WEBVTT - Ep. 236: Crawling Back from the Dead with Michael Punke

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<v Speaker 1>This is Me eater podcast coming at you shirtless, severely

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<v Speaker 1>bug bitten in my case, underwear listening podcast. You Can't

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<v Speaker 1>predict anything presented by on X Hunt creators are the

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<v Speaker 1>most comprehensive digital mapping system for hunters. Download the Hunt

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<v Speaker 1>app from the iTunes or Google play store, nor where

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<v Speaker 1>you stand with on x. Okay, we're joined here by

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<v Speaker 1>Michael punk, author of the Revenant, who like, Uh, it's

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<v Speaker 1>bold of you to come, and I'm happy that you're

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<v Speaker 1>here because we've made such a hobby out of um

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<v Speaker 1>expressed I have should say we I've made such a

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<v Speaker 1>hobby out of expressing my dissatisfaction with the movie The Revenant,

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<v Speaker 1>because of that they put it in coastal rainforest. I've

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<v Speaker 1>I've heard some rumors about this. Uh so I would

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<v Speaker 1>have thought you'd never want to come talk to me

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<v Speaker 1>because you'd be like, uh, insult didn't hurt. Well, you

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<v Speaker 1>know what, I have pretty thick skin, and I'm happy

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<v Speaker 1>to talk about the Revenant, and I I'll say good

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<v Speaker 1>things about it first, because I there's a lot of

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<v Speaker 1>reasons why I'm happy that movie got made. I can imagine,

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<v Speaker 1>but you know, uh, but there's I've got my own

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<v Speaker 1>qualms with as a as a historian, and somebody cares

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<v Speaker 1>about history, I've got I've got my knits to pick

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<v Speaker 1>with with the Revenant. But but let me be clear,

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<v Speaker 1>I don't want to start totally negative. I don't want

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<v Speaker 1>to start totally negative. I just thought that was a

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<v Speaker 1>good end because I'm still I'm still like just happy

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<v Speaker 1>that you're here. Well, I've got a couple of of

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<v Speaker 1>points to raise about your book to at some point

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<v Speaker 1>depending on how negative this gets, and you know, you

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<v Speaker 1>guys really go after me. Got I got a couple

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<v Speaker 1>of things I want to raise with you, So I'm

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<v Speaker 1>gonna positive. Um, our producer credit sent me some articles

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<v Speaker 1>and um, there's a couple of articles pointing out It's

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<v Speaker 1>like funny that around the time, I guess it was

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<v Speaker 1>probably around the time the movie The Revenue came out,

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<v Speaker 1>there are articles being written profiles of you. There were

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<v Speaker 1>sort of pointing to the fact that you had this

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<v Speaker 1>other life, that you weren't just a writer. Yeah. I

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<v Speaker 1>uh have had varying interests over the years and have

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<v Speaker 1>always been passionate about Western history and I love writing,

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<v Speaker 1>but I also have also been really interested in public

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<v Speaker 1>policy and uh, global politics and have had a career

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<v Speaker 1>that is on that thread as well, and so so yeah,

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<v Speaker 1>it Uh, all these things kind of mixed together and

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<v Speaker 1>makes sense to me in their own way, but that

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<v Speaker 1>probably takes a little bit of explaining. You were You

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<v Speaker 1>were born in mountain Man country. I was born in Wyoming.

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<v Speaker 1>Born in Uh in Level, Wyoming at the foot of

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<v Speaker 1>the Big Horn Mountains. Did you have early Did you

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<v Speaker 1>have an early fascination with the fur trappers? Totally? Totally? Uh,

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<v Speaker 1>my dad. My parents are both retired school teachers, and

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<v Speaker 1>I was, uh super lucky because my mom, an elementary

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<v Speaker 1>school teacher, really kind of instilled a love of history.

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<v Speaker 1>She likes reading and books and and she loves history.

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<v Speaker 1>My dad was a biology teacher and a sportsman, and

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<v Speaker 1>he really they both are from Kansas. They went out

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<v Speaker 1>to have their first teaching job in lovel Wyoming after

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<v Speaker 1>going to college in Kansas, and they fell in love

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<v Speaker 1>with this this little town of Level at the foot

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<v Speaker 1>of the Big Horns. And my dad in particular, who

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<v Speaker 1>kind of grew up fishing and small game hunting in Kansas, uh,

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<v Speaker 1>kind of discovered the potential of fishing and hunting in

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<v Speaker 1>in the West. In in the in the Rockies, and

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<v Speaker 1>uh fell in love with that. And then I think

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<v Speaker 1>especially as a as a bio, I just by training

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<v Speaker 1>it gave him that extra uh, just a different angle

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<v Speaker 1>and interest on on being outdoors and so he definitely

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<v Speaker 1>instilled that in in his kids. Um, and between the

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<v Speaker 1>two of them, I just ended up. Well, I've ended

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<v Speaker 1>up where I belong, which is here. It must have

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<v Speaker 1>been a great advantage to grow up in a place

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<v Speaker 1>like Wyoming if you wanted to be a mountain man,

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<v Speaker 1>because I grew up being obsessed with the history of

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<v Speaker 1>the West, having never been there, right, Uh, and so

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<v Speaker 1>everything was like, uh, it felt very removed. Yeah. Well,

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<v Speaker 1>just one of the things I love about Western history

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<v Speaker 1>is how Western American history is, how recent a lot

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<v Speaker 1>of it is. And the little street that I grew

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<v Speaker 1>up on in Level, Wyoming, West Seventh Street, there wasn't

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<v Speaker 1>There was an old lady who lived next to us, uh,

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<v Speaker 1>kind of the little old lady in the little white

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<v Speaker 1>house next hours that gave us the Vanilla Wafers. Was

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<v Speaker 1>the friendly old lady in the neighborhood, and she had

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<v Speaker 1>been born in in Level Uh, and she remembered a

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<v Speaker 1>mountain man named John Blue, who would ride out of

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<v Speaker 1>the Big Horn Mountains every two months and come down

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<v Speaker 1>into level to reprovision, and she would tell us this

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<v Speaker 1>story about John Blue with the Mountain Man and I.

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<v Speaker 1>Over the years, Uh, driving up into the Big Horns,

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<v Speaker 1>you could drive past his his old cabin, but literally,

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<v Speaker 1>in the space of one life, you could touch that

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<v Speaker 1>earlier era. And I love that about Wyoming and Montana.

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<v Speaker 1>Are you familiar with the writer Ian Fraser. Yeah, yeah, he.

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<v Speaker 1>I took him on his first hunting trip and we

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<v Speaker 1>floated the river here in Montana, and he'd already he

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<v Speaker 1>had lived here. It's spent quite a bit of time

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<v Speaker 1>in Montana. But you're saying one of the things he

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<v Speaker 1>likes ab out it, um is that when you go

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<v Speaker 1>to a place where something happened, not much happened after that,

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<v Speaker 1>so you can go there and still kind of be like, oh,

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<v Speaker 1>I get it. Yeah, And I thought of that one day.

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<v Speaker 1>I went to see where Dylan Thomas uh drank himself

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<v Speaker 1>to death right in Manhattan. He actually died it the hospital,

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<v Speaker 1>but like kind of where he collapsed, and UM, imagine

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<v Speaker 1>all the ship that's occurred at that intersection since then.

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<v Speaker 1>It makes the heart to picture. But then when you

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<v Speaker 1>go to someplace for like a big fight happened, or

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<v Speaker 1>some people ran some buffalo over a cliff, you go like,

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<v Speaker 1>got it, Yeah, totally can picture because exactly I mean,

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<v Speaker 1>I'm a I love Civil War history too, and and

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<v Speaker 1>have visited a lot of the Civil War battlefields back east,

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<v Speaker 1>and one of the sad things about a lot of

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<v Speaker 1>them is they haven't been very well preserved. And you know,

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<v Speaker 1>there's a there's a McDonald's right in the middle of

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<v Speaker 1>the place where the you know, the cannons were supposed

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<v Speaker 1>to be set up, and it's it's harder to imagine.

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<v Speaker 1>And out here. I was thinking about it today because

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<v Speaker 1>I drove by the Madison Buffalo Jump, which I always

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<v Speaker 1>send people to go see, because I say, what I

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<v Speaker 1>love about the Madison Buffalo Jump is you hike up

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<v Speaker 1>on that on that cliff, and you stand up out

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<v Speaker 1>there and you look down on the valley of the

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<v Speaker 1>Three Forks, and it looks quite pretty close to what

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<v Speaker 1>it looked like, you know, two years ago. And that's

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<v Speaker 1>just a really cool thing that we, you know, can't

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<v Speaker 1>take for granted in this big country that we live in.

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<v Speaker 1>Out here. I suppose It's worth pointing out that in

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<v Speaker 1>the case of the Madison Buffalo jump, the animals are gone.

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<v Speaker 1>The animals noticeable. Yeah, the landscape looks similar. You can

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<v Speaker 1>talk about what you're just walk everybody through your books.

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<v Speaker 1>So I want to over focus. I do want to

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<v Speaker 1>focus a lot on the revenue, because it's not not

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<v Speaker 1>I want to focus on the revenue. I want to

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<v Speaker 1>focus on our mutual interests in those people and what

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<v Speaker 1>they were up to. Yeah. So, Uh, when I'm a

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<v Speaker 1>lawyer by a training, I went to to college. I

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<v Speaker 1>grew up in Wyoming, went to college back east and

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<v Speaker 1>went to law school, and after law school, went to

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<v Speaker 1>work in in Washington, d c. Uh. I work for

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<v Speaker 1>Senator Bacchus. It's where I met my wife. She's from

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<v Speaker 1>she's from Montana. Met her work in Senator Baucus's office. Uh.

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<v Speaker 1>And I like working in government a lot, I found myself.

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<v Speaker 1>You don't hear that very often now. I I like uh,

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<v Speaker 1>public policy and UH and I enjoy especially the most

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<v Speaker 1>recent job I had being a U S Ambassador. I

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<v Speaker 1>love representing the United States of America overseas, and I

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<v Speaker 1>love negotiating on behalf of the country. It was it

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<v Speaker 1>was a blast. I love that. Um. But I found

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<v Speaker 1>myself in Washington, d C. For a time, not working

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<v Speaker 1>in government, instead working in a law firm. And I

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<v Speaker 1>did not like working in a law firm. And I

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<v Speaker 1>started trying to plot my way into something different. And

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<v Speaker 1>I had the idea I'd always been interested in in writing,

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<v Speaker 1>and I thought, well, if I can be a writer,

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<v Speaker 1>I can live wherever I want to live. And my

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<v Speaker 1>wife and I I both wanted to move back to

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<v Speaker 1>the West. And so I started, uh getting up early

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<v Speaker 1>in the morning and writing what became The Revenant, and

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<v Speaker 1>UH and I I always for me, UH really relate

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<v Speaker 1>when I saw shaw sh ank Redemption. And I always

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<v Speaker 1>felt like my shosh Ank Redemption moment was kind of

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<v Speaker 1>chipping through the wall of my cell with those hand tools.

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<v Speaker 1>Was kind of sitting down at the computer every day

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<v Speaker 1>and chipping away at at writing The Revenant. And when

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<v Speaker 1>when I was able to get it published and we

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<v Speaker 1>sold the film rights, that was our kind of escape moment.

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<v Speaker 1>Were you surprised to get published? Um? In, I didn't

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<v Speaker 1>take it for granted, for sure. I as I was

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<v Speaker 1>going along, I was feeling like I had more and

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<v Speaker 1>more of a chance. I mean, when when I started

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<v Speaker 1>writing a book, I didn't really know if I could

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<v Speaker 1>do it, and then I got about halfway into it

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<v Speaker 1>and I'm like, you know what, I can definitely finish this,

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<v Speaker 1>and I felt like it was a great story. I

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<v Speaker 1>didn't know anything about publishing, but I started getting encouragement

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<v Speaker 1>from people. Um, I guess I wasn't surprised, but I was.

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<v Speaker 1>I was. I was thrilled, believe me, because I did.

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<v Speaker 1>I did feel like that was my opportunity to live

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<v Speaker 1>where I wanted to live and go do something different.

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<v Speaker 1>And working as a writer is one of the great

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<v Speaker 1>luxuries that you can have because you have sound much

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<v Speaker 1>freedom to kind of follow you the things you're interested in.

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<v Speaker 1>What year did you come out? It came out in

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<v Speaker 1>I got the contract to publish it right before nine eleven,

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<v Speaker 1>uh so two thousand and one, and it was I

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<v Speaker 1>think published in two thousand and two. And then you

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<v Speaker 1>you went on and published two more or three more.

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<v Speaker 1>Moved back to Montana after we sold the book and

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<v Speaker 1>uh uh published, researched and published two nonfiction books while

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<v Speaker 1>living in in Montana. The first one is a nonfiction

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<v Speaker 1>book called Fire and Brimstone about a mining disaster and

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<v Speaker 1>Beaute in nineteen seventeen. It's a very narrative, nonfiction style book.

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<v Speaker 1>I hope it's told in a very kind of engaging,

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<v Speaker 1>almost novelistic type of way. But it's completely uh nonfiction,

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<v Speaker 1>nothing's made up. Uh. Then after that, I wrote Last Stand,

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<v Speaker 1>the book about the Buffalo, and uh it was after

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<v Speaker 1>writing Last Stand that I had the opportunity to to

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<v Speaker 1>be US ambassador to the World Trade Organization. So we

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<v Speaker 1>moved over to Geneva, Switzerland. My family and I for

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<v Speaker 1>for six years were over there, and uh after I

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<v Speaker 1>came back from that, started to work on the new

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<v Speaker 1>book which will come out in uh June if next year,

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<v Speaker 1>which is is called Ridgeline. It's a another novel, Don't

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<v Speaker 1>go over the Ridge line. Well that that turned out

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<v Speaker 1>to be, uh in hindsight, what the lesson? What the

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<v Speaker 1>lesson should have been? Tell? Uh, yeah, it's like an

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<v Speaker 1>apocalypse now right, Never get out of the boat, Never

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<v Speaker 1>get off the boat, Never get off the boat, and

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<v Speaker 1>then never go over You can share because we we've

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<v Speaker 1>talked about I know, the subject of the book. We

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<v Speaker 1>talked about it now and then actually one day we're

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<v Speaker 1>expect trying to guess what year it was, and someone

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<v Speaker 1>pointed out that we'll tell you what the book is. So.

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<v Speaker 1>Ridgeline is a novel that is based on the Fetterman Fight,

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<v Speaker 1>which is a until the Battle of the Little Big Horn.

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<v Speaker 1>The Fetterman Fight was the worst US military defeat in

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<v Speaker 1>in U s Military history. Eighty one guys right over

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<v Speaker 1>a ridgeline in the Powder River Valley of Wyoming in

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<v Speaker 1>eighteen sixty six, and they ride into a massive trap

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<v Speaker 1>that has been set by the Lakota and the Cheyenne

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<v Speaker 1>and the Arapaho, and uh, without revealing too much, it

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<v Speaker 1>ends badly for for a lot of them, the soldiers,

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<v Speaker 1>that is. Um, but it's a badly in a real

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<v Speaker 1>and it ends very badly for a lot of them.

0:13:41.600 --> 0:13:45.760
<v Speaker 1>Um and uh like even post mortem. Yeah, it's uh

0:13:46.080 --> 0:13:50.079
<v Speaker 1>this this this was this was this was not pretty,

0:13:50.120 --> 0:13:54.520
<v Speaker 1>but it's a it's a it's an incredible historical moment

0:13:54.720 --> 0:13:57.600
<v Speaker 1>and story and it's It takes place in the midst

0:13:57.679 --> 0:14:01.040
<v Speaker 1>of what is often called Red Clouds War, which was

0:14:01.120 --> 0:14:06.920
<v Speaker 1>a war that broke out after the after the US

0:14:07.600 --> 0:14:12.440
<v Speaker 1>foisted broke one treaty and foisted another one on on

0:14:12.559 --> 0:14:17.080
<v Speaker 1>the tribes. Walk people through that timeline, like yeah, basically

0:14:17.160 --> 0:14:20.320
<v Speaker 1>was correct me where I'm wrong and pick up you

0:14:20.320 --> 0:14:23.560
<v Speaker 1>know where it's He's fit. But everybody's through with the

0:14:23.600 --> 0:14:28.400
<v Speaker 1>Oregon Trail. UM people wanted to spur off the Oregon

0:14:28.440 --> 0:14:31.080
<v Speaker 1>Trail and get up to the goldfields in the north,

0:14:31.840 --> 0:14:35.280
<v Speaker 1>and that war was kind of centered around like can

0:14:35.360 --> 0:14:39.920
<v Speaker 1>we get can whites have safe passage come to Montana

0:14:40.000 --> 0:14:42.280
<v Speaker 1>to go to the north? Right? So I mean that

0:14:42.360 --> 0:14:43.760
<v Speaker 1>was that like sort of the bait, that was the

0:14:43.880 --> 0:14:48.440
<v Speaker 1>defining argument right that Well, the way I would describe

0:14:48.440 --> 0:14:53.400
<v Speaker 1>it is, ah, before the Civil War, there was a

0:14:53.440 --> 0:14:59.400
<v Speaker 1>flood of migration from the East UH to to California

0:14:59.480 --> 0:15:03.560
<v Speaker 1>and Oregon, and tons of people coming across the continent,

0:15:03.640 --> 0:15:08.240
<v Speaker 1>including coming across UH what's now Wyoming, but they were

0:15:08.240 --> 0:15:13.160
<v Speaker 1>all headed west. They're all headed the California Oregon and

0:15:13.840 --> 0:15:16.960
<v Speaker 1>the tribes in that era were not super psyched about

0:15:17.000 --> 0:15:19.440
<v Speaker 1>that and there was a lot of conflict, but the

0:15:19.520 --> 0:15:26.360
<v Speaker 1>us UH negotiated a treaty that basically gave access across

0:15:26.400 --> 0:15:29.120
<v Speaker 1>the Oregon Trail. Is it fair to say like the

0:15:29.160 --> 0:15:36.120
<v Speaker 1>gripe centered around UM impacts on wildlife movements and our things,

0:15:36.120 --> 0:15:39.440
<v Speaker 1>like they're they're grazing areas, heavily displacing animals out of

0:15:39.520 --> 0:15:43.800
<v Speaker 1>areas that once had animals, making hunting hard. Yeah, that

0:15:44.120 --> 0:15:48.200
<v Speaker 1>was that certainly happened along the Oregon Trail. But for

0:15:48.240 --> 0:15:50.960
<v Speaker 1>a while there was a bit of what the treaty

0:15:51.000 --> 0:15:54.480
<v Speaker 1>also did is it gave is it gave the tribes

0:15:55.400 --> 0:15:58.640
<v Speaker 1>most of the land to the north of the Oregon Trail,

0:15:58.720 --> 0:16:00.960
<v Speaker 1>to the north of the of the North Platte River,

0:16:01.760 --> 0:16:05.720
<v Speaker 1>and and there was a fair amount of equilibrium there

0:16:05.760 --> 0:16:08.480
<v Speaker 1>for a while. What happens after the Civil War, during

0:16:08.480 --> 0:16:11.360
<v Speaker 1>and after the Civil War, and even right before, is

0:16:11.400 --> 0:16:15.400
<v Speaker 1>they discover golden in Montana, and all of a sudden,

0:16:15.720 --> 0:16:19.080
<v Speaker 1>people are not content anymore to sort of go across

0:16:19.240 --> 0:16:22.040
<v Speaker 1>the Oregon Trail on their way to California and Oregon.

0:16:22.480 --> 0:16:25.720
<v Speaker 1>As you say, they started spurring off and going up

0:16:25.920 --> 0:16:31.560
<v Speaker 1>to the gold fields of Montana. Uh. Bozeman Trail, for example,

0:16:32.160 --> 0:16:36.600
<v Speaker 1>head going to Bozeman, and the quickest way to get

0:16:36.640 --> 0:16:39.920
<v Speaker 1>there was right through the Powder River Valley. And that

0:16:40.160 --> 0:16:48.920
<v Speaker 1>was great hunting land and was had absolutely been given

0:16:48.960 --> 0:16:52.480
<v Speaker 1>to the tribes as part of this this earlier treaty.

0:16:52.640 --> 0:16:58.440
<v Speaker 1>And so uh the the US as it does multiple

0:16:58.560 --> 0:17:04.400
<v Speaker 1>times throughout nineteenth century history, when treaties with the tribes

0:17:04.520 --> 0:17:09.399
<v Speaker 1>become inconvenient, uh, they just either break them or force

0:17:09.520 --> 0:17:13.080
<v Speaker 1>a renegotiation, and in this case, they essentially did both.

0:17:13.600 --> 0:17:17.560
<v Speaker 1>They they negotiated a new treaty allowing the US to

0:17:17.640 --> 0:17:20.879
<v Speaker 1>go through the Powder River Valley, but they negotiated it

0:17:21.000 --> 0:17:24.240
<v Speaker 1>largely with tribes that didn't live in the Powder River Valley.

0:17:24.600 --> 0:17:28.440
<v Speaker 1>And as you might imagine, UH, the that that result

0:17:28.840 --> 0:17:32.560
<v Speaker 1>uh was enraging to the to the tribes that actually

0:17:32.600 --> 0:17:35.879
<v Speaker 1>lived there. And what came out of that was was

0:17:35.960 --> 0:17:42.080
<v Speaker 1>war uh, namely Red Clouds War UH. And it's one

0:17:42.119 --> 0:17:44.520
<v Speaker 1>of the things that's interesting about Red Clouds War is

0:17:44.600 --> 0:17:50.680
<v Speaker 1>the is the Indians win. Uh. Their victory ends up

0:17:50.880 --> 0:17:54.600
<v Speaker 1>not lasting very long, but they actually win this war.

0:17:54.880 --> 0:17:57.600
<v Speaker 1>And as a result of winning the war, the U.

0:17:57.760 --> 0:18:03.200
<v Speaker 1>S Army UH retreats from the forts that they had

0:18:03.240 --> 0:18:05.520
<v Speaker 1>set up in the Powder River Valley, and for a

0:18:05.600 --> 0:18:09.000
<v Speaker 1>period of time, the lands went back to the to

0:18:09.160 --> 0:18:14.119
<v Speaker 1>the tribes. What happens then is they discovered gold in

0:18:14.480 --> 0:18:17.840
<v Speaker 1>the Black Hills, and that leads in eighteen seventy six

0:18:17.880 --> 0:18:22.200
<v Speaker 1>to a new gold rush uh and uh, but actually

0:18:22.240 --> 0:18:24.720
<v Speaker 1>I think it's eighteen seventy four that was a discovery

0:18:24.760 --> 0:18:30.280
<v Speaker 1>of gold and within two years, uh, fast forward almost

0:18:30.280 --> 0:18:32.800
<v Speaker 1>to the to the end of the Indian Wars because

0:18:32.840 --> 0:18:36.679
<v Speaker 1>at that point there's just not enough space anymore, uh

0:18:36.800 --> 0:18:42.200
<v Speaker 1>for them to coexist and uh and they the Indian

0:18:42.240 --> 0:18:44.439
<v Speaker 1>Wars come to a fairly quick end end after that.

0:18:45.280 --> 0:18:50.400
<v Speaker 1>I think it's interesting and looking at your your collection

0:18:50.440 --> 0:18:53.720
<v Speaker 1>of work is that you have like a Mountain Man book,

0:18:53.760 --> 0:19:00.199
<v Speaker 1>The Revenant, which is very early stage exploit to to

0:19:00.240 --> 0:19:03.080
<v Speaker 1>the West, like very early stage exploration of the West, right,

0:19:03.119 --> 0:19:04.679
<v Speaker 1>Like people are still just kind of like trying to

0:19:04.680 --> 0:19:08.919
<v Speaker 1>fill in the map, like making, um, the characters near

0:19:09.040 --> 0:19:11.400
<v Speaker 1>hue Glass and those are making sort of legitimate discoveries

0:19:11.440 --> 0:19:17.200
<v Speaker 1>about what river flows in the right. And then you have, uh,

0:19:17.320 --> 0:19:22.520
<v Speaker 1>this forthcoming work that's kind of you know, at a

0:19:22.560 --> 0:19:26.920
<v Speaker 1>real hot point, right and then your Buffalo but sort

0:19:26.960 --> 0:19:34.639
<v Speaker 1>of is almost um, the aftermath dealing with kind of

0:19:34.640 --> 0:19:38.240
<v Speaker 1>like focused on this, this this other element of the West,

0:19:38.320 --> 0:19:41.560
<v Speaker 1>of of people getting around to look and be like

0:19:41.600 --> 0:19:47.600
<v Speaker 1>holy shit, yeah, what did we do well? What's uh?

0:19:47.640 --> 0:19:49.840
<v Speaker 1>And and we talked about this a little bit just

0:19:49.920 --> 0:19:54.639
<v Speaker 1>how in many ways, how compact the recent history of

0:19:54.720 --> 0:19:57.560
<v Speaker 1>the West is that the amount of time that that

0:19:57.640 --> 0:20:01.600
<v Speaker 1>European Americans have been out here. It all happens in uh,

0:20:01.680 --> 0:20:04.960
<v Speaker 1>in the span of a a couple of centuries. And UH,

0:20:05.000 --> 0:20:09.080
<v Speaker 1>there's a lot that goes on in the nineteenth century.

0:20:09.080 --> 0:20:12.399
<v Speaker 1>For example, when you think about UH, you know Lewis

0:20:12.400 --> 0:20:15.560
<v Speaker 1>and Clark coming out here at the beginning of the

0:20:15.680 --> 0:20:18.359
<v Speaker 1>of the nineteenth century, and by the ends of the

0:20:18.440 --> 0:20:22.960
<v Speaker 1>nineteenth century, you know, the Buffalo were virtually gone, and

0:20:22.960 --> 0:20:28.680
<v Speaker 1>and and the whole West is settled by European Americans.

0:20:28.800 --> 0:20:31.600
<v Speaker 1>And for all of that to happen in a hundred

0:20:31.680 --> 0:20:34.480
<v Speaker 1>years is is stunning when you think about it, that

0:20:34.480 --> 0:20:36.919
<v Speaker 1>that's one lifetime. One of the things I love about

0:20:37.480 --> 0:20:40.720
<v Speaker 1>this this new book is when I was doing the

0:20:40.800 --> 0:20:46.080
<v Speaker 1>research for for Ridgeline and learning about the Powder River War,

0:20:46.880 --> 0:20:51.560
<v Speaker 1>I was thrilled to discover that Jim Bridger shows up

0:20:51.840 --> 0:20:55.200
<v Speaker 1>as an old man scouting for the U. S. Army.

0:20:55.320 --> 0:20:58.480
<v Speaker 1>And for people who read The Revenant, Uh, Jim Bridger

0:20:58.880 --> 0:21:03.400
<v Speaker 1>in eighteen three and the Revenant is the boy who's

0:21:03.600 --> 0:21:08.919
<v Speaker 1>out there. He's the inexperienced boy who is one of

0:21:08.960 --> 0:21:13.960
<v Speaker 1>the two people who abandoned Hugh Glass. And the fact

0:21:13.960 --> 0:21:17.560
<v Speaker 1>that in his life. He goes from you know, being

0:21:17.640 --> 0:21:21.280
<v Speaker 1>part of the Rocky Mountain Fur Company and being in

0:21:21.440 --> 0:21:24.359
<v Speaker 1>this part of the country as one of the first

0:21:25.200 --> 0:21:29.320
<v Speaker 1>European Americans to come out here and trap and lives

0:21:29.359 --> 0:21:33.879
<v Speaker 1>through the fur trade era. He establishes a fort. Uh.

0:21:34.240 --> 0:21:36.640
<v Speaker 1>He first of all, he gets half the state named

0:21:36.640 --> 0:21:38.520
<v Speaker 1>after him. He gets half state named half him, including

0:21:38.520 --> 0:21:40.080
<v Speaker 1>a place that's you know, not more than a couple

0:21:40.160 --> 0:21:44.680
<v Speaker 1>hundred yards from here, UM, but he he it's it's

0:21:44.840 --> 0:21:51.320
<v Speaker 1>his recommendation that UH that UH determines the path for

0:21:51.320 --> 0:21:54.680
<v Speaker 1>for the South Pass, which is where the Oregon Trail

0:21:54.960 --> 0:21:58.600
<v Speaker 1>passes over. He sets up a fort on the Oregon Trail,

0:21:58.840 --> 0:22:04.919
<v Speaker 1>and UM makes money selling UH goods and supplies to emigrants.

0:22:04.960 --> 0:22:08.399
<v Speaker 1>So he lives through that whole UH pioneer era. He

0:22:08.480 --> 0:22:12.080
<v Speaker 1>scouts for pioneers, he ends up scouting for the U. S.

0:22:12.200 --> 0:22:16.400
<v Speaker 1>Army UH, and he sees the the end of the

0:22:16.560 --> 0:22:19.720
<v Speaker 1>of the Indian Wars in his life. And that's that's

0:22:19.760 --> 0:22:22.520
<v Speaker 1>just it's epic. It's it's hard to even imagine that.

0:22:22.680 --> 0:22:24.040
<v Speaker 1>The thing I think about him is, you know, when

0:22:24.080 --> 0:22:27.919
<v Speaker 1>everybody UH talks about how everything went the ship in

0:22:27.960 --> 0:22:31.200
<v Speaker 1>their lifetime, you know it used to be no one

0:22:31.280 --> 0:22:35.800
<v Speaker 1>was here used to right. Can you imagine Bridger? Well,

0:22:36.240 --> 0:22:42.000
<v Speaker 1>he had to be like no, no, exactly. Well. And

0:22:42.160 --> 0:22:46.840
<v Speaker 1>one of the one of the really fascinating anecdotes, uh

0:22:47.080 --> 0:22:49.439
<v Speaker 1>that I came across and again and doing the research

0:22:49.480 --> 0:22:52.199
<v Speaker 1>for this new book is not only was Jim Bridger

0:22:52.280 --> 0:22:55.199
<v Speaker 1>scouting for the U. S. Army in this era, but

0:22:55.320 --> 0:22:59.159
<v Speaker 1>James Beckworth also was who uh people who know about

0:22:59.720 --> 0:23:05.159
<v Speaker 1>the former slave and African American uh mountain man, and

0:23:05.200 --> 0:23:07.159
<v Speaker 1>he had actually come out here as part of that

0:23:07.280 --> 0:23:10.719
<v Speaker 1>same uh company they're rocking out in for a company

0:23:10.720 --> 0:23:12.720
<v Speaker 1>that the Jim Bridger had been apart. So both of

0:23:12.720 --> 0:23:18.040
<v Speaker 1>these guys come out as teenagers, uh, to to the

0:23:18.080 --> 0:23:21.040
<v Speaker 1>wild wild West of the eighteen twenties, and then both

0:23:21.080 --> 0:23:24.120
<v Speaker 1>of them end up together as sixty year old men

0:23:24.640 --> 0:23:28.040
<v Speaker 1>scouting for the U. S. Army in eighteen sixty six,

0:23:28.400 --> 0:23:30.840
<v Speaker 1>and they literally get sent out by the commanding officer

0:23:31.000 --> 0:23:33.520
<v Speaker 1>of the fort to find to figure out where the

0:23:33.560 --> 0:23:37.760
<v Speaker 1>Indians are. And I just imagined them and this happened,

0:23:38.359 --> 0:23:43.159
<v Speaker 1>you know, Jim Bridger and James Beckworth riding their horses

0:23:44.119 --> 0:23:47.200
<v Speaker 1>up the Powder River Valley as sixty year old men

0:23:47.359 --> 0:23:51.200
<v Speaker 1>reminiscing on their lives and you know, what conversations were

0:23:51.240 --> 0:23:55.040
<v Speaker 1>they having. And I try and think about that as

0:23:55.119 --> 0:23:57.320
<v Speaker 1>part of as part of the book. One of the

0:23:57.320 --> 0:24:02.560
<v Speaker 1>things I wonder about is, uh, you know, was somebody

0:24:02.600 --> 0:24:07.040
<v Speaker 1>like Jim Bridger, who was known as a person of

0:24:07.040 --> 0:24:11.000
<v Speaker 1>of incredible integrity, was he regretting in any way how

0:24:11.119 --> 0:24:14.840
<v Speaker 1>much he had helped open up the West? And I

0:24:14.880 --> 0:24:18.760
<v Speaker 1>think it absolutely Boone had that. Boon did. And there's

0:24:18.760 --> 0:24:21.040
<v Speaker 1>a set of conversations I think about often like that,

0:24:21.080 --> 0:24:23.480
<v Speaker 1>Like when Boone was very, very old in his seventies,

0:24:24.480 --> 0:24:28.280
<v Speaker 1>he would go on extended hunting trips with his own

0:24:28.440 --> 0:24:34.280
<v Speaker 1>slave who became like his hunting buddy, his confidant, and

0:24:34.400 --> 0:24:36.960
<v Speaker 1>um to imagine, and this is after he had been

0:24:36.960 --> 0:24:39.919
<v Speaker 1>displaced out of places and displaced out of places. And

0:24:39.960 --> 0:24:42.919
<v Speaker 1>he definitely, uh, you know, if you look in his biography,

0:24:43.000 --> 0:24:47.760
<v Speaker 1>had an awareness of what have been lost, and you'd

0:24:47.840 --> 0:24:51.679
<v Speaker 1>have to think that Bridger had it. I I do

0:24:51.840 --> 0:24:57.480
<v Speaker 1>think he had that. And he was married, uh into

0:24:57.560 --> 0:25:04.360
<v Speaker 1>the Shoshonee tribe, so he had lived the Native American

0:25:04.359 --> 0:25:09.600
<v Speaker 1>culture and he was watching it literally being decimated. Uh.

0:25:10.640 --> 0:25:17.879
<v Speaker 1>I can't imagine that they were not profound feelings of

0:25:17.880 --> 0:25:21.119
<v Speaker 1>of misgivings about what was was going on. And so

0:25:21.640 --> 0:25:25.880
<v Speaker 1>it's always difficult because you don't want to ah, sort

0:25:25.920 --> 0:25:32.760
<v Speaker 1>of impose twenty one century views of the universe on

0:25:32.960 --> 0:25:37.000
<v Speaker 1>historical characters and and uh, and so I try not

0:25:37.040 --> 0:25:39.800
<v Speaker 1>to do that, but I think that somebody like Bridger

0:25:40.760 --> 0:25:45.560
<v Speaker 1>uh must have had those types of misgivings. Well, the

0:25:45.560 --> 0:25:47.639
<v Speaker 1>way I think that it's I don't think it's twenty

0:25:47.760 --> 0:25:51.320
<v Speaker 1>and I don't think it's twenty one century views necessarily

0:25:51.359 --> 0:25:55.840
<v Speaker 1>because here's a person who derived his his income and

0:25:55.880 --> 0:25:59.800
<v Speaker 1>livelihood from the land's ability to put off resources. So

0:26:00.560 --> 0:26:04.080
<v Speaker 1>at a time there was at least the hope and

0:26:04.440 --> 0:26:07.680
<v Speaker 1>and you're you watched it happened to your peers that

0:26:07.760 --> 0:26:12.800
<v Speaker 1>you could turn great fortune from trapping beaver, right, and

0:26:12.800 --> 0:26:15.199
<v Speaker 1>it was just there for the taking, and food was

0:26:15.240 --> 0:26:19.400
<v Speaker 1>readily available. It just like it was not like securing

0:26:19.480 --> 0:26:22.879
<v Speaker 1>food was not an issue. There was no pressure about.

0:26:23.000 --> 0:26:25.760
<v Speaker 1>I mean, you had pressure from like indigenous forces who

0:26:25.800 --> 0:26:30.399
<v Speaker 1>didn't want you on their landscape, but because you regarded

0:26:30.480 --> 0:26:33.480
<v Speaker 1>that in a sort of like low priority way, it

0:26:33.600 --> 0:26:37.280
<v Speaker 1>felt like there was like an inexhaustible supply of land

0:26:37.280 --> 0:26:39.439
<v Speaker 1>out there. So even if you just look at it

0:26:39.480 --> 0:26:43.000
<v Speaker 1>totally pragmatically and look at it just and very personally.

0:26:43.480 --> 0:26:47.920
<v Speaker 1>When you get to where the beaver are gone, um,

0:26:47.960 --> 0:26:51.440
<v Speaker 1>it's much harder to secure food. Huge areas that had

0:26:51.840 --> 0:26:55.320
<v Speaker 1>buffalo have been depleted of buffalo, and now you need

0:26:55.359 --> 0:27:00.320
<v Speaker 1>to make your living contracting out to the military. Yeah. Um,

0:27:00.400 --> 0:27:02.359
<v Speaker 1>I don't think you need to get to nostalgic to

0:27:02.440 --> 0:27:07.080
<v Speaker 1>be like to realize that you have been, that your

0:27:07.200 --> 0:27:12.280
<v Speaker 1>fortunes have gone down well, and the they must have

0:27:12.359 --> 0:27:17.199
<v Speaker 1>had a I mean, at one level they experienced nature

0:27:18.000 --> 0:27:20.760
<v Speaker 1>as and and you see this throughout the nineteenth century.

0:27:21.040 --> 0:27:23.399
<v Speaker 1>You know, people in that era had a view of

0:27:23.480 --> 0:27:26.719
<v Speaker 1>nature where first and foremost they had to survive, and

0:27:26.760 --> 0:27:29.760
<v Speaker 1>so they were probably less focused on is it a

0:27:29.800 --> 0:27:33.919
<v Speaker 1>pretty vista? Is it a pretty sunset? But by the

0:27:33.960 --> 0:27:37.600
<v Speaker 1>same token, I just can't imagine that they did not

0:27:37.760 --> 0:27:40.600
<v Speaker 1>have an appreciation for the beauty of the place that

0:27:40.680 --> 0:27:46.000
<v Speaker 1>they that they lived in. And I in small ways

0:27:46.520 --> 0:27:53.000
<v Speaker 1>today as uh, when I try and imagine what it

0:27:53.119 --> 0:27:57.160
<v Speaker 1>felt like to live in that era, I feel nostalgia

0:27:57.280 --> 0:28:00.959
<v Speaker 1>for parts of Montana that that I knew when they

0:28:00.960 --> 0:28:04.440
<v Speaker 1>were wild and they're not wild anymore. And it makes

0:28:04.480 --> 0:28:09.600
<v Speaker 1>me angry sometimes when I when I see that and

0:28:09.720 --> 0:28:11.640
<v Speaker 1>to see it on the scale that that they were

0:28:11.640 --> 0:28:16.080
<v Speaker 1>seeing it. Uh. And that's talking about about Jim Bridger.

0:28:16.560 --> 0:28:19.439
<v Speaker 1>We've even got yet to the perspective of of the

0:28:19.520 --> 0:28:24.080
<v Speaker 1>Native Native Americans who see their there not only their land,

0:28:24.119 --> 0:28:26.960
<v Speaker 1>but their their their whole culture and way of living

0:28:27.800 --> 0:28:32.520
<v Speaker 1>overturned in a in a space of a few years.

0:28:31.880 --> 0:28:35.639
<v Speaker 1>It's it's almost impossible to imagine what that would have

0:28:35.680 --> 0:28:38.840
<v Speaker 1>felt like. What one of the things I try and

0:28:38.880 --> 0:28:41.840
<v Speaker 1>do in the book is to think about what did

0:28:41.840 --> 0:28:43.640
<v Speaker 1>that feel like. That's one of the I think the

0:28:43.640 --> 0:28:47.520
<v Speaker 1>fun things you can do with fiction, as you can imagine,

0:28:47.600 --> 0:28:49.600
<v Speaker 1>not just you don't just talk about what happened, You

0:28:49.600 --> 0:28:52.440
<v Speaker 1>imagine how did it feel and how did it feel

0:28:52.480 --> 0:28:54.960
<v Speaker 1>for the people who are living in that era. To

0:28:55.280 --> 0:29:01.080
<v Speaker 1>experience change at that scale does given away too much

0:29:01.120 --> 0:29:05.840
<v Speaker 1>to tell us whose perspective the book is told, So

0:29:05.920 --> 0:29:10.640
<v Speaker 1>it's told from multiple perspectives. Uh. And I think a

0:29:10.720 --> 0:29:13.800
<v Speaker 1>story that rich and complex has to be told from

0:29:13.920 --> 0:29:19.480
<v Speaker 1>from multiple perspectives. And one of the things that one

0:29:19.480 --> 0:29:21.080
<v Speaker 1>of the problems I have with a lot of Western

0:29:21.080 --> 0:29:23.960
<v Speaker 1>American history is I think too often it's told only

0:29:24.000 --> 0:29:30.480
<v Speaker 1>from the the European American perspective, and that the Native

0:29:30.480 --> 0:29:34.640
<v Speaker 1>perspective is given short shrift, and so I try and

0:29:34.680 --> 0:29:39.520
<v Speaker 1>tell the story from from multiple perspectives. One of the

0:29:39.520 --> 0:29:41.960
<v Speaker 1>experiences that I had, actually one of the one of

0:29:42.000 --> 0:29:44.720
<v Speaker 1>the greatest jobs I had ever in my life is

0:29:45.720 --> 0:29:49.760
<v Speaker 1>I UH was born and raised in Port and Level, Wyoming,

0:29:49.800 --> 0:29:52.800
<v Speaker 1>and UH I went to junior high and high school

0:29:52.800 --> 0:29:55.560
<v Speaker 1>in Torrington, Wyoming, in the southeastern corner of the state,

0:29:56.240 --> 0:30:01.280
<v Speaker 1>and UH loved history and did this job where I

0:30:01.280 --> 0:30:03.880
<v Speaker 1>worked in the summers of high school and college doing

0:30:04.320 --> 0:30:06.920
<v Speaker 1>working for the National Park Service at Fort Laramie National

0:30:06.960 --> 0:30:10.840
<v Speaker 1>Historic Site and dressed up every day literally in a

0:30:10.920 --> 0:30:17.200
<v Speaker 1>eight seventy six cavalry cavalry uniform and shot guns and

0:30:17.400 --> 0:30:22.000
<v Speaker 1>cannons and baked bread using the historic bread recipe and

0:30:22.040 --> 0:30:25.040
<v Speaker 1>talked to tourists all day about the history of the West.

0:30:25.080 --> 0:30:29.120
<v Speaker 1>That was my job. And I realized even at the

0:30:29.160 --> 0:30:32.040
<v Speaker 1>time that the story that we were telling about the

0:30:32.120 --> 0:30:37.440
<v Speaker 1>history of the West, UH was quite one sided. UH,

0:30:37.480 --> 0:30:40.200
<v Speaker 1>and I've always felt like we could do a better

0:30:40.280 --> 0:30:42.680
<v Speaker 1>job of telling that story. And I hope you know,

0:30:42.720 --> 0:30:45.200
<v Speaker 1>in some measure I'm doing that with this this new book.

0:30:45.320 --> 0:30:52.240
<v Speaker 1>It's difficult to pull off though, because, um, you can

0:30:52.320 --> 0:30:56.200
<v Speaker 1>give the perspective of your own culture and own people.

0:30:56.360 --> 0:30:59.240
<v Speaker 1>It was a little bit of a trap and trying

0:30:59.240 --> 0:31:03.160
<v Speaker 1>to give the perspective of someone else, because even a

0:31:03.240 --> 0:31:11.720
<v Speaker 1>well intentioned effort can be met with accusations of colonial appropriation,

0:31:12.440 --> 0:31:17.239
<v Speaker 1>cultural appropriation, right, and so it's like I applaud you

0:31:17.320 --> 0:31:22.560
<v Speaker 1>for not just turning around and saying forget it. Well,

0:31:22.720 --> 0:31:25.800
<v Speaker 1>like it will never be rewarded, it will always be criticized.

0:31:27.280 --> 0:31:32.280
<v Speaker 1>The best that I can do is to h from

0:31:32.280 --> 0:31:35.760
<v Speaker 1>where I sit, to all the research and all the

0:31:35.800 --> 0:31:40.440
<v Speaker 1>work that I can to learn all aspects of the history,

0:31:40.720 --> 0:31:43.760
<v Speaker 1>and try and write it down in a way that

0:31:44.880 --> 0:31:50.400
<v Speaker 1>I hope is accurate, and then subject it, which I've done,

0:31:51.360 --> 0:31:54.280
<v Speaker 1>uh to a lot of two readers with a lot

0:31:54.280 --> 0:31:58.160
<v Speaker 1>of different perspectives, including UH, a lot of different Native

0:31:58.160 --> 0:32:02.040
<v Speaker 1>American readers, and UH, this book has been through a

0:32:02.040 --> 0:32:05.440
<v Speaker 1>lot of drafts, and the draft that it's in reflects

0:32:05.480 --> 0:32:10.160
<v Speaker 1>a lot of that input. So I am sure that

0:32:10.280 --> 0:32:14.800
<v Speaker 1>I'm not telling the story perfectly. H. I know that's

0:32:14.840 --> 0:32:17.320
<v Speaker 1>not the case. I hope I'm telling it in a

0:32:17.560 --> 0:32:21.880
<v Speaker 1>in a fair way that that brings some balance to

0:32:22.040 --> 0:32:27.520
<v Speaker 1>the story. And at that point, if I get things wrong, um,

0:32:27.640 --> 0:32:29.640
<v Speaker 1>people can tell me about that and we can have

0:32:29.680 --> 0:32:32.600
<v Speaker 1>that conversation and we can continue to have that conversation

0:32:32.680 --> 0:32:35.960
<v Speaker 1>and learn all of us. But I think that's a

0:32:36.000 --> 0:32:41.200
<v Speaker 1>more productive way to to two deal with an issue,

0:32:41.280 --> 0:32:44.360
<v Speaker 1>to deal with issues like that, than to ignore them

0:32:44.480 --> 0:32:47.680
<v Speaker 1>or worst, to to write it from only one perspective.

0:32:48.080 --> 0:32:54.680
<v Speaker 1>Are you familiar with the historian Dan Floores? I know,

0:32:54.960 --> 0:32:57.880
<v Speaker 1>not in detail. Um, I know he's written a lot

0:32:57.880 --> 0:33:01.479
<v Speaker 1>about the buffalo and it. I don't I'm not an

0:33:01.480 --> 0:33:03.720
<v Speaker 1>expert on him at all. Yeah, he's done some pretty

0:33:03.960 --> 0:33:09.200
<v Speaker 1>influential work. And um, he's an environmental historian. When I

0:33:09.200 --> 0:33:13.240
<v Speaker 1>was in graduate school, I took his one of his

0:33:13.320 --> 0:33:16.480
<v Speaker 1>seminar courses. You had like you had to sort of

0:33:16.480 --> 0:33:19.200
<v Speaker 1>take a seminar outside of your discipline, you know. So

0:33:19.240 --> 0:33:21.920
<v Speaker 1>it took an environmental history seminar with Dan Flores, and

0:33:22.000 --> 0:33:25.360
<v Speaker 1>he gave a lecture one day about the Battle of

0:33:25.400 --> 0:33:28.000
<v Speaker 1>Adobe Walls. I think it's like the second Battle of

0:33:28.000 --> 0:33:30.320
<v Speaker 1>Adobe Walls. And if you ever heard of this with

0:33:30.360 --> 0:33:32.720
<v Speaker 1>the buffalo hunters and yeah, so they weren't supposed to

0:33:32.880 --> 0:33:36.280
<v Speaker 1>they weren't supposed to hunt south of the state Southern

0:33:36.280 --> 0:33:38.880
<v Speaker 1>Pacific rail line. Right, they weren't supposed to move into

0:33:38.920 --> 0:33:42.840
<v Speaker 1>the southern plains. And these guys paid little, little to

0:33:42.880 --> 0:33:45.200
<v Speaker 1>no attention to that kind of like what you're talking

0:33:45.200 --> 0:33:48.800
<v Speaker 1>about with using the bowsman trail. And they were very

0:33:48.800 --> 0:33:56.840
<v Speaker 1>well armed, um buffalo, Yeah, and uh, extraordinarily good shooters.

0:33:58.040 --> 0:34:01.720
<v Speaker 1>Had this little fortress called Adobe Walls, and they ran

0:34:02.080 --> 0:34:04.080
<v Speaker 1>hide hunting operations out of there, and it was like

0:34:04.200 --> 0:34:08.600
<v Speaker 1>very defendable, and there were experts, um. And at one

0:34:08.600 --> 0:34:12.200
<v Speaker 1>point in time, the tribes gathered in great number to

0:34:12.280 --> 0:34:17.000
<v Speaker 1>go once and for all eliminate these guys out of

0:34:17.000 --> 0:34:25.600
<v Speaker 1>this area. And and and native tellings of what happened

0:34:25.719 --> 0:34:30.680
<v Speaker 1>on the way to this raid. Uh, young brave kills

0:34:30.800 --> 0:34:36.040
<v Speaker 1>a skunk, which is a thing you do not do

0:34:37.160 --> 0:34:40.680
<v Speaker 1>on the way to a fight. When they get to

0:34:40.719 --> 0:34:46.440
<v Speaker 1>Adobe Walls, the hide hunters managed to kill chief at

0:34:46.600 --> 0:34:51.160
<v Speaker 1>like some pot shot, and they kill a chief. And

0:34:51.200 --> 0:34:53.200
<v Speaker 1>the battle, which was supposed to be this great routing

0:34:53.239 --> 0:34:58.279
<v Speaker 1>of these hide hunters fizzles and the Indians right off.

0:34:59.280 --> 0:35:02.160
<v Speaker 1>And then the telling of the hide hunters at Adobe Walls,

0:35:02.239 --> 0:35:06.759
<v Speaker 1>it was there like superior skill, superior firepower, right, that

0:35:06.920 --> 0:35:12.320
<v Speaker 1>one the day and Flori's explains how and the I

0:35:12.360 --> 0:35:15.799
<v Speaker 1>think it's the Southern Cheyenne telling is that that guy

0:35:16.760 --> 0:35:20.080
<v Speaker 1>killed a skunk on the way to that fight, and

0:35:20.160 --> 0:35:25.319
<v Speaker 1>Floris then puts it to you like, um, who's right. Well,

0:35:25.440 --> 0:35:29.400
<v Speaker 1>I mean, it's a perfect example of of why we

0:35:29.440 --> 0:35:33.680
<v Speaker 1>should be looking at these historical incidents from multiple perspectives.

0:35:34.400 --> 0:35:39.880
<v Speaker 1>And uh, you know, we haven't done that in our history.

0:35:39.960 --> 0:35:41.319
<v Speaker 1>We haven't done a good job of that at all.

0:35:42.000 --> 0:35:47.160
<v Speaker 1>And so again, I I'm sure that there are plenty

0:35:47.160 --> 0:35:50.200
<v Speaker 1>of mistakes in in my book, but I I do

0:35:50.360 --> 0:35:52.839
<v Speaker 1>hope that I've made the effort to tell the best

0:35:52.880 --> 0:35:56.439
<v Speaker 1>story that I possibly can, including making a really big

0:35:56.480 --> 0:36:01.799
<v Speaker 1>effort to to to bring multiple perspectives there. You mentioned earlier,

0:36:02.320 --> 0:36:05.760
<v Speaker 1>Um that the Fetterman fight was kind of the biggest

0:36:07.120 --> 0:36:10.759
<v Speaker 1>skirmish in the West prior to Little Big Horn. And

0:36:11.160 --> 0:36:14.680
<v Speaker 1>I've always really liked reading about Little Big Horn. And

0:36:15.080 --> 0:36:17.080
<v Speaker 1>I think that if you read contemporary works about the

0:36:17.080 --> 0:36:20.080
<v Speaker 1>battle Little Big Horn, it's sort of they present it

0:36:20.200 --> 0:36:25.040
<v Speaker 1>as sort of this great culmination, right that all these

0:36:25.160 --> 0:36:31.600
<v Speaker 1>these these like outrageous figures and these like outsized human beings,

0:36:31.680 --> 0:36:35.200
<v Speaker 1>right like collided in this this moment, this sort of

0:36:35.200 --> 0:36:39.759
<v Speaker 1>like crescendo of tension in the American West, and it

0:36:40.200 --> 0:36:43.000
<v Speaker 1>lives like that, Like we know that I was reading

0:36:43.000 --> 0:36:46.800
<v Speaker 1>this book from the sixties recently that touches briefly on

0:36:46.960 --> 0:36:49.319
<v Speaker 1>a Little Big Horn and his treatment of Little Big Horn.

0:36:50.239 --> 0:36:52.840
<v Speaker 1>I think this is before it became popular. His treatment

0:36:52.840 --> 0:36:54.960
<v Speaker 1>a Little Big Horn was basically like if you were

0:36:54.960 --> 0:36:58.560
<v Speaker 1>talking about the d D invasions. Okay, so there's this

0:36:58.800 --> 0:37:02.920
<v Speaker 1>massive undertaking that's going on, and meanwhile, off in some corner,

0:37:04.560 --> 0:37:08.880
<v Speaker 1>a officer makes a mistake and gets a couple hundred

0:37:08.920 --> 0:37:12.800
<v Speaker 1>people killed on D Day. And then later we talked

0:37:12.800 --> 0:37:18.239
<v Speaker 1>about June six. Later we talked about it, and we're like,

0:37:18.480 --> 0:37:25.040
<v Speaker 1>D Day huge successful objective, turned the tide. Oh and

0:37:25.080 --> 0:37:27.080
<v Speaker 1>also this guy kind of screwed up and got everybody killed,

0:37:27.440 --> 0:37:30.200
<v Speaker 1>Like that was his like in the nineties sixties, that

0:37:30.239 --> 0:37:32.399
<v Speaker 1>was his viewpoint of a little Big Horn didn't even

0:37:32.400 --> 0:37:36.319
<v Speaker 1>really warrant. It was just an anomaly, like a guy

0:37:36.360 --> 0:37:39.319
<v Speaker 1>made a stupid mistake. Had no real bearing on how

0:37:39.360 --> 0:37:43.960
<v Speaker 1>the Indian Wars went. Everything kept right on schedule. We

0:37:44.120 --> 0:37:49.880
<v Speaker 1>still like subjugated the Sioux Um. It was just it

0:37:49.960 --> 0:37:52.480
<v Speaker 1>just doesn't really like we focus on it, But why

0:37:52.520 --> 0:37:55.160
<v Speaker 1>are we focused on this? It didn't change the course

0:37:55.200 --> 0:37:59.239
<v Speaker 1>of It didn't change. So here's the course of destiny? Right?

0:37:59.719 --> 0:38:02.520
<v Speaker 1>I think I disagree with that that theory. I'll tell

0:38:02.560 --> 0:38:07.800
<v Speaker 1>you why. Um. Well, first of all, look, these these

0:38:07.840 --> 0:38:15.800
<v Speaker 1>battles where uh, where armies get wiped out are intrinsically fascinating,

0:38:15.880 --> 0:38:18.320
<v Speaker 1>and it's like, you know, you kind of can't look away.

0:38:18.560 --> 0:38:23.320
<v Speaker 1>And so the Fetterman Fight, the Battle a Little Big Horn,

0:38:23.880 --> 0:38:28.120
<v Speaker 1>they just there there cat nip in terms of our

0:38:28.360 --> 0:38:34.279
<v Speaker 1>interest because they're just so graphic. Um. But what I

0:38:34.320 --> 0:38:37.799
<v Speaker 1>think is interesting about the difference between the Fetterman Fight

0:38:38.680 --> 0:38:43.400
<v Speaker 1>and the Battle a Little Big Horn is the impact

0:38:43.400 --> 0:38:45.759
<v Speaker 1>that the battles had politically. And so I agree a

0:38:45.840 --> 0:38:48.440
<v Speaker 1>little bit with the point that the person was making

0:38:48.960 --> 0:38:52.800
<v Speaker 1>that from a military standpoint. Um, you know, we're talking

0:38:52.840 --> 0:38:57.439
<v Speaker 1>about eighty guys who die in the Fetterman fight, and

0:38:57.760 --> 0:39:00.120
<v Speaker 1>I don't remember the precise number with Custer too, U

0:39:00.440 --> 0:39:04.480
<v Speaker 1>twenty or something like that. Um. And if you compare

0:39:04.560 --> 0:39:09.720
<v Speaker 1>that to D Day, uh, that is not a massive battle.

0:39:10.520 --> 0:39:15.600
<v Speaker 1>But both of those uh fights happened at really interesting

0:39:15.600 --> 0:39:19.560
<v Speaker 1>political moments in US history. The Feederman fight happens in

0:39:19.600 --> 0:39:22.480
<v Speaker 1>eighteen sixty six, two years after the end of the

0:39:22.520 --> 0:39:29.000
<v Speaker 1>Civil War, when the US is weary of war. They've

0:39:29.040 --> 0:39:35.480
<v Speaker 1>completely uh drawn down the size of the U. S. Army.

0:39:35.600 --> 0:39:43.040
<v Speaker 1>Um they're preoccupied with trying to manage, uh the the

0:39:43.080 --> 0:39:45.960
<v Speaker 1>reconstruction of the South, and that required a huge military

0:39:45.960 --> 0:39:48.719
<v Speaker 1>presence in and of itself. And there just was no

0:39:48.840 --> 0:39:53.160
<v Speaker 1>interest in the in eighteen sixty six in in having

0:39:53.160 --> 0:39:58.480
<v Speaker 1>a big fight out west. And so when Fetterman, when

0:39:58.480 --> 0:40:02.839
<v Speaker 1>the Federman defeat happens, the US pulls back and the

0:40:02.880 --> 0:40:08.080
<v Speaker 1>Indians win this war for a couple of years. My

0:40:08.120 --> 0:40:14.120
<v Speaker 1>favorite anecdote about the Custer Battle is Custer uh fight.

0:40:14.480 --> 0:40:18.560
<v Speaker 1>The battle a little big horn occurs on June eighteen

0:40:18.719 --> 0:40:23.440
<v Speaker 1>seventy six, eighteen seventy six. Takes a long time for

0:40:23.480 --> 0:40:26.600
<v Speaker 1>the news to travel back to Washington, d C. It's

0:40:26.800 --> 0:40:34.480
<v Speaker 1>Independence Day. The news of the Custer massacre arrives in Washington,

0:40:34.600 --> 0:40:40.520
<v Speaker 1>d C. On July four, eight seventy six, literally in

0:40:40.560 --> 0:40:44.600
<v Speaker 1>the midst of the celebration of the centennial of the

0:40:44.680 --> 0:40:47.320
<v Speaker 1>hundred year anniversary of the country. It's like the biggest

0:40:47.440 --> 0:40:50.560
<v Speaker 1>turd in the punch bowl in American history. To that point,

0:40:51.480 --> 0:40:55.960
<v Speaker 1>and and the political reaction to the battle of a

0:40:55.960 --> 0:40:59.360
<v Speaker 1>Little Big Horn is the opposite of the of the

0:40:59.400 --> 0:41:04.920
<v Speaker 1>reaction to the fetterment fight. They decide enough, we're not

0:41:05.200 --> 0:41:11.360
<v Speaker 1>gonna lose UH to the Indians in the west. And

0:41:11.840 --> 0:41:17.040
<v Speaker 1>they beginning at that moment, UH, they send out Nelson Miles,

0:41:17.160 --> 0:41:19.920
<v Speaker 1>who you know is one of the most kind of

0:41:20.040 --> 0:41:25.360
<v Speaker 1>BADASSUH warriors in the in the U. S. Army, and

0:41:25.640 --> 0:41:29.200
<v Speaker 1>he and and a big army go out west and

0:41:29.239 --> 0:41:32.280
<v Speaker 1>they start doing something they hadn't done very much before,

0:41:32.320 --> 0:41:35.880
<v Speaker 1>which is attacking UH the Indians in the winter when

0:41:35.920 --> 0:41:39.919
<v Speaker 1>they were at least able to fight. And within two

0:41:40.040 --> 0:41:45.759
<v Speaker 1>years the Indian Wars are over. Um. Crazy horses is

0:41:45.800 --> 0:41:50.720
<v Speaker 1>on the reservation. Uh. He rolled up the nest first

0:41:50.719 --> 0:41:54.120
<v Speaker 1>to the next song the Nez Perce UH surrender and

0:41:54.880 --> 0:41:57.960
<v Speaker 1>UH sitting bowl is in exile in Canada. The Indian

0:41:57.960 --> 0:42:03.560
<v Speaker 1>Wars are over. And so the political significance of those battles,

0:42:03.600 --> 0:42:07.040
<v Speaker 1>even though in the if you look at them compared

0:42:07.080 --> 0:42:09.399
<v Speaker 1>to some of the Civil War battles or or other

0:42:09.400 --> 0:42:14.760
<v Speaker 1>battles where thousands of people die, Um, the political significance

0:42:14.760 --> 0:42:30.240
<v Speaker 1>of those battles I think was huge. In reading Um,

0:42:30.280 --> 0:42:33.680
<v Speaker 1>the revenuet thing I really appreciate. You're gonna come around

0:42:33.680 --> 0:42:35.799
<v Speaker 1>to this. We've warmed up a little bit now, so

0:42:35.800 --> 0:42:37.560
<v Speaker 1>so you've you've been warming up. I feel like you've

0:42:37.560 --> 0:42:40.279
<v Speaker 1>been like like a wind windmilling for a sucker punch

0:42:40.840 --> 0:42:43.200
<v Speaker 1>to bring it on, bring it on. In reading the Revenue,

0:42:43.280 --> 0:42:48.560
<v Speaker 1>you solved for me. You solved for me a thing

0:42:48.600 --> 0:42:51.799
<v Speaker 1>I never understood, and it was a detail that I

0:42:51.840 --> 0:42:56.760
<v Speaker 1>really appreciate it because I like, uh details. Um, even

0:42:56.800 --> 0:43:02.120
<v Speaker 1>with the director Michael Man, like he loved him so

0:43:03.239 --> 0:43:06.920
<v Speaker 1>and Ali and lord knows what other movies. Um, the

0:43:07.000 --> 0:43:13.719
<v Speaker 1>guy this is no burying anything. But the cinematographer Mo

0:43:14.000 --> 0:43:17.279
<v Speaker 1>Foulon that sort of like gave our show, like made

0:43:17.280 --> 0:43:18.959
<v Speaker 1>our show like the way it is, like it looks

0:43:18.960 --> 0:43:21.400
<v Speaker 1>the way it is because this guy Mofoulon, Mofoulin, that

0:43:21.680 --> 0:43:27.279
<v Speaker 1>had been Michael Mann's assistant at a time, and Mo

0:43:27.360 --> 0:43:30.839
<v Speaker 1>would talk talks about how Michael Mann was very attuned

0:43:30.960 --> 0:43:35.799
<v Speaker 1>to details, and you talk about how humans are really

0:43:35.840 --> 0:43:39.680
<v Speaker 1>smart animals, you know, and he viewed audiences that way,

0:43:39.840 --> 0:43:43.879
<v Speaker 1>like intelligent animals, and he wanted things to look and

0:43:43.960 --> 0:43:46.719
<v Speaker 1>feel right, you know. I think it's one of the

0:43:46.719 --> 0:43:50.000
<v Speaker 1>great strengths like Karen McCarthy's, he really cares like how

0:43:50.040 --> 0:43:53.400
<v Speaker 1>things look. But in the book, I've always known that

0:43:53.480 --> 0:43:57.479
<v Speaker 1>mountain you'd see mountain men wearing pants that were leather

0:43:58.680 --> 0:44:02.400
<v Speaker 1>to the knee to the knee, and you see depictions

0:44:02.400 --> 0:44:05.080
<v Speaker 1>of them leather to the knee and wool down from them.

0:44:05.200 --> 0:44:09.759
<v Speaker 1>They're down helpful. I never ever thought about what that was,

0:44:09.800 --> 0:44:13.440
<v Speaker 1>except for I don't know, so, uh, the state of

0:44:13.480 --> 0:44:17.040
<v Speaker 1>the art pants for a uh, state of the art

0:44:17.080 --> 0:44:22.400
<v Speaker 1>mountain man was was leather to the knee and wool

0:44:22.680 --> 0:44:28.760
<v Speaker 1>from the knee down, because, uh, because wool dries quickly

0:44:29.160 --> 0:44:33.440
<v Speaker 1>and remains warm when it's wet. And of course, what

0:44:33.480 --> 0:44:36.560
<v Speaker 1>the fur tuators were doing with the beaver trappers were

0:44:36.560 --> 0:44:41.080
<v Speaker 1>doing was waiting in two cricks to pull out beaver traps.

0:44:41.440 --> 0:44:44.280
<v Speaker 1>So they were constantly wading in and out of water.

0:44:45.040 --> 0:44:50.719
<v Speaker 1>And you can imagine wet, wet buckskin, uh is heavy

0:44:50.760 --> 0:44:54.239
<v Speaker 1>and uncomfortable and doesn't keep you warm. And so they yeah,

0:44:54.239 --> 0:45:00.000
<v Speaker 1>they wore these uh special pants. Uh yeah, knee boots,

0:45:00.120 --> 0:45:03.319
<v Speaker 1>yeah exactly. But but the buckskin upper, what was the

0:45:03.480 --> 0:45:07.879
<v Speaker 1>what's the advantage of that? Why wasn't it just that's

0:45:07.880 --> 0:45:12.959
<v Speaker 1>a good question, Um, durability and availability of resource probably yeah,

0:45:13.080 --> 0:45:16.080
<v Speaker 1>And uh so I guess they didn't have enough wool

0:45:16.200 --> 0:45:18.319
<v Speaker 1>to to get the whole pant made out of wall,

0:45:18.440 --> 0:45:20.239
<v Speaker 1>so they just they did it from the knee down.

0:45:20.680 --> 0:45:22.799
<v Speaker 1>And then I think they're pretty conscious about looks too,

0:45:22.840 --> 0:45:25.439
<v Speaker 1>so they I get the sense they liked the look

0:45:25.480 --> 0:45:29.640
<v Speaker 1>of of buckskin and and you know all that and

0:45:29.719 --> 0:45:33.759
<v Speaker 1>so a little bit of wall. Maybe what research did

0:45:33.760 --> 0:45:36.080
<v Speaker 1>you do that get that sort of brought about ideas

0:45:36.080 --> 0:45:38.240
<v Speaker 1>that they were sort of they had they had ideas

0:45:38.239 --> 0:45:41.680
<v Speaker 1>of fashion or look, there was there were hairstyles. Oh

0:45:41.719 --> 0:45:44.680
<v Speaker 1>my god, they were like like in the frontiers, been

0:45:44.680 --> 0:45:46.239
<v Speaker 1>a little bit earlier, but they would they had they

0:45:46.239 --> 0:45:48.920
<v Speaker 1>would plait their hair, they would braid their hair in

0:45:48.960 --> 0:45:51.480
<v Speaker 1>a specific way. Absolutely, And I think they admired the

0:45:51.600 --> 0:45:55.360
<v Speaker 1>dress of of a lot of the the native tribes

0:45:55.360 --> 0:46:01.160
<v Speaker 1>who also had wonderful uh clothing that they that they wore,

0:46:01.200 --> 0:46:04.719
<v Speaker 1>and they copied that. And um, I think there was

0:46:04.800 --> 0:46:07.480
<v Speaker 1>a I think they were quite fashion conscious in their

0:46:07.560 --> 0:46:11.399
<v Speaker 1>in their own way. A thing that's troubled me, like,

0:46:11.480 --> 0:46:15.399
<v Speaker 1>if there's a for any historians out there, for any

0:46:15.440 --> 0:46:18.759
<v Speaker 1>PhD candidates out there, there is a thing that has

0:46:18.800 --> 0:46:23.520
<v Speaker 1>not been adequately explained about the mountain men. And I'll

0:46:23.560 --> 0:46:24.719
<v Speaker 1>put it to you to see if you have any

0:46:24.719 --> 0:46:26.840
<v Speaker 1>insights on it. Do you have any exposure to trapping?

0:46:26.960 --> 0:46:28.839
<v Speaker 1>Do you have you done at trap? I have not

0:46:29.480 --> 0:46:33.359
<v Speaker 1>trapped myself, I know, so I won't overstate my expertise. Here.

0:46:33.600 --> 0:46:41.520
<v Speaker 1>A beaver in a foothold trap is very, very difficult

0:46:41.840 --> 0:46:49.440
<v Speaker 1>to hang onto. UM we use today. The it's it's

0:46:49.480 --> 0:46:55.839
<v Speaker 1>astounding how little the technology has switched between what they

0:46:55.840 --> 0:46:59.200
<v Speaker 1>were using, which is a double long spring trap. Granted

0:46:59.200 --> 0:47:03.480
<v Speaker 1>these are handful words, UM and and we still use

0:47:03.560 --> 0:47:06.279
<v Speaker 1>double long spring traps today. Like you catch beavers, you can.

0:47:07.160 --> 0:47:09.600
<v Speaker 1>We've kind of gradually switched to something called coil spring,

0:47:10.560 --> 0:47:13.520
<v Speaker 1>but I own some have caught beaver in them, and

0:47:13.560 --> 0:47:17.440
<v Speaker 1>they are like dead ringers for what they're us in

0:47:17.440 --> 0:47:23.839
<v Speaker 1>those days. However, UM we use now a one way

0:47:24.520 --> 0:47:27.360
<v Speaker 1>slide and you put it on a wire or a chain,

0:47:28.120 --> 0:47:29.960
<v Speaker 1>and it's like when the beaver gets caught in the trap,

0:47:30.480 --> 0:47:33.839
<v Speaker 1>he instinctively dives for deep water and there's a one

0:47:33.880 --> 0:47:36.879
<v Speaker 1>way slide wire and he can take the trap down

0:47:36.880 --> 0:47:39.360
<v Speaker 1>in the deep water and it's the slide wire is

0:47:39.400 --> 0:47:41.480
<v Speaker 1>anchored on both ends. It's anchored on the bank and

0:47:41.480 --> 0:47:43.560
<v Speaker 1>it's anchored out in three or four ft of water.

0:47:44.520 --> 0:47:47.239
<v Speaker 1>He can't come back up. The trap won't come back up,

0:47:47.440 --> 0:47:52.120
<v Speaker 1>and that's how you drown them. Anytime that beaver jack's

0:47:52.200 --> 0:47:59.239
<v Speaker 1>that lower stake out or dicks around too much on

0:47:59.320 --> 0:48:02.480
<v Speaker 1>the bank and twist that drowner wire up so that

0:48:02.719 --> 0:48:07.879
<v Speaker 1>the slide can't slide, or any time he anyway incapacitates

0:48:08.680 --> 0:48:12.680
<v Speaker 1>that slide wire, it's like it's probably a gone beaver.

0:48:13.800 --> 0:48:16.960
<v Speaker 1>You're gonna have a toenail. He's gonna be he just

0:48:17.000 --> 0:48:19.759
<v Speaker 1>has gone. You can't hang onto him. And when you

0:48:19.760 --> 0:48:22.680
<v Speaker 1>read historical accounts of how they made their sets, I

0:48:22.680 --> 0:48:29.040
<v Speaker 1>don't think anyone yet understands how they anchored off their

0:48:29.080 --> 0:48:32.960
<v Speaker 1>sets because any explanation I've read, I'm like, no, you

0:48:33.000 --> 0:48:35.280
<v Speaker 1>wouldn't have the success rate. Because these guys are running

0:48:35.280 --> 0:48:37.600
<v Speaker 1>like six sets at a time. Allot of them carried

0:48:37.640 --> 0:48:39.600
<v Speaker 1>six traps, you see it all the time, and they're

0:48:39.600 --> 0:48:42.279
<v Speaker 1>pulling like four or five beaver a day. No one

0:48:42.320 --> 0:48:44.680
<v Speaker 1>knows how they rigged their ship, and that would be

0:48:44.760 --> 0:48:47.560
<v Speaker 1>a great avenue of exploration for someone to find out,

0:48:47.640 --> 0:48:50.960
<v Speaker 1>like how they actually rigged their ship, and then some

0:48:51.120 --> 0:48:54.359
<v Speaker 1>historian would go out and catch and have a four

0:48:54.480 --> 0:48:57.760
<v Speaker 1>or five out of six trap success ratio using that equipment.

0:48:57.800 --> 0:48:59.680
<v Speaker 1>I don't think you could do it. People make a

0:48:59.680 --> 0:49:02.319
<v Speaker 1>big lot of nap in a arrowhead nowadays and like

0:49:02.400 --> 0:49:04.879
<v Speaker 1>killing deer with it. That doesn't impress me at all.

0:49:05.360 --> 0:49:07.680
<v Speaker 1>It would impress me to set six traps with those

0:49:07.719 --> 0:49:10.440
<v Speaker 1>slide wires and catch five beavers. I don't know the

0:49:10.480 --> 0:49:13.200
<v Speaker 1>answer to that. I guess I knew that the way

0:49:13.239 --> 0:49:17.279
<v Speaker 1>that the beaver divers by drowning, but I don't know

0:49:17.360 --> 0:49:21.640
<v Speaker 1>how they I don't remember reading how they how they

0:49:21.719 --> 0:49:25.440
<v Speaker 1>rigged it. The people that saw it happen, I didn't

0:49:25.840 --> 0:49:29.879
<v Speaker 1>think too describe it. I have no They obviously had

0:49:29.880 --> 0:49:31.880
<v Speaker 1>to figure out yeah, they just did it right, and

0:49:31.920 --> 0:49:35.040
<v Speaker 1>they would have been undoubtedly that have been very particular

0:49:35.080 --> 0:49:39.520
<v Speaker 1>about water depth and all kinds of other considerations. But

0:49:39.560 --> 0:49:42.080
<v Speaker 1>instead you just imagine, now it's like these people catching

0:49:42.120 --> 0:49:47.000
<v Speaker 1>all these beavers and you overlook like what it actually involved, yea,

0:49:47.320 --> 0:49:50.160
<v Speaker 1>and to do it while not getting killed. Well, I

0:49:50.200 --> 0:49:53.560
<v Speaker 1>think about that every time I'm fishing, because they you know,

0:49:54.160 --> 0:49:57.880
<v Speaker 1>I'm walking up the same cricks that they were setting

0:49:58.880 --> 0:50:04.560
<v Speaker 1>beaver traps on and you know, they're thickly vegetated and

0:50:05.200 --> 0:50:08.040
<v Speaker 1>I'm not worried about somebody hiding in the trees who

0:50:08.120 --> 0:50:12.160
<v Speaker 1>wants to kill me, and uh, and they were and

0:50:12.320 --> 0:50:16.719
<v Speaker 1>you almost can't see how any of those guys survived. Uh,

0:50:17.320 --> 0:50:20.480
<v Speaker 1>and my god, that they not survived though, I mean,

0:50:20.480 --> 0:50:23.719
<v Speaker 1>they died like flies. Well it's one of the reasons why.

0:50:23.760 --> 0:50:27.359
<v Speaker 1>The fact that that Jim Bridger and James Beckworth are

0:50:27.560 --> 0:50:33.000
<v Speaker 1>sixties sixty something guys in you know, in the eighteen sixties,

0:50:33.040 --> 0:50:38.239
<v Speaker 1>and the fact that they've lived through decades of a

0:50:38.280 --> 0:50:42.279
<v Speaker 1>pretty vigorous lifestyle is it's stunning. And they did it

0:50:42.320 --> 0:50:48.239
<v Speaker 1>with like Bridger, didn't he have the whitman who was

0:50:48.320 --> 0:50:50.919
<v Speaker 1>later in the women massacre. Didn't he carve a broad

0:50:51.000 --> 0:50:53.560
<v Speaker 1>head out of bridge or shoulder blade? Yea at the

0:50:54.760 --> 0:50:58.239
<v Speaker 1>tearing around for years in the bone of his shoulders

0:50:58.320 --> 0:51:01.719
<v Speaker 1>and there's a there's an etching of that happening. And

0:51:01.800 --> 0:51:07.640
<v Speaker 1>Bridger is is leaning across a tree stump. Why this

0:51:07.840 --> 0:51:10.520
<v Speaker 1>while this guy literally I think it's and I think

0:51:10.560 --> 0:51:12.839
<v Speaker 1>the arrowhead had been in there for two or three

0:51:12.920 --> 0:51:17.480
<v Speaker 1>years and and you know, I guess he got super

0:51:17.560 --> 0:51:20.000
<v Speaker 1>drunk and and let the guy kind of hack on

0:51:20.080 --> 0:51:23.760
<v Speaker 1>him for a while, and he yanks out that arrowhead

0:51:23.920 --> 0:51:26.000
<v Speaker 1>and it was like a doctor doing people point out,

0:51:26.040 --> 0:51:28.239
<v Speaker 1>being like the first sort of like the first sort

0:51:28.239 --> 0:51:32.399
<v Speaker 1>of western style official surgery west of some latitude line.

0:51:32.480 --> 0:51:36.160
<v Speaker 1>You can you can imagine the reality TV event that

0:51:36.160 --> 0:51:39.279
<v Speaker 1>that was at the rendezvous, the number of people that

0:51:39.360 --> 0:51:42.480
<v Speaker 1>stood around to kind of watch that. Um, can he

0:51:42.560 --> 0:51:45.560
<v Speaker 1>walk us through the Huge Glass story? So the Huge

0:51:46.000 --> 0:51:48.239
<v Speaker 1>ask you a question. Absolutely, I want you to do it,

0:51:48.280 --> 0:51:50.279
<v Speaker 1>but I'm I'm too I'm too dying. And all the

0:51:50.280 --> 0:51:56.160
<v Speaker 1>answers something, um, do you buy like, I know, you

0:51:56.160 --> 0:51:59.120
<v Speaker 1>know how Huge Glass died? You know what? Walk us

0:51:59.120 --> 0:52:00.919
<v Speaker 1>through the Huge Glass? And then I want to ask

0:52:00.960 --> 0:52:02.919
<v Speaker 1>you if you think that the legend of his death

0:52:02.960 --> 0:52:04.279
<v Speaker 1>is true or not. But just walk us through the

0:52:04.320 --> 0:52:10.200
<v Speaker 1>Hugh Glass story, pirates and everything. Okay, So uh, first

0:52:10.239 --> 0:52:13.640
<v Speaker 1>of all, I'll tell a bit of an embarrassing side story,

0:52:14.040 --> 0:52:16.759
<v Speaker 1>which is that The Revenant is not the first book

0:52:16.800 --> 0:52:20.440
<v Speaker 1>that I started to write. Um. I started to write

0:52:20.480 --> 0:52:24.520
<v Speaker 1>another book which was going to be loosely based on

0:52:24.719 --> 0:52:29.360
<v Speaker 1>me and my experiences as like a young legislative aid

0:52:29.600 --> 0:52:32.839
<v Speaker 1>in Washington, D C. And I got about you, you you

0:52:32.880 --> 0:52:35.920
<v Speaker 1>wouldn't be on this show. Well, I'm getting I'm getting

0:52:35.960 --> 0:52:40.919
<v Speaker 1>to that. I got about I got about halfway through

0:52:40.960 --> 0:52:42.920
<v Speaker 1>that book and started sharing it with a couple of

0:52:42.920 --> 0:52:47.040
<v Speaker 1>friends who I could trust, who both told me that

0:52:47.200 --> 0:52:51.719
<v Speaker 1>it was it was boring, and that was hurtful. Those

0:52:51.719 --> 0:52:53.640
<v Speaker 1>are good friends. That it's it's they're good friends. But

0:52:53.680 --> 0:52:55.920
<v Speaker 1>it was hurtful because that was the fictionalized version of

0:52:55.920 --> 0:52:58.600
<v Speaker 1>my life that they were talking about. So uh so

0:52:58.719 --> 0:53:02.080
<v Speaker 1>right about the moment that I is abandoning a novel

0:53:02.160 --> 0:53:07.240
<v Speaker 1>based on a fictionalized version of my apparently extremely boring life,

0:53:07.719 --> 0:53:12.919
<v Speaker 1>I was. I was reading a book about the Mountain Man,

0:53:13.320 --> 0:53:16.800
<v Speaker 1>nonfiction book, and there were two paragraphs in it about

0:53:17.000 --> 0:53:21.120
<v Speaker 1>Hugh Glass. And these two paragraphs said, Uh, you know,

0:53:21.200 --> 0:53:26.520
<v Speaker 1>there's this guy. He's mauled by a grizzly bear, horribly wounded. Uh.

0:53:26.560 --> 0:53:30.120
<v Speaker 1>Two of his comrades are left to wait for him

0:53:30.120 --> 0:53:34.000
<v Speaker 1>to die and bury him, and instead of doing that,

0:53:34.360 --> 0:53:39.839
<v Speaker 1>they rob him and abandoned him. And first of all,

0:53:39.960 --> 0:53:44.200
<v Speaker 1>out of h anger, he crawls two hundred miles back

0:53:44.280 --> 0:53:48.640
<v Speaker 1>to the last vestige of civilization and survives and re

0:53:48.719 --> 0:53:51.920
<v Speaker 1>equips himself and then goes out to seek revenge, and

0:53:51.960 --> 0:53:54.759
<v Speaker 1>I'm like, Okay, that's a pretty good story. That's a

0:53:55.000 --> 0:53:56.759
<v Speaker 1>that's a lot more interesting than my life. I'm going

0:53:56.840 --> 0:53:59.719
<v Speaker 1>to write a book about that. So that's where I

0:53:59.760 --> 0:54:02.759
<v Speaker 1>got interested in the in the story and started doing

0:54:02.760 --> 0:54:05.720
<v Speaker 1>the research on on Hugh Glass to to write the book.

0:54:05.719 --> 0:54:10.040
<v Speaker 1>And and for me, even when it's fiction, the research

0:54:10.120 --> 0:54:11.879
<v Speaker 1>that you get to do is is half the fun,

0:54:11.960 --> 0:54:14.920
<v Speaker 1>because I gotta not only read all about the mountain men,

0:54:14.960 --> 0:54:17.440
<v Speaker 1>but I gotta read all about wilderness survival and I

0:54:17.480 --> 0:54:20.520
<v Speaker 1>gotta try and figure out, you know, what type of

0:54:20.840 --> 0:54:24.439
<v Speaker 1>uh of trap could a guy who can't use one

0:54:24.600 --> 0:54:29.120
<v Speaker 1>arm uh possibly uh build that allow him to get

0:54:29.160 --> 0:54:31.920
<v Speaker 1>food if he when he doesn't have a knife or

0:54:31.960 --> 0:54:34.359
<v Speaker 1>a rifle or even flint and steel, what what would

0:54:34.360 --> 0:54:36.680
<v Speaker 1>he do? And so I gotta just do all sorts

0:54:36.680 --> 0:54:40.560
<v Speaker 1>of these fun little uh forays into areas that were

0:54:40.719 --> 0:54:45.759
<v Speaker 1>interesting to do research on um. But that is the

0:54:45.840 --> 0:54:48.840
<v Speaker 1>kernel of the story of the part of Hugh glasses

0:54:48.880 --> 0:54:51.840
<v Speaker 1>life that he's most famous for, which is being attacked

0:54:51.840 --> 0:54:55.719
<v Speaker 1>by mall horribly mall by a grizzly abandoned and robbed

0:54:55.719 --> 0:54:58.640
<v Speaker 1>by his comrades, and then going out to seek revenge,

0:54:59.360 --> 0:55:05.240
<v Speaker 1>but before were that, uh, he had a remarkable life.

0:55:05.840 --> 0:55:10.080
<v Speaker 1>And who knows how much of this is legend and

0:55:10.080 --> 0:55:13.560
<v Speaker 1>and how much is is fact. But there's a there's

0:55:13.560 --> 0:55:18.719
<v Speaker 1>a really entertaining and quirky biography a few glass by

0:55:18.719 --> 0:55:22.520
<v Speaker 1>a guy named John Myers Myers. And it was written,

0:55:22.680 --> 0:55:25.520
<v Speaker 1>I think, also in the sixties. And it's it's uh,

0:55:25.719 --> 0:55:28.560
<v Speaker 1>it is uh. It feels a little bit like it

0:55:28.600 --> 0:55:32.319
<v Speaker 1>was written in the sixties, but according to his biographer,

0:55:32.680 --> 0:55:35.600
<v Speaker 1>he was originally a Can I ask what it means

0:55:35.640 --> 0:55:37.799
<v Speaker 1>to feel like it was written in the sixties. It's

0:55:38.280 --> 0:55:42.880
<v Speaker 1>it is not politically correct at all, um, And it

0:55:42.880 --> 0:55:46.239
<v Speaker 1>has a very one sided view of many aspects of

0:55:46.239 --> 0:55:50.240
<v Speaker 1>of of Western history. And he's just John Meyers Myers.

0:55:50.440 --> 0:55:53.319
<v Speaker 1>And I can't imagine he's still alive. You can tell

0:55:53.400 --> 0:55:57.080
<v Speaker 1>he's he's a got character and is a quirky dude.

0:55:57.560 --> 0:56:01.439
<v Speaker 1>And it's this is not like a written like a

0:56:01.440 --> 0:56:07.479
<v Speaker 1>a doctorate thesis. This is a this is freewheeling, which

0:56:07.480 --> 0:56:08.960
<v Speaker 1>makes it kind of fun to read, but also makes

0:56:09.000 --> 0:56:11.120
<v Speaker 1>you kind of wonder sometimes how much is true and

0:56:11.120 --> 0:56:13.120
<v Speaker 1>how much isn't. So I won't vouch for any of

0:56:13.120 --> 0:56:17.320
<v Speaker 1>this being true. The legend, according to his biographer of

0:56:17.320 --> 0:56:20.240
<v Speaker 1>of Hugh Glass is that he started off his life

0:56:20.280 --> 0:56:24.080
<v Speaker 1>as a sailor and that he was on a ship

0:56:24.680 --> 0:56:30.920
<v Speaker 1>that was captured by the pirate UH or or or

0:56:30.960 --> 0:56:34.400
<v Speaker 1>not pirate, depending on your version of history. Jean Lafitte

0:56:35.160 --> 0:56:42.080
<v Speaker 1>and uh and imprisoned UH on an island off the

0:56:42.120 --> 0:56:49.560
<v Speaker 1>shore of Texas and escaped from this pirate island to

0:56:49.719 --> 0:56:53.360
<v Speaker 1>the mainland of Texas. And this would have been in

0:56:53.400 --> 0:57:01.759
<v Speaker 1>the eighteen teens. And uh proceeds literally to walk from

0:57:01.800 --> 0:57:06.600
<v Speaker 1>the Gulf of Mexico to what is now uh well

0:57:06.680 --> 0:57:10.279
<v Speaker 1>to St. Louis, Missouri, uh and has all sorts of

0:57:10.320 --> 0:57:13.759
<v Speaker 1>adventures along the way. Yeah, well one could imagine. It

0:57:13.800 --> 0:57:17.160
<v Speaker 1>wasn't just a smooth it was not there there there

0:57:17.280 --> 0:57:22.240
<v Speaker 1>was no interstate UH. And so that's Hugh glasses life

0:57:22.600 --> 0:57:28.280
<v Speaker 1>before in eight three he signs on with the Rocky

0:57:28.280 --> 0:57:31.840
<v Speaker 1>Mountain for Company to go out and be part of

0:57:31.840 --> 0:57:36.160
<v Speaker 1>one of these first trapping parties that goes uh up

0:57:36.200 --> 0:57:39.400
<v Speaker 1>to Missouri. And when they set out to do this,

0:57:39.520 --> 0:57:43.440
<v Speaker 1>were they setting out to trap, were they setting out

0:57:43.480 --> 0:57:45.360
<v Speaker 1>to trade? Or they set out to do a combination

0:57:45.400 --> 0:57:50.280
<v Speaker 1>of the two. Probably a combination. UM most of the

0:57:50.360 --> 0:57:54.840
<v Speaker 1>earliest trappers both trapped on their own but also traded

0:57:55.280 --> 0:57:59.320
<v Speaker 1>with local tribes who would also bring in uh furs,

0:57:59.560 --> 0:58:02.480
<v Speaker 1>and then they would obviously send those send those down river,

0:58:02.960 --> 0:58:06.360
<v Speaker 1>and so probably both. Um, I want to jump to

0:58:06.360 --> 0:58:07.640
<v Speaker 1>the death part, and then we'll get back to what

0:58:07.680 --> 0:58:10.760
<v Speaker 1>happens in the middle of his life. Uh do you

0:58:10.920 --> 0:58:13.760
<v Speaker 1>buy that? I don't even know where it comes from.

0:58:14.040 --> 0:58:16.560
<v Speaker 1>Legend has and I learned where it comes from. Oh,

0:58:16.640 --> 0:58:19.040
<v Speaker 1>and it's not true. Well I think it was true,

0:58:19.080 --> 0:58:20.960
<v Speaker 1>and I'll tell you why. And this is where this

0:58:21.040 --> 0:58:22.640
<v Speaker 1>is all coming together. Do you want to tell the story?

0:58:22.680 --> 0:58:24.200
<v Speaker 1>Should I tell the story? Well, you tell a story,

0:58:24.200 --> 0:58:25.800
<v Speaker 1>and then I'll tell the story the version effort that

0:58:25.840 --> 0:58:32.400
<v Speaker 1>I know. Uh, they're on the Yellowstone and he's with

0:58:32.440 --> 0:58:36.160
<v Speaker 1>some other trappers and they get into a skirmish with

0:58:36.320 --> 0:58:39.160
<v Speaker 1>Indians and they wind up holding Do we know where

0:58:39.160 --> 0:58:42.160
<v Speaker 1>about the yell Stone? It was going to the mouth

0:58:42.160 --> 0:58:44.400
<v Speaker 1>of the Big Horn, wasn't there was a near the

0:58:44.400 --> 0:58:46.560
<v Speaker 1>confluence of the Big Horn in the Yellowstone. They get

0:58:46.640 --> 0:58:53.200
<v Speaker 1>into a skirmish was some uh erica, I think, And

0:58:53.720 --> 0:58:57.720
<v Speaker 1>they want to hold up in a coolie and they can't.

0:58:58.440 --> 0:59:02.760
<v Speaker 1>They got a little stronghold was not looking good for him,

0:59:02.880 --> 0:59:06.200
<v Speaker 1>and the Indians decided to set fire to the grass.

0:59:07.720 --> 0:59:10.920
<v Speaker 1>And they set fire to the grass and Huge Glass

0:59:10.960 --> 0:59:13.880
<v Speaker 1>and his compatriots there, No, that just not looking good.

0:59:14.720 --> 0:59:18.040
<v Speaker 1>And they touch a match or touch a spark to

0:59:18.160 --> 0:59:22.240
<v Speaker 1>a powder keg and kill themselves. I don't buy it.

0:59:23.000 --> 0:59:25.560
<v Speaker 1>Why not it's wrong that? Well, I'll tell I'll tell you.

0:59:26.040 --> 0:59:28.480
<v Speaker 1>I'll tell you the story that was wrong with that.

0:59:28.520 --> 0:59:30.400
<v Speaker 1>I'll tell you the story. First of all, what I

0:59:30.440 --> 0:59:34.240
<v Speaker 1>heard is it happened in December or January, and the

0:59:34.320 --> 0:59:37.920
<v Speaker 1>Yellowstone was frozen. So the grass fire bit seems a

0:59:37.960 --> 0:59:41.800
<v Speaker 1>little implausible. Um, that's a strike against it. But I

0:59:41.840 --> 0:59:43.440
<v Speaker 1>don't think it puts it to death. But hold on,

0:59:43.480 --> 0:59:45.200
<v Speaker 1>I got more details and I'll tell you where they

0:59:45.240 --> 0:59:49.720
<v Speaker 1>came from. Um. So, one of the fun little side

0:59:49.760 --> 0:59:53.680
<v Speaker 1>forays in doing research for this new book, Ridgeline, is

0:59:54.040 --> 0:59:59.120
<v Speaker 1>I read a biography about James Beckworth the African American

0:59:59.480 --> 1:00:07.080
<v Speaker 1>Mountain and uh Beckworth claims to have found the body

1:00:07.120 --> 1:00:11.040
<v Speaker 1>of Hugh Glass when he was killed. And the story

1:00:11.080 --> 1:00:15.920
<v Speaker 1>that Beckworth tells is this, there was a trading post

1:00:16.000 --> 1:00:21.160
<v Speaker 1>at the mouth of the of the Big Horn, and

1:00:21.160 --> 1:00:25.920
<v Speaker 1>the Yellowstone that's that's a historical fact. Forecast I think

1:00:26.040 --> 1:00:27.640
<v Speaker 1>was one of the I think that in that era,

1:00:27.840 --> 1:00:29.680
<v Speaker 1>and it bounced up and down like a couple miles

1:00:29.680 --> 1:00:33.000
<v Speaker 1>this direction, because there's a couple of different sites, so

1:00:33.080 --> 1:00:38.440
<v Speaker 1>there's a trading post there Forecast, and I think they

1:00:38.440 --> 1:00:43.160
<v Speaker 1>were primarily trading with the Crow, which were the I

1:00:43.200 --> 1:00:47.200
<v Speaker 1>believe in that era, the dominant tribe in that part

1:00:47.520 --> 1:00:54.520
<v Speaker 1>of the story exactly. And Uh, a group of crow

1:00:54.640 --> 1:01:00.400
<v Speaker 1>comes into Forecast and wants to trade um and there

1:01:00.440 --> 1:01:05.200
<v Speaker 1>are not enough goods at Forecast to trade as much

1:01:05.200 --> 1:01:09.040
<v Speaker 1>as the as the as the Indians want to and

1:01:09.120 --> 1:01:14.240
<v Speaker 1>so they dispatch two men from Forecast to a fort

1:01:14.320 --> 1:01:18.720
<v Speaker 1>that's thirty miles away that's affiliated to go get more

1:01:18.760 --> 1:01:22.400
<v Speaker 1>trading goods to bring Bratt back and trade with the crow.

1:01:23.480 --> 1:01:25.680
<v Speaker 1>And Hugh Glass is one of the two guys that

1:01:25.840 --> 1:01:28.600
<v Speaker 1>is dispatched to this other fort to go get more

1:01:28.640 --> 1:01:32.680
<v Speaker 1>trading goods. And the story that Beckworth tells is that

1:01:33.880 --> 1:01:40.200
<v Speaker 1>Glass was crossing the frozen uh Yellowstone River uh and

1:01:40.440 --> 1:01:44.080
<v Speaker 1>was caught out on the ice in the open by

1:01:44.120 --> 1:01:48.400
<v Speaker 1>a raiding party of Ricara, which was not expected in

1:01:48.480 --> 1:01:52.840
<v Speaker 1>that territory in that era. And the Ricara catch him

1:01:52.840 --> 1:01:56.440
<v Speaker 1>out on the glass and kill him. And Beckworth was

1:01:56.480 --> 1:01:59.040
<v Speaker 1>one of the men who went out and found his

1:01:59.720 --> 1:02:03.760
<v Speaker 1>meat ated body. M that's the story in that Beckworth

1:02:03.800 --> 1:02:11.360
<v Speaker 1>tells who was the politician after they discredited the story

1:02:11.400 --> 1:02:15.080
<v Speaker 1>of Paul Revere? Who is the politician? That said, Uh,

1:02:15.160 --> 1:02:21.240
<v Speaker 1>I love Paul Revere, whether he wrote or not, meaning

1:02:21.280 --> 1:02:24.760
<v Speaker 1>I'm sticking with the powder kick story. Well, look, I

1:02:24.880 --> 1:02:28.440
<v Speaker 1>love Hugh Glass. Whichever way he died, that's still that's

1:02:28.440 --> 1:02:30.240
<v Speaker 1>still a pretty epic life. And whether or not he

1:02:30.320 --> 1:02:34.240
<v Speaker 1>was a captive of the pirates or not, look he

1:02:34.400 --> 1:02:38.280
<v Speaker 1>uh he did. He did a lot of ship um

1:02:38.400 --> 1:02:42.600
<v Speaker 1>and so definitely one of those kind of epic uh.

1:02:42.840 --> 1:02:46.040
<v Speaker 1>Nineteenth century lives that I just think are so so

1:02:46.160 --> 1:02:53.000
<v Speaker 1>much fun to study about. How do you pronounce the

1:02:52.280 --> 1:03:01.480
<v Speaker 1>the spy intrigue novelist John law Lakara? I think somebody

1:03:01.520 --> 1:03:03.800
<v Speaker 1>will tell us something we're wrong at that. I thought

1:03:03.800 --> 1:03:06.160
<v Speaker 1>it was pronounced la car. It could be maybe it's

1:03:06.160 --> 1:03:09.560
<v Speaker 1>a car. He's got a great quote he said, watching

1:03:09.560 --> 1:03:12.920
<v Speaker 1>your book being made into a movie is like watching

1:03:12.920 --> 1:03:18.480
<v Speaker 1>an ox and turned into a bull. Young cube. Uh.

1:03:19.320 --> 1:03:22.200
<v Speaker 1>What was the experience like for you? Um? Well again,

1:03:22.280 --> 1:03:24.760
<v Speaker 1>I'm not gonna wine too much because but we're not

1:03:25.240 --> 1:03:27.000
<v Speaker 1>you know, I'm not. I'm not asked. I'm not inviting

1:03:27.040 --> 1:03:33.200
<v Speaker 1>you to one. I mean, it's like, listen, I probably

1:03:33.200 --> 1:03:35.160
<v Speaker 1>the greatest thing that ever happened in the whole wide world.

1:03:35.840 --> 1:03:38.800
<v Speaker 1>It was a blast. Who wouldn't want You'll notice that

1:03:38.920 --> 1:03:43.440
<v Speaker 1>John Craze books are all movies. They're all movies. And

1:03:43.480 --> 1:03:46.280
<v Speaker 1>I will tell you that before the movie was made.

1:03:46.600 --> 1:03:48.919
<v Speaker 1>I'm not aware of anybody who read The Revenant who

1:03:48.960 --> 1:03:53.640
<v Speaker 1>wasn't related to me or my friend, Like, I haven't

1:03:53.680 --> 1:03:55.960
<v Speaker 1>read your book that reminds of your great story. Man,

1:03:56.520 --> 1:03:57.840
<v Speaker 1>tell you the story real quick. I went to see

1:03:57.840 --> 1:04:02.960
<v Speaker 1>this this writer one time, and uh, I want to

1:04:02.960 --> 1:04:05.880
<v Speaker 1>see like a bookstory. Then he did, and he told

1:04:05.920 --> 1:04:07.000
<v Speaker 1>a story. I don't know if it's true or not.

1:04:07.040 --> 1:04:08.600
<v Speaker 1>It was a really fine story. He told a story

1:04:08.680 --> 1:04:12.400
<v Speaker 1>that he was one time in a used bookstore okay,

1:04:12.920 --> 1:04:17.080
<v Speaker 1>and sees his own book and he used bookstore and

1:04:17.280 --> 1:04:20.560
<v Speaker 1>opens it and it's the inscribed copy that he gave

1:04:20.600 --> 1:04:28.800
<v Speaker 1>to his mother. Oh man, that hurts. That hurts. I've

1:04:28.840 --> 1:04:32.160
<v Speaker 1>seen a couple of inscribed copies of mine for sale

1:04:32.160 --> 1:04:35.200
<v Speaker 1>on eBay, But my mom has never done that to me.

1:04:35.360 --> 1:04:38.920
<v Speaker 1>She's I hope she sold a private song. If you're listening,

1:04:38.960 --> 1:04:43.080
<v Speaker 1>don't tell me. I don't want to know. Um, but uh,

1:04:43.320 --> 1:04:47.360
<v Speaker 1>but look, it was a blast to have a movie

1:04:47.440 --> 1:04:51.480
<v Speaker 1>made out of my book, and it gave the book

1:04:52.800 --> 1:04:56.560
<v Speaker 1>a huge life. The revenue means back from the dead,

1:04:57.200 --> 1:05:00.480
<v Speaker 1>and you know that's literally what the revenue means. Somehow

1:05:00.520 --> 1:05:02.640
<v Speaker 1>I didn't know that. Yeah, that's what it means, and

1:05:02.920 --> 1:05:05.400
<v Speaker 1>it does it. I feel I feel so like lazy

1:05:05.440 --> 1:05:07.560
<v Speaker 1>now to have not found that out, because I always wondered,

1:05:07.600 --> 1:05:10.560
<v Speaker 1>like why, Well, it comes from French. From it it's

1:05:10.560 --> 1:05:12.920
<v Speaker 1>a it's an English word revenant, but it comes from

1:05:12.920 --> 1:05:15.840
<v Speaker 1>a French word revenue to return to come back really,

1:05:15.920 --> 1:05:18.320
<v Speaker 1>and so it means literally one who returns from the dead.

1:05:19.400 --> 1:05:24.080
<v Speaker 1>Halfway good at my job. That'll been my first question. Um. So, look,

1:05:24.280 --> 1:05:27.560
<v Speaker 1>I feel like the movie brought the book back from

1:05:27.600 --> 1:05:30.360
<v Speaker 1>the dead. And uh, you know, a lot of people

1:05:30.400 --> 1:05:32.560
<v Speaker 1>read the book who otherwise wouldn't have. And it's given

1:05:32.600 --> 1:05:34.880
<v Speaker 1>me an opportunity to write more books and I'm excited

1:05:34.920 --> 1:05:41.160
<v Speaker 1>about that. Are you're disappointed how the book publishing experience went? Uh? Initially?

1:05:41.160 --> 1:05:43.640
<v Speaker 1>You mean when it when it only sold to my

1:05:43.680 --> 1:05:50.200
<v Speaker 1>mom and her friends. Sorry to crawl back, Um, it's

1:05:50.240 --> 1:05:52.760
<v Speaker 1>your book. Did your booked had done well? My first Well,

1:05:53.040 --> 1:05:55.240
<v Speaker 1>they've done well over time. My first book didn't do

1:05:55.240 --> 1:05:57.840
<v Speaker 1>well out of the gate. Well, dude, it was horrible.

1:05:58.400 --> 1:06:00.000
<v Speaker 1>It's horrible. I didn't think they're gonna let me writ

1:06:00.040 --> 1:06:03.480
<v Speaker 1>new more books. Well, I I I'm having a lot

1:06:03.520 --> 1:06:07.840
<v Speaker 1>more opportunities to write books after the Revenant. It's it's easier,

1:06:08.200 --> 1:06:13.320
<v Speaker 1>easier now than it was before. But um, the overall experience,

1:06:13.560 --> 1:06:18.080
<v Speaker 1>I was overseas working for the U. S. Government when uh,

1:06:18.160 --> 1:06:24.280
<v Speaker 1>when the movie was was being shot, and so I was, um,

1:06:24.360 --> 1:06:27.880
<v Speaker 1>how soon after publication? Right? Well, like when did someone

1:06:27.960 --> 1:06:30.720
<v Speaker 1>come and say, like when they bought the film rights?

1:06:30.760 --> 1:06:32.040
<v Speaker 1>Was one of those deals that they give you like

1:06:32.040 --> 1:06:34.080
<v Speaker 1>a dollar a year until it goes into production. It

1:06:34.200 --> 1:06:36.400
<v Speaker 1>was like a real sale. It was a real sale.

1:06:37.080 --> 1:06:41.120
<v Speaker 1>It I still needed to work vigorously, but it was

1:06:41.240 --> 1:06:42.880
<v Speaker 1>you know, it was. It was more than a dollar

1:06:42.920 --> 1:06:44.960
<v Speaker 1>a year for the option. But to tell you how

1:06:45.000 --> 1:06:49.000
<v Speaker 1>long it took, we optioned it actually before we sold

1:06:49.040 --> 1:06:52.600
<v Speaker 1>the book. We sold, we sold, we optioned the film

1:06:52.680 --> 1:06:57.160
<v Speaker 1>rights before we sold the book itself. Um, but the

1:06:57.280 --> 1:06:59.880
<v Speaker 1>first time when I somebody told me it was going

1:07:00.000 --> 1:07:03.280
<v Speaker 1>to be a movie. Uh, and I got super excited

1:07:03.280 --> 1:07:06.120
<v Speaker 1>about this. Uh. They told me that it was gonna

1:07:06.840 --> 1:07:11.160
<v Speaker 1>be directed by Michael Man and and star Daniel day

1:07:11.240 --> 1:07:17.080
<v Speaker 1>Lewis as Hugh Glass and uh and yeah and over

1:07:17.120 --> 1:07:21.960
<v Speaker 1>the course of the next uh twelve years really, oh

1:07:22.000 --> 1:07:24.440
<v Speaker 1>my god. Yeah. It was first option in two thousand

1:07:24.520 --> 1:07:27.000
<v Speaker 1>and one and it became a movie in two thousand

1:07:27.000 --> 1:07:31.440
<v Speaker 1>and I'll never say die Man so Revenant Back from

1:07:31.440 --> 1:07:34.920
<v Speaker 1>the Dead. So that's the funny thing is like, I know,

1:07:35.720 --> 1:07:38.880
<v Speaker 1>you know some of the writers who haven't been through

1:07:38.920 --> 1:07:44.520
<v Speaker 1>this many times and they option something yeah, and then

1:07:44.560 --> 1:07:47.960
<v Speaker 1>they call up like they're gonna yea And I was like, no,

1:07:48.480 --> 1:07:50.920
<v Speaker 1>well you got probably not what they told me at

1:07:50.960 --> 1:07:53.320
<v Speaker 1>the beginning. And this just set my expectations is that

1:07:53.520 --> 1:07:57.000
<v Speaker 1>about one out of three things that gets optioned turned

1:07:57.040 --> 1:08:00.840
<v Speaker 1>into a movie. So my expectations were that the odds

1:08:00.880 --> 1:08:03.560
<v Speaker 1>were against me. Um. But I just call people telling

1:08:03.600 --> 1:08:05.600
<v Speaker 1>everybody like, it's gonna be a big, huge body. I

1:08:05.640 --> 1:08:07.600
<v Speaker 1>didn't tell him it's going to be. I was a

1:08:07.640 --> 1:08:10.080
<v Speaker 1>little more circumspect than that, and it turned out to

1:08:10.080 --> 1:08:12.440
<v Speaker 1>be a good thing. For a long time. And then

1:08:12.480 --> 1:08:15.200
<v Speaker 1>even when it you know, when I heard that, uh

1:08:15.240 --> 1:08:17.599
<v Speaker 1>you know, DiCaprio is going to star in it, and

1:08:18.360 --> 1:08:21.240
<v Speaker 1>uh interview two was kind of directed, I still kind

1:08:21.280 --> 1:08:23.840
<v Speaker 1>of had some scar tissue there that I didn't quite

1:08:23.840 --> 1:08:27.639
<v Speaker 1>believe it. But uh yeah, well more I guess, uh,

1:08:28.040 --> 1:08:32.720
<v Speaker 1>fourteen it became a movie, and two thousand and one

1:08:32.760 --> 1:08:35.680
<v Speaker 1>when it was first option, so I'd gone on with

1:08:35.720 --> 1:08:38.519
<v Speaker 1>my life. Believe me, I was. I wouldn't hold of

1:08:38.560 --> 1:08:43.920
<v Speaker 1>my breath. Um. But but look when they that My

1:08:44.040 --> 1:08:47.000
<v Speaker 1>big thing when I write books is I I love

1:08:47.120 --> 1:08:49.880
<v Speaker 1>history and I want my books to be as historically

1:08:49.880 --> 1:08:53.479
<v Speaker 1>accurate as possible. And to me, that's part of the

1:08:54.040 --> 1:08:57.120
<v Speaker 1>even when you're writing fiction, you ought to really care

1:08:57.120 --> 1:09:00.000
<v Speaker 1>about historical accuracy because I don't want to mislead people

1:09:00.000 --> 1:09:02.120
<v Speaker 1>all and and frankly, history is so great that you

1:09:02.120 --> 1:09:04.160
<v Speaker 1>don't have to make up tons of shipped for it

1:09:04.200 --> 1:09:07.800
<v Speaker 1>to be an amazing story. Um. That said, you know,

1:09:07.880 --> 1:09:11.040
<v Speaker 1>the part of the Revenant my book that people don't

1:09:11.080 --> 1:09:15.920
<v Speaker 1>like is uh the ending, and the ending of my

1:09:16.000 --> 1:09:19.320
<v Speaker 1>book without giving it away, is true to history. It

1:09:19.439 --> 1:09:26.519
<v Speaker 1>is not a Hollywood ending. Uh it is it is Uh,

1:09:26.600 --> 1:09:28.880
<v Speaker 1>it is not the good guy rolling around on the

1:09:28.880 --> 1:09:32.320
<v Speaker 1>ground with the bad guy. And the movie I think

1:09:32.680 --> 1:09:35.960
<v Speaker 1>was never gonna get made without Hollywood ending of the

1:09:35.960 --> 1:09:39.040
<v Speaker 1>good guy rolling around on the ground with a bad guy.

1:09:39.240 --> 1:09:42.160
<v Speaker 1>And uh, and so where does that pressure come from,

1:09:42.200 --> 1:09:45.960
<v Speaker 1>do you think? I think that one difference between book

1:09:46.000 --> 1:09:47.920
<v Speaker 1>world and movie world is just the amount of money

1:09:47.960 --> 1:09:51.360
<v Speaker 1>that's involved. Um. You know, when somebody publishes a book,

1:09:51.760 --> 1:09:56.400
<v Speaker 1>they're not uh risking a whole lot of money. And

1:09:56.439 --> 1:10:00.559
<v Speaker 1>if the book fails, and most books do, um, you know,

1:10:00.600 --> 1:10:05.040
<v Speaker 1>the publishers not doesn't lose their their fortune. A big

1:10:05.080 --> 1:10:08.200
<v Speaker 1>movie and you know, The Revenant I think was a

1:10:08.320 --> 1:10:11.880
<v Speaker 1>hundred and fifty million dollars to shoot and another hundred

1:10:11.880 --> 1:10:16.479
<v Speaker 1>and fifty million dollars to to publicize, So three hundred

1:10:16.520 --> 1:10:21.920
<v Speaker 1>million dollars. They're not gonna risk too much about people,

1:10:22.320 --> 1:10:25.559
<v Speaker 1>not like in the ending. And there's a reason there's

1:10:25.600 --> 1:10:29.800
<v Speaker 1>something called the Hollywood ending. It's because audiences like that.

1:10:29.920 --> 1:10:33.880
<v Speaker 1>Audiences want the bad guy to get hacked up by

1:10:33.920 --> 1:10:38.000
<v Speaker 1>the good guy and uh, and so that's what happens

1:10:38.000 --> 1:10:40.120
<v Speaker 1>in the movie. And uh, and it worked because it

1:10:40.160 --> 1:10:44.680
<v Speaker 1>made a half billion dollars. And so surprising what you're

1:10:44.680 --> 1:10:47.120
<v Speaker 1>saying about that it's an interesting point about the money

1:10:47.120 --> 1:10:51.120
<v Speaker 1>because I used to kind of marvel at um. You know,

1:10:51.200 --> 1:10:57.880
<v Speaker 1>a publisher with a certain amount of power can just

1:10:58.200 --> 1:11:04.080
<v Speaker 1>on their own buy book, right if they've proven themselves

1:11:04.120 --> 1:11:07.320
<v Speaker 1>like one individual with only getting like they can just

1:11:07.360 --> 1:11:11.200
<v Speaker 1>get a rubber stamp from who'seever above them and they

1:11:11.200 --> 1:11:13.639
<v Speaker 1>could buy a book. And you can send some writer

1:11:13.760 --> 1:11:19.920
<v Speaker 1>off into exile, you know, for a year, and they

1:11:19.960 --> 1:11:22.280
<v Speaker 1>come back and here's this thing. It's like it's it's

1:11:22.280 --> 1:11:25.479
<v Speaker 1>been impacted by like there's a couple of people, right,

1:11:25.720 --> 1:11:28.480
<v Speaker 1>but also it becomes this thing that's a globally available

1:11:29.520 --> 1:11:32.640
<v Speaker 1>um and it's not a lot to like went into it,

1:11:33.600 --> 1:11:35.560
<v Speaker 1>but here does. But that's a great point with like

1:11:35.560 --> 1:11:39.160
<v Speaker 1>a movie. It's like man, like, uh, many many careers

1:11:39.640 --> 1:11:42.240
<v Speaker 1>around the line, huge amounts of money is on the line.

1:11:42.240 --> 1:11:43.960
<v Speaker 1>It's not like this like it just used to start,

1:11:44.080 --> 1:11:45.720
<v Speaker 1>Like how could it be like that easy to make

1:11:45.760 --> 1:11:50.600
<v Speaker 1>a book? You know that the financial models are dramatically

1:11:50.680 --> 1:11:53.920
<v Speaker 1>different between between book and film, and there's just uh.

1:11:55.240 --> 1:11:58.559
<v Speaker 1>The other example I always think is funny is a

1:11:58.560 --> 1:12:02.479
<v Speaker 1>a book contract is about six pages long and basically

1:12:02.560 --> 1:12:04.559
<v Speaker 1>the whole thing says they can't change a word without

1:12:04.600 --> 1:12:09.880
<v Speaker 1>your permission. A a movie contract is about sixty pages long,

1:12:10.200 --> 1:12:12.320
<v Speaker 1>and basically the whole thing says they can change anything

1:12:12.360 --> 1:12:16.599
<v Speaker 1>they want without your permission. And and so you go

1:12:16.640 --> 1:12:19.760
<v Speaker 1>into the exercise knowing that that your story is going

1:12:19.800 --> 1:12:21.840
<v Speaker 1>to get changed and it's going to be a collaborative,

1:12:22.600 --> 1:12:25.280
<v Speaker 1>uh enterprise. And if if you're not comfortable with that,

1:12:25.520 --> 1:12:28.400
<v Speaker 1>you shouldn't sign the contract. It's just it's a it's

1:12:28.400 --> 1:12:33.120
<v Speaker 1>a different exercise. I mean there's writers involved, and directors

1:12:33.160 --> 1:12:37.240
<v Speaker 1>and actors who interpret and committees who you know, look

1:12:37.240 --> 1:12:40.400
<v Speaker 1>at all that stuff. Um, and so it's just it's

1:12:40.439 --> 1:12:45.160
<v Speaker 1>just a very different process. And and look, uh, the

1:12:46.840 --> 1:12:50.280
<v Speaker 1>from a very selfish standpoint, I love The Revenant because

1:12:50.280 --> 1:12:52.880
<v Speaker 1>it brought the book back to life. But there's there's

1:12:52.880 --> 1:12:54.960
<v Speaker 1>a lot of things I love about that movie. I

1:12:55.000 --> 1:12:59.840
<v Speaker 1>think it uh uh. I think it does h a

1:13:00.000 --> 1:13:04.479
<v Speaker 1>a great job of kind of transporting people to kind

1:13:04.479 --> 1:13:07.040
<v Speaker 1>of a different place and time and giving people a

1:13:07.080 --> 1:13:11.439
<v Speaker 1>sense of just how hard life was in that era

1:13:12.360 --> 1:13:15.960
<v Speaker 1>and the you know, the courage that the people who

1:13:16.000 --> 1:13:18.280
<v Speaker 1>went out there in that in that time frame and

1:13:18.400 --> 1:13:21.960
<v Speaker 1>we're willing to take that risk. Um. I think it's

1:13:21.960 --> 1:13:25.679
<v Speaker 1>well acted. I think it's beautifully shot. I'm a little

1:13:25.720 --> 1:13:28.280
<v Speaker 1>irked that, you know, part of it takes place in

1:13:28.280 --> 1:13:31.960
<v Speaker 1>a rainforest. I've been to South Dakota. It's a beautiful state.

1:13:33.000 --> 1:13:36.080
<v Speaker 1>I didn't see any rainforest when I was there. Uh,

1:13:36.120 --> 1:13:39.320
<v Speaker 1>and so that part of it bothered me. We've had

1:13:39.320 --> 1:13:43.800
<v Speaker 1>a couple of laughs, Like, you know, we've joked about, uh,

1:13:44.479 --> 1:13:49.240
<v Speaker 1>you know, my dissatisfaction with it, and this is like,

1:13:49.439 --> 1:13:52.320
<v Speaker 1>you know, to be perfect fright, Like this has absolutely

1:13:52.360 --> 1:13:55.439
<v Speaker 1>nothing to do with you. Like it. It's a phenomenal book.

1:13:56.479 --> 1:14:01.479
<v Speaker 1>I had known that story and loved that story my

1:14:01.720 --> 1:14:08.559
<v Speaker 1>entire life, and I um, in hanging around the West,

1:14:09.240 --> 1:14:11.880
<v Speaker 1>I had developed that story to be that in my

1:14:12.000 --> 1:14:17.800
<v Speaker 1>head it like occurred in the like arid grasslands, the

1:14:17.920 --> 1:14:24.240
<v Speaker 1>willow lined streams, the sage brush. It did, and it

1:14:24.280 --> 1:14:30.840
<v Speaker 1>would be as though someone told your own story and

1:14:30.880 --> 1:14:34.120
<v Speaker 1>then your own story of growing up, but then put

1:14:34.160 --> 1:14:39.040
<v Speaker 1>it in a different house. And so that really, um

1:14:39.479 --> 1:14:44.760
<v Speaker 1>was a situation where I looked and I couldn't even

1:14:44.800 --> 1:14:47.800
<v Speaker 1>pay attention to the movie. I was so like, like

1:14:48.040 --> 1:14:53.800
<v Speaker 1>just a gas right, because um, that's the most I think,

1:14:53.840 --> 1:14:57.880
<v Speaker 1>that's like the most beautiful landscape on the planet. Right,

1:14:58.080 --> 1:15:01.560
<v Speaker 1>It's it's just like the it's just ripe enrich. And

1:15:01.920 --> 1:15:05.480
<v Speaker 1>to have to imagine someone coming and saying, to imagine

1:15:06.120 --> 1:15:11.479
<v Speaker 1>a director a group of producers looking at that the

1:15:11.560 --> 1:15:15.080
<v Speaker 1>arid grasslands like the Great Plains, looking and being like,

1:15:15.560 --> 1:15:21.160
<v Speaker 1>oh uh no, not like that. I thought it would

1:15:21.160 --> 1:15:25.080
<v Speaker 1>be more like right. It's like it's almost like, um,

1:15:26.439 --> 1:15:32.439
<v Speaker 1>it feels to me like uh them uh disapproving of

1:15:32.680 --> 1:15:36.000
<v Speaker 1>my like inner self. That's where my great that that's

1:15:36.000 --> 1:15:37.920
<v Speaker 1>my only great. But it's like we've gotten a little

1:15:37.960 --> 1:15:39.880
<v Speaker 1>bit of mileage out of complaining about it. Was just

1:15:40.040 --> 1:15:47.480
<v Speaker 1>that it was like it was like a condemnation of uh,

1:15:47.479 --> 1:15:50.040
<v Speaker 1>a landscape that is very dear to me. We were

1:15:50.360 --> 1:15:54.840
<v Speaker 1>talking earlier. I grew up on the high Plains. I

1:15:54.880 --> 1:15:59.879
<v Speaker 1>grew up in eastern Wyoming, and uh, you know, eastern Wyoming,

1:16:00.080 --> 1:16:04.320
<v Speaker 1>like eastern Montana, like a big chunk of of South

1:16:04.360 --> 1:16:08.880
<v Speaker 1>Dakota is high plains. And I I love it. I

1:16:08.920 --> 1:16:14.160
<v Speaker 1>think it's epically beautiful. Um, it doesn't look like what

1:16:15.120 --> 1:16:17.920
<v Speaker 1>people who don't live out here have in their mind's

1:16:17.920 --> 1:16:20.120
<v Speaker 1>eye a lot of times when they think about Wyoming

1:16:20.240 --> 1:16:24.280
<v Speaker 1>or Montana, when they when people on the coast think

1:16:24.320 --> 1:16:27.720
<v Speaker 1>about Wyoming and Montana. They think about, uh, you know,

1:16:27.920 --> 1:16:30.640
<v Speaker 1>the t tons and Glacier National Park and kind of

1:16:30.720 --> 1:16:35.200
<v Speaker 1>the the epic mountain vistas. And don't get me wrong,

1:16:35.240 --> 1:16:37.679
<v Speaker 1>I love the mountains too. Those are easy to Uh.

1:16:37.760 --> 1:16:42.520
<v Speaker 1>I think anybody can appreciate that, the high plains. Uh,

1:16:42.880 --> 1:16:45.920
<v Speaker 1>they may. I wonder if they don't require most people

1:16:46.040 --> 1:16:47.960
<v Speaker 1>to kind of grow up in that environment to be

1:16:48.000 --> 1:16:49.680
<v Speaker 1>able to appreciate it the way that I think you

1:16:49.720 --> 1:16:52.479
<v Speaker 1>and I do. Yeah, maybe it takes a little bit

1:16:52.479 --> 1:16:55.200
<v Speaker 1>of a trained a little bit more of an acquired taste. Uh.

1:16:55.360 --> 1:16:57.080
<v Speaker 1>I think you you kind of grow up in that

1:16:57.320 --> 1:17:01.280
<v Speaker 1>and and you uh you know. Just to to give

1:17:01.320 --> 1:17:05.839
<v Speaker 1>my irk about my least favorite description of the planes

1:17:06.560 --> 1:17:10.040
<v Speaker 1>is oftentimes writers who don't understand the planes will describe

1:17:10.120 --> 1:17:14.519
<v Speaker 1>the featureless planes. And it drives me crazy because when

1:17:14.520 --> 1:17:18.559
<v Speaker 1>you walk across the plains, there is so much feature.

1:17:19.320 --> 1:17:22.599
<v Speaker 1>Uh it's just that it's a lot more subtle than

1:17:22.960 --> 1:17:28.559
<v Speaker 1>you know, a mountain jutting up uh to a snow

1:17:28.560 --> 1:17:33.200
<v Speaker 1>capped peak. But uh, you know, asked the guys who

1:17:33.280 --> 1:17:37.919
<v Speaker 1>rode over the ridgeline uh in the Fetterman fight. Uh,

1:17:38.320 --> 1:17:41.320
<v Speaker 1>it was how featureless it was because there were there

1:17:41.320 --> 1:17:45.240
<v Speaker 1>were two thousand Indians hiding in that featureless plane, and

1:17:45.320 --> 1:17:48.080
<v Speaker 1>so asked them how featureless. It's only featureless if you

1:17:48.120 --> 1:17:51.280
<v Speaker 1>maybe haven't walked a few miles, and once you have,

1:17:52.080 --> 1:17:54.400
<v Speaker 1>you wouldn't say that anymore. I say, I pointed out

1:17:54.439 --> 1:17:58.160
<v Speaker 1>to people about hunting antelope will be like my antalope

1:17:58.200 --> 1:18:03.360
<v Speaker 1>hunting strategy. This is basically, you find some way off

1:18:04.200 --> 1:18:06.400
<v Speaker 1>and then the hunt plan is to hunt all the

1:18:06.439 --> 1:18:09.080
<v Speaker 1>ones that you will encounter on the way over to

1:18:09.120 --> 1:18:11.920
<v Speaker 1>the ones you see way off, Like there's so let's

1:18:11.920 --> 1:18:14.519
<v Speaker 1>just go in that direction. Undoubtedly we'll find many more.

1:18:15.120 --> 1:18:18.040
<v Speaker 1>And all the folds increases that curved between here and there,

1:18:18.120 --> 1:18:20.800
<v Speaker 1>you can see a long way on the plains. And

1:18:21.200 --> 1:18:24.880
<v Speaker 1>I love, uh, you know, where I grew up in

1:18:25.320 --> 1:18:29.840
<v Speaker 1>eastern Wyoming, there were you could see Laramie Peak and

1:18:29.920 --> 1:18:32.799
<v Speaker 1>that was uh you know, that was seventy miles away

1:18:32.840 --> 1:18:37.000
<v Speaker 1>from my hometown and you could see that, uh clear

1:18:37.040 --> 1:18:40.880
<v Speaker 1>as day. I love having a seventy mile horizon. That's

1:18:40.880 --> 1:18:44.679
<v Speaker 1>a cool thing. But there was a lot between between

1:18:44.680 --> 1:18:48.080
<v Speaker 1>where you are and the horizon, and it's it ain't

1:18:48.080 --> 1:18:50.800
<v Speaker 1>feature it ain't featureless. I want to get into the

1:18:50.840 --> 1:18:54.280
<v Speaker 1>reprint of Last Stand guys, A quick question before we

1:18:54.360 --> 1:18:57.720
<v Speaker 1>leave the movie? What did UH like daily or was

1:18:57.760 --> 1:19:01.000
<v Speaker 1>there daily? What did collaboration look like you and the

1:19:01.040 --> 1:19:03.960
<v Speaker 1>folks that made the movie? So I as I, as

1:19:03.960 --> 1:19:07.400
<v Speaker 1>I mentioned, I was living overseas at the time, you know,

1:19:07.479 --> 1:19:12.559
<v Speaker 1>working for the for the government, and and was uh

1:19:12.600 --> 1:19:15.639
<v Speaker 1>you know, eight time zones away from where they were filming.

1:19:16.080 --> 1:19:21.880
<v Speaker 1>So honestly, not a ton uh, But that's said the

1:19:22.720 --> 1:19:26.559
<v Speaker 1>one of my good friends, a guy named Keith Redman,

1:19:26.680 --> 1:19:31.559
<v Speaker 1>who's had a company called Anonymous Content, produced the movie

1:19:32.360 --> 1:19:36.840
<v Speaker 1>and he involved me in ways that he could. Also,

1:19:37.040 --> 1:19:40.240
<v Speaker 1>the screenwriter for the Revenue is a guy named Mark Smith,

1:19:40.240 --> 1:19:45.439
<v Speaker 1>another great guy who's very collaborative, and both Keith and

1:19:45.520 --> 1:19:50.360
<v Speaker 1>Mark were very generous in letting me know things that

1:19:50.400 --> 1:19:54.519
<v Speaker 1>were going on. Uh. Mark Smith shared drafts of the

1:19:54.560 --> 1:19:58.519
<v Speaker 1>script at a couple of different junctures with me. I

1:19:58.640 --> 1:20:03.479
<v Speaker 1>made my h historical points which were pretty uniformly ignored.

1:20:04.280 --> 1:20:05.680
<v Speaker 1>But I had my chance at least to see the

1:20:05.720 --> 1:20:09.840
<v Speaker 1>script and kind of see it evolve. Um, So I

1:20:10.000 --> 1:20:14.160
<v Speaker 1>was not uh involved in a detailed way. One of

1:20:14.160 --> 1:20:19.000
<v Speaker 1>the things I that irked me out of that process

1:20:19.000 --> 1:20:22.400
<v Speaker 1>of the Revenue is that I couldn't write the screenplay

1:20:22.439 --> 1:20:25.760
<v Speaker 1>because I've never written a screenplay, and when I moved

1:20:25.800 --> 1:20:28.080
<v Speaker 1>back to Montana, one of the things I learned how

1:20:28.120 --> 1:20:31.240
<v Speaker 1>to do was write screenplays because I kind of vowed

1:20:31.280 --> 1:20:34.240
<v Speaker 1>that I would never have one of my stories turned

1:20:34.240 --> 1:20:38.120
<v Speaker 1>into uh uh you know, a movie again without me

1:20:38.240 --> 1:20:43.280
<v Speaker 1>writing it. And so I'm I'm hoping if there is,

1:20:43.439 --> 1:20:45.920
<v Speaker 1>if there's interest in in this new one Ridge line

1:20:45.960 --> 1:20:59.000
<v Speaker 1>that that that I'll be the writer for that. Do

1:20:59.040 --> 1:21:02.360
<v Speaker 1>you think that it's a little bit dishonest? Um? Do

1:21:02.360 --> 1:21:10.120
<v Speaker 1>you think it's a moral problem with taking history, like

1:21:10.200 --> 1:21:12.800
<v Speaker 1>in the case of Huge Glass and like what Huge

1:21:12.760 --> 1:21:17.679
<v Speaker 1>Glass actually did, um, and making it be that something

1:21:17.680 --> 1:21:19.120
<v Speaker 1>different happened. Do you think it's a little bit of

1:21:19.240 --> 1:21:24.360
<v Speaker 1>moral Um? I guess it depends on how extreme the

1:21:24.439 --> 1:21:29.120
<v Speaker 1>retelling is and whether it uh distorts his story in

1:21:29.160 --> 1:21:33.720
<v Speaker 1>a way that that I mean, For example, Uh, I

1:21:34.120 --> 1:21:36.880
<v Speaker 1>think the way that the Native American story has been

1:21:36.920 --> 1:21:42.760
<v Speaker 1>told in traditional American westerns uh is uh there is

1:21:42.760 --> 1:21:48.040
<v Speaker 1>an immoral immorality in that because it doesn't tell very

1:21:48.120 --> 1:21:53.280
<v Speaker 1>much about about their perspective on things that were happening. UM.

1:21:53.400 --> 1:22:00.240
<v Speaker 1>I understand that that that people will also always seek

1:22:00.320 --> 1:22:04.200
<v Speaker 1>to tell stories that are uh interesting and compelling to

1:22:04.240 --> 1:22:08.439
<v Speaker 1>an audience and entertaining to an audience, and some of

1:22:08.479 --> 1:22:11.320
<v Speaker 1>that I think is is okay. One of the things

1:22:11.400 --> 1:22:14.320
<v Speaker 1>I did at the end of The Revenant, uh, and

1:22:14.439 --> 1:22:16.120
<v Speaker 1>that I do at the end of my of my

1:22:16.160 --> 1:22:21.920
<v Speaker 1>new book is I put I tell the reader where

1:22:22.040 --> 1:22:25.200
<v Speaker 1>I've veered from the truth, and if I made up

1:22:25.240 --> 1:22:27.400
<v Speaker 1>a character, I tell him I made this character up.

1:22:27.960 --> 1:22:32.560
<v Speaker 1>Because you even point out that that you even acknowledge

1:22:32.560 --> 1:22:34.360
<v Speaker 1>that there's some debate about whether or not it was

1:22:34.400 --> 1:22:39.000
<v Speaker 1>Bridger um. And I just think when I'm done reading

1:22:39.000 --> 1:22:41.479
<v Speaker 1>a book, I want to know what what was real

1:22:41.560 --> 1:22:44.519
<v Speaker 1>and what wasn't. And obviously people can can go to

1:22:44.560 --> 1:22:47.240
<v Speaker 1>their own research, and I also try and list books

1:22:47.240 --> 1:22:49.800
<v Speaker 1>that people can go read about nonfiction books to kind

1:22:49.800 --> 1:22:53.120
<v Speaker 1>of learn from themselves or whatever. But I I do

1:22:53.240 --> 1:22:56.719
<v Speaker 1>think that we live in an era where we've lost

1:22:57.160 --> 1:23:00.720
<v Speaker 1>the line between fact and fiction, and so I think

1:23:00.720 --> 1:23:06.360
<v Speaker 1>there's an additional responsibility on on writers, including writers of fiction,

1:23:06.960 --> 1:23:11.760
<v Speaker 1>to be honest about where they are veering off what

1:23:11.960 --> 1:23:15.080
<v Speaker 1>is historical fact. And it doesn't mean that every story

1:23:15.160 --> 1:23:18.360
<v Speaker 1>has to be a a historical treatise. I think there's

1:23:18.400 --> 1:23:24.599
<v Speaker 1>plenty of room for uh, fictional historical fiction. Uh, fictional

1:23:24.640 --> 1:23:27.920
<v Speaker 1>tellings of historical events. But I think we have an

1:23:27.920 --> 1:23:32.960
<v Speaker 1>extra responsibility to to be accurate and to help the

1:23:32.960 --> 1:23:37.360
<v Speaker 1>reader know what's true and what's not. It gives you, yeah,

1:23:37.439 --> 1:23:39.719
<v Speaker 1>because it helps you understand like what can and cannot

1:23:39.800 --> 1:23:44.960
<v Speaker 1>happen in the world. Yeah, and uh and I I

1:23:45.000 --> 1:23:51.559
<v Speaker 1>mean I've always been irked by stories that, especially films,

1:23:51.600 --> 1:23:56.679
<v Speaker 1>because the medium of film is so powerful and uh,

1:23:56.720 --> 1:24:02.200
<v Speaker 1>there's you know, there's whole generations of people who we'll

1:24:02.200 --> 1:24:05.800
<v Speaker 1>see a film and that will be the main ah

1:24:06.040 --> 1:24:08.480
<v Speaker 1>sort of entree point that they have to a particular

1:24:08.880 --> 1:24:17.000
<v Speaker 1>historical incident. And so you know, uh, stories with extreme

1:24:18.080 --> 1:24:22.920
<v Speaker 1>uh conspiracies about the assassination of jfk Uh to me

1:24:23.720 --> 1:24:27.320
<v Speaker 1>bother me because I think they they give a distorted

1:24:28.000 --> 1:24:34.160
<v Speaker 1>perception of history. For example. Uh, I want to touch

1:24:34.200 --> 1:24:36.800
<v Speaker 1>on the reprint of Last Stand, But first I have

1:24:36.840 --> 1:24:38.799
<v Speaker 1>a question for you, because you you know your mountain

1:24:38.800 --> 1:24:43.360
<v Speaker 1>Man stuff. Well, you mentioned Laramie Peak. What's your understanding

1:24:43.400 --> 1:24:48.120
<v Speaker 1>of deal the story of Laramie, of Jacques Laramie. Yeah,

1:24:48.439 --> 1:24:51.639
<v Speaker 1>like the sort of absence of a story of Laramie. Uh, Well,

1:24:51.680 --> 1:24:53.600
<v Speaker 1>you tell me, I'm not I know a little bit

1:24:53.640 --> 1:24:57.160
<v Speaker 1>about this, but I'm not sure exactly where you're going. Oh, yeah,

1:24:57.240 --> 1:24:59.960
<v Speaker 1>he's he's he's known for being killed by the Indians.

1:25:00.080 --> 1:25:03.240
<v Speaker 1>And then and then was there was not stuffed down

1:25:03.439 --> 1:25:06.040
<v Speaker 1>under the ice and the beaver pond. Yeah, and then

1:25:06.040 --> 1:25:07.920
<v Speaker 1>the guy went like bridge like, I mean, she's got

1:25:07.920 --> 1:25:10.320
<v Speaker 1>half the state named after him, this and other states.

1:25:10.920 --> 1:25:13.120
<v Speaker 1>That dude made off like a bandit, and no one

1:25:13.120 --> 1:25:16.000
<v Speaker 1>knows what the hell he was, just like shows up

1:25:16.040 --> 1:25:19.240
<v Speaker 1>and promptly gets killed. And then here's the thing. If

1:25:19.280 --> 1:25:21.880
<v Speaker 1>you're gonna get killed in that era, try and get

1:25:21.960 --> 1:25:24.400
<v Speaker 1>killed next to a river, because if it gets killed

1:25:24.439 --> 1:25:26.680
<v Speaker 1>next to the river, uh, there's a good chance that

1:25:26.720 --> 1:25:28.880
<v Speaker 1>the river is going to be named after you. And

1:25:28.920 --> 1:25:32.920
<v Speaker 1>then whatever forts and towns they put on the river

1:25:33.080 --> 1:25:34.720
<v Speaker 1>might also get named after you. And if there's a

1:25:34.720 --> 1:25:36.840
<v Speaker 1>mountain of bumps into the river, the mountain might get

1:25:36.920 --> 1:25:39.160
<v Speaker 1>named after you. And of course that's exactly what what

1:25:39.280 --> 1:25:44.240
<v Speaker 1>happened with Jacques laurent A. Uh in Lolo, Yeah, Lolo

1:25:44.360 --> 1:25:46.920
<v Speaker 1>got killed like this dude, Lulu, he spelled his name

1:25:46.960 --> 1:25:50.320
<v Speaker 1>spelled the hunter way, Lulu, Lolo whatever, gets killed by

1:25:50.320 --> 1:25:51.760
<v Speaker 1>a grizzly bear and people like, oh, you know the

1:25:51.800 --> 1:25:54.840
<v Speaker 1>creek worl Lolo got killed Scott's Bluff, and then Priests

1:25:55.040 --> 1:25:58.240
<v Speaker 1>was like Lolo the town Lolo, the Creek Lolo, the

1:25:58.240 --> 1:26:02.160
<v Speaker 1>Peak Lolo, the national for Meanwhile, the first thing about

1:26:02.200 --> 1:26:04.759
<v Speaker 1>this dude, well, I have in in the new book,

1:26:04.880 --> 1:26:09.360
<v Speaker 1>I have Bridger as an old man, uh, kind of

1:26:09.400 --> 1:26:12.320
<v Speaker 1>reflecting on the fact that there's a bunch of stuff

1:26:12.400 --> 1:26:17.160
<v Speaker 1>named after him now and and kind of oh yeah absolutely,

1:26:17.760 --> 1:26:22.679
<v Speaker 1>um yeah um, and uh being happy that he didn't

1:26:22.680 --> 1:26:24.920
<v Speaker 1>have to die. I have him standing on top of

1:26:24.920 --> 1:26:29.120
<v Speaker 1>Scott's Bluff, which was named after Scott, who was the

1:26:29.160 --> 1:26:32.200
<v Speaker 1>story he was, Uh, nobody does, nobody else does either.

1:26:32.439 --> 1:26:36.600
<v Speaker 1>Scott was killed by the Indians and died with his

1:26:36.680 --> 1:26:39.000
<v Speaker 1>back up against Scott's Bluff, and so they named it

1:26:39.160 --> 1:26:44.200
<v Speaker 1>Scott's Bluff, Scott's Bluff, you know where Scott died. Um,

1:26:44.320 --> 1:26:46.519
<v Speaker 1>And I have Bridger reflecting on that that that he's

1:26:46.520 --> 1:26:48.360
<v Speaker 1>happy that he didn't have to get killed to get

1:26:48.400 --> 1:26:52.759
<v Speaker 1>stuff named after him. So anyway that was hitting during

1:26:52.800 --> 1:26:57.559
<v Speaker 1>his lifetime. Yeah, oh absolutely, yeah. Um. So he really was,

1:26:57.640 --> 1:27:00.080
<v Speaker 1>like he's just a well known dude. He's he is

1:27:00.120 --> 1:27:04.280
<v Speaker 1>a rock star in terms of fame in his uh well,

1:27:04.400 --> 1:27:07.799
<v Speaker 1>certainly when he's a sixty year old, he's he's famous

1:27:07.880 --> 1:27:12.400
<v Speaker 1>among the soldiers that he's he's guiding. I mean he's uh,

1:27:12.439 --> 1:27:15.400
<v Speaker 1>you know, he was already a legend in his own time,

1:27:15.479 --> 1:27:18.080
<v Speaker 1>and and and it it's been a long time by

1:27:18.120 --> 1:27:20.080
<v Speaker 1>the way he was. It was he'd been on the

1:27:20.120 --> 1:27:22.639
<v Speaker 1>planes for forty plus years at the time he's guiding

1:27:22.640 --> 1:27:24.920
<v Speaker 1>for the army. So he's and this is a place

1:27:24.960 --> 1:27:30.200
<v Speaker 1>where where they're there. The numbers of people out here

1:27:30.800 --> 1:27:33.960
<v Speaker 1>we're not large, and the numbers of places where they

1:27:34.000 --> 1:27:36.639
<v Speaker 1>went were not large. So people bumped into each other.

1:27:36.680 --> 1:27:40.400
<v Speaker 1>I mean talking about last stand the you know, the

1:27:41.280 --> 1:27:44.680
<v Speaker 1>person that that books about George burg Grinnell. I was

1:27:44.720 --> 1:27:47.360
<v Speaker 1>amazed when I was doing the research on him, because

1:27:47.400 --> 1:27:51.160
<v Speaker 1>he meets, he meets everybody. He meets, uh, he meets

1:27:51.200 --> 1:27:58.439
<v Speaker 1>Buffalo Bill, he meets he goes campaigning, uh with Custer, Uh,

1:27:58.439 --> 1:28:01.599
<v Speaker 1>he meets Brigham Young. I mean, he just he bumps

1:28:01.640 --> 1:28:04.839
<v Speaker 1>into everybody. And but it kind of makes sense because

1:28:05.560 --> 1:28:07.360
<v Speaker 1>you know, it's kind of like being from a small

1:28:07.400 --> 1:28:11.880
<v Speaker 1>state from well he was like Forrest gum Um and uh.

1:28:11.920 --> 1:28:13.439
<v Speaker 1>But you know, if you live in a in a

1:28:13.479 --> 1:28:17.200
<v Speaker 1>small statement like Montana. It's not crazy that you meet

1:28:17.240 --> 1:28:20.920
<v Speaker 1>somebody and it doesn't take very long before you both

1:28:21.400 --> 1:28:25.479
<v Speaker 1>know somebody in common. And it's because it's a big state,

1:28:25.560 --> 1:28:29.839
<v Speaker 1>but there's you know, there's not that many towns. And Custer, oh,

1:28:30.000 --> 1:28:32.679
<v Speaker 1>not only did he know Custer, of we're talking about

1:28:32.800 --> 1:28:37.760
<v Speaker 1>Grenelle now um. And this the Buffalo book, uh that's

1:28:37.760 --> 1:28:40.880
<v Speaker 1>called Last Stand is about this this nineteenth century hunter

1:28:40.960 --> 1:28:46.000
<v Speaker 1>conservationist named georgeburg Grannell, and he not only did he

1:28:46.040 --> 1:28:51.160
<v Speaker 1>know Custer, but he goes on campaign with Custer. In

1:28:51.320 --> 1:28:56.400
<v Speaker 1>eighteen seventy four, when Custer is sent out to survey

1:28:56.560 --> 1:28:59.800
<v Speaker 1>the Black Hills, Grizzly shoots a huge gride s eight

1:28:59.880 --> 1:29:04.000
<v Speaker 1>the an amazing foot as an amazing bear. Um. And

1:29:04.400 --> 1:29:07.040
<v Speaker 1>but it's on that. The other thing Custer takes along

1:29:07.160 --> 1:29:11.040
<v Speaker 1>on that expedition is he takes miners with him because

1:29:11.280 --> 1:29:14.240
<v Speaker 1>there's rumors of gold in the Black Hills and Custer

1:29:14.360 --> 1:29:17.639
<v Speaker 1>wants to be the one to discover it. And they

1:29:17.680 --> 1:29:22.799
<v Speaker 1>discover gold on this eight seventy four exploration. Custer sends

1:29:23.439 --> 1:29:26.720
<v Speaker 1>a messenger back to Fort Laramie to tell him that

1:29:26.760 --> 1:29:30.799
<v Speaker 1>there's gold in the Black Hills and the gold rush

1:29:31.120 --> 1:29:37.200
<v Speaker 1>is on uh into the heart of the territory that

1:29:37.360 --> 1:29:42.559
<v Speaker 1>was given back uh to the Uh, to the Lakota

1:29:43.000 --> 1:29:46.519
<v Speaker 1>and the Cheyenne at the end of the Fetterman massacre.

1:29:47.040 --> 1:29:51.280
<v Speaker 1>They said, you're right. Uh. So when when when Fetterman

1:29:51.360 --> 1:29:55.639
<v Speaker 1>is defeated and the U. S. Army retreats, they give

1:29:55.720 --> 1:30:00.040
<v Speaker 1>back to the to the Lakota and the Cheyenne. The

1:30:01.000 --> 1:30:05.439
<v Speaker 1>Lakota taken the Black Hills from the Cheyenne from well

1:30:05.479 --> 1:30:08.280
<v Speaker 1>from It's even more complicated than that. And I they

1:30:08.280 --> 1:30:10.719
<v Speaker 1>were all sorts, you know, the all sorts of tribes

1:30:10.720 --> 1:30:15.280
<v Speaker 1>are in there. And that's a complicated prehistory. But just

1:30:15.360 --> 1:30:17.920
<v Speaker 1>in terms of the US piece of the history, they

1:30:18.080 --> 1:30:22.880
<v Speaker 1>seed it back uh in eighteen sixty seven, I think,

1:30:22.880 --> 1:30:26.920
<v Speaker 1>which is when they negotiated the treaty after the after

1:30:26.920 --> 1:30:29.960
<v Speaker 1>the Fetterment fight, and then they in the eighteen seventy

1:30:29.960 --> 1:30:33.200
<v Speaker 1>four when they discover gold, they say, changed our minds.

1:30:33.600 --> 1:30:35.800
<v Speaker 1>You know, we know we have given you two treaties now,

1:30:36.080 --> 1:30:40.960
<v Speaker 1>but the second second one we want to renegotiate as well. Uh.

1:30:40.960 --> 1:30:46.760
<v Speaker 1>When when the Lakota won't renegotiate, it's war, and that's

1:30:46.800 --> 1:30:50.120
<v Speaker 1>when Custer. Then that sets in motion the events that

1:30:50.240 --> 1:30:53.920
<v Speaker 1>lead to the Battle of a Little Big Horn within

1:30:54.439 --> 1:30:57.760
<v Speaker 1>a year and a half, two years, we're talking about fame,

1:30:58.040 --> 1:31:02.160
<v Speaker 1>Bridge are having fame cost She was known to the

1:31:02.200 --> 1:31:05.240
<v Speaker 1>people that killed him. Yeah, and there I guess there's

1:31:05.280 --> 1:31:07.280
<v Speaker 1>some debate about whether or not that he had just

1:31:07.320 --> 1:31:10.080
<v Speaker 1>recently cut his hair. He cut his hair short, his

1:31:10.120 --> 1:31:12.080
<v Speaker 1>wife took the hair, and then after his death had

1:31:12.080 --> 1:31:16.800
<v Speaker 1>a wig made of her husband's hair. She's a fascinating

1:31:16.840 --> 1:31:21.880
<v Speaker 1>character herself. And there's like debate about whether or not

1:31:22.200 --> 1:31:28.000
<v Speaker 1>the Sioux and Northern Cheyenne recognized Custer's body on the

1:31:28.040 --> 1:31:30.400
<v Speaker 1>battlefield because he didn't have his hair. And it was

1:31:30.439 --> 1:31:33.760
<v Speaker 1>a woman that pointed out that that we found him

1:31:33.960 --> 1:31:36.599
<v Speaker 1>and knew who he was, and that she had taken

1:31:36.600 --> 1:31:41.400
<v Speaker 1>a sewing all and punched a hole through his ear

1:31:41.479 --> 1:31:45.000
<v Speaker 1>drums so that in the afterlife he would better hear

1:31:45.800 --> 1:31:49.280
<v Speaker 1>the warnings. And then she used her pony to kick

1:31:49.360 --> 1:31:52.800
<v Speaker 1>up dirt on him, and she says, she says that

1:31:52.840 --> 1:31:55.840
<v Speaker 1>she knew him. Yeah, people running around knowing each other.

1:31:56.880 --> 1:32:01.000
<v Speaker 1>He's coming for you. It's you know, people were they

1:32:01.040 --> 1:32:04.120
<v Speaker 1>were not huge numbers of people in even it's though

1:32:04.120 --> 1:32:06.240
<v Speaker 1>it's vast territory. They were not huge numbers of people.

1:32:06.400 --> 1:32:09.120
<v Speaker 1>So walk us through Grenell real quick, though, do you

1:32:09.200 --> 1:32:11.040
<v Speaker 1>did you when you resea all the stuff? Did you

1:32:11.120 --> 1:32:13.960
<v Speaker 1>find that these guys ever reflected because like he's like

1:32:14.000 --> 1:32:16.479
<v Speaker 1>Steve was saying, they died so much, right, so at

1:32:16.520 --> 1:32:19.680
<v Speaker 1>age sixty, did you ever find them reflecting on how

1:32:19.760 --> 1:32:25.000
<v Speaker 1>lucky they must have been? Well? Um, I didn't find there.

1:32:25.040 --> 1:32:30.200
<v Speaker 1>There's there's some great UH people who write when Bridger

1:32:30.280 --> 1:32:34.280
<v Speaker 1>was still alive about conversations they had with him, and

1:32:34.320 --> 1:32:38.240
<v Speaker 1>they'll so they were these nineteenth century people saying I

1:32:38.280 --> 1:32:41.200
<v Speaker 1>was on a UH, I was on a long ride

1:32:41.320 --> 1:32:44.200
<v Speaker 1>horseback ride with with Bridger and he told me this story.

1:32:44.360 --> 1:32:46.439
<v Speaker 1>Or I was at Fort Laramie at the same time

1:32:46.439 --> 1:32:47.840
<v Speaker 1>the bridge was there, and I heard him tell all

1:32:47.880 --> 1:32:49.680
<v Speaker 1>these stories and I'm gonna write, I'm gonna write down

1:32:49.720 --> 1:32:53.040
<v Speaker 1>all these stories he told. So there's there's those types

1:32:53.320 --> 1:32:57.439
<v Speaker 1>of of stories. Um. I don't remember Bridger ever actually

1:32:57.840 --> 1:33:03.559
<v Speaker 1>saying or being said to upset that he had been lucky. Um,

1:33:03.600 --> 1:33:08.160
<v Speaker 1>but I just again, it's hard to imagine that that

1:33:08.280 --> 1:33:11.360
<v Speaker 1>he didn't recognize that there was some measure of of

1:33:11.479 --> 1:33:14.599
<v Speaker 1>luck in there. And and look at somebody like Hugh Glass.

1:33:14.640 --> 1:33:19.360
<v Speaker 1>I mean, Hug Glass was a talented frontiersman and a

1:33:19.400 --> 1:33:23.400
<v Speaker 1>tough badass who've survived, you know, being mauled by a

1:33:23.439 --> 1:33:27.240
<v Speaker 1>grizzly bear and crawling two miles by himself with no weapons.

1:33:27.840 --> 1:33:31.800
<v Speaker 1>Um and he still ends up I think, uh, in

1:33:31.840 --> 1:33:34.360
<v Speaker 1>the wrong place at the wrong time, you know, walking

1:33:34.400 --> 1:33:40.320
<v Speaker 1>across the frozen Yellowstone and gets caught and killed. And

1:33:40.880 --> 1:33:46.519
<v Speaker 1>so he had a day of bad luck. Good you got.

1:33:47.479 --> 1:33:52.080
<v Speaker 1>It's like a few scraps. The other thing about those

1:33:52.120 --> 1:33:55.599
<v Speaker 1>guys is, you know, we think about like getting mauled

1:33:55.600 --> 1:33:58.320
<v Speaker 1>by a grizzly bear or dying in a in a

1:33:58.360 --> 1:34:02.479
<v Speaker 1>fight with with Indians. But you know, if if you're

1:34:02.479 --> 1:34:05.679
<v Speaker 1>out on your own in the frontier and you snap

1:34:05.720 --> 1:34:10.320
<v Speaker 1>your ankle, you're freaking dead. You know, the the odds

1:34:10.320 --> 1:34:13.600
<v Speaker 1>that you can. Or or you get sick and in

1:34:13.640 --> 1:34:15.840
<v Speaker 1>the middle of the winter and you're off on your own,

1:34:16.280 --> 1:34:19.439
<v Speaker 1>the odds that you can, you know, do all the

1:34:19.479 --> 1:34:22.839
<v Speaker 1>things you need to do to survive with a broken ankle,

1:34:23.080 --> 1:34:25.639
<v Speaker 1>or if you're laid up with a fever for two weeks.

1:34:26.680 --> 1:34:28.320
<v Speaker 1>I don't think it took very much for a lot

1:34:28.360 --> 1:34:33.040
<v Speaker 1>of those guys to die, and Uh, it's just that

1:34:33.080 --> 1:34:37.400
<v Speaker 1>those aren't as as movie worthy, you know, the guy

1:34:37.439 --> 1:34:40.680
<v Speaker 1>who died at the flu You know, I want to

1:34:40.680 --> 1:34:44.360
<v Speaker 1>touch I keep I do want to get to this grenelle, gentleman,

1:34:44.439 --> 1:34:47.400
<v Speaker 1>but I've to tell you our thing. Have you read

1:34:47.439 --> 1:34:50.519
<v Speaker 1>the journal I've been talking about a lot lately, Life

1:34:50.520 --> 1:34:52.479
<v Speaker 1>and Death at the Mouth of the Muscle Shell. Now,

1:34:53.280 --> 1:34:55.720
<v Speaker 1>it's a guy. He spends a couple of years at

1:34:55.720 --> 1:34:58.120
<v Speaker 1>the mouth of where the muscle Shell flows into Missouri.

1:34:58.240 --> 1:35:00.360
<v Speaker 1>Like most the action takes places all in of water

1:35:00.439 --> 1:35:04.559
<v Speaker 1>now because because the four Peck reservoir. Um, it's just

1:35:04.560 --> 1:35:06.680
<v Speaker 1>his like daily account. So'll be like Monday, you know,

1:35:06.720 --> 1:35:09.840
<v Speaker 1>Sonny and warm river came up two inches Tuesday, fight

1:35:09.960 --> 1:35:15.160
<v Speaker 1>Bob got killed, sixties Yeah, huge fight, Bob got killed.

1:35:15.800 --> 1:35:20.240
<v Speaker 1>Finally found Dave's body. Like Wednesday, Sonny again turned cold

1:35:20.240 --> 1:35:26.719
<v Speaker 1>towards evening. Um, the historian that that collected and published

1:35:26.920 --> 1:35:30.200
<v Speaker 1>this journal and commented on this journal, Uh, took it

1:35:30.280 --> 1:35:34.759
<v Speaker 1>upon himself to try to corroborate the existence of all

1:35:34.800 --> 1:35:37.280
<v Speaker 1>of these individuals who are coming and going from this

1:35:37.360 --> 1:35:41.120
<v Speaker 1>outpost at the mouth of the muscle Shell River. So

1:35:41.200 --> 1:35:43.160
<v Speaker 1>the guy, I'll be like, you know, old you know,

1:35:43.360 --> 1:35:45.840
<v Speaker 1>Jed Tompkins came through on the way to check his

1:35:45.880 --> 1:35:50.240
<v Speaker 1>wolf poison baits right, And then the historian will going,

1:35:51.000 --> 1:35:54.240
<v Speaker 1>who is Jed Tompkins And he's like, turns out we

1:35:54.320 --> 1:35:59.120
<v Speaker 1>find record of Jed Tompkins uh taking a line of

1:35:59.240 --> 1:36:02.800
<v Speaker 1>credit at some store in St. Louis. And he's able

1:36:02.840 --> 1:36:09.240
<v Speaker 1>to find the people that come and go. Some other

1:36:09.320 --> 1:36:12.080
<v Speaker 1>mentioned some sometimes like like there's a woman that gets

1:36:12.120 --> 1:36:18.200
<v Speaker 1>scalped and survived. Um, he later learns that she he

1:36:18.240 --> 1:36:23.960
<v Speaker 1>writes about how she wore men's clothing. Um, everybody called

1:36:23.960 --> 1:36:26.439
<v Speaker 1>her names that he said, names that can't be mentioned.

1:36:26.640 --> 1:36:28.599
<v Speaker 1>And you get this portrait of this woman that there's

1:36:28.640 --> 1:36:32.559
<v Speaker 1>this woman who's probably gay at a time it was

1:36:32.560 --> 1:36:37.240
<v Speaker 1>completely unacceptable dressed as a man, was named all these

1:36:37.280 --> 1:36:41.559
<v Speaker 1>derogatory remarks. She eventually marries a guy. He moves her

1:36:41.560 --> 1:36:44.840
<v Speaker 1>down to Colorado. She blows her brains out. All you

1:36:44.920 --> 1:36:47.040
<v Speaker 1>hear about her in the life that of the mouse

1:36:47.080 --> 1:36:49.840
<v Speaker 1>of the muscle shell. So and so got scalped and

1:36:49.960 --> 1:36:52.080
<v Speaker 1>looks like she's gonna make it. But he then was

1:36:52.120 --> 1:36:53.960
<v Speaker 1>able to like like who, Like, who the hell was

1:36:54.040 --> 1:36:57.040
<v Speaker 1>this right? And it's just just just like heartbreaking story

1:36:57.920 --> 1:37:02.519
<v Speaker 1>of like someone who eventually, like what ever, resigns, marries

1:37:02.560 --> 1:37:05.960
<v Speaker 1>a guy and kills herself, Like what the hell happened there?

1:37:06.240 --> 1:37:10.320
<v Speaker 1>But uh, I was in his other book recently, and

1:37:10.360 --> 1:37:12.720
<v Speaker 1>there's this like this character that emerges in the late

1:37:12.720 --> 1:37:15.880
<v Speaker 1>eighteen hundreds of Miles City, Montana, and there's no mention

1:37:15.880 --> 1:37:18.080
<v Speaker 1>of him. But there's this kid whose dad was a

1:37:18.120 --> 1:37:21.320
<v Speaker 1>doctor in Miles City in late eighteen hundreds, and the

1:37:21.439 --> 1:37:24.120
<v Speaker 1>kid he's like later on in life, he's describing who

1:37:24.120 --> 1:37:26.960
<v Speaker 1>comes to his dad who's a doctor. He describes a

1:37:27.000 --> 1:37:30.640
<v Speaker 1>guy coming in who had been long ago scalped and

1:37:30.680 --> 1:37:32.080
<v Speaker 1>it was all healed over, but you still see the

1:37:32.120 --> 1:37:34.280
<v Speaker 1>veins on top of his head and all of his

1:37:34.400 --> 1:37:39.640
<v Speaker 1>fingers had been removed at them at the middle joint. God, Okay,

1:37:39.920 --> 1:37:42.760
<v Speaker 1>who the hell was that guy? Like that? There's a

1:37:42.800 --> 1:37:44.960
<v Speaker 1>story and one hand we're talking about how everybody knows

1:37:44.960 --> 1:37:46.800
<v Speaker 1>these people and they're always running into each other, but

1:37:46.840 --> 1:37:48.639
<v Speaker 1>also it's like, how do you get to be that guy?

1:37:48.760 --> 1:37:51.680
<v Speaker 1>And the only mention is some kid later recollects that

1:37:51.760 --> 1:37:54.559
<v Speaker 1>this dude paid his dad a visit at a doctor

1:37:54.800 --> 1:37:57.320
<v Speaker 1>and had been tortured and had all of his fingers

1:37:57.320 --> 1:38:00.280
<v Speaker 1>removed at the knuckle and his scolts removed, and like

1:38:00.439 --> 1:38:03.080
<v Speaker 1>no one else wrote this down. If you were running

1:38:03.080 --> 1:38:07.639
<v Speaker 1>around town now missing your scalp and all your fingers,

1:38:07.680 --> 1:38:10.760
<v Speaker 1>you wouldn't make your way into lots of materials. The

1:38:10.760 --> 1:38:13.719
<v Speaker 1>fact that that was not more noteworthy tells you something

1:38:13.760 --> 1:38:16.960
<v Speaker 1>about the general population reading them, Like, Okay, I understand it.

1:38:17.000 --> 1:38:25.240
<v Speaker 1>I understand everything now as absolutely uh. But George Burgernell um,

1:38:25.320 --> 1:38:29.559
<v Speaker 1>so I had never heard I had this. I was

1:38:29.600 --> 1:38:33.360
<v Speaker 1>interested when I read your uh, when I read American Buffalo,

1:38:33.400 --> 1:38:36.200
<v Speaker 1>your book at kind of your entree point to the

1:38:36.240 --> 1:38:39.680
<v Speaker 1>Buffalo story and finding the skull and going on this

1:38:39.880 --> 1:38:42.000
<v Speaker 1>hunt which sits in my living room today. I gotta

1:38:42.000 --> 1:38:46.320
<v Speaker 1>see that. Um. But uh, it was interesting to me

1:38:46.360 --> 1:38:48.719
<v Speaker 1>that that was kind of your entree point. My entree

1:38:48.800 --> 1:38:51.840
<v Speaker 1>point to the Buffalo story is after I wrote the

1:38:51.840 --> 1:38:56.360
<v Speaker 1>book about Beaute, I was I had this luxury of

1:38:56.360 --> 1:38:59.000
<v Speaker 1>of literally a month where my my job was to

1:38:59.040 --> 1:39:02.280
<v Speaker 1>go find a new story to write about. And I

1:39:02.320 --> 1:39:07.519
<v Speaker 1>went to the University of Montana library and for a

1:39:07.600 --> 1:39:12.080
<v Speaker 1>month literally just wandered the stacks, kind of follow my

1:39:12.160 --> 1:39:16.400
<v Speaker 1>nose from things that interested me to things that interested me.

1:39:17.040 --> 1:39:19.800
<v Speaker 1>And as I did that, I kind of started getting

1:39:19.800 --> 1:39:23.240
<v Speaker 1>the idea. I'd always been fascinated with the buffalo, and

1:39:23.320 --> 1:39:25.960
<v Speaker 1>I thought about doing a book about the buffalo. And

1:39:26.000 --> 1:39:27.400
<v Speaker 1>then my idea was, I was going to do a

1:39:27.400 --> 1:39:30.679
<v Speaker 1>book about the history of the West as told true

1:39:31.240 --> 1:39:32.960
<v Speaker 1>the Buffalo. And I thought it was cool because you

1:39:32.960 --> 1:39:37.040
<v Speaker 1>could do prehistoric times. You could do Native Americans before

1:39:37.280 --> 1:39:40.200
<v Speaker 1>the arrival of the whites. You could do uh, you know,

1:39:40.240 --> 1:39:42.760
<v Speaker 1>the fur trade. You could do the early fur trade era.

1:39:42.920 --> 1:39:45.640
<v Speaker 1>You could do the buffalo hunting era. You could do

1:39:45.640 --> 1:39:48.280
<v Speaker 1>the birth of the conservation movement. You could tell that

1:39:48.320 --> 1:39:51.160
<v Speaker 1>whole story just through the prison of the Buffalo. And

1:39:51.400 --> 1:39:52.800
<v Speaker 1>that was the book that I was going to write.

1:39:52.800 --> 1:39:55.200
<v Speaker 1>And then I came across this guy, George burg Grunnell,

1:39:55.280 --> 1:39:57.760
<v Speaker 1>who I had never heard of, who it turns out,

1:39:58.439 --> 1:40:01.799
<v Speaker 1>doesn't live through all of that exactly, but he his life,

1:40:02.600 --> 1:40:07.360
<v Speaker 1>he lives through a significant chunk of it, and uh,

1:40:07.439 --> 1:40:09.599
<v Speaker 1>and I couldn't believe I've never heard of him before,

1:40:09.640 --> 1:40:14.559
<v Speaker 1>because he literally is in many ways, the the guy

1:40:14.640 --> 1:40:20.080
<v Speaker 1>who's most responsible for preserving Yellowstone National Park, for uh,

1:40:20.120 --> 1:40:24.120
<v Speaker 1>the establishment of Glacier and along the way, he's largely

1:40:24.160 --> 1:40:28.600
<v Speaker 1>responsible for saving the buffalo from being you know, completely

1:40:28.640 --> 1:40:33.599
<v Speaker 1>exterminated on the North American continent. And so I decided

1:40:33.640 --> 1:40:37.000
<v Speaker 1>i'd write use him as kind of the human vehicle

1:40:37.439 --> 1:40:40.559
<v Speaker 1>to tell the story of the buffalo in a in

1:40:40.560 --> 1:40:42.800
<v Speaker 1>a somewhat similar way to to which you use your

1:40:42.800 --> 1:40:45.840
<v Speaker 1>own experience of fine skull and and going on the hunt.

1:40:45.840 --> 1:40:50.639
<v Speaker 1>And then we've in other parts of the story stuff. Yeah,

1:40:50.760 --> 1:40:54.240
<v Speaker 1>but speaking of which, and I really appreciate your constructive

1:40:54.240 --> 1:40:56.760
<v Speaker 1>criticism on the Revenant and uh and I was just

1:40:56.800 --> 1:40:59.880
<v Speaker 1>gonna ask you about something and I don't talk about now,

1:41:00.080 --> 1:41:02.400
<v Speaker 1>Well there's that. I mean, how did you miss that?

1:41:02.520 --> 1:41:05.479
<v Speaker 1>Come on? But I think the reason you didn't talk

1:41:05.479 --> 1:41:08.519
<v Speaker 1>about Grenell is because you devote so many paragraphs to

1:41:08.520 --> 1:41:12.760
<v Speaker 1>the buffalo Penis. There is like long, long paragraphs about

1:41:12.760 --> 1:41:17.759
<v Speaker 1>the buffalo. Penis. Got to cut this really influential figure Grinnell,

1:41:19.240 --> 1:41:23.879
<v Speaker 1>or you gotta cut some of your penis material. And

1:41:23.920 --> 1:41:26.960
<v Speaker 1>I slept on it and decided just and the decision

1:41:27.000 --> 1:41:29.760
<v Speaker 1>you may probably explains why your Buffalo books sold more

1:41:29.800 --> 1:41:33.080
<v Speaker 1>than mine did so, but as a result, I can't

1:41:33.080 --> 1:41:35.759
<v Speaker 1>even like, I can't even have my children read this anymore.

1:41:35.840 --> 1:41:39.280
<v Speaker 1>It's like, I mean, come on, what the hell so anyway, Um,

1:41:39.439 --> 1:41:44.519
<v Speaker 1>but we digress. Yeah, I think that I uh as

1:41:44.560 --> 1:41:48.080
<v Speaker 1>being not as historian, I'm able to just focus, Like

1:41:48.120 --> 1:41:49.560
<v Speaker 1>I said, I made a joke, but I'm able to

1:41:49.600 --> 1:41:52.720
<v Speaker 1>focus on the weird stuff. Well, that's a great thing

1:41:52.720 --> 1:41:55.800
<v Speaker 1>about the buffalo, that is. I love a lot of

1:41:55.840 --> 1:42:00.519
<v Speaker 1>the the factoids about about the buffalo, Like you know,

1:42:01.040 --> 1:42:04.320
<v Speaker 1>ten times more hair per square inch than a cow,

1:42:04.880 --> 1:42:08.320
<v Speaker 1>which kind of helps you explain why they do. Okay, Um,

1:42:08.320 --> 1:42:13.519
<v Speaker 1>you know the frozen prairie and the birth success rate, Yeah,

1:42:13.800 --> 1:42:17.559
<v Speaker 1>compared to a cow that was aver. And not only that,

1:42:17.840 --> 1:42:21.680
<v Speaker 1>but it's still it's amazing to me that a buffalo

1:42:21.800 --> 1:42:27.000
<v Speaker 1>calf stands at two minutes and can run with a

1:42:27.040 --> 1:42:29.880
<v Speaker 1>herd at the age of one hour. Like I don't

1:42:29.880 --> 1:42:35.360
<v Speaker 1>I don't even get physiologically how muscles can possibly work

1:42:36.000 --> 1:42:39.400
<v Speaker 1>to do that. There's there's a there's a recorded incident

1:42:40.120 --> 1:42:43.160
<v Speaker 1>of I think a three or four day old calf

1:42:44.080 --> 1:42:49.519
<v Speaker 1>running seventy miles with a herd, and just like, that's

1:42:49.560 --> 1:42:53.640
<v Speaker 1>an amazing animal. And so it's it's not surprising in

1:42:53.640 --> 1:42:55.120
<v Speaker 1>a lot of ways that it has this kind of

1:42:55.320 --> 1:42:58.080
<v Speaker 1>iconic stature that it does. But one of the things

1:42:58.120 --> 1:43:01.960
<v Speaker 1>I love so much about about the Grenelle story is

1:43:02.880 --> 1:43:07.360
<v Speaker 1>it really is about the birth of the conservation movement,

1:43:07.840 --> 1:43:10.839
<v Speaker 1>and the birth of the conservation movement really is about

1:43:11.240 --> 1:43:14.840
<v Speaker 1>hunters in a really significant way. What do you think,

1:43:15.080 --> 1:43:17.680
<v Speaker 1>what do you think it was? It was it like

1:43:17.960 --> 1:43:21.479
<v Speaker 1>was it like like, oh my god, what did we do?

1:43:21.640 --> 1:43:24.760
<v Speaker 1>Like like what was in these guys heads? Because he

1:43:24.800 --> 1:43:27.879
<v Speaker 1>was a hunter, right, I mean, he was totally a hunter. Um,

1:43:27.960 --> 1:43:31.439
<v Speaker 1>well he has I'll talk about Grenelle and then and

1:43:31.479 --> 1:43:33.360
<v Speaker 1>then the hunter piece of it, because I think he

1:43:33.439 --> 1:43:37.160
<v Speaker 1>had a couple of incredibly unique experiences that made him,

1:43:37.200 --> 1:43:41.320
<v Speaker 1>i think, able to understand what was going on better

1:43:41.400 --> 1:43:44.519
<v Speaker 1>than most other people could have at the time. One

1:43:44.520 --> 1:43:48.639
<v Speaker 1>thing he understood is when he right, when he got

1:43:48.680 --> 1:43:51.840
<v Speaker 1>out of college and he this is a guy who's

1:43:51.840 --> 1:43:56.160
<v Speaker 1>an East Coast elitist and goes to Yale and his

1:43:56.280 --> 1:44:00.320
<v Speaker 1>father is a rich New York lawyer, but he wants

1:44:00.320 --> 1:44:02.720
<v Speaker 1>to go west. Grinell wants to go west. And he

1:44:02.840 --> 1:44:08.479
<v Speaker 1>comes out in I think eighteen seventy with a Yale

1:44:08.840 --> 1:44:14.160
<v Speaker 1>professor who's doing a dinosaur bone hunt in uh in

1:44:14.240 --> 1:44:18.080
<v Speaker 1>the West, and so he comes out, you know, and

1:44:18.120 --> 1:44:22.600
<v Speaker 1>they're all over like Nebraska, Wyoming and it's still a

1:44:22.680 --> 1:44:27.320
<v Speaker 1>war zone there. The U. S. Cavalry guarded them while

1:44:27.400 --> 1:44:33.439
<v Speaker 1>they while they dug. But what he's digging out, oh

1:44:33.439 --> 1:44:41.120
<v Speaker 1>my god. But what Grennelle is doing in eighteen seventy

1:44:41.280 --> 1:44:45.960
<v Speaker 1>is he's digging up like triceratops bones in Nebraska and

1:44:46.160 --> 1:44:51.680
<v Speaker 1>camel bones and miniature horses. And so what Grennelle understood

1:44:51.920 --> 1:44:55.479
<v Speaker 1>from his own kind of uh tangible experience, is that

1:44:55.600 --> 1:44:59.639
<v Speaker 1>extinction could happen. And this is in an era of

1:44:59.680 --> 1:45:05.759
<v Speaker 1>the the myth of inexhaustibility where people not for crazy reasons,

1:45:05.800 --> 1:45:09.320
<v Speaker 1>by the way, I thought we can't kill all the buffalo.

1:45:09.720 --> 1:45:15.160
<v Speaker 1>There's so many buffalo. The resources out here are are inexhaustible,

1:45:15.640 --> 1:45:18.920
<v Speaker 1>and and so but grennell had that that experience of

1:45:18.960 --> 1:45:22.720
<v Speaker 1>seeing that some stuff that used to be living I

1:45:22.840 --> 1:45:25.880
<v Speaker 1>wasn't here anymore. So that was one of his his experiences,

1:45:26.240 --> 1:45:28.840
<v Speaker 1>his other experience, and he made that connection. He didn't

1:45:28.840 --> 1:45:33.479
<v Speaker 1>at the time use what people who are uncomfortable with

1:45:34.760 --> 1:45:38.080
<v Speaker 1>evolution and extinction on religious grounds today would say, it

1:45:38.240 --> 1:45:41.320
<v Speaker 1>is like the earth was created old. He was a

1:45:41.320 --> 1:45:45.280
<v Speaker 1>hardcore scientist um and he didn't have any problem with that.

1:45:45.320 --> 1:45:48.799
<v Speaker 1>There are animals that that that came and went. Lots

1:45:48.800 --> 1:45:51.439
<v Speaker 1>of time has passed now I think he was. I

1:45:51.479 --> 1:45:54.360
<v Speaker 1>think he viewed that from uh in a very for

1:45:54.560 --> 1:45:58.240
<v Speaker 1>his era, especially uh state of the art scientific way.

1:45:59.040 --> 1:46:02.240
<v Speaker 1>Um well, it's kind amazing to his age, right because

1:46:02.240 --> 1:46:04.280
<v Speaker 1>I mean, it's just a college kid, and to have

1:46:04.520 --> 1:46:07.200
<v Speaker 1>sort of those kind of thoughts already, you know, figuring

1:46:07.240 --> 1:46:09.360
<v Speaker 1>that out from seeing that was pretty bazing. And he

1:46:09.400 --> 1:46:11.960
<v Speaker 1>would have been, you know, with a you know, he's

1:46:12.000 --> 1:46:14.320
<v Speaker 1>with a group that was led by uh, the one

1:46:14.360 --> 1:46:19.200
<v Speaker 1>of the you know foremost UH scientists of his day

1:46:19.439 --> 1:46:21.960
<v Speaker 1>who would have been they've been would be sitting around

1:46:22.000 --> 1:46:26.439
<v Speaker 1>the campfire at night, presumably talking about, you know, dinosaur bones.

1:46:26.920 --> 1:46:30.040
<v Speaker 1>But he did have that very unique experience. The other

1:46:30.120 --> 1:46:33.479
<v Speaker 1>experience that I think he had that really touches on

1:46:33.520 --> 1:46:39.479
<v Speaker 1>the hunter piece of it is his boyhood neighbor was

1:46:40.160 --> 1:46:46.040
<v Speaker 1>the widow of John James Audubon, Lucy Audubon, and she's

1:46:46.240 --> 1:46:50.000
<v Speaker 1>old lady at this point and John is already dead.

1:46:50.400 --> 1:46:53.519
<v Speaker 1>But they lived in there were these barns on the

1:46:53.600 --> 1:46:59.439
<v Speaker 1>property where like all of John James Audubon's old travel

1:46:59.560 --> 1:47:05.080
<v Speaker 1>stuff was stuffed you know stuff, well, his paintings too,

1:47:05.120 --> 1:47:08.720
<v Speaker 1>but like all the things he gathered as he as

1:47:08.760 --> 1:47:12.720
<v Speaker 1>he came back, all the paraphernalia he picked up, and

1:47:12.800 --> 1:47:16.479
<v Speaker 1>Lucy Autobon becomes his tutor. And so, first of all,

1:47:16.680 --> 1:47:20.040
<v Speaker 1>he's tutored at a time when people were learning reading, writing,

1:47:20.040 --> 1:47:24.240
<v Speaker 1>and arithmetic. He's all also learning about natural science. And

1:47:24.320 --> 1:47:27.920
<v Speaker 1>not only that, but she is instilling in him, uh,

1:47:28.040 --> 1:47:32.240
<v Speaker 1>this ethic of what she called self restraint, and what

1:47:32.320 --> 1:47:36.640
<v Speaker 1>self restraint basically meant was that you don't consume everything

1:47:37.040 --> 1:47:40.959
<v Speaker 1>that you can. And when you think about the contrast

1:47:40.960 --> 1:47:43.920
<v Speaker 1>of that in kind of the robber Baron era that

1:47:44.040 --> 1:47:47.519
<v Speaker 1>he lived in and combined with kind of the myth

1:47:47.560 --> 1:47:50.400
<v Speaker 1>of the inexhaustibility that we could never use everything up,

1:47:50.920 --> 1:47:55.519
<v Speaker 1>he had this particularly unique perch to kind of view

1:47:55.560 --> 1:47:59.439
<v Speaker 1>the world and it shaped his view, first of all,

1:47:59.520 --> 1:48:04.920
<v Speaker 1>of what the responsibility of sportsman was. And you know, uh,

1:48:05.160 --> 1:48:07.800
<v Speaker 1>this is the era when they're starting to figure out

1:48:07.840 --> 1:48:12.360
<v Speaker 1>that we shouldn't hunt things, you know, twelve months a year,

1:48:12.560 --> 1:48:16.200
<v Speaker 1>there should be a season for hunting things. We shouldn't

1:48:16.200 --> 1:48:21.439
<v Speaker 1>go out and kill every uh animal that pops up

1:48:21.439 --> 1:48:24.080
<v Speaker 1>in front of us. There should be limits that we

1:48:24.160 --> 1:48:27.640
<v Speaker 1>put on ourselves. And you ask a question, what is

1:48:27.680 --> 1:48:32.880
<v Speaker 1>it about hunters, and I think that they were one

1:48:32.920 --> 1:48:36.960
<v Speaker 1>of the first groups of people to go into wilderness

1:48:37.760 --> 1:48:40.960
<v Speaker 1>and not and see it as a place to to recreate.

1:48:41.600 --> 1:48:44.000
<v Speaker 1>And they wanted to preserve that because they wanted to

1:48:44.000 --> 1:48:46.320
<v Speaker 1>come back the next season and have it not be gone,

1:48:46.760 --> 1:48:49.360
<v Speaker 1>and they wanted to bring their their their kids back

1:48:49.720 --> 1:48:51.880
<v Speaker 1>and have them be able to have the same experience

1:48:51.920 --> 1:48:54.920
<v Speaker 1>the same way that hunters do today. And I think

1:48:55.000 --> 1:48:58.719
<v Speaker 1>that ethic of the wild being a place that had

1:48:58.880 --> 1:49:03.040
<v Speaker 1>intrinsic value you that we should preserve. Uh, when you

1:49:03.080 --> 1:49:05.920
<v Speaker 1>think about it, it makes complete sense that it came

1:49:06.360 --> 1:49:11.680
<v Speaker 1>in significant part from hunters. That's my explanation. Yeah, a

1:49:11.760 --> 1:49:14.760
<v Speaker 1>certain type of hunter, because there's an interesting point in

1:49:14.800 --> 1:49:18.040
<v Speaker 1>American history where these guys coexist with the market hunters.

1:49:18.640 --> 1:49:20.439
<v Speaker 1>These people we've been talking about and kind of like

1:49:20.520 --> 1:49:26.960
<v Speaker 1>celebrating throughout this conversation, Um Boon, Bridger Glass, right, frontiers

1:49:26.960 --> 1:49:32.559
<v Speaker 1>men and later mountain men. Um, we're rapacious like they

1:49:32.920 --> 1:49:37.120
<v Speaker 1>you know, I don't know, uh, you know, they would

1:49:37.160 --> 1:49:40.600
<v Speaker 1>stack up like astounding numbers of animals. And then it

1:49:40.720 --> 1:49:42.280
<v Speaker 1>came to be this point in time when all of

1:49:42.320 --> 1:49:48.080
<v Speaker 1>a sudden you had sport hunters wealthy like generally wealthy

1:49:48.240 --> 1:49:51.559
<v Speaker 1>from the East sport hunters, and the first thing that

1:49:51.600 --> 1:49:56.880
<v Speaker 1>these sport hunters needed to do to win was to

1:49:56.920 --> 1:49:59.519
<v Speaker 1>put these other guys out of business. We generally sit

1:49:59.560 --> 1:50:02.879
<v Speaker 1>around celebrating the accomplishments of these guys that were regarded

1:50:02.920 --> 1:50:05.760
<v Speaker 1>by the sport hunters as the enemies, you know, like

1:50:05.880 --> 1:50:08.080
<v Speaker 1>Roosevelt in the early Boone and Crocker Club and whatever

1:50:08.080 --> 1:50:11.800
<v Speaker 1>they had, Like these different societies and hunters groups kind

1:50:11.840 --> 1:50:13.800
<v Speaker 1>of like the first thing they needed to do, was it,

1:50:13.920 --> 1:50:15.680
<v Speaker 1>like the first thing we're gonna do is try to

1:50:15.720 --> 1:50:19.680
<v Speaker 1>somehow sabotage commercial wildlife markets past the rule that you

1:50:19.720 --> 1:50:23.439
<v Speaker 1>can't serve wild game in New York City. Um. And

1:50:23.680 --> 1:50:26.840
<v Speaker 1>now like hunters today that we kind of like celebrate

1:50:26.880 --> 1:50:32.920
<v Speaker 1>the accomplishments of these conservations like Roosevelt Grennell, um, but

1:50:33.120 --> 1:50:36.960
<v Speaker 1>we really want to talk about who we admire, like

1:50:38.360 --> 1:50:42.840
<v Speaker 1>it's it's Bridger and Glass because like the skill set

1:50:42.880 --> 1:50:48.000
<v Speaker 1>was amazing well and and look, hopefully we gain knowledge

1:50:48.360 --> 1:50:55.640
<v Speaker 1>as we progress as individuals and as a people. And uh,

1:50:55.840 --> 1:51:00.320
<v Speaker 1>the world looked very different in uh the third tis

1:51:00.720 --> 1:51:04.240
<v Speaker 1>to Jim Bridger than it did even by the eighteen

1:51:04.640 --> 1:51:09.720
<v Speaker 1>seventies and certainly by the eighties when uh, when the

1:51:09.800 --> 1:51:13.280
<v Speaker 1>last of the of the of the Montana herd is

1:51:13.280 --> 1:51:18.400
<v Speaker 1>wiped out. Uh, we knew at that point that the

1:51:18.400 --> 1:51:22.599
<v Speaker 1>the inexhaustibility of resources was a myth because the buffalo

1:51:22.640 --> 1:51:27.120
<v Speaker 1>were gone. Um. There there's this uh statistic I came

1:51:27.360 --> 1:51:30.760
<v Speaker 1>across in reading about because you know you point us

1:51:30.760 --> 1:51:33.920
<v Speaker 1>out in your book too. The the arrival of the

1:51:34.000 --> 1:51:38.360
<v Speaker 1>railroad is lights out for the buffalo because it's the

1:51:38.479 --> 1:51:43.639
<v Speaker 1>infrastructure for commercial hunting. Um. The reason they trapped beaver

1:51:43.720 --> 1:51:47.200
<v Speaker 1>in the eighteen thirties instead of buffalo is because buffalo

1:51:47.280 --> 1:51:51.080
<v Speaker 1>pelts buffalo highs are too damn heavy. You can't move them.

1:51:52.240 --> 1:51:55.559
<v Speaker 1>A beaver pelt weighed two pounds, and they could stack

1:51:55.640 --> 1:51:58.920
<v Speaker 1>them up and stick him on a canoe and and

1:51:59.000 --> 1:52:02.360
<v Speaker 1>send him down river. And that was a viable business

1:52:02.400 --> 1:52:04.559
<v Speaker 1>that they couldn't exploit the buffalo in the eighteen thirties

1:52:04.600 --> 1:52:08.200
<v Speaker 1>because they couldn't transport the hides. And what the railroad does,

1:52:08.360 --> 1:52:10.000
<v Speaker 1>first of all when it rives in Kansas and then

1:52:10.040 --> 1:52:13.080
<v Speaker 1>when it arrives in Miles City in Montana, is it

1:52:13.120 --> 1:52:17.000
<v Speaker 1>creates the infrastructure to transport the hides back east. And

1:52:17.000 --> 1:52:20.759
<v Speaker 1>then it's it's lights out, and so I think you

1:52:20.760 --> 1:52:23.599
<v Speaker 1>you lived in Miles City, right, I think the railroad

1:52:23.680 --> 1:52:26.639
<v Speaker 1>arrives in Miles City in eighteen eighty one, I want

1:52:26.640 --> 1:52:32.320
<v Speaker 1>to say, so the buffalo hunters come in with the

1:52:32.400 --> 1:52:37.280
<v Speaker 1>railroad in eighteen eighty two. The railroad keeps statistics and

1:52:37.360 --> 1:52:41.360
<v Speaker 1>there were two hundred thousand hides that were the railroad

1:52:41.400 --> 1:52:46.040
<v Speaker 1>shipped out of Montana in eighteen eighty two. Uh, it

1:52:46.080 --> 1:52:48.040
<v Speaker 1>took I think seventy rail it was. That was the

1:52:48.040 --> 1:52:52.160
<v Speaker 1>equivalent of seventy rail cars. In eighteen eighty three, the

1:52:52.240 --> 1:52:55.519
<v Speaker 1>railroad shipped out forty thousand hides. So it goes from

1:52:55.560 --> 1:52:59.400
<v Speaker 1>two hundred hides to forty thousand hides. In eighteen eighty four,

1:53:00.000 --> 1:53:04.360
<v Speaker 1>there was one box car of buffalo hides that the

1:53:04.439 --> 1:53:08.600
<v Speaker 1>railroad chips out of the state. And Den's over. That's it.

1:53:09.560 --> 1:53:15.639
<v Speaker 1>I liked it. Horn Today. Um, you know, he comes

1:53:15.640 --> 1:53:17.880
<v Speaker 1>out I can't remember what year, but around eight three

1:53:17.920 --> 1:53:20.320
<v Speaker 1>or ready four from the Smithsonian. Yeah, comes out to

1:53:20.320 --> 1:53:23.439
<v Speaker 1>collect somebodies, trying to like shoot the last one just

1:53:23.520 --> 1:53:27.439
<v Speaker 1>to bridger back. And he points out that he points

1:53:27.439 --> 1:53:30.800
<v Speaker 1>out that those hide hunters you talk about, like the inexhausted,

1:53:30.800 --> 1:53:34.160
<v Speaker 1>the myth of inexhaustibility. He points out that the hide

1:53:34.200 --> 1:53:39.840
<v Speaker 1>hunters that were hanging around convinced that more would come

1:53:40.320 --> 1:53:43.519
<v Speaker 1>from the north, and then it's like just over time

1:53:44.080 --> 1:53:48.799
<v Speaker 1>they gradually found their way into ranching and various things.

1:53:48.800 --> 1:53:52.960
<v Speaker 1>In the event you were like, huh, I guess they're

1:53:52.960 --> 1:53:57.439
<v Speaker 1>not coming. Yeah, well they sort of became the they

1:53:57.479 --> 1:54:00.720
<v Speaker 1>became the sort of social fabric of the town. UM.

1:54:00.800 --> 1:54:04.080
<v Speaker 1>And you when you read about uh Montana history in

1:54:04.120 --> 1:54:07.000
<v Speaker 1>the in the eighteen nineties, and I did a bunch

1:54:07.000 --> 1:54:09.759
<v Speaker 1>of research on on Butte, there's all sorts of people

1:54:09.760 --> 1:54:13.360
<v Speaker 1>who are identified as former buffalo hunters for exactly that reason.

1:54:13.439 --> 1:54:16.840
<v Speaker 1>It's like, yeah, nobody in the eighteen nineties is still

1:54:16.840 --> 1:54:18.840
<v Speaker 1>a buffalo hunter there, but there's a lot of former

1:54:18.880 --> 1:54:23.080
<v Speaker 1>buffalo hunters. Um. So yeah, it's it's UH and the

1:54:23.160 --> 1:54:26.120
<v Speaker 1>Hornaday thing. I mean, think about what it means that

1:54:26.160 --> 1:54:32.320
<v Speaker 1>the Smithsonian Institution UH sends out a crew to find

1:54:32.600 --> 1:54:35.600
<v Speaker 1>what they hope is kind of the last buffalo so

1:54:35.680 --> 1:54:38.960
<v Speaker 1>they can kill it, because they view that is the

1:54:39.040 --> 1:54:41.600
<v Speaker 1>only way that they can you know, quote unquote preserve

1:54:41.680 --> 1:54:45.480
<v Speaker 1>the buffalo in order to have one in the Smithsonian

1:54:45.640 --> 1:54:48.760
<v Speaker 1>stuffed so that people can come look at it and

1:54:48.840 --> 1:54:51.760
<v Speaker 1>see what it was like. Um. I mean, think think

1:54:51.800 --> 1:54:54.800
<v Speaker 1>about what that that says about, you know, the moment

1:54:54.880 --> 1:54:56.920
<v Speaker 1>we were at. And frankly, that's one of the things

1:54:56.920 --> 1:55:00.440
<v Speaker 1>that makes Grenell so amazing is the one in place

1:55:00.440 --> 1:55:05.280
<v Speaker 1>where there's buffalo while buffalo still living in the lower

1:55:05.360 --> 1:55:12.480
<v Speaker 1>forty eight is Yellowstone. And Yellowstone in the eighteen eighties

1:55:12.880 --> 1:55:17.320
<v Speaker 1>has been established as a national park. I think it's

1:55:17.400 --> 1:55:23.360
<v Speaker 1>established in eighteen seventy two, but it's been completely ignored. Um.

1:55:23.400 --> 1:55:25.280
<v Speaker 1>You know, it's always ironic to me when I go

1:55:25.360 --> 1:55:28.480
<v Speaker 1>to Yellowstone because the sweatshirts always have you know, Yellowstone

1:55:28.640 --> 1:55:31.400
<v Speaker 1>eighteen seventy two, because that's the year it was established.

1:55:31.760 --> 1:55:34.520
<v Speaker 1>But the only reason Yellowstone was established is because they

1:55:34.520 --> 1:55:37.840
<v Speaker 1>had figured out there was no gold there. And so

1:55:38.000 --> 1:55:40.600
<v Speaker 1>it wasn't that they wanted to preserve this place. It

1:55:40.760 --> 1:55:44.280
<v Speaker 1>was that they deemed it as having no economic value

1:55:44.360 --> 1:55:48.680
<v Speaker 1>and so like whatever, and so they established Yellowstone. Certain

1:55:48.760 --> 1:55:52.640
<v Speaker 1>no surface gold, no surface gold. Yeah, probably all they

1:55:52.680 --> 1:55:55.120
<v Speaker 1>knew about, yeah, which is what they were after in

1:55:55.160 --> 1:56:00.920
<v Speaker 1>that era. Um. And so what's significant about Grennell is

1:56:01.800 --> 1:56:09.000
<v Speaker 1>he fights to preserve Yellowstone and wild places when it

1:56:09.120 --> 1:56:12.840
<v Speaker 1>actually when there's a contest with a commercial interest, and

1:56:12.880 --> 1:56:16.040
<v Speaker 1>the commercial interest at the time was the railroads, which were,

1:56:16.200 --> 1:56:19.200
<v Speaker 1>of course the big business of the day, and the

1:56:19.280 --> 1:56:23.880
<v Speaker 1>railroads want to build a spur through Yellowstone National Park.

1:56:24.600 --> 1:56:27.720
<v Speaker 1>UM and Grennell and the Boone and Crockett Club and

1:56:27.720 --> 1:56:33.960
<v Speaker 1>Teddy Roosevelt fight that. UM and in they passed the

1:56:34.080 --> 1:56:38.360
<v Speaker 1>Lacy Act, which basically, for the first time ever established

1:56:38.560 --> 1:56:44.520
<v Speaker 1>penalties for destroying wildlife and made it have an economic cost,

1:56:45.120 --> 1:56:49.440
<v Speaker 1>and also took on a vested economic interest, namely the railroads,

1:56:49.480 --> 1:56:52.520
<v Speaker 1>in order to to establish that and they win. So

1:56:52.640 --> 1:56:56.560
<v Speaker 1>really it's that year that is that is the to me,

1:56:56.760 --> 1:56:59.680
<v Speaker 1>the more important year in terms of the history of

1:56:59.760 --> 1:57:02.640
<v Speaker 1>yellow because that's when that's when we when we decided,

1:57:03.520 --> 1:57:06.960
<v Speaker 1>even though it's not easy, and even though there's competing interests,

1:57:07.160 --> 1:57:10.320
<v Speaker 1>we're still going to protect Yellowstone National Park. There's a

1:57:10.360 --> 1:57:12.760
<v Speaker 1>really boring book, except that it would be interesting to

1:57:12.840 --> 1:57:15.680
<v Speaker 1>two or three people in the history of the Lazy Act,

1:57:15.880 --> 1:57:20.320
<v Speaker 1>because it is still a very powerful wildlife tool to

1:57:20.400 --> 1:57:24.600
<v Speaker 1>this day and the foresight of the people who created that.

1:57:24.640 --> 1:57:28.040
<v Speaker 1>I mean, how many how many laws from do we

1:57:28.040 --> 1:57:30.480
<v Speaker 1>still think about today? Yeah, just for for folks are

1:57:30.480 --> 1:57:34.680
<v Speaker 1>saying like the Lazy Act gives um when you commit

1:57:34.720 --> 1:57:39.839
<v Speaker 1>wildlife crimes, and those wildlife crimes move across state lines,

1:57:40.560 --> 1:57:43.640
<v Speaker 1>it gives some real teeth to enforcement. And it made

1:57:43.680 --> 1:57:45.640
<v Speaker 1>it that at the time states that might have been

1:57:45.720 --> 1:57:50.400
<v Speaker 1>lack of days ago about wildlife laws. Um, it gave

1:57:50.480 --> 1:57:54.600
<v Speaker 1>like some it gave some federal oversight on wildlife stuff.

1:57:54.680 --> 1:57:57.560
<v Speaker 1>So the minute you did some poaching, it's still this

1:57:57.640 --> 1:58:00.240
<v Speaker 1>outworks today, Like you might do some poaching in one

1:58:00.280 --> 1:58:03.920
<v Speaker 1>state and drive across. There's even Lazy Act prosecutions where

1:58:03.920 --> 1:58:06.520
<v Speaker 1>someone poaches something to one state, but they drive the

1:58:06.520 --> 1:58:09.920
<v Speaker 1>head of their taxidermist twenty miles down the road who

1:58:09.960 --> 1:58:12.120
<v Speaker 1>happens to be in a different state. That also becomes

1:58:12.120 --> 1:58:16.040
<v Speaker 1>a federal crime. It's a Lazy Act violation, and they

1:58:16.040 --> 1:58:18.600
<v Speaker 1>still use it. Imagine because he was on a daily

1:58:18.640 --> 1:58:23.040
<v Speaker 1>basis today what the The other thing that I love

1:58:23.080 --> 1:58:27.560
<v Speaker 1>about about Grennell in terms of his vision and foresight,

1:58:28.320 --> 1:58:34.160
<v Speaker 1>is he was an incredibly canny political operator because he

1:58:34.200 --> 1:58:36.680
<v Speaker 1>was fighting against the railroads and he knew that the

1:58:36.720 --> 1:58:39.280
<v Speaker 1>most powerful force of his day was I mean, the

1:58:39.360 --> 1:58:44.560
<v Speaker 1>railroads invented lobbying literally and uh, and Grennell knew that

1:58:44.640 --> 1:58:49.879
<v Speaker 1>he needed his own constituency and UH, he needed to

1:58:49.960 --> 1:58:55.040
<v Speaker 1>change the narrative and so his he also used social

1:58:55.040 --> 1:58:57.600
<v Speaker 1>media the day, which was magazines. I mean, this was

1:58:57.840 --> 1:59:01.120
<v Speaker 1>the era after the Civil War. Is the golden age

1:59:01.160 --> 1:59:04.280
<v Speaker 1>in some ways of of magazines. That there's all these

1:59:04.360 --> 1:59:07.000
<v Speaker 1>magazines that flourish, including the one that he was the

1:59:07.880 --> 1:59:12.200
<v Speaker 1>publisher of, UH, which is Forest and Stream. And he

1:59:12.320 --> 1:59:18.120
<v Speaker 1>used that that magazine to to UH editorialize two Hunters

1:59:18.560 --> 1:59:24.960
<v Speaker 1>every week. And his theme was public land and totally

1:59:25.160 --> 1:59:29.160
<v Speaker 1>and because nobody knew what public land meant then, and

1:59:29.240 --> 1:59:32.040
<v Speaker 1>what he explains to people as public land means you

1:59:32.080 --> 1:59:36.960
<v Speaker 1>own it. You hunter in UH. You know who doesn't

1:59:37.000 --> 1:59:41.320
<v Speaker 1>live in UH, in Wyoming or Montana. You own a

1:59:41.360 --> 1:59:49.440
<v Speaker 1>piece of yellowstone. And when somebody is exploiting resources in Yellowstone,

1:59:49.520 --> 1:59:52.400
<v Speaker 1>they're stealing from you, and you should be piste off

1:59:52.440 --> 1:59:57.919
<v Speaker 1>about that. And so Grinnell editorializes on this for years

1:59:58.160 --> 2:00:01.400
<v Speaker 1>to kind of build this theme in this ethic of

2:00:01.480 --> 2:00:05.080
<v Speaker 1>public lands. And he's incredibly successful at doing it. But

2:00:05.160 --> 2:00:07.960
<v Speaker 1>he's a lot of the reason why why we have

2:00:08.200 --> 2:00:12.320
<v Speaker 1>an ethic today that is, you know, supports public lands.

2:00:12.520 --> 2:00:15.320
<v Speaker 1>So he's an amazing character. I want hate with one

2:00:15.400 --> 2:00:20.760
<v Speaker 1>last question if you if someone says you're like, what

2:00:20.800 --> 2:00:24.920
<v Speaker 1>are your books about? Do you have you ever taken

2:00:24.960 --> 2:00:28.320
<v Speaker 1>the time or felt the necessity to bundle them in

2:00:28.440 --> 2:00:35.400
<v Speaker 1>your head as being I right about, And don't tell

2:00:35.440 --> 2:00:40.240
<v Speaker 1>him the West that that's not gonna suffice well. I

2:00:40.240 --> 2:00:47.680
<v Speaker 1>I first and foremost love compelling, vivid, action laden stories.

2:00:48.040 --> 2:00:50.320
<v Speaker 1>That's the type of stuff I like to read. That's

2:00:50.320 --> 2:00:52.240
<v Speaker 1>the type of movies I like to watch. I love

2:00:52.400 --> 2:00:56.480
<v Speaker 1>good stories, and to me, it just so happens that

2:00:56.560 --> 2:00:59.800
<v Speaker 1>The West is full of good stories. And I've loved

2:00:59.840 --> 2:01:03.320
<v Speaker 1>him since I was a little boy. But to me,

2:01:03.480 --> 2:01:06.440
<v Speaker 1>what makes a story a story that I really want

2:01:06.440 --> 2:01:11.800
<v Speaker 1>to marry for a couple of years is that it

2:01:11.920 --> 2:01:18.080
<v Speaker 1>has lessons for today. And I hope all the stories

2:01:18.080 --> 2:01:22.240
<v Speaker 1>that I write have interesting lessons for today that can

2:01:22.280 --> 2:01:28.000
<v Speaker 1>help us to better understand our lives today. And more

2:01:28.040 --> 2:01:31.440
<v Speaker 1>and more, the more the country becomes politically divided, and

2:01:31.440 --> 2:01:33.880
<v Speaker 1>the more and more it becomes difficult to have a

2:01:34.000 --> 2:01:37.840
<v Speaker 1>rational debate between people who disagree, the more and more

2:01:37.880 --> 2:01:40.920
<v Speaker 1>I think history is important because I think sometimes if

2:01:40.920 --> 2:01:43.920
<v Speaker 1>you look at something that is historical, people don't have

2:01:44.040 --> 2:01:48.879
<v Speaker 1>all of the visceral baggage that goes with contemporary debates.

2:01:49.040 --> 2:01:51.600
<v Speaker 1>That's not always true, obviously, but we can be a

2:01:51.640 --> 2:01:55.720
<v Speaker 1>little bit more dispassionate today, for example, about the buffalo

2:01:56.400 --> 2:01:59.080
<v Speaker 1>and the demise of the buffalo and the lessons to

2:01:59.120 --> 2:02:01.560
<v Speaker 1>be learned from that, And you can sit down in

2:02:01.600 --> 2:02:04.240
<v Speaker 1>a bar and have a conversation with people about that,

2:02:04.760 --> 2:02:08.080
<v Speaker 1>and most people would probably agree, you know, it's it's

2:02:08.120 --> 2:02:11.960
<v Speaker 1>it's uh, we should not have have exterminated them from

2:02:12.000 --> 2:02:14.240
<v Speaker 1>the planet and the way that we did, in a

2:02:14.280 --> 2:02:16.640
<v Speaker 1>way that you couldn't have that same conversation sitting down

2:02:16.640 --> 2:02:20.640
<v Speaker 1>in a bar about global warming. And yet there's a

2:02:20.680 --> 2:02:24.200
<v Speaker 1>lot of lessons from studying the buffalo that should be

2:02:24.240 --> 2:02:26.800
<v Speaker 1>relevant to how we look at an issue like global

2:02:26.840 --> 2:02:30.600
<v Speaker 1>warming or or the environment today. So to me, that

2:02:30.720 --> 2:02:33.080
<v Speaker 1>was a long winded answer to your question. But I

2:02:33.120 --> 2:02:38.600
<v Speaker 1>love vivid, compelling adventure stories that have lessons that are

2:02:38.640 --> 2:02:45.360
<v Speaker 1>relevant to our lives today. That suffices that they all

2:02:45.360 --> 2:02:48.800
<v Speaker 1>happen to be in the West. But anyway, that's fair, ye,

2:02:48.920 --> 2:02:52.840
<v Speaker 1>anyway you got you got any uh rapper I can try,

2:02:53.720 --> 2:02:56.120
<v Speaker 1>so you can always cut it out, like Steve says,

2:02:56.200 --> 2:02:58.640
<v Speaker 1>So Steve will interrupt me halfway through if it's no good,

2:02:59.040 --> 2:03:00.839
<v Speaker 1>you know, reading some of that ore nicles that Karine

2:03:00.880 --> 2:03:04.360
<v Speaker 1>found that were like when Steve started earlier that we're

2:03:04.480 --> 2:03:07.000
<v Speaker 1>people like sort of talking about you as the author

2:03:07.040 --> 2:03:09.200
<v Speaker 1>of the Revenant, but you couldn't really comment because of

2:03:09.240 --> 2:03:12.880
<v Speaker 1>your job. And when I was reading that and simultaneously

2:03:12.920 --> 2:03:15.480
<v Speaker 1>reading the Last Stand and kind of looking like you

2:03:15.560 --> 2:03:19.240
<v Speaker 1>just talked about Grannelle being like this great political you

2:03:19.280 --> 2:03:24.480
<v Speaker 1>know strategists, You've done similar stuff like that in your job, right,

2:03:24.560 --> 2:03:26.840
<v Speaker 1>having to like step up to the table with I

2:03:26.880 --> 2:03:31.720
<v Speaker 1>mean working at the World Trade Organization hundred sixties some

2:03:31.880 --> 2:03:35.040
<v Speaker 1>countries and right, and having to like make big deals happen.

2:03:35.080 --> 2:03:39.040
<v Speaker 1>Do you ever like find comparisons all the time? And

2:03:39.160 --> 2:03:44.440
<v Speaker 1>in fact, the most vivid political lessons that I have learned,

2:03:44.880 --> 2:03:48.040
<v Speaker 1>we're not, you know, living in Washington, d C. For

2:03:48.400 --> 2:03:50.640
<v Speaker 1>a bunch of years, as I did after I got

2:03:50.640 --> 2:03:53.880
<v Speaker 1>out of law school. The most vivid political lessons that

2:03:53.920 --> 2:03:59.400
<v Speaker 1>I've learned were researching George Bird Grinnell and his battle

2:03:59.560 --> 2:04:04.760
<v Speaker 1>against the railroads to preserve public lands and seeing how

2:04:04.800 --> 2:04:07.200
<v Speaker 1>he did that at a time when the odds were

2:04:07.240 --> 2:04:09.800
<v Speaker 1>completely stacked against him. And of course there is no

2:04:09.880 --> 2:04:13.320
<v Speaker 1>place on the planet that has more political history per

2:04:13.440 --> 2:04:17.840
<v Speaker 1>square inch than Butte Montana. And Uh, if you want

2:04:17.880 --> 2:04:22.920
<v Speaker 1>to learn about politics, UH, study the fight between the

2:04:23.080 --> 2:04:26.320
<v Speaker 1>unions and the Standard Oil Company at the turn of

2:04:26.360 --> 2:04:31.600
<v Speaker 1>the century and see on both sides the lessons that

2:04:31.640 --> 2:04:37.600
<v Speaker 1>were applied there. Um. It is a graduate course in politics.

2:04:38.000 --> 2:04:40.840
<v Speaker 1>So there is no question that the most significant political

2:04:40.920 --> 2:04:44.000
<v Speaker 1>lessons of my life have been drawn out of nineteenth

2:04:44.040 --> 2:04:50.440
<v Speaker 1>century Montana history. Good. Yeah, I'm not cutting that ship, don't.

2:04:52.920 --> 2:04:58.200
<v Speaker 1>Author Michael Punk with the E on the end. That's true.

2:04:58.440 --> 2:05:01.320
<v Speaker 1>Michael Punks. They can find them. P U n k E.

2:05:02.360 --> 2:05:08.280
<v Speaker 1>Author of currently Ridgeline. It's not won't be out until June,

2:05:08.520 --> 2:05:13.160
<v Speaker 1>but look for it. But otherwise, author of The Revenant, Uh,

2:05:13.440 --> 2:05:19.680
<v Speaker 1>Fire and Brimstone, Last Stand. Okayanne Forthcoming, Thank you for

2:05:19.800 --> 2:05:21.920
<v Speaker 1>joining us in the Thanks Lone. I trust that a

2:05:21.960 --> 2:05:23.480
<v Speaker 1>bunch of people will go buy your books and you'll

2:05:23.520 --> 2:05:25.520
<v Speaker 1>be thinking that it wasn't such a bad idea to

2:05:26.120 --> 2:05:28.520
<v Speaker 1>come out and defend your come on, defend your movie

2:05:28.760 --> 2:05:31.520
<v Speaker 1>ahead of last Thanks a lot, Thank you, Take care,