WEBVTT - Omarion Part 2

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<v Speaker 1>Well we are. That's crazy. We was in the record

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<v Speaker 1>plane in the hallway right near the door, but to

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<v Speaker 1>our yeah, no, he was going. And then you would

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<v Speaker 1>just do something just like, oh, how you knew the

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<v Speaker 1>young Niggers was cracking? Now, it's how you would know

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<v Speaker 1>at Record Plan they would have the scooter with they

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<v Speaker 1>name plates. Yeah, you're walking there? You see the breezy school?

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<v Speaker 1>Do you see the little Mariot here? Okay? Okayis never

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<v Speaker 1>gave me a school? Did she get record? I fuck you?

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<v Speaker 1>Then let me get the court though, let me get

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<v Speaker 1>the goddamn school. Okay, I ain't spend enough money, ain't

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<v Speaker 1>record plan. Here's here's here's another good. Here's a good

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<v Speaker 1>another piece that I want you to address, right, because um,

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<v Speaker 1>we always talk about the highs, but we also, um

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<v Speaker 1>we also addressed address lows or what appear to be lows. Right,

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<v Speaker 1>and so you take off go crazy, oh trying to

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<v Speaker 1>all mean tour like absolutely crazy? Right? What is the

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<v Speaker 1>moment in between all of that and getting to supposed

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<v Speaker 1>to be? It was a lot. It was a lot.

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<v Speaker 1>You forgot touch you've got ice box, I don't forget.

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<v Speaker 1>You're being disrespect forget. Let's do this dog. It was

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<v Speaker 1>just like the dude is dog. You know. The transition.

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<v Speaker 1>The transition started um after Uh Dinny Inner and Lisa

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<v Speaker 1>Ellis uh left Columbia. That's when the transition happened because

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<v Speaker 1>you know, Um, I pretty much growed up in the

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<v Speaker 1>you know, grew up in the business where certain things

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<v Speaker 1>were taken care of, you know what I mean, And

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<v Speaker 1>I didn't understand the importance of having those key components

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<v Speaker 1>and you know record business, you know, or a company

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<v Speaker 1>that you know was an extension and ordered representative of me,

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<v Speaker 1>and that actually really gave a funk about what I

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<v Speaker 1>was doing, you know what I'm saying. Yeah, just understanding

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<v Speaker 1>how that worked, you know what I mean, knowing that

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<v Speaker 1>you need champions in the building, knowing that you need

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<v Speaker 1>you know what I mean. Like and also the game

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<v Speaker 1>was changing, you know what I'm saying. From the Napster age,

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<v Speaker 1>you know what I'm saying. It was like we started

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<v Speaker 1>downloading music and the I the little first iPod came out,

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<v Speaker 1>you know what i mean, And that was the twenty

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<v Speaker 1>one album. You know, Donnianer gave me my biggest you know,

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<v Speaker 1>a check, you know what I'm saying, The biggest check

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<v Speaker 1>I ever received in an advance, you know what I'm saying,

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<v Speaker 1>And you know it was it was a couple of ms,

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<v Speaker 1>you know, saying a couple of ems, saying a couple

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<v Speaker 1>of couple of ms. Yeah, drop then back then right now,

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<v Speaker 1>right now. So after I had the twenty one experience,

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<v Speaker 1>which you know, entourage and ice Box you know, yeah, yeah,

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<v Speaker 1>she was watching me walk always trying to show off

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<v Speaker 1>your little cakes anyway, But after that experience and all

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<v Speaker 1>of that success, you know what I'm saying, it was

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<v Speaker 1>like transition time, you know what I'm saying, which would

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<v Speaker 1>you know, be considered a low you know what I mean,

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<v Speaker 1>which you know, I just want to say for the record,

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<v Speaker 1>you know what I'm saying, the ups and downs and

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<v Speaker 1>make for a great story. You cannot you know, a

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<v Speaker 1>great story is not like this, you know what I'm saying,

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<v Speaker 1>Like you need you need those ups and downs. And

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<v Speaker 1>you know that really helped me kind of just stepped

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<v Speaker 1>into my business more because that was when I went

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<v Speaker 1>over to a capital and you know that was when

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<v Speaker 1>I you know, first experienced doing you know, a co

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<v Speaker 1>pub I mean a code deal, you know, which was

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<v Speaker 1>like a partnership at that point. Yeah we know, yeah, yeah,

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<v Speaker 1>you know what I'm saying. So can Studio shout out

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<v Speaker 1>to the can M Studio. Ye y'all was with me

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<v Speaker 1>the whole way. I'm riding in the car, right and

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<v Speaker 1>I hear I get it in on the radio, and

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<v Speaker 1>I'm like, oh, ship right, this is gonna link the record.

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<v Speaker 1>Oh yeah, which which which? Which side? Which? Which? Which?

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<v Speaker 1>By the way, you know, okay, okay, yeah, you know

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<v Speaker 1>what I mean. I wouldn't even you know, uh savvy

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<v Speaker 1>in that way you know, of releasing records and knowing

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<v Speaker 1>how to you know, build and you know what I'm

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<v Speaker 1>saying before you go into that. Yeah, not to cut

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<v Speaker 1>you off. Most people don't know initially you're going to

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<v Speaker 1>be the first artist on Young Money, right right, I

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<v Speaker 1>get it in has a verse a very exquisite we're

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<v Speaker 1>having about Jody by Little Wayne. Come on, there was

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<v Speaker 1>a whole plan. But now you're learning the business exactly.

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<v Speaker 1>And I gotta stand up for myself, you know what

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<v Speaker 1>I'm saying. So after I signed the Young Money, you know,

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<v Speaker 1>and I tell the story. I told the story many times,

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<v Speaker 1>you know what I'm saying. But after I got signed

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<v Speaker 1>a Young Money and the business wasn't business, and I

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<v Speaker 1>was like, hold hold up, I gotta make moves. I'm out,

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<v Speaker 1>you know what I'm saying. Um. And then that's when

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<v Speaker 1>you know, me and Wayne and Macmain you know, I mean,

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<v Speaker 1>decided to part ways, you know what I'm saying. Um.

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<v Speaker 1>But yeah, that that was my learning curve. That was

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<v Speaker 1>my learning cura. Now. Yeah, and you know, if if

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<v Speaker 1>the businesses is not business, and you know what I mean,

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<v Speaker 1>if you can't take see you know, I already come

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<v Speaker 1>from a business family style perspective, you know what I mean.

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<v Speaker 1>And now at this point in time when I'm you know,

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<v Speaker 1>over at Capital, I'm getting my feet wet, you know

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<v Speaker 1>what I mean. So what do I mean by the

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<v Speaker 1>business wasn't business? And it was like people wasn't keeping

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<v Speaker 1>their word and I just didn't have time for that.

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<v Speaker 1>You know what I mean. If you say it's one

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<v Speaker 1>thing and then it's another, I don't have time for that,

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<v Speaker 1>you know what I mean. So that was that uh moment,

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<v Speaker 1>because you know that that uh what was that song

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<v Speaker 1>called that Lloyd end up getting on? Um? Yeah, that

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<v Speaker 1>went on to be a you know, crazy record. You know,

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<v Speaker 1>I did get the Drake record. I mean I did

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<v Speaker 1>get to you know, uh do the Yeah, but what

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<v Speaker 1>was that on U? So far gone, so far gone?

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<v Speaker 1>But I did get to So it was still some

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<v Speaker 1>good work that record that we're not gonna brush over

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<v Speaker 1>that record. Yeah, yeah, that record is special. Yeah, shout

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<v Speaker 1>out to Brillar Milestu. That's the homie. Great people made

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<v Speaker 1>a record about you. Yeah that record, bro. Yeah, I

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<v Speaker 1>feel like that record was an introduction to where R

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<v Speaker 1>and B was going straight up, straight up, dam no,

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<v Speaker 1>no no singing off the beat on the beach. It was.

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<v Speaker 1>It was a vibe like, yes, Shan is the ultimate

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<v Speaker 1>vibe we always had, that is what it is. But

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<v Speaker 1>this was like the R and B hip hop. I'm singing,

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<v Speaker 1>but I'm talking to right and I'm emotional. Right, that's facts,

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<v Speaker 1>you know what I'm saying. Like it but it had

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<v Speaker 1>it was the merge. Yeah, that's fact. That became the

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<v Speaker 1>Bryson Tillers, that became the Weekend that became Scissor, Like

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<v Speaker 1>you know what I'm saying that It was literally like listen,

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<v Speaker 1>I'm on a vibe. That's facts, Like I get it,

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<v Speaker 1>I get it right, y'all. Trying to fix vocals and

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<v Speaker 1>ship we vibe right, and I remember that like talking

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<v Speaker 1>to women about that record and being like, you know,

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<v Speaker 1>because we come from a very purist R and B

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<v Speaker 1>stance and we've had to re tune at times, and

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<v Speaker 1>hearing it at first, I'm like, I just like it

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<v Speaker 1>all the way on and this ain't this. And then

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<v Speaker 1>I'm like, but this ship killed. It's wrong, but it's right. Yeah,

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<v Speaker 1>And I gotta shout out Forty because how that how

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<v Speaker 1>that record even came about was because of him, you

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<v Speaker 1>know what I mean. We was at the Beverly Wilshire

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<v Speaker 1>and they was just finishing up that keep page, you

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<v Speaker 1>know what I'm saying. He was like, hey, you wanna

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<v Speaker 1>come hop on this record, like you know, successes on

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<v Speaker 1>and I'm like, okay, cool. I laid down the melody

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<v Speaker 1>and then Drake came back and then we finished the song.

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<v Speaker 1>He was like, I got this melody. He's like, this

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<v Speaker 1>is the best one go off of this, you know

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<v Speaker 1>what I'm saying. So, so shout out to forty because

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<v Speaker 1>his deal, you know, you know, he's special, special, super special,

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<v Speaker 1>I think, and you made a decision that it's tough

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<v Speaker 1>to make because a lot of times when the business

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<v Speaker 1>isn't businessing because of who it's not businessing with you

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<v Speaker 1>kind of just try to stick around and stick it out.

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<v Speaker 1>You know, this is I mean, this is right. I mean,

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<v Speaker 1>you know because from our side of it too, though, right,

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<v Speaker 1>because we ultimately went in with you on faith and

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<v Speaker 1>that's true belief in our in our little brother, and

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<v Speaker 1>that's fact what I mean, Like there was no upfront

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<v Speaker 1>anything I want to pull up and pull up. We

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<v Speaker 1>put in work with you, and I think initially, I

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<v Speaker 1>don't know if you and I had a conversation about this,

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<v Speaker 1>but I think initially I was upset about it. No,

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<v Speaker 1>it was some friction. I remember, it was some friction. Yeah,

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<v Speaker 1>I was. I was upset about you know what I

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<v Speaker 1>mean if anybody that knows me like I don't I

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<v Speaker 1>wear my heart on my sleeve and what I'm saying

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<v Speaker 1>like and but then I had to also understand the

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<v Speaker 1>business that you were moving into as your own businessman,

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<v Speaker 1>and with us being businessmen. It made me have more

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<v Speaker 1>understanding and be like, you know what these these this

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<v Speaker 1>is his career. This is songs for us, but this

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<v Speaker 1>is this young man's career. I can't be mad at

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<v Speaker 1>him for how it's playing out. And doing what's best

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<v Speaker 1>for him. And I think a lot of time we

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<v Speaker 1>spoke about this before we got you know, before we

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<v Speaker 1>start recording our feeling about communication. Yeah yeah, and you

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<v Speaker 1>didn't run from that communication, even at a at a

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<v Speaker 1>young age, because still you at this point, you're what before,

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<v Speaker 1>but you didn't run from that. You were like, bro,

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<v Speaker 1>like this is this a situation? Bro? Because I'm like, nigger,

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<v Speaker 1>they leaking the records and they're playing this niggas first,

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<v Speaker 1>we ain't got all this together. You know, we're going

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<v Speaker 1>through that whole phase and you're giving me your side

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<v Speaker 1>of it. Made me have a better understanding and be

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<v Speaker 1>like you know where bro, I get it? Yeah, yeah,

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<v Speaker 1>not get it. You know y'all y'all have been so essential,

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<v Speaker 1>you know, not only just to you know, the music

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<v Speaker 1>that I've I've made, but in this business also you

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<v Speaker 1>know what I'm saying, Like, you know, y'all standing on

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<v Speaker 1>y'all on two feet. You know, the time I've spent

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<v Speaker 1>with you separately, the time I've spend with you, y'all

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<v Speaker 1>are y'all are men, y'all are real men. You know

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<v Speaker 1>what I'm saying, And y'all know that don't really exist

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<v Speaker 1>in this business like that. You know what I'm saying.

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<v Speaker 1>It's a small percentage of people that are gonna stand

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<v Speaker 1>by what they say. And y'all have always been that way,

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<v Speaker 1>you know what I mean. And that's why I've always

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<v Speaker 1>appreciated y'all and and shown that mutual respect because you know,

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<v Speaker 1>y'all stand on business. You know what I'm saying, Like

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<v Speaker 1>you ain't never you know what I mean. It's been

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<v Speaker 1>times where you know, I'll be in the studio with you,

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<v Speaker 1>I'm like, who is this? You know what I'm saying?

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<v Speaker 1>Who you know what I mean? And it's like, oh,

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<v Speaker 1>go ahead, bro, you know what I mean, Like a

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<v Speaker 1>little brother, you know what I'm saying. Just real love,

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<v Speaker 1>you know what I'm saying. You and this man. I

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<v Speaker 1>brought both of y'all to San Francisco. Yep, my thirtieth

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<v Speaker 1>birthday party. Come on, and it was up the city

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<v Speaker 1>with the city embraced you. Niggas like, and you had

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<v Speaker 1>your tank top on. At the end of the night,

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<v Speaker 1>you was ready to fight. Hold up what nigga is

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<v Speaker 1>on right now? Hold up? I was like, Oh, this

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<v Speaker 1>is the real Ja Valentine, This is the real Ja Valentine.

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<v Speaker 1>At the party, his daddy here, the whole family here

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<v Speaker 1>to see out of family different. Oh my goodness. Yeah,

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<v Speaker 1>he was tripping that night. Hold up, hold up, it's

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<v Speaker 1>just you know, you know, I was doing gangster dances

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<v Speaker 1>and I'm just jumped me in right now doing our

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<v Speaker 1>right now with my gun at right t doing to

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<v Speaker 1>get you show love. But I've always I've always appreciated

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<v Speaker 1>you for that. My family to this day they love

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<v Speaker 1>you to death the death like man pulled up performed,

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<v Speaker 1>and that was the thing. In this industry, we lose

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<v Speaker 1>the human side, and I think it's something that him

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<v Speaker 1>and I have tried to continue to stand on more

0:13:47.760 --> 0:13:51.080
<v Speaker 1>than even standing on business, stand on being solid humans. Yeah,

0:13:51.120 --> 0:13:55.520
<v Speaker 1>for sure, solid humans. Yeah, just to start with yeah,

0:13:55.559 --> 0:13:58.760
<v Speaker 1>that's that. And for you to come out there and

0:13:58.840 --> 0:14:02.120
<v Speaker 1>perform show love, you know what I'm saying. And then,

0:14:02.720 --> 0:14:04.640
<v Speaker 1>like I said, in turn, we we had you know,

0:14:04.679 --> 0:14:07.440
<v Speaker 1>we had the dust stuff about what was going on

0:14:07.520 --> 0:14:10.080
<v Speaker 1>with the music and then but it was so much

0:14:10.520 --> 0:14:15.480
<v Speaker 1>human activity. Yea of of real brotherhood and Nigga's really

0:14:15.559 --> 0:14:18.480
<v Speaker 1>really fucking with each Yeah to say, you know what,

0:14:18.559 --> 0:14:21.520
<v Speaker 1>that's my guy, Yeah, that's my guy. At the end

0:14:21.560 --> 0:14:25.320
<v Speaker 1>of the day, Okay, this little business ship happened, but

0:14:25.360 --> 0:14:31.520
<v Speaker 1>that's my guy. Yeah, so we're rocking. Facts, we're rocking,

0:14:31.560 --> 0:14:34.120
<v Speaker 1>and that's how we took it. That's how we took

0:14:34.160 --> 0:14:37.520
<v Speaker 1>were just like, hey, yo, it didn't happen as it

0:14:37.560 --> 0:14:42.360
<v Speaker 1>was as it was strategized. But nigga, we're on and

0:14:42.360 --> 0:14:47.320
<v Speaker 1>we're rocking. Yeah. Yeah, so that ship happens. And you know,

0:14:47.400 --> 0:14:51.000
<v Speaker 1>I think at the end of the day, it's about communication.

0:14:51.560 --> 0:14:55.840
<v Speaker 1>It's about communication and having those conversations and not um

0:14:55.880 --> 0:14:59.200
<v Speaker 1>not just disappearing on niggas getting ghost you know. I

0:14:59.240 --> 0:15:01.160
<v Speaker 1>mean a lot of nig to get ghosts. Yeah, I

0:15:01.280 --> 0:15:03.080
<v Speaker 1>think it's get ghosts man, instead of just standing in

0:15:03.080 --> 0:15:05.520
<v Speaker 1>front of it and say amazing, you know what, that's

0:15:05.560 --> 0:15:08.160
<v Speaker 1>my bad, bro. Yeah. I think also, you know, it's

0:15:08.200 --> 0:15:11.480
<v Speaker 1>important to be utilized and you know, and not just used,

0:15:11.640 --> 0:15:13.400
<v Speaker 1>you know what I'm saying. And that's always been my

0:15:13.560 --> 0:15:15.960
<v Speaker 1>energy in any workspace, you know what I'm saying. Like,

0:15:16.600 --> 0:15:20.000
<v Speaker 1>you know, working with y'all has has definitely you know,

0:15:20.160 --> 0:15:22.280
<v Speaker 1>shaped my writing, you know what I mean, and shaped

0:15:22.440 --> 0:15:26.480
<v Speaker 1>you know, uh what oh Marian music sounds like because

0:15:26.680 --> 0:15:30.920
<v Speaker 1>you know, in the beginning, you know, it was y'all

0:15:31.000 --> 0:15:33.920
<v Speaker 1>you know what I'm saying. So I definitely want to

0:15:33.960 --> 0:15:35.960
<v Speaker 1>salute y'all and tell y'all that you know what I mean.

0:15:36.240 --> 0:15:38.360
<v Speaker 1>If I never expressed that to y'all, you know what

0:15:38.400 --> 0:15:41.080
<v Speaker 1>I'm saying, like much respect, you know what I mean,

0:15:41.160 --> 0:15:44.360
<v Speaker 1>because you know, y'all have not only been a part

0:15:44.360 --> 0:15:45.840
<v Speaker 1>of my career, you know what I mean, but y'all

0:15:45.840 --> 0:15:47.600
<v Speaker 1>helped shape me too, you know what I'm saying as

0:15:47.600 --> 0:15:52.720
<v Speaker 1>a creative, you know, yeah, straight up, like you would

0:15:52.920 --> 0:15:55.200
<v Speaker 1>when we're in that studio, bro, Like you would be

0:15:55.240 --> 0:15:59.040
<v Speaker 1>so fixed on people the way you were studying, right,

0:15:59.120 --> 0:16:04.240
<v Speaker 1>and I like, are you looking at me? But you

0:16:04.320 --> 0:16:08.200
<v Speaker 1>were like you weren't just listening for the notes, like

0:16:08.280 --> 0:16:11.800
<v Speaker 1>you were studying mannerisms. You were like, yeah, come on,

0:16:11.920 --> 0:16:14.200
<v Speaker 1>let me see it. What is it you were downloading?

0:16:14.360 --> 0:16:18.600
<v Speaker 1>All up? That's facts. He's a different kind of month. Yeah, No,

0:16:18.760 --> 0:16:23.280
<v Speaker 1>that's facts. That's facts. But you have to continue to evolve. Yeah,

0:16:23.280 --> 0:16:25.880
<v Speaker 1>that's facts. And I think so many artists get in

0:16:25.920 --> 0:16:29.480
<v Speaker 1>their own way of oh, I'm just this, this is me, Like, no,

0:16:29.640 --> 0:16:35.000
<v Speaker 1>we're all pieces facts of what and what comes after.

0:16:35.680 --> 0:16:39.480
<v Speaker 1>If you want to stay current what you mean, Drake

0:16:39.520 --> 0:16:43.720
<v Speaker 1>is a great example of that he respects the art.

0:16:44.640 --> 0:16:47.400
<v Speaker 1>If you don't, hey little yeah, you don't. I need

0:16:47.480 --> 0:16:50.920
<v Speaker 1>you from the gutter, right, you know what I mean,

0:16:52.000 --> 0:16:57.720
<v Speaker 1>trying to figure out be respect. I respect it's great artistry.

0:16:58.400 --> 0:17:01.760
<v Speaker 1>Michael Jackson. Yeah, that's facts. He he told you the

0:17:01.760 --> 0:17:04.840
<v Speaker 1>guys that he was watching. Yeah, he made homage to

0:17:04.920 --> 0:17:07.800
<v Speaker 1>him that. I mean, like, this is what we're supposed

0:17:07.800 --> 0:17:09.639
<v Speaker 1>to do in this business. We gotta stop getting in

0:17:09.680 --> 0:17:13.200
<v Speaker 1>our own way of I'm just this and I'm that. Nigga,

0:17:13.400 --> 0:17:16.919
<v Speaker 1>you don't have a season, come on, come on, come on,

0:17:17.000 --> 0:17:20.000
<v Speaker 1>and that season is going to end. So hopefully you

0:17:20.040 --> 0:17:24.480
<v Speaker 1>know how to evolve and transform into other things that

0:17:24.520 --> 0:17:28.480
<v Speaker 1>people are still interested in. Survive that winner exactly. Winter,

0:17:28.840 --> 0:17:32.160
<v Speaker 1>Winter is coming. It's always come, so always coming, It's

0:17:32.160 --> 0:17:35.639
<v Speaker 1>always coming. It's always go for real. So okay, so

0:17:35.680 --> 0:17:38.040
<v Speaker 1>you go through that phase. You're now you're getting into

0:17:38.160 --> 0:17:51.440
<v Speaker 1>your business. Made back, Oh, made back? Oh, because I

0:17:51.560 --> 0:17:57.360
<v Speaker 1>remember being at the house and I'm like these classes.

0:18:03.880 --> 0:18:07.080
<v Speaker 1>What is he doing? Yeah, I had like a press

0:18:07.080 --> 0:18:09.879
<v Speaker 1>conference and ship. Yeah, you know that was that was

0:18:10.280 --> 0:18:14.760
<v Speaker 1>you know, I really attribute that experience too. Really just

0:18:14.880 --> 0:18:17.879
<v Speaker 1>wanting to you know, belong to something, man, you know,

0:18:17.920 --> 0:18:20.520
<v Speaker 1>I mean, that's that's essentially where I came from. You

0:18:20.560 --> 0:18:23.000
<v Speaker 1>know what I mean. I came from a camp, you

0:18:23.000 --> 0:18:25.720
<v Speaker 1>know what I'm saying. And when I ran into Rose,

0:18:26.040 --> 0:18:28.600
<v Speaker 1>you know, for the first time, he was just like, Yo,

0:18:29.160 --> 0:18:30.800
<v Speaker 1>I'm trying to do some business, you know what i mean,

0:18:31.000 --> 0:18:33.960
<v Speaker 1>And it has been so long since I've seen somebody

0:18:34.400 --> 0:18:37.560
<v Speaker 1>you know, interested, you know, in that way, you know,

0:18:37.720 --> 0:18:40.560
<v Speaker 1>to allow me to just you know, creatively do my

0:18:40.640 --> 0:18:43.000
<v Speaker 1>thing and also to contribute to his business. You know

0:18:43.000 --> 0:18:47.160
<v Speaker 1>what I'm saying. Um So yeah maybeck oh what a time, man,

0:18:47.560 --> 0:18:51.240
<v Speaker 1>What a time, just just you know, uh, tapping into

0:18:51.320 --> 0:18:54.680
<v Speaker 1>you know, another me, another version of me, you know

0:18:54.720 --> 0:18:56.680
<v Speaker 1>what I'm saying. Those records, those people that I was

0:18:56.720 --> 0:18:59.280
<v Speaker 1>working with, you know, completely just a different era, you

0:18:59.280 --> 0:19:00.639
<v Speaker 1>know what I mean, They're different time. Man. I have

0:19:00.800 --> 0:19:04.320
<v Speaker 1>fun too, you know what I'm saying, because you know,

0:19:05.200 --> 0:19:08.359
<v Speaker 1>as a young child protege, you know, I felt restricted,

0:19:08.480 --> 0:19:10.199
<v Speaker 1>you know what I'm saying. I felt it restricted as

0:19:10.240 --> 0:19:13.439
<v Speaker 1>far as you know, like my movement and how I

0:19:13.480 --> 0:19:15.200
<v Speaker 1>needed to move. And you know what I mean. When

0:19:15.240 --> 0:19:18.520
<v Speaker 1>I started flying out to a Miami you know what

0:19:18.520 --> 0:19:22.639
<v Speaker 1>I mean, vibing with a Rose a good place. It

0:19:22.680 --> 0:19:25.960
<v Speaker 1>was different. It was just like it was different. Hold

0:19:26.119 --> 0:19:29.000
<v Speaker 1>up on the boat today, you know what I'm saying.

0:19:29.200 --> 0:19:32.159
<v Speaker 1>We hold on you know it was it was a

0:19:32.240 --> 0:19:38.520
<v Speaker 1>complete vibe. Could become intoxicating. It was. It was intoxicating. Yeah, yeah,

0:19:38.640 --> 0:19:41.879
<v Speaker 1>it was. We made a lot of a lot of

0:19:41.880 --> 0:19:44.760
<v Speaker 1>a lot of a lot of great records out of Miami.

0:19:45.480 --> 0:19:50.040
<v Speaker 1>Remember remember us being in King of Diamonds. You know,

0:19:50.160 --> 0:19:53.119
<v Speaker 1>me and and the Valentine just played basketball and he played.

0:19:53.119 --> 0:19:55.479
<v Speaker 1>We was playing basketball. Did I win the money that night?

0:19:55.920 --> 0:19:58.160
<v Speaker 1>I played the one on one? I think you did.

0:19:59.400 --> 0:20:01.040
<v Speaker 1>I'm sure you still it was just like, yeah you

0:20:01.080 --> 0:20:05.840
<v Speaker 1>got you gotta come on you um And we stayed

0:20:05.840 --> 0:20:07.720
<v Speaker 1>and we stayed in King of Diamonds until King of

0:20:07.720 --> 0:20:14.080
<v Speaker 1>Diamond's closed, because that's just that's what they needed. This' say,

0:20:14.080 --> 0:20:18.880
<v Speaker 1>who tried to kidnap Jack? Okay you always got kidnap?

0:20:19.000 --> 0:20:21.720
<v Speaker 1>Yeah it's grown. I don't know if it's a grown nap,

0:20:23.200 --> 0:20:32.080
<v Speaker 1>it's to grow. Yeah. She was aggressive, she was aggressive.

0:20:32.880 --> 0:20:39.679
<v Speaker 1>What do you need? Oh wow, home, I gotta get that.

0:20:42.000 --> 0:20:44.639
<v Speaker 1>So we go, we go to the hotel, get a

0:20:44.640 --> 0:20:48.760
<v Speaker 1>little rest, get to the studio, and literally make I

0:20:48.800 --> 0:20:51.480
<v Speaker 1>can't make you love me? Come on. I'm still drunk

0:20:51.520 --> 0:20:56.480
<v Speaker 1>singing those vocals. That's crazy. But Miami is just survived

0:20:57.119 --> 0:20:59.800
<v Speaker 1>from making the Fox, you know, Jamie's album, that unpredictable

0:21:00.400 --> 0:21:03.119
<v Speaker 1>until like I just got moments man working on a

0:21:03.240 --> 0:21:08.160
<v Speaker 1>Rico love. Yeah, yeah, it's just a fine houses. Just

0:21:08.280 --> 0:21:12.320
<v Speaker 1>come on, always a vibe man. The clutch was formed

0:21:12.320 --> 0:21:17.640
<v Speaker 1>out there. The clutch was formed out there. Hit factory, yeah, factory,

0:21:17.920 --> 0:21:20.800
<v Speaker 1>working with Tim out there. I waited on Tim for

0:21:20.840 --> 0:21:25.440
<v Speaker 1>four days. Oh four Yeah, but my name is in place,

0:21:25.480 --> 0:21:30.440
<v Speaker 1>you can wait four days. But for Timberland, I would

0:21:30.440 --> 0:21:34.280
<v Speaker 1>have would have got to wait. Yeah, my favorite producer.

0:21:34.320 --> 0:21:36.480
<v Speaker 1>I'm waiting. I go down to Prime and wait for

0:21:39.119 --> 0:21:45.760
<v Speaker 1>I don't really drink like that, so wait, wait and pryme.

0:21:45.840 --> 0:21:50.200
<v Speaker 1>Fish Sta hip hop community, you know what I'm saying.

0:21:51.000 --> 0:21:53.680
<v Speaker 1>Um I wait. I waited. Tim sat not ready to

0:21:53.680 --> 0:21:58.000
<v Speaker 1>say okay, wait until he's ready. That was the Dela

0:21:59.040 --> 0:22:03.240
<v Speaker 1>Oh yes, sir, yes, sir. Yeah. All my trips to

0:22:03.320 --> 0:22:07.560
<v Speaker 1>Miami were so. That's actually when I got first introduced

0:22:07.560 --> 0:22:10.560
<v Speaker 1>to Noble. I was working with for rel and O

0:22:12.119 --> 0:22:14.320
<v Speaker 1>y no no. I was just just a fun fact,

0:22:14.760 --> 0:22:16.199
<v Speaker 1>you know what I mean, Because he introduced me to

0:22:16.240 --> 0:22:19.000
<v Speaker 1>Noble you know what I mean, Oh to the actual guy.

0:22:19.440 --> 0:22:22.480
<v Speaker 1>Yeah yeah, yeah, yeah, I'm like, oh, but we was

0:22:22.520 --> 0:22:26.520
<v Speaker 1>at his restaurant too, you know, I'm sure, yeah, what's

0:22:26.520 --> 0:22:29.399
<v Speaker 1>the other look at? What's the other? Look at? He

0:22:29.520 --> 0:22:38.320
<v Speaker 1>was there? Okay, yeah, yeah, I've real which is you know,

0:22:36.040 --> 0:22:40.600
<v Speaker 1>which records with his stuff? He told me he's going

0:22:40.680 --> 0:22:42.960
<v Speaker 1>to do a record with me. Prell told me. He's like,

0:22:42.960 --> 0:22:45.000
<v Speaker 1>I got you, We're gonna do something to me. I'm

0:22:45.040 --> 0:22:47.119
<v Speaker 1>looking into the camera hopefully he's looking for come on,

0:22:47.359 --> 0:22:49.840
<v Speaker 1>you can do the touch, then come on, page you

0:22:49.880 --> 0:22:55.000
<v Speaker 1>gotta learn. He was dancing in the video. He was

0:22:55.080 --> 0:22:58.280
<v Speaker 1>kind of dancing. I can do that same robbing I

0:22:58.400 --> 0:23:12.200
<v Speaker 1>challenge you off anyway. Um, let's move forward, man, yeah,

0:23:12.320 --> 0:23:17.080
<v Speaker 1>let's move forward. Let's move forward. Yeah. So after after

0:23:17.280 --> 0:23:21.720
<v Speaker 1>the may back music, Um, where do we go after that?

0:23:22.200 --> 0:23:24.879
<v Speaker 1>Oh supposed to be? Yeah, that's what That's what posts

0:23:24.880 --> 0:23:29.920
<v Speaker 1>to be happened. Yeah, so that was video. Shoot you

0:23:30.160 --> 0:23:32.880
<v Speaker 1>was yeah, man, I paid for that video. I remember,

0:23:33.840 --> 0:23:37.199
<v Speaker 1>I was taking responsibility. It was time, you know, I

0:23:37.240 --> 0:23:39.560
<v Speaker 1>got the phone cart It was like man, oh man,

0:23:39.600 --> 0:23:44.119
<v Speaker 1>I'm like, of course, yeah, yeah, no, it was it

0:23:44.200 --> 0:23:47.479
<v Speaker 1>was that was a special time just because you know.

0:23:47.520 --> 0:23:50.240
<v Speaker 1>That was when I was on Atlantic and Man, it

0:23:50.320 --> 0:23:52.520
<v Speaker 1>seemed that you know, I had that, I had the

0:23:52.560 --> 0:23:54.680
<v Speaker 1>whole building. I had to support, you know what I'm saying.

0:23:54.720 --> 0:23:56.879
<v Speaker 1>I was sitting down with everybody, and then it was

0:23:56.920 --> 0:24:01.679
<v Speaker 1>like then I didn't and I was like, oh, okay,

0:24:01.760 --> 0:24:03.720
<v Speaker 1>I need to do something. I need to do something

0:24:03.720 --> 0:24:06.640
<v Speaker 1>to help me promote this song, you know what I mean.

0:24:06.800 --> 0:24:10.760
<v Speaker 1>And that's when I went on Loving hip Hop, you know,

0:24:10.800 --> 0:24:12.920
<v Speaker 1>and that what that was, that was my that was

0:24:12.960 --> 0:24:17.400
<v Speaker 1>another transition moment. But initially I went on there because

0:24:17.560 --> 0:24:19.520
<v Speaker 1>I knew number one that it was trying for me

0:24:19.720 --> 0:24:24.600
<v Speaker 1>to really grow up. You know what I'm saying. Um,

0:24:24.680 --> 0:24:27.879
<v Speaker 1>you know a lot everybody didn't allow me to come

0:24:27.920 --> 0:24:33.320
<v Speaker 1>out of the you know, that's phase, even though I

0:24:33.400 --> 0:24:37.480
<v Speaker 1>had been su exactly. It was like I couldn't. I

0:24:37.520 --> 0:24:40.000
<v Speaker 1>couldn't get away from that, you know what I'm saying. Um,

0:24:40.080 --> 0:24:42.720
<v Speaker 1>But yeah, you know that's that's initially why I went

0:24:42.760 --> 0:24:44.280
<v Speaker 1>on Love and hip Hop. You know what I mean.

0:24:44.560 --> 0:24:47.159
<v Speaker 1>I had my relationship, you know, I had my child,

0:24:47.560 --> 0:24:50.600
<v Speaker 1>you know what I mean, that essentially was my real

0:24:51.560 --> 0:24:55.240
<v Speaker 1>exactly How was that experience for you though? Like letting

0:24:55.240 --> 0:24:59.159
<v Speaker 1>your life play out on TV. Well, see, because you know,

0:24:59.480 --> 0:25:03.760
<v Speaker 1>I have experienced you know, TV, and I understand what

0:25:03.800 --> 0:25:06.760
<v Speaker 1>it means to edit and make a storyline. You know. Um,

0:25:06.800 --> 0:25:10.200
<v Speaker 1>I was. I was prepared because we talked. Yeah, I

0:25:10.280 --> 0:25:13.159
<v Speaker 1>was prepared. We got it. We we glanced over when

0:25:13.160 --> 0:25:16.960
<v Speaker 1>you was acting, but you know you got served. Come on, Hey,

0:25:17.240 --> 0:25:22.960
<v Speaker 1>it's a legendary movie. Classic, classic, man classic. I showed

0:25:23.000 --> 0:25:25.400
<v Speaker 1>it to my kids just a few maybe a few

0:25:25.480 --> 0:25:31.760
<v Speaker 1>years ago. My kids, they weren't around at that time, y'all. Yeah,

0:25:31.960 --> 0:25:35.000
<v Speaker 1>and they was interested in it. That's that's how you

0:25:35.040 --> 0:25:39.720
<v Speaker 1>test things out too, especially not in their time frame,

0:25:40.720 --> 0:25:42.240
<v Speaker 1>you know what I mean. Like, and my daughter just

0:25:42.240 --> 0:25:49.560
<v Speaker 1>watching Drumline the other night, she locked it. You got service,

0:25:49.600 --> 0:25:54.560
<v Speaker 1>one of the movies that translates. Yeah, yeah, come on, yeah,

0:25:54.680 --> 0:25:58.879
<v Speaker 1>that was a whole time a little sa you know

0:25:59.000 --> 0:26:02.480
<v Speaker 1>you know what I actually, I actually wrote a dance film,

0:26:02.520 --> 0:26:06.439
<v Speaker 1>you know what I mean? Um, I personally believe, you know, um,

0:26:06.600 --> 0:26:08.600
<v Speaker 1>not only because I'm a part of the dance community,

0:26:08.600 --> 0:26:11.119
<v Speaker 1>and I'm in the dance community. It's so many great

0:26:11.160 --> 0:26:13.720
<v Speaker 1>stories and the thing about dance what people don't even

0:26:13.800 --> 0:26:19.159
<v Speaker 1>understand is it's a full display of exuberance when you're happy,

0:26:19.440 --> 0:26:22.760
<v Speaker 1>you dance. When you win money, you dance. So dancing

0:26:23.040 --> 0:26:26.560
<v Speaker 1>is you know, culturally uh necessary, you know what I mean.

0:26:26.720 --> 0:26:29.720
<v Speaker 1>So what's the thing that used to have? What's the carnival? Yeah?

0:26:29.720 --> 0:26:35.879
<v Speaker 1>The carnival? Yeah I think that. Yeah years ago, I

0:26:35.960 --> 0:26:38.760
<v Speaker 1>forgot who invited me. I have no idea. Oh yeah,

0:26:38.880 --> 0:26:42.120
<v Speaker 1>to come about the whole community in the world of dance. Yeah,

0:26:42.400 --> 0:26:47.440
<v Speaker 1>it's this is fucking amazing. Yeah. Yeah, so it's still amazing.

0:26:47.520 --> 0:26:50.119
<v Speaker 1>It's still some dance films to be made. You know,

0:26:50.480 --> 0:26:53.399
<v Speaker 1>if anybody's gonna do it, it's gotta be come on now, yeah,

0:26:53.560 --> 0:26:55.399
<v Speaker 1>come on now, you gotta do that movie. It's supposed

0:26:55.400 --> 0:27:00.240
<v Speaker 1>to be out smash yep, yep after six months though,

0:27:00.760 --> 0:27:04.399
<v Speaker 1>after six months of working the record myself. You know

0:27:04.400 --> 0:27:07.560
<v Speaker 1>what I mean. Your money? Yeah, your money remember the time.

0:27:09.359 --> 0:27:13.640
<v Speaker 1>That's a different that's facts. I needed that one because

0:27:14.040 --> 0:27:19.080
<v Speaker 1>because people don't understand that, you know, especially when you're

0:27:19.080 --> 0:27:21.960
<v Speaker 1>getting like partnerships and things. Because were you were you

0:27:22.000 --> 0:27:23.879
<v Speaker 1>an artist deal at that point? Were you in a

0:27:23.960 --> 0:27:26.800
<v Speaker 1>partnership with no, I was in a I was in

0:27:27.200 --> 0:27:31.720
<v Speaker 1>uh with may Back Music. You know what I'm saying.

0:27:32.119 --> 0:27:34.080
<v Speaker 1>They were a part of supposed to be it. Yeah,

0:27:34.119 --> 0:27:37.360
<v Speaker 1>they were a part of that. Yeah, ok, yeah, because

0:27:37.640 --> 0:27:42.119
<v Speaker 1>um that album was sex Playlist. Yes, so that was

0:27:42.160 --> 0:27:45.440
<v Speaker 1>the album that essentially came after the a few other

0:27:45.440 --> 0:27:49.320
<v Speaker 1>songs that we put out on some of them, I

0:27:49.359 --> 0:27:51.840
<v Speaker 1>want to call them mixtapes. You know, the volumes. Don't

0:27:51.880 --> 0:27:54.879
<v Speaker 1>lead a video. You said, don't leave, should have had

0:27:54.880 --> 0:28:04.359
<v Speaker 1>a video. Come on, come on out. You delivered that.

0:28:04.600 --> 0:28:10.400
<v Speaker 1>Come on. Remember shout out to our brother Micael. Yeah, yeah,

0:28:10.560 --> 0:28:14.959
<v Speaker 1>Micah shout out to Michael. Yeah. You know, we went

0:28:15.000 --> 0:28:18.480
<v Speaker 1>to high school together to that's how we know each other.

0:28:18.600 --> 0:28:22.240
<v Speaker 1>But that's the like that l A Southern California thing, bro,

0:28:22.320 --> 0:28:26.720
<v Speaker 1>Like we spoke about this, like and I told you,

0:28:26.760 --> 0:28:32.560
<v Speaker 1>I like there's a there's there's something about l A

0:28:32.840 --> 0:28:37.479
<v Speaker 1>Southern California, l A County representatives and people who are

0:28:37.480 --> 0:28:40.320
<v Speaker 1>really from here, like right, like taking our outside is

0:28:40.360 --> 0:28:46.320
<v Speaker 1>we're not from here, So there's always a home that

0:28:46.360 --> 0:28:49.760
<v Speaker 1>we can go to away from the business. Right you

0:28:49.800 --> 0:28:53.400
<v Speaker 1>and I just spoke about the other night. Can you

0:28:53.520 --> 0:28:55.880
<v Speaker 1>kind of speak to that a little bit, bro of

0:28:59.360 --> 0:29:02.200
<v Speaker 1>there's no or else for y'all to go. This is

0:29:02.920 --> 0:29:05.480
<v Speaker 1>this is this is home and it's and it's so

0:29:06.080 --> 0:29:12.160
<v Speaker 1>connected emerged into this business, that's true, that it's like

0:29:12.240 --> 0:29:15.560
<v Speaker 1>you can't get away from it. There's a Nikka who

0:29:15.840 --> 0:29:20.760
<v Speaker 1>is a full gang members, full killer, probably doing a

0:29:20.840 --> 0:29:26.400
<v Speaker 1>honey years. That was your neighbor, Yeah for sure, that's

0:29:26.440 --> 0:29:28.960
<v Speaker 1>like Yo, I went to school with Marian know he

0:29:29.120 --> 0:29:34.000
<v Speaker 1>was Mari then though, and he pressed over. Yeah no, actually, actually,

0:29:34.080 --> 0:29:37.160
<v Speaker 1>my my boy, my best friend. We went to elementary together.

0:29:37.360 --> 0:29:41.320
<v Speaker 1>Um he um. He just got a letter that he'll

0:29:41.360 --> 0:29:43.080
<v Speaker 1>be able to come home a little bit early. He'd

0:29:43.080 --> 0:29:45.240
<v Speaker 1>been in there twelve years. I think you might have

0:29:45.280 --> 0:29:52.120
<v Speaker 1>met him. His name, his name is Bony. Yeah, yeah,

0:29:51.760 --> 0:29:56.600
<v Speaker 1>so yeah, just to speak to that. Yes, but we

0:29:56.680 --> 0:30:00.760
<v Speaker 1>got relatives everywhere, but even within this industry of like

0:30:00.880 --> 0:30:04.320
<v Speaker 1>sometimes you know, like we had CO sign on and

0:30:06.120 --> 0:30:08.120
<v Speaker 1>I me and CO spoke about the situation where he

0:30:08.160 --> 0:30:11.120
<v Speaker 1>went back to Chicago, and I got on his ask

0:30:11.200 --> 0:30:14.360
<v Speaker 1>about going back to Chicago. So I'm like, nigger, don't quit, right.

0:30:14.440 --> 0:30:16.680
<v Speaker 1>I know that's where you're from, but you're not going

0:30:16.800 --> 0:30:21.760
<v Speaker 1>there to to build something else at home. You're going

0:30:21.800 --> 0:30:24.320
<v Speaker 1>there because right now you didn't win in l A.

0:30:25.360 --> 0:30:30.920
<v Speaker 1>He was forced to go home. Speak on the pressures

0:30:32.160 --> 0:30:35.880
<v Speaker 1>of this being home. Yeah, there's nowhere for y'all to go.

0:30:37.120 --> 0:30:40.400
<v Speaker 1>It's nowhere to retreat to of like I used to be.

0:30:40.960 --> 0:30:43.800
<v Speaker 1>I used to be. You can't get away from it.

0:30:44.680 --> 0:30:47.920
<v Speaker 1>So that has to be a whole another pressure. It is,

0:30:48.000 --> 0:30:50.200
<v Speaker 1>it is, but it is and it's not you know

0:30:50.240 --> 0:30:53.720
<v Speaker 1>what I'm saying. Um, you know, uh, you know, we

0:30:53.840 --> 0:30:57.239
<v Speaker 1>still take the back streets, you know, yeah, you know,

0:30:57.320 --> 0:30:59.719
<v Speaker 1>we still take the back streets you know of for

0:30:59.760 --> 0:31:03.040
<v Speaker 1>me because we come from because I come from such

0:31:03.080 --> 0:31:06.400
<v Speaker 1>a place where entertainment or you know, let's just say

0:31:06.440 --> 0:31:08.560
<v Speaker 1>a lot of people from other places come and make

0:31:08.600 --> 0:31:12.760
<v Speaker 1>their dreams come true. You know. Um, you still, you know,

0:31:12.880 --> 0:31:15.640
<v Speaker 1>got to navigate in a way that you can you know,

0:31:15.720 --> 0:31:18.120
<v Speaker 1>maintain your you know your size, you know what I mean.

0:31:18.200 --> 0:31:20.320
<v Speaker 1>And I do that. I do that well, you know,

0:31:20.440 --> 0:31:24.000
<v Speaker 1>with not always being where everybody is, you know what

0:31:24.040 --> 0:31:26.280
<v Speaker 1>I'm saying, But it is true in fact that all

0:31:26.320 --> 0:31:28.760
<v Speaker 1>of us that are born and raised here is Yeah.

0:31:28.840 --> 0:31:31.120
<v Speaker 1>I mean, we could go to New York, but you

0:31:31.120 --> 0:31:33.640
<v Speaker 1>know what I mean, we're we're appreciated there too. They

0:31:33.680 --> 0:31:35.640
<v Speaker 1>love us there, you know what I mean. Like I

0:31:35.720 --> 0:31:37.400
<v Speaker 1>got a huge fan base in New York. You know

0:31:37.400 --> 0:31:38.800
<v Speaker 1>what I mean, but it's not home, you know what

0:31:38.840 --> 0:31:43.320
<v Speaker 1>I'm saying, Like, you know, our culture is everybody's culture.

0:31:43.440 --> 0:31:46.040
<v Speaker 1>You know what I'm saying. Our food is everybody's food,

0:31:46.120 --> 0:31:48.719
<v Speaker 1>you know what I mean. So being from here, you know,

0:31:48.840 --> 0:31:52.080
<v Speaker 1>and not having essentially a place to go home to,

0:31:52.720 --> 0:31:54.880
<v Speaker 1>I think I think. I think the way that I

0:31:54.920 --> 0:31:56.920
<v Speaker 1>look at it is more souls like just I just

0:31:56.960 --> 0:31:58.800
<v Speaker 1>appreciate where I am, you know what I'm saying. I

0:31:58.800 --> 0:32:01.440
<v Speaker 1>appreciate this place. When it's time for me to do business,

0:32:01.480 --> 0:32:02.760
<v Speaker 1>I know where to go, I know where to be,

0:32:02.840 --> 0:32:04.960
<v Speaker 1>I know where the time to go, what not to do.

0:32:05.240 --> 0:32:07.720
<v Speaker 1>You know what I'm saying. It's just kind of always

0:32:07.720 --> 0:32:09.480
<v Speaker 1>been that way. You know what I mean. I mean,

0:32:09.520 --> 0:32:12.280
<v Speaker 1>but but I can't go take a drive up to

0:32:12.840 --> 0:32:14.840
<v Speaker 1>Big Bear. You know what I'm saying. I can't go

0:32:14.960 --> 0:32:17.640
<v Speaker 1>drive to Vegas. You know what I mean. I still, yeah,

0:32:17.680 --> 0:32:18.880
<v Speaker 1>I can go to but you know what I'm saying,

0:32:18.920 --> 0:32:20.480
<v Speaker 1>I still get you know what I mean. I'm in

0:32:20.520 --> 0:32:23.120
<v Speaker 1>the valley over there, you know what I'm saying. So

0:32:23.640 --> 0:32:25.720
<v Speaker 1>you know, it is places the duck off. But for

0:32:25.840 --> 0:32:27.440
<v Speaker 1>the most part, you know what I mean To speak

0:32:27.440 --> 0:32:30.000
<v Speaker 1>about what you're saying, Like, yeah, man, this is home.

0:32:30.080 --> 0:32:33.240
<v Speaker 1>This is what it is seven. You know what I mean?

0:32:33.400 --> 0:32:36.840
<v Speaker 1>All day every day where we're going. Who house we

0:32:36.920 --> 0:32:40.320
<v Speaker 1>going to? Okay? Are were lining up? Okay? What's up?

0:32:40.360 --> 0:32:42.479
<v Speaker 1>We were working what? You know what I mean, like

0:32:42.520 --> 0:32:44.680
<v Speaker 1>it is always something to do here. You know what

0:32:44.720 --> 0:32:47.040
<v Speaker 1>I mean. All right, let's let's get to it. Let's

0:32:47.080 --> 0:32:50.680
<v Speaker 1>get to the Okay, I don't come on, let's get down.

0:32:55.240 --> 0:33:00.360
<v Speaker 1>Let's talk about it. You're standing backstage. That backstage was

0:33:00.400 --> 0:33:04.880
<v Speaker 1>out of control, and listen you you're so zin. Yeah,

0:33:05.440 --> 0:33:07.840
<v Speaker 1>you had zin room. And there was a moment with

0:33:07.920 --> 0:33:10.760
<v Speaker 1>me and Tank was like, we gotta go see all.

0:33:10.840 --> 0:33:13.040
<v Speaker 1>You know, they had us, they had us in another room, right,

0:33:16.080 --> 0:33:21.680
<v Speaker 1>Pleasure the turnout. There's Jamie Fox is puff Daddy, there's

0:33:21.680 --> 0:33:24.880
<v Speaker 1>Pleasure Peace and most people don't know that. They do

0:33:24.960 --> 0:33:30.520
<v Speaker 1>know it comes to throwing house party. Yeah, there's puff Daddy,

0:33:30.600 --> 0:33:35.600
<v Speaker 1>Jamie Fox and Pleasure. Motherfucking that. Nil know how to

0:33:35.640 --> 0:33:37.880
<v Speaker 1>throw a party, and he knows how to throw a

0:33:37.960 --> 0:33:42.560
<v Speaker 1>backstage and somehow, I won't say somehow it's probably my

0:33:42.600 --> 0:33:46.960
<v Speaker 1>fault because we're on the record together. We're in the

0:33:47.040 --> 0:33:49.200
<v Speaker 1>party room. But there was a moment me and Tank

0:33:49.240 --> 0:33:50.800
<v Speaker 1>looked at each other. It was like, we gotta go

0:33:50.800 --> 0:33:55.080
<v Speaker 1>see all we go. Let's go get some zin keep

0:33:55.120 --> 0:34:00.440
<v Speaker 1>your ballance coming to room in backstage bance. Everybody's focused

0:34:00.480 --> 0:34:03.280
<v Speaker 1>on the show and then we should go right here.

0:34:03.760 --> 0:34:07.440
<v Speaker 1>Here's what I want to ask you. I'm backstage the time.

0:34:07.480 --> 0:34:10.080
<v Speaker 1>I mean, the show was three hours, two hours behind,

0:34:10.680 --> 0:34:15.600
<v Speaker 1>like crazy. I got the babies at the house by himself,

0:34:15.880 --> 0:34:19.879
<v Speaker 1>you know, and I'm like, I'm like, I gotta get

0:34:19.880 --> 0:34:23.640
<v Speaker 1>out of here. And I'm standing there with line and

0:34:23.640 --> 0:34:26.600
<v Speaker 1>Line It's like, no, you just you just hang out.

0:34:26.800 --> 0:34:31.879
<v Speaker 1>It's gonna it's gonna be time soon. And and I'm

0:34:31.920 --> 0:34:33.960
<v Speaker 1>standing there and I'm watching, like all right, I'm just

0:34:34.080 --> 0:34:36.239
<v Speaker 1>you know, chill out. You know, everybody's going back and forth,

0:34:36.400 --> 0:34:38.400
<v Speaker 1>you know, the words going back and forth, and the

0:34:39.160 --> 0:34:43.000
<v Speaker 1>will I'm not thinking about that. But then there's something

0:34:43.000 --> 0:34:46.440
<v Speaker 1>strange happens. And I've never seen before on the stage,

0:34:46.480 --> 0:34:50.680
<v Speaker 1>and I've never ever seen ever, ever ever. You were

0:34:50.680 --> 0:34:55.280
<v Speaker 1>the first, you and your brother. I saw somebody walk

0:34:55.320 --> 0:34:58.840
<v Speaker 1>out some watermelonis. How do you walk out water? I

0:34:58.840 --> 0:35:03.920
<v Speaker 1>don't I don't know. The watermelons a pit and I

0:35:04.040 --> 0:35:08.480
<v Speaker 1>and then you say, and this is how, this is

0:35:08.520 --> 0:35:11.520
<v Speaker 1>how it goes down and y'all started eating the watermelons.

0:35:12.200 --> 0:35:14.480
<v Speaker 1>It's back staves and I don't know what to do

0:35:14.560 --> 0:35:22.440
<v Speaker 1>right now. I'm here to support my brother, but I

0:35:22.440 --> 0:35:26.200
<v Speaker 1>don't know. I don't know what to do right now. Yo,

0:35:27.400 --> 0:35:32.240
<v Speaker 1>It's so funny. It's so funny. It's so funny because

0:35:32.719 --> 0:35:34.879
<v Speaker 1>you know what made you say? I want to Because

0:35:34.920 --> 0:35:39.120
<v Speaker 1>because you're a performer, right, You're a performer, You're a

0:35:40.200 --> 0:35:43.839
<v Speaker 1>you're a strategic performer. What made you say? And then

0:35:43.840 --> 0:35:49.640
<v Speaker 1>when we pull out these watermelons were gonna kill it? Well,

0:35:49.719 --> 0:35:54.080
<v Speaker 1>you know the watermelon. You know what I'm saying. Uh, Well, first,

0:35:54.120 --> 0:35:56.360
<v Speaker 1>let me tell you where the idea, you know, struck.

0:35:56.560 --> 0:35:58.080
<v Speaker 1>You know what I'm saying. You know, there used to

0:35:58.120 --> 0:36:00.160
<v Speaker 1>be a time back in the day you're for me.

0:36:00.280 --> 0:36:03.040
<v Speaker 1>You noticed when it's that time, when it's time to

0:36:03.080 --> 0:36:07.520
<v Speaker 1>get sexy, it's time to speak metaphorically to the womb.

0:36:08.000 --> 0:36:09.520
<v Speaker 1>You know what I'm saying. Yeah, you got to talk

0:36:09.520 --> 0:36:11.880
<v Speaker 1>to the womb directly, to talk directly to it, you

0:36:11.880 --> 0:36:13.799
<v Speaker 1>know what I'm saying. But seeing the world we live

0:36:13.840 --> 0:36:16.560
<v Speaker 1>in nowadays, you know, they're just not open. You know

0:36:16.560 --> 0:36:19.360
<v Speaker 1>what I'm saying, They're not open. They don't see how

0:36:19.840 --> 0:36:23.080
<v Speaker 1>you know, the watermelon has to really do with the

0:36:23.200 --> 0:36:26.239
<v Speaker 1>pH balance, you know what I'm saying. So we you know,

0:36:26.760 --> 0:36:32.400
<v Speaker 1>displaying the importance of fruit and also the importance of

0:36:32.960 --> 0:36:36.480
<v Speaker 1>the sweetness of the nectar of a woman. You know

0:36:36.480 --> 0:36:41.279
<v Speaker 1>what I'm saying. So you know, um, no, no, we

0:36:41.280 --> 0:36:43.439
<v Speaker 1>we we need to see. Yeah, we neat to see

0:36:43.440 --> 0:36:47.040
<v Speaker 1>them from Yeah, we we gotta eat to see the one. Bro. Yeah,

0:36:47.120 --> 0:36:50.000
<v Speaker 1>we don't. We don't want to eat them, you know,

0:36:50.440 --> 0:36:56.879
<v Speaker 1>biological from the come I'm saying, I ain't never had

0:36:56.920 --> 0:37:02.680
<v Speaker 1>one before, you know what I'm saying. But yeah, come on, conte,

0:37:02.680 --> 0:37:05.680
<v Speaker 1>you come on. So you know, uh, you know, me

0:37:05.719 --> 0:37:07.600
<v Speaker 1>and me and my bro, you know what I'm saying.

0:37:07.640 --> 0:37:09.919
<v Speaker 1>We we had to make that moment, you know, which

0:37:10.040 --> 0:37:13.440
<v Speaker 1>essentially came to you know, the old melon. That's what

0:37:13.480 --> 0:37:18.719
<v Speaker 1>they call it online. Old melon. Yeah, and we're about

0:37:18.760 --> 0:37:21.239
<v Speaker 1>to we getting prepared. This is the first time y'all

0:37:21.239 --> 0:37:23.800
<v Speaker 1>hearing it. You know, I'm about to get a watermelon company.

0:37:24.120 --> 0:37:26.719
<v Speaker 1>Come on, come on, man saying about to get a

0:37:26.719 --> 0:37:29.600
<v Speaker 1>watermelon company called the Old Melons. I don't know if

0:37:29.640 --> 0:37:35.360
<v Speaker 1>y'all have ever experienced the orange watermelon or the yellow watermelon.

0:37:35.600 --> 0:37:38.920
<v Speaker 1>Have y'all experienced that before? Okay, so when the season

0:37:38.960 --> 0:37:41.759
<v Speaker 1>comes back around, I'm gonna come personally bring bring y'all son,

0:37:41.840 --> 0:37:48.640
<v Speaker 1>but yeah, I want my melons, no for real. But

0:37:48.680 --> 0:37:52.600
<v Speaker 1>it had changed your life, man, yellow but the orange

0:37:52.600 --> 0:37:58.480
<v Speaker 1>one O. Whoa, my lord, I knew what you were doing. Yeah,

0:37:58.560 --> 0:38:00.319
<v Speaker 1>but you know, it was just it was just fun.

0:38:00.600 --> 0:38:05.560
<v Speaker 1>Just never been done before. Yeah, just fun in front

0:38:05.560 --> 0:38:06.839
<v Speaker 1>of the hood, and I was supposed to come out.

0:38:07.160 --> 0:38:12.480
<v Speaker 1>It was a very hood verd the hood, like the

0:38:12.480 --> 0:38:16.920
<v Speaker 1>most hood is in the middle was singing up and

0:38:16.920 --> 0:38:25.640
<v Speaker 1>I see a girl say saying that ship nigger right, yeah, numbers. Yeah,

0:38:25.800 --> 0:38:27.600
<v Speaker 1>I mean, you know, we have fun with the water.

0:38:27.680 --> 0:38:30.480
<v Speaker 1>Man's just be honest. I just had to message you

0:38:31.440 --> 0:38:37.320
<v Speaker 1>don't know what ladies were men of the cloth ladies.

0:38:37.760 --> 0:38:39.640
<v Speaker 1>I don't care what you know, what I mean, what

0:38:39.840 --> 0:38:44.320
<v Speaker 1>he think? What don't know about you? This is about you, baby,

0:38:45.280 --> 0:38:47.440
<v Speaker 1>and I want you to know. That's your camera right there.

0:38:47.640 --> 0:38:51.920
<v Speaker 1>That's that's just about you, baby, And I want you

0:38:52.040 --> 0:38:56.040
<v Speaker 1>to know. Okay, this is a surprize. My moth is surprized.

0:38:56.640 --> 0:39:02.360
<v Speaker 1>If you if you ever, if you ever get the

0:39:02.400 --> 0:39:11.400
<v Speaker 1>opportunity to be affectionate and we're on that level. I

0:39:11.520 --> 0:39:17.960
<v Speaker 1>meet you up like a watermelon, baby, like a watermelon.

0:39:19.000 --> 0:39:27.759
<v Speaker 1>How may eat you? Like water man or melon? You know,

0:39:30.200 --> 0:39:35.520
<v Speaker 1>it's something so sweet about a watermelon. Will you be

0:39:35.680 --> 0:39:52.000
<v Speaker 1>my watermelon? Can I tas s? Yeah? Yeah, they could

0:39:52.040 --> 0:40:03.240
<v Speaker 1>just go Hannibal. Let your brother was sure the old melon,

0:40:03.760 --> 0:40:09.319
<v Speaker 1>he's coming to a grocery near you. It's gonna come.

0:40:09.400 --> 0:40:13.520
<v Speaker 1>I'm gonna come. But yeah, you know, we man versus

0:40:13.640 --> 0:40:17.000
<v Speaker 1>what an experience, you know, whatever, what a you know,

0:40:17.800 --> 0:40:21.560
<v Speaker 1>all the guys on their shut up you and Mario

0:40:22.560 --> 0:40:26.280
<v Speaker 1>setting the table for an amazing event, an amazing event.

0:40:26.360 --> 0:40:29.280
<v Speaker 1>Shout out the pleasure. P ray J, who ran across

0:40:29.280 --> 0:40:31.640
<v Speaker 1>the stage eighty five times on the Warrior was called

0:40:32.200 --> 0:40:39.239
<v Speaker 1>um Bobby V. Sammy Like yeah, you guys, and you

0:40:39.280 --> 0:40:43.120
<v Speaker 1>know there's always gonna be you know, noise of course,

0:40:43.200 --> 0:40:46.239
<v Speaker 1>always going to be the negative and the and they

0:40:46.239 --> 0:40:48.359
<v Speaker 1>should have did this. I wish they would have done that.

0:40:48.440 --> 0:40:52.520
<v Speaker 1>But you're on that stage. You can't critique my entertainment.

0:40:52.640 --> 0:40:54.719
<v Speaker 1>You ain't on that stage. And I am entertained they

0:40:54.719 --> 0:40:59.280
<v Speaker 1>didn't call you. They didn't call you. They're called them. Yeah,

0:40:59.600 --> 0:41:02.479
<v Speaker 1>and we and we humbly accept what you gave us. Hey,

0:41:02.840 --> 0:41:05.920
<v Speaker 1>I appreciate Hey, I appreciate that, and thank you for

0:41:05.960 --> 0:41:08.040
<v Speaker 1>coming through. You know what I'm saying, Because I came

0:41:08.040 --> 0:41:11.080
<v Speaker 1>over you feel me. I'm like, Yo, that's what we're

0:41:11.080 --> 0:41:14.240
<v Speaker 1>gonna do, you know. And although you know it wasn't

0:41:14.320 --> 0:41:16.560
<v Speaker 1>like the perfect knight for me, you know what I'm saying,

0:41:16.880 --> 0:41:19.319
<v Speaker 1>it still was a great night. And it still was

0:41:20.000 --> 0:41:22.480
<v Speaker 1>like what an opportunity, you know what I'm saying to

0:41:23.120 --> 0:41:25.600
<v Speaker 1>you know represent you know all the music that I

0:41:25.680 --> 0:41:28.719
<v Speaker 1>come from, you know what I'm saying, and and be uh,

0:41:29.400 --> 0:41:31.560
<v Speaker 1>you know, important to that, to that music. And we

0:41:31.600 --> 0:41:33.840
<v Speaker 1>don't deal in perfection. We're dealing showing up. Of course,

0:41:34.400 --> 0:41:37.120
<v Speaker 1>we're dealing showing up. Of course we look. We don't

0:41:37.120 --> 0:41:39.480
<v Speaker 1>mind having a little dirt on it. Come on, man, hey,

0:41:39.760 --> 0:41:42.640
<v Speaker 1>guess what, nobody's perfect. We won't be, you know what

0:41:42.680 --> 0:41:46.319
<v Speaker 1>I'm saying. So yeah, listen to let's listen, let's talk.

0:41:47.400 --> 0:41:54.600
<v Speaker 1>Let's already to talk some R and B okay, because

0:41:54.640 --> 0:41:59.439
<v Speaker 1>I'm gonna tell you. I'm gonna tell you you know, um,

0:41:59.480 --> 0:42:03.759
<v Speaker 1>you gotta really love you gotta really experience a woman,

0:42:03.880 --> 0:42:07.120
<v Speaker 1>You gotta really experience multiple women in order to really

0:42:07.200 --> 0:42:12.160
<v Speaker 1>tap in to R and B. You know, um, fucking

0:42:12.280 --> 0:42:14.200
<v Speaker 1>is one thing, you know what I'm saying. Having sex

0:42:14.320 --> 0:42:18.359
<v Speaker 1>is one thing, But you have to experience making love

0:42:18.800 --> 0:42:22.600
<v Speaker 1>in order to properly articulate R and B. And I

0:42:22.640 --> 0:42:24.920
<v Speaker 1>just want to say that for the record, because you

0:42:24.960 --> 0:42:29.399
<v Speaker 1>know the music, you know the words, the context. You know,

0:42:29.719 --> 0:42:33.279
<v Speaker 1>as someone who makes music from experience, you feel me.

0:42:33.440 --> 0:42:36.000
<v Speaker 1>You both of y'all. You know you y'all understand the

0:42:36.080 --> 0:42:39.520
<v Speaker 1>importance of speaking the truth. You know what I mean.

0:42:39.680 --> 0:42:42.879
<v Speaker 1>And I feel like R and B is getting back

0:42:43.239 --> 0:42:46.360
<v Speaker 1>into that place of where people want to feel again,

0:42:46.400 --> 0:42:58.840
<v Speaker 1>and it's important what's being said. But let's talk about it.

0:42:59.080 --> 0:43:04.160
<v Speaker 1>Let's let's let's talk, let's tell let's this is a

0:43:04.239 --> 0:43:07.480
<v Speaker 1>Warrios Top five Top five? Do we need music for?

0:43:07.560 --> 0:43:11.319
<v Speaker 1>Top five? Top five? Do we mix the sname music? Come?

0:43:11.480 --> 0:43:28.160
<v Speaker 1>Top five? Top five five, Top five? We are all

0:43:28.440 --> 0:43:32.600
<v Speaker 1>your top five. We're gonna get into the top five.

0:43:33.520 --> 0:43:44.640
<v Speaker 1>Mario Mario's top come on, Maria, come on. Top five,

0:43:46.000 --> 0:43:52.320
<v Speaker 1>Top five, Top five, Top five Best R and B,

0:43:52.600 --> 0:43:59.480
<v Speaker 1>Top five R and B Singers, Top five R and

0:43:59.520 --> 0:44:06.120
<v Speaker 1>B sing Um definitely, Michael Jackson, Definitely, Stevie Wonder um

0:44:07.000 --> 0:44:13.600
<v Speaker 1>uh definitely, Marvin Gaye, Um, definitely, um uh, Frankie Beverly.

0:44:15.680 --> 0:44:19.359
<v Speaker 1>People don't know how hard it is to sing those

0:44:19.400 --> 0:44:24.960
<v Speaker 1>Frankie Beverly songs in real life. Okay, okay, okay with

0:44:25.040 --> 0:44:32.000
<v Speaker 1>a white hat on arenas, right. Um? And then who's

0:44:32.040 --> 0:44:35.000
<v Speaker 1>gonna be my fifth? Who's gonna take me home? Let's

0:44:35.040 --> 0:44:42.560
<v Speaker 1>just think about this, um, male singers, it's probably, it's probably,

0:44:42.560 --> 0:44:46.600
<v Speaker 1>it's probably, it's probably Fred Hammond. It's probably Fred Hammond.

0:44:47.239 --> 0:44:50.120
<v Speaker 1>And these are all people that you know, I've studied

0:44:50.320 --> 0:44:53.880
<v Speaker 1>and and you know, listen to over the years that

0:44:54.000 --> 0:44:57.400
<v Speaker 1>has helped shape and mold, you know, my tone, because

0:44:57.400 --> 0:45:00.320
<v Speaker 1>my tone is unlike you know anyone else, you know

0:45:00.320 --> 0:45:03.320
<v Speaker 1>what I'm saying. So these is you know, representing some

0:45:03.400 --> 0:45:05.759
<v Speaker 1>real man sang you know what I mean. So that's

0:45:05.800 --> 0:45:07.880
<v Speaker 1>my top five. And as we before we go to

0:45:07.920 --> 0:45:10.239
<v Speaker 1>the next piece of top five, it was something that

0:45:10.320 --> 0:45:14.200
<v Speaker 1>I discovered about you just singing with you. As we

0:45:14.200 --> 0:45:17.160
<v Speaker 1>were getting into those sessions, I was like, he's not

0:45:17.200 --> 0:45:22.279
<v Speaker 1>the first tenor yep, like this, these sounds are too high, yep,

0:45:22.680 --> 0:45:25.480
<v Speaker 1>Like we got to bring him back down so he

0:45:25.480 --> 0:45:28.319
<v Speaker 1>can shine in his space exactly because he's also a

0:45:28.360 --> 0:45:31.280
<v Speaker 1>performer exactly, so we don't need him straining to sing

0:45:32.280 --> 0:45:37.560
<v Speaker 1>and working over time trying to perform, like no, yeah,

0:45:37.880 --> 0:45:40.200
<v Speaker 1>let's put him right here. Come on. And you know

0:45:40.320 --> 0:45:44.800
<v Speaker 1>that was that Steve Russell transition into Ja Valentine. You

0:45:44.840 --> 0:45:47.880
<v Speaker 1>know what I'm saying. When I really started to mold

0:45:48.520 --> 0:45:51.040
<v Speaker 1>my sound, but it was it was through y'all sound,

0:45:51.160 --> 0:45:53.960
<v Speaker 1>you know what I'm saying. All right, here more top

0:45:54.800 --> 0:46:15.920
<v Speaker 1>five Marion like the song five? Okay, man, your top

0:46:16.000 --> 0:46:22.600
<v Speaker 1>five R and B songs, Top five RB song. Yeah,

0:46:22.640 --> 0:46:26.360
<v Speaker 1>that's hard. That's gonna be hard with the jams man. Okay.

0:46:26.719 --> 0:46:29.120
<v Speaker 1>You know when you're riding in one of your nice

0:46:29.280 --> 0:46:36.959
<v Speaker 1>one of your nice expensive should it's so many though,

0:46:37.640 --> 0:46:42.040
<v Speaker 1>it's so many day okay, so just five of them,

0:46:42.160 --> 0:46:46.120
<v Speaker 1>R and B slappers, R and B slappers. So the

0:46:46.160 --> 0:46:48.920
<v Speaker 1>first one that came to mind, But I think I

0:46:48.960 --> 0:46:53.080
<v Speaker 1>want to change it. Um now, I'm gonna keep it.

0:46:53.080 --> 0:46:56.799
<v Speaker 1>I'm gonna keep it as w V week that's my one.

0:46:56.960 --> 0:47:01.640
<v Speaker 1>Come on, you know what I'm saying. Um, come on,

0:47:02.080 --> 0:47:10.719
<v Speaker 1>what's going on? Okay? Human nature? Come on? Human nature? Yeah,

0:47:11.280 --> 0:47:14.359
<v Speaker 1>all right, Um, we gotta get an us your song

0:47:14.440 --> 0:47:18.719
<v Speaker 1>in there. We gotta get. Maybe that's what it's made for.

0:47:20.120 --> 0:47:32.440
<v Speaker 1>Come on now, So that's the three? Right? Yeah? Facts good?

0:47:35.080 --> 0:47:37.840
<v Speaker 1>What's another one? Have you been to Vegas? Yes? I have.

0:47:38.239 --> 0:47:41.280
<v Speaker 1>I took I took my son for his seventh birthday.

0:47:41.680 --> 0:47:44.040
<v Speaker 1>I tell your son was Geeg too, because man, I've

0:47:44.080 --> 0:47:50.160
<v Speaker 1>seen it. He was sitting there. Yeah yeah, okay, So

0:47:50.200 --> 0:47:56.120
<v Speaker 1>I got two more? Right, okay, two more? Let me

0:47:56.160 --> 0:48:03.799
<v Speaker 1>think about two more? Who am I thinking about? They

0:48:03.880 --> 0:48:12.879
<v Speaker 1>gotta be good? Um? Does everybody take long? Or no? World? Okay? Okay, okay, okay,

0:48:12.880 --> 0:48:16.520
<v Speaker 1>because I need to look at my phone. Let me

0:48:16.520 --> 0:48:19.000
<v Speaker 1>look at my phone. Let me look at my phone

0:48:19.719 --> 0:48:24.960
<v Speaker 1>over here. Let me see you what army? Um, I've

0:48:24.960 --> 0:48:31.040
<v Speaker 1>been listening to you because you know I'll be on

0:48:31.080 --> 0:48:34.239
<v Speaker 1>the I'll be on the AfroB vibes. You know they're

0:48:34.239 --> 0:48:40.800
<v Speaker 1>searching for it. Okay, for the next he's making sure

0:48:41.640 --> 0:48:45.440
<v Speaker 1>he's adding corrections. Oh we get. I can name some

0:48:45.480 --> 0:48:50.760
<v Speaker 1>women's songs to right, whatever you want? Okay, top five,

0:48:53.239 --> 0:48:58.320
<v Speaker 1>it's your top five. Okay, it's only your top five.

0:49:00.440 --> 0:49:02.640
<v Speaker 1>No one else is tough. Okay, all right, I got

0:49:02.640 --> 0:49:11.080
<v Speaker 1>I got one, D'Angelo. How does it feel? Untitled? Untitled? Yes,

0:49:11.440 --> 0:49:14.799
<v Speaker 1>no one shout out to rap. That's one of the

0:49:14.840 --> 0:49:20.600
<v Speaker 1>best songs I've ever heard in my life, for real,

0:49:20.760 --> 0:49:24.760
<v Speaker 1>for the first time and for the one thousand times.

0:49:25.480 --> 0:49:30.200
<v Speaker 1>And you get that same feeling in my life from

0:49:30.239 --> 0:49:35.480
<v Speaker 1>the musicianship, from the writing to the vocals. Do you

0:49:35.520 --> 0:49:47.239
<v Speaker 1>know the actual words? And if you're gonna say that,

0:49:47.440 --> 0:49:56.160
<v Speaker 1>if you and if you're havy, I can provide you're

0:49:56.239 --> 0:50:01.480
<v Speaker 1>kidding me? Hello, He's amazing, amazing. That made me realize

0:50:01.560 --> 0:50:07.239
<v Speaker 1>I understood the words because you know, it just wants

0:50:07.239 --> 0:50:09.799
<v Speaker 1>to come on, it just it just happens. Come on,

0:50:11.120 --> 0:50:13.719
<v Speaker 1>I'm titled. That song made me mad too, because when

0:50:13.760 --> 0:50:15.920
<v Speaker 1>the video came out, come on. The girl I was

0:50:15.960 --> 0:50:17.400
<v Speaker 1>with at the time, I was like, I was like,

0:50:17.400 --> 0:50:20.040
<v Speaker 1>what's going on? You? All right? You need something? What

0:50:20.160 --> 0:50:22.719
<v Speaker 1>you need? He was ready to cut off? What you need?

0:50:24.480 --> 0:50:27.520
<v Speaker 1>Can I help you? Was ready to cut off? Relaxed

0:50:27.600 --> 0:50:31.160
<v Speaker 1>you like you like muscle? I got muscle? What's saying?

0:50:31.840 --> 0:50:35.240
<v Speaker 1>I got muscle? He's sweating? Is what is it? Ship?

0:50:35.440 --> 0:50:38.160
<v Speaker 1>You like him sweating? You want to know who down there?

0:50:38.400 --> 0:50:42.560
<v Speaker 1>What's going on? Okay? All right, I got another one,

0:50:43.200 --> 0:50:48.120
<v Speaker 1>m um, it's the last one. May hold up, um,

0:50:48.239 --> 0:50:51.440
<v Speaker 1>let me make sure that's right. Oh um, hold on,

0:50:51.520 --> 0:50:53.160
<v Speaker 1>let me just make sure the titles right because I'm

0:50:53.200 --> 0:51:00.799
<v Speaker 1>gonna call it something else. Oh um. Footsteps in the

0:51:00.920 --> 0:51:07.279
<v Speaker 1>Dark by Issley Brothers. M hmm, come on amazing, come

0:51:07.320 --> 0:51:12.600
<v Speaker 1>on amazing, like, yeah, you did it? You know what

0:51:12.640 --> 0:51:18.040
<v Speaker 1>I'm saying. Come on, yeah me, come on, come on

0:51:19.160 --> 0:51:20.560
<v Speaker 1>all right? What's you got from? What else you got?

0:51:20.640 --> 0:51:24.759
<v Speaker 1>That was his top? Okay? Um, we're making the R

0:51:24.840 --> 0:51:30.560
<v Speaker 1>B voltron? Okay, And we want to know as you

0:51:30.680 --> 0:51:33.920
<v Speaker 1>make this voltron, this R and B R and B singer,

0:51:34.840 --> 0:51:37.279
<v Speaker 1>who are you getting the vocals from? Who are you

0:51:37.280 --> 0:51:40.239
<v Speaker 1>getting the styling from, who are you getting the performance

0:51:40.239 --> 0:51:42.839
<v Speaker 1>style from? And who are you getting the passion from.

0:51:43.560 --> 0:51:48.040
<v Speaker 1>Let's start with the vocals to create your vote your machine.

0:51:48.560 --> 0:51:51.520
<v Speaker 1>You're grabbing the vocal from. Where am I grabbing the

0:51:51.600 --> 0:52:01.640
<v Speaker 1>vocal from to make the voltron? Oh, it's it's probably Fred,

0:52:02.000 --> 0:52:06.600
<v Speaker 1>it's probably Fred. H Yeah, you want to soul piercing vocal. Yeah,

0:52:06.640 --> 0:52:10.000
<v Speaker 1>you need you need that that that that tone. As

0:52:10.000 --> 0:52:12.960
<v Speaker 1>soon as it's that first tone, exactly who it is,

0:52:13.239 --> 0:52:16.320
<v Speaker 1>you know what's going on? And it's like, wait a minute,

0:52:16.320 --> 0:52:20.440
<v Speaker 1>what's going on? So I would say somewhere somewhere in

0:52:20.480 --> 0:52:27.360
<v Speaker 1>there that that tone you. Who are you getting the

0:52:28.360 --> 0:52:34.280
<v Speaker 1>performance style from? Definitely Michael, Definitely Michael m m Yeah,

0:52:34.600 --> 0:52:39.400
<v Speaker 1>soul saving Michael Jack's okay, Yeah. Who are you getting

0:52:39.400 --> 0:52:42.759
<v Speaker 1>the styling from the style of vocal styling or the

0:52:42.760 --> 0:52:51.280
<v Speaker 1>performance styling? Oh? The poor performance the oh easy? Probably

0:52:51.360 --> 0:53:01.160
<v Speaker 1>like probably like a mix between um Pharrell prints and

0:53:01.320 --> 0:53:06.440
<v Speaker 1>Kanye Yah. Yeah, so mixed between them. So, but but

0:53:06.680 --> 0:53:14.400
<v Speaker 1>is out man? What not that outfit? But man is

0:53:14.520 --> 0:53:16.759
<v Speaker 1>button niggut on the horse with like yeasy symbols? And

0:53:17.760 --> 0:53:22.480
<v Speaker 1>but he got he got on some limited limited babes. No,

0:53:22.680 --> 0:53:25.279
<v Speaker 1>he might he might have he might have some some

0:53:25.280 --> 0:53:29.560
<v Speaker 1>some great sweats on with no draws, you know, sitting

0:53:29.719 --> 0:53:32.799
<v Speaker 1>you niggas? Wow, Man just said, what are you saying?

0:53:32.840 --> 0:53:40.800
<v Speaker 1>You started with the print great sweat fans, no draws

0:53:40.800 --> 0:53:55.960
<v Speaker 1>on Marion challenges ship sitting on a draft as is

0:53:56.000 --> 0:54:02.920
<v Speaker 1>that Jack Bard you hold up? I got him clothes?

0:54:06.680 --> 0:54:09.080
<v Speaker 1>That's that's you know what I'm saying, something something that

0:54:09.080 --> 0:54:12.160
<v Speaker 1>shows the you know, the flesh. But also like whatever

0:54:12.239 --> 0:54:14.759
<v Speaker 1>the other pieces are is like they get some great

0:54:14.760 --> 0:54:24.320
<v Speaker 1>piece custom custom Who who are you getting the passion

0:54:25.320 --> 0:54:27.520
<v Speaker 1>the heart of the artist, the heart of the artist,

0:54:29.360 --> 0:54:34.600
<v Speaker 1>the heart of the artists. Um, I want to say,

0:54:35.440 --> 0:54:40.480
<v Speaker 1>I want to say, uh, what's my man name? Teddy Pendergrash,

0:54:40.480 --> 0:54:42.720
<v Speaker 1>the heart of Teddy Pendergrash. I don't know if y'all

0:54:43.280 --> 0:54:46.799
<v Speaker 1>checked out his documentary. Oh so you see how much

0:54:46.840 --> 0:54:49.480
<v Speaker 1>heart it takes. You see how much soul and passion

0:54:49.560 --> 0:54:52.600
<v Speaker 1>it takes to continue to move forward, you know what

0:54:52.600 --> 0:54:58.360
<v Speaker 1>I mean? So I would say Teddy Pendergrash. Yeah, great, votron. Whoa,

0:54:58.480 --> 0:55:00.800
<v Speaker 1>that's a crazy vote tron. Know what kind of songs

0:55:00.800 --> 0:55:04.640
<v Speaker 1>coming from there? Unlimited? Yeah, that's facts. Do whatever you want,

0:55:04.800 --> 0:55:10.480
<v Speaker 1>that's facts. So we got this very important segment. Do

0:55:10.520 --> 0:55:17.879
<v Speaker 1>we need music for that music? Fuck it? Fuck it.

0:55:21.360 --> 0:55:32.879
<v Speaker 1>Ain't saying no name, no names names, that's the name

0:55:32.920 --> 0:55:36.040
<v Speaker 1>of this segment. Ain't saying that a story that can

0:55:36.080 --> 0:55:39.200
<v Speaker 1>either be funny er fucked up. Are funnier and fucked up.

0:55:39.880 --> 0:55:42.919
<v Speaker 1>The only rule to the story is that you don't

0:55:43.000 --> 0:55:47.000
<v Speaker 1>say no names. You say nobody that's involved in this

0:55:47.040 --> 0:55:52.399
<v Speaker 1>story with you no names. M hmm, it's gonna man.

0:55:53.560 --> 0:55:55.560
<v Speaker 1>You know, my life has been such an open book,

0:55:55.640 --> 0:55:58.120
<v Speaker 1>you know what I mean, It's very few stories. Now

0:55:58.120 --> 0:56:00.879
<v Speaker 1>you got something you got something. Come on, it could

0:56:00.880 --> 0:56:04.720
<v Speaker 1>be c O five Honey stories. It can be Bentley's stories.

0:56:04.719 --> 0:56:06.920
<v Speaker 1>And then listen, you've been my party for a long time,

0:56:10.560 --> 0:56:13.680
<v Speaker 1>you know, you know, it could be some of the

0:56:13.680 --> 0:56:15.640
<v Speaker 1>wallpaper that was you know what I mean that lined

0:56:15.680 --> 0:56:18.040
<v Speaker 1>up the studio at the time. Okay, all right, I

0:56:18.120 --> 0:56:21.239
<v Speaker 1>got one. Okay, so this is Oh Mario came get

0:56:21.320 --> 0:56:25.880
<v Speaker 1>my ship. This is O Mario. Ain't no name. I

0:56:25.920 --> 0:56:35.520
<v Speaker 1>ain't saying I ain't saying no name. I ain't saying

0:56:35.520 --> 0:56:39.360
<v Speaker 1>no name. But one time I heard overheard this convo.

0:56:39.920 --> 0:56:45.960
<v Speaker 1>It was just a word. It was okay, let me think,

0:56:46.200 --> 0:56:52.280
<v Speaker 1>um okay, Uh, Me and uh a friend of mine,

0:56:53.040 --> 0:56:55.400
<v Speaker 1>you know, we was in the studio. I don't I

0:56:55.400 --> 0:56:58.359
<v Speaker 1>don't know how much. I don't know if this would

0:56:58.360 --> 0:57:01.520
<v Speaker 1>be surprising or not, you know what I mean. And

0:57:01.880 --> 0:57:04.040
<v Speaker 1>I can't tell you how it ends, but I could

0:57:04.080 --> 0:57:07.120
<v Speaker 1>tell you that me and this particular person was hanging

0:57:07.120 --> 0:57:10.319
<v Speaker 1>out with some young ladies, and um, you know, the

0:57:10.400 --> 0:57:12.640
<v Speaker 1>young lady came to us and she told her she said,

0:57:13.960 --> 0:57:18.240
<v Speaker 1>she said, I want both of y'all. Yeah, she said,

0:57:18.240 --> 0:57:21.080
<v Speaker 1>I want both of y'all to night m hm yeah.

0:57:21.600 --> 0:57:24.400
<v Speaker 1>And I ain't saying no names. Can you play trained music?

0:57:24.800 --> 0:57:32.120
<v Speaker 1>But but but I want to also add that I

0:57:32.240 --> 0:57:34.720
<v Speaker 1>was maybe twenty three at this point, you know what

0:57:34.760 --> 0:57:39.440
<v Speaker 1>I'm saying. So, um, even though I was experienced, you know, Um,

0:57:39.480 --> 0:57:43.240
<v Speaker 1>a woman has never been that straightforward, you know. So

0:57:43.360 --> 0:57:45.720
<v Speaker 1>it kind of made me nervous. It kind of made

0:57:45.720 --> 0:57:48.680
<v Speaker 1>me nervous. And I ain't saying old names. What happened

0:57:48.680 --> 0:57:50.919
<v Speaker 1>at the end of the story. But you can come

0:57:50.960 --> 0:57:58.320
<v Speaker 1>to your own ideas. Yeah, there's nothing happened, but things happened,

0:57:58.960 --> 0:58:01.160
<v Speaker 1>you know what I'm saying. But I ain't saying no names.

0:58:01.240 --> 0:58:06.880
<v Speaker 1>You know. It's like it's it's when a woman kind

0:58:06.920 --> 0:58:11.920
<v Speaker 1>of assumes a different position, probably the position that you

0:58:12.000 --> 0:58:15.320
<v Speaker 1>were supposed to play. It can sell you all. And

0:58:15.720 --> 0:58:18.440
<v Speaker 1>it did and it did, and if you're not careful,

0:58:18.480 --> 0:58:24.640
<v Speaker 1>it can mess up your blood flow. You gotta be focused.

0:58:26.240 --> 0:58:29.960
<v Speaker 1>And in these type of situations, if someone you know,

0:58:30.160 --> 0:58:33.600
<v Speaker 1>if someone's out performing you, you got to get into

0:58:33.600 --> 0:58:37.600
<v Speaker 1>your mind. You know, you've really got to be a

0:58:37.640 --> 0:58:42.000
<v Speaker 1>man of the craft. You gotta be a true cocksman.

0:58:42.880 --> 0:58:45.640
<v Speaker 1>You gotta be a cocksman. You gotta be a to

0:58:45.720 --> 0:58:52.920
<v Speaker 1>perform well under these circumstances. All in all, at that

0:58:52.960 --> 0:58:54.760
<v Speaker 1>particular time, that was new to me, you know what

0:58:54.800 --> 0:58:58.560
<v Speaker 1>I'm saying. So that was, you know, without without giving

0:58:58.560 --> 0:59:01.840
<v Speaker 1>any names, that is very interesting, it was. But it

0:59:01.880 --> 0:59:05.640
<v Speaker 1>was a good night. Hey. You know, I always invite

0:59:05.640 --> 0:59:09.680
<v Speaker 1>people to be themselves. See who you're gonna be. She

0:59:09.800 --> 0:59:19.520
<v Speaker 1>ran a train on y'all, she didn't. Okay, listen, man, listen,

0:59:19.720 --> 0:59:23.000
<v Speaker 1>I want to say this to you, bro. Um. It

0:59:23.000 --> 0:59:26.680
<v Speaker 1>goes without saying, man, we love your brother. What I'm saying, man,

0:59:26.880 --> 0:59:31.080
<v Speaker 1>and this will never change. Man, this is real brotherhood. Um.

0:59:31.120 --> 0:59:34.320
<v Speaker 1>You know we're on the cool platform and um where

0:59:34.320 --> 0:59:36.480
<v Speaker 1>we're in the cool business and all of these things,

0:59:36.520 --> 0:59:41.400
<v Speaker 1>and um, you know sometimes people can yeah, mistake that

0:59:41.480 --> 0:59:43.120
<v Speaker 1>for something that it isn't you know what I'm saying,

0:59:43.160 --> 0:59:44.960
<v Speaker 1>Like the business of what we do is whatever. But

0:59:45.080 --> 0:59:47.600
<v Speaker 1>this is real brotherhood. So everybody out there and know

0:59:47.880 --> 0:59:51.800
<v Speaker 1>this is this is real brotherhood. If a Mari got

0:59:51.800 --> 0:59:54.520
<v Speaker 1>a problem, we all got a problem. That's how this works. Man.

0:59:54.600 --> 0:59:57.680
<v Speaker 1>So we love you, We appreciate you. Thank you for

0:59:57.760 --> 1:00:00.120
<v Speaker 1>showing up. You know what I'm saying, giving us the

1:00:00.200 --> 1:00:02.600
<v Speaker 1>moment of your time. Come on, R and B money.

1:00:02.640 --> 1:00:06.640
<v Speaker 1>You know what I'm saying. I'm expecting your orange malling. Okay,

1:00:06.920 --> 1:00:11.080
<v Speaker 1>don't work you. I'm expecting a book. I got your

1:00:11.280 --> 1:00:17.560
<v Speaker 1>right now. What I'm saying right now, lets you know

1:00:17.600 --> 1:00:20.800
<v Speaker 1>where you're from. You know what I'm saying right now. Um,

1:00:20.840 --> 1:00:25.200
<v Speaker 1>but you know, as I know you're gonna do. Keep going. Yeah, no,

1:00:25.320 --> 1:00:27.880
<v Speaker 1>I I appreciate you. I appreciate you all. Thank you

1:00:27.920 --> 1:00:30.880
<v Speaker 1>so much for what you've contributed to my career, you

1:00:30.920 --> 1:00:33.960
<v Speaker 1>know what I mean, in my growth and also having

1:00:34.120 --> 1:00:36.040
<v Speaker 1>you know, a platform to be able to really speak

1:00:36.080 --> 1:00:37.720
<v Speaker 1>about R and B in this fashion. You know what

1:00:37.760 --> 1:00:39.960
<v Speaker 1>I'm saying is I think it's important because you know,

1:00:40.520 --> 1:00:43.680
<v Speaker 1>R and B rules the world. R and B rules

1:00:43.720 --> 1:00:46.880
<v Speaker 1>the world. Y'all, y'all, don't you know whatever they're talking about,

1:00:46.880 --> 1:00:50.240
<v Speaker 1>whatever selling out selling the most. Just understand, R and

1:00:50.240 --> 1:00:54.000
<v Speaker 1>B will forever be, you know, the number one genre

1:00:54.160 --> 1:00:58.080
<v Speaker 1>because it deals with the heart, It deals with the emotion,

1:00:58.280 --> 1:01:01.120
<v Speaker 1>It deals with all of those things that you know

1:01:01.160 --> 1:01:03.200
<v Speaker 1>we all have, We we all feel, you know what

1:01:03.200 --> 1:01:08.400
<v Speaker 1>I'm saying. So we love R and B. Thank you fellas. Um.

1:01:08.520 --> 1:01:10.480
<v Speaker 1>Next time i'm gonna think about a story, I'm gonna

1:01:10.520 --> 1:01:16.400
<v Speaker 1>think about a better story. I like, yeah, yeah, that

1:01:16.400 --> 1:01:18.680
<v Speaker 1>that person. That person is one of your partners too,

1:01:18.760 --> 1:01:21.720
<v Speaker 1>one of your partners, yeah, one of your papers. And

1:01:21.920 --> 1:01:36.080
<v Speaker 1>she ran a train. One of the story. And this

1:01:36.120 --> 1:01:39.600
<v Speaker 1>has been the R and B Money has with my brother,

1:01:40.120 --> 1:01:54.520
<v Speaker 1>none other than Marion. Thank y'all, Thank y'all, Thank y'all money.

1:01:56.000 --> 1:01:57.760
<v Speaker 1>R and B Money is a production of the Black

1:01:57.760 --> 1:02:01.800
<v Speaker 1>Effect Podcast Network. For more podcast from I Heart Radio,

1:02:02.200 --> 1:02:05.720
<v Speaker 1>visit the I Heart Radio app, Apple Podcast, or wherever

1:02:05.800 --> 1:02:09.120
<v Speaker 1>you listen to your favorite shows. Don't forget to subscribe

1:02:09.120 --> 1:02:11.720
<v Speaker 1>to and rate our show, and you can connect with

1:02:11.800 --> 1:02:15.080
<v Speaker 1>us on social media at Jay Valentine and at the

1:02:15.120 --> 1:02:20.400
<v Speaker 1>Real Tank. For the extended episode, subscribe to YouTube dot com,

1:02:20.560 --> 1:02:25.400
<v Speaker 1>forward slash R and B Money