1 00:00:00,120 --> 00:00:04,200 Speaker 1: To lighten it up a little bit, Taylor, you reference 2 00:00:04,440 --> 00:00:09,760 Speaker 1: the abominable snowman in Empire strikes Back that is called 3 00:00:09,760 --> 00:00:12,040 Speaker 1: Obama is the name of it. 4 00:00:13,320 --> 00:00:15,680 Speaker 2: And that's not what's on matter on. 5 00:00:27,680 --> 00:00:31,640 Speaker 3: Hey everyone, you are listening to Pod of Rebellion. This 6 00:00:31,840 --> 00:00:35,519 Speaker 3: is Tsrcar, the voice of Sabine Run Specter five, and 7 00:00:35,560 --> 00:00:38,000 Speaker 3: I'm not alone today with us, we have. 8 00:00:38,640 --> 00:00:41,680 Speaker 4: Hey, everybody, it's Vanessa Marshall, the voice of Harrison Doula, 9 00:00:41,760 --> 00:00:42,480 Speaker 4: Spector two. 10 00:00:42,680 --> 00:00:44,480 Speaker 5: And guess what, guess who's here? 11 00:00:45,159 --> 00:00:49,440 Speaker 2: What's up? Guys? Taylor, you guys, it's your Pleasure Spector six. 12 00:00:50,000 --> 00:00:51,519 Speaker 2: And we also have. 13 00:00:52,120 --> 00:00:55,200 Speaker 6: Hey, everybody, it's your friendly neighborhood moderator John Lee Brody. 14 00:00:55,240 --> 00:00:58,200 Speaker 6: And today we're going over season two, episode seventeen, the 15 00:00:58,240 --> 00:01:00,800 Speaker 6: Honorable Ones aka. 16 00:01:00,160 --> 00:01:00,840 Speaker 7: Back Ice Moon. 17 00:01:02,040 --> 00:01:05,000 Speaker 6: Before that, we got to check in as always, how's 18 00:01:05,040 --> 00:01:05,720 Speaker 6: everybody doing? 19 00:01:05,840 --> 00:01:06,440 Speaker 5: I mean, I feel like. 20 00:01:06,480 --> 00:01:07,720 Speaker 3: It's already off the rails. 21 00:01:07,920 --> 00:01:10,880 Speaker 2: Yeah, already broke back Wait what did you say iceman? 22 00:01:10,920 --> 00:01:15,759 Speaker 6: Because thrown ice Moon iceman or look or just broke 23 00:01:15,800 --> 00:01:17,640 Speaker 6: back moon if you want to go a little more. 24 00:01:17,680 --> 00:01:18,520 Speaker 7: Or whatever moon. 25 00:01:18,560 --> 00:01:23,360 Speaker 6: It's descriptive after Yeah, and it's also like ironical because 26 00:01:23,400 --> 00:01:26,000 Speaker 6: it wasn't that cold on that moon? As you know, 27 00:01:26,040 --> 00:01:30,199 Speaker 6: we're about to get into just yeah. Anyways, so should 28 00:01:30,240 --> 00:01:31,560 Speaker 6: we do the recap? How's our body doing? 29 00:01:31,760 --> 00:01:32,080 Speaker 5: Do it? 30 00:01:33,400 --> 00:01:33,640 Speaker 7: Okay? 31 00:01:33,640 --> 00:01:35,080 Speaker 3: Everybody feels like a Friday. 32 00:01:35,160 --> 00:01:38,399 Speaker 7: It's not no, no, but it does. Okay. 33 00:01:38,440 --> 00:01:42,520 Speaker 6: So here comes the recap for Season two, episode seventeen, 34 00:01:42,560 --> 00:01:44,720 Speaker 6: brought to you by the Scum and Villainy canteena the 35 00:01:44,760 --> 00:01:48,880 Speaker 6: original air date February twenty fourth, twenty sixteen. 36 00:01:48,920 --> 00:01:49,320 Speaker 7: Here we go. 37 00:01:49,880 --> 00:01:53,280 Speaker 6: The Ghost Crew investigates an abandoned weapons platform above Geonosis, 38 00:01:53,280 --> 00:01:56,000 Speaker 6: where naturally they're ambushed by Imperial forces led by none 39 00:01:56,040 --> 00:01:59,480 Speaker 6: other than Asian Callous Zeb. Mchallius immediately square off Chopper 40 00:01:59,480 --> 00:02:01,840 Speaker 6: battles with the Imperial droid. It's a typical day for 41 00:02:01,880 --> 00:02:03,880 Speaker 6: the gang, but in the midst of his personal battle, 42 00:02:04,000 --> 00:02:05,960 Speaker 6: Callous Zeb is separated from the group as they make 43 00:02:05,960 --> 00:02:08,640 Speaker 6: their escape. Then, just as he's about to be in 44 00:02:08,639 --> 00:02:10,440 Speaker 6: the clear, calls to Size the hitch a ride in 45 00:02:10,520 --> 00:02:13,200 Speaker 6: his escape pod. Their skullfel continues until their pod crash 46 00:02:13,280 --> 00:02:15,760 Speaker 6: lands into a cave on an ice moon. Callous is 47 00:02:15,760 --> 00:02:18,120 Speaker 6: a broken leg, calms are down, and now the two 48 00:02:18,240 --> 00:02:22,000 Speaker 6: rivals are stuck together. Two rivals one cave take that. However, 49 00:02:22,000 --> 00:02:24,680 Speaker 6: you look. Then, through the course of their time together, 50 00:02:24,720 --> 00:02:27,480 Speaker 6: despite being in freezing temperatures, things between them, like NBA 51 00:02:27,600 --> 00:02:30,440 Speaker 6: jam are heating up through the power of communication. Ze 52 00:02:30,520 --> 00:02:33,880 Speaker 6: Micheals end up being the embodiment of Brene Brown's thesis 53 00:02:33,880 --> 00:02:36,640 Speaker 6: that people are hard to hate. Close up between their 54 00:02:36,639 --> 00:02:39,080 Speaker 6: trauma bonding to fighting off the cave ice monster together 55 00:02:39,160 --> 00:02:41,480 Speaker 6: and Zeb giving Callous a piggyback ride, the two of 56 00:02:41,480 --> 00:02:43,480 Speaker 6: them start to look less like rivals and more like 57 00:02:43,520 --> 00:02:46,120 Speaker 6: starcross lovers. After making it out of the cave with 58 00:02:46,160 --> 00:02:48,119 Speaker 6: the help of one another, falling asleep on each other, 59 00:02:48,160 --> 00:02:49,640 Speaker 6: it is now time for the two of them to 60 00:02:49,680 --> 00:02:52,840 Speaker 6: make like journey and go to separate ways. Zeb goes 61 00:02:52,880 --> 00:02:55,280 Speaker 6: with his ghost Crew family and Kllus waits for the Empire. 62 00:02:55,600 --> 00:02:57,880 Speaker 6: But with the fleeting look that Zeb gives back in 63 00:02:57,919 --> 00:03:01,320 Speaker 6: Callous's direction before boarding the Ghosts and Hells affectionately holding 64 00:03:01,320 --> 00:03:03,200 Speaker 6: the heat rock that Zeb gave to him in the cave, 65 00:03:03,639 --> 00:03:07,799 Speaker 6: one thing is very clear. These two wait for it 66 00:03:08,360 --> 00:03:11,880 Speaker 6: just can't quit each other, and that first season two 67 00:03:11,919 --> 00:03:16,639 Speaker 6: episode seventeen, The Autumble Ones aka Broke Back Ice Mountain Bravo. 68 00:03:16,480 --> 00:03:17,480 Speaker 2: I can't quit you. 69 00:03:19,160 --> 00:03:21,880 Speaker 3: That was fantastic. I was very much looking forward to 70 00:03:21,880 --> 00:03:24,880 Speaker 3: this recap, even more so than usual because I love 71 00:03:24,960 --> 00:03:27,680 Speaker 3: this episode and there's so much to say about it. 72 00:03:28,639 --> 00:03:29,920 Speaker 7: So where should we start. 73 00:03:30,520 --> 00:03:32,800 Speaker 2: To say thank you, thank you for that? 74 00:03:32,880 --> 00:03:35,760 Speaker 3: Okay, yeah, well sorry, I do have me. I took 75 00:03:35,800 --> 00:03:38,760 Speaker 3: a lot of notes. Again, I do have one question 76 00:03:38,880 --> 00:03:40,960 Speaker 3: out the gate, and I couldn't remember. I mean, I 77 00:03:40,960 --> 00:03:42,640 Speaker 3: guess I could have gone back and listened to our 78 00:03:42,680 --> 00:03:47,560 Speaker 3: Henry episodes, but I could have sworn when we did this, 79 00:03:47,640 --> 00:03:52,840 Speaker 3: when we recorded this that I thought that Dave told 80 00:03:52,920 --> 00:03:57,800 Speaker 3: us that this was based on The Defiant Ones starring 81 00:03:57,920 --> 00:04:02,040 Speaker 3: Sidney Poitier and Tony Curtis. If you haven't seen that movie, listeners, 82 00:04:02,040 --> 00:04:04,560 Speaker 3: please go watch it. It's fantastic. I think they were 83 00:04:04,600 --> 00:04:07,200 Speaker 3: both nominated for Oscars. Are they won? I should look 84 00:04:07,200 --> 00:04:10,040 Speaker 3: it up anyway. But then when we were talking to Henry, 85 00:04:10,080 --> 00:04:13,160 Speaker 3: I feel like he was he did not really acknowledge. 86 00:04:12,640 --> 00:04:15,080 Speaker 2: Any another one was he said something else? 87 00:04:15,320 --> 00:04:16,480 Speaker 7: He said enemy Mine. 88 00:04:16,560 --> 00:04:19,440 Speaker 6: It was a movie from the eighties directed by Wolfgang Peterson. 89 00:04:19,520 --> 00:04:22,400 Speaker 6: For those who don't know, Wolfgang Peterson did this OSCAR 90 00:04:22,440 --> 00:04:25,760 Speaker 6: nominated movie called Dos Botes. He did neverending Story, Troy 91 00:04:26,400 --> 00:04:29,520 Speaker 6: a lot of prolific stuff. And have any of you seen, 92 00:04:29,600 --> 00:04:31,240 Speaker 6: and I mean mine, that's actually one of my favorite 93 00:04:31,360 --> 00:04:35,640 Speaker 6: Pichay movies. It's lu Gassa Junior and Dennis Quaid and 94 00:04:35,720 --> 00:04:38,359 Speaker 6: Lucasa Juniors is alien known as the drag Race, and 95 00:04:39,080 --> 00:04:41,960 Speaker 6: Dennis Quaid is as you know, human, you know, space 96 00:04:42,000 --> 00:04:44,680 Speaker 6: soldier from Earth and they're stuck on this planet together. 97 00:04:45,200 --> 00:04:47,479 Speaker 6: But then even though they start out not speaking the 98 00:04:47,480 --> 00:04:50,120 Speaker 6: same language, they end up becoming like best friends and 99 00:04:50,240 --> 00:04:52,960 Speaker 6: all this stuff. So when Henry said that, I was like, 100 00:04:53,000 --> 00:04:55,880 Speaker 6: oh my god, because I grew up watching that movie. Yeah, 101 00:04:55,880 --> 00:04:56,400 Speaker 6: it's crazy. 102 00:04:56,600 --> 00:04:59,720 Speaker 3: Well, the Defiance. First of all, it's called this this 103 00:05:00,080 --> 00:05:02,480 Speaker 3: episode is called The Honorable Ones, so I have to 104 00:05:02,839 --> 00:05:05,760 Speaker 3: have to believe that in some way it is based 105 00:05:05,800 --> 00:05:08,919 Speaker 3: on that movie or inspired by that movie. And also 106 00:05:08,960 --> 00:05:15,160 Speaker 3: in the movie, Tony Curtis and Sidney Poitier play two 107 00:05:15,240 --> 00:05:19,039 Speaker 3: convicts chained together, one white, one black. This was in 108 00:05:19,080 --> 00:05:23,840 Speaker 3: the sixties, fifties, sixties, and you know they're at odds, 109 00:05:23,880 --> 00:05:27,320 Speaker 3: but they have to work together to escape. I don't 110 00:05:27,320 --> 00:05:29,240 Speaker 3: want to give anything away in case anyone wants to 111 00:05:29,240 --> 00:05:31,520 Speaker 3: go watch The de Fine Ones. Why are you laughing 112 00:05:31,560 --> 00:05:36,680 Speaker 3: at me already? Taylor? Anyway, I just was curious because 113 00:05:36,720 --> 00:05:41,080 Speaker 3: I do y'all remember any Filoni telling us about that, 114 00:05:41,120 --> 00:05:45,440 Speaker 3: because it's so similar that, you know, these two people 115 00:05:45,440 --> 00:05:52,000 Speaker 3: who are at odds and have kind of fundamental issues 116 00:05:52,040 --> 00:05:56,880 Speaker 3: with each other have to sort of set those aside 117 00:05:57,080 --> 00:06:01,239 Speaker 3: and work together to achieve a goal. And it's anyway, 118 00:06:01,440 --> 00:06:04,239 Speaker 3: I thought, I love this episode so much. It's so great, 119 00:06:04,320 --> 00:06:09,640 Speaker 3: the performances are so good. I just want I think 120 00:06:09,680 --> 00:06:11,599 Speaker 3: I've said this before. I want David a Yellowo to 121 00:06:11,720 --> 00:06:15,760 Speaker 3: like read me a that time story because voice is 122 00:06:15,800 --> 00:06:20,800 Speaker 3: so beautiful and soothing and oh my first note is 123 00:06:21,800 --> 00:06:24,960 Speaker 3: w t F f f F is that alien space triceratops? 124 00:06:25,000 --> 00:06:25,680 Speaker 3: Does it have a name? 125 00:06:25,920 --> 00:06:30,039 Speaker 2: So mine wrote the same thing. I said, what the 126 00:06:30,279 --> 00:06:39,719 Speaker 2: actual is that dinosaur thing? It's a bonzombie? Oh you guys, 127 00:06:40,279 --> 00:06:43,440 Speaker 2: you read out the cheap code I am to be 128 00:06:43,560 --> 00:06:47,839 Speaker 2: Trivia just tells you everything. And that's just an anagram 129 00:06:47,880 --> 00:06:53,159 Speaker 2: for Zamboni. So he's a hockey fan. Yeah, okay, I'm like, 130 00:06:53,360 --> 00:06:55,560 Speaker 2: I've been on a lot of hockey rinks. That's not 131 00:06:55,600 --> 00:07:00,680 Speaker 2: exactly what I would think of, for like, as an animal. 132 00:07:00,720 --> 00:07:04,359 Speaker 2: When I read it. I was like, what it's like, 133 00:07:05,160 --> 00:07:08,479 Speaker 2: tops right, it's a dinasty Yeah, yeah, okay. 134 00:07:08,200 --> 00:07:10,200 Speaker 3: Well I did not remember that creature and when I 135 00:07:10,200 --> 00:07:12,360 Speaker 3: saw it, I was like, oh my god, what is that. 136 00:07:12,440 --> 00:07:13,960 Speaker 3: I don't like it. I don't care for it. 137 00:07:15,120 --> 00:07:18,680 Speaker 4: Yeah, those were fun when Chopper gets into it with 138 00:07:18,760 --> 00:07:21,560 Speaker 4: the other droid. The other droid was remarkably a lot 139 00:07:21,600 --> 00:07:25,160 Speaker 4: like either the Pittsburgh Steelers or the Penguins. And now 140 00:07:25,160 --> 00:07:27,960 Speaker 4: you're telling me there's a Zamboni reference. Does IMDb have 141 00:07:28,000 --> 00:07:31,800 Speaker 4: anything to say about that droid that gets all the 142 00:07:31,840 --> 00:07:33,360 Speaker 4: Pittsburgh teams. 143 00:07:33,120 --> 00:07:37,160 Speaker 2: Also reference bloads on IMDb trivia because I'm quoting it 144 00:07:37,200 --> 00:07:38,080 Speaker 2: like it's oh it's. 145 00:07:38,000 --> 00:07:40,880 Speaker 5: Me, yeah, assault. 146 00:07:40,760 --> 00:07:43,400 Speaker 2: Yeah, it's something about it. I couldn't even understand, like 147 00:07:43,440 --> 00:07:46,239 Speaker 2: a desert, like it's the desert, but also an ice 148 00:07:46,320 --> 00:07:48,280 Speaker 2: moon and I was like, my first note was like 149 00:07:48,320 --> 00:07:51,280 Speaker 2: they're freezing. I just like how they animated. I love 150 00:07:51,360 --> 00:07:55,480 Speaker 2: this in in movies when you see people's wrecked because 151 00:07:55,600 --> 00:07:58,440 Speaker 2: maybe we see behind the curtain for too long. And 152 00:07:58,560 --> 00:08:00,480 Speaker 2: I mean, you guys know all the tricks like when 153 00:08:00,640 --> 00:08:02,720 Speaker 2: it's not supposed to be w so you put ice 154 00:08:02,760 --> 00:08:05,560 Speaker 2: in your mouth and different things like I just love 155 00:08:05,800 --> 00:08:09,480 Speaker 2: the animated actual breath going out. I was like, oh, 156 00:08:09,520 --> 00:08:10,440 Speaker 2: there's some money spot. 157 00:08:11,880 --> 00:08:17,280 Speaker 3: I enjoyed that. I also love learning we get it 158 00:08:17,800 --> 00:08:20,680 Speaker 3: comes in little sprinkles throughout. But when I love learning 159 00:08:20,760 --> 00:08:24,560 Speaker 3: the thought lore, like especially when we like learned that 160 00:08:25,240 --> 00:08:30,040 Speaker 3: zeb was a captain No captain. Wow. So I learned 161 00:08:30,040 --> 00:08:31,240 Speaker 3: it real good, real good. 162 00:08:32,960 --> 00:08:36,040 Speaker 2: I'm not knowing it at all. 163 00:08:36,840 --> 00:08:41,280 Speaker 3: Probably forgetting what story of my life when he when 164 00:08:41,320 --> 00:08:43,680 Speaker 3: he talks about is it boosts on Carri? 165 00:08:44,880 --> 00:08:44,960 Speaker 5: What? 166 00:08:45,320 --> 00:08:45,440 Speaker 1: So? 167 00:08:45,520 --> 00:08:47,760 Speaker 7: What? That's it? 168 00:08:48,559 --> 00:08:50,920 Speaker 3: Okay, that is it? I just watched it and I 169 00:08:50,960 --> 00:08:52,839 Speaker 3: wrote it down, although I didn't know how to spell it. 170 00:08:52,880 --> 00:08:55,640 Speaker 3: But anyway, that that's cool. It's kind of like I 171 00:08:55,679 --> 00:08:58,200 Speaker 3: don't know, Harry Carrie or I mean, you know, like 172 00:08:58,240 --> 00:08:59,400 Speaker 3: a practice. 173 00:08:59,240 --> 00:09:02,880 Speaker 7: Uh the warrior way of the yeah way. 174 00:09:03,720 --> 00:09:06,480 Speaker 3: Anyway, what did you think about it? Taylor? Over there? 175 00:09:07,400 --> 00:09:10,959 Speaker 2: I thought it was pretty cool that Kallas ends up 176 00:09:11,200 --> 00:09:18,280 Speaker 2: like on Hawk upside down and the are we are 177 00:09:18,320 --> 00:09:20,560 Speaker 2: we seeing anything? From all I remember when I was 178 00:09:20,559 --> 00:09:23,360 Speaker 2: young of seeing Star Wars was that I always thought 179 00:09:23,400 --> 00:09:26,120 Speaker 2: of this scene when he's upside down and the like 180 00:09:26,160 --> 00:09:30,560 Speaker 2: abominable snowman type thing is coming for him. Is that 181 00:09:30,760 --> 00:09:33,200 Speaker 2: not kind of a play on how Callous ends up 182 00:09:34,760 --> 00:09:38,000 Speaker 2: and an icy thing upside down, stuck in this thing 183 00:09:38,360 --> 00:09:42,679 Speaker 2: and a creature is coming towards him. Taylor didn't no 184 00:09:42,720 --> 00:09:43,080 Speaker 2: one else. 185 00:09:43,600 --> 00:09:45,040 Speaker 5: That's I don't mean. 186 00:09:45,200 --> 00:09:50,960 Speaker 7: I'm just soaking in all your knowledge, man, crazy. 187 00:09:52,360 --> 00:09:54,360 Speaker 3: I think we're all in shock that you. 188 00:09:54,720 --> 00:09:57,760 Speaker 2: I couldn't tell you. Is that a new hope maybe. 189 00:09:59,080 --> 00:09:59,520 Speaker 7: Strikes back? 190 00:10:01,480 --> 00:10:03,600 Speaker 2: Yeah, but you know what I mean, like it's cold 191 00:10:04,080 --> 00:10:06,439 Speaker 2: upside down all, like I. 192 00:10:06,400 --> 00:10:07,600 Speaker 3: Forgot about the upside down? 193 00:10:08,679 --> 00:10:09,760 Speaker 2: Yeah, Taylor. 194 00:10:12,280 --> 00:10:15,040 Speaker 3: Can I say one thing which I know is, you know, 195 00:10:15,080 --> 00:10:20,400 Speaker 3: we try to stay away from like being too explicit 196 00:10:20,480 --> 00:10:23,240 Speaker 3: about what's happening in the world. We sort of tend 197 00:10:23,240 --> 00:10:26,080 Speaker 3: to reference things without being too specific. So I'll do 198 00:10:26,120 --> 00:10:32,080 Speaker 3: the same. But when Callus says I never asked questions, 199 00:10:33,240 --> 00:10:35,400 Speaker 3: and what does zeb say, He says, like, well, maybe 200 00:10:35,400 --> 00:10:39,240 Speaker 3: you should have. It just felt very topical, you know, 201 00:10:39,679 --> 00:10:42,599 Speaker 3: like just generally talking about like military members of the 202 00:10:42,640 --> 00:10:48,000 Speaker 3: military blindly following orders irrespective of legality. And you know, 203 00:10:48,440 --> 00:10:51,480 Speaker 3: we recorded that episode ten years ago and it just 204 00:10:51,520 --> 00:10:56,440 Speaker 3: felt I was like, oh that, yeah, you know, Star Wars, 205 00:10:56,480 --> 00:11:01,400 Speaker 3: it's just applicable to so much for. 206 00:11:00,160 --> 00:11:03,640 Speaker 7: For forever, you know, very timeless. 207 00:11:03,720 --> 00:11:06,800 Speaker 6: Yeah, I wrote in my notes, what we see between 208 00:11:07,000 --> 00:11:08,680 Speaker 6: you know, all the jokes even though we're not joking 209 00:11:08,679 --> 00:11:12,080 Speaker 6: aside the lover's thing with whom Zeb and Callous is 210 00:11:13,400 --> 00:11:15,679 Speaker 6: this interaction between the two of them was so fascinating 211 00:11:15,679 --> 00:11:18,480 Speaker 6: because we see to piggyback on what you're talking about 212 00:11:18,480 --> 00:11:20,839 Speaker 6: to you, this propaganda versus truth. They were both kind 213 00:11:20,880 --> 00:11:23,800 Speaker 6: of told stories about one another until they start to 214 00:11:23,840 --> 00:11:26,320 Speaker 6: be face to face, which is why point out Brene Brown. 215 00:11:26,320 --> 00:11:28,200 Speaker 6: When you see people up close, like, oh wait, we're 216 00:11:28,240 --> 00:11:30,600 Speaker 6: not as different as we thought, And then we get 217 00:11:30,640 --> 00:11:36,880 Speaker 6: this whole like indoctrination versus empathy, and like survival versus ideology. 218 00:11:37,000 --> 00:11:39,680 Speaker 6: How ideology kind of goes out the window when survival 219 00:11:39,760 --> 00:11:42,240 Speaker 6: is your number one priority, which is what happens with Callous. 220 00:11:42,240 --> 00:11:48,280 Speaker 6: Here's that whole gravitas, that machismo exterior completely fades away 221 00:11:48,280 --> 00:11:50,600 Speaker 6: because he's completely at the mercy of somebody who could 222 00:11:50,600 --> 00:11:53,400 Speaker 6: have killed him at any time. But Zeb chose to 223 00:11:53,440 --> 00:11:57,200 Speaker 6: be the honorable one here. And that's when they actually 224 00:11:57,200 --> 00:12:00,160 Speaker 6: have an understanding of each other. But they realize is 225 00:12:00,200 --> 00:12:02,160 Speaker 6: that and then that's why it's very star cross. They 226 00:12:02,240 --> 00:12:05,360 Speaker 6: just are opposite sides of the battlefield. 227 00:12:05,360 --> 00:12:05,720 Speaker 7: For now. 228 00:12:06,160 --> 00:12:09,600 Speaker 6: But I just felt like, wow, like that's some deep 229 00:12:09,600 --> 00:12:12,040 Speaker 6: stuff right there. Uh, in terms of character work, you 230 00:12:12,040 --> 00:12:13,080 Speaker 6: know totally. 231 00:12:13,240 --> 00:12:16,600 Speaker 3: I mean when he when when David when Callous gives 232 00:12:16,679 --> 00:12:22,880 Speaker 3: that that monologue, it's so moving and you know, obviously 233 00:12:22,960 --> 00:12:27,720 Speaker 3: his performance is wonderful, but just like it's it's deep, 234 00:12:27,800 --> 00:12:30,440 Speaker 3: it's deeply moving. And then immediately Zeb's like, oh no, 235 00:12:30,480 --> 00:12:32,800 Speaker 3: but imperials are all But you know, it goes right 236 00:12:32,840 --> 00:12:37,520 Speaker 3: back into fall, falling back into your your ways, even 237 00:12:37,559 --> 00:12:39,640 Speaker 3: though you are being confronted well, I mean, I think 238 00:12:39,640 --> 00:12:43,960 Speaker 3: it's really hard to be confronted with Uh, it's human 239 00:12:44,040 --> 00:12:50,040 Speaker 3: nature to fight the idea that you could have been wrong, 240 00:12:50,840 --> 00:12:54,640 Speaker 3: just generally speaking, but also with your like deeply held beliefs, 241 00:12:54,720 --> 00:12:58,080 Speaker 3: and when you're confronted with something that contradicts those beliefs, 242 00:12:58,200 --> 00:13:02,320 Speaker 3: it's it's very difficult to shake them and learn from them. 243 00:13:02,360 --> 00:13:05,679 Speaker 3: And you know, sometimes it takes being stranded on a 244 00:13:05,880 --> 00:13:10,480 Speaker 3: ice moon in the middle of space to kind of 245 00:13:10,559 --> 00:13:14,040 Speaker 3: be forced to maybe reevaluate. 246 00:13:15,360 --> 00:13:19,280 Speaker 2: Question for the class, do we think that this started? 247 00:13:19,600 --> 00:13:20,439 Speaker 2: What is that from? 248 00:13:20,640 --> 00:13:23,079 Speaker 8: I've just heard that and said, is that from the 249 00:13:23,200 --> 00:13:37,040 Speaker 8: question for the class? Yeahco, what is that? What is anything? 250 00:13:37,040 --> 00:13:37,520 Speaker 7: Anymore. 251 00:13:38,679 --> 00:13:42,440 Speaker 2: Is this part of I not to spoil anything people 252 00:13:42,520 --> 00:13:45,840 Speaker 2: have If you listening this podcast, presumably you've watched more 253 00:13:45,880 --> 00:13:50,120 Speaker 2: of this and we have. Uh, is this part of 254 00:13:50,200 --> 00:13:55,360 Speaker 2: the catalyst of where Callous is going? Or because I 255 00:13:55,400 --> 00:14:00,800 Speaker 2: didn't really cluck into Callous too much until his other side, right, 256 00:14:00,880 --> 00:14:03,319 Speaker 2: And so when I saw this at the beginning ep set, 257 00:14:03,320 --> 00:14:06,400 Speaker 2: I was like, Oh, he's just it's faking it, like 258 00:14:06,480 --> 00:14:08,360 Speaker 2: he knows. But then I was like, I don't. I 259 00:14:08,360 --> 00:14:11,160 Speaker 2: don't think that's the case. I was a little confused 260 00:14:11,160 --> 00:14:14,160 Speaker 2: as to like, where does he stand in relation to 261 00:14:14,360 --> 00:14:17,080 Speaker 2: the obviously a deep sea of belief is a deep 262 00:14:17,120 --> 00:14:20,040 Speaker 2: seat or like what he might lean towards, But where 263 00:14:20,160 --> 00:14:21,720 Speaker 2: is he? Do you know what I'm saying? 264 00:14:21,800 --> 00:14:24,240 Speaker 3: Kind of well, yes, I totally do. And I was 265 00:14:24,280 --> 00:14:27,920 Speaker 3: wondering the same, not that he's acting, but that they 266 00:14:27,920 --> 00:14:33,760 Speaker 3: are truly in this very dire situation. And so whatever, whatever, 267 00:14:34,480 --> 00:14:38,440 Speaker 3: the dialogue is all organic, right and and and but 268 00:14:38,560 --> 00:14:42,560 Speaker 3: I think the moment I forgot about this moment at 269 00:14:42,600 --> 00:14:47,160 Speaker 3: the very very end where he gets that like cold 270 00:14:48,560 --> 00:14:52,840 Speaker 3: half greeting from what is an admiral Constantine and he 271 00:14:53,040 --> 00:14:56,840 Speaker 3: and he had just witnessed, you know, our like exuberant welcome, 272 00:14:57,000 --> 00:14:59,840 Speaker 3: like when we go and pick Zeb up and we're like, oh, 273 00:15:00,000 --> 00:15:02,360 Speaker 3: oh my god, zeb you know, and he's witnessed to that. 274 00:15:02,440 --> 00:15:06,120 Speaker 3: And then he gets saved and and there's like a 275 00:15:06,280 --> 00:15:11,280 Speaker 3: perfunctory you know, Kurt agent Callous, and then he goes 276 00:15:11,280 --> 00:15:15,320 Speaker 3: into his room and it's so sad. It's really very heartbreaking. 277 00:15:15,880 --> 00:15:17,880 Speaker 3: I think that's the I don't know about y'all, but 278 00:15:17,920 --> 00:15:19,760 Speaker 3: I think that's the moment where things start to ship 279 00:15:19,840 --> 00:15:20,440 Speaker 3: for Callous. 280 00:15:20,560 --> 00:15:23,280 Speaker 4: I remember Felony talking about that that this was an 281 00:15:23,280 --> 00:15:26,880 Speaker 4: episode where and in a weird way, you know, the 282 00:15:26,960 --> 00:15:30,880 Speaker 4: last episode we talked about how Harrah, sentenced by sentence, 283 00:15:30,920 --> 00:15:34,280 Speaker 4: got back into her ryeloth accent. For me, in this episode, 284 00:15:34,320 --> 00:15:37,640 Speaker 4: it was interesting to watch how combatitive they were. And 285 00:15:37,680 --> 00:15:39,680 Speaker 4: then there's a sound of an animal and about some 286 00:15:39,880 --> 00:15:41,640 Speaker 4: creature Toronto source Rex. 287 00:15:41,520 --> 00:15:42,680 Speaker 5: Or whatever the heck that thing is. 288 00:15:42,840 --> 00:15:43,320 Speaker 2: What is it? 289 00:15:43,360 --> 00:15:43,720 Speaker 5: Taylor? 290 00:15:44,080 --> 00:15:46,000 Speaker 2: You guys but zombie? Thanks? 291 00:15:48,200 --> 00:15:51,040 Speaker 5: Taylor knows no, but when when? 292 00:15:51,160 --> 00:15:53,520 Speaker 4: And like the stakes start changing and then well you know, 293 00:15:53,960 --> 00:15:57,160 Speaker 4: Zeb could kill him, but he doesn't because you know, 294 00:15:57,200 --> 00:15:59,040 Speaker 4: he says, you need me to get out of here. 295 00:15:59,640 --> 00:16:02,920 Speaker 4: It's funny how their dialogue goes from oh and this valuable, 296 00:16:03,480 --> 00:16:06,479 Speaker 4: you know, valiant, Lisade did this and that with Sagerera 297 00:16:06,560 --> 00:16:09,320 Speaker 4: and I was just doing my duty and things start 298 00:16:09,360 --> 00:16:11,880 Speaker 4: to break down to if we want to survive, we're 299 00:16:11,920 --> 00:16:14,480 Speaker 4: going to have to get along and I'll kill you later, okay, 300 00:16:14,760 --> 00:16:18,000 Speaker 4: like they're postponing. They're they're fighting until later. Like even 301 00:16:18,000 --> 00:16:19,760 Speaker 4: when he wakes up all cuddled up with him, he 302 00:16:19,800 --> 00:16:21,600 Speaker 4: punches him when he wakes up to go, so. 303 00:16:22,280 --> 00:16:26,400 Speaker 3: You know, they're like who Yeah. 304 00:16:26,840 --> 00:16:31,280 Speaker 4: But I do think that the the family vibes that 305 00:16:31,320 --> 00:16:34,080 Speaker 4: were you know, when we greet Zeb and rescue him 306 00:16:34,160 --> 00:16:37,880 Speaker 4: or whatever, when he says he's holding you know, the 307 00:16:39,040 --> 00:16:41,800 Speaker 4: rock or whatever it was from the moon and he 308 00:16:41,920 --> 00:16:44,000 Speaker 4: says something, I mean, he's got a broken leg, and 309 00:16:44,040 --> 00:16:47,880 Speaker 4: he addresses his colleague and he's just like, man, right, 310 00:16:48,520 --> 00:16:50,680 Speaker 4: you know, there's there's nothing there he I think when 311 00:16:50,680 --> 00:16:54,160 Speaker 4: he's alone in his room, he realizes, like, these people 312 00:16:54,200 --> 00:16:57,960 Speaker 4: would never save me the way Zeb was saved. I 313 00:16:58,440 --> 00:17:00,840 Speaker 4: have given my duty and I have not ask questions 314 00:17:00,840 --> 00:17:04,720 Speaker 4: to a group that really doesn't care about me, and 315 00:17:04,760 --> 00:17:06,199 Speaker 4: I've never felt more alone. 316 00:17:06,240 --> 00:17:07,879 Speaker 5: I think Filoney. 317 00:17:07,440 --> 00:17:11,040 Speaker 4: Wanted to utilize this episode as a way for callous 318 00:17:11,160 --> 00:17:16,080 Speaker 4: to come to that realization that this choice costs even 319 00:17:16,200 --> 00:17:21,239 Speaker 4: him and that, you know, I felt that at the end, 320 00:17:21,280 --> 00:17:24,359 Speaker 4: I felt so sad for him alone, like that that 321 00:17:24,400 --> 00:17:28,120 Speaker 4: he would give everything for nothing. And I think for 322 00:17:28,160 --> 00:17:31,239 Speaker 4: me that that seemed like the point at which he 323 00:17:32,440 --> 00:17:34,239 Speaker 4: I don't know if that's the exact point, but I 324 00:17:34,240 --> 00:17:37,560 Speaker 4: think all of this built a case for questioning authority 325 00:17:38,280 --> 00:17:40,640 Speaker 4: and seeking the truth the way I think Zeb says 326 00:17:40,640 --> 00:17:42,959 Speaker 4: if maybe you should ask questions and the truth will 327 00:17:42,960 --> 00:17:45,080 Speaker 4: be revealed or something like that, like seeking the truth 328 00:17:45,160 --> 00:17:50,160 Speaker 4: is worth the bother, do you know? So anyway, I also, 329 00:17:50,160 --> 00:17:52,520 Speaker 4: as a Clone Wars fan, you bring up Genosis, like, 330 00:17:52,600 --> 00:17:56,320 Speaker 4: you know, the first battle of the Clone Wars. It's 331 00:17:56,359 --> 00:17:58,960 Speaker 4: interesting to me that this healing happened on a moon 332 00:17:59,040 --> 00:18:00,480 Speaker 4: and not on Genoe, that there. 333 00:18:00,359 --> 00:18:01,639 Speaker 5: Were two battles on Genosis. 334 00:18:01,720 --> 00:18:05,679 Speaker 4: J C. He'll he'll break it all down for us. 335 00:18:05,720 --> 00:18:07,000 Speaker 4: But I hear Genosis and I'm. 336 00:18:06,920 --> 00:18:10,240 Speaker 5: Like, oh my god. You know, second season Clone or 337 00:18:11,040 --> 00:18:12,639 Speaker 5: you know, d is incredible. 338 00:18:12,680 --> 00:18:15,119 Speaker 4: And I love how Captain Rex is like, ah Genosis, 339 00:18:15,960 --> 00:18:18,960 Speaker 4: you know, because he definitely had some dealings with those 340 00:18:19,040 --> 00:18:20,400 Speaker 4: insects and whatever. 341 00:18:20,119 --> 00:18:21,800 Speaker 3: He what were those things? 342 00:18:23,240 --> 00:18:25,359 Speaker 4: And he did voice for the insects as well. Oh, 343 00:18:25,400 --> 00:18:29,320 Speaker 4: I'm sure, I'm sure. But anyway, I'm sure JC will 344 00:18:29,320 --> 00:18:33,200 Speaker 4: speak to that. But I love that this romance starts 345 00:18:33,240 --> 00:18:36,840 Speaker 4: blossoming on a moon. I just I just the poetry 346 00:18:36,840 --> 00:18:38,919 Speaker 4: of that was not lost to me. 347 00:18:38,960 --> 00:18:39,639 Speaker 5: I was great. 348 00:18:40,920 --> 00:18:46,400 Speaker 7: Yeah, did you bring up such great stuff here? Sorry? 349 00:18:46,600 --> 00:18:47,480 Speaker 7: Are you going to say something? 350 00:18:48,119 --> 00:18:48,239 Speaker 5: You? 351 00:18:48,280 --> 00:18:48,879 Speaker 3: Please? Go ahead. 352 00:18:49,000 --> 00:18:51,199 Speaker 6: I'm just piggybacking on what everyone's saying in terms of 353 00:18:51,400 --> 00:18:54,200 Speaker 6: like this is Kells turning, for lack of a better word, 354 00:18:54,200 --> 00:18:57,080 Speaker 6: He's almost becoming like the heretic of the Empire at 355 00:18:57,080 --> 00:18:59,800 Speaker 6: this point, or he's willing to instead of this blind faith. 356 00:19:00,119 --> 00:19:04,320 Speaker 6: He's starting to percepts suggestion, well why don't you ask questions? 357 00:19:04,320 --> 00:19:06,320 Speaker 6: Why don't you explore the how and the why and 358 00:19:06,400 --> 00:19:08,720 Speaker 6: why are you doing this? Because he was up to 359 00:19:08,720 --> 00:19:11,440 Speaker 6: this point I would say the perfect soldier, because he 360 00:19:11,480 --> 00:19:14,879 Speaker 6: wasn't questioning everything. And it's not just that he believed 361 00:19:14,880 --> 00:19:16,720 Speaker 6: the empire. It's like I think, and this is going 362 00:19:16,760 --> 00:19:18,399 Speaker 6: back to what we talked about the last episode with 363 00:19:19,640 --> 00:19:21,800 Speaker 6: the book I for Duke Keith Payne's book about like 364 00:19:21,840 --> 00:19:25,320 Speaker 6: mental gymnastics in our psychological immune system. He has to 365 00:19:25,320 --> 00:19:28,720 Speaker 6: believe he's doing the right thing by believing the empire. 366 00:19:28,760 --> 00:19:30,600 Speaker 6: It's not that he just believes them. He needs to 367 00:19:30,600 --> 00:19:33,719 Speaker 6: believe them of course, until now now he's like, well, 368 00:19:33,720 --> 00:19:36,440 Speaker 6: wait a minute, I'm seeing this person who could have 369 00:19:36,680 --> 00:19:40,600 Speaker 6: legitimately killed me in my weakest moment, but he still 370 00:19:40,600 --> 00:19:43,480 Speaker 6: held on to his principles but did it with such grace. 371 00:19:43,960 --> 00:19:47,760 Speaker 6: So it's like it's when it's like when you're like, 372 00:19:47,760 --> 00:19:50,920 Speaker 6: if you're an athlete, you see an athlete on another level, like, 373 00:19:50,920 --> 00:19:52,800 Speaker 6: oh wow, that's how I can level up. It's when 374 00:19:52,800 --> 00:19:54,760 Speaker 6: you see a tangibly like oh wow, okay, now I 375 00:19:54,760 --> 00:19:57,480 Speaker 6: get it, Or if you're as actors, you see someone 376 00:19:57,520 --> 00:20:00,520 Speaker 6: that's like so next level. Oh I didn't know you 377 00:20:00,560 --> 00:20:03,680 Speaker 6: could do that. That's cool. Now do you start questioning 378 00:20:03,840 --> 00:20:05,440 Speaker 6: ways that you can implement that in to your own life. 379 00:20:05,520 --> 00:20:07,359 Speaker 6: That's what I see Callous as by the end of 380 00:20:07,359 --> 00:20:10,560 Speaker 6: that episode, And you're right, it's so melancholy and somber 381 00:20:11,280 --> 00:20:16,080 Speaker 6: and isolated and cold, and it's just he realizes, like 382 00:20:16,119 --> 00:20:19,000 Speaker 6: that's not normal. It's like, look for me, for me 383 00:20:19,040 --> 00:20:20,359 Speaker 6: to be open, Like I grew up in a pretty 384 00:20:20,400 --> 00:20:24,080 Speaker 6: tumultuous household. I didn't realize that wasn't normal until I 385 00:20:24,080 --> 00:20:26,199 Speaker 6: got older, I'm like, oh wow, Like my I was 386 00:20:26,240 --> 00:20:29,520 Speaker 6: like depressed and anxious the first half of my life. 387 00:20:29,560 --> 00:20:32,000 Speaker 6: I didn't realize it until I was like, oh, wait, 388 00:20:32,680 --> 00:20:34,600 Speaker 6: is that and not how it's supposed to be. But 389 00:20:34,720 --> 00:20:37,359 Speaker 6: then that's where the healing can begin. 390 00:20:39,040 --> 00:20:44,280 Speaker 3: Yeah, it's not until you're confronted with an alternative that 391 00:20:44,320 --> 00:20:50,119 Speaker 3: you realize that maybe what you've known is not the 392 00:20:50,200 --> 00:20:53,760 Speaker 3: norm or maybe not healthy or in his case, you know, 393 00:20:53,960 --> 00:20:57,560 Speaker 3: he like y'all said, he's he would die for the empire, 394 00:20:58,000 --> 00:21:00,920 Speaker 3: and he realizes in that moment. I think it's like 395 00:21:00,960 --> 00:21:03,439 Speaker 3: a twofold thing, right, because then he sees his enemy. 396 00:21:04,320 --> 00:21:08,920 Speaker 3: He spends time involuntarily with his enemy, and his enemy 397 00:21:09,640 --> 00:21:12,159 Speaker 3: saves his life, not only chooses not to kill him, 398 00:21:12,200 --> 00:21:15,040 Speaker 3: but literally saves him. So then he sees this like 399 00:21:15,160 --> 00:21:19,640 Speaker 3: he's confronted with the fact that, like what he's been 400 00:21:19,720 --> 00:21:23,040 Speaker 3: told about the enemy is maybe not true. And then 401 00:21:23,080 --> 00:21:27,600 Speaker 3: he goes back to his you know, where he belongs 402 00:21:27,680 --> 00:21:31,399 Speaker 3: quote unquote, and I think he realizes in that moment 403 00:21:31,440 --> 00:21:34,480 Speaker 3: that like he would die for the empire, the empire 404 00:21:34,600 --> 00:21:39,840 Speaker 3: would not care a bit. He's totally replaceable. He you know, 405 00:21:39,960 --> 00:21:43,880 Speaker 3: they don't He's just one of a million, right, and 406 00:21:43,960 --> 00:21:50,320 Speaker 3: so I think it's you know, it's very sad, but 407 00:21:50,359 --> 00:21:53,600 Speaker 3: I also really love Callus. So I'm excited for now 408 00:21:53,680 --> 00:21:57,520 Speaker 3: this like turning point and what's to come. And I 409 00:21:57,560 --> 00:21:59,800 Speaker 3: love this romance or whatever you want to call it, 410 00:22:00,040 --> 00:22:04,520 Speaker 3: romance beyond romance. Yeah, I love that. 411 00:22:04,440 --> 00:22:07,920 Speaker 4: The gun that was supposedly a trophy from a battle 412 00:22:08,080 --> 00:22:12,439 Speaker 4: that Callous took with a lassat that that is what 413 00:22:12,600 --> 00:22:15,560 Speaker 4: Zeb used to heal his leg, to give him the 414 00:22:15,600 --> 00:22:18,879 Speaker 4: ability to stand. It's almost like the defiant ones, the 415 00:22:18,960 --> 00:22:23,600 Speaker 4: honorable ones. These weapons of war are being used to 416 00:22:23,600 --> 00:22:26,199 Speaker 4: give him the ability to walk. That there were so 417 00:22:26,320 --> 00:22:31,000 Speaker 4: many things going on here, and as Taylor so astuteley 418 00:22:31,240 --> 00:22:35,400 Speaker 4: pointed out references to former films with Callous hanging from 419 00:22:35,400 --> 00:22:38,520 Speaker 4: the ceiling in an ice cave, I mean, right, Taylor, 420 00:22:39,760 --> 00:22:43,280 Speaker 4: expect there's a lot of poetry. 421 00:22:43,920 --> 00:22:48,719 Speaker 3: It is a really beautiful, a very deep episode, and 422 00:22:48,800 --> 00:22:52,760 Speaker 3: I feel, look, I don't know if this episode is underappreciated. 423 00:22:52,800 --> 00:22:55,639 Speaker 3: That might not be true, but regardless, I think we 424 00:22:55,680 --> 00:23:00,679 Speaker 3: should appreciate it more because you know, Stephen David are 425 00:23:00,880 --> 00:23:05,119 Speaker 3: so good and the nuance, like the nuance of their 426 00:23:05,160 --> 00:23:10,320 Speaker 3: performances is really moving and impressive. But I also feel like, 427 00:23:10,400 --> 00:23:12,639 Speaker 3: I know, in the last episode of this podcast, I 428 00:23:12,640 --> 00:23:14,520 Speaker 3: talked about the animation and how it just gets better 429 00:23:14,560 --> 00:23:20,280 Speaker 3: and better. There was so much subtext between the dialogue 430 00:23:20,680 --> 00:23:24,360 Speaker 3: and we're talking about animation here, so like, hats off 431 00:23:24,400 --> 00:23:27,760 Speaker 3: to the animators for like giving us these moments and 432 00:23:27,800 --> 00:23:33,479 Speaker 3: this subtext and like sort of deepening the connection between 433 00:23:33,480 --> 00:23:36,639 Speaker 3: these two characters when nothing is being said. I was 434 00:23:37,240 --> 00:23:42,160 Speaker 3: really touched by that, right, Taylor. 435 00:23:44,000 --> 00:23:51,880 Speaker 2: Same same disease. Oh boy, they had Zeb's ears wiggling 436 00:23:52,040 --> 00:23:56,480 Speaker 2: in the wind. Really, I thought, I match yours with 437 00:23:56,560 --> 00:23:57,000 Speaker 2: some depth. 438 00:23:57,320 --> 00:24:06,760 Speaker 3: Yeah, yeah, talk about his student observations. Yeah cool, yeah, 439 00:24:06,840 --> 00:24:08,520 Speaker 3: thank you, thanks for that. 440 00:24:08,520 --> 00:24:12,080 Speaker 6: That's very deep. But yeah, I want to go because 441 00:24:12,119 --> 00:24:14,119 Speaker 6: you brought it up to you. The bustan Kira. I 442 00:24:14,160 --> 00:24:16,240 Speaker 6: thought that was such a cool layer to the whole 443 00:24:16,240 --> 00:24:20,320 Speaker 6: thing of one the whole this is Callus's gravitas going away. 444 00:24:20,359 --> 00:24:22,240 Speaker 6: He's like, yeah, I said that just for show, but 445 00:24:22,320 --> 00:24:24,879 Speaker 6: the truth is, this is what happened. But we're also 446 00:24:25,000 --> 00:24:29,720 Speaker 6: seeing how rooted Star Wars is in Japanese tradition. As 447 00:24:29,840 --> 00:24:32,359 Speaker 6: you know, that's very much bushido, the way of the 448 00:24:32,400 --> 00:24:35,800 Speaker 6: warrior in Japanese Samurai ways, which is when you are 449 00:24:35,840 --> 00:24:38,720 Speaker 6: outmatched by somebody, you are going to respectfully say yes, 450 00:24:38,760 --> 00:24:42,439 Speaker 6: you won, even though it may be painful to do so, 451 00:24:42,480 --> 00:24:46,080 Speaker 6: and like in modern times and other relatable times, that's 452 00:24:46,080 --> 00:24:48,720 Speaker 6: called sportsmanship. You know, even if you're out matching the game, 453 00:24:48,760 --> 00:24:51,120 Speaker 6: you're still should shake hands and acknowledge yeah, you bet 454 00:24:51,160 --> 00:24:53,359 Speaker 6: you got me as much as it hurts. 455 00:24:53,359 --> 00:24:55,240 Speaker 7: Even when Ohio State kills your team. 456 00:24:55,280 --> 00:24:57,879 Speaker 6: You're alma mater and I don't want to acknowledge you guys, 457 00:24:57,880 --> 00:24:59,200 Speaker 6: but you guys are very good and I have to 458 00:24:59,240 --> 00:25:04,160 Speaker 6: acknowledge it. That is husan kira, but I hope anyway, anyway, 459 00:25:04,240 --> 00:25:05,400 Speaker 6: so what do you all think about that? 460 00:25:05,480 --> 00:25:07,080 Speaker 2: What are the words that people say when the rank 461 00:25:07,119 --> 00:25:07,920 Speaker 2: thirteenth in the nation? 462 00:25:08,320 --> 00:25:09,920 Speaker 3: Oh my god. 463 00:25:10,240 --> 00:25:18,440 Speaker 7: That's a fourth letter word. It's on the crossroads six 464 00:25:18,520 --> 00:25:18,920 Speaker 7: letter word. 465 00:25:19,280 --> 00:25:19,520 Speaker 3: Yeah. 466 00:25:20,560 --> 00:25:25,879 Speaker 2: Anyway, back stars, is there a Is there another episode 467 00:25:26,119 --> 00:25:27,879 Speaker 2: with the just the two of them? Or is this 468 00:25:27,960 --> 00:25:28,359 Speaker 2: the one? 469 00:25:30,280 --> 00:25:32,800 Speaker 3: Isn't there further bro, like the bromance continues? 470 00:25:32,960 --> 00:25:33,120 Speaker 8: Oh? 471 00:25:33,160 --> 00:25:35,680 Speaker 2: I think yeah, but like an exclusive owner now. 472 00:25:35,920 --> 00:25:38,480 Speaker 3: I think this is like, oh, JC will know? 473 00:25:39,200 --> 00:25:39,679 Speaker 5: Do y'all know? 474 00:25:41,119 --> 00:25:43,240 Speaker 6: Off the top of my head? I can't recall another 475 00:25:43,400 --> 00:25:46,280 Speaker 6: like one isolated bottle episode of between the two, but. 476 00:25:47,880 --> 00:25:51,520 Speaker 3: Because I feel like it isn't necessarily based just on 477 00:25:51,560 --> 00:25:52,240 Speaker 3: this episode. 478 00:25:52,480 --> 00:25:54,080 Speaker 2: Well that's what I was trying to figure out exactly. 479 00:25:54,119 --> 00:25:57,280 Speaker 2: That is the whole like their whole thing. I mean, 480 00:25:57,320 --> 00:25:59,480 Speaker 2: it would make sense, but also I thought there might 481 00:25:59,480 --> 00:26:00,720 Speaker 2: have been another one, but I'm not sure. 482 00:26:01,160 --> 00:26:04,080 Speaker 4: I feel like it continues as he starts to give 483 00:26:04,160 --> 00:26:08,120 Speaker 4: us intel and aligning himself. It sort of naturally kind 484 00:26:08,119 --> 00:26:12,159 Speaker 4: of seeps like the the B or C plot in 485 00:26:12,280 --> 00:26:14,720 Speaker 4: various episodes down the line. But I don't I don't 486 00:26:14,720 --> 00:26:18,560 Speaker 4: know that they ever have their like hug it out thing, 487 00:26:19,880 --> 00:26:22,840 Speaker 4: you know, But I don't know that this was underappreciated. 488 00:26:22,880 --> 00:26:25,040 Speaker 4: I remember everyone would always say like, oh, I ship 489 00:26:25,119 --> 00:26:29,560 Speaker 4: Harah and Kanaan, and then suddenly that was eclipsed, Oh yeah, 490 00:26:29,760 --> 00:26:36,080 Speaker 4: by the callous zeb What did they call it, zealous 491 00:26:36,280 --> 00:26:41,119 Speaker 4: Dallas something like that. 492 00:26:41,240 --> 00:26:43,280 Speaker 6: I think that not so JC came up with Zebulus 493 00:26:43,320 --> 00:26:46,040 Speaker 6: during one of our Q and a's, but what the 494 00:26:46,400 --> 00:26:50,200 Speaker 6: fan name was something else? Kelup is what? But then 495 00:26:50,280 --> 00:26:55,560 Speaker 6: JAC came up with, Uhbulus is catching we should trade 496 00:26:55,560 --> 00:26:56,359 Speaker 6: mark that that's. 497 00:26:56,440 --> 00:27:01,119 Speaker 3: Really sounds like the ninth planet. Sorry, the tenth planet. 498 00:27:01,160 --> 00:27:03,520 Speaker 3: Let's say. 499 00:27:03,560 --> 00:27:06,480 Speaker 5: Well, at any rate, I think I think this really. 500 00:27:07,920 --> 00:27:16,879 Speaker 4: This started to eclipse the. 501 00:27:17,200 --> 00:27:18,320 Speaker 5: I. 502 00:27:18,320 --> 00:27:20,480 Speaker 3: I was born of a certain time, and I will 503 00:27:20,520 --> 00:27:25,320 Speaker 3: always consider Pluto to be ninth planet. Justice for Pluto anyway, 504 00:27:25,440 --> 00:27:29,840 Speaker 3: nebulous planet. Yeah, sorry, Vanessa, you were saying, go on please, No, No, 505 00:27:29,880 --> 00:27:30,680 Speaker 3: I just let. 506 00:27:30,600 --> 00:27:31,399 Speaker 2: Her keep digging. 507 00:27:31,840 --> 00:27:32,480 Speaker 7: Yeah. 508 00:27:33,080 --> 00:27:35,879 Speaker 4: I think this romance took over the whole shipping of 509 00:27:36,760 --> 00:27:37,840 Speaker 4: Canaan and Harah. 510 00:27:38,000 --> 00:27:40,440 Speaker 5: So I do think people very much appreciated this. 511 00:27:40,840 --> 00:27:44,560 Speaker 3: No, No, You're right. I was not suggesting it was underappreciated. 512 00:27:44,600 --> 00:27:47,400 Speaker 3: I was just upon rewatching, I'm like, man, this episode 513 00:27:47,440 --> 00:27:51,000 Speaker 3: is so good. They're writing, the acting, the animation and music, 514 00:27:51,080 --> 00:27:57,400 Speaker 3: it's the plot itself, the references to other pieces of 515 00:27:59,720 --> 00:28:02,880 Speaker 3: well film and literature. I just I love this episode 516 00:28:02,920 --> 00:28:05,080 Speaker 3: so much. John, Sorry, what were you saying? 517 00:28:05,600 --> 00:28:05,760 Speaker 5: No? 518 00:28:05,760 --> 00:28:07,919 Speaker 6: No, no, It was like I never like thought of 519 00:28:07,920 --> 00:28:10,920 Speaker 6: it like that. And then when you said that, I'm like, oh, 520 00:28:10,960 --> 00:28:12,720 Speaker 6: that's like the double date that we all should have 521 00:28:12,720 --> 00:28:16,440 Speaker 6: been the witness Callison's that up with like hair Ricanan 522 00:28:18,960 --> 00:28:22,120 Speaker 6: at like Earth Cafe or something. I don't know. 523 00:28:23,480 --> 00:28:27,400 Speaker 2: Back to this on, are there ever dates in Star 524 00:28:27,480 --> 00:28:34,440 Speaker 2: Wars JC exactly let's get a rebellion. 525 00:28:34,600 --> 00:28:36,080 Speaker 3: I mean, who has the time to go on a 526 00:28:36,080 --> 00:28:38,000 Speaker 3: little dainty date a little. 527 00:28:40,680 --> 00:28:45,520 Speaker 6: So now, look, hey, you guys should do this prequel series. 528 00:28:45,680 --> 00:28:48,080 Speaker 6: You know you got to have like dating arc. I'm 529 00:28:48,080 --> 00:28:50,600 Speaker 6: just saying the same. We're breaking story and a lot 530 00:28:50,600 --> 00:28:51,320 Speaker 6: of good stuff here. 531 00:28:51,480 --> 00:28:55,760 Speaker 2: If Halland has enough time to sit with Grito at 532 00:28:55,760 --> 00:28:58,240 Speaker 2: a scene at a bar, like someone can go on 533 00:28:58,320 --> 00:29:03,800 Speaker 2: a date. I where's there a date in Star Wars? 534 00:29:03,920 --> 00:29:06,800 Speaker 2: I think that the romance is But what happened to chivalry? 535 00:29:07,840 --> 00:29:10,720 Speaker 3: Oh talk to your boy, Ezra? 536 00:29:11,120 --> 00:29:14,280 Speaker 7: Yes, and to quote you Taylor, clip. 537 00:29:14,040 --> 00:29:18,520 Speaker 6: It, clip it, one last thing before we bring on 538 00:29:18,840 --> 00:29:23,880 Speaker 6: JC and going back bringing it back to us talking 539 00:29:23,880 --> 00:29:27,560 Speaker 6: about real world stuff. But also not the moment where 540 00:29:28,960 --> 00:29:31,720 Speaker 6: you know, Zep's talking to Calws at the beginning of 541 00:29:31,760 --> 00:29:34,400 Speaker 6: them being stuck in this cave and calls still being 542 00:29:34,480 --> 00:29:36,840 Speaker 6: very stuck on what I believe is the right thing, 543 00:29:36,880 --> 00:29:38,400 Speaker 6: because I have to believe this is right. He's like, 544 00:29:38,400 --> 00:29:40,560 Speaker 6: you would get a fair trial, and you're just kind 545 00:29:40,560 --> 00:29:43,200 Speaker 6: of okay, like, and that just goes back to the 546 00:29:43,200 --> 00:29:45,040 Speaker 6: whole thing. When you're on the side of privilege, you 547 00:29:45,040 --> 00:29:48,480 Speaker 6: don't understand how the oppressed are going to feel and they. 548 00:29:48,400 --> 00:29:50,000 Speaker 7: Don't beat you over the head with it. 549 00:29:50,160 --> 00:29:52,200 Speaker 6: But if you know, you know, we all are very 550 00:29:52,240 --> 00:29:55,880 Speaker 6: hyper aware of that stuff, and that just hit you know. 551 00:29:56,000 --> 00:29:58,120 Speaker 6: I acknowledged it when I first saw it, you know, 552 00:29:58,520 --> 00:30:01,640 Speaker 6: almost ten years ago, but watch to now and becoming 553 00:30:01,680 --> 00:30:06,200 Speaker 6: hopefully a more mature, well adjusted adult in my early forties, 554 00:30:06,520 --> 00:30:09,200 Speaker 6: I was like, oh wow, like the way Star Wars 555 00:30:09,320 --> 00:30:13,360 Speaker 6: is very timeless and timely no matter what time you're watching, 556 00:30:13,400 --> 00:30:16,400 Speaker 6: it is really a fascinating thing, truly, And but just 557 00:30:16,400 --> 00:30:17,840 Speaker 6: that line, I was like, oh wow, like you would 558 00:30:17,840 --> 00:30:20,080 Speaker 6: get a fair trial, and he believes it, and Zeb's like, Hi, 559 00:30:20,120 --> 00:30:22,280 Speaker 6: are you kidding me? I was like, dude, look at me, 560 00:30:22,400 --> 00:30:25,360 Speaker 6: Look at you. You might get a fair trial. But no, 561 00:30:25,760 --> 00:30:26,320 Speaker 6: they they one. 562 00:30:26,400 --> 00:30:26,840 Speaker 7: Look at me. 563 00:30:27,160 --> 00:30:29,760 Speaker 6: I'm hell without bail. There's no pale bonds and there's 564 00:30:29,800 --> 00:30:32,400 Speaker 6: no nothing for me. Like it's it's I'm being put 565 00:30:32,440 --> 00:30:33,479 Speaker 6: away for a long time. 566 00:30:33,560 --> 00:30:36,320 Speaker 3: Yeah, it's so it's hard to listen to because it 567 00:30:36,520 --> 00:30:40,840 Speaker 3: is so applicable to now real life, you know, and 568 00:30:41,440 --> 00:30:45,240 Speaker 3: for all of time, for all of humankind, I guess. 569 00:30:45,680 --> 00:30:51,640 Speaker 3: But like, it's amazing that you watch four point fifty 570 00:30:51,880 --> 00:30:56,320 Speaker 3: fifty year old movies fifty eight year old movies. A 571 00:30:56,360 --> 00:30:58,440 Speaker 3: fifty eight year old movie, we're talking about one in particular, 572 00:30:58,800 --> 00:31:02,840 Speaker 3: and and go like, oh wow, these themes are very 573 00:31:03,160 --> 00:31:07,120 Speaker 3: very prescient, right, and then we're talking about I know 574 00:31:07,200 --> 00:31:10,680 Speaker 3: it's only ten years ago, but still like we're watching 575 00:31:10,680 --> 00:31:13,360 Speaker 3: these things and this is like not just this episode. 576 00:31:13,440 --> 00:31:17,120 Speaker 3: Episode after episode, We're like, man, that thing that so 577 00:31:17,200 --> 00:31:22,880 Speaker 3: and so said is so so eerily applicable to what's 578 00:31:22,920 --> 00:31:25,360 Speaker 3: happening right now in the world or this country or 579 00:31:25,440 --> 00:31:30,120 Speaker 3: wherever our society. So it's it's it's just a testament 580 00:31:30,200 --> 00:31:35,640 Speaker 3: to Star Wars and the writing, how how it can 581 00:31:36,440 --> 00:31:39,360 Speaker 3: move through time and or it's a testament to how 582 00:31:39,400 --> 00:31:44,000 Speaker 3: we refused to as a society progress. But you know what, 583 00:31:44,080 --> 00:31:48,240 Speaker 3: that's this conversation for another podcast after. 584 00:31:48,040 --> 00:31:52,000 Speaker 6: Dark after Dark, Yeah, what that reminds me of this. 585 00:31:53,680 --> 00:31:57,400 Speaker 6: It's like the writers of this show and just you know, 586 00:31:57,480 --> 00:31:59,560 Speaker 6: the Star Wars Lord. It's this hyper awareness of this 587 00:31:59,720 --> 00:32:02,800 Speaker 6: quote from Mark Twain. It's like history doesn't repeat this out, 588 00:32:02,800 --> 00:32:06,960 Speaker 6: but it sure does rhyme. And it's like I feel 589 00:32:06,960 --> 00:32:10,520 Speaker 6: like that's almost like the core thesis. I mean throughout 590 00:32:10,800 --> 00:32:13,239 Speaker 6: not just Star Wars, but these there's certain stories throughout time. 591 00:32:13,280 --> 00:32:15,360 Speaker 6: Star Wars is obviously one of the most if not 592 00:32:15,400 --> 00:32:18,320 Speaker 6: the most prominent one, but the ones that are these 593 00:32:18,320 --> 00:32:20,880 Speaker 6: stories that the gifts that keep on giving, like Jordan 594 00:32:21,000 --> 00:32:24,200 Speaker 6: Peelel movies to me are the gifts that keep on giving. 595 00:32:24,240 --> 00:32:26,160 Speaker 6: He was saying so very timing at the time, but 596 00:32:26,200 --> 00:32:28,560 Speaker 6: then you watch it ten years after the fact, you're like, oh, wow, 597 00:32:28,600 --> 00:32:32,120 Speaker 6: get Out is still sadly, very very relevant of what 598 00:32:32,200 --> 00:32:35,280 Speaker 6: he's talking about. I think it's just whether they consciously 599 00:32:35,480 --> 00:32:38,440 Speaker 6: are thinking of that quote or not. Either way, there's 600 00:32:38,480 --> 00:32:41,040 Speaker 6: some sort of understanding of this is the cycle, the 601 00:32:41,080 --> 00:32:43,000 Speaker 6: cyclical nature of. 602 00:32:43,240 --> 00:32:45,000 Speaker 7: Existence, and. 603 00:32:46,600 --> 00:32:47,440 Speaker 2: Just the beatles. 604 00:32:47,720 --> 00:32:52,640 Speaker 6: Yeah, and then it's the powerful powerfulness of storytelling, music 605 00:32:52,680 --> 00:32:57,680 Speaker 6: whatever that can help and artists express that their feelings 606 00:32:57,680 --> 00:32:57,840 Speaker 6: on that. 607 00:32:58,120 --> 00:33:01,440 Speaker 3: Wow, how John just really steamrolld right over that. Thank 608 00:33:01,480 --> 00:33:05,080 Speaker 3: you John for not taking the bait. Maybe you didn't 609 00:33:05,080 --> 00:33:11,160 Speaker 3: hear him exactly, y'all. I was just you guys are 610 00:33:11,200 --> 00:33:15,280 Speaker 3: all so well read. I thought I would ask you 611 00:33:16,000 --> 00:33:18,360 Speaker 3: if you read this. It's not a book. It's a 612 00:33:18,400 --> 00:33:21,080 Speaker 3: short story that I read as a child and it 613 00:33:21,120 --> 00:33:24,000 Speaker 3: has stayed with me ever since. It was so deeply 614 00:33:24,040 --> 00:33:33,560 Speaker 3: impactful to me. Yes, I believe his name house. I 615 00:33:33,560 --> 00:33:37,320 Speaker 3: think it's it's called it's a short story called The 616 00:33:37,320 --> 00:33:39,320 Speaker 3: Interlopers or Interlopers. 617 00:33:40,840 --> 00:33:42,120 Speaker 2: I think I have read. 618 00:33:41,960 --> 00:33:48,640 Speaker 3: That Bysaki s a k I. It reminds I haven't 619 00:33:48,640 --> 00:33:50,560 Speaker 3: read it in a long time. So if I reread 620 00:33:50,600 --> 00:33:53,320 Speaker 3: it and I go, oh, maybe not, but in my 621 00:33:53,480 --> 00:33:56,880 Speaker 3: mind it is very very similar, a similar story to 622 00:33:57,520 --> 00:34:02,160 Speaker 3: the Defiant Ones this episode, and it was written in 623 00:34:02,240 --> 00:34:04,520 Speaker 3: nineteen nineteen. I just looked it up. But anyway, if 624 00:34:04,560 --> 00:34:08,799 Speaker 3: anyone out there has read The Interlopers, please comment in 625 00:34:08,880 --> 00:34:11,319 Speaker 3: the DM the in the DMS in the comments and 626 00:34:11,440 --> 00:34:13,279 Speaker 3: let me know. And also, I'm going to reread this 627 00:34:13,320 --> 00:34:15,640 Speaker 3: after this episode. Make sure that I didn't just tell you. 628 00:34:15,760 --> 00:34:19,000 Speaker 3: It's a great story regardless. But in my mind, I'm like, oh, 629 00:34:19,080 --> 00:34:22,480 Speaker 3: that's that's another story that's very similar and it's super 630 00:34:22,520 --> 00:34:24,640 Speaker 3: eerie and super great. 631 00:34:25,000 --> 00:34:25,680 Speaker 7: I'm going to read that. 632 00:34:25,760 --> 00:34:27,920 Speaker 6: I haven't read that, And thank you for the suggestion 633 00:34:27,960 --> 00:34:30,320 Speaker 6: of you guys, please thank. 634 00:34:30,200 --> 00:34:32,080 Speaker 3: You, no problem. 635 00:34:33,400 --> 00:34:35,799 Speaker 7: I love that. I love that. Look into our pod 636 00:34:35,880 --> 00:34:36,960 Speaker 7: Rebellion book Club. 637 00:34:36,800 --> 00:34:38,759 Speaker 5: Is that's so easy. 638 00:34:38,800 --> 00:34:40,920 Speaker 3: It's a it's a short read, but it's. 639 00:34:40,760 --> 00:34:43,640 Speaker 6: It's really cool, even better, my ADHD thanks you very 640 00:34:43,680 --> 00:34:44,120 Speaker 6: much for that. 641 00:34:44,200 --> 00:34:48,719 Speaker 7: Sold. All right, so uh, if anything else, should we 642 00:34:48,760 --> 00:34:50,239 Speaker 7: should we bring on the man? Should we bring that? 643 00:34:51,120 --> 00:34:51,319 Speaker 4: Yeah? 644 00:34:51,440 --> 00:34:59,120 Speaker 1: All right, all right again, I don't have a lot today, 645 00:34:59,280 --> 00:35:03,239 Speaker 1: but I thought I dig into some light topics, like 646 00:35:04,160 --> 00:35:09,239 Speaker 1: the sterilization of Genenosis, which is this is I think 647 00:35:09,280 --> 00:35:12,160 Speaker 1: the first time they reference it that the planet. There's 648 00:35:12,200 --> 00:35:15,640 Speaker 1: no life on the planet of Geonosis anymore. So to 649 00:35:15,840 --> 00:35:19,720 Speaker 1: give a little background in context, Grandma of Targan after 650 00:35:20,280 --> 00:35:23,160 Speaker 1: the Battle of Geonosis that happens in Star Wars episode two, 651 00:35:23,719 --> 00:35:28,319 Speaker 1: there were leaks about the Death Star being built, so 652 00:35:28,360 --> 00:35:33,000 Speaker 1: he moved it and to suppress any more information about 653 00:35:33,040 --> 00:35:36,040 Speaker 1: the secret project the Death Star from getting out, they 654 00:35:36,120 --> 00:35:41,520 Speaker 1: dropped gas canisters full of insecticide to the planet and 655 00:35:41,840 --> 00:35:48,879 Speaker 1: wiped out one hundred billion Geonosians. There's only one that survived, 656 00:35:48,920 --> 00:35:52,719 Speaker 1: which we revisit, I believe in later episodes of Rebels. 657 00:35:53,200 --> 00:35:57,920 Speaker 1: This is the first reference and it points to or 658 00:35:58,040 --> 00:36:02,560 Speaker 1: is a build off of. In the nineteen ninety West 659 00:36:02,640 --> 00:36:06,359 Speaker 1: End Games Rebellion source book, they wrote a declaration of 660 00:36:06,640 --> 00:36:10,960 Speaker 1: rebellion which was written as if Man Mafma wrote it, 661 00:36:11,360 --> 00:36:14,439 Speaker 1: which was then made canon in a twenty sixteen book 662 00:36:14,440 --> 00:36:19,960 Speaker 1: about Star Wars propaganda references. In her declaration of rebellion, 663 00:36:20,560 --> 00:36:24,320 Speaker 1: she says, you have instituted a policy of blatant speciesism 664 00:36:24,520 --> 00:36:28,960 Speaker 1: and genocide against the non human peoples of the galaxy, 665 00:36:29,640 --> 00:36:35,640 Speaker 1: and that is referencing the wipe, the sterilization of genosis. 666 00:36:35,960 --> 00:36:37,840 Speaker 7: So all of that is. 667 00:36:39,400 --> 00:36:42,399 Speaker 1: In that, like one line of dialogue, is where that 668 00:36:42,680 --> 00:36:45,239 Speaker 1: expands out to from this episode. 669 00:36:45,400 --> 00:36:46,200 Speaker 7: To lighten it up. 670 00:36:46,120 --> 00:36:52,440 Speaker 1: A little bit, Taylor, you reference the abominable snowman in 671 00:36:53,080 --> 00:36:58,520 Speaker 1: Empire Strikes Back. That is called a wampa is the name. 672 00:36:58,360 --> 00:37:06,120 Speaker 2: Of it, And that's not what's on that's a YETI 673 00:37:06,480 --> 00:37:08,239 Speaker 2: I believe I thought that was a cooler. 674 00:37:11,800 --> 00:37:12,440 Speaker 7: You guys are. 675 00:37:12,320 --> 00:37:15,960 Speaker 1: Talking about callous kind of where is he at the 676 00:37:15,960 --> 00:37:18,759 Speaker 1: start of the episode versus the end. The thing that 677 00:37:18,840 --> 00:37:21,799 Speaker 1: I noticed is when he walks into his quarters on 678 00:37:21,840 --> 00:37:25,640 Speaker 1: the ship, he has one personal artifact, which is the 679 00:37:26,200 --> 00:37:29,080 Speaker 1: glowy rock that he brought from the moon with zeb 680 00:37:29,200 --> 00:37:32,520 Speaker 1: That's the only personal item he has in that room, 681 00:37:32,840 --> 00:37:36,440 Speaker 1: which I thought was pretty cool, like nonverbal saying a 682 00:37:36,480 --> 00:37:40,239 Speaker 1: lot without you know, expositional dialogue or anything like that. 683 00:37:41,040 --> 00:37:43,040 Speaker 1: You guys talked about when they wake up together and 684 00:37:43,080 --> 00:37:47,400 Speaker 1: punch each other, I would be a poor Chicago in 685 00:37:47,600 --> 00:37:49,920 Speaker 1: if I didn't say it reminded me of planes, trains, 686 00:37:49,920 --> 00:37:53,759 Speaker 1: and automobiles, where Steve Martin and John Candy wake up 687 00:37:53,760 --> 00:37:58,480 Speaker 1: together in bed and a discussion of two pillows happens 688 00:37:58,520 --> 00:38:02,959 Speaker 1: that we won't get into. Vanessa, you were right about 689 00:38:03,040 --> 00:38:06,960 Speaker 1: Callison zeb This is the only like date episode that 690 00:38:07,000 --> 00:38:10,280 Speaker 1: they have, but it kind of seeps into the bigger 691 00:38:10,360 --> 00:38:15,120 Speaker 1: story throughout the remaining episodes of Rebels, Taylor, you wanted 692 00:38:15,160 --> 00:38:17,400 Speaker 1: to know if people go on dates and star wars. 693 00:38:17,719 --> 00:38:19,239 Speaker 1: At the top of my head, I could think of 694 00:38:19,560 --> 00:38:23,880 Speaker 1: two that we know about. Anakin and Pat may have 695 00:38:24,040 --> 00:38:28,480 Speaker 1: that date where he feeds her fruit with the Force, 696 00:38:30,040 --> 00:38:33,640 Speaker 1: and then Han and Leia go on their honeymoon to 697 00:38:33,920 --> 00:38:38,880 Speaker 1: the Halcyon Galactic Star Cruiser, which no longer exists. 698 00:38:39,920 --> 00:38:42,400 Speaker 2: Wait, when is that. 699 00:38:41,600 --> 00:38:45,320 Speaker 1: That happens post Return of the Jedi. It happens in 700 00:38:45,360 --> 00:38:46,080 Speaker 1: a comic book. 701 00:38:46,680 --> 00:38:50,560 Speaker 2: Oh, I was sorry, Yeah, yeah, yeah, we don't get 702 00:38:50,560 --> 00:38:50,920 Speaker 2: to see that. 703 00:38:51,360 --> 00:38:54,640 Speaker 1: And then there's an entire like kind of I don't 704 00:38:54,760 --> 00:38:56,799 Speaker 1: want to call it a romance novel, but kind of 705 00:38:56,880 --> 00:39:00,640 Speaker 1: romance novel called Lost Stars by author Claude A. Gray 706 00:39:00,840 --> 00:39:03,600 Speaker 1: that you guys can dig into if you're more interested 707 00:39:03,640 --> 00:39:07,680 Speaker 1: in that. And then my last thing, you guys talked 708 00:39:07,680 --> 00:39:11,640 Speaker 1: about Mark Twain and how it rhymes and doesn't repeat 709 00:39:11,719 --> 00:39:17,240 Speaker 1: and all of that. It reminded me of another Space 710 00:39:17,360 --> 00:39:22,359 Speaker 1: series that I love that continues to be relevant, which 711 00:39:22,400 --> 00:39:27,239 Speaker 1: was Battlestar Galactica. And they keep the refrain and that 712 00:39:27,440 --> 00:39:29,560 Speaker 1: is all of this has happened before all this will 713 00:39:29,600 --> 00:39:30,200 Speaker 1: happen again. 714 00:39:33,760 --> 00:39:36,759 Speaker 3: I like that there, it is mic draw, all of 715 00:39:36,800 --> 00:39:39,040 Speaker 3: this has happened before all of this will happen again. 716 00:39:40,000 --> 00:39:41,240 Speaker 3: I'm going to write that down. 717 00:39:41,520 --> 00:39:42,280 Speaker 7: Some deep stuff. 718 00:39:42,640 --> 00:39:44,440 Speaker 6: Jac I feel like we could do a whole I'd 719 00:39:44,480 --> 00:39:46,480 Speaker 6: love to hear you on a deep dip a Battlestar. 720 00:39:46,520 --> 00:39:48,840 Speaker 6: I'm not as well versed nearly as you are in 721 00:39:48,840 --> 00:39:50,840 Speaker 6: that world. I watched them more casually, but I would 722 00:39:50,840 --> 00:39:53,239 Speaker 6: just love even if it's not a show. It's like 723 00:39:53,280 --> 00:39:56,560 Speaker 6: on a sidebar, because you know me and my curious brain. 724 00:39:56,640 --> 00:39:59,120 Speaker 6: I feel like that quote there and I'm like, oh wow, 725 00:39:59,239 --> 00:40:01,360 Speaker 6: I still for a lot of Battlestar. 726 00:40:01,760 --> 00:40:02,400 Speaker 7: It would appear. 727 00:40:02,680 --> 00:40:06,360 Speaker 1: I man, I broke my ankle and my friend was like, 728 00:40:06,400 --> 00:40:09,680 Speaker 1: watch Battlestar Galactica. So I just sat there and I watched, 729 00:40:10,239 --> 00:40:11,440 Speaker 1: like all of it straight through. 730 00:40:11,480 --> 00:40:12,560 Speaker 3: It's it's hard. 731 00:40:12,640 --> 00:40:16,840 Speaker 1: Though it's similar, It's not similar, but it is similar 732 00:40:16,880 --> 00:40:21,239 Speaker 1: to like Binging Breaking Bad, where after length all right, 733 00:40:21,719 --> 00:40:25,040 Speaker 1: after like ten episodes of Breaking Bad, you're just like 734 00:40:25,080 --> 00:40:28,440 Speaker 1: there's no hope for humanity. And Battle Star is similar 735 00:40:28,560 --> 00:40:32,080 Speaker 1: where you're just like, oh my gosh, like this is 736 00:40:32,320 --> 00:40:34,799 Speaker 1: this is hard to watch. I got to step away 737 00:40:34,800 --> 00:40:39,799 Speaker 1: and like see some sunflowers or something happy. 738 00:40:40,200 --> 00:40:40,760 Speaker 3: So funny. 739 00:40:40,840 --> 00:40:43,600 Speaker 5: I had the opposite reaction to Breaking Bad. 740 00:40:43,880 --> 00:40:46,959 Speaker 4: I felt like this man loved his family so much 741 00:40:47,000 --> 00:40:50,000 Speaker 4: that he would become a drug dealer because he thought 742 00:40:50,040 --> 00:40:52,400 Speaker 4: he was dying, and that that there is something to 743 00:40:52,440 --> 00:40:54,640 Speaker 4: believe in that when when people care about each other, 744 00:40:54,680 --> 00:40:57,960 Speaker 4: they go to any lengths, even betraying the very family 745 00:40:58,680 --> 00:40:59,319 Speaker 4: that they loved. 746 00:41:00,160 --> 00:41:03,000 Speaker 3: Finish the series, Yes. 747 00:41:03,960 --> 00:41:08,480 Speaker 6: Season three true what I'm saying. 748 00:41:08,520 --> 00:41:10,279 Speaker 5: After ten episodes, I was sure. 749 00:41:11,400 --> 00:41:11,799 Speaker 2: I was. 750 00:41:11,920 --> 00:41:15,840 Speaker 4: I was hooked because of his dedication to that task. 751 00:41:16,160 --> 00:41:21,120 Speaker 4: Obviously it had a bleak ending that was just heart just. 752 00:41:21,000 --> 00:41:23,080 Speaker 6: The genius of Vince Gilligan and the way he writes 753 00:41:23,200 --> 00:41:29,200 Speaker 6: characters And speaking of is anybody watching, I'm obsessed? 754 00:41:29,280 --> 00:41:30,239 Speaker 7: I'm all in, are you? 755 00:41:30,520 --> 00:41:34,640 Speaker 2: I need that to then be curious because I just the. 756 00:41:34,640 --> 00:41:36,600 Speaker 7: Way Vince writes characters, you know. 757 00:41:36,640 --> 00:41:38,239 Speaker 6: So I'm so drawn to the way he writes and 758 00:41:38,320 --> 00:41:40,440 Speaker 6: like he almost the reverse of what he did with 759 00:41:40,480 --> 00:41:42,640 Speaker 6: Walter White. Walter White was so likable at first and 760 00:41:42,680 --> 00:41:45,000 Speaker 6: then he turned where it's like he did like the 761 00:41:45,000 --> 00:41:45,920 Speaker 6: antithesis of that. 762 00:41:46,200 --> 00:41:46,440 Speaker 2: I don't. 763 00:41:46,480 --> 00:41:49,200 Speaker 6: I'm fascinated with that process. So I could see how 764 00:41:49,920 --> 00:41:51,759 Speaker 6: it's very hit or missed with people. But for me, 765 00:41:51,800 --> 00:41:53,479 Speaker 6: I'm like, oh, the fact that he went this way 766 00:41:53,640 --> 00:41:58,800 Speaker 6: as a writer creator, there's gotta be a rhyman reason. Obviously, 767 00:41:58,840 --> 00:42:00,120 Speaker 6: with Vince Gilligan. 768 00:42:00,520 --> 00:42:03,520 Speaker 2: That process, it just feels there's so much Breaking Bad. 769 00:42:03,600 --> 00:42:05,279 Speaker 2: You do you understood the world? They didn't have to 770 00:42:05,280 --> 00:42:07,440 Speaker 2: set it up too much, right this the world is 771 00:42:07,480 --> 00:42:11,160 Speaker 2: requiring so much set up that I'm like, I feel 772 00:42:11,160 --> 00:42:14,040 Speaker 2: like his characters in this are not nearly as strong 773 00:42:14,040 --> 00:42:15,759 Speaker 2: as Breaking Bad, you know what I mean, because they 774 00:42:15,800 --> 00:42:18,080 Speaker 2: have to spend time building out this. 775 00:42:18,239 --> 00:42:20,200 Speaker 7: They should have just released as a binge watch things. 776 00:42:20,640 --> 00:42:21,359 Speaker 2: Yeah. 777 00:42:21,440 --> 00:42:23,600 Speaker 6: Yeah, it should have just been like a limited series 778 00:42:23,640 --> 00:42:26,240 Speaker 6: so you can absorb it all. I don't think shows 779 00:42:26,280 --> 00:42:29,400 Speaker 6: like that should be watched weekly, like Breaking Bad was 780 00:42:29,440 --> 00:42:33,759 Speaker 6: structured for like Cable brought Hyata and cable and had 781 00:42:33,800 --> 00:42:35,719 Speaker 6: those natural breaks where you could absorb it and then 782 00:42:35,760 --> 00:42:37,360 Speaker 6: come back. But I feel like a pluripist is like, 783 00:42:37,600 --> 00:42:39,000 Speaker 6: maybe just give it to a us that once you 784 00:42:39,040 --> 00:42:41,279 Speaker 6: can see the entire story, I will. 785 00:42:41,239 --> 00:42:44,320 Speaker 3: I will try again. I just had to stop because 786 00:42:44,360 --> 00:42:48,799 Speaker 3: I was it was I felt so deeply uncomfortable, which 787 00:42:48,840 --> 00:42:51,239 Speaker 3: is not about a reason to stop watching something like 788 00:42:51,360 --> 00:42:54,520 Speaker 3: their movies and TV shows that make you uncomfortable, and 789 00:42:54,560 --> 00:42:58,640 Speaker 3: that's a good thing. But yeah, I like love, Love, 790 00:42:58,840 --> 00:43:02,439 Speaker 3: breaking bad Love. Better call Saul, she and better Call Saul. 791 00:43:02,920 --> 00:43:04,799 Speaker 3: I don't want to give anything. I won't say too much. 792 00:43:04,840 --> 00:43:08,680 Speaker 3: Have you guys all watched it? The last moment of 793 00:43:08,760 --> 00:43:12,120 Speaker 3: the show. Oh, that has stayed with me for the 794 00:43:12,480 --> 00:43:15,960 Speaker 3: years and years since it aired, Like I there's I 795 00:43:16,000 --> 00:43:18,360 Speaker 3: won't say too much for people who are listening. I 796 00:43:18,400 --> 00:43:21,280 Speaker 3: haven't seen it, but there's the last moment of the show. 797 00:43:21,800 --> 00:43:25,560 Speaker 3: There are two characters where it's just like, really get 798 00:43:25,680 --> 00:43:28,080 Speaker 3: it's just a knife to the heart and it's really 799 00:43:28,200 --> 00:43:31,120 Speaker 3: really moving and impactful. And then I watched this show 800 00:43:31,160 --> 00:43:35,000 Speaker 3: with such excitement and I'm like, oh, it's hard. It's hard. 801 00:43:35,239 --> 00:43:37,440 Speaker 3: I'm going to give it some more time. I'll come 802 00:43:37,480 --> 00:43:38,400 Speaker 3: back to it, or. 803 00:43:38,400 --> 00:43:40,919 Speaker 6: Maybe just wait till all the episodes drop and try 804 00:43:40,920 --> 00:43:41,959 Speaker 6: to watch it as a whole. 805 00:43:42,480 --> 00:43:46,279 Speaker 3: Maybe, yeah, maybe that's the that's the thing. Okay, Well, 806 00:43:46,320 --> 00:43:48,760 Speaker 3: so good sour good. 807 00:43:48,680 --> 00:43:54,600 Speaker 1: Talking nice streak on our Breaking bad podcast. 808 00:43:54,400 --> 00:43:59,840 Speaker 7: You know what I would be that into that? 809 00:44:00,120 --> 00:44:04,399 Speaker 6: Yeah, I'll I won't tell a story on here when 810 00:44:04,400 --> 00:44:08,760 Speaker 6: we stop recording all tell us anyways, thanks as always, 811 00:44:08,760 --> 00:44:10,640 Speaker 6: so everybody for listening. We know you have a choice 812 00:44:10,640 --> 00:44:13,880 Speaker 6: and podcast. We appreciate you choosing ours. We'll see you 813 00:44:13,880 --> 00:44:21,680 Speaker 6: again next week, but until then, here's the music. Potter 814 00:44:21,760 --> 00:44:25,240 Speaker 6: Rebellion is produced in partnership with iHeart Podcasts Producing, hosted 815 00:44:25,239 --> 00:44:28,440 Speaker 6: by Vanessa Marshall, Tia Surkar, Taylor Gray, and John Lee 816 00:44:28,480 --> 00:44:31,439 Speaker 6: Brody Executive producer and in house star Wars guru slash 817 00:44:31,520 --> 00:44:35,280 Speaker 6: backchecker j C. Rifenberg. Our music was composed by Mikey Flash. 818 00:44:35,320 --> 00:44:37,680 Speaker 6: Our cover art was created by Neil Fraser of Neil 819 00:44:37,680 --> 00:44:40,600 Speaker 6: Fraser Designs. Special thanks to Holly Frean, Aaron Kauffman over 820 00:44:40,640 --> 00:44:44,480 Speaker 6: at iHeart, Evan krascoor At, William Morrisondevor, Tresa Canobio, George 821 00:44:44,560 --> 00:44:47,040 Speaker 6: Lucas for creating this universe. We love so much, and 822 00:44:47,160 --> 00:44:50,000 Speaker 6: of course all of our amazing listeners. Follow us on 823 00:44:50,040 --> 00:44:53,160 Speaker 6: Instagram at Potter Rebellion and email list at Potter Rebellion 824 00:44:53,200 --> 00:45:00,560 Speaker 6: Podcasts at gmail dot com