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Speaker 1: And That's what you Really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You're Really miss Podcast, Season three,

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Speaker 1: Episode eighteen.

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Speaker 2: Hello Kevin, Hello Jenna, This is Choke. I was excited

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Speaker 2: for this because I didn't remember who choked, right saying,

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Speaker 2: I knew somebody was gonna choke.

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Speaker 1: Oh I do. There's a lot in this episode, and

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Speaker 1: Tina does a lot in this episode, so I have

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Speaker 1: like a lot of memories.

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Speaker 2: Great, I'm excited to hear them because I did not

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Speaker 2: have a lot to do in this episode. But I

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Speaker 2: really enjoyed this episode. I gotta say, it's a wacky

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Speaker 2: episode in a lot of ways, but I had fun.

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Speaker 2: I enjoyed it, and I was texting. I was texting

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Speaker 2: Jenna during it because I was just like, come on, yeah.

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Speaker 1: I forgot that was in this episode. Two I did too.

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Speaker 1: I gasped, You've never been better. Oh my gosh, oh crazy?

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Speaker 1: So walk Oh yeah, you were great. You were a star.

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Speaker 1: Lets to talk about This aired on May first, twenty twelve.

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Speaker 1: Somebody that I used to know is still number one,

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Speaker 1: and Think Like a Man is still the number one movie.

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Speaker 2: And in Glean News, this week. On May first, the

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Speaker 2: NHL Stanley Cup, the real Stanley Cup visited set because

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Speaker 2: Corey's Canadian.

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Speaker 1: The real Stanley Cupp obsessed.

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Speaker 2: With hockey, and so he managed to get the Stanley

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Speaker 2: Cup on set in the locker room and we took

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Speaker 2: a picture of it and you can see the picture online.

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Speaker 1: He is so happy. He really was very cool. It

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Speaker 1: also is so random. They're like, who do we think

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Speaker 1: we are? We like request the Stanley Cup and it

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Speaker 1: like shows up. Well, Corey was right, it worked. I know,

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Speaker 1: it's really it's really exciting. He was really happy, but

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Speaker 1: I'm just it just it's still like it fogles my

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Speaker 1: mind a little bit looking back at it now. Like

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Speaker 1: at the time, we're like, oh, this is really cool

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Speaker 1: like that, of course I'm going to get pret like

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Speaker 1: this is really fun, but like now you're like, I

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Speaker 1: requested the Stanley Cup and it showed up? Who did

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Speaker 1: we think we were? What did we think we were?

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Speaker 1: I love it. Corey tweeted about calling it the best

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Speaker 1: day ever. If you didn't say that already, it's very

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Speaker 1: very cute. Also, on My first the cast and creators

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Speaker 1: attended a special screening and Q and a panel held

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Speaker 1: by the Television Academy at the Leonard H. Goldenson Theater

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Speaker 1: in North Hollywood. Do you remember this, Kevin, I passed

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Speaker 1: that building all the time, and I remember it. I

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Speaker 1: don't know what the hell I was wearing. I don't

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Speaker 1: know what I was wearing either. Here's the thing, though,

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Speaker 1: The truth is, there were too many events to hire

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Speaker 1: stylists for. Like you had to be picking. You had

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Speaker 1: to like pick and choose the big ones, right, so

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Speaker 1: we of them. We would just like dress ourselves after

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Speaker 1: like a fourteen hour work day. And you're like, all right,

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Speaker 1: I guess this works. And you're like I don't even care.

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Speaker 1: Like I don't even care, you know, And then you

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Speaker 1: look back ten years later and you're like, I should

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Speaker 1: have cared. But here's the thing.

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Speaker 2: Because I was in that boy band before this, and

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Speaker 2: I was looking back at those pictures at this time,

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Speaker 2: I was like, oh God, I made a mistake. I

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Speaker 2: needs to not do that again. I thought I was

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Speaker 2: doing the right thing this time.

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Speaker 1: See, I think you look good almost what I was doing.

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Speaker 1: But our producer stands that you're both sporting your finest business. Yeah,

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Speaker 1: like this is our nine to five. Look, well, it

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Speaker 1: is our nine to five, I guess so crazy, except

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Speaker 1: it was like six to two, right, Okay. This episode

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Speaker 1: was directed by Michael Uffndaal. This is the first episode

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Speaker 1: with us Michae Opfndahal ended up doing a ton of

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Speaker 1: American horror story yeah and a few glease is that right?

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Speaker 2: Yeah?

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Speaker 1: M hm.

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Speaker 2: Written by Marty Knoxen and special guest star Whoopy whoop whoopee,

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Speaker 2: who I still think is not real.

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Speaker 1: It's amazing to me that she was on our show

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Speaker 1: and so nice.

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Speaker 2: Must be nice to have met her. You didn't never

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Speaker 2: met I've been on two shows with.

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Speaker 1: Her, Jenna, I've never met her.

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Speaker 2: I've never even seen her, so sad. I saw her

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Speaker 2: tour bus in the parking lot. I never saw her.

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Speaker 2: I heard all of you coming back with stories. I

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Speaker 2: even went to look for her one day when I

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Speaker 2: heard she was on the song Kevin and I went

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Speaker 2: to around the stages. She was nowhere to be seen.

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Speaker 2: Than I got back and they're like, oh, yeah, she

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Speaker 2: already left. So she left when I was looking for her.

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Speaker 1: No, Kevin, I'm so sad for you. Who Yeah, me too.

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Speaker 1: I have this photo of cast chairs for in an

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Speaker 1: upcoming episode. I think it's after props. I think it's

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Speaker 1: like episode twenty one maybe where Tina helps Rachel and

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Speaker 1: we encounter carbon Thibodeau and we have scenes with her.

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Speaker 1: So I have like other scenes with Whoopee, and I

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Speaker 1: have like a photo of our cast chairs, and it's

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Speaker 1: like Lea, Michelle don Ashwitz, well you go for Oh, I.

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Speaker 2: Can't wait it when we get to that, I'm gonna yeah,

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Speaker 2: so many questions. Yeah, okay, but it was so like

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Speaker 2: just even seeing her in this episode was well, very cool.

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Speaker 1: It's very cool. It's such a good get and also fun.

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Speaker 1: Fact so we learned this about Whoopye when she came

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Speaker 1: is that she's based in New York, I think, and

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Speaker 1: she's a terrified of flying. I mean, and I'm not

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Speaker 1: saying like oh, I'm kind of scared, like I get

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Speaker 1: on a flight, Like I'm kind of nervous. She won't

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Speaker 1: fly if she really doesn't have to. So there's like

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Speaker 1: a tour bus that will like take her cross country

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Speaker 1: and drive her so to get to come and shoot

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Speaker 1: the show. At least this episode, they put Whoopee on

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Speaker 1: the tour bus and like get her across because I

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Speaker 1: guess if she has to fly, she has to fly,

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Speaker 1: and I'm sure she takes drastic measures to do so,

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Speaker 1: but she does sometimes. Yeah, no, of course she has to.

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Speaker 1: But yeah she travels to la by tour bus. Just

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Speaker 1: a long trip.

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Speaker 2: Yeah, especially just for like one scene. So there's a

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Speaker 2: lot of music in this episode. Okay, schools Out by

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Speaker 2: Alice Cooper Seboctango.

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Speaker 1: Mm hmmm, Jenna, do you love? I love? Really? Oh

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Speaker 1: my god, I just I wish I could have done

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Speaker 1: it again. I would have done things maybe a little differently.

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Speaker 2: Oh don't I'm going to make you feel the opposite

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Speaker 2: you were phenomen I'm not the boy next door. The

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Speaker 2: rain in Spain, Weird, shake it Out and Cry by

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Speaker 2: Kelly Clarkson. And then there's also music of the Night

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Speaker 2: and a little bit of Don't Rain in My Parade.

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Speaker 2: We didn't see Quinn in this episode. This is the

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Speaker 2: first time Quinn is absent from an episode because Dana

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Speaker 2: was closing Bizz. She was going to get that movie.

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Speaker 2: She had that movie with the den Right. She flew

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Speaker 2: to France to audition for the family.

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Speaker 1: Yes she did. Respect. This is the first time that

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Speaker 1: Puck has sung since Yes No, And this is the

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Speaker 1: first time you speak in a full song since extraordinary

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Speaker 1: Marry chriss, Wow.

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Speaker 2: Damn, and he's sang a lot in this he did.

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Speaker 2: This is the second time this season that Will doesn't

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Speaker 2: give an assignment. The first is Lady Music Week assignment

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Speaker 2: that Finn gave. It's also the only time Sue gives one.

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Speaker 1: Yeah, I don't know what she's doing giving the assignment,

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Speaker 1: but it's fine. In the beginning of this episode, Rachel

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Speaker 1: mentions that she won't drink any milk as it makes

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Speaker 1: her flemmy before her audition. But if she was a vegan,

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Speaker 1: like Rachel Berry has said before, she wouldn't drink milk anyway.

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Speaker 1: So continuity jokes, We love a joke, Love a joke now.

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Speaker 2: The scene where Rachel choked allegedly came from Leah's fear

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Speaker 2: during the Glee concert tour. Leah claimed that she used

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Speaker 2: to call Executi producer Dante di Loretto and said to

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Speaker 2: him that she was going to mess up one night

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Speaker 2: and she was scared of it happening. She was interesting, Yes,

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Speaker 2: she was scared of that happening.

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Speaker 1: Wow.

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Speaker 2: And then do you remember when we got to La

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Speaker 2: on tour, It's like she didn't mess up, but that

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Speaker 2: morning she woke up and like something was wrong with

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Speaker 2: her voice, and so she was like, I saw the

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Speaker 2: fear in her eyes. We had two shows and she

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Speaker 2: was so paranoid that she wasn't going to be like

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Speaker 2: she can do that shit in her sleep.

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Speaker 1: She's so good. She was fine, just power through. Yeah,

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Speaker 1: Oh my gosh, Okay, that's interesting. I didn't know that.

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Speaker 1: This is the third time that something bad happens to

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Speaker 1: Rachel in the eighteenth episode. So she suffers from there

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Speaker 1: and tonsilitis in laryngitis. She got her nose broken by

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Speaker 1: Finn and born this way, and now she jokes in

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Speaker 1: her niata audition.

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Speaker 2: So when Rachel sings, I was wondering about this. So

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Speaker 2: when she sings under the Rain in My Parade, the

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Speaker 2: audio recorded on set is muted in editing and replaced

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Speaker 2: with the studio recording. However, the original audio is reintroduced

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Speaker 2: to soon in Rachel's second attempt at the song, causing

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Speaker 2: her to sing the words skies that twice with awkwardly

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Speaker 2: overlapping vocals.

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Speaker 1: Yeah, did you hear that? I didn't catch it? Oh

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Speaker 1: I got it. It seems so glaring to me. Yeah,

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Speaker 1: I didn't. I'm an idiot. It is interesting. This is

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Speaker 1: the first time since the Pilot that Kurt sings a

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Speaker 1: Broadway song that was actually were for a boy. Oh

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Speaker 1: my god. Well this number that he does is really great.

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Speaker 1: And I also forgot TEENA was in this as well.

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Speaker 2: Right in those regionals outfits.

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Speaker 1: Yes, in our Journey regional outfits.

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Speaker 2: Yeah, I also love it. I'm like, oh, here's the

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Speaker 2: first time this makes sense. Recycling outfits have already paid for.

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Speaker 1: Right, right, exactly. We also wore those on X Factor

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Speaker 1: as well. Yes, you're right.

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Speaker 2: Carmen Thibodau mentions being Alive from Company before Kurt auditions

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Speaker 2: and swan song. Next season, Kirk performs that song as

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Speaker 2: a second audition for YadA.

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Speaker 1: That's funny.

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Speaker 2: Why does he have to audition again? Silence, That's what

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Speaker 2: I thought.

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Speaker 1: I don't know either. I don't know.

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Speaker 2: Okay, Oh he must not get in. Oh okay, are

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Speaker 2: we the right ones to be hosting this podcast?

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Speaker 1: Absolutely not. Have you just figured that out now? No?

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Speaker 1: But you know it makes me feel better when like

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Speaker 1: Ian and Brad are like, I don't remember that, and

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Speaker 1: I'm like, okay, Ryan bombers everything. But Ian and Brad

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Speaker 1: are like, did this happen kind of I might have

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Speaker 1: to look and I'm like, Okay, at least it's not

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Speaker 1: just us.

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Speaker 2: Ryan really does. Because so I talked to Ryan the

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Speaker 2: other day and he was like, how's the show going?

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Speaker 2: And I was like, Oh, it's great, blah blah, and

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Speaker 2: he's like, where are you, Like we're like in season three?

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Speaker 2: He's like, what happens in season three? I was like, well,

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Speaker 2: we just did Whitney. He's like, right, there's Whitney and

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Speaker 2: he just lists off like five episodes off the top

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Speaker 2: of his head and he's like, oh, yes, I really

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Speaker 2: love that. And he's like, oh yes. And that scene

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Speaker 2: with Leah and Naya in the hallway is because like

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Speaker 2: they had become such good friends, and so we wrote

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Speaker 2: that like how do you remember steel Trap like specific instances?

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Speaker 1: Wild? Yeah. It was like five minutes of him just

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Speaker 1: rattling off memories. Man, it must have made you feel

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Speaker 1: really good about your memory. Oh yeah. I was like, great,

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Speaker 1: So you want to come back? Okay? So shake it Out.

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Speaker 1: Originally was meant to be Love the Way You Lie

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Speaker 1: by Rihanna. The song was recorded, yes it was, and

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Speaker 1: not released to the public. So this was actually recorded

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Speaker 1: by Chris Pooley. So Chris Pooley did all of our

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Speaker 1: tour music and he was in the band, and Ginger,

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Speaker 1: his lovely wife, was also in the band with us

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Speaker 1: on tour, and Chris did like all of our live performances.

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Speaker 1: When we would go and do like the White House

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Speaker 1: and stuff, he would come with us. And I don't

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Speaker 1: know what was going on, but I didn't have either

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Speaker 1: of the Anders, and we went to a totally different

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Speaker 1: recording studio. We did Love the Way You Lie, and

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Speaker 1: obviously every producer records very differently, you know. Alexander is

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Speaker 1: like very specific, line by line note by note sometimes

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Speaker 1: like you just have to get it right. And Chris

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Speaker 1: was like, do you want to sing the whole thing

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Speaker 1: all the way through? I was like, oh damn, yeah,

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Speaker 1: I can't do that. Oh damn. So I did do that.

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Speaker 1: We recorded this all the way through, and then we

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Speaker 1: would go and punch stuff as needed. But I mean,

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Speaker 1: you know, we definitely punched a lot. But it was

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Speaker 1: also really fun to like sing a song that you

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Speaker 1: can sing all the way through, Like it was so fun,

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Speaker 1: and I really love this number. I listened to this

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Speaker 1: song a lot just because like it's always such an

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Speaker 1: honor to sing with Amber and I like, it's just

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Speaker 1: my favorite and then shake it out happens so quickly.

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Speaker 1: It was like one night we had to go record

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Speaker 1: it because they found out we didn't We couldn't get

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Speaker 1: do love the way you lie that it wasn't approved,

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Speaker 1: And it's very it's not often that you record the

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Speaker 1: number and then it gets scratched.

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Speaker 2: I imagine scheduling just had to get it done because we

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Speaker 2: could probably get rights to almost everything. So they were

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Speaker 2: just assuming we.

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Speaker 1: Would right and like like tell him too, like Amber

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Speaker 1: Lee and I recorded as well and not got cut.

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Speaker 1: But we have that. Yeah.

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Speaker 2: This episode earned Dot Murray Jones a Primetime Emmy nomination

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Speaker 2: for US Standing Guests Actress in a Comedy Series.

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Speaker 1: Yes it did, Dot, Yes, absolutely, I remember when she

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Speaker 1: went to the Emmys this year. What happens in this episode, Kevin.

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Speaker 2: So, Rachel, and Kurt finally get their chance to audition

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Speaker 2: for the New York Academy of Dramatic Arts aka Niyada. Meanwhile,

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Speaker 2: Puck makes a decision about his future after meeting his father.

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Speaker 1: Oh yeah, A lot of stuff happens in this episode,

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Speaker 1: Interestingly enough, though it's streamlined enough that it actually does

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Speaker 1: follow the typical ABC storyline yep, right, Like sometimes in

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Speaker 1: our episodes there's liked ef but this is actually more concentrated,

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Speaker 1: which is why I think like it's more enjoyable because

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Speaker 1: it's a little less to take in. Yeah, okay, let's

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Speaker 1: start with Puck.

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Speaker 2: So Puck has to pass one final geography test European

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Speaker 2: Geography test to be able to graduate, and very much

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Speaker 2: in Puck's nature, he tries to flirt with the teacher.

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Speaker 2: It's wild and she's like, no, the only way I'm

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Speaker 2: passing you is to pass actually, like just study and

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Speaker 2: take the test, and he gets pissed and is like,

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Speaker 2: I'm not going to do this. I'm going to run

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Speaker 2: away singing schools out for summer and disappears, leaving like

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Speaker 2: I guess only the guys care. The guys and the

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Speaker 2: girls are very much divided this episode. There's two things

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Speaker 2: going on, right, But it's a lot of Puck and

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Speaker 2: there's a lot of him singing, and he's very good.

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Speaker 2: And big numbers, huge numbers that schools out for summer.

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Speaker 1: Number on the football they switch to the football. If

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Speaker 1: you guys said, oh oh wow, I said, budget that

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Speaker 1: is a budget, But I honestly like it needed that, right,

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Speaker 1: Like it needed to.

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Speaker 2: Yeah, like that left, I feel like there hasn't been

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Speaker 2: one of those in the while.

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Speaker 1: Right, I loved. I love those numbers.

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Speaker 2: They all have like the right makeup on, like the

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Speaker 2: Alice Cooper makeup and everything.

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Speaker 1: That's pretty great, pretty great. Yeah. Puck goes to clean

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Speaker 1: one of his client's pools and his dad shows.

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Speaker 2: Up, scary because we've never really heard about his dad.

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Speaker 1: Never, And I was like, Oh is his dada? So

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Speaker 1: who is this? And unfortunately we don't need to know

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Speaker 1: because he's he's a bad dad. It's a bad dad.

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Speaker 1: He's not there for Puck. He only shows up when

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Speaker 1: he needs money. And you got and the guys all

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Speaker 1: stage this coup for Puck that you're gonna intervene before

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Speaker 1: he What is it? What is he gonna do? Where

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Speaker 1: is he going? Oh, he's going to the pool to

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Speaker 1: know he's going to be there, and you guys are

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Speaker 1: going to stop him from going and make him take

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Speaker 1: this test. But then he shows up during.

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Speaker 2: Because he doesn't he doesn't want to be like his dad,

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Speaker 2: and so they do a study cram session, which leads

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Speaker 2: us to the rain in Spain. I had completely forgotten

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Speaker 2: about or blocked out such a weird, weird number.

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Speaker 1: The number itself is weird because taking out of context

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Speaker 1: of the show, it's just really strange, right, Like the

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Speaker 1: song is just not It's not like a song that

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Speaker 1: you're like, oh, I love to hear I love this song. No.

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Speaker 2: It also felt like several times in this episode songs

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Speaker 2: were put in. The song was an idea, and then they

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Speaker 2: built a storyline to get to the song where it

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Speaker 2: felt like, oh, let's have him fail his geography test

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Speaker 2: so then we can sing the rain in Spain. Like

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Speaker 2: somebody really wanted that ugly right right right, that's what

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Speaker 2: it felt like.

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Speaker 1: Interesting the Yeah, we could have done without n in Spain.

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Speaker 1: But I do think that when he takes the test,

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Speaker 1: it's very endaring. Yeah, funny, he's like, easiest test ever.

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Speaker 1: That's not a song. Then it's a real question. Yeah,

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Speaker 1: I mean it was time to get Puck a little

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Speaker 1: a little love and a little storyline, I guess, and

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Speaker 1: really leaves the cliffhanger, doesn't it. Oh, yes it does,

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Speaker 1: we'll get there, m h. But Puck really needed this

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Speaker 1: to pass this test to graduate, so he got.

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Speaker 2: A big ol' f I like when the boys and

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Speaker 2: the girls band together, though I do too. This is

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Speaker 2: one of my favorite things. So it was nice to

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Speaker 2: have like the group together, like Finn leading a nice

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Speaker 2: thing for everyone to like, we got to get our boy.

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Speaker 1: Do you red remember shooting rand in Spain or recording it?

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Speaker 2: Yeah, I remember. I remember rehearsing it because it wasn't

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Speaker 2: like a regular dance number. The band's not there like

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Speaker 2: they because it's late at night. Also, how are they

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Speaker 2: in school at midnight?

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Speaker 1: Yeah, I don't know. I mean we broke in to

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Speaker 1: school later playing and Samon Tina, So I don't know.

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Speaker 1: I guess it's possible. Yeah, there's a lot of Breecurity

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Speaker 1: is a real loose there twenty well two thousand and nine,

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Speaker 1: twenty twelve, not twenty twenty four.

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Speaker 2: No, but it was just it was like a lot

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Speaker 2: of because it's one of those fun ones. We're just

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Speaker 2: jumping around. Well I wasn't, but everyone else was, and.

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Speaker 1: You know, free from rockout. Yeah yeah, And.

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Speaker 2: Because you know, the boys we weren't so talented in

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Speaker 2: the dance department, it just would have been weird to

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Speaker 2: like have a lot of choreography too.

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Speaker 1: No, no, for sure. Yeah, it doesn't need it, it

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Speaker 1: doesn't lend to this story. No, it's very much more

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Speaker 1: like we're masculine. Yeah. So during during Rachel's very beautiful

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Speaker 1: rendition of cry, we find out the book gets an

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Speaker 1: f it's going backwards. Rachel singing cry because she chokes

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Speaker 1: at her. That was really hard to watch. That was

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Speaker 1: a good choke. Mm hm, that was excellent the whole

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Speaker 1: that whole storyline I really liked. And Mike uppend All, like,

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Speaker 1: kudos to him for like his storytelling in this episode.

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Speaker 1: And I guess the writing too, like all of it.

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Speaker 1: Like it's really clear, it's really really clear, and it's

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Speaker 1: character driven, Like everything is character driven in this episode.

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Speaker 1: So Rachel, Rachel chokes and she sings, don't read on

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Speaker 1: my Parade to crime and Thibodeau, and she messes up

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Speaker 1: the lyrics, and she lets her start again, and she

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Speaker 1: messes up yet again, and then she begs her to

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Speaker 1: let her do it again, and Karmen Tippotto says, nope, nope.

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Speaker 1: So Rachel's audition that she's been working towards, dreaming of

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Speaker 1: dreaming for moving to New York right now is dead.

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Speaker 1: I mean her pleading and crying. Oh.

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Speaker 2: I also have to say, it's really nice to see

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Speaker 2: Rachel be challenged for a different circumstance where everyone's so

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Speaker 2: used to high school. All these characters like they know

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Speaker 2: the lay of the land, they know the social standings

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Speaker 2: where they fit in, and Rachel very much owns her

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Speaker 2: space and that and so now it's like this is

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Speaker 2: her first brush with reality of the world outside of McKinley, right,

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Speaker 2: and she's.

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Speaker 1: Gets the first you know, a lot of things happened

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Speaker 1: to her, right, like she has you know, she she

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Speaker 1: always gets the solo and if not, like she's taken

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Speaker 1: the soul is taken away from her, gets a solo,

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Speaker 1: somebody else gets a solo. Like a lot happens to her.

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Speaker 1: She gets her nose broken, like she you know, all

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Speaker 1: these things, but but she this one. She she creates this, right,

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Speaker 1: like this is her problem, this is her mistake, This

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Speaker 1: is on her. And it's really interesting to watch because

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Speaker 1: you don't see that a lot in Rachel's perfect world. No, right,

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Speaker 1: I guess, which is kind of what you were saying, like, yeah,

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Speaker 1: there's like a reality to it, and it's it's a

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Speaker 1: much bigger reality because the stakes are so high for

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Speaker 1: these guys.

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Speaker 2: So high, And think about every single episode she's been

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Speaker 2: in this season, eighteen episodes, there's just been this confidence

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Speaker 2: of like, I'm watching New York never gets that. Oh,

399
00:21:42,320 --> 00:21:45,199
Speaker 2: like Finn's whole storyline has to get figured out because

400
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Speaker 2: what does he want to do? Because Rachel's going to

401
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Speaker 2: New York exactly and she's going to New York, so

402
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Speaker 2: like what does Kurt want to do?

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Speaker 1: And it was like Leo just smashed totally, totally the

404
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Speaker 1: really great good And then Kurt also is also auditioning

405
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Speaker 1: for niAA and he decides he's going to sing Phantom

406
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Speaker 1: of the Opera, so he sings Music of the Night.

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Speaker 1: It's a seminal classic, it's some Broadway classic. He it's

408
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Speaker 1: a safe option, it's also a boring option. I like, whatever, okay,

409
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Speaker 1: and Tina is is uh Christine that Jenna? I lost

410
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Speaker 1: my mind. I remember it. It was actually really fun

411
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Speaker 1: to film because I was just being like entranced and

412
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Speaker 1: like being like a rag doll basically, So I had

413
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Speaker 1: fun with it, but that way was so itchy and

414
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Speaker 1: so it looked great, though I remember for some reason

415
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Speaker 1: feeling like I wasn't originally supposed to be in that

416
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Speaker 1: like it wasn't originally, but somehow there's there she is.

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Speaker 2: I gotta say maybe it's because they were like such

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Speaker 2: a good friends with Hitchcock that I feel like any

419
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Speaker 2: of those moments where they could like fit Tina in

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Speaker 2: to like just have her do more, they always like,

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Speaker 2: especially him, like always wanted you to do more.

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Speaker 1: Yeah, just like it a funny one that was really funny.

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Speaker 1: I love that. Yeah, we had fun with that one.

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Speaker 1: And Darren was there and he's watching, and so I

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Speaker 1: remember also like it was just the three of us

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Speaker 1: in the scene and it was just really fun to do.

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Speaker 1: But then Rachel says she'll do She'll be his Christine

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Speaker 1: in the audition if he does that song, and she

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Speaker 1: convinces him not to do the song that he his

430
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Speaker 1: instincts are telling him to do, which is not the

431
00:23:52,320 --> 00:23:54,720
Speaker 1: Boy next Door from Boy from Us. Okay, let me

432
00:23:54,720 --> 00:23:57,560
Speaker 1: tell you. I saw this this musical on Broadway with

433
00:23:57,680 --> 00:24:01,120
Speaker 1: you Jackman, and oh my god, was he so good.

434
00:24:01,840 --> 00:24:09,920
Speaker 1: He was exceptional exceptional. It was amazing, It was truly amazing.

435
00:24:10,000 --> 00:24:13,199
Speaker 1: I that's when I was like, Okay, he's got like

436
00:24:14,359 --> 00:24:15,040
Speaker 1: this guy.

437
00:24:14,920 --> 00:24:18,640
Speaker 2: Is like a trible threat he can actually do it.

438
00:24:18,840 --> 00:24:22,600
Speaker 1: Yeah, and I love this song he does wear like

439
00:24:22,640 --> 00:24:24,840
Speaker 1: a gold like thong in it.

440
00:24:24,880 --> 00:24:28,280
Speaker 2: Basically is the number similar, like how Chris is dancing

441
00:24:29,480 --> 00:24:30,960
Speaker 2: to like what he was doing.

442
00:24:31,840 --> 00:24:34,400
Speaker 1: Yeah, I think so, I think I think so. It's

443
00:24:34,440 --> 00:24:38,159
Speaker 1: it's it's similar tone, vibe, very like, kind of sexy,

444
00:24:38,200 --> 00:24:43,800
Speaker 1: showy similar not not with three lovely ladies behind him though,

445
00:24:43,840 --> 00:24:47,600
Speaker 1: which who has backup singers and dancers in their auditions

446
00:24:47,800 --> 00:24:49,680
Speaker 1: and their college auditions? I wish I had that.

447
00:24:50,119 --> 00:24:54,320
Speaker 2: Right in like a full set, a full band, like

448
00:24:54,520 --> 00:25:00,320
Speaker 2: laughing Christmas really dancing, oh my god, like high cakes

449
00:25:00,359 --> 00:25:03,840
Speaker 2: across the stage on his knees, on his back.

450
00:25:03,840 --> 00:25:09,119
Speaker 1: Twirling, jumping. I remember him doing this and like this

451
00:25:09,240 --> 00:25:11,000
Speaker 1: was a big one for him. It was a lot,

452
00:25:11,080 --> 00:25:14,639
Speaker 1: and I remember him working really fucking it looked great.

453
00:25:14,800 --> 00:25:18,280
Speaker 1: He looked so great. Yeah, it's really really great. He

454
00:25:18,359 --> 00:25:21,800
Speaker 1: decides he's going to do Music of the Night, and

455
00:25:21,840 --> 00:25:23,280
Speaker 1: he says he's going to do it, and then he

456
00:25:23,640 --> 00:25:26,280
Speaker 1: changes his mind and he does not. The boy next

457
00:25:26,320 --> 00:25:30,520
Speaker 1: door and Carmen Tibodo says, what a great risk to take.

458
00:25:31,160 --> 00:25:36,320
Speaker 2: I have a question because you did musical theater in college. Yeah,

459
00:25:36,400 --> 00:25:41,240
Speaker 2: you've auditioned for musical theater things. When Rachel was convincing

460
00:25:41,320 --> 00:25:44,239
Speaker 2: him to She's like, I can do don't ruin my

461
00:25:44,240 --> 00:25:46,919
Speaker 2: parade in my sleep basically right, like this is not

462
00:25:47,000 --> 00:25:50,520
Speaker 2: the time to take risks. Do something you know and

463
00:25:50,560 --> 00:25:54,000
Speaker 2: that will showcase you. And he's like, my whole Kurt,

464
00:25:54,040 --> 00:25:55,320
Speaker 2: you know, was saying, my whole thing is that I

465
00:25:55,359 --> 00:25:57,280
Speaker 2: always have taken risks. That's how it's gotten me this,

466
00:25:57,400 --> 00:26:00,840
Speaker 2: That's what's gotten me this far. I was like watching

467
00:26:00,880 --> 00:26:02,560
Speaker 2: him like I'm of two minds because I I don't

468
00:26:02,560 --> 00:26:07,320
Speaker 2: remember what happened because I see Rachel's point. But you,

469
00:26:07,400 --> 00:26:10,280
Speaker 2: as somebody who has done this professionally and in school,

470
00:26:11,960 --> 00:26:14,520
Speaker 2: do you would you have gone the Rachel way or

471
00:26:14,560 --> 00:26:15,479
Speaker 2: the Kurt way?

472
00:26:15,720 --> 00:26:20,879
Speaker 1: The Kurt way really always yeah, I think for me,

473
00:26:21,440 --> 00:26:23,560
Speaker 1: I always always taught, and I was always brought up

474
00:26:23,560 --> 00:26:27,560
Speaker 1: in the camp of like don't do on my own right,

475
00:26:27,800 --> 00:26:32,520
Speaker 1: don't do like I don't know what else, there's an

476
00:26:32,520 --> 00:26:34,919
Speaker 1: other song. There's like a list of song that you

477
00:26:34,960 --> 00:26:38,040
Speaker 1: should not do because they're just done, overdone, and nobody

478
00:26:38,040 --> 00:26:41,520
Speaker 1: wants to hear them over and over again. So the

479
00:26:42,000 --> 00:26:45,000
Speaker 1: odds are that like five out of ten are probably

480
00:26:45,000 --> 00:26:48,280
Speaker 1: going to do that song and they could do it

481
00:26:48,320 --> 00:26:51,760
Speaker 1: better than you, So why not do And look, if

482
00:26:51,800 --> 00:26:53,520
Speaker 1: somebody wants to do on my own and you think

483
00:26:53,520 --> 00:26:55,399
Speaker 1: you can, you're you can do it the best and

484
00:26:55,400 --> 00:26:58,560
Speaker 1: that's the best representation, or you do it. I just

485
00:26:58,560 --> 00:27:01,119
Speaker 1: think the way to go is not to take a

486
00:27:01,200 --> 00:27:06,160
Speaker 1: risk that's so far from who you are or who

487
00:27:06,680 --> 00:27:10,959
Speaker 1: like what you want to showcase, but like do something

488
00:27:11,000 --> 00:27:15,040
Speaker 1: different that showcases and emulates you. But that's not so

489
00:27:15,200 --> 00:27:20,640
Speaker 1: typical because you also want to like get people's attention

490
00:27:20,720 --> 00:27:23,320
Speaker 1: in an audition room and you want their ears to

491
00:27:23,359 --> 00:27:26,200
Speaker 1: perk up and not go and like, I haven't heard

492
00:27:26,200 --> 00:27:28,199
Speaker 1: this song done like this or I've heard this song

493
00:27:28,240 --> 00:27:31,119
Speaker 1: in a really long time versus this again.

494
00:27:31,720 --> 00:27:34,600
Speaker 2: Yeah, and you fall into the category of five people did.

495
00:27:35,920 --> 00:27:41,119
Speaker 1: And like which one was that? Exactly? One thing? Exactly?

496
00:27:41,240 --> 00:27:44,000
Speaker 1: So the book was like a huge like building your

497
00:27:44,000 --> 00:27:48,200
Speaker 1: book was a huge thing that we did in college

498
00:27:48,720 --> 00:27:52,520
Speaker 1: to make sure that you had an array of choice

499
00:27:52,560 --> 00:27:55,680
Speaker 1: and variety. Is building your book.

500
00:27:55,640 --> 00:27:57,760
Speaker 2: All these songs that you just have that you know

501
00:27:57,760 --> 00:27:58,119
Speaker 2: how to do.

502
00:27:58,800 --> 00:28:00,840
Speaker 1: Yeah. Yeah, So if you're in an and they say

503
00:28:00,880 --> 00:28:03,080
Speaker 1: do you have something else? You have to be able

504
00:28:03,119 --> 00:28:05,200
Speaker 1: to go to that book, turn to the page, show

505
00:28:05,200 --> 00:28:07,600
Speaker 1: the accompanist or the companists can be like can you

506
00:28:07,600 --> 00:28:09,840
Speaker 1: sing this one? And then gets in there and you

507
00:28:09,880 --> 00:28:12,280
Speaker 1: have to be able to sing. It better not be

508
00:28:12,320 --> 00:28:13,400
Speaker 1: in your book if you don't know it.

509
00:28:13,680 --> 00:28:16,440
Speaker 2: So when you go into musical theater auditions, you bring

510
00:28:16,480 --> 00:28:20,040
Speaker 2: your book. Yes, this is this is why when I

511
00:28:20,040 --> 00:28:22,439
Speaker 2: had to shorting Awakening and I went in with no

512
00:28:22,560 --> 00:28:27,040
Speaker 2: sheet music, never mind a book, and they were like, oh.

513
00:28:29,080 --> 00:28:31,199
Speaker 1: When she man, oh, I think I remember this. What

514
00:28:31,240 --> 00:28:34,040
Speaker 1: did you say? Let it be? No? I did not.

515
00:28:34,680 --> 00:28:36,600
Speaker 1: What did you think? Oh?

516
00:28:36,600 --> 00:28:40,480
Speaker 2: He mean rhapsody like a jackass? Like it was karaoke

517
00:28:40,600 --> 00:28:41,959
Speaker 2: and I was trying to prove something.

518
00:28:44,120 --> 00:28:45,560
Speaker 1: We're always trying to prove something.

519
00:28:45,840 --> 00:28:48,560
Speaker 2: No, but it was not you know what I mean?

520
00:28:49,200 --> 00:28:52,120
Speaker 2: They were They all looked like I had offended them,

521
00:28:52,160 --> 00:28:57,880
Speaker 2: like I had slapped their children in front of them.

522
00:28:57,920 --> 00:28:59,800
Speaker 2: And then they're like, okay, you can do the scene

523
00:29:00,040 --> 00:29:00,920
Speaker 2: or did you have something else?

524
00:29:00,920 --> 00:29:04,680
Speaker 1: And it's like exactly, see you have something else and

525
00:29:04,720 --> 00:29:06,440
Speaker 1: nothing else? Like you sure you want to do this?

526
00:29:06,520 --> 00:29:10,080
Speaker 2: I'm like, yeah, I'll do it.

527
00:29:10,080 --> 00:29:12,400
Speaker 1: It was bad, Jenna.

528
00:29:13,040 --> 00:29:16,760
Speaker 2: Luckily, I'm sure they did not remember me. Probably had

529
00:29:16,760 --> 00:29:18,480
Speaker 2: a good laugh or angry, and then moved on.

530
00:29:18,920 --> 00:29:21,280
Speaker 1: Oh my god, I auditioned for that Jimmy Buffett musical

531
00:29:21,520 --> 00:29:23,080
Speaker 1: and when you were staying with me in New York

532
00:29:23,800 --> 00:29:25,640
Speaker 1: to sing fins and it was too high for me,

533
00:29:25,680 --> 00:29:27,320
Speaker 1: and I should have just said I'm not going, but

534
00:29:27,400 --> 00:29:29,200
Speaker 1: I went anyway, and I sang that song. It was

535
00:29:29,280 --> 00:29:33,640
Speaker 1: nine am and it was not good. Fins to the left,

536
00:29:33,840 --> 00:29:38,360
Speaker 1: finst the right. That's actually probably being nice about my voice.

537
00:29:38,440 --> 00:29:41,360
Speaker 1: That anyway, walk out and you're like, what am I

538
00:29:41,360 --> 00:29:47,120
Speaker 1: doing with my life? Always? Why am I here? Okay,

539
00:29:47,400 --> 00:29:50,760
Speaker 1: but she choked in that audition. He choked in that audition.

540
00:29:51,040 --> 00:29:54,160
Speaker 1: Rachel choked in her audition. So Kurt Kurt does Actually

541
00:29:54,760 --> 00:29:57,080
Speaker 1: he makes a splash and he sham moves the shit

542
00:29:57,120 --> 00:30:01,800
Speaker 1: out of his song, and and Whoopy loves it. Whoopy

543
00:30:01,880 --> 00:30:06,080
Speaker 1: loves it. Sher power. I mean, she only has to

544
00:30:06,120 --> 00:30:08,280
Speaker 1: say a few look at you. Yes.

545
00:30:08,360 --> 00:30:20,880
Speaker 2: I was like, oh the other storyline, look more, Coach

546
00:30:21,000 --> 00:30:24,040
Speaker 2: ros I more more.

547
00:30:25,720 --> 00:30:28,800
Speaker 1: I just want her. I was so excited to work

548
00:30:28,800 --> 00:30:29,560
Speaker 1: with her finally.

549
00:30:29,840 --> 00:30:36,440
Speaker 2: Yeah, just so Santana and the girls are wiling out

550
00:30:37,760 --> 00:30:41,280
Speaker 2: like making fun of Coach Beast black Eye, saying that,

551
00:30:41,400 --> 00:30:45,120
Speaker 2: oh she must have gotten hit by her husband, which

552
00:30:45,160 --> 00:30:48,880
Speaker 2: is crazy and very unlike the girls, and Coach Roz

553
00:30:48,920 --> 00:30:51,760
Speaker 2: hears it and it's like, no, no, no, no, we're

554
00:30:51,800 --> 00:30:55,880
Speaker 2: not doing this putting you on my list, and then

555
00:30:56,760 --> 00:31:01,000
Speaker 2: calls little Pow Wow with Sue and Beast like, we

556
00:31:01,080 --> 00:31:04,320
Speaker 2: got to teach these girls a lesson, tells Shoe and

557
00:31:04,360 --> 00:31:08,080
Speaker 2: then that's how Sue, you know, teaches the lesson this

558
00:31:08,160 --> 00:31:12,360
Speaker 2: week because he's like, what they wouldn't do that. She's like, no,

559
00:31:12,920 --> 00:31:16,360
Speaker 2: they did, and we need to teach him about this.

560
00:31:18,960 --> 00:31:20,840
Speaker 2: And then they have you guys choose a number to

561
00:31:20,880 --> 00:31:26,240
Speaker 2: represent this go, you know, women being strong and independent,

562
00:31:27,240 --> 00:31:33,440
Speaker 2: and the girls choose so luck tango. Actually, before we

563
00:31:33,520 --> 00:31:36,240
Speaker 2: get there, I just wanted to say that the teacher's

564
00:31:36,760 --> 00:31:38,360
Speaker 2: lounge scenes.

565
00:31:39,520 --> 00:31:46,040
Speaker 1: So good. All of them together is just everyone insaulting everyone.

566
00:31:46,920 --> 00:31:51,600
Speaker 1: It's so funny and they have to do with very

567
00:31:51,640 --> 00:31:57,680
Speaker 1: little effort. Yes, do such an incredible job, and it's remarkable.

568
00:31:57,880 --> 00:32:06,680
Speaker 1: Black Suit. I I can hear Nini saying her lines

569
00:32:07,080 --> 00:32:11,480
Speaker 1: yes to us, like I can hear them back because

570
00:32:11,480 --> 00:32:15,440
Speaker 1: they're so they were so memorable to me, and the

571
00:32:15,480 --> 00:32:18,680
Speaker 1: way that she delivers thembre so memorable, and I remember,

572
00:32:18,680 --> 00:32:21,320
Speaker 1: but she's trying not to laugh the whole time, and like,

573
00:32:22,560 --> 00:32:25,000
Speaker 1: n I was so excited because she loved me, me, like

574
00:32:25,040 --> 00:32:26,000
Speaker 1: we had such.

575
00:32:26,200 --> 00:32:28,840
Speaker 2: A good time with Meani. Your guys' reactions are incredible.

576
00:32:30,800 --> 00:32:35,600
Speaker 2: You all looked shocked and terrified pretty much. But tell

577
00:32:35,640 --> 00:32:39,160
Speaker 2: me about Subloctango because I felt like this is a

578
00:32:39,160 --> 00:32:43,400
Speaker 2: long time coming, but you know, you were doing a

579
00:32:43,480 --> 00:32:47,680
Speaker 2: musical show. Subloctango is one of the most famous musical

580
00:32:47,760 --> 00:32:54,560
Speaker 2: numbers ever, and we have an extremely strong group of

581
00:32:54,560 --> 00:32:57,440
Speaker 2: girls on the show, and it just felt like, Okay,

582
00:32:57,480 --> 00:32:58,400
Speaker 2: when is this happening?

583
00:32:59,200 --> 00:33:04,720
Speaker 1: And I felt like this is the reason why Unfortunately unfortunately,

584
00:33:05,920 --> 00:33:08,800
Speaker 1: but I don't know, I didn't maybe because I was

585
00:33:08,800 --> 00:33:10,720
Speaker 1: like too close to it. It didn't It didn't strike

586
00:33:10,800 --> 00:33:15,840
Speaker 1: me the way that it struck you and the choice

587
00:33:15,840 --> 00:33:18,480
Speaker 1: that they made with this song. But I think I

588
00:33:18,520 --> 00:33:23,000
Speaker 1: was just so excited to do it because I was like, yeah, Selug, like,

589
00:33:23,280 --> 00:33:24,840
Speaker 1: if we're gonna do cell Block, like you better make

590
00:33:24,840 --> 00:33:26,720
Speaker 1: Tin a part of it because I would be so mad,

591
00:33:27,080 --> 00:33:33,360
Speaker 1: so mad. Soul Book was really fun to do. Uh.

592
00:33:33,440 --> 00:33:36,960
Speaker 1: It was really fun to record also, partially because you

593
00:33:37,000 --> 00:33:40,040
Speaker 1: could hear all the other people who recorded, like the

594
00:33:40,200 --> 00:33:43,640
Speaker 1: Pop six Oh, like I could hear them in my ear,

595
00:33:43,680 --> 00:33:45,600
Speaker 1: which you don't normally get to hear your friends in

596
00:33:45,640 --> 00:33:47,880
Speaker 1: your ears in the recording studio for some reason, and

597
00:33:47,920 --> 00:33:52,840
Speaker 1: like the boy was that fun to do? And then

598
00:33:52,920 --> 00:33:55,680
Speaker 1: like also to do like the talk singing monologue over

599
00:33:56,720 --> 00:34:01,400
Speaker 1: over the music and to shoot it with Harry and

600
00:34:01,480 --> 00:34:08,959
Speaker 1: like he looked so good. He looked great. Kidding god,

601
00:34:09,000 --> 00:34:11,319
Speaker 1: what a fun day that was, I remember, and like

602
00:34:11,360 --> 00:34:16,759
Speaker 1: Brooke was there with us, and I like it. It

603
00:34:16,840 --> 00:34:19,319
Speaker 1: was also after like the movie came out with such

604
00:34:19,320 --> 00:34:22,560
Speaker 1: a hit, and I don't know, it was just it

605
00:34:22,600 --> 00:34:26,400
Speaker 1: was really awesome. Did you do the talking live? No?

606
00:34:26,600 --> 00:34:27,319
Speaker 1: Wed that?

607
00:34:27,360 --> 00:34:30,640
Speaker 2: Okay, that's right, I thought, I know you don't think

608
00:34:30,640 --> 00:34:33,960
Speaker 2: you were great in this, but like the details of

609
00:34:34,000 --> 00:34:37,160
Speaker 2: what you're doing, Jenna are great. You even have this

610
00:34:37,280 --> 00:34:39,840
Speaker 2: like limp neck head thing in one of the pieces

611
00:34:40,280 --> 00:34:44,200
Speaker 2: and it looks just like the real thing. I was like, Oh,

612
00:34:44,239 --> 00:34:47,360
Speaker 2: this girl grew up doing this. That's what it felt like.

613
00:34:47,360 --> 00:34:49,640
Speaker 2: Like you knew you didn't need to be taught this,

614
00:34:50,800 --> 00:34:52,120
Speaker 2: like you just knew how to do it.

615
00:34:52,640 --> 00:34:54,160
Speaker 1: Thanks, And that's what it felt like.

616
00:34:54,200 --> 00:34:56,600
Speaker 2: It I didn't like, you know me, I'll get I'll

617
00:34:57,000 --> 00:34:59,840
Speaker 2: cringe and things and yeah, you know, I thought you

618
00:34:59,880 --> 00:35:00,440
Speaker 2: were great.

619
00:35:00,719 --> 00:35:02,120
Speaker 1: Oh thanks, everybody was.

620
00:35:02,239 --> 00:35:04,759
Speaker 2: I wanted it the full. I wish it was just

621
00:35:04,800 --> 00:35:06,080
Speaker 2: like ten minutes long.

622
00:35:06,520 --> 00:35:09,279
Speaker 1: And all the women in the back and the thing

623
00:35:10,400 --> 00:35:12,799
Speaker 1: the chairs were really fun. That was really really fun.

624
00:35:12,920 --> 00:35:14,839
Speaker 2: If you did another tour that would have been in it.

625
00:35:14,960 --> 00:35:18,799
Speaker 1: Oh I wish, I wish that would be fun. Oh man,

626
00:35:18,960 --> 00:35:21,040
Speaker 1: imagine what the tour would have been like after season three.

627
00:35:21,239 --> 00:35:25,759
Speaker 2: Oh my god, what so good it would have been, Michael, Oh,

628
00:35:25,920 --> 00:35:33,680
Speaker 2: that's right, Whitney Fleetwood, Fleetwood, Oh man, shake it out

629
00:35:33,920 --> 00:35:35,879
Speaker 2: and sell blockedank go right.

630
00:35:35,960 --> 00:35:38,520
Speaker 1: This is a lot of really enjoyable music.

631
00:35:38,760 --> 00:35:41,520
Speaker 2: I feel like the encore would have started with the

632
00:35:41,520 --> 00:35:43,799
Speaker 2: three of you doing an a capella to shake it out.

633
00:35:44,480 --> 00:35:48,799
Speaker 1: Oh my, could you imagine? Wow? Wow?

634
00:35:50,560 --> 00:35:54,400
Speaker 2: Fantasy list of shoe We definitely should make that list.

635
00:35:54,920 --> 00:35:59,520
Speaker 2: Maybe an episode that we plan our fake season three tour.

636
00:36:00,000 --> 00:36:04,880
Speaker 1: Okay, let's do it, and then Beast comes clean. She

637
00:36:04,960 --> 00:36:08,120
Speaker 1: had first had said that she got hit by back

638
00:36:08,239 --> 00:36:11,840
Speaker 1: by a punching bag at the gym, and she admits

639
00:36:11,880 --> 00:36:15,960
Speaker 1: that she actually was hit by Career, but he was

640
00:36:16,080 --> 00:36:22,279
Speaker 1: very apologetic and coach Roz has shared her story about

641
00:36:22,280 --> 00:36:26,760
Speaker 1: a family member who was also a victim of domestic violence,

642
00:36:27,000 --> 00:36:30,719
Speaker 1: and coach Roz admits that, you know, one of her

643
00:36:30,719 --> 00:36:34,919
Speaker 1: family members also was a victim of domestic abuse, and

644
00:36:35,880 --> 00:36:40,400
Speaker 1: Beast was very moved by the girls coming together and

645
00:36:40,440 --> 00:36:42,680
Speaker 1: you know, rallying around her, and she she thinks she

646
00:36:42,680 --> 00:36:46,160
Speaker 1: felt like she owed it to us and when Sue

647
00:36:46,200 --> 00:36:50,080
Speaker 1: and when she tells Sue about it, and she sometimes

648
00:36:50,200 --> 00:36:52,920
Speaker 1: felt so wrong because like it's such a serious topic

649
00:36:53,000 --> 00:36:56,839
Speaker 1: and yet Sue is making such jokes or surrounding it

650
00:36:56,960 --> 00:37:02,120
Speaker 1: that are so funny that I felt so awkward to laugh. Yeah,

651
00:37:02,680 --> 00:37:04,719
Speaker 1: She's like, what am I going to do? She didn't

652
00:37:04,719 --> 00:37:07,680
Speaker 1: show up. She's like, you're gonna come to stay with me? Well,

653
00:37:07,719 --> 00:37:10,880
Speaker 1: I got to get you out of that house. And

654
00:37:10,960 --> 00:37:13,080
Speaker 1: Beasts doesn't show up. She's like, what am I going

655
00:37:13,160 --> 00:37:16,560
Speaker 1: to do with those five chickens? And if don't worry,

656
00:37:16,600 --> 00:37:18,560
Speaker 1: I have clothes. I have stuff for you to borrow.

657
00:37:18,600 --> 00:37:20,680
Speaker 1: If you didn't bring clothes, I have a tent you

658
00:37:20,680 --> 00:37:28,840
Speaker 1: can wear. Insane, my giant. It's really crazy.

659
00:37:29,160 --> 00:37:31,160
Speaker 2: It was crazy all of those scenes that the three

660
00:37:31,160 --> 00:37:34,880
Speaker 2: of them, everyone was just getting it. They made fun of.

661
00:37:34,880 --> 00:37:37,440
Speaker 1: These teeth, oh man.

662
00:37:38,080 --> 00:37:41,120
Speaker 2: But it was nice to see the ladies coming together

663
00:37:41,239 --> 00:37:42,840
Speaker 2: to try to that's.

664
00:37:42,800 --> 00:37:48,399
Speaker 1: Tight, Beasts, and also like for Doc to be able

665
00:37:48,400 --> 00:37:51,160
Speaker 1: to get these the chance to do this this kind

666
00:37:51,200 --> 00:37:54,880
Speaker 1: of acting, ugleie and get nominated for an Emmy for

667
00:37:54,960 --> 00:37:59,120
Speaker 1: this episode, like for a comedy series. That's right. I'm

668
00:37:59,160 --> 00:38:04,640
Speaker 1: also by the way, Coach Braz calling us our placeholder names.

669
00:38:04,920 --> 00:38:11,439
Speaker 1: Oh my god, hat track Asian horror movie little Oprah, Caliente,

670
00:38:12,080 --> 00:38:21,480
Speaker 1: Salsa Calian what Vanessa? It's dark? Oh god?

671
00:38:22,239 --> 00:38:29,239
Speaker 3: Okay, Anyway, I obviously I have mixed feelings about the

672
00:38:29,280 --> 00:38:32,400
Speaker 3: storyline in general, right because I just want beasts to

673
00:38:32,400 --> 00:38:32,880
Speaker 3: be happy.

674
00:38:33,560 --> 00:38:36,600
Speaker 1: Yes, why did she have to get the chat on

675
00:38:36,760 --> 00:38:37,759
Speaker 1: like this? I know?

676
00:38:38,360 --> 00:38:41,400
Speaker 2: And then she tells the girls. She comes clean to

677
00:38:41,440 --> 00:38:45,359
Speaker 2: the girls, which felt a little will shuster, but it

678
00:38:45,400 --> 00:38:50,040
Speaker 2: doesn't really because I don't know, there's a different relationship

679
00:38:50,080 --> 00:38:54,759
Speaker 2: between Yeah, Beast in general with the kids and then

680
00:38:54,920 --> 00:38:58,719
Speaker 2: Beast and the girls and ended up being really just

681
00:38:58,719 --> 00:39:01,279
Speaker 2: because everybody's so good. I think it just ended up

682
00:39:01,320 --> 00:39:04,880
Speaker 2: being a really nice moment. And then when you guys

683
00:39:04,920 --> 00:39:13,040
Speaker 2: apologize to her using shake it out and good Lord,

684
00:39:14,239 --> 00:39:18,760
Speaker 2: one of the best numbers in the history.

685
00:39:19,600 --> 00:39:23,399
Speaker 1: Really, Yes, m that's nice.

686
00:39:23,480 --> 00:39:27,399
Speaker 2: Fully you guys are insane.

687
00:39:28,360 --> 00:39:31,320
Speaker 1: It's moving, it fits.

688
00:39:30,480 --> 00:39:34,680
Speaker 2: But then also objectively it's just stupidly good.

689
00:39:35,239 --> 00:39:38,719
Speaker 1: Yeah, and it was just also off the It was

690
00:39:38,760 --> 00:39:42,800
Speaker 1: so fast, like recording it so fast? Did Chris record

691
00:39:42,840 --> 00:39:48,200
Speaker 1: this one? No? This was Anders? This was Anders and

692
00:39:48,800 --> 00:39:50,719
Speaker 1: I think is of the turnaround too, Like it was

693
00:39:50,800 --> 00:39:54,279
Speaker 1: so fast. I was honestly, verly excited because I love

694
00:39:54,520 --> 00:39:56,160
Speaker 1: you know, I love Florence and Machine. I was like,

695
00:39:56,400 --> 00:39:59,680
Speaker 1: you another Florence number, like great an Amber part two? Yeah,

696
00:40:00,840 --> 00:40:06,040
Speaker 1: and then just add Niece. Yes. But recording this was

697
00:40:06,080 --> 00:40:11,240
Speaker 1: actually really really fun and I loved recording this song.

698
00:40:11,280 --> 00:40:12,680
Speaker 1: And then when we got to hear it, I was like,

699
00:40:12,680 --> 00:40:16,279
Speaker 1: oh wow, this is actually I'm sad about Love the

700
00:40:16,320 --> 00:40:17,920
Speaker 1: Way You Lie. I was actually really sad about Love

701
00:40:17,960 --> 00:40:19,640
Speaker 1: the Way You Lie. But then I was like, okay,

702
00:40:19,719 --> 00:40:22,240
Speaker 1: this makes up for it. Yeah, It's not like something

703
00:40:22,280 --> 00:40:24,799
Speaker 1: that's like kind of lackluster or second best. It was.

704
00:40:25,680 --> 00:40:27,719
Speaker 1: It's just as good, if not better. I think it

705
00:40:27,800 --> 00:40:32,520
Speaker 1: held up. And so to shoot with Dot who had

706
00:40:32,560 --> 00:40:36,440
Speaker 1: to do all of the crying, we really tried to

707
00:40:36,440 --> 00:40:38,959
Speaker 1: be like there for her and like working with these women.

708
00:40:39,000 --> 00:40:41,080
Speaker 1: The whole episode was actually really nice. It was like

709
00:40:41,560 --> 00:40:43,600
Speaker 1: we had gone through this arc together, this had come

710
00:40:43,640 --> 00:40:46,880
Speaker 1: out of nowhere, and you know, you try to be

711
00:40:46,960 --> 00:40:51,400
Speaker 1: when the adults are working like you just like your

712
00:40:51,440 --> 00:40:54,640
Speaker 1: shoulders are like you set you shoulders back a little

713
00:40:54,640 --> 00:40:57,200
Speaker 1: bit higher, and like everything is like your posture is better,

714
00:40:57,239 --> 00:41:02,480
Speaker 1: and like you just show up so being of service exactly,

715
00:41:03,080 --> 00:41:05,440
Speaker 1: and especially like to Dot who's doing all the acting,

716
00:41:06,080 --> 00:41:09,520
Speaker 1: and she was crying and it was all on her,

717
00:41:10,360 --> 00:41:13,080
Speaker 1: and her coverage was like a lot of Andrew Mitchell

718
00:41:13,200 --> 00:41:16,560
Speaker 1: steady cam around her back, around to us, around to her,

719
00:41:16,719 --> 00:41:19,840
Speaker 1: very close up with her. And at some point I

720
00:41:19,880 --> 00:41:24,000
Speaker 1: remember the music cutting out, like Phil like the playback

721
00:41:24,040 --> 00:41:27,120
Speaker 1: cut out, but Dot was still crying and so we

722
00:41:27,160 --> 00:41:30,440
Speaker 1: just kept singing. So at one point it was just me,

723
00:41:30,800 --> 00:41:36,000
Speaker 1: Naya and Amber singing a cappella the song and it

724
00:41:36,080 --> 00:41:41,320
Speaker 1: was so cool and we were just als singing our parts.

725
00:41:41,640 --> 00:41:44,600
Speaker 1: Oh my god, and I was like, oh my god,

726
00:41:45,360 --> 00:41:49,000
Speaker 1: it's live music. Yeah, and the three of you can

727
00:41:49,120 --> 00:41:52,839
Speaker 1: sing like it was good. I was like, oh my god,

728
00:41:53,000 --> 00:41:56,440
Speaker 1: like and we just kept going for her. Oh. So

729
00:41:56,440 --> 00:42:00,959
Speaker 1: that's one of my main memories from that. Wow. Yeah,

730
00:42:01,040 --> 00:42:02,480
Speaker 1: it was really cool and just to be there for

731
00:42:02,560 --> 00:42:06,600
Speaker 1: Dot and like to sing that song with everybody. It

732
00:42:06,640 --> 00:42:11,279
Speaker 1: was a good little conclusion to the episode that the

733
00:42:11,440 --> 00:42:14,080
Speaker 1: strange storyline, I guess. But then I mean she goes

734
00:42:14,120 --> 00:42:19,360
Speaker 1: back to Kuder, right, and it's like, I think Dot

735
00:42:20,680 --> 00:42:24,040
Speaker 1: apologize or admitting it to the girls is actually really

736
00:42:24,120 --> 00:42:28,160
Speaker 1: powerful because they had to know the truth, Like we

737
00:42:28,200 --> 00:42:31,400
Speaker 1: had to know what was actually going on to understand

738
00:42:31,440 --> 00:42:34,520
Speaker 1: the gravity of like our words in the beginning of

739
00:42:34,520 --> 00:42:38,000
Speaker 1: the episode, right, at least that's how I saw it

740
00:42:38,880 --> 00:42:43,080
Speaker 1: when we were shooting it anyway, I.

741
00:42:43,040 --> 00:42:47,759
Speaker 2: Mean that number was just beautiful and Dot was just

742
00:42:48,239 --> 00:42:55,200
Speaker 2: like so simple, tears were just flowing.

743
00:42:56,000 --> 00:42:56,320
Speaker 1: Sweet.

744
00:42:57,040 --> 00:43:00,279
Speaker 2: You know what's special to is that you guys, so

745
00:43:00,320 --> 00:43:03,000
Speaker 2: when you're recording a musical number, they're not recording sound,

746
00:43:04,040 --> 00:43:05,919
Speaker 2: so like if the music cut out, the sound wasn't

747
00:43:05,960 --> 00:43:07,719
Speaker 2: being recorded and you guys just sing it. So it

748
00:43:07,800 --> 00:43:10,879
Speaker 2: was just it just lived for her in that moment.

749
00:43:10,880 --> 00:43:11,680
Speaker 1: Right, that's right.

750
00:43:12,080 --> 00:43:16,160
Speaker 2: So there's no dailies with audio of you guys, right, right,

751
00:43:16,480 --> 00:43:16,960
Speaker 2: you guys.

752
00:43:17,000 --> 00:43:20,799
Speaker 1: No, sadly no, But that's good. That's a good thing. Problem, Yeah,

753
00:43:20,880 --> 00:43:25,200
Speaker 1: you guys have that oh sweet thought. Yeah, like not

754
00:43:25,280 --> 00:43:30,319
Speaker 1: going to stop cut because of that for her. And

755
00:43:30,360 --> 00:43:35,919
Speaker 1: then Leah does cry, which it's ridiculous, ridiculous, just ridiculous.

756
00:43:36,000 --> 00:43:38,759
Speaker 2: Right after like you choke doing it, perad and then

757
00:43:38,760 --> 00:43:43,239
Speaker 2: you just sing that like that and cry like that,

758
00:43:43,520 --> 00:43:48,480
Speaker 2: and I like that. I don't even know what to think.

759
00:43:48,760 --> 00:43:51,600
Speaker 1: I know really good. I'm excited to see what happens.

760
00:43:52,400 --> 00:43:55,200
Speaker 2: You too, I'm in, I'm fully in. I'm I think

761
00:43:55,200 --> 00:43:56,080
Speaker 2: this season is great.

762
00:43:56,360 --> 00:43:58,880
Speaker 1: Yeah, I do too. It's really living up to what

763
00:43:59,000 --> 00:43:59,720
Speaker 1: everybody said.

764
00:44:00,239 --> 00:44:03,480
Speaker 2: The fans know. You know, we don't, but the fans do.

765
00:44:11,120 --> 00:44:13,759
Speaker 1: Let's cread these songs. Yes, I was waiting for this

766
00:44:14,920 --> 00:44:19,960
Speaker 1: School's out, you know. I give that an A plus. Wow,

767
00:44:20,160 --> 00:44:22,200
Speaker 1: I was gonna give it an A, but wow, I'll

768
00:44:22,200 --> 00:44:26,680
Speaker 1: give the production value. Yeah, it was great, okay, cell

769
00:44:26,680 --> 00:44:31,239
Speaker 1: Black Tango A A A plus if it was a

770
00:44:31,239 --> 00:44:36,759
Speaker 1: longer version, okay, fair? And maybe not the storyline not

771
00:44:36,840 --> 00:44:43,920
Speaker 1: the Born next Door A A Rain in Spain A. Oh, B.

772
00:44:46,200 --> 00:44:48,840
Speaker 2: You said it was like such conviction because I was

773
00:44:48,880 --> 00:44:51,600
Speaker 2: gonna change my answer to not the boy next Door.

774
00:44:51,600 --> 00:44:55,200
Speaker 1: I think A plus. Okay, great, let's do it A

775
00:44:55,320 --> 00:44:58,960
Speaker 1: plus for not the Boy next Door the Rain in Spain? B.

776
00:45:02,800 --> 00:45:06,680
Speaker 1: What you give it A c mm hmm? Okay, yeah, fair,

777
00:45:06,920 --> 00:45:11,480
Speaker 1: it's fine It's just not my thing, is it anybody's Maybe?

778
00:45:12,600 --> 00:45:14,160
Speaker 1: I don't know. I don't like run jowing your run,

779
00:45:14,320 --> 00:45:16,719
Speaker 1: so who knew? Who am I to judge? Right? I

780
00:45:16,760 --> 00:45:19,680
Speaker 1: can trust you? Shake it out?

781
00:45:20,040 --> 00:45:23,840
Speaker 2: I mean as high as A plus plus plus plus.

782
00:45:24,160 --> 00:45:26,279
Speaker 2: It's like in high school. I had this my one

783
00:45:26,280 --> 00:45:29,120
Speaker 2: of my best friends, Cleo. We were in the same

784
00:45:29,160 --> 00:45:32,200
Speaker 2: English class and I had an A plus. Like I

785
00:45:32,560 --> 00:45:34,320
Speaker 2: remember this test I got back. I got like a

786
00:45:34,400 --> 00:45:37,839
Speaker 2: ninety eight or ninety nine. She got like an one

787
00:45:37,920 --> 00:45:39,200
Speaker 2: hundred and six or something.

788
00:45:40,080 --> 00:45:43,839
Speaker 1: That's not what it's like. This doesn't this stop at

789
00:45:43,880 --> 00:45:46,600
Speaker 1: one hundred stop? But that's really funny.

790
00:45:46,680 --> 00:45:51,200
Speaker 2: I think that's shake it out. Oh wow, okay, checkout

791
00:45:51,280 --> 00:45:54,399
Speaker 2: is phenomenal. Wow, and I need to hear the full

792
00:45:54,480 --> 00:45:56,400
Speaker 2: version after this is actually what I'm going to.

793
00:45:56,440 --> 00:46:04,640
Speaker 4: Do, all right, cry, I give it a A A wow.

794
00:46:04,840 --> 00:46:07,840
Speaker 4: This is a good great I would say a strong

795
00:46:07,880 --> 00:46:09,640
Speaker 4: average of an A because.

796
00:46:09,360 --> 00:46:13,239
Speaker 2: Of that C Yeah, everyone was really just going for it.

797
00:46:13,360 --> 00:46:18,040
Speaker 2: Music of the night A Oh, that's right. Is that

798
00:46:18,120 --> 00:46:21,520
Speaker 2: as comedy? I mean the fraction of don't rein in

799
00:46:21,520 --> 00:46:24,520
Speaker 2: my parade? No, I don't plus plus plus Okay, that

800
00:46:24,680 --> 00:46:28,200
Speaker 2: was so good, right because it hurt so much.

801
00:46:28,560 --> 00:46:32,839
Speaker 1: No, right, in fact, it did its job. Okay, let's

802
00:46:32,880 --> 00:46:35,800
Speaker 1: do some TARTI takes. Yeah, yes, all right. There's actually

803
00:46:35,880 --> 00:46:39,200
Speaker 1: quite a few cringe moments. I think, cheez. There's a

804
00:46:39,239 --> 00:46:44,040
Speaker 1: lot of racist ish jokes. Yeah, ross a couple of

805
00:46:44,040 --> 00:46:47,120
Speaker 1: things that don't really sis, so does Jane. I think

806
00:46:50,400 --> 00:46:55,120
Speaker 1: the domestic violence jokes, Yeah, that's not good either, although

807
00:46:55,120 --> 00:47:01,399
Speaker 1: those we we do apologize for that, yes, but again

808
00:47:01,480 --> 00:47:04,520
Speaker 1: doesn't make it acceptable. There was a lot of comments

809
00:47:04,560 --> 00:47:10,960
Speaker 1: about beasts weight, Yeah, sweet beast. Yeah, let's keep to

810
00:47:11,000 --> 00:47:17,239
Speaker 1: the let's keep to the keep. Yeah, let's stick to

811
00:47:17,239 --> 00:47:21,120
Speaker 1: the like. Yeah, that's stuff that's not external. We don't

812
00:47:21,160 --> 00:47:26,080
Speaker 1: talk about people's bodies, right, Okay. Best dance move I

813
00:47:26,080 --> 00:47:28,240
Speaker 1: mean Kurt did some dancing.

814
00:47:28,400 --> 00:47:34,879
Speaker 2: I know it's tap between cell blocked, tango and that right, right, Yeah,

815
00:47:34,880 --> 00:47:35,759
Speaker 2: I think I'll go with Kurt.

816
00:47:35,840 --> 00:47:38,640
Speaker 1: Actually, I think the dancing was stronger and Kurts and

817
00:47:38,719 --> 00:47:41,600
Speaker 1: cell block was more of a storytelling.

818
00:47:41,120 --> 00:47:45,240
Speaker 2: Like when is Kurt or Chris ever moved his hips?

819
00:47:45,719 --> 00:47:47,800
Speaker 1: I like that so good.

820
00:47:48,400 --> 00:47:53,040
Speaker 2: Best song shake it out, Jenna, Okay, you can say it.

821
00:47:55,239 --> 00:47:57,839
Speaker 1: I'm looking at her lists, all right, I'll say it.

822
00:47:59,440 --> 00:48:03,439
Speaker 1: I'll say check it out. Best performance by a prop. Okay, wait,

823
00:48:03,480 --> 00:48:05,040
Speaker 1: we forgot. I forgot to talk about the fact that

824
00:48:05,120 --> 00:48:09,760
Speaker 1: you were also in Phantom of the Opera? Was I

825
00:48:09,880 --> 00:48:13,880
Speaker 1: you were with the smoke wish? Oh I completely forgot.

826
00:48:14,239 --> 00:48:18,360
Speaker 1: I was like, yeah, it was a christ and I

827
00:48:18,520 --> 00:48:22,160
Speaker 1: forgot you were flying by with that smoke machine. Oh

828
00:48:22,200 --> 00:48:26,800
Speaker 1: my god, I think it's your smoke machine. That's wild.

829
00:48:27,040 --> 00:48:27,640
Speaker 1: Best prop.

830
00:48:28,000 --> 00:48:32,360
Speaker 2: Do you think smoke machine that you forgot? Actually I

831
00:48:32,400 --> 00:48:39,480
Speaker 2: completely forgot. I like Kurt's Phantom mask because I also

832
00:48:39,560 --> 00:48:40,919
Speaker 2: had one as a kid.

833
00:48:41,520 --> 00:48:46,600
Speaker 1: Of course you did. Yep, uh best lye. There's a lot.

834
00:48:46,680 --> 00:48:49,520
Speaker 2: I just want to say this, this is one of them.

835
00:48:49,719 --> 00:48:52,960
Speaker 2: But Rachel goes, no, I vowed not to speak with

836
00:48:53,000 --> 00:48:55,920
Speaker 2: you unless William and Kate got pregnant Liza past or

837
00:48:56,000 --> 00:48:57,960
Speaker 2: unless one of us was in a grave one of

838
00:48:58,040 --> 00:49:01,960
Speaker 2: us was in grave danger. Kurt Tommy lies is okay, Rachel,

839
00:49:02,239 --> 00:49:03,360
Speaker 2: she's fine, But you're not.

840
00:49:04,960 --> 00:49:07,560
Speaker 1: Coach Ross says you girls are Craig Ray. You're supposed

841
00:49:07,560 --> 00:49:09,480
Speaker 1: to pick a song like a woman the self esteem

842
00:49:09,520 --> 00:49:12,040
Speaker 1: encouraged to get the hell out of an abusive situation.

843
00:49:12,320 --> 00:49:14,959
Speaker 1: But oh no, you pick a song about crazy women

844
00:49:14,960 --> 00:49:19,000
Speaker 1: in their panties killing and men for chewing gum. She's right,

845
00:49:20,280 --> 00:49:22,920
Speaker 1: She's right, it's not wrong. This makes me want to

846
00:49:22,960 --> 00:49:27,520
Speaker 1: watch Chicago. Oh, I watched that all the time. It's

847
00:49:27,520 --> 00:49:32,560
Speaker 1: a perfect movie. It really is a performance. MVP. Do

848
00:49:34,760 --> 00:49:40,320
Speaker 1: honorable mention to Leah. Yeah, Chris also know it's a

849
00:49:40,400 --> 00:49:41,360
Speaker 1: good one.

850
00:49:42,000 --> 00:49:44,320
Speaker 2: Yeah, I will say dot and then honorable mention to

851
00:49:44,360 --> 00:49:50,280
Speaker 2: those two. Okay, great, it's a strong honorable mention though, truly. Yeah,

852
00:49:50,800 --> 00:49:52,160
Speaker 2: it may be a three way tie.

853
00:49:52,320 --> 00:49:52,640
Speaker 1: Okay.

854
00:49:52,719 --> 00:49:57,239
Speaker 2: Ship we found on TikTok this week. Shout out to

855
00:49:57,840 --> 00:50:03,160
Speaker 2: the one and only Trixie Mattel because Trixy posted a

856
00:50:03,160 --> 00:50:14,040
Speaker 2: picture wearing some flannel and the sound over it. You'll

857
00:50:14,040 --> 00:50:17,520
Speaker 2: see and then the next slight is Bert Humble because

858
00:50:17,560 --> 00:50:21,799
Speaker 2: they look the same. Tricksy's just doing bird Humble drag.

859
00:50:21,920 --> 00:50:22,560
Speaker 2: That's all it is.

860
00:50:23,080 --> 00:50:31,080
Speaker 1: That's funny, you know, it's so good. Yes, that's tricky.

861
00:50:31,760 --> 00:50:39,760
Speaker 1: That's crazy. You ever seen Oh my god, that's so funny.

862
00:50:39,800 --> 00:50:45,600
Speaker 1: Oh my gosh, wow Dragon reverse. Yeah, isn't it great?

863
00:50:46,360 --> 00:50:47,120
Speaker 1: That is great?

864
00:50:47,360 --> 00:50:53,080
Speaker 2: Look at that on Tricksy's Tricksy TikTok drags Superstar well

865
00:50:54,080 --> 00:50:56,600
Speaker 2: best choke. So many great performances.

866
00:50:56,080 --> 00:51:02,400
Speaker 1: Get ready for next week. It's Promisaurus you guys. Yes,

867
00:51:02,760 --> 00:51:06,720
Speaker 1: that's an Eric Stults special. Yes, because Eric Stolt's always

868
00:51:06,719 --> 00:51:11,600
Speaker 1: this prom God. I love a prom episode, do you

869
00:51:11,719 --> 00:51:14,279
Speaker 1: I really do? I to watch? Yeah?

870
00:51:14,480 --> 00:51:18,080
Speaker 2: Yeah eighteen show Finn. You know that I love a

871
00:51:18,120 --> 00:51:20,040
Speaker 2: prom episode. And I think our Prome episodes were good.

872
00:51:20,320 --> 00:51:23,439
Speaker 1: Oh I do too, They're just hell to shoot. Yeah. Yeah,

873
00:51:23,480 --> 00:51:29,920
Speaker 1: I'm trying to disconnect the two. Sure, I gotta be

874
00:51:29,920 --> 00:51:32,360
Speaker 1: honest though, but with Eric doing proms like I have

875
00:51:32,480 --> 00:51:35,400
Speaker 1: good memories from proms, like Promistars is crazy. You remember

876
00:51:35,440 --> 00:51:38,839
Speaker 1: when Brittany comes out in the dinosaur outfit? Yeah, how

877
00:51:38,880 --> 00:51:41,839
Speaker 1: could I figure the dancing like barefoot in the gym?

878
00:51:41,920 --> 00:51:46,080
Speaker 1: And then the problem where I think I might be

879
00:51:46,120 --> 00:51:48,480
Speaker 1: conflating problems, but the problem where you try it on

880
00:51:48,520 --> 00:51:52,959
Speaker 1: my prom dress? Yeah, like behind the scenes remember that? Yeah? Yeah,

881
00:51:53,000 --> 00:51:55,520
Speaker 1: we have good memories from proms. Okay, you're right. Yeah,

882
00:51:55,560 --> 00:51:56,680
Speaker 1: because Eric really.

883
00:51:56,440 --> 00:51:57,799
Speaker 2: Had like a system down, so we had a lot

884
00:51:57,800 --> 00:52:00,520
Speaker 2: of downtime and we just hung out and had fun.

885
00:52:00,600 --> 00:52:03,760
Speaker 1: So great, here we go. Okay, welcome back for promised

886
00:52:03,760 --> 00:52:05,840
Speaker 1: ours and thanks for joining us, and that's what you

887
00:52:05,960 --> 00:52:07,040
Speaker 1: really missed.

888
00:52:06,960 --> 00:52:11,040
Speaker 2: By thanks for listening and follow us on Instagram at

889
00:52:11,080 --> 00:52:13,320
Speaker 2: and that's what you really miss POD. Make sure to

890
00:52:13,320 --> 00:52:15,759
Speaker 2: write us a review and leave us five stars. See

891
00:52:15,760 --> 00:52:16,279
Speaker 2: you next time.