WEBVTT - M*A*S*H: The Story of the 4077th

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<v Speaker 1>Montreal, Bon soirs.

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<v Speaker 2>It is Josh and Chuck.

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<v Speaker 1>And we are coming to your french Ish town.

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<v Speaker 3>Yeah. And not just Montreal, We're also coming to Ottawa,

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<v Speaker 3>the capital of Canada itself, and Toronto, one of our

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<v Speaker 3>favorite cities in the entire world.

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<v Speaker 1>That's right. We're gonna be in those cities on June

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<v Speaker 1>twenty fifth, twenty sixth, and twenty seventh, and there are

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<v Speaker 1>still plenty of great tickets available. We love going to

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<v Speaker 1>Canada and we can't wait to go to some of

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<v Speaker 1>these towns we've never been to. And you can get tickets. Well,

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<v Speaker 1>you can go to the websites of the venues. You

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<v Speaker 1>can go to stuff youshould Know dot com and click

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<v Speaker 1>on the on tour button and click on the tickets

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<v Speaker 1>link there. There are all kinds of ways to find

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<v Speaker 1>these tickets.

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<v Speaker 3>Yeah, and we'll see you guys next week.

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<v Speaker 1>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 3>Hanging. Welcome to the podcast. I'm Josh and there's Chuck

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<v Speaker 3>and Jerry's here too. And this is Stuff you Should Know,

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<v Speaker 3>part of our ongoing TV edition because we were raised

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<v Speaker 3>on TV, so it's familiar to us and we.

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<v Speaker 1>Love it well. One of us love this. You might

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<v Speaker 1>as well go ahead and get that out of the way.

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<v Speaker 1>What do you mean, Mash? Yeah, I love Mash. You

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<v Speaker 1>hated Mash.

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<v Speaker 3>I don't know what you're talking about. Come on, I

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<v Speaker 3>don't I don't hate Mash. It's mostly a put on

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<v Speaker 3>just to annoy you. I yeah, I don't hate it,

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<v Speaker 3>hate it, you know what I mean?

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<v Speaker 1>Well, tell me your history. Did you watch it at all?

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<v Speaker 3>Yeah? I watched it with my dad.

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<v Speaker 1>Okay.

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<v Speaker 3>My dad would laugh out loud, throw his head back

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<v Speaker 3>and clap sometimes. Yeah, And it was fun just to

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<v Speaker 3>see my dad do that. Of course, he had, you know,

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<v Speaker 3>consumed two old Milwaukee tall boys by this time, but sure,

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<v Speaker 3>you know, I would guess that he probably would have

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<v Speaker 3>laughed regardless. And that was it. I mean, that's how

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<v Speaker 3>I know Mash essentially, and I've seen probably a decent

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<v Speaker 3>amount of the episodes, but I don't know. It was

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<v Speaker 3>never like I love Mash, you know, like Head of

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<v Speaker 3>the Class. I never loved Mash like I loved Head

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<v Speaker 3>of the Class or Perfect Strangers.

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<v Speaker 1>Right, Well, this is when I remember that you are

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<v Speaker 1>younger than me, so it's not like you were like

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<v Speaker 1>me nine years old and loving a show about alcoholic

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<v Speaker 1>surgeons in the Korean War.

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<v Speaker 3>No, but I don't feel like a lot of it

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<v Speaker 3>was lost on me. I think I got a lot

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<v Speaker 3>of it. It's just I don't think I was old

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<v Speaker 3>enough for the comedy.

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<v Speaker 1>Yeah. Well I have talked about it before, but it

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<v Speaker 1>was definitely weird that a nine year old was into

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<v Speaker 1>a comedy sometimes serious about alcoholic surgeons during the Korean War, right,

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<v Speaker 1>But I was into it. And you know, at one point,

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<v Speaker 1>Mash was on reruns in the evening and then late

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<v Speaker 1>night and while it was still airing so on Thursdays.

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<v Speaker 1>I believe it aired on Thursdays in primetime, at least

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<v Speaker 1>it did when I from my recollection. At one point

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<v Speaker 1>I was watching five episodes of Mash on Thursday and

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<v Speaker 1>four episodes of Mash every other day of the week.

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<v Speaker 3>Wow, there's not that many shows you can do that with.

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<v Speaker 1>No, it's like five and five thirty and then something

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<v Speaker 1>like ten then ten thirty or something like that.

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<v Speaker 3>I can do that with Law and Order. I can

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<v Speaker 3>just watch Law and Order indefinitely, the original series.

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<v Speaker 1>But it was I was into it. It was a

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<v Speaker 1>formative show for me. It was you know, it was

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<v Speaker 1>a top five show as a kid, So.

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<v Speaker 3>Wow, And is it still one of your top shows?

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<v Speaker 1>Yeah, I mean it's not when I go back to

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<v Speaker 1>and it certainly has a place in my heart. But

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<v Speaker 1>it's hard to definitively rank today's TV against TV back then.

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<v Speaker 1>You know, it's different, very definitely different. There are no

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<v Speaker 1>short shows about alcoholic surgeons in the Korean War.

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<v Speaker 3>Now there are no short shows. They're all six or

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<v Speaker 3>eight hours long at least.

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<v Speaker 1>Yeah, the thirty minutes sitcom is on its legs. It

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<v Speaker 1>feels like, huh, are there any out there?

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<v Speaker 3>Oh? Yes, there's a few.

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<v Speaker 1>I mean main you know, the main network still have

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<v Speaker 1>their shows. I just don't watch any of them.

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<v Speaker 3>The last mainstream network show that I saw that I

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<v Speaker 3>really liked was a ted dancing show called Mister Mayor

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<v Speaker 3>and it's it was funny. I don't know why I

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<v Speaker 3>got canceled. A great cast. It wasn't dumb, it was

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<v Speaker 3>as smart, but it was also hilarious, had a real

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<v Speaker 3>kind of like a slightly different thirty rock vibe to

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<v Speaker 3>like the writing.

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<v Speaker 1>Yeah, you know what, man, I'd have to really dig

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<v Speaker 1>to see what the last major network half hour sitcom was.

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<v Speaker 1>I watched because I feel like it was like arrested development.

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<v Speaker 1>But maybe there's been one since then.

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<v Speaker 3>Yeah, yeah, I would say probably before, mister Mayor. That's

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<v Speaker 3>as far as it would go back for me too.

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<v Speaker 1>And you watched The Good Place too, didn't you?

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<v Speaker 3>I did. I didn't watch it. I watched it big

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<v Speaker 3>wise on I guess Netflix or whatever. I never watched

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<v Speaker 3>it when it was on.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, So obviously all this is barreling us toward MASH,

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<v Speaker 3>which is an acronym. Did you know that, mister Smarty?

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<v Speaker 1>I did. Yeah, Well, why don't you since this is

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<v Speaker 1>your favorite show, why don't you tell everybody what it

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<v Speaker 1>stands for?

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<v Speaker 3>It stands for Mobile Army Surgical Hospital. And as everyone,

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<v Speaker 3>even Jerry knows that there's an asterisk in between the letters.

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<v Speaker 3>Three asterisks. Our friend Dave helped us with this, and he.

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<v Speaker 1>He also hates MASH.

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<v Speaker 3>Yeah. He looked high and low and was like, there's

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<v Speaker 3>no reason for the asterisks. He thinks that it was

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<v Speaker 3>just a design thing, and I couldn't find anything that

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<v Speaker 3>contradicted that.

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<v Speaker 1>Well, my feeling is that I think it clearly was

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<v Speaker 1>meant to show that it is an acronym, even though

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<v Speaker 1>that's not how the military necessarily distinguished it because people

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<v Speaker 1>would just say, what in the world is MASH mean?

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<v Speaker 1>But oh wait, it must stand for something, would be

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<v Speaker 1>my guess.

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<v Speaker 3>Right, But they didn't use periods after each letter like

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<v Speaker 3>the military would of.

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<v Speaker 1>Oh yeah, sure, I get you. I'm yeah. An acronym

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<v Speaker 1>is typically a period, right, oh gotcha? Yeah yeah. But

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<v Speaker 1>it looks good though, You're.

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<v Speaker 3>Right, it does.

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<v Speaker 1>It looks fantastic, very signature.

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<v Speaker 3>So mobile Army Surgical Hospital and obviously, if you've ever

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<v Speaker 3>seen MASH, it's where the whole thing is set, set

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<v Speaker 3>during the Korean War in a mobile surgical hospital, hence

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<v Speaker 3>the name, and those were actually a real thing. Did

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<v Speaker 3>you know that, mister smart guy who loves MASH so much?

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<v Speaker 1>Oh boy, this is what we're in for. I did

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<v Speaker 1>know that, because you know, at some point the show

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<v Speaker 1>spells that out, So yeah, I knew that was the thing.

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<v Speaker 1>What I was curious, And you know, my Mash recollection

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<v Speaker 1>this is from a long time ago. I don't remember

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<v Speaker 1>them ever moving at all, so I feel like they

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<v Speaker 1>kind of stayed there, unless that was an episode that

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<v Speaker 1>I missed where they were like, yeah, we're gonna move

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<v Speaker 1>to this other part of Malibu, which which is where

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<v Speaker 1>it was filmed, the Fox Ranch which is now Malibu

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<v Speaker 1>Creek State Park, which is why and all the scenes

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<v Speaker 1>of helicopters flying around Korea. Who knows if that's what

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<v Speaker 1>Korea looks like, but it looks like the mountains of

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<v Speaker 1>southern California.

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<v Speaker 3>You don't know, that's where the Manson family lived for

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<v Speaker 3>a while.

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<v Speaker 1>Oh really, no, No, they lived on Spawn Ring, right, Okay.

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<v Speaker 3>Anytime I hear ranch in California, I just immediately think

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<v Speaker 3>of the Manson family.

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<v Speaker 1>Yeah, and I know I've told the story about shooting

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<v Speaker 1>out there, but it was a big treat for me

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<v Speaker 1>as a PA to shoot a commercial and see like

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<v Speaker 1>a rusted out army oh yeah, ambulance, and I think,

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<v Speaker 1>I mean, who knows what's there now, but there were

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<v Speaker 1>still a few remnants back then, right.

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<v Speaker 3>Yeah. I remember my mind being blown when I found

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<v Speaker 3>out that that was like California in the back.

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<v Speaker 1>He didn't go to Korea.

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<v Speaker 3>Yeah. I think that's kind of when I started to

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<v Speaker 3>get that people cut corners for money.

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<v Speaker 1>Yeah, totally.

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<v Speaker 2>So.

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<v Speaker 3>Yeah, so a mash thing. A mash was actually a thing,

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<v Speaker 3>and I think it was actually first try it out

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<v Speaker 3>in the Korean War, which I think was a three

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<v Speaker 3>year war. But something interesting that I noticed about Mashes

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<v Speaker 3>that it ran for eleven seasons, so it was almost

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<v Speaker 3>four times longer than the actual war that was the

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<v Speaker 3>setting for this TV show. But in reality, like I

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<v Speaker 3>was saying, a MASH hospital was tried out in the

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<v Speaker 3>Korean War in real life.

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<v Speaker 1>Yeah, for sure. And the idea is that they put

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<v Speaker 1>the surgeons close to the front lines so they could

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<v Speaker 1>save more lives. And it was, you know, they're all

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<v Speaker 1>kind of temporary, like they slept on you know, cot

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<v Speaker 1>like beds, and they lived in tents, and it was

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<v Speaker 1>on the TV show there's a lot to talk about

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<v Speaker 1>the front and how close they were, but the real

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<v Speaker 1>life MASH units apparently had a ninety seven percent survival rate.

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<v Speaker 1>If you got there, your chances are you lived.

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<v Speaker 3>Yeah, so it was a really good idea that panned out. Yeah,

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<v Speaker 3>And in the show, you can hear bombs going off

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<v Speaker 3>sometimes occasionally the overhead lights will flicker and sway because

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<v Speaker 3>they are so close to the front. And I was

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<v Speaker 3>thinking about the same thing that you mentioned too, that

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<v Speaker 3>they never seemed to change or move their unit. And

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<v Speaker 3>if it's supposed to be four to five miles behind

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<v Speaker 3>front lines. Then that would have to be a completely

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<v Speaker 3>static front line for all those years to never move.

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<v Speaker 3>But it made me wonder about like the real life

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<v Speaker 3>mash surgeons, like how often did you have to break

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<v Speaker 3>down your mash unit and then move it, you know,

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<v Speaker 3>and set it up again, which apparently you could do

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<v Speaker 3>very quickly. Supposedly you could set one up in twenty

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<v Speaker 3>four hours. But that also just kind of goes to

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<v Speaker 3>explain like these were not like state of the art

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<v Speaker 3>surgical wards. They were like blood and guts, get your

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<v Speaker 3>hands dirty, you're lucky if you have more than one scalpel,

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<v Speaker 3>kind of like surgical outfit.

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<v Speaker 1>Yeah, for sure, And that was conveyed very well in

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<v Speaker 1>the show. The doctors on the show, you know, just

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<v Speaker 1>like in real life, the doctors were generally civilians that

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<v Speaker 1>were drafted into the war to be army surgeons. After

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<v Speaker 1>I think World War Two, they had a tougher time

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<v Speaker 1>getting surgeons going, and when Korea came around, they passed

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<v Speaker 1>the Doctor's Draft Act. If you had already served in

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<v Speaker 1>World War two as a doctor or surgeon or nurse

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<v Speaker 1>or whatever, you didn't, you could get waived. You could

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<v Speaker 1>still serve if you wanted to. But the long and

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<v Speaker 1>short of that is the recruits were younger, they didn't

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<v Speaker 1>have as much experience. They definitely were not looking to

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<v Speaker 1>join the army. Which was a big, big part of

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<v Speaker 1>that show is that none of you know, none of them,

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<v Speaker 1>but the main characters that we're going to talk about,

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<v Speaker 1>like the protagonist, not the foils. The Foils kind of

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<v Speaker 1>liked the army, but the other guys generally did not

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<v Speaker 1>like being there or being in the army culture. And

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<v Speaker 1>Alan Alda was thirty six when they started making this.

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<v Speaker 1>It was kind of curious about his starting age. Oh yeah, yeah,

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<v Speaker 1>thirty six.

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<v Speaker 3>So yeah, I think that's almost one of the cornerstones

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<v Speaker 3>of this show is that these are civilian doctors who

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<v Speaker 3>were drafted in the Middle Military, and they're kind of

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<v Speaker 3>bristling against this the regimentedness that's required of them just

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<v Speaker 3>from being in the military. They're like, just get out

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<v Speaker 3>of our hair. We're here to save lives, you know.

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<v Speaker 3>Take that whole like revelly stuff and shove it.

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<v Speaker 1>Yeah, that's right. It was actually a book and this

0:11:19.440 --> 0:11:21.840
<v Speaker 1>smart guy I did not know no.

0:11:21.720 --> 0:11:24.920
<v Speaker 3>Way I was going to ask you that facetiously and

0:11:25.000 --> 0:11:25.600
<v Speaker 3>I didn't.

0:11:26.520 --> 0:11:28.319
<v Speaker 1>I'm sorry, I did not know this. Of course I

0:11:28.400 --> 0:11:29.680
<v Speaker 1>knew it was a movie, and we'll talk about then

0:11:29.720 --> 0:11:31.760
<v Speaker 1>a second. But the movie was optioned from a book

0:11:32.440 --> 0:11:35.520
<v Speaker 1>written in nineteen sixty eight called Mash Colon, a novel

0:11:35.559 --> 0:11:40.440
<v Speaker 1>about three army doctors by a Mash veteran doctor named

0:11:40.480 --> 0:11:44.280
<v Speaker 1>doctor Richard H. Hornberger under a pseudonym Richard Hooker. I

0:11:44.360 --> 0:11:46.920
<v Speaker 1>think he added a co writer named W. C. Hines

0:11:46.960 --> 0:11:49.680
<v Speaker 1>when it came pretty clear that his book was a

0:11:49.679 --> 0:11:52.120
<v Speaker 1>bit of a mess, because it sounds like it was

0:11:52.160 --> 0:11:55.520
<v Speaker 1>just sort of a group of stories about his experience

0:11:55.600 --> 0:11:58.040
<v Speaker 1>in the eight oh five to five. The eighty fifty

0:11:58.080 --> 0:12:00.680
<v Speaker 1>fifth Mash Unit was the real life unit that it

0:12:00.720 --> 0:12:03.400
<v Speaker 1>was based on, and it sounds like it was, you know,

0:12:03.520 --> 0:12:05.200
<v Speaker 1>like what we see on TV and in the movies,

0:12:05.240 --> 0:12:07.320
<v Speaker 1>Like they partied a lot, they drank a lot, did

0:12:07.320 --> 0:12:10.280
<v Speaker 1>a lot of pranks, and on the side did some surgery.

0:12:10.440 --> 0:12:12.679
<v Speaker 3>Yeah. Well, like you said, it was kind of loosely

0:12:13.640 --> 0:12:17.560
<v Speaker 3>put together, like each chapter started with hey, get this right,

0:12:17.640 --> 0:12:20.120
<v Speaker 3>and they were basically like yeah, they were anecdotes, and

0:12:20.160 --> 0:12:24.079
<v Speaker 3>then apparently he also peppered in some like gory stuff

0:12:24.400 --> 0:12:28.280
<v Speaker 3>just to basically get across the Horrors of War and

0:12:28.400 --> 0:12:32.880
<v Speaker 3>he was actually a surgeon in Maine and when he

0:12:33.400 --> 0:12:36.840
<v Speaker 3>put this whole book together, and they brought in W. C. Hines,

0:12:36.840 --> 0:12:40.640
<v Speaker 3>a sportswriter, to kind of help him with it. If

0:12:40.640 --> 0:12:43.720
<v Speaker 3>you've seen the TV show and you've never read the book,

0:12:43.760 --> 0:12:46.600
<v Speaker 3>maybe even haven't seen the movie, you have a totally

0:12:46.679 --> 0:12:50.480
<v Speaker 3>different conception of Mash than what Hornberger created and what

0:12:50.559 --> 0:12:54.040
<v Speaker 3>the movie kind of portrayed, which is like, this wasn't

0:12:54.040 --> 0:12:56.600
<v Speaker 3>a he didn't have any liberal agenda. In fact, he

0:12:56.679 --> 0:13:00.280
<v Speaker 3>was kind of conservative, and he didn't really like the

0:13:00.320 --> 0:13:04.000
<v Speaker 3>tone of the TV show, but it was still it

0:13:04.080 --> 0:13:07.559
<v Speaker 3>still had like a kind of anti war bent through it,

0:13:07.679 --> 0:13:11.000
<v Speaker 3>or at least just questioning that the morality of war,

0:13:11.200 --> 0:13:14.880
<v Speaker 3>just how stupid and wasteful it is. But it wasn't

0:13:14.960 --> 0:13:18.440
<v Speaker 3>you know, it was not a liberal book or written

0:13:18.440 --> 0:13:19.680
<v Speaker 3>by a liberal person.

0:13:20.400 --> 0:13:23.840
<v Speaker 1>But you know it's Hollywood gets a whold of something. Yeah,

0:13:23.920 --> 0:13:25.840
<v Speaker 1>they're going to liberalize it. And that's basically, you know,

0:13:25.960 --> 0:13:27.640
<v Speaker 1>like you said, what the movie and TV show ended

0:13:27.679 --> 0:13:30.640
<v Speaker 1>up being. It's like a statement, like an anti war statement.

0:13:31.600 --> 0:13:35.080
<v Speaker 1>Hornberger after not after Mash, because we'll talk about that later.

0:13:35.160 --> 0:13:40.520
<v Speaker 1>The weird spinoff, but Postmash, he wrote more mash books.

0:13:40.559 --> 0:13:42.880
<v Speaker 1>After you Know the movie was a hit. He wrote

0:13:42.880 --> 0:13:46.520
<v Speaker 1>fourteen mash novels. The first one was called Mash and Maine,

0:13:47.600 --> 0:13:50.679
<v Speaker 1>which published the same year the TV show ended up premiering.

0:13:50.840 --> 0:13:54.920
<v Speaker 3>Yeah, fourteen novels, a movie and a TV show off

0:13:54.960 --> 0:13:56.640
<v Speaker 3>of a book that he had to bring a sports

0:13:56.679 --> 0:13:59.120
<v Speaker 3>writer into help, you know, whip into shape.

0:13:59.400 --> 0:14:01.640
<v Speaker 1>Yeah, can you cash in exactly?

0:14:02.280 --> 0:14:04.439
<v Speaker 3>So? Yeah, And he was just basically trying to get

0:14:04.440 --> 0:14:09.520
<v Speaker 3>his anecdotes across, which were mostly like drunken prank stuff

0:14:09.600 --> 0:14:11.680
<v Speaker 3>like you said, like you see on the TV show,

0:14:11.720 --> 0:14:14.920
<v Speaker 3>like that was based on this guy's book. So, like

0:14:14.960 --> 0:14:16.760
<v Speaker 3>I said, it was turned into a movie. I think

0:14:16.800 --> 0:14:18.920
<v Speaker 3>it was option maybe even the year it was published

0:14:18.920 --> 0:14:21.600
<v Speaker 3>in nineteen sixty eight, because the movie came out in

0:14:21.680 --> 0:14:24.880
<v Speaker 3>nineteen seventy and I imagine it took a little while

0:14:24.920 --> 0:14:28.280
<v Speaker 3>to make because it's a mess and it was directed

0:14:28.280 --> 0:14:29.320
<v Speaker 3>by Robert Altman.

0:14:30.000 --> 0:14:31.040
<v Speaker 1>So you didn't like the movie.

0:14:31.760 --> 0:14:34.120
<v Speaker 3>I've only seen it once. I'm not entirely certain I

0:14:34.120 --> 0:14:37.240
<v Speaker 3>saw the whole thing. I don't remember if I saw

0:14:37.280 --> 0:14:41.080
<v Speaker 3>the whole thing. I was reading about people debating on

0:14:41.880 --> 0:14:43.840
<v Speaker 3>whether the movie is any good or not, And it

0:14:43.880 --> 0:14:46.920
<v Speaker 3>seemed like the consensus was that somebody say it's a

0:14:48.360 --> 0:14:52.200
<v Speaker 3>masterpiece of twentieth century comedy. Yeah.

0:14:52.360 --> 0:14:55.520
<v Speaker 1>See, that's where I veer off, Like I love, love,

0:14:55.560 --> 0:14:58.520
<v Speaker 1>love the TV show. I liked the movie okay, like

0:14:58.520 --> 0:15:01.680
<v Speaker 1>I'm a big Robert Almond guy. It critically did very

0:15:01.760 --> 0:15:02.960
<v Speaker 1>I mean, it was a big hit. It won the

0:15:02.960 --> 0:15:06.200
<v Speaker 1>Golden Palm at the Cans Film Festival in nineteen seventy,

0:15:07.440 --> 0:15:10.160
<v Speaker 1>nominated for Best Picture and four other oscars. I think

0:15:10.160 --> 0:15:13.440
<v Speaker 1>it won Best Screenplay. So it was a huge hit.

0:15:15.280 --> 0:15:17.880
<v Speaker 1>But it's like, I think maybe I was too young

0:15:17.920 --> 0:15:19.520
<v Speaker 1>the first time I saw it, and I loved the

0:15:19.520 --> 0:15:21.280
<v Speaker 1>TV show so much, I was like, I gotta go

0:15:21.360 --> 0:15:24.600
<v Speaker 1>see the movie version, and the movie version's a lot different,

0:15:24.720 --> 0:15:27.120
<v Speaker 1>and it just didn't. I don't know. I don't think

0:15:27.120 --> 0:15:29.520
<v Speaker 1>it's among Altman's best work, but certainly a lot of

0:15:29.520 --> 0:15:30.520
<v Speaker 1>people disagree with me.

0:15:30.720 --> 0:15:33.840
<v Speaker 3>Sure a lot of people like it, but it's almost

0:15:33.880 --> 0:15:36.480
<v Speaker 3>one of those things you get the impression that people

0:15:36.520 --> 0:15:40.600
<v Speaker 3>like it because it's, you know, supposedly this amazing thing,

0:15:41.120 --> 0:15:42.880
<v Speaker 3>not because they'd like it like it, you know what

0:15:42.920 --> 0:15:45.400
<v Speaker 3>I mean. Maybe maybe that's just kind of the tone

0:15:45.440 --> 0:15:47.840
<v Speaker 3>that I got But anyway, the movie was a little

0:15:48.040 --> 0:15:55.040
<v Speaker 3>closer to the book, and in that it's like it

0:15:55.120 --> 0:16:01.200
<v Speaker 3>portrays everything that the younger generations did, like about the

0:16:01.240 --> 0:16:10.440
<v Speaker 3>oldest generation right now explain sexism, racism, Oh sure, she's

0:16:10.480 --> 0:16:16.960
<v Speaker 3>just completely completely ignoring like the consequences of harming other people.

0:16:17.520 --> 0:16:20.240
<v Speaker 3>Yeah yeah, yeah, like essentially everything, Like those are the

0:16:20.280 --> 0:16:25.160
<v Speaker 3>main themes throughout this movie, right although again the subtext

0:16:25.200 --> 0:16:28.120
<v Speaker 3>is that this is an anti war movie at the

0:16:28.240 --> 0:16:31.680
<v Speaker 3>very least again questioning the morality of war. And it

0:16:31.760 --> 0:16:34.880
<v Speaker 3>was released right at you know, the peak of when

0:16:34.960 --> 0:16:38.080
<v Speaker 3>anti war sentiment was really aroused in America because of

0:16:38.120 --> 0:16:38.960
<v Speaker 3>the Vietnam War.

0:16:39.600 --> 0:16:41.680
<v Speaker 1>Yeah, for sure. And I didn't know where you're going,

0:16:41.680 --> 0:16:43.960
<v Speaker 1>but you totally nailed it. Like in this movie, it's

0:16:44.000 --> 0:16:46.960
<v Speaker 1>like it's supposed to be funny that hot lips Hula Han,

0:16:47.080 --> 0:16:50.160
<v Speaker 1>the head nurse is the shower curtain has ripped open

0:16:50.200 --> 0:16:54.320
<v Speaker 1>and she has fully frontally exposed naked to the rest

0:16:54.320 --> 0:16:56.720
<v Speaker 1>of the camp. Yeah, like this played for laugh So

0:16:57.080 --> 0:17:00.440
<v Speaker 1>obviously it's a movie of its time. It was by

0:17:00.840 --> 0:17:04.800
<v Speaker 1>Ring Lardner junior, obviously son of a great short story writer,

0:17:04.920 --> 0:17:08.840
<v Speaker 1>Ring Lardner, and he I think they called him. Pinky

0:17:08.880 --> 0:17:09.760
<v Speaker 1>Ring was his nickname.

0:17:09.880 --> 0:17:13.320
<v Speaker 3>No, oh, you got me. That's a good one.

0:17:13.840 --> 0:17:15.800
<v Speaker 1>Oh. Thanks, that'd be a pretty good nickname for a

0:17:16.840 --> 0:17:21.640
<v Speaker 1>Ring Junior. Yeah, or maybe toe ring. No pinky pinky ring.

0:17:21.720 --> 0:17:21.960
<v Speaker 3>Okay.

0:17:22.640 --> 0:17:25.360
<v Speaker 1>Uh so Altman, you know, does his Altman thing, which

0:17:25.400 --> 0:17:28.400
<v Speaker 1>is a lot of improvisation, a lot of overlapping dialogue.

0:17:28.400 --> 0:17:32.080
<v Speaker 1>It's his hallmark as a filmmaker. Ring Lardner Junior did

0:17:32.080 --> 0:17:36.000
<v Speaker 1>not care for that, evidently, and said, like, you ruined

0:17:36.000 --> 0:17:38.480
<v Speaker 1>what I wrote. And I don't know if he took

0:17:38.480 --> 0:17:40.520
<v Speaker 1>that back after he won the Oscar for screenplay or not,

0:17:40.600 --> 0:17:42.520
<v Speaker 1>but yeah, it's kind of interesting.

0:17:42.600 --> 0:17:44.119
<v Speaker 3>Yeah. I saw he tried to get his name taken

0:17:44.119 --> 0:17:45.800
<v Speaker 3>off of it and then he won the Oscar. Wow,

0:17:46.720 --> 0:17:48.000
<v Speaker 3>I guess I'll stick with this.

0:17:48.520 --> 0:17:49.359
<v Speaker 1>That's really funny.

0:17:49.359 --> 0:17:51.760
<v Speaker 3>One other thing about ring Lardner Junior I saw is

0:17:51.760 --> 0:17:53.800
<v Speaker 3>that he was one of the Hollywood ten who was

0:17:53.800 --> 0:17:56.040
<v Speaker 3>blacklisted by the McCarthy hearings.

0:17:56.440 --> 0:17:57.320
<v Speaker 1>Oh yeah, so sure.

0:17:57.359 --> 0:18:00.840
<v Speaker 3>It was like almost a slightly sub of act in

0:18:00.920 --> 0:18:03.920
<v Speaker 3>and of itself to hire him in the late sixties

0:18:04.000 --> 0:18:07.000
<v Speaker 3>after you know, they were bringing him back.

0:18:07.080 --> 0:18:10.359
<v Speaker 1>I guess, well, Altmund's he was an old pothead. He

0:18:10.400 --> 0:18:12.280
<v Speaker 1>was a medium age pothead at that point.

0:18:12.720 --> 0:18:15.960
<v Speaker 3>So let's talk about the theme song, which I'm sure

0:18:16.000 --> 0:18:17.840
<v Speaker 3>a lot of people know the title of it, but

0:18:19.280 --> 0:18:22.359
<v Speaker 3>many people might not actually because they played it. If

0:18:22.359 --> 0:18:24.680
<v Speaker 3>you're a fan of the TV show, it was always instrumental.

0:18:26.119 --> 0:18:28.200
<v Speaker 1>Yeah, they changed it from the movie. In the movie,

0:18:28.200 --> 0:18:30.520
<v Speaker 1>it had words. The name of the song is suicide

0:18:30.560 --> 0:18:33.840
<v Speaker 1>is Painless, and the story behind it I did not know.

0:18:34.920 --> 0:18:38.080
<v Speaker 1>In the mash movie there was a character I did

0:18:38.160 --> 0:18:43.280
<v Speaker 1>know this stuff, Captain Walt Waldowski, who says he wants

0:18:43.280 --> 0:18:45.440
<v Speaker 1>to take his own life because he's gay and he's

0:18:45.440 --> 0:18:48.159
<v Speaker 1>in the army and he can't bear it. And so

0:18:48.200 --> 0:18:51.040
<v Speaker 1>they do a fake sort of a fake funeral, a

0:18:51.080 --> 0:18:54.760
<v Speaker 1>living funeral, and give him a placebo pill, telling him

0:18:54.760 --> 0:18:58.240
<v Speaker 1>it's a big sedative that's gonna, you know, take his life, right.

0:18:58.680 --> 0:19:03.080
<v Speaker 1>And so Altman's like, I need a song that he

0:19:03.280 --> 0:19:05.640
<v Speaker 1>pitched it as I needed to be the stupidest song ever.

0:19:05.720 --> 0:19:08.400
<v Speaker 1>So we hired a guy, a real musician named Johnny Mandel.

0:19:09.320 --> 0:19:13.480
<v Speaker 1>Any relation to the Men that's Mandrill, Sorry.

0:19:12.640 --> 0:19:14.919
<v Speaker 3>Close, he's a distant, distant relation.

0:19:15.359 --> 0:19:18.520
<v Speaker 1>Yeah, that's right. He dropped the arm and he was like,

0:19:18.560 --> 0:19:20.040
<v Speaker 1>we need a song for this funeral, I want to

0:19:20.040 --> 0:19:22.440
<v Speaker 1>be the dumbest song ever. And Altman tried to write

0:19:22.440 --> 0:19:25.440
<v Speaker 1>it but couldn't come up with anything that he liked. So,

0:19:25.680 --> 0:19:28.280
<v Speaker 1>as the story goes, he hired his fifteen year old

0:19:28.320 --> 0:19:33.520
<v Speaker 1>son Michael to co write this thing with this pro musician,

0:19:33.680 --> 0:19:35.159
<v Speaker 1>and that's what they came up with.

0:19:35.440 --> 0:19:40.560
<v Speaker 3>Yeah, and like that explains like it was a purposefully

0:19:41.119 --> 0:19:44.919
<v Speaker 3>stupid song, which explains just the only lyrics I know,

0:19:44.960 --> 0:19:48.560
<v Speaker 3>which is suicide is painless. It brings on many changes,

0:19:49.160 --> 0:19:51.600
<v Speaker 3>and I've always been like that seems a little tongue

0:19:51.640 --> 0:19:53.240
<v Speaker 3>in cheek, like what's the right?

0:19:53.320 --> 0:19:54.119
<v Speaker 1>Like I don't get that.

0:19:54.359 --> 0:19:57.560
<v Speaker 3>No, I do maybe want to go back and read

0:19:57.600 --> 0:19:59.920
<v Speaker 3>the rest of the lyrics because I'm sure they're hilario.

0:20:01.560 --> 0:20:03.320
<v Speaker 1>I actually meant to do that too, and I did not.

0:20:04.520 --> 0:20:06.760
<v Speaker 1>I thought, you know, I know Emily worked with two

0:20:06.800 --> 0:20:09.399
<v Speaker 1>all with Roger and two of his sons on The

0:20:09.440 --> 0:20:13.560
<v Speaker 1>gingerbread Man in Savannah, and I asked her if Michael

0:20:13.600 --> 0:20:15.440
<v Speaker 1>was one of them, and she said no, it was

0:20:16.200 --> 0:20:17.800
<v Speaker 1>two of the others or maybe the other two.

0:20:18.080 --> 0:20:22.040
<v Speaker 3>Was it gingerbread Man? Is that a Grisham thriller? I

0:20:22.119 --> 0:20:23.920
<v Speaker 3>think so, or at least in that vein.

0:20:24.600 --> 0:20:26.600
<v Speaker 1>Yeah, I think it was a Grisham thriller.

0:20:26.800 --> 0:20:30.000
<v Speaker 3>Hey, speaking of movies, I saw something just last night

0:20:30.040 --> 0:20:31.080
<v Speaker 3>that I want to recommend.

0:20:31.640 --> 0:20:32.359
<v Speaker 1>Let's hear it.

0:20:32.359 --> 0:20:38.240
<v Speaker 3>It's an old Oswald or ozgood sorry Oz Ozgod Perkins movie.

0:20:38.960 --> 0:20:42.439
<v Speaker 3>You love that guy, Gretel and Hansel, and I think.

0:20:42.280 --> 0:20:43.960
<v Speaker 1>It's feel like you have it backwards.

0:20:43.600 --> 0:20:46.239
<v Speaker 3>To No, no, that's the way, that's the time. I'm

0:20:46.240 --> 0:20:50.560
<v Speaker 3>just kidding because Gretel's older in this one and it's

0:20:50.600 --> 0:20:53.480
<v Speaker 3>from like twenty twelve, thirteen. It's great.

0:20:54.280 --> 0:20:56.920
<v Speaker 1>You should start a podcast on Oz Perkins.

0:20:57.600 --> 0:20:59.200
<v Speaker 3>I wonder if I could get him to come on.

0:21:00.160 --> 0:21:03.919
<v Speaker 1>It, like, you know, like Finding Oz or the Wizard

0:21:03.920 --> 0:21:04.919
<v Speaker 1>of Oz or something like that.

0:21:05.040 --> 0:21:08.040
<v Speaker 3>Sure, or behind the Curtain, Yeah.

0:21:08.040 --> 0:21:11.320
<v Speaker 1>Yeah, find the the green behind the green Door. That's

0:21:11.359 --> 0:21:12.919
<v Speaker 1>something different behind the green curtain.

0:21:12.680 --> 0:21:14.040
<v Speaker 3>Behind the green door.

0:21:15.560 --> 0:21:17.920
<v Speaker 1>Oh man, all right, I feel like you should take

0:21:17.920 --> 0:21:20.159
<v Speaker 1>a break. We told the song story and we'll be

0:21:20.240 --> 0:21:23.440
<v Speaker 1>right back to finally get to the TV show after.

0:21:23.160 --> 0:21:27.880
<v Speaker 2>This loop with Joe shoe on cho.

0:21:29.560 --> 0:21:30.080
<v Speaker 3>Stuff.

0:21:30.160 --> 0:21:30.840
<v Speaker 2>You shit.

0:21:46.400 --> 0:21:48.680
<v Speaker 3>Okay, Chuck, So you said we'd get to the TV show,

0:21:48.720 --> 0:21:51.199
<v Speaker 3>but you lied, lied, lied, Because there's a little more

0:21:51.240 --> 0:21:54.080
<v Speaker 3>about the movie. We have to talk about. Oh okay,

0:21:54.200 --> 0:21:57.840
<v Speaker 3>chiefly that it was nominated for five Oscars, like you said,

0:21:58.880 --> 0:22:02.200
<v Speaker 3>Ring Lardner Junior, and for the Best Screenplay. But most

0:22:02.240 --> 0:22:06.240
<v Speaker 3>importantly is that Robert Altman hated the TV show.

0:22:06.840 --> 0:22:08.040
<v Speaker 1>Yeah, yeah, good point.

0:22:08.200 --> 0:22:11.840
<v Speaker 3>I'm guessing that Robert Altman never even saw the TV show.

0:22:12.440 --> 0:22:14.920
<v Speaker 3>I'll bet that he heard it, heard that they were

0:22:14.920 --> 0:22:17.240
<v Speaker 3>making it on CBS and that they were turning into

0:22:17.280 --> 0:22:21.720
<v Speaker 3>a thirty minute comedy and was like, this is the

0:22:21.800 --> 0:22:23.960
<v Speaker 3>It's the worst thing I've ever seen, even though I've

0:22:23.960 --> 0:22:26.000
<v Speaker 3>never seen it. That would be my guess.

0:22:26.200 --> 0:22:30.280
<v Speaker 1>Yeah, maybe, And you know, to be fair at the time,

0:22:30.320 --> 0:22:33.080
<v Speaker 1>and you know, we'll see Alan Alda's reaction to being

0:22:34.040 --> 0:22:36.320
<v Speaker 1>pitched this idea and him not wanting to try to

0:22:36.400 --> 0:22:39.720
<v Speaker 1>audition it first is that the history of TV and

0:22:41.400 --> 0:22:43.679
<v Speaker 1>war shows and army and Navy shows and stuff like

0:22:43.760 --> 0:22:46.919
<v Speaker 1>Hogan's Heroes and Michale's Navy, and that's the kind of

0:22:46.920 --> 0:22:50.520
<v Speaker 1>thing that somebody like Robert Altman and Alan Alda wouldn't

0:22:50.560 --> 0:22:53.600
<v Speaker 1>have liked. And it was only after Alan Alda read

0:22:53.640 --> 0:22:56.160
<v Speaker 1>the pilot and he said, this is the best TV

0:22:56.240 --> 0:22:58.399
<v Speaker 1>pillot I've ever read. I'm totally going to audition for

0:22:58.440 --> 0:23:01.480
<v Speaker 1>this that he decided to do it, But I could

0:23:01.520 --> 0:23:03.679
<v Speaker 1>see Altman just not going there, you know.

0:23:03.920 --> 0:23:07.240
<v Speaker 3>Yeah, I mean that's a really risky thing that's actually,

0:23:07.240 --> 0:23:12.040
<v Speaker 3>in retrospect, quite surprising. It's retrospect, by the way, that's

0:23:12.080 --> 0:23:17.280
<v Speaker 3>the German pronunciation. It's really surprising that anybody was able

0:23:17.320 --> 0:23:19.720
<v Speaker 3>to pull it off, because if you know the book

0:23:19.920 --> 0:23:23.040
<v Speaker 3>or the movie, the idea of adapting those into a

0:23:23.080 --> 0:23:26.000
<v Speaker 3>TV show, a family friendly TV show in the late

0:23:26.040 --> 0:23:28.760
<v Speaker 3>sixties early seventies is like, wait, what are you going

0:23:28.840 --> 0:23:31.040
<v Speaker 3>to do? The only way you could possibly do that

0:23:31.480 --> 0:23:34.680
<v Speaker 3>is to make it like screwball high jinks, like Michale's Navy,

0:23:34.720 --> 0:23:37.280
<v Speaker 3>where the war just happens to be the setting. It

0:23:37.320 --> 0:23:40.520
<v Speaker 3>could also be an office comedy essentially, and that's not

0:23:40.720 --> 0:23:43.400
<v Speaker 3>at all what they did. Thanks to a producer named

0:23:43.440 --> 0:23:47.240
<v Speaker 3>Jene Reynolds and a writer named Larry Gelbert. I don't

0:23:47.280 --> 0:23:49.320
<v Speaker 3>know how those two came together, but it was a

0:23:49.520 --> 0:23:52.520
<v Speaker 3>match made in CBS Heaven.

0:23:53.320 --> 0:23:58.200
<v Speaker 1>Yeah, for sure. Gelbert was an experienced writer. He wrote,

0:23:58.480 --> 0:24:00.119
<v Speaker 1>or at least co wrote, the musical of Funny Thing

0:24:00.160 --> 0:24:03.480
<v Speaker 1>Happened on the Way to the Forum. Later on, after

0:24:04.600 --> 0:24:08.359
<v Speaker 1>post smash, he wrote the movie TUTSI, which is great

0:24:08.520 --> 0:24:10.800
<v Speaker 1>in the movie Oh God with George Burns and John Denver,

0:24:10.920 --> 0:24:12.879
<v Speaker 1>which to me is great, and I guess to you

0:24:12.960 --> 0:24:15.879
<v Speaker 1>two not so much Oh God Book two, but that

0:24:15.920 --> 0:24:17.080
<v Speaker 1>first Oh God was awesome.

0:24:17.200 --> 0:24:19.560
<v Speaker 3>I saw both. I don't remember the book two, but

0:24:19.920 --> 0:24:21.040
<v Speaker 3>the first one was so great.

0:24:22.000 --> 0:24:25.199
<v Speaker 1>Yeah, agreed, But they you know, they didn't want they

0:24:25.200 --> 0:24:29.560
<v Speaker 1>wanted to walk that fine line between having laughs and

0:24:29.600 --> 0:24:33.440
<v Speaker 1>it being a quote unquote comedy and an anti war

0:24:33.520 --> 0:24:39.840
<v Speaker 1>movie and a movie about the horrors of combat, and

0:24:39.880 --> 0:24:43.720
<v Speaker 1>it's it's really interesting. They walk a really tough fine line,

0:24:44.600 --> 0:24:46.520
<v Speaker 1>and as we'll see, you know, they ended up doing

0:24:46.560 --> 0:24:52.080
<v Speaker 1>some really groundbreaking episodes, you know, in later seasons. The

0:24:52.119 --> 0:24:54.880
<v Speaker 1>first few seasons were definitely leaned way more into the

0:24:54.920 --> 0:24:57.159
<v Speaker 1>sort of high jinks of it all, and then I

0:24:57.160 --> 0:24:59.040
<v Speaker 1>think they realized, like, hey, we have a real chance

0:24:59.080 --> 0:25:02.119
<v Speaker 1>here to have some incredible character arcs and really do

0:25:02.480 --> 0:25:05.080
<v Speaker 1>something a little bit more like All in the Family

0:25:05.160 --> 0:25:05.520
<v Speaker 1>was doing.

0:25:06.080 --> 0:25:07.840
<v Speaker 3>Yeah, and they actually put it behind All in the

0:25:07.880 --> 0:25:10.720
<v Speaker 3>Family at some point, which helped bring it out of

0:25:11.160 --> 0:25:16.560
<v Speaker 3>TV purgatory, I guess. But one of the ways that

0:25:16.600 --> 0:25:20.320
<v Speaker 3>the producers were able to kind of navigate that narrow

0:25:20.960 --> 0:25:30.159
<v Speaker 3>margin between just idiocy and over over melodramatic stuff was

0:25:30.200 --> 0:25:34.159
<v Speaker 3>that the studio the network was like, obviously, we're going

0:25:34.200 --> 0:25:36.800
<v Speaker 3>to have a laugh track. Thirty minutes comedy have to

0:25:36.840 --> 0:25:39.640
<v Speaker 3>have a laugh track, and the producers kept pushing back

0:25:39.680 --> 0:25:42.080
<v Speaker 3>and pushing back, and they finally reached a compromise where

0:25:42.160 --> 0:25:45.199
<v Speaker 3>the oar scenes could not have a laugh track, And

0:25:45.240 --> 0:25:48.600
<v Speaker 3>then there were other sometimes other episodes or scenes where

0:25:48.640 --> 0:25:52.280
<v Speaker 3>they were real downers where they didn't have the laugh

0:25:52.320 --> 0:25:55.840
<v Speaker 3>track either. But if you watch Mash today, it's easy

0:25:55.880 --> 0:25:58.520
<v Speaker 3>to kind of miss the laugh track until they get

0:25:58.520 --> 0:26:03.680
<v Speaker 3>into the oar and then it's glaringly missing, Yeah, which

0:26:03.720 --> 0:26:07.560
<v Speaker 3>I think is actually kind of useful in contrasting you

0:26:07.600 --> 0:26:10.720
<v Speaker 3>know how these surgeons are these not just the surgeons,

0:26:10.720 --> 0:26:13.720
<v Speaker 3>but everybody at the mass unit is having to get

0:26:13.840 --> 0:26:17.920
<v Speaker 3>jerked around by reality, like just messing around, getting drunk

0:26:18.000 --> 0:26:20.520
<v Speaker 3>on homemade gin and then all of a sudden you

0:26:20.560 --> 0:26:23.000
<v Speaker 3>have like both of your hands in a eighteen year

0:26:23.040 --> 0:26:25.200
<v Speaker 3>old soldier's chest, Like that's what they are trying to

0:26:25.240 --> 0:26:28.600
<v Speaker 3>portray in the kind of smart use of a laugh

0:26:28.640 --> 0:26:29.960
<v Speaker 3>track actually helped with that.

0:26:30.600 --> 0:26:33.479
<v Speaker 1>Yeah, for sure. And you know, as a kid and

0:26:33.600 --> 0:26:35.840
<v Speaker 1>just as an American in general at the time, like

0:26:35.880 --> 0:26:38.080
<v Speaker 1>the laugh track was so ubiquitous that you didn't really

0:26:38.240 --> 0:26:41.560
<v Speaker 1>think about it much as being like weird. It was

0:26:41.640 --> 0:26:43.959
<v Speaker 1>usually like a studio audience thing, and this was not

0:26:44.080 --> 0:26:48.840
<v Speaker 1>a studio audience show, but you just sort of accepted it,

0:26:48.920 --> 0:26:51.480
<v Speaker 1>Like apparently the BBC never used the laugh track at all.

0:26:53.040 --> 0:26:56.760
<v Speaker 1>And then I'm also reminded of like I think years back,

0:26:56.800 --> 0:27:01.439
<v Speaker 1>someone did some Friends episode without the laugh track and

0:27:02.200 --> 0:27:05.760
<v Speaker 1>divided him up into clips, and it's just jarring to

0:27:05.800 --> 0:27:07.640
<v Speaker 1>hear that kind of a show without a laugh track.

0:27:07.760 --> 0:27:09.840
<v Speaker 1>So Match was a was sort of a weird case.

0:27:09.960 --> 0:27:12.399
<v Speaker 3>We've talked about that because not only is a jarring,

0:27:12.520 --> 0:27:14.520
<v Speaker 3>it's like this isn't funny at all.

0:27:15.640 --> 0:27:19.000
<v Speaker 1>It really cues you, and you don't even the laugh

0:27:19.040 --> 0:27:21.040
<v Speaker 1>track sounds like such a dumb thing, like one hundred

0:27:21.119 --> 0:27:23.679
<v Speaker 1>years from now people say, like they really did that

0:27:23.960 --> 0:27:27.000
<v Speaker 1>on shows, but you it was such an institution and

0:27:27.160 --> 0:27:29.760
<v Speaker 1>like a certain kind of comedy that yeah, like you said,

0:27:29.760 --> 0:27:32.040
<v Speaker 1>without it, you don't know him to laugh almost.

0:27:33.200 --> 0:27:37.680
<v Speaker 3>Do you remember in the I Guess the two thousand Oughts.

0:27:37.720 --> 0:27:40.480
<v Speaker 3>It must have been right before Cartoon Network came around,

0:27:41.040 --> 0:27:45.399
<v Speaker 3>or Adult Swim, right before adults swim somebody put out

0:27:45.440 --> 0:27:48.560
<v Speaker 3>like old episodes a Birdman and Space Ghosts like the

0:27:48.600 --> 0:27:53.320
<v Speaker 3>original sixties episodes. But then they peppered him with laugh tracks,

0:27:53.320 --> 0:27:58.159
<v Speaker 3>often inappropriately placed where nothing even remotely funny is going on,

0:27:58.760 --> 0:28:01.760
<v Speaker 3>but the audience this hand laughter just kind of comes

0:28:01.760 --> 0:28:05.720
<v Speaker 3>in and it made it so bizarrely funny. Have you

0:28:05.760 --> 0:28:06.440
<v Speaker 3>not seen those?

0:28:07.119 --> 0:28:08.760
<v Speaker 1>Was that space Ghost Coast to Coast?

0:28:08.880 --> 0:28:10.680
<v Speaker 3>This is before space Coast Coast to Coast?

0:28:10.800 --> 0:28:12.520
<v Speaker 1>Oh okay, because yeah, Dave.

0:28:13.880 --> 0:28:16.200
<v Speaker 3>Willis, Yeah, Dave Willis was on Space Coast Coast to

0:28:16.240 --> 0:28:19.120
<v Speaker 3>coast or he co founded it. I guess he might

0:28:19.160 --> 0:28:21.199
<v Speaker 3>have had something to do with this because it was

0:28:21.400 --> 0:28:25.040
<v Speaker 3>clearly attached to space Coast Coast to coast, because that happened,

0:28:25.680 --> 0:28:29.280
<v Speaker 3>you know, right before it. But if you watch those,

0:28:29.320 --> 0:28:33.120
<v Speaker 3>they're just it's such an easy, basic idea, but it's

0:28:33.200 --> 0:28:34.679
<v Speaker 3>so funny to watch them.

0:28:35.080 --> 0:28:37.399
<v Speaker 1>Oh man, those early years of Cartoon Network were just

0:28:37.600 --> 0:28:40.360
<v Speaker 1>the best. Yeah, and Comedy Central, like it used to

0:28:40.360 --> 0:28:43.800
<v Speaker 1>be so much better, you know, oh yeah, everything.

0:28:44.360 --> 0:28:47.280
<v Speaker 3>I think Comedy Central's just old South Park reruns in

0:28:47.280 --> 0:28:48.600
<v Speaker 3>the Daily Show once in a while.

0:28:49.320 --> 0:28:53.360
<v Speaker 1>Yeah, yeah, that's a real shame. As far as Mash

0:28:53.400 --> 0:28:57.760
<v Speaker 1>and their storylines go though. Apparently Gilbert and Reynolds interviewed

0:28:57.760 --> 0:29:00.280
<v Speaker 1>a lot of veterans from the Korean War, got a

0:29:00.320 --> 0:29:02.960
<v Speaker 1>lot of stuff from that, and worked into episodes like

0:29:03.880 --> 0:29:08.120
<v Speaker 1>the episode where a wounded North Korean soldier is in

0:29:08.200 --> 0:29:10.200
<v Speaker 1>the er there and he pulls a pin out of

0:29:10.200 --> 0:29:12.040
<v Speaker 1>a hand grenade that he was hi hiding on the

0:29:12.040 --> 0:29:15.800
<v Speaker 1>operating table. Like that apparently really happened, as did a

0:29:15.800 --> 0:29:16.520
<v Speaker 1>lot of that stuff.

0:29:16.760 --> 0:29:21.080
<v Speaker 3>Yeah. Yeah, I was like, did it really happen? And

0:29:21.120 --> 0:29:23.200
<v Speaker 3>I went and found reference to the actual name of

0:29:23.240 --> 0:29:27.800
<v Speaker 3>the surgeon who told that story in these interviews. Oh yeah,

0:29:27.920 --> 0:29:31.520
<v Speaker 3>so like it definitely happened. So I think I said

0:29:31.520 --> 0:29:33.600
<v Speaker 3>that Mash was on for eleven years, and it premiered

0:29:33.640 --> 0:29:35.800
<v Speaker 3>in September seventy two and ran all the way to

0:29:35.840 --> 0:29:39.840
<v Speaker 3>February nineteen eighty three. That is a long run for

0:29:39.920 --> 0:29:40.400
<v Speaker 3>a show.

0:29:40.680 --> 0:29:42.720
<v Speaker 1>Yeah, I mean for pretty good back then.

0:29:43.000 --> 0:29:47.080
<v Speaker 3>Now, like eleven years is a really long time. But

0:29:47.200 --> 0:29:49.640
<v Speaker 3>at first it was not very well received the very

0:29:49.640 --> 0:29:51.320
<v Speaker 3>at least people didn't know about it because it was

0:29:51.360 --> 0:29:53.959
<v Speaker 3>put up against the Wonderful World of Disney on Sunday

0:29:54.040 --> 0:29:57.360
<v Speaker 3>nights and it was not doing very well there.

0:29:58.360 --> 0:30:01.320
<v Speaker 1>Yeah, I mean, wonderful Disney was a juggernaut of a

0:30:01.360 --> 0:30:05.600
<v Speaker 1>show for mainstream America. So Alan Alda apparently used to

0:30:05.680 --> 0:30:07.640
<v Speaker 1>joke that MASH was one of the top seventy eight

0:30:07.680 --> 0:30:11.600
<v Speaker 1>shows on TV early on, and very Alan Alda kind

0:30:11.640 --> 0:30:15.320
<v Speaker 1>of thing to say, and they moved it like like

0:30:15.400 --> 0:30:18.080
<v Speaker 1>you've said earlier to after All in the Family, which

0:30:18.120 --> 0:30:20.480
<v Speaker 1>was a huge hit, and that made gave MASH a

0:30:20.520 --> 0:30:23.400
<v Speaker 1>lot more visibility, obviously, and all of a sudden, MASH

0:30:23.480 --> 0:30:26.600
<v Speaker 1>was the number two show on TV and that was it.

0:30:26.760 --> 0:30:28.840
<v Speaker 1>And Day found a great quote from Newsweek as far

0:30:28.840 --> 0:30:31.120
<v Speaker 1>as a critical acclaim that I think kind of sums

0:30:31.120 --> 0:30:36.200
<v Speaker 1>it up, and it is this, without ever moralizing, Mash

0:30:36.280 --> 0:30:39.320
<v Speaker 1>is the most moral entertainment on commercial television. It proposes

0:30:39.800 --> 0:30:43.640
<v Speaker 1>craft against butchery, humor against despair, wit as a defense

0:30:43.680 --> 0:30:48.120
<v Speaker 1>mechanism against the senseless enormity of the situation. Pretty good stuff.

0:30:48.200 --> 0:30:50.680
<v Speaker 3>Yeah, I think the Newsweek people really got it.

0:30:51.760 --> 0:30:53.680
<v Speaker 1>Should we talk about the characters, Yeah.

0:30:53.560 --> 0:30:55.560
<v Speaker 3>Let's because we've made reference to some, but I feel

0:30:55.560 --> 0:30:58.080
<v Speaker 3>like we should get a little more in depth with them.

0:30:59.080 --> 0:31:01.600
<v Speaker 1>Yeah. So Hay, we've mentioned a few times. He's I

0:31:01.640 --> 0:31:03.800
<v Speaker 1>guess you would just call the main character and that

0:31:03.920 --> 0:31:07.120
<v Speaker 1>was Alanalda, by the way, the great Alan Alda, Like,

0:31:08.120 --> 0:31:11.760
<v Speaker 1>he's one of my heroes in entertainment really and by

0:31:11.800 --> 0:31:14.560
<v Speaker 1>all accounts, just one of the best dudes ever. And

0:31:14.880 --> 0:31:18.080
<v Speaker 1>he is ninety years old now, and which is great.

0:31:18.160 --> 0:31:20.040
<v Speaker 1>He's still around, and he is one of the great

0:31:20.040 --> 0:31:24.360
<v Speaker 1>writers and great directors and great actors and great human

0:31:24.360 --> 0:31:28.800
<v Speaker 1>beings in the history of the TV and movie business.

0:31:28.800 --> 0:31:30.880
<v Speaker 3>I think did he write a lot of those movies

0:31:30.920 --> 0:31:32.920
<v Speaker 3>he was in in the early eighties.

0:31:32.880 --> 0:31:35.120
<v Speaker 1>I think he co wrote he directed almost all of them.

0:31:35.360 --> 0:31:40.120
<v Speaker 1>He co wrote thirteen Mash episodes, directed thirty one, and

0:31:40.200 --> 0:31:44.240
<v Speaker 1>he played you know, Hawkey Pierce. This is a little

0:31:44.280 --> 0:31:48.160
<v Speaker 1>known fact. Did you get that mental article I sent over? Yeah,

0:31:48.520 --> 0:31:53.240
<v Speaker 1>with the top or whatever? Twelve things seventeen So a

0:31:53.280 --> 0:31:57.400
<v Speaker 1>few of these guys actually served in the at least

0:31:57.400 --> 0:32:00.680
<v Speaker 1>in the reserves. Alan Alda was serch six months in

0:32:00.680 --> 0:32:03.640
<v Speaker 1>the Army reserves in Korea. Pretty crazy.

0:32:03.760 --> 0:32:07.160
<v Speaker 3>So did Jamie Farr, who played Corporal Clinger, who is

0:32:07.280 --> 0:32:10.840
<v Speaker 3>essentially far and away the most famous person until Katie

0:32:10.880 --> 0:32:13.480
<v Speaker 3>Holmes came along to have come from Toledo.

0:32:14.600 --> 0:32:16.320
<v Speaker 1>I thought, you did this a Toledo thing. He was

0:32:16.360 --> 0:32:20.240
<v Speaker 1>always if you did never watch the show. Clinger often

0:32:20.280 --> 0:32:22.080
<v Speaker 1>referenced to Toledo mud Hens.

0:32:22.040 --> 0:32:24.760
<v Speaker 3>Toledo mud Hens, and Tony Pacos, which is a real

0:32:25.080 --> 0:32:26.320
<v Speaker 3>place in to I.

0:32:26.320 --> 0:32:27.960
<v Speaker 1>Mean, that's your place. I didn't know he talked about

0:32:28.000 --> 0:32:28.480
<v Speaker 1>that on the show.

0:32:28.560 --> 0:32:30.720
<v Speaker 3>Oh yeah, he talked about Tony Pacos all the time.

0:32:31.240 --> 0:32:32.560
<v Speaker 1>Oh see, I didn't know what it was back then.

0:32:32.640 --> 0:32:34.000
<v Speaker 1>I was like, who the hell is Tony Paco.

0:32:34.320 --> 0:32:36.760
<v Speaker 3>No, Tony Pacos is like a hot dog place, a

0:32:36.840 --> 0:32:40.120
<v Speaker 3>Hungarian hot dog place. And every time he would mention

0:32:40.160 --> 0:32:42.960
<v Speaker 3>the mud Hens or the Tony Pacos, I would look

0:32:43.000 --> 0:32:44.440
<v Speaker 3>over at my dad and there'd just be like a

0:32:44.480 --> 0:32:47.120
<v Speaker 3>single tear going down his cheek. He's so filled with

0:32:47.160 --> 0:32:52.560
<v Speaker 3>pride because you know, he got some on his face.

0:32:53.680 --> 0:32:57.479
<v Speaker 1>All right, So Hawkey's the main guy. He Allan all

0:32:57.520 --> 0:32:59.480
<v Speaker 1>did for what It's Worth is the first person to

0:32:59.520 --> 0:33:02.560
<v Speaker 1>win an Emmy for acting, writing and directing on the

0:33:02.600 --> 0:33:03.120
<v Speaker 1>same show.

0:33:03.320 --> 0:33:03.640
<v Speaker 3>Wow.

0:33:04.200 --> 0:33:07.000
<v Speaker 1>Then we have his buddy, Trapper John played by Wayne Rodgers,

0:33:07.040 --> 0:33:09.720
<v Speaker 1>who was in real life in the Navy, and he

0:33:09.880 --> 0:33:14.720
<v Speaker 1>is the you know, the tent mate and confidant. Apparently

0:33:14.840 --> 0:33:17.160
<v Speaker 1>Robert Klein, the Great comedian turned down that role and

0:33:17.200 --> 0:33:17.840
<v Speaker 1>regretted it.

0:33:18.360 --> 0:33:22.120
<v Speaker 3>I could see that, although Wayne Rodgers, the guy who

0:33:22.160 --> 0:33:25.640
<v Speaker 3>played Trapper, John was like, you know, this guy's not

0:33:25.800 --> 0:33:29.640
<v Speaker 3>fully fleshed out. I'm basically Hawkeye's sidekick, right, I'm in

0:33:29.640 --> 0:33:32.400
<v Speaker 3>the sidecar. I'm laughing along with him. We're doing like

0:33:32.480 --> 0:33:37.600
<v Speaker 3>pranks together, but there's no me. Who is me? And

0:33:37.640 --> 0:33:40.120
<v Speaker 3>the director was like, I think it's who is I?

0:33:40.440 --> 0:33:43.320
<v Speaker 3>And they got into a really long disagreement about whether

0:33:43.320 --> 0:33:45.960
<v Speaker 3>it was I or me, and Wayne Rogers eventually left

0:33:46.000 --> 0:33:47.120
<v Speaker 3>after the third season.

0:33:47.840 --> 0:33:48.040
<v Speaker 1>Yeah.

0:33:48.120 --> 0:33:50.400
<v Speaker 3>The reason he was able to was because he never

0:33:50.440 --> 0:33:54.040
<v Speaker 3>signed a contract with the producers. I guess there was

0:33:54.080 --> 0:33:56.320
<v Speaker 3>like a morality clause. He's like, I'm not signing this,

0:33:56.400 --> 0:33:58.800
<v Speaker 3>and they forgot to go back and get him to

0:33:58.840 --> 0:34:02.680
<v Speaker 3>sign something. So he after the third season, which apparently

0:34:02.720 --> 0:34:03.720
<v Speaker 3>he seemed fine with.

0:34:04.240 --> 0:34:06.920
<v Speaker 1>Yeah. I mean, Mash is one of those shows, like Cheers,

0:34:07.000 --> 0:34:11.480
<v Speaker 1>that was able to withstand some pretty drastic cast changes.

0:34:12.560 --> 0:34:15.560
<v Speaker 1>It's hard to pull off as a TV show. Cheers

0:34:15.560 --> 0:34:17.239
<v Speaker 1>did it very well, and Mash did it very well

0:34:17.280 --> 0:34:20.520
<v Speaker 1>because three of the main characters ended up being replaced.

0:34:21.160 --> 0:34:26.040
<v Speaker 1>Trapper was replaced by Honeycut BJ Honeycut played by Mike Farrell,

0:34:26.239 --> 0:34:29.320
<v Speaker 1>or maybe it's Pharrell. He was actually a US Marine

0:34:29.360 --> 0:34:34.800
<v Speaker 1>in real life. He was great. I love Toneycut. You know. Again,

0:34:34.880 --> 0:34:39.080
<v Speaker 1>those later seasons after like Trapper left and as we'll see,

0:34:39.120 --> 0:34:41.760
<v Speaker 1>some of the other characters left, there were some tonal changes,

0:34:42.239 --> 0:34:44.080
<v Speaker 1>but I was along for the whole ride. I was

0:34:44.120 --> 0:34:44.719
<v Speaker 1>in for all of it.

0:34:44.840 --> 0:34:47.640
<v Speaker 3>Yeah, especially in the beginning, Hawkeye and Trapper John were

0:34:47.680 --> 0:34:52.160
<v Speaker 3>like prankster drunk womanizers. They would harass the nurses and

0:34:52.239 --> 0:34:53.759
<v Speaker 3>try to get him to sleep with them and all

0:34:53.760 --> 0:34:57.120
<v Speaker 3>sorts of stuff. And then bj Honeycut was a lot different.

0:34:57.160 --> 0:34:59.600
<v Speaker 3>He was a breath of fresh air because he was

0:34:59.680 --> 0:35:01.560
<v Speaker 3>very true to his wife back home.

0:35:01.840 --> 0:35:02.520
<v Speaker 1>Yeah, for sure.

0:35:02.640 --> 0:35:03.879
<v Speaker 3>And he had a mustache.

0:35:05.239 --> 0:35:08.120
<v Speaker 1>That's right. Did we have Radar of course, Corporal Radar

0:35:08.160 --> 0:35:13.760
<v Speaker 1>O'Reilly played by Gary Bergoff. He was named Radar because

0:35:13.840 --> 0:35:16.879
<v Speaker 1>he was very much a recurring thing on the show.

0:35:16.920 --> 0:35:20.840
<v Speaker 1>Like every single episode he would either kind of finish

0:35:20.840 --> 0:35:25.120
<v Speaker 1>somebody's sentences, usually Colonel Blake's sentence, or know what somebody needed,

0:35:25.280 --> 0:35:27.759
<v Speaker 1>like before they needed it and kind of just hand

0:35:27.760 --> 0:35:29.840
<v Speaker 1>it to him, or he would and this is a

0:35:29.880 --> 0:35:31.400
<v Speaker 1>lot of times at the end of an episode. He

0:35:31.400 --> 0:35:35.560
<v Speaker 1>would always since the helicopters coming in with wounded before

0:35:35.680 --> 0:35:39.000
<v Speaker 1>you could hear the helicopters, and usually, like, if it

0:35:39.040 --> 0:35:40.440
<v Speaker 1>was a pretty light episode to be a lot of

0:35:40.480 --> 0:35:43.239
<v Speaker 1>high jinks that would be kind of halted at the

0:35:43.280 --> 0:35:45.520
<v Speaker 1>end of the episode when he heard the helicopters coming.

0:35:45.680 --> 0:35:49.280
<v Speaker 3>Right there was Colonel Blake. He was one of my favorites,

0:35:49.320 --> 0:35:52.880
<v Speaker 3>played by McLean Stevenson and great. He was an actual

0:35:52.960 --> 0:35:55.319
<v Speaker 3>doctor who was put in charge of this mash unit

0:35:55.360 --> 0:35:58.279
<v Speaker 3>and he's like, I have no idea how to run

0:35:58.360 --> 0:36:01.239
<v Speaker 3>any kind of army outfit. So he was always kind

0:36:01.280 --> 0:36:03.880
<v Speaker 3>of in over his depth, but he tried really hard

0:36:04.520 --> 0:36:07.080
<v Speaker 3>and he would get perturbed, which was kind of funny

0:36:07.080 --> 0:36:09.960
<v Speaker 3>sometimes because he never got mad. He just got right

0:36:10.239 --> 0:36:12.239
<v Speaker 3>perturbed and befuddled.

0:36:11.760 --> 0:36:13.120
<v Speaker 1>Kind of yeah, exasperated.

0:36:13.200 --> 0:36:15.799
<v Speaker 3>But he wasn't an idiot like it was. It would

0:36:15.840 --> 0:36:18.359
<v Speaker 3>have been really easy for any actor to portray him

0:36:18.360 --> 0:36:21.040
<v Speaker 3>as kind of a dummy, but McClean stevenson managed to

0:36:21.160 --> 0:36:23.280
<v Speaker 3>keep him from going down that route.

0:36:23.719 --> 0:36:26.040
<v Speaker 1>Yeah, for sure, he was a man. I love that character.

0:36:26.560 --> 0:36:28.719
<v Speaker 1>We should mention too that Gary Bergoff's radar was the

0:36:28.719 --> 0:36:31.759
<v Speaker 1>only one who bridged the movie as far as you know,

0:36:31.840 --> 0:36:37.800
<v Speaker 1>being in both Colonel Blake was then replaced by Colonel

0:36:37.840 --> 0:36:41.799
<v Speaker 1>Sherman G. Potter. Yeah, played by Harry Morgan, And he

0:36:41.920 --> 0:36:44.080
<v Speaker 1>was a very different character than Blake, and that he

0:36:44.120 --> 0:36:47.560
<v Speaker 1>was an old school soldier, but he also kind of

0:36:48.160 --> 0:36:50.319
<v Speaker 1>he wasn't as by the book as you would think

0:36:50.320 --> 0:36:52.480
<v Speaker 1>for an old school soldier and sort of indulged the

0:36:52.520 --> 0:36:53.879
<v Speaker 1>antics for the most part.

0:36:54.120 --> 0:36:59.120
<v Speaker 3>Yeah, Andy used the term horse feathers a lot to Mars. Yes,

0:37:01.080 --> 0:37:03.279
<v Speaker 3>there was another great character too who you just love

0:37:03.360 --> 0:37:07.360
<v Speaker 3>to hate. He was so good. Frank Burns, who was

0:37:07.400 --> 0:37:11.279
<v Speaker 3>played by Larry Lineville. He was He had what you

0:37:11.320 --> 0:37:15.840
<v Speaker 3>would term today is justice sensitivity. He liked to follow

0:37:15.880 --> 0:37:19.120
<v Speaker 3>the rules. He was fine with the military and the

0:37:19.160 --> 0:37:22.719
<v Speaker 3>requirements for its conformity, and anyone who didn't conform to

0:37:22.880 --> 0:37:25.440
<v Speaker 3>it was it just drove him up the wall, and

0:37:25.480 --> 0:37:27.719
<v Speaker 3>he tried to get them in trouble. So he was

0:37:27.760 --> 0:37:29.840
<v Speaker 3>like a tried and true fascist essentially.

0:37:30.360 --> 0:37:33.480
<v Speaker 1>Yeah, he was a bureaucrat. He was completely the foil

0:37:33.520 --> 0:37:38.400
<v Speaker 1>of Hawkeye and Trapper. He was played by Robert Duvall

0:37:38.480 --> 0:37:42.120
<v Speaker 1>in the film. But Larry Lynnville, as Ferret Face as

0:37:42.160 --> 0:37:45.359
<v Speaker 1>they called him, was just I mean always felt bad

0:37:45.400 --> 0:37:47.520
<v Speaker 1>for the guy in real life because he was able

0:37:47.560 --> 0:37:52.000
<v Speaker 1>to play one of the more unlikable characters in TV history,

0:37:52.080 --> 0:37:54.040
<v Speaker 1>and he just did it so well as really good actor.

0:37:54.440 --> 0:37:56.880
<v Speaker 3>Yeah, we should say also, Frank Burns was not a

0:37:56.960 --> 0:37:59.360
<v Speaker 3>good surgeon, and at the end of the day in

0:37:59.520 --> 0:38:04.359
<v Speaker 3>this mash unit, that's what that's what mattered, right, That's

0:38:04.400 --> 0:38:07.200
<v Speaker 3>why Hawkeye and Trapper John got away with all of

0:38:07.280 --> 0:38:10.000
<v Speaker 3>their antics, was because they were really good surgeons and

0:38:10.080 --> 0:38:11.560
<v Speaker 3>when it came to it, they were going to save

0:38:11.600 --> 0:38:15.279
<v Speaker 3>people's lives. Frank Burns what made him even worse is

0:38:15.320 --> 0:38:17.799
<v Speaker 3>that he wasn't even a good surgeon, Like you could

0:38:17.880 --> 0:38:21.040
<v Speaker 3>die on his operating table because he wasn't that good.

0:38:21.400 --> 0:38:23.840
<v Speaker 3>And yet he would still go tell on you for

0:38:24.200 --> 0:38:27.359
<v Speaker 3>you know, drinking gin that you made in your get

0:38:28.040 --> 0:38:29.680
<v Speaker 3>you know, and it so much worse.

0:38:30.320 --> 0:38:33.160
<v Speaker 1>Yeah, there were tentmates, the three of them, Yeah, the

0:38:33.239 --> 0:38:35.480
<v Speaker 1>two guys and then Burns lived together, and then he

0:38:35.680 --> 0:38:39.600
<v Speaker 1>was replaced after the fifth season in season six by

0:38:39.800 --> 0:38:45.279
<v Speaker 1>David Ogden's Steers as Charles Emerson Winchester, the third who

0:38:45.360 --> 0:38:48.160
<v Speaker 1>was a major I always thought he was kind of British,

0:38:48.239 --> 0:38:50.200
<v Speaker 1>but he just sort of did that mid Atlantic thing

0:38:51.280 --> 0:38:53.800
<v Speaker 1>because he was came from a wealthy family in Boston

0:38:54.080 --> 0:38:57.239
<v Speaker 1>family of doctors apparently, and he was a little less

0:38:57.280 --> 0:38:59.360
<v Speaker 1>of a foil but still a bit of a foil.

0:38:59.560 --> 0:39:02.120
<v Speaker 3>Yeah, and blended and with him because he was so snobby.

0:39:02.480 --> 0:39:06.120
<v Speaker 3>They just had nothing in common essentially from their backgrounds.

0:39:06.560 --> 0:39:06.759
<v Speaker 1>Yeah.

0:39:07.120 --> 0:39:12.120
<v Speaker 3>Then there's Margaret hot Lips Hula Han played by Loretta Switt,

0:39:12.920 --> 0:39:16.800
<v Speaker 3>who I've seen just from reading up on mash. The

0:39:16.880 --> 0:39:21.320
<v Speaker 3>TV show is roundly credited as taking like a pretty

0:39:21.560 --> 0:39:26.640
<v Speaker 3>one dimensional victim, angry character and turning her into something

0:39:26.800 --> 0:39:30.680
<v Speaker 3>like really respectable and three dimensional over the course of

0:39:30.719 --> 0:39:34.080
<v Speaker 3>the eleven seasons, and that she actually got better, like

0:39:34.200 --> 0:39:38.879
<v Speaker 3>the character got more involved in impressive and interesting over

0:39:38.960 --> 0:39:40.920
<v Speaker 3>the years thanks to this actor.

0:39:41.560 --> 0:39:44.680
<v Speaker 1>Yeah, Loretta Sweat, she was great. Rest in peace. I

0:39:44.719 --> 0:39:46.640
<v Speaker 1>think we lost her last year or the year before,

0:39:46.719 --> 0:39:50.920
<v Speaker 1>like fairly recently. She on the show hot Lips was

0:39:50.960 --> 0:39:54.200
<v Speaker 1>having an affair with Frank Burns, and they were always

0:39:54.320 --> 0:39:56.919
<v Speaker 1>sort of coupled together against the you know, the other guys,

0:39:56.960 --> 0:39:58.520
<v Speaker 1>and they were bureaucrats. But like you said, she had

0:39:58.520 --> 0:40:02.240
<v Speaker 1>a great character arc ded up really developing into something

0:40:02.360 --> 0:40:05.400
<v Speaker 1>special and then rounding it out. I guess we already

0:40:05.440 --> 0:40:09.320
<v Speaker 1>talked about Clinger. We have father M'kayhe played by William Christopher,

0:40:09.360 --> 0:40:13.400
<v Speaker 1>who is the chaplain, and that's about all we need

0:40:13.480 --> 0:40:15.040
<v Speaker 1>to say about him. He was just sort of there.

0:40:15.480 --> 0:40:19.280
<v Speaker 3>Did we talk about clingers wearing women's clothing?

0:40:19.600 --> 0:40:21.880
<v Speaker 1>Oh no, that was a big part of it, Yeah, hugely.

0:40:21.960 --> 0:40:24.560
<v Speaker 3>Apparently he was written as a one off character initially,

0:40:25.200 --> 0:40:27.960
<v Speaker 3>and he was written as a gay character who wore

0:40:28.080 --> 0:40:31.200
<v Speaker 3>women's clothes, like full on frilly dresses and sun hats

0:40:31.280 --> 0:40:35.560
<v Speaker 3>like Sunday like going to church kind of stuff. And

0:40:36.320 --> 0:40:38.120
<v Speaker 3>Jamie Farr was like, look, I think I can do

0:40:38.280 --> 0:40:40.440
<v Speaker 3>this a little differently, Like, imagine if this is a

0:40:40.560 --> 0:40:42.920
<v Speaker 3>straight guy dressing like this because he wants to get

0:40:42.960 --> 0:40:46.480
<v Speaker 3>out of the army for some psych thing. And he

0:40:46.600 --> 0:40:48.480
<v Speaker 3>did such a good job in this one off episode

0:40:48.520 --> 0:40:50.840
<v Speaker 3>that they brought him back as a character, not just

0:40:50.920 --> 0:40:54.320
<v Speaker 3>a recurring character. He became one of the characters.

0:40:54.360 --> 0:40:58.719
<v Speaker 1>Yeah, for sure. And he yeah, he was one of

0:40:58.719 --> 0:41:00.239
<v Speaker 1>the great characters. He tried to eat it ep in

0:41:00.280 --> 0:41:04.799
<v Speaker 1>one episode to further prove his mental unfitness to serve

0:41:05.120 --> 0:41:08.120
<v Speaker 1>and that was one of the funny episodes. I guess

0:41:08.160 --> 0:41:09.759
<v Speaker 1>before we take a break, we should rattle off some

0:41:09.840 --> 0:41:13.759
<v Speaker 1>of these guest stars. Yeah, because Mash had quite a

0:41:13.880 --> 0:41:17.080
<v Speaker 1>list of people who came on for one episode, including

0:41:17.280 --> 0:41:21.240
<v Speaker 1>but not limited to, Ron Howard, Sure, Leslie Nielsen, Patrick Swayzee,

0:41:23.000 --> 0:41:27.120
<v Speaker 1>Laurence Fishburne, the Great George went Terry Garr. Who else

0:41:27.160 --> 0:41:27.400
<v Speaker 1>you got?

0:41:27.680 --> 0:41:33.839
<v Speaker 3>Andrew Dice Clay, Yeah, the Dice manh Yeah, just one thing.

0:41:34.000 --> 0:41:39.440
<v Speaker 3>This is apparently where Leslie Nielsen made the transition to comedy. Oh,

0:41:40.160 --> 0:41:41.479
<v Speaker 3>on his appearance on MASH.

0:41:42.360 --> 0:41:46.120
<v Speaker 1>Oh that's great. Yeah, Rita Wilson, Oh, oh, we're still going.

0:41:46.239 --> 0:41:48.080
<v Speaker 3>Yeah, don't forget Bagley Junior.

0:41:48.719 --> 0:41:52.799
<v Speaker 1>Yeah, John Ritter, Shelley Long, Pat Marita. Of course, Pat

0:41:52.840 --> 0:41:56.000
<v Speaker 1>Marita's in there. He was into two Hollywood in the seventies.

0:41:56.040 --> 0:41:59.239
<v Speaker 1>They're like, we don't care what part of Asia you're from, exactly,

0:41:59.600 --> 0:42:01.440
<v Speaker 1>just sign them up exactly.

0:42:01.800 --> 0:42:04.800
<v Speaker 3>We feel pretty progressive that we're actually casting an agent

0:42:04.880 --> 0:42:05.640
<v Speaker 3>to play an Asian.

0:42:06.520 --> 0:42:09.960
<v Speaker 1>Yeah, and yeah, for sure. All right, shall we take

0:42:10.000 --> 0:42:14.640
<v Speaker 1>that second break? Yeah, yes, all right, we'll be right back.

0:42:14.880 --> 0:42:22.040
<v Speaker 2>Birds of Up with Joe shoe Cho stuff you shoot,

0:42:37.719 --> 0:42:38.040
<v Speaker 2>all right.

0:42:38.120 --> 0:42:40.480
<v Speaker 1>So earlier we talked about some what you would call

0:42:40.680 --> 0:42:43.279
<v Speaker 1>very special episodes. This was a thing that back then

0:42:43.840 --> 0:42:46.560
<v Speaker 1>on a lot of shows, like you know when Arnold

0:42:46.600 --> 0:42:48.600
<v Speaker 1>and Willis find drugs in different strokes, like when a

0:42:48.680 --> 0:42:52.759
<v Speaker 1>comedy takes a more serious tone. Mash added quite a few,

0:42:53.640 --> 0:42:56.680
<v Speaker 1>and we can go through these kind of quickly. I'm

0:42:56.760 --> 0:42:59.880
<v Speaker 1>gonna pick Sometimes You Hear a Bullet from season one,

0:43:00.200 --> 0:43:03.919
<v Speaker 1>because that is an episode in which Hawkeye's childhood friend

0:43:04.360 --> 0:43:07.920
<v Speaker 1>comes over as a journalist to write a book about

0:43:07.960 --> 0:43:11.280
<v Speaker 1>the war and he ends up dying on Hawkeye's operating table.

0:43:11.719 --> 0:43:14.480
<v Speaker 1>And that was the first episode that was really very heavy,

0:43:14.520 --> 0:43:18.040
<v Speaker 1>where like Hawkeye cries and it gets kind of serious

0:43:18.080 --> 0:43:19.000
<v Speaker 1>about the horrors of war.

0:43:19.560 --> 0:43:23.600
<v Speaker 3>Yes, okay, all right, I'm going to pick Dreams from

0:43:23.680 --> 0:43:28.480
<v Speaker 3>season eight, which is apparently its most controversial episode because

0:43:28.520 --> 0:43:32.279
<v Speaker 3>it is very jarring, very disturbing, where it covers each

0:43:32.360 --> 0:43:34.480
<v Speaker 3>of the main characters is taking a rest from like

0:43:34.600 --> 0:43:38.240
<v Speaker 3>a long day in ther where they saw two hundred

0:43:38.239 --> 0:43:41.719
<v Speaker 3>and eleven patients over thirty three hours, and it goes

0:43:41.760 --> 0:43:44.000
<v Speaker 3>through each one of their dreams and it's very surreal.

0:43:44.040 --> 0:43:47.279
<v Speaker 3>All sorts of weird, disturbing stuff happens. And I haven't

0:43:47.280 --> 0:43:48.880
<v Speaker 3>seen it, but I want to watch it because it

0:43:49.000 --> 0:43:50.440
<v Speaker 3>sounds just totally.

0:43:50.239 --> 0:43:51.960
<v Speaker 1>Nuts, but it's pretty weird.

0:43:52.080 --> 0:43:56.080
<v Speaker 3>It's completely contrary to any other episode. So I imagine

0:43:56.080 --> 0:43:59.880
<v Speaker 3>if you were tuning in on Saturday night on CBSC,

0:44:00.280 --> 0:44:02.040
<v Speaker 3>you know to kind of laugh and maybe cry, and

0:44:02.160 --> 0:44:06.560
<v Speaker 3>you saw this horrible weirdness, you might have had a

0:44:06.760 --> 0:44:07.880
<v Speaker 3>bad reaction to it.

0:44:08.640 --> 0:44:11.239
<v Speaker 1>Yeah, for sure. There were two more episodes that were

0:44:11.280 --> 0:44:15.600
<v Speaker 1>definitely weird as far as mainstream television goes, a documentary style,

0:44:15.680 --> 0:44:17.839
<v Speaker 1>one called The Interview, where it was like a black

0:44:17.920 --> 0:44:21.360
<v Speaker 1>and white you know, like a Vietnam era black and

0:44:21.400 --> 0:44:25.800
<v Speaker 1>white documentary about war. That one was kind of crazy

0:44:25.840 --> 0:44:27.400
<v Speaker 1>to see on TV at the time. It won a

0:44:27.680 --> 0:44:32.600
<v Speaker 1>Humanitus Prize for a work that explores the human condition

0:44:32.680 --> 0:44:35.239
<v Speaker 1>in a meaningful way. And then the other one was

0:44:35.320 --> 0:44:37.279
<v Speaker 1>called point of View, and the whole thing is shot

0:44:37.360 --> 0:44:40.360
<v Speaker 1>from like the camera's point of view is from a

0:44:40.400 --> 0:44:43.440
<v Speaker 1>wounded soldier who can't talk, and so all the actors

0:44:43.520 --> 0:44:46.080
<v Speaker 1>are just coming up and addressing camera as the soldier,

0:44:46.920 --> 0:44:49.799
<v Speaker 1>and it's, you know, again, a very sort of groundbreaking

0:44:51.080 --> 0:44:53.160
<v Speaker 1>roll of the dice to do for mainstream TV in

0:44:53.200 --> 0:44:54.640
<v Speaker 1>the seventies for sure.

0:44:56.200 --> 0:44:59.000
<v Speaker 3>And then we got to talk about Abyssinia. Henry.

0:44:59.520 --> 0:45:04.640
<v Speaker 1>Yeah, yeah, I mean this episode wrecked little Chuck, nine

0:45:04.680 --> 0:45:05.440
<v Speaker 1>year old Chuck.

0:45:05.360 --> 0:45:07.240
<v Speaker 3>I remember this one too, and I was like, where's

0:45:07.280 --> 0:45:07.959
<v Speaker 3>the laugh track?

0:45:08.400 --> 0:45:08.640
<v Speaker 1>Yeah?

0:45:09.800 --> 0:45:14.320
<v Speaker 3>Oh. Colonel Blake, who we both love, played by McClean Stevenson.

0:45:14.640 --> 0:45:17.480
<v Speaker 3>This is the season three finale. He gets word that

0:45:17.520 --> 0:45:20.920
<v Speaker 3>he's going home, like his tour is over. He's out

0:45:21.000 --> 0:45:24.800
<v Speaker 3>of the army now, and so he leaves and that's it,

0:45:25.000 --> 0:45:28.320
<v Speaker 3>Like everybody's saying bye, everybody's happy for him. He's happy.

0:45:28.960 --> 0:45:31.799
<v Speaker 3>And then at the end of the episode, Radar comes

0:45:31.840 --> 0:45:34.400
<v Speaker 3>into the o R and he's holding a telegram and

0:45:34.719 --> 0:45:36.760
<v Speaker 3>what does the telegram say, Chuck.

0:45:37.000 --> 0:45:37.880
<v Speaker 1>I can't even say it.

0:45:38.239 --> 0:45:41.560
<v Speaker 3>It says that Colonel Blake's plane went down with Colonel

0:45:41.560 --> 0:45:44.360
<v Speaker 3>Blake aboard and that there were no survivors. So on

0:45:44.520 --> 0:45:48.360
<v Speaker 3>his way back home after his tour, after becoming beloved

0:45:48.760 --> 0:45:53.719
<v Speaker 3>by all viewers, Colonel Blake is dead. The writers killed

0:45:53.800 --> 0:45:56.920
<v Speaker 3>him after he was already off the show, and it

0:45:57.160 --> 0:45:58.440
<v Speaker 3>just wrecked everybody.

0:45:58.600 --> 0:46:02.080
<v Speaker 1>Like you said, it was brutal. Alan Alda knew this

0:46:02.200 --> 0:46:04.040
<v Speaker 1>was going to happen. The story goes that they didn't

0:46:04.080 --> 0:46:06.000
<v Speaker 1>tell the rest of the cast until they got their

0:46:06.600 --> 0:46:09.880
<v Speaker 1>sides that morning, and because they wanted, you know, a

0:46:09.920 --> 0:46:12.360
<v Speaker 1>real reaction, or maybe they didn't even have the sides

0:46:12.360 --> 0:46:14.319
<v Speaker 1>maybe they. I think they just learned when radar walked

0:46:14.360 --> 0:46:17.960
<v Speaker 1>in in the scene and Gary Berghoff's acting in that

0:46:18.120 --> 0:46:22.680
<v Speaker 1>is incredible. And you know, there's no reaction, like, no

0:46:22.760 --> 0:46:25.120
<v Speaker 1>one's like, oh my god, No, it's just very quietly.

0:46:25.760 --> 0:46:28.120
<v Speaker 1>They keep operating and you just hear they're they're crying

0:46:28.160 --> 0:46:30.800
<v Speaker 1>and you just hear like scalpel, you know, suction, and

0:46:30.920 --> 0:46:32.600
<v Speaker 1>it's it's devastating.

0:46:32.800 --> 0:46:34.160
<v Speaker 3>Yeah, it's good stuff.

0:46:34.560 --> 0:46:35.520
<v Speaker 1>Yeah, very very tough.

0:46:37.040 --> 0:46:41.120
<v Speaker 3>So, Chuck, I feel like the the episode we can

0:46:41.239 --> 0:46:43.359
<v Speaker 3>just skip it, you know, the Mash finale.

0:46:43.040 --> 0:46:45.600
<v Speaker 1>I don't have to talk about that the big deal.

0:46:46.920 --> 0:46:49.520
<v Speaker 3>I don't know if we said, but we surely we've

0:46:49.600 --> 0:46:55.680
<v Speaker 3>mentioned this before that the most watched television episode is

0:46:55.800 --> 0:46:58.520
<v Speaker 3>the final episode of Mash, which is really saying something

0:46:58.560 --> 0:47:01.080
<v Speaker 3>because it was two and a half half hours long.

0:47:02.320 --> 0:47:04.120
<v Speaker 1>Oh my god, that's right, it was. I remember it

0:47:04.160 --> 0:47:05.600
<v Speaker 1>being long. I don't remember it being that long.

0:47:05.800 --> 0:47:07.000
<v Speaker 3>Two and a half hours man.

0:47:07.560 --> 0:47:10.479
<v Speaker 1>Yeah, and of course that includes commercials. A thirty second

0:47:10.560 --> 0:47:14.279
<v Speaker 1>spot apparently was four hundred and fifty thousand dollars, which

0:47:14.320 --> 0:47:17.120
<v Speaker 1>would be one point three six million dollars today. It

0:47:17.239 --> 0:47:20.440
<v Speaker 1>was called Goodbye, Farewell and Amen, and it was you know,

0:47:20.640 --> 0:47:23.400
<v Speaker 1>the war ends. Basically it's the last episode, but it

0:47:23.520 --> 0:47:27.320
<v Speaker 1>is very dramatic for a lot of it, and like

0:47:27.880 --> 0:47:29.880
<v Speaker 1>the things the characters go through at the end are

0:47:29.960 --> 0:47:32.480
<v Speaker 1>all pretty you know, take pretty dramatic turns.

0:47:32.640 --> 0:47:37.000
<v Speaker 3>Yeah, and very famously in this like kind of heartrending

0:47:37.120 --> 0:47:39.720
<v Speaker 3>montage at the very end, it shows how every character

0:47:39.920 --> 0:47:41.360
<v Speaker 3>dies in the future.

0:47:42.480 --> 0:47:45.640
<v Speaker 1>You're talking about six feet hundred. Yeah, that is I

0:47:45.680 --> 0:47:47.200
<v Speaker 1>haven't seen it in a while. I was like, did

0:47:47.280 --> 0:47:47.839
<v Speaker 1>that really happen?

0:47:48.000 --> 0:47:51.080
<v Speaker 3>That is one of the greatest endings to any show ever.

0:47:51.760 --> 0:47:54.279
<v Speaker 1>Of course it was great also gut wrenching, Yeah it was.

0:47:54.400 --> 0:47:58.160
<v Speaker 3>But Goodbye, Farewell and Amen is fantastic too, for sure.

0:47:58.800 --> 0:48:01.040
<v Speaker 1>Yeah. So, like you said, the the biggest rated TV

0:48:01.120 --> 0:48:03.800
<v Speaker 1>show of all time, and that was like including sports

0:48:03.840 --> 0:48:08.920
<v Speaker 1>events up until Super Bowl twenty ten finally surpassed it,

0:48:09.480 --> 0:48:11.400
<v Speaker 1>but Mash is still as far as just a regular

0:48:11.480 --> 0:48:14.120
<v Speaker 1>TV show goes. The finale is the most watched. I

0:48:14.200 --> 0:48:18.520
<v Speaker 1>think seventy five percent of America tuned into that, which

0:48:18.600 --> 0:48:22.080
<v Speaker 1>is a staggering number. You know, you see Hawkeye in

0:48:22.120 --> 0:48:25.839
<v Speaker 1>a mental hospital, father Mukay, he loses his faith in God,

0:48:25.960 --> 0:48:29.240
<v Speaker 1>he loses his hearing and his faith in God. Clinger

0:48:29.280 --> 0:48:31.200
<v Speaker 1>ends up marrying a Korean woman and stays there.

0:48:31.320 --> 0:48:33.719
<v Speaker 3>Ironically, Yeah, because he was always trying to get out

0:48:33.760 --> 0:48:34.520
<v Speaker 3>of there, right.

0:48:34.680 --> 0:48:35.680
<v Speaker 1>He's trying to go home.

0:48:35.800 --> 0:48:36.000
<v Speaker 3>Yeah.

0:48:36.920 --> 0:48:39.200
<v Speaker 1>Did you see the urban possible urban legend about the

0:48:39.239 --> 0:48:42.239
<v Speaker 1>plumbing in New York City? No, that was in the

0:48:42.320 --> 0:48:44.040
<v Speaker 1>Mental Plus thing. I don't know if this is true,

0:48:44.080 --> 0:48:46.920
<v Speaker 1>but I've always heard this that the plumbing in New

0:48:47.000 --> 0:48:51.360
<v Speaker 1>York City supposedly broke during the first commercial break because

0:48:51.400 --> 0:48:53.080
<v Speaker 1>everybody got up to pee at the same time in

0:48:53.160 --> 0:48:53.560
<v Speaker 1>New York.

0:48:54.480 --> 0:48:54.760
<v Speaker 3>Awesome.

0:48:54.800 --> 0:48:58.520
<v Speaker 1>It totally sounds like it's probably not real. They all

0:48:58.600 --> 0:49:00.360
<v Speaker 1>flushed at once and it just broke everything.

0:49:00.440 --> 0:49:01.680
<v Speaker 3>All the alligators drowned.

0:49:02.880 --> 0:49:07.239
<v Speaker 1>But you know, that's funny. Uh. It's a good story though, regardless.

0:49:07.239 --> 0:49:09.440
<v Speaker 1>For one hundred and twenty one million people tuned in

0:49:10.520 --> 0:49:12.480
<v Speaker 1>to that episode, and I was one of them. My

0:49:12.520 --> 0:49:14.360
<v Speaker 1>whole family sat around and then we didn't do that

0:49:14.440 --> 0:49:15.000
<v Speaker 1>kind of thing much.

0:49:15.120 --> 0:49:17.279
<v Speaker 3>Oh, we watched it. My mom video taped it. We

0:49:17.480 --> 0:49:19.440
<v Speaker 3>watched it on videotape many times too.

0:49:20.040 --> 0:49:20.239
<v Speaker 1>Yeah.

0:49:21.080 --> 0:49:23.879
<v Speaker 3>Yeah, she'd be like, watch this, watch this part, watch

0:49:23.960 --> 0:49:26.720
<v Speaker 3>it again. I have a cute little anecdote about watching

0:49:26.840 --> 0:49:31.160
<v Speaker 3>mash though all right, let's hear you me. So, her

0:49:31.239 --> 0:49:33.919
<v Speaker 3>older brother Bobby, he has special needs, and one day

0:49:33.960 --> 0:49:36.239
<v Speaker 3>when they were much much younger, you mean, must have

0:49:36.239 --> 0:49:39.480
<v Speaker 3>probably done five or six or something, Bobby had to

0:49:39.560 --> 0:49:41.800
<v Speaker 3>go to the er. And her dad was a marine,

0:49:41.880 --> 0:49:43.759
<v Speaker 3>so they were living on a marine base at the time,

0:49:43.840 --> 0:49:46.560
<v Speaker 3>and her mom, like her dad, whisks Bobby off to

0:49:46.600 --> 0:49:49.120
<v Speaker 3>the er and her mom tells her that Bobby's going

0:49:49.160 --> 0:49:52.400
<v Speaker 3>to the hospital. And so Yumi's only frame of reference

0:49:52.520 --> 0:49:55.960
<v Speaker 3>for military hospitals is a mass unit where there's always

0:49:56.000 --> 0:49:58.840
<v Speaker 3>bombs going off and everything is kind of nuts. So

0:49:58.920 --> 0:50:01.480
<v Speaker 3>she was really worried or other was going to a

0:50:01.560 --> 0:50:05.080
<v Speaker 3>mash unit, which I've just found endlessly cute.

0:50:05.480 --> 0:50:08.000
<v Speaker 1>Yeah, that's adorable, it's funny. I'm going to bring that

0:50:08.080 --> 0:50:09.600
<v Speaker 1>up next time I see you mean, that's hysterical.

0:50:10.680 --> 0:50:13.399
<v Speaker 3>That's hilarious. Oh, by the way, Echo and the Bunny Man.

0:50:13.320 --> 0:50:19.000
<v Speaker 1>Is Saturday this Saturday in Atlanta at the Tabernacle.

0:50:19.080 --> 0:50:20.919
<v Speaker 3>Remember I told you i'd remind you again.

0:50:21.120 --> 0:50:23.279
<v Speaker 1>I know, I'm looking to see if I can go.

0:50:23.400 --> 0:50:24.640
<v Speaker 1>We should probably do this off air.

0:50:24.800 --> 0:50:26.840
<v Speaker 3>Oh okay, I just wanted to remind you.

0:50:27.480 --> 0:50:30.640
<v Speaker 1>Okay, You're like, I'm not going, but you should go, Oh, well,

0:50:30.640 --> 0:50:34.640
<v Speaker 1>I'm going we will quickly mention the Mash spinoffs. I

0:50:35.400 --> 0:50:38.279
<v Speaker 1>teased After a Mashed a few times as saying Postmash,

0:50:38.360 --> 0:50:40.600
<v Speaker 1>but that was the name of one of the spinoffs

0:50:40.640 --> 0:50:42.680
<v Speaker 1>that didn't run long, about a season and a half,

0:50:43.600 --> 0:50:45.600
<v Speaker 1>and it was one of the ones that had the

0:50:45.680 --> 0:50:49.000
<v Speaker 1>most characters I guess from the show because the real

0:50:49.080 --> 0:50:53.760
<v Speaker 1>Colonel Potter was there, Clinger was there, and father Okay,

0:50:53.800 --> 0:50:56.440
<v Speaker 1>he was there, you know, obviously, all in a hospital

0:50:57.160 --> 0:50:58.720
<v Speaker 1>post war, a veteran's hospital.

0:50:58.760 --> 0:51:00.879
<v Speaker 3>Did you watch it? I remember watching After Mash.

0:51:01.239 --> 0:51:04.080
<v Speaker 1>Yeah, I watched it some, and I remember not loving it,

0:51:04.280 --> 0:51:05.680
<v Speaker 1>so I don't think I watched it all.

0:51:06.200 --> 0:51:09.320
<v Speaker 3>There's also Trapper John MD, which was on for seven seasons,

0:51:09.360 --> 0:51:11.919
<v Speaker 3>and it even was running concurrently at the same time

0:51:11.960 --> 0:51:14.399
<v Speaker 3>as Mash itself for a lot of that time.

0:51:15.080 --> 0:51:15.839
<v Speaker 1>Yeah, kind of weird.

0:51:16.239 --> 0:51:19.240
<v Speaker 3>Ye what was his name, Shane Rogers.

0:51:19.840 --> 0:51:21.719
<v Speaker 1>Yeah, like they recast it, so it's just like, why

0:51:21.880 --> 0:51:23.239
<v Speaker 1>not just call it something else?

0:51:23.920 --> 0:51:26.560
<v Speaker 3>Yeah, I guess because everybody loved the character. But even

0:51:26.600 --> 0:51:29.279
<v Speaker 3>still his character like fifty years in the future or

0:51:29.320 --> 0:51:31.719
<v Speaker 3>something like that, you know, or or thirty years in

0:51:31.760 --> 0:51:33.359
<v Speaker 3>the future, so he's an old band so they had

0:51:33.400 --> 0:51:37.200
<v Speaker 3>another actor, Pernell Roberts, so you probably know from the

0:51:37.680 --> 0:51:41.720
<v Speaker 3>sixties touring company of Camelot, but he played Trapper John

0:51:42.040 --> 0:51:43.000
<v Speaker 3>as an older man.

0:51:43.960 --> 0:51:47.920
<v Speaker 1>Oh okay, so of course now I'm a dummy. Like

0:51:48.000 --> 0:51:49.600
<v Speaker 1>the reason they called it that was so they could

0:51:49.640 --> 0:51:51.000
<v Speaker 1>bank on the successive.

0:51:50.600 --> 0:51:51.839
<v Speaker 3>Mash That's what I would guess.

0:51:52.600 --> 0:51:53.799
<v Speaker 1>Yeah, I didn't think that through.

0:51:53.800 --> 0:51:56.680
<v Speaker 3>It almost makes me wonder if they just retrofitted a

0:51:56.760 --> 0:51:59.839
<v Speaker 3>show that had already been green right to Trapper John.

0:52:00.400 --> 0:52:03.440
<v Speaker 1>Yeah, like The Pit was supposed to be an Er spinoff.

0:52:03.920 --> 0:52:06.560
<v Speaker 1>Oh yeah, yeah, and there's I think there's still a

0:52:06.680 --> 0:52:10.520
<v Speaker 1>lawsuit because apparently there's And of course I'm speaking completely

0:52:11.719 --> 0:52:13.440
<v Speaker 1>as someone who doesn't know a lot about this, so

0:52:14.000 --> 0:52:15.360
<v Speaker 1>look it up if you really want to know. But

0:52:16.160 --> 0:52:19.440
<v Speaker 1>I think the Michael Crichton estate got involved and they're like,

0:52:19.440 --> 0:52:21.920
<v Speaker 1>wait a minute, you can't do an Er spin off

0:52:21.960 --> 0:52:25.640
<v Speaker 1>without like giving us some juice because he came up

0:52:25.680 --> 0:52:27.520
<v Speaker 1>with the idea for r or whatever wrote the book

0:52:27.560 --> 0:52:30.200
<v Speaker 1>that was based on or something. And I think there's

0:52:30.239 --> 0:52:34.000
<v Speaker 1>like a like a paper trail of because The Pit

0:52:34.160 --> 0:52:35.799
<v Speaker 1>was like, no, no, no, that wasn't the deal. It's

0:52:35.880 --> 0:52:38.200
<v Speaker 1>just a new show. It's not supposed to be Noah

0:52:38.200 --> 0:52:40.520
<v Speaker 1>Wiley's character. But I think there's an email trail where

0:52:40.600 --> 0:52:44.040
<v Speaker 1>they were like, oh, you want money, huh, let's just

0:52:44.120 --> 0:52:46.239
<v Speaker 1>call it something else and change the character's name.

0:52:46.560 --> 0:52:48.080
<v Speaker 3>Who is that dumb these days?

0:52:48.719 --> 0:52:50.160
<v Speaker 1>I don't know, and I don't know. I mean, I'm

0:52:50.160 --> 0:52:52.000
<v Speaker 1>sure I'm getting some details wrong, but I know that

0:52:52.800 --> 0:52:53.960
<v Speaker 1>it is an ongoing issue.

0:52:55.480 --> 0:52:58.520
<v Speaker 3>There was one more. It was Walter w A l

0:52:58.640 --> 0:53:02.040
<v Speaker 3>t e. R. With the Ass Even. Yeah, that was

0:53:02.120 --> 0:53:05.160
<v Speaker 3>a nineteen eighty four pilot that didn't I think it

0:53:05.280 --> 0:53:09.960
<v Speaker 3>aired one time and it was aired in the Eastern

0:53:10.040 --> 0:53:12.400
<v Speaker 3>and Central time zones. It was apparently so bad they

0:53:12.440 --> 0:53:14.759
<v Speaker 3>didn't even air it in the West that same night.

0:53:15.640 --> 0:53:16.759
<v Speaker 1>Didn't they do that for our show?

0:53:17.600 --> 0:53:20.359
<v Speaker 3>Pretty much? They tried to cram it all into one

0:53:20.520 --> 0:53:21.080
<v Speaker 3>night for sure.

0:53:21.320 --> 0:53:23.719
<v Speaker 1>Man, that's crazy. I didn't know that about the West

0:53:23.760 --> 0:53:25.279
<v Speaker 1>coast thing. That is a brutal move.

0:53:25.440 --> 0:53:25.640
<v Speaker 3>Yeah.

0:53:26.000 --> 0:53:28.719
<v Speaker 1>Yeah, so we can't even let the California I see

0:53:28.760 --> 0:53:29.120
<v Speaker 1>the show?

0:53:29.280 --> 0:53:32.839
<v Speaker 3>Right? So it was about Radar O'Reilly in his life

0:53:32.920 --> 0:53:37.040
<v Speaker 3>after Korea, and it was played by Gary Berghoff, and

0:53:37.200 --> 0:53:39.799
<v Speaker 3>he was going to become a cop and his wife

0:53:39.840 --> 0:53:43.400
<v Speaker 3>had just left him and he was contemplating suicide and

0:53:43.960 --> 0:53:46.360
<v Speaker 3>this was a comedy a half hour comment from what

0:53:46.440 --> 0:53:47.040
<v Speaker 3>I understand.

0:53:47.080 --> 0:53:49.560
<v Speaker 1>So people, I bet you that's out there. I'm gonna

0:53:49.560 --> 0:53:50.000
<v Speaker 1>have to watch that.

0:53:50.200 --> 0:53:52.319
<v Speaker 3>Yeah, you got anything else?

0:53:52.840 --> 0:53:54.839
<v Speaker 1>I got nothing else. I appreciate you indulging this one.

0:53:54.880 --> 0:53:57.360
<v Speaker 1>I know it's not your favorite show, but I thank you.

0:53:57.560 --> 0:54:00.640
<v Speaker 3>Hey, I can always talk about Mash for fifty three

0:54:00.680 --> 0:54:02.239
<v Speaker 3>straight minutes any time you want.

0:54:02.880 --> 0:54:04.120
<v Speaker 1>All right, let's do it again right now.

0:54:04.200 --> 0:54:07.680
<v Speaker 3>Okay, if you want to know more about match, just

0:54:07.800 --> 0:54:13.600
<v Speaker 3>go start watching it. I propose watching the episode Dreams first, maybe,

0:54:13.760 --> 0:54:14.640
<v Speaker 3>just to get it out of the way.

0:54:15.120 --> 0:54:15.359
<v Speaker 1>Yeah.

0:54:15.520 --> 0:54:17.560
<v Speaker 3>And since Chuck said yeah, that means it's time for

0:54:17.600 --> 0:54:18.279
<v Speaker 3>a listener mail.

0:54:20.960 --> 0:54:23.080
<v Speaker 1>Yeah, not so much a listener mail, even though it

0:54:23.200 --> 0:54:26.640
<v Speaker 1>was one little inside baseball. But our email has been

0:54:26.719 --> 0:54:29.040
<v Speaker 1>screwed up for a couple of months now, as far

0:54:29.120 --> 0:54:31.239
<v Speaker 1>as if you haven't heard back from us, by the way,

0:54:31.280 --> 0:54:33.280
<v Speaker 1>and you send an email lately, it's because our email

0:54:33.360 --> 0:54:34.160
<v Speaker 1>is super screwed up.

0:54:34.280 --> 0:54:34.720
<v Speaker 3>My fault.

0:54:35.280 --> 0:54:37.000
<v Speaker 1>The good news is we're now getting them again, but

0:54:37.040 --> 0:54:40.120
<v Speaker 1>they are being forwarded, so you can't directly reply. Long

0:54:40.200 --> 0:54:43.960
<v Speaker 1>way of saying, this comes from Martha Black, and there's

0:54:44.000 --> 0:54:48.040
<v Speaker 1>really no need in even reading the email, because all

0:54:48.120 --> 0:54:51.440
<v Speaker 1>it was was, Hey, Chuck, by the way, that Howard

0:54:51.560 --> 0:54:53.880
<v Speaker 1>Hughes picture of him as an old guy in Vegas

0:54:54.480 --> 0:54:59.120
<v Speaker 1>is actor rip torn. No. It even says so in

0:54:59.239 --> 0:55:02.120
<v Speaker 1>the caption that she so, I definitely have an egg

0:55:02.200 --> 0:55:04.120
<v Speaker 1>on my face for that one, because now that I

0:55:04.200 --> 0:55:05.680
<v Speaker 1>see it, I'm like, yeah, I guess, I guess that

0:55:05.760 --> 0:55:06.400
<v Speaker 1>is ripped? Is there?

0:55:06.520 --> 0:55:07.040
<v Speaker 3>Right? Alreadie?

0:55:08.520 --> 0:55:10.120
<v Speaker 1>Yeah, but he was younger, and he was you know,

0:55:10.680 --> 0:55:12.680
<v Speaker 1>had tissue boxes on his feet. For God's sake.

0:55:12.880 --> 0:55:14.839
<v Speaker 3>It fooled me to chuck.

0:55:15.440 --> 0:55:18.160
<v Speaker 1>Yeah, me too, well, and of course that makes sense.

0:55:18.200 --> 0:55:19.880
<v Speaker 1>There are no pictures of Howard Hughes in Vegas. He

0:55:19.880 --> 0:55:20.440
<v Speaker 1>didn't know all that.

0:55:20.760 --> 0:55:22.160
<v Speaker 3>At least it wasn't ai.

0:55:23.280 --> 0:55:23.879
<v Speaker 1>Yeah, that's true.

0:55:23.960 --> 0:55:27.000
<v Speaker 3>You know, at least they got ripped horn.

0:55:26.880 --> 0:55:27.520
<v Speaker 1>To pose for it.

0:55:28.160 --> 0:55:30.120
<v Speaker 3>Yeah. So who is that from?

0:55:31.400 --> 0:55:32.000
<v Speaker 1>Martha Black?

0:55:32.200 --> 0:55:35.000
<v Speaker 3>Thanks a lot, Martha Black. Sounds like an MTV VJ

0:55:35.840 --> 0:55:36.759
<v Speaker 3>from back in the day.

0:55:37.320 --> 0:55:37.680
<v Speaker 1>That's right.

0:55:38.160 --> 0:55:40.319
<v Speaker 3>If you want to be like Martha Black and show

0:55:40.400 --> 0:55:43.719
<v Speaker 3>off your name, you can email us too. Hopefully we'll

0:55:43.760 --> 0:55:46.719
<v Speaker 3>get it these days. Send it off to Stuff Podcast

0:55:46.840 --> 0:55:48.279
<v Speaker 3>at iHeartRadio dot com.

0:55:51.480 --> 0:55:54.320
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:55:54.440 --> 0:55:58.600
<v Speaker 1>more podcasts My heart Radio, visit the iHeartRadio app, Apple podcasts,

0:55:58.760 --> 0:56:00.560
<v Speaker 1>or wherever you listen to your favorite shows.