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Speaker 1: What would you talk about on your on your podcast

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Speaker 1: Firm Morning Show. All right, so we're in a studio

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Speaker 1: that normally is in ours. So it's like, it's like,

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Speaker 1: what's the Little Red Riding hood? What's what's the storybook

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Speaker 1: where she goes the porridge thing? Yeah, Little Red Riding

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Speaker 1: on the Goldilocks Cross and everything with trying to say

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Speaker 1: with two kids get put into a gretel. I'm sorry,

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Speaker 1: hand up a hill. That's Jack and Jel. Yeah, okay,

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Speaker 1: which one? Which reference were you trying to make Garrett?

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Speaker 1: Who lives in a show? I think it's Hunt for

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Speaker 1: Red October? Wow. So we're in a different studio recording

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Speaker 1: Angel Limerick thing on us. We were on a Limerick.

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Speaker 1: It's a it's a theme. Did you start going into

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Speaker 1: the movie theme? Was wrong? Of course? This is like

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Speaker 1: when you have a really nice car, you get into

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Speaker 1: a car accident and they give you a rental and

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Speaker 1: the rentals a piece of crap compit to your car.

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Speaker 1: First world problems? What is what do they sam? You're

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Speaker 1: in congruand you're just definite definition. I need help there.

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Speaker 1: She's saying things that don't match up to what we're

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Speaker 1: talking about. Their nonsequitar. It's one non sequitary after that.

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Speaker 1: I can't afford a car, so I can't relate to

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Speaker 1: your problem. I would love to relate to your problem.

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Speaker 1: That's why I said. So you're telling me people listening

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Speaker 1: to this, but you can't a submarine. For a second,

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Speaker 1: don't talk over me. I always talk over people. People

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Speaker 1: listening to this podcast. Don't have cars? Is that what

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Speaker 1: you're trying to say? Not all of them? Yeah, so

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Speaker 1: you have to have a car to understand the analogy

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Speaker 1: of using a different car. No, that's not the point. Though.

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Speaker 1: Have you ever driven a car? Though? Who are you

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Speaker 1: talking to? I don't know. Okay, you haven't driven a submarine.

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Speaker 1: You don't know that. But she's seen the movie. So

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Speaker 1: we're fifteen minute morning show. We're in a different studio.

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Speaker 1: I am Garrett. That is Sam scary, Brodie Brodie scary.

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Speaker 1: However you want to say it? There you go. So, yeah,

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Speaker 1: that's pretty much it. Yeah, I'm fine, you know, let

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Speaker 1: him have it. Let Brodie just have it. Because you

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Speaker 1: said I covered both, but he did. He said your

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Speaker 1: way first said both. It doesn't matter to me. Look

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Speaker 1: upset you are, I'm not upset. Sam was when I'm

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Speaker 1: in a car reference. I don't like the way. I

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Speaker 1: don't like it. Hold on, I don't like the way

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Speaker 1: this entire thing started off. First of all, I don't

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Speaker 1: like the chemistry between us four. This sucks. We gotta

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Speaker 1: we gotta mix this thing up. I don't know, I

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Speaker 1: don't like any of it. And Garret running Garret's running

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Speaker 1: the board. Hold on, no, wait, no, hold on a second.

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Speaker 1: You let's start with the reason why we opened the

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Speaker 1: way we did, before we went into the limericks and

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Speaker 1: and stuff, and before Sam changed the subject and then said, Brodie,

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Speaker 1: you know had white person problems or rich people. What

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Speaker 1: are you listening to people? That's what I want to know.

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Speaker 1: What was the initial thing that caused all sanity? Said,

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Speaker 1: we're in a different studio, and it's it's he said,

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Speaker 1: it's like then he started trying to make an analogy

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Speaker 1: using a fairy time. But what was the analogy you

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Speaker 1: were trying to make? It was it was Goldilocks where

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Speaker 1: the bears go into a bed, right, and they feel

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Speaker 1: like they're in a different well, she goes and she

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Speaker 1: goes into a bed and and she's in this hard

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Speaker 1: too soft, like the studio is different it's not the

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Speaker 1: studio that we're used to. It's like the three little pigs,

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Speaker 1: one of the houses made of brick as a gold mic.

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Speaker 1: This is the straw. This is the studio made a straw. Yeah,

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Speaker 1: this studio will blow over very easily. Okay, so this

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Speaker 1: studio is like this is you're the one that came

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Speaker 1: in here and goes they need to fix everything in

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Speaker 1: this stud I guess who's the big bed wolf in

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Speaker 1: this situation, huffing and puffing and blowing this whole podcast down.

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Speaker 1: Now back over the chemistry. The chemistry. Well, now, so

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Speaker 1: we started doing these these themes of limericks and and

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Speaker 1: fairy and then well fairy tales. And then Sam goes

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Speaker 1: into a hunt for red October reference and then look,

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Speaker 1: wait a minute, your favorite the car short and apparently

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Speaker 1: this she doesn't drive ruin Scary's entire day. Get over it, sweetie,

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Speaker 1: we're laughing. Stops the car short, Sam does. Maybe like

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Speaker 1: uber short, I'll get over it. Scary. Still, I still

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Speaker 1: want rich person's privileges of first world problems for making

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Speaker 1: a car reference. I already described it. I can't afford

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Speaker 1: a car, so I would like to have had that

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Speaker 1: problem is all, Wait a minute, I think Scary is

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Speaker 1: in a bad mood. Why did you walk in here

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Speaker 1: in a bad mood? He already wants to cancel the

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Speaker 1: Brooken Boys podcast. I'm not feelings something wrong with me

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Speaker 1: to cancel. Yeah, he wants to cancel this podcast. Let's

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Speaker 1: get to the root. Damn an appearance last night somewhere

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Speaker 1: I went to someone's birthday, which the same thing on

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Speaker 1: social media, say an appearance, and tonight he has another

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Speaker 1: an appearance, so he's not I'm not getting paid. I'm

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Speaker 1: doing a charity event tonight, but are you appearing? I'm appearing,

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Speaker 1: thank you at a charity. Hope you don't take a

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Speaker 1: car there because Sam will get upset unless you take

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Speaker 1: me to you want to come. I don't know what

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Speaker 1: tonight you know. I don't. Don't bring it Sam because

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Speaker 1: the chemistry is gonna be all wrong. Sam has Sam

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Speaker 1: has come to this event before party with purpose. That's

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Speaker 1: really nice for doing that again, that's all you want

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Speaker 1: to come. We have in a National Women's Day tonight,

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Speaker 1: No tonight, not today, Yeah, that's everyone, all women in

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Speaker 1: radio being honored tonight for simply today. At three o'clock,

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Speaker 1: we got one there are people being invited who aren't

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Speaker 1: very good. No, they're just going. It's a it's an

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Speaker 1: event to honor women in radio, but it doesn't say

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Speaker 1: like good women in radio, just women in radio. You know.

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Speaker 1: It's more of like a mixer and a work for everyone. Yeah,

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Speaker 1: as long as you're a woman. Yes, correct, Yes. In fact,

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Speaker 1: our entire sales team is going, like the entire building

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Speaker 1: pretty much is going every woman's So what do you have?

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Speaker 1: Brodie's like, what are you looking at that? He's got

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Speaker 1: a shitty. This is one of those things where if

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Speaker 1: anyone says, well, when is the men's responsible always being

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Speaker 1: every days men's day in radio? I would like an

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Speaker 1: evening where all of us men, only all the salesmen,

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Speaker 1: the radio men. Apparently we've had that throughout history. And

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Speaker 1: I really wouldn't want to hang out with some of

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Speaker 1: the people that we work with, but sometimes here in

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Speaker 1: the studio. Would you drive there in your car? I would,

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Speaker 1: because I'm rich nice telling about that. By the way,

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Speaker 1: there are people in the third world countries that have cars.

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Speaker 1: I'm just saying, where is this Who has ever nitpicked

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Speaker 1: the phrase third world country before? And where is the

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Speaker 1: Second world located? I know I didn't start the phrase. Yeah,

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Speaker 1: they get the World Series. The most first world country

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Speaker 1: has ever been picked apart by people. For the love

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Speaker 1: of God, that's what we do, Okay. I just want

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Speaker 1: to know. I just want I think that women should

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Speaker 1: be recognized. I love the fact that you guys are

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Speaker 1: having International Women's Day. Yeah, and you guys are all

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Speaker 1: hanging out together our second one. It's pretty cool. I

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Speaker 1: know Gandhi is going to be one of the speakers,

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Speaker 1: and Danielle like and Danielle to this year. Yeah, there's

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Speaker 1: like tables, there's gonna be like eight or nine tables

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Speaker 1: or whatnot, and we're all going to be broken up

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Speaker 1: and it's going to be small conversations and each of

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Speaker 1: these tables and whoever speaking kind of leads it. And

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Speaker 1: it should be pretty cool. And I don't and I

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Speaker 1: don't need a Men's Day to compensate. I'm okay with that.

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Speaker 1: I just know you're saying you're confident enough, you don't

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Speaker 1: need some party to make you feel good about yourself.

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Speaker 1: Is that what you're saying? No, that's no, no, but no,

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Speaker 1: but Brodie, I was I was counteracting Brodie's counterpoint to

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Speaker 1: Brodie's point that there should be International Men's Day. I mean,

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Speaker 1: you could have one if you want. I didn't say

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Speaker 1: INISA Men's Day, International RADI Men's radio Day, like a

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Speaker 1: radio fest for the men, but entail, you know, talking

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Speaker 1: sports and talking about the women that aren't there, and

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Speaker 1: then going why aren't the women here? And then all

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Speaker 1: leaving it. Now, that's that's an afternoon. Why you still

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Speaker 1: didn't explain why you can't come with me? It starts

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Speaker 1: at seven o'clock PM. Okay, well, let's see, it's a

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Speaker 1: good thing, so I should be I should be around

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Speaker 1: by that. You know, it sucks, like like she generally

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Speaker 1: she's trying to know it, but like if it was

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Speaker 1: not a charity thing. My answer with it's a charity thing,

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Speaker 1: I'm not getting paid. I mean, how would Sam even

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Speaker 1: get there? I love how Scary had to stay. Again,

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Speaker 1: he's not getting paid. She was just saying it was

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Speaker 1: a charity thing, and then you're like, I'm not getting paid.

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Speaker 1: But it's okay, it's okay, I'm not I don't need

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Speaker 1: to get he does do a lot of stuff, right, Okay, Scary,

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Speaker 1: you're a good person. We get it. The tone here

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Speaker 1: is so special. There's a very special tone in the

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Speaker 1: year today. I don't quite scary right. We should have

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Speaker 1: cancel this whole thing, canceled studio. I this, this studio

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Speaker 1: sucks to win down of me. Sometimes we're forced to

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Speaker 1: do the Brooklyn Boys podcast in this very studio podcast.

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Speaker 1: I'll tell you why. I'll tell you why it sucks.

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Speaker 1: It comes because of what Why does it sun? Because

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Speaker 1: get things of what Garrett said at the top of

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Speaker 1: this podcast. I'm only listening to myself in one ear

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Speaker 1: uh and and three of the microphones are broken, the

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Speaker 1: chairs are all broken. I'm sitting lower than I normally am.

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Speaker 1: I feel like I feel like I'm load of the floor.

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Speaker 1: You're sitting on the floor practically. And and then a

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Speaker 1: lot of times when we upload the podcast, the equipment

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Speaker 1: in the studio is so bad that it doesn't upload properly,

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Speaker 1: and then we have issues there so and then hold

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Speaker 1: on a second, No, the Brooklyn when we do the

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Speaker 1: Brooklyn Boys in here, did you stop yourself? He didn't

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Speaker 1: come out of it? Just sucks at this studio is inadequate.

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Speaker 1: And look at the lighting. The lighting is terribly can't

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Speaker 1: touch the lights because if we touch the lights, then

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Speaker 1: the Union guys. But the problem is it's playground by Madonna.

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Speaker 1: It's like a sixties motel with the light buzzes. I

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Speaker 1: had no idea. You were so passionate about the problem.

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Speaker 1: But here's the freaking hate this. But here's here's your

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Speaker 1: other thing. We have to do the Brooklyn Boys podcast

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Speaker 1: here on Fridays when he doesn't want to do the

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Speaker 1: podcast on Thur's days. So by calling out today and

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Speaker 1: not doing the Brooklyn podcast, he is forcing us to

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Speaker 1: do the podcast in here tomorrow. That's not that. But

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Speaker 1: in years, in weeks past, Brody was the one who

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Speaker 1: canceled on me on a Thursday, can't you I, I

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Speaker 1: don't mind the studio like, it's what Jamaica. Let's change

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Speaker 1: the topic. Okay, Elvis, you want to say, because this

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Speaker 1: really is the worst podcast? Is this the worst studio ever?

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Speaker 1: This is this is our old studio. This is the

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Speaker 1: worst studio ever. Here is what you missed was trying

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Speaker 1: to make an analogy that that being in this studio

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Speaker 1: not the regular studio is like, you know, a children's

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Speaker 1: fairy tale, like and then he couldn't think of one

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Speaker 1: that makes it. So everyone starts coming up with like,

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Speaker 1: is it like three little pigs up? Is it like

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Speaker 1: a little red riding hood? And then Sam goes hung

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Speaker 1: for October? We like, that's a movie. What are you

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Speaker 1: talking about? Children? What point were you trying to make?

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Speaker 1: Know that there's different things in this studio and like

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Speaker 1: the studio we normally recorded, like the microphones weren't working

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Speaker 1: chairs and only here one one headphone. The chairs are broken,

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Speaker 1: so it's not like the quality that we're used to,

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Speaker 1: and the lighting is trying to not Yeah, you know what,

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Speaker 1: this this old studio of Iris reminds me of do

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Speaker 1: you ever see the pictures from Las Vegas where they

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Speaker 1: take the the old Neon signs and it's like a

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Speaker 1: Neon signed graveyard. Well, that's where we are. This is

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Speaker 1: like the Neon signed graveyard of our of our show.

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Speaker 1: This is like, gone, do you never worked in this studio?

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Speaker 1: I didn't. I can't believe you guys did work in

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Speaker 1: this studio. Yeah, this is like a little bit better.

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Speaker 1: So I said, It's like when you have a really

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Speaker 1: nice car you get into an accident and they give

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Speaker 1: you a loaner rental car that's a piece of crap,

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Speaker 1: and you're like, oh, it's a car, but it sucks

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Speaker 1: compared to what I'm used to. So then Sam goes

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Speaker 1: first world problems. I don't have a car, like, is

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Speaker 1: that really like? She's like, I'm not rich like you?

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Speaker 1: For five minutes that I said that this is what

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Speaker 1: is and then Scary goes the chemistry with the four

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Speaker 1: of us sucks, which it does. I said, we need

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Speaker 1: to redo this. I'll tell you why, because without you,

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Speaker 1: what would they be talking about. I think Sam probably

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Speaker 1: added a layer of something to this podcast. Hunt for

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Speaker 1: About October. It's a great movie. That was a stupid answer.

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Speaker 1: The ship out of these guys mouth st you, I

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Speaker 1: pointed to Brody and Scary would have been a family

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Speaker 1: feud answer. I would have been so mad at you.

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Speaker 1: Believe you competitive? We're not competing right now. Don't compete

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Speaker 1: with me about competing. You know what You're wrong. So

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Speaker 1: Scary says, hey, I have an event tonight for a charity. Uh,

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Speaker 1: I'd like you to come with me, and she's like, well,

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Speaker 1: I have a woman's thing today, a woman's radio day thing,

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Speaker 1: and so Scary goes, well, what time is it? I

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Speaker 1: have to think tonight at seven? You can probably make

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Speaker 1: both in God's like, she clearly don't want to go scary.

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Speaker 1: That's why, very very intuitive to the cause. Can I

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Speaker 1: just donate because it's the whole podcast has been scary

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Speaker 1: going by the way, I have a charity event tonight.

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Speaker 1: I'm not getting paid for it. I'm not getting paid.

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Speaker 1: I didn't even get the invite. Same you should feel good.

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Speaker 1: I went to that with him last year and I

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Speaker 1: didn't be too Do you want my invite? I hear

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Speaker 1: it's trying to have a woman's Brodie's been sitting here,

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Speaker 1: hasn't gotten an invite to either. And wait and he

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Speaker 1: does the podcast voice this is This is the worst podcast,

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Speaker 1: the worst studio in the worst studio, always been worse,

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Speaker 1: had the worst analogies. We did our morning show from

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Speaker 1: Cleveland from the our Cleveland station, Kissed six five, and

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Speaker 1: they put us in this old studio they never used.

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Speaker 1: It had seven microphones. We're like, wow, we can all

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Speaker 1: fit around and we were still drunk from the night before.

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Speaker 1: Only one microphone out of seven works, so we all

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Speaker 1: had together around one microphone. It was like, no, not

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Speaker 1: with the cavirus. That's the studio in New Mexico. Very

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Speaker 1: nice people, but I had to lean on a ledge. Uh,

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Speaker 1: and it was like someone had to sit by a

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Speaker 1: filing cabinet. Luckily we're out of that studio now. That

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Speaker 1: was a great little studio. The one person who had

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Speaker 1: a seat, Elvis, was now at anyway, So what else?

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Speaker 1: What else are you getting from this podcast? Sam? Thank

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Speaker 1: god you're here for these guys. A little bit of diarrhea?

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Speaker 1: Why did these guys have so much hate in their

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Speaker 1: heart right now? Because we're so rich in on cars?

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Speaker 1: Me a car? You already have three daughters. You don't

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Speaker 1: need a car. I could use one to do what.

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Speaker 1: You don't need a car. You don't live in a

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Speaker 1: in a world that needs a car. That's true. I

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Speaker 1: mean it's helpful, but I don't need it. You're not.

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Speaker 1: Probably she needs a submarine? What about I don't know. Well,

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Speaker 1: I'm believing this is boring. Okay, run, Thanks for seven bye?

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Speaker 1: Could you tell someone to change the light bulbs while

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Speaker 1: you're out there? Did you name a childhood fairy tale?

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Speaker 1: This is a graveyard of studios past. How much time

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Speaker 1: is left on this card? O? Thank god? If you

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Speaker 1: listen episode one seventeen of the Brooklyn Boys podcast, the

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Speaker 1: first minute is him bitching, scary bitching about the studio

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Speaker 1: and how he does hates the wall collar on the

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Speaker 1: paint and it's lime greens. Be in this room with

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Speaker 1: scary again. I just why this minute more egg shell