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Speaker 1: No, I'm dead wrong.

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Speaker 2: You want to live.

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Speaker 3: I can't let you.

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Speaker 2: You at full speed of walking, I still catch you out.

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Speaker 2: Have missed the Voye's good looking.

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Speaker 1: I destroy these These.

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Speaker 2: Niggas ain't bosses. They workers and employees. I came out

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Speaker 2: of the lake, but I'd be in the poon docks

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Speaker 2: and planinge with overraw work.

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Speaker 4: Boots, toolsoles.

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Speaker 2: I put something right through your face from out the toolbox.

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Speaker 2: Niggas get hot and make the news. I make the

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Speaker 2: news hot. You can be as hard as weever. I

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Speaker 2: cracked Craney out. You know all my killings are brute

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Speaker 2: or spontaneous. I like this pop out as soon as

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Speaker 2: you hit the light switch running. Then all of a

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Speaker 2: sudden you fall like the white chips. You might have

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Speaker 2: to crush your Adam's apple with the vice grips. You

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Speaker 2: never see me during the day. I play the nice

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Speaker 2: ships cartlach, flashing bone, damn grist. Yeah, be my guests,

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Speaker 2: go ahead and hide. I can't miss you. You already

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Speaker 2: know I reside. I can't crystal lake. This man on

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Speaker 2: your face, revamped issue and power from the hockey mask

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Speaker 2: change Saint Patrick. Three bodies in one night. That's a

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Speaker 2: hat drink and pay the plugs soon as you finish.

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Speaker 2: That's a backflip. Spend six, make twelve back. That's a

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Speaker 2: crack flip. That sad part about it. You boys ain't

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Speaker 2: even ready.

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Speaker 1: I'm not.

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Speaker 2: Preferably, my weapon and choice is the machete.

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Speaker 4: Ye screaming at the top of.

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Speaker 2: Your lungs before I mangle you, zip you up in

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Speaker 2: your sleeping bag, before strangle you. Yeah, I had it

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Speaker 2: in me since you're young. And when you hear that,

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Speaker 2: you don't see me.

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Speaker 4: But I'm coming.

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Speaker 2: Everybody gotta die, every man, every woman. It ain't even

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Speaker 2: no sense of running my name ring around the nation.

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Speaker 1: How the crime scene was left, they could tell that

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Speaker 1: it was chasing Chase.

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Speaker 4: Happy Halloween well day after November, rich du That is

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Speaker 4: some spooky shit, especially around the holidays.

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Speaker 5: And no y'all going on tonight as shake you know,

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Speaker 5: shake the town down, go ahead, had fun.

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Speaker 4: First of the months been tomorrow, Halloween to Thanksgiving to

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Speaker 4: christ has a.

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Speaker 5: Lot of bottle of the cat last night, but you

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Speaker 5: don't have a bottle of candy, you know, trigger treat

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Speaker 5: with the kids. But in the morning, though, that direct

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Speaker 5: the positive better be sent.

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Speaker 4: Yeah, I mean there's fentanyl in the candy though, so

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Speaker 4: we're all gonna die.

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Speaker 1: Yeah, gotcha.

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Speaker 4: Well, I'm supposed to be Donald Duck.

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Speaker 1: Talk like a duck.

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Speaker 4: I don't know how to do that.

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Speaker 5: I don't know why he knows how to do that.

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Speaker 4: That's like because you know it's a little kink. Well

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Speaker 4: he does, that's what they do.

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Speaker 1: Get this.

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Speaker 4: Yeah, Well, Omar loves Mickey Mouse Clubhouse, so she wanted

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Speaker 4: to be mini Mouse.

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Speaker 1: So this is Omar is gonna be Many and you're

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Speaker 1: gonna be Donald.

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Speaker 4: I'm Donald. Yeah, okay, I ordered this like a month ago.

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Speaker 4: It came this morning, so you were scared.

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Speaker 1: You didn't even know if it was gonna fit.

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Speaker 4: Yeah, it doesn't fit. I'm like a little tight. Yeah,

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Speaker 4: this isn't made for Dad. But I don't understand how

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Speaker 4: women do this ship. This is like the elastic pants

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Speaker 4: they put around their waist. Yeah this hurts. Yeah, I'm

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Speaker 4: really uncomfortable. I don't know if I'm gonna last this

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Speaker 4: entire episode with this.

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Speaker 1: Feet are grade. I love the feet.

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Speaker 4: Well, these came separately because I thought the cow wasn't coming.

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Speaker 4: I thought I had to do like an improv too,

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Speaker 4: and I bought these and a Donald Duck shirt.

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Speaker 1: He didn't see.

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Speaker 4: No, she wants to take care before.

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Speaker 1: That's crazy. You got to pick her up in that.

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Speaker 4: Yeah, and I'm definitely when I leave here. We have

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Speaker 4: a whole thing in our building for Halloween. So oh

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Speaker 4: that's dope. But I can't get the hat to stay

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Speaker 4: on because I don't have enough hair. It's like an

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Speaker 4: actual hair clip.

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Speaker 5: You gotta do what the Jewish people do with the yamaka's.

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Speaker 5: You gotta get the little bobby pin. Yeah, that's what

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Speaker 5: it is. But it doesn't work.

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Speaker 1: It hair is too thin.

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Speaker 3: Even it's too fine.

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Speaker 1: Here.

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Speaker 4: I appreciate that.

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Speaker 3: Frog here is fucking health.

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Speaker 5: Rory got that. Oh my bad, bro, I'm sorry, duckhead.

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Speaker 5: So Donald Duck, she got Duck here.

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Speaker 4: Over the weekend, I went to my man Kazus Cribb.

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Speaker 4: He was doing something for like all the kids for

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Speaker 4: for Halloween. And again this wasn't it didn't come in time.

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Speaker 4: I just had the shoes and I just had a

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Speaker 4: blue shirt. So I walked into a costume party with

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Speaker 4: just these on and a blue shirt and everyone was like, hmmm,

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Speaker 4: we are you trying to give us? Yeah, like you

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Speaker 4: wear your slippers and.

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Speaker 5: That's funny when people don't know what your kyle, Like,

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Speaker 5: who are you trying to be? And you just standing

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Speaker 5: there you try to like, yo, y'all don't get.

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Speaker 4: It, Like and these look like monster feet. They don't

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Speaker 4: even look like Donald Duck's feet. They're kind of scary feet.

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Speaker 1: Yeah.

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Speaker 4: Well, yeah, I don't know if I'm a chef or

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Speaker 4: a kappa. I don't know. This is a mess.

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Speaker 5: Either way, Omar is gonna love it. That's the important part.

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Speaker 4: We have a lot to cover today, like serious topics. Yeah,

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Speaker 4: and if we get in debates, I don't know if

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Speaker 4: you're gonna be able to do. Can you take me serious?

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Speaker 4: When I start arguing about Meg the Stallion?

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Speaker 1: Absolutely, you're dressed for the occasion.

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Speaker 4: And then PG is gonna clip it up and I'm

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Speaker 4: gonna be screaming red and I'm gonna be in this

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Speaker 4: outfit of course, and no one is going to listen

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Speaker 4: to any of my points.

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Speaker 1: Exactly. Here we are.

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Speaker 4: Who are you me? Yeah, Joe fresh Goods?

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Speaker 1: Yeah, there you go. I'm Joe fresh Goods.

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Speaker 4: Today it's a Costomers friend of the show.

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Speaker 1: Yeah, absolutely, it's my guy.

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Speaker 4: You you had the Andre three thousand ft ready to go.

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Speaker 4: I'm I'm upset.

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Speaker 5: Ah, yeah, but I'm not. I'm not dressing up.

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Speaker 1: You said, like the last five episodes you were gonna

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Speaker 1: dress up for Halloween?

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Speaker 5: About it? And I was, I thought about it. Who

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Speaker 5: were you supposed to be, Julian, because let me guess

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Speaker 5: you are. Either let's go, let's run through them.

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Speaker 4: Uh, the girl that forgot her weekend back and needs

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Speaker 4: something to put on her head to go to sleep.

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Speaker 5: The girl that's rushing to the airport, to the gate racist,

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Speaker 5: your pirate or to Aladdin?

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Speaker 3: Sorry?

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Speaker 1: Uh yeah. After we recorded Patron yesterday, I called a

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Speaker 1: friend and said, hey, I need He's one of those

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Speaker 1: guys addresses in a costume every day of the week

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Speaker 1: for Halloween. So I said, just give me one. And

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Speaker 1: this was this was it supposed to be a pirate.

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Speaker 1: But with my complexion, the look, I look like a

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Speaker 1: jewel thief. Yeah.

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Speaker 4: I think it's funny that you know zero black women.

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Speaker 4: So you had to call your white male friend for

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Speaker 4: this fit.

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Speaker 1: Was he a white pirate? Well, he's Iranian, So we

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Speaker 1: both I said, we looked, we could look like, you know,

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Speaker 1: we have a son of bomb or something.

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Speaker 4: You know, can't say what she can't say that, all right, sorry.

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Speaker 1: No, this is a safe space.

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Speaker 4: They literally banned someone from CNN for that comment, and

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Speaker 4: you want us to have it. We're a far cry

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Speaker 4: from just saying a far cry damars uh just went

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Speaker 4: with bunny.

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Speaker 1: Damaris has a costume, but she won't put it on

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Speaker 1: because she doesn't want the creeps to it's too slut

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Speaker 1: wet their hands and beat off.

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Speaker 5: So it's too slutty for the show. But it's okay

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Speaker 5: to go outside.

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Speaker 1: Yeah, she'll be wearing it at the Barclays tonight, So.

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Speaker 5: The Barclays gets it, but we don't.

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Speaker 1: You got it? Okay? Well though, yeah, you gave us

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Speaker 1: the ears.

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Speaker 3: Well, y'all are my coworkers.

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Speaker 4: Well, that used to really be the typical costume for

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Speaker 4: women dressed like a whore and then just put bunny ears.

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Speaker 1: Yeah, but I mean traditional lay with money.

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Speaker 4: I do appreciate the tradition because now women have actually

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Speaker 4: gotten creative with their Halloween costumes because they dressed like

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Speaker 4: hors three hundred and sixty four days out of the year.

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Speaker 4: So now they're like actually doing cool costumes. Before it

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Speaker 4: was like I get to dress like a slut. No

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Speaker 4: one will judge me, and we loved it.

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Speaker 1: It's their body, their choice for that's your Meg.

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Speaker 4: Unless you're Maul looking at Meg the Stallion, let's go

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Speaker 4: right into it.

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Speaker 1: I got this Meg.

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Speaker 5: I thought I showed nothing but love and support from

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Speaker 5: Meg thee Stallion throughout the years. I got cursed out,

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Speaker 5: I got put in songs all kind of shit in

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Speaker 5: support and standing with Meg thee Stallion through one of

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Speaker 5: her her most tumultuous situations in life.

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Speaker 3: Maul was the first person to come out and say,

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Speaker 3: d Nigga shot her.

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Speaker 4: He was the one supporting so much that Tory Lanez

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Speaker 4: put Mal in his hateful intro on his return album.

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Speaker 4: But for those that don't know, right before we started recording,

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Speaker 4: The Megdae Stallion in her Words documentary came out on

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Speaker 4: Amazon Prime. Yes, we were getting a bunch of tweets

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Speaker 4: that Maul was in the docs slut shaming, which is

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Speaker 4: you know, on par that makes sense. But then I

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Speaker 4: was like, not with Meg. I feel like mals owed

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Speaker 4: somewhat of an apology from maybe Meg or the editor.

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Speaker 4: I don't know, if Meg just found all these clips.

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Speaker 4: Maybe we should blame Amazon. No, I mean I think

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Speaker 4: Bezos cut that up.

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Speaker 1: It's fine.

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Speaker 5: I mean the way they cut it made it seem

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Speaker 5: like I think we were talking about the song Wop

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Speaker 5: at that point, and I was saying how that the

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Speaker 5: lyrically at the time, that was one of the most

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Speaker 5: raunchy songs we probably ever heard two female artists saying

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Speaker 5: on the record, that was just that record though, But

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Speaker 5: they put that there like I didn't.

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Speaker 1: I don't.

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Speaker 5: I thought Meg should like change her content, and I

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Speaker 5: don't think they cut it too soon.

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Speaker 4: I think you finished that sentence with but I like it.

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Speaker 1: It's around the thirty nine minute mark of the doc

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Speaker 1: and the last line Meg says before they go into

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Speaker 1: a montage of internet in podcasters reacting to the song

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Speaker 1: is her saying female empowerment, my body, my choice. And

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Speaker 1: then thirty seconds later, Mal says, this, look at what

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Speaker 1: we're listening to women say right now. She's a.

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Speaker 4: Like, why would a woman think it's her choice with

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Speaker 4: her body?

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Speaker 5: I don't even it's crazy they cut and edit these things, man, like,

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Speaker 5: I promise you I have nothing but love or respect

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Speaker 5: for Megan's choice and what she wants to do with

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Speaker 5: her body, what she wants to talk about, rap about

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Speaker 5: is all but the way the edit that made it

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Speaker 5: seem like I'm the craziest guy when it comes to

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Speaker 5: she got to cover up and she can't talk like.

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Speaker 4: You continued to talk about the history of planned paranoid Yeah,

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Speaker 4: I remember, correct, if.

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Speaker 5: You remember, correct that that's exactly what I want into

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Speaker 5: Right after that, Rory.

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Speaker 4: Yes, the Kanye West and Candice Owens talking points at

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Speaker 4: that point, Yeah, I mean, where do we start with

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Speaker 4: this this Meg doctor when it's out right now, it's.

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Speaker 1: Currently out, But there's really one clip that seems to

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Speaker 1: be making the rounds online and it was her h

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Speaker 1: kind of saying how she lied on the Gale interview

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Speaker 1: about not sleeping with Tory. Here's the clip, real quick.

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Speaker 3: Ask me about this. She was always to talk about

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Speaker 3: the shoot. Why did you ask me about toy like

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Speaker 3: once maybe twice on drump Night, but you kept can't

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Speaker 3: you me out.

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Speaker 1: Of my mind?

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Speaker 5: Okay, that's ahead. I mean she spoke about this before,

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Speaker 5: I think though.

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Speaker 3: During the trial because she had to tell the truth.

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Speaker 4: Yeah, I mean, yeah, first that everyone knows that every woman.

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Speaker 1: Lies about who they sleep with.

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Speaker 5: That's not I don't know why people thought that that

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Speaker 5: was so crazy, But I mean it is what it is,

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Speaker 5: doesn't change the fact of the matter or what was

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Speaker 5: found to be true in court.

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Speaker 4: Well, we're gonna look like picknies. We're not this misogynistic

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Speaker 4: podcast that you think. When this Gail interview aired, we

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Speaker 4: did an episode I think the next day, and the

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Speaker 4: first thing we said was, she's clearly lying about that,

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Speaker 4: but who cares you're here to talk about a shooting.

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Speaker 4: She doesn't owe us who she fucked on national TV.

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Speaker 4: I know I didn't lie. Yeah, that didn't bother me

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Speaker 4: at all. We know you're lying, but but I said,

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Speaker 4: you have to go on TV and say who you fucking.

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Speaker 5: I think people were trying to parlay that into she's

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Speaker 5: lying about what happened that night.

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Speaker 4: If you lie about me, she is not concerned. Gail like, yeah,

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Speaker 4: if you even if I rap about it all the time,

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Speaker 4: the consensus.

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Speaker 3: Is if you lie about who you'll fuck, then you'll

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Speaker 3: lie about somebody shooting you, because those are like the equally.

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Speaker 4: Yeah, those things checked out.

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Speaker 5: Shit, I just didn't understand that, but you know whatever.

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Speaker 4: I'm Well. The funny part was, though she really didn't

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Speaker 4: think Gail was going to ask were you fucking Tory?

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Speaker 4: Because all the evidence around that time and the reports

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Speaker 4: from Tory side where they had an argument with Kelsey

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Speaker 4: because she found out that Meg and Tory were fucking

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Speaker 4: behind her back. You didn't think Gail was gonna get

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Speaker 4: in there and be like yo, he'd be so, what's up?

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Speaker 1: Yeah, yeah, yeah, fresh off the r. Kelly interview. She

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Speaker 1: had to She had to go for it.

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Speaker 4: Robert, I didn't think would ask me that. We talked,

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Speaker 4: all right, well, let's talk about how the shooting started.

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Speaker 5: I mean, either way it goes, Meg, we love and

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Speaker 5: support you. I just hate the way they cut and

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Speaker 5: edited that part of that documentary.

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Speaker 4: Which is crazy. With your ties to rock Nation, that

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Speaker 4: Rock Nation would do that to you.

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Speaker 5: Mmm, with my times the rock Nation.

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Speaker 4: Like they would they would try to paint you to

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Speaker 4: be this person.

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Speaker 5: Oh man, So Rock Nation is back in hot water,

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Speaker 5: back in hot water? Yeah, I mean they seem to

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Speaker 5: be back in hot water. All of this is coming

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Speaker 5: out once again, the whole trial.

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Speaker 1: Uh.

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Speaker 5: Now, Tory he has filed for his appeal. His appeal

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Speaker 5: was granted. I believe, No, it wasn't.

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Speaker 1: Oh well, I.

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Speaker 4: Think his second time trying to do an appeal, the

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Speaker 4: first one got denied. This isn't going.

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Speaker 5: Yeah, but if you know, if you know how the

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Speaker 5: courtese goes that, you know that's this is what usually happens.

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Speaker 1: People file appeals.

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Speaker 5: Sometimes they're you know, accepted, sometimes they're denied. But you know,

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Speaker 5: this is just part of the due process of what

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Speaker 5: many inmates go through, is especially when they feel like,

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Speaker 5: you know, they were wrongly prosecuted or their defense team

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Speaker 5: feels like we may be able to find another loophole

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Speaker 5: in this case or in the sentencing, so that I

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Speaker 5: don't think that surprised anybody, but I know Tory is

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Speaker 5: he's suing. I believe he's suing his lawyer, Sean Holly.

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Speaker 1: I believe her name is.

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Speaker 5: Yeah, he's filing an ethics complaint against his ex attorney

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Speaker 5: for her alleged ties to Jay Z's Rock Nation. Now,

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Speaker 5: I don't know if that's because she represented other artists

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Speaker 5: that are signed or have deals with Rock Nation.

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Speaker 4: She literally said in her statement, I have never worked

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Speaker 4: with rock Nation in my life. The show I executive

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Speaker 4: produced is simply just named Reasonable Doubt has nothing to

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Speaker 4: do with rock Nation.

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Speaker 5: Oh that's that new show where every episode is named

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Speaker 5: after jay track.

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Speaker 1: Yeah, but it.

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Speaker 4: Has nothing to do with Rock Nation. She's never worked

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Speaker 4: with him. And that's where I think people that are

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Speaker 4: still on this Tory conspiracy side need to like look

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Speaker 4: at the logic here. Yeah, if they're fishing for this

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Speaker 4: type of shit on the basis of this second appeal,

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Speaker 4: clearly the evidence is suggesting he did it.

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Speaker 1: Well. Now, if you.

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Speaker 4: Are picking at this type of ship a lawyer that

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Speaker 4: has not worked with Rock Nation, that's how you're trying

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Speaker 4: to get your appeal. Yo, she she knows Dez right,

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Speaker 4: that's what you're doing listening for anything at that point.

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Speaker 1: Yeah, that's true.

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Speaker 4: But just go ahead, use your appeals, do what you

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Speaker 4: have to do. It's it's your right in our court system.

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Speaker 4: But if you had a strong appeal, you could just

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Speaker 4: go to the evidence.

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Speaker 5: Right that was that was always my whole thing, and

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Speaker 5: back to that. Just you know, to to move on.

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Speaker 5: But before we do, uh, my stance is still the

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Speaker 5: same as it was obviously were you were sitting next

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Speaker 5: to me when all of this first happen years ago,

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Speaker 5: and I said, I said, then what I say now,

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Speaker 5: if in fact Tory Lanez is guilty, which he has

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Speaker 5: been found guilty of this, if he is, if he

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Speaker 5: if he did do this, then yeah, again, this is

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Speaker 5: the craziest shit ever. This is some ship that should

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Speaker 5: never happen. A man should never pull a gun on

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Speaker 5: a woman, let alone fire gun at a woman. It

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Speaker 5: was all in fortunate. Tory Lanez was one of the

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Speaker 5: hottest artists at the time. I've always supported Tory throughout

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Speaker 5: his career. I put plenty of people onto his music

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Speaker 5: early before he even took off. But again, a situation

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Speaker 5: like this, you know, all of that aside, it's just

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Speaker 5: something that we should have never witnessed. It should have

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Speaker 5: never happened. And my thing is, you know, cool, go

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Speaker 5: through the due process and file your pills. But I

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Speaker 5: always go back to why not take the stands? When

360
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Speaker 5: stand when when the case was at trip if you

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Speaker 5: didn't do it, like if I didn't do something, and

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Speaker 5: the case is that it tries nothing my lawyers can

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Speaker 5: tell me about not getting understand.

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Speaker 4: I believe the judge's son was interning at Rock Nation

365
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Speaker 4: at the time.

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Speaker 1: That's why you couldn't tell you. I forgot his name,

367
00:15:38,760 --> 00:15:40,360
Speaker 1: but you're you're probably right about that.

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Speaker 4: That wasn't right.

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Speaker 5: Told me that, yeah, but again, you know, prayers to

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Speaker 5: everybody involved. Hopefully Meg is still healing from this and

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Speaker 5: moving forward, and you know, obviously being shot, I think,

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Speaker 5: thank god, I've never had to deal with that, but

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Speaker 5: knowing people that have, it's something that you never forget.

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Speaker 5: It's trauma that stays with you forever. So hopefully, to

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Speaker 5: the best of you know, her ability, she's moved past

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Speaker 5: and she's healed from that and is doing well and

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Speaker 5: also still PRIs to I don't hate Tory Lanez.

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Speaker 1: I don't know. I've never met him.

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Speaker 5: Well, I met him a couple of times, but I

380
00:16:07,200 --> 00:16:08,960
Speaker 5: don't hate him, but prais to him as well as

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Speaker 5: somebody that is in prison, incarcerated, you know, that's a

382
00:16:11,720 --> 00:16:14,080
Speaker 5: rough time as well. Hopefully he's getting the help that

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Speaker 5: he needs and when he comes home, he's a He's

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Speaker 5: a better person than a better man.

385
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Speaker 4: Are you calling Meg out and encouraging her to clip

386
00:16:21,920 --> 00:16:24,480
Speaker 4: that part out just to clear their name? Oh well,

387
00:16:24,480 --> 00:16:25,880
Speaker 4: then you should put what you just said on her.

388
00:16:25,920 --> 00:16:28,960
Speaker 4: I g and like maybe a formal apology my d

389
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Speaker 4: m Meg, what how would you started dalming with?

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Speaker 1: Meg?

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Speaker 5: Uh?

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Speaker 1: Drop a money bag? Hey Stallion? Hey?

393
00:16:38,400 --> 00:16:39,920
Speaker 4: Hey for you get hey Stallion?

394
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Speaker 1: Yeah?

395
00:16:41,720 --> 00:16:45,280
Speaker 4: I believe her Instagram is at R O C and at.

396
00:16:46,400 --> 00:16:48,680
Speaker 3: Yeah, yeah, I had a dream about Meg last night.

397
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Speaker 5: We don't want to hear about your wet dreams, and

398
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Speaker 5: I don't want to hear about we don't we don't

399
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Speaker 5: want to hear about it.

400
00:16:55,280 --> 00:16:56,480
Speaker 4: I actually want to everybody what happened?

401
00:16:56,760 --> 00:16:59,520
Speaker 3: I had it? I had a I had a dream

402
00:16:59,560 --> 00:17:01,120
Speaker 3: like Mark, I had a dream.

403
00:17:01,160 --> 00:17:03,120
Speaker 4: I think those were different, but go ahead.

404
00:17:03,400 --> 00:17:05,600
Speaker 3: I don't know why Meg was in my dream like that.

405
00:17:05,960 --> 00:17:06,520
Speaker 1: You know why.

406
00:17:06,680 --> 00:17:09,040
Speaker 5: You know exactly why she was in your dream because

407
00:17:09,080 --> 00:17:10,440
Speaker 5: you had to pill him between your legs when you

408
00:17:10,480 --> 00:17:13,000
Speaker 5: went to sleep. He was horny. He was flicking the

409
00:17:13,040 --> 00:17:15,320
Speaker 5: bean like you know what she was doing. That kidney

410
00:17:15,359 --> 00:17:16,920
Speaker 5: bean was was vibrating all night.

411
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Speaker 1: You know how I go? First the beeper joke.

412
00:17:20,800 --> 00:17:22,840
Speaker 4: Now your neighbors thought you had a barbershop.

413
00:17:22,320 --> 00:17:26,280
Speaker 1: On the crew. Wait, wait, did you have a wet dream?

414
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Speaker 1: What happened?

415
00:17:27,840 --> 00:17:30,119
Speaker 3: I had a dream. It was a very nice dream.

416
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Speaker 3: It felt so real. I woke up like he literally

417
00:17:32,359 --> 00:17:32,919
Speaker 3: woke me up.

418
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Speaker 5: It felt so fuck You wouldn't know what to do

419
00:17:35,280 --> 00:17:38,359
Speaker 5: with that Meg, the stallion exit, that ass on your face.

420
00:17:38,400 --> 00:17:40,520
Speaker 5: You be begging for help, You be knocking it over,

421
00:17:40,560 --> 00:17:42,080
Speaker 5: trying to get the phone to call police.

422
00:17:42,600 --> 00:17:42,879
Speaker 1: I don't know.

423
00:17:42,920 --> 00:17:45,240
Speaker 4: I mean, there were those reports that Meggie pussy in

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Speaker 4: the back.

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Speaker 5: Seat of a car, so mm hmm, that's to go

426
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Speaker 5: as far as the hotel got. Damn, how horny are.

427
00:17:53,920 --> 00:17:58,399
Speaker 3: We that's to go.

428
00:17:58,480 --> 00:18:01,600
Speaker 1: To be a professional driver, you can't look through the risk.

429
00:18:02,000 --> 00:18:02,720
Speaker 1: Let me tell you something.

430
00:18:02,760 --> 00:18:05,840
Speaker 5: If I'm driving Meg the Stallion around and I'm.

431
00:18:05,680 --> 00:18:07,720
Speaker 4: Pulling under vendor at Minimum'm like, come on, I.

432
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Speaker 1: Know I got this suit on.

433
00:18:08,600 --> 00:18:10,680
Speaker 5: I'm from the hood man you find bitches ain't about

434
00:18:10,680 --> 00:18:13,239
Speaker 5: to be eating butcher And I'm just driving at the light,

435
00:18:13,320 --> 00:18:14,720
Speaker 5: acting like I don't hear that ship.

436
00:18:15,160 --> 00:18:17,680
Speaker 4: So he doubles that her body is not her choice.

437
00:18:18,000 --> 00:18:19,920
Speaker 4: Mall makes that decision. It's his car.

438
00:18:20,119 --> 00:18:22,080
Speaker 5: How did that say? What was my car? If your property,

439
00:18:22,359 --> 00:18:22,920
Speaker 5: what's my car?

440
00:18:22,960 --> 00:18:25,120
Speaker 4: You're saying they can't eat. I'm really unless you're involved

441
00:18:25,160 --> 00:18:26,440
Speaker 4: with I said.

442
00:18:26,200 --> 00:18:27,800
Speaker 5: It might have to be involved, but I'm not gonna

443
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Speaker 5: act like I don't see it.

444
00:18:28,920 --> 00:18:30,320
Speaker 4: I want to watch. We could pull over.

445
00:18:30,520 --> 00:18:32,360
Speaker 5: Yeah, we pull over, you know what I mean, turn

446
00:18:32,400 --> 00:18:34,239
Speaker 5: it to completion, turn the heat up a little bit,

447
00:18:34,280 --> 00:18:35,640
Speaker 5: you know, we crack the sun roof.

448
00:18:35,680 --> 00:18:36,160
Speaker 1: You know what I'm saying.

449
00:18:36,200 --> 00:18:37,960
Speaker 5: Get some egg going in here, and I'm gonna watch

450
00:18:38,000 --> 00:18:38,600
Speaker 5: y'all eat soup.

451
00:18:41,880 --> 00:18:44,760
Speaker 4: Can we Where were you in Megan? This dream?

452
00:18:45,320 --> 00:18:48,400
Speaker 3: We were in a green room, green room, couch on.

453
00:18:48,320 --> 00:18:51,480
Speaker 1: A green room couch. The marors always wanted to be

454
00:18:51,480 --> 00:18:52,160
Speaker 1: in the green room.

455
00:18:52,200 --> 00:18:54,760
Speaker 3: What I never wanted to be in your green room.

456
00:18:55,080 --> 00:18:56,879
Speaker 3: Don't do that, never want to be what's wrong with

457
00:18:56,880 --> 00:18:58,400
Speaker 3: our green room? That's wrong with your green room?

458
00:18:58,400 --> 00:18:59,960
Speaker 4: But she's always in our green room?

459
00:19:00,080 --> 00:19:02,679
Speaker 3: Are you talking about two point five seconds? I'll be outside, bro,

460
00:19:02,760 --> 00:19:04,119
Speaker 3: I do not be sitting in your green room in

461
00:19:04,160 --> 00:19:04,480
Speaker 3: your face.

462
00:19:04,920 --> 00:19:05,359
Speaker 1: Don't do that.

463
00:19:05,359 --> 00:19:07,879
Speaker 5: That is not got your haird makeup, nails, do everything

464
00:19:07,920 --> 00:19:08,639
Speaker 5: done in our green room?

465
00:19:09,160 --> 00:19:10,080
Speaker 4: That is actually a fact, don't.

466
00:19:10,440 --> 00:19:12,440
Speaker 3: I did my makeup one time in your green room.

467
00:19:12,520 --> 00:19:12,879
Speaker 3: That's it.

468
00:19:13,160 --> 00:19:15,879
Speaker 4: And here I couldn't even put my pants on for

469
00:19:15,880 --> 00:19:16,160
Speaker 4: the show.

470
00:19:16,200 --> 00:19:16,640
Speaker 3: I had braids.

471
00:19:16,640 --> 00:19:17,880
Speaker 5: I had to get dressed in the bathroom.

472
00:19:18,000 --> 00:19:18,719
Speaker 3: I had braids.

473
00:19:18,800 --> 00:19:20,480
Speaker 5: It was girls or your nails and your feet on

474
00:19:20,480 --> 00:19:21,760
Speaker 5: your head. I was like, well, God, did.

475
00:19:21,640 --> 00:19:23,439
Speaker 3: Can I I'll be having everybody? Will you want to

476
00:19:23,760 --> 00:19:25,440
Speaker 3: me to start naming people that was in that green room?

477
00:19:25,960 --> 00:19:28,600
Speaker 1: Which one was this? Who you have?

478
00:19:29,200 --> 00:19:31,760
Speaker 4: You know there's evidence our last like three New York

479
00:19:31,800 --> 00:19:35,160
Speaker 4: shows I had one plus I.

480
00:19:35,080 --> 00:19:35,840
Speaker 3: Walked in the room.

481
00:19:36,359 --> 00:19:40,000
Speaker 5: We're not gonna do that.

482
00:19:41,600 --> 00:19:45,040
Speaker 1: I'm not gonna do that. Oh, are you talking about

483
00:19:45,080 --> 00:19:47,240
Speaker 1: the time? Niggas always want to tell you when you're

484
00:19:47,320 --> 00:19:49,560
Speaker 1: talking about the time? Okay, who I had in the

485
00:19:49,600 --> 00:19:51,200
Speaker 1: green room? Name the names I had?

486
00:19:51,240 --> 00:19:51,880
Speaker 3: Please do that.

487
00:19:52,000 --> 00:19:54,000
Speaker 4: You you have your stylists who I love to death

488
00:19:54,160 --> 00:19:55,879
Speaker 4: come all the time with, and she come with like

489
00:19:55,920 --> 00:19:58,040
Speaker 4: seven of her friends, pretty and smell good. So I

490
00:19:58,080 --> 00:19:59,200
Speaker 4: don't care who's my stylist.

491
00:19:59,520 --> 00:20:01,359
Speaker 1: Don't do that? See who was much?

492
00:20:01,480 --> 00:20:02,160
Speaker 4: Now? You don't have a stop.

493
00:20:02,280 --> 00:20:02,560
Speaker 2: I don't know.

494
00:20:03,240 --> 00:20:06,480
Speaker 4: You don't have a style because you beautiful white woman,

495
00:20:06,600 --> 00:20:07,520
Speaker 4: mutual friend of ours.

496
00:20:08,440 --> 00:20:10,800
Speaker 5: I haven't seen this girl in five years.

497
00:20:11,040 --> 00:20:13,159
Speaker 4: Now, now it's five years. When the last time you

498
00:20:13,240 --> 00:20:16,320
Speaker 4: seen her with me in Sony Hall bringing down your garments?

499
00:20:16,320 --> 00:20:17,800
Speaker 1: You're lying. Garment, you're lying.

500
00:20:18,600 --> 00:20:21,040
Speaker 4: She's definitely been in our Sony Hall green room with

501
00:20:21,080 --> 00:20:22,320
Speaker 4: your garments for sure.

502
00:20:22,359 --> 00:20:23,680
Speaker 1: What are you talking about? I don't know.

503
00:20:23,680 --> 00:20:25,120
Speaker 4: Whenever we were in Sony Hall where they're like.

504
00:20:25,040 --> 00:20:28,160
Speaker 1: Ten times, all MA has is someone bring a godspeed

505
00:20:28,160 --> 00:20:31,280
Speaker 1: to hoodie and then leave. What is he talking about?

506
00:20:31,320 --> 00:20:33,560
Speaker 4: There's one time and it was when gold Link came.

507
00:20:34,440 --> 00:20:38,320
Speaker 4: Who else was in the green room? Rory the Golden

508
00:20:38,800 --> 00:20:39,360
Speaker 4: in New York?

509
00:20:39,480 --> 00:20:42,480
Speaker 1: Who else? Rory?

510
00:20:43,200 --> 00:20:45,639
Speaker 5: They sitting here a quiet for a reason. My daughter

511
00:20:46,560 --> 00:20:48,240
Speaker 5: all were counting. We're not counting your daughter.

512
00:20:48,960 --> 00:20:50,399
Speaker 4: I'm really not even trying to play dumb. You can

513
00:20:50,440 --> 00:20:52,080
Speaker 4: say it. What skeletons I have?

514
00:20:52,520 --> 00:20:54,560
Speaker 1: It ain't no skeletons. But they sitting here quiet for

515
00:20:54,600 --> 00:20:56,720
Speaker 1: a reason because they know that I'm not wrong. You wrong?

516
00:20:56,800 --> 00:20:57,200
Speaker 1: Right now?

517
00:20:57,280 --> 00:20:58,480
Speaker 4: Who did I have in the green room?

518
00:20:58,520 --> 00:20:59,480
Speaker 1: I don't know them, niggas.

519
00:21:00,720 --> 00:21:02,720
Speaker 5: I seen him around a couple of times, but I

520
00:21:02,720 --> 00:21:04,760
Speaker 5: don't know them.

521
00:21:04,760 --> 00:21:07,480
Speaker 1: Oh you're talking about now, I'm talking about more? Here

522
00:21:07,480 --> 00:21:08,440
Speaker 1: we go? How many?

523
00:21:08,560 --> 00:21:13,280
Speaker 4: How many talking about my talk? Okay, I'm being honest here.

524
00:21:13,600 --> 00:21:17,359
Speaker 4: That was Carl. That was not me, man, that was Carl.

525
00:21:17,680 --> 00:21:19,919
Speaker 1: Whoever it was, It wasn't my It wasn't me. No,

526
00:21:20,040 --> 00:21:20,440
Speaker 1: you know what.

527
00:21:20,520 --> 00:21:22,960
Speaker 4: It was Carl and better because they said, now you

528
00:21:22,960 --> 00:21:24,640
Speaker 4: gotta stay in the green room. He can't be seen.

529
00:21:24,720 --> 00:21:26,959
Speaker 5: I was like, whoever it was, I'm just going back

530
00:21:27,000 --> 00:21:28,680
Speaker 5: to the top of it was. Whatever it was, I'm

531
00:21:28,680 --> 00:21:31,120
Speaker 5: going back to the top of the conver nothing. Nobody

532
00:21:31,200 --> 00:21:34,280
Speaker 5: was there for me, nobody. I may have had one

533
00:21:34,320 --> 00:21:35,359
Speaker 5: person at one time.

534
00:21:36,960 --> 00:21:37,800
Speaker 1: That was it Julius.

535
00:21:38,880 --> 00:21:40,760
Speaker 3: I mean I betutter say you take a mask.

536
00:21:40,640 --> 00:21:42,840
Speaker 4: Face, that was it Julius Randall, Godlink.

537
00:21:42,880 --> 00:21:45,720
Speaker 5: We even had like a plus seven.

538
00:21:47,160 --> 00:21:50,600
Speaker 4: Yeah, but they were he's a big person. But I

539
00:21:50,600 --> 00:21:52,200
Speaker 4: feel like people with accents don't count.

540
00:21:52,880 --> 00:21:53,520
Speaker 1: That is true.

541
00:21:54,040 --> 00:21:56,000
Speaker 4: That is like it was a It was a refreshing

542
00:21:56,000 --> 00:21:59,320
Speaker 4: green room because everyone, like all the women had London access.

543
00:21:59,320 --> 00:22:00,320
Speaker 4: Like who wasn't happy at that?

544
00:22:00,400 --> 00:22:01,840
Speaker 1: I get it, I understand that.

545
00:22:02,000 --> 00:22:05,359
Speaker 5: But back to my I'm not greg. I don't be

546
00:22:05,400 --> 00:22:06,760
Speaker 5: having a bunch of niggas in the grind. I don't

547
00:22:06,760 --> 00:22:08,520
Speaker 5: even have people come to the shows. I mean I

548
00:22:08,560 --> 00:22:09,720
Speaker 5: have two three people come to the show.

549
00:22:09,760 --> 00:22:11,240
Speaker 1: The only time the green room really got wild, it

550
00:22:11,280 --> 00:22:12,119
Speaker 1: was the LA show.

551
00:22:13,119 --> 00:22:14,360
Speaker 3: You lying about that one?

552
00:22:14,640 --> 00:22:16,240
Speaker 4: But LA is always different?

553
00:22:16,960 --> 00:22:18,119
Speaker 5: What am I lying about?

554
00:22:19,080 --> 00:22:22,080
Speaker 3: That last show? We had passed some motherfuckers on that.

555
00:22:22,080 --> 00:22:25,160
Speaker 3: That your list, your list, the Sony Hall.

556
00:22:25,000 --> 00:22:28,360
Speaker 4: Shows that don't be sending two names.

557
00:22:28,600 --> 00:22:29,680
Speaker 1: But they're not in the green room.

558
00:22:29,920 --> 00:22:31,080
Speaker 3: No, they're not in the green room. What you're say,

559
00:22:31,080 --> 00:22:32,200
Speaker 3: I don't have people come to the shows.

560
00:22:32,720 --> 00:22:35,200
Speaker 1: New York don't count. This is home. That's that's why

561
00:22:35,240 --> 00:22:36,040
Speaker 1: we hate doing New York.

562
00:22:36,080 --> 00:22:37,959
Speaker 5: We both spoke on that, like, bro, God damn like

563
00:22:38,440 --> 00:22:41,680
Speaker 5: but that in the green room fuck though, never was

564
00:22:41,800 --> 00:22:44,000
Speaker 5: I was never that person. Never anytime I had to

565
00:22:44,040 --> 00:22:46,320
Speaker 5: be in the green room, it wasn't nobody a bunch

566
00:22:46,320 --> 00:22:48,159
Speaker 5: of people there for me. They might come and say hi,

567
00:22:48,200 --> 00:22:50,080
Speaker 5: but this in and out. It ain't like hanging out.

568
00:22:50,200 --> 00:22:51,800
Speaker 5: Niggas ain't getting humbers and shit.

569
00:22:51,840 --> 00:22:52,439
Speaker 1: That ain't happening.

570
00:22:53,600 --> 00:22:55,320
Speaker 4: No, I don't do that because sometimes the openers be

571
00:22:55,359 --> 00:22:56,440
Speaker 4: spitting all over our food.

572
00:22:57,400 --> 00:23:02,760
Speaker 1: Those are your people you be booking, Those.

573
00:23:02,560 --> 00:23:03,240
Speaker 4: Are my people.

574
00:23:03,440 --> 00:23:05,240
Speaker 3: I just come and do my makeup stairs.

575
00:23:05,520 --> 00:23:06,080
Speaker 1: I do. Miss.

576
00:23:06,080 --> 00:23:07,399
Speaker 4: I think it was the last l A show or

577
00:23:07,400 --> 00:23:09,280
Speaker 4: two l A shows ago when ship was all good.

578
00:23:09,520 --> 00:23:11,600
Speaker 4: DJ Head and Mall in the same green room like

579
00:23:11,920 --> 00:23:14,960
Speaker 4: ship was all good just a week. It's still it

580
00:23:15,080 --> 00:23:18,000
Speaker 4: was so much love at that time. Things have changed.

581
00:23:18,200 --> 00:23:20,320
Speaker 1: It's still my dude, Like it's still number level to

582
00:23:20,440 --> 00:23:23,640
Speaker 1: me and DJ Head golf tournament that year, Yeah.

583
00:23:23,480 --> 00:23:26,280
Speaker 5: That's the head is my god had for years. Yeah,

584
00:23:26,280 --> 00:23:27,240
Speaker 5: that's one. That's my dude.

585
00:23:27,240 --> 00:23:29,040
Speaker 4: It's crazy ship ship change.

586
00:23:29,240 --> 00:23:30,399
Speaker 1: Bro, They ain't no me.

587
00:23:30,880 --> 00:23:34,720
Speaker 4: We was. We was golfing with with DJ head, school Boy,

588
00:23:35,119 --> 00:23:38,080
Speaker 4: school Boy q A Leo. Ship was good at one time,

589
00:23:38,240 --> 00:23:40,520
Speaker 4: still all good. We were we was golfing with Frank

590
00:23:40,560 --> 00:23:42,320
Speaker 4: Puff's former manager.

591
00:23:42,560 --> 00:23:45,040
Speaker 5: Yes, just shout out the Frank and bring up Frank. Yeah,

592
00:23:46,280 --> 00:23:47,720
Speaker 5: hopefully he's not. You know, everything's okay.

593
00:23:48,520 --> 00:23:50,760
Speaker 4: I had a shout all right because I.

594
00:23:51,400 --> 00:23:53,720
Speaker 5: Make sure she go with Frank Man, but is still

595
00:23:53,720 --> 00:23:55,719
Speaker 5: all love with me and DJ head Man. Shout out

596
00:23:55,720 --> 00:23:58,439
Speaker 5: the DJ head shout out to Meg to take me

597
00:23:58,480 --> 00:23:59,400
Speaker 5: out that documentary.

598
00:23:59,880 --> 00:24:02,280
Speaker 4: I could see you too, like being a power couple,

599
00:24:02,480 --> 00:24:02,960
Speaker 4: me and Meg.

600
00:24:03,320 --> 00:24:03,520
Speaker 2: Yeah.

601
00:24:03,720 --> 00:24:06,320
Speaker 4: I mean she she had her which we are not

602
00:24:06,440 --> 00:24:08,600
Speaker 4: shaming at all. She can do whatever whatever she wants

603
00:24:08,600 --> 00:24:11,480
Speaker 4: with her body. She had the rappers stigma for a while.

604
00:24:11,600 --> 00:24:14,000
Speaker 4: Even the baby's still trying to like manifest another feature

605
00:24:14,000 --> 00:24:16,679
Speaker 4: which is hilarious. I feel like you could be that

606
00:24:16,800 --> 00:24:19,879
Speaker 4: pivot to like get away from the artist shit, and

607
00:24:19,920 --> 00:24:21,720
Speaker 4: like she could be with just a nice media man.

608
00:24:23,119 --> 00:24:24,159
Speaker 1: She like little dudes.

609
00:24:24,280 --> 00:24:27,480
Speaker 5: Media Man is one of my favorite movies, The Media Man.

610
00:24:27,520 --> 00:24:29,399
Speaker 4: You're a media man. I'm not a media You're definitely

611
00:24:29,400 --> 00:24:31,600
Speaker 4: a media No, I'm not. Everyone's been working about journalists,

612
00:24:31,600 --> 00:24:33,600
Speaker 4: which I think is hilarious. But you are a media, man.

613
00:24:34,280 --> 00:24:37,280
Speaker 5: Listen Meg, nothing but love and support from Rory and myself.

614
00:24:38,320 --> 00:24:39,800
Speaker 5: And I'm looking forward to watching the rest of that

615
00:24:39,880 --> 00:24:43,320
Speaker 5: documentary to see what other cutching edits they made. Hopefully

616
00:24:43,320 --> 00:24:45,280
Speaker 5: I'm not in nothing else. I'm sure you're there, I

617
00:24:45,320 --> 00:24:45,679
Speaker 5: hope not.

618
00:24:46,400 --> 00:24:48,320
Speaker 4: Speaking of other docs we've been in, six nine is

619
00:24:48,359 --> 00:24:49,080
Speaker 4: with puff and jail?

620
00:24:49,680 --> 00:24:51,520
Speaker 1: Is he gonna be a crazy movie? What six nine

621
00:24:51,520 --> 00:24:51,919
Speaker 1: got like? Though?

622
00:24:51,960 --> 00:24:54,840
Speaker 5: For I think just six nine is now in jail.

623
00:24:54,920 --> 00:24:57,600
Speaker 5: That's in the same jail as Diddy for violating supervisors.

624
00:24:57,600 --> 00:25:00,920
Speaker 5: So they're both in MDC violating super vibes released terms

625
00:25:00,920 --> 00:25:03,920
Speaker 5: by traveling to Veigs without mission, missing a drug test,

626
00:25:04,000 --> 00:25:06,800
Speaker 5: and testing positive for meth I don't know accurate.

627
00:25:06,880 --> 00:25:09,240
Speaker 1: I don't know if that part is accurate, Like six

628
00:25:09,359 --> 00:25:12,480
Speaker 1: nine right now, why do you feel like it's not accurate? Oh, yes,

629
00:25:12,640 --> 00:25:14,480
Speaker 1: he does have a methy vibe, but I don't know.

630
00:25:14,560 --> 00:25:16,200
Speaker 1: All right, So again, why do you think that it

631
00:25:16,240 --> 00:25:16,880
Speaker 1: is questionable?

632
00:25:18,240 --> 00:25:21,200
Speaker 4: But it's on act like he gives his character gives

633
00:25:21,200 --> 00:25:22,120
Speaker 4: me METHI vibes.

634
00:25:22,880 --> 00:25:24,720
Speaker 5: I mean, but you can you can test positive for

635
00:25:24,800 --> 00:25:27,119
Speaker 5: me from popping certain pills.

636
00:25:27,280 --> 00:25:28,040
Speaker 4: Yeah, that's true.

637
00:25:28,200 --> 00:25:33,120
Speaker 5: It could be like definitely, man, six nine is popping pills. Man,

638
00:25:33,320 --> 00:25:35,080
Speaker 5: we ain't go city in act like, yeah, you got

639
00:25:35,080 --> 00:25:37,240
Speaker 5: me just being the club drinking Fiji and ship.

640
00:25:37,240 --> 00:25:38,040
Speaker 1: He's popping pills.

641
00:25:38,040 --> 00:25:40,159
Speaker 4: I've definitely taken an adderall that felt METHI.

642
00:25:41,400 --> 00:25:43,400
Speaker 1: Okay, it is mad.

643
00:25:43,480 --> 00:25:45,040
Speaker 4: It just just hit a little different. Yeah, I guess

644
00:25:45,080 --> 00:25:45,520
Speaker 4: it is.

645
00:25:45,760 --> 00:25:47,680
Speaker 1: Between Diddy and six nine.

646
00:25:47,680 --> 00:25:51,520
Speaker 6: It's the why do they have that picture of look

647
00:25:51,560 --> 00:25:54,560
Speaker 6: at the spaghetti images with this picture of it's like

648
00:25:54,680 --> 00:25:55,200
Speaker 6: Arkham City.

649
00:25:55,280 --> 00:25:58,800
Speaker 4: That's him looking through his cell at six nine looking

650
00:25:58,840 --> 00:25:59,520
Speaker 4: at that bait.

651
00:26:00,119 --> 00:26:01,080
Speaker 1: Rainbow ass cheeks.

652
00:26:01,280 --> 00:26:02,800
Speaker 5: That's crazy mania.

653
00:26:03,040 --> 00:26:04,880
Speaker 4: Oh Puff would have a good sound sam So six

654
00:26:05,000 --> 00:26:08,920
Speaker 4: nine is in NBC woof, But he was in MBC

655
00:26:09,040 --> 00:26:10,560
Speaker 4: before he was in PC.

656
00:26:11,720 --> 00:26:14,200
Speaker 5: Okay, yeah, I'm about to say it's gonna be rough

657
00:26:14,240 --> 00:26:15,160
Speaker 5: over there for him.

658
00:26:15,560 --> 00:26:18,560
Speaker 4: No, but the PC they have at MDC, I doubt

659
00:26:18,600 --> 00:26:22,320
Speaker 4: Puff is even doesn't even see another inmate. And I

660
00:26:22,320 --> 00:26:23,800
Speaker 4: think six nine was the same thing when he was

661
00:26:24,119 --> 00:26:24,760
Speaker 4: telling on everyone.

662
00:26:24,840 --> 00:26:26,320
Speaker 5: I'm waiting for tax to call man. I wonder he

663
00:26:26,359 --> 00:26:27,920
Speaker 5: if he he's so Puff yet.

664
00:26:28,560 --> 00:26:31,800
Speaker 4: I just don't think Puff is out there. I think

665
00:26:31,840 --> 00:26:34,760
Speaker 4: he's probably on like twenty three to one lockdown. Does

666
00:26:36,240 --> 00:26:37,000
Speaker 4: have a hard time.

667
00:26:36,880 --> 00:26:39,000
Speaker 5: They don't got him. On twenty three and one, Puff

668
00:26:39,040 --> 00:26:42,320
Speaker 5: ain't in himself for twenty three hours. He's in PC, but.

669
00:26:42,359 --> 00:26:45,800
Speaker 4: Like Extra PC, nobody's seeing Puff. He is not at

670
00:26:45,880 --> 00:26:49,080
Speaker 4: in the day room, like Puff is not playing dominoes

671
00:26:49,240 --> 00:26:51,320
Speaker 4: with the other rats and people in PC.

672
00:26:51,359 --> 00:26:53,000
Speaker 1: Also because if you look at what Puff did and

673
00:26:53,000 --> 00:26:56,199
Speaker 1: you're playing by you know, prison rules, there's you know

674
00:26:56,359 --> 00:26:59,840
Speaker 1: now newer reports of him drugging and raping children is

675
00:26:59,840 --> 00:27:01,920
Speaker 1: young is ten, you know. I'm saying, like in prison,

676
00:27:02,040 --> 00:27:05,119
Speaker 1: that's the worst thing you can do about that grilled there.

677
00:27:05,119 --> 00:27:08,720
Speaker 4: If if if a lot of people know what is

678
00:27:08,720 --> 00:27:09,760
Speaker 4: in it, what.

679
00:27:09,760 --> 00:27:11,359
Speaker 1: Do you mean if they know about their live streaming

680
00:27:11,400 --> 00:27:13,320
Speaker 1: on TikTok from jail, they know about that shit.

681
00:27:13,560 --> 00:27:16,720
Speaker 5: But you've got flat screams and it's not about social media,

682
00:27:16,760 --> 00:27:20,360
Speaker 5: and they say MDC don't know about Buff's case fans

683
00:27:20,359 --> 00:27:20,800
Speaker 5: from jail.

684
00:27:21,160 --> 00:27:23,720
Speaker 3: What I'm saying is, let me clarify, it's not that

685
00:27:23,760 --> 00:27:25,600
Speaker 3: they don't have access to the information. I know they

686
00:27:25,640 --> 00:27:27,720
Speaker 3: have access to the information. The reason why I say

687
00:27:27,720 --> 00:27:29,800
Speaker 3: that is because so much stuff has come out about

688
00:27:29,840 --> 00:27:32,520
Speaker 3: Diddy that the information is kind of like overwhelming at

689
00:27:32,560 --> 00:27:34,600
Speaker 3: this point. It's like some of this is rumors. Some

690
00:27:34,640 --> 00:27:38,720
Speaker 3: of this is real news outlets, like there's no concrete,

691
00:27:38,800 --> 00:27:40,399
Speaker 3: cut and dry, this is what he did, this is

692
00:27:40,440 --> 00:27:41,119
Speaker 3: what he's accused of.

693
00:27:41,160 --> 00:27:43,400
Speaker 1: Yeah, but if you're in jail, are you really waiting

694
00:27:43,480 --> 00:27:45,639
Speaker 1: for let's see how this plays out card or are

695
00:27:45,640 --> 00:27:47,679
Speaker 1: you like if I read if I'm in the prison

696
00:27:47,760 --> 00:27:50,520
Speaker 1: is puff and I read he's accused of drugging and

697
00:27:50,600 --> 00:27:52,960
Speaker 1: raping a ten year old aspiring rapper in two thousand

698
00:27:53,000 --> 00:27:55,320
Speaker 1: and five, If I have five minutes with him, he's

699
00:27:55,359 --> 00:27:59,720
Speaker 1: dead by prison rules. I'm not going to be like, well,

700
00:28:00,119 --> 00:28:01,960
Speaker 1: let me not take my shot because for whatever it

701
00:28:02,040 --> 00:28:03,800
Speaker 1: is to come out. Yeah, fuck him.

702
00:28:04,760 --> 00:28:07,080
Speaker 5: He's in PC just because he's a high profile name.

703
00:28:07,160 --> 00:28:07,880
Speaker 4: Yeah, he's no choice.

704
00:28:07,920 --> 00:28:09,240
Speaker 1: Yeah, he has no choice at this point.

705
00:28:09,680 --> 00:28:11,680
Speaker 4: I know you would never do any crime, But let's

706
00:28:11,680 --> 00:28:14,000
Speaker 4: say you were like framed for a robbery or whatever

707
00:28:14,600 --> 00:28:17,919
Speaker 4: and you were a waiting trial. Would you PC up me?

708
00:28:18,960 --> 00:28:22,679
Speaker 1: Fuck? No? For what? Safety from who? I ain't got

709
00:28:22,760 --> 00:28:23,480
Speaker 1: beef with nobody.

710
00:28:23,800 --> 00:28:25,960
Speaker 4: I just feel like jail, like maybe sometimes you don't

711
00:28:25,960 --> 00:28:26,560
Speaker 4: even need beef.

712
00:28:27,440 --> 00:28:29,359
Speaker 5: Jail is not what people think it is, man, I

713
00:28:29,720 --> 00:28:30,359
Speaker 5: think it's awful.

714
00:28:30,680 --> 00:28:35,080
Speaker 4: No, I'm not saying everything the rumors saying.

715
00:28:34,960 --> 00:28:37,520
Speaker 5: Is no, but of course you don't want to be there.

716
00:28:37,560 --> 00:28:39,440
Speaker 5: But it's not. You ain't gonna just be sitting down

717
00:28:39,440 --> 00:28:41,160
Speaker 5: and the niggas just gonna press you for no reason

718
00:28:41,200 --> 00:28:43,560
Speaker 5: and beat you up and rape you. That's not that's

719
00:28:43,640 --> 00:28:45,400
Speaker 5: not what jail is. Jail is not that. If that

720
00:28:45,520 --> 00:28:47,760
Speaker 5: happens to you, that's because you are involving a certain

721
00:28:48,200 --> 00:28:50,560
Speaker 5: lifestyle and behavior inside of the prison.

722
00:28:50,560 --> 00:28:53,000
Speaker 4: But I see, okay, cool, But I also wouldn't even

723
00:28:53,000 --> 00:28:55,040
Speaker 4: want to like risk it of just being an innocent

724
00:28:55,080 --> 00:28:59,920
Speaker 4: bystander like I was in the way of like some gang,

725
00:29:00,360 --> 00:29:01,600
Speaker 4: Like I just have to be standing in line.

726
00:29:01,600 --> 00:29:02,000
Speaker 1: I'm cool.

727
00:29:02,520 --> 00:29:05,240
Speaker 5: Yeah, I mean I'm pcing it happened, that could happen outside,

728
00:29:05,240 --> 00:29:06,640
Speaker 5: that could happen at the club.

729
00:29:07,400 --> 00:29:10,240
Speaker 4: At that point, I think, I think it's a bit

730
00:29:10,320 --> 00:29:13,160
Speaker 4: higher of a rate in like a prison lunch line

731
00:29:13,160 --> 00:29:13,960
Speaker 4: than it is at the club.

732
00:29:14,400 --> 00:29:16,800
Speaker 5: Yeah, but it's not. Prison is not again, it's not

733
00:29:16,840 --> 00:29:20,200
Speaker 5: a it's not a vacation. But it's not what people think.

734
00:29:20,280 --> 00:29:22,640
Speaker 5: And this niggas ain't just getting raped all day every day.

735
00:29:22,760 --> 00:29:23,600
Speaker 4: I mean, I don't think that.

736
00:29:23,760 --> 00:29:25,440
Speaker 1: Yeah, it's not. It's not that.

737
00:29:25,600 --> 00:29:27,880
Speaker 5: Man, I talked to a lot of dudes that's locked

738
00:29:27,920 --> 00:29:29,680
Speaker 5: up all the time, and you know they laugh at

739
00:29:29,720 --> 00:29:32,200
Speaker 5: it like people really think it's again, it's not a vacation.

740
00:29:32,280 --> 00:29:34,440
Speaker 5: It ain't a condo. You ain't you ain't having fun.

741
00:29:34,520 --> 00:29:38,520
Speaker 5: But it's definitely not what people. You know, these movies

742
00:29:38,640 --> 00:29:41,160
Speaker 5: and you know these these things that you hear from

743
00:29:41,160 --> 00:29:41,600
Speaker 5: certain people.

744
00:29:41,640 --> 00:29:42,320
Speaker 1: It's not all that.

745
00:29:42,360 --> 00:29:45,920
Speaker 5: Does that happen, absolutely, but that's not every day, all

746
00:29:46,000 --> 00:29:46,320
Speaker 5: day thing.

747
00:29:46,800 --> 00:29:48,760
Speaker 4: Man, if a mac baller come up to me and

748
00:29:48,800 --> 00:29:56,040
Speaker 4: want to use the phone, here you go, sir. I

749
00:29:56,080 --> 00:29:58,400
Speaker 4: am not built for jail. I never want to go there.

750
00:29:58,280 --> 00:29:59,200
Speaker 1: No, I feel you.

751
00:29:59,240 --> 00:29:59,960
Speaker 4: I never want.

752
00:30:00,720 --> 00:30:02,920
Speaker 5: But I'm just saying I wouldn't. I wouldn't need PC though,

753
00:30:02,920 --> 00:30:05,240
Speaker 5: like I wouldn't like you put me a piece for Maris.

754
00:30:05,160 --> 00:30:06,040
Speaker 3: At a women's prison.

755
00:30:06,240 --> 00:30:08,960
Speaker 5: You do what run the yard to soft marriage.

756
00:30:09,000 --> 00:30:11,040
Speaker 1: You will be in there first.

757
00:30:11,040 --> 00:30:12,959
Speaker 5: Well, Demarras would be so mad she can't have her

758
00:30:12,960 --> 00:30:15,760
Speaker 5: head products or makeup. She would be in there going crazy.

759
00:30:16,680 --> 00:30:18,680
Speaker 5: You ain't running no yard. You will be sitting in

760
00:30:18,720 --> 00:30:22,400
Speaker 5: there doing yoga, meditating, spending time in yourself, even when

761
00:30:22,400 --> 00:30:25,480
Speaker 5: you could be outside crying under the blanket, like you

762
00:30:25,480 --> 00:30:27,240
Speaker 5: ain't gonna be runn you know, with running up prison

763
00:30:27,320 --> 00:30:29,560
Speaker 5: yard and tails a lot of words, gotta knock bitches out,

764
00:30:29,600 --> 00:30:31,520
Speaker 5: like you gotta show that your nigga, this is my ship.

765
00:30:31,720 --> 00:30:32,560
Speaker 1: You ain't doing.

766
00:30:32,400 --> 00:30:36,120
Speaker 4: That, especially when Mike can now transition with our tax dollars.

767
00:30:36,120 --> 00:30:37,880
Speaker 4: He's gonna end up on your yard like you.

768
00:30:38,200 --> 00:30:39,000
Speaker 1: You ain't doing that.

769
00:30:39,560 --> 00:30:41,320
Speaker 4: Mike gonna run that yard, but I'm.

770
00:30:41,160 --> 00:30:44,560
Speaker 3: Gonna run it like intellectually, like you know, I'm gonna

771
00:30:44,600 --> 00:30:45,680
Speaker 3: use brains.

772
00:30:45,360 --> 00:30:49,360
Speaker 5: Over manipulate the manipulate them grown ass women. When Barbara,

773
00:30:49,400 --> 00:30:51,479
Speaker 5: when Barbara come in yourself and tell you she want that,

774
00:30:53,680 --> 00:30:54,400
Speaker 5: she want that ass.

775
00:30:54,440 --> 00:30:55,000
Speaker 1: What you're gonna do?

776
00:30:55,080 --> 00:30:58,320
Speaker 4: Amaricsons watched too much of Shawshank Redemption. I never seen

777
00:30:58,320 --> 00:31:01,040
Speaker 4: that seOne pieces and.

778
00:31:01,480 --> 00:31:03,760
Speaker 5: Oh man, shaw Shank, that's a you gotta watch.

779
00:31:03,560 --> 00:31:04,160
Speaker 1: That is that?

780
00:31:04,200 --> 00:31:05,680
Speaker 3: Will it teach me how to run the yard?

781
00:31:05,840 --> 00:31:06,000
Speaker 7: Well?

782
00:31:06,040 --> 00:31:08,400
Speaker 5: No, that in that yard was like in the thirties.

783
00:31:08,400 --> 00:31:10,360
Speaker 5: They don't kind of yard. They don't even talk like that. No,

784
00:31:10,440 --> 00:31:12,480
Speaker 5: more like the whole language is different. Like if you

785
00:31:12,480 --> 00:31:13,880
Speaker 5: want to learn how to run it, ut watch like

786
00:31:13,920 --> 00:31:14,880
Speaker 5: Odds or something like that.

787
00:31:16,360 --> 00:31:17,320
Speaker 4: I don't watch os.

788
00:31:17,880 --> 00:31:19,760
Speaker 1: I mean that's more up to date than Shaw.

789
00:31:19,560 --> 00:31:22,280
Speaker 4: Shank I mean outside of like the rape shit in

790
00:31:22,800 --> 00:31:25,080
Speaker 4: sew Shank. That shit almost made me want to do

791
00:31:25,120 --> 00:31:26,840
Speaker 4: prison time. It looked like such a great community.

792
00:31:26,960 --> 00:31:28,880
Speaker 5: Never made me want to do prison time. I never

793
00:31:28,920 --> 00:31:31,520
Speaker 5: want to watch. It was like, you know what, this

794
00:31:31,520 --> 00:31:35,280
Speaker 5: week is the week? This week I'm going never And

795
00:31:35,320 --> 00:31:37,440
Speaker 5: I love OS one of the greatest series we had.

796
00:31:37,600 --> 00:31:41,840
Speaker 4: Yeah early HBO days. But while we're on Crimes and

797
00:31:41,960 --> 00:31:47,680
Speaker 4: Puff and and and Pirus, ray J and Diddy sons,

798
00:31:47,720 --> 00:31:50,840
Speaker 4: man who we get farakhon we really need to like

799
00:31:51,680 --> 00:31:52,760
Speaker 4: and some of these beasts.

800
00:31:52,800 --> 00:31:54,600
Speaker 5: But I mean, you knew this was going to happen eventually.

801
00:31:55,120 --> 00:31:58,080
Speaker 4: I did not think Puff's kids were going to walk

802
00:31:58,120 --> 00:32:01,280
Speaker 4: around La pressing anyone that said anything bad about their

803
00:32:01,320 --> 00:32:04,480
Speaker 4: father that's on camera, not a woman.

804
00:32:04,520 --> 00:32:07,280
Speaker 5: They saw ray J at a Halloween party, right mm hm.

805
00:32:07,840 --> 00:32:10,320
Speaker 5: And obviously ray J has had some things to say

806
00:32:10,960 --> 00:32:14,960
Speaker 5: about Puff online on his on his platforms, and his

807
00:32:15,120 --> 00:32:17,000
Speaker 5: sons Justin and and was.

808
00:32:17,000 --> 00:32:19,760
Speaker 1: It Christian Christian Quincy and Justin.

809
00:32:19,920 --> 00:32:23,760
Speaker 5: Okay, well you know they decided to approach ray J

810
00:32:23,960 --> 00:32:29,160
Speaker 5: and have a conversation. Things probably got a little heated, cursing, yelling,

811
00:32:30,400 --> 00:32:33,200
Speaker 5: But I mean, this is not I don't think it's

812
00:32:33,400 --> 00:32:35,240
Speaker 5: it was going to go any further than just words.

813
00:32:35,360 --> 00:32:36,680
Speaker 5: I don't think I don't think they were going to

814
00:32:36,760 --> 00:32:38,960
Speaker 5: beat up. We'll try to put hands on Raj.

815
00:32:39,040 --> 00:32:40,760
Speaker 3: I don't think what they said Chris Brown to break

816
00:32:40,760 --> 00:32:41,080
Speaker 3: it up?

817
00:32:41,800 --> 00:32:42,960
Speaker 1: Break it up meaning what though?

818
00:32:43,040 --> 00:32:45,720
Speaker 4: Wellkvo wasn't available, so Chris had to step in like

819
00:32:45,760 --> 00:32:48,240
Speaker 4: a backflip on all of them. Quevo was already booked

820
00:32:48,280 --> 00:32:50,720
Speaker 4: at another event, so Chris had a step in.

821
00:32:51,000 --> 00:32:52,720
Speaker 5: Chris had because Chris he ain't want to. He didn't

822
00:32:52,720 --> 00:32:55,520
Speaker 5: want to knock anybody out. He would have Christ like, listen, man,

823
00:32:55,600 --> 00:32:57,560
Speaker 5: y'all want to go to sleep right here. I can

824
00:32:57,600 --> 00:32:59,080
Speaker 5: make it happen. Anybody just chill out.

825
00:32:59,240 --> 00:33:00,840
Speaker 1: So it looks like a j was on his way

826
00:33:00,880 --> 00:33:02,520
Speaker 1: to the end of the parking lot with his crew,

827
00:33:02,560 --> 00:33:05,720
Speaker 1: which included Amber Rose and his manager David some Jewish

828
00:33:05,800 --> 00:33:08,920
Speaker 1: last name, And then that's when Diddy's three sons pressed

829
00:33:08,960 --> 00:33:12,560
Speaker 1: him yeah, and then Chris came in and saved the day.

830
00:33:12,840 --> 00:33:15,360
Speaker 3: Y'all next, who yeah?

831
00:33:16,120 --> 00:33:16,520
Speaker 1: Next? For what?

832
00:33:16,680 --> 00:33:16,760
Speaker 4: For?

833
00:33:16,800 --> 00:33:17,000
Speaker 1: What?

834
00:33:17,080 --> 00:33:18,600
Speaker 3: They get pressed? When y'all in la.

835
00:33:19,560 --> 00:33:20,280
Speaker 1: Who pressing me?

836
00:33:21,040 --> 00:33:21,960
Speaker 3: The triplets?

837
00:33:22,120 --> 00:33:22,960
Speaker 1: They're not sure?

838
00:33:22,960 --> 00:33:28,320
Speaker 4: It actually looking nothing alike, not even blood related. About

839
00:33:28,320 --> 00:33:29,160
Speaker 4: to say there's rumors that the.

840
00:33:30,800 --> 00:33:30,960
Speaker 1: Yo.

841
00:33:31,600 --> 00:33:34,520
Speaker 5: Imagine like I know how ray J feel when he

842
00:33:34,520 --> 00:33:36,240
Speaker 5: woke up, like, Yo, what what the fuck is going on?

843
00:33:36,440 --> 00:33:40,680
Speaker 5: Bit getting pressed by Quincy. Here's my Justine Christian.

844
00:33:40,840 --> 00:33:42,600
Speaker 4: I love that ray J has matured because I did

845
00:33:42,640 --> 00:33:44,080
Speaker 4: listen to all the clips. I heard him in Whack

846
00:33:44,120 --> 00:33:45,520
Speaker 4: talking back and forth and he was like, don't put

847
00:33:45,520 --> 00:33:47,520
Speaker 4: this on the internet, like I'm putting this on the internet,

848
00:33:47,520 --> 00:33:50,040
Speaker 4: which I thought was hilarious to tell your client. You're

849
00:33:50,120 --> 00:33:51,880
Speaker 4: his manager, You're supposed to be guiding him to make

850
00:33:51,880 --> 00:33:52,479
Speaker 4: sure it's not on it.

851
00:33:52,560 --> 00:33:54,560
Speaker 1: But ray J was like, what are we doing, man,

852
00:33:54,600 --> 00:33:55,440
Speaker 1: we're supposed.

853
00:33:55,080 --> 00:33:57,920
Speaker 4: To I kind of wish it was I wish it

854
00:33:57,960 --> 00:34:01,200
Speaker 4: was old Vegas coke coach ray that day because I

855
00:34:01,200 --> 00:34:02,800
Speaker 4: think things would have went a little.

856
00:34:02,600 --> 00:34:04,800
Speaker 5: Bitah man, I'm glad. I'm glad ray J was.

857
00:34:04,840 --> 00:34:06,360
Speaker 4: You know, he would have put the red hoodie, red

858
00:34:06,360 --> 00:34:09,400
Speaker 4: flip flops. Man, ray J is read basketball shorts.

859
00:34:09,120 --> 00:34:10,840
Speaker 1: On life Charlaman.

860
00:34:11,120 --> 00:34:13,839
Speaker 4: Yeah, but once you I'm not gonna curse, but these

861
00:34:13,880 --> 00:34:15,560
Speaker 4: punk Nah.

862
00:34:15,440 --> 00:34:17,960
Speaker 5: Man, I'm glad ray J was was the was the

863
00:34:18,040 --> 00:34:20,560
Speaker 5: level headed one and say and walked away from that ship.

864
00:34:20,600 --> 00:34:23,560
Speaker 1: Good for Chris for intervening. So it looks like allegedly

865
00:34:23,640 --> 00:34:26,360
Speaker 1: Chris was in his car and saw what was happening

866
00:34:26,360 --> 00:34:29,200
Speaker 1: and ran out and pulled Justin and Christian away from

867
00:34:29,239 --> 00:34:32,600
Speaker 1: the situation. Yeah, like what y'all doing? Man like ray J?

868
00:34:32,680 --> 00:34:35,640
Speaker 5: And ray J'm not gonna fight what his sons?

869
00:34:35,680 --> 00:34:37,080
Speaker 1: Man like Raj not trying to do that.

870
00:34:37,160 --> 00:34:40,480
Speaker 4: Jokes aside, though, I am glad because apparently it was

871
00:34:40,520 --> 00:34:42,839
Speaker 4: the three brothers and like eight other people and ray

872
00:34:42,880 --> 00:34:45,280
Speaker 4: J was pretty much by himself. I'm glad Chris stepped

873
00:34:45,280 --> 00:34:47,480
Speaker 4: in because that could have went another way if you

874
00:34:47,520 --> 00:34:49,719
Speaker 4: do know ray J's history. Yeah, I'm not saying he

875
00:34:49,760 --> 00:34:51,920
Speaker 4: would have done anything, but who he is tied to,

876
00:34:52,200 --> 00:34:53,840
Speaker 4: like what else? Why I could have That could have

877
00:34:53,880 --> 00:34:55,480
Speaker 4: went really, really fucking bad.

878
00:34:55,520 --> 00:34:57,719
Speaker 5: But That's why I'm saying in LA, That's why I'm

879
00:34:57,719 --> 00:34:58,439
Speaker 5: saying what I'm saying.

880
00:34:58,480 --> 00:34:59,080
Speaker 1: We don't want.

881
00:34:59,280 --> 00:35:03,720
Speaker 5: Of course, nothing happened, No violence happened to Diddy's kids

882
00:35:03,800 --> 00:35:06,160
Speaker 5: like this is that's we understand what's going on, We

883
00:35:06,200 --> 00:35:07,920
Speaker 5: understand the climate right now, but we don't want to

884
00:35:07,920 --> 00:35:10,759
Speaker 5: see any harm or turn, you know, open our phones

885
00:35:10,760 --> 00:35:13,560
Speaker 5: to see Diddy's kids fighting in the streets. Of l

886
00:35:13,600 --> 00:35:16,520
Speaker 5: A like, that's just fucking stupid. So I'm glad ray J.

887
00:35:17,239 --> 00:35:19,120
Speaker 5: I'm glad Chris was there to kind of, you know,

888
00:35:19,160 --> 00:35:21,920
Speaker 5: diffuse it too. But I'm glad ray J seems like

889
00:35:21,920 --> 00:35:23,560
Speaker 5: he was levelheaded. He did a G live with I

890
00:35:23,600 --> 00:35:26,240
Speaker 5: think Nikki last night or the night before.

891
00:35:26,560 --> 00:35:29,520
Speaker 4: Why you let Nikki press ray J Man to mature?

892
00:35:29,800 --> 00:35:31,120
Speaker 5: She didn't press him. I think she was trying to

893
00:35:31,120 --> 00:35:31,600
Speaker 5: figure out.

894
00:35:32,040 --> 00:35:35,680
Speaker 4: One wish on live that was like that was like

895
00:35:35,719 --> 00:35:40,080
Speaker 4: when when Justin went to wats Yeah, yeah, why do

896
00:35:40,080 --> 00:35:41,680
Speaker 4: you let Nikki do that to Raymond J.

897
00:35:41,800 --> 00:35:44,120
Speaker 5: But I'm I'm just I'm just glad that because we

898
00:35:44,200 --> 00:35:46,520
Speaker 5: again we've we've seen ray J's demeanor when it was

899
00:35:46,560 --> 00:35:49,000
Speaker 5: a whole different thing and he was, you know, on

900
00:35:49,040 --> 00:35:50,960
Speaker 5: a on a thousand and and But I'm glad that

901
00:35:51,080 --> 00:35:54,719
Speaker 5: ray J seems to be more calm or mature, you know,

902
00:35:54,800 --> 00:35:58,319
Speaker 5: more peaceful, because again, we get it, we know, but

903
00:35:58,560 --> 00:35:59,960
Speaker 5: we don't want to see Puff's kids fight.

904
00:36:00,160 --> 00:36:02,120
Speaker 4: You know what, does King Colmb's not know that he

905
00:36:02,200 --> 00:36:04,640
Speaker 4: is an indoor basketball court and an outdoor basketball court,

906
00:36:05,000 --> 00:36:09,040
Speaker 4: an indoor pool and out pool exactly. Now, now they're

907
00:36:09,040 --> 00:36:14,919
Speaker 4: gonna make ray pull all his whips out. Allegedly this

908
00:36:14,960 --> 00:36:16,800
Speaker 4: is the I'm at the motherfucking Palm Hotel.

909
00:36:17,760 --> 00:36:20,880
Speaker 1: Allegedly this is the third occasion of the did he

910
00:36:21,000 --> 00:36:23,799
Speaker 1: sons trying to press ray J a third time?

911
00:36:25,640 --> 00:36:29,239
Speaker 4: Yeah, and listen, they they got to come back to

912
00:36:29,280 --> 00:36:31,320
Speaker 4: New York obviously for the case stuff. They've been supporting

913
00:36:31,360 --> 00:36:34,319
Speaker 4: their father. Did they not know ray got gods in

914
00:36:34,360 --> 00:36:36,239
Speaker 4: Brooklyn's that that will bend him over and stick in

915
00:36:36,239 --> 00:36:37,560
Speaker 4: their booty.

916
00:36:39,120 --> 00:36:40,719
Speaker 5: That's why I'm just glad Rage is a whole different

917
00:36:40,760 --> 00:36:43,000
Speaker 5: person now, man, because we don't need another episode.

918
00:36:43,200 --> 00:36:45,560
Speaker 4: He told Angela, I'm gonna get someone to rape fat.

919
00:36:45,960 --> 00:36:53,080
Speaker 4: She went, oh my god, yeah, my friends loved Angelie.

920
00:36:53,160 --> 00:36:55,399
Speaker 4: I promise this is not continuing our beating edge.

921
00:36:57,560 --> 00:36:58,040
Speaker 1: See you too.

922
00:36:58,120 --> 00:37:00,680
Speaker 4: She got goons in Jersey and Brooklyn on no smoke.

923
00:37:01,000 --> 00:37:03,560
Speaker 4: That was the funniest ship when when ray J said

924
00:37:03,560 --> 00:37:06,439
Speaker 4: you're gonna have someone sticking in Fab's booty and Angelouette,

925
00:37:06,640 --> 00:37:12,440
Speaker 4: oh my gosh, yo, it was such a natural reaction

926
00:37:12,560 --> 00:37:13,600
Speaker 4: to the entire thing.

927
00:37:14,280 --> 00:37:15,000
Speaker 3: That's the funniest.

928
00:37:15,680 --> 00:37:18,920
Speaker 4: Anyway, ray J is a fucking legend. Thank you for

929
00:37:19,000 --> 00:37:21,719
Speaker 4: everything you've given to the culture. I hope this gets

930
00:37:21,760 --> 00:37:25,439
Speaker 4: resolved up, they speak. I mean, listen, I get that

931
00:37:25,440 --> 00:37:28,640
Speaker 4: that's their dad and this must be tough for them.

932
00:37:28,760 --> 00:37:30,440
Speaker 4: So yeah, but I just don't think this is the

933
00:37:30,520 --> 00:37:32,880
Speaker 4: route because now you're you're gonna have to really approach

934
00:37:33,360 --> 00:37:35,839
Speaker 4: a lot of people. No, but when does this end?

935
00:37:35,880 --> 00:37:38,600
Speaker 4: Because no one said anything good about Puff? Yeah, but

936
00:37:38,640 --> 00:37:39,319
Speaker 4: that's what I'm saying.

937
00:37:39,360 --> 00:37:39,640
Speaker 8: I don't.

938
00:37:39,880 --> 00:37:42,600
Speaker 5: Again, this is Puff's kids, you know, and except for

939
00:37:43,280 --> 00:37:45,120
Speaker 5: I understand a lot of people have things to say

940
00:37:45,200 --> 00:37:48,160
Speaker 5: about about Puff right now. And as as his kids,

941
00:37:48,160 --> 00:37:50,520
Speaker 5: you know, they feel like they gotta hole Pops down.

942
00:37:50,560 --> 00:37:53,480
Speaker 5: But you know, just everybody just you know, just relaxed,

943
00:37:53,600 --> 00:37:56,279
Speaker 5: let the let the court have his due date, Let

944
00:37:56,280 --> 00:37:58,800
Speaker 5: them try have his due date, and you know, again,

945
00:37:58,840 --> 00:38:00,680
Speaker 5: prayers to them, because it got to be hard for

946
00:38:00,719 --> 00:38:02,520
Speaker 5: to hear people saying things like that about your dad

947
00:38:02,520 --> 00:38:04,360
Speaker 5: and hear things like this coming out about your father

948
00:38:04,960 --> 00:38:07,920
Speaker 5: and then see these people in real life. So naturally

949
00:38:08,040 --> 00:38:09,480
Speaker 5: you want to You're gonna approach them and want to

950
00:38:09,520 --> 00:38:12,960
Speaker 5: have a conversation, but you know, wanting to get physical,

951
00:38:13,040 --> 00:38:14,920
Speaker 5: and it starts getting to that point. We got to

952
00:38:14,960 --> 00:38:18,200
Speaker 5: be very careful because again, this is somebody's kids. Uh,

953
00:38:18,239 --> 00:38:19,840
Speaker 5: you know, these are these are These are real people

954
00:38:19,840 --> 00:38:21,720
Speaker 5: that we're talking about in the streets that are connected

955
00:38:21,719 --> 00:38:23,719
Speaker 5: to some serious situations and.

956
00:38:23,680 --> 00:38:24,200
Speaker 1: Things like that.

957
00:38:24,360 --> 00:38:26,080
Speaker 5: So we don't want it to go there, you know

958
00:38:26,080 --> 00:38:28,439
Speaker 5: what I mean, Like that's just everybody just chill again.

959
00:38:28,520 --> 00:38:30,800
Speaker 5: Shout out to ray J for being level headed. Shout

960
00:38:30,800 --> 00:38:32,600
Speaker 5: out to Chris for seeing it and and and and

961
00:38:32,719 --> 00:38:34,680
Speaker 5: you know, wanting to be the bigger person as well

962
00:38:34,680 --> 00:38:37,400
Speaker 5: and making sure that nothing got too crazy. You know,

963
00:38:37,480 --> 00:38:39,440
Speaker 5: words can get exchanged, that's that's natural.

964
00:38:39,520 --> 00:38:42,719
Speaker 4: But as long as it doesn't get physical, conversation is fun. Yeah,

965
00:38:42,760 --> 00:38:45,400
Speaker 4: conversation and maybe warranted. I don't know if if ray

966
00:38:45,480 --> 00:38:48,200
Speaker 4: J has had somewhat of a relationship with Puff's kids,

967
00:38:48,239 --> 00:38:51,160
Speaker 4: because I guess, you know, industry small, everyone sees everyone. Yeah,

968
00:38:51,239 --> 00:38:53,080
Speaker 4: I can see the kids feeling a way of like

969
00:38:53,320 --> 00:38:54,880
Speaker 4: he was always around us. And now you're saying this,

970
00:38:55,239 --> 00:38:56,879
Speaker 4: totally a convo could be had.

971
00:38:56,920 --> 00:38:57,800
Speaker 1: I totally understand.

972
00:38:58,239 --> 00:39:00,719
Speaker 5: You don't have to be that. No, definitely no violence, man,

973
00:39:01,440 --> 00:39:04,359
Speaker 5: especially in LA. It's just we don't need that. Let's

974
00:39:04,400 --> 00:39:05,680
Speaker 5: not even bring that into the mix.

975
00:39:05,920 --> 00:39:07,520
Speaker 4: Well, I mean, when I'm in LA in November, I'm

976
00:39:07,520 --> 00:39:11,360
Speaker 4: not I'm not going anywhere I'm locking. I'm locking myself

977
00:39:11,400 --> 00:39:12,279
Speaker 4: in the studio.

978
00:39:13,120 --> 00:39:16,359
Speaker 5: When I'm in LA in November for three weeks working.

979
00:39:16,719 --> 00:39:18,400
Speaker 3: To the exact dates and ship I was.

980
00:39:18,520 --> 00:39:22,520
Speaker 5: He loved doing that and then be surprised when somebody

981
00:39:22,600 --> 00:39:26,200
Speaker 5: run up on him. Yeah, how'd you know episode three.

982
00:39:27,560 --> 00:39:30,440
Speaker 1: He was waiting for you. I don't know.

983
00:39:30,480 --> 00:39:31,759
Speaker 4: I don't have just yet.

984
00:39:31,800 --> 00:39:33,040
Speaker 5: No, but you put the address out there.

985
00:39:33,040 --> 00:39:35,680
Speaker 4: That's one, all right, I put the addresses out there.

986
00:39:35,719 --> 00:39:37,680
Speaker 5: You do you like Yo're staying right across the street

987
00:39:37,719 --> 00:39:40,200
Speaker 5: from that one. It's like, God, damn man, just.

988
00:39:40,120 --> 00:39:41,960
Speaker 1: Give him the room. That mirror is.

989
00:39:43,520 --> 00:39:46,000
Speaker 4: No you talking about episode yesterday that's going out on Patriot.

990
00:39:46,040 --> 00:39:47,439
Speaker 1: I'm talking about any episode.

991
00:39:49,440 --> 00:39:49,919
Speaker 4: Staying there.

992
00:39:50,239 --> 00:39:52,680
Speaker 5: I'm talking about anytime we talk about where we're going,

993
00:39:53,719 --> 00:39:56,080
Speaker 5: trust and believe. You're gonna lean into, You're gonna give,

994
00:39:56,160 --> 00:39:59,040
Speaker 5: You're gonna give a little egg drops the year you know,

995
00:39:59,120 --> 00:40:00,239
Speaker 5: the pink dot right there the.

996
00:40:00,160 --> 00:40:04,040
Speaker 6: Corner, Like, I mean, you know the worst Kobe mirrole

997
00:40:04,120 --> 00:40:06,080
Speaker 6: is and l.

998
00:40:05,520 --> 00:40:09,480
Speaker 4: Just give those little tipits. Let everyone know.

999
00:40:09,640 --> 00:40:10,759
Speaker 1: Yeah, let them know where you're at.

1000
00:40:11,040 --> 00:40:13,200
Speaker 4: I don't stated no more so, just just for the

1001
00:40:13,239 --> 00:40:14,560
Speaker 4: proof I tell you where I'm at.

1002
00:40:15,160 --> 00:40:18,120
Speaker 1: What's with all your chains on.

1003
00:40:18,200 --> 00:40:23,240
Speaker 3: That's what you're saying, I mean to my ice.

1004
00:40:24,120 --> 00:40:26,920
Speaker 5: Okay, sorry, going through something?

1005
00:40:27,320 --> 00:40:28,360
Speaker 1: Can you call Ari Lenox?

1006
00:40:28,960 --> 00:40:32,120
Speaker 4: I'm not I'm not gonna call Ari. Why love love?

1007
00:40:32,120 --> 00:40:34,359
Speaker 1: I want to make sure find in our green room

1008
00:40:34,680 --> 00:40:36,040
Speaker 1: with a man in our green room?

1009
00:40:36,440 --> 00:40:39,840
Speaker 4: Yeah to love Ari, man until to room and all that.

1010
00:40:40,400 --> 00:40:42,320
Speaker 1: But how did I ruin it? Man? Damn?

1011
00:40:42,600 --> 00:40:44,719
Speaker 4: Because I gave rir location in d C. And then

1012
00:40:46,200 --> 00:40:48,160
Speaker 4: she showed up, and then you shipped on her entire

1013
00:40:48,200 --> 00:40:51,480
Speaker 4: camp and then she she took a hint from you.

1014
00:40:53,760 --> 00:40:55,440
Speaker 5: See, Alri, what I was really trying to do is

1015
00:40:55,480 --> 00:40:57,600
Speaker 5: give you full side, yeah, and I was trying to

1016
00:40:57,600 --> 00:40:59,919
Speaker 5: give you them to give you the game early. Ari

1017
00:41:00,120 --> 00:41:03,960
Speaker 5: Lennox went on Instagram yesterday and she posted a story

1018
00:41:04,120 --> 00:41:09,400
Speaker 5: of you know, just audio, black screen, getting venting, getting.

1019
00:41:09,080 --> 00:41:11,440
Speaker 1: Her words out in eighteen minutes eighteen.

1020
00:41:11,200 --> 00:41:14,200
Speaker 5: Minutes of venting and just talking about her displeasures with

1021
00:41:14,280 --> 00:41:17,760
Speaker 5: her current situation with Innoscope and Dreamville. She says, Interscope

1022
00:41:17,760 --> 00:41:20,480
Speaker 5: and Dreamsville have been playing with me all month, and

1023
00:41:20,520 --> 00:41:23,600
Speaker 5: the month is just ending, so we know thirty days

1024
00:41:23,600 --> 00:41:26,880
Speaker 5: Interscope and dreamvill been playing with her. So she's exhausted.

1025
00:41:26,920 --> 00:41:29,520
Speaker 5: She's tired of people treating me like they're sorry for

1026
00:41:29,560 --> 00:41:32,880
Speaker 5: me and like I'm the face of mental health. I'm okay,

1027
00:41:32,960 --> 00:41:35,520
Speaker 5: and I've never been happier. What I don't like is

1028
00:41:35,560 --> 00:41:39,720
Speaker 5: being signed and lied to and manipulated. Not one person

1029
00:41:39,760 --> 00:41:43,080
Speaker 5: that those labels ever knew how to market or protect me.

1030
00:41:43,440 --> 00:41:46,160
Speaker 5: Y'all don't know to have constant let down and neglect.

1031
00:41:46,560 --> 00:41:49,799
Speaker 5: This industry stuff will never be for me.

1032
00:41:51,800 --> 00:41:51,960
Speaker 1: Now.

1033
00:41:52,000 --> 00:41:55,440
Speaker 5: First of all, we fuck with Dreamville, obviously, regardless of

1034
00:41:55,480 --> 00:41:59,439
Speaker 5: my stance on j Cole taking his disrecord back.

1035
00:42:00,080 --> 00:42:01,719
Speaker 4: It's just funny hearing it from your voice.

1036
00:42:01,760 --> 00:42:04,520
Speaker 1: That's all with you. I don't agree with that sh it,

1037
00:42:04,600 --> 00:42:05,080
Speaker 1: never will.

1038
00:42:05,000 --> 00:42:07,319
Speaker 4: Starting this conversation out there. It's just funny coming from you.

1039
00:42:07,560 --> 00:42:10,080
Speaker 5: But I'm saying that she's Dreamville. She still fuck with

1040
00:42:10,120 --> 00:42:12,799
Speaker 5: Eve love what they're doing. But obviously now that one

1041
00:42:12,800 --> 00:42:15,520
Speaker 5: of their artists is disgruntled and it is not happy

1042
00:42:15,560 --> 00:42:20,000
Speaker 5: about her situation there at Dreamville. So what does that

1043
00:42:20,040 --> 00:42:22,319
Speaker 5: mean now for Ari? Do you think that Dreamville will

1044
00:42:22,360 --> 00:42:24,160
Speaker 5: release her? I think they will. I don't see Eve

1045
00:42:24,200 --> 00:42:26,799
Speaker 5: and Jake calling them keeping her somewhere with if she's

1046
00:42:26,840 --> 00:42:28,640
Speaker 5: not unhappy, if she this is the first time I

1047
00:42:28,640 --> 00:42:32,680
Speaker 5: think publicly speaking like this about Dreamville. I could be wrong.

1048
00:42:32,719 --> 00:42:36,200
Speaker 5: It may have been another something something somewhere a couple of.

1049
00:42:36,200 --> 00:42:39,080
Speaker 4: Years, not that I remember anything that was labeled specific

1050
00:42:39,800 --> 00:42:40,160
Speaker 4: with her.

1051
00:42:40,320 --> 00:42:43,120
Speaker 5: Well this is this is her calling out eighteen minutes

1052
00:42:43,160 --> 00:42:43,640
Speaker 5: of audio.

1053
00:42:43,800 --> 00:42:46,840
Speaker 4: Is like, I listened to all eighteen and I have

1054
00:42:47,000 --> 00:42:50,439
Speaker 4: an admitted ARI bias. That's my people come on here

1055
00:42:50,440 --> 00:42:51,440
Speaker 4: and said that, what do you say?

1056
00:42:51,560 --> 00:42:54,719
Speaker 1: I said, that was your sound bath? My what sound bath?

1057
00:42:56,239 --> 00:43:00,400
Speaker 1: Sound to bath? The sound bath that you're minutes of

1058
00:43:00,440 --> 00:43:04,080
Speaker 1: audio of Ari talking sound baths an audio you experience

1059
00:43:04,120 --> 00:43:06,200
Speaker 1: took a bath? Why I didn't take You don't remember

1060
00:43:06,280 --> 00:43:08,239
Speaker 1: Rory's whole sound bath journey. It was a call back.

1061
00:43:08,320 --> 00:43:09,240
Speaker 1: I remember. He doesn't.

1062
00:43:09,600 --> 00:43:11,640
Speaker 4: He was a sound journey. It was not in a bathtub.

1063
00:43:12,080 --> 00:43:14,200
Speaker 4: It's called a sound bath. It's called a sound journey.

1064
00:43:14,840 --> 00:43:17,080
Speaker 1: Right. See they're called sound baths.

1065
00:43:17,320 --> 00:43:19,080
Speaker 4: There wasn't water, insight.

1066
00:43:20,560 --> 00:43:22,000
Speaker 1: Water, not being bathed by the water.

1067
00:43:22,560 --> 00:43:24,399
Speaker 5: It's the sound that you're being bathed by.

1068
00:43:24,560 --> 00:43:25,760
Speaker 1: Not called baths.

1069
00:43:25,960 --> 00:43:29,319
Speaker 4: No, there wasn't a sponge. Nobody put any soap on me.

1070
00:43:30,040 --> 00:43:31,560
Speaker 1: Jesus Christ, you didn't wake up what.

1071
00:43:33,080 --> 00:43:35,080
Speaker 4: I did not see? Meg thee stallion in my Sound

1072
00:43:35,120 --> 00:43:39,520
Speaker 4: Journey and Wake Up Wet. Anyways, I haven't admitted bias

1073
00:43:39,640 --> 00:43:42,759
Speaker 4: with Ari. I've come to defend her often in my

1074
00:43:42,840 --> 00:43:45,960
Speaker 4: years of podcasting. I'm coming in unbiased right now and

1075
00:43:46,040 --> 00:43:48,960
Speaker 4: still on her side. I listened to all eighteen minutes.

1076
00:43:49,280 --> 00:43:52,440
Speaker 4: I fully understand her frustration. Yes, I see the internet

1077
00:43:52,440 --> 00:43:54,120
Speaker 4: going yo. Ari's just being Ari again.

1078
00:43:54,239 --> 00:43:56,400
Speaker 5: What is really frustrated about not getting being able to

1079
00:43:56,400 --> 00:43:56,959
Speaker 5: put out music?

1080
00:43:57,719 --> 00:44:01,600
Speaker 4: No? No, no, it's putting out music, but how it's being marketed.

1081
00:44:01,640 --> 00:44:05,160
Speaker 4: Because being a soul singer to begin with, you're at

1082
00:44:05,200 --> 00:44:06,640
Speaker 4: the bottom of the totem poll when it comes to

1083
00:44:06,719 --> 00:44:10,560
Speaker 4: majors regardless. So why are you having me put out

1084
00:44:10,640 --> 00:44:12,920
Speaker 4: music if you are not going to market or promote

1085
00:44:12,920 --> 00:44:16,280
Speaker 4: it whatsoever? Why do I have seven hundred thousand subscribers

1086
00:44:16,640 --> 00:44:19,640
Speaker 4: on Spotify and I'm only reaching three percent of my

1087
00:44:19,760 --> 00:44:22,880
Speaker 4: returning customers. The main reason at this point to be

1088
00:44:23,040 --> 00:44:28,560
Speaker 4: on a major is to manipulate the algorithms. They are

1089
00:44:28,600 --> 00:44:33,680
Speaker 4: all intertwined with Spotify, Apple, Everyone's friends, it's all musical chairs.

1090
00:44:34,160 --> 00:44:36,920
Speaker 4: That is the biggest incentive outside of money to be

1091
00:44:37,080 --> 00:44:40,400
Speaker 4: on a major advance money, is to be able to

1092
00:44:40,480 --> 00:44:44,720
Speaker 4: have that in with the DSPs with promotion, playlisting, everything,

1093
00:44:44,760 --> 00:44:47,160
Speaker 4: making sure that every fan that has listened to you

1094
00:44:47,600 --> 00:44:49,680
Speaker 4: has your song in front of their face when you

1095
00:44:49,760 --> 00:44:54,680
Speaker 4: release it. So if that's not happening, what the fuck

1096
00:44:54,760 --> 00:44:58,319
Speaker 4: am I doing at this major? What am I doing?

1097
00:44:59,239 --> 00:45:02,319
Speaker 4: Just getting in debt for the fuck of it? Like

1098
00:45:02,360 --> 00:45:04,879
Speaker 4: if you want to spend money on a visual, because

1099
00:45:04,880 --> 00:45:07,520
Speaker 4: I think the smoke visual is great, but also like

1100
00:45:07,880 --> 00:45:11,040
Speaker 4: not a waste of money, But I think dumping so

1101
00:45:11,120 --> 00:45:14,640
Speaker 4: much money individuals is just kind of ass backwards in

1102
00:45:14,680 --> 00:45:17,520
Speaker 4: this era of music. Why are you spending all this

1103
00:45:17,600 --> 00:45:19,520
Speaker 4: money that I have to stand behind? This is something

1104
00:45:19,520 --> 00:45:22,440
Speaker 4: I'm going to have to recoup and not promote it.

1105
00:45:22,800 --> 00:45:22,920
Speaker 9: Right?

1106
00:45:23,280 --> 00:45:24,359
Speaker 4: What am I doing here?

1107
00:45:24,440 --> 00:45:24,600
Speaker 1: Now?

1108
00:45:24,640 --> 00:45:27,080
Speaker 5: You listened to the whole eighteen minutes? Did she have

1109
00:45:27,120 --> 00:45:31,080
Speaker 5: anything to say about J Cole specifically? Ebe specific?

1110
00:45:31,239 --> 00:45:33,239
Speaker 4: To be quite honest, it didn't feel I know she

1111
00:45:33,400 --> 00:45:36,680
Speaker 4: obviously said Interscope and Dreamville in this post, but in

1112
00:45:36,719 --> 00:45:38,880
Speaker 4: that eighteen minutes, to me, it felt much more like

1113
00:45:38,920 --> 00:45:40,919
Speaker 4: an Interscope thing than it did a dream Build thing. Okay,

1114
00:45:40,960 --> 00:45:43,200
Speaker 4: and it felt like a management thing as well, which

1115
00:45:43,200 --> 00:45:45,680
Speaker 4: I from my understanding, comes from Dreamville. So I get

1116
00:45:45,680 --> 00:45:48,440
Speaker 4: her frustration there. But if I'm putting out a single,

1117
00:45:49,560 --> 00:45:53,560
Speaker 4: why is Interscope and Universal not behind this? Well, why

1118
00:45:53,600 --> 00:45:57,120
Speaker 4: would you trick me into doing this? I understand her frustration.

1119
00:45:57,360 --> 00:45:59,200
Speaker 4: I think a lot of artists on a label feel

1120
00:45:59,239 --> 00:46:03,040
Speaker 4: this way. I was just talking with Reason and we

1121
00:46:03,040 --> 00:46:05,239
Speaker 4: were having a label conversation. He was like, Yo, I

1122
00:46:05,280 --> 00:46:08,440
Speaker 4: would be on tour and before I did pay to

1123
00:46:08,480 --> 00:46:10,279
Speaker 4: ads on my own, I would show up to a

1124
00:46:10,320 --> 00:46:12,759
Speaker 4: city and there'd be people in my merch going, Yo,

1125
00:46:13,560 --> 00:46:14,879
Speaker 4: what are you gonna do a show? Like I'm here

1126
00:46:14,880 --> 00:46:18,400
Speaker 4: for a show? How the fuck do you not know that?

1127
00:46:18,400 --> 00:46:23,040
Speaker 4: That's frustrating to an artist when your side of the

1128
00:46:23,040 --> 00:46:26,240
Speaker 4: contract is to deliver good work. I think, of course,

1129
00:46:26,440 --> 00:46:30,879
Speaker 4: the bigger artists are successful because they cover everything. Part

1130
00:46:30,920 --> 00:46:32,719
Speaker 4: of their music is within their marketing. That's what makes

1131
00:46:32,719 --> 00:46:37,439
Speaker 4: certain artists geniuses and makes them top tier. But most

1132
00:46:37,520 --> 00:46:39,640
Speaker 4: artists don't come into this game knowing all that shit.

1133
00:46:39,880 --> 00:46:41,919
Speaker 4: They know how to make music. You're being signed because

1134
00:46:41,920 --> 00:46:45,080
Speaker 4: you're great at making this product. Our agreement is I

1135
00:46:45,120 --> 00:46:46,759
Speaker 4: get to own your product because I'm gonna market it,

1136
00:46:46,800 --> 00:46:49,239
Speaker 4: and then we're gonna split the profits. And if you're

1137
00:46:49,239 --> 00:46:52,160
Speaker 4: not doing your end of the deal, Yeah, I understand

1138
00:46:52,160 --> 00:46:54,279
Speaker 4: why Ari would go back on social media and be like,

1139
00:46:54,520 --> 00:46:56,000
Speaker 4: why the fuck did you make me do this?

1140
00:46:56,000 --> 00:46:58,640
Speaker 1: Smoke veo mh. I get it, did she?

1141
00:46:58,920 --> 00:47:01,400
Speaker 5: Because I remember the thing happened. I don't know if

1142
00:47:02,320 --> 00:47:05,120
Speaker 5: I missed it or not. But did Dreamville show public

1143
00:47:05,120 --> 00:47:08,680
Speaker 5: support for her after that whole road wave thing on tour?

1144
00:47:09,920 --> 00:47:11,480
Speaker 4: How would one show support?

1145
00:47:11,640 --> 00:47:12,520
Speaker 1: I don't know. Did they?

1146
00:47:12,560 --> 00:47:16,160
Speaker 5: Did they release a statement like supporting her, backing her.

1147
00:47:17,800 --> 00:47:18,719
Speaker 1: Just anything? Did?

1148
00:47:18,719 --> 00:47:20,840
Speaker 5: Did she get any support from the label after that situation?

1149
00:47:21,080 --> 00:47:25,480
Speaker 3: What I mean? I guess I'm asking what support would you?

1150
00:47:25,520 --> 00:47:26,440
Speaker 1: Because she was a.

1151
00:47:26,440 --> 00:47:29,680
Speaker 5: Little she was a little disgrunted about the tour, I

1152
00:47:29,719 --> 00:47:30,560
Speaker 5: believe right she was.

1153
00:47:30,600 --> 00:47:31,839
Speaker 1: She wasn't happy about she.

1154
00:47:31,719 --> 00:47:33,440
Speaker 4: Had things being thrown at her.

1155
00:47:33,960 --> 00:47:34,200
Speaker 1: Yeah.

1156
00:47:35,640 --> 00:47:38,480
Speaker 4: Then she went out the next night in a hockey

1157
00:47:38,560 --> 00:47:41,319
Speaker 4: gear because she is being thrown at her lean into it,

1158
00:47:41,600 --> 00:47:44,200
Speaker 4: which was great. And then at the end of the

1159
00:47:44,239 --> 00:47:46,040
Speaker 4: tour she was like, yo, that was really rough. And

1160
00:47:46,040 --> 00:47:48,399
Speaker 4: then everyone gave her ship for it, Like she didn't

1161
00:47:48,400 --> 00:47:51,719
Speaker 4: show up every goddamn night and perform after she was uncomfortable.

1162
00:47:51,840 --> 00:47:54,719
Speaker 4: She's not allowed to say. After she fulfilled her contract,

1163
00:47:54,920 --> 00:47:57,279
Speaker 4: showed up every night, gave her all she's not allowed

1164
00:47:57,320 --> 00:47:59,759
Speaker 4: to be like Yo. That was an awful experience that

1165
00:48:00,760 --> 00:48:03,440
Speaker 4: I get why people look at Ari because she does

1166
00:48:03,640 --> 00:48:05,840
Speaker 4: go on tangents on social media, and that's not the

1167
00:48:05,880 --> 00:48:08,200
Speaker 4: place to find any type of empathy. It's a place

1168
00:48:08,239 --> 00:48:11,040
Speaker 4: to get clowned, right, So I get why people just

1169
00:48:11,080 --> 00:48:13,279
Speaker 4: have fun with it. But if you get down to

1170
00:48:13,320 --> 00:48:15,480
Speaker 4: the logic of it, people was throwing shit at me.

1171
00:48:15,520 --> 00:48:17,080
Speaker 4: I still showed up every night, and now you're giving

1172
00:48:17,080 --> 00:48:19,200
Speaker 4: me shit. Yeah, if I just walked off the toy

1173
00:48:19,280 --> 00:48:21,399
Speaker 4: and now it's a contractual thing. Now now I'm not

1174
00:48:21,440 --> 00:48:22,920
Speaker 4: doing what I said I was gonna do, even if

1175
00:48:22,960 --> 00:48:25,000
Speaker 4: it was good for good reason, she kept performing.

1176
00:48:25,440 --> 00:48:27,520
Speaker 5: Yeah, But did the did the label say anything?

1177
00:48:28,000 --> 00:48:31,000
Speaker 1: I can't find anything specific. I did want to mention

1178
00:48:31,080 --> 00:48:33,600
Speaker 1: another thing that because I listened to quite a bit

1179
00:48:33,640 --> 00:48:35,239
Speaker 1: of this, I didn't do the full eighteen minutes, but

1180
00:48:35,280 --> 00:48:37,840
Speaker 1: she did say in terms of marketing, she's tired of

1181
00:48:37,880 --> 00:48:40,960
Speaker 1: being the face of mental health. She doesn't want to

1182
00:48:40,960 --> 00:48:43,160
Speaker 1: be branded as that and cast in that light. Do

1183
00:48:43,160 --> 00:48:44,719
Speaker 1: you have any comments about that part of it?

1184
00:48:44,800 --> 00:48:47,120
Speaker 3: So yes, And to back piggyback off that, because I

1185
00:48:47,120 --> 00:48:50,360
Speaker 3: did listen to all eighteen minutes, Terrell, there was you

1186
00:48:50,400 --> 00:48:52,279
Speaker 3: know the Terrell Show with the Big Blue Wall where

1187
00:48:52,280 --> 00:48:53,720
Speaker 3: the artists going there and seeing where.

1188
00:48:53,560 --> 00:48:55,280
Speaker 4: It's one of my favorite favorite platforms.

1189
00:48:55,360 --> 00:48:58,720
Speaker 3: Yes, same, I guess. At one point, Ari was saying

1190
00:48:58,800 --> 00:49:01,120
Speaker 3: something interroll kind of like, you know, gave her kind

1191
00:49:01,120 --> 00:49:02,600
Speaker 3: of like a pep talk of like, you know, like

1192
00:49:02,640 --> 00:49:06,000
Speaker 3: we really appreciate you and kind of uplifted her. And

1193
00:49:06,080 --> 00:49:08,799
Speaker 3: I'm assuming from what I was listening to, what it

1194
00:49:08,840 --> 00:49:12,319
Speaker 3: sounds like I could be wrong, was that Ari told

1195
00:49:12,360 --> 00:49:14,879
Speaker 3: her label to make sure that that episode didn't come

1196
00:49:14,880 --> 00:49:17,160
Speaker 3: out because she doesn't want to be the face of

1197
00:49:17,200 --> 00:49:20,680
Speaker 3: mental health. And it kind of looked like, I don't know,

1198
00:49:20,719 --> 00:49:22,560
Speaker 3: like I guess she didn't want like the way that

1199
00:49:22,560 --> 00:49:26,800
Speaker 3: that looked of him uplifting her or whatever. But I

1200
00:49:27,360 --> 00:49:29,120
Speaker 3: just don't I don't agree with Arian that. I think

1201
00:49:29,120 --> 00:49:30,560
Speaker 3: that it was a really good episode and I think

1202
00:49:30,560 --> 00:49:32,680
Speaker 3: that that is great marketing and that it does need

1203
00:49:32,719 --> 00:49:35,279
Speaker 3: to come out like this got people even if she

1204
00:49:35,320 --> 00:49:36,920
Speaker 3: wanted did her rent, I think this would have gotten

1205
00:49:36,920 --> 00:49:38,600
Speaker 3: people talking about her and the fact that she just

1206
00:49:38,640 --> 00:49:41,560
Speaker 3: dropped a single. But yes, that's what she was referring to.

1207
00:49:42,280 --> 00:49:43,880
Speaker 3: She really didn't want her, That's why she said she

1208
00:49:43,880 --> 00:49:46,160
Speaker 3: didn't feel supported because she didn't. She told them she

1209
00:49:46,160 --> 00:49:48,320
Speaker 3: didn't want it to come out, and it came out anyway.

1210
00:49:48,600 --> 00:49:49,120
Speaker 1: I mean.

1211
00:49:50,680 --> 00:49:55,560
Speaker 4: That comes with with the game. Yeah, unfortunate, Like and

1212
00:49:55,600 --> 00:49:57,960
Speaker 4: your place. If if you continue to talk about your

1213
00:49:57,960 --> 00:50:00,400
Speaker 4: mental health, which I think is great, and even if

1214
00:50:00,440 --> 00:50:01,840
Speaker 4: you use social media as an outlet for it and

1215
00:50:01,880 --> 00:50:03,560
Speaker 4: people can relate to it, I think it's great. But

1216
00:50:05,040 --> 00:50:08,040
Speaker 4: the response to that is people are going to think

1217
00:50:08,080 --> 00:50:10,040
Speaker 4: you may have some mental health issues because you're saying

1218
00:50:10,040 --> 00:50:14,160
Speaker 4: you have them. Like after shows, I love when people

1219
00:50:14,239 --> 00:50:15,680
Speaker 4: come up to me and talk talk to me about

1220
00:50:15,719 --> 00:50:18,480
Speaker 4: mental health and the stuff I talk about on the

1221
00:50:18,520 --> 00:50:20,640
Speaker 4: podcast and how it helps them. I don't want to

1222
00:50:20,640 --> 00:50:22,719
Speaker 4: do that. It makes me super uncomfortable and I fucking

1223
00:50:22,719 --> 00:50:25,200
Speaker 4: hate when people do it. But who am I to

1224
00:50:25,200 --> 00:50:27,920
Speaker 4: say anything I talk about mental health on this podcast.

1225
00:50:28,280 --> 00:50:30,480
Speaker 4: I'm aware of what comes with talking about those subjects.

1226
00:50:30,600 --> 00:50:33,319
Speaker 4: People are going to reply to them. Yeah, and yes,

1227
00:50:33,360 --> 00:50:35,000
Speaker 4: it sucks and it makes me uncomfortable, but I'm a

1228
00:50:35,040 --> 00:50:38,160
Speaker 4: weird fucking person. That's just one of those like, chalk

1229
00:50:38,200 --> 00:50:40,480
Speaker 4: it up to the game. That's just what comes with

1230
00:50:40,560 --> 00:50:44,440
Speaker 4: this shit. But when it comes to my business and

1231
00:50:44,480 --> 00:50:46,879
Speaker 4: you are not holding up your end of the deal

1232
00:50:47,960 --> 00:50:51,160
Speaker 4: by marketing and promoting a single that you guys all

1233
00:50:51,200 --> 00:50:54,359
Speaker 4: agreed was great. We're gonna do the mental health video too,

1234
00:50:55,680 --> 00:50:58,200
Speaker 4: and you don't. And I'm doing my own Google spend

1235
00:50:58,200 --> 00:51:01,560
Speaker 4: ads from my crib and I I'm signed to Interscope Records. Yes,

1236
00:51:01,760 --> 00:51:03,919
Speaker 4: I'm going to have an issue. And again we only

1237
00:51:04,000 --> 00:51:06,960
Speaker 4: know what she told us. Interscope could have a whole

1238
00:51:07,000 --> 00:51:12,279
Speaker 4: other side. But I will say to Universal Warner Sony,

1239
00:51:12,320 --> 00:51:14,560
Speaker 4: this is the result of laying off seventy percent of

1240
00:51:14,600 --> 00:51:18,560
Speaker 4: your staff. You don't have anyone to market anything. So

1241
00:51:18,680 --> 00:51:21,560
Speaker 4: while Ari, whose job is not to know what the

1242
00:51:21,560 --> 00:51:25,239
Speaker 4: fuck Interscope is doing with their staff, shows up with

1243
00:51:25,280 --> 00:51:28,200
Speaker 4: a single and wonders why no one is marketing it

1244
00:51:28,239 --> 00:51:30,719
Speaker 4: because there's no one there to do it. There's one

1245
00:51:30,760 --> 00:51:34,560
Speaker 4: fucking person. You laid everyone off. There's three people working

1246
00:51:34,640 --> 00:51:37,120
Speaker 4: on a roster of twenty artists. Of course this is

1247
00:51:37,120 --> 00:51:39,480
Speaker 4: going to slip through the cracks. And it's soul music.

1248
00:51:39,520 --> 00:51:42,520
Speaker 4: I think she makes incredible music. It's my type of shit.

1249
00:51:43,280 --> 00:51:45,479
Speaker 4: Soul music is at the bottom of the Totem poll.

1250
00:51:45,480 --> 00:51:48,400
Speaker 4: And when we have five employees, you think we're focused

1251
00:51:48,440 --> 00:51:51,080
Speaker 4: on a black woman that's making soul music.

1252
00:51:51,640 --> 00:51:54,399
Speaker 3: Yeah, it's just weird.

1253
00:51:54,400 --> 00:51:55,439
Speaker 4: I'm in a Donald Duck coom.

1254
00:51:55,880 --> 00:51:59,320
Speaker 3: And also saying and also, I can't.

1255
00:51:59,120 --> 00:52:01,279
Speaker 5: Take me seriously the you're the face of mental health

1256
00:52:01,480 --> 00:52:03,719
Speaker 5: right now as we speak. You are the face of

1257
00:52:03,760 --> 00:52:05,520
Speaker 5: mental health, whether you believe it or not, right now.

1258
00:52:05,560 --> 00:52:08,520
Speaker 1: The down the to Roy's point, the downsizing of labels,

1259
00:52:08,520 --> 00:52:10,440
Speaker 1: I think we're going to see a lot of poorly

1260
00:52:10,560 --> 00:52:14,439
Speaker 1: handled releases come the end of Q the Q four

1261
00:52:14,480 --> 00:52:18,759
Speaker 1: and heading into Q one of next year, because shit,

1262
00:52:19,120 --> 00:52:21,960
Speaker 1: as someone that worked at a major, I know literally

1263
00:52:22,239 --> 00:52:25,200
Speaker 1: one person that I worked closely with at Atlantic that's

1264
00:52:25,200 --> 00:52:27,279
Speaker 1: still at a major and there and even they are

1265
00:52:27,320 --> 00:52:31,120
Speaker 1: no longer at Atlantic, Like it's it's crazy. So you're

1266
00:52:31,160 --> 00:52:33,919
Speaker 1: just getting dump names on your roster. And I'm sure

1267
00:52:33,960 --> 00:52:36,000
Speaker 1: those people are just checking the boxes of just doing

1268
00:52:36,040 --> 00:52:40,279
Speaker 1: like the bare minimum of basic YouTube spends and Instagram

1269
00:52:40,320 --> 00:52:44,160
Speaker 1: ad spend and then just hoping that the artist record

1270
00:52:44,200 --> 00:52:46,919
Speaker 1: just pops on their own with putting zero thought into

1271
00:52:46,960 --> 00:52:48,040
Speaker 1: like a creative rollout.

1272
00:52:48,520 --> 00:52:51,879
Speaker 5: So this was yesterday, did uh again? Did anybody from

1273
00:52:52,000 --> 00:52:54,680
Speaker 5: the label post anything today as of yet?

1274
00:52:54,800 --> 00:52:55,959
Speaker 3: No, they shouldn't post anything.

1275
00:52:57,680 --> 00:52:59,200
Speaker 4: I always let like you said, they shouldn't.

1276
00:52:59,280 --> 00:53:01,319
Speaker 3: No, not publicly to her.

1277
00:53:01,560 --> 00:53:04,400
Speaker 5: Yes, yeah, any type of support. I'm not saying have

1278
00:53:04,400 --> 00:53:06,680
Speaker 5: a full conversation. I'm not saying somebody should get on

1279
00:53:06,680 --> 00:53:09,239
Speaker 5: The Atlantic's ig and put a black screen and just.

1280
00:53:09,160 --> 00:53:10,240
Speaker 1: Speak for twenty minutes.

1281
00:53:10,560 --> 00:53:14,520
Speaker 5: I'm saying any type of post anything saying Yo, Ari,

1282
00:53:14,920 --> 00:53:17,239
Speaker 5: we support you, We're here for you.

1283
00:53:17,239 --> 00:53:20,080
Speaker 3: No, that's for yeah. If you I Ari, we support you,

1284
00:53:20,120 --> 00:53:21,480
Speaker 3: we love you. As a phone call to her, why

1285
00:53:21,480 --> 00:53:22,560
Speaker 3: you gotta let the public.

1286
00:53:22,320 --> 00:53:25,799
Speaker 1: Know that you're like it for her?

1287
00:53:26,160 --> 00:53:28,239
Speaker 4: She Punch will get on Twitter and just tell you

1288
00:53:28,280 --> 00:53:30,359
Speaker 4: what's going on, like when him and says that back

1289
00:53:30,360 --> 00:53:32,279
Speaker 4: and forth. So she does rants, but that's been Punch

1290
00:53:32,360 --> 00:53:35,920
Speaker 4: his personality from the start of social media. Punch, you'll

1291
00:53:35,920 --> 00:53:38,400
Speaker 4: get up there and clear things up and talk to

1292
00:53:38,920 --> 00:53:42,759
Speaker 4: the heathens of the timeline. Not everyone feels the need

1293
00:53:42,800 --> 00:53:44,799
Speaker 4: to do that. I like when Punch does it, but

1294
00:53:45,040 --> 00:53:48,560
Speaker 4: I don't expect Ebe or anyone from Dreamville to then

1295
00:53:49,360 --> 00:53:52,759
Speaker 4: go and explain what's going on. And I'm sure they're

1296
00:53:52,800 --> 00:53:54,759
Speaker 4: having a private comm I'm not saying explain anything.

1297
00:53:54,800 --> 00:53:58,360
Speaker 5: I'm just saying, just post something saying Ari, where we

1298
00:53:58,400 --> 00:53:59,880
Speaker 5: support you, we love you, and we're going to get

1299
00:53:59,880 --> 00:54:02,640
Speaker 5: through any something anything. But he was in Wayne Tho's

1300
00:54:02,680 --> 00:54:04,080
Speaker 5: comments when he was talking about some ship.

1301
00:54:04,960 --> 00:54:08,520
Speaker 3: He didn't get that's different, that's not that's not business.

1302
00:54:08,560 --> 00:54:10,680
Speaker 3: This is an attached to business. First of all, anything

1303
00:54:10,719 --> 00:54:13,839
Speaker 3: that is said on the internet, anything could cause ARI

1304
00:54:14,000 --> 00:54:17,400
Speaker 3: to go off again. Like they gotta handle ship behind

1305
00:54:17,560 --> 00:54:18,960
Speaker 3: closed doors.

1306
00:54:18,520 --> 00:54:20,680
Speaker 5: For sure, but they also have to show something, I mean,

1307
00:54:21,120 --> 00:54:24,200
Speaker 5: show some public stance with Ari, like yo, listen, we

1308
00:54:24,320 --> 00:54:25,680
Speaker 5: got her, she's family, we love her.

1309
00:54:25,960 --> 00:54:26,640
Speaker 1: Some some type of.

1310
00:54:26,600 --> 00:54:28,200
Speaker 3: Public support that they need to do.

1311
00:54:28,120 --> 00:54:31,400
Speaker 5: That because that's their artist. You should publicly support your artists.

1312
00:54:31,400 --> 00:54:33,160
Speaker 5: I'm not saying I'm saying something out.

1313
00:54:32,960 --> 00:54:33,319
Speaker 1: Of the blue.

1314
00:54:33,360 --> 00:54:36,480
Speaker 5: Hear, you should publicly publicly support your artists. If your

1315
00:54:36,520 --> 00:54:40,200
Speaker 5: artist is publicly saying I'm not happy here, not saying

1316
00:54:40,200 --> 00:54:43,359
Speaker 5: they have to go through the whole contractual ship online,

1317
00:54:43,480 --> 00:54:46,960
Speaker 5: but they should absolutely release a public statement showing some

1318
00:54:47,000 --> 00:54:47,920
Speaker 5: type of support for Ari.

1319
00:54:48,560 --> 00:54:49,800
Speaker 1: I don't think that's a big ask.

1320
00:54:50,280 --> 00:54:53,840
Speaker 4: I feel like I don't dream though maybe not from Innerscope.

1321
00:54:53,920 --> 00:54:57,799
Speaker 4: It's a I went to uh Loupe's process and.

1322
00:54:59,360 --> 00:55:01,560
Speaker 5: In front of the LA she publicly said Interscope and

1323
00:55:01,600 --> 00:55:03,080
Speaker 5: Dreams will have been playing with me all month.

1324
00:55:03,320 --> 00:55:04,280
Speaker 1: Is that not what she posted?

1325
00:55:04,760 --> 00:55:06,400
Speaker 4: Yeah, you're just not gonna get that from a major

1326
00:55:06,719 --> 00:55:09,279
Speaker 4: I will I will say I don't disagree, but do

1327
00:55:09,320 --> 00:55:11,960
Speaker 4: you all? How does that look? Because I don't disagree

1328
00:55:11,960 --> 00:55:14,319
Speaker 4: with you with the dream apart, how do they support that?

1329
00:55:14,440 --> 00:55:15,879
Speaker 4: Just Eve tweets out.

1330
00:55:16,000 --> 00:55:17,120
Speaker 1: I'm not whoever tweet.

1331
00:55:17,160 --> 00:55:20,040
Speaker 5: I'm just saying, show some type of public support for

1332
00:55:20,160 --> 00:55:23,840
Speaker 5: your artist that has showed public discretion. She has shown

1333
00:55:23,880 --> 00:55:26,720
Speaker 5: that publicly that she's not happy. So I'm just saying,

1334
00:55:26,760 --> 00:55:31,640
Speaker 5: somebody from the label, anybody who controls the so Ari.

1335
00:55:31,560 --> 00:55:34,400
Speaker 1: We love you. We're gonna get through anything.

1336
00:55:35,360 --> 00:55:38,040
Speaker 3: That's a bite in the ass because anything that they

1337
00:55:38,120 --> 00:55:41,160
Speaker 3: post is going to be met with. If you loved

1338
00:55:41,160 --> 00:55:42,440
Speaker 3: her so much, you would have did this. If you

1339
00:55:42,440 --> 00:55:43,640
Speaker 3: loved her so much, she wouldn't have had.

1340
00:55:43,719 --> 00:55:47,280
Speaker 5: But I'm not posting anything is a problem too though. Okay, publicly,

1341
00:55:47,320 --> 00:55:48,320
Speaker 5: she addressed it publicly.

1342
00:55:48,520 --> 00:55:49,480
Speaker 1: You got that's not.

1343
00:55:49,600 --> 00:55:51,600
Speaker 3: Hurt but that but and and most people will say

1344
00:55:51,600 --> 00:55:54,080
Speaker 3: that that was unprofessional of her. I'm down for already

1345
00:55:54,120 --> 00:55:57,440
Speaker 3: express herself however she wants to. But people would say,

1346
00:55:57,560 --> 00:56:01,799
Speaker 3: and in the traditional world, that was unprofessional what she did.

1347
00:56:01,840 --> 00:56:04,480
Speaker 3: Why would they go and be unprofessionally.

1348
00:56:04,520 --> 00:56:05,440
Speaker 4: What was unprofessional?

1349
00:56:05,600 --> 00:56:05,919
Speaker 3: I don't.

1350
00:56:06,160 --> 00:56:07,879
Speaker 4: I delivered a great song and a great video.

1351
00:56:07,880 --> 00:56:11,800
Speaker 3: I don't agree that professional traditionally.

1352
00:56:11,560 --> 00:56:15,000
Speaker 5: Probably discussing publicly that an eighteen minute video.

1353
00:56:15,080 --> 00:56:16,480
Speaker 4: He's an artist? What are supposed to do?

1354
00:56:17,080 --> 00:56:17,440
Speaker 1: Okay?

1355
00:56:17,520 --> 00:56:20,719
Speaker 4: And Prince wasn't unprofessional over his man.

1356
00:56:20,800 --> 00:56:23,360
Speaker 5: And we've seen labels show public support for artists before

1357
00:56:23,600 --> 00:56:24,840
Speaker 5: via social media pages.

1358
00:56:24,920 --> 00:56:26,359
Speaker 1: Right have we not.

1359
00:56:28,600 --> 00:56:29,160
Speaker 3: To clean up?

1360
00:56:29,160 --> 00:56:30,719
Speaker 4: I'm trying to think, like Punch might be the only

1361
00:56:30,719 --> 00:56:33,799
Speaker 4: one that I've give. Even Punch don't like sometimes it's

1362
00:56:33,800 --> 00:56:35,880
Speaker 4: not support sometimes like me and says don't agree like

1363
00:56:36,320 --> 00:56:36,960
Speaker 4: fun all that.

1364
00:56:37,280 --> 00:56:38,480
Speaker 3: Yeah, it gives it.

1365
00:56:39,239 --> 00:56:41,320
Speaker 4: That's why I said Punch is one of the kind.

1366
00:56:41,360 --> 00:56:43,680
Speaker 1: Mad at that but not mad at that. I just

1367
00:56:43,680 --> 00:56:47,800
Speaker 1: why not somebody, just somebody say something.

1368
00:56:48,560 --> 00:56:51,120
Speaker 4: Of course they were having conversations behind the scenes. We

1369
00:56:51,120 --> 00:56:54,600
Speaker 4: can all yes, assumingly after she did that. I'm sure

1370
00:56:54,600 --> 00:56:56,680
Speaker 4: she was on the phone with with people dream though

1371
00:56:57,160 --> 00:57:00,240
Speaker 4: if that's another hood, that's another common.

1372
00:57:00,080 --> 00:57:03,080
Speaker 5: Ain't no way that she doesn't or not or not.

1373
00:57:03,560 --> 00:57:05,560
Speaker 5: I'm just saying, we ain't gonna just act like no

1374
00:57:05,840 --> 00:57:08,799
Speaker 5: for sure, No, it could be. Nobody still hasn't reached

1375
00:57:08,800 --> 00:57:09,160
Speaker 5: out to.

1376
00:57:09,120 --> 00:57:12,040
Speaker 4: Her, Well, then to me, that would be even crazier

1377
00:57:12,160 --> 00:57:14,640
Speaker 4: if if we're either on the phone or we don't

1378
00:57:14,680 --> 00:57:17,000
Speaker 4: have a conversation behind the scenes, and then you tweet

1379
00:57:17,000 --> 00:57:19,040
Speaker 4: out support for me. To me, that's gonna piss me

1380
00:57:19,120 --> 00:57:21,400
Speaker 4: off more. That's more of a slight Yeah, because we

1381
00:57:21,440 --> 00:57:23,439
Speaker 4: don't even come to agreement and now you're just trying

1382
00:57:23,440 --> 00:57:26,200
Speaker 4: to do pr cleanup shit like we love all our artists.

1383
00:57:26,240 --> 00:57:29,560
Speaker 5: I'm just saying they probably they didn't show no support publicly.

1384
00:57:30,200 --> 00:57:32,680
Speaker 5: They probably haven't had a conversation yet privately either. I'm

1385
00:57:32,720 --> 00:57:34,800
Speaker 5: just saying it's not that. It doesn't mean that they're

1386
00:57:34,840 --> 00:57:37,760
Speaker 5: definitely having a conversation privately because they didn't say nothing publicly.

1387
00:57:38,160 --> 00:57:38,800
Speaker 1: No, that's not that.

1388
00:57:39,120 --> 00:57:41,560
Speaker 5: Not that go somebody the labels probably damn She mad,

1389
00:57:42,520 --> 00:57:44,240
Speaker 5: we'll get on the call next week with her, something like,

1390
00:57:44,280 --> 00:57:47,479
Speaker 5: they probably haven't spoken yet. There's no guarantee that after

1391
00:57:47,560 --> 00:57:50,560
Speaker 5: last night by today somebody got on the phone already.

1392
00:57:50,280 --> 00:57:52,000
Speaker 1: From the label. That's not a guarantee.

1393
00:57:52,120 --> 00:57:53,760
Speaker 5: They probably reached out and was like, yo, we'll get

1394
00:57:53,760 --> 00:57:57,320
Speaker 5: on a call next week. But that's not a real conversation.

1395
00:57:58,400 --> 00:58:01,560
Speaker 5: She's obviously discoring. She's obviously unhappy, and she has been

1396
00:58:01,600 --> 00:58:04,440
Speaker 5: piling up and last last night or whatever, she felt like,

1397
00:58:04,480 --> 00:58:06,560
Speaker 5: all right, I'm about to just let all this shit out.

1398
00:58:07,680 --> 00:58:09,720
Speaker 5: I don't know if that person, if they've cleaned it

1399
00:58:09,800 --> 00:58:14,040
Speaker 5: up and had a conversation already. Will they have a conversation, Absolutely,

1400
00:58:14,040 --> 00:58:16,080
Speaker 5: it's business they have to. But I don't know if

1401
00:58:16,080 --> 00:58:19,120
Speaker 5: anybody from Dreamville or in the Scope has spoken to

1402
00:58:19,160 --> 00:58:19,480
Speaker 5: her yet.

1403
00:58:19,520 --> 00:58:19,760
Speaker 4: I don't.

1404
00:58:19,800 --> 00:58:20,160
Speaker 1: I don't know.

1405
00:58:20,200 --> 00:58:21,360
Speaker 5: I just can't. I can't speak to that.

1406
00:58:21,480 --> 00:58:23,960
Speaker 4: I just I mean, I don't know. The selective politics

1407
00:58:24,000 --> 00:58:26,320
Speaker 4: with moving the goal posts on shit again. I understand

1408
00:58:26,360 --> 00:58:28,240
Speaker 4: Ari has gone to social media and had a lot

1409
00:58:28,280 --> 00:58:34,280
Speaker 4: of wild rants before, but when Sissa does it, it's revered,

1410
00:58:35,480 --> 00:58:37,960
Speaker 4: like it really does feel like we do pick and choose,

1411
00:58:38,080 --> 00:58:41,200
Speaker 4: and the goal post is moved with certain artists because

1412
00:58:41,280 --> 00:58:43,920
Speaker 4: she is not saying anything Sissa hasn't said in Twitter

1413
00:58:43,960 --> 00:58:46,080
Speaker 4: in the last ten years when it came to tde

1414
00:58:46,600 --> 00:58:47,320
Speaker 4: and her woes.

1415
00:58:47,400 --> 00:58:49,720
Speaker 5: Yeah, but somebody from the labels is talking publicly on

1416
00:58:49,760 --> 00:58:51,840
Speaker 5: social media as well in response to what is saying.

1417
00:58:52,640 --> 00:58:53,880
Speaker 4: To the point that some of us thought it was

1418
00:58:53,880 --> 00:58:55,320
Speaker 4: a rollout, which I don't think it was.

1419
00:58:55,400 --> 00:58:55,959
Speaker 1: That's my point.

1420
00:58:56,000 --> 00:58:57,800
Speaker 4: I think she was really crying at SML, like, yo,

1421
00:58:57,840 --> 00:58:58,400
Speaker 4: what the fuck?

1422
00:58:58,480 --> 00:58:59,720
Speaker 1: Yeah, But that's my point.

1423
00:58:59,800 --> 00:59:03,440
Speaker 5: Some mighty publicly from the label is showing support, whether

1424
00:59:03,440 --> 00:59:06,560
Speaker 5: it's what people want to hear or not. They're responding

1425
00:59:06,600 --> 00:59:07,920
Speaker 5: to her public statements.

1426
00:59:08,080 --> 00:59:10,680
Speaker 4: So I guess what you're really getting at is Julian

1427
00:59:10,760 --> 00:59:11,920
Speaker 4: should have said something.

1428
00:59:11,720 --> 00:59:14,400
Speaker 1: Yesterday about Ari.

1429
00:59:14,680 --> 00:59:18,600
Speaker 4: Yeah all right, poor Julian in this outfit like you

1430
00:59:18,720 --> 00:59:21,840
Speaker 4: just well, why didn't you support your artist?

1431
00:59:21,960 --> 00:59:22,680
Speaker 1: That's Rory?

1432
00:59:22,880 --> 00:59:24,360
Speaker 5: Well, you wearing a scarf, so that's kind of he

1433
00:59:24,480 --> 00:59:25,360
Speaker 5: was on your album, Rory.

1434
00:59:25,600 --> 00:59:26,120
Speaker 1: That's true.

1435
00:59:26,280 --> 00:59:29,640
Speaker 4: So you apporter, you ain't supporter. He ain't always support.

1436
00:59:29,760 --> 00:59:31,680
Speaker 1: This is HI support right here his plaf.

1437
00:59:31,880 --> 00:59:34,520
Speaker 4: He's not listening to the last fifteen twenty minute round.

1438
00:59:34,520 --> 00:59:38,400
Speaker 4: I just did I support Ari anytime some shit happens. Well,

1439
00:59:38,400 --> 00:59:41,200
Speaker 4: we love our means and publicly all the time.

1440
00:59:41,400 --> 00:59:44,880
Speaker 1: Love Ari, fealing Ari. We're here for you.

1441
00:59:46,160 --> 00:59:47,760
Speaker 5: I don't have your number, but Rory does, so if

1442
00:59:47,760 --> 00:59:49,360
Speaker 5: you feel like cursing me out, you can curse Rory

1443
00:59:49,400 --> 00:59:50,480
Speaker 5: out and he'll tell.

1444
00:59:50,320 --> 00:59:53,720
Speaker 4: Me, oh, no, I've been cursed out because of.

1445
00:59:53,680 --> 00:59:56,920
Speaker 1: You, because of me. Damn, I'm always getting you cursed out.

1446
00:59:56,920 --> 00:59:57,360
Speaker 1: I'm sorry.

1447
00:59:57,520 --> 01:00:02,160
Speaker 4: We always let Julian get his mental health Dreamville ptsd off.

1448
01:00:02,440 --> 01:00:04,280
Speaker 4: You don't know what it's affected in my life either.

1449
01:00:04,360 --> 01:00:05,480
Speaker 4: I've stayed quiet.

1450
01:00:05,240 --> 01:00:07,280
Speaker 1: About I just said I'm sorry, Like, what do you

1451
01:00:07,320 --> 01:00:07,760
Speaker 1: want me to do?

1452
01:00:08,800 --> 01:00:12,600
Speaker 4: Just like, thank god me Felton boss Eve all pieced

1453
01:00:12,600 --> 01:00:14,800
Speaker 4: everything up. But there's still some tension with other ship

1454
01:00:15,680 --> 01:00:18,320
Speaker 4: because of you. And now you're in the meg docs

1455
01:00:18,320 --> 01:00:20,880
Speaker 4: saying women can't make a choice about their bodies.

1456
01:00:22,320 --> 01:00:25,680
Speaker 1: I can't. That's crazy. I said women can't vote as well.

1457
01:00:25,960 --> 01:00:34,520
Speaker 1: Clip it. Women can't vote? Are all sass? Women?

1458
01:00:35,920 --> 01:00:47,760
Speaker 4: What are your views on Puerto Rico? I was I

1459
01:00:47,760 --> 01:00:49,560
Speaker 4: was waiting for this metro booming topic because I know

1460
01:00:49,600 --> 01:00:54,640
Speaker 4: you're excited. Why would I be excited? Because now all

1461
01:00:54,680 --> 01:00:57,480
Speaker 4: the OVO stands on Twitter are like, what does this

1462
01:00:57,560 --> 01:00:59,600
Speaker 4: say about Kendrick that raps with this guy?

1463
01:01:00,440 --> 01:01:03,680
Speaker 1: M Like he went on like that Metro.

1464
01:01:03,520 --> 01:01:06,640
Speaker 5: Is that metro booman is being sued for sex. First

1465
01:01:06,680 --> 01:01:09,360
Speaker 5: of all, before we start anything a fuck with Metro,

1466
01:01:10,040 --> 01:01:12,320
Speaker 5: we showed support from when he lost his mom. Unfortunately

1467
01:01:13,040 --> 01:01:14,920
Speaker 5: that wasn't so long ago, so I'm pretty sure he's

1468
01:01:14,920 --> 01:01:18,480
Speaker 5: still dealing with that, But this is something else that

1469
01:01:18,520 --> 01:01:19,400
Speaker 5: he has to deal with now.

1470
01:01:19,600 --> 01:01:20,960
Speaker 1: That is unfortunate as well.

1471
01:01:21,240 --> 01:01:25,240
Speaker 5: Metro Booman is being sued for sexual assault teams years reporting.

1472
01:01:25,600 --> 01:01:27,840
Speaker 5: A woman has filed a lawsuit against the producer, claiming

1473
01:01:27,920 --> 01:01:30,520
Speaker 5: he raped her while she passed out at a Beverly

1474
01:01:30,600 --> 01:01:36,160
Speaker 5: Hills hotel in twenty sixteen. Again, this has just come out.

1475
01:01:36,320 --> 01:01:42,680
Speaker 5: We don't have any you know, further details. Hopefully you

1476
01:01:42,720 --> 01:01:47,360
Speaker 5: know this isn't true. But if it is. If it is,

1477
01:01:47,720 --> 01:01:48,520
Speaker 5: then fuck Metro.

1478
01:01:48,880 --> 01:01:52,000
Speaker 4: Yeah, did you take the case seriously, listen to this woman.

1479
01:01:52,760 --> 01:01:55,640
Speaker 4: Let's go go through the process to the best of the.

1480
01:01:55,640 --> 01:01:57,960
Speaker 5: J and if she's and if it comes out that

1481
01:01:58,040 --> 01:01:59,680
Speaker 5: she's lying and it's not even say that out the game.

1482
01:01:59,720 --> 01:02:01,960
Speaker 5: I'm just I'm just saying it on both sides.

1483
01:02:02,040 --> 01:02:04,280
Speaker 1: If it's true. Fuck Metro agreed.

1484
01:02:04,360 --> 01:02:06,480
Speaker 5: If it's not true, fuck that young lady.

1485
01:02:06,640 --> 01:02:08,960
Speaker 4: Don't put xanax pills in women's alcohol.

1486
01:02:10,200 --> 01:02:13,080
Speaker 1: Allegedly, he invited her to a studio in LA she

1487
01:02:13,200 --> 01:02:15,760
Speaker 1: took half a xan x and shot of alcohol before

1488
01:02:15,800 --> 01:02:17,120
Speaker 1: passing out on the couch.

1489
01:02:17,440 --> 01:02:24,120
Speaker 5: Allegedly, Again, if this is true, fucking If it's not,

1490
01:02:24,720 --> 01:02:25,160
Speaker 5: fuck her.

1491
01:02:25,560 --> 01:02:28,440
Speaker 1: Yeah, she said she regained consciousness and they were on

1492
01:02:28,520 --> 01:02:32,240
Speaker 1: bed and he was beep and then I made her

1493
01:02:32,240 --> 01:02:34,919
Speaker 1: perform moral sex. She allegedly blacked out again and later

1494
01:02:34,960 --> 01:02:38,800
Speaker 1: woke up with Metro telling her that she was going

1495
01:02:38,880 --> 01:02:40,480
Speaker 1: to be sent to another hotel. Whatever.

1496
01:02:40,720 --> 01:02:46,760
Speaker 7: But yeah, well, yo, man, I hope justice is served

1497
01:02:46,800 --> 01:02:51,840
Speaker 7: in whichever way the truth is, sess.

1498
01:02:53,440 --> 01:02:55,680
Speaker 5: I mean, I don't know how much party and the ship,

1499
01:02:55,800 --> 01:02:58,400
Speaker 5: you know, people got to do to understand the line

1500
01:02:58,440 --> 01:03:04,880
Speaker 5: of if somebody is obviously incoherent, I don't know why

1501
01:03:04,920 --> 01:03:07,760
Speaker 5: you would even think to go further, even if this

1502
01:03:07,840 --> 01:03:09,760
Speaker 5: is real, even if this is a woman you had

1503
01:03:10,040 --> 01:03:12,840
Speaker 5: consensual sex with before. Right, let's say that you've known

1504
01:03:12,840 --> 01:03:15,720
Speaker 5: this woman. This is what y'all do. You hang out, y'all,

1505
01:03:15,760 --> 01:03:19,520
Speaker 5: you know your party, you have sex. Cool, But if

1506
01:03:19,560 --> 01:03:23,080
Speaker 5: a woman is incoherent and obviously doesn't know what's going

1507
01:03:23,120 --> 01:03:25,160
Speaker 5: on where she's at right now, I just don't know

1508
01:03:25,760 --> 01:03:30,000
Speaker 5: how people would then try to still go through.

1509
01:03:29,880 --> 01:03:34,200
Speaker 4: With and sex the moral and obvious to the side

1510
01:03:34,240 --> 01:03:35,920
Speaker 4: with that, why would you want to do that to

1511
01:03:35,920 --> 01:03:36,280
Speaker 4: begin with?

1512
01:03:36,440 --> 01:03:39,960
Speaker 5: Yeah, I've never under it would be appealing about that.

1513
01:03:40,000 --> 01:03:42,440
Speaker 5: I've never I was never into having sex with girls

1514
01:03:42,440 --> 01:03:45,240
Speaker 5: that was drunk, like if they've tore up. I was

1515
01:03:45,280 --> 01:03:48,320
Speaker 5: just I was never into I never understood that. Like

1516
01:03:48,320 --> 01:03:51,040
Speaker 5: I said, even if it's a woman I've been you know,

1517
01:03:51,520 --> 01:03:55,160
Speaker 5: sexual with before, like consensually, yeah, obviously, But even if

1518
01:03:55,200 --> 01:03:57,080
Speaker 5: it is like, Okay, tonight she got way too late.

1519
01:03:58,000 --> 01:03:59,680
Speaker 5: Put in the room, close the door, let her sleep

1520
01:03:59,720 --> 01:04:01,440
Speaker 5: that shit off. Hopefully she don't throw up all over

1521
01:04:01,440 --> 01:04:04,120
Speaker 5: the sheets like whatever. But to climb on top of

1522
01:04:04,160 --> 01:04:05,920
Speaker 5: a woman and try to have sex in that state

1523
01:04:06,200 --> 01:04:08,080
Speaker 5: and you know she doesn't know what's going on is

1524
01:04:08,160 --> 01:04:08,960
Speaker 5: forever weird to me.

1525
01:04:09,280 --> 01:04:11,840
Speaker 4: Even when when your girl has like too many mimosas

1526
01:04:11,880 --> 01:04:13,880
Speaker 4: during the day, or like when she comes back and

1527
01:04:13,920 --> 01:04:16,480
Speaker 4: she's on like that freaky time, it's like it's like

1528
01:04:16,640 --> 01:04:19,960
Speaker 4: grass water. This is not gonna this isn't gonna go.

1529
01:04:19,960 --> 01:04:22,000
Speaker 5: Well, yeah, take a take some BC powder and go

1530
01:04:22,080 --> 01:04:25,640
Speaker 5: lay down. Man, We're not we can't. Well, we're talking

1531
01:04:25,680 --> 01:04:25,880
Speaker 5: a few.

1532
01:04:26,040 --> 01:04:27,400
Speaker 4: That's what you give them instead of X.

1533
01:04:27,520 --> 01:04:29,640
Speaker 1: Yeah, be a good guy. Put that in.

1534
01:04:30,080 --> 01:04:31,480
Speaker 5: Drink that and you're gonna wake up with a headache.

1535
01:04:31,480 --> 01:04:32,880
Speaker 5: You know, Drink that. It's all good.

1536
01:04:33,560 --> 01:04:35,240
Speaker 4: I want to talk about the Snoop album, but I

1537
01:04:35,280 --> 01:04:38,960
Speaker 4: really don't want LA thinking that I dislike them. Snoop

1538
01:04:38,960 --> 01:04:41,800
Speaker 4: of the album out he announced his album with Doctor

1539
01:04:41,840 --> 01:04:44,040
Speaker 4: Dre put out the track list as well a lot

1540
01:04:44,040 --> 01:04:46,080
Speaker 4: of good features. I think there's a feature on every song.

1541
01:04:46,880 --> 01:04:49,040
Speaker 4: I don't doubt that it'll be good. I just I

1542
01:04:49,080 --> 01:04:52,040
Speaker 4: don't know. I don't know if I'm rushing. It's called missionary, I.

1543
01:04:52,000 --> 01:04:55,800
Speaker 1: Believe so Doggie style.

1544
01:04:56,760 --> 01:04:57,200
Speaker 4: You know, it's older.

1545
01:04:57,240 --> 01:04:59,439
Speaker 5: He's older now, Like I see what they were trying

1546
01:04:59,440 --> 01:05:03,560
Speaker 5: to do. I just don't when do when do our

1547
01:05:03,680 --> 01:05:05,040
Speaker 5: rappers stop rapping.

1548
01:05:06,240 --> 01:05:10,000
Speaker 3: Whether when it stopped being benefit fun or beneficial for them.

1549
01:05:10,360 --> 01:05:12,560
Speaker 4: I like that Dre and Snoop in this time in

1550
01:05:12,600 --> 01:05:15,080
Speaker 4: their careers get together to do a joint album, Like,

1551
01:05:15,320 --> 01:05:17,320
Speaker 4: I think that's cool. If Snoop was just going around

1552
01:05:17,320 --> 01:05:19,880
Speaker 4: trying to find the hottest current producers to make an album,

1553
01:05:19,920 --> 01:05:21,800
Speaker 4: I'd be like, man, I don't know if we need

1554
01:05:22,880 --> 01:05:26,440
Speaker 4: nostalgic Dre and Snoop, I'm probably not gonna run to

1555
01:05:26,520 --> 01:05:29,720
Speaker 4: it per se. But you know it's still snooping Dre.

1556
01:05:30,960 --> 01:05:37,280
Speaker 3: I guess if he do another sensual seduction, we don't.

1557
01:05:37,360 --> 01:05:38,960
Speaker 5: But this is like why we couldn't get this ten

1558
01:05:39,040 --> 01:05:43,000
Speaker 5: years ago, this album because he was Snoop lying okay,

1559
01:05:43,040 --> 01:05:44,280
Speaker 5: so he wasn't rapping two years ago.

1560
01:05:44,400 --> 01:05:48,760
Speaker 10: No, he was a Christian reggae singer, so Doctor Draken,

1561
01:05:49,040 --> 01:05:52,400
Speaker 10: he had no slaps for that. What scares me a

1562
01:05:52,400 --> 01:05:55,600
Speaker 10: bit with slaps for the Snoop line. It's it's unfair

1563
01:05:55,640 --> 01:05:56,360
Speaker 10: to say so.

1564
01:05:56,360 --> 01:05:59,320
Speaker 4: I'm gonna apologize to start, based off all of these

1565
01:05:59,360 --> 01:06:03,320
Speaker 4: records have features. I'm scared that these were just a

1566
01:06:03,440 --> 01:06:07,840
Speaker 4: bunch of records that Dre has had forever, and Snoop

1567
01:06:07,880 --> 01:06:11,520
Speaker 4: just added his verse to these songs, because you know,

1568
01:06:12,000 --> 01:06:17,320
Speaker 4: Dre has one hundred thousand songs just sitting and they

1569
01:06:17,400 --> 01:06:18,120
Speaker 4: just picked the joints.

1570
01:06:18,280 --> 01:06:18,640
Speaker 1: Yeah I did.

1571
01:06:18,960 --> 01:06:21,200
Speaker 4: Here's fifteen records with Janey picked which one he like?

1572
01:06:22,080 --> 01:06:25,439
Speaker 1: Yeah? Oh, we got a new eminem feature lucky us.

1573
01:06:26,640 --> 01:06:31,120
Speaker 6: All right, met the man Smitty Sting. You run into

1574
01:06:31,120 --> 01:06:34,760
Speaker 6: that baby d Tom Ben every time.

1575
01:06:36,960 --> 01:06:37,800
Speaker 1: It's cool to say it.

1576
01:06:37,840 --> 01:06:40,000
Speaker 6: Man, we not jacking this, We're not listening to This's

1577
01:06:40,040 --> 01:06:42,960
Speaker 6: got a record with Tom Petty and Jelly Roll that's

1578
01:06:43,000 --> 01:06:43,480
Speaker 6: probably fire.

1579
01:06:43,520 --> 01:06:45,800
Speaker 1: The last dance with Mary Jane.

1580
01:06:45,840 --> 01:06:47,680
Speaker 3: I think y'all sleeping on Snoop a little bit.

1581
01:06:47,920 --> 01:06:52,200
Speaker 5: I am all right because now in twenty twenty four,

1582
01:06:52,320 --> 01:06:55,320
Speaker 5: definitely I'm sleeping. I don't I'm not give me a

1583
01:06:55,400 --> 01:06:58,200
Speaker 5: Freddy Gibbs album, give me a New Bennie Today, Doctor

1584
01:06:58,240 --> 01:07:00,800
Speaker 5: Dre album, give me a fucking you know what I'm saying,

1585
01:07:00,840 --> 01:07:01,480
Speaker 5: like give.

1586
01:07:01,360 --> 01:07:03,880
Speaker 3: Me like, well, you could get that too, but I

1587
01:07:03,880 --> 01:07:05,480
Speaker 3: mean we can't.

1588
01:07:05,720 --> 01:07:08,080
Speaker 1: We can't get no. Doctor Dre produced a whole Benny

1589
01:07:08,120 --> 01:07:09,720
Speaker 1: the Butcher album that great.

1590
01:07:09,760 --> 01:07:11,440
Speaker 3: Well, maybe Benny don't want that, maybe.

1591
01:07:11,280 --> 01:07:12,760
Speaker 1: He likes let me.

1592
01:07:12,800 --> 01:07:14,640
Speaker 5: Let me, let me promise you something that Benny will

1593
01:07:14,640 --> 01:07:17,040
Speaker 5: not turn down if his phone ring and say, Yo,

1594
01:07:17,400 --> 01:07:18,600
Speaker 5: Dre said, come to La.

1595
01:07:19,120 --> 01:07:20,680
Speaker 1: He gonna produce your whole next album.

1596
01:07:20,800 --> 01:07:22,960
Speaker 4: I make it easier for you. Finowly one rapper on

1597
01:07:23,080 --> 01:07:25,720
Speaker 4: planet Earth that would not Who's turning.

1598
01:07:25,440 --> 01:07:28,280
Speaker 5: Down a full album produced by Doctor dra No rappers

1599
01:07:28,280 --> 01:07:31,800
Speaker 5: turning that down again? We know understand no nostalgia behind it,

1600
01:07:31,840 --> 01:07:33,440
Speaker 5: Like these are two legends.

1601
01:07:33,720 --> 01:07:34,520
Speaker 1: I love Snoop.

1602
01:07:34,560 --> 01:07:37,040
Speaker 5: Snoop Doggi Style was one of the like I told

1603
01:07:37,040 --> 01:07:38,800
Speaker 5: you all the time, I had to sneak and listen to.

1604
01:07:38,840 --> 01:07:41,480
Speaker 1: That album because my mom wasn't having it.

1605
01:07:41,800 --> 01:07:44,520
Speaker 5: So obviously I love Snoop, But in twenty twenty four,

1606
01:07:44,600 --> 01:07:46,720
Speaker 5: I just don't know if I want to hear Snoop rapping.

1607
01:07:47,040 --> 01:07:50,320
Speaker 1: So it's twenty twenty four yeah, waiting twenty one years

1608
01:07:50,360 --> 01:07:52,360
Speaker 1: to drop a sequel is.

1609
01:07:53,200 --> 01:07:55,000
Speaker 5: It's just not It's like, you know what I mean,

1610
01:07:55,040 --> 01:07:58,760
Speaker 5: let's let's let's let's get some of these younger, younger

1611
01:07:58,840 --> 01:08:01,000
Speaker 5: rappers on these Dre beats and let them go crazy.

1612
01:08:01,040 --> 01:08:01,240
Speaker 1: Man.

1613
01:08:02,120 --> 01:08:04,040
Speaker 4: Yeah, I agree. I mean I do love that Drake,

1614
01:08:04,920 --> 01:08:08,800
Speaker 4: you know, keeps his shit exclusive people that deserve it.

1615
01:08:08,840 --> 01:08:12,440
Speaker 4: I don't, but you know, like I love that that

1616
01:08:12,560 --> 01:08:16,840
Speaker 4: Primo works with so many young artists, like they don't

1617
01:08:16,880 --> 01:08:19,240
Speaker 4: have to be legacy or a legend yet Prime will

1618
01:08:19,240 --> 01:08:22,639
Speaker 4: be like, yeah, let's work. I do like when producers

1619
01:08:22,720 --> 01:08:25,479
Speaker 4: do that type of stuff. But yeah, I feel like

1620
01:08:25,479 --> 01:08:29,439
Speaker 4: with Dre, either has to be Dre's artists and that's

1621
01:08:29,479 --> 01:08:30,680
Speaker 4: as far as you're going to go.

1622
01:08:31,439 --> 01:08:33,599
Speaker 5: Yeah, I just feel like there's so many dope MC's

1623
01:08:33,640 --> 01:08:36,519
Speaker 5: and rappers now that will benefit off of a Doctor

1624
01:08:36,600 --> 01:08:39,880
Speaker 5: Dre produced album way more than Snoop. Well at this point,

1625
01:08:40,120 --> 01:08:42,639
Speaker 5: I mean, what does Snoop after? What is he gaining

1626
01:08:42,640 --> 01:08:45,040
Speaker 5: from this? This is just like a we just was

1627
01:08:45,080 --> 01:08:46,800
Speaker 5: hanging out for three days in the studio we had

1628
01:08:46,800 --> 01:08:48,640
Speaker 5: when we fucked around and got four songs and it

1629
01:08:48,680 --> 01:08:50,880
Speaker 5: was like, fuck it, let's just put a whole joint together.

1630
01:08:51,680 --> 01:08:53,519
Speaker 5: I mean, why not do that with some of these

1631
01:08:53,560 --> 01:08:55,559
Speaker 5: you know what I mean? Like this, get so man,

1632
01:08:55,600 --> 01:08:56,240
Speaker 5: these other artists.

1633
01:08:56,240 --> 01:08:58,320
Speaker 4: Here's a billionaire and probably only wants to be around

1634
01:08:58,320 --> 01:09:02,800
Speaker 4: people that he likes. He has that that luxury. At

1635
01:09:02,800 --> 01:09:04,160
Speaker 4: this point, you can do. Yeah. I just want to

1636
01:09:04,160 --> 01:09:06,160
Speaker 4: hang out with my mans that I've known since nineteen

1637
01:09:06,240 --> 01:09:07,520
Speaker 4: ninety one.

1638
01:09:07,000 --> 01:09:09,400
Speaker 5: And he listened, and he has that right to. But

1639
01:09:09,439 --> 01:09:10,920
Speaker 5: I'm just saying, if we're going, if you're gonna give

1640
01:09:11,000 --> 01:09:13,760
Speaker 5: us music, at least give us music that we want.

1641
01:09:14,600 --> 01:09:16,719
Speaker 5: I don't think we want this. Nobody wants a Snoop

1642
01:09:16,720 --> 01:09:17,960
Speaker 5: and Doctorate album twenty twenty.

1643
01:09:18,040 --> 01:09:20,280
Speaker 4: I mean I guarantee that give us if you're gonna

1644
01:09:20,280 --> 01:09:21,320
Speaker 4: give give us the detox.

1645
01:09:22,880 --> 01:09:24,639
Speaker 3: But you're not, but.

1646
01:09:26,160 --> 01:09:30,439
Speaker 5: Your Daffy Duck ensemble, Donald Duck, Oh Donald, I'm sorry, Sorry,

1647
01:09:30,479 --> 01:09:32,000
Speaker 5: I got my bucking respect.

1648
01:09:32,240 --> 01:09:34,000
Speaker 4: Listen, we's my bow tie.

1649
01:09:34,040 --> 01:09:35,759
Speaker 5: We they they them. I'm sorry.

1650
01:09:37,360 --> 01:09:40,000
Speaker 3: I think you just understanding. It's not like Drake giving me.

1651
01:09:40,040 --> 01:09:42,160
Speaker 3: I'm pretty sure Snoop wanted to do something and Dre

1652
01:09:42,320 --> 01:09:43,880
Speaker 3: was like shit, I got some beats, like fuck it.

1653
01:09:43,960 --> 01:09:47,120
Speaker 4: Like I also guarantee Interscope and Jimmy Iveen put Google

1654
01:09:47,160 --> 01:09:49,960
Speaker 4: ads behind this album?

1655
01:09:50,120 --> 01:09:50,880
Speaker 1: All right, all.

1656
01:09:50,920 --> 01:09:52,719
Speaker 5: So can we can we can we agree to something

1657
01:09:52,880 --> 01:09:54,840
Speaker 5: when this album dropped? Can we talk about the first

1658
01:09:54,880 --> 01:09:55,479
Speaker 5: week numbers?

1659
01:09:56,640 --> 01:09:59,080
Speaker 3: When do we care about first week numbers?

1660
01:09:59,280 --> 01:10:01,160
Speaker 1: Why does y'all what?

1661
01:10:01,560 --> 01:10:04,720
Speaker 4: Why would a doctor album in twenty twenty four care? Like?

1662
01:10:04,760 --> 01:10:05,559
Speaker 4: Who cares what they say?

1663
01:10:05,600 --> 01:10:07,599
Speaker 5: The first This is still Snooping Dray. This is still

1664
01:10:07,600 --> 01:10:08,840
Speaker 5: two of the icons of legends.

1665
01:10:08,960 --> 01:10:10,000
Speaker 3: Yes, they're they're very.

1666
01:10:09,960 --> 01:10:11,559
Speaker 5: Very We sit here, we sit here and talk about

1667
01:10:11,560 --> 01:10:13,479
Speaker 5: with minem album with what he did is first week.

1668
01:10:13,439 --> 01:10:15,479
Speaker 3: That's because Emine don't stop dropping music.

1669
01:10:15,560 --> 01:10:18,840
Speaker 4: He's active all the time. He's okay, and people know

1670
01:10:18,920 --> 01:10:21,439
Speaker 4: Snoop as so much more than a rapper. He's a personality.

1671
01:10:21,439 --> 01:10:23,280
Speaker 4: He's the most famous rapper that's ever existed.

1672
01:10:23,439 --> 01:10:27,160
Speaker 1: He just wanted every event at the Olympics, the Olympics.

1673
01:10:28,600 --> 01:10:28,760
Speaker 4: Tour.

1674
01:10:29,160 --> 01:10:30,479
Speaker 5: So that means we don't look at his first week

1675
01:10:30,560 --> 01:10:31,639
Speaker 5: numbers from his new album.

1676
01:10:32,320 --> 01:10:33,639
Speaker 3: No, yes, that's exact actly.

1677
01:10:33,640 --> 01:10:35,479
Speaker 5: Sorry, Yes, that's what, So don't bring up nobody else

1678
01:10:35,520 --> 01:10:36,200
Speaker 5: first week numbers?

1679
01:10:36,200 --> 01:10:37,880
Speaker 4: Then are we those guys we don't?

1680
01:10:38,320 --> 01:10:38,479
Speaker 1: Yes?

1681
01:10:38,560 --> 01:10:40,880
Speaker 5: Or yes we've had Yes, we've talked, We've had conversations

1682
01:10:40,920 --> 01:10:42,080
Speaker 5: about first week numbers, But.

1683
01:10:42,000 --> 01:10:43,760
Speaker 4: Whenever we ever said that defined to an artist?

1684
01:10:43,880 --> 01:10:44,360
Speaker 1: Did I say that?

1685
01:10:44,880 --> 01:10:47,639
Speaker 5: Did I say that defined anybody? I think it's great something,

1686
01:10:47,680 --> 01:10:49,720
Speaker 5: but this does nothing for their legacy. I just want

1687
01:10:49,720 --> 01:10:52,960
Speaker 5: to have a conversation about people not wanting this album

1688
01:10:53,000 --> 01:10:54,000
Speaker 5: from these two legends.

1689
01:10:54,120 --> 01:10:56,559
Speaker 3: Okay, but who gives a fuck what people want? When

1690
01:10:56,640 --> 01:10:58,680
Speaker 3: music is art, you do art because.

1691
01:10:59,120 --> 01:10:59,639
Speaker 1: What people want.

1692
01:10:59,680 --> 01:11:02,320
Speaker 5: Yes, you you think they don't care what people want?

1693
01:11:02,439 --> 01:11:04,120
Speaker 5: You think Snoop and Dre don't care what people want.

1694
01:11:04,200 --> 01:11:05,760
Speaker 3: I think at this point in their career, I don't

1695
01:11:05,760 --> 01:11:07,040
Speaker 3: think it's making a break in anything.

1696
01:11:07,200 --> 01:11:09,800
Speaker 5: I know it's not making or break in them. Their

1697
01:11:09,880 --> 01:11:12,559
Speaker 5: their legacy is solidified. What I'm saying is, if you

1698
01:11:12,600 --> 01:11:15,599
Speaker 5: think that they don't care what people want, they wouldn't

1699
01:11:15,640 --> 01:11:18,040
Speaker 5: be putting music out into the consumer space if they

1700
01:11:18,040 --> 01:11:19,200
Speaker 5: didn't care what people want.

1701
01:11:19,439 --> 01:11:20,120
Speaker 1: It's still business.

1702
01:11:20,240 --> 01:11:24,240
Speaker 4: If Dre cared what I wanted or people wanted, the

1703
01:11:24,320 --> 01:11:26,320
Speaker 4: last album would have been Chronic two thousand and one.

1704
01:11:26,960 --> 01:11:29,640
Speaker 4: We've been asking for a Dre album forever, and I

1705
01:11:29,680 --> 01:11:29,880
Speaker 4: like that.

1706
01:11:29,960 --> 01:11:30,240
Speaker 2: I like that.

1707
01:11:30,880 --> 01:11:32,800
Speaker 4: I like the Compton album. Don't get me wrong, it's

1708
01:11:33,080 --> 01:11:35,400
Speaker 4: a good project. But he put that out because it

1709
01:11:35,400 --> 01:11:37,280
Speaker 4: was paired with the movie that was never coming out.

1710
01:11:37,320 --> 01:11:40,080
Speaker 4: If that movie didn't come out, Dre does not give

1711
01:11:40,160 --> 01:11:42,240
Speaker 4: a fuck what we want.

1712
01:11:42,400 --> 01:11:43,000
Speaker 1: I don't think so.

1713
01:11:43,560 --> 01:11:46,920
Speaker 4: And Snoop did Snoop lyon all this other shit that

1714
01:11:47,120 --> 01:11:49,479
Speaker 4: clearly he didn't care what we wanted from Snoop Dogg.

1715
01:11:49,520 --> 01:11:49,960
Speaker 1: Don't care.

1716
01:11:50,479 --> 01:11:52,400
Speaker 4: Snoop and Dre do not give a fuck about what

1717
01:11:52,439 --> 01:11:54,360
Speaker 4: the fans want. And that's fine with me. I'm not

1718
01:11:54,400 --> 01:11:56,920
Speaker 4: saying in a negative way. That's what's made them the

1719
01:11:56,960 --> 01:11:57,840
Speaker 4: geniuses that they are.

1720
01:11:57,840 --> 01:11:59,639
Speaker 5: They never so this is just a passion project.

1721
01:12:00,240 --> 01:12:01,080
Speaker 1: Probably, I don't.

1722
01:12:00,880 --> 01:12:02,479
Speaker 4: Even think it's passion. I think it's just friends.

1723
01:12:02,800 --> 01:12:04,479
Speaker 5: Like it's a friend. Project's a friend altum.

1724
01:12:05,080 --> 01:12:07,080
Speaker 4: It's not watched the Throne where they were at the

1725
01:12:07,120 --> 01:12:08,200
Speaker 4: peaks career.

1726
01:12:08,240 --> 01:12:11,040
Speaker 5: Oh, I know, it's not washing the thrown. I'm very clear.

1727
01:12:11,040 --> 01:12:12,280
Speaker 4: This is not washing throw I know that.

1728
01:12:13,920 --> 01:12:16,840
Speaker 5: Who me, Yeah, all the way, this makes sense.

1729
01:12:17,000 --> 01:12:19,040
Speaker 4: I mean, you got the Dodger blue one right now,

1730
01:12:19,360 --> 01:12:20,559
Speaker 4: thank god they did with a lot of.

1731
01:12:20,520 --> 01:12:22,679
Speaker 5: Dodger blue, Dodger blues, royal blue. This is not royal blue.

1732
01:12:22,680 --> 01:12:23,720
Speaker 5: Get your blues together.

1733
01:12:25,080 --> 01:12:29,200
Speaker 1: And you got a whole blue ensembalan you do. I

1734
01:12:29,280 --> 01:12:31,840
Speaker 1: know what blue that is. That's Dodger blue. That's Dodger blue.

1735
01:12:32,120 --> 01:12:33,720
Speaker 1: It's such a bad blue Dodger ass.

1736
01:12:33,800 --> 01:12:37,639
Speaker 4: Dug No, I'm not saying that Dodger should be compared

1737
01:12:37,640 --> 01:12:40,040
Speaker 4: to Watch, but that was two artists at the peak

1738
01:12:40,080 --> 01:12:42,679
Speaker 4: of their career that were very focused on making something

1739
01:12:42,720 --> 01:12:45,679
Speaker 4: that we would all love and would push the sound forward.

1740
01:12:46,000 --> 01:12:49,960
Speaker 4: This is just two old friends making an album together.

1741
01:12:50,160 --> 01:12:51,799
Speaker 4: It's not it's not that.

1742
01:12:52,960 --> 01:12:54,880
Speaker 3: Old niggas working on cars in the backyard.

1743
01:12:55,680 --> 01:12:57,240
Speaker 5: I don't go fun what y'all told about to him.

1744
01:12:57,240 --> 01:12:59,360
Speaker 5: I'm bringing up them first week as soon as that

1745
01:12:59,400 --> 01:12:59,880
Speaker 5: shit dry.

1746
01:13:00,200 --> 01:13:01,880
Speaker 4: I don't even know if they'll post what they are.

1747
01:13:02,040 --> 01:13:03,559
Speaker 4: You're gonna have to like pay for that billboard.

1748
01:13:03,800 --> 01:13:04,400
Speaker 1: I'll pay for it.

1749
01:13:06,080 --> 01:13:06,880
Speaker 3: They don't have control.

1750
01:13:07,040 --> 01:13:09,360
Speaker 5: I want to see what Jelly roll with Tom Petty

1751
01:13:09,600 --> 01:13:11,439
Speaker 5: all the Mother features on it with Eminem, I want

1752
01:13:11,479 --> 01:13:12,760
Speaker 5: to see what they did first week.

1753
01:13:12,840 --> 01:13:15,240
Speaker 4: You don't think Doctor Dre, Jimmy Ivean and Snoop Dogg

1754
01:13:15,280 --> 01:13:17,960
Speaker 4: have the power to stop anyone from posting those numbers.

1755
01:13:18,040 --> 01:13:18,559
Speaker 1: I think they do.

1756
01:13:19,560 --> 01:13:20,840
Speaker 4: That's the real Illuminati right.

1757
01:13:20,720 --> 01:13:23,240
Speaker 1: There, or is just the power to make them whatever

1758
01:13:23,240 --> 01:13:23,960
Speaker 1: they want them to be.

1759
01:13:24,800 --> 01:13:27,639
Speaker 3: I don't know about that. Not in this day and age.

1760
01:13:28,320 --> 01:13:30,400
Speaker 4: I also think Jimmy Iveen don't give a fuck with themself.

1761
01:13:30,439 --> 01:13:32,720
Speaker 1: Yeah I don't just does nothing.

1762
01:13:32,840 --> 01:13:34,120
Speaker 4: But hold on, is this going out on death row?

1763
01:13:34,160 --> 01:13:37,320
Speaker 4: Because Soop owns death Throw now right? This may not

1764
01:13:37,360 --> 01:13:40,519
Speaker 4: even be an aftermath interscope thing at all.

1765
01:13:41,880 --> 01:13:43,920
Speaker 5: It should be on the artwork or the track list.

1766
01:13:45,040 --> 01:13:47,759
Speaker 1: Well, it was just it was just a condom. Oh

1767
01:13:47,800 --> 01:13:49,000
Speaker 1: that's great. Yeah.

1768
01:13:50,120 --> 01:13:58,720
Speaker 4: And also you know petty relationships for thirty years. They

1769
01:13:58,760 --> 01:14:02,240
Speaker 4: even put the tams burgersh it where Sug ended up

1770
01:14:02,880 --> 01:14:04,679
Speaker 4: getting arrested for the crime that he committed.

1771
01:14:05,160 --> 01:14:05,559
Speaker 5: Mm hmm.

1772
01:14:06,000 --> 01:14:11,439
Speaker 4: They put that at the Super Bowl halftime show. Snoop

1773
01:14:11,479 --> 01:14:16,520
Speaker 4: then bought death Row. If Dre and Snoop put out

1774
01:14:16,680 --> 01:14:20,120
Speaker 4: and joint album together on death Row while Sug is

1775
01:14:20,120 --> 01:14:23,040
Speaker 4: in jail fighting for his life, I think they do

1776
01:14:23,080 --> 01:14:26,320
Speaker 4: it just off the petty strike. I think they probably

1777
01:14:26,320 --> 01:14:27,920
Speaker 4: had the convo like, Yo, it would be hilarious since

1778
01:14:27,920 --> 01:14:30,240
Speaker 4: you bought death row just to just to say a

1779
01:14:30,240 --> 01:14:32,639
Speaker 4: fuck you to Sug, that we would do a joint

1780
01:14:32,640 --> 01:14:34,439
Speaker 4: album and put it out on death row where he

1781
01:14:34,479 --> 01:14:37,320
Speaker 4: has no control fuck the music. This is a statement

1782
01:14:37,360 --> 01:14:39,080
Speaker 4: for us. I could see that too.

1783
01:14:40,760 --> 01:14:41,599
Speaker 1: All that sounds great.

1784
01:14:41,600 --> 01:14:42,760
Speaker 5: I'm just gonna let you know that I want to

1785
01:14:42,760 --> 01:14:43,719
Speaker 5: see what those first week.

1786
01:14:45,560 --> 01:14:48,519
Speaker 4: And put an ACN feature on it that wont know

1787
01:14:48,520 --> 01:14:49,599
Speaker 4: where you're had that didn't go over.

1788
01:14:49,960 --> 01:14:51,680
Speaker 1: I got it, definitely got it.

1789
01:14:53,800 --> 01:14:55,000
Speaker 4: Do we have voicemails?

1790
01:14:55,360 --> 01:14:57,360
Speaker 1: We do, You've got mail.

1791
01:14:58,200 --> 01:15:00,880
Speaker 8: Yo, it's good ro and MA shout out to the

1792
01:15:00,880 --> 01:15:02,800
Speaker 8: rest of the crew. Let the show keep doing your thing.

1793
01:15:03,240 --> 01:15:05,080
Speaker 8: I'm trying to make it quick. I need some advice.

1794
01:15:06,080 --> 01:15:08,120
Speaker 8: So I was messing with this girl in Utah. We

1795
01:15:08,120 --> 01:15:12,240
Speaker 8: were off and on Utah. Her ex had lived in

1796
01:15:12,320 --> 01:15:14,640
Speaker 8: Utah as well. I met her while she's on a

1797
01:15:14,640 --> 01:15:17,000
Speaker 8: break with her ex. She ended up moving out to

1798
01:15:17,120 --> 01:15:21,559
Speaker 8: Utah back home to northern California. I ended up moving

1799
01:15:21,560 --> 01:15:23,639
Speaker 8: out of Utah back home in southern California, and then

1800
01:15:23,640 --> 01:15:25,920
Speaker 8: I got a job in northern California.

1801
01:15:25,640 --> 01:15:26,200
Speaker 1: Moving from.

1802
01:15:29,120 --> 01:15:31,200
Speaker 4: Both of them lived in Cali and then moved to Utah.

1803
01:15:31,720 --> 01:15:33,719
Speaker 8: Stands me and her weren't even We were kind of talking,

1804
01:15:33,800 --> 01:15:35,920
Speaker 8: but not really like we're kind of off or whatever.

1805
01:15:37,280 --> 01:15:40,639
Speaker 8: And then I just randomly got this job making six

1806
01:15:40,720 --> 01:15:45,240
Speaker 8: figures the whole nine yards everything, and ended up you know,

1807
01:15:45,400 --> 01:15:46,040
Speaker 8: moving there.

1808
01:15:47,479 --> 01:15:48,439
Speaker 1: Told her I was moving.

1809
01:15:48,520 --> 01:15:50,639
Speaker 8: She was like, oh, cool, like maybe we could try

1810
01:15:50,720 --> 01:15:51,360
Speaker 8: things whatever.

1811
01:15:51,840 --> 01:15:52,320
Speaker 3: So cool.

1812
01:15:52,360 --> 01:15:55,880
Speaker 8: We tried to explore things, whatever, whatever. Things were going good.

1813
01:15:56,040 --> 01:16:00,200
Speaker 8: She brought me around her family something her family and

1814
01:16:00,240 --> 01:16:02,640
Speaker 8: her says she's never done besides the dude that she

1815
01:16:02,760 --> 01:16:05,920
Speaker 8: was in a super long term relationship with. She told

1816
01:16:05,920 --> 01:16:09,559
Speaker 8: me she loved me. We were doing things, and then

1817
01:16:10,000 --> 01:16:12,880
Speaker 8: she we were doing having a Bible study one day

1818
01:16:12,960 --> 01:16:16,240
Speaker 8: and her ex hat saw as some texted her and

1819
01:16:16,560 --> 01:16:19,519
Speaker 8: things went kind of downhill after that. Then she ended

1820
01:16:19,600 --> 01:16:20,360
Speaker 8: up wanting.

1821
01:16:20,080 --> 01:16:22,520
Speaker 1: To take a step back, which is cool.

1822
01:16:22,800 --> 01:16:24,880
Speaker 8: I'm wondering, I'm kind of a lover boy, so I'm

1823
01:16:24,960 --> 01:16:27,640
Speaker 8: kind of wondering if it's just cool or not?

1824
01:16:28,120 --> 01:16:31,679
Speaker 1: Thanks, what do you say? Wondering what he should still

1825
01:16:31,720 --> 01:16:32,519
Speaker 1: pursue her or not.

1826
01:16:34,520 --> 01:16:35,880
Speaker 5: Well, he said he's a love of boy, so that

1827
01:16:35,920 --> 01:16:38,120
Speaker 5: means he gets in his feelings quick early.

1828
01:16:38,360 --> 01:16:41,280
Speaker 4: If you are dating girl that introduces you to her

1829
01:16:41,360 --> 01:16:43,719
Speaker 4: family says, I love you. You guys are doing things.

1830
01:16:44,920 --> 01:16:45,439
Speaker 1: They'll go to.

1831
01:16:45,400 --> 01:16:49,840
Speaker 4: Bible study together. All she does is have her ex

1832
01:16:49,960 --> 01:16:52,519
Speaker 4: spots y'all at Bible study and then text her on

1833
01:16:52,560 --> 01:16:55,000
Speaker 4: the side. And now she doesn't want to do this anymore. No,

1834
01:16:55,040 --> 01:16:56,040
Speaker 4: you should not pursue that.

1835
01:16:55,960 --> 01:17:00,320
Speaker 1: Girl in leave her as Utah. Yeah, I guess head

1836
01:17:00,400 --> 01:17:02,559
Speaker 1: with a bitch from botox in l a leave Utah

1837
01:17:02,560 --> 01:17:03,280
Speaker 1: and go to Houston.

1838
01:17:03,320 --> 01:17:07,240
Speaker 4: What do you think? The ex Texan texted her God

1839
01:17:07,320 --> 01:17:08,680
Speaker 4: think like a Bible.

1840
01:17:08,600 --> 01:17:11,360
Speaker 1: Like God or some ship said God is watching.

1841
01:17:11,800 --> 01:17:13,160
Speaker 4: Always remember I'm the Genesis.

1842
01:17:13,240 --> 01:17:17,920
Speaker 3: Yeah, and everything.

1843
01:17:20,600 --> 01:17:21,280
Speaker 4: On the seventh day.

1844
01:17:21,439 --> 01:17:24,120
Speaker 1: Losing your girl. If you could think of one spot

1845
01:17:24,160 --> 01:17:26,439
Speaker 1: that would be the least likely spot to lose your girl,

1846
01:17:26,600 --> 01:17:28,360
Speaker 1: Bible study would be high on that list.

1847
01:17:28,600 --> 01:17:32,320
Speaker 6: Yeah, lose your girl, bro, pack it up. Yeah, I

1848
01:17:32,320 --> 01:17:34,360
Speaker 6: can't leave her, leave her with him and God. If

1849
01:17:34,400 --> 01:17:36,719
Speaker 6: you could lose your girl in church, nowhere safe.

1850
01:17:36,520 --> 01:17:39,760
Speaker 3: Because now you got to switch churches, you switch religions.

1851
01:17:40,280 --> 01:17:40,680
Speaker 1: Fuck that.

1852
01:17:41,320 --> 01:17:43,160
Speaker 4: Wait first of all, though, like, have you all been

1853
01:17:43,200 --> 01:17:43,840
Speaker 4: a Bible study?

1854
01:17:43,960 --> 01:17:44,200
Speaker 11: Yeah?

1855
01:17:44,240 --> 01:17:47,720
Speaker 4: Now how do you How does someone spots you with

1856
01:17:47,880 --> 01:17:51,360
Speaker 4: Bible study? It's only like fifteen people in if that

1857
01:17:51,360 --> 01:17:52,880
Speaker 4: that's what I'm like. No, he was in the circle,

1858
01:17:53,400 --> 01:17:54,840
Speaker 4: he was he was reading, he.

1859
01:17:54,760 --> 01:17:56,680
Speaker 5: Was he was running the Bible study like he was

1860
01:17:56,720 --> 01:17:57,800
Speaker 5: the one conducting it.

1861
01:17:58,600 --> 01:17:59,599
Speaker 4: He was playing junk.

1862
01:18:00,400 --> 01:18:02,280
Speaker 5: Yeah, man, let it go, man, because if you can't

1863
01:18:02,280 --> 01:18:03,520
Speaker 5: go to Bello, no chase.

1864
01:18:04,960 --> 01:18:06,960
Speaker 3: Where the ht double hockey sticks. Can you go?

1865
01:18:07,040 --> 01:18:07,720
Speaker 1: Where can you go?

1866
01:18:07,920 --> 01:18:11,600
Speaker 4: And listen? Meeting a Christian? Heard that in Utah? Like,

1867
01:18:11,960 --> 01:18:12,639
Speaker 4: that's crazy.

1868
01:18:13,520 --> 01:18:15,439
Speaker 1: You said we were doing things, which means they were

1869
01:18:15,439 --> 01:18:21,040
Speaker 1: probably like holding hands and soaking, maybe with jeans.

1870
01:18:21,240 --> 01:18:24,439
Speaker 4: Draws, man, why would you not have draws on with

1871
01:18:24,520 --> 01:18:27,840
Speaker 4: jeans so you could feel something during the dry jumping?

1872
01:18:29,520 --> 01:18:31,799
Speaker 4: You take wait hold on, so you take your jeans

1873
01:18:31,800 --> 01:18:33,680
Speaker 4: off and take your underwear off, put your jeans back on.

1874
01:18:34,040 --> 01:18:36,280
Speaker 3: I would assume that you came knowing you were gonna

1875
01:18:36,320 --> 01:18:38,439
Speaker 3: dry hump, so that you just wouldn't put draws on, right.

1876
01:18:38,320 --> 01:18:40,200
Speaker 1: You would just get carbon burn on your dick if

1877
01:18:40,240 --> 01:18:41,040
Speaker 1: you got denim on.

1878
01:18:42,280 --> 01:18:44,920
Speaker 4: I've definitely heard of pussy appointments, dick appointments, that whole shit.

1879
01:18:45,000 --> 01:18:48,000
Speaker 4: I've never heard of a dry hump that you come

1880
01:18:48,120 --> 01:18:51,960
Speaker 4: prepared with. No put some sweatpants on, sweatpants if you

1881
01:18:51,960 --> 01:18:54,280
Speaker 4: could plan it. Why are you going with denim?

1882
01:18:54,520 --> 01:18:54,760
Speaker 2: Raw?

1883
01:18:55,080 --> 01:18:56,840
Speaker 5: And he sounds like he with that Japanese din them,

1884
01:18:56,880 --> 01:19:01,120
Speaker 5: that hard denim that ship pants up in the corner.

1885
01:19:02,560 --> 01:19:04,760
Speaker 4: He definitely sounds like true religion. Come on, give me

1886
01:19:04,760 --> 01:19:09,439
Speaker 4: my credit, Come on, give me my credit.

1887
01:19:09,479 --> 01:19:12,720
Speaker 6: Look at here like it before it even had a

1888
01:19:12,800 --> 01:19:14,160
Speaker 6: chance to like.

1889
01:19:15,200 --> 01:19:17,080
Speaker 4: It was bad. I was trying to get ahead of

1890
01:19:17,760 --> 01:19:18,519
Speaker 4: me being shipped on.

1891
01:19:18,640 --> 01:19:23,160
Speaker 1: What's his name, Jeremy, don't know he also and that

1892
01:19:23,280 --> 01:19:24,760
Speaker 1: was not him. It's fine, all.

1893
01:19:24,760 --> 01:19:28,320
Speaker 5: Right, well whatever your name is, sir in utah nba,

1894
01:19:28,400 --> 01:19:29,120
Speaker 5: young boy.

1895
01:19:30,960 --> 01:19:31,479
Speaker 1: Lady alone.

1896
01:19:31,520 --> 01:19:33,360
Speaker 4: I kind of want he should leave her alone. I

1897
01:19:33,400 --> 01:19:36,439
Speaker 4: do want to follow up from him, though. What is

1898
01:19:36,439 --> 01:19:39,599
Speaker 4: that conversation? Like, Yo, my my ex saws a Bible study.

1899
01:19:39,640 --> 01:19:42,120
Speaker 4: He just texts me and then she just falls back.

1900
01:19:43,560 --> 01:19:45,880
Speaker 4: They did the whole family thing, that I love you thing.

1901
01:19:46,320 --> 01:19:47,920
Speaker 4: They were dry humping, like.

1902
01:19:48,120 --> 01:19:49,559
Speaker 1: No, she still had feelings for him.

1903
01:19:49,560 --> 01:19:50,639
Speaker 4: Oh no, that's that's obvious.

1904
01:19:50,640 --> 01:19:53,760
Speaker 5: But that's all it is. He just made up an

1905
01:19:53,800 --> 01:19:55,599
Speaker 5: excuse like you know whatever, bullshit.

1906
01:19:56,080 --> 01:19:58,519
Speaker 4: Basically he's still sitting here, Like should I pursue? So

1907
01:19:58,680 --> 01:19:59,360
Speaker 4: what did she say?

1908
01:19:59,400 --> 01:19:59,519
Speaker 1: Like?

1909
01:19:59,560 --> 01:20:01,720
Speaker 4: Oh, he just texted me, bro, he just said hi, No,

1910
01:20:01,760 --> 01:20:03,280
Speaker 4: but I don't think we should see each other anymore?

1911
01:20:03,760 --> 01:20:06,000
Speaker 5: Should I pursue a meaning? Like should I continue to

1912
01:20:06,040 --> 01:20:06,360
Speaker 5: hit up?

1913
01:20:06,360 --> 01:20:06,400
Speaker 4: Like?

1914
01:20:06,479 --> 01:20:07,320
Speaker 1: Yo, what's going on?

1915
01:20:07,640 --> 01:20:08,400
Speaker 4: I agree?

1916
01:20:08,840 --> 01:20:11,200
Speaker 1: Can we can we hang out? Can we talk? Yeah?

1917
01:20:11,200 --> 01:20:13,240
Speaker 1: It sounds like the homie dumped her the other guy

1918
01:20:13,520 --> 01:20:16,120
Speaker 1: and she's always held that door open, saying one day

1919
01:20:16,160 --> 01:20:18,160
Speaker 1: maybe this will still work out. She never let go

1920
01:20:18,280 --> 01:20:22,040
Speaker 1: of her former situation, her former relationship, So now that

1921
01:20:22,080 --> 01:20:24,360
Speaker 1: the guy is even texting her, she's like, we're back on.

1922
01:20:25,960 --> 01:20:28,560
Speaker 5: Do y'all do y'all need closure and relationships?

1923
01:20:29,960 --> 01:20:30,080
Speaker 4: Oh?

1924
01:20:30,120 --> 01:20:34,400
Speaker 1: You're asking me specific not Julian.

1925
01:20:34,479 --> 01:20:36,040
Speaker 5: Nobody in here things you need closure?

1926
01:20:36,160 --> 01:20:37,360
Speaker 4: Yeah, you just need an app.

1927
01:20:37,840 --> 01:20:41,720
Speaker 5: You just need an app, you WiFi, you just need

1928
01:20:41,720 --> 01:20:43,400
Speaker 5: five G and you back in the game, little bit.

1929
01:20:44,240 --> 01:20:46,559
Speaker 4: I used to think I needed closure. I used to

1930
01:20:46,560 --> 01:20:48,559
Speaker 4: be big on like I need some type of closure,

1931
01:20:48,760 --> 01:20:52,240
Speaker 4: And in this point in my life, absolutely not. I

1932
01:20:52,320 --> 01:20:54,600
Speaker 4: was very big on what I thought closure was for

1933
01:20:54,600 --> 01:20:57,200
Speaker 4: a while, and that has shifted.

1934
01:20:57,240 --> 01:20:58,320
Speaker 1: This ship doesn't matter at all.

1935
01:20:58,320 --> 01:21:00,439
Speaker 4: Probably one of the biggest shifts that's happen in my

1936
01:21:00,479 --> 01:21:02,960
Speaker 4: life as of recent is I just don't. I don't

1937
01:21:03,000 --> 01:21:03,320
Speaker 4: need it.

1938
01:21:03,320 --> 01:21:07,240
Speaker 5: Because your dad now closure She was, let everybody be quiet,

1939
01:21:07,240 --> 01:21:07,880
Speaker 5: I'm going to sleep.

1940
01:21:08,320 --> 01:21:10,320
Speaker 4: I feel like closing.

1941
01:21:11,320 --> 01:21:15,439
Speaker 3: I feel like closure depends on the person who It

1942
01:21:15,479 --> 01:21:17,599
Speaker 3: depends on the end of the relationship. So if you

1943
01:21:17,680 --> 01:21:19,439
Speaker 3: if you suddenly the.

1944
01:21:19,479 --> 01:21:21,320
Speaker 5: Only person that usually needs closure is the one that

1945
01:21:21,360 --> 01:21:25,400
Speaker 5: fucked up the relationship. You if you would the one

1946
01:21:25,400 --> 01:21:26,720
Speaker 5: that was cheating, if you would, the one that was

1947
01:21:26,800 --> 01:21:30,960
Speaker 5: cheating and got caught cheating like you, the one that

1948
01:21:31,240 --> 01:21:33,479
Speaker 5: wants to close you if the other part like your part,

1949
01:21:33,479 --> 01:21:34,040
Speaker 5: that's not real.

1950
01:21:34,800 --> 01:21:36,479
Speaker 4: A lot of people that have been cheated on the

1951
01:21:36,560 --> 01:21:38,720
Speaker 4: need closure of like they need to know why, Like

1952
01:21:38,760 --> 01:21:40,400
Speaker 4: we need to close this. I need to understand why

1953
01:21:40,400 --> 01:21:41,320
Speaker 4: the cheating happened.

1954
01:21:41,160 --> 01:21:43,040
Speaker 5: To under why why you cheated on me?

1955
01:21:43,640 --> 01:21:44,519
Speaker 4: That's the thing with people.

1956
01:21:44,880 --> 01:21:46,000
Speaker 1: Man, grow some balls.

1957
01:21:46,560 --> 01:21:51,559
Speaker 4: What if she is a vagina, grow a clip, that's

1958
01:21:51,560 --> 01:21:55,559
Speaker 4: why you were cheating. She had no clip out?

1959
01:21:57,560 --> 01:21:58,800
Speaker 1: Imagine finding that out?

1960
01:22:00,800 --> 01:22:01,439
Speaker 3: Why am I here?

1961
01:22:03,360 --> 01:22:04,760
Speaker 1: Yeah, you ain't got to come out of here.

1962
01:22:04,800 --> 01:22:06,000
Speaker 3: Man, he don't piss me off.

1963
01:22:06,160 --> 01:22:07,920
Speaker 4: He's got a great question. What is a clip?

1964
01:22:08,040 --> 01:22:10,439
Speaker 1: Exactly? What is a clip? What do you mean?

1965
01:22:10,600 --> 01:22:13,200
Speaker 4: I know the function of it, but it's tough to find.

1966
01:22:13,200 --> 01:22:15,479
Speaker 4: Don't get me wrong, but I know the functions the

1967
01:22:15,479 --> 01:22:19,240
Speaker 4: Clit is not tough to find. What does it? I

1968
01:22:19,320 --> 01:22:22,320
Speaker 4: know throughout the vagina, like what everything has.

1969
01:22:22,240 --> 01:22:23,920
Speaker 5: A function, So you want to know the functionality of

1970
01:22:23,920 --> 01:22:26,919
Speaker 5: the h is it just just for pleasure? The glatorius

1971
01:22:27,000 --> 01:22:30,080
Speaker 5: is a female sexual organ. It's a female sexual organ.

1972
01:22:30,160 --> 01:22:33,720
Speaker 5: Sexual organ there's a complex network of nerves and erectile

1973
01:22:34,200 --> 01:22:36,759
Speaker 5: tissue both inside and outside the body.

1974
01:22:37,200 --> 01:22:38,519
Speaker 1: Oh, it's just the clump of nerves.

1975
01:22:39,240 --> 01:22:41,880
Speaker 4: The clip is the aliens forgiving women clips, because all

1976
01:22:41,920 --> 01:22:43,720
Speaker 4: it does is just make sex good.

1977
01:22:43,920 --> 01:22:46,000
Speaker 5: The clit is essentially the helmet is our helmet, you know,

1978
01:22:46,000 --> 01:22:46,720
Speaker 5: our helmet.

1979
01:22:47,880 --> 01:22:50,479
Speaker 4: But our orgasms are for a purpose of keeping the

1980
01:22:50,520 --> 01:22:51,320
Speaker 4: population going.

1981
01:22:52,200 --> 01:22:55,160
Speaker 5: Yeah, we can't keep the population going without They just

1982
01:22:55,160 --> 01:22:56,920
Speaker 5: put a rose on there without the vulva in the

1983
01:22:56,920 --> 01:22:57,519
Speaker 5: glorious it.

1984
01:22:57,479 --> 01:23:00,519
Speaker 1: Does just look like a folded dick that was like

1985
01:23:00,600 --> 01:23:04,280
Speaker 1: tucked in type of you be watching, I'm saying, according

1986
01:23:04,280 --> 01:23:14,880
Speaker 1: to this graph, well, because I say graphicing now people

1987
01:23:14,920 --> 01:23:16,680
Speaker 1: think I'm looking at a woman's clip, but it's a

1988
01:23:16,760 --> 01:23:17,400
Speaker 1: chart of a clip.

1989
01:23:17,439 --> 01:23:19,639
Speaker 4: It was just how your tone and how you said

1990
01:23:19,640 --> 01:23:20,400
Speaker 4: graphic was funny.

1991
01:23:20,400 --> 01:23:24,559
Speaker 1: I don't know why graphic. Yeah, I do like that.

1992
01:23:24,600 --> 01:23:26,800
Speaker 1: They call this the clatorial hood. Can you get your

1993
01:23:26,840 --> 01:23:29,200
Speaker 1: hood circumcised? Can women get their hoods? Sirked?

1994
01:23:29,520 --> 01:23:34,360
Speaker 5: I just the clitorus is essentially it looks exactly like

1995
01:23:35,000 --> 01:23:37,639
Speaker 5: the helmet or the tip of a penis. It does,

1996
01:23:38,720 --> 01:23:41,519
Speaker 5: and it's probably because that's exactly what it is. Sometimes

1997
01:23:41,520 --> 01:23:45,000
Speaker 5: it's covered Sometimes it's skin covering it. Sometimes it's just out. Yeah,

1998
01:23:45,240 --> 01:23:46,920
Speaker 5: sometimes it's right there. You just see it as soon

1999
01:23:46,960 --> 01:23:49,120
Speaker 5: as okay, look like a moose knuckle.

2000
01:23:49,720 --> 01:23:53,280
Speaker 4: Can you imagine, like what type of world we live

2001
01:23:53,280 --> 01:23:54,599
Speaker 4: in if sex didn't feel good?

2002
01:23:55,720 --> 01:24:01,200
Speaker 1: M you've had elaborate yes, of course, but so listen,

2003
01:24:01,280 --> 01:24:02,840
Speaker 1: we live in the world with sex doesn't feel good

2004
01:24:02,880 --> 01:24:03,559
Speaker 1: to some people.

2005
01:24:03,360 --> 01:24:08,800
Speaker 4: But we have an animal instinct to breed. But like,

2006
01:24:09,800 --> 01:24:13,240
Speaker 4: it's the same theory that thank god babies are cute,

2007
01:24:13,240 --> 01:24:15,280
Speaker 4: because there'd probably be a lot of people that would

2008
01:24:15,760 --> 01:24:18,680
Speaker 4: get rid of babies if they weren't so cute. I

2009
01:24:18,720 --> 01:24:20,960
Speaker 4: think if sex didn't feel good, it'd be be a

2010
01:24:21,080 --> 01:24:22,839
Speaker 4: completely different planet.

2011
01:24:22,960 --> 01:24:24,320
Speaker 3: Well, cats don't enjoy sex.

2012
01:24:24,560 --> 01:24:27,920
Speaker 4: Cats, cats don't enjoy life, Cats don't enjoy being around

2013
01:24:27,920 --> 01:24:28,880
Speaker 4: other cats. How could they fuck?

2014
01:24:29,040 --> 01:24:31,519
Speaker 3: Yeah, but it's painful to them. That's why they sound

2015
01:24:31,600 --> 01:24:33,320
Speaker 3: like that. You ever heard cats cats fucking?

2016
01:24:33,400 --> 01:24:37,160
Speaker 4: Can't say? Really, where would I stumble upon.

2017
01:24:37,840 --> 01:24:39,680
Speaker 3: Like hearing it? You can be in your house and

2018
01:24:39,720 --> 01:24:42,200
Speaker 3: like hear it. It's very loud cats.

2019
01:24:44,560 --> 01:24:48,120
Speaker 4: I thought they were fighting. No, they definitely heard cats fight.

2020
01:24:48,160 --> 01:24:50,120
Speaker 4: I thought they were they were.

2021
01:24:50,960 --> 01:24:53,000
Speaker 3: It's very it's very painful for them.

2022
01:24:54,040 --> 01:24:57,880
Speaker 4: Wait, I always thought they were just scrapping, because can

2023
01:24:57,920 --> 01:24:58,880
Speaker 4: you get this cat ass?

2024
01:24:59,360 --> 01:25:01,920
Speaker 3: The male cat has barbs on his penis, so when

2025
01:25:01,920 --> 01:25:04,120
Speaker 3: he goes to put it in and pull it, it

2026
01:25:04,200 --> 01:25:05,960
Speaker 3: hurts stiffy. It hurts a lot.

2027
01:25:06,400 --> 01:25:09,160
Speaker 4: And there their tongues are so even the oral side

2028
01:25:09,160 --> 01:25:09,519
Speaker 4: with cats.

2029
01:25:09,760 --> 01:25:11,120
Speaker 1: Yeah, they definitely lick pussy.

2030
01:25:11,240 --> 01:25:12,679
Speaker 4: They have like sandpaper tongues.

2031
01:25:13,680 --> 01:25:15,880
Speaker 1: Roy you ever your dress is a duck? You ever

2032
01:25:15,920 --> 01:25:16,800
Speaker 1: seen a ducks dick?

2033
01:25:17,960 --> 01:25:20,720
Speaker 4: No, Julian, where would I have seen a ducks dick?

2034
01:25:21,160 --> 01:25:21,320
Speaker 6: Well?

2035
01:25:21,360 --> 01:25:23,639
Speaker 1: Do you do? You do history stuff in Ohio?

2036
01:25:23,800 --> 01:25:25,160
Speaker 4: I do. That's history stuff.

2037
01:25:25,360 --> 01:25:30,080
Speaker 1: It's it's you know, it's it's ducticks are corkscrews. They're

2038
01:25:30,160 --> 01:25:32,480
Speaker 1: like super long and they look like corkscrews.

2039
01:25:32,600 --> 01:25:35,080
Speaker 4: I didn't know. I didn't know ducks were packing like that.

2040
01:25:35,280 --> 01:25:41,720
Speaker 1: Yeah, they got they're strapped. Look at that thing. We

2041
01:25:41,840 --> 01:25:44,040
Speaker 1: have another voice, it's a corkscrew.

2042
01:25:45,160 --> 01:25:47,360
Speaker 4: I was trying to get at the beauty of our

2043
01:25:47,400 --> 01:25:50,519
Speaker 4: ecosystem in the world that John's been created to enjoy sex,

2044
01:25:50,520 --> 01:25:52,840
Speaker 4: to keep the population going. It would be really weird

2045
01:25:52,840 --> 01:25:55,400
Speaker 4: if sex was was not good. I don't know if

2046
01:25:55,400 --> 01:25:58,000
Speaker 4: we all be here. I'm trying to get off the subject.

2047
01:25:58,120 --> 01:26:01,439
Speaker 6: At this, I don't want to look at it. Yeah,

2048
01:26:01,720 --> 01:26:05,679
Speaker 6: it looks like a cheeto. The thing is huge.

2049
01:26:05,880 --> 01:26:07,800
Speaker 1: It does have big feet, though, so that checks out.

2050
01:26:10,080 --> 01:26:12,760
Speaker 1: It's a third runner that looked like a win.

2051
01:26:12,840 --> 01:26:19,519
Speaker 4: Why didn't they add that to my costumes? Come? You

2052
01:26:19,560 --> 01:26:21,720
Speaker 4: don't have that stand up? That's what some said. They

2053
01:26:21,720 --> 01:26:25,080
Speaker 4: didn't add it to my costume. They gave me the hat,

2054
01:26:25,080 --> 01:26:26,000
Speaker 4: but didn't even give me the.

2055
01:26:26,920 --> 01:26:30,719
Speaker 1: Sending them sitting back, get some pieces. Rory loves wine.

2056
01:26:30,760 --> 01:26:32,200
Speaker 1: He would he would die for one of these.

2057
01:26:33,640 --> 01:26:36,479
Speaker 4: I could own a bottle with my dick sending that

2058
01:26:36,520 --> 01:26:39,600
Speaker 4: costume back. Man, That ain't imagine setting the move with

2059
01:26:39,640 --> 01:26:41,639
Speaker 4: a girl. If your dick could open a wine bottle.

2060
01:26:42,720 --> 01:26:45,560
Speaker 1: Spin you want cabernet?

2061
01:26:50,479 --> 01:26:52,960
Speaker 4: Where did you stumble upon a duck's dick? He just

2062
01:26:54,200 --> 01:26:55,200
Speaker 4: to even know that.

2063
01:26:55,120 --> 01:26:57,400
Speaker 1: Yeah, this is this is unfortunately something I knew ahead

2064
01:26:57,400 --> 01:26:58,920
Speaker 1: of time. I just I listened to a lot of

2065
01:26:58,920 --> 01:27:01,439
Speaker 1: weird things, and I know shit in me. Yeah, I

2066
01:27:01,439 --> 01:27:04,040
Speaker 1: always retain the weirdest information. This being one of them.

2067
01:27:04,160 --> 01:27:08,760
Speaker 1: Birds In general, most flying mammals have weirda.

2068
01:27:08,320 --> 01:27:10,640
Speaker 5: Yo, did you see that? What's the name bird? Albatis?

2069
01:27:10,760 --> 01:27:14,680
Speaker 1: Albut Alba two's albatross, albatross, alcatraz.

2070
01:27:14,800 --> 01:27:16,639
Speaker 5: Yeah, no, bro, aliens are real.

2071
01:27:16,680 --> 01:27:16,960
Speaker 4: I don't.

2072
01:27:17,000 --> 01:27:17,320
Speaker 1: We can't.

2073
01:27:17,320 --> 01:27:20,160
Speaker 5: Even this bird can fly and stay in the air

2074
01:27:20,240 --> 01:27:22,599
Speaker 5: for thirteen months without landing.

2075
01:27:22,720 --> 01:27:23,360
Speaker 1: Did y'all know that?

2076
01:27:23,520 --> 01:27:27,360
Speaker 5: No, just by floating like through the wind. They sleep

2077
01:27:27,520 --> 01:27:28,360
Speaker 5: while they're in the air.

2078
01:27:28,439 --> 01:27:30,320
Speaker 1: What if it's not when it looks like it's beult

2079
01:27:30,320 --> 01:27:33,920
Speaker 1: f it's like me on a train. No, this is different.

2080
01:27:34,200 --> 01:27:38,920
Speaker 1: This is different. Thirteen months in the air. That has

2081
01:27:38,960 --> 01:27:41,120
Speaker 1: to be an alien, Like, what are we talking about?

2082
01:27:41,400 --> 01:27:43,519
Speaker 3: They're really big, aren't they.

2083
01:27:43,680 --> 01:27:43,920
Speaker 1: Yeah?

2084
01:27:43,960 --> 01:27:45,160
Speaker 4: Why would you stay in the air for.

2085
01:27:45,080 --> 01:27:47,439
Speaker 3: That little Yeah, they have a large wingspan?

2086
01:27:47,880 --> 01:27:52,439
Speaker 1: Thirteen months straight is cram Imagine fly? Imagine walking for

2087
01:27:52,520 --> 01:27:55,599
Speaker 1: a year straight, like just doing anything for that extended

2088
01:27:55,600 --> 01:27:56,240
Speaker 1: amount of time.

2089
01:27:56,840 --> 01:28:02,120
Speaker 5: Thirteen months. Y'all can't tell me aliens are not real?

2090
01:28:02,200 --> 01:28:04,200
Speaker 4: Man, So you think the birds are the aliens?

2091
01:28:04,760 --> 01:28:05,439
Speaker 1: A form of them?

2092
01:28:05,479 --> 01:28:09,839
Speaker 5: Yeah, former dinosaur, I think those are like the birds

2093
01:28:09,840 --> 01:28:12,840
Speaker 5: that like when UFOs come into our atmosphere like that.

2094
01:28:12,880 --> 01:28:15,080
Speaker 5: I think sometimes they just drop shit off and leave

2095
01:28:15,120 --> 01:28:18,680
Speaker 5: shit behind once they land somewhere, like people like I

2096
01:28:18,680 --> 01:28:20,719
Speaker 5: think certain animals are definitely from white people.

2097
01:28:23,160 --> 01:28:27,879
Speaker 1: Well, yeah, didn't y'all give us, Gonerie, what.

2098
01:28:28,240 --> 01:28:31,920
Speaker 3: Like white people, then white people give like up with

2099
01:28:32,000 --> 01:28:34,720
Speaker 3: like the bacteria. Yeah, like y'all brought the bacteria over here.

2100
01:28:35,240 --> 01:28:38,920
Speaker 5: You gotta talk from the Caucasus Mountains. That sounds like

2101
01:28:38,960 --> 01:28:41,760
Speaker 5: something that will be up in the Caucasus Mountains. Y'all

2102
01:28:41,800 --> 01:28:43,960
Speaker 5: cool about that one. If you made us, then you

2103
01:28:44,080 --> 01:28:46,439
Speaker 5: also made Donerria. So that's a black people think.

2104
01:28:49,600 --> 01:28:53,520
Speaker 4: Do we have another voice triking that steal into Gonerrie's hilarious.

2105
01:28:55,680 --> 01:28:58,640
Speaker 1: Yes, Yes, the sword was dirty.

2106
01:28:58,840 --> 01:29:00,920
Speaker 4: We're the only podcast that constantly brings up that.

2107
01:29:04,640 --> 01:29:07,800
Speaker 1: You're the only person that because I believe.

2108
01:29:07,520 --> 01:29:15,320
Speaker 4: It started second Yeah, the original people listen. Was she

2109
01:29:15,360 --> 01:29:19,080
Speaker 4: here for the episode we scrapped? Oh god, we got

2110
01:29:19,080 --> 01:29:19,720
Speaker 4: heavy into that.

2111
01:29:19,840 --> 01:29:20,760
Speaker 1: Yeah, I was.

2112
01:29:20,880 --> 01:29:23,880
Speaker 3: I was here. I think I was the person who

2113
01:29:23,960 --> 01:29:24,680
Speaker 3: asked to scrap it.

2114
01:29:25,160 --> 01:29:30,439
Speaker 5: Hard drives, they're there, burnt, the feds, come for the feds.

2115
01:29:30,479 --> 01:29:33,920
Speaker 4: Come see you guys are part of You're part of

2116
01:29:33,920 --> 01:29:36,120
Speaker 4: the problem. That's why you're like the Feds. You were

2117
01:29:36,120 --> 01:29:37,000
Speaker 4: trying to silence me.

2118
01:29:38,120 --> 01:29:40,920
Speaker 1: I wasn't. I just know you.

2119
01:29:41,520 --> 01:29:46,120
Speaker 4: Demus DeMar said, y'all didn't have that that energy, uh

2120
01:29:47,240 --> 01:29:48,880
Speaker 4: for nineteen keys when he was here because him, and

2121
01:29:48,880 --> 01:29:50,439
Speaker 4: I believe the same thing I did.

2122
01:29:50,560 --> 01:29:54,920
Speaker 3: Y'all went against me. Mm hmmm, I'll be saying, scrap everything,

2123
01:29:54,960 --> 01:29:55,519
Speaker 3: throw it out.

2124
01:29:57,040 --> 01:29:58,400
Speaker 1: Did we cut any of that nineteen Q?

2125
01:29:58,680 --> 01:29:59,120
Speaker 3: Yes, we did.

2126
01:29:59,320 --> 01:29:59,599
Speaker 4: We did.

2127
01:29:59,600 --> 01:30:01,800
Speaker 1: We cut it quite a bit now that I remember.

2128
01:30:02,720 --> 01:30:04,360
Speaker 5: Trying to silence the keys. That's the problem.

2129
01:30:04,360 --> 01:30:06,679
Speaker 1: I just cut out half an episode earlier this week.

2130
01:30:06,880 --> 01:30:09,679
Speaker 4: It's the problem now another Great Tours.

2131
01:30:09,720 --> 01:30:14,480
Speaker 1: We cut out so much ship all right, what's up? Everybody?

2132
01:30:15,200 --> 01:30:15,519
Speaker 9: What's up?

2133
01:30:15,600 --> 01:30:15,920
Speaker 3: Gang?

2134
01:30:16,479 --> 01:30:20,200
Speaker 9: Shouts out everybody, but especially baby D. You definitely be

2135
01:30:20,280 --> 01:30:22,800
Speaker 9: the most valid on the podcast. He just trying to

2136
01:30:22,840 --> 01:30:24,960
Speaker 9: give me you a hard time. But I think we

2137
01:30:25,000 --> 01:30:27,840
Speaker 9: all know that you're the most valid. But anyway, straight

2138
01:30:27,880 --> 01:30:34,320
Speaker 9: to the point, said L Yeah, So I'm in a situation.

2139
01:30:35,680 --> 01:30:38,880
Speaker 9: I'm from the d m V. I moved to l

2140
01:30:38,920 --> 01:30:41,360
Speaker 9: A pretty recently, a little more than a year ago,

2141
01:30:42,200 --> 01:30:46,880
Speaker 9: and you know, I moved here single and I have

2142
01:30:47,280 --> 01:30:50,479
Speaker 9: I've been having fun in the streets. You know, I'm

2143
01:30:50,479 --> 01:30:56,640
Speaker 9: a bartender, so my occupation gives way to interact with

2144
01:30:56,680 --> 01:31:00,920
Speaker 9: a lot of women. But this is one girl back

2145
01:31:00,960 --> 01:31:06,479
Speaker 9: home who I met a little bit before I left,

2146
01:31:06,720 --> 01:31:09,880
Speaker 9: and we kind of hit it off. We never hung

2147
01:31:09,880 --> 01:31:11,800
Speaker 9: out or anything. We just see each other around, but

2148
01:31:11,840 --> 01:31:14,639
Speaker 9: we hit it off. So I went back to visit

2149
01:31:15,439 --> 01:31:18,120
Speaker 9: last week and I asked if she wanted to go

2150
01:31:18,160 --> 01:31:20,840
Speaker 9: out for dinner, and we did and it was great.

2151
01:31:21,800 --> 01:31:24,360
Speaker 9: But the only thing is, I'm back in LA now

2152
01:31:25,320 --> 01:31:28,120
Speaker 9: and I kind of don't know what I should do.

2153
01:31:28,200 --> 01:31:30,800
Speaker 9: I want to see her again, and I know she

2154
01:31:30,880 --> 01:31:34,280
Speaker 9: wants to see me again, but I don't know how

2155
01:31:34,320 --> 01:31:37,479
Speaker 9: I should go about this, Like should I fly her out?

2156
01:31:38,080 --> 01:31:41,519
Speaker 9: Should I just wait till she's in town? Do I

2157
01:31:41,600 --> 01:31:44,600
Speaker 9: go back? I'm not sure, So let me know what

2158
01:31:44,880 --> 01:31:45,439
Speaker 9: should I do.

2159
01:31:46,400 --> 01:31:48,160
Speaker 1: He left the second voicemail, We're not going to listen

2160
01:31:48,160 --> 01:31:50,360
Speaker 1: to the whole thing. He basically just added that they've

2161
01:31:50,360 --> 01:31:52,720
Speaker 1: been texting and dming since the move, and the date

2162
01:31:52,800 --> 01:31:57,120
Speaker 1: that they did go on went very well. Okay, that's it.

2163
01:31:58,320 --> 01:31:59,600
Speaker 4: How much the flight cost.

2164
01:32:00,120 --> 01:32:03,000
Speaker 1: From LA to DC, I don't.

2165
01:32:02,800 --> 01:32:04,240
Speaker 4: Know, and it's around holiday time.

2166
01:32:04,680 --> 01:32:07,479
Speaker 1: She flying Delta one. Well, wouldn't he be coming this

2167
01:32:07,520 --> 01:32:09,680
Speaker 1: way for the holidays? You would assume me come back home? Now?

2168
01:32:09,840 --> 01:32:11,920
Speaker 4: Yeah, I'd wait this one out. I don't know if

2169
01:32:13,040 --> 01:32:15,040
Speaker 4: being that spent off the first date and then fly

2170
01:32:15,120 --> 01:32:17,400
Speaker 4: her out, I think it's a little it's a little extra.

2171
01:32:17,439 --> 01:32:19,920
Speaker 5: Baller first date and then fly out. Shit, niggas be

2172
01:32:19,920 --> 01:32:21,439
Speaker 5: flying find him out first date.

2173
01:32:21,520 --> 01:32:25,240
Speaker 4: I'm not distracting bartenders whatsoever. I don't want to come

2174
01:32:25,240 --> 01:32:28,679
Speaker 4: across as that guy. But that's a lot of money

2175
01:32:29,360 --> 01:32:31,840
Speaker 4: to just fly a woman from LA to DC because

2176
01:32:31,840 --> 01:32:35,120
Speaker 4: you liked her on the first date. Maybe he's great

2177
01:32:35,120 --> 01:32:36,080
Speaker 4: with his finances. I don't know.

2178
01:32:36,120 --> 01:32:38,120
Speaker 5: Yeah, what is she talking crazy in the text?

2179
01:32:38,120 --> 01:32:38,559
Speaker 1: Though? Mm?

2180
01:32:39,439 --> 01:32:41,680
Speaker 4: I mean it was FaceTime and I'll beat off that.

2181
01:32:41,880 --> 01:32:43,839
Speaker 3: The flight is if he gets her like a business

2182
01:32:43,840 --> 01:32:46,880
Speaker 3: class flight, it's probably like what five hundred, six hundred.

2183
01:32:46,560 --> 01:32:48,880
Speaker 1: Dollars from LA to D.

2184
01:32:49,080 --> 01:32:51,919
Speaker 3: I didn't mean business class. I meant like premium economy.

2185
01:32:53,040 --> 01:32:56,679
Speaker 3: I mean you probably could find eleven minimum premium economy.

2186
01:32:56,720 --> 01:32:58,160
Speaker 3: It's like six hundred.

2187
01:32:57,880 --> 01:32:59,360
Speaker 5: Dollars seven year prost six to seven.

2188
01:32:59,560 --> 01:33:00,479
Speaker 1: Yeah. Yeah.

2189
01:33:01,280 --> 01:33:03,479
Speaker 5: But then all right, then you know when you you know,

2190
01:33:03,479 --> 01:33:05,400
Speaker 5: when you book, like if it's Monday and you talk

2191
01:33:05,479 --> 01:33:09,400
Speaker 5: about coming out here Thursday, you're gonna play it.

2192
01:33:09,400 --> 01:33:11,280
Speaker 1: You're gonna pay it pretty, You're gonna you're gonna pay.

2193
01:33:11,520 --> 01:33:12,880
Speaker 1: You're gonna pay for that ass.

2194
01:33:13,640 --> 01:33:15,759
Speaker 4: And then also like if you're not like a dirt

2195
01:33:15,800 --> 01:33:18,599
Speaker 4: bag when you fly out you have to like bring

2196
01:33:18,640 --> 01:33:21,120
Speaker 4: her around the city and like do a lot of activities,

2197
01:33:21,160 --> 01:33:23,840
Speaker 4: and that that whole thing starts to add up to

2198
01:33:23,960 --> 01:33:25,719
Speaker 4: She didn't want to just get fucked on your couch

2199
01:33:25,760 --> 01:33:30,280
Speaker 4: for a week, especially remember when it was just that simple.

2200
01:33:31,760 --> 01:33:33,519
Speaker 4: Lauren tried to tell us it could all be so simple,

2201
01:33:33,760 --> 01:33:35,479
Speaker 4: but you'd rather make it up. That's what she was

2202
01:33:35,479 --> 01:33:40,400
Speaker 4: talking really to talk about. A breakouds come through, you

2203
01:33:40,880 --> 01:33:41,320
Speaker 4: just pull up.

2204
01:33:42,560 --> 01:33:44,439
Speaker 1: The week is a long time, especially if she gets

2205
01:33:44,479 --> 01:33:46,720
Speaker 1: here and you be on the first night. From experience,

2206
01:33:46,840 --> 01:33:51,200
Speaker 1: not worth it. Yeah, some people, actually some people really

2207
01:33:51,360 --> 01:33:55,120
Speaker 1: like they have to like I love women, do you? Yeah?

2208
01:33:55,280 --> 01:33:56,519
Speaker 5: I think you love sex. I don't know if you

2209
01:33:56,600 --> 01:33:57,200
Speaker 5: like love women.

2210
01:33:57,880 --> 01:34:00,240
Speaker 4: I love women in their personalities, but a week with

2211
01:34:00,320 --> 01:34:01,880
Speaker 4: any human beings, it's too long.

2212
01:34:02,280 --> 01:34:05,799
Speaker 1: A big personality guy, I'm.

2213
01:34:05,640 --> 01:34:06,960
Speaker 4: A big personality.

2214
01:34:07,200 --> 01:34:10,439
Speaker 1: He's not all neither of you.

2215
01:34:10,600 --> 01:34:13,560
Speaker 5: So we're not gonna what I'm more of a personality

2216
01:34:13,600 --> 01:34:16,800
Speaker 5: guy to you. How you're own dating apps? What does

2217
01:34:16,840 --> 01:34:17,960
Speaker 5: that have to do with anything?

2218
01:34:18,080 --> 01:34:20,960
Speaker 1: That's the same? Comebats. Every time people.

2219
01:34:20,760 --> 01:34:23,120
Speaker 4: Meet that way, they could be in the personality.

2220
01:34:23,160 --> 01:34:25,840
Speaker 6: You should try them because clearly, you know, huh, clearly

2221
01:34:25,880 --> 01:34:27,479
Speaker 6: what this hasn't worked out thus far.

2222
01:34:27,520 --> 01:34:28,600
Speaker 1: Whatever your method.

2223
01:34:28,400 --> 01:34:31,600
Speaker 4: Is, people like dating apps because it could be personality

2224
01:34:31,680 --> 01:34:33,840
Speaker 4: rather than just meeting someone out that's just trying to fuck.

2225
01:34:33,880 --> 01:34:35,559
Speaker 1: Yeah, that's right.

2226
01:34:36,320 --> 01:34:39,559
Speaker 4: Oh no, you're not a personality guy. I'm just defending. Yeah,

2227
01:34:39,560 --> 01:34:40,800
Speaker 4: I'm not on your side on this. I want to

2228
01:34:40,800 --> 01:34:42,599
Speaker 4: make that clear, and im just on the side I

2229
01:34:42,680 --> 01:34:45,360
Speaker 4: understand dating apps are not just fucking and.

2230
01:34:45,280 --> 01:34:47,559
Speaker 1: Has it worked out for you? Yeah, a few times.

2231
01:34:47,920 --> 01:34:50,559
Speaker 1: I've had my last two real relationships for off dating apps.

2232
01:34:52,080 --> 01:34:55,240
Speaker 3: Your last Okay, when when when was that?

2233
01:34:56,800 --> 01:35:01,200
Speaker 1: My last one was like, no, when it was like

2234
01:35:01,240 --> 01:35:03,280
Speaker 1: twenty eighteen, it was last for like two years.

2235
01:35:03,320 --> 01:35:06,120
Speaker 4: Oh when you went to the Michael Jackson trill, No,

2236
01:35:06,320 --> 01:35:07,639
Speaker 4: this is after twenty eighteen.

2237
01:35:08,240 --> 01:35:13,040
Speaker 1: This is after that. My god, him like nine Michael

2238
01:35:13,080 --> 01:35:14,879
Speaker 1: Jackson trial. That was what was that twenty.

2239
01:35:14,680 --> 01:35:17,479
Speaker 4: Twelve, twenty twelve, No, it wasn't in two thousand and nine.

2240
01:35:17,520 --> 01:35:19,240
Speaker 1: Yeah, the trial happened.

2241
01:35:18,920 --> 01:35:21,400
Speaker 3: Trial for the guy who killed him, not his trial.

2242
01:35:21,680 --> 01:35:24,080
Speaker 4: Oh wait, I thought he went to like Michael Jackson.

2243
01:35:24,520 --> 01:35:26,400
Speaker 1: I went. I went to the one where the Yeah,

2244
01:35:26,520 --> 01:35:29,280
Speaker 1: they were suing the doctor. The family was representing the

2245
01:35:29,320 --> 01:35:32,440
Speaker 1: Jackson family. Yeah. I was like twenty.

2246
01:35:32,200 --> 01:35:33,880
Speaker 4: Twelve, Tomarus, who do you think is more of a

2247
01:35:33,920 --> 01:35:36,639
Speaker 4: personality person when it comes to women? Out of who

2248
01:35:37,960 --> 01:35:40,600
Speaker 4: joining and more people are what?

2249
01:35:41,160 --> 01:35:44,040
Speaker 5: I'm not gonna lie, I agree to Wow, I'm sorry.

2250
01:35:44,120 --> 01:35:45,960
Speaker 1: All right, Let's go back to the gas light pole

2251
01:35:46,000 --> 01:35:48,360
Speaker 1: because I came in last in that one. So what's

2252
01:35:49,040 --> 01:35:51,840
Speaker 1: you guys? Are the lighters over here? Damarus literally has

2253
01:35:51,840 --> 01:35:53,880
Speaker 1: a gas problem going on in her apartment. That's a sign.

2254
01:35:55,080 --> 01:35:57,080
Speaker 11: Why are you so mad at speacause we think I'm

2255
01:35:57,120 --> 01:36:02,479
Speaker 11: not mad? Not projecting news news system, duck dicks. Just

2256
01:36:03,120 --> 01:36:05,400
Speaker 11: take a fucking breather. Happy Halloween.

2257
01:36:05,880 --> 01:36:07,720
Speaker 4: Even though we do give them a lot of ship

2258
01:36:07,800 --> 01:36:10,439
Speaker 4: for never being in serious relationships. I do think his

2259
01:36:10,560 --> 01:36:14,960
Speaker 4: situationships he actually likes the woman. Yeah, I was, I think,

2260
01:36:15,680 --> 01:36:18,600
Speaker 4: which is okay. I think I think you're honest with

2261
01:36:18,640 --> 01:36:20,400
Speaker 4: the women that you meet on the apps. I don't

2262
01:36:20,400 --> 01:36:22,840
Speaker 4: think you do dirt bag ship whatsoever. I think you're

2263
01:36:22,840 --> 01:36:24,800
Speaker 4: honest and saying I'm just trying to fuck and move on.

2264
01:36:24,960 --> 01:36:28,120
Speaker 1: I also have I haven't expressed or been open with

2265
01:36:28,160 --> 01:36:32,240
Speaker 1: my current dating stuff. I've kept it quiet for a reason.

2266
01:36:32,439 --> 01:36:37,160
Speaker 1: So I'll just say that sounding somebody I know you,

2267
01:36:38,280 --> 01:36:42,479
Speaker 1: I don't know me for sure. No, I'm not on

2268
01:36:42,520 --> 01:36:46,600
Speaker 1: like this three hundred day eventually, Yes, what number is

2269
01:36:46,600 --> 01:36:47,160
Speaker 1: it at?

2270
01:36:47,320 --> 01:36:52,200
Speaker 3: I have not stopped coming. I'm depressed. I stop coming.

2271
01:36:53,120 --> 01:36:56,200
Speaker 3: You did May fourteen? Maybe May fourteen one?

2272
01:36:56,920 --> 01:36:58,400
Speaker 4: Eight days? I've been going through something.

2273
01:36:59,600 --> 01:37:02,000
Speaker 5: May four What was this gentleman asking us for?

2274
01:37:02,640 --> 01:37:04,519
Speaker 1: Does he does he fly her out? Or does he?

2275
01:37:04,560 --> 01:37:04,960
Speaker 1: What does he do?

2276
01:37:07,280 --> 01:37:13,280
Speaker 3: I see it? Hold on this bar? You're a bartender?

2277
01:37:13,320 --> 01:37:14,160
Speaker 3: What that mean?

2278
01:37:15,240 --> 01:37:16,920
Speaker 4: You have access to meet a lot of people.

2279
01:37:17,040 --> 01:37:19,080
Speaker 1: He also just said he was getting asked for being

2280
01:37:19,080 --> 01:37:20,720
Speaker 1: a bartender, like, just do that.

2281
01:37:20,960 --> 01:37:22,280
Speaker 4: I was giving a compliment.

2282
01:37:22,520 --> 01:37:24,800
Speaker 3: No, but I'm talking about what you said earlier when

2283
01:37:24,800 --> 01:37:27,519
Speaker 3: you were like, you're a bartender. Like, I'm not saying

2284
01:37:27,520 --> 01:37:30,320
Speaker 3: how much bartenders make, but you shouldn't be spending that's

2285
01:37:30,360 --> 01:37:31,240
Speaker 3: an expensive trip.

2286
01:37:32,400 --> 01:37:34,280
Speaker 5: Yeah, that's an expensive trip if you ain't a box.

2287
01:37:34,479 --> 01:37:38,040
Speaker 4: Yeah, for anybody I gave, I said, I'm not shitting

2288
01:37:38,040 --> 01:37:42,040
Speaker 4: on bartenders or what they make financially. I'm not that guy.

2289
01:37:42,080 --> 01:37:45,520
Speaker 4: But yeah, that's a lot of money around the holidays

2290
01:37:45,560 --> 01:37:47,920
Speaker 4: to have some chick that you just had one cool

2291
01:37:48,000 --> 01:37:51,840
Speaker 4: date with to spend seven hundred dollars minimum to get

2292
01:37:51,840 --> 01:37:54,200
Speaker 4: her there and like we said, for a whole week.

2293
01:37:54,360 --> 01:37:56,280
Speaker 4: He sounds like a good guy. He's gonna have to

2294
01:37:56,320 --> 01:37:59,760
Speaker 4: take her to every fucking site that she ever needs

2295
01:37:59,800 --> 01:38:01,519
Speaker 4: to see. In DC, they're goun to go to dinner's.

2296
01:38:01,640 --> 01:38:07,439
Speaker 4: That's gonna be minimum minimum thirty five.

2297
01:38:08,280 --> 01:38:11,120
Speaker 3: What thirty because you got to do dinner thirty five hundreds,

2298
01:38:11,120 --> 01:38:14,599
Speaker 3: crazy rag dinners. You gotta do dinner every single night.

2299
01:38:15,200 --> 01:38:16,800
Speaker 3: If she's there for five days, he got to do

2300
01:38:16,840 --> 01:38:17,920
Speaker 3: dinner every single night.

2301
01:38:17,960 --> 01:38:20,880
Speaker 4: Can he cook because if not? Yeah, yeah, true, if

2302
01:38:20,920 --> 01:38:23,639
Speaker 4: you can't impress her with the cook game, yeah.

2303
01:38:24,160 --> 01:38:27,040
Speaker 3: Yeah, Like that's not is going Okay, it's not cheap,

2304
01:38:27,080 --> 01:38:29,760
Speaker 3: but it's not fucking two hundred dollars a fucking night, Like.

2305
01:38:29,880 --> 01:38:32,720
Speaker 4: It's three hundred dollars for uber from the airport. Are

2306
01:38:32,720 --> 01:38:35,080
Speaker 4: you guys like not paying attention to how much shit cost?

2307
01:38:35,160 --> 01:38:38,040
Speaker 1: You know? It's not in DC, it's not.

2308
01:38:40,280 --> 01:38:43,559
Speaker 5: If he flies her out to l A, Yeah, but

2309
01:38:43,560 --> 01:38:45,920
Speaker 5: from the airport to weird three hundred.

2310
01:38:45,400 --> 01:38:47,160
Speaker 1: You'd probably pick her up from the airport.

2311
01:38:46,880 --> 01:38:50,479
Speaker 4: LAX to anywhere in Los Angeles is one hundred dollars,

2312
01:38:50,800 --> 01:38:53,360
Speaker 4: absolute fucking minimal. It's not we go to our hotel,

2313
01:38:53,600 --> 01:38:56,639
Speaker 4: depends it depends on what Tom sixty all right, see,

2314
01:38:57,240 --> 01:38:58,320
Speaker 4: I can't even have this conversation.

2315
01:38:58,640 --> 01:39:01,840
Speaker 3: I'm sorry, sixty big black truck. So they lost a

2316
01:39:01,840 --> 01:39:02,040
Speaker 3: lot of.

2317
01:39:02,240 --> 01:39:04,200
Speaker 5: If you don't even if you get a comfort just

2318
01:39:04,200 --> 01:39:06,559
Speaker 5: a regular or EXL it's eighty something night.

2319
01:39:06,600 --> 01:39:09,000
Speaker 3: If you get a regular or just a car over

2320
01:39:10,320 --> 01:39:11,760
Speaker 3: sixty seventy dollars.

2321
01:39:11,640 --> 01:39:13,679
Speaker 1: Nowhere, let me see right now, let me go Uber,

2322
01:39:14,240 --> 01:39:14,639
Speaker 1: Well you.

2323
01:39:14,560 --> 01:39:17,439
Speaker 4: Can't, Yes, you can pretty far from this location, so

2324
01:39:17,520 --> 01:39:17,760
Speaker 4: you can.

2325
01:39:17,760 --> 01:39:19,559
Speaker 5: Still you think I can't call somebody uber in La

2326
01:39:19,640 --> 01:39:19,960
Speaker 5: right now?

2327
01:39:20,479 --> 01:39:21,920
Speaker 4: No, I think you can. It's just going to say

2328
01:39:21,920 --> 01:39:23,040
Speaker 4: you're very far from this location.

2329
01:39:23,120 --> 01:39:25,920
Speaker 1: Yeah, okay, it's send the car.

2330
01:39:27,160 --> 01:39:30,240
Speaker 4: That shit is definitely going to be more. And what

2331
01:39:30,360 --> 01:39:32,679
Speaker 4: time is it over there? It actually doesn't even matter. JFK.

2332
01:39:32,880 --> 01:39:34,000
Speaker 4: It's that crazy.

2333
01:39:34,120 --> 01:39:36,880
Speaker 5: I'll send it to I'll send it to West Hollywood.

2334
01:39:37,240 --> 01:39:40,360
Speaker 3: Yeah, dude, he don't live in West Hollywood, by the way.

2335
01:39:40,280 --> 01:39:43,880
Speaker 5: You pink dot Yeah, right now, Comfort is yea sixty dollars.

2336
01:39:44,000 --> 01:39:46,439
Speaker 3: And a regular Uber ex is sixty one sixty one.

2337
01:39:47,280 --> 01:39:50,519
Speaker 3: Like I said, I mean we're splitting pennies here. That's

2338
01:39:50,560 --> 01:39:52,879
Speaker 3: still a very financially expensive trick.

2339
01:39:52,960 --> 01:39:56,719
Speaker 4: But a flitting pennies. It ain't thirty five hundred total

2340
01:39:57,400 --> 01:40:01,000
Speaker 4: after restaurants ubers ever, Yes, that's you're spending that much

2341
01:40:01,040 --> 01:40:04,640
Speaker 4: money on a girl you like, Yes, you are okay?

2342
01:40:06,400 --> 01:40:08,000
Speaker 4: You think she's gonna eat hot she every night in

2343
01:40:08,080 --> 01:40:08,280
Speaker 4: d C.

2344
01:40:08,600 --> 01:40:10,880
Speaker 3: No, let's just agree to disagree. I don't see thirty

2345
01:40:10,880 --> 01:40:12,479
Speaker 3: five hundred hours. I can see you saying you spent

2346
01:40:12,600 --> 01:40:13,559
Speaker 3: seven hundred on the phone.

2347
01:40:13,560 --> 01:40:15,040
Speaker 4: Wait, do I have it wrong? He wants to fly

2348
01:40:15,120 --> 01:40:15,960
Speaker 4: her to La La.

2349
01:40:16,000 --> 01:40:17,040
Speaker 1: It's worse, That's what I'm saying.

2350
01:40:17,040 --> 01:40:19,040
Speaker 3: I thought it's worse.

2351
01:40:19,120 --> 01:40:20,559
Speaker 1: I'm saying it's four thousand dollars.

2352
01:40:20,760 --> 01:40:22,559
Speaker 4: Yeah, I was saying that for DC.

2353
01:40:22,640 --> 01:40:23,960
Speaker 3: I thought he was flying to d C.

2354
01:40:24,640 --> 01:40:26,960
Speaker 1: No, he's saying, do I fly her out to me?

2355
01:40:27,240 --> 01:40:30,400
Speaker 1: She's in d C? Just oh la oh. I'm saying

2356
01:40:30,439 --> 01:40:33,719
Speaker 1: if she goes to La Bro, you're like draining your pockets.

2357
01:40:33,840 --> 01:40:36,679
Speaker 1: You spend more. You spending way more money. Yeah, for sure.

2358
01:40:37,520 --> 01:40:39,960
Speaker 1: And Terroy's are like, La you gotta be you're driving

2359
01:40:40,000 --> 01:40:42,080
Speaker 1: her everywhere. You gotta think that's just.

2360
01:40:42,240 --> 01:40:43,400
Speaker 3: Gotta spend time with her.

2361
01:40:43,800 --> 01:40:46,479
Speaker 1: Yeah, talk to her a lot of ship like.

2362
01:40:46,760 --> 01:40:48,200
Speaker 4: And you have to think too, if she's there for

2363
01:40:48,240 --> 01:40:50,000
Speaker 4: the week, you're a bartender.

2364
01:40:50,120 --> 01:40:53,360
Speaker 5: You gotta take it a highlight room, got to see

2365
01:40:53,400 --> 01:40:53,800
Speaker 5: night train.

2366
01:40:54,320 --> 01:40:56,280
Speaker 4: How much money? How much money are you losing as

2367
01:40:56,280 --> 01:40:58,760
Speaker 4: a bartender, because like, if you're working during the day,

2368
01:40:58,840 --> 01:41:00,920
Speaker 4: I think a woman would like understand that. But if

2369
01:41:00,960 --> 01:41:04,000
Speaker 4: you leave her every night to go work, true, she's

2370
01:41:04,000 --> 01:41:04,720
Speaker 4: not gonna like that.

2371
01:41:04,720 --> 01:41:05,200
Speaker 1: That's true.

2372
01:41:05,720 --> 01:41:07,240
Speaker 4: You guys can't do dinner, you can't do any of

2373
01:41:07,240 --> 01:41:09,040
Speaker 4: that ship. So clearly he's gonna have to take a

2374
01:41:09,080 --> 01:41:09,920
Speaker 4: week off of work.

2375
01:41:10,720 --> 01:41:13,920
Speaker 1: Barton is usually homie pockets though, Yeah.

2376
01:41:13,800 --> 01:41:15,960
Speaker 3: Like that's if he he didn't call in and say, hey,

2377
01:41:15,960 --> 01:41:16,439
Speaker 3: I don't.

2378
01:41:16,240 --> 01:41:17,479
Speaker 4: Know if I could have more money than me. I'm

2379
01:41:17,479 --> 01:41:18,479
Speaker 4: just saying how much it would cost.

2380
01:41:18,640 --> 01:41:21,080
Speaker 1: But but okay, if you change shifts and say he

2381
01:41:21,160 --> 01:41:25,439
Speaker 1: usually works Thursday, Thursday, Friday, Saturday, Sunday, all right, fine,

2382
01:41:25,600 --> 01:41:27,439
Speaker 1: take two of those shifts off. You're gonna pick up

2383
01:41:27,439 --> 01:41:29,559
Speaker 1: the Monday Tuesday, where you're probably not making nearly as

2384
01:41:29,640 --> 01:41:32,760
Speaker 1: much money. Regardless, he's gonna lose money by either moving

2385
01:41:32,760 --> 01:41:33,679
Speaker 1: shifts or not working.

2386
01:41:33,840 --> 01:41:38,160
Speaker 4: I'm saying the hours too, like fucking man fly, Hey.

2387
01:41:38,280 --> 01:41:40,240
Speaker 3: Thank you mal if you got if you can afford

2388
01:41:40,280 --> 01:41:41,960
Speaker 3: to do it. And when I said afford to do

2389
01:41:42,000 --> 01:41:44,000
Speaker 3: I mean like comfortably do it, which I assume you

2390
01:41:44,000 --> 01:41:45,800
Speaker 3: can because you call in and ask us and you

2391
01:41:45,920 --> 01:41:47,240
Speaker 3: like her, you want to spend time with her doing

2392
01:41:47,320 --> 01:41:48,280
Speaker 3: you think she worth it doing?

2393
01:41:48,600 --> 01:41:52,519
Speaker 4: Fly a week after one day, though.

2394
01:41:52,439 --> 01:41:55,280
Speaker 3: Is a week is too long? I would say a weekend.

2395
01:41:55,600 --> 01:41:58,360
Speaker 3: For a weekend, she's gone nights.

2396
01:41:58,400 --> 01:42:00,840
Speaker 4: Three nights, I think is three nights school three nights

2397
01:42:00,880 --> 01:42:03,719
Speaker 4: is properly because that first one you're gonna have fun. Second,

2398
01:42:03,760 --> 01:42:05,880
Speaker 4: when you get in your rhythm, like if you nutted

2399
01:42:05,920 --> 01:42:07,960
Speaker 4: too quick the first the week with a girl.

2400
01:42:08,160 --> 01:42:10,519
Speaker 3: Yes, but not after the first date. After the first

2401
01:42:10,600 --> 01:42:11,240
Speaker 3: date is wild.

2402
01:42:13,439 --> 01:42:14,800
Speaker 5: Yeah, I don't think I've ever spent a week with

2403
01:42:14,840 --> 01:42:16,960
Speaker 5: a girl after after.

2404
01:42:16,479 --> 01:42:16,920
Speaker 1: The first date.

2405
01:42:18,280 --> 01:42:20,200
Speaker 3: It's different. If it's a week and we live in

2406
01:42:20,200 --> 01:42:22,760
Speaker 3: the same city a week and you coming here to

2407
01:42:22,840 --> 01:42:24,400
Speaker 3: visit me for a week, that's a long.

2408
01:42:24,520 --> 01:42:26,439
Speaker 5: If we live in the same city, like you got

2409
01:42:26,439 --> 01:42:28,040
Speaker 5: your place, I got mine. We don't have to be

2410
01:42:28,160 --> 01:42:30,280
Speaker 5: up under each other. But if you flying out to

2411
01:42:30,320 --> 01:42:33,479
Speaker 5: stay with me and for a week you're in my space,

2412
01:42:33,560 --> 01:42:38,559
Speaker 5: my house, whatever, like after one date, that can be you're.

2413
01:42:38,479 --> 01:42:39,000
Speaker 1: Gonna find out.

2414
01:42:39,000 --> 01:42:40,720
Speaker 5: You're gonna find out who this person is, so he

2415
01:42:40,800 --> 01:42:42,920
Speaker 5: might have a plan, Like I want her to spend time.

2416
01:42:42,920 --> 01:42:44,920
Speaker 5: I want to watch how you know, how she moves

2417
01:42:44,960 --> 01:42:46,960
Speaker 5: around the house, like what she does, Like how she

2418
01:42:47,600 --> 01:42:49,639
Speaker 5: you know, carries herself.

2419
01:42:49,680 --> 01:42:52,080
Speaker 1: What's her housewag? Like? Is she clean? Is she messy?

2420
01:42:52,200 --> 01:42:52,400
Speaker 1: Is she?

2421
01:42:53,120 --> 01:42:55,240
Speaker 3: But you never really gonna know something like that from

2422
01:42:55,240 --> 01:43:00,400
Speaker 3: if somebody's not in their own you got what, Yes,

2423
01:43:00,439 --> 01:43:00,880
Speaker 3: you could.

2424
01:43:01,160 --> 01:43:02,960
Speaker 5: If you have a girl come stay with you, you'll find

2425
01:43:02,960 --> 01:43:05,240
Speaker 5: out exactly how she conduct herself in the house. You

2426
01:43:05,240 --> 01:43:08,800
Speaker 5: can see it, Like, right, I get it, she no,

2427
01:43:08,880 --> 01:43:10,839
Speaker 5: but there's something that those places.

2428
01:43:10,840 --> 01:43:13,240
Speaker 1: Shit's still in the sink. Okay, I get it.

2429
01:43:13,360 --> 01:43:15,800
Speaker 3: No, but you some girl. But on the opposite end,

2430
01:43:15,840 --> 01:43:18,000
Speaker 3: some girls will be super clean at your house, and

2431
01:43:18,040 --> 01:43:19,680
Speaker 3: they won't be the same at their house. That's what

2432
01:43:19,720 --> 01:43:21,559
Speaker 3: I'm saying. It don't really you don't really see it.

2433
01:43:21,680 --> 01:43:23,040
Speaker 4: You ain't gonna check out for a week? Door are

2434
01:43:23,040 --> 01:43:25,599
Speaker 4: you giving her like the rundown when she first gets

2435
01:43:25,600 --> 01:43:27,360
Speaker 4: to the house of like house rules and like.

2436
01:43:27,560 --> 01:43:29,599
Speaker 1: I'm not giving her no house rules? Shees off.

2437
01:43:29,680 --> 01:43:32,679
Speaker 5: She gonna walk in to see a clean space, see

2438
01:43:32,680 --> 01:43:35,760
Speaker 5: shit is in order, and just let me see what she.

2439
01:43:35,800 --> 01:43:38,080
Speaker 1: Do from here. The truth has of a great guess see,

2440
01:43:38,080 --> 01:43:40,360
Speaker 1: how I live relationship or not is even if you're

2441
01:43:40,360 --> 01:43:42,599
Speaker 1: just letting a friends stay, your place is whatever condition

2442
01:43:42,680 --> 01:43:44,200
Speaker 1: the places when you walk in, that's how it's.

2443
01:43:44,360 --> 01:43:47,000
Speaker 5: That's how it's just when you're there or now granted

2444
01:43:47,040 --> 01:43:48,719
Speaker 5: we know you in here, so it's gonna be ship.

2445
01:43:48,760 --> 01:43:52,719
Speaker 5: That's just you know, blankets whatever, like you know, suitcase closed.

2446
01:43:52,960 --> 01:43:53,439
Speaker 1: I get that.

2447
01:43:53,479 --> 01:43:55,080
Speaker 5: But you can still do that and still have shit

2448
01:43:55,240 --> 01:43:56,120
Speaker 5: organizing together.

2449
01:43:56,280 --> 01:43:58,000
Speaker 4: And if I'm doing a week I'm preparing, We're like,

2450
01:43:58,000 --> 01:44:00,280
Speaker 4: all right, you can have this area, put your acup

2451
01:44:00,280 --> 01:44:02,760
Speaker 4: and all that ship here. Uh, don't don't make it weird.

2452
01:44:02,760 --> 01:44:04,200
Speaker 4: You could poop here. You don't have to run the

2453
01:44:04,200 --> 01:44:06,320
Speaker 4: Starbucks and try to hide for a week. You got

2454
01:44:06,320 --> 01:44:08,360
Speaker 4: to say that girls really run the start. I'm not

2455
01:44:08,479 --> 01:44:10,479
Speaker 4: running nowhere. If I got a ship out of ship.

2456
01:44:10,640 --> 01:44:14,479
Speaker 5: You know when in my disappeared, not only that, they

2457
01:44:14,520 --> 01:44:17,120
Speaker 5: disappeared for like thirty minutes and you you look up,

2458
01:44:17,200 --> 01:44:18,680
Speaker 5: you on your phone, you're watching the game. You don't

2459
01:44:18,760 --> 01:44:20,200
Speaker 5: realize she's not even in the living room with you

2460
01:44:20,200 --> 01:44:21,479
Speaker 5: no more.

2461
01:44:21,080 --> 01:44:22,760
Speaker 1: She in the back taking the ship.

2462
01:44:23,000 --> 01:44:25,439
Speaker 4: I've had a girl called me weird because I in

2463
01:44:25,479 --> 01:44:27,760
Speaker 4: my days of having the flyout or whatever. When they

2464
01:44:27,760 --> 01:44:30,400
Speaker 4: would stay for a few days, I would break the

2465
01:44:30,439 --> 01:44:32,400
Speaker 4: ice right away, like if you need to poop, just

2466
01:44:32,840 --> 01:44:34,880
Speaker 4: do it, like there's wet wipes. You don't need to

2467
01:44:35,040 --> 01:44:35,640
Speaker 4: do this whole thing.

2468
01:44:35,800 --> 01:44:36,960
Speaker 1: Roy said, leave the door open.

2469
01:44:37,000 --> 01:44:39,800
Speaker 4: I don't think, like that's odds. I still weird.

2470
01:44:39,840 --> 01:44:41,519
Speaker 5: Like and Rory walk in the bathrooms soon as she

2471
01:44:41,560 --> 01:44:44,720
Speaker 5: finished and gets so. Yeah, he woned those for sure.

2472
01:44:44,720 --> 01:44:45,559
Speaker 3: He wanted to get passed.

2473
01:44:45,880 --> 01:44:47,960
Speaker 4: I mean ice, spice red. It's a redhead thing.

2474
01:44:47,960 --> 01:44:51,639
Speaker 1: I'll get it. Put the zip in the toilet.

2475
01:44:52,200 --> 01:44:56,040
Speaker 5: What new rorymol dot com tickets available now? We will

2476
01:44:56,040 --> 01:44:58,120
Speaker 5: be in that land in November twenty seconds.

2477
01:44:58,120 --> 01:45:00,439
Speaker 1: Your brain even go there, it's like a that thing.

2478
01:45:00,439 --> 01:45:00,880
Speaker 1: I don't think.

2479
01:45:01,120 --> 01:45:03,000
Speaker 5: Then we will finish out the year this summer fourteenth

2480
01:45:03,400 --> 01:45:06,479
Speaker 5: at Gramsey Theater in New York City. Get your tickets

2481
01:45:06,520 --> 01:45:11,160
Speaker 5: now newroryomal dot Com. Hope to see everybody there. Have

2482
01:45:11,280 --> 01:45:14,160
Speaker 5: some fun, all right, man, The weekend's here. Happy Halloween.

2483
01:45:14,160 --> 01:45:17,240
Speaker 5: Everybody be safe treating you if you hear this, Halloween

2484
01:45:17,360 --> 01:45:17,559
Speaker 5: is over.

2485
01:45:17,600 --> 01:45:21,000
Speaker 1: I want you hear this. No, No, I'm not trigger treating,

2486
01:45:21,040 --> 01:45:25,760
Speaker 1: no trick or treat. Oh what is that? Oh? I

2487
01:45:25,760 --> 01:45:29,080
Speaker 1: have a trick. I got matches. We'll talk to y'all soon.

2488
01:45:29,360 --> 01:45:30,320
Speaker 4: That's after she ships.

2489
01:45:30,600 --> 01:45:33,120
Speaker 1: Be safe. Now, you can make it be blessed.

2490
01:45:34,040 --> 01:45:37,400
Speaker 5: That's definitely after she ships. I'm that nigga. He's just ggit.

2491
01:45:37,600 --> 01:45:40,080
Speaker 1: Peace no wan no