WEBVTT - We’ve Been Missing Each Other Lately (S6 E21 “Driving Miss Gilmore”)

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<v Speaker 1>I am all in.

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<v Speaker 2>Oh that's you. I am all in with Scott Patterson

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<v Speaker 2>and iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcasts, one

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<v Speaker 1>of them productions. I Heart Radio Art Media are heart

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<v Speaker 1>podcast And this is the RSV edition of the podcast.

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<v Speaker 1>We're all sick. I think all of us are.

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<v Speaker 2>Wait, who is anyone not sick?

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<v Speaker 1>You guys aren't sick? All right, so it's just you

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<v Speaker 1>and me, Amy.

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<v Speaker 2>I got my first. Of all, I sound a little

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<v Speaker 2>better than how gross I sounded last week. But yeah,

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<v Speaker 2>I've got RSV. I'm doing good with it. But it lingers.

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<v Speaker 2>Nothing lingers. I thot it for well eighteen days.

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<v Speaker 1>We have episode twenty one, season six, driving Emily Gilmore,

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<v Speaker 1>really and a rollicking affair? It was Wasn't it really good?

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<v Speaker 1>It was? It was? It was I know, I changed

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<v Speaker 1>the title.

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<v Speaker 3>I said, Okay, what did you think of it?

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<v Speaker 2>Overall?

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<v Speaker 4>Guys? I loved it?

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<v Speaker 1>Yeah, yeah, no, uh not. It didn't really have a flaw.

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<v Speaker 2>Yeah, yeah, it's really good.

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<v Speaker 5>I have to laugh because my opinion is always so

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<v Speaker 5>different than every I did not like this episode.

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<v Speaker 2>I can't wait to hear why tell us a little?

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<v Speaker 5>Why a little why is I just I felt like

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<v Speaker 5>the storylines were like just really melodramatic and unrealistic, and

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<v Speaker 5>some of the acting was a little overdone.

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<v Speaker 2>I wrote a little a little over the top with

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<v Speaker 2>the Suki and Jackson and a little over the top.

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<v Speaker 2>Oh God, that's.

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<v Speaker 1>Susanne's waiting to counter anything we like.

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<v Speaker 5>It's really funny how my opinion is always different, even

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<v Speaker 5>like the very first time I was on the podcast,

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<v Speaker 5>I don't remember what the episode was, but you guys

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<v Speaker 5>all hated it and it was one of my favorites.

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<v Speaker 5>I'm not even sure what it was now, but it was.

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<v Speaker 5>I just wasn't My brain just works differently, Wit.

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<v Speaker 2>That's so interesting. I can't wait to hear what you

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<v Speaker 2>We'll just go through it because I want to hear

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<v Speaker 2>what you liked and didn't like. May I say my

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<v Speaker 2>favorite thing of the whole episode really fast though. That

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<v Speaker 2>was real rain, and I didn't do it. It was

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<v Speaker 2>really cool that it was really raining.

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<v Speaker 1>I noticed that too.

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<v Speaker 5>I did like that it did.

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<v Speaker 2>Not get on the camera lens, which I thought was impressive.

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<v Speaker 2>But it was definitely raining, and that was pretty rad.

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<v Speaker 2>I'm not sure it was fun to film, but it

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<v Speaker 2>was really rad to watch.

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<v Speaker 1>Well, anything that causes the temperature to go down a

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<v Speaker 1>little bit is welcome on that set, you know.

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<v Speaker 2>Yeah, when did this air? Daniel?

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<v Speaker 4>It aired on May second, two thousand and six.

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<v Speaker 2>So May second, when would you have filmed it? March?

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<v Speaker 1>I don't know.

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<v Speaker 2>Here used like a month ahead, little more month and

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<v Speaker 2>a half.

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<v Speaker 1>Who knows?

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<v Speaker 3>Pretty legit.

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<v Speaker 1>All right? So we started out Friday night dinner, which

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<v Speaker 1>is pretty still. Oh geez, gott, I'm sick. I'm sorry,

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<v Speaker 1>I have we know.

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<v Speaker 2>If you have RSV, but you should get tested.

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<v Speaker 1>I have something, but go ahead. Synopsis. I'm so sorry, Susan.

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<v Speaker 4>I will let you do it because my crown was

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<v Speaker 4>kind of taken away last week. So I'm just gonna.

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<v Speaker 2>Yeah, me and Suzanne, we're having a better, better week.

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<v Speaker 3>Okay.

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<v Speaker 5>This is season six, episode twenty one, Driving Miss Gilmour.

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<v Speaker 5>It aired on May second, two thousand and six. As

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<v Speaker 5>we just established, sweet after getting Lasik surgery, Emily enlists

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<v Speaker 5>Lorelized help as her driver and companion, finally revealing a

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<v Speaker 5>big surprise that catches laurel I completely off guard. Meanwhile,

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<v Speaker 5>Rory takes charge of Logan's recovery when he is released

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<v Speaker 5>from the hospital.

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<v Speaker 2>Cute, but I'm ready for that facial hair to go.

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<v Speaker 6>On the way.

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<v Speaker 1>Well we have you know, we have spaghetti and meatballs

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<v Speaker 1>causing the Lorele and Rory to regress behaviorally speaking.

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<v Speaker 2>I loved part of that scene and thought it was

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<v Speaker 2>stupid at the same time.

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<v Speaker 1>But that's but that's that's when Gilmour is at its best.

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<v Speaker 2>Yeah, yeah, yeah, but that's.

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<v Speaker 1>Light, light, silly comedy.

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<v Speaker 2>And the and the writing, the script, whatever, however you say.

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<v Speaker 2>It was amazing all the things that they were saying.

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<v Speaker 2>I just was like, who's taking away someone's dinner?

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<v Speaker 1>You're nuts, You're double nuts.

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<v Speaker 2>Yeah, yeah, so good, It's so good.

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<v Speaker 1>And then I heard Hermann comes in and keeps they

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<v Speaker 1>keep doing the joke. Well it must be the spaghetti.

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<v Speaker 2>Am I wrong that we hadn't seen him in a

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<v Speaker 2>couple episodes we have?

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<v Speaker 5>Yeah, it's been a while.

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<v Speaker 2>Yeah, I'm so happy.

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<v Speaker 1>Susan. Did you like that because we liked that? Did

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<v Speaker 1>you like get Herman showing up or did you hate it?

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<v Speaker 6>No?

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<v Speaker 5>It was good.

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<v Speaker 2>I thought it was cute.

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<v Speaker 5>I thought the whole thing with Laura, I like waving

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<v Speaker 5>her fork around. She would never have done that at

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<v Speaker 5>Emily's table, Like, I think that was where I was like, eh,

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<v Speaker 5>that's a little over the top, but it was funny.

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<v Speaker 5>I definitely was laughing.

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<v Speaker 1>Yeah, but the spaghetti and meatballs makes them regress to

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<v Speaker 1>a childlike state.

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<v Speaker 2>And what about the Rory Gilmore Library, the Rory Gilmore Astronomy,

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<v Speaker 2>I mean that was I was quickly doing the math.

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<v Speaker 2>I'm like, are they giving a million dollars? It feels

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<v Speaker 2>like they're giving a million dollars.

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<v Speaker 1>For a dedicated There's got to be more that. It's

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<v Speaker 1>got to be more like five to ten million. Yeah, yeah, man,

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<v Speaker 1>you know. And then Laura I says to forget about it.

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<v Speaker 1>Rory there, bye bye.

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<v Speaker 2>Yeah, yeah, yeah, it was.

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<v Speaker 1>It was a good opener, absolutely a good opener.

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<v Speaker 6>All right.

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<v Speaker 1>Then when we go to uh uh, well, we find

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<v Speaker 1>out that Emily is she changes subjects. She's having Lasik

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<v Speaker 1>surgery with an extremely handsome doctor. And this makes this

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<v Speaker 1>makes at Herman a little schellice a little touch.

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<v Speaker 2>Did do you guys hear the shout out to doctor

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<v Speaker 2>Sugarman Sugarman?

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<v Speaker 6>Yes?

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<v Speaker 2>I did. Doctor Sugarman was not the eye doctor, but

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<v Speaker 2>he's the ear nose and throat doctor. And here's what's crazy.

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<v Speaker 2>Not related, but there is a very famous doctor Sugarman

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<v Speaker 2>in LA that is an ear nosen throat doctor. So

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<v Speaker 2>I don't know if it was a tip of the

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<v Speaker 2>hat to the real doctor Sugarman, who could be whose

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<v Speaker 2>clients could be on the show.

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<v Speaker 1>Well, let's get him on, let's let's grow on. Actually

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<v Speaker 1>it's not a bad.

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<v Speaker 2>Idea, idea, especially with everyone's RSV.

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<v Speaker 1>Not a bad idea.

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<v Speaker 2>Magic Johnson's also going around promoting the RT the vaccine.

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<v Speaker 2>If anyone care course we could.

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<v Speaker 1>Move be off Magic, I'm definitely taking it. I'll take four.

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<v Speaker 1>He's doing it.

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<v Speaker 2>I did laugh at the handsome doctor and the like

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<v Speaker 2>doctor Marcus Welby, which I'm sure we'll talk about in

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<v Speaker 2>pop culture.

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<v Speaker 1>But so then they talk about then Emily is up

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<v Speaker 1>to her old tricks again. That they sat down with

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<v Speaker 1>Christopher invited him to the country club.

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<v Speaker 2>Now, that was interesting. It was right because it would

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<v Speaker 2>have been concerning if not for the end of the

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<v Speaker 2>episode where you're like because at first you're like, oh,

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<v Speaker 2>what's happening.

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<v Speaker 4>You're right, Yeah, you're right, You're like, why are you

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<v Speaker 4>hanging out with Christopher? But then we got the payoff and.

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<v Speaker 2>I won't say it, but I think it should be acknowledged.

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<v Speaker 2>Knowing what comes makes it that much more interesting. But

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<v Speaker 2>yet I don't think they had ulterior motives. Well they did,

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<v Speaker 2>but then you do you.

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<v Speaker 5>Got a I even wrote that in my notes, I wrote,

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<v Speaker 5>ulterior motive.

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<v Speaker 2>Okay, talk about.

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<v Speaker 5>Well, let's let's let's talk about it when we get

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<v Speaker 5>to the end, because that's okay, fine, where is okay?

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<v Speaker 1>All right, So we'll put a pin in that they

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<v Speaker 1>talked to Yale donation. We've been through that, all right.

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<v Speaker 1>So now there's a hospital. Uh, Logan's in a wheelchair.

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<v Speaker 1>He's being released from the hospital. Rory is really mothering him.

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<v Speaker 1>What do we feel about this cute?

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<v Speaker 2>I did not like her.

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<v Speaker 4>Yeah, I was you, Suzanne. It was cute for a second,

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<v Speaker 4>and then it just it just.

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<v Speaker 5>Was so ridiculous about every little thing. Yeah, okay, I

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<v Speaker 5>just thought she was really over the top. And then

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<v Speaker 5>she's like, oh, I cut off a little old lady

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<v Speaker 5>so that we could so I could get a good

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<v Speaker 5>parking place.

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<v Speaker 2>And I mean he did get hurty, dang hurt. It's

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<v Speaker 2>not like he just had a little something, right.

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<v Speaker 5>But I don't know if the doctor says, you know,

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<v Speaker 5>get out of bed and move around, and then she's like,

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<v Speaker 5>I don't think that doctor knows what he's talking about. Well,

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<v Speaker 5>why do you know what?

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<v Speaker 2>I thought there was a little sarcasm with that.

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<v Speaker 5>I don't know. I didn't. It was just a little

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<v Speaker 5>too much for me, although I did like when Logan

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<v Speaker 5>asked the doctor he said, can I be discharged to

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<v Speaker 5>your house?

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<v Speaker 6>Yeah?

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<v Speaker 2>That was funny. I will say I did not like

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<v Speaker 2>Rory's outfit and she wears it for an endlessly long

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<v Speaker 2>amount of time in this episode, and I did not

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<v Speaker 2>care for that. I literally wrote, no thanks.

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<v Speaker 6>I did not like that out But.

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<v Speaker 2>I thought the kiss was cute. I think they're cute.

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<v Speaker 2>I think it's cute to see her caretaking and really caring.

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<v Speaker 2>And I would be pairanoid if my boyfriend had those injuries.

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<v Speaker 2>It might be a little over the top myself, but.

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<v Speaker 1>Just say, who cares? All right, We're going to go

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<v Speaker 1>to the Dragonfly now, Michelle. Michelle is freaking out because

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<v Speaker 1>he just found out that he s ingested too many calories.

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<v Speaker 2>Can you imagine if during the whole episode we had

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<v Speaker 2>to like exercise like I was sure I could do?

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<v Speaker 1>It's Anne I bet you this scene bothered you more

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<v Speaker 1>than any other scene because it was so over the top.

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<v Speaker 5>Right, Danielle, keep me dancing, Not more than any other scene,

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<v Speaker 5>because there are some scenes that bother me more, although

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<v Speaker 5>I did. I watched the episode twice last night because

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<v Speaker 5>I'm like, I gotta find something to like about this episode,

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<v Speaker 5>and it did kind of grow on me a little bit.

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<v Speaker 5>I thought it was I thought it was kind of cute,

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<v Speaker 5>and I actually, you know, shout out to unique Truesdale

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<v Speaker 5>who had to keep doing that through those long cakes.

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<v Speaker 2>So it's hard you run out of moves after Scott

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<v Speaker 2>and I are sort of trying to run in place

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<v Speaker 2>and do moves.

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<v Speaker 1>I'm sick. I can't run.

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<v Speaker 2>First of all, I couldn't hear anything Suzanne was saying,

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<v Speaker 2>like Danielle said, I was trying to hard the what

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<v Speaker 2>am I going to do next?

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<v Speaker 1>What am I going to do?

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<v Speaker 6>Do you?

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<v Speaker 2>I just saying that all again.

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<v Speaker 5>I thought I didn't think it was that bad. I

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<v Speaker 5>watched it twice and it kind of grew on me

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<v Speaker 5>the second time, so I didn't. I didn't hate it,

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<v Speaker 5>but it was kind of over the top.

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<v Speaker 2>The takeaway for me, though, as you realize she's blowing

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<v Speaker 2>Luke off, and I'm like, what is going on?

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<v Speaker 1>And also I did you understand a thing that Michelle

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<v Speaker 1>was saying?

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<v Speaker 5>No, I had to turn the titles on this.

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<v Speaker 1>Yeah, I couldn't. The accent was so thick. I couldn't understand.

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<v Speaker 2>Yeah, well, because understood the milk situation. He thought he

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<v Speaker 2>was drinking that free and it was full fat or something.

0:11:32.720 --> 0:11:37.880
<v Speaker 1>And the Laurel I dis to Luke. It's like, you know,

0:11:38.000 --> 0:11:39.600
<v Speaker 1>creating some space there.

0:11:39.800 --> 0:11:43.400
<v Speaker 2>It's just so weird. She's not only is she blowing

0:11:43.440 --> 0:11:46.679
<v Speaker 2>him off, she's lying she's staff meeting and she doesn't

0:11:46.679 --> 0:11:49.600
<v Speaker 2>have a staff meeting. And I'm not clear on Oh.

0:11:49.640 --> 0:11:52.120
<v Speaker 4>Yeah, I didn't like how she involved Suki and Michelle

0:11:52.200 --> 0:11:52.959
<v Speaker 4>in that, you know.

0:11:53.040 --> 0:11:56.760
<v Speaker 2>And so why why did we go to this? I

0:11:56.840 --> 0:12:03.080
<v Speaker 2>understand we left off with like a lot of angst,

0:12:03.200 --> 0:12:06.920
<v Speaker 2>right because Amma will not accept her and Anna has

0:12:07.000 --> 0:12:07.839
<v Speaker 2>yelled at Luke.

0:12:09.240 --> 0:12:12.800
<v Speaker 4>Do you think in her mind she and I mean,

0:12:12.800 --> 0:12:14.640
<v Speaker 4>we can talk about this a little bit later, but

0:12:15.000 --> 0:12:17.000
<v Speaker 4>she is acknowledging it's not working.

0:12:17.880 --> 0:12:21.280
<v Speaker 5>Yeah, and she's given us at this point. This is

0:12:21.679 --> 0:12:23.520
<v Speaker 5>so this is one of the reasons I didn't like

0:12:23.600 --> 0:12:28.480
<v Speaker 5>this episode is this is now the seventh or eighth episode.

0:12:28.520 --> 0:12:31.200
<v Speaker 5>It's like groundhog Day. I'm like watching the same thing

0:12:31.360 --> 0:12:35.720
<v Speaker 5>over and over. Luke is completely oblivious and Laurale's feelings

0:12:35.760 --> 0:12:38.600
<v Speaker 5>are hurt, but she won't stand up and tell him

0:12:38.640 --> 0:12:39.559
<v Speaker 5>how she's feeling.

0:12:39.800 --> 0:12:40.079
<v Speaker 1>Yep.

0:12:40.559 --> 0:12:42.640
<v Speaker 5>And I'm just kind of bored with it at this point.

0:12:42.760 --> 0:12:45.840
<v Speaker 5>And I feel like, now in this episode, we see

0:12:45.880 --> 0:12:49.720
<v Speaker 5>like after the whole birthday party thing where you know,

0:12:49.840 --> 0:12:52.960
<v Speaker 5>she made this winning party for Luke and then she

0:12:53.120 --> 0:12:56.880
<v Speaker 5>still gets her hand slapped. I think like she's just

0:12:56.920 --> 0:12:59.800
<v Speaker 5>given up. She's like, Okay, I you know, I'm done.

0:13:00.120 --> 0:13:03.760
<v Speaker 2>He's done, but he's not done. And he's never given

0:13:03.840 --> 0:13:06.319
<v Speaker 2>any indication of being done.

0:13:06.520 --> 0:13:10.640
<v Speaker 5>She's had any conversation with her about it either, like

0:13:10.720 --> 0:13:14.280
<v Speaker 5>he has said nothing to her to kind of reassure her.

0:13:14.360 --> 0:13:18.840
<v Speaker 5>And so she ends every episode upset and sad. And

0:13:18.880 --> 0:13:21.960
<v Speaker 5>now we see that she's just throwing in the towel.

0:13:22.720 --> 0:13:23.320
<v Speaker 4>Yeah.

0:13:23.480 --> 0:13:26.160
<v Speaker 5>Again, she's not doing it in a healthy way because

0:13:26.200 --> 0:13:28.760
<v Speaker 5>avoiding him is not the right way.

0:13:28.679 --> 0:13:41.080
<v Speaker 1>To do it. Here's the dilemma. I think the dilemma

0:13:41.160 --> 0:13:46.760
<v Speaker 1>for the writers is this that and I kind of

0:13:46.840 --> 0:13:53.880
<v Speaker 1>figured out what's coming and it's the bad thing, right, Yeah,

0:13:53.960 --> 0:13:56.679
<v Speaker 1>so I kind of figured that out. I haven't seen her,

0:13:56.679 --> 0:14:01.120
<v Speaker 1>I know, but I kinda but donk A dont going

0:14:01.200 --> 0:14:04.000
<v Speaker 1>on there. It's going to be bad. So if if

0:14:05.520 --> 0:14:09.680
<v Speaker 1>they the bad thing is going to happen next episode,

0:14:09.679 --> 0:14:10.400
<v Speaker 1>I think, right.

0:14:10.360 --> 0:14:12.640
<v Speaker 4>So off my headphone.

0:14:12.720 --> 0:14:16.600
<v Speaker 2>No, because he doesn't know either, he's just thinking about speculating.

0:14:16.640 --> 0:14:20.680
<v Speaker 1>I'm just speculating. Yeah, I think they're setting up us

0:14:20.760 --> 0:14:23.360
<v Speaker 1>up for this, and I think the writers are intentionally.

0:14:24.880 --> 0:14:28.120
<v Speaker 1>You know, if they make Luke Luke too sympathetic or

0:14:28.160 --> 0:14:31.720
<v Speaker 1>these two about to reconcile and there's a big understanding,

0:14:31.720 --> 0:14:34.560
<v Speaker 1>then the bad thing can't happen. So it's like, how

0:14:34.560 --> 0:14:37.360
<v Speaker 1>do you get to the bad thing? Right? You have

0:14:37.440 --> 0:14:45.280
<v Speaker 1>to create However sloppily we claim it's being done or

0:14:45.360 --> 0:14:48.120
<v Speaker 1>it's it's it's redundant, and it's like, all right, already,

0:14:49.400 --> 0:14:52.920
<v Speaker 1>they got to get Laurel I into that bad into

0:14:52.920 --> 0:14:57.400
<v Speaker 1>the bad thing. Somehow justify that it's that, that's why

0:14:57.440 --> 0:14:59.400
<v Speaker 1>it's happened, because these two were so far apart in

0:14:59.400 --> 0:15:01.400
<v Speaker 1>they're our community kiddingway, So how do you do that?

0:15:03.200 --> 0:15:06.160
<v Speaker 1>So I understand what you're saying, I do I do Susanne,

0:15:06.200 --> 0:15:10.040
<v Speaker 1>I do understand what you're saying, but uh so, maybe

0:15:10.040 --> 0:15:11.480
<v Speaker 1>what you're saying is they could have done this a

0:15:11.480 --> 0:15:12.040
<v Speaker 1>little better.

0:15:12.440 --> 0:15:15.160
<v Speaker 5>Yeah, like as a viewer, and I don't want to

0:15:15.160 --> 0:15:16.960
<v Speaker 5>get too far ahead, but the scene in the bar

0:15:17.120 --> 0:15:21.280
<v Speaker 5>where Luke is talking to TJ and he's you know, talking,

0:15:21.320 --> 0:15:24.480
<v Speaker 5>he's talking about Liz, but like, I feel like the

0:15:24.520 --> 0:15:29.080
<v Speaker 5>writers are toying with the viewers. It's like they put

0:15:29.160 --> 0:15:32.200
<v Speaker 5>Luke in a position where he's trying to explain, oh,

0:15:32.320 --> 0:15:34.560
<v Speaker 5>you know, she's really talking to herself, and I wanted

0:15:34.600 --> 0:15:35.760
<v Speaker 5>to sweem the lines.

0:15:36.120 --> 0:15:38.920
<v Speaker 2>Well, it's very intentional they did that. They have like

0:15:39.560 --> 0:15:42.880
<v Speaker 2>having a full speech, but yet he's clueless.

0:15:43.160 --> 0:15:47.040
<v Speaker 5>But then there's still no resolution for the viewer. So

0:15:47.280 --> 0:15:49.640
<v Speaker 5>I don't know. And it kind of now we're at

0:15:49.680 --> 0:15:51.520
<v Speaker 5>the end of the season and I'm kind of thinking

0:15:51.560 --> 0:15:53.960
<v Speaker 5>about what we were talking about at the beginning of

0:15:53.960 --> 0:15:56.840
<v Speaker 5>the season, where by this point, you know, the writers

0:15:56.920 --> 0:15:58.920
<v Speaker 5>knew that they were on their way out and so

0:15:59.760 --> 0:16:05.320
<v Speaker 5>they're like making a statement here and I don't know,

0:16:05.400 --> 0:16:06.160
<v Speaker 5>I just wasn't a fan.

0:16:06.680 --> 0:16:08.239
<v Speaker 1>That's an interesting perspective.

0:16:08.480 --> 0:16:11.479
<v Speaker 2>Yeah, I don't know. I mean, I think, okay.

0:16:11.200 --> 0:16:14.240
<v Speaker 1>Ever underestimate you know, personal feelings being hurt and what

0:16:14.280 --> 0:16:15.320
<v Speaker 1>the repercussions can be.

0:16:15.800 --> 0:16:17.720
<v Speaker 2>I also, so, first of all, I don't know that

0:16:17.800 --> 0:16:20.840
<v Speaker 2>all the writers leave, right. We know Amy and Dan leave,

0:16:20.920 --> 0:16:23.560
<v Speaker 2>but a lot of the writers stay right.

0:16:23.600 --> 0:16:27.160
<v Speaker 5>Well, And maybe maybe it wasn't necessarily an intentional thing,

0:16:27.280 --> 0:16:30.400
<v Speaker 5>like maybe it's it was just unconscious and that's how

0:16:30.400 --> 0:16:32.000
<v Speaker 5>it came out in the writing. But Amy and Dan

0:16:32.080 --> 0:16:36.720
<v Speaker 5>wrote this episode. They both had writing credit on this episode.

0:16:36.800 --> 0:16:38.360
<v Speaker 3>And I don't know.

0:16:38.440 --> 0:16:40.480
<v Speaker 2>I just I don't know that you're gonna tank your

0:16:40.480 --> 0:16:42.320
<v Speaker 2>own show even if you can't make a deal for

0:16:42.360 --> 0:16:43.840
<v Speaker 2>season seven, right, It's like.

0:16:44.400 --> 0:16:46.800
<v Speaker 5>Maybe I didn't I that's just my impression. I'm not

0:16:46.840 --> 0:16:48.760
<v Speaker 5>saying I don't know these pe I think they know

0:16:49.040 --> 0:16:50.960
<v Speaker 5>they are completely wrong, but that's how it feels.

0:16:51.000 --> 0:16:52.960
<v Speaker 2>And I could be totally wrong too, Like we're just

0:16:52.960 --> 0:16:56.280
<v Speaker 2>spitballing here, guys. So like they know they've got a

0:16:56.320 --> 0:17:01.000
<v Speaker 2>season seven, right, So to me, if I planning right,

0:17:01.080 --> 0:17:05.160
<v Speaker 2>because I'm planning right now for our season seven and

0:17:05.359 --> 0:17:09.399
<v Speaker 2>what's going to be after that? So is there a

0:17:09.480 --> 0:17:12.280
<v Speaker 2>chance that if you keep them together? I'm not saying

0:17:12.320 --> 0:17:13.680
<v Speaker 2>they're gonna break up, but I'm just saying if you

0:17:13.760 --> 0:17:18.280
<v Speaker 2>keep them together, that gives you one trajectory for season seven.

0:17:18.720 --> 0:17:23.120
<v Speaker 2>If you break them up, it gives you a different trajectory.

0:17:23.480 --> 0:17:27.240
<v Speaker 2>So it all may be quite intentional everything that's happening,

0:17:27.640 --> 0:17:32.840
<v Speaker 2>and not in a bad way or purposely tanking Gilmore girls.

0:17:33.200 --> 0:17:36.800
<v Speaker 2>It's just giving more. How do I say this without

0:17:37.359 --> 0:17:39.800
<v Speaker 2>I don't hate what is to come? I found it

0:17:39.920 --> 0:17:46.000
<v Speaker 2>quite Oh my wow, what is coming? So I'm interested

0:17:46.000 --> 0:17:48.280
<v Speaker 2>when we get there. Who likes it and hates it?

0:17:48.600 --> 0:17:48.800
<v Speaker 1>Well?

0:17:48.840 --> 0:17:49.240
<v Speaker 6>I don't know.

0:17:49.359 --> 0:17:53.800
<v Speaker 1>I mean it's whether or not the creators consider Luke

0:17:54.040 --> 0:17:59.480
<v Speaker 1>core character to this piece or not right, and they do.

0:18:00.480 --> 0:18:03.560
<v Speaker 1>If you know, with lorl I hurtling towards the bad thing,

0:18:04.680 --> 0:18:06.959
<v Speaker 1>what kind of impact does that have on her character?

0:18:07.040 --> 0:18:09.840
<v Speaker 1>You know what I'm saying. So take her character down

0:18:09.960 --> 0:18:14.880
<v Speaker 1>several notches. That's interesting parent blindness, take his characters?

0:18:15.040 --> 0:18:17.120
<v Speaker 2>I mean, is this character Well that's an interesting question.

0:18:17.400 --> 0:18:20.280
<v Speaker 1>Well, so what you're asking is this wilful character destruction

0:18:21.200 --> 0:18:24.760
<v Speaker 1>or is it just some kind of handhanded way to

0:18:24.800 --> 0:18:25.880
<v Speaker 1>get them to the bad thing?

0:18:26.720 --> 0:18:26.960
<v Speaker 3>Yeah?

0:18:27.080 --> 0:18:31.080
<v Speaker 2>Interesting? I mean yeah, let me ask you this. You

0:18:31.280 --> 0:18:34.000
<v Speaker 2>are getting married, all of you. You're all getting married, right,

0:18:34.040 --> 0:18:37.359
<v Speaker 2>You're engaged you're getting married and suddenly you find out

0:18:37.520 --> 0:18:43.480
<v Speaker 2>that your fiance realizes he has a baby, a child

0:18:44.400 --> 0:18:49.359
<v Speaker 2>that he didn't know about. Would you get married on

0:18:49.440 --> 0:18:51.600
<v Speaker 2>June third or would you postpone the wedding?

0:18:52.200 --> 0:18:56.199
<v Speaker 5>I think it would be a conversation. Yeah, yeah, I mean,

0:18:56.240 --> 0:18:58.639
<v Speaker 5>it's not one person's decision. They would both have to

0:18:58.920 --> 0:19:02.399
<v Speaker 5>But what would you do? I personally would get married.

0:19:03.400 --> 0:19:06.359
<v Speaker 4>I probably would say, let's take a second. There's a

0:19:06.400 --> 0:19:09.080
<v Speaker 4>lot going on right now, let's see what's going on.

0:19:10.920 --> 0:19:11.760
<v Speaker 1>I don't know what i'd do.

0:19:12.680 --> 0:19:14.800
<v Speaker 5>I mean because to me, and again this is just

0:19:14.960 --> 0:19:18.040
<v Speaker 5>one hundred percent my opinion, and you don't have to

0:19:18.040 --> 0:19:21.080
<v Speaker 5>agree with it. If I have this person that is

0:19:21.119 --> 0:19:23.240
<v Speaker 5>my person, and I love them enough that I want

0:19:23.280 --> 0:19:26.280
<v Speaker 5>to marry them, a child coming in isn't going to

0:19:26.359 --> 0:19:29.360
<v Speaker 5>change my relationship with that person. They're still my person,

0:19:29.680 --> 0:19:33.479
<v Speaker 5>I agree with That's that's my perspective on it. But

0:19:33.880 --> 0:19:35.840
<v Speaker 5>I don't know that there's a right or wrong answer.

0:19:35.920 --> 0:19:38.160
<v Speaker 5>I mean, everybody would have their own as I.

0:19:38.160 --> 0:19:43.639
<v Speaker 2>Might postpone the wedding because of the circumstances, right Like

0:19:44.000 --> 0:19:47.440
<v Speaker 2>this is a little I know many people that postponed

0:19:47.560 --> 0:19:52.720
<v Speaker 2>their wedding because a parent was ill right and they

0:19:52.760 --> 0:19:57.760
<v Speaker 2>wanted to or they hurried up their wedding because of

0:19:57.800 --> 0:20:05.359
<v Speaker 2>a parent right outside circumstances impact wedding days, Does that

0:20:05.520 --> 0:20:11.399
<v Speaker 2>mean it impacts the relationship In my opinion, No, that

0:20:11.440 --> 0:20:16.720
<v Speaker 2>April is not destroying the relationship with Luke. I think

0:20:16.760 --> 0:20:22.120
<v Speaker 2>Lorelei is thinking it is. I don't actually think their

0:20:22.200 --> 0:20:28.520
<v Speaker 2>relationship is bad just because they're postponing the wedding either.

0:20:28.640 --> 0:20:31.920
<v Speaker 1>I mean, why can't it continue to exist in this

0:20:32.680 --> 0:20:35.640
<v Speaker 1>the normal state that it's in. It's you know, they're

0:20:35.640 --> 0:20:39.879
<v Speaker 1>in love, They're they're a functioning, solid, grounded couple that

0:20:39.920 --> 0:20:42.640
<v Speaker 1>live together. So it's like, okay, so it's delayed able.

0:20:42.600 --> 0:20:45.320
<v Speaker 2>And say they even want to have children, right, I

0:20:45.359 --> 0:20:47.800
<v Speaker 2>don't think putting that off for six more months or

0:20:47.840 --> 0:20:51.320
<v Speaker 2>a year is super problematic, right, it's not.

0:20:51.600 --> 0:20:53.560
<v Speaker 5>I don't even think it's about the wedding anymore.

0:20:53.800 --> 0:20:58.040
<v Speaker 4>Yeah, I agree with what you're saying, but I also

0:20:58.200 --> 0:21:02.680
<v Speaker 4>think that this situation suation. It's not April that's the problem.

0:21:02.760 --> 0:21:07.800
<v Speaker 4>It's how they're dealing with the situation with April. So

0:21:08.320 --> 0:21:11.880
<v Speaker 4>it's actions that are becoming red flags. Does that make

0:21:11.920 --> 0:21:13.320
<v Speaker 4>sense totally?

0:21:13.400 --> 0:21:16.040
<v Speaker 2>And so do you guys? The three of you think

0:21:16.240 --> 0:21:22.480
<v Speaker 2>that the relationship between Luke and Lorelai is actually not

0:21:22.560 --> 0:21:23.440
<v Speaker 2>good right now.

0:21:24.680 --> 0:21:29.240
<v Speaker 1>Well, clearly it's not good. She's pulling away.

0:21:28.400 --> 0:21:31.960
<v Speaker 2>But is it warranted? I never really saw them having

0:21:32.200 --> 0:21:37.920
<v Speaker 2>problems with their relationship other than and I get it's

0:21:37.920 --> 0:21:40.800
<v Speaker 2>big how they feel about it.

0:21:41.400 --> 0:21:45.640
<v Speaker 1>Appears that Luke isn't interested in the relationship, like it's

0:21:45.680 --> 0:21:48.880
<v Speaker 1>like he's not nurturing the relationship the way he used

0:21:48.880 --> 0:21:53.440
<v Speaker 1>to that. So there's he's being neglectful of that relationship.

0:21:53.480 --> 0:21:58.280
<v Speaker 1>And now it's quite clear. But is he Yeah, he's

0:21:58.320 --> 0:22:02.040
<v Speaker 1>putting all his eggs. They're in the April basket, and

0:22:02.080 --> 0:22:04.080
<v Speaker 1>there aren't a lot of eggs left for Laurla.

0:22:05.920 --> 0:22:06.200
<v Speaker 6>Isn't that?

0:22:06.440 --> 0:22:09.080
<v Speaker 1>I think she stands right. There's no conversation that they've had.

0:22:09.440 --> 0:22:12.760
<v Speaker 1>You know, the onus is on him just to have

0:22:12.800 --> 0:22:15.119
<v Speaker 1>that conversation with her, to start that conversation with her

0:22:15.160 --> 0:22:15.960
<v Speaker 1>and reassure her.

0:22:16.320 --> 0:22:18.240
<v Speaker 2>But yes, I agree with that, But say you have

0:22:18.280 --> 0:22:21.760
<v Speaker 2>a certain bandwidth, right, he works, he runs the diner.

0:22:22.359 --> 0:22:25.879
<v Speaker 2>You know, he's now discovered April. He's got things right.

0:22:26.280 --> 0:22:29.639
<v Speaker 2>So when you're in a relationship, a really good relationship

0:22:29.760 --> 0:22:37.680
<v Speaker 2>like they have, as the other person. Don't you say, hey,

0:22:38.000 --> 0:22:42.640
<v Speaker 2>I understand I'm not the top priority right now because

0:22:42.680 --> 0:22:46.760
<v Speaker 2>you've got all these other things, and that person steps

0:22:46.840 --> 0:22:50.679
<v Speaker 2>up to support the person in need, just like vice versa.

0:22:51.040 --> 0:22:53.720
<v Speaker 2>Luke was really there for Laura I when she had

0:22:53.760 --> 0:22:57.080
<v Speaker 2>her issues with Rory. So what I'm asking is, and

0:22:57.119 --> 0:22:59.399
<v Speaker 2>again I'm really just asking it because I am not

0:22:59.560 --> 0:23:04.240
<v Speaker 2>fully developed on my own opinion. Is there relationship really bad?

0:23:04.400 --> 0:23:09.520
<v Speaker 2>Or is Lorelai just not no aborting Luke in his time?

0:23:09.880 --> 0:23:15.560
<v Speaker 1>Just because Luke doesn't need constant reassurance, it doesn't mean

0:23:15.560 --> 0:23:19.240
<v Speaker 1>that Laura I requires the same. She needs a little

0:23:19.280 --> 0:23:23.600
<v Speaker 1>bit of reassurance. He should understand that not everybody is

0:23:23.720 --> 0:23:28.359
<v Speaker 1>like him, but he doesn't need the constant, doting, right reassurance.

0:23:28.359 --> 0:23:30.919
<v Speaker 1>He's you know, he's going to be there regardless, but

0:23:31.920 --> 0:23:34.879
<v Speaker 1>you know, not everybody's like that. Laura I obviously needs

0:23:34.960 --> 0:23:39.520
<v Speaker 1>some communication. There's no communication. Susan's right, I've come full

0:23:39.520 --> 0:23:40.960
<v Speaker 1>circle on this or so.

0:23:41.480 --> 0:23:45.000
<v Speaker 4>Also, it's like their whole relationship was Luke was a

0:23:45.000 --> 0:23:47.080
<v Speaker 4>different way. You know, he was the one that said

0:23:47.160 --> 0:23:49.639
<v Speaker 4>I'm all in. He was the one pursuing her, the

0:23:49.640 --> 0:23:55.440
<v Speaker 4>one that was always very always we knew Luke was

0:23:55.480 --> 0:23:58.119
<v Speaker 4>always a beacon of light in the sense that he

0:23:58.240 --> 0:24:01.520
<v Speaker 4>always showed Laura Lie that he's there for her.

0:24:01.800 --> 0:24:03.520
<v Speaker 2>Do you feel he's treating her badly?

0:24:04.080 --> 0:24:08.360
<v Speaker 4>I don't think he's treating her badly unintentionally, Yeah, yeah,

0:24:08.400 --> 0:24:11.840
<v Speaker 4>that's what I'm saying, is like, it's not intentional at all,

0:24:12.320 --> 0:24:18.359
<v Speaker 4>but he is unintentionally pushing her to the side.

0:24:18.560 --> 0:24:22.560
<v Speaker 2>I'm not seeing that as clearly as clearly you three are.

0:24:23.240 --> 0:24:28.080
<v Speaker 2>I see him treating her quite well, right, Like he's

0:24:28.560 --> 0:24:33.840
<v Speaker 2>loving and communicative ish, right, like as he's capable of.

0:24:34.359 --> 0:24:36.600
<v Speaker 2>He's not a jerk, he's not lying.

0:24:37.240 --> 0:24:39.879
<v Speaker 1>He's shutting her out of one of the big moments

0:24:39.920 --> 0:24:43.440
<v Speaker 1>of his life with his child. But she's completely shut

0:24:43.440 --> 0:24:46.440
<v Speaker 1>out of that. He's not even talking about. He's even

0:24:46.440 --> 0:24:48.679
<v Speaker 1>getting a little snippy with her if she tries to

0:24:48.680 --> 0:24:51.240
<v Speaker 1>bring it up. And he gave her this big speech

0:24:51.240 --> 0:24:52.119
<v Speaker 1>about communication.

0:24:52.480 --> 0:24:52.680
<v Speaker 3>Right.

0:24:52.880 --> 0:24:55.720
<v Speaker 5>He let her in with the birthday party thing, right,

0:24:55.800 --> 0:24:58.000
<v Speaker 5>He let her come over, he let her run the

0:24:58.000 --> 0:25:00.720
<v Speaker 5>birthday party. And then when.

0:25:00.720 --> 0:25:02.680
<v Speaker 4>Anna, because he was desperate.

0:25:02.680 --> 0:25:06.359
<v Speaker 5>Right exactly, I mean it served his purposes. Yeah, and

0:25:06.400 --> 0:25:10.000
<v Speaker 5>then when Anna threw a tantrum about it, then he

0:25:10.160 --> 0:25:13.520
<v Speaker 5>slammed that door shut again and got pissed at Laurel.

0:25:13.600 --> 0:25:17.040
<v Speaker 2>I like, I don't think he ever got pissed at Loralai.

0:25:17.640 --> 0:25:19.160
<v Speaker 2>I don't. I didn't read it that way.

0:25:19.320 --> 0:25:19.960
<v Speaker 4>I didn't either.

0:25:20.119 --> 0:25:23.480
<v Speaker 2>I got it as he was upset and he's so

0:25:23.680 --> 0:25:27.600
<v Speaker 2>bummed and frustrated and upset, but he's not blaming Lorali.

0:25:27.760 --> 0:25:30.000
<v Speaker 2>So let me ask you guys this, are you all

0:25:30.200 --> 0:25:36.400
<v Speaker 2>in the Lorelei Luke situation team? Lorali? If you had to.

0:25:36.400 --> 0:25:40.040
<v Speaker 5>Pick and Luke, I want them both to communicate with

0:25:40.080 --> 0:25:42.240
<v Speaker 5>each other. They're both messing this up now.

0:25:43.040 --> 0:25:48.000
<v Speaker 1>But here's another aspect of this that I think he's

0:25:48.080 --> 0:25:52.040
<v Speaker 1>so out of character at this point that it's you're

0:25:52.080 --> 0:25:56.480
<v Speaker 1>hardly recognizing because where is the backbone? You know? And

0:25:56.480 --> 0:25:59.880
<v Speaker 1>now I'm seeing this so clearly in this episode, where

0:26:00.000 --> 0:26:06.919
<v Speaker 1>here's his backbone? When when Anna right? Right right? And

0:26:06.960 --> 0:26:09.520
<v Speaker 1>where is his comeback? Like wait a minute, hang on

0:26:09.600 --> 0:26:12.160
<v Speaker 1>a second. Yeah, I agree with you, and you said this,

0:26:12.320 --> 0:26:15.800
<v Speaker 1>you echoed this last episode. It's like you didn't even

0:26:15.800 --> 0:26:18.520
<v Speaker 1>tell me we had a child. How dare you talk

0:26:18.560 --> 0:26:19.120
<v Speaker 1>to me this way?

0:26:19.200 --> 0:26:19.360
<v Speaker 4>Yeah?

0:26:19.359 --> 0:26:21.080
<v Speaker 2>I agree with you for twelve years.

0:26:20.920 --> 0:26:23.480
<v Speaker 1>You know, I mean completely, I'm saying that he didn't

0:26:23.480 --> 0:26:23.800
<v Speaker 1>say it.

0:26:24.680 --> 0:26:26.960
<v Speaker 2>You know what, Danielle, it seems like a moment we

0:26:27.000 --> 0:26:29.080
<v Speaker 2>should bring up the person that wrote to us.

0:26:29.280 --> 0:26:32.080
<v Speaker 4>Oh yeah, so someone DM me because you know how

0:26:32.119 --> 0:26:35.439
<v Speaker 4>we got into a heated discussion last episode about how,

0:26:36.400 --> 0:26:41.600
<v Speaker 4>like why did Anna keep this secret away from Luke?

0:26:42.320 --> 0:26:46.240
<v Speaker 4>And this person told us because she didn't know who

0:26:46.280 --> 0:26:50.080
<v Speaker 4>the baby daddy was? Because remember April had a test

0:26:50.119 --> 0:26:53.560
<v Speaker 4>three different carerors and so in front of us. You know,

0:26:53.840 --> 0:26:57.639
<v Speaker 4>so she maybe just didn't know that Luke was the father.

0:26:57.920 --> 0:27:00.720
<v Speaker 1>I don't know, that's a disagree Yeah, she's just.

0:27:00.680 --> 0:27:03.639
<v Speaker 4>A good it's a good staff speculation though, you know,

0:27:03.800 --> 0:27:06.080
<v Speaker 4>like she was too embarrassed she didn't know who the

0:27:06.160 --> 0:27:06.800
<v Speaker 4>father was.

0:27:07.480 --> 0:27:09.320
<v Speaker 1>She could have gone to that. I mean even if

0:27:09.359 --> 0:27:12.960
<v Speaker 1>she was had, you know, another person that she was dating,

0:27:15.040 --> 0:27:17.320
<v Speaker 1>or she was seeing multiple people, she could have gone

0:27:17.400 --> 0:27:18.120
<v Speaker 1>to each of them.

0:27:18.160 --> 0:27:22.560
<v Speaker 5>And you know, I never got and like, with all

0:27:22.640 --> 0:27:25.560
<v Speaker 5>due respect to whoever wrote in, I'm not like trying

0:27:25.600 --> 0:27:27.480
<v Speaker 5>to be mean to them, but I never got the

0:27:27.520 --> 0:27:30.439
<v Speaker 5>impression that Anna didn't know who the father was. I

0:27:30.440 --> 0:27:32.080
<v Speaker 5>think Anna knew the whole time.

0:27:32.160 --> 0:27:35.240
<v Speaker 2>That's a fair point. But why would she make April

0:27:35.320 --> 0:27:37.280
<v Speaker 2>go around and pick all the hair out? Why would

0:27:37.280 --> 0:27:38.360
<v Speaker 2>she do that to her kid?

0:27:38.480 --> 0:27:41.160
<v Speaker 5>She didn't know April was doing it. She didn't know

0:27:41.320 --> 0:27:43.000
<v Speaker 5>what April's project was.

0:27:43.080 --> 0:27:46.440
<v Speaker 4>But then how did April know that there's these three dads?

0:27:46.840 --> 0:27:50.200
<v Speaker 5>Because so if you go back to the episode where

0:27:50.320 --> 0:27:53.000
<v Speaker 5>Luke shows up at Anna's house and he's like, why

0:27:53.000 --> 0:27:55.840
<v Speaker 5>didn't you tell me, she says that she didn't know

0:27:55.880 --> 0:27:59.800
<v Speaker 5>about the project and that April had gotten the names

0:27:59.840 --> 0:28:04.280
<v Speaker 5>for old letters, so she put the whole thing on it. Now,

0:28:04.320 --> 0:28:05.920
<v Speaker 5>maybe she was lying. I don't know. We don't have

0:28:05.960 --> 0:28:06.400
<v Speaker 5>anything to.

0:28:06.359 --> 0:28:07.880
<v Speaker 2>Indicate that, Oh right, they don't.

0:28:08.640 --> 0:28:12.840
<v Speaker 5>She told Luke that April did this entire thing completely

0:28:13.000 --> 0:28:15.199
<v Speaker 5>on her own, and she didn't know about it until

0:28:15.320 --> 0:28:20.719
<v Speaker 5>after the fact, So I don't I don't necessarily see

0:28:20.760 --> 0:28:23.320
<v Speaker 5>any evidence that Anna didn't know who.

0:28:23.480 --> 0:28:26.960
<v Speaker 2>Okay, So that makes sense, all right, So let's always

0:28:27.000 --> 0:28:31.440
<v Speaker 2>trust that everyone's truthful, right, So she found boyfriend letters

0:28:31.560 --> 0:28:35.720
<v Speaker 2>or whatever in Anna's box of letters or box, you know,

0:28:35.840 --> 0:28:39.960
<v Speaker 2>her hope chest, whatever, and she then goes and finds them.

0:28:40.200 --> 0:28:44.080
<v Speaker 2>Whereas we are to assume that April didn't know who

0:28:44.120 --> 0:28:45.920
<v Speaker 2>the dad was, but Anna always knew.

0:28:45.960 --> 0:28:49.160
<v Speaker 5>Okay, fair, I can.

0:28:48.360 --> 0:28:50.920
<v Speaker 2>I can accept that? Okay? Fine, it still does not

0:28:51.040 --> 0:28:55.400
<v Speaker 2>make it okay that Anna right didn't So that's point

0:28:55.440 --> 0:28:58.000
<v Speaker 2>as well. Yes, Scott's point is well taken in that

0:28:59.040 --> 0:29:03.760
<v Speaker 2>you're right, like you should have said to her, back up, yeah, girl,

0:29:05.080 --> 0:29:07.480
<v Speaker 2>you show up. You know, I'm throwing the birthday party,

0:29:07.480 --> 0:29:10.560
<v Speaker 2>I'm going on the school trip. I'm doing everything you want.

0:29:10.680 --> 0:29:15.640
<v Speaker 2>And my fiance saved the day and your kid had

0:29:15.680 --> 0:29:18.920
<v Speaker 2>a wonderful time and everyone is safe and healthy and happy,

0:29:19.000 --> 0:29:20.840
<v Speaker 2>and you should be sending me a muffin basket.

0:29:21.120 --> 0:29:23.600
<v Speaker 1>But I think, you know, I think I think Luke

0:29:23.760 --> 0:29:29.040
<v Speaker 1>is a little gun shy because Anna has the power

0:29:29.280 --> 0:29:33.360
<v Speaker 1>of the visitation over him. She can withdraw that at

0:29:33.400 --> 0:29:36.719
<v Speaker 1>any time and he'll never see that kid again unless

0:29:36.760 --> 0:29:38.080
<v Speaker 1>her lawyers up.

0:29:38.200 --> 0:29:41.280
<v Speaker 2>Yeah, yeah, he sure could, and he will get yeah,

0:29:41.320 --> 0:29:44.200
<v Speaker 2>a lot. He will get fifty to fifty custody. That

0:29:44.280 --> 0:29:46.400
<v Speaker 2>explains that she said the not lawyer.

0:29:47.920 --> 0:29:49.680
<v Speaker 1>So there we go.

0:29:49.880 --> 0:29:52.480
<v Speaker 2>So, uh, good talk, guys, good talk.

0:29:52.680 --> 0:29:53.960
<v Speaker 1>Yeah, nice talk, nice talk.

0:29:54.440 --> 0:29:54.800
<v Speaker 7>Got to go.

0:29:55.720 --> 0:29:59.480
<v Speaker 2>So it was sad to me, the blowing off, I know,

0:29:59.680 --> 0:30:03.800
<v Speaker 2>just a a button on that that bothered me a lot.

0:30:06.560 --> 0:30:09.120
<v Speaker 1>Yeah, I did not like that.

0:30:09.120 --> 0:30:12.400
<v Speaker 2>That did not seem Lorelai ish, and it was hurtful.

0:30:12.440 --> 0:30:14.920
<v Speaker 2>I did not like it. All right, So now we're

0:30:15.880 --> 0:30:17.440
<v Speaker 2>no marro wanna sit.

0:30:18.640 --> 0:30:24.800
<v Speaker 1>Now we're in pot Farm, USA. Stars. They grow the

0:30:24.960 --> 0:30:26.520
<v Speaker 1>hill the.

0:30:26.600 --> 0:30:28.400
<v Speaker 2>Hill, boy, did they?

0:30:28.440 --> 0:30:32.400
<v Speaker 1>And uh, you know that was particularly amusing. I thought,

0:30:32.440 --> 0:30:34.760
<v Speaker 1>what did you guys think? I thought it was funny,

0:30:35.080 --> 0:30:37.760
<v Speaker 1>very make Gilmore girls seem very edgy.

0:30:37.800 --> 0:30:40.240
<v Speaker 2>And you know what I missed that came back in

0:30:40.320 --> 0:30:43.400
<v Speaker 2>this episode a bit was is the physical comedy even

0:30:43.400 --> 0:30:46.840
<v Speaker 2>though it was Jackson when he bumps into that table

0:30:46.960 --> 0:30:50.240
<v Speaker 2>and the two background actors are like, it was a

0:30:50.280 --> 0:30:54.080
<v Speaker 2>really good bump into. There was a lot of physicality

0:30:54.240 --> 0:30:57.960
<v Speaker 2>for both Jackson and Suki, and I was, I liked

0:30:58.000 --> 0:31:01.320
<v Speaker 2>it and we missed. I haven't seen that in a while.

0:31:01.640 --> 0:31:07.960
<v Speaker 1>Missed it. Yeah, some great lines, Suki blame it's the

0:31:07.960 --> 0:31:11.080
<v Speaker 1>Templeton brothers. Those Templeton brothers. They listened to the Almond Brothers.

0:31:11.080 --> 0:31:13.160
<v Speaker 1>But we should have known people that listened to Almond

0:31:13.160 --> 0:31:17.560
<v Speaker 1>Brothers always smoke crass. We're felons that I laughed out loud.

0:31:17.600 --> 0:31:19.400
<v Speaker 1>The Almond Brothers. I used to listen to them all

0:31:19.440 --> 0:31:19.840
<v Speaker 1>the time.

0:31:20.880 --> 0:31:22.600
<v Speaker 2>Same thing when they say, do you think Neil Young

0:31:22.640 --> 0:31:24.720
<v Speaker 2>would want this later?

0:31:24.880 --> 0:31:28.680
<v Speaker 1>But yeah, we're not. Yeah that would have just given

0:31:28.720 --> 0:31:42.000
<v Speaker 1>you right, and then we have what makes there's some

0:31:42.120 --> 0:31:47.840
<v Speaker 1>magic happening in stars Hollins Grantly Phillipsing doing a cover

0:31:47.920 --> 0:31:52.240
<v Speaker 1>of that Simon and garfal By oh Man, and it's

0:31:52.400 --> 0:31:56.120
<v Speaker 1>just there you go, the magic of Gilmore on full display.

0:31:56.560 --> 0:32:01.080
<v Speaker 2>Yeah, the magic of background actors freaking nailing it. That

0:32:01.280 --> 0:32:05.440
<v Speaker 2>was a long scene with him and a lot of

0:32:05.520 --> 0:32:09.760
<v Speaker 2>background actors with umbrellas in the rain, crash.

0:32:11.280 --> 0:32:13.000
<v Speaker 1>To walk through the rain with an umbrella.

0:32:13.400 --> 0:32:17.360
<v Speaker 2>The umbrellas multiple times crashed into that tree and they

0:32:17.400 --> 0:32:21.800
<v Speaker 2>just kept going and there were a lot of them going.

0:32:22.440 --> 0:32:24.800
<v Speaker 2>And then it continues when you go into the diner

0:32:25.320 --> 0:32:30.760
<v Speaker 2>and the rain is still in the background. Really great

0:32:30.800 --> 0:32:32.280
<v Speaker 2>performance by Rain.

0:32:32.840 --> 0:32:40.200
<v Speaker 1>Yeah, nominated fantastic nature. The rain really stole stole those scenes.

0:32:42.080 --> 0:32:44.120
<v Speaker 1>So now we're in Luke's diner and Kirks sitting there

0:32:44.760 --> 0:32:48.640
<v Speaker 1>kind of bragging about his beard, a little stubble, some

0:32:48.880 --> 0:32:49.840
<v Speaker 1>grown grown.

0:32:49.760 --> 0:32:52.480
<v Speaker 2>And Luke is in perfect Luke form, like can you

0:32:52.480 --> 0:32:54.560
<v Speaker 2>can you disorder right? Right?

0:32:57.520 --> 0:33:00.920
<v Speaker 1>And then I'm happy with all of it. Liz comes

0:33:00.920 --> 0:33:05.360
<v Speaker 1>in all beaming and happy, announces she's pregnant, gives her away,

0:33:05.720 --> 0:33:09.000
<v Speaker 1>was surprised that Luke figured it out. Tej's gone, he's left,

0:33:09.040 --> 0:33:12.440
<v Speaker 1>and Luke gets pissed, so he gets all brotherly. So

0:33:12.480 --> 0:33:14.520
<v Speaker 1>he's going to defend his sister. He's going to seek

0:33:15.040 --> 0:33:17.960
<v Speaker 1>PJ out and open up a can of whoop pass

0:33:18.000 --> 0:33:18.480
<v Speaker 1>maybe two?

0:33:19.160 --> 0:33:19.680
<v Speaker 6>What may?

0:33:22.280 --> 0:33:25.920
<v Speaker 1>She said, right, she's in her come what may stage?

0:33:26.400 --> 0:33:30.200
<v Speaker 1>Just come what? All right? So now we're at Logan's apartment.

0:33:31.160 --> 0:33:36.680
<v Speaker 1>Paris and Doyle are by Logan, which is actually very funny.

0:33:37.200 --> 0:33:40.920
<v Speaker 2>Oh my god, wait really fast. So I can't take

0:33:40.960 --> 0:33:43.320
<v Speaker 2>credit for this because it's in one of my Gilmour books,

0:33:44.320 --> 0:33:48.800
<v Speaker 2>but there's an episode where Liz reveals in season four

0:33:49.160 --> 0:33:54.640
<v Speaker 2>that her boyfriend was the garbage collector but also has

0:33:54.760 --> 0:33:56.800
<v Speaker 2>the marijuana something.

0:33:57.160 --> 0:33:58.960
<v Speaker 5>He's the one that sold her the pot.

0:33:59.240 --> 0:34:02.560
<v Speaker 2>Yeah, so so technically there's a theory in the book.

0:34:02.600 --> 0:34:05.040
<v Speaker 2>And I will give credit to the Gilmore Girls Companion

0:34:05.080 --> 0:34:09.200
<v Speaker 2>book for this note. Uh, Suki and Jackson could have

0:34:09.280 --> 0:34:12.920
<v Speaker 2>just tossed the marijuana and had no repercussions because the

0:34:12.960 --> 0:34:18.880
<v Speaker 2>garbage collector saw his side hustle of marijuana just calling

0:34:18.920 --> 0:34:23.719
<v Speaker 2>it out. Good great, great knowledge by the companion.

0:34:23.280 --> 0:34:27.960
<v Speaker 1>Book that so thank you for that. And so now

0:34:29.120 --> 0:34:31.200
<v Speaker 1>Logan's trying to get out of bed and Paris is

0:34:31.239 --> 0:34:31.960
<v Speaker 1>not allowing it.

0:34:33.200 --> 0:34:33.839
<v Speaker 6>Oh my god.

0:34:34.040 --> 0:34:36.360
<v Speaker 1>Through Rory's instructions.

0:34:36.480 --> 0:34:38.080
<v Speaker 2>It was actually funny.

0:34:38.400 --> 0:34:41.120
<v Speaker 1>And there's the what is it? What is it? The penguins?

0:34:41.160 --> 0:34:42.439
<v Speaker 3>What's the Penguin movie?

0:34:42.520 --> 0:34:44.839
<v Speaker 2>Wasn't that how I learned that penguins they don't mate

0:34:44.880 --> 0:34:49.120
<v Speaker 2>for life, but they mate for season. They like mate,

0:34:49.200 --> 0:34:50.839
<v Speaker 2>and then they have a baby. It's it was that

0:34:51.160 --> 0:34:54.840
<v Speaker 2>the March of the Penguins. They probably couldn't say it

0:34:54.840 --> 0:34:57.760
<v Speaker 2>because they call it the Penguin movie. Oh my god,

0:34:57.920 --> 0:35:03.600
<v Speaker 2>penguins are it? Also, tupperware is a bedpan is not

0:35:03.719 --> 0:35:04.360
<v Speaker 2>about cool?

0:35:04.840 --> 0:35:06.839
<v Speaker 1>And Logan just wants to move around. They don't want

0:35:06.920 --> 0:35:12.839
<v Speaker 1>him to. Uh So does Paris call Rory and say, hey,

0:35:12.840 --> 0:35:13.719
<v Speaker 1>what's up with this guy?

0:35:13.920 --> 0:35:17.040
<v Speaker 2>I think I think Rory calls to check in on Logan,

0:35:17.120 --> 0:35:18.680
<v Speaker 2>or Logan calls Rory to be like, you got to

0:35:18.680 --> 0:35:19.680
<v Speaker 2>get these two crazy?

0:35:19.719 --> 0:35:22.480
<v Speaker 4>Yeah, the Maidens calls Rory.

0:35:22.560 --> 0:35:26.680
<v Speaker 2>Right Doyle. Doyle cracks me up in this scene. Yeah,

0:35:26.760 --> 0:35:28.120
<v Speaker 2>I love them together.

0:35:30.520 --> 0:35:32.640
<v Speaker 5>They're hilarious every time, totally.

0:35:32.719 --> 0:35:34.759
<v Speaker 2>And she's studying for the mcat or whatever, and she

0:35:34.880 --> 0:35:37.160
<v Speaker 2>says all the parts of thee they.

0:35:37.000 --> 0:35:41.560
<v Speaker 4>Gave Paris the perfect companion, like casting wise, the actor,

0:35:41.800 --> 0:35:43.160
<v Speaker 4>but also the character.

0:35:43.560 --> 0:35:43.799
<v Speaker 1>Yeah.

0:35:45.680 --> 0:35:49.560
<v Speaker 2>Yeah, well, and he's gone on to be legit Doyle.

0:35:51.800 --> 0:35:57.239
<v Speaker 1>Oh yeah. And then Rory calls from the from Yale

0:35:57.280 --> 0:36:01.680
<v Speaker 1>Daily News newsrooms. So he's trying to present Rory with

0:36:01.719 --> 0:36:04.800
<v Speaker 1>the editorial piece in the from the Wall Street Journal.

0:36:04.960 --> 0:36:07.200
<v Speaker 2>They left me hanging there. I was like, what, we.

0:36:07.280 --> 0:36:10.600
<v Speaker 1>Don't know what it is. Yeah, but then we find

0:36:10.600 --> 0:36:14.640
<v Speaker 1>out what it is. And Mitcham, is is quoted in

0:36:14.680 --> 0:36:19.120
<v Speaker 1>this article, is taking credit for a couple of people careers,

0:36:19.280 --> 0:36:22.360
<v Speaker 1>and he mentions Rory Gilmour out of the blue and says,

0:36:22.400 --> 0:36:25.600
<v Speaker 1>I gave her her break at the Hartford Gazette, that

0:36:25.680 --> 0:36:27.479
<v Speaker 1>she went on to be the editor of the Yale

0:36:27.520 --> 0:36:31.280
<v Speaker 1>Daily News, which I I gather as a very lofty

0:36:31.320 --> 0:36:33.279
<v Speaker 1>perch in the journalism world, because if you come out

0:36:33.280 --> 0:36:36.720
<v Speaker 1>of there, you're gonna you're gonna do pretty well, pretty

0:36:36.719 --> 0:36:37.880
<v Speaker 1>well in the world of journalism.

0:36:38.120 --> 0:36:39.440
<v Speaker 2>Do you feel like she should have been as like

0:36:39.520 --> 0:36:41.880
<v Speaker 2>bent by Mitcham as she is.

0:36:42.280 --> 0:36:43.520
<v Speaker 5>That was a little over the top.

0:36:43.760 --> 0:36:46.360
<v Speaker 1>Yeah, yeah, I kind of agree with you there. That

0:36:46.560 --> 0:36:48.640
<v Speaker 1>might be the one chink right there.

0:36:48.800 --> 0:36:51.760
<v Speaker 2>I didn't mind it with Logan. I thought that part

0:36:51.840 --> 0:36:56.120
<v Speaker 2>was good. It was when she called the paper. I'm like,

0:36:56.200 --> 0:36:56.520
<v Speaker 2>that was.

0:36:58.280 --> 0:37:03.200
<v Speaker 5>Right, right, a journalist herself, right, you know, like you

0:37:03.239 --> 0:37:06.640
<v Speaker 5>don't do that. There was nothing in that article that

0:37:06.760 --> 0:37:11.120
<v Speaker 5>wasn't factual, just because he was, you know, upset by it,

0:37:11.160 --> 0:37:13.680
<v Speaker 5>because she has kind of this knee jerk reaction to

0:37:13.719 --> 0:37:16.040
<v Speaker 5>Mitcham has nothing to do with the article itself.

0:37:16.400 --> 0:37:19.200
<v Speaker 1>I don't know. I just didn't yet. Yeah, well, at

0:37:19.239 --> 0:37:23.640
<v Speaker 1>least she got something out of the unpleasant encounter.

0:37:23.320 --> 0:37:26.400
<v Speaker 2>With Mitcham's truth actually true.

0:37:26.160 --> 0:37:28.960
<v Speaker 1>Right, you know, And maybe that was his sort of

0:37:29.000 --> 0:37:34.120
<v Speaker 1>backhanded way of making amends somehow, right, and his twisted soul.

0:37:35.520 --> 0:37:37.960
<v Speaker 1>All right, Now we're back at the dragon fly in

0:37:38.080 --> 0:37:40.920
<v Speaker 1>and Michelle is really kicking in with the over the

0:37:40.960 --> 0:37:49.359
<v Speaker 1>top calisthenics using the luggage cards. And I mean, it

0:37:49.400 --> 0:37:53.160
<v Speaker 1>was it was just that was particularly over the top,

0:37:53.280 --> 0:37:55.280
<v Speaker 1>wasn't it. But it's still funny. It made me chuckle,

0:37:56.560 --> 0:37:56.759
<v Speaker 1>you know.

0:37:58.880 --> 0:37:59.080
<v Speaker 6>Uh.

0:37:59.120 --> 0:38:05.080
<v Speaker 1>And then Emily calls Laureal I and think we find

0:38:05.120 --> 0:38:09.200
<v Speaker 1>out she's uh needs that the Lasik surgery did not

0:38:09.440 --> 0:38:12.479
<v Speaker 1>go well. But Laurel I doesn't know about this because

0:38:12.560 --> 0:38:14.600
<v Speaker 1>Richard apparently did not tell her.

0:38:16.520 --> 0:38:20.359
<v Speaker 5>Also classic and great, And then I had a red

0:38:20.360 --> 0:38:24.080
<v Speaker 5>flag on this though, because if she had surgery and

0:38:24.120 --> 0:38:27.600
<v Speaker 5>it didn't go well, I can't imagine Richard flying off

0:38:27.640 --> 0:38:30.040
<v Speaker 5>to South Dakota. He would have been like, no, find

0:38:30.040 --> 0:38:33.800
<v Speaker 5>somebody else to do this business trip, because my wife

0:38:33.840 --> 0:38:36.000
<v Speaker 5>is having a medical crisis. I need to be with her.

0:38:36.320 --> 0:38:38.040
<v Speaker 2>I felt like it all happened at the same.

0:38:37.880 --> 0:38:41.080
<v Speaker 1>Time that in fact, what happened or did he leave

0:38:41.160 --> 0:38:42.280
<v Speaker 1>the day of the surgery?

0:38:42.480 --> 0:38:44.799
<v Speaker 2>Well, why would he do that? Like that didn't make.

0:38:44.719 --> 0:38:46.280
<v Speaker 1>Sense because it's not a Lasik surgery.

0:38:46.280 --> 0:38:48.440
<v Speaker 2>It's not right, Like it's like kind of like a

0:38:48.440 --> 0:38:50.600
<v Speaker 2>trip to the dentist times a.

0:38:50.600 --> 0:38:53.680
<v Speaker 5>Little bit right, it's like Blasik surgery. I would make

0:38:53.719 --> 0:38:55.759
<v Speaker 5>my husband be the one that like takes me and

0:38:55.800 --> 0:38:56.480
<v Speaker 5>pick me up.

0:38:56.640 --> 0:38:58.960
<v Speaker 4>They also have a lot of help at the house,

0:39:00.239 --> 0:39:01.880
<v Speaker 4>Like he's going to help her people.

0:39:02.080 --> 0:39:04.480
<v Speaker 1>He's got a big account to settle in South Dakota.

0:39:04.520 --> 0:39:06.160
<v Speaker 2>And most of the time, don't you get Lasik and

0:39:06.200 --> 0:39:08.040
<v Speaker 2>then you just like cruise home and you're good.

0:39:09.160 --> 0:39:10.200
<v Speaker 1>Yeah that's what I thought.

0:39:10.560 --> 0:39:11.040
<v Speaker 2>Yeah, I don't.

0:39:11.040 --> 0:39:11.319
<v Speaker 6>I don't.

0:39:11.440 --> 0:39:13.040
<v Speaker 2>I think it went awry, But I'm not mad at

0:39:13.120 --> 0:39:13.600
<v Speaker 2>rich I'll.

0:39:13.520 --> 0:39:15.560
<v Speaker 1>Let you know, I'm pretty much almost there.

0:39:15.800 --> 0:39:16.759
<v Speaker 2>No way you're going to do it.

0:39:16.960 --> 0:39:17.520
<v Speaker 1>Well, I don't know.

0:39:17.640 --> 0:39:18.000
<v Speaker 6>I mean I.

0:39:19.920 --> 0:39:21.480
<v Speaker 4>Want to, but I'm just too scared.

0:39:21.760 --> 0:39:24.040
<v Speaker 1>Yeah, why have you have you heard bad things?

0:39:24.520 --> 0:39:25.239
<v Speaker 4>No, I just.

0:39:26.840 --> 0:39:28.960
<v Speaker 2>Your eyeballs contacts.

0:39:29.000 --> 0:39:31.640
<v Speaker 4>I don't mind wearing contacts all the time. So it's

0:39:31.719 --> 0:39:33.040
<v Speaker 4>kind of like whatever.

0:39:33.080 --> 0:39:37.120
<v Speaker 2>I will say. Side note, my mom had cataract surgery

0:39:37.160 --> 0:39:41.719
<v Speaker 2>and she doesn't even need her glasses anymore. Really, it's crazy.

0:39:41.360 --> 0:39:43.000
<v Speaker 1>And that's lazy.

0:39:43.080 --> 0:39:45.480
<v Speaker 2>No, it's full cataract. They like, I don't know what

0:39:45.480 --> 0:39:49.560
<v Speaker 2>they do to you. Speaking of a lot of on

0:39:49.680 --> 0:39:52.520
<v Speaker 2>the caregiver, I had a driver like twelve times. You

0:39:52.560 --> 0:39:54.400
<v Speaker 2>have to go air and back and it check out

0:39:54.400 --> 0:39:55.600
<v Speaker 2>the next day and then the next day and the

0:39:55.640 --> 0:40:00.279
<v Speaker 2>next day. That being said, she literally couldn't had to

0:40:00.320 --> 0:40:03.280
<v Speaker 2>have glasses and couldn't really see. And now she doesn't

0:40:03.320 --> 0:40:08.400
<v Speaker 2>even wear glasses, like crazy town, how well it works.

0:40:09.520 --> 0:40:13.879
<v Speaker 5>So then so now you my cataracts surgery.

0:40:14.560 --> 0:40:18.200
<v Speaker 1>So Richard's bagging on South Dakota says it did.

0:40:18.080 --> 0:40:20.400
<v Speaker 2>Not look like he was in a hotel in South Dakota.

0:40:21.280 --> 0:40:23.680
<v Speaker 2>Looked like he was on set with the same rain

0:40:23.760 --> 0:40:27.000
<v Speaker 2>in the background, just saying yeah.

0:40:26.840 --> 0:40:29.839
<v Speaker 1>He said, this hotel smells like a foot.

0:40:29.719 --> 0:40:31.040
<v Speaker 2>I laughed, out loud.

0:40:31.280 --> 0:40:31.839
<v Speaker 1>That was good.

0:40:33.120 --> 0:40:37.480
<v Speaker 2>Yeah, because I know that smell great. It's like rotten cheese.

0:40:37.840 --> 0:40:42.759
<v Speaker 1>So now we're back with Suki and Jackson staring at

0:40:42.800 --> 0:40:47.880
<v Speaker 1>their bags of marriage and they have to wait for dark.

0:40:48.640 --> 0:40:51.040
<v Speaker 2>Oh my god, starting to smell.

0:40:51.400 --> 0:40:55.000
<v Speaker 1>To move the contraband if you will, uh and yeah,

0:40:55.040 --> 0:40:58.480
<v Speaker 1>the house has started stink. And now we're back at

0:40:58.480 --> 0:41:03.640
<v Speaker 1>Logan's apartment and they talk about you know, he calmed,

0:41:03.800 --> 0:41:07.959
<v Speaker 1>Logan calms down about I realized that it's the boon

0:41:08.040 --> 0:41:10.920
<v Speaker 1>for your career. Yeah, react, this is you know, it

0:41:10.920 --> 0:41:12.719
<v Speaker 1>turned out very well that one.

0:41:12.760 --> 0:41:14.040
<v Speaker 2>I that scene I liked.

0:41:14.440 --> 0:41:18.080
<v Speaker 1>I'm liking them right now, Susan.

0:41:20.239 --> 0:41:23.800
<v Speaker 5>I thought that scene was okay. There was one Rory

0:41:23.880 --> 0:41:27.600
<v Speaker 5>had this one weird long trunk of dialogue. Yes, yeah,

0:41:27.640 --> 0:41:30.319
<v Speaker 5>it was way over the top about thebituaries and I

0:41:30.440 --> 0:41:34.040
<v Speaker 5>memorized all his kids. That was stupid. She would not

0:41:34.120 --> 0:41:36.200
<v Speaker 5>have said all that. I thought that was silly. But

0:41:36.680 --> 0:41:38.600
<v Speaker 5>other than that, I thought that was a good scene.

0:41:40.520 --> 0:41:44.200
<v Speaker 1>And now we're at Emily's and she is uh, sprawled

0:41:44.200 --> 0:41:48.120
<v Speaker 1>out on the sofa with sunglasses on in the dark,

0:41:48.520 --> 0:41:51.319
<v Speaker 1>in the dark, but it was very well lit in

0:41:51.360 --> 0:41:55.040
<v Speaker 1>the dark. Yes, Lorelai comes in refers to as missus

0:41:55.040 --> 0:42:01.320
<v Speaker 1>ownassis h Doctor Mengele, and we we get onasa's doctor

0:42:01.400 --> 0:42:06.560
<v Speaker 1>Mangole and Marcus Welby md all in one paragraph. And

0:42:06.600 --> 0:42:11.640
<v Speaker 1>then uh, cab drivers in Prague? Do you know about them?

0:42:13.480 --> 0:42:13.680
<v Speaker 6>That?

0:42:14.239 --> 0:42:17.480
<v Speaker 1>I mean? This is what I'm talking about the combination

0:42:17.560 --> 0:42:21.360
<v Speaker 1>of pop culture references in here is staggering. You go

0:42:21.480 --> 0:42:26.400
<v Speaker 1>from missus onasas doctor Mangle, Marcus WELLBMD to cab drivers

0:42:26.400 --> 0:42:26.760
<v Speaker 1>in Prague.

0:42:26.840 --> 0:42:29.200
<v Speaker 2>And I believe it's the second time cab drivers have

0:42:29.280 --> 0:42:29.960
<v Speaker 2>been mentioned?

0:42:30.320 --> 0:42:32.480
<v Speaker 1>Is that right? Who else writes like that? Nobody else? Right?

0:42:32.800 --> 0:42:36.239
<v Speaker 2>The cab drivers got mentioned in season one. Also they

0:42:36.280 --> 0:42:41.680
<v Speaker 2>really yea also stolen from the Gilmore Girls companion Guide.

0:42:42.640 --> 0:42:45.360
<v Speaker 1>So now she's you know, she's pulling off her whole

0:42:46.239 --> 0:42:50.480
<v Speaker 1>diva routine. Feel sorry for me. You're going to have

0:42:50.560 --> 0:42:51.239
<v Speaker 1>to take me.

0:42:51.320 --> 0:42:55.480
<v Speaker 2>To on all her errands, Like can I just do

0:42:55.560 --> 0:42:58.080
<v Speaker 2>the errands? Because that's literally what I would have said,

0:42:58.160 --> 0:43:01.600
<v Speaker 2>Can I just do them? I'd be so to do them.

0:43:01.719 --> 0:43:04.760
<v Speaker 2>It's the taking of the the mom on the errands.

0:43:05.520 --> 0:43:07.680
<v Speaker 5>Yeah, do you want to hear my red flag on

0:43:07.719 --> 0:43:11.160
<v Speaker 5>this scene? And this actually I didn't even catch this,

0:43:11.239 --> 0:43:12.799
<v Speaker 5>but my husband pointed this one out.

0:43:12.840 --> 0:43:19.520
<v Speaker 2>Oh, mister Suzanne, I'll tell her all in that place.

0:43:21.160 --> 0:43:22.960
<v Speaker 2>We've all met him too, and we like him a lot.

0:43:23.040 --> 0:43:24.479
<v Speaker 4>By the way, so.

0:43:24.520 --> 0:43:28.680
<v Speaker 5>He pointed out the According to the dialogue, the doctor

0:43:30.560 --> 0:43:33.600
<v Speaker 5>only operated on the one eye because he wanted to

0:43:33.680 --> 0:43:36.160
<v Speaker 5>direct how that one healed before he did the other one.

0:43:36.239 --> 0:43:39.640
<v Speaker 5>So how is she blind? If they didn't even operate.

0:43:39.280 --> 0:43:41.239
<v Speaker 2>On one eye? Would work? You know, I don't know

0:43:41.280 --> 0:43:43.279
<v Speaker 2>that she's blind, though, I feel like she's having great

0:43:43.360 --> 0:43:49.080
<v Speaker 2>sensitivity to light. One can obviously sort of see.

0:43:49.480 --> 0:43:53.279
<v Speaker 5>Yeah, I mean maybe the way in the hat she's

0:43:53.320 --> 0:43:56.440
<v Speaker 5>so helpless and she said she was blind for forty

0:43:56.440 --> 0:43:58.080
<v Speaker 5>eight hours or something like that.

0:43:58.320 --> 0:44:00.400
<v Speaker 4>You would think you would just wear an eyepatch so

0:44:00.440 --> 0:44:01.200
<v Speaker 4>that you can.

0:44:01.520 --> 0:44:03.800
<v Speaker 2>Right, she could wear a patch and although a patch

0:44:03.880 --> 0:44:07.680
<v Speaker 2>is tough, maybe it was just tough.

0:44:10.120 --> 0:44:13.160
<v Speaker 4>It's good fly. That's a good fine good flag, yeah,

0:44:13.160 --> 0:44:13.640
<v Speaker 4>good flag.

0:44:15.160 --> 0:44:15.680
<v Speaker 1>Yeah.

0:44:15.719 --> 0:44:17.440
<v Speaker 2>But also then I wouldn't get all these great scenes

0:44:17.480 --> 0:44:20.000
<v Speaker 2>of Lorelai driving that ginormous.

0:44:19.440 --> 0:44:23.440
<v Speaker 1>Suv, right, and they talk about it. She just Emily

0:44:23.480 --> 0:44:25.480
<v Speaker 1>doesn't want to go in the jeep, so she wants

0:44:25.520 --> 0:44:26.799
<v Speaker 1>to go and car Jake.

0:44:26.880 --> 0:44:29.480
<v Speaker 2>I wouldn't want to go in the GP either, so bouncy.

0:44:29.640 --> 0:44:31.759
<v Speaker 2>I'm not a fan of those wranglers.

0:44:31.280 --> 0:44:32.960
<v Speaker 3>Bullet proof, not comfortable.

0:44:34.160 --> 0:44:38.840
<v Speaker 1>Yeah, we get mentions of me and Pharaoh, Broadway, Danny Rose,

0:44:39.000 --> 0:44:44.360
<v Speaker 1>and Sarah Bernhardt, so they were flying. The pop culture

0:44:44.400 --> 0:44:45.560
<v Speaker 1>references were flying.

0:44:45.680 --> 0:44:48.080
<v Speaker 7>Yeah, yeah, it's going to be a serious pop culture

0:44:48.120 --> 0:44:56.719
<v Speaker 7>episode this week.

0:44:57.880 --> 0:45:01.279
<v Speaker 1>All right, Now you got a bar. Luke I love,

0:45:01.360 --> 0:45:04.640
<v Speaker 1>Oh my God, storms into the bar because he wants

0:45:04.640 --> 0:45:08.320
<v Speaker 1>to he wants to take a little chunk out of Teach.

0:45:10.719 --> 0:45:15.160
<v Speaker 2>And this was a good scene. Although the speech is fascinating,

0:45:15.360 --> 0:45:20.560
<v Speaker 2>the Luke speech. Yeah, I'm glad we didn't have again

0:45:20.600 --> 0:45:22.960
<v Speaker 2>what I call Three's Company episode, Like we didn't have to.

0:45:23.080 --> 0:45:25.080
<v Speaker 2>We got right to the fact that Teacher's.

0:45:24.680 --> 0:45:28.200
<v Speaker 1>Like, uh Luke Dane's psychologist.

0:45:28.480 --> 0:45:32.680
<v Speaker 2>Yeah, we got quickly to the meat of it is

0:45:32.719 --> 0:45:35.839
<v Speaker 2>that which we knew. Liz kicked him out, So I'm

0:45:35.840 --> 0:45:39.440
<v Speaker 2>glad he explained that real clearly, real fast. And Tej Yeah,

0:45:39.520 --> 0:45:41.239
<v Speaker 2>I love how TJ was.

0:45:42.120 --> 0:45:45.360
<v Speaker 5>He had no idea why Luke was so mad, but

0:45:45.440 --> 0:45:50.040
<v Speaker 5>he's basically like, okay, hit me, go ahead, Like he

0:45:50.040 --> 0:45:52.279
<v Speaker 5>he was like, okay, I'll just let you hit me,

0:45:52.360 --> 0:45:53.640
<v Speaker 5>Like you didn't want to fight and you was just

0:45:53.640 --> 0:45:56.080
<v Speaker 5>gonna let Luke hit him. I just I don't know,

0:45:56.080 --> 0:45:56.560
<v Speaker 5>I thought.

0:45:56.680 --> 0:45:59.680
<v Speaker 4>But he was so concerned about the bar owner's rules,

0:45:59.719 --> 0:46:02.480
<v Speaker 4>like don't burn down the house and no fights inside.

0:46:04.160 --> 0:46:06.080
<v Speaker 2>Is there anything else, Susan, and you feel you need

0:46:06.080 --> 0:46:08.319
<v Speaker 2>to say about Luke's speech? That did trigger me. I

0:46:08.360 --> 0:46:10.880
<v Speaker 2>definitely was like, this is a long speech.

0:46:11.560 --> 0:46:14.879
<v Speaker 4>It's real rich coming from Luke's really right.

0:46:14.920 --> 0:46:17.840
<v Speaker 5>Exactly, Daniel, Like I wanted to grab Luke by the

0:46:17.880 --> 0:46:20.200
<v Speaker 5>shoulders and shake him and be like, do you hear

0:46:20.320 --> 0:46:23.840
<v Speaker 5>yourself right now? Like apply this to your own life?

0:46:23.920 --> 0:46:28.000
<v Speaker 4>It was so, But can we discuss that? Why is that? Like,

0:46:28.120 --> 0:46:32.400
<v Speaker 4>why is it that he is so oblivious? Is he

0:46:32.440 --> 0:46:33.880
<v Speaker 4>oblivious or is he because.

0:46:33.680 --> 0:46:36.600
<v Speaker 2>He's so caught up in Well, he's not oblivious. He's

0:46:36.680 --> 0:46:40.560
<v Speaker 2>so hot up in the fact that he just found

0:46:40.560 --> 0:46:43.719
<v Speaker 2>out he has a child. He's oblivious to I will

0:46:43.800 --> 0:46:45.000
<v Speaker 2>give him that a little bit.

0:46:46.560 --> 0:46:48.759
<v Speaker 5>Well, he is caught up in the whole child thing,

0:46:48.800 --> 0:46:52.319
<v Speaker 5>but he is completely oblivious to loralized feelings. Yes, I

0:46:52.360 --> 0:46:57.879
<v Speaker 5>have no explanation for that. Pancakes, It does good, pancakes

0:46:57.920 --> 0:46:59.280
<v Speaker 5>probably a good tune of melt.

0:46:59.040 --> 0:47:02.560
<v Speaker 1>Too, Yeah, not bad, not bad? All right, So now

0:47:02.640 --> 0:47:06.799
<v Speaker 1>we're driving with Laurella and Emily amazing, and she's doing

0:47:06.840 --> 0:47:10.800
<v Speaker 1>about five miles an hour, and that.

0:47:11.080 --> 0:47:13.399
<v Speaker 2>Entirely Emily knew where the exit was, which is why

0:47:13.440 --> 0:47:16.640
<v Speaker 2>I don't think she's blind, right, because she goes, you're

0:47:16.640 --> 0:47:18.480
<v Speaker 2>going to miss the exit, like you wouldn't know that

0:47:18.560 --> 0:47:21.640
<v Speaker 2>if you couldn't see, And.

0:47:21.719 --> 0:47:23.320
<v Speaker 1>That entire scene was looped.

0:47:25.080 --> 0:47:27.240
<v Speaker 2>Em thank you for that note, Scott.

0:47:27.280 --> 0:47:28.040
<v Speaker 1>It was looped.

0:47:28.080 --> 0:47:31.080
<v Speaker 2>I have to rewatch. It didn't bother me because sometimes looping.

0:47:30.800 --> 0:47:31.360
<v Speaker 6>Does.

0:47:32.960 --> 0:47:35.000
<v Speaker 1>You know, it's just a little Maybe they.

0:47:34.880 --> 0:47:37.520
<v Speaker 2>Had bad audio in that suv, well.

0:47:37.440 --> 0:47:43.080
<v Speaker 1>Yeah's it always happens when you're on location. And then

0:47:43.239 --> 0:47:47.520
<v Speaker 1>you know, they talk about Chris's short hair and how

0:47:47.600 --> 0:47:49.680
<v Speaker 1>Emily thinks that it makes him kind of look like

0:47:49.760 --> 0:47:53.719
<v Speaker 1>a convict or a miss messuse either or, and then

0:47:53.760 --> 0:47:58.239
<v Speaker 1>Emily starts in with her sort of her her manipulation. Yeah,

0:47:58.800 --> 0:48:02.520
<v Speaker 1>you ulations talk about Emily's manipulations.

0:48:04.360 --> 0:48:09.080
<v Speaker 5>I just didn't quite understand why Emily is suddenly so

0:48:09.160 --> 0:48:13.360
<v Speaker 5>concerned about Christopher's love life, well, especially because of the end, right.

0:48:13.560 --> 0:48:17.000
<v Speaker 1>She's trying to get these two back together.

0:48:17.160 --> 0:48:20.439
<v Speaker 2>But she isn't, which I would have thought that too,

0:48:21.160 --> 0:48:24.239
<v Speaker 2>But she isn't because what she's doing is buying a

0:48:24.320 --> 0:48:31.920
<v Speaker 2>house for Laura Lion Luke, So.

0:48:29.560 --> 0:48:31.000
<v Speaker 1>Maybe she's just messing with her.

0:48:31.239 --> 0:48:32.719
<v Speaker 2>Well, I think it's just a bait and switch to

0:48:32.760 --> 0:48:37.279
<v Speaker 2>the audience personally, as like, you know, that's to me

0:48:37.360 --> 0:48:39.719
<v Speaker 2>where the writers were going, We're going to have We're

0:48:39.719 --> 0:48:42.440
<v Speaker 2>going to dupe the audience here, right, it sweeps this

0:48:42.520 --> 0:48:44.080
<v Speaker 2>is that we're coming towards the end of the season.

0:48:44.440 --> 0:48:47.480
<v Speaker 2>The whole episode, the audience is going to think that

0:48:48.120 --> 0:48:50.839
<v Speaker 2>she's trying to get her back with Christopher, which we

0:48:50.880 --> 0:48:54.719
<v Speaker 2>all are already in on the and then we get

0:48:54.800 --> 0:48:57.640
<v Speaker 2>to the house and which is such a kind gesture,

0:48:57.640 --> 0:48:58.560
<v Speaker 2>but I digress.

0:48:58.960 --> 0:49:03.400
<v Speaker 1>Yeah, I agree, big gesture, three aggres a pond nice and.

0:49:03.719 --> 0:49:07.879
<v Speaker 2>Laurel lies like so moved by it, and we get

0:49:07.920 --> 0:49:08.680
<v Speaker 2>the moment of.

0:49:08.800 --> 0:49:11.000
<v Speaker 4>You know, it just didn't track for me with this

0:49:11.040 --> 0:49:14.880
<v Speaker 4>whole Like, yes, it's a grand and awesome gesture to

0:49:14.960 --> 0:49:18.279
<v Speaker 4>buy them a house, but Emily was just at their

0:49:18.360 --> 0:49:21.640
<v Speaker 4>house and saw that they renovated it and that she

0:49:21.760 --> 0:49:24.560
<v Speaker 4>even complimented Lauralize saying that this is this is a

0:49:24.600 --> 0:49:27.440
<v Speaker 4>homey house, like I can really see you here. So

0:49:27.480 --> 0:49:29.320
<v Speaker 4>why would she then buy her a new house?

0:49:29.520 --> 0:49:33.439
<v Speaker 1>Because she said that Luke wants you know, he's a man,

0:49:33.520 --> 0:49:36.160
<v Speaker 1>he wants acreage and he wants to space.

0:49:36.200 --> 0:49:38.239
<v Speaker 2>She wants her to have horses, and you're not going

0:49:38.280 --> 0:49:40.480
<v Speaker 2>to let me throw you a wedding, right, so let

0:49:40.520 --> 0:49:43.120
<v Speaker 2>me give you this house. I think it's like, you

0:49:43.200 --> 0:49:45.160
<v Speaker 2>live in a nice house right now, But wouldn't you

0:49:45.160 --> 0:49:47.160
<v Speaker 2>want a bigger hole? So if someone's going buy.

0:49:47.000 --> 0:49:47.920
<v Speaker 5>It for you, I would take it.

0:49:48.280 --> 0:49:49.120
<v Speaker 1>Yeah.

0:49:49.560 --> 0:49:51.719
<v Speaker 5>So is this where I should talk about what I

0:49:51.760 --> 0:49:53.880
<v Speaker 5>think the ulterior motive is or do we want to

0:49:53.920 --> 0:49:55.560
<v Speaker 5>talk about the other scenes?

0:49:55.719 --> 0:49:56.520
<v Speaker 1>No, talk about that.

0:49:56.719 --> 0:49:57.320
<v Speaker 2>Let's talk about it.

0:49:57.360 --> 0:50:01.520
<v Speaker 3>Let it out, Let it Okay. So now this this

0:50:01.600 --> 0:50:04.360
<v Speaker 3>may be completely wacky and probably a lot of people

0:50:04.360 --> 0:50:07.040
<v Speaker 3>are going to disagree with me, but I think that

0:50:07.120 --> 0:50:09.440
<v Speaker 3>the house, I think it's a I think.

0:50:09.280 --> 0:50:11.279
<v Speaker 5>It's a nice gesture. Let me say that. First of all,

0:50:11.320 --> 0:50:14.040
<v Speaker 5>I thought it was very thoughtful that she wants, you know,

0:50:14.120 --> 0:50:16.239
<v Speaker 5>Emily thinks Luke should have his own place, and they

0:50:16.239 --> 0:50:18.920
<v Speaker 5>want to have horses, and you know, they can make

0:50:18.960 --> 0:50:20.719
<v Speaker 5>it a star's hollow address. I did think it was

0:50:20.760 --> 0:50:25.359
<v Speaker 5>a nice gesture. But the way in my brain is

0:50:25.480 --> 0:50:28.319
<v Speaker 5>tying it back to the very beginning of the episode,

0:50:28.840 --> 0:50:32.759
<v Speaker 5>when they were saying, how you know, we had lunch

0:50:32.760 --> 0:50:36.160
<v Speaker 5>with Christopher and we're not mad at him anymore about

0:50:36.360 --> 0:50:41.040
<v Speaker 5>paying for Yale and blah blah blah, because they figured

0:50:41.080 --> 0:50:46.120
<v Speaker 5>out a different way to manipulate loraal life financially. So

0:50:46.360 --> 0:50:50.040
<v Speaker 5>if they buy this house for her, that is yet

0:50:50.080 --> 0:50:55.680
<v Speaker 5>another way that they will have something hanging over her

0:50:56.000 --> 0:50:57.719
<v Speaker 5>that they can use matipulate her.

0:50:57.880 --> 0:51:00.279
<v Speaker 1>But don't you think they would have done that anyway

0:51:00.320 --> 0:51:08.040
<v Speaker 1>if their relationship had never gone wry. No. I think

0:51:08.080 --> 0:51:11.560
<v Speaker 1>if they were close, they would have done the same thing.

0:51:12.000 --> 0:51:14.840
<v Speaker 1>Had she been in some kind of a situation where

0:51:15.160 --> 0:51:20.120
<v Speaker 1>whoever she married wasn't doing well enough to do that, then,

0:51:20.480 --> 0:51:23.319
<v Speaker 1>because they were having a good relationship and there was

0:51:23.400 --> 0:51:26.840
<v Speaker 1>never a falling out, the Gilmore would have done this anyway.

0:51:26.880 --> 0:51:30.839
<v Speaker 2>I think they're trying to do something nice. Now, I

0:51:30.840 --> 0:51:31.800
<v Speaker 2>think they're trying.

0:51:31.560 --> 0:51:34.879
<v Speaker 5>To do something nice, but it just conveniently also benefits them.

0:51:34.960 --> 0:51:38.800
<v Speaker 2>Well, yeah, look, Emily is always looking for a way

0:51:38.840 --> 0:51:43.400
<v Speaker 2>to be more connected to Laura, LII and Rory. Right,

0:51:43.800 --> 0:51:47.880
<v Speaker 2>So I think it's a super nice gesture. It's super

0:51:48.400 --> 0:51:51.040
<v Speaker 2>like there's a lot of heart to it, right because

0:51:51.080 --> 0:51:53.440
<v Speaker 2>of where they did it, and that she picked the

0:51:53.480 --> 0:51:55.800
<v Speaker 2>house that LAURAAI would like. She did not pick the

0:51:55.840 --> 0:52:00.000
<v Speaker 2>house she would like, right, And yes, if it connect

0:52:00.239 --> 0:52:02.759
<v Speaker 2>them to her, that's sort of a cherry on top,

0:52:02.840 --> 0:52:03.520
<v Speaker 2>I think for her.

0:52:03.600 --> 0:52:06.520
<v Speaker 5>Yeah, I just think that that was why they were

0:52:06.600 --> 0:52:09.680
<v Speaker 5>so ready to let go of the whole you know,

0:52:09.760 --> 0:52:11.799
<v Speaker 5>Christopher paying for you ale thing, and like, oh, we're

0:52:11.840 --> 0:52:14.759
<v Speaker 5>not mad about it anymore because we figured out this

0:52:14.800 --> 0:52:16.920
<v Speaker 5>other plan. Like they didn't say that part out loud,

0:52:17.080 --> 0:52:20.719
<v Speaker 5>but that's kind of in my head where they were

0:52:20.760 --> 0:52:22.640
<v Speaker 5>going with it, because I can just hear, you know,

0:52:22.760 --> 0:52:25.719
<v Speaker 5>at some point in the future, I can hear Emily's

0:52:25.760 --> 0:52:28.360
<v Speaker 5>voice when the next time Laura I pisses her off,

0:52:28.520 --> 0:52:31.360
<v Speaker 5>and you know, I can hear Emily saying, you know,

0:52:31.520 --> 0:52:33.440
<v Speaker 5>after we bought that house for you, I can't believe

0:52:33.440 --> 0:52:35.239
<v Speaker 5>you would say that. Like, I can totally hear that

0:52:35.360 --> 0:52:38.839
<v Speaker 5>happen at some point in the future and that would

0:52:38.880 --> 0:52:42.040
<v Speaker 5>be used in that way. And another thing too that

0:52:43.080 --> 0:52:48.040
<v Speaker 5>I caught when Emily was saying, you know, something about

0:52:48.080 --> 0:52:50.360
<v Speaker 5>how she knows that it's going to take Luke some

0:52:50.440 --> 0:52:52.319
<v Speaker 5>time to get used to the idea because it is

0:52:52.400 --> 0:52:56.399
<v Speaker 5>such an extravagant gift, and she says something about I've

0:52:56.440 --> 0:52:58.759
<v Speaker 5>concocted a few lies that we can tell him for

0:52:58.840 --> 0:53:03.399
<v Speaker 5>his own good. She can never not be devious. She's

0:53:03.440 --> 0:53:06.239
<v Speaker 5>already figuring out how are we gonna lie to Luke

0:53:06.280 --> 0:53:10.600
<v Speaker 5>about this house, which just annoyed me. I don't know,

0:53:10.719 --> 0:53:16.040
<v Speaker 5>I just didn't think it was purely a gesture of love.

0:53:16.120 --> 0:53:18.880
<v Speaker 5>I think it was calculated to benefit them.

0:53:18.719 --> 0:53:21.400
<v Speaker 1>And didn't really take Luke's feelings into consideration at all.

0:53:21.480 --> 0:53:24.279
<v Speaker 2>Right, I mean, like Zebra doesn't change their stripe, She's

0:53:24.280 --> 0:53:25.960
<v Speaker 2>still always going to be how she is.

0:53:26.000 --> 0:53:26.879
<v Speaker 4>But I still was like.

0:53:27.000 --> 0:53:27.879
<v Speaker 5>Not mad about it.

0:53:29.000 --> 0:53:32.920
<v Speaker 1>Yeah, just get the house, and it was like get

0:53:32.960 --> 0:53:37.560
<v Speaker 1>the three acres, Yeah, the three and I begat one

0:53:37.560 --> 0:53:40.359
<v Speaker 1>of the funniest lines in the whole episode. He says,

0:53:40.360 --> 0:53:42.480
<v Speaker 1>you didn't really think we were shopping for a hearse,

0:53:45.160 --> 0:53:46.960
<v Speaker 1>a place where neighbor would come over with the pie

0:53:46.960 --> 0:53:47.879
<v Speaker 1>and want to chit chat.

0:53:48.880 --> 0:53:51.800
<v Speaker 2>What scenes did we skip? Because I know we skipped

0:53:51.800 --> 0:53:55.560
<v Speaker 2>the scene of Suki and Jackson getting rid of the

0:53:55.560 --> 0:53:59.120
<v Speaker 2>the marijuana when they bump into the We.

0:53:59.120 --> 0:53:59.960
<v Speaker 1>Didn't skip anything.

0:54:00.239 --> 0:54:03.120
<v Speaker 2>We're not there yet, that's right. So we went ahead

0:54:03.160 --> 0:54:04.400
<v Speaker 2>with Suzanne.

0:54:05.560 --> 0:54:06.439
<v Speaker 1>Ready to ride in the sun.

0:54:06.800 --> 0:54:09.759
<v Speaker 2>Okay, so we allowed Suzanne the moment to give her yeah,

0:54:10.120 --> 0:54:12.640
<v Speaker 2>ships where she calls the paper, she calls the Wall

0:54:12.640 --> 0:54:13.200
<v Speaker 2>Street Journal.

0:54:13.239 --> 0:54:14.319
<v Speaker 5>But we talked about that.

0:54:14.320 --> 0:54:17.160
<v Speaker 1>Earlier and we didn't skip anything. We just gave you.

0:54:17.239 --> 0:54:21.000
<v Speaker 2>We gave you. Yeah, gosh, Scott didn't what you have

0:54:21.080 --> 0:54:21.560
<v Speaker 2>to hold.

0:54:21.400 --> 0:54:24.200
<v Speaker 1>On to that? No, I unburdened yourself.

0:54:24.520 --> 0:54:27.120
<v Speaker 2>Yeah, so keep going, all right.

0:54:27.200 --> 0:54:32.319
<v Speaker 1>So now we have a request coming from Rory to

0:54:32.400 --> 0:54:37.560
<v Speaker 1>the Wall Street Journal writer to to retract, i mean,

0:54:38.600 --> 0:54:42.080
<v Speaker 1>edit out change what was said by mitcham Huntsberger in

0:54:42.120 --> 0:54:45.080
<v Speaker 1>the ratcle and I think it it gave birth to

0:54:45.200 --> 0:54:48.879
<v Speaker 1>one of the silliest scenes. According to Suzanne. You want

0:54:48.920 --> 0:54:51.040
<v Speaker 1>to you wanna opine on this scene.

0:54:52.040 --> 0:54:54.400
<v Speaker 5>Well, I kind of already did. I just didn't. I

0:54:54.680 --> 0:54:58.120
<v Speaker 5>think as a journalist, Rory would have known that the

0:54:58.160 --> 0:55:03.319
<v Speaker 5>Wall Street Journal is not going to publish a correction I.

0:55:03.239 --> 0:55:06.120
<v Speaker 2>Mean on that correction of what exactly.

0:55:07.160 --> 0:55:14.240
<v Speaker 5>Yeah, if that melodramatic tone of this episode that I wasn't.

0:55:14.200 --> 0:55:15.840
<v Speaker 1>And if you're if you're at the Yale Daily, and

0:55:15.880 --> 0:55:17.799
<v Speaker 1>if you're going to pick up a phone and give it,

0:55:17.960 --> 0:55:23.040
<v Speaker 1>give somebody at the Wall Street Journal the business so crazy? Yeah,

0:55:23.080 --> 0:55:32.920
<v Speaker 1>it was all right. So now we're at Luke's and uh,

0:55:34.400 --> 0:55:37.800
<v Speaker 1>and Liz is having a meeting with her. Oh yeah

0:55:39.000 --> 0:55:40.280
<v Speaker 1>about single mothers.

0:55:40.480 --> 0:55:42.879
<v Speaker 2>Remind me that scene in Jerry Maguire when all those

0:55:42.960 --> 0:55:44.719
<v Speaker 2>ladies are sitting around with Bonnie Hunt.

0:55:45.239 --> 0:55:48.279
<v Speaker 1>Right, I'm like, oh my god. And Luke comes in

0:55:48.560 --> 0:55:50.680
<v Speaker 1>and says, Liz want to talk to you, and they

0:55:50.719 --> 0:55:53.319
<v Speaker 1>talk and then lets her know that he knows what

0:55:53.440 --> 0:55:56.799
<v Speaker 1>really happened. And there's t J waiting outside.

0:55:57.120 --> 0:55:59.600
<v Speaker 5>I love TJ without a jacket.

0:56:00.040 --> 0:56:03.759
<v Speaker 1>Out a jacket, and he gets them back together. Isn't

0:56:03.800 --> 0:56:09.640
<v Speaker 1>that nice? Uh? And now we're at with Laurel I

0:56:09.719 --> 0:56:16.400
<v Speaker 1>and Emily once again, and she's taking her to the

0:56:16.400 --> 0:56:18.640
<v Speaker 1>real estate office and and Laurel I wants to know

0:56:18.640 --> 0:56:20.920
<v Speaker 1>why she doesn't and this is the scene we talked

0:56:20.920 --> 0:56:27.600
<v Speaker 1>about with the house and uh, uh, I guess.

0:56:27.320 --> 0:56:30.880
<v Speaker 4>We talked about this, says the wedding.

0:56:30.960 --> 0:56:35.480
<v Speaker 1>Is it? That's the big takeaway from this?

0:56:35.960 --> 0:56:37.839
<v Speaker 2>Right, leading us up to the finale of.

0:56:38.320 --> 0:56:41.239
<v Speaker 1>Did that seem a little out of left field for anybody?

0:56:41.360 --> 0:56:46.120
<v Speaker 2>Or yes? I think I think that it's extreme that

0:56:46.239 --> 0:56:51.120
<v Speaker 2>she thinks they're like not gonna make it. Like life

0:56:51.160 --> 0:56:53.560
<v Speaker 2>is hard, right, and if you're going to marry somebody

0:56:53.760 --> 0:56:56.839
<v Speaker 2>you're gonna have ups and downs. So that's where I'm

0:56:56.840 --> 0:56:59.000
<v Speaker 2>at on it, Like I kind of took it that

0:56:59.719 --> 0:57:01.480
<v Speaker 2>I've minutes chill.

0:57:01.880 --> 0:57:04.919
<v Speaker 4>I'm kind of like, finally somebody is acknowledging this isn't

0:57:04.920 --> 0:57:07.719
<v Speaker 4>going to happen. Like that's how for me, I was

0:57:07.840 --> 0:57:08.600
<v Speaker 4>more relieved.

0:57:09.160 --> 0:57:12.600
<v Speaker 2>I still get it. I don't see it not happening,

0:57:12.840 --> 0:57:13.600
<v Speaker 2>do you know what I'm saying.

0:57:13.600 --> 0:57:17.160
<v Speaker 1>I could have used one sort of botched attempt at

0:57:17.160 --> 0:57:21.400
<v Speaker 1>communication that didn't go well and they get into a

0:57:21.400 --> 0:57:23.760
<v Speaker 1>little mini fight about it or whatever, and then they're

0:57:23.760 --> 0:57:25.600
<v Speaker 1>not speaking. I mean, I could have used a little

0:57:25.640 --> 0:57:28.760
<v Speaker 1>fireworks to make me buy into this more.

0:57:29.000 --> 0:57:33.320
<v Speaker 2>I just don't see their relationship being as disastrous as

0:57:33.520 --> 0:57:36.280
<v Speaker 2>you guys. And I guess I might be wrong, but

0:57:36.320 --> 0:57:38.560
<v Speaker 2>I just don't see it being either.

0:57:38.640 --> 0:57:43.240
<v Speaker 1>So I don't either. I don't see, don't I don't feel,

0:57:43.280 --> 0:57:46.160
<v Speaker 1>I don't see. I mean, I understand what you're saying,

0:57:46.240 --> 0:57:49.720
<v Speaker 1>but we haven't seen it played out correct. It's like

0:57:49.800 --> 0:57:52.840
<v Speaker 1>we don't have enough inserts or scenes. Like there's one

0:57:52.880 --> 0:57:56.160
<v Speaker 1>scene of Luke in bed and the kids are downstairs.

0:57:56.200 --> 0:57:59.720
<v Speaker 1>After the Field Company has a moment of reflection, he

0:57:59.760 --> 0:58:02.480
<v Speaker 1>stills the ceiling because the alone he is thinking about

0:58:02.520 --> 0:58:04.760
<v Speaker 1>Lorelai and am I blowing this or whatever? I don't know,

0:58:05.040 --> 0:58:07.000
<v Speaker 1>but there just needs to be more of that.

0:58:07.400 --> 0:58:09.240
<v Speaker 2>Yeah, I mean, I don't find I've seen many a

0:58:09.280 --> 0:58:12.680
<v Speaker 2>show where relationships are terrible, and this one isn't it right.

0:58:12.760 --> 0:58:14.680
<v Speaker 2>So I'm just saying it.

0:58:14.600 --> 0:58:19.360
<v Speaker 4>Isn't It isn't terrible, But there's also it's not right either.

0:58:19.600 --> 0:58:21.520
<v Speaker 1>But if it's not set up well, it comes off

0:58:21.560 --> 0:58:24.800
<v Speaker 1>like melodrama. And that's why I came off like melodrama,

0:58:25.000 --> 0:58:27.440
<v Speaker 1>you know what I mean? Like it it seems kind

0:58:27.440 --> 0:58:29.080
<v Speaker 1>of out of the blue. And then we're not gonna

0:58:29.080 --> 0:58:31.840
<v Speaker 1>make it, mom right, I'm like, what right?

0:58:32.720 --> 0:58:32.920
<v Speaker 6>You know?

0:58:33.000 --> 0:58:37.600
<v Speaker 1>Give it we needed anyway? Ah. You know, if you

0:58:37.640 --> 0:58:39.000
<v Speaker 1>want to make a meal lot of it, you better

0:58:39.000 --> 0:58:43.560
<v Speaker 1>prepare the food. Yeah, all right, So now we've got

0:58:43.880 --> 0:58:49.000
<v Speaker 1>Suki and Jackson hustling the bags of meal the good

0:58:49.120 --> 0:58:52.080
<v Speaker 1>Zepo and they mean the pickles.

0:58:52.680 --> 0:58:55.120
<v Speaker 2>Oh yeah, you know what I always forget in my mind,

0:58:56.200 --> 0:58:58.720
<v Speaker 2>even though I just watched it yesterday, Right in my mind,

0:58:59.080 --> 0:59:02.360
<v Speaker 2>that's the end of the episode. But it isn't. Just

0:59:02.400 --> 0:59:04.920
<v Speaker 2>like Gilmergle was always a little bit more okay.

0:59:04.720 --> 0:59:09.400
<v Speaker 1>So they run into uh Grantly Buffalo and he's got

0:59:09.440 --> 0:59:12.920
<v Speaker 1>great news and for a music just a street musician,

0:59:12.960 --> 0:59:15.480
<v Speaker 1>a local street musician to say something like, hey, you're

0:59:15.480 --> 0:59:18.320
<v Speaker 1>not gonna believe this. Somebody, a promoter ran into me

0:59:18.360 --> 0:59:19.800
<v Speaker 1>on the street and said, hey, you want to open

0:59:19.920 --> 0:59:22.760
<v Speaker 1>food a couple of dates for Neil Young. I mean

0:59:22.840 --> 0:59:25.640
<v Speaker 1>that is like, you know, that's like lightning hit to you.

0:59:25.720 --> 0:59:28.000
<v Speaker 1>It's it's just fantastic. And they just go, yeah, great,

0:59:28.000 --> 0:59:28.480
<v Speaker 1>we gotta go.

0:59:29.400 --> 0:59:30.520
<v Speaker 2>Then they just don't even care.

0:59:30.640 --> 0:59:34.480
<v Speaker 1>Right then they hit the rabbi and the priest are

0:59:34.520 --> 0:59:38.160
<v Speaker 1>there and they talking about some things and feelings and philosophies.

0:59:38.280 --> 0:59:39.840
<v Speaker 1>You guys want to talk a little bit. Now we

0:59:39.920 --> 0:59:43.360
<v Speaker 1>got to go boom. So this was maybe my favorite

0:59:43.360 --> 0:59:47.280
<v Speaker 1>scene out of the whole thing. Uh And then here

0:59:47.280 --> 0:59:52.600
<v Speaker 1>we are. Lorelei arrives at Suki and Jackson's place and

0:59:52.680 --> 0:59:54.240
<v Speaker 1>she is in a state.

0:59:54.560 --> 0:59:56.480
<v Speaker 2>Yeah, which I like that she went there.

0:59:56.560 --> 1:00:00.400
<v Speaker 1>I liked that she's she's in a state she needs

1:00:00.400 --> 1:00:02.520
<v Speaker 1>to talk or she just needs to be around her friend.

1:00:03.600 --> 1:00:08.880
<v Speaker 1>And it ends with her saying what's that smell?

1:00:09.680 --> 1:00:10.280
<v Speaker 2>That was good?

1:00:10.520 --> 1:00:13.280
<v Speaker 1>And how many pounds of marijuana tod Suki said.

1:00:13.120 --> 1:00:16.480
<v Speaker 2>Was sixty sixty something. Yeah, just sixty eight.

1:00:16.320 --> 1:00:19.000
<v Speaker 1>Pounds in marijuana. That's just that's what's sixty eight pounds

1:00:19.000 --> 1:00:19.440
<v Speaker 1>in marijuana?

1:00:19.560 --> 1:00:19.720
<v Speaker 6>Wow?

1:00:20.320 --> 1:00:21.520
<v Speaker 1>All right? So what are we giving it?

1:00:21.680 --> 1:00:28.800
<v Speaker 8>Kids, Danielle, I'm going to give it eight point seventy

1:00:28.800 --> 1:00:32.080
<v Speaker 8>five pickles, bags of pickles, gotcha?

1:00:32.320 --> 1:00:37.400
<v Speaker 1>Gotcha? Uh, Suzanne, I don't know.

1:00:37.600 --> 1:00:39.720
<v Speaker 5>I have to continue the trend because these are not

1:00:39.960 --> 1:00:42.040
<v Speaker 5>good episodes for me. I'm going to give it seven,

1:00:43.200 --> 1:00:45.560
<v Speaker 5>and I am struggling to even give it that much,

1:00:45.720 --> 1:00:49.920
<v Speaker 5>but I'm going to give it seven pairs of dark glasses.

1:00:50.360 --> 1:00:52.120
<v Speaker 1>Seven pairs of dark glasses.

1:00:52.520 --> 1:01:01.800
<v Speaker 2>Amy nine, Michelle doing a lot of calistex aerobics dance.

1:01:01.960 --> 1:01:02.760
<v Speaker 1>Just call them reps.

1:01:02.920 --> 1:01:03.680
<v Speaker 5>Yea, all of it.

1:01:04.240 --> 1:01:09.240
<v Speaker 1>Uh yeah, I'm gonna Now that we've discussed it and

1:01:11.040 --> 1:01:15.440
<v Speaker 1>more fertile minds than I have pointed out some obvious flaws,

1:01:17.000 --> 1:01:19.960
<v Speaker 1>I'm gonna go below nine. I think I was gonna

1:01:19.960 --> 1:01:21.560
<v Speaker 1>give it a high nine, but I think I'm gonna

1:01:21.600 --> 1:01:28.120
<v Speaker 1>go eight point nine. Okay, almost a nine. You know

1:01:28.160 --> 1:01:30.400
<v Speaker 1>you could round it to a nine. But I did

1:01:30.560 --> 1:01:35.720
<v Speaker 1>enjoy the episode. I laughed quite a bit. I enjoyed

1:01:36.120 --> 1:01:40.760
<v Speaker 1>the jokes. I mean, the jokes were great, but yeah, no,

1:01:40.880 --> 1:01:43.600
<v Speaker 1>I see everybody's point here, so that's gonna be eight

1:01:43.640 --> 1:01:51.040
<v Speaker 1>point n crutches logan crutches one. Yeah, all right, so

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<v Speaker 1>what's are we doing? Favorite lines? What's your favorite line?

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<v Speaker 5>My favorite line was when they were at the real

1:01:56.000 --> 1:01:59.720
<v Speaker 5>estate office and the lady asks Laura if she needs

1:01:59.720 --> 1:02:02.240
<v Speaker 5>an hour for her headache, and Laura, no, I've had

1:02:02.240 --> 1:02:04.200
<v Speaker 5>the headache for thirty Yeah.

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<v Speaker 2>I thought that was very funny. I liked that whole scene.

1:02:07.440 --> 1:02:09.680
<v Speaker 2>I don't have a favorite line, but I really liked

1:02:09.760 --> 1:02:13.160
<v Speaker 2>that whole everything about that whole scene.

1:02:13.360 --> 1:02:17.440
<v Speaker 1>I liked Emily's line when she says, you didn't think

1:02:17.480 --> 1:02:20.560
<v Speaker 1>we were gonna buy all the stars hollow? I would

1:02:20.560 --> 1:02:24.240
<v Speaker 1>be terrified today it would stop chat. I'd kill myself.

1:02:24.760 --> 1:02:28.240
<v Speaker 2>I was pretty in the Kirk's beard. Kirks beard.

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<v Speaker 4>Anyway.

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<v Speaker 1>That is going to wrap it up, kids. Uh. The

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<v Speaker 1>finale is next time Wow, Season six, Episode twenty two,

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<v Speaker 1>end of season six, and the name of it escape

1:02:41.320 --> 1:02:43.200
<v Speaker 1>me right now. I think that's the bad thing.

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<v Speaker 2>The next episode is is it called Partings?

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<v Speaker 7>Is that all?

1:02:47.440 --> 1:02:47.640
<v Speaker 6>Yeah?

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<v Speaker 2>Partings?

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<v Speaker 7>You're right?

1:02:48.880 --> 1:02:49.800
<v Speaker 1>Partings?

1:02:50.360 --> 1:02:50.800
<v Speaker 6>Wow?

1:02:51.040 --> 1:02:56.600
<v Speaker 1>Pardines. Okay, so we'll see you next time kids. Next

1:02:56.640 --> 1:03:01.000
<v Speaker 1>episode season six, the finale episode twenty two part times

1:03:01.760 --> 1:03:06.080
<v Speaker 1>any way you want it. You can spell like signs

1:03:06.160 --> 1:03:10.440
<v Speaker 1>or it doesn't matter. We know what we mean, and

1:03:10.480 --> 1:03:14.960
<v Speaker 1>we mean what we know best. Fans on the planetnaction

1:03:15.040 --> 1:03:19.440
<v Speaker 1>with downloads, keep coming and we will see you next time.

1:03:19.480 --> 1:03:49.640
<v Speaker 6>Stay safe, everybody.

1:03:49.200 --> 1:03:52.560
<v Speaker 1>And don't forget. Follow us on Instagram at i Am

1:03:52.640 --> 1:03:57.520
<v Speaker 1>all In podcast and email us at Gilmore at iHeartRadio

1:03:57.920 --> 1:04:06.720
<v Speaker 1>dot com.