53:27,479 --> 01:53:29,960
Speaker 2: a band and then have a successful It's like never

2541
01:53:30,040 --> 01:53:32,400
Speaker 2: been done. Like nobody's had a big solo career after

2542
01:53:32,479 --> 01:53:34,760
Speaker 2: being a major career in a band. So I heard

2543
01:53:34,800 --> 01:53:38,000
Speaker 2: that like two or three times, and I'm like, oh, okay, yeah,

2544
01:53:38,120 --> 01:53:40,200
Speaker 2: let's go there go Yeah.

2545
01:53:40,560 --> 01:53:42,559
Speaker 1: Yeah, that is true. I mean it's like the example

2546
01:53:42,960 --> 01:53:44,719
Speaker 1: a lot of people are aware of due to the movie.

2547
01:53:44,760 --> 01:53:48,360
Speaker 1: But Queen, yeah, he broke up. Yeah, and Freddie kind

2548
01:53:48,360 --> 01:53:50,680
Speaker 1: of tries to do his own thing. Why why go

2549
01:53:50,840 --> 01:53:53,479
Speaker 1: the solo route? Like what happened beyond the Way with

2550
01:53:53,600 --> 01:53:56,760
Speaker 1: you and BK? That's like to where Florida Georgia line

2551
01:53:56,840 --> 01:53:57,519
Speaker 1: can be forever?

2552
01:53:58,360 --> 01:53:59,960
Speaker 2: Yeah, a good question. I mean for me, it was

2553
01:54:00,240 --> 01:54:04,360
Speaker 2: it was really unexpected. But BK came to me and said, man,

2554
01:54:04,400 --> 01:54:06,559
Speaker 2: I'm really feeling like I want to do a solo thing.

2555
01:54:06,800 --> 01:54:09,320
Speaker 2: And I'm like really, I'm like we were just getting

2556
01:54:09,360 --> 01:54:10,960
Speaker 2: out of our first deal. We were kind of in

2557
01:54:11,040 --> 01:54:12,920
Speaker 2: a sweet spot that we had worked for ten years

2558
01:54:12,960 --> 01:54:15,240
Speaker 2: to get to, and I'm like, bro, like, why don't

2559
01:54:15,280 --> 01:54:17,200
Speaker 2: we just ride this, ride this thing out for like

2560
01:54:17,280 --> 01:54:19,720
Speaker 2: five more years, ten more years, and then we can

2561
01:54:19,800 --> 01:54:23,960
Speaker 2: do the solo thing or whatever. But but again, like

2562
01:54:24,040 --> 01:54:26,800
Speaker 2: I wanted to support him. He was adamant, like, now

2563
01:54:27,000 --> 01:54:29,519
Speaker 2: now's my time. I really need to do this for myself.

2564
01:54:29,560 --> 01:54:32,840
Speaker 2: And I'm like, well, hey, whatever you need to do, bro,

2565
01:54:33,040 --> 01:54:34,360
Speaker 2: Like what do you want from me? He's like, I

2566
01:54:34,440 --> 01:54:36,600
Speaker 2: just want support. So I'm like, all right, you got it, bro,

2567
01:54:36,800 --> 01:54:39,200
Speaker 2: Like we've had an incredible ride. If this is where

2568
01:54:39,240 --> 01:54:43,160
Speaker 2: it's gonna go, like, let's do it and crush it

2569
01:54:43,200 --> 01:54:45,040
Speaker 2: and you never know, maybe it'll bring us back together

2570
01:54:45,080 --> 01:54:48,200
Speaker 2: and we can have a reunion tour or whatever. But uh,

2571
01:54:49,000 --> 01:54:51,640
Speaker 2: but it was he definitely initiated the whole thing from

2572
01:54:51,680 --> 01:54:54,760
Speaker 2: the beginning, and it kind of when I say, caught

2573
01:54:54,800 --> 01:54:56,720
Speaker 2: me off guard. It wasn't that we had never mentioned

2574
01:54:56,760 --> 01:54:58,240
Speaker 2: it before. It's just one of those things where I

2575
01:54:58,280 --> 01:55:00,640
Speaker 2: didn't think then. I didn't think it was gonna happened then,

2576
01:55:00,760 --> 01:55:04,560
Speaker 2: you know what I mean, Yeah, coming into a spot

2577
01:55:04,600 --> 01:55:06,760
Speaker 2: to where yeah, just in a sweet spot, just gotten

2578
01:55:06,800 --> 01:55:09,400
Speaker 2: out of our first deal, able to kind of negotiate

2579
01:55:09,440 --> 01:55:11,520
Speaker 2: where we want to go from there and have a

2580
01:55:11,560 --> 01:55:15,680
Speaker 2: lot of freedom, and we're in a great place. But yeah,

2581
01:55:15,920 --> 01:55:17,760
Speaker 2: for him, that was the right time, and and for me,

2582
01:55:17,840 --> 01:55:21,040
Speaker 2: I was like, well I'll just again. I kind of thought, well,

2583
01:55:21,080 --> 01:55:22,840
Speaker 2: I'll just stay in town and be a songwriter. That

2584
01:55:22,920 --> 01:55:25,200
Speaker 2: sounds like a fun gig, you know, just eleven to

2585
01:55:25,280 --> 01:55:27,760
Speaker 2: three life and hang out with I AM. At that point,

2586
01:55:27,800 --> 01:55:30,200
Speaker 2: I had we had just had our third kid, so

2587
01:55:30,320 --> 01:55:33,200
Speaker 2: I was pretty uh, you know, in the deep end

2588
01:55:33,280 --> 01:55:36,600
Speaker 2: on being a dad and figuring all that out. So

2589
01:55:36,680 --> 01:55:41,240
Speaker 2: I was pretty pretty occupied. But then a year or

2590
01:55:41,280 --> 01:55:43,040
Speaker 2: so later, I was like, man, I really miss like

2591
01:55:43,800 --> 01:55:46,200
Speaker 2: making records, I miss being on tour, I missed the

2592
01:55:46,240 --> 01:55:49,680
Speaker 2: whole aspect of the artist life. And so uh so, yeah,

2593
01:55:49,720 --> 01:55:52,800
Speaker 2: then I met I met my manager and felt really supported.

2594
01:55:52,840 --> 01:55:54,200
Speaker 2: I was like, man, I don't die back into this

2595
01:55:54,400 --> 01:55:56,960
Speaker 2: and see what I can do. And again, like I said, hurt,

2596
01:55:57,000 --> 01:55:58,360
Speaker 2: I heard that it couldn't be done. A couple of

2597
01:55:58,400 --> 01:55:59,880
Speaker 2: times I was like, man, I'd like to try.

2598
01:56:00,360 --> 01:56:00,560
Speaker 3: Yeah.

2599
01:56:00,880 --> 01:56:03,320
Speaker 2: So uh so, yeah, just sort of timing and life

2600
01:56:03,400 --> 01:56:05,720
Speaker 2: in general just sort of led us in that direction

2601
01:56:05,920 --> 01:56:09,920
Speaker 2: and uh, something that now I'm really grateful for. It

2602
01:56:09,960 --> 01:56:11,800
Speaker 2: has been a lot of fun. Rebuilding has been a

2603
01:56:11,840 --> 01:56:15,240
Speaker 2: lot of fun. Like it's incredible doing something with your

2604
01:56:15,280 --> 01:56:19,200
Speaker 2: friend and having a partner, but taking the dynamic back

2605
01:56:19,240 --> 01:56:21,600
Speaker 2: to the basics of just like me getting to be

2606
01:56:21,680 --> 01:56:24,680
Speaker 2: the leader that i'd like to be and getting to

2607
01:56:24,720 --> 01:56:26,160
Speaker 2: do it on my own and getting to kind of

2608
01:56:26,760 --> 01:56:31,760
Speaker 2: kind of build culture around uh, you know the type

2609
01:56:31,760 --> 01:56:33,440
Speaker 2: of culture that I want to that I want to build.

2610
01:56:34,640 --> 01:56:36,720
Speaker 2: And you got to think about it. When we started FGIL,

2611
01:56:36,760 --> 01:56:39,560
Speaker 2: we were like twenty three years old, bro Like, like

2612
01:56:39,880 --> 01:56:42,240
Speaker 2: we were just young, dumb and on a mission, you

2613
01:56:42,280 --> 01:56:44,240
Speaker 2: know what I'm saying, and learning as we were going.

2614
01:56:44,800 --> 01:56:46,360
Speaker 2: Now I get to kind of take all that and

2615
01:56:47,120 --> 01:56:49,200
Speaker 2: kind of rebuild with that in mind and a little

2616
01:56:49,200 --> 01:56:52,080
Speaker 2: bit more maturity and a little bit more uh gratitude

2617
01:56:52,200 --> 01:56:56,120
Speaker 2: and humility and all that makes for uh makes it

2618
01:56:56,240 --> 01:56:57,480
Speaker 2: for a fun a fun ride.

2619
01:56:57,560 --> 01:56:59,440
Speaker 3: When you're first like presenting with the hey I want

2620
01:56:59,480 --> 01:57:02,040
Speaker 3: to go amound so route, Like, is your first reaction

2621
01:57:03,560 --> 01:57:05,880
Speaker 3: I'm gonna support you or is it the natural? Yeah?

2622
01:57:05,960 --> 01:57:09,320
Speaker 1: Like you know you're just like, hey busting, We're not Hey,

2623
01:57:09,320 --> 01:57:13,600
Speaker 1: I'm not podcast just thinking what what's going on to

2624
01:57:13,640 --> 01:57:13,960
Speaker 1: you right now?

2625
01:57:14,040 --> 01:57:15,400
Speaker 3: Be like hey, well, I know it's a contract here,

2626
01:57:15,800 --> 01:57:20,800
Speaker 3: but honestly, you're just like support as your friend. I

2627
01:57:20,840 --> 01:57:22,640
Speaker 3: need your support and you're just like okay, I support you.

2628
01:57:23,200 --> 01:57:23,440
Speaker 2: Ship.

2629
01:57:23,800 --> 01:57:31,640
Speaker 3: Yeah, the human nature like anybody who essentially, like if

2630
01:57:31,680 --> 01:57:34,240
Speaker 3: you're together for ten years, like there's a level of divorce,

2631
01:57:34,320 --> 01:57:36,800
Speaker 3: like you guys are in a marriage essentially, and then

2632
01:57:36,920 --> 01:57:40,160
Speaker 3: you're not the one approaching the person about leaving. There's

2633
01:57:40,200 --> 01:57:43,040
Speaker 3: got to be some type of like, you know, are

2634
01:57:43,080 --> 01:57:44,240
Speaker 3: you all the.

2635
01:57:44,280 --> 01:57:47,920
Speaker 1: Work I did, Bro, all this supported you like where

2636
01:57:47,960 --> 01:57:52,800
Speaker 1: we've came from, where we've been, right, you were just

2637
01:57:52,880 --> 01:57:54,160
Speaker 1: the toppings guy, right.

2638
01:57:54,160 --> 01:57:57,760
Speaker 2: Yeah, right. There was definitely a period of time where

2639
01:57:57,760 --> 01:57:59,720
Speaker 2: I was just like confused and I'm just like, bro,

2640
01:58:00,120 --> 01:58:02,280
Speaker 2: like why like why now? And I even told him

2641
01:58:02,320 --> 01:58:06,760
Speaker 2: We had good conversations around it, like even like being

2642
01:58:06,800 --> 01:58:09,240
Speaker 2: real vulnerable, I'm like, bro, is it not like I

2643
01:58:10,000 --> 01:58:12,000
Speaker 2: feel like I'm not enough for you? Like you know

2644
01:58:12,040 --> 01:58:13,920
Speaker 2: what I mean? Like, honestly, it felt like a divorce

2645
01:58:13,960 --> 01:58:16,320
Speaker 2: where you're like bro, and BK had this thing where

2646
01:58:16,360 --> 01:58:18,320
Speaker 2: he's like, no, I still want to do Florida Georgia line.

2647
01:58:18,760 --> 01:58:20,920
Speaker 2: I just want to do the solo thing.

2648
01:58:21,000 --> 01:58:22,160
Speaker 3: Do you want to open relationship?

2649
01:58:22,240 --> 01:58:24,920
Speaker 2: And I had to tell him, I go, bro, from

2650
01:58:24,960 --> 01:58:27,480
Speaker 2: an emotional standpoint, I said, I know this is dramatic,

2651
01:58:28,200 --> 01:58:30,240
Speaker 2: but this is what it feels like. It feels like

2652
01:58:30,360 --> 01:58:33,320
Speaker 2: we're in a marriage and everything's great and we love

2653
01:58:33,400 --> 01:58:36,360
Speaker 2: the benefits, but you want to go sleep with the

2654
01:58:36,400 --> 01:58:39,000
Speaker 2: neighbors and come home at night and me be cool

2655
01:58:39,040 --> 01:58:41,360
Speaker 2: with it and just like jump back in bed and

2656
01:58:41,480 --> 01:58:44,160
Speaker 2: everything's cool and ah blah blah. And I said, emotionally,

2657
01:58:44,240 --> 01:58:46,840
Speaker 2: it feels like that, bro, Like I can't, I can't

2658
01:58:46,920 --> 01:58:50,839
Speaker 2: do both. I said, I'm going to give you the choice,

2659
01:58:51,480 --> 01:58:54,520
Speaker 2: but it's either Florida Georgia line or solo career, because

2660
01:58:54,640 --> 01:58:59,320
Speaker 2: also I don't have capacity to like do two careers.

2661
01:58:59,360 --> 01:59:01,440
Speaker 2: And I said, it's all so like super it's gonna

2662
01:59:01,480 --> 01:59:03,760
Speaker 2: get super sticky, like when we're writing songs who were

2663
01:59:03,760 --> 01:59:05,920
Speaker 2: writing for when we're when we got two show offers,

2664
01:59:05,960 --> 01:59:08,240
Speaker 2: an FGL day and a solo date, like what are

2665
01:59:08,280 --> 01:59:10,400
Speaker 2: we taking here? So like I'm just like I don't

2666
01:59:10,440 --> 01:59:13,240
Speaker 2: even logistically see how that would work, much less emotionally,

2667
01:59:13,360 --> 01:59:16,880
Speaker 2: so like unless BK, it opens for both of you, right.

2668
01:59:18,680 --> 01:59:20,800
Speaker 1: Of writing, like who's or Hey, that's a bang. Are

2669
01:59:20,920 --> 01:59:22,080
Speaker 1: we thinking we're gonna use that?

2670
01:59:22,320 --> 01:59:24,560
Speaker 2: Like, one thing I didn't know is like, Yo, it

2671
01:59:24,680 --> 01:59:28,840
Speaker 2: takes every ounce of creativity and energy that we got

2672
01:59:29,000 --> 01:59:31,640
Speaker 2: to keep this thing going. And we've always poured all

2673
01:59:31,640 --> 01:59:33,360
Speaker 2: of our energy into this, so like to think that

2674
01:59:33,440 --> 01:59:35,640
Speaker 2: we can only pour half of our energy into this

2675
01:59:35,720 --> 01:59:38,680
Speaker 2: and expect it to do anything is a little bit naive.

2676
01:59:38,760 --> 01:59:41,200
Speaker 2: And then I also told him, I'm like, bro, if

2677
01:59:41,240 --> 01:59:43,000
Speaker 2: you want to be a solo artist, you don't deserve

2678
01:59:43,080 --> 01:59:46,080
Speaker 2: to give yourself fifty percent, and I don't deserve fifty

2679
01:59:46,480 --> 01:59:48,680
Speaker 2: of you. So it's either you give me one hundred

2680
01:59:48,680 --> 01:59:50,560
Speaker 2: percent or you give yourself one hundred percent of you,

2681
01:59:51,040 --> 01:59:53,320
Speaker 2: so you can go crush it. But there's no like,

2682
01:59:53,920 --> 01:59:56,520
Speaker 2: we're not just gonna half ass both things. So so

2683
01:59:56,680 --> 01:59:58,880
Speaker 2: for me it was that's kind of where my that

2684
01:59:59,040 --> 02:00:00,760
Speaker 2: was my one boundary, you know. I was like, Yo,

2685
02:00:00,800 --> 02:00:03,320
Speaker 2: I'm all about it, dude, Like whatever you need to do,

2686
02:00:03,480 --> 02:00:06,800
Speaker 2: but here's my boundary. And so kind of gave him

2687
02:00:06,840 --> 02:00:09,800
Speaker 2: the choice and he chose to go do the solo thing.

2688
02:00:09,880 --> 02:00:11,440
Speaker 2: And at the time, like you said, I was kind

2689
02:00:11,480 --> 02:00:15,360
Speaker 2: of like, man like, dude, like this sucks, bro, like

2690
02:00:15,920 --> 02:00:17,200
Speaker 2: we built. Look what we've built.

2691
02:00:17,200 --> 02:00:19,000
Speaker 3: You know what I'm saying together like you and.

2692
02:00:19,120 --> 02:00:21,840
Speaker 2: Me, you know what I'm saying. And uh so, Yeah,

2693
02:00:21,880 --> 02:00:26,200
Speaker 2: there was definitely some weeks of kind of like healing.

2694
02:00:26,360 --> 02:00:27,720
Speaker 2: I would say, you know what I'm saying, Like we

2695
02:00:27,840 --> 02:00:30,760
Speaker 2: had talks with therapists and life coaches and we kind

2696
02:00:30,760 --> 02:00:31,600
Speaker 2: of susted it all out.

2697
02:00:31,720 --> 02:00:34,640
Speaker 3: Yeah, they were separate together that's awesome. Yeah, Uh, it's

2698
02:00:34,720 --> 02:00:35,640
Speaker 3: legitimately a marriage.

2699
02:00:36,120 --> 02:00:36,320
Speaker 1: Yeah.

2700
02:00:36,440 --> 02:00:37,760
Speaker 3: The more you talk about it, it's.

2701
02:00:37,720 --> 02:00:41,240
Speaker 2: Like yo, And it was always right. I compared it

2702
02:00:41,320 --> 02:00:44,280
Speaker 2: to that quite a bit because other than the sexual

2703
02:00:44,360 --> 02:00:47,760
Speaker 2: side of things, it was very similar to our marriages,

2704
02:00:47,800 --> 02:00:50,840
Speaker 2: where just like you know, it's a commitment, it takes work,

2705
02:00:50,920 --> 02:00:53,480
Speaker 2: it takes dedication, and you know, it's all the things

2706
02:00:53,520 --> 02:00:57,800
Speaker 2: when it comes to a partnership, uh, especially at that capacity.

2707
02:00:57,440 --> 02:00:57,640
Speaker 3: You know.

2708
02:00:57,800 --> 02:01:01,080
Speaker 2: So it was it's been interesting to navigate, but it's

2709
02:01:01,120 --> 02:01:03,520
Speaker 2: also been fun and looking in hindsight now, I'm like

2710
02:01:04,000 --> 02:01:07,040
Speaker 2: grateful for where we're at, grateful for that ride, grateful

2711
02:01:07,080 --> 02:01:09,520
Speaker 2: for the new you know ride that we're on, and

2712
02:01:10,480 --> 02:01:11,840
Speaker 2: you know, wouldn't have ever done it if he had

2713
02:01:11,920 --> 02:01:13,560
Speaker 2: initiated it. So at the end of the day, I

2714
02:01:13,680 --> 02:01:16,200
Speaker 2: kind of just sort of grateful that he did, you know.

2715
02:01:16,360 --> 02:01:18,040
Speaker 3: All right, So the way I'm picturing this in my

2716
02:01:18,120 --> 02:01:21,400
Speaker 3: head is you're in a ten year marriage. Everything seems good,

2717
02:01:22,480 --> 02:01:24,360
Speaker 3: comes home, honey, listen, I love you, but I think

2718
02:01:24,400 --> 02:01:27,040
Speaker 3: we should make this marriage open. You're like, I'm not

2719
02:01:27,080 --> 02:01:28,560
Speaker 3: going to do that. You have to make a decision.

2720
02:01:29,200 --> 02:01:32,080
Speaker 3: The decisions made. You're going through a divorce essentially, and

2721
02:01:32,240 --> 02:01:35,400
Speaker 3: you think, in your mind, I'm never gonna get married again. AKA,

2722
02:01:35,600 --> 02:01:38,080
Speaker 3: I'll be a songwriter. I can kind of fade off

2723
02:01:38,120 --> 02:01:39,840
Speaker 3: in the distance. I've had all this success and I

2724
02:01:39,880 --> 02:01:41,880
Speaker 3: can go make money making this catalog because that's where

2725
02:01:42,160 --> 02:01:44,840
Speaker 3: a lot of the money's at. How long was that

2726
02:01:44,960 --> 02:01:47,480
Speaker 3: process before You're like, you know what, fuck this dude.

2727
02:01:47,680 --> 02:01:50,400
Speaker 3: Enough people have said the solo acting can't happen. Like,

2728
02:01:50,880 --> 02:01:52,760
Speaker 3: if he's gonna go do it, I can go do

2729
02:01:52,840 --> 02:01:55,480
Speaker 3: it too. And in your mind everyone's in competition, right,

2730
02:01:55,560 --> 02:01:56,320
Speaker 3: probably do that better.

2731
02:01:56,360 --> 02:01:58,760
Speaker 2: Also, I think it was eight months or so summer.

2732
02:01:58,800 --> 02:02:01,160
Speaker 2: Six or eight months is not a ton of time

2733
02:02:01,240 --> 02:02:03,600
Speaker 2: went by, but enough for me to really process, take

2734
02:02:03,680 --> 02:02:06,280
Speaker 2: my time, be patient. And then the kicker was when

2735
02:02:06,280 --> 02:02:09,520
Speaker 2: I met my manager, because before I felt really alone, right,

2736
02:02:09,600 --> 02:02:14,560
Speaker 2: and I knew I just felt by alone. I mean,

2737
02:02:14,600 --> 02:02:16,520
Speaker 2: I just didn't have tons of support. I didn't feel

2738
02:02:16,520 --> 02:02:18,600
Speaker 2: like I had a team around me. I felt super alone.

2739
02:02:18,640 --> 02:02:21,000
Speaker 2: And I knew, like definitely been in the game long

2740
02:02:21,120 --> 02:02:22,960
Speaker 2: enough to know like you ain't doing it on your own,

2741
02:02:23,040 --> 02:02:24,640
Speaker 2: you got to have a good team around you. So

2742
02:02:24,720 --> 02:02:28,920
Speaker 2: when I met my manager, I felt super supported and

2743
02:02:29,040 --> 02:02:30,640
Speaker 2: I was just like, you know what, I think I

2744
02:02:30,680 --> 02:02:33,640
Speaker 2: could do this, especially with the help of this management team.

2745
02:02:35,400 --> 02:02:37,160
Speaker 2: And I had already been writing a bunch of songs

2746
02:02:37,200 --> 02:02:39,120
Speaker 2: at that point too, so I also had a good

2747
02:02:39,160 --> 02:02:41,400
Speaker 2: stack of songs where I'm like, and I could make

2748
02:02:41,440 --> 02:02:44,920
Speaker 2: a record tomorrow, so like, why not give it a shot?

2749
02:02:45,040 --> 02:02:45,200
Speaker 3: You know.

2750
02:02:45,320 --> 02:02:49,640
Speaker 2: But it did take that that like meeting him and

2751
02:02:49,720 --> 02:02:52,440
Speaker 2: feeling like, all right, I'm not loaning this. I have

2752
02:02:52,640 --> 02:02:54,680
Speaker 2: support team, I have somebody and bounce ideas off of

2753
02:02:54,760 --> 02:02:56,680
Speaker 2: because BK was a lot of that for me coming up.

2754
02:02:56,840 --> 02:03:01,400
Speaker 2: We bounced ideas off each other, and so when that

2755
02:03:01,560 --> 02:03:03,040
Speaker 2: was kind of gone, I'm like, man, I don't I

2756
02:03:03,040 --> 02:03:04,440
Speaker 2: don't know how to do this by myself.

2757
02:03:04,520 --> 02:03:06,840
Speaker 1: So you know it tall, Yeah, talk about that fear

2758
02:03:06,840 --> 02:03:09,200
Speaker 1: of failure, because I would say it's like literally top

2759
02:03:09,280 --> 02:03:11,480
Speaker 1: of the world to I just went through this divorce

2760
02:03:11,520 --> 02:03:13,920
Speaker 1: that probably took a while. There's probably friction everything else.

2761
02:03:13,960 --> 02:03:16,240
Speaker 1: It takes eight months of the kind of the emotional

2762
02:03:16,320 --> 02:03:17,960
Speaker 1: healing of it all and kind of seeing everything for

2763
02:03:18,040 --> 02:03:19,320
Speaker 1: what it is, Like, Hey, I got you know, I

2764
02:03:19,760 --> 02:03:21,720
Speaker 1: kind of want to move on. I'm writing, I like it,

2765
02:03:21,760 --> 02:03:23,680
Speaker 1: and now I'm kind of getting that itch to you know,

2766
02:03:23,760 --> 02:03:25,560
Speaker 1: I kind of want to perform, but talk through that

2767
02:03:25,640 --> 02:03:27,120
Speaker 1: fear of failure. You're like, Okay, I'm going to go

2768
02:03:27,200 --> 02:03:29,880
Speaker 1: back out there, and yeah, man, like falling flat on

2769
02:03:29,920 --> 02:03:32,280
Speaker 1: your face. It we all have it. It's like you

2770
02:03:32,400 --> 02:03:34,600
Speaker 1: we have this ego built up from like our glory days.

2771
02:03:35,120 --> 02:03:36,880
Speaker 1: It's like, I'm about to put myself back out there.

2772
02:03:37,280 --> 02:03:39,200
Speaker 1: Talk a little bit about that fear failure getting back

2773
02:03:39,240 --> 02:03:39,400
Speaker 1: in it.

2774
02:03:39,560 --> 02:03:41,879
Speaker 2: I mean, there was definitely a little bit of fear involved,

2775
02:03:41,880 --> 02:03:43,600
Speaker 2: and I would say for me, I had to mentally

2776
02:03:43,720 --> 02:03:45,600
Speaker 2: just say like, yo, do who you doing this for?

2777
02:03:46,080 --> 02:03:47,560
Speaker 2: You know what I'm saying, Like you're doing it for

2778
02:03:47,680 --> 02:03:49,400
Speaker 2: you or you doing it for some other reason. So

2779
02:03:50,240 --> 02:03:53,760
Speaker 2: I had to really just say like if I'm writing

2780
02:03:53,840 --> 02:03:56,040
Speaker 2: songs that I'm loving, if I'm recording and I'm proud

2781
02:03:56,080 --> 02:03:59,760
Speaker 2: of my art. Then that's all I can do, right, So, like,

2782
02:04:00,680 --> 02:04:03,400
Speaker 2: whether it's as big as FGL, it probably won't be

2783
02:04:03,520 --> 02:04:07,200
Speaker 2: because not many artists have ever been as big as FGL.

2784
02:04:07,320 --> 02:04:08,880
Speaker 2: So it's like I had to kind of just accept,

2785
02:04:08,960 --> 02:04:11,560
Speaker 2: like this might look different for me, but I want

2786
02:04:11,600 --> 02:04:15,440
Speaker 2: to go write songs that I'm passionate about that I

2787
02:04:15,560 --> 02:04:18,920
Speaker 2: love that might connect with other people and start playing

2788
02:04:18,960 --> 02:04:23,920
Speaker 2: shows again. Also, you know, I also had so much

2789
02:04:23,960 --> 02:04:25,880
Speaker 2: more to lift for right, So it wasn't like do

2790
02:04:26,120 --> 02:04:27,800
Speaker 2: or die with the music thing. It was like, man,

2791
02:04:27,880 --> 02:04:30,720
Speaker 2: let me just go enjoy making music and playing shows

2792
02:04:30,760 --> 02:04:33,360
Speaker 2: and just enjoy it and not worry about having to

2793
02:04:33,440 --> 02:04:36,160
Speaker 2: be the best all the time. Because then I was

2794
02:04:36,160 --> 02:04:38,880
Speaker 2: getting to come home to three kids a great wife.

2795
02:04:38,960 --> 02:04:42,000
Speaker 2: So in my perspective, I was like, yo, I'm already

2796
02:04:42,200 --> 02:04:45,360
Speaker 2: I'm winning, man, Like, even if the music thing isn't

2797
02:04:46,640 --> 02:04:49,760
Speaker 2: as big as FGL or trajectory doesn't take off like crazy,

2798
02:04:49,880 --> 02:04:52,760
Speaker 2: Like I'm proud of my album, I'm proud of who

2799
02:04:52,800 --> 02:04:55,040
Speaker 2: I am, I'm proud of how we've handled the situation,

2800
02:04:55,840 --> 02:04:57,360
Speaker 2: and I'm proud to come now. I get to come

2801
02:04:57,400 --> 02:04:59,720
Speaker 2: home to a great family, and this is how I

2802
02:04:59,760 --> 02:05:01,640
Speaker 2: want to continue to support them, you know, and I

2803
02:05:01,680 --> 02:05:03,920
Speaker 2: had to do something. I mean, writing songs would have

2804
02:05:04,400 --> 02:05:08,080
Speaker 2: supported my family, but but it just seemed like a

2805
02:05:08,120 --> 02:05:11,680
Speaker 2: piece of the puzzle, not not the whole puzzle. So yeah,

2806
02:05:11,720 --> 02:05:13,360
Speaker 2: there was I had to step into that a bit

2807
02:05:13,440 --> 02:05:15,920
Speaker 2: and be like, hey, if I fail, I'm gonna learn

2808
02:05:15,960 --> 02:05:18,000
Speaker 2: from it and get back up and keep crushing and

2809
02:05:18,720 --> 02:05:21,800
Speaker 2: not put too much pressure on myself. Try not to

2810
02:05:21,880 --> 02:05:25,280
Speaker 2: let my ego drive this thing. And you know, remember

2811
02:05:25,320 --> 02:05:26,200
Speaker 2: what life's all about.

2812
02:05:26,480 --> 02:05:29,240
Speaker 3: Yeah, so at one point seems like, at least the

2813
02:05:29,280 --> 02:05:31,040
Speaker 3: way I would think is I'm gonna go through my

2814
02:05:31,080 --> 02:05:33,400
Speaker 3: morning process. But then the thing that's going to get

2815
02:05:33,400 --> 02:05:36,000
Speaker 3: me out of that bed is revenge. Best revenge is

2816
02:05:36,040 --> 02:05:38,480
Speaker 3: massive success. And then it's like, okay, I got to

2817
02:05:38,560 --> 02:05:40,880
Speaker 3: check myself and be like, maybe maybe don't do it

2818
02:05:40,960 --> 02:05:42,920
Speaker 3: for those reasons, right right right, And all the things

2819
02:05:43,000 --> 02:05:45,280
Speaker 3: you just said when you were when you did those

2820
02:05:45,320 --> 02:05:48,280
Speaker 3: eight months eight months of like writing songs and you're like, okay,

2821
02:05:48,280 --> 02:05:50,880
Speaker 3: I'm gonna go do this solo act. Now U and

2822
02:05:51,000 --> 02:05:54,680
Speaker 3: BK shouldering the burden of being a lead together. What

2823
02:05:54,840 --> 02:05:57,200
Speaker 3: were some of the things that BK maybe have done

2824
02:05:57,280 --> 02:05:59,640
Speaker 3: more in FGL that you thought, Okay, I know that

2825
02:05:59,760 --> 02:06:01,360
Speaker 3: he did this for the most part, and how do

2826
02:06:01,480 --> 02:06:03,960
Speaker 3: I pick up that slack on my end becoming my

2827
02:06:04,040 --> 02:06:05,000
Speaker 3: own individual person.

2828
02:06:09,240 --> 02:06:11,560
Speaker 2: Good question, Bro. I'd say he was a lot of

2829
02:06:11,600 --> 02:06:13,920
Speaker 2: the times he was like the fun loving, like funny guy,

2830
02:06:14,080 --> 02:06:17,200
Speaker 2: like lighthearted, brought a lot of good energy to a room.

2831
02:06:17,360 --> 02:06:22,120
Speaker 2: You know, everybody loved to be around BK. Especially for

2832
02:06:22,200 --> 02:06:24,560
Speaker 2: the most of our career. He was just like and

2833
02:06:24,680 --> 02:06:29,240
Speaker 2: I might have been more like I don't know, maybe

2834
02:06:29,240 --> 02:06:30,440
Speaker 2: a little bit less of that person.

2835
02:06:30,560 --> 02:06:31,000
Speaker 1: So so.

2836
02:06:32,640 --> 02:06:34,280
Speaker 2: I'd say there were times where he was a great

2837
02:06:34,360 --> 02:06:36,720
Speaker 2: leader in those types of things, and I was able

2838
02:06:36,760 --> 02:06:39,360
Speaker 2: to sit take the back seat a bit, you know,

2839
02:06:39,560 --> 02:06:43,120
Speaker 2: and even subconsciously because I was more the lead vocal

2840
02:06:43,200 --> 02:06:47,080
Speaker 2: and more of the face. At times, I would subconsciously

2841
02:06:47,160 --> 02:06:49,600
Speaker 2: step out of certain roles more to allow him to

2842
02:06:50,080 --> 02:06:53,400
Speaker 2: step into certain roles, so that hopefully it was well balanced,

2843
02:06:53,400 --> 02:06:57,560
Speaker 2: you know what I mean. And so so now, you know,

2844
02:06:57,760 --> 02:07:01,080
Speaker 2: taking on all the roles and putting all them, I

2845
02:07:01,160 --> 02:07:04,240
Speaker 2: guess the pressure or all the responsibility on my shoulders

2846
02:07:04,360 --> 02:07:10,000
Speaker 2: was definitely new. But also again it was great because

2847
02:07:10,000 --> 02:07:12,200
Speaker 2: it allowed me to step into those roles that maybe

2848
02:07:12,240 --> 02:07:15,440
Speaker 2: I hadn't fully stepped into. Before the to the best

2849
02:07:15,520 --> 02:07:18,200
Speaker 2: of my ability, and so now I'm able to kind

2850
02:07:18,200 --> 02:07:20,000
Speaker 2: of lead the way that i'd like to be a leader,

2851
02:07:20,440 --> 02:07:23,800
Speaker 2: create culture that's not always worrying about like am I

2852
02:07:23,840 --> 02:07:25,840
Speaker 2: stepping on someone that my partner's toes or am I

2853
02:07:25,920 --> 02:07:29,400
Speaker 2: overshadowing my partner too much by investing in these people's

2854
02:07:29,440 --> 02:07:32,160
Speaker 2: lives or those types of things. So it's been interesting

2855
02:07:32,240 --> 02:07:36,040
Speaker 2: to kind of navigate and like and see how that's, uh,

2856
02:07:37,040 --> 02:07:39,360
Speaker 2: that's something I didn't even know, like until I was

2857
02:07:39,400 --> 02:07:41,840
Speaker 2: in it. I didn't even know that, like, oh, yeah,

2858
02:07:42,280 --> 02:07:44,960
Speaker 2: I remember like not really investing as much into this

2859
02:07:45,120 --> 02:07:48,040
Speaker 2: because I didn't I didn't want to look like I

2860
02:07:48,200 --> 02:07:50,400
Speaker 2: was trying to just like always, you know.

2861
02:07:50,560 --> 02:07:52,960
Speaker 3: Like do too much or do too much, yeah, try

2862
02:07:53,000 --> 02:07:53,920
Speaker 3: to take too much with the life.

2863
02:07:54,200 --> 02:07:55,960
Speaker 1: You can tell you've thought a lot of this stuff through,

2864
02:07:55,960 --> 02:07:57,960
Speaker 1: and I really appreciate and like respect kind of your

2865
02:07:58,040 --> 02:08:00,480
Speaker 1: perspective on all, because I'm sure it was as much

2866
02:08:00,560 --> 02:08:02,280
Speaker 1: as well as you can explain it right now, I'm

2867
02:08:02,320 --> 02:08:04,920
Speaker 1: sure it was just such a like process to get

2868
02:08:04,960 --> 02:08:07,200
Speaker 1: to a lot of these awareness points and everything else.

2869
02:08:07,080 --> 02:08:09,920
Speaker 2: Totally, and especially y'all remember like what twenty twenty was

2870
02:08:10,000 --> 02:08:12,840
Speaker 2: like twenty twenty one. I mean, it was chaos in

2871
02:08:12,920 --> 02:08:15,320
Speaker 2: all aspects of life. So like before we even decided

2872
02:08:15,320 --> 02:08:17,320
Speaker 2: to do this, we had already been off the road

2873
02:08:17,440 --> 02:08:20,120
Speaker 2: for like a year and a half, like wondering are

2874
02:08:20,160 --> 02:08:23,080
Speaker 2: we ever going to play shows again? Like what's going

2875
02:08:23,160 --> 02:08:27,200
Speaker 2: on with our career? Then the political thing, the political

2876
02:08:27,280 --> 02:08:30,200
Speaker 2: narrative came out that me and him were so different, polarizing,

2877
02:08:30,360 --> 02:08:32,720
Speaker 2: you know, politically, and a lot of people had these

2878
02:08:32,760 --> 02:08:36,480
Speaker 2: faults narratives about why this was even happening, because we

2879
02:08:36,520 --> 02:08:39,600
Speaker 2: weren't super upfront with the fans from the beginning, and

2880
02:08:39,720 --> 02:08:42,880
Speaker 2: so that was also a little unfortunate where I'm like,

2881
02:08:43,200 --> 02:08:45,440
Speaker 2: I'm in the back seat thinking like, no, guys, that's

2882
02:08:45,520 --> 02:08:48,960
Speaker 2: not really the situation or not really the case. But

2883
02:08:49,080 --> 02:08:51,280
Speaker 2: you can't control what people are thinking or saying, so

2884
02:08:51,400 --> 02:08:52,840
Speaker 2: you just kind of got a ride with it and

2885
02:08:52,920 --> 02:08:55,440
Speaker 2: just stick to your truth and just and let it be.

2886
02:08:55,600 --> 02:08:57,960
Speaker 2: So that was interesting, just an interesting few years of

2887
02:08:58,040 --> 02:08:59,560
Speaker 2: I mean, we all kind of went through just an

2888
02:08:59,640 --> 02:09:03,080
Speaker 2: interesting like how do we navigate the pandemic? How do

2889
02:09:03,160 --> 02:09:06,000
Speaker 2: we navigate all these factors in our culture at the time,

2890
02:09:06,160 --> 02:09:08,040
Speaker 2: So it was a it was a confusing and hard

2891
02:09:08,120 --> 02:09:09,400
Speaker 2: time but grateful for it.

2892
02:09:09,480 --> 02:09:11,840
Speaker 3: And it seems like, yeah, when all these narratives and

2893
02:09:11,840 --> 02:09:13,680
Speaker 3: all these like false things of why you guys are

2894
02:09:13,800 --> 02:09:17,640
Speaker 3: breaking up or mutually parting, like how did you? Like

2895
02:09:17,760 --> 02:09:19,720
Speaker 3: you obviously want to say something like did you go

2896
02:09:19,840 --> 02:09:21,880
Speaker 3: and hit the people up? Like, hey, can I say this?

2897
02:09:22,600 --> 02:09:28,560
Speaker 2: I felt like it was not really my h I

2898
02:09:28,560 --> 02:09:31,720
Speaker 2: don't want to say responsibility, but it wasn't my role,

2899
02:09:32,160 --> 02:09:34,280
Speaker 2: I felt like, and I felt like it was something

2900
02:09:34,360 --> 02:09:38,400
Speaker 2: that I want to be a k to do, and

2901
02:09:38,480 --> 02:09:40,160
Speaker 2: I felt like it was his. I didn't want to

2902
02:09:40,160 --> 02:09:41,680
Speaker 2: take that from him. I didn't want to be like, no,

2903
02:09:41,760 --> 02:09:44,320
Speaker 2: here's the situation, guys, blah blah blah blah blah. Yeah,

2904
02:09:45,160 --> 02:09:46,920
Speaker 2: So I kind of just sat back and I kept

2905
02:09:46,920 --> 02:09:49,040
Speaker 2: telling bek bro, we need to like I'd really love

2906
02:09:49,360 --> 02:09:50,960
Speaker 2: for you to tell the fans like what's going on,

2907
02:09:51,240 --> 02:09:53,000
Speaker 2: Like tell them your heart, tell them what we're doing,

2908
02:09:53,040 --> 02:09:55,000
Speaker 2: tell them why we're doing it, tell them give them,

2909
02:09:55,080 --> 02:09:57,160
Speaker 2: I said, because we want our fans to join us

2910
02:09:57,200 --> 02:09:59,000
Speaker 2: on our new journey. We don't want them to just

2911
02:10:00,520 --> 02:10:03,360
Speaker 2: just in with FGL and wonder whatever happened with FGL

2912
02:10:03,360 --> 02:10:05,120
Speaker 2: and when's FGL coming back? It needs to be a

2913
02:10:05,200 --> 02:10:07,720
Speaker 2: transition and these fans we built for the last decade

2914
02:10:07,760 --> 02:10:10,080
Speaker 2: that they can come with us if we allow them

2915
02:10:10,120 --> 02:10:12,240
Speaker 2: to and open the door and give them context. But

2916
02:10:12,360 --> 02:10:15,280
Speaker 2: otherwise they're just confused and they're angry. Yeah, we're just

2917
02:10:15,320 --> 02:10:18,240
Speaker 2: sitting in the back and assume everybody makes up the

2918
02:10:18,320 --> 02:10:20,360
Speaker 2: worries in their heads. So that was happening a lot,

2919
02:10:21,160 --> 02:10:24,000
Speaker 2: and it kind of still does because we still haven't

2920
02:10:24,040 --> 02:10:26,200
Speaker 2: really you know, it's not like me and b K

2921
02:10:26,320 --> 02:10:28,200
Speaker 2: have sat on it, sat down together and told the

2922
02:10:28,280 --> 02:10:30,240
Speaker 2: world like the real ins and outs, because I still

2923
02:10:30,240 --> 02:10:32,400
Speaker 2: think me and him both still have different, somewhat different

2924
02:10:32,440 --> 02:10:35,320
Speaker 2: narratives in our head about how it unfolded. But uh,

2925
02:10:35,640 --> 02:10:39,480
Speaker 2: but ultimately, we didn't talk about it very candidly from

2926
02:10:39,520 --> 02:10:41,360
Speaker 2: the beginning, so it allowed a lot of that kind

2927
02:10:41,400 --> 02:10:44,880
Speaker 2: of like people to make up stories and this and that,

2928
02:10:45,280 --> 02:10:46,880
Speaker 2: and then you throw politics in the middle of it

2929
02:10:46,920 --> 02:10:49,440
Speaker 2: and everybody just then it's an easy target for everybody

2930
02:10:49,440 --> 02:10:51,040
Speaker 2: to be like, oh, yeah, well it's we see why

2931
02:10:51,080 --> 02:10:52,760
Speaker 2: they broke up, you know, and it's like, well, really

2932
02:10:52,800 --> 02:10:53,400
Speaker 2: had nothing to do.

2933
02:10:53,480 --> 02:10:56,200
Speaker 3: With that, but yeah whatever, you know, Yeah, it's just

2934
02:10:56,320 --> 02:10:58,680
Speaker 3: probably one of the how how often have you spoken

2935
02:10:58,880 --> 02:11:01,680
Speaker 3: this openly? About that whole situation just.

2936
02:11:01,680 --> 02:11:02,320
Speaker 2: A few times.

2937
02:11:02,480 --> 02:11:02,680
Speaker 1: Yeah.

2938
02:11:02,840 --> 02:11:06,200
Speaker 2: Yeah, most people are uncomfortable talking about it really, Yeah,

2939
02:11:06,240 --> 02:11:08,760
Speaker 2: I fine, just because I don't know why. I don't

2940
02:11:08,760 --> 02:11:10,520
Speaker 2: know if it's there uncomfortable.

2941
02:11:09,960 --> 02:11:12,240
Speaker 3: Their personal business. And for you to sit with a

2942
02:11:12,280 --> 02:11:13,960
Speaker 3: microphone in your face and for me and Will to

2943
02:11:14,040 --> 02:11:16,320
Speaker 3: be like, so tell us about your breakup, Yeah, it's

2944
02:11:16,360 --> 02:11:18,680
Speaker 3: got to. It's a You're essentially opening yourself up to

2945
02:11:18,760 --> 02:11:20,040
Speaker 3: not only us but everybody listening.

2946
02:11:20,160 --> 02:11:23,280
Speaker 2: Right. It's therapeutic for me honestly, Like at this point especially,

2947
02:11:23,320 --> 02:11:25,000
Speaker 2: it's been like three and a half years, so I've,

2948
02:11:25,360 --> 02:11:29,240
Speaker 2: like you said, well, I've really processed a lot, and

2949
02:11:29,400 --> 02:11:31,480
Speaker 2: so to talk about it it is just another part

2950
02:11:31,520 --> 02:11:33,920
Speaker 2: of the process for me. And uh, I'm kind of

2951
02:11:33,960 --> 02:11:35,680
Speaker 2: an open book. I don't mind talking about it.

2952
02:11:35,960 --> 02:11:38,880
Speaker 1: It might have almost like I'm just picturing it, like

2953
02:11:38,920 --> 02:11:40,960
Speaker 1: if I'm like chilling with them. There's not a level

2954
02:11:41,000 --> 02:11:43,800
Speaker 1: of you that's that wants to it's like, hey, so

2955
02:11:44,080 --> 02:11:47,040
Speaker 1: so what happened? Because it almost you'd almost think the

2956
02:11:47,120 --> 02:11:49,440
Speaker 1: outside or a third party perspective would just be like, oh,

2957
02:11:49,480 --> 02:11:51,560
Speaker 1: I probably ended badly, and it might it might not

2958
02:11:51,680 --> 02:11:53,760
Speaker 1: be going as great as it once was because FGL

2959
02:11:53,880 --> 02:11:55,920
Speaker 1: was so high, so you almost like you almost don't

2960
02:11:55,920 --> 02:11:57,840
Speaker 1: want to open up something that might be close to

2961
02:11:57,920 --> 02:11:59,880
Speaker 1: you where it's like, Okay, I don't want to. I

2962
02:12:00,080 --> 02:12:00,800
Speaker 1: mean we navigate.

2963
02:12:00,800 --> 02:12:02,360
Speaker 3: You and I've done each other for what four years,

2964
02:12:02,800 --> 02:12:05,080
Speaker 3: and so I was your friend during all that. I

2965
02:12:05,200 --> 02:12:08,400
Speaker 3: never once for that exact reason, be around you, knowing

2966
02:12:08,400 --> 02:12:09,920
Speaker 3: all this stuff's going down. But in my head, I'm like,

2967
02:12:09,960 --> 02:12:12,040
Speaker 3: I don't want to. Hey, so Tyler, so what's going

2968
02:12:12,080 --> 02:12:13,960
Speaker 3: on with all this? Because you just don't want to

2969
02:12:15,720 --> 02:12:16,920
Speaker 3: put your friend in that position.

2970
02:12:17,000 --> 02:12:19,280
Speaker 2: Yeah. Yeah, You're like, I don't know how people handle it,

2971
02:12:19,400 --> 02:12:21,120
Speaker 2: you know, you don't know if people are more of

2972
02:12:21,160 --> 02:12:23,120
Speaker 2: an open book that like to talk about things, or

2973
02:12:23,120 --> 02:12:24,800
Speaker 2: maybe they like to keep it all in. But for me,

2974
02:12:24,960 --> 02:12:28,960
Speaker 2: I appreciated and enjoyed when my real friends would be like, hey, bro,

2975
02:12:29,200 --> 02:12:30,160
Speaker 2: like you doing all right?

2976
02:12:30,240 --> 02:12:30,320
Speaker 5: Bro?

2977
02:12:30,680 --> 02:12:31,120
Speaker 3: Doing good?

2978
02:12:31,240 --> 02:12:34,040
Speaker 2: Like how you feeling, man? Because this shit is not easy,

2979
02:12:34,120 --> 02:12:36,120
Speaker 2: you know what I'm saying. And I'd be like, you're right,

2980
02:12:36,160 --> 02:12:39,280
Speaker 2: it's not easy and I'm doing okay. But here's my

2981
02:12:39,440 --> 02:12:41,360
Speaker 2: you know, but I'm frustrated or this or that. So

2982
02:12:42,560 --> 02:12:44,400
Speaker 2: so we had and again that was during the time

2983
02:12:44,400 --> 02:12:46,520
Speaker 2: where we weren't able to see anybody. We weren't able

2984
02:12:46,560 --> 02:12:48,720
Speaker 2: to go really hang out. If you remember, it was

2985
02:12:48,760 --> 02:12:52,520
Speaker 2: all just like virtual dates and virtual rights and virtual everything. Yeah,

2986
02:12:53,200 --> 02:12:55,480
Speaker 2: you know, emotions were high. People didn't want to talk

2987
02:12:55,480 --> 02:12:58,480
Speaker 2: about anything that could potentially be touchy or controversial or

2988
02:12:59,080 --> 02:12:59,760
Speaker 2: or anything.

2989
02:13:00,040 --> 02:13:02,080
Speaker 3: Topason only wanted to talk about that, right. It was

2990
02:13:02,160 --> 02:13:02,760
Speaker 3: like one of the two.

2991
02:13:02,920 --> 02:13:04,800
Speaker 2: Right, you're right, you're right. So there's a lot of

2992
02:13:04,840 --> 02:13:07,960
Speaker 2: that going on. But uh, yeah, I had some some

2993
02:13:08,080 --> 02:13:11,560
Speaker 2: good buddies that you know, I kind of leaned leaned

2994
02:13:11,600 --> 02:13:15,520
Speaker 2: on and kind of like, you know, help me process

2995
02:13:15,560 --> 02:13:15,760
Speaker 2: through it.

2996
02:13:15,800 --> 02:13:18,240
Speaker 3: All we should do is get a couple of years

2997
02:13:18,280 --> 02:13:20,480
Speaker 3: down the road, get you and b K on here,

2998
02:13:21,040 --> 02:13:21,720
Speaker 3: just hash it out.

2999
02:13:22,120 --> 02:13:22,800
Speaker 2: Just hash it out.

3000
02:13:22,880 --> 02:13:25,960
Speaker 3: Therapy, therapeutic sessions with William.

3001
02:13:29,680 --> 02:13:32,400
Speaker 1: Partners to partners. Yeah you do, you guys talk anymore.

3002
02:13:33,040 --> 02:13:35,480
Speaker 2: It's pretty minimal now, bro, I don't I don't know

3003
02:13:35,600 --> 02:13:37,760
Speaker 2: if b K needs some space or what. But I

3004
02:13:38,040 --> 02:13:39,920
Speaker 2: still try to reach out on texts and stuff.

3005
02:13:40,000 --> 02:13:41,600
Speaker 1: But hey, congrats on me.

3006
02:13:42,200 --> 02:13:44,080
Speaker 2: Yeah that's what I do. Yeah, just congrats on the

3007
02:13:44,160 --> 02:13:47,520
Speaker 2: new song or whatever whatever. But uh, there's not a

3008
02:13:47,560 --> 02:13:48,680
Speaker 2: whole lot of engagement at.

3009
02:13:48,560 --> 02:13:50,960
Speaker 1: This point to be honest, you feel like FGL will

3010
02:13:51,600 --> 02:13:54,560
Speaker 1: get back together for reunion at some point down the road.

3011
02:13:55,560 --> 02:13:59,680
Speaker 2: It's really hard to say. Yeah, I'll never. I'll never

3012
02:13:59,720 --> 02:14:03,280
Speaker 2: say never, but a lot of stuff would have to change,

3013
02:14:03,600 --> 02:14:05,480
Speaker 2: to be honest, A lot of dynamics would have to

3014
02:14:05,800 --> 02:14:10,800
Speaker 2: There'd have to be some real long open conversations. Yeah,

3015
02:14:11,240 --> 02:14:13,640
Speaker 2: some healing would have to be done for sure before

3016
02:14:14,320 --> 02:14:15,080
Speaker 2: that ever happened.

3017
02:14:15,400 --> 02:14:17,440
Speaker 3: Yeah, hopefully, guys both just can never know.

3018
02:14:18,200 --> 02:14:21,680
Speaker 2: Yeah, man, just bring it back. I still I really yeah, exactly,

3019
02:14:21,720 --> 02:14:24,000
Speaker 2: that'd be kind of cool. I love that like narrative honestly,

3020
02:14:24,000 --> 02:14:26,360
Speaker 2: even if it's ten years down the road. Like That's

3021
02:14:26,400 --> 02:14:28,040
Speaker 2: why I really wish the best for b K. I

3022
02:14:28,120 --> 02:14:29,960
Speaker 2: hope he has a huge solo career because yeah, if

3023
02:14:30,000 --> 02:14:32,320
Speaker 2: we both have big careers and then come back and

3024
02:14:32,400 --> 02:14:34,200
Speaker 2: do something cool together, I think you could be there.

3025
02:14:35,080 --> 02:14:35,240
Speaker 5: Yeah.

3026
02:14:35,920 --> 02:14:37,560
Speaker 1: Remember when we were bitching out back in the day,

3027
02:14:37,640 --> 02:14:38,600
Speaker 1: like right, Yeah, it was.

3028
02:14:41,640 --> 02:14:43,560
Speaker 3: Like, hey, I'm sorry, both of them.

3029
02:14:43,640 --> 02:14:48,400
Speaker 2: Probably I'm sorry. No, he knows. I tell him, I'm like, Bro,

3030
02:14:48,840 --> 02:14:51,400
Speaker 2: I'm always here, bro if you ever want to like talk,

3031
02:14:51,680 --> 02:14:55,200
Speaker 2: grab coffee, like going to hike, Like, I'm here, Bro,

3032
02:14:55,360 --> 02:14:58,800
Speaker 2: I'm not mad at you. Uh, so it's good. I

3033
02:14:58,880 --> 02:15:01,320
Speaker 2: think he knows. He knows I'm at and he knows

3034
02:15:01,400 --> 02:15:03,680
Speaker 2: that I'm doing my thing, but I'm still here for him.

3035
02:15:03,840 --> 02:15:07,000
Speaker 1: Yeah, talk about do you had something to go?

3036
02:15:07,320 --> 02:15:09,760
Speaker 3: Just say so eight months down the road, you start this,

3037
02:15:10,200 --> 02:15:13,720
Speaker 3: your management team comes to you, like, how quickly because

3038
02:15:13,720 --> 02:15:14,920
Speaker 3: you should you do other songs on the banks, so

3039
02:15:14,960 --> 02:15:17,760
Speaker 3: you do an album tomorrow. How quickly did that process

3040
02:15:17,880 --> 02:15:18,360
Speaker 3: get started?

3041
02:15:21,800 --> 02:15:23,720
Speaker 2: It was pretty quick, bro, Once we hit the gas,

3042
02:15:23,840 --> 02:15:25,800
Speaker 2: I mean it was like, let's start recording music, let's

3043
02:15:25,840 --> 02:15:27,840
Speaker 2: start setting up strategy. What I loved about my new

3044
02:15:27,880 --> 02:15:30,120
Speaker 2: team was it was everything we do is super intentional,

3045
02:15:30,280 --> 02:15:34,240
Speaker 2: so like strategic everything. Yeah, so it's fun to really

3046
02:15:34,320 --> 02:15:36,360
Speaker 2: sit down, all right, what are we going to do here?

3047
02:15:36,440 --> 02:15:39,160
Speaker 2: What's the goals? How do we want to you know,

3048
02:15:40,160 --> 02:15:43,400
Speaker 2: reintroduce you to the world. Like what I found was

3049
02:15:43,440 --> 02:15:45,400
Speaker 2: a lot of people didn't really know who I was,

3050
02:15:45,600 --> 02:15:47,760
Speaker 2: Like as far as like who Tyler Hubbard is as

3051
02:15:47,800 --> 02:15:51,280
Speaker 2: a person. They thought they knew Florida George Line even

3052
02:15:51,320 --> 02:15:55,080
Speaker 2: in town, you know, like we had a reputation. People

3053
02:15:55,240 --> 02:15:57,520
Speaker 2: just assumed I was BK and BK was me, and

3054
02:15:57,600 --> 02:15:59,280
Speaker 2: we were one unit and we were the same and

3055
02:15:59,440 --> 02:16:01,840
Speaker 2: they also assume that we never changed in ten years,

3056
02:16:01,840 --> 02:16:04,960
Speaker 2: you know what I mean, that we're still just these crazy, wild,

3057
02:16:05,560 --> 02:16:09,680
Speaker 2: you know, three year old ego testicle. Yeah, and they're

3058
02:16:09,720 --> 02:16:13,840
Speaker 2: like all sleeves and a bunch of ego like we

3059
02:16:13,920 --> 02:16:16,400
Speaker 2: were twenty three years old even when we were thirty, right.

3060
02:16:16,480 --> 02:16:20,240
Speaker 2: It's like, so and that was probably part of partially

3061
02:16:20,320 --> 02:16:22,240
Speaker 2: our fault. But what I but I didn't realize that

3062
02:16:22,440 --> 02:16:24,680
Speaker 2: until I stepped into the solo thing, and that took

3063
02:16:24,760 --> 02:16:29,560
Speaker 2: me a minute to reintroduce myself to to not only

3064
02:16:29,640 --> 02:16:31,839
Speaker 2: the world, but to Nashville and to the music community

3065
02:16:31,880 --> 02:16:36,000
Speaker 2: and kind of say like, hey, you guys know the

3066
02:16:36,040 --> 02:16:38,360
Speaker 2: twenty three year old Tyler, but now I'm thirty four

3067
02:16:38,600 --> 02:16:40,840
Speaker 2: years old and I you know, I'm a different person

3068
02:16:40,920 --> 02:16:42,920
Speaker 2: and I want to introduce who I am now and

3069
02:16:43,720 --> 02:16:46,880
Speaker 2: here's the music I'm working on. And uh so all

3070
02:16:46,959 --> 02:16:49,440
Speaker 2: that was kind of like a blessing too, if you know,

3071
02:16:49,640 --> 02:16:52,120
Speaker 2: in hindsight, because you're like, man like, if we were

3072
02:16:52,160 --> 02:16:54,880
Speaker 2: still doing fgl like we might just still be known

3073
02:16:54,920 --> 02:16:59,160
Speaker 2: as the twenty three year old party band, you know.

3074
02:16:59,400 --> 02:17:02,000
Speaker 2: So again, it's just another one of those kind of

3075
02:17:02,120 --> 02:17:05,880
Speaker 2: blessings along the way that I got to re reintroduce

3076
02:17:06,000 --> 02:17:09,040
Speaker 2: myself and kind of rebuild my reputation, this more authentic

3077
02:17:09,120 --> 02:17:10,080
Speaker 2: to who I am at this point.

3078
02:17:10,120 --> 02:17:12,640
Speaker 1: You know, yeah, dude, I'm so fascinated to kind of

3079
02:17:13,600 --> 02:17:16,800
Speaker 1: know about the behind the scenes stuff of the business

3080
02:17:16,879 --> 02:17:19,800
Speaker 1: of music, because, like you you alluded to it earlier.

3081
02:17:19,879 --> 02:17:21,840
Speaker 1: You're like, oh, they're paying me, you know, how much

3082
02:17:21,879 --> 02:17:23,600
Speaker 1: does it take to cover your expenses a month or

3083
02:17:23,640 --> 02:17:25,520
Speaker 1: something like that. And if you're a big brain think,

3084
02:17:25,560 --> 02:17:27,720
Speaker 1: you're like, oh, man Tyler, he has no clue that

3085
02:17:27,800 --> 02:17:29,880
Speaker 1: he's an incredible writer. And if we're just dishing of

3086
02:17:29,920 --> 02:17:32,480
Speaker 1: fifteen hundred bucks a month for him to pump out

3087
02:17:32,520 --> 02:17:34,720
Speaker 1: songs that we might use, that they might use. And

3088
02:17:34,800 --> 02:17:37,480
Speaker 1: then you also alluded to we're about to be out

3089
02:17:37,520 --> 02:17:39,280
Speaker 1: of this first deal to where we're kind of set

3090
02:17:39,360 --> 02:17:41,680
Speaker 1: up for whatever we want to do. And then now

3091
02:17:41,720 --> 02:17:43,520
Speaker 1: you're talking about you know, I'm sending in these meetings,

3092
02:17:43,520 --> 02:17:45,960
Speaker 1: we're talking about strategizing. How am I going to reintroduce myself?

3093
02:17:46,080 --> 02:17:47,560
Speaker 1: Can you talk about some of that behind the scenes

3094
02:17:47,560 --> 02:17:50,280
Speaker 1: stuff with FGL because it seems like you guys just exploded.

3095
02:17:50,320 --> 02:17:52,560
Speaker 1: People saw like, oh shit, these guys are gonna be massive.

3096
02:17:52,640 --> 02:17:54,840
Speaker 1: Let's put enough dollars around him that we need to

3097
02:17:55,440 --> 02:17:58,400
Speaker 1: capitalize on. We'll throw FGL house down downtown, We'll do

3098
02:17:58,480 --> 02:18:00,800
Speaker 1: all these things. You're not in the strategy meetings. Can

3099
02:18:00,840 --> 02:18:02,080
Speaker 1: you talk about that at all? Yeah?

3100
02:18:02,120 --> 02:18:04,240
Speaker 2: I mean the music business is crazy, bro, and I

3101
02:18:04,320 --> 02:18:06,119
Speaker 2: think that's why I love it. And it's never it's

3102
02:18:06,160 --> 02:18:09,920
Speaker 2: always changing. So like, for example, when we signed our

3103
02:18:09,959 --> 02:18:13,280
Speaker 2: first record deal in twenty twelve, there wasn't even streaming

3104
02:18:13,520 --> 02:18:16,160
Speaker 2: back then, you know what I'm saying, which was like

3105
02:18:16,200 --> 02:18:19,880
Speaker 2: forever ago. But Spotify was no Spotify, there was no Pandora,

3106
02:18:20,240 --> 02:18:22,720
Speaker 2: there was no Apple Music. I mean it was Apple.

3107
02:18:22,840 --> 02:18:24,840
Speaker 2: It was where you go and buy songs.

3108
02:18:24,959 --> 02:18:28,039
Speaker 1: Yeah, remember that felt taboo because you'd still just lime

3109
02:18:28,120 --> 02:18:28,760
Speaker 1: wire right.

3110
02:18:29,959 --> 02:18:32,360
Speaker 2: Stealing the music, or you're going and buying an album, right.

3111
02:18:32,600 --> 02:18:35,440
Speaker 2: And that was and that changed pretty quickly, Like thirteen

3112
02:18:35,520 --> 02:18:38,600
Speaker 2: fourteen or so is when that streaming really became a thing.

3113
02:18:39,640 --> 02:18:42,320
Speaker 2: So even that as a as an example, where like,

3114
02:18:42,600 --> 02:18:44,840
Speaker 2: you know, you create this whole record deal around this

3115
02:18:44,959 --> 02:18:47,120
Speaker 2: whole business model, and then all of a sudden, the

3116
02:18:47,160 --> 02:18:51,119
Speaker 2: business model changes and there's new revenue being created from streaming,

3117
02:18:51,200 --> 02:18:53,160
Speaker 2: this going to the label that they didn't even account

3118
02:18:53,200 --> 02:18:54,960
Speaker 2: for in the original deal, so like for them, it

3119
02:18:55,080 --> 02:18:58,480
Speaker 2: was a huge win. But but yeah, bro, like the music.

3120
02:18:58,520 --> 02:19:00,280
Speaker 2: That's why I love the music business because as as

3121
02:19:00,520 --> 02:19:02,440
Speaker 2: soon as you get it figured out, it changes and

3122
02:19:02,560 --> 02:19:07,160
Speaker 2: you're just like okay. But it's also super complex and complicated.

3123
02:19:07,320 --> 02:19:10,000
Speaker 2: And I even went to school for music business, Bro,

3124
02:19:10,080 --> 02:19:12,200
Speaker 2: I went to Belmont Study. That was my major music

3125
02:19:12,280 --> 02:19:15,200
Speaker 2: business and I probably could learned more in school, to

3126
02:19:15,240 --> 02:19:18,440
Speaker 2: be honest with myself, but I still felt like.

3127
02:19:20,600 --> 02:19:20,920
Speaker 6: Degree.

3128
02:19:21,160 --> 02:19:23,320
Speaker 2: But I'm still pretty green and I'm still like, even

3129
02:19:23,360 --> 02:19:25,120
Speaker 2: to this day, I'm figuring it out, you know. But

3130
02:19:25,600 --> 02:19:27,560
Speaker 2: it's a lot of fun because it is so intricate

3131
02:19:27,600 --> 02:19:30,640
Speaker 2: and there's so so many layers you can kind of unfold,

3132
02:19:30,760 --> 02:19:34,280
Speaker 2: unpeel and and uh from the publishing company side of things,

3133
02:19:34,360 --> 02:19:37,200
Speaker 2: to the record label side, to the management side, to

3134
02:19:37,959 --> 02:19:40,040
Speaker 2: development side and artists side. I mean, there's just a

3135
02:19:40,120 --> 02:19:44,280
Speaker 2: lot of intricate little yeah things. So it's uh, it

3136
02:19:44,360 --> 02:19:46,800
Speaker 2: can be a scary business just because you never really

3137
02:19:46,840 --> 02:19:50,280
Speaker 2: fully understand it all right, but it's also fun keeps

3138
02:19:50,280 --> 02:19:52,160
Speaker 2: you on your toes because it's not it's not static.

3139
02:19:52,640 --> 02:19:54,520
Speaker 1: Would there be friction with the label, like when the

3140
02:19:54,600 --> 02:19:57,119
Speaker 1: new revenue would get generated from like the streaming service

3141
02:19:57,160 --> 02:19:59,200
Speaker 1: and be like, okay, well, I mean contractually they have

3142
02:19:59,280 --> 02:20:02,640
Speaker 1: the right suc X, Y and Z, but give me

3143
02:20:02,640 --> 02:20:05,160
Speaker 1: a little bit yeah, let me get a little bit on.

3144
02:20:05,280 --> 02:20:08,200
Speaker 2: We had a pretty good dynamic and relationship with our

3145
02:20:08,920 --> 02:20:11,640
Speaker 2: record label through our whole career, probably because we were

3146
02:20:11,680 --> 02:20:15,480
Speaker 2: making them so much money, but it was good, you know,

3147
02:20:15,600 --> 02:20:17,920
Speaker 2: and we had kind of the relationship where they were

3148
02:20:17,920 --> 02:20:20,160
Speaker 2: a little more like behind the scenes and we would

3149
02:20:20,200 --> 02:20:22,080
Speaker 2: go and do our thing creatively and then just turn

3150
02:20:22,120 --> 02:20:24,720
Speaker 2: in our projects and ask them for our needs and

3151
02:20:24,760 --> 02:20:26,560
Speaker 2: they would usually give us what we needed. And it

3152
02:20:26,680 --> 02:20:29,240
Speaker 2: was kind of because sometimes you get too many cooks

3153
02:20:29,280 --> 02:20:31,560
Speaker 2: in the kitchen, you know, people want to be involved,

3154
02:20:31,600 --> 02:20:35,160
Speaker 2: and it can get really it can get more difficult,

3155
02:20:35,280 --> 02:20:37,960
Speaker 2: cluttered up everybody's opinions because music is so objective and

3156
02:20:38,040 --> 02:20:40,240
Speaker 2: opinionated that it's just sometimes it's like, no, we just

3157
02:20:40,280 --> 02:20:43,320
Speaker 2: want to keep a tight circle of creatives that we

3158
02:20:43,600 --> 02:20:45,480
Speaker 2: love and trust, and we're going to have you know,

3159
02:20:46,080 --> 02:20:49,879
Speaker 2: our manager, our producer and basically me and BK we're

3160
02:20:49,879 --> 02:20:51,879
Speaker 2: going to make the decisions and execute all the things

3161
02:20:51,959 --> 02:20:54,400
Speaker 2: and then we'll we'll turn it in and the label

3162
02:20:54,720 --> 02:20:57,120
Speaker 2: we'll you know, exploit it. Or work it or however

3163
02:20:57,160 --> 02:20:59,520
Speaker 2: you want to look at it. But so for that,

3164
02:20:59,640 --> 02:21:01,680
Speaker 2: but I talked to artists friends of mine. You know

3165
02:21:01,840 --> 02:21:07,600
Speaker 2: that it can just get so diluted and confusing and

3166
02:21:08,360 --> 02:21:10,000
Speaker 2: uh kind of over complicated.

3167
02:21:10,080 --> 02:21:10,280
Speaker 1: Yeah.

3168
02:21:10,280 --> 02:21:12,360
Speaker 2: Sure, so it's a it's a complex thing. But we

3169
02:21:12,520 --> 02:21:14,720
Speaker 2: we we got pretty lucky along the way. To be honest,

3170
02:21:14,760 --> 02:21:17,120
Speaker 2: we never we never had that. But I set this.

3171
02:21:17,360 --> 02:21:19,640
Speaker 2: I set the stage really early when the first label

3172
02:21:19,680 --> 02:21:22,080
Speaker 2: meeting we ever had, I was like, look again, this

3173
02:21:22,240 --> 02:21:24,000
Speaker 2: is that twenty three year old ego coming out. But

3174
02:21:24,040 --> 02:21:26,680
Speaker 2: I was like, hey, guys, we don't even need y'all.

3175
02:21:27,400 --> 02:21:29,600
Speaker 2: Me and BK got this and we're gonna build and

3176
02:21:29,640 --> 02:21:32,000
Speaker 2: we're out here building fans and building a career. If

3177
02:21:32,040 --> 02:21:33,640
Speaker 2: you guys want to be a part of our career,

3178
02:21:34,000 --> 02:21:35,640
Speaker 2: then you're welcome to join us, but you're going to

3179
02:21:35,680 --> 02:21:37,560
Speaker 2: do it our way, and we're going to learn from

3180
02:21:37,560 --> 02:21:39,240
Speaker 2: you guys. But you guys aren't going to dictate what

3181
02:21:39,320 --> 02:21:40,680
Speaker 2: we do. You're not going to try to change us,

3182
02:21:40,720 --> 02:21:42,880
Speaker 2: tell us what to do. None of that's happened here.

3183
02:21:42,959 --> 02:21:44,400
Speaker 2: So if you guys want to sign us, just know

3184
02:21:44,480 --> 02:21:46,600
Speaker 2: that ahead of time. And and literally that kind of

3185
02:21:46,640 --> 02:21:49,240
Speaker 2: stood the test of time, and they really kind of

3186
02:21:49,320 --> 02:21:51,760
Speaker 2: like something ego sounds good, good will, it's a little

3187
02:21:51,760 --> 02:21:53,920
Speaker 2: bit of both, but it was like beneficial ego, right

3188
02:21:54,040 --> 02:21:57,120
Speaker 2: or whatever, Like yeah, right, that's just the ego you need,

3189
02:21:57,240 --> 02:21:59,640
Speaker 2: just the amount of confidence, like set the stage for

3190
02:21:59,720 --> 02:22:02,520
Speaker 2: what's happen, because a lot of times artists don't know

3191
02:22:02,600 --> 02:22:03,920
Speaker 2: who they are, what they want to do, or nothing

3192
02:22:03,959 --> 02:22:05,880
Speaker 2: like that, and it makes it easy for labels to

3193
02:22:05,920 --> 02:22:09,680
Speaker 2: come in and somewhat manipulate or you know, I think

3194
02:22:09,720 --> 02:22:11,600
Speaker 2: they're going to mold somebody into what they want. A

3195
02:22:11,640 --> 02:22:13,560
Speaker 2: lot of times that doesn't just just doesn't work well.

3196
02:22:13,680 --> 02:22:16,040
Speaker 2: So it was nice to have that already kind of

3197
02:22:16,080 --> 02:22:16,680
Speaker 2: in place with.

3198
02:22:16,760 --> 02:22:19,840
Speaker 3: Your process and like setting that tone. Did you ever

3199
02:22:19,920 --> 02:22:21,880
Speaker 3: run into the label being like, hey, maybe you should

3200
02:22:21,879 --> 02:22:23,360
Speaker 3: make the song a little more X Y and Z,

3201
02:22:23,480 --> 02:22:25,600
Speaker 3: a little more poppy, a little more like this, because

3202
02:22:25,600 --> 02:22:27,240
Speaker 3: this is what's in right now, this is what the region,

3203
02:22:28,120 --> 02:22:29,400
Speaker 3: this is what labels.

3204
02:22:29,120 --> 02:22:29,560
Speaker 6: Do do that.

3205
02:22:29,879 --> 02:22:32,960
Speaker 2: Yeah, sure, But for some reason in our scenario, it

3206
02:22:33,160 --> 02:22:35,640
Speaker 2: was they just trusted us, and I think I don't

3207
02:22:35,640 --> 02:22:38,360
Speaker 2: know if we spoke this out loud, but it was

3208
02:22:38,400 --> 02:22:40,840
Speaker 2: sort of that understanding of you do it our way

3209
02:22:41,160 --> 02:22:43,280
Speaker 2: until it don't work, and then we'll listen to your way.

3210
02:22:44,160 --> 02:22:46,720
Speaker 2: And fortunately for us, it always kind of worked. So

3211
02:22:46,920 --> 02:22:51,960
Speaker 2: we never had a real like creative dispute or kind

3212
02:22:52,000 --> 02:22:54,400
Speaker 2: of you know, we didn't really butt haas too much.

3213
02:22:54,600 --> 02:22:57,760
Speaker 2: It was very much like, Okay, whatever you guys want

3214
02:22:57,800 --> 02:22:59,680
Speaker 2: to do, we'll do it, and it most of the

3215
02:22:59,760 --> 02:23:01,720
Speaker 2: time that worked out. There was a few times where

3216
02:23:01,720 --> 02:23:03,480
Speaker 2: they pushed on a single. I mean we did have

3217
02:23:03,640 --> 02:23:08,360
Speaker 2: We did but heads once or twice, and but ultimately

3218
02:23:08,400 --> 02:23:10,320
Speaker 2: it worked out. But for the most part, I was thankful.

3219
02:23:10,360 --> 02:23:12,039
Speaker 2: It was just like, hey, y'all, let us do our thing,

3220
02:23:13,320 --> 02:23:14,600
Speaker 2: and we'll let y'all do your thing.

3221
02:23:14,879 --> 02:23:16,080
Speaker 1: What was the single they pushed on.

3222
02:23:16,520 --> 02:23:19,120
Speaker 2: It was one of the last singles. I think wanted

3223
02:23:19,200 --> 02:23:21,440
Speaker 2: us to put out a little Bit as a single

3224
02:23:21,480 --> 02:23:23,600
Speaker 2: at country radio, which is basically a hip hop song,

3225
02:23:24,280 --> 02:23:26,160
Speaker 2: and we knew it was going to be our last single,

3226
02:23:26,400 --> 02:23:29,000
Speaker 2: and I was just like, I'd rather not put that

3227
02:23:29,120 --> 02:23:32,680
Speaker 2: single out because radios first of all, not going to

3228
02:23:32,720 --> 02:23:34,760
Speaker 2: play this song. Secondly, I don't want to end on

3229
02:23:34,800 --> 02:23:36,880
Speaker 2: a hip hop song. I wanted to I want to

3230
02:23:36,920 --> 02:23:38,680
Speaker 2: end strong on a great country song. You know, we've

3231
02:23:38,680 --> 02:23:39,480
Speaker 2: got an album full.

3232
02:23:39,320 --> 02:23:39,959
Speaker 3: Of country songs.

3233
02:23:40,480 --> 02:23:42,680
Speaker 2: So that was a little bit of like that was

3234
02:23:42,920 --> 02:23:46,600
Speaker 2: a little frustrating because ultimately the label has the power

3235
02:23:46,640 --> 02:23:47,480
Speaker 2: to do whatever they wanted to do.

3236
02:23:47,600 --> 02:23:50,160
Speaker 3: Really, yeah, of the day, so you have your voice

3237
02:23:50,480 --> 02:23:50,760
Speaker 3: like we have.

3238
02:23:52,160 --> 02:23:53,920
Speaker 2: They kind of pulled that card and did their thing

3239
02:23:54,000 --> 02:23:59,720
Speaker 2: and and that's why I'm not right now. But it

3240
02:24:00,320 --> 02:24:02,000
Speaker 2: worked out. Yeah, it worked out. It was great.

3241
02:24:02,080 --> 02:24:04,879
Speaker 3: When you talk about the strategy of like rebranding yourself

3242
02:24:05,200 --> 02:24:07,280
Speaker 3: thirty four year old Tyler Hubbard to the entire world,

3243
02:24:07,400 --> 02:24:10,320
Speaker 3: Like what went into the strategy? Like how obviously you're

3244
02:24:10,440 --> 02:24:12,760
Speaker 3: uniquely yourself and you know who your yourself is, but

3245
02:24:13,400 --> 02:24:16,480
Speaker 3: how does one show themselves in the light they want

3246
02:24:16,520 --> 02:24:17,440
Speaker 3: to be shown to the world.

3247
02:24:17,800 --> 02:24:19,360
Speaker 2: Well, yo, I first of all had to go on

3248
02:24:19,440 --> 02:24:21,080
Speaker 2: a deep dive myself because.

3249
02:24:20,959 --> 02:24:29,720
Speaker 3: I think, you know, yeah, yeah, me and Rogers dude

3250
02:24:30,440 --> 02:24:32,240
Speaker 3: talking to God, just having a journey.

3251
02:24:34,200 --> 02:24:36,560
Speaker 2: But no, dude, I said, I sat, uh, spent some

3252
02:24:36,680 --> 02:24:39,560
Speaker 2: time like really diving into like who I am now,

3253
02:24:40,400 --> 02:24:42,480
Speaker 2: how do I want to be portrayed? How do I

3254
02:24:42,560 --> 02:24:45,200
Speaker 2: want to present myself? What's important to me? What do

3255
02:24:45,280 --> 02:24:47,040
Speaker 2: I want to say in my music? What do what

3256
02:24:47,480 --> 02:24:49,119
Speaker 2: do I want my music to make people feel?

3257
02:24:49,200 --> 02:24:49,240
Speaker 3: Like?

3258
02:24:50,080 --> 02:24:53,400
Speaker 2: You know and ultimately, uh, it was it was a

3259
02:24:53,520 --> 02:24:56,400
Speaker 2: really good time of self discovery, you know what I'm saying,

3260
02:24:56,400 --> 02:24:58,039
Speaker 2: where I was like, Okay, it felt like I knew

3261
02:24:58,040 --> 02:25:00,280
Speaker 2: myself well at that point, but I I had to

3262
02:25:00,360 --> 02:25:02,720
Speaker 2: kind of vocalize it. And because I think even me,

3263
02:25:03,680 --> 02:25:07,880
Speaker 2: even myself would kind of fall to that, uh, holding

3264
02:25:07,959 --> 02:25:09,800
Speaker 2: up the reputation that we might have had. You know

3265
02:25:09,840 --> 02:25:11,800
Speaker 2: what I'm saying, like, well, I can't do this and

3266
02:25:11,879 --> 02:25:14,840
Speaker 2: that within FGL because it's not what FGL does. So

3267
02:25:15,120 --> 02:25:17,959
Speaker 2: when the when the slate was kind of white clean,

3268
02:25:18,000 --> 02:25:19,680
Speaker 2: and I was able to just like really suck it

3269
02:25:19,720 --> 02:25:23,039
Speaker 2: out and take some time to think about it again,

3270
02:25:23,080 --> 02:25:24,920
Speaker 2: I have I had a great life coach. It helped

3271
02:25:25,040 --> 02:25:26,400
Speaker 2: kind of like navigate that.

3272
02:25:26,480 --> 02:25:26,800
Speaker 5: With me.

3273
02:25:28,680 --> 02:25:31,280
Speaker 2: Once the song started like coming together. I mean I

3274
02:25:31,360 --> 02:25:33,480
Speaker 2: probably had a pile of like thirty or forty songs

3275
02:25:33,520 --> 02:25:36,800
Speaker 2: that I really loved, but like narrowing it down to

3276
02:25:36,879 --> 02:25:40,440
Speaker 2: an album and figuring out, Okay, I wanted to be dynamic, diverse.

3277
02:25:40,480 --> 02:25:42,000
Speaker 2: I want people to know that, Hey, I still like

3278
02:25:42,080 --> 02:25:45,560
Speaker 2: to have a good time, but I love my family.

3279
02:25:46,000 --> 02:25:48,360
Speaker 2: I'm a man of faith. I like to you know,

3280
02:25:48,640 --> 02:25:50,440
Speaker 2: I like to write songs from the heart too. You know,

3281
02:25:50,520 --> 02:25:52,360
Speaker 2: there's I lost my dad when I was twenty, So

3282
02:25:52,480 --> 02:25:54,720
Speaker 2: let's touch on that, like letting the fans in on

3283
02:25:54,840 --> 02:25:57,160
Speaker 2: my on a little bit more of who I am

3284
02:25:57,320 --> 02:26:00,080
Speaker 2: and where I came from, my story with some that

3285
02:26:00,120 --> 02:26:01,800
Speaker 2: I had never got to do before, you know, because

3286
02:26:01,840 --> 02:26:04,760
Speaker 2: usually you know, when you got a partner and you're

3287
02:26:04,800 --> 02:26:06,440
Speaker 2: in a you're in a group, you don't get as

3288
02:26:06,480 --> 02:26:09,720
Speaker 2: personal with it, you know, just again just for that

3289
02:26:10,000 --> 02:26:12,600
Speaker 2: dynamic aspect, so that everything we do is like an

3290
02:26:12,720 --> 02:26:16,600
Speaker 2: US thing. So so that was it was really fun

3291
02:26:16,680 --> 02:26:18,280
Speaker 2: to dive in and be like, man, who am I?

3292
02:26:18,360 --> 02:26:19,800
Speaker 2: And what do I you know, what do I want

3293
02:26:19,840 --> 02:26:21,120
Speaker 2: to leave? What's my legacy?

3294
02:26:21,200 --> 02:26:21,360
Speaker 1: You know?

3295
02:26:21,520 --> 02:26:23,959
Speaker 2: Do I want to I don't want I think FGL

3296
02:26:24,120 --> 02:26:28,080
Speaker 2: is just like chapter one, you know, and so so yeah,

3297
02:26:28,080 --> 02:26:31,280
Speaker 2: it was cool to kind of go there and figure

3298
02:26:31,320 --> 02:26:34,160
Speaker 2: it out. And I feel like now people probably know

3299
02:26:34,240 --> 02:26:36,920
Speaker 2: the most authentic version of who I am, and uh,

3300
02:26:37,240 --> 02:26:39,720
Speaker 2: it's been fun to kind of figure that out when.

3301
02:26:39,600 --> 02:26:42,760
Speaker 3: You're when when you go in this deep dive and

3302
02:26:42,800 --> 02:26:46,760
Speaker 3: you come back, what is how did your management team

3303
02:26:47,680 --> 02:26:51,800
Speaker 3: publicly display you? Okay, you're a man of faith, family man,

3304
02:26:52,560 --> 02:26:54,440
Speaker 3: write songs from the heart, lost your dad when you

3305
02:26:54,480 --> 02:26:57,840
Speaker 3: were twenty, was there like a strategy that went to, Okay,

3306
02:26:58,000 --> 02:26:59,640
Speaker 3: we need your social media. It's going to look like

3307
02:26:59,760 --> 02:27:02,560
Speaker 3: X Y or kind of because there's there is a

3308
02:27:02,640 --> 02:27:06,120
Speaker 3: level of like to change your reputation, you need to

3309
02:27:06,600 --> 02:27:09,320
Speaker 3: first change it yourself and then present it to the world.

3310
02:27:09,879 --> 02:27:11,760
Speaker 3: How does how does the management team present it to

3311
02:27:11,800 --> 02:27:12,080
Speaker 3: the world.

3312
02:27:12,160 --> 02:27:14,320
Speaker 2: Well, first of all, I'll never forget one of the

3313
02:27:14,360 --> 02:27:18,120
Speaker 2: first meetings I had with the management team was I

3314
02:27:18,200 --> 02:27:20,000
Speaker 2: sat down with them and they had a They had

3315
02:27:20,120 --> 02:27:23,440
Speaker 2: like a two page paper full of questions that were

3316
02:27:23,520 --> 02:27:26,480
Speaker 2: like some were service level, some were like really hard

3317
02:27:26,600 --> 02:27:30,200
Speaker 2: questions who are you? Like what do you what do

3318
02:27:30,280 --> 02:27:32,640
Speaker 2: you want to say to the world, Like really hard

3319
02:27:32,720 --> 02:27:34,600
Speaker 2: questions that I like sat with and live with, you know.

3320
02:27:34,800 --> 02:27:37,240
Speaker 2: So they were getting to know me through that process,

3321
02:27:37,280 --> 02:27:39,320
Speaker 2: But I was getting to know myself in that current,

3322
02:27:39,520 --> 02:27:42,080
Speaker 2: current state and that current time. And so once we

3323
02:27:42,200 --> 02:27:44,199
Speaker 2: sort of established that and they had a good grasp

3324
02:27:44,280 --> 02:27:47,640
Speaker 2: of like who I am, my personality, what what kind

3325
02:27:47,680 --> 02:27:50,680
Speaker 2: of like personality traits we wanted to lean in on

3326
02:27:50,959 --> 02:27:54,160
Speaker 2: that were, you know, really who I was. It was

3327
02:27:54,240 --> 02:27:58,080
Speaker 2: fun to kind of to kind of strategize together. But

3328
02:27:58,160 --> 02:28:01,360
Speaker 2: a lot of that came with sitting down with the town,

3329
02:28:01,600 --> 02:28:04,200
Speaker 2: if you will, and just face to face meetings. Man,

3330
02:28:04,320 --> 02:28:07,039
Speaker 2: just playing on my knee music, sharing with my heart,

3331
02:28:07,320 --> 02:28:11,080
Speaker 2: sharing where I was, who I was, and then just

3332
02:28:11,160 --> 02:28:14,120
Speaker 2: trying to be fully me. You know, there's a there's

3333
02:28:14,120 --> 02:28:15,600
Speaker 2: a lot of different sides of who I am. But

3334
02:28:15,720 --> 02:28:17,920
Speaker 2: it was fun to kind of and it took time, dude,

3335
02:28:17,959 --> 02:28:20,039
Speaker 2: I mean we spent weeks. You know, they'd set up

3336
02:28:20,080 --> 02:28:23,640
Speaker 2: meetings with all the DSPs individually, so I'd sit down

3337
02:28:23,720 --> 02:28:28,120
Speaker 2: and just sort of reintroduce myself very very literally in

3338
02:28:28,240 --> 02:28:30,360
Speaker 2: a sense of like you know, I know, you guys

3339
02:28:30,480 --> 02:28:32,720
Speaker 2: know me from FGIL, but here's who I am and

3340
02:28:32,760 --> 02:28:36,120
Speaker 2: where I'm at now in life. And we got to say,

3341
02:28:36,120 --> 02:28:39,000
Speaker 2: and it says when the town or win the room,

3342
02:28:39,600 --> 02:28:42,440
Speaker 2: when the town win the world. So we literally started

3343
02:28:42,640 --> 02:28:44,680
Speaker 2: in a room, you know what I mean, And slowly

3344
02:28:44,760 --> 02:28:47,240
Speaker 2: but surely we but like we were winning the room,

3345
02:28:47,320 --> 02:28:49,160
Speaker 2: and then we would then we were winning the town,

3346
02:28:49,520 --> 02:28:53,280
Speaker 2: and now we're winning the world. Trying to you know,

3347
02:28:53,800 --> 02:28:56,480
Speaker 2: as a as a process strategy, as opposed, it doesn't

3348
02:28:56,480 --> 02:28:58,600
Speaker 2: happen overnight either. It's just you know, one thing at

3349
02:28:58,640 --> 02:29:00,879
Speaker 2: a time. So that was kind of ourmo It was.

3350
02:29:00,879 --> 02:29:03,120
Speaker 1: Probably awesome too, like once you start playing for everybody,

3351
02:29:03,240 --> 02:29:06,800
Speaker 1: like them, seeing the reaction, the positive reaction to your

3352
02:29:06,879 --> 02:29:09,200
Speaker 1: new music, because yeah, you're getting to know yourself, which

3353
02:29:09,280 --> 02:29:11,080
Speaker 1: is a very vulnerable state for anybody to be in

3354
02:29:11,440 --> 02:29:12,520
Speaker 1: to do that. And they'd be like, all right, well

3355
02:29:12,560 --> 02:29:14,360
Speaker 1: now I'm about to step out here in front of everybody, like,

3356
02:29:15,280 --> 02:29:16,640
Speaker 1: let's go fucking see.

3357
02:29:16,600 --> 02:29:18,320
Speaker 2: See if they Let's see if they resonate.

3358
02:29:18,480 --> 02:29:18,720
Speaker 1: Yeah.

3359
02:29:18,840 --> 02:29:21,320
Speaker 2: Putting out that first single or playing those first few shows,

3360
02:29:21,360 --> 02:29:24,680
Speaker 2: you know, you're just like, well, ope, they dig it. Yeah,

3361
02:29:25,000 --> 02:29:25,680
Speaker 2: they're coming to this.

3362
02:29:26,560 --> 02:29:28,240
Speaker 3: But walking into the room with like your a guitar,

3363
02:29:28,400 --> 02:29:30,600
Speaker 3: be like, all right, guys playing some of this new music.

3364
02:29:30,760 --> 02:29:32,520
Speaker 3: I am were just suit sitting there like give us

3365
02:29:32,560 --> 02:29:35,439
Speaker 3: your best shot, brother, Yeah, that's gotta be nerve wracking.

3366
02:29:35,240 --> 02:29:36,160
Speaker 2: Kind of well for sure.

3367
02:29:36,360 --> 02:29:38,440
Speaker 3: Yeah that's definitely let me do that again. Let me

3368
02:29:38,480 --> 02:29:38,920
Speaker 3: hit that one much?

3369
02:29:39,920 --> 02:29:43,279
Speaker 2: Yeah yeah yeah, but it was fun. God, the challenge.

3370
02:29:43,440 --> 02:29:45,480
Speaker 3: So the first album comes out, see like it seemed

3371
02:29:45,480 --> 02:29:47,760
Speaker 3: like I was doing really well. I don't follow ratings

3372
02:29:47,840 --> 02:29:51,480
Speaker 3: or anything like that. Were you surprised? Happy? Like what

3373
02:29:51,720 --> 02:29:54,720
Speaker 3: was your first like your emotions towards your first album solo?

3374
02:29:54,800 --> 02:29:55,360
Speaker 3: They came out.

3375
02:29:55,480 --> 02:29:56,200
Speaker 2: I was pumped. Bro.

3376
02:29:56,440 --> 02:29:56,680
Speaker 1: Yeah.

3377
02:29:56,760 --> 02:29:59,160
Speaker 2: The first single went to number one, and I think

3378
02:29:59,200 --> 02:30:02,600
Speaker 2: that was sort of like, Okay, okay, there, you know,

3379
02:30:03,040 --> 02:30:05,960
Speaker 2: I still have a spot at country radio. They're still

3380
02:30:06,160 --> 02:30:08,039
Speaker 2: you know, they're behind me, They're backing me. I felt

3381
02:30:08,240 --> 02:30:10,240
Speaker 2: more and more support. So with more and more support,

3382
02:30:10,280 --> 02:30:14,400
Speaker 2: it just came more momentum and more confidence, you know

3383
02:30:14,440 --> 02:30:17,680
Speaker 2: what I mean. And then I dropped my album and

3384
02:30:17,800 --> 02:30:19,920
Speaker 2: it was received really well. And then my second single

3385
02:30:19,959 --> 02:30:21,800
Speaker 2: came to country radio and it went to number one,

3386
02:30:22,560 --> 02:30:25,959
Speaker 2: and again it was just like, okay, all right, I'm

3387
02:30:26,000 --> 02:30:28,920
Speaker 2: back in the game, baby, I'm you know, and I'm competitive.

3388
02:30:29,520 --> 02:30:31,760
Speaker 2: I got I got a slot at country radio because

3389
02:30:31,800 --> 02:30:34,879
Speaker 2: it is a super competitive. There's so many artists out

3390
02:30:34,879 --> 02:30:36,480
Speaker 2: there that are trying to get that spot, you know

3391
02:30:36,520 --> 02:30:38,560
Speaker 2: what I mean. So it was really nice to be like, Okay,

3392
02:30:38,959 --> 02:30:41,880
Speaker 2: I still got support from country radio. The fans are

3393
02:30:41,879 --> 02:30:45,760
Speaker 2: resonating with the music at the time, you know, last year,

3394
02:30:45,840 --> 02:30:47,960
Speaker 2: playing tons of shows and watching every night, just kind

3395
02:30:48,000 --> 02:30:51,280
Speaker 2: of grow and grow and grow, and just kind of

3396
02:30:51,280 --> 02:30:55,520
Speaker 2: took that momentum into my next project. And at this point,

3397
02:30:55,560 --> 02:30:57,560
Speaker 2: I'm feeling like, man, I've kind of found my stride.

3398
02:30:57,680 --> 02:31:01,480
Speaker 2: I'm in a groove, the fans are showing up, and

3399
02:31:01,600 --> 02:31:04,199
Speaker 2: it's just steady growing and watching it grows is fun.

3400
02:31:04,440 --> 02:31:07,200
Speaker 3: Yeah, all for you too, yep, but just gotta be

3401
02:31:07,440 --> 02:31:09,400
Speaker 3: Are you a unique feeling? Yeah for sure when you

3402
02:31:09,520 --> 02:31:11,720
Speaker 3: look at your this album, what it like? Obviously the

3403
02:31:11,800 --> 02:31:13,840
Speaker 3: songs are gonna be different. But what is a different

3404
02:31:13,920 --> 02:31:16,400
Speaker 3: vibe between this new album coming out and your last album?

3405
02:31:17,440 --> 02:31:21,120
Speaker 2: Ah, this one's probably it's a little shorter. I say

3406
02:31:21,160 --> 02:31:24,080
Speaker 2: this album is kind of creative for the fans, and uh,

3407
02:31:25,200 --> 02:31:27,920
Speaker 2: I've been saying this, but it's so true. Like last

3408
02:31:28,000 --> 02:31:30,160
Speaker 2: year was the first time that I met my fans,

3409
02:31:30,280 --> 02:31:32,760
Speaker 2: like my personal fans, like in person and got to

3410
02:31:32,800 --> 02:31:37,240
Speaker 2: play show a show for them and watch what's resonating,

3411
02:31:37,320 --> 02:31:39,560
Speaker 2: see what's connecting, see what's working, see what's missing.

3412
02:31:39,680 --> 02:31:39,840
Speaker 1: You know.

3413
02:31:40,040 --> 02:31:42,000
Speaker 2: So I was at the same time that I was

3414
02:31:42,040 --> 02:31:44,120
Speaker 2: out playing all these shows, I was also taking mental

3415
02:31:44,200 --> 02:31:46,120
Speaker 2: notes and being like all right, going straight back to

3416
02:31:46,200 --> 02:31:48,560
Speaker 2: the bus and starting to write songs that were like

3417
02:31:49,240 --> 02:31:50,600
Speaker 2: I feel like this set could use this, or I

3418
02:31:50,640 --> 02:31:52,200
Speaker 2: feel like I want to play something like this live,

3419
02:31:52,320 --> 02:31:54,400
Speaker 2: or I think the fans really dig this, And so

3420
02:31:54,560 --> 02:31:57,560
Speaker 2: we kind of reverse engineered this project and it's it's

3421
02:31:57,640 --> 02:31:59,920
Speaker 2: just made. It's just a fun project. It's really made

3422
02:32:00,040 --> 02:32:02,240
Speaker 2: to play live, and it's it's really for the fans.

3423
02:32:02,280 --> 02:32:05,039
Speaker 2: Where my first project, my first album was the sole

3424
02:32:05,080 --> 02:32:07,879
Speaker 2: purpose was to introduce myself, you know, and to say here,

3425
02:32:07,959 --> 02:32:11,160
Speaker 2: here's who I am. Face name songs. You know, it's

3426
02:32:11,320 --> 02:32:12,840
Speaker 2: very just cutting druy. I mean you can even look

3427
02:32:12,840 --> 02:32:16,840
Speaker 2: at the album cover. It's like face name songs, you know.

3428
02:32:17,280 --> 02:32:19,840
Speaker 2: Like so so now it's a little bit like okay,

3429
02:32:20,160 --> 02:32:22,360
Speaker 2: now we know each other. Now let's let's have some

3430
02:32:22,440 --> 02:32:24,920
Speaker 2: fun with it. So yeah, it's feeling good a song

3431
02:32:25,000 --> 02:32:25,320
Speaker 2: for the fans.

3432
02:32:25,360 --> 02:32:27,480
Speaker 3: You talk about writing like like going right from a

3433
02:32:27,560 --> 02:32:30,200
Speaker 3: venue into the bus, yeah, and getting after it. You

3434
02:32:30,360 --> 02:32:33,200
Speaker 3: hear like when all the breakup and stuff is going on,

3435
02:32:33,800 --> 02:32:36,280
Speaker 3: there's all the nationals a small town, so everyone's whispering

3436
02:32:36,280 --> 02:32:39,200
Speaker 3: to everybody else's business. And I always heard, like the

3437
02:32:39,240 --> 02:32:42,000
Speaker 3: guy he really writes all the music. He's really the guy,

3438
02:32:42,120 --> 02:32:44,720
Speaker 3: the writer. And so how hard, Like what is your

3439
02:32:44,760 --> 02:32:46,959
Speaker 3: process like writing is it does it come very naturally

3440
02:32:47,040 --> 02:32:47,879
Speaker 3: to you writing?

3441
02:32:48,240 --> 02:32:51,480
Speaker 2: It does? Yeah, it does, And I've been doing it

3442
02:32:51,560 --> 02:32:53,720
Speaker 2: for so long and I just love like living in

3443
02:32:53,840 --> 02:32:57,120
Speaker 2: Nashville and being around so many epic songwriters, you know

3444
02:32:57,160 --> 02:32:59,879
Speaker 2: what I mean, and getting in the room and collaborate

3445
02:33:00,000 --> 02:33:01,760
Speaker 2: and then just writing songs. And a lot of times,

3446
02:33:03,200 --> 02:33:06,120
Speaker 2: you know, I've written with no intention, you know, just

3447
02:33:06,200 --> 02:33:07,640
Speaker 2: to write a song, to write a song and see

3448
02:33:07,680 --> 02:33:10,240
Speaker 2: where it goes to like, hey, this song's for us.

3449
02:33:10,360 --> 02:33:12,760
Speaker 2: Let's try to be very intentional with this song. We

3450
02:33:12,840 --> 02:33:16,080
Speaker 2: want to record the song. And then I've also, especially lately,

3451
02:33:16,120 --> 02:33:18,000
Speaker 2: I've been doing tons of rits with other artists, which

3452
02:33:18,080 --> 02:33:21,080
Speaker 2: is probably one of my top favorite things to do

3453
02:33:21,280 --> 02:33:26,520
Speaker 2: is try to like, you know, I guess pull from

3454
02:33:26,560 --> 02:33:28,240
Speaker 2: another artist, like what do you want to say? What

3455
02:33:28,320 --> 02:33:30,360
Speaker 2: do you basically hang the dartboard is what I call it,

3456
02:33:30,400 --> 02:33:32,080
Speaker 2: and then sit there and try to hit bulls eye

3457
02:33:32,760 --> 02:33:35,040
Speaker 2: with the song and so and when you when you

3458
02:33:35,160 --> 02:33:36,800
Speaker 2: hit a bull's eye and you leave that day, you

3459
02:33:36,959 --> 02:33:42,360
Speaker 2: just feel so like fulfilled. I think this is going

3460
02:33:42,400 --> 02:33:44,520
Speaker 2: to be perfect for this artist. Hopefully this artist now

3461
02:33:44,800 --> 02:33:47,680
Speaker 2: can have a big old hit and they can have

3462
02:33:47,760 --> 02:33:50,160
Speaker 2: a career, you know, And so that's really fulfilling for

3463
02:33:50,240 --> 02:33:53,480
Speaker 2: me as a songwriter. But but yeah, when it comes

3464
02:33:53,520 --> 02:33:55,560
Speaker 2: to writing, for me, it did take a little bit

3465
02:33:55,600 --> 02:33:58,600
Speaker 2: of time to kind of like shift the narrative and think, Okay,

3466
02:33:58,600 --> 02:34:01,000
Speaker 2: I'm not writing for a band, I'm not writing for FGL.

3467
02:34:01,440 --> 02:34:03,280
Speaker 2: This is a whole nother thing. So what do I

3468
02:34:03,360 --> 02:34:05,600
Speaker 2: want to What do I want this to be? Like?

3469
02:34:05,680 --> 02:34:07,600
Speaker 1: How do I get to know this artist and bring

3470
02:34:07,760 --> 02:34:09,039
Speaker 1: out what they're wanting to say?

3471
02:34:09,120 --> 02:34:10,480
Speaker 2: Yeah? Bro, I sit in a room and just start

3472
02:34:10,520 --> 02:34:13,160
Speaker 2: asking questions for a little while before we even get

3473
02:34:13,240 --> 02:34:15,800
Speaker 2: going right, and I'm just like, all right, Like what's next?

3474
02:34:15,840 --> 02:34:17,640
Speaker 2: Where do you want to go? What kind of song

3475
02:34:17,680 --> 02:34:18,080
Speaker 2: do you want to?

3476
02:34:18,240 --> 02:34:18,360
Speaker 1: You know?

3477
02:34:18,640 --> 02:34:18,680
Speaker 6: Do?

3478
02:34:19,720 --> 02:34:21,200
Speaker 1: What do you need? You know?

3479
02:34:21,240 --> 02:34:23,520
Speaker 2: When are you recording next? What's your projects sound like?

3480
02:34:23,760 --> 02:34:23,920
Speaker 1: You know?

3481
02:34:24,720 --> 02:34:26,879
Speaker 2: Just because if you're writing, if you don't set the intention,

3482
02:34:27,040 --> 02:34:28,520
Speaker 2: then you can write a great song and it can

3483
02:34:28,600 --> 02:34:30,880
Speaker 2: be like a great song that completely doesn't fit what

3484
02:34:30,879 --> 02:34:33,880
Speaker 2: they're doing. So sometimes it's important.

3485
02:34:33,959 --> 02:34:35,440
Speaker 3: But we're some of those guys that to write with

3486
02:34:35,480 --> 02:34:39,680
Speaker 3: the most. Yeah, yeah, you know a lot of those

3487
02:34:39,720 --> 02:34:42,480
Speaker 3: guys know who his favorites were, not favorites.

3488
02:34:42,520 --> 02:34:48,959
Speaker 1: I'm sure he loves them all, But couple collaborations, man,

3489
02:34:49,000 --> 02:34:49,760
Speaker 1: there's some good ones.

3490
02:34:49,800 --> 02:34:52,400
Speaker 2: Dude. Chase McGill comes to the top of mine. He's

3491
02:34:52,959 --> 02:34:56,120
Speaker 2: a buddy of mine. That's just super talented. My producer

3492
02:34:56,240 --> 02:34:58,000
Speaker 2: Jordan Smith. He's a lot of fun to write with.

3493
02:34:58,160 --> 02:35:00,160
Speaker 2: I've been writing with him for years and he's just

3494
02:35:00,760 --> 02:35:06,840
Speaker 2: become quite the song smith. Michael Hardy Sorry Hardy, Yeah

3495
02:35:06,879 --> 02:35:10,199
Speaker 2: he is. He is one of the best. In my opinions.

3496
02:35:10,320 --> 02:35:11,840
Speaker 2: We've been writing for a long time.

3497
02:35:11,920 --> 02:35:13,960
Speaker 3: It was the first day I heard his first name too, Michael.

3498
02:35:16,200 --> 02:35:17,120
Speaker 1: Okay, all right, I got it.

3499
02:35:17,200 --> 02:35:22,520
Speaker 2: That's when uh snow, he's an Ernest. He's a sick

3500
02:35:22,640 --> 02:35:23,360
Speaker 2: He's a sick writer.

3501
02:35:23,440 --> 02:35:25,560
Speaker 1: I knew that one. That's an OG throwback, right.

3502
02:35:26,000 --> 02:35:29,000
Speaker 2: Uh, there's a lot, bro. I mean, there's some legends,

3503
02:35:29,280 --> 02:35:32,480
Speaker 2: Rodney Clawson's and you know, Craig Wiseman, people that believed

3504
02:35:32,480 --> 02:35:34,560
Speaker 2: in me coming up. I still love writing with them

3505
02:35:34,640 --> 02:35:36,840
Speaker 2: and look up to them a ton. But like I said,

3506
02:35:36,879 --> 02:35:39,360
Speaker 2: there's this town is so full of great writers, dude,

3507
02:35:39,360 --> 02:35:42,680
Speaker 2: it's crazy. Josh Miller comes to mind. He's one of

3508
02:35:42,720 --> 02:35:46,840
Speaker 2: the greatst Casey Brown producer writer that I love. So

3509
02:35:46,920 --> 02:35:47,800
Speaker 2: we're gonna keep going.

3510
02:35:47,959 --> 02:35:50,080
Speaker 3: So nobody them all.

3511
02:35:50,320 --> 02:35:50,480
Speaker 2: Thanks.

3512
02:35:50,560 --> 02:35:53,920
Speaker 3: We don't forget anybody. Ernest dude, he seems like, I mean,

3513
02:35:53,959 --> 02:35:55,760
Speaker 3: that's the one that comes to mind for me always as.

3514
02:35:55,680 --> 02:35:58,160
Speaker 2: Far as song would be a lot of fun in

3515
02:35:58,200 --> 02:36:00,800
Speaker 2: the room with They can both do anything. They can

3516
02:36:00,879 --> 02:36:04,440
Speaker 2: do rap, rock, country, really well, you know, really well, yeah,

3517
02:36:04,520 --> 02:36:08,000
Speaker 2: Emo album, it's so good. But I'm like, bro, you

3518
02:36:08,080 --> 02:36:11,080
Speaker 2: don't even know, right, I got a phone full of

3519
02:36:11,200 --> 02:36:13,560
Speaker 2: songs that y'all ain't never heard. They are gonna blow

3520
02:36:13,600 --> 02:36:16,000
Speaker 2: your mind that this is Ernest right, he sounds.

3521
02:36:15,680 --> 02:36:16,360
Speaker 1: Like that, you know.

3522
02:36:16,480 --> 02:36:18,680
Speaker 3: I mean he's been on me about releasing that Emo.

3523
02:36:19,080 --> 02:36:20,920
Speaker 3: Know that podcast we did in super Bowl with him?

3524
02:36:21,080 --> 02:36:24,160
Speaker 1: Oh? I know he he hit the chat recently, did he?

3525
02:36:24,680 --> 02:36:26,480
Speaker 1: I think we got a reason to have him back

3526
02:36:26,520 --> 02:36:26,800
Speaker 1: on too?

3527
02:36:27,440 --> 02:36:29,280
Speaker 3: Oh do we? Yeah album?

3528
02:36:30,360 --> 02:36:30,400
Speaker 1: No?

3529
02:36:30,920 --> 02:36:34,240
Speaker 3: O ye yeah, not for the tyler you know, no, no, we.

3530
02:36:34,280 --> 02:36:36,000
Speaker 1: Can't in front of time. Just don't want to give

3531
02:36:36,000 --> 02:36:36,760
Speaker 1: the fans the people.

3532
02:36:36,840 --> 02:36:39,560
Speaker 3: You're right, You're right, it's something we can cut, It's right. Yeah.

3533
02:36:39,600 --> 02:36:41,920
Speaker 3: But the Ernest, that dude, this the shitty pulls out

3534
02:36:41,920 --> 02:36:44,840
Speaker 3: of his ass right nowhere. To me, is like so

3535
02:36:44,920 --> 02:36:48,720
Speaker 3: impressive and the the uh like the fear, like you know,

3536
02:36:48,840 --> 02:36:51,800
Speaker 3: it's like singing in front of somebody just on a whim.

3537
02:36:52,160 --> 02:36:54,520
Speaker 3: It's kind of like nerve wracking. Even I don't sing,

3538
02:36:54,680 --> 02:36:56,840
Speaker 3: but I'll do it, but I get nervous and ernest

3539
02:36:56,879 --> 02:36:58,640
Speaker 3: will just kind of just start singing for no reason.

3540
02:36:58,720 --> 02:37:01,240
Speaker 3: Sometimes out of nowhere. You're kind of just like, you know,

3541
02:37:02,280 --> 02:37:03,880
Speaker 3: and I was just like like, oh, okay, I guess

3542
02:37:03,920 --> 02:37:06,600
Speaker 3: we're in it. You'll seem like, not ten seconds he'll

3543
02:37:06,640 --> 02:37:09,600
Speaker 3: sing tun and a the whole slide right, the whole song. Yeah,

3544
02:37:09,800 --> 02:37:11,640
Speaker 3: like we we enjoyed ourselves.

3545
02:37:12,120 --> 02:37:14,360
Speaker 2: Yeah, Yeah, he's a He's a beast, bro he really.

3546
02:37:14,640 --> 02:37:16,560
Speaker 2: It's been fun watching him come into his own and

3547
02:37:17,200 --> 02:37:17,960
Speaker 2: you know, do his thing.

3548
02:37:18,000 --> 02:37:19,880
Speaker 3: He's got an album coming out similar time as you too,

3549
02:37:20,080 --> 02:37:20,600
Speaker 3: is he? Yeah?

3550
02:37:20,840 --> 02:37:22,760
Speaker 2: Great, I believe nobody's gonna I.

3551
02:37:22,720 --> 02:37:28,760
Speaker 3: Guess I should have said, I don't know. He got

3552
02:37:28,800 --> 02:37:30,080
Speaker 3: like twenty six songs on that thing.

3553
02:37:30,280 --> 02:37:31,840
Speaker 1: When does When's your new album come out?

3554
02:37:32,080 --> 02:37:32,800
Speaker 2: April twelfth?

3555
02:37:33,000 --> 02:37:35,280
Speaker 1: April twelfth, Let's fucking Garnes comes.

3556
02:37:35,200 --> 02:37:37,520
Speaker 2: Out April eleven around the corner, right.

3557
02:37:37,600 --> 02:37:39,840
Speaker 3: He's like cock clock right, you don't know what it is.

3558
02:37:40,280 --> 02:37:43,560
Speaker 3: I know it's a summertime, but April twelfth, is anybody

3559
02:37:43,600 --> 02:37:44,760
Speaker 3: else on the albums? Are just you?

3560
02:37:45,520 --> 02:37:45,720
Speaker 5: Just me?

3561
02:37:45,920 --> 02:37:49,160
Speaker 2: Man like collaborations? Yeah, but I'm about ready. I need

3562
02:37:49,240 --> 02:37:51,560
Speaker 2: to dive back into the collab world. I've been pretty

3563
02:37:51,600 --> 02:37:54,240
Speaker 2: intentional about I said no to a lot just because

3564
02:37:54,240 --> 02:37:57,080
Speaker 2: I'm really not time. I still need to like basically

3565
02:37:57,200 --> 02:37:59,480
Speaker 2: get my own two feet playing it in the ground,

3566
02:37:59,520 --> 02:38:02,400
Speaker 2: and then we can get back to making some music.

3567
02:38:02,520 --> 02:38:04,000
Speaker 3: How do you sift through that in your mind of

3568
02:38:04,120 --> 02:38:07,200
Speaker 3: like doing a collaboration, Like if a guy like you know,

3569
02:38:07,320 --> 02:38:10,160
Speaker 3: Hardy or Jelly or these other guys that you know

3570
02:38:10,200 --> 02:38:12,240
Speaker 3: I have had the solo act for a little bit, Yeah,

3571
02:38:12,320 --> 02:38:13,640
Speaker 3: that would help you get there faster.

3572
02:38:14,120 --> 02:38:15,960
Speaker 2: I think it's all about the song. I think the

3573
02:38:16,040 --> 02:38:18,680
Speaker 2: song's got to be great first and foremost, and then

3574
02:38:18,720 --> 02:38:22,040
Speaker 2: it's got to be about the timing and then and

3575
02:38:22,080 --> 02:38:24,800
Speaker 2: then they got to have a good team or I'm

3576
02:38:24,840 --> 02:38:27,000
Speaker 2: not really interested because I've been there and done that.

3577
02:38:27,120 --> 02:38:28,560
Speaker 2: And if you don't have a good team, or you

3578
02:38:28,600 --> 02:38:31,360
Speaker 2: don't have an artist where the strategy lines up timing wise,

3579
02:38:31,720 --> 02:38:35,240
Speaker 2: it can be difficult, you know. So, uh so those

3580
02:38:35,280 --> 02:38:37,320
Speaker 2: three things have to check off, check off the list,

3581
02:38:37,400 --> 02:38:40,000
Speaker 2: and then uh and then Yeah, to me, it's mainly

3582
02:38:40,000 --> 02:38:41,760
Speaker 2: about the song. Though it's gotta be a it's gotta

3583
02:38:41,760 --> 02:38:45,080
Speaker 2: be a killer song, a banger, ye man. But Hardy's

3584
02:38:45,120 --> 02:38:47,080
Speaker 2: got a bunch of them. He's somebody i'd collaborate with.

3585
02:38:47,520 --> 02:38:49,800
Speaker 2: I mean, all those guys i'd work with, it's just

3586
02:38:49,840 --> 02:38:51,119
Speaker 2: got to be the right time, right.

3587
02:38:51,120 --> 02:38:52,600
Speaker 3: So how do you say, how do you politely say

3588
02:38:52,680 --> 02:38:53,520
Speaker 3: no to somebody that you know?

3589
02:38:53,680 --> 02:38:56,080
Speaker 2: I'm pretty direct at that point. Yeah, I'm just like, hey,

3590
02:38:56,800 --> 02:38:58,720
Speaker 2: for me right now, I hope you understand. But but

3591
02:39:00,040 --> 02:39:02,720
Speaker 2: but I'm being intentional about doing no collaborations. I've said

3592
02:39:02,800 --> 02:39:06,000
Speaker 2: no to a bunch of people, and unfortunately, like right now,

3593
02:39:06,160 --> 02:39:08,200
Speaker 2: timing wise is and this is something I can do,

3594
02:39:08,360 --> 02:39:10,680
Speaker 2: you know, yeah, done, most people understand. I mean, you know,

3595
02:39:11,560 --> 02:39:12,600
Speaker 2: there's been no hard feelings.

3596
02:39:12,680 --> 02:39:14,240
Speaker 3: Yeah, I guess I get shot down all the time.

3597
02:39:14,280 --> 02:39:16,240
Speaker 2: But yeah, I hear know all the time too, So

3598
02:39:16,360 --> 02:39:18,440
Speaker 2: trust me, I'm pitching songs left and right. If you

3599
02:39:18,480 --> 02:39:20,280
Speaker 2: ain'table here and know, then you ain't gonna make it

3600
02:39:20,280 --> 02:39:21,960
Speaker 2: in the music business. Right.

3601
02:39:22,000 --> 02:39:24,240
Speaker 1: It's a good point. Yeah, dude, I do gotta say

3602
02:39:24,360 --> 02:39:26,320
Speaker 1: I'm excited to listen to your new album, especially like

3603
02:39:26,360 --> 02:39:28,000
Speaker 1: sitting with you and listening to you talk through all

3604
02:39:28,040 --> 02:39:30,080
Speaker 1: this stuff. Really appreciative of you're being.

3605
02:39:29,959 --> 02:39:31,960
Speaker 3: Open about it all or you can tell you've went

3606
02:39:32,040 --> 02:39:33,680
Speaker 3: on kind of the journey with it all.

3607
02:39:34,360 --> 02:39:36,240
Speaker 1: Yeah, just touching on a lot of like like the

3608
02:39:36,360 --> 02:39:39,520
Speaker 1: therapy words of talking through it, like we we've sat

3609
02:39:39,560 --> 02:39:41,440
Speaker 1: and we've sat with therapists and stuff like, not like

3610
02:39:41,520 --> 02:39:44,280
Speaker 1: me and him together. Maybe we should mayors canceling TIS too,

3611
02:39:44,560 --> 02:39:47,160
Speaker 1: But yeah, no, for real, I'm really excited to listen

3612
02:39:47,200 --> 02:39:49,480
Speaker 1: to your new album man, and thank you for coming on.

3613
02:39:49,600 --> 02:39:51,240
Speaker 2: Of course, thanks for having me. It's been a long

3614
02:39:51,320 --> 02:39:51,920
Speaker 2: time coming.

3615
02:39:51,840 --> 02:39:52,480
Speaker 3: Long time coming.

3616
02:39:52,520 --> 02:39:53,120
Speaker 2: Excited to be here.

3617
02:39:53,160 --> 02:39:54,880
Speaker 3: We'll have to get you on after TiO. Let's do

3618
02:39:54,959 --> 02:39:57,240
Speaker 3: it in months down the road. Let's check in.

3619
02:39:57,480 --> 02:39:58,600
Speaker 2: Yep, how's that going, b K.

3620
02:39:59,040 --> 02:40:02,400
Speaker 3: Yeah, yeah, we should do that eventually, when when the

3621
02:40:02,440 --> 02:40:04,440
Speaker 3: time is right, right, when time is right.

3622
02:40:04,879 --> 02:40:08,120
Speaker 1: Oh, and may make another vlog working out. Remember when

3623
02:40:08,200 --> 02:40:09,720
Speaker 1: he did the workout push?

3624
02:40:10,120 --> 02:40:14,800
Speaker 3: That's all right, bro, got your ask the kind of

3625
02:40:14,840 --> 02:40:15,040
Speaker 3: own it.

3626
02:40:15,120 --> 02:40:20,080
Speaker 2: Sometimes I dropped past that field. I'm like, oh that

3627
02:40:20,240 --> 02:40:22,240
Speaker 2: field hurt me. That was fun though.

3628
02:40:22,360 --> 02:40:25,200
Speaker 3: Sled pushes and pulls, man, are no fucking joke. Yeah,

3629
02:40:25,200 --> 02:40:26,320
Speaker 3: it was a good time after it.

3630
02:40:26,400 --> 02:40:28,360
Speaker 2: Now, boys, I'm training. I'm getting ready, you said.

3631
02:40:28,200 --> 02:40:29,879
Speaker 3: You told me, gettingup at like four thirty in the morning,

3632
02:40:30,080 --> 02:40:30,600
Speaker 3: working at.

3633
02:40:30,520 --> 02:40:32,600
Speaker 2: It a new it's a new thing I'm doing just

3634
02:40:32,680 --> 02:40:36,160
Speaker 2: for uh, not forever, just for like three months. I'm like,

3635
02:40:36,240 --> 02:40:37,760
Speaker 2: I'm gonna set a goal. I'm gonna do this for

3636
02:40:37,840 --> 02:40:39,879
Speaker 2: three months, and uh, I'm about two and a half

3637
02:40:39,959 --> 02:40:41,240
Speaker 2: months in, so I'm feeling good.

3638
02:40:41,320 --> 02:40:43,040
Speaker 3: Yeah, two and a half months and you're four weeks in,

3639
02:40:43,160 --> 02:40:47,160
Speaker 3: you're like half mon right there, you know you have

3640
02:40:47,280 --> 02:40:50,320
Speaker 3: four thirties no joke, that's no, that's a that's that's

3641
02:40:50,360 --> 02:40:51,039
Speaker 3: a big boy time.

3642
02:40:51,800 --> 02:40:53,800
Speaker 2: It's not even today. I was like, and I can

3643
02:40:53,879 --> 02:40:56,160
Speaker 2: wake up and once the workouts going, I'm straight. But

3644
02:40:56,240 --> 02:40:59,720
Speaker 2: then after the workout it like hits me again. I'm like, oh,

3645
02:41:00,120 --> 02:41:03,360
Speaker 2: I could just go, oh I'm dead. Yeah, it's fun.

3646
02:41:03,440 --> 02:41:05,040
Speaker 2: And to be honest, like that's the time I had

3647
02:41:05,080 --> 02:41:07,480
Speaker 2: to pick to like be consistent because my schedule is

3648
02:41:07,520 --> 02:41:09,959
Speaker 2: so all over the place, kids waking up at six

3649
02:41:10,120 --> 02:41:13,360
Speaker 2: thirty and getting ready to you knowing, it's just there

3650
02:41:13,440 --> 02:41:15,360
Speaker 2: was not really a window that I could be consistent with.

3651
02:41:15,440 --> 02:41:16,840
Speaker 2: So I'm like, you know what, We're just gonna do it.

3652
02:41:17,000 --> 02:41:18,880
Speaker 3: Well, we work at we work out at the same place,

3653
02:41:18,920 --> 02:41:20,560
Speaker 3: and I have to I have to legit be there

3654
02:41:20,640 --> 02:41:22,680
Speaker 3: at six am for me to get with the things

3655
02:41:22,680 --> 02:41:24,000
Speaker 3: I have to get done because my kids were off

3656
02:41:24,000 --> 02:41:27,240
Speaker 3: to school seven fifteen, Like, we live twenty five minutes

3657
02:41:27,240 --> 02:41:30,160
Speaker 3: away from our school, right, and he cruises in there

3658
02:41:30,240 --> 02:41:31,080
Speaker 3: six thirty.

3659
02:41:32,480 --> 02:41:32,960
Speaker 2: Minute. Yeah.

3660
02:41:33,280 --> 02:41:35,560
Speaker 3: Just you'll know soon when your kid also is.

3661
02:41:36,280 --> 02:41:39,039
Speaker 1: Hat out into your truck for like fifteen thirty extra

3662
02:41:39,120 --> 02:41:41,280
Speaker 1: minutes talking about I saw you're wagging here sitting out

3663
02:41:41,320 --> 02:41:43,000
Speaker 1: there while I was finishing my workout.

3664
02:41:42,640 --> 02:41:44,400
Speaker 3: Because I was at home avoiding for a second. Man,

3665
02:41:44,520 --> 02:41:47,760
Speaker 3: but the one time I show, you know, sometimes I

3666
02:41:47,840 --> 02:41:50,039
Speaker 3: get home and Talon's already put getting the girls ready.

3667
02:41:50,080 --> 02:41:52,760
Speaker 2: I'm like, I have to work in this car for

3668
02:41:52,840 --> 02:41:53,680
Speaker 2: another twenty minutes.

3669
02:41:53,760 --> 02:41:54,600
Speaker 1: Yeah, yeah, I see that.

3670
02:41:55,480 --> 02:41:57,880
Speaker 3: Yeah, it's different when you like you're not on your

3671
02:41:57,879 --> 02:42:01,240
Speaker 3: own schedule always right. That's just with the school thing too.

3672
02:42:01,480 --> 02:42:03,119
Speaker 1: Yeah, man, it's the route to go because you want

3673
02:42:03,160 --> 02:42:05,280
Speaker 1: to be home in the morning and play that put

3674
02:42:05,320 --> 02:42:06,760
Speaker 1: on the Dad, Happen on the Husband. I had the

3675
02:42:06,800 --> 02:42:09,160
Speaker 1: partner Hat episodes like the only time to get it done.

3676
02:42:09,200 --> 02:42:10,840
Speaker 2: That's why I was literally like just three months. Then

3677
02:42:10,879 --> 02:42:13,240
Speaker 2: I'll reassess. I'll reassess where my life sat because I'm

3678
02:42:13,240 --> 02:42:16,360
Speaker 2: aut to start tour, which is gonna be I can't

3679
02:42:16,400 --> 02:42:18,160
Speaker 2: get up at four thirty on tour because I can't

3680
02:42:18,160 --> 02:42:20,000
Speaker 2: go to bed at nine o'clock, like I can't at home,

3681
02:42:20,000 --> 02:42:22,720
Speaker 2: you know, I'm saying. So it'll be an adjustment, but

3682
02:42:22,920 --> 02:42:23,680
Speaker 2: we'll keep it rocking.

3683
02:42:23,959 --> 02:42:25,400
Speaker 1: And then if you work out, choose to work out

3684
02:42:25,400 --> 02:42:27,640
Speaker 1: in the afternoon, the morning gets going, to day is

3685
02:42:27,680 --> 02:42:29,200
Speaker 1: going and you kind of like just push it off.

3686
02:42:29,360 --> 02:42:30,360
Speaker 2: Bro, you don't.

3687
02:42:30,480 --> 02:42:31,960
Speaker 1: If I don't do the first thing, then I'm probably

3688
02:42:31,959 --> 02:42:32,480
Speaker 1: not gonna do it.

3689
02:42:32,560 --> 02:42:33,800
Speaker 2: The same with me, Bro, same way.

3690
02:42:34,160 --> 02:42:35,760
Speaker 3: But I'll tell myself all day and time I lay

3691
02:42:35,800 --> 02:42:37,520
Speaker 3: my head on the pillow at night, I'm.

3692
02:42:37,400 --> 02:42:40,280
Speaker 1: Gonna okay, nine pm, I'll make my way. Yeah. Yeah,

3693
02:42:40,480 --> 02:42:42,440
Speaker 1: you know, I put it goes down on the bike.

3694
02:42:42,480 --> 02:42:44,360
Speaker 3: You'll get thirty minutes in real quick. I'm like, man,

3695
02:42:44,600 --> 02:42:45,800
Speaker 3: never have just play to tomorrow.

3696
02:42:45,920 --> 02:42:48,640
Speaker 1: Yeah yeah, I tomorrow.

3697
02:42:48,840 --> 02:42:49,600
Speaker 3: Tomorrow's gona be good.

3698
02:42:49,640 --> 02:42:50,520
Speaker 2: I'll make up for today.

3699
02:42:50,879 --> 02:42:51,880
Speaker 3: This is the hardest thing to do.

3700
02:42:52,160 --> 02:42:54,000
Speaker 2: We appreciate you, man, Bro, thanks for having me.

3701
02:42:54,200 --> 02:42:56,000
Speaker 1: Yeah, this is a whole lot of fun.

3702
02:42:56,120 --> 02:42:58,640
Speaker 2: It's called strong, strong and working out here we go wrong.

3703
02:42:58,760 --> 02:43:02,680
Speaker 3: April twelfth, twelfth, April twelfth, April twelfth, out April twelfth,

3704
02:43:02,680 --> 02:43:06,320
Speaker 3: Go get it everywhere, dude, Spotify, Apple, every tiny kisses

3705
02:43:06,720 --> 02:43:18,240
Speaker 3: dollar done talking I'm about to be in my fan hmm.