1 00:00:00,440 --> 00:00:02,520 Speaker 1: Wake that hands up in the morning. 2 00:00:02,800 --> 00:00:07,160 Speaker 2: Breakfast Club, Morning everybody, It's the j n Vy Jess 3 00:00:07,200 --> 00:00:10,040 Speaker 2: Hilarious Charlamage the guy. We are the Breakfast Club. We 4 00:00:10,119 --> 00:00:12,840 Speaker 2: got a special guest in the building, Man Kingsley. 5 00:00:13,400 --> 00:00:14,040 Speaker 3: Did I say that right? 6 00:00:14,200 --> 00:00:14,400 Speaker 1: Yes? 7 00:00:14,680 --> 00:00:17,919 Speaker 2: Yes, it's playing Bob Marley in the new movie Bob 8 00:00:17,960 --> 00:00:20,880 Speaker 2: Marley One Love Story, which comes out Valentine's Day. 9 00:00:20,920 --> 00:00:22,480 Speaker 1: Welcome, Nice to be here. 10 00:00:22,480 --> 00:00:23,160 Speaker 3: How you feeling. 11 00:00:23,280 --> 00:00:27,800 Speaker 1: I feel a good nights weekend of sleeping. I feel back. 12 00:00:28,000 --> 00:00:30,760 Speaker 4: Are you w into football? We went to the basketball. 13 00:00:30,920 --> 00:00:34,839 Speaker 4: I watched some football yesterday. Yeah, I was listening to 14 00:00:34,880 --> 00:00:35,600 Speaker 4: any on my phone. 15 00:00:36,040 --> 00:00:36,920 Speaker 5: Did you like the halftime? 16 00:00:37,800 --> 00:00:38,840 Speaker 1: Oh? The football? 17 00:00:40,760 --> 00:00:43,440 Speaker 6: I'm talking soccer. 18 00:00:42,880 --> 00:00:45,400 Speaker 1: Football last night. I just I tuned in on my phone. 19 00:00:45,440 --> 00:00:46,080 Speaker 1: Just see usher. 20 00:00:46,280 --> 00:00:47,720 Speaker 3: Ok, yeah, yeah I watched. 21 00:00:47,880 --> 00:00:49,000 Speaker 1: I watched a little bit of the game, but I 22 00:00:49,040 --> 00:00:50,120 Speaker 1: don't really know. 23 00:00:51,320 --> 00:00:52,280 Speaker 3: That's how I'm with soccer. 24 00:00:52,479 --> 00:00:55,960 Speaker 4: Big big deal here, it's big. 25 00:00:56,600 --> 00:00:59,680 Speaker 1: But I see I was madness. I forgot I had 26 00:00:59,680 --> 00:01:00,560 Speaker 1: so many hits. 27 00:01:00,680 --> 00:01:04,440 Speaker 4: Yeah, it just went on and on and then I 28 00:01:04,480 --> 00:01:06,800 Speaker 4: was back to my when I was eight. When I 29 00:01:06,840 --> 00:01:08,600 Speaker 4: was eleven, then I was back to when I was sixteen. 30 00:01:08,720 --> 00:01:11,440 Speaker 4: I was like, wow, he was in full swing. 31 00:01:11,920 --> 00:01:12,240 Speaker 5: He was. 32 00:01:12,360 --> 00:01:14,280 Speaker 4: He didn't look like an older guy who was coming back. 33 00:01:14,319 --> 00:01:15,800 Speaker 4: He looked like it was like. 34 00:01:15,880 --> 00:01:19,680 Speaker 6: Being he never laught. Like to me, the super Bowl 35 00:01:19,800 --> 00:01:22,400 Speaker 6: is a celebration, Yeah, you know, a celebration of his 36 00:01:22,600 --> 00:01:24,880 Speaker 6: his his catalog, his career, you know. 37 00:01:24,880 --> 00:01:26,920 Speaker 1: What I mean, huge cat man. 38 00:01:26,959 --> 00:01:29,039 Speaker 6: That's that's beautiful to have a thirty year catalog and 39 00:01:29,080 --> 00:01:30,920 Speaker 6: be able to go do that crazy on that stage, 40 00:01:30,959 --> 00:01:33,840 Speaker 6: especially after the residency last last years. 41 00:01:33,400 --> 00:01:37,360 Speaker 4: Residency on the stage, Okay, because back home is sort 42 00:01:37,360 --> 00:01:39,360 Speaker 4: of like, yeah, he was a part of my my, 43 00:01:39,360 --> 00:01:41,320 Speaker 4: my child, of my teens and my twins, and then 44 00:01:41,880 --> 00:01:43,520 Speaker 4: I feel like he's so disappeared a bit. 45 00:01:43,560 --> 00:01:46,080 Speaker 5: But the other people that came and then he yeah, 46 00:01:46,240 --> 00:01:47,120 Speaker 5: it was said, but. 47 00:01:47,120 --> 00:01:47,840 Speaker 6: Where you likes it? 48 00:01:48,560 --> 00:01:51,360 Speaker 4: Where they're gone there they're in a cupboard somewhere in 49 00:01:51,440 --> 00:01:55,040 Speaker 4: the movie. To put him in a box and locked 50 00:01:55,080 --> 00:01:55,400 Speaker 4: him up. 51 00:01:55,440 --> 00:01:58,280 Speaker 6: Whoever did that did a great job. Usually used to 52 00:01:58,280 --> 00:02:00,640 Speaker 6: people with dread locks and they look so stupid. 53 00:02:01,000 --> 00:02:03,400 Speaker 4: Marris Morris and Carlum and they put they put they 54 00:02:03,400 --> 00:02:05,640 Speaker 4: were they were prepping that from the same time when 55 00:02:05,680 --> 00:02:08,640 Speaker 4: I started prepping. So it was like Morris is a 56 00:02:08,800 --> 00:02:11,239 Speaker 4: he's a dread specialist and you know, it's not even 57 00:02:11,360 --> 00:02:13,680 Speaker 4: just the hair he did for me. He took all 58 00:02:13,720 --> 00:02:17,079 Speaker 4: them boys who came from Jamaica. They're all rasta. So 59 00:02:17,120 --> 00:02:20,600 Speaker 4: he took out their dreads, you know, by hand, and 60 00:02:20,639 --> 00:02:23,640 Speaker 4: he put them in like sacred boxes, stored them and 61 00:02:23,639 --> 00:02:28,079 Speaker 4: then redid their put new dreads in their hair. What 62 00:02:28,280 --> 00:02:31,080 Speaker 4: are like suit the characters from the time. And then 63 00:02:31,080 --> 00:02:33,520 Speaker 4: when the film was done, he got their dreads and 64 00:02:33,520 --> 00:02:35,640 Speaker 4: he put them back in. But for a lot of them, 65 00:02:35,680 --> 00:02:38,760 Speaker 4: it was it was really emotional and they was doing 66 00:02:38,760 --> 00:02:40,400 Speaker 4: it for Bob because they love Bob and they're all 67 00:02:40,400 --> 00:02:43,400 Speaker 4: connected to Bob, you know, a lot of them. A 68 00:02:43,440 --> 00:02:45,400 Speaker 4: lot of the guys who were playing the band members 69 00:02:45,440 --> 00:02:48,679 Speaker 4: are the children of the actual band members, so they're 70 00:02:48,680 --> 00:02:50,280 Speaker 4: all rust and they took out their hair for the 71 00:02:50,280 --> 00:02:51,760 Speaker 4: film and then they put it back. 72 00:02:51,800 --> 00:02:52,919 Speaker 1: It was a lot, you know, it. 73 00:02:52,960 --> 00:02:54,919 Speaker 6: Was what do you mean he took the hair out 74 00:02:55,000 --> 00:02:56,760 Speaker 6: like they got it, what do you mean? Took it out? 75 00:02:56,800 --> 00:02:59,600 Speaker 4: So like Sheldon came with his own dreads, real real, 76 00:02:59,800 --> 00:03:04,600 Speaker 4: real dreads, and then Morris took them out, cut them out, 77 00:03:04,880 --> 00:03:08,720 Speaker 4: like picked them out and left hair there and put 78 00:03:08,800 --> 00:03:11,240 Speaker 4: dreads in. And then at the end of the film 79 00:03:11,600 --> 00:03:14,519 Speaker 4: he's taking out them dreads and then put their original 80 00:03:14,600 --> 00:03:18,400 Speaker 4: dreads back in. So, yeah, the whole dreads thing was like. 81 00:03:18,680 --> 00:03:20,680 Speaker 4: That was one of the first conversations I had with ZIGGI. 82 00:03:20,720 --> 00:03:26,280 Speaker 4: It was like, Yo, authenticity of of how Bob speaks, 83 00:03:26,600 --> 00:03:29,639 Speaker 4: you know, has to be at the forefront of the side. 84 00:03:29,680 --> 00:03:31,800 Speaker 4: I can't get involved. And he was the same, you know, 85 00:03:31,919 --> 00:03:35,040 Speaker 4: and and and also the hair. I was like, it's 86 00:03:35,080 --> 00:03:36,600 Speaker 4: not I ain't got nothing to do with it, but 87 00:03:36,720 --> 00:03:38,200 Speaker 4: just make sure that if you need to put ten 88 00:03:38,240 --> 00:03:41,120 Speaker 4: million into the hair, then that's what we need to do. So, 89 00:03:41,640 --> 00:03:44,200 Speaker 4: you know, it was Yeah, the hair and the hair 90 00:03:44,240 --> 00:03:47,000 Speaker 4: and the Bob talk was the top. 91 00:03:47,080 --> 00:03:47,760 Speaker 6: I'm a little slow. 92 00:03:48,360 --> 00:03:49,840 Speaker 3: How the hell do you put the hair back in? 93 00:03:51,360 --> 00:03:52,880 Speaker 1: I ain't got a clue. 94 00:03:53,240 --> 00:03:55,720 Speaker 5: You tutorials on how to put something We're not going 95 00:03:55,720 --> 00:03:56,160 Speaker 5: to see. 96 00:03:57,120 --> 00:03:59,760 Speaker 3: Regular hell, because they had they would have to cut 97 00:03:59,760 --> 00:04:00,720 Speaker 3: it out. You have to cut it out. 98 00:04:00,760 --> 00:04:04,200 Speaker 7: And then no, no, no, no no sos. You combed 99 00:04:04,280 --> 00:04:07,480 Speaker 7: them out like you can comb his hair. Yeah, you 100 00:04:07,520 --> 00:04:09,800 Speaker 7: calmbed them out, and then you people make the likes 101 00:04:09,840 --> 00:04:11,720 Speaker 7: that I had liket week last week, the girl made 102 00:04:11,760 --> 00:04:13,119 Speaker 7: them with out of real hair. 103 00:04:13,280 --> 00:04:17,640 Speaker 5: These are full of these from Amazon like, but you. 104 00:04:17,600 --> 00:04:20,400 Speaker 1: Know, I didn't know that. I didn't know it was 105 00:04:20,400 --> 00:04:20,719 Speaker 1: a fame. 106 00:04:21,800 --> 00:04:24,960 Speaker 4: I met them once the new hair had been put in, 107 00:04:25,120 --> 00:04:26,599 Speaker 4: so I only knew them with that hair. I only 108 00:04:26,640 --> 00:04:29,320 Speaker 4: realized when I see them after that they had different dreads. 109 00:04:29,839 --> 00:04:32,280 Speaker 4: But yeah, it was a whole I don't know how 110 00:04:32,320 --> 00:04:35,719 Speaker 4: we found him Morris, because he's he's like, you know, 111 00:04:35,720 --> 00:04:36,000 Speaker 4: he's a. 112 00:04:36,000 --> 00:04:37,880 Speaker 1: One of a can you know that was in the 113 00:04:38,040 --> 00:04:38,960 Speaker 1: in the industry. 114 00:04:39,000 --> 00:04:40,840 Speaker 4: You know, he came and he and then he ended 115 00:04:40,920 --> 00:04:42,599 Speaker 4: up just taking care of a lot of stuff. You know, 116 00:04:42,640 --> 00:04:44,040 Speaker 4: he was on set with us every day and he's 117 00:04:44,080 --> 00:04:45,600 Speaker 4: working on the Shauna now, on all. 118 00:04:45,520 --> 00:04:46,599 Speaker 1: Of our work. 119 00:04:46,680 --> 00:04:48,880 Speaker 6: The British accident isn't that much different from the Jamaican 120 00:04:48,920 --> 00:04:51,680 Speaker 6: accent though, now that I'm hearing you talk, Yeah, because 121 00:04:51,680 --> 00:04:52,719 Speaker 6: he spent so much time. 122 00:04:52,960 --> 00:04:54,480 Speaker 1: I don't know, I disagree. 123 00:04:54,680 --> 00:04:58,360 Speaker 4: I feel like I feel like, you know, the wind right, 124 00:04:58,400 --> 00:05:02,720 Speaker 4: like the Black the Black Commune in London anyway was 125 00:05:03,040 --> 00:05:06,200 Speaker 4: you know, it's a huge Caribbean culture and I feel 126 00:05:06,240 --> 00:05:09,880 Speaker 4: like a lot of Jamaican dialect has seeped in to 127 00:05:10,839 --> 00:05:14,160 Speaker 4: London culture. So you know, the way we grew up 128 00:05:14,160 --> 00:05:16,760 Speaker 4: talking was half Cockney, half Jamaican and that's kind of 129 00:05:16,760 --> 00:05:21,279 Speaker 4: what the slang is in the UK. But the patois 130 00:05:21,320 --> 00:05:24,440 Speaker 4: really for me, it's a different language. 131 00:05:24,520 --> 00:05:28,359 Speaker 1: You know. I'll tell you what. We could be in here. 132 00:05:29,680 --> 00:05:34,839 Speaker 4: With two guys from Jamaica who have like from somewhere 133 00:05:34,880 --> 00:05:37,200 Speaker 4: I don't know, and they could talk for five ten 134 00:05:37,240 --> 00:05:39,520 Speaker 4: minutes and we won't have a clue what they're saying. Yes, 135 00:05:39,560 --> 00:05:42,120 Speaker 4: And I found myself in that situation a bunch of times, 136 00:05:42,200 --> 00:05:44,960 Speaker 4: and I was like, well, this is a whole this 137 00:05:45,080 --> 00:05:46,800 Speaker 4: is a whole thing. This is not something where I 138 00:05:46,800 --> 00:05:49,680 Speaker 4: can just like take nine months and learn Jamaican. It 139 00:05:49,800 --> 00:05:51,440 Speaker 4: just was never going to be one of those ones. 140 00:05:51,480 --> 00:05:54,400 Speaker 4: So we had a whole operation in place. You know, 141 00:05:54,480 --> 00:05:57,000 Speaker 4: we had like nine specialists on set. We had Jamaican 142 00:05:57,120 --> 00:06:01,479 Speaker 4: linguists from the university. They wrote my script and the 143 00:06:01,480 --> 00:06:04,520 Speaker 4: way that I talk in a in a phonetic language 144 00:06:05,120 --> 00:06:06,320 Speaker 4: made by Frederick. 145 00:06:06,040 --> 00:06:08,680 Speaker 1: Cassidy, and so it really it really did. 146 00:06:08,720 --> 00:06:10,719 Speaker 4: You know, Like there's part like I had I took 147 00:06:10,800 --> 00:06:13,440 Speaker 4: months to kind of translate everything Bob was saying. 148 00:06:13,800 --> 00:06:15,480 Speaker 3: I was in time into this film. 149 00:06:15,600 --> 00:06:18,280 Speaker 4: Yeah, I was misinterpreting things Bob was saying, you know 150 00:06:18,279 --> 00:06:21,560 Speaker 4: what I mean it's misinterpreting things he was saying. I 151 00:06:21,600 --> 00:06:23,800 Speaker 4: wasn't just not understanding. There was things that I thought 152 00:06:23,800 --> 00:06:26,920 Speaker 4: I understood. And then actually I get Jamaican to come 153 00:06:26,920 --> 00:06:29,240 Speaker 4: out into my house and help me translate, and he's going, no, no, no, 154 00:06:29,279 --> 00:06:33,000 Speaker 4: this is saying something else. You're an example in our 155 00:06:33,120 --> 00:06:35,920 Speaker 4: found with Bob would say this thing when he's saying 156 00:06:35,960 --> 00:06:38,520 Speaker 4: I found where you know, I found where you know, 157 00:06:38,680 --> 00:06:41,919 Speaker 4: and he's saying in a in a form where so 158 00:06:41,960 --> 00:06:44,240 Speaker 4: it was just a connecting sentence. My little things like 159 00:06:44,279 --> 00:06:47,440 Speaker 4: that in the middle of conversations throw you you know, 160 00:06:47,760 --> 00:06:52,360 Speaker 4: and like I mean in a in a form where 161 00:06:52,480 --> 00:06:55,520 Speaker 4: you know, it's just like it's just an expression. 162 00:06:55,000 --> 00:06:57,200 Speaker 1: That he and Bob took the way that Bob talked 163 00:06:57,240 --> 00:06:57,800 Speaker 1: you know what I mean. 164 00:06:57,839 --> 00:06:59,880 Speaker 6: So I still don't know what that meaning. You said 165 00:06:59,880 --> 00:07:01,720 Speaker 6: it three times in a form where. 166 00:07:02,080 --> 00:07:04,359 Speaker 5: So it would be like from a standpoint of. 167 00:07:04,240 --> 00:07:08,600 Speaker 1: Exactly right, exactly, And I was like, without Jamaicans, there's 168 00:07:08,600 --> 00:07:11,080 Speaker 1: no way that I was going to be able to 169 00:07:11,080 --> 00:07:13,160 Speaker 1: translate something I mean. And the list goes on. 170 00:07:13,280 --> 00:07:15,920 Speaker 4: I mean, I had hundreds of pages of Bob talk 171 00:07:15,960 --> 00:07:17,960 Speaker 4: where I'm like, I don't know what I don't know 172 00:07:17,960 --> 00:07:18,520 Speaker 4: what he's saying. 173 00:07:18,760 --> 00:07:21,200 Speaker 5: So would you say that was the most complicated part 174 00:07:21,240 --> 00:07:21,640 Speaker 5: of the role. 175 00:07:22,160 --> 00:07:24,679 Speaker 1: Yeah, for sure. For sure. Obviously the music I'm starting 176 00:07:24,680 --> 00:07:25,239 Speaker 1: from scratch. 177 00:07:25,800 --> 00:07:29,040 Speaker 4: But with the music, I'm I was always like, I 178 00:07:29,120 --> 00:07:31,160 Speaker 4: just get as far as I can get to, you know, 179 00:07:31,320 --> 00:07:33,559 Speaker 4: and then you can do things with the camera and 180 00:07:33,680 --> 00:07:35,120 Speaker 4: there's going to be a lot of support there. But 181 00:07:35,720 --> 00:07:39,120 Speaker 4: I guess with the with the Patois, there was a 182 00:07:39,200 --> 00:07:42,240 Speaker 4: moment where I thought, oh, let me see how far 183 00:07:42,280 --> 00:07:44,680 Speaker 4: I can get with this, and then a few months 184 00:07:44,720 --> 00:07:47,760 Speaker 4: in I was I was emailing, tough, gone and we 185 00:07:47,880 --> 00:07:51,200 Speaker 4: need a lot of help, Like, I'm not going to 186 00:07:51,240 --> 00:07:53,920 Speaker 4: be able to just come in and willing nearly. Patois. 187 00:07:53,920 --> 00:07:56,120 Speaker 4: It's not it's not. It's not one of them things there. 188 00:07:56,200 --> 00:07:59,680 Speaker 4: And I'm like, just because I've grown up with Jamaicans, 189 00:07:59,840 --> 00:08:03,520 Speaker 4: just because you know, it don't mean anything really like 190 00:08:03,560 --> 00:08:06,320 Speaker 4: the language. You could spend ten years trying to prep 191 00:08:06,360 --> 00:08:10,040 Speaker 4: Bob and still have a way to go. And Bob's 192 00:08:10,080 --> 00:08:12,520 Speaker 4: coming from he born in the country, grew up in Trenchtown, 193 00:08:12,600 --> 00:08:16,480 Speaker 4: and then traveled. So there's the Patois. But then there's 194 00:08:16,480 --> 00:08:19,640 Speaker 4: how Bob talked, and how Bob talked. No one talked 195 00:08:19,680 --> 00:08:23,240 Speaker 4: like him. So yeah, it was a journey, but there 196 00:08:23,280 --> 00:08:25,920 Speaker 4: wasn't a day on set where I wasn't surrounded by 197 00:08:26,200 --> 00:08:29,080 Speaker 4: people who knew. So I felt good, like we were 198 00:08:29,080 --> 00:08:31,720 Speaker 4: never going to move on unless it was right. So 199 00:08:32,000 --> 00:08:33,880 Speaker 4: and that was the one thing I felt like I 200 00:08:33,880 --> 00:08:36,600 Speaker 4: can fully take care of. I can't take care of 201 00:08:36,960 --> 00:08:40,480 Speaker 4: like looking exactly like Bob. Bob's five seven, I'm six too, 202 00:08:40,720 --> 00:08:44,640 Speaker 4: you know, there's so many physical differences between us. And 203 00:08:44,679 --> 00:08:47,560 Speaker 4: he's a genius, he's a musical genius, so like, but 204 00:08:47,800 --> 00:08:51,360 Speaker 4: his voice and how he spoke, and the authenticity of 205 00:08:51,440 --> 00:08:53,320 Speaker 4: that as like the whole cultures in the way that 206 00:08:53,360 --> 00:08:55,640 Speaker 4: Bob talks, Like the way that he speaks has to 207 00:08:55,679 --> 00:08:58,560 Speaker 4: be reflected. There's no there can be no dumbing down 208 00:08:58,559 --> 00:09:02,200 Speaker 4: of it, like there's no whitewashing it, you know, and 209 00:09:02,240 --> 00:09:05,240 Speaker 4: then let's let's let's do it how Bob talks. And 210 00:09:05,280 --> 00:09:07,760 Speaker 4: then afterwards, when he's in post production, you can figure 211 00:09:07,800 --> 00:09:09,840 Speaker 4: out how much people understand and how much they don't. 212 00:09:09,920 --> 00:09:10,960 Speaker 3: What made you audition for this? 213 00:09:12,040 --> 00:09:14,000 Speaker 1: At first thought? At first I was. 214 00:09:16,320 --> 00:09:18,680 Speaker 4: I thought there must have been a mistake of some sort, 215 00:09:18,720 --> 00:09:20,439 Speaker 4: you know, just one of them auditions where I'm like 216 00:09:20,960 --> 00:09:25,440 Speaker 4: I'm mixed, so I guess everyone mixed is auditioning for this, 217 00:09:25,480 --> 00:09:28,600 Speaker 4: and it was silly, and so I must have passed 218 00:09:28,640 --> 00:09:30,600 Speaker 4: on it just thinking it was like a general you know, 219 00:09:30,720 --> 00:09:32,840 Speaker 4: hundreds of us doing it. And then it just started 220 00:09:32,880 --> 00:09:36,960 Speaker 4: coming back that the Marley family were involved, which I 221 00:09:36,960 --> 00:09:39,600 Speaker 4: didn't know. And then I heard that ray of dunking 222 00:09:39,720 --> 00:09:41,440 Speaker 4: Richard and I saw an early cut of it, and 223 00:09:41,480 --> 00:09:43,720 Speaker 4: I was like, after family are involved, and there's there's 224 00:09:43,760 --> 00:09:46,000 Speaker 4: nothing to lose, you know, let me let me throw 225 00:09:46,080 --> 00:09:48,080 Speaker 4: something out there and then at least we can have 226 00:09:48,120 --> 00:09:51,320 Speaker 4: a conversation if they want, but nothing to lose, and 227 00:09:51,360 --> 00:09:53,440 Speaker 4: I audition and Ziggy wanted to meet me, So really 228 00:09:53,480 --> 00:09:57,720 Speaker 4: it was it was really spending time with the family 229 00:09:57,880 --> 00:10:02,000 Speaker 4: and understanding that they wanted to do a kind of 230 00:10:02,000 --> 00:10:03,040 Speaker 4: tribute to their dads. 231 00:10:03,040 --> 00:10:03,200 Speaker 1: You know. 232 00:10:03,280 --> 00:10:04,880 Speaker 4: It was a kind of love letter to their dad, 233 00:10:05,320 --> 00:10:07,480 Speaker 4: and they wanted to share with the fans aside to 234 00:10:07,520 --> 00:10:11,040 Speaker 4: Bop that people don't necessarily know, which is that he 235 00:10:11,160 --> 00:10:13,040 Speaker 4: was a human being, you know, which was that he 236 00:10:13,160 --> 00:10:16,079 Speaker 4: was a guy who went for a lot and man struggled. 237 00:10:16,800 --> 00:10:19,440 Speaker 6: And so I think they talk about his revolution and 238 00:10:19,480 --> 00:10:21,720 Speaker 6: that revolution a lot, but you don't get to see 239 00:10:21,720 --> 00:10:24,000 Speaker 6: what fueled him being a revolutionary. 240 00:10:23,640 --> 00:10:29,559 Speaker 4: Yeah, yeah, no, yeah, and that he and that at 241 00:10:29,559 --> 00:10:32,920 Speaker 4: this time with the film set, like he was just 242 00:10:32,960 --> 00:10:35,400 Speaker 4: going for a lot, you know, he had he had 243 00:10:35,400 --> 00:10:37,840 Speaker 4: the weight of the world on his shoulders. And I think, yeah, 244 00:10:37,840 --> 00:10:41,040 Speaker 4: it was really the family, like the family's involvement and 245 00:10:41,120 --> 00:10:46,600 Speaker 4: an understanding that authenticity was really most important for them 246 00:10:46,640 --> 00:10:48,840 Speaker 4: and for the studio and for me. So you know, 247 00:10:48,880 --> 00:10:50,240 Speaker 4: I was just being in service to them. 248 00:10:50,440 --> 00:10:53,280 Speaker 6: The kids didn't weren't upset about you playing the father, 249 00:10:53,320 --> 00:10:54,600 Speaker 6: Like none of didn't wanted to play the role. 250 00:10:55,880 --> 00:10:59,839 Speaker 1: No, no, I think Skip, I think Skip or this 251 00:11:00,360 --> 00:11:01,360 Speaker 1: to play the younger Bob. 252 00:11:01,600 --> 00:11:07,360 Speaker 4: And it didn't work out to find Bob. It's the 253 00:11:07,400 --> 00:11:10,920 Speaker 4: thing about casting. You know, so many stories and people's feelings, 254 00:11:11,000 --> 00:11:11,800 Speaker 4: you know, get. 255 00:11:11,640 --> 00:11:12,320 Speaker 1: Hurt and stuff. 256 00:11:12,360 --> 00:11:14,640 Speaker 4: But when you're when you're when you're on the inside, 257 00:11:14,679 --> 00:11:17,320 Speaker 4: you're like, oh, it's not the conspiracy that everyone thinks, 258 00:11:18,360 --> 00:11:20,400 Speaker 4: you know, or ziggy and that they want to play 259 00:11:20,400 --> 00:11:23,640 Speaker 4: their dad and they're older. You got they needed to 260 00:11:23,679 --> 00:11:27,720 Speaker 4: find someone to play Bob between thirty three and thirty 261 00:11:27,760 --> 00:11:32,480 Speaker 4: six years old, and that's that's pretty you know, it 262 00:11:32,520 --> 00:11:35,360 Speaker 4: can be tricky and so but no, I don't. 263 00:11:35,440 --> 00:11:37,560 Speaker 1: I don't. I don't know Ziggy Ziggy in the family. 264 00:11:37,800 --> 00:11:40,679 Speaker 1: They approved it, and so I was. 265 00:11:40,640 --> 00:11:42,719 Speaker 4: Like, all right, cool, if he's if he's like, that's 266 00:11:42,760 --> 00:11:44,520 Speaker 4: what he was not wanting, and you know, I'm here 267 00:11:44,520 --> 00:11:44,800 Speaker 4: to help. 268 00:11:44,920 --> 00:11:46,320 Speaker 2: Did you ever want to quit because you said it 269 00:11:46,360 --> 00:11:48,600 Speaker 2: was difficult with the hair, difficult with the patois. 270 00:11:48,679 --> 00:11:50,079 Speaker 3: Did you ever say, you know what, maybe the same 271 00:11:50,120 --> 00:11:50,320 Speaker 3: for me? 272 00:11:51,240 --> 00:11:51,640 Speaker 1: Yeah? 273 00:11:51,920 --> 00:11:53,840 Speaker 3: I did at what point. 274 00:11:53,920 --> 00:11:56,480 Speaker 4: Very close to filming, But now I was like, if 275 00:11:56,520 --> 00:11:59,280 Speaker 4: I pull out this, you know, it's not just me, 276 00:11:59,559 --> 00:12:02,520 Speaker 4: it's all money that's gone into pre production, and it's like, 277 00:12:02,600 --> 00:12:02,840 Speaker 4: if you. 278 00:12:02,840 --> 00:12:06,480 Speaker 1: Want to work again, I wouldn't advise that I did. 279 00:12:06,760 --> 00:12:09,760 Speaker 4: I did have a moment, you know, a couple of weeks, 280 00:12:10,520 --> 00:12:14,920 Speaker 4: a couple of weeks before we started, I was just like, boys, 281 00:12:15,200 --> 00:12:17,360 Speaker 4: there's a mountain to climb, you know, and all of 282 00:12:17,400 --> 00:12:20,480 Speaker 4: the music and the stems were coming in and songs 283 00:12:20,520 --> 00:12:25,440 Speaker 4: were changing, and I was like, yeah, just one day 284 00:12:25,480 --> 00:12:25,920 Speaker 4: at a time. 285 00:12:26,160 --> 00:12:27,280 Speaker 1: It's just one day at a time. 286 00:12:27,400 --> 00:12:31,920 Speaker 4: And really, really what happened was we got to set 287 00:12:32,160 --> 00:12:35,079 Speaker 4: and Neville Garrick's there. It was Bob's like close close 288 00:12:35,120 --> 00:12:38,120 Speaker 4: friend who was with Bob the whole time, you know, 289 00:12:38,880 --> 00:12:41,520 Speaker 4: the whole time Bob was creating Exodus and touring Exodus, 290 00:12:41,559 --> 00:12:43,440 Speaker 4: never was with him, Never was in the room with 291 00:12:43,480 --> 00:12:47,040 Speaker 4: Bob writing down the songs when Bob was composing them, 292 00:12:47,520 --> 00:12:49,679 Speaker 4: and never was on stage all of them concerts, and 293 00:12:49,760 --> 00:12:51,280 Speaker 4: never was with me every day on set. 294 00:12:51,440 --> 00:12:53,079 Speaker 1: So I felt like. 295 00:12:54,760 --> 00:12:57,600 Speaker 4: If Neville didn't like sign, he's going to tell me straight, 296 00:12:57,600 --> 00:12:58,680 Speaker 4: and he did a lot of times. 297 00:12:59,559 --> 00:13:01,600 Speaker 1: So I just always felt science not right. We've got 298 00:13:01,600 --> 00:13:02,199 Speaker 1: the time to. 299 00:13:02,280 --> 00:13:04,960 Speaker 4: Like stop and figure it out. And really it's only 300 00:13:05,720 --> 00:13:07,560 Speaker 4: this is just a tribute to Bob to try and 301 00:13:07,600 --> 00:13:09,559 Speaker 4: find a little bit of his spirit and his essence. 302 00:13:09,600 --> 00:13:12,480 Speaker 4: I feel like everyone involved knows that you can't copy 303 00:13:12,559 --> 00:13:15,160 Speaker 4: Bob and you can't be Bobby's kind of too big 304 00:13:15,160 --> 00:13:17,920 Speaker 4: in a way. So it was just there was an 305 00:13:18,000 --> 00:13:21,920 Speaker 4: understanding that this is just an interpretation of, you know, 306 00:13:23,000 --> 00:13:25,600 Speaker 4: his vulnerability and his feeling and what some of what 307 00:13:25,640 --> 00:13:27,280 Speaker 4: he might have been going through at that time, and 308 00:13:27,840 --> 00:13:29,600 Speaker 4: you know, just to celebrate him a little bit. 309 00:13:30,120 --> 00:13:32,480 Speaker 6: How much how much hated you need because you got 310 00:13:32,480 --> 00:13:33,280 Speaker 6: a lot of hold. 311 00:13:33,640 --> 00:13:36,480 Speaker 1: You underneath the fingers, got a lot of head. 312 00:13:36,400 --> 00:13:40,280 Speaker 6: Kingsley Paul I got big, yeah, yeah, a lot of hair. 313 00:13:41,440 --> 00:13:42,320 Speaker 5: I'm just like. 314 00:13:43,679 --> 00:13:46,079 Speaker 1: I got a big head. Yeah yeah, this coming big 315 00:13:46,120 --> 00:13:49,439 Speaker 1: head at school. Yeah but what so what do you mean. 316 00:13:52,120 --> 00:13:53,079 Speaker 3: To say? 317 00:13:53,160 --> 00:13:53,760 Speaker 1: Let me tell you something. 318 00:13:53,800 --> 00:13:55,959 Speaker 6: I'm happy that this movie is coming out on Valentine's 319 00:13:56,000 --> 00:13:59,240 Speaker 6: Day because it's not just a story about Bob. It's 320 00:13:59,240 --> 00:14:02,680 Speaker 6: a love story Bob. And read it like that's what 321 00:14:02,720 --> 00:14:04,920 Speaker 6: I liked about it. How did you feel about that? 322 00:14:05,480 --> 00:14:08,000 Speaker 1: Yeah? I didn't really know. I mean that sort of 323 00:14:08,000 --> 00:14:09,240 Speaker 1: evolved as we were shooting. 324 00:14:09,360 --> 00:14:14,200 Speaker 4: Yeah, Lashana and I we were working seven months leading 325 00:14:14,280 --> 00:14:16,959 Speaker 4: up to filming, and I guess that's the thing with films. 326 00:14:17,000 --> 00:14:19,200 Speaker 4: You shoot three and a half four hours and then 327 00:14:19,200 --> 00:14:21,280 Speaker 4: they cut it down to two. So all the things 328 00:14:21,280 --> 00:14:22,960 Speaker 4: that's stay in and don't stay in and how they 329 00:14:23,040 --> 00:14:25,040 Speaker 4: kind of tweak it and and kind of make it 330 00:14:25,080 --> 00:14:27,160 Speaker 4: is you know, it's over to them after you, after 331 00:14:27,200 --> 00:14:28,160 Speaker 4: you wrap, but it is. 332 00:14:28,360 --> 00:14:30,600 Speaker 1: It's it's a it's a love. 333 00:14:30,520 --> 00:14:33,920 Speaker 4: Story between them and but more that kind of unconditional 334 00:14:33,960 --> 00:14:35,920 Speaker 4: love when you've known someone for that long and you've 335 00:14:35,960 --> 00:14:39,040 Speaker 4: shared all that experience, and the love that is expressed 336 00:14:39,040 --> 00:14:42,200 Speaker 4: when you're not talking, you know, and when there's no words. 337 00:14:43,440 --> 00:14:44,240 Speaker 1: But yeah, it is that. 338 00:14:44,400 --> 00:14:46,040 Speaker 6: And she was his motivation a lie, because I mean, 339 00:14:46,080 --> 00:14:48,680 Speaker 6: one thing, I didn't even know. I can't be giving 340 00:14:48,680 --> 00:14:51,680 Speaker 6: the movie away because it's a biopic. But when I 341 00:14:51,680 --> 00:14:53,240 Speaker 6: didn't know she got shot at the house too. 342 00:14:53,320 --> 00:14:54,280 Speaker 1: Yeah, they shot in the head. 343 00:14:54,360 --> 00:14:55,960 Speaker 6: Yeah, I did that until the movie. 344 00:14:56,080 --> 00:14:59,520 Speaker 4: I dread the bullet got lodged in one of the dreads. Yeah, 345 00:14:59,560 --> 00:15:00,400 Speaker 4: I might as that. 346 00:15:00,600 --> 00:15:00,960 Speaker 1: Man. 347 00:15:01,160 --> 00:15:04,200 Speaker 4: They really went in and shut up that place. You know, 348 00:15:04,440 --> 00:15:07,280 Speaker 4: they really nearly died. And that was what was really 349 00:15:07,800 --> 00:15:10,640 Speaker 4: for me when I was reading the script, I was like, 350 00:15:11,560 --> 00:15:13,920 Speaker 4: how mad is it that out of that trauma of 351 00:15:13,960 --> 00:15:17,160 Speaker 4: that event, you know, within a few months, Bob's created 352 00:15:17,160 --> 00:15:19,360 Speaker 4: one of the greatest albums of all time. And there's 353 00:15:19,360 --> 00:15:23,520 Speaker 4: a connection between that. There's a connection between that that 354 00:15:23,720 --> 00:15:26,760 Speaker 4: the significance of that trauma and then the intensity of 355 00:15:26,880 --> 00:15:29,640 Speaker 4: creativity and then coming to London and a kind of exile, 356 00:15:29,760 --> 00:15:32,400 Speaker 4: and then just going in and then all the surviving 357 00:15:32,440 --> 00:15:35,400 Speaker 4: band members who I spoke to, who we've sadly lost, 358 00:15:35,480 --> 00:15:39,760 Speaker 4: you know, since we started filming Neville and Tyrone, they 359 00:15:39,800 --> 00:15:41,360 Speaker 4: all said I was like, what was it like working 360 00:15:41,400 --> 00:15:43,120 Speaker 4: with Bob at that time? And it was like it 361 00:15:43,160 --> 00:15:46,560 Speaker 4: was intense. It was intense, like he wasn't playing, you know, 362 00:15:46,600 --> 00:15:50,840 Speaker 4: he wasn't messing around, and so yeah, that I found 363 00:15:50,880 --> 00:15:54,880 Speaker 4: that interesting that like, right, I nearly died and then 364 00:15:54,880 --> 00:15:57,400 Speaker 4: within you know, twelve weeks, fourteen weeks, they were up 365 00:15:57,400 --> 00:16:01,520 Speaker 4: and running and touring. That's kind of that was Bob's five. 366 00:16:01,680 --> 00:16:04,040 Speaker 4: You know, he worked, He was a workerman. He was 367 00:16:04,240 --> 00:16:05,960 Speaker 4: up before the sun. 368 00:16:06,200 --> 00:16:07,760 Speaker 2: We went to Bob only growing up as a kid, 369 00:16:07,800 --> 00:16:10,000 Speaker 2: did you know all the music and know everything about him? 370 00:16:10,080 --> 00:16:11,480 Speaker 3: Was a lot of this you learned as. 371 00:16:12,120 --> 00:16:16,320 Speaker 4: Like I learned everything about Bob for the first time. 372 00:16:16,840 --> 00:16:19,240 Speaker 4: I felt I felt like I knew him just because 373 00:16:19,240 --> 00:16:20,640 Speaker 4: I've always known him. 374 00:16:20,840 --> 00:16:22,760 Speaker 1: I don't even know when. I don't even know when 375 00:16:22,760 --> 00:16:25,440 Speaker 1: I really first heard Bob, because Bob's. 376 00:16:25,120 --> 00:16:26,840 Speaker 4: Just always been in the house and not in hill. 377 00:16:26,880 --> 00:16:28,320 Speaker 4: Carnival was a big thing growing up, and I was 378 00:16:28,320 --> 00:16:30,960 Speaker 4: getting Cannibal from when I was like three, three four 379 00:16:31,000 --> 00:16:36,120 Speaker 4: years old. But once I started checking in, I was like, well, 380 00:16:36,160 --> 00:16:39,320 Speaker 4: I really don't know anything about this guy other than 381 00:16:39,600 --> 00:16:42,080 Speaker 4: that I knew he's half white, you know, like he's 382 00:16:42,120 --> 00:16:47,120 Speaker 4: mixed and he's mixed. That was it, Like I didn't 383 00:16:47,200 --> 00:16:51,040 Speaker 4: really understand that he's really from the ghetto, Like he 384 00:16:51,080 --> 00:16:54,000 Speaker 4: really grew up in Trench Town, and yeah, there's a. 385 00:16:53,920 --> 00:16:54,880 Speaker 1: Lot of sides to Bob. 386 00:16:55,720 --> 00:16:57,760 Speaker 4: So I say, I found out everything for the first 387 00:16:57,760 --> 00:17:01,200 Speaker 4: time through his friends and through his family. I spent 388 00:17:01,240 --> 00:17:03,800 Speaker 4: a lot of time with people who grew up with 389 00:17:03,800 --> 00:17:06,520 Speaker 4: Bob before he was famous, which was some of my 390 00:17:06,600 --> 00:17:10,439 Speaker 4: most interesting conversations. You know, Lego, I've spent time with 391 00:17:10,480 --> 00:17:12,879 Speaker 4: him on Orange Street and in his studio, just talking 392 00:17:12,920 --> 00:17:16,879 Speaker 4: about the old time. But watching them remember Bob, watching 393 00:17:16,920 --> 00:17:20,320 Speaker 4: them remember him with such funness and sadness and love. 394 00:17:21,440 --> 00:17:23,440 Speaker 4: You know, it's really just trying to get the information 395 00:17:23,480 --> 00:17:24,879 Speaker 4: I'm trying to get from them is like what was 396 00:17:24,880 --> 00:17:26,960 Speaker 4: Bob Black when he was on his own? What was 397 00:17:27,000 --> 00:17:29,159 Speaker 4: Bob Black when he was like feeling down? Like what 398 00:17:29,280 --> 00:17:31,240 Speaker 4: was Bob Black when he was having a rough day? 399 00:17:31,720 --> 00:17:34,720 Speaker 4: Like the idea of him as an icon and all 400 00:17:34,720 --> 00:17:37,040 Speaker 4: of that, that's there the sound bites. Everyone wants to 401 00:17:37,040 --> 00:17:38,359 Speaker 4: tell you. They want to tell you all the fun 402 00:17:38,440 --> 00:17:40,560 Speaker 4: bits that you've seen and you've seen them in the documentary. 403 00:17:40,600 --> 00:17:43,280 Speaker 4: Saying it, but trying to understand just like his like 404 00:17:43,760 --> 00:17:47,600 Speaker 4: his humanity, Yeah, just so I can connect him as 405 00:17:47,600 --> 00:17:50,800 Speaker 4: a human being and not like a hero. 406 00:17:51,280 --> 00:17:53,800 Speaker 1: Like that's a given. You know, that's a given. 407 00:17:55,200 --> 00:17:57,440 Speaker 5: Did you do all of the singing in the movies? 408 00:17:57,600 --> 00:18:00,560 Speaker 1: I sung everything. I sung everything on set. Yeah, yeah, yeah, 409 00:18:00,600 --> 00:18:03,160 Speaker 1: Which it was never the plan for me to sing 410 00:18:03,160 --> 00:18:05,840 Speaker 1: in the film. We're always going to use Bob Stems 411 00:18:05,840 --> 00:18:07,840 Speaker 1: because people want to listen to Bubb, they want to 412 00:18:07,840 --> 00:18:09,920 Speaker 1: listen to me, right, And no one can sing that Bob. 413 00:18:10,240 --> 00:18:12,640 Speaker 4: You can't sing that Bob because he's singing from such 414 00:18:13,080 --> 00:18:16,960 Speaker 4: it's so rough, but it's so from here that it's 415 00:18:17,000 --> 00:18:22,280 Speaker 4: actually it's actually his commitment to what he's saying that 416 00:18:22,359 --> 00:18:24,760 Speaker 4: creates that energy as well as his tone and all 417 00:18:24,760 --> 00:18:27,040 Speaker 4: of those things. So you can't really copy it as 418 00:18:27,080 --> 00:18:28,880 Speaker 4: beautifully as all his sons can sing. 419 00:18:29,680 --> 00:18:31,639 Speaker 1: No one can actually get his match. 420 00:18:31,680 --> 00:18:34,120 Speaker 6: So, and he was an ordained messenger, Like I feel 421 00:18:34,119 --> 00:18:37,200 Speaker 6: like he was divinely appointed to be a messenger. 422 00:18:37,359 --> 00:18:40,240 Speaker 1: That's what his name meant, right, like nes to the messenger. 423 00:18:40,440 --> 00:18:43,199 Speaker 4: Yeah, and Bob felt like he was in service, you know, 424 00:18:43,280 --> 00:18:46,080 Speaker 4: he felt like he was he was in service to 425 00:18:46,119 --> 00:18:46,720 Speaker 4: his majesty. 426 00:18:46,760 --> 00:18:50,119 Speaker 1: You know. So he's singing, he's singing for his life 427 00:18:50,119 --> 00:18:50,520 Speaker 1: in a way. 428 00:18:50,600 --> 00:18:53,359 Speaker 4: You know, it's it's about Yeah, it's about spreading the 429 00:18:53,400 --> 00:18:54,639 Speaker 4: message and all. 430 00:18:54,520 --> 00:18:55,840 Speaker 1: Of his songs, you know, when you clock all it. 431 00:18:55,840 --> 00:18:57,840 Speaker 1: When I started translating the lyrics of all of his song, 432 00:18:57,920 --> 00:18:59,639 Speaker 1: I was like, Row. 433 00:18:59,520 --> 00:19:02,240 Speaker 4: God is really in all of this, all of his 434 00:19:02,359 --> 00:19:05,480 Speaker 4: music jamming like all of them songs he's talking about God. 435 00:19:05,600 --> 00:19:10,440 Speaker 4: You know, it's really fascinating. But yeah, I sung, I sung. 436 00:19:11,240 --> 00:19:15,560 Speaker 4: I sung everything because like emotionally speaking in the face, 437 00:19:16,760 --> 00:19:18,920 Speaker 4: if you're not singing, I don't think. I didn't feel 438 00:19:19,000 --> 00:19:22,359 Speaker 4: like I could pretend. But also that Bob woke up 439 00:19:22,400 --> 00:19:26,720 Speaker 4: every day and and wrote songs, I felt was like 440 00:19:26,840 --> 00:19:28,760 Speaker 4: if I was playing a footballer and I never kicked 441 00:19:28,760 --> 00:19:30,639 Speaker 4: the ball. So I just wanted to learn to just 442 00:19:30,800 --> 00:19:33,600 Speaker 4: understand what the feeling with the instrument is and the 443 00:19:33,680 --> 00:19:36,359 Speaker 4: feeling of just the feeling of it, you know. 444 00:19:37,640 --> 00:19:39,560 Speaker 1: And then in the room we did some. 445 00:19:39,480 --> 00:19:41,919 Speaker 4: Acoustic stuff and Ziggy was supposed to come and dub it, 446 00:19:41,920 --> 00:19:44,119 Speaker 4: and he left my voice. So there's a bit of 447 00:19:44,160 --> 00:19:46,679 Speaker 4: me singing in the film, which was never planned. But 448 00:19:46,840 --> 00:19:49,919 Speaker 4: I had months of singing lesson, so I'm glad they came. 449 00:19:49,880 --> 00:19:52,880 Speaker 5: To the level of expertise. Was your voice on before 450 00:19:52,960 --> 00:19:55,720 Speaker 5: not great at least that? 451 00:19:55,800 --> 00:19:56,000 Speaker 1: Yeah? 452 00:19:56,000 --> 00:19:58,120 Speaker 4: No, no, no, not great at all? Not great at all. 453 00:19:58,160 --> 00:20:00,320 Speaker 4: You've got to look after your instrument man. Those singers, 454 00:20:00,320 --> 00:20:02,160 Speaker 4: they got to look after their voices. You know, it's 455 00:20:02,280 --> 00:20:04,960 Speaker 4: like steaming and all of that stuff. 456 00:20:05,040 --> 00:20:08,040 Speaker 6: What was your conversation with with Reader, Like, because she's 457 00:20:08,080 --> 00:20:09,000 Speaker 6: the EP of the film. 458 00:20:08,880 --> 00:20:15,240 Speaker 1: Right, Shana spent most time with Riar. I see. 459 00:20:15,320 --> 00:20:17,919 Speaker 4: I see her the other day at the premiere in Jamaica, 460 00:20:18,400 --> 00:20:20,119 Speaker 4: and I just went over to her and I kissed 461 00:20:20,119 --> 00:20:22,399 Speaker 4: her hand and stuff, and then she just she rubbed 462 00:20:22,400 --> 00:20:23,720 Speaker 4: her hand up in the back of my head and then 463 00:20:23,760 --> 00:20:25,000 Speaker 4: slapped me on the back of the head. 464 00:20:26,440 --> 00:20:26,719 Speaker 1: How big. 465 00:20:27,119 --> 00:20:30,000 Speaker 4: I don't know what I meant, but I think she's 466 00:20:30,040 --> 00:20:32,520 Speaker 4: coming in on my bald head, maybe my big head. 467 00:20:34,920 --> 00:20:37,080 Speaker 1: Yeah now, but she's really It's cool. 468 00:20:37,080 --> 00:20:39,320 Speaker 4: I didn't I didn't spend too I was mainly with 469 00:20:39,400 --> 00:20:42,520 Speaker 4: Ziggy and Shanna spent a lot of time with Sidela 470 00:20:42,640 --> 00:20:45,400 Speaker 4: and Rita, and I spent time with Ryan and Steven 471 00:20:45,480 --> 00:20:47,480 Speaker 4: and a lot of Bob's friends and people who worked 472 00:20:47,480 --> 00:20:50,160 Speaker 4: with him. But yeah, obviously our first thing is don't 473 00:20:50,160 --> 00:20:50,560 Speaker 4: looking that and. 474 00:20:50,560 --> 00:20:50,960 Speaker 1: That, Bob. 475 00:20:51,240 --> 00:20:54,920 Speaker 6: I think you did a great job as Bob personally, 476 00:20:55,640 --> 00:20:59,920 Speaker 6: but I feel like there's something the movie didn't capture 477 00:21:00,200 --> 00:21:03,600 Speaker 6: and I think it was the urgency of the moment, 478 00:21:03,880 --> 00:21:06,439 Speaker 6: meaning the concert, because there was so much leading up 479 00:21:06,440 --> 00:21:08,800 Speaker 6: to it, like the people didn't want him to do it. 480 00:21:08,920 --> 00:21:12,520 Speaker 6: He got shot, Reader got shot, Dan got shot. It 481 00:21:12,560 --> 00:21:14,560 Speaker 6: was kind of like it was kind of antichomactic in 482 00:21:14,600 --> 00:21:14,920 Speaker 6: the movie. 483 00:21:14,960 --> 00:21:18,240 Speaker 1: Happened in the first concept First concept. 484 00:21:18,520 --> 00:21:20,520 Speaker 4: Yeah, I mean all I can say is like what 485 00:21:20,520 --> 00:21:24,280 Speaker 4: we're saying before we shoot. I shot four hours and 486 00:21:24,320 --> 00:21:27,080 Speaker 4: twenty minutes, four and a half hours of movie. 487 00:21:27,240 --> 00:21:31,760 Speaker 1: You know, I created maybe like. 488 00:21:33,600 --> 00:21:36,320 Speaker 4: Seven eight nine different concept things. There's five or six 489 00:21:36,359 --> 00:21:39,000 Speaker 4: songs that are not in the film. There are deleted scenes, 490 00:21:39,040 --> 00:21:40,719 Speaker 4: there's all of that game on. So like when it 491 00:21:40,720 --> 00:21:42,800 Speaker 4: comes down to the cut, I'm not in the edit, 492 00:21:42,960 --> 00:21:45,320 Speaker 4: you know, Like I can't. My job is to come 493 00:21:45,359 --> 00:21:48,800 Speaker 4: in as an actor, and I understand what Bob's psychology 494 00:21:48,880 --> 00:21:51,800 Speaker 4: is from a human standpoint, so I can play Bob 495 00:21:51,800 --> 00:21:53,679 Speaker 4: in any film. In fact, I told them when I 496 00:21:53,720 --> 00:21:55,639 Speaker 4: first started this, I read it once and I was like, 497 00:21:55,680 --> 00:21:57,360 Speaker 4: I don't need to read this, and it just needs 498 00:21:57,359 --> 00:21:59,679 Speaker 4: six months with me and Bob, you know, So I 499 00:21:59,720 --> 00:22:01,359 Speaker 4: need to get ready so I can play Bob in 500 00:22:01,480 --> 00:22:04,560 Speaker 4: any film in any scene. You send me any scene 501 00:22:05,440 --> 00:22:07,919 Speaker 4: and I'll tell you how to interpret Bob within within 502 00:22:08,040 --> 00:22:08,600 Speaker 4: that scene. 503 00:22:09,400 --> 00:22:10,240 Speaker 1: And really, as an. 504 00:22:10,119 --> 00:22:13,240 Speaker 4: Actor, you've got to give up that need to control 505 00:22:13,280 --> 00:22:14,560 Speaker 4: everything because you can't. 506 00:22:14,600 --> 00:22:16,160 Speaker 1: There's just too many departments. 507 00:22:16,200 --> 00:22:19,639 Speaker 4: It's like there's costume, there's hair, there's light, and there's props. 508 00:22:19,640 --> 00:22:22,520 Speaker 4: And then you start becoming an expert in the world 509 00:22:22,520 --> 00:22:25,000 Speaker 4: that you're supposed You start noticing things around you, and 510 00:22:25,119 --> 00:22:27,400 Speaker 4: there's a moment where you go like, and I'm bad 511 00:22:27,440 --> 00:22:29,080 Speaker 4: for it, you know, I want to do everyone's job 512 00:22:29,119 --> 00:22:31,680 Speaker 4: for them, and like a sign I have to figure out, 513 00:22:32,600 --> 00:22:35,119 Speaker 4: and I just go, I'm just an actor. My job's 514 00:22:35,160 --> 00:22:37,480 Speaker 4: to come in and play the damn scene and that's 515 00:22:37,520 --> 00:22:40,199 Speaker 4: it and try and elevate in the best way that 516 00:22:40,240 --> 00:22:40,480 Speaker 4: I can. 517 00:22:41,200 --> 00:22:44,639 Speaker 1: So, yeah, I hear you. I hear you. But you know, 518 00:22:44,760 --> 00:22:46,159 Speaker 1: I'm not an editor. 519 00:22:46,640 --> 00:22:49,720 Speaker 6: NFL like, you know, even though it shows the rise 520 00:22:49,800 --> 00:22:52,480 Speaker 6: of Bob Marley in a lot of ways, Bob Marley 521 00:22:52,560 --> 00:22:54,720 Speaker 6: was on the run, like he had to get maker. 522 00:22:54,800 --> 00:22:57,000 Speaker 6: He you know, he couldn't deal with the trauma that 523 00:22:57,000 --> 00:22:58,000 Speaker 6: that was there anymore. 524 00:22:58,080 --> 00:23:00,720 Speaker 1: Yeah, yeah, you know what I mean, one hundred percent. 525 00:23:00,920 --> 00:23:04,440 Speaker 4: And for me, the movie was for me, it was 526 00:23:04,480 --> 00:23:07,240 Speaker 4: about trauma and safety. You know, when I'm as an actor, 527 00:23:07,240 --> 00:23:09,280 Speaker 4: you're reading sat In trying to go where's the what's 528 00:23:09,280 --> 00:23:12,760 Speaker 4: the subtext here? Like if they're and and and zigging 529 00:23:12,760 --> 00:23:14,760 Speaker 4: the family again? To me, we want to make that 530 00:23:14,880 --> 00:23:16,200 Speaker 4: and deep. So I'm going with, if you want to 531 00:23:16,200 --> 00:23:18,960 Speaker 4: make that and deep, then I need to understand Bob's trauma, 532 00:23:19,000 --> 00:23:22,000 Speaker 4: because that's all that. That's all it means. Deep means 533 00:23:22,080 --> 00:23:28,320 Speaker 4: just like connecting to the root and so understanding Bob's 534 00:23:28,359 --> 00:23:32,520 Speaker 4: experience as a child and the manifestation of that in behavior, 535 00:23:33,200 --> 00:23:37,119 Speaker 4: So like like, what does it mean to do that? 536 00:23:38,320 --> 00:23:43,560 Speaker 1: What does it mean when you don't trust people when 537 00:23:43,560 --> 00:23:44,800 Speaker 1: you're grown up? Do you know what I'm saying? When 538 00:23:44,800 --> 00:23:46,680 Speaker 1: you've grown up in the streets? So that that's I'm 539 00:23:46,720 --> 00:23:49,960 Speaker 1: trying to clock Bob in those terms, and then trying 540 00:23:49,960 --> 00:23:53,080 Speaker 1: to see how it connects into the music. He doesn't 541 00:23:53,119 --> 00:23:57,720 Speaker 1: sing with his eyes open ever, really is always closed. 542 00:23:58,560 --> 00:24:01,480 Speaker 1: What does that mean? They're the things I'm thinking, like, 543 00:24:02,080 --> 00:24:05,479 Speaker 1: you can stand on stage, he sings from here and 544 00:24:05,560 --> 00:24:09,760 Speaker 1: so there's something about all of that. But safety really, 545 00:24:10,440 --> 00:24:13,800 Speaker 1: to me, I was like, what does it mean to 546 00:24:13,880 --> 00:24:15,119 Speaker 1: not feel safe? You know? 547 00:24:15,280 --> 00:24:17,000 Speaker 4: What does it mean to hap? What does it mean 548 00:24:17,040 --> 00:24:19,959 Speaker 4: to nearly die and what does it mean then that? 549 00:24:20,080 --> 00:24:22,320 Speaker 4: And that needs to come through every scene that I 550 00:24:22,400 --> 00:24:26,320 Speaker 4: mean in the film Bob's relationship to safety, we all 551 00:24:26,359 --> 00:24:29,320 Speaker 4: want to feel safe as well, Like on a human level, 552 00:24:29,359 --> 00:24:32,680 Speaker 4: I feel like we're all on some sort of journey 553 00:24:32,720 --> 00:24:39,879 Speaker 4: towards wanting to feel connected, love together, seen, appreciated. And 554 00:24:39,920 --> 00:24:41,840 Speaker 4: I was like, Bob must have felt those things too, 555 00:24:42,440 --> 00:24:45,680 Speaker 4: so peace, love and unity spreading it to the world. 556 00:24:45,680 --> 00:24:47,840 Speaker 4: But like, where was Bob back with those things in himself? 557 00:24:47,880 --> 00:24:50,520 Speaker 4: Where was Bob back with his inner peace? Where was 558 00:24:50,520 --> 00:24:51,240 Speaker 4: Bob back with. 559 00:24:51,160 --> 00:24:54,639 Speaker 1: His with his sense of unity within himself? 560 00:24:54,840 --> 00:24:58,159 Speaker 4: How safe did he feel? Because out of trauma can 561 00:24:58,240 --> 00:25:00,720 Speaker 4: come mad creativity, and we're will pick up on the 562 00:25:00,720 --> 00:25:02,560 Speaker 4: magnetism of it, you know, we'll all pick up on 563 00:25:02,640 --> 00:25:06,320 Speaker 4: the energy of that vibration because that trauma mixed with 564 00:25:06,359 --> 00:25:09,399 Speaker 4: all of that talent, Bosh, it's gonna come with some energy. 565 00:25:10,320 --> 00:25:14,399 Speaker 4: And that's what we see in love, you know. So 566 00:25:14,520 --> 00:25:16,159 Speaker 4: I don't know what I'm talking about now. 567 00:25:17,720 --> 00:25:22,680 Speaker 7: But I imagine that it's it's probably almost impossible to 568 00:25:22,720 --> 00:25:24,399 Speaker 7: capture all of that in one movie. 569 00:25:24,480 --> 00:25:24,880 Speaker 5: Anyway. 570 00:25:24,920 --> 00:25:27,000 Speaker 7: It's like you're sure the things that you're talking about 571 00:25:27,280 --> 00:25:29,399 Speaker 7: you know, leading up to him being what made him 572 00:25:29,400 --> 00:25:32,520 Speaker 7: a revolutionist? You know what I'm saying, It's probably like 573 00:25:32,800 --> 00:25:34,120 Speaker 7: that would be part two and part three. 574 00:25:34,160 --> 00:25:36,760 Speaker 1: There's twenty films you can make about Bob. 575 00:25:36,840 --> 00:25:41,080 Speaker 4: You could do Concrete Jungle. I want to go straight 576 00:25:41,119 --> 00:25:42,920 Speaker 4: to the end. You know, you could do the whole 577 00:25:42,920 --> 00:25:43,720 Speaker 4: Africa story. 578 00:25:43,800 --> 00:25:45,360 Speaker 6: Yeah. I wanted to hear more about it because. 579 00:25:46,680 --> 00:25:49,960 Speaker 4: Yeah, and I feel like a lot of people, everyone's 580 00:25:50,000 --> 00:25:52,400 Speaker 4: going to come in with their own expectation of what 581 00:25:52,480 --> 00:25:55,919 Speaker 4: they want to see, because everyone has their own idea 582 00:25:55,960 --> 00:25:57,880 Speaker 4: of who Bob Miley is to them. 583 00:25:58,160 --> 00:26:03,240 Speaker 1: And trust me, I'm that guy. Like I'm the worst critic. 584 00:26:02,920 --> 00:26:04,879 Speaker 4: When it comes to these things. I'll be the first 585 00:26:04,920 --> 00:26:08,200 Speaker 4: person to say, like, why is this English guy playing Bob? 586 00:26:08,480 --> 00:26:11,119 Speaker 4: That's me when I'm at home. So I get it. 587 00:26:11,200 --> 00:26:14,280 Speaker 4: I fully, fully get it. But this is a project 588 00:26:14,880 --> 00:26:18,520 Speaker 4: made by the family. Everything went through them, and this 589 00:26:18,680 --> 00:26:21,000 Speaker 4: is their tribute to their father, and this is what 590 00:26:21,119 --> 00:26:23,919 Speaker 4: they want the world to know about their dad. I 591 00:26:24,040 --> 00:26:27,000 Speaker 4: show everything, and I had every difficult conversation I needed 592 00:26:27,000 --> 00:26:30,119 Speaker 4: to have with them about everything, to the point where 593 00:26:30,359 --> 00:26:34,760 Speaker 4: I wasn't always popular popular among two the family everyone 594 00:26:35,000 --> 00:26:38,320 Speaker 4: because I'm coming in I want to. I'm trying to 595 00:26:38,320 --> 00:26:41,680 Speaker 4: get into Bob's I have the responsibility of playing him 596 00:26:42,040 --> 00:26:45,439 Speaker 4: and wanting to truthfully get into his headspace. So I 597 00:26:45,520 --> 00:26:48,440 Speaker 4: have to ask all the questions, you know, And it's 598 00:26:48,920 --> 00:26:51,560 Speaker 4: when I'm working, it's like there's never a moment like 599 00:26:51,880 --> 00:26:53,399 Speaker 4: we got it and now we can all just have 600 00:26:53,440 --> 00:26:53,920 Speaker 4: a good time. 601 00:26:53,960 --> 00:26:57,160 Speaker 1: On set. It's a constant investigation to the last day. 602 00:26:57,840 --> 00:27:01,920 Speaker 1: If something doesn't feel right on set, stop, we stop. 603 00:27:02,040 --> 00:27:04,560 Speaker 1: And if no one knows the answer, let's listen to Bob. 604 00:27:05,400 --> 00:27:07,639 Speaker 1: So the one thing I could take full control of 605 00:27:07,800 --> 00:27:10,440 Speaker 1: is how Bob talks. And no one listened to him 606 00:27:10,440 --> 00:27:10,840 Speaker 1: more than me. 607 00:27:11,960 --> 00:27:14,439 Speaker 4: I listened to Bob every day for nine months, and 608 00:27:14,440 --> 00:27:18,000 Speaker 4: Sodella sent me files that only the family have got 609 00:27:18,040 --> 00:27:20,840 Speaker 4: where Bob's having conversation with people that no one's heard before. 610 00:27:20,920 --> 00:27:24,280 Speaker 4: So I know how I know what Bob's spiritual emotional 611 00:27:24,320 --> 00:27:27,040 Speaker 4: point of view is because I'm hearing him say it. 612 00:27:27,440 --> 00:27:30,200 Speaker 4: So if I see a scene and I'm like Bob would, 613 00:27:30,520 --> 00:27:32,760 Speaker 4: Bob needs to be saying this now as it relates 614 00:27:32,800 --> 00:27:34,720 Speaker 4: to God, as it relates to spirituality. 615 00:27:35,160 --> 00:27:43,040 Speaker 1: So for me, sometimes, you know, my job is just 616 00:27:43,080 --> 00:27:45,639 Speaker 1: the character. You know, it's the character. 617 00:27:46,359 --> 00:27:47,840 Speaker 5: Which was executed very well. 618 00:27:47,880 --> 00:27:48,560 Speaker 1: Thank you so much. 619 00:27:48,600 --> 00:27:51,119 Speaker 7: I appreciate these past couple of years, you played like 620 00:27:51,720 --> 00:27:54,200 Speaker 7: different characters though you played Barack Obama. 621 00:27:54,520 --> 00:27:56,879 Speaker 5: You you played. 622 00:27:56,800 --> 00:28:00,280 Speaker 7: Malcolm X in One Night in Miami, basketball in a 623 00:28:00,320 --> 00:28:00,960 Speaker 7: Barbie movie. 624 00:28:01,920 --> 00:28:06,040 Speaker 5: Yeah, and Bob Marley. How mentally is that? Like, how 625 00:28:06,240 --> 00:28:08,000 Speaker 5: how is that mentally to switch? 626 00:28:08,720 --> 00:28:10,960 Speaker 4: Like I don't find I don't find the switch, and 627 00:28:11,840 --> 00:28:14,520 Speaker 4: I feel that No. Yeah, for me, it's just more 628 00:28:14,560 --> 00:28:18,159 Speaker 4: it's a it's a preparation thing and then five minutes 629 00:28:18,200 --> 00:28:21,080 Speaker 4: before action, I just need to concentrate and make sure 630 00:28:21,080 --> 00:28:23,080 Speaker 4: I've done my homework. 631 00:28:23,119 --> 00:28:24,440 Speaker 1: I don't know what I'm doing, you know what I mean. 632 00:28:24,560 --> 00:28:29,040 Speaker 4: I don't feel it's Yeah, you want to be able 633 00:28:29,040 --> 00:28:31,120 Speaker 4: to I think as well, just coming up as a 634 00:28:31,119 --> 00:28:34,840 Speaker 4: as a working actor, you have to be ready when 635 00:28:34,840 --> 00:28:37,720 Speaker 4: you need to be ready. So there's not that luxury 636 00:28:37,760 --> 00:28:41,240 Speaker 4: of like, I'm doing this role and now I've got 637 00:28:41,280 --> 00:28:44,160 Speaker 4: six months to prepare on my own. It's like someone's 638 00:28:44,240 --> 00:28:47,479 Speaker 4: dropped out. You've got two weeks to prep one night 639 00:28:47,480 --> 00:28:50,680 Speaker 4: at Miami. So you just have to get ready, you know. 640 00:28:50,920 --> 00:28:54,600 Speaker 4: It's like you finished Secret Invasion on the twelfth of 641 00:28:54,640 --> 00:29:00,200 Speaker 4: March you're starting Barbie on Monday, so you just. 642 00:29:01,960 --> 00:29:05,360 Speaker 1: Thank you. Yeah, yeah, I enjoyed that. I enjoyed. 643 00:29:05,440 --> 00:29:08,040 Speaker 4: I enjoyed playing that role because the reason why I 644 00:29:08,040 --> 00:29:10,160 Speaker 4: took it wasn't because the writing was great at all. 645 00:29:10,200 --> 00:29:11,440 Speaker 1: It has nothing to do with the writing. 646 00:29:11,720 --> 00:29:13,800 Speaker 4: They just sent me two little teaser scenes, one with 647 00:29:13,840 --> 00:29:17,040 Speaker 4: Samuel at the end and one with Ben Mendelssohn, and 648 00:29:17,080 --> 00:29:19,920 Speaker 4: I was like, Oh, this guy really wants everyone to burn. 649 00:29:20,560 --> 00:29:23,000 Speaker 1: You know, there's no I feel like he's gone in 650 00:29:23,040 --> 00:29:23,520 Speaker 1: his mind. 651 00:29:23,560 --> 00:29:28,080 Speaker 4: He's gone like power hungry, power hungry, but also just 652 00:29:28,160 --> 00:29:32,320 Speaker 4: like he's only going to feel I don't think he 653 00:29:32,400 --> 00:29:37,280 Speaker 4: feels anything other than when he sees other people experiencing 654 00:29:37,280 --> 00:29:40,360 Speaker 4: the pain that he feels subconsciously or not. So like, 655 00:29:42,280 --> 00:29:45,200 Speaker 4: he only feels alive when I see you in as 656 00:29:45,280 --> 00:29:47,640 Speaker 4: much pain as I feel in myself. And I was like, 657 00:29:48,120 --> 00:29:50,680 Speaker 4: I don't I've never been offered that kind of role, 658 00:29:50,720 --> 00:29:53,160 Speaker 4: so I just have to take it, regardless of what 659 00:29:53,200 --> 00:29:56,360 Speaker 4: show it is or you know, what it's in. But 660 00:29:56,720 --> 00:29:59,040 Speaker 4: it's fun. It's fun to play that because he's just 661 00:29:59,040 --> 00:30:01,440 Speaker 4: got a bag of seat, it's bag of dark secrets. 662 00:30:01,840 --> 00:30:04,400 Speaker 6: What about the backlash that comes with being a British actor, 663 00:30:04,440 --> 00:30:08,840 Speaker 6: getting to play American icons like President Obama, like Malcolm Xican, 664 00:30:08,840 --> 00:30:11,360 Speaker 6: even playing you know, in a Jamaican icon like Bob Marley. 665 00:30:11,640 --> 00:30:14,320 Speaker 6: People do not like that, like you're stealing. 666 00:30:14,200 --> 00:30:18,840 Speaker 1: All the roles. I hear it, I hear it again. 667 00:30:18,960 --> 00:30:19,640 Speaker 1: I feel like. 668 00:30:26,960 --> 00:30:32,200 Speaker 4: When you each casting situation is different. So when it 669 00:30:32,240 --> 00:30:37,360 Speaker 4: comes to opportunity, the first question is has everyone had 670 00:30:37,360 --> 00:30:42,959 Speaker 4: an opportunity to audition? Has everyone who should had an 671 00:30:42,960 --> 00:30:45,160 Speaker 4: opportunity to put their foot in the door where they 672 00:30:45,200 --> 00:30:50,440 Speaker 4: get to put their best self forward? And then what 673 00:30:51,560 --> 00:30:55,040 Speaker 4: only like and where it just depends on the casting 674 00:30:55,240 --> 00:30:59,640 Speaker 4: is that each situation is different. So some people can't 675 00:30:59,640 --> 00:31:03,720 Speaker 4: get their first, second, third, fourth, fifth, sixth choice all 676 00:31:03,720 --> 00:31:09,280 Speaker 4: busy not available. Seventh choice would be amazing. He's not 677 00:31:09,280 --> 00:31:13,080 Speaker 4: finishing the job till February. When these films go, when 678 00:31:13,080 --> 00:31:16,600 Speaker 4: they get that green light, there's a moment where they're 679 00:31:16,600 --> 00:31:19,480 Speaker 4: trying to make it. Now they're not waiting for anyone, 680 00:31:19,640 --> 00:31:25,520 Speaker 4: so it's really becomes about availability. I will always make 681 00:31:25,600 --> 00:31:27,680 Speaker 4: I told I said, when they came to me with Bob, 682 00:31:27,840 --> 00:31:29,520 Speaker 4: I was like, you have you been on a world 683 00:31:29,520 --> 00:31:30,120 Speaker 4: wide search? 684 00:31:30,720 --> 00:31:34,920 Speaker 1: Yes? We have, go on another one really make sure 685 00:31:35,640 --> 00:31:36,560 Speaker 1: you know when it came out. 686 00:31:36,560 --> 00:31:38,560 Speaker 3: Would you say that, like, make sure it's not me? 687 00:31:38,960 --> 00:31:41,239 Speaker 1: Well, yeah, because you want to make sure, you want 688 00:31:41,280 --> 00:31:43,160 Speaker 1: to make sure, Yeah, exactly. You want to make sure 689 00:31:43,160 --> 00:31:45,560 Speaker 1: I'm the best person I'm not because I've been in 690 00:31:45,560 --> 00:31:48,520 Speaker 1: that situation before. I couldn't get an audition for any 691 00:31:48,600 --> 00:31:52,280 Speaker 1: of those London things like Kid Oldhood or Top Boy 692 00:31:52,400 --> 00:31:54,120 Speaker 1: or any of that. The casting directs at home they 693 00:31:54,160 --> 00:31:54,960 Speaker 1: would never see me. 694 00:31:54,920 --> 00:31:57,640 Speaker 4: For that role because they see me like the Bridgeton guy, 695 00:31:58,480 --> 00:32:00,280 Speaker 4: whereas I'm like, no, no, oh no. 696 00:32:00,440 --> 00:32:01,440 Speaker 1: That's how I grew up. 697 00:32:02,520 --> 00:32:04,680 Speaker 4: I just went to a drama school that knocked my 698 00:32:04,760 --> 00:32:06,520 Speaker 4: accent out of me for eight years, and I've just 699 00:32:06,560 --> 00:32:09,560 Speaker 4: had to try and find it back some bullshit English 700 00:32:09,560 --> 00:32:11,920 Speaker 4: institution that told us that we couldn't talk the way 701 00:32:11,960 --> 00:32:14,760 Speaker 4: that we were supposed to talk. So it really really 702 00:32:15,200 --> 00:32:18,160 Speaker 4: depends on the car I think. To talk about this 703 00:32:18,800 --> 00:32:21,880 Speaker 4: as a whole becomes really difficult. I can only talk 704 00:32:21,920 --> 00:32:25,520 Speaker 4: for the specific examples of the castings that I've been in, 705 00:32:26,320 --> 00:32:28,360 Speaker 4: and I tell you straight. Andre Holland dropped out of 706 00:32:28,360 --> 00:32:31,200 Speaker 4: one night in Miami and Regina had two weeks to 707 00:32:31,280 --> 00:32:35,320 Speaker 4: cast it, and then there was three of us, and 708 00:32:35,360 --> 00:32:37,240 Speaker 4: then the guy who I was up against. He didn't 709 00:32:37,280 --> 00:32:39,440 Speaker 4: have the experience to hold the film in the way 710 00:32:39,440 --> 00:32:40,960 Speaker 4: that I did because of his age. He would have 711 00:32:41,000 --> 00:32:42,720 Speaker 4: been a twenty seven year old Malcolm and it didn't 712 00:32:42,760 --> 00:32:45,280 Speaker 4: make sense. They did not want to put me in 713 00:32:45,320 --> 00:32:47,920 Speaker 4: that role. It was just because the film is about 714 00:32:47,920 --> 00:32:50,400 Speaker 4: to go. They need to get it going, you know. 715 00:32:51,000 --> 00:32:53,120 Speaker 4: And really, I can talk for Bob and I can 716 00:32:53,160 --> 00:32:56,360 Speaker 4: talk for that and that's it, you know. Like so 717 00:32:57,400 --> 00:32:59,480 Speaker 4: I just got to make sure that when I'm going 718 00:32:59,560 --> 00:33:02,040 Speaker 4: in for some my thing is who have you seen? 719 00:33:02,200 --> 00:33:04,520 Speaker 1: Why are you coming to me? You know? 720 00:33:04,560 --> 00:33:06,400 Speaker 4: And I think the family came to me because our 721 00:33:06,440 --> 00:33:10,040 Speaker 4: first conversation was about the emotional vulnerability of Bob. 722 00:33:10,160 --> 00:33:12,040 Speaker 1: That's it. That's it. 723 00:33:12,800 --> 00:33:17,240 Speaker 4: No mimicry, no impersonation, no trying to like be him 724 00:33:17,360 --> 00:33:18,000 Speaker 4: or copy him. 725 00:33:18,080 --> 00:33:19,920 Speaker 1: This is a this is a this is a love 726 00:33:20,000 --> 00:33:20,840 Speaker 1: letter to your father. 727 00:33:21,160 --> 00:33:22,920 Speaker 4: So I'm going to try and tap into his feeling 728 00:33:22,960 --> 00:33:25,400 Speaker 4: a little bit, and that's it, just a little bit 729 00:33:25,400 --> 00:33:26,840 Speaker 4: of his essence, and I'm done. 730 00:33:27,280 --> 00:33:29,040 Speaker 6: It's okay to say you good, It's okay to say 731 00:33:29,040 --> 00:33:30,960 Speaker 6: I'm better than everybody else, It's okay to say I 732 00:33:30,960 --> 00:33:32,000 Speaker 6: get these roles because I'm a. 733 00:33:31,960 --> 00:33:35,840 Speaker 1: Great I don't think that's true. I don't think that's true. Like, 734 00:33:36,360 --> 00:33:41,160 Speaker 1: I don't think that's true. I just don't. I don't. 735 00:33:41,200 --> 00:33:43,320 Speaker 4: I don't, well, at least, I don't see it like that, 736 00:33:44,960 --> 00:33:47,360 Speaker 4: because you're only as good as the work you put 737 00:33:47,400 --> 00:33:50,080 Speaker 4: in on the day. You're you're two seconds away from 738 00:33:50,120 --> 00:33:53,640 Speaker 4: being really really bad if you switch off. And that's 739 00:33:53,680 --> 00:33:57,600 Speaker 4: the way that I I go with everything. It's starting again. 740 00:33:57,720 --> 00:33:57,920 Speaker 1: You know. 741 00:33:58,000 --> 00:34:00,640 Speaker 4: It's not like I went into Barb with the same 742 00:34:00,800 --> 00:34:03,960 Speaker 4: energy I went into Bob. Because it's about the work 743 00:34:03,960 --> 00:34:04,880 Speaker 4: and it's about the craft. 744 00:34:04,960 --> 00:34:06,640 Speaker 1: That's just me. Maybe I need to chill out a 745 00:34:06,640 --> 00:34:07,000 Speaker 1: little bit. 746 00:34:07,040 --> 00:34:09,880 Speaker 7: But a critic of yourself, like you could seem to 747 00:34:09,920 --> 00:34:12,839 Speaker 7: be even like, you know, hard on yourself about things. 748 00:34:12,880 --> 00:34:14,480 Speaker 5: You ever give yourself bad reviews? 749 00:34:15,040 --> 00:34:16,840 Speaker 1: Yeah, yeah, no, I'm learning. 750 00:34:17,000 --> 00:34:20,520 Speaker 4: I'm learning to be much kinder because it's you know, 751 00:34:20,760 --> 00:34:23,440 Speaker 4: you can just get tiring for yourself. But yeah, I know, 752 00:34:23,480 --> 00:34:29,200 Speaker 4: I feel like, yeah, I feel like it's the work 753 00:34:29,200 --> 00:34:31,360 Speaker 4: and it's the experience. You know, for me, it's about 754 00:34:31,360 --> 00:34:35,239 Speaker 4: the experience of the shoot. You know, who who's going 755 00:34:34,400 --> 00:34:39,400 Speaker 4: to the experience of making Bob was two years getting 756 00:34:39,440 --> 00:34:39,879 Speaker 4: to know. 757 00:34:39,920 --> 00:34:44,440 Speaker 1: Him with his friends and family before filming. 758 00:34:45,040 --> 00:34:48,000 Speaker 4: Yeah, and even up until now, just spending time with 759 00:34:48,040 --> 00:34:51,680 Speaker 4: the people who loved him or love him and knew him. 760 00:34:51,800 --> 00:34:52,560 Speaker 3: But you did the work. 761 00:34:52,960 --> 00:34:54,520 Speaker 1: Yeah, so like what a joy. 762 00:34:54,719 --> 00:34:58,200 Speaker 4: You know, Like, regardless of the film and whatever happens 763 00:34:58,200 --> 00:35:00,920 Speaker 4: with it, for me, that's two years of my life. 764 00:35:01,160 --> 00:35:03,920 Speaker 4: That's my life with them, you know, and I'll cherish 765 00:35:03,960 --> 00:35:07,960 Speaker 4: that to you. So for me as well with work, 766 00:35:08,000 --> 00:35:09,800 Speaker 4: it's as much about the experience as well. It's like 767 00:35:09,840 --> 00:35:11,879 Speaker 4: when I see that Secret Invasion thing, I was like, yeah, 768 00:35:11,960 --> 00:35:14,600 Speaker 4: this is ten days with Samuel Jackson on set taking 769 00:35:14,600 --> 00:35:17,000 Speaker 4: the job just for that. I just want to be 770 00:35:17,040 --> 00:35:19,040 Speaker 4: around him for ten days, you know, And it was 771 00:35:19,120 --> 00:35:22,239 Speaker 4: ended up being three four months, and then I get 772 00:35:22,239 --> 00:35:23,080 Speaker 4: to learn from him. 773 00:35:24,000 --> 00:35:25,239 Speaker 1: You know, what did he teach you? 774 00:35:25,280 --> 00:35:26,399 Speaker 6: What was the lesson that he told you? 775 00:35:27,320 --> 00:35:30,399 Speaker 1: Pro pro and like. 776 00:35:30,520 --> 00:35:32,719 Speaker 6: Great cursor too, fantastic. 777 00:35:32,120 --> 00:35:35,600 Speaker 4: Love person and funny and funny. But when he's on 778 00:35:35,640 --> 00:35:38,719 Speaker 4: the floor, you know, when we started doing some of 779 00:35:38,760 --> 00:35:41,480 Speaker 4: those scenes, when he gets excited and wants to turn 780 00:35:41,560 --> 00:35:46,400 Speaker 4: it on, it becomes really exciting because you're like, Sam 781 00:35:46,440 --> 00:35:47,000 Speaker 4: can do it. 782 00:35:47,040 --> 00:35:51,719 Speaker 1: You know, he's one of the greats and I don't know, 783 00:35:51,920 --> 00:35:53,880 Speaker 1: I don't know how to summarize a word what I 784 00:35:53,920 --> 00:35:56,840 Speaker 1: got from him, but it was definitely like, you know, 785 00:35:56,880 --> 00:35:59,719 Speaker 1: I really really enjoyed being around him and Ben Mendelssohn 786 00:35:59,719 --> 00:36:01,560 Speaker 1: as well. Those two were the reasons why I took 787 00:36:01,600 --> 00:36:01,879 Speaker 1: the job. 788 00:36:01,920 --> 00:36:03,319 Speaker 4: I was like, I'm definitely gonna be able to learn 789 00:36:03,360 --> 00:36:06,960 Speaker 4: Sam from these guys, you know, and Sam. Sam's very kind, 790 00:36:07,239 --> 00:36:11,319 Speaker 4: like very very kind. He's got so much time for 791 00:36:11,520 --> 00:36:14,680 Speaker 4: like young people around. He has a heightened awareness of 792 00:36:14,800 --> 00:36:17,200 Speaker 4: like I mean, he's been famous for how long man 793 00:36:17,200 --> 00:36:19,600 Speaker 4: he can't go anywhere, but he still makes the time 794 00:36:19,719 --> 00:36:22,480 Speaker 4: for everyone. And he said, Sam likes to do one 795 00:36:22,520 --> 00:36:25,320 Speaker 4: take or two takes, you know, one and done. Sometimes 796 00:36:25,360 --> 00:36:28,200 Speaker 4: I need eight or nine and he's there. He's that 797 00:36:28,760 --> 00:36:31,279 Speaker 4: you take as much time as you need. I'm right 798 00:36:31,280 --> 00:36:32,960 Speaker 4: here and it'll be on his feet every time. And 799 00:36:33,000 --> 00:36:34,319 Speaker 4: I love that because a lot of actors will go 800 00:36:34,360 --> 00:36:36,399 Speaker 4: back to the trailer, they go home, and they'll get 801 00:36:36,400 --> 00:36:38,640 Speaker 4: their standing to come in and act with you. Sam 802 00:36:38,680 --> 00:36:43,080 Speaker 4: did not leave me once. Yeah, so I really appreciated that. 803 00:36:43,280 --> 00:36:45,560 Speaker 4: And uh, just funny, funny. 804 00:36:45,320 --> 00:36:47,959 Speaker 6: Did did Ziggy really remember a lot of stuff because 805 00:36:47,960 --> 00:36:51,000 Speaker 6: he was young then? Like seeing. I'm thinking about in particular, 806 00:36:51,520 --> 00:36:53,160 Speaker 6: was the shooting that happened, you know. 807 00:36:53,239 --> 00:36:54,719 Speaker 1: Yeah, the drive by. 808 00:36:54,800 --> 00:36:55,480 Speaker 6: He remembered that. 809 00:36:55,760 --> 00:36:58,680 Speaker 4: They've got they've got Yeah, Ziggy's got memories, Yeah, Tigg 810 00:36:58,680 --> 00:37:00,160 Speaker 4: He's got memories. And that bit of the air put 811 00:37:00,200 --> 00:37:03,960 Speaker 4: at the end somehow when his dad come back, Ziggy 812 00:37:04,080 --> 00:37:06,359 Speaker 4: made it to the airport and no one knew how 813 00:37:06,400 --> 00:37:09,359 Speaker 4: he got there. At like nine years old, he heard 814 00:37:09,360 --> 00:37:12,880 Speaker 4: his dad was coming and he found himself like running 815 00:37:12,880 --> 00:37:14,879 Speaker 4: in the crowd, running in the crowd, and no one 816 00:37:14,920 --> 00:37:16,480 Speaker 4: knows how he got there. He can't remember how he 817 00:37:16,520 --> 00:37:18,640 Speaker 4: got there, but he was there. So I was about 818 00:37:18,640 --> 00:37:19,400 Speaker 4: getting that moment in. 819 00:37:19,480 --> 00:37:21,759 Speaker 6: But they really happy, like Bob, Bob saw him in 820 00:37:21,800 --> 00:37:22,560 Speaker 6: the Yeah. 821 00:37:22,520 --> 00:37:23,719 Speaker 1: Yeah, yeah, I believe so. 822 00:37:24,160 --> 00:37:27,520 Speaker 4: But the the That's why a lot of my conversations 823 00:37:27,560 --> 00:37:32,040 Speaker 4: with Neville, with Tyrone and with Lego, like the guys 824 00:37:32,040 --> 00:37:36,120 Speaker 4: who are Bob's age, who remembering him like I would 825 00:37:36,160 --> 00:37:40,600 Speaker 4: remember my power, you know, they were really the stories 826 00:37:40,640 --> 00:37:44,520 Speaker 4: about Bob's personality and is feeling around the time. You know, 827 00:37:45,200 --> 00:37:47,960 Speaker 4: all my information came through them as it related to that. 828 00:37:49,400 --> 00:37:51,359 Speaker 4: You read all the books and then he's like, isn't 829 00:37:51,360 --> 00:37:53,880 Speaker 4: that and you can find in these books really apart 830 00:37:53,880 --> 00:37:58,919 Speaker 4: from timelines, you know, but Lego and Lenny, Lenny Dread. 831 00:37:58,920 --> 00:38:01,640 Speaker 4: There's a guy called Lenny Dread who came over from 832 00:38:01,640 --> 00:38:04,480 Speaker 4: Saint Kitts when he was like sixteen seventeen, and he. 833 00:38:04,480 --> 00:38:06,480 Speaker 1: Camped outside Bob's mom's house. 834 00:38:06,320 --> 00:38:08,879 Speaker 4: In Miami because he had a vision that he wanted 835 00:38:08,920 --> 00:38:11,279 Speaker 4: to work for Bob one day. So he just went 836 00:38:11,360 --> 00:38:13,640 Speaker 4: and stayed outside the house for weeks and Bob was 837 00:38:13,680 --> 00:38:15,719 Speaker 4: on tour, and then Bob came back one day and 838 00:38:15,719 --> 00:38:17,160 Speaker 4: he told Bob that he had a dream that he 839 00:38:17,200 --> 00:38:17,960 Speaker 4: wanted to work for him. 840 00:38:18,000 --> 00:38:20,719 Speaker 1: Man still works in the house today. Wow. And I 841 00:38:20,760 --> 00:38:21,640 Speaker 1: spent three hours with. 842 00:38:21,680 --> 00:38:23,680 Speaker 4: Him in Bob's my mass and he took me into 843 00:38:23,960 --> 00:38:25,319 Speaker 4: you know, Bob's room at the time, so where they 844 00:38:25,320 --> 00:38:27,600 Speaker 4: would have had all family birthdays and everything like that. 845 00:38:28,200 --> 00:38:30,560 Speaker 4: And I had a four hour conversation with him where 846 00:38:30,560 --> 00:38:32,640 Speaker 4: he was telling me like what Bob was like and 847 00:38:32,680 --> 00:38:36,080 Speaker 4: his energy and everyone in and then those were the 848 00:38:36,080 --> 00:38:39,000 Speaker 4: things that I think I absorbed in some way, you know, 849 00:38:39,080 --> 00:38:44,480 Speaker 4: from those guys. Yeah, Lenny Dread and Dessi and Lego 850 00:38:45,280 --> 00:38:45,680 Speaker 4: was great. 851 00:38:45,800 --> 00:38:48,719 Speaker 6: What about when Bob was dealing with you know, the 852 00:38:48,800 --> 00:38:52,600 Speaker 6: cancer that ultimately took his life. In the movie, it's 853 00:38:52,640 --> 00:38:55,919 Speaker 6: played in like a really nonchalant way. 854 00:38:56,239 --> 00:38:58,320 Speaker 5: You know, he was telling them, yeah, y'all. 855 00:39:02,800 --> 00:39:06,839 Speaker 6: Talking about is the icon? Some people don't you don't 856 00:39:06,880 --> 00:39:12,160 Speaker 6: know the door And if I don't know, it's Bob Marley, 857 00:39:12,640 --> 00:39:13,040 Speaker 6: come on. 858 00:39:13,880 --> 00:39:14,560 Speaker 1: Yeah, I don't think that. 859 00:39:14,600 --> 00:39:17,879 Speaker 4: I don't give too much away because everybody, no, no. 860 00:39:17,840 --> 00:39:18,160 Speaker 1: You're good. 861 00:39:18,880 --> 00:39:23,120 Speaker 6: But but the nonchalantness of it all, it also reminded 862 00:39:23,120 --> 00:39:24,359 Speaker 6: me of just being a man and how a lot 863 00:39:24,400 --> 00:39:25,799 Speaker 6: of men don't want to go to. 864 00:39:26,000 --> 00:39:27,960 Speaker 4: Yeah, it wasn't written like that, okay, And that's what 865 00:39:27,960 --> 00:39:31,879 Speaker 4: I'm saying about acting process. For me, I was like 866 00:39:32,800 --> 00:39:35,200 Speaker 4: when you're from the ghetto like that, and I've grown 867 00:39:35,280 --> 00:39:36,759 Speaker 4: up with guys and I have a bit of it 868 00:39:36,760 --> 00:39:40,319 Speaker 4: in myself. Whereas to me it was like, well, what 869 00:39:40,480 --> 00:39:42,680 Speaker 4: happened was that he didn't check it for a number. 870 00:39:42,520 --> 00:39:48,960 Speaker 1: Of years and the line really is them can kill me. 871 00:39:50,360 --> 00:39:51,840 Speaker 1: So if you understand the language of. 872 00:39:51,840 --> 00:39:56,520 Speaker 4: That scene, like we we readjusted it to to make 873 00:39:56,600 --> 00:40:00,160 Speaker 4: sense for Bob's mentality at that moment, you you know, 874 00:40:00,640 --> 00:40:03,279 Speaker 4: I think that the next diagnosis in New York three 875 00:40:03,320 --> 00:40:06,480 Speaker 4: years later was slightly different, and they wanted to impose 876 00:40:06,840 --> 00:40:09,280 Speaker 4: the script that I originally read, sort of imposed nineteen 877 00:40:09,360 --> 00:40:13,879 Speaker 4: eighty one on nineteen seventy seven. I was like, where 878 00:40:13,920 --> 00:40:16,040 Speaker 4: was Bob actually out in seventy seven, which is that 879 00:40:16,080 --> 00:40:17,800 Speaker 4: he was on job, you know, he was working. 880 00:40:17,800 --> 00:40:20,360 Speaker 1: He had time for that, you know. And listen. 881 00:40:20,400 --> 00:40:24,960 Speaker 4: I shot that film with Ziggy, and it was a 882 00:40:25,000 --> 00:40:30,200 Speaker 4: mad day because suddenly I'm in this doctor's office and 883 00:40:30,239 --> 00:40:32,719 Speaker 4: I was like, raw, this actually happened, you know, and 884 00:40:32,760 --> 00:40:36,359 Speaker 4: his son's looking at me, you know. And I had 885 00:40:36,360 --> 00:40:38,840 Speaker 4: to take a couple of moments because there were versions 886 00:40:38,880 --> 00:40:41,959 Speaker 4: of the scene where I did crack and I would 887 00:40:41,960 --> 00:40:43,920 Speaker 4: call Ziggy over and I'd say, Ziggy, I don't know 888 00:40:43,960 --> 00:40:46,840 Speaker 4: if these are my tears or your dad's tears. But 889 00:40:46,920 --> 00:40:50,239 Speaker 4: if they're not, I don't know. You know, if I'm 890 00:40:50,280 --> 00:40:51,480 Speaker 4: crying for him, I'm crying. 891 00:40:51,520 --> 00:40:53,879 Speaker 1: I don't. I don't want to. You can't just put 892 00:40:53,920 --> 00:40:55,759 Speaker 1: Bob Marley in a film and have him cry down 893 00:40:56,000 --> 00:40:59,319 Speaker 1: the film. You know. It's not that Bob's not that 894 00:40:59,840 --> 00:41:01,640 Speaker 1: he's not an American dad. 895 00:41:02,360 --> 00:41:06,840 Speaker 4: You have very very specific political, spiritual, religious beliefs, and 896 00:41:06,880 --> 00:41:10,000 Speaker 4: it's the only thing he talks about. From nineteen sixty 897 00:41:10,080 --> 00:41:12,239 Speaker 4: nine to the first interview. I heard all the way through, 898 00:41:12,239 --> 00:41:13,760 Speaker 4: Bob saying the same thing. 899 00:41:13,760 --> 00:41:16,440 Speaker 1: Alice alassiea dad. 900 00:41:16,800 --> 00:41:22,160 Speaker 4: So Bob's tears, I'd ask people, there's not many reports, 901 00:41:23,600 --> 00:41:26,480 Speaker 4: so it's not about an oscar moment. It's like the 902 00:41:26,520 --> 00:41:30,319 Speaker 4: truth is it's not. So I said to Ziggy, you 903 00:41:30,480 --> 00:41:32,920 Speaker 4: make this call when you get to the edit. But 904 00:41:32,960 --> 00:41:35,160 Speaker 4: I'm going to give you a few different versions of this, 905 00:41:36,040 --> 00:41:37,759 Speaker 4: you know. And I love what they did up in 906 00:41:37,800 --> 00:41:39,640 Speaker 4: the room when he's just there and you can't even 907 00:41:39,640 --> 00:41:42,640 Speaker 4: see his face, but you just hear it and then 908 00:41:42,640 --> 00:41:46,319 Speaker 4: he cracks on Bosh back to the work. So that 909 00:41:46,480 --> 00:41:50,120 Speaker 4: to me felt true to Bob. That felt true to that, 910 00:41:53,360 --> 00:41:57,880 Speaker 4: It felt true to the guy, the guy I know 911 00:41:57,960 --> 00:41:58,520 Speaker 4: from the gheto. 912 00:41:59,520 --> 00:42:02,799 Speaker 7: You know, emotions aren't really coming from the audience pretty much. 913 00:42:02,840 --> 00:42:05,840 Speaker 7: The tears really come from. 914 00:42:05,280 --> 00:42:07,759 Speaker 1: As I was crying for him on the day because 915 00:42:07,760 --> 00:42:09,360 Speaker 1: his son's looking at me, and I'm like, yeah, that 916 00:42:09,440 --> 00:42:13,000 Speaker 1: must have been what must have been like for him, 917 00:42:13,239 --> 00:42:17,520 Speaker 1: Like the loneliness of that moment and going raw, like 918 00:42:18,800 --> 00:42:21,000 Speaker 1: everything is coming in And that's why you just see 919 00:42:21,000 --> 00:42:23,399 Speaker 1: me looking up like that, because when I don't want 920 00:42:23,440 --> 00:42:30,000 Speaker 1: to cry, you know, it's that mm hmm. I want 921 00:42:30,040 --> 00:42:35,680 Speaker 1: you to see me crying. 922 00:42:33,320 --> 00:42:38,840 Speaker 5: You know, Send me the movie. 923 00:42:38,920 --> 00:42:39,640 Speaker 6: Send me the movie. 924 00:42:40,480 --> 00:42:43,440 Speaker 2: When the movie comes out this Wednesday, it looks like 925 00:42:43,480 --> 00:42:48,200 Speaker 2: a globe my head, my head, bringing back to my childhood. 926 00:42:48,200 --> 00:42:49,600 Speaker 1: I was like, I used to get my head, used 927 00:42:49,600 --> 00:42:52,960 Speaker 1: to get terrorized, and I used to get men. Another 928 00:42:52,960 --> 00:42:55,120 Speaker 1: guy get him being head and I had a meathead. 929 00:42:55,480 --> 00:42:56,640 Speaker 1: And then some kids of me. 930 00:42:57,560 --> 00:42:59,799 Speaker 3: Kids to me, probably the meaning you imagine, want to. 931 00:43:02,000 --> 00:43:06,080 Speaker 1: My boys and they come out they're just Terrorizing's just terror. 932 00:43:12,200 --> 00:43:17,160 Speaker 5: Yeah, Jesus Christ, it ain't little amen to it. 933 00:43:17,920 --> 00:43:18,120 Speaker 1: Head. 934 00:43:18,520 --> 00:43:20,160 Speaker 6: But no, the movie is really good man. I think 935 00:43:20,200 --> 00:43:22,640 Speaker 6: you did a great, great job as Bob. I don't 936 00:43:22,640 --> 00:43:25,160 Speaker 6: have anything to reference it to, you know what I mean, 937 00:43:25,200 --> 00:43:26,080 Speaker 6: because I didn't grow up in. 938 00:43:26,040 --> 00:43:28,400 Speaker 1: The air Obama. Yeah no, I feel. 939 00:43:28,239 --> 00:43:28,719 Speaker 3: Like you cap. 940 00:43:28,800 --> 00:43:30,359 Speaker 6: There's an essence you captured for sure. 941 00:43:30,480 --> 00:43:30,759 Speaker 1: Thank you. 942 00:43:30,920 --> 00:43:33,640 Speaker 2: I appreciate, appreciate, and everybody go out and check it out. 943 00:43:33,640 --> 00:43:36,879 Speaker 2: It comes out this Valentine's Day of perfect Valentine's Day thing. 944 00:43:38,280 --> 00:43:41,439 Speaker 6: It's a love story. Man, between reading Bob, it really 945 00:43:41,480 --> 00:43:42,120 Speaker 6: it really is. 946 00:43:42,040 --> 00:43:43,719 Speaker 3: And Kings, we appreciate you for joining us. 947 00:43:43,840 --> 00:43:46,239 Speaker 1: I'm so nice to be I'm finding this show. 948 00:43:46,280 --> 00:43:48,399 Speaker 4: I've been watchings on YouTube all the time, so I'm 949 00:43:48,400 --> 00:43:49,400 Speaker 4: happy to be thank you. 950 00:43:50,000 --> 00:43:52,600 Speaker 6: How hands on with Brad Pitt this No Plan B 951 00:43:52,760 --> 00:43:57,719 Speaker 6: with production company. 952 00:43:55,320 --> 00:43:58,240 Speaker 4: D and D D and Jeremy around Brad busy filming. 953 00:43:59,440 --> 00:44:00,480 Speaker 4: He's the to see her. 954 00:44:01,640 --> 00:44:04,000 Speaker 1: I don't say that, no, no, no, the overseer of 955 00:44:04,040 --> 00:44:04,640 Speaker 1: his company. 956 00:44:04,680 --> 00:44:12,120 Speaker 6: Yeah, I don't still don't like that. 957 00:44:11,960 --> 00:44:13,120 Speaker 1: No no, no, no, no, no no no. 958 00:44:13,239 --> 00:44:17,520 Speaker 4: I didn't mean that Brad's company is with DDY and Jeremy. 959 00:44:17,760 --> 00:44:19,200 Speaker 1: But Dy and Jeremy were with us. 960 00:44:19,560 --> 00:44:22,839 Speaker 4: Brad oversees them, you know what I'm saying. But like 961 00:44:23,000 --> 00:44:26,680 Speaker 4: he's one of many executive producers on this the overseer 962 00:44:26,760 --> 00:44:29,880 Speaker 4: of this project is tough Gon and the family, you 963 00:44:29,960 --> 00:44:32,320 Speaker 4: know what I mean, Brad and de Dy and Jeremy 964 00:44:32,360 --> 00:44:34,400 Speaker 4: to come with a hell of a lot of experience, 965 00:44:34,880 --> 00:44:36,920 Speaker 4: you know as it relates to these movies and the 966 00:44:36,920 --> 00:44:38,880 Speaker 4: pre production and the making of it and the coming 967 00:44:38,880 --> 00:44:39,319 Speaker 4: out of it. 968 00:44:39,760 --> 00:44:41,760 Speaker 1: So yeah, there's. 969 00:44:41,520 --> 00:44:46,160 Speaker 6: Yeah, stories, I really do does more stories about that era? 970 00:44:46,320 --> 00:44:48,719 Speaker 1: Really? Yeah, Yeah, there's a lot, there's a lot there, 971 00:44:48,960 --> 00:44:50,640 Speaker 1: you know, We'll see. 972 00:44:50,800 --> 00:44:52,640 Speaker 2: Let's look to the family and we appreciate you for 973 00:44:52,719 --> 00:44:55,480 Speaker 2: joining us. Thank you guys, it's the Breakfast Club. 974 00:44:55,520 --> 00:44:56,440 Speaker 3: Good morning, nice. 975 00:44:56,640 --> 00:44:59,840 Speaker 1: Wake in the morning. The Breakfast Club