WEBVTT - The Struggle is Real ("Choke" S3 EP 18)

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<v Speaker 1>And That's what you Really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and That's what You're Really miss Podcast, Season three,

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<v Speaker 1>Episode eighteen.

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<v Speaker 2>Hello Kevin, Hello Jenna, This is Choke. I was excited

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<v Speaker 2>for this because I didn't remember who choked, right saying,

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<v Speaker 2>I knew somebody was gonna choke.

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<v Speaker 1>Oh I do. There's a lot in this episode, and

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<v Speaker 1>Tina does a lot in this episode, so I have

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<v Speaker 1>like a lot of memories.

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<v Speaker 2>Great, I'm excited to hear them because I did not

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<v Speaker 2>have a lot to do in this episode. But I

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<v Speaker 2>really enjoyed this episode. I gotta say, it's a wacky

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<v Speaker 2>episode in a lot of ways, but I had fun.

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<v Speaker 2>I enjoyed it, and I was texting. I was texting

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<v Speaker 2>Jenna during it because I was just like, come on, yeah.

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<v Speaker 1>I forgot that was in this episode. Two I did too.

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<v Speaker 1>I gasped, You've never been better. Oh my gosh, oh crazy?

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<v Speaker 1>So walk Oh yeah, you were great. You were a star.

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<v Speaker 1>Lets to talk about This aired on May first, twenty twelve.

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<v Speaker 1>Somebody that I used to know is still number one,

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<v Speaker 1>and Think Like a Man is still the number one movie.

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<v Speaker 2>And in Glean News, this week. On May first, the

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<v Speaker 2>NHL Stanley Cup, the real Stanley Cup visited set because

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<v Speaker 2>Corey's Canadian.

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<v Speaker 1>The real Stanley Cupp obsessed.

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<v Speaker 2>With hockey, and so he managed to get the Stanley

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<v Speaker 2>Cup on set in the locker room and we took

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<v Speaker 2>a picture of it and you can see the picture online.

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<v Speaker 1>He is so happy. He really was very cool. It

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<v Speaker 1>also is so random. They're like, who do we think

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<v Speaker 1>we are? We like request the Stanley Cup and it

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<v Speaker 1>like shows up. Well, Corey was right, it worked. I know,

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<v Speaker 1>it's really it's really exciting. He was really happy, but

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<v Speaker 1>I'm just it just it's still like it fogles my

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<v Speaker 1>mind a little bit looking back at it now. Like

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<v Speaker 1>at the time, we're like, oh, this is really cool

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<v Speaker 1>like that, of course I'm going to get pret like

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<v Speaker 1>this is really fun, but like now you're like, I

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<v Speaker 1>requested the Stanley Cup and it showed up? Who did

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<v Speaker 1>we think we were? What did we think we were?

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<v Speaker 1>I love it. Corey tweeted about calling it the best

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<v Speaker 1>day ever. If you didn't say that already, it's very

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<v Speaker 1>very cute. Also, on My first the cast and creators

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<v Speaker 1>attended a special screening and Q and a panel held

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<v Speaker 1>by the Television Academy at the Leonard H. Goldenson Theater

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<v Speaker 1>in North Hollywood. Do you remember this, Kevin, I passed

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<v Speaker 1>that building all the time, and I remember it. I

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<v Speaker 1>don't know what the hell I was wearing. I don't

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<v Speaker 1>know what I was wearing either. Here's the thing, though,

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<v Speaker 1>The truth is, there were too many events to hire

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<v Speaker 1>stylists for. Like you had to be picking. You had

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<v Speaker 1>to like pick and choose the big ones, right, so

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<v Speaker 1>we of them. We would just like dress ourselves after

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<v Speaker 1>like a fourteen hour work day. And you're like, all right,

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<v Speaker 1>I guess this works. And you're like I don't even care.

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<v Speaker 1>Like I don't even care, you know, And then you

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<v Speaker 1>look back ten years later and you're like, I should

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<v Speaker 1>have cared. But here's the thing.

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<v Speaker 2>Because I was in that boy band before this, and

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<v Speaker 2>I was looking back at those pictures at this time,

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<v Speaker 2>I was like, oh God, I made a mistake. I

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<v Speaker 2>needs to not do that again. I thought I was

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<v Speaker 2>doing the right thing this time.

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<v Speaker 1>See, I think you look good almost what I was doing.

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<v Speaker 1>But our producer stands that you're both sporting your finest business. Yeah,

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<v Speaker 1>like this is our nine to five. Look, well, it

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<v Speaker 1>is our nine to five, I guess so crazy, except

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<v Speaker 1>it was like six to two, right, Okay. This episode

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<v Speaker 1>was directed by Michael Uffndaal. This is the first episode

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<v Speaker 1>with us Michae Opfndahal ended up doing a ton of

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<v Speaker 1>American horror story yeah and a few glease is that right?

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<v Speaker 2>Yeah?

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<v Speaker 1>M hm.

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<v Speaker 2>Written by Marty Knoxen and special guest star Whoopy whoop whoopee,

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<v Speaker 2>who I still think is not real.

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<v Speaker 1>It's amazing to me that she was on our show

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<v Speaker 1>and so nice.

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<v Speaker 2>Must be nice to have met her. You didn't never

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<v Speaker 2>met I've been on two shows with.

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<v Speaker 1>Her, Jenna, I've never met her.

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<v Speaker 2>I've never even seen her, so sad. I saw her

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<v Speaker 2>tour bus in the parking lot. I never saw her.

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<v Speaker 2>I heard all of you coming back with stories. I

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<v Speaker 2>even went to look for her one day when I

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<v Speaker 2>heard she was on the song Kevin and I went

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<v Speaker 2>to around the stages. She was nowhere to be seen.

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<v Speaker 2>Than I got back and they're like, oh, yeah, she

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<v Speaker 2>already left. So she left when I was looking for her.

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<v Speaker 1>No, Kevin, I'm so sad for you. Who Yeah, me too.

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<v Speaker 1>I have this photo of cast chairs for in an

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<v Speaker 1>upcoming episode. I think it's after props. I think it's

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<v Speaker 1>like episode twenty one maybe where Tina helps Rachel and

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<v Speaker 1>we encounter carbon Thibodeau and we have scenes with her.

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<v Speaker 1>So I have like other scenes with Whoopee, and I

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<v Speaker 1>have like a photo of our cast chairs, and it's

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<v Speaker 1>like Lea, Michelle don Ashwitz, well you go for Oh, I.

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<v Speaker 2>Can't wait it when we get to that, I'm gonna yeah,

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<v Speaker 2>so many questions. Yeah, okay, but it was so like

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<v Speaker 2>just even seeing her in this episode was well, very cool.

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<v Speaker 1>It's very cool. It's such a good get and also fun.

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<v Speaker 1>Fact so we learned this about Whoopye when she came

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<v Speaker 1>is that she's based in New York, I think, and

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<v Speaker 1>she's a terrified of flying. I mean, and I'm not

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<v Speaker 1>saying like oh, I'm kind of scared, like I get

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<v Speaker 1>on a flight, Like I'm kind of nervous. She won't

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<v Speaker 1>fly if she really doesn't have to. So there's like

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<v Speaker 1>a tour bus that will like take her cross country

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<v Speaker 1>and drive her so to get to come and shoot

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<v Speaker 1>the show. At least this episode, they put Whoopee on

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<v Speaker 1>the tour bus and like get her across because I

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<v Speaker 1>guess if she has to fly, she has to fly,

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<v Speaker 1>and I'm sure she takes drastic measures to do so,

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<v Speaker 1>but she does sometimes. Yeah, no, of course she has to.

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<v Speaker 1>But yeah she travels to la by tour bus. Just

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<v Speaker 1>a long trip.

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<v Speaker 2>Yeah, especially just for like one scene. So there's a

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<v Speaker 2>lot of music in this episode. Okay, schools Out by

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<v Speaker 2>Alice Cooper Seboctango.

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<v Speaker 1>Mm hmmm, Jenna, do you love? I love? Really? Oh

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<v Speaker 1>my god, I just I wish I could have done

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<v Speaker 1>it again. I would have done things maybe a little differently.

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<v Speaker 2>Oh don't I'm going to make you feel the opposite

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<v Speaker 2>you were phenomen I'm not the boy next door. The

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<v Speaker 2>rain in Spain, Weird, shake it Out and Cry by

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<v Speaker 2>Kelly Clarkson. And then there's also music of the Night

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<v Speaker 2>and a little bit of Don't Rain in My Parade.

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<v Speaker 2>We didn't see Quinn in this episode. This is the

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<v Speaker 2>first time Quinn is absent from an episode because Dana

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<v Speaker 2>was closing Bizz. She was going to get that movie.

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<v Speaker 2>She had that movie with the den Right. She flew

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<v Speaker 2>to France to audition for the family.

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<v Speaker 1>Yes she did. Respect. This is the first time that

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<v Speaker 1>Puck has sung since Yes No, And this is the

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<v Speaker 1>first time you speak in a full song since extraordinary

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<v Speaker 1>Marry chriss, Wow.

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<v Speaker 2>Damn, and he's sang a lot in this he did.

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<v Speaker 2>This is the second time this season that Will doesn't

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<v Speaker 2>give an assignment. The first is Lady Music Week assignment

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<v Speaker 2>that Finn gave. It's also the only time Sue gives one.

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<v Speaker 1>Yeah, I don't know what she's doing giving the assignment,

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<v Speaker 1>but it's fine. In the beginning of this episode, Rachel

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<v Speaker 1>mentions that she won't drink any milk as it makes

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<v Speaker 1>her flemmy before her audition. But if she was a vegan,

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<v Speaker 1>like Rachel Berry has said before, she wouldn't drink milk anyway.

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<v Speaker 1>So continuity jokes, We love a joke, Love a joke now.

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<v Speaker 2>The scene where Rachel choked allegedly came from Leah's fear

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<v Speaker 2>during the Glee concert tour. Leah claimed that she used

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<v Speaker 2>to call Executi producer Dante di Loretto and said to

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<v Speaker 2>him that she was going to mess up one night

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<v Speaker 2>and she was scared of it happening. She was interesting, Yes,

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<v Speaker 2>she was scared of that happening.

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<v Speaker 1>Wow.

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<v Speaker 2>And then do you remember when we got to La

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<v Speaker 2>on tour, It's like she didn't mess up, but that

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<v Speaker 2>morning she woke up and like something was wrong with

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<v Speaker 2>her voice, and so she was like, I saw the

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<v Speaker 2>fear in her eyes. We had two shows and she

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<v Speaker 2>was so paranoid that she wasn't going to be like

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<v Speaker 2>she can do that shit in her sleep.

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<v Speaker 1>She's so good. She was fine, just power through. Yeah,

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<v Speaker 1>Oh my gosh, Okay, that's interesting. I didn't know that.

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<v Speaker 1>This is the third time that something bad happens to

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<v Speaker 1>Rachel in the eighteenth episode. So she suffers from there

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<v Speaker 1>and tonsilitis in laryngitis. She got her nose broken by

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<v Speaker 1>Finn and born this way, and now she jokes in

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<v Speaker 1>her niata audition.

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<v Speaker 2>So when Rachel sings, I was wondering about this. So

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<v Speaker 2>when she sings under the Rain in My Parade, the

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<v Speaker 2>audio recorded on set is muted in editing and replaced

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<v Speaker 2>with the studio recording. However, the original audio is reintroduced

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<v Speaker 2>to soon in Rachel's second attempt at the song, causing

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<v Speaker 2>her to sing the words skies that twice with awkwardly

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<v Speaker 2>overlapping vocals.

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<v Speaker 1>Yeah, did you hear that? I didn't catch it? Oh

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<v Speaker 1>I got it. It seems so glaring to me. Yeah,

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<v Speaker 1>I didn't. I'm an idiot. It is interesting. This is

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<v Speaker 1>the first time since the Pilot that Kurt sings a

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<v Speaker 1>Broadway song that was actually were for a boy. Oh

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<v Speaker 1>my god. Well this number that he does is really great.

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<v Speaker 1>And I also forgot TEENA was in this as well.

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<v Speaker 2>Right in those regionals outfits.

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<v Speaker 1>Yes, in our Journey regional outfits.

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<v Speaker 2>Yeah, I also love it. I'm like, oh, here's the

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<v Speaker 2>first time this makes sense. Recycling outfits have already paid for.

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<v Speaker 1>Right, right, exactly. We also wore those on X Factor

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<v Speaker 1>as well. Yes, you're right.

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<v Speaker 2>Carmen Thibodau mentions being Alive from Company before Kurt auditions

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<v Speaker 2>and swan song. Next season, Kirk performs that song as

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<v Speaker 2>a second audition for YadA.

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<v Speaker 1>That's funny.

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<v Speaker 2>Why does he have to audition again? Silence, That's what

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<v Speaker 2>I thought.

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<v Speaker 1>I don't know either. I don't know.

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<v Speaker 2>Okay, Oh he must not get in. Oh okay, are

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<v Speaker 2>we the right ones to be hosting this podcast?

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<v Speaker 1>Absolutely not. Have you just figured that out now? No?

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<v Speaker 1>But you know it makes me feel better when like

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<v Speaker 1>Ian and Brad are like, I don't remember that, and

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<v Speaker 1>I'm like, okay, Ryan bombers everything. But Ian and Brad

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<v Speaker 1>are like, did this happen kind of I might have

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<v Speaker 1>to look and I'm like, Okay, at least it's not

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<v Speaker 1>just us.

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<v Speaker 2>Ryan really does. Because so I talked to Ryan the

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<v Speaker 2>other day and he was like, how's the show going?

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<v Speaker 2>And I was like, Oh, it's great, blah blah, and

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<v Speaker 2>he's like, where are you, Like we're like in season three?

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<v Speaker 2>He's like, what happens in season three? I was like, well,

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<v Speaker 2>we just did Whitney. He's like, right, there's Whitney and

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<v Speaker 2>he just lists off like five episodes off the top

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<v Speaker 2>of his head and he's like, oh, yes, I really

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<v Speaker 2>love that. And he's like, oh yes. And that scene

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<v Speaker 2>with Leah and Naya in the hallway is because like

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<v Speaker 2>they had become such good friends, and so we wrote

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<v Speaker 2>that like how do you remember steel Trap like specific instances?

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<v Speaker 1>Wild? Yeah. It was like five minutes of him just

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<v Speaker 1>rattling off memories. Man, it must have made you feel

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<v Speaker 1>really good about your memory. Oh yeah. I was like, great,

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<v Speaker 1>So you want to come back? Okay? So shake it Out.

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<v Speaker 1>Originally was meant to be Love the Way You Lie

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<v Speaker 1>by Rihanna. The song was recorded, yes it was, and

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<v Speaker 1>not released to the public. So this was actually recorded

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<v Speaker 1>by Chris Pooley. So Chris Pooley did all of our

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<v Speaker 1>tour music and he was in the band, and Ginger,

0:11:33.960 --> 0:11:36.360
<v Speaker 1>his lovely wife, was also in the band with us

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<v Speaker 1>on tour, and Chris did like all of our live performances.

0:11:41.400 --> 0:11:42.840
<v Speaker 1>When we would go and do like the White House

0:11:42.840 --> 0:11:46.520
<v Speaker 1>and stuff, he would come with us. And I don't

0:11:46.520 --> 0:11:48.760
<v Speaker 1>know what was going on, but I didn't have either

0:11:48.800 --> 0:11:51.199
<v Speaker 1>of the Anders, and we went to a totally different

0:11:51.240 --> 0:11:53.439
<v Speaker 1>recording studio. We did Love the Way You Lie, and

0:11:54.200 --> 0:12:00.160
<v Speaker 1>obviously every producer records very differently, you know. Alexander is

0:12:00.440 --> 0:12:04.120
<v Speaker 1>like very specific, line by line note by note sometimes

0:12:04.160 --> 0:12:07.320
<v Speaker 1>like you just have to get it right. And Chris

0:12:07.400 --> 0:12:08.400
<v Speaker 1>was like, do you want to sing the whole thing

0:12:08.440 --> 0:12:13.040
<v Speaker 1>all the way through? I was like, oh damn, yeah,

0:12:13.080 --> 0:12:15.960
<v Speaker 1>I can't do that. Oh damn. So I did do that.

0:12:17.160 --> 0:12:19.240
<v Speaker 1>We recorded this all the way through, and then we

0:12:19.280 --> 0:12:22.200
<v Speaker 1>would go and punch stuff as needed. But I mean,

0:12:22.240 --> 0:12:24.520
<v Speaker 1>you know, we definitely punched a lot. But it was

0:12:24.520 --> 0:12:26.600
<v Speaker 1>also really fun to like sing a song that you

0:12:26.679 --> 0:12:29.040
<v Speaker 1>can sing all the way through, Like it was so fun,

0:12:29.040 --> 0:12:31.080
<v Speaker 1>and I really love this number. I listened to this

0:12:31.120 --> 0:12:34.840
<v Speaker 1>song a lot just because like it's always such an

0:12:34.880 --> 0:12:37.560
<v Speaker 1>honor to sing with Amber and I like, it's just

0:12:38.400 --> 0:12:42.160
<v Speaker 1>my favorite and then shake it out happens so quickly.

0:12:42.679 --> 0:12:44.720
<v Speaker 1>It was like one night we had to go record

0:12:44.760 --> 0:12:46.480
<v Speaker 1>it because they found out we didn't We couldn't get

0:12:46.559 --> 0:12:50.040
<v Speaker 1>do love the way you lie that it wasn't approved,

0:12:50.360 --> 0:12:54.480
<v Speaker 1>And it's very it's not often that you record the

0:12:54.559 --> 0:12:58.120
<v Speaker 1>number and then it gets scratched.

0:12:58.640 --> 0:13:01.640
<v Speaker 2>I imagine scheduling just had to get it done because we

0:13:01.679 --> 0:13:03.839
<v Speaker 2>could probably get rights to almost everything. So they were

0:13:03.960 --> 0:13:04.960
<v Speaker 2>just assuming we.

0:13:05.000 --> 0:13:09.000
<v Speaker 1>Would right and like like tell him too, like Amber

0:13:09.200 --> 0:13:11.320
<v Speaker 1>Lee and I recorded as well and not got cut.

0:13:11.400 --> 0:13:13.160
<v Speaker 1>But we have that. Yeah.

0:13:13.559 --> 0:13:17.840
<v Speaker 2>This episode earned Dot Murray Jones a Primetime Emmy nomination

0:13:17.960 --> 0:13:20.160
<v Speaker 2>for US Standing Guests Actress in a Comedy Series.

0:13:20.400 --> 0:13:23.360
<v Speaker 1>Yes it did, Dot, Yes, absolutely, I remember when she

0:13:23.400 --> 0:13:30.480
<v Speaker 1>went to the Emmys this year. What happens in this episode, Kevin.

0:13:30.720 --> 0:13:34.320
<v Speaker 2>So, Rachel, and Kurt finally get their chance to audition

0:13:34.559 --> 0:13:39.359
<v Speaker 2>for the New York Academy of Dramatic Arts aka Niyada. Meanwhile,

0:13:39.679 --> 0:13:43.280
<v Speaker 2>Puck makes a decision about his future after meeting his father.

0:13:45.520 --> 0:13:48.960
<v Speaker 1>Oh yeah, A lot of stuff happens in this episode,

0:13:49.480 --> 0:13:53.800
<v Speaker 1>Interestingly enough, though it's streamlined enough that it actually does

0:13:53.960 --> 0:14:01.560
<v Speaker 1>follow the typical ABC storyline yep, right, Like sometimes in

0:14:01.600 --> 0:14:06.520
<v Speaker 1>our episodes there's liked ef but this is actually more concentrated,

0:14:06.559 --> 0:14:11.080
<v Speaker 1>which is why I think like it's more enjoyable because

0:14:11.160 --> 0:14:16.640
<v Speaker 1>it's a little less to take in. Yeah, okay, let's

0:14:16.640 --> 0:14:17.240
<v Speaker 1>start with Puck.

0:14:18.240 --> 0:14:24.520
<v Speaker 2>So Puck has to pass one final geography test European

0:14:24.560 --> 0:14:29.080
<v Speaker 2>Geography test to be able to graduate, and very much

0:14:29.080 --> 0:14:31.760
<v Speaker 2>in Puck's nature, he tries to flirt with the teacher.

0:14:32.200 --> 0:14:35.000
<v Speaker 2>It's wild and she's like, no, the only way I'm

0:14:35.040 --> 0:14:39.160
<v Speaker 2>passing you is to pass actually, like just study and

0:14:39.160 --> 0:14:41.440
<v Speaker 2>take the test, and he gets pissed and is like,

0:14:41.480 --> 0:14:42.880
<v Speaker 2>I'm not going to do this. I'm going to run

0:14:42.920 --> 0:14:47.680
<v Speaker 2>away singing schools out for summer and disappears, leaving like

0:14:48.280 --> 0:14:51.560
<v Speaker 2>I guess only the guys care. The guys and the

0:14:51.600 --> 0:14:54.120
<v Speaker 2>girls are very much divided this episode. There's two things

0:14:54.320 --> 0:14:58.160
<v Speaker 2>going on, right, But it's a lot of Puck and

0:14:58.160 --> 0:15:00.240
<v Speaker 2>there's a lot of him singing, and he's very good.

0:15:00.960 --> 0:15:05.880
<v Speaker 2>And big numbers, huge numbers that schools out for summer.

0:15:05.960 --> 0:15:08.440
<v Speaker 1>Number on the football they switch to the football. If

0:15:08.440 --> 0:15:12.160
<v Speaker 1>you guys said, oh oh wow, I said, budget that

0:15:12.320 --> 0:15:15.120
<v Speaker 1>is a budget, But I honestly like it needed that, right,

0:15:15.240 --> 0:15:15.920
<v Speaker 1>Like it needed to.

0:15:16.200 --> 0:15:19.040
<v Speaker 2>Yeah, like that left, I feel like there hasn't been

0:15:19.040 --> 0:15:19.960
<v Speaker 2>one of those in the while.

0:15:19.960 --> 0:15:21.920
<v Speaker 1>Right, I loved. I love those numbers.

0:15:22.080 --> 0:15:25.200
<v Speaker 2>They all have like the right makeup on, like the

0:15:25.200 --> 0:15:26.840
<v Speaker 2>Alice Cooper makeup and everything.

0:15:27.520 --> 0:15:30.480
<v Speaker 1>That's pretty great, pretty great. Yeah. Puck goes to clean

0:15:30.520 --> 0:15:32.440
<v Speaker 1>one of his client's pools and his dad shows.

0:15:32.160 --> 0:15:35.440
<v Speaker 2>Up, scary because we've never really heard about his dad.

0:15:35.520 --> 0:15:38.840
<v Speaker 1>Never, And I was like, Oh is his dada? So

0:15:38.960 --> 0:15:40.880
<v Speaker 1>who is this? And unfortunately we don't need to know

0:15:40.920 --> 0:15:44.920
<v Speaker 1>because he's he's a bad dad. It's a bad dad.

0:15:45.120 --> 0:15:47.160
<v Speaker 1>He's not there for Puck. He only shows up when

0:15:47.160 --> 0:15:50.560
<v Speaker 1>he needs money. And you got and the guys all

0:15:50.600 --> 0:15:55.800
<v Speaker 1>stage this coup for Puck that you're gonna intervene before

0:15:55.880 --> 0:15:58.560
<v Speaker 1>he What is it? What is he gonna do? Where

0:15:58.600 --> 0:16:00.440
<v Speaker 1>is he going? Oh, he's going to the pool to

0:16:01.360 --> 0:16:03.880
<v Speaker 1>know he's going to be there, and you guys are

0:16:03.880 --> 0:16:06.320
<v Speaker 1>going to stop him from going and make him take

0:16:06.360 --> 0:16:11.680
<v Speaker 1>this test. But then he shows up during.

0:16:11.560 --> 0:16:13.320
<v Speaker 2>Because he doesn't he doesn't want to be like his dad,

0:16:14.640 --> 0:16:20.560
<v Speaker 2>and so they do a study cram session, which leads

0:16:20.640 --> 0:16:26.040
<v Speaker 2>us to the rain in Spain. I had completely forgotten

0:16:26.040 --> 0:16:31.440
<v Speaker 2>about or blocked out such a weird, weird number.

0:16:31.920 --> 0:16:36.240
<v Speaker 1>The number itself is weird because taking out of context

0:16:36.320 --> 0:16:39.200
<v Speaker 1>of the show, it's just really strange, right, Like the

0:16:39.320 --> 0:16:41.600
<v Speaker 1>song is just not It's not like a song that

0:16:41.640 --> 0:16:44.920
<v Speaker 1>you're like, oh, I love to hear I love this song. No.

0:16:46.160 --> 0:16:48.520
<v Speaker 2>It also felt like several times in this episode songs

0:16:48.520 --> 0:16:51.920
<v Speaker 2>were put in. The song was an idea, and then they

0:16:51.880 --> 0:16:55.880
<v Speaker 2>built a storyline to get to the song where it

0:16:55.960 --> 0:16:59.840
<v Speaker 2>felt like, oh, let's have him fail his geography test

0:17:00.360 --> 0:17:02.600
<v Speaker 2>so then we can sing the rain in Spain. Like

0:17:02.640 --> 0:17:05.359
<v Speaker 2>somebody really wanted that ugly right right right, that's what

0:17:05.440 --> 0:17:05.919
<v Speaker 2>it felt like.

0:17:06.520 --> 0:17:11.359
<v Speaker 1>Interesting the Yeah, we could have done without n in Spain.

0:17:12.640 --> 0:17:15.320
<v Speaker 1>But I do think that when he takes the test,

0:17:15.359 --> 0:17:19.000
<v Speaker 1>it's very endaring. Yeah, funny, he's like, easiest test ever.

0:17:19.359 --> 0:17:25.520
<v Speaker 1>That's not a song. Then it's a real question. Yeah,

0:17:25.640 --> 0:17:28.000
<v Speaker 1>I mean it was time to get Puck a little

0:17:28.359 --> 0:17:31.320
<v Speaker 1>a little love and a little storyline, I guess, and

0:17:31.400 --> 0:17:34.440
<v Speaker 1>really leaves the cliffhanger, doesn't it. Oh, yes it does,

0:17:34.840 --> 0:17:39.120
<v Speaker 1>we'll get there, m h. But Puck really needed this

0:17:39.680 --> 0:17:43.280
<v Speaker 1>to pass this test to graduate, so he got.

0:17:43.119 --> 0:17:47.679
<v Speaker 2>A big ol' f I like when the boys and

0:17:47.680 --> 0:17:50.439
<v Speaker 2>the girls band together, though I do too. This is

0:17:50.440 --> 0:17:52.840
<v Speaker 2>one of my favorite things. So it was nice to

0:17:52.880 --> 0:17:56.520
<v Speaker 2>have like the group together, like Finn leading a nice

0:17:56.520 --> 0:17:58.760
<v Speaker 2>thing for everyone to like, we got to get our boy.

0:17:59.600 --> 0:18:02.080
<v Speaker 1>Do you red remember shooting rand in Spain or recording it?

0:18:02.280 --> 0:18:06.720
<v Speaker 2>Yeah, I remember. I remember rehearsing it because it wasn't

0:18:06.760 --> 0:18:10.359
<v Speaker 2>like a regular dance number. The band's not there like

0:18:10.400 --> 0:18:12.440
<v Speaker 2>they because it's late at night. Also, how are they

0:18:12.440 --> 0:18:13.439
<v Speaker 2>in school at midnight?

0:18:14.920 --> 0:18:16.359
<v Speaker 1>Yeah, I don't know. I mean we broke in to

0:18:16.440 --> 0:18:20.199
<v Speaker 1>school later playing and Samon Tina, So I don't know.

0:18:20.240 --> 0:18:22.800
<v Speaker 1>I guess it's possible. Yeah, there's a lot of Breecurity

0:18:22.880 --> 0:18:26.480
<v Speaker 1>is a real loose there twenty well two thousand and nine,

0:18:26.480 --> 0:18:29.600
<v Speaker 1>twenty twelve, not twenty twenty four.

0:18:30.080 --> 0:18:34.160
<v Speaker 2>No, but it was just it was like a lot

0:18:34.160 --> 0:18:35.879
<v Speaker 2>of because it's one of those fun ones. We're just

0:18:35.960 --> 0:18:39.920
<v Speaker 2>jumping around. Well I wasn't, but everyone else was, and.

0:18:41.400 --> 0:18:45.320
<v Speaker 1>You know, free from rockout. Yeah yeah, And.

0:18:44.520 --> 0:18:47.840
<v Speaker 2>Because you know, the boys we weren't so talented in

0:18:47.840 --> 0:18:49.760
<v Speaker 2>the dance department, it just would have been weird to

0:18:50.080 --> 0:18:52.400
<v Speaker 2>like have a lot of choreography too.

0:18:52.680 --> 0:18:54.919
<v Speaker 1>No, no, for sure. Yeah, it doesn't need it, it

0:18:54.960 --> 0:18:57.800
<v Speaker 1>doesn't lend to this story. No, it's very much more

0:18:57.840 --> 0:19:04.160
<v Speaker 1>like we're masculine. Yeah. So during during Rachel's very beautiful

0:19:04.200 --> 0:19:08.280
<v Speaker 1>rendition of cry, we find out the book gets an

0:19:08.400 --> 0:19:12.719
<v Speaker 1>f it's going backwards. Rachel singing cry because she chokes

0:19:12.720 --> 0:19:17.080
<v Speaker 1>at her. That was really hard to watch. That was

0:19:17.119 --> 0:19:22.520
<v Speaker 1>a good choke. Mm hm, that was excellent the whole

0:19:22.720 --> 0:19:25.800
<v Speaker 1>that whole storyline I really liked. And Mike uppend All, like,

0:19:26.440 --> 0:19:29.600
<v Speaker 1>kudos to him for like his storytelling in this episode.

0:19:29.600 --> 0:19:31.560
<v Speaker 1>And I guess the writing too, like all of it.

0:19:31.640 --> 0:19:34.720
<v Speaker 1>Like it's really clear, it's really really clear, and it's

0:19:34.800 --> 0:19:37.280
<v Speaker 1>character driven, Like everything is character driven in this episode.

0:19:37.280 --> 0:19:43.800
<v Speaker 1>So Rachel, Rachel chokes and she sings, don't read on

0:19:43.880 --> 0:19:48.040
<v Speaker 1>my Parade to crime and Thibodeau, and she messes up

0:19:48.040 --> 0:19:51.840
<v Speaker 1>the lyrics, and she lets her start again, and she

0:19:51.920 --> 0:19:55.760
<v Speaker 1>messes up yet again, and then she begs her to

0:19:55.800 --> 0:20:01.160
<v Speaker 1>let her do it again, and Karmen Tippotto says, nope, nope.

0:20:01.400 --> 0:20:06.280
<v Speaker 1>So Rachel's audition that she's been working towards, dreaming of

0:20:06.840 --> 0:20:10.480
<v Speaker 1>dreaming for moving to New York right now is dead.

0:20:13.040 --> 0:20:15.680
<v Speaker 1>I mean her pleading and crying. Oh.

0:20:17.600 --> 0:20:20.760
<v Speaker 2>I also have to say, it's really nice to see

0:20:21.160 --> 0:20:27.439
<v Speaker 2>Rachel be challenged for a different circumstance where everyone's so

0:20:27.560 --> 0:20:30.479
<v Speaker 2>used to high school. All these characters like they know

0:20:30.600 --> 0:20:33.520
<v Speaker 2>the lay of the land, they know the social standings

0:20:33.520 --> 0:20:36.800
<v Speaker 2>where they fit in, and Rachel very much owns her

0:20:36.840 --> 0:20:39.280
<v Speaker 2>space and that and so now it's like this is

0:20:39.320 --> 0:20:45.399
<v Speaker 2>her first brush with reality of the world outside of McKinley, right,

0:20:45.840 --> 0:20:51.359
<v Speaker 2>and she's.

0:20:49.600 --> 0:20:52.000
<v Speaker 1>Gets the first you know, a lot of things happened

0:20:52.040 --> 0:20:55.760
<v Speaker 1>to her, right, like she has you know, she she

0:20:55.800 --> 0:20:58.240
<v Speaker 1>always gets the solo and if not, like she's taken

0:20:58.280 --> 0:21:00.640
<v Speaker 1>the soul is taken away from her, gets a solo,

0:21:00.800 --> 0:21:04.320
<v Speaker 1>somebody else gets a solo. Like a lot happens to her.

0:21:04.359 --> 0:21:06.159
<v Speaker 1>She gets her nose broken, like she you know, all

0:21:06.200 --> 0:21:14.120
<v Speaker 1>these things, but but she this one. She she creates this, right,

0:21:14.280 --> 0:21:16.800
<v Speaker 1>like this is her problem, this is her mistake, This

0:21:16.880 --> 0:21:19.920
<v Speaker 1>is on her. And it's really interesting to watch because

0:21:19.920 --> 0:21:23.600
<v Speaker 1>you don't see that a lot in Rachel's perfect world. No, right,

0:21:23.720 --> 0:21:26.879
<v Speaker 1>I guess, which is kind of what you were saying, like, yeah,

0:21:26.920 --> 0:21:28.919
<v Speaker 1>there's like a reality to it, and it's it's a

0:21:28.960 --> 0:21:31.480
<v Speaker 1>much bigger reality because the stakes are so high for

0:21:31.560 --> 0:21:32.879
<v Speaker 1>these guys.

0:21:32.640 --> 0:21:35.200
<v Speaker 2>So high, And think about every single episode she's been

0:21:35.200 --> 0:21:39.240
<v Speaker 2>in this season, eighteen episodes, there's just been this confidence

0:21:39.280 --> 0:21:42.280
<v Speaker 2>of like, I'm watching New York never gets that. Oh,

0:21:42.320 --> 0:21:45.199
<v Speaker 2>like Finn's whole storyline has to get figured out because

0:21:45.280 --> 0:21:47.000
<v Speaker 2>what does he want to do? Because Rachel's going to

0:21:47.040 --> 0:21:49.800
<v Speaker 2>New York exactly and she's going to New York, so

0:21:49.920 --> 0:21:50.840
<v Speaker 2>like what does Kurt want to do?

0:21:52.600 --> 0:21:57.240
<v Speaker 1>And it was like Leo just smashed totally, totally the

0:21:57.400 --> 0:22:01.480
<v Speaker 1>really great good And then Kurt also is also auditioning

0:22:01.560 --> 0:22:04.520
<v Speaker 1>for niAA and he decides he's going to sing Phantom

0:22:04.560 --> 0:22:07.080
<v Speaker 1>of the Opera, so he sings Music of the Night.

0:22:07.720 --> 0:22:14.480
<v Speaker 1>It's a seminal classic, it's some Broadway classic. He it's

0:22:14.480 --> 0:22:23.000
<v Speaker 1>a safe option, it's also a boring option. I like, whatever, okay,

0:22:23.080 --> 0:22:33.480
<v Speaker 1>and Tina is is uh Christine that Jenna? I lost

0:22:33.520 --> 0:22:37.520
<v Speaker 1>my mind. I remember it. It was actually really fun

0:22:37.560 --> 0:22:40.200
<v Speaker 1>to film because I was just being like entranced and

0:22:40.240 --> 0:22:43.200
<v Speaker 1>like being like a rag doll basically, So I had

0:22:43.200 --> 0:22:48.439
<v Speaker 1>fun with it, but that way was so itchy and

0:22:48.920 --> 0:22:54.320
<v Speaker 1>so it looked great, though I remember for some reason

0:22:55.760 --> 0:22:58.120
<v Speaker 1>feeling like I wasn't originally supposed to be in that

0:22:58.840 --> 0:23:04.479
<v Speaker 1>like it wasn't originally, but somehow there's there she is.

0:23:05.680 --> 0:23:07.600
<v Speaker 2>I gotta say maybe it's because they were like such

0:23:07.600 --> 0:23:12.000
<v Speaker 2>a good friends with Hitchcock that I feel like any

0:23:12.040 --> 0:23:15.560
<v Speaker 2>of those moments where they could like fit Tina in

0:23:16.520 --> 0:23:19.240
<v Speaker 2>to like just have her do more, they always like,

0:23:19.359 --> 0:23:21.280
<v Speaker 2>especially him, like always wanted you to do more.

0:23:21.520 --> 0:23:27.480
<v Speaker 1>Yeah, just like it a funny one that was really funny.

0:23:27.520 --> 0:23:30.000
<v Speaker 1>I love that. Yeah, we had fun with that one.

0:23:30.000 --> 0:23:31.879
<v Speaker 1>And Darren was there and he's watching, and so I

0:23:31.880 --> 0:23:33.680
<v Speaker 1>remember also like it was just the three of us

0:23:33.680 --> 0:23:36.040
<v Speaker 1>in the scene and it was just really fun to do.

0:23:38.680 --> 0:23:41.680
<v Speaker 1>But then Rachel says she'll do She'll be his Christine

0:23:41.720 --> 0:23:44.080
<v Speaker 1>in the audition if he does that song, and she

0:23:44.200 --> 0:23:46.600
<v Speaker 1>convinces him not to do the song that he his

0:23:46.680 --> 0:23:52.280
<v Speaker 1>instincts are telling him to do, which is not the

0:23:52.320 --> 0:23:54.720
<v Speaker 1>Boy next Door from Boy from Us. Okay, let me

0:23:54.720 --> 0:23:57.560
<v Speaker 1>tell you. I saw this this musical on Broadway with

0:23:57.680 --> 0:24:01.120
<v Speaker 1>you Jackman, and oh my god, was he so good.

0:24:01.840 --> 0:24:09.920
<v Speaker 1>He was exceptional exceptional. It was amazing, It was truly amazing.

0:24:10.000 --> 0:24:13.199
<v Speaker 1>I that's when I was like, Okay, he's got like

0:24:14.359 --> 0:24:15.040
<v Speaker 1>this guy.

0:24:14.920 --> 0:24:18.640
<v Speaker 2>Is like a trible threat he can actually do it.

0:24:18.840 --> 0:24:22.600
<v Speaker 1>Yeah, and I love this song he does wear like

0:24:22.640 --> 0:24:24.840
<v Speaker 1>a gold like thong in it.

0:24:24.880 --> 0:24:28.280
<v Speaker 2>Basically is the number similar, like how Chris is dancing

0:24:29.480 --> 0:24:30.960
<v Speaker 2>to like what he was doing.

0:24:31.840 --> 0:24:34.400
<v Speaker 1>Yeah, I think so, I think I think so. It's

0:24:34.440 --> 0:24:38.159
<v Speaker 1>it's it's similar tone, vibe, very like, kind of sexy,

0:24:38.200 --> 0:24:43.800
<v Speaker 1>showy similar not not with three lovely ladies behind him though,

0:24:43.840 --> 0:24:47.600
<v Speaker 1>which who has backup singers and dancers in their auditions

0:24:47.800 --> 0:24:49.680
<v Speaker 1>and their college auditions? I wish I had that.

0:24:50.119 --> 0:24:54.320
<v Speaker 2>Right in like a full set, a full band, like

0:24:54.520 --> 0:25:00.320
<v Speaker 2>laughing Christmas really dancing, oh my god, like high cakes

0:25:00.359 --> 0:25:03.840
<v Speaker 2>across the stage on his knees, on his back.

0:25:03.840 --> 0:25:09.119
<v Speaker 1>Twirling, jumping. I remember him doing this and like this

0:25:09.240 --> 0:25:11.000
<v Speaker 1>was a big one for him. It was a lot,

0:25:11.080 --> 0:25:14.639
<v Speaker 1>and I remember him working really fucking it looked great.

0:25:14.800 --> 0:25:18.280
<v Speaker 1>He looked so great. Yeah, it's really really great. He

0:25:18.359 --> 0:25:21.800
<v Speaker 1>decides he's going to do Music of the Night, and

0:25:21.840 --> 0:25:23.280
<v Speaker 1>he says he's going to do it, and then he

0:25:23.640 --> 0:25:26.280
<v Speaker 1>changes his mind and he does not. The boy next

0:25:26.320 --> 0:25:30.520
<v Speaker 1>door and Carmen Tibodo says, what a great risk to take.

0:25:31.160 --> 0:25:36.320
<v Speaker 2>I have a question because you did musical theater in college. Yeah,

0:25:36.400 --> 0:25:41.240
<v Speaker 2>you've auditioned for musical theater things. When Rachel was convincing

0:25:41.320 --> 0:25:44.239
<v Speaker 2>him to She's like, I can do don't ruin my

0:25:44.240 --> 0:25:46.919
<v Speaker 2>parade in my sleep basically right, like this is not

0:25:47.000 --> 0:25:50.520
<v Speaker 2>the time to take risks. Do something you know and

0:25:50.560 --> 0:25:54.000
<v Speaker 2>that will showcase you. And he's like, my whole Kurt,

0:25:54.040 --> 0:25:55.320
<v Speaker 2>you know, was saying, my whole thing is that I

0:25:55.359 --> 0:25:57.280
<v Speaker 2>always have taken risks. That's how it's gotten me this,

0:25:57.400 --> 0:26:00.840
<v Speaker 2>That's what's gotten me this far. I was like watching

0:26:00.880 --> 0:26:02.560
<v Speaker 2>him like I'm of two minds because I I don't

0:26:02.560 --> 0:26:07.320
<v Speaker 2>remember what happened because I see Rachel's point. But you,

0:26:07.400 --> 0:26:10.280
<v Speaker 2>as somebody who has done this professionally and in school,

0:26:11.960 --> 0:26:14.520
<v Speaker 2>do you would you have gone the Rachel way or

0:26:14.560 --> 0:26:15.479
<v Speaker 2>the Kurt way?

0:26:15.720 --> 0:26:20.879
<v Speaker 1>The Kurt way really always yeah, I think for me,

0:26:21.440 --> 0:26:23.560
<v Speaker 1>I always always taught, and I was always brought up

0:26:23.560 --> 0:26:27.560
<v Speaker 1>in the camp of like don't do on my own right,

0:26:27.800 --> 0:26:32.520
<v Speaker 1>don't do like I don't know what else, there's an

0:26:32.520 --> 0:26:34.919
<v Speaker 1>other song. There's like a list of song that you

0:26:34.960 --> 0:26:38.040
<v Speaker 1>should not do because they're just done, overdone, and nobody

0:26:38.040 --> 0:26:41.520
<v Speaker 1>wants to hear them over and over again. So the

0:26:42.000 --> 0:26:45.000
<v Speaker 1>odds are that like five out of ten are probably

0:26:45.000 --> 0:26:48.280
<v Speaker 1>going to do that song and they could do it

0:26:48.320 --> 0:26:51.760
<v Speaker 1>better than you, So why not do And look, if

0:26:51.800 --> 0:26:53.520
<v Speaker 1>somebody wants to do on my own and you think

0:26:53.520 --> 0:26:55.399
<v Speaker 1>you can, you're you can do it the best and

0:26:55.400 --> 0:26:58.560
<v Speaker 1>that's the best representation, or you do it. I just

0:26:58.560 --> 0:27:01.119
<v Speaker 1>think the way to go is not to take a

0:27:01.200 --> 0:27:06.160
<v Speaker 1>risk that's so far from who you are or who

0:27:06.680 --> 0:27:10.959
<v Speaker 1>like what you want to showcase, but like do something

0:27:11.000 --> 0:27:15.040
<v Speaker 1>different that showcases and emulates you. But that's not so

0:27:15.200 --> 0:27:20.640
<v Speaker 1>typical because you also want to like get people's attention

0:27:20.720 --> 0:27:23.320
<v Speaker 1>in an audition room and you want their ears to

0:27:23.359 --> 0:27:26.200
<v Speaker 1>perk up and not go and like, I haven't heard

0:27:26.200 --> 0:27:28.199
<v Speaker 1>this song done like this or I've heard this song

0:27:28.240 --> 0:27:31.119
<v Speaker 1>in a really long time versus this again.

0:27:31.720 --> 0:27:34.600
<v Speaker 2>Yeah, and you fall into the category of five people did.

0:27:35.920 --> 0:27:41.119
<v Speaker 1>And like which one was that? Exactly? One thing? Exactly?

0:27:41.240 --> 0:27:44.000
<v Speaker 1>So the book was like a huge like building your

0:27:44.000 --> 0:27:48.200
<v Speaker 1>book was a huge thing that we did in college

0:27:48.720 --> 0:27:52.520
<v Speaker 1>to make sure that you had an array of choice

0:27:52.560 --> 0:27:55.680
<v Speaker 1>and variety. Is building your book.

0:27:55.640 --> 0:27:57.760
<v Speaker 2>All these songs that you just have that you know

0:27:57.760 --> 0:27:58.119
<v Speaker 2>how to do.

0:27:58.800 --> 0:28:00.840
<v Speaker 1>Yeah. Yeah, So if you're in an and they say

0:28:00.880 --> 0:28:03.080
<v Speaker 1>do you have something else? You have to be able

0:28:03.119 --> 0:28:05.200
<v Speaker 1>to go to that book, turn to the page, show

0:28:05.200 --> 0:28:07.600
<v Speaker 1>the accompanist or the companists can be like can you

0:28:07.600 --> 0:28:09.840
<v Speaker 1>sing this one? And then gets in there and you

0:28:09.880 --> 0:28:12.280
<v Speaker 1>have to be able to sing. It better not be

0:28:12.320 --> 0:28:13.400
<v Speaker 1>in your book if you don't know it.

0:28:13.680 --> 0:28:16.440
<v Speaker 2>So when you go into musical theater auditions, you bring

0:28:16.480 --> 0:28:20.040
<v Speaker 2>your book. Yes, this is this is why when I

0:28:20.040 --> 0:28:22.439
<v Speaker 2>had to shorting Awakening and I went in with no

0:28:22.560 --> 0:28:27.040
<v Speaker 2>sheet music, never mind a book, and they were like, oh.

0:28:29.080 --> 0:28:31.199
<v Speaker 1>When she man, oh, I think I remember this. What

0:28:31.240 --> 0:28:34.040
<v Speaker 1>did you say? Let it be? No? I did not.

0:28:34.680 --> 0:28:36.600
<v Speaker 1>What did you think? Oh?

0:28:36.600 --> 0:28:40.480
<v Speaker 2>He mean rhapsody like a jackass? Like it was karaoke

0:28:40.600 --> 0:28:41.959
<v Speaker 2>and I was trying to prove something.

0:28:44.120 --> 0:28:45.560
<v Speaker 1>We're always trying to prove something.

0:28:45.840 --> 0:28:48.560
<v Speaker 2>No, but it was not you know what I mean?

0:28:49.200 --> 0:28:52.120
<v Speaker 2>They were They all looked like I had offended them,

0:28:52.160 --> 0:28:57.880
<v Speaker 2>like I had slapped their children in front of them.

0:28:57.920 --> 0:28:59.800
<v Speaker 2>And then they're like, okay, you can do the scene

0:29:00.040 --> 0:29:00.920
<v Speaker 2>or did you have something else?

0:29:00.920 --> 0:29:04.680
<v Speaker 1>And it's like exactly, see you have something else and

0:29:04.720 --> 0:29:06.440
<v Speaker 1>nothing else? Like you sure you want to do this?

0:29:06.520 --> 0:29:10.080
<v Speaker 2>I'm like, yeah, I'll do it.

0:29:10.080 --> 0:29:12.400
<v Speaker 1>It was bad, Jenna.

0:29:13.040 --> 0:29:16.760
<v Speaker 2>Luckily, I'm sure they did not remember me. Probably had

0:29:16.760 --> 0:29:18.480
<v Speaker 2>a good laugh or angry, and then moved on.

0:29:18.920 --> 0:29:21.280
<v Speaker 1>Oh my god, I auditioned for that Jimmy Buffett musical

0:29:21.520 --> 0:29:23.080
<v Speaker 1>and when you were staying with me in New York

0:29:23.800 --> 0:29:25.640
<v Speaker 1>to sing fins and it was too high for me,

0:29:25.680 --> 0:29:27.320
<v Speaker 1>and I should have just said I'm not going, but

0:29:27.400 --> 0:29:29.200
<v Speaker 1>I went anyway, and I sang that song. It was

0:29:29.280 --> 0:29:33.640
<v Speaker 1>nine am and it was not good. Fins to the left,

0:29:33.840 --> 0:29:38.360
<v Speaker 1>finst the right. That's actually probably being nice about my voice.

0:29:38.440 --> 0:29:41.360
<v Speaker 1>That anyway, walk out and you're like, what am I

0:29:41.360 --> 0:29:47.120
<v Speaker 1>doing with my life? Always? Why am I here? Okay,

0:29:47.400 --> 0:29:50.760
<v Speaker 1>but she choked in that audition. He choked in that audition.

0:29:51.040 --> 0:29:54.160
<v Speaker 1>Rachel choked in her audition. So Kurt Kurt does Actually

0:29:54.760 --> 0:29:57.080
<v Speaker 1>he makes a splash and he sham moves the shit

0:29:57.120 --> 0:30:01.800
<v Speaker 1>out of his song, and and Whoopy loves it. Whoopy

0:30:01.880 --> 0:30:06.080
<v Speaker 1>loves it. Sher power. I mean, she only has to

0:30:06.120 --> 0:30:08.280
<v Speaker 1>say a few look at you. Yes.

0:30:08.360 --> 0:30:20.880
<v Speaker 2>I was like, oh the other storyline, look more, Coach

0:30:21.000 --> 0:30:24.040
<v Speaker 2>ros I more more.

0:30:25.720 --> 0:30:28.800
<v Speaker 1>I just want her. I was so excited to work

0:30:28.800 --> 0:30:29.560
<v Speaker 1>with her finally.

0:30:29.840 --> 0:30:36.440
<v Speaker 2>Yeah, just so Santana and the girls are wiling out

0:30:37.760 --> 0:30:41.280
<v Speaker 2>like making fun of Coach Beast black Eye, saying that,

0:30:41.400 --> 0:30:45.120
<v Speaker 2>oh she must have gotten hit by her husband, which

0:30:45.160 --> 0:30:48.880
<v Speaker 2>is crazy and very unlike the girls, and Coach Roz

0:30:48.920 --> 0:30:51.760
<v Speaker 2>hears it and it's like, no, no, no, no, we're

0:30:51.800 --> 0:30:55.880
<v Speaker 2>not doing this putting you on my list, and then

0:30:56.760 --> 0:31:01.000
<v Speaker 2>calls little Pow Wow with Sue and Beast like, we

0:31:01.080 --> 0:31:04.320
<v Speaker 2>got to teach these girls a lesson, tells Shoe and

0:31:04.360 --> 0:31:08.080
<v Speaker 2>then that's how Sue, you know, teaches the lesson this

0:31:08.160 --> 0:31:12.360
<v Speaker 2>week because he's like, what they wouldn't do that. She's like, no,

0:31:12.920 --> 0:31:16.360
<v Speaker 2>they did, and we need to teach him about this.

0:31:18.960 --> 0:31:20.840
<v Speaker 2>And then they have you guys choose a number to

0:31:20.880 --> 0:31:26.240
<v Speaker 2>represent this go, you know, women being strong and independent,

0:31:27.240 --> 0:31:33.440
<v Speaker 2>and the girls choose so luck tango. Actually, before we

0:31:33.520 --> 0:31:36.240
<v Speaker 2>get there, I just wanted to say that the teacher's

0:31:36.760 --> 0:31:38.360
<v Speaker 2>lounge scenes.

0:31:39.520 --> 0:31:46.040
<v Speaker 1>So good. All of them together is just everyone insaulting everyone.

0:31:46.920 --> 0:31:51.600
<v Speaker 1>It's so funny and they have to do with very

0:31:51.640 --> 0:31:57.680
<v Speaker 1>little effort. Yes, do such an incredible job, and it's remarkable.

0:31:57.880 --> 0:32:06.680
<v Speaker 1>Black Suit. I I can hear Nini saying her lines

0:32:07.080 --> 0:32:11.480
<v Speaker 1>yes to us, like I can hear them back because

0:32:11.480 --> 0:32:15.440
<v Speaker 1>they're so they were so memorable to me, and the

0:32:15.480 --> 0:32:18.680
<v Speaker 1>way that she delivers thembre so memorable, and I remember,

0:32:18.680 --> 0:32:21.320
<v Speaker 1>but she's trying not to laugh the whole time, and like,

0:32:22.560 --> 0:32:25.000
<v Speaker 1>n I was so excited because she loved me, me, like

0:32:25.040 --> 0:32:26.000
<v Speaker 1>we had such.

0:32:26.200 --> 0:32:28.840
<v Speaker 2>A good time with Meani. Your guys' reactions are incredible.

0:32:30.800 --> 0:32:35.600
<v Speaker 2>You all looked shocked and terrified pretty much. But tell

0:32:35.640 --> 0:32:39.160
<v Speaker 2>me about Subloctango because I felt like this is a

0:32:39.160 --> 0:32:43.400
<v Speaker 2>long time coming, but you know, you were doing a

0:32:43.480 --> 0:32:47.680
<v Speaker 2>musical show. Subloctango is one of the most famous musical

0:32:47.760 --> 0:32:54.560
<v Speaker 2>numbers ever, and we have an extremely strong group of

0:32:54.560 --> 0:32:57.440
<v Speaker 2>girls on the show, and it just felt like, Okay,

0:32:57.480 --> 0:32:58.400
<v Speaker 2>when is this happening?

0:32:59.200 --> 0:33:04.720
<v Speaker 1>And I felt like this is the reason why Unfortunately unfortunately,

0:33:05.920 --> 0:33:08.800
<v Speaker 1>but I don't know, I didn't maybe because I was

0:33:08.800 --> 0:33:10.720
<v Speaker 1>like too close to it. It didn't It didn't strike

0:33:10.800 --> 0:33:15.840
<v Speaker 1>me the way that it struck you and the choice

0:33:15.840 --> 0:33:18.480
<v Speaker 1>that they made with this song. But I think I

0:33:18.520 --> 0:33:23.000
<v Speaker 1>was just so excited to do it because I was like, yeah, Selug, like,

0:33:23.280 --> 0:33:24.840
<v Speaker 1>if we're gonna do cell Block, like you better make

0:33:24.840 --> 0:33:26.720
<v Speaker 1>Tin a part of it because I would be so mad,

0:33:27.080 --> 0:33:33.360
<v Speaker 1>so mad. Soul Book was really fun to do. Uh.

0:33:33.440 --> 0:33:36.960
<v Speaker 1>It was really fun to record also, partially because you

0:33:37.000 --> 0:33:40.040
<v Speaker 1>could hear all the other people who recorded, like the

0:33:40.200 --> 0:33:43.640
<v Speaker 1>Pop six Oh, like I could hear them in my ear,

0:33:43.680 --> 0:33:45.600
<v Speaker 1>which you don't normally get to hear your friends in

0:33:45.640 --> 0:33:47.880
<v Speaker 1>your ears in the recording studio for some reason, and

0:33:47.920 --> 0:33:52.840
<v Speaker 1>like the boy was that fun to do? And then

0:33:52.920 --> 0:33:55.680
<v Speaker 1>like also to do like the talk singing monologue over

0:33:56.720 --> 0:34:01.400
<v Speaker 1>over the music and to shoot it with Harry and

0:34:01.480 --> 0:34:08.959
<v Speaker 1>like he looked so good. He looked great. Kidding god,

0:34:09.000 --> 0:34:11.319
<v Speaker 1>what a fun day that was, I remember, and like

0:34:11.360 --> 0:34:16.759
<v Speaker 1>Brooke was there with us, and I like it. It

0:34:16.840 --> 0:34:19.319
<v Speaker 1>was also after like the movie came out with such

0:34:19.320 --> 0:34:22.560
<v Speaker 1>a hit, and I don't know, it was just it

0:34:22.600 --> 0:34:26.400
<v Speaker 1>was really awesome. Did you do the talking live? No?

0:34:26.600 --> 0:34:27.319
<v Speaker 1>Wed that?

0:34:27.360 --> 0:34:30.640
<v Speaker 2>Okay, that's right, I thought, I know you don't think

0:34:30.640 --> 0:34:33.960
<v Speaker 2>you were great in this, but like the details of

0:34:34.000 --> 0:34:37.160
<v Speaker 2>what you're doing, Jenna are great. You even have this

0:34:37.280 --> 0:34:39.840
<v Speaker 2>like limp neck head thing in one of the pieces

0:34:40.280 --> 0:34:44.200
<v Speaker 2>and it looks just like the real thing. I was like, Oh,

0:34:44.239 --> 0:34:47.360
<v Speaker 2>this girl grew up doing this. That's what it felt like.

0:34:47.360 --> 0:34:49.640
<v Speaker 2>Like you knew you didn't need to be taught this,

0:34:50.800 --> 0:34:52.120
<v Speaker 2>like you just knew how to do it.

0:34:52.640 --> 0:34:54.160
<v Speaker 1>Thanks, And that's what it felt like.

0:34:54.200 --> 0:34:56.600
<v Speaker 2>It I didn't like, you know me, I'll get I'll

0:34:57.000 --> 0:34:59.840
<v Speaker 2>cringe and things and yeah, you know, I thought you

0:34:59.880 --> 0:35:00.440
<v Speaker 2>were great.

0:35:00.719 --> 0:35:02.120
<v Speaker 1>Oh thanks, everybody was.

0:35:02.239 --> 0:35:04.759
<v Speaker 2>I wanted it the full. I wish it was just

0:35:04.800 --> 0:35:06.080
<v Speaker 2>like ten minutes long.

0:35:06.520 --> 0:35:09.279
<v Speaker 1>And all the women in the back and the thing

0:35:10.400 --> 0:35:12.799
<v Speaker 1>the chairs were really fun. That was really really fun.

0:35:12.920 --> 0:35:14.839
<v Speaker 2>If you did another tour that would have been in it.

0:35:14.960 --> 0:35:18.799
<v Speaker 1>Oh I wish, I wish that would be fun. Oh man,

0:35:18.960 --> 0:35:21.040
<v Speaker 1>imagine what the tour would have been like after season three.

0:35:21.239 --> 0:35:25.759
<v Speaker 2>Oh my god, what so good it would have been, Michael, Oh,

0:35:25.920 --> 0:35:33.680
<v Speaker 2>that's right, Whitney Fleetwood, Fleetwood, Oh man, shake it out

0:35:33.920 --> 0:35:35.879
<v Speaker 2>and sell blockedank go right.

0:35:35.960 --> 0:35:38.520
<v Speaker 1>This is a lot of really enjoyable music.

0:35:38.760 --> 0:35:41.520
<v Speaker 2>I feel like the encore would have started with the

0:35:41.520 --> 0:35:43.799
<v Speaker 2>three of you doing an a capella to shake it out.

0:35:44.480 --> 0:35:48.799
<v Speaker 1>Oh my, could you imagine? Wow? Wow?

0:35:50.560 --> 0:35:54.400
<v Speaker 2>Fantasy list of shoe We definitely should make that list.

0:35:54.920 --> 0:35:59.520
<v Speaker 2>Maybe an episode that we plan our fake season three tour.

0:36:00.000 --> 0:36:04.880
<v Speaker 1>Okay, let's do it, and then Beast comes clean. She

0:36:04.960 --> 0:36:08.120
<v Speaker 1>had first had said that she got hit by back

0:36:08.239 --> 0:36:11.840
<v Speaker 1>by a punching bag at the gym, and she admits

0:36:11.880 --> 0:36:15.960
<v Speaker 1>that she actually was hit by Career, but he was

0:36:16.080 --> 0:36:22.279
<v Speaker 1>very apologetic and coach Roz has shared her story about

0:36:22.280 --> 0:36:26.760
<v Speaker 1>a family member who was also a victim of domestic violence,

0:36:27.000 --> 0:36:30.719
<v Speaker 1>and coach Roz admits that, you know, one of her

0:36:30.719 --> 0:36:34.919
<v Speaker 1>family members also was a victim of domestic abuse, and

0:36:35.880 --> 0:36:40.400
<v Speaker 1>Beast was very moved by the girls coming together and

0:36:40.440 --> 0:36:42.680
<v Speaker 1>you know, rallying around her, and she she thinks she

0:36:42.680 --> 0:36:46.160
<v Speaker 1>felt like she owed it to us and when Sue

0:36:46.200 --> 0:36:50.080
<v Speaker 1>and when she tells Sue about it, and she sometimes

0:36:50.200 --> 0:36:52.920
<v Speaker 1>felt so wrong because like it's such a serious topic

0:36:53.000 --> 0:36:56.839
<v Speaker 1>and yet Sue is making such jokes or surrounding it

0:36:56.960 --> 0:37:02.120
<v Speaker 1>that are so funny that I felt so awkward to laugh. Yeah,

0:37:02.680 --> 0:37:04.719
<v Speaker 1>She's like, what am I going to do? She didn't

0:37:04.719 --> 0:37:07.680
<v Speaker 1>show up. She's like, you're gonna come to stay with me? Well,

0:37:07.719 --> 0:37:10.880
<v Speaker 1>I got to get you out of that house. And

0:37:10.960 --> 0:37:13.080
<v Speaker 1>Beasts doesn't show up. She's like, what am I going

0:37:13.160 --> 0:37:16.560
<v Speaker 1>to do with those five chickens? And if don't worry,

0:37:16.600 --> 0:37:18.560
<v Speaker 1>I have clothes. I have stuff for you to borrow.

0:37:18.600 --> 0:37:20.680
<v Speaker 1>If you didn't bring clothes, I have a tent you

0:37:20.680 --> 0:37:28.840
<v Speaker 1>can wear. Insane, my giant. It's really crazy.

0:37:29.160 --> 0:37:31.160
<v Speaker 2>It was crazy all of those scenes that the three

0:37:31.160 --> 0:37:34.880
<v Speaker 2>of them, everyone was just getting it. They made fun of.

0:37:34.880 --> 0:37:37.440
<v Speaker 1>These teeth, oh man.

0:37:38.080 --> 0:37:41.120
<v Speaker 2>But it was nice to see the ladies coming together

0:37:41.239 --> 0:37:42.840
<v Speaker 2>to try to that's.

0:37:42.800 --> 0:37:48.399
<v Speaker 1>Tight, Beasts, and also like for Doc to be able

0:37:48.400 --> 0:37:51.160
<v Speaker 1>to get these the chance to do this this kind

0:37:51.200 --> 0:37:54.880
<v Speaker 1>of acting, ugleie and get nominated for an Emmy for

0:37:54.960 --> 0:37:59.120
<v Speaker 1>this episode, like for a comedy series. That's right. I'm

0:37:59.160 --> 0:38:04.640
<v Speaker 1>also by the way, Coach Braz calling us our placeholder names.

0:38:04.920 --> 0:38:11.439
<v Speaker 1>Oh my god, hat track Asian horror movie little Oprah, Caliente,

0:38:12.080 --> 0:38:21.480
<v Speaker 1>Salsa Calian what Vanessa? It's dark? Oh god?

0:38:22.239 --> 0:38:29.239
<v Speaker 3>Okay, Anyway, I obviously I have mixed feelings about the

0:38:29.280 --> 0:38:32.400
<v Speaker 3>storyline in general, right because I just want beasts to

0:38:32.400 --> 0:38:32.880
<v Speaker 3>be happy.

0:38:33.560 --> 0:38:36.600
<v Speaker 1>Yes, why did she have to get the chat on

0:38:36.760 --> 0:38:37.759
<v Speaker 1>like this? I know?

0:38:38.360 --> 0:38:41.400
<v Speaker 2>And then she tells the girls. She comes clean to

0:38:41.440 --> 0:38:45.359
<v Speaker 2>the girls, which felt a little will shuster, but it

0:38:45.400 --> 0:38:50.040
<v Speaker 2>doesn't really because I don't know, there's a different relationship

0:38:50.080 --> 0:38:54.759
<v Speaker 2>between Yeah, Beast in general with the kids and then

0:38:54.920 --> 0:38:58.719
<v Speaker 2>Beast and the girls and ended up being really just

0:38:58.719 --> 0:39:01.279
<v Speaker 2>because everybody's so good. I think it just ended up

0:39:01.320 --> 0:39:04.880
<v Speaker 2>being a really nice moment. And then when you guys

0:39:04.920 --> 0:39:13.040
<v Speaker 2>apologize to her using shake it out and good Lord,

0:39:14.239 --> 0:39:18.760
<v Speaker 2>one of the best numbers in the history.

0:39:19.600 --> 0:39:23.399
<v Speaker 1>Really, Yes, m that's nice.

0:39:23.480 --> 0:39:27.399
<v Speaker 2>Fully you guys are insane.

0:39:28.360 --> 0:39:31.320
<v Speaker 1>It's moving, it fits.

0:39:30.480 --> 0:39:34.680
<v Speaker 2>But then also objectively it's just stupidly good.

0:39:35.239 --> 0:39:38.719
<v Speaker 1>Yeah, and it was just also off the It was

0:39:38.760 --> 0:39:42.800
<v Speaker 1>so fast, like recording it so fast? Did Chris record

0:39:42.840 --> 0:39:48.200
<v Speaker 1>this one? No? This was Anders? This was Anders and

0:39:48.800 --> 0:39:50.719
<v Speaker 1>I think is of the turnaround too, Like it was

0:39:50.800 --> 0:39:54.279
<v Speaker 1>so fast. I was honestly, verly excited because I love

0:39:54.520 --> 0:39:56.160
<v Speaker 1>you know, I love Florence and Machine. I was like,

0:39:56.400 --> 0:39:59.680
<v Speaker 1>you another Florence number, like great an Amber part two? Yeah,

0:40:00.840 --> 0:40:06.040
<v Speaker 1>and then just add Niece. Yes. But recording this was

0:40:06.080 --> 0:40:11.240
<v Speaker 1>actually really really fun and I loved recording this song.

0:40:11.280 --> 0:40:12.680
<v Speaker 1>And then when we got to hear it, I was like,

0:40:12.680 --> 0:40:16.279
<v Speaker 1>oh wow, this is actually I'm sad about Love the

0:40:16.320 --> 0:40:17.920
<v Speaker 1>Way You Lie. I was actually really sad about Love

0:40:17.960 --> 0:40:19.640
<v Speaker 1>the Way You Lie. But then I was like, okay,

0:40:19.719 --> 0:40:22.240
<v Speaker 1>this makes up for it. Yeah, It's not like something

0:40:22.280 --> 0:40:24.799
<v Speaker 1>that's like kind of lackluster or second best. It was.

0:40:25.680 --> 0:40:27.719
<v Speaker 1>It's just as good, if not better. I think it

0:40:27.800 --> 0:40:32.520
<v Speaker 1>held up. And so to shoot with Dot who had

0:40:32.560 --> 0:40:36.440
<v Speaker 1>to do all of the crying, we really tried to

0:40:36.440 --> 0:40:38.959
<v Speaker 1>be like there for her and like working with these women.

0:40:39.000 --> 0:40:41.080
<v Speaker 1>The whole episode was actually really nice. It was like

0:40:41.560 --> 0:40:43.600
<v Speaker 1>we had gone through this arc together, this had come

0:40:43.640 --> 0:40:46.880
<v Speaker 1>out of nowhere, and you know, you try to be

0:40:46.960 --> 0:40:51.400
<v Speaker 1>when the adults are working like you just like your

0:40:51.440 --> 0:40:54.640
<v Speaker 1>shoulders are like you set you shoulders back a little

0:40:54.640 --> 0:40:57.200
<v Speaker 1>bit higher, and like everything is like your posture is better,

0:40:57.239 --> 0:41:02.480
<v Speaker 1>and like you just show up so being of service exactly,

0:41:03.080 --> 0:41:05.440
<v Speaker 1>and especially like to Dot who's doing all the acting,

0:41:06.080 --> 0:41:09.520
<v Speaker 1>and she was crying and it was all on her,

0:41:10.360 --> 0:41:13.080
<v Speaker 1>and her coverage was like a lot of Andrew Mitchell

0:41:13.200 --> 0:41:16.560
<v Speaker 1>steady cam around her back, around to us, around to her,

0:41:16.719 --> 0:41:19.840
<v Speaker 1>very close up with her. And at some point I

0:41:19.880 --> 0:41:24.000
<v Speaker 1>remember the music cutting out, like Phil like the playback

0:41:24.040 --> 0:41:27.120
<v Speaker 1>cut out, but Dot was still crying and so we

0:41:27.160 --> 0:41:30.440
<v Speaker 1>just kept singing. So at one point it was just me,

0:41:30.800 --> 0:41:36.000
<v Speaker 1>Naya and Amber singing a cappella the song and it

0:41:36.080 --> 0:41:41.320
<v Speaker 1>was so cool and we were just als singing our parts.

0:41:41.640 --> 0:41:44.600
<v Speaker 1>Oh my god, and I was like, oh my god,

0:41:45.360 --> 0:41:49.000
<v Speaker 1>it's live music. Yeah, and the three of you can

0:41:49.120 --> 0:41:52.839
<v Speaker 1>sing like it was good. I was like, oh my god,

0:41:53.000 --> 0:41:56.440
<v Speaker 1>like and we just kept going for her. Oh. So

0:41:56.440 --> 0:42:00.959
<v Speaker 1>that's one of my main memories from that. Wow. Yeah,

0:42:01.040 --> 0:42:02.480
<v Speaker 1>it was really cool and just to be there for

0:42:02.560 --> 0:42:06.600
<v Speaker 1>Dot and like to sing that song with everybody. It

0:42:06.640 --> 0:42:11.279
<v Speaker 1>was a good little conclusion to the episode that the

0:42:11.440 --> 0:42:14.080
<v Speaker 1>strange storyline, I guess. But then I mean she goes

0:42:14.120 --> 0:42:19.360
<v Speaker 1>back to Kuder, right, and it's like, I think Dot

0:42:20.680 --> 0:42:24.040
<v Speaker 1>apologize or admitting it to the girls is actually really

0:42:24.120 --> 0:42:28.160
<v Speaker 1>powerful because they had to know the truth, Like we

0:42:28.200 --> 0:42:31.400
<v Speaker 1>had to know what was actually going on to understand

0:42:31.440 --> 0:42:34.520
<v Speaker 1>the gravity of like our words in the beginning of

0:42:34.520 --> 0:42:38.000
<v Speaker 1>the episode, right, at least that's how I saw it

0:42:38.880 --> 0:42:43.080
<v Speaker 1>when we were shooting it anyway, I.

0:42:43.040 --> 0:42:47.759
<v Speaker 2>Mean that number was just beautiful and Dot was just

0:42:48.239 --> 0:42:55.200
<v Speaker 2>like so simple, tears were just flowing.

0:42:56.000 --> 0:42:56.320
<v Speaker 1>Sweet.

0:42:57.040 --> 0:43:00.279
<v Speaker 2>You know what's special to is that you guys, so

0:43:00.320 --> 0:43:03.000
<v Speaker 2>when you're recording a musical number, they're not recording sound,

0:43:04.040 --> 0:43:05.919
<v Speaker 2>so like if the music cut out, the sound wasn't

0:43:05.960 --> 0:43:07.719
<v Speaker 2>being recorded and you guys just sing it. So it

0:43:07.800 --> 0:43:10.879
<v Speaker 2>was just it just lived for her in that moment.

0:43:10.880 --> 0:43:11.680
<v Speaker 1>Right, that's right.

0:43:12.080 --> 0:43:16.160
<v Speaker 2>So there's no dailies with audio of you guys, right, right,

0:43:16.480 --> 0:43:16.960
<v Speaker 2>you guys.

0:43:17.000 --> 0:43:20.799
<v Speaker 1>No, sadly no, But that's good. That's a good thing. Problem, Yeah,

0:43:20.880 --> 0:43:25.200
<v Speaker 1>you guys have that oh sweet thought. Yeah, like not

0:43:25.280 --> 0:43:30.319
<v Speaker 1>going to stop cut because of that for her. And

0:43:30.360 --> 0:43:35.919
<v Speaker 1>then Leah does cry, which it's ridiculous, ridiculous, just ridiculous.

0:43:36.000 --> 0:43:38.759
<v Speaker 2>Right after like you choke doing it, perad and then

0:43:38.760 --> 0:43:43.239
<v Speaker 2>you just sing that like that and cry like that,

0:43:43.520 --> 0:43:48.480
<v Speaker 2>and I like that. I don't even know what to think.

0:43:48.760 --> 0:43:51.600
<v Speaker 1>I know really good. I'm excited to see what happens.

0:43:52.400 --> 0:43:55.200
<v Speaker 2>You too, I'm in, I'm fully in. I'm I think

0:43:55.200 --> 0:43:56.080
<v Speaker 2>this season is great.

0:43:56.360 --> 0:43:58.880
<v Speaker 1>Yeah, I do too. It's really living up to what

0:43:59.000 --> 0:43:59.720
<v Speaker 1>everybody said.

0:44:00.239 --> 0:44:03.480
<v Speaker 2>The fans know. You know, we don't, but the fans do.

0:44:11.120 --> 0:44:13.759
<v Speaker 1>Let's cread these songs. Yes, I was waiting for this

0:44:14.920 --> 0:44:19.960
<v Speaker 1>School's out, you know. I give that an A plus. Wow,

0:44:20.160 --> 0:44:22.200
<v Speaker 1>I was gonna give it an A, but wow, I'll

0:44:22.200 --> 0:44:26.680
<v Speaker 1>give the production value. Yeah, it was great, okay, cell

0:44:26.680 --> 0:44:31.239
<v Speaker 1>Black Tango A A A plus if it was a

0:44:31.239 --> 0:44:36.759
<v Speaker 1>longer version, okay, fair? And maybe not the storyline not

0:44:36.840 --> 0:44:43.920
<v Speaker 1>the Born next Door A A Rain in Spain A. Oh, B.

0:44:46.200 --> 0:44:48.840
<v Speaker 2>You said it was like such conviction because I was

0:44:48.880 --> 0:44:51.600
<v Speaker 2>gonna change my answer to not the boy next Door.

0:44:51.600 --> 0:44:55.200
<v Speaker 1>I think A plus. Okay, great, let's do it A

0:44:55.320 --> 0:44:58.960
<v Speaker 1>plus for not the Boy next Door the Rain in Spain? B.

0:45:02.800 --> 0:45:06.680
<v Speaker 1>What you give it A c mm hmm? Okay, yeah, fair,

0:45:06.920 --> 0:45:11.480
<v Speaker 1>it's fine It's just not my thing, is it anybody's Maybe?

0:45:12.600 --> 0:45:14.160
<v Speaker 1>I don't know. I don't like run jowing your run,

0:45:14.320 --> 0:45:16.719
<v Speaker 1>so who knew? Who am I to judge? Right? I

0:45:16.760 --> 0:45:19.680
<v Speaker 1>can trust you? Shake it out?

0:45:20.040 --> 0:45:23.840
<v Speaker 2>I mean as high as A plus plus plus plus.

0:45:24.160 --> 0:45:26.279
<v Speaker 2>It's like in high school. I had this my one

0:45:26.280 --> 0:45:29.120
<v Speaker 2>of my best friends, Cleo. We were in the same

0:45:29.160 --> 0:45:32.200
<v Speaker 2>English class and I had an A plus. Like I

0:45:32.560 --> 0:45:34.320
<v Speaker 2>remember this test I got back. I got like a

0:45:34.400 --> 0:45:37.839
<v Speaker 2>ninety eight or ninety nine. She got like an one

0:45:37.920 --> 0:45:39.200
<v Speaker 2>hundred and six or something.

0:45:40.080 --> 0:45:43.839
<v Speaker 1>That's not what it's like. This doesn't this stop at

0:45:43.880 --> 0:45:46.600
<v Speaker 1>one hundred stop? But that's really funny.

0:45:46.680 --> 0:45:51.200
<v Speaker 2>I think that's shake it out. Oh wow, okay, checkout

0:45:51.280 --> 0:45:54.399
<v Speaker 2>is phenomenal. Wow, and I need to hear the full

0:45:54.480 --> 0:45:56.400
<v Speaker 2>version after this is actually what I'm going to.

0:45:56.440 --> 0:46:04.640
<v Speaker 4>Do, all right, cry, I give it a A A wow.

0:46:04.840 --> 0:46:07.840
<v Speaker 4>This is a good great I would say a strong

0:46:07.880 --> 0:46:09.640
<v Speaker 4>average of an A because.

0:46:09.360 --> 0:46:13.239
<v Speaker 2>Of that C Yeah, everyone was really just going for it.

0:46:13.360 --> 0:46:18.040
<v Speaker 2>Music of the night A Oh, that's right. Is that

0:46:18.120 --> 0:46:21.520
<v Speaker 2>as comedy? I mean the fraction of don't rein in

0:46:21.520 --> 0:46:24.520
<v Speaker 2>my parade? No, I don't plus plus plus Okay, that

0:46:24.680 --> 0:46:28.200
<v Speaker 2>was so good, right because it hurt so much.

0:46:28.560 --> 0:46:32.839
<v Speaker 1>No, right, in fact, it did its job. Okay, let's

0:46:32.880 --> 0:46:35.800
<v Speaker 1>do some TARTI takes. Yeah, yes, all right. There's actually

0:46:35.880 --> 0:46:39.200
<v Speaker 1>quite a few cringe moments. I think, cheez. There's a

0:46:39.239 --> 0:46:44.040
<v Speaker 1>lot of racist ish jokes. Yeah, ross a couple of

0:46:44.040 --> 0:46:47.120
<v Speaker 1>things that don't really sis, so does Jane. I think

0:46:50.400 --> 0:46:55.120
<v Speaker 1>the domestic violence jokes, Yeah, that's not good either, although

0:46:55.120 --> 0:47:01.399
<v Speaker 1>those we we do apologize for that, yes, but again

0:47:01.480 --> 0:47:04.520
<v Speaker 1>doesn't make it acceptable. There was a lot of comments

0:47:04.560 --> 0:47:10.960
<v Speaker 1>about beasts weight, Yeah, sweet beast. Yeah, let's keep to

0:47:11.000 --> 0:47:17.239
<v Speaker 1>the let's keep to the keep. Yeah, let's stick to

0:47:17.239 --> 0:47:21.120
<v Speaker 1>the like. Yeah, that's stuff that's not external. We don't

0:47:21.160 --> 0:47:26.080
<v Speaker 1>talk about people's bodies, right, Okay. Best dance move I

0:47:26.080 --> 0:47:28.240
<v Speaker 1>mean Kurt did some dancing.

0:47:28.400 --> 0:47:34.879
<v Speaker 2>I know it's tap between cell blocked, tango and that right, right, Yeah,

0:47:34.880 --> 0:47:35.759
<v Speaker 2>I think I'll go with Kurt.

0:47:35.840 --> 0:47:38.640
<v Speaker 1>Actually, I think the dancing was stronger and Kurts and

0:47:38.719 --> 0:47:41.600
<v Speaker 1>cell block was more of a storytelling.

0:47:41.120 --> 0:47:45.240
<v Speaker 2>Like when is Kurt or Chris ever moved his hips?

0:47:45.719 --> 0:47:47.800
<v Speaker 1>I like that so good.

0:47:48.400 --> 0:47:53.040
<v Speaker 2>Best song shake it out, Jenna, Okay, you can say it.

0:47:55.239 --> 0:47:57.839
<v Speaker 1>I'm looking at her lists, all right, I'll say it.

0:47:59.440 --> 0:48:03.439
<v Speaker 1>I'll say check it out. Best performance by a prop. Okay, wait,

0:48:03.480 --> 0:48:05.040
<v Speaker 1>we forgot. I forgot to talk about the fact that

0:48:05.120 --> 0:48:09.760
<v Speaker 1>you were also in Phantom of the Opera? Was I

0:48:09.880 --> 0:48:13.880
<v Speaker 1>you were with the smoke wish? Oh I completely forgot.

0:48:14.239 --> 0:48:18.360
<v Speaker 1>I was like, yeah, it was a christ and I

0:48:18.520 --> 0:48:22.160
<v Speaker 1>forgot you were flying by with that smoke machine. Oh

0:48:22.200 --> 0:48:26.800
<v Speaker 1>my god, I think it's your smoke machine. That's wild.

0:48:27.040 --> 0:48:27.640
<v Speaker 1>Best prop.

0:48:28.000 --> 0:48:32.360
<v Speaker 2>Do you think smoke machine that you forgot? Actually I

0:48:32.400 --> 0:48:39.480
<v Speaker 2>completely forgot. I like Kurt's Phantom mask because I also

0:48:39.560 --> 0:48:40.919
<v Speaker 2>had one as a kid.

0:48:41.520 --> 0:48:46.600
<v Speaker 1>Of course you did. Yep, uh best lye. There's a lot.

0:48:46.680 --> 0:48:49.520
<v Speaker 2>I just want to say this, this is one of them.

0:48:49.719 --> 0:48:52.960
<v Speaker 2>But Rachel goes, no, I vowed not to speak with

0:48:53.000 --> 0:48:55.920
<v Speaker 2>you unless William and Kate got pregnant Liza past or

0:48:56.000 --> 0:48:57.960
<v Speaker 2>unless one of us was in a grave one of

0:48:58.040 --> 0:49:01.960
<v Speaker 2>us was in grave danger. Kurt Tommy lies is okay, Rachel,

0:49:02.239 --> 0:49:03.360
<v Speaker 2>she's fine, But you're not.

0:49:04.960 --> 0:49:07.560
<v Speaker 1>Coach Ross says you girls are Craig Ray. You're supposed

0:49:07.560 --> 0:49:09.480
<v Speaker 1>to pick a song like a woman the self esteem

0:49:09.520 --> 0:49:12.040
<v Speaker 1>encouraged to get the hell out of an abusive situation.

0:49:12.320 --> 0:49:14.959
<v Speaker 1>But oh no, you pick a song about crazy women

0:49:14.960 --> 0:49:19.000
<v Speaker 1>in their panties killing and men for chewing gum. She's right,

0:49:20.280 --> 0:49:22.920
<v Speaker 1>She's right, it's not wrong. This makes me want to

0:49:22.960 --> 0:49:27.520
<v Speaker 1>watch Chicago. Oh, I watched that all the time. It's

0:49:27.520 --> 0:49:32.560
<v Speaker 1>a perfect movie. It really is a performance. MVP. Do

0:49:34.760 --> 0:49:40.320
<v Speaker 1>honorable mention to Leah. Yeah, Chris also know it's a

0:49:40.400 --> 0:49:41.360
<v Speaker 1>good one.

0:49:42.000 --> 0:49:44.320
<v Speaker 2>Yeah, I will say dot and then honorable mention to

0:49:44.360 --> 0:49:50.280
<v Speaker 2>those two. Okay, great, it's a strong honorable mention though, truly. Yeah,

0:49:50.800 --> 0:49:52.160
<v Speaker 2>it may be a three way tie.

0:49:52.320 --> 0:49:52.640
<v Speaker 1>Okay.

0:49:52.719 --> 0:49:57.239
<v Speaker 2>Ship we found on TikTok this week. Shout out to

0:49:57.840 --> 0:50:03.160
<v Speaker 2>the one and only Trixie Mattel because Trixy posted a

0:50:03.160 --> 0:50:14.040
<v Speaker 2>picture wearing some flannel and the sound over it. You'll

0:50:14.040 --> 0:50:17.520
<v Speaker 2>see and then the next slight is Bert Humble because

0:50:17.560 --> 0:50:21.799
<v Speaker 2>they look the same. Tricksy's just doing bird Humble drag.

0:50:21.920 --> 0:50:22.560
<v Speaker 2>That's all it is.

0:50:23.080 --> 0:50:31.080
<v Speaker 1>That's funny, you know, it's so good. Yes, that's tricky.

0:50:31.760 --> 0:50:39.760
<v Speaker 1>That's crazy. You ever seen Oh my god, that's so funny.

0:50:39.800 --> 0:50:45.600
<v Speaker 1>Oh my gosh, wow Dragon reverse. Yeah, isn't it great?

0:50:46.360 --> 0:50:47.120
<v Speaker 1>That is great?

0:50:47.360 --> 0:50:53.080
<v Speaker 2>Look at that on Tricksy's Tricksy TikTok drags Superstar well

0:50:54.080 --> 0:50:56.600
<v Speaker 2>best choke. So many great performances.

0:50:56.080 --> 0:51:02.400
<v Speaker 1>Get ready for next week. It's Promisaurus you guys. Yes,

0:51:02.760 --> 0:51:06.720
<v Speaker 1>that's an Eric Stults special. Yes, because Eric Stolt's always

0:51:06.719 --> 0:51:11.600
<v Speaker 1>this prom God. I love a prom episode, do you

0:51:11.719 --> 0:51:14.279
<v Speaker 1>I really do? I to watch? Yeah?

0:51:14.480 --> 0:51:18.080
<v Speaker 2>Yeah eighteen show Finn. You know that I love a

0:51:18.120 --> 0:51:20.040
<v Speaker 2>prom episode. And I think our Prome episodes were good.

0:51:20.320 --> 0:51:23.439
<v Speaker 1>Oh I do too, They're just hell to shoot. Yeah. Yeah,

0:51:23.480 --> 0:51:29.920
<v Speaker 1>I'm trying to disconnect the two. Sure, I gotta be

0:51:29.920 --> 0:51:32.360
<v Speaker 1>honest though, but with Eric doing proms like I have

0:51:32.480 --> 0:51:35.400
<v Speaker 1>good memories from proms, like Promistars is crazy. You remember

0:51:35.440 --> 0:51:38.839
<v Speaker 1>when Brittany comes out in the dinosaur outfit? Yeah, how

0:51:38.880 --> 0:51:41.839
<v Speaker 1>could I figure the dancing like barefoot in the gym?

0:51:41.920 --> 0:51:46.080
<v Speaker 1>And then the problem where I think I might be

0:51:46.120 --> 0:51:48.480
<v Speaker 1>conflating problems, but the problem where you try it on

0:51:48.520 --> 0:51:52.959
<v Speaker 1>my prom dress? Yeah, like behind the scenes remember that? Yeah? Yeah,

0:51:53.000 --> 0:51:55.520
<v Speaker 1>we have good memories from proms. Okay, you're right. Yeah,

0:51:55.560 --> 0:51:56.680
<v Speaker 1>because Eric really.

0:51:56.440 --> 0:51:57.799
<v Speaker 2>Had like a system down, so we had a lot

0:51:57.800 --> 0:52:00.520
<v Speaker 2>of downtime and we just hung out and had fun.

0:52:00.600 --> 0:52:03.760
<v Speaker 1>So great, here we go. Okay, welcome back for promised

0:52:03.760 --> 0:52:05.840
<v Speaker 1>ours and thanks for joining us, and that's what you

0:52:05.960 --> 0:52:07.040
<v Speaker 1>really missed.

0:52:06.960 --> 0:52:11.040
<v Speaker 2>By thanks for listening and follow us on Instagram at

0:52:11.080 --> 0:52:13.320
<v Speaker 2>and that's what you really miss POD. Make sure to

0:52:13.320 --> 0:52:15.759
<v Speaker 2>write us a review and leave us five stars. See

0:52:15.760 --> 0:52:16.279
<v Speaker 2>you next time.