1 00:00:04,760 --> 00:00:07,160 Speaker 1: I'm Buzzsnight, the host of the Taking a Walk podcast, 2 00:00:07,280 --> 00:00:11,440 Speaker 1: and welcome to another look at this week in music history. 3 00:00:11,560 --> 00:00:14,840 Speaker 1: This is the week of August twenty fifth through August 4 00:00:14,960 --> 00:00:17,720 Speaker 1: thirty first, and we got a lot to talk about. 5 00:00:17,800 --> 00:00:20,160 Speaker 1: So let's head over to the music history desk to 6 00:00:20,280 --> 00:00:21,120 Speaker 1: Harry Jacobs. 7 00:00:22,079 --> 00:00:26,079 Speaker 2: Buzz, it's great to be here this week. Another great week. 8 00:00:26,239 --> 00:00:29,480 Speaker 2: I've got some questions for you on information that we're 9 00:00:29,520 --> 00:00:32,519 Speaker 2: talking about, So I hope, but as my mother used 10 00:00:32,560 --> 00:00:34,440 Speaker 2: to say to me, I hope you got your listening 11 00:00:34,479 --> 00:00:38,480 Speaker 2: ears on, young man. I'm trying my best. August twenty fifth, 12 00:00:38,560 --> 00:00:43,360 Speaker 2: nineteen sixty seven, the Beatles met Maharishi Mahesh Yogi in 13 00:00:43,400 --> 00:00:48,920 Speaker 2: Wales and this began their interest in TM transcendental meditation. 14 00:00:49,640 --> 00:00:53,920 Speaker 2: It changed everything. Yeah, did you ever get into meditation? 15 00:00:54,120 --> 00:00:57,120 Speaker 2: Was that ever? Not enough? I have? I do, but 16 00:00:57,200 --> 00:00:57,720 Speaker 2: not enough. 17 00:00:57,800 --> 00:01:02,280 Speaker 1: It's you know, as they say, those that do, they 18 00:01:02,800 --> 00:01:06,839 Speaker 1: refer to it as a practice, which means they're always practicing. 19 00:01:07,640 --> 00:01:11,000 Speaker 1: And as somebody who needs to probably practice at a 20 00:01:11,000 --> 00:01:14,240 Speaker 1: lot of things, I should get back to the practice. 21 00:01:14,840 --> 00:01:19,880 Speaker 2: It's referred to as the practice of mindfulness, right, that's right. Yeah. 22 00:01:20,240 --> 00:01:24,080 Speaker 2: In nineteen ninety four, Jimmy Page and Robert Plant reunited 23 00:01:24,160 --> 00:01:30,880 Speaker 2: for MTV Unplugged to tape that was that was really 24 00:01:31,520 --> 00:01:34,560 Speaker 2: neat to see, if you think about it. Led Zeppelin 25 00:01:34,680 --> 00:01:38,680 Speaker 2: was done, you know, nineteen eighty after Bottom, you know, 26 00:01:38,800 --> 00:01:44,120 Speaker 2: had had left us, and then they reunited for Live 27 00:01:44,160 --> 00:01:47,880 Speaker 2: Aid and I don't know that they got together again, 28 00:01:49,240 --> 00:01:52,880 Speaker 2: certainly the full band, but to see Page and Plant together, 29 00:01:52,960 --> 00:01:55,040 Speaker 2: I don't think. I think there was that gap from 30 00:01:55,240 --> 00:01:57,480 Speaker 2: Live Aid to nineteen ninety four? Am I wrong? 31 00:01:57,760 --> 00:01:59,840 Speaker 1: I think you're correct, And I want to go back 32 00:01:59,840 --> 00:02:03,280 Speaker 1: and listen and watch some of that if it's available. 33 00:02:03,280 --> 00:02:06,120 Speaker 1: I'm sure in some forms that it is, because that 34 00:02:06,200 --> 00:02:08,520 Speaker 1: had to be pretty special, and I know it was, 35 00:02:08,600 --> 00:02:10,800 Speaker 1: but I think it's worth going back and looking at. 36 00:02:11,400 --> 00:02:13,840 Speaker 2: It's so funny that you say that, because that's exactly 37 00:02:13,880 --> 00:02:15,880 Speaker 2: where I'm when I said I have questions, I have 38 00:02:16,440 --> 00:02:19,400 Speaker 2: stuff for you this week. You know, we've known each 39 00:02:19,400 --> 00:02:21,360 Speaker 2: other so long and we think along the same lines. 40 00:02:21,400 --> 00:02:24,760 Speaker 2: When I saw this come up, I thought to myself, Boy, 41 00:02:24,840 --> 00:02:26,680 Speaker 2: is this available? Can I get it on my phone? 42 00:02:26,760 --> 00:02:28,760 Speaker 2: Can I can I make a playlist out of it? 43 00:02:28,800 --> 00:02:32,960 Speaker 2: How do I find it? And it's not available on iTunes? 44 00:02:33,280 --> 00:02:37,360 Speaker 2: It's not available on Spotify. Okay, there are a couple 45 00:02:37,400 --> 00:02:42,840 Speaker 2: of songs I think no Quarters available on Apple iTunes, 46 00:02:43,120 --> 00:02:46,360 Speaker 2: but they have not made it available easily available. You 47 00:02:46,400 --> 00:02:50,760 Speaker 2: can buy the file online, you know, which no one 48 00:02:50,800 --> 00:02:53,240 Speaker 2: does anymore, right, you know, meaning you can go to 49 00:02:53,280 --> 00:02:55,680 Speaker 2: a website, download the MP three and put it on 50 00:02:55,720 --> 00:02:58,200 Speaker 2: your phone or whatever. But it's not one of those 51 00:02:58,240 --> 00:03:01,240 Speaker 2: things that's available on streaming. You can buy the DVD, 52 00:03:01,400 --> 00:03:04,760 Speaker 2: not that any of us have DVDs anymore. What you 53 00:03:04,840 --> 00:03:07,440 Speaker 2: can do, the easiest thing to do is to go 54 00:03:07,520 --> 00:03:12,680 Speaker 2: to YouTube. That YouTube who was gobbling up the world 55 00:03:12,760 --> 00:03:17,480 Speaker 2: of entertainment leading you know, fragmentation, you know, hands down. 56 00:03:18,120 --> 00:03:21,560 Speaker 2: But I think you can find the entire MTV unplugged 57 00:03:21,600 --> 00:03:24,080 Speaker 2: on on YouTube. That's the way to find it. But 58 00:03:24,480 --> 00:03:27,639 Speaker 2: no quarter, thank you. What is and what should never be? 59 00:03:28,400 --> 00:03:32,480 Speaker 2: Battle of evermore? Kashmir? I think Kashmir is only on 60 00:03:32,480 --> 00:03:36,040 Speaker 2: the DVD when the levy breaks the rain song just amazing. 61 00:03:36,320 --> 00:03:39,760 Speaker 1: I'll tell you Another thing to go look at and 62 00:03:39,800 --> 00:03:46,840 Speaker 1: rediscover is Chris Robinson from The Black Crows with Jimmy Page. 63 00:03:46,880 --> 00:03:49,760 Speaker 2: Yeah yeah, yeah, it was great. There was some great 64 00:03:49,960 --> 00:03:53,160 Speaker 2: They went ripping through a whole lot of Love and 65 00:03:53,360 --> 00:03:55,120 Speaker 2: maybe the Lemon song. I mean, there's a bunch of 66 00:03:55,560 --> 00:03:58,720 Speaker 2: bunch of great, great tunes done done there with Chris Robinson, 67 00:03:58,800 --> 00:04:02,680 Speaker 2: Jimmy Page. August twenty six, nineteen sixty eight, Hey Jude 68 00:04:03,120 --> 00:04:10,200 Speaker 2: was released in the UK A Beatles moment. Wow, no sorry, surprise, 69 00:04:10,480 --> 00:04:14,400 Speaker 2: as Gomer Pyle would say, surprise, surprise, that's right. August 70 00:04:14,440 --> 00:04:19,359 Speaker 2: twenty seventh, nineteen ninety. Here's the Stevie Rayvaugh tragedy. We 71 00:04:19,640 --> 00:04:24,200 Speaker 2: had a story about Stevie Ravon performing his last concert 72 00:04:24,560 --> 00:04:30,039 Speaker 2: and he took that helicopter ride from Alpine and and 73 00:04:30,200 --> 00:04:33,640 Speaker 2: he he didn't pass away right away after that accident. 74 00:04:34,000 --> 00:04:37,200 Speaker 2: He lived for a short period of time, and he 75 00:04:37,279 --> 00:04:40,880 Speaker 2: passed away in nineteen ninety on this day, on August 76 00:04:40,920 --> 00:04:41,520 Speaker 2: twenty seventh. 77 00:04:41,720 --> 00:04:44,920 Speaker 1: I had forgotten that he, you know, was still in 78 00:04:45,120 --> 00:04:48,200 Speaker 1: you know, critical condition after that. But what a what 79 00:04:48,240 --> 00:04:54,159 Speaker 1: a loss too soon? He would have still been creating 80 00:04:54,279 --> 00:04:57,400 Speaker 1: amazing music, I guarantee sure. 81 00:04:58,080 --> 00:05:01,320 Speaker 2: And here's a meeting that you would love to have 82 00:05:01,360 --> 00:05:03,800 Speaker 2: been at. Every once in a while something comes up 83 00:05:03,839 --> 00:05:05,080 Speaker 2: and you go, boy, I would love to have been 84 00:05:05,080 --> 00:05:08,560 Speaker 2: a fly on the wall at this one. On this day, 85 00:05:08,600 --> 00:05:12,200 Speaker 2: August twenty seventh, nineteen sixty five, the Beatles met Elvis 86 00:05:12,240 --> 00:05:15,320 Speaker 2: Presley at his home in Beverly Hills. How about that 87 00:05:15,360 --> 00:05:16,280 Speaker 2: for a meeting? What was that? 88 00:05:16,440 --> 00:05:24,000 Speaker 1: Like, I guarantee it was the Beatles in awe And 89 00:05:24,080 --> 00:05:28,880 Speaker 1: I guarantee you it was Elvis in awe. Sure, that's 90 00:05:28,960 --> 00:05:31,599 Speaker 1: what I Other than that, I've never seen anything really 91 00:05:32,320 --> 00:05:35,479 Speaker 1: detailing that or Paul McCartney talking about that would be 92 00:05:35,520 --> 00:05:40,200 Speaker 1: interesting to hear the perspective of fall or Ringo to 93 00:05:40,279 --> 00:05:40,720 Speaker 1: this day. 94 00:05:40,839 --> 00:05:42,800 Speaker 2: You know, I've never heard a story about it. I've 95 00:05:42,839 --> 00:05:45,280 Speaker 2: never seen a picture of it. I was unaware of it. YEP. 96 00:05:45,880 --> 00:05:49,320 Speaker 2: Nineteen seventy nine U two signed their first record deal 97 00:05:49,360 --> 00:05:54,440 Speaker 2: with Island Records, and you know, it was really off 98 00:05:54,440 --> 00:05:57,440 Speaker 2: to the races from there and really and their success 99 00:05:57,480 --> 00:06:01,640 Speaker 2: in the US is due in large part to their 100 00:06:01,680 --> 00:06:07,360 Speaker 2: connection to our friend, your your former co worker, Carter Allen. 101 00:06:07,520 --> 00:06:08,080 Speaker 2: That's right. 102 00:06:08,600 --> 00:06:14,000 Speaker 1: They slept on the floor at the Carter Allen apartment. 103 00:06:14,040 --> 00:06:17,839 Speaker 2: I think, yeah, WBCN in Boston w ZX and Boston 104 00:06:17,880 --> 00:06:24,320 Speaker 2: Carter Allen. But BCN was instrumental in signing in playing 105 00:06:24,400 --> 00:06:27,640 Speaker 2: you two and others across the country. This is the 106 00:06:27,640 --> 00:06:31,040 Speaker 2: power of radio back, you know. In the in the 107 00:06:31,120 --> 00:06:35,120 Speaker 2: early eighties where a radio station like BCN would play 108 00:06:35,160 --> 00:06:38,760 Speaker 2: something and rock radio around the country would follow it. 109 00:06:38,839 --> 00:06:41,359 Speaker 2: People would say, you know, bcn's onto something with his 110 00:06:41,440 --> 00:06:44,320 Speaker 2: band from Ireland, and Carter was a supporter, and as 111 00:06:44,400 --> 00:06:46,560 Speaker 2: you just said, you know they slept at his place, 112 00:06:47,120 --> 00:06:51,360 Speaker 2: right you saw the video. There's video and I'm sure 113 00:06:51,360 --> 00:06:55,320 Speaker 2: you heard the story of YouTube playing at Gillette Stadium 114 00:06:55,480 --> 00:07:01,599 Speaker 2: ten twelve years ago and and them playing a song, 115 00:07:01,720 --> 00:07:04,760 Speaker 2: and in the middle of the song, I forget, I 116 00:07:04,760 --> 00:07:08,920 Speaker 2: forget what it was, but you know, Bono starts this 117 00:07:09,960 --> 00:07:13,920 Speaker 2: little rap about being able to hear the bells and 118 00:07:13,960 --> 00:07:16,720 Speaker 2: hear the bells, and at one point he says something 119 00:07:16,760 --> 00:07:22,520 Speaker 2: about Carter Allen. Yeah, and BCN, And I remember thinking 120 00:07:22,560 --> 00:07:25,880 Speaker 2: to myself, well, Carter Allen's been in my living room. 121 00:07:26,040 --> 00:07:28,480 Speaker 2: How cool is that? But you know, can you imagine 122 00:07:28,480 --> 00:07:31,840 Speaker 2: being Can you imagine being Carter and being at a 123 00:07:31,880 --> 00:07:35,080 Speaker 2: You two show with thousands of people at Gillett and 124 00:07:35,200 --> 00:07:36,640 Speaker 2: Bono is singing your name. 125 00:07:36,960 --> 00:07:40,040 Speaker 1: I know, well, Carter one of the best human beings 126 00:07:40,080 --> 00:07:41,480 Speaker 1: on the peace of the earth. 127 00:07:41,560 --> 00:07:45,280 Speaker 2: So yeah, listen, he's a vegetarian. Aside from that, I 128 00:07:45,320 --> 00:07:47,840 Speaker 2: love him well. I can't get him to eat a steak. 129 00:07:49,000 --> 00:07:52,760 Speaker 2: August twenty eighth, nineteen sixty four, Bob Dylan introduced the 130 00:07:52,800 --> 00:07:55,560 Speaker 2: Beatles to marijuana. 131 00:07:55,760 --> 00:07:57,840 Speaker 1: How do we know though, that it was on that 132 00:07:58,040 --> 00:08:02,920 Speaker 1: day and that listens a week before or a week after? 133 00:08:03,520 --> 00:08:07,440 Speaker 1: Or who wrote that down? Did somebody commit this somewhere? 134 00:08:07,760 --> 00:08:10,280 Speaker 1: This is I'm sure it happened. 135 00:08:11,360 --> 00:08:14,880 Speaker 2: Yeah, I'd like some irrefutable evidence. Yeah. 136 00:08:15,400 --> 00:08:19,720 Speaker 1: I don't think anyone in this life would would remember 137 00:08:20,000 --> 00:08:21,240 Speaker 1: or speak on it is. 138 00:08:21,440 --> 00:08:23,680 Speaker 2: This is a fact that we can't you know what, 139 00:08:24,080 --> 00:08:27,040 Speaker 2: I watch a lot of crime TV. This cannot be corroborated. 140 00:08:27,160 --> 00:08:30,160 Speaker 2: There you go, that's right right. Nineteen eighty one, MTV 141 00:08:30,360 --> 00:08:34,880 Speaker 2: broadcast the first MTV Video Music Awards on August twenty eighth. 142 00:08:35,240 --> 00:08:40,520 Speaker 2: They use shows they met. Those were great shows to watch. Yeah. Absolutely. 143 00:08:41,160 --> 00:08:43,600 Speaker 2: Nineteen eighty two, Queen played to one hundred and thirty 144 00:08:43,760 --> 00:08:48,440 Speaker 2: thousand people in Leads, a band I wish I had 145 00:08:48,520 --> 00:08:49,960 Speaker 2: seen with. 146 00:08:49,679 --> 00:08:54,000 Speaker 1: Freddy Must It must have been amazing. I'll tell you what. 147 00:08:54,240 --> 00:08:57,880 Speaker 1: Let's have been Rucus August twenty ninth, nineteen fifty eight. 148 00:08:57,960 --> 00:09:02,440 Speaker 1: Michael Jackson was born and Indiana. I don't remember his 149 00:09:02,520 --> 00:09:04,920 Speaker 1: mom's name, but his father was Joe Jackson. 150 00:09:05,480 --> 00:09:08,839 Speaker 2: And not the singer Joe Jackson. But no, not look 151 00:09:08,920 --> 00:09:13,000 Speaker 2: Sharp or Sunday Papers. Joe Jackson. Different Joe Jackson, and 152 00:09:13,640 --> 00:09:18,320 Speaker 2: this Joe Jackson was not a nice man. No, it's 153 00:09:18,320 --> 00:09:22,840 Speaker 2: correct anyway. Nineteen sixty six, another Beatles story. The Beatles 154 00:09:22,880 --> 00:09:26,800 Speaker 2: played their final concert at Candlestick Park in San Francisco. 155 00:09:28,520 --> 00:09:31,800 Speaker 2: You know why this is an interesting story. Why that 156 00:09:31,800 --> 00:09:35,280 Speaker 2: that's an interesting place for them to have ended their 157 00:09:35,320 --> 00:09:43,240 Speaker 2: live performances because the acoustics were terrible. No, because that 158 00:09:43,480 --> 00:09:46,080 Speaker 2: is the site of their first concert in the US. 159 00:09:46,080 --> 00:09:50,000 Speaker 2: Oh there you go. Okay, Yeah, first and last concerts. 160 00:09:50,920 --> 00:09:53,760 Speaker 2: You know, first concert in the US and last commercial concert. 161 00:09:54,280 --> 00:09:59,079 Speaker 2: Pretty unique, was there? Hysteria this week in nineteen eighty 162 00:09:59,120 --> 00:10:04,640 Speaker 2: seven entered the US charts. Def Leppard great great piece 163 00:10:04,679 --> 00:10:05,880 Speaker 2: of work, deafth. 164 00:10:05,760 --> 00:10:08,240 Speaker 1: Lep a masterpiece for them really. 165 00:10:09,040 --> 00:10:12,920 Speaker 2: August thirtieth, nineteen sixty nine, Stones headlined the Isle of 166 00:10:13,200 --> 00:10:22,120 Speaker 2: Wight Festival. Legendary Show, Legendary festival, right yep. Nineteen ninety three, 167 00:10:22,160 --> 00:10:24,080 Speaker 2: I've left us some room here Billy Joel played the 168 00:10:24,080 --> 00:10:27,600 Speaker 2: final show at the Old Boston Garden. Probably a good 169 00:10:27,600 --> 00:10:30,960 Speaker 2: time to do a little debrief of the documentary. If 170 00:10:30,960 --> 00:10:32,920 Speaker 2: you want, we could talk about the Old Boston Garden. 171 00:10:32,960 --> 00:10:36,000 Speaker 2: Our mutual friend Rich Creswick used to run that building 172 00:10:36,559 --> 00:10:40,560 Speaker 2: after Larry Molter. He once took me on the roof 173 00:10:40,600 --> 00:10:42,720 Speaker 2: of the New Boston Garden and then he took me 174 00:10:43,520 --> 00:10:46,920 Speaker 2: to where the New Boston Garden and the Old Boston 175 00:10:46,960 --> 00:10:53,439 Speaker 2: Garden are next to each other. And if I'm lying, 176 00:10:53,480 --> 00:10:57,200 Speaker 2: I'm dying. You can't walk between those two buildings. Oh, 177 00:10:57,559 --> 00:10:59,920 Speaker 2: I have you seen it. I've done the same thing. 178 00:11:00,520 --> 00:11:04,040 Speaker 2: It's crazy, yes, absolutely crazy. Anyway, Billy Joe played the 179 00:11:04,120 --> 00:11:06,679 Speaker 2: last of his shows at the Garden. You know, we 180 00:11:06,720 --> 00:11:13,280 Speaker 2: spoke in between episodes one and two. We were both excited. 181 00:11:13,280 --> 00:11:16,360 Speaker 2: We shared a lot of observations during that time. We 182 00:11:16,360 --> 00:11:20,400 Speaker 2: were wondering about the kind of the cliffhangers that were left. 183 00:11:20,440 --> 00:11:24,480 Speaker 2: But a couple of takeaways from you, now that you've 184 00:11:24,480 --> 00:11:26,920 Speaker 2: seen all of it from the. 185 00:11:26,840 --> 00:11:32,400 Speaker 1: Documentary, Well, I think, first of all, his appreciation for, 186 00:11:33,040 --> 00:11:37,600 Speaker 1: you know, classical music, and he just his deep love 187 00:11:37,640 --> 00:11:42,000 Speaker 1: of it to this day, how it shaped much of 188 00:11:42,040 --> 00:11:44,920 Speaker 1: the music. I hadn't thought about it in that regard, 189 00:11:46,000 --> 00:11:49,760 Speaker 1: how he sort of walks through it so brilliantly, so 190 00:11:49,880 --> 00:11:50,600 Speaker 1: that's one thing. 191 00:11:52,120 --> 00:11:53,320 Speaker 2: The other thing is. 192 00:11:54,920 --> 00:12:00,760 Speaker 1: I did not realize the story about his I guess 193 00:12:00,880 --> 00:12:06,360 Speaker 1: we would say his former brother in law that essentially 194 00:12:06,440 --> 00:12:11,560 Speaker 1: almost ran Billy and his empire truly into the rocks 195 00:12:11,679 --> 00:12:15,560 Speaker 1: in terms of the bankruptcy. And I remember there was 196 00:12:15,600 --> 00:12:19,640 Speaker 1: always a conflict that had happened. We didn't know the 197 00:12:19,679 --> 00:12:23,439 Speaker 1: depth of it and the detail of it, but how 198 00:12:23,480 --> 00:12:26,200 Speaker 1: Billy was just his back was against the wall in 199 00:12:26,280 --> 00:12:29,720 Speaker 1: terms of his finances and how bad that was. So 200 00:12:29,760 --> 00:12:35,280 Speaker 1: there's that, and then the way his real struggles were 201 00:12:35,360 --> 00:12:40,760 Speaker 1: chronicled as well, which I was familiar with. I remember, 202 00:12:40,760 --> 00:12:45,400 Speaker 1: in particular familiar with what was going on because whatever 203 00:12:45,400 --> 00:12:47,880 Speaker 1: it was. Fifteen years ago, the New York Times wrote 204 00:12:47,920 --> 00:12:52,000 Speaker 1: a big article in the magazine section of the Sunday 205 00:12:52,040 --> 00:12:55,720 Speaker 1: paper about what was going on in Billy's life and 206 00:12:55,240 --> 00:13:01,160 Speaker 1: his true challenges and a lot of the difficult stories 207 00:13:01,200 --> 00:13:06,480 Speaker 1: about car accidents and whatnot. So the degree of what 208 00:13:06,520 --> 00:13:11,960 Speaker 1: was going on, really, you know, comes through in the documentary. 209 00:13:12,000 --> 00:13:21,800 Speaker 1: But it's an honest, candid, insightful documentary, and it really 210 00:13:21,800 --> 00:13:29,440 Speaker 1: showcases an artist whose legacy I certainly believed in, but 211 00:13:30,480 --> 00:13:33,240 Speaker 1: it further cemented that from me for sure. 212 00:13:33,559 --> 00:13:36,160 Speaker 2: He you know, it was interesting that the classical music 213 00:13:36,280 --> 00:13:39,120 Speaker 2: piece you just touched on at one point, I forget 214 00:13:39,160 --> 00:13:41,959 Speaker 2: what it was. Maybe it was, you know, my Life, 215 00:13:42,160 --> 00:13:45,080 Speaker 2: But he sits at the piano talking about classical music 216 00:13:45,640 --> 00:13:48,440 Speaker 2: and how you know, really a lot of what he's 217 00:13:48,480 --> 00:13:51,920 Speaker 2: doing comes from classical music. And he starts playing My 218 00:13:52,000 --> 00:13:56,000 Speaker 2: Life as a classical piece yep, And they go, oh boy, 219 00:13:56,840 --> 00:14:03,160 Speaker 2: he's really really a great pianist, right, And I understand 220 00:14:03,360 --> 00:14:06,040 Speaker 2: now I didn't understand why he didn't want to be 221 00:14:06,120 --> 00:14:11,720 Speaker 2: compared to Elton. In the first part, he kind of 222 00:14:11,880 --> 00:14:16,160 Speaker 2: takes a shot at Elton about, you know, he's not 223 00:14:16,280 --> 00:14:19,800 Speaker 2: really he's a five finger piano player. Like he makes 224 00:14:19,840 --> 00:14:25,120 Speaker 2: that remark something along those lines like he's not really 225 00:14:25,160 --> 00:14:27,320 Speaker 2: a great piano player, and all of us we go, 226 00:14:28,320 --> 00:14:31,320 Speaker 2: he's you know, you hear Levon or Ticking or Tiny 227 00:14:31,440 --> 00:14:34,600 Speaker 2: Dancer or you know Rocketman. You go, man, Elton John, 228 00:14:34,640 --> 00:14:38,720 Speaker 2: what a piano player? For Billy Joel to go, He's 229 00:14:38,760 --> 00:14:43,440 Speaker 2: not really, you know that great a piano player, kind 230 00:14:43,440 --> 00:14:46,480 Speaker 2: of rough, but then you watch Billy plays piano and 231 00:14:46,520 --> 00:14:51,800 Speaker 2: you go, holy ship, Billy's a piano player. Right. So 232 00:14:52,440 --> 00:14:55,160 Speaker 2: that was interesting. The other thing, which was just sad, 233 00:14:55,200 --> 00:14:58,040 Speaker 2: and it made me sad because I'm I'm Jewish, was 234 00:14:58,120 --> 00:15:02,240 Speaker 2: learning the story about his his father's history, I mean 235 00:15:02,360 --> 00:15:07,000 Speaker 2: so much with his dad, but his father, you know, 236 00:15:07,040 --> 00:15:10,440 Speaker 2: the two of them being estranged, and his grandfather, they 237 00:15:10,440 --> 00:15:15,000 Speaker 2: were German Jews, yep, And they owned this textile factory 238 00:15:15,000 --> 00:15:18,560 Speaker 2: and his grandfather was essentially forced to give up his 239 00:15:18,600 --> 00:15:22,360 Speaker 2: business in Germany. They were run out of They were 240 00:15:22,880 --> 00:15:25,080 Speaker 2: run out of Germany. In a sense, they were lucky. 241 00:15:25,080 --> 00:15:26,560 Speaker 2: First of all, they were lucky they didn't get sent 242 00:15:26,560 --> 00:15:29,480 Speaker 2: to concentration camps. But they were run out of Germany. 243 00:15:29,800 --> 00:15:34,080 Speaker 2: But then they took that factory, a Jewish factory, and 244 00:15:34,120 --> 00:15:41,640 Speaker 2: they turned it into the place where the prison uniforms 245 00:15:41,640 --> 00:15:49,720 Speaker 2: were made for those going to the concentration camps. Just horrific, unbelievable. 246 00:15:49,840 --> 00:15:54,320 Speaker 2: I know, a true historian, you know, a fan of 247 00:15:54,760 --> 00:15:59,040 Speaker 2: classical music, student of classical music. Just an overwhelming documentary. 248 00:15:59,040 --> 00:16:00,720 Speaker 2: If you haven't seen it, get to it. 249 00:16:01,480 --> 00:16:05,720 Speaker 1: I also had just sorry, Harry had Steve Cohen, who 250 00:16:05,760 --> 00:16:11,600 Speaker 1: was the executive producer Billy's longtime collaborator over the years, 251 00:16:12,240 --> 00:16:16,600 Speaker 1: on the podcast talking about it, and he tells a 252 00:16:16,640 --> 00:16:20,480 Speaker 1: neat story about he and Billy watching it as it 253 00:16:20,520 --> 00:16:24,080 Speaker 1: was a finished product and how uncomfortable that is being 254 00:16:24,360 --> 00:16:27,280 Speaker 1: with the guy that this two part special is about. 255 00:16:27,320 --> 00:16:30,760 Speaker 1: But check out the episode with Steve Cohen, who's the 256 00:16:30,760 --> 00:16:34,240 Speaker 1: EP of S. So it goes absolutely, and so it 257 00:16:34,280 --> 00:16:36,240 Speaker 1: goes sorry, and so it goes. 258 00:16:36,840 --> 00:16:40,160 Speaker 2: August thirty first, nineteen seventy four, the Stones released It's 259 00:16:40,240 --> 00:16:43,400 Speaker 2: only rock and roll But I like it. Oh it 260 00:16:44,240 --> 00:16:49,000 Speaker 2: ain't that the truth? Yeah, great, alum. In nineteen ninety seven, 261 00:16:49,080 --> 00:16:51,920 Speaker 2: Princess Diana died in a car crash in Paris that 262 00:16:52,440 --> 00:16:56,160 Speaker 2: I believe, if I'm correct, that happened in a tunnel 263 00:16:56,360 --> 00:17:01,800 Speaker 2: yep in Paris, high speed crash. I think running from paparazzi. 264 00:17:02,040 --> 00:17:08,920 Speaker 2: As I recall, you know, tributes, the tragedy, tributes worldwide. 265 00:17:09,000 --> 00:17:13,240 Speaker 2: The funeral televised Elton John's Candle in the Wind getting 266 00:17:13,280 --> 00:17:19,440 Speaker 2: remade for her, and just you know, awful a moment. Yeah, yeah, 267 00:17:19,520 --> 00:17:22,320 Speaker 2: quite a moment. And with that buzz, that is the 268 00:17:22,440 --> 00:17:26,720 Speaker 2: end of the week ending August thirty firsts in the 269 00:17:26,800 --> 00:17:27,520 Speaker 2: music history. 270 00:17:28,119 --> 00:17:31,040 Speaker 1: Well, Harry, that is a quite a week, but they 271 00:17:31,040 --> 00:17:35,119 Speaker 1: all are amazing weeks. Thank you for this and I 272 00:17:35,160 --> 00:17:37,280 Speaker 1: want to thank all of you for listening to the 273 00:17:37,320 --> 00:17:43,280 Speaker 1: Taking a Walk podcast and checking us out an Apple Podcasts, Spotify, iHeart, 274 00:17:43,359 --> 00:17:47,160 Speaker 1: or wherever you get your podcasts.