1 00:00:00,800 --> 00:00:03,800 Speaker 1: On the dol cast. The questions asked if movies have 2 00:00:03,920 --> 00:00:07,760 Speaker 1: women and are all their discussions just boyfriends and husbands? 3 00:00:07,960 --> 00:00:12,920 Speaker 1: Do they have individualism? The patriarchy? Zef and best start 4 00:00:13,039 --> 00:00:16,680 Speaker 1: changing it with the bec Del Cast. Hello, welcome to 5 00:00:16,680 --> 00:00:20,079 Speaker 1: the bec Del Cast. Why is Jamie cast? We're going 6 00:00:20,079 --> 00:00:23,680 Speaker 1: really fast? Look really fast? God, I'm like, fully, okay, 7 00:00:23,680 --> 00:00:27,160 Speaker 1: Can I just say I just went to seven eleven obviously, obviously, 8 00:00:27,200 --> 00:00:28,960 Speaker 1: and I did eat a piece of pizza on the 9 00:00:29,000 --> 00:00:32,519 Speaker 1: way back. I was so upset. I got the Mike's 10 00:00:32,520 --> 00:00:36,440 Speaker 1: Harder lemonade Cranberry, that's my current flavor that I'm into. 11 00:00:37,000 --> 00:00:40,239 Speaker 1: And when I went to the front and I did 12 00:00:40,280 --> 00:00:42,640 Speaker 1: not have my I d and she was just like, 13 00:00:42,840 --> 00:00:46,280 Speaker 1: I'm sorry, It's like I couldn't get it. No, I didn't. 14 00:00:46,360 --> 00:00:49,560 Speaker 1: I didn't you see no Mike cards before you There's none. 15 00:00:49,680 --> 00:00:53,599 Speaker 1: And I'm personally I was, how can I not have 16 00:00:53,640 --> 00:00:56,600 Speaker 1: a Mike's Hard Lemonade to do this particular episode, you know, right, 17 00:00:56,680 --> 00:01:00,560 Speaker 1: because this is a kind of want to drink about 18 00:01:00,640 --> 00:01:06,160 Speaker 1: because yeah, I'm very excited anyways. Uh yeah, if anyone 19 00:01:06,200 --> 00:01:08,880 Speaker 1: wants to just send like letters of sympathy and just 20 00:01:09,080 --> 00:01:12,280 Speaker 1: like I'm personally very upset. Who knows when I'm going 21 00:01:12,319 --> 00:01:15,080 Speaker 1: to get to drink of Mike's hard lemonade. Now, I'm 22 00:01:15,120 --> 00:01:19,000 Speaker 1: so sorry for your loss. I'm honestly furious, and nothing 23 00:01:19,120 --> 00:01:23,800 Speaker 1: is okay, in complete disarray. How are you? You're injured 24 00:01:24,640 --> 00:01:28,920 Speaker 1: a disaster? Yeah, I fell playing soccer, yester disaster, and 25 00:01:29,040 --> 00:01:32,280 Speaker 1: I'm scraped up like a little kid. We're in bad 26 00:01:32,319 --> 00:01:36,000 Speaker 1: shape today and these are really not going well. I'd 27 00:01:36,040 --> 00:01:38,440 Speaker 1: like have taken two showers. But still somehow it's not 28 00:01:38,520 --> 00:01:41,640 Speaker 1: like a plane like, it's just like I think you're 29 00:01:41,680 --> 00:01:44,399 Speaker 1: all out of sorts. Well, hey, maybe we'll get back 30 00:01:44,440 --> 00:01:49,640 Speaker 1: on track in our lives with this episode of cinema. Yeah, 31 00:01:49,840 --> 00:01:53,440 Speaker 1: so let's introduce our guess. I want excited. However, I 32 00:01:53,520 --> 00:01:56,160 Speaker 1: just I full this closure. I just recorded an episode 33 00:01:56,200 --> 00:02:02,280 Speaker 1: of her amazing podcast. I never heard of it. Yeah. 34 00:02:02,400 --> 00:02:06,800 Speaker 1: She's also written for The A V Club. Rebecca Bono, 35 00:02:08,440 --> 00:02:11,000 Speaker 1: My god, I wrote about you, and now I'm here. 36 00:02:11,919 --> 00:02:17,160 Speaker 1: I'm god. I did it. You manifested, We manifested. It 37 00:02:17,280 --> 00:02:21,320 Speaker 1: was a mute manifest. Mute manifest. That's what I live for. 38 00:02:21,480 --> 00:02:24,440 Speaker 1: That's how I make anything happening in my scream of 39 00:02:28,080 --> 00:02:30,040 Speaker 1: That's also the name of the man who does my 40 00:02:30,160 --> 00:02:35,360 Speaker 1: Texas very nice muge manifest and guys, this is how 41 00:02:35,400 --> 00:02:38,239 Speaker 1: comedy works right here. Yeah, that's what it is to 42 00:02:38,360 --> 00:02:42,320 Speaker 1: happen there. Yeah, we just made muge manifest and assesss. 43 00:02:43,720 --> 00:02:46,360 Speaker 1: Here's something I've been doing recently that really throws people 44 00:02:46,360 --> 00:02:50,200 Speaker 1: for a loop is if you introduce your friend as like, 45 00:02:50,240 --> 00:02:53,320 Speaker 1: this is an associate of mine, and they'll be like, oh, 46 00:02:53,639 --> 00:02:56,480 Speaker 1: like there, it suddenly implies like a level of business 47 00:02:56,520 --> 00:02:59,760 Speaker 1: to your friendship that simply does not exist. We should 48 00:02:59,760 --> 00:03:02,400 Speaker 1: go on calling each other our associated in my business. Yeah, 49 00:03:02,400 --> 00:03:06,320 Speaker 1: you don't actually don't say business, say associate. Let's figure 50 00:03:06,360 --> 00:03:07,880 Speaker 1: it out. Yeah, that's like, oh, how are you guys 51 00:03:07,919 --> 00:03:12,399 Speaker 1: associating because that's all it means we've associated, which we have, Yeah, 52 00:03:12,560 --> 00:03:17,079 Speaker 1: pretty blatantly. I think it's on the record that you've associated. Yeah, 53 00:03:17,120 --> 00:03:19,280 Speaker 1: there's there's too much of a trail to be able 54 00:03:19,320 --> 00:03:22,040 Speaker 1: to erase the fact that we have at many points 55 00:03:22,040 --> 00:03:25,040 Speaker 1: associated at least on at least fifty occasions. We've associated 56 00:03:25,240 --> 00:03:28,080 Speaker 1: at least once a week for the past year. So right, so, like, 57 00:03:28,160 --> 00:03:30,320 Speaker 1: what's the endgame? What's the plan? We don't know. We'll 58 00:03:30,360 --> 00:03:33,600 Speaker 1: find out. Hey, let's talk about a movie. So, Rebecca, 59 00:03:33,680 --> 00:03:37,960 Speaker 1: you've brought us the Holiday. You also overruled the movie 60 00:03:38,000 --> 00:03:41,520 Speaker 1: we suggested for the Holiday, Okay, because here's the thing. 61 00:03:41,600 --> 00:03:44,880 Speaker 1: I was into the idea, but then I was watching 62 00:03:44,880 --> 00:03:47,960 Speaker 1: The Holiday with myself with wine on Thanksgiving and I 63 00:03:48,000 --> 00:03:51,480 Speaker 1: was like, wow, I mean the Holiday right, guys, right here? 64 00:03:51,720 --> 00:03:56,160 Speaker 1: So I did have to pitch it because I'm thrilled. 65 00:03:56,200 --> 00:03:58,640 Speaker 1: You dead, I'm glad. I mean, I've put you through 66 00:03:58,640 --> 00:04:01,600 Speaker 1: something with this movie. But I hope you loved it. 67 00:04:01,600 --> 00:04:06,320 Speaker 1: It was loved the experience. I've seen this movie several times. Yeah, 68 00:04:05,360 --> 00:04:12,080 Speaker 1: I had not, and it's going to be very dramatic. Basically, 69 00:04:12,080 --> 00:04:15,560 Speaker 1: Caitlyn plus Roncom is like me plus any movie with 70 00:04:15,720 --> 00:04:19,440 Speaker 1: like a robot in it. I'm like, God, I'm exhausted. 71 00:04:19,560 --> 00:04:22,479 Speaker 1: And the thing is, did I know that? Yes? Did 72 00:04:22,520 --> 00:04:25,840 Speaker 1: I did. I were fully aware of how this would 73 00:04:25,839 --> 00:04:28,080 Speaker 1: go a little bit, not like in a predictable way, 74 00:04:28,080 --> 00:04:30,840 Speaker 1: but I was like, yeah, it could be fun. Well, 75 00:04:31,000 --> 00:04:35,400 Speaker 1: I loved hating it that. Yeah, it's a fun, great 76 00:04:35,440 --> 00:04:37,560 Speaker 1: time hating it. It really is. There is some I 77 00:04:37,640 --> 00:04:39,920 Speaker 1: mean and watching it, I mean, I feel like there's 78 00:04:39,960 --> 00:04:42,160 Speaker 1: so many red flags for this movie, even when you're 79 00:04:42,200 --> 00:04:44,279 Speaker 1: not watching it for its treatment of women. It's just 80 00:04:44,400 --> 00:04:48,720 Speaker 1: a gigantic they're so okay, let's okay. So wait when 81 00:04:48,720 --> 00:04:51,080 Speaker 1: did you first see The Holiday? Okay? So I have 82 00:04:51,200 --> 00:04:53,600 Speaker 1: like a long history of The Holiday just watching it 83 00:04:53,600 --> 00:04:56,360 Speaker 1: with my mom. It's very much a me and my 84 00:04:56,400 --> 00:05:00,479 Speaker 1: mom movie. Her like one is Jude Law. She's she 85 00:05:00,560 --> 00:05:03,200 Speaker 1: loves to talk about how she would cheat on my stepdad, 86 00:05:04,320 --> 00:05:06,960 Speaker 1: like and growing up, I was I thought I was 87 00:05:07,000 --> 00:05:09,720 Speaker 1: really cool. So because I was like, um, I'm into 88 00:05:09,839 --> 00:05:14,159 Speaker 1: Bamar Jarra, so I'm gonna call Jude Law Judy Lacks. 89 00:05:14,240 --> 00:05:15,520 Speaker 1: I was like I would make fun of her because 90 00:05:15,560 --> 00:05:17,040 Speaker 1: I was like, oh wow, he's like a pretty boy. 91 00:05:17,080 --> 00:05:18,680 Speaker 1: And of course now I'm like I would do anything 92 00:05:18,680 --> 00:05:21,480 Speaker 1: to fuck you with Law, right, Like he's beautiful, out 93 00:05:21,480 --> 00:05:26,120 Speaker 1: of gorgeous with Jude Law. But yeah, so I've seen 94 00:05:26,120 --> 00:05:29,159 Speaker 1: it like many many times. We always watch it in 95 00:05:29,200 --> 00:05:32,880 Speaker 1: the holiday seasons and and I can't stop. And it's 96 00:05:32,920 --> 00:05:35,960 Speaker 1: a part of me. And there are like specific lines 97 00:05:36,080 --> 00:05:38,680 Speaker 1: that like I have the line delivery like in my 98 00:05:38,800 --> 00:05:43,120 Speaker 1: head ingrained that I'll mention them when they come up. 99 00:05:43,520 --> 00:05:46,560 Speaker 1: So yeah, I've seen it many many times, and um, 100 00:05:46,640 --> 00:05:50,800 Speaker 1: most of it's for Jack Black. Jack Black, who, by 101 00:05:50,839 --> 00:05:53,400 Speaker 1: the way, this movie could not want you to know 102 00:05:53,520 --> 00:05:57,240 Speaker 1: that it does not find Jack Black attractive. That first 103 00:05:57,279 --> 00:06:01,120 Speaker 1: fucking shot where they're like clearly love it, You're just like, 104 00:06:01,279 --> 00:06:05,479 Speaker 1: what the fuck? Why would he be? God? I was 105 00:06:05,520 --> 00:06:08,840 Speaker 1: so on Jack black side until I was very suddenly like, 106 00:06:09,080 --> 00:06:12,720 Speaker 1: wait a second, he's cheating on his girlfriend. Yeah, why 107 00:06:12,839 --> 00:06:16,159 Speaker 1: is this? There's a lot and so wait you saw 108 00:06:16,200 --> 00:06:18,240 Speaker 1: this movie for the first time, yeah, like a couple 109 00:06:18,240 --> 00:06:21,840 Speaker 1: of days ago, and I went into it pretty much 110 00:06:21,880 --> 00:06:24,039 Speaker 1: assuming that I was not going to enjoy it, And 111 00:06:24,160 --> 00:06:25,919 Speaker 1: turns out I was right. I don't think you know 112 00:06:26,000 --> 00:06:30,640 Speaker 1: yourself if well. I have had known about this movie 113 00:06:30,680 --> 00:06:33,159 Speaker 1: since it came out in like two six and you 114 00:06:33,200 --> 00:06:35,919 Speaker 1: know it's the movie where Cameron Diaz and Kate Win's 115 00:06:35,920 --> 00:06:40,280 Speaker 1: a switch houses during Christmas time and novel pre Airbnb, 116 00:06:40,920 --> 00:06:46,040 Speaker 1: right fun, I love an early internet movie, right, which 117 00:06:46,040 --> 00:06:52,440 Speaker 1: also features a Blockbuster movie scene with the Dustin Hoffman. 118 00:06:53,279 --> 00:06:56,880 Speaker 1: Oh yeah, that didn't go anywhere. They're just like yeah. Also, 119 00:06:57,000 --> 00:07:00,520 Speaker 1: Jack Black's character, who's like a film composer, has the 120 00:07:00,560 --> 00:07:03,640 Speaker 1: most basic taste. He's like humming, gone with the wind. 121 00:07:03,839 --> 00:07:06,320 Speaker 1: This this is just like, um, what a little little 122 00:07:06,440 --> 00:07:11,040 Speaker 1: basic bitch in terms of his knowledge of his own profession. Yeah, well, 123 00:07:11,040 --> 00:07:14,120 Speaker 1: when who do you first seen the movie, Jamie? Oh uh, 124 00:07:14,440 --> 00:07:17,440 Speaker 1: probably within a year of it coming out. I want 125 00:07:17,480 --> 00:07:19,240 Speaker 1: to say, this movie, I think came out when I 126 00:07:19,280 --> 00:07:24,400 Speaker 1: was in middle school, and so it was like perfect 127 00:07:24,640 --> 00:07:26,360 Speaker 1: in terms of like this is only me and my 128 00:07:26,400 --> 00:07:29,560 Speaker 1: mom can watch together. That's like not too raunchy, but 129 00:07:29,600 --> 00:07:32,200 Speaker 1: it's also like girls. Yeah, like, yeah, it sounds like 130 00:07:32,240 --> 00:07:34,040 Speaker 1: a similar deal where I first saw it with my 131 00:07:34,080 --> 00:07:36,440 Speaker 1: mom and then it's never been like one of my 132 00:07:36,600 --> 00:07:39,720 Speaker 1: favorite favorites. But I remember my first Christmas in l A. 133 00:07:39,760 --> 00:07:42,040 Speaker 1: With the first Christmas, I didn't go home. I met 134 00:07:42,120 --> 00:07:44,760 Speaker 1: up with a bunch of friends when we all watched Holiday. 135 00:07:45,720 --> 00:07:49,280 Speaker 1: I went to a Christmas party yesterday afternoon and this 136 00:07:49,320 --> 00:07:51,360 Speaker 1: movie was playing on the TV and I didn't know 137 00:07:51,360 --> 00:07:53,360 Speaker 1: anyone there except for the host, and I just loudly 138 00:07:53,360 --> 00:07:55,720 Speaker 1: announced how much I hate this movie. And everyone's like, 139 00:07:55,800 --> 00:07:58,640 Speaker 1: oh God, what did Who's that? And when I sheet 140 00:07:58,720 --> 00:08:01,760 Speaker 1: like I was instantly hate it by everyone there, Well, 141 00:08:01,840 --> 00:08:04,440 Speaker 1: you can't just talk about the holiday like that, to 142 00:08:04,520 --> 00:08:06,840 Speaker 1: be fair, you can't just like do that. I like 143 00:08:06,880 --> 00:08:10,000 Speaker 1: how it does just elicit such a visceral reaction while 144 00:08:10,040 --> 00:08:14,600 Speaker 1: not not actually being good, and I'm like, right, like 145 00:08:14,680 --> 00:08:19,360 Speaker 1: I get it, I do, I really do. Well, let 146 00:08:19,440 --> 00:08:24,440 Speaker 1: me do the Recapuh So, the Holiday is about Cameron 147 00:08:24,440 --> 00:08:28,400 Speaker 1: Diaz and Kate Winslet. They've both been unlucky in love 148 00:08:29,080 --> 00:08:31,920 Speaker 1: and they're also doing this movie for sort of everyone 149 00:08:31,960 --> 00:08:35,679 Speaker 1: involved is a victory lap of sorts like there no 150 00:08:35,720 --> 00:08:38,680 Speaker 1: one's here to make history. Although I will say it 151 00:08:38,840 --> 00:08:42,439 Speaker 1: is an actor's film, so not a tum poem. It's 152 00:08:42,440 --> 00:08:45,640 Speaker 1: more of an actor I think it's also am There's 153 00:08:45,960 --> 00:08:48,400 Speaker 1: certain parts of it I have a lot of hearty depth, 154 00:08:48,559 --> 00:08:50,800 Speaker 1: and other parts of it do not. But it is 155 00:08:50,840 --> 00:08:53,720 Speaker 1: an actor's film and a tom film. Okay. I'd also 156 00:08:53,840 --> 00:08:57,400 Speaker 1: just like to add really using voice over for what 157 00:08:57,480 --> 00:09:00,679 Speaker 1: it's meant to be, you know, just very much like 158 00:09:03,360 --> 00:09:05,560 Speaker 1: that's like the tone of all of the voiceovers, like 159 00:09:05,840 --> 00:09:08,640 Speaker 1: I am sucking acting. I'm Kate Winslett. I am acting 160 00:09:09,840 --> 00:09:14,200 Speaker 1: a movie. But she's also giving it se and the 161 00:09:14,200 --> 00:09:17,640 Speaker 1: fights over she's not giving it her all. She's saving 162 00:09:17,640 --> 00:09:21,000 Speaker 1: her all for the Reader or whatever other movie she 163 00:09:21,040 --> 00:09:23,360 Speaker 1: was in. It came out around this time. She can't 164 00:09:23,360 --> 00:09:26,080 Speaker 1: be giving this movie a percent just to conserve her energy, 165 00:09:26,240 --> 00:09:29,400 Speaker 1: although he will say I was fully triggered by her. Um, 166 00:09:29,440 --> 00:09:32,199 Speaker 1: what is it that she plays air guitar too? She 167 00:09:32,360 --> 00:09:35,920 Speaker 1: wants the song? She plays air guitar in the stud Okay, wait, 168 00:09:36,080 --> 00:09:41,400 Speaker 1: I remember it's very guitar Oh to a Jet song? 169 00:09:42,040 --> 00:09:46,079 Speaker 1: Are you gonna be mic? It explicably just playing air 170 00:09:46,160 --> 00:09:50,160 Speaker 1: guitar and Cameron Diaz is bad because she's thrilled about 171 00:09:50,400 --> 00:09:52,839 Speaker 1: the fact that it's it seems it wasn't sure the 172 00:09:52,880 --> 00:09:54,280 Speaker 1: context of the team, but she woke up and it 173 00:09:54,360 --> 00:09:57,719 Speaker 1: was day and then a Jet song turned out excited 174 00:09:57,760 --> 00:10:01,280 Speaker 1: and she just like was like I can't not no, no, 175 00:10:01,360 --> 00:10:04,520 Speaker 1: And she even goes she goes, thank you, Amanda, like 176 00:10:04,679 --> 00:10:11,679 Speaker 1: she right because she had that selection. Imagine bonding with 177 00:10:11,760 --> 00:10:17,360 Speaker 1: another woman because it's like, oh you love Jet, I 178 00:10:17,400 --> 00:10:23,840 Speaker 1: love Jets one song? Oh god, And in two thousand six, 179 00:10:23,920 --> 00:10:25,560 Speaker 1: this would have been a lot of work to program 180 00:10:25,600 --> 00:10:28,839 Speaker 1: this into your alarmlocked, like you couldn't just wake up 181 00:10:28,840 --> 00:10:31,760 Speaker 1: to Jet I'm sure. Yeah. She was rich and so 182 00:10:31,840 --> 00:10:33,960 Speaker 1: she could wake up. She was so rich and she 183 00:10:34,400 --> 00:10:37,480 Speaker 1: house shamed Kate Winslet for having a small house, you know, 184 00:10:37,480 --> 00:10:42,079 Speaker 1: and they're like, fucking high, but she's just like my house, 185 00:10:42,120 --> 00:10:44,079 Speaker 1: well it's a little bit bigger than yours, not that 186 00:10:44,080 --> 00:10:48,319 Speaker 1: that's hard, and it's like, you bitch house shame her? Okay, 187 00:10:48,440 --> 00:10:52,679 Speaker 1: really quick, before I know we're okay. But who do 188 00:10:52,720 --> 00:10:59,040 Speaker 1: you of the four, who do you hate the most? Yeah? 189 00:10:59,160 --> 00:11:02,600 Speaker 1: But I also, I mean, normally I think I would 190 00:11:02,720 --> 00:11:07,880 Speaker 1: hate law that's the obvious answer, but it might be 191 00:11:07,960 --> 00:11:11,960 Speaker 1: Jack Black. I know I wouldn't have said this, but 192 00:11:12,080 --> 00:11:14,880 Speaker 1: this time he's Tea's cheating on his girlfriend and then 193 00:11:14,880 --> 00:11:18,000 Speaker 1: he's like, why did my girlfriend? He he catches his 194 00:11:18,000 --> 00:11:20,760 Speaker 1: girlfriend cheating on him while he's also cheating on his 195 00:11:20,840 --> 00:11:23,400 Speaker 1: girlfriend taking another woman out on a date, and then 196 00:11:23,440 --> 00:11:25,600 Speaker 1: goes home and he's like, sucks out down, I'm such 197 00:11:25,640 --> 00:11:28,920 Speaker 1: a nice guy, Like it's just experiating. It's okay. Sorry, 198 00:11:29,000 --> 00:11:31,800 Speaker 1: Well that and then Jack Black can't not just like 199 00:11:32,240 --> 00:11:35,000 Speaker 1: mug for he can't act. This is your problem with 200 00:11:35,080 --> 00:11:37,400 Speaker 1: Jack Black. Everyone loves about him, and I love it. 201 00:11:38,520 --> 00:11:41,560 Speaker 1: But because I love when he's mugging in this movie. 202 00:11:41,600 --> 00:11:44,760 Speaker 1: I love when he's every part every time. The only time. 203 00:11:44,840 --> 00:11:47,679 Speaker 1: The only reason they made him like a music supervisor 204 00:11:47,720 --> 00:11:49,840 Speaker 1: in this movie is so he could do his little 205 00:11:51,440 --> 00:11:53,320 Speaker 1: It was like, this is the most romantic scene he's 206 00:11:53,400 --> 00:11:58,400 Speaker 1: in and the entire movie, Jude Law is constantly panting, 207 00:11:59,040 --> 00:12:03,959 Speaker 1: just here's the thing, Howard and sweat. Fuck boy man. 208 00:12:04,760 --> 00:12:06,680 Speaker 1: You say that Jack Black is not a bad actor, 209 00:12:06,720 --> 00:12:09,920 Speaker 1: but I just have to point you to to the 210 00:12:10,080 --> 00:12:12,760 Speaker 1: to the line delivery. That is one of the funniest 211 00:12:12,760 --> 00:12:17,840 Speaker 1: things is is officially crazy weather. That scene makes me 212 00:12:17,920 --> 00:12:21,000 Speaker 1: laugh every fucking time. Do you know how it wasn't 213 00:12:21,040 --> 00:12:22,880 Speaker 1: that funny when I did it. It's because Jack Black 214 00:12:23,040 --> 00:12:25,760 Speaker 1: is just really he doesn't does this thing? Does this 215 00:12:25,840 --> 00:12:28,040 Speaker 1: space is so funny And I'm like, you know what, 216 00:12:28,160 --> 00:12:34,439 Speaker 1: it is crazy weather, And that's hilarious to point that out. 217 00:12:34,520 --> 00:12:37,360 Speaker 1: Some of Jack Black's linaries in this movie are baffling. 218 00:12:37,440 --> 00:12:39,760 Speaker 1: Where there's that scene. Okay, first of all, this movie 219 00:12:40,559 --> 00:12:43,800 Speaker 1: it's too long. It's so it's like two hours and 220 00:12:43,840 --> 00:12:46,240 Speaker 1: forty it's like a Lord of the Rings movie. I 221 00:12:46,320 --> 00:12:50,120 Speaker 1: forgot how long. And there's there's certain scenes that you're 222 00:12:50,160 --> 00:12:52,559 Speaker 1: just like, yeah, I'd lose that. What is that doing? Now? 223 00:12:52,679 --> 00:12:56,440 Speaker 1: The whole I Plant with the old man, it literally 224 00:12:56,480 --> 00:13:01,040 Speaker 1: there is absolutely no purpose for it. It's done so 225 00:13:01,120 --> 00:13:04,080 Speaker 1: much of the movie falling in love with that old man. Yeah, 226 00:13:04,160 --> 00:13:06,360 Speaker 1: it's so weird. Well, I guess he wants her to 227 00:13:06,760 --> 00:13:08,480 Speaker 1: have gumption. He needs to tell her to be a 228 00:13:08,480 --> 00:13:12,679 Speaker 1: strong woman. I don't know that's a thing, that whole being. 229 00:13:12,840 --> 00:13:15,120 Speaker 1: And then like all this weird old Hollywood. I'm like, 230 00:13:15,120 --> 00:13:18,800 Speaker 1: who is this for? It's very unnecessary. It was very weird. 231 00:13:18,840 --> 00:13:20,880 Speaker 1: So there's the old man. But there's one part where 232 00:13:21,520 --> 00:13:24,199 Speaker 1: I guess the plot needs to justify Jack Black constantly 233 00:13:24,400 --> 00:13:26,160 Speaker 1: hanging out with Kate Winslet in spite of the fact 234 00:13:26,200 --> 00:13:27,880 Speaker 1: that he like, just make him not have a girlfriend. 235 00:13:27,880 --> 00:13:30,840 Speaker 1: Write that up, that's easy. Whatever. But he comes over 236 00:13:31,160 --> 00:13:36,920 Speaker 1: because he's Cameron Diaz, his ex boyfriend's friend, colleague associate 237 00:13:38,200 --> 00:13:42,520 Speaker 1: Eddie Burns, Eddie Burns Eddie Burns, who delivers some choice 238 00:13:42,640 --> 00:13:46,040 Speaker 1: exposition in the beginning. He's just basically here, all yours 239 00:13:46,880 --> 00:13:52,720 Speaker 1: you can't be in relationship, and it says not. So 240 00:13:52,840 --> 00:13:55,640 Speaker 1: Jack Black comes over and she's like, sorry, this old 241 00:13:55,800 --> 00:13:59,000 Speaker 1: person I met wants to have a Hanagah dinner because 242 00:13:59,320 --> 00:14:03,200 Speaker 1: a last and I don't know unclear. So Jack Black 243 00:14:03,240 --> 00:14:06,239 Speaker 1: is like, yeah, I want to join in. It's like okay, 244 00:14:06,520 --> 00:14:09,560 Speaker 1: But then Jack Black joins the party and gives some 245 00:14:09,640 --> 00:14:12,080 Speaker 1: of the most insane. The way Jack Black talks to 246 00:14:12,160 --> 00:14:15,640 Speaker 1: old people in this movie is crazy, Like he talks 247 00:14:15,760 --> 00:14:20,000 Speaker 1: like he's like a wizard to old people, Like he's like, oh, 248 00:14:20,080 --> 00:14:23,680 Speaker 1: I'll be giving you a call to play par cheesy 249 00:14:24,440 --> 00:14:31,920 Speaker 1: like social social butterflies, condescending to the elderly. I loved it. 250 00:14:32,320 --> 00:14:34,800 Speaker 1: I mean that said. I loved it, and I love 251 00:14:35,000 --> 00:14:38,560 Speaker 1: Jack Black, and I'm a big Jack Black defender. His 252 00:14:38,640 --> 00:14:41,080 Speaker 1: character shouldn't have been chaned on his girlfriend though his 253 00:14:41,160 --> 00:14:43,600 Speaker 1: character is the first person you see on screen and 254 00:14:43,600 --> 00:14:47,200 Speaker 1: then he does, Okay, here's the thing. Not only that 255 00:14:47,240 --> 00:14:49,080 Speaker 1: he's like the first person you see, it's like I 256 00:14:49,120 --> 00:14:51,960 Speaker 1: feel like he doesn't actually come back until like forty 257 00:14:52,000 --> 00:14:57,160 Speaker 1: five minutes, like they really wait to actually dude. Law 258 00:14:57,200 --> 00:14:59,760 Speaker 1: doesn't show up for a long time too, which is like, yeah, 259 00:14:59,760 --> 00:15:02,640 Speaker 1: I guess it's about the two women, but like still 260 00:15:03,120 --> 00:15:06,360 Speaker 1: like Kate to the post Kate and you know, But honestly, 261 00:15:06,360 --> 00:15:09,320 Speaker 1: I feel like all of the Jack Black stuff happens fully, 262 00:15:09,400 --> 00:15:11,680 Speaker 1: like in the third act, like fully, it's it's like 263 00:15:12,280 --> 00:15:15,240 Speaker 1: remember the guy from the beginning who he's going he 264 00:15:15,240 --> 00:15:17,000 Speaker 1: said he looked like remember the guy who said looked 265 00:15:17,040 --> 00:15:19,160 Speaker 1: like shit at the beginning of the movie, we're gonna 266 00:15:19,160 --> 00:15:21,320 Speaker 1: bring him back now and now he's gonna be dating 267 00:15:21,400 --> 00:15:26,640 Speaker 1: Kate Winslett Like that's doesn't doesn't And I would argue 268 00:15:26,640 --> 00:15:29,240 Speaker 1: biggest problem with the film is that there's actually not 269 00:15:29,400 --> 00:15:32,480 Speaker 1: enough tack Black is what I would say. I'm on 270 00:15:32,520 --> 00:15:37,120 Speaker 1: board with that. I'm only unbalanced movie. I'm only not 271 00:15:37,200 --> 00:15:39,480 Speaker 1: super annoyed by him in this movie because he has 272 00:15:39,480 --> 00:15:42,040 Speaker 1: so little screen time. See, I would say, replaced all 273 00:15:42,080 --> 00:15:44,760 Speaker 1: the weird old man stuff with like Kate Winslett and 274 00:15:44,840 --> 00:15:51,040 Speaker 1: Jack Black doing something because or her just randized what 275 00:15:51,080 --> 00:15:54,720 Speaker 1: were you doing? Or just like pursuing a personal endeavor 276 00:15:54,760 --> 00:15:57,200 Speaker 1: of hers or like I mean, we'll get into this, 277 00:15:57,200 --> 00:16:00,240 Speaker 1: but like the two storylines of Cameron diez Is during 278 00:16:00,320 --> 00:16:03,080 Speaker 1: Kate Win's, that's character are just like how their lives 279 00:16:03,080 --> 00:16:05,400 Speaker 1: are framed around the men that they know and or 280 00:16:05,440 --> 00:16:07,000 Speaker 1: are trying to get over, or the new men that 281 00:16:07,040 --> 00:16:10,040 Speaker 1: they're getting involved with. It's just like what about any 282 00:16:10,040 --> 00:16:12,640 Speaker 1: other part of your life? Oh no, I mean in 283 00:16:12,680 --> 00:16:15,720 Speaker 1: the in the beginning Kate Win's, it's like real upset 284 00:16:15,800 --> 00:16:20,240 Speaker 1: because Jasper right, Jasper her like love boy who is 285 00:16:20,280 --> 00:16:24,080 Speaker 1: now getting engaged. I forgot about this until I rewatched 286 00:16:24,080 --> 00:16:27,760 Speaker 1: it recently. She's so devastated and she's like crying like 287 00:16:27,840 --> 00:16:32,880 Speaker 1: a child. Um and there's like a casual like suicide 288 00:16:32,880 --> 00:16:36,640 Speaker 1: attack joke. I guess like not even she she she 289 00:16:36,760 --> 00:16:38,800 Speaker 1: like turns the gas on and she like almost to 290 00:16:38,880 --> 00:16:41,800 Speaker 1: breathe it. She almost fully plaths out. And you're just like, 291 00:16:41,960 --> 00:16:45,000 Speaker 1: what's in the first like ten minutes of the guy, 292 00:16:45,080 --> 00:16:48,920 Speaker 1: because she goes from sobbing is so much? This is 293 00:16:49,040 --> 00:16:51,320 Speaker 1: so much. I have a hundred pages of notes for this, 294 00:16:52,400 --> 00:16:53,600 Speaker 1: and we're not going to be able to get to 295 00:16:53,640 --> 00:16:55,880 Speaker 1: at all. There was Paul Read in this movie for 296 00:16:55,880 --> 00:16:59,360 Speaker 1: like two seconds, no, not thinking of John John Zinski. 297 00:16:59,600 --> 00:17:03,560 Speaker 1: And I noticed John because I thought I saw Paul. 298 00:17:03,640 --> 00:17:06,159 Speaker 1: I thought like Paul Red had to be an. I 299 00:17:06,200 --> 00:17:08,520 Speaker 1: thought he had to be in every movie between two thousand. 300 00:17:12,240 --> 00:17:13,960 Speaker 1: I thought I saw him. Maybe I didn't. I don't 301 00:17:14,000 --> 00:17:16,240 Speaker 1: think so. Yeah, I guess he would have made himself known, right, 302 00:17:16,320 --> 00:17:18,919 Speaker 1: he's the famous. But just to go so to go 303 00:17:19,000 --> 00:17:22,399 Speaker 1: over the story super quickly, So Cameron Diaz, whose character's 304 00:17:22,440 --> 00:17:26,000 Speaker 1: name is Amanda, and Kate Winslet, whose character's name is Iris. 305 00:17:26,080 --> 00:17:28,679 Speaker 1: They switch houses because they've both been like, oh, I 306 00:17:28,720 --> 00:17:30,159 Speaker 1: found out the guy who was in love with just 307 00:17:30,200 --> 00:17:34,359 Speaker 1: gone engaged, or oh my living boyfriend Ed Burns is 308 00:17:34,440 --> 00:17:37,639 Speaker 1: cheating on me. The Christmas holidays coming up, and they're like, 309 00:17:37,680 --> 00:17:40,080 Speaker 1: what if I just get away from it all? So 310 00:17:40,160 --> 00:17:44,640 Speaker 1: they decide to switch houses on the Internetois for a movie, Yes, 311 00:17:44,720 --> 00:17:47,560 Speaker 1: but I would argue that it makes no sense for 312 00:17:47,600 --> 00:17:50,239 Speaker 1: it to be set at Christmas time. In fact that 313 00:17:50,520 --> 00:17:52,920 Speaker 1: I feel like it was like they not have families 314 00:17:53,000 --> 00:17:56,320 Speaker 1: at all, that was that something that never comes out. 315 00:17:56,840 --> 00:17:58,960 Speaker 1: And then also Kate Win's let we find out later 316 00:17:59,000 --> 00:18:02,040 Speaker 1: in a weird twist, has two adorable nieces that she 317 00:18:02,560 --> 00:18:06,600 Speaker 1: does and totally fails on. And they don't have a mom. 318 00:18:06,720 --> 00:18:08,800 Speaker 1: This is like like one of their first Christmas is 319 00:18:08,800 --> 00:18:11,560 Speaker 1: without a mom. She's like, actually, I'm really bummed out. 320 00:18:12,640 --> 00:18:14,879 Speaker 1: Got to get out of here. Kind of selfish guys. 321 00:18:15,440 --> 00:18:17,639 Speaker 1: I have a theory that the first draft of this 322 00:18:17,760 --> 00:18:20,280 Speaker 1: script was not set at Christmas time, but then they 323 00:18:20,280 --> 00:18:22,399 Speaker 1: got like a studio note, They're like, let's make it 324 00:18:22,440 --> 00:18:25,720 Speaker 1: a Christmas movie because at no point do they celebrate 325 00:18:25,880 --> 00:18:29,879 Speaker 1: Christmas or and most of Christmas and a bunch of 326 00:18:29,920 --> 00:18:31,639 Speaker 1: things happen. Then it makes no sense for it to 327 00:18:31,640 --> 00:18:34,240 Speaker 1: be said at Christmas time, like the w G a 328 00:18:34,560 --> 00:18:37,639 Speaker 1: tribute to Arthur and his career. They're like, yeah, this 329 00:18:37,720 --> 00:18:40,159 Speaker 1: is on Christmas Day. Why did w G A a 330 00:18:40,240 --> 00:18:43,199 Speaker 1: major plot point in this movie? I don't get it 331 00:18:43,280 --> 00:18:45,800 Speaker 1: there the whole I totally for I haven't seen this movie, 332 00:18:45,840 --> 00:18:49,000 Speaker 1: and I think two years before last night and I 333 00:18:49,080 --> 00:18:52,359 Speaker 1: completely forgot the old Man. I was like, oh yeah, 334 00:18:52,520 --> 00:18:54,720 Speaker 1: and then you're like, but wait, this movie, this part 335 00:18:54,720 --> 00:18:57,280 Speaker 1: takes up forty five minutes. Why you know what it is? 336 00:18:57,280 --> 00:18:59,600 Speaker 1: It's because this movie is I'm actually a movie for 337 00:18:59,720 --> 00:19:03,720 Speaker 1: like a fans of cinema. You know. It's a love 338 00:19:03,800 --> 00:19:07,040 Speaker 1: letter to to writing. It's a love letter to writing. 339 00:19:07,080 --> 00:19:12,040 Speaker 1: And it's a screenwriter's film. It's a director's film. Up like, 340 00:19:12,160 --> 00:19:14,840 Speaker 1: we can't for a movie that talks about screenwriting a 341 00:19:14,840 --> 00:19:20,040 Speaker 1: lot um not great writing. And I feel bad for 342 00:19:20,080 --> 00:19:22,080 Speaker 1: hating this movie so much because it was written and 343 00:19:22,119 --> 00:19:26,760 Speaker 1: directed by a woman. Nancy You know what she's hands this. 344 00:19:27,359 --> 00:19:29,960 Speaker 1: She did bad. She did a bad job. I think, Okay, 345 00:19:30,080 --> 00:19:34,720 Speaker 1: so Nancy Myers film. Uh, there's there's a lot. There's 346 00:19:34,760 --> 00:19:38,480 Speaker 1: one of my faves parents Trap ninety eight, Dennis Quade 347 00:19:38,520 --> 00:19:43,879 Speaker 1: wet Something's got to give. I have not seen that 348 00:19:43,960 --> 00:19:48,760 Speaker 1: what women want with mel Gibson. Uh where mel Gibson 349 00:19:49,400 --> 00:19:55,160 Speaker 1: reads women's mind the Honday, it's complicated the intern like, 350 00:19:55,359 --> 00:20:00,199 Speaker 1: it's good that she has a job. However, we the 351 00:20:00,280 --> 00:20:04,280 Speaker 1: exception of parent trap. What maybe her body of work 352 00:20:04,320 --> 00:20:07,320 Speaker 1: isn't very good? Listen. I think it's the ultimate feminism 353 00:20:07,320 --> 00:20:12,359 Speaker 1: to be able to declare another woman mediocre. It's haven't 354 00:20:12,359 --> 00:20:14,240 Speaker 1: we achieved a quality where we can be like, you 355 00:20:14,280 --> 00:20:16,480 Speaker 1: know what, I don't care for it if you're gonna 356 00:20:16,520 --> 00:20:20,280 Speaker 1: have to censor your opinions about Nancy, for feminism is 357 00:20:20,280 --> 00:20:27,399 Speaker 1: a feminism? No, I don't right exactly? You know what, Nancy, 358 00:20:27,480 --> 00:20:30,760 Speaker 1: she's a great jobs. I've seen this movie more than 359 00:20:30,880 --> 00:20:34,199 Speaker 1: most movies in my life this many times. I do 360 00:20:34,480 --> 00:20:36,399 Speaker 1: genuinely like, I don't. I don't know if I can 361 00:20:36,400 --> 00:20:41,280 Speaker 1: say I like the Holiday after this viewing, but I 362 00:20:41,280 --> 00:20:44,119 Speaker 1: think I still like, like, I know, I'll watch it again. 363 00:20:44,600 --> 00:20:46,560 Speaker 1: I don't know what that says about me, trying to think, like, 364 00:20:46,600 --> 00:20:50,240 Speaker 1: what else plot wise is it? So? Um Irish lives 365 00:20:50,359 --> 00:20:57,600 Speaker 1: in Surrey and um Amanda lives in l A. And 366 00:20:57,640 --> 00:21:00,399 Speaker 1: they decided to switch houses. So at a moment notice, 367 00:21:00,440 --> 00:21:03,920 Speaker 1: because even though it's you know, five days before Christmas, 368 00:21:04,200 --> 00:21:07,840 Speaker 1: tickets would have been thousands of dollars. They both seem 369 00:21:07,880 --> 00:21:11,080 Speaker 1: to have limitless means, it seems to yeah, and Kate 370 00:21:11,080 --> 00:21:16,160 Speaker 1: Winslet as a wedding writer, it's just like, yeah, cool, sure, 371 00:21:16,520 --> 00:21:20,199 Speaker 1: you're a millionaire. So it doesn't make any sense. So 372 00:21:20,240 --> 00:21:24,280 Speaker 1: they switch houses to escape from the love situations that 373 00:21:24,560 --> 00:21:27,560 Speaker 1: are plaguing them, the romantic entanglements that they want to 374 00:21:27,600 --> 00:21:29,680 Speaker 1: get away from it, and Cameron Diaz really spells it out. 375 00:21:29,720 --> 00:21:31,920 Speaker 1: She says, I have to ask is there any men 376 00:21:31,960 --> 00:21:36,760 Speaker 1: in your town? And then Kate ties back zero, you know, 377 00:21:37,080 --> 00:21:40,080 Speaker 1: because she actually lives on Famous Gara, the island at 378 00:21:40,080 --> 00:21:42,280 Speaker 1: the beginning of Wonder Woman where it's just a bunch 379 00:21:42,280 --> 00:21:45,600 Speaker 1: of Amazon women and no men. So that's a fun 380 00:21:45,720 --> 00:21:49,040 Speaker 1: plot twist that none of us stopped coming. But okay, 381 00:21:49,040 --> 00:21:52,760 Speaker 1: so Amanda shows up in England and she's like there 382 00:21:52,800 --> 00:21:54,960 Speaker 1: for a while, and then she's like, oh, I'm bored, 383 00:21:55,040 --> 00:21:59,399 Speaker 1: a better drink some wine. And then who comes knocking? Women? Wine? 384 00:22:00,760 --> 00:22:04,480 Speaker 1: Who comes knocking at her door? But Jude law Iris's 385 00:22:04,800 --> 00:22:09,639 Speaker 1: hot brother, and he's like, oh wow, oh that's exactly 386 00:22:09,680 --> 00:22:14,800 Speaker 1: when he comes. And then one thing leads to another 387 00:22:14,920 --> 00:22:17,720 Speaker 1: in the five minutes that they interact and then suddenly 388 00:22:17,840 --> 00:22:22,040 Speaker 1: they have sex. Meanwhile, Iris is in l a and 389 00:22:22,080 --> 00:22:24,600 Speaker 1: then she befriends an old man and then kind of 390 00:22:24,720 --> 00:22:28,679 Speaker 1: dates Jack Black. That's pretty much so were like. And 391 00:22:28,720 --> 00:22:31,239 Speaker 1: then the last scene of the movie they all go 392 00:22:31,320 --> 00:22:35,600 Speaker 1: back to Sorry for New Year's makes zero sense to me. 393 00:22:35,760 --> 00:22:38,199 Speaker 1: The last did I never thought about it before this 394 00:22:38,280 --> 00:22:43,639 Speaker 1: viewing of like what an uncomfortable Okay, Karen Diaz and 395 00:22:43,960 --> 00:22:49,320 Speaker 1: Jude Law, who is Caitlinslet's brother, and then Cameron Diaz 396 00:22:49,440 --> 00:22:57,000 Speaker 1: is ex boyfriend's friend slash associate slash associate Lourescent World 397 00:22:57,359 --> 00:22:59,040 Speaker 1: to be at a New York party. And also there's 398 00:22:59,080 --> 00:23:01,600 Speaker 1: child I hate that there's children involved. I'm bad for 399 00:23:01,640 --> 00:23:04,480 Speaker 1: all the kids, Okay, I just all I have is questions. 400 00:23:04,920 --> 00:23:08,320 Speaker 1: Jude Law leaves his children on Christmas Eve to Cameron Diaz. 401 00:23:08,400 --> 00:23:15,160 Speaker 1: Y yeah, who appreciates. I mean, though he does say 402 00:23:15,200 --> 00:23:17,240 Speaker 1: I am daddy in this film, which shout out fran 403 00:23:17,320 --> 00:23:19,360 Speaker 1: Hoffner for really pointing that out and making that an 404 00:23:19,359 --> 00:23:29,480 Speaker 1: Internet moment um I am um. Is he a good daddy? Well? 405 00:23:29,680 --> 00:23:31,320 Speaker 1: I don't know. I mean he's going through a ship. 406 00:23:32,000 --> 00:23:36,679 Speaker 1: His wife Don died but like a year ago and 407 00:23:36,720 --> 00:23:39,760 Speaker 1: he seems to be stealing away to fun random women. 408 00:23:40,080 --> 00:23:43,680 Speaker 1: Yeah all the time, he says. He's like, oh, when 409 00:23:43,720 --> 00:23:46,639 Speaker 1: I find myself at the local pub all drunk and 410 00:23:46,720 --> 00:23:49,760 Speaker 1: like not able to get crash on my sister's, it's 411 00:23:49,800 --> 00:23:53,000 Speaker 1: like this is very sad. Yeah, this is okay, Okay, 412 00:23:53,040 --> 00:23:56,840 Speaker 1: here's a scene to hone in on every scene with 413 00:23:56,880 --> 00:24:00,440 Speaker 1: Cameron Diaz and Jude Law and bananas. I just say 414 00:24:00,440 --> 00:24:02,560 Speaker 1: one thing about Cameron Diaz right now, like I think 415 00:24:02,560 --> 00:24:05,200 Speaker 1: we just do need to say it, is that, Wow, 416 00:24:05,240 --> 00:24:10,040 Speaker 1: what's happening? Um? She is like overacting is an understanding. 417 00:24:10,080 --> 00:24:13,760 Speaker 1: She kind of is like a high schooler and a 418 00:24:13,800 --> 00:24:19,399 Speaker 1: place she's like nod on senior year. It's wild, gunning 419 00:24:19,440 --> 00:24:24,000 Speaker 1: for an award. Yeah, like not charming. It's like it's irritating. 420 00:24:24,040 --> 00:24:27,240 Speaker 1: It so annoying. It's a lot, and it's god the 421 00:24:27,800 --> 00:24:31,600 Speaker 1: and Kate wins pushing it with the whole jet. But 422 00:24:31,640 --> 00:24:34,520 Speaker 1: you can tell that wasn't her idea. Like the way 423 00:24:34,520 --> 00:24:36,080 Speaker 1: that I look at it is that like Cameron Diaz 424 00:24:36,160 --> 00:24:38,840 Speaker 1: is like trying to act. Kate One's is just having fun, 425 00:24:39,280 --> 00:24:42,399 Speaker 1: you know, like you know I would love you know, 426 00:24:42,680 --> 00:24:44,840 Speaker 1: her kids need to go to college or whatever. Cameron 427 00:24:44,880 --> 00:24:46,880 Speaker 1: Diaz seems to be the only person in this movie 428 00:24:46,920 --> 00:24:50,840 Speaker 1: who's taking the movie weirdly serious, Like she's like, this 429 00:24:50,920 --> 00:24:53,000 Speaker 1: is a big role. Well, this is her like Wheelhouse, 430 00:24:53,040 --> 00:24:55,119 Speaker 1: this is the type of role she always gets cast in, 431 00:24:55,280 --> 00:24:59,040 Speaker 1: and she's living it up. She literally like there's like 432 00:24:59,119 --> 00:25:02,240 Speaker 1: another an explicable minute long scene of like why is 433 00:25:02,280 --> 00:25:05,359 Speaker 1: it here where Cameron Diaz drunkenly faces off with a 434 00:25:05,480 --> 00:25:08,520 Speaker 1: dog and they do like I wrote that down because 435 00:25:08,560 --> 00:25:12,280 Speaker 1: you know what, that dog is an act better than 436 00:25:12,359 --> 00:25:16,520 Speaker 1: Cameron Diaz. No, I literally wrote that downing dog acting. 437 00:25:17,040 --> 00:25:19,119 Speaker 1: But just since you brought up Jet, should we talk 438 00:25:19,160 --> 00:25:22,280 Speaker 1: about how she jams out to the Killers, Mr Bryan, 439 00:25:23,160 --> 00:25:26,880 Speaker 1: Mr Bride, Yeah, there's oh god, it is the mid 440 00:25:26,920 --> 00:25:29,199 Speaker 1: odds in this movie. And that's another thing that's like 441 00:25:29,240 --> 00:25:30,680 Speaker 1: one of the like I mentioned, one of those things 442 00:25:30,720 --> 00:25:32,520 Speaker 1: that's in my brain forever is the way that she 443 00:25:32,560 --> 00:25:36,920 Speaker 1: sings along to smoking or what are on your Oh 444 00:25:38,280 --> 00:25:42,120 Speaker 1: it's just like yeah, the like is this a joke 445 00:25:42,200 --> 00:25:45,200 Speaker 1: to you? Like why are you? And I God, I 446 00:25:45,240 --> 00:25:48,280 Speaker 1: can just picture like Cameron Diaz going up to nanthy 447 00:25:48,280 --> 00:25:52,479 Speaker 1: Myers and be like I'm gonna try something and she's like, 448 00:25:52,760 --> 00:25:56,520 Speaker 1: go for a cam and them Kim does that fucking 449 00:25:56,600 --> 00:25:59,359 Speaker 1: thing and she's like, cut love it. This movie is 450 00:25:59,520 --> 00:26:02,440 Speaker 1: six hours long, so we have to keep moving. Oh 451 00:26:02,440 --> 00:26:05,440 Speaker 1: my god, I also forgot these women talk to themselves. 452 00:26:05,800 --> 00:26:08,840 Speaker 1: So in this movie, yeah, I mean, and we're coming 453 00:26:08,840 --> 00:26:10,920 Speaker 1: off a die Hard episode and it was a lot 454 00:26:10,920 --> 00:26:16,520 Speaker 1: compared to die Hard. Kevin Diaz is a monologue. She's God, 455 00:26:16,920 --> 00:26:20,879 Speaker 1: there's so there's so much. There's the first scene in 456 00:26:20,880 --> 00:26:23,560 Speaker 1: this movie which does at one point pass the mental 457 00:26:23,640 --> 00:26:29,240 Speaker 1: test Kate Winslet, where she's just sulking around this Christmas party. 458 00:26:29,720 --> 00:26:32,119 Speaker 1: We learn about Jasper, who's her boss that she's in 459 00:26:32,359 --> 00:26:36,240 Speaker 1: love with, and he comes over and he's like, you're hot, 460 00:26:36,440 --> 00:26:40,600 Speaker 1: and she's like, yeah, I got you a present, and 461 00:26:40,640 --> 00:26:44,040 Speaker 1: then she goes out. She goes she goes out, and 462 00:26:44,040 --> 00:26:46,960 Speaker 1: then like immediately finds out that not only is he 463 00:26:47,000 --> 00:26:49,480 Speaker 1: getting married, but she has to write about it for 464 00:26:49,560 --> 00:26:52,360 Speaker 1: some reason. But they have an exchange in there where 465 00:26:52,359 --> 00:26:55,199 Speaker 1: it's just Kate Winslett and Jasper. We don't need to 466 00:26:55,200 --> 00:26:58,120 Speaker 1: refer to the main for actors by anything other than 467 00:26:58,560 --> 00:27:01,760 Speaker 1: the yeah are so Kate wins and Jasper are talking 468 00:27:01,760 --> 00:27:04,840 Speaker 1: in the room and the Vegas. It's a great vague 469 00:27:04,840 --> 00:27:08,320 Speaker 1: business conversation where she's like, you've got a new thing, 470 00:27:08,440 --> 00:27:11,480 Speaker 1: you got promoted, and he was like, yeah, well it 471 00:27:11,520 --> 00:27:13,359 Speaker 1: took a lot of work, but couldn't have done it 472 00:27:13,359 --> 00:27:16,920 Speaker 1: without the work of you as well, and she's like excellent. 473 00:27:18,080 --> 00:27:20,359 Speaker 1: It's like where do they work? What is happening? This 474 00:27:20,440 --> 00:27:23,280 Speaker 1: could be anything. We later found out that she and 475 00:27:23,320 --> 00:27:28,840 Speaker 1: her brother both work in publishing. Publishing a very lucrative 476 00:27:28,960 --> 00:27:33,600 Speaker 1: business because print is alive. And well, here's the thing 477 00:27:33,800 --> 00:27:35,640 Speaker 1: I want to say about Kate Winslett right now, though, 478 00:27:35,680 --> 00:27:37,960 Speaker 1: is that it's like the same girl though throughout the 479 00:27:38,119 --> 00:27:41,359 Speaker 1: entire movie. I'm like, yeah, I get it, Like I've 480 00:27:41,359 --> 00:27:44,680 Speaker 1: had a Jasper and there's yeah, there's there's a line 481 00:27:44,720 --> 00:27:47,280 Speaker 1: where he goes like like you're must survival kit and 482 00:27:47,320 --> 00:27:50,400 Speaker 1: I'm like, oh, like that hurt me because I'm like, wow, same, 483 00:27:50,480 --> 00:27:53,520 Speaker 1: that's been there, There's been there, done that. I've had 484 00:27:53,520 --> 00:27:56,600 Speaker 1: a jasper who has not been as hot as this 485 00:27:56,680 --> 00:27:59,760 Speaker 1: actual jasper. Excellent casting though, of like he can't be 486 00:27:59,840 --> 00:28:01,520 Speaker 1: as hot as Jewed Law, but he's got to be 487 00:28:01,560 --> 00:28:04,320 Speaker 1: close and he's got to look a little evil. Yeah, 488 00:28:04,359 --> 00:28:06,800 Speaker 1: with like the same piercing blue eyes, but just like 489 00:28:06,920 --> 00:28:10,639 Speaker 1: a little bit maybe he's like not totally symmetrical. We 490 00:28:10,640 --> 00:28:12,600 Speaker 1: don't know, there's a little weird thing going on there, 491 00:28:12,800 --> 00:28:15,479 Speaker 1: but there there there was one point where I because 492 00:28:16,640 --> 00:28:19,200 Speaker 1: is also a horrible character, but there was one point 493 00:28:19,240 --> 00:28:22,560 Speaker 1: where he sends her his manuscript because he knows she's 494 00:28:22,600 --> 00:28:24,560 Speaker 1: so good at her job that that's why he keeps 495 00:28:24,560 --> 00:28:29,120 Speaker 1: her around, because he needs her professionally. And that was like, well, 496 00:28:30,040 --> 00:28:34,280 Speaker 1: and then I drowned myself in a river. All right, Well, okay, 497 00:28:34,320 --> 00:28:37,560 Speaker 1: so I'm just gonna try to jump in here where 498 00:28:37,920 --> 00:28:42,800 Speaker 1: the Okay, So if you just boiled down the plot 499 00:28:43,160 --> 00:28:46,719 Speaker 1: of the movie, it's about two women who need to 500 00:28:47,520 --> 00:28:52,800 Speaker 1: escape the problematic men in their lives, so they switch places. 501 00:28:53,200 --> 00:28:56,000 Speaker 1: But there would be an opportunity, you think, for a 502 00:28:56,120 --> 00:28:58,400 Speaker 1: story that would be about like they're sort of self 503 00:28:58,440 --> 00:29:02,800 Speaker 1: discovery and hey, maybe let's pursue something in my career 504 00:29:03,520 --> 00:29:05,640 Speaker 1: while I'm away, or maybe I'll like try to write 505 00:29:05,680 --> 00:29:08,600 Speaker 1: a book, or maybe I'll try to make a friend 506 00:29:09,160 --> 00:29:11,520 Speaker 1: or something like that. But both of their stories just 507 00:29:11,600 --> 00:29:14,760 Speaker 1: revolve around other men. So they leave one man just 508 00:29:14,800 --> 00:29:18,520 Speaker 1: to jump to another one. Because camer Diaz is like, oh, actually, 509 00:29:18,800 --> 00:29:21,400 Speaker 1: Ed Burns not the guy for me, but Jude Law 510 00:29:22,000 --> 00:29:25,239 Speaker 1: the guy for me. I were I'm gonnakinly shows up 511 00:29:25,240 --> 00:29:29,360 Speaker 1: in my house, could be fucking anyone, and also doesn't 512 00:29:29,360 --> 00:29:32,880 Speaker 1: appear drunk that entire like he's he's imagine a man 513 00:29:32,920 --> 00:29:36,360 Speaker 1: bagger and a little little little slur, but drops it 514 00:29:36,440 --> 00:29:39,080 Speaker 1: pretty clearly. And then it's like, so where do you work? 515 00:29:39,400 --> 00:29:43,760 Speaker 1: You're just like this man isn't drunk. A little tiny thing. 516 00:29:43,840 --> 00:29:46,800 Speaker 1: You said, books and this was reminded me. Okay, on 517 00:29:46,840 --> 00:29:51,000 Speaker 1: the plane when she's going to the cottage, so many books. 518 00:29:51,520 --> 00:29:54,640 Speaker 1: She has a stack of like seven books, the Kite Runners. There, 519 00:29:54,720 --> 00:29:57,440 Speaker 1: there's Harry Potter, what's your plan? What's your plan? You're 520 00:29:57,440 --> 00:29:59,360 Speaker 1: gonna read all these fucking books. You're not gonna read 521 00:29:59,360 --> 00:30:01,640 Speaker 1: all these fucking book No way, not on this flight, 522 00:30:01,840 --> 00:30:04,719 Speaker 1: not during this trip. I do that sometimes though I'm like, 523 00:30:04,840 --> 00:30:06,880 Speaker 1: wouldn't it be wouldn't it be nice if I did? 524 00:30:07,040 --> 00:30:09,080 Speaker 1: If I managed? And then you just end up making 525 00:30:09,120 --> 00:30:14,480 Speaker 1: your home vacation very heavy and you read nothing. So 526 00:30:15,120 --> 00:30:17,560 Speaker 1: Cameron did is his character is just like, oh but 527 00:30:17,680 --> 00:30:20,360 Speaker 1: Jude Law, and he suddenly falls in love with me 528 00:30:20,400 --> 00:30:22,240 Speaker 1: even though we've only known each other for a week 529 00:30:22,280 --> 00:30:26,480 Speaker 1: and they're like, he's emotional and she needs to open 530 00:30:26,600 --> 00:30:28,480 Speaker 1: up and learn how to cry because her whole thing 531 00:30:28,520 --> 00:30:30,760 Speaker 1: is that she hasn't cried since she was fifteen. Fun, 532 00:30:30,920 --> 00:30:34,880 Speaker 1: fun and not to say and not to like shame. 533 00:30:34,960 --> 00:30:37,200 Speaker 1: You know, everyone has their life difficulties. Been like I 534 00:30:37,240 --> 00:30:40,720 Speaker 1: can't cry, but literally, but it's like, okay, your parents 535 00:30:40,720 --> 00:30:48,040 Speaker 1: got divorced. We're self aucking. Sorry everyone's parents got divorced. Cool, Like, literally, yeah, 536 00:30:48,160 --> 00:30:51,400 Speaker 1: I can't cry. I haven't cried in twenty years because 537 00:30:51,440 --> 00:30:54,080 Speaker 1: my parents got I'm sorry. I can't do Cameron Diaz 538 00:30:54,120 --> 00:30:57,800 Speaker 1: and pressure. I'm not shrill. I can't do it. But 539 00:30:57,840 --> 00:30:59,880 Speaker 1: she is just like I am in Kyenne twenty or 540 00:31:00,040 --> 00:31:03,239 Speaker 1: being it. I'm my There was a student case and 541 00:31:03,280 --> 00:31:06,840 Speaker 1: I was just like, shut up, you, I wish her unhappiness. 542 00:31:06,920 --> 00:31:09,400 Speaker 1: I love I love after her in um June law 543 00:31:09,560 --> 00:31:12,680 Speaker 1: Bone and she's like, honestly, my life is a bit 544 00:31:12,720 --> 00:31:15,400 Speaker 1: of a mess in that department too, you know, don't 545 00:31:15,440 --> 00:31:17,840 Speaker 1: worry about it like it's all cool. And he's all 546 00:31:17,840 --> 00:31:19,800 Speaker 1: like WHOA, Okay, like I guess you're not. And she's like, no, 547 00:31:19,880 --> 00:31:22,600 Speaker 1: I'm not going to fall in love with you blah blah. 548 00:31:22,960 --> 00:31:25,600 Speaker 1: Dude does one of my favorite things in the entire 549 00:31:26,120 --> 00:31:29,520 Speaker 1: thing A film that I like to tell people sometimes 550 00:31:29,680 --> 00:31:31,800 Speaker 1: if I feel comfortable enough for them. One of the 551 00:31:31,800 --> 00:31:34,280 Speaker 1: first things he appears and he's like, don't fall in 552 00:31:34,280 --> 00:31:37,880 Speaker 1: love with I love that so much, and then he 553 00:31:38,120 --> 00:31:40,440 Speaker 1: called back to it later it's like, I know I 554 00:31:40,520 --> 00:31:42,040 Speaker 1: told you not to fall in love with me, but 555 00:31:42,080 --> 00:31:44,440 Speaker 1: now somehow I have fallen in love with you, and 556 00:31:44,480 --> 00:31:47,320 Speaker 1: you're just like this that world okay. Also, he keeps 557 00:31:47,360 --> 00:31:49,920 Speaker 1: calling her like he's like, he's like really one of 558 00:31:49,960 --> 00:31:53,920 Speaker 1: the most interesting women girls, saying not like the other girls, 559 00:31:53,960 --> 00:31:57,960 Speaker 1: just saying like, also is she she's so, She's so 560 00:31:58,040 --> 00:32:01,760 Speaker 1: not she's so faking more. The one moment I connected 561 00:32:01,800 --> 00:32:04,760 Speaker 1: with Cameron Diaz's character and I actually felt for her 562 00:32:04,840 --> 00:32:06,680 Speaker 1: a little bit. I feel I feel like I know 563 00:32:06,720 --> 00:32:09,160 Speaker 1: what it's going to was when she and Judel are 564 00:32:09,160 --> 00:32:10,840 Speaker 1: about to have sex for the first time, and she 565 00:32:10,960 --> 00:32:13,120 Speaker 1: says that she's like, just you know, I don't know 566 00:32:13,160 --> 00:32:16,360 Speaker 1: if I'm good at and that like I have one 567 00:32:17,600 --> 00:32:21,320 Speaker 1: done that before, like disclaimed myself before having a second 568 00:32:21,880 --> 00:32:25,479 Speaker 1: just so you know. I have these weird wiry nipple 569 00:32:25,600 --> 00:32:28,920 Speaker 1: hairs that I haven't taken care of and I don't 570 00:32:28,960 --> 00:32:31,200 Speaker 1: know it's been pointed out to me before. And if 571 00:32:31,240 --> 00:32:33,200 Speaker 1: you've got a problem with it, I mean, we couldn't 572 00:32:33,240 --> 00:32:35,920 Speaker 1: hang out another day, alright. So and I was like 573 00:32:36,000 --> 00:32:38,360 Speaker 1: in that moment, I was like, I'm Cameron Diaz and 574 00:32:38,400 --> 00:32:40,840 Speaker 1: I don't like it, but which I'm I don't know. 575 00:32:40,920 --> 00:32:43,160 Speaker 1: That was a nice character moment. No, I I like 576 00:32:43,320 --> 00:32:45,360 Speaker 1: that too. Of course, later he's like, by the way, 577 00:32:45,720 --> 00:32:50,560 Speaker 1: you know, i'd say he's mistaken. Also, his contacts are 578 00:32:50,720 --> 00:32:53,480 Speaker 1: knocked out of his eyes during the sex. That's the 579 00:32:53,480 --> 00:32:56,480 Speaker 1: thing that he does. It's literally, it's it's only it's 580 00:32:56,520 --> 00:32:58,920 Speaker 1: only so they could put him in cute, cute glasses. 581 00:32:59,280 --> 00:33:01,920 Speaker 1: You know. He's like, my context fell out. You know, 582 00:33:01,920 --> 00:33:04,760 Speaker 1: I'm like, well that hot, my context fail or she 583 00:33:04,960 --> 00:33:08,000 Speaker 1: is actually like really just doing some crazy stuff and 584 00:33:08,640 --> 00:33:14,760 Speaker 1: maybe she thinks she's bad. Maybe she's just like, oh 585 00:33:14,760 --> 00:33:17,000 Speaker 1: my god, but he does wait, wait, that doesn't mind 586 00:33:17,000 --> 00:33:23,200 Speaker 1: me of when give me your eyeball? Sorry you don't know, 587 00:33:23,240 --> 00:33:24,840 Speaker 1: but do you remember when they're sitting, when they're on 588 00:33:24,880 --> 00:33:27,000 Speaker 1: the couch and they're about to do it, and he 589 00:33:27,120 --> 00:33:30,640 Speaker 1: kisses her eyelids and he pulls her hair back. Here's 590 00:33:30,680 --> 00:33:33,240 Speaker 1: the thing. I feel like those are very nice intimate moves. 591 00:33:33,440 --> 00:33:35,800 Speaker 1: That's not like we're drunk and we're strangers and we're 592 00:33:35,800 --> 00:33:38,520 Speaker 1: going to fuck you know who just met like literally 593 00:33:38,520 --> 00:33:41,760 Speaker 1: ten minutes before. And then he's just like delicately kissing 594 00:33:41,760 --> 00:33:44,440 Speaker 1: her eyelids. I'm like, oh my god, literally what wait. 595 00:33:44,560 --> 00:33:46,400 Speaker 1: I want to talk more about this scene because I 596 00:33:46,440 --> 00:33:49,080 Speaker 1: would argue that there is a surprise kiss. It's not 597 00:33:49,120 --> 00:33:51,200 Speaker 1: the type of surprise kiss we usually see. It's not 598 00:33:51,280 --> 00:33:54,400 Speaker 1: just like a lunge. But okay, here's what happens. So 599 00:33:54,960 --> 00:33:58,840 Speaker 1: he's at Iris's house where Cameron Diaz is staying. They 600 00:33:58,920 --> 00:34:00,640 Speaker 1: chat for a couple of minutes, like kind of get 601 00:34:00,680 --> 00:34:03,280 Speaker 1: to know who they are. She's like, I just broke 602 00:34:03,360 --> 00:34:05,040 Speaker 1: up with some and I'm here and I'm all out 603 00:34:05,040 --> 00:34:07,760 Speaker 1: of sorts. And then he's like, all right, I'm just 604 00:34:07,760 --> 00:34:10,640 Speaker 1: gonna crash on the couch. She doesn't get some blankets 605 00:34:10,760 --> 00:34:12,840 Speaker 1: and says good night, and then he leans in and 606 00:34:12,960 --> 00:34:16,000 Speaker 1: kisses her out of nowhere. Ye, Which, here's the thing 607 00:34:16,040 --> 00:34:18,480 Speaker 1: that's weird about that. I mean, there are multiple things, 608 00:34:18,760 --> 00:34:20,799 Speaker 1: but it's almost like he did it in a way 609 00:34:20,800 --> 00:34:22,840 Speaker 1: that it's like, oh, No, this is just like routine 610 00:34:22,840 --> 00:34:25,160 Speaker 1: that I that I it's like I missed people just 611 00:34:25,360 --> 00:34:27,799 Speaker 1: kiss you on the lips good night. It's yeah, it's 612 00:34:27,800 --> 00:34:30,320 Speaker 1: like it's like a routine thing. That routine routine. I 613 00:34:30,360 --> 00:34:37,480 Speaker 1: can't say routine, routine thing like Mr Frana. Then the 614 00:34:37,520 --> 00:34:40,200 Speaker 1: thing that I thought of it was like even if 615 00:34:40,239 --> 00:34:42,560 Speaker 1: he was, he forgot that, like he didn't know her 616 00:34:42,640 --> 00:34:45,440 Speaker 1: or something. It's like, oh, do you kiss your sister 617 00:34:45,560 --> 00:34:48,440 Speaker 1: Kate Winsley on the mouth before you go sleep, like 618 00:34:48,520 --> 00:34:51,440 Speaker 1: on her couch, right, And it's just what we do. 619 00:34:52,480 --> 00:34:55,400 Speaker 1: It's just the space reminds me of kissing women, even 620 00:34:55,440 --> 00:34:59,040 Speaker 1: though the woman who lives here is my sister. Okay, 621 00:34:59,040 --> 00:35:01,720 Speaker 1: So then after so even if there is romantic tension 622 00:35:01,840 --> 00:35:03,759 Speaker 1: between them, which we can argue that there is, like 623 00:35:03,800 --> 00:35:05,920 Speaker 1: he can't just lean in and kiss her. There's there's 624 00:35:05,960 --> 00:35:08,839 Speaker 1: like no no flirtation really up to that point. Well, 625 00:35:08,880 --> 00:35:11,759 Speaker 1: but also Cameron Diaz is like, I don't do for 626 00:35:11,880 --> 00:35:16,799 Speaker 1: a play. Carmon Diaz has a lot of things that 627 00:35:16,880 --> 00:35:19,520 Speaker 1: men want to hear in this movie. She says, I 628 00:35:19,520 --> 00:35:21,520 Speaker 1: don't fall in love. I don't do for a play. 629 00:35:21,760 --> 00:35:24,040 Speaker 1: I can't cry like all this stuff. I'm just like, Wow, 630 00:35:24,080 --> 00:35:28,040 Speaker 1: this really seems like a great person that has never existed. 631 00:35:28,160 --> 00:35:31,359 Speaker 1: He's like a play and she's like overrated, and he's like, 632 00:35:31,840 --> 00:35:36,880 Speaker 1: you're the most interesting girls her interesting women in the world. 633 00:35:36,920 --> 00:35:38,520 Speaker 1: But he doesn't call her woman. He calls her girl 634 00:35:38,560 --> 00:35:43,120 Speaker 1: a hundred times woman. He also basically there's that there's 635 00:35:43,160 --> 00:35:46,759 Speaker 1: that great feminist icon Judela moment where he's like, I'm 636 00:35:46,800 --> 00:35:48,879 Speaker 1: not in the habit of having sex with women who 637 00:35:48,920 --> 00:35:54,120 Speaker 1: are unconscious, and it's like slow cop, and then Cameron 638 00:35:54,120 --> 00:35:56,840 Speaker 1: Diaz is like, I'm so embarrassed. I'm like, no, that's 639 00:35:56,880 --> 00:35:59,360 Speaker 1: not there. I mean, while she's like, wait, why didn't 640 00:35:59,360 --> 00:36:01,680 Speaker 1: we have sex? And he's like you're She's like really, 641 00:36:01,760 --> 00:36:05,239 Speaker 1: oh man, she is okay, And I know that, you know, 642 00:36:05,640 --> 00:36:08,080 Speaker 1: women be crazy, I think, but her character is fully 643 00:36:08,120 --> 00:36:11,560 Speaker 1: crazy based on the fact that she's very badly written, 644 00:36:12,120 --> 00:36:15,240 Speaker 1: like nothing she does make sense. And then it's Cameron Diaz. 645 00:36:15,280 --> 00:36:18,440 Speaker 1: It just sucks back to this surprise kiss scene. So 646 00:36:18,520 --> 00:36:20,399 Speaker 1: after he kisses her, reacts in such a way where 647 00:36:20,400 --> 00:36:21,960 Speaker 1: I was like, oh whoa, Like I didn't mean to 648 00:36:22,040 --> 00:36:25,840 Speaker 1: do that, and then she says, can you try that again? 649 00:36:25,960 --> 00:36:28,720 Speaker 1: And he's like huh, okay, and then he kisses her again. 650 00:36:28,920 --> 00:36:31,959 Speaker 1: So the movie frames this weird moment that you don't 651 00:36:31,960 --> 00:36:33,600 Speaker 1: think would happened in real life, or if it does, 652 00:36:33,680 --> 00:36:37,560 Speaker 1: like it's alarming, and again, like a surprise kiss, the 653 00:36:37,600 --> 00:36:40,640 Speaker 1: movie frames it is like, oh, this is romantic and 654 00:36:40,719 --> 00:36:44,200 Speaker 1: she's so into this, and like forgetting the fact that 655 00:36:44,239 --> 00:36:47,600 Speaker 1: they just met and they hadn't been talking about like 656 00:36:48,360 --> 00:36:50,399 Speaker 1: maybe they say like, oh, you're cute, you're handsome. I'm 657 00:36:50,400 --> 00:36:53,759 Speaker 1: glad I came in. But like the way, like, yeah, 658 00:36:53,800 --> 00:36:55,880 Speaker 1: the way that they frame it, it's almost like the 659 00:36:55,920 --> 00:36:58,320 Speaker 1: scene in the movie where like the two best friends 660 00:36:58,719 --> 00:37:00,880 Speaker 1: try for the first time, you know, like it almost 661 00:37:00,880 --> 00:37:03,279 Speaker 1: seems like a chemistry read where it's like we've been 662 00:37:03,360 --> 00:37:05,200 Speaker 1: friends for a long time, can we just try this? 663 00:37:05,440 --> 00:37:07,799 Speaker 1: Like that's the sort of move that it is makes 664 00:37:08,280 --> 00:37:15,200 Speaker 1: sense because they met three minutes ago. She's just like, wait, interesting, interesting, 665 00:37:15,320 --> 00:37:17,200 Speaker 1: that's how But then her whole thing is that it's 666 00:37:17,239 --> 00:37:20,920 Speaker 1: interesting because she's never kissed a stranger before. And he's like, really, 667 00:37:20,960 --> 00:37:23,680 Speaker 1: I do it all the time. Whatever. He's like, meanwhile, 668 00:37:23,719 --> 00:37:25,239 Speaker 1: I have two young girls at home, but I'm out 669 00:37:25,280 --> 00:37:30,160 Speaker 1: there fucking every night. He is very straightforward about what 670 00:37:30,200 --> 00:37:33,200 Speaker 1: a piece of shitty is, which is also frustrating to 671 00:37:33,320 --> 00:37:36,279 Speaker 1: at Cameron Diaz level, where he at multiple points in 672 00:37:36,280 --> 00:37:39,040 Speaker 1: the movie lists things that are wrong with him, like 673 00:37:39,080 --> 00:37:40,920 Speaker 1: he is being pretty Mine is the fact that it's 674 00:37:40,960 --> 00:37:42,920 Speaker 1: a twist that he's a father and somehow that's a 675 00:37:42,920 --> 00:37:45,600 Speaker 1: good thing. And also that he cries. You guys, guess 676 00:37:45,600 --> 00:37:47,200 Speaker 1: what she can't cry, and I guess what he loves 677 00:37:47,239 --> 00:37:53,600 Speaker 1: to cry, which him weeps, Him weep so much, it's God, 678 00:37:54,000 --> 00:37:56,360 Speaker 1: Cameron dis like, no one can be like my parents 679 00:37:56,360 --> 00:37:59,680 Speaker 1: divorced and now I'm like this, like it just doesn't happen. 680 00:38:00,040 --> 00:38:02,080 Speaker 1: So Kate Winslett, I think is very deeply depressed and 681 00:38:02,120 --> 00:38:05,840 Speaker 1: really should like say thanks for hanging Jack Black, but 682 00:38:05,920 --> 00:38:08,560 Speaker 1: I need a new therapist and new medication because she 683 00:38:08,600 --> 00:38:11,680 Speaker 1: almost kills herself at the beginning and is and really 684 00:38:11,719 --> 00:38:14,439 Speaker 1: seems prone to like some pretty brutal mood swings. Kate 685 00:38:14,480 --> 00:38:17,080 Speaker 1: Winslet almost commits suicide and every movie she's in in 686 00:38:17,120 --> 00:38:20,640 Speaker 1: the beginning because it happens contractual obligation. The movie she's 687 00:38:20,640 --> 00:38:24,319 Speaker 1: ever been in, she almost killers I Will Actually she 688 00:38:24,320 --> 00:38:29,759 Speaker 1: almost killed herself in Beautiful Creatures. This thing does. Can 689 00:38:29,800 --> 00:38:32,640 Speaker 1: we talk about Jack Black? Perhaps I'm in his icon 690 00:38:32,680 --> 00:38:35,319 Speaker 1: though for this one moment, this one scene where he 691 00:38:35,400 --> 00:38:40,400 Speaker 1: introduces his girlfriend with her name Maggie to uh, I 692 00:38:40,400 --> 00:38:42,799 Speaker 1: wrote this. He goes, here's my Maggie. Well, no, not 693 00:38:43,040 --> 00:38:52,080 Speaker 1: my Maggie. Who that was? I wrote that? Like feminist, 694 00:38:52,160 --> 00:38:57,680 Speaker 1: ye contract plant? Maybe I think so? Maybe? Honestly yes. So. 695 00:38:57,960 --> 00:39:02,160 Speaker 1: Still on Kate Winslet story, her whole thing, similar to 696 00:39:02,560 --> 00:39:07,239 Speaker 1: Cameron Diaz, is that she, oh her Jasper doesn't love her, 697 00:39:07,280 --> 00:39:09,160 Speaker 1: so she has to get away and escape and get 698 00:39:09,200 --> 00:39:11,600 Speaker 1: over him. And she does say several times in the movie, 699 00:39:11,640 --> 00:39:14,000 Speaker 1: like it's clear that I need to fall out of 700 00:39:14,000 --> 00:39:16,000 Speaker 1: love with you. Please let me do this. And then 701 00:39:16,040 --> 00:39:18,160 Speaker 1: he's just like, but how can I reach you every day? 702 00:39:18,160 --> 00:39:21,200 Speaker 1: And then he shows sucking piece of ship And then 703 00:39:21,239 --> 00:39:23,880 Speaker 1: by the end of the movie, Yes, she does confront 704 00:39:23,960 --> 00:39:29,920 Speaker 1: him and say like nor grand yeah, big speech, and 705 00:39:29,960 --> 00:39:32,600 Speaker 1: she's just like, you've been a shitty guy and you've 706 00:39:32,680 --> 00:39:35,719 Speaker 1: never treated me well and I'm over it and you 707 00:39:35,760 --> 00:39:37,200 Speaker 1: need to get out of my life so that I 708 00:39:37,239 --> 00:39:39,440 Speaker 1: can move on with mine or whatever, and then she 709 00:39:39,640 --> 00:39:41,200 Speaker 1: kicks him out. And it's supposed to be this like 710 00:39:41,239 --> 00:39:44,959 Speaker 1: big empowering moment, but at the same time the other 711 00:39:45,160 --> 00:39:48,040 Speaker 1: parts of her story in this movie are her relationship 712 00:39:48,120 --> 00:39:50,960 Speaker 1: to Jack Black, her relationship to this old guy Arthur. 713 00:39:51,000 --> 00:39:53,400 Speaker 1: And it's like she's not doing anything for herself really 714 00:39:53,400 --> 00:39:57,160 Speaker 1: except for maybe just like maybe she feels better by 715 00:39:57,360 --> 00:40:01,080 Speaker 1: helping this Arthur guy. But I think I think what 716 00:40:01,120 --> 00:40:03,560 Speaker 1: they're trying to do. I don't know, like the Arthur 717 00:40:03,640 --> 00:40:05,919 Speaker 1: thing is so strange, but I think like what they're 718 00:40:05,960 --> 00:40:08,040 Speaker 1: trying to do is like she's helping him, and at 719 00:40:08,040 --> 00:40:11,040 Speaker 1: the same time, I guess he's like helping because he 720 00:40:11,440 --> 00:40:13,440 Speaker 1: has such a like an admiration for her, and he's 721 00:40:13,480 --> 00:40:15,880 Speaker 1: like he's like, yeah, you got spunk, but you're a 722 00:40:15,960 --> 00:40:19,080 Speaker 1: leading lady. Yeah. And then she's like, oh wait, maybe 723 00:40:19,080 --> 00:40:21,920 Speaker 1: I am the leading lady in my own story. But like, 724 00:40:21,960 --> 00:40:24,360 Speaker 1: also could she just realize that herself? Like did she 725 00:40:24,400 --> 00:40:26,120 Speaker 1: have to write? But like why did he have to 726 00:40:26,160 --> 00:40:28,279 Speaker 1: be the one to tell her that after they've just 727 00:40:28,400 --> 00:40:31,279 Speaker 1: met for like a day? Yeah? I just I so 728 00:40:31,360 --> 00:40:33,839 Speaker 1: much wanted to cease like a subplot for both of them, 729 00:40:34,239 --> 00:40:36,759 Speaker 1: them to just be pursuing something, you know, in their 730 00:40:36,800 --> 00:40:39,399 Speaker 1: career or just some other thing they can enrich their 731 00:40:39,440 --> 00:40:41,839 Speaker 1: lives with and not just men, because all it is 732 00:40:42,360 --> 00:40:45,080 Speaker 1: I wish that I wish she wrote her She started 733 00:40:45,080 --> 00:40:47,280 Speaker 1: writing her own books and she fucking sent the pages 734 00:40:47,320 --> 00:40:51,600 Speaker 1: to Jasper and she's like bitch and like fuck you, 735 00:40:51,600 --> 00:40:53,960 Speaker 1: you miserable piece of ship. Leave me alone. Well, and 736 00:40:54,000 --> 00:40:55,800 Speaker 1: from what I can tell, like both of these women 737 00:40:55,800 --> 00:41:00,120 Speaker 1: fly overseas two lip sync in a bed that is 738 00:41:00,160 --> 00:41:02,400 Speaker 1: the extent. Like they don't seem to have any plan, 739 00:41:04,000 --> 00:41:05,640 Speaker 1: and that could have been Another interesting part of the 740 00:41:05,680 --> 00:41:08,000 Speaker 1: movie is how do they meet if they've got to 741 00:41:08,040 --> 00:41:10,680 Speaker 1: meet a man, maybe to go out and meet them, 742 00:41:10,719 --> 00:41:15,120 Speaker 1: but literally both had their doors and kind of forcibly 743 00:41:15,360 --> 00:41:17,719 Speaker 1: enter when they're like all I was gonna do is 744 00:41:17,800 --> 00:41:21,080 Speaker 1: lipsing to the killers in England for three weeks. Also 745 00:41:21,080 --> 00:41:24,399 Speaker 1: a very long time to be away. It doesn't make sense, right, Yeah, 746 00:41:24,400 --> 00:41:26,719 Speaker 1: they don't go out and explore, even though they're both 747 00:41:26,760 --> 00:41:29,040 Speaker 1: in like new cities and like wanted to get away, 748 00:41:29,120 --> 00:41:32,160 Speaker 1: Like yeah, they just don't do anything except for things 749 00:41:32,200 --> 00:41:35,120 Speaker 1: that relate to the old or new men in their life. 750 00:41:35,160 --> 00:41:37,360 Speaker 1: And it's but low key, I'm in l a for 751 00:41:37,400 --> 00:41:40,120 Speaker 1: the first time and that's exactly what I'm Well, you're 752 00:41:40,120 --> 00:41:42,680 Speaker 1: not here on vacation, like they deliberately went and you 753 00:41:42,680 --> 00:41:45,520 Speaker 1: could argue short, like it is the Christmas holidays, maybe 754 00:41:45,520 --> 00:41:47,800 Speaker 1: things aren't open, and yeah they're on vacation. But again 755 00:41:47,840 --> 00:41:50,719 Speaker 1: that's my argument that clearly this movie was not meant 756 00:41:50,800 --> 00:41:53,480 Speaker 1: to take place at Christmas, and the studio was. I mean, 757 00:41:53,520 --> 00:41:56,120 Speaker 1: I'm guessing, but I do like, yeah, that's a thing 758 00:41:56,480 --> 00:41:59,040 Speaker 1: checks out that I had not thought about that. There's 759 00:41:59,040 --> 00:42:01,520 Speaker 1: also just like weird little moments that for some reason 760 00:42:01,560 --> 00:42:03,320 Speaker 1: stand out to me that I'm like, was this supposed 761 00:42:03,360 --> 00:42:05,720 Speaker 1: to go somewhere? I don't know why, but when she opened, 762 00:42:05,719 --> 00:42:08,960 Speaker 1: when Cameron Diaz opens the closet and there's like a 763 00:42:09,000 --> 00:42:11,520 Speaker 1: little black dress, she goes nice dress and then and 764 00:42:11,640 --> 00:42:13,200 Speaker 1: like that's it. I was like, was there supposed to be? 765 00:42:13,239 --> 00:42:16,279 Speaker 1: Was this supposed to be a thing? There's like a 766 00:42:16,280 --> 00:42:19,160 Speaker 1: lot of weird just like loose things like that, you 767 00:42:19,160 --> 00:42:21,280 Speaker 1: know that I that I just I want to know 768 00:42:21,480 --> 00:42:24,120 Speaker 1: what Well, No, I don't supposed as if this script 769 00:42:24,200 --> 00:42:30,280 Speaker 1: is to maybe so there God who is editing this movie? 770 00:42:30,560 --> 00:42:34,839 Speaker 1: Like the dog scene, the long another scene that should 771 00:42:34,840 --> 00:42:37,720 Speaker 1: have been cut, A long scene in which Cameron Diaz 772 00:42:37,920 --> 00:42:42,279 Speaker 1: explains lipstick to one of Jude Law's daughters. Supposed that 773 00:42:42,400 --> 00:42:45,799 Speaker 1: there it's like where she turns and she's like and 774 00:42:45,920 --> 00:42:49,360 Speaker 1: those two girls first of all very no, they're cute. 775 00:42:49,680 --> 00:42:56,479 Speaker 1: I like them. No than you going Amanda, Amanda, dude 776 00:42:56,520 --> 00:43:02,400 Speaker 1: to leep in my bedroom. You know what, have a mom, 777 00:43:02,840 --> 00:43:07,440 Speaker 1: straight dad? And then now you look like one of 778 00:43:07,480 --> 00:43:09,680 Speaker 1: my bombies, you know what. I think. It's like those 779 00:43:09,719 --> 00:43:12,319 Speaker 1: scenes are supposed to be like I think like they 780 00:43:12,320 --> 00:43:14,640 Speaker 1: try to make Cameron Dias seem like so hard, which 781 00:43:14,680 --> 00:43:18,239 Speaker 1: like whatever, shut up um, and then as well, but 782 00:43:18,320 --> 00:43:20,480 Speaker 1: like they're like, oh no, look look at her, and 783 00:43:20,600 --> 00:43:22,600 Speaker 1: I don't think she has any chemistry with those children. 784 00:43:22,680 --> 00:43:24,600 Speaker 1: I don't think she it's like, oh wow, look she's 785 00:43:24,640 --> 00:43:27,480 Speaker 1: like she can be soft and emotional whatever, Like I 786 00:43:27,480 --> 00:43:29,400 Speaker 1: think that's the point of it. But I'm like, you 787 00:43:29,520 --> 00:43:31,360 Speaker 1: just gave her look. I don't know. There's like no, 788 00:43:31,880 --> 00:43:33,800 Speaker 1: I'm not like, wow, look at maternal she is. I 789 00:43:33,800 --> 00:43:35,880 Speaker 1: don't know. But then Jude Lng comes in and he's like, 790 00:43:36,160 --> 00:43:37,840 Speaker 1: no one has ever been a bigger hit with my 791 00:43:37,920 --> 00:43:42,840 Speaker 1: kids than you, not even their own mother. They just 792 00:43:42,920 --> 00:43:47,280 Speaker 1: totally lost all remaining memories of their mother because you salmon. 793 00:43:47,880 --> 00:43:53,520 Speaker 1: That's why I killed her. The girls didn't like she 794 00:43:53,680 --> 00:43:59,000 Speaker 1: had to go amazing well, okay, I did have. I 795 00:43:59,040 --> 00:44:02,160 Speaker 1: am shocked at it. I didn't think because Okay, when 796 00:44:02,239 --> 00:44:04,240 Speaker 1: Jude Blas shows up, I'm like, there's a very different 797 00:44:04,320 --> 00:44:07,760 Speaker 1: version of this movie where La kill and the first 798 00:44:07,800 --> 00:44:13,239 Speaker 1: fifteen minutes of the movie because he shows up, Yeah, 799 00:44:13,280 --> 00:44:16,919 Speaker 1: this is my sister's house. I'll just make myself at home. 800 00:44:17,560 --> 00:44:20,759 Speaker 1: I do this all the time, you know. And it's like, oh, 801 00:44:20,800 --> 00:44:23,799 Speaker 1: he's a stone called killer. He's calling other women. He's 802 00:44:23,840 --> 00:44:26,800 Speaker 1: just like setting up his next prey. While Cameron Diaz 803 00:44:26,880 --> 00:44:29,400 Speaker 1: is monologue, Oh, looks like he's on the phone with 804 00:44:29,440 --> 00:44:34,640 Speaker 1: another woman. Oops, I've been spotted. Like She's like, I 805 00:44:34,719 --> 00:44:36,759 Speaker 1: just I can't. I can't show that I cared because 806 00:44:36,760 --> 00:44:38,759 Speaker 1: I just told him that I don't care. But now 807 00:44:38,760 --> 00:44:40,279 Speaker 1: here I am, I'm looking at him talking to an 808 00:44:40,320 --> 00:44:48,120 Speaker 1: other woman. He has daughters his ultimate secret. Well, the 809 00:44:48,120 --> 00:44:50,720 Speaker 1: other thing about this movie is that the two women 810 00:44:50,960 --> 00:44:54,240 Speaker 1: basically spend the whole movie measuring their self worth based 811 00:44:54,280 --> 00:44:56,960 Speaker 1: on the men that they know or like, whether or 812 00:44:57,000 --> 00:45:01,360 Speaker 1: not they're lovable. Because early on you see Iris talking 813 00:45:01,400 --> 00:45:05,400 Speaker 1: to her colleague and the cool one who smokes into right, 814 00:45:06,719 --> 00:45:09,200 Speaker 1: and she's like, we used to be together, but he 815 00:45:09,280 --> 00:45:14,080 Speaker 1: cheated on me, but now we're still friends, and and 816 00:45:14,120 --> 00:45:17,120 Speaker 1: she's like, I never realized how pathetic you are, and 817 00:45:17,160 --> 00:45:19,800 Speaker 1: I was just like, really, oh god, I'm so aware 818 00:45:19,840 --> 00:45:25,080 Speaker 1: of it. I cut to her sobbing, and then Amanda 819 00:45:25,320 --> 00:45:28,080 Speaker 1: is talking to her colleagues and she's just like, remember 820 00:45:28,080 --> 00:45:29,759 Speaker 1: when they used to say that single women over the 821 00:45:29,760 --> 00:45:31,480 Speaker 1: age of thirty five were more likely to be killed 822 00:45:31,480 --> 00:45:35,359 Speaker 1: by a terrorist than to get married. That's horrible. There's that. 823 00:45:35,480 --> 00:45:38,640 Speaker 1: There's a scene where Kim Diaz and are corresponding and 824 00:45:38,680 --> 00:45:41,480 Speaker 1: like getting to know each other over this whatever the 825 00:45:41,520 --> 00:45:44,440 Speaker 1: funk website this would be, and I was just like, 826 00:45:44,560 --> 00:45:47,400 Speaker 1: I'm iris, by the way, very normal, neat freak, healthy, 827 00:45:47,480 --> 00:45:55,000 Speaker 1: non smoker, single girl, my horrible liner. She needs a 828 00:45:55,000 --> 00:45:58,920 Speaker 1: new therapist, literally bad. They're literally all twelve years old, 829 00:45:59,040 --> 00:46:03,280 Speaker 1: like they tell they they throw tantrums like it's wild. 830 00:46:03,480 --> 00:46:07,520 Speaker 1: The physicality of it is so over the top totally. 831 00:46:07,560 --> 00:46:10,520 Speaker 1: And then a man responds by being like, I'm Amanda Lonard, 832 00:46:10,600 --> 00:46:14,160 Speaker 1: loser and complicated wreck, and it's just like they're just 833 00:46:16,160 --> 00:46:21,200 Speaker 1: her words. They actually lifted this conversation from us, um no, 834 00:46:21,320 --> 00:46:24,120 Speaker 1: but it's just these two women measuring their self worth 835 00:46:24,480 --> 00:46:26,880 Speaker 1: based on how single they are or how much a 836 00:46:26,880 --> 00:46:30,120 Speaker 1: man loves them and it's just like which is also 837 00:46:30,280 --> 00:46:33,560 Speaker 1: interesting because the story places them both as people who 838 00:46:33,560 --> 00:46:38,239 Speaker 1: are very good at their jobs. She they say multiple times, 839 00:46:38,320 --> 00:46:40,719 Speaker 1: and that's why they pay me the big bucks for 840 00:46:40,760 --> 00:46:47,840 Speaker 1: her fucking trailer with James Franco can say something about that. Yeah, God, okay. 841 00:46:48,200 --> 00:46:51,400 Speaker 1: James Franco and Lindsay Lohan exists as themselves in this 842 00:46:51,520 --> 00:46:55,520 Speaker 1: universe of the movie The Holiday, But Lindsay Lohan was 843 00:46:55,600 --> 00:46:58,880 Speaker 1: in Mean Girls with Rachel McAdams, who's in Sherlock Holmes 844 00:46:58,920 --> 00:47:02,920 Speaker 1: with Jude Law it doesn't work out. Also, James Franco 845 00:47:03,480 --> 00:47:06,520 Speaker 1: was in Pineapple Express with Seth Rogan, who's in super 846 00:47:06,520 --> 00:47:10,279 Speaker 1: Bad with Sorry, but he was in super Bad with 847 00:47:10,360 --> 00:47:12,279 Speaker 1: Jonah Hill, who was in Wolf of Wall Street with 848 00:47:12,480 --> 00:47:19,160 Speaker 1: Leonardo DiCaprio, who was in Titanic with He got there. 849 00:47:19,640 --> 00:47:21,799 Speaker 1: What a fucking weird stylistic choice for them to go 850 00:47:21,840 --> 00:47:25,359 Speaker 1: into the weird like trailer fantasies of Cameron Diaz's life 851 00:47:25,520 --> 00:47:30,680 Speaker 1: like that never good, so strange, so strange there I 852 00:47:30,719 --> 00:47:33,880 Speaker 1: do like whenever Cameron Diaz is doing her job, she's 853 00:47:34,000 --> 00:47:37,479 Speaker 1: just like saying stuff and they're like, she's brilliant, because 854 00:47:37,480 --> 00:47:40,920 Speaker 1: then she's like, it needs to be shorter, needs to 855 00:47:41,000 --> 00:47:46,520 Speaker 1: be red, like happy red, not a Scorsese, right, And 856 00:47:46,560 --> 00:47:50,919 Speaker 1: then John Krasinski is like, oh my god, She's like there, 857 00:47:51,000 --> 00:47:55,560 Speaker 1: it's just I hate it sucks and she sucks. I 858 00:47:55,600 --> 00:47:59,280 Speaker 1: love it though, But so you know, we're all dying, 859 00:47:59,800 --> 00:48:02,480 Speaker 1: so we know about their careers. At least we know 860 00:48:02,520 --> 00:48:05,440 Speaker 1: what they do, because in movies we've discussed previously, like 861 00:48:05,600 --> 00:48:07,799 Speaker 1: in When Harry Met Sally, we barely know what any 862 00:48:07,800 --> 00:48:09,280 Speaker 1: of the women in that movie do for a living. 863 00:48:09,600 --> 00:48:11,919 Speaker 1: At least in this movie we know what their jobs 864 00:48:11,920 --> 00:48:13,839 Speaker 1: are and we even see them sort of doing their jobs. 865 00:48:13,920 --> 00:48:16,560 Speaker 1: Doesn't have to make sense, but they have jobs and 866 00:48:16,560 --> 00:48:18,680 Speaker 1: they're good at it, but they're no. It just was 867 00:48:18,680 --> 00:48:21,480 Speaker 1: super annoying to me that there are no subplots around 868 00:48:21,520 --> 00:48:24,880 Speaker 1: their careers when they're easily could have been, and instead 869 00:48:25,000 --> 00:48:28,879 Speaker 1: all of the other storylines are dedicated to their relationships 870 00:48:28,920 --> 00:48:30,680 Speaker 1: with men, when again, it could have been a story 871 00:48:30,719 --> 00:48:34,200 Speaker 1: about like them going on a journey of self discovery 872 00:48:34,320 --> 00:48:37,920 Speaker 1: or self improvement doors and like, even even if you 873 00:48:38,040 --> 00:48:40,719 Speaker 1: do need a weird Arthur subplot, maybe make it not 874 00:48:40,880 --> 00:48:46,240 Speaker 1: an old white guy. You could be a woman she meets, 875 00:48:46,600 --> 00:48:49,719 Speaker 1: and you know, because the payoff of the Arthur subplot 876 00:48:49,960 --> 00:48:53,400 Speaker 1: is also you're just like, that's what we were waiting for. 877 00:48:53,680 --> 00:48:57,319 Speaker 1: Because Jasper shows up, which is again like you just 878 00:48:57,360 --> 00:49:01,239 Speaker 1: got engaged, but you just disappeared on Christmas. Sure, that's 879 00:49:01,239 --> 00:49:04,200 Speaker 1: a that supports your theory even more of like maybe 880 00:49:04,239 --> 00:49:05,880 Speaker 1: a week where just he could say he was on 881 00:49:05,920 --> 00:49:08,439 Speaker 1: a business trip. But anyways, he shows up and it's 882 00:49:08,520 --> 00:49:14,359 Speaker 1: like Kate red bikini, I don't know, I'm just sort 883 00:49:14,360 --> 00:49:16,680 Speaker 1: of a plot device and he shows up. He's just 884 00:49:16,719 --> 00:49:19,799 Speaker 1: being a plot device, flopping around and Kate wins like 885 00:49:19,960 --> 00:49:24,359 Speaker 1: she has this very sudden realization because she had been 886 00:49:24,400 --> 00:49:27,279 Speaker 1: told about a Barber Standwick movie by Arthur the Old Man, 887 00:49:27,880 --> 00:49:30,200 Speaker 1: and that's why she But there's a great moment where 888 00:49:30,320 --> 00:49:34,439 Speaker 1: literally she's asked, like what's gotten into you? And she's like, 889 00:49:34,600 --> 00:49:37,239 Speaker 1: I don't know, and it's like she might as well 890 00:49:37,280 --> 00:49:42,560 Speaker 1: just be like, there's fifteen minutes left in the movie. 891 00:49:41,600 --> 00:49:46,279 Speaker 1: Does she screams gumption and pumps her fists. It's just 892 00:49:46,360 --> 00:49:51,719 Speaker 1: like for a two hour minute movie, the arcs are 893 00:49:51,920 --> 00:49:55,479 Speaker 1: like almost everything happens in the last fifteen minutes because 894 00:49:55,480 --> 00:49:57,840 Speaker 1: it's wild because like her and Jack Black share what 895 00:49:58,040 --> 00:50:02,080 Speaker 1: a single kiss? And I don't like Arthur's stupid w 896 00:50:02,280 --> 00:50:05,359 Speaker 1: g a offense. Yes, and now he is like, yeah, 897 00:50:05,400 --> 00:50:08,239 Speaker 1: I'm going to fucking New Year's with you? What? And 898 00:50:08,360 --> 00:50:11,120 Speaker 1: I don't know their country and then pumps his fists. 899 00:50:11,960 --> 00:50:14,120 Speaker 1: But here's the thing. Jack Black is extremely charming, So 900 00:50:14,160 --> 00:50:16,600 Speaker 1: I get it. I get it. I liked. I liked 901 00:50:16,600 --> 00:50:19,200 Speaker 1: when he pumped his fists. I will say, Kate Winslet, 902 00:50:19,600 --> 00:50:21,839 Speaker 1: I was laying it on a bit, thank you. Sure, well, 903 00:50:21,840 --> 00:50:25,560 Speaker 1: this is an actor's film, so this is an actress film. 904 00:50:25,600 --> 00:50:28,440 Speaker 1: I mean just just just the blockbuster scene alone is 905 00:50:28,480 --> 00:50:31,120 Speaker 1: my one of my favorite things that has ever happened, 906 00:50:31,160 --> 00:50:33,520 Speaker 1: because it's just they're just like, let's just let Jack 907 00:50:33,680 --> 00:50:38,320 Speaker 1: do his thing, you know, and I love it. So 908 00:50:39,560 --> 00:50:43,000 Speaker 1: just scene where Jack Black and Kate Winslet are scooterly 909 00:50:43,080 --> 00:50:50,439 Speaker 1: doodling is It's very tense and difficult to watch because 910 00:50:50,480 --> 00:50:54,479 Speaker 1: Kate wasn't herself. She does not want to be in there. 911 00:50:55,000 --> 00:50:57,920 Speaker 1: Does she like Jack Black as a person. I'm gonna 912 00:50:57,960 --> 00:51:01,560 Speaker 1: guess hard now, no, because then see between them is 913 00:51:01,640 --> 00:51:03,600 Speaker 1: so like. I watched it two times because the first 914 00:51:03,640 --> 00:51:06,000 Speaker 1: time I was just like, oh, Kate Winslet's her character 915 00:51:06,080 --> 00:51:08,640 Speaker 1: is nervous. But then I was like, no, Kate Winslet, 916 00:51:08,800 --> 00:51:12,160 Speaker 1: She's like, suddenly is Nerve's gonna make me fucking screwdlad do? 917 00:51:12,520 --> 00:51:15,600 Speaker 1: Like right, and if that's the moment we're supposed to 918 00:51:15,640 --> 00:51:18,880 Speaker 1: be like, oh there's st here that Kate wins goes like, 919 00:51:23,640 --> 00:51:31,480 Speaker 1: was like screw, no very one take there? There was 920 00:51:31,760 --> 00:51:34,240 Speaker 1: no there was no more than one take at the shots. 921 00:51:34,480 --> 00:51:36,560 Speaker 1: I'm sorry. I just have to mention best line reading 922 00:51:36,600 --> 00:51:41,640 Speaker 1: in the entire thing, besides the weather is are you embarrassed? 923 00:51:41,800 --> 00:51:48,920 Speaker 1: But this game to play literally so funny. Guys. The 924 00:51:48,960 --> 00:51:50,360 Speaker 1: thing is, I think I just want to be the 925 00:51:50,400 --> 00:51:53,560 Speaker 1: female jack Block. I think that's why it is. Maybe 926 00:51:54,040 --> 00:51:57,040 Speaker 1: that is the most feeling role in this movie. It's 927 00:51:57,040 --> 00:52:00,359 Speaker 1: like if you've gotta be anyway, But oh god, she's 928 00:52:00,440 --> 00:52:03,239 Speaker 1: fun this Please go back and want to the scene 929 00:52:03,800 --> 00:52:11,160 Speaker 1: checked like a Kate wan slid are scatting. It's crazy. 930 00:52:11,320 --> 00:52:18,359 Speaker 1: It's she literally is like how you had singing church 931 00:52:18,440 --> 00:52:21,680 Speaker 1: choir if you did not know the word. But he's 932 00:52:21,680 --> 00:52:24,320 Speaker 1: really supportive. He's like, oh, oh is it a scrutally 933 00:52:24,400 --> 00:52:27,880 Speaker 1: do instead of a dutily? And she's like she's just 934 00:52:28,000 --> 00:52:32,000 Speaker 1: improvence you know, has not taken u CB three oh one. 935 00:52:32,200 --> 00:52:36,719 Speaker 1: That must be for sure. Okay, right, real quick, I 936 00:52:36,920 --> 00:52:39,680 Speaker 1: made a list of all of the tropes we see 937 00:52:39,680 --> 00:52:44,520 Speaker 1: in this movie. So one. A woman cripplingly depressed over 938 00:52:44,560 --> 00:52:47,320 Speaker 1: a man who doesn't love her, a frigid, career driven 939 00:52:47,440 --> 00:52:50,560 Speaker 1: woman who can't be emotionally vulnerable. A man who cheated 940 00:52:50,560 --> 00:52:53,359 Speaker 1: on his girlfriend with his receptionist, a younger woman who 941 00:52:53,440 --> 00:52:57,239 Speaker 1: is his subordinate, a woman being bad at driving, a 942 00:52:57,280 --> 00:53:01,080 Speaker 1: person changing their mind at the airport about leaving a 943 00:53:01,160 --> 00:53:06,920 Speaker 1: romantic interest behind big old prat fall, big old snow. Yeah. 944 00:53:06,920 --> 00:53:09,960 Speaker 1: Oh wait, right before she starts driving badly, she pratt falls, 945 00:53:11,000 --> 00:53:13,319 Speaker 1: and then at the end when she's being driven away 946 00:53:13,400 --> 00:53:16,120 Speaker 1: back to the airport because she has changed her flight twice. 947 00:53:16,200 --> 00:53:21,439 Speaker 1: In this movie, there's nothing more customer like in two 948 00:53:21,360 --> 00:53:23,920 Speaker 1: thou seventeen. It's so hard to watch a movie about 949 00:53:24,280 --> 00:53:27,000 Speaker 1: so many rich white people who are so rich that 950 00:53:27,040 --> 00:53:29,000 Speaker 1: they can just be like, actually, I'm just gonna buy 951 00:53:29,040 --> 00:53:32,960 Speaker 1: a million dollar ticket to another country tomorrow. And you 952 00:53:33,000 --> 00:53:34,880 Speaker 1: know what I always think of, like, not only is 953 00:53:34,920 --> 00:53:37,359 Speaker 1: that crazy the rich thing, but also she's very rude. 954 00:53:37,360 --> 00:53:39,760 Speaker 1: She has not reached out to Kate Winflett to be like, hey, 955 00:53:39,960 --> 00:53:43,319 Speaker 1: I'm coming. I'm just gonna come back, and then be like, 956 00:53:43,360 --> 00:53:45,959 Speaker 1: oh you can please think my house. Now you're gonna 957 00:53:46,000 --> 00:53:48,680 Speaker 1: want to leave. But then so at the end whenever 958 00:53:49,239 --> 00:53:52,200 Speaker 1: camerd Is is like gonna go back and actually leave 959 00:53:52,320 --> 00:53:55,000 Speaker 1: this time, and she's in the car and she's like, 960 00:53:55,000 --> 00:53:57,560 Speaker 1: wait a minute, I've changed my mind. I forgot started 961 00:53:57,600 --> 00:54:00,480 Speaker 1: to because she cried and it fixed her. Nude law 962 00:54:00,640 --> 00:54:10,320 Speaker 1: fixes her. Let's give him some credit. She's fucking cured 963 00:54:11,520 --> 00:54:16,000 Speaker 1: whatever her problem. Right, So she makes the car turn 964 00:54:16,040 --> 00:54:17,920 Speaker 1: around and she's like, can't you go any faster? And 965 00:54:17,920 --> 00:54:20,879 Speaker 1: he's like no, And then she's like, okay, I'll get 966 00:54:20,920 --> 00:54:24,879 Speaker 1: out and run in the snow. So she goes back 967 00:54:24,920 --> 00:54:27,400 Speaker 1: to her house. When she runs, and then she pauses 968 00:54:27,440 --> 00:54:31,600 Speaker 1: and then the music swells and she's like she goes 969 00:54:31,640 --> 00:54:34,359 Speaker 1: back to Kate Wins's house. Du Law is still there 970 00:54:34,400 --> 00:54:37,480 Speaker 1: for some reason, even love. But she shows up and 971 00:54:37,480 --> 00:54:42,200 Speaker 1: he's like why Christal, okay, that's good. Why Why isn't 972 00:54:42,200 --> 00:54:44,680 Speaker 1: he with his kids on Christmas? What day is it? 973 00:54:44,719 --> 00:54:48,080 Speaker 1: Even they're upstairs, they're playing with their scribblings. They actually 974 00:54:48,239 --> 00:54:53,279 Speaker 1: rilled their mom and he's scared of and then can 975 00:54:53,320 --> 00:54:57,239 Speaker 1: we put your face on? Off face? Taddy, give me 976 00:54:57,280 --> 00:55:05,080 Speaker 1: a stiff your naked him and dias it your daddy, daddy, daddy. Um, Okay, 977 00:55:05,400 --> 00:55:07,200 Speaker 1: let's talk about whether or not in the movie passes 978 00:55:07,200 --> 00:55:11,680 Speaker 1: the Bechdel test. Somehow it does, somehow it does. I 979 00:55:12,080 --> 00:55:15,160 Speaker 1: like to argue it passes when Kate Win's letting Cameron 980 00:55:15,200 --> 00:55:17,400 Speaker 1: Diaz mumbled to each other incoherently at the end of 981 00:55:17,400 --> 00:55:20,239 Speaker 1: the movie over loud Christmas. They're like a little little bit, 982 00:55:20,440 --> 00:55:23,120 Speaker 1: They're like, nice to meet you. Because I'm convinced that's 983 00:55:23,160 --> 00:55:25,160 Speaker 1: when everyone in the movie met for the first time. 984 00:55:26,040 --> 00:55:30,279 Speaker 1: Kate Judla had never met. Yeah, right, because he's not 985 00:55:30,320 --> 00:55:33,680 Speaker 1: actually his sister. He's just a murdering person who has 986 00:55:33,800 --> 00:55:37,239 Speaker 1: murder daughters would murder for him. Yeah. What if Kate 987 00:55:37,280 --> 00:55:42,200 Speaker 1: Winslet showed up and was like, who's this? Was like, wait, 988 00:55:42,400 --> 00:55:44,319 Speaker 1: this is your brother. She's like, I don't. I don't 989 00:55:44,360 --> 00:55:45,799 Speaker 1: have a brother, which is why she never mentioned her 990 00:55:45,840 --> 00:55:48,080 Speaker 1: nieces because she doesn't have. But there is that scene 991 00:55:48,120 --> 00:55:50,719 Speaker 1: which I think arguably could pass the Bechdel tests. All 992 00:55:50,719 --> 00:55:53,239 Speaker 1: the things they only talk about Jude Law, but they 993 00:55:53,800 --> 00:55:56,000 Speaker 1: camer Diaz, and Kate Winslet talk on the phone and 994 00:55:56,040 --> 00:55:58,120 Speaker 1: she's like on three way cong with all of them, 995 00:55:58,719 --> 00:56:00,680 Speaker 1: and then she has that real fun moment where she's like, 996 00:56:00,719 --> 00:56:05,320 Speaker 1: did you sleep with and Camer was like, it's actually 997 00:56:05,440 --> 00:56:11,040 Speaker 1: it's Cam and said, oh day. She wouldn't say my badge, 998 00:56:11,440 --> 00:56:21,120 Speaker 1: oh you know, British, my my, oh Mary Poppins. I'm sorry. 999 00:56:21,360 --> 00:56:25,200 Speaker 1: We gotta go. A couple more times where women interact 1000 00:56:25,440 --> 00:56:27,880 Speaker 1: Kate Winslett and her colleague when they're like She's like, 1001 00:56:28,040 --> 00:56:29,799 Speaker 1: I love this man. He doesn't love him back, and 1002 00:56:29,840 --> 00:56:31,960 Speaker 1: she's like, you're so freaking pathetic, and she's like, I know, 1003 00:56:32,080 --> 00:56:35,520 Speaker 1: I'm so aware. It's crazy that that sone does pass them. No, 1004 00:56:35,680 --> 00:56:37,879 Speaker 1: it doesn't. Though they talk about they talked for her. 1005 00:56:38,040 --> 00:56:40,719 Speaker 1: I got a one minute oh really maybe then, but 1006 00:56:41,200 --> 00:56:43,200 Speaker 1: they talked for her. She does not have a name. 1007 00:56:43,239 --> 00:56:45,920 Speaker 1: I don't think on I AMDB she's named, but I 1008 00:56:45,960 --> 00:56:48,720 Speaker 1: don't think we find out her name in the actual movie. 1009 00:56:49,200 --> 00:56:51,680 Speaker 1: But they talked for a minute in forty five seconds, 1010 00:56:51,680 --> 00:56:54,680 Speaker 1: I timed it, and they spent most the entire time 1011 00:56:54,719 --> 00:56:57,359 Speaker 1: talking about Jasper Uh. And then another woman comes in 1012 00:56:57,400 --> 00:56:59,600 Speaker 1: and interrupts and she's like, I risk, did you fly 1013 00:56:59,719 --> 00:57:01,320 Speaker 1: just store? And she's like, I don't know. Down to 1014 00:57:01,360 --> 00:57:04,279 Speaker 1: the y you're still red. But she does not have 1015 00:57:04,480 --> 00:57:07,120 Speaker 1: a name either, so that does not pass the backte test. 1016 00:57:07,400 --> 00:57:12,239 Speaker 1: There's a scene where Amanda's I think assistant, Yeah, yeah, 1017 00:57:12,239 --> 00:57:14,200 Speaker 1: it comes in. We don't know her role really, but 1018 00:57:14,280 --> 00:57:16,800 Speaker 1: she's like they're in the editing room and she's like, 1019 00:57:16,840 --> 00:57:19,080 Speaker 1: oh is this a bad time? Cameren Dis is like 1020 00:57:19,080 --> 00:57:25,720 Speaker 1: I'm flipping out, and then they talk a little bit, 1021 00:57:25,760 --> 00:57:27,680 Speaker 1: but then she's like, then needs you. So they mentioned 1022 00:57:27,680 --> 00:57:29,560 Speaker 1: a man although I don't even know if we know 1023 00:57:29,640 --> 00:57:33,600 Speaker 1: her character's name, I think, well she again named on IMDb. 1024 00:57:34,280 --> 00:57:38,520 Speaker 1: Wasn't pain close enough attention to know, right? And then 1025 00:57:38,880 --> 00:57:43,440 Speaker 1: they're talking online Kate When's and Cameron Diaz, But I 1026 00:57:43,480 --> 00:57:46,280 Speaker 1: don't know if that counts because it's an internet correspondent. 1027 00:57:46,400 --> 00:57:50,200 Speaker 1: How do you I thought that that maybe counted at 1028 00:57:50,520 --> 00:57:52,680 Speaker 1: because they are talking directly to each other. It's a 1029 00:57:52,720 --> 00:57:55,840 Speaker 1: weird gray area thing. This movie does pass the Bactel tests, though, 1030 00:57:55,920 --> 00:57:59,400 Speaker 1: like it does whenever she camer Dias talks to jud 1031 00:57:59,480 --> 00:58:02,360 Speaker 1: Laws dot Rs and they're like contemplating murdering her and 1032 00:58:02,360 --> 00:58:05,440 Speaker 1: she's like, oh, your perfume. It smells so nice, and 1033 00:58:06,280 --> 00:58:09,120 Speaker 1: thank you, it's very and we know both of their names. 1034 00:58:09,280 --> 00:58:13,640 Speaker 1: Yeah it's Sophie and whatever the hell Sophie? And then 1035 00:58:15,280 --> 00:58:18,080 Speaker 1: and then oh, I like when was she at? When 1036 00:58:18,080 --> 00:58:19,760 Speaker 1: the when the when the little kid asked like, are 1037 00:58:19,800 --> 00:58:23,000 Speaker 1: you going to stay over? You could sleep? In the test, 1038 00:58:23,200 --> 00:58:26,520 Speaker 1: we have a headed grown up here, I'm strong over, 1039 00:58:26,680 --> 00:58:32,760 Speaker 1: I'm sucking your dad really re contextualizes we have but 1040 00:58:33,160 --> 00:58:40,320 Speaker 1: we never have adults zone your finger Naimes. So women 1041 00:58:40,320 --> 00:58:42,200 Speaker 1: do interact in this movie quite a bit, and some 1042 00:58:42,280 --> 00:58:46,400 Speaker 1: of those interactions to pass the Bactel tests, which is upsetting. Alright, 1043 00:58:46,840 --> 00:58:49,959 Speaker 1: let's write the movie on our zero to five nipple scale. 1044 00:58:50,000 --> 00:58:52,040 Speaker 1: Based on the portrayal of women the movie, I'm going 1045 00:58:52,080 --> 00:58:55,560 Speaker 1: to give it like, uh, like a one. It's not 1046 00:58:55,800 --> 00:58:59,080 Speaker 1: doing well for me. Um. I like at least that 1047 00:58:59,160 --> 00:59:03,400 Speaker 1: you see the having jobs and sort of doing their jobs, 1048 00:59:03,560 --> 00:59:05,320 Speaker 1: so it does a little better than a lot of 1049 00:59:05,440 --> 00:59:08,680 Speaker 1: rom comms. But the fact that their entire stories are 1050 00:59:08,720 --> 00:59:12,160 Speaker 1: based solely around other men in their lives, and every 1051 00:59:12,200 --> 00:59:15,760 Speaker 1: pursuit that they have and storyline that they have is 1052 00:59:15,800 --> 00:59:18,360 Speaker 1: all based on men, So there were just so many 1053 00:59:18,400 --> 00:59:20,640 Speaker 1: opportunities for them to like, you know, they're like, oh, 1054 00:59:20,720 --> 00:59:22,800 Speaker 1: I'm at this new place. I can sort of discover 1055 00:59:22,920 --> 00:59:26,760 Speaker 1: myself and try something new and like learn something about myself. 1056 00:59:26,760 --> 00:59:28,600 Speaker 1: But they like pretty much don't or if they do, 1057 00:59:28,800 --> 00:59:32,400 Speaker 1: it's because a man inspire them to do that. So 1058 00:59:32,600 --> 00:59:36,000 Speaker 1: it's just like I might even give it a half nipple. Um, yeah, 1059 00:59:36,080 --> 00:59:39,680 Speaker 1: I'm gonna give it a half nipple, and it belongs 1060 00:59:39,920 --> 00:59:44,880 Speaker 1: to the dog who winks at Caridia's the Yeah, the 1061 00:59:45,080 --> 00:59:51,400 Speaker 1: born Performer, the Ghost. Yeah, so half nipple because this 1062 00:59:51,440 --> 00:59:56,320 Speaker 1: movie sucks and I hate it. I'm I mean, you're right, 1063 00:59:57,080 --> 01:00:01,080 Speaker 1: but I'm so as I'm gonna give um, I'm gonna 1064 01:00:01,120 --> 01:00:04,800 Speaker 1: give it two nipples because, um, Kate Winslet, it can 1065 01:00:04,840 --> 01:00:08,840 Speaker 1: be charming when she's she's charming a bit. I also 1066 01:00:08,920 --> 01:00:12,320 Speaker 1: just like that these girls like to rock, and like, 1067 01:00:12,360 --> 01:00:15,160 Speaker 1: as a girl who likes to rock, yeah, out like 1068 01:00:15,160 --> 01:00:17,120 Speaker 1: they're not listening to like, you know, Selene Dianne or anything. 1069 01:00:17,120 --> 01:00:21,600 Speaker 1: They're listening to rock and roll. And I'm like Jet 1070 01:00:21,760 --> 01:00:26,160 Speaker 1: and the Killers. Um, and both of those are because 1071 01:00:26,200 --> 01:00:28,840 Speaker 1: of Kate Winslet and not Cameron Diaz. And yeah, I 1072 01:00:28,880 --> 01:00:31,080 Speaker 1: mean they are both successful. Mean, camer Diaz does like 1073 01:00:31,520 --> 01:00:35,640 Speaker 1: got that fucking money, and she's like in the industry, 1074 01:00:35,680 --> 01:00:38,480 Speaker 1: and I'm like, okay, cool. Um. I don't know that 1075 01:00:38,560 --> 01:00:41,560 Speaker 1: her trailer is amazing, but people seem to think so. Um, 1076 01:00:41,600 --> 01:00:43,120 Speaker 1: So I'm gonna give it to and I'm gonna give 1077 01:00:43,120 --> 01:00:46,280 Speaker 1: it to um. The Santa Ana Winds, which for some 1078 01:00:46,360 --> 01:00:49,560 Speaker 1: reason are an element of this movie. For no time, 1079 01:00:49,640 --> 01:00:52,479 Speaker 1: because the Santa Ana Wins are actively killing the entire 1080 01:00:52,480 --> 01:00:56,680 Speaker 1: stand true blowing fires from places supplies, I was like, 1081 01:00:57,040 --> 01:00:59,600 Speaker 1: not a good week for this Santa Anna Wins. They're 1082 01:00:59,600 --> 01:01:07,720 Speaker 1: not the magical this week. I take it back. She 1083 01:01:07,880 --> 01:01:12,040 Speaker 1: does what she wants. Yeah, that's what really changes things 1084 01:01:12,080 --> 01:01:14,640 Speaker 1: for her as the winds. Yeah, it's a weird magical 1085 01:01:14,840 --> 01:01:17,120 Speaker 1: not I don't even know element in there so much, 1086 01:01:18,280 --> 01:01:21,560 Speaker 1: I'm gonna give it. I'll give it a full nippy 1087 01:01:21,840 --> 01:01:24,600 Speaker 1: and then give it a full nippy. Uh. Kate Winslet, 1088 01:01:24,640 --> 01:01:27,760 Speaker 1: I'm very worried about her mental health in this movie. 1089 01:01:27,960 --> 01:01:30,160 Speaker 1: And I really wouldn't have loved Kate Winslett to see 1090 01:01:30,160 --> 01:01:32,360 Speaker 1: herself check herself into a facility at the beginning of 1091 01:01:32,400 --> 01:01:35,520 Speaker 1: this movie, genuinely because she makes a suicide attempt. Very scary. 1092 01:01:35,720 --> 01:01:39,440 Speaker 1: That whole thing is troubling. Cameron Diaz honestly not to 1093 01:01:39,560 --> 01:01:43,600 Speaker 1: be not an ally but lost cause flowed around on 1094 01:01:43,640 --> 01:01:47,320 Speaker 1: an Iceberg. She's hopeless. We don't know what's going on there. 1095 01:01:47,960 --> 01:01:52,360 Speaker 1: Uh you know, Jude Law doesn't matter. Jack Black adorable 1096 01:01:52,400 --> 01:01:54,600 Speaker 1: should not be cheating on his girlfriend kind of suffered 1097 01:01:54,640 --> 01:01:57,960 Speaker 1: from nice guy thin drum and literally cut from him 1098 01:01:58,000 --> 01:02:00,600 Speaker 1: cheating on his girlfriend to why am I such a 1099 01:02:00,680 --> 01:02:04,240 Speaker 1: nice guy? Like that killed me? Um, I'm gonna give 1100 01:02:04,280 --> 01:02:07,240 Speaker 1: my one nipple to do. Law's daughter who wants to 1101 01:02:07,360 --> 01:02:10,480 Speaker 1: straight up eat camera. She's like, what's on your face? 1102 01:02:10,520 --> 01:02:13,600 Speaker 1: Because I have some on my list. I want to 1103 01:02:13,640 --> 01:02:18,800 Speaker 1: put your frash on my frash. So that's I want 1104 01:02:18,800 --> 01:02:22,760 Speaker 1: to make a movie about them. Amazing. Um okay, Rebecca, 1105 01:02:23,200 --> 01:02:25,040 Speaker 1: thank you so much for being here. Thanks for having 1106 01:02:25,080 --> 01:02:28,400 Speaker 1: me so much fun. Where can people find you online? Um? 1107 01:02:28,400 --> 01:02:31,120 Speaker 1: I'm on Twitter at Almond Midle Hotel. We love it. 1108 01:02:31,120 --> 01:02:35,160 Speaker 1: It's hilarious. Mom. I have a show called Classroom Crush. 1109 01:02:35,360 --> 01:02:37,880 Speaker 1: It's a podcast. Jamie was just on it. It's about 1110 01:02:38,040 --> 01:02:40,200 Speaker 1: crushes from elementary school to high school. And there's a 1111 01:02:40,280 --> 01:02:43,520 Speaker 1: fucking scorcher of guests this coming this week. Because I 1112 01:02:43,600 --> 01:02:46,160 Speaker 1: recorded a lot here and that's on Twitter at classroom 1113 01:02:46,240 --> 01:02:50,560 Speaker 1: Crush as well. Check it out. You can follow us 1114 01:02:50,640 --> 01:02:52,840 Speaker 1: at Bactel Cast on Twitter and Instagram and go to 1115 01:02:52,840 --> 01:02:55,240 Speaker 1: our website back to cast com. You can subscribe to 1116 01:02:55,320 --> 01:02:59,560 Speaker 1: our Patreon become a matron today. It's actually two episodes 1117 01:02:59,600 --> 01:03:03,360 Speaker 1: of Packing month. Holy shit. Alright, it's such a good bargain. 1118 01:03:03,400 --> 01:03:05,960 Speaker 1: And hey it's the holidays. If you're like, I'm actually 1119 01:03:05,960 --> 01:03:08,400 Speaker 1: not ready to become a matron, but I just want 1120 01:03:08,400 --> 01:03:10,720 Speaker 1: to help you guys out a little bit, keep getting money, 1121 01:03:10,840 --> 01:03:12,480 Speaker 1: you can just throw a little tip in our tip 1122 01:03:12,560 --> 01:03:15,120 Speaker 1: jar if you go to our website backel cast dot com. 1123 01:03:15,200 --> 01:03:17,480 Speaker 1: That would be cool. And you're great and everything's great 1124 01:03:17,760 --> 01:03:20,280 Speaker 1: and now we're better. We fixed. This movie fixed us. 1125 01:03:20,640 --> 01:03:23,200 Speaker 1: I honestly feel completely cured. I don't need I don't 1126 01:03:23,200 --> 01:03:26,120 Speaker 1: need any therapist now because Jack like sang at me 1127 01:03:27,320 --> 01:03:33,400 Speaker 1: for two and a half hours. This movie rules. Sorry, sorry, 1128 01:03:34,200 --> 01:03:38,360 Speaker 1: al right, Happy Holidays by by