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Speaker 1: Look man, oh I see you. My Oh look over there?

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Speaker 1: How is that archer? Yes, goodness ding dumb Lost Cultures calling.

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Speaker 1: I have to tell you something I just did that

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Speaker 1: was really too good and too on brand. I've been

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Speaker 1: talking to you for the last few minutes and I

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Speaker 1: what you were you about to do? I'm saving it

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Speaker 1: for this. I just gave myself a ridiculous paper cut

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Speaker 1: opening up a package, and the packages a gumball machine?

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Speaker 1: When did you order this? I'm not doing great? Oh

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Speaker 1: my god, I guess the other day I was like

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Speaker 1: really high in the way that I've been dealing with

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Speaker 1: my stress lately, this online shopping. So I bought a

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Speaker 1: gumball machine for the because I had never seen anyone

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Speaker 1: with one before. I thought it was like a cute

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Speaker 1: fun thing. Oh my god, this tells I have to

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Speaker 1: go get gas now, it really does. I mean, just

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Speaker 1: to show where gumballs in it, put something else in it,

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Speaker 1: like what bitch put little like um little condoms put there.

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Speaker 1: If not gumballs, you'll you'll think of it. But just

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Speaker 1: I think you might as well make a decision around

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Speaker 1: what you put in there, and you might as well

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Speaker 1: subvert the expectation that there would be gun balls in it,

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Speaker 1: you know, you know, I was thinking about it. I

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Speaker 1: guess you could put like skittles Reminem's in there, but

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Speaker 1: that's no kiddy. What would go in something that's disposed,

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Speaker 1: that disposes, but like it's something different, it's and it's

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Speaker 1: not even edible. Well you are being exactly no help,

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Speaker 1: not even edible. Maybe a little I'm looking around my

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Speaker 1: apartment looking for chas and knickknacks that I can put

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Speaker 1: in my big ball. Honestly, put put like, buy a

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Speaker 1: bunch of joints, spend like a few hundred on joints,

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Speaker 1: and then put your joints in there. That's what do

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Speaker 1: you think? I am, ma'am, ma'am, ma'am. Excuse me, who

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Speaker 1: do you think? I am, ma'am madam. It's full circle.

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Speaker 1: You bought when you were high, and then you might

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Speaker 1: as well just like have that be the regulatory thing.

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Speaker 1: But it's also it's also a decorative accessory. It's it's everything.

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Speaker 1: I'm sort of flirting with getting high on the episode today.

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Speaker 1: What's the highest you've been for one of our recordings?

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Speaker 1: I remember when I was I don't think i've I

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Speaker 1: don't recall a time that I've been high for this.

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Speaker 1: Should we do it? Never? I don't think so. I

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Speaker 1: just bought these new balls. Let's just do it. But okay, fine,

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Speaker 1: we're gonna get stone. During the recording, I was really

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Speaker 1: high for the carle En filimon episode two when I

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Speaker 1: was late that day and you were maps. So that

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Speaker 1: was the error when we would go to like bore

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Speaker 1: Um Hill, like by literally right down the street from you,

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Speaker 1: down the street from me, and that was I do

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Speaker 1: remember that being a time in your life when you

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Speaker 1: were NonStop smoking. Yeah, well that was like that was

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Speaker 1: kind of a dark period. Do you ever miss that

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Speaker 1: era of like living in that area. I kind of

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Speaker 1: feel like that was an iconic apartment for you, you

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Speaker 1: know how like some some like you have your apartment now,

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Speaker 1: but in your past, like you have like an iconic

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Speaker 1: apartment that will forever be you. The apartment and now

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Speaker 1: is not iconic. I'm started to say, it's really not

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Speaker 1: like I feel like it's like I feel like you

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Speaker 1: will not be there for as long as you were

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Speaker 1: in that old department. No, I was. I was meant

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Speaker 1: to leave. First of all, there's just some dark ship

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Speaker 1: happening in this building, not even in this building on

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Speaker 1: my floor, on my corner of the floor, go into

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Speaker 1: this because when I was there one time, there was

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Speaker 1: an energy. It's a bummer. It's just a bummer because

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Speaker 1: the people across from me, they're this hetero couple already

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Speaker 1: spread suspects. It's already across the hall. Hetero couple. I

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Speaker 1: would say they're mid forties. I'm sure they can hear

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Speaker 1: every word of this because the walls are so thin.

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Speaker 1: Which leads me to sort of the story, which is

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Speaker 1: the narrative, which is, first of all, like all I've

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Speaker 1: been here like a year and like three months and change.

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Speaker 1: Oh my god, wow, that their entire time, they've like

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Speaker 1: hosted these like I would imagine like the energy feels

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Speaker 1: very coked out, like they just invite it has a

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Speaker 1: weird swingers vibe to which I'm not like pooh pooing.

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Speaker 1: It's just like that's the energy. But like they bring

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Speaker 1: in at least like three other couples i'd say once

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Speaker 1: a week or once every other week, susis, so then

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Speaker 1: they'll have they'll have these parties. And then what was

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Speaker 1: especially sort of despicable was even into March April, May

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Speaker 1: jin July, August, September, October. They've they've been doing this,

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Speaker 1: they've been doing this all pandemic, having people over, and

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Speaker 1: I'm just like, what the fuck do you think it

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Speaker 1: could be the same people again and again? Like this

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Speaker 1: is truly their pod Maybe sure, sure it's fine, But

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Speaker 1: all I'm saying is, even in March and April, I

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Speaker 1: was like, don't do that, don't do that. I would say, well,

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Speaker 1: it doesn't, I mean doesn't it doesn't matter now. I'm

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Speaker 1: sure they're all healthy or whatever, and just as long

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Speaker 1: as you don't start hearing hacking coughs. Well, there's so

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Speaker 1: there's this aspect of it, and they've never they've never

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Speaker 1: like said said hiding in the halls. I mean, I

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Speaker 1: think the mail has like made contact with me and

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Speaker 1: like grinned very sort of haphazardly he sus he sus no.

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Speaker 1: But I just I just I just kind of I don't.

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Speaker 1: I don't, I don't scalp people. I like scaled it

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Speaker 1: kind of do you kind of give him this? That's yeah, exactly,

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Speaker 1: one of those like the time like hi like raised eyebrow,

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Speaker 1: like bigger grin than usual, like hiya. So that's so

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Speaker 1: that's one side of it. The other side of it

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Speaker 1: is that's on Fridays and Saturdays, on on any given week,

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Speaker 1: the big, big time, big time party days of the

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Speaker 1: week Fridays and Saturday's. Famously it's a royal culture, big

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Speaker 1: time days of the week Friday and Saturday. What roller

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Speaker 1: culture is that again? Oh? Um, I, I and and

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Speaker 1: so then Sunday, Monday, basically any other day that's not

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Speaker 1: Friday and Saturday, which are big time party days. Um.

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Speaker 1: And this is when it gets dark, the most vitriolic, toxic,

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Speaker 1: hateful shower matches. Yeah. Yeah, from the same apartment, from

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Speaker 1: that same apartment, from this couple. No, they've said things

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Speaker 1: to each other that I don't I couldn't. I tried

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Speaker 1: repeating them to someone at work when I was like

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Speaker 1: telling the story. I can't even like think about. I

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Speaker 1: can't even recall what they say because it's so shockingly

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Speaker 1: terrible what they say to Oh my god, there's nothing

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Speaker 1: worse than like hearing fights happen. I can't. I can't imagine,

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Speaker 1: like you're essentially following a narrative. Yeah, and I I

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Speaker 1: kind of tense up and then oh my god, two

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Speaker 1: weeks ago, it just got really bad, and I heard

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Speaker 1: things bang against the wall. Oh no, And then truly

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Speaker 1: truly did know what know what to do. And then

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Speaker 1: he heard like the woman saying like I can't even

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Speaker 1: this is so being like how the fund could you

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Speaker 1: throw that at me like that kind of thing. Oh

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Speaker 1: my god, I blew at the mic. The acting performance

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Speaker 1: you just gave can only be given by someone who

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Speaker 1: had witnessed that is crazy. That is now. I'm not

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Speaker 1: even just saying it's us. It's fully suss, it's fully sussed.

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Speaker 1: It's awful. But if your sister, you're sous, I've been

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Speaker 1: saying it's ever little culture. You have been saying that

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Speaker 1: for you. We don't look at the number. If your assis,

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Speaker 1: that's been saying that for years. So stop stop it.

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Speaker 1: This is heavy. This is heavy. This is heavy. You're right,

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Speaker 1: is heavy. I don't know what the funk to do still,

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Speaker 1: And but then that night I did go down to

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Speaker 1: my door person and it was like Abby. I was like, Abby,

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Speaker 1: she's great, she's awesome, man's my favorite. It was like Abby,

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Speaker 1: I don't know what to do about the situation because

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Speaker 1: they don't involve the cops. But I basically told her

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Speaker 1: was like this people across from me in this unit,

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Speaker 1: and I've called down to them before and been like, hey,

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Speaker 1: just letting you know they're never gonna do anything. They

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Speaker 1: can't and of course and like they're not like equipped

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Speaker 1: to do anything about it really. But then but that

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Speaker 1: Abby was very helpful. She was like, I can put

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Speaker 1: in a note to the management company of the building.

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Speaker 1: They always are putting in notes. It doesn't do ship.

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Speaker 1: Remember the toe? Remember the toe? Do you remember when

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Speaker 1: I lived in that apartment in South brook and the

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Speaker 1: guy downstairs was faced like a toe? So you have

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Speaker 1: to tell the readers about to tell while I get

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Speaker 1: my pen. Go okay, so I've hit my bawl. So

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Speaker 1: this is just me and your readers because Boe has

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Speaker 1: left the frame. So I'm just telling you guys. So basically,

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Speaker 1: when I was living in South Brooklyn the first time,

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Speaker 1: the first apartment I was in there, we were on

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Speaker 1: the second floor, great apartment. It was me, Sudi Man

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Speaker 1: of Checkman, Dave Mazzone some combination of that. So we're

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Speaker 1: all living together and we were just in our apartment

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Speaker 1: one day in the living room and we get this

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Speaker 1: hateful knock on the door and I opened the door

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Speaker 1: to sort of reveal a gentleman who I can only

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Speaker 1: describe his face as looking like that of a human toe.

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Speaker 1: This obviously took me back. This this, this was enough

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Speaker 1: to take me back in the beginning. And so I

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Speaker 1: my eyes were very much open at this point, and

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Speaker 1: I opened my ears to hear him say that we

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Speaker 1: were stomping, stomping in the living room, and when that

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Speaker 1: he lived below us, and then we had to stop

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Speaker 1: stomping and having a party. There were four people that

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Speaker 1: lived there. There were four people, maybe three in the

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Speaker 1: living room, and we were simply walking across you know,

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Speaker 1: the living room floor, et cetera, not stomping, doing nothing.

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Speaker 1: So he were We were like, okay, we're so sorry.

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Speaker 1: Dancing though, no never, And you know that first of all,

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Speaker 1: that apartment was like footloose, no dancing, just kidding, right,

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Speaker 1: We we just were not dancing at that time. And

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Speaker 1: I'm not really someone who like stomps around my apartment,

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Speaker 1: like I'm definitely a pacer, but it was no stomping

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Speaker 1: going on. So he leaves. I tell everyone, like, I

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Speaker 1: guess we need to be more careful because that guy

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Speaker 1: was said we were stomping. We were all just you know, perplexed.

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Speaker 1: So cut to several months of this happening. He physically

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Speaker 1: threatened us with violence one time, and Amanda's boyfriend at

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Speaker 1: the time, Matt, was threatened with physical violence by him

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Speaker 1: being like, if you don't stop, I'm going to stop it.

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Speaker 1: And he literally said like he said something along the

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Speaker 1: lines of like I don't want this to come to

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Speaker 1: physical blow, but it might. And we were like, are

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Speaker 1: you kidding? I'm telling the toe was on one on

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Speaker 1: one and sist is us and I have to say this.

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Speaker 1: He then put his own surveillance camera in the hallway

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Speaker 1: so that he could see who was coming in and

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Speaker 1: out of our apartment. The camera was pointed at the door.

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Speaker 1: I was like, this can't be. So I go to

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Speaker 1: call my landlord, who's a ninety year old Greek man.

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Speaker 1: He's dead. The landlord died. You found out he died

200
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Speaker 1: when you called. We found out he was dead because

201
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Speaker 1: the daughter picked up the phone. I kid you not

202
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Speaker 1: so that I say, well, I'm so sorry for your

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Speaker 1: last Someone does have to deal with this. She was like,

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Speaker 1: we can't deal with it for like a month. I

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Speaker 1: was like, okay, yes, take the time you need Meanwhile,

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Speaker 1: it gets worse and worse. The environment between me and

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Speaker 1: the tow is getting so thick. Amanda is in hysterics,

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Speaker 1: like Sudi could not handle it. I remember Sudi and

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Speaker 1: Amanda being very perturbed. This was what circuit two fourteen.

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Speaker 1: Dave was being very Dave about it, like like he

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Speaker 1: actually moved out. He had had it, so he moves out.

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Speaker 1: I'm there with Study and Amanda, and we had someone

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Speaker 1: just like subletting that Dave apartment. And I'm telling you,

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Speaker 1: it got to the point where we had to leave

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Speaker 1: because the landlord said, there's been too many complaints. I'm

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Speaker 1: raising your rent in this way that only a landlord

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Speaker 1: could be complained with the landlord. But he was complaining

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Speaker 1: about was complaining the landlords. The daughter the toe was

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Speaker 1: complaining to the daughter of the landlord, who, let me

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Speaker 1: tell you something. She might have been born into this dynasty,

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Speaker 1: but she was not appropriate for the role of landlord. Okay,

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Speaker 1: she was more more like a dummy. So her name

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Speaker 1: was Christina I'll never forget. And she called and I

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Speaker 1: basically had to beg her to not raise the rent,

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Speaker 1: telling her this was unjust unfair. She was kicking us

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Speaker 1: out of our homes and we were all being good

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Speaker 1: tenants and he was just insane. He like, legally, I

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Speaker 1: didn't think he was in his rights to serve ail

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Speaker 1: our apartment. These readers all my lawyer readers, tell me

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Speaker 1: if this is like, if I'm off base here, but

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Speaker 1: it felt insane, and she was like, you guys have

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Speaker 1: to get kicked out of the apartment. She because like,

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Speaker 1: you guys are gone, and I'll never I was so

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Speaker 1: mean to her. I hung up the phone and I said,

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Speaker 1: this has been a horrible apartment to live in. You're

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Speaker 1: a horrible landlord. And I hung on her and I

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Speaker 1: just I just heard her go oh, like she was

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Speaker 1: taken aback. And I was so I couldn't believe I

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Speaker 1: had to an adult and I'm I'm twenty three at

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Speaker 1: the time. I got so upset because it was so

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Speaker 1: unfair and that was my first experience within justice. Just kidding.

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Speaker 1: It was moment um. Yeah, yeah, it wasn't great. I

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Speaker 1: kind of immediately regret smoking because I'm like a funk.

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Speaker 1: I kind of have to worry. No, you don't, I don't,

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Speaker 1: I say you don't. Can I say something? You don't

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Speaker 1: have to work this week? Because you did such an

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Speaker 1: amazing job last week. Wait oonna, I'm start proud of you.

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Speaker 1: Thank you. Before we talk about this, I just want

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Speaker 1: to close I just want to close the loop on

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Speaker 1: my situation, which oh sorry, no no no, no no, no

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Speaker 1: no no, just really quick. So I mean something got

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Speaker 1: sent to the management company, who knows what will happen.

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Speaker 1: But then I also went on next door and posted

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Speaker 1: a whole thing where I was like, what you're Christina

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Speaker 1: all of a sudden, is that where you can anonymously

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Speaker 1: blast people you live? Well, well, that's what people do.

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Speaker 1: And it's not anonymous like your name is on it,

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Speaker 1: but people, it's just people in the neighborhood, like talking ship,

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Speaker 1: it's and and a lot of it in my area unfortunately,

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Speaker 1: is like make sure you lock your car doors, like

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Speaker 1: there's there's there's suspicious activity going. It's I mean, that's

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Speaker 1: that's how That's how next door is in a lot

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Speaker 1: of neighborhoods across the country. And so did you kind

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Speaker 1: of take to the website seeing if someone was having

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Speaker 1: an experience like yours? I said, what what should I

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Speaker 1: do from people who might be experienced in this? Um?

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Speaker 1: So I was I was looking through and explicitly asked.

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Speaker 1: But I was kind of reaching out to the social

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Speaker 1: workers and to the to the people who to the professionals.

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Speaker 1: Did you get any anything anything back? Well, it's it

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Speaker 1: was so many split things. Oh see, they're all fools.

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Speaker 1: Some people being like, you have to call the police.

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Speaker 1: That's the only way this gets resolved, and then other

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Speaker 1: people being like, no, that doesn't solve anything. That actually

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Speaker 1: creates a tens or situation for the people, and and

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Speaker 1: then other people being like I'm a survivor of abuse

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Speaker 1: and nothing changed for me until someone called the police. Uh. Yeah,

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Speaker 1: that's a tough one. It's so it's so hard. There's

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Speaker 1: no right answer. You don't want to assume that I

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Speaker 1: think something needs to be done. What are you going

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Speaker 1: to do? Go over there yourself and knock At a

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Speaker 1: certain point, like I was thinking that maybe what while

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Speaker 1: you were talking, I was like, you know, I think

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Speaker 1: that someone needs to make them aware of the fact

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Speaker 1: that like, I don't know. This is a tough one. Well,

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Speaker 1: I you should probably call thee no, because there there

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Speaker 1: are like domestic abuse hotlines that like I can call

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Speaker 1: into but like, but then, but see what all of

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Speaker 1: these experts are saying and social workers were saying on

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Speaker 1: next door was was something along the lines of like

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Speaker 1: you kind of have to catch one of them, You

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Speaker 1: kind of have to confront one of them individually and

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Speaker 1: be like, hey, if you need help, let me know.

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Speaker 1: But then it's like, I I am concerned for them

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Speaker 1: on a baseline level, but I also despise. I don't

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Speaker 1: want anything to get hurt. But it's like I don't

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Speaker 1: want to. I have not been put in the position

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Speaker 1: to like, well, no, I'm not saying that, like I

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Speaker 1: would not like step in because they're despicable people, because

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Speaker 1: they broke quarantine rules, you are willing to let them? No.

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Speaker 1: I mean, first of all, it does not it does

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Speaker 1: not fall on me individually to be like, hi, um,

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Speaker 1: I'm gonna solve this. No, no, no, no. I I

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Speaker 1: think I think that what seems to be not happy

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Speaker 1: inning is that no one is willing to be like

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Speaker 1: this is an unusual situation and we all live in

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Speaker 1: this environment and it's becoming toxic foreveryone, not just you.

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Speaker 1: So what's going on? And I think that maybe, but

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Speaker 1: I do not want I do not want to deal

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Speaker 1: with the sort of little aged cocaine energy hetero energy

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Speaker 1: with these people and I'm gonna guess white, yes, yes,

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Speaker 1: so um great. So the thing is, I think that

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Speaker 1: it needs to be made more explicitly known to the

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Speaker 1: people who are running your building what exactly is happening.

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Speaker 1: And also have you thought of going to other neighbors

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Speaker 1: and being like, are you having this experience? Yeah? But

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Speaker 1: my my neighbors next to me and I have a

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Speaker 1: tense relationship because I like because I've literally like played

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Speaker 1: especially during the the SMLT Home episodes when I was

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Speaker 1: shooting stuff, like they like knocked on my door and

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Speaker 1: like complained about the noise and I'm like, I'm sorry.

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Speaker 1: I like the walls are paper thin here that I

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Speaker 1: I hate. I hate that. Oh my god, that's every

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Speaker 1: ne York apartment though. Hello, the apparently the floor in

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Speaker 1: that apartment that I was just talking about was made

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Speaker 1: of paper apparently because that toe was inflamed. That was

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Speaker 1: what I was thinking to you, like, I'll just like

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Speaker 1: go over to them and be like, hi, if you

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Speaker 1: guys were hearing this, like let's figure out something we

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Speaker 1: can do. But anyway, since that big blowout where things

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Speaker 1: were thrown, there hasn't been anything quite as quite as

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Speaker 1: violent as that apparently, but um, they've the parties have continued.

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Speaker 1: So but anyway, Um, I'm proud of you for how

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Speaker 1: you did on the show, despite the fact that you're

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Speaker 1: very disrespectful to to the Quebeckers. I feel that the

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Speaker 1: accent that you did, the way you were behaving, the

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Speaker 1: buffoonery sort of sketch comedy acting you were doing, was

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Speaker 1: very disrespectful that lives in the province of Quebec. You know,

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00:17:49,960 --> 00:17:55,800
Speaker 1: sketch comedy is um dangerous. It is supposed to be subtle,

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Speaker 1: and it's supposed to be really paired back and always

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00:18:00,640 --> 00:18:09,240
Speaker 1: accurate and completely it's it's real, grounded realism. I want

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00:18:09,280 --> 00:18:13,200
Speaker 1: to see more Mary Louise Parker on SNL the most

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Speaker 1: rounded actress. We can think she's very grounded. No, who's

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Speaker 1: the most ground And I'll tell you who's the most

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Speaker 1: grounded Christian because she's not doing anything anyway. Grow Um No,

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00:18:26,600 --> 00:18:32,000
Speaker 1: but we love drost hashtag anyway, maybe that's a rule

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Speaker 1: of culture. I'll tell you who's the most grounded actress,

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Speaker 1: Christen Stewart, because she's not doing anything. That's culture number

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Speaker 1: fifty nine. Of course, Bond is not going to say

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Speaker 1: it because he is of course d n C SNL

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Speaker 1: and I, of course I of course I'm out girl dog.

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Speaker 1: No one owns me, no corporate entity. I am owned

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Speaker 1: by no conglomerate. Okay, bitch right, what we're gonna say?

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Speaker 1: I was saying, was there really any blowback from the

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Speaker 1: province of Quebec? What people who don't know Bowen did

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Speaker 1: a very funny um, well, we could explain the sketch

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Speaker 1: We did a Canadian news, a French Canadian news show

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Speaker 1: called bonjer High, which I didn't realize until until after

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Speaker 1: the sketch air that there is such a cultural controversy

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Speaker 1: around saying bonjeer high in Quebec, that there is a

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00:19:29,080 --> 00:19:33,320
Speaker 1: small movement there too codify into law that it is

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Speaker 1: that it would be illegal to say busher high, and

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Speaker 1: anyone says busher high will be like fined or something. Wait,

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00:19:39,600 --> 00:19:42,200
Speaker 1: why I have I have to ask one huge question,

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00:19:42,240 --> 00:19:45,760
Speaker 1: which is why it was so bucher high. It's like

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00:19:45,840 --> 00:19:49,680
Speaker 1: meant to sort of like be both in English and

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Speaker 1: in French greeting. I understand, no matter who you're sitting,

368
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Speaker 1: no matter who you're talking to in Montreal or in Quebec,

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Speaker 1: why this is happening is because Quebec has this really

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Speaker 1: fetishistic love and memory for when they were owned by

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Speaker 1: the French. Is the is the most simplistic way I

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Speaker 1: can put it. The license plate sage sullen, which is

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Speaker 1: I remember, and that's saying it refers to when they

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00:20:12,960 --> 00:20:15,960
Speaker 1: I remember when we were French. So they wished to

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Speaker 1: be French. They wish to be French. Really, at the

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Speaker 1: core of like kibbe Qua cultural identity is this like

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00:20:22,640 --> 00:20:26,159
Speaker 1: it's differentiated enough to not be French culture. And I

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00:20:26,160 --> 00:20:28,760
Speaker 1: think there's like French Canadian pride in French Canadian culture

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Speaker 1: being what it is and being distinct. But I feel

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Speaker 1: like that's what this is rooted in so bonje High.

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Speaker 1: This is a sort of watering of their rich culture

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Speaker 1: and they feel it's like saying happy holidays. It's like

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Speaker 1: a happy holiday situation, right, It's like can I get

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00:20:45,240 --> 00:20:49,040
Speaker 1: more catch up from my French Fries please? Exactly, I understand.

385
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Speaker 1: So it's like it's cheapening what is what they feel

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Speaker 1: is a rich origin culture, right, Yes, So there's a

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00:20:56,960 --> 00:21:00,560
Speaker 1: sort of movement to sort of extract the high from

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00:21:00,600 --> 00:21:05,760
Speaker 1: it and potentially make this punishable. Yeah, it's like by law.

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Speaker 1: It's Um, I don't know if it's technically nationalism, but

390
00:21:09,960 --> 00:21:12,600
Speaker 1: it is like I don't know, it doesn't matter, Um,

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Speaker 1: it's it's secessionism for sure. There is this like under

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Speaker 1: current of like a secessionist like right, okay, got the

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Speaker 1: part of Look, growing up in Montreal was lovely and

394
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Speaker 1: I really enjoyed going there now, but you can no

395
00:21:26,400 --> 00:21:28,359
Speaker 1: longer now, I can no longer now. I was going

396
00:21:28,400 --> 00:21:31,680
Speaker 1: to say that also growing up in Montreal was it's

397
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Speaker 1: one of the sort of more inflammatory lee racist places

398
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Speaker 1: to be, I would say, like the kind of racism

399
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Speaker 1: experience and now I'm grammar and now no, no, no,

400
00:21:46,640 --> 00:21:48,080
Speaker 1: this is but this is like this is something that

401
00:21:48,119 --> 00:21:51,000
Speaker 1: like people I think are willing to talk about um

402
00:21:51,040 --> 00:21:52,639
Speaker 1: and have talked about for a long time. But like

403
00:21:53,080 --> 00:21:55,520
Speaker 1: my personal experience with it is that the ship that

404
00:21:55,560 --> 00:21:59,280
Speaker 1: we got in Canada and Montreal specifically and Quebec specifically

405
00:21:59,800 --> 00:22:02,600
Speaker 1: was like maybe if I could quantify it, like four

406
00:22:02,680 --> 00:22:05,560
Speaker 1: times worse than what we got in Denver. Whereas like

407
00:22:05,600 --> 00:22:07,680
Speaker 1: you move to the US, moving to the US like

408
00:22:07,760 --> 00:22:11,200
Speaker 1: towards Asian people, like the racism is more buried under

409
00:22:11,240 --> 00:22:15,520
Speaker 1: a lot of other stuff. Um, But Quebec people are

410
00:22:15,600 --> 00:22:20,960
Speaker 1: like very direct, very sort of just like efficiently spoken

411
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Speaker 1: to keeping, so they'll they'll just like like one of

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Speaker 1: the most traumatic memories I have is being like seven

413
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Speaker 1: years old, six years old, and we just came from

414
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Speaker 1: a dentist's appointment, me and my sister, like the whole

415
00:22:34,040 --> 00:22:35,639
Speaker 1: family met my parents, My sister and I went to

416
00:22:35,640 --> 00:22:38,280
Speaker 1: this dentist's appointment, and then on the drive home, we

417
00:22:38,359 --> 00:22:40,199
Speaker 1: pull up to stop light and then the car to

418
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Speaker 1: the right of us. I'm sitting on the right side

419
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Speaker 1: in the back. The car to the right of us

420
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Speaker 1: pulls up. It's these two like and iust vievs who

421
00:22:47,520 --> 00:22:50,280
Speaker 1: whatever the funk? Like French Canadian asked girls, and I

422
00:22:50,280 --> 00:22:52,240
Speaker 1: mean that and like I'm there. I have to say

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Speaker 1: you say you say that name and you say that

424
00:22:54,400 --> 00:22:56,480
Speaker 1: you I I just have to tell you I'm there.

425
00:22:56,520 --> 00:23:01,240
Speaker 1: I get it. The Anna used is on Isis. But

426
00:23:01,280 --> 00:23:03,520
Speaker 1: like they're like, what are the Long Island equivalents? You

427
00:23:03,560 --> 00:23:06,480
Speaker 1: know what I'm saying? Like their names, Amanda's their names.

428
00:23:06,480 --> 00:23:09,960
Speaker 1: Their names are both Amanda, Amanda t and amandas Amanda

429
00:23:10,000 --> 00:23:12,960
Speaker 1: Tucker and Amanda Simmons. And that's what the Lacrosse college

430
00:23:13,040 --> 00:23:17,560
Speaker 1: called from Tucker and Tucker and Simmons, you too, YouTube YouTube,

431
00:23:17,600 --> 00:23:19,479
Speaker 1: Hey Simmons. The only way I gotta I gotta say

432
00:23:19,480 --> 00:23:20,560
Speaker 1: the last name is the only way you can tell

433
00:23:20,600 --> 00:23:23,240
Speaker 1: them a put. They're always together. We have to wait,

434
00:23:23,280 --> 00:23:35,600
Speaker 1: hold on, well okay, well we'll finish this. Okay. So anyway,

435
00:23:35,880 --> 00:23:38,879
Speaker 1: um and the US and gen Viev are like looking

436
00:23:38,920 --> 00:23:43,280
Speaker 1: over at us, and then they're pulled, pulling back their eyes,

437
00:23:43,680 --> 00:23:46,840
Speaker 1: sticking their heads, pulling back their eyes, like waving their

438
00:23:46,840 --> 00:23:50,080
Speaker 1: fucking faces in front of us and my mom and

439
00:23:50,160 --> 00:23:52,200
Speaker 1: like Kathy Park Hong writes about this in her book

440
00:23:52,200 --> 00:23:54,920
Speaker 1: Minor Feelings in Asian American Reckoning. Everyone everyone should read it,

441
00:23:54,920 --> 00:23:57,040
Speaker 1: even if you're not Asian. And this just applies to

442
00:23:57,119 --> 00:24:01,040
Speaker 1: all I think non white people. Perhaps, is that being

443
00:24:01,080 --> 00:24:03,159
Speaker 1: a child of color or being just a person of

444
00:24:03,200 --> 00:24:07,159
Speaker 1: color is to see your parents be humiliated, is to

445
00:24:07,240 --> 00:24:10,000
Speaker 1: see your parents be humiliated. And this was this is

446
00:24:10,080 --> 00:24:12,439
Speaker 1: a this is like a moment of that that I

447
00:24:12,720 --> 00:24:15,160
Speaker 1: so vividly remember. And so so then these girls pulled

448
00:24:15,160 --> 00:24:20,040
Speaker 1: their eyes back. My mom flips out and starts to

449
00:24:20,119 --> 00:24:23,680
Speaker 1: like curse at them, and it's just like like giving

450
00:24:23,720 --> 00:24:25,959
Speaker 1: them the finger. She's I've never seen her this upset

451
00:24:26,000 --> 00:24:28,320
Speaker 1: at a stranger before. And then I just got so

452
00:24:28,400 --> 00:24:30,000
Speaker 1: mad too that I'm like me. The seven year old

453
00:24:30,080 --> 00:24:32,560
Speaker 1: rolls down my window and I started giving the double

454
00:24:32,640 --> 00:24:36,000
Speaker 1: bird too. I love thinking of you like this. I

455
00:24:36,080 --> 00:24:38,359
Speaker 1: have to say, this is one of my favorite things,

456
00:24:38,480 --> 00:24:43,320
Speaker 1: is like thinking of young indignant upset Bowen. It's so

457
00:24:43,680 --> 00:24:47,000
Speaker 1: It's always been in me. I know. I know that

458
00:24:47,040 --> 00:24:49,960
Speaker 1: like more that like higher high ground that you know,

459
00:24:50,040 --> 00:24:53,359
Speaker 1: you know what, when I have see I don't get

460
00:24:53,400 --> 00:24:57,120
Speaker 1: like that. I don't have a strong opinion either way

461
00:24:57,119 --> 00:25:02,160
Speaker 1: about something unless I know your sense of justice is intact. Yes,

462
00:25:02,359 --> 00:25:05,720
Speaker 1: thank you your sense of Justica. You're not morally superior.

463
00:25:06,040 --> 00:25:09,800
Speaker 1: Your sense of justice is intact, and it's a leading

464
00:25:09,800 --> 00:25:14,360
Speaker 1: principle for you. It's a leading principle organizing even so,

465
00:25:14,600 --> 00:25:17,960
Speaker 1: I hello, so, then so then and then and then

466
00:25:18,000 --> 00:25:19,600
Speaker 1: and then I remember flipping them off, and then they

467
00:25:19,600 --> 00:25:22,600
Speaker 1: both laughed like they were kind of shocked. No no, no, no, no,

468
00:25:22,640 --> 00:25:24,399
Speaker 1: that they were. It wasn't like a ha I was like,

469
00:25:24,440 --> 00:25:27,800
Speaker 1: oh my god, that kid. It was shocked them in

470
00:25:27,800 --> 00:25:29,919
Speaker 1: a way that I that I was actually very satisfying

471
00:25:29,960 --> 00:25:32,000
Speaker 1: for me because I'm like, oh, like one like they

472
00:25:32,080 --> 00:25:34,199
Speaker 1: didn't expect a kid like like the kid in the

473
00:25:34,200 --> 00:25:36,040
Speaker 1: back to do this with them. These are these like

474
00:25:36,040 --> 00:25:39,879
Speaker 1: two fucking like curdled asked teenage girls like giving me

475
00:25:39,920 --> 00:25:41,439
Speaker 1: this like whatever. So I was just I was just

476
00:25:41,480 --> 00:25:43,680
Speaker 1: like able to give that energy back in some way.

477
00:25:43,720 --> 00:25:45,679
Speaker 1: I mean, there's nothing, there's no equivalent thing you can

478
00:25:45,720 --> 00:25:47,720
Speaker 1: say to these people. And by these people, I mean

479
00:25:48,000 --> 00:25:51,920
Speaker 1: white kid aquas. But anyway, do you think that those

480
00:25:51,960 --> 00:25:55,960
Speaker 1: ass um are the two people are amongst the people

481
00:25:56,000 --> 00:25:58,960
Speaker 1: complaining about your performance? I'm sure that kind of person. Yes.

482
00:25:59,000 --> 00:26:02,399
Speaker 1: But then meanwhile, we named Kaid's character and Marie after

483
00:26:02,560 --> 00:26:04,919
Speaker 1: my next door neighbor and Marie leg and there were

484
00:26:04,960 --> 00:26:07,480
Speaker 1: such a lovely family. The Legs were so lovely and

485
00:26:07,560 --> 00:26:09,119
Speaker 1: so nice. And now I just got a DM from her.

486
00:26:09,160 --> 00:26:11,959
Speaker 1: She's like, oh my god, she's like a lead like

487
00:26:12,080 --> 00:26:15,240
Speaker 1: she's like a lead developer at Shopify and like in Toronto,

488
00:26:15,280 --> 00:26:17,000
Speaker 1: I think. And she's like and she's posting on these

489
00:26:17,040 --> 00:26:19,320
Speaker 1: cute like she she loves to travel to her Asian countries.

490
00:26:19,359 --> 00:26:24,200
Speaker 1: I love that. And Marie and I were reconnecting, and um,

491
00:26:24,200 --> 00:26:28,000
Speaker 1: that was really nice. But um, anyway, yes, the Nsion,

492
00:26:28,200 --> 00:26:30,320
Speaker 1: the Gien vievs are that are amongst the people. So

493
00:26:30,359 --> 00:26:31,959
Speaker 1: there's a small group of people who are like, what

494
00:26:31,960 --> 00:26:34,400
Speaker 1: the funk was that? That was terrible. There's some people

495
00:26:34,440 --> 00:26:36,600
Speaker 1: who are like it wasn't funny, but who cares if

496
00:26:36,600 --> 00:26:38,919
Speaker 1: it's accurate. And this is me being like, no, Like

497
00:26:38,960 --> 00:26:41,520
Speaker 1: it was funny. It was funny. It killed a table

498
00:26:41,520 --> 00:26:44,080
Speaker 1: two weeks in a row. Yeah, I loved it. I

499
00:26:44,160 --> 00:26:46,560
Speaker 1: really liked it. This is and this is a whole

500
00:26:46,600 --> 00:26:50,200
Speaker 1: different thing we can get into. But therapy was so funny.

501
00:26:50,240 --> 00:26:53,320
Speaker 1: Oh my god, Issa, can we talk about Issa? Also,

502
00:26:54,359 --> 00:26:56,440
Speaker 1: just when she said at the beginning, I'm the first

503
00:26:56,440 --> 00:26:59,719
Speaker 1: black woman to host, she was like, y'all are scared.

504
00:27:00,080 --> 00:27:04,560
Speaker 1: That is not true. That was so funny. That was

505
00:27:04,600 --> 00:27:08,600
Speaker 1: such a funny joke. She is so good, she's so

506
00:27:08,640 --> 00:27:14,119
Speaker 1: good at the show. And also she is so fucking gorgeous,

507
00:27:14,680 --> 00:27:18,600
Speaker 1: oh my god, stunning, but also like truly so funny

508
00:27:18,680 --> 00:27:22,040
Speaker 1: and like Insecure, I'm just like, what a gorgeous like

509
00:27:22,240 --> 00:27:25,600
Speaker 1: Oh yeah, what a gorgeous like thing that like she's made,

510
00:27:25,720 --> 00:27:27,920
Speaker 1: and like that's given us so much like comfort. I

511
00:27:27,960 --> 00:27:30,240
Speaker 1: don't know, I find it. I I apurcha Insecure is

512
00:27:30,280 --> 00:27:34,080
Speaker 1: a very comfortable show. Lisa is an artist, a true artist.

513
00:27:34,440 --> 00:27:37,280
Speaker 1: To me, she is like an artist because she like

514
00:27:37,880 --> 00:27:42,040
Speaker 1: she feels like like she's it feels simultaneously like she's

515
00:27:42,080 --> 00:27:45,000
Speaker 1: curating something that means something, but also she's following the

516
00:27:45,040 --> 00:27:48,040
Speaker 1: fun for her, Like she truly is doing both those

517
00:27:48,040 --> 00:27:49,959
Speaker 1: things at the same time. Where it's insecure, is so

518
00:27:50,040 --> 00:27:52,920
Speaker 1: much fun and like you really feel like you get

519
00:27:52,960 --> 00:27:56,240
Speaker 1: to know the characters. And also it's just it feels

520
00:27:56,240 --> 00:27:59,200
Speaker 1: like there's so much like being discussed in it. That's

521
00:27:59,240 --> 00:28:03,160
Speaker 1: that's worth it. Like, so it's it's both I love

522
00:28:03,600 --> 00:28:05,840
Speaker 1: I love and stre I love it so much. She

523
00:28:06,000 --> 00:28:09,880
Speaker 1: was fantastic all week. I really I like let her

524
00:28:09,920 --> 00:28:11,600
Speaker 1: know too. I like a good nights so like I

525
00:28:11,600 --> 00:28:13,560
Speaker 1: mean like I kept my cool. I generally just like

526
00:28:13,840 --> 00:28:17,000
Speaker 1: don't really remark on anything throughout the week, but with her,

527
00:28:17,440 --> 00:28:20,640
Speaker 1: with her, I genuinely felt like, wow, wow, wow, this

528
00:28:20,720 --> 00:28:25,800
Speaker 1: is crazy so good, so good nights for dress. I

529
00:28:25,840 --> 00:28:27,200
Speaker 1: went up to we like we had a moment where

530
00:28:27,200 --> 00:28:28,840
Speaker 1: we were like high and then I just like let

531
00:28:28,880 --> 00:28:30,520
Speaker 1: let out really quickly. I was just like, is this

532
00:28:30,840 --> 00:28:32,280
Speaker 1: is this gross for me for me to share? I

533
00:28:32,320 --> 00:28:34,760
Speaker 1: was just like, I've just been obsessed with you for years,

534
00:28:34,800 --> 00:28:36,560
Speaker 1: and I just I'm so glad that you're here, and

535
00:28:36,560 --> 00:28:38,640
Speaker 1: I'm so glad that this is happening. And she was like,

536
00:28:38,640 --> 00:28:41,720
Speaker 1: she was like stop, like she was being very really sweet,

537
00:28:41,760 --> 00:28:45,800
Speaker 1: and so I just that's what I always stop. I

538
00:28:45,840 --> 00:28:49,840
Speaker 1: always say stop. That is a very mad thing in

539
00:28:49,920 --> 00:28:53,720
Speaker 1: my eyes. You know, I wanted to continue. Stop stop.

540
00:28:54,280 --> 00:29:01,880
Speaker 1: I said stop stop. If you don't stop, I'm going

541
00:29:01,920 --> 00:29:12,080
Speaker 1: to get mad. Stop. It's now, no, you better stop.

542
00:29:12,240 --> 00:29:15,120
Speaker 1: And then um, the rest of the Cobeckers are like

543
00:29:15,120 --> 00:29:17,960
Speaker 1: people who are like who like it's unremarkable. Who cares?

544
00:29:18,000 --> 00:29:19,560
Speaker 1: We don't care? And then there's like there's like a

545
00:29:19,560 --> 00:29:22,400
Speaker 1: fun little like segments of the population that that's like,

546
00:29:22,440 --> 00:29:24,640
Speaker 1: oh that was very stupid and silly, and they got

547
00:29:24,640 --> 00:29:26,840
Speaker 1: it like and they like, yeah, there's no like huge

548
00:29:26,880 --> 00:29:30,240
Speaker 1: actual blowback. I got it. But the Montreal Gazette, which

549
00:29:30,240 --> 00:29:32,320
Speaker 1: is like which used to be the main newspaper there,

550
00:29:32,360 --> 00:29:33,680
Speaker 1: and I think now it's I don't know what the

551
00:29:33,720 --> 00:29:37,800
Speaker 1: deal is now Maybek Gazette, well, some opinion writer like

552
00:29:38,040 --> 00:29:39,480
Speaker 1: just railed on it, and I was like, oh, you

553
00:29:39,560 --> 00:29:42,360
Speaker 1: just god, who cares? Literally, it's like what is their

554
00:29:42,400 --> 00:29:44,280
Speaker 1: sense of humor? They put on the huge pants and

555
00:29:44,320 --> 00:29:46,240
Speaker 1: a big dumb head and they like poop in the

556
00:29:46,280 --> 00:29:50,760
Speaker 1: street and that's a whole festival for nothing. Don't don't care.

557
00:29:51,280 --> 00:29:54,360
Speaker 1: Montreal people better not drag my friend for sense of humor. Okay,

558
00:29:54,360 --> 00:29:56,760
Speaker 1: because I've seen you like flip a sausage in the

559
00:29:56,760 --> 00:29:58,480
Speaker 1: air and then do a split and then it was

560
00:29:58,520 --> 00:30:03,800
Speaker 1: like an hour long show that we'll paid for. So okay, literally,

561
00:30:03,840 --> 00:30:08,040
Speaker 1: stop stop it. That's my ever. I grew up there.

562
00:30:08,600 --> 00:30:11,680
Speaker 1: Um you know what Bowen, I grew up. I grew

563
00:30:11,720 --> 00:30:19,440
Speaker 1: up to drew ups. Wait, the sketch was great, thank you,

564
00:30:19,720 --> 00:30:22,200
Speaker 1: but this is this is what I want to say. Oh,

565
00:30:22,640 --> 00:30:27,240
Speaker 1: we all should maybe um fucking re evaluate what we

566
00:30:27,320 --> 00:30:31,040
Speaker 1: want out of sketch comedy. I guess I don't know.

567
00:30:31,160 --> 00:30:34,840
Speaker 1: It's like no, no, it was a it was a

568
00:30:34,880 --> 00:30:37,040
Speaker 1: few people. It's no, no, no, no no, it's not

569
00:30:37,080 --> 00:30:39,400
Speaker 1: even that. It's just any but like, truly it's a

570
00:30:39,440 --> 00:30:45,240
Speaker 1: thing where like the commentary on comedy I think is busted.

571
00:30:46,160 --> 00:30:47,840
Speaker 1: I have to tell you, I think we are over

572
00:30:48,000 --> 00:30:52,000
Speaker 1: editorializing so fucking much. It's crazy. Like I get that

573
00:30:52,040 --> 00:30:54,600
Speaker 1: everyone's board and I get that it's some people's job

574
00:30:54,720 --> 00:30:58,200
Speaker 1: to like sort of what watch what's happening in the culture.

575
00:30:58,240 --> 00:31:02,200
Speaker 1: Obviously here we are, but um, yeah, to me, it's

576
00:31:02,240 --> 00:31:06,280
Speaker 1: just like I think it's because and maybe this is

577
00:31:06,280 --> 00:31:08,240
Speaker 1: gonna be a little bit of a drag on all parties.

578
00:31:08,960 --> 00:31:12,160
Speaker 1: But the importance that was put on SNL in the

579
00:31:12,160 --> 00:31:16,240
Speaker 1: two thousand eight election I think was in retrospect too much.

580
00:31:16,920 --> 00:31:21,440
Speaker 1: I think it was like two eight two thousand and eight.

581
00:31:21,480 --> 00:31:24,160
Speaker 1: I'm talking about with with with like the the way

582
00:31:24,160 --> 00:31:26,640
Speaker 1: it impacted the election of it all. I think there's

583
00:31:26,680 --> 00:31:30,920
Speaker 1: such a bloated sense of both importance and expectation that

584
00:31:31,080 --> 00:31:33,560
Speaker 1: it feels sometimes like I was going to ask you,

585
00:31:33,600 --> 00:31:36,040
Speaker 1: actually what it feels like working there, And obviously you

586
00:31:36,120 --> 00:31:38,720
Speaker 1: have some experience with the Andrew Yang of it all,

587
00:31:39,080 --> 00:31:41,320
Speaker 1: of like when they look to you for some sort

588
00:31:41,320 --> 00:31:44,800
Speaker 1: of like comment and the pressure to deliver that comment

589
00:31:44,920 --> 00:31:49,440
Speaker 1: in some groundbreaking way. Does that make sense? Yeah? Yeah,

590
00:31:50,080 --> 00:31:52,600
Speaker 1: Like what is that? What is that? Like? What is that? What?

591
00:31:52,800 --> 00:31:55,000
Speaker 1: Temperature wise? What does that feel like? I can only

592
00:31:55,040 --> 00:31:57,000
Speaker 1: speak to it personally because I was never involved in

593
00:31:57,160 --> 00:32:01,280
Speaker 1: any internal conversation around like what's the goal with Like,

594
00:32:01,840 --> 00:32:05,400
Speaker 1: it was just really bizarre to be in those sketches.

595
00:32:05,720 --> 00:32:10,000
Speaker 1: Do my bad impression of him. I hate when you're

596
00:32:10,040 --> 00:32:12,160
Speaker 1: saying that, because this is the thing I'm not. I'm

597
00:32:12,200 --> 00:32:15,400
Speaker 1: not an impressionist that is like an actual like, but

598
00:32:15,520 --> 00:32:18,640
Speaker 1: what you were doing was not a bad impression. And

599
00:32:18,680 --> 00:32:21,239
Speaker 1: this is this is this is the bliterally literally, what

600
00:32:21,280 --> 00:32:24,000
Speaker 1: I'm talking about is that everyone's turning their eyes to

601
00:32:24,080 --> 00:32:27,040
Speaker 1: it and needing it to be a historical document or

602
00:32:27,160 --> 00:32:29,360
Speaker 1: the funniest thing in the world, and it's hard to

603
00:32:29,400 --> 00:32:32,240
Speaker 1: be both. And so it's just like I saw the

604
00:32:32,280 --> 00:32:35,160
Speaker 1: way you internalize that, and I'm like, bitch, anyone else

605
00:32:35,160 --> 00:32:37,800
Speaker 1: doing an Andrew Yang on the street would never get this,

606
00:32:38,120 --> 00:32:41,320
Speaker 1: Like I just didn't get it at all. But meanwhile,

607
00:32:41,440 --> 00:32:43,360
Speaker 1: like after any time, I would go up and do

608
00:32:43,440 --> 00:32:46,200
Speaker 1: it like these were the darkest days of Twitter for me.

609
00:32:46,240 --> 00:32:50,200
Speaker 1: Like Yangang people God bless them, would like flood my

610
00:32:50,240 --> 00:32:53,680
Speaker 1: fucking mentions and be like, you suck this person should

611
00:32:53,720 --> 00:32:57,800
Speaker 1: play Andreying instead, Get that person to play Andrey Ng instead,

612
00:32:57,920 --> 00:33:00,480
Speaker 1: be assuming that they know how it works. Really says

613
00:33:00,480 --> 00:33:02,920
Speaker 1: a lot about the Yang Gang but continue, no, no, no,

614
00:33:03,280 --> 00:33:05,680
Speaker 1: well it was just this thing first of all, and

615
00:33:05,720 --> 00:33:09,200
Speaker 1: also just the grand point on all this is that

616
00:33:09,720 --> 00:33:13,320
Speaker 1: Andrean has never been anything but like extremely kind and

617
00:33:13,440 --> 00:33:15,600
Speaker 1: nice to me and like has like reached out like

618
00:33:15,960 --> 00:33:21,000
Speaker 1: and has has been just a great guy. But the

619
00:33:21,080 --> 00:33:23,280
Speaker 1: way but it's you're right, it's like the expection, the

620
00:33:23,280 --> 00:33:28,720
Speaker 1: expectation of what happens at the show is so wildly

621
00:33:28,920 --> 00:33:33,840
Speaker 1: like either over underestimated by like a viewing public. So

622
00:33:34,920 --> 00:33:37,960
Speaker 1: I feel it's because people genuinely who don't know ship

623
00:33:38,400 --> 00:33:41,960
Speaker 1: actually think that Tina Fey Sarah Palin like changed people's

624
00:33:41,960 --> 00:33:45,320
Speaker 1: minds in the election. I honestly think there's people out

625
00:33:45,320 --> 00:33:47,719
Speaker 1: there that think that like that I really do like

626
00:33:48,440 --> 00:33:52,080
Speaker 1: and maybe it's a little bit like legacy leaning into it,

627
00:33:52,320 --> 00:33:54,320
Speaker 1: but there is this sort of thing where I feel

628
00:33:54,320 --> 00:33:57,080
Speaker 1: like there's this expectation around the show at this time

629
00:33:57,560 --> 00:34:00,880
Speaker 1: that's like both unfair and never going to be met.

630
00:34:01,520 --> 00:34:04,000
Speaker 1: So it's like sure, you know what I mean. I

631
00:34:04,000 --> 00:34:07,360
Speaker 1: feel like sixteen was like it seemed to align with

632
00:34:07,520 --> 00:34:11,719
Speaker 1: what was happening like between like Kate being Hillary, that

633
00:34:11,760 --> 00:34:15,520
Speaker 1: being the show seemed to really take a side because

634
00:34:15,560 --> 00:34:18,080
Speaker 1: there was a correct side and there was a wrong side.

635
00:34:18,320 --> 00:34:21,239
Speaker 1: And I appreciated that about it. I always do, as

636
00:34:21,239 --> 00:34:24,120
Speaker 1: at least it's taking a side, um, you know what

637
00:34:24,200 --> 00:34:26,239
Speaker 1: I mean. But with the Andrew thing with the Andrew

638
00:34:26,320 --> 00:34:30,000
Speaker 1: Yank thing, It's like I had that layer, and then

639
00:34:30,000 --> 00:34:33,240
Speaker 1: I had the layer of you're not writing his jokes,

640
00:34:33,280 --> 00:34:36,080
Speaker 1: well as if I'm the one who is like writing

641
00:34:36,440 --> 00:34:38,359
Speaker 1: yeah exactly. And that's not to throw the actual writers

642
00:34:38,440 --> 00:34:40,120
Speaker 1: under the bus, but I would have. I would I

643
00:34:40,160 --> 00:34:43,759
Speaker 1: was pitching like two or three things for each of

644
00:34:43,800 --> 00:34:46,360
Speaker 1: the two lines that I would have in those debate sketches.

645
00:34:46,800 --> 00:34:49,160
Speaker 1: And then it was like, Wow, you suck, and like

646
00:34:49,280 --> 00:34:52,560
Speaker 1: you're the reason why MSNBC is planning against Andrew Yank

647
00:34:52,600 --> 00:34:55,480
Speaker 1: to cut his time in the in the debates and

648
00:34:55,520 --> 00:34:59,200
Speaker 1: that is somehow your thing. So I was somehow complicit

649
00:34:59,239 --> 00:35:02,439
Speaker 1: in that. And then it was this thing where like,

650
00:35:02,880 --> 00:35:05,960
Speaker 1: you know, I was purposely throwing the impression or something,

651
00:35:06,040 --> 00:35:09,719
Speaker 1: and then oh my god, that is such a walk.

652
00:35:09,960 --> 00:35:12,479
Speaker 1: But my my thing is like, wait, I'm up there

653
00:35:12,560 --> 00:35:19,680
Speaker 1: with Larry David the hate like draft Maya Fred Armison,

654
00:35:19,920 --> 00:35:23,680
Speaker 1: like I'm not going to get They're gonna cut to

655
00:35:23,760 --> 00:35:27,800
Speaker 1: me twice no matter what. There's like twelve other legends

656
00:35:27,840 --> 00:35:31,560
Speaker 1: on this stage. And I just started this fucking job

657
00:35:31,640 --> 00:35:35,160
Speaker 1: like a month ago. Yeah, So I just think it

658
00:35:35,239 --> 00:35:38,279
Speaker 1: sucks that this is what you just said is not

659
00:35:38,400 --> 00:35:41,319
Speaker 1: the number one narrative around that experience for you. That's

660
00:35:41,360 --> 00:35:43,960
Speaker 1: I think what sucks, and that is the that is

661
00:35:44,000 --> 00:35:48,759
Speaker 1: the social media fucking devil, and it's the public needing

662
00:35:49,719 --> 00:35:55,279
Speaker 1: something that they're never going to get by just demanding more,

663
00:35:55,400 --> 00:35:57,000
Speaker 1: you know what I mean. I don't know. I don't

664
00:35:57,040 --> 00:35:58,759
Speaker 1: even really know what my take is on this. I'm

665
00:35:58,800 --> 00:36:01,400
Speaker 1: just kind of dumb struck by, like to hear that

666
00:36:01,440 --> 00:36:05,680
Speaker 1: people were upset about the Montreal sketch. I'm like, y'all,

667
00:36:05,719 --> 00:36:09,960
Speaker 1: we are commenting too much, too much. This is the

668
00:36:09,960 --> 00:36:12,840
Speaker 1: point I'm trying to make about the commentary on comedy

669
00:36:12,880 --> 00:36:16,320
Speaker 1: and maybe even so, but specifically the commenting around SNL

670
00:36:17,320 --> 00:36:22,000
Speaker 1: is that it's like, hmmm, well this was this was

671
00:36:22,040 --> 00:36:24,279
Speaker 1: a bad week, and it seems like they're just sort

672
00:36:24,320 --> 00:36:27,480
Speaker 1: of dusting off the cobwebs because corn the quarantine shows

673
00:36:27,520 --> 00:36:30,600
Speaker 1: were probably It's like there is like it's news, like

674
00:36:30,680 --> 00:36:35,200
Speaker 1: it's news, like how how SNL did that week? But

675
00:36:35,239 --> 00:36:37,319
Speaker 1: it's this thing where it's like like the sort of

676
00:36:37,560 --> 00:36:39,560
Speaker 1: and this is something that I'm trying to disengage from,

677
00:36:39,560 --> 00:36:43,600
Speaker 1: but like I'll lightly follow, like the sort of commentary

678
00:36:43,760 --> 00:36:46,120
Speaker 1: timeline of the night from the from the night before

679
00:36:46,280 --> 00:36:49,480
Speaker 1: on a Sunday, a lot of people commenting will be like, God,

680
00:36:49,520 --> 00:36:52,040
Speaker 1: who let this pitch pass? And like really this made

681
00:36:52,040 --> 00:36:55,480
Speaker 1: it pass to the table and blah blah. It's like wait, wait, wait,

682
00:36:55,520 --> 00:36:59,319
Speaker 1: wait wait, you think that's something that a funny idea executed,

683
00:36:59,480 --> 00:37:03,279
Speaker 1: no matter how many times or how few times, will

684
00:37:03,360 --> 00:37:06,600
Speaker 1: always stick the landing whenever it makes it to air. No,

685
00:37:07,920 --> 00:37:11,239
Speaker 1: the sort of deciding factors always the audience. And what

686
00:37:11,400 --> 00:37:16,800
Speaker 1: happened this week was the air audience was fucking dead. Yeah,

687
00:37:16,880 --> 00:37:19,480
Speaker 1: And that's just what happens. And that's not that's not

688
00:37:19,560 --> 00:37:21,680
Speaker 1: like I'm not faulting them. I'm just saying, this is

689
00:37:21,719 --> 00:37:24,240
Speaker 1: just what happens sometimes. And it's and they're all wearing

690
00:37:24,280 --> 00:37:26,880
Speaker 1: masks and there's a fucking pandemic and they're indoors and

691
00:37:27,000 --> 00:37:29,200
Speaker 1: who knows what. They don't know what the ventilation system is.

692
00:37:29,239 --> 00:37:31,880
Speaker 1: So maybe it's weird. It's it's like it's just weird

693
00:37:31,960 --> 00:37:36,320
Speaker 1: to begin with. Yes, yeah, anyway, anyway, but I don't know.

694
00:37:36,360 --> 00:37:38,400
Speaker 1: This is what I'm saying, we should we should just

695
00:37:38,480 --> 00:37:41,359
Speaker 1: figure out maybe recalibrate what we want to get out

696
00:37:41,400 --> 00:37:44,440
Speaker 1: of a sketch at all, where it's like we're not

697
00:37:44,480 --> 00:37:47,759
Speaker 1: We're not trying to impart these unexcavated truths to you.

698
00:37:47,880 --> 00:37:50,440
Speaker 1: Sometimes it's just so we can do a fucking silly

699
00:37:50,560 --> 00:37:54,040
Speaker 1: voice and build build, like a new show, sketch around

700
00:37:54,080 --> 00:37:56,480
Speaker 1: like ultimately, like if someone had to put on a

701
00:37:56,520 --> 00:37:58,880
Speaker 1: wig to do it, you can't take it seriously. And

702
00:37:58,920 --> 00:38:01,920
Speaker 1: that's a rule of culture. It's real coach number sixty four.

703
00:38:02,120 --> 00:38:09,680
Speaker 1: If someone you can't seriously, which which excludes Nicole Kidman

704
00:38:09,800 --> 00:38:12,319
Speaker 1: from Big Little Eyes because she didn't, of course you

705
00:38:12,400 --> 00:38:14,920
Speaker 1: must take that. No, she did work. Come on, mama,

706
00:38:15,080 --> 00:38:20,719
Speaker 1: she is a liar. If we need to get Nicole

707
00:38:20,800 --> 00:38:23,160
Speaker 1: on the pod, because I'm gonna set her down there,

708
00:38:23,200 --> 00:38:25,120
Speaker 1: hair in the stom and say, bitch, you didn't wear

709
00:38:25,160 --> 00:38:27,439
Speaker 1: a wig and big little eyes and she'd be like, no,

710
00:38:27,600 --> 00:38:33,759
Speaker 1: of course I did my Australian accent. This put me

711
00:38:33,800 --> 00:38:35,760
Speaker 1: on us and now no one will even watch the schedule.

712
00:38:36,320 --> 00:38:38,120
Speaker 1: Oh my god, No, we have to do the Adele

713
00:38:38,200 --> 00:38:41,920
Speaker 1: impression again. I'm obsessed with the Adele impression. I love you.

714
00:38:42,120 --> 00:38:45,319
Speaker 1: I think so funny you always held me laughing. I

715
00:38:45,360 --> 00:38:47,520
Speaker 1: feel like Adele's going to go up to Bowen and

716
00:38:47,520 --> 00:38:49,959
Speaker 1: it's sorry. Doug Engineer I'm gonna blow it out because

717
00:38:50,080 --> 00:38:53,240
Speaker 1: I am. Okay, this is what Thedel's gonna say to Bowen.

718
00:38:53,719 --> 00:38:56,320
Speaker 1: Oh my god, I love you. You You always held me laughing.

719
00:38:57,239 --> 00:38:59,160
Speaker 1: You had me laughing this one. I'm about that one

720
00:38:59,160 --> 00:39:02,600
Speaker 1: scace she did last make so funny. I'm at Del'm

721
00:39:02,640 --> 00:39:04,719
Speaker 1: hosting s and now to speak with musical guests her

722
00:39:05,280 --> 00:39:08,080
Speaker 1: not sha ha. I can't I can't do I can't

723
00:39:08,080 --> 00:39:10,920
Speaker 1: do company. Why didn't you let me be do my

724
00:39:10,960 --> 00:39:14,680
Speaker 1: impression of her? Oh my god. Okay, well let's start over.

725
00:39:14,680 --> 00:39:19,680
Speaker 1: I'll start over. I'm Del, I'm hosting us, and now

726
00:39:19,680 --> 00:39:23,600
Speaker 1: this musical guest her, that's your name, right, huh yes?

727
00:39:25,360 --> 00:39:29,279
Speaker 1: And that was a very and that's a very responsible impression.

728
00:39:32,320 --> 00:39:34,680
Speaker 1: It has to be like, oh my, there's there's I

729
00:39:34,680 --> 00:39:36,200
Speaker 1: just want to say. This is the last thing I'll

730
00:39:36,200 --> 00:39:39,360
Speaker 1: say about the enduring. If there's one guy and he

731
00:39:39,400 --> 00:39:42,399
Speaker 1: seems lovely and he actually he wants to always make

732
00:39:42,400 --> 00:39:45,040
Speaker 1: it clear to me and that he just he cares

733
00:39:45,080 --> 00:39:47,720
Speaker 1: for me, he wants me to do better. But he's

734
00:39:47,760 --> 00:39:49,959
Speaker 1: been saying this for over a year now. He goes,

735
00:39:50,160 --> 00:39:52,640
Speaker 1: he I'm sure he'd be so fun to meet in person.

736
00:39:52,840 --> 00:39:59,040
Speaker 1: Oh yeah, I bet he looks cool. Um here so

737
00:39:59,280 --> 00:40:03,160
Speaker 1: stoned she Um. He'll always say if if you just

738
00:40:03,200 --> 00:40:05,920
Speaker 1: spent a couple of minutes watching his interviews and studying

739
00:40:05,960 --> 00:40:10,640
Speaker 1: his mannerisms, maybe you'll get it. And I'm like, oh god, um,

740
00:40:10,760 --> 00:40:13,719
Speaker 1: you don't. Like I'm like, don't, don't worry about it.

741
00:40:13,840 --> 00:40:16,360
Speaker 1: Don't you don't have to give me process notes, babe,

742
00:40:16,640 --> 00:40:22,000
Speaker 1: okay Um. I wanted to tell you, Um, right before

743
00:40:22,000 --> 00:40:25,719
Speaker 1: we got on here, I watched the Black Pick documentary

744
00:40:25,840 --> 00:40:30,359
Speaker 1: started it and what you were talking about re racism

745
00:40:30,600 --> 00:40:35,040
Speaker 1: in Quebec, Australia, New Zealand. Yeah, it made me think

746
00:40:35,040 --> 00:40:38,960
Speaker 1: of what those girls through in Australia and New Zealand.

747
00:40:39,800 --> 00:40:43,200
Speaker 1: I was thinking actually about summer HIGs high and how

748
00:40:43,520 --> 00:40:47,000
Speaker 1: and just Chris Lilies work in general. Yeah, Like there's

749
00:40:47,040 --> 00:40:50,680
Speaker 1: a lot of racist stuff towards Asians, a lot as

750
00:40:50,960 --> 00:40:54,480
Speaker 1: as hilarious as he is. Like he did something and

751
00:40:54,880 --> 00:40:58,560
Speaker 1: I'm sure he would call himself equal opportunity, but now

752
00:40:58,680 --> 00:41:01,839
Speaker 1: it was like explicitly anti Asian, and I think he

753
00:41:01,880 --> 00:41:04,880
Speaker 1: would say he was making fun of racist people. But

754
00:41:05,960 --> 00:41:10,640
Speaker 1: the young man was in yellow face and like really

755
00:41:10,719 --> 00:41:13,839
Speaker 1: laying it on thick. Um. She kind of got like

756
00:41:14,239 --> 00:41:18,720
Speaker 1: actually canceled over the summer, didn't he. I mean, listen,

757
00:41:19,280 --> 00:41:22,440
Speaker 1: if there was gonna be a cancel Sprae, he was

758
00:41:22,480 --> 00:41:24,839
Speaker 1: gonna be on the list right, And let's not leave

759
00:41:24,880 --> 00:41:27,720
Speaker 1: out the black face. Um oh no, I'm just saying,

760
00:41:27,719 --> 00:41:30,640
Speaker 1: like I was thinking about it because that show so

761
00:41:30,760 --> 00:41:35,960
Speaker 1: explicitly like displays a racism towards Asian people. I'm just

762
00:41:35,960 --> 00:41:38,800
Speaker 1: saying I learned from you and Joel that Australia actually

763
00:41:38,880 --> 00:41:42,239
Speaker 1: is extremely racist, yes, which I did not know. And

764
00:41:42,239 --> 00:41:44,160
Speaker 1: then when I saw that she was from there, I thought, oh,

765
00:41:44,160 --> 00:41:48,560
Speaker 1: she probably got like whole life's full of experiences with racism.

766
00:41:48,600 --> 00:41:51,640
Speaker 1: It's um, it's it's the kind of like there's an

767
00:41:51,640 --> 00:41:55,759
Speaker 1: anti immigration sentiment there around towards Asian people where it's like, um,

768
00:41:55,800 --> 00:41:58,000
Speaker 1: they're taking her jobs, that kind of thing. With the

769
00:41:58,040 --> 00:41:59,719
Speaker 1: Chris Lily of it all, it's like it doesn't even

770
00:41:59,760 --> 00:42:03,800
Speaker 1: fall completely on him. He's just an example of this culture,

771
00:42:04,320 --> 00:42:07,600
Speaker 1: this comedy culture that or or a sensibility that makes

772
00:42:07,640 --> 00:42:12,320
Speaker 1: it like tolerable to like actually be like explicitly anti Asian.

773
00:42:12,400 --> 00:42:15,560
Speaker 1: And actually it's like ship that like even like you know,

774
00:42:16,280 --> 00:42:19,840
Speaker 1: and I'm comfortable saying this that even like you're Sarah

775
00:42:19,840 --> 00:42:22,360
Speaker 1: Silverman's haven't really owned up too, you know, you know

776
00:42:22,400 --> 00:42:24,520
Speaker 1: what I'm saying. And as and as wonderful as Sarah is,

777
00:42:24,560 --> 00:42:27,160
Speaker 1: and I mean she's like one of my fucking heroes,

778
00:42:27,239 --> 00:42:30,200
Speaker 1: but like anytime you'd watch Jesus's Magic, anytime I would

779
00:42:30,200 --> 00:42:32,000
Speaker 1: watch Jesus's Magic, and she like went on and on

780
00:42:32,040 --> 00:42:35,600
Speaker 1: about she's not afraid to say shank, but it's because

781
00:42:35,600 --> 00:42:37,400
Speaker 1: she's not afraid of Asian people. It's like, oh, like

782
00:42:37,480 --> 00:42:40,520
Speaker 1: that like watching that developing into like a communic voice.

783
00:42:40,560 --> 00:42:42,480
Speaker 1: For me, I was just like a lot of sucking sucks,

784
00:42:42,480 --> 00:42:44,439
Speaker 1: but you just have to swallow that and move forward.

785
00:42:44,480 --> 00:42:46,319
Speaker 1: And that is the culture that like allows for that

786
00:42:46,320 --> 00:42:49,120
Speaker 1: ship to happen. Um. But anyways, as wonderful as Sarah is,

787
00:42:49,160 --> 00:42:50,960
Speaker 1: and it's like, you know, she's on the right side

788
00:42:50,960 --> 00:42:53,640
Speaker 1: of things now and she like is consciously like being

789
00:42:53,760 --> 00:42:57,319
Speaker 1: sort of just. But I I would hope that something

790
00:42:57,480 --> 00:43:01,120
Speaker 1: she owns addresses that part she not. I don't think

791
00:43:01,160 --> 00:43:05,359
Speaker 1: she ever has. Well, yeah, that's no. And it's like

792
00:43:05,360 --> 00:43:08,879
Speaker 1: we've seen people, We've seen people get really right through

793
00:43:08,880 --> 00:43:11,040
Speaker 1: the goals over tweets that say that very same thing.

794
00:43:11,160 --> 00:43:15,759
Speaker 1: So yes, exactly. Anyway, I was watching the documentary and

795
00:43:15,840 --> 00:43:18,160
Speaker 1: that part came up, and so I I remembered when

796
00:43:18,160 --> 00:43:20,239
Speaker 1: you guys told me that it was so different or

797
00:43:20,320 --> 00:43:25,399
Speaker 1: not different, but so much more blatant rights. And that's

798
00:43:25,440 --> 00:43:28,360
Speaker 1: the thing too, Like I think back on my like

799
00:43:28,440 --> 00:43:32,920
Speaker 1: my parents being there, and like they experienced that firsthand.

800
00:43:32,960 --> 00:43:35,200
Speaker 1: I never had to. I don't think my sister remembers

801
00:43:36,160 --> 00:43:38,640
Speaker 1: um that much of it. So I feel like my

802
00:43:38,719 --> 00:43:41,920
Speaker 1: parents have just like gone to these places that like

803
00:43:43,040 --> 00:43:46,680
Speaker 1: in some way like didn't want them, which is very weird.

804
00:43:46,760 --> 00:43:49,279
Speaker 1: And then suddenly it's it's that thing too have like

805
00:43:49,560 --> 00:43:51,680
Speaker 1: when you watch your parents have to deal with that,

806
00:43:52,640 --> 00:43:55,120
Speaker 1: And another thing that bucks in your brain is that

807
00:43:55,200 --> 00:43:59,480
Speaker 1: your parents are the safest, most control smartest people that

808
00:43:59,600 --> 00:44:02,080
Speaker 1: could hand any situation. You just have to look to them.

809
00:44:02,239 --> 00:44:03,959
Speaker 1: So to look to them as a child and watching

810
00:44:04,160 --> 00:44:06,880
Speaker 1: get upset, it made you get upset, you know what

811
00:44:06,920 --> 00:44:09,640
Speaker 1: I mean? Like and that that is something that is formative.

812
00:44:09,880 --> 00:44:11,840
Speaker 1: So it is sort of you know, you had a

813
00:44:11,880 --> 00:44:22,400
Speaker 1: response to that. Absolutely I want to talk about this

814
00:44:22,480 --> 00:44:25,800
Speaker 1: is the Amanda culture of it all. Okay, we're visiting,

815
00:44:26,080 --> 00:44:28,000
Speaker 1: but when you were, when you when you were doing that,

816
00:44:28,080 --> 00:44:33,439
Speaker 1: your impression you're very well researched impression of a lacrosse coach. Yes,

817
00:44:34,200 --> 00:44:37,600
Speaker 1: I walked into this zoom to a conversation that Matt

818
00:44:37,640 --> 00:44:41,240
Speaker 1: was having with the whole the whole crew too Doug Dog,

819
00:44:41,719 --> 00:44:45,280
Speaker 1: to hot head of content, Hans, too hot producer. There

820
00:44:45,480 --> 00:44:47,680
Speaker 1: they were, and they were looking really good today. I mean, Hans,

821
00:44:47,960 --> 00:44:49,879
Speaker 1: three of them looks good, like a fine wine, better

822
00:44:49,960 --> 00:44:52,879
Speaker 1: by the day, Hans. Hans facial hair length is really

823
00:44:52,920 --> 00:44:55,960
Speaker 1: good right now. It's really really working. Heart throb, and

824
00:44:56,000 --> 00:44:58,480
Speaker 1: he says l O L in the chat. I think

825
00:44:58,480 --> 00:45:01,120
Speaker 1: he's just I think he's uncomfort bowl. I think that

826
00:45:01,160 --> 00:45:04,279
Speaker 1: he's sort of laughing because he doesn't feel like he

827
00:45:04,320 --> 00:45:06,560
Speaker 1: doesn't know. It's like it's like an half and halfway

828
00:45:06,560 --> 00:45:09,360
Speaker 1: Princess Diaries, you know that movie and halfway Princess Diaries,

829
00:45:09,400 --> 00:45:12,200
Speaker 1: and it's sort of like she doesn't know she's gorgeous

830
00:45:12,239 --> 00:45:15,120
Speaker 1: the whole time. That's sort of the energy, sort of

831
00:45:15,160 --> 00:45:18,799
Speaker 1: the energy how he is giving his Princess Diaries. Um,

832
00:45:18,880 --> 00:45:20,719
Speaker 1: he says, I can't drop emojies, but it would be

833
00:45:20,760 --> 00:45:24,680
Speaker 1: red faced emoji. Oh so anyway, Yeah, I was talking

834
00:45:24,680 --> 00:45:28,560
Speaker 1: to him about baseball and hearing you talk about your

835
00:45:28,560 --> 00:45:31,520
Speaker 1: athletic career, saying that he had six hundred batting average

836
00:45:31,520 --> 00:45:33,239
Speaker 1: because you were a bunter. You said you were the

837
00:45:33,280 --> 00:45:36,720
Speaker 1: best buncher, the best buncher in Babylon. Well this began

838
00:45:36,920 --> 00:45:39,479
Speaker 1: because Han test if I was a baseball fan because

839
00:45:39,480 --> 00:45:41,600
Speaker 1: I have my Dodger's head on, and I said, I mean,

840
00:45:41,640 --> 00:45:43,520
Speaker 1: I'll go to the gay days. You should have asked me.

841
00:45:43,560 --> 00:45:45,600
Speaker 1: In the late nineties and the late nineties, I was

842
00:45:45,680 --> 00:45:50,120
Speaker 1: like a massive, like crazy Mets fan like and it

843
00:45:50,239 --> 00:45:53,759
Speaker 1: ended like Love the Millennium. Oh my god, I was

844
00:45:54,600 --> 00:45:57,480
Speaker 1: about David right. Yes, I did. When I in college.

845
00:45:57,520 --> 00:45:59,359
Speaker 1: Oh my god, when I was in college, I did.

846
00:45:59,360 --> 00:46:01,680
Speaker 1: That was my first a good sketch I wrote. It's

847
00:46:01,680 --> 00:46:05,440
Speaker 1: an amazing sketch. It's such a well written sketch. That

848
00:46:05,480 --> 00:46:07,680
Speaker 1: was when I knew. I was like, Matt Rodgers, Wow,

849
00:46:07,719 --> 00:46:11,080
Speaker 1: that guy can really write a fucking sketch. And that's kind,

850
00:46:11,480 --> 00:46:17,239
Speaker 1: that's very kind. Um. But anyway, I um like I

851
00:46:17,280 --> 00:46:19,480
Speaker 1: was wearing the statress hat and I told him. I

852
00:46:19,520 --> 00:46:21,000
Speaker 1: was like, the Dodgers were big for me because that's

853
00:46:21,000 --> 00:46:22,839
Speaker 1: where we got our crown jewel. That's where the Mike,

854
00:46:23,120 --> 00:46:25,839
Speaker 1: that's where Mike Piazza came from from the Mets, and

855
00:46:25,880 --> 00:46:28,400
Speaker 1: we got on this whole tangent about whether I played baseball.

856
00:46:28,480 --> 00:46:30,360
Speaker 1: And it's true. I was a center fielder and was

857
00:46:30,400 --> 00:46:32,839
Speaker 1: a leadoff hitter, and I would bunt every single time

858
00:46:32,880 --> 00:46:34,920
Speaker 1: I hadn't at bat, and I had an average of

859
00:46:34,920 --> 00:46:37,440
Speaker 1: about six hundred. And I was the stolen base leader

860
00:46:37,480 --> 00:46:39,840
Speaker 1: in my league as well as the runs leader in

861
00:46:39,880 --> 00:46:43,360
Speaker 1: my league because I was so fast, and then I

862
00:46:43,360 --> 00:46:46,120
Speaker 1: I was the leader, and I was My batting average

863
00:46:46,160 --> 00:46:49,480
Speaker 1: was crazy high. And then eventually, like eventually, like the

864
00:46:49,520 --> 00:46:51,279
Speaker 1: third basement and all the other team every time I

865
00:46:51,280 --> 00:46:53,359
Speaker 1: would come up, they would bring their third basement all

866
00:46:53,400 --> 00:46:55,200
Speaker 1: the way up to get my bunts. But bitch, I

867
00:46:55,239 --> 00:46:58,680
Speaker 1: was still too fast. I was running around the bases

868
00:46:59,000 --> 00:47:02,239
Speaker 1: and then I quit to run. Try and track track

869
00:47:02,400 --> 00:47:06,439
Speaker 1: was a positive experience for you, very Oh my god,

870
00:47:06,520 --> 00:47:09,920
Speaker 1: Yeah it was because the track kids, the track kids

871
00:47:10,000 --> 00:47:12,960
Speaker 1: just ha, there a community. Track kids are a community,

872
00:47:13,080 --> 00:47:16,279
Speaker 1: and they were cool fun. Yes, but they're fun and

873
00:47:16,320 --> 00:47:19,080
Speaker 1: cool and and funny and cute. Here's the thing about

874
00:47:19,080 --> 00:47:21,239
Speaker 1: cross country kids and track kids. And I hope this

875
00:47:21,320 --> 00:47:23,360
Speaker 1: is still the case. But they were the people that

876
00:47:23,400 --> 00:47:27,400
Speaker 1: I learned like cool music from like they they liked Queen,

877
00:47:27,840 --> 00:47:31,400
Speaker 1: like like fucking on football buses. I don't think they

878
00:47:31,440 --> 00:47:33,920
Speaker 1: were singing Bohemian Rhapsody, I really don't. I think they

879
00:47:33,920 --> 00:47:36,520
Speaker 1: were singing like I don't know, maybe their pump up

880
00:47:36,560 --> 00:47:38,920
Speaker 1: song was something different. Maybe we got some we Will

881
00:47:39,000 --> 00:47:40,960
Speaker 1: rock you in there, but that was as queeny as

882
00:47:41,000 --> 00:47:45,600
Speaker 1: it got on the football buses. Rock country bass. It's

883
00:47:46,160 --> 00:47:48,520
Speaker 1: it's an exception in the it's an anomaly in the Queen.

884
00:47:48,920 --> 00:47:51,160
Speaker 1: It was him doing mass Dragon, we love we Are

885
00:47:51,160 --> 00:47:54,000
Speaker 1: the Champions. There's a lot of sort of you know,

886
00:47:54,680 --> 00:47:57,279
Speaker 1: hetero ish songs, but really they're just I mean, there's

887
00:47:57,320 --> 00:48:00,759
Speaker 1: no gayer song than We Are the champions Um if

888
00:48:00,800 --> 00:48:03,640
Speaker 1: you really think about it. But anyway, um, the icon

889
00:48:03,760 --> 00:48:06,960
Speaker 1: of cross country is this guy, Steve Prefontaine. And he

890
00:48:07,040 --> 00:48:08,960
Speaker 1: was sort of like he was a guy with long hair,

891
00:48:09,200 --> 00:48:11,919
Speaker 1: hippie like you got the sense that maybe he smoke.

892
00:48:12,280 --> 00:48:14,080
Speaker 1: And even though it was like a psycho runner, he

893
00:48:14,160 --> 00:48:15,960
Speaker 1: was just one of the best cross country athletes of

894
00:48:16,000 --> 00:48:18,520
Speaker 1: all time. And he died tragically, very young, but he

895
00:48:18,640 --> 00:48:22,560
Speaker 1: was like an iconic college cross country athlete. There's actually

896
00:48:22,560 --> 00:48:26,520
Speaker 1: two There's one code without limits, and it has Jared

897
00:48:26,560 --> 00:48:29,640
Speaker 1: Leto and there's one called Prefontaine that has Billy Crude

898
00:48:29,680 --> 00:48:31,399
Speaker 1: up or I could be mixing it up, but there's

899
00:48:31,440 --> 00:48:36,200
Speaker 1: two good movies about this guy and they're both pinked um,

900
00:48:36,239 --> 00:48:38,240
Speaker 1: so you should check them out. But what I'm saying

901
00:48:38,320 --> 00:48:40,480
Speaker 1: is there's like a more like sort of queer like

902
00:48:40,520 --> 00:48:44,080
Speaker 1: whatever sensibility with cross country and track because you're trying

903
00:48:44,080 --> 00:48:46,080
Speaker 1: of doing the gay sport because you're not using your

904
00:48:46,120 --> 00:48:47,960
Speaker 1: hands and you're not throwing balls, you know what I mean.

905
00:48:48,360 --> 00:48:51,600
Speaker 1: I love you're not like slamming into people. And the

906
00:48:51,600 --> 00:48:53,960
Speaker 1: people were cool and they and they were smart, and

907
00:48:54,000 --> 00:48:58,239
Speaker 1: I like their castle. That's what it is. They're not

908
00:48:58,320 --> 00:49:00,799
Speaker 1: a grow in that way. So the thing is like

909
00:49:00,840 --> 00:49:02,719
Speaker 1: on cross country and track, you're really it's really an

910
00:49:02,760 --> 00:49:05,799
Speaker 1: individual sport. So the fact that you're not relying on

911
00:49:05,800 --> 00:49:07,759
Speaker 1: each other takes the pressure off in a way. Like

912
00:49:07,880 --> 00:49:10,000
Speaker 1: I would always get so anxious when I was going

913
00:49:10,040 --> 00:49:13,280
Speaker 1: to play a team sport because I was pretty aware

914
00:49:13,320 --> 00:49:15,680
Speaker 1: that I was the only gay person there and like,

915
00:49:15,760 --> 00:49:18,000
Speaker 1: if you messed up, it meant more than you let

916
00:49:18,000 --> 00:49:19,520
Speaker 1: the team down. It meant like you were in a

917
00:49:19,600 --> 00:49:23,000
Speaker 1: man you know what I mean. So God whenever I

918
00:49:23,160 --> 00:49:25,719
Speaker 1: still to this day sometimes when I hear when I

919
00:49:25,719 --> 00:49:27,879
Speaker 1: start to smell in New York spring in the air,

920
00:49:28,320 --> 00:49:30,919
Speaker 1: I still have like this crazy anxiety, which I talked

921
00:49:30,960 --> 00:49:33,920
Speaker 1: about last week on the pod. I have this insane

922
00:49:33,960 --> 00:49:38,960
Speaker 1: anxiety because baseball season is starting. Literally still happens, like

923
00:49:39,000 --> 00:49:44,080
Speaker 1: I have sense memory. It's so it's so weird, but yes,

924
00:49:44,160 --> 00:49:47,080
Speaker 1: that's how I have the lived in um character of

925
00:49:47,160 --> 00:49:50,440
Speaker 1: lacrosse coach inside me. My dad as coach energy always

926
00:49:50,440 --> 00:49:54,360
Speaker 1: has but this is um. This is a mask energy

927
00:49:54,400 --> 00:49:58,600
Speaker 1: that I think Matt is. Matt very very selectively pulls out.

928
00:49:58,800 --> 00:50:01,560
Speaker 1: I think, as well, well, can I say something about it?

929
00:50:01,560 --> 00:50:05,160
Speaker 1: You know what's interesting, Like the response to Hot Dog

930
00:50:05,200 --> 00:50:08,600
Speaker 1: has been like, so, wow, you're the gayest person ever.

931
00:50:08,760 --> 00:50:11,080
Speaker 1: I love the show is so gay, Like I love

932
00:50:11,120 --> 00:50:13,799
Speaker 1: the fagotry, Like you go, girl, like you're so gay,

933
00:50:13,840 --> 00:50:18,000
Speaker 1: you're gay that there's a little part of me that

934
00:50:18,160 --> 00:50:21,040
Speaker 1: comes from Long Island and was this kid. That's kind

935
00:50:21,080 --> 00:50:23,719
Speaker 1: of like, I hope it's not turning people off. I

936
00:50:23,760 --> 00:50:25,200
Speaker 1: hope they're not saying it in a bad way. I

937
00:50:25,239 --> 00:50:28,000
Speaker 1: hope I'm not annoying. And I don't know. I think

938
00:50:28,080 --> 00:50:30,319
Speaker 1: that I do have a complex with that. I have

939
00:50:30,360 --> 00:50:33,640
Speaker 1: a complex with being like gay and annoying, which I

940
00:50:33,680 --> 00:50:37,560
Speaker 1: guess is pretty unfortunate because I am. But um, but

941
00:50:37,800 --> 00:50:40,799
Speaker 1: I don't know. It's it's hard. It's it's not an

942
00:50:40,800 --> 00:50:43,720
Speaker 1: individual thing. It's not an individual thing. It's like a

943
00:50:43,800 --> 00:50:47,279
Speaker 1: social cultural thing where like exactly, it's, yeah, I've just

944
00:50:47,320 --> 00:50:49,799
Speaker 1: been cultured a part of me that still lives that

945
00:50:49,880 --> 00:50:52,960
Speaker 1: I've almost killed. He's almost dead, but still believes that

946
00:50:53,040 --> 00:50:56,360
Speaker 1: be acting that gay is like like delegitimizes you in

947
00:50:56,400 --> 00:50:58,160
Speaker 1: a way, you know what I mean. And that's just

948
00:50:58,320 --> 00:51:03,360
Speaker 1: that's just my damage. I'll be very honest about i'mly

949
00:51:03,800 --> 00:51:09,480
Speaker 1: is it truly? Is nobody's business like? And I okay.

950
00:51:09,480 --> 00:51:11,239
Speaker 1: So so I like tweeted a bunch of ship on

951
00:51:11,280 --> 00:51:14,720
Speaker 1: Sunday after the Gazette posted their thing, and I was like, guys,

952
00:51:14,800 --> 00:51:17,600
Speaker 1: it's literally so we can just do silly voices. You god,

953
00:51:17,680 --> 00:51:20,319
Speaker 1: you people are so annoying l O L. And I

954
00:51:20,400 --> 00:51:21,880
Speaker 1: left that up and I was just like, this is

955
00:51:21,920 --> 00:51:23,560
Speaker 1: actually how I feel. I don't care if it's like

956
00:51:24,360 --> 00:51:25,879
Speaker 1: I don't care if this is like me like sort

957
00:51:25,880 --> 00:51:27,960
Speaker 1: of taking the beta or whatever. And then I tweeted

958
00:51:27,960 --> 00:51:29,080
Speaker 1: a bunch of things and then I was in a

959
00:51:29,080 --> 00:51:32,719
Speaker 1: salty tweet Stormer was like a salty tweet storm. Oh

960
00:51:32,760 --> 00:51:35,640
Speaker 1: my god, that's good coming to the stage, salty salty

961
00:51:35,800 --> 00:51:38,399
Speaker 1: tweet storm. I was just like to the people who

962
00:51:38,440 --> 00:51:40,759
Speaker 1: are happy that I didn't play a faggot this week,

963
00:51:41,480 --> 00:51:43,759
Speaker 1: but it wasn't a fagot on TV this week, Like

964
00:51:44,560 --> 00:51:47,160
Speaker 1: your face looks like Olive low bitch, Like I don't

965
00:51:47,200 --> 00:51:49,799
Speaker 1: care what you have to say. And then podcast Fantasy World,

966
00:51:49,840 --> 00:51:51,920
Speaker 1: this meme account of Instagram posted this funny thing that

967
00:51:51,960 --> 00:51:55,239
Speaker 1: made me laugh, which was who the funk y'all think

968
00:51:55,320 --> 00:51:58,719
Speaker 1: y'all are? And then and then it's an image of

969
00:51:58,760 --> 00:52:03,520
Speaker 1: following two thousand seven followers like fourteen and I'm just like, yeah, like,

970
00:52:03,560 --> 00:52:07,439
Speaker 1: this is the energy that I get a lot these

971
00:52:07,480 --> 00:52:10,840
Speaker 1: people who like practically don't exist on the internet. Do

972
00:52:10,840 --> 00:52:13,040
Speaker 1: you want to get that? What you guys? I have

973
00:52:13,080 --> 00:52:16,880
Speaker 1: a package? Okay, okay, okay, man, it's gonna get his package. Um. Sorry,

974
00:52:17,040 --> 00:52:18,960
Speaker 1: we're getting real Okay, So this is just me a

975
00:52:18,960 --> 00:52:22,640
Speaker 1: new reader. We're getting really realist episode, and I hope

976
00:52:22,680 --> 00:52:25,560
Speaker 1: you're along for the ride. Yeah, this is just us

977
00:52:25,680 --> 00:52:27,719
Speaker 1: very sort of candidly talking about things I don't think.

978
00:52:27,760 --> 00:52:30,239
Speaker 1: I don't think Matt and I had had a discussion

979
00:52:30,280 --> 00:52:33,520
Speaker 1: like this in a while. Um, what's the package? Sure,

980
00:52:33,960 --> 00:52:36,960
Speaker 1: this is like a very sort of like the listeners,

981
00:52:36,960 --> 00:52:39,399
Speaker 1: the readers rather, are really sort of like in our

982
00:52:39,880 --> 00:52:42,239
Speaker 1: living rooms. I was telling readers that I feel like

983
00:52:42,239 --> 00:52:44,600
Speaker 1: this is a very real episode. I mean, why not,

984
00:52:44,760 --> 00:52:48,279
Speaker 1: right in the world, think about everything that is going

985
00:52:48,320 --> 00:52:51,279
Speaker 1: on in life. You wouldn't want to not say all

986
00:52:51,320 --> 00:52:55,080
Speaker 1: these truths, you know? Yes, that's right. Sorry, I'm just

987
00:52:55,480 --> 00:52:58,640
Speaker 1: opening a box with a with a what do you

988
00:52:58,680 --> 00:53:01,759
Speaker 1: call this? A plastic knight? Plastic better night? All right,

989
00:53:02,320 --> 00:53:04,560
Speaker 1: I'll tell you what it is. It's Trick Mirror by

990
00:53:04,560 --> 00:53:08,360
Speaker 1: Ga Tolentino. Isn't that crazy? Literally, you've been saying for

991
00:53:08,480 --> 00:53:11,239
Speaker 1: me to get this on this pod, and now I

992
00:53:11,320 --> 00:53:14,680
Speaker 1: get it on the pod ever since Taylor Trench, Taylor

993
00:53:14,680 --> 00:53:16,840
Speaker 1: Trench and I told you to get this, Miss Taylor,

994
00:53:17,080 --> 00:53:20,600
Speaker 1: I miss Hers. I know that the audio the Maria

995
00:53:20,680 --> 00:53:22,560
Speaker 1: the Meaning of Maria carry audio book is without here.

996
00:53:22,600 --> 00:53:25,360
Speaker 1: But Jia herself does a very good audio book of

997
00:53:25,360 --> 00:53:27,799
Speaker 1: Trick Mirror. Well, then maybe I'll do with this book

998
00:53:27,840 --> 00:53:30,040
Speaker 1: what I did with Mariah's book, which is I'll actually

999
00:53:30,480 --> 00:53:32,560
Speaker 1: read it while I listened to it to get a

1000
00:53:32,600 --> 00:53:35,920
Speaker 1: full immersive experience. I tried that with Mariah's book, and

1001
00:53:35,960 --> 00:53:39,080
Speaker 1: I really enjoyed it. I really liked that experience anyway.

1002
00:53:39,120 --> 00:53:40,920
Speaker 1: I know, I just my salty tweet storm was just

1003
00:53:41,000 --> 00:53:44,000
Speaker 1: like these people who like the people who are like

1004
00:53:44,120 --> 00:53:47,840
Speaker 1: telling you to be more, to be less fem or

1005
00:53:47,880 --> 00:53:50,200
Speaker 1: the silent lizard brig part of me that's telling you

1006
00:53:50,239 --> 00:53:53,839
Speaker 1: to be less fem is just like enlarged in these

1007
00:53:53,840 --> 00:53:57,120
Speaker 1: other people who are saying like like I get this

1008
00:53:57,120 --> 00:53:58,919
Speaker 1: ship all the time where it's like bow and bone.

1009
00:53:58,960 --> 00:54:01,239
Speaker 1: Stop like Bowen's being so like say or whatever, and

1010
00:54:01,239 --> 00:54:04,120
Speaker 1: I'm just like bo and better stop doing that gay voice.

1011
00:54:04,160 --> 00:54:06,840
Speaker 1: I'm like, sorry, but who get notes from just the

1012
00:54:06,880 --> 00:54:10,920
Speaker 1: public just just commenters? Yeah, And I'm like, oh no,

1013
00:54:11,040 --> 00:54:14,439
Speaker 1: that's my voice, honey. Yeah. That's another thing because it's

1014
00:54:14,480 --> 00:54:16,960
Speaker 1: like it's like it's funny because I thought what I

1015
00:54:17,040 --> 00:54:18,719
Speaker 1: was doing on a hottop was like me at like

1016
00:54:18,760 --> 00:54:21,839
Speaker 1: an eight, Oh, I feel like I'm toned down. Yeah,

1017
00:54:21,880 --> 00:54:24,600
Speaker 1: oh my god. The same Literally when every time I'm

1018
00:54:24,600 --> 00:54:27,799
Speaker 1: ever on tape for anything, and any casting director ever

1019
00:54:28,000 --> 00:54:30,399
Speaker 1: encounters me, they're always like, Okay, you know what you

1020
00:54:30,840 --> 00:54:33,399
Speaker 1: can just throw it away. And I'm always like, it's

1021
00:54:33,480 --> 00:54:35,880
Speaker 1: such a drag. It's like when it's like when our

1022
00:54:35,880 --> 00:54:38,440
Speaker 1: producers sent me this pop builder. It's such a drag.

1023
00:54:38,560 --> 00:54:42,520
Speaker 1: But they don't know. They don't know. No, it's true.

1024
00:54:42,560 --> 00:54:44,879
Speaker 1: You know what I'm coming for them, and they're they're

1025
00:54:45,000 --> 00:54:46,719
Speaker 1: right here in the zoom and they know who they are.

1026
00:54:46,960 --> 00:54:49,680
Speaker 1: I'm actually really thankful that you guys sent me a

1027
00:54:49,719 --> 00:54:51,800
Speaker 1: pop filter. It was Doug. I knew it was Doug.

1028
00:54:52,000 --> 00:54:54,120
Speaker 1: I'm actually really happy I have this pop filter now

1029
00:54:54,120 --> 00:54:57,800
Speaker 1: for a little voiceover things, which I do. Sorry, oh yeah,

1030
00:54:57,840 --> 00:54:59,720
Speaker 1: it is good for voice over. So it was Hans.

1031
00:54:59,760 --> 00:55:04,360
Speaker 1: There's so there's this trickery going on. I have to

1032
00:55:04,480 --> 00:55:07,720
Speaker 1: I have to say something what I can no longer

1033
00:55:07,800 --> 00:55:09,600
Speaker 1: hold in my I don't think so, honey. I actually

1034
00:55:09,640 --> 00:55:11,480
Speaker 1: was going to run by you doing it first thing.

1035
00:55:12,239 --> 00:55:15,319
Speaker 1: I'm like, already an hour in, Well this is the thing, bitch.

1036
00:55:15,440 --> 00:55:16,920
Speaker 1: No, no no, no, I'm not saying we're doing that. I

1037
00:55:16,960 --> 00:55:20,520
Speaker 1: don't think so, honey. Now I'm saying that I literally

1038
00:55:20,640 --> 00:55:23,400
Speaker 1: wanted to come to the episode today starting with this

1039
00:55:23,440 --> 00:55:26,360
Speaker 1: because I wanted to provoke a discussion, because I think

1040
00:55:26,760 --> 00:55:29,080
Speaker 1: there needs to be truth there needs to be truth

1041
00:55:29,080 --> 00:55:30,719
Speaker 1: speaking into the atmosphere, and it might need to be

1042
00:55:30,800 --> 00:55:34,480
Speaker 1: expanded on. Okay, I love we've never done this before. No,

1043
00:55:34,640 --> 00:55:38,759
Speaker 1: we're doing it early earlier. Does this should? I can't

1044
00:55:38,800 --> 00:55:41,120
Speaker 1: wait in mine wait until the end? Yeah, because it's

1045
00:55:41,120 --> 00:55:42,640
Speaker 1: gonna have to anyway, because like I said, it's going

1046
00:55:42,680 --> 00:55:45,279
Speaker 1: to provoke a discussion which takes time. You know, it's

1047
00:55:45,280 --> 00:55:52,280
Speaker 1: actually real culture number sixty six discussions. They take timeson

1048
00:55:56,680 --> 00:55:59,680
Speaker 1: what is your background? Your phone? What is that? What's

1049
00:55:59,680 --> 00:56:03,160
Speaker 1: all that? This? This little ghosts? This is an artist unigaba.

1050
00:56:03,480 --> 00:56:06,200
Speaker 1: He just dug these illustrations of people with their phones.

1051
00:56:06,520 --> 00:56:12,000
Speaker 1: Isn't that cute? I want that? That's really cute. Oh.

1052
00:56:12,320 --> 00:56:13,440
Speaker 1: Bow And told me the other day to go to

1053
00:56:13,480 --> 00:56:16,080
Speaker 1: the store and get Sunday Cologne by Barretto. And I

1054
00:56:16,200 --> 00:56:20,160
Speaker 1: marched right up to the saleswoman and I said I'd

1055
00:56:20,200 --> 00:56:23,920
Speaker 1: like Sunday Cologne by Barretto and she was like, oh yep,

1056
00:56:24,080 --> 00:56:25,840
Speaker 1: And everyone in the store looked for it. It was

1057
00:56:25,920 --> 00:56:28,120
Speaker 1: nowhere to be found. They told me it was discontinued.

1058
00:56:28,239 --> 00:56:30,360
Speaker 1: Just kidding, No, it's not. You can buy it online.

1059
00:56:30,480 --> 00:56:31,719
Speaker 1: But I don't know what was going on in that

1060
00:56:31,840 --> 00:56:33,880
Speaker 1: store that day, But where did you smell? But you

1061
00:56:33,880 --> 00:56:36,120
Speaker 1: said that he had smelled it at first, Well, they

1062
00:56:36,160 --> 00:56:38,880
Speaker 1: had a display out on the table. I was, and

1063
00:56:38,920 --> 00:56:40,319
Speaker 1: then and then then then it was not in the

1064
00:56:40,440 --> 00:56:44,680
Speaker 1: entire store. And then someone who quote unquote really knew fragrances,

1065
00:56:45,960 --> 00:56:48,759
Speaker 1: it was discontinued. And then I was like, no, that's

1066
00:56:48,760 --> 00:56:50,839
Speaker 1: a lie. Yeah, well I knew. I kind of knew

1067
00:56:50,840 --> 00:56:52,080
Speaker 1: it was. And I was like, I don't think these

1068
00:56:52,120 --> 00:56:54,120
Speaker 1: women know what they're doing, and so I won't say

1069
00:56:54,120 --> 00:56:56,439
Speaker 1: where it was. I went online and it was like, yeah,

1070
00:56:56,560 --> 00:56:59,279
Speaker 1: very much on sale. So anyway, I just bought mine

1071
00:56:59,320 --> 00:57:03,200
Speaker 1: like two weeks go. It's so good. I'm one of

1072
00:57:03,200 --> 00:57:05,520
Speaker 1: my favorites. Okay, here we go. All right, so here

1073
00:57:05,520 --> 00:57:07,640
Speaker 1: we go. This is Mount Rodgers. I don't think so, honey.

1074
00:57:07,640 --> 00:57:11,760
Speaker 1: As time starts now, I don't think so honey, anyone

1075
00:57:11,800 --> 00:57:17,000
Speaker 1: outside of Disneyland protesting that you need to go home

1076
00:57:17,080 --> 00:57:20,600
Speaker 1: and draw a picture, bitch. I don't think so honey,

1077
00:57:20,680 --> 00:57:22,800
Speaker 1: that you were out here on what is a Monday,

1078
00:57:22,920 --> 00:57:25,880
Speaker 1: it's a work day. At least pretend something's going on

1079
00:57:26,320 --> 00:57:30,320
Speaker 1: to be protesting. The Disneyland is not open during COVID.

1080
00:57:31,000 --> 00:57:33,160
Speaker 1: I don't think so honey, that any of you have

1081
00:57:33,240 --> 00:57:36,200
Speaker 1: even been to another protest in your life. And if

1082
00:57:36,240 --> 00:57:43,280
Speaker 1: that's true protesting moby, I don't think so, honey. You

1083
00:57:43,320 --> 00:57:47,560
Speaker 1: can ride the matterhorn later, bitch. Also, you've probably done

1084
00:57:47,560 --> 00:57:50,360
Speaker 1: it upwards of thirty times. I don't think so, honey,

1085
00:57:50,360 --> 00:57:52,400
Speaker 1: of the even figure out. You could just fly to Orlando,

1086
00:57:52,560 --> 00:57:54,640
Speaker 1: you dumb bitch. If you want to go to Disney

1087
00:57:54,640 --> 00:57:58,760
Speaker 1: World so bad right now, it's better and risk death

1088
00:57:59,160 --> 00:58:03,160
Speaker 1: and death. I don't think so, honey, that you need this.

1089
00:58:03,160 --> 00:58:06,560
Speaker 1: This bat poorly on me, someone who said they're part

1090
00:58:06,600 --> 00:58:09,520
Speaker 1: of your community and now must rescind my membership. I

1091
00:58:09,560 --> 00:58:12,160
Speaker 1: don't think so, honey. And that's one minute. This is

1092
00:58:12,240 --> 00:58:14,440
Speaker 1: we've established this on the podcast before. You are not

1093
00:58:14,520 --> 00:58:18,080
Speaker 1: a Disney gay. I'm a universal faggot. But but you're

1094
00:58:18,120 --> 00:58:20,240
Speaker 1: not even like and that is the better one of

1095
00:58:20,240 --> 00:58:23,120
Speaker 1: the two to be to sort of identify, to align

1096
00:58:23,160 --> 00:58:26,360
Speaker 1: your identity with. Yeah, it means they're much cooler, but

1097
00:58:26,440 --> 00:58:32,240
Speaker 1: you're all but you're also but you're you're also not

1098
00:58:32,320 --> 00:58:38,000
Speaker 1: even that fanatical about it, nobody about the whole thing. Well,

1099
00:58:38,320 --> 00:58:40,720
Speaker 1: I mean, I'll be honest with you. When people dragged

1100
00:58:40,800 --> 00:58:43,560
Speaker 1: Disney people, I kind of assume they're talking about someone

1101
00:58:43,640 --> 00:58:46,200
Speaker 1: like me those a few times a year to Disneyland,

1102
00:58:46,200 --> 00:58:48,680
Speaker 1: because I have an annual past just to have fun.

1103
00:58:48,880 --> 00:58:51,680
Speaker 1: Whatever I go, I get very high, I drink, I

1104
00:58:51,720 --> 00:58:55,080
Speaker 1: do rides. I think it's cute. I'm not going for

1105
00:58:55,280 --> 00:58:59,480
Speaker 1: to in a matching shirt and clothes. I can't believe

1106
00:58:59,520 --> 00:59:03,240
Speaker 1: the people with close And I also cannot believe that

1107
00:59:03,280 --> 00:59:05,840
Speaker 1: there is a breed of person who exists that is

1108
00:59:06,000 --> 00:59:09,880
Speaker 1: protesting in Anaheim right now that it's not open. That

1109
00:59:10,280 --> 00:59:13,960
Speaker 1: is a very six disease. And if you like Eminem

1110
00:59:14,320 --> 00:59:17,280
Speaker 1: or one of these people, I am willing to pay

1111
00:59:17,320 --> 00:59:20,960
Speaker 1: a scholarship. I'll say again, I want a scholarship at

1112
00:59:21,720 --> 00:59:24,160
Speaker 1: high school where I went to school, which is six

1113
00:59:24,280 --> 00:59:26,840
Speaker 1: hundred dollars to the student who seems like they might

1114
00:59:26,840 --> 00:59:32,320
Speaker 1: protest that disney Land during COVID. Help that child, help him,

1115
00:59:32,520 --> 00:59:35,320
Speaker 1: help him, he's there's a good in him. If that

1116
00:59:35,440 --> 00:59:37,880
Speaker 1: child that I slip high school has expressed an interest

1117
00:59:38,040 --> 00:59:43,560
Speaker 1: in solidarity, has expressed solidarity with the protest, you give

1118
00:59:43,640 --> 00:59:46,480
Speaker 1: him this money, please. I'm sending it. I'm sending the money.

1119
00:59:46,680 --> 00:59:48,840
Speaker 1: I'm sending the money because that kid needs helping. Me

1120
00:59:49,160 --> 00:59:52,040
Speaker 1: very sick and it's not funny. These kids shouldn't be

1121
00:59:52,080 --> 00:59:55,000
Speaker 1: going down to the world. They should be getting rehabilitated

1122
00:59:55,000 --> 00:59:57,720
Speaker 1: that when we it's it's up to us to get

1123
00:59:57,720 --> 01:00:01,440
Speaker 1: them helped. There's people protest u thing outside Disneyland saying

1124
01:00:01,760 --> 01:00:06,240
Speaker 1: saying start the magic. I mean, it's really it's dark.

1125
01:00:08,800 --> 01:00:14,640
Speaker 1: It's like reignite the magic. It's like we are wallowing

1126
01:00:14,720 --> 01:00:18,640
Speaker 1: in the swamp of humanity. I'm telling you some Drew

1127
01:00:18,720 --> 01:00:24,200
Speaker 1: tingerbell sprinkling pixie dust and being like you like you

1128
01:00:24,240 --> 01:00:27,480
Speaker 1: can fly, you can fly. Let me tell you something.

1129
01:00:28,280 --> 01:00:31,400
Speaker 1: There is a part of me who that does want

1130
01:00:31,400 --> 01:00:35,520
Speaker 1: to fly to Orlando, but I know that it can wait.

1131
01:00:36,440 --> 01:00:39,760
Speaker 1: I know it can wait. This is okay, So can

1132
01:00:39,800 --> 01:00:42,080
Speaker 1: you give us any more background on what's happening, Like

1133
01:00:42,120 --> 01:00:46,400
Speaker 1: when did they start? Not the first day of the protests.

1134
01:00:46,440 --> 01:00:50,160
Speaker 1: I just know that I saw on Twitter and this

1135
01:00:50,320 --> 01:00:52,920
Speaker 1: also bothered me because people were tagging me in it,

1136
01:00:52,960 --> 01:00:55,480
Speaker 1: and I'm like, no, no, no, it's important that you know.

1137
01:00:56,200 --> 01:00:59,560
Speaker 1: I would never in my life be protesting outside the park.

1138
01:01:00,080 --> 01:01:02,120
Speaker 1: So it's so funny to me that they're dressed as

1139
01:01:02,160 --> 01:01:04,240
Speaker 1: if they might come and be like, you guys are right,

1140
01:01:04,320 --> 01:01:07,920
Speaker 1: it's time and just let them in like little gay

1141
01:01:08,000 --> 01:01:12,280
Speaker 1: fish so that they can go on the mad tea party.

1142
01:01:12,600 --> 01:01:17,560
Speaker 1: Hon darling, think about what you are protesting, which is

1143
01:01:18,120 --> 01:01:23,000
Speaker 1: too I just couldn't believe it go against a public

1144
01:01:23,040 --> 01:01:28,520
Speaker 1: health protocol one to want the invisible hand and forces

1145
01:01:28,560 --> 01:01:31,120
Speaker 1: of the free market to work in full swing again

1146
01:01:31,240 --> 01:01:34,200
Speaker 1: so that you can pay your dollars to this like

1147
01:01:35,360 --> 01:01:40,080
Speaker 1: capitalist class monstrosity of a company. We love Disney, but

1148
01:01:40,120 --> 01:01:43,480
Speaker 1: that's what they are. Yeah, and I we don't even

1149
01:01:43,520 --> 01:01:45,840
Speaker 1: love Disney. We love Disney as much as human being

1150
01:01:45,840 --> 01:01:49,280
Speaker 1: can love a corporation, as as as much as someone

1151
01:01:49,440 --> 01:01:52,560
Speaker 1: people who have developed class consciousness can love a corporation. Okay,

1152
01:01:53,040 --> 01:01:58,000
Speaker 1: so these people are just lost wayward souls, lost and

1153
01:01:58,040 --> 01:02:06,680
Speaker 1: confused souls. And draw a picture, Draw a picture, do

1154
01:02:06,800 --> 01:02:09,840
Speaker 1: a puzzle, you know, like oh my god, I hide

1155
01:02:09,880 --> 01:02:11,600
Speaker 1: and go seek with a few of your friends in

1156
01:02:11,640 --> 01:02:14,640
Speaker 1: your pod. There's ways to revisit your inner child. There

1157
01:02:14,760 --> 01:02:19,000
Speaker 1: is there is there is there or grow up or

1158
01:02:19,680 --> 01:02:28,720
Speaker 1: or I just I couldn't fathom the protesting. And I

1159
01:02:28,800 --> 01:02:31,880
Speaker 1: was like, I do you agree with me? They haven't

1160
01:02:31,880 --> 01:02:36,440
Speaker 1: been They did not protest the first protest. If they

1161
01:02:36,640 --> 01:02:39,680
Speaker 1: if they joined in protests with actual oppressed people at

1162
01:02:39,720 --> 01:02:43,400
Speaker 1: any point in their lives, they would know that this

1163
01:02:43,480 --> 01:02:46,840
Speaker 1: is not there. There is no transference in in in this,

1164
01:02:46,920 --> 01:02:49,760
Speaker 1: in this way, or whatever the term is. Like, there's

1165
01:02:49,760 --> 01:02:53,480
Speaker 1: no analog to Disney Disney not being opened being the

1166
01:02:53,520 --> 01:02:57,880
Speaker 1: same kind of oppression as something systemic. That's wait, I

1167
01:02:57,880 --> 01:03:00,800
Speaker 1: need to look this up. Disneyland protests. You should look

1168
01:03:00,840 --> 01:03:03,320
Speaker 1: it up. You should definitely watch it, and maybe I

1169
01:03:03,320 --> 01:03:06,000
Speaker 1: will to the guards to open the gates. That you

1170
01:03:06,080 --> 01:03:12,000
Speaker 1: tell the guards to open up the gates. Oh my god. No, wait,

1171
01:03:12,080 --> 01:03:16,680
Speaker 1: I'm pulling it up to it's no, like, this is terrible. Okay, yeah,

1172
01:03:16,680 --> 01:03:23,960
Speaker 1: I'm I'm seeing it. No, bring back the magic. Oh

1173
01:03:23,960 --> 01:03:28,280
Speaker 1: my god, not on the fucking Let's read some of

1174
01:03:28,280 --> 01:03:32,840
Speaker 1: these signs. Wait, we got to read some of these signs. Um, okay,

1175
01:03:33,280 --> 01:03:38,200
Speaker 1: let me in, let me in. Oh my god, that's

1176
01:03:38,200 --> 01:03:40,080
Speaker 1: not even a joke. It's just let me in, let

1177
01:03:40,120 --> 01:03:43,720
Speaker 1: me in. No, not all these are gonna be They're

1178
01:03:43,760 --> 01:03:45,840
Speaker 1: not all going to be clever. You're right. I don't

1179
01:03:45,840 --> 01:03:48,960
Speaker 1: know why I assume they would be a good satire.

1180
01:03:49,600 --> 01:03:52,880
Speaker 1: Oh my god, you know these people? Oh my god. Okay,

1181
01:03:52,920 --> 01:03:57,240
Speaker 1: I guess I've run out of photos but this is

1182
01:03:57,400 --> 01:04:02,200
Speaker 1: this is just beyond Yeah, it's really crazy anyway, Okay,

1183
01:04:02,240 --> 01:04:03,960
Speaker 1: that was a beautiful I don't think so, honey. No,

1184
01:04:04,080 --> 01:04:07,240
Speaker 1: but this, I think this is very important. I just could.

1185
01:04:07,360 --> 01:04:09,600
Speaker 1: I had to speak out. As someone who's public about

1186
01:04:09,640 --> 01:04:11,440
Speaker 1: being part of the community. I felt like it was

1187
01:04:11,480 --> 01:04:14,000
Speaker 1: my it was my duty to come out and say

1188
01:04:14,160 --> 01:04:17,960
Speaker 1: I do not endorse this, and I think it's wrong.

1189
01:04:18,360 --> 01:04:21,360
Speaker 1: And even though you are sort of trying to distance

1190
01:04:21,400 --> 01:04:24,040
Speaker 1: yourself from the community, I would imagine that a majority

1191
01:04:24,080 --> 01:04:28,280
Speaker 1: of the community would not support what these people are doing. No,

1192
01:04:28,400 --> 01:04:30,560
Speaker 1: I think they agree with me, even though I would

1193
01:04:30,600 --> 01:04:33,640
Speaker 1: say that the radicals in the party would consider me

1194
01:04:33,760 --> 01:04:36,120
Speaker 1: really amit Romney type. I guess at this point as

1195
01:04:36,320 --> 01:04:39,400
Speaker 1: a centrist, I'm sort of defecting from them and saying

1196
01:04:39,560 --> 01:04:42,960
Speaker 1: I do not condone morally, what is happening. Sorry to

1197
01:04:42,960 --> 01:04:45,720
Speaker 1: talk about her and no, no, no, when and when

1198
01:04:45,760 --> 01:04:48,240
Speaker 1: we say like the T shirt wearing like the blah

1199
01:04:48,320 --> 01:04:51,520
Speaker 1: blah wearing people like and that's not meant to be pejorative,

1200
01:04:51,560 --> 01:04:54,240
Speaker 1: that's just that's a type of Disney gay that Matt

1201
01:04:54,280 --> 01:04:57,640
Speaker 1: and I are not right. We we love it. But

1202
01:04:57,680 --> 01:04:59,880
Speaker 1: and I should also say I'm going to take back

1203
01:04:59,880 --> 01:05:01,960
Speaker 1: the Romney thing, because I just remembered our guest next

1204
01:05:01,960 --> 01:05:05,560
Speaker 1: week is Ann Romney. So Romney's coming on Last Cultures

1205
01:05:05,800 --> 01:05:09,280
Speaker 1: and that'll be really fun, a good time. We should

1206
01:05:09,280 --> 01:05:14,840
Speaker 1: have we should have Megan mccainnon. What if what if

1207
01:05:14,920 --> 01:05:17,360
Speaker 1: we had her on and we both were like, I

1208
01:05:17,600 --> 01:05:20,800
Speaker 1: love her? Actually just kidding me what I would want

1209
01:05:20,800 --> 01:05:24,080
Speaker 1: to make him the engineer Doug just said, Yes, the

1210
01:05:24,200 --> 01:05:26,840
Speaker 1: most excited he's gotten all episode is that the suggestion

1211
01:05:26,880 --> 01:05:29,200
Speaker 1: of Megan McCain being a guest. I want to I

1212
01:05:29,240 --> 01:05:31,640
Speaker 1: want to make a bet to the audience and to

1213
01:05:31,680 --> 01:05:37,600
Speaker 1: the public that we invite Megan mccainnon and if if

1214
01:05:37,640 --> 01:05:39,680
Speaker 1: we if she and this is a challenge to her,

1215
01:05:39,720 --> 01:05:42,240
Speaker 1: like she would know this coming in. If she's able

1216
01:05:42,280 --> 01:05:45,920
Speaker 1: to charm us and whatever, if she's abled us to

1217
01:05:45,960 --> 01:05:48,280
Speaker 1: get us to say, oh, you know, you know what,

1218
01:05:48,360 --> 01:05:52,480
Speaker 1: we actually really liked her, um, then you and I

1219
01:05:52,520 --> 01:06:00,120
Speaker 1: have to kill ourselves. I think that I think that

1220
01:06:00,200 --> 01:06:05,520
Speaker 1: should be. That feels like I don't know where you

1221
01:06:05,560 --> 01:06:10,640
Speaker 1: were going with Does that? Does that make sense? Thoughts? Ready?

1222
01:06:10,920 --> 01:06:14,040
Speaker 1: If she if she charms us, but if she comes

1223
01:06:14,040 --> 01:06:17,240
Speaker 1: out it's charmless. We get to continue to live yes,

1224
01:06:17,360 --> 01:06:19,640
Speaker 1: but then then and she gets and then and then

1225
01:06:19,640 --> 01:06:26,280
Speaker 1: she gets um bragging right, she gets and she gets

1226
01:06:26,320 --> 01:06:28,960
Speaker 1: the podcast well she gets to then then then it

1227
01:06:28,960 --> 01:06:32,200
Speaker 1: becomes last called Creationist with Megan mccannan Abby Huntsman who

1228
01:06:32,280 --> 01:06:35,360
Speaker 1: I have been saying that Megan is the boeen and

1229
01:06:35,480 --> 01:06:40,200
Speaker 1: I'm I've been I've been saying that you are you are?

1230
01:06:43,360 --> 01:06:46,840
Speaker 1: You are? My dad? Is my dad always like my

1231
01:06:46,840 --> 01:06:50,680
Speaker 1: father my father's Yeah, Well, because says my father, my

1232
01:06:50,720 --> 01:06:54,120
Speaker 1: father just as much, you're always my father my father coached. No,

1233
01:06:54,760 --> 01:06:59,600
Speaker 1: I saw you something. You are Megan, you are? You

1234
01:07:00,040 --> 01:07:03,000
Speaker 1: are here and you want to well, I am the

1235
01:07:03,000 --> 01:07:06,439
Speaker 1: one that loves housewives. No, here's how you're Megan. You've

1236
01:07:06,440 --> 01:07:09,880
Speaker 1: been on watching What Happens Shut the funk Out. She's

1237
01:07:09,920 --> 01:07:12,640
Speaker 1: an iconic guest of that show, a little bit too

1238
01:07:12,640 --> 01:07:16,480
Speaker 1: frequent if you ask me, um, yeah, um, well, I

1239
01:07:16,480 --> 01:07:18,920
Speaker 1: would say. Here's the thing. The invitation is out to

1240
01:07:19,000 --> 01:07:20,680
Speaker 1: Megan McCain to be on the show. We will keep

1241
01:07:20,720 --> 01:07:23,280
Speaker 1: you guys updated. This is our official invite to her

1242
01:07:23,320 --> 01:07:25,400
Speaker 1: to be on the show. And I actually think if

1243
01:07:25,400 --> 01:07:27,960
Speaker 1: everyone came with an open mind and was cool, we

1244
01:07:28,080 --> 01:07:30,360
Speaker 1: might be able to have a nice time but I

1245
01:07:30,440 --> 01:07:33,920
Speaker 1: doubt that that would be the case ever. Well that

1246
01:07:34,240 --> 01:07:37,200
Speaker 1: I mean, I'm happy she's invited. Yeah, I'm happy she's

1247
01:07:37,240 --> 01:07:40,560
Speaker 1: invited to you know what, I'm gonna watch tonight? What

1248
01:07:40,920 --> 01:07:43,680
Speaker 1: the Bachelor at? Oh? Good luck? I mean I just don't.

1249
01:07:43,680 --> 01:07:48,240
Speaker 1: I never have the time for for the Bachelor brag. No,

1250
01:07:48,360 --> 01:07:52,200
Speaker 1: I'm just saying, wait, can we what? Can we set

1251
01:07:52,280 --> 01:07:55,080
Speaker 1: up the fact that Adele is going to be on SNL? Yes?

1252
01:07:55,320 --> 01:08:02,000
Speaker 1: Very exciting, very exciting. Yes, it's gonna be fun. I

1253
01:08:02,040 --> 01:08:05,320
Speaker 1: think I think it's time, right? Is this time for

1254
01:08:05,400 --> 01:08:08,120
Speaker 1: your So? I have no idea what I'm gonna do.

1255
01:08:08,440 --> 01:08:13,400
Speaker 1: I really don't Well, oh god, what no? What we

1256
01:08:13,520 --> 01:08:16,320
Speaker 1: just got it? We just got an email anyway? What

1257
01:08:16,479 --> 01:08:25,400
Speaker 1: wait we just gottama, we just got an email. Oh

1258
01:08:25,520 --> 01:08:28,400
Speaker 1: my god, I'm okay wait wait wait this is Bowen Yanks.

1259
01:08:28,439 --> 01:08:30,800
Speaker 1: I don't think so, honey. And as time starts now,

1260
01:08:31,200 --> 01:08:38,320
Speaker 1: I don't think so, honey. Earnest as emails. Okay, call

1261
01:08:38,439 --> 01:08:42,280
Speaker 1: me up for coffee. Even in the pandemic. I'd rather

1262
01:08:42,280 --> 01:08:45,360
Speaker 1: get coffee with you than have to field some crazy

1263
01:08:45,479 --> 01:08:51,439
Speaker 1: ask from I can't do it. I can't do it anymore.

1264
01:08:51,680 --> 01:08:56,479
Speaker 1: I just I'm mentally, I'm not there to to sort

1265
01:08:56,479 --> 01:09:01,160
Speaker 1: of offer myself because there is some what is what

1266
01:09:01,400 --> 01:09:04,760
Speaker 1: is that process? Right? I feel like I have to

1267
01:09:04,800 --> 01:09:09,639
Speaker 1: like give myself over to read something that's like more

1268
01:09:09,640 --> 01:09:12,960
Speaker 1: than two paragraphs in an email, and I feel like

1269
01:09:13,040 --> 01:09:17,400
Speaker 1: I don't know that I can allocate that psychic energy

1270
01:09:17,560 --> 01:09:20,120
Speaker 1: to that part of my life anymore. I think we

1271
01:09:20,160 --> 01:09:21,720
Speaker 1: need to figure out a new solution for when you

1272
01:09:21,760 --> 01:09:26,040
Speaker 1: have like a serious like media ask to first towards someone.

1273
01:09:26,960 --> 01:09:29,240
Speaker 1: It can no longer be in emails. I'm so sorry,

1274
01:09:29,640 --> 01:09:32,200
Speaker 1: find another way. And that's one minute. Okay, So here's

1275
01:09:32,200 --> 01:09:38,439
Speaker 1: a question for you. One. What's worse and having to

1276
01:09:38,479 --> 01:09:41,920
Speaker 1: read an email that is very long and earnest or

1277
01:09:42,360 --> 01:09:46,600
Speaker 1: someone in person kind of forcing a personal moment with

1278
01:09:46,680 --> 01:09:50,320
Speaker 1: you in person is always terrible. I'm just saying it

1279
01:09:50,360 --> 01:09:52,120
Speaker 1: can't be in person, and it can't be emails. It

1280
01:09:52,200 --> 01:09:56,240
Speaker 1: has to be it has to be. No, I don't

1281
01:09:56,240 --> 01:09:59,000
Speaker 1: even know, I'm just do you remember this is the

1282
01:09:59,040 --> 01:10:01,080
Speaker 1: second part of my question. Do you remember the thing

1283
01:10:01,120 --> 01:10:05,240
Speaker 1: I wrote for paper Lett, which was I think about

1284
01:10:05,240 --> 01:10:09,040
Speaker 1: it all the time and it's that's another incredible sketch. Um.

1285
01:10:09,080 --> 01:10:12,800
Speaker 1: It's called show email. It was just it literally, it

1286
01:10:12,880 --> 01:10:16,280
Speaker 1: was just so, can you can we pull it up? Oh?

1287
01:10:16,320 --> 01:10:18,679
Speaker 1: My god, I guess we could, and then we could

1288
01:10:18,680 --> 01:10:21,880
Speaker 1: actually play the song. The song was the whole part

1289
01:10:21,960 --> 01:10:26,360
Speaker 1: of it. The song was Wow, I can't believe this

1290
01:10:26,400 --> 01:10:28,960
Speaker 1: is happening. Oh, I have show email. I have shown

1291
01:10:29,000 --> 01:10:33,120
Speaker 1: you do send it to me? Okay? So okay? And

1292
01:10:33,280 --> 01:10:35,680
Speaker 1: the song is can you guess? Do you to move

1293
01:10:35,680 --> 01:10:38,280
Speaker 1: by switch? It's day to move by switch? For um?

1294
01:10:41,800 --> 01:10:44,640
Speaker 1: Are you sending I feel it's only right that I

1295
01:10:44,760 --> 01:10:47,960
Speaker 1: perform it? Yeah? I mean it's you wrote it for

1296
01:10:48,120 --> 01:10:51,920
Speaker 1: the entire cast, but you you should read the whole thing. Okay.

1297
01:10:51,920 --> 01:10:57,400
Speaker 1: Wait did I get it? Okay? Yes, got it? Okay, okay,

1298
01:10:57,439 --> 01:11:04,200
Speaker 1: Ready are you playing the song? You hear that? Yeah? Hey, everybody,

1299
01:11:04,479 --> 01:11:07,320
Speaker 1: I hope this email finds you out. I just want

1300
01:11:07,360 --> 01:11:09,760
Speaker 1: to tell you that I have some exciting new projects

1301
01:11:09,760 --> 01:11:13,920
Speaker 1: coming round. On Tuesday, October seven, I'm beginning rehearsals for

1302
01:11:13,960 --> 01:11:17,960
Speaker 1: a show at BAM adjacent a theater adjacent to BAM

1303
01:11:18,000 --> 01:11:20,759
Speaker 1: that promises to be one of the biggest artistic challenges

1304
01:11:20,840 --> 01:11:23,719
Speaker 1: of my life. It's a punk rock cabaret that tells

1305
01:11:23,720 --> 01:11:27,360
Speaker 1: the story of Macbeth using actors, sets, and a director.

1306
01:11:28,000 --> 01:11:30,880
Speaker 1: Please come if you can. I'm really excited about it.

1307
01:11:31,360 --> 01:11:34,680
Speaker 1: On Friday, October four, I will be telling stories at

1308
01:11:34,680 --> 01:11:38,240
Speaker 1: a storytelling show for storytellers in a park. I will

1309
01:11:38,280 --> 01:11:40,800
Speaker 1: be telling a story about the first time I masturbated

1310
01:11:40,840 --> 01:11:44,719
Speaker 1: at age three. I'm really excited about it. I'm also

1311
01:11:44,800 --> 01:11:47,599
Speaker 1: going to be releasing a comedy video in late November

1312
01:11:47,640 --> 01:11:52,040
Speaker 1: with some collaboratives from my comedy troupe. Asked Dick. That's

1313
01:11:52,200 --> 01:11:56,559
Speaker 1: Asked Dick, A S S D, I c K. Keep

1314
01:11:56,600 --> 01:12:00,519
Speaker 1: your eyes open for that. I'm really excited about it. Finally,

1315
01:12:00,760 --> 01:12:03,120
Speaker 1: I'm excited to announce that I'll be having a party

1316
01:12:03,160 --> 01:12:05,799
Speaker 1: for the debut of my Facebook status about my kickstarter

1317
01:12:05,920 --> 01:12:08,200
Speaker 1: for the new web series I'm developing with my roommate

1318
01:12:08,200 --> 01:12:10,439
Speaker 1: about roommates were making a web series, but I can't

1319
01:12:10,439 --> 01:12:14,040
Speaker 1: decide on how to promote their kickstarter. I'm really, really,

1320
01:12:14,080 --> 01:12:16,920
Speaker 1: really excited about it. I can't wait to see you

1321
01:12:17,000 --> 01:12:21,120
Speaker 1: at all these adventures. Yours in love and Light and

1322
01:12:21,720 --> 01:12:25,599
Speaker 1: it's everyone's name in the group. I think it holds up,

1323
01:12:25,920 --> 01:12:29,439
Speaker 1: but like, look, this is from It's fine. It's very funny,

1324
01:12:29,439 --> 01:12:31,240
Speaker 1: but and the present that the way we presented it,

1325
01:12:31,400 --> 01:12:37,479
Speaker 1: that show is very like like the most bloated like

1326
01:12:37,600 --> 01:12:40,360
Speaker 1: theater troupe in the world. Wait, but what year was

1327
01:12:40,400 --> 01:12:45,599
Speaker 1: this this is from? Um wow, yeah six years ago.

1328
01:12:45,680 --> 01:12:47,960
Speaker 1: I probably wrote it seven years ago. So just so

1329
01:12:48,040 --> 01:12:50,920
Speaker 1: you know, these kind of pervasive emails about what people

1330
01:12:50,960 --> 01:12:54,080
Speaker 1: have going on have been have been going on, have

1331
01:12:54,240 --> 01:12:56,519
Speaker 1: been going on, you know, for far too long. As

1332
01:12:56,560 --> 01:12:59,400
Speaker 1: when I'm saying, I just love when someone writes a

1333
01:12:59,520 --> 01:13:05,480
Speaker 1: very long email that's about h that's about like nothing, nothing,

1334
01:13:05,560 --> 01:13:08,240
Speaker 1: and they expect you to read every word of it.

1335
01:13:08,760 --> 01:13:11,760
Speaker 1: They just shouldn't be that long. That's all. That's that's

1336
01:13:11,760 --> 01:13:15,559
Speaker 1: all just like or or linked to a longer thing,

1337
01:13:15,680 --> 01:13:17,920
Speaker 1: you know what I mean. I just it's it's it's

1338
01:13:17,920 --> 01:13:22,080
Speaker 1: funny to get the emails anyway. Yeah anyway, Um, okay,

1339
01:13:22,080 --> 01:13:23,400
Speaker 1: so that was my I don't think so, honey. I

1340
01:13:23,400 --> 01:13:26,439
Speaker 1: feel like we had a really good discussion out of that. Yeah,

1341
01:13:26,520 --> 01:13:29,240
Speaker 1: we really did. Really, it's just been were really are

1342
01:13:29,280 --> 01:13:33,439
Speaker 1: sort of experimenting with this episode. I really enjoyed it. Well,

1343
01:13:33,479 --> 01:13:35,320
Speaker 1: you know, it doesn't have to be over. I know

1344
01:13:35,360 --> 01:13:36,559
Speaker 1: it doesn't have to be over. I don't know why

1345
01:13:36,560 --> 01:13:39,599
Speaker 1: I'm I I don't I don't mean to no, no, no, no, no, no,

1346
01:13:39,640 --> 01:13:42,080
Speaker 1: breaks No, I'm not saying that you were. Can we

1347
01:13:42,120 --> 01:13:45,800
Speaker 1: not fight? When can we not find? I'm sorry? When's

1348
01:13:45,800 --> 01:13:51,000
Speaker 1: the last time we fought? Fought? Wasn't you know what?

1349
01:13:51,080 --> 01:13:52,880
Speaker 1: I remember? The last time you get irritated with me?

1350
01:13:53,080 --> 01:13:56,640
Speaker 1: Do you remember? I remember a big blowout fight between me,

1351
01:13:56,720 --> 01:14:00,400
Speaker 1: you and Sudy was in Palm Springs. That was definitely

1352
01:14:00,439 --> 01:14:03,960
Speaker 1: one really big fight. It was a big one. And

1353
01:14:04,120 --> 01:14:06,439
Speaker 1: what was the theory? What was the visas of that? Oh,

1354
01:14:06,560 --> 01:14:11,360
Speaker 1: never mind, they don't need to know. But that's that

1355
01:14:11,720 --> 01:14:13,960
Speaker 1: we all like treat each other poorly, That's all. It's

1356
01:14:14,000 --> 01:14:16,760
Speaker 1: that it was. It was in relation to how we

1357
01:14:16,760 --> 01:14:20,840
Speaker 1: were treating each other. Yes, um, but wait what was?

1358
01:14:21,080 --> 01:14:23,200
Speaker 1: And then I remember you you consistently get annoyed with

1359
01:14:23,240 --> 01:14:25,360
Speaker 1: me in hotels because I'm the one that comes down last.

1360
01:14:25,800 --> 01:14:29,880
Speaker 1: That's our most consistent. Yeah, but you were about to

1361
01:14:29,960 --> 01:14:32,720
Speaker 1: like reference a fight recently that we've had that I

1362
01:14:32,760 --> 01:14:34,720
Speaker 1: don't think I remember. No, no, no, no, no, that

1363
01:14:34,840 --> 01:14:36,680
Speaker 1: I don't remember us have I don't think it's I

1364
01:14:36,680 --> 01:14:38,320
Speaker 1: think it's been a really long time since we've had

1365
01:14:38,439 --> 01:14:41,479
Speaker 1: an argument, or maybe we've just gotten we've just both

1366
01:14:41,680 --> 01:14:43,800
Speaker 1: gotten better out avoiding them. I know. Here's what I

1367
01:14:43,840 --> 01:14:46,000
Speaker 1: want to ask, because it's it's just so buried under

1368
01:14:46,080 --> 01:14:48,400
Speaker 1: so much stuff now, even though it wasn't that long ago,

1369
01:14:49,000 --> 01:14:51,320
Speaker 1: but was. But on the subject of traveling, was I

1370
01:14:51,360 --> 01:14:56,080
Speaker 1: good to travel with? Um? You were good to travel

1371
01:14:56,120 --> 01:15:00,000
Speaker 1: with I think that I don't have any negative memory

1372
01:15:00,080 --> 01:15:03,880
Speaker 1: rais traveling with you. I I would say that there

1373
01:15:03,960 --> 01:15:06,200
Speaker 1: was that one moment where we were all traveling together

1374
01:15:06,240 --> 01:15:08,280
Speaker 1: and you were gonna get sick on the plane, and

1375
01:15:08,360 --> 01:15:12,080
Speaker 1: that was not good. Never forget, I will never what

1376
01:15:12,160 --> 01:15:14,320
Speaker 1: you were in the room. I'm wrong, I'm wrong. I

1377
01:15:14,400 --> 01:15:16,479
Speaker 1: was wrong. I was wrong. I was not being I

1378
01:15:16,520 --> 01:15:21,080
Speaker 1: was not being supportive and tolerant. But one was getting

1379
01:15:21,240 --> 01:15:23,639
Speaker 1: very sick on a plane to Chicago, and we were

1380
01:15:23,880 --> 01:15:25,920
Speaker 1: I don't know why we were circling in the air

1381
01:15:26,000 --> 01:15:30,520
Speaker 1: above the airport. I think I think there's some some

1382
01:15:30,520 --> 01:15:34,599
Speaker 1: some like tarmac issue. But we had descended and then

1383
01:15:34,600 --> 01:15:38,000
Speaker 1: we immediately sort of turn our noses up. The plane

1384
01:15:38,040 --> 01:15:41,160
Speaker 1: sort of turned up again and started circling Chicago and

1385
01:15:42,240 --> 01:15:47,720
Speaker 1: tight turns, tight little circles, and I was getting air sick. Um.

1386
01:15:47,840 --> 01:15:52,639
Speaker 1: And then Matt sort of turned to me and said, well,

1387
01:15:52,920 --> 01:15:56,240
Speaker 1: I said, stopped. She was like, what would you say?

1388
01:15:56,439 --> 01:16:00,760
Speaker 1: I said, please stop doing that. You did say it

1389
01:16:00,800 --> 01:16:04,919
Speaker 1: like that, you were like so I was like, I

1390
01:16:04,200 --> 01:16:10,240
Speaker 1: I believed at the time that I could have been No,

1391
01:16:11,640 --> 01:16:14,599
Speaker 1: I don't do that. I don't know, you really don't.

1392
01:16:14,840 --> 01:16:16,599
Speaker 1: But I didn't know if you were in a mood

1393
01:16:16,720 --> 01:16:18,519
Speaker 1: or whatever. And also I'll tell you where it was

1394
01:16:18,520 --> 01:16:23,880
Speaker 1: coming from. It was coming from a real, real, real thing.

1395
01:16:24,800 --> 01:16:27,680
Speaker 1: Know that was if you were going to throw up.

1396
01:16:27,840 --> 01:16:29,720
Speaker 1: I was going to throw up and that would have

1397
01:16:29,720 --> 01:16:33,519
Speaker 1: been really bad. And because like I am not good

1398
01:16:33,560 --> 01:16:35,760
Speaker 1: with that, Like you know, I don't love like any

1399
01:16:35,760 --> 01:16:40,360
Speaker 1: type of gore. And so when you were gonna vomit

1400
01:16:40,560 --> 01:16:43,120
Speaker 1: and you were being so performative about it, I kind

1401
01:16:43,120 --> 01:16:45,040
Speaker 1: of just felt like, Oh, he should just do it

1402
01:16:45,160 --> 01:16:48,120
Speaker 1: or not like this whole like hemming and hang about

1403
01:16:48,160 --> 01:16:50,320
Speaker 1: whether or not the will they are won't they him?

1404
01:16:50,320 --> 01:16:53,480
Speaker 1: And the barf bag? I can't. They should just consummate

1405
01:16:53,479 --> 01:16:56,439
Speaker 1: this relationship at once. And I remember that we or

1406
01:16:56,560 --> 01:17:01,439
Speaker 1: don't we fought at David Siduraw's apartment. Didn't hear that?

1407
01:17:02,040 --> 01:17:04,799
Speaker 1: Because you and I were sleeping at David Sorrow's apartment.

1408
01:17:04,800 --> 01:17:06,280
Speaker 1: We were you were sleeping on the floor, I was

1409
01:17:06,280 --> 01:17:08,800
Speaker 1: sleeping on the couch because we were there for the

1410
01:17:09,000 --> 01:17:11,920
Speaker 1: Chicago Sketch Fest. Yeah. I don't remember fighting though. No,

1411
01:17:12,080 --> 01:17:14,600
Speaker 1: we we like had like a continuation of that of

1412
01:17:14,640 --> 01:17:18,320
Speaker 1: the final No really in Dave's living room. I think

1413
01:17:18,400 --> 01:17:20,240
Speaker 1: David just kind of like stood by and watched us,

1414
01:17:20,240 --> 01:17:22,519
Speaker 1: and it was kind of sad. I felt bad. We

1415
01:17:22,560 --> 01:17:25,160
Speaker 1: love you well, we love you. I I don't think

1416
01:17:25,200 --> 01:17:26,479
Speaker 1: it was that big of a deal. I mean, look

1417
01:17:26,520 --> 01:17:32,280
Speaker 1: at us now, but wait, yeah, yeah, no, we we've

1418
01:17:32,280 --> 01:17:34,760
Speaker 1: been pretty good. I but I just I have such

1419
01:17:34,800 --> 01:17:38,200
Speaker 1: fond memories of us, of us touring I loved. I mean,

1420
01:17:38,479 --> 01:17:41,120
Speaker 1: I guess the one thing is, do you wish, especially

1421
01:17:41,160 --> 01:17:44,439
Speaker 1: now going in retrospect, do you wish that when we

1422
01:17:44,439 --> 01:17:46,559
Speaker 1: were in all those cities, like we we could have

1423
01:17:46,600 --> 01:17:49,400
Speaker 1: gone out more? Because I feel like but we didn't

1424
01:17:49,400 --> 01:17:51,360
Speaker 1: have a chance to for a lot of the cities. No,

1425
01:17:51,520 --> 01:17:54,240
Speaker 1: because you and I both do like our sleep and

1426
01:17:54,320 --> 01:17:56,519
Speaker 1: the we for some reason we're booking that well, we

1427
01:17:56,560 --> 01:17:58,479
Speaker 1: had to for scheduling when we were touring, book the

1428
01:17:58,520 --> 01:18:00,800
Speaker 1: fights so early that there was no chance to go out,

1429
01:18:00,840 --> 01:18:04,080
Speaker 1: Like I remember, we didn't go out and like um

1430
01:18:05,000 --> 01:18:07,800
Speaker 1: San Francisco, Yeah, we didn't go out in San Francisco.

1431
01:18:08,240 --> 01:18:10,479
Speaker 1: We didn't go out and like, well, we did go

1432
01:18:10,520 --> 01:18:13,519
Speaker 1: out in Austin. We actually raged in Austin withdrawal. We did.

1433
01:18:13,640 --> 01:18:15,880
Speaker 1: We didn't, but we like didn't go out in Seattle.

1434
01:18:16,960 --> 01:18:19,080
Speaker 1: That was such a bummer. Didn't really go out in

1435
01:18:19,120 --> 01:18:21,559
Speaker 1: Portland and that was so fun. Well, we sort of

1436
01:18:21,600 --> 01:18:23,320
Speaker 1: went out in Portland, and I wish we had been

1437
01:18:23,320 --> 01:18:26,120
Speaker 1: out longer because oh my god, that was that That

1438
01:18:26,240 --> 01:18:28,760
Speaker 1: night was kuko bananas because that there's a guy in

1439
01:18:28,840 --> 01:18:33,400
Speaker 1: Portland that I like, it was hot. Do you remember.

1440
01:18:34,479 --> 01:18:37,960
Speaker 1: I remember, I remember, and I remember we were leaving

1441
01:18:38,080 --> 01:18:39,240
Speaker 1: and I was like, do you think that that guy

1442
01:18:39,360 --> 01:18:41,720
Speaker 1: was interested? And you were like he was touching, like

1443
01:18:42,040 --> 01:18:44,760
Speaker 1: he was so indoo yeah, and I remember I was

1444
01:18:44,800 --> 01:18:47,680
Speaker 1: like no, because that is that is such a thing.

1445
01:18:47,800 --> 01:18:51,439
Speaker 1: Sometimes I just I just don't know when someone is

1446
01:18:52,880 --> 01:19:04,719
Speaker 1: don't do dare it's going to be like you didn't

1447
01:19:04,760 --> 01:19:07,840
Speaker 1: know the words to enchanted. We should at least do

1448
01:19:07,880 --> 01:19:17,439
Speaker 1: a hook. And it was an enchanted night. Oh my god.

1449
01:19:17,479 --> 01:19:22,400
Speaker 1: He some nights. I have some nights I just kicked myself,

1450
01:19:22,479 --> 01:19:27,599
Speaker 1: you know, oh, don't do that. They'll come back. Yeah.

1451
01:19:27,640 --> 01:19:30,080
Speaker 1: But the thing about those miss connections is hell of

1452
01:19:30,120 --> 01:19:33,640
Speaker 1: a masturbation, SESSI later, I know, isn't so fun. You

1453
01:19:33,680 --> 01:19:36,600
Speaker 1: just have you have so much, there's so much potential

1454
01:19:36,680 --> 01:19:38,880
Speaker 1: there to think about. God, you know, it probably was

1455
01:19:38,960 --> 01:19:43,000
Speaker 1: so thrilling. Masturbating is like a Chase Victorian woman who

1456
01:19:43,160 --> 01:19:46,439
Speaker 1: like never knew of such tawdry things. And then when

1457
01:19:46,479 --> 01:19:48,840
Speaker 1: they got like and they probably were so pent up

1458
01:19:48,840 --> 01:19:51,800
Speaker 1: that when they finally flicked their bean, that was probably

1459
01:19:51,960 --> 01:19:55,640
Speaker 1: like a fucking horror film in the best way. But

1460
01:19:55,720 --> 01:19:57,439
Speaker 1: I think I feel like you need to see it.

1461
01:19:59,200 --> 01:20:03,360
Speaker 1: Probably all that the way your eyes rolled back, because

1462
01:20:03,439 --> 01:20:06,400
Speaker 1: I was I was picturing myself flicking my being this

1463
01:20:06,560 --> 01:20:10,160
Speaker 1: like sort of like a you know, like Chase Victorian one.

1464
01:20:11,080 --> 01:20:12,800
Speaker 1: I guess it is really into. I mean now it's

1465
01:20:12,840 --> 01:20:16,240
Speaker 1: like I've I've I've seen so much and poor that

1466
01:20:16,360 --> 01:20:20,000
Speaker 1: I'm just like, yeah, I've seen it all. I've seen

1467
01:20:20,040 --> 01:20:22,680
Speaker 1: it all. It feels so by the numbers, not by

1468
01:20:22,680 --> 01:20:24,120
Speaker 1: the numbers, but it's like I just do it and

1469
01:20:24,200 --> 01:20:30,400
Speaker 1: it's done. Do you have a favorite star these days? Um?

1470
01:20:30,640 --> 01:20:35,719
Speaker 1: I do? Yeah? Who is it? I are you shy

1471
01:20:35,800 --> 01:20:39,759
Speaker 1: to say? I guess so? No, say it's his job.

1472
01:20:40,200 --> 01:20:44,719
Speaker 1: I I love I love me, do you know cadematics? Yes,

1473
01:20:44,920 --> 01:20:47,240
Speaker 1: of course. I feel like he's like he's like, this

1474
01:20:47,280 --> 01:20:49,280
Speaker 1: is him peaking, like this is like the prime of

1475
01:20:49,320 --> 01:20:54,160
Speaker 1: his career. He's doing he's doing wonderful things about For me,

1476
01:20:54,280 --> 01:20:57,240
Speaker 1: it's well, I pay for it. Oh, it's some only

1477
01:20:57,280 --> 01:21:00,360
Speaker 1: fans people too, some great only fans folks. Are some

1478
01:21:00,439 --> 01:21:02,880
Speaker 1: great only fans folks out there, but I actually pay

1479
01:21:02,920 --> 01:21:06,920
Speaker 1: for gay hoopla. There's this guy Dustin Hazel who is

1480
01:21:07,240 --> 01:21:09,320
Speaker 1: very much it. And there's this other guy Mason, and

1481
01:21:09,360 --> 01:21:12,840
Speaker 1: also this guy Jaden Marcos and also um, oh my god,

1482
01:21:12,880 --> 01:21:18,679
Speaker 1: you are just oh my god, this guy, oh my gosh. Yeah,

1483
01:21:18,720 --> 01:21:20,599
Speaker 1: there's just a lot of good stuff happening on there.

1484
01:21:20,880 --> 01:21:24,760
Speaker 1: There's I'm sure, I'm sure he might actually appreciate this.

1485
01:21:24,920 --> 01:21:28,160
Speaker 1: But there's there's an only fans sort of like cult

1486
01:21:28,320 --> 01:21:34,240
Speaker 1: star right now, Bolyn his name is, his name is

1487
01:21:34,360 --> 01:21:39,360
Speaker 1: Considerate Top. He doesn't show his face. Considerate Top sort

1488
01:21:39,360 --> 01:21:42,840
Speaker 1: of like damage Bottom. There you go, he's Considerate Top.

1489
01:21:42,880 --> 01:21:46,720
Speaker 1: He doesn't do his face. He's Asian, gorgeous, where's a

1490
01:21:46,800 --> 01:21:52,040
Speaker 1: jade pendant? And all of his videos and he I

1491
01:21:52,080 --> 01:21:54,640
Speaker 1: think he's like finding some success and only fans and

1492
01:21:54,640 --> 01:21:57,639
Speaker 1: he's and and I have and lovely in real life.

1493
01:21:57,920 --> 01:22:01,120
Speaker 1: But in real life, I mean like just like he's

1494
01:22:01,160 --> 01:22:03,960
Speaker 1: he's a swifty. So when folklore came out, Wait, how

1495
01:22:03,960 --> 01:22:06,920
Speaker 1: do you know he's a swifty because I didn't know

1496
01:22:06,960 --> 01:22:09,200
Speaker 1: about his only fans until folklore came out and he

1497
01:22:09,240 --> 01:22:11,280
Speaker 1: deemed me and was just like, oh my god, like

1498
01:22:12,200 --> 01:22:14,000
Speaker 1: this is so exciting, and it was like and then

1499
01:22:14,160 --> 01:22:18,519
Speaker 1: like his picture is just like this like in Insane Torso,

1500
01:22:18,720 --> 01:22:21,160
Speaker 1: so I was just like, who's this person? And then

1501
01:22:21,760 --> 01:22:25,280
Speaker 1: stumbled on the only fans and then it was just like, oh,

1502
01:22:25,320 --> 01:22:28,479
Speaker 1: this is what a gorgeous portal into this world? And

1503
01:22:28,560 --> 01:22:30,920
Speaker 1: how did you find that he was a swift? Because

1504
01:22:30,920 --> 01:22:33,800
Speaker 1: he deemed me when folklore came out, and like it

1505
01:22:33,880 --> 01:22:36,880
Speaker 1: was just like, isn't this so exciting? I might have

1506
01:22:36,920 --> 01:22:39,880
Speaker 1: to cough up the dollars for that one. Oh he's reasonable.

1507
01:22:40,080 --> 01:22:42,679
Speaker 1: I think he's like a like a seven and also

1508
01:22:42,840 --> 01:22:47,880
Speaker 1: a Swiss it sport. He's one of my tailor nation Taylor,

1509
01:22:48,160 --> 01:22:49,800
Speaker 1: you know, have you been have you been keeping up

1510
01:22:49,800 --> 01:22:53,160
Speaker 1: with folklore at all? The transition from porn to folklore,

1511
01:22:54,320 --> 01:22:57,040
Speaker 1: the way we transitioned from the way we did that

1512
01:22:57,080 --> 01:22:59,880
Speaker 1: one I was talking to someone the other day, but

1513
01:23:00,040 --> 01:23:03,200
Speaker 1: how um, it's a lovely album. But you know, I

1514
01:23:03,200 --> 01:23:06,280
Speaker 1: I tweeted from the LC account today because I saw

1515
01:23:07,320 --> 01:23:13,120
Speaker 1: the way you've been doing that the way that I'm

1516
01:23:13,120 --> 01:23:14,519
Speaker 1: going to say it. And this is actually not an

1517
01:23:14,520 --> 01:23:16,559
Speaker 1: opinion I held before until you and I hung out

1518
01:23:16,600 --> 01:23:18,000
Speaker 1: in l A a a few months ago and we just

1519
01:23:18,000 --> 01:23:20,360
Speaker 1: put it on and we didn't skip. But the way

1520
01:23:20,439 --> 01:23:25,160
Speaker 1: Reputation might be the best Tay Law album. Thank you

1521
01:23:25,280 --> 01:23:27,760
Speaker 1: for saying that, because so many people out here are

1522
01:23:27,960 --> 01:23:33,280
Speaker 1: racing Reputation. Because I even think back half it, just

1523
01:23:33,439 --> 01:23:37,280
Speaker 1: the last four songs, I'm like, who cares, You're you're

1524
01:23:37,360 --> 01:23:40,439
Speaker 1: speaking general truth right now. I think if you were

1525
01:23:40,439 --> 01:23:43,240
Speaker 1: to actually look at the last four songs on nine,

1526
01:23:43,520 --> 01:23:45,880
Speaker 1: you'd take that back a little bit. But I think

1527
01:23:45,920 --> 01:23:49,920
Speaker 1: the sentiment is not incorrect that reputation is a more

1528
01:23:50,000 --> 01:23:55,240
Speaker 1: complete artistic output. This is what I was telling you

1529
01:23:55,280 --> 01:23:56,800
Speaker 1: that night that we listened to it, though, I was like,

1530
01:23:56,880 --> 01:23:58,800
Speaker 1: you know, what's special about this album is that there

1531
01:23:58,840 --> 01:24:02,000
Speaker 1: is an actual like like red, It's like okay about

1532
01:24:02,040 --> 01:24:04,880
Speaker 1: like the moods of the way that like you know,

1533
01:24:05,000 --> 01:24:11,639
Speaker 1: love is sort of synesthetic. Um, and I guess speak

1534
01:24:11,720 --> 01:24:14,880
Speaker 1: now is about like fantasy settings, like you speak up

1535
01:24:14,920 --> 01:24:17,080
Speaker 1: at a wedding or your you meet a prints at

1536
01:24:17,080 --> 01:24:20,439
Speaker 1: the ball whatever. Um, Fearless is just sort of like

1537
01:24:21,040 --> 01:24:24,559
Speaker 1: clean crisp country, but there's no like messaging. It was

1538
01:24:24,680 --> 01:24:26,720
Speaker 1: really I think she was she was fearless in the

1539
01:24:26,720 --> 01:24:28,519
Speaker 1: way that she was saying how she really feels. You know.

1540
01:24:28,560 --> 01:24:32,960
Speaker 1: That's like very very basic, very basic. Lover is like

1541
01:24:33,720 --> 01:24:36,040
Speaker 1: a little too general, but it's her sort of being

1542
01:24:36,040 --> 01:24:40,599
Speaker 1: more like revisiting her like warm thur or whatever. And

1543
01:24:40,640 --> 01:24:45,960
Speaker 1: then folklore is just about like solitude or or generally

1544
01:24:45,960 --> 01:24:48,600
Speaker 1: speaking something like that. I believe it's actually more of

1545
01:24:48,640 --> 01:24:50,960
Speaker 1: a concept album than then people are giving a credit for.

1546
01:24:51,080 --> 01:24:53,760
Speaker 1: I think it's I think it's it's really to make

1547
01:24:53,840 --> 01:24:57,360
Speaker 1: contemporary myth happen. And I think it, Okay, see that's perfect.

1548
01:24:57,439 --> 01:25:00,760
Speaker 1: That's perfect, And this might actually be over valued over

1549
01:25:00,840 --> 01:25:04,040
Speaker 1: what I think reputation is about, which is holding onto

1550
01:25:04,160 --> 01:25:08,320
Speaker 1: like your own self convictions when there's a ship storm

1551
01:25:08,360 --> 01:25:11,759
Speaker 1: happening outside of you. That's about. Yeah. Reputation I think

1552
01:25:11,880 --> 01:25:17,040
Speaker 1: is about like aggressively trying to fight for and uphold

1553
01:25:17,240 --> 01:25:20,439
Speaker 1: your narrative personal and public. And I think it is

1554
01:25:20,520 --> 01:25:24,360
Speaker 1: like it's it's and it also sounds like that, you

1555
01:25:24,360 --> 01:25:28,080
Speaker 1: know what I mean, like matches the message. Yeah, and

1556
01:25:28,120 --> 01:25:32,040
Speaker 1: it it manages to work on so many levels. And

1557
01:25:32,080 --> 01:25:36,479
Speaker 1: I think is is so much more than what people

1558
01:25:36,520 --> 01:25:39,320
Speaker 1: give it credit for, because I think people just think, oh,

1559
01:25:39,360 --> 01:25:41,679
Speaker 1: that's her album where she got a little bit like, um,

1560
01:25:41,720 --> 01:25:45,320
Speaker 1: you know, darker and hip hop and or used hip

1561
01:25:45,320 --> 01:25:50,160
Speaker 1: hop and got more like um bitch thinksty But I

1562
01:25:50,200 --> 01:25:52,240
Speaker 1: don't look at it like that. I actually look at

1563
01:25:52,280 --> 01:25:57,920
Speaker 1: it like just as valid as red or folklore. I

1564
01:25:58,600 --> 01:26:02,439
Speaker 1: just think that, honestly, I do think it might have

1565
01:26:02,520 --> 01:26:05,479
Speaker 1: something to do with the fact that she is like, um, like,

1566
01:26:05,600 --> 01:26:09,120
Speaker 1: she really did grab headlines there for a second, and

1567
01:26:09,200 --> 01:26:11,360
Speaker 1: even in not attempting to, she was she was just

1568
01:26:11,400 --> 01:26:14,080
Speaker 1: playing with the media too much for it to get

1569
01:26:14,080 --> 01:26:18,400
Speaker 1: that real critical. It did not get the critical flowers.

1570
01:26:18,680 --> 01:26:22,120
Speaker 1: It was too It was too incorporated and ingratiated with

1571
01:26:22,160 --> 01:26:24,840
Speaker 1: the idea of her fame. Which I think makes people

1572
01:26:24,880 --> 01:26:27,800
Speaker 1: who give music accolades uncomfortable. Is that she's like so

1573
01:26:27,840 --> 01:26:32,080
Speaker 1: such a capital P pop star. Um but when she

1574
01:26:32,920 --> 01:26:36,160
Speaker 1: like it makes her quote unquote musician the albums they

1575
01:26:36,400 --> 01:26:39,080
Speaker 1: love her, and I just think it's kind of bullshit.

1576
01:26:39,200 --> 01:26:41,200
Speaker 1: That reputation is not thought of in that same way

1577
01:26:41,240 --> 01:26:43,680
Speaker 1: because it is just as good. Blank Space is her

1578
01:26:43,680 --> 01:26:45,760
Speaker 1: most self aware song, but like the reputation is her

1579
01:26:45,760 --> 01:26:48,840
Speaker 1: most self aware sort of statement as an artist. I

1580
01:26:48,880 --> 01:26:52,040
Speaker 1: think I don't know that's that's that's how I feel.

1581
01:26:52,080 --> 01:26:55,400
Speaker 1: And Folk Clear You're Right is more like is more

1582
01:26:55,600 --> 01:26:59,800
Speaker 1: sort of American mythical like with reputation. At least she

1583
01:27:00,040 --> 01:27:02,519
Speaker 1: feel like a Popper's album, you know what I mean.

1584
01:27:02,640 --> 01:27:05,160
Speaker 1: It's such a great Popper's album. She gave you like

1585
01:27:05,160 --> 01:27:07,880
Speaker 1: a Popper's album in a way that like, you know,

1586
01:27:08,880 --> 01:27:11,720
Speaker 1: we'll see if Adel does We'll see, We'll see, We'll see,

1587
01:27:11,760 --> 01:27:14,840
Speaker 1: we'll see if we'll see if I'm curious to see

1588
01:27:14,840 --> 01:27:16,479
Speaker 1: if this our album next week is going to be

1589
01:27:16,479 --> 01:27:21,320
Speaker 1: a Popper's album. Sleepy. I heard that it is a

1590
01:27:21,439 --> 01:27:24,479
Speaker 1: very good but good in what way because it's like

1591
01:27:24,520 --> 01:27:27,760
Speaker 1: thank you next and and um Sweetener. I think like

1592
01:27:28,360 --> 01:27:30,800
Speaker 1: there was an after sort of effect where we all

1593
01:27:30,840 --> 01:27:33,000
Speaker 1: sort of with distance, where like, oh, those are actually

1594
01:27:33,000 --> 01:27:35,920
Speaker 1: great albums. I could never say, I could never say

1595
01:27:36,120 --> 01:27:38,600
Speaker 1: how I know this, but I know that camp Arianna

1596
01:27:39,120 --> 01:27:43,280
Speaker 1: is very happy about it, okay, okay, and that and

1597
01:27:43,520 --> 01:27:47,040
Speaker 1: that the video is going to be something else. Basically,

1598
01:27:47,040 --> 01:27:50,120
Speaker 1: what I'm asking is it box or is it like sleepy? Great?

1599
01:27:50,280 --> 01:27:52,880
Speaker 1: Love it? That's that's all I care about. But also,

1600
01:27:54,080 --> 01:27:57,240
Speaker 1: but I'm sure it's balanced. I'm sure it's like balanced out.

1601
01:27:57,880 --> 01:27:59,600
Speaker 1: You might have to think about the way you you

1602
01:28:00,000 --> 01:28:02,559
Speaker 1: ink of Bob's Also, I don't know much. All I

1603
01:28:02,600 --> 01:28:05,960
Speaker 1: know is that apparently it's really fucking good and the

1604
01:28:06,040 --> 01:28:09,520
Speaker 1: video is going to be cool. That's really all I know. Um,

1605
01:28:09,560 --> 01:28:12,519
Speaker 1: which is I think? Good news? Great? I love it?

1606
01:28:12,840 --> 01:28:17,000
Speaker 1: I love it? Okay, maybe we end on Ariana? Is

1607
01:28:17,040 --> 01:28:21,560
Speaker 1: that weird? Is she really the musician that's dominated this episode?

1608
01:28:22,360 --> 01:28:27,920
Speaker 1: I want you to I knew you'd ask women. Listen

1609
01:28:28,040 --> 01:28:33,559
Speaker 1: to your heart, and in your heart you will find

1610
01:28:33,600 --> 01:28:36,840
Speaker 1: the answer to the question of who is the musician

1611
01:28:36,960 --> 01:28:41,360
Speaker 1: that has dominated this episode? And only in your heart

1612
01:28:41,439 --> 01:28:46,960
Speaker 1: with that answer A live it is it? Taylor in

1613
01:28:47,000 --> 01:28:57,000
Speaker 1: the middle of night? Madies you? Oh my god, I'm

1614
01:28:57,040 --> 01:28:59,360
Speaker 1: going to listen to that, Alum. I put it on

1615
01:28:59,400 --> 01:29:01,320
Speaker 1: today and I was like, this is a really good album.

1616
01:29:01,439 --> 01:29:03,360
Speaker 1: What song are you going to pop? The poppers too?

1617
01:29:03,400 --> 01:29:05,599
Speaker 1: On that album? I know? Mine? Dancing with her hands,

1618
01:29:05,600 --> 01:29:08,479
Speaker 1: Ted Dancing with her hands, Ted I'm gonna do it too.

1619
01:29:08,600 --> 01:29:12,680
Speaker 1: I'm gonna do it to dress and absolutely back in

1620
01:29:12,760 --> 01:29:17,960
Speaker 1: the bedroom. Come on, think about it. That's really good.

1621
01:29:18,240 --> 01:29:21,160
Speaker 1: That's really good. Just kidding. I'm going to do it

1622
01:29:21,240 --> 01:29:27,559
Speaker 1: to the song this love good, I have nice I could,

1623
01:29:27,600 --> 01:29:29,760
Speaker 1: I can do it that I can do with that

1624
01:29:29,800 --> 01:29:34,280
Speaker 1: that track when she goes if you're on poppers, When

1625
01:29:34,320 --> 01:29:38,880
Speaker 1: she goes, oh my god, your butt hole falls off

1626
01:29:38,880 --> 01:29:42,880
Speaker 1: and walks away, she says, I'm going on a vacation.

1627
01:29:43,120 --> 01:29:46,320
Speaker 1: That's my impression of your bottle. She says, I'm going

1628
01:29:46,360 --> 01:29:50,640
Speaker 1: on a vacation. We got to end another grounded impression,

1629
01:29:50,720 --> 01:29:57,040
Speaker 1: another well lived in impression. Well, it's been among the

1630
01:29:57,080 --> 01:30:00,720
Speaker 1: more chaotic episodes of Las Colturesta's and it didn't even

1631
01:30:00,960 --> 01:30:03,320
Speaker 1: need a guest. Isn't it funny that we literally were

1632
01:30:03,360 --> 01:30:06,080
Speaker 1: like it's an academic episode last week and now this

1633
01:30:06,120 --> 01:30:10,800
Speaker 1: week is like super Lupa, Well, do a leap. I'm

1634
01:30:10,800 --> 01:30:13,040
Speaker 1: more like super Lupa do a leap, and more like

1635
01:30:13,040 --> 01:30:16,240
Speaker 1: Sue Lupa. I feel like you know, the reaction from

1636
01:30:16,320 --> 01:30:19,479
Speaker 1: last week's episode was mixed. We love the people who

1637
01:30:19,560 --> 01:30:22,120
Speaker 1: enjoyed our book club and who are reading along with us,

1638
01:30:22,160 --> 01:30:25,960
Speaker 1: but some people really got pretty brazen in the comments,

1639
01:30:25,960 --> 01:30:31,120
Speaker 1: and we're like, hey, um, this one was a snooze, Like,

1640
01:30:31,360 --> 01:30:34,920
Speaker 1: do not like kill that instinct? Honestly, if you have

1641
01:30:34,960 --> 01:30:38,640
Speaker 1: the instinct to like this, and this only applies to

1642
01:30:38,640 --> 01:30:41,680
Speaker 1: me and Matt, I'm gonna say it. If you want

1643
01:30:41,720 --> 01:30:46,040
Speaker 1: to say something stupid, no, no, don't even say it

1644
01:30:46,040 --> 01:30:48,840
Speaker 1: to us. I don't want I don't want to see it.

1645
01:30:49,120 --> 01:30:50,479
Speaker 1: And this and you can say it to someone else,

1646
01:30:50,520 --> 01:30:52,040
Speaker 1: but this only applies to me and Mett. We are

1647
01:30:52,080 --> 01:30:55,400
Speaker 1: the sort of moral exceptions to this, not more but

1648
01:30:55,600 --> 01:30:59,600
Speaker 1: sort of whatever. Remember what we said, Remember what we

1649
01:30:59,640 --> 01:31:06,320
Speaker 1: said this episode. If you step up, throw hand, see

1650
01:31:06,439 --> 01:31:09,920
Speaker 1: me with them dukes. If anyone ever this is our

1651
01:31:09,960 --> 01:31:14,280
Speaker 1: second episode in a If anyone ever comes for Bowen Yang,

1652
01:31:14,680 --> 01:31:18,799
Speaker 1: you better have done a lot of karate in your life,

1653
01:31:18,880 --> 01:31:21,559
Speaker 1: because I'm coming on, I'm coming. You better know how

1654
01:31:21,560 --> 01:31:25,439
Speaker 1: to defend yourself. If anyone comes for Matt Rogers, it

1655
01:31:26,880 --> 01:31:30,519
Speaker 1: would take such a little effort for me to ruin

1656
01:31:30,840 --> 01:31:37,440
Speaker 1: your life. And I'm not even saying physically, I will spiritually, spiritually, cellularly,

1657
01:31:38,800 --> 01:31:45,040
Speaker 1: security wise, will make you feel unsafe about your circumstances

1658
01:31:45,040 --> 01:31:48,080
Speaker 1: in life, and that's all I'll say. That's all I'll say.

1659
01:31:48,120 --> 01:31:53,400
Speaker 1: If you listening right now at home, ever come for

1660
01:31:53,520 --> 01:31:58,840
Speaker 1: Bowen Yang, I will send the curses of all the

1661
01:31:58,840 --> 01:32:02,280
Speaker 1: witches of my family. And my family is very cursed.

1662
01:32:03,439 --> 01:32:08,519
Speaker 1: My family comes from a long line of curses, charms

1663
01:32:10,320 --> 01:32:14,800
Speaker 1: and spells, and I have no qualms as to well,

1664
01:32:14,880 --> 01:32:19,960
Speaker 1: just say about summoning the powers of my people, the Rogers,

1665
01:32:21,080 --> 01:32:31,840
Speaker 1: which is you've never known. If anyone listening comes from

1666
01:32:31,840 --> 01:32:39,679
Speaker 1: my friend Matt Rogers, I will set fire to the rain,

1667
01:32:39,960 --> 01:32:55,040
Speaker 1: to the rain, what's wow? That song kind of sounds

1668
01:32:55,080 --> 01:32:57,960
Speaker 1: like a spell. Oh, if you do it like a witch,

1669
01:33:02,200 --> 01:33:05,600
Speaker 1: we gotta stop.