WEBVTT - TGI – Episode 422 “Learning to Fly”

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<v Speaker 1>So I found I don't know if this is even

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<v Speaker 1>a good idea, because it's I found a back page

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<v Speaker 1>journal entry.

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<v Speaker 2>It's not on a piece of paper.

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<v Speaker 3>Is it from the same journal as before?

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<v Speaker 1>Yes, the same journal, but I wrote it on the

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<v Speaker 1>inside hardcover.

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<v Speaker 3>Did you write your own epilogue? What's going on?

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<v Speaker 2>Basically?

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<v Speaker 1>I I was sitting on my desk and I opened

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<v Speaker 1>it and I was like, oh my, it'll just.

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<v Speaker 2>Really give you in some ways.

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<v Speaker 3>It really is.

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<v Speaker 1>It's actually very sad. I'm gonna read it very funny,

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<v Speaker 1>but it's very sad because it really will give you

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<v Speaker 1>into like a real peak into the mind of teenage

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<v Speaker 1>Danielle in the nineties.

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<v Speaker 3>But I know I'm not alone.

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<v Speaker 2>Like I know it was.

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<v Speaker 1>The nineties in general were a time where you know, uh,

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<v Speaker 1>there was really no such thing as body positivity. You

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<v Speaker 1>were you everyone was chasing a wafe look, and if

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<v Speaker 1>you had curves or if you had any sort of

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<v Speaker 1>extra weight, it was really something you were supposed to

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<v Speaker 1>feel bad about. And I have always been the type

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<v Speaker 1>of person who I gain weight relatively quickly, and but

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<v Speaker 1>I gain it evenly. I don't necessarily have one like

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<v Speaker 1>quote unquote problem area where all my weight goes to

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<v Speaker 1>this area. I gain weight in this area, and then

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<v Speaker 1>when my body's like, well that's enough weight there, I

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<v Speaker 1>just moves on to another area until I have a

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<v Speaker 1>soft plumpness everywhere.

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<v Speaker 2>Honestly, I don't mind if you're I'd rather it.

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<v Speaker 3>Keeps me hurt. Distributed evenly distributed is great. Also, a

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<v Speaker 3>lot of people out there, for the record, big fan of.

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<v Speaker 1>Curves just saying yes, yes, and and I realized that

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<v Speaker 1>in hindsight as I aged, and I would then and

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<v Speaker 1>then the Internet, and I became more adept at the Internet,

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<v Speaker 1>and I would see comments people had made about me

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<v Speaker 1>when I was on Boy Meets World when I did

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<v Speaker 1>have more weight on me than I did in the

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<v Speaker 1>first couple of seasons, and I found that there were

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<v Speaker 1>plenty of people who were like, I think Tapega looked

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<v Speaker 1>better with more weight on her than she did earlier on.

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<v Speaker 1>And I was like, well, that's that's the first time

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<v Speaker 1>I'm hearing of that. Anyway, I in high school was

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<v Speaker 1>one of the only people who really did if I

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<v Speaker 1>watched her weight. My girlfriends could all eat whatever they wanted, really, yes,

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<v Speaker 1>And I don't know. They were cheerleaders, so I don't

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<v Speaker 1>know if it's also because they were significantly more active

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<v Speaker 1>than I was. Like they were, you know, doing cheer

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<v Speaker 1>every day after.

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<v Speaker 3>Sure they weren't just in private act like maybe.

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<v Speaker 1>But no, Like for lunches and stuff, they would think

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<v Speaker 1>nothing of having like a big thick slice of pizza.

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<v Speaker 3>And a Matt Lawrence. They were all Matt Lawrence.

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<v Speaker 1>It went yeah, and I would be like, oh no,

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<v Speaker 1>if I were to eat a piece of pizza every

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<v Speaker 1>day for lunch and a bag of chips, I would

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<v Speaker 1>definitely I would.

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<v Speaker 2>I would have weight on me.

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<v Speaker 3>Yep.

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<v Speaker 1>And so anyway, on the back page of this journal.

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<v Speaker 1>Don't ask me why I didn't write it on the

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<v Speaker 1>date that it happened. But and I'm going to read

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<v Speaker 1>it funny and you'll just have to hear the sadness

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<v Speaker 1>within it. But God, today I found something I've dreaded hearing.

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<v Speaker 1>I have never been so hurt in my life. I

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<v Speaker 1>found out Jen, my best friend next to Jess, said

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<v Speaker 1>that the other day when she saw me, it looked

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<v Speaker 1>like I had gained weight. I wanted to cry on

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<v Speaker 1>the phone. I was with Teddy on the phone. My

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<v Speaker 1>journal needed to know who I was talking to. I

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<v Speaker 1>really hated Jen. Then maybe I will never eat again.

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<v Speaker 3>Oh never, not not not talk to Jen, but never again.

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<v Speaker 1>If you don't think I could go up a notch,

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<v Speaker 1>you're wrong. Then I'll die and that'll.

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<v Speaker 3>Show Oh go, that's so.

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<v Speaker 4>It's like imagining your own funeral. So you see everybody sad,

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<v Speaker 4>and it'd be.

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<v Speaker 1>Such a skinny little casket.

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<v Speaker 3>I just want to want a tooth pick.

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<v Speaker 5>You just I miss her so much. But god, she

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<v Speaker 5>looks thin.

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<v Speaker 3>God, look to my god.

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<v Speaker 2>I hate to say it, but she just done this.

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<v Speaker 3>She around this year. This is horrible.

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<v Speaker 1>Away there and their tiny little skirt, their tiny little

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<v Speaker 1>skirts eating pizza. Oh god, oh man, terrible. Anyway, then

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<v Speaker 1>I'll die and that'll show her that's skinny, asked.

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<v Speaker 3>Did you really write that? Amazing?

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<v Speaker 2>I wrote, who's she to talk?

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<v Speaker 1>Little miss five six ninety pounder, and then I gave

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<v Speaker 1>myself a PostScript. I don't know how much longer, but

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<v Speaker 1>I circled who I was angry there by the way

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<v Speaker 1>I'm eating.

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<v Speaker 4>That's great, but that's actually great, Like you reflected on it.

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<v Speaker 3>I looked I apparently read it a while later, and

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<v Speaker 3>when you were able to say this is a little

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<v Speaker 3>extreme this is healthy. So you were just venting.

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<v Speaker 1>Yes, I was venting, which is a great point of

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<v Speaker 1>a diary to just.

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<v Speaker 3>Ben I'm so glad.

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<v Speaker 4>But see, that's such a sign that that you know,

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<v Speaker 4>because a lot of people do get caught.

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<v Speaker 3>And I mean that's what interrexy is, right.

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<v Speaker 4>It is like a trap of like I'm going to

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<v Speaker 4>turn all these feelings and insecurities inward and it's going

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<v Speaker 4>to be my fault and I'm gonna get control of this.

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<v Speaker 3>And oh, I'm so glad that you came back and

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<v Speaker 3>revised that. I came back.

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<v Speaker 1>I revised it, and I wanted myself to know I

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<v Speaker 1>was eating and I was fine.

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<v Speaker 2>By the way, Jen is still my best friend.

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<v Speaker 5>I was gonna say, I am.

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<v Speaker 3>My darn it when you know what she is.

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<v Speaker 1>She's still so thin, but now she she does she

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<v Speaker 1>works at it, she works out, she's very healthy, she

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<v Speaker 1>eats well.

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<v Speaker 3>Have you guys ever heard the theory yet?

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<v Speaker 4>I think I kind of agree with this, is that,

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<v Speaker 4>like you know, women women dress and obsess over their

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<v Speaker 4>bodies for other women, and men obsessed over their bodies

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<v Speaker 4>for other men.

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<v Speaker 3>Yes, yes, because I think you're like, yeah, because I.

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<v Speaker 4>Think that you know, men like tend to find slightly heavier,

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<v Speaker 4>curvy women attractive, and yet women often judge each other

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<v Speaker 4>for not being you know, so it's and then men,

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<v Speaker 4>of course are like always a woman you'd be like cut,

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<v Speaker 4>yes and huge muscular, and you talk to a lot

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<v Speaker 4>of women they're like, oh, I realized, Oh, it's like

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<v Speaker 4>it's more intragender competition.

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<v Speaker 3>Do you know what I mean?

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<v Speaker 4>It's more like seacocking within your gender than it is

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<v Speaker 4>actually attracting the opposite because we can only you know,

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<v Speaker 4>I assume that we sort of see the world through

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<v Speaker 4>our own gender filter, and so of course it's like

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<v Speaker 4>it's way easier for me to like kind of judge

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<v Speaker 4>the appearance of other men than I, and then it

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<v Speaker 4>is for women. So I don't I kind of fascinateing.

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<v Speaker 4>I've had to like start in turning that part of

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<v Speaker 4>my brain off and be like, if you know, because

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<v Speaker 4>I if I want to be attractive to women, it's

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<v Speaker 4>a different brain state than like I think comes naturally.

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<v Speaker 1>To me, right, Yeah, I mean, I will also tell

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<v Speaker 1>you I did update. I think I told you once

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<v Speaker 1>not that long ago, that I would probably be having

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<v Speaker 1>some sort of mommy makeover situation. That I wanted to

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<v Speaker 1>maybe have a tummy tuck, and I had a consultation

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<v Speaker 1>and I will not be doing it.

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<v Speaker 3>Yes, good, thank god. I until Jen talks behind your.

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<v Speaker 1>Jen tells me the last time she sees me honestly skinny.

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<v Speaker 3>As no, that's why.

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<v Speaker 5>So I was talking to Susan about this the other

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<v Speaker 5>day because I noticed so what. I went back to

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<v Speaker 5>see my parents, and when you hit a certain age,

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<v Speaker 5>all people talk about are their ailments, the people they

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<v Speaker 5>know that have died.

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<v Speaker 3>You know, that's it.

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<v Speaker 5>And then I also noticed women of a certain age,

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<v Speaker 5>every time they got together, there'd be six or seven

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<v Speaker 5>of them around a table. Sometimes, Danielle, you'd be involved

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<v Speaker 5>in this, and the conversation was always about plastic surgery

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<v Speaker 5>or some kind of beauty, what you were doing. And

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<v Speaker 5>so you hit an age and it's like everybody's having

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<v Speaker 5>the same conversation.

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<v Speaker 3>And I get especially I have to imagine. I don't get.

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<v Speaker 5>I have to imagine it's difficult for women to age.

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<v Speaker 5>I must be hard to do.

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<v Speaker 3>I don't know.

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<v Speaker 5>I think women have you know, it's a big generalization,

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<v Speaker 5>but I think generally have a more difficult time with

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<v Speaker 5>it than men do. And so it becomes the subject

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<v Speaker 5>of conversation, and I keep saying to like my wife, like,

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<v Speaker 5>I hope you never do anything you have to do

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<v Speaker 5>you obviously, because you have to feel however you want

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<v Speaker 5>to feel, to be the best version of yourself.

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<v Speaker 3>But don't ever do it for me, because I still.

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<v Speaker 5>Think you're the hottest woman I've ever met in real life,

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<v Speaker 5>And like, I just want to make sure that she

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<v Speaker 5>knows that as much as possible, because it's like, if

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<v Speaker 5>you've got to do it for your own mental health

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<v Speaker 5>or whatever, that's one thing, but don't make it about me,

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<v Speaker 5>because you're awesome.

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<v Speaker 3>So but it's weird you here.

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<v Speaker 1>We don't we're not truthfully, We're not doing it for

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<v Speaker 1>you or for in my case, Jensen, or for the

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<v Speaker 1>random man on a street who we want.

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<v Speaker 3>It's just that's not it.

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<v Speaker 1>It's the way we feel about ourselves. And you know,

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<v Speaker 1>as women have to. If you've had children, you've physically

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<v Speaker 1>created and grown a life inside your body, it would

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<v Speaker 1>be crazy to think that it would not have lasting changes,

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<v Speaker 1>sure on the structure of your body. And for me,

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<v Speaker 1>there's a little bit of a sense of like I'm

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<v Speaker 1>not trying to have of somebody I've never owned right,

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<v Speaker 1>I'm not looking like, here's a body of somebody I

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<v Speaker 1>find attractive, give me her body for me. It's about

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<v Speaker 1>could you get my body back to a little bit

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<v Speaker 1>of a pre baby body, just because that's what I'm

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<v Speaker 1>used to dressing, that's what feels most like me.

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<v Speaker 3>I've only been a mom for five years.

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<v Speaker 1>For thirty eight years, I was not pregnant or having babies,

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<v Speaker 1>so that's the body I'm kind of used to.

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<v Speaker 2>But there is no easy way out.

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<v Speaker 3>There was. Really it was kind of like for me.

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<v Speaker 1>Well, listen, I'm not gonna what am I gonna all

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<v Speaker 1>of a sudden be very consistent about my diet and

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<v Speaker 1>work out regularly.

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<v Speaker 3>That's not me who I am. I'm not gonna do that.

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<v Speaker 1>Maybe I'll just take this easy way. That's gonna be

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<v Speaker 1>very expensive, but it will be easy. This is my

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<v Speaker 1>thought process where someone will just go in, they'll suck

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<v Speaker 1>fat out, they'll cut, they'll tighten skin up. I'll be

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<v Speaker 1>uncomfortable for a few weeks and then I'll be perfectly

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<v Speaker 1>comfortable in my clothes again. Right, And then I had

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<v Speaker 1>the consultation and it's like, well, for twelve weeks, you're

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<v Speaker 1>sleeping in a recliner and you you you're.

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<v Speaker 3>It's this because you don't want to.

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<v Speaker 1>You know, they've they've cut you from hip to hip basically,

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<v Speaker 1>and and you can't lay flat because you're stretching out

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<v Speaker 1>what they've just tightened. And I was like, sleeping in

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<v Speaker 1>a recliner twelve weeks my number one favorite thing in life.

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<v Speaker 3>Star She's just a stat.

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<v Speaker 5>It's something that messes with Danielle sleeps, She's already out.

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<v Speaker 3>I'm like, uh no, no way.

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<v Speaker 1>And then you know, if while I was talking about

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<v Speaker 1>doing a tummy tuck, it was like, well listen, maybe

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<v Speaker 1>I'll also do a breastlift and they're like, well, yeah,

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<v Speaker 1>well we slice the tendons to do that, and so

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<v Speaker 1>that like that, you have to have Taranosaurus rex arms

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<v Speaker 1>for twelve weeks. You can't pick up your children, you

0:11:37.960 --> 0:11:39.880
<v Speaker 1>can't pick up anything heavy, and you literally can't do

0:11:39.880 --> 0:11:43.640
<v Speaker 1>anything with your arms that isn't within this range. And

0:11:43.679 --> 0:11:45.480
<v Speaker 1>I thought, you know what, I'm just going to join

0:11:45.480 --> 0:11:49.079
<v Speaker 1>a gym and I'm gonna I am gonna try to

0:11:49.120 --> 0:11:51.959
<v Speaker 1>eat better and I'm and if I say, the twelve

0:11:51.960 --> 0:11:55.120
<v Speaker 1>weeks of recovery were gonna be miserable. Starting on the

0:11:55.200 --> 0:11:56.719
<v Speaker 1>day I decide to do it, I'm going to see

0:11:56.760 --> 0:11:59.120
<v Speaker 1>where I start at week on day one and where

0:11:59.160 --> 0:12:01.400
<v Speaker 1>I end at the end of week twelve, and if

0:12:01.440 --> 0:12:02.959
<v Speaker 1>I can get myself to a place where at the

0:12:03.000 --> 0:12:06.280
<v Speaker 1>end of twelve weeks, I go, Wow, I'm so glad

0:12:06.320 --> 0:12:08.760
<v Speaker 1>I didn't have surgery, because even though I don't have

0:12:08.800 --> 0:12:11.439
<v Speaker 1>a perfect body, now I am to a place where

0:12:11.480 --> 0:12:13.079
<v Speaker 1>I'm more comfortable in my clothes, which is.

0:12:13.000 --> 0:12:15.760
<v Speaker 2>Truly all I'm looking for. So anyway, I just want

0:12:15.800 --> 0:12:16.160
<v Speaker 2>to give you that.

0:12:16.240 --> 0:12:17.560
<v Speaker 3>We got to go back to Danielle.

0:12:17.559 --> 0:12:19.480
<v Speaker 4>We got to definitely notice that twelve weeks is like

0:12:19.640 --> 0:12:21.560
<v Speaker 4>kind of the minimum though, Like if you really want

0:12:21.559 --> 0:12:23.679
<v Speaker 4>to change something in your life, you got to commit

0:12:23.760 --> 0:12:26.440
<v Speaker 4>at least, Like twelve weeks is exactly right, Like you

0:12:26.520 --> 0:12:28.600
<v Speaker 4>have to do three months, because I know a lot

0:12:28.600 --> 0:12:31.560
<v Speaker 4>of people are doing like sober January or whatever, and

0:12:31.600 --> 0:12:33.600
<v Speaker 4>you're like, it doesn't really make that much of it.

0:12:33.640 --> 0:12:35.439
<v Speaker 3>They kind of just go right back to whatever habit,

0:12:35.559 --> 0:12:38.400
<v Speaker 3>you know, whereas it you do three months of anything, Yeah,

0:12:38.440 --> 0:12:40.920
<v Speaker 3>it kind can see it. Yeah, it really makes a different.

0:12:40.960 --> 0:12:42.599
<v Speaker 3>So I agree. I think I think twelve weeks is

0:12:42.600 --> 0:12:43.040
<v Speaker 3>a good call.

0:12:43.360 --> 0:12:45.640
<v Speaker 1>All right, I appreciate it, Thanks for the support. Happy

0:12:45.640 --> 0:12:47.960
<v Speaker 1>to give you guys the update. Love that sixteen year

0:12:47.960 --> 0:12:50.720
<v Speaker 1>old Danielle and forty three year old Danielle are having

0:12:50.720 --> 0:12:51.559
<v Speaker 1>the same conversation.

0:12:51.760 --> 0:12:55.079
<v Speaker 3>So welcome to Pod meets World. I'm Danielle Fischel, I'm

0:12:55.120 --> 0:12:57.840
<v Speaker 3>right or strong, and I'm a skinny ass.

0:12:58.640 --> 0:13:13.000
<v Speaker 6>I'm not. I'm Will Fordell.

0:13:13.040 --> 0:13:16.920
<v Speaker 1>Welcome to this episode of Pod Meets World. We are

0:13:17.000 --> 0:13:20.360
<v Speaker 1>recapping season four, episode twenty two, Learning to Fly. It

0:13:20.440 --> 0:13:24.840
<v Speaker 1>is the season finale of season four. It originally aired

0:13:24.880 --> 0:13:28.560
<v Speaker 1>May second, nineteen ninety seven. The synopsis Eric is visiting

0:13:28.760 --> 0:13:32.560
<v Speaker 1>Beach State, his potential new college, and Corey and Sean

0:13:32.640 --> 0:13:35.520
<v Speaker 1>and Topanga plan to tag along, but when Tapanga's aunt

0:13:35.520 --> 0:13:38.040
<v Speaker 1>won't let her go, it throws the weekend and their

0:13:38.080 --> 0:13:40.920
<v Speaker 1>relationship into a totally different direction.

0:13:41.640 --> 0:13:44.200
<v Speaker 5>Now that's a synopsis. Remember we just had Sean joins

0:13:44.200 --> 0:13:44.720
<v Speaker 5>a cult.

0:13:45.240 --> 0:13:48.760
<v Speaker 3>Well as much a synopsis you couldn't.

0:13:48.760 --> 0:13:51.360
<v Speaker 4>You couldn't say Sean joins a cult and Turner gets

0:13:51.400 --> 0:13:57.120
<v Speaker 4>a rem psycho, and Sean rediscovers his religion. You know,

0:13:57.200 --> 0:13:59.200
<v Speaker 4>he finds God talks to him like it's like all

0:13:59.240 --> 0:14:02.600
<v Speaker 4>those steps was like an Andronicle antratical.

0:14:02.880 --> 0:14:03.440
<v Speaker 2>So funny.

0:14:03.480 --> 0:14:04.840
<v Speaker 3>It was directed by Jeff McCracken.

0:14:04.880 --> 0:14:08.000
<v Speaker 1>It was written by Jeff Sherman, his last Boy Meets

0:14:08.040 --> 0:14:09.040
<v Speaker 1>World script.

0:14:08.920 --> 0:14:11.520
<v Speaker 5>And this apparently one of the caveats for him coming

0:14:11.559 --> 0:14:13.720
<v Speaker 5>back was this script was getting Eric into college.

0:14:13.760 --> 0:14:15.520
<v Speaker 3>It makes sense, Yeah, it sure does.

0:14:16.520 --> 0:14:16.640
<v Speaker 5>So.

0:14:16.920 --> 0:14:21.400
<v Speaker 1>Guest starring the first appearance by Ms. Bonnie Bartlett as

0:14:21.520 --> 0:14:24.080
<v Speaker 1>Dean Lilah boll And.

0:14:24.120 --> 0:14:26.240
<v Speaker 3>I totally forgot that I'm the first one to work

0:14:26.280 --> 0:14:26.560
<v Speaker 3>with her.

0:14:26.840 --> 0:14:31.240
<v Speaker 1>I know, I forgot that she was in this early Yep,

0:14:31.320 --> 0:14:35.000
<v Speaker 1>me too, Me too entirely. She is the irl wife

0:14:35.000 --> 0:14:38.640
<v Speaker 1>of William Daniels and is a three time Emmy nominee

0:14:38.640 --> 0:14:41.640
<v Speaker 1>slash two time winner for her supporting role as Ellen

0:14:41.720 --> 0:14:45.040
<v Speaker 1>Craig on the drama Saint Elsewhere, one of three shows

0:14:45.160 --> 0:14:49.400
<v Speaker 1>where she would play a character married to Bill Daniels's character.

0:14:49.680 --> 0:14:51.760
<v Speaker 3>Wait a second, this one. I know I was gonna

0:14:51.800 --> 0:14:52.240
<v Speaker 3>quiz you.

0:14:52.320 --> 0:14:55.560
<v Speaker 1>There's no Saint Elsewhere and obviously Boy Meets World.

0:14:55.640 --> 0:15:03.840
<v Speaker 3>Will what's the third the third show that Bonnie plays? Oh?

0:15:03.840 --> 0:15:06.280
<v Speaker 5>God, I have no idea unless there's a female kit,

0:15:06.560 --> 0:15:07.480
<v Speaker 5>which would be awesome.

0:15:07.560 --> 0:15:10.320
<v Speaker 2>Oh wouldn't that be cool? No, it's touched by an angel.

0:15:10.440 --> 0:15:12.840
<v Speaker 3>Oh okay, interesting like a guest star.

0:15:13.320 --> 0:15:16.600
<v Speaker 1>Yeah, interesting, probably did a little maybe a episode.

0:15:16.640 --> 0:15:18.360
<v Speaker 3>It was eighteen when she met him.

0:15:18.680 --> 0:15:20.600
<v Speaker 2>Yeah, Oh my gosh, I thought you were gonna say

0:15:20.600 --> 0:15:21.360
<v Speaker 2>when she was on the show.

0:15:21.440 --> 0:15:28.000
<v Speaker 3>I was like, Michael, just the makeup.

0:15:28.400 --> 0:15:30.720
<v Speaker 1>That's like one of those things where it's like today

0:15:30.840 --> 0:15:31.640
<v Speaker 1>the year would be.

0:15:33.200 --> 0:15:35.880
<v Speaker 2>In fact, Bonnie Barlet's actually eighteen in this.

0:15:39.720 --> 0:15:42.760
<v Speaker 1>Bonnie is a legend who appeared in shows like gun Smoke,

0:15:42.840 --> 0:15:45.680
<v Speaker 1>Little House on the Prairie, Home Improvement, and The Golden Girls,

0:15:45.920 --> 0:15:49.360
<v Speaker 1>and in movies like Twins, Dave, and Primary Colors. The

0:15:49.440 --> 0:15:53.000
<v Speaker 1>ninety four year old recently wrote a spicy memoir called

0:15:53.080 --> 0:15:55.920
<v Speaker 1>Middle of the Rainbow, How a wife, mother and daughter

0:15:56.040 --> 0:15:59.120
<v Speaker 1>managed to find herself and win two Emmys. So if

0:15:59.120 --> 0:16:00.800
<v Speaker 1>you haven't checked it out, pick up that book.

0:16:01.160 --> 0:16:03.400
<v Speaker 3>I love Bonnie. It's been so great to spend time

0:16:03.400 --> 0:16:05.440
<v Speaker 3>with her. One of the bests in the last couple

0:16:05.440 --> 0:16:07.800
<v Speaker 3>of years, because I didn't really talk to her back.

0:16:07.680 --> 0:16:10.600
<v Speaker 4>Then, you know, And she really is just one of

0:16:10.600 --> 0:16:14.480
<v Speaker 4>my favorite people. She's so she she speaks her mind

0:16:14.760 --> 0:16:17.720
<v Speaker 4>almost more than anybody I've ever met, and I.

0:16:17.720 --> 0:16:20.000
<v Speaker 3>She doesn't care, she says she's like ninety four. I

0:16:20.000 --> 0:16:20.440
<v Speaker 3>don't care.

0:16:20.720 --> 0:16:25.040
<v Speaker 4>Yeah, she's so and she's so sharp and just brilliant

0:16:25.080 --> 0:16:26.080
<v Speaker 4>and a great actor.

0:16:26.320 --> 0:16:28.280
<v Speaker 3>Yeah, I really love her. And she's got great stories.

0:16:28.320 --> 0:16:30.440
<v Speaker 3>You know, she has great memory. She tells great stories

0:16:30.440 --> 0:16:32.280
<v Speaker 3>about her. We talk. I talk to her.

0:16:32.440 --> 0:16:34.720
<v Speaker 5>I call them, you know, probably once every two weeks

0:16:34.800 --> 0:16:36.880
<v Speaker 5>or so, or every time she calls me, no matter

0:16:36.920 --> 0:16:39.480
<v Speaker 5>how if even she just called me Bonnie. No, she

0:16:39.480 --> 0:16:42.320
<v Speaker 5>goes will Bonnie Daniels every time, will Bonnie.

0:16:42.040 --> 0:16:45.520
<v Speaker 3>Daniel Hey, Bonnie. So cute.

0:16:45.720 --> 0:16:47.880
<v Speaker 1>Yeah, she's a very she's a great storyteller. But she's

0:16:47.880 --> 0:16:50.920
<v Speaker 1>also a really good listener. She's can you just she's

0:16:50.960 --> 0:16:54.200
<v Speaker 1>always very present, and yeah, love her so much. And

0:16:54.240 --> 0:16:58.400
<v Speaker 1>then we have Brigita Doo as Julie. She also appeared

0:16:58.440 --> 0:17:00.680
<v Speaker 1>on twenty one Jump Street Weird So It's the TV

0:17:00.760 --> 0:17:04.080
<v Speaker 1>show Sliders and two Guys, a Girl and a Pizza Place.

0:17:04.320 --> 0:17:06.159
<v Speaker 1>She left acting in two thousand and five and is

0:17:06.200 --> 0:17:09.719
<v Speaker 1>now a certified life coach, Pilate's instructor and author.

0:17:10.160 --> 0:17:10.640
<v Speaker 2>Oh cool.

0:17:11.040 --> 0:17:13.240
<v Speaker 1>And then we have Lisa Dean Ryan as Mary Beth.

0:17:13.440 --> 0:17:16.320
<v Speaker 1>She is best known as Wanda Plean, one of the

0:17:16.359 --> 0:17:20.200
<v Speaker 1>stars of Doogie Howser MD and she played Maria from

0:17:20.200 --> 0:17:22.960
<v Speaker 1>the show Dead at twenty one. Her last acting credit

0:17:23.000 --> 0:17:24.879
<v Speaker 1>was in two thousand and five, and we couldn't find

0:17:25.240 --> 0:17:29.560
<v Speaker 1>anything else about her since there's no trace of her

0:17:30.080 --> 0:17:31.040
<v Speaker 1>on the internets.

0:17:31.520 --> 0:17:36.080
<v Speaker 3>She was kind of a big deal, big deal I

0:17:36.080 --> 0:17:37.000
<v Speaker 3>think they did. Yeah.

0:17:37.640 --> 0:17:39.640
<v Speaker 4>My feeling about her, like when I saw her on screen,

0:17:39.680 --> 0:17:41.520
<v Speaker 4>I was like, oh my gosh, I forgot all about her.

0:17:41.520 --> 0:17:43.600
<v Speaker 4>But the second I was like, I think they either

0:17:43.640 --> 0:17:46.280
<v Speaker 4>wrote this part for her where they built or they

0:17:46.320 --> 0:17:46.960
<v Speaker 4>just offered it to.

0:17:46.880 --> 0:17:49.480
<v Speaker 3>It Because my mind, she was like a big deal

0:17:49.480 --> 0:17:50.200
<v Speaker 3>to have on set.

0:17:51.000 --> 0:17:54.919
<v Speaker 1>Writer, Is she the guest star that was significantly older

0:17:54.920 --> 0:17:57.240
<v Speaker 1>than you that then you were mentioning when Trina comes

0:17:57.280 --> 0:17:58.359
<v Speaker 1>on the show in season five?

0:17:58.680 --> 0:18:00.639
<v Speaker 4>No, I'm pretty sure that was one of the English girls.

0:18:01.080 --> 0:18:03.520
<v Speaker 1>Oh wow, because I'm pretty sure it was Lisa Dean

0:18:03.600 --> 0:18:05.159
<v Speaker 1>Ryan is ten years older than us.

0:18:05.440 --> 0:18:07.480
<v Speaker 4>No, because I had to make out with the girl

0:18:07.520 --> 0:18:09.959
<v Speaker 4>who had a kid and was older, it was she

0:18:10.040 --> 0:18:11.959
<v Speaker 4>was twenty she was at least twenty six. In my

0:18:11.960 --> 0:18:13.840
<v Speaker 4>mind it was she was twenty eight and had a kid.

0:18:14.080 --> 0:18:15.480
<v Speaker 4>We didn't know she had a kid until she showed

0:18:15.560 --> 0:18:17.800
<v Speaker 4>up with a stroller. And I'm pretty sure it was one.

0:18:17.640 --> 0:18:20.199
<v Speaker 2>Of the Sparrow the Sparrow twins.

0:18:20.520 --> 0:18:22.440
<v Speaker 3>I'm pretty sure was that the woman there would have

0:18:22.480 --> 0:18:24.000
<v Speaker 3>been the one you were making out with. Yeah, I'm

0:18:24.000 --> 0:18:25.920
<v Speaker 3>pretty sure. It turned out that she had a kid

0:18:25.960 --> 0:18:28.040
<v Speaker 3>and was way older than we thought, which I don't

0:18:28.119 --> 0:18:30.560
<v Speaker 3>I haven't looked up, but yeah, I actually had that

0:18:30.680 --> 0:18:31.160
<v Speaker 3>same memory.

0:18:31.160 --> 0:18:32.919
<v Speaker 4>I was like, oh, Trina's coming soon, which means it

0:18:32.920 --> 0:18:35.480
<v Speaker 4>would have been one of these guests, and nobody's looked.

0:18:35.359 --> 0:18:36.400
<v Speaker 3>That much older.

0:18:36.480 --> 0:18:38.240
<v Speaker 1>So I thought of it last night when we looked

0:18:38.280 --> 0:18:40.240
<v Speaker 1>when we were looking up Lisa Dean Ryan trying to

0:18:40.240 --> 0:18:43.400
<v Speaker 1>find more information about her, and she's she's fifty two now,

0:18:43.440 --> 0:18:45.399
<v Speaker 1>and I'm I just turned forty three, so she's ten

0:18:45.440 --> 0:18:47.280
<v Speaker 1>years older than me. So I thought, wow, if WRITER

0:18:47.400 --> 0:18:50.679
<v Speaker 1>were seventeen at this point, she must have been, you know,

0:18:50.760 --> 0:18:51.359
<v Speaker 1>twenty five.

0:18:52.040 --> 0:18:53.680
<v Speaker 4>It was the whole point was that it was somebody

0:18:53.720 --> 0:18:55.280
<v Speaker 4>I was making out with, and when I found out

0:18:55.320 --> 0:18:56.520
<v Speaker 4>she had a kid, I was kind of like.

0:18:56.440 --> 0:19:00.240
<v Speaker 2>Oh, you thought maybe it could have been your kid

0:19:00.920 --> 0:19:01.280
<v Speaker 2>you had.

0:19:01.240 --> 0:19:03.800
<v Speaker 3>Been making seventeen. The thing was I wasn't eighteen yet,

0:19:03.840 --> 0:19:06.040
<v Speaker 3>you know, I was still seventeen this season, so that

0:19:06.200 --> 0:19:07.359
<v Speaker 3>it was just weird to be, you know.

0:19:08.160 --> 0:19:11.440
<v Speaker 1>And then also we have Sandra Ellis Lafferty as Missus Bluteman,

0:19:11.760 --> 0:19:18.359
<v Speaker 1>which I'm sure was a Missus Blutman. Oh yeah, that's great,

0:19:18.800 --> 0:19:23.240
<v Speaker 1>Missus Bluteman. Her resume includes two Hunger Games movies. She

0:19:23.320 --> 0:19:26.600
<v Speaker 1>played Maybelle Carter and Walk the Line, and appears in

0:19:26.760 --> 0:19:30.720
<v Speaker 1>the great twenty thirteen movie Prisoners. I found this this

0:19:30.760 --> 0:19:33.480
<v Speaker 1>little fact about her to be rather shocking. She began

0:19:33.600 --> 0:19:36.800
<v Speaker 1>her film and TV career at fifty years old.

0:19:37.080 --> 0:19:39.520
<v Speaker 3>Is that awesome? Yeah, isn't that amazing?

0:19:39.560 --> 0:19:42.520
<v Speaker 1>And she's still working today at aging eighty four.

0:19:42.680 --> 0:19:45.480
<v Speaker 3>Stuff. Yes, that's so cool.

0:19:45.760 --> 0:19:46.320
<v Speaker 2>Isn't that great?

0:19:46.359 --> 0:19:48.480
<v Speaker 5>Hearing those starts like the guy who played Seinfeld's dad

0:19:48.520 --> 0:19:52.000
<v Speaker 5>for years on Seinfeld I think started acting at fifty cool,

0:19:52.000 --> 0:19:54.480
<v Speaker 5>and I think Morgan Freeman somebody started at forty two.

0:19:54.600 --> 0:19:55.959
<v Speaker 3>I mean maybe it was Samuel Jackson.

0:19:56.359 --> 0:19:58.480
<v Speaker 5>It's great to hear these kind of like oh, I

0:19:58.480 --> 0:19:59.600
<v Speaker 5>want to do this, and then you go and you

0:19:59.600 --> 0:20:00.960
<v Speaker 5>do it and you knock it out of the park.

0:20:01.000 --> 0:20:05.639
<v Speaker 3>It's really cool. So overall thoughts, it was really fun.

0:20:06.080 --> 0:20:08.840
<v Speaker 4>I liked this episode a great such a positive way

0:20:08.880 --> 0:20:11.199
<v Speaker 4>to end the season, and the same thing, and it

0:20:11.240 --> 0:20:15.919
<v Speaker 4>really just makes Eric's arc the structure, structure and arc

0:20:15.960 --> 0:20:18.480
<v Speaker 4>of the season. And it made so much sense, like

0:20:18.520 --> 0:20:20.119
<v Speaker 4>all the things that Jeff have been telling us, like

0:20:20.200 --> 0:20:21.560
<v Speaker 4>came to fruition.

0:20:21.320 --> 0:20:25.800
<v Speaker 3>And yeah, I mean, yeah, yeah I was. I felt

0:20:25.800 --> 0:20:26.919
<v Speaker 3>like I was checked out.

0:20:26.800 --> 0:20:29.320
<v Speaker 4>Like whenever, Sean is just like girl crazy and like

0:20:29.359 --> 0:20:31.560
<v Speaker 4>in for jokes, you could tell that, like I just

0:20:32.160 --> 0:20:32.560
<v Speaker 4>I'm just.

0:20:32.520 --> 0:20:34.760
<v Speaker 3>Half and you were also losing it a couple of times.

0:20:34.760 --> 0:20:42.480
<v Speaker 3>And this is a legendary moment. Legendary moment. I believe

0:20:42.520 --> 0:20:45.440
<v Speaker 3>it was that obvious on screen. It is so bad.

0:20:45.680 --> 0:20:50.760
<v Speaker 3>There's two moments where it is so clear and I'm just.

0:20:50.800 --> 0:20:55.160
<v Speaker 5>Trying to make each other laugh the uh so that Yeah,

0:20:55.200 --> 0:20:57.840
<v Speaker 5>that was hysterical the entire thing. I also thought.

0:20:58.560 --> 0:21:00.960
<v Speaker 3>Ben killed it in this episode.

0:21:01.320 --> 0:21:04.399
<v Speaker 5>Yeah, the scenes with just him and Lisa Dean Ryan,

0:21:05.040 --> 0:21:07.560
<v Speaker 5>it's just the two of them for a while, Yeah,

0:21:07.800 --> 0:21:11.200
<v Speaker 5>in that bedroom, and he is so funny and then

0:21:11.359 --> 0:21:14.480
<v Speaker 5>so sincere, and I just thought he did. I mean,

0:21:14.520 --> 0:21:16.639
<v Speaker 5>I laughed out loud several times in his performance. He

0:21:16.760 --> 0:21:18.200
<v Speaker 5>was great in this episode.

0:21:18.240 --> 0:21:18.960
<v Speaker 2>I thought so too.

0:21:19.040 --> 0:21:21.040
<v Speaker 1>I thought it was so I thought it was really great.

0:21:21.920 --> 0:21:25.480
<v Speaker 1>I think my only complaint about the entire episode is

0:21:25.520 --> 0:21:29.720
<v Speaker 1>that I wanted it to when Eric comes in and

0:21:29.760 --> 0:21:32.119
<v Speaker 1>then he's grabbing his stuff when he's leaving, and you

0:21:32.240 --> 0:21:36.680
<v Speaker 1>have that amazing speech about I wanted that to be

0:21:36.680 --> 0:21:39.200
<v Speaker 1>because you were saying that to him, because you recognized

0:21:39.240 --> 0:21:40.080
<v Speaker 1>it in your own.

0:21:39.920 --> 0:21:42.080
<v Speaker 3>Need to do And it wasn't that I didn't.

0:21:43.320 --> 0:21:44.720
<v Speaker 4>I feel like they just ran out of time because

0:21:44.720 --> 0:21:46.879
<v Speaker 4>they decided to dedicate a lot of time to the

0:21:46.920 --> 0:21:50.240
<v Speaker 4>Quarry Mary Beth scenes. And I was like what because

0:21:50.280 --> 0:21:52.800
<v Speaker 4>even when in the one scene we get with you

0:21:52.840 --> 0:21:54.400
<v Speaker 4>sort of you know, getting the coke and.

0:21:54.320 --> 0:21:56.520
<v Speaker 3>Like talk, I was like, is this enough? Like what?

0:21:56.640 --> 0:21:59.000
<v Speaker 4>And I also was kind of like, is what's what's

0:21:59.040 --> 0:22:02.200
<v Speaker 4>happening exactly here? And then you've already made the transition

0:22:02.280 --> 0:22:02.919
<v Speaker 4>like off camera.

0:22:03.400 --> 0:22:05.360
<v Speaker 3>So yeah, I agree like that a little more.

0:22:05.400 --> 0:22:08.200
<v Speaker 1>The funny thing is that he hadn't He hadn't he

0:22:08.840 --> 0:22:11.320
<v Speaker 1>It was very confusing to me because he's grabbing his

0:22:11.480 --> 0:22:16.119
<v Speaker 1>stuff and I thought, Wow, he's leaving. He knows this

0:22:16.160 --> 0:22:18.000
<v Speaker 1>isn't the school for him. I don't need to be

0:22:18.119 --> 0:22:21.639
<v Speaker 1>here anymore. I'm grabbing my suitcase and my and my

0:22:21.800 --> 0:22:23.240
<v Speaker 1>stuff and I'm getting out of here.

0:22:23.800 --> 0:22:24.280
<v Speaker 2>But he's not.

0:22:24.680 --> 0:22:27.399
<v Speaker 3>Now, so what is he doing. He's just he's actually.

0:22:27.280 --> 0:22:29.359
<v Speaker 1>Only he came so I had, because I had, I

0:22:29.400 --> 0:22:31.000
<v Speaker 1>had to fully talk it out last night because I

0:22:31.040 --> 0:22:31.800
<v Speaker 1>was so confused.

0:22:31.880 --> 0:22:34.280
<v Speaker 3>I am. I obviously am too. I didn't realize how confused.

0:22:34.320 --> 0:22:37.760
<v Speaker 1>He arrived at the door only to be looking for Corey.

0:22:37.840 --> 0:22:40.040
<v Speaker 1>He wanted Corey to go join him for some fun

0:22:40.119 --> 0:22:43.359
<v Speaker 1>they were having. And then when Corey was there and

0:22:43.400 --> 0:22:45.439
<v Speaker 1>he was gonna be he was getting his stuff to

0:22:45.560 --> 0:22:48.440
<v Speaker 1>leave them alone. He wasn't going to be staying there,

0:22:48.440 --> 0:22:50.480
<v Speaker 1>and he was going to be leaving rooms. Who knows

0:22:50.480 --> 0:22:53.280
<v Speaker 1>where he was going to sleep. But when Corey turns

0:22:53.320 --> 0:22:55.200
<v Speaker 1>it around and says, well, how about you, you deserve

0:22:55.240 --> 0:22:58.720
<v Speaker 1>better than Penbrooke, you realize in that moment, Eric's not

0:22:58.920 --> 0:23:02.679
<v Speaker 1>taking he didn't. Corey's the one who tells him he

0:23:02.720 --> 0:23:05.480
<v Speaker 1>deserves Penbrook. Eric is still saying, but this is a

0:23:05.520 --> 0:23:07.080
<v Speaker 1>sure thing, and how on earth could I ever turn

0:23:07.160 --> 0:23:09.360
<v Speaker 1>down a sure thing? And Corey goes like this, and

0:23:09.440 --> 0:23:12.800
<v Speaker 1>that's what prompts Eric to decide he's going to deserve more.

0:23:13.160 --> 0:23:15.359
<v Speaker 2>But I had lot when we were in that scene.

0:23:15.480 --> 0:23:17.800
<v Speaker 3>I was loving, Oh.

0:23:17.440 --> 0:23:20.800
<v Speaker 1>My gosh, he's had this realization and now it's going

0:23:20.840 --> 0:23:22.720
<v Speaker 1>to perfectly land for Corey.

0:23:23.080 --> 0:23:26.320
<v Speaker 3>What an amazing turn for Eric? I got was that

0:23:26.359 --> 0:23:28.640
<v Speaker 3>was actually not what's happening, not having it at all?

0:23:28.680 --> 0:23:31.119
<v Speaker 5>No, yeah, it was I felt the same thing. I

0:23:31.160 --> 0:23:34.000
<v Speaker 5>was like, oh, this is great, he's talking about himself,

0:23:34.040 --> 0:23:37.560
<v Speaker 5>but to Corey, to Corey and this decision already and

0:23:37.560 --> 0:23:39.080
<v Speaker 5>this is the decision you have to make. You gotta

0:23:39.119 --> 0:23:40.600
<v Speaker 5>do what you got to do. But I've already made

0:23:40.600 --> 0:23:43.000
<v Speaker 5>this decision, and I thought exactly the same thing.

0:23:43.720 --> 0:23:46.439
<v Speaker 4>That's when he was leaving to win surf across around

0:23:46.440 --> 0:23:46.960
<v Speaker 4>the campus.

0:23:47.000 --> 0:23:49.880
<v Speaker 1>Well, no, he windsurfs around the campus and also the snorkeling,

0:23:49.880 --> 0:23:51.240
<v Speaker 1>but then apparently takes off his what.

0:23:51.200 --> 0:23:52.960
<v Speaker 2>Maybe soon puts back on the same globe.

0:23:52.920 --> 0:23:57.240
<v Speaker 5>The same giant shirt, the same enormous square shirt that

0:23:57.280 --> 0:23:58.520
<v Speaker 5>I'm wearing the entire time.

0:23:58.600 --> 0:24:01.160
<v Speaker 3>Yes, so, but he does talk.

0:24:01.240 --> 0:24:03.440
<v Speaker 1>He's on his way to go do something else really fun,

0:24:03.560 --> 0:24:06.800
<v Speaker 1>similar to that, right, and so yeah, so that's my

0:24:06.880 --> 0:24:08.560
<v Speaker 1>only complaint is that, yeah.

0:24:09.280 --> 0:24:11.479
<v Speaker 3>Eric developed Eric. A little little more time with Eric,

0:24:11.560 --> 0:24:12.080
<v Speaker 3>or a little.

0:24:11.920 --> 0:24:15.560
<v Speaker 5>More a little little him figuring it out himself would

0:24:15.600 --> 0:24:16.760
<v Speaker 5>have been more powerful.

0:24:16.800 --> 0:24:19.359
<v Speaker 2>I think correct, It's it's exactly what it would have been.

0:24:19.359 --> 0:24:22.160
<v Speaker 1>It would have been more powerful for him to And

0:24:22.200 --> 0:24:24.960
<v Speaker 1>by the way, I still love how the two storylines

0:24:25.000 --> 0:24:29.439
<v Speaker 1>crossed and tied together always, and I loved that the

0:24:29.480 --> 0:24:32.199
<v Speaker 1>season started with the two of you guys on a

0:24:32.320 --> 0:24:35.320
<v Speaker 1>road trip, you not knowing what your future was.

0:24:35.440 --> 0:24:39.159
<v Speaker 4>My god, you guys, you've driven this entire sees like

0:24:39.200 --> 0:24:41.679
<v Speaker 4>it's so cool to see that this, I mean, this

0:24:41.720 --> 0:24:43.399
<v Speaker 4>is exactly what Sherman was talking about when he was

0:24:43.440 --> 0:24:46.200
<v Speaker 4>on our show, is that this is the like you

0:24:46.520 --> 0:24:48.520
<v Speaker 4>going whether you're going to be a towny, whether you're

0:24:48.520 --> 0:24:49.760
<v Speaker 4>going to go to college.

0:24:49.640 --> 0:24:51.080
<v Speaker 3>Is and it makes so much sense.

0:24:51.160 --> 0:24:53.679
<v Speaker 4>Like the sat stuff that we've kind of been critical of,

0:24:54.040 --> 0:24:57.800
<v Speaker 4>it's all this is the this is the Eric season.

0:24:57.920 --> 0:25:00.879
<v Speaker 4>It's so really well there's no long talk to Pittsburgh

0:25:00.920 --> 0:25:03.800
<v Speaker 4>in there, but like you were carrying the show. It's

0:25:03.880 --> 0:25:06.080
<v Speaker 4>so cool to see, Like I didn't realize that at

0:25:06.119 --> 0:25:06.360
<v Speaker 4>the time.

0:25:06.680 --> 0:25:08.280
<v Speaker 3>You remember you did it season three?

0:25:08.600 --> 0:25:12.800
<v Speaker 5>Yeah, I know, and now Eric does it season four.

0:25:13.160 --> 0:25:15.159
<v Speaker 4>I get the very special one off this season. But

0:25:15.280 --> 0:25:17.960
<v Speaker 4>your arc is the Although that's true, I'm this was

0:25:18.000 --> 0:25:20.080
<v Speaker 4>it this season that my mom came back and all

0:25:20.080 --> 0:25:20.600
<v Speaker 4>that that's.

0:25:20.480 --> 0:25:22.720
<v Speaker 5>The parents was this season too. Though this was a

0:25:23.080 --> 0:25:25.920
<v Speaker 5>this was an Eric sean year. Yes, it was all

0:25:25.920 --> 0:25:28.440
<v Speaker 5>the way around, and then I think starting next year

0:25:28.720 --> 0:25:30.520
<v Speaker 5>it's going to be Corey Topanga from here right.

0:25:30.640 --> 0:25:33.520
<v Speaker 1>Just find it very interesting that this season started with

0:25:34.200 --> 0:25:36.800
<v Speaker 1>Eric not knowing what he was doing and there and

0:25:36.840 --> 0:25:39.200
<v Speaker 1>then ended on Eric having that And like we said,

0:25:39.240 --> 0:25:41.600
<v Speaker 1>season three was all about Seawn. So it is very

0:25:41.600 --> 0:25:44.240
<v Speaker 1>weird that the end of season four also no real

0:25:44.800 --> 0:25:45.720
<v Speaker 1>hurrah for boy.

0:25:46.359 --> 0:25:47.680
<v Speaker 2>It's not it.

0:25:47.600 --> 0:25:49.920
<v Speaker 3>Isn't well, he's not going to lose his virginity.

0:25:50.119 --> 0:25:53.080
<v Speaker 2>There's the hard He's willing to wait.

0:25:55.119 --> 0:25:56.800
<v Speaker 3>He's a mature, nice boy.

0:25:57.040 --> 0:25:59.720
<v Speaker 2>He's a nice.

0:25:59.160 --> 0:26:02.919
<v Speaker 3>Horny We are in the horn dog era. I just loved.

0:26:03.000 --> 0:26:05.959
<v Speaker 5>I loved When when have I never stopped when you

0:26:06.000 --> 0:26:08.160
<v Speaker 5>said no? How many times has she said no?

0:26:08.800 --> 0:26:11.879
<v Speaker 3>I mean every time? I know, but that's what I like.

0:26:11.920 --> 0:26:14.600
<v Speaker 3>He keeps trying And just spent three hours car the

0:26:14.640 --> 0:26:17.560
<v Speaker 3>other night from the gush. What were they doing a

0:26:17.600 --> 0:26:20.160
<v Speaker 3>lot of kissing.

0:26:18.359 --> 0:26:21.480
<v Speaker 1>At So let's jump into our recap. We start in

0:26:21.520 --> 0:26:22.560
<v Speaker 1>the Matthew's kitchen.

0:26:25.080 --> 0:26:27.240
<v Speaker 4>Knowing that this is the last episode. I watched the

0:26:27.320 --> 0:26:30.639
<v Speaker 4>opening credits. I did too, because they wouldn't let me

0:26:30.640 --> 0:26:36.280
<v Speaker 4>skip it if I was filled with feelings and like,

0:26:36.640 --> 0:26:37.960
<v Speaker 4>I was like, this is the last time we're going

0:26:38.040 --> 0:26:40.560
<v Speaker 4>to see them, and I freaking love.

0:26:40.400 --> 0:26:42.359
<v Speaker 3>Them, And I was like, what, you know what I

0:26:42.400 --> 0:26:43.040
<v Speaker 3>watched this time?

0:26:43.080 --> 0:26:45.400
<v Speaker 4>I was like, you know, we're actually talking to each other,

0:26:46.359 --> 0:26:48.119
<v Speaker 4>so like will you and I in the front seat,

0:26:48.320 --> 0:26:51.480
<v Speaker 4>We're just a conversation. And then Danielle, you and Ben

0:26:51.520 --> 0:26:53.720
<v Speaker 4>are talking to each other and I was like, Okay,

0:26:53.720 --> 0:26:57.239
<v Speaker 4>So for all the hokeness, the horrible green screen, the

0:26:57.280 --> 0:26:59.120
<v Speaker 4>weirdness of where we're sitting.

0:26:58.840 --> 0:27:00.680
<v Speaker 3>On the the the.

0:27:00.480 --> 0:27:04.960
<v Speaker 4>Bench seats or the car h we actually have moments

0:27:04.960 --> 0:27:07.760
<v Speaker 4>of like I could see us being us and it

0:27:07.840 --> 0:27:10.560
<v Speaker 4>really felt like, oh wow, that's that's us and I

0:27:10.800 --> 0:27:13.360
<v Speaker 4>So so we do switch it up next year. It's

0:27:13.440 --> 0:27:15.360
<v Speaker 4>different next year. Yeah, next year it's the one where

0:27:15.840 --> 0:27:18.119
<v Speaker 4>Enough dumped on us. Now we're into the era I'm

0:27:18.119 --> 0:27:20.480
<v Speaker 4>pretty sure of the like hanging out in New York

0:27:20.520 --> 0:27:22.760
<v Speaker 4>Street right the back block, that's where we went.

0:27:22.720 --> 0:27:25.199
<v Speaker 3>Back to CBS rad Or we went to CBS Radford.

0:27:25.240 --> 0:27:28.320
<v Speaker 1>And I'm really glad you pointed that out right because

0:27:28.400 --> 0:27:30.320
<v Speaker 1>I didn't. I didn't even think about it that it

0:27:30.400 --> 0:27:32.280
<v Speaker 1>was the last time we were going to see any

0:27:32.280 --> 0:27:35.920
<v Speaker 1>of those credits. But I will say without even recognizing it.

0:27:36.040 --> 0:27:39.360
<v Speaker 1>Somewhere along the way. They grew on me too, because

0:27:39.480 --> 0:27:40.600
<v Speaker 1>I'm not bothered.

0:27:40.240 --> 0:27:41.080
<v Speaker 2>By them anymore.

0:27:41.160 --> 0:27:47.800
<v Speaker 3>I haven't forgot about it. Like a slow, slow, slow brain,

0:27:49.359 --> 0:27:50.480
<v Speaker 3>make room for it.

0:27:50.400 --> 0:27:53.560
<v Speaker 4>It starts under one veil. You barely notice it. Yeah,

0:27:53.720 --> 0:27:55.000
<v Speaker 4>it's all the way to your elbow.

0:27:55.280 --> 0:27:56.840
<v Speaker 5>The next thing you know, you got a tape for them.

0:27:56.840 --> 0:27:58.520
<v Speaker 5>You can eat anything and you're still losing weight.

0:27:58.680 --> 0:28:01.920
<v Speaker 1>I mean, no cranits like that's the way to go.

0:28:02.440 --> 0:28:04.280
<v Speaker 1>Anybody know where you can buy a tape?

0:28:04.280 --> 0:28:12.200
<v Speaker 3>Work? Probably? Jen? Jen probably knows all right.

0:28:12.400 --> 0:28:15.359
<v Speaker 1>So jumping into our recap, we're in the Matthew's kitchen.

0:28:15.400 --> 0:28:18.200
<v Speaker 1>Eric's leaving for an interview at a college named Beach State,

0:28:18.320 --> 0:28:21.520
<v Speaker 1>and Amy and Alan wonder if it's actually a real school.

0:28:21.840 --> 0:28:24.600
<v Speaker 1>Alan notices the admissions letter has a lot of typos

0:28:24.640 --> 0:28:28.720
<v Speaker 1>in it. Eric scoffs, show me one. Alan reads yours

0:28:28.800 --> 0:28:32.080
<v Speaker 1>truly the being of admission.

0:28:32.520 --> 0:28:34.760
<v Speaker 3>I love that, and I love my following.

0:28:36.080 --> 0:28:37.159
<v Speaker 5>I like that joke and.

0:28:38.680 --> 0:28:41.760
<v Speaker 4>It's just so thrown away.

0:28:42.160 --> 0:28:45.560
<v Speaker 3>That's also just kind of love going down the like

0:28:45.680 --> 0:28:48.040
<v Speaker 3>because it sounds like something my high school like kind

0:28:48.040 --> 0:28:50.400
<v Speaker 3>of could have done, like just renamed the dean of

0:28:50.520 --> 0:28:53.480
<v Speaker 3>being and been like, it's kissy, it's cool. We're looking

0:28:53.560 --> 0:28:56.880
<v Speaker 3>at teams beans. I love it. It was like it

0:28:57.000 --> 0:28:58.040
<v Speaker 3>kind of actually could work.

0:28:59.800 --> 0:29:04.719
<v Speaker 1>My gosh, oh, my gosh.

0:29:04.760 --> 0:29:07.840
<v Speaker 3>So yeah, Eric sees nothing wrong with the bean. It's

0:29:07.840 --> 0:29:09.160
<v Speaker 3>a very hard school to get into.

0:29:09.360 --> 0:29:11.560
<v Speaker 1>Shan strolls in carrying a beach umbrella and wearing a

0:29:11.560 --> 0:29:14.720
<v Speaker 1>Hawaiian shirt. I am so psyched about this road trip.

0:29:14.760 --> 0:29:17.800
<v Speaker 1>Beach date's been recruiting me since kindergarten. My dad's good

0:29:17.840 --> 0:29:23.560
<v Speaker 1>friends with the bean. I love it, of course, where

0:29:23.600 --> 0:29:26.640
<v Speaker 1>Chat knows the bean, it's amazing. It's a perfect read.

0:29:26.720 --> 0:29:30.480
<v Speaker 1>The way you throw it away so funny. And Corey

0:29:30.520 --> 0:29:33.000
<v Speaker 1>bursts in. He asks if anyone has seemed to Panga yet,

0:29:33.000 --> 0:29:34.719
<v Speaker 1>and Sean says no, but she better hurry. If they

0:29:34.720 --> 0:29:36.440
<v Speaker 1>get there too late, the tide comes in and they

0:29:36.440 --> 0:29:38.160
<v Speaker 1>won't be able to park on campus.

0:29:38.320 --> 0:29:39.320
<v Speaker 3>Now that's my ques.

0:29:39.480 --> 0:29:44.440
<v Speaker 5>Where do you think in the country, this, this university is?

0:29:44.440 --> 0:29:44.720
<v Speaker 5>Is it?

0:29:44.760 --> 0:29:46.240
<v Speaker 3>The Jersey Shore is not what we're thinking?

0:29:46.320 --> 0:29:50.040
<v Speaker 5>Okay, all right, that's what I was very outside window

0:29:50.040 --> 0:29:54.200
<v Speaker 5>to the Jersey Shore, Okay, just it's like Hawaiian waters

0:29:54.240 --> 0:29:55.160
<v Speaker 5>outside her window.

0:29:55.160 --> 0:29:55.920
<v Speaker 3>It was like okay.

0:29:56.160 --> 0:30:00.000
<v Speaker 1>I know that's okay, though we have to be able

0:30:00.160 --> 0:30:04.800
<v Speaker 1>to suspend belief a little bit exactly. Sean says he'll

0:30:04.840 --> 0:30:07.600
<v Speaker 1>help load the car. As Corey darts out, Alan stops

0:30:07.640 --> 0:30:10.040
<v Speaker 1>him in his tracks. Amy explains they're okay with him

0:30:10.080 --> 0:30:11.959
<v Speaker 1>staying overnight with the panga, they just want to make

0:30:12.000 --> 0:30:15.360
<v Speaker 1>sure they're clear on the sleeping arrangements. Corey smirks, you're

0:30:15.400 --> 0:30:20.560
<v Speaker 1>worried Corey may get a little freaky this weekend.

0:30:21.040 --> 0:30:27.680
<v Speaker 3>It's like this weird with your parents, Like you's.

0:30:27.080 --> 0:30:29.360
<v Speaker 4>No, I keep going, like, you know, I keep wondering

0:30:29.360 --> 0:30:34.520
<v Speaker 4>how much of this was just like like our culture

0:30:34.520 --> 0:30:37.520
<v Speaker 4>has changed so much, like yeah, maybe it was okay,

0:30:37.760 --> 0:30:40.520
<v Speaker 4>Maybe it was like maybe we just joking around.

0:30:40.560 --> 0:30:42.120
<v Speaker 5>I used to stay stuff like that to my parents.

0:30:42.160 --> 0:30:43.680
<v Speaker 5>I mean, you're totally kidding and you're like, you know,

0:30:43.720 --> 0:30:45.200
<v Speaker 5>I'm getting my free going this weekend.

0:30:45.320 --> 0:30:49.200
<v Speaker 3>Like I don't think kids do that nowadays.

0:30:49.240 --> 0:30:51.320
<v Speaker 4>And I'm wondering if that's a problem, Like maybe we

0:30:51.360 --> 0:30:53.640
<v Speaker 4>should make jokes like that, Like maybe it should be okay.

0:30:53.760 --> 0:30:55.400
<v Speaker 1>I think the reason they're not making jokes like that

0:30:55.440 --> 0:30:56.880
<v Speaker 1>is because apparently no one's going.

0:30:59.520 --> 0:31:00.600
<v Speaker 5>It's generation.

0:31:00.720 --> 0:31:03.320
<v Speaker 4>Everybody wants to be correct and like, you know, yeah,

0:31:03.360 --> 0:31:06.040
<v Speaker 4>we're like losing our in touch, like with our bodies

0:31:06.080 --> 0:31:09.560
<v Speaker 4>and our sexuality. And I'm like, maybe maybe we should

0:31:09.600 --> 0:31:10.560
<v Speaker 4>just be okay with it.

0:31:10.680 --> 0:31:14.160
<v Speaker 1>All right, all right, let's bring it back. Alan's not

0:31:14.240 --> 0:31:16.440
<v Speaker 1>amused anything happens to Tapanga.

0:31:16.480 --> 0:31:17.120
<v Speaker 2>I'll kill you.

0:31:17.280 --> 0:31:20.520
<v Speaker 1>Corey frowns, you like her better than me? And Alan nods,

0:31:21.360 --> 0:31:24.240
<v Speaker 1>And then we're in the Matthew's backyard. Phoene is tending

0:31:24.240 --> 0:31:26.680
<v Speaker 1>to his garden like it's season one and assures Eric

0:31:26.760 --> 0:31:28.960
<v Speaker 1>that it's fine.

0:31:29.480 --> 0:31:33.160
<v Speaker 4>I was just like, this is such a comforting, and

0:31:33.240 --> 0:31:37.280
<v Speaker 4>also he is. He's wearing a very cool gardening what

0:31:37.400 --> 0:31:39.800
<v Speaker 4>I think would be called a choor shirt, which I've

0:31:39.840 --> 0:31:41.400
<v Speaker 4>discovered is like a thing.

0:31:41.240 --> 0:31:43.720
<v Speaker 1>That I kind of like these days, lots of pockets

0:31:43.720 --> 0:31:45.160
<v Speaker 1>for all your tools.

0:31:44.800 --> 0:31:50.240
<v Speaker 3>For your garden sycling. No, he wore a fishing vest

0:31:50.240 --> 0:31:51.960
<v Speaker 3>of four, but no.

0:31:52.120 --> 0:31:54.920
<v Speaker 4>Chor shirts have become like kind of fashionable, and like,

0:31:55.280 --> 0:31:58.720
<v Speaker 4>I I think I own something that's technically a chore shirt.

0:32:00.040 --> 0:32:03.560
<v Speaker 4>I could kind of dress like Phoenie these days.

0:32:04.800 --> 0:32:07.440
<v Speaker 5>Find no one's getting late. This is the problem.

0:32:07.920 --> 0:32:10.840
<v Speaker 3>We are officially old. When we're looking at Bill daniels.

0:32:10.480 --> 0:32:15.960
<v Speaker 4>Wardrobe also I should take up gardening.

0:32:16.200 --> 0:32:18.360
<v Speaker 3>I feel like it's healthy and I've never been good

0:32:18.400 --> 0:32:23.440
<v Speaker 3>at it. I kill any point it love I would.

0:32:23.720 --> 0:32:26.520
<v Speaker 5>You could never have got me gardening before and going

0:32:26.560 --> 0:32:30.040
<v Speaker 5>outside and spreading mulch and planting stuff has become like

0:32:30.080 --> 0:32:32.959
<v Speaker 5>a favorite thing of mine. It's so weird, very bizarre

0:32:33.000 --> 0:32:35.000
<v Speaker 5>and stretching pants. Nothing wrong with that either. I'm just

0:32:35.000 --> 0:32:36.360
<v Speaker 5>saying we're hitting an age people.

0:32:36.600 --> 0:32:36.760
<v Speaker 3>I know.

0:32:36.840 --> 0:32:38.880
<v Speaker 5>I said the same thing to s We're watching this thing.

0:32:39.040 --> 0:32:41.120
<v Speaker 5>And we came on screen and it's Bill and I

0:32:41.160 --> 0:32:43.640
<v Speaker 5>across the fence from each other, and I just looked

0:32:43.640 --> 0:32:45.520
<v Speaker 5>at her and I was like, oh, I missed this

0:32:45.560 --> 0:32:48.280
<v Speaker 5>so much. I missed just the across the fence Eric

0:32:48.360 --> 0:32:51.720
<v Speaker 5>or Corey with Feoenie and there's wisdom and it's just

0:32:51.800 --> 0:32:54.000
<v Speaker 5>the two shot, and oh god, it was awesome.

0:32:54.120 --> 0:32:54.800
<v Speaker 3>It's so great.

0:32:55.000 --> 0:32:57.760
<v Speaker 1>It was so Poene assures Eric it is fine to

0:32:57.800 --> 0:32:59.960
<v Speaker 1>look at other colleges, but he hopes he'll give Siria

0:33:00.080 --> 0:33:03.120
<v Speaker 1>his consideration to Pennbrook. Eric asks Feoene if he really

0:33:03.160 --> 0:33:05.400
<v Speaker 1>thinks he's Penbrook material, I mean, the place is filled

0:33:05.400 --> 0:33:07.760
<v Speaker 1>with one hundred year old buildings and smart people. He'll

0:33:07.800 --> 0:33:10.680
<v Speaker 1>get trounced there. Phoene doesn't deny it'll be a challenge,

0:33:10.680 --> 0:33:13.080
<v Speaker 1>but once Eric graduates, he'll have a degree that actually

0:33:13.080 --> 0:33:16.200
<v Speaker 1>means something. Eric feels like Beach State is a sure thing.

0:33:16.680 --> 0:33:19.960
<v Speaker 1>Phoene adds, sometimes a sure thing is not the best thing.

0:33:20.280 --> 0:33:22.440
<v Speaker 1>He tells Eric he knows he's going to do what's right,

0:33:22.560 --> 0:33:24.960
<v Speaker 1>and he walks back into his house, probably to eat

0:33:25.000 --> 0:33:25.720
<v Speaker 1>salad for one.

0:33:26.000 --> 0:33:28.360
<v Speaker 4>Yeah, we have a lot of sure thing references. Do

0:33:28.400 --> 0:33:31.000
<v Speaker 4>you think it's an actual reference to the thing?

0:33:31.080 --> 0:33:33.920
<v Speaker 3>The sure thing? Know this? Gosh, are you kidding me?

0:33:33.920 --> 0:33:35.840
<v Speaker 5>I could quote it to you backwards and forest right now,

0:33:35.920 --> 0:33:37.520
<v Speaker 5>from the beginning to the end. It's one of the

0:33:37.560 --> 0:33:38.440
<v Speaker 5>best movies ever made.

0:33:38.960 --> 0:33:41.560
<v Speaker 3>Bob Ryner directed. I don't know if it worked.

0:33:41.720 --> 0:33:45.560
<v Speaker 5>Did he? But it's Yeah, it's Daphney Zuniga. It's what's

0:33:45.560 --> 0:33:49.600
<v Speaker 5>his name, John Cusack, and it's a young man's trip

0:33:49.640 --> 0:33:54.320
<v Speaker 5>across country road trip to have sex with the sure thing,

0:33:54.360 --> 0:33:55.840
<v Speaker 5>and then he falls in love with Daphne's gonna go

0:33:55.920 --> 0:33:57.360
<v Speaker 5>along the way because she's also.

0:33:57.200 --> 0:33:57.880
<v Speaker 6>Going across country.

0:33:58.160 --> 0:33:59.600
<v Speaker 2>Well then knowing that, yes.

0:33:59.440 --> 0:34:02.000
<v Speaker 3>Great, it's a pretty direct reference. I think I think

0:34:02.040 --> 0:34:02.240
<v Speaker 3>it is.

0:34:02.480 --> 0:34:04.840
<v Speaker 5>Now I have an overall question for you, and I

0:34:04.880 --> 0:34:08.280
<v Speaker 5>asked this every last episode that we do of a season.

0:34:09.000 --> 0:34:12.960
<v Speaker 5>Do you think by season four last episode, we know

0:34:13.080 --> 0:34:15.040
<v Speaker 5>that we've been picked up for season five?

0:34:16.560 --> 0:34:18.120
<v Speaker 2>No, yes, you think so.

0:34:18.320 --> 0:34:20.759
<v Speaker 3>See, I think by this point we've known, right.

0:34:21.960 --> 0:34:25.000
<v Speaker 4>I feel like we didn't know most seasons, but this one,

0:34:25.600 --> 0:34:27.520
<v Speaker 4>I don't know. There's something about the way it's written

0:34:27.560 --> 0:34:29.480
<v Speaker 4>and the way we're performing it that makes me feel

0:34:29.520 --> 0:34:33.160
<v Speaker 4>pretty confident that I think we probably nailed sweeps with

0:34:33.239 --> 0:34:35.279
<v Speaker 4>Long Walk to Pittsburgh. And I think that we were

0:34:35.440 --> 0:34:38.080
<v Speaker 4>because I think if we thought that we were come,

0:34:38.520 --> 0:34:39.319
<v Speaker 4>we're not coming back.

0:34:39.360 --> 0:34:42.320
<v Speaker 3>I think it would have been more of a Corey dramatic.

0:34:42.200 --> 0:34:45.320
<v Speaker 4>Or very questionable, like is Corey gonna be okay?

0:34:45.520 --> 0:34:45.759
<v Speaker 3>Ending?

0:34:46.080 --> 0:34:46.319
<v Speaker 7>You know?

0:34:46.480 --> 0:34:48.440
<v Speaker 3>I don't know. Maybe I'm wrong because it ends so.

0:34:48.480 --> 0:34:52.000
<v Speaker 4>Triumphant on an Eric note that it's like we're finishing

0:34:52.200 --> 0:34:54.640
<v Speaker 4>Eric's story, and I feel like that would have been

0:34:54.680 --> 0:34:55.440
<v Speaker 4>a weird place for the.

0:34:55.440 --> 0:34:57.920
<v Speaker 3>Whole series to end. I agree like it has to.

0:34:57.920 --> 0:34:59.759
<v Speaker 7>End with men if it's going to be you know,

0:35:00.040 --> 0:35:11.920
<v Speaker 7>huh yeah.

0:35:12.280 --> 0:35:15.279
<v Speaker 1>Topanga awkwardly strolls up, giving Eric a scare, but this

0:35:15.400 --> 0:35:17.319
<v Speaker 1>means it's time for them to go Cory is thrilled

0:35:17.360 --> 0:35:19.680
<v Speaker 1>to see her, and then he realizes she has no

0:35:19.719 --> 0:35:21.240
<v Speaker 1>suitcase and no sleeping bag.

0:35:21.400 --> 0:35:24.680
<v Speaker 3>Whoa. He admits he's flattered, And at first.

0:35:24.520 --> 0:35:26.360
<v Speaker 1>I didn't get the joke, And then I realized, is

0:35:26.360 --> 0:35:28.120
<v Speaker 1>he saying she's just going to be naked and in

0:35:28.160 --> 0:35:29.520
<v Speaker 1>his sleeping bag the whole time?

0:35:29.640 --> 0:35:30.680
<v Speaker 3>Got it? Exactly A.

0:35:30.960 --> 0:35:32.920
<v Speaker 2>Got the joke, got right, got it?

0:35:33.760 --> 0:35:35.839
<v Speaker 1>But that's when Tabanga brings the news that she is

0:35:35.880 --> 0:35:38.680
<v Speaker 1>not going. Corey says he is now less flattered. To

0:35:38.760 --> 0:35:40.600
<v Speaker 1>Pank explains that her aunt won't let them spend the

0:35:40.680 --> 0:35:44.839
<v Speaker 1>night away unsupervised. Corey's confused, unsupervised, but I'll be there

0:35:45.280 --> 0:35:47.719
<v Speaker 1>to Pank explains, that's kind of the problem. Her aunt

0:35:47.719 --> 0:35:51.200
<v Speaker 1>feels that at their age it may be improper. Corey

0:35:51.280 --> 0:35:54.160
<v Speaker 1>is offended. They're old enough to make these decisions by themselves.

0:35:54.239 --> 0:35:56.040
<v Speaker 1>He's going to call her aunt and set things straight,

0:35:56.320 --> 0:35:58.680
<v Speaker 1>but t Peka stops him. What exactly did you think

0:35:58.760 --> 0:36:02.000
<v Speaker 1>was going to happen this weekend? Corey hesitates, I don't know.

0:36:02.480 --> 0:36:06.040
<v Speaker 1>There's a beach a moon you me. He grabs her

0:36:06.080 --> 0:36:07.719
<v Speaker 1>hands and they smile at each other, but Ta Panga

0:36:07.719 --> 0:36:11.680
<v Speaker 1>pulls away. She can't go, and Corey is visibly upset.

0:36:11.719 --> 0:36:13.680
<v Speaker 1>He can't believe to Pangas letting her aunt stop them

0:36:13.719 --> 0:36:16.040
<v Speaker 1>from being alone for a weekend. Corey asks why this

0:36:16.040 --> 0:36:17.960
<v Speaker 1>doesn't mean as much to her as it means to him,

0:36:18.120 --> 0:36:20.560
<v Speaker 1>and to Pega says that's not fair. Corey doesn't think

0:36:20.560 --> 0:36:23.960
<v Speaker 1>it's fair either, and then she leaves without saying another word,

0:36:24.440 --> 0:36:27.520
<v Speaker 1>ending probably one of the.

0:36:27.400 --> 0:36:29.480
<v Speaker 3>Least connected scenes I've seen.

0:36:29.320 --> 0:36:29.920
<v Speaker 2>On the show.

0:36:29.960 --> 0:36:30.200
<v Speaker 3>Ever.

0:36:30.360 --> 0:36:32.799
<v Speaker 2>It is scene, it.

0:36:32.800 --> 0:36:35.560
<v Speaker 1>Is not a good scene, it is not well acted

0:36:35.640 --> 0:36:37.200
<v Speaker 1>by me.

0:36:36.560 --> 0:36:40.080
<v Speaker 4>And the way that it ends just I don't know.

0:36:40.120 --> 0:36:41.960
<v Speaker 4>I had to watch it like three times. I literally

0:36:41.960 --> 0:36:42.279
<v Speaker 4>went back.

0:36:42.280 --> 0:36:44.400
<v Speaker 3>I was like, wait, what are they fighting about exactly now?

0:36:44.680 --> 0:36:46.160
<v Speaker 3>And like what is Corey mad about?

0:36:46.200 --> 0:36:48.719
<v Speaker 4>And when he says I want it to mean as

0:36:48.840 --> 0:36:52.120
<v Speaker 4>much to you as it does to me, I was like, oh, man,

0:36:52.280 --> 0:36:55.320
<v Speaker 4>Like it's just so heady like and yet it's supposed

0:36:55.360 --> 0:36:58.200
<v Speaker 4>to be about something very direct like I want to

0:36:58.239 --> 0:37:00.040
<v Speaker 4>sleep with you, I want to be with you, and

0:37:00.160 --> 0:37:03.320
<v Speaker 4>yet it feels very theoretical and analytical in this weird

0:37:03.360 --> 0:37:06.320
<v Speaker 4>way that's like too abstract. And then I really just

0:37:06.360 --> 0:37:08.920
<v Speaker 4>don't like that. Corey's pissed, Like I don't like that

0:37:09.040 --> 0:37:11.360
<v Speaker 4>he's like, because see then the line is written, is

0:37:11.800 --> 0:37:14.520
<v Speaker 4>you know, is she coming? And not with us? Is

0:37:14.520 --> 0:37:16.799
<v Speaker 4>what Corey says or something like that, and like he

0:37:16.880 --> 0:37:19.880
<v Speaker 4>says it angry and I and I instead of like sad,

0:37:19.920 --> 0:37:21.840
<v Speaker 4>like it could have easily been confused or sad like

0:37:21.840 --> 0:37:23.319
<v Speaker 4>I don't know what's going on, like I guess not

0:37:23.400 --> 0:37:25.040
<v Speaker 4>with us, But he's just like not with us, And

0:37:25.080 --> 0:37:26.400
<v Speaker 4>I was like, oh, dude.

0:37:26.120 --> 0:37:27.640
<v Speaker 3>Bro, I think he has that.

0:37:27.680 --> 0:37:31.400
<v Speaker 5>I think he has the stereotypical sixteen year old disappointment

0:37:31.560 --> 0:37:34.040
<v Speaker 5>of I really thought something was going to happen this weekend.

0:37:33.800 --> 0:37:36.360
<v Speaker 3>And right not Yeah, and I guess I guess for me.

0:37:36.560 --> 0:37:40.200
<v Speaker 1>Again, there was not a setup for that except for

0:37:40.280 --> 0:37:43.320
<v Speaker 1>him making one joke, which, because it was to his parents,

0:37:43.360 --> 0:37:46.719
<v Speaker 1>felt like a bit of a well, I don't really

0:37:46.760 --> 0:37:48.759
<v Speaker 1>think I'm going to get freaky this weekend, because if

0:37:48.760 --> 0:37:50.319
<v Speaker 1>I did, I don't know that I would say it

0:37:50.360 --> 0:37:52.719
<v Speaker 1>as directly to my parents. So like, the only way

0:37:52.800 --> 0:37:57.560
<v Speaker 1>we know he did really think alone for a whole

0:37:57.640 --> 0:38:01.120
<v Speaker 1>night this might be my opportunity is one joke he

0:38:01.200 --> 0:38:04.880
<v Speaker 1>made to his parents. So I was like, wait, I

0:38:04.880 --> 0:38:07.239
<v Speaker 1>don't understand why. And then when he said why is

0:38:07.280 --> 0:38:09.160
<v Speaker 1>this not as important to you. I was like, oh,

0:38:09.239 --> 0:38:11.280
<v Speaker 1>he's talking about losing their virginity.

0:38:11.560 --> 0:38:15.000
<v Speaker 5>Yeah, it's really yeaheah, It's a very important conversation that

0:38:15.080 --> 0:38:17.200
<v Speaker 5>was kind of thrown away. But they're obviously setting it

0:38:17.280 --> 0:38:20.239
<v Speaker 5>up so that he's off kilter and in not a

0:38:20.280 --> 0:38:22.279
<v Speaker 5>great place with Tipango when the sure thing is in

0:38:22.320 --> 0:38:22.919
<v Speaker 5>front of his eyes.

0:38:22.960 --> 0:38:26.160
<v Speaker 4>Which all of this, this whole all of this probably

0:38:26.200 --> 0:38:29.480
<v Speaker 4>would not have even like bumped me at all if

0:38:29.520 --> 0:38:32.279
<v Speaker 4>the Long Walk to Pittsburgh episodes didn't exist. But like,

0:38:32.400 --> 0:38:35.480
<v Speaker 4>coming back to this sort of like last temptation of

0:38:35.520 --> 0:38:39.680
<v Speaker 4>Corey's storyline is really like what like there was no

0:38:39.760 --> 0:38:43.759
<v Speaker 4>doubt in anybody's mind about the maturity of his love

0:38:43.800 --> 0:38:46.920
<v Speaker 4>and Topanga's like the fact that the two of them

0:38:46.920 --> 0:38:49.680
<v Speaker 4>are back to doubting it's like, oh no, oh that

0:38:49.719 --> 0:38:54.560
<v Speaker 4>didn't that didn't happen. And so for me, this episode

0:38:54.560 --> 0:38:57.080
<v Speaker 4>really only bumped me because of those two. If if

0:38:57.120 --> 0:38:59.959
<v Speaker 4>Long Walk to Pittsburgh hadn't happened, which for the record,

0:39:00.680 --> 0:39:03.560
<v Speaker 4>I would be happy about, then this episode would have

0:39:03.560 --> 0:39:05.360
<v Speaker 4>felt more of a piece. But you know, this is

0:39:05.360 --> 0:39:09.520
<v Speaker 4>pretty typical teenage yeah, you know, tension. But if they've

0:39:09.600 --> 0:39:13.000
<v Speaker 4>like she's literally moved her entire life walk how many

0:39:13.080 --> 0:39:15.440
<v Speaker 4>hundreds of miles to be there, and they fought against

0:39:15.480 --> 0:39:18.640
<v Speaker 4>their parents and the ants so to like get this

0:39:18.760 --> 0:39:20.719
<v Speaker 4>kind of like petty and then also think he's gonna

0:39:20.760 --> 0:39:23.279
<v Speaker 4>cheat on her for real, Like, are we're supposed to

0:39:23.280 --> 0:39:25.239
<v Speaker 4>believe that that's a possibility and I think we are?

0:39:25.800 --> 0:39:25.960
<v Speaker 3>Yes?

0:39:26.080 --> 0:39:30.359
<v Speaker 4>Then right, then then that denies everything that they said

0:39:30.360 --> 0:39:32.560
<v Speaker 4>in that Long Walk for Pittsburgh episode, which is like,

0:39:32.560 --> 0:39:33.919
<v Speaker 4>but that was the whole point is that the show

0:39:34.080 --> 0:39:37.000
<v Speaker 4>changed to fit that accommodate there.

0:39:37.239 --> 0:39:39.960
<v Speaker 5>It's weird because they go back and forth from it

0:39:40.040 --> 0:39:43.840
<v Speaker 5>being a love that transcends all to it being a

0:39:43.880 --> 0:39:46.839
<v Speaker 5>regular sixteen year old relationship, right, I mean, and that's

0:39:47.000 --> 0:39:48.920
<v Speaker 5>I mean, that's the thing that it's So this is

0:39:48.960 --> 0:39:51.200
<v Speaker 5>back to a regular sixteen year old relationship. Right, you're right,

0:39:51.280 --> 0:39:53.600
<v Speaker 5>This is exactly a conversation that two sixteen year old

0:39:53.640 --> 0:39:53.960
<v Speaker 5>would have.

0:39:54.239 --> 0:39:56.120
<v Speaker 3>Wait, we were gonna be a way to not I mean,

0:39:56.160 --> 0:39:57.920
<v Speaker 3>it's totally normal. But you're right.

0:39:57.920 --> 0:40:00.640
<v Speaker 5>With Long Walk to Pittsburgh, it's like, we'll walk through

0:40:00.680 --> 0:40:02.520
<v Speaker 5>the fire for each other so nothing will get in

0:40:02.520 --> 0:40:04.279
<v Speaker 5>our way. Yeah, and then it's like, Okay, then the

0:40:04.280 --> 0:40:06.239
<v Speaker 5>temptation is kind of taken away because we already know

0:40:06.280 --> 0:40:07.680
<v Speaker 5>Corey is not going to do anything.

0:40:07.800 --> 0:40:11.040
<v Speaker 3>Yeah, that's why I felt for me. I mean, yeah, wow, Yeah,

0:40:11.040 --> 0:40:12.400
<v Speaker 3>it's not a serialized show that.

0:40:13.800 --> 0:40:15.879
<v Speaker 5>I look at Sean this week, we're coming right off

0:40:15.880 --> 0:40:18.799
<v Speaker 5>the cult episode. He's right back to who he was before,

0:40:21.360 --> 0:40:23.359
<v Speaker 5>and it's like, yeah, so it's it's one of those

0:40:23.400 --> 0:40:25.080
<v Speaker 5>things where they just they do that for one off

0:40:25.120 --> 0:40:26.640
<v Speaker 5>of the character and then they come back and I'm

0:40:26.680 --> 0:40:27.879
<v Speaker 5>just trying to get used to it more.

0:40:27.960 --> 0:40:30.960
<v Speaker 1>I know. Well, just then Sean walks up, where's Stepanga going.

0:40:31.120 --> 0:40:33.800
<v Speaker 1>Corey says, not with us. Sean's glad this means he

0:40:33.840 --> 0:40:36.160
<v Speaker 1>can take his lawn chair, and then we cut to

0:40:36.200 --> 0:40:39.799
<v Speaker 1>a sorority house at a beach new set Alert. The

0:40:39.800 --> 0:40:43.200
<v Speaker 1>building has a banner that reads membership Rush Party, and

0:40:43.239 --> 0:40:46.040
<v Speaker 1>that's how you know it's a college. The conservative house

0:40:46.080 --> 0:40:48.480
<v Speaker 1>mom is in the hallway putting tulips in an already

0:40:48.480 --> 0:40:51.759
<v Speaker 1>filled vase, and behind her we see Eric, Sean and

0:40:51.840 --> 0:40:54.279
<v Speaker 1>Corey frantically being pushed into a closet by one of

0:40:54.280 --> 0:40:57.640
<v Speaker 1>the sorority girls. Once the girl has the boys completely hidden,

0:40:57.719 --> 0:41:01.680
<v Speaker 1>she casually strolls up to the woman missus to say hi.

0:41:02.160 --> 0:41:05.400
<v Speaker 1>Missus Bluteman responds in a thick German accent, it's always

0:41:05.440 --> 0:41:06.399
<v Speaker 1>a good afternoon when.

0:41:06.320 --> 0:41:07.160
<v Speaker 2>There are no boys.

0:41:07.600 --> 0:41:08.520
<v Speaker 3>There are no boys.

0:41:09.560 --> 0:41:10.960
<v Speaker 2>The sorority girl gets nervous.

0:41:10.960 --> 0:41:14.520
<v Speaker 1>Of course, there are no boys, but the pledges track

0:41:14.640 --> 0:41:17.560
<v Speaker 1>dirt into the house again, and it might be from boys.

0:41:18.000 --> 0:41:21.480
<v Speaker 2>Missus Bluteman is furious, boy dirt, not on my watch.

0:41:21.840 --> 0:41:24.240
<v Speaker 1>She takes off, and the boys of boys meets worlds

0:41:24.320 --> 0:41:27.960
<v Speaker 1>dart out of the custodial closet. Sean stops Corey. This

0:41:28.040 --> 0:41:30.920
<v Speaker 1>is his fantasy. He's had this exact dream like a

0:41:31.040 --> 0:41:35.839
<v Speaker 1>million times. Just then, Missus Blutman yells boy, and we

0:41:35.880 --> 0:41:37.719
<v Speaker 1>hear a male voice in the distance.

0:41:37.440 --> 0:41:39.560
<v Speaker 3>Yell out, I'm just delivering a pizza.

0:41:40.239 --> 0:41:43.040
<v Speaker 1>The sorority girl quickly corrals the boys out of the hallway,

0:41:43.480 --> 0:41:47.040
<v Speaker 1>now safe in a very production designed dorm room.

0:41:47.160 --> 0:41:49.480
<v Speaker 5>Oh it is a dorm room, isn't it. Dorm room?

0:41:49.600 --> 0:41:51.320
<v Speaker 5>Dorm room, dorm room.

0:41:51.560 --> 0:41:53.479
<v Speaker 4>I was kind of waiting for the hallway to play

0:41:53.520 --> 0:41:55.680
<v Speaker 4>a bigger part, like more sort of like running and

0:41:55.760 --> 0:41:56.520
<v Speaker 4>racing and hiding.

0:41:56.560 --> 0:42:00.200
<v Speaker 3>But actually Corey opens it and sees her painting. Later,

0:42:00.239 --> 0:42:01.959
<v Speaker 3>If that's it, I was like, it's a big set

0:42:02.000 --> 0:42:02.560
<v Speaker 3>to build for.

0:42:02.880 --> 0:42:05.480
<v Speaker 5>It's also nice to know that the house mom. The

0:42:05.520 --> 0:42:09.359
<v Speaker 5>second you're in the room, you're good. It's like you're

0:42:09.360 --> 0:42:11.960
<v Speaker 5>in a different dimension the second that door shuts, so

0:42:12.040 --> 0:42:14.440
<v Speaker 5>it's like, you get forty two guys in your room.

0:42:14.480 --> 0:42:15.279
<v Speaker 3>You just gotta get them there.

0:42:15.320 --> 0:42:19.560
<v Speaker 2>You gotta get them there. The girl laughs it off.

0:42:19.719 --> 0:42:21.719
<v Speaker 1>If the house mom catches them up there, she'll be

0:42:21.760 --> 0:42:23.120
<v Speaker 1>booted out of the sorority.

0:42:23.280 --> 0:42:24.680
<v Speaker 2>Boys aren't allowed upstairs.

0:42:24.800 --> 0:42:32.920
<v Speaker 3>And then to notice Manel's head nine seconds, didn't you know?

0:42:33.440 --> 0:42:35.680
<v Speaker 4>I was trying to see who else was there. It's

0:42:35.719 --> 0:42:40.200
<v Speaker 4>gang it is Blackman and buske. Okay, right behind her

0:42:40.320 --> 0:42:43.320
<v Speaker 4>door when she closes the door, there's a poster of guys.

0:42:43.120 --> 0:42:47.000
<v Speaker 3>Like it'sl's heads cut out.

0:42:47.120 --> 0:42:49.600
<v Speaker 4>It's our rider's heads taped onto the bodies of the

0:42:49.680 --> 0:42:50.800
<v Speaker 4>like hot guys on the beach.

0:42:51.120 --> 0:42:55.200
<v Speaker 3>It is over her shoulder.

0:42:55.239 --> 0:42:56.440
<v Speaker 5>It's like a two shot.

0:42:56.640 --> 0:42:59.360
<v Speaker 1>Oh my god, that's so funny. I didn't notice the faces.

0:42:59.440 --> 0:43:02.160
<v Speaker 2>I just I was distracted by the bodies.

0:43:02.440 --> 0:43:05.000
<v Speaker 5>Yeah, exactly, I didn't notice the face. Oh so it

0:43:05.160 --> 0:43:08.080
<v Speaker 5>is all about the bodies, and I only.

0:43:07.880 --> 0:43:13.320
<v Speaker 1>Like really oiled up, extremely move, really fit guys, that's.

0:43:13.239 --> 0:43:17.279
<v Speaker 5>Ten speed bikes like fourteen year olds for some reason. Yeah, yeah, no,

0:43:17.320 --> 0:43:19.279
<v Speaker 5>it was, it was, but butman Or it was. It

0:43:19.360 --> 0:43:21.920
<v Speaker 5>was Manel, and then on a wider shot it was

0:43:22.000 --> 0:43:24.399
<v Speaker 5>bust Gang and.

0:43:23.640 --> 0:43:25.399
<v Speaker 3>I figured it was the other ones, but I didn't

0:43:25.440 --> 0:43:26.680
<v Speaker 3>get a good good looking man.

0:43:27.400 --> 0:43:33.120
<v Speaker 1>Prominent is so funny, but starting another very funny runner.

0:43:33.280 --> 0:43:37.160
<v Speaker 1>As Sean finishes her sentence in unison, especially not in

0:43:37.200 --> 0:43:38.000
<v Speaker 1>the bedrooms.

0:43:38.400 --> 0:43:40.239
<v Speaker 2>He knew she was going to say that.

0:43:40.200 --> 0:43:44.240
<v Speaker 1>Because of his dream, brilliant everything is the exact same,

0:43:44.520 --> 0:43:47.759
<v Speaker 1>and then right on cue Eric and Sean both yell out,

0:43:47.920 --> 0:43:49.320
<v Speaker 1>I don't want to be in your dreams.

0:43:49.560 --> 0:43:51.160
<v Speaker 2>It is so.

0:43:52.560 --> 0:43:55.560
<v Speaker 4>Funny, very clever, right, it almost goes too far, I mean,

0:43:55.600 --> 0:43:57.360
<v Speaker 4>but it really I kind of love it.

0:43:57.400 --> 0:44:01.279
<v Speaker 3>Every time. I'm just going the whole up the football thing.

0:44:04.040 --> 0:44:05.720
<v Speaker 2>It is so funny.

0:44:06.040 --> 0:44:08.279
<v Speaker 1>Eric focus his attention back on the girl, whose name

0:44:08.320 --> 0:44:10.160
<v Speaker 1>is Julie. He's happy to see her again and he

0:44:10.239 --> 0:44:12.560
<v Speaker 1>is thankful that she's letting them stay here. On the

0:44:12.600 --> 0:44:14.200
<v Speaker 1>other side of the room, Sean is staring at a

0:44:14.200 --> 0:44:17.720
<v Speaker 1>messy bed in closet. Wow, your roommate's a pig, Julie

0:44:17.760 --> 0:44:19.760
<v Speaker 1>awkwardly laughs, that's her side.

0:44:20.200 --> 0:44:22.640
<v Speaker 3>Oh you're the pig. Oh you're the pig.

0:44:22.920 --> 0:44:24.040
<v Speaker 2>It's so funny too.

0:44:25.120 --> 0:44:27.000
<v Speaker 1>Corey begins to sit down on the other bed and

0:44:27.040 --> 0:44:29.919
<v Speaker 1>Julie stops him. Her roommate Mary Beth will have a cow.

0:44:30.280 --> 0:44:33.000
<v Speaker 1>She's a total neat freak. Eric assumes she must be

0:44:33.040 --> 0:44:35.160
<v Speaker 1>okay with them staying there, and Julie says no, but

0:44:35.239 --> 0:44:37.839
<v Speaker 1>mary Beth's always at her boyfriend's place, so it doesn't matter.

0:44:38.239 --> 0:44:40.800
<v Speaker 1>Then Sean continues to know everything that's about to happen,

0:44:41.040 --> 0:44:43.839
<v Speaker 1>saying with Julie he's the quarterback of the football team,

0:44:43.880 --> 0:44:45.800
<v Speaker 1>as they both pretend to throw a football.

0:44:47.040 --> 0:44:49.480
<v Speaker 3>A gosh, it's good and the way you're saying it

0:44:49.520 --> 0:44:49.840
<v Speaker 3>like you know.

0:44:52.360 --> 0:44:52.920
<v Speaker 5>So great.

0:44:53.880 --> 0:44:56.640
<v Speaker 3>Corey has had enough. This dream thing is getting eerie.

0:44:56.960 --> 0:44:59.640
<v Speaker 1>Eric suggests to Julie that they should win surf around campus.

0:44:59.840 --> 0:45:02.160
<v Speaker 1>Eric tells the boys have fun, don't touch anything, and

0:45:02.160 --> 0:45:05.399
<v Speaker 1>stay away from me now alone. Sean asks Torry why

0:45:05.440 --> 0:45:08.160
<v Speaker 1>he's sowed down in the mouth. They're in a sorority

0:45:08.200 --> 0:45:11.920
<v Speaker 1>and surrounded by women. Cory pouts, surrounded by women except

0:45:11.960 --> 0:45:14.160
<v Speaker 1>for the one who should be here, And I did

0:45:14.200 --> 0:45:18.000
<v Speaker 1>think in this moment, what was the plan exactly with Tapanga. Here,

0:45:18.680 --> 0:45:21.840
<v Speaker 1>Eric is going to be staying in Julie's and where

0:45:21.880 --> 0:45:22.920
<v Speaker 1>is everyone gonna be?

0:45:23.280 --> 0:45:28.280
<v Speaker 5>So okay, So apparently in college it's normal.

0:45:27.920 --> 0:45:32.680
<v Speaker 4>To have sex in a group, like like if you

0:45:32.719 --> 0:45:36.680
<v Speaker 4>have roommates, sometimes you're you're guys are each with people

0:45:36.760 --> 0:45:38.400
<v Speaker 4>in the same bed, which to me is just ah,

0:45:38.640 --> 0:45:41.000
<v Speaker 4>like you're in separate beds, but you're cam do I know,

0:45:41.360 --> 0:45:41.880
<v Speaker 4>very creepy.

0:45:41.960 --> 0:45:43.440
<v Speaker 3>So Sean would have been on the floor.

0:45:46.440 --> 0:45:51.319
<v Speaker 5>Okay, so there you go. Okay, yeah, so I guess

0:45:51.400 --> 0:45:52.720
<v Speaker 5>that Sean would have been on the floor.

0:45:52.960 --> 0:45:56.560
<v Speaker 3>It's sure, guys, you have sure. Sure.

0:45:56.640 --> 0:45:58.760
<v Speaker 1>And by the way, I can get past the roommate

0:45:58.840 --> 0:46:03.520
<v Speaker 1>situation if I'm Noteen twenty two, it's my bed. We're

0:46:03.560 --> 0:46:05.440
<v Speaker 1>just gonna pretend that there's a wall in between us,

0:46:05.440 --> 0:46:07.400
<v Speaker 1>even though, and we're probably gonna try to be somewhat

0:46:07.400 --> 0:46:10.359
<v Speaker 1>polite to each other. If not, you know, maybe try

0:46:10.400 --> 0:46:13.840
<v Speaker 1>to keep it down a little bit. But now Corey

0:46:13.920 --> 0:46:18.080
<v Speaker 1>and Topanga are gonna be on the floor of this place,

0:46:18.480 --> 0:46:22.279
<v Speaker 1>and Eric is going to be with Julie, and Sean.

0:46:22.080 --> 0:46:26.000
<v Speaker 8>Is going to be Sean camera And this was like

0:46:27.200 --> 0:46:32.960
<v Speaker 8>the camera I mean, ever happened to Danielle.

0:46:31.880 --> 0:46:37.279
<v Speaker 4>I mean this is very teenage nineties, teenage, maybe not

0:46:37.320 --> 0:46:38.799
<v Speaker 4>teenage now, but that was what it.

0:46:39.040 --> 0:46:40.319
<v Speaker 3>Yeah, I mean, you.

0:46:40.239 --> 0:46:43.640
<v Speaker 5>Know, wow, I'm sorry you've been in rooms where multiple

0:46:43.640 --> 0:46:45.040
<v Speaker 5>people are having sex at the same time.

0:46:45.080 --> 0:46:47.239
<v Speaker 1>By multiple you mean two people to four people, to

0:46:47.719 --> 0:46:48.320
<v Speaker 1>two couples.

0:46:48.760 --> 0:46:50.440
<v Speaker 3>Yeah, I'm just saying.

0:46:52.440 --> 0:46:56.520
<v Speaker 4>It's like, yes, I'm saying like there were, there were

0:46:56.560 --> 0:46:59.799
<v Speaker 4>oftentimes when people like in college, especially yes, because you

0:46:59.800 --> 0:47:02.879
<v Speaker 4>have roommate situations, but also like there'd be like you're

0:47:02.920 --> 0:47:05.839
<v Speaker 4>at a party and you only have like one room

0:47:05.840 --> 0:47:08.399
<v Speaker 4>where somebody you know, or there's only the bathroom, and

0:47:08.440 --> 0:47:11.920
<v Speaker 4>so yes, like people pair off and like hook up corners,

0:47:12.239 --> 0:47:16.600
<v Speaker 4>corners and yeah.

0:47:15.200 --> 0:47:18.120
<v Speaker 1>I'm just again back to Corey and Tapanga that like Topanga,

0:47:18.160 --> 0:47:23.000
<v Speaker 1>anyone who knows Tapanga would I'm surprised that Tapanga was like,

0:47:23.000 --> 0:47:25.400
<v Speaker 1>I'm sorry, but I'm I'm not going to sleep on

0:47:25.440 --> 0:47:28.760
<v Speaker 1>the floor two girls I don't know, while your brother

0:47:28.920 --> 0:47:32.000
<v Speaker 1>is there for a girl he's dating. Like that just

0:47:32.080 --> 0:47:34.920
<v Speaker 1>all all of that feels like Topanga was like, I'm

0:47:34.960 --> 0:47:37.239
<v Speaker 1>ready to go with this weekend, like of course, to

0:47:37.320 --> 0:47:39.520
<v Speaker 1>Panga's not there, it just seems so obvious.

0:47:39.920 --> 0:47:40.960
<v Speaker 3>That's another question. I had.

0:47:40.960 --> 0:47:42.960
<v Speaker 5>Do you think I think they set it up where

0:47:43.080 --> 0:47:45.919
<v Speaker 5>Eric and the girl are just friends, right?

0:47:46.000 --> 0:47:49.359
<v Speaker 4>Were they dating because they like kiss on the cheek? Yeah,

0:47:50.040 --> 0:47:51.279
<v Speaker 4>I think you're interested.

0:47:51.760 --> 0:47:54.160
<v Speaker 1>I think maybe there's the potential for a relationship there

0:47:54.200 --> 0:47:56.120
<v Speaker 1>and that you guys are already dating.

0:47:58.120 --> 0:48:01.000
<v Speaker 4>That they're just ding it up with her. It was like,

0:48:01.080 --> 0:48:03.120
<v Speaker 4>oh wow, a girl on their show. That's just kind

0:48:03.120 --> 0:48:05.239
<v Speaker 4>of like showing him around. And they're just cool with

0:48:05.280 --> 0:48:05.640
<v Speaker 4>each other.

0:48:05.719 --> 0:48:07.680
<v Speaker 1>And they didn't know each other from Penbrook, which is

0:48:07.719 --> 0:48:09.640
<v Speaker 1>good because she mentions that she went there.

0:48:10.320 --> 0:48:12.080
<v Speaker 4>He doesn't have to talk about oh hot she is, Like,

0:48:12.120 --> 0:48:14.400
<v Speaker 4>it was nice to just see like a nice character

0:48:14.640 --> 0:48:16.520
<v Speaker 4>and she alsobered the thing that was funny.

0:48:16.520 --> 0:48:18.080
<v Speaker 5>And I could be wrong, but I'd love to talk

0:48:18.120 --> 0:48:22.719
<v Speaker 5>to Sherman about this. They wrote her like a female Eric. Yeah,

0:48:22.840 --> 0:48:25.480
<v Speaker 5>so it seemed to me like she was That's why

0:48:25.480 --> 0:48:29.080
<v Speaker 5>their Buddies was exact exactly.

0:48:29.560 --> 0:48:31.759
<v Speaker 3>She was Eric really smartly, So.

0:48:31.680 --> 0:48:33.520
<v Speaker 5>That's kind of what I thought that what they were

0:48:33.560 --> 0:48:35.839
<v Speaker 5>going for. I also, for the record, remember her being

0:48:36.160 --> 0:48:39.279
<v Speaker 5>incredibly nice and really easy to work with. Yeah, just

0:48:39.320 --> 0:48:40.839
<v Speaker 5>to say about the actress, she was really cool.

0:48:41.200 --> 0:48:43.959
<v Speaker 1>Well then on cue the door opens and presumably it's

0:48:44.080 --> 0:48:47.880
<v Speaker 1>Mary Beth, the OCD roomy, who also looks like Hayley Williams,

0:48:47.920 --> 0:48:49.120
<v Speaker 1>the lead singer of Paramour.

0:48:49.760 --> 0:48:53.000
<v Speaker 3>She looks at the boys, doesn't.

0:48:52.200 --> 0:48:52.879
<v Speaker 2>Yeah, she does.

0:48:53.000 --> 0:48:54.080
<v Speaker 3>She's my rock star crush.

0:48:54.320 --> 0:48:57.160
<v Speaker 1>Oh she's so cool. Yeah, she looks at the boys. Well,

0:48:57.239 --> 0:48:59.440
<v Speaker 1>this is cute. Sean takes it as a compliment and

0:48:59.440 --> 0:49:02.000
<v Speaker 1>tries to enter do himself, but she proceeds to scream

0:49:02.040 --> 0:49:05.240
<v Speaker 1>from missus Bluteman. Corey tries to stop her. His brother

0:49:05.360 --> 0:49:08.000
<v Speaker 1>is friends with her roommate. The girl sarcastically says, oh,

0:49:08.040 --> 0:49:12.080
<v Speaker 1>well that's different, then shouts boys, many boys the German house.

0:49:12.080 --> 0:49:15.319
<v Speaker 1>Mom yells back, no boys. Corey tries to cover in

0:49:15.360 --> 0:49:16.360
<v Speaker 1>a girly voice.

0:49:16.360 --> 0:49:17.080
<v Speaker 3>Missus Blueman.

0:49:17.200 --> 0:49:19.560
<v Speaker 1>They must have climbed out the window, and then he

0:49:19.719 --> 0:49:21.720
<v Speaker 1>slams the door shut and.

0:49:22.440 --> 0:49:25.200
<v Speaker 3>Problem solve, problem solve. That's it. Back in the room.

0:49:25.520 --> 0:49:29.920
<v Speaker 3>We are back in. I would have loved a little

0:49:29.920 --> 0:49:31.080
<v Speaker 3>more farcical.

0:49:30.680 --> 0:49:32.960
<v Speaker 1>Like hi, I did do but right, Yeah, if you

0:49:32.960 --> 0:49:35.120
<v Speaker 1>thought we were already out of time, wait till add

0:49:35.120 --> 0:49:39.160
<v Speaker 1>some farcical hallway hijinks. Corey wants to know why is

0:49:39.200 --> 0:49:42.000
<v Speaker 1>Mary Beth doing this? They're invited guests, Shawn adds, and

0:49:42.080 --> 0:49:45.000
<v Speaker 1>I love you, which I also loved because it's just

0:49:45.120 --> 0:49:48.279
<v Speaker 1>so it wasn't read like you were sincere about it.

0:49:48.280 --> 0:49:51.279
<v Speaker 1>It was just really, I'm trying something here, and they

0:49:51.320 --> 0:49:54.319
<v Speaker 1>thought it was so well done. And I love you?

0:49:55.200 --> 0:49:56.880
<v Speaker 3>Does that help us? And I love you?

0:49:59.600 --> 0:50:04.120
<v Speaker 4>She was good episode for me. It just felt disconnected.

0:50:04.120 --> 0:50:05.560
<v Speaker 4>But now that I'm you know, hearing all.

0:50:05.440 --> 0:50:07.920
<v Speaker 1>The jokes like these are really good jokes, so funny,

0:50:07.920 --> 0:50:11.360
<v Speaker 1>and you're delivering them perfectly, like they're really well delivered.

0:50:11.880 --> 0:50:14.040
<v Speaker 1>So she has had enough? Why are they still here?

0:50:14.160 --> 0:50:17.319
<v Speaker 1>Corey senses some sort of attitude. Mary Beth asks his name,

0:50:17.360 --> 0:50:21.240
<v Speaker 1>to which Corey responds in his best menacing tone, trouble.

0:50:22.840 --> 0:50:26.480
<v Speaker 1>Mary Beth isn't amused. All guys are trouble. Sean explains

0:50:26.480 --> 0:50:28.799
<v Speaker 1>to Corey she just broke up with her boyfriend. Mary

0:50:28.800 --> 0:50:30.960
<v Speaker 1>Beth asks how he knew that, and he announces, I

0:50:31.080 --> 0:50:33.280
<v Speaker 1>dreamed it. Miss birthmark on her.

0:50:33.280 --> 0:50:36.919
<v Speaker 4>Tis birthmark on her TUIs.

0:50:38.440 --> 0:50:43.160
<v Speaker 1>And she grabs her butt. An acts a little offended. Again,

0:50:43.400 --> 0:50:46.520
<v Speaker 1>very funny joke. Corey apologizes they'll be out of her

0:50:46.560 --> 0:50:49.200
<v Speaker 1>way soon. She smiles and senses that Corey is a

0:50:49.239 --> 0:50:52.440
<v Speaker 1>sensitive guy. He shrugs. Yeah, well I wear a lot

0:50:52.480 --> 0:50:55.880
<v Speaker 1>of light colors, so Mary Beth smiles seductively at him.

0:50:56.000 --> 0:50:59.400
<v Speaker 3>Such a funny joke, I know, yeah, and this is

0:50:59.560 --> 0:51:03.400
<v Speaker 3>this is yeah. I mean, I did enjoy this episode

0:51:03.400 --> 0:51:03.920
<v Speaker 3>a lot, but.

0:51:05.520 --> 0:51:08.839
<v Speaker 7>Uh I I.

0:51:08.800 --> 0:51:12.760
<v Speaker 4>This is like the only explanation for why she's essentially

0:51:12.840 --> 0:51:15.000
<v Speaker 4>spends the rest of the episode throwing herself at Corey,

0:51:15.040 --> 0:51:16.440
<v Speaker 4>and I like, I think we could have done a

0:51:16.440 --> 0:51:19.200
<v Speaker 4>little more work to like set up that Corey says

0:51:19.320 --> 0:51:22.560
<v Speaker 4>or does something, but this is it. This one line

0:51:22.600 --> 0:51:25.640
<v Speaker 4>you're a sensitive guy is like doing a lot of work.

0:51:25.840 --> 0:51:28.400
<v Speaker 1>And Corey is so funny he very easily could It

0:51:28.400 --> 0:51:31.160
<v Speaker 1>could be his humor of her. Yes, that that she's

0:51:31.200 --> 0:51:33.640
<v Speaker 1>always like I like that, I like that, and a guy, there's.

0:51:33.480 --> 0:51:34.600
<v Speaker 3>No sense of journey.

0:51:34.800 --> 0:51:34.880
<v Speaker 5>No.

0:51:35.000 --> 0:51:36.880
<v Speaker 4>If she was like, oh my god, the fact that

0:51:36.920 --> 0:51:39.960
<v Speaker 4>you just said that light colors thing is hysterical and

0:51:40.040 --> 0:51:42.439
<v Speaker 4>I find that funny. But instead it's like.

0:51:42.560 --> 0:51:44.839
<v Speaker 3>No, I'm just gonna throw myself at you now for the.

0:51:44.760 --> 0:51:47.800
<v Speaker 4>Rest she ever read it like like it didn't matter

0:51:47.960 --> 0:51:50.680
<v Speaker 4>who he was, She's going to get back at her boyfriend.

0:51:50.719 --> 0:51:54.600
<v Speaker 4>She would Sean, I know if it didn't matter, because

0:51:54.600 --> 0:51:56.480
<v Speaker 4>Seans ready to go. He's already said I love you,

0:51:56.520 --> 0:51:58.920
<v Speaker 4>and she's like, I guess that's true. Yeah, And and

0:51:59.000 --> 0:52:00.959
<v Speaker 4>so they have to sort of a moment where she's

0:52:01.000 --> 0:52:03.200
<v Speaker 4>more attracted to Corey, which totally makes sense.

0:52:03.880 --> 0:52:06.080
<v Speaker 3>But this is it. This is literally the end of it.

0:52:06.239 --> 0:52:09.799
<v Speaker 3>After this, there's no more, there's no it's just on

0:52:09.880 --> 0:52:12.319
<v Speaker 3>a mission to screw and it's like, who I.

0:52:12.320 --> 0:52:13.920
<v Speaker 1>Mean, it is a little bit of a trope to

0:52:14.000 --> 0:52:17.880
<v Speaker 1>have this like jilted woman become very focused on I'm

0:52:17.880 --> 0:52:19.879
<v Speaker 1>gonna get over it. I'm gonna get over it by

0:52:19.920 --> 0:52:21.120
<v Speaker 1>getting under someone else.

0:52:21.200 --> 0:52:23.920
<v Speaker 3>Like, there is that trope, But they did try to

0:52:24.000 --> 0:52:24.399
<v Speaker 3>make it.

0:52:24.680 --> 0:52:26.400
<v Speaker 1>You're right, because if it were just I'm going to

0:52:26.440 --> 0:52:29.120
<v Speaker 1>get over it by screwing somebody, it could have been shown.

0:52:29.200 --> 0:52:30.879
<v Speaker 2>And she very much does not watch Sean.

0:52:31.040 --> 0:52:33.959
<v Speaker 1>So even the fact that every time then Corey tries

0:52:34.000 --> 0:52:35.960
<v Speaker 1>to get out of it, he does another funny or

0:52:35.960 --> 0:52:38.439
<v Speaker 1>clever thing that only makes her more attracted to him

0:52:38.840 --> 0:52:39.879
<v Speaker 1>would have gone a long way.

0:52:39.960 --> 0:52:41.200
<v Speaker 2>But yeah, this is it.

0:52:41.239 --> 0:52:44.359
<v Speaker 5>Direct did get over it by getting under somebody else.

0:52:44.400 --> 0:52:45.799
<v Speaker 3>Did you make that up? Or is that a thing?

0:52:46.480 --> 0:52:46.640
<v Speaker 7>No?

0:52:46.680 --> 0:52:51.080
<v Speaker 1>People say that get you get over I was like, yeah,

0:52:51.120 --> 0:52:52.560
<v Speaker 1>the only way to get over somebody is to get

0:52:52.600 --> 0:52:53.359
<v Speaker 1>under somebody else.

0:52:53.520 --> 0:53:09.560
<v Speaker 3>Okay, well there you go. Well here here, we're coming

0:53:09.640 --> 0:53:09.920
<v Speaker 3>to it.

0:53:10.680 --> 0:53:13.200
<v Speaker 1>Okay, oh my god, I can't wait. So Corey is

0:53:13.239 --> 0:53:15.719
<v Speaker 1>starting to catch on. He pulls Sean away and you

0:53:15.840 --> 0:53:19.120
<v Speaker 1>are both breaking here it is so this is what

0:53:19.160 --> 0:53:19.759
<v Speaker 1>was going on.

0:53:19.880 --> 0:53:23.520
<v Speaker 3>Okay. So I've talked about this, I think at live shows.

0:53:23.760 --> 0:53:24.960
<v Speaker 3>I don't know if I've ever talked about it on

0:53:24.960 --> 0:53:25.440
<v Speaker 3>the podcast.

0:53:25.440 --> 0:53:30.080
<v Speaker 4>But you know, Ben's humor is so based on audio

0:53:30.320 --> 0:53:33.240
<v Speaker 4>and like and the quality of words and the sounds

0:53:33.280 --> 0:53:36.880
<v Speaker 4>and sound effects and like sort of how people say things,

0:53:36.960 --> 0:53:38.080
<v Speaker 4>and and he.

0:53:38.040 --> 0:53:40.200
<v Speaker 3>Would get locked into in jokes.

0:53:40.200 --> 0:53:42.800
<v Speaker 4>He would always have in jokes with literally every single person,

0:53:42.840 --> 0:53:45.200
<v Speaker 4>every crewmember, every cast. He would have one word that

0:53:45.280 --> 0:53:47.680
<v Speaker 4>he would say that the way he said it would

0:53:47.760 --> 0:53:51.000
<v Speaker 4>make you lose it. And it was always just one

0:53:51.000 --> 0:53:52.960
<v Speaker 4>of the funniest things. And Ben and I over the

0:53:53.000 --> 0:53:55.360
<v Speaker 4>years built up a pantheon of these.

0:53:56.320 --> 0:53:58.000
<v Speaker 3>References and repertoires.

0:53:58.080 --> 0:54:01.680
<v Speaker 4>Oh my god, and this was one of the most

0:54:01.800 --> 0:54:05.879
<v Speaker 4>legendary h So, and now I see why it's so great,

0:54:06.000 --> 0:54:09.080
<v Speaker 4>because this what we really what he's doing here, and

0:54:09.120 --> 0:54:10.120
<v Speaker 4>he doesn't actually do.

0:54:10.120 --> 0:54:12.399
<v Speaker 3>It, but what he had been doing all week. He

0:54:12.440 --> 0:54:14.799
<v Speaker 3>barely does it, but what he had been doing all

0:54:14.800 --> 0:54:18.960
<v Speaker 3>week was he Ben used to take the tonal interpretation

0:54:19.280 --> 0:54:24.000
<v Speaker 3>of lines in movies that we knew and insert the

0:54:24.080 --> 0:54:26.920
<v Speaker 3>reading into a different line that we actually had to

0:54:26.920 --> 0:54:28.719
<v Speaker 3>say on the script. So let me explain what I mean.

0:54:29.080 --> 0:54:32.160
<v Speaker 3>So in the movie teen Wolf, team we talked and

0:54:32.239 --> 0:54:37.640
<v Speaker 3>the reason we were doing teen Wolf was because so we.

0:54:37.600 --> 0:54:40.399
<v Speaker 4>Have been obviously talking teen Wolf NonStop. And so there's

0:54:40.440 --> 0:54:42.520
<v Speaker 4>a character in Teenwolf who as a coach or the

0:54:42.960 --> 0:54:46.319
<v Speaker 4>drama teacher, and the drama teacher has this amazing line.

0:54:46.239 --> 0:54:47.480
<v Speaker 3>Where Michael J.

0:54:47.600 --> 0:54:49.879
<v Speaker 4>Fox walks on he's refusing to be the werewolf near

0:54:49.880 --> 0:54:51.600
<v Speaker 4>the end of the movie when he's decided to embrace

0:54:51.600 --> 0:54:54.920
<v Speaker 4>his humanity and the drama teacher is going to kick

0:54:55.000 --> 0:54:55.719
<v Speaker 4>him out of the show, and.

0:54:55.640 --> 0:54:57.839
<v Speaker 3>He goes, ah, how do I put this?

0:54:58.760 --> 0:55:03.479
<v Speaker 4>No no no Wolf, no Wolf, no one, no part.

0:55:04.360 --> 0:55:06.520
<v Speaker 4>And we always just thought it was so brilliant because

0:55:06.520 --> 0:55:08.399
<v Speaker 4>the guy he swallows it, and the way he's sort

0:55:08.400 --> 0:55:10.640
<v Speaker 4>of like, uh, you know, because the way it's written

0:55:10.719 --> 0:55:13.160
<v Speaker 4>is like no Wolf, no part, kid, and he decides

0:55:13.160 --> 0:55:15.120
<v Speaker 4>to like make it this like very and Ben and

0:55:15.120 --> 0:55:17.000
<v Speaker 4>I would quote it and thought it was hysterical, So

0:55:17.040 --> 0:55:19.880
<v Speaker 4>then Ben started saying, whatever this line is, God, I

0:55:19.880 --> 0:55:20.680
<v Speaker 4>should have written it, Dowain.

0:55:20.719 --> 0:55:22.000
<v Speaker 3>It was like it was me. It was was it

0:55:22.080 --> 0:55:23.960
<v Speaker 3>me too? MEAs recurring dream.

0:55:24.120 --> 0:55:27.359
<v Speaker 1>What happens next, Sean recalls, I'm left alone with this

0:55:27.400 --> 0:55:29.640
<v Speaker 1>beautiful sorority girl who just got dumb, who just got

0:55:29.719 --> 0:55:31.799
<v Speaker 1>dumb by her boyfriend. She's not too fond of men

0:55:31.840 --> 0:55:34.600
<v Speaker 1>at the moment, so she reeks havoc on me emotionally

0:55:34.960 --> 0:55:35.840
<v Speaker 1>and physically.

0:55:36.120 --> 0:55:37.800
<v Speaker 3>And then what is Ben's what does coursay?

0:55:37.880 --> 0:55:41.200
<v Speaker 1>Then Corey tells Sean, there's something that's not quite meshing

0:55:41.440 --> 0:55:43.040
<v Speaker 1>with a dreams.

0:55:43.440 --> 0:55:48.600
<v Speaker 4>It was mesh mesh, so he all along would say, Sean, Sean,

0:55:48.680 --> 0:55:52.360
<v Speaker 4>there's something that's not quite mesh mesh mesh. And he

0:55:52.400 --> 0:55:55.120
<v Speaker 4>would so he inserted, and it was something he would

0:55:55.120 --> 0:55:56.839
<v Speaker 4>do with run throughs. He would do it in front

0:55:56.880 --> 0:55:59.520
<v Speaker 4>and nobody knew what he was doing. Now he's signaling

0:55:59.520 --> 0:56:02.480
<v Speaker 4>to me you except for me, so I would be losing.

0:56:02.520 --> 0:56:05.400
<v Speaker 3>So you can see in anticipation of this moment coming,

0:56:05.640 --> 0:56:08.320
<v Speaker 3>and I'm sitting here basically daring him, You're not gonna

0:56:08.320 --> 0:56:10.560
<v Speaker 3>do it. The cameras recording and we're taking.

0:56:10.600 --> 0:56:12.680
<v Speaker 4>Oh, I know he already had, which is why I

0:56:12.680 --> 0:56:14.600
<v Speaker 4>was already losing it because this is probably take two.

0:56:15.120 --> 0:56:17.920
<v Speaker 4>So yes, this is the brakesmanship of me and Ben

0:56:18.040 --> 0:56:20.040
<v Speaker 4>trying to make each other laugh, and they left it

0:56:20.600 --> 0:56:22.920
<v Speaker 4>because there probably wasn't a take where we are not

0:56:23.080 --> 0:56:25.920
<v Speaker 4>losing it. So yes, this is Ben Savage doing his

0:56:26.600 --> 0:56:34.759
<v Speaker 4>teen Wolf tone line insertion on our dials. Tosh mesh mesh.

0:56:35.040 --> 0:56:38.680
<v Speaker 3>Oh, there's so many instances of this throughout our history,

0:56:38.719 --> 0:56:40.880
<v Speaker 3>but this was like the I mean, yeah, I'll never

0:56:40.960 --> 0:56:41.320
<v Speaker 3>forget it.

0:56:41.360 --> 0:56:43.120
<v Speaker 4>And when I saw me start to laugh, and that's

0:56:43.120 --> 0:56:44.920
<v Speaker 4>all I remembered about this episode.

0:56:48.200 --> 0:56:48.520
<v Speaker 3>So much.

0:56:48.719 --> 0:56:51.799
<v Speaker 5>I literally had to and explain everything you just said

0:56:51.800 --> 0:56:54.080
<v Speaker 5>to Sue. It was like, okay, so this scene in

0:56:54.160 --> 0:56:56.239
<v Speaker 5>teen Wolf, like we're doing the entire thing and it's

0:56:56.280 --> 0:56:59.520
<v Speaker 5>so obvious. Yeah, well the other thing we do remember

0:56:59.560 --> 0:57:03.800
<v Speaker 5>somebody on stage and go excuse me, wolf Wolf wolfs.

0:57:06.800 --> 0:57:10.600
<v Speaker 3>No mesh mesh, no park crushing with this stream.

0:57:10.760 --> 0:57:13.040
<v Speaker 1>It is so funny, so fun to watch. So the

0:57:13.040 --> 0:57:17.120
<v Speaker 1>sorority girl in question is staring at Cory. They both

0:57:17.160 --> 0:57:19.840
<v Speaker 1>look at her and realize it's true Mary Beth is

0:57:22.720 --> 0:57:25.959
<v Speaker 1>And then we are in the wreck room, which looks like.

0:57:27.040 --> 0:57:33.480
<v Speaker 8>Windows Come back, kiddy.

0:57:33.480 --> 0:57:37.000
<v Speaker 1>There's candy, it's a party, there's pinball, arcade games.

0:57:37.040 --> 0:57:39.640
<v Speaker 3>There are no cult leaders in mock turtlenecks.

0:57:39.760 --> 0:57:45.640
<v Speaker 4>No still Garrett and and beer the first time ever,

0:57:45.680 --> 0:57:47.360
<v Speaker 4>they're drinking beers.

0:57:47.560 --> 0:57:50.000
<v Speaker 2>And your parents boy meets world.

0:57:50.280 --> 0:57:52.120
<v Speaker 4>Why there's a guy in the pool table with a

0:57:52.160 --> 0:57:55.760
<v Speaker 4>pool ball up? What did you not notice this?

0:57:55.800 --> 0:57:57.640
<v Speaker 5>As they panned by, there's a guy passed out on

0:57:57.640 --> 0:57:59.600
<v Speaker 5>the pool table and there's a red pool ball shoved

0:57:59.640 --> 0:58:00.560
<v Speaker 5>right in his cheeks.

0:58:00.920 --> 0:58:04.720
<v Speaker 4>Wow. Yes, that's quite a job for an extra. Somebody

0:58:04.760 --> 0:58:13.440
<v Speaker 4>put them Did you tell an extra get a table?

0:58:13.480 --> 0:58:13.720
<v Speaker 4>And ye?

0:58:14.680 --> 0:58:16.400
<v Speaker 3>My question is did you have to call that shot?

0:58:16.520 --> 0:58:20.400
<v Speaker 3>Thank you very much? But yeah, amazing, just right there.

0:58:20.760 --> 0:58:23.000
<v Speaker 1>Well, Eric lists all the things he and Julie have

0:58:23.080 --> 0:58:26.400
<v Speaker 1>done so far. They've water skied, snorkeled, and played beach volleyball.

0:58:26.440 --> 0:58:29.160
<v Speaker 1>They've apparently changed right back into their clothes from before

0:58:29.240 --> 0:58:30.320
<v Speaker 1>and done your hair again.

0:58:30.720 --> 0:58:31.840
<v Speaker 3>Of course, had to do that.

0:58:31.880 --> 0:58:34.400
<v Speaker 5>We did everything back in a giant boxy square shirt

0:58:34.400 --> 0:58:35.520
<v Speaker 5>and on with the rest of the day.

0:58:36.640 --> 0:58:39.200
<v Speaker 1>Eric wants to see where the actual learning takes place.

0:58:39.320 --> 0:58:42.400
<v Speaker 1>Julie suggests they check out the lab where doctor Halberstram

0:58:42.440 --> 0:58:45.959
<v Speaker 1>won the Nobel Prize for his cloning experiments. Eric looks

0:58:46.000 --> 0:58:50.439
<v Speaker 1>pleasantly surprised, and Julie, Elle's just kidding. Doctor Halberstram's a walrus.

0:58:50.760 --> 0:58:52.800
<v Speaker 3>I don't get this at all. I didn't. I don't

0:58:52.880 --> 0:58:53.680
<v Speaker 3>understand what's happening.

0:58:54.120 --> 0:58:56.280
<v Speaker 5>I think what it's the joke is that it's like

0:58:56.320 --> 0:58:59.000
<v Speaker 5>a mascot of the school that they called doctor Alberstrand.

0:58:59.000 --> 0:59:01.000
<v Speaker 5>And it turns out it's literally just a walrus. Like

0:59:01.040 --> 0:59:04.480
<v Speaker 5>nothing's ever happened at Beach State worth anything, because essentially, I.

0:59:04.400 --> 0:59:07.720
<v Speaker 1>Think, I mean also a beach near the water type

0:59:07.720 --> 0:59:10.560
<v Speaker 1>school might have some sort of animal.

0:59:10.280 --> 0:59:12.360
<v Speaker 3>Actual you know, actual wall and.

0:59:12.680 --> 0:59:14.480
<v Speaker 2>They call the wall and the doctor the Wallers. His

0:59:14.520 --> 0:59:15.240
<v Speaker 2>name is doctor.

0:59:15.080 --> 0:59:16.640
<v Speaker 3>Arberstram, Right, that's my guess.

0:59:16.720 --> 0:59:17.240
<v Speaker 6>Yeah.

0:59:17.440 --> 0:59:18.600
<v Speaker 2>Uh so.

0:59:18.800 --> 0:59:21.200
<v Speaker 1>Eric hopes there's more to this college than just the beach,

0:59:21.240 --> 0:59:23.560
<v Speaker 1>but Julie doesn't understand what the problem is. She thinks,

0:59:23.600 --> 0:59:25.720
<v Speaker 1>after all the hard work they put in it, John Adams,

0:59:25.760 --> 0:59:28.200
<v Speaker 1>this is their reward. But Eric's been out in the

0:59:28.240 --> 0:59:30.040
<v Speaker 1>real world for a year now and he knows it

0:59:30.040 --> 0:59:32.040
<v Speaker 1>takes more than a good tan to make it out there.

0:59:32.320 --> 0:59:34.680
<v Speaker 1>Julie reminds him the real world is four years away.

0:59:34.960 --> 0:59:37.040
<v Speaker 1>She begins to play frisbee as Eric looks around the

0:59:37.080 --> 0:59:39.600
<v Speaker 1>room and utter disappointment. And this is where we see

0:59:39.600 --> 0:59:43.000
<v Speaker 1>a passed out dude holding a beer and a couple

0:59:43.080 --> 0:59:45.080
<v Speaker 1>who are making out with each other's necks.

0:59:45.440 --> 0:59:47.640
<v Speaker 5>Yeah, you can also tell it to beer because the

0:59:47.720 --> 0:59:49.440
<v Speaker 5>label says beer beer.

0:59:49.960 --> 0:59:53.000
<v Speaker 1>Yes, that's all my favorite brand of beer, doctor beer.

0:59:53.040 --> 0:59:57.800
<v Speaker 1>I like just no, just beer, just beer. Yeah, beer incursive.

0:59:58.160 --> 1:00:01.680
<v Speaker 3>Yes, I think it would be a great brand. Somebody

1:00:01.720 --> 1:00:04.440
<v Speaker 3>just did it. Beer like literally just says beer. I

1:00:04.480 --> 1:00:06.920
<v Speaker 3>bet you that would be like hipsteris everywhere would love it.

1:00:06.920 --> 1:00:09.520
<v Speaker 3>They'd just be like, what are you drinking beer? Beer? Beer? Yeah.

1:00:09.880 --> 1:00:11.360
<v Speaker 3>So then we're back in the sorority room.

1:00:11.400 --> 1:00:13.640
<v Speaker 2>Mary Beth is yelling into her phone, so you.

1:00:13.600 --> 1:00:14.919
<v Speaker 3>Want your things back now.

1:00:15.160 --> 1:00:18.520
<v Speaker 1>She starts to throw CDs, a television set, Blockbuster video

1:00:18.560 --> 1:00:21.280
<v Speaker 1>cases and stories sleeping that light out the window.

1:00:21.440 --> 1:00:23.880
<v Speaker 3>The lightest television set in the history of the world.

1:00:24.240 --> 1:00:27.360
<v Speaker 4>Just it was those things weigh a lot. Yeah, yes

1:00:27.720 --> 1:00:31.120
<v Speaker 4>they did. Even the old TVs with the big giant.

1:00:30.880 --> 1:00:33.760
<v Speaker 5>Battle ones, even the little ones had more weight than

1:00:33.760 --> 1:00:36.120
<v Speaker 5>her going hup, Yeah, that was the world's lightest TV.

1:00:37.200 --> 1:00:39.520
<v Speaker 1>Well, Sean whispers to Corey, they need to get out

1:00:39.520 --> 1:00:42.120
<v Speaker 1>of here. This woman is out of sorts. In my dream,

1:00:42.280 --> 1:00:43.960
<v Speaker 1>this is the part where she turns around and the

1:00:44.040 --> 1:00:46.560
<v Speaker 1>first guy she sees she traps in her evil man

1:00:46.600 --> 1:00:50.720
<v Speaker 1>hating web of vengeful sexuality. And then that's also where

1:00:50.720 --> 1:00:53.880
<v Speaker 1>you are very close to breaking again. You're just barely

1:00:53.960 --> 1:00:57.120
<v Speaker 1>keeping it together. He turns around to Mary Beth, flips

1:00:57.160 --> 1:00:59.440
<v Speaker 1>his collar up and flirts, but she simply tells him

1:00:59.480 --> 1:01:02.320
<v Speaker 1>to get out. He obliges without question, and Corey isn't

1:01:02.320 --> 1:01:03.240
<v Speaker 1>far behind.

1:01:03.080 --> 1:01:04.000
<v Speaker 2>But she stops him.

1:01:04.480 --> 1:01:06.439
<v Speaker 1>I want you to stay because you're a sensitive guy

1:01:06.520 --> 1:01:08.960
<v Speaker 1>and I want to talk to you. Corey says okay,

1:01:09.000 --> 1:01:11.720
<v Speaker 1>but only for a minute. Mary Beth breaks down and

1:01:11.760 --> 1:01:14.640
<v Speaker 1>shares her broken heart with Corey. He tries consoling her.

1:01:14.760 --> 1:01:17.080
<v Speaker 1>His girlfriend is supposed to be with him, but she bailed.

1:01:17.440 --> 1:01:19.800
<v Speaker 1>They rile each other up and agree that relationships are

1:01:19.800 --> 1:01:24.280
<v Speaker 1>too complicated. She shouts I'm through with men, and Corey agrees,

1:01:24.520 --> 1:01:28.400
<v Speaker 1>me too, Me too, And then Mary Beth walks out

1:01:28.400 --> 1:01:32.760
<v Speaker 1>of her bathroom wearing only an oversized football jersey and

1:01:32.840 --> 1:01:35.160
<v Speaker 1>asks Corey if he wants to party.

1:01:35.360 --> 1:01:36.920
<v Speaker 5>I think writer's going to say exactly the same thing.

1:01:36.920 --> 1:01:39.520
<v Speaker 3>I'm please, please don't. I have two things about the

1:01:39.560 --> 1:01:42.640
<v Speaker 3>shot over the shoulder shot from oh oh yeah, oh

1:01:42.720 --> 1:01:44.040
<v Speaker 3>all right, what were you going to say?

1:01:44.240 --> 1:01:48.400
<v Speaker 5>Well, no, mine is about why get into something sexy

1:01:48.480 --> 1:01:50.640
<v Speaker 5>to then later just take a shower to get into

1:01:50.680 --> 1:01:51.360
<v Speaker 5>something sexy.

1:01:51.480 --> 1:01:53.320
<v Speaker 3>He got to keep it going manly.

1:01:53.400 --> 1:01:56.560
<v Speaker 4>She's at it, changes happen, well goes to show that

1:01:56.600 --> 1:01:59.000
<v Speaker 4>there's no progression to this character, like now, this is

1:01:59.000 --> 1:02:01.840
<v Speaker 4>where this is an opportunity for like, you know, even

1:02:01.880 --> 1:02:04.080
<v Speaker 4>even right now, like Corey, instead of just chasing after

1:02:04.120 --> 1:02:06.400
<v Speaker 4>Sean could have said something like you know, before I

1:02:06.480 --> 1:02:10.040
<v Speaker 4>go and delivered something that was a sensitive guy thing

1:02:10.080 --> 1:02:10.640
<v Speaker 4>to say that.

1:02:10.680 --> 1:02:13.640
<v Speaker 3>Then she's like please stay and it's like okay. But

1:02:13.680 --> 1:02:17.920
<v Speaker 3>instead it's just like seduction. You know, it's very one dimensional.

1:02:19.400 --> 1:02:21.760
<v Speaker 3>I've never met this guy. But you could do way better,

1:02:22.000 --> 1:02:24.560
<v Speaker 3>just something as simple as that and just or just

1:02:24.600 --> 1:02:27.920
<v Speaker 3>develop her character from here on out. She is sex kitten,

1:02:28.600 --> 1:02:31.439
<v Speaker 3>but it's also a weird sex kitten. She goes because

1:02:31.480 --> 1:02:33.520
<v Speaker 3>I got to keep something sixxy to then later go

1:02:33.600 --> 1:02:35.080
<v Speaker 3>and get dressed into something sexy.

1:02:35.600 --> 1:02:38.479
<v Speaker 4>So when when this shot, which you know, kudos Jeff

1:02:38.520 --> 1:02:40.200
<v Speaker 4>mccrackett is a graduate reference.

1:02:40.240 --> 1:02:43.200
<v Speaker 3>You know, it's the famous like leg and I love that.

1:02:43.680 --> 1:02:47.400
<v Speaker 4>And then also the music does this boom boom, and

1:02:47.440 --> 1:02:49.120
<v Speaker 4>I was like oh, and.

1:02:49.080 --> 1:02:51.200
<v Speaker 3>I had to pause it. I was like, Alex, Alex,

1:02:51.440 --> 1:02:54.840
<v Speaker 3>what's the movie with Michael J. Fox where he's in

1:02:54.880 --> 1:02:57.000
<v Speaker 3>the limo? Do you know where I'm going with this

1:02:57.360 --> 1:02:58.320
<v Speaker 3>Seaking to My Success?

1:02:58.480 --> 1:02:58.800
<v Speaker 4>Yes?

1:02:58.960 --> 1:03:01.800
<v Speaker 3>And you remember the song? No it goes, I remember

1:03:01.800 --> 1:03:05.560
<v Speaker 3>the secret And then that whole scene is cut to.

1:03:06.120 --> 1:03:06.720
<v Speaker 3>I've looked it up.

1:03:06.760 --> 1:03:12.160
<v Speaker 4>It's oh yeah by Yellow, which is boom boom. And

1:03:12.200 --> 1:03:14.520
<v Speaker 4>then so I was and Alex is like, no, that's

1:03:14.560 --> 1:03:19.040
<v Speaker 4>Ferris Bueller's. I'm like, it's junk Don't get your Car,

1:03:19.360 --> 1:03:20.160
<v Speaker 4>that's Ferris Bueler.

1:03:20.200 --> 1:03:20.760
<v Speaker 3>That's the same one.

1:03:20.800 --> 1:03:21.280
<v Speaker 6>Don't don't.

1:03:21.360 --> 1:03:22.160
<v Speaker 3>Oh it's the same song.

1:03:22.240 --> 1:03:22.439
<v Speaker 5>Yeah.

1:03:22.480 --> 1:03:24.880
<v Speaker 3>So that's what Like my wife and I were like

1:03:24.920 --> 1:03:26.800
<v Speaker 3>at a screaming match. I'm like, you know, it's Secret

1:03:26.840 --> 1:03:29.200
<v Speaker 3>to My Success. She's like, it's Ferris Bueller. So like, oh,

1:03:29.320 --> 1:03:31.960
<v Speaker 3>they can't. They didn't. This movies came out within like

1:03:31.960 --> 1:03:33.800
<v Speaker 3>a year of each other. They didn't use the same song.

1:03:33.960 --> 1:03:36.560
<v Speaker 4>They used the same song, and so here this like

1:03:36.760 --> 1:03:39.200
<v Speaker 4>you could hear the the ray Colcord music beat. There's

1:03:39.240 --> 1:03:41.720
<v Speaker 4>a complete reference to that, like it was like the

1:03:41.840 --> 1:03:43.840
<v Speaker 4>music that just said like sex is coming.

1:03:44.120 --> 1:03:44.600
<v Speaker 3>Yeah.

1:03:44.600 --> 1:03:49.480
<v Speaker 1>Wow, I'm so glad you guys have knowledge of film

1:03:49.520 --> 1:03:51.080
<v Speaker 1>and TV, because all.

1:03:51.080 --> 1:03:54.640
<v Speaker 3>You've never seen The Secretary Limited. Great movie is a

1:03:54.680 --> 1:03:55.200
<v Speaker 3>great movie?

1:03:55.400 --> 1:03:57.080
<v Speaker 5>Yeah, well it was when I saw it in the

1:03:57.080 --> 1:03:57.840
<v Speaker 5>theater back in the day.

1:03:57.920 --> 1:04:11.160
<v Speaker 3>Yeah, right, right right, yeah, all right.

1:04:11.280 --> 1:04:13.480
<v Speaker 1>So then we go to break and we return in

1:04:13.560 --> 1:04:16.160
<v Speaker 1>mary Beth's room. Mary Beth repeats herself, does he want

1:04:16.160 --> 1:04:18.480
<v Speaker 1>a party? Corey tells her, let's be clear of your

1:04:18.520 --> 1:04:21.720
<v Speaker 1>definition of party lest we should send out invites and

1:04:22.040 --> 1:04:23.400
<v Speaker 1>hire a clown, which.

1:04:26.160 --> 1:04:27.000
<v Speaker 2>Wonderful use.

1:04:27.080 --> 1:04:29.880
<v Speaker 1>And again I guess in this case he is making

1:04:29.880 --> 1:04:31.240
<v Speaker 1>a he's making a funny joke.

1:04:32.320 --> 1:04:33.480
<v Speaker 3>But she has never said that.

1:04:33.720 --> 1:04:37.280
<v Speaker 1>She likes sense of humor. So easy to just be like,

1:04:37.320 --> 1:04:39.040
<v Speaker 1>you are so bad, That's what I love about you.

1:04:40.360 --> 1:04:44.320
<v Speaker 1>Mary Beth smirks. Is she making him nervous? He stutters, no, no,

1:04:44.360 --> 1:04:46.520
<v Speaker 1>not if there's going to be a clown, and she whispers,

1:04:46.680 --> 1:04:49.360
<v Speaker 1>no clowns, just you and me. She lights in a

1:04:49.440 --> 1:04:52.960
<v Speaker 1>romatherapy candle and tells Corey to smell it cornbread and

1:04:53.040 --> 1:04:57.560
<v Speaker 1>pine needles. She corrects him. It's actually lang Lang and sandalwood.

1:04:57.800 --> 1:05:01.240
<v Speaker 1>She says that sandalwood helps stimulate them on. Corey nervously

1:05:01.280 --> 1:05:03.560
<v Speaker 1>asks what lang lang stimulates, and she just gives him

1:05:03.560 --> 1:05:06.600
<v Speaker 1>a seductive smile and turns on some jazz. You know,

1:05:07.000 --> 1:05:09.440
<v Speaker 1>the kind of music college kids play to makeout.

1:05:09.680 --> 1:05:11.640
<v Speaker 3>Yeah, Sue said the same thing. She's like, did she

1:05:11.760 --> 1:05:14.840
<v Speaker 3>just put on light jazz? Who the hell does that like?

1:05:15.120 --> 1:05:15.200
<v Speaker 4>Ye?

1:05:15.320 --> 1:05:17.640
<v Speaker 3>Apparently wow.

1:05:17.960 --> 1:05:19.520
<v Speaker 2>He apologizes to Mary Beth.

1:05:19.600 --> 1:05:22.320
<v Speaker 1>He can't be here during this, the time of her

1:05:22.360 --> 1:05:23.520
<v Speaker 1>great stimulation.

1:05:25.040 --> 1:05:28.320
<v Speaker 3>He's so good Ben. I agree with you guys are saying.

1:05:28.360 --> 1:05:32.080
<v Speaker 5>But Ben is so good in the just so awkward

1:05:32.200 --> 1:05:35.200
<v Speaker 5>and funny, and he's old school Corey and I I

1:05:35.280 --> 1:05:35.640
<v Speaker 5>love it.

1:05:35.920 --> 1:05:37.800
<v Speaker 1>I know. He opens the door to leave, but Missus

1:05:37.800 --> 1:05:39.760
<v Speaker 1>Bluteman is right outside vacuuming.

1:05:40.120 --> 1:05:40.720
<v Speaker 3>He's stuck.

1:05:41.040 --> 1:05:43.840
<v Speaker 1>He proceeds to tell Mary Beth, I am very flattered,

1:05:43.920 --> 1:05:45.200
<v Speaker 1>but I do have a girlfriend.

1:05:45.280 --> 1:05:47.440
<v Speaker 2>Her name is Tapanga. Mary Beth laughs.

1:05:48.000 --> 1:05:49.840
<v Speaker 3>Is she vacuuming? Or I thought she was?

1:05:49.840 --> 1:05:49.920
<v Speaker 5>Like?

1:05:53.800 --> 1:05:54.200
<v Speaker 2>Yeah?

1:05:54.400 --> 1:05:56.960
<v Speaker 1>Mary Beth laughs to Panga, sounds like a freeway exit.

1:05:57.160 --> 1:05:58.160
<v Speaker 1>Corey says he'll prove it.

1:05:58.480 --> 1:05:59.840
<v Speaker 3>He runs over to the phone.

1:06:00.040 --> 1:06:04.440
<v Speaker 1>Yeah, I know that it is a freeway anytime. Anyone

1:06:04.480 --> 1:06:07.000
<v Speaker 1>who's ever wondered where did they come up with the name?

1:06:07.120 --> 1:06:11.160
<v Speaker 1>We told you in the show. In this episode, Corey

1:06:11.200 --> 1:06:13.160
<v Speaker 1>says he'll prove it to her and he runs over

1:06:13.160 --> 1:06:15.479
<v Speaker 1>to the phone. He frantically dials to Panga's number.

1:06:15.520 --> 1:06:17.240
<v Speaker 3>But by the way, they don't have freeways on the

1:06:17.320 --> 1:06:17.800
<v Speaker 3>East Coast.

1:06:18.720 --> 1:06:20.360
<v Speaker 5>I didn't want to get too east coast into it.

1:06:20.400 --> 1:06:24.160
<v Speaker 5>But we have highways coast. They're called freeways simply because

1:06:24.160 --> 1:06:26.320
<v Speaker 5>they're free. There's no tolls where we have a lot

1:06:26.360 --> 1:06:27.200
<v Speaker 5>of tolls back east.

1:06:27.280 --> 1:06:33.040
<v Speaker 1>So ms Curtis aka Aunt Prue aka Juliet from Romeo,

1:06:33.080 --> 1:06:35.959
<v Speaker 1>and Juliet answers and Corey asks for Tapanga. She says

1:06:36.000 --> 1:06:37.919
<v Speaker 1>she's not in, but she'll make sure she calls him back,

1:06:38.040 --> 1:06:40.320
<v Speaker 1>but Corey reminds her, I'm on that trip, you know,

1:06:40.360 --> 1:06:42.400
<v Speaker 1>the one you wouldn't let her go on. While Mary

1:06:42.400 --> 1:06:44.960
<v Speaker 1>Beth continuously touches Corey's leg on the other end of

1:06:45.000 --> 1:06:48.040
<v Speaker 1>the phone, Aunt Prue says something that raises a red

1:06:48.080 --> 1:06:51.000
<v Speaker 1>flag for Corey and he doesn't even leave a message

1:06:51.000 --> 1:06:51.640
<v Speaker 1>for Topanga.

1:06:51.800 --> 1:06:52.040
<v Speaker 3>Oh.

1:06:53.080 --> 1:06:56.040
<v Speaker 1>Corey tosses Mary Beth's phone out the window and she yells, hey,

1:06:56.160 --> 1:06:59.000
<v Speaker 1>that was mine.

1:06:58.040 --> 1:07:01.160
<v Speaker 5>After half trying to close the antenna, which is not

1:07:01.200 --> 1:07:09.000
<v Speaker 5>a closable antenna, so just tapping.

1:07:06.880 --> 1:07:11.360
<v Speaker 3>Still, he has that he first he first regular dials

1:07:11.480 --> 1:07:17.040
<v Speaker 3>a plus phone. Acting goes back to, I mean, it's

1:07:17.040 --> 1:07:18.600
<v Speaker 3>like it was locked in his brain when we did

1:07:18.600 --> 1:07:21.280
<v Speaker 3>that betting episode, right, you know, first season that was

1:07:21.320 --> 1:07:23.919
<v Speaker 3>when he did it like four times, and he's trying

1:07:23.920 --> 1:07:24.479
<v Speaker 3>to do it again.

1:07:24.640 --> 1:07:27.920
<v Speaker 5>Oh my, and then tries to close it antenna that

1:07:27.920 --> 1:07:28.479
<v Speaker 5>doesn't close.

1:07:29.720 --> 1:07:30.800
<v Speaker 3>It is so funny.

1:07:31.360 --> 1:07:32.320
<v Speaker 2>So uh.

1:07:32.400 --> 1:07:35.040
<v Speaker 1>Corey tells her love is loss. He can't believe to

1:07:35.120 --> 1:07:37.320
<v Speaker 1>beanga lied to him. She never even told her aunt

1:07:37.360 --> 1:07:40.320
<v Speaker 1>about the trip. Mary Beth breaks the news. Sounds like

1:07:40.360 --> 1:07:42.920
<v Speaker 1>she didn't want to come with you. Corey agrees she

1:07:43.000 --> 1:07:44.760
<v Speaker 1>blamed it on her aunt, but the whole time it

1:07:44.800 --> 1:07:47.000
<v Speaker 1>was him. She didn't want to be alone with Mary

1:07:47.040 --> 1:07:49.760
<v Speaker 1>Beth tells Corey she wants to be alone with him.

1:07:50.040 --> 1:07:52.480
<v Speaker 1>Corey is reluctant. She just broke up with her boyfriend

1:07:52.520 --> 1:07:54.120
<v Speaker 1>and he just got in a fight with his girlfriend.

1:07:54.320 --> 1:07:56.800
<v Speaker 1>They're both very vulnerable, and he doesn't want to do

1:07:56.840 --> 1:07:59.680
<v Speaker 1>anything he's going to regret. Mary Beth continues to pressure

1:07:59.720 --> 1:08:02.200
<v Speaker 1>him if he passes this up, he'll regret it. She

1:08:02.320 --> 1:08:05.280
<v Speaker 1>leans in and hugs him, possibly even nibbling on his ear,

1:08:05.760 --> 1:08:07.040
<v Speaker 1>and that response, I know.

1:08:07.400 --> 1:08:08.040
<v Speaker 3>I couldn't tell you.

1:08:08.480 --> 1:08:12.160
<v Speaker 5>They can't kiss obviously because if they kiss him, kiss

1:08:12.200 --> 1:08:14.720
<v Speaker 5>him right. So it was the weird how do I

1:08:14.760 --> 1:08:16.600
<v Speaker 5>do it? Which then it started with the neck. At

1:08:16.640 --> 1:08:18.960
<v Speaker 5>one point she kisses his nose. It's like.

1:08:20.840 --> 1:08:23.360
<v Speaker 3>His shorts in the preview, but it's like fool on

1:08:23.560 --> 1:08:27.520
<v Speaker 3>going for it. Yeah right, yes, absolutely yeah.

1:08:27.560 --> 1:08:30.200
<v Speaker 1>So Corey in response, repeats the starting lineup for the

1:08:30.280 --> 1:08:33.040
<v Speaker 1>nineteen ninety six New York Yankees, starting with first Basement,

1:08:33.120 --> 1:08:34.840
<v Speaker 1>the big Man fielder.

1:08:34.720 --> 1:08:36.080
<v Speaker 3>The big Man's Thistle fielder.

1:08:36.680 --> 1:08:41.160
<v Speaker 1>Mary Beth whispers, I won't tell anyone and kisses Corey's nose.

1:08:41.360 --> 1:08:43.840
<v Speaker 3>Nose. No, I'm going to.

1:08:43.840 --> 1:08:46.559
<v Speaker 1>Take a shower. When she walks away, Corey breathes a

1:08:46.600 --> 1:08:47.320
<v Speaker 1>sigh of relief.

1:08:47.520 --> 1:08:48.040
<v Speaker 2>That was it.

1:08:48.360 --> 1:08:51.840
<v Speaker 1>She responds, not even close. I'll be right back. Don't

1:08:51.880 --> 1:08:54.600
<v Speaker 1>you go anywhere. Corey uses this opportunity to try and

1:08:54.640 --> 1:08:56.559
<v Speaker 1>sneak out of the room again, but missus Blueman is

1:08:56.560 --> 1:08:59.400
<v Speaker 1>still outside now painting the walls, painting.

1:08:59.760 --> 1:09:01.520
<v Speaker 2>Well, that's just crazy.

1:09:02.840 --> 1:09:05.439
<v Speaker 1>And then we go to a tense commercial break, and

1:09:05.479 --> 1:09:08.120
<v Speaker 1>we're back in Marybeth's room. Corey is anxiously sitting on

1:09:08.160 --> 1:09:10.160
<v Speaker 1>mary Beth's bed when she opens the bathroom door and

1:09:10.200 --> 1:09:14.000
<v Speaker 1>reveals she's wearing a silky nightgown and robe aka the

1:09:14.120 --> 1:09:16.880
<v Speaker 1>sexiest thing you're allowed to wear on TGIF.

1:09:17.040 --> 1:09:20.160
<v Speaker 5>Yep, it's so second sexy outfit when Sexy Alphitude.

1:09:20.120 --> 1:09:23.240
<v Speaker 3>It's more covered than the last sexy. Like the last

1:09:23.280 --> 1:09:25.280
<v Speaker 3>sexy off it was like basically I'm nature from the

1:09:25.280 --> 1:09:27.200
<v Speaker 3>waist down or in my underwear at least, and now

1:09:27.200 --> 1:09:28.880
<v Speaker 3>it's up.

1:09:28.760 --> 1:09:30.840
<v Speaker 5>At one point and the thing races up and I

1:09:30.880 --> 1:09:33.280
<v Speaker 5>was like, oh yeh, that's it's very racy.

1:09:33.680 --> 1:09:34.200
<v Speaker 2>Yeah.

1:09:34.360 --> 1:09:37.360
<v Speaker 1>Corey stands up, Oh boy, look at you. She asks

1:09:37.400 --> 1:09:39.400
<v Speaker 1>if he likes the way she looks, and he says yes,

1:09:39.439 --> 1:09:41.840
<v Speaker 1>but he encourages her not to come any closer. Mary

1:09:41.840 --> 1:09:44.519
<v Speaker 1>Beth doesn't oblige, and Corey even tries playing red light

1:09:44.560 --> 1:09:46.760
<v Speaker 1>with her as she approaches, but nothing is.

1:09:46.720 --> 1:09:49.840
<v Speaker 5>Working that moment, I thought that was just so funny,

1:09:49.880 --> 1:09:54.800
<v Speaker 5>red light through red lights.

1:09:53.080 --> 1:09:56.360
<v Speaker 1>Crazy, but nothing is working. Corey says she's just going

1:09:56.400 --> 1:09:58.320
<v Speaker 1>to lose the game now, but she pushes him onto

1:09:58.360 --> 1:10:00.679
<v Speaker 1>the bed and says no, they're both going to win.

1:10:01.320 --> 1:10:03.439
<v Speaker 1>Corey tells her he can counter that move because he's

1:10:03.479 --> 1:10:05.840
<v Speaker 1>on the wrestling team. She prevents him from getting up.

1:10:06.080 --> 1:10:09.280
<v Speaker 1>She's on the wrestling team too, Thankfully, At the perfect time,

1:10:09.479 --> 1:10:11.479
<v Speaker 1>Eric walks in. He sees Mary Beth with a boy

1:10:11.520 --> 1:10:13.599
<v Speaker 1>on the bed and exclaims, oh, sorry, have you seen

1:10:13.640 --> 1:10:16.320
<v Speaker 1>my brother? And then from under her, Corey raises his hand.

1:10:19.080 --> 1:10:22.519
<v Speaker 1>Eric seems disappointed. Okay, well, I'll just get a few

1:10:22.520 --> 1:10:24.680
<v Speaker 1>things and be on my way, like you seem to be.

1:10:25.280 --> 1:10:27.600
<v Speaker 1>Corey assured him, this isn't what it looks like. He

1:10:27.680 --> 1:10:31.559
<v Speaker 1>sarcastically responds, I know you were just wrestling, so funny.

1:10:31.560 --> 1:10:35.760
<v Speaker 1>I love the way you delivered wrestling, just wrestling. And

1:10:35.800 --> 1:10:38.320
<v Speaker 1>this is where when I watched the scene over again,

1:10:38.400 --> 1:10:41.000
<v Speaker 1>I was like, oh, he makes the decision to get

1:10:41.040 --> 1:10:45.360
<v Speaker 1>a few things because of Corey and Mary Beth, not because.

1:10:46.840 --> 1:10:49.320
<v Speaker 5>Yeah, that's not my business. So I'm going to get

1:10:49.320 --> 1:10:49.680
<v Speaker 5>out of the way.

1:10:49.720 --> 1:10:50.400
<v Speaker 2>I'm going to give you.

1:10:53.680 --> 1:10:56.040
<v Speaker 3>His decision. It's because I say that to him. It's like,

1:10:56.040 --> 1:10:56.679
<v Speaker 3>you're an adult.

1:10:56.760 --> 1:10:58.000
<v Speaker 5>This is if this is what you want to do,

1:10:58.120 --> 1:11:00.639
<v Speaker 5>I will clear out of the room, right Yeah.

1:11:00.720 --> 1:11:05.000
<v Speaker 1>Yeah, So Mary Beth still has her hands all over

1:11:05.080 --> 1:11:07.719
<v Speaker 1>Corey and he says, please, my brother is here. She says,

1:11:07.880 --> 1:11:11.439
<v Speaker 1>that's fine, and now we know she's really freaky Dicky,

1:11:11.640 --> 1:11:12.559
<v Speaker 1>What does that mean?

1:11:12.680 --> 1:11:15.519
<v Speaker 3>That's fine? Like it was Eric going to watch what? What?

1:11:15.520 --> 1:11:18.160
<v Speaker 3>What the hell is going on? Is down with the bros? No,

1:11:18.360 --> 1:11:23.760
<v Speaker 3>you just in college. Don't like you're making a resident groupert.

1:11:24.479 --> 1:11:30.200
<v Speaker 3>It's it's you don't have anyone. Oh my god.

1:11:32.760 --> 1:11:35.400
<v Speaker 4>You guys seriously never made out with somebody like on

1:11:35.439 --> 1:11:37.120
<v Speaker 4>a couch where other people were in.

1:11:37.040 --> 1:11:40.240
<v Speaker 3>The room, and when you were teenagers or in college.

1:11:40.320 --> 1:11:42.000
<v Speaker 5>To keep it, I mean, probably, but also to keep

1:11:42.000 --> 1:11:43.479
<v Speaker 5>in mind, I've had my own place since I was

1:11:43.520 --> 1:11:45.479
<v Speaker 5>sixteen exactly, so when.

1:11:45.320 --> 1:11:48.760
<v Speaker 3>You're it's back then. I mean I remember cars. People

1:11:48.800 --> 1:11:50.439
<v Speaker 3>would be making out in the front seat. People would

1:11:50.439 --> 1:11:51.960
<v Speaker 3>be making it on the back seat, like you just

1:11:52.040 --> 1:11:56.080
<v Speaker 3>made it. You just you know, I guess making out. Yeah,

1:11:56.400 --> 1:11:57.639
<v Speaker 3>I guess making out is one thing.

1:11:57.840 --> 1:12:02.280
<v Speaker 2>Hold up you basically she's not trying to make out.

1:12:02.439 --> 1:12:04.960
<v Speaker 3>No, she straight went for Corey's junk at one point.

1:12:05.040 --> 1:12:06.360
<v Speaker 6>So yeah.

1:12:06.520 --> 1:12:08.479
<v Speaker 1>Cory asks Mary Beth to give the boys a few

1:12:08.479 --> 1:12:11.559
<v Speaker 1>minutes alone, and she finally obliges, but says she'll be back,

1:12:11.720 --> 1:12:15.639
<v Speaker 1>like she's a horned up terminator now alone. Corey tries

1:12:15.720 --> 1:12:17.960
<v Speaker 1>to explain himself, I know what you're going to say.

1:12:18.160 --> 1:12:19.559
<v Speaker 1>Eric says, no, he doesn't.

1:12:21.160 --> 1:12:22.960
<v Speaker 3>She goes to get her laundry, but she.

1:12:22.960 --> 1:12:23.920
<v Speaker 2>Says she's going to be back.

1:12:26.840 --> 1:12:27.200
<v Speaker 3>I don't know.

1:12:27.360 --> 1:12:29.360
<v Speaker 4>That's just a very bizarre reason to get her out

1:12:29.360 --> 1:12:32.280
<v Speaker 4>of the seat, like just get her, just gotta get laundry.

1:12:32.280 --> 1:12:32.800
<v Speaker 3>I'll be back.

1:12:32.880 --> 1:12:34.880
<v Speaker 1>Well, she doesn't say she needs she says. He says,

1:12:34.880 --> 1:12:36.599
<v Speaker 1>please give us a few minutes alone, and she goes

1:12:38.160 --> 1:12:39.400
<v Speaker 1>get my laundry, but I'll be.

1:12:39.840 --> 1:12:44.120
<v Speaker 3>Ok she's not like when you said that.

1:12:44.200 --> 1:12:47.479
<v Speaker 1>I was like, what why I don't give them out

1:12:47.479 --> 1:12:47.840
<v Speaker 1>of the dryer?

1:12:47.880 --> 1:12:52.880
<v Speaker 3>People are going to put stuff in. Give me a yes, Corey.

1:12:52.640 --> 1:12:55.040
<v Speaker 1>Says, can you please give us a few minutes, And

1:12:55.120 --> 1:12:56.960
<v Speaker 1>she's like, Okay, fine, I'll go get my laundry, but

1:12:57.000 --> 1:12:57.840
<v Speaker 1>I'm going to come back.

1:13:00.080 --> 1:13:03.320
<v Speaker 2>But I'll be back. It's just to hear what I said.

1:13:03.479 --> 1:13:05.840
<v Speaker 3>Yeah, it's just so easily could have come.

1:13:06.960 --> 1:13:09.880
<v Speaker 2>What it's what with the I don't know.

1:13:09.760 --> 1:13:13.479
<v Speaker 3>Like just setting Corey into this temptation like moment. It's

1:13:13.520 --> 1:13:14.560
<v Speaker 3>just so forced.

1:13:14.240 --> 1:13:16.320
<v Speaker 4>Because it's like he can't just say I'm not going

1:13:16.400 --> 1:13:17.920
<v Speaker 4>to have sex with you or I'm not interested in

1:13:17.960 --> 1:13:20.400
<v Speaker 4>sleeping with you. Uh, you know, but he can just

1:13:20.400 --> 1:13:22.400
<v Speaker 4>say I need to talk to my brother and she's like, okay, cool,

1:13:22.800 --> 1:13:24.320
<v Speaker 4>I'll see you later, you know, right right?

1:13:24.320 --> 1:13:26.320
<v Speaker 1>Because she why does she accept just I need to talk. Well,

1:13:26.320 --> 1:13:28.240
<v Speaker 1>I think it's because it's just if he were to

1:13:28.280 --> 1:13:31.640
<v Speaker 1>say I'm not doing this, that's the final answer, and

1:13:31.680 --> 1:13:35.040
<v Speaker 1>she's not willing to accept that. So everything she's doing

1:13:35.120 --> 1:13:38.120
<v Speaker 1>is if you need a few minutes, that's fine, but

1:13:38.240 --> 1:13:41.000
<v Speaker 1>I'm coming back. So the only reason she's willing to

1:13:41.040 --> 1:13:43.160
<v Speaker 1>walk away is because she goes, Okay, I'll go get

1:13:43.160 --> 1:13:46.800
<v Speaker 1>my laundry, but I'm coming back. So that's the only

1:13:46.840 --> 1:13:48.559
<v Speaker 1>reason she's like accepting any of this.

1:13:50.160 --> 1:13:52.160
<v Speaker 2>So uh.

1:13:52.520 --> 1:13:55.640
<v Speaker 1>Eric says, no, he doesn't, but Corey explains nothing was

1:13:55.680 --> 1:13:58.040
<v Speaker 1>going to happen. Eric says Corey doesn't have to answer

1:13:58.040 --> 1:13:59.479
<v Speaker 1>to him, and he heads toward the door with his

1:13:59.520 --> 1:14:03.120
<v Speaker 1>sleeping bag. Corey asks his brother, did you know Tapanga.

1:14:02.720 --> 1:14:03.160
<v Speaker 3>Lied to me?

1:14:03.640 --> 1:14:05.759
<v Speaker 2>Eric is in swayed. Oh, then she had this coming,

1:14:06.040 --> 1:14:06.679
<v Speaker 2>and Mary.

1:14:06.439 --> 1:14:08.599
<v Speaker 1>Beth is beautiful and she's here, and no one's ever

1:14:08.680 --> 1:14:11.479
<v Speaker 1>going to know about it except for Mary Beth and you.

1:14:12.240 --> 1:14:14.960
<v Speaker 1>Corey's still arguing Tapanga and him had this whole weekend

1:14:14.960 --> 1:14:16.679
<v Speaker 1>planned out. Why didn't she want to go with him?

1:14:16.960 --> 1:14:19.800
<v Speaker 1>Eric keeps laying into him. Tomorrow mary Beth will be gone,

1:14:20.040 --> 1:14:22.760
<v Speaker 1>and so well, sixteen years of a great relationship with

1:14:22.800 --> 1:14:24.320
<v Speaker 1>somebody you really care about.

1:14:24.200 --> 1:14:29.400
<v Speaker 4>Somebody you sixteen years of non sixteen years again, never never, never,

1:14:29.680 --> 1:14:31.240
<v Speaker 4>haven't smoked for sixteen years?

1:14:31.360 --> 1:14:34.559
<v Speaker 3>It's a great Yeah, who hasn't smoked for sixteen years?

1:14:34.720 --> 1:14:37.479
<v Speaker 4>When we did the episode where Corey claimed and long

1:14:37.600 --> 1:14:40.080
<v Speaker 4>Long walk to Pittsburgh, Corey claimed that he had been

1:14:40.080 --> 1:14:42.120
<v Speaker 4>in love with her for sixteen years, and you, guys,

1:14:42.360 --> 1:14:44.080
<v Speaker 4>I think it was you made the comparison of like, yeah,

1:14:44.120 --> 1:14:46.800
<v Speaker 4>you also haven't smoked for sixteen years. It's like that

1:14:46.920 --> 1:14:49.400
<v Speaker 4>not an accomplishment to have been a human being, like

1:14:49.640 --> 1:14:50.840
<v Speaker 4>as a kid, It's not that big.

1:14:50.800 --> 1:14:54.720
<v Speaker 1>Of a yeah, yeah, somebody you love, somebody who's worth waiting for.

1:14:55.360 --> 1:14:57.360
<v Speaker 1>Eric says Corey needs to walk away from these kinds

1:14:57.360 --> 1:14:59.720
<v Speaker 1>of opportunities, even if they seem great and wonderful in

1:14:59.720 --> 1:15:03.439
<v Speaker 1>the moment. But ultimately it's Corey's decision, and he knows

1:15:03.479 --> 1:15:06.519
<v Speaker 1>what's best for him. Eric excuses himself he needs to

1:15:06.560 --> 1:15:09.840
<v Speaker 1>meet Julie and her study group for jet skiing. So

1:15:10.439 --> 1:15:11.960
<v Speaker 1>this is then where I was like, Oh, so he

1:15:13.040 --> 1:15:17.040
<v Speaker 1>wasn't leaving school at all, and he came to look

1:15:17.080 --> 1:15:20.320
<v Speaker 1>for Corey to invite him to go jet skiing. Yeah,

1:15:20.439 --> 1:15:23.240
<v Speaker 1>Corey says Eric deserves better too. If Eric goes to

1:15:23.280 --> 1:15:25.479
<v Speaker 1>Beach State, he'll feel good for a day and then

1:15:25.479 --> 1:15:27.679
<v Speaker 1>he won't. Eric deserves to go to a place that's

1:15:27.680 --> 1:15:29.960
<v Speaker 1>worth all the effort. He encourages his brother to go

1:15:30.000 --> 1:15:33.080
<v Speaker 1>to Penbrook. Eric reveals he never even went to the interview.

1:15:33.200 --> 1:15:35.800
<v Speaker 1>He got scared because it seemed hard. But Beach State

1:15:35.920 --> 1:15:38.360
<v Speaker 1>is a sure thing. How can he walk away from

1:15:38.360 --> 1:15:42.439
<v Speaker 1>a sure thing? Perfectly timed, Mary Beth walks back in

1:15:42.479 --> 1:15:45.280
<v Speaker 1>the room. She looks at Corey. What's it gonna be?

1:15:45.680 --> 1:15:48.880
<v Speaker 1>Corey answers, I have to tell you something. I love

1:15:48.920 --> 1:15:52.040
<v Speaker 1>my girlfriend. He looks back at Eric and says like that.

1:15:53.080 --> 1:15:55.839
<v Speaker 1>Eric tells Corey let's go. Mary Beth and Corey exchange

1:15:55.840 --> 1:15:58.559
<v Speaker 1>a little look in a soft smile, and then he's gone.

1:15:59.280 --> 1:16:01.880
<v Speaker 1>Just then, we see ladder appear outside of mary Beth's window.

1:16:01.960 --> 1:16:02.439
<v Speaker 3>It's Sean.

1:16:02.800 --> 1:16:05.519
<v Speaker 1>He's carrying the TV, said she threw out earlier. Hey,

1:16:05.640 --> 1:16:08.080
<v Speaker 1>look you what I found. She takes the TV from

1:16:08.160 --> 1:16:10.880
<v Speaker 1>him and pushes the ladder away, with Sean still on it.

1:16:11.120 --> 1:16:13.519
<v Speaker 1>How may be dead, He may be dead. I had

1:16:13.640 --> 1:16:14.120
<v Speaker 1>no idea.

1:16:14.200 --> 1:16:22.080
<v Speaker 3>My god, the very danger. Yes, my god, I you know.

1:16:22.840 --> 1:16:26.679
<v Speaker 4>Sherman talked a little bit about Eric as the wise

1:16:26.920 --> 1:16:29.880
<v Speaker 4>like character for Corey, and I love that in this like.

1:16:29.920 --> 1:16:33.479
<v Speaker 4>I love seeing Eric very smart with his yeah, you know,

1:16:33.760 --> 1:16:35.879
<v Speaker 4>full of confidence and able to give advice.

1:16:35.960 --> 1:16:37.080
<v Speaker 3>It's a cool cool.

1:16:36.920 --> 1:16:38.519
<v Speaker 5>Well, maybe that is what they were going for, is

1:16:38.520 --> 1:16:40.920
<v Speaker 5>that Eric can see it, can give advice to other people,

1:16:40.920 --> 1:16:42.280
<v Speaker 5>but he can't see it in himself.

1:16:42.400 --> 1:16:43.800
<v Speaker 6>Yeah, maybe that's what it was.

1:16:44.240 --> 1:16:45.280
<v Speaker 3>And that has been the thing.

1:16:45.320 --> 1:16:49.720
<v Speaker 1>It's it's so interesting that his all of his intelligence

1:16:49.800 --> 1:16:54.479
<v Speaker 1>seems to be in relationships and emotional intelligence and all

1:16:54.520 --> 1:16:56.120
<v Speaker 1>of that, and yet is the only one.

1:16:56.000 --> 1:16:57.559
<v Speaker 2>On the show who never ends up having a serious

1:16:57.600 --> 1:16:58.559
<v Speaker 2>relationship himself.

1:16:58.800 --> 1:17:03.599
<v Speaker 1>Yeah, so at seeing it and you know, protecting it

1:17:03.640 --> 1:17:07.080
<v Speaker 1>for his friends his family, but never gets it fro himself.

1:17:18.520 --> 1:17:21.360
<v Speaker 1>Well then we are at Penbrook. Eric is wearing a tie.

1:17:21.439 --> 1:17:25.160
<v Speaker 1>It's no Turner tie. Rest in peace. He's standing in

1:17:25.160 --> 1:17:29.120
<v Speaker 1>an academic office across from new character alert Bonnie Bartlett,

1:17:29.160 --> 1:17:32.160
<v Speaker 1>who states, I'm sorry, but your interview was two days ago.

1:17:32.240 --> 1:17:34.720
<v Speaker 1>You didn't show up. You didn't even notify us. She

1:17:34.800 --> 1:17:37.080
<v Speaker 1>has other applicants who were responsible enough to show up

1:17:37.080 --> 1:17:39.680
<v Speaker 1>at their scheduled time. Eric admits he was scared, but

1:17:40.000 --> 1:17:42.599
<v Speaker 1>she doesn't care to listen to excuses. Eric pleads, it's

1:17:42.640 --> 1:17:45.519
<v Speaker 1>not an excuse, it's how I felt. He's still scared,

1:17:45.600 --> 1:17:47.400
<v Speaker 1>but he's determined to make sure he goes to the

1:17:47.439 --> 1:17:49.760
<v Speaker 1>right school. She asks him why he thinks this is

1:17:49.800 --> 1:17:51.880
<v Speaker 1>the right school for him, and he tells her that

1:17:51.960 --> 1:17:55.000
<v Speaker 1>other people say he has potential, and now he's finally

1:17:55.040 --> 1:17:58.559
<v Speaker 1>starting to believe them. That's why he needs Penbrook. She

1:17:58.600 --> 1:18:00.519
<v Speaker 1>says he had his chance, but Eric won't take no

1:18:00.600 --> 1:18:03.720
<v Speaker 1>for an answer. He quickly stands so fast you can

1:18:03.760 --> 1:18:05.800
<v Speaker 1>see the boom mic quickly.

1:18:05.479 --> 1:18:06.080
<v Speaker 3>Jumping out.

1:18:08.560 --> 1:18:12.799
<v Speaker 1>The twos and says Penbrook is his chance. He demands

1:18:12.840 --> 1:18:16.000
<v Speaker 1>that he get his interview, and she remarks, well, I

1:18:16.040 --> 1:18:17.040
<v Speaker 1>think you just had it.

1:18:17.880 --> 1:18:20.920
<v Speaker 5>Can we talk very, very very very quickly about how

1:18:21.840 --> 1:18:25.200
<v Speaker 5>stunning Bonnie looks on camera? I know, I mean she

1:18:25.360 --> 1:18:26.960
<v Speaker 5>the camera just there are some people they say the

1:18:26.960 --> 1:18:27.760
<v Speaker 5>camera loves them.

1:18:27.880 --> 1:18:30.880
<v Speaker 3>She is one of those people. She just shines on camera.

1:18:30.880 --> 1:18:31.439
<v Speaker 3>It's amazing.

1:18:31.479 --> 1:18:31.720
<v Speaker 5>I know.

1:18:32.920 --> 1:18:35.120
<v Speaker 1>Well, then we're in the Matthews living room, Corey in

1:18:35.160 --> 1:18:37.759
<v Speaker 1>a sweater vest, wearing tapanga or sitting on the couch

1:18:37.760 --> 1:18:41.160
<v Speaker 1>and their shoes. When Corey says, you lied to me,

1:18:41.560 --> 1:18:43.880
<v Speaker 1>she nods, I was just worried about being alone with

1:18:43.920 --> 1:18:46.439
<v Speaker 1>you overnight. Corey tells her she should have said something.

1:18:46.560 --> 1:18:48.840
<v Speaker 1>She could have told him how she felt. When did

1:18:48.880 --> 1:18:50.800
<v Speaker 1>you ever say no to me that I didn't listen?

1:18:51.160 --> 1:18:53.519
<v Speaker 1>When did you ever worry about being alone with me?

1:18:53.960 --> 1:18:57.000
<v Speaker 1>She admits, never, I was worried about me. I was

1:18:57.000 --> 1:18:59.120
<v Speaker 1>worried about what I might do alone with you and

1:18:59.160 --> 1:19:01.880
<v Speaker 1>the beach and the moon. I know I'm not ready yet.

1:19:02.120 --> 1:19:04.479
<v Speaker 1>It's also what she would say if she were a werewolf.

1:19:04.920 --> 1:19:09.160
<v Speaker 3>Just, oh my god, is that what it is?

1:19:10.040 --> 1:19:14.040
<v Speaker 5>I never watched Gomi's World. Was that one of the twists? Okay, good,

1:19:14.439 --> 1:19:15.960
<v Speaker 5>no idea what happens on that show? So I didn't

1:19:15.960 --> 1:19:17.200
<v Speaker 5>know if it could be about a werewolf.

1:19:17.760 --> 1:19:19.439
<v Speaker 4>You make the joke, but that is literally the plot

1:19:19.439 --> 1:19:21.760
<v Speaker 4>line of season two with Corey, right, he thinks he's

1:19:21.840 --> 1:19:22.080
<v Speaker 4>going to.

1:19:22.080 --> 1:19:26.320
<v Speaker 3>Be a were wolf. So their first kiss was aware.

1:19:26.479 --> 1:19:28.840
<v Speaker 3>The second kiss was because he was afraid he was

1:19:28.880 --> 1:19:30.479
<v Speaker 3>gonna You're.

1:19:30.400 --> 1:19:33.639
<v Speaker 1>Right, Corey assureser, I know things are going to happen

1:19:33.720 --> 1:19:35.800
<v Speaker 1>between us when they're supposed to happen, and I know

1:19:35.880 --> 1:19:38.639
<v Speaker 1>I'll wait until they do. She asks how he knows,

1:19:38.760 --> 1:19:41.160
<v Speaker 1>and he answers the best things in life are worth

1:19:41.200 --> 1:19:44.000
<v Speaker 1>waiting for. She feels the same way about him. She

1:19:44.080 --> 1:19:45.320
<v Speaker 1>leans into.

1:19:46.360 --> 1:19:48.559
<v Speaker 5>Yeah, dun dun dun doune done done.

1:19:49.520 --> 1:19:52.200
<v Speaker 1>You know, basically, every time Corey is alone away from Tobago,

1:19:55.400 --> 1:19:59.839
<v Speaker 1>someone is is. There's just a possibility that it's happening,

1:20:00.200 --> 1:20:01.280
<v Speaker 1>and you know.

1:20:03.240 --> 1:20:03.559
<v Speaker 5>This is.

1:20:05.040 --> 1:20:06.360
<v Speaker 3>You just don't understand it.

1:20:06.720 --> 1:20:09.240
<v Speaker 4>You don't get it because I mean, yes, I want

1:20:09.240 --> 1:20:11.519
<v Speaker 4>to put my penis in other people, but this is

1:20:11.600 --> 1:20:13.720
<v Speaker 4>this is the universe, this is this is it.

1:20:15.560 --> 1:20:18.479
<v Speaker 3>You know, you're a very sexy boy, Corey.

1:20:18.720 --> 1:20:19.599
<v Speaker 2>Corey is surprised.

1:20:19.800 --> 1:20:20.519
<v Speaker 3>He can't wait to.

1:20:20.439 --> 1:20:23.640
<v Speaker 1>Tell Seanean and then we have the tag We're in

1:20:23.640 --> 1:20:24.360
<v Speaker 1>the Matthew's kitchen.

1:20:25.400 --> 1:20:26.519
<v Speaker 3>Your face did you see that?

1:20:26.760 --> 1:20:26.960
<v Speaker 2>Yeah?

1:20:26.960 --> 1:20:29.800
<v Speaker 3>I know, You're just like, that's weird. That's such a

1:20:29.800 --> 1:20:30.360
<v Speaker 3>good reaction.

1:20:33.000 --> 1:20:35.800
<v Speaker 1>The whole family, plus Foene, Sean, and Tapanga gather around

1:20:35.880 --> 1:20:38.240
<v Speaker 1>Eric as he holds his letter from Penbrook. He can't

1:20:38.240 --> 1:20:40.400
<v Speaker 1>open it. He's too scared. He gives Corey the letter,

1:20:40.400 --> 1:20:43.040
<v Speaker 1>who frantically tears it open. Corey reads it to himself.

1:20:43.080 --> 1:20:45.840
<v Speaker 1>Oh boy, oh boy, this is bad. Eric's panicking, and

1:20:45.880 --> 1:20:49.040
<v Speaker 1>Phoene reminds him that Dean Bolander is a tough cookie.

1:20:49.400 --> 1:20:50.640
<v Speaker 2>Eric asks how he knows her in.

1:20:50.680 --> 1:20:54.320
<v Speaker 1>Phoene size, she's been after me for years.

1:20:55.640 --> 1:20:56.280
<v Speaker 3>Great joke.

1:20:57.600 --> 1:20:59.800
<v Speaker 1>Sean's now looking at the letter, he says, it just

1:21:00.240 --> 1:21:03.760
<v Speaker 1>getting worse. Eric screams, just tell me. Corey gives in.

1:21:03.960 --> 1:21:05.960
<v Speaker 1>First of all, they're charging an arm in a leg

1:21:06.160 --> 1:21:07.920
<v Speaker 1>to Panga Ads and they want you there like a

1:21:07.960 --> 1:21:10.840
<v Speaker 1>week before Labor Day for some kind of orientation deal.

1:21:11.400 --> 1:21:14.840
<v Speaker 1>Eric shouts, I'm in, I'm in. Alan gives him a

1:21:14.920 --> 1:21:18.000
<v Speaker 1>huge hug, and the audience lets out a roaring applause.

1:21:18.360 --> 1:21:21.840
<v Speaker 1>Everyone continues to hug Eric, and finally Feoene gives him

1:21:21.880 --> 1:21:24.759
<v Speaker 1>a huge hug and Eric smiles, Thank you, mister Feenie,

1:21:25.080 --> 1:21:26.280
<v Speaker 1>thank you for everything.

1:21:26.439 --> 1:21:30.120
<v Speaker 4>This is amazing to watch because I'm like, oh my gosh.

1:21:30.200 --> 1:21:32.960
<v Speaker 4>The end of season three was Eric not getting into college,

1:21:33.120 --> 1:21:36.200
<v Speaker 4>right like, they're getting that letter and that dramatic and

1:21:36.240 --> 1:21:38.200
<v Speaker 4>then the beginning of the season is you on the

1:21:38.280 --> 1:21:40.720
<v Speaker 4>road trip, and that your whole storyline about whether you're

1:21:40.720 --> 1:21:44.200
<v Speaker 4>going to stay there. I mean, you were like carrying

1:21:44.280 --> 1:21:45.360
<v Speaker 4>the show at this point?

1:21:45.520 --> 1:21:49.280
<v Speaker 3>Did you did you know that? No? No, I did you.

1:21:49.479 --> 1:21:51.599
<v Speaker 4>I Mean we've talked about this, like off Mike, but like,

1:21:51.720 --> 1:21:54.400
<v Speaker 4>it is crazy to me how much I thought that

1:21:54.479 --> 1:21:55.640
<v Speaker 4>we were like small.

1:21:55.400 --> 1:21:56.559
<v Speaker 3>Parts of the Yeah show.

1:21:56.920 --> 1:22:00.759
<v Speaker 4>In retrospect, I'm like, we were the stars of network

1:22:00.840 --> 1:22:04.599
<v Speaker 4>television show and we were carrying. So you never thought

1:22:04.640 --> 1:22:08.240
<v Speaker 4>that always if you had asked me two years ago,

1:22:08.439 --> 1:22:10.040
<v Speaker 4>like were you on boy, me, totally. Yeah, it was

1:22:10.040 --> 1:22:12.160
<v Speaker 4>a small part of it was one of the you know,

1:22:12.280 --> 1:22:14.240
<v Speaker 4>I had some good scenes, I had some good episodes.

1:22:14.280 --> 1:22:17.439
<v Speaker 4>But now I'm like, no, we were like a huge

1:22:17.720 --> 1:22:19.760
<v Speaker 4>like you and I were king guys, so much of

1:22:19.840 --> 1:22:22.639
<v Speaker 4>this together all the time.

1:22:22.840 --> 1:22:24.800
<v Speaker 3>My god, we were together all the time. Yeah.

1:22:25.080 --> 1:22:28.080
<v Speaker 4>Actually, I actually don't think we work together that much,

1:22:28.120 --> 1:22:30.920
<v Speaker 4>but like we've we've been all Eric and Sean have

1:22:30.960 --> 1:22:36.600
<v Speaker 4>been alternating the emotional arc of seasons and multi episodes,

1:22:36.640 --> 1:22:39.280
<v Speaker 4>and it's just like it's mind boggling to me because

1:22:39.360 --> 1:22:41.040
<v Speaker 4>you know, I think it was because partly because you

1:22:41.080 --> 1:22:43.320
<v Speaker 4>and I were splitting the duties. You would have a

1:22:43.360 --> 1:22:45.240
<v Speaker 4>whole week where you wouldn't be doing anything. I would

1:22:45.280 --> 1:22:47.160
<v Speaker 4>have a week where I wouldn't be doing anything. Yeah,

1:22:47.160 --> 1:22:49.320
<v Speaker 4>And so in our minds we just thought of it

1:22:49.360 --> 1:22:51.840
<v Speaker 4>as like, it's Ben's show. We're just kind of here

1:22:52.800 --> 1:22:53.400
<v Speaker 4>episode I've.

1:22:53.320 --> 1:22:55.280
<v Speaker 5>Got one about myself this week, Like that's how I

1:22:55.280 --> 1:22:57.439
<v Speaker 5>would also like, Oh, Eric's got a decent part this week.

1:22:57.439 --> 1:22:59.439
<v Speaker 5>That's always what it was. It was never oh I've

1:22:59.479 --> 1:23:02.000
<v Speaker 5>got the art of the season like that never came

1:23:02.040 --> 1:23:04.920
<v Speaker 5>into my head. So yeah, very strange. Also, I have

1:23:05.000 --> 1:23:07.720
<v Speaker 5>to say when Feenie and Eric hugged, I welled up

1:23:07.760 --> 1:23:10.160
<v Speaker 5>a little bit. My robot heart melted and I felt

1:23:10.280 --> 1:23:10.920
<v Speaker 5>human emotion.

1:23:11.600 --> 1:23:13.400
<v Speaker 3>I didn't like it. I didn't like it, but it

1:23:13.520 --> 1:23:17.080
<v Speaker 3>didn't like the robot having heart like that. Didn't like feeling,

1:23:17.160 --> 1:23:19.080
<v Speaker 3>but it was it was It was nice. It was

1:23:19.200 --> 1:23:19.799
<v Speaker 3>very nice.

1:23:19.920 --> 1:23:23.719
<v Speaker 1>It's a wonderful button on a wonderful season. I can't

1:23:23.720 --> 1:23:26.000
<v Speaker 1>believe I get to say this right now, but our

1:23:26.160 --> 1:23:32.000
<v Speaker 1>next episode recap will be season five, episode one, Brothers,

1:23:32.600 --> 1:23:37.400
<v Speaker 1>which originally aired October third, nineteen ninety seven. So thank

1:23:37.439 --> 1:23:39.519
<v Speaker 1>you all for joining us for this episode. As always,

1:23:39.520 --> 1:23:41.679
<v Speaker 1>You can follow us on Instagram pod Meets World Show.

1:23:41.760 --> 1:23:44.080
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1:23:44.120 --> 1:23:45.120
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1:23:45.160 --> 1:23:46.559
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1:23:53.840 --> 1:23:55.360
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1:23:57.760 --> 1:24:00.600
<v Speaker 3>We love you all. Pod dismissed. I knew you were

1:24:00.640 --> 1:24:01.200
<v Speaker 3>going to say that.

1:24:02.479 --> 1:24:06.040
<v Speaker 5>Podmets World is Niheart podcast producer and hosted by Danielle Fischel,

1:24:06.120 --> 1:24:10.320
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1:24:10.640 --> 1:24:14.160
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1:24:14.200 --> 1:24:18.000
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