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Speaker 1: Hey, it's Russell Peters here and you're listening to Culturally Cancel.

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Speaker 1: Before we get into this episode, I want to let

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Speaker 1: you guys know what shows I got coming up in

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Speaker 1: case you want to see me live. June three to

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Speaker 1: June five, I'll be in Bridgeport, Connecticut at the Stress Factory.

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Speaker 1: June tenth to June, you can catch me in Irvine,

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Speaker 1: California at the Irvine Improv July I to July eleven.

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Speaker 1: I'll be in Ontario, California at the Improv There. August fifth,

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Speaker 1: August seven, I'll be in Oklahoma, Oklahoma City at the

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Speaker 1: Bricktown Comedy Club. In August twelve to August, I'll be

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Speaker 1: in Liberty Township, Ohio at the Funny Bone. There's always

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Speaker 1: more dates being added, so keep checking Russell Peters dot

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Speaker 1: com for updates and listen to Culture Canceled, and I'll

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Speaker 1: be letting you know about other dates. Hey, did you

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Speaker 1: like last week's episode? Did we leave you wanting more? Well?

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Speaker 1: If so, good because we have more to give. This

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Speaker 1: is the back in part of my Fantastic conversation with

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Speaker 1: Big Daddy Cane, Aery Spears, Mad Skills, and Lord for

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Speaker 1: nest If you're tuning in now and didn't catch last

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Speaker 1: week's episode, de yourself a favor and go back. You

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Speaker 1: can listen to them out of order, and it's all good,

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Speaker 1: but just make sure you listen to them both. You

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Speaker 1: probably better off listening to it in order. What we

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Speaker 1: talk about is the difference between a lyricist and an

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Speaker 1: mc our mount rushmoors of comedy and hip hop, and

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Speaker 1: we identify which places in the United States qualify as

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Speaker 1: East Coast. Hint, it's not just New York City. Enjoy

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Speaker 1: the episode, people. I know you'll love it because I

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Speaker 1: know I enjoyed doing it. It's just it's just crazy

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Speaker 1: because it's like with us. You know what I'm saying,

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Speaker 1: as m c s speaking for a cane and and

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Speaker 1: nest like coming from battle standpoints, we know how to

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Speaker 1: use words to make motherfucker's feel lesser than themselves, and

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Speaker 1: y'all do the same thing in a joking way. We

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Speaker 1: do it in a competitive way where we want to

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Speaker 1: win the battlest whether it's at or you know, comedically,

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Speaker 1: when people go words don't words are ridiculously powerful. I

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Speaker 1: got what I call the uh the nuclear button, where

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Speaker 1: like I said, I've said things, and people have wanted

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Speaker 1: to fight me. But I always said, if I get

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Speaker 1: into a situation like sometimes, you know, dudes be with

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Speaker 1: their girls, their girls be drunk, the girls be worse

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Speaker 1: than the dudes, but the girls are out of control

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Speaker 1: and the dude won't check them. So you know my

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Speaker 1: thing is I'll say they would dude, hey man, control

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Speaker 1: your bitch. Nigga. Bitch nigga. Now you say that you

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Speaker 1: better be prepared hit because especially as certain black different

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Speaker 1: that hit different. So I said, I'll never say that

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Speaker 1: unless unless I'm ready to throw hands, I got a

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Speaker 1: good exit plan or it's well deserved, because if it's

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Speaker 1: well deserved, the crowded ride with you on that in

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Speaker 1: in the in the battle. I always when I was

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Speaker 1: heavy in the battle on the battle circuit, I was

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Speaker 1: always like, I will watch the rapper as I was,

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Speaker 1: and if I saw his hands do like this, I

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Speaker 1: was like, damn Ni I won. Like you want to

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Speaker 1: fight me? I want't? Like I know I got you

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Speaker 1: now because I see you well en up. Well, let

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Speaker 1: me ask you all a question because since I'm here

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Speaker 1: with rap Royalty, Um, how come battle rappers are often

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Speaker 1: labeled as not being able to make records like like

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Speaker 1: it's almost like street ball versus NBA pro Ball, because

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Speaker 1: that street ship don't cut it in the NBA. And

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Speaker 1: why why with hip hop? The the battle rappers can't

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Speaker 1: seem to make good music outside the battle of it.

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Speaker 1: It's a transition and I had to learn that transition

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Speaker 1: because if you listen to my earlier records, I never

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Speaker 1: know when to stop rapping. Nobody put it in a

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Speaker 1: format for me. You could do twelve bars here sixteen.

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Speaker 1: You know, they ain't schedule it out. So I'm doing

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Speaker 1: it how I feel. You know, I'm listening to the

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Speaker 1: message Mellie. Mellie had no hooking that I mean, if

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Speaker 1: you know he did. But listen how long the rat

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Speaker 1: went And so I'm thinking, right, you just rapp until

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Speaker 1: you proved your points. So my ship was like fifty

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Speaker 1: sixty bars until. I mean, I look at myself now

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Speaker 1: and go, damn man. I didn't throw away maybe three

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Speaker 1: or four albums because if I would have broke the

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Speaker 1: ship down to twelve sixteen, you know, and it's a

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Speaker 1: it's a formula, and they don't teach you the formula.

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Speaker 1: While I I wasn't taught the formula. I just came

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Speaker 1: out the street and I kinda listened to records that

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Speaker 1: were out and kind of patterned my my songs behind

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Speaker 1: certain things. But it's a transition. But once you learn

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Speaker 1: the transition, if I found out I could put my

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Speaker 1: my toughest eight rhyme lines in the in the verse

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Speaker 1: and that was it. Oh man, I'll probably be on

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Speaker 1: my tenth album right now. But you gotta learn the transition.

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Speaker 1: You have to learn to transition. A lot of people

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Speaker 1: have a difficult time really processing that. You know, like

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Speaker 1: your battle rappers a certain way that you're used to

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Speaker 1: doing things, attack and approach that you use, where like

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Speaker 1: you come into the studio trying to use that same thing,

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Speaker 1: not realizing that less is better, you know, bring it back.

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Speaker 1: So and I mean I had to learn that from

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Speaker 1: Bis Markets, that was my teacher. I had to learn

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Speaker 1: that from him because I started as a battle rapper.

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Speaker 1: That's all I knew how to do was battle people

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Speaker 1: and just spit bars at you. You know, he had

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Speaker 1: to teach me how to structure songs. He had to

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Speaker 1: even teach me how to read an audience. You know.

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Speaker 1: Bids used to have me on stage saying funny rhymes

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Speaker 1: about girls because you know, bids like the funny stuff

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Speaker 1: to comedy stuff. So I you know, I had funny

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Speaker 1: rhymes about girls and I would say these on stage

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Speaker 1: and I'm like, you know, okay, yes it's cool. But

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Speaker 1: then one night we had to do a show opening

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Speaker 1: up for Dougie Fashion Slick Rick when they had Lotty

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Speaker 1: Dotty and I'm like, this is what Rick do. I'm like,

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Speaker 1: I'm a sound like a biter doing this ship, man,

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Speaker 1: you know, I'm like, no, I'm not doing business, like

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Speaker 1: trust me, trust me. And I didn't listen. And when

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Speaker 1: they started be boxing, I just started and the whole

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Speaker 1: crowd unit, yes, someone gonna get behind again, like yeah,

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Speaker 1: like like the whole crowd just ignoring us, you know, yeah,

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Speaker 1: and that like that, and that's when I learned that Okay, yeah,

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Speaker 1: you don't know everything. And it's like it's it's just

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Speaker 1: different levels. You need to sit back, listen and study

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Speaker 1: this ship, you know for real. You know, can I

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Speaker 1: can I murder much or a loaded lux beat, a

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Speaker 1: NAS or a jay Z. If they were to try

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Speaker 1: to go head up as a battle to battle battle,

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Speaker 1: I mean a battle on you know, in a battle

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Speaker 1: in their area, the Uh, they definitely got the heads

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Speaker 1: up because it's not a beat that they gotta rhyme too.

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Speaker 1: They don't got to be syncoparedd. It's almost just like talking.

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Speaker 1: It's almost like poetry, you know what I'm saying. But

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Speaker 1: you know what I'm saying to piggyback on what Kane said,

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Speaker 1: BIS taught him. You know what I'm saying, How to

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Speaker 1: structure songs, how to talk to women. I directly learned

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Speaker 1: from Kane without him even knowing that marriage is serious. Hey,

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Speaker 1: one of my favorite No no, he's saying, like I

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Speaker 1: had that part down. I didn't need no help hal that, alright.

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Speaker 1: So from listening to songs like Smooth Operator, ain't no

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Speaker 1: half step, but I learned how to get a line

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Speaker 1: off in a in a in a cool song that

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Speaker 1: girls still would like. And you you you know you're

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Speaker 1: talking about me as an artist and a writer, and

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Speaker 1: you know, and I'm running. I ran with the ghostwritering thing.

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Speaker 1: But I got that from him, from from him doing

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Speaker 1: records for Sharon Te and doing records for bids like

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Speaker 1: the original goat of that whole ghost right and ship

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Speaker 1: is right here before whole before, you know what I mean?

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Speaker 1: Before all of that. So for me, not you know,

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Speaker 1: knowing how to structure songs came from just listening to

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Speaker 1: along Live the King came from listening to another Victory.

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Speaker 1: I like all that ship And even when he wanted

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Speaker 1: to get his rap shut off, he still got to

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Speaker 1: wrap shit off when he wanted to lay back and

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Speaker 1: and and take his foot off the gas, it was

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Speaker 1: still amazing to me, you know what I'm saying. It

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Speaker 1: was still amazing to me. One of the favorite cats

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Speaker 1: I like to listen to is Chino Excel because Chino

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Speaker 1: I was reviewing the news and his rhymes. But Chino

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Speaker 1: never really had a song song that you could be like, yo,

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Speaker 1: I could play this at a party, but I would

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Speaker 1: always separate an m C from a from a beat.

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Speaker 1: You know. It was like, well, I like this beats

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Speaker 1: and play the instrument. But Gino was one of them

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Speaker 1: cats really like Gino, don't use the beat, just sucking

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Speaker 1: a capella and ship because I want to hear what

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Speaker 1: you want you gotta say, like I like to to

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Speaker 1: be able to get those lines off, like a killer

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Speaker 1: line to me just stands out so much, you know

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Speaker 1: what I'm saying, Like I heard, uh, I was listening

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Speaker 1: to J Cole's project last night, and that motherfucker said

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Speaker 1: he said, um he said, he said, I really can't

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Speaker 1: complain about nothing. I don't know Bill Cosby ship, but

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Speaker 1: if they still sleeping, fun him. And I was like,

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Speaker 1: that's a cold line, like and to to even put

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Speaker 1: the disclaimer in it, like not don't know Bill Cosby ship,

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Speaker 1: but if they're sleeping, fuck him. And I was like,

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Speaker 1: oh ship and cold. Was one of them kids who

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Speaker 1: that That's what I mean. It's about them young kids

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Speaker 1: paying attention to what was happening before them and flipping

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Speaker 1: it into their own, into their own length. And and

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Speaker 1: so kids like Cole, you can tell when they're paying

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Speaker 1: homage to what came before them. Did Was there ever

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Speaker 1: any moment where there was some tension maybe between you

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Speaker 1: and LLL because you know y'all had that smooth ladyship.

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Speaker 1: You know he would never sit in a locker room

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Speaker 1: or on the bus. You can't think give me baby

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Speaker 1: because ellis he always been competitive? You Macaine, ain't me man.

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Speaker 1: He chopped the man. But I'm gonna mok it with

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Speaker 1: the cream. Baby. It's crazy man, ain't nick the goat change?

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Speaker 1: And you know got all the girls. But you know,

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Speaker 1: I just stripped down to my to my skippies, have

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Speaker 1: brought myself for putting mine round myself and putting you

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Speaker 1: have you have seen nipples when you got putting on it.

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Speaker 1: It'sa it's bananas. It's crazy, man. Was it ever? Was

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Speaker 1: it ever any anything between y'all? Like you not really

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Speaker 1: not really? Not Me and L always and you know,

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Speaker 1: real cool. He's someone that I've always you know, um,

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Speaker 1: always respected and even right now today. You know, when

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Speaker 1: you talk about, you know, the greatest rapper, He's who

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Speaker 1: I always referred to as to go. You know, I

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Speaker 1: was actually texting with L today and I told him

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Speaker 1: he was here and he said, he said, he's in

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Speaker 1: New York. Ever come by and hung out, But he said,

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Speaker 1: to tell you piece, I did a movie with LLL

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Speaker 1: lot low budget movie out of sink. Uh. LL don't

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Speaker 1: really have a sense of humor, man, He does when

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Speaker 1: you joke with him, and I remember I did at

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Speaker 1: that time. My manager was Norm Nixon, uh and Debbie Allen.

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Speaker 1: So a lot of seleps come by the house and

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Speaker 1: I remember, you know, I'm saying, a man, do L

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Speaker 1: for L. And I did it and he was like

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Speaker 1: your signment, so looking formant for real though, you know

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Speaker 1: what I mean? You know what I mean. So you

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Speaker 1: know he takes himself serious, right. I think he's chilled

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Speaker 1: out on that over the years. Like I remember when

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Speaker 1: I listened to UH, when I listened to UM, I

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Speaker 1: listened to UH, I shot you the joint with with

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Speaker 1: all of them, with Prodigy, rest in peace, everybody. I'm

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Speaker 1: saying Keith for Foxy, and Foxy is on the record.

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Speaker 1: Foxy is super high at the time, and you know

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Speaker 1: she do her you know, she do a verse, bye bye,

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Speaker 1: she do a whole thing. And Ll comes on at

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Speaker 1: the end of the record. They're just talking all this

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Speaker 1: crazy ship and He's just like, yeah, female rappers too,

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Speaker 1: I don't give a fuck boot And I was just like, damn,

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Speaker 1: like this nigga, you can still be on the record

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Speaker 1: with this Nigga's hits Cannabis, you could be on the

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Speaker 1: record with this nigga. He'll still like, nah, you ain't

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Speaker 1: working with me. And I love that that that bravido

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Speaker 1: of just like na, ain't nobody fucking because as a rapper,

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Speaker 1: we've all had it, like he ain't seeing me not

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Speaker 1: on this rap ship nigger like so he it seemed

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Speaker 1: like l just never lets it go ye, like like

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Speaker 1: to cannabis a new one, like in the same song,

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Speaker 1: like and I'm just like, damn bro. But did he

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Speaker 1: really win that? Well, I don't think it really want that,

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Speaker 1: but it ain't you know, the battling lawns. But the

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Speaker 1: war he won. Yeah, set him up. He set him

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Speaker 1: up lovely. It's almost like it's almost like he set

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Speaker 1: him up for the for the fail. It's almost like

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Speaker 1: I tapped you on your shoulder, but I'm really the

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Speaker 1: funk over here, and when you look up, he got

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Speaker 1: his I've always felt like, if you can't, you gotta

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Speaker 1: honor him, for no other reason than the fact that, again,

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Speaker 1: longevity is hard to maintain this game, and this man

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Speaker 1: has been around for decades. He's like the rap version

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Speaker 1: of Robert de Niro. He's been around now. In terms

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Speaker 1: of pound for pounds, skills, I'm not saying he's not skillful,

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Speaker 1: but I don't know. He's in my top ten. In

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Speaker 1: terms of ability, he's definitely, He's definitely in the top

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Speaker 1: ten terms You notice what I said. Notice what I

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Speaker 1: said when I said, when I when we talk about

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Speaker 1: greatest rapper. You know, I'm not talking about greatest lyricists.

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Speaker 1: I'm talking about you know, greatest rapper. Like you know,

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Speaker 1: it's like when you talk about the greatest lyricists, you're

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Speaker 1: gonna refer to people such as you know, James Z,

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Speaker 1: you know me, Jada Kiss, Cameras, Big pun So you

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Speaker 1: just named all the people and in there yet No,

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Speaker 1: but I mean actually I would put l in there.

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Speaker 1: I don't know where Foot put him in here. But

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Speaker 1: now when you talk about you know, like your greatest rappers,

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Speaker 1: you know what I'm saying as far as like impact wise,

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Speaker 1: you know, now you're talking about you know, L L.

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Speaker 1: Jay Z, tupac Um, Little Wayne Um Ship, Missy Elliott Um.

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Speaker 1: You know it's it's it's it's uh. But you see

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Speaker 1: what I'm going No, no, listen. You know many arguments

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Speaker 1: I've gotten to people with when they go anytime people

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Speaker 1: talk about the top five to top ten rappers, there

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Speaker 1: were still parking there and I always go listen. Part

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Speaker 1: to me was more about emotion. You felt his emotion

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Speaker 1: when I with tear the club. You wanted to tear

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Speaker 1: the club up when he said, dear Mama, you wanted

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Speaker 1: to hug your mama now lyrical. They never quoted the

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Speaker 1: bar saying no, no, no, I I agree with you,

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Speaker 1: but you know, it's like, you know, it's like touch

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Speaker 1: people hard, so dear Foy, it's like, you know, he

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Speaker 1: is definitely one of the greatest rappers ever. You know

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Speaker 1: said like like, but I mean it's like lyrically, he not,

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Speaker 1: he wouldn't be in my top five. He's not one

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Speaker 1: of the greatest, damn season, but he's definitely in my

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Speaker 1: top five as great as rappers definitely. Lately, I've been

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Speaker 1: really busy juggling shows and being a dad, and I'm

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Speaker 1: Am I right? I mean you started your online store,

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Speaker 1: You're doing what you love, selling products people want, and

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Speaker 1: the orders are coming in fast. But the hardest part

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309
00:17:07,160 --> 00:17:12,399
Speaker 1: ship happen. Also with that list. That list goes with

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Speaker 1: your education on the history of of hip hop. Because

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Speaker 1: the more educated and deeper you are in hip hop,

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Speaker 1: your list is going very from the beginning. You might

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Speaker 1: say Komo D. You might say Meli Mel. You might

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Speaker 1: based on your knowledge, but if your knowledge don't go

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Speaker 1: that far back, then you're gonna say the most current people.

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Speaker 1: My son's gonna say Kendrick. He ain't gonna say nobody else.

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Speaker 1: L L. You have to look like he said for

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Speaker 1: l L be here now and evolved from thirty something years.

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Speaker 1: That's a that's award itself. Yeah, that's what I'm saying.

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Speaker 1: You know, we talk, But he wouldn't be in your

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Speaker 1: top five. But you you could say he's not in

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Speaker 1: the top five, but then you might put somebody and

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Speaker 1: your top five that ain't last one of seven eight years.

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Speaker 1: But let me ask this question the way I redefined it.

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Speaker 1: Would you put him in your top five of greatest rappers?

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Speaker 1: Not is lyricists of greatest rappers. See that's probably where

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Speaker 1: my education on rappers is bad, because I assume rappers

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Speaker 1: and lyricists got you. Yeah, well, I mean you you

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Speaker 1: you you gotta understand you had lyrical mcs in the

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Speaker 1: late seventies, um early eighties lyrical mcs and they get

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Speaker 1: on stage and Busy be where they asked out, Busy

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Speaker 1: be where they asked out. And the best ship he's

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Speaker 1: saying is bomb with the bomb, the danger Dang DIGGI

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Speaker 1: Diggy Diggy, shake your boogie to the bang bang boogie.

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Speaker 1: You know what I'm saying. And busy where they ass

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Speaker 1: out ain't nothing lyrical. You know what I'm saying. Matter fact,

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Speaker 1: I'll give you a prime example the mother in besting Um.

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Speaker 1: When I was on LLL Nitro Tour, It's me Slick

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Speaker 1: Rick de La Soul and n w A was opening

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Speaker 1: up LLL Nitro Tour nineteen eighty nine. I believe a

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Speaker 1: ninety I think nine eighty nine and Yo, LLL high

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Speaker 1: is Busy b as his hype man. When he got there,

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Speaker 1: My dance a scrap lover. He said, the funk busy

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Speaker 1: gonna do the bomb with the bombs up. I'm like, bro,

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Speaker 1: watch and learn. I'm like, Yo, don't underestimate busy be

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Speaker 1: watching learn now. One of the problems where the energy

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Speaker 1: wasn't there for LLL was because when he came out

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Speaker 1: on stage, he came out with the female dancers and

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Speaker 1: they are dancing and rubbing on him when he first

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Speaker 1: come out on stage. But this is a ladies man.

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Speaker 1: The women in the crowd don't want to see no

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Speaker 1: other women rubbing on you. So they're not screaming, they're

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Speaker 1: not sharing because they're mad. Yeah, they're mad at these

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Speaker 1: other female dancers. The dynamic all of a sudden change

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Speaker 1: because now when LLL come out and the girls come

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Speaker 1: towards him, Busy be crazy ass on the side. Bring on,

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Speaker 1: bring on all man, bring on the dancing bitches, bring

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Speaker 1: on and and and you know, the dynamic just changed

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00:20:33,760 --> 00:20:37,119
Speaker 1: so crazy with now you're hearing the women losing their mind.

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Speaker 1: Like that first show, when Busy started doing that, everything changed,

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Speaker 1: you know what I'm saying. And it's like, like I said, Busy,

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Speaker 1: he's not a lyrical m C. But he knows how

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Speaker 1: to get you on the stage. He knew how to

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Speaker 1: control the crowd, you know what I'm saying. So it's

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Speaker 1: like with MCS, you know, because it's like it didn't

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Speaker 1: start with with m MCS. It didn't start as being lyrical,

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Speaker 1: you know, like like from from Hollywood on up to

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Speaker 1: Keith Cowboy. You know, I don't think any of them

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Speaker 1: were real lyrical Hollywood Eddie chiba Um Coke, Well Coke

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Speaker 1: didn't rhyme. I'm talking Hollywood Eddie chiba Um Love Buck

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Speaker 1: Star Ski. You know, like like like like they wasn't lyrical.

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Speaker 1: It didn't become lyrical too, like I think seventy seven.

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Speaker 1: Like like with mel when you said when you said

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Speaker 1: earlier about how in the eighties Grab had that particular sound,

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Speaker 1: it felt like guys like you rock Kim were a

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Speaker 1: head of Yall's time because you didn't have that sound

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Speaker 1: rock him. When I heard some of rock Kim's first work,

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Speaker 1: I went, this is different, just the way his approach

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Speaker 1: the music, this is different. Your ship didn't sound nothing

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Speaker 1: like uh run DMC or Hun Hu hun on the Hunter.

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Speaker 1: It didn't sound nothing like that. So you know that's

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Speaker 1: the game evolving because you got the earlier blueprints and

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Speaker 1: then you got like you watched like that's like we're

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Speaker 1: Lebron at right now. But would Lebron be there if

385
00:22:11,920 --> 00:22:15,200
Speaker 1: it wasn't you for Jordan's And wouldn't Jordan be there

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00:22:15,200 --> 00:22:18,199
Speaker 1: if it wasn't for other players before him. It's a

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00:22:18,280 --> 00:22:22,600
Speaker 1: game that constantly evolves. I mean it's going special, it's

388
00:22:22,640 --> 00:22:30,359
Speaker 1: going to special Olympics now. But because the game, you know,

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Speaker 1: because we had a point, we we had a point

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00:22:35,720 --> 00:22:38,920
Speaker 1: now where the game is being dictated and the super

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Speaker 1: the super talented dudes. If you don't have that backing,

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Speaker 1: then you can get lost in the source because it's

393
00:22:45,720 --> 00:22:49,080
Speaker 1: about views now and oh he got a million views.

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Speaker 1: But like I was saying, from the early years, I

395
00:22:52,440 --> 00:22:55,160
Speaker 1: was a fan of Busy Bee. I watched him when

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Speaker 1: Jazz J snuck me into the dance interia and he's

397
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Speaker 1: just not even doing records. He's just rocking routines that's

398
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Speaker 1: making the crowd go absolutely bananas. And what I've learned

399
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Speaker 1: with that being an m C is that mcs could

400
00:23:13,200 --> 00:23:18,160
Speaker 1: rock records. They could rock crowds without hit records. Rappers

401
00:23:18,240 --> 00:23:22,840
Speaker 1: need hit records. MC's don't. They'll get up on the stage,

402
00:23:22,880 --> 00:23:27,560
Speaker 1: go acapella, and it's over. It's over. Sometimes it's over.

403
00:23:27,840 --> 00:23:32,080
Speaker 1: I've seen dudes get up on stage and kill it

404
00:23:32,200 --> 00:23:36,520
Speaker 1: so bad that when the headliner comes on, they can't

405
00:23:36,560 --> 00:23:40,360
Speaker 1: even keep up with the dudes that opened up Because

406
00:23:40,400 --> 00:23:44,320
Speaker 1: like I said, MCing is an art that's being able

407
00:23:44,359 --> 00:23:47,080
Speaker 1: to control the crowd, that's being able to read a

408
00:23:47,160 --> 00:23:50,160
Speaker 1: crowd that's being able to say it's like a comedian

409
00:23:50,240 --> 00:23:54,840
Speaker 1: being able to know when Yo, I did these new jokes.

410
00:23:55,040 --> 00:23:58,680
Speaker 1: I know when I say this ship, it's gonna be crazy.

411
00:23:59,160 --> 00:24:01,439
Speaker 1: It's the same thing when M seeing when you write

412
00:24:01,480 --> 00:24:06,399
Speaker 1: that line, or when I say this, I'm expecting that response.

413
00:24:07,040 --> 00:24:10,480
Speaker 1: Rappers can't do that. Let me just say this and

414
00:24:10,560 --> 00:24:13,560
Speaker 1: I leave it at this. Dougie Fresh down on stage

415
00:24:13,560 --> 00:24:16,159
Speaker 1: for forty minutes and don't do but two goddamn songs.

416
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Speaker 1: This is true, This is true. Greatest entertainer you mean

417
00:24:22,080 --> 00:24:26,800
Speaker 1: where he's actually rhyming. No, he only does show and

418
00:24:26,920 --> 00:24:32,199
Speaker 1: you hear the show and lolly doty no, no, no, no,

419
00:24:32,320 --> 00:24:35,120
Speaker 1: the crowd do lottiddy You here the show and keep

420
00:24:35,200 --> 00:24:39,040
Speaker 1: rising to the town the yeah, if he got a little,

421
00:24:39,040 --> 00:24:44,320
Speaker 1: that's vicious. Though, that's vicious. I'm saying catalog. He performs

422
00:24:44,359 --> 00:24:46,800
Speaker 1: the show, and he performs, keep rises to the top.

423
00:24:47,119 --> 00:24:49,560
Speaker 1: The entire crowd does lotty dotty. He don't even do

424
00:24:49,640 --> 00:24:54,399
Speaker 1: that ship and will be on stage and will be

425
00:24:54,440 --> 00:24:58,000
Speaker 1: on stage forty minutes, yeah, forty minutes. All other stuff

426
00:24:58,040 --> 00:25:01,439
Speaker 1: going nothing but crowd calling, response participation stuff. That's why

427
00:25:01,480 --> 00:25:04,280
Speaker 1: I'm glad that I'm glad I studied who I studied

428
00:25:04,480 --> 00:25:07,040
Speaker 1: when I think talking about people like Kane and Doug

429
00:25:07,040 --> 00:25:11,639
Speaker 1: and rock him like, so I still got the pen, Yeah,

430
00:25:11,800 --> 00:25:13,679
Speaker 1: I still got the pen. But I still know how

431
00:25:13,720 --> 00:25:15,600
Speaker 1: to get off on stage, you know what I'm saying,

432
00:25:15,760 --> 00:25:18,199
Speaker 1: and perform and give a show. And I learned that

433
00:25:18,240 --> 00:25:22,879
Speaker 1: from Dunkey Dope. Not counting uh Vanilla Ice because I

434
00:25:22,920 --> 00:25:27,840
Speaker 1: think he's no, no, no in your top five the bombs, uh,

435
00:25:28,119 --> 00:25:31,280
Speaker 1: But all the other white rappers prior to Eminem and

436
00:25:31,480 --> 00:25:37,560
Speaker 1: she searched the Beastie Boys, milk Bone, it was, he

437
00:25:37,600 --> 00:25:40,520
Speaker 1: had a high red. It feels like, obviously Eminem has

438
00:25:40,560 --> 00:25:44,120
Speaker 1: been held as the greatest of the white guy era.

439
00:25:44,400 --> 00:25:48,600
Speaker 1: Of all the white guys out there was was searched

440
00:25:48,760 --> 00:25:54,959
Speaker 1: in all the other dudes. Yeah you really back in

441
00:25:54,960 --> 00:25:58,160
Speaker 1: in in the mid eighties, and this is befourth third base,

442
00:25:58,160 --> 00:26:01,080
Speaker 1: you understand me. In the mid eighties, Search had a

443
00:26:01,119 --> 00:26:05,240
Speaker 1: little independent song called Hey boy searches to come in

444
00:26:05,320 --> 00:26:10,800
Speaker 1: Latin Quarters with his his flat top hip hop clothes

445
00:26:10,840 --> 00:26:14,040
Speaker 1: on and the hairspray and walk in and get on

446
00:26:14,080 --> 00:26:16,840
Speaker 1: the middle of the floor and start whopping doing the

447
00:26:16,920 --> 00:26:19,760
Speaker 1: running Man. All this is stuff, and everybody around in

448
00:26:20,080 --> 00:26:24,160
Speaker 1: circle circle around. MC search, go white boy, go white boy.

449
00:26:24,480 --> 00:26:30,479
Speaker 1: They love search l in Latin quarters. Yes, yes, like

450
00:26:30,600 --> 00:26:35,440
Speaker 1: search was like you know he like back then search

451
00:26:35,480 --> 00:26:38,680
Speaker 1: could get me in. Wow, I would be MC search

452
00:26:38,760 --> 00:26:42,080
Speaker 1: plus one. They're getting the quarters. All are so easy

453
00:26:42,119 --> 00:26:49,160
Speaker 1: to impress as soon as a white motherfucker starts talking, like,

454
00:26:49,720 --> 00:26:53,720
Speaker 1: all go crazy for that that guy right there, Look

455
00:26:53,760 --> 00:26:55,399
Speaker 1: at this one, Look at this white boy. Now, I

456
00:26:55,480 --> 00:26:59,800
Speaker 1: just gotta keep it funk Search is hip hop. You

457
00:26:59,840 --> 00:27:02,040
Speaker 1: know I'm saying that's dope, man, I mean you know,

458
00:27:02,320 --> 00:27:05,520
Speaker 1: um yeah, searches hip hop and you know I got

459
00:27:05,640 --> 00:27:07,560
Speaker 1: and what about Beast Boys because they seemed like they

460
00:27:07,640 --> 00:27:10,320
Speaker 1: started off hip hop and then turn rock. No, No,

461
00:27:10,400 --> 00:27:13,840
Speaker 1: Beast Boys started off punk punk hip hop. I didn't

462
00:27:13,840 --> 00:27:16,000
Speaker 1: even know about the punk stage. I didn't know they

463
00:27:16,080 --> 00:27:22,359
Speaker 1: was punk punk. They was downtown, like the Downtown. My

464
00:27:22,440 --> 00:27:25,760
Speaker 1: first you know taste of them was of course, License

465
00:27:25,800 --> 00:27:28,480
Speaker 1: to m Yeah, fight for your Right to Part. So

466
00:27:28,600 --> 00:27:31,399
Speaker 1: I thought they were straight hip hop. I mean holding

467
00:27:31,440 --> 00:27:35,000
Speaker 1: down hit It, Paul Revere straight out of Brooklyn. Yeah,

468
00:27:35,560 --> 00:27:37,439
Speaker 1: I mean I love those songs. I mean it was

469
00:27:37,480 --> 00:27:39,000
Speaker 1: like it was type of thing where they had their

470
00:27:39,000 --> 00:27:41,800
Speaker 1: own lane. It was different than what we was doing,

471
00:27:42,160 --> 00:27:44,960
Speaker 1: but you know, it was still appreciated and it was love,

472
00:27:45,080 --> 00:27:48,480
Speaker 1: you know. So I mean it's like like I call

473
00:27:48,520 --> 00:27:51,120
Speaker 1: search a lyricists. You know what I'm saying. I don't

474
00:27:51,160 --> 00:27:55,040
Speaker 1: call beast boys lyricists. They had dope ass jams. They

475
00:27:55,080 --> 00:27:58,760
Speaker 1: had dope jams. They did, you know, the whole brand

476
00:27:58,840 --> 00:28:03,240
Speaker 1: and lane of their own. And I was saying something

477
00:28:03,240 --> 00:28:07,040
Speaker 1: when at that that error, like we're talking about the eighties,

478
00:28:07,640 --> 00:28:10,639
Speaker 1: if if black people like just ship at that time

479
00:28:10,720 --> 00:28:15,280
Speaker 1: white boys and let's not exclude um what's jump around?

480
00:28:17,320 --> 00:28:22,560
Speaker 1: But this might be with my Last? But other than

481
00:28:22,640 --> 00:28:25,879
Speaker 1: that song, what else did they do? No? But I

482
00:28:25,880 --> 00:28:29,040
Speaker 1: mean I'm I'm talking about you know, man, what's his name?

483
00:28:29,760 --> 00:28:32,520
Speaker 1: Ever Last? But I'm saying ever Last was a lyricist

484
00:28:32,520 --> 00:28:37,240
Speaker 1: though ever Last was don't talking he started? Yeah, yeah,

485
00:28:37,240 --> 00:28:38,680
Speaker 1: he was with ice in them right, Yeah, he was

486
00:28:40,080 --> 00:28:43,680
Speaker 1: ever ever Last, ever Last lyricist like dude got bars.

487
00:28:44,200 --> 00:28:47,440
Speaker 1: Dude got bars? He like like like like ever Last,

488
00:28:47,600 --> 00:28:50,960
Speaker 1: Yeah he got bars. The thing I say about Eminem

489
00:28:51,400 --> 00:28:54,800
Speaker 1: is this um as opposed to everyone else that we mentioned.

490
00:28:55,760 --> 00:28:59,120
Speaker 1: But the thing I said about Eminem is this Eminem

491
00:28:59,640 --> 00:29:06,200
Speaker 1: is not only a dope white MC eminem it's a

492
00:29:06,280 --> 00:29:11,120
Speaker 1: dope fucking MC regardless of what motherfucker color you are. Release,

493
00:29:11,880 --> 00:29:15,200
Speaker 1: release a dump album, an album letter, and it's only

494
00:29:15,200 --> 00:29:18,760
Speaker 1: shipped because we didn't dig it. I like, like I

495
00:29:18,800 --> 00:29:25,160
Speaker 1: said before, I've never heard anybody rapper, anybody manipulate viol

496
00:29:25,320 --> 00:29:30,320
Speaker 1: sounds the way he does. Yes, and the fact that

497
00:29:30,360 --> 00:29:33,680
Speaker 1: by the time I hear his verse, I know it's

498
00:29:33,680 --> 00:29:36,360
Speaker 1: as close to perfect as it can get because whatever

499
00:29:36,440 --> 00:29:39,360
Speaker 1: word could have fit there, that motherfucker already tried it

500
00:29:39,480 --> 00:29:42,160
Speaker 1: and it didn't work. So I listened to his bars

501
00:29:42,480 --> 00:29:45,320
Speaker 1: and go back through the verses and be like, why

502
00:29:45,320 --> 00:29:47,760
Speaker 1: didn't Oh, yeah, well that wouldn't have fit right, Okay,

503
00:29:47,760 --> 00:29:49,880
Speaker 1: well he could have said, now I couldn't because that

504
00:29:49,880 --> 00:29:52,880
Speaker 1: wouldn't have fit. Like, so you're talking about a mother

505
00:29:53,040 --> 00:29:55,560
Speaker 1: who would take a month to right a sixteen. We

506
00:29:55,600 --> 00:29:57,560
Speaker 1: don't do that kind of ship. See this, And this

507
00:29:57,600 --> 00:30:00,560
Speaker 1: is why I have such a deep respect for rap

508
00:30:01,120 --> 00:30:04,040
Speaker 1: uh as the R form because listen, I can rap,

509
00:30:04,600 --> 00:30:07,440
Speaker 1: but I can't wrap, you know what I'm saying? Like

510
00:30:07,480 --> 00:30:10,400
Speaker 1: I could, it would take me two years to come

511
00:30:10,480 --> 00:30:13,760
Speaker 1: up with something solid. But if I smoke enough weed

512
00:30:13,800 --> 00:30:16,800
Speaker 1: and I zone out, I know how to punch lines

513
00:30:16,840 --> 00:30:20,160
Speaker 1: and metaphors. But there's so this ship is such high

514
00:30:20,240 --> 00:30:24,560
Speaker 1: chemistry that I tell people, unless you like some of

515
00:30:24,600 --> 00:30:26,640
Speaker 1: the stories you're telling about how to work the crowd,

516
00:30:26,920 --> 00:30:29,120
Speaker 1: how to know how to do this, the words you

517
00:30:29,200 --> 00:30:32,480
Speaker 1: go to the vowels, this ship is such a chemistry,

518
00:30:32,760 --> 00:30:35,800
Speaker 1: I go, I can't do that. I cannot do that.

519
00:30:36,440 --> 00:30:39,520
Speaker 1: It's mind boggling how motherfucker's come up with that. That's

520
00:30:39,520 --> 00:30:42,640
Speaker 1: why when I hear again not to keep beating the drum,

521
00:30:42,760 --> 00:30:45,960
Speaker 1: when I hear this garbage that, I go, you know,

522
00:30:46,200 --> 00:30:49,360
Speaker 1: it's no effort. I can't come on man. Nas did

523
00:30:49,400 --> 00:30:52,400
Speaker 1: a song where he run backwards. You know how hard

524
00:30:52,440 --> 00:30:59,280
Speaker 1: it is to wrap forward, like come on man? You know?

525
00:30:59,760 --> 00:31:01,680
Speaker 1: And on that album he did a couple of years ago,

526
00:31:01,800 --> 00:31:04,680
Speaker 1: Kama Kazi, he did a couple of songs in the

527
00:31:04,680 --> 00:31:09,080
Speaker 1: flow that the kids are doing now and fucking yeah

528
00:31:09,680 --> 00:31:13,560
Speaker 1: murdered it, called them all out on their bullshit. I

529
00:31:13,600 --> 00:31:17,080
Speaker 1: think it was the I mean, it was so much,

530
00:31:17,480 --> 00:31:20,200
Speaker 1: so much. I mean, and I era was just crazy

531
00:31:20,200 --> 00:31:23,040
Speaker 1: because we was listening and holding all to all the words.

532
00:31:24,040 --> 00:31:26,920
Speaker 1: And I know, for one thing, when I heard run

533
00:31:27,000 --> 00:31:31,480
Speaker 1: DMC live at the fun House, just one line if

534
00:31:31,520 --> 00:31:34,720
Speaker 1: you said you heard my rhom, we're gonna have to

535
00:31:34,840 --> 00:31:38,360
Speaker 1: fight because I just made the motherfucker up last night.

536
00:31:40,440 --> 00:31:44,400
Speaker 1: I was like, oh, Ship, Yeah, that was the first

537
00:31:44,440 --> 00:31:48,360
Speaker 1: time I heard motherfucker a rap two three and m

538
00:31:48,400 --> 00:31:51,440
Speaker 1: m is. You know, like I said, I still always

539
00:31:51,520 --> 00:31:54,240
Speaker 1: felt like he was probably the one motherfucker that gave

540
00:31:54,360 --> 00:31:57,880
Speaker 1: jay Z the business, you know what I'm saying, Like,

541
00:31:58,360 --> 00:32:00,800
Speaker 1: so it ain't too many mothers suckers that could even

542
00:32:00,840 --> 00:32:04,240
Speaker 1: hold a candle next to Hole. But when he got

543
00:32:04,280 --> 00:32:07,320
Speaker 1: on that record like Renegade, when he got on Renegade,

544
00:32:08,280 --> 00:32:12,440
Speaker 1: something happened and and and it was different. And I

545
00:32:12,520 --> 00:32:15,640
Speaker 1: was just like, at some point in all of our lives,

546
00:32:15,680 --> 00:32:19,560
Speaker 1: we've all heard of eminem Verse and win White Boy

547
00:32:19,600 --> 00:32:24,360
Speaker 1: body day. Do you dread looking at your credit card

548
00:32:24,400 --> 00:32:26,640
Speaker 1: statement every month? I know I do. I don't blame you.

549
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550
00:32:29,560 --> 00:32:31,600
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551
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552
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Speaker 1: card debt. Upstart is the fast and easy way to

553
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554
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555
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Speaker 1: interest debt or funding personal expenses. Over half a million

556
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Speaker 1: people have used upstart to get a simple Over half

557
00:32:51,560 --> 00:32:53,640
Speaker 1: a million people have used upstart to get a simple

558
00:32:53,760 --> 00:32:58,680
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559
00:32:58,720 --> 00:33:01,520
Speaker 1: than just your credit score. They also consider your income,

560
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561
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562
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563
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Speaker 1: between one thousand and fifty thousand dollars and you can

564
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565
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566
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567
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568
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569
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570
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571
00:33:40,440 --> 00:33:44,040
Speaker 1: upstart dot com slash peters to see what upstart can

572
00:33:44,040 --> 00:33:50,120
Speaker 1: do for you today. To listen man um and when

573
00:33:50,160 --> 00:33:56,719
Speaker 1: we talk about again rappers versus lyricists to me, DMX

574
00:33:58,080 --> 00:34:01,840
Speaker 1: energy felt then he would lyrically say some ship to funk.

575
00:34:01,880 --> 00:34:05,520
Speaker 1: You up that footage of them all behind backstage and

576
00:34:05,560 --> 00:34:08,880
Speaker 1: they freestyling, L I mean not al jay Z d

577
00:34:09,000 --> 00:34:10,840
Speaker 1: m X, And he said the last line to his

578
00:34:10,920 --> 00:34:13,879
Speaker 1: rhyme when he set up, I take the straight razor

579
00:34:13,960 --> 00:34:17,040
Speaker 1: and put pin stripes across your windpipe. Mm hmm, I

580
00:34:17,160 --> 00:34:22,040
Speaker 1: put pinch stripes across your window. I went, God damn

581
00:34:22,440 --> 00:34:25,560
Speaker 1: Like for for us as rappers went up, when a

582
00:34:25,640 --> 00:34:28,080
Speaker 1: motherfucker gets some shipped off, and we wish that we

583
00:34:28,200 --> 00:34:31,560
Speaker 1: had said it. That's the ultimate compliment, Like like when

584
00:34:31,600 --> 00:34:35,040
Speaker 1: I see dudes and I walk up to you and

585
00:34:35,080 --> 00:34:40,400
Speaker 1: go bro nigger when you said, who like just just

586
00:34:40,440 --> 00:34:42,959
Speaker 1: getting bags at the airport and just get your panel,

587
00:34:43,040 --> 00:34:45,040
Speaker 1: I walked the funk off. You know what I'm saying, Like,

588
00:34:45,280 --> 00:34:49,640
Speaker 1: that's the ultimate compliment to a rapper to MC, you

589
00:34:49,680 --> 00:34:53,480
Speaker 1: know what I'm saying, Like I said that rap numerous occasions.

590
00:34:54,120 --> 00:34:56,359
Speaker 1: G rap always has some ship to people never really

591
00:34:56,360 --> 00:34:58,719
Speaker 1: paid attention to unless you're a hip hop head. And

592
00:34:58,960 --> 00:35:02,680
Speaker 1: even it was hard to for me because it always

593
00:35:02,680 --> 00:35:04,279
Speaker 1: sounds like when he wrapped, he had something hot in

594
00:35:04,320 --> 00:35:08,880
Speaker 1: his mouth because he gotta list We gotta listen. I

595
00:35:08,920 --> 00:35:12,520
Speaker 1: got past that said when he said, you wish your

596
00:35:12,600 --> 00:35:15,000
Speaker 1: name had a G. But to be a batter G boy,

597
00:35:15,040 --> 00:35:19,439
Speaker 1: you gotta play with strategy. I said, God damn right.

598
00:35:19,640 --> 00:35:25,360
Speaker 1: Like like you, you always get to a point where

599
00:35:25,520 --> 00:35:29,120
Speaker 1: you know when somebody say something, it shoppings your pen,

600
00:35:29,280 --> 00:35:31,399
Speaker 1: you know what I'm saying. It almost like when rock

601
00:35:31,440 --> 00:35:33,440
Speaker 1: Him did not take seven m sees put him on

602
00:35:33,480 --> 00:35:35,280
Speaker 1: the line, you know what I mean? That whole frours

603
00:35:35,320 --> 00:35:37,360
Speaker 1: just like bro like and it was so basic. But

604
00:35:37,440 --> 00:35:40,080
Speaker 1: I'm just like, you put them all in the line.

605
00:35:40,400 --> 00:35:43,120
Speaker 1: Add seven more brothers that think they can rhyme. It

606
00:35:43,120 --> 00:35:45,560
Speaker 1: will take seven more before I go for mine. And

607
00:35:45,600 --> 00:35:47,440
Speaker 1: that's twenty one of them, sees eight up at the

608
00:35:47,520 --> 00:35:49,440
Speaker 1: same time. Now I have to ask this though, and

609
00:35:49,640 --> 00:35:52,279
Speaker 1: and you know again, I feel like, because y'all in

610
00:35:52,280 --> 00:35:54,960
Speaker 1: the game, you're gonna be political and you don't want

611
00:35:54,960 --> 00:35:57,520
Speaker 1: to step on them toes. I don't get honest. We

612
00:35:57,600 --> 00:36:00,760
Speaker 1: all East Coast people, right, facts, all right? Jay Z said,

613
00:36:00,840 --> 00:36:04,480
Speaker 1: East Coast home of the Spinners. And I'm I tell

614
00:36:04,480 --> 00:36:07,400
Speaker 1: people I'm biased. Man. I might give a little credit

615
00:36:07,880 --> 00:36:11,600
Speaker 1: to somebody else New York, but I'm about that word play.

616
00:36:11,960 --> 00:36:14,799
Speaker 1: As y'all talk about coogi wrapping this person and that

617
00:36:14,840 --> 00:36:18,160
Speaker 1: person from other regions? Is there anybody that y'all ever

618
00:36:18,239 --> 00:36:24,000
Speaker 1: looked at went whoa Yeah? I mean um um. I

619
00:36:24,160 --> 00:36:29,920
Speaker 1: always like Scarface. Yeah, scar Face always stoke with a

620
00:36:29,960 --> 00:36:34,360
Speaker 1: lyrical bees um rass car ross cass a brass cass

621
00:36:34,520 --> 00:36:42,000
Speaker 1: um um uh Andre three thousand centric for me, do

622
00:36:42,080 --> 00:36:45,759
Speaker 1: a centric with me. I'm with you football pads and

623
00:36:45,760 --> 00:36:50,320
Speaker 1: pink boots, butten ain't none of that ship in his bars.

624
00:36:50,360 --> 00:36:54,040
Speaker 1: I got you know, I got you, and I can

625
00:36:54,120 --> 00:36:56,880
Speaker 1: tell you about Come come in this alley even though

626
00:36:56,960 --> 00:37:01,480
Speaker 1: my dick out, Come on this straightup singers in this alley.

627
00:37:01,600 --> 00:37:03,759
Speaker 1: If I lost you with three stacks and dig this

628
00:37:04,000 --> 00:37:13,680
Speaker 1: here and Celo Green, Celo Green, come on with you?

629
00:37:13,840 --> 00:37:15,759
Speaker 1: What you wanna do? You want me to run through

630
00:37:15,760 --> 00:37:17,960
Speaker 1: with my gun? Drew? This niggna did some shitt he

631
00:37:18,000 --> 00:37:21,040
Speaker 1: can't undo when anybody's with them. They deserved one too, nigger.

632
00:37:21,080 --> 00:37:22,640
Speaker 1: You got me in here sucking up my good clothes

633
00:37:22,640 --> 00:37:29,000
Speaker 1: and you scan these holes. Come on, Celo Crazy, Celo Na,

634
00:37:29,280 --> 00:37:35,359
Speaker 1: I said for me, ice Cube, come out of ice

635
00:37:35,400 --> 00:37:40,640
Speaker 1: Cube fan at. I love ice Cub kids. The way

636
00:37:40,680 --> 00:37:44,640
Speaker 1: he rhymes his words do nothing for me? Did you

637
00:37:44,680 --> 00:37:48,200
Speaker 1: listen to America's Most Wanted Kids, Dan you when he

638
00:37:48,239 --> 00:37:54,839
Speaker 1: went against n w Oh, that was crazy. Yr dm

639
00:37:54,960 --> 00:37:57,839
Speaker 1: C came to my house at midnight to play that

640
00:37:57,840 --> 00:38:00,840
Speaker 1: ship for me. Yeah, before he came out. You know.

641
00:38:00,840 --> 00:38:03,160
Speaker 1: The first thing is nobody should show up at your

642
00:38:03,160 --> 00:38:08,440
Speaker 1: house that I'm coming over with no vessel at midnight.

643
00:38:09,200 --> 00:38:11,640
Speaker 1: You know what. I stuck my chin out for that.

644
00:38:12,680 --> 00:38:14,200
Speaker 1: I stuck my chin out for that one. What did

645
00:38:14,200 --> 00:38:18,640
Speaker 1: you do? It is like Kan, I'm coming up over Sling.

646
00:38:22,280 --> 00:38:24,000
Speaker 1: That's the same Nickel telling you get in the alley

647
00:38:24,040 --> 00:38:29,080
Speaker 1: with my dick out, it's all good. So you don't

648
00:38:29,120 --> 00:38:31,440
Speaker 1: have no rappers that ain't from New York that you

649
00:38:31,560 --> 00:38:36,200
Speaker 1: fun with. No, not a one coast way you know?

650
00:38:37,880 --> 00:38:42,400
Speaker 1: Like that? I like SnO his earlier work again po

651
00:38:42,760 --> 00:38:46,160
Speaker 1: Poc from New York if we're being honest, um, But

652
00:38:46,280 --> 00:38:49,879
Speaker 1: other than Snoop and pot Man, I just especially when

653
00:38:49,880 --> 00:38:52,640
Speaker 1: the South was hitting, I'm not a Southern fan. I'm

654
00:38:52,640 --> 00:38:54,960
Speaker 1: with you all that. I'm just saying that, I like

655
00:38:55,000 --> 00:38:59,560
Speaker 1: Nigga said, read yo this and can you know there's

656
00:38:59,600 --> 00:39:02,760
Speaker 1: some other fucking is all right? So you you're telling

657
00:39:02,760 --> 00:39:05,399
Speaker 1: me that's it. I just said about a cel those

658
00:39:05,520 --> 00:39:08,040
Speaker 1: wasn't he wasn't spitting. I gotta get past the fact

659
00:39:08,040 --> 00:39:09,600
Speaker 1: that this nigga is built like R two D two.

660
00:39:11,360 --> 00:39:15,799
Speaker 1: That ain't got nothing to do with the bars. That

661
00:39:15,840 --> 00:39:18,719
Speaker 1: ain't got nothing to do with the bars. So hey,

662
00:39:18,760 --> 00:39:21,160
Speaker 1: I take his vest and I don't have nothing to

663
00:39:21,200 --> 00:39:23,640
Speaker 1: do with the bars. Hear you. But I'm looking at you,

664
00:39:23,760 --> 00:39:28,000
Speaker 1: and you built like a trash can nigga, and they

665
00:39:28,200 --> 00:39:32,880
Speaker 1: built like a propane tank. So who who? Who is

666
00:39:32,920 --> 00:39:36,200
Speaker 1: in your top five? Just give me a couple I

667
00:39:36,280 --> 00:39:39,920
Speaker 1: know DMX no not top five? Top five is jay Z,

668
00:39:40,120 --> 00:39:45,480
Speaker 1: Biggie nas Uh, Jada kiss Uh, rock Him? I stop

669
00:39:45,600 --> 00:39:48,000
Speaker 1: right there. That's five, right and and and really I'm

670
00:39:48,080 --> 00:39:52,279
Speaker 1: battling between rock Him and M and M. You wild

671
00:39:52,360 --> 00:39:56,200
Speaker 1: And you didn't even say this, nigga, Well damn don't

672
00:39:56,200 --> 00:39:59,239
Speaker 1: expect you to lie. No, no, no, no, no no

673
00:39:59,239 --> 00:40:01,319
Speaker 1: no no no, I'm not saying that. When you said

674
00:40:01,320 --> 00:40:04,080
Speaker 1: I'm battling you, you lost me Because you said I'm

675
00:40:04,080 --> 00:40:06,680
Speaker 1: battling with rock Him and Jada Kiss. You lost me, right,

676
00:40:09,800 --> 00:40:15,160
Speaker 1: absolutely not. So who takes the fifth spot? Jay Z

677
00:40:15,200 --> 00:40:18,880
Speaker 1: wouldn't be on my list? Are you crazy? No? Crazy?

678
00:40:19,440 --> 00:40:25,359
Speaker 1: J wouldn't be listen. Listen. I put Jazz oh before

679
00:40:25,360 --> 00:40:27,840
Speaker 1: I put jay Z Listen. I mean he did influence,

680
00:40:27,960 --> 00:40:31,960
Speaker 1: but let's set it. Let's put it. When people say

681
00:40:32,000 --> 00:40:34,239
Speaker 1: to me, when people say to me comedically, who's your

682
00:40:34,239 --> 00:40:37,759
Speaker 1: Mount Rushmore? You I can name my Mount Rushmore, but

683
00:40:37,800 --> 00:40:40,480
Speaker 1: then to me, that's the Mount Olympus. There is the Gods,

684
00:40:41,160 --> 00:40:44,880
Speaker 1: Eddie Murphy, Richard Pryor, Red Fox, Bill Cosby, Oh, the Gods,

685
00:40:45,200 --> 00:40:48,640
Speaker 1: now Mount Olympus. I mean, I mean, uh, Mount Rushmore,

686
00:40:49,040 --> 00:40:54,200
Speaker 1: Dave Chappelle, Patrise, O'Neil, Tommy Davidson, Bill Burr. You know

687
00:40:54,239 --> 00:40:55,839
Speaker 1: what I'm saying. So I'm just saying with Gaine, it's

688
00:40:55,880 --> 00:41:02,160
Speaker 1: like carling in there. I love he's a pioneer, but

689
00:41:02,320 --> 00:41:04,200
Speaker 1: you know what I'm saying, He's in the list somewhere,

690
00:41:04,480 --> 00:41:08,879
Speaker 1: but not not to listen. Like I said that time

691
00:41:08,880 --> 00:41:10,880
Speaker 1: when I met your mel Rose, you showed mad love.

692
00:41:10,960 --> 00:41:13,680
Speaker 1: You stopped your car and called me, and then and

693
00:41:13,719 --> 00:41:16,160
Speaker 1: then when you said yo, I'm eries, I'm like, no,

694
00:41:16,280 --> 00:41:18,319
Speaker 1: I know who you are. A brother. You know you

695
00:41:18,440 --> 00:41:21,759
Speaker 1: showed mad love. I appreciate. I don't have to be

696
00:41:21,800 --> 00:41:23,920
Speaker 1: in your top five. I just appreciate you, you know,

697
00:41:24,040 --> 00:41:27,640
Speaker 1: respecting huh. You know I don't have to be in

698
00:41:27,680 --> 00:41:34,120
Speaker 1: your ID, and man, I can't fathom a top five

699
00:41:34,200 --> 00:41:38,359
Speaker 1: without him in it. I can't. I don't even make sense. Well,

700
00:41:38,360 --> 00:41:40,400
Speaker 1: that's why I like you better in this motherfucker. But

701
00:41:40,880 --> 00:41:48,040
Speaker 1: you know, here's what makes it. Here's what makes this

702
00:41:48,160 --> 00:41:52,040
Speaker 1: so impossible. If you said your mount rushmore of basketball,

703
00:41:52,520 --> 00:41:57,399
Speaker 1: of course, Jordan's of course magic. I think you gotta

704
00:41:57,440 --> 00:41:59,920
Speaker 1: throw in bird. But there's a lot of people who

705
00:42:00,000 --> 00:42:04,320
Speaker 1: out oft for that fourth spot, Kareem Russell, Kobe Lebron.

706
00:42:05,760 --> 00:42:09,040
Speaker 1: That's almost impossible. I get it. You know, Baba shop talk.

707
00:42:09,280 --> 00:42:11,840
Speaker 1: Everybody gonna have you know, you know, their own opinion.

708
00:42:11,920 --> 00:42:13,480
Speaker 1: You know what I'm saying. You know what I mean. Hey,

709
00:42:13,560 --> 00:42:16,680
Speaker 1: you know bulls down to the criteria which you're putting

710
00:42:16,680 --> 00:42:20,200
Speaker 1: them up for. You know, you're putting them up for lyrics,

711
00:42:20,200 --> 00:42:22,920
Speaker 1: so you're putting up It depends when I when I

712
00:42:22,960 --> 00:42:25,959
Speaker 1: hear this list, you know, because I see the list

713
00:42:26,000 --> 00:42:28,160
Speaker 1: all the time, the fifty greatest. I don't pay none

714
00:42:28,200 --> 00:42:31,360
Speaker 1: of that ship no mind, because it's it's nowadays that

715
00:42:31,440 --> 00:42:34,560
Speaker 1: ship has done by mother fucking critics with no credentials.

716
00:42:35,280 --> 00:42:39,600
Speaker 1: You know, So when you're saying I don't even get

717
00:42:39,600 --> 00:42:43,840
Speaker 1: into that top five. That ship is too impossible because

718
00:42:44,040 --> 00:42:48,200
Speaker 1: it's so many incredible, great artists. I can't squeeze that

719
00:42:48,280 --> 00:42:50,399
Speaker 1: in the five. I could barely do it with ten.

720
00:42:51,120 --> 00:42:55,440
Speaker 1: I'll entertain it, but again I entertain it as Baba

721
00:42:55,520 --> 00:42:58,480
Speaker 1: shop talk. You know, we're just shooting the ship and

722
00:42:58,680 --> 00:43:02,440
Speaker 1: you know, just playing around is you know that's skin.

723
00:43:02,480 --> 00:43:05,000
Speaker 1: I'm gonna say, rock him. I'm gonna say, and in

724
00:43:05,080 --> 00:43:12,600
Speaker 1: no particular order, Kane, Rock, Kim Coogi Rap Caress one. Uh,

725
00:43:13,000 --> 00:43:21,080
Speaker 1: you just said my name first. Motherfucker's a classic. You know,

726
00:43:21,800 --> 00:43:24,719
Speaker 1: before I could even get into the jay Z Biggie

727
00:43:25,640 --> 00:43:28,560
Speaker 1: and into that era, I have to make sure I'm

728
00:43:28,600 --> 00:43:33,560
Speaker 1: not overlooking the era that. It pains me, dude, It

729
00:43:33,600 --> 00:43:37,000
Speaker 1: pains me because I look at your look at your comedian,

730
00:43:37,520 --> 00:43:42,080
Speaker 1: your comedian statue of what you just did. You name

731
00:43:42,120 --> 00:43:47,440
Speaker 1: knows again now on Olympus prior Murphy ed Red Fox,

732
00:43:47,520 --> 00:43:52,719
Speaker 1: Red Fox or Cosby, you know see, but now lyrically

733
00:43:53,360 --> 00:43:58,280
Speaker 1: say your lists again, Uh, jay Z, nas Jada, Kiss

734
00:43:58,440 --> 00:44:02,319
Speaker 1: Biggie and then eminem Rock. So now with your your

735
00:44:02,320 --> 00:44:06,960
Speaker 1: Olympus list, you go back to those that inspired you.

736
00:44:08,200 --> 00:44:11,520
Speaker 1: Now when you say your rap list. It's more like

737
00:44:11,719 --> 00:44:17,920
Speaker 1: more current than going back to the blueprints of the origin.

738
00:44:18,160 --> 00:44:20,399
Speaker 1: You see what I'm saying, So I would look at

739
00:44:20,440 --> 00:44:23,680
Speaker 1: you listen. I'm not mad at your list, but that

740
00:44:23,840 --> 00:44:28,000
Speaker 1: list goes deeper because it's people that inspired them, and

741
00:44:28,040 --> 00:44:32,160
Speaker 1: without these people before them, it would I tell you this,

742
00:44:32,440 --> 00:44:35,560
Speaker 1: And this sounds like I'm being political because I'm playing

743
00:44:35,600 --> 00:44:38,160
Speaker 1: both sides of the fence. But if on that, no, no,

744
00:44:38,239 --> 00:44:42,319
Speaker 1: but then he's definitely in the top. I can't. I

745
00:44:42,360 --> 00:44:45,080
Speaker 1: can't never tell you who the like and what the like.

746
00:44:45,600 --> 00:44:48,520
Speaker 1: But I'm just telling you with certain things. It's just

747
00:44:48,600 --> 00:44:52,440
Speaker 1: like somebody saying they top comedians and not saying prior,

748
00:44:52,560 --> 00:44:56,800
Speaker 1: how would you look at them? You'll be like, what prior? Nigga?

749
00:44:56,920 --> 00:45:01,280
Speaker 1: You high? That's how it is. When you say rapless

750
00:45:01,320 --> 00:45:03,799
Speaker 1: and you leave off certain people, you you ain't say

751
00:45:03,880 --> 00:45:07,480
Speaker 1: this person. It's the same. It's the same effect. But

752
00:45:07,600 --> 00:45:11,520
Speaker 1: you're talking from a comedic aspect of your greatest and

753
00:45:11,560 --> 00:45:15,879
Speaker 1: you're talking about heavy hip hoppers and the purest from

754
00:45:15,960 --> 00:45:19,800
Speaker 1: their aspect. It's always gonna be a clash. I don't

755
00:45:19,840 --> 00:45:24,000
Speaker 1: I don't put people in front of who inspired them

756
00:45:24,040 --> 00:45:29,200
Speaker 1: to me, so it's almost like I know that the

757
00:45:29,320 --> 00:45:34,560
Speaker 1: lineage of Biggie and Hove is directly to him. I

758
00:45:34,600 --> 00:45:39,399
Speaker 1: can't whoever influenced him, that's who he gonna say, cast Mail,

759
00:45:40,080 --> 00:45:45,680
Speaker 1: But I know without him, ain't no Cane in Big period.

760
00:45:45,880 --> 00:45:48,520
Speaker 1: So I ain't gonna say Cane and Big before him.

761
00:45:48,840 --> 00:45:52,799
Speaker 1: That's just me. Yeah, Jay and Big before him. So

762
00:45:53,560 --> 00:45:56,520
Speaker 1: I don't put people in front of the people that

763
00:45:56,640 --> 00:46:00,279
Speaker 1: I clearly know they were influenced by. I just don't

764
00:46:00,280 --> 00:46:03,879
Speaker 1: do that because I mean, my history with hip hop

765
00:46:04,000 --> 00:46:07,240
Speaker 1: goes so deep it's gonna go beyond the average listener.

766
00:46:07,880 --> 00:46:11,000
Speaker 1: I'm going back to, like you said, Mellie Meo cast

767
00:46:11,680 --> 00:46:14,200
Speaker 1: And you know, Spoony G was probably one of the

768
00:46:14,239 --> 00:46:18,520
Speaker 1: first storytellers that nobody give him credit for. You know,

769
00:46:18,680 --> 00:46:21,640
Speaker 1: but without a Spooney G probably wouldn't get a slick rick.

770
00:46:22,200 --> 00:46:25,040
Speaker 1: I think Cas is probably the first. But but but

771
00:46:26,520 --> 00:46:33,600
Speaker 1: on record, spooning um, you know, um, I will say this, um.

772
00:46:33,680 --> 00:46:36,080
Speaker 1: When it comes to and they put propane take up

773
00:46:36,120 --> 00:46:41,600
Speaker 1: on the screen, Joe stop it, yea, when they come

774
00:46:41,680 --> 00:46:45,920
Speaker 1: to Jay, when they come to Jay and Big. You know,

775
00:46:46,000 --> 00:46:48,759
Speaker 1: it's like I grew up as a Graham, as a

776
00:46:48,840 --> 00:46:52,080
Speaker 1: cash fan, and that was really my teacher. Like you know,

777
00:46:52,160 --> 00:46:54,000
Speaker 1: the first time I heard him rhyme, you know, I

778
00:46:54,440 --> 00:46:57,080
Speaker 1: thought I was saying some hot shipping and I hear this, dude.

779
00:46:57,160 --> 00:47:00,200
Speaker 1: You know, I'm like, yeah, I'm everything. I'm doing it.

780
00:47:00,200 --> 00:47:02,680
Speaker 1: If I ripped my whole rhyme book up, skills, I

781
00:47:02,719 --> 00:47:06,080
Speaker 1: started my whole rap career over. I reaped my whole

782
00:47:06,200 --> 00:47:08,800
Speaker 1: rhyme book up and said, I'd never be dope unless

783
00:47:08,880 --> 00:47:14,279
Speaker 1: I can do something on this level. I'm playing, you

784
00:47:14,280 --> 00:47:17,600
Speaker 1: know what I'm saying. And I started all over, and

785
00:47:17,680 --> 00:47:21,399
Speaker 1: you know, I started reinventing myself and then I became big.

786
00:47:21,480 --> 00:47:26,239
Speaker 1: Daddy came so with me saying that you know, yeah,

787
00:47:26,640 --> 00:47:30,000
Speaker 1: taking um jay z out on the road with me

788
00:47:30,040 --> 00:47:32,120
Speaker 1: and all that their stuff and you know, you know,

789
00:47:32,200 --> 00:47:34,720
Speaker 1: showing them this and that whatever, and you know whatever,

790
00:47:34,760 --> 00:47:36,719
Speaker 1: Big ya get like me and you know big and

791
00:47:36,840 --> 00:47:40,000
Speaker 1: Mr C was cool. Um I only you know, really

792
00:47:40,000 --> 00:47:43,279
Speaker 1: talked a big twice. But you know, based on what

793
00:47:43,320 --> 00:47:46,000
Speaker 1: he has said about me and what he learned from

794
00:47:46,000 --> 00:47:48,520
Speaker 1: me and all that there, I appreciate it. But at

795
00:47:48,560 --> 00:47:50,920
Speaker 1: the same time, it's like, you know, these brothers did

796
00:47:50,960 --> 00:47:54,560
Speaker 1: their thing, and just like with Kas what Cash was doing,

797
00:47:54,600 --> 00:47:57,359
Speaker 1: I took it to another level what I was doing.

798
00:47:57,719 --> 00:48:01,319
Speaker 1: J and Biggie took it to another level. So they

799
00:48:01,360 --> 00:48:07,040
Speaker 1: are allowed to be respected um as better than me,

800
00:48:07,200 --> 00:48:10,040
Speaker 1: even though they may have learned from me because they

801
00:48:10,040 --> 00:48:13,960
Speaker 1: took it to another level. That's that young grasshop of ships.

802
00:48:14,719 --> 00:48:16,960
Speaker 1: Did you name that? You're done and you're ready? One

803
00:48:17,000 --> 00:48:23,080
Speaker 1: thing I know. One thing I'll say about Big. His

804
00:48:23,239 --> 00:48:29,480
Speaker 1: transition was crazy. Were talking about battle rappers transitioning, and

805
00:48:29,680 --> 00:48:34,160
Speaker 1: he's one of the immortal to me because you well,

806
00:48:34,200 --> 00:48:38,200
Speaker 1: I've seen him round one way and just totally grow

807
00:48:39,280 --> 00:48:42,239
Speaker 1: and and when you know, when people say who's who,

808
00:48:42,280 --> 00:48:44,960
Speaker 1: we're Big, I'm gonna be biased. Of course I worked

809
00:48:45,000 --> 00:48:49,759
Speaker 1: with him, but I tell people all the time, name

810
00:48:49,840 --> 00:48:54,799
Speaker 1: one flop like Big was bat in a thousand. He

811
00:48:54,840 --> 00:49:00,520
Speaker 1: went from doing an underground to transition in the commercial.

812
00:49:01,360 --> 00:49:05,160
Speaker 1: And now usually when people try to go commercial, they

813
00:49:05,239 --> 00:49:07,240
Speaker 1: hit a snag. They're gonna hit a couple of flops

814
00:49:07,239 --> 00:49:11,239
Speaker 1: because they try and ship. But everything he tried, he perfected.

815
00:49:12,320 --> 00:49:14,640
Speaker 1: I've never seen not to cut you off this, but

816
00:49:14,680 --> 00:49:17,960
Speaker 1: I and to back backpack on that, I never seen

817
00:49:17,960 --> 00:49:20,440
Speaker 1: the motherfucker cover that many bases and still do it

818
00:49:20,560 --> 00:49:23,080
Speaker 1: at a at an excellent level, like, oh, you want

819
00:49:23,080 --> 00:49:25,640
Speaker 1: some backpack ship with premiere, I got that ship. You

820
00:49:25,640 --> 00:49:27,880
Speaker 1: want some ship for the bitches, I got that ship,

821
00:49:28,040 --> 00:49:30,799
Speaker 1: or you want some some of this bone thugs. I

822
00:49:30,840 --> 00:49:34,120
Speaker 1: got that ship. Like he did all of it well

823
00:49:34,719 --> 00:49:37,200
Speaker 1: in two albums, you know what I'm saying. So when

824
00:49:37,239 --> 00:49:39,759
Speaker 1: you listen to the progression from the first album to

825
00:49:39,840 --> 00:49:41,879
Speaker 1: the second one, he even was like, yeah, I can't

826
00:49:41,920 --> 00:49:45,359
Speaker 1: even rap about the same ship. How many motherfucker's We're like, oh,

827
00:49:45,400 --> 00:49:47,759
Speaker 1: it worked, you sold four million. I was about to

828
00:49:47,760 --> 00:49:49,200
Speaker 1: do this ship all over again. I'm gonna do a

829
00:49:49,200 --> 00:49:51,360
Speaker 1: premiere beat. I'm gonna do it da, I'm gonna do

830
00:49:51,440 --> 00:49:53,839
Speaker 1: all this ship over again. He was like, I can't

831
00:49:53,880 --> 00:49:56,560
Speaker 1: even rap about that same ship. No more. I ain't broke,

832
00:49:56,600 --> 00:50:00,120
Speaker 1: no more, I ain't in the hood. It it is

833
00:50:00,160 --> 00:50:04,799
Speaker 1: over look over And you gotta understand. You know, kan

834
00:50:05,040 --> 00:50:08,200
Speaker 1: say only meant Biggie twice, But out of those two times,

835
00:50:08,239 --> 00:50:10,000
Speaker 1: one of them you put him in pok on stage

836
00:50:10,000 --> 00:50:13,160
Speaker 1: in Madison Square Garden with you, and that alone, out

837
00:50:13,200 --> 00:50:15,879
Speaker 1: of two times of meeting a cat and one time

838
00:50:15,960 --> 00:50:19,680
Speaker 1: that one fucking freestyle that they did that night, Still

839
00:50:19,800 --> 00:50:23,400
Speaker 1: it holds up to this day. I know I'm probably

840
00:50:23,400 --> 00:50:25,080
Speaker 1: gonna sunk this up because I haven't done it in

841
00:50:25,080 --> 00:50:27,520
Speaker 1: a no, no, because I haven't done it in a

842
00:50:27,600 --> 00:50:29,919
Speaker 1: million years. Here you go, no, no, no, no, no.

843
00:50:30,040 --> 00:50:31,640
Speaker 1: I know mynnu stuck is haven't done it in a

844
00:50:31,680 --> 00:50:34,319
Speaker 1: million years. But I'm gonna try. Um. When I say

845
00:50:34,360 --> 00:50:36,719
Speaker 1: I'm not a rapper, but I rap and I don't

846
00:50:36,719 --> 00:50:38,960
Speaker 1: do a good BIGGI impression, but I remember I tried

847
00:50:39,000 --> 00:50:42,040
Speaker 1: to and I had wrote something where I said, uh,

848
00:50:42,120 --> 00:50:45,640
Speaker 1: biggie baby bit delivers cold like the shivers, took slick ship,

849
00:50:45,840 --> 00:50:48,520
Speaker 1: spit game is vicious, malicious. How I rolled through you

850
00:50:48,600 --> 00:50:51,800
Speaker 1: like a cancer doc speak bleak, took a bunch of chances,

851
00:50:51,920 --> 00:50:54,400
Speaker 1: seemed to work slow, The keemo flushed to the bone.

852
00:50:54,400 --> 00:50:57,920
Speaker 1: Merrow life window that row fun several fuck beef. Make

853
00:50:58,000 --> 00:51:00,000
Speaker 1: peace with your priests. At least they could take up

854
00:51:00,000 --> 00:51:04,000
Speaker 1: out tomorrow, Papa spotor biggybe done. Drop your frank, keep

855
00:51:04,000 --> 00:51:06,160
Speaker 1: it real, keep it frank like Sinatra. When it comes

856
00:51:06,200 --> 00:51:08,680
Speaker 1: to gun play, unick is strange to us. Type for

857
00:51:08,719 --> 00:51:11,520
Speaker 1: the fight that are strained, the bust that's strange to us. Uh.

858
00:51:11,560 --> 00:51:13,439
Speaker 1: We pack a punch like Mike like when he trained

859
00:51:13,480 --> 00:51:15,600
Speaker 1: with cuss to blaming us must be kid didn't like

860
00:51:15,680 --> 00:51:17,680
Speaker 1: Robin Givons. If you think you a man, it's just

861
00:51:17,680 --> 00:51:21,840
Speaker 1: taming us. No, that's good as fun. My god, damn,

862
00:51:21,840 --> 00:51:24,719
Speaker 1: I wish that was a bit. I'm not, but that

863
00:51:24,880 --> 00:51:28,560
Speaker 1: was dope. But I could. I could. That was the

864
00:51:28,880 --> 00:51:35,520
Speaker 1: stops and the theops bro Like, that was dope. So

865
00:51:35,560 --> 00:51:37,960
Speaker 1: that's what I'm saying. And it took me, damn it,

866
00:51:38,040 --> 00:51:40,080
Speaker 1: two years to do that, right, you know what I'm saying.

867
00:51:40,080 --> 00:51:42,560
Speaker 1: Where's y'all getting the booth and boom boom and you

868
00:51:42,640 --> 00:51:46,520
Speaker 1: got it? It took me two years while I was like, okay, okay,

869
00:51:46,560 --> 00:51:56,080
Speaker 1: then look baby, bo just I got it. Yeah. Look,

870
00:51:56,160 --> 00:51:58,400
Speaker 1: as much as I love fast food, I know that

871
00:51:58,480 --> 00:52:00,279
Speaker 1: I can't eat it all the time, but can can

872
00:52:00,320 --> 00:52:03,160
Speaker 1: be consuming and annoying. So it's hard to motivate me

873
00:52:03,239 --> 00:52:06,279
Speaker 1: to do it, like really difficult to do that. But

874
00:52:06,480 --> 00:52:08,319
Speaker 1: now that I'm using Hello Fresh, cooking is no big

875
00:52:08,320 --> 00:52:09,840
Speaker 1: deal for me. I mean, it's still kind of a

876
00:52:09,880 --> 00:52:12,279
Speaker 1: big deal for me, but it's fast, it's easy, and

877
00:52:12,280 --> 00:52:14,840
Speaker 1: and all the recipes are right there and they're really delicious.

878
00:52:15,840 --> 00:52:18,799
Speaker 1: With Hello Fresh, you get fresh, pre measured ingredients and

879
00:52:18,880 --> 00:52:21,880
Speaker 1: mouth watering seasonal recipes delivered right to your door. I

880
00:52:21,880 --> 00:52:24,160
Speaker 1: can tell you right now that my mouth is actually watering.

881
00:52:24,400 --> 00:52:26,919
Speaker 1: You can skip trips to the grocery store and count

882
00:52:27,000 --> 00:52:31,080
Speaker 1: on Hello Fresh to make home cooking easy, fun and affordable.

883
00:52:31,440 --> 00:52:34,400
Speaker 1: That's why it's America's number one meal kit. You know

884
00:52:34,480 --> 00:52:36,440
Speaker 1: I love a deal, right, so believe me when I

885
00:52:36,440 --> 00:52:38,560
Speaker 1: tell you that Hello Fresh is a great deal. It's

886
00:52:38,600 --> 00:52:41,600
Speaker 1: twenty eight percent cheaper than shopping at your local grocery

887
00:52:41,600 --> 00:52:45,040
Speaker 1: store and seventy two cheaper than going to a restaurant.

888
00:52:45,520 --> 00:52:48,760
Speaker 1: And the thing is their meals taste like amazing restaurant meals,

889
00:52:48,760 --> 00:52:51,320
Speaker 1: so it's a win win situation. I think the best

890
00:52:51,360 --> 00:52:53,680
Speaker 1: thing for me is how much flexibility I have with

891
00:52:53,719 --> 00:52:56,560
Speaker 1: Hello Fresh. My schedule changes all the time, so I

892
00:52:56,640 --> 00:52:59,960
Speaker 1: need flexibility, and with Hello Fresh, I can skip order

893
00:53:00,080 --> 00:53:01,879
Speaker 1: when I know I won't be home, and I can

894
00:53:01,920 --> 00:53:04,400
Speaker 1: customize my box every week so that if I have

895
00:53:04,520 --> 00:53:07,000
Speaker 1: friends staying with me, there's enough food for them too.

896
00:53:07,280 --> 00:53:09,400
Speaker 1: I can even double up on my kid's favorite recipes

897
00:53:09,440 --> 00:53:11,840
Speaker 1: to keep them happy. Yes, I know what you're thinking,

898
00:53:12,000 --> 00:53:14,800
Speaker 1: who needs that many chicken nuggets? Hey? They give me options,

899
00:53:14,960 --> 00:53:18,000
Speaker 1: which is super helpful. It really makes my life a

900
00:53:18,080 --> 00:53:21,560
Speaker 1: lot easier. So go to Hello Fresh dot com slash

901
00:53:21,640 --> 00:53:26,520
Speaker 1: twelve peters and use code twelve peters for twelve free

902
00:53:26,560 --> 00:53:30,920
Speaker 1: meals including free shipping. That's Hello Fresh dot com slash

903
00:53:31,080 --> 00:53:34,200
Speaker 1: twelve peters, that's the number twelve and my last name

904
00:53:34,239 --> 00:53:37,720
Speaker 1: Peters and use code twelve peters for twelve free meals

905
00:53:37,719 --> 00:53:41,439
Speaker 1: including free shipping. Hello Fresh America's number one meal. Kid,

906
00:53:44,239 --> 00:53:47,640
Speaker 1: you got cats like Prodigy who who always wrapped about

907
00:53:47,640 --> 00:53:50,759
Speaker 1: the same ship. Listen some of the best two bar

908
00:53:50,880 --> 00:53:53,560
Speaker 1: intros I've ever heard in my life. Every time that

909
00:53:53,640 --> 00:53:56,880
Speaker 1: motherfucker started rapping, you remember them first two bars at

910
00:53:57,320 --> 00:54:01,000
Speaker 1: damn near everything. I'll put my time in between the

911
00:54:01,000 --> 00:54:03,879
Speaker 1: papers line it's a wall going on outside. No, man,

912
00:54:03,880 --> 00:54:07,760
Speaker 1: that's safe from beat. Yeah, like when he started rapping,

913
00:54:07,760 --> 00:54:13,279
Speaker 1: he pulled you in first two Yes, what but he

914
00:54:13,360 --> 00:54:17,240
Speaker 1: stayed angry. Yeah, like from from the from from the first,

915
00:54:17,400 --> 00:54:20,480
Speaker 1: from the second album onwards. That just means he see

916
00:54:20,640 --> 00:54:26,319
Speaker 1: some queens. No, his success wasn't high enough. Yeah, I

917
00:54:26,400 --> 00:54:30,240
Speaker 1: noticed all the rappers that start out hardcore start on hardcore,

918
00:54:30,320 --> 00:54:33,440
Speaker 1: but when they hit that fifty tax bracket, the niggas

919
00:54:33,520 --> 00:54:37,799
Speaker 1: learned to smile, Like, who's giving us an example? I

920
00:54:37,840 --> 00:54:42,239
Speaker 1: mean Snoop started Gangster and then did records with Katie Perry. Understand,

921
00:54:42,920 --> 00:54:47,240
Speaker 1: understand there will be no Snoops. Ice Cube was always

922
00:54:47,280 --> 00:54:53,120
Speaker 1: Snoop was always caog. Ever yeah, but I'm just saying yea.

923
00:54:53,840 --> 00:54:56,120
Speaker 1: And then we found out, you know, niggas know how

924
00:54:56,120 --> 00:54:59,120
Speaker 1: profitable it is to smile. Yes, we learned that from

925
00:54:59,160 --> 00:55:03,000
Speaker 1: Bill Kaz. That's how he'd be clubbing, right. Yeah. That's

926
00:55:03,000 --> 00:55:05,319
Speaker 1: the craziest thing though, with that with ice Cube, man,

927
00:55:05,360 --> 00:55:09,400
Speaker 1: because I mean it's like the way we knew ice Cube,

928
00:55:09,920 --> 00:55:15,439
Speaker 1: you know, as you know gangster rapper lyrical and then

929
00:55:15,520 --> 00:55:18,680
Speaker 1: like the way the kids know him today as dude

930
00:55:18,719 --> 00:55:21,439
Speaker 1: didn't make movies about children, right where are they now?

931
00:55:21,520 --> 00:55:23,279
Speaker 1: And ship? You know what I'm saying. I mean, this

932
00:55:23,320 --> 00:55:25,000
Speaker 1: was the same dude who wants to made a song

933
00:55:25,040 --> 00:55:30,600
Speaker 1: called burn Hollywood Burn. We all grow well when then

934
00:55:30,600 --> 00:55:33,920
Speaker 1: pockets grow like, but I look at it this way

935
00:55:33,960 --> 00:55:35,959
Speaker 1: when I when I go back to paying it took

936
00:55:36,000 --> 00:55:38,719
Speaker 1: his Cube in my top five. But to go from

937
00:55:39,000 --> 00:55:43,280
Speaker 1: to go from to go from writing raps to writing

938
00:55:43,440 --> 00:55:48,680
Speaker 1: scripts to fucking like elevating yourself, And it's all from

939
00:55:48,680 --> 00:55:51,200
Speaker 1: his pen game. So he wrote, all right, but that

940
00:55:51,200 --> 00:55:53,520
Speaker 1: ain't got nothing to do with rap though it's a

941
00:55:53,600 --> 00:55:56,880
Speaker 1: different beast. But we still talked about he was writing

942
00:55:56,920 --> 00:55:59,640
Speaker 1: for half of these motherfucker's Like, Nah, you gotta give

943
00:55:59,680 --> 00:56:02,800
Speaker 1: him this problems, No Vassiline American. You don't even appreciate

944
00:56:02,800 --> 00:56:05,239
Speaker 1: America's most wanted because of where he was from. But

945
00:56:05,320 --> 00:56:09,520
Speaker 1: you appreciate Public Enemy and Chuck I. Then you gotta

946
00:56:09,520 --> 00:56:11,479
Speaker 1: go back and listen. That was produced by the whole

947
00:56:11,520 --> 00:56:22,200
Speaker 1: bomb squad. I could date can pass this heat. I

948
00:56:22,200 --> 00:56:25,520
Speaker 1: don't know about your motherfucker's, but if I ever make

949
00:56:25,600 --> 00:56:29,040
Speaker 1: another album, I'm bringing it straight to Arias for him

950
00:56:29,040 --> 00:56:36,960
Speaker 1: to critique. He gonna get you the real. Yeah, you're

951
00:56:36,960 --> 00:56:39,080
Speaker 1: gonna have to win just because you're from where I'm from.

952
00:56:39,440 --> 00:56:42,879
Speaker 1: You know what I mean. No, no, no, I don't

953
00:56:42,920 --> 00:56:44,959
Speaker 1: mean it like that. I mean no, no, no, no,

954
00:56:45,080 --> 00:56:48,480
Speaker 1: I don't mean it literally. I mean figuratively. I know

955
00:56:48,520 --> 00:56:51,239
Speaker 1: he's gonna bring the Brooklyn was whack. You wouldn't say

956
00:56:51,239 --> 00:56:57,560
Speaker 1: it because he from Brooklyn. From Brooklyn, Uh, I mean,

957
00:56:59,400 --> 00:57:02,320
Speaker 1: I ain't ever everybody I know from Brooklyn was dope.

958
00:57:03,080 --> 00:57:06,560
Speaker 1: I never heard nobody that somebody said was all right,

959
00:57:09,080 --> 00:57:11,080
Speaker 1: you did. No, they ain't from Brooklyn, but come on,

960
00:57:11,160 --> 00:57:15,319
Speaker 1: man from Brooklyn, from Connecticut to come from Brooklyn because

961
00:57:15,320 --> 00:57:18,000
Speaker 1: of Brooklyn's where I'm from. Yeah there, and when the

962
00:57:18,040 --> 00:57:21,840
Speaker 1: school of everything ain't gonna be perfect, you know you're

963
00:57:21,840 --> 00:57:24,240
Speaker 1: gonna have some ducks like I can't believe you're not.

964
00:57:24,320 --> 00:57:26,800
Speaker 1: Like he has any other song than that one night

965
00:57:26,880 --> 00:57:31,360
Speaker 1: CHECKA Straight from the Sewer. Yeah, none of that was

966
00:57:31,400 --> 00:57:36,400
Speaker 1: a hit. Man Brooklyn. He's from Manhattan and North New Jersey.

967
00:57:37,080 --> 00:57:40,080
Speaker 1: I thought he was from Brooklyn. Maybe that's where maybe

968
00:57:40,080 --> 00:57:45,840
Speaker 1: that's where the connect right. Yeah, So we talked top

969
00:57:45,880 --> 00:57:48,200
Speaker 1: five and I always like to do this, give me

970
00:57:48,240 --> 00:57:49,919
Speaker 1: a nigger that it never be in your top five,

971
00:57:50,240 --> 00:57:58,640
Speaker 1: that would never be ever wise ludicrous? Uh what none

972
00:57:58,680 --> 00:58:01,000
Speaker 1: of my top five? But I Luda Chriss is one

973
00:58:01,000 --> 00:58:02,840
Speaker 1: of the only Southern m season where I go. He

974
00:58:02,960 --> 00:58:12,280
Speaker 1: can wrap, uh, the whole South. I'm just waiting. So

975
00:58:12,400 --> 00:58:15,680
Speaker 1: you are just New York? Why is nigger? I just

976
00:58:16,320 --> 00:58:20,080
Speaker 1: where is the t I can't I a little bit.

977
00:58:20,640 --> 00:58:26,400
Speaker 1: Ross can't wrap. No, Rick Ross cannot wrap. He seems

978
00:58:26,400 --> 00:58:29,080
Speaker 1: like he's trying to be bigger. Y'all. Wow, because you

979
00:58:29,160 --> 00:58:32,840
Speaker 1: heard that dark can't help that. I heard a Ross

980
00:58:32,840 --> 00:58:34,880
Speaker 1: freestyle to throw the fucking I want to throw my

981
00:58:34,960 --> 00:58:39,640
Speaker 1: radio in my car. Motherfucker fed if e D. I'm like,

982
00:58:39,880 --> 00:58:44,720
Speaker 1: you just spelt fed, you fucking ignoramus. I couldn't. But

983
00:58:45,480 --> 00:58:48,400
Speaker 1: where is he from? Florida? He from Florida. What I said,

984
00:58:52,840 --> 00:58:57,680
Speaker 1: I'll take Luke? I like, Luke, You ain't what you'll take? Luke? Over? What? Over?

985
00:58:57,800 --> 00:59:01,080
Speaker 1: Rick Ross? We're talking about rap, russy man, I'm talking

986
00:59:01,080 --> 00:59:04,360
Speaker 1: about give me a loop bar. There's not one pop

987
00:59:04,640 --> 00:59:08,160
Speaker 1: that pussy baby pop, that pussy baby pop pop pop,

988
00:59:08,280 --> 00:59:14,080
Speaker 1: the pussy baby pop, that pussy baby Scott, that's your Luke.

989
00:59:14,200 --> 00:59:16,600
Speaker 1: But dude, let me tell you something. If and you

990
00:59:16,640 --> 00:59:21,880
Speaker 1: heard my you heard my my top five slash six

991
00:59:22,240 --> 00:59:24,360
Speaker 1: hip hop. Let me finish the list and put it

992
00:59:24,400 --> 00:59:27,160
Speaker 1: at ten. So I said, eminem rock him five six,

993
00:59:27,680 --> 00:59:32,080
Speaker 1: Big pun Big l h d m X. That's my

994
00:59:32,160 --> 00:59:35,880
Speaker 1: top ten. There's no no disrespect to the South or

995
00:59:35,880 --> 00:59:38,960
Speaker 1: the West. There's not one person that's better than any

996
00:59:39,000 --> 00:59:42,400
Speaker 1: of those guys. Okay, that's fair, that's true. That's true.

997
00:59:42,960 --> 00:59:45,200
Speaker 1: You think he's better than those top ten? Nope? Is

998
00:59:45,240 --> 00:59:50,360
Speaker 1: he better than he said? Not? Jay Z, Biggie H

999
00:59:50,560 --> 00:59:58,000
Speaker 1: Jada Kiss rock him, big rock him um eminem uh

1000
00:59:58,240 --> 01:00:01,760
Speaker 1: big pun big l DMX. So you saying name somebody

1001
01:00:01,880 --> 01:00:05,640
Speaker 1: that's better to something from somebody better better than Jada. Kiss,

1002
01:00:06,040 --> 01:00:16,320
Speaker 1: you're crazy. You're crazy. Whole podcast somebody you wild? Jada

1003
01:00:16,440 --> 01:00:21,440
Speaker 1: kills crazy. The Kiss will tell you scar faces being humble.

1004
01:00:21,720 --> 01:00:27,640
Speaker 1: No FaceTime is nigger right now, Kiss, you're a crazy face.

1005
01:00:29,320 --> 01:00:31,160
Speaker 1: You got a hell of a tent. It's hard to

1006
01:00:31,200 --> 01:00:34,360
Speaker 1: find somebody to to not to be able to funk

1007
01:00:34,400 --> 01:00:37,919
Speaker 1: with big hole Pun big Hel. You got a mean tin.

1008
01:00:38,440 --> 01:00:41,440
Speaker 1: But it's somebody out there. That's a fact. I just

1009
01:00:41,520 --> 01:00:44,360
Speaker 1: didn't know you didn't. I just did. You didn't believe

1010
01:00:44,360 --> 01:00:47,200
Speaker 1: what you said when you said I did. I did.

1011
01:00:48,240 --> 01:00:52,880
Speaker 1: I did. Scar Face up there, bro, I'll give him

1012
01:00:52,960 --> 01:00:58,439
Speaker 1: eleven in, but not better than Jada. I like Face

1013
01:00:58,480 --> 01:01:02,960
Speaker 1: as a person, but I couldn't tell you one song. Wow, y'all, Yo,

1014
01:01:03,080 --> 01:01:07,120
Speaker 1: y'all are district fucking spectful on a Friday sun, y'all

1015
01:01:07,160 --> 01:01:12,560
Speaker 1: are disrespectful. I remember the album Jesus No, it's the

1016
01:01:12,680 --> 01:01:19,360
Speaker 1: disrespect for me. Listen, I give you that. I give

1017
01:01:19,400 --> 01:01:21,320
Speaker 1: you that. Let me let me be clear, let me

1018
01:01:21,360 --> 01:01:25,040
Speaker 1: be clear. I'm definitely giving notice heavy hitters in every region.

1019
01:01:25,360 --> 01:01:28,880
Speaker 1: I never definitely, but as far as that ten, none

1020
01:01:28,880 --> 01:01:33,080
Speaker 1: of these dudes replace anybody in them. Ted, give me

1021
01:01:33,160 --> 01:01:36,320
Speaker 1: at least four from the West coast or from the south.

1022
01:01:36,720 --> 01:01:42,160
Speaker 1: Snoop pot Uh from West coast. I'm going West coast,

1023
01:01:42,640 --> 01:01:47,000
Speaker 1: Snoop pop. I don't know nobody alcoholics. I love the alcoholics.

1024
01:01:47,160 --> 01:01:57,120
Speaker 1: It's from the South t I jeez na, Wayne, Nah,

1025
01:01:57,560 --> 01:02:02,200
Speaker 1: it's a struggle. It's a struggle for me. I'll turn

1026
01:02:02,240 --> 01:02:08,200
Speaker 1: all this ship over ice Cube. I can't do Cube, man,

1027
01:02:08,400 --> 01:02:12,040
Speaker 1: I just can't do cute as a comedian and as

1028
01:02:12,080 --> 01:02:15,920
Speaker 1: a person in the movie business. What also turns me

1029
01:02:15,960 --> 01:02:20,640
Speaker 1: off about ice Cube business? Acting wise? He's so he's

1030
01:02:20,680 --> 01:02:23,920
Speaker 1: the same motherfucker. And but I have a I have

1031
01:02:23,960 --> 01:02:26,080
Speaker 1: a bad taste in my mouth forque what they got

1032
01:02:26,120 --> 01:02:27,720
Speaker 1: to do with what they're gonna do with the bars.

1033
01:02:28,240 --> 01:02:31,320
Speaker 1: I'm just saying, see, no, no, no, Kane sat here

1034
01:02:31,320 --> 01:02:34,680
Speaker 1: and gave you some slick ass talk from ce Low

1035
01:02:34,680 --> 01:02:36,840
Speaker 1: and you can't get past the way the nigga is shaped.

1036
01:02:39,200 --> 01:02:44,680
Speaker 1: Let's keep it a thing. I can't. Some guys like

1037
01:02:44,760 --> 01:02:48,360
Speaker 1: scooped ice cream, and some guys don't like saucer look

1038
01:02:48,600 --> 01:02:52,920
Speaker 1: look at it. Look I can't do that. I can't

1039
01:02:52,920 --> 01:02:56,080
Speaker 1: do that. You act like niggas from New York never

1040
01:02:56,120 --> 01:03:00,400
Speaker 1: did no corny ship. Okay, listen this fat niggas New York.

1041
01:03:00,680 --> 01:03:03,320
Speaker 1: Jada Kiss had on the shiney suit. But that was

1042
01:03:03,360 --> 01:03:10,880
Speaker 1: the Yeah, he was trying to y'all. Always y'all, always

1043
01:03:10,920 --> 01:03:13,080
Speaker 1: got a lot of wow ship to try to get

1044
01:03:13,120 --> 01:03:16,440
Speaker 1: out that ghetto. Of course, hey, so you so so

1045
01:03:16,440 --> 01:03:20,439
Speaker 1: so the same the same goal outfit that Celo showed

1046
01:03:20,520 --> 01:03:23,479
Speaker 1: up with the Grammys. I've seen Cannabis with the same ship,

1047
01:03:23,560 --> 01:03:26,160
Speaker 1: but it was silver. You ain't say nothing about that,

1048
01:03:26,440 --> 01:03:28,560
Speaker 1: but I have had him out here with that man's

1049
01:03:28,680 --> 01:03:33,960
Speaker 1: bars is immaculated. Cannabis is immaculate. Oh god, his word,

1050
01:03:34,000 --> 01:03:39,000
Speaker 1: players immaculates. This was fun. This was fun. This was funny.

1051
01:03:39,120 --> 01:03:41,480
Speaker 1: Are he he ain't moving off his soapbox. I get it,

1052
01:03:41,720 --> 01:03:43,840
Speaker 1: I get it, I get you proud, I get it,

1053
01:03:44,120 --> 01:03:46,760
Speaker 1: I love it. I get it. But you're right, it's

1054
01:03:46,840 --> 01:03:50,520
Speaker 1: hard to give you anybody from any area that's with

1055
01:03:50,560 --> 01:03:58,959
Speaker 1: that tips. Dude, I showered with tims on, I man

1056
01:03:59,080 --> 01:04:05,880
Speaker 1: at it. That's so they got a car hard towel. Listen,

1057
01:04:06,520 --> 01:04:10,240
Speaker 1: a New York Nick fucking bathroom. I get it. I'll

1058
01:04:10,280 --> 01:04:14,280
Speaker 1: give it to you shower curtain. This might go down

1059
01:04:14,280 --> 01:04:17,600
Speaker 1: as one of the greatest episodes of culturally canceled. Can

1060
01:04:17,640 --> 01:04:20,120
Speaker 1: I give out my podcast so fucking Loot? And make

1061
01:04:20,160 --> 01:04:23,080
Speaker 1: sure y'ards subscribe to my podcast spears at Steinberg. Did

1062
01:04:23,120 --> 01:04:26,600
Speaker 1: you in the Jerk? Uh's available on all streaming platforms

1063
01:04:26,840 --> 01:04:28,480
Speaker 1: or hit me up in my Instagram and my d

1064
01:04:28,640 --> 01:04:30,520
Speaker 1: M s and I personally send you the links. Man,

1065
01:04:30,560 --> 01:04:32,560
Speaker 1: make sure you check out my podcast as well. Did

1066
01:04:32,560 --> 01:04:34,040
Speaker 1: you did I ever tell you the one about Big

1067
01:04:34,120 --> 01:04:36,640
Speaker 1: Daddy Kane? And make sure you know you have one.

1068
01:04:36,680 --> 01:04:38,440
Speaker 1: I gotta be on man. Make sure you check out

1069
01:04:38,480 --> 01:04:41,400
Speaker 1: my podcast, It's Hip Hop Confessions. You can follow me

1070
01:04:41,400 --> 01:04:43,760
Speaker 1: on everything at Skills v A. I don't got none

1071
01:04:43,800 --> 01:04:47,959
Speaker 1: of that ship? Yeah you do? You got Lord fines

1072
01:04:48,120 --> 01:04:52,840
Speaker 1: d I t C. Man, go to my website. Uh,

1073
01:04:53,440 --> 01:04:57,840
Speaker 1: Lord Finesse d I TC dot com and uh, I'm

1074
01:04:57,960 --> 01:05:02,040
Speaker 1: I'm Saturday Runch every Saturda on Twitch. Lord f D

1075
01:05:02,160 --> 01:05:05,480
Speaker 1: I t C. Y'all to name some my podcast? Uh?

1076
01:05:05,840 --> 01:05:08,600
Speaker 1: Check out my presidential Let your I do you know

1077
01:05:08,680 --> 01:05:11,280
Speaker 1: y'all win extra with the ship? Hey, next, you're the

1078
01:05:11,320 --> 01:05:13,960
Speaker 1: only guy that's been a second guest guest twice on

1079
01:05:14,000 --> 01:05:16,640
Speaker 1: this Yeah, because the first time I was on, I

1080
01:05:16,680 --> 01:05:20,240
Speaker 1: wasn't really on. I was like a fucking bystander. I

1081
01:05:20,240 --> 01:05:24,520
Speaker 1: mean that was you just started this right, Yeah? What

1082
01:05:24,560 --> 01:05:26,120
Speaker 1: do we? How many episodes do you? But we now?

1083
01:05:29,080 --> 01:05:31,880
Speaker 1: Just just for the record, not because Ari's my brother

1084
01:05:31,920 --> 01:05:34,800
Speaker 1: in comedy, but I I tend to agree with everything

1085
01:05:34,800 --> 01:05:38,640
Speaker 1: he fucking said there. Yeah, because I'm very East Coast minded.

1086
01:05:39,120 --> 01:05:40,880
Speaker 1: I was. I was upset when cats are coming in

1087
01:05:40,880 --> 01:05:42,400
Speaker 1: from Boston that for a minute, I was like, well,

1088
01:05:42,400 --> 01:05:45,680
Speaker 1: fuck you from Boston. I'm gonna hear um. Yeah. So

1089
01:05:45,760 --> 01:05:48,080
Speaker 1: I'm very East Coast centric when it comes to that too,

1090
01:05:48,440 --> 01:05:51,040
Speaker 1: and skills are probably the only Southern m C. I'll

1091
01:05:51,040 --> 01:05:54,840
Speaker 1: give any credit to you from the South. I'm from Virginia. Okay,

1092
01:05:54,960 --> 01:05:57,320
Speaker 1: I thought you was East Coast. I am missed on

1093
01:05:57,360 --> 01:06:02,920
Speaker 1: the East coast. Damn. Yo, he is a New York

1094
01:06:03,280 --> 01:06:08,320
Speaker 1: the East coast, you know, I sath from Virginia. Niga said, damn,

1095
01:06:08,360 --> 01:06:11,080
Speaker 1: what thought this from He's cool? Yeah, but on the

1096
01:06:11,080 --> 01:06:13,480
Speaker 1: East coast in the South. Yeah, yeah, I get it,

1097
01:06:13,840 --> 01:06:18,000
Speaker 1: but I ain't Florida like I was. Heavily East Coast influence.

1098
01:06:19,640 --> 01:06:22,520
Speaker 1: All right, I just say a lot of New York

1099
01:06:22,560 --> 01:06:26,600
Speaker 1: fitted on I got you, I got you that Russell

1100
01:06:26,600 --> 01:06:29,120
Speaker 1: will appreciate you for having as I don't want to

1101
01:06:29,120 --> 01:06:32,760
Speaker 1: give a thank you to everybody. Lord Finesse, Mad Skills,

1102
01:06:32,880 --> 01:06:36,400
Speaker 1: Very Spears, and Big Daddy came. This was our This

1103
01:06:36,480 --> 01:06:39,280
Speaker 1: was the most fun fucking episode of Culturally Canceled I've

1104
01:06:39,320 --> 01:06:43,000
Speaker 1: done so far. Uh, tune in on I Heart Radio

1105
01:06:43,040 --> 01:06:45,640
Speaker 1: and wherever you get your podcast. Thank you everybody and

1106
01:06:45,760 --> 01:06:47,680
Speaker 1: my man. Oh, let's give a shout out to for

1107
01:06:47,760 --> 01:06:56,560
Speaker 1: yelling out in the background from Nubius. Hey, thanks for

1108
01:06:56,600 --> 01:06:59,400
Speaker 1: listening to Culturally Canceled. I hope you enjoyed today's conversation.

1109
01:06:59,800 --> 01:07:01,640
Speaker 1: He If you like the podcast, be sure to rate

1110
01:07:01,640 --> 01:07:03,600
Speaker 1: and review it on Apple Podcast. Some more people can

1111
01:07:03,640 --> 01:07:05,680
Speaker 1: find out about it. And if you're being a negative Nancy,

1112
01:07:05,680 --> 01:07:08,240
Speaker 1: why don't you keep your shitty opinions to yourself and

1113
01:07:08,280 --> 01:07:12,280
Speaker 1: follow us on Instagram a Culturally Canceled or culturally RP

1114
01:07:12,360 --> 01:07:14,960
Speaker 1: on Twitter or both. We're also on YouTube if you

1115
01:07:14,960 --> 01:07:17,120
Speaker 1: want to see what the backyard is all about for yourself,

1116
01:07:17,320 --> 01:07:18,800
Speaker 1: not really all the backyard, but just where we do

1117
01:07:18,800 --> 01:07:22,240
Speaker 1: the podcast. Also, we have a phone line now so

1118
01:07:22,280 --> 01:07:24,200
Speaker 1: you can call and leave a message. You can ask

1119
01:07:24,240 --> 01:07:27,200
Speaker 1: them about hip hop, parenting, food boxing, relationships, m M,

1120
01:07:27,280 --> 01:07:30,120
Speaker 1: A comedy, whatever, whatever you feel like you want to

1121
01:07:30,120 --> 01:07:32,280
Speaker 1: know about, and I'll do my best to answer your question.

1122
01:07:32,560 --> 01:07:34,280
Speaker 1: If you want to leave a message, the phone number

1123
01:07:34,320 --> 01:07:40,200
Speaker 1: is four to four six six six three. That's four

1124
01:07:40,280 --> 01:07:45,959
Speaker 1: to four six six six until next week