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Speaker 1: Call It What It Is with Jessica Capshaw and Camil Luddington,

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Speaker 1: an iHeartRadio podcast.

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Speaker 2: Well, Hello, Hello, Hello, Hello Call It crew, and welcome

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Speaker 2: to another episode of Call It What It Is, everycwh

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Speaker 2: rewatch episode.

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Speaker 1: It's our second one, it is, and I, you know,

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Speaker 1: progress not perfection. I you know, I kind of had

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Speaker 1: never done a rewatch before, and I got a little granular.

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Speaker 1: I went into the weeds on the last one, and

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Speaker 1: I feel that I want to do what we did,

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Speaker 1: but just better bring it.

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Speaker 3: Well, listen, the funny thing is is that Jessica and I,

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Speaker 3: if you give us an episode, we can we can

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Speaker 3: make about twenty podcast appisodes out of a single episode.

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Speaker 3: We know all the ins and outs, know all the

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Speaker 3: behind the scenes stories. And we asked our feedback from

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Speaker 3: the crew because we're listening to you guys, and you

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Speaker 3: guys loved it that. You're like, hey, this, you know,

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Speaker 3: tighten it up a little cool, tighter. So we're going

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Speaker 3: to try and get a little little tight a little facelift.

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Speaker 1: Titan it up. Okay, So what episode are we rewatching?

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Speaker 3: Okay, So once again we asked you guys, which one

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Speaker 3: you wanted us to talk about, and I knew by

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Speaker 3: the way it's there are like five episodes I just

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Speaker 3: know are always going to come up. This one was

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Speaker 3: the season finale of season nine, episode twenty four, Perfect Storm.

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Speaker 1: Ah, so many feelings. So I was very excited to

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Speaker 1: rewatch this episode.

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Speaker 3: Do you remember much of it? Because there's a lot

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Speaker 3: of storyline that I did not remember.

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Speaker 1: Yes, I did actually remember all of it. You did, Yeah,

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Speaker 1: I did, But that being said, there's quite a few

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Speaker 1: year between shooting this episode in today and rewatching it.

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Speaker 1: I sat down on the couch, I turned it on

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Speaker 1: the big screen, and I was just reminded of my

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Speaker 1: fan feelings for the show me too, and I almost,

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Speaker 1: dare I say, felt that. When it was over, I

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Speaker 1: was like, well, that's a perfect episode.

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Speaker 3: One hundreds and I agree with you. I started watching.

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Speaker 3: Here's what my plan was. I was thinking to myself, Oh, no,

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Speaker 3: I'm going to rewatch it, but I know so much

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Speaker 3: of this storyline that like, I'm going to bring my

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Speaker 3: I didn't want in my bedroom. I brought my makeup

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Speaker 3: on my bed and was like, I'll do my makeup

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Speaker 3: while I'm watching it, and so I can sort of like,

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Speaker 3: you know, get something done while I'm rewatching the episode.

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Speaker 3: I didn't do one stitch of makeup. I was so

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Speaker 3: locked in and didn't touch it. I was like, oh,

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Speaker 3: I could not remember what happened next. I remembered a

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Speaker 3: few things, but there were so many parts that I

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Speaker 3: was like, this is a everyone's so good.

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Speaker 1: Yeah no, no, But I watched it as though I

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Speaker 1: wasn't on it. But that being said, it was so

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Speaker 1: long ago that when I looked at myself, I was like, well,

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Speaker 1: that's not me.

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Speaker 3: Okay, let's talk about that, because sometimes I say to you,

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Speaker 3: I feel like I'm twenty eight. I'm twenty eight in

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Speaker 3: that episode, and I'm like, I don't I remember even

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Speaker 3: looking like that, and I'm definitely not twenty eight. Like

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Speaker 3: I am so like I look like a baby.

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Speaker 1: Well, yeah, we do look like babies. I have recently

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Speaker 1: mentioned that my daughter Eve has caught up to me

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Speaker 1: being in the show. So I will walk into the

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Speaker 1: room and see myself and be like, okay, there I am. Yes,

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Speaker 1: we're babies. Normally I talk about how beautiful you look,

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Speaker 1: and I think about me, but I actually got to

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Speaker 1: say I was a little glowing. I mean those here

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Speaker 1: and a very side part Sally and very ponytail punnytail parade.

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Speaker 3: This episode was a two parter, right, Yeah.

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Speaker 1: The finale cliffhanger, Joe Wilson has a bruise, and I

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Speaker 1: remember joking with Norman, who was one of the makeup

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Speaker 1: ours on the show.

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Speaker 3: We were doing episode twenty four and we kept forgetting

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Speaker 3: exactly where the bruises and cuts were, and so we

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Speaker 3: joked about how they were just sometimes.

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Speaker 1: Move around a little bit.

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Speaker 3: Yeah, it was a little darker and then it was

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Speaker 3: a little more to the left.

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Speaker 4: Yeah.

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Speaker 1: Yeah, So okay, So I put so I sit down

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Speaker 1: on the couch, I put it on the big screen,

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Speaker 1: I put my feet up, I got a dog on

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Speaker 1: the couch next to me, and I'm like, let's go.

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Speaker 1: I took some notes because I wanted to make sure

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Speaker 1: that I hit all the things that I really felt

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Speaker 1: while watching it.

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Speaker 3: Let's get it.

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Speaker 1: I had forgotten the chemistry that Owen and Christina had,

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Speaker 1: And then how we start off this episode with like this,

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Speaker 1: well the beginning of the end of their relationship, which

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Speaker 1: is you were Christina saying to oh, I like you

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Speaker 1: want a kid and him being like no, I don't,

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Speaker 1: and her being like, yeah, you do, and I'm not

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Speaker 1: going to be the one that you look at in

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Speaker 1: ten fifteen years and resent because we didn't have kids,

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Speaker 1: and she's so wise her character. So for me, it

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Speaker 1: started off like that, and I was reminded that I do.

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Speaker 1: I did ship them back then, and there was a

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Speaker 1: lot of story around them, so I was very into them.

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Speaker 1: But then we went straight into something I'd kind of forgotten,

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Speaker 1: which was Meredith being pregnant.

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Speaker 3: Well, okay, before we get into that, can we just

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Speaker 3: talk about how the show opened on that slow mo

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Speaker 3: run of Derek and Sam in the dark. I literally

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Speaker 3: looked up, like who directed this, who did the lighting?

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Speaker 3: Herb who we love? I was like, oh God, what

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Speaker 3: a great way to open, because then it goes like

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Speaker 3: five hours earlier or something like that, and I was like, damn. Okay.

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Speaker 1: So that's the other thing I love about this episode

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Speaker 1: is and why I think it. I mean, nothing is perfect,

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Speaker 1: but it feels it's like a perfect episode, is that

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Speaker 1: it truly did use every one of its characters. Yes,

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Speaker 1: in an almost equal parts way. Everyone had an important

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Speaker 1: part in what was happening, and a lot was packed

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Speaker 1: into those whatever forty eight minutes. But the foreshadowing of

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Speaker 1: Callie and the oh you just pin your wedding ring

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Speaker 1: right here to your school. I know when she stuck

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Speaker 1: in April.

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Speaker 3: This episode. I distinctly remember this table read because of

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Speaker 3: the ending, which we'll get to, but I just has

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Speaker 3: to do with the ring. But I just remember being blocked.

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Speaker 5: Yeah.

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Speaker 1: Everybody was like yeah, so I remember also my character

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Speaker 1: being basically guilty from the start. But truly, yes, aren't

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Speaker 1: Laurence here. I'm feeling these feelings what to do a

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Speaker 1: thing with.

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Speaker 3: Hillary Burton because you had a lot of fantastic national

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Speaker 3: chemistry together and was there any part of you when

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Speaker 3: you were filming these two episodes where you were like, wait, maybe,

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Speaker 3: as crazy as it sounds, it could go in this

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Speaker 3: direction with this with Lauren, with that character.

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Speaker 1: Short answer is no, Because the Cali Arizona relationship was

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Speaker 1: so cemented and so like it was, it felt very

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Speaker 1: much when we were doing it that it was always endgame.

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Speaker 1: We were always finding our way back to each other,

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Speaker 1: which I think allowed for the playfulness and the fun

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Speaker 1: that came from having another person come into the world.

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Speaker 1: And I think the reason that we had if people,

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Speaker 1: by the way, I don't actually hear people say we

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Speaker 1: have chemistry often because they're so pissed about it. I mean,

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Speaker 1: this is such a polarizing episode because really people so

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Speaker 1: upset with Arizona. Hilary Burdon number one is an awesome human.

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Speaker 1: So she comes on set, she's so much fun and

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Speaker 1: so game and kind of like, yeah, she almost feels

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Speaker 1: like she she just feels like the best She feels

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Speaker 1: like your best friend within like four minutes of meeting her.

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Speaker 3: Well, I think that that translates on screen too, and

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Speaker 3: she's so.

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Speaker 1: Into Arizona, which, by the way, who wouldn't be excited

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Speaker 1: about someone that was that into you?

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Speaker 3: Yes, I have a question for you, because you guys

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Speaker 3: were a beloved couple. You get the episode that says

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Speaker 3: that you're going to cheat. Was there a part of

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Speaker 3: you that was like, oh God, no, like scared because

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Speaker 3: you know that that storyline is going to erupt in

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Speaker 3: the fandom. You're usually the good guy as.

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Speaker 1: Arizona, and I was always the good girl. Yeah, so

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Speaker 1: this is I was not afraid of it. I was

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Speaker 1: very much leaning into it it because we've talked about

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Speaker 1: this before. You know, Grace creates these couples, but then

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Speaker 1: you can't just I mean, like we love when they

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Speaker 1: come together and there's the crescendo of music and there's

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Speaker 1: the happily ever after vibes and everything else. But you

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Speaker 1: can't that's kind of you can't stay happy forever. It's

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Speaker 1: a little boring. So you have to have something come

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Speaker 1: in and disrupt it so that you can get back

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Speaker 1: to that.

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Speaker 3: But it's hard when you weren't the bad guy. It's

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Speaker 3: really hard.

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Speaker 1: I know, Yeah, no, I know. I definitely remember it

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Speaker 1: because I remember being on Twitter. I don't even think

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Speaker 1: Instagram was live yet, and I think that I I

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Speaker 1: think I definitely didn't look at it for that.

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Speaker 3: I remember what you said to me, what I say,

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Speaker 3: you turned to me. I will always remember this because

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Speaker 3: I've thought about this in other circumstances where I've had

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Speaker 3: to be like, you know, sort of the bad guy.

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Speaker 3: You turned to me. You said, I'm gonna have to

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Speaker 3: get off social media. Yeah, it's literally what you said

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Speaker 3: walking out of the table read and I remember being, oh,

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Speaker 3: that's a good lesson to learn. I had not had

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Speaker 3: my like you know, bad guy are quiet on the show,

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Speaker 3: and I was like, back pocket that that's what that's happened.

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Speaker 3: Had this you sort of had stand it while the

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Speaker 3: storyline rolls on.

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Speaker 1: Yeah, yeah, okay, So so she already get the Arizona

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Speaker 1: guilty vibe because she's got this chemistry with Lauren, and

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Speaker 1: then now the nick you is overwhelmed. Also, let's just

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Speaker 1: give a shout out to the power of lightning and thunder.

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Speaker 1: I mean, the storm created such a real energy and

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Speaker 1: you're really you've got you're really on high alert, so

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Speaker 1: your senses are heightened and you are ready for story.

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Speaker 1: So now we've got Meredith having her baby and the

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Speaker 1: power goes out. Yeah, and she's got Lisa. Kay Hamilton

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Speaker 1: was guest starring as the Obe who was on the

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Speaker 1: practice with me, who I adore. She's she's like face

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Speaker 1: presentation and Christina and Derek are there, which I thought

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Speaker 1: was also a really cool dynamic because you know, they're

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Speaker 1: the Yin and the Yang, but they're both her people,

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Speaker 1: and so you're kind of like, okay, and her voice

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Speaker 1: over in the beginning was a little ominous, and there's

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Speaker 1: thunder and lightning, and you're like, of course something's gonna

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Speaker 1: go wrong, but face presentation doesn't sound terrible, so you're

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Speaker 1: like okay. So Christina and Derek are helping, but then

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Speaker 1: Weber needs to grab Christina for a different surgery. Right,

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Speaker 1: so now we're back in the nick you and we're

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Speaker 1: like me and you. So this is like how many

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Speaker 1: times have we worked together a couple?

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Speaker 3: So let me talk about the behind the scenes of this,

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Speaker 3: because everybody knows about burger Gate, and there's only a

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Speaker 3: couple scenes that I distinctly remember filming from that episode,

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Speaker 3: and the scene where you're like, hey, keep smiling and

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Speaker 3: we're like remember that, yep. I remember us finding it

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Speaker 3: funny that we were having to like do these fake

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Speaker 3: smiles and thinking to myself, I think Jessica Capshaw and

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Speaker 3: I are getting along and because of Burgergate we had

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Speaker 3: you know, that was still the first season, right, I

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Speaker 3: don't remember what episode that happened. For me, it was

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Speaker 3: like the beginning of like I really like her, Like

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Speaker 3: this is kind of fun.

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Speaker 1: I love you. I love you in these scenes. I

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Speaker 1: think you're so great and I don't want to skip ahead.

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Speaker 1: But during your sort of hero moment when you also

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Speaker 1: see kareb see you be this hero, I was like

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Speaker 1: the fuck, Yeah, she's my hero too. I loved our

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Speaker 1: scenes together. You remember filming up with me yeah, I do.

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Speaker 1: And I also it felt a lot like the energy

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Speaker 1: that I had when I was giving the the speech

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Speaker 1: to the new intern class, where I'm like, you know,

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Speaker 1: they are like, you know, tiny humans are different and

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Speaker 1: there's flower dusts or there's fairy dust in our all

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Speaker 1: that stuff. So I remember that. I forgot that that

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Speaker 1: was a thing that Arizona did, which was like she

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Speaker 1: just was like, we're going to keep swimming. We're gonna

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Speaker 1: put a smile on our face. Is in the face

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Speaker 1: of death and destruction, and we're gonna keep going. And

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Speaker 1: I love that about her, by the way, and I

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Speaker 1: share that with her. So anyway, so that the batteries

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Speaker 1: are out and she comes in and is like I

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Speaker 1: need everybody's help. By the way, Karrev trying to fake smile.

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Speaker 3: Oh yeah, oh yeah. It is fucking funny. It is

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Speaker 3: so funny. It's a toothing like, yes, I remember shooting

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Speaker 3: it was most funny when we are shooting it. I

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Speaker 3: do remember.

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Speaker 1: Here's something that I don't know if anyone knows, but

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Speaker 1: I truly, with a ferocity that is oversized, disliked wearing

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Speaker 1: those pinking gowns.

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Speaker 3: They're called the peeps because you look like a giant marshmallow.

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Speaker 3: But you, of all people, there's no one that hated

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Speaker 3: the peap more than you. I know what was it

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Speaker 3: about it?

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Speaker 1: I felt bold?

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Speaker 3: Well.

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Speaker 1: I was also always pregnant, so I couldn't figure out

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Speaker 1: whether or I should tie it on top of my

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Speaker 1: belly or on the bottom. Maybe the way I did it,

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Speaker 1: I just felt very not in my body. Yes, yes,

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Speaker 1: and I just I don't know, I don't know.

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Speaker 3: No, it's your thing, It's always your thing. Yeah, Jessica

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Speaker 3: Kapsha hates the peep.

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Speaker 1: Oh, I know why? Else? They were hot when you

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Speaker 1: put them on, you were very warm, and we had

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Speaker 1: all the lights on us and it was a hot Yes.

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Speaker 3: Sometimes when I think the stages, people don't know this.

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Speaker 3: The stages on Grey's Anatomy where we shoot are literally

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Speaker 3: bigelow zero.

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Speaker 1: That's coming.

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Speaker 3: It's a it is so freezing ages that the peep

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Speaker 3: I was happy about keeps you warm.

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Speaker 1: That's true. Okay, So the batteries are out, we have

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Speaker 1: the whole thing. Then Weber has pulled Christina into this,

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Speaker 1: and I love her grumpy grumpy grumpiness, but she's in

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Speaker 1: there and he's like, we got to operate in the dark,

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Speaker 1: which was creating so much anxiety for me. I was like,

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Speaker 1: what do you mean we're operating in the dark. Yes,

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Speaker 1: and and she's and she's looking at him and she's like,

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Speaker 1: what are you talking about. We're not operating the dark.

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Speaker 1: And he's like, yes, remember when we had those people

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Speaker 1: and we were teaching him how to operate in their

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Speaker 1: fields and the series. And she's like, I'm not serious,

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Speaker 1: I know, unapologetically, like that's not who I am. So

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Speaker 1: what's why are you bringing this up? So then Derek

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Speaker 1: is in the in the we cut back to that

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Speaker 1: and Derek is there and he's talking to merediths O

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Speaker 1: BI and he's basically like, don't up.

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Speaker 3: I like that moment because now that Joe Wilson is Obi,

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Speaker 3: I'm like, you know what, take a seat.

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Speaker 1: Okay, do a lap, do a lap?

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Speaker 3: Yeah, ob Shepherd yep.

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Speaker 1: But then all of a sudden, we cut back to

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Speaker 1: all the thunder and lightning and we're back in the

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Speaker 1: er entrance and such cool visual effects because all of

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Speaker 1: a sudden, you hear something and there's a bus and

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Speaker 1: it's crashing. Yes, all of our heroes start running towards

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Speaker 1: a burning, fiery bus. What I mean, that's amazing.

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Speaker 3: This is why I always kind of hope that Joe

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Speaker 3: get into trauma, because unless you're in that, you don't

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Speaker 3: get They get so many hero runs.

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Speaker 1: You continue to be jealous of April and her trauma.

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Speaker 1: I do trauma rotation. Her trauma is her trauma discipline.

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Speaker 1: Yeah no, but it was also when I when I

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Speaker 1: I took a note, and this is my note. This

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Speaker 1: whole episode is one big high stakes sandwich. It's eyeball

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Speaker 1: punch after eyeball punch.

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Speaker 3: It's true. So it's so good. You know what's so funny, though,

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Speaker 3: is when you're reading this scripture, like that storyline is incredible,

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Speaker 3: and you're like, I kind of wish I was like

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Speaker 3: part of that storyline, and then the reality of the

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Speaker 3: hours of filming that storyline being out in the dark

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Speaker 3: because they probably filmed that like two in the morning

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Speaker 3: and the rain, you're like, you know what, I'm okay.

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Speaker 1: Yeah, yeah, no, I don't need to be a part

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Speaker 1: of that. So now Arizona and Kareb are in the

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Speaker 1: supply closet and she's realizing that she needs to find

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Speaker 1: batteries and she's sham spiraling because it's obviously her responsibility,

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Speaker 1: but she's also shamed Spira ling about the fact that

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Speaker 1: she's just cheated on her wife, and she just comes clean,

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Speaker 1: which I have to say she always did with Karev.

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Speaker 1: I know, always Karrev.

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Speaker 4: There was it.

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Speaker 1: I mean, like she had great relationships with others, but

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Speaker 1: it was really Korev.

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Speaker 3: Tell me your thoughts about that conversation, because I had

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Speaker 3: thoughts about the conversation.

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Speaker 1: Yeah, I was thinking about the way that was written.

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Speaker 1: I think that I played it like it was like

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Speaker 1: a stream of consciousness, like I needed to go to church,

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Speaker 1: like I had to. I had to get it out,

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Speaker 1: I had to come clean, which, by the way, interestingly enough,

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Speaker 1: Stacy McKee wrote the episode, and she would have likely

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Speaker 1: done this for a reason is that Karev was the

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Speaker 1: one that made the call about the leg and she

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Speaker 1: never really knows that. She blames CALLI, and so she

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Speaker 1: holds him still in this spot of like he's my

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Speaker 1: he's one of my people, or even like my person

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Speaker 1: outside of Cali. So so she she always comes to

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Speaker 1: him with these admissions, and she comes to him with

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Speaker 1: this admission.

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Speaker 3: I on this scene really funny because you're life, I

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Speaker 3: just cheated on my wife. I'm a horrible person. And

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Speaker 3: he's like, I'm in love with that intern out there,

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Speaker 3: and I don't want to tell her because everyone I

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Speaker 3: end up with ends up all fucked up. And so

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Speaker 3: I'm I'm I'm the bad guy in this, in this

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Speaker 3: between the two of us, and I was literally like,

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Speaker 3: she cheated on her wife. No, to me, it didn't

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Speaker 3: track to me. It was like this funny moment where

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Speaker 3: I was like, no, Arizona is a little lit orders run.

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Speaker 1: I know, well, you know what, I appreciate it, so

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Speaker 1: let's move on. And ultimately he says to me, you're

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Speaker 1: not the worst person in this closet, So what are

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Speaker 1: we gonna do? And I'm like, I have no idea.

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Speaker 1: So now we go back to and I really do

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Speaker 1: have to say. I mean, there's not a storyline in

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Speaker 1: this show that I don't love. But Weber and Christina

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Speaker 1: and she's mad, She's like, why are you making me

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Speaker 1: do this? This is awful and I'm gonna hurt this

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Speaker 1: person and I'm gonna kill this person and I can't

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Speaker 1: do this and you can't make me do this. And

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Speaker 1: Weber gets to be like it's like in Karate Kid

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Speaker 1: somehow he convinces grumpy Christina to listen, to listen and says, okay, fine,

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Speaker 1: I can't see it, but you can hear it. And

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Speaker 1: the audience is like, what what do you mean? I

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Speaker 1: could hear it? And she's such a good actress and

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Speaker 1: you see her, you see her face and you see

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Speaker 1: her make the discovery and then all of a sudden,

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Speaker 1: the leak is ventricular and light's back on the music.

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Speaker 3: I know, you know what?

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Speaker 1: You know.

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Speaker 3: What's great about that is because Christina, we know, is

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Speaker 3: like absolutely incredible at everything.

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Speaker 1: She's a badass all of it.

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Speaker 3: And so I love it when they find these storylines

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Speaker 3: on the show that test her and test her ability.

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Speaker 3: How do you test Christina Yang, That's a way to test.

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Speaker 1: Christina Yan Yep, absolutely okay. So now I remember it

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Speaker 1: being back to us and then it was the batteries

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Speaker 1: are low and Arizona's freaking out. But again, I think

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Speaker 1: she was always such a good girl. She's such a

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Speaker 1: girl scout. She's like, it's all my fault. And this

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Speaker 1: is where I love that. Lauren was like, yeah, coming

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Speaker 1: in with the the it's gonna be okay. And I

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Speaker 1: don't know that I don't know that anyone in Arizona's

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Speaker 1: life was, you know, more positive than her. She came

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Speaker 1: in and was like, it's okay, and you know what,

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Speaker 1: we can bag them and we can manually bag them

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Speaker 1: and it's going to be okay.

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Speaker 3: Yes, I do remember bagging. Do you remember bagging?

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Speaker 1: Yes? Hand cramping is what I would call it.

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Speaker 3: You guys, your hand's hurt so and you're like, we're

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Speaker 3: gonna bag them until we need to bag them. I'm

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Speaker 3: thinking I'm bag in that scene for maybe five minutes total,

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Speaker 3: maybe maybe fifteen, and I was ready to come off,

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Speaker 3: like how old are these doctors gonna be bagatting for hours?

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Speaker 3: They would have done it their superstars. I'm not a superstar,

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Speaker 3: but I do remember that.

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Speaker 1: Yeah, all right, So Lauren makes everyone feel good and

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Speaker 1: she's got that smile and that velvety voice, and she's like,

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Speaker 1: we can bag all night. It's okay. And Arizona softens

400
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Speaker 1: for the first time because you see her like kind

401
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Speaker 1: of being like what did I do? I know?

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Speaker 3: And that as a viewer, I was watching it and

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Speaker 3: I was like, this could be more than a fling.

404
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Speaker 4: Yeah, that moment.

405
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Speaker 3: That moment seemed to two of you.

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Speaker 1: I was like, yeah, yeah, because they changed each other. Yeah, yeah, yeah,

407
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Speaker 1: I did. I agree with that.

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Speaker 4: Yeah.

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Speaker 1: Okay, So now as a view where I'm going, oh

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Speaker 1: my gosh, now we're back with Meredith because the baby's

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Speaker 1: like everyone's left her. They're like, you're fine, why would

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Speaker 1: you you had your baby? So Derek's with the baby

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Speaker 1: because she says, don't leave that baby. So he's like,

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Speaker 1: I got the baby. And then the ob he's got

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Speaker 1: other jobs to do. And then Shane. I forgot how

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Speaker 1: much I love Shane. I love Shane anyways. Okay, so

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Speaker 1: Shane is like Shannon Brooks are like who gets to close?

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Speaker 1: And Shane stands up for himself. I loved working with him,

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Speaker 1: by the way, I loved him anyways. So he's like,

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00:23:17,080 --> 00:23:19,239
Speaker 1: I got this and she and he wins, and so

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00:23:19,280 --> 00:23:21,320
Speaker 1: he's standing there and by the way, every time in

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Speaker 1: Graze Anatomy, when you win something, you lose something. Yeah,

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Speaker 1: so he gets the win and he gets to close

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Speaker 1: her up, and then all the fucking sudden, she's like

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Speaker 1: bleeding out, really coming from places. What the hell? I

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Speaker 1: didn't see that kind.

427
00:23:38,440 --> 00:23:43,879
Speaker 3: I thought I forgot that whole storyline. I was so

428
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Speaker 3: obsessed with the writers, I'm like, what, you guys are

429
00:23:47,880 --> 00:23:53,639
Speaker 3: so amazing the fact that they have Meredith Gray diagnosing herself.

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Speaker 1: Oh my god. In the moment, I'm in riveted and

431
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Speaker 1: he's just trying to do his best, and he's kind

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Speaker 1: of like, I got no one to call because the

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Speaker 1: whole hospital is under duress, so I don't even know

434
00:24:09,480 --> 00:24:12,800
Speaker 1: who to call. And then Meredith start telling him what

435
00:24:12,840 --> 00:24:16,399
Speaker 1: to do. So she he's in her insides and she's

436
00:24:16,440 --> 00:24:19,320
Speaker 1: telling him what to do because she tells him to

437
00:24:19,400 --> 00:24:21,600
Speaker 1: check her IV and there's blood coming out of it,

438
00:24:21,640 --> 00:24:24,159
Speaker 1: and then that's how she knows, Oh, it's not just

439
00:24:24,280 --> 00:24:28,880
Speaker 1: my C section pleading from my baby I fell, which

440
00:24:28,880 --> 00:24:32,159
Speaker 1: is new information for him. And now she's got to

441
00:24:32,200 --> 00:24:34,800
Speaker 1: have some kind of internal bleeding and now he's got

442
00:24:34,800 --> 00:24:38,600
Speaker 1: to find it in the dark, and you're like, what, Yeah,

443
00:24:38,640 --> 00:24:40,680
Speaker 1: how's this gonna happen? Like no pressure for him because

444
00:24:40,680 --> 00:24:42,520
Speaker 1: he won the lottery of being able to close her.

445
00:24:42,720 --> 00:24:44,760
Speaker 1: So now she starts telling him what to do and

446
00:24:44,800 --> 00:24:46,800
Speaker 1: she's like, you got to open me back up, and

447
00:24:46,840 --> 00:24:52,879
Speaker 1: he's like what, And then she's laying there giving him

448
00:24:52,920 --> 00:24:57,840
Speaker 1: the instructions, and you add the next high stake sandwich

449
00:24:58,320 --> 00:25:03,119
Speaker 1: another layer of d filling, and she's like and a

450
00:25:03,240 --> 00:25:06,280
Speaker 1: tremendous acting happening. By the way, that's why I.

451
00:25:06,560 --> 00:25:12,199
Speaker 3: Would say that, I thought, oh, so oh in that moment,

452
00:25:12,520 --> 00:25:16,040
Speaker 3: he is so she's so good, She's so good.

453
00:25:16,280 --> 00:25:19,320
Speaker 1: No, she's so good. So she's laying there and she's

454
00:25:19,359 --> 00:25:21,199
Speaker 1: like telling him all the things he has to do.

455
00:25:22,440 --> 00:25:25,520
Speaker 1: And then she throws in there and by the way,

456
00:25:26,480 --> 00:25:30,080
Speaker 1: you cannot let me die, yeah, because I'm about to

457
00:25:30,119 --> 00:25:33,480
Speaker 1: pass out, and i'm and when I pass up, Yes,

458
00:25:33,960 --> 00:25:36,960
Speaker 1: it was like a little much that. Then she's like,

459
00:25:37,080 --> 00:25:40,440
Speaker 1: and the baby's name is and then they put the guests.

460
00:25:41,960 --> 00:25:42,480
Speaker 4: Please.

461
00:25:43,359 --> 00:25:46,520
Speaker 3: I was so annoyed because I was waiting for the

462
00:25:46,560 --> 00:25:49,119
Speaker 3: baby's name, like I know the name name.

463
00:25:49,440 --> 00:25:51,440
Speaker 1: Yeah, And you know how many times they shot that?

464
00:25:51,640 --> 00:25:53,160
Speaker 1: You know how many times you shot that? Like that

465
00:25:53,320 --> 00:25:57,919
Speaker 1: mask coming over her annoying? Oh, really so good, I

466
00:25:57,960 --> 00:26:01,719
Speaker 1: found an annoying. Okay, now we are back to the

467
00:26:01,760 --> 00:26:05,840
Speaker 1: flaming bus crash in the rain that's also fiery and

468
00:26:05,880 --> 00:26:07,200
Speaker 1: like some kind of inferno.

469
00:26:07,320 --> 00:26:10,080
Speaker 3: Let's talk about this because I think we can. I

470
00:26:10,080 --> 00:26:12,159
Speaker 3: think we can like kind of summarize that this scene

471
00:26:12,200 --> 00:26:17,600
Speaker 3: basically is there so that Jackson Avery and Kevin mckinn

472
00:26:17,840 --> 00:26:22,359
Speaker 3: ken can come out looking like the most amazing hero.

473
00:26:22,760 --> 00:26:25,919
Speaker 3: But what's funny is that I started laughing because the

474
00:26:25,960 --> 00:26:31,640
Speaker 3: way my memory was not right. I I remembered which

475
00:26:31,680 --> 00:26:35,480
Speaker 3: is wrong. The Jackson Avery ended up exiting this bus

476
00:26:35,480 --> 00:26:39,600
Speaker 3: after this huge explosion, which is what happens holding a child.

477
00:26:39,680 --> 00:26:41,760
Speaker 3: But I remember him being in my mind that we

478
00:26:41,800 --> 00:26:45,720
Speaker 3: had written him shirtless. So I was giggling, like to myself,

479
00:26:46,119 --> 00:26:49,320
Speaker 3: thinking how does the shirt come off? Does the explosion

480
00:26:49,520 --> 00:26:51,760
Speaker 3: like blow the shirt off? It's like, we have the

481
00:26:51,760 --> 00:26:54,760
Speaker 3: other opportunity to get somebody's shirtless and heroic. We're going

482
00:26:54,840 --> 00:26:57,000
Speaker 3: to do it. And then so when he came out

483
00:26:57,400 --> 00:27:00,159
Speaker 3: in his scrub talk, I was like, oh, where like

484
00:27:00,160 --> 00:27:01,320
Speaker 3: get the shirtless thing from?

485
00:27:01,400 --> 00:27:04,720
Speaker 1: And then I realized, yeah, don't worry, it's coming, coming coming.

486
00:27:05,800 --> 00:27:07,720
Speaker 1: I mean when they go back to the bus, Yes,

487
00:27:07,840 --> 00:27:10,920
Speaker 1: you are correct. They are both being so heroic and

488
00:27:11,000 --> 00:27:14,520
Speaker 1: the lighting is great and the rain and all of

489
00:27:14,560 --> 00:27:19,159
Speaker 1: it's happening, and they are being so heroic. Then we

490
00:27:19,280 --> 00:27:21,600
Speaker 1: sort of get sling shot back into the Nike you

491
00:27:21,800 --> 00:27:25,480
Speaker 1: because the parents are revolting. I was a little resentful

492
00:27:25,520 --> 00:27:29,320
Speaker 1: of this, although obviously, I mean it's funny because the

493
00:27:29,400 --> 00:27:31,520
Speaker 1: ladies always get to be heroes on our show. It's

494
00:27:31,560 --> 00:27:34,800
Speaker 1: it's very true. So maybe that's why I noticed that

495
00:27:36,440 --> 00:27:39,320
Speaker 1: I was a little irritated that Derek got to save

496
00:27:39,359 --> 00:27:43,520
Speaker 1: the day. Like everyone's revolting and like, and Derek gets

497
00:27:43,560 --> 00:27:48,080
Speaker 1: to be like, shut up, everybody. There aren't enough doctors,

498
00:27:48,359 --> 00:27:51,400
Speaker 1: but there are enough people. I'm like, wait, how did

499
00:27:51,440 --> 00:27:53,280
Speaker 1: I not think of that? Why didn't I say that?

500
00:27:53,440 --> 00:27:55,960
Speaker 3: I also thought to myself, I did think to myself,

501
00:27:56,119 --> 00:27:58,680
Speaker 3: why are we saying that it's going to be fine

502
00:27:58,720 --> 00:28:00,920
Speaker 3: when clearly we're out numbered by babies.

503
00:28:01,320 --> 00:28:03,520
Speaker 1: But but that's the point that Derek makes. Yes, the

504
00:28:03,560 --> 00:28:06,680
Speaker 1: doctors are but the people aren't. And all we're doing

505
00:28:06,760 --> 00:28:09,120
Speaker 1: is bagging. Yeah, it's not a big deal.

506
00:28:09,520 --> 00:28:12,240
Speaker 3: And then Joe then follows off with a hey it's

507
00:28:12,280 --> 00:28:15,800
Speaker 3: easy and gets a little love look from Corrupt because

508
00:28:15,840 --> 00:28:17,520
Speaker 3: you know what she knows how to bag a baby.

509
00:28:17,720 --> 00:28:19,000
Speaker 1: But you're magical in this scene.

510
00:28:19,480 --> 00:28:20,600
Speaker 3: Oh you're so cute.

511
00:28:20,680 --> 00:28:22,600
Speaker 1: No, you are you are? You are? You are? You

512
00:28:22,680 --> 00:28:27,040
Speaker 1: have you have the Gray's magic. You're like your character

513
00:28:27,320 --> 00:28:29,840
Speaker 1: and the words and the tone and all of it

514
00:28:29,880 --> 00:28:32,280
Speaker 1: comes together. Do you just do it? And you also

515
00:28:32,320 --> 00:28:35,280
Speaker 1: and you see why he loves you, and you also

516
00:28:35,320 --> 00:28:38,720
Speaker 1: have that weird, you know, floating eyebruis situation, so we're

517
00:28:38,760 --> 00:28:39,600
Speaker 1: sympathetic to you.

518
00:28:40,200 --> 00:28:44,400
Speaker 3: I do remember a filming it and being knowing that

519
00:28:44,760 --> 00:28:48,280
Speaker 3: this was a graznown to me finale. These were huge

520
00:28:48,320 --> 00:28:51,360
Speaker 3: and this was my first one and feeling, oh my.

521
00:28:51,400 --> 00:28:52,640
Speaker 1: God, like pressure is on.

522
00:28:53,160 --> 00:28:55,880
Speaker 3: Yeah, pressure felt like it was on, which worked. It

523
00:28:55,920 --> 00:28:58,480
Speaker 3: always works when you're an internal on the show though, Yeah,

524
00:28:58,960 --> 00:28:59,760
Speaker 3: pressure is on.

525
00:29:00,320 --> 00:29:03,000
Speaker 1: Get out. Yeah, of course I had the goosebumps so

526
00:29:03,040 --> 00:29:06,120
Speaker 1: many times during the show. Okay, so now we haven't

527
00:29:06,120 --> 00:29:11,320
Speaker 1: talked enough about Bailey, but Bailey's having this whole I

528
00:29:11,360 --> 00:29:14,320
Speaker 1: can't get back into medicine. I can't get back into surgery,

529
00:29:14,760 --> 00:29:17,520
Speaker 1: and everyone's trying to coax her back into it, and

530
00:29:17,560 --> 00:29:19,480
Speaker 1: everyone's a little bit on tender hooks and they don't

531
00:29:19,520 --> 00:29:21,440
Speaker 1: know how to do it. And she keeps saying no

532
00:29:21,600 --> 00:29:26,600
Speaker 1: to whatever proposition people have. But all of a sudden,

533
00:29:27,160 --> 00:29:32,600
Speaker 1: she's like in this emergent situation, she cannot get the

534
00:29:32,640 --> 00:29:40,320
Speaker 1: meds out of this med tower and she is over it.

535
00:29:40,920 --> 00:29:44,720
Speaker 1: And she gets called in because Brooks comes in and says,

536
00:29:44,960 --> 00:29:50,600
Speaker 1: Gray needs you, and she's like, I'm done. I was great,

537
00:29:50,840 --> 00:29:54,800
Speaker 1: and she flips out love it and she's with Leah.

538
00:29:55,440 --> 00:29:58,000
Speaker 1: Yeah there was another person that Arizona had sex with.

539
00:29:58,080 --> 00:30:06,240
Speaker 1: But anyways, she flips out, goes a bunannas like literally

540
00:30:06,400 --> 00:30:12,640
Speaker 1: like hitting the tower, going crazy all the things. But

541
00:30:12,680 --> 00:30:16,080
Speaker 1: then all of a sudden, all the trays open. Yeah,

542
00:30:16,680 --> 00:30:19,320
Speaker 1: like yay, because we've got all these patients coming in

543
00:30:19,360 --> 00:30:21,040
Speaker 1: that need meds and she and no one.

544
00:30:20,880 --> 00:30:21,680
Speaker 4: Can get them.

545
00:30:22,040 --> 00:30:26,800
Speaker 1: So Bailey for the wind, yeah, and I love her

546
00:30:26,800 --> 00:30:32,800
Speaker 1: for that. I love her. Okay. So now I'm reminded

547
00:30:34,440 --> 00:30:38,240
Speaker 1: of the other aspect of the show, which is like

548
00:30:38,280 --> 00:30:44,840
Speaker 1: the action situation. And now Jesse aka Jackson Avery.

549
00:30:44,720 --> 00:30:47,760
Speaker 3: Comes out, not shirtless, under not chartless.

550
00:30:47,800 --> 00:30:52,640
Speaker 1: He has shirtfull. Uh and he somehow you know, they've

551
00:30:52,680 --> 00:30:54,880
Speaker 1: they've they've planted that there's a woman that's looking for

552
00:30:54,880 --> 00:30:57,880
Speaker 1: her child Ebie. Of course I'm now pulled in because

553
00:30:57,920 --> 00:31:00,239
Speaker 1: I have a child named Maybe, so I'm like, uh,

554
00:31:00,400 --> 00:31:06,080
Speaker 1: And he's magnetically drawn towards this child. He looks under

555
00:31:06,080 --> 00:31:08,239
Speaker 1: the bus and there's a little girl he's hees her

556
00:31:08,280 --> 00:31:13,080
Speaker 1: shoe and then explosion, so that happens, but then it

557
00:31:13,160 --> 00:31:16,840
Speaker 1: goes back to the inside and they're like they're freaking

558
00:31:16,880 --> 00:31:20,320
Speaker 1: out because they think it's gonna explode. Yeah, and then

559
00:31:20,640 --> 00:31:23,480
Speaker 1: April starts running towards the bus because she's like, well,

560
00:31:23,480 --> 00:31:27,120
Speaker 1: but where's Jackson. Everyone's like, where's Jackson? And Jackson's not there.

561
00:31:27,560 --> 00:31:30,160
Speaker 1: So they know that Jackson's not there. They established that

562
00:31:30,480 --> 00:31:32,600
Speaker 1: we know where he is, but we don't know what

563
00:31:32,640 --> 00:31:36,120
Speaker 1: the timing is. And then all of a sudden, April

564
00:31:36,160 --> 00:31:41,760
Speaker 1: starts running towards the bus and it explodes and she

565
00:31:42,040 --> 00:31:45,840
Speaker 1: thinks Jackson is in the bus and she's going.

566
00:31:45,760 --> 00:31:51,440
Speaker 3: Yeah, o razy. No, I'm just gonna say, if I'm Matthew,

567
00:31:51,840 --> 00:31:55,000
Speaker 3: her fiance, I'm stood right there, which he kind of is.

568
00:31:55,240 --> 00:31:59,160
Speaker 3: And then you're watching April Kepner lose her shit quite

569
00:31:59,240 --> 00:32:02,400
Speaker 3: like that. Well it's here's a Lara Bells. You know

570
00:32:02,400 --> 00:32:06,280
Speaker 3: what I'm saying, Yeah, yeah, yeah, yeah, nobody else is.

571
00:32:06,560 --> 00:32:09,959
Speaker 3: Owen's not out there screaming Jackson's.

572
00:32:09,520 --> 00:32:15,200
Speaker 1: Name, like April Callie's not out there screaming Jackson's name.

573
00:32:15,400 --> 00:32:19,160
Speaker 3: Would raise an eyebrow, you know what I'm saying? Yeah, yeah,

574
00:32:19,320 --> 00:32:21,880
Speaker 3: explosion happens, and then what happens This is the part

575
00:32:21,920 --> 00:32:24,240
Speaker 3: that I is just when he comes walks out.

576
00:32:25,040 --> 00:32:27,479
Speaker 1: So then this is the part that you probably imagine

577
00:32:27,520 --> 00:32:30,120
Speaker 1: him being shirtless, but he was not. And then her

578
00:32:30,320 --> 00:32:32,880
Speaker 1: mom is falling apart. She's like, oh my god.

579
00:32:33,480 --> 00:32:36,600
Speaker 3: Here's here's what made me laugh at this. Not only

580
00:32:36,760 --> 00:32:38,760
Speaker 3: was he not shirtless. I was wondering where I got that,

581
00:32:40,440 --> 00:32:45,600
Speaker 3: but he just literally walks right by April and Matthew

582
00:32:46,000 --> 00:32:49,000
Speaker 3: and like not even eye contact. It's like just breezes

583
00:32:49,080 --> 00:32:51,560
Speaker 3: by them. And it just made me giggle for some reason,

584
00:32:51,600 --> 00:32:52,040
Speaker 3: because I.

585
00:32:53,520 --> 00:32:57,840
Speaker 1: Like, you, hold on, let me see my note. Jackson

586
00:32:57,920 --> 00:33:01,680
Speaker 1: comes out with eve notes how did he not get

587
00:33:01,720 --> 00:33:07,120
Speaker 1: a Marvel movie deal? After that, April is crying too

588
00:33:07,160 --> 00:33:11,760
Speaker 1: hard shirtless Jackson. April goes cuckoo. Matthew sees it.

589
00:33:11,800 --> 00:33:26,040
Speaker 4: Those are my notes.

590
00:33:28,840 --> 00:33:32,200
Speaker 1: April goes cuckoo. I mean like and I mean, we

591
00:33:32,320 --> 00:33:36,520
Speaker 1: know our girl is good, so she's cuckoo level five thousand.

592
00:33:36,920 --> 00:33:42,360
Speaker 1: Matthew sees it. Then Derek and Christina get the get

593
00:33:42,360 --> 00:33:45,040
Speaker 1: wind of the fact that like, the baby's in the

594
00:33:45,120 --> 00:33:46,880
Speaker 1: neck you, but where's Meredith?

595
00:33:47,400 --> 00:33:47,600
Speaker 3: Yeah?

596
00:33:47,640 --> 00:33:51,000
Speaker 1: And then Bailey's back and she's gonna go save Gray,

597
00:33:51,040 --> 00:33:53,680
Speaker 1: but like, where is she saving Gray? And then that's

598
00:33:53,840 --> 00:33:56,760
Speaker 1: the callback to them running down because Christina comes to

599
00:33:56,760 --> 00:33:59,560
Speaker 1: get Derek and she's like what and they don't even talk.

600
00:33:59,680 --> 00:34:01,840
Speaker 1: She just gives them a look. And then they're running

601
00:34:01,840 --> 00:34:04,040
Speaker 1: down the hallway and it gives me such goosebumps. So

602
00:34:04,080 --> 00:34:06,280
Speaker 1: they're running down the hallway. I actually laughed at the

603
00:34:06,280 --> 00:34:08,120
Speaker 1: fact that they're running down the hallway. But then it

604
00:34:08,200 --> 00:34:09,680
Speaker 1: somehow cuts them just sitting there.

605
00:34:10,920 --> 00:34:11,440
Speaker 3: Yay.

606
00:34:12,080 --> 00:34:15,040
Speaker 1: I'm like, wait, why'd you run so fast if you down?

607
00:34:15,640 --> 00:34:18,359
Speaker 1: So they're sitting there and they're talking about her, and

608
00:34:18,400 --> 00:34:22,279
Speaker 1: that's when they say, you know, she's our person. Then

609
00:34:23,040 --> 00:34:28,120
Speaker 1: there's this flip the transfer switch situation where they Weber

610
00:34:28,200 --> 00:34:31,120
Speaker 1: goes down and he finds Frank on the floor and

611
00:34:31,160 --> 00:34:33,680
Speaker 1: Frank's like, don't worry, you just have to flip the

612
00:34:33,680 --> 00:34:35,719
Speaker 1: transfer switch. And so we think that everything's going to

613
00:34:35,800 --> 00:34:39,520
Speaker 1: go back to what it should be. And meanwhile, Bailey

614
00:34:39,640 --> 00:34:44,000
Speaker 1: really is back and she's saved Gray and and are

615
00:34:44,239 --> 00:34:47,759
Speaker 1: you know, it's like Gray is gonna live. It's gonna

616
00:34:47,800 --> 00:34:53,720
Speaker 1: be great. And Weber stays down in the basement help Frank,

617
00:34:54,239 --> 00:34:57,080
Speaker 1: and then we find for the first time in the show,

618
00:34:57,400 --> 00:35:02,080
Speaker 1: Arizona and Cali in the same room. Oh my god,

619
00:35:02,239 --> 00:35:05,359
Speaker 1: I gave me like when she comes around the corner.

620
00:35:05,440 --> 00:35:09,320
Speaker 5: I'm like, oh, I was like no, no, oh god,

621
00:35:09,960 --> 00:35:10,520
Speaker 5: oh my god.

622
00:35:11,160 --> 00:35:13,160
Speaker 3: And by the way, this is exactly I was in

623
00:35:13,200 --> 00:35:14,000
Speaker 3: the day where I was like.

624
00:35:14,000 --> 00:35:16,600
Speaker 1: Oh, yeah, I know, I know, I know.

625
00:35:17,560 --> 00:35:20,080
Speaker 3: Okay, yeah, what happens? Talk about it.

626
00:35:20,960 --> 00:35:24,880
Speaker 1: So Lauren is into Arizona, and Arizona, I think, is

627
00:35:24,960 --> 00:35:28,560
Speaker 1: kind of into Lauren, but she feels so guilty and

628
00:35:28,640 --> 00:35:32,200
Speaker 1: she's like this can't happen, Like this can't be and

629
00:35:32,239 --> 00:35:34,680
Speaker 1: you're great, but like then all of a sudden, her

630
00:35:34,719 --> 00:35:37,399
Speaker 1: wife comes up behind her. Yeah. I was like, oh

631
00:35:37,400 --> 00:35:40,840
Speaker 1: my gosh, there you are. And she's like, yeah, Harry,

632
00:35:41,640 --> 00:35:42,160
Speaker 1: here I am.

633
00:35:43,040 --> 00:35:43,680
Speaker 3: Yeah.

634
00:35:43,719 --> 00:35:46,280
Speaker 1: And then call back to the beginning of the episode

635
00:35:47,280 --> 00:35:51,880
Speaker 1: where Callie tells April to put her ring on her Scriptop. Yeah,

636
00:35:52,360 --> 00:35:58,879
Speaker 1: she looks at Lauren and Lauren is wearing Arizona's wedding ring.

637
00:35:59,200 --> 00:36:06,640
Speaker 3: Hell, how did the writers? What an absolutely genius way

638
00:36:06,840 --> 00:36:11,040
Speaker 3: of dropping that bomb. That is the part of the

639
00:36:11,080 --> 00:36:15,120
Speaker 3: table read that I literally like, almost through my script.

640
00:36:15,239 --> 00:36:18,680
Speaker 3: I was like dying because we were reading it as

641
00:36:18,719 --> 00:36:21,600
Speaker 3: it was like the first time. It was our version

642
00:36:21,640 --> 00:36:22,719
Speaker 3: of watching it for the first time.

643
00:36:22,800 --> 00:36:22,960
Speaker 4: Right.

644
00:36:23,239 --> 00:36:26,160
Speaker 3: That was That's the part that I remember, and I

645
00:36:26,200 --> 00:36:28,160
Speaker 3: wasn't even it wasn't even my storyline. I remember the

646
00:36:28,160 --> 00:36:29,000
Speaker 3: most about that.

647
00:36:29,000 --> 00:36:33,440
Speaker 1: Phenomen Yeah, yes, of course, yeah.

648
00:36:33,719 --> 00:36:34,200
Speaker 4: Yeah.

649
00:36:34,239 --> 00:36:38,040
Speaker 1: So then Lauren sort of lies seamlessly, but Calli knows

650
00:36:38,320 --> 00:36:40,520
Speaker 1: immediately and Arizona knows.

651
00:36:40,719 --> 00:36:46,640
Speaker 5: I know that look between you guys, I know it's

652
00:36:46,680 --> 00:36:49,759
Speaker 5: really want to see the book that it's really aboud,

653
00:36:49,960 --> 00:36:53,120
Speaker 5: which is why they then they, being the powers that

654
00:36:53,239 --> 00:36:55,480
Speaker 5: be that control things, switch over to.

655
00:36:57,280 --> 00:37:02,600
Speaker 1: You and Crow, and it's a amazing, amazing, amazing admission

656
00:37:02,640 --> 00:37:04,920
Speaker 1: of like both of you being like I mess everything

657
00:37:05,040 --> 00:37:08,120
Speaker 1: up and I, oh, don't tell me. You're gonna tell me,

658
00:37:08,200 --> 00:37:09,439
Speaker 1: don't tell me? So what was that?

659
00:37:09,640 --> 00:37:09,759
Speaker 3: Like?

660
00:37:09,840 --> 00:37:10,640
Speaker 1: Do you remember that scene?

661
00:37:10,800 --> 00:37:13,200
Speaker 3: I do? I remember it so well. I do remember

662
00:37:13,200 --> 00:37:17,840
Speaker 3: it so well. I remember initially in the first script,

663
00:37:18,160 --> 00:37:21,480
Speaker 3: we were supposed to the walkway, we call it the walkway.

664
00:37:21,880 --> 00:37:23,719
Speaker 3: Originally the kiss was supposed to be there. It was

665
00:37:23,760 --> 00:37:26,240
Speaker 3: written to be in the walkway, and for whatever reason,

666
00:37:26,280 --> 00:37:29,680
Speaker 3: maybe we couldn't get to the location or timing or

667
00:37:29,719 --> 00:37:33,880
Speaker 3: whatever it was, it got changed to just us standing

668
00:37:33,960 --> 00:37:36,399
Speaker 3: looking out at the rain. And I remember thinking, like, oh,

669
00:37:36,600 --> 00:37:38,279
Speaker 3: being so bummed because it was going to be this

670
00:37:38,400 --> 00:37:41,000
Speaker 3: amazing kiss on the walkway and it's so iconic and

671
00:37:41,120 --> 00:37:42,839
Speaker 3: wondering how romantic it was going to be that we

672
00:37:42,840 --> 00:37:46,000
Speaker 3: were just at the end of this hallway, and also

673
00:37:46,120 --> 00:37:50,440
Speaker 3: being so nervous because when you read a script and

674
00:37:50,480 --> 00:37:54,600
Speaker 3: it's like the first kiss, it literally says something along

675
00:37:54,640 --> 00:38:00,239
Speaker 3: the lines of the most incredible, mind blowing roam, like

676
00:38:00,280 --> 00:38:04,360
Speaker 3: that's read right, so the speaks are so high. Yeah,

677
00:38:04,480 --> 00:38:09,520
Speaker 3: I just remember being so nervous that a whole season,

678
00:38:10,080 --> 00:38:12,240
Speaker 3: because it was twenty four hours, is a whole season

679
00:38:12,360 --> 00:38:17,359
Speaker 3: of this tease of them getting together that in some way,

680
00:38:17,640 --> 00:38:20,719
Speaker 3: like this moment of passion just wouldn't read. And I

681
00:38:20,840 --> 00:38:24,160
Speaker 3: was watching it, I'm like, this works, like these two characters,

682
00:38:24,239 --> 00:38:26,600
Speaker 3: like I am rooting for them. I'm rooting for them

683
00:38:26,600 --> 00:38:28,799
Speaker 3: to be together. It didn't matter that it wasn't on

684
00:38:28,840 --> 00:38:31,400
Speaker 3: this iconic walkway. I thought it was great and romantic

685
00:38:31,440 --> 00:38:33,080
Speaker 3: in the rain, and it was just such a cute

686
00:38:33,200 --> 00:38:37,040
Speaker 3: Joe and Alex's moment and their dialogue together like fit

687
00:38:37,200 --> 00:38:40,600
Speaker 3: perfectly for who those characters are. It was so simple

688
00:38:40,960 --> 00:38:44,560
Speaker 3: in a way. But yeah, I do remember, I remember

689
00:38:44,560 --> 00:38:48,560
Speaker 3: the pressure of making that kiss. Amazing.

690
00:38:49,600 --> 00:38:53,399
Speaker 1: It was though I thought it was at thinks I'll

691
00:38:53,440 --> 00:38:56,960
Speaker 1: take it was a smooch my notes were smooth.

692
00:38:57,560 --> 00:39:01,920
Speaker 3: You know, Oh, talk about this because as they're kissing,

693
00:39:03,440 --> 00:39:07,600
Speaker 3: John Legends song all of It, Yes Star.

694
00:39:07,600 --> 00:39:11,279
Speaker 1: Which yes, which I was, I mean note of it

695
00:39:11,280 --> 00:39:13,719
Speaker 1: because I was like, oh my gosh, number one, how

696
00:39:13,760 --> 00:39:17,720
Speaker 1: old is this song? And number two we got that song.

697
00:39:18,200 --> 00:39:20,520
Speaker 3: So the interesting thing about that song is the show

698
00:39:20,840 --> 00:39:25,279
Speaker 3: licensed that song John Lennon Legends demo of All of

699
00:39:25,320 --> 00:39:27,880
Speaker 3: Me for the episode and allowed them to use a

700
00:39:27,920 --> 00:39:30,719
Speaker 3: song before the single was even released. And then I

701
00:39:30,760 --> 00:39:34,919
Speaker 3: remember that song just exploding everywhere. But it became synonymous

702
00:39:34,960 --> 00:39:39,719
Speaker 3: with art this season finale, and it led from Joe

703
00:39:39,760 --> 00:39:43,640
Speaker 3: and Alex that kiss, and then it led into April Jackson.

704
00:39:43,760 --> 00:39:45,640
Speaker 1: This is making me feel like we need to do

705
00:39:45,680 --> 00:39:48,359
Speaker 1: an episode about the music of Grey's Anatomy, which's very

706
00:39:48,360 --> 00:39:50,120
Speaker 1: important and you and I both love music so much,

707
00:39:50,160 --> 00:39:51,960
Speaker 1: so I think we actually should and maybe we need

708
00:39:52,000 --> 00:39:55,439
Speaker 1: to have some of the standout musical guests. Song. I mean,

709
00:39:55,640 --> 00:39:57,840
Speaker 1: I would love to have Brandy Carlyle on.

710
00:39:57,880 --> 00:39:58,719
Speaker 3: We have the Frey on.

711
00:39:59,440 --> 00:40:02,120
Speaker 1: I mean that be lovely. Okay, I'm down. We haven't

712
00:40:02,120 --> 00:40:05,239
Speaker 1: thought about this angle we're doing it, okay, So yes,

713
00:40:05,360 --> 00:40:09,160
Speaker 1: that that starts that that song starts to play and

714
00:40:09,200 --> 00:40:14,040
Speaker 1: then you go over to April and Jackson, and April

715
00:40:14,080 --> 00:40:16,799
Speaker 1: comes in with all her crazy I love her, I

716
00:40:16,800 --> 00:40:18,120
Speaker 1: love her crazy, and.

717
00:40:18,000 --> 00:40:21,719
Speaker 3: She's shirtless and he's shirtless, and he's shirtless, and he's

718
00:40:21,800 --> 00:40:25,399
Speaker 3: she's from That's where I was getting from. He could

719
00:40:25,680 --> 00:40:28,080
Speaker 3: he could. We could have put him in a hospital gown.

720
00:40:28,440 --> 00:40:30,360
Speaker 1: But by the way he's being treated by.

721
00:40:30,280 --> 00:40:32,360
Speaker 3: CALLI, he's being treated by Kelly.

722
00:40:32,400 --> 00:40:34,920
Speaker 1: But he could have been before. I'm confused.

723
00:40:34,960 --> 00:40:36,520
Speaker 3: I don't know. But the point is we could have

724
00:40:36,560 --> 00:40:37,719
Speaker 3: put him in a hospital gown.

725
00:40:38,120 --> 00:40:40,040
Speaker 1: But the why would we do that.

726
00:40:40,880 --> 00:40:44,040
Speaker 3: Let's not like, let's have April come in and Jackson.

727
00:40:44,360 --> 00:40:50,800
Speaker 3: Let's make sure that Jesse Williams is moisturized. He's ready

728
00:40:50,960 --> 00:40:52,919
Speaker 3: just to really confess that love.

729
00:40:53,040 --> 00:40:56,160
Speaker 1: So she comes in and she's like I don't want

730
00:40:56,239 --> 00:40:59,880
Speaker 1: you yeah, and he's kind of like wait what yeah,

731
00:41:00,520 --> 00:41:03,040
Speaker 1: And he's like you're getting married, yeah, And she's like

732
00:41:04,160 --> 00:41:06,600
Speaker 1: a lot of other stuff. But ultimately she's like, unless

733
00:41:06,640 --> 00:41:11,239
Speaker 1: you give me a reason not to which hello, hello,

734
00:41:11,560 --> 00:41:15,799
Speaker 1: ring ring, the phone is ringing, pick it up. You

735
00:41:15,920 --> 00:41:18,759
Speaker 1: love her, she loves you, But we would not do

736
00:41:18,840 --> 00:41:19,799
Speaker 1: that because then we cannot have.

737
00:41:19,960 --> 00:41:24,280
Speaker 3: We're going to leave that for another big exactly exactly.

738
00:41:24,960 --> 00:41:28,880
Speaker 1: So now, okay, we get to button up the Christina

739
00:41:28,920 --> 00:41:31,480
Speaker 1: and Owen piece because Christina comes in with her wisdom

740
00:41:31,600 --> 00:41:36,600
Speaker 1: and the thrill of having been challenged by Weber to

741
00:41:36,840 --> 00:41:40,359
Speaker 1: hear a leak and then fix it because of that

742
00:41:40,400 --> 00:41:44,839
Speaker 1: in the dark, and she is hopped up on the power. Yeah,

743
00:41:44,880 --> 00:41:49,520
Speaker 1: and she says to Owen, do you really believe that

744
00:41:49,560 --> 00:41:51,800
Speaker 1: I'm ever going to be enough? Like I can't fill

745
00:41:51,840 --> 00:41:55,520
Speaker 1: the hole, I can't fill the kid shaped hole in

746
00:41:55,560 --> 00:41:59,959
Speaker 1: a lot in your life. And she kind of says,

747
00:42:00,000 --> 00:42:03,840
Speaker 1: you already made your decision. I know it's done.

748
00:42:04,080 --> 00:42:07,960
Speaker 3: It's done done, so.

749
00:42:07,160 --> 00:42:09,400
Speaker 1: And we have we still have John Legend playing all

750
00:42:09,440 --> 00:42:11,560
Speaker 1: of me. So through all so of these I mean again,

751
00:42:11,680 --> 00:42:14,480
Speaker 1: there's so many coming togethers and pulling up parts in

752
00:42:14,520 --> 00:42:17,640
Speaker 1: this episode. So now we go to a very big

753
00:42:17,719 --> 00:42:20,359
Speaker 1: pulling apart, which is and it really is, I mean,

754
00:42:20,560 --> 00:42:22,920
Speaker 1: kind of the end Arizona and Calli.

755
00:42:23,440 --> 00:42:24,719
Speaker 3: Yeah, let's talk about it.

756
00:42:25,239 --> 00:42:28,200
Speaker 1: Yeah, the big scene at the end where they're they're

757
00:42:28,280 --> 00:42:30,560
Speaker 1: there and they're just so full of it and they're

758
00:42:30,600 --> 00:42:34,080
Speaker 1: so mad and oh my gosh. Calli is so good

759
00:42:34,080 --> 00:42:37,040
Speaker 1: in the scene and she is wrecked and she's coming

760
00:42:37,040 --> 00:42:40,040
Speaker 1: at it like full full, just like how could this

761
00:42:40,080 --> 00:42:44,440
Speaker 1: have happened? And and and Arizona is like, why do

762
00:42:44,520 --> 00:42:47,680
Speaker 1: you keep trying to take credit for my pain?

763
00:42:48,120 --> 00:42:50,960
Speaker 3: My favorite part is when you just like, it's very

764
00:42:51,080 --> 00:42:53,080
Speaker 3: rare that I ever heard just I don't even know

765
00:42:53,120 --> 00:42:57,520
Speaker 3: if I've heard Jessica Capshaw yell except for Burgergate, and

766
00:42:57,600 --> 00:43:02,160
Speaker 3: the yelled is like so goutt and raw. When you're

767
00:43:02,200 --> 00:43:03,840
Speaker 3: like you are on the plant, you know, it's like

768
00:43:03,960 --> 00:43:07,120
Speaker 3: I just I felt like you just completely let loose

769
00:43:07,160 --> 00:43:11,000
Speaker 3: in it. It's excellent because it's like all these things

770
00:43:11,000 --> 00:43:15,560
Speaker 3: that have been building you haven't been said really gets said.

771
00:43:16,080 --> 00:43:18,880
Speaker 3: I know, not even necessarily that you cheated.

772
00:43:18,960 --> 00:43:21,200
Speaker 1: No, but I think what what in rewatching it?

773
00:43:21,239 --> 00:43:21,359
Speaker 3: At?

774
00:43:21,400 --> 00:43:28,520
Speaker 1: What I saw was I saw how mad Arizona was.

775
00:43:29,360 --> 00:43:31,560
Speaker 3: Yes, we have seen that.

776
00:43:31,920 --> 00:43:34,840
Speaker 1: Yeah, she was so mad, she was so so, so

777
00:43:34,960 --> 00:43:39,400
Speaker 1: so mad. And and I did see that that CALLI

778
00:43:39,680 --> 00:43:43,000
Speaker 1: was in her, in her all of her best intentions

779
00:43:43,040 --> 00:43:46,960
Speaker 1: to fix and fix and fix and fix. She was

780
00:43:47,360 --> 00:43:52,160
Speaker 1: kind of taking on this horrible thing that had happened

781
00:43:52,160 --> 00:43:58,560
Speaker 1: to Arizona. And Arizona was like, it didn't happen to you,

782
00:43:58,560 --> 00:44:02,879
Speaker 1: You were not that this experience, which again By the way,

783
00:44:02,880 --> 00:44:04,400
Speaker 1: I think probably the next you watch will be the

784
00:44:04,440 --> 00:44:07,640
Speaker 1: plane crash episode, because that's the one that everyone also

785
00:44:07,680 --> 00:44:10,359
Speaker 1: wants to hear about. But it's like, you weren't there,

786
00:44:10,440 --> 00:44:14,160
Speaker 1: you weren't in the woods, you weren't thinking you were

787
00:44:14,280 --> 00:44:17,440
Speaker 1: never going to be saved, and amongst people who were dying,

788
00:44:18,320 --> 00:44:19,360
Speaker 1: Like you don't know what you're.

789
00:44:19,200 --> 00:44:22,040
Speaker 3: Talking about, but I have. I have some questions, and

790
00:44:22,040 --> 00:44:23,480
Speaker 3: I feel like fans will want to know about this

791
00:44:23,600 --> 00:44:26,520
Speaker 3: because we sort of we know what the arguments about.

792
00:44:27,120 --> 00:44:30,239
Speaker 3: Sometimes you're as an actress saying you're in a fight

793
00:44:30,520 --> 00:44:33,520
Speaker 3: as your character and you're not on your character's side.

794
00:44:34,200 --> 00:44:36,959
Speaker 3: So I want to know if when you were playing that,

795
00:44:37,560 --> 00:44:42,720
Speaker 3: were you on Arizona's side? Was Jessica on arizona side.

796
00:44:44,080 --> 00:44:50,040
Speaker 1: I understood why she was so frustrated. I personally would

797
00:44:50,080 --> 00:44:55,480
Speaker 1: never have let it get to the point where she cheated.

798
00:44:55,680 --> 00:44:58,440
Speaker 3: No, no, not the cheating. More than that. It's more

799
00:44:58,560 --> 00:45:01,000
Speaker 3: thank you, so much more than just that. She's just

800
00:45:01,040 --> 00:45:03,120
Speaker 3: wondering if when you were sometimes you're saying lines and

801
00:45:03,200 --> 00:45:04,680
Speaker 3: you're like, those.

802
00:45:04,200 --> 00:45:07,480
Speaker 1: Were no, I no, I I do I think that

803
00:45:07,560 --> 00:45:10,120
Speaker 1: there was all this, you know. I just think that

804
00:45:09,800 --> 00:45:14,239
Speaker 1: that CALLI was cheerleading and cheerleading and cheerleading, and I

805
00:45:14,280 --> 00:45:19,000
Speaker 1: think that Arizona was giving multiple, multiple, multiple accounts of

806
00:45:19,840 --> 00:45:25,759
Speaker 1: I'm struggling, Yeah, I'm heartbroken, i am stuck. Yeah, because

807
00:45:25,760 --> 00:45:27,080
Speaker 1: by the way, the one thing that I did was

808
00:45:27,120 --> 00:45:29,400
Speaker 1: not on her side about was and I think that

809
00:45:29,480 --> 00:45:32,640
Speaker 1: I'm not alone. It's like it feels like a thin

810
00:45:32,880 --> 00:45:36,720
Speaker 1: argument to say I'm so mad at you for taking

811
00:45:36,760 --> 00:45:40,160
Speaker 1: my leg but also saving my life, like would you

812
00:45:40,239 --> 00:45:43,560
Speaker 1: rather be dead? I mean like because because the whole

813
00:45:43,600 --> 00:45:46,200
Speaker 1: thing about her leg was that she was gonna die.

814
00:45:46,520 --> 00:45:46,880
Speaker 3: Yeah.

815
00:45:47,200 --> 00:45:51,400
Speaker 1: Yeah, I remember it being so out of the ordinary

816
00:45:51,400 --> 00:45:56,200
Speaker 1: for us and so supercharged that one person I don't

817
00:45:56,239 --> 00:45:58,080
Speaker 1: know who it was. And it wasn't like, you know,

818
00:45:58,120 --> 00:46:00,319
Speaker 1: a cacophony. It wasn't like this amazing like we were

819
00:46:00,320 --> 00:46:03,160
Speaker 1: at Radio City Music Hall. But there was we finished

820
00:46:03,160 --> 00:46:06,000
Speaker 1: it and there was a clap and there and then

821
00:46:06,000 --> 00:46:10,359
Speaker 1: there was clapping, and it was cathartic. It was it

822
00:46:10,400 --> 00:46:12,160
Speaker 1: was it was the end of the season, and it

823
00:46:12,200 --> 00:46:17,080
Speaker 1: was Yeah, Arizona had so much just stop it already,

824
00:46:17,280 --> 00:46:19,879
Speaker 1: like just all the stuff and.

825
00:46:19,920 --> 00:46:21,400
Speaker 3: It was such a long time coming.

826
00:46:21,760 --> 00:46:23,920
Speaker 1: Yes, and it was just like she finally was like

827
00:46:25,800 --> 00:46:30,040
Speaker 1: ah and and and so was Cally, and so I

828
00:46:30,120 --> 00:46:32,680
Speaker 1: remember there being like a very cathartic release of like,

829
00:46:33,360 --> 00:46:36,360
Speaker 1: you know, that was it felt good and I and

830
00:46:36,400 --> 00:46:40,240
Speaker 1: I remember thinking that we did we did the best

831
00:46:40,600 --> 00:46:43,160
Speaker 1: you know we made. We did the thing, we did

832
00:46:43,200 --> 00:46:44,120
Speaker 1: the thing we made.

833
00:46:44,160 --> 00:46:46,239
Speaker 3: When you My last question for you about that scene,

834
00:46:46,239 --> 00:46:49,160
Speaker 3: it's when you went into it. Did you know did

835
00:46:49,200 --> 00:46:54,480
Speaker 3: you plan on being Arizona being that explosive in the

836
00:46:54,520 --> 00:46:58,600
Speaker 3: scene or did you find your way there while filming?

837
00:46:59,040 --> 00:47:00,600
Speaker 1: I think I think we found on our way there

838
00:47:00,680 --> 00:47:02,880
Speaker 1: because I think that I always tried to make Arizona

839
00:47:04,120 --> 00:47:07,120
Speaker 1: be like temper her and like find the bright side

840
00:47:07,160 --> 00:47:09,480
Speaker 1: of the street. And I think that we found our

841
00:47:09,520 --> 00:47:12,360
Speaker 1: way to you know what, sometimes you can't sweeten.

842
00:47:13,000 --> 00:47:14,799
Speaker 3: You know. I think that's a really interesting thing that

843
00:47:14,880 --> 00:47:17,200
Speaker 3: you just said that we've never talked about. And as

844
00:47:17,239 --> 00:47:20,800
Speaker 3: an actor, I think that no one is more of

845
00:47:20,840 --> 00:47:23,120
Speaker 3: a cheerleader and loves your character more than you do,

846
00:47:23,239 --> 00:47:25,440
Speaker 3: right because you have to or playing that person. And

847
00:47:25,560 --> 00:47:29,000
Speaker 3: so a lot of times in these scenes where you

848
00:47:29,640 --> 00:47:31,960
Speaker 3: kind of have to be the bad guy or you're

849
00:47:32,000 --> 00:47:34,960
Speaker 3: just you know, you're exploding in the way that you

850
00:47:35,040 --> 00:47:42,440
Speaker 3: have to explode. You're almost the temptation to make the

851
00:47:42,480 --> 00:47:47,480
Speaker 3: person more likable in the moment or less explosive or

852
00:47:47,680 --> 00:47:52,040
Speaker 3: exactly what you said temper them is. It's just very

853
00:47:52,120 --> 00:47:56,520
Speaker 3: tempting to do that, right. And then there are times

854
00:47:56,600 --> 00:48:01,000
Speaker 3: when you realize that that's the person is who they

855
00:48:01,080 --> 00:48:03,120
Speaker 3: are in this moment and it's not what you would do,

856
00:48:03,239 --> 00:48:05,600
Speaker 3: and that's okay. And then you have to lean all

857
00:48:05,600 --> 00:48:09,040
Speaker 3: the way in and it feels it can be difficult,

858
00:48:09,280 --> 00:48:12,319
Speaker 3: like I understand why you would feel like, find your

859
00:48:12,320 --> 00:48:13,040
Speaker 3: way there to that.

860
00:48:13,719 --> 00:48:16,720
Speaker 1: Mm hmm. This is gonna be the cliffhanger. So Bailey

861
00:48:17,440 --> 00:48:20,640
Speaker 1: is like, oh my gosh, I'm back in action. Somehow

862
00:48:20,840 --> 00:48:23,280
Speaker 1: it happened. I'm not afraid of being a doctor anymore.

863
00:48:23,440 --> 00:48:26,239
Speaker 1: I've gotten out my stuff and I gotta go find

864
00:48:26,320 --> 00:48:29,080
Speaker 1: Richard because he is the one who knows me the

865
00:48:29,120 --> 00:48:31,839
Speaker 1: best and I owe everything to him, and I'm gonna

866
00:48:31,880 --> 00:48:38,680
Speaker 1: find him. And remember after Richard saved Frank down below,

867
00:48:39,040 --> 00:48:41,120
Speaker 1: he said, you just have to flip the switch or

868
00:48:41,120 --> 00:48:44,600
Speaker 1: whatever transfer switch and there's like water on the ground,

869
00:48:45,239 --> 00:48:49,839
Speaker 1: a little looks little electricity. Yeah, and then you don't

870
00:48:49,840 --> 00:48:54,560
Speaker 1: see him flip the switch. But then in the voiceover,

871
00:48:55,560 --> 00:48:58,680
Speaker 1: she says that only in the quiet moments after the storm,

872
00:48:59,400 --> 00:49:04,240
Speaker 1: we learn who was strong enough to survive, and Richard

873
00:49:04,360 --> 00:49:07,280
Speaker 1: is on the floor in the on the wet floor

874
00:49:07,360 --> 00:49:11,080
Speaker 1: next to the sparking circuit with his lab coat burned,

875
00:49:11,160 --> 00:49:13,440
Speaker 1: and like, you think for sure he's done.

876
00:49:13,760 --> 00:49:14,680
Speaker 3: It's a great show.

877
00:49:14,880 --> 00:49:19,319
Speaker 1: Come on, that's like, by the way, that's only we're talking, like,

878
00:49:19,520 --> 00:49:21,720
Speaker 1: I don't know, forty five minutes of TV.

879
00:49:23,480 --> 00:49:24,319
Speaker 3: Are you kidding me?

880
00:49:24,680 --> 00:49:25,239
Speaker 1: It's a lot.

881
00:49:25,560 --> 00:49:28,200
Speaker 3: What no wonder we're on the air for this long?

882
00:49:28,320 --> 00:49:29,560
Speaker 3: Come on, round of applause?

883
00:49:29,800 --> 00:49:32,680
Speaker 1: I know he can I say it's being controversial, Yeah, sure.

884
00:49:33,200 --> 00:49:35,719
Speaker 1: It made me feel nostalgic. I wish that all those

885
00:49:35,760 --> 00:49:39,520
Speaker 1: people were still on the show. I don't think it's controversial, Like,

886
00:49:39,640 --> 00:49:41,680
Speaker 1: but I was like, I mean, I think all the

887
00:49:41,680 --> 00:49:43,560
Speaker 1: people on the show right now are so amazing and

888
00:49:43,640 --> 00:49:45,560
Speaker 1: so great, And we were just talking about intern classes

889
00:49:45,560 --> 00:49:48,000
Speaker 1: and I think it's absolutely right to shake it up

890
00:49:48,080 --> 00:49:51,200
Speaker 1: and all that. But there is something I mean, I

891
00:49:51,200 --> 00:49:53,960
Speaker 1: guess it's because you can't get it back. It's just immortalized.

892
00:49:54,239 --> 00:49:57,239
Speaker 3: Also, you end up having a soft spot for the

893
00:49:57,360 --> 00:50:00,560
Speaker 3: time that you came on the show. Yeah, there's there's

894
00:50:00,560 --> 00:50:02,439
Speaker 3: an energy to when you first come on the show

895
00:50:02,560 --> 00:50:04,880
Speaker 3: and what that what the landscape looked like at.

896
00:50:04,719 --> 00:50:07,759
Speaker 1: The time, you know, but all the interns like I

897
00:50:07,800 --> 00:50:10,000
Speaker 1: really did. I was like again when I saw Shane,

898
00:50:10,040 --> 00:50:12,040
Speaker 1: I was like, God, I love that guy.

899
00:50:12,840 --> 00:50:14,520
Speaker 3: I know, I loved our enduring class.

900
00:50:14,560 --> 00:50:17,320
Speaker 1: Well, thanks for coming on this ride with us.

901
00:50:17,200 --> 00:50:20,520
Speaker 3: I and thank you for suggesting call it through this

902
00:50:20,600 --> 00:50:25,680
Speaker 3: episode because I was sucked in. It was a time

903
00:50:25,760 --> 00:50:26,320
Speaker 3: well spent.

904
00:50:27,320 --> 00:50:27,840
Speaker 1: Mm hmmm.

905
00:50:28,400 --> 00:50:30,239
Speaker 3: I loved it. I love a deep dive with you.

906
00:50:31,880 --> 00:50:34,399
Speaker 1: You too, I do really fun and it is.

907
00:50:34,360 --> 00:50:37,520
Speaker 3: Really fun to see us from five hundred years ago.

908
00:50:38,680 --> 00:50:39,600
Speaker 3: What we look like.

909
00:50:40,080 --> 00:50:52,040
Speaker 1: I know. Well, let's call it the end of the episode.