1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,560 --> 00:00:10,480 Speaker 2: Oh that's just you. 3 00:00:17,720 --> 00:00:21,919 Speaker 1: Gilmore Girls Gazette with Amy Sugarman and Danielle Romo, an 4 00:00:21,960 --> 00:00:26,440 Speaker 1: iHeartRadio podcast. All right, everybody, we are back for another 5 00:00:26,480 --> 00:00:30,760 Speaker 1: Bunheads recap, Season one, episode four, Better Luck Next Year. 6 00:00:30,880 --> 00:00:34,240 Speaker 1: Airdate July second, twenty twelve. 7 00:00:34,720 --> 00:00:40,159 Speaker 2: Feeling about Bunheads in general, this episode is all right, 8 00:00:40,320 --> 00:00:40,760 Speaker 2: is good? 9 00:00:41,040 --> 00:00:42,840 Speaker 1: I like this entertaining. 10 00:00:44,159 --> 00:00:46,560 Speaker 2: This is what I think about Bunheads as I'm four 11 00:00:46,600 --> 00:00:53,040 Speaker 2: episodes in. It's entertaining, and it satisfies, like Gilmore lust. 12 00:00:53,120 --> 00:00:55,800 Speaker 2: I would say, like, if you're really needing some Gilmore, 13 00:00:56,160 --> 00:01:01,560 Speaker 2: but you're like, I've watched so much Gilmore. It does satisfy. 14 00:01:01,800 --> 00:01:05,200 Speaker 2: It's like an appetizer to Gilmore. Right, You're like, it's 15 00:01:05,480 --> 00:01:10,560 Speaker 2: it satisfies the palette a little bit. It's not up 16 00:01:10,600 --> 00:01:11,959 Speaker 2: there to par. 17 00:01:12,360 --> 00:01:15,520 Speaker 1: Yeah, I would agree, it's it's good filler, but it 18 00:01:15,600 --> 00:01:19,920 Speaker 1: does not took me as Gilmore Girls did. I do 19 00:01:20,120 --> 00:01:24,319 Speaker 1: have one thing that literally makes me want to crawl 20 00:01:24,319 --> 00:01:27,160 Speaker 1: out of my skin when I watch this show, and 21 00:01:27,200 --> 00:01:32,720 Speaker 1: it's the fashion, but specifically Michelle always wearing Toms. 22 00:01:32,959 --> 00:01:34,920 Speaker 2: Oh, I just the fashion is not good. 23 00:01:35,280 --> 00:01:36,840 Speaker 1: You know, you know those Tom shoes. I feel like 24 00:01:36,840 --> 00:01:40,440 Speaker 1: they're the kind of tom with this generation. I had them, 25 00:01:40,680 --> 00:01:43,039 Speaker 1: so like I I Toms. 26 00:01:43,160 --> 00:01:45,640 Speaker 2: I liked the concept. Are they still around? I liked 27 00:01:45,760 --> 00:01:48,080 Speaker 2: that they gave a pair every time you buy a pair, 28 00:01:48,240 --> 00:01:51,960 Speaker 2: exactly like those socks that that sock company does that too, 29 00:01:52,040 --> 00:01:54,520 Speaker 2: So I like that. But like, oh, I'm not into 30 00:01:54,560 --> 00:01:56,960 Speaker 2: like Esper drills anymore, and I feel like Tom's are 31 00:01:57,080 --> 00:01:59,440 Speaker 2: like kind of like Espa drills. Yeah, They're just not 32 00:01:59,440 --> 00:02:02,480 Speaker 2: gonna get my feet and they support. 33 00:02:02,160 --> 00:02:06,200 Speaker 1: I know I need my hope, a lot of cushions. 34 00:02:05,720 --> 00:02:07,760 Speaker 2: Grandma, Grandma Danielle, and I know. 35 00:02:08,000 --> 00:02:09,960 Speaker 1: I just need something to protect my knees. 36 00:02:10,200 --> 00:02:13,520 Speaker 2: Literally wear Hokah flip flops like they're cool and. 37 00:02:13,480 --> 00:02:15,480 Speaker 1: They're not happy you like them now. 38 00:02:15,560 --> 00:02:18,919 Speaker 2: I made three pairs. You made me buy them. 39 00:02:19,040 --> 00:02:22,880 Speaker 1: Amy. We were stuck in Carmel for something and Amy 40 00:02:23,120 --> 00:02:25,440 Speaker 1: forgot her walking shoes and we were right by a 41 00:02:25,480 --> 00:02:27,360 Speaker 1: shoe store and I was like, you have to just 42 00:02:27,400 --> 00:02:28,200 Speaker 1: buy hokahs. 43 00:02:29,440 --> 00:02:30,320 Speaker 2: You're not cute. 44 00:02:30,600 --> 00:02:33,399 Speaker 1: We was protesting it so hard and like, just put 45 00:02:33,400 --> 00:02:35,839 Speaker 1: your foot in them. I bet you you're gonna like them. 46 00:02:36,160 --> 00:02:38,920 Speaker 2: And I have not had plant or fascy eis since 47 00:02:39,120 --> 00:02:40,840 Speaker 2: since I stitched hookahs, and I had to get rid 48 00:02:40,880 --> 00:02:43,640 Speaker 2: of my croc flip flops and switch to the hokah 49 00:02:43,639 --> 00:02:46,040 Speaker 2: flip flops. They're not even flip flops. They're like slides, 50 00:02:46,720 --> 00:02:50,840 Speaker 2: and they're crazy monstrosities. But yeah, I just lean in, 51 00:02:51,160 --> 00:02:56,359 Speaker 2: lean in, ladies. The heels are so yesterday. We had two, 52 00:02:56,840 --> 00:03:00,160 Speaker 2: we had three Gilmore spottings and it kind of fun 53 00:03:00,200 --> 00:03:04,320 Speaker 2: little ones. Brad ellis the piano player always uh. We 54 00:03:04,800 --> 00:03:06,200 Speaker 2: got Greg Henry back. 55 00:03:06,000 --> 00:03:09,040 Speaker 1: Again, Mitchem yep and Biff Jaeger. 56 00:03:09,840 --> 00:03:12,160 Speaker 2: What was Biff's character in Gilmore Girls? You know, he's 57 00:03:12,200 --> 00:03:14,480 Speaker 2: like the construction guy. That was a top Thank you 58 00:03:14,560 --> 00:03:18,280 Speaker 2: so much. So this was the scene though that kind 59 00:03:18,280 --> 00:03:21,720 Speaker 2: of was cringe tastic. We'll get to it. We'll just 60 00:03:21,880 --> 00:03:23,440 Speaker 2: go through this real quick for you guys. 61 00:03:23,760 --> 00:03:24,519 Speaker 1: Oxnard. 62 00:03:26,120 --> 00:03:28,000 Speaker 2: First of all, I can't wait to get to the 63 00:03:28,000 --> 00:03:32,840 Speaker 2: cringey moment. So it's kind of a decent episode. Michelle's 64 00:03:32,840 --> 00:03:35,560 Speaker 2: got the guest house. There's like she's got tons of crap, 65 00:03:35,600 --> 00:03:38,160 Speaker 2: which I don't That didn't track for me, Like she 66 00:03:38,160 --> 00:03:39,920 Speaker 2: had this like tiny apartment in Vegas. Why does she 67 00:03:39,960 --> 00:03:43,480 Speaker 2: have all this crap? I don't know, And like I 68 00:03:43,920 --> 00:03:45,200 Speaker 2: just don't know and I feel like you could just 69 00:03:45,200 --> 00:03:46,720 Speaker 2: call one eight huder. Goot, John can get rid of 70 00:03:46,760 --> 00:03:48,840 Speaker 2: that crap pretty easy. But I know they're, you know, 71 00:03:49,560 --> 00:03:51,880 Speaker 2: penny pinching a little bit. But I thought it was 72 00:03:51,920 --> 00:03:56,920 Speaker 2: totally crazy when when Fanny just bursts into the guest 73 00:03:56,960 --> 00:03:58,080 Speaker 2: house in the middle of the night. 74 00:03:59,360 --> 00:04:04,600 Speaker 1: I know, ignore this because I would going to. 75 00:04:04,640 --> 00:04:07,040 Speaker 2: Say they've gotten over the death way too fast. 76 00:04:07,240 --> 00:04:10,960 Speaker 1: Well that yes, but also, like Fanny is an elderly woman, 77 00:04:11,840 --> 00:04:15,880 Speaker 1: I like to sleep. I don't know one grandma that 78 00:04:16,000 --> 00:04:17,360 Speaker 1: does not like to sleep. 79 00:04:18,000 --> 00:04:21,640 Speaker 2: I actually think that is there are some grandmas that 80 00:04:22,000 --> 00:04:25,920 Speaker 2: barely sleep. Grandma's just sleeping a few hours. I don't know. 81 00:04:26,200 --> 00:04:29,480 Speaker 2: I would like nine hours, ten and I get like seven, 82 00:04:29,720 --> 00:04:33,160 Speaker 2: Not that anyone cares, you know, y'all tell us how 83 00:04:33,240 --> 00:04:35,960 Speaker 2: much you're sleeping. Hopefully you're getting your eight hours. I 84 00:04:36,000 --> 00:04:37,680 Speaker 2: only got like seven last night, and I kind of 85 00:04:37,680 --> 00:04:38,719 Speaker 2: want to take a nap right now. 86 00:04:40,320 --> 00:04:43,799 Speaker 1: I'm a I'm an early to go down early to rise. 87 00:04:44,839 --> 00:04:48,120 Speaker 2: My problem is, I think what I can't tell that's 88 00:04:48,120 --> 00:04:49,960 Speaker 2: happening to me right now is am I hungry? Am 89 00:04:49,960 --> 00:04:52,680 Speaker 2: I thirsty? Am I sleepy? Or do I just have stress? 90 00:04:53,120 --> 00:04:56,560 Speaker 2: Because I'm a little bit like I'm not feeling great, 91 00:04:56,839 --> 00:05:00,760 Speaker 2: but it's fine, I'll work it out at the guest house. 92 00:05:01,160 --> 00:05:01,320 Speaker 1: Oh. 93 00:05:01,440 --> 00:05:03,599 Speaker 2: You know. Then we went to the farmer's market with Boo, 94 00:05:03,800 --> 00:05:07,760 Speaker 2: and here's my critique on this scene. I like the scene. 95 00:05:07,839 --> 00:05:10,839 Speaker 2: I felt that the acting was not great. I felt 96 00:05:10,880 --> 00:05:15,080 Speaker 2: like the mom and Boo were reading the script with 97 00:05:15,200 --> 00:05:18,120 Speaker 2: a lot of lingo in it, and they were not 98 00:05:18,360 --> 00:05:20,120 Speaker 2: acting it. They were kind of reading it. It just 99 00:05:20,120 --> 00:05:24,479 Speaker 2: felt a little weird to me. Although the farmer's Market 100 00:05:24,480 --> 00:05:27,280 Speaker 2: looked good and there were some yummy things, I'm not told. Look, 101 00:05:27,320 --> 00:05:29,680 Speaker 2: the body image stuff is tough in this because you 102 00:05:29,880 --> 00:05:32,720 Speaker 2: want to be like it's just like you're sort of like, 103 00:05:32,880 --> 00:05:36,279 Speaker 2: I get it. It's it's you have to address it. 104 00:05:36,320 --> 00:05:40,200 Speaker 2: The show's about ballet, but it's just rough. It's just like, 105 00:05:40,279 --> 00:05:40,920 Speaker 2: let this girl. 106 00:05:40,920 --> 00:05:42,960 Speaker 1: I know her, like going into the fridge and getting 107 00:05:43,000 --> 00:05:48,159 Speaker 1: broccoli and then see the king and you know it's Yeah, 108 00:05:48,279 --> 00:05:52,920 Speaker 1: that was tough to watch. And also the noting that 109 00:05:53,800 --> 00:05:57,279 Speaker 1: every time Boo had to put on a different wig 110 00:05:57,520 --> 00:06:00,040 Speaker 1: or a different outfael or whatever for the audition, and 111 00:06:00,080 --> 00:06:03,920 Speaker 1: it's you know, Fanny was saying, Oh, it's because she's 112 00:06:04,080 --> 00:06:05,200 Speaker 1: larger than all the other. 113 00:06:05,080 --> 00:06:10,320 Speaker 2: Girls, which I also appreciated because it's addressed right, Like 114 00:06:10,760 --> 00:06:13,960 Speaker 2: Fanny addressed it in a way where she was like, 115 00:06:14,400 --> 00:06:17,039 Speaker 2: they will see her if she keeps going back in, 116 00:06:18,680 --> 00:06:21,560 Speaker 2: meaning see you know, like the deeper see her. 117 00:06:21,640 --> 00:06:23,200 Speaker 1: Yeah. Yeah, yeah, yeah. 118 00:06:23,240 --> 00:06:25,960 Speaker 2: So it's sort of it's a storyline that I actually 119 00:06:26,160 --> 00:06:28,680 Speaker 2: was like, oh, this is a conversation I want to have. 120 00:06:29,400 --> 00:06:32,160 Speaker 2: But also it's a little bit like, oh no, do 121 00:06:32,200 --> 00:06:32,760 Speaker 2: I want to happen? 122 00:06:32,880 --> 00:06:36,080 Speaker 1: Yeah it is, oh no. But I think the moral 123 00:06:36,120 --> 00:06:41,120 Speaker 1: of it was that a lot of you know, people 124 00:06:41,160 --> 00:06:43,640 Speaker 1: who are good at their craft but may not be 125 00:06:43,800 --> 00:06:46,599 Speaker 1: the cookie cutter version of that craft, you know, like 126 00:06:46,680 --> 00:06:51,240 Speaker 1: the dancer with the beautiful long limbs and you know whatever. 127 00:06:51,440 --> 00:06:53,320 Speaker 2: Yeah, and I think even the twelve years since this 128 00:06:53,520 --> 00:06:57,320 Speaker 2: was made, it would be done differently now. Yeah, but 129 00:06:57,480 --> 00:07:00,880 Speaker 2: I actually like that they don't just go over it. 130 00:07:00,880 --> 00:07:03,320 Speaker 2: It's like it's really on the right half. 131 00:07:03,920 --> 00:07:07,000 Speaker 1: I think I liked that scene that the because Fanny 132 00:07:07,120 --> 00:07:09,320 Speaker 1: was in you know, no, no, no, no, you are 133 00:07:09,400 --> 00:07:13,040 Speaker 1: going to get seen right Yeah, the cake and the broccoli. 134 00:07:13,520 --> 00:07:16,160 Speaker 1: That kind of lost me. I'm not gonna lie, but. 135 00:07:16,240 --> 00:07:17,800 Speaker 2: The mom got the cake already. 136 00:07:17,880 --> 00:07:19,480 Speaker 1: Yeah, that's tough. 137 00:07:19,680 --> 00:07:23,920 Speaker 2: I also had full agita because the fridge was hot 138 00:07:24,360 --> 00:07:28,280 Speaker 2: and the gas stove and sun and that just made 139 00:07:28,280 --> 00:07:31,480 Speaker 2: me so uncomfortable. I did laugh a little bit in 140 00:07:31,560 --> 00:07:34,080 Speaker 2: the scene where Emily Emily see this is gonna happen 141 00:07:34,120 --> 00:07:37,960 Speaker 2: the whole time, just like let us where Fanny wakes 142 00:07:37,960 --> 00:07:41,560 Speaker 2: her up and she's hung like towels over the window 143 00:07:41,800 --> 00:07:43,960 Speaker 2: because she doesn't have the curtain of Yeah. So I 144 00:07:44,000 --> 00:07:45,800 Speaker 2: was like, there was some little details that I. 145 00:07:45,720 --> 00:07:50,320 Speaker 1: Thought really good like her, like with the rod shaking 146 00:07:50,360 --> 00:07:54,000 Speaker 1: all the time, that was the fakest. It's like, it's 147 00:07:54,040 --> 00:07:56,520 Speaker 1: not a million pounds. You don't have to like struggle. 148 00:07:56,760 --> 00:07:59,320 Speaker 2: Like a bar bell, right, and it's like it doesn't 149 00:07:59,320 --> 00:08:01,120 Speaker 2: wiggle the life that. There was a bunch of things 150 00:08:01,120 --> 00:08:04,640 Speaker 2: on that that I'm like, really and also truly, I thought, 151 00:08:04,640 --> 00:08:07,000 Speaker 2: truly on the clothing store, she's sort of the kirk 152 00:08:07,040 --> 00:08:08,600 Speaker 2: of this because suddenly. 153 00:08:08,200 --> 00:08:10,640 Speaker 1: She oh my god, I wrote that down is truly 154 00:08:10,800 --> 00:08:13,080 Speaker 1: the kirk. You're so right. 155 00:08:13,720 --> 00:08:15,880 Speaker 2: Did you think it was weird? Like I thought the 156 00:08:15,920 --> 00:08:18,720 Speaker 2: scene of her in her underwear was like a little weird. 157 00:08:18,880 --> 00:08:21,400 Speaker 1: I'm like, yeah, it wasn't my favorite. 158 00:08:21,520 --> 00:08:23,200 Speaker 2: It was like a little bit like, do we just 159 00:08:23,240 --> 00:08:28,240 Speaker 2: need to see how like cat Skinny. I don't know. 160 00:08:28,320 --> 00:08:29,760 Speaker 2: I was like, what are we doing? And then it's 161 00:08:29,760 --> 00:08:32,719 Speaker 2: a little funny that she bumps into the students. Yet 162 00:08:32,760 --> 00:08:34,040 Speaker 2: I'm like, there's no point to this. 163 00:08:34,840 --> 00:08:37,000 Speaker 1: Yeah, there was no point to it other than she 164 00:08:37,080 --> 00:08:38,240 Speaker 1: needs to hang up the rod. 165 00:08:38,760 --> 00:08:40,439 Speaker 2: Just there was no point to it other than to 166 00:08:40,480 --> 00:08:42,440 Speaker 2: see how tall sutt and Foster is. 167 00:08:43,440 --> 00:08:44,200 Speaker 3: Yeaheah, I don't know. 168 00:08:44,280 --> 00:08:47,000 Speaker 2: That was weird. Uh, a lot. 169 00:08:46,800 --> 00:08:50,680 Speaker 1: Of ballet, I will say the book. Since we were 170 00:08:50,720 --> 00:08:54,680 Speaker 1: talking about Truly, I do genuinely like Trulli's character. I 171 00:08:54,720 --> 00:09:02,160 Speaker 1: think Truly and Fanny, which is Emily Akadi. Yeah, those 172 00:09:02,160 --> 00:09:05,280 Speaker 1: two characters are what's doing it for me and keeping 173 00:09:05,280 --> 00:09:05,880 Speaker 1: me in. 174 00:09:06,679 --> 00:09:09,040 Speaker 2: I'm in for Sasha too. I really like the girls, 175 00:09:09,120 --> 00:09:11,400 Speaker 2: and I think that was another problem with this episode. 176 00:09:11,760 --> 00:09:14,640 Speaker 2: We only had Boo and Sasha where the other main girls. 177 00:09:15,240 --> 00:09:17,280 Speaker 2: Yes there were ballet girls, but the other two sort 178 00:09:17,280 --> 00:09:19,400 Speaker 2: of main girls were not in it, which I thought 179 00:09:19,480 --> 00:09:22,160 Speaker 2: was super weird considering it was the auditions for the Jeoffrey. 180 00:09:22,160 --> 00:09:23,600 Speaker 2: But maybe they did an audition. I don't know. 181 00:09:32,440 --> 00:09:34,840 Speaker 1: Let's talk about Sasha for a second, because I feel 182 00:09:34,880 --> 00:09:39,760 Speaker 1: like we're finally seeing a different side of her. That's 183 00:09:39,800 --> 00:09:42,920 Speaker 1: actually who she is versus a front that she puts up. 184 00:09:43,240 --> 00:09:45,199 Speaker 2: Right, She's got this chip on her shoulder and she's 185 00:09:45,240 --> 00:09:47,880 Speaker 2: real prickly, but yet she's super kind and stole the 186 00:09:47,920 --> 00:09:53,360 Speaker 2: money to buy the toe shoes. Yeah, here's my problem 187 00:09:53,360 --> 00:09:56,880 Speaker 2: with Greg Henry. The makeup is tough for me. It's 188 00:09:56,920 --> 00:09:59,520 Speaker 2: almost like they splotched dirt on his face. Like it's 189 00:09:59,559 --> 00:10:00,480 Speaker 2: just weird. 190 00:10:00,480 --> 00:10:02,880 Speaker 1: I feel like he's supposed to be like a grimy dude. Though. 191 00:10:03,080 --> 00:10:04,920 Speaker 2: Yeah, the scene was a little bit weird and a 192 00:10:04,920 --> 00:10:07,480 Speaker 2: little bit funny where they're like ordering the sandwiches and 193 00:10:07,520 --> 00:10:09,200 Speaker 2: it's just kind of weird and like he doesn't want 194 00:10:09,200 --> 00:10:10,920 Speaker 2: to have this restaurant open, and it's just sort of 195 00:10:11,000 --> 00:10:14,880 Speaker 2: like it's very quirky characters of Stars Hollow, but yet 196 00:10:15,440 --> 00:10:18,120 Speaker 2: they're not totally nailing it. It's like a little off. 197 00:10:18,200 --> 00:10:22,240 Speaker 2: But everything. Look, this show is really good. It's just 198 00:10:22,520 --> 00:10:25,800 Speaker 2: it's a little bit off from Gilmour Girls. Yeah, and 199 00:10:25,800 --> 00:10:27,760 Speaker 2: then the whole like they've sent a fox. 200 00:10:28,679 --> 00:10:31,560 Speaker 1: I'm telling you it's because there's no like that cell phones. 201 00:10:31,640 --> 00:10:35,199 Speaker 1: Then there's no Graham, there's no little Guy, there's no 202 00:10:36,720 --> 00:10:39,160 Speaker 1: Rosa and Boo are supposed to be Rory. 203 00:10:39,280 --> 00:10:43,120 Speaker 2: Right, Yeah, the whole facts bit and the cold canceling 204 00:10:43,160 --> 00:10:45,560 Speaker 2: if we don't fix the floors and then look, the 205 00:10:45,600 --> 00:10:48,959 Speaker 2: cringey scene for me was that she went into the 206 00:10:49,000 --> 00:10:52,560 Speaker 2: hardware store and tried to like flirt to get the 207 00:10:52,600 --> 00:10:55,560 Speaker 2: floors done. And it was a little funny against an 208 00:10:55,600 --> 00:10:58,080 Speaker 2: easy bit funny and a lot of cringe. 209 00:10:58,120 --> 00:10:59,920 Speaker 1: For me, I was like, it was funny with one guy, 210 00:11:00,120 --> 00:11:02,320 Speaker 1: and then she did it again, so they should have 211 00:11:02,360 --> 00:11:04,600 Speaker 1: just stopped it after that. Although I do love that 212 00:11:04,640 --> 00:11:07,600 Speaker 1: Emily was able to swindle guy. 213 00:11:07,640 --> 00:11:11,360 Speaker 2: The other guy smart, right smart, and they go in 214 00:11:11,360 --> 00:11:13,920 Speaker 2: the weird car. There's just so much sort of like 215 00:11:14,440 --> 00:11:18,760 Speaker 2: there's a lot of like filler, filler, filler whatever. Truly, 216 00:11:18,880 --> 00:11:21,240 Speaker 2: you know, she makes the curtains, truly's got a bunch 217 00:11:21,280 --> 00:11:23,560 Speaker 2: of jobs. She gives a little background. Oh there's a 218 00:11:23,600 --> 00:11:31,400 Speaker 2: great Jason Priestley shout out, which was yeah, yeah, fun 219 00:11:32,360 --> 00:11:34,920 Speaker 2: we you know, Boo gets the shoes, the whole thing, 220 00:11:34,920 --> 00:11:37,679 Speaker 2: and then we have the auditions. You know, all is 221 00:11:37,880 --> 00:11:40,600 Speaker 2: kind of right in the world. Did it have a 222 00:11:40,640 --> 00:11:42,640 Speaker 2: cliffhanger like it didn't. 223 00:11:43,040 --> 00:11:46,680 Speaker 1: No, just just that the Jeoffrey auditions happened. 224 00:11:48,320 --> 00:11:49,920 Speaker 2: Yeah, that Boo doesn't get it. 225 00:11:50,280 --> 00:11:52,400 Speaker 1: Boo doesn't get it, but she seems like she's all right. 226 00:11:52,440 --> 00:11:54,520 Speaker 2: Kind of getting placement on where the town is because 227 00:11:54,520 --> 00:11:58,120 Speaker 2: it's obviously so close to Oxnard and OHI for me 228 00:11:58,200 --> 00:11:59,480 Speaker 2: it was more normal. 229 00:12:00,200 --> 00:12:03,240 Speaker 1: It was funny that they were trying to who was it. 230 00:12:03,360 --> 00:12:06,200 Speaker 1: Emily was trying to say, like, oh, hi was the 231 00:12:06,280 --> 00:12:08,920 Speaker 1: grossest place when we all know, yeah, is the most 232 00:12:08,960 --> 00:12:09,960 Speaker 1: beautiful place in. 233 00:12:09,960 --> 00:12:11,520 Speaker 2: The entire roh. I know. 234 00:12:12,160 --> 00:12:13,840 Speaker 1: I found that actually kind of funny. 235 00:12:14,400 --> 00:12:17,120 Speaker 2: Yeah, I was like move the auditions to OHI like that's, 236 00:12:17,280 --> 00:12:21,200 Speaker 2: I know, pretty great. Oh you know what another sort 237 00:12:21,240 --> 00:12:26,040 Speaker 2: of like cringey yet knock cringey is is Michelle's dance 238 00:12:26,080 --> 00:12:28,480 Speaker 2: audition dream for Gary Jeannetti. 239 00:12:29,480 --> 00:12:32,640 Speaker 1: Oh my goodness, I think I purged that from my brain. 240 00:12:32,760 --> 00:12:37,720 Speaker 1: You are so bright. That was bad. That was bad. 241 00:12:38,640 --> 00:12:44,800 Speaker 2: Button Foster. She's a huge Broadway star, but like it's 242 00:12:44,840 --> 00:12:49,600 Speaker 2: a little Broadway ish in Gilmore Girls, you know, so 243 00:12:49,880 --> 00:12:54,440 Speaker 2: in Bunheads, like the whole like it's a lot of yells, 244 00:12:54,679 --> 00:12:58,960 Speaker 2: hayms and like me and my shot out, you know 245 00:12:59,000 --> 00:13:03,880 Speaker 2: whatever she's singing and you're just like a why, uncomfortable, 246 00:13:04,000 --> 00:13:07,760 Speaker 2: what's happening? And just alone it's just like, oh, I 247 00:13:07,800 --> 00:13:09,800 Speaker 2: don't know, it feels weird. 248 00:13:10,679 --> 00:13:13,920 Speaker 1: Yeah, it did feel weird. I guess that's the cliffinger 249 00:13:14,120 --> 00:13:16,920 Speaker 1: is she has this dream and then at the end 250 00:13:16,920 --> 00:13:20,160 Speaker 1: of the dream she gets the cake that Boo Boo's 251 00:13:20,160 --> 00:13:23,240 Speaker 1: parents got her or mom got her. That says better 252 00:13:23,320 --> 00:13:26,479 Speaker 1: luck next year, not even. 253 00:13:26,400 --> 00:13:31,720 Speaker 2: One two of the sort of numbers, and like, I 254 00:13:31,840 --> 00:13:34,439 Speaker 2: get it. She's so talented. She's like, probably want a 255 00:13:34,520 --> 00:13:36,280 Speaker 2: tony I don't know, but like for me, I was 256 00:13:36,320 --> 00:13:40,520 Speaker 2: just like, er, I'm uncomfortable. 257 00:13:39,840 --> 00:13:44,440 Speaker 1: You guys to be the a hole that brings that 258 00:13:44,760 --> 00:13:48,800 Speaker 1: just has to say it this suthing Foster doesn't do 259 00:13:48,880 --> 00:13:49,240 Speaker 1: it for me. 260 00:13:49,720 --> 00:13:51,640 Speaker 2: Yeah, yeah, no, it's okay. 261 00:13:54,240 --> 00:13:55,800 Speaker 1: Sorry, I agree with you. 262 00:13:55,880 --> 00:13:57,800 Speaker 2: She did not do it. Even when I watched this 263 00:13:57,880 --> 00:14:00,680 Speaker 2: the original time, something was always off with her that 264 00:14:00,800 --> 00:14:05,439 Speaker 2: she right sides. In younger, she's a lot better in younger. 265 00:14:05,640 --> 00:14:09,120 Speaker 2: There's still some sort of like cringed tastic moments, but 266 00:14:09,240 --> 00:14:12,120 Speaker 2: she's a lot better in younger, And I think maybe 267 00:14:12,160 --> 00:14:13,800 Speaker 2: it's just because this is her first TV show, Like 268 00:14:13,840 --> 00:14:16,680 Speaker 2: she is sort of a stage actress, and I think 269 00:14:16,720 --> 00:14:18,960 Speaker 2: that's why you get the over the top ness so 270 00:14:19,120 --> 00:14:22,720 Speaker 2: much where you're like down by that girl be Rory, 271 00:14:23,240 --> 00:14:27,200 Speaker 2: like Alexis Bladell is so understated that I think you 272 00:14:27,280 --> 00:14:30,720 Speaker 2: want to get Sutton. Foster is a lot of jazz hands, 273 00:14:31,000 --> 00:14:31,520 Speaker 2: a lot. 274 00:14:31,600 --> 00:14:34,560 Speaker 1: Of jazz hands, a lot of boxnards. 275 00:14:34,080 --> 00:14:38,000 Speaker 2: A lot of yeah, you know, it's very me. 276 00:14:41,480 --> 00:14:45,320 Speaker 1: The series is still young. Yeah, I think she can 277 00:14:45,520 --> 00:14:46,600 Speaker 1: turn around for me. 278 00:14:47,280 --> 00:14:50,680 Speaker 2: The breakout of Sasha because she's crazy and she goes 279 00:14:50,720 --> 00:14:55,720 Speaker 2: on to do I think the affair. She's really good 280 00:14:55,760 --> 00:14:58,120 Speaker 2: in that. I think that's these all have gone on, 281 00:14:58,480 --> 00:15:03,200 Speaker 2: uh to do other things that are quite good. But yeah, 282 00:15:03,200 --> 00:15:04,880 Speaker 2: do we rate this? I don't even remember. Do we 283 00:15:04,920 --> 00:15:05,320 Speaker 2: rate this? 284 00:15:05,480 --> 00:15:10,440 Speaker 1: We did we do? I'll say seven out of ten. 285 00:15:11,760 --> 00:15:17,720 Speaker 3: Broken wood floor planks, okay, okay, uh six and a 286 00:15:17,760 --> 00:15:22,600 Speaker 3: half better like Next Time Cakes. Yeah, yeah, I think 287 00:15:22,600 --> 00:15:23,240 Speaker 3: it gets better. 288 00:15:23,280 --> 00:15:25,000 Speaker 2: I think the first two are really good. We've had 289 00:15:25,000 --> 00:15:27,160 Speaker 2: two that are kind of and I do think it 290 00:15:27,200 --> 00:15:27,680 Speaker 2: picks up there. 291 00:15:27,800 --> 00:15:29,280 Speaker 1: Yeah. Well, I'm here for the you know, I'm here 292 00:15:29,280 --> 00:15:31,360 Speaker 1: for the show, guys, I'll be watching in every episode. 293 00:15:31,360 --> 00:15:32,480 Speaker 2: How do we end this? I don't remember. 294 00:15:32,440 --> 00:15:34,760 Speaker 1: Bun Heads out, butt Heads out, all right, guys, bun 295 00:15:34,800 --> 00:16:05,800 Speaker 1: heads out, Hey, everybody, and don't forget follow us on 296 00:16:05,840 --> 00:16:10,280 Speaker 1: Instagram at I am all In podcast and email us 297 00:16:10,320 --> 00:16:23,480 Speaker 1: at Gilmore at iHeartRadio dot com.