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Speaker 1: So I found I don't know if this is even

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Speaker 1: a good idea, because it's I found a back page

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Speaker 1: journal entry.

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Speaker 2: It's not on a piece of paper.

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Speaker 3: Is it from the same journal as before?

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Speaker 1: Yes, the same journal, but I wrote it on the

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Speaker 1: inside hardcover.

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Speaker 3: Did you write your own epilogue? What's going on?

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Speaker 2: Basically?

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Speaker 1: I I was sitting on my desk and I opened

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Speaker 1: it and I was like, oh my, it'll just.

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Speaker 2: Really give you in some ways.

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Speaker 3: It really is.

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Speaker 1: It's actually very sad. I'm gonna read it very funny,

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Speaker 1: but it's very sad because it really will give you

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Speaker 1: into like a real peak into the mind of teenage

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Speaker 1: Danielle in the nineties.

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Speaker 3: But I know I'm not alone.

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Speaker 2: Like I know it was.

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Speaker 1: The nineties in general were a time where you know, uh,

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Speaker 1: there was really no such thing as body positivity. You

22
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Speaker 1: were you everyone was chasing a wafe look, and if

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Speaker 1: you had curves or if you had any sort of

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Speaker 1: extra weight, it was really something you were supposed to

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Speaker 1: feel bad about. And I have always been the type

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Speaker 1: of person who I gain weight relatively quickly, and but

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Speaker 1: I gain it evenly. I don't necessarily have one like

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Speaker 1: quote unquote problem area where all my weight goes to

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Speaker 1: this area. I gain weight in this area, and then

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Speaker 1: when my body's like, well that's enough weight there, I

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Speaker 1: just moves on to another area until I have a

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Speaker 1: soft plumpness everywhere.

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Speaker 2: Honestly, I don't mind if you're I'd rather it.

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Speaker 3: Keeps me hurt. Distributed evenly distributed is great. Also, a

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Speaker 3: lot of people out there, for the record, big fan of.

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Speaker 1: Curves just saying yes, yes, and and I realized that

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Speaker 1: in hindsight as I aged, and I would then and

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Speaker 1: then the Internet, and I became more adept at the Internet,

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Speaker 1: and I would see comments people had made about me

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Speaker 1: when I was on Boy Meets World when I did

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Speaker 1: have more weight on me than I did in the

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Speaker 1: first couple of seasons, and I found that there were

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Speaker 1: plenty of people who were like, I think Tapega looked

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Speaker 1: better with more weight on her than she did earlier on.

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Speaker 1: And I was like, well, that's that's the first time

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Speaker 1: I'm hearing of that. Anyway, I in high school was

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Speaker 1: one of the only people who really did if I

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Speaker 1: watched her weight. My girlfriends could all eat whatever they wanted, really, yes,

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Speaker 1: And I don't know. They were cheerleaders, so I don't

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Speaker 1: know if it's also because they were significantly more active

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Speaker 1: than I was. Like they were, you know, doing cheer

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Speaker 1: every day after.

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Speaker 3: Sure they weren't just in private act like maybe.

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Speaker 1: But no, Like for lunches and stuff, they would think

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Speaker 1: nothing of having like a big thick slice of pizza.

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Speaker 3: And a Matt Lawrence. They were all Matt Lawrence.

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Speaker 1: It went yeah, and I would be like, oh no,

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Speaker 1: if I were to eat a piece of pizza every

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Speaker 1: day for lunch and a bag of chips, I would

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Speaker 1: definitely I would.

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Speaker 2: I would have weight on me.

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Speaker 3: Yep.

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Speaker 1: And so anyway, on the back page of this journal.

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Speaker 1: Don't ask me why I didn't write it on the

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Speaker 1: date that it happened. But and I'm going to read

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Speaker 1: it funny and you'll just have to hear the sadness

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Speaker 1: within it. But God, today I found something I've dreaded hearing.

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Speaker 1: I have never been so hurt in my life. I

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Speaker 1: found out Jen, my best friend next to Jess, said

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Speaker 1: that the other day when she saw me, it looked

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Speaker 1: like I had gained weight. I wanted to cry on

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Speaker 1: the phone. I was with Teddy on the phone. My

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Speaker 1: journal needed to know who I was talking to. I

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Speaker 1: really hated Jen. Then maybe I will never eat again.

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Speaker 3: Oh never, not not not talk to Jen, but never again.

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Speaker 1: If you don't think I could go up a notch,

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Speaker 1: you're wrong. Then I'll die and that'll.

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Speaker 3: Show Oh go, that's so.

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Speaker 4: It's like imagining your own funeral. So you see everybody sad,

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Speaker 4: and it'd be.

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Speaker 1: Such a skinny little casket.

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Speaker 3: I just want to want a tooth pick.

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Speaker 5: You just I miss her so much. But god, she

84
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Speaker 5: looks thin.

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Speaker 3: God, look to my god.

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Speaker 2: I hate to say it, but she just done this.

87
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Speaker 3: She around this year. This is horrible.

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Speaker 1: Away there and their tiny little skirt, their tiny little

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Speaker 1: skirts eating pizza. Oh god, oh man, terrible. Anyway, then

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Speaker 1: I'll die and that'll show her that's skinny, asked.

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Speaker 3: Did you really write that? Amazing?

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Speaker 2: I wrote, who's she to talk?

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Speaker 1: Little miss five six ninety pounder, and then I gave

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Speaker 1: myself a PostScript. I don't know how much longer, but

95
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Speaker 1: I circled who I was angry there by the way

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Speaker 1: I'm eating.

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Speaker 4: That's great, but that's actually great, Like you reflected on it.

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Speaker 3: I looked I apparently read it a while later, and

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Speaker 3: when you were able to say this is a little

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Speaker 3: extreme this is healthy. So you were just venting.

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Speaker 1: Yes, I was venting, which is a great point of

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Speaker 1: a diary to just.

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Speaker 3: Ben I'm so glad.

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Speaker 4: But see, that's such a sign that that you know,

105
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Speaker 4: because a lot of people do get caught.

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Speaker 3: And I mean that's what interrexy is, right.

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Speaker 4: It is like a trap of like I'm going to

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Speaker 4: turn all these feelings and insecurities inward and it's going

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Speaker 4: to be my fault and I'm gonna get control of this.

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Speaker 3: And oh, I'm so glad that you came back and

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Speaker 3: revised that. I came back.

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Speaker 1: I revised it, and I wanted myself to know I

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Speaker 1: was eating and I was fine.

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Speaker 2: By the way, Jen is still my best friend.

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Speaker 5: I was gonna say, I am.

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Speaker 3: My darn it when you know what she is.

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Speaker 1: She's still so thin, but now she she does she

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Speaker 1: works at it, she works out, she's very healthy, she

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Speaker 1: eats well.

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Speaker 3: Have you guys ever heard the theory yet?

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Speaker 4: I think I kind of agree with this, is that,

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Speaker 4: like you know, women women dress and obsess over their

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Speaker 4: bodies for other women, and men obsessed over their bodies

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Speaker 4: for other men.

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Speaker 3: Yes, yes, because I think you're like, yeah, because I.

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Speaker 4: Think that you know, men like tend to find slightly heavier,

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Speaker 4: curvy women attractive, and yet women often judge each other

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Speaker 4: for not being you know, so it's and then men,

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Speaker 4: of course are like always a woman you'd be like cut,

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Speaker 4: yes and huge muscular, and you talk to a lot

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Speaker 4: of women they're like, oh, I realized, Oh, it's like

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Speaker 4: it's more intragender competition.

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Speaker 3: Do you know what I mean?

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Speaker 4: It's more like seacocking within your gender than it is

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Speaker 4: actually attracting the opposite because we can only you know,

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Speaker 4: I assume that we sort of see the world through

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Speaker 4: our own gender filter, and so of course it's like

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Speaker 4: it's way easier for me to like kind of judge

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Speaker 4: the appearance of other men than I, and then it

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Speaker 4: is for women. So I don't I kind of fascinateing.

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Speaker 4: I've had to like start in turning that part of

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Speaker 4: my brain off and be like, if you know, because

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Speaker 4: I if I want to be attractive to women, it's

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Speaker 4: a different brain state than like I think comes naturally.

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Speaker 1: To me, right, Yeah, I mean, I will also tell

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Speaker 1: you I did update. I think I told you once

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Speaker 1: not that long ago, that I would probably be having

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Speaker 1: some sort of mommy makeover situation. That I wanted to

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Speaker 1: maybe have a tummy tuck, and I had a consultation

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Speaker 1: and I will not be doing it.

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Speaker 3: Yes, good, thank god. I until Jen talks behind your.

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Speaker 1: Jen tells me the last time she sees me honestly skinny.

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Speaker 3: As no, that's why.

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Speaker 5: So I was talking to Susan about this the other

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Speaker 5: day because I noticed so what. I went back to

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Speaker 5: see my parents, and when you hit a certain age,

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Speaker 5: all people talk about are their ailments, the people they

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Speaker 5: know that have died.

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Speaker 3: You know, that's it.

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Speaker 5: And then I also noticed women of a certain age,

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Speaker 5: every time they got together, there'd be six or seven

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Speaker 5: of them around a table. Sometimes, Danielle, you'd be involved

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Speaker 5: in this, and the conversation was always about plastic surgery

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Speaker 5: or some kind of beauty, what you were doing. And

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Speaker 5: so you hit an age and it's like everybody's having

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Speaker 5: the same conversation.

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Speaker 3: And I get especially I have to imagine. I don't get.

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Speaker 5: I have to imagine it's difficult for women to age.

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Speaker 5: I must be hard to do.

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Speaker 3: I don't know.

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Speaker 5: I think women have you know, it's a big generalization,

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Speaker 5: but I think generally have a more difficult time with

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Speaker 5: it than men do. And so it becomes the subject

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Speaker 5: of conversation, and I keep saying to like my wife, like,

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Speaker 5: I hope you never do anything you have to do

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Speaker 5: you obviously, because you have to feel however you want

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Speaker 5: to feel, to be the best version of yourself.

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Speaker 3: But don't ever do it for me, because I still.

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Speaker 5: Think you're the hottest woman I've ever met in real life,

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Speaker 5: And like, I just want to make sure that she

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Speaker 5: knows that as much as possible, because it's like, if

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Speaker 5: you've got to do it for your own mental health

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Speaker 5: or whatever, that's one thing, but don't make it about me,

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Speaker 5: because you're awesome.

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Speaker 3: So but it's weird you here.

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Speaker 1: We don't we're not truthfully, We're not doing it for

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Speaker 1: you or for in my case, Jensen, or for the

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Speaker 1: random man on a street who we want.

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Speaker 3: It's just that's not it.

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Speaker 1: It's the way we feel about ourselves. And you know,

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Speaker 1: as women have to. If you've had children, you've physically

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Speaker 1: created and grown a life inside your body, it would

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Speaker 1: be crazy to think that it would not have lasting changes,

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Speaker 1: sure on the structure of your body. And for me,

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Speaker 1: there's a little bit of a sense of like I'm

196
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Speaker 1: not trying to have of somebody I've never owned right,

197
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Speaker 1: I'm not looking like, here's a body of somebody I

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Speaker 1: find attractive, give me her body for me. It's about

199
00:10:09,440 --> 00:10:12,360
Speaker 1: could you get my body back to a little bit

200
00:10:12,400 --> 00:10:16,079
Speaker 1: of a pre baby body, just because that's what I'm

201
00:10:16,160 --> 00:10:18,960
Speaker 1: used to dressing, that's what feels most like me.

202
00:10:19,160 --> 00:10:20,840
Speaker 3: I've only been a mom for five years.

203
00:10:20,880 --> 00:10:24,120
Speaker 1: For thirty eight years, I was not pregnant or having babies,

204
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Speaker 1: so that's the body I'm kind of used to.

205
00:10:27,040 --> 00:10:28,480
Speaker 2: But there is no easy way out.

206
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Speaker 3: There was. Really it was kind of like for me.

207
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Speaker 1: Well, listen, I'm not gonna what am I gonna all

208
00:10:31,880 --> 00:10:34,560
Speaker 1: of a sudden be very consistent about my diet and

209
00:10:34,600 --> 00:10:35,599
Speaker 1: work out regularly.

210
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Speaker 3: That's not me who I am. I'm not gonna do that.

211
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Speaker 1: Maybe I'll just take this easy way. That's gonna be

212
00:10:41,640 --> 00:10:44,160
Speaker 1: very expensive, but it will be easy. This is my

213
00:10:44,200 --> 00:10:47,240
Speaker 1: thought process where someone will just go in, they'll suck

214
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Speaker 1: fat out, they'll cut, they'll tighten skin up. I'll be

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Speaker 1: uncomfortable for a few weeks and then I'll be perfectly

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Speaker 1: comfortable in my clothes again. Right, And then I had

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Speaker 1: the consultation and it's like, well, for twelve weeks, you're

218
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Speaker 1: sleeping in a recliner and you you you're.

219
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Speaker 3: It's this because you don't want to.

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Speaker 1: You know, they've they've cut you from hip to hip basically,

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Speaker 1: and and you can't lay flat because you're stretching out

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Speaker 1: what they've just tightened. And I was like, sleeping in

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Speaker 1: a recliner twelve weeks my number one favorite thing in life.

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Speaker 3: Star She's just a stat.

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Speaker 5: It's something that messes with Danielle sleeps, She's already out.

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Speaker 3: I'm like, uh no, no way.

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Speaker 1: And then you know, if while I was talking about

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Speaker 1: doing a tummy tuck, it was like, well listen, maybe

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Speaker 1: I'll also do a breastlift and they're like, well, yeah,

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Speaker 1: well we slice the tendons to do that, and so

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Speaker 1: that like that, you have to have Taranosaurus rex arms

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Speaker 1: for twelve weeks. You can't pick up your children, you

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Speaker 1: can't pick up anything heavy, and you literally can't do

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Speaker 1: anything with your arms that isn't within this range. And

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Speaker 1: I thought, you know what, I'm just going to join

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Speaker 1: a gym and I'm gonna I am gonna try to

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Speaker 1: eat better and I'm and if I say, the twelve

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Speaker 1: weeks of recovery were gonna be miserable. Starting on the

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Speaker 1: day I decide to do it, I'm going to see

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Speaker 1: where I start at week on day one and where

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Speaker 1: I end at the end of week twelve, and if

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Speaker 1: I can get myself to a place where at the

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Speaker 1: end of twelve weeks, I go, Wow, I'm so glad

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Speaker 1: I didn't have surgery, because even though I don't have

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Speaker 1: a perfect body, now I am to a place where

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Speaker 1: I'm more comfortable in my clothes, which is.

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Speaker 2: Truly all I'm looking for. So anyway, I just want

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Speaker 2: to give you that.

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Speaker 3: We got to go back to Danielle.

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Speaker 4: We got to definitely notice that twelve weeks is like

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Speaker 4: kind of the minimum though, Like if you really want

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Speaker 4: to change something in your life, you got to commit

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Speaker 4: at least, Like twelve weeks is exactly right, Like you

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Speaker 4: have to do three months, because I know a lot

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Speaker 4: of people are doing like sober January or whatever, and

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Speaker 4: you're like, it doesn't really make that much of it.

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Speaker 3: They kind of just go right back to whatever habit,

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Speaker 3: you know, whereas it you do three months of anything, Yeah,

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Speaker 3: it kind can see it. Yeah, it really makes a different.

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Speaker 3: So I agree. I think I think twelve weeks is

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Speaker 3: a good call.

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Speaker 1: All right, I appreciate it, Thanks for the support. Happy

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Speaker 1: to give you guys the update. Love that sixteen year

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Speaker 1: old Danielle and forty three year old Danielle are having

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Speaker 1: the same conversation.

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Speaker 3: So welcome to Pod meets World. I'm Danielle Fischel, I'm

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Speaker 3: right or strong, and I'm a skinny ass.

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Speaker 6: I'm not. I'm Will Fordell.

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Speaker 1: Welcome to this episode of Pod Meets World. We are

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Speaker 1: recapping season four, episode twenty two, Learning to Fly. It

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Speaker 1: is the season finale of season four. It originally aired

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Speaker 1: May second, nineteen ninety seven. The synopsis Eric is visiting

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Speaker 1: Beach State, his potential new college, and Corey and Sean

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Speaker 1: and Topanga plan to tag along, but when Tapanga's aunt

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Speaker 1: won't let her go, it throws the weekend and their

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Speaker 1: relationship into a totally different direction.

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Speaker 5: Now that's a synopsis. Remember we just had Sean joins

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Speaker 5: a cult.

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Speaker 3: Well as much a synopsis you couldn't.

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Speaker 4: You couldn't say Sean joins a cult and Turner gets

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Speaker 4: a rem psycho, and Sean rediscovers his religion. You know,

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Speaker 4: he finds God talks to him like it's like all

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Speaker 4: those steps was like an Andronicle antratical.

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Speaker 2: So funny.

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Speaker 3: It was directed by Jeff McCracken.

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Speaker 1: It was written by Jeff Sherman, his last Boy Meets

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Speaker 1: World script.

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Speaker 5: And this apparently one of the caveats for him coming

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Speaker 5: back was this script was getting Eric into college.

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Speaker 3: It makes sense, Yeah, it sure does.

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Speaker 5: So.

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Speaker 1: Guest starring the first appearance by Ms. Bonnie Bartlett as

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Speaker 1: Dean Lilah boll And.

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Speaker 3: I totally forgot that I'm the first one to work

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Speaker 3: with her.

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Speaker 1: I know, I forgot that she was in this early Yep,

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Speaker 1: me too, Me too entirely. She is the irl wife

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Speaker 1: of William Daniels and is a three time Emmy nominee

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Speaker 1: slash two time winner for her supporting role as Ellen

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Speaker 1: Craig on the drama Saint Elsewhere, one of three shows

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Speaker 1: where she would play a character married to Bill Daniels's character.

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Speaker 3: Wait a second, this one. I know I was gonna

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Speaker 3: quiz you.

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Speaker 1: There's no Saint Elsewhere and obviously Boy Meets World.

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Speaker 3: Will what's the third the third show that Bonnie plays? Oh?

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Speaker 5: God, I have no idea unless there's a female kit,

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Speaker 5: which would be awesome.

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Speaker 2: Oh wouldn't that be cool? No, it's touched by an angel.

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Speaker 3: Oh okay, interesting like a guest star.

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Speaker 1: Yeah, interesting, probably did a little maybe a episode.

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Speaker 3: It was eighteen when she met him.

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Speaker 2: Yeah, Oh my gosh, I thought you were gonna say

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Speaker 2: when she was on the show.

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Speaker 3: I was like, Michael, just the makeup.

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Speaker 1: That's like one of those things where it's like today

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Speaker 1: the year would be.

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Speaker 2: In fact, Bonnie Barlet's actually eighteen in this.

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Speaker 1: Bonnie is a legend who appeared in shows like gun Smoke,

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Speaker 1: Little House on the Prairie, Home Improvement, and The Golden Girls,

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Speaker 1: and in movies like Twins, Dave, and Primary Colors. The

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Speaker 1: ninety four year old recently wrote a spicy memoir called

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Speaker 1: Middle of the Rainbow, How a wife, mother and daughter

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Speaker 1: managed to find herself and win two Emmys. So if

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Speaker 1: you haven't checked it out, pick up that book.

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Speaker 3: I love Bonnie. It's been so great to spend time

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Speaker 3: with her. One of the bests in the last couple

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Speaker 3: of years, because I didn't really talk to her back.

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Speaker 4: Then, you know, And she really is just one of

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Speaker 4: my favorite people. She's so she she speaks her mind

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Speaker 4: almost more than anybody I've ever met, and I.

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Speaker 3: She doesn't care, she says she's like ninety four. I

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Speaker 3: don't care.

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Speaker 4: Yeah, she's so and she's so sharp and just brilliant

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Speaker 4: and a great actor.

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Speaker 3: Yeah, I really love her. And she's got great stories.

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Speaker 3: You know, she has great memory. She tells great stories

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Speaker 3: about her. We talk. I talk to her.

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Speaker 5: I call them, you know, probably once every two weeks

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Speaker 5: or so, or every time she calls me, no matter

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Speaker 5: how if even she just called me Bonnie. No, she

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Speaker 5: goes will Bonnie Daniels every time, will Bonnie.

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Speaker 3: Daniel Hey, Bonnie. So cute.

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Speaker 1: Yeah, she's a very she's a great storyteller. But she's

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Speaker 1: also a really good listener. She's can you just she's

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Speaker 1: always very present, and yeah, love her so much. And

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Speaker 1: then we have Brigita Doo as Julie. She also appeared

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Speaker 1: on twenty one Jump Street Weird So It's the TV

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Speaker 1: show Sliders and two Guys, a Girl and a Pizza Place.

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Speaker 1: She left acting in two thousand and five and is

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Speaker 1: now a certified life coach, Pilate's instructor and author.

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Speaker 2: Oh cool.

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Speaker 1: And then we have Lisa Dean Ryan as Mary Beth.

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Speaker 1: She is best known as Wanda Plean, one of the

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Speaker 1: stars of Doogie Howser MD and she played Maria from

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Speaker 1: the show Dead at twenty one. Her last acting credit

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Speaker 1: was in two thousand and five, and we couldn't find

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Speaker 1: anything else about her since there's no trace of her

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Speaker 1: on the internets.

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Speaker 3: She was kind of a big deal, big deal I

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Speaker 3: think they did. Yeah.

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Speaker 4: My feeling about her, like when I saw her on screen,

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Speaker 4: I was like, oh my gosh, I forgot all about her.

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Speaker 4: But the second I was like, I think they either

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Speaker 4: wrote this part for her where they built or they

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Speaker 4: just offered it to.

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Speaker 3: It Because my mind, she was like a big deal

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Speaker 3: to have on set.

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Speaker 1: Writer, Is she the guest star that was significantly older

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Speaker 1: than you that then you were mentioning when Trina comes

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Speaker 1: on the show in season five?

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Speaker 4: No, I'm pretty sure that was one of the English girls.

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Speaker 1: Oh wow, because I'm pretty sure it was Lisa Dean

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Speaker 1: Ryan is ten years older than us.

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Speaker 4: No, because I had to make out with the girl

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Speaker 4: who had a kid and was older, it was she

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Speaker 4: was twenty she was at least twenty six. In my

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Speaker 4: mind it was she was twenty eight and had a kid.

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Speaker 4: We didn't know she had a kid until she showed

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Speaker 4: up with a stroller. And I'm pretty sure it was one.

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Speaker 2: Of the Sparrow the Sparrow twins.

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Speaker 3: I'm pretty sure was that the woman there would have

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Speaker 3: been the one you were making out with. Yeah, I'm

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Speaker 3: pretty sure. It turned out that she had a kid

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Speaker 3: and was way older than we thought, which I don't

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Speaker 3: I haven't looked up, but yeah, I actually had that

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Speaker 3: same memory.

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Speaker 4: I was like, oh, Trina's coming soon, which means it

388
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Speaker 4: would have been one of these guests, and nobody's looked.

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Speaker 3: That much older.

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Speaker 1: So I thought of it last night when we looked

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Speaker 1: when we were looking up Lisa Dean Ryan trying to

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Speaker 1: find more information about her, and she's she's fifty two now,

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Speaker 1: and I'm I just turned forty three, so she's ten

394
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Speaker 1: years older than me. So I thought, wow, if WRITER

395
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Speaker 1: were seventeen at this point, she must have been, you know,

396
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Speaker 1: twenty five.

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Speaker 4: It was the whole point was that it was somebody

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Speaker 4: I was making out with, and when I found out

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Speaker 4: she had a kid, I was kind of like.

400
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Speaker 2: Oh, you thought maybe it could have been your kid

401
00:19:00,920 --> 00:19:01,280
Speaker 2: you had.

402
00:19:01,240 --> 00:19:03,800
Speaker 3: Been making seventeen. The thing was I wasn't eighteen yet,

403
00:19:03,840 --> 00:19:06,040
Speaker 3: you know, I was still seventeen this season, so that

404
00:19:06,200 --> 00:19:07,359
Speaker 3: it was just weird to be, you know.

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Speaker 1: And then also we have Sandra Ellis Lafferty as Missus Bluteman,

406
00:19:11,760 --> 00:19:18,359
Speaker 1: which I'm sure was a Missus Blutman. Oh yeah, that's great,

407
00:19:18,800 --> 00:19:23,240
Speaker 1: Missus Bluteman. Her resume includes two Hunger Games movies. She

408
00:19:23,320 --> 00:19:26,600
Speaker 1: played Maybelle Carter and Walk the Line, and appears in

409
00:19:26,760 --> 00:19:30,720
Speaker 1: the great twenty thirteen movie Prisoners. I found this this

410
00:19:30,760 --> 00:19:33,480
Speaker 1: little fact about her to be rather shocking. She began

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Speaker 1: her film and TV career at fifty years old.

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Speaker 3: Is that awesome? Yeah, isn't that amazing?

413
00:19:39,560 --> 00:19:42,520
Speaker 1: And she's still working today at aging eighty four.

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Speaker 3: Stuff. Yes, that's so cool.

415
00:19:45,760 --> 00:19:46,320
Speaker 2: Isn't that great?

416
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Speaker 5: Hearing those starts like the guy who played Seinfeld's dad

417
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Speaker 5: for years on Seinfeld I think started acting at fifty cool,

418
00:19:52,000 --> 00:19:54,480
Speaker 5: and I think Morgan Freeman somebody started at forty two.

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Speaker 3: I mean maybe it was Samuel Jackson.

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Speaker 5: It's great to hear these kind of like oh, I

421
00:19:58,480 --> 00:19:59,600
Speaker 5: want to do this, and then you go and you

422
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Speaker 5: do it and you knock it out of the park.

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00:20:01,000 --> 00:20:05,639
Speaker 3: It's really cool. So overall thoughts, it was really fun.

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Speaker 4: I liked this episode a great such a positive way

425
00:20:08,880 --> 00:20:11,199
Speaker 4: to end the season, and the same thing, and it

426
00:20:11,240 --> 00:20:15,919
Speaker 4: really just makes Eric's arc the structure, structure and arc

427
00:20:15,960 --> 00:20:18,480
Speaker 4: of the season. And it made so much sense, like

428
00:20:18,520 --> 00:20:20,119
Speaker 4: all the things that Jeff have been telling us, like

429
00:20:20,200 --> 00:20:21,560
Speaker 4: came to fruition.

430
00:20:21,320 --> 00:20:25,800
Speaker 3: And yeah, I mean, yeah, yeah I was. I felt

431
00:20:25,800 --> 00:20:26,919
Speaker 3: like I was checked out.

432
00:20:26,800 --> 00:20:29,320
Speaker 4: Like whenever, Sean is just like girl crazy and like

433
00:20:29,359 --> 00:20:31,560
Speaker 4: in for jokes, you could tell that, like I just

434
00:20:32,160 --> 00:20:32,560
Speaker 4: I'm just.

435
00:20:32,520 --> 00:20:34,760
Speaker 3: Half and you were also losing it a couple of times.

436
00:20:34,760 --> 00:20:42,480
Speaker 3: And this is a legendary moment. Legendary moment. I believe

437
00:20:42,520 --> 00:20:45,440
Speaker 3: it was that obvious on screen. It is so bad.

438
00:20:45,680 --> 00:20:50,760
Speaker 3: There's two moments where it is so clear and I'm just.

439
00:20:50,800 --> 00:20:55,160
Speaker 5: Trying to make each other laugh the uh so that Yeah,

440
00:20:55,200 --> 00:20:57,840
Speaker 5: that was hysterical the entire thing. I also thought.

441
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Speaker 3: Ben killed it in this episode.

442
00:21:01,320 --> 00:21:04,399
Speaker 5: Yeah, the scenes with just him and Lisa Dean Ryan,

443
00:21:05,040 --> 00:21:07,560
Speaker 5: it's just the two of them for a while, Yeah,

444
00:21:07,800 --> 00:21:11,200
Speaker 5: in that bedroom, and he is so funny and then

445
00:21:11,359 --> 00:21:14,480
Speaker 5: so sincere, and I just thought he did. I mean,

446
00:21:14,520 --> 00:21:16,639
Speaker 5: I laughed out loud several times in his performance. He

447
00:21:16,760 --> 00:21:18,200
Speaker 5: was great in this episode.

448
00:21:18,240 --> 00:21:18,960
Speaker 2: I thought so too.

449
00:21:19,040 --> 00:21:21,040
Speaker 1: I thought it was so I thought it was really great.

450
00:21:21,920 --> 00:21:25,480
Speaker 1: I think my only complaint about the entire episode is

451
00:21:25,520 --> 00:21:29,720
Speaker 1: that I wanted it to when Eric comes in and

452
00:21:29,760 --> 00:21:32,119
Speaker 1: then he's grabbing his stuff when he's leaving, and you

453
00:21:32,240 --> 00:21:36,680
Speaker 1: have that amazing speech about I wanted that to be

454
00:21:36,680 --> 00:21:39,200
Speaker 1: because you were saying that to him, because you recognized

455
00:21:39,240 --> 00:21:40,080
Speaker 1: it in your own.

456
00:21:39,920 --> 00:21:42,080
Speaker 3: Need to do And it wasn't that I didn't.

457
00:21:43,320 --> 00:21:44,720
Speaker 4: I feel like they just ran out of time because

458
00:21:44,720 --> 00:21:46,879
Speaker 4: they decided to dedicate a lot of time to the

459
00:21:46,920 --> 00:21:50,240
Speaker 4: Quarry Mary Beth scenes. And I was like what because

460
00:21:50,280 --> 00:21:52,800
Speaker 4: even when in the one scene we get with you

461
00:21:52,840 --> 00:21:54,400
Speaker 4: sort of you know, getting the coke and.

462
00:21:54,320 --> 00:21:56,520
Speaker 3: Like talk, I was like, is this enough? Like what?

463
00:21:56,640 --> 00:21:59,000
Speaker 4: And I also was kind of like, is what's what's

464
00:21:59,040 --> 00:22:02,200
Speaker 4: happening exactly here? And then you've already made the transition

465
00:22:02,280 --> 00:22:02,919
Speaker 4: like off camera.

466
00:22:03,400 --> 00:22:05,360
Speaker 3: So yeah, I agree like that a little more.

467
00:22:05,400 --> 00:22:08,200
Speaker 1: The funny thing is that he hadn't He hadn't he

468
00:22:08,840 --> 00:22:11,320
Speaker 1: It was very confusing to me because he's grabbing his

469
00:22:11,480 --> 00:22:16,119
Speaker 1: stuff and I thought, Wow, he's leaving. He knows this

470
00:22:16,160 --> 00:22:18,000
Speaker 1: isn't the school for him. I don't need to be

471
00:22:18,119 --> 00:22:21,639
Speaker 1: here anymore. I'm grabbing my suitcase and my and my

472
00:22:21,800 --> 00:22:23,240
Speaker 1: stuff and I'm getting out of here.

473
00:22:23,800 --> 00:22:24,280
Speaker 2: But he's not.

474
00:22:24,680 --> 00:22:27,399
Speaker 3: Now, so what is he doing. He's just he's actually.

475
00:22:27,280 --> 00:22:29,359
Speaker 1: Only he came so I had, because I had, I

476
00:22:29,400 --> 00:22:31,000
Speaker 1: had to fully talk it out last night because I

477
00:22:31,040 --> 00:22:31,800
Speaker 1: was so confused.

478
00:22:31,880 --> 00:22:34,280
Speaker 3: I am. I obviously am too. I didn't realize how confused.

479
00:22:34,320 --> 00:22:37,760
Speaker 1: He arrived at the door only to be looking for Corey.

480
00:22:37,840 --> 00:22:40,040
Speaker 1: He wanted Corey to go join him for some fun

481
00:22:40,119 --> 00:22:43,359
Speaker 1: they were having. And then when Corey was there and

482
00:22:43,400 --> 00:22:45,439
Speaker 1: he was gonna be he was getting his stuff to

483
00:22:45,560 --> 00:22:48,440
Speaker 1: leave them alone. He wasn't going to be staying there,

484
00:22:48,440 --> 00:22:50,480
Speaker 1: and he was going to be leaving rooms. Who knows

485
00:22:50,480 --> 00:22:53,280
Speaker 1: where he was going to sleep. But when Corey turns

486
00:22:53,320 --> 00:22:55,200
Speaker 1: it around and says, well, how about you, you deserve

487
00:22:55,240 --> 00:22:58,720
Speaker 1: better than Penbrooke, you realize in that moment, Eric's not

488
00:22:58,920 --> 00:23:02,679
Speaker 1: taking he didn't. Corey's the one who tells him he

489
00:23:02,720 --> 00:23:05,480
Speaker 1: deserves Penbrook. Eric is still saying, but this is a

490
00:23:05,520 --> 00:23:07,080
Speaker 1: sure thing, and how on earth could I ever turn

491
00:23:07,160 --> 00:23:09,360
Speaker 1: down a sure thing? And Corey goes like this, and

492
00:23:09,440 --> 00:23:12,800
Speaker 1: that's what prompts Eric to decide he's going to deserve more.

493
00:23:13,160 --> 00:23:15,359
Speaker 2: But I had lot when we were in that scene.

494
00:23:15,480 --> 00:23:17,800
Speaker 3: I was loving, Oh.

495
00:23:17,440 --> 00:23:20,800
Speaker 1: My gosh, he's had this realization and now it's going

496
00:23:20,840 --> 00:23:22,720
Speaker 1: to perfectly land for Corey.

497
00:23:23,080 --> 00:23:26,320
Speaker 3: What an amazing turn for Eric? I got was that

498
00:23:26,359 --> 00:23:28,640
Speaker 3: was actually not what's happening, not having it at all?

499
00:23:28,680 --> 00:23:31,119
Speaker 5: No, yeah, it was I felt the same thing. I

500
00:23:31,160 --> 00:23:34,000
Speaker 5: was like, oh, this is great, he's talking about himself,

501
00:23:34,040 --> 00:23:37,560
Speaker 5: but to Corey, to Corey and this decision already and

502
00:23:37,560 --> 00:23:39,080
Speaker 5: this is the decision you have to make. You gotta

503
00:23:39,119 --> 00:23:40,600
Speaker 5: do what you got to do. But I've already made

504
00:23:40,600 --> 00:23:43,000
Speaker 5: this decision, and I thought exactly the same thing.

505
00:23:43,720 --> 00:23:46,439
Speaker 4: That's when he was leaving to win surf across around

506
00:23:46,440 --> 00:23:46,960
Speaker 4: the campus.

507
00:23:47,000 --> 00:23:49,880
Speaker 1: Well, no, he windsurfs around the campus and also the snorkeling,

508
00:23:49,880 --> 00:23:51,240
Speaker 1: but then apparently takes off his what.

509
00:23:51,200 --> 00:23:52,960
Speaker 2: Maybe soon puts back on the same globe.

510
00:23:52,920 --> 00:23:57,240
Speaker 5: The same giant shirt, the same enormous square shirt that

511
00:23:57,280 --> 00:23:58,520
Speaker 5: I'm wearing the entire time.

512
00:23:58,600 --> 00:24:01,160
Speaker 3: Yes, so, but he does talk.

513
00:24:01,240 --> 00:24:03,440
Speaker 1: He's on his way to go do something else really fun,

514
00:24:03,560 --> 00:24:06,800
Speaker 1: similar to that, right, and so yeah, so that's my

515
00:24:06,880 --> 00:24:08,560
Speaker 1: only complaint is that, yeah.

516
00:24:09,280 --> 00:24:11,479
Speaker 3: Eric developed Eric. A little little more time with Eric,

517
00:24:11,560 --> 00:24:12,080
Speaker 3: or a little.

518
00:24:11,920 --> 00:24:15,560
Speaker 5: More a little little him figuring it out himself would

519
00:24:15,600 --> 00:24:16,760
Speaker 5: have been more powerful.

520
00:24:16,800 --> 00:24:19,359
Speaker 2: I think correct, It's it's exactly what it would have been.

521
00:24:19,359 --> 00:24:22,160
Speaker 1: It would have been more powerful for him to And

522
00:24:22,200 --> 00:24:24,960
Speaker 1: by the way, I still love how the two storylines

523
00:24:25,000 --> 00:24:29,439
Speaker 1: crossed and tied together always, and I loved that the

524
00:24:29,480 --> 00:24:32,199
Speaker 1: season started with the two of you guys on a

525
00:24:32,320 --> 00:24:35,320
Speaker 1: road trip, you not knowing what your future was.

526
00:24:35,440 --> 00:24:39,159
Speaker 4: My god, you guys, you've driven this entire sees like

527
00:24:39,200 --> 00:24:41,679
Speaker 4: it's so cool to see that this, I mean, this

528
00:24:41,720 --> 00:24:43,399
Speaker 4: is exactly what Sherman was talking about when he was

529
00:24:43,440 --> 00:24:46,200
Speaker 4: on our show, is that this is the like you

530
00:24:46,520 --> 00:24:48,520
Speaker 4: going whether you're going to be a towny, whether you're

531
00:24:48,520 --> 00:24:49,760
Speaker 4: going to go to college.

532
00:24:49,640 --> 00:24:51,080
Speaker 3: Is and it makes so much sense.

533
00:24:51,160 --> 00:24:53,679
Speaker 4: Like the sat stuff that we've kind of been critical of,

534
00:24:54,040 --> 00:24:57,800
Speaker 4: it's all this is the this is the Eric season.

535
00:24:57,920 --> 00:25:00,879
Speaker 4: It's so really well there's no long talk to Pittsburgh

536
00:25:00,920 --> 00:25:03,800
Speaker 4: in there, but like you were carrying the show. It's

537
00:25:03,880 --> 00:25:06,080
Speaker 4: so cool to see, Like I didn't realize that at

538
00:25:06,119 --> 00:25:06,360
Speaker 4: the time.

539
00:25:06,680 --> 00:25:08,280
Speaker 3: You remember you did it season three?

540
00:25:08,600 --> 00:25:12,800
Speaker 5: Yeah, I know, and now Eric does it season four.

541
00:25:13,160 --> 00:25:15,159
Speaker 4: I get the very special one off this season. But

542
00:25:15,280 --> 00:25:17,960
Speaker 4: your arc is the Although that's true, I'm this was

543
00:25:18,000 --> 00:25:20,080
Speaker 4: it this season that my mom came back and all

544
00:25:20,080 --> 00:25:20,600
Speaker 4: that that's.

545
00:25:20,480 --> 00:25:22,720
Speaker 5: The parents was this season too. Though this was a

546
00:25:23,080 --> 00:25:25,920
Speaker 5: this was an Eric sean year. Yes, it was all

547
00:25:25,920 --> 00:25:28,440
Speaker 5: the way around, and then I think starting next year

548
00:25:28,720 --> 00:25:30,520
Speaker 5: it's going to be Corey Topanga from here right.

549
00:25:30,640 --> 00:25:33,520
Speaker 1: Just find it very interesting that this season started with

550
00:25:34,200 --> 00:25:36,800
Speaker 1: Eric not knowing what he was doing and there and

551
00:25:36,840 --> 00:25:39,200
Speaker 1: then ended on Eric having that And like we said,

552
00:25:39,240 --> 00:25:41,600
Speaker 1: season three was all about Seawn. So it is very

553
00:25:41,600 --> 00:25:44,240
Speaker 1: weird that the end of season four also no real

554
00:25:44,800 --> 00:25:45,720
Speaker 1: hurrah for boy.

555
00:25:46,359 --> 00:25:47,680
Speaker 2: It's not it.

556
00:25:47,600 --> 00:25:49,920
Speaker 3: Isn't well, he's not going to lose his virginity.

557
00:25:50,119 --> 00:25:53,080
Speaker 2: There's the hard He's willing to wait.

558
00:25:55,119 --> 00:25:56,800
Speaker 3: He's a mature, nice boy.

559
00:25:57,040 --> 00:25:59,720
Speaker 2: He's a nice.

560
00:25:59,160 --> 00:26:02,919
Speaker 3: Horny We are in the horn dog era. I just loved.

561
00:26:03,000 --> 00:26:05,959
Speaker 5: I loved When when have I never stopped when you

562
00:26:06,000 --> 00:26:08,160
Speaker 5: said no? How many times has she said no?

563
00:26:08,800 --> 00:26:11,879
Speaker 3: I mean every time? I know, but that's what I like.

564
00:26:11,920 --> 00:26:14,600
Speaker 3: He keeps trying And just spent three hours car the

565
00:26:14,640 --> 00:26:17,560
Speaker 3: other night from the gush. What were they doing a

566
00:26:17,600 --> 00:26:20,160
Speaker 3: lot of kissing.

567
00:26:18,359 --> 00:26:21,480
Speaker 1: At So let's jump into our recap. We start in

568
00:26:21,520 --> 00:26:22,560
Speaker 1: the Matthew's kitchen.

569
00:26:25,080 --> 00:26:27,240
Speaker 4: Knowing that this is the last episode. I watched the

570
00:26:27,320 --> 00:26:30,639
Speaker 4: opening credits. I did too, because they wouldn't let me

571
00:26:30,640 --> 00:26:36,280
Speaker 4: skip it if I was filled with feelings and like,

572
00:26:36,640 --> 00:26:37,960
Speaker 4: I was like, this is the last time we're going

573
00:26:38,040 --> 00:26:40,560
Speaker 4: to see them, and I freaking love.

574
00:26:40,400 --> 00:26:42,359
Speaker 3: Them, And I was like, what, you know what I

575
00:26:42,400 --> 00:26:43,040
Speaker 3: watched this time?

576
00:26:43,080 --> 00:26:45,400
Speaker 4: I was like, you know, we're actually talking to each other,

577
00:26:46,359 --> 00:26:48,119
Speaker 4: so like will you and I in the front seat,

578
00:26:48,320 --> 00:26:51,480
Speaker 4: We're just a conversation. And then Danielle, you and Ben

579
00:26:51,520 --> 00:26:53,720
Speaker 4: are talking to each other and I was like, Okay,

580
00:26:53,720 --> 00:26:57,239
Speaker 4: So for all the hokeness, the horrible green screen, the

581
00:26:57,280 --> 00:26:59,120
Speaker 4: weirdness of where we're sitting.

582
00:26:58,840 --> 00:27:00,680
Speaker 3: On the the the.

583
00:27:00,480 --> 00:27:04,960
Speaker 4: Bench seats or the car h we actually have moments

584
00:27:04,960 --> 00:27:07,760
Speaker 4: of like I could see us being us and it

585
00:27:07,840 --> 00:27:10,560
Speaker 4: really felt like, oh wow, that's that's us and I

586
00:27:10,800 --> 00:27:13,360
Speaker 4: So so we do switch it up next year. It's

587
00:27:13,440 --> 00:27:15,360
Speaker 4: different next year. Yeah, next year it's the one where

588
00:27:15,840 --> 00:27:18,119
Speaker 4: Enough dumped on us. Now we're into the era I'm

589
00:27:18,119 --> 00:27:20,480
Speaker 4: pretty sure of the like hanging out in New York

590
00:27:20,520 --> 00:27:22,760
Speaker 4: Street right the back block, that's where we went.

591
00:27:22,720 --> 00:27:25,199
Speaker 3: Back to CBS rad Or we went to CBS Radford.

592
00:27:25,240 --> 00:27:28,320
Speaker 1: And I'm really glad you pointed that out right because

593
00:27:28,400 --> 00:27:30,320
Speaker 1: I didn't. I didn't even think about it that it

594
00:27:30,400 --> 00:27:32,280
Speaker 1: was the last time we were going to see any

595
00:27:32,280 --> 00:27:35,920
Speaker 1: of those credits. But I will say without even recognizing it.

596
00:27:36,040 --> 00:27:39,360
Speaker 1: Somewhere along the way. They grew on me too, because

597
00:27:39,480 --> 00:27:40,600
Speaker 1: I'm not bothered.

598
00:27:40,240 --> 00:27:41,080
Speaker 2: By them anymore.

599
00:27:41,160 --> 00:27:47,800
Speaker 3: I haven't forgot about it. Like a slow, slow, slow brain,

600
00:27:49,359 --> 00:27:50,480
Speaker 3: make room for it.

601
00:27:50,400 --> 00:27:53,560
Speaker 4: It starts under one veil. You barely notice it. Yeah,

602
00:27:53,720 --> 00:27:55,000
Speaker 4: it's all the way to your elbow.

603
00:27:55,280 --> 00:27:56,840
Speaker 5: The next thing you know, you got a tape for them.

604
00:27:56,840 --> 00:27:58,520
Speaker 5: You can eat anything and you're still losing weight.

605
00:27:58,680 --> 00:28:01,920
Speaker 1: I mean, no cranits like that's the way to go.

606
00:28:02,440 --> 00:28:04,280
Speaker 1: Anybody know where you can buy a tape?

607
00:28:04,280 --> 00:28:12,200
Speaker 3: Work? Probably? Jen? Jen probably knows all right.

608
00:28:12,400 --> 00:28:15,359
Speaker 1: So jumping into our recap, we're in the Matthew's kitchen.

609
00:28:15,400 --> 00:28:18,200
Speaker 1: Eric's leaving for an interview at a college named Beach State,

610
00:28:18,320 --> 00:28:21,520
Speaker 1: and Amy and Alan wonder if it's actually a real school.

611
00:28:21,840 --> 00:28:24,600
Speaker 1: Alan notices the admissions letter has a lot of typos

612
00:28:24,640 --> 00:28:28,720
Speaker 1: in it. Eric scoffs, show me one. Alan reads yours

613
00:28:28,800 --> 00:28:32,080
Speaker 1: truly the being of admission.

614
00:28:32,520 --> 00:28:34,760
Speaker 3: I love that, and I love my following.

615
00:28:36,080 --> 00:28:37,159
Speaker 5: I like that joke and.

616
00:28:38,680 --> 00:28:41,760
Speaker 4: It's just so thrown away.

617
00:28:42,160 --> 00:28:45,560
Speaker 3: That's also just kind of love going down the like

618
00:28:45,680 --> 00:28:48,040
Speaker 3: because it sounds like something my high school like kind

619
00:28:48,040 --> 00:28:50,400
Speaker 3: of could have done, like just renamed the dean of

620
00:28:50,520 --> 00:28:53,480
Speaker 3: being and been like, it's kissy, it's cool. We're looking

621
00:28:53,560 --> 00:28:56,880
Speaker 3: at teams beans. I love it. It was like it

622
00:28:57,000 --> 00:28:58,040
Speaker 3: kind of actually could work.

623
00:28:59,800 --> 00:29:04,719
Speaker 1: My gosh, oh, my gosh.

624
00:29:04,760 --> 00:29:07,840
Speaker 3: So yeah, Eric sees nothing wrong with the bean. It's

625
00:29:07,840 --> 00:29:09,160
Speaker 3: a very hard school to get into.

626
00:29:09,360 --> 00:29:11,560
Speaker 1: Shan strolls in carrying a beach umbrella and wearing a

627
00:29:11,560 --> 00:29:14,720
Speaker 1: Hawaiian shirt. I am so psyched about this road trip.

628
00:29:14,760 --> 00:29:17,800
Speaker 1: Beach date's been recruiting me since kindergarten. My dad's good

629
00:29:17,840 --> 00:29:23,560
Speaker 1: friends with the bean. I love it, of course, where

630
00:29:23,600 --> 00:29:26,640
Speaker 1: Chat knows the bean, it's amazing. It's a perfect read.

631
00:29:26,720 --> 00:29:30,480
Speaker 1: The way you throw it away so funny. And Corey

632
00:29:30,520 --> 00:29:33,000
Speaker 1: bursts in. He asks if anyone has seemed to Panga yet,

633
00:29:33,000 --> 00:29:34,719
Speaker 1: and Sean says no, but she better hurry. If they

634
00:29:34,720 --> 00:29:36,440
Speaker 1: get there too late, the tide comes in and they

635
00:29:36,440 --> 00:29:38,160
Speaker 1: won't be able to park on campus.

636
00:29:38,320 --> 00:29:39,320
Speaker 3: Now that's my ques.

637
00:29:39,480 --> 00:29:44,440
Speaker 5: Where do you think in the country, this, this university is?

638
00:29:44,440 --> 00:29:44,720
Speaker 5: Is it?

639
00:29:44,760 --> 00:29:46,240
Speaker 3: The Jersey Shore is not what we're thinking?

640
00:29:46,320 --> 00:29:50,040
Speaker 5: Okay, all right, that's what I was very outside window

641
00:29:50,040 --> 00:29:54,200
Speaker 5: to the Jersey Shore, Okay, just it's like Hawaiian waters

642
00:29:54,240 --> 00:29:55,160
Speaker 5: outside her window.

643
00:29:55,160 --> 00:29:55,920
Speaker 3: It was like okay.

644
00:29:56,160 --> 00:30:00,000
Speaker 1: I know that's okay, though we have to be able

645
00:30:00,160 --> 00:30:04,800
Speaker 1: to suspend belief a little bit exactly. Sean says he'll

646
00:30:04,840 --> 00:30:07,600
Speaker 1: help load the car. As Corey darts out, Alan stops

647
00:30:07,640 --> 00:30:10,040
Speaker 1: him in his tracks. Amy explains they're okay with him

648
00:30:10,080 --> 00:30:11,959
Speaker 1: staying overnight with the panga, they just want to make

649
00:30:12,000 --> 00:30:15,360
Speaker 1: sure they're clear on the sleeping arrangements. Corey smirks, you're

650
00:30:15,400 --> 00:30:20,560
Speaker 1: worried Corey may get a little freaky this weekend.

651
00:30:21,040 --> 00:30:27,680
Speaker 3: It's like this weird with your parents, Like you's.

652
00:30:27,080 --> 00:30:29,360
Speaker 4: No, I keep going, like, you know, I keep wondering

653
00:30:29,360 --> 00:30:34,520
Speaker 4: how much of this was just like like our culture

654
00:30:34,520 --> 00:30:37,520
Speaker 4: has changed so much, like yeah, maybe it was okay,

655
00:30:37,760 --> 00:30:40,520
Speaker 4: Maybe it was like maybe we just joking around.

656
00:30:40,560 --> 00:30:42,120
Speaker 5: I used to stay stuff like that to my parents.

657
00:30:42,160 --> 00:30:43,680
Speaker 5: I mean, you're totally kidding and you're like, you know,

658
00:30:43,720 --> 00:30:45,200
Speaker 5: I'm getting my free going this weekend.

659
00:30:45,320 --> 00:30:49,200
Speaker 3: Like I don't think kids do that nowadays.

660
00:30:49,240 --> 00:30:51,320
Speaker 4: And I'm wondering if that's a problem, Like maybe we

661
00:30:51,360 --> 00:30:53,640
Speaker 4: should make jokes like that, Like maybe it should be okay.

662
00:30:53,760 --> 00:30:55,400
Speaker 1: I think the reason they're not making jokes like that

663
00:30:55,440 --> 00:30:56,880
Speaker 1: is because apparently no one's going.

664
00:30:59,520 --> 00:31:00,600
Speaker 5: It's generation.

665
00:31:00,720 --> 00:31:03,320
Speaker 4: Everybody wants to be correct and like, you know, yeah,

666
00:31:03,360 --> 00:31:06,040
Speaker 4: we're like losing our in touch, like with our bodies

667
00:31:06,080 --> 00:31:09,560
Speaker 4: and our sexuality. And I'm like, maybe maybe we should

668
00:31:09,600 --> 00:31:10,560
Speaker 4: just be okay with it.

669
00:31:10,680 --> 00:31:14,160
Speaker 1: All right, all right, let's bring it back. Alan's not

670
00:31:14,240 --> 00:31:16,440
Speaker 1: amused anything happens to Tapanga.

671
00:31:16,480 --> 00:31:17,120
Speaker 2: I'll kill you.

672
00:31:17,280 --> 00:31:20,520
Speaker 1: Corey frowns, you like her better than me? And Alan nods,

673
00:31:21,360 --> 00:31:24,240
Speaker 1: And then we're in the Matthew's backyard. Phoene is tending

674
00:31:24,240 --> 00:31:26,680
Speaker 1: to his garden like it's season one and assures Eric

675
00:31:26,760 --> 00:31:28,960
Speaker 1: that it's fine.

676
00:31:29,480 --> 00:31:33,160
Speaker 4: I was just like, this is such a comforting, and

677
00:31:33,240 --> 00:31:37,280
Speaker 4: also he is. He's wearing a very cool gardening what

678
00:31:37,400 --> 00:31:39,800
Speaker 4: I think would be called a choor shirt, which I've

679
00:31:39,840 --> 00:31:41,400
Speaker 4: discovered is like a thing.

680
00:31:41,240 --> 00:31:43,720
Speaker 1: That I kind of like these days, lots of pockets

681
00:31:43,720 --> 00:31:45,160
Speaker 1: for all your tools.

682
00:31:44,800 --> 00:31:50,240
Speaker 3: For your garden sycling. No, he wore a fishing vest

683
00:31:50,240 --> 00:31:51,960
Speaker 3: of four, but no.

684
00:31:52,120 --> 00:31:54,920
Speaker 4: Chor shirts have become like kind of fashionable, and like,

685
00:31:55,280 --> 00:31:58,720
Speaker 4: I I think I own something that's technically a chore shirt.

686
00:32:00,040 --> 00:32:03,560
Speaker 4: I could kind of dress like Phoenie these days.

687
00:32:04,800 --> 00:32:07,440
Speaker 5: Find no one's getting late. This is the problem.

688
00:32:07,920 --> 00:32:10,840
Speaker 3: We are officially old. When we're looking at Bill daniels.

689
00:32:10,480 --> 00:32:15,960
Speaker 4: Wardrobe also I should take up gardening.

690
00:32:16,200 --> 00:32:18,360
Speaker 3: I feel like it's healthy and I've never been good

691
00:32:18,400 --> 00:32:23,440
Speaker 3: at it. I kill any point it love I would.

692
00:32:23,720 --> 00:32:26,520
Speaker 5: You could never have got me gardening before and going

693
00:32:26,560 --> 00:32:30,040
Speaker 5: outside and spreading mulch and planting stuff has become like

694
00:32:30,080 --> 00:32:32,959
Speaker 5: a favorite thing of mine. It's so weird, very bizarre

695
00:32:33,000 --> 00:32:35,000
Speaker 5: and stretching pants. Nothing wrong with that either. I'm just

696
00:32:35,000 --> 00:32:36,360
Speaker 5: saying we're hitting an age people.

697
00:32:36,600 --> 00:32:36,760
Speaker 3: I know.

698
00:32:36,840 --> 00:32:38,880
Speaker 5: I said the same thing to s We're watching this thing.

699
00:32:39,040 --> 00:32:41,120
Speaker 5: And we came on screen and it's Bill and I

700
00:32:41,160 --> 00:32:43,640
Speaker 5: across the fence from each other, and I just looked

701
00:32:43,640 --> 00:32:45,520
Speaker 5: at her and I was like, oh, I missed this

702
00:32:45,560 --> 00:32:48,280
Speaker 5: so much. I missed just the across the fence Eric

703
00:32:48,360 --> 00:32:51,720
Speaker 5: or Corey with Feoenie and there's wisdom and it's just

704
00:32:51,800 --> 00:32:54,000
Speaker 5: the two shot, and oh god, it was awesome.

705
00:32:54,120 --> 00:32:54,800
Speaker 3: It's so great.

706
00:32:55,000 --> 00:32:57,760
Speaker 1: It was so Poene assures Eric it is fine to

707
00:32:57,800 --> 00:32:59,960
Speaker 1: look at other colleges, but he hopes he'll give Siria

708
00:33:00,080 --> 00:33:03,120
Speaker 1: his consideration to Pennbrook. Eric asks Feoene if he really

709
00:33:03,160 --> 00:33:05,400
Speaker 1: thinks he's Penbrook material, I mean, the place is filled

710
00:33:05,400 --> 00:33:07,760
Speaker 1: with one hundred year old buildings and smart people. He'll

711
00:33:07,800 --> 00:33:10,680
Speaker 1: get trounced there. Phoene doesn't deny it'll be a challenge,

712
00:33:10,680 --> 00:33:13,080
Speaker 1: but once Eric graduates, he'll have a degree that actually

713
00:33:13,080 --> 00:33:16,200
Speaker 1: means something. Eric feels like Beach State is a sure thing.

714
00:33:16,680 --> 00:33:19,960
Speaker 1: Phoene adds, sometimes a sure thing is not the best thing.

715
00:33:20,280 --> 00:33:22,440
Speaker 1: He tells Eric he knows he's going to do what's right,

716
00:33:22,560 --> 00:33:24,960
Speaker 1: and he walks back into his house, probably to eat

717
00:33:25,000 --> 00:33:25,720
Speaker 1: salad for one.

718
00:33:26,000 --> 00:33:28,360
Speaker 4: Yeah, we have a lot of sure thing references. Do

719
00:33:28,400 --> 00:33:31,000
Speaker 4: you think it's an actual reference to the thing?

720
00:33:31,080 --> 00:33:33,920
Speaker 3: The sure thing? Know this? Gosh, are you kidding me?

721
00:33:33,920 --> 00:33:35,840
Speaker 5: I could quote it to you backwards and forest right now,

722
00:33:35,920 --> 00:33:37,520
Speaker 5: from the beginning to the end. It's one of the

723
00:33:37,560 --> 00:33:38,440
Speaker 5: best movies ever made.

724
00:33:38,960 --> 00:33:41,560
Speaker 3: Bob Ryner directed. I don't know if it worked.

725
00:33:41,720 --> 00:33:45,560
Speaker 5: Did he? But it's Yeah, it's Daphney Zuniga. It's what's

726
00:33:45,560 --> 00:33:49,600
Speaker 5: his name, John Cusack, and it's a young man's trip

727
00:33:49,640 --> 00:33:54,320
Speaker 5: across country road trip to have sex with the sure thing,

728
00:33:54,360 --> 00:33:55,840
Speaker 5: and then he falls in love with Daphne's gonna go

729
00:33:55,920 --> 00:33:57,360
Speaker 5: along the way because she's also.

730
00:33:57,200 --> 00:33:57,880
Speaker 6: Going across country.

731
00:33:58,160 --> 00:33:59,600
Speaker 2: Well then knowing that, yes.

732
00:33:59,440 --> 00:34:02,000
Speaker 3: Great, it's a pretty direct reference. I think I think

733
00:34:02,040 --> 00:34:02,240
Speaker 3: it is.

734
00:34:02,480 --> 00:34:04,840
Speaker 5: Now I have an overall question for you, and I

735
00:34:04,880 --> 00:34:08,280
Speaker 5: asked this every last episode that we do of a season.

736
00:34:09,000 --> 00:34:12,960
Speaker 5: Do you think by season four last episode, we know

737
00:34:13,080 --> 00:34:15,040
Speaker 5: that we've been picked up for season five?

738
00:34:16,560 --> 00:34:18,120
Speaker 2: No, yes, you think so.

739
00:34:18,320 --> 00:34:20,759
Speaker 3: See, I think by this point we've known, right.

740
00:34:21,960 --> 00:34:25,000
Speaker 4: I feel like we didn't know most seasons, but this one,

741
00:34:25,600 --> 00:34:27,520
Speaker 4: I don't know. There's something about the way it's written

742
00:34:27,560 --> 00:34:29,480
Speaker 4: and the way we're performing it that makes me feel

743
00:34:29,520 --> 00:34:33,160
Speaker 4: pretty confident that I think we probably nailed sweeps with

744
00:34:33,239 --> 00:34:35,279
Speaker 4: Long Walk to Pittsburgh. And I think that we were

745
00:34:35,440 --> 00:34:38,080
Speaker 4: because I think if we thought that we were come,

746
00:34:38,520 --> 00:34:39,319
Speaker 4: we're not coming back.

747
00:34:39,360 --> 00:34:42,320
Speaker 3: I think it would have been more of a Corey dramatic.

748
00:34:42,200 --> 00:34:45,320
Speaker 4: Or very questionable, like is Corey gonna be okay?

749
00:34:45,520 --> 00:34:45,759
Speaker 3: Ending?

750
00:34:46,080 --> 00:34:46,319
Speaker 7: You know?

751
00:34:46,480 --> 00:34:48,440
Speaker 3: I don't know. Maybe I'm wrong because it ends so.

752
00:34:48,480 --> 00:34:52,000
Speaker 4: Triumphant on an Eric note that it's like we're finishing

753
00:34:52,200 --> 00:34:54,640
Speaker 4: Eric's story, and I feel like that would have been

754
00:34:54,680 --> 00:34:55,440
Speaker 4: a weird place for the.

755
00:34:55,440 --> 00:34:57,920
Speaker 3: Whole series to end. I agree like it has to.

756
00:34:57,920 --> 00:34:59,759
Speaker 7: End with men if it's going to be you know,

757
00:35:00,040 --> 00:35:11,920
Speaker 7: huh yeah.

758
00:35:12,280 --> 00:35:15,279
Speaker 1: Topanga awkwardly strolls up, giving Eric a scare, but this

759
00:35:15,400 --> 00:35:17,319
Speaker 1: means it's time for them to go Cory is thrilled

760
00:35:17,360 --> 00:35:19,680
Speaker 1: to see her, and then he realizes she has no

761
00:35:19,719 --> 00:35:21,240
Speaker 1: suitcase and no sleeping bag.

762
00:35:21,400 --> 00:35:24,680
Speaker 3: Whoa. He admits he's flattered, And at first.

763
00:35:24,520 --> 00:35:26,360
Speaker 1: I didn't get the joke, And then I realized, is

764
00:35:26,360 --> 00:35:28,120
Speaker 1: he saying she's just going to be naked and in

765
00:35:28,160 --> 00:35:29,520
Speaker 1: his sleeping bag the whole time?

766
00:35:29,640 --> 00:35:30,680
Speaker 3: Got it? Exactly A.

767
00:35:30,960 --> 00:35:32,920
Speaker 2: Got the joke, got right, got it?

768
00:35:33,760 --> 00:35:35,839
Speaker 1: But that's when Tabanga brings the news that she is

769
00:35:35,880 --> 00:35:38,680
Speaker 1: not going. Corey says he is now less flattered. To

770
00:35:38,760 --> 00:35:40,600
Speaker 1: Pank explains that her aunt won't let them spend the

771
00:35:40,680 --> 00:35:44,839
Speaker 1: night away unsupervised. Corey's confused, unsupervised, but I'll be there

772
00:35:45,280 --> 00:35:47,719
Speaker 1: to Pank explains, that's kind of the problem. Her aunt

773
00:35:47,719 --> 00:35:51,200
Speaker 1: feels that at their age it may be improper. Corey

774
00:35:51,280 --> 00:35:54,160
Speaker 1: is offended. They're old enough to make these decisions by themselves.

775
00:35:54,239 --> 00:35:56,040
Speaker 1: He's going to call her aunt and set things straight,

776
00:35:56,320 --> 00:35:58,680
Speaker 1: but t Peka stops him. What exactly did you think

777
00:35:58,760 --> 00:36:02,000
Speaker 1: was going to happen this weekend? Corey hesitates, I don't know.

778
00:36:02,480 --> 00:36:06,040
Speaker 1: There's a beach a moon you me. He grabs her

779
00:36:06,080 --> 00:36:07,719
Speaker 1: hands and they smile at each other, but Ta Panga

780
00:36:07,719 --> 00:36:11,680
Speaker 1: pulls away. She can't go, and Corey is visibly upset.

781
00:36:11,719 --> 00:36:13,680
Speaker 1: He can't believe to Pangas letting her aunt stop them

782
00:36:13,719 --> 00:36:16,040
Speaker 1: from being alone for a weekend. Corey asks why this

783
00:36:16,040 --> 00:36:17,960
Speaker 1: doesn't mean as much to her as it means to him,

784
00:36:18,120 --> 00:36:20,560
Speaker 1: and to Pega says that's not fair. Corey doesn't think

785
00:36:20,560 --> 00:36:23,960
Speaker 1: it's fair either, and then she leaves without saying another word,

786
00:36:24,440 --> 00:36:27,520
Speaker 1: ending probably one of the.

787
00:36:27,400 --> 00:36:29,480
Speaker 3: Least connected scenes I've seen.

788
00:36:29,320 --> 00:36:29,920
Speaker 2: On the show.

789
00:36:29,960 --> 00:36:30,200
Speaker 3: Ever.

790
00:36:30,360 --> 00:36:32,799
Speaker 2: It is scene, it.

791
00:36:32,800 --> 00:36:35,560
Speaker 1: Is not a good scene, it is not well acted

792
00:36:35,640 --> 00:36:37,200
Speaker 1: by me.

793
00:36:36,560 --> 00:36:40,080
Speaker 4: And the way that it ends just I don't know.

794
00:36:40,120 --> 00:36:41,960
Speaker 4: I had to watch it like three times. I literally

795
00:36:41,960 --> 00:36:42,279
Speaker 4: went back.

796
00:36:42,280 --> 00:36:44,400
Speaker 3: I was like, wait, what are they fighting about exactly now?

797
00:36:44,680 --> 00:36:46,160
Speaker 3: And like what is Corey mad about?

798
00:36:46,200 --> 00:36:48,719
Speaker 4: And when he says I want it to mean as

799
00:36:48,840 --> 00:36:52,120
Speaker 4: much to you as it does to me, I was like, oh, man,

800
00:36:52,280 --> 00:36:55,320
Speaker 4: Like it's just so heady like and yet it's supposed

801
00:36:55,360 --> 00:36:58,200
Speaker 4: to be about something very direct like I want to

802
00:36:58,239 --> 00:37:00,040
Speaker 4: sleep with you, I want to be with you, and

803
00:37:00,160 --> 00:37:03,320
Speaker 4: yet it feels very theoretical and analytical in this weird

804
00:37:03,360 --> 00:37:06,320
Speaker 4: way that's like too abstract. And then I really just

805
00:37:06,360 --> 00:37:08,920
Speaker 4: don't like that. Corey's pissed, Like I don't like that

806
00:37:09,040 --> 00:37:11,360
Speaker 4: he's like, because see then the line is written, is

807
00:37:11,800 --> 00:37:14,520
Speaker 4: you know, is she coming? And not with us? Is

808
00:37:14,520 --> 00:37:16,799
Speaker 4: what Corey says or something like that, and like he

809
00:37:16,880 --> 00:37:19,880
Speaker 4: says it angry and I and I instead of like sad,

810
00:37:19,920 --> 00:37:21,840
Speaker 4: like it could have easily been confused or sad like

811
00:37:21,840 --> 00:37:23,319
Speaker 4: I don't know what's going on, like I guess not

812
00:37:23,400 --> 00:37:25,040
Speaker 4: with us, But he's just like not with us, And

813
00:37:25,080 --> 00:37:26,400
Speaker 4: I was like, oh, dude.

814
00:37:26,120 --> 00:37:27,640
Speaker 3: Bro, I think he has that.

815
00:37:27,680 --> 00:37:31,400
Speaker 5: I think he has the stereotypical sixteen year old disappointment

816
00:37:31,560 --> 00:37:34,040
Speaker 5: of I really thought something was going to happen this weekend.

817
00:37:33,800 --> 00:37:36,360
Speaker 3: And right not Yeah, and I guess I guess for me.

818
00:37:36,560 --> 00:37:40,200
Speaker 1: Again, there was not a setup for that except for

819
00:37:40,280 --> 00:37:43,320
Speaker 1: him making one joke, which, because it was to his parents,

820
00:37:43,360 --> 00:37:46,719
Speaker 1: felt like a bit of a well, I don't really

821
00:37:46,760 --> 00:37:48,759
Speaker 1: think I'm going to get freaky this weekend, because if

822
00:37:48,760 --> 00:37:50,319
Speaker 1: I did, I don't know that I would say it

823
00:37:50,360 --> 00:37:52,719
Speaker 1: as directly to my parents. So like, the only way

824
00:37:52,800 --> 00:37:57,560
Speaker 1: we know he did really think alone for a whole

825
00:37:57,640 --> 00:38:01,120
Speaker 1: night this might be my opportunity is one joke he

826
00:38:01,200 --> 00:38:04,880
Speaker 1: made to his parents. So I was like, wait, I

827
00:38:04,880 --> 00:38:07,239
Speaker 1: don't understand why. And then when he said why is

828
00:38:07,280 --> 00:38:09,160
Speaker 1: this not as important to you. I was like, oh,

829
00:38:09,239 --> 00:38:11,280
Speaker 1: he's talking about losing their virginity.

830
00:38:11,560 --> 00:38:15,000
Speaker 5: Yeah, it's really yeaheah, It's a very important conversation that

831
00:38:15,080 --> 00:38:17,200
Speaker 5: was kind of thrown away. But they're obviously setting it

832
00:38:17,280 --> 00:38:20,239
Speaker 5: up so that he's off kilter and in not a

833
00:38:20,280 --> 00:38:22,279
Speaker 5: great place with Tipango when the sure thing is in

834
00:38:22,320 --> 00:38:22,919
Speaker 5: front of his eyes.

835
00:38:22,960 --> 00:38:26,160
Speaker 4: Which all of this, this whole all of this probably

836
00:38:26,200 --> 00:38:29,480
Speaker 4: would not have even like bumped me at all if

837
00:38:29,520 --> 00:38:32,279
Speaker 4: the Long Walk to Pittsburgh episodes didn't exist. But like,

838
00:38:32,400 --> 00:38:35,480
Speaker 4: coming back to this sort of like last temptation of

839
00:38:35,520 --> 00:38:39,680
Speaker 4: Corey's storyline is really like what like there was no

840
00:38:39,760 --> 00:38:43,759
Speaker 4: doubt in anybody's mind about the maturity of his love

841
00:38:43,800 --> 00:38:46,920
Speaker 4: and Topanga's like the fact that the two of them

842
00:38:46,920 --> 00:38:49,680
Speaker 4: are back to doubting it's like, oh no, oh that

843
00:38:49,719 --> 00:38:54,560
Speaker 4: didn't that didn't happen. And so for me, this episode

844
00:38:54,560 --> 00:38:57,080
Speaker 4: really only bumped me because of those two. If if

845
00:38:57,120 --> 00:38:59,959
Speaker 4: Long Walk to Pittsburgh hadn't happened, which for the record,

846
00:39:00,680 --> 00:39:03,560
Speaker 4: I would be happy about, then this episode would have

847
00:39:03,560 --> 00:39:05,360
Speaker 4: felt more of a piece. But you know, this is

848
00:39:05,360 --> 00:39:09,520
Speaker 4: pretty typical teenage yeah, you know, tension. But if they've

849
00:39:09,600 --> 00:39:13,000
Speaker 4: like she's literally moved her entire life walk how many

850
00:39:13,080 --> 00:39:15,440
Speaker 4: hundreds of miles to be there, and they fought against

851
00:39:15,480 --> 00:39:18,640
Speaker 4: their parents and the ants so to like get this

852
00:39:18,760 --> 00:39:20,719
Speaker 4: kind of like petty and then also think he's gonna

853
00:39:20,760 --> 00:39:23,279
Speaker 4: cheat on her for real, Like, are we're supposed to

854
00:39:23,280 --> 00:39:25,239
Speaker 4: believe that that's a possibility and I think we are?

855
00:39:25,800 --> 00:39:25,960
Speaker 3: Yes?

856
00:39:26,080 --> 00:39:30,359
Speaker 4: Then right, then then that denies everything that they said

857
00:39:30,360 --> 00:39:32,560
Speaker 4: in that Long Walk for Pittsburgh episode, which is like,

858
00:39:32,560 --> 00:39:33,919
Speaker 4: but that was the whole point is that the show

859
00:39:34,080 --> 00:39:37,000
Speaker 4: changed to fit that accommodate there.

860
00:39:37,239 --> 00:39:39,960
Speaker 5: It's weird because they go back and forth from it

861
00:39:40,040 --> 00:39:43,840
Speaker 5: being a love that transcends all to it being a

862
00:39:43,880 --> 00:39:46,839
Speaker 5: regular sixteen year old relationship, right, I mean, and that's

863
00:39:47,000 --> 00:39:48,920
Speaker 5: I mean, that's the thing that it's So this is

864
00:39:48,960 --> 00:39:51,200
Speaker 5: back to a regular sixteen year old relationship. Right, you're right,

865
00:39:51,280 --> 00:39:53,600
Speaker 5: This is exactly a conversation that two sixteen year old

866
00:39:53,640 --> 00:39:53,960
Speaker 5: would have.

867
00:39:54,239 --> 00:39:56,120
Speaker 3: Wait, we were gonna be a way to not I mean,

868
00:39:56,160 --> 00:39:57,920
Speaker 3: it's totally normal. But you're right.

869
00:39:57,920 --> 00:40:00,640
Speaker 5: With Long Walk to Pittsburgh, it's like, we'll walk through

870
00:40:00,680 --> 00:40:02,520
Speaker 5: the fire for each other so nothing will get in

871
00:40:02,520 --> 00:40:04,279
Speaker 5: our way. Yeah, and then it's like, Okay, then the

872
00:40:04,280 --> 00:40:06,239
Speaker 5: temptation is kind of taken away because we already know

873
00:40:06,280 --> 00:40:07,680
Speaker 5: Corey is not going to do anything.

874
00:40:07,800 --> 00:40:11,040
Speaker 3: Yeah, that's why I felt for me. I mean, yeah, wow, Yeah,

875
00:40:11,040 --> 00:40:12,400
Speaker 3: it's not a serialized show that.

876
00:40:13,800 --> 00:40:15,879
Speaker 5: I look at Sean this week, we're coming right off

877
00:40:15,880 --> 00:40:18,799
Speaker 5: the cult episode. He's right back to who he was before,

878
00:40:21,360 --> 00:40:23,359
Speaker 5: and it's like, yeah, so it's it's one of those

879
00:40:23,400 --> 00:40:25,080
Speaker 5: things where they just they do that for one off

880
00:40:25,120 --> 00:40:26,640
Speaker 5: of the character and then they come back and I'm

881
00:40:26,680 --> 00:40:27,879
Speaker 5: just trying to get used to it more.

882
00:40:27,960 --> 00:40:30,960
Speaker 1: I know. Well, just then Sean walks up, where's Stepanga going.

883
00:40:31,120 --> 00:40:33,800
Speaker 1: Corey says, not with us. Sean's glad this means he

884
00:40:33,840 --> 00:40:36,160
Speaker 1: can take his lawn chair, and then we cut to

885
00:40:36,200 --> 00:40:39,799
Speaker 1: a sorority house at a beach new set Alert. The

886
00:40:39,800 --> 00:40:43,200
Speaker 1: building has a banner that reads membership Rush Party, and

887
00:40:43,239 --> 00:40:46,040
Speaker 1: that's how you know it's a college. The conservative house

888
00:40:46,080 --> 00:40:48,480
Speaker 1: mom is in the hallway putting tulips in an already

889
00:40:48,480 --> 00:40:51,759
Speaker 1: filled vase, and behind her we see Eric, Sean and

890
00:40:51,840 --> 00:40:54,279
Speaker 1: Corey frantically being pushed into a closet by one of

891
00:40:54,280 --> 00:40:57,640
Speaker 1: the sorority girls. Once the girl has the boys completely hidden,

892
00:40:57,719 --> 00:41:01,680
Speaker 1: she casually strolls up to the woman missus to say hi.

893
00:41:02,160 --> 00:41:05,400
Speaker 1: Missus Bluteman responds in a thick German accent, it's always

894
00:41:05,440 --> 00:41:06,399
Speaker 1: a good afternoon when.

895
00:41:06,320 --> 00:41:07,160
Speaker 2: There are no boys.

896
00:41:07,600 --> 00:41:08,520
Speaker 3: There are no boys.

897
00:41:09,560 --> 00:41:10,960
Speaker 2: The sorority girl gets nervous.

898
00:41:10,960 --> 00:41:14,520
Speaker 1: Of course, there are no boys, but the pledges track

899
00:41:14,640 --> 00:41:17,560
Speaker 1: dirt into the house again, and it might be from boys.

900
00:41:18,000 --> 00:41:21,480
Speaker 2: Missus Bluteman is furious, boy dirt, not on my watch.

901
00:41:21,840 --> 00:41:24,240
Speaker 1: She takes off, and the boys of boys meets worlds

902
00:41:24,320 --> 00:41:27,960
Speaker 1: dart out of the custodial closet. Sean stops Corey. This

903
00:41:28,040 --> 00:41:30,920
Speaker 1: is his fantasy. He's had this exact dream like a

904
00:41:31,040 --> 00:41:35,839
Speaker 1: million times. Just then, Missus Blutman yells boy, and we

905
00:41:35,880 --> 00:41:37,719
Speaker 1: hear a male voice in the distance.

906
00:41:37,440 --> 00:41:39,560
Speaker 3: Yell out, I'm just delivering a pizza.

907
00:41:40,239 --> 00:41:43,040
Speaker 1: The sorority girl quickly corrals the boys out of the hallway,

908
00:41:43,480 --> 00:41:47,040
Speaker 1: now safe in a very production designed dorm room.

909
00:41:47,160 --> 00:41:49,480
Speaker 5: Oh it is a dorm room, isn't it. Dorm room?

910
00:41:49,600 --> 00:41:51,320
Speaker 5: Dorm room, dorm room.

911
00:41:51,560 --> 00:41:53,479
Speaker 4: I was kind of waiting for the hallway to play

912
00:41:53,520 --> 00:41:55,680
Speaker 4: a bigger part, like more sort of like running and

913
00:41:55,760 --> 00:41:56,520
Speaker 4: racing and hiding.

914
00:41:56,560 --> 00:42:00,200
Speaker 3: But actually Corey opens it and sees her painting. Later,

915
00:42:00,239 --> 00:42:01,959
Speaker 3: If that's it, I was like, it's a big set

916
00:42:02,000 --> 00:42:02,560
Speaker 3: to build for.

917
00:42:02,880 --> 00:42:05,480
Speaker 5: It's also nice to know that the house mom. The

918
00:42:05,520 --> 00:42:09,359
Speaker 5: second you're in the room, you're good. It's like you're

919
00:42:09,360 --> 00:42:11,960
Speaker 5: in a different dimension the second that door shuts, so

920
00:42:12,040 --> 00:42:14,440
Speaker 5: it's like, you get forty two guys in your room.

921
00:42:14,480 --> 00:42:15,279
Speaker 3: You just gotta get them there.

922
00:42:15,320 --> 00:42:19,560
Speaker 2: You gotta get them there. The girl laughs it off.

923
00:42:19,719 --> 00:42:21,719
Speaker 1: If the house mom catches them up there, she'll be

924
00:42:21,760 --> 00:42:23,120
Speaker 1: booted out of the sorority.

925
00:42:23,280 --> 00:42:24,680
Speaker 2: Boys aren't allowed upstairs.

926
00:42:24,800 --> 00:42:32,920
Speaker 3: And then to notice Manel's head nine seconds, didn't you know?

927
00:42:33,440 --> 00:42:35,680
Speaker 4: I was trying to see who else was there. It's

928
00:42:35,719 --> 00:42:40,200
Speaker 4: gang it is Blackman and buske. Okay, right behind her

929
00:42:40,320 --> 00:42:43,320
Speaker 4: door when she closes the door, there's a poster of guys.

930
00:42:43,120 --> 00:42:47,000
Speaker 3: Like it'sl's heads cut out.

931
00:42:47,120 --> 00:42:49,600
Speaker 4: It's our rider's heads taped onto the bodies of the

932
00:42:49,680 --> 00:42:50,800
Speaker 4: like hot guys on the beach.

933
00:42:51,120 --> 00:42:55,200
Speaker 3: It is over her shoulder.

934
00:42:55,239 --> 00:42:56,440
Speaker 5: It's like a two shot.

935
00:42:56,640 --> 00:42:59,360
Speaker 1: Oh my god, that's so funny. I didn't notice the faces.

936
00:42:59,440 --> 00:43:02,160
Speaker 2: I just I was distracted by the bodies.

937
00:43:02,440 --> 00:43:05,000
Speaker 5: Yeah, exactly, I didn't notice the face. Oh so it

938
00:43:05,160 --> 00:43:08,080
Speaker 5: is all about the bodies, and I only.

939
00:43:07,880 --> 00:43:13,320
Speaker 1: Like really oiled up, extremely move, really fit guys, that's.

940
00:43:13,239 --> 00:43:17,279
Speaker 5: Ten speed bikes like fourteen year olds for some reason. Yeah, yeah, no,

941
00:43:17,320 --> 00:43:19,279
Speaker 5: it was, it was, but butman Or it was. It

942
00:43:19,360 --> 00:43:21,920
Speaker 5: was Manel, and then on a wider shot it was

943
00:43:22,000 --> 00:43:24,399
Speaker 5: bust Gang and.

944
00:43:23,640 --> 00:43:25,399
Speaker 3: I figured it was the other ones, but I didn't

945
00:43:25,440 --> 00:43:26,680
Speaker 3: get a good good looking man.

946
00:43:27,400 --> 00:43:33,120
Speaker 1: Prominent is so funny, but starting another very funny runner.

947
00:43:33,280 --> 00:43:37,160
Speaker 1: As Sean finishes her sentence in unison, especially not in

948
00:43:37,200 --> 00:43:38,000
Speaker 1: the bedrooms.

949
00:43:38,400 --> 00:43:40,239
Speaker 2: He knew she was going to say that.

950
00:43:40,200 --> 00:43:44,240
Speaker 1: Because of his dream, brilliant everything is the exact same,

951
00:43:44,520 --> 00:43:47,759
Speaker 1: and then right on cue Eric and Sean both yell out,

952
00:43:47,920 --> 00:43:49,320
Speaker 1: I don't want to be in your dreams.

953
00:43:49,560 --> 00:43:51,160
Speaker 2: It is so.

954
00:43:52,560 --> 00:43:55,560
Speaker 4: Funny, very clever, right, it almost goes too far, I mean,

955
00:43:55,600 --> 00:43:57,360
Speaker 4: but it really I kind of love it.

956
00:43:57,400 --> 00:44:01,279
Speaker 3: Every time. I'm just going the whole up the football thing.

957
00:44:04,040 --> 00:44:05,720
Speaker 2: It is so funny.

958
00:44:06,040 --> 00:44:08,279
Speaker 1: Eric focus his attention back on the girl, whose name

959
00:44:08,320 --> 00:44:10,160
Speaker 1: is Julie. He's happy to see her again and he

960
00:44:10,239 --> 00:44:12,560
Speaker 1: is thankful that she's letting them stay here. On the

961
00:44:12,600 --> 00:44:14,200
Speaker 1: other side of the room, Sean is staring at a

962
00:44:14,200 --> 00:44:17,720
Speaker 1: messy bed in closet. Wow, your roommate's a pig, Julie

963
00:44:17,760 --> 00:44:19,760
Speaker 1: awkwardly laughs, that's her side.

964
00:44:20,200 --> 00:44:22,640
Speaker 3: Oh you're the pig. Oh you're the pig.

965
00:44:22,920 --> 00:44:24,040
Speaker 2: It's so funny too.

966
00:44:25,120 --> 00:44:27,000
Speaker 1: Corey begins to sit down on the other bed and

967
00:44:27,040 --> 00:44:29,919
Speaker 1: Julie stops him. Her roommate Mary Beth will have a cow.

968
00:44:30,280 --> 00:44:33,000
Speaker 1: She's a total neat freak. Eric assumes she must be

969
00:44:33,040 --> 00:44:35,160
Speaker 1: okay with them staying there, and Julie says no, but

970
00:44:35,239 --> 00:44:37,839
Speaker 1: mary Beth's always at her boyfriend's place, so it doesn't matter.

971
00:44:38,239 --> 00:44:40,800
Speaker 1: Then Sean continues to know everything that's about to happen,

972
00:44:41,040 --> 00:44:43,839
Speaker 1: saying with Julie he's the quarterback of the football team,

973
00:44:43,880 --> 00:44:45,800
Speaker 1: as they both pretend to throw a football.

974
00:44:47,040 --> 00:44:49,480
Speaker 3: A gosh, it's good and the way you're saying it

975
00:44:49,520 --> 00:44:49,840
Speaker 3: like you know.

976
00:44:52,360 --> 00:44:52,920
Speaker 5: So great.

977
00:44:53,880 --> 00:44:56,640
Speaker 3: Corey has had enough. This dream thing is getting eerie.

978
00:44:56,960 --> 00:44:59,640
Speaker 1: Eric suggests to Julie that they should win surf around campus.

979
00:44:59,840 --> 00:45:02,160
Speaker 1: Eric tells the boys have fun, don't touch anything, and

980
00:45:02,160 --> 00:45:05,399
Speaker 1: stay away from me now alone. Sean asks Torry why

981
00:45:05,440 --> 00:45:08,160
Speaker 1: he's sowed down in the mouth. They're in a sorority

982
00:45:08,200 --> 00:45:11,920
Speaker 1: and surrounded by women. Cory pouts, surrounded by women except

983
00:45:11,960 --> 00:45:14,160
Speaker 1: for the one who should be here, And I did

984
00:45:14,200 --> 00:45:18,000
Speaker 1: think in this moment, what was the plan exactly with Tapanga. Here,

985
00:45:18,680 --> 00:45:21,840
Speaker 1: Eric is going to be staying in Julie's and where

986
00:45:21,880 --> 00:45:22,920
Speaker 1: is everyone gonna be?

987
00:45:23,280 --> 00:45:28,280
Speaker 5: So okay, So apparently in college it's normal.

988
00:45:27,920 --> 00:45:32,680
Speaker 4: To have sex in a group, like like if you

989
00:45:32,719 --> 00:45:36,680
Speaker 4: have roommates, sometimes you're you're guys are each with people

990
00:45:36,760 --> 00:45:38,400
Speaker 4: in the same bed, which to me is just ah,

991
00:45:38,640 --> 00:45:41,000
Speaker 4: like you're in separate beds, but you're cam do I know,

992
00:45:41,360 --> 00:45:41,880
Speaker 4: very creepy.

993
00:45:41,960 --> 00:45:43,440
Speaker 3: So Sean would have been on the floor.

994
00:45:46,440 --> 00:45:51,319
Speaker 5: Okay, so there you go. Okay, yeah, so I guess

995
00:45:51,400 --> 00:45:52,720
Speaker 5: that Sean would have been on the floor.

996
00:45:52,960 --> 00:45:56,560
Speaker 3: It's sure, guys, you have sure. Sure.

997
00:45:56,640 --> 00:45:58,760
Speaker 1: And by the way, I can get past the roommate

998
00:45:58,840 --> 00:46:03,520
Speaker 1: situation if I'm Noteen twenty two, it's my bed. We're

999
00:46:03,560 --> 00:46:05,440
Speaker 1: just gonna pretend that there's a wall in between us,

1000
00:46:05,440 --> 00:46:07,400
Speaker 1: even though, and we're probably gonna try to be somewhat

1001
00:46:07,400 --> 00:46:10,359
Speaker 1: polite to each other. If not, you know, maybe try

1002
00:46:10,400 --> 00:46:13,840
Speaker 1: to keep it down a little bit. But now Corey

1003
00:46:13,920 --> 00:46:18,080
Speaker 1: and Topanga are gonna be on the floor of this place,

1004
00:46:18,480 --> 00:46:22,279
Speaker 1: and Eric is going to be with Julie, and Sean.

1005
00:46:22,080 --> 00:46:26,000
Speaker 8: Is going to be Sean camera And this was like

1006
00:46:27,200 --> 00:46:32,960
Speaker 8: the camera I mean, ever happened to Danielle.

1007
00:46:31,880 --> 00:46:37,279
Speaker 4: I mean this is very teenage nineties, teenage, maybe not

1008
00:46:37,320 --> 00:46:38,799
Speaker 4: teenage now, but that was what it.

1009
00:46:39,040 --> 00:46:40,319
Speaker 3: Yeah, I mean, you.

1010
00:46:40,239 --> 00:46:43,640
Speaker 5: Know, wow, I'm sorry you've been in rooms where multiple

1011
00:46:43,640 --> 00:46:45,040
Speaker 5: people are having sex at the same time.

1012
00:46:45,080 --> 00:46:47,239
Speaker 1: By multiple you mean two people to four people, to

1013
00:46:47,719 --> 00:46:48,320
Speaker 1: two couples.

1014
00:46:48,760 --> 00:46:50,440
Speaker 3: Yeah, I'm just saying.

1015
00:46:52,440 --> 00:46:56,520
Speaker 4: It's like, yes, I'm saying like there were, there were

1016
00:46:56,560 --> 00:46:59,799
Speaker 4: oftentimes when people like in college, especially yes, because you

1017
00:46:59,800 --> 00:47:02,879
Speaker 4: have roommate situations, but also like there'd be like you're

1018
00:47:02,920 --> 00:47:05,839
Speaker 4: at a party and you only have like one room

1019
00:47:05,840 --> 00:47:08,399
Speaker 4: where somebody you know, or there's only the bathroom, and

1020
00:47:08,440 --> 00:47:11,920
Speaker 4: so yes, like people pair off and like hook up corners,

1021
00:47:12,239 --> 00:47:16,600
Speaker 4: corners and yeah.

1022
00:47:15,200 --> 00:47:18,120
Speaker 1: I'm just again back to Corey and Tapanga that like Topanga,

1023
00:47:18,160 --> 00:47:23,000
Speaker 1: anyone who knows Tapanga would I'm surprised that Tapanga was like,

1024
00:47:23,000 --> 00:47:25,400
Speaker 1: I'm sorry, but I'm I'm not going to sleep on

1025
00:47:25,440 --> 00:47:28,760
Speaker 1: the floor two girls I don't know, while your brother

1026
00:47:28,920 --> 00:47:32,000
Speaker 1: is there for a girl he's dating. Like that just

1027
00:47:32,080 --> 00:47:34,920
Speaker 1: all all of that feels like Topanga was like, I'm

1028
00:47:34,960 --> 00:47:37,239
Speaker 1: ready to go with this weekend, like of course, to

1029
00:47:37,320 --> 00:47:39,520
Speaker 1: Panga's not there, it just seems so obvious.

1030
00:47:39,920 --> 00:47:40,960
Speaker 3: That's another question. I had.

1031
00:47:40,960 --> 00:47:42,960
Speaker 5: Do you think I think they set it up where

1032
00:47:43,080 --> 00:47:45,919
Speaker 5: Eric and the girl are just friends, right?

1033
00:47:46,000 --> 00:47:49,359
Speaker 4: Were they dating because they like kiss on the cheek? Yeah,

1034
00:47:50,040 --> 00:47:51,279
Speaker 4: I think you're interested.

1035
00:47:51,760 --> 00:47:54,160
Speaker 1: I think maybe there's the potential for a relationship there

1036
00:47:54,200 --> 00:47:56,120
Speaker 1: and that you guys are already dating.

1037
00:47:58,120 --> 00:48:01,000
Speaker 4: That they're just ding it up with her. It was like,

1038
00:48:01,080 --> 00:48:03,120
Speaker 4: oh wow, a girl on their show. That's just kind

1039
00:48:03,120 --> 00:48:05,239
Speaker 4: of like showing him around. And they're just cool with

1040
00:48:05,280 --> 00:48:05,640
Speaker 4: each other.

1041
00:48:05,719 --> 00:48:07,680
Speaker 1: And they didn't know each other from Penbrook, which is

1042
00:48:07,719 --> 00:48:09,640
Speaker 1: good because she mentions that she went there.

1043
00:48:10,320 --> 00:48:12,080
Speaker 4: He doesn't have to talk about oh hot she is, Like,

1044
00:48:12,120 --> 00:48:14,400
Speaker 4: it was nice to just see like a nice character

1045
00:48:14,640 --> 00:48:16,520
Speaker 4: and she alsobered the thing that was funny.

1046
00:48:16,520 --> 00:48:18,080
Speaker 5: And I could be wrong, but I'd love to talk

1047
00:48:18,120 --> 00:48:22,719
Speaker 5: to Sherman about this. They wrote her like a female Eric. Yeah,

1048
00:48:22,840 --> 00:48:25,480
Speaker 5: so it seemed to me like she was That's why

1049
00:48:25,480 --> 00:48:29,080
Speaker 5: their Buddies was exact exactly.

1050
00:48:29,560 --> 00:48:31,759
Speaker 3: She was Eric really smartly, So.

1051
00:48:31,680 --> 00:48:33,520
Speaker 5: That's kind of what I thought that what they were

1052
00:48:33,560 --> 00:48:35,839
Speaker 5: going for. I also, for the record, remember her being

1053
00:48:36,160 --> 00:48:39,279
Speaker 5: incredibly nice and really easy to work with. Yeah, just

1054
00:48:39,320 --> 00:48:40,839
Speaker 5: to say about the actress, she was really cool.

1055
00:48:41,200 --> 00:48:43,959
Speaker 1: Well then on cue the door opens and presumably it's

1056
00:48:44,080 --> 00:48:47,880
Speaker 1: Mary Beth, the OCD roomy, who also looks like Hayley Williams,

1057
00:48:47,920 --> 00:48:49,120
Speaker 1: the lead singer of Paramour.

1058
00:48:49,760 --> 00:48:53,000
Speaker 3: She looks at the boys, doesn't.

1059
00:48:52,200 --> 00:48:52,879
Speaker 2: Yeah, she does.

1060
00:48:53,000 --> 00:48:54,080
Speaker 3: She's my rock star crush.

1061
00:48:54,320 --> 00:48:57,160
Speaker 1: Oh she's so cool. Yeah, she looks at the boys. Well,

1062
00:48:57,239 --> 00:48:59,440
Speaker 1: this is cute. Sean takes it as a compliment and

1063
00:48:59,440 --> 00:49:02,000
Speaker 1: tries to enter do himself, but she proceeds to scream

1064
00:49:02,040 --> 00:49:05,240
Speaker 1: from missus Bluteman. Corey tries to stop her. His brother

1065
00:49:05,360 --> 00:49:08,000
Speaker 1: is friends with her roommate. The girl sarcastically says, oh,

1066
00:49:08,040 --> 00:49:12,080
Speaker 1: well that's different, then shouts boys, many boys the German house.

1067
00:49:12,080 --> 00:49:15,319
Speaker 1: Mom yells back, no boys. Corey tries to cover in

1068
00:49:15,360 --> 00:49:16,360
Speaker 1: a girly voice.

1069
00:49:16,360 --> 00:49:17,080
Speaker 3: Missus Blueman.

1070
00:49:17,200 --> 00:49:19,560
Speaker 1: They must have climbed out the window, and then he

1071
00:49:19,719 --> 00:49:21,720
Speaker 1: slams the door shut and.

1072
00:49:22,440 --> 00:49:25,200
Speaker 3: Problem solve, problem solve. That's it. Back in the room.

1073
00:49:25,520 --> 00:49:29,920
Speaker 3: We are back in. I would have loved a little

1074
00:49:29,920 --> 00:49:31,080
Speaker 3: more farcical.

1075
00:49:30,680 --> 00:49:32,960
Speaker 1: Like hi, I did do but right, Yeah, if you

1076
00:49:32,960 --> 00:49:35,120
Speaker 1: thought we were already out of time, wait till add

1077
00:49:35,120 --> 00:49:39,160
Speaker 1: some farcical hallway hijinks. Corey wants to know why is

1078
00:49:39,200 --> 00:49:42,000
Speaker 1: Mary Beth doing this? They're invited guests, Shawn adds, and

1079
00:49:42,080 --> 00:49:45,000
Speaker 1: I love you, which I also loved because it's just

1080
00:49:45,120 --> 00:49:48,279
Speaker 1: so it wasn't read like you were sincere about it.

1081
00:49:48,280 --> 00:49:51,279
Speaker 1: It was just really, I'm trying something here, and they

1082
00:49:51,320 --> 00:49:54,319
Speaker 1: thought it was so well done. And I love you?

1083
00:49:55,200 --> 00:49:56,880
Speaker 3: Does that help us? And I love you?

1084
00:49:59,600 --> 00:50:04,120
Speaker 4: She was good episode for me. It just felt disconnected.

1085
00:50:04,120 --> 00:50:05,560
Speaker 4: But now that I'm you know, hearing all.

1086
00:50:05,440 --> 00:50:07,920
Speaker 1: The jokes like these are really good jokes, so funny,

1087
00:50:07,920 --> 00:50:11,360
Speaker 1: and you're delivering them perfectly, like they're really well delivered.

1088
00:50:11,880 --> 00:50:14,040
Speaker 1: So she has had enough? Why are they still here?

1089
00:50:14,160 --> 00:50:17,319
Speaker 1: Corey senses some sort of attitude. Mary Beth asks his name,

1090
00:50:17,360 --> 00:50:21,240
Speaker 1: to which Corey responds in his best menacing tone, trouble.

1091
00:50:22,840 --> 00:50:26,480
Speaker 1: Mary Beth isn't amused. All guys are trouble. Sean explains

1092
00:50:26,480 --> 00:50:28,799
Speaker 1: to Corey she just broke up with her boyfriend. Mary

1093
00:50:28,800 --> 00:50:30,960
Speaker 1: Beth asks how he knew that, and he announces, I

1094
00:50:31,080 --> 00:50:33,280
Speaker 1: dreamed it. Miss birthmark on her.

1095
00:50:33,280 --> 00:50:36,919
Speaker 4: Tis birthmark on her TUIs.

1096
00:50:38,440 --> 00:50:43,160
Speaker 1: And she grabs her butt. An acts a little offended. Again,

1097
00:50:43,400 --> 00:50:46,520
Speaker 1: very funny joke. Corey apologizes they'll be out of her

1098
00:50:46,560 --> 00:50:49,200
Speaker 1: way soon. She smiles and senses that Corey is a

1099
00:50:49,239 --> 00:50:52,440
Speaker 1: sensitive guy. He shrugs. Yeah, well I wear a lot

1100
00:50:52,480 --> 00:50:55,880
Speaker 1: of light colors, so Mary Beth smiles seductively at him.

1101
00:50:56,000 --> 00:50:59,400
Speaker 3: Such a funny joke, I know, yeah, and this is

1102
00:50:59,560 --> 00:51:03,400
Speaker 3: this is yeah. I mean, I did enjoy this episode

1103
00:51:03,400 --> 00:51:03,920
Speaker 3: a lot, but.

1104
00:51:05,520 --> 00:51:08,839
Speaker 7: Uh I I.

1105
00:51:08,800 --> 00:51:12,760
Speaker 4: This is like the only explanation for why she's essentially

1106
00:51:12,840 --> 00:51:15,000
Speaker 4: spends the rest of the episode throwing herself at Corey,

1107
00:51:15,040 --> 00:51:16,440
Speaker 4: and I like, I think we could have done a

1108
00:51:16,440 --> 00:51:19,200
Speaker 4: little more work to like set up that Corey says

1109
00:51:19,320 --> 00:51:22,560
Speaker 4: or does something, but this is it. This one line

1110
00:51:22,600 --> 00:51:25,640
Speaker 4: you're a sensitive guy is like doing a lot of work.

1111
00:51:25,840 --> 00:51:28,400
Speaker 1: And Corey is so funny he very easily could It

1112
00:51:28,400 --> 00:51:31,160
Speaker 1: could be his humor of her. Yes, that that she's

1113
00:51:31,200 --> 00:51:33,640
Speaker 1: always like I like that, I like that, and a guy, there's.

1114
00:51:33,480 --> 00:51:34,600
Speaker 3: No sense of journey.

1115
00:51:34,800 --> 00:51:34,880
Speaker 5: No.

1116
00:51:35,000 --> 00:51:36,880
Speaker 4: If she was like, oh my god, the fact that

1117
00:51:36,920 --> 00:51:39,960
Speaker 4: you just said that light colors thing is hysterical and

1118
00:51:40,040 --> 00:51:42,439
Speaker 4: I find that funny. But instead it's like.

1119
00:51:42,560 --> 00:51:44,839
Speaker 3: No, I'm just gonna throw myself at you now for the.

1120
00:51:44,760 --> 00:51:47,800
Speaker 4: Rest she ever read it like like it didn't matter

1121
00:51:47,960 --> 00:51:50,680
Speaker 4: who he was, She's going to get back at her boyfriend.

1122
00:51:50,719 --> 00:51:54,600
Speaker 4: She would Sean, I know if it didn't matter, because

1123
00:51:54,600 --> 00:51:56,480
Speaker 4: Seans ready to go. He's already said I love you,

1124
00:51:56,520 --> 00:51:58,920
Speaker 4: and she's like, I guess that's true. Yeah, And and

1125
00:51:59,000 --> 00:52:00,959
Speaker 4: so they have to sort of a moment where she's

1126
00:52:01,000 --> 00:52:03,200
Speaker 4: more attracted to Corey, which totally makes sense.

1127
00:52:03,880 --> 00:52:06,080
Speaker 3: But this is it. This is literally the end of it.

1128
00:52:06,239 --> 00:52:09,799
Speaker 3: After this, there's no more, there's no it's just on

1129
00:52:09,880 --> 00:52:12,319
Speaker 3: a mission to screw and it's like, who I.

1130
00:52:12,320 --> 00:52:13,920
Speaker 1: Mean, it is a little bit of a trope to

1131
00:52:14,000 --> 00:52:17,880
Speaker 1: have this like jilted woman become very focused on I'm

1132
00:52:17,880 --> 00:52:19,879
Speaker 1: gonna get over it. I'm gonna get over it by

1133
00:52:19,920 --> 00:52:21,120
Speaker 1: getting under someone else.

1134
00:52:21,200 --> 00:52:23,920
Speaker 3: Like, there is that trope, But they did try to

1135
00:52:24,000 --> 00:52:24,399
Speaker 3: make it.

1136
00:52:24,680 --> 00:52:26,400
Speaker 1: You're right, because if it were just I'm going to

1137
00:52:26,440 --> 00:52:29,120
Speaker 1: get over it by screwing somebody, it could have been shown.

1138
00:52:29,200 --> 00:52:30,879
Speaker 2: And she very much does not watch Sean.

1139
00:52:31,040 --> 00:52:33,959
Speaker 1: So even the fact that every time then Corey tries

1140
00:52:34,000 --> 00:52:35,960
Speaker 1: to get out of it, he does another funny or

1141
00:52:35,960 --> 00:52:38,439
Speaker 1: clever thing that only makes her more attracted to him

1142
00:52:38,840 --> 00:52:39,879
Speaker 1: would have gone a long way.

1143
00:52:39,960 --> 00:52:41,200
Speaker 2: But yeah, this is it.

1144
00:52:41,239 --> 00:52:44,359
Speaker 5: Direct did get over it by getting under somebody else.

1145
00:52:44,400 --> 00:52:45,799
Speaker 3: Did you make that up? Or is that a thing?

1146
00:52:46,480 --> 00:52:46,640
Speaker 7: No?

1147
00:52:46,680 --> 00:52:51,080
Speaker 1: People say that get you get over I was like, yeah,

1148
00:52:51,120 --> 00:52:52,560
Speaker 1: the only way to get over somebody is to get

1149
00:52:52,600 --> 00:52:53,359
Speaker 1: under somebody else.

1150
00:52:53,520 --> 00:53:09,560
Speaker 3: Okay, well there you go. Well here here, we're coming

1151
00:53:09,640 --> 00:53:09,920
Speaker 3: to it.

1152
00:53:10,680 --> 00:53:13,200
Speaker 1: Okay, oh my god, I can't wait. So Corey is

1153
00:53:13,239 --> 00:53:15,719
Speaker 1: starting to catch on. He pulls Sean away and you

1154
00:53:15,840 --> 00:53:19,120
Speaker 1: are both breaking here it is so this is what

1155
00:53:19,160 --> 00:53:19,759
Speaker 1: was going on.

1156
00:53:19,880 --> 00:53:23,520
Speaker 3: Okay. So I've talked about this, I think at live shows.

1157
00:53:23,760 --> 00:53:24,960
Speaker 3: I don't know if I've ever talked about it on

1158
00:53:24,960 --> 00:53:25,440
Speaker 3: the podcast.

1159
00:53:25,440 --> 00:53:30,080
Speaker 4: But you know, Ben's humor is so based on audio

1160
00:53:30,320 --> 00:53:33,240
Speaker 4: and like and the quality of words and the sounds

1161
00:53:33,280 --> 00:53:36,880
Speaker 4: and sound effects and like sort of how people say things,

1162
00:53:36,960 --> 00:53:38,080
Speaker 4: and and he.

1163
00:53:38,040 --> 00:53:40,200
Speaker 3: Would get locked into in jokes.

1164
00:53:40,200 --> 00:53:42,800
Speaker 4: He would always have in jokes with literally every single person,

1165
00:53:42,840 --> 00:53:45,200
Speaker 4: every crewmember, every cast. He would have one word that

1166
00:53:45,280 --> 00:53:47,680
Speaker 4: he would say that the way he said it would

1167
00:53:47,760 --> 00:53:51,000
Speaker 4: make you lose it. And it was always just one

1168
00:53:51,000 --> 00:53:52,960
Speaker 4: of the funniest things. And Ben and I over the

1169
00:53:53,000 --> 00:53:55,360
Speaker 4: years built up a pantheon of these.

1170
00:53:56,320 --> 00:53:58,000
Speaker 3: References and repertoires.

1171
00:53:58,080 --> 00:54:01,680
Speaker 4: Oh my god, and this was one of the most

1172
00:54:01,800 --> 00:54:05,879
Speaker 4: legendary h So, and now I see why it's so great,

1173
00:54:06,000 --> 00:54:09,080
Speaker 4: because this what we really what he's doing here, and

1174
00:54:09,120 --> 00:54:10,120
Speaker 4: he doesn't actually do.

1175
00:54:10,120 --> 00:54:12,399
Speaker 3: It, but what he had been doing all week. He

1176
00:54:12,440 --> 00:54:14,799
Speaker 3: barely does it, but what he had been doing all

1177
00:54:14,800 --> 00:54:18,960
Speaker 3: week was he Ben used to take the tonal interpretation

1178
00:54:19,280 --> 00:54:24,000
Speaker 3: of lines in movies that we knew and insert the

1179
00:54:24,080 --> 00:54:26,920
Speaker 3: reading into a different line that we actually had to

1180
00:54:26,920 --> 00:54:28,719
Speaker 3: say on the script. So let me explain what I mean.

1181
00:54:29,080 --> 00:54:32,160
Speaker 3: So in the movie teen Wolf, team we talked and

1182
00:54:32,239 --> 00:54:37,640
Speaker 3: the reason we were doing teen Wolf was because so we.

1183
00:54:37,600 --> 00:54:40,399
Speaker 4: Have been obviously talking teen Wolf NonStop. And so there's

1184
00:54:40,440 --> 00:54:42,520
Speaker 4: a character in Teenwolf who as a coach or the

1185
00:54:42,960 --> 00:54:46,319
Speaker 4: drama teacher, and the drama teacher has this amazing line.

1186
00:54:46,239 --> 00:54:47,480
Speaker 3: Where Michael J.

1187
00:54:47,600 --> 00:54:49,879
Speaker 4: Fox walks on he's refusing to be the werewolf near

1188
00:54:49,880 --> 00:54:51,600
Speaker 4: the end of the movie when he's decided to embrace

1189
00:54:51,600 --> 00:54:54,920
Speaker 4: his humanity and the drama teacher is going to kick

1190
00:54:55,000 --> 00:54:55,719
Speaker 4: him out of the show, and.

1191
00:54:55,640 --> 00:54:57,839
Speaker 3: He goes, ah, how do I put this?

1192
00:54:58,760 --> 00:55:03,479
Speaker 4: No no no Wolf, no Wolf, no one, no part.

1193
00:55:04,360 --> 00:55:06,520
Speaker 4: And we always just thought it was so brilliant because

1194
00:55:06,520 --> 00:55:08,399
Speaker 4: the guy he swallows it, and the way he's sort

1195
00:55:08,400 --> 00:55:10,640
Speaker 4: of like, uh, you know, because the way it's written

1196
00:55:10,719 --> 00:55:13,160
Speaker 4: is like no Wolf, no part, kid, and he decides

1197
00:55:13,160 --> 00:55:15,120
Speaker 4: to like make it this like very and Ben and

1198
00:55:15,120 --> 00:55:17,000
Speaker 4: I would quote it and thought it was hysterical, So

1199
00:55:17,040 --> 00:55:19,880
Speaker 4: then Ben started saying, whatever this line is, God, I

1200
00:55:19,880 --> 00:55:20,680
Speaker 4: should have written it, Dowain.

1201
00:55:20,719 --> 00:55:22,000
Speaker 3: It was like it was me. It was was it

1202
00:55:22,080 --> 00:55:23,960
Speaker 3: me too? MEAs recurring dream.

1203
00:55:24,120 --> 00:55:27,359
Speaker 1: What happens next, Sean recalls, I'm left alone with this

1204
00:55:27,400 --> 00:55:29,640
Speaker 1: beautiful sorority girl who just got dumb, who just got

1205
00:55:29,719 --> 00:55:31,799
Speaker 1: dumb by her boyfriend. She's not too fond of men

1206
00:55:31,840 --> 00:55:34,600
Speaker 1: at the moment, so she reeks havoc on me emotionally

1207
00:55:34,960 --> 00:55:35,840
Speaker 1: and physically.

1208
00:55:36,120 --> 00:55:37,800
Speaker 3: And then what is Ben's what does coursay?

1209
00:55:37,880 --> 00:55:41,200
Speaker 1: Then Corey tells Sean, there's something that's not quite meshing

1210
00:55:41,440 --> 00:55:43,040
Speaker 1: with a dreams.

1211
00:55:43,440 --> 00:55:48,600
Speaker 4: It was mesh mesh, so he all along would say, Sean, Sean,

1212
00:55:48,680 --> 00:55:52,360
Speaker 4: there's something that's not quite mesh mesh mesh. And he

1213
00:55:52,400 --> 00:55:55,120
Speaker 4: would so he inserted, and it was something he would

1214
00:55:55,120 --> 00:55:56,839
Speaker 4: do with run throughs. He would do it in front

1215
00:55:56,880 --> 00:55:59,520
Speaker 4: and nobody knew what he was doing. Now he's signaling

1216
00:55:59,520 --> 00:56:02,480
Speaker 4: to me you except for me, so I would be losing.

1217
00:56:02,520 --> 00:56:05,400
Speaker 3: So you can see in anticipation of this moment coming,

1218
00:56:05,640 --> 00:56:08,320
Speaker 3: and I'm sitting here basically daring him, You're not gonna

1219
00:56:08,320 --> 00:56:10,560
Speaker 3: do it. The cameras recording and we're taking.

1220
00:56:10,600 --> 00:56:12,680
Speaker 4: Oh, I know he already had, which is why I

1221
00:56:12,680 --> 00:56:14,600
Speaker 4: was already losing it because this is probably take two.

1222
00:56:15,120 --> 00:56:17,920
Speaker 4: So yes, this is the brakesmanship of me and Ben

1223
00:56:18,040 --> 00:56:20,040
Speaker 4: trying to make each other laugh, and they left it

1224
00:56:20,600 --> 00:56:22,920
Speaker 4: because there probably wasn't a take where we are not

1225
00:56:23,080 --> 00:56:25,920
Speaker 4: losing it. So yes, this is Ben Savage doing his

1226
00:56:26,600 --> 00:56:34,759
Speaker 4: teen Wolf tone line insertion on our dials. Tosh mesh mesh.

1227
00:56:35,040 --> 00:56:38,680
Speaker 3: Oh, there's so many instances of this throughout our history,

1228
00:56:38,719 --> 00:56:40,880
Speaker 3: but this was like the I mean, yeah, I'll never

1229
00:56:40,960 --> 00:56:41,320
Speaker 3: forget it.

1230
00:56:41,360 --> 00:56:43,120
Speaker 4: And when I saw me start to laugh, and that's

1231
00:56:43,120 --> 00:56:44,920
Speaker 4: all I remembered about this episode.

1232
00:56:48,200 --> 00:56:48,520
Speaker 3: So much.

1233
00:56:48,719 --> 00:56:51,799
Speaker 5: I literally had to and explain everything you just said

1234
00:56:51,800 --> 00:56:54,080
Speaker 5: to Sue. It was like, okay, so this scene in

1235
00:56:54,160 --> 00:56:56,239
Speaker 5: teen Wolf, like we're doing the entire thing and it's

1236
00:56:56,280 --> 00:56:59,520
Speaker 5: so obvious. Yeah, well the other thing we do remember

1237
00:56:59,560 --> 00:57:03,800
Speaker 5: somebody on stage and go excuse me, wolf Wolf wolfs.

1238
00:57:06,800 --> 00:57:10,600
Speaker 3: No mesh mesh, no park crushing with this stream.

1239
00:57:10,760 --> 00:57:13,040
Speaker 1: It is so funny, so fun to watch. So the

1240
00:57:13,040 --> 00:57:17,120
Speaker 1: sorority girl in question is staring at Cory. They both

1241
00:57:17,160 --> 00:57:19,840
Speaker 1: look at her and realize it's true Mary Beth is

1242
00:57:22,720 --> 00:57:25,959
Speaker 1: And then we are in the wreck room, which looks like.

1243
00:57:27,040 --> 00:57:33,480
Speaker 8: Windows Come back, kiddy.

1244
00:57:33,480 --> 00:57:37,000
Speaker 1: There's candy, it's a party, there's pinball, arcade games.

1245
00:57:37,040 --> 00:57:39,640
Speaker 3: There are no cult leaders in mock turtlenecks.

1246
00:57:39,760 --> 00:57:45,640
Speaker 4: No still Garrett and and beer the first time ever,

1247
00:57:45,680 --> 00:57:47,360
Speaker 4: they're drinking beers.

1248
00:57:47,560 --> 00:57:50,000
Speaker 2: And your parents boy meets world.

1249
00:57:50,280 --> 00:57:52,120
Speaker 4: Why there's a guy in the pool table with a

1250
00:57:52,160 --> 00:57:55,760
Speaker 4: pool ball up? What did you not notice this?

1251
00:57:55,800 --> 00:57:57,640
Speaker 5: As they panned by, there's a guy passed out on

1252
00:57:57,640 --> 00:57:59,600
Speaker 5: the pool table and there's a red pool ball shoved

1253
00:57:59,640 --> 00:58:00,560
Speaker 5: right in his cheeks.

1254
00:58:00,920 --> 00:58:04,720
Speaker 4: Wow. Yes, that's quite a job for an extra. Somebody

1255
00:58:04,760 --> 00:58:13,440
Speaker 4: put them Did you tell an extra get a table?

1256
00:58:13,480 --> 00:58:13,720
Speaker 4: And ye?

1257
00:58:14,680 --> 00:58:16,400
Speaker 3: My question is did you have to call that shot?

1258
00:58:16,520 --> 00:58:20,400
Speaker 3: Thank you very much? But yeah, amazing, just right there.

1259
00:58:20,760 --> 00:58:23,000
Speaker 1: Well, Eric lists all the things he and Julie have

1260
00:58:23,080 --> 00:58:26,400
Speaker 1: done so far. They've water skied, snorkeled, and played beach volleyball.

1261
00:58:26,440 --> 00:58:29,160
Speaker 1: They've apparently changed right back into their clothes from before

1262
00:58:29,240 --> 00:58:30,320
Speaker 1: and done your hair again.

1263
00:58:30,720 --> 00:58:31,840
Speaker 3: Of course, had to do that.

1264
00:58:31,880 --> 00:58:34,400
Speaker 5: We did everything back in a giant boxy square shirt

1265
00:58:34,400 --> 00:58:35,520
Speaker 5: and on with the rest of the day.

1266
00:58:36,640 --> 00:58:39,200
Speaker 1: Eric wants to see where the actual learning takes place.

1267
00:58:39,320 --> 00:58:42,400
Speaker 1: Julie suggests they check out the lab where doctor Halberstram

1268
00:58:42,440 --> 00:58:45,959
Speaker 1: won the Nobel Prize for his cloning experiments. Eric looks

1269
00:58:46,000 --> 00:58:50,439
Speaker 1: pleasantly surprised, and Julie, Elle's just kidding. Doctor Halberstram's a walrus.

1270
00:58:50,760 --> 00:58:52,800
Speaker 3: I don't get this at all. I didn't. I don't

1271
00:58:52,880 --> 00:58:53,680
Speaker 3: understand what's happening.

1272
00:58:54,120 --> 00:58:56,280
Speaker 5: I think what it's the joke is that it's like

1273
00:58:56,320 --> 00:58:59,000
Speaker 5: a mascot of the school that they called doctor Alberstrand.

1274
00:58:59,000 --> 00:59:01,000
Speaker 5: And it turns out it's literally just a walrus. Like

1275
00:59:01,040 --> 00:59:04,480
Speaker 5: nothing's ever happened at Beach State worth anything, because essentially, I.

1276
00:59:04,400 --> 00:59:07,720
Speaker 1: Think, I mean also a beach near the water type

1277
00:59:07,720 --> 00:59:10,560
Speaker 1: school might have some sort of animal.

1278
00:59:10,280 --> 00:59:12,360
Speaker 3: Actual you know, actual wall and.

1279
00:59:12,680 --> 00:59:14,480
Speaker 2: They call the wall and the doctor the Wallers. His

1280
00:59:14,520 --> 00:59:15,240
Speaker 2: name is doctor.

1281
00:59:15,080 --> 00:59:16,640
Speaker 3: Arberstram, Right, that's my guess.

1282
00:59:16,720 --> 00:59:17,240
Speaker 6: Yeah.

1283
00:59:17,440 --> 00:59:18,600
Speaker 2: Uh so.

1284
00:59:18,800 --> 00:59:21,200
Speaker 1: Eric hopes there's more to this college than just the beach,

1285
00:59:21,240 --> 00:59:23,560
Speaker 1: but Julie doesn't understand what the problem is. She thinks,

1286
00:59:23,600 --> 00:59:25,720
Speaker 1: after all the hard work they put in it, John Adams,

1287
00:59:25,760 --> 00:59:28,200
Speaker 1: this is their reward. But Eric's been out in the

1288
00:59:28,240 --> 00:59:30,040
Speaker 1: real world for a year now and he knows it

1289
00:59:30,040 --> 00:59:32,040
Speaker 1: takes more than a good tan to make it out there.

1290
00:59:32,320 --> 00:59:34,680
Speaker 1: Julie reminds him the real world is four years away.

1291
00:59:34,960 --> 00:59:37,040
Speaker 1: She begins to play frisbee as Eric looks around the

1292
00:59:37,080 --> 00:59:39,600
Speaker 1: room and utter disappointment. And this is where we see

1293
00:59:39,600 --> 00:59:43,000
Speaker 1: a passed out dude holding a beer and a couple

1294
00:59:43,080 --> 00:59:45,080
Speaker 1: who are making out with each other's necks.

1295
00:59:45,440 --> 00:59:47,640
Speaker 5: Yeah, you can also tell it to beer because the

1296
00:59:47,720 --> 00:59:49,440
Speaker 5: label says beer beer.

1297
00:59:49,960 --> 00:59:53,000
Speaker 1: Yes, that's all my favorite brand of beer, doctor beer.

1298
00:59:53,040 --> 00:59:57,800
Speaker 1: I like just no, just beer, just beer. Yeah, beer incursive.

1299
00:59:58,160 --> 01:00:01,680
Speaker 3: Yes, I think it would be a great brand. Somebody

1300
01:00:01,720 --> 01:00:04,440
Speaker 3: just did it. Beer like literally just says beer. I

1301
01:00:04,480 --> 01:00:06,920
Speaker 3: bet you that would be like hipsteris everywhere would love it.

1302
01:00:06,920 --> 01:00:09,520
Speaker 3: They'd just be like, what are you drinking beer? Beer? Beer? Yeah.

1303
01:00:09,880 --> 01:00:11,360
Speaker 3: So then we're back in the sorority room.

1304
01:00:11,400 --> 01:00:13,640
Speaker 2: Mary Beth is yelling into her phone, so you.

1305
01:00:13,600 --> 01:00:14,919
Speaker 3: Want your things back now.

1306
01:00:15,160 --> 01:00:18,520
Speaker 1: She starts to throw CDs, a television set, Blockbuster video

1307
01:00:18,560 --> 01:00:21,280
Speaker 1: cases and stories sleeping that light out the window.

1308
01:00:21,440 --> 01:00:23,880
Speaker 3: The lightest television set in the history of the world.

1309
01:00:24,240 --> 01:00:27,360
Speaker 4: Just it was those things weigh a lot. Yeah, yes

1310
01:00:27,720 --> 01:00:31,120
Speaker 4: they did. Even the old TVs with the big giant.

1311
01:00:30,880 --> 01:00:33,760
Speaker 5: Battle ones, even the little ones had more weight than

1312
01:00:33,760 --> 01:00:36,120
Speaker 5: her going hup, Yeah, that was the world's lightest TV.

1313
01:00:37,200 --> 01:00:39,520
Speaker 1: Well, Sean whispers to Corey, they need to get out

1314
01:00:39,520 --> 01:00:42,120
Speaker 1: of here. This woman is out of sorts. In my dream,

1315
01:00:42,280 --> 01:00:43,960
Speaker 1: this is the part where she turns around and the

1316
01:00:44,040 --> 01:00:46,560
Speaker 1: first guy she sees she traps in her evil man

1317
01:00:46,600 --> 01:00:50,720
Speaker 1: hating web of vengeful sexuality. And then that's also where

1318
01:00:50,720 --> 01:00:53,880
Speaker 1: you are very close to breaking again. You're just barely

1319
01:00:53,960 --> 01:00:57,120
Speaker 1: keeping it together. He turns around to Mary Beth, flips

1320
01:00:57,160 --> 01:00:59,440
Speaker 1: his collar up and flirts, but she simply tells him

1321
01:00:59,480 --> 01:01:02,320
Speaker 1: to get out. He obliges without question, and Corey isn't

1322
01:01:02,320 --> 01:01:03,240
Speaker 1: far behind.

1323
01:01:03,080 --> 01:01:04,000
Speaker 2: But she stops him.

1324
01:01:04,480 --> 01:01:06,439
Speaker 1: I want you to stay because you're a sensitive guy

1325
01:01:06,520 --> 01:01:08,960
Speaker 1: and I want to talk to you. Corey says okay,

1326
01:01:09,000 --> 01:01:11,720
Speaker 1: but only for a minute. Mary Beth breaks down and

1327
01:01:11,760 --> 01:01:14,640
Speaker 1: shares her broken heart with Corey. He tries consoling her.

1328
01:01:14,760 --> 01:01:17,080
Speaker 1: His girlfriend is supposed to be with him, but she bailed.

1329
01:01:17,440 --> 01:01:19,800
Speaker 1: They rile each other up and agree that relationships are

1330
01:01:19,800 --> 01:01:24,280
Speaker 1: too complicated. She shouts I'm through with men, and Corey agrees,

1331
01:01:24,520 --> 01:01:28,400
Speaker 1: me too, Me too, And then Mary Beth walks out

1332
01:01:28,400 --> 01:01:32,760
Speaker 1: of her bathroom wearing only an oversized football jersey and

1333
01:01:32,840 --> 01:01:35,160
Speaker 1: asks Corey if he wants to party.

1334
01:01:35,360 --> 01:01:36,920
Speaker 5: I think writer's going to say exactly the same thing.

1335
01:01:36,920 --> 01:01:39,520
Speaker 3: I'm please, please don't. I have two things about the

1336
01:01:39,560 --> 01:01:42,640
Speaker 3: shot over the shoulder shot from oh oh yeah, oh

1337
01:01:42,720 --> 01:01:44,040
Speaker 3: all right, what were you going to say?

1338
01:01:44,240 --> 01:01:48,400
Speaker 5: Well, no, mine is about why get into something sexy

1339
01:01:48,480 --> 01:01:50,640
Speaker 5: to then later just take a shower to get into

1340
01:01:50,680 --> 01:01:51,360
Speaker 5: something sexy.

1341
01:01:51,480 --> 01:01:53,320
Speaker 3: He got to keep it going manly.

1342
01:01:53,400 --> 01:01:56,560
Speaker 4: She's at it, changes happen, well goes to show that

1343
01:01:56,600 --> 01:01:59,000
Speaker 4: there's no progression to this character, like now, this is

1344
01:01:59,000 --> 01:02:01,840
Speaker 4: where this is an opportunity for like, you know, even

1345
01:02:01,880 --> 01:02:04,080
Speaker 4: even right now, like Corey, instead of just chasing after

1346
01:02:04,120 --> 01:02:06,400
Speaker 4: Sean could have said something like you know, before I

1347
01:02:06,480 --> 01:02:10,040
Speaker 4: go and delivered something that was a sensitive guy thing

1348
01:02:10,080 --> 01:02:10,640
Speaker 4: to say that.

1349
01:02:10,680 --> 01:02:13,640
Speaker 3: Then she's like please stay and it's like okay. But

1350
01:02:13,680 --> 01:02:17,920
Speaker 3: instead it's just like seduction. You know, it's very one dimensional.

1351
01:02:19,400 --> 01:02:21,760
Speaker 3: I've never met this guy. But you could do way better,

1352
01:02:22,000 --> 01:02:24,560
Speaker 3: just something as simple as that and just or just

1353
01:02:24,600 --> 01:02:27,920
Speaker 3: develop her character from here on out. She is sex kitten,

1354
01:02:28,600 --> 01:02:31,439
Speaker 3: but it's also a weird sex kitten. She goes because

1355
01:02:31,480 --> 01:02:33,520
Speaker 3: I got to keep something sixxy to then later go

1356
01:02:33,600 --> 01:02:35,080
Speaker 3: and get dressed into something sexy.

1357
01:02:35,600 --> 01:02:38,479
Speaker 4: So when when this shot, which you know, kudos Jeff

1358
01:02:38,520 --> 01:02:40,200
Speaker 4: mccrackett is a graduate reference.

1359
01:02:40,240 --> 01:02:43,200
Speaker 3: You know, it's the famous like leg and I love that.

1360
01:02:43,680 --> 01:02:47,400
Speaker 4: And then also the music does this boom boom, and

1361
01:02:47,440 --> 01:02:49,120
Speaker 4: I was like oh, and.

1362
01:02:49,080 --> 01:02:51,200
Speaker 3: I had to pause it. I was like, Alex, Alex,

1363
01:02:51,440 --> 01:02:54,840
Speaker 3: what's the movie with Michael J. Fox where he's in

1364
01:02:54,880 --> 01:02:57,000
Speaker 3: the limo? Do you know where I'm going with this

1365
01:02:57,360 --> 01:02:58,320
Speaker 3: Seaking to My Success?

1366
01:02:58,480 --> 01:02:58,800
Speaker 4: Yes?

1367
01:02:58,960 --> 01:03:01,800
Speaker 3: And you remember the song? No it goes, I remember

1368
01:03:01,800 --> 01:03:05,560
Speaker 3: the secret And then that whole scene is cut to.

1369
01:03:06,120 --> 01:03:06,720
Speaker 3: I've looked it up.

1370
01:03:06,760 --> 01:03:12,160
Speaker 4: It's oh yeah by Yellow, which is boom boom. And

1371
01:03:12,200 --> 01:03:14,520
Speaker 4: then so I was and Alex is like, no, that's

1372
01:03:14,560 --> 01:03:19,040
Speaker 4: Ferris Bueller's. I'm like, it's junk Don't get your Car,

1373
01:03:19,360 --> 01:03:20,160
Speaker 4: that's Ferris Bueler.

1374
01:03:20,200 --> 01:03:20,760
Speaker 3: That's the same one.

1375
01:03:20,800 --> 01:03:21,280
Speaker 6: Don't don't.

1376
01:03:21,360 --> 01:03:22,160
Speaker 3: Oh it's the same song.

1377
01:03:22,240 --> 01:03:22,439
Speaker 5: Yeah.

1378
01:03:22,480 --> 01:03:24,880
Speaker 3: So that's what Like my wife and I were like

1379
01:03:24,920 --> 01:03:26,800
Speaker 3: at a screaming match. I'm like, you know, it's Secret

1380
01:03:26,840 --> 01:03:29,200
Speaker 3: to My Success. She's like, it's Ferris Bueller. So like, oh,

1381
01:03:29,320 --> 01:03:31,960
Speaker 3: they can't. They didn't. This movies came out within like

1382
01:03:31,960 --> 01:03:33,800
Speaker 3: a year of each other. They didn't use the same song.

1383
01:03:33,960 --> 01:03:36,560
Speaker 4: They used the same song, and so here this like

1384
01:03:36,760 --> 01:03:39,200
Speaker 4: you could hear the the ray Colcord music beat. There's

1385
01:03:39,240 --> 01:03:41,720
Speaker 4: a complete reference to that, like it was like the

1386
01:03:41,840 --> 01:03:43,840
Speaker 4: music that just said like sex is coming.

1387
01:03:44,120 --> 01:03:44,600
Speaker 3: Yeah.

1388
01:03:44,600 --> 01:03:49,480
Speaker 1: Wow, I'm so glad you guys have knowledge of film

1389
01:03:49,520 --> 01:03:51,080
Speaker 1: and TV, because all.

1390
01:03:51,080 --> 01:03:54,640
Speaker 3: You've never seen The Secretary Limited. Great movie is a

1391
01:03:54,680 --> 01:03:55,200
Speaker 3: great movie?

1392
01:03:55,400 --> 01:03:57,080
Speaker 5: Yeah, well it was when I saw it in the

1393
01:03:57,080 --> 01:03:57,840
Speaker 5: theater back in the day.

1394
01:03:57,920 --> 01:04:11,160
Speaker 3: Yeah, right, right right, yeah, all right.

1395
01:04:11,280 --> 01:04:13,480
Speaker 1: So then we go to break and we return in

1396
01:04:13,560 --> 01:04:16,160
Speaker 1: mary Beth's room. Mary Beth repeats herself, does he want

1397
01:04:16,160 --> 01:04:18,480
Speaker 1: a party? Corey tells her, let's be clear of your

1398
01:04:18,520 --> 01:04:21,720
Speaker 1: definition of party lest we should send out invites and

1399
01:04:22,040 --> 01:04:23,400
Speaker 1: hire a clown, which.

1400
01:04:26,160 --> 01:04:27,000
Speaker 2: Wonderful use.

1401
01:04:27,080 --> 01:04:29,880
Speaker 1: And again I guess in this case he is making

1402
01:04:29,880 --> 01:04:31,240
Speaker 1: a he's making a funny joke.

1403
01:04:32,320 --> 01:04:33,480
Speaker 3: But she has never said that.

1404
01:04:33,720 --> 01:04:37,280
Speaker 1: She likes sense of humor. So easy to just be like,

1405
01:04:37,320 --> 01:04:39,040
Speaker 1: you are so bad, That's what I love about you.

1406
01:04:40,360 --> 01:04:44,320
Speaker 1: Mary Beth smirks. Is she making him nervous? He stutters, no, no,

1407
01:04:44,360 --> 01:04:46,520
Speaker 1: not if there's going to be a clown, and she whispers,

1408
01:04:46,680 --> 01:04:49,360
Speaker 1: no clowns, just you and me. She lights in a

1409
01:04:49,440 --> 01:04:52,960
Speaker 1: romatherapy candle and tells Corey to smell it cornbread and

1410
01:04:53,040 --> 01:04:57,560
Speaker 1: pine needles. She corrects him. It's actually lang Lang and sandalwood.

1411
01:04:57,800 --> 01:05:01,240
Speaker 1: She says that sandalwood helps stimulate them on. Corey nervously

1412
01:05:01,280 --> 01:05:03,560
Speaker 1: asks what lang lang stimulates, and she just gives him

1413
01:05:03,560 --> 01:05:06,600
Speaker 1: a seductive smile and turns on some jazz. You know,

1414
01:05:07,000 --> 01:05:09,440
Speaker 1: the kind of music college kids play to makeout.

1415
01:05:09,680 --> 01:05:11,640
Speaker 3: Yeah, Sue said the same thing. She's like, did she

1416
01:05:11,760 --> 01:05:14,840
Speaker 3: just put on light jazz? Who the hell does that like?

1417
01:05:15,120 --> 01:05:15,200
Speaker 4: Ye?

1418
01:05:15,320 --> 01:05:17,640
Speaker 3: Apparently wow.

1419
01:05:17,960 --> 01:05:19,520
Speaker 2: He apologizes to Mary Beth.

1420
01:05:19,600 --> 01:05:22,320
Speaker 1: He can't be here during this, the time of her

1421
01:05:22,360 --> 01:05:23,520
Speaker 1: great stimulation.

1422
01:05:25,040 --> 01:05:28,320
Speaker 3: He's so good Ben. I agree with you guys are saying.

1423
01:05:28,360 --> 01:05:32,080
Speaker 5: But Ben is so good in the just so awkward

1424
01:05:32,200 --> 01:05:35,200
Speaker 5: and funny, and he's old school Corey and I I

1425
01:05:35,280 --> 01:05:35,640
Speaker 5: love it.

1426
01:05:35,920 --> 01:05:37,800
Speaker 1: I know. He opens the door to leave, but Missus

1427
01:05:37,800 --> 01:05:39,760
Speaker 1: Bluteman is right outside vacuuming.

1428
01:05:40,120 --> 01:05:40,720
Speaker 3: He's stuck.

1429
01:05:41,040 --> 01:05:43,840
Speaker 1: He proceeds to tell Mary Beth, I am very flattered,

1430
01:05:43,920 --> 01:05:45,200
Speaker 1: but I do have a girlfriend.

1431
01:05:45,280 --> 01:05:47,440
Speaker 2: Her name is Tapanga. Mary Beth laughs.

1432
01:05:48,000 --> 01:05:49,840
Speaker 3: Is she vacuuming? Or I thought she was?

1433
01:05:49,840 --> 01:05:49,920
Speaker 5: Like?

1434
01:05:53,800 --> 01:05:54,200
Speaker 2: Yeah?

1435
01:05:54,400 --> 01:05:56,960
Speaker 1: Mary Beth laughs to Panga, sounds like a freeway exit.

1436
01:05:57,160 --> 01:05:58,160
Speaker 1: Corey says he'll prove it.

1437
01:05:58,480 --> 01:05:59,840
Speaker 3: He runs over to the phone.

1438
01:06:00,040 --> 01:06:04,440
Speaker 1: Yeah, I know that it is a freeway anytime. Anyone

1439
01:06:04,480 --> 01:06:07,000
Speaker 1: who's ever wondered where did they come up with the name?

1440
01:06:07,120 --> 01:06:11,160
Speaker 1: We told you in the show. In this episode, Corey

1441
01:06:11,200 --> 01:06:13,160
Speaker 1: says he'll prove it to her and he runs over

1442
01:06:13,160 --> 01:06:15,479
Speaker 1: to the phone. He frantically dials to Panga's number.

1443
01:06:15,520 --> 01:06:17,240
Speaker 3: But by the way, they don't have freeways on the

1444
01:06:17,320 --> 01:06:17,800
Speaker 3: East Coast.

1445
01:06:18,720 --> 01:06:20,360
Speaker 5: I didn't want to get too east coast into it.

1446
01:06:20,400 --> 01:06:24,160
Speaker 5: But we have highways coast. They're called freeways simply because

1447
01:06:24,160 --> 01:06:26,320
Speaker 5: they're free. There's no tolls where we have a lot

1448
01:06:26,360 --> 01:06:27,200
Speaker 5: of tolls back east.

1449
01:06:27,280 --> 01:06:33,040
Speaker 1: So ms Curtis aka Aunt Prue aka Juliet from Romeo,

1450
01:06:33,080 --> 01:06:35,959
Speaker 1: and Juliet answers and Corey asks for Tapanga. She says

1451
01:06:36,000 --> 01:06:37,919
Speaker 1: she's not in, but she'll make sure she calls him back,

1452
01:06:38,040 --> 01:06:40,320
Speaker 1: but Corey reminds her, I'm on that trip, you know,

1453
01:06:40,360 --> 01:06:42,400
Speaker 1: the one you wouldn't let her go on. While Mary

1454
01:06:42,400 --> 01:06:44,960
Speaker 1: Beth continuously touches Corey's leg on the other end of

1455
01:06:45,000 --> 01:06:48,040
Speaker 1: the phone, Aunt Prue says something that raises a red

1456
01:06:48,080 --> 01:06:51,000
Speaker 1: flag for Corey and he doesn't even leave a message

1457
01:06:51,000 --> 01:06:51,640
Speaker 1: for Topanga.

1458
01:06:51,800 --> 01:06:52,040
Speaker 3: Oh.

1459
01:06:53,080 --> 01:06:56,040
Speaker 1: Corey tosses Mary Beth's phone out the window and she yells, hey,

1460
01:06:56,160 --> 01:06:59,000
Speaker 1: that was mine.

1461
01:06:58,040 --> 01:07:01,160
Speaker 5: After half trying to close the antenna, which is not

1462
01:07:01,200 --> 01:07:09,000
Speaker 5: a closable antenna, so just tapping.

1463
01:07:06,880 --> 01:07:11,360
Speaker 3: Still, he has that he first he first regular dials

1464
01:07:11,480 --> 01:07:17,040
Speaker 3: a plus phone. Acting goes back to, I mean, it's

1465
01:07:17,040 --> 01:07:18,600
Speaker 3: like it was locked in his brain when we did

1466
01:07:18,600 --> 01:07:21,280
Speaker 3: that betting episode, right, you know, first season that was

1467
01:07:21,320 --> 01:07:23,919
Speaker 3: when he did it like four times, and he's trying

1468
01:07:23,920 --> 01:07:24,479
Speaker 3: to do it again.

1469
01:07:24,640 --> 01:07:27,920
Speaker 5: Oh my, and then tries to close it antenna that

1470
01:07:27,920 --> 01:07:28,479
Speaker 5: doesn't close.

1471
01:07:29,720 --> 01:07:30,800
Speaker 3: It is so funny.

1472
01:07:31,360 --> 01:07:32,320
Speaker 2: So uh.

1473
01:07:32,400 --> 01:07:35,040
Speaker 1: Corey tells her love is loss. He can't believe to

1474
01:07:35,120 --> 01:07:37,320
Speaker 1: beanga lied to him. She never even told her aunt

1475
01:07:37,360 --> 01:07:40,320
Speaker 1: about the trip. Mary Beth breaks the news. Sounds like

1476
01:07:40,360 --> 01:07:42,920
Speaker 1: she didn't want to come with you. Corey agrees she

1477
01:07:43,000 --> 01:07:44,760
Speaker 1: blamed it on her aunt, but the whole time it

1478
01:07:44,800 --> 01:07:47,000
Speaker 1: was him. She didn't want to be alone with Mary

1479
01:07:47,040 --> 01:07:49,760
Speaker 1: Beth tells Corey she wants to be alone with him.

1480
01:07:50,040 --> 01:07:52,480
Speaker 1: Corey is reluctant. She just broke up with her boyfriend

1481
01:07:52,520 --> 01:07:54,120
Speaker 1: and he just got in a fight with his girlfriend.

1482
01:07:54,320 --> 01:07:56,800
Speaker 1: They're both very vulnerable, and he doesn't want to do

1483
01:07:56,840 --> 01:07:59,680
Speaker 1: anything he's going to regret. Mary Beth continues to pressure

1484
01:07:59,720 --> 01:08:02,200
Speaker 1: him if he passes this up, he'll regret it. She

1485
01:08:02,320 --> 01:08:05,280
Speaker 1: leans in and hugs him, possibly even nibbling on his ear,

1486
01:08:05,760 --> 01:08:07,040
Speaker 1: and that response, I know.

1487
01:08:07,400 --> 01:08:08,040
Speaker 3: I couldn't tell you.

1488
01:08:08,480 --> 01:08:12,160
Speaker 5: They can't kiss obviously because if they kiss him, kiss

1489
01:08:12,200 --> 01:08:14,720
Speaker 5: him right. So it was the weird how do I

1490
01:08:14,760 --> 01:08:16,600
Speaker 5: do it? Which then it started with the neck. At

1491
01:08:16,640 --> 01:08:18,960
Speaker 5: one point she kisses his nose. It's like.

1492
01:08:20,840 --> 01:08:23,360
Speaker 3: His shorts in the preview, but it's like fool on

1493
01:08:23,560 --> 01:08:27,520
Speaker 3: going for it. Yeah right, yes, absolutely yeah.

1494
01:08:27,560 --> 01:08:30,200
Speaker 1: So Corey in response, repeats the starting lineup for the

1495
01:08:30,280 --> 01:08:33,040
Speaker 1: nineteen ninety six New York Yankees, starting with first Basement,

1496
01:08:33,120 --> 01:08:34,840
Speaker 1: the big Man fielder.

1497
01:08:34,720 --> 01:08:36,080
Speaker 3: The big Man's Thistle fielder.

1498
01:08:36,680 --> 01:08:41,160
Speaker 1: Mary Beth whispers, I won't tell anyone and kisses Corey's nose.

1499
01:08:41,360 --> 01:08:43,840
Speaker 3: Nose. No, I'm going to.

1500
01:08:43,840 --> 01:08:46,559
Speaker 1: Take a shower. When she walks away, Corey breathes a

1501
01:08:46,600 --> 01:08:47,320
Speaker 1: sigh of relief.

1502
01:08:47,520 --> 01:08:48,040
Speaker 2: That was it.

1503
01:08:48,360 --> 01:08:51,840
Speaker 1: She responds, not even close. I'll be right back. Don't

1504
01:08:51,880 --> 01:08:54,600
Speaker 1: you go anywhere. Corey uses this opportunity to try and

1505
01:08:54,640 --> 01:08:56,559
Speaker 1: sneak out of the room again, but missus Blueman is

1506
01:08:56,560 --> 01:08:59,400
Speaker 1: still outside now painting the walls, painting.

1507
01:08:59,760 --> 01:09:01,520
Speaker 2: Well, that's just crazy.

1508
01:09:02,840 --> 01:09:05,439
Speaker 1: And then we go to a tense commercial break, and

1509
01:09:05,479 --> 01:09:08,120
Speaker 1: we're back in Marybeth's room. Corey is anxiously sitting on

1510
01:09:08,160 --> 01:09:10,160
Speaker 1: mary Beth's bed when she opens the bathroom door and

1511
01:09:10,200 --> 01:09:14,000
Speaker 1: reveals she's wearing a silky nightgown and robe aka the

1512
01:09:14,120 --> 01:09:16,880
Speaker 1: sexiest thing you're allowed to wear on TGIF.

1513
01:09:17,040 --> 01:09:20,160
Speaker 5: Yep, it's so second sexy outfit when Sexy Alphitude.

1514
01:09:20,120 --> 01:09:23,240
Speaker 3: It's more covered than the last sexy. Like the last

1515
01:09:23,280 --> 01:09:25,280
Speaker 3: sexy off it was like basically I'm nature from the

1516
01:09:25,280 --> 01:09:27,200
Speaker 3: waist down or in my underwear at least, and now

1517
01:09:27,200 --> 01:09:28,880
Speaker 3: it's up.

1518
01:09:28,760 --> 01:09:30,840
Speaker 5: At one point and the thing races up and I

1519
01:09:30,880 --> 01:09:33,280
Speaker 5: was like, oh yeh, that's it's very racy.

1520
01:09:33,680 --> 01:09:34,200
Speaker 2: Yeah.

1521
01:09:34,360 --> 01:09:37,360
Speaker 1: Corey stands up, Oh boy, look at you. She asks

1522
01:09:37,400 --> 01:09:39,400
Speaker 1: if he likes the way she looks, and he says yes,

1523
01:09:39,439 --> 01:09:41,840
Speaker 1: but he encourages her not to come any closer. Mary

1524
01:09:41,840 --> 01:09:44,519
Speaker 1: Beth doesn't oblige, and Corey even tries playing red light

1525
01:09:44,560 --> 01:09:46,760
Speaker 1: with her as she approaches, but nothing is.

1526
01:09:46,720 --> 01:09:49,840
Speaker 5: Working that moment, I thought that was just so funny,

1527
01:09:49,880 --> 01:09:54,800
Speaker 5: red light through red lights.

1528
01:09:53,080 --> 01:09:56,360
Speaker 1: Crazy, but nothing is working. Corey says she's just going

1529
01:09:56,400 --> 01:09:58,320
Speaker 1: to lose the game now, but she pushes him onto

1530
01:09:58,360 --> 01:10:00,679
Speaker 1: the bed and says no, they're both going to win.

1531
01:10:01,320 --> 01:10:03,439
Speaker 1: Corey tells her he can counter that move because he's

1532
01:10:03,479 --> 01:10:05,840
Speaker 1: on the wrestling team. She prevents him from getting up.

1533
01:10:06,080 --> 01:10:09,280
Speaker 1: She's on the wrestling team too, Thankfully, At the perfect time,

1534
01:10:09,479 --> 01:10:11,479
Speaker 1: Eric walks in. He sees Mary Beth with a boy

1535
01:10:11,520 --> 01:10:13,599
Speaker 1: on the bed and exclaims, oh, sorry, have you seen

1536
01:10:13,640 --> 01:10:16,320
Speaker 1: my brother? And then from under her, Corey raises his hand.

1537
01:10:19,080 --> 01:10:22,519
Speaker 1: Eric seems disappointed. Okay, well, I'll just get a few

1538
01:10:22,520 --> 01:10:24,680
Speaker 1: things and be on my way, like you seem to be.

1539
01:10:25,280 --> 01:10:27,600
Speaker 1: Corey assured him, this isn't what it looks like. He

1540
01:10:27,680 --> 01:10:31,559
Speaker 1: sarcastically responds, I know you were just wrestling, so funny.

1541
01:10:31,560 --> 01:10:35,760
Speaker 1: I love the way you delivered wrestling, just wrestling. And

1542
01:10:35,800 --> 01:10:38,320
Speaker 1: this is where when I watched the scene over again,

1543
01:10:38,400 --> 01:10:41,000
Speaker 1: I was like, oh, he makes the decision to get

1544
01:10:41,040 --> 01:10:45,360
Speaker 1: a few things because of Corey and Mary Beth, not because.

1545
01:10:46,840 --> 01:10:49,320
Speaker 5: Yeah, that's not my business. So I'm going to get

1546
01:10:49,320 --> 01:10:49,680
Speaker 5: out of the way.

1547
01:10:49,720 --> 01:10:50,400
Speaker 2: I'm going to give you.

1548
01:10:53,680 --> 01:10:56,040
Speaker 3: His decision. It's because I say that to him. It's like,

1549
01:10:56,040 --> 01:10:56,679
Speaker 3: you're an adult.

1550
01:10:56,760 --> 01:10:58,000
Speaker 5: This is if this is what you want to do,

1551
01:10:58,120 --> 01:11:00,639
Speaker 5: I will clear out of the room, right Yeah.

1552
01:11:00,720 --> 01:11:05,000
Speaker 1: Yeah, So Mary Beth still has her hands all over

1553
01:11:05,080 --> 01:11:07,719
Speaker 1: Corey and he says, please, my brother is here. She says,

1554
01:11:07,880 --> 01:11:11,439
Speaker 1: that's fine, and now we know she's really freaky Dicky,

1555
01:11:11,640 --> 01:11:12,559
Speaker 1: What does that mean?

1556
01:11:12,680 --> 01:11:15,519
Speaker 3: That's fine? Like it was Eric going to watch what? What?

1557
01:11:15,520 --> 01:11:18,160
Speaker 3: What the hell is going on? Is down with the bros? No,

1558
01:11:18,360 --> 01:11:23,760
Speaker 3: you just in college. Don't like you're making a resident groupert.

1559
01:11:24,479 --> 01:11:30,200
Speaker 3: It's it's you don't have anyone. Oh my god.

1560
01:11:32,760 --> 01:11:35,400
Speaker 4: You guys seriously never made out with somebody like on

1561
01:11:35,439 --> 01:11:37,120
Speaker 4: a couch where other people were in.

1562
01:11:37,040 --> 01:11:40,240
Speaker 3: The room, and when you were teenagers or in college.

1563
01:11:40,320 --> 01:11:42,000
Speaker 5: To keep it, I mean, probably, but also to keep

1564
01:11:42,000 --> 01:11:43,479
Speaker 5: in mind, I've had my own place since I was

1565
01:11:43,520 --> 01:11:45,479
Speaker 5: sixteen exactly, so when.

1566
01:11:45,320 --> 01:11:48,760
Speaker 3: You're it's back then. I mean I remember cars. People

1567
01:11:48,800 --> 01:11:50,439
Speaker 3: would be making out in the front seat. People would

1568
01:11:50,439 --> 01:11:51,960
Speaker 3: be making it on the back seat, like you just

1569
01:11:52,040 --> 01:11:56,080
Speaker 3: made it. You just you know, I guess making out. Yeah,

1570
01:11:56,400 --> 01:11:57,639
Speaker 3: I guess making out is one thing.

1571
01:11:57,840 --> 01:12:02,280
Speaker 2: Hold up you basically she's not trying to make out.

1572
01:12:02,439 --> 01:12:04,960
Speaker 3: No, she straight went for Corey's junk at one point.

1573
01:12:05,040 --> 01:12:06,360
Speaker 6: So yeah.

1574
01:12:06,520 --> 01:12:08,479
Speaker 1: Cory asks Mary Beth to give the boys a few

1575
01:12:08,479 --> 01:12:11,559
Speaker 1: minutes alone, and she finally obliges, but says she'll be back,

1576
01:12:11,720 --> 01:12:15,639
Speaker 1: like she's a horned up terminator now alone. Corey tries

1577
01:12:15,720 --> 01:12:17,960
Speaker 1: to explain himself, I know what you're going to say.

1578
01:12:18,160 --> 01:12:19,559
Speaker 1: Eric says, no, he doesn't.

1579
01:12:21,160 --> 01:12:22,960
Speaker 3: She goes to get her laundry, but she.

1580
01:12:22,960 --> 01:12:23,920
Speaker 2: Says she's going to be back.

1581
01:12:26,840 --> 01:12:27,200
Speaker 3: I don't know.

1582
01:12:27,360 --> 01:12:29,360
Speaker 4: That's just a very bizarre reason to get her out

1583
01:12:29,360 --> 01:12:32,280
Speaker 4: of the seat, like just get her, just gotta get laundry.

1584
01:12:32,280 --> 01:12:32,800
Speaker 3: I'll be back.

1585
01:12:32,880 --> 01:12:34,880
Speaker 1: Well, she doesn't say she needs she says. He says,

1586
01:12:34,880 --> 01:12:36,599
Speaker 1: please give us a few minutes alone, and she goes

1587
01:12:38,160 --> 01:12:39,400
Speaker 1: get my laundry, but I'll be.

1588
01:12:39,840 --> 01:12:44,120
Speaker 3: Ok she's not like when you said that.

1589
01:12:44,200 --> 01:12:47,479
Speaker 1: I was like, what why I don't give them out

1590
01:12:47,479 --> 01:12:47,840
Speaker 1: of the dryer?

1591
01:12:47,880 --> 01:12:52,880
Speaker 3: People are going to put stuff in. Give me a yes, Corey.

1592
01:12:52,640 --> 01:12:55,040
Speaker 1: Says, can you please give us a few minutes, And

1593
01:12:55,120 --> 01:12:56,960
Speaker 1: she's like, Okay, fine, I'll go get my laundry, but

1594
01:12:57,000 --> 01:12:57,840
Speaker 1: I'm going to come back.

1595
01:13:00,080 --> 01:13:03,320
Speaker 2: But I'll be back. It's just to hear what I said.

1596
01:13:03,479 --> 01:13:05,840
Speaker 3: Yeah, it's just so easily could have come.

1597
01:13:06,960 --> 01:13:09,880
Speaker 2: What it's what with the I don't know.

1598
01:13:09,760 --> 01:13:13,479
Speaker 3: Like just setting Corey into this temptation like moment. It's

1599
01:13:13,520 --> 01:13:14,560
Speaker 3: just so forced.

1600
01:13:14,240 --> 01:13:16,320
Speaker 4: Because it's like he can't just say I'm not going

1601
01:13:16,400 --> 01:13:17,920
Speaker 4: to have sex with you or I'm not interested in

1602
01:13:17,960 --> 01:13:20,400
Speaker 4: sleeping with you. Uh, you know, but he can just

1603
01:13:20,400 --> 01:13:22,400
Speaker 4: say I need to talk to my brother and she's like, okay, cool,

1604
01:13:22,800 --> 01:13:24,320
Speaker 4: I'll see you later, you know, right right?

1605
01:13:24,320 --> 01:13:26,320
Speaker 1: Because she why does she accept just I need to talk. Well,

1606
01:13:26,320 --> 01:13:28,240
Speaker 1: I think it's because it's just if he were to

1607
01:13:28,280 --> 01:13:31,640
Speaker 1: say I'm not doing this, that's the final answer, and

1608
01:13:31,680 --> 01:13:35,040
Speaker 1: she's not willing to accept that. So everything she's doing

1609
01:13:35,120 --> 01:13:38,120
Speaker 1: is if you need a few minutes, that's fine, but

1610
01:13:38,240 --> 01:13:41,000
Speaker 1: I'm coming back. So the only reason she's willing to

1611
01:13:41,040 --> 01:13:43,160
Speaker 1: walk away is because she goes, Okay, I'll go get

1612
01:13:43,160 --> 01:13:46,800
Speaker 1: my laundry, but I'm coming back. So that's the only

1613
01:13:46,840 --> 01:13:48,559
Speaker 1: reason she's like accepting any of this.

1614
01:13:50,160 --> 01:13:52,160
Speaker 2: So uh.

1615
01:13:52,520 --> 01:13:55,640
Speaker 1: Eric says, no, he doesn't, but Corey explains nothing was

1616
01:13:55,680 --> 01:13:58,040
Speaker 1: going to happen. Eric says Corey doesn't have to answer

1617
01:13:58,040 --> 01:13:59,479
Speaker 1: to him, and he heads toward the door with his

1618
01:13:59,520 --> 01:14:03,120
Speaker 1: sleeping bag. Corey asks his brother, did you know Tapanga.

1619
01:14:02,720 --> 01:14:03,160
Speaker 3: Lied to me?

1620
01:14:03,640 --> 01:14:05,759
Speaker 2: Eric is in swayed. Oh, then she had this coming,

1621
01:14:06,040 --> 01:14:06,679
Speaker 2: and Mary.

1622
01:14:06,439 --> 01:14:08,599
Speaker 1: Beth is beautiful and she's here, and no one's ever

1623
01:14:08,680 --> 01:14:11,479
Speaker 1: going to know about it except for Mary Beth and you.

1624
01:14:12,240 --> 01:14:14,960
Speaker 1: Corey's still arguing Tapanga and him had this whole weekend

1625
01:14:14,960 --> 01:14:16,679
Speaker 1: planned out. Why didn't she want to go with him?

1626
01:14:16,960 --> 01:14:19,800
Speaker 1: Eric keeps laying into him. Tomorrow mary Beth will be gone,

1627
01:14:20,040 --> 01:14:22,760
Speaker 1: and so well, sixteen years of a great relationship with

1628
01:14:22,800 --> 01:14:24,320
Speaker 1: somebody you really care about.

1629
01:14:24,200 --> 01:14:29,400
Speaker 4: Somebody you sixteen years of non sixteen years again, never never, never,

1630
01:14:29,680 --> 01:14:31,240
Speaker 4: haven't smoked for sixteen years?

1631
01:14:31,360 --> 01:14:34,559
Speaker 3: It's a great Yeah, who hasn't smoked for sixteen years?

1632
01:14:34,720 --> 01:14:37,479
Speaker 4: When we did the episode where Corey claimed and long

1633
01:14:37,600 --> 01:14:40,080
Speaker 4: Long walk to Pittsburgh, Corey claimed that he had been

1634
01:14:40,080 --> 01:14:42,120
Speaker 4: in love with her for sixteen years, and you, guys,

1635
01:14:42,360 --> 01:14:44,080
Speaker 4: I think it was you made the comparison of like, yeah,

1636
01:14:44,120 --> 01:14:46,800
Speaker 4: you also haven't smoked for sixteen years. It's like that

1637
01:14:46,920 --> 01:14:49,400
Speaker 4: not an accomplishment to have been a human being, like

1638
01:14:49,640 --> 01:14:50,840
Speaker 4: as a kid, It's not that big.

1639
01:14:50,800 --> 01:14:54,720
Speaker 1: Of a yeah, yeah, somebody you love, somebody who's worth waiting for.

1640
01:14:55,360 --> 01:14:57,360
Speaker 1: Eric says Corey needs to walk away from these kinds

1641
01:14:57,360 --> 01:14:59,720
Speaker 1: of opportunities, even if they seem great and wonderful in

1642
01:14:59,720 --> 01:15:03,439
Speaker 1: the moment. But ultimately it's Corey's decision, and he knows

1643
01:15:03,479 --> 01:15:06,519
Speaker 1: what's best for him. Eric excuses himself he needs to

1644
01:15:06,560 --> 01:15:09,840
Speaker 1: meet Julie and her study group for jet skiing. So

1645
01:15:10,439 --> 01:15:11,960
Speaker 1: this is then where I was like, Oh, so he

1646
01:15:13,040 --> 01:15:17,040
Speaker 1: wasn't leaving school at all, and he came to look

1647
01:15:17,080 --> 01:15:20,320
Speaker 1: for Corey to invite him to go jet skiing. Yeah,

1648
01:15:20,439 --> 01:15:23,240
Speaker 1: Corey says Eric deserves better too. If Eric goes to

1649
01:15:23,280 --> 01:15:25,479
Speaker 1: Beach State, he'll feel good for a day and then

1650
01:15:25,479 --> 01:15:27,679
Speaker 1: he won't. Eric deserves to go to a place that's

1651
01:15:27,680 --> 01:15:29,960
Speaker 1: worth all the effort. He encourages his brother to go

1652
01:15:30,000 --> 01:15:33,080
Speaker 1: to Penbrook. Eric reveals he never even went to the interview.

1653
01:15:33,200 --> 01:15:35,800
Speaker 1: He got scared because it seemed hard. But Beach State

1654
01:15:35,920 --> 01:15:38,360
Speaker 1: is a sure thing. How can he walk away from

1655
01:15:38,360 --> 01:15:42,439
Speaker 1: a sure thing? Perfectly timed, Mary Beth walks back in

1656
01:15:42,479 --> 01:15:45,280
Speaker 1: the room. She looks at Corey. What's it gonna be?

1657
01:15:45,680 --> 01:15:48,880
Speaker 1: Corey answers, I have to tell you something. I love

1658
01:15:48,920 --> 01:15:52,040
Speaker 1: my girlfriend. He looks back at Eric and says like that.

1659
01:15:53,080 --> 01:15:55,839
Speaker 1: Eric tells Corey let's go. Mary Beth and Corey exchange

1660
01:15:55,840 --> 01:15:58,559
Speaker 1: a little look in a soft smile, and then he's gone.

1661
01:15:59,280 --> 01:16:01,880
Speaker 1: Just then, we see ladder appear outside of mary Beth's window.

1662
01:16:01,960 --> 01:16:02,439
Speaker 3: It's Sean.

1663
01:16:02,800 --> 01:16:05,519
Speaker 1: He's carrying the TV, said she threw out earlier. Hey,

1664
01:16:05,640 --> 01:16:08,080
Speaker 1: look you what I found. She takes the TV from

1665
01:16:08,160 --> 01:16:10,880
Speaker 1: him and pushes the ladder away, with Sean still on it.

1666
01:16:11,120 --> 01:16:13,519
Speaker 1: How may be dead, He may be dead. I had

1667
01:16:13,640 --> 01:16:14,120
Speaker 1: no idea.

1668
01:16:14,200 --> 01:16:22,080
Speaker 3: My god, the very danger. Yes, my god, I you know.

1669
01:16:22,840 --> 01:16:26,679
Speaker 4: Sherman talked a little bit about Eric as the wise

1670
01:16:26,920 --> 01:16:29,880
Speaker 4: like character for Corey, and I love that in this like.

1671
01:16:29,920 --> 01:16:33,479
Speaker 4: I love seeing Eric very smart with his yeah, you know,

1672
01:16:33,760 --> 01:16:35,879
Speaker 4: full of confidence and able to give advice.

1673
01:16:35,960 --> 01:16:37,080
Speaker 3: It's a cool cool.

1674
01:16:36,920 --> 01:16:38,519
Speaker 5: Well, maybe that is what they were going for, is

1675
01:16:38,520 --> 01:16:40,920
Speaker 5: that Eric can see it, can give advice to other people,

1676
01:16:40,920 --> 01:16:42,280
Speaker 5: but he can't see it in himself.

1677
01:16:42,400 --> 01:16:43,800
Speaker 6: Yeah, maybe that's what it was.

1678
01:16:44,240 --> 01:16:45,280
Speaker 3: And that has been the thing.

1679
01:16:45,320 --> 01:16:49,720
Speaker 1: It's it's so interesting that his all of his intelligence

1680
01:16:49,800 --> 01:16:54,479
Speaker 1: seems to be in relationships and emotional intelligence and all

1681
01:16:54,520 --> 01:16:56,120
Speaker 1: of that, and yet is the only one.

1682
01:16:56,000 --> 01:16:57,559
Speaker 2: On the show who never ends up having a serious

1683
01:16:57,600 --> 01:16:58,559
Speaker 2: relationship himself.

1684
01:16:58,800 --> 01:17:03,599
Speaker 1: Yeah, so at seeing it and you know, protecting it

1685
01:17:03,640 --> 01:17:07,080
Speaker 1: for his friends his family, but never gets it fro himself.

1686
01:17:18,520 --> 01:17:21,360
Speaker 1: Well then we are at Penbrook. Eric is wearing a tie.

1687
01:17:21,439 --> 01:17:25,160
Speaker 1: It's no Turner tie. Rest in peace. He's standing in

1688
01:17:25,160 --> 01:17:29,120
Speaker 1: an academic office across from new character alert Bonnie Bartlett,

1689
01:17:29,160 --> 01:17:32,160
Speaker 1: who states, I'm sorry, but your interview was two days ago.

1690
01:17:32,240 --> 01:17:34,720
Speaker 1: You didn't show up. You didn't even notify us. She

1691
01:17:34,800 --> 01:17:37,080
Speaker 1: has other applicants who were responsible enough to show up

1692
01:17:37,080 --> 01:17:39,680
Speaker 1: at their scheduled time. Eric admits he was scared, but

1693
01:17:40,000 --> 01:17:42,599
Speaker 1: she doesn't care to listen to excuses. Eric pleads, it's

1694
01:17:42,640 --> 01:17:45,519
Speaker 1: not an excuse, it's how I felt. He's still scared,

1695
01:17:45,600 --> 01:17:47,400
Speaker 1: but he's determined to make sure he goes to the

1696
01:17:47,439 --> 01:17:49,760
Speaker 1: right school. She asks him why he thinks this is

1697
01:17:49,800 --> 01:17:51,880
Speaker 1: the right school for him, and he tells her that

1698
01:17:51,960 --> 01:17:55,000
Speaker 1: other people say he has potential, and now he's finally

1699
01:17:55,040 --> 01:17:58,559
Speaker 1: starting to believe them. That's why he needs Penbrook. She

1700
01:17:58,600 --> 01:18:00,519
Speaker 1: says he had his chance, but Eric won't take no

1701
01:18:00,600 --> 01:18:03,720
Speaker 1: for an answer. He quickly stands so fast you can

1702
01:18:03,760 --> 01:18:05,800
Speaker 1: see the boom mic quickly.

1703
01:18:05,479 --> 01:18:06,080
Speaker 3: Jumping out.

1704
01:18:08,560 --> 01:18:12,799
Speaker 1: The twos and says Penbrook is his chance. He demands

1705
01:18:12,840 --> 01:18:16,000
Speaker 1: that he get his interview, and she remarks, well, I

1706
01:18:16,040 --> 01:18:17,040
Speaker 1: think you just had it.

1707
01:18:17,880 --> 01:18:20,920
Speaker 5: Can we talk very, very very very quickly about how

1708
01:18:21,840 --> 01:18:25,200
Speaker 5: stunning Bonnie looks on camera? I know, I mean she

1709
01:18:25,360 --> 01:18:26,960
Speaker 5: the camera just there are some people they say the

1710
01:18:26,960 --> 01:18:27,760
Speaker 5: camera loves them.

1711
01:18:27,880 --> 01:18:30,880
Speaker 3: She is one of those people. She just shines on camera.

1712
01:18:30,880 --> 01:18:31,439
Speaker 3: It's amazing.

1713
01:18:31,479 --> 01:18:31,720
Speaker 5: I know.

1714
01:18:32,920 --> 01:18:35,120
Speaker 1: Well, then we're in the Matthews living room, Corey in

1715
01:18:35,160 --> 01:18:37,759
Speaker 1: a sweater vest, wearing tapanga or sitting on the couch

1716
01:18:37,760 --> 01:18:41,160
Speaker 1: and their shoes. When Corey says, you lied to me,

1717
01:18:41,560 --> 01:18:43,880
Speaker 1: she nods, I was just worried about being alone with

1718
01:18:43,920 --> 01:18:46,439
Speaker 1: you overnight. Corey tells her she should have said something.

1719
01:18:46,560 --> 01:18:48,840
Speaker 1: She could have told him how she felt. When did

1720
01:18:48,880 --> 01:18:50,800
Speaker 1: you ever say no to me that I didn't listen?

1721
01:18:51,160 --> 01:18:53,519
Speaker 1: When did you ever worry about being alone with me?

1722
01:18:53,960 --> 01:18:57,000
Speaker 1: She admits, never, I was worried about me. I was

1723
01:18:57,000 --> 01:18:59,120
Speaker 1: worried about what I might do alone with you and

1724
01:18:59,160 --> 01:19:01,880
Speaker 1: the beach and the moon. I know I'm not ready yet.

1725
01:19:02,120 --> 01:19:04,479
Speaker 1: It's also what she would say if she were a werewolf.

1726
01:19:04,920 --> 01:19:09,160
Speaker 3: Just, oh my god, is that what it is?

1727
01:19:10,040 --> 01:19:14,040
Speaker 5: I never watched Gomi's World. Was that one of the twists? Okay, good,

1728
01:19:14,439 --> 01:19:15,960
Speaker 5: no idea what happens on that show? So I didn't

1729
01:19:15,960 --> 01:19:17,200
Speaker 5: know if it could be about a werewolf.

1730
01:19:17,760 --> 01:19:19,439
Speaker 4: You make the joke, but that is literally the plot

1731
01:19:19,439 --> 01:19:21,760
Speaker 4: line of season two with Corey, right, he thinks he's

1732
01:19:21,840 --> 01:19:22,080
Speaker 4: going to.

1733
01:19:22,080 --> 01:19:26,320
Speaker 3: Be a were wolf. So their first kiss was aware.

1734
01:19:26,479 --> 01:19:28,840
Speaker 3: The second kiss was because he was afraid he was

1735
01:19:28,880 --> 01:19:30,479
Speaker 3: gonna You're.

1736
01:19:30,400 --> 01:19:33,639
Speaker 1: Right, Corey assureser, I know things are going to happen

1737
01:19:33,720 --> 01:19:35,800
Speaker 1: between us when they're supposed to happen, and I know

1738
01:19:35,880 --> 01:19:38,639
Speaker 1: I'll wait until they do. She asks how he knows,

1739
01:19:38,760 --> 01:19:41,160
Speaker 1: and he answers the best things in life are worth

1740
01:19:41,200 --> 01:19:44,000
Speaker 1: waiting for. She feels the same way about him. She

1741
01:19:44,080 --> 01:19:45,320
Speaker 1: leans into.

1742
01:19:46,360 --> 01:19:48,559
Speaker 5: Yeah, dun dun dun doune done done.

1743
01:19:49,520 --> 01:19:52,200
Speaker 1: You know, basically, every time Corey is alone away from Tobago,

1744
01:19:55,400 --> 01:19:59,839
Speaker 1: someone is is. There's just a possibility that it's happening,

1745
01:20:00,200 --> 01:20:01,280
Speaker 1: and you know.

1746
01:20:03,240 --> 01:20:03,559
Speaker 5: This is.

1747
01:20:05,040 --> 01:20:06,360
Speaker 3: You just don't understand it.

1748
01:20:06,720 --> 01:20:09,240
Speaker 4: You don't get it because I mean, yes, I want

1749
01:20:09,240 --> 01:20:11,519
Speaker 4: to put my penis in other people, but this is

1750
01:20:11,600 --> 01:20:13,720
Speaker 4: this is the universe, this is this is it.

1751
01:20:15,560 --> 01:20:18,479
Speaker 3: You know, you're a very sexy boy, Corey.

1752
01:20:18,720 --> 01:20:19,599
Speaker 2: Corey is surprised.

1753
01:20:19,800 --> 01:20:20,519
Speaker 3: He can't wait to.

1754
01:20:20,439 --> 01:20:23,640
Speaker 1: Tell Seanean and then we have the tag We're in

1755
01:20:23,640 --> 01:20:24,360
Speaker 1: the Matthew's kitchen.

1756
01:20:25,400 --> 01:20:26,519
Speaker 3: Your face did you see that?

1757
01:20:26,760 --> 01:20:26,960
Speaker 2: Yeah?

1758
01:20:26,960 --> 01:20:29,800
Speaker 3: I know, You're just like, that's weird. That's such a

1759
01:20:29,800 --> 01:20:30,360
Speaker 3: good reaction.

1760
01:20:33,000 --> 01:20:35,800
Speaker 1: The whole family, plus Foene, Sean, and Tapanga gather around

1761
01:20:35,880 --> 01:20:38,240
Speaker 1: Eric as he holds his letter from Penbrook. He can't

1762
01:20:38,240 --> 01:20:40,400
Speaker 1: open it. He's too scared. He gives Corey the letter,

1763
01:20:40,400 --> 01:20:43,040
Speaker 1: who frantically tears it open. Corey reads it to himself.

1764
01:20:43,080 --> 01:20:45,840
Speaker 1: Oh boy, oh boy, this is bad. Eric's panicking, and

1765
01:20:45,880 --> 01:20:49,040
Speaker 1: Phoene reminds him that Dean Bolander is a tough cookie.

1766
01:20:49,400 --> 01:20:50,640
Speaker 2: Eric asks how he knows her in.

1767
01:20:50,680 --> 01:20:54,320
Speaker 1: Phoene size, she's been after me for years.

1768
01:20:55,640 --> 01:20:56,280
Speaker 3: Great joke.

1769
01:20:57,600 --> 01:20:59,800
Speaker 1: Sean's now looking at the letter, he says, it just

1770
01:21:00,240 --> 01:21:03,760
Speaker 1: getting worse. Eric screams, just tell me. Corey gives in.

1771
01:21:03,960 --> 01:21:05,960
Speaker 1: First of all, they're charging an arm in a leg

1772
01:21:06,160 --> 01:21:07,920
Speaker 1: to Panga Ads and they want you there like a

1773
01:21:07,960 --> 01:21:10,840
Speaker 1: week before Labor Day for some kind of orientation deal.

1774
01:21:11,400 --> 01:21:14,840
Speaker 1: Eric shouts, I'm in, I'm in. Alan gives him a

1775
01:21:14,920 --> 01:21:18,000
Speaker 1: huge hug, and the audience lets out a roaring applause.

1776
01:21:18,360 --> 01:21:21,840
Speaker 1: Everyone continues to hug Eric, and finally Feoene gives him

1777
01:21:21,880 --> 01:21:24,759
Speaker 1: a huge hug and Eric smiles, Thank you, mister Feenie,

1778
01:21:25,080 --> 01:21:26,280
Speaker 1: thank you for everything.

1779
01:21:26,439 --> 01:21:30,120
Speaker 4: This is amazing to watch because I'm like, oh my gosh.

1780
01:21:30,200 --> 01:21:32,960
Speaker 4: The end of season three was Eric not getting into college,

1781
01:21:33,120 --> 01:21:36,200
Speaker 4: right like, they're getting that letter and that dramatic and

1782
01:21:36,240 --> 01:21:38,200
Speaker 4: then the beginning of the season is you on the

1783
01:21:38,280 --> 01:21:40,720
Speaker 4: road trip, and that your whole storyline about whether you're

1784
01:21:40,720 --> 01:21:44,200
Speaker 4: going to stay there. I mean, you were like carrying

1785
01:21:44,280 --> 01:21:45,360
Speaker 4: the show at this point?

1786
01:21:45,520 --> 01:21:49,280
Speaker 3: Did you did you know that? No? No, I did you.

1787
01:21:49,479 --> 01:21:51,599
Speaker 4: I Mean we've talked about this, like off Mike, but like,

1788
01:21:51,720 --> 01:21:54,400
Speaker 4: it is crazy to me how much I thought that

1789
01:21:54,479 --> 01:21:55,640
Speaker 4: we were like small.

1790
01:21:55,400 --> 01:21:56,559
Speaker 3: Parts of the Yeah show.

1791
01:21:56,920 --> 01:22:00,759
Speaker 4: In retrospect, I'm like, we were the stars of network

1792
01:22:00,840 --> 01:22:04,599
Speaker 4: television show and we were carrying. So you never thought

1793
01:22:04,640 --> 01:22:08,240
Speaker 4: that always if you had asked me two years ago,

1794
01:22:08,439 --> 01:22:10,040
Speaker 4: like were you on boy, me, totally. Yeah, it was

1795
01:22:10,040 --> 01:22:12,160
Speaker 4: a small part of it was one of the you know,

1796
01:22:12,280 --> 01:22:14,240
Speaker 4: I had some good scenes, I had some good episodes.

1797
01:22:14,280 --> 01:22:17,439
Speaker 4: But now I'm like, no, we were like a huge

1798
01:22:17,720 --> 01:22:19,760
Speaker 4: like you and I were king guys, so much of

1799
01:22:19,840 --> 01:22:22,639
Speaker 4: this together all the time.

1800
01:22:22,840 --> 01:22:24,800
Speaker 3: My god, we were together all the time. Yeah.

1801
01:22:25,080 --> 01:22:28,080
Speaker 4: Actually, I actually don't think we work together that much,

1802
01:22:28,120 --> 01:22:30,920
Speaker 4: but like we've we've been all Eric and Sean have

1803
01:22:30,960 --> 01:22:36,600
Speaker 4: been alternating the emotional arc of seasons and multi episodes,

1804
01:22:36,640 --> 01:22:39,280
Speaker 4: and it's just like it's mind boggling to me because

1805
01:22:39,360 --> 01:22:41,040
Speaker 4: you know, I think it was because partly because you

1806
01:22:41,080 --> 01:22:43,320
Speaker 4: and I were splitting the duties. You would have a

1807
01:22:43,360 --> 01:22:45,240
Speaker 4: whole week where you wouldn't be doing anything. I would

1808
01:22:45,280 --> 01:22:47,160
Speaker 4: have a week where I wouldn't be doing anything. Yeah,

1809
01:22:47,160 --> 01:22:49,320
Speaker 4: And so in our minds we just thought of it

1810
01:22:49,360 --> 01:22:51,840
Speaker 4: as like, it's Ben's show. We're just kind of here

1811
01:22:52,800 --> 01:22:53,400
Speaker 4: episode I've.

1812
01:22:53,320 --> 01:22:55,280
Speaker 5: Got one about myself this week, Like that's how I

1813
01:22:55,280 --> 01:22:57,439
Speaker 5: would also like, Oh, Eric's got a decent part this week.

1814
01:22:57,439 --> 01:22:59,439
Speaker 5: That's always what it was. It was never oh I've

1815
01:22:59,479 --> 01:23:02,000
Speaker 5: got the art of the season like that never came

1816
01:23:02,040 --> 01:23:04,920
Speaker 5: into my head. So yeah, very strange. Also, I have

1817
01:23:05,000 --> 01:23:07,720
Speaker 5: to say when Feenie and Eric hugged, I welled up

1818
01:23:07,760 --> 01:23:10,160
Speaker 5: a little bit. My robot heart melted and I felt

1819
01:23:10,280 --> 01:23:10,920
Speaker 5: human emotion.

1820
01:23:11,600 --> 01:23:13,400
Speaker 3: I didn't like it. I didn't like it, but it

1821
01:23:13,520 --> 01:23:17,080
Speaker 3: didn't like the robot having heart like that. Didn't like feeling,

1822
01:23:17,160 --> 01:23:19,080
Speaker 3: but it was it was It was nice. It was

1823
01:23:19,200 --> 01:23:19,799
Speaker 3: very nice.

1824
01:23:19,920 --> 01:23:23,719
Speaker 1: It's a wonderful button on a wonderful season. I can't

1825
01:23:23,720 --> 01:23:26,000
Speaker 1: believe I get to say this right now, but our

1826
01:23:26,160 --> 01:23:32,000
Speaker 1: next episode recap will be season five, episode one, Brothers,

1827
01:23:32,600 --> 01:23:37,400
Speaker 1: which originally aired October third, nineteen ninety seven. So thank

1828
01:23:37,439 --> 01:23:39,519
Speaker 1: you all for joining us for this episode. As always,

1829
01:23:39,520 --> 01:23:41,679
Speaker 1: You can follow us on Instagram pod Meets World Show.

1830
01:23:41,760 --> 01:23:44,080
Speaker 1: You can send us your emails pod Meets Worldshow at

1831
01:23:44,120 --> 01:23:45,120
Speaker 1: gmail dot com.

1832
01:23:45,160 --> 01:23:46,559
Speaker 2: And we have merch.

1833
01:23:48,080 --> 01:23:53,840
Speaker 4: Buy some merch just like in my dream pod Meets

1834
01:23:53,840 --> 01:23:55,360
Speaker 4: Worldshow dot com.

1835
01:23:55,479 --> 01:23:57,320
Speaker 2: U will send us out.

1836
01:23:57,760 --> 01:24:00,600
Speaker 3: We love you all. Pod dismissed. I knew you were

1837
01:24:00,640 --> 01:24:01,200
Speaker 3: going to say that.

1838
01:24:02,479 --> 01:24:06,040
Speaker 5: Podmets World is Niheart podcast producer and hosted by Danielle Fischel,

1839
01:24:06,120 --> 01:24:10,320
Speaker 5: Wilfredell and Ryder Strong executive producers, Jensen Karp and Amy Sugarman,

1840
01:24:10,640 --> 01:24:14,160
Speaker 5: Executive in charge of production, Danielle Romo, producer and editor,

1841
01:24:14,200 --> 01:24:18,000
Speaker 5: Tara sudbachsch producer, Maddy Moore, engineer and Boy Meets World

1842
01:24:18,080 --> 01:24:20,639
Speaker 5: super fan Easton Allen. Our theme song is by Kyle

1843
01:24:20,680 --> 01:24:23,000
Speaker 5: Morton of Typhoon and you can follow us on Instagram

1844
01:24:23,000 --> 01:24:26,000
Speaker 5: at Podmeats World Show or email us at Podmeats Worldshow

1845
01:24:26,040 --> 01:24:28,960
Speaker 5: at gmail dot com