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Speaker 1: All right me, John Hurt CBS Late Night Munchie run

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Speaker 1: grabbing Stofer's French Bread, Pizza, Linquisine, Ravioli, Friday's Wings.

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Speaker 2: Go to the.

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Speaker 1: Self checkout scanning. Yeah, John says, check it, check it,

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Speaker 1: check check you know, uh, expose his heine put his

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Speaker 1: heinee on the thing. So it's like, how much is

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Speaker 1: my look my but hm, the machine says finally, like

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Speaker 1: a normal voice, just goes Finally, scans start scanning slowly.

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Speaker 2: John Hurt tries to get off, can't get off.

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Speaker 1: Finally it expels him into a shelf, spitshi mouton yeap.

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Speaker 1: Lasers start emerging up out of the surface, composing himself

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Speaker 1: into human shape, and it looks it's a nude John

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Speaker 1: Hurt looks exactly like John Hurt. And John Hurt is like, okay,

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Speaker 1: let me see, like where this is going. Maybe I

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Speaker 1: can use this guy to play tricks on Ian home.

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Speaker 1: But it just walks out into the street and it

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Speaker 1: just got hit by a car. Didn't have blood inside.

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Speaker 1: That's a great question. When it got hit. I think

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Speaker 1: it was like the lasers were like trying to simulate blood.

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Speaker 2: Uh huh.

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Speaker 3: But it was in like confetti streams. Yeah, yeah, okay, yeah,

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Speaker 3: does that what did check out for something with you?

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Speaker 1: Yeah? I mean that's my machine. Oh so okay, is

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Speaker 1: that disappointing to you?

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Speaker 3: Well, self checkout is yes, the idea that it was

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Speaker 3: not able to realistically simulate blood in a way that

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Speaker 3: tricked you. I mean that you didn't immediately answer like yeah,

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Speaker 3: he was full of blood because a big part of

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Speaker 3: so okay. So for me, I've been trying to break

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Speaker 3: into the self checkout world for quite some time, and

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Speaker 3: of course people scan items on their food whatever, but

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Speaker 3: I'm sort of coupling it with three D printing.

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Speaker 1: If you don't know what three D printing is.

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Speaker 3: There's this new show called Grandfather's Coming Out on Fox

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Speaker 3: stars John Stamos and Josh Peck. Josh Peck is his

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Speaker 3: son he didn't know he had, who also has an

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Speaker 3: E didn't know he had, making John stainwos a group

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Speaker 3: and father and that boy who is his son is

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Speaker 3: actually a three D printing guy designer. So I became

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Speaker 3: aware of it through that show, and I decided, let

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Speaker 3: me get into this somehow. I start tinkering around with

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Speaker 3: just some springs and wires and lo and behold, I

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Speaker 3: make one of the best three printers you've ever seen,

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Speaker 3: and it look like a self checkout and it suck

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Speaker 3: in and scan people or thing and make it come

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Speaker 3: back out. But what I can't seem to do is

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Speaker 3: make the insides of the thing. And my ultimate goal

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Speaker 3: is to make an island of people, like an amusement park. Yeah,

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Speaker 3: people that look like you, so every one can go

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Speaker 3: to sort of me land and then you so you go,

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Speaker 3: you pay me. I put your butt on the printer?

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Speaker 3: Scan you?

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Speaker 2: Does it? Say?

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Speaker 4: Finally every time?

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Speaker 3: Well that's me okay, because so many people are scanning

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Speaker 3: lean cuisines all this other stuff, and I'm going, like,

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Speaker 3: what I really want to test out is like, can

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Speaker 3: I make a human? I don't want to put my

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Speaker 3: own butt on it? Number one because I got to

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Speaker 3: work the controls, and number two because I don't know

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Speaker 3: if it kills you or something. So this was a

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Speaker 3: real relief for me that he went to do what

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Speaker 3: he thought was a prank on I.

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Speaker 1: Guess the store.

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Speaker 3: The initially yes jokes on him because I got what

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Speaker 3: I wanted. The other thing I can't do is make

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Speaker 3: the whatever it gets created the humans. I can't make

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Speaker 3: them not want to kill themselves. They desire to be

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Speaker 3: destroyed immediately. Some of them set them off on fire.

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Speaker 3: Some run to traffic, as you described, So that was intentional, Okay,

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Speaker 3: I could some drowned themselves.

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Speaker 1: It's gruesome. It was so dispassionate and like emotionless. I

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Speaker 1: didn't know if that was on purpose or it just

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Speaker 1: didn't know. I also wanted to make them care about

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Speaker 1: living or.

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Speaker 3: Or the fact that they're killing themselves. I can't make

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Speaker 3: them one black, yeah.

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Speaker 1: Which it would be. That would be one thing.

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Speaker 3: At least if they screamed right before they got hit,

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Speaker 3: could be interesting.

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Speaker 1: One of them you tried to make.

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Speaker 3: Samurai sword and start chopping himself up and just looking

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Speaker 3: at me in the eye, just cold and composed the

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Speaker 3: entire time. And who was that of, uh uh Lewis

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Speaker 3: ferricn So, so you know.

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Speaker 2: It was.

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Speaker 3: It was distressing because he's a friend. So like anyway,

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Speaker 3: I'm I'm happy about some pieces of the story. But

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Speaker 3: to answer your question, yes, I am disappointed that it

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Speaker 3: didn't at least look like rope blood.

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Speaker 1: Hey, welcome to Hollywood Handbook and Insider's Guide to Kicking

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Speaker 1: butt and dropping names in the Red carpet line back

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Speaker 1: hallways of this industry we call showbiz. Showbiz savoring every word.

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Speaker 3: Sometimes you need to make a meal out of a

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Speaker 3: catchphrase you've heard so many times. Maybe you're blowing by it,

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Speaker 3: but it's like a prayer almost, and it's don't let

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Speaker 3: it be Just wrote.

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Speaker 1: To people say, when are you guys going to do

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Speaker 1: a quiz? You do a podcast, you do sometimes do

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Speaker 1: TV movies. When are you guys going to get it

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Speaker 1: together to cause I want to take a quiz of

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Speaker 1: you about you?

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Speaker 3: And they want to feel more associated with the show.

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Speaker 3: And I think I see a lot of people whenever

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Speaker 3: I'm online on every sight saying ooh I'm a Sean,

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Speaker 3: or oh I'm a Hayes, or on your Instagram post

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Speaker 3: it'll be oh, you're such a haze, or like what

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Speaker 3: a total Sean?

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Speaker 2: But how do you know?

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Speaker 1: How do you know which one you is? Uh?

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Speaker 3: So, finally we are gonna do the definitive quiz Hollywood Handbook.

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Speaker 3: Which hosts are you Sean or Hayes? They're both good,

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Speaker 3: but they're both different, aren't they.

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Speaker 1: Hayes? Yes, And it depends on what questions you ask

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Speaker 1: and you take it on. But it's like buzz feed. Well, yes,

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Speaker 1: it's a buzz it's if you buzz fief because a

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Speaker 1: lot of people mistype it and then they've just been

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Speaker 1: going to nothing. But now you can actually go to

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Speaker 1: a site where you can take a quiz y and

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Speaker 1: it is our quiz.

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Speaker 3: And this is the one quiz to start with, and

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Speaker 3: if it works out, we're gonna have more quizzes.

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Speaker 2: And it shares automatic. You know.

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Speaker 1: Some of these you have to like decide whether or

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Speaker 1: not you want to share it, but this one is

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Speaker 1: automatic share, yeah, your various platforms, and it emails your crush.

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Speaker 3: Yes, because a lot of people, I think, forget to

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Speaker 3: click share at the end of a quiz, which is

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Speaker 3: so fun. And I'm always curious, oh what happened in

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Speaker 3: that quiz?

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Speaker 1: Did anyone take one today?

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Speaker 3: And did were they able to tell the one square

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Speaker 3: that was a different color than the other squares? Or

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Speaker 3: what's a quiz you've seen, Hayes that You've been so

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Speaker 3: happy to have seen?

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Speaker 1: That one I think is the classic one where they

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Speaker 1: tell the squares it's different from the other squares. I

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Speaker 1: mean pretty good.

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Speaker 2: It's a ubiquitous quiz.

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Speaker 1: Guess I still got it? So we're gonna have Brett

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Speaker 1: take our quiz to decide whether he's a Sean or Hayes.

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Speaker 2: And I have my theories, but this is why we

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Speaker 2: have the quiz.

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Speaker 1: So let's start question one, what's your favorite day at

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Speaker 1: the beach? And it's it's multiple choice, so that you

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Speaker 1: wasted that deep breath because you're not going to say

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Speaker 1: anything for a long time.

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Speaker 5: So I can just choose multiple days of the week.

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Speaker 1: You think you think the question is what is your

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Speaker 1: favorite When you hear what's your favorite day of the beach,

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Speaker 1: you think the question is what is your favorite day

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Speaker 1: of the week to go to the beach?

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Speaker 4: Oh?

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Speaker 2: Wow, No, it's activities.

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Speaker 3: So well, this is something I have been worried about

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Speaker 3: that this quiz may not work on engineers.

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Speaker 5: That okay, that seems like a logical way to interpret it.

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Speaker 6: Me.

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Speaker 5: No, that question is phrased badly.

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Speaker 1: No, the question is not finished.

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Speaker 2: Yeah, the question is. Yeah, you haven't even heard a.

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Speaker 1: You haven't heard a yet.

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Speaker 3: You're already answering, Oh, I see it.

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Speaker 1: What's your favorite day of the beach? A And it's

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Speaker 1: gonna be stuff that you like to do, A read

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Speaker 1: a famous book, b.

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Speaker 2: Invent new shells. See eat the water.

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Speaker 3: D Hot dog go to bathroom.

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Speaker 2: So which one are you?

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Speaker 5: I would like to making new shells sounds.

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Speaker 1: Inventing new shells.

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Speaker 5: Inventing new shells I would love to do, but I've

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Speaker 5: never done that. I've done Hot dog go to bathroom.

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Speaker 3: Okay, So it's not aspirational, right, I mean, it's not

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Speaker 3: what you wish your day at the beach was, it's

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Speaker 3: what is their day.

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Speaker 1: You have to you're forced to confirm the fact that

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Speaker 1: this is your favorite thing to do with the beach.

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Speaker 5: Hot dog go to bathroom.

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Speaker 3: Okay, so that's six points.

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Speaker 1: Okay, great?

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Speaker 5: Is that good or bad?

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Speaker 1: Gray?

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Speaker 3: It's it's really good so far. Question two. You find

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Speaker 3: yourself in a dark cave. In the corner is a

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Speaker 3: bleeding animal, and your pocket is a key, two quarters.

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Speaker 2: And a fishbone.

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Speaker 3: You approach the animal, it squeals, start to make the

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Speaker 3: pit of your stomach churn. As you reach down to

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Speaker 3: touch it, you realize it's not an animal.

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Speaker 1: At all, but a door.

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Speaker 3: Do you A open the door, B smash the door,

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Speaker 3: C try your key in the door. D Hot dog

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Speaker 3: go bathroom.

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Speaker 5: So the door is bleeding and school.

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Speaker 3: What it's no you think it's you think it's an

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Speaker 3: injured animal. At first, you're approaching it, and I hope

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Speaker 3: to comfort.

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Speaker 1: Because it's not like moving around. You assume it's an

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Speaker 1: injured animal.

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Speaker 3: But a door, Well, why would a door be in

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Speaker 3: a cave?

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Speaker 5: Right? Well, that's my first question. But then is it

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Speaker 5: the only way out of the cave? Does it appear

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Speaker 5: to be the only way out?

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Speaker 2: No, No, it's sort of lying.

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Speaker 5: It's lying down the yeah.

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Speaker 2: Sort of against it's sort of propped up by a.

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Speaker 1: Rock, and it looked like an animal.

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Speaker 5: I think I would I think I would open it. Yeah,

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Speaker 5: the hot dog go to bathroom still sounds.

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Speaker 1: Great because it's not because again it's not aspirational, like

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Speaker 1: whether you're I, whether you'd like to think the person

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Speaker 1: you want to be would open the door.

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Speaker 2: You have to look at what.

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Speaker 3: And don't forget you have a fishbone with you.

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Speaker 2: Oh yeah, but that's not one of the options.

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Speaker 5: No, I mean I think what I'd actually do is

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Speaker 5: hot dog go to bathroom.

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Speaker 1: Okay, that's twelve points.

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Speaker 6: Then, so.

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Speaker 1: This is going pretty well.

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Speaker 5: Am I leaning towards either one of you right now?

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Speaker 4: Oh?

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Speaker 1: I don't know.

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Speaker 5: I just I reveal at the end.

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Speaker 2: I have no idea. That's the last click.

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Speaker 3: Yeah, that's the last one. You have to click all

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Speaker 3: the way through.

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Speaker 5: I'm not gonna answer a hot dog go to bathroom

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Speaker 5: for all of them, though, I doubt.

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Speaker 1: Okay, well that's gonna mess up the algorithm, but that's

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Speaker 1: a good test. Question three, what is a library? Fuck a.

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00:14:00,080 --> 00:14:01,080
Speaker 2: Some kind of house?

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Speaker 1: B hot dog go to bathroom?

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Speaker 5: What was that last one?

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Speaker 1: B hot dog?

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Speaker 2: Hot dog go to bathroom?

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00:14:18,800 --> 00:14:28,280
Speaker 1: See place to throw away trash, d place to uh

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00:14:29,080 --> 00:14:30,400
Speaker 1: have lunch, talk to friends.

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Speaker 2: And it's your own house, right.

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Speaker 5: I feel like it's all of the above. I mean

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Speaker 5: it's definitely a house.

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Speaker 1: And you can check by the way in the interface

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Speaker 1: you can check as many boxes as Yes, it's multiple.

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00:14:51,560 --> 00:14:54,960
Speaker 3: Yeah, you can make multiple choices at every turn.

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Speaker 1: And there's a there's an e where you write in

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Speaker 1: what you want.

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Speaker 3: Oh okay, someone wrote stuff in there.

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Speaker 1: They drew they were like practicing. There's shapes, yeah, they

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Speaker 1: were like drawing shapes.

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Speaker 5: I'm gonna select that and all the answers.

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Speaker 1: You're gonna select the shapes, all of them.

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00:15:20,200 --> 00:15:24,920
Speaker 3: Well, you can't do all of them every choice, he said,

255
00:15:24,960 --> 00:15:27,400
Speaker 3: you could do more than one okay.

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00:15:27,400 --> 00:15:29,680
Speaker 2: Because some of them cancel each other out.

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Speaker 5: What are the shapes look do they look like books?

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Speaker 1: Words?

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00:15:37,880 --> 00:15:41,640
Speaker 3: One is definitely a carrot, and that kind of ties

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Speaker 3: and they.

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Speaker 1: Get better as it goes, like the early ones don't

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Speaker 1: look that much like a care But that's why this

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Speaker 1: person is practicing.

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Speaker 2: I think. So by the end, it does actually get

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Speaker 2: very good.

266
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Speaker 5: It's an evolution.

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Speaker 3: Well, you forget, none of us start out just being

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Speaker 3: able to drop her a carrot.

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Speaker 1: And people say like, oh, like, you don't know your shapes,

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Speaker 1: and it's like, yeah, that's what we're saying, Like we practice,

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Speaker 1: we do, we do know them.

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Speaker 5: Okay, I'm gonna select the perfect carrot, hot dog, go

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Speaker 5: to bathroom, and the place to put my garbage in

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Speaker 5: the house. In the house one, there.

275
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Speaker 1: Are two house ones and it's yeah, there's two house ones,

276
00:16:32,120 --> 00:16:38,000
Speaker 1: both of those. Okay, okay, that's good. You selected all

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Speaker 1: of you selected all of them, except all of the above.

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Speaker 3: Yeah, exactly, okay.

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Speaker 1: Good, Yes, that's ten points.

280
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Speaker 5: And except for the poorly drawn carrots, because I like it.

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Speaker 2: We're all in the same line.

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Speaker 1: You got to take all all the carrots if you

283
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Speaker 1: want one of them, if you want one of the carrots.

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Speaker 2: You got to take them all.

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Speaker 5: Okay, I can make that work.

286
00:17:00,720 --> 00:17:06,960
Speaker 3: Question four. The idea of separate but equal has been

287
00:17:07,000 --> 00:17:13,320
Speaker 3: proven to be a fantasy. Racial integration in public schools

288
00:17:14,240 --> 00:17:18,760
Speaker 3: has had great success, but presents its own challenges. How

289
00:17:18,800 --> 00:17:20,880
Speaker 3: would you deal with the disparate?

290
00:17:21,040 --> 00:17:25,199
Speaker 2: Please don't respond to the question. It's the challenge. I

291
00:17:25,200 --> 00:17:25,760
Speaker 2: can't hear you.

292
00:17:28,760 --> 00:17:31,320
Speaker 1: How would you deal with the.

293
00:17:32,920 --> 00:17:38,160
Speaker 3: Economic communities and quality of education provided throughout our great

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Speaker 3: state of California and the country at large? A hot

295
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Speaker 3: dog go to bathroom? B. Magnet charter schools, Yes.

296
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Speaker 5: Charter schools.

297
00:17:56,400 --> 00:17:57,919
Speaker 1: Magnetic charter schools. Yes?

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00:17:59,200 --> 00:17:59,800
Speaker 5: Is that a thing?

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00:18:01,200 --> 00:18:01,560
Speaker 1: Bread?

300
00:18:05,880 --> 00:18:08,240
Speaker 3: If you don't understand it, here's a If you don't

301
00:18:08,320 --> 00:18:10,919
Speaker 3: understand it, don't pick it.

302
00:18:10,480 --> 00:18:16,879
Speaker 1: You see where they put you finish and I'll explain

303
00:18:16,920 --> 00:18:19,720
Speaker 1: what magnetic charter schools are at the end. See everybody

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00:18:19,720 --> 00:18:28,200
Speaker 1: go to space. D you melt, you melt.

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00:18:27,920 --> 00:18:35,119
Speaker 3: The melt the core. Yes, they put everyone in the

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00:18:35,160 --> 00:18:39,240
Speaker 3: Earth's core and melt them into one super bean.

307
00:18:40,640 --> 00:18:41,879
Speaker 4: Uh e.

308
00:18:42,680 --> 00:18:45,840
Speaker 3: And this is drawn in and it's looks like they're

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00:18:45,880 --> 00:18:47,920
Speaker 3: trying to draw tomato this time.

310
00:18:49,400 --> 00:18:54,760
Speaker 1: And it's good, a good draw.

311
00:18:56,920 --> 00:18:59,919
Speaker 5: Is it just one tomato? Or a series of the.

312
00:19:00,080 --> 00:19:06,680
Speaker 1: Are trying to draw tomato? Yeah, magnetic charteris schools are

313
00:19:06,920 --> 00:19:14,840
Speaker 1: when Neo goes to the ladies apartment and the boy

314
00:19:15,440 --> 00:19:27,359
Speaker 1: has the spoon and he makes it, it looks normal spoon.

315
00:19:24,440 --> 00:19:26,720
Speaker 6: He twisted with his brain.

316
00:19:28,440 --> 00:19:30,080
Speaker 5: Why are you guys making the scary.

317
00:19:29,760 --> 00:19:30,560
Speaker 1: Looking at it?

318
00:19:31,119 --> 00:19:32,080
Speaker 2: It's not scary to you.

319
00:19:32,280 --> 00:19:35,280
Speaker 5: Staring is so intense. I mean it sounds scary.

320
00:19:36,040 --> 00:19:37,040
Speaker 6: It certainly was.

321
00:19:38,680 --> 00:19:42,720
Speaker 3: I use a spoon myself. If it's not there, what

322
00:19:42,760 --> 00:19:43,640
Speaker 3: am I putting.

323
00:19:43,359 --> 00:19:47,720
Speaker 1: In my mouth? It would Yeah, it's.

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00:19:49,359 --> 00:19:52,800
Speaker 4: Inside your mouth or right?

325
00:19:52,960 --> 00:19:56,000
Speaker 5: Yeah, I don't like that thought at all. Yeah, no

326
00:19:56,600 --> 00:19:58,960
Speaker 5: swirling in your mouth, hitting your teeth.

327
00:19:58,920 --> 00:20:01,480
Speaker 1: On the way up. But imagine how it did the

328
00:20:01,560 --> 00:20:03,440
Speaker 1: right time. It could pick up all of the spaghetti.

329
00:20:03,520 --> 00:20:05,600
Speaker 1: But that okay, yeah it could help.

330
00:20:05,680 --> 00:20:09,439
Speaker 3: Yeah, if it's my choice, sure, But if it's the

331
00:20:09,480 --> 00:20:11,840
Speaker 3: spoon's choice, ooh.

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00:20:14,880 --> 00:20:16,680
Speaker 1: Okay. Bretton pick.

333
00:20:18,119 --> 00:20:22,720
Speaker 5: Well, this sounds like a joke, But I honestly think

334
00:20:22,760 --> 00:20:28,200
Speaker 5: hot dog go to bathroom because and the earth molten.

335
00:20:28,080 --> 00:20:30,640
Speaker 3: Earth's molten pick one this time.

336
00:20:32,760 --> 00:20:34,840
Speaker 5: I think hot dog go to bathroom because I think

337
00:20:34,880 --> 00:20:37,520
Speaker 5: that can bring people together. I think everyone goes to

338
00:20:37,560 --> 00:20:42,320
Speaker 5: the bathroom and I think everyone could. I don't think

339
00:20:42,720 --> 00:20:45,280
Speaker 5: I think hot dogs are less divisive than tomato.

340
00:20:45,920 --> 00:20:46,880
Speaker 4: Mm yeah.

341
00:20:46,920 --> 00:20:49,720
Speaker 3: A lot of people say, no, tomatoes not a racial connotation.

342
00:20:49,920 --> 00:20:54,000
Speaker 5: Yeah yeah yeah, so yeah, I'm gonna go hot dog,

343
00:20:54,040 --> 00:20:55,520
Speaker 5: go to bathroom.

344
00:20:55,840 --> 00:20:57,600
Speaker 1: So do you think I meant tomato the food?

345
00:20:59,760 --> 00:21:02,919
Speaker 5: Yeah, us is like a yeah, well the drawing of

346
00:21:02,960 --> 00:21:03,480
Speaker 5: a tomatoes.

347
00:21:03,760 --> 00:21:06,760
Speaker 1: No, I was like a ripe young tomato. It's like, yeah,

348
00:21:06,920 --> 00:21:11,960
Speaker 1: it's not a racial slur, but yeah, yeah, but it

349
00:21:12,040 --> 00:21:13,040
Speaker 1: means what you think of me?

350
00:21:14,000 --> 00:21:16,280
Speaker 6: Oh red like a butt?

351
00:21:16,440 --> 00:21:25,840
Speaker 3: Oh god, wow, this guy could use a magnetic school. Okay,

352
00:21:25,920 --> 00:21:29,240
Speaker 3: another question. No, there's no more.

353
00:21:29,400 --> 00:21:30,400
Speaker 4: No, there's no more.

354
00:21:30,680 --> 00:21:31,120
Speaker 2: Yeah.

355
00:21:31,240 --> 00:21:34,960
Speaker 3: So okay, so then I'm crunching the numbers on your answers.

356
00:21:37,240 --> 00:21:38,680
Speaker 1: Oh okay.

357
00:21:38,800 --> 00:21:43,119
Speaker 3: So uh so here's a little problem we've been running

358
00:21:43,160 --> 00:21:47,680
Speaker 3: into with this quiz. No one so far has been

359
00:21:47,720 --> 00:21:52,000
Speaker 3: a Sean or a Hayes. It appears that Engineer Cody

360
00:21:52,000 --> 00:21:57,240
Speaker 3: has gotten himself into the wires and it has made

361
00:21:57,320 --> 00:21:59,040
Speaker 3: all the answers sort of represented.

362
00:21:59,080 --> 00:22:00,919
Speaker 1: And I think that's who is Ryan the Carrot, and

363
00:22:01,440 --> 00:22:06,159
Speaker 1: he's turning everyone into Seawn White. He's making everyone come

364
00:22:06,200 --> 00:22:08,280
Speaker 1: out as Sean White, the flying tomato.

365
00:22:08,840 --> 00:22:11,880
Speaker 5: Yeah, at least I thought you were gonna say, I'm

366
00:22:11,880 --> 00:22:15,000
Speaker 5: turning in this engineered Cody. I would have jumped out

367
00:22:15,040 --> 00:22:15,439
Speaker 5: the window.

368
00:22:16,480 --> 00:22:20,520
Speaker 3: No, we don't call all the engineer's engineer Cody's stupid.

369
00:22:21,160 --> 00:22:25,440
Speaker 1: I agree, all kidding a salad, Jesus Christ.

370
00:22:28,119 --> 00:22:32,600
Speaker 3: The barrier, the barrier to fucking legs that are that

371
00:22:32,840 --> 00:22:36,200
Speaker 3: exist on calling all the engineer's engineer code how long

372
00:22:36,280 --> 00:22:36,920
Speaker 3: that has lifted?

373
00:22:36,960 --> 00:22:41,280
Speaker 1: And that's the barrier to a T shirt that's established.

374
00:22:41,560 --> 00:22:43,400
Speaker 2: Just yeah, of.

375
00:22:43,359 --> 00:22:46,320
Speaker 5: Course there's an engineer Cody T shirt.

376
00:22:46,440 --> 00:22:49,080
Speaker 1: Oh no, no, there's no a T shirt for you.

377
00:22:49,200 --> 00:22:54,120
Speaker 1: But but you know, all joking a salad, fire up,

378
00:22:54,480 --> 00:22:58,640
Speaker 1: fire up the T shirt press, Brett, what's haynong Man?

379
00:22:58,680 --> 00:23:00,440
Speaker 3: What is it is?

380
00:23:00,520 --> 00:23:02,760
Speaker 2: It's I'll tell you one thing, it is a T shirt.

381
00:23:02,880 --> 00:23:09,640
Speaker 5: I Well, it was hilarious because Jason man Zukas said,

382
00:23:09,720 --> 00:23:14,840
Speaker 5: hang on, man, and then Scott said, you mean hayong Man.

383
00:23:16,760 --> 00:23:18,600
Speaker 1: Okay, so intentionally just.

384
00:23:19,880 --> 00:23:23,560
Speaker 5: And then they said, hey man again, that fine.

385
00:23:23,280 --> 00:23:27,960
Speaker 3: To do that. I that I understand it's fine to

386
00:23:28,000 --> 00:23:32,560
Speaker 3: do that, and that's good. But if that's a T shirt,

387
00:23:34,720 --> 00:23:36,560
Speaker 3: isn't everything I do a T shirt?

388
00:23:36,600 --> 00:23:39,320
Speaker 1: At that point it could be.

389
00:23:41,200 --> 00:23:44,440
Speaker 3: You would think you would think, Brett.

390
00:23:44,720 --> 00:23:47,600
Speaker 5: Do you think it's better Hey nong man or hay

391
00:23:47,640 --> 00:23:50,960
Speaker 5: noong man, because I think maybe they got it wrong.

392
00:23:52,880 --> 00:23:53,200
Speaker 6: Oh.

393
00:23:53,280 --> 00:23:57,200
Speaker 3: I see what you're saying. That nong man is the word.

394
00:23:57,960 --> 00:23:59,160
Speaker 5: Isn't that funnier than.

395
00:24:00,080 --> 00:24:03,800
Speaker 1: Hang on man? I I can feel the popularity of

396
00:24:03,840 --> 00:24:09,080
Speaker 1: our show building just as we say this phrase again.

397
00:24:09,320 --> 00:24:12,720
Speaker 3: I mean, hey, nong man could be your thing. This

398
00:24:12,880 --> 00:24:15,760
Speaker 3: is great for our se O and all kidding us out.

399
00:24:15,840 --> 00:24:19,760
Speaker 3: That's just somebody just said it, right, They just fucking

400
00:24:19,840 --> 00:24:25,399
Speaker 3: said it. Okay, well, Hayes, let's do one a T

401
00:24:25,520 --> 00:24:34,560
Speaker 3: shirt phrase. Yeah, I'm here. We the peephole. Yeah, it's

402
00:24:34,640 --> 00:24:38,520
Speaker 3: fucking the door. You're peeking out the door. Do we

403
00:24:38,600 --> 00:24:41,640
Speaker 3: have to set it up the way? They were like, oh,

404
00:24:41,720 --> 00:24:47,480
Speaker 3: you say something wrong? Yeah, or you say or I'll

405
00:24:47,520 --> 00:24:48,040
Speaker 3: give you one?

406
00:24:48,080 --> 00:24:59,320
Speaker 1: Hang on h Where are my keys? Did you say

407
00:25:00,880 --> 00:25:01,960
Speaker 1: where are my keys?

408
00:25:03,080 --> 00:25:03,720
Speaker 2: Wait? Wait?

409
00:25:04,480 --> 00:25:08,560
Speaker 1: Oh I'm supposed to get it wrong. Yeah, see this

410
00:25:08,680 --> 00:25:13,240
Speaker 1: is hard. Well, no, give me one, give me one. Okay,

411
00:25:14,720 --> 00:25:19,200
Speaker 1: uh pass me the water.

412
00:25:19,640 --> 00:25:24,000
Speaker 6: Mm hmm okay, pass me the water, pass me the water.

413
00:25:25,920 --> 00:25:30,240
Speaker 5: Pad the waters, Brett, It's like Star Wars.

414
00:25:30,520 --> 00:25:35,160
Speaker 3: I'm thinking, pass me the water, Pass me the water,

415
00:25:36,280 --> 00:25:37,480
Speaker 3: Pass me that water.

416
00:25:37,640 --> 00:25:41,160
Speaker 6: Dog. Hey give me, hey, give me the water.

417
00:25:42,480 --> 00:25:46,480
Speaker 1: Hey give me the hang on, I'm close, hang on.

418
00:25:49,400 --> 00:25:50,720
Speaker 6: Past past.

419
00:25:51,400 --> 00:25:57,080
Speaker 1: No, what is it that you're trying. What is it

420
00:25:57,119 --> 00:26:02,160
Speaker 1: you're trying to make? Make make a T shirt? I'd

421
00:26:02,160 --> 00:26:06,600
Speaker 1: a misunderstanding what I said, but I do understand it, right.

422
00:26:07,119 --> 00:26:09,640
Speaker 1: But I'm the more you take, I think, the more

423
00:26:09,680 --> 00:26:13,200
Speaker 1: clear that becomes, and the more you repeat the real version.

424
00:26:13,200 --> 00:26:13,800
Speaker 4: Can you hear that?

425
00:26:14,080 --> 00:26:18,359
Speaker 2: Yes, yes, it's quiet.

426
00:26:19,000 --> 00:26:20,160
Speaker 6: Pass me the water.

427
00:26:21,520 --> 00:26:30,919
Speaker 3: So, m okay, okay, okay, I think I've got one. Okay,

428
00:26:32,640 --> 00:26:34,480
Speaker 3: I don't you know what happened to me.

429
00:26:35,160 --> 00:26:36,960
Speaker 1: I could tell when you said you thought you had one,

430
00:26:37,000 --> 00:26:41,280
Speaker 1: but you didn't actually have one. You were hoping that

431
00:26:41,320 --> 00:26:44,040
Speaker 1: between when you said I think I have one and

432
00:26:44,200 --> 00:26:46,280
Speaker 1: when you were like a few seconds later, then you

433
00:26:46,280 --> 00:26:47,159
Speaker 1: would come up with it.

434
00:26:47,640 --> 00:26:50,040
Speaker 2: But I can tell.

435
00:26:50,000 --> 00:26:51,960
Speaker 1: Because if it's really hard, I tried to do it

436
00:26:51,960 --> 00:26:55,920
Speaker 1: and I said the same thing that you said. Yeah,

437
00:26:56,800 --> 00:27:00,440
Speaker 1: because you're right here, I can hear you very distinctly. Yeah.

438
00:27:01,800 --> 00:27:02,080
Speaker 4: Yeah.

439
00:27:02,119 --> 00:27:04,440
Speaker 3: That's a hard part about it is that you really

440
00:27:04,480 --> 00:27:05,920
Speaker 3: do know what the other person said.

441
00:27:06,080 --> 00:27:10,639
Speaker 1: Yeah, like to misunderstand It's like, hang on, man, I

442
00:27:10,640 --> 00:27:13,240
Speaker 1: mean it's like a very so common Why would you

443
00:27:13,280 --> 00:27:17,439
Speaker 1: ever think it was something that's not not even a phrase?

444
00:27:17,720 --> 00:27:19,800
Speaker 2: But that's the magic. I mean, that's like, you know,

445
00:27:19,920 --> 00:27:21,159
Speaker 2: not that everyone can just do that.

446
00:27:22,680 --> 00:27:24,720
Speaker 6: Pants mem pants me.

447
00:27:25,040 --> 00:27:25,240
Speaker 4: See.

448
00:27:25,240 --> 00:27:27,040
Speaker 1: That would have been great. But I think it is too.

449
00:27:27,320 --> 00:27:30,520
Speaker 1: I think it is too. If I immediately said pants

450
00:27:30,760 --> 00:27:33,520
Speaker 1: the water, yeah, that would have been pants the water. Yes,

451
00:27:33,560 --> 00:27:36,040
Speaker 1: that would have been great. And then it's yeah, but

452
00:27:36,119 --> 00:27:38,320
Speaker 1: I think that the time.

453
00:27:38,240 --> 00:27:41,840
Speaker 3: And you could imagine that as a shirt. Oh god, yeah, yes,

454
00:27:41,960 --> 00:27:44,640
Speaker 3: everybody's wearing it pants me the water.

455
00:27:46,480 --> 00:27:51,600
Speaker 1: At home, wearing it around people, so you girlfriend is

456
00:27:51,640 --> 00:27:55,320
Speaker 1: like slipping it on afterwards, you know.

457
00:27:55,400 --> 00:27:59,879
Speaker 3: Mm hmmm, yeah, cleaning up with it.

458
00:28:00,320 --> 00:28:05,119
Speaker 1: We have a great gas. Joe Angered is on Hollywood Handbook.

459
00:28:06,040 --> 00:28:15,240
Speaker 1: Hollywood Handbook. So the concrete is going in. The poor

460
00:28:15,280 --> 00:28:17,359
Speaker 1: has already the first struck is up. The poor has

461
00:28:17,400 --> 00:28:21,680
Speaker 1: already started. Yeah, well, no turning back once it's in motion. Yes,

462
00:28:22,560 --> 00:28:30,280
Speaker 1: you and Allen Covert is taking the the temperature of it,

463
00:28:30,640 --> 00:28:32,520
Speaker 1: and you can sort of feel in the air it's

464
00:28:32,520 --> 00:28:34,119
Speaker 1: like getting chili.

465
00:28:34,320 --> 00:28:34,560
Speaker 2: Yeah.

466
00:28:34,600 --> 00:28:36,720
Speaker 3: Well, you don't want the block to start setting before

467
00:28:36,760 --> 00:28:39,560
Speaker 3: you've actually got it all. Yes, yeah, because it means crack.

468
00:28:39,920 --> 00:28:42,560
Speaker 3: I mean yeah, I mean the whole buildings and.

469
00:28:42,440 --> 00:28:45,200
Speaker 1: That's the project. Yes, that's the project at that point.

470
00:28:45,280 --> 00:28:49,320
Speaker 1: Certainly our contract is in the wind if that happens.

471
00:28:49,960 --> 00:28:54,640
Speaker 1: So it's getting colder colder, And I say, Allan, you're

472
00:28:54,640 --> 00:28:58,240
Speaker 1: friends with Little Nikki, right, I think it's time to

473
00:28:58,280 --> 00:28:59,320
Speaker 1: call it little Nicky.

474
00:29:00,360 --> 00:29:00,600
Speaker 4: Yeah.

475
00:29:00,640 --> 00:29:02,920
Speaker 3: And if anybody can heat that thing up, it's it's

476
00:29:02,920 --> 00:29:03,520
Speaker 3: a little Nikky.

477
00:29:03,640 --> 00:29:03,880
Speaker 2: Yeah.

478
00:29:04,600 --> 00:29:06,760
Speaker 1: And I was like, I don't want to just call

479
00:29:08,000 --> 00:29:14,400
Speaker 1: Little Nikki like summon really yeah, yes, because like he's

480
00:29:14,440 --> 00:29:18,960
Speaker 1: like important, you know, it's they are friends, and he

481
00:29:19,040 --> 00:29:22,360
Speaker 1: doesn't want that to become a thing.

482
00:29:22,520 --> 00:29:22,840
Speaker 2: Yeah.

483
00:29:22,880 --> 00:29:25,200
Speaker 1: And I'm like, we don't even have time to have

484
00:29:25,280 --> 00:29:28,040
Speaker 1: this conversation. You know, You've got like little Nikky's got

485
00:29:28,040 --> 00:29:31,320
Speaker 1: to come up out of the ground right now, and

486
00:29:31,360 --> 00:29:33,280
Speaker 1: one of the concrete so the block doesn't crack on

487
00:29:33,320 --> 00:29:33,920
Speaker 1: the foundation.

488
00:29:34,280 --> 00:29:36,200
Speaker 2: Yes, So.

489
00:29:38,120 --> 00:29:43,960
Speaker 1: Covert gets it. He yells into the ground little sewer

490
00:29:44,040 --> 00:29:46,800
Speaker 1: grade or was it a spi into the grass? Into

491
00:29:46,840 --> 00:29:48,520
Speaker 1: the grass? Uh?

492
00:29:48,560 --> 00:29:50,840
Speaker 2: And Little Nikki comes up.

493
00:29:51,520 --> 00:29:54,480
Speaker 1: He's clearly not like it is sort of playing out

494
00:29:54,520 --> 00:29:57,120
Speaker 1: the way Alan thought it would, which is that you know,

495
00:29:57,120 --> 00:30:00,520
Speaker 1: Little Nikki is like kind of not annoyed. Yeah, it's

496
00:30:00,560 --> 00:30:04,800
Speaker 1: just like it doesn't like being asked for these things.

497
00:30:04,840 --> 00:30:08,160
Speaker 1: And you know Alan knows that, Like, okay, but you

498
00:30:08,200 --> 00:30:10,200
Speaker 1: know that it's on the line.

499
00:30:10,360 --> 00:30:11,720
Speaker 2: Our whole contract is on the.

500
00:30:12,000 --> 00:30:14,200
Speaker 3: Yeah, there's a time to call in that favor. It's now,

501
00:30:14,320 --> 00:30:15,280
Speaker 3: what are you saving it for?

502
00:30:15,360 --> 00:30:15,640
Speaker 2: If not?

503
00:30:15,880 --> 00:30:18,959
Speaker 1: Yeah, exactly, I mean it's the children's hospital. Yeah, So

504
00:30:19,000 --> 00:30:21,800
Speaker 1: he uses his eyes, heats it up, and we named

505
00:30:21,840 --> 00:30:25,960
Speaker 1: it that It's a little Nikki Joe Nicky's Little Sick

506
00:30:25,960 --> 00:30:32,120
Speaker 1: Guy Ward Hey leg Go Dollywood Handbook to kicking by

507
00:30:32,200 --> 00:30:34,160
Speaker 1: and dropping names in the red carpet lineback always of

508
00:30:34,240 --> 00:30:37,720
Speaker 1: this industry we call show showbiz. And that was two

509
00:30:37,800 --> 00:30:40,280
Speaker 1: people saying that it sounded like one, but it was two.

510
00:30:40,440 --> 00:30:40,840
Speaker 4: It was.

511
00:30:41,840 --> 00:30:44,120
Speaker 1: We have a guest, be an engineered Brett.

512
00:30:44,520 --> 00:30:45,600
Speaker 4: Joe Wangert is here.

513
00:30:46,920 --> 00:30:52,920
Speaker 1: As you know, we have been ordained by the powers

514
00:30:52,920 --> 00:30:56,600
Speaker 1: that be to bring in guests who have been on

515
00:30:56,640 --> 00:31:01,800
Speaker 1: the show before who can reference eight memories from the

516
00:31:02,000 --> 00:31:06,400
Speaker 1: last episode they were on, which is now how Premium exclusive.

517
00:31:06,840 --> 00:31:09,760
Speaker 3: So the first six months of our archives are available

518
00:31:09,840 --> 00:31:13,360
Speaker 3: only on Howell, which is a pay site. And so

519
00:31:13,400 --> 00:31:17,840
Speaker 3: in order to encourage people to do that, Joe, we

520
00:31:18,600 --> 00:31:21,360
Speaker 3: only get guests who we had in the first six

521
00:31:21,400 --> 00:31:22,920
Speaker 3: months of our show or whatever.

522
00:31:23,600 --> 00:31:26,760
Speaker 1: Yeah, and this is like the because people would say like, oh,

523
00:31:26,800 --> 00:31:29,320
Speaker 1: you know, like I have six months of free podcasts.

524
00:31:29,680 --> 00:31:35,440
Speaker 1: I could probably survive with those, right. But so the

525
00:31:35,520 --> 00:31:37,560
Speaker 1: idea is that you'd be like, no, actually, this old

526
00:31:37,600 --> 00:31:40,360
Speaker 1: stuff is actually really worth checking out. So I'm like,

527
00:31:40,640 --> 00:31:42,400
Speaker 1: you have a lot of memories from the last time

528
00:31:42,440 --> 00:31:44,440
Speaker 1: you were, Yeah, just reference some of the funniest stuff

529
00:31:44,480 --> 00:31:46,880
Speaker 1: from there. Don't make your references funny, because we want

530
00:31:46,920 --> 00:31:48,960
Speaker 1: to encourage people to have to go and pay.

531
00:31:48,920 --> 00:31:51,920
Speaker 4: Yeah, I want I want them to get the funny

532
00:31:51,920 --> 00:31:53,400
Speaker 4: from the old episode, get.

533
00:31:53,280 --> 00:31:55,720
Speaker 1: All the way up to the But what's one thing

534
00:31:55,800 --> 00:31:58,200
Speaker 1: that just sort of dangs, we'll crack their shit up,

535
00:31:58,400 --> 00:32:00,440
Speaker 1: something legendary funny that happened.

536
00:32:01,800 --> 00:32:06,280
Speaker 4: Well, I mean the my the thing that stands out

537
00:32:06,280 --> 00:32:11,760
Speaker 4: in my mind is that it the physical bits. Yeah, Like,

538
00:32:11,960 --> 00:32:15,520
Speaker 4: don't you think they're not going to translate on the podcast,

539
00:32:15,560 --> 00:32:16,080
Speaker 4: but they do.

540
00:32:16,640 --> 00:32:19,120
Speaker 1: Yeah, And it was the technology we used back then.

541
00:32:19,400 --> 00:32:24,680
Speaker 1: I think that actually it was more life like, like

542
00:32:24,720 --> 00:32:27,560
Speaker 1: you could feel a physical bit with those like kind

543
00:32:27,560 --> 00:32:29,920
Speaker 1: of old tubes that we used to use.

544
00:32:30,080 --> 00:32:32,280
Speaker 3: Yes, yeah, it came in through your headphones and you

545
00:32:32,280 --> 00:32:33,800
Speaker 3: could feel us touching you.

546
00:32:34,160 --> 00:32:37,200
Speaker 4: It's just like listening to vinyl, you know. Yeah, yeah,

547
00:32:37,400 --> 00:32:39,720
Speaker 4: thing like you can hear the cracks and the pops

548
00:32:39,760 --> 00:32:40,240
Speaker 4: and stuff.

549
00:32:40,320 --> 00:32:41,560
Speaker 1: It's better because it's worse.

550
00:32:41,680 --> 00:32:45,560
Speaker 4: Yeah, I won't, I won't say what this bit is.

551
00:32:45,600 --> 00:32:48,800
Speaker 4: But like right now we're sitting in three chairs. M m,

552
00:32:49,480 --> 00:32:50,800
Speaker 4: but we used less chairs.

553
00:32:50,960 --> 00:32:55,000
Speaker 3: Yeah, it wasn't always the case. Yeah, that's that's almost

554
00:32:55,000 --> 00:32:56,240
Speaker 3: too funny even.

555
00:32:56,160 --> 00:32:58,160
Speaker 4: Just thinking about it.

556
00:32:58,280 --> 00:33:01,200
Speaker 1: Just yeah, you gotta check it out.

557
00:33:01,360 --> 00:33:04,040
Speaker 3: So please do go pay the money to listen.

558
00:33:03,800 --> 00:33:12,160
Speaker 1: To Remember you guys, Remember Joe, you're gonna make it

559
00:33:12,200 --> 00:33:16,120
Speaker 1: too funny. Joe, You're gonna make it too funny for them.

560
00:33:16,200 --> 00:33:18,520
Speaker 1: Now it is becoming too funny and it's.

561
00:33:18,400 --> 00:33:21,400
Speaker 3: And people think, well, wasn't those early shows, those old

562
00:33:21,400 --> 00:33:23,440
Speaker 3: ones before you really found your feet and worth the

563
00:33:23,480 --> 00:33:26,120
Speaker 3: episodes worse? No, they were better and they were phoning

564
00:33:26,120 --> 00:33:30,560
Speaker 3: it in now and back then we tried. So, speaking

565
00:33:30,600 --> 00:33:34,040
Speaker 3: of a lazy casual idea for a show, Joe, we

566
00:33:34,200 --> 00:33:38,240
Speaker 3: wanted to uh talk to you about sort of your

567
00:33:38,360 --> 00:33:42,600
Speaker 3: new role at Wolf cool. Oh yeah, very exciting, yes,

568
00:33:42,640 --> 00:33:45,480
Speaker 3: and how excited are you? And make a face that

569
00:33:45,560 --> 00:33:48,720
Speaker 3: shows me and it's a smile. I could see his

570
00:33:48,880 --> 00:33:53,280
Speaker 3: teeth and the bottoms and it's and that's exciting for

571
00:33:53,320 --> 00:33:55,800
Speaker 3: me and also scary because, as we've said, teeth are

572
00:33:56,000 --> 00:33:59,360
Speaker 3: the human Skelington trying to escape from the body and

573
00:33:59,440 --> 00:34:06,640
Speaker 3: get you. So so you know, take it easy, Joe. Okay, yeah,

574
00:34:06,680 --> 00:34:09,279
Speaker 3: but Joe has been hired as our new head of

575
00:34:09,400 --> 00:34:12,200
Speaker 3: branded content. What's that mean? And then I'll give it

576
00:34:12,200 --> 00:34:12,680
Speaker 3: to the man.

577
00:34:13,400 --> 00:34:17,520
Speaker 4: Branded content. It's just it's like regular content, but it's

578
00:34:17,560 --> 00:34:19,680
Speaker 4: even a little bit better. I ge, yeah, because it's

579
00:34:19,680 --> 00:34:21,560
Speaker 4: helping you make some decisions in your life.

580
00:34:22,400 --> 00:34:22,920
Speaker 1: Mm hmmm.

581
00:34:23,440 --> 00:34:25,719
Speaker 3: So many products and which ones do I use?

582
00:34:25,760 --> 00:34:26,360
Speaker 2: Exactly?

583
00:34:27,640 --> 00:34:31,480
Speaker 4: You guys are taste makers and and uh if you

584
00:34:31,560 --> 00:34:36,359
Speaker 4: guys are like a chef Endorset, well well okay, yeah,

585
00:34:36,440 --> 00:34:36,880
Speaker 4: I'm sorry.

586
00:34:36,880 --> 00:34:40,320
Speaker 1: Well, like Emerald Leagasi, I was supposed to say, I'm sorry,

587
00:34:40,520 --> 00:34:42,719
Speaker 1: I was supposed to say, I mean you said brand

588
00:34:42,880 --> 00:34:43,640
Speaker 1: branded content.

589
00:34:43,680 --> 00:34:44,080
Speaker 2: I forgot.

590
00:34:44,080 --> 00:34:46,960
Speaker 1: I was supposed to say, who's branded content? And then

591
00:34:47,360 --> 00:34:50,480
Speaker 1: that's a T shirt? Yes, And and then you would

592
00:34:50,480 --> 00:34:53,720
Speaker 1: say like, first, first of all, we would make teachers

593
00:34:53,800 --> 00:34:55,040
Speaker 1: have it, and then you'd be like, no, it's not

594
00:34:55,080 --> 00:34:57,279
Speaker 1: a you know, like you like you're coaching me through

595
00:34:57,320 --> 00:35:00,080
Speaker 1: it so other people can like kind of help, it

596
00:35:00,160 --> 00:35:03,279
Speaker 1: can help them understand it right, And I don't think

597
00:35:03,560 --> 00:35:05,600
Speaker 1: we should do it now, but I have business.

598
00:35:05,680 --> 00:35:07,040
Speaker 3: No, I don't want to stop down to do the

599
00:35:07,080 --> 00:35:10,920
Speaker 3: branding content stuff where you think that Brandon content's a person.

600
00:35:11,160 --> 00:35:14,720
Speaker 3: Joe then clarifies and by educating you educates the listener

601
00:35:14,800 --> 00:35:15,240
Speaker 3: on branded.

602
00:35:15,400 --> 00:35:18,359
Speaker 2: I think this is enough to accomplish that, even just that.

603
00:35:18,360 --> 00:35:20,279
Speaker 3: We're mentioning that we were gonna do it and it

604
00:35:20,400 --> 00:35:25,000
Speaker 3: was gonna probably take longer than this, which has been

605
00:35:25,400 --> 00:35:27,760
Speaker 3: sort of a pithy explanation of what the bit is. Yes,

606
00:35:27,760 --> 00:35:31,600
Speaker 3: but to do both would take longer than oh yeah,

607
00:35:31,640 --> 00:35:34,120
Speaker 3: to go back now for the branding content run wouldn't

608
00:35:34,120 --> 00:35:34,600
Speaker 3: make sense.

609
00:35:35,080 --> 00:35:40,000
Speaker 4: So I always just to be clear, I didn't help

610
00:35:40,160 --> 00:35:44,440
Speaker 4: matters because I was supposed to have perfect diction and

611
00:35:44,520 --> 00:35:45,920
Speaker 4: I said branded.

612
00:35:45,920 --> 00:35:48,160
Speaker 2: There, and that's why I forgot, because there.

613
00:35:49,280 --> 00:35:53,560
Speaker 1: Was no mistaking through to fudge the I'm supposed to

614
00:35:53,560 --> 00:35:55,960
Speaker 1: pretend I'm a mushmouth, which a lot of people that

615
00:35:56,080 --> 00:35:59,960
Speaker 1: know me from my many podcast appearances know that I'm not.

616
00:36:00,480 --> 00:36:03,560
Speaker 3: But but that was sort of the agreed upon committing

617
00:36:03,640 --> 00:36:07,520
Speaker 3: premise of this entire day was that you were going

618
00:36:07,600 --> 00:36:09,560
Speaker 3: to be kind of a mush mouth. Heyes, was going

619
00:36:09,600 --> 00:36:14,200
Speaker 3: to mishear you repeat a question, you know, not understanding

620
00:36:14,200 --> 00:36:18,719
Speaker 3: what you initially said, and then fucking print tea shirts.

621
00:36:18,600 --> 00:36:21,880
Speaker 1: And the turtleneck that you were supposed to be wearing

622
00:36:21,880 --> 00:36:25,920
Speaker 1: over your mouth and nose, right, I mean, it's hot,

623
00:36:26,160 --> 00:36:26,800
Speaker 1: it is hot.

624
00:36:27,160 --> 00:36:29,799
Speaker 3: The heat wave the stocking cap as well didn't make

625
00:36:29,840 --> 00:36:33,759
Speaker 3: it all the way to the studio, so that none

626
00:36:33,800 --> 00:36:37,680
Speaker 3: of that matters. Now we're so far beyond Brandon content.

627
00:36:40,880 --> 00:36:42,160
Speaker 3: We shouldn't talk about it.

628
00:36:42,200 --> 00:36:44,239
Speaker 1: Yeah, we shouldn't be it because now saying it, more

629
00:36:44,239 --> 00:36:47,040
Speaker 1: and more people are gonna be like, wait.

630
00:36:46,920 --> 00:36:47,640
Speaker 6: Is this a person?

631
00:36:48,520 --> 00:36:51,560
Speaker 4: Yeah, because now it's getting it's getting to a point

632
00:36:51,600 --> 00:36:57,200
Speaker 4: where they're starting to wonder if it is like were

633
00:36:57,239 --> 00:36:59,440
Speaker 4: they are they going to do it? And this is

634
00:36:59,480 --> 00:37:00,759
Speaker 4: a nice line on fake out.

635
00:37:01,400 --> 00:37:04,600
Speaker 3: Yeah, it's teasing that idea. And I also think people

636
00:37:04,640 --> 00:37:06,600
Speaker 3: are starting to wonder will they ever get past this

637
00:37:06,719 --> 00:37:11,000
Speaker 3: Brandon content thing and talk about you know, what was

638
00:37:11,040 --> 00:37:15,880
Speaker 3: initially conceived to be an explanation of Brandon's content, what

639
00:37:16,040 --> 00:37:19,600
Speaker 3: we're doing with it within our company, Wolf Cool. Yes,

640
00:37:19,719 --> 00:37:21,640
Speaker 3: a shingle of Calvin on hops production.

641
00:37:21,400 --> 00:37:22,799
Speaker 4: Which is what I'm here for.

642
00:37:23,920 --> 00:37:24,160
Speaker 2: Yeah.

643
00:37:24,239 --> 00:37:26,640
Speaker 3: Yeah, and so that's the idea and the answer is, yeah,

644
00:37:26,680 --> 00:37:28,279
Speaker 3: we're definitely gonna do it. We're not just going to

645
00:37:28,400 --> 00:37:30,440
Speaker 3: spend the whole day talking about brand and content.

646
00:37:30,520 --> 00:37:31,320
Speaker 1: That's not all.

647
00:37:31,400 --> 00:37:35,080
Speaker 4: The brand and content thing was was a fun in

648
00:37:35,640 --> 00:37:38,239
Speaker 4: because you don't want to jump right into something you

649
00:37:38,280 --> 00:37:41,879
Speaker 4: know that's kind of insidery and yeah, a little dy

650
00:37:42,120 --> 00:37:44,760
Speaker 4: like give them a little a little tea spoon of sugar,

651
00:37:45,000 --> 00:37:45,239
Speaker 4: you know.

652
00:37:45,840 --> 00:37:48,320
Speaker 1: Oh yeah, that's actually this is a great segue.

653
00:37:48,360 --> 00:37:51,640
Speaker 4: Sprinkle a little sugar on the grapefruit and then trudge

654
00:37:51,680 --> 00:37:52,719
Speaker 4: through that grape.

655
00:37:52,440 --> 00:37:55,040
Speaker 1: This is what we're trying. I mean, it's it's great,

656
00:37:55,440 --> 00:37:58,040
Speaker 1: it folds in on itself. But the Brandon content thing

657
00:37:59,320 --> 00:38:03,920
Speaker 1: is content, but it is also teaching you something important.

658
00:38:03,960 --> 00:38:05,840
Speaker 1: But it's content because it is funny. It's so you

659
00:38:05,840 --> 00:38:08,560
Speaker 1: can enjoy it. It's like a funny thing, but it's

660
00:38:08,560 --> 00:38:11,399
Speaker 1: a lesson at the same time. Yeah, it's just like ALF.

661
00:38:12,360 --> 00:38:17,120
Speaker 4: Yes, because alf was a show about taking in transience.

662
00:38:17,280 --> 00:38:19,200
Speaker 1: It was that was a public service.

663
00:38:18,880 --> 00:38:22,000
Speaker 4: Announcement about trying to get families to take in transience

664
00:38:22,320 --> 00:38:23,160
Speaker 4: and it was pretty home.

665
00:38:23,239 --> 00:38:23,799
Speaker 2: It was by the.

666
00:38:23,800 --> 00:38:28,080
Speaker 1: Dog lobby too, because you know, it's like dogs, Yeah,

667
00:38:28,080 --> 00:38:32,839
Speaker 1: because it's like, stop eating dogs. This guy eats cats. Yeah,

668
00:38:32,880 --> 00:38:35,040
Speaker 1: and at these times they're really enjoy cats.

669
00:38:35,840 --> 00:38:39,439
Speaker 3: You know, at least try it, you know, at least

670
00:38:39,480 --> 00:38:41,560
Speaker 3: try having a cat for a meal.

671
00:38:43,400 --> 00:38:45,000
Speaker 1: And uh.

672
00:38:45,040 --> 00:38:49,080
Speaker 3: And it also was in some ways about nosy neighbors

673
00:38:49,160 --> 00:38:51,840
Speaker 3: peeping Tom's, which was an epidemic.

674
00:38:51,400 --> 00:38:52,120
Speaker 4: At the awareness.

675
00:38:52,320 --> 00:38:55,279
Speaker 1: You remember missus Achmonk who lived next door, and we

676
00:38:55,440 --> 00:38:59,719
Speaker 1: the people, Oh right, yes, you weren't there. You weren't there.

677
00:38:59,760 --> 00:39:07,120
Speaker 3: But that's a great T shirt. So so, Brandon Content,

678
00:39:07,280 --> 00:39:09,279
Speaker 3: you're not gonna hear that name again for the rest

679
00:39:09,320 --> 00:39:11,920
Speaker 3: of the podcast because it was never meant to be,

680
00:39:12,360 --> 00:39:17,120
Speaker 3: even as long as this has been. Uh and if

681
00:39:17,160 --> 00:39:19,400
Speaker 3: it goes any longer, I feel like it's gonna totally

682
00:39:19,440 --> 00:39:20,240
Speaker 3: derail us.

683
00:39:20,600 --> 00:39:22,959
Speaker 1: People are gonna people are gonna hear the door open

684
00:39:23,000 --> 00:39:25,680
Speaker 1: because I just opened the door. He just came in

685
00:39:25,880 --> 00:39:28,480
Speaker 1: just to Aaron. People are gonna be thinking like, oh,

686
00:39:28,560 --> 00:39:30,879
Speaker 1: it's like Paul F. Tompkins's gonna be coming in here

687
00:39:30,920 --> 00:39:34,160
Speaker 1: to play Brandon Content. Yeah.

688
00:39:34,239 --> 00:39:37,040
Speaker 4: Yeah, you know what, because if I did somebody say

689
00:39:37,120 --> 00:39:41,240
Speaker 4: my name, if I am a very if I'm listening

690
00:39:41,280 --> 00:39:43,600
Speaker 4: closely to this. I hear that door open, I go

691
00:39:43,840 --> 00:39:48,080
Speaker 4: they were stalling. This is a classic Paul F. Tompkins

692
00:39:48,200 --> 00:39:50,279
Speaker 4: is stuck on the set of No You Shut Up.

693
00:39:50,280 --> 00:39:53,400
Speaker 4: He can't get down there. So these guys are just

694
00:39:54,320 --> 00:39:57,800
Speaker 4: great improvisers. They're improvising their way through this little pickle.

695
00:39:57,840 --> 00:39:59,880
Speaker 4: And so Paul F gets there, but he's not he

696
00:40:00,080 --> 00:40:08,200
Speaker 4: year and we're not great improvisers, and no, hello, it's me.

697
00:40:08,520 --> 00:40:10,840
Speaker 3: You know it would sound like that Brand and Contact

698
00:40:10,920 --> 00:40:14,720
Speaker 3: came in and he's this big, broad character and he's.

699
00:40:14,560 --> 00:40:18,040
Speaker 7: Like, Nillow, you do enjoy your you know you you

700
00:40:18,239 --> 00:40:21,319
Speaker 7: enjoy your shows, but you also learn about products like

701
00:40:21,360 --> 00:40:26,400
Speaker 7: why research products, and you know, I have to do

702
00:40:26,560 --> 00:40:28,480
Speaker 7: content separately, not with me.

703
00:40:28,719 --> 00:40:29,840
Speaker 1: Brand and content.

704
00:40:30,480 --> 00:40:32,560
Speaker 3: And it's and that is the idea that we're not

705
00:40:32,719 --> 00:40:34,839
Speaker 3: doing that. But that's sort of what people are thinking

706
00:40:34,840 --> 00:40:37,040
Speaker 3: when they hear the door open. Oh I'm gonna hear

707
00:40:37,120 --> 00:40:42,640
Speaker 3: that happen, but it's not. What else might he say?

708
00:40:42,680 --> 00:40:43,360
Speaker 3: It doesn't matter?

709
00:40:45,719 --> 00:40:48,080
Speaker 4: Well, I mean, now that we're in.

710
00:40:48,200 --> 00:40:51,239
Speaker 3: Do you want to go into the what we had

711
00:40:51,239 --> 00:40:52,719
Speaker 3: initially conceived?

712
00:40:53,680 --> 00:40:55,399
Speaker 1: Yeah, yeah, sort of.

713
00:40:56,120 --> 00:41:00,239
Speaker 3: And sort of start really talking about branded not brand

714
00:41:00,520 --> 00:41:03,560
Speaker 3: content as it pertains to Wolf Cool and your role

715
00:41:03,600 --> 00:41:06,319
Speaker 3: within our company, which is of course a shingle of

716
00:41:06,320 --> 00:41:07,520
Speaker 3: Calvin and Houps Productions.

717
00:41:07,640 --> 00:41:09,000
Speaker 4: Yeah, let's get into that.

718
00:41:09,360 --> 00:41:09,840
Speaker 2: Okay.

719
00:41:10,000 --> 00:41:12,560
Speaker 4: You know, do I have a couple of Brandon content

720
00:41:12,800 --> 00:41:14,960
Speaker 4: lines in the chamber. Yeah, but I'll keep them in there.

721
00:41:15,000 --> 00:41:16,000
Speaker 1: Yeah, they're packed in.

722
00:41:16,080 --> 00:41:19,200
Speaker 3: And I got a lot of and that's and by

723
00:41:19,239 --> 00:41:21,200
Speaker 3: the way, that's not the final voice, the one that

724
00:41:21,239 --> 00:41:23,440
Speaker 3: I was just doing for Brandon content. It could have

725
00:41:23,440 --> 00:41:25,759
Speaker 3: been a lot of the whole idea is that it

726
00:41:25,800 --> 00:41:29,120
Speaker 3: has not been prepared ahead of time. And that's that's

727
00:41:29,440 --> 00:41:37,400
Speaker 3: literally a spontaneous concoction. And and and he and Paul

728
00:41:37,719 --> 00:41:40,120
Speaker 3: or James I'm sure would have had a much more

729
00:41:40,160 --> 00:41:42,720
Speaker 3: fleshed out thing that was just sort of a Hanford

730
00:41:43,440 --> 00:41:50,680
Speaker 3: Hanford could have done it totally different. Yeah. So anyway, Uh,

731
00:41:51,080 --> 00:41:55,760
Speaker 3: Brandon doesn't exist, But what does exist is Wolf Cool,

732
00:41:56,960 --> 00:41:59,640
Speaker 3: this show, Joe you exist.

733
00:42:00,080 --> 00:42:01,239
Speaker 4: I mean, I'm a real person.

734
00:42:01,320 --> 00:42:03,439
Speaker 3: Yeah, heyes, is here. Engineer Brett's here.

735
00:42:06,000 --> 00:42:12,600
Speaker 4: And so just to get into it, now, I'm the chief.

736
00:42:12,680 --> 00:42:15,359
Speaker 4: I'm in I'm in charge of Brandon content for the show,

737
00:42:15,880 --> 00:42:19,120
Speaker 4: for uh, for for the Net, for the for the offshoot,

738
00:42:19,239 --> 00:42:22,200
Speaker 4: for for Wolf Cool, I'm in charge of Brandon Content

739
00:42:22,280 --> 00:42:24,279
Speaker 4: for that. And he is a guy.

740
00:42:28,480 --> 00:42:29,759
Speaker 1: Did I just say he's a guy?

741
00:42:30,120 --> 00:42:33,560
Speaker 4: Yeah? Oh my god, he's not.

742
00:42:33,760 --> 00:42:37,240
Speaker 1: It's a concept. I know how it happened.

743
00:42:37,400 --> 00:42:39,760
Speaker 4: Yeah, I just got it in my head.

744
00:42:39,800 --> 00:42:42,960
Speaker 1: Now it's rattling your picturing. And I never should have

745
00:42:43,000 --> 00:42:47,680
Speaker 1: done the voice well because yeah, his name is Brandon

746
00:42:47,800 --> 00:42:50,600
Speaker 1: and so that makes it that must make it really well.

747
00:42:50,640 --> 00:42:52,120
Speaker 3: And his last name is Content.

748
00:42:52,320 --> 00:42:54,359
Speaker 4: I just peeped at my phone for a second. Guys,

749
00:42:54,400 --> 00:42:57,080
Speaker 4: I'm sorry. Somebody just I don't know how this even happened.

750
00:42:57,120 --> 00:42:59,680
Speaker 4: Somebody added me on Twitter. They drew a picture of

751
00:42:59,719 --> 00:43:02,719
Speaker 4: brand Content what they imagine he would look like. Didn't

752
00:43:02,719 --> 00:43:06,080
Speaker 4: even describe him yet. Yeah that's what he looks like though.

753
00:43:06,320 --> 00:43:08,920
Speaker 4: I mean, yeah, he's got logo. He's wearing a jacket

754
00:43:08,920 --> 00:43:12,160
Speaker 4: and all these different logos. It's a PEPSI logo, the

755
00:43:12,280 --> 00:43:17,239
Speaker 4: cbs I, the Sprite Fox, they're all on there on

756
00:43:17,280 --> 00:43:17,960
Speaker 4: this jacket.

757
00:43:19,120 --> 00:43:20,480
Speaker 2: I hate that Sprite Fox.

758
00:43:21,160 --> 00:43:22,520
Speaker 3: Well, he steals your sprites.

759
00:43:22,560 --> 00:43:24,840
Speaker 2: I I just it's maddening.

760
00:43:25,120 --> 00:43:28,040
Speaker 1: Well, you can't he don't even well, he doesn't even

761
00:43:28,239 --> 00:43:31,360
Speaker 1: like Sprite, which is the thing that confuses me.

762
00:43:31,440 --> 00:43:32,959
Speaker 2: He wants to dump it all out.

763
00:43:33,120 --> 00:43:37,080
Speaker 3: No, he wants to dump it into the ocean. And

764
00:43:37,200 --> 00:43:39,640
Speaker 3: so yeah, it's just if you haven't seen the sprite

765
00:43:39,640 --> 00:43:42,400
Speaker 3: Fox yet, he's a little bit new. But Brandon content

766
00:43:42,440 --> 00:43:44,319
Speaker 3: of course has him on his jacket and he's got

767
00:43:44,560 --> 00:43:47,520
Speaker 3: a sea captain hat on. He grabs your sprite and

768
00:43:47,520 --> 00:43:49,400
Speaker 3: he hurries onto a boat, steers it out of the

769
00:43:49,440 --> 00:43:50,919
Speaker 3: ocean and dumps your sprite out.

770
00:43:51,640 --> 00:43:55,520
Speaker 1: And he's not a cartoon no, no real fox. They

771
00:43:55,600 --> 00:43:59,319
Speaker 1: dressed up and they're holding they're holding a.

772
00:43:59,239 --> 00:44:02,080
Speaker 3: Fox well and there so there are human hands.

773
00:44:02,160 --> 00:44:02,919
Speaker 4: Can see that.

774
00:44:03,080 --> 00:44:05,200
Speaker 2: You could see the heads holding the fox up.

775
00:44:05,360 --> 00:44:07,480
Speaker 3: Even in the logo, it's just a photo of a

776
00:44:07,520 --> 00:44:15,040
Speaker 3: person who's clearly wrestling with an angry fox. Anyway, Yeah,

777
00:44:15,080 --> 00:44:17,239
Speaker 3: the sprite fox would be on his jacket, I mean

778
00:44:17,280 --> 00:44:18,040
Speaker 3: that makes sense.

779
00:44:18,200 --> 00:44:21,000
Speaker 4: Yeah, just top to bottom, all of his apparel would

780
00:44:21,000 --> 00:44:27,040
Speaker 4: have it, you know, different brands, because that's that's what

781
00:44:27,080 --> 00:44:29,640
Speaker 4: he's in charge of, getting the word out about brands

782
00:44:29,640 --> 00:44:33,320
Speaker 4: in a fun way where it's not so obviously a commercial.

783
00:44:33,400 --> 00:44:36,040
Speaker 4: Although some commercials nowadays they fool me.

784
00:44:36,960 --> 00:44:40,719
Speaker 3: Yeah, I have had that experience where I feel like

785
00:44:40,880 --> 00:44:43,520
Speaker 3: what I'm watching is not a commercial because I'm having

786
00:44:43,520 --> 00:44:43,960
Speaker 3: so much fun.

787
00:44:44,000 --> 00:44:45,000
Speaker 2: It's a TV show.

788
00:44:45,960 --> 00:44:50,800
Speaker 3: Yeah, I mean that's almost like Brandon content.

789
00:44:52,880 --> 00:44:53,319
Speaker 2: What it is?

790
00:44:54,800 --> 00:44:59,320
Speaker 3: Well, if you feel like you're watching a show, yeah,

791
00:44:59,360 --> 00:45:04,840
Speaker 3: and it's com How different is that from watching the

792
00:45:04,920 --> 00:45:08,960
Speaker 3: show that hasn't stuff that commercials.

793
00:45:09,040 --> 00:45:12,560
Speaker 4: Yeah, when you make content, you gotta have a script.

794
00:45:13,200 --> 00:45:17,360
Speaker 4: You gotta have a director, you gotta have camera, you

795
00:45:17,440 --> 00:45:19,760
Speaker 4: got to have light, sounds, you've got to have sound.

796
00:45:20,600 --> 00:45:24,279
Speaker 1: But something to play it on. It's a good TV

797
00:45:24,560 --> 00:45:26,200
Speaker 1: you know. It doesn't just see it.

798
00:45:26,200 --> 00:45:26,520
Speaker 4: It does.

799
00:45:27,960 --> 00:45:31,360
Speaker 1: Doesn't exist without like our computer, it's just something to

800
00:45:31,560 --> 00:45:31,960
Speaker 1: show it.

801
00:45:32,200 --> 00:45:34,440
Speaker 3: I mean, does it mean that's an interesting thing? It's

802
00:45:34,520 --> 00:45:36,600
Speaker 3: kind of treefall in the woods, you know, like.

803
00:45:36,800 --> 00:45:42,640
Speaker 4: Uh, although it's an unaired pilot content. M h, it is,

804
00:45:42,800 --> 00:45:44,040
Speaker 4: but yeah, he's ever seen it.

805
00:45:44,400 --> 00:45:47,680
Speaker 1: M yeah, my dad's seen it.

806
00:45:47,719 --> 00:45:50,080
Speaker 2: But he said it.

807
00:45:50,160 --> 00:45:52,879
Speaker 3: Yeah, I mean if I sent him and we're talking

808
00:45:52,920 --> 00:45:54,080
Speaker 3: about my pilot, right.

809
00:45:54,080 --> 00:46:00,600
Speaker 1: Yes, and what he says mildly amusing. He just was

810
00:46:00,680 --> 00:46:02,759
Speaker 1: like he just he watched it.

811
00:46:02,800 --> 00:46:08,920
Speaker 3: He went, Jesus christ Man, I'm not your audience.

812
00:46:09,080 --> 00:46:10,640
Speaker 2: Yeah he's not. He's not.

813
00:46:11,120 --> 00:46:16,120
Speaker 1: And that's true, but well not through any design. You

814
00:46:16,200 --> 00:46:20,320
Speaker 1: were sort of making it for him to be your audience.

815
00:46:20,600 --> 00:46:24,920
Speaker 3: Yes, it was aimed directly at him. Uh I basically

816
00:46:25,480 --> 00:46:31,840
Speaker 3: at the great expense of story and character, crammed in

817
00:46:31,920 --> 00:46:37,200
Speaker 3: references to everything I know my dad is Joyce. Yeah, brands, well,

818
00:46:37,280 --> 00:46:42,879
Speaker 3: brands exactly. Swiss Miss, Swiss miss, and the Swiss miss eagle.

819
00:46:45,600 --> 00:46:51,279
Speaker 1: Eagle, he doesn't know how to make Swiss miss. He's right,

820
00:46:51,320 --> 00:46:54,520
Speaker 1: he's boiling it in the packet like a like tea.

821
00:46:55,200 --> 00:46:58,560
Speaker 1: He thinks it's a giant dunking the dunking the packet.

822
00:46:58,640 --> 00:47:00,200
Speaker 1: He thinks it's a giant.

823
00:47:00,200 --> 00:47:02,879
Speaker 4: Step up from the sprite fox though, because he wants

824
00:47:03,000 --> 00:47:04,720
Speaker 4: he wants it so spright.

825
00:47:05,080 --> 00:47:06,480
Speaker 1: He's telling me it's desirable.

826
00:47:06,640 --> 00:47:10,000
Speaker 4: The sprite fox wants no one to enjoy it. Because

827
00:47:10,040 --> 00:47:12,160
Speaker 4: you dump sprite in the ocean, even if you could

828
00:47:12,239 --> 00:47:15,160
Speaker 4: scoop up that bit of the ocean, you've ruined the sprite.

829
00:47:15,280 --> 00:47:17,520
Speaker 4: He's going to be overpowered by the taste of the ocean.

830
00:47:18,400 --> 00:47:21,120
Speaker 1: And you think, like, is he like trying to turn

831
00:47:21,160 --> 00:47:23,759
Speaker 1: the whole ocean into sprite, so like everyone can put

832
00:47:23,760 --> 00:47:25,520
Speaker 1: a straw into it and drink it. No, that he

833
00:47:25,600 --> 00:47:28,040
Speaker 1: makes very clear that that's not his intention at all.

834
00:47:28,080 --> 00:47:30,160
Speaker 1: He knows that that could never happen.

835
00:47:30,320 --> 00:47:33,759
Speaker 4: The swiss Miss eagle really wants Swiss Miss. What I

836
00:47:33,800 --> 00:47:37,839
Speaker 4: don't understand are why did the other why do those

837
00:47:37,920 --> 00:47:41,360
Speaker 4: other birds know how to make swiss miss. There's something

838
00:47:41,440 --> 00:47:45,160
Speaker 4: cute about smaller birds helping an eagle, but where did

839
00:47:45,160 --> 00:47:50,319
Speaker 4: they get the understanding of swiss miss. It makes it

840
00:47:50,360 --> 00:47:53,000
Speaker 4: seem like it's a product for birds, something that you'd

841
00:47:53,000 --> 00:47:55,480
Speaker 4: pick up at pampered birds in atwater.

842
00:47:57,200 --> 00:48:02,360
Speaker 3: And I don't and I don't imagine that birds couldn't

843
00:48:02,480 --> 00:48:05,279
Speaker 3: enjoy swiss miss. And that's not my gripe with it.

844
00:48:06,400 --> 00:48:10,360
Speaker 3: But but that doesn't make people necessarily want to eat it.

845
00:48:11,040 --> 00:48:14,560
Speaker 4: Yeah, should have a person helping the eagle, or you

846
00:48:14,600 --> 00:48:18,680
Speaker 4: should have a person scolding the eagle, going, you, silly eagle,

847
00:48:18,760 --> 00:48:19,520
Speaker 4: this is not for you.

848
00:48:19,600 --> 00:48:21,440
Speaker 3: This is for us from a safe distance.

849
00:48:23,520 --> 00:48:27,799
Speaker 4: Yeah, because it's a real eagle on that as well. Yes,

850
00:48:29,239 --> 00:48:31,600
Speaker 4: and you can't restrain an eagle with your hands.

851
00:48:31,480 --> 00:48:34,279
Speaker 1: No, I mean they It seems like you can see

852
00:48:34,320 --> 00:48:36,239
Speaker 1: people kind of reaching out to grab it, but it's

853
00:48:36,280 --> 00:48:37,440
Speaker 1: way up in the sky.

854
00:48:40,600 --> 00:48:43,480
Speaker 4: It's like really far up there, it's really far away.

855
00:48:44,000 --> 00:48:46,160
Speaker 3: Well, yeah, there's a guy leaning out of a plane

856
00:48:46,200 --> 00:48:47,160
Speaker 3: trying to talk to it.

857
00:48:47,239 --> 00:48:48,799
Speaker 1: Which again it's you know.

858
00:48:49,120 --> 00:48:53,319
Speaker 4: It's shot from the ground. You can barely tell what

859
00:48:53,360 --> 00:48:54,800
Speaker 4: it zoomed way.

860
00:48:54,640 --> 00:49:00,760
Speaker 3: In and it's very blurry. Anyway, that was in my pilot.

861
00:49:01,160 --> 00:49:04,400
Speaker 4: Uh, and your dad just said, Jesus Christ, this is

862
00:49:04,440 --> 00:49:04,920
Speaker 4: not for me.

863
00:49:05,239 --> 00:49:08,719
Speaker 3: Yeah, I'm not your audience, he said, Oh okay, which.

864
00:49:08,480 --> 00:49:11,520
Speaker 1: Is a you know, I would argue that's not true.

865
00:49:12,360 --> 00:49:15,680
Speaker 3: I only made it to show him, and I spent

866
00:49:15,800 --> 00:49:19,640
Speaker 3: a good deal of time and a financial but anyway,

867
00:49:20,280 --> 00:49:22,600
Speaker 3: but yeah, there was this, Yeah, the Swiss Min's eagle.

868
00:49:22,719 --> 00:49:25,400
Speaker 3: Of course, the Chase Bank wasp made an appearance.

869
00:49:26,560 --> 00:49:26,920
Speaker 4: Mm hmm.

870
00:49:29,280 --> 00:49:31,560
Speaker 3: What makes him a Chase Bank wasp? I'm not sure.

871
00:49:32,600 --> 00:49:35,440
Speaker 1: So that thing really doesn't make sense to me because

872
00:49:35,480 --> 00:49:38,560
Speaker 1: the implication is that if you use a Chase ATM,

873
00:49:39,000 --> 00:49:43,839
Speaker 1: the Chase Bank wasp will fly out and sting.

874
00:49:43,520 --> 00:49:45,080
Speaker 4: You on your eyeball.

875
00:49:47,960 --> 00:49:51,080
Speaker 1: Why would I ever ever want to use a Chase

876
00:49:51,120 --> 00:49:53,160
Speaker 1: ATM And it said I.

877
00:49:53,000 --> 00:49:55,320
Speaker 3: Well, and it's all the fees too, and it says.

878
00:49:55,160 --> 00:49:57,560
Speaker 4: That this will happen to you if you use the

879
00:49:57,640 --> 00:49:58,080
Speaker 4: Chase ad.

880
00:49:58,280 --> 00:50:01,360
Speaker 1: They seem to they seem to think that that people

881
00:50:01,400 --> 00:50:03,160
Speaker 1: will enjoy that.

882
00:50:03,160 --> 00:50:05,600
Speaker 4: That's not a strategy that a lot of banks use,

883
00:50:06,280 --> 00:50:09,440
Speaker 4: which is they're trying to get people that are like,

884
00:50:10,040 --> 00:50:12,759
Speaker 4: is this for real to get down there, and then

885
00:50:12,800 --> 00:50:15,239
Speaker 4: once they get to the Chase Bank, a representative is

886
00:50:15,239 --> 00:50:17,520
Speaker 4: out there and going, it's not real, but now come

887
00:50:17,800 --> 00:50:19,640
Speaker 4: and let us tell you why this is a great bank.

888
00:50:20,520 --> 00:50:23,160
Speaker 3: Is that what happens? Because I've been terrified to try it.

889
00:50:23,800 --> 00:50:26,919
Speaker 1: Yeah, I'm curious, but I just don't.

890
00:50:27,040 --> 00:50:28,800
Speaker 3: I mean, I don't want to find out for myself

891
00:50:28,840 --> 00:50:31,279
Speaker 3: because if it is real. So there's two scenarios for me.

892
00:50:31,560 --> 00:50:34,719
Speaker 3: One is I feel like I've been lied to. I

893
00:50:34,760 --> 00:50:36,680
Speaker 3: get the money, okay, good, but I pay all these

894
00:50:36,719 --> 00:50:39,920
Speaker 3: fees because it's not my bank, mainly because they've been

895
00:50:39,920 --> 00:50:44,000
Speaker 3: advertising they have wasps. The second scenario is I haven't

896
00:50:44,000 --> 00:50:48,040
Speaker 3: been lied to. I'm not betrayed, but that wasp comes

897
00:50:48,040 --> 00:50:51,440
Speaker 3: and really gets me and really stings me on my

898
00:50:51,520 --> 00:50:57,840
Speaker 3: eyeball and that's mean and it's sorry.

899
00:50:57,760 --> 00:51:03,080
Speaker 4: Which I appreciate, Like I like that. Yeah, it immediately

900
00:51:03,320 --> 00:51:06,600
Speaker 4: it doesn't taken. Yeah, it's like, this is what I

901
00:51:06,680 --> 00:51:11,360
Speaker 4: have to do because of because Chase Bank is making

902
00:51:11,400 --> 00:51:14,120
Speaker 4: me do this, and you.

903
00:51:14,120 --> 00:51:15,920
Speaker 2: See and it's dying. Is it's sorry.

904
00:51:15,960 --> 00:51:18,720
Speaker 1: It's very sad because you know it pulls its whole

905
00:51:18,760 --> 00:51:22,680
Speaker 1: guts out, which just that visual I hesitate to even

906
00:51:22,719 --> 00:51:24,840
Speaker 1: talk about it, but the visual of the stinger going

907
00:51:24,880 --> 00:51:30,480
Speaker 1: into somebody's eyeball and then you watch the intestines or

908
00:51:30,520 --> 00:51:33,640
Speaker 1: whatever they are, that wasp being like dragged out of

909
00:51:33,680 --> 00:51:34,560
Speaker 1: its thorax.

910
00:51:34,719 --> 00:51:38,040
Speaker 3: Yeah, well, to explain, they zoom in on the lost face.

911
00:51:38,200 --> 00:51:41,239
Speaker 3: It feels a great deal of shame. It turns its

912
00:51:41,239 --> 00:51:46,440
Speaker 3: stinger upon itself because of course it's not a B

913
00:51:46,600 --> 00:51:48,960
Speaker 3: A B one sting and it's dead. Yeah, you're not

914
00:51:49,000 --> 00:51:52,200
Speaker 3: implying that that's what happens to the wasp. No, No,

915
00:51:52,280 --> 00:51:55,200
Speaker 3: it turns its stinger on itself and then you know,

916
00:51:55,840 --> 00:51:59,719
Speaker 3: rips its own guts out with the stinger as in

917
00:51:59,760 --> 00:52:00,880
Speaker 3: by way of apology.

918
00:52:04,120 --> 00:52:04,400
Speaker 1: Yeah.

919
00:52:04,480 --> 00:52:05,960
Speaker 3: Again, it's a mixed bag for me.

920
00:52:06,400 --> 00:52:06,520
Speaker 1: Uh.

921
00:52:07,120 --> 00:52:09,560
Speaker 3: I like that it's not happy, it's stung the eye,

922
00:52:11,360 --> 00:52:13,360
Speaker 3: But I don't necessarily want to see.

923
00:52:13,120 --> 00:52:15,479
Speaker 4: This at all.

924
00:52:16,040 --> 00:52:18,640
Speaker 3: Yes, why did it do it? And in so many

925
00:52:18,719 --> 00:52:19,520
Speaker 3: variations on this.

926
00:52:19,600 --> 00:52:23,640
Speaker 4: Spot, so many bank commercials are just white noise, and

927
00:52:23,680 --> 00:52:26,560
Speaker 4: I what I do like is that one really gets

928
00:52:26,600 --> 00:52:29,680
Speaker 4: you thinking about, you know, the world that we live

929
00:52:29,680 --> 00:52:30,319
Speaker 4: in right now?

930
00:52:30,760 --> 00:52:34,799
Speaker 3: Yeah, yeah, right, because the banks are corrupt too big

931
00:52:34,840 --> 00:52:35,240
Speaker 3: to fail?

932
00:52:37,600 --> 00:52:39,160
Speaker 2: Will you speak on that, Joe.

933
00:52:39,600 --> 00:52:41,960
Speaker 4: That the banks are too about how the banks got so.

934
00:52:41,920 --> 00:52:43,280
Speaker 2: BI banks are crept too big to fail?

935
00:52:44,560 --> 00:52:47,759
Speaker 4: Yeah, you know, I think part of the problem with

936
00:52:47,880 --> 00:52:51,200
Speaker 4: the whole thing is regulation. There should be a greater

937
00:52:51,520 --> 00:52:58,600
Speaker 4: degree of regulation. I think interest rates are bananas right now.

938
00:52:59,800 --> 00:53:02,640
Speaker 4: And I also get worried about the standard.

939
00:53:02,600 --> 00:53:06,000
Speaker 5: Shot shot shot slot, slump, slut swot.

940
00:53:06,239 --> 00:53:10,799
Speaker 3: And that's the sound, of course of the Aig jellyfish.

941
00:53:11,239 --> 00:53:13,920
Speaker 3: And we do and we start talking about business regulation

942
00:53:14,080 --> 00:53:16,320
Speaker 3: as one of our sponsors. Now, part of the Brandon

943
00:53:16,400 --> 00:53:19,279
Speaker 3: content that we've incorporated into the show is we have

944
00:53:19,360 --> 00:53:22,800
Speaker 3: to mention that the Aig jellyfish does come and also

945
00:53:23,000 --> 00:53:29,640
Speaker 3: does sting someone on their eye. Now, it's less of

946
00:53:29,680 --> 00:53:32,080
Speaker 3: a willful decision on the part of a jellyfish. They

947
00:53:32,120 --> 00:53:35,080
Speaker 3: sort of go where the current dictates, right, so it

948
00:53:35,200 --> 00:53:38,600
Speaker 3: is less malicious, But it still just seems like an

949
00:53:38,640 --> 00:53:41,120
Speaker 3: odd I guess I get it as like go with

950
00:53:41,200 --> 00:53:44,200
Speaker 3: the flow, as sort of AIG's whole idea.

951
00:53:43,960 --> 00:53:46,479
Speaker 4: Don't look too closely at us or what we're doing.

952
00:53:47,000 --> 00:53:49,279
Speaker 4: That's something that all the banks have in common right now.

953
00:53:49,400 --> 00:53:53,800
Speaker 3: Yes, But yeah, even that, it just seems and I

954
00:53:53,840 --> 00:53:56,440
Speaker 3: shouldn't even be saying this, but it seems strange to apply,

955
00:53:56,600 --> 00:53:58,640
Speaker 3: you know, for that to be your Brandon.

956
00:54:00,239 --> 00:54:04,880
Speaker 4: Well just to try to run no, no, no, okay,

957
00:54:04,920 --> 00:54:06,400
Speaker 4: the way the way you wound up.

958
00:54:06,440 --> 00:54:10,279
Speaker 3: Well, thanks for that's it for me coming on the show.

959
00:54:10,440 --> 00:54:12,919
Speaker 1: No yeah, well okay, but what were you going to say?

960
00:54:13,280 --> 00:54:17,520
Speaker 4: I think that, you know, commercials are content and content

961
00:54:17,520 --> 00:54:19,760
Speaker 4: are commercials. Just to bring us back to that idea

962
00:54:19,760 --> 00:54:23,080
Speaker 4: of like everything that we've talked about so far have

963
00:54:23,200 --> 00:54:27,759
Speaker 4: all been content mm hmmm, yeah, oh excuse me, they've

964
00:54:27,800 --> 00:54:31,239
Speaker 4: all been commercials. Oh yes, but they I think you

965
00:54:31,320 --> 00:54:33,560
Speaker 4: take the product out of there and it sounds like content.

966
00:54:33,760 --> 00:54:36,080
Speaker 2: Yeah, which is a little bit or you didn't have

967
00:54:36,120 --> 00:54:38,919
Speaker 2: to try because they are the same thing.

968
00:54:39,280 --> 00:54:42,920
Speaker 3: Yes, and wolf Cool doesn't have existing contracts with products,

969
00:54:42,960 --> 00:54:45,880
Speaker 3: which is why we do try to incorporate so many

970
00:54:46,000 --> 00:54:47,880
Speaker 3: and talk about just one of the web series that

971
00:54:47,920 --> 00:54:48,720
Speaker 3: you're going to launch.

972
00:54:49,440 --> 00:54:50,839
Speaker 1: Oh yeah.

973
00:54:50,239 --> 00:54:53,600
Speaker 4: The whole thing is is like we want to go

974
00:54:53,920 --> 00:54:57,040
Speaker 4: people love watching web series. Most people wake up and go,

975
00:54:57,520 --> 00:54:59,960
Speaker 4: give me a web series to watch. So what we

976
00:55:00,080 --> 00:55:01,960
Speaker 4: want to do is we want to make a web series.

977
00:55:02,000 --> 00:55:04,440
Speaker 4: It's going to be fun for people in the morning.

978
00:55:04,760 --> 00:55:06,880
Speaker 4: About what they're into, not until I've had.

979
00:55:06,760 --> 00:55:10,840
Speaker 2: My web series exactly. That's good, you know.

980
00:55:11,280 --> 00:55:14,560
Speaker 4: So what's something like, you know, maybe a couple of

981
00:55:15,920 --> 00:55:19,200
Speaker 4: a couple of ghosts that are roommates, you know, like

982
00:55:19,280 --> 00:55:24,080
Speaker 4: that doesn't have any yeah, random like ghost Like, Hey,

983
00:55:24,680 --> 00:55:27,040
Speaker 4: are you trying to tell me that after I'm dead

984
00:55:27,360 --> 00:55:29,240
Speaker 4: that I'm gonna have to deal with the same headaches

985
00:55:29,280 --> 00:55:31,760
Speaker 4: of having a roommate that I have when I'm alive.

986
00:55:32,239 --> 00:55:33,800
Speaker 3: Yeah. I would hope that when I'm a ghost that

987
00:55:33,880 --> 00:55:36,239
Speaker 3: can afford my own place or I live only with

988
00:55:36,360 --> 00:55:42,040
Speaker 3: living beings. Yes, but instead it's two ghosts rooming together.

989
00:55:42,440 --> 00:55:43,360
Speaker 4: It's four ghosts.

990
00:55:44,120 --> 00:55:46,600
Speaker 3: Okay, now tell me and tell me how did you

991
00:55:46,719 --> 00:55:48,600
Speaker 3: have this idea?

992
00:55:49,280 --> 00:55:53,239
Speaker 4: Well, we just went into the fun room at the

993
00:55:53,400 --> 00:55:57,600
Speaker 4: Wolf Cool Branding Content HQ and we were just putting

994
00:55:57,680 --> 00:55:58,760
Speaker 4: up ideas on the board.

995
00:55:58,960 --> 00:56:03,520
Speaker 2: Oh that's not done. That room is not finished.

996
00:56:04,000 --> 00:56:06,200
Speaker 4: What the room with all that? With the no lights

997
00:56:06,200 --> 00:56:08,279
Speaker 4: in it? It's fun And there's no chairs, so there's

998
00:56:08,280 --> 00:56:10,240
Speaker 4: lots of space jump around stuff.

999
00:56:11,320 --> 00:56:16,560
Speaker 1: I mean there's no they're just slats. Yeah, and there's

1000
00:56:16,600 --> 00:56:17,400
Speaker 1: no lights.

1001
00:56:17,600 --> 00:56:19,279
Speaker 4: Oh, it's fun. I love it. It's like in a

1002
00:56:19,560 --> 00:56:22,000
Speaker 4: it's like an adventure in there, you gotta hop around

1003
00:56:22,120 --> 00:56:23,240
Speaker 4: and it's great.

1004
00:56:23,360 --> 00:56:26,040
Speaker 2: Oh it's just a very dangerous room.

1005
00:56:26,080 --> 00:56:28,200
Speaker 4: But anyway, am I not allowed to go in there anymore?

1006
00:56:29,000 --> 00:56:30,719
Speaker 1: Uh? You are?

1007
00:56:30,960 --> 00:56:31,319
Speaker 6: I mean?

1008
00:56:32,160 --> 00:56:34,400
Speaker 3: I mean, well, tell us about some of the products

1009
00:56:34,480 --> 00:56:35,480
Speaker 3: the ghosts are using.

1010
00:56:36,360 --> 00:56:40,959
Speaker 4: Uh they're the one ghost is very you know, he's

1011
00:56:40,960 --> 00:56:45,719
Speaker 4: into brushing his teeth. Okay, okay, here, he's just into

1012
00:56:46,440 --> 00:56:48,280
Speaker 4: dental hygiene in general.

1013
00:56:48,480 --> 00:56:50,560
Speaker 1: So he's using.

1014
00:56:52,080 --> 00:56:55,839
Speaker 4: Colgate. And then in one episode he's like, his big

1015
00:56:55,880 --> 00:56:58,960
Speaker 4: dilemma is he accidentally used uses one of the other

1016
00:56:59,000 --> 00:57:03,960
Speaker 4: ghosts fresh okay, and he's like, I like this better,

1017
00:57:04,080 --> 00:57:07,239
Speaker 4: but I'm a Coldgate guy. What the you know? Who

1018
00:57:07,280 --> 00:57:07,560
Speaker 4: am I?

1019
00:57:07,880 --> 00:57:09,680
Speaker 3: So one of them is gonna have to pay and

1020
00:57:09,719 --> 00:57:12,000
Speaker 3: then he can make his decision in the next episode.

1021
00:57:13,000 --> 00:57:15,600
Speaker 3: Excuse me, Like if we show so we're showing Culgate

1022
00:57:15,600 --> 00:57:19,000
Speaker 3: and aquafresh this episode, right, yeah, and then we go, well,

1023
00:57:19,080 --> 00:57:21,280
Speaker 3: next episode, he's gonna pick which one he uses for

1024
00:57:21,440 --> 00:57:26,160
Speaker 3: good yeah or okay, no, I'm sorry, I jumped the.

1025
00:57:26,080 --> 00:57:29,000
Speaker 4: Gun or what or there's a world where he at

1026
00:57:29,040 --> 00:57:31,400
Speaker 4: the end of it, the curveball that you don't see

1027
00:57:31,440 --> 00:57:33,200
Speaker 4: coming is he ends up being a crest guy.

1028
00:57:33,280 --> 00:57:33,840
Speaker 1: Mix him up.

1029
00:57:33,920 --> 00:57:37,640
Speaker 4: Oh okay, so that's one thing that and this isn't

1030
00:57:37,840 --> 00:57:41,920
Speaker 4: something I'm not anticipating what these corporations are gonna say,

1031
00:57:41,960 --> 00:57:44,320
Speaker 4: because that's not why we're doing this. We're doing this

1032
00:57:44,360 --> 00:57:46,880
Speaker 4: to make a fun show. But like I think, they're

1033
00:57:46,960 --> 00:57:51,520
Speaker 4: probably not gonna want their toothpaste mixed up with another toothpaste.

1034
00:57:51,200 --> 00:57:54,160
Speaker 1: Right, So this is a rule. This is illuminating for me,

1035
00:57:54,280 --> 00:57:58,720
Speaker 1: sort of what a toothpaste on a palmer mixing toothpaste?

1036
00:57:58,960 --> 00:57:59,280
Speaker 2: Yes?

1037
00:57:59,560 --> 00:58:02,040
Speaker 1: Yeah, also entirely new flavor.

1038
00:58:02,200 --> 00:58:05,120
Speaker 4: Would that be a rule from the company? Maybe? But

1039
00:58:05,280 --> 00:58:08,800
Speaker 4: also I just that just doesn't make me laugh, just

1040
00:58:08,840 --> 00:58:09,600
Speaker 4: the mixing.

1041
00:58:09,360 --> 00:58:10,360
Speaker 6: Of the toothpaste.

1042
00:58:10,480 --> 00:58:12,880
Speaker 4: It's purely creative decision. It just doesn't make me laugh.

1043
00:58:13,400 --> 00:58:16,560
Speaker 1: And practically it doesn't work the way you would think

1044
00:58:16,600 --> 00:58:19,160
Speaker 1: it would, right, And I wasn't trying to tips against

1045
00:58:19,160 --> 00:58:21,439
Speaker 1: each other and squeeze both. They don't, And I wasn't

1046
00:58:21,440 --> 00:58:23,280
Speaker 1: trying to make you laugh. And if I was, you'd

1047
00:58:23,320 --> 00:58:26,600
Speaker 1: know it because you'd be losing it. Can I say

1048
00:58:26,600 --> 00:58:28,160
Speaker 1: the whole thing with a ghost brush of their teeth?

1049
00:58:28,240 --> 00:58:30,320
Speaker 1: I'm so this is I'm so glad to hear you

1050
00:58:30,360 --> 00:58:34,480
Speaker 1: explain this because having seen it, what they're they're actually

1051
00:58:34,560 --> 00:58:37,960
Speaker 1: using is a hair dryer, just like spraying a hair

1052
00:58:38,040 --> 00:58:40,080
Speaker 1: dryer on their teeth?

1053
00:58:40,560 --> 00:58:41,360
Speaker 4: Uh huh?

1054
00:58:41,400 --> 00:58:44,800
Speaker 1: And is that what is the thinking behind that's supposed

1055
00:58:44,840 --> 00:58:46,880
Speaker 1: to connote brushing somehow? Is there a reason that they

1056
00:58:46,920 --> 00:58:51,919
Speaker 1: couldn't use actual toothbrushes? Yes, because I didn't I didn't

1057
00:58:51,960 --> 00:58:55,200
Speaker 1: understand that watching that, watching it to be a commercial

1058
00:58:55,280 --> 00:58:57,080
Speaker 1: for toothpaste.

1059
00:58:57,360 --> 00:58:59,120
Speaker 3: Not a commercial, it's brand branding content.

1060
00:59:00,080 --> 00:59:02,680
Speaker 4: Yeah, it's not a commercial, it's branding content.

1061
00:59:02,840 --> 00:59:04,760
Speaker 2: Well that's helpful.

1062
00:59:05,600 --> 00:59:09,560
Speaker 4: Yeah, no, no, no, the ghosts can't in the world that

1063
00:59:09,640 --> 00:59:15,720
Speaker 4: we have created. Yeah, ghosts are very cold, and so

1064
00:59:17,160 --> 00:59:21,120
Speaker 4: anything that we use that's not cold, they need to

1065
00:59:22,200 --> 00:59:28,920
Speaker 4: use something hotter. And so they put and this is

1066
00:59:29,040 --> 00:59:31,280
Speaker 4: a big part of the web series is explaining this,

1067
00:59:31,360 --> 00:59:35,000
Speaker 4: is they put toothpaste on the rim of the of

1068
00:59:35,040 --> 00:59:38,920
Speaker 4: a con Air hair dryer, which is another product that

1069
00:59:39,080 --> 00:59:40,760
Speaker 4: just happens to be in there because it makes me laugh,

1070
00:59:41,560 --> 00:59:43,240
Speaker 4: and then they turn it on and then it sort

1071
00:59:43,280 --> 00:59:46,560
Speaker 4: of blasts, like a toothpaste gas into their mouth.

1072
00:59:46,640 --> 00:59:54,080
Speaker 3: What if you combined two different hair dryer brands.

1073
00:59:52,760 --> 00:59:54,720
Speaker 1: You know, maybe use them both.

1074
00:59:55,320 --> 00:59:56,640
Speaker 4: Yeah, maybe put.

1075
00:59:56,520 --> 00:59:59,840
Speaker 1: The springs from one another. That's good. I like that

1076
01:00:00,120 --> 01:00:02,120
Speaker 1: is that to me? Was that to make Joe laugh?

1077
01:00:04,040 --> 01:00:05,640
Speaker 1: Just the way you said it, it sounds.

1078
01:00:05,400 --> 01:00:09,000
Speaker 3: Like you were Uh no, I'm reaching for a laugh pitching?

1079
01:00:09,080 --> 01:00:12,920
Speaker 3: Why is that funny that I.

1080
01:00:13,560 --> 01:00:15,640
Speaker 4: Don't I mean, I don't think it's It doesn't make

1081
01:00:15,720 --> 01:00:16,160
Speaker 4: me laugh?

1082
01:00:16,440 --> 01:00:19,360
Speaker 1: Yeah, okay, but I guess you weren't. Huh you weren't

1083
01:00:19,360 --> 01:00:21,800
Speaker 1: trying then? No, I because he because he wouldn't know.

1084
01:00:22,080 --> 01:00:26,800
Speaker 3: No, it almost is like, uh, the point is that

1085
01:00:26,840 --> 01:00:27,840
Speaker 3: it's not gonna.

1086
01:00:27,560 --> 01:00:28,120
Speaker 6: Make you laugh.

1087
01:00:29,160 --> 01:00:30,320
Speaker 4: It's anti comedy.

1088
01:00:32,120 --> 01:00:34,640
Speaker 1: Well, I don't like that because I think Caufman's a fraud.

1089
01:00:36,520 --> 01:00:38,440
Speaker 4: Andy Kaufman fraud.

1090
01:00:39,400 --> 01:00:41,280
Speaker 3: People say he's a genius, but I think he's a

1091
01:00:41,320 --> 01:00:44,240
Speaker 3: total fraud. Was he a fraud, a genius, a scoundrel,

1092
01:00:44,320 --> 01:00:44,840
Speaker 3: a maven?

1093
01:00:46,360 --> 01:00:46,560
Speaker 4: Yeah?

1094
01:00:46,960 --> 01:00:47,680
Speaker 1: Please weigh in.

1095
01:00:48,040 --> 01:00:51,320
Speaker 4: Is he a lunatic? Is he a madman? Is he

1096
01:00:52,720 --> 01:00:55,120
Speaker 4: maybe the most brilliant comedian we've ever seen?

1097
01:00:55,320 --> 01:01:00,080
Speaker 1: And is there any difference? Is he a wrestler? Is he.

1098
01:01:01,480 --> 01:01:07,040
Speaker 4: A foreign man? Is he a sitcom star or dishwasher

1099
01:01:07,160 --> 01:01:07,720
Speaker 4: bus boy?

1100
01:01:08,120 --> 01:01:13,880
Speaker 2: Is he a lover sing singing song singer?

1101
01:01:14,120 --> 01:01:15,360
Speaker 4: Is he a song singer?

1102
01:01:15,440 --> 01:01:15,880
Speaker 1: Yes?

1103
01:01:17,360 --> 01:01:23,920
Speaker 4: Is he from Long Island? Long Islander? Mm hmmm, Yeah,

1104
01:01:24,440 --> 01:01:27,920
Speaker 4: it's mysteriously, we'll never know. Yeah, he's coming back.

1105
01:01:27,800 --> 01:01:32,720
Speaker 1: Though, Yeah, so weird because it's his ghost that you

1106
01:01:32,880 --> 01:01:35,520
Speaker 1: use for the if you think Andy is coming back,

1107
01:01:36,480 --> 01:01:38,280
Speaker 1: I mean, it's a big to.

1108
01:01:38,160 --> 01:01:40,680
Speaker 3: The ghost, him being the main ghost roommate.

1109
01:01:41,200 --> 01:01:42,640
Speaker 1: He's the one whose names on the lease.

1110
01:01:43,240 --> 01:01:43,640
Speaker 4: Mm hmm.

1111
01:01:44,920 --> 01:01:45,160
Speaker 2: Yeah.

1112
01:01:45,200 --> 01:01:46,480
Speaker 1: Well he's got good credit.

1113
01:01:47,320 --> 01:01:50,800
Speaker 3: Yeah, and he uses and he uses a big brand

1114
01:01:51,000 --> 01:01:53,280
Speaker 3: pen to sign the lease and then we make a

1115
01:01:53,320 --> 01:01:54,200
Speaker 3: big meal out of that.

1116
01:01:54,480 --> 01:01:58,480
Speaker 1: Yeah, that's nice, that's great, And that's the and just

1117
01:01:58,560 --> 01:01:58,960
Speaker 1: one pen.

1118
01:01:59,000 --> 01:02:00,439
Speaker 6: You don't need to add other one.

1119
01:02:02,120 --> 01:02:04,040
Speaker 4: I don't think anyone was going to suggest adding a

1120
01:02:04,080 --> 01:02:04,560
Speaker 4: second pen.

1121
01:02:07,080 --> 01:02:09,880
Speaker 3: I know I'm but I'm saying it's part of the

1122
01:02:09,880 --> 01:02:12,720
Speaker 3: branding pilot. No one need to even mention pilot pens

1123
01:02:12,720 --> 01:02:16,720
Speaker 3: he's using, and the two inks. There's nothing comedic about that,

1124
01:02:16,800 --> 01:02:17,840
Speaker 3: the two different kinds.

1125
01:02:18,560 --> 01:02:23,040
Speaker 4: Although you know, if he did it, if it wasn't

1126
01:02:23,040 --> 01:02:26,479
Speaker 4: two pens at one time, but it was one letter

1127
01:02:26,480 --> 01:02:35,240
Speaker 4: big pen, one letter pilot pen, one letter bigpen, and

1128
01:02:35,280 --> 01:02:38,320
Speaker 4: then that, Yeah, and then the landlord's like, hurry up,

1129
01:02:38,400 --> 01:02:42,040
Speaker 4: I got other apartments to rent. It was taking too long.

1130
01:02:45,080 --> 01:02:46,880
Speaker 1: But that is a big part of the branding of that.

1131
01:02:46,960 --> 01:02:49,440
Speaker 1: You don't need to use two it once.

1132
01:02:51,320 --> 01:02:53,760
Speaker 3: Yeah, Brandon told me that.

1133
01:02:55,200 --> 01:03:02,040
Speaker 1: Who yeah, Oh, it was all set up for the

1134
01:03:02,080 --> 01:03:04,240
Speaker 1: real We told you that it was that he wasn't

1135
01:03:04,280 --> 01:03:06,440
Speaker 1: the pauly to Hopkins wasn't gonna come in here be

1136
01:03:06,520 --> 01:03:09,600
Speaker 1: branded content. But that was always so what he did

1137
01:03:09,640 --> 01:03:12,560
Speaker 1: come in here, What an amazing thrill it would be.

1138
01:03:12,640 --> 01:03:15,479
Speaker 1: But the actual having Paul aft Toopkins on the show

1139
01:03:15,520 --> 01:03:16,840
Speaker 1: to play branded cotton.

1140
01:03:16,600 --> 01:03:23,480
Speaker 7: Story stuck in traffic, boy, I really got a pee.

1141
01:03:22,720 --> 01:03:24,040
Speaker 1: I really gotta go pee.

1142
01:03:25,240 --> 01:03:30,440
Speaker 3: Well Paul left. I think he went to the bathroom. Yeah,

1143
01:03:30,440 --> 01:03:33,120
Speaker 3: but that was such a thrill to have Brandon content here,

1144
01:03:33,640 --> 01:03:35,520
Speaker 3: and it kind of makes the whole episode makes sense,

1145
01:03:35,560 --> 01:03:37,440
Speaker 3: and in retrospect it makes it.

1146
01:03:37,480 --> 01:03:38,360
Speaker 1: Actually it was good.

1147
01:03:38,720 --> 01:03:40,640
Speaker 4: Go back and listen again and you'll hear all the

1148
01:03:40,680 --> 01:03:42,600
Speaker 4: clues that were set up along the way.

1149
01:03:46,120 --> 01:03:47,440
Speaker 2: Well, Andrew T's coming in.

1150
01:03:47,800 --> 01:03:51,920
Speaker 3: Oh yes, I accidentally put my mouth too close to

1151
01:03:51,960 --> 01:03:54,880
Speaker 3: the mic at one point and I and I touched

1152
01:03:54,920 --> 01:03:59,360
Speaker 3: it with my mouth and you yes, and that's how

1153
01:03:59,360 --> 01:04:02,960
Speaker 3: you it's sort of like a bloody merry thing. If

1154
01:04:03,000 --> 01:04:05,040
Speaker 3: you touch the mic with your mouth, then Andrew she

1155
01:04:05,240 --> 01:04:06,200
Speaker 3: will appear just.

1156
01:04:06,200 --> 01:04:11,920
Speaker 4: The one time. Yes, Oh, wow. Yes, usually cares multiple actions.

1157
01:04:12,120 --> 01:04:13,560
Speaker 4: It makes it a bit more deliberate.

1158
01:04:13,640 --> 01:04:15,320
Speaker 2: No, if you do it again, he goes away.

1159
01:04:16,120 --> 01:04:20,240
Speaker 3: Yeah, okay, if you do it a third time, you

1160
01:04:20,320 --> 01:04:21,480
Speaker 3: become him.

1161
01:04:22,080 --> 01:04:23,400
Speaker 1: Oh mm hmmmmmm.

1162
01:04:23,720 --> 01:04:25,680
Speaker 4: And then fourth time there is no.

1163
01:04:25,760 --> 01:04:28,040
Speaker 1: Fourth time, well, then you're him, you're him.

1164
01:04:28,280 --> 01:04:29,680
Speaker 4: Then it's huncing somebody else.

1165
01:04:29,800 --> 01:04:30,560
Speaker 1: He's allowed to do it.

1166
01:04:30,760 --> 01:04:31,960
Speaker 2: Yeah, you'd have to.

1167
01:04:31,880 --> 01:04:33,520
Speaker 1: Ask him what happens to him when that?

1168
01:04:33,600 --> 01:04:36,360
Speaker 4: When that happens, well, he'll be here any minute, so

1169
01:04:36,400 --> 01:04:37,280
Speaker 4: we'll be able to do it.

1170
01:04:37,680 --> 01:04:37,919
Speaker 2: Good.

1171
01:04:38,040 --> 01:04:41,120
Speaker 1: I'm glad. I want to find out if it's racist.

1172
01:04:41,680 --> 01:04:41,960
Speaker 2: Good.

1173
01:04:43,160 --> 01:04:47,240
Speaker 1: I have no idea if it's racist or not. Anyway,

1174
01:04:47,280 --> 01:04:51,680
Speaker 1: stay tuned. He's on right after this, so don't go anywhere.

1175
01:04:53,920 --> 01:04:57,440
Speaker 1: That's part of how that the podcasts are all. Yeah,

1176
01:04:57,640 --> 01:05:00,160
Speaker 1: we've requested specifically that our as lead in.

1177
01:05:02,520 --> 01:05:09,640
Speaker 3: I don't see any other scenario. Uh what what? What?

1178
01:05:09,640 --> 01:05:10,000
Speaker 4: What? What?

1179
01:05:10,000 --> 01:05:11,120
Speaker 1: What are you doing after this?

1180
01:05:11,840 --> 01:05:14,480
Speaker 2: What do you have coming up? Anything you're doing that

1181
01:05:14,560 --> 01:05:15,920
Speaker 2: you want to plug?

1182
01:05:16,120 --> 01:05:20,120
Speaker 3: What's Schmidt gonna do today?

1183
01:05:20,080 --> 01:05:20,280
Speaker 5: Yeah?

1184
01:05:20,360 --> 01:05:24,160
Speaker 4: Yeah, which Schmid Smit's on his own today because it's Saturday.

1185
01:05:24,560 --> 01:05:25,960
Speaker 4: He's gonna figure it out himself.

1186
01:05:25,960 --> 01:05:27,200
Speaker 2: Do you ever worry about.

1187
01:05:28,520 --> 01:05:31,000
Speaker 1: Not giving Schmid something to do, and so he's just like,

1188
01:05:32,360 --> 01:05:34,200
Speaker 1: do you ever feel like just like taking him out

1189
01:05:34,240 --> 01:05:38,439
Speaker 1: for a walk, so to speak, like inventing some fun

1190
01:05:38,480 --> 01:05:40,160
Speaker 1: stuff for the character to do, just kind of on

1191
01:05:40,240 --> 01:05:45,120
Speaker 1: your off time so he doesn't just like get restless.

1192
01:05:46,800 --> 01:05:49,320
Speaker 1: So what, Yeah, No, I don't worry about that.

1193
01:05:50,200 --> 01:05:53,120
Speaker 2: I'm just sitting like over the weekend. The character is

1194
01:05:53,160 --> 01:05:53,800
Speaker 2: just kind of like.

1195
01:05:55,320 --> 01:05:58,720
Speaker 4: Because I am around, if they're not, if if there

1196
01:05:58,760 --> 01:06:02,120
Speaker 4: aren't stories being generated for the characters, that they sort

1197
01:06:02,120 --> 01:06:03,960
Speaker 4: of go into a pot and they go to sleep.

1198
01:06:04,000 --> 01:06:04,800
Speaker 2: That's what I'm saying.

1199
01:06:04,840 --> 01:06:07,600
Speaker 1: And so but don't you you just are comfortable leaving

1200
01:06:07,640 --> 01:06:09,400
Speaker 1: them in the in the pod?

1201
01:06:11,440 --> 01:06:14,240
Speaker 4: Yeah, I think it's I think they're a lot safer

1202
01:06:14,240 --> 01:06:14,720
Speaker 4: in the pod.

1203
01:06:16,360 --> 01:06:24,720
Speaker 3: Schmidt versus Winston Go.

1204
01:06:21,280 --> 01:06:30,480
Speaker 4: Go okay, well who versus Schmidt versus Winston? So I

1205
01:06:30,520 --> 01:06:35,200
Speaker 4: think you know, in terms of who's gonna is it

1206
01:06:35,320 --> 01:06:38,880
Speaker 4: the battle of who's in the a story?

1207
01:06:39,680 --> 01:06:44,440
Speaker 3: No, No, just Schmidt versus Winston.

1208
01:06:44,640 --> 01:06:53,040
Speaker 4: Go okay. Well, they're they're friends, and you know they're

1209
01:06:53,080 --> 01:06:55,720
Speaker 4: probably gonna be fighting over Nick's affection to a certain

1210
01:06:55,760 --> 01:06:59,800
Speaker 4: degree because they've both been friends with at different times

1211
01:06:59,800 --> 01:07:01,040
Speaker 4: and their lives.

1212
01:07:02,040 --> 01:07:03,640
Speaker 1: I wonder if this is racist?

1213
01:07:07,800 --> 01:07:08,040
Speaker 2: Is that?

1214
01:07:08,200 --> 01:07:08,440
Speaker 4: Is that?

1215
01:07:08,640 --> 01:07:08,840
Speaker 1: Is that?

1216
01:07:08,880 --> 01:07:09,280
Speaker 2: Andrew T?

1217
01:07:09,680 --> 01:07:13,439
Speaker 1: Andrew T. He's here and he's ready to record. Andrew, Hi,

1218
01:07:13,520 --> 01:07:15,080
Speaker 1: will you just come in here and do the prompt?

1219
01:07:15,360 --> 01:07:17,320
Speaker 1: Just say like, stay tuned because my show's on that.

1220
01:07:17,440 --> 01:07:19,800
Speaker 3: Stay tuned, Yeah, my show coming up soon.

1221
01:07:19,960 --> 01:07:21,440
Speaker 1: Yep, stay tuned.

1222
01:07:22,040 --> 01:07:23,080
Speaker 4: YO? Is this racist?

1223
01:07:23,120 --> 01:07:24,160
Speaker 1: Is coming up next?

1224
01:07:26,120 --> 01:07:29,760
Speaker 4: Bye? Bye bye.

1225
01:07:32,200 --> 01:07:36,280
Speaker 5: Hollywood Handbook is brought to you by Wolf Cool Productions,

1226
01:07:36,280 --> 01:07:37,960
Speaker 5: a subsidiary of Calvin

1227
01:07:38,000 --> 01:07:50,160
Speaker 3: Noondobs ow Baby