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Speaker 1: I am all in.

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Speaker 2: Oh that's you. I am all in with Scott Patterson

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Speaker 2: and iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcasts, one

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Speaker 1: of them productions. I Heart Radio Art Media are heart

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Speaker 1: podcast And this is the RSV edition of the podcast.

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Speaker 1: We're all sick. I think all of us are.

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Speaker 2: Wait, who is anyone not sick?

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Speaker 1: You guys aren't sick? All right, so it's just you

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Speaker 1: and me, Amy.

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Speaker 2: I got my first. Of all, I sound a little

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Speaker 2: better than how gross I sounded last week. But yeah,

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Speaker 2: I've got RSV. I'm doing good with it. But it lingers.

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Speaker 2: Nothing lingers. I thot it for well eighteen days.

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Speaker 1: We have episode twenty one, season six, driving Emily Gilmore,

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Speaker 1: really and a rollicking affair? It was Wasn't it really good?

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Speaker 1: It was? It was? It was I know, I changed

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Speaker 1: the title.

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Speaker 3: I said, Okay, what did you think of it?

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Speaker 2: Overall?

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Speaker 4: Guys? I loved it?

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Speaker 1: Yeah, yeah, no, uh not. It didn't really have a flaw.

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Speaker 2: Yeah, yeah, it's really good.

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Speaker 5: I have to laugh because my opinion is always so

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Speaker 5: different than every I did not like this episode.

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Speaker 2: I can't wait to hear why tell us a little?

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Speaker 5: Why a little why is I just I felt like

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Speaker 5: the storylines were like just really melodramatic and unrealistic, and

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Speaker 5: some of the acting was a little overdone.

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Speaker 2: I wrote a little a little over the top with

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Speaker 2: the Suki and Jackson and a little over the top.

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Speaker 2: Oh God, that's.

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Speaker 1: Susanne's waiting to counter anything we like.

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Speaker 5: It's really funny how my opinion is always different, even

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Speaker 5: like the very first time I was on the podcast,

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Speaker 5: I don't remember what the episode was, but you guys

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Speaker 5: all hated it and it was one of my favorites.

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Speaker 5: I'm not even sure what it was now, but it was.

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Speaker 5: I just wasn't My brain just works differently, Wit.

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Speaker 2: That's so interesting. I can't wait to hear what you

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Speaker 2: We'll just go through it because I want to hear

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Speaker 2: what you liked and didn't like. May I say my

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Speaker 2: favorite thing of the whole episode really fast though. That

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Speaker 2: was real rain, and I didn't do it. It was

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Speaker 2: really cool that it was really raining.

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Speaker 1: I noticed that too.

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Speaker 5: I did like that it did.

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Speaker 2: Not get on the camera lens, which I thought was impressive.

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Speaker 2: But it was definitely raining, and that was pretty rad.

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Speaker 2: I'm not sure it was fun to film, but it

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Speaker 2: was really rad to watch.

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Speaker 1: Well, anything that causes the temperature to go down a

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Speaker 1: little bit is welcome on that set, you know.

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Speaker 2: Yeah, when did this air? Daniel?

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Speaker 4: It aired on May second, two thousand and six.

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Speaker 2: So May second, when would you have filmed it? March?

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Speaker 1: I don't know.

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Speaker 2: Here used like a month ahead, little more month and

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Speaker 2: a half.

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Speaker 1: Who knows?

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Speaker 3: Pretty legit.

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Speaker 1: All right? So we started out Friday night dinner, which

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Speaker 1: is pretty still. Oh geez, gott, I'm sick. I'm sorry,

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Speaker 1: I have we know.

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Speaker 2: If you have RSV, but you should get tested.

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Speaker 1: I have something, but go ahead. Synopsis. I'm so sorry, Susan.

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Speaker 4: I will let you do it because my crown was

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Speaker 4: kind of taken away last week. So I'm just gonna.

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Speaker 2: Yeah, me and Suzanne, we're having a better, better week.

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Speaker 3: Okay.

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Speaker 5: This is season six, episode twenty one, Driving Miss Gilmour.

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Speaker 5: It aired on May second, two thousand and six. As

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Speaker 5: we just established, sweet after getting Lasik surgery, Emily enlists

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Speaker 5: Lorelized help as her driver and companion, finally revealing a

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Speaker 5: big surprise that catches laurel I completely off guard. Meanwhile,

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Speaker 5: Rory takes charge of Logan's recovery when he is released

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Speaker 5: from the hospital.

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Speaker 2: Cute, but I'm ready for that facial hair to go.

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Speaker 6: On the way.

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Speaker 1: Well we have you know, we have spaghetti and meatballs

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Speaker 1: causing the Lorele and Rory to regress behaviorally speaking.

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Speaker 2: I loved part of that scene and thought it was

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Speaker 2: stupid at the same time.

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Speaker 1: But that's but that's that's when Gilmour is at its best.

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Speaker 2: Yeah, yeah, yeah, but that's.

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Speaker 1: Light, light, silly comedy.

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Speaker 2: And the and the writing, the script, whatever, however you say.

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Speaker 2: It was amazing all the things that they were saying.

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Speaker 2: I just was like, who's taking away someone's dinner?

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Speaker 1: You're nuts, You're double nuts.

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Speaker 2: Yeah, yeah, so good, It's so good.

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Speaker 1: And then I heard Hermann comes in and keeps they

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Speaker 1: keep doing the joke. Well it must be the spaghetti.

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Speaker 2: Am I wrong that we hadn't seen him in a

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Speaker 2: couple episodes we have?

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Speaker 5: Yeah, it's been a while.

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Speaker 2: Yeah, I'm so happy.

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Speaker 1: Susan. Did you like that because we liked that? Did

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Speaker 1: you like get Herman showing up or did you hate it?

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Speaker 6: No?

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Speaker 5: It was good.

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Speaker 2: I thought it was cute.

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Speaker 5: I thought the whole thing with Laura, I like waving

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Speaker 5: her fork around. She would never have done that at

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Speaker 5: Emily's table, Like, I think that was where I was like, eh,

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Speaker 5: that's a little over the top, but it was funny.

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Speaker 5: I definitely was laughing.

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Speaker 1: Yeah, but the spaghetti and meatballs makes them regress to

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Speaker 1: a childlike state.

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Speaker 2: And what about the Rory Gilmore Library, the Rory Gilmore Astronomy,

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Speaker 2: I mean that was I was quickly doing the math.

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Speaker 2: I'm like, are they giving a million dollars? It feels

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Speaker 2: like they're giving a million dollars.

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Speaker 1: For a dedicated There's got to be more that. It's

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Speaker 1: got to be more like five to ten million. Yeah, yeah, man,

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Speaker 1: you know. And then Laura I says to forget about it.

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Speaker 1: Rory there, bye bye.

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Speaker 2: Yeah, yeah, yeah, it was.

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Speaker 1: It was a good opener, absolutely a good opener.

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Speaker 6: All right.

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Speaker 1: Then when we go to uh uh, well, we find

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Speaker 1: out that Emily is she changes subjects. She's having Lasik

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Speaker 1: surgery with an extremely handsome doctor. And this makes this

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Speaker 1: makes at Herman a little schellice a little touch.

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Speaker 2: Did do you guys hear the shout out to doctor

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Speaker 2: Sugarman Sugarman?

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Speaker 6: Yes?

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Speaker 2: I did. Doctor Sugarman was not the eye doctor, but

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Speaker 2: he's the ear nose and throat doctor. And here's what's crazy.

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Speaker 2: Not related, but there is a very famous doctor Sugarman

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Speaker 2: in LA that is an ear nosen throat doctor. So

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Speaker 2: I don't know if it was a tip of the

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Speaker 2: hat to the real doctor Sugarman, who could be whose

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Speaker 2: clients could be on the show.

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Speaker 1: Well, let's get him on, let's let's grow on. Actually

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Speaker 1: it's not a bad.

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Speaker 2: Idea, idea, especially with everyone's RSV.

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Speaker 1: Not a bad idea.

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Speaker 2: Magic Johnson's also going around promoting the RT the vaccine.

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Speaker 2: If anyone care course we could.

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Speaker 1: Move be off Magic, I'm definitely taking it. I'll take four.

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Speaker 1: He's doing it.

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Speaker 2: I did laugh at the handsome doctor and the like

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Speaker 2: doctor Marcus Welby, which I'm sure we'll talk about in

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Speaker 2: pop culture.

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Speaker 1: But so then they talk about then Emily is up

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Speaker 1: to her old tricks again. That they sat down with

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Speaker 1: Christopher invited him to the country club.

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Speaker 2: Now, that was interesting. It was right because it would

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Speaker 2: have been concerning if not for the end of the

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Speaker 2: episode where you're like because at first you're like, oh,

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Speaker 2: what's happening.

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Speaker 4: You're right, Yeah, you're right, You're like, why are you

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Speaker 4: hanging out with Christopher? But then we got the payoff and.

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Speaker 2: I won't say it, but I think it should be acknowledged.

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Speaker 2: Knowing what comes makes it that much more interesting. But

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Speaker 2: yet I don't think they had ulterior motives. Well they did,

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Speaker 2: but then you do you.

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Speaker 5: Got a I even wrote that in my notes, I wrote,

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Speaker 5: ulterior motive.

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Speaker 2: Okay, talk about.

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Speaker 5: Well, let's let's let's talk about it when we get

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Speaker 5: to the end, because that's okay, fine, where is okay?

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Speaker 1: All right, So we'll put a pin in that they

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Speaker 1: talked to Yale donation. We've been through that, all right.

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Speaker 1: So now there's a hospital. Uh, Logan's in a wheelchair.

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Speaker 1: He's being released from the hospital. Rory is really mothering him.

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Speaker 1: What do we feel about this cute?

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Speaker 2: I did not like her.

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Speaker 4: Yeah, I was you, Suzanne. It was cute for a second,

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Speaker 4: and then it just it just.

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Speaker 5: Was so ridiculous about every little thing. Yeah, okay, I

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Speaker 5: just thought she was really over the top. And then

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Speaker 5: she's like, oh, I cut off a little old lady

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Speaker 5: so that we could so I could get a good

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Speaker 5: parking place.

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Speaker 2: And I mean he did get hurty, dang hurt. It's

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Speaker 2: not like he just had a little something, right.

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Speaker 5: But I don't know if the doctor says, you know,

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Speaker 5: get out of bed and move around, and then she's like,

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Speaker 5: I don't think that doctor knows what he's talking about. Well,

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Speaker 5: why do you know what?

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Speaker 2: I thought there was a little sarcasm with that.

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Speaker 5: I don't know. I didn't. It was just a little

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Speaker 5: too much for me, although I did like when Logan

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Speaker 5: asked the doctor he said, can I be discharged to

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Speaker 5: your house?

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Speaker 6: Yeah?

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Speaker 2: That was funny. I will say I did not like

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Speaker 2: Rory's outfit and she wears it for an endlessly long

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Speaker 2: amount of time in this episode, and I did not

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Speaker 2: care for that. I literally wrote, no thanks.

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Speaker 6: I did not like that out But.

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Speaker 2: I thought the kiss was cute. I think they're cute.

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Speaker 2: I think it's cute to see her caretaking and really caring.

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Speaker 2: And I would be pairanoid if my boyfriend had those injuries.

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Speaker 2: It might be a little over the top myself, but.

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Speaker 1: Just say, who cares? All right, We're going to go

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Speaker 1: to the Dragonfly now, Michelle. Michelle is freaking out because

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Speaker 1: he just found out that he s ingested too many calories.

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Speaker 2: Can you imagine if during the whole episode we had

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Speaker 2: to like exercise like I was sure I could do?

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Speaker 1: It's Anne I bet you this scene bothered you more

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Speaker 1: than any other scene because it was so over the top.

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Speaker 5: Right, Danielle, keep me dancing, Not more than any other scene,

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Speaker 5: because there are some scenes that bother me more, although

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Speaker 5: I did. I watched the episode twice last night because

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Speaker 5: I'm like, I gotta find something to like about this episode,

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Speaker 5: and it did kind of grow on me a little bit.

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Speaker 5: I thought it was I thought it was kind of cute,

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Speaker 5: and I actually, you know, shout out to unique Truesdale

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Speaker 5: who had to keep doing that through those long cakes.

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Speaker 2: So it's hard you run out of moves after Scott

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Speaker 2: and I are sort of trying to run in place

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Speaker 2: and do moves.

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Speaker 1: I'm sick. I can't run.

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Speaker 2: First of all, I couldn't hear anything Suzanne was saying,

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Speaker 2: like Danielle said, I was trying to hard the what

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Speaker 2: am I going to do next?

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Speaker 1: What am I going to do?

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Speaker 6: Do you?

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Speaker 2: I just saying that all again.

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Speaker 5: I thought I didn't think it was that bad. I

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Speaker 5: watched it twice and it kind of grew on me

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Speaker 5: the second time, so I didn't. I didn't hate it,

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Speaker 5: but it was kind of over the top.

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Speaker 2: The takeaway for me, though, as you realize she's blowing

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Speaker 2: Luke off, and I'm like, what is going on?

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Speaker 1: And also I did you understand a thing that Michelle

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Speaker 1: was saying?

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Speaker 5: No, I had to turn the titles on this.

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Speaker 1: Yeah, I couldn't. The accent was so thick. I couldn't understand.

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Speaker 2: Yeah, well, because understood the milk situation. He thought he

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Speaker 2: was drinking that free and it was full fat or something.

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Speaker 1: And the Laurel I dis to Luke. It's like, you know,

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Speaker 1: creating some space there.

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Speaker 2: It's just so weird. She's not only is she blowing

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Speaker 2: him off, she's lying she's staff meeting and she doesn't

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Speaker 2: have a staff meeting. And I'm not clear on Oh.

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Speaker 4: Yeah, I didn't like how she involved Suki and Michelle

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Speaker 4: in that, you know.

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Speaker 2: And so why why did we go to this? I

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Speaker 2: understand we left off with like a lot of angst,

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Speaker 2: right because Amma will not accept her and Anna has

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Speaker 2: yelled at Luke.

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Speaker 4: Do you think in her mind she and I mean,

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Speaker 4: we can talk about this a little bit later, but

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Speaker 4: she is acknowledging it's not working.

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Speaker 5: Yeah, and she's given us at this point. This is

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Speaker 5: so this is one of the reasons I didn't like

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Speaker 5: this episode is this is now the seventh or eighth episode.

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Speaker 5: It's like groundhog Day. I'm like watching the same thing

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Speaker 5: over and over. Luke is completely oblivious and Laurale's feelings

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Speaker 5: are hurt, but she won't stand up and tell him

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Speaker 5: how she's feeling.

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Speaker 1: Yep.

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Speaker 5: And I'm just kind of bored with it at this point.

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Speaker 5: And I feel like, now in this episode, we see

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Speaker 5: like after the whole birthday party thing where you know,

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Speaker 5: she made this winning party for Luke and then she

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Speaker 5: still gets her hand slapped. I think like she's just

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Speaker 5: given up. She's like, Okay, I you know, I'm done.

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Speaker 2: He's done, but he's not done. And he's never given

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Speaker 2: any indication of being done.

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Speaker 5: She's had any conversation with her about it either, like

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Speaker 5: he has said nothing to her to kind of reassure her.

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Speaker 5: And so she ends every episode upset and sad. And

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Speaker 5: now we see that she's just throwing in the towel.

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Speaker 4: Yeah.

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Speaker 5: Again, she's not doing it in a healthy way because

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Speaker 5: avoiding him is not the right way.

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Speaker 1: To do it. Here's the dilemma. I think the dilemma

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Speaker 1: for the writers is this that and I kind of

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Speaker 1: figured out what's coming and it's the bad thing, right, Yeah,

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Speaker 1: so I kind of figured that out. I haven't seen her,

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Speaker 1: I know, but I kinda but donk A dont going

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Speaker 1: on there. It's going to be bad. So if if

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Speaker 1: they the bad thing is going to happen next episode,

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Speaker 1: I think, right.

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Speaker 4: So off my headphone.

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Speaker 2: No, because he doesn't know either, he's just thinking about speculating.

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Speaker 1: I'm just speculating. Yeah, I think they're setting up us

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Speaker 1: up for this, and I think the writers are intentionally.

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Speaker 1: You know, if they make Luke Luke too sympathetic or

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Speaker 1: these two about to reconcile and there's a big understanding,

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Speaker 1: then the bad thing can't happen. So it's like, how

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Speaker 1: do you get to the bad thing? Right? You have

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Speaker 1: to create However sloppily we claim it's being done or

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Speaker 1: it's it's it's redundant, and it's like, all right, already,

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Speaker 1: they got to get Laurel I into that bad into

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Speaker 1: the bad thing. Somehow justify that it's that, that's why

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Speaker 1: it's happened, because these two were so far apart in

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Speaker 1: they're our community kiddingway, So how do you do that?

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Speaker 1: So I understand what you're saying, I do I do Susanne,

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Speaker 1: I do understand what you're saying, but uh so, maybe

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Speaker 1: what you're saying is they could have done this a

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Speaker 1: little better.

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Speaker 5: Yeah, like as a viewer, and I don't want to

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Speaker 5: get too far ahead, but the scene in the bar

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Speaker 5: where Luke is talking to TJ and he's you know, talking,

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Speaker 5: he's talking about Liz, but like, I feel like the

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Speaker 5: writers are toying with the viewers. It's like they put

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Speaker 5: Luke in a position where he's trying to explain, oh,

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Speaker 5: you know, she's really talking to herself, and I wanted

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Speaker 5: to sweem the lines.

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Speaker 2: Well, it's very intentional they did that. They have like

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Speaker 2: having a full speech, but yet he's clueless.

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Speaker 5: But then there's still no resolution for the viewer. So

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Speaker 5: I don't know. And it kind of now we're at

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Speaker 5: the end of the season and I'm kind of thinking

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Speaker 5: about what we were talking about at the beginning of

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Speaker 5: the season, where by this point, you know, the writers

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Speaker 5: knew that they were on their way out and so

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Speaker 5: they're like making a statement here and I don't know,

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Speaker 5: I just wasn't a fan.

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Speaker 1: That's an interesting perspective.

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Speaker 2: Yeah, I don't know. I mean, I think, okay.

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Speaker 1: Ever underestimate you know, personal feelings being hurt and what

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Speaker 1: the repercussions can be.

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Speaker 2: I also, so, first of all, I don't know that

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Speaker 2: all the writers leave, right. We know Amy and Dan leave,

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Speaker 2: but a lot of the writers stay right.

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Speaker 5: Well, And maybe maybe it wasn't necessarily an intentional thing,

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Speaker 5: like maybe it's it was just unconscious and that's how

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Speaker 5: it came out in the writing. But Amy and Dan

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Speaker 5: wrote this episode. They both had writing credit on this episode.

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Speaker 3: And I don't know.

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Speaker 2: I just I don't know that you're gonna tank your

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Speaker 2: own show even if you can't make a deal for

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Speaker 2: season seven, right, It's like.

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Speaker 5: Maybe I didn't I that's just my impression. I'm not

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Speaker 5: saying I don't know these pe I think they know

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Speaker 5: they are completely wrong, but that's how it feels.

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Speaker 2: And I could be totally wrong too, Like we're just

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Speaker 2: spitballing here, guys. So like they know they've got a

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Speaker 2: season seven, right, So to me, if I planning right,

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Speaker 2: because I'm planning right now for our season seven and

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Speaker 2: what's going to be after that? So is there a

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Speaker 2: chance that if you keep them together? I'm not saying

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Speaker 2: they're gonna break up, but I'm just saying if you

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Speaker 2: keep them together, that gives you one trajectory for season seven.

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Speaker 2: If you break them up, it gives you a different trajectory.

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Speaker 2: So it all may be quite intentional everything that's happening,

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Speaker 2: and not in a bad way or purposely tanking Gilmore girls.

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Speaker 2: It's just giving more. How do I say this without

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Speaker 2: I don't hate what is to come? I found it

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Speaker 2: quite Oh my wow, what is coming? So I'm interested

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Speaker 2: when we get there. Who likes it and hates it?

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Speaker 1: Well?

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Speaker 6: I don't know.

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Speaker 1: I mean it's whether or not the creators consider Luke

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Speaker 1: core character to this piece or not right, and they do.

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Speaker 1: If you know, with lorl I hurtling towards the bad thing,

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Speaker 1: what kind of impact does that have on her character?

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Speaker 1: You know what I'm saying. So take her character down

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Speaker 1: several notches. That's interesting parent blindness, take his characters?

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Speaker 2: I mean, is this character Well that's an interesting question.

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Speaker 1: Well, so what you're asking is this wilful character destruction

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Speaker 1: or is it just some kind of handhanded way to

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Speaker 1: get them to the bad thing?

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Speaker 3: Yeah?

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Speaker 2: Interesting? I mean yeah, let me ask you this. You

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Speaker 2: are getting married, all of you. You're all getting married, right,

364
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Speaker 2: You're engaged you're getting married and suddenly you find out

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Speaker 2: that your fiance realizes he has a baby, a child

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Speaker 2: that he didn't know about. Would you get married on

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Speaker 2: June third or would you postpone the wedding?

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Speaker 5: I think it would be a conversation. Yeah, yeah, I mean,

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Speaker 5: it's not one person's decision. They would both have to

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Speaker 5: But what would you do? I personally would get married.

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Speaker 4: I probably would say, let's take a second. There's a

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Speaker 4: lot going on right now, let's see what's going on.

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Speaker 1: I don't know what i'd do.

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Speaker 5: I mean because to me, and again this is just

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Speaker 5: one hundred percent my opinion, and you don't have to

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Speaker 5: agree with it. If I have this person that is

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Speaker 5: my person, and I love them enough that I want

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Speaker 5: to marry them, a child coming in isn't going to

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Speaker 5: change my relationship with that person. They're still my person,

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Speaker 5: I agree with That's that's my perspective on it. But

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Speaker 5: I don't know that there's a right or wrong answer.

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Speaker 5: I mean, everybody would have their own as I.

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Speaker 2: Might postpone the wedding because of the circumstances, right Like

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Speaker 2: this is a little I know many people that postponed

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Speaker 2: their wedding because a parent was ill right and they

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Speaker 2: wanted to or they hurried up their wedding because of

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Speaker 2: a parent right outside circumstances impact wedding days, Does that

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Speaker 2: mean it impacts the relationship In my opinion, No, that

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Speaker 2: April is not destroying the relationship with Luke. I think

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Speaker 2: Lorelei is thinking it is. I don't actually think their

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Speaker 2: relationship is bad just because they're postponing the wedding either.

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Speaker 1: I mean, why can't it continue to exist in this

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Speaker 1: the normal state that it's in. It's you know, they're

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Speaker 1: in love, They're they're a functioning, solid, grounded couple that

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Speaker 1: live together. So it's like, okay, so it's delayed able.

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Speaker 2: And say they even want to have children, right, I

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Speaker 2: don't think putting that off for six more months or

398
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Speaker 2: a year is super problematic, right, it's not.

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Speaker 5: I don't even think it's about the wedding anymore.

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Speaker 4: Yeah, I agree with what you're saying, but I also

401
00:20:58,200 --> 00:21:02,680
Speaker 4: think that this situation suation. It's not April that's the problem.

402
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Speaker 4: It's how they're dealing with the situation with April. So

403
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Speaker 4: it's actions that are becoming red flags. Does that make

404
00:21:11,920 --> 00:21:13,320
Speaker 4: sense totally?

405
00:21:13,400 --> 00:21:16,040
Speaker 2: And so do you guys? The three of you think

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00:21:16,240 --> 00:21:22,480
Speaker 2: that the relationship between Luke and Lorelai is actually not

407
00:21:22,560 --> 00:21:23,440
Speaker 2: good right now.

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Speaker 1: Well, clearly it's not good. She's pulling away.

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Speaker 2: But is it warranted? I never really saw them having

410
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Speaker 2: problems with their relationship other than and I get it's

411
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Speaker 2: big how they feel about it.

412
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Speaker 1: Appears that Luke isn't interested in the relationship, like it's

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Speaker 1: like he's not nurturing the relationship the way he used

414
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Speaker 1: to that. So there's he's being neglectful of that relationship.

415
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Speaker 1: And now it's quite clear. But is he Yeah, he's

416
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Speaker 1: putting all his eggs. They're in the April basket, and

417
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Speaker 1: there aren't a lot of eggs left for Laurla.

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Speaker 6: Isn't that?

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Speaker 1: I think she stands right. There's no conversation that they've had.

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Speaker 1: You know, the onus is on him just to have

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Speaker 1: that conversation with her, to start that conversation with her

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Speaker 1: and reassure her.

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Speaker 2: But yes, I agree with that, But say you have

424
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Speaker 2: a certain bandwidth, right, he works, he runs the diner.

425
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Speaker 2: You know, he's now discovered April. He's got things right.

426
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Speaker 2: So when you're in a relationship, a really good relationship

427
00:22:29,760 --> 00:22:37,680
Speaker 2: like they have, as the other person. Don't you say, hey,

428
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Speaker 2: I understand I'm not the top priority right now because

429
00:22:42,680 --> 00:22:46,760
Speaker 2: you've got all these other things, and that person steps

430
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Speaker 2: up to support the person in need, just like vice versa.

431
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Speaker 2: Luke was really there for Laura I when she had

432
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Speaker 2: her issues with Rory. So what I'm asking is, and

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Speaker 2: again I'm really just asking it because I am not

434
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Speaker 2: fully developed on my own opinion. Is there relationship really bad?

435
00:23:04,400 --> 00:23:09,520
Speaker 2: Or is Lorelai just not no aborting Luke in his time?

436
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Speaker 1: Just because Luke doesn't need constant reassurance, it doesn't mean

437
00:23:15,560 --> 00:23:19,240
Speaker 1: that Laura I requires the same. She needs a little

438
00:23:19,280 --> 00:23:23,600
Speaker 1: bit of reassurance. He should understand that not everybody is

439
00:23:23,720 --> 00:23:28,359
Speaker 1: like him, but he doesn't need the constant, doting, right reassurance.

440
00:23:28,359 --> 00:23:30,919
Speaker 1: He's you know, he's going to be there regardless, but

441
00:23:31,920 --> 00:23:34,879
Speaker 1: you know, not everybody's like that. Laura I obviously needs

442
00:23:34,960 --> 00:23:39,520
Speaker 1: some communication. There's no communication. Susan's right, I've come full

443
00:23:39,520 --> 00:23:40,960
Speaker 1: circle on this or so.

444
00:23:41,480 --> 00:23:45,000
Speaker 4: Also, it's like their whole relationship was Luke was a

445
00:23:45,000 --> 00:23:47,080
Speaker 4: different way. You know, he was the one that said

446
00:23:47,160 --> 00:23:49,639
Speaker 4: I'm all in. He was the one pursuing her, the

447
00:23:49,640 --> 00:23:55,440
Speaker 4: one that was always very always we knew Luke was

448
00:23:55,480 --> 00:23:58,119
Speaker 4: always a beacon of light in the sense that he

449
00:23:58,240 --> 00:24:01,520
Speaker 4: always showed Laura Lie that he's there for her.

450
00:24:01,800 --> 00:24:03,520
Speaker 2: Do you feel he's treating her badly?

451
00:24:04,080 --> 00:24:08,360
Speaker 4: I don't think he's treating her badly unintentionally, Yeah, yeah,

452
00:24:08,400 --> 00:24:11,840
Speaker 4: that's what I'm saying, is like, it's not intentional at all,

453
00:24:12,320 --> 00:24:18,359
Speaker 4: but he is unintentionally pushing her to the side.

454
00:24:18,560 --> 00:24:22,560
Speaker 2: I'm not seeing that as clearly as clearly you three are.

455
00:24:23,240 --> 00:24:28,080
Speaker 2: I see him treating her quite well, right, Like he's

456
00:24:28,560 --> 00:24:33,840
Speaker 2: loving and communicative ish, right, like as he's capable of.

457
00:24:34,359 --> 00:24:36,600
Speaker 2: He's not a jerk, he's not lying.

458
00:24:37,240 --> 00:24:39,879
Speaker 1: He's shutting her out of one of the big moments

459
00:24:39,920 --> 00:24:43,440
Speaker 1: of his life with his child. But she's completely shut

460
00:24:43,440 --> 00:24:46,440
Speaker 1: out of that. He's not even talking about. He's even

461
00:24:46,440 --> 00:24:48,679
Speaker 1: getting a little snippy with her if she tries to

462
00:24:48,680 --> 00:24:51,240
Speaker 1: bring it up. And he gave her this big speech

463
00:24:51,240 --> 00:24:52,119
Speaker 1: about communication.

464
00:24:52,480 --> 00:24:52,680
Speaker 3: Right.

465
00:24:52,880 --> 00:24:55,720
Speaker 5: He let her in with the birthday party thing, right,

466
00:24:55,800 --> 00:24:58,000
Speaker 5: He let her come over, he let her run the

467
00:24:58,000 --> 00:25:00,720
Speaker 5: birthday party. And then when.

468
00:25:00,720 --> 00:25:02,680
Speaker 4: Anna, because he was desperate.

469
00:25:02,680 --> 00:25:06,359
Speaker 5: Right exactly, I mean it served his purposes. Yeah, and

470
00:25:06,400 --> 00:25:10,000
Speaker 5: then when Anna threw a tantrum about it, then he

471
00:25:10,160 --> 00:25:13,520
Speaker 5: slammed that door shut again and got pissed at Laurel.

472
00:25:13,600 --> 00:25:17,040
Speaker 2: I like, I don't think he ever got pissed at Loralai.

473
00:25:17,640 --> 00:25:19,160
Speaker 2: I don't. I didn't read it that way.

474
00:25:19,320 --> 00:25:19,960
Speaker 4: I didn't either.

475
00:25:20,119 --> 00:25:23,480
Speaker 2: I got it as he was upset and he's so

476
00:25:23,680 --> 00:25:27,600
Speaker 2: bummed and frustrated and upset, but he's not blaming Lorali.

477
00:25:27,760 --> 00:25:30,000
Speaker 2: So let me ask you guys this, are you all

478
00:25:30,200 --> 00:25:36,400
Speaker 2: in the Lorelei Luke situation team? Lorali? If you had to.

479
00:25:36,400 --> 00:25:40,040
Speaker 5: Pick and Luke, I want them both to communicate with

480
00:25:40,080 --> 00:25:42,240
Speaker 5: each other. They're both messing this up now.

481
00:25:43,040 --> 00:25:48,000
Speaker 1: But here's another aspect of this that I think he's

482
00:25:48,080 --> 00:25:52,040
Speaker 1: so out of character at this point that it's you're

483
00:25:52,080 --> 00:25:56,480
Speaker 1: hardly recognizing because where is the backbone? You know? And

484
00:25:56,480 --> 00:25:59,880
Speaker 1: now I'm seeing this so clearly in this episode, where

485
00:26:00,000 --> 00:26:06,919
Speaker 1: here's his backbone? When when Anna right? Right right? And

486
00:26:06,960 --> 00:26:09,520
Speaker 1: where is his comeback? Like wait a minute, hang on

487
00:26:09,600 --> 00:26:12,160
Speaker 1: a second. Yeah, I agree with you, and you said this,

488
00:26:12,320 --> 00:26:15,800
Speaker 1: you echoed this last episode. It's like you didn't even

489
00:26:15,800 --> 00:26:18,520
Speaker 1: tell me we had a child. How dare you talk

490
00:26:18,560 --> 00:26:19,120
Speaker 1: to me this way?

491
00:26:19,200 --> 00:26:19,360
Speaker 4: Yeah?

492
00:26:19,359 --> 00:26:21,080
Speaker 2: I agree with you for twelve years.

493
00:26:20,920 --> 00:26:23,480
Speaker 1: You know, I mean completely, I'm saying that he didn't

494
00:26:23,480 --> 00:26:23,800
Speaker 1: say it.

495
00:26:24,680 --> 00:26:26,960
Speaker 2: You know what, Danielle, it seems like a moment we

496
00:26:27,000 --> 00:26:29,080
Speaker 2: should bring up the person that wrote to us.

497
00:26:29,280 --> 00:26:32,080
Speaker 4: Oh yeah, so someone DM me because you know how

498
00:26:32,119 --> 00:26:35,439
Speaker 4: we got into a heated discussion last episode about how,

499
00:26:36,400 --> 00:26:41,600
Speaker 4: like why did Anna keep this secret away from Luke?

500
00:26:42,320 --> 00:26:46,240
Speaker 4: And this person told us because she didn't know who

501
00:26:46,280 --> 00:26:50,080
Speaker 4: the baby daddy was? Because remember April had a test

502
00:26:50,119 --> 00:26:53,560
Speaker 4: three different carerors and so in front of us. You know,

503
00:26:53,840 --> 00:26:57,639
Speaker 4: so she maybe just didn't know that Luke was the father.

504
00:26:57,920 --> 00:27:00,720
Speaker 1: I don't know, that's a disagree Yeah, she's just.

505
00:27:00,680 --> 00:27:03,639
Speaker 4: A good it's a good staff speculation though, you know,

506
00:27:03,800 --> 00:27:06,080
Speaker 4: like she was too embarrassed she didn't know who the

507
00:27:06,160 --> 00:27:06,800
Speaker 4: father was.

508
00:27:07,480 --> 00:27:09,320
Speaker 1: She could have gone to that. I mean even if

509
00:27:09,359 --> 00:27:12,960
Speaker 1: she was had, you know, another person that she was dating,

510
00:27:15,040 --> 00:27:17,320
Speaker 1: or she was seeing multiple people, she could have gone

511
00:27:17,400 --> 00:27:18,120
Speaker 1: to each of them.

512
00:27:18,160 --> 00:27:22,560
Speaker 5: And you know, I never got and like, with all

513
00:27:22,640 --> 00:27:25,560
Speaker 5: due respect to whoever wrote in, I'm not like trying

514
00:27:25,600 --> 00:27:27,480
Speaker 5: to be mean to them, but I never got the

515
00:27:27,520 --> 00:27:30,439
Speaker 5: impression that Anna didn't know who the father was. I

516
00:27:30,440 --> 00:27:32,080
Speaker 5: think Anna knew the whole time.

517
00:27:32,160 --> 00:27:35,240
Speaker 2: That's a fair point. But why would she make April

518
00:27:35,320 --> 00:27:37,280
Speaker 2: go around and pick all the hair out? Why would

519
00:27:37,280 --> 00:27:38,360
Speaker 2: she do that to her kid?

520
00:27:38,480 --> 00:27:41,160
Speaker 5: She didn't know April was doing it. She didn't know

521
00:27:41,320 --> 00:27:43,000
Speaker 5: what April's project was.

522
00:27:43,080 --> 00:27:46,440
Speaker 4: But then how did April know that there's these three dads?

523
00:27:46,840 --> 00:27:50,200
Speaker 5: Because so if you go back to the episode where

524
00:27:50,320 --> 00:27:53,000
Speaker 5: Luke shows up at Anna's house and he's like, why

525
00:27:53,000 --> 00:27:55,840
Speaker 5: didn't you tell me, she says that she didn't know

526
00:27:55,880 --> 00:27:59,800
Speaker 5: about the project and that April had gotten the names

527
00:27:59,840 --> 00:28:04,280
Speaker 5: for old letters, so she put the whole thing on it. Now,

528
00:28:04,320 --> 00:28:05,920
Speaker 5: maybe she was lying. I don't know. We don't have

529
00:28:05,960 --> 00:28:06,400
Speaker 5: anything to.

530
00:28:06,359 --> 00:28:07,880
Speaker 2: Indicate that, Oh right, they don't.

531
00:28:08,640 --> 00:28:12,840
Speaker 5: She told Luke that April did this entire thing completely

532
00:28:13,000 --> 00:28:15,199
Speaker 5: on her own, and she didn't know about it until

533
00:28:15,320 --> 00:28:20,719
Speaker 5: after the fact, So I don't I don't necessarily see

534
00:28:20,760 --> 00:28:23,320
Speaker 5: any evidence that Anna didn't know who.

535
00:28:23,480 --> 00:28:26,960
Speaker 2: Okay, So that makes sense, all right, So let's always

536
00:28:27,000 --> 00:28:31,440
Speaker 2: trust that everyone's truthful, right, So she found boyfriend letters

537
00:28:31,560 --> 00:28:35,720
Speaker 2: or whatever in Anna's box of letters or box, you know,

538
00:28:35,840 --> 00:28:39,960
Speaker 2: her hope chest, whatever, and she then goes and finds them.

539
00:28:40,200 --> 00:28:44,080
Speaker 2: Whereas we are to assume that April didn't know who

540
00:28:44,120 --> 00:28:45,920
Speaker 2: the dad was, but Anna always knew.

541
00:28:45,960 --> 00:28:49,160
Speaker 5: Okay, fair, I can.

542
00:28:48,360 --> 00:28:50,920
Speaker 2: I can accept that? Okay? Fine, it still does not

543
00:28:51,040 --> 00:28:55,400
Speaker 2: make it okay that Anna right didn't So that's point

544
00:28:55,440 --> 00:28:58,000
Speaker 2: as well. Yes, Scott's point is well taken in that

545
00:28:59,040 --> 00:29:03,760
Speaker 2: you're right, like you should have said to her, back up, yeah, girl,

546
00:29:05,080 --> 00:29:07,480
Speaker 2: you show up. You know, I'm throwing the birthday party,

547
00:29:07,480 --> 00:29:10,560
Speaker 2: I'm going on the school trip. I'm doing everything you want.

548
00:29:10,680 --> 00:29:15,640
Speaker 2: And my fiance saved the day and your kid had

549
00:29:15,680 --> 00:29:18,920
Speaker 2: a wonderful time and everyone is safe and healthy and happy,

550
00:29:19,000 --> 00:29:20,840
Speaker 2: and you should be sending me a muffin basket.

551
00:29:21,120 --> 00:29:23,600
Speaker 1: But I think, you know, I think I think Luke

552
00:29:23,760 --> 00:29:29,040
Speaker 1: is a little gun shy because Anna has the power

553
00:29:29,280 --> 00:29:33,360
Speaker 1: of the visitation over him. She can withdraw that at

554
00:29:33,400 --> 00:29:36,719
Speaker 1: any time and he'll never see that kid again unless

555
00:29:36,760 --> 00:29:38,080
Speaker 1: her lawyers up.

556
00:29:38,200 --> 00:29:41,280
Speaker 2: Yeah, yeah, he sure could, and he will get yeah,

557
00:29:41,320 --> 00:29:44,200
Speaker 2: a lot. He will get fifty to fifty custody. That

558
00:29:44,280 --> 00:29:46,400
Speaker 2: explains that she said the not lawyer.

559
00:29:47,920 --> 00:29:49,680
Speaker 1: So there we go.

560
00:29:49,880 --> 00:29:52,480
Speaker 2: So, uh, good talk, guys, good talk.

561
00:29:52,680 --> 00:29:53,960
Speaker 1: Yeah, nice talk, nice talk.

562
00:29:54,440 --> 00:29:54,800
Speaker 7: Got to go.

563
00:29:55,720 --> 00:29:59,480
Speaker 2: So it was sad to me, the blowing off, I know,

564
00:29:59,680 --> 00:30:03,800
Speaker 2: just a a button on that that bothered me a lot.

565
00:30:06,560 --> 00:30:09,120
Speaker 1: Yeah, I did not like that.

566
00:30:09,120 --> 00:30:12,400
Speaker 2: That did not seem Lorelai ish, and it was hurtful.

567
00:30:12,440 --> 00:30:14,920
Speaker 2: I did not like it. All right, So now we're

568
00:30:15,880 --> 00:30:17,440
Speaker 2: no marro wanna sit.

569
00:30:18,640 --> 00:30:24,800
Speaker 1: Now we're in pot Farm, USA. Stars. They grow the

570
00:30:24,960 --> 00:30:26,520
Speaker 1: hill the.

571
00:30:26,600 --> 00:30:28,400
Speaker 2: Hill, boy, did they?

572
00:30:28,440 --> 00:30:32,400
Speaker 1: And uh, you know that was particularly amusing. I thought,

573
00:30:32,440 --> 00:30:34,760
Speaker 1: what did you guys think? I thought it was funny,

574
00:30:35,080 --> 00:30:37,760
Speaker 1: very make Gilmore girls seem very edgy.

575
00:30:37,800 --> 00:30:40,240
Speaker 2: And you know what I missed that came back in

576
00:30:40,320 --> 00:30:43,400
Speaker 2: this episode a bit was is the physical comedy even

577
00:30:43,400 --> 00:30:46,840
Speaker 2: though it was Jackson when he bumps into that table

578
00:30:46,960 --> 00:30:50,240
Speaker 2: and the two background actors are like, it was a

579
00:30:50,280 --> 00:30:54,080
Speaker 2: really good bump into. There was a lot of physicality

580
00:30:54,240 --> 00:30:57,960
Speaker 2: for both Jackson and Suki, and I was, I liked

581
00:30:58,000 --> 00:31:01,320
Speaker 2: it and we missed. I haven't seen that in a while.

582
00:31:01,640 --> 00:31:07,960
Speaker 1: Missed it. Yeah, some great lines, Suki blame it's the

583
00:31:07,960 --> 00:31:11,080
Speaker 1: Templeton brothers. Those Templeton brothers. They listened to the Almond Brothers.

584
00:31:11,080 --> 00:31:13,160
Speaker 1: But we should have known people that listened to Almond

585
00:31:13,160 --> 00:31:17,560
Speaker 1: Brothers always smoke crass. We're felons that I laughed out loud.

586
00:31:17,600 --> 00:31:19,400
Speaker 1: The Almond Brothers. I used to listen to them all

587
00:31:19,440 --> 00:31:19,840
Speaker 1: the time.

588
00:31:20,880 --> 00:31:22,600
Speaker 2: Same thing when they say, do you think Neil Young

589
00:31:22,640 --> 00:31:24,720
Speaker 2: would want this later?

590
00:31:24,880 --> 00:31:28,680
Speaker 1: But yeah, we're not. Yeah that would have just given

591
00:31:28,720 --> 00:31:42,000
Speaker 1: you right, and then we have what makes there's some

592
00:31:42,120 --> 00:31:47,840
Speaker 1: magic happening in stars Hollins Grantly Phillipsing doing a cover

593
00:31:47,920 --> 00:31:52,240
Speaker 1: of that Simon and garfal By oh Man, and it's

594
00:31:52,400 --> 00:31:56,120
Speaker 1: just there you go, the magic of Gilmore on full display.

595
00:31:56,560 --> 00:32:01,080
Speaker 2: Yeah, the magic of background actors freaking nailing it. That

596
00:32:01,280 --> 00:32:05,440
Speaker 2: was a long scene with him and a lot of

597
00:32:05,520 --> 00:32:09,760
Speaker 2: background actors with umbrellas in the rain, crash.

598
00:32:11,280 --> 00:32:13,000
Speaker 1: To walk through the rain with an umbrella.

599
00:32:13,400 --> 00:32:17,360
Speaker 2: The umbrellas multiple times crashed into that tree and they

600
00:32:17,400 --> 00:32:21,800
Speaker 2: just kept going and there were a lot of them going.

601
00:32:22,440 --> 00:32:24,800
Speaker 2: And then it continues when you go into the diner

602
00:32:25,320 --> 00:32:30,760
Speaker 2: and the rain is still in the background. Really great

603
00:32:30,800 --> 00:32:32,280
Speaker 2: performance by Rain.

604
00:32:32,840 --> 00:32:40,200
Speaker 1: Yeah, nominated fantastic nature. The rain really stole stole those scenes.

605
00:32:42,080 --> 00:32:44,120
Speaker 1: So now we're in Luke's diner and Kirks sitting there

606
00:32:44,760 --> 00:32:48,640
Speaker 1: kind of bragging about his beard, a little stubble, some

607
00:32:48,880 --> 00:32:49,840
Speaker 1: grown grown.

608
00:32:49,760 --> 00:32:52,480
Speaker 2: And Luke is in perfect Luke form, like can you

609
00:32:52,480 --> 00:32:54,560
Speaker 2: can you disorder right? Right?

610
00:32:57,520 --> 00:33:00,920
Speaker 1: And then I'm happy with all of it. Liz comes

611
00:33:00,920 --> 00:33:05,360
Speaker 1: in all beaming and happy, announces she's pregnant, gives her away,

612
00:33:05,720 --> 00:33:09,000
Speaker 1: was surprised that Luke figured it out. Tej's gone, he's left,

613
00:33:09,040 --> 00:33:12,440
Speaker 1: and Luke gets pissed, so he gets all brotherly. So

614
00:33:12,480 --> 00:33:14,520
Speaker 1: he's going to defend his sister. He's going to seek

615
00:33:15,040 --> 00:33:17,960
Speaker 1: PJ out and open up a can of whoop pass

616
00:33:18,000 --> 00:33:18,480
Speaker 1: maybe two?

617
00:33:19,160 --> 00:33:19,680
Speaker 6: What may?

618
00:33:22,280 --> 00:33:25,920
Speaker 1: She said, right, she's in her come what may stage?

619
00:33:26,400 --> 00:33:30,200
Speaker 1: Just come what? All right? So now we're at Logan's apartment.

620
00:33:31,160 --> 00:33:36,680
Speaker 1: Paris and Doyle are by Logan, which is actually very funny.

621
00:33:37,200 --> 00:33:40,920
Speaker 2: Oh my god, wait really fast. So I can't take

622
00:33:40,960 --> 00:33:43,320
Speaker 2: credit for this because it's in one of my Gilmour books,

623
00:33:44,320 --> 00:33:48,800
Speaker 2: but there's an episode where Liz reveals in season four

624
00:33:49,160 --> 00:33:54,640
Speaker 2: that her boyfriend was the garbage collector but also has

625
00:33:54,760 --> 00:33:56,800
Speaker 2: the marijuana something.

626
00:33:57,160 --> 00:33:58,960
Speaker 5: He's the one that sold her the pot.

627
00:33:59,240 --> 00:34:02,560
Speaker 2: Yeah, so so technically there's a theory in the book.

628
00:34:02,600 --> 00:34:05,040
Speaker 2: And I will give credit to the Gilmore Girls Companion

629
00:34:05,080 --> 00:34:09,200
Speaker 2: book for this note. Uh, Suki and Jackson could have

630
00:34:09,280 --> 00:34:12,920
Speaker 2: just tossed the marijuana and had no repercussions because the

631
00:34:12,960 --> 00:34:18,880
Speaker 2: garbage collector saw his side hustle of marijuana just calling

632
00:34:18,920 --> 00:34:23,719
Speaker 2: it out. Good great, great knowledge by the companion.

633
00:34:23,280 --> 00:34:27,960
Speaker 1: Book that so thank you for that. And so now

634
00:34:29,120 --> 00:34:31,200
Speaker 1: Logan's trying to get out of bed and Paris is

635
00:34:31,239 --> 00:34:31,960
Speaker 1: not allowing it.

636
00:34:33,200 --> 00:34:33,839
Speaker 6: Oh my god.

637
00:34:34,040 --> 00:34:36,360
Speaker 1: Through Rory's instructions.

638
00:34:36,480 --> 00:34:38,080
Speaker 2: It was actually funny.

639
00:34:38,400 --> 00:34:41,120
Speaker 1: And there's the what is it? What is it? The penguins?

640
00:34:41,160 --> 00:34:42,439
Speaker 3: What's the Penguin movie?

641
00:34:42,520 --> 00:34:44,839
Speaker 2: Wasn't that how I learned that penguins they don't mate

642
00:34:44,880 --> 00:34:49,120
Speaker 2: for life, but they mate for season. They like mate,

643
00:34:49,200 --> 00:34:50,839
Speaker 2: and then they have a baby. It's it was that

644
00:34:51,160 --> 00:34:54,840
Speaker 2: the March of the Penguins. They probably couldn't say it

645
00:34:54,840 --> 00:34:57,760
Speaker 2: because they call it the Penguin movie. Oh my god,

646
00:34:57,920 --> 00:35:03,600
Speaker 2: penguins are it? Also, tupperware is a bedpan is not

647
00:35:03,719 --> 00:35:04,360
Speaker 2: about cool?

648
00:35:04,840 --> 00:35:06,839
Speaker 1: And Logan just wants to move around. They don't want

649
00:35:06,920 --> 00:35:12,839
Speaker 1: him to. Uh So does Paris call Rory and say, hey,

650
00:35:12,840 --> 00:35:13,719
Speaker 1: what's up with this guy?

651
00:35:13,920 --> 00:35:17,040
Speaker 2: I think I think Rory calls to check in on Logan,

652
00:35:17,120 --> 00:35:18,680
Speaker 2: or Logan calls Rory to be like, you got to

653
00:35:18,680 --> 00:35:19,680
Speaker 2: get these two crazy?

654
00:35:19,719 --> 00:35:22,480
Speaker 4: Yeah, the Maidens calls Rory.

655
00:35:22,560 --> 00:35:26,680
Speaker 2: Right Doyle. Doyle cracks me up in this scene. Yeah,

656
00:35:26,760 --> 00:35:28,120
Speaker 2: I love them together.

657
00:35:30,520 --> 00:35:32,640
Speaker 5: They're hilarious every time, totally.

658
00:35:32,719 --> 00:35:34,759
Speaker 2: And she's studying for the mcat or whatever, and she

659
00:35:34,880 --> 00:35:37,160
Speaker 2: says all the parts of thee they.

660
00:35:37,000 --> 00:35:41,560
Speaker 4: Gave Paris the perfect companion, like casting wise, the actor,

661
00:35:41,800 --> 00:35:43,160
Speaker 4: but also the character.

662
00:35:43,560 --> 00:35:43,799
Speaker 1: Yeah.

663
00:35:45,680 --> 00:35:49,560
Speaker 2: Yeah, well, and he's gone on to be legit Doyle.

664
00:35:51,800 --> 00:35:57,239
Speaker 1: Oh yeah. And then Rory calls from the from Yale

665
00:35:57,280 --> 00:36:01,680
Speaker 1: Daily News newsrooms. So he's trying to present Rory with

666
00:36:01,719 --> 00:36:04,800
Speaker 1: the editorial piece in the from the Wall Street Journal.

667
00:36:04,960 --> 00:36:07,200
Speaker 2: They left me hanging there. I was like, what, we.

668
00:36:07,280 --> 00:36:10,600
Speaker 1: Don't know what it is. Yeah, but then we find

669
00:36:10,600 --> 00:36:14,640
Speaker 1: out what it is. And Mitcham, is is quoted in

670
00:36:14,680 --> 00:36:19,120
Speaker 1: this article, is taking credit for a couple of people careers,

671
00:36:19,280 --> 00:36:22,360
Speaker 1: and he mentions Rory Gilmour out of the blue and says,

672
00:36:22,400 --> 00:36:25,600
Speaker 1: I gave her her break at the Hartford Gazette, that

673
00:36:25,680 --> 00:36:27,479
Speaker 1: she went on to be the editor of the Yale

674
00:36:27,520 --> 00:36:31,280
Speaker 1: Daily News, which I I gather as a very lofty

675
00:36:31,320 --> 00:36:33,279
Speaker 1: perch in the journalism world, because if you come out

676
00:36:33,280 --> 00:36:36,720
Speaker 1: of there, you're gonna you're gonna do pretty well, pretty

677
00:36:36,719 --> 00:36:37,880
Speaker 1: well in the world of journalism.

678
00:36:38,120 --> 00:36:39,440
Speaker 2: Do you feel like she should have been as like

679
00:36:39,520 --> 00:36:41,880
Speaker 2: bent by Mitcham as she is.

680
00:36:42,280 --> 00:36:43,520
Speaker 5: That was a little over the top.

681
00:36:43,760 --> 00:36:46,360
Speaker 1: Yeah, yeah, I kind of agree with you there. That

682
00:36:46,560 --> 00:36:48,640
Speaker 1: might be the one chink right there.

683
00:36:48,800 --> 00:36:51,760
Speaker 2: I didn't mind it with Logan. I thought that part

684
00:36:51,840 --> 00:36:56,120
Speaker 2: was good. It was when she called the paper. I'm like,

685
00:36:56,200 --> 00:36:56,520
Speaker 2: that was.

686
00:36:58,280 --> 00:37:03,200
Speaker 5: Right, right, a journalist herself, right, you know, like you

687
00:37:03,239 --> 00:37:06,640
Speaker 5: don't do that. There was nothing in that article that

688
00:37:06,760 --> 00:37:11,120
Speaker 5: wasn't factual, just because he was, you know, upset by it,

689
00:37:11,160 --> 00:37:13,680
Speaker 5: because she has kind of this knee jerk reaction to

690
00:37:13,719 --> 00:37:16,040
Speaker 5: Mitcham has nothing to do with the article itself.

691
00:37:16,400 --> 00:37:19,200
Speaker 1: I don't know. I just didn't yet. Yeah, well, at

692
00:37:19,239 --> 00:37:23,640
Speaker 1: least she got something out of the unpleasant encounter.

693
00:37:23,320 --> 00:37:26,400
Speaker 2: With Mitcham's truth actually true.

694
00:37:26,160 --> 00:37:28,960
Speaker 1: Right, you know, And maybe that was his sort of

695
00:37:29,000 --> 00:37:34,120
Speaker 1: backhanded way of making amends somehow, right, and his twisted soul.

696
00:37:35,520 --> 00:37:37,960
Speaker 1: All right, Now we're back at the dragon fly in

697
00:37:38,080 --> 00:37:40,920
Speaker 1: and Michelle is really kicking in with the over the

698
00:37:40,960 --> 00:37:49,359
Speaker 1: top calisthenics using the luggage cards. And I mean, it

699
00:37:49,400 --> 00:37:53,160
Speaker 1: was it was just that was particularly over the top,

700
00:37:53,280 --> 00:37:55,280
Speaker 1: wasn't it. But it's still funny. It made me chuckle,

701
00:37:56,560 --> 00:37:56,759
Speaker 1: you know.

702
00:37:58,880 --> 00:37:59,080
Speaker 6: Uh.

703
00:37:59,120 --> 00:38:05,080
Speaker 1: And then Emily calls Laureal I and think we find

704
00:38:05,120 --> 00:38:09,200
Speaker 1: out she's uh needs that the Lasik surgery did not

705
00:38:09,440 --> 00:38:12,479
Speaker 1: go well. But Laurel I doesn't know about this because

706
00:38:12,560 --> 00:38:14,600
Speaker 1: Richard apparently did not tell her.

707
00:38:16,520 --> 00:38:20,359
Speaker 5: Also classic and great, And then I had a red

708
00:38:20,360 --> 00:38:24,080
Speaker 5: flag on this though, because if she had surgery and

709
00:38:24,120 --> 00:38:27,600
Speaker 5: it didn't go well, I can't imagine Richard flying off

710
00:38:27,640 --> 00:38:30,040
Speaker 5: to South Dakota. He would have been like, no, find

711
00:38:30,040 --> 00:38:33,800
Speaker 5: somebody else to do this business trip, because my wife

712
00:38:33,840 --> 00:38:36,000
Speaker 5: is having a medical crisis. I need to be with her.

713
00:38:36,320 --> 00:38:38,040
Speaker 2: I felt like it all happened at the same.

714
00:38:37,880 --> 00:38:41,080
Speaker 1: Time that in fact, what happened or did he leave

715
00:38:41,160 --> 00:38:42,280
Speaker 1: the day of the surgery?

716
00:38:42,480 --> 00:38:44,799
Speaker 2: Well, why would he do that? Like that didn't make.

717
00:38:44,719 --> 00:38:46,280
Speaker 1: Sense because it's not a Lasik surgery.

718
00:38:46,280 --> 00:38:48,440
Speaker 2: It's not right, Like it's like kind of like a

719
00:38:48,440 --> 00:38:50,600
Speaker 2: trip to the dentist times a.

720
00:38:50,600 --> 00:38:53,680
Speaker 5: Little bit right, it's like Blasik surgery. I would make

721
00:38:53,719 --> 00:38:55,759
Speaker 5: my husband be the one that like takes me and

722
00:38:55,800 --> 00:38:56,480
Speaker 5: pick me up.

723
00:38:56,640 --> 00:38:58,960
Speaker 4: They also have a lot of help at the house,

724
00:39:00,239 --> 00:39:01,880
Speaker 4: Like he's going to help her people.

725
00:39:02,080 --> 00:39:04,480
Speaker 1: He's got a big account to settle in South Dakota.

726
00:39:04,520 --> 00:39:06,160
Speaker 2: And most of the time, don't you get Lasik and

727
00:39:06,200 --> 00:39:08,040
Speaker 2: then you just like cruise home and you're good.

728
00:39:09,160 --> 00:39:10,200
Speaker 1: Yeah that's what I thought.

729
00:39:10,560 --> 00:39:11,040
Speaker 2: Yeah, I don't.

730
00:39:11,040 --> 00:39:11,319
Speaker 6: I don't.

731
00:39:11,440 --> 00:39:13,040
Speaker 2: I think it went awry, But I'm not mad at

732
00:39:13,120 --> 00:39:13,600
Speaker 2: rich I'll.

733
00:39:13,520 --> 00:39:15,560
Speaker 1: Let you know, I'm pretty much almost there.

734
00:39:15,800 --> 00:39:16,759
Speaker 2: No way you're going to do it.

735
00:39:16,960 --> 00:39:17,520
Speaker 1: Well, I don't know.

736
00:39:17,640 --> 00:39:18,000
Speaker 6: I mean I.

737
00:39:19,920 --> 00:39:21,480
Speaker 4: Want to, but I'm just too scared.

738
00:39:21,760 --> 00:39:24,040
Speaker 1: Yeah, why have you have you heard bad things?

739
00:39:24,520 --> 00:39:25,239
Speaker 4: No, I just.

740
00:39:26,840 --> 00:39:28,960
Speaker 2: Your eyeballs contacts.

741
00:39:29,000 --> 00:39:31,640
Speaker 4: I don't mind wearing contacts all the time. So it's

742
00:39:31,719 --> 00:39:33,040
Speaker 4: kind of like whatever.

743
00:39:33,080 --> 00:39:37,120
Speaker 2: I will say. Side note, my mom had cataract surgery

744
00:39:37,160 --> 00:39:41,719
Speaker 2: and she doesn't even need her glasses anymore. Really, it's crazy.

745
00:39:41,360 --> 00:39:43,000
Speaker 1: And that's lazy.

746
00:39:43,080 --> 00:39:45,480
Speaker 2: No, it's full cataract. They like, I don't know what

747
00:39:45,480 --> 00:39:49,560
Speaker 2: they do to you. Speaking of a lot of on

748
00:39:49,680 --> 00:39:52,520
Speaker 2: the caregiver, I had a driver like twelve times. You

749
00:39:52,560 --> 00:39:54,400
Speaker 2: have to go air and back and it check out

750
00:39:54,400 --> 00:39:55,600
Speaker 2: the next day and then the next day and the

751
00:39:55,640 --> 00:40:00,279
Speaker 2: next day. That being said, she literally couldn't had to

752
00:40:00,320 --> 00:40:03,280
Speaker 2: have glasses and couldn't really see. And now she doesn't

753
00:40:03,320 --> 00:40:08,400
Speaker 2: even wear glasses, like crazy town, how well it works.

754
00:40:09,520 --> 00:40:13,879
Speaker 5: So then so now you my cataracts surgery.

755
00:40:14,560 --> 00:40:18,200
Speaker 1: So Richard's bagging on South Dakota says it did.

756
00:40:18,080 --> 00:40:20,400
Speaker 2: Not look like he was in a hotel in South Dakota.

757
00:40:21,280 --> 00:40:23,680
Speaker 2: Looked like he was on set with the same rain

758
00:40:23,760 --> 00:40:27,000
Speaker 2: in the background, just saying yeah.

759
00:40:26,840 --> 00:40:29,839
Speaker 1: He said, this hotel smells like a foot.

760
00:40:29,719 --> 00:40:31,040
Speaker 2: I laughed, out loud.

761
00:40:31,280 --> 00:40:31,839
Speaker 1: That was good.

762
00:40:33,120 --> 00:40:37,480
Speaker 2: Yeah, because I know that smell great. It's like rotten cheese.

763
00:40:37,840 --> 00:40:42,759
Speaker 1: So now we're back with Suki and Jackson staring at

764
00:40:42,800 --> 00:40:47,880
Speaker 1: their bags of marriage and they have to wait for dark.

765
00:40:48,640 --> 00:40:51,040
Speaker 2: Oh my god, starting to smell.

766
00:40:51,400 --> 00:40:55,000
Speaker 1: To move the contraband if you will, uh and yeah,

767
00:40:55,040 --> 00:40:58,480
Speaker 1: the house has started stink. And now we're back at

768
00:40:58,480 --> 00:41:03,640
Speaker 1: Logan's apartment and they talk about you know, he calmed,

769
00:41:03,800 --> 00:41:07,959
Speaker 1: Logan calms down about I realized that it's the boon

770
00:41:08,040 --> 00:41:10,920
Speaker 1: for your career. Yeah, react, this is you know, it

771
00:41:10,920 --> 00:41:12,719
Speaker 1: turned out very well that one.

772
00:41:12,760 --> 00:41:14,040
Speaker 2: I that scene I liked.

773
00:41:14,440 --> 00:41:18,080
Speaker 1: I'm liking them right now, Susan.

774
00:41:20,239 --> 00:41:23,800
Speaker 5: I thought that scene was okay. There was one Rory

775
00:41:23,880 --> 00:41:27,600
Speaker 5: had this one weird long trunk of dialogue. Yes, yeah,

776
00:41:27,640 --> 00:41:30,319
Speaker 5: it was way over the top about thebituaries and I

777
00:41:30,440 --> 00:41:34,040
Speaker 5: memorized all his kids. That was stupid. She would not

778
00:41:34,120 --> 00:41:36,200
Speaker 5: have said all that. I thought that was silly. But

779
00:41:36,680 --> 00:41:38,600
Speaker 5: other than that, I thought that was a good scene.

780
00:41:40,520 --> 00:41:44,200
Speaker 1: And now we're at Emily's and she is uh, sprawled

781
00:41:44,200 --> 00:41:48,120
Speaker 1: out on the sofa with sunglasses on in the dark,

782
00:41:48,520 --> 00:41:51,319
Speaker 1: in the dark, but it was very well lit in

783
00:41:51,360 --> 00:41:55,040
Speaker 1: the dark. Yes, Lorelai comes in refers to as missus

784
00:41:55,040 --> 00:42:01,320
Speaker 1: ownassis h Doctor Mengele, and we we get onasa's doctor

785
00:42:01,400 --> 00:42:06,560
Speaker 1: Mangole and Marcus Welby md all in one paragraph. And

786
00:42:06,600 --> 00:42:11,640
Speaker 1: then uh, cab drivers in Prague? Do you know about them?

787
00:42:13,480 --> 00:42:13,680
Speaker 6: That?

788
00:42:14,239 --> 00:42:17,480
Speaker 1: I mean? This is what I'm talking about the combination

789
00:42:17,560 --> 00:42:21,360
Speaker 1: of pop culture references in here is staggering. You go

790
00:42:21,480 --> 00:42:26,400
Speaker 1: from missus onasas doctor Mangle, Marcus WELLBMD to cab drivers

791
00:42:26,400 --> 00:42:26,760
Speaker 1: in Prague.

792
00:42:26,840 --> 00:42:29,200
Speaker 2: And I believe it's the second time cab drivers have

793
00:42:29,280 --> 00:42:29,960
Speaker 2: been mentioned?

794
00:42:30,320 --> 00:42:32,480
Speaker 1: Is that right? Who else writes like that? Nobody else? Right?

795
00:42:32,800 --> 00:42:36,239
Speaker 2: The cab drivers got mentioned in season one. Also they

796
00:42:36,280 --> 00:42:41,680
Speaker 2: really yea also stolen from the Gilmore Girls companion Guide.

797
00:42:42,640 --> 00:42:45,360
Speaker 1: So now she's you know, she's pulling off her whole

798
00:42:46,239 --> 00:42:50,480
Speaker 1: diva routine. Feel sorry for me. You're going to have

799
00:42:50,560 --> 00:42:51,239
Speaker 1: to take me.

800
00:42:51,320 --> 00:42:55,480
Speaker 2: To on all her errands, Like can I just do

801
00:42:55,560 --> 00:42:58,080
Speaker 2: the errands? Because that's literally what I would have said,

802
00:42:58,160 --> 00:43:01,600
Speaker 2: Can I just do them? I'd be so to do them.

803
00:43:01,719 --> 00:43:04,760
Speaker 2: It's the taking of the the mom on the errands.

804
00:43:05,520 --> 00:43:07,680
Speaker 5: Yeah, do you want to hear my red flag on

805
00:43:07,719 --> 00:43:11,160
Speaker 5: this scene? And this actually I didn't even catch this,

806
00:43:11,239 --> 00:43:12,799
Speaker 5: but my husband pointed this one out.

807
00:43:12,840 --> 00:43:19,520
Speaker 2: Oh, mister Suzanne, I'll tell her all in that place.

808
00:43:21,160 --> 00:43:22,960
Speaker 2: We've all met him too, and we like him a lot.

809
00:43:23,040 --> 00:43:24,479
Speaker 4: By the way, so.

810
00:43:24,520 --> 00:43:28,680
Speaker 5: He pointed out the According to the dialogue, the doctor

811
00:43:30,560 --> 00:43:33,600
Speaker 5: only operated on the one eye because he wanted to

812
00:43:33,680 --> 00:43:36,160
Speaker 5: direct how that one healed before he did the other one.

813
00:43:36,239 --> 00:43:39,640
Speaker 5: So how is she blind? If they didn't even operate.

814
00:43:39,280 --> 00:43:41,239
Speaker 2: On one eye? Would work? You know, I don't know

815
00:43:41,280 --> 00:43:43,279
Speaker 2: that she's blind, though, I feel like she's having great

816
00:43:43,360 --> 00:43:49,080
Speaker 2: sensitivity to light. One can obviously sort of see.

817
00:43:49,480 --> 00:43:53,279
Speaker 5: Yeah, I mean maybe the way in the hat she's

818
00:43:53,320 --> 00:43:56,440
Speaker 5: so helpless and she said she was blind for forty

819
00:43:56,440 --> 00:43:58,080
Speaker 5: eight hours or something like that.

820
00:43:58,320 --> 00:44:00,400
Speaker 4: You would think you would just wear an eyepatch so

821
00:44:00,440 --> 00:44:01,200
Speaker 4: that you can.

822
00:44:01,520 --> 00:44:03,800
Speaker 2: Right, she could wear a patch and although a patch

823
00:44:03,880 --> 00:44:07,680
Speaker 2: is tough, maybe it was just tough.

824
00:44:10,120 --> 00:44:13,160
Speaker 4: It's good fly. That's a good fine good flag, yeah,

825
00:44:13,160 --> 00:44:13,640
Speaker 4: good flag.

826
00:44:15,160 --> 00:44:15,680
Speaker 1: Yeah.

827
00:44:15,719 --> 00:44:17,440
Speaker 2: But also then I wouldn't get all these great scenes

828
00:44:17,480 --> 00:44:20,000
Speaker 2: of Lorelai driving that ginormous.

829
00:44:19,440 --> 00:44:23,440
Speaker 1: Suv, right, and they talk about it. She just Emily

830
00:44:23,480 --> 00:44:25,480
Speaker 1: doesn't want to go in the jeep, so she wants

831
00:44:25,520 --> 00:44:26,799
Speaker 1: to go and car Jake.

832
00:44:26,880 --> 00:44:29,480
Speaker 2: I wouldn't want to go in the GP either, so bouncy.

833
00:44:29,640 --> 00:44:31,759
Speaker 2: I'm not a fan of those wranglers.

834
00:44:31,280 --> 00:44:32,960
Speaker 3: Bullet proof, not comfortable.

835
00:44:34,160 --> 00:44:38,840
Speaker 1: Yeah, we get mentions of me and Pharaoh, Broadway, Danny Rose,

836
00:44:39,000 --> 00:44:44,360
Speaker 1: and Sarah Bernhardt, so they were flying. The pop culture

837
00:44:44,400 --> 00:44:45,560
Speaker 1: references were flying.

838
00:44:45,680 --> 00:44:48,080
Speaker 7: Yeah, yeah, it's going to be a serious pop culture

839
00:44:48,120 --> 00:44:56,719
Speaker 7: episode this week.

840
00:44:57,880 --> 00:45:01,279
Speaker 1: All right, Now you got a bar. Luke I love,

841
00:45:01,360 --> 00:45:04,640
Speaker 1: Oh my God, storms into the bar because he wants

842
00:45:04,640 --> 00:45:08,320
Speaker 1: to he wants to take a little chunk out of Teach.

843
00:45:10,719 --> 00:45:15,160
Speaker 2: And this was a good scene. Although the speech is fascinating,

844
00:45:15,360 --> 00:45:20,560
Speaker 2: the Luke speech. Yeah, I'm glad we didn't have again

845
00:45:20,600 --> 00:45:22,960
Speaker 2: what I call Three's Company episode, Like we didn't have to.

846
00:45:23,080 --> 00:45:25,080
Speaker 2: We got right to the fact that Teacher's.

847
00:45:24,680 --> 00:45:28,200
Speaker 1: Like, uh Luke Dane's psychologist.

848
00:45:28,480 --> 00:45:32,680
Speaker 2: Yeah, we got quickly to the meat of it is

849
00:45:32,719 --> 00:45:35,839
Speaker 2: that which we knew. Liz kicked him out, So I'm

850
00:45:35,840 --> 00:45:39,440
Speaker 2: glad he explained that real clearly, real fast. And Tej Yeah,

851
00:45:39,520 --> 00:45:41,239
Speaker 2: I love how TJ was.

852
00:45:42,120 --> 00:45:45,360
Speaker 5: He had no idea why Luke was so mad, but

853
00:45:45,440 --> 00:45:50,040
Speaker 5: he's basically like, okay, hit me, go ahead, Like he

854
00:45:50,040 --> 00:45:52,279
Speaker 5: he was like, okay, I'll just let you hit me,

855
00:45:52,360 --> 00:45:53,640
Speaker 5: Like you didn't want to fight and you was just

856
00:45:53,640 --> 00:45:56,080
Speaker 5: gonna let Luke hit him. I just I don't know,

857
00:45:56,080 --> 00:45:56,560
Speaker 5: I thought.

858
00:45:56,680 --> 00:45:59,680
Speaker 4: But he was so concerned about the bar owner's rules,

859
00:45:59,719 --> 00:46:02,480
Speaker 4: like don't burn down the house and no fights inside.

860
00:46:04,160 --> 00:46:06,080
Speaker 2: Is there anything else, Susan, and you feel you need

861
00:46:06,080 --> 00:46:08,319
Speaker 2: to say about Luke's speech? That did trigger me. I

862
00:46:08,360 --> 00:46:10,880
Speaker 2: definitely was like, this is a long speech.

863
00:46:11,560 --> 00:46:14,879
Speaker 4: It's real rich coming from Luke's really right.

864
00:46:14,920 --> 00:46:17,840
Speaker 5: Exactly, Daniel, Like I wanted to grab Luke by the

865
00:46:17,880 --> 00:46:20,200
Speaker 5: shoulders and shake him and be like, do you hear

866
00:46:20,320 --> 00:46:23,840
Speaker 5: yourself right now? Like apply this to your own life?

867
00:46:23,920 --> 00:46:28,000
Speaker 4: It was so, But can we discuss that? Why is that? Like,

868
00:46:28,120 --> 00:46:32,400
Speaker 4: why is it that he is so oblivious? Is he

869
00:46:32,440 --> 00:46:33,880
Speaker 4: oblivious or is he because.

870
00:46:33,680 --> 00:46:36,600
Speaker 2: He's so caught up in Well, he's not oblivious. He's

871
00:46:36,680 --> 00:46:40,560
Speaker 2: so hot up in the fact that he just found

872
00:46:40,560 --> 00:46:43,719
Speaker 2: out he has a child. He's oblivious to I will

873
00:46:43,800 --> 00:46:45,000
Speaker 2: give him that a little bit.

874
00:46:46,560 --> 00:46:48,759
Speaker 5: Well, he is caught up in the whole child thing,

875
00:46:48,800 --> 00:46:52,319
Speaker 5: but he is completely oblivious to loralized feelings. Yes, I

876
00:46:52,360 --> 00:46:57,879
Speaker 5: have no explanation for that. Pancakes, It does good, pancakes

877
00:46:57,920 --> 00:46:59,280
Speaker 5: probably a good tune of melt.

878
00:46:59,040 --> 00:47:02,560
Speaker 1: Too, Yeah, not bad, not bad? All right, So now

879
00:47:02,640 --> 00:47:06,799
Speaker 1: we're driving with Laurella and Emily amazing, and she's doing

880
00:47:06,840 --> 00:47:10,800
Speaker 1: about five miles an hour, and that.

881
00:47:11,080 --> 00:47:13,399
Speaker 2: Entirely Emily knew where the exit was, which is why

882
00:47:13,440 --> 00:47:16,640
Speaker 2: I don't think she's blind, right, because she goes, you're

883
00:47:16,640 --> 00:47:18,480
Speaker 2: going to miss the exit, like you wouldn't know that

884
00:47:18,560 --> 00:47:21,640
Speaker 2: if you couldn't see, And.

885
00:47:21,719 --> 00:47:23,320
Speaker 1: That entire scene was looped.

886
00:47:25,080 --> 00:47:27,240
Speaker 2: Em thank you for that note, Scott.

887
00:47:27,280 --> 00:47:28,040
Speaker 1: It was looped.

888
00:47:28,080 --> 00:47:31,080
Speaker 2: I have to rewatch. It didn't bother me because sometimes looping.

889
00:47:30,800 --> 00:47:31,360
Speaker 6: Does.

890
00:47:32,960 --> 00:47:35,000
Speaker 1: You know, it's just a little Maybe they.

891
00:47:34,880 --> 00:47:37,520
Speaker 2: Had bad audio in that suv, well.

892
00:47:37,440 --> 00:47:43,080
Speaker 1: Yeah's it always happens when you're on location. And then

893
00:47:43,239 --> 00:47:47,520
Speaker 1: you know, they talk about Chris's short hair and how

894
00:47:47,600 --> 00:47:49,680
Speaker 1: Emily thinks that it makes him kind of look like

895
00:47:49,760 --> 00:47:53,719
Speaker 1: a convict or a miss messuse either or, and then

896
00:47:53,760 --> 00:47:58,239
Speaker 1: Emily starts in with her sort of her her manipulation. Yeah,

897
00:47:58,800 --> 00:48:02,520
Speaker 1: you ulations talk about Emily's manipulations.

898
00:48:04,360 --> 00:48:09,080
Speaker 5: I just didn't quite understand why Emily is suddenly so

899
00:48:09,160 --> 00:48:13,360
Speaker 5: concerned about Christopher's love life, well, especially because of the end, right.

900
00:48:13,560 --> 00:48:17,000
Speaker 1: She's trying to get these two back together.

901
00:48:17,160 --> 00:48:20,439
Speaker 2: But she isn't, which I would have thought that too,

902
00:48:21,160 --> 00:48:24,239
Speaker 2: But she isn't because what she's doing is buying a

903
00:48:24,320 --> 00:48:31,920
Speaker 2: house for Laura Lion Luke, So.

904
00:48:29,560 --> 00:48:31,000
Speaker 1: Maybe she's just messing with her.

905
00:48:31,239 --> 00:48:32,719
Speaker 2: Well, I think it's just a bait and switch to

906
00:48:32,760 --> 00:48:37,279
Speaker 2: the audience personally, as like, you know, that's to me

907
00:48:37,360 --> 00:48:39,719
Speaker 2: where the writers were going, We're going to have We're

908
00:48:39,719 --> 00:48:42,440
Speaker 2: going to dupe the audience here, right, it sweeps this

909
00:48:42,520 --> 00:48:44,080
Speaker 2: is that we're coming towards the end of the season.

910
00:48:44,440 --> 00:48:47,480
Speaker 2: The whole episode, the audience is going to think that

911
00:48:48,120 --> 00:48:50,839
Speaker 2: she's trying to get her back with Christopher, which we

912
00:48:50,880 --> 00:48:54,719
Speaker 2: all are already in on the and then we get

913
00:48:54,800 --> 00:48:57,640
Speaker 2: to the house and which is such a kind gesture,

914
00:48:57,640 --> 00:48:58,560
Speaker 2: but I digress.

915
00:48:58,960 --> 00:49:03,400
Speaker 1: Yeah, I agree, big gesture, three aggres a pond nice and.

916
00:49:03,719 --> 00:49:07,879
Speaker 2: Laurel lies like so moved by it, and we get

917
00:49:07,920 --> 00:49:08,680
Speaker 2: the moment of.

918
00:49:08,800 --> 00:49:11,000
Speaker 4: You know, it just didn't track for me with this

919
00:49:11,040 --> 00:49:14,880
Speaker 4: whole Like, yes, it's a grand and awesome gesture to

920
00:49:14,960 --> 00:49:18,279
Speaker 4: buy them a house, but Emily was just at their

921
00:49:18,360 --> 00:49:21,640
Speaker 4: house and saw that they renovated it and that she

922
00:49:21,760 --> 00:49:24,560
Speaker 4: even complimented Lauralize saying that this is this is a

923
00:49:24,600 --> 00:49:27,440
Speaker 4: homey house, like I can really see you here. So

924
00:49:27,480 --> 00:49:29,320
Speaker 4: why would she then buy her a new house?

925
00:49:29,520 --> 00:49:33,439
Speaker 1: Because she said that Luke wants you know, he's a man,

926
00:49:33,520 --> 00:49:36,160
Speaker 1: he wants acreage and he wants to space.

927
00:49:36,200 --> 00:49:38,239
Speaker 2: She wants her to have horses, and you're not going

928
00:49:38,280 --> 00:49:40,480
Speaker 2: to let me throw you a wedding, right, so let

929
00:49:40,520 --> 00:49:43,120
Speaker 2: me give you this house. I think it's like, you

930
00:49:43,200 --> 00:49:45,160
Speaker 2: live in a nice house right now, But wouldn't you

931
00:49:45,160 --> 00:49:47,160
Speaker 2: want a bigger hole? So if someone's going buy.

932
00:49:47,000 --> 00:49:47,920
Speaker 5: It for you, I would take it.

933
00:49:48,280 --> 00:49:49,120
Speaker 1: Yeah.

934
00:49:49,560 --> 00:49:51,719
Speaker 5: So is this where I should talk about what I

935
00:49:51,760 --> 00:49:53,880
Speaker 5: think the ulterior motive is or do we want to

936
00:49:53,920 --> 00:49:55,560
Speaker 5: talk about the other scenes?

937
00:49:55,719 --> 00:49:56,520
Speaker 1: No, talk about that.

938
00:49:56,719 --> 00:49:57,320
Speaker 2: Let's talk about it.

939
00:49:57,360 --> 00:50:01,520
Speaker 3: Let it out, Let it Okay. So now this this

940
00:50:01,600 --> 00:50:04,360
Speaker 3: may be completely wacky and probably a lot of people

941
00:50:04,360 --> 00:50:07,040
Speaker 3: are going to disagree with me, but I think that

942
00:50:07,120 --> 00:50:09,440
Speaker 3: the house, I think it's a I think.

943
00:50:09,280 --> 00:50:11,279
Speaker 5: It's a nice gesture. Let me say that. First of all,

944
00:50:11,320 --> 00:50:14,040
Speaker 5: I thought it was very thoughtful that she wants, you know,

945
00:50:14,120 --> 00:50:16,239
Speaker 5: Emily thinks Luke should have his own place, and they

946
00:50:16,239 --> 00:50:18,920
Speaker 5: want to have horses, and you know, they can make

947
00:50:18,960 --> 00:50:20,719
Speaker 5: it a star's hollow address. I did think it was

948
00:50:20,760 --> 00:50:25,359
Speaker 5: a nice gesture. But the way in my brain is

949
00:50:25,480 --> 00:50:28,319
Speaker 5: tying it back to the very beginning of the episode,

950
00:50:28,840 --> 00:50:32,759
Speaker 5: when they were saying, how you know, we had lunch

951
00:50:32,760 --> 00:50:36,160
Speaker 5: with Christopher and we're not mad at him anymore about

952
00:50:36,360 --> 00:50:41,040
Speaker 5: paying for Yale and blah blah blah, because they figured

953
00:50:41,080 --> 00:50:46,120
Speaker 5: out a different way to manipulate loraal life financially. So

954
00:50:46,360 --> 00:50:50,040
Speaker 5: if they buy this house for her, that is yet

955
00:50:50,080 --> 00:50:55,680
Speaker 5: another way that they will have something hanging over her

956
00:50:56,000 --> 00:50:57,719
Speaker 5: that they can use matipulate her.

957
00:50:57,880 --> 00:51:00,279
Speaker 1: But don't you think they would have done that anyway

958
00:51:00,320 --> 00:51:08,040
Speaker 1: if their relationship had never gone wry. No. I think

959
00:51:08,080 --> 00:51:11,560
Speaker 1: if they were close, they would have done the same thing.

960
00:51:12,000 --> 00:51:14,840
Speaker 1: Had she been in some kind of a situation where

961
00:51:15,160 --> 00:51:20,120
Speaker 1: whoever she married wasn't doing well enough to do that, then,

962
00:51:20,480 --> 00:51:23,319
Speaker 1: because they were having a good relationship and there was

963
00:51:23,400 --> 00:51:26,840
Speaker 1: never a falling out, the Gilmore would have done this anyway.

964
00:51:26,880 --> 00:51:30,839
Speaker 2: I think they're trying to do something nice. Now, I

965
00:51:30,840 --> 00:51:31,800
Speaker 2: think they're trying.

966
00:51:31,560 --> 00:51:34,879
Speaker 5: To do something nice, but it just conveniently also benefits them.

967
00:51:34,960 --> 00:51:38,800
Speaker 2: Well, yeah, look, Emily is always looking for a way

968
00:51:38,840 --> 00:51:43,400
Speaker 2: to be more connected to Laura, LII and Rory. Right,

969
00:51:43,800 --> 00:51:47,880
Speaker 2: So I think it's a super nice gesture. It's super

970
00:51:48,400 --> 00:51:51,040
Speaker 2: like there's a lot of heart to it, right because

971
00:51:51,080 --> 00:51:53,440
Speaker 2: of where they did it, and that she picked the

972
00:51:53,480 --> 00:51:55,800
Speaker 2: house that LAURAAI would like. She did not pick the

973
00:51:55,840 --> 00:52:00,000
Speaker 2: house she would like, right, And yes, if it connect

974
00:52:00,239 --> 00:52:02,759
Speaker 2: them to her, that's sort of a cherry on top,

975
00:52:02,840 --> 00:52:03,520
Speaker 2: I think for her.

976
00:52:03,600 --> 00:52:06,520
Speaker 5: Yeah, I just think that that was why they were

977
00:52:06,600 --> 00:52:09,680
Speaker 5: so ready to let go of the whole you know,

978
00:52:09,760 --> 00:52:11,799
Speaker 5: Christopher paying for you ale thing, and like, oh, we're

979
00:52:11,840 --> 00:52:14,759
Speaker 5: not mad about it anymore because we figured out this

980
00:52:14,800 --> 00:52:16,920
Speaker 5: other plan. Like they didn't say that part out loud,

981
00:52:17,080 --> 00:52:20,719
Speaker 5: but that's kind of in my head where they were

982
00:52:20,760 --> 00:52:22,640
Speaker 5: going with it, because I can just hear, you know,

983
00:52:22,760 --> 00:52:25,719
Speaker 5: at some point in the future, I can hear Emily's

984
00:52:25,760 --> 00:52:28,360
Speaker 5: voice when the next time Laura I pisses her off,

985
00:52:28,520 --> 00:52:31,360
Speaker 5: and you know, I can hear Emily saying, you know,

986
00:52:31,520 --> 00:52:33,440
Speaker 5: after we bought that house for you, I can't believe

987
00:52:33,440 --> 00:52:35,239
Speaker 5: you would say that. Like, I can totally hear that

988
00:52:35,360 --> 00:52:38,839
Speaker 5: happen at some point in the future and that would

989
00:52:38,880 --> 00:52:42,040
Speaker 5: be used in that way. And another thing too that

990
00:52:43,080 --> 00:52:48,040
Speaker 5: I caught when Emily was saying, you know, something about

991
00:52:48,080 --> 00:52:50,360
Speaker 5: how she knows that it's going to take Luke some

992
00:52:50,440 --> 00:52:52,319
Speaker 5: time to get used to the idea because it is

993
00:52:52,400 --> 00:52:56,399
Speaker 5: such an extravagant gift, and she says something about I've

994
00:52:56,440 --> 00:52:58,759
Speaker 5: concocted a few lies that we can tell him for

995
00:52:58,840 --> 00:53:03,399
Speaker 5: his own good. She can never not be devious. She's

996
00:53:03,440 --> 00:53:06,239
Speaker 5: already figuring out how are we gonna lie to Luke

997
00:53:06,280 --> 00:53:10,600
Speaker 5: about this house, which just annoyed me. I don't know,

998
00:53:10,719 --> 00:53:16,040
Speaker 5: I just didn't think it was purely a gesture of love.

999
00:53:16,120 --> 00:53:18,880
Speaker 5: I think it was calculated to benefit them.

1000
00:53:18,719 --> 00:53:21,400
Speaker 1: And didn't really take Luke's feelings into consideration at all.

1001
00:53:21,480 --> 00:53:24,279
Speaker 2: Right, I mean, like Zebra doesn't change their stripe, She's

1002
00:53:24,280 --> 00:53:25,960
Speaker 2: still always going to be how she is.

1003
00:53:26,000 --> 00:53:26,879
Speaker 4: But I still was like.

1004
00:53:27,000 --> 00:53:27,879
Speaker 5: Not mad about it.

1005
00:53:29,000 --> 00:53:32,920
Speaker 1: Yeah, just get the house, and it was like get

1006
00:53:32,960 --> 00:53:37,560
Speaker 1: the three acres, Yeah, the three and I begat one

1007
00:53:37,560 --> 00:53:40,359
Speaker 1: of the funniest lines in the whole episode. He says,

1008
00:53:40,360 --> 00:53:42,480
Speaker 1: you didn't really think we were shopping for a hearse,

1009
00:53:45,160 --> 00:53:46,960
Speaker 1: a place where neighbor would come over with the pie

1010
00:53:46,960 --> 00:53:47,879
Speaker 1: and want to chit chat.

1011
00:53:48,880 --> 00:53:51,800
Speaker 2: What scenes did we skip? Because I know we skipped

1012
00:53:51,800 --> 00:53:55,560
Speaker 2: the scene of Suki and Jackson getting rid of the

1013
00:53:55,560 --> 00:53:59,120
Speaker 2: the marijuana when they bump into the We.

1014
00:53:59,120 --> 00:53:59,960
Speaker 1: Didn't skip anything.

1015
00:54:00,239 --> 00:54:03,120
Speaker 2: We're not there yet, that's right. So we went ahead

1016
00:54:03,160 --> 00:54:04,400
Speaker 2: with Suzanne.

1017
00:54:05,560 --> 00:54:06,439
Speaker 1: Ready to ride in the sun.

1018
00:54:06,800 --> 00:54:09,759
Speaker 2: Okay, so we allowed Suzanne the moment to give her yeah,

1019
00:54:10,120 --> 00:54:12,640
Speaker 2: ships where she calls the paper, she calls the Wall

1020
00:54:12,640 --> 00:54:13,200
Speaker 2: Street Journal.

1021
00:54:13,239 --> 00:54:14,319
Speaker 5: But we talked about that.

1022
00:54:14,320 --> 00:54:17,160
Speaker 1: Earlier and we didn't skip anything. We just gave you.

1023
00:54:17,239 --> 00:54:21,000
Speaker 2: We gave you. Yeah, gosh, Scott didn't what you have

1024
00:54:21,080 --> 00:54:21,560
Speaker 2: to hold.

1025
00:54:21,400 --> 00:54:24,200
Speaker 1: On to that? No, I unburdened yourself.

1026
00:54:24,520 --> 00:54:27,120
Speaker 2: Yeah, so keep going, all right.

1027
00:54:27,200 --> 00:54:32,319
Speaker 1: So now we have a request coming from Rory to

1028
00:54:32,400 --> 00:54:37,560
Speaker 1: the Wall Street Journal writer to to retract, i mean,

1029
00:54:38,600 --> 00:54:42,080
Speaker 1: edit out change what was said by mitcham Huntsberger in

1030
00:54:42,120 --> 00:54:45,080
Speaker 1: the ratcle and I think it it gave birth to

1031
00:54:45,200 --> 00:54:48,879
Speaker 1: one of the silliest scenes. According to Suzanne. You want

1032
00:54:48,920 --> 00:54:51,040
Speaker 1: to you wanna opine on this scene.

1033
00:54:52,040 --> 00:54:54,400
Speaker 5: Well, I kind of already did. I just didn't. I

1034
00:54:54,680 --> 00:54:58,120
Speaker 5: think as a journalist, Rory would have known that the

1035
00:54:58,160 --> 00:55:03,319
Speaker 5: Wall Street Journal is not going to publish a correction I.

1036
00:55:03,239 --> 00:55:06,120
Speaker 2: Mean on that correction of what exactly.

1037
00:55:07,160 --> 00:55:14,240
Speaker 5: Yeah, if that melodramatic tone of this episode that I wasn't.

1038
00:55:14,200 --> 00:55:15,840
Speaker 1: And if you're if you're at the Yale Daily, and

1039
00:55:15,880 --> 00:55:17,799
Speaker 1: if you're going to pick up a phone and give it,

1040
00:55:17,960 --> 00:55:23,040
Speaker 1: give somebody at the Wall Street Journal the business so crazy? Yeah,

1041
00:55:23,080 --> 00:55:32,920
Speaker 1: it was all right. So now we're at Luke's and uh,

1042
00:55:34,400 --> 00:55:37,800
Speaker 1: and Liz is having a meeting with her. Oh yeah

1043
00:55:39,000 --> 00:55:40,280
Speaker 1: about single mothers.

1044
00:55:40,480 --> 00:55:42,879
Speaker 2: Remind me that scene in Jerry Maguire when all those

1045
00:55:42,960 --> 00:55:44,719
Speaker 2: ladies are sitting around with Bonnie Hunt.

1046
00:55:45,239 --> 00:55:48,279
Speaker 1: Right, I'm like, oh my god. And Luke comes in

1047
00:55:48,560 --> 00:55:50,680
Speaker 1: and says, Liz want to talk to you, and they

1048
00:55:50,719 --> 00:55:53,319
Speaker 1: talk and then lets her know that he knows what

1049
00:55:53,440 --> 00:55:56,799
Speaker 1: really happened. And there's t J waiting outside.

1050
00:55:57,120 --> 00:55:59,600
Speaker 5: I love TJ without a jacket.

1051
00:56:00,040 --> 00:56:03,759
Speaker 1: Out a jacket, and he gets them back together. Isn't

1052
00:56:03,800 --> 00:56:09,640
Speaker 1: that nice? Uh? And now we're at with Laurel I

1053
00:56:09,719 --> 00:56:16,400
Speaker 1: and Emily once again, and she's taking her to the

1054
00:56:16,400 --> 00:56:18,640
Speaker 1: real estate office and and Laurel I wants to know

1055
00:56:18,640 --> 00:56:20,920
Speaker 1: why she doesn't and this is the scene we talked

1056
00:56:20,920 --> 00:56:27,600
Speaker 1: about with the house and uh, uh, I guess.

1057
00:56:27,320 --> 00:56:30,880
Speaker 4: We talked about this, says the wedding.

1058
00:56:30,960 --> 00:56:35,480
Speaker 1: Is it? That's the big takeaway from this?

1059
00:56:35,960 --> 00:56:37,839
Speaker 2: Right, leading us up to the finale of.

1060
00:56:38,320 --> 00:56:41,239
Speaker 1: Did that seem a little out of left field for anybody?

1061
00:56:41,360 --> 00:56:46,120
Speaker 2: Or yes? I think I think that it's extreme that

1062
00:56:46,239 --> 00:56:51,120
Speaker 2: she thinks they're like not gonna make it. Like life

1063
00:56:51,160 --> 00:56:53,560
Speaker 2: is hard, right, and if you're going to marry somebody

1064
00:56:53,760 --> 00:56:56,839
Speaker 2: you're gonna have ups and downs. So that's where I'm

1065
00:56:56,840 --> 00:56:59,000
Speaker 2: at on it, Like I kind of took it that

1066
00:56:59,719 --> 00:57:01,480
Speaker 2: I've minutes chill.

1067
00:57:01,880 --> 00:57:04,919
Speaker 4: I'm kind of like, finally somebody is acknowledging this isn't

1068
00:57:04,920 --> 00:57:07,719
Speaker 4: going to happen. Like that's how for me, I was

1069
00:57:07,840 --> 00:57:08,600
Speaker 4: more relieved.

1070
00:57:09,160 --> 00:57:12,600
Speaker 2: I still get it. I don't see it not happening,

1071
00:57:12,840 --> 00:57:13,600
Speaker 2: do you know what I'm saying.

1072
00:57:13,600 --> 00:57:17,160
Speaker 1: I could have used one sort of botched attempt at

1073
00:57:17,160 --> 00:57:21,400
Speaker 1: communication that didn't go well and they get into a

1074
00:57:21,400 --> 00:57:23,760
Speaker 1: little mini fight about it or whatever, and then they're

1075
00:57:23,760 --> 00:57:25,600
Speaker 1: not speaking. I mean, I could have used a little

1076
00:57:25,640 --> 00:57:28,760
Speaker 1: fireworks to make me buy into this more.

1077
00:57:29,000 --> 00:57:33,320
Speaker 2: I just don't see their relationship being as disastrous as

1078
00:57:33,520 --> 00:57:36,280
Speaker 2: you guys. And I guess I might be wrong, but

1079
00:57:36,320 --> 00:57:38,560
Speaker 2: I just don't see it being either.

1080
00:57:38,640 --> 00:57:43,240
Speaker 1: So I don't either. I don't see, don't I don't feel,

1081
00:57:43,280 --> 00:57:46,160
Speaker 1: I don't see. I mean, I understand what you're saying,

1082
00:57:46,240 --> 00:57:49,720
Speaker 1: but we haven't seen it played out correct. It's like

1083
00:57:49,800 --> 00:57:52,840
Speaker 1: we don't have enough inserts or scenes. Like there's one

1084
00:57:52,880 --> 00:57:56,160
Speaker 1: scene of Luke in bed and the kids are downstairs.

1085
00:57:56,200 --> 00:57:59,720
Speaker 1: After the Field Company has a moment of reflection, he

1086
00:57:59,760 --> 00:58:02,480
Speaker 1: stills the ceiling because the alone he is thinking about

1087
00:58:02,520 --> 00:58:04,760
Speaker 1: Lorelai and am I blowing this or whatever? I don't know,

1088
00:58:05,040 --> 00:58:07,000
Speaker 1: but there just needs to be more of that.

1089
00:58:07,400 --> 00:58:09,240
Speaker 2: Yeah, I mean, I don't find I've seen many a

1090
00:58:09,280 --> 00:58:12,680
Speaker 2: show where relationships are terrible, and this one isn't it right.

1091
00:58:12,760 --> 00:58:14,680
Speaker 2: So I'm just saying it.

1092
00:58:14,600 --> 00:58:19,360
Speaker 4: Isn't It isn't terrible, But there's also it's not right either.

1093
00:58:19,600 --> 00:58:21,520
Speaker 1: But if it's not set up well, it comes off

1094
00:58:21,560 --> 00:58:24,800
Speaker 1: like melodrama. And that's why I came off like melodrama,

1095
00:58:25,000 --> 00:58:27,440
Speaker 1: you know what I mean? Like it it seems kind

1096
00:58:27,440 --> 00:58:29,080
Speaker 1: of out of the blue. And then we're not gonna

1097
00:58:29,080 --> 00:58:31,840
Speaker 1: make it, mom right, I'm like, what right?

1098
00:58:32,720 --> 00:58:32,920
Speaker 6: You know?

1099
00:58:33,000 --> 00:58:37,600
Speaker 1: Give it we needed anyway? Ah. You know, if you

1100
00:58:37,640 --> 00:58:39,000
Speaker 1: want to make a meal lot of it, you better

1101
00:58:39,000 --> 00:58:43,560
Speaker 1: prepare the food. Yeah, all right, So now we've got

1102
00:58:43,880 --> 00:58:49,000
Speaker 1: Suki and Jackson hustling the bags of meal the good

1103
00:58:49,120 --> 00:58:52,080
Speaker 1: Zepo and they mean the pickles.

1104
00:58:52,680 --> 00:58:55,120
Speaker 2: Oh yeah, you know what I always forget in my mind,

1105
00:58:56,200 --> 00:58:58,720
Speaker 2: even though I just watched it yesterday, Right in my mind,

1106
00:58:59,080 --> 00:59:02,360
Speaker 2: that's the end of the episode. But it isn't. Just

1107
00:59:02,400 --> 00:59:04,920
Speaker 2: like Gilmergle was always a little bit more okay.

1108
00:59:04,720 --> 00:59:09,400
Speaker 1: So they run into uh Grantly Buffalo and he's got

1109
00:59:09,440 --> 00:59:12,920
Speaker 1: great news and for a music just a street musician,

1110
00:59:12,960 --> 00:59:15,480
Speaker 1: a local street musician to say something like, hey, you're

1111
00:59:15,480 --> 00:59:18,320
Speaker 1: not gonna believe this. Somebody, a promoter ran into me

1112
00:59:18,360 --> 00:59:19,800
Speaker 1: on the street and said, hey, you want to open

1113
00:59:19,920 --> 00:59:22,760
Speaker 1: food a couple of dates for Neil Young. I mean

1114
00:59:22,840 --> 00:59:25,640
Speaker 1: that is like, you know, that's like lightning hit to you.

1115
00:59:25,720 --> 00:59:28,000
Speaker 1: It's it's just fantastic. And they just go, yeah, great,

1116
00:59:28,000 --> 00:59:28,480
Speaker 1: we gotta go.

1117
00:59:29,400 --> 00:59:30,520
Speaker 2: Then they just don't even care.

1118
00:59:30,640 --> 00:59:34,480
Speaker 1: Right then they hit the rabbi and the priest are

1119
00:59:34,520 --> 00:59:38,160
Speaker 1: there and they talking about some things and feelings and philosophies.

1120
00:59:38,280 --> 00:59:39,840
Speaker 1: You guys want to talk a little bit. Now we

1121
00:59:39,920 --> 00:59:43,360
Speaker 1: got to go boom. So this was maybe my favorite

1122
00:59:43,360 --> 00:59:47,280
Speaker 1: scene out of the whole thing. Uh And then here

1123
00:59:47,280 --> 00:59:52,600
Speaker 1: we are. Lorelei arrives at Suki and Jackson's place and

1124
00:59:52,680 --> 00:59:54,240
Speaker 1: she is in a state.

1125
00:59:54,560 --> 00:59:56,480
Speaker 2: Yeah, which I like that she went there.

1126
00:59:56,560 --> 01:00:00,400
Speaker 1: I liked that she's she's in a state she needs

1127
01:00:00,400 --> 01:00:02,520
Speaker 1: to talk or she just needs to be around her friend.

1128
01:00:03,600 --> 01:00:08,880
Speaker 1: And it ends with her saying what's that smell?

1129
01:00:09,680 --> 01:00:10,280
Speaker 2: That was good?

1130
01:00:10,520 --> 01:00:13,280
Speaker 1: And how many pounds of marijuana tod Suki said.

1131
01:00:13,120 --> 01:00:16,480
Speaker 2: Was sixty sixty something. Yeah, just sixty eight.

1132
01:00:16,320 --> 01:00:19,000
Speaker 1: Pounds in marijuana. That's just that's what's sixty eight pounds

1133
01:00:19,000 --> 01:00:19,440
Speaker 1: in marijuana?

1134
01:00:19,560 --> 01:00:19,720
Speaker 6: Wow?

1135
01:00:20,320 --> 01:00:21,520
Speaker 1: All right? So what are we giving it?

1136
01:00:21,680 --> 01:00:28,800
Speaker 8: Kids, Danielle, I'm going to give it eight point seventy

1137
01:00:28,800 --> 01:00:32,080
Speaker 8: five pickles, bags of pickles, gotcha?

1138
01:00:32,320 --> 01:00:37,400
Speaker 1: Gotcha? Uh, Suzanne, I don't know.

1139
01:00:37,600 --> 01:00:39,720
Speaker 5: I have to continue the trend because these are not

1140
01:00:39,960 --> 01:00:42,040
Speaker 5: good episodes for me. I'm going to give it seven,

1141
01:00:43,200 --> 01:00:45,560
Speaker 5: and I am struggling to even give it that much,

1142
01:00:45,720 --> 01:00:49,920
Speaker 5: but I'm going to give it seven pairs of dark glasses.

1143
01:00:50,360 --> 01:00:52,120
Speaker 1: Seven pairs of dark glasses.

1144
01:00:52,520 --> 01:01:01,800
Speaker 2: Amy nine, Michelle doing a lot of calistex aerobics dance.

1145
01:01:01,960 --> 01:01:02,760
Speaker 1: Just call them reps.

1146
01:01:02,920 --> 01:01:03,680
Speaker 5: Yea, all of it.

1147
01:01:04,240 --> 01:01:09,240
Speaker 1: Uh yeah, I'm gonna Now that we've discussed it and

1148
01:01:11,040 --> 01:01:15,440
Speaker 1: more fertile minds than I have pointed out some obvious flaws,

1149
01:01:17,000 --> 01:01:19,960
Speaker 1: I'm gonna go below nine. I think I was gonna

1150
01:01:19,960 --> 01:01:21,560
Speaker 1: give it a high nine, but I think I'm gonna

1151
01:01:21,600 --> 01:01:28,120
Speaker 1: go eight point nine. Okay, almost a nine. You know

1152
01:01:28,160 --> 01:01:30,400
Speaker 1: you could round it to a nine. But I did

1153
01:01:30,560 --> 01:01:35,720
Speaker 1: enjoy the episode. I laughed quite a bit. I enjoyed

1154
01:01:36,120 --> 01:01:40,760
Speaker 1: the jokes. I mean, the jokes were great, but yeah, no,

1155
01:01:40,880 --> 01:01:43,600
Speaker 1: I see everybody's point here, so that's gonna be eight

1156
01:01:43,640 --> 01:01:51,040
Speaker 1: point n crutches logan crutches one. Yeah, all right, so

1157
01:01:51,160 --> 01:01:53,600
Speaker 1: what's are we doing? Favorite lines? What's your favorite line?

1158
01:01:53,920 --> 01:01:55,919
Speaker 5: My favorite line was when they were at the real

1159
01:01:56,000 --> 01:01:59,720
Speaker 5: estate office and the lady asks Laura if she needs

1160
01:01:59,720 --> 01:02:02,240
Speaker 5: an hour for her headache, and Laura, no, I've had

1161
01:02:02,240 --> 01:02:04,200
Speaker 5: the headache for thirty Yeah.

1162
01:02:04,200 --> 01:02:07,240
Speaker 2: I thought that was very funny. I liked that whole scene.

1163
01:02:07,440 --> 01:02:09,680
Speaker 2: I don't have a favorite line, but I really liked

1164
01:02:09,760 --> 01:02:13,160
Speaker 2: that whole everything about that whole scene.

1165
01:02:13,360 --> 01:02:17,440
Speaker 1: I liked Emily's line when she says, you didn't think

1166
01:02:17,480 --> 01:02:20,560
Speaker 1: we were gonna buy all the stars hollow? I would

1167
01:02:20,560 --> 01:02:24,240
Speaker 1: be terrified today it would stop chat. I'd kill myself.

1168
01:02:24,760 --> 01:02:28,240
Speaker 2: I was pretty in the Kirk's beard. Kirks beard.

1169
01:02:28,720 --> 01:02:29,120
Speaker 4: Anyway.

1170
01:02:29,520 --> 01:02:32,160
Speaker 1: That is going to wrap it up, kids. Uh. The

1171
01:02:32,320 --> 01:02:37,320
Speaker 1: finale is next time Wow, Season six, Episode twenty two,

1172
01:02:37,440 --> 01:02:41,240
Speaker 1: end of season six, and the name of it escape

1173
01:02:41,320 --> 01:02:43,200
Speaker 1: me right now. I think that's the bad thing.

1174
01:02:43,960 --> 01:02:46,760
Speaker 2: The next episode is is it called Partings?

1175
01:02:46,840 --> 01:02:47,200
Speaker 7: Is that all?

1176
01:02:47,440 --> 01:02:47,640
Speaker 6: Yeah?

1177
01:02:47,680 --> 01:02:48,080
Speaker 2: Partings?

1178
01:02:48,080 --> 01:02:48,560
Speaker 7: You're right?

1179
01:02:48,880 --> 01:02:49,800
Speaker 1: Partings?

1180
01:02:50,360 --> 01:02:50,800
Speaker 6: Wow?

1181
01:02:51,040 --> 01:02:56,600
Speaker 1: Pardines. Okay, so we'll see you next time kids. Next

1182
01:02:56,640 --> 01:03:01,000
Speaker 1: episode season six, the finale episode twenty two part times

1183
01:03:01,760 --> 01:03:06,080
Speaker 1: any way you want it. You can spell like signs

1184
01:03:06,160 --> 01:03:10,440
Speaker 1: or it doesn't matter. We know what we mean, and

1185
01:03:10,480 --> 01:03:14,960
Speaker 1: we mean what we know best. Fans on the planetnaction

1186
01:03:15,040 --> 01:03:19,440
Speaker 1: with downloads, keep coming and we will see you next time.

1187
01:03:19,480 --> 01:03:49,640
Speaker 6: Stay safe, everybody.

1188
01:03:49,200 --> 01:03:52,560
Speaker 1: And don't forget. Follow us on Instagram at i Am

1189
01:03:52,640 --> 01:03:57,520
Speaker 1: all In podcast and email us at Gilmore at iHeartRadio

1190
01:03:57,920 --> 01:04:06,720
Speaker 1: dot com.