WEBVTT - Jonathan Capehart & John Seabrook

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<v Speaker 1>Hi, I'm Molly John Fast and this is Fast Politics,

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<v Speaker 1>where we discussed the top political headlines with some of

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<v Speaker 1>today's best minds. We are on vacation, but that doesn't

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<v Speaker 1>mean we don't have a great show for you Today.

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<v Speaker 1>The New Yorker's own John Cebrook stops by to talk

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<v Speaker 1>about his new book, The Spinach King, The Rise and

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<v Speaker 1>Fall of an American Dynasty. But first we have MSNBC's

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<v Speaker 1>The Weekend anchor Jonathan k Part to talk about his

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<v Speaker 1>new book, Yet Here I Am Lessons from a Black

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<v Speaker 1>Man Search for Home. Welcome to Vast Politics, Jonathan cape.

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<v Speaker 2>Part, Hey, Molly, thank you for having me.

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<v Speaker 1>I'm so excited to have you.

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<v Speaker 2>I'm sorry, I'm a little horse.

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<v Speaker 1>Let's start with this book. I want to know sort

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<v Speaker 1>of how you decided to write this, what the way was,

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<v Speaker 1>And I want to know for my own ratification, how

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<v Speaker 1>scary it is to write about ourselves.

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<v Speaker 2>You know, during the Trump years, the first years in

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<v Speaker 2>twenty seventeen, as a way of escaping sort of the

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<v Speaker 2>mayhem of the first Trump years, I decided, you know what,

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<v Speaker 2>all these stories that I've had in my head about

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<v Speaker 2>my summers as a kid at my grandparents A's in

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<v Speaker 2>North Carolina. I need to write these down. They're very

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<v Speaker 2>vivid memories, very formative in terms of how I see

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<v Speaker 2>the world, how I see the country, how I view race,

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<v Speaker 2>and so I just wrote them down. They became the

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<v Speaker 2>shorthand was the down South chapter, all about going Jehovah's

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<v Speaker 2>witnessing with my grandmother and the people and who we

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<v Speaker 2>talked to and relatives, and I sent it around to friends.

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<v Speaker 2>I sent it around to three specific people, April, Ryan,

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<v Speaker 2>Tammeron Hall, and Joy Read, and I asked, what do

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<v Speaker 2>you think of this? Each one individually said this is incredible.

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<v Speaker 2>Keep going, And so I kept going. I didn't have

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<v Speaker 2>a publisher or anything. I just wrote and would send

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<v Speaker 2>them and other people like, yeah, here's another story, here's

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<v Speaker 2>some more pages, and they just encourage me to keep going.

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<v Speaker 2>And so when I got the book contract years later,

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<v Speaker 2>I had two particular books in mind that formed how

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<v Speaker 2>I would go about writing this very personal book. The

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<v Speaker 2>first one was by Katherine Graham, her By Autobiography, personal history.

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<v Speaker 2>If anyone listening hasn't read it, you should pick it

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<v Speaker 2>up because it is raw, honest. Katherine Graham was the

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<v Speaker 2>most powerful woman in journalism in her time, and one

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<v Speaker 2>of the most powerful women in the country, and yet

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<v Speaker 2>in her book she talks about her fraught relationship with

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<v Speaker 2>her mother, She talks about her own insecurities being publisher

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<v Speaker 2>of The Washington Post. It was really when I read

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<v Speaker 2>it in the late nineties early two thousands, it was

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<v Speaker 2>incredibly refreshing to read something so powerful and honest from

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<v Speaker 2>someone so important. And then fast forward twenty years to

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<v Speaker 2>Charles Blow's memoir Fire Shut Up in My Bones and

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<v Speaker 2>again raw, honest, candid, introspective, and it was wonderful to

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<v Speaker 2>read because it put into perspective and context the passion

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<v Speaker 2>that fueled Charles's columns in the New York Times. And

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<v Speaker 2>so I thought, if I were to ever get a

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<v Speaker 2>book contract, that's the way I will write my book.

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<v Speaker 2>I will be raw, I will be honest about my

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<v Speaker 2>successes but also my failures, absolutely honest about my failures

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<v Speaker 2>and shortcomings. And when I got the contract, that's exactly

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<v Speaker 2>what I did. Oh and our mutual friend Richie Jackson,

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<v Speaker 2>when I really started writing, gave me the best piece

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<v Speaker 2>of advice because he had just finished writing Gay Like Me,

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<v Speaker 2>and he said, Jonathan, put yourself on every page, be

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<v Speaker 2>sure to do that. That's what I did, so, with

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<v Speaker 2>Katherine Graham on one side, Charles Blow on the other side,

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<v Speaker 2>and Richie Jackson sitting on my head, I went about

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<v Speaker 2>putting myself on every page so that when people read

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<v Speaker 2>the book, yet here I am, they will understand that

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<v Speaker 2>perhaps maybe the image they have of me all buttoned

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<v Speaker 2>up and looking rather nice and everything. You know. My

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<v Speaker 2>hope is that they will see that that's just their

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<v Speaker 2>image of me. It's not fully who I am.

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<v Speaker 1>We both have written these very personal memoirs, and I

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<v Speaker 1>feel like one of the things that is sort of

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<v Speaker 1>the hallmark of the Trump administration is that they kind

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<v Speaker 1>of go after you for anything they can. I mean,

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<v Speaker 1>we've seen that. I think of like Eugene, they were,

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<v Speaker 1>you know, trolling him for just any number of things

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<v Speaker 1>one of the things. And they've certainly told me endlessly.

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<v Speaker 1>And I was always very careful about my public information

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<v Speaker 1>because of my mother. She had a stalker, and so

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<v Speaker 1>we were always very careful because we always knew that

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<v Speaker 1>guy was coming for us. But I just wonder, here

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<v Speaker 1>we are writing these very personal thinkes I am having

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<v Speaker 1>the same experience in some ways for me, is very scary.

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<v Speaker 2>I did not grow up in the way that you did,

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<v Speaker 2>and so for you, safety and security is ever present.

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<v Speaker 2>You know that wasn't my upbringing. So as you know

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<v Speaker 2>I'm writing this, I'm not thinking about that. I'm thinking

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<v Speaker 2>about who am I going to help by being this honest?

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<v Speaker 2>And by that I mean, yes, I'm an outgay black man,

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<v Speaker 2>But there are pieces of my story and experience that

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<v Speaker 2>are universal. And my hope is when people read this

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<v Speaker 2>that they will see parts of themselves, pieces of themselves,

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<v Speaker 2>or if they don't, an experience that I've got that

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<v Speaker 2>I've written about that maybe they're going through now or

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<v Speaker 2>they went through and it gets them to think about

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<v Speaker 2>it in a different way. That has been my goal

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<v Speaker 2>the other goal. One goal is here, get to know

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<v Speaker 2>me better, and the other goal is, Hey, through these

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<v Speaker 2>experiences I you will take to heart some of the

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<v Speaker 2>lessons that are you know, sprinkled throughout the book.

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<v Speaker 1>It's funny because it's like the experience of being able

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<v Speaker 1>to be who you are in the world is pretty

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<v Speaker 1>new phenomenon. I mean, one hundred years ago, it wasn't that.

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<v Speaker 1>Why for example, I talk about being sober all the

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<v Speaker 1>time because I want to destigmatize alcoholism. I want to say,

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<v Speaker 1>you don't have to be ashamed. You can get sober,

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<v Speaker 1>you can go to AI, nobody's judging you, and you

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<v Speaker 1>can have this amazing life. So I do wonder how

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<v Speaker 1>important it is for us just by the sheer facts

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<v Speaker 1>of being an out gay man, being someone who's an

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<v Speaker 1>alcoholic who got sober when they were teenager, Like, how

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<v Speaker 1>important that just that is in the world.

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<v Speaker 2>It's very important. I'll speak for myself, you know, I've

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<v Speaker 2>always wanted to be a journalist. Becoming an opinion writer.

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<v Speaker 2>An opinion columnist was not, you know, in the life plan.

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<v Speaker 2>But when I realized that this platform that I'd been given,

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<v Speaker 2>when my editor said, hey, you should write columns, and

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<v Speaker 2>I started, you know, putting more and more of myself

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<v Speaker 2>in the columns, is when I started hearing from people.

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<v Speaker 2>When I started hearing you know, hey, I never thought

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<v Speaker 2>of it that way, especially on matters of race. When

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<v Speaker 2>I started realizing that my audience was you know, heavily

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<v Speaker 2>African American, but it was also non people of color,

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<v Speaker 2>and for many of them, I was their gateway. I

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<v Speaker 2>was there entree to understanding stuff that was happening. So

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<v Speaker 2>when Trayvon Martin was killed, and I wrote the column

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<v Speaker 2>that talked about the talk and the rules that I

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<v Speaker 2>was told, you know, don't run in public, definitely, don't

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<v Speaker 2>run with anything in your hands in public. All the

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<v Speaker 2>things that I do, the number of people I heard

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<v Speaker 2>from who said I never knew this. I had one

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<v Speaker 2>colleague at MSNBC come up to me in the weeks

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<v Speaker 2>after tears in her eye and he said, she said,

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<v Speaker 2>I never knew that those conversations were happening. She said

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<v Speaker 2>her son's best friend was black, and that he was

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<v Speaker 2>over their house all the time. She knew his parents

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<v Speaker 2>and everything, but she never knew that when he left

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<v Speaker 2>their home, the conversations that were happening. And so once

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<v Speaker 2>you understand that, the responsibility that comes with that. I

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<v Speaker 2>looked at that as Okay, I see people are looking

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<v Speaker 2>to me to guide them, and it's not my responsibility personally,

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<v Speaker 2>but professionally sure. And the more I hear from people

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<v Speaker 2>who say, you know, you helped me, the more you realize, Wow,

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<v Speaker 2>with this platform comes responsibility and so how am I

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<v Speaker 2>going to use that? And so I've been using it,

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<v Speaker 2>putting it in service of helping move the dialogue, help

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<v Speaker 2>people I don't know, get beyond their pretty conceived notions

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<v Speaker 2>or their hard fast beliefs because they trust me. That's

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<v Speaker 2>the hope I.

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<v Speaker 3>Have found for me.

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<v Speaker 1>That it's been a very destabilizing time in American life.

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<v Speaker 1>You know, we have gone from backlash to backlash to backlash.

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<v Speaker 1>Have you found it destabilizing?

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<v Speaker 2>Destabilizing in the sense that the world as we knew

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<v Speaker 2>it has been completely.

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<v Speaker 1>Upended again and again and again.

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<v Speaker 2>Right, and so the shock and trauma of twenty seventeen

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<v Speaker 2>now looks quaint compared to what we're going through. And

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<v Speaker 2>so you know, with his reelection, I knew right away

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<v Speaker 2>that I needed to protect my own inner piece, my

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<v Speaker 2>own sanity, And so you know, I don't. I mean,

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<v Speaker 2>I pay attention to the news and watch the news,

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<v Speaker 2>but I make sure that I have breaks, and I'm

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<v Speaker 2>make sure that by protecting my inner piece, I don't

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<v Speaker 2>burn myself out. Because of what I was saying before,

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<v Speaker 2>there are lots of people who are looking to me,

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<v Speaker 2>looking to you, looking to many of our colleagues to

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<v Speaker 2>help guide them through this really tough time.

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<v Speaker 1>Yeah, I think that's right. When you're talking about this,

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<v Speaker 1>I think so much about how we have I mean,

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<v Speaker 1>there's so much disruption, such short intervals. And I think

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<v Speaker 1>a lot about this interview I did with this tech

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<v Speaker 1>billionaire who I was interviewing, and I was like mad

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<v Speaker 1>at him because I think he's a bad guy pretending

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<v Speaker 1>to be a good guy. He was saying that the

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<v Speaker 1>level of disruption that has happened because of I mean,

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<v Speaker 1>I didn't grow up with the phone. We didn't have

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<v Speaker 1>phone that they're just this with, Like the world that

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<v Speaker 1>I grew.

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<v Speaker 3>Up in is gone. You know.

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<v Speaker 1>I come from nineteen nineties magazine like everything that I

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<v Speaker 1>was taught to believe. I mean, it's so funny for

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<v Speaker 1>me to go back to writing a book because I

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<v Speaker 1>come from writing books, so that you know, I've seen

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<v Speaker 1>the magazine rule just appended in every different way. But

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<v Speaker 1>books are, in its own way, the same terrible business

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<v Speaker 1>that they've always been.

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<v Speaker 2>I will, I will take your word for it, because

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<v Speaker 2>this is my first book, and it has been an

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<v Speaker 2>interesting process. Writing the book is actually what was fun.

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<v Speaker 2>You know. I look at writing as you know, putting

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<v Speaker 2>together a jigsaw puzzle. Writing the column is a five

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<v Speaker 2>hundred piece puzzle. Writing this book was a ten thousand

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<v Speaker 2>piece puzzle of blue sky, green trees and sand and

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<v Speaker 2>trying to figure that out was fun. But then afterwards,

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<v Speaker 2>no one told me that I had to read more

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<v Speaker 2>than one you know, edited draft of the book. By

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<v Speaker 2>the time I read the fourth you know, final pass through,

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<v Speaker 2>I was like, God, damn it, I'm bored. So it's

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<v Speaker 2>going to read this book and then have to do that.

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<v Speaker 2>It's the whole build up to lunch, and then there's

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<v Speaker 2>the lunch. I mean, you've been through this, not.

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<v Speaker 1>For ten years, not for a long time, so I

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<v Speaker 1>mean it's a little bit different than it used to be,

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<v Speaker 1>and the fact that everything has changed, the fact that

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<v Speaker 1>the entire world has changed. But I do think when

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<v Speaker 1>you have to read, when you're reading the book again

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<v Speaker 1>and again, what I find for me that's hard is

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<v Speaker 1>and why I'm not a good editor of my own work,

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<v Speaker 1>which is actually something that's important and it's good to

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<v Speaker 1>be good at, is because when I read things too

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<v Speaker 1>many times, I sort of fall in love with the

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<v Speaker 1>worst parts of it. You know, I love very flowery writing.

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<v Speaker 1>I'm obsessed with pros. I've gotten worse about that in

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<v Speaker 1>my older age, so especially in the world of AI,

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<v Speaker 1>I just am so delighted when things are beautiful and

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<v Speaker 1>feel like Diddy and that even if they don't move

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<v Speaker 1>this story along, I don't give a fuck, which you know,

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<v Speaker 1>it's not actually what anyone wants. I wonder if we

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<v Speaker 1>could talk for a minute about kind of staying sane

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<v Speaker 1>in a crazy world. And during the election, I was

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<v Speaker 1>on television at the very I was on for the

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<v Speaker 1>coveted three am to six Am spot. When I went

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<v Speaker 1>to go sit down at the desk, I saw Rachel

0:13:26.080 --> 0:13:29.240
<v Speaker 1>Matta and I sat to her like, oh my god,

0:13:29.400 --> 0:13:32.320
<v Speaker 1>how the fuck are we going to survive this? And

0:13:32.360 --> 0:13:34.760
<v Speaker 1>she said, You're going to get up tomorrow morning. You're

0:13:34.800 --> 0:13:36.679
<v Speaker 1>going to go on Morning Joe, and you're going to

0:13:36.760 --> 0:13:39.640
<v Speaker 1>help these people because you know this idea that we're

0:13:39.679 --> 0:13:42.360
<v Speaker 1>going to get up there and just tell people the

0:13:42.440 --> 0:13:45.360
<v Speaker 1>news and help them get through it. Is that what

0:13:45.480 --> 0:13:47.520
<v Speaker 1>drives you? And how do you do it?

0:13:47.840 --> 0:13:50.040
<v Speaker 2>As you were asking that question, I was pulling out

0:13:50.040 --> 0:13:53.080
<v Speaker 2>my book because I know I have the perfect answer.

0:13:53.520 --> 0:13:57.000
<v Speaker 2>You know, during Trump one, I was just trying to

0:13:57.200 --> 0:14:00.880
<v Speaker 2>cope with the torrent of news. I was reading David

0:14:00.920 --> 0:14:06.239
<v Speaker 2>Blight's Mammoth biography of Frederick Douglas, and in the introduction

0:14:06.600 --> 0:14:10.960
<v Speaker 2>there was this paragraph that was so sweeping in its

0:14:10.960 --> 0:14:15.000
<v Speaker 2>scope that it gave me perspective, the perspective I needed

0:14:15.400 --> 0:14:17.520
<v Speaker 2>to give me hope. I want to read it if

0:14:17.559 --> 0:14:20.320
<v Speaker 2>you don't mind. This is from David Blite. He's writing

0:14:20.360 --> 0:14:23.600
<v Speaker 2>about Frederick Douglas. He writes, the orator and writer lived

0:14:23.600 --> 0:14:26.840
<v Speaker 2>to see an interpret black emancipation, to work actively for

0:14:26.920 --> 0:14:30.040
<v Speaker 2>women's rights long before they were achieved, to realize the

0:14:30.080 --> 0:14:34.240
<v Speaker 2>civil rights triumphs and tragedies of reconstruction, and to witness

0:14:34.240 --> 0:14:37.720
<v Speaker 2>and contribute to America's economic and international expansion in the

0:14:37.760 --> 0:14:41.120
<v Speaker 2>Gilded Age. He lived to the age of lynching and

0:14:41.240 --> 0:14:44.840
<v Speaker 2>Jim Crow laws, when America collapsed into retreat from the

0:14:44.960 --> 0:14:49.280
<v Speaker 2>very victories and revolutions in race relations he helped to win,

0:14:49.920 --> 0:14:52.360
<v Speaker 2>and I go on to write. What gave me hope,

0:14:52.400 --> 0:14:55.800
<v Speaker 2>in Blite's words, was the sweep of Douglas's life. A

0:14:55.880 --> 0:14:58.320
<v Speaker 2>man who was born a slave and escaped, who was

0:14:58.360 --> 0:15:01.120
<v Speaker 2>a celebrated orator against the sin of slavery and saw

0:15:01.200 --> 0:15:04.640
<v Speaker 2>the end of that evil institution. Douglas played a part

0:15:04.680 --> 0:15:08.320
<v Speaker 2>in the nation reaching toward its founding ideals during Reconstruction,

0:15:08.800 --> 0:15:11.440
<v Speaker 2>and then the great man lived long enough to see

0:15:11.480 --> 0:15:14.400
<v Speaker 2>all the gains he fought for the reverse by Congress,

0:15:14.440 --> 0:15:16.680
<v Speaker 2>the courts, and the President during the terror of the

0:15:16.760 --> 0:15:21.120
<v Speaker 2>Jim Crow era. My story is proof that Douglas's fight

0:15:21.360 --> 0:15:24.240
<v Speaker 2>was not lost, that as bad as things are, they

0:15:24.280 --> 0:15:27.040
<v Speaker 2>won't stay that way. I am a descendant of slaves

0:15:27.040 --> 0:15:29.760
<v Speaker 2>whose parents were born and raised in the segregated Jim

0:15:29.800 --> 0:15:32.520
<v Speaker 2>Crow South. My cousins and I are the first generation

0:15:32.640 --> 0:15:35.280
<v Speaker 2>in our family who didn't have to pick cotton. My

0:15:35.520 --> 0:15:38.360
<v Speaker 2>story is the story of an only child, mama's boy,

0:15:38.400 --> 0:15:41.400
<v Speaker 2>who had dreams of being a journalist and no roadmap

0:15:41.440 --> 0:15:43.800
<v Speaker 2>for how to achieve them. I'm a black man who

0:15:43.880 --> 0:15:46.640
<v Speaker 2>writes for the Washington Post, anchors a show on MSNBC,

0:15:46.840 --> 0:15:49.720
<v Speaker 2>and serves as a political analyst on PBS News Hour.

0:15:50.000 --> 0:15:52.160
<v Speaker 2>And I'm an out gay man who was able to

0:15:52.200 --> 0:15:55.000
<v Speaker 2>marry the man I love and have the ceremony officiated

0:15:55.120 --> 0:15:58.160
<v Speaker 2>by the Attorney General of the United States, who made

0:15:58.160 --> 0:16:01.760
<v Speaker 2>a key determination that made it possible. Think about that

0:16:02.120 --> 0:16:05.120
<v Speaker 2>the sweep of Douglas's life. What that showed me was

0:16:05.640 --> 0:16:08.960
<v Speaker 2>history happens in a cycle. We go in a cycle.

0:16:09.520 --> 0:16:14.240
<v Speaker 2>History is not linear. It whins, and for every step forward,

0:16:14.360 --> 0:16:17.280
<v Speaker 2>there might be three steps back. And so for me

0:16:17.480 --> 0:16:20.840
<v Speaker 2>to read those words about Frederick Douglas in that year

0:16:20.960 --> 0:16:26.080
<v Speaker 2>twenty seventeen, how could I not look at that and think, Wow,

0:16:26.720 --> 0:16:31.080
<v Speaker 2>I should remain hopeful. It put for me everything into perspective.

0:16:31.400 --> 0:16:32.840
<v Speaker 2>You know what I like in it too, what I

0:16:32.880 --> 0:16:36.800
<v Speaker 2>tell people, think of it as being on a really bad,

0:16:36.960 --> 0:16:42.600
<v Speaker 2>turbulent flight. It's uncomfortable, you hate it, You palms are sweaty,

0:16:42.640 --> 0:16:46.640
<v Speaker 2>your heart's racing. You think you're gonna die, but you don't.

0:16:46.840 --> 0:16:50.160
<v Speaker 2>You literally get through it. It is my hope that

0:16:50.440 --> 0:16:53.960
<v Speaker 2>as bad as these times are, as turbulent as these

0:16:54.040 --> 0:16:57.280
<v Speaker 2>times are, that we will get through it on the

0:16:57.320 --> 0:17:01.160
<v Speaker 2>other side. But no one should fool themselves into thinking

0:17:01.240 --> 0:17:03.840
<v Speaker 2>that it's not going to be rough. You know, it's

0:17:03.840 --> 0:17:06.040
<v Speaker 2>sort of like the pilot has already come on and said,

0:17:06.640 --> 0:17:10.560
<v Speaker 2>flight attendants and beverage service get back in your seats.

0:17:10.760 --> 0:17:12.800
<v Speaker 2>We're going to go. We're going through some rough air,

0:17:13.080 --> 0:17:15.640
<v Speaker 2>and the pilot doesn't tell you how long it's going

0:17:15.680 --> 0:17:16.159
<v Speaker 2>to last.

0:17:16.680 --> 0:17:18.520
<v Speaker 1>Yeah, thank you, Thank you.

0:17:18.640 --> 0:17:26.119
<v Speaker 2>Jonathan Gabar, Thanks Molly.

0:17:27.080 --> 0:17:30.040
<v Speaker 1>John Seabrook is a contributor to the New Yorker and

0:17:30.080 --> 0:17:32.680
<v Speaker 1>the author of The Spinach King, The Rise and Fall

0:17:32.760 --> 0:17:37.080
<v Speaker 1>of an American Dynasty. Welcome to Fast Politics.

0:17:37.200 --> 0:17:40.160
<v Speaker 3>John Seabrook, thank you Molly for having me on your show.

0:17:40.560 --> 0:17:42.880
<v Speaker 1>We both have memoirs that are about to come out

0:17:43.520 --> 0:17:47.800
<v Speaker 1>and ergo, we must talk to each other.

0:17:48.200 --> 0:17:49.040
<v Speaker 2>It is the law.

0:17:49.640 --> 0:17:54.000
<v Speaker 1>And also we must talk about your book, which comes out.

0:17:54.080 --> 0:17:59.880
<v Speaker 1>We have the exact same pub date. This it's kismett.

0:18:00.119 --> 0:18:02.359
<v Speaker 1>You write for The New Yorker. I write for Baddy Fair.

0:18:02.560 --> 0:18:03.760
<v Speaker 3>It's all the Conday thing.

0:18:04.200 --> 0:18:07.119
<v Speaker 1>Yes, we both worked for the Conde Nast Empire. The

0:18:07.160 --> 0:18:09.919
<v Speaker 1>book is called The Spinach King. It's funny because when

0:18:09.920 --> 0:18:11.760
<v Speaker 1>we were talking about it, I said, what's your book called?

0:18:11.800 --> 0:18:15.439
<v Speaker 1>And you said The Spanish King? And I thought, oh,

0:18:15.960 --> 0:18:18.879
<v Speaker 1>it doesn't make any sense. The Spinach King, the Rise

0:18:18.880 --> 0:18:21.719
<v Speaker 1>and Fall of an American Dynasty. It's funny because it's

0:18:21.760 --> 0:18:24.560
<v Speaker 1>like my family writers, but also a lot of like

0:18:24.680 --> 0:18:29.680
<v Speaker 1>herring merchants and people who didn't accumulate any wealth. Explain

0:18:29.800 --> 0:18:32.800
<v Speaker 1>to us sort of your family story and how you

0:18:32.840 --> 0:18:33.280
<v Speaker 1>got here.

0:18:33.560 --> 0:18:37.240
<v Speaker 3>So yeah, the book is about my family who emigrated

0:18:37.359 --> 0:18:42.760
<v Speaker 3>to America in eighteen fifty nine. My great great grandfather

0:18:43.040 --> 0:18:46.280
<v Speaker 3>was that man. He was just a working class English guy.

0:18:46.440 --> 0:18:50.040
<v Speaker 3>The Industrial Revolution kind of forced out. He arrived in

0:18:50.080 --> 0:18:52.680
<v Speaker 3>New York in eighteen fifty nine with his two children

0:18:52.720 --> 0:18:55.000
<v Speaker 3>and his wife, and he ended up down in the

0:18:55.119 --> 0:18:59.000
<v Speaker 3>very southern part of New Jersey on a small farm.

0:18:59.560 --> 0:19:02.560
<v Speaker 3>He didn't live that much longer, but his son, whose

0:19:02.640 --> 0:19:06.440
<v Speaker 3>name is Arthur, with my great grandfather. He was apprenticed

0:19:06.480 --> 0:19:10.040
<v Speaker 3>to a local farmer and learned the kind of high

0:19:10.160 --> 0:19:13.280
<v Speaker 3>end vegetable growing business, which there used to be a

0:19:13.320 --> 0:19:16.879
<v Speaker 3>lot of farms around New York that grew vegetables. People

0:19:16.960 --> 0:19:20.880
<v Speaker 3>needed them. As the city developed, they got pushed further out,

0:19:21.040 --> 0:19:22.879
<v Speaker 3>and by that time they were sort of you know,

0:19:23.000 --> 0:19:26.640
<v Speaker 3>out in Connecticut or New Jersey, but they supplied the

0:19:26.680 --> 0:19:30.439
<v Speaker 3>cities with you know, high end produce, kind of a

0:19:30.480 --> 0:19:33.760
<v Speaker 3>farm to table operation. Really, he had a small farm,

0:19:34.119 --> 0:19:36.920
<v Speaker 3>and my grandfather was born on that farm in eighteen

0:19:37.040 --> 0:19:40.000
<v Speaker 3>eighty one, and so he kind of came of age

0:19:40.040 --> 0:19:44.200
<v Speaker 3>in the Gilded Age, and his heroes were robber barons,

0:19:45.000 --> 0:19:48.159
<v Speaker 3>you know, who did everything they could to make money

0:19:48.200 --> 0:19:51.800
<v Speaker 3>and disregarded the law at almost every turn they could

0:19:51.880 --> 0:19:55.000
<v Speaker 3>get away with. And he formed his idea of who

0:19:55.040 --> 0:19:58.880
<v Speaker 3>he wanted to be during that era and from those men.

0:19:58.960 --> 0:20:01.399
<v Speaker 3>And even though he was just a picky, you little

0:20:01.440 --> 0:20:04.040
<v Speaker 3>farmer down in South Jersey. You know, he had these

0:20:04.080 --> 0:20:06.600
<v Speaker 3>big ambitions and what he was going to do was

0:20:06.760 --> 0:20:12.080
<v Speaker 3>industrialize the vegetable growing and packaging business, you know, because

0:20:12.119 --> 0:20:14.960
<v Speaker 3>that was what he started with. Henry Ford was kind

0:20:15.000 --> 0:20:17.639
<v Speaker 3>of his role model. So he wanted to create a

0:20:17.720 --> 0:20:22.360
<v Speaker 3>factory that would produce vegetables on a very large scale,

0:20:22.680 --> 0:20:26.760
<v Speaker 3>and he managed to do that and eventually created a

0:20:26.800 --> 0:20:31.600
<v Speaker 3>frozen vegetable factory called Sebra Farms, which some of your

0:20:31.600 --> 0:20:35.440
<v Speaker 3>listeners actually may know. It was quite a popular brand

0:20:35.640 --> 0:20:38.600
<v Speaker 3>in the fifties and you can still find the frozen

0:20:38.640 --> 0:20:41.680
<v Speaker 3>Queen spinach in some places, even though my family doesn't

0:20:41.720 --> 0:20:44.800
<v Speaker 3>make anymore. So he became this kind of late Robber

0:20:44.880 --> 0:20:49.960
<v Speaker 3>Baron style industrialist, and because it was an agricultural business,

0:20:50.000 --> 0:20:54.960
<v Speaker 3>it required thousands of workers, and over the twentieth century,

0:20:55.040 --> 0:20:58.960
<v Speaker 3>those workers were harder and harder to find because it

0:20:59.040 --> 0:21:01.600
<v Speaker 3>was farm work, so he had to look further and

0:21:01.640 --> 0:21:05.320
<v Speaker 3>further afield. So waves and waves of immigrants came down

0:21:05.359 --> 0:21:09.040
<v Speaker 3>to South Jersey and lived in a town that he built.

0:21:09.200 --> 0:21:11.919
<v Speaker 3>It was like a pullman town. It was actually called Seabrook,

0:21:12.080 --> 0:21:13.680
<v Speaker 3>and he owned all the housing.

0:21:14.040 --> 0:21:15.240
<v Speaker 1>So like Elon Musk.

0:21:15.600 --> 0:21:18.440
<v Speaker 3>If you wanted to make America great again and say

0:21:18.480 --> 0:21:22.040
<v Speaker 3>this is the America that we're thinking of, you couldn't

0:21:22.040 --> 0:21:24.879
<v Speaker 3>do better than look at Seabrook Farms as a model

0:21:25.280 --> 0:21:26.480
<v Speaker 3>for what that looks like.

0:21:26.680 --> 0:21:26.960
<v Speaker 2>It was.

0:21:27.200 --> 0:21:31.240
<v Speaker 3>It was run entirely by white Protestant men. Women had

0:21:31.359 --> 0:21:35.119
<v Speaker 3>no role in upper management, people of color were not

0:21:35.440 --> 0:21:41.280
<v Speaker 3>treated the same way as white people. There was corruption throughout,

0:21:41.920 --> 0:21:45.359
<v Speaker 3>and yet it was all sort of represented as this

0:21:45.480 --> 0:21:50.240
<v Speaker 3>kind of bootstrapping American dream, rags to riches kind of

0:21:50.359 --> 0:21:53.800
<v Speaker 3>story that became a big part of the brand, and

0:21:53.880 --> 0:21:58.480
<v Speaker 3>the brand story really became kind of who we all were.

0:21:59.119 --> 0:22:01.439
<v Speaker 3>You know, I was born in nineteen fifty nine, so

0:22:01.560 --> 0:22:04.399
<v Speaker 3>the business was kind of declining by that point. But

0:22:04.640 --> 0:22:08.119
<v Speaker 3>the brand and the story of how the Seabrooks became

0:22:08.160 --> 0:22:12.560
<v Speaker 3>who they were was all sort of manipulated for commercial reasons.

0:22:12.880 --> 0:22:14.640
<v Speaker 3>And I think if the family, if I said, one

0:22:14.680 --> 0:22:17.800
<v Speaker 3>reason why it all fell apart is that the family

0:22:17.920 --> 0:22:23.000
<v Speaker 3>and the brand became so confused that people didn't know

0:22:23.440 --> 0:22:26.679
<v Speaker 3>what whether their value was as a family member or

0:22:26.720 --> 0:22:30.560
<v Speaker 3>as kind of like a brand member. And it led

0:22:30.600 --> 0:22:34.520
<v Speaker 3>to enormous conflict between my father and his father and

0:22:34.560 --> 0:22:38.080
<v Speaker 3>Eventually it was a succession battle that brought the company

0:22:38.160 --> 0:22:41.199
<v Speaker 3>down and my father was disowned and we moved away

0:22:41.560 --> 0:22:44.560
<v Speaker 3>to another place. So it's the story of all of that.

0:22:45.000 --> 0:22:47.600
<v Speaker 3>And I would say, my just to one the thing

0:22:47.600 --> 0:22:50.880
<v Speaker 3>that I mean, many families maybe have a narrative somewhat

0:22:50.960 --> 0:22:54.040
<v Speaker 3>like that. But it's interesting in this case because my

0:22:54.160 --> 0:22:57.960
<v Speaker 3>father and my grandfather were born forty years apart. My

0:22:58.359 --> 0:23:01.080
<v Speaker 3>grandfather was sort of, you know, born in the age

0:23:01.119 --> 0:23:04.320
<v Speaker 3>of the Robber Bearents. My father came of age in

0:23:04.359 --> 0:23:09.440
<v Speaker 3>the New Deal era, and so his attitude toward workers'

0:23:09.560 --> 0:23:15.560
<v Speaker 3>rights and unionization and women in the workplace were formed

0:23:15.760 --> 0:23:18.959
<v Speaker 3>during the sort of birth of the liberal tradition that

0:23:19.040 --> 0:23:21.480
<v Speaker 3>we kind of grew up with, whereas my grandfather came

0:23:21.520 --> 0:23:25.000
<v Speaker 3>out of this kind of make America Great McKinley tradition.

0:23:25.600 --> 0:23:29.360
<v Speaker 3>So in their conflict, you see a conflict that our

0:23:29.440 --> 0:23:33.760
<v Speaker 3>country has faced and continues to face, between a kind

0:23:33.760 --> 0:23:37.120
<v Speaker 3>of liberal tradition and an illiberal tradition, if you want

0:23:37.160 --> 0:23:40.320
<v Speaker 3>to call it, that represented by my father and my grandfather.

0:23:40.880 --> 0:23:42.359
<v Speaker 2>Yeah, so interesting.

0:23:42.480 --> 0:23:45.320
<v Speaker 1>So there's a generational divide here.

0:23:45.720 --> 0:23:49.400
<v Speaker 3>There's a generational divide that's that also kind of frames

0:23:49.600 --> 0:23:53.960
<v Speaker 3>a national divide in how we think of our country,

0:23:54.600 --> 0:23:58.480
<v Speaker 3>how we go about creating corporations, and what we think

0:23:58.480 --> 0:24:03.480
<v Speaker 3>of capitalism and how free a hand capitalists should have.

0:24:03.880 --> 0:24:07.160
<v Speaker 3>And you know, I think the tech burrows of today

0:24:07.880 --> 0:24:11.440
<v Speaker 3>were very much like a hand like my grandfather had

0:24:11.880 --> 0:24:15.280
<v Speaker 3>in you know, nineteen twenty to do what he wanted.

0:24:15.600 --> 0:24:16.520
<v Speaker 3>And maybe they're going.

0:24:16.440 --> 0:24:16.840
<v Speaker 2>To get it.

0:24:16.880 --> 0:24:20.280
<v Speaker 3>But you know, it's interesting to see how that played

0:24:20.280 --> 0:24:25.760
<v Speaker 3>out and how corruption and lies and secrets and tests

0:24:25.760 --> 0:24:30.200
<v Speaker 3>of loyalty until no one could really be loyal enough

0:24:30.240 --> 0:24:34.800
<v Speaker 3>to my grandfather. How all that played out, and think

0:24:34.840 --> 0:24:40.359
<v Speaker 3>about how other autocracies, authoritarian regimes have played out and

0:24:40.720 --> 0:24:44.760
<v Speaker 3>find the common ground there. That's one way to read it,

0:24:44.960 --> 0:24:47.919
<v Speaker 3>you know, as a kind of a parable of an

0:24:47.960 --> 0:24:50.840
<v Speaker 3>autocracy and what brings them down.

0:24:51.040 --> 0:24:55.480
<v Speaker 1>When you're in this sort of famelial struggle when it

0:24:55.520 --> 0:24:59.520
<v Speaker 1>comes to familial wealth, is there a lot of bad

0:24:59.520 --> 0:25:03.640
<v Speaker 1>blood still in the family? And also where does this

0:25:03.680 --> 0:25:05.040
<v Speaker 1>book fall in that.

0:25:05.600 --> 0:25:08.639
<v Speaker 3>When I started researching the book, I mean, so I

0:25:08.680 --> 0:25:11.760
<v Speaker 3>grew up with you know, the brand story basically, and

0:25:12.200 --> 0:25:15.440
<v Speaker 3>my image of my grandfather was a positive one, and

0:25:15.720 --> 0:25:19.159
<v Speaker 3>it really wasn't until I started researching the book that

0:25:19.240 --> 0:25:23.119
<v Speaker 3>I discovered all this sort of horrifying stuff that my

0:25:23.240 --> 0:25:27.879
<v Speaker 3>family had done to preserve their power, particularly during the

0:25:27.960 --> 0:25:32.040
<v Speaker 3>thirties when there was a massive strike at Seabrook Farms

0:25:32.040 --> 0:25:36.280
<v Speaker 3>that led by African American workers, which was extraordinarily courageous

0:25:36.320 --> 0:25:41.320
<v Speaker 3>at the time, and it was crushed with violence vigilantes.

0:25:41.800 --> 0:25:45.920
<v Speaker 3>Even the KKK, the New Jersey KKK, which was actually

0:25:46.040 --> 0:25:50.159
<v Speaker 3>kind of prevalent in those days, were brought in to

0:25:50.760 --> 0:25:53.760
<v Speaker 3>put down this strike. You know, my image of my

0:25:53.920 --> 0:25:58.120
<v Speaker 3>family changed as I, you know, discovered more and more

0:25:58.160 --> 0:26:00.600
<v Speaker 3>of this stuff. And by the way, I I wouldn't

0:26:00.600 --> 0:26:04.560
<v Speaker 3>have probably known this stuff, except that all these regional

0:26:04.680 --> 0:26:08.040
<v Speaker 3>newspapers that used to exist that no longer exists ended

0:26:08.119 --> 0:26:11.320
<v Speaker 3>up getting digitized and put on newspapers dot Com so

0:26:11.400 --> 0:26:14.400
<v Speaker 3>you could search them, so I could find these kind

0:26:14.400 --> 0:26:17.520
<v Speaker 3>of daily stories of what happened, and you know, on

0:26:17.560 --> 0:26:21.280
<v Speaker 3>a particular day in nineteen thirty four that I never

0:26:21.280 --> 0:26:23.480
<v Speaker 3>would have known anyway. So then I had all this

0:26:23.600 --> 0:26:26.200
<v Speaker 3>information and it was like, Okay, I'm writing kind of

0:26:26.200 --> 0:26:31.280
<v Speaker 3>an expost say of my family. Now I'm investigating my family.

0:26:32.520 --> 0:26:36.359
<v Speaker 3>I'm taking my journalistic skills which I learned, you know,

0:26:36.640 --> 0:26:39.440
<v Speaker 3>apart from my family working for The New Yorker, and

0:26:39.480 --> 0:26:42.879
<v Speaker 3>now I'm actually bringing them to bear my family, and

0:26:44.080 --> 0:26:47.280
<v Speaker 3>that actually was a very difficult thing to deal with.

0:26:47.520 --> 0:26:49.760
<v Speaker 3>I mean, I think one of the unique things maybe

0:26:49.760 --> 0:26:53.919
<v Speaker 3>about this book is you don't really read like insider

0:26:54.160 --> 0:26:58.480
<v Speaker 3>expos days of wealthy families written by one of the

0:26:58.560 --> 0:27:02.159
<v Speaker 3>family members who are willing to tell the truth and

0:27:02.200 --> 0:27:05.399
<v Speaker 3>who have decided to tell the truth and are willing

0:27:05.440 --> 0:27:10.160
<v Speaker 3>to risk alienating family members because the truth is more important.

0:27:10.480 --> 0:27:14.320
<v Speaker 3>And in this case, because all these workers whose stories

0:27:14.720 --> 0:27:19.040
<v Speaker 3>weren't really being told truly, who had contributed their lives

0:27:19.080 --> 0:27:23.200
<v Speaker 3>to Seabrooke Farms and were treated badly by my grandfather

0:27:23.320 --> 0:27:27.320
<v Speaker 3>and my uncles and maybe my father too, I felt

0:27:27.480 --> 0:27:29.920
<v Speaker 3>I was kind of doing it for them, partly too,

0:27:30.640 --> 0:27:33.399
<v Speaker 3>to sort of you know, there's a a social justice

0:27:33.440 --> 0:27:36.600
<v Speaker 3>piece of this because of the nature of my family's

0:27:36.680 --> 0:27:40.119
<v Speaker 3>agricultural work and the things they had done. So I

0:27:40.560 --> 0:27:42.520
<v Speaker 3>did have a decision to make, you know, should I

0:27:42.600 --> 0:27:45.000
<v Speaker 3>should I tell? Should I if this really is going

0:27:45.040 --> 0:27:47.919
<v Speaker 3>to damage my family? Should I do this? I don't know.

0:27:47.960 --> 0:27:49.840
<v Speaker 3>In the end, maybe I didn't really have a choice.

0:27:49.880 --> 0:27:52.640
<v Speaker 3>I had to do it, you know, I had to do.

0:27:52.640 --> 0:27:56.160
<v Speaker 2>It right because the truth is what matters. Right.

0:27:56.200 --> 0:27:58.719
<v Speaker 1>I mean, that's you know, speaking to someone who in

0:27:58.760 --> 0:28:00.920
<v Speaker 1>this book writes about my own family. I mean, doesn't

0:28:00.960 --> 0:28:04.160
<v Speaker 1>it feel like there's just no other choices, Like why

0:28:04.560 --> 0:28:07.080
<v Speaker 1>even bother going on if we're not going to tell

0:28:07.119 --> 0:28:07.520
<v Speaker 1>the truth.

0:28:08.080 --> 0:28:11.720
<v Speaker 3>And I think it helps us understand our families better.

0:28:11.760 --> 0:28:14.159
<v Speaker 3>And in your case, your mother and your relationship with

0:28:14.240 --> 0:28:16.920
<v Speaker 3>your mother. In my case, it was my father, although

0:28:16.920 --> 0:28:18.959
<v Speaker 3>my mother is also in the book, But I had

0:28:19.000 --> 0:28:22.320
<v Speaker 3>a difficult relationship with my father. And part of the

0:28:22.359 --> 0:28:25.800
<v Speaker 3>reason I realized that was so was because he had

0:28:25.800 --> 0:28:29.320
<v Speaker 3>a very difficult relationship with his father that I didn't

0:28:29.359 --> 0:28:32.879
<v Speaker 3>really know the details of until I started researching this book.

0:28:32.880 --> 0:28:35.840
<v Speaker 3>And then when I discovered all this shit that he

0:28:35.920 --> 0:28:38.200
<v Speaker 3>had to deal with and what he put up with

0:28:38.320 --> 0:28:42.160
<v Speaker 3>from his father and who'd really tried to destroy him,

0:28:42.480 --> 0:28:45.520
<v Speaker 3>I felt like, oh, now I get it. This is

0:28:45.560 --> 0:28:48.000
<v Speaker 3>why you had such difficulty as a father because you

0:28:48.040 --> 0:28:51.520
<v Speaker 3>didn't have a role model for a father, and under

0:28:51.720 --> 0:28:54.920
<v Speaker 3>in that context, you actually did really well. This was

0:28:54.960 --> 0:28:57.760
<v Speaker 3>after he was gone, so it was it was, you know,

0:28:58.160 --> 0:29:02.760
<v Speaker 3>sort of all reconcili after he was dead, But it

0:29:02.960 --> 0:29:06.160
<v Speaker 3>actually meant a lot to me to come to that

0:29:06.320 --> 0:29:07.600
<v Speaker 3>place through that work.

0:29:08.040 --> 0:29:12.000
<v Speaker 1>Yeah, I think that the big question is why it

0:29:12.040 --> 0:29:15.440
<v Speaker 1>is sort of why write about your family and why

0:29:15.640 --> 0:29:18.760
<v Speaker 1>and sort of what the lessons are there in the end,

0:29:19.440 --> 0:29:22.160
<v Speaker 1>you know, we cannot be held responsible for the crimes

0:29:22.280 --> 0:29:25.000
<v Speaker 1>of our parents, but we certainly can learn from them.

0:29:25.520 --> 0:29:29.280
<v Speaker 3>The thing about this story is that there were thousands

0:29:29.280 --> 0:29:33.600
<v Speaker 3>and thousands of immigrants whose life stories are immeshed with

0:29:33.960 --> 0:29:38.320
<v Speaker 3>my story, with my family story, beginning with early twentieth

0:29:38.360 --> 0:29:41.920
<v Speaker 3>century with Italian immigrants. And during the Second World War,

0:29:42.120 --> 0:29:48.520
<v Speaker 3>two thousand Japanese internees came from the concentration camps to

0:29:48.840 --> 0:29:54.160
<v Speaker 3>Seabrook farms and reinvented their lives there and many of

0:29:54.200 --> 0:29:58.760
<v Speaker 3>them remained. And then after the war, hundreds of Estonian

0:29:58.960 --> 0:30:02.520
<v Speaker 3>displaced persons came from the DP camps in Eastern Europe

0:30:03.120 --> 0:30:06.560
<v Speaker 3>and they were sponsored my by grandfather, who who you know,

0:30:06.640 --> 0:30:10.080
<v Speaker 3>was always looking for labor that he could control. But

0:30:10.200 --> 0:30:14.680
<v Speaker 3>they see my grandfather as their savior, right wows as

0:30:14.680 --> 0:30:19.240
<v Speaker 3>the person who like the American that reaffirmed their belief

0:30:19.320 --> 0:30:23.239
<v Speaker 3>in America, particularly for the Japanese Americans after you know,

0:30:23.400 --> 0:30:26.680
<v Speaker 3>the people that they thought were their protectors had actually

0:30:26.840 --> 0:30:29.360
<v Speaker 3>rounded them up and thrown them into these camps. But

0:30:29.440 --> 0:30:31.880
<v Speaker 3>of course with my grandfather, it was like an ideal

0:30:32.200 --> 0:30:37.520
<v Speaker 3>employment situation. I think he got these people they had

0:30:37.560 --> 0:30:39.840
<v Speaker 3>to stay, and there was no place for them to

0:30:39.920 --> 0:30:43.160
<v Speaker 3>go anyway, And then they lived in houses that he

0:30:43.200 --> 0:30:47.120
<v Speaker 3>rented to them. He was getting tenants who could easily

0:30:47.160 --> 0:30:50.360
<v Speaker 3>be evicted if they didn't work or they didn't pay

0:30:50.400 --> 0:30:52.520
<v Speaker 3>their rent or and their rents were taken out of

0:30:52.560 --> 0:30:57.320
<v Speaker 3>their salaries. So and the housing was completely segregated by color.

0:30:57.800 --> 0:31:03.080
<v Speaker 3>It was a bizarre situation that still resonates today and

0:31:03.120 --> 0:31:06.280
<v Speaker 3>in those families and their children. You know, I'm going

0:31:06.320 --> 0:31:08.560
<v Speaker 3>to present the book down there at the big reunion

0:31:08.720 --> 0:31:13.320
<v Speaker 3>of the Japanese Americans who their descendants who came this summer.

0:31:13.720 --> 0:31:15.440
<v Speaker 3>You know, I'm not really sure how it's going to

0:31:15.520 --> 0:31:20.360
<v Speaker 3>go down because it's it's really challenging a lot of

0:31:20.480 --> 0:31:23.320
<v Speaker 3>assumptions they made about my family as this kind of

0:31:23.520 --> 0:31:26.320
<v Speaker 3>the good Americans. So it's not just me, you know,

0:31:26.880 --> 0:31:30.880
<v Speaker 3>it's their stories too that intersect with my story. But

0:31:30.960 --> 0:31:33.440
<v Speaker 3>I feel like the narrative has to be corrected. We

0:31:33.560 --> 0:31:36.400
<v Speaker 3>can't live with the because the people who control the

0:31:36.440 --> 0:31:40.479
<v Speaker 3>past control the present, right, And if we know this

0:31:40.600 --> 0:31:44.080
<v Speaker 3>from our current day, and if the people, if the

0:31:44.120 --> 0:31:49.280
<v Speaker 3>past is portrayed as this kind of wonderful, utopian, nostalgic,

0:31:49.520 --> 0:31:53.960
<v Speaker 3>you know, crime free, stress free, you know, gender not

0:31:54.160 --> 0:32:01.000
<v Speaker 3>free world, then that is going to be the world

0:32:01.000 --> 0:32:04.760
<v Speaker 3>that politicians try to create for us today. But it's

0:32:04.840 --> 0:32:08.760
<v Speaker 3>a lie. And in my case, certainly in our case,

0:32:08.880 --> 0:32:10.920
<v Speaker 3>it's a lie. And I think in the MAGA case

0:32:10.960 --> 0:32:13.080
<v Speaker 3>it's also a lie, but I know that it's a

0:32:13.120 --> 0:32:15.200
<v Speaker 3>lie in my case.

0:32:15.680 --> 0:32:21.080
<v Speaker 1>What is so meaningful about this story is that we

0:32:21.200 --> 0:32:25.360
<v Speaker 1>can see how important it is to the MAGA to control,

0:32:25.520 --> 0:32:28.800
<v Speaker 1>to try and control them, right, Like they're banning books.

0:32:29.240 --> 0:32:32.560
<v Speaker 1>Our literacy rate is what, like before than thirty percent

0:32:32.600 --> 0:32:35.680
<v Speaker 1>of Americans can't read at a fourth grade level. So

0:32:36.520 --> 0:32:39.040
<v Speaker 1>these are people can't even read these books, but they're

0:32:39.040 --> 0:32:41.480
<v Speaker 1>banning them. And there's a reason for that, and that's

0:32:41.560 --> 0:32:45.000
<v Speaker 1>because they know that history is i mean, the whole

0:32:45.520 --> 0:32:49.760
<v Speaker 1>endless discourse on the books about American history. That is

0:32:49.880 --> 0:32:53.440
<v Speaker 1>because they know this is such a central data.

0:32:53.000 --> 0:32:55.800
<v Speaker 3>Absolutely, you know, and when he talks about like making

0:32:55.840 --> 0:32:59.120
<v Speaker 3>America great again, like what is this place where it

0:32:59.280 --> 0:32:59.720
<v Speaker 3>was great?

0:32:59.880 --> 0:33:00.320
<v Speaker 2>Always?

0:33:00.400 --> 0:33:03.400
<v Speaker 3>Very sort of fuzzy and vague, and because it's fuzzy

0:33:03.440 --> 0:33:05.160
<v Speaker 3>and vague, you think, oh, well, maybe that was kind

0:33:05.160 --> 0:33:08.840
<v Speaker 3>of nice. But when you see an actual example of that,

0:33:08.920 --> 0:33:12.680
<v Speaker 3>which is what Seabrook Farms was, and you know how

0:33:12.840 --> 0:33:16.000
<v Speaker 3>it began, how it was sustained, and how it ended,

0:33:16.440 --> 0:33:21.360
<v Speaker 3>it's very educational. This is one possible outcome of where

0:33:21.480 --> 0:33:25.800
<v Speaker 3>we're going. If we don't change directions, and it ends

0:33:25.880 --> 0:33:29.240
<v Speaker 3>very badly. It ends very badly. If they don't ban

0:33:29.400 --> 0:33:33.520
<v Speaker 3>this book, maybe somebody will. We'll get that out of it.

0:33:34.200 --> 0:33:39.400
<v Speaker 1>Yeah, so important and interesting in the question of whether

0:33:39.640 --> 0:33:43.120
<v Speaker 1>or not you can ever kind of go back to

0:33:43.160 --> 0:33:46.120
<v Speaker 1>your family's history and what that looks like. Thank you,

0:33:46.320 --> 0:33:47.160
<v Speaker 1>Thank you, John.

0:33:47.520 --> 0:33:49.560
<v Speaker 3>I haven't read your book yet, Molly, but I'm super

0:33:49.600 --> 0:33:50.880
<v Speaker 3>excited to read your book.

0:33:51.720 --> 0:33:56.160
<v Speaker 1>That's it for this episode of Fast Politics. Tune in

0:33:56.400 --> 0:34:02.360
<v Speaker 1>every Monday, Wednesday, Thursday and to hear the best minds

0:34:02.400 --> 0:34:06.280
<v Speaker 1>and politics make sense of all this chaos. If you

0:34:06.480 --> 0:34:09.799
<v Speaker 1>enjoy this podcast, please send it to a friend and

0:34:10.000 --> 0:34:12.960
<v Speaker 1>keep the conversation going. Thanks for listening.