WEBVTT - Episode 186 w/ Russ

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<v Speaker 1>And Drink Chess, Motherfucking Podcast. Mason, He's a legendary Queen's rapper.

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<v Speaker 1>He's agree it's your boy in R. He's a Miami

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<v Speaker 1>hippoper pioneer. One up is d j e FN. Together

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<v Speaker 1>they drinking up with some of the biggest players in

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<v Speaker 1>the most professional unprofessional podcast and yet number one source

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<v Speaker 1>for drunk back drin Chess motherfuck is New Year's e

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<v Speaker 1>time for drink Champs, trick up for the would it

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<v Speaker 1>could be Hopeully wouldn't sim me? This is your boy

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<v Speaker 1>and o R. What up is d J e F

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<v Speaker 1>And this is Drink Chess Motherfucker? Yea am Now Now,

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<v Speaker 1>this is one of the most remarkable, amazing stories in

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<v Speaker 1>the hip hop when the person comes and says fuck y'all,

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<v Speaker 1>even out of even out of it's because the people

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<v Speaker 1>ain't sucking with him, and he says fuck y'all and says,

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<v Speaker 1>I'm gonna do it my way, and I'm I'm gonna

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<v Speaker 1>be my own engineer, I'm gonna be my own fucking producer,

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<v Speaker 1>I'm gonna write my own raps, I'm gonna do my

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<v Speaker 1>own hooks, And he actually goes out there and he

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<v Speaker 1>works and then he turns around and say fuck y'all

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<v Speaker 1>because it worked, and he has flat them singles and

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<v Speaker 1>gold records. And the thing is, so many people want to, like,

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<v Speaker 1>you know, call them my arrogant person or cocky person.

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<v Speaker 1>But the thing is when you have the accolades or

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<v Speaker 1>the things to back it up, sometimes it's just being

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<v Speaker 1>facts sometimes speaking. So if you people don't understand, I

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<v Speaker 1>don't understand Independent Ground, don't understand who we're talking about.

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<v Speaker 1>We're talking about one other than Russ made some other. Now,

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<v Speaker 1>I was very interested in your story from the beginning

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<v Speaker 1>because of your relentless uh work ethic. Now, I went

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<v Speaker 1>a Google and they said that you were starting out

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<v Speaker 1>in two thousand and nine. When we started messing with

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<v Speaker 1>the music, it was it was like, oh six, I

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<v Speaker 1>was like fourteen, freshman in high school, just making Beast

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<v Speaker 1>got me. Before that, I was I was five seven,

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<v Speaker 1>whatever the funk. I was listening to fifty and Eminem

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<v Speaker 1>and like writing. I remember writing raps from the perspective

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<v Speaker 1>that I was from Queens just because like, so you're

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<v Speaker 1>living in Georgia, I know you from at that time,

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<v Speaker 1>I was living in North Carolina. So we moved around,

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<v Speaker 1>moving around. Yeah, so we moved around, But um, I

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<v Speaker 1>just always feel like I knew who I was before

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<v Speaker 1>I knew who I was, Like the bug bade me

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<v Speaker 1>before I knew that it did me. Like, why why

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<v Speaker 1>else is a seven year old standing on his mental

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<v Speaker 1>piece performing rap seats writing from the perspective of like

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<v Speaker 1>queens if for no other reason than like I think

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<v Speaker 1>he just really function that ship, you know what I'm saying,

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<v Speaker 1>Because that's like the first time that was starting fire.

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<v Speaker 1>Like it's like, why else do you do ship when

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<v Speaker 1>your seven other than for the genuine love of the ship.

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<v Speaker 1>So it was kind of always in my life. But yeah,

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<v Speaker 1>four teens when I started like making beasts, so what

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<v Speaker 1>are the wait, wait, what are the artists you're saying

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<v Speaker 1>that you're listening to it that time? At that time, yeah,

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<v Speaker 1>it was it was just g unit heavy. Yeah, like

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<v Speaker 1>the fucking fifty and the whole bead from Mercy ship

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<v Speaker 1>like Dre's why I started even getting like interested in production,

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<v Speaker 1>you know what I mean? You know what it was though?

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<v Speaker 1>Two was my parents always had like music and speakers

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<v Speaker 1>and everything. My my dad was very musical. His father

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<v Speaker 1>taught me guitar and ship rest in peace pop up.

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<v Speaker 1>So like, there was always a musical family. Uh, my mom,

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<v Speaker 1>So your father's father was in the music. Oh yeah,

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<v Speaker 1>he played. He played guitar for like eighty years. That's

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<v Speaker 1>what That's what my part me. But that's my grandfather

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<v Speaker 1>said to me every time you see me, you know

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<v Speaker 1>where your talent comes from? Like, well, you know what

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<v Speaker 1>he says, like my dick, like my grandfather before you.

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<v Speaker 1>I'm like, damn. He's like yeah yeah, he's like, well

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<v Speaker 1>he didn't say no English. He'd be like, your ball

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<v Speaker 1>don't got no talent. But I'm sorry, yeah, you're good. Yeah.

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<v Speaker 1>Not so my dad's dad was like just very artistic.

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<v Speaker 1>And then my mom's grandma played the organ for mafia

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<v Speaker 1>weddings and ship like that. All right, there was always

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<v Speaker 1>music in the family. It's not because you're Sicilian. It

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<v Speaker 1>was my field weddings. No, at every Sicilian I haven't man,

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<v Speaker 1>I got along with I don't know. I guess it's

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<v Speaker 1>because my last name is Sicilian, so I'm part of Sicilian.

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<v Speaker 1>I like that. How do you how do you say

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<v Speaker 1>your last names? I'm just saying my last name is

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<v Speaker 1>not Si. You're Cuban, okay. But according to Sicilians. It's

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<v Speaker 1>not Chandy, is it two sees? Well, maybe it's because

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<v Speaker 1>child's two sees something that depending on that no Italian

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<v Speaker 1>that you got sis on it. So now so now

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<v Speaker 1>you come from first. So let's make up to our

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<v Speaker 1>people who provided a look at to their best body liquors.

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<v Speaker 1>You know what I'm saying. Twenty seven nine South Dixie Highway.

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<v Speaker 1>People came here with that white star Rose right star away.

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<v Speaker 1>I'm getting off the Rose because Rose starting with Miami

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<v Speaker 1>a kool aid too much. But most liquors you ordered

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<v Speaker 1>with the drink Champs order you could drink with us.

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<v Speaker 1>So listen, do you come from my era? I didn't

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<v Speaker 1>even I don't want to cut you off, but to

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<v Speaker 1>really make that, to drive that point home what it was.

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<v Speaker 1>They had the music in the house, so its mom's

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<v Speaker 1>and papers, and it was how green and it was

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<v Speaker 1>earth winning fire and it was all this musical ship

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<v Speaker 1>that I was getting introduced to. And so I feel

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<v Speaker 1>like I always feel like the natural segue the reason

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<v Speaker 1>why it was so naturally start listening to g Unit

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<v Speaker 1>because people don't understand that. Yeah, because fifty eminem actually

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<v Speaker 1>wildly melodic. I've never heard a fifty verse where he's

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<v Speaker 1>not in the pocket. Is this why you became a

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<v Speaker 1>melodic artist? As we well, Yeah, the inception of the

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<v Speaker 1>hip hop bug that bit Me was based off of

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<v Speaker 1>a melodic introduction. So me like, fifty wildly wake up

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<v Speaker 1>earlier in the morning because everything is like a it's

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<v Speaker 1>a whole cadence and him like this' relody to it

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<v Speaker 1>because to me, I feel like, I feel like you've

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<v Speaker 1>got Drake, you got Eminem, and you got Kanye, and

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<v Speaker 1>you like if you made I agree and made a

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<v Speaker 1>superhuman I mean, if they together and made a Sicilian,

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<v Speaker 1>you know, the Godfather, because you have have every one

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<v Speaker 1>of their traits. Like you you're crazy, like in a

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<v Speaker 1>good way and a bad way. Then you're Eminem with

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<v Speaker 1>the shop value, and then um, Kanye is because again

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<v Speaker 1>it's just it's just out of this world. Like your

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<v Speaker 1>music sometimes you can go like it's it's ahead, ahead

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<v Speaker 1>of time. That's what the reason why I feel like

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<v Speaker 1>in certain ways like you misunderstood is because you're in

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<v Speaker 1>twenty four. You're like you're you're so you're still ahead.

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<v Speaker 1>It's like it's gonna come off a little bit a

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<v Speaker 1>little bit weird. Because you're advanced, you are more advanced.

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<v Speaker 1>Like if you have a scene like, um, the kid

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<v Speaker 1>that's in the behavior cat class and he's in the

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<v Speaker 1>resource room and he's a special had and then he said,

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<v Speaker 1>but why are you especially a He almost always says

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<v Speaker 1>behavior because no one says I'm stupid, right, So it's

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<v Speaker 1>just almost like that. It's like you're ahead, You're you're

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<v Speaker 1>so far ahead of this other classes that everybody don't

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<v Speaker 1>want to admit that we might be kind of stupid.

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<v Speaker 1>I like, you know, it's so amazing. Is that like

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<v Speaker 1>if I say that, which I have, right, But if

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<v Speaker 1>I say that, that's when it comes off. That's what

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<v Speaker 1>drink champ. I appreciate you, but I appreciate you even

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<v Speaker 1>having that perspective. But it's also in thinkative of how

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<v Speaker 1>insecure the consumer is in society. Is is that if

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<v Speaker 1>I choose to pick up myself, it's a problem. But

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<v Speaker 1>if you say the exact same thing about me that

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<v Speaker 1>I would say about myself, then it's okay, which which

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<v Speaker 1>I always say, is like, so y'all just want to

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<v Speaker 1>control my confidence. You can't have self confidence. I can't

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<v Speaker 1>be confident till you tell me I can be confident

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<v Speaker 1>that it's okay. One of my favorite moments is we

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<v Speaker 1>come from an era of trolling. Right now, whether you

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<v Speaker 1>were trolling or not, you wanted to make a statement

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<v Speaker 1>with the T shirt. Now where was this at? Just

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<v Speaker 1>what okay? D And how long ago was this? September?

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<v Speaker 1>Seen always remember dates even I'm like just checking after it.

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<v Speaker 1>I literally think it was seven years ago September Break

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<v Speaker 1>It Down Festival. Yes, your backstage, all the artists kind

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<v Speaker 1>of see you. Yeah, because you don't want any were

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<v Speaker 1>your batage with each other. All the artists come down,

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<v Speaker 1>everyone sees each other, so you go on stage and

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<v Speaker 1>that's where No, it went viral when after the show

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<v Speaker 1>I posted it on Instagram the performance just like a

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<v Speaker 1>picture of me in the shirt. First of all, the

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<v Speaker 1>inspiration for that came from my j D thousand when

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<v Speaker 1>he was rocking those all black jumpsuits, just things on him.

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<v Speaker 1>I was like, he did that, I think so, but

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<v Speaker 1>it was I was like, man, that's a really cool

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<v Speaker 1>way to say something without saying anything. Because if I'm

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<v Speaker 1>gonna be on stage and have a platform, let me

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<v Speaker 1>just put them on my shirt. So I had like

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<v Speaker 1>a bunch of shirts lined up that me and kids

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<v Speaker 1>super we're like creating my homie from Brooklyn. But um

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<v Speaker 1>so that was one of them, you know what I'm saying.

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<v Speaker 1>And what was what was hilarious about that was that

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<v Speaker 1>I was targeting the white kids in the suburbs who

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<v Speaker 1>are doing that type of ship because for no other reason,

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<v Speaker 1>then they heard it in a song and they think

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<v Speaker 1>that that's cool or whatever. And so you tried this

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<v Speaker 1>while the addictive drug for the sake of trying to

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<v Speaker 1>fit into a lifestyle you're not even you don't have

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<v Speaker 1>any business trying to fit into. And oftentimes you try

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<v Speaker 1>to fit into a lifestyle that a rapper is given

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<v Speaker 1>to you, and he's not even really living lifestyle exactly.

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<v Speaker 1>So now you're geting addicted to those drugs and now

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<v Speaker 1>you're addicted, but you're addicted off of being impressionable to

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<v Speaker 1>artists that you shouldn't be idolizing like that Future didn't

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<v Speaker 1>use drugs for three years and he was making that

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<v Speaker 1>type of music. It did nothing for me because I

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<v Speaker 1>don't I didn't buy into it in the first place.

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<v Speaker 1>I don't think this is the entertainment industry, Like if

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<v Speaker 1>these rappers were doing but I never thought he got

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<v Speaker 1>that hot either. But it's like, I love but what

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<v Speaker 1>was the black now? But thinking about it's like if

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<v Speaker 1>these rappers were doing the drugs that they were saying

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<v Speaker 1>they were doing, they wouldn't have a career like you

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<v Speaker 1>see the ones that do it and the Yeah, I

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<v Speaker 1>think the futures fired to I didn't buy into it,

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<v Speaker 1>so it didn't affect me. I was just kind of like, uh,

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<v Speaker 1>when I really think that he was doing what was

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<v Speaker 1>the backlash to that picture? And they thought they thought

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<v Speaker 1>that we kind of know, but they thought that I

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<v Speaker 1>was making a joke in ridiculing addicts, like you don't

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<v Speaker 1>know it's a disease. I said, no, I know, it's

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<v Speaker 1>a disease. Y'all keep overlooking chapter one though, you want

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<v Speaker 1>to go to chapter two and say, well he's addicted. Yeah,

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<v Speaker 1>now he is nobody talking about the cause when you

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<v Speaker 1>go to chapter one and talk about why these mothers

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<v Speaker 1>are And I was not talking about the people who

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<v Speaker 1>have PTSD literally PTSD from being in uh poverty stricken

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<v Speaker 1>places and dealing with funked up ship and traumatizing events.

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<v Speaker 1>I'm'm talking about those people. I was talking about the

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<v Speaker 1>white kids in the suburbs. And why do I know that?

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<v Speaker 1>Because I grew up with them and I went to

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<v Speaker 1>college with them for a year, and I had a

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<v Speaker 1>best friend who we would go to the party and

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<v Speaker 1>he'd be like, yo, you think I should snort this

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<v Speaker 1>or pop? And I would be like no. I was

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<v Speaker 1>his crunch of reality, Like what are you talking about? No?

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<v Speaker 1>In short thing when I left school, He's addicted to

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<v Speaker 1>Opius and then Heroin and Roxy's the whole ship. So

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<v Speaker 1>it's like, I'm talking about those kids who literally have

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<v Speaker 1>no reason to be doing it other than it's the

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<v Speaker 1>thing to do. I'm talking about the PTSD people who

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<v Speaker 1>like need serious help. I'm not talking about y'all, And honestly,

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<v Speaker 1>I'm talking about chapter one. Y'all want to keep saying

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<v Speaker 1>addiction is a disease. Yes, can y'all go to chapter one?

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<v Speaker 1>Why did you pick it up in the first place?

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<v Speaker 1>Tell me really, why no one wants it? No one

0:12:16.720 --> 0:12:19.560
<v Speaker 1>wants to say, Well, tell me really why that's always

0:12:21.080 --> 0:12:24.439
<v Speaker 1>that it's like Heroin but pills. I think I think

0:12:24.480 --> 0:12:27.160
<v Speaker 1>that's what it could be. There's so many versions of

0:12:27.320 --> 0:12:30.280
<v Speaker 1>these pills. I'm glad I'm not in that world, but

0:12:30.400 --> 0:12:32.480
<v Speaker 1>I think that that's a conversation that needs to be had,

0:12:32.600 --> 0:12:34.240
<v Speaker 1>Like people need to start getting to the root of

0:12:34.280 --> 0:12:36.760
<v Speaker 1>the issue. Everyone wants to just say they want to

0:12:36.760 --> 0:12:39.280
<v Speaker 1>skip over that and say, well, is addicted to disease.

0:12:39.320 --> 0:12:41.440
<v Speaker 1>He needs help. Yeah, but like to prevent it again

0:12:41.480 --> 0:12:43.280
<v Speaker 1>from happening, why don't we get to why he did

0:12:43.360 --> 0:12:45.800
<v Speaker 1>it in the first place? And like that's all Like

0:12:46.400 --> 0:12:51.160
<v Speaker 1>was my approach harsh? But honestly, yes, for sure. Oh

0:12:51.240 --> 0:12:53.840
<v Speaker 1>and then there was there was tweets that like why

0:12:53.880 --> 0:12:57.480
<v Speaker 1>I was saying need lean right like twelve and I've

0:12:57.559 --> 0:12:59.160
<v Speaker 1>never addressed this right, So people try to pull that

0:12:59.160 --> 0:13:01.200
<v Speaker 1>out like you're like, people think that I was an attic,

0:13:01.400 --> 0:13:03.800
<v Speaker 1>Like you're an at it just like yo, y'all are

0:13:03.880 --> 0:13:08.079
<v Speaker 1>fucking insane. Um, what it was is that it was

0:13:10.080 --> 0:13:12.640
<v Speaker 1>something like that, uh me, my homie went in the studio,

0:13:12.720 --> 0:13:15.719
<v Speaker 1>was faded. Uh we're broke, we're off, And we're like,

0:13:15.840 --> 0:13:19.240
<v Speaker 1>man that it sounds funn Yeah, We're like, you know,

0:13:19.280 --> 0:13:20.959
<v Speaker 1>because it was just like it was in future and

0:13:21.040 --> 0:13:23.160
<v Speaker 1>honestly was future and all these people and we're like, man,

0:13:23.240 --> 0:13:25.880
<v Speaker 1>that just sounds that just sounds finn Okay, y'all who

0:13:25.920 --> 0:13:27.920
<v Speaker 1>got to leave in Atlanta. We never end up finding

0:13:27.960 --> 0:13:31.280
<v Speaker 1>it though, and honestly, honestly, honestly, you know what, was

0:13:31.320 --> 0:13:34.480
<v Speaker 1>crazy and shout out to my fucking homie to call

0:13:34.640 --> 0:13:36.959
<v Speaker 1>my homies. This is weird because he's way older than me,

0:13:37.320 --> 0:13:40.040
<v Speaker 1>like an o G. But we knew he would have it,

0:13:40.400 --> 0:13:42.480
<v Speaker 1>so we went to him. It's actually I've never told

0:13:42.520 --> 0:13:45.240
<v Speaker 1>this story. So we went to him. We pulled up

0:13:45.280 --> 0:13:46.440
<v Speaker 1>on him because we're like, yo, we want to try

0:13:46.480 --> 0:13:51.360
<v Speaker 1>to leave, right. We go to him and he's like, nah,

0:13:52.320 --> 0:13:57.800
<v Speaker 1>I'm not gonna get that for you. Like yah, man,

0:13:58.520 --> 0:14:03.600
<v Speaker 1>what age nineteen nineteen something like that. He's a real

0:14:03.679 --> 0:14:11.720
<v Speaker 1>nig after supposed to be able to get you drugs. Yeah,

0:14:11.720 --> 0:14:13.840
<v Speaker 1>but that's how you know, like now he was actually

0:14:13.880 --> 0:14:18.240
<v Speaker 1>on something like yo, yeah, like here's some weeds, because

0:14:18.440 --> 0:14:21.240
<v Speaker 1>I would think he was, but I've never I've never

0:14:21.320 --> 0:14:24.360
<v Speaker 1>told that story. But that's also how I know, Like

0:14:24.840 --> 0:14:29.720
<v Speaker 1>I know it's about being impressionable because I once was impressionable,

0:14:29.760 --> 0:14:32.040
<v Speaker 1>where like me and my homies were like, yo, hold on,

0:14:32.680 --> 0:14:35.400
<v Speaker 1>like fuck it, you're sitting around, you're broke, you're in

0:14:35.400 --> 0:14:37.720
<v Speaker 1>the basement in the studio. I'm talking about foregr followers

0:14:37.760 --> 0:14:40.400
<v Speaker 1>like you're just broke and you're like, fucking man, maybe

0:14:40.440 --> 0:14:42.480
<v Speaker 1>that should might make the music be I like. And

0:14:42.560 --> 0:14:45.440
<v Speaker 1>so the curiosity, I know people did that for sure,

0:14:45.800 --> 0:14:47.800
<v Speaker 1>and the curiosities takes you to the place for like, yo,

0:14:48.120 --> 0:14:50.680
<v Speaker 1>let me like look into that. But then luckily, like

0:14:50.880 --> 0:14:53.200
<v Speaker 1>I had, you know, a big homie was like, I'm

0:14:53.200 --> 0:14:55.640
<v Speaker 1>not even I'm not even getting after you all. And

0:14:55.800 --> 0:14:57.640
<v Speaker 1>then honestly, once I went to sleep and woke up,

0:14:57.680 --> 0:14:59.920
<v Speaker 1>we were like, yeah, I'm done. Why what then am I?

0:15:00.280 --> 0:15:01.920
<v Speaker 1>You know what I'm saying, I don't really know better

0:15:02.000 --> 0:15:04.240
<v Speaker 1>because you know, I do get I don't drunk sometimes,

0:15:04.280 --> 0:15:06.280
<v Speaker 1>but when I see these kids on Instagram at three

0:15:06.320 --> 0:15:10.760
<v Speaker 1>o'clock in the afternoon and they're just leaning and spit

0:15:10.880 --> 0:15:13.960
<v Speaker 1>coming out of the mouths, it concerns me, like as

0:15:14.000 --> 0:15:15.640
<v Speaker 1>an older person, you know what I'm saying, and I

0:15:15.760 --> 0:15:18.200
<v Speaker 1>know that. The thing about it is, I have to

0:15:18.240 --> 0:15:20.520
<v Speaker 1>be careful of what I say to these kids because

0:15:20.680 --> 0:15:24.400
<v Speaker 1>whatever you say, if if if I say something, they

0:15:24.440 --> 0:15:26.520
<v Speaker 1>can react back and they say they can always say

0:15:27.440 --> 0:15:30.320
<v Speaker 1>they always say fuck you, old head. And I'm like, damn,

0:15:32.080 --> 0:15:37.200
<v Speaker 1>I don't want to be called old. Gonna squeeze, you know,

0:15:39.000 --> 0:15:45.280
<v Speaker 1>old is a compliment. I'm trying to say so I

0:15:46.400 --> 0:15:48.160
<v Speaker 1>because I heard you say this. It was like a

0:15:48.240 --> 0:15:52.800
<v Speaker 1>Charles Waffie thing on one part of me. Once the

0:15:52.880 --> 0:15:54.880
<v Speaker 1>one million percent agree with you and say point out

0:15:54.920 --> 0:15:56.680
<v Speaker 1>to each of every one of them, I got pointed

0:15:56.720 --> 0:15:58.480
<v Speaker 1>out that I didn't think Future was getting high like

0:15:58.560 --> 0:16:00.800
<v Speaker 1>that on Sway Show, and then it was like he

0:16:01.000 --> 0:16:03.040
<v Speaker 1>kind of he kind of said that like the next

0:16:03.080 --> 0:16:05.280
<v Speaker 1>three weeks after that. But anyway, what I'm trying to

0:16:05.320 --> 0:16:07.960
<v Speaker 1>say is for certain certain things, I do feel like

0:16:08.000 --> 0:16:10.720
<v Speaker 1>I got a responsibility. Like if I see I don't

0:16:10.720 --> 0:16:12.640
<v Speaker 1>feel like I should do it publicly, but I feel

0:16:12.640 --> 0:16:14.800
<v Speaker 1>like I should reach out seeking one of the dudes

0:16:14.880 --> 0:16:16.800
<v Speaker 1>they was on Instagram. But then there's a part of

0:16:16.880 --> 0:16:19.880
<v Speaker 1>me that says, this dude don't even know who the

0:16:19.920 --> 0:16:23.880
<v Speaker 1>funk I am. This call might not even be taken

0:16:23.960 --> 0:16:26.320
<v Speaker 1>as a respect call. This call might be be taken

0:16:26.360 --> 0:16:28.520
<v Speaker 1>as to let that because if you ain't on my

0:16:28.880 --> 0:16:32.880
<v Speaker 1>mom my playing failed like sometimes me um trying to

0:16:32.920 --> 0:16:35.080
<v Speaker 1>give you advice comes across as me trying to check you,

0:16:35.640 --> 0:16:37.120
<v Speaker 1>And I'm not trying to check you. I'm just trying

0:16:37.120 --> 0:16:39.160
<v Speaker 1>to tell you I've been through this. I've been through

0:16:39.680 --> 0:16:42.920
<v Speaker 1>through my father, through my family being addicted to heroin.

0:16:43.480 --> 0:16:45.960
<v Speaker 1>Lean is the same exact thing. So we we had

0:16:46.000 --> 0:16:48.440
<v Speaker 1>a whole we had a whole campaign against Lean at

0:16:48.480 --> 0:16:53.080
<v Speaker 1>one point, and it was real because we also allow

0:16:53.240 --> 0:16:56.280
<v Speaker 1>Young Dolph to come up here and we let him

0:16:56.280 --> 0:16:58.960
<v Speaker 1>get high right in front of us, so we're just there.

0:17:00.080 --> 0:17:03.880
<v Speaker 1>We've had Yeah, it wasn't just young Dog. We've had

0:17:03.880 --> 0:17:07.280
<v Speaker 1>a cop. And then the other thing that we we

0:17:07.600 --> 0:17:09.680
<v Speaker 1>I think we skip over sometimes is and tell me

0:17:09.720 --> 0:17:13.800
<v Speaker 1>if I'm wrong. Lean didn't start with future. These guys M.

0:17:14.560 --> 0:17:19.359
<v Speaker 1>D J. Screwing and my dog, but they didn't know

0:17:19.440 --> 0:17:23.600
<v Speaker 1>how lethal it was. We didn't know to Pipsie. Right

0:17:23.840 --> 0:17:27.520
<v Speaker 1>after Pipsie then knew because nobody was telling them, hey guys,

0:17:27.840 --> 0:17:31.920
<v Speaker 1>that's sucking Harold. So then that ship went. That ship

0:17:31.960 --> 0:17:35.280
<v Speaker 1>went mainstream with Little Wayne. Yeah, with the Caesar or

0:17:35.400 --> 0:17:40.359
<v Speaker 1>was that just Lean went mainstream? Okay? Little Wayne? That

0:17:40.440 --> 0:17:41.680
<v Speaker 1>was just like a Little Wayne is one of my

0:17:41.680 --> 0:17:44.399
<v Speaker 1>favorite rappers ever. But like, like that's the thing you

0:17:44.920 --> 0:17:48.000
<v Speaker 1>are looking currently at a rapking. That is a bunch

0:17:48.040 --> 0:17:51.440
<v Speaker 1>of babies of Little Wayne. From the face tasks to

0:17:51.560 --> 0:17:55.520
<v Speaker 1>the Dazzle, It's all a bunch of little wands. Look

0:17:55.560 --> 0:17:57.560
<v Speaker 1>at every one of these little twenty one year olds.

0:17:57.600 --> 0:17:59.760
<v Speaker 1>It's all little Wayne wannabes. That's why it's like, no,

0:18:00.040 --> 0:18:02.840
<v Speaker 1>just go to the real thing. H y'all are like

0:18:03.200 --> 0:18:05.560
<v Speaker 1>y'all live a little Wayne Free himself of Lean as well,

0:18:06.400 --> 0:18:08.520
<v Speaker 1>probably did. But like that's like, I mean, I think

0:18:08.600 --> 0:18:11.840
<v Speaker 1>currently though I'm saying I think, I'm hopefully sure. I'm

0:18:11.880 --> 0:18:16.040
<v Speaker 1>not sure, but like he said, hopefully yeah. My other

0:18:16.080 --> 0:18:19.320
<v Speaker 1>thing too, is that it's it's one thing to say

0:18:19.840 --> 0:18:22.680
<v Speaker 1>I have a problem, I'm indicted. It's sucked up. That's

0:18:22.720 --> 0:18:24.440
<v Speaker 1>one thing. And I like and I hear you and

0:18:24.480 --> 0:18:27.080
<v Speaker 1>that's sucked up. It's a whole another thing when you start,

0:18:28.040 --> 0:18:32.760
<v Speaker 1>uh using substance abuse as a marketing tool, When you

0:18:32.920 --> 0:18:35.760
<v Speaker 1>start when your merch is a Lean bottle on it,

0:18:36.440 --> 0:18:38.399
<v Speaker 1>or when you post on the ground look at me

0:18:38.480 --> 0:18:43.639
<v Speaker 1>smiling next to lean, It's like, bro, like, I'm not stupid.

0:18:43.680 --> 0:18:45.120
<v Speaker 1>You can fool the ten year olds and the twelve

0:18:45.160 --> 0:18:48.399
<v Speaker 1>yeards that follow you, but you know that you posting

0:18:48.440 --> 0:18:51.280
<v Speaker 1>a picture with four Lean bottles smiling is going to

0:18:51.400 --> 0:18:56.080
<v Speaker 1>get more likes. Then your song does spin that somewhere

0:18:56.119 --> 0:18:59.760
<v Speaker 1>else before and reality, that's one thing you're right with

0:18:59.840 --> 0:19:02.640
<v Speaker 1>an other thing is lean is so expensive? Ye, that's

0:19:02.680 --> 0:19:05.480
<v Speaker 1>the thing. I think they're flooring and as a show

0:19:05.560 --> 0:19:09.200
<v Speaker 1>of wealth, well, that's even worse. You are flexing all

0:19:09.280 --> 0:19:12.679
<v Speaker 1>the things that wealth and hip hop to me have degraded.

0:19:15.080 --> 0:19:16.760
<v Speaker 1>But I just think like because at that point, well,

0:19:17.119 --> 0:19:18.480
<v Speaker 1>and then I have a problem with the people that

0:19:18.640 --> 0:19:20.880
<v Speaker 1>do that and then try and say that they care

0:19:20.880 --> 0:19:23.719
<v Speaker 1>about the youth, like I'm helping them. It's like, no, bro,

0:19:23.840 --> 0:19:26.359
<v Speaker 1>because if you know anything about kids, it is uh,

0:19:27.400 --> 0:19:31.080
<v Speaker 1>I do as you do, not as you say. Everyone.

0:19:31.200 --> 0:19:33.560
<v Speaker 1>You don't have a time to show everyone, you know,

0:19:34.040 --> 0:19:37.280
<v Speaker 1>it would happen like I would come home with hickies, right,

0:19:37.680 --> 0:19:40.280
<v Speaker 1>I would come home with I was sixteen seventeen, come

0:19:40.359 --> 0:19:42.720
<v Speaker 1>home with higgies, and my dad would get super piste

0:19:42.720 --> 0:19:45.480
<v Speaker 1>because I have a younger sister, and so he was like,

0:19:45.680 --> 0:19:49.200
<v Speaker 1>you can't tell her. Now, maybe it's extreme, but whatever

0:19:49.240 --> 0:19:51.000
<v Speaker 1>it is is an analogy for the sake of the conversation.

0:19:51.040 --> 0:19:53.000
<v Speaker 1>But he would say, you can't tell her do as

0:19:53.040 --> 0:19:55.639
<v Speaker 1>I say, not as I do, because it's just not

0:19:55.760 --> 0:19:58.120
<v Speaker 1>how it works. So I learned that from an early age,

0:19:58.160 --> 0:20:00.040
<v Speaker 1>just with that always stuck in my head and to

0:20:00.119 --> 0:20:03.160
<v Speaker 1>try to apply it like I can't. I can't say

0:20:03.280 --> 0:20:06.600
<v Speaker 1>don't do uh oh, I care about the kids and whatever,

0:20:07.000 --> 0:20:08.680
<v Speaker 1>and yeah, man, y'all can't be doing drugs. That's just

0:20:08.800 --> 0:20:10.600
<v Speaker 1>gonna suck you up. Stay off the ship. Here I

0:20:10.720 --> 0:20:12.680
<v Speaker 1>am with lean and buy my T shirt with leaning

0:20:12.760 --> 0:20:14.880
<v Speaker 1>my face on it, like y'all. Look, y'all are ridiculous.

0:20:14.880 --> 0:20:16.440
<v Speaker 1>That's how I know you don't actually give a funk.

0:20:16.680 --> 0:20:18.920
<v Speaker 1>Your actions tell me you don't give a funk, like

0:20:19.080 --> 0:20:21.520
<v Speaker 1>you can say it all day long. But I'm not slow.

0:20:21.720 --> 0:20:24.119
<v Speaker 1>These people might be slow and I'm not. I'm just

0:20:24.200 --> 0:20:25.639
<v Speaker 1>not the one to keep my mouth close about it.

0:20:25.680 --> 0:20:28.080
<v Speaker 1>And if that makes me the bad guy for calling

0:20:28.119 --> 0:20:35.800
<v Speaker 1>out dumb ship, so be it, because that's true. But

0:20:35.880 --> 0:20:38.240
<v Speaker 1>it's like, and y'all have no that has no longevity anyway,

0:20:38.520 --> 0:20:41.000
<v Speaker 1>fake should never last. And that's how first of all,

0:20:41.080 --> 0:20:43.800
<v Speaker 1>that lifestyle has no longevity. Being a drug addict has

0:20:43.840 --> 0:20:47.919
<v Speaker 1>no longevity period and let alone as a career, let alone,

0:20:47.920 --> 0:20:50.320
<v Speaker 1>that's just like, that's all you have to offer. And

0:20:50.440 --> 0:20:53.920
<v Speaker 1>that and I feel like what's crazy to even segue

0:20:54.280 --> 0:20:58.080
<v Speaker 1>is you look at uh absolutely untimely tragic death of

0:20:58.119 --> 0:21:01.120
<v Speaker 1>a nipsey Hustle. They kind of put like, I've been

0:21:01.240 --> 0:21:04.200
<v Speaker 1>a psychotic fan of Nipsey Hustle for right there, because

0:21:04.200 --> 0:21:06.640
<v Speaker 1>you know what's the crazy ship? When I google you, Yeah,

0:21:06.760 --> 0:21:09.400
<v Speaker 1>most of the time you did interviews was right after

0:21:09.520 --> 0:21:13.960
<v Speaker 1>mac Miller's death. So know what I'm saying is like

0:21:14.040 --> 0:21:16.680
<v Speaker 1>like when I looked at the timeline, you know the timelines,

0:21:17.040 --> 0:21:19.119
<v Speaker 1>it was a lot of interviews that popped up. It

0:21:19.240 --> 0:21:21.560
<v Speaker 1>was actually about mac Miller's death. So I was wonderment.

0:21:21.600 --> 0:21:24.040
<v Speaker 1>I was like, wow, became and now this is after

0:21:24.240 --> 0:21:27.960
<v Speaker 1>nip Yeah, and like I'm a really huge, huge fan

0:21:28.040 --> 0:21:31.399
<v Speaker 1>of Nipsy and I have been for since I heard

0:21:31.440 --> 0:21:33.680
<v Speaker 1>the marathon in December twenty time when it came out.

0:21:33.800 --> 0:21:36.520
<v Speaker 1>You know what I'm saying, type of ship. But when

0:21:36.720 --> 0:21:39.160
<v Speaker 1>you when you have a death like that, it kind

0:21:39.160 --> 0:21:41.879
<v Speaker 1>of puts it on perspective because it's very like that

0:21:42.080 --> 0:21:44.160
<v Speaker 1>was the real it was the first thing you thought about.

0:21:45.320 --> 0:21:47.280
<v Speaker 1>I just couldn't believe it. I woke up because my

0:21:47.359 --> 0:21:50.239
<v Speaker 1>sleep schedules fucked, so I was asleep and my mom

0:21:50.359 --> 0:21:52.080
<v Speaker 1>knew how much I funk with him, so she called

0:21:52.119 --> 0:21:55.080
<v Speaker 1>my manager to like go wake like wake him up.

0:21:55.359 --> 0:21:58.479
<v Speaker 1>So I woke up to like fifty group taxing all

0:21:58.560 --> 0:22:01.280
<v Speaker 1>these and I'm like, what the like, there's no way,

0:22:01.640 --> 0:22:05.480
<v Speaker 1>there's no way, Um, but that ship I was. I

0:22:05.760 --> 0:22:08.400
<v Speaker 1>cried every day for a fucking week for a week

0:22:08.440 --> 0:22:14.040
<v Speaker 1>straight because it's a it's Nancy never had a top

0:22:14.119 --> 0:22:17.800
<v Speaker 1>ten Billboard hit, Nipsy never had Uh. Nipsey did more

0:22:17.960 --> 0:22:20.520
<v Speaker 1>albums the week he died, and he didn't when he

0:22:20.640 --> 0:22:24.879
<v Speaker 1>dropped it. And the first week numbers when he was

0:22:24.880 --> 0:22:27.120
<v Speaker 1>alive didn't match the first week numbers when he died,

0:22:27.640 --> 0:22:30.960
<v Speaker 1>and he deserves all this love and more and and

0:22:31.080 --> 0:22:34.399
<v Speaker 1>the and the reality is that, um, what it goes

0:22:34.440 --> 0:22:36.560
<v Speaker 1>to shows that numbers don't reflect impact. That's why I

0:22:36.640 --> 0:22:39.480
<v Speaker 1>said that when I treated it whenever, But because Nincy

0:22:39.560 --> 0:22:41.720
<v Speaker 1>didn't have the top ten hits or whatever, but look

0:22:41.800 --> 0:22:44.640
<v Speaker 1>at the impact. Why because he was saying same ship,

0:22:44.960 --> 0:22:47.440
<v Speaker 1>Because you know what, it's one of these fucking little

0:22:48.480 --> 0:22:51.800
<v Speaker 1>Instagram entertainer as rappers who just the whole ship is

0:22:51.880 --> 0:22:54.840
<v Speaker 1>just gimmicks of lean this and I'm making songs about

0:22:54.880 --> 0:22:57.600
<v Speaker 1>my chains. It's like it sounds funked up. But if

0:22:57.680 --> 0:22:59.920
<v Speaker 1>y'all died, what are you leaving behind for the world?

0:23:00.800 --> 0:23:03.600
<v Speaker 1>Not ship? What did you like, when we listen to you,

0:23:03.760 --> 0:23:06.160
<v Speaker 1>what do we want to go do? Most of y'all

0:23:06.520 --> 0:23:08.480
<v Speaker 1>have fans who, after they listen to you, want to

0:23:08.560 --> 0:23:11.760
<v Speaker 1>go just do some funk shit. Go pop with this,

0:23:11.920 --> 0:23:16.160
<v Speaker 1>Go do Nipsey. Have people wanted to go start businesses,

0:23:16.880 --> 0:23:20.080
<v Speaker 1>influence their community ownership, Like you know what I'm saying

0:23:20.240 --> 0:23:22.359
<v Speaker 1>without having the top ten songs. So that's how you

0:23:22.440 --> 0:23:24.280
<v Speaker 1>know it's not about that. It's about what the funk

0:23:24.359 --> 0:23:26.359
<v Speaker 1>y'all are talking about. That's why I always be saying

0:23:26.400 --> 0:23:29.480
<v Speaker 1>like y'all can do all the drug marketing tools and

0:23:29.560 --> 0:23:31.480
<v Speaker 1>do all the gimmicks, but that ship will not last

0:23:31.560 --> 0:23:35.760
<v Speaker 1>because it's simply has no lasting effect on life. You

0:23:35.800 --> 0:23:38.240
<v Speaker 1>can't apply it to you. You can't apply some of

0:23:38.280 --> 0:23:40.800
<v Speaker 1>these people's songs to your longevity of your life. What

0:23:40.840 --> 0:23:43.920
<v Speaker 1>I'm saying, Nipsey left behind gems that I'm gonna be

0:23:44.040 --> 0:23:46.240
<v Speaker 1>using when I'm ninety. You know what I'm saying, Like

0:23:46.560 --> 0:23:49.560
<v Speaker 1>he left like I was a not a big reader,

0:23:49.560 --> 0:23:52.840
<v Speaker 1>but what I did read was really impactful self help books.

0:23:52.880 --> 0:23:56.520
<v Speaker 1>It was Napoleon Hills and Deepox. Yeah, so it was

0:23:56.600 --> 0:23:59.480
<v Speaker 1>that type of ship I felt like when I Alchemist, Yeah,

0:23:59.560 --> 0:24:02.520
<v Speaker 1>for sure, for for agreements, the secret all that ship.

0:24:02.640 --> 0:24:05.960
<v Speaker 1>So when I first heard Nipsey, that's I felt like

0:24:06.080 --> 0:24:09.040
<v Speaker 1>I was getting another self help book, you know what

0:24:09.119 --> 0:24:12.159
<v Speaker 1>I'm saying, And so I don't And I feel like

0:24:12.320 --> 0:24:16.119
<v Speaker 1>that's the whether or not that's what your agenda should

0:24:16.160 --> 0:24:18.800
<v Speaker 1>be as an artist. That's what I gravitate towards and

0:24:18.880 --> 0:24:21.680
<v Speaker 1>I feel like that's what That's what leaving the world

0:24:21.760 --> 0:24:24.280
<v Speaker 1>off is a better place is about. Because Nipsey left

0:24:24.320 --> 0:24:26.680
<v Speaker 1>the world off. The world is a better place because

0:24:26.800 --> 0:24:29.000
<v Speaker 1>of Nipsey. Like Nipsey didn't come into the world and

0:24:29.080 --> 0:24:32.040
<v Speaker 1>make it worse. Some of these artists are literally coming

0:24:32.080 --> 0:24:35.760
<v Speaker 1>in and poisoning the youth. They're poisoning the culture. They're

0:24:35.760 --> 0:24:38.200
<v Speaker 1>doing all these things, and it's like it's insane to me.

0:24:38.280 --> 0:24:41.200
<v Speaker 1>But once again, no one has balls. Everyone is scared.

0:24:41.200 --> 0:24:42.680
<v Speaker 1>Everyone wants to be buddy buddy, so no wants to

0:24:42.680 --> 0:24:44.720
<v Speaker 1>say so that's fine. I'll be the one to say something.

0:24:45.040 --> 0:24:47.040
<v Speaker 1>Y'all can do whatever you want. But it's too late.

0:24:47.119 --> 0:24:49.600
<v Speaker 1>Already got my fans. Is too late. Then you post

0:24:49.640 --> 0:24:55.440
<v Speaker 1>card from the Fords of the Staples too late. I

0:24:55.520 --> 0:24:57.200
<v Speaker 1>know you don't. I know you probably wouldn't want to

0:24:57.240 --> 0:25:00.680
<v Speaker 1>bring this up, but I just feel like it's it's

0:25:00.720 --> 0:25:02.720
<v Speaker 1>funked up the way ship went down. But we were

0:25:02.800 --> 0:25:05.680
<v Speaker 1>supposed to have we're not supposed to. But Nipsey could

0:25:05.720 --> 0:25:07.840
<v Speaker 1>have potentially been on drink Chat the same day. We

0:25:07.920 --> 0:25:10.760
<v Speaker 1>had bird Man the same day. So when we started

0:25:10.800 --> 0:25:13.560
<v Speaker 1>the interview with bird Man, what happened was because I

0:25:13.640 --> 0:25:15.640
<v Speaker 1>got notes for you too right here. But I want

0:25:15.640 --> 0:25:18.160
<v Speaker 1>to do I want to be as naturalist possible at first,

0:25:18.320 --> 0:25:21.000
<v Speaker 1>so I leave my phone away. Sure, so as I

0:25:21.119 --> 0:25:23.119
<v Speaker 1>left my phone a where he was hitting me, but

0:25:23.200 --> 0:25:24.879
<v Speaker 1>I had it on silom because you know what I mean.

0:25:25.040 --> 0:25:28.000
<v Speaker 1>So we're supposed to do him pause pause, have him

0:25:28.040 --> 0:25:30.520
<v Speaker 1>the same day like he was. That's the one thing

0:25:30.520 --> 0:25:32.920
<v Speaker 1>I respected about two. He was one of the people

0:25:33.000 --> 0:25:37.040
<v Speaker 1>that that actually showed love to the elder generator, you know,

0:25:37.080 --> 0:25:40.560
<v Speaker 1>because sometimes I look at the young kids and they're like, man,

0:25:40.640 --> 0:25:43.000
<v Speaker 1>suck them old dudes, And I can't knock them because

0:25:43.000 --> 0:25:45.520
<v Speaker 1>I remember me being younger saying fuck them old dudes.

0:25:45.520 --> 0:25:47.639
<v Speaker 1>So I don't complain. So you know, I don't believe

0:25:47.640 --> 0:25:49.720
<v Speaker 1>that about you. You never really because you might have

0:25:49.760 --> 0:25:54.240
<v Speaker 1>said that in the hood, telling you I said it. No, No,

0:25:54.520 --> 0:25:57.800
<v Speaker 1>I'm raised with a lot more respect you might have

0:25:58.600 --> 0:26:00.800
<v Speaker 1>in the hood. Everyone him. No, no, But there's a

0:26:00.880 --> 0:26:03.840
<v Speaker 1>couple of artists that I met with legends, and I

0:26:04.000 --> 0:26:08.320
<v Speaker 1>was like, some of those guys the legends. But so

0:26:09.480 --> 0:26:12.680
<v Speaker 1>my natural reaction is always to be like, when a

0:26:12.760 --> 0:26:15.000
<v Speaker 1>new guy comes out and he's the ship for you know,

0:26:15.119 --> 0:26:17.600
<v Speaker 1>two weeks, I don't say what's up to him? I don't.

0:26:17.680 --> 0:26:19.440
<v Speaker 1>I just let him back because I see so many

0:26:19.480 --> 0:26:21.480
<v Speaker 1>people come and go that I just sit back and

0:26:21.520 --> 0:26:23.800
<v Speaker 1>I get cocky on me. I let you be cocky.

0:26:24.119 --> 0:26:27.239
<v Speaker 1>I don't. I let it all go. But that's one

0:26:27.280 --> 0:26:28.800
<v Speaker 1>of the things that I like about you, Like the

0:26:28.880 --> 0:26:31.280
<v Speaker 1>way you give it up to Scott's story, the way

0:26:31.960 --> 0:26:34.760
<v Speaker 1>Nipsey gave it up for us. You know what I'm saying,

0:26:34.800 --> 0:26:37.760
<v Speaker 1>The way even if you even coming out here, that's

0:26:37.760 --> 0:26:40.240
<v Speaker 1>showing the initiative that because there's some hip hop ship,

0:26:40.359 --> 0:26:42.280
<v Speaker 1>don't mean supposed to know about drinking chance unless you

0:26:43.040 --> 0:26:45.200
<v Speaker 1>But like I told you all, like the first second

0:26:45.240 --> 0:26:47.320
<v Speaker 1>I saw this come out, Like when y'all launched this,

0:26:47.400 --> 0:26:50.720
<v Speaker 1>I was like, this is the greatest idea. It's because

0:26:50.720 --> 0:26:54.400
<v Speaker 1>it's because the basis of it is natural, because that's

0:26:54.520 --> 0:26:57.000
<v Speaker 1>this is really what like the cameras and anything like,

0:26:57.119 --> 0:26:58.960
<v Speaker 1>this is what we would actually do to people are like, yea,

0:26:59.040 --> 0:27:00.520
<v Speaker 1>you know what we want to canct We want to

0:27:00.560 --> 0:27:03.320
<v Speaker 1>link what will be doing drinking, smoking, talking? Ship? Fine,

0:27:03.400 --> 0:27:05.680
<v Speaker 1>put the cameras on what you're gonna get the same ship?

0:27:06.119 --> 0:27:08.000
<v Speaker 1>You feel me? And that's what I prided myself on too,

0:27:08.160 --> 0:27:10.440
<v Speaker 1>is just authenticity. Like my mom will tell you, my

0:27:10.480 --> 0:27:12.120
<v Speaker 1>friends will tell you. The girls i'd be fu will

0:27:12.200 --> 0:27:16.720
<v Speaker 1>tell you this is what it is, said the girls.

0:27:16.760 --> 0:27:23.480
<v Speaker 1>I mean, he knocks it down, That's who serious. I

0:27:23.600 --> 0:27:26.520
<v Speaker 1>was so proud of that man, so proud. Let me

0:27:26.560 --> 0:27:29.680
<v Speaker 1>tell you to tell you something. I am proud one

0:27:29.720 --> 0:27:34.400
<v Speaker 1>thing that people can't hate on you. And the thing is, um,

0:27:35.200 --> 0:27:38.680
<v Speaker 1>the thing is you you. This is a crazy ship.

0:27:39.480 --> 0:27:41.359
<v Speaker 1>You said something, but I said it on my record.

0:27:41.440 --> 0:27:44.040
<v Speaker 1>I said it on my record. I said, we gassed

0:27:44.080 --> 0:27:47.000
<v Speaker 1>these artists to be these artists. And when these artists

0:27:47.040 --> 0:27:52.800
<v Speaker 1>start acting like the artists, you say, and you said that, yeah,

0:27:52.800 --> 0:27:55.360
<v Speaker 1>I said it on my record. Big change. But I'm

0:27:55.520 --> 0:27:58.359
<v Speaker 1>I'm re charging you and I'm like this motherfucker he

0:27:58.560 --> 0:28:02.600
<v Speaker 1>understands it. The thing is, it's just like being a DJ, right,

0:28:03.119 --> 0:28:06.040
<v Speaker 1>Just like being a DJ right, they'll tell you you're

0:28:06.080 --> 0:28:10.399
<v Speaker 1>the closing DJ, so it's naturally for you to be

0:28:10.600 --> 0:28:12.919
<v Speaker 1>mad at the opening in DJ playing all the records

0:28:12.960 --> 0:28:16.880
<v Speaker 1>that you're gonna play, so they gass you your DJE.

0:28:17.320 --> 0:28:20.160
<v Speaker 1>And then when you start acting like the DJ, they

0:28:20.240 --> 0:28:23.879
<v Speaker 1>critique and saying, oh, he's Holly, he's Hollywood. What's insane.

0:28:23.880 --> 0:28:25.960
<v Speaker 1>It's almost like for an analogy, it's like it's like

0:28:26.000 --> 0:28:27.920
<v Speaker 1>a fan looking at you on the come up and

0:28:27.960 --> 0:28:29.879
<v Speaker 1>they're like, man, I can't wait to get on you.

0:28:29.960 --> 0:28:31.879
<v Speaker 1>Get out of all the things he's wrapping up. You

0:28:31.960 --> 0:28:37.639
<v Speaker 1>start rocking those. You don't gotta rock those? What are

0:28:37.680 --> 0:28:42.640
<v Speaker 1>you talking about? That's why I said, in a FLEXTIONI style, Uh,

0:28:43.080 --> 0:28:44.640
<v Speaker 1>either love me? What do I say? You love me?

0:28:44.680 --> 0:28:47.080
<v Speaker 1>I hate your supporter? Either you either love to me.

0:28:47.440 --> 0:28:49.800
<v Speaker 1>You either love to see me shine or you don't.

0:28:50.040 --> 0:28:52.600
<v Speaker 1>No kind of sort of you know sometimes supporter. But

0:28:52.640 --> 0:28:56.760
<v Speaker 1>it's like you can't just be like, oh my love

0:28:56.880 --> 0:29:01.400
<v Speaker 1>is conditional. I want to see you, but only under

0:29:01.440 --> 0:29:03.960
<v Speaker 1>these conditions. Don't shine on me. Don't shine on me.

0:29:04.520 --> 0:29:06.720
<v Speaker 1>But you know what happens with insecure people, You're shining

0:29:06.800 --> 0:29:09.479
<v Speaker 1>regardless shines on them because they just feel like anyone

0:29:09.560 --> 0:29:11.920
<v Speaker 1>shining is sucking up my shine. It's like, no, you

0:29:12.120 --> 0:29:14.840
<v Speaker 1>insecure a piece of ship. Go yell at your fucking mirror.

0:29:14.840 --> 0:29:16.880
<v Speaker 1>It's have nothing to do with me another drink, God

0:29:16.960 --> 0:29:23.040
<v Speaker 1>damn it. But there's definitely a culture of fans that

0:29:23.200 --> 0:29:25.560
<v Speaker 1>they just your fans on the come up, and then

0:29:25.600 --> 0:29:30.320
<v Speaker 1>they that fans because they didn't really want you like that.

0:29:30.680 --> 0:29:33.240
<v Speaker 1>They wanted this part of you the second and went here,

0:29:33.560 --> 0:29:35.680
<v Speaker 1>I gotta go find someone new too. It's like new pussy.

0:29:35.880 --> 0:29:37.520
<v Speaker 1>You know what I'm saying. I'm gonna tell you, I'm

0:29:37.520 --> 0:29:39.840
<v Speaker 1>gonna that's how let me looking at you. It's voters

0:29:39.920 --> 0:29:42.400
<v Speaker 1>like the consumer. A lot of the consumers are volts

0:29:42.440 --> 0:29:45.000
<v Speaker 1>and hyenas. They just pounce down on you when it's

0:29:45.000 --> 0:29:47.840
<v Speaker 1>like convenient, like eat you up. The second they've done

0:29:47.880 --> 0:29:50.080
<v Speaker 1>feasting on you and there's some other new ship going

0:29:50.120 --> 0:29:52.520
<v Speaker 1>on over here to the right, they're like cool, And

0:29:52.560 --> 0:29:54.520
<v Speaker 1>why it fox up artists because artists be thinking that

0:29:54.600 --> 0:29:57.080
<v Speaker 1>that love is real, right, so they put out something.

0:29:57.120 --> 0:29:59.320
<v Speaker 1>They put out a song, a blue face or want

0:29:59.400 --> 0:30:01.080
<v Speaker 1>any one of these people who have a song going

0:30:01.160 --> 0:30:04.280
<v Speaker 1>crazy again. All this love is going nuts. A couple

0:30:04.280 --> 0:30:06.200
<v Speaker 1>of months going nuts and so the artists like, man,

0:30:06.240 --> 0:30:09.600
<v Speaker 1>this is I'm lit right. They don't realize though, that

0:30:09.720 --> 0:30:12.480
<v Speaker 1>in three months there will be some other person with

0:30:12.560 --> 0:30:16.120
<v Speaker 1>another song that the vulture is ak the consumer world

0:30:16.160 --> 0:30:19.040
<v Speaker 1>just the look up and be like and start feasting

0:30:19.120 --> 0:30:21.800
<v Speaker 1>on these people, and then your left just fucking hung

0:30:21.840 --> 0:30:24.440
<v Speaker 1>out to dry, like damn, I got nothing in me left,

0:30:24.480 --> 0:30:26.560
<v Speaker 1>And now I didn't set my career up because I

0:30:26.680 --> 0:30:29.720
<v Speaker 1>thought that this was the moment. I thought this moment

0:30:29.800 --> 0:30:32.440
<v Speaker 1>would last forever. And it's like but but there's also

0:30:32.520 --> 0:30:35.360
<v Speaker 1>the snobby fan. The snobby fan is the one that

0:30:35.560 --> 0:30:37.480
<v Speaker 1>I like this guy on the come up because nobody

0:30:37.560 --> 0:30:42.920
<v Speaker 1>knows about him. I'm on that new ship. Motherfuck. You

0:30:42.960 --> 0:30:45.080
<v Speaker 1>know like that too. I used to love Floyd Mayweather

0:30:45.120 --> 0:30:47.000
<v Speaker 1>when he was underground. Whenever you want to start like

0:30:47.120 --> 0:30:50.120
<v Speaker 1>like Floyd Mayweather, I was like, damn that everybody knows.

0:30:52.120 --> 0:30:54.360
<v Speaker 1>Let me tell you. I'm gonna tell I was explaying

0:30:54.440 --> 0:30:58.640
<v Speaker 1>this to ear fan um earlier. One of the times

0:30:58.760 --> 0:31:02.360
<v Speaker 1>I collaborated where I actually felt like we were trading fans,

0:31:02.400 --> 0:31:05.000
<v Speaker 1>because that's the thing about doing a collaboration, right, like

0:31:05.160 --> 0:31:07.960
<v Speaker 1>sometimes you know we're all due respect. Like I didn't

0:31:07.960 --> 0:31:10.640
<v Speaker 1>want to do records with certain artists because I felt

0:31:10.680 --> 0:31:14.480
<v Speaker 1>like we had the same audience anyway. Right, So so

0:31:14.600 --> 0:31:17.120
<v Speaker 1>the thing about it is I would do it either

0:31:17.440 --> 0:31:20.880
<v Speaker 1>because I have respect for the artists or have respect

0:31:20.920 --> 0:31:22.960
<v Speaker 1>for the situation, or it was a check in vols, right.

0:31:23.120 --> 0:31:25.520
<v Speaker 1>But I started to notice it would be ill like,

0:31:25.680 --> 0:31:27.640
<v Speaker 1>you know, me doing records with like a style's p

0:31:27.880 --> 0:31:31.040
<v Speaker 1>or camera, which is dope, but it's still it wasn't

0:31:31.120 --> 0:31:34.080
<v Speaker 1>really trading fans like it was all both fans coming

0:31:34.760 --> 0:31:37.640
<v Speaker 1>in your current were pleasing our current fans a great

0:31:38.600 --> 0:31:40.640
<v Speaker 1>which is always what it's about. But sometimes you want

0:31:40.680 --> 0:31:43.920
<v Speaker 1>to step out. The only two times in my career

0:31:44.000 --> 0:31:46.400
<v Speaker 1>where I actually felt like I traded fans, it was

0:31:46.800 --> 0:31:49.400
<v Speaker 1>really two times. One time, I know this is terrible

0:31:49.480 --> 0:31:52.520
<v Speaker 1>to say, but I gotta say, uh is when I

0:31:52.600 --> 0:31:54.960
<v Speaker 1>did my one and only record with jay Z on

0:31:55.360 --> 0:32:07.080
<v Speaker 1>our Kelly record. So sorry, so I abode you should

0:32:07.120 --> 0:32:11.080
<v Speaker 1>have got that secret. But it's the only I'm actually

0:32:11.440 --> 0:32:13.120
<v Speaker 1>proud of it because the only record I ever did

0:32:13.160 --> 0:32:17.120
<v Speaker 1>with jay Z, we Ride met jay Z and camera

0:32:19.560 --> 0:32:22.200
<v Speaker 1>met jay Z and camera. But I could actually tell

0:32:22.240 --> 0:32:24.640
<v Speaker 1>you that for me doing that record, like and there

0:32:24.760 --> 0:32:28.600
<v Speaker 1>wasn't no video to it, but but you know, but

0:32:28.880 --> 0:32:32.680
<v Speaker 1>but old ladies started to want to know, yes, he

0:32:32.880 --> 0:32:42.080
<v Speaker 1>has a different crowd. This is lady, you gotta relax

0:32:42.160 --> 0:32:44.960
<v Speaker 1>and that. But what I'm saying is I started to

0:32:45.080 --> 0:32:48.000
<v Speaker 1>realize that that that it brings me a different reudio.

0:32:48.600 --> 0:32:51.200
<v Speaker 1>The only other time I had got bought a different

0:32:51.240 --> 0:32:56.480
<v Speaker 1>audience is when I did though I literally like people

0:32:56.560 --> 0:32:58.320
<v Speaker 1>can judge me for what it is. I told people,

0:32:58.360 --> 0:33:00.120
<v Speaker 1>this is gonna be the biggest genre of music. Can

0:33:00.160 --> 0:33:01.720
<v Speaker 1>you years ago? Thank you by the way, you can

0:33:01.880 --> 0:33:06.560
<v Speaker 1>clap have proof of this. They have proof for this.

0:33:06.680 --> 0:33:09.000
<v Speaker 1>But what I'm saying is that was the first time

0:33:09.440 --> 0:33:11.320
<v Speaker 1>when when I was walking through the airport, it was

0:33:11.360 --> 0:33:14.920
<v Speaker 1>old yah daddy Yankee going down the Yankee and I'm

0:33:14.960 --> 0:33:17.520
<v Speaker 1>like yeah, and it was like it was like it

0:33:17.640 --> 0:33:20.600
<v Speaker 1>was ill because like you actually got to see you

0:33:20.880 --> 0:33:26.360
<v Speaker 1>tradeing audience. That's what expanding your audience is better said expect.

0:33:26.400 --> 0:33:28.719
<v Speaker 1>And that's what I think this very moment is right now,

0:33:28.920 --> 0:33:30.600
<v Speaker 1>Like you know what I'm saying, this is big for me.

0:33:30.680 --> 0:33:34.840
<v Speaker 1>That there's two other big moments for me. This is

0:33:34.880 --> 0:33:37.120
<v Speaker 1>because like I would like we were talking, I respect,

0:33:37.640 --> 0:33:41.160
<v Speaker 1>I respect people who make it. Y'all's point right, like

0:33:41.280 --> 0:33:44.360
<v Speaker 1>that we independent too, just so you know God, damnit,

0:33:44.440 --> 0:33:55.360
<v Speaker 1>we independent to God masters, the masters, you know what

0:33:55.400 --> 0:33:57.440
<v Speaker 1>I mean. But you know what else? I do everything

0:33:57.600 --> 0:33:59.760
<v Speaker 1>for the game and love of the game. I don't

0:33:59.760 --> 0:34:02.360
<v Speaker 1>really care about the points. I never did. I never

0:34:02.440 --> 0:34:04.080
<v Speaker 1>had a lot of people get rich and stop trying

0:34:04.600 --> 0:34:06.360
<v Speaker 1>because the rich and the money is the points. I

0:34:06.520 --> 0:34:09.279
<v Speaker 1>just loved the game, so I record because I love

0:34:09.360 --> 0:34:11.799
<v Speaker 1>the game. If I loved if I was only doing

0:34:11.880 --> 0:34:14.000
<v Speaker 1>this ship for the money, I would have stopped the

0:34:14.160 --> 0:34:17.279
<v Speaker 1>second that Fortress came out. Let me tell you it was.

0:34:17.400 --> 0:34:19.360
<v Speaker 1>It was clearly not for that. I paid my bills

0:34:19.400 --> 0:34:22.080
<v Speaker 1>one time for eighteen months in the Vans. One time.

0:34:22.280 --> 0:34:25.280
<v Speaker 1>It was like eighteen months. You know. My coundars suggested

0:34:25.320 --> 0:34:28.000
<v Speaker 1>it and paid my bills eighteen months in the Vans,

0:34:28.160 --> 0:34:30.960
<v Speaker 1>the most viserable time of my life. Why you like,

0:34:31.040 --> 0:34:33.080
<v Speaker 1>I gotta man, you gotta cut my A T and

0:34:33.120 --> 0:34:35.520
<v Speaker 1>T phone build off, and you gotta keep me straight.

0:34:35.840 --> 0:34:43.680
<v Speaker 1>You gotta keep me man. I when you lose your hustle,

0:34:43.719 --> 0:34:46.200
<v Speaker 1>like I lost my hustle, like realized, because that was

0:34:46.320 --> 0:34:48.160
<v Speaker 1>it was pointing. I was too content. I was so

0:34:48.600 --> 0:34:50.560
<v Speaker 1>I had everything like and it was like I had

0:34:50.600 --> 0:34:53.720
<v Speaker 1>six cars on bills paid for eighteen months. I literally

0:34:53.760 --> 0:34:55.880
<v Speaker 1>didn't know what to do. But that's my life. You know,

0:34:56.000 --> 0:34:58.400
<v Speaker 1>the track of bills is what it was. No, I

0:34:58.560 --> 0:35:00.840
<v Speaker 1>paid it eighteen months and want to track. If you

0:35:00.880 --> 0:35:03.640
<v Speaker 1>don't know that, you gotta pay. My thing is every month,

0:35:03.680 --> 0:35:06.200
<v Speaker 1>I gotta feel like I gotta make up you lost

0:35:06.440 --> 0:35:09.600
<v Speaker 1>when you when you lose that quota, you lose your hustle.

0:35:09.719 --> 0:35:12.000
<v Speaker 1>You don't realize let let me add see. But that

0:35:12.239 --> 0:35:15.040
<v Speaker 1>to me, that's point driven. My quota is my own

0:35:15.200 --> 0:35:19.319
<v Speaker 1>personal satisfaction. Like I need to feel like my jump

0:35:19.400 --> 0:35:23.520
<v Speaker 1>shot just improved every month. Like the money I know

0:35:23.960 --> 0:35:28.120
<v Speaker 1>is Anteller, that's right, whatever, But I understand that hustle too.

0:35:28.239 --> 0:35:31.360
<v Speaker 1>But then it's like to me like I'll never stop

0:35:31.480 --> 0:35:34.680
<v Speaker 1>because I'm never content with the level. I always think

0:35:34.800 --> 0:35:38.440
<v Speaker 1>my overall can go up. If I get to overall,

0:35:38.640 --> 0:35:39.920
<v Speaker 1>be like yeah, but I eventually, if I just go

0:35:40.040 --> 0:35:42.399
<v Speaker 1>hard on the studio, I'll be a hundred. That's will

0:35:42.520 --> 0:35:46.040
<v Speaker 1>keeps me going and you're still doing everything recording. I

0:35:46.120 --> 0:35:49.280
<v Speaker 1>still like now I have I've been working with other producers,

0:35:49.360 --> 0:35:51.440
<v Speaker 1>but yeah, know when it's like the studios in my house,

0:35:51.480 --> 0:35:52.879
<v Speaker 1>I didn't build it in my house. So I still

0:35:52.920 --> 0:35:57.799
<v Speaker 1>walk down said blue Frame. That was a wild night.

0:35:58.040 --> 0:36:00.960
<v Speaker 1>That was a wild Now you know who blue Frame is, right,

0:36:01.040 --> 0:36:04.239
<v Speaker 1>strip Atlanta's the best strip flem in Atlanta. I mean,

0:36:04.320 --> 0:36:09.680
<v Speaker 1>I know Magic City. I'm no Magic City to for Buflame.

0:36:10.239 --> 0:36:12.480
<v Speaker 1>You know what Magic City? Sometimes they'll be acting like

0:36:12.840 --> 0:36:15.080
<v Speaker 1>it's for the terrorists, like sometimes you know, I went

0:36:15.080 --> 0:36:16.839
<v Speaker 1>back and I'm not talking about the nineties Magic City.

0:36:16.840 --> 0:36:20.040
<v Speaker 1>Don't get It's like it's like Magic City was not

0:36:20.160 --> 0:36:22.520
<v Speaker 1>for the tourists. Well no, no, no, no, I'm saying

0:36:22.560 --> 0:36:24.640
<v Speaker 1>now like blue Flame is like more like you see

0:36:24.719 --> 0:36:27.960
<v Speaker 1>killing Mike there like that in the daytime by himself

0:36:28.000 --> 0:36:30.719
<v Speaker 1>with a midgic like for real. I don't know why

0:36:30.719 --> 0:36:34.120
<v Speaker 1>I said that. I don't know what. Let that ride

0:36:35.239 --> 0:36:39.239
<v Speaker 1>with the doorf is the correct world dof little people,

0:36:39.320 --> 0:36:42.799
<v Speaker 1>little people like yeah people, Okay, I'm not getting because

0:36:42.840 --> 0:36:46.600
<v Speaker 1>I'm gonna get canceled because the Dwarf. I have no idea.

0:36:46.640 --> 0:36:48.960
<v Speaker 1>What's your calls. I'm not saying anything though. You You

0:36:49.520 --> 0:36:52.040
<v Speaker 1>was like I was hating out with comic the other day,

0:36:52.160 --> 0:36:55.120
<v Speaker 1>right and j I don't know, now you hang out

0:36:55.160 --> 0:36:59.279
<v Speaker 1>with him? Just you gotta get over it. I'm just like,

0:37:00.000 --> 0:37:02.960
<v Speaker 1>I don't drink that. Did you guys figure that I

0:37:03.040 --> 0:37:07.640
<v Speaker 1>didn't ask, but he asked, But he said to me,

0:37:07.760 --> 0:37:09.560
<v Speaker 1>he said, to me, I asked my question. He said,

0:37:10.080 --> 0:37:14.920
<v Speaker 1>I'm the king. Uh, you know, avoiding controversy. Oh, that's

0:37:14.920 --> 0:37:17.520
<v Speaker 1>why he's not coming on. Drink. Just don't listen. It's

0:37:17.560 --> 0:37:20.320
<v Speaker 1>about drink chance. But he said, I'm the kid on

0:37:20.480 --> 0:37:23.840
<v Speaker 1>contrary contrary to the way, he said, you're almost like

0:37:23.880 --> 0:37:26.560
<v Speaker 1>the exact opposite. For sure, I'll tell you, you know,

0:37:27.040 --> 0:37:28.799
<v Speaker 1>he said he's the king. He said, he's the king

0:37:28.880 --> 0:37:33.040
<v Speaker 1>of a boarding like I'll welcome it because if if

0:37:33.200 --> 0:37:36.080
<v Speaker 1>when the dust settles, the truth still remains, which it

0:37:36.080 --> 0:37:38.359
<v Speaker 1>always does when I'm down and I got I got

0:37:38.440 --> 0:37:40.640
<v Speaker 1>my fans, so I have confidence and I find solace

0:37:40.719 --> 0:37:43.439
<v Speaker 1>and faith in that, like y'all can't do. Y'all can't

0:37:43.480 --> 0:37:47.759
<v Speaker 1>take that away from me. Whatever happens, it's pulling on

0:37:47.800 --> 0:37:52.000
<v Speaker 1>the drink. He said that four times. Come on and

0:37:52.080 --> 0:37:58.320
<v Speaker 1>then talk him on. That's good, he's into the interview.

0:37:58.360 --> 0:38:00.640
<v Speaker 1>You say that into the interview, what I do. I

0:38:00.680 --> 0:38:03.000
<v Speaker 1>really want to make that point for the for everyone watching,

0:38:03.080 --> 0:38:05.720
<v Speaker 1>like it's really about the game and not the points

0:38:05.719 --> 0:38:07.520
<v Speaker 1>like I feel like this NBA players who will play

0:38:07.520 --> 0:38:09.959
<v Speaker 1>for free, those wants to get rings, like I feel

0:38:09.960 --> 0:38:12.719
<v Speaker 1>like Kobe would have played for free and now the

0:38:12.800 --> 0:38:16.480
<v Speaker 1>money is they still got to You have to win

0:38:17.160 --> 0:38:20.400
<v Speaker 1>in order to leave. People don't want to lead a

0:38:20.520 --> 0:38:23.719
<v Speaker 1>follow up person, right, bro, I don't even have But

0:38:24.000 --> 0:38:27.040
<v Speaker 1>you think you all in love with the game. I

0:38:27.040 --> 0:38:31.120
<v Speaker 1>don't feel like you saw us as an example. Yeah,

0:38:31.160 --> 0:38:33.560
<v Speaker 1>we did this for eight months, not a child, nine months,

0:38:33.680 --> 0:38:41.839
<v Speaker 1>nine months? Big want to check and what we knew,

0:38:41.960 --> 0:38:44.960
<v Speaker 1>we knew, we knew what we need, then we knew

0:38:45.000 --> 0:38:47.040
<v Speaker 1>what we loved, what we were doing. What I'm saying,

0:38:47.080 --> 0:38:50.799
<v Speaker 1>that's look, that's beyond everything. That's what matters. What I'm saying.

0:38:51.520 --> 0:38:56.040
<v Speaker 1>You're right, well, that's why I like, that's why instantly

0:38:56.120 --> 0:38:59.920
<v Speaker 1>down for this, not because of the points, not as

0:39:00.000 --> 0:39:04.520
<v Speaker 1>anyone around me did. I Karen symbol too, Shoutoutli was

0:39:04.560 --> 0:39:15.279
<v Speaker 1>a superhero. She's a superwoman with woman, any woman, she's

0:39:15.280 --> 0:39:18.320
<v Speaker 1>a superhero for real. What the reason why I did this?

0:39:18.520 --> 0:39:19.839
<v Speaker 1>Like I said, you can ask her, you guys, ask

0:39:19.880 --> 0:39:23.040
<v Speaker 1>anyone around me. I never once said, well how many views?

0:39:23.200 --> 0:39:26.000
<v Speaker 1>Is that? It wasn't about the point. It was about, Nah,

0:39:26.239 --> 0:39:28.880
<v Speaker 1>I love the game of the ship and I love

0:39:29.000 --> 0:39:31.520
<v Speaker 1>to play and I love I love ship that I

0:39:31.600 --> 0:39:33.040
<v Speaker 1>just funk with. So if I just sunk with it,

0:39:33.120 --> 0:39:35.200
<v Speaker 1>I do it, no question. I've been fuck with me. Also,

0:39:35.520 --> 0:39:37.920
<v Speaker 1>it wasn't about, oh, well, can you tell me to

0:39:38.080 --> 0:39:40.160
<v Speaker 1>reach one type of promote? I don't give a fuck.

0:39:40.200 --> 0:39:43.719
<v Speaker 1>It's not like one or two fans. But it's like

0:39:43.880 --> 0:39:45.920
<v Speaker 1>it doesn't matter you feel me because like I just

0:39:45.960 --> 0:39:47.920
<v Speaker 1>feel like when you love the game, if I love

0:39:48.000 --> 0:39:49.239
<v Speaker 1>to go to the gym and work on my jump

0:39:49.280 --> 0:39:51.880
<v Speaker 1>shot for the sake of loving my jump shot. This

0:39:51.960 --> 0:39:54.200
<v Speaker 1>is why I say Steph Curry's sucking. People love Steph

0:39:54.280 --> 0:39:57.640
<v Speaker 1>Curry's dad was in the NBA. So Steph Curry is

0:39:57.680 --> 0:40:00.000
<v Speaker 1>so good at basketball not because he needed to make money.

0:40:00.320 --> 0:40:02.400
<v Speaker 1>He's so good at basketball because he really just actually

0:40:02.440 --> 0:40:04.640
<v Speaker 1>knows basketball. He wants to overprove himself. Let me just

0:40:05.360 --> 0:40:07.719
<v Speaker 1>get in the game, not the point. So look, and

0:40:07.800 --> 0:40:11.480
<v Speaker 1>it's the patient. I'm sorry for this shot, brother, So

0:40:11.600 --> 0:40:15.800
<v Speaker 1>this is about this research. Listen, you know, please in

0:40:15.960 --> 0:40:19.040
<v Speaker 1>our show, we celebrate your motherfucking life while you're here.

0:40:19.160 --> 0:40:20.560
<v Speaker 1>We don't want you to go away and be like

0:40:20.800 --> 0:40:23.520
<v Speaker 1>this motherfucker saw the Staples Center and we didn't tell him.

0:40:23.560 --> 0:40:26.600
<v Speaker 1>How proud of to your motherfucking face, we are proud

0:40:26.640 --> 0:40:28.920
<v Speaker 1>of you, brother. We see you come people. Let's come

0:40:28.920 --> 0:40:31.200
<v Speaker 1>in this motherfucking game, stop this ship out and we

0:40:31.640 --> 0:40:33.560
<v Speaker 1>respect you and we got your motherfucking back. So I

0:40:33.680 --> 0:40:39.560
<v Speaker 1>lout to each other, it's not that bad because he drink,

0:40:39.600 --> 0:40:47.160
<v Speaker 1>he drinks away, he wants more, he wants more later. Yeah,

0:40:47.600 --> 0:40:52.359
<v Speaker 1>kind of like second another one, but keeping but get

0:40:52.440 --> 0:40:56.319
<v Speaker 1>him the same amount you gave me, bro, just keeping

0:40:56.400 --> 0:41:01.520
<v Speaker 1>eating this time. I'm out at that. So it's crazy.

0:41:01.560 --> 0:41:03.200
<v Speaker 1>When we first met each other, I was the big guy,

0:41:03.360 --> 0:41:06.759
<v Speaker 1>never drinking and then I hate now I hate hate,

0:41:10.080 --> 0:41:12.239
<v Speaker 1>but he drinks dezotic bears. He drinks this, and he'd

0:41:12.239 --> 0:41:25.759
<v Speaker 1>be drinking kinda kinda kinda let's be honest kindikin and

0:41:25.880 --> 0:41:31.400
<v Speaker 1>cords like everything I've been bringing. Were you from New

0:41:31.480 --> 0:41:36.680
<v Speaker 1>York City? Like Stella was desotic? Bro, that's you're all

0:41:36.760 --> 0:41:38.400
<v Speaker 1>that Stella they come with the orange thing on it.

0:41:38.480 --> 0:41:43.759
<v Speaker 1>That's my mother, listen, I mean from New York City? Yeah,

0:41:44.120 --> 0:41:49.439
<v Speaker 1>god mother, kind of kid buddy wins and cords like, yeah,

0:41:49.440 --> 0:41:51.120
<v Speaker 1>I ever tell you you know what I got was

0:41:51.200 --> 0:41:54.960
<v Speaker 1>like story with big pun Big story. Big Punt used

0:41:54.960 --> 0:41:58.040
<v Speaker 1>to make everybody walk in his session, drink a Holese

0:41:58.120 --> 0:42:01.800
<v Speaker 1>Cords light and then a fucking hens. Yeah, but this

0:42:01.960 --> 0:42:03.920
<v Speaker 1>was horrible because this it was just it was an

0:42:04.000 --> 0:42:06.560
<v Speaker 1>engineer guy. He walks in you can tell us engineer

0:42:06.920 --> 0:42:09.600
<v Speaker 1>and scared the death because punish, you know, and he

0:42:09.640 --> 0:42:11.480
<v Speaker 1>got a gun on his waist. He's like, it's kind

0:42:11.520 --> 0:42:14.520
<v Speaker 1>of crazy guy, but he's so funny that you you

0:42:14.640 --> 0:42:19.839
<v Speaker 1>forget that he's crazy, so so funny goes to the guy. Um,

0:42:20.640 --> 0:42:22.560
<v Speaker 1>you know, everybody got to do it. So he makes

0:42:22.920 --> 0:42:25.800
<v Speaker 1>you ll drink a cause like most horrible thing in

0:42:25.800 --> 0:42:28.240
<v Speaker 1>the world. You gotta piss me a bottle, no camp,

0:42:29.320 --> 0:42:31.680
<v Speaker 1>the whole joint, the whole joint, and you take a

0:42:31.719 --> 0:42:33.640
<v Speaker 1>shot of Hennessey and then he just let you go.

0:42:34.280 --> 0:42:37.560
<v Speaker 1>That's terrible. And then got intro. I mean, if you

0:42:37.640 --> 0:42:39.760
<v Speaker 1>think about it, to the head, to the head together,

0:42:40.120 --> 0:42:47.320
<v Speaker 1>to the head engineer. I feel so sorry for the

0:42:47.400 --> 0:42:49.600
<v Speaker 1>engineer because the engineers looking at it. He had to

0:42:49.640 --> 0:42:53.480
<v Speaker 1>do it to everybody had to do. He me like,

0:42:53.600 --> 0:42:57.960
<v Speaker 1>nor drink at all, and I'm like, I'm not paying

0:42:58.000 --> 0:43:07.719
<v Speaker 1>you haven't years, I can't do the shot. I can't

0:43:07.760 --> 0:43:15.520
<v Speaker 1>front he had like that recovering. I'm just saying, there

0:43:15.600 --> 0:43:20.239
<v Speaker 1>was wonderful stories. I got onto Medelo's by this Venezuelan chicken.

0:43:20.280 --> 0:43:26.919
<v Speaker 1>Brooklyn was this restaurant soundstic she was, she was okay

0:43:27.040 --> 0:43:29.799
<v Speaker 1>venezuellow because there was this shout out to kids. Super

0:43:29.840 --> 0:43:31.840
<v Speaker 1>One of my homies has his own clothing grand company,

0:43:31.840 --> 0:43:34.719
<v Speaker 1>whole thing in Williamsburg, and I was. I would go

0:43:34.800 --> 0:43:36.160
<v Speaker 1>up there for months on end and make a lot

0:43:36.200 --> 0:43:38.120
<v Speaker 1>of songs and whatever. He had a studio in the

0:43:38.160 --> 0:43:40.400
<v Speaker 1>basement and I would sleep on the couch. There's no windows,

0:43:41.239 --> 0:43:43.920
<v Speaker 1>you know. I talking about that grind baby, Yeah, like

0:43:44.120 --> 0:43:46.120
<v Speaker 1>it was. There was a Chinese spot around the corner

0:43:46.160 --> 0:43:49.000
<v Speaker 1>that I would just get food from for five dollars,

0:43:49.360 --> 0:43:51.120
<v Speaker 1>like twice a day, and then someone spot me on

0:43:51.200 --> 0:43:54.520
<v Speaker 1>the deli sandwich. There was this restaurant across the street

0:43:54.520 --> 0:43:58.480
<v Speaker 1>called Mexico to dollars that had all these Venezuelan girls.

0:43:58.520 --> 0:44:01.799
<v Speaker 1>They were definitely on the pain, which I than with Venezuela. Yeah,

0:44:01.840 --> 0:44:04.080
<v Speaker 1>so this is why I chucked up. So it was

0:44:04.120 --> 0:44:06.960
<v Speaker 1>Mexico two thousand, y'all underpaying the Venezuelan girls, you know,

0:44:08.400 --> 0:44:13.760
<v Speaker 1>we know. No, that was a restaurant reshap bang crazy

0:44:14.000 --> 0:44:17.440
<v Speaker 1>waitresses though done bad. So like there was a fleet

0:44:17.440 --> 0:44:20.480
<v Speaker 1>offul so there was like six of us across the

0:44:20.560 --> 0:44:23.080
<v Speaker 1>street where like, well I just high, like you know

0:44:23.120 --> 0:44:25.640
<v Speaker 1>what I mean. So there was there was one girl

0:44:25.760 --> 0:44:29.520
<v Speaker 1>who put me onto Modela's and also taught me just

0:44:29.719 --> 0:44:31.200
<v Speaker 1>like the only thing I need to know in Spanish,

0:44:31.239 --> 0:44:34.520
<v Speaker 1>which is taught you to will you marry them? I

0:44:34.640 --> 0:44:39.960
<v Speaker 1>have used that information take care of this guy side

0:44:39.960 --> 0:44:41.719
<v Speaker 1>of com me. That's all my Spanish women, not that

0:44:41.800 --> 0:44:46.400
<v Speaker 1>you feel me. Shout out to the I swear you Spanish,

0:44:47.800 --> 0:45:02.279
<v Speaker 1>honestly somewhere possibly again time my career. Yeah, you really

0:45:02.360 --> 0:45:07.680
<v Speaker 1>go right into another conversation. It's boosting me up. Come on.

0:45:07.800 --> 0:45:11.799
<v Speaker 1>It gave a throw down because it was a time

0:45:11.840 --> 0:45:15.279
<v Speaker 1>in my career I just got off a major. Yeah,

0:45:16.160 --> 0:45:20.480
<v Speaker 1>I did another independent thing and I didn't like it.

0:45:21.120 --> 0:45:25.279
<v Speaker 1>And my only route mhmm was to keep continuing with

0:45:25.400 --> 0:45:29.520
<v Speaker 1>my fans was tune core. Wow, I love this. Yeah,

0:45:29.560 --> 0:45:33.560
<v Speaker 1>I don't even know this tune call. But I made

0:45:33.640 --> 0:45:37.160
<v Speaker 1>no money on two cords what years? This This was

0:45:37.200 --> 0:45:40.160
<v Speaker 1>just like it's just it's like for your queens, get

0:45:40.200 --> 0:45:42.960
<v Speaker 1>the money I think this was like you didn't let

0:45:43.040 --> 0:45:45.880
<v Speaker 1>your finger involved. No. No, What it is is, my

0:45:46.000 --> 0:45:49.120
<v Speaker 1>point of bringing that up is having your music on

0:45:49.280 --> 0:45:52.799
<v Speaker 1>tune Core. It's equivalent to be independent to having your

0:45:52.880 --> 0:45:56.640
<v Speaker 1>music and costcos having a product in costcos. What I

0:45:56.760 --> 0:46:00.080
<v Speaker 1>mean by that is having your product and costcos is

0:46:00.120 --> 0:46:04.560
<v Speaker 1>a big fucking deal. But people didn't. But people still

0:46:04.560 --> 0:46:05.960
<v Speaker 1>have to buy it, people still have to see it,

0:46:06.040 --> 0:46:08.560
<v Speaker 1>people who staid. So that's the part that I didn't get.

0:46:09.239 --> 0:46:11.480
<v Speaker 1>I have threw out a couple of records before Empire,

0:46:11.920 --> 0:46:14.480
<v Speaker 1>years before Empire. Yes, so I threw out the records

0:46:14.520 --> 0:46:17.200
<v Speaker 1>expecting people to just because I'm Nori, I'm a platinum artist.

0:46:17.400 --> 0:46:20.080
<v Speaker 1>I have went platinum before. I wouldn't go before. I

0:46:20.120 --> 0:46:23.080
<v Speaker 1>didn't promote it. I didn't understand that. No marketing, no promotion,

0:46:23.160 --> 0:46:30.320
<v Speaker 1>no marketing, distribution, not even just yea just to but

0:46:31.160 --> 0:46:34.120
<v Speaker 1>we didn't have it wasn't Spotify back then, just I

0:46:34.440 --> 0:46:38.879
<v Speaker 1>wounds and SoundCloud wasn't even Yeah, we're gonna talk about

0:46:38.880 --> 0:46:41.480
<v Speaker 1>sound clouds. He's a kick of SoundCloud, but I haven't.

0:46:42.000 --> 0:46:44.360
<v Speaker 1>So what I'm trying to say is people don't understand

0:46:44.560 --> 0:46:48.399
<v Speaker 1>how hard it is because tone call anybody you're all

0:46:48.520 --> 0:46:50.839
<v Speaker 1>on the same level. Well, t cores chapter two. That's

0:46:50.840 --> 0:46:54.400
<v Speaker 1>the thing. Two cores Chapter two. Chapter one is understanding

0:46:54.440 --> 0:46:57.360
<v Speaker 1>how to market your own product, which is like because,

0:46:57.440 --> 0:46:59.600
<v Speaker 1>like you said, tone cords are like having your shi

0:47:00.000 --> 0:47:03.320
<v Speaker 1>scored like Chae. Really it's like having your ship in

0:47:03.440 --> 0:47:07.160
<v Speaker 1>Costco in every city and every town everywhere in the world.

0:47:07.760 --> 0:47:10.719
<v Speaker 1>That's what it's really like. But nobody knows nobody, right,

0:47:10.920 --> 0:47:13.440
<v Speaker 1>So then you gotta learn kind of what works, which

0:47:13.480 --> 0:47:14.919
<v Speaker 1>is what took me a long time too. I could

0:47:15.000 --> 0:47:16.640
<v Speaker 1>put in my tune Core right now is making twenty

0:47:16.680 --> 0:47:21.080
<v Speaker 1>cents thirty cents a dolly. It wasn't like second like

0:47:21.120 --> 0:47:23.960
<v Speaker 1>what much I was a millionaire. It was five four

0:47:24.040 --> 0:47:32.120
<v Speaker 1>or five years of max quarters. Well, I was putting,

0:47:32.200 --> 0:47:34.400
<v Speaker 1>so this is what I was doing it. First I

0:47:34.480 --> 0:47:38.320
<v Speaker 1>put out eleven projects, all self produced, everything right, not

0:47:38.520 --> 0:47:40.880
<v Speaker 1>on SoundCloud. This is when like it was, it was

0:47:40.960 --> 0:47:45.040
<v Speaker 1>fucking like media fire, just these random no SoundCloud, file

0:47:45.120 --> 0:47:47.919
<v Speaker 1>sharing ship yeah, Apple, yeah, file sharing ship. Apple music

0:47:48.040 --> 0:47:51.319
<v Speaker 1>was not out, uh like you send the type ship

0:47:51.600 --> 0:47:53.640
<v Speaker 1>you know, like yeah, literally that's the ship. But I

0:47:53.640 --> 0:47:55.600
<v Speaker 1>would put it on tune Core and they would distribute

0:47:55.600 --> 0:47:57.839
<v Speaker 1>it to the DSPs that were available, but I would

0:47:57.840 --> 0:48:00.840
<v Speaker 1>never promote those links because my goal to get heard,

0:48:01.320 --> 0:48:04.600
<v Speaker 1>not get bought. I wanted to get heard, so I

0:48:04.640 --> 0:48:06.360
<v Speaker 1>would never promote It was there if you want it

0:48:06.400 --> 0:48:08.759
<v Speaker 1>and you stumble on it, God bless you, feel me.

0:48:08.840 --> 0:48:11.719
<v Speaker 1>But that was not it. Uh So that was to

0:48:13.280 --> 0:48:15.920
<v Speaker 1>and I'm like, yeah, I've done eleven projects and I

0:48:16.000 --> 0:48:17.959
<v Speaker 1>still have a thousand followers, so I need to switch

0:48:18.000 --> 0:48:21.160
<v Speaker 1>some up. Most people will quit. I was like, no,

0:48:21.320 --> 0:48:24.319
<v Speaker 1>I know, I'm ill self believe I need to need

0:48:24.360 --> 0:48:26.200
<v Speaker 1>to switch it up. And I realized, like people are

0:48:26.239 --> 0:48:28.640
<v Speaker 1>not trying to hear an album from someone they don't know,

0:48:28.880 --> 0:48:31.040
<v Speaker 1>but people are always down to click on the first song.

0:48:31.400 --> 0:48:33.080
<v Speaker 1>So I was like, cool, I'm gonna drop one song

0:48:33.200 --> 0:48:36.800
<v Speaker 1>albums every week until I blow up one song album,

0:48:36.840 --> 0:48:39.040
<v Speaker 1>which is like why every song I had a different hort.

0:48:39.280 --> 0:48:42.320
<v Speaker 1>We we had that whole uh esthetic on deck. But

0:48:42.440 --> 0:48:43.800
<v Speaker 1>I put out a song every week for two and

0:48:43.800 --> 0:48:47.040
<v Speaker 1>a half years. So but it was like a single

0:48:47.160 --> 0:48:50.600
<v Speaker 1>every single every week on sounding Now I was using SoundCloud.

0:48:50.840 --> 0:48:53.560
<v Speaker 1>That was my main promotion. But you know then on

0:48:53.640 --> 0:48:56.560
<v Speaker 1>my social media is I would put up h a

0:48:56.600 --> 0:48:58.800
<v Speaker 1>little like selfie videos of me singing this ship or

0:48:58.840 --> 0:49:01.080
<v Speaker 1>wrapping the ship because I'm my slow you know what

0:49:01.120 --> 0:49:03.080
<v Speaker 1>I'm saying. I'm gonna use my looks to my advantage.

0:49:03.080 --> 0:49:05.400
<v Speaker 1>You feel me. I know it's up. Like if y'all y,

0:49:05.680 --> 0:49:06.960
<v Speaker 1>I don't know what to tell you, but I knew

0:49:07.000 --> 0:49:09.560
<v Speaker 1>what periods, So like I was like, cool, if I'm

0:49:09.680 --> 0:49:12.400
<v Speaker 1>if I'm dropping some singing ship, I might put up

0:49:12.440 --> 0:49:15.000
<v Speaker 1>itself like I'm on something by any means necessary had

0:49:15.000 --> 0:49:17.320
<v Speaker 1>a thousand followers, so like I'm trying to get on,

0:49:17.560 --> 0:49:19.319
<v Speaker 1>so I would put up these selfing videos or whatever.

0:49:19.360 --> 0:49:22.200
<v Speaker 1>I would trying to do all this, Uh, just stayed

0:49:22.560 --> 0:49:25.760
<v Speaker 1>so locked into the social media to try and promote.

0:49:26.000 --> 0:49:27.600
<v Speaker 1>And it didn't work on the first week, didn't work

0:49:27.600 --> 0:49:29.360
<v Speaker 1>on the second, didn't work on the twenty five. But

0:49:29.680 --> 0:49:31.680
<v Speaker 1>I made sure before I even dropped that first song

0:49:31.800 --> 0:49:33.839
<v Speaker 1>that I had twenty five songs because I always said

0:49:33.960 --> 0:49:35.680
<v Speaker 1>twenty six, because I always said I want to have

0:49:35.800 --> 0:49:37.439
<v Speaker 1>half the I want to be half a year ahead

0:49:37.440 --> 0:49:40.600
<v Speaker 1>of y'all. When you think it's the week in a

0:49:40.680 --> 0:49:42.640
<v Speaker 1>roll rush, damn, you must be slowing up. No, I've

0:49:42.640 --> 0:49:45.160
<v Speaker 1>been had twenty six. I got another twenty six. What

0:49:45.320 --> 0:49:47.680
<v Speaker 1>made what made you not give up? Because because I

0:49:47.800 --> 0:49:49.640
<v Speaker 1>thought I was so ill and I was in love

0:49:49.719 --> 0:49:53.480
<v Speaker 1>with the game, but I had to be something to

0:49:53.600 --> 0:49:55.400
<v Speaker 1>make you say, I'm gonna stick with it like that.

0:49:56.080 --> 0:49:59.319
<v Speaker 1>It's it's just it's it's that, it's that thing that's

0:49:59.360 --> 0:50:02.120
<v Speaker 1>like and I like, I'm so obsessed with it, and

0:50:02.200 --> 0:50:04.919
<v Speaker 1>I have to proving you're wrong. I had to prove

0:50:05.000 --> 0:50:08.799
<v Speaker 1>myself right. I couldn't sleep with the fact of giving

0:50:08.920 --> 0:50:11.360
<v Speaker 1>up now when I know that I could do it.

0:50:11.600 --> 0:50:15.040
<v Speaker 1>But what what taught you? Consistency though, like the idea

0:50:15.160 --> 0:50:19.160
<v Speaker 1>of because doing in this, in this that WoT you

0:50:19.160 --> 0:50:21.000
<v Speaker 1>answer him? Let me just tell you something because the

0:50:21.080 --> 0:50:24.760
<v Speaker 1>person from my error the reason why you guys are genius.

0:50:24.920 --> 0:50:31.480
<v Speaker 1>From your errors, you'll understood the artists to consumer, we

0:50:31.600 --> 0:50:35.560
<v Speaker 1>didn't know that my day. Um like trying of back

0:50:35.840 --> 0:50:38.120
<v Speaker 1>what you're just saying. My day we had to actually

0:50:38.239 --> 0:50:41.279
<v Speaker 1>go to a label to the find our audience. What

0:50:42.400 --> 0:50:45.200
<v Speaker 1>quality was so much better because there was gatekeepers and

0:50:45.280 --> 0:50:47.440
<v Speaker 1>it wasn't so easy to just get on. So this

0:50:47.560 --> 0:50:50.080
<v Speaker 1>pros and cons of both things. Because back then, for

0:50:50.200 --> 0:50:53.160
<v Speaker 1>you to even be heard by me at seven years old,

0:50:53.200 --> 0:50:56.600
<v Speaker 1>you had to be ill. You know what I'm saying now,

0:50:56.680 --> 0:51:00.920
<v Speaker 1>it's just kind of like you can upload zhone the camera. Guys,

0:51:00.960 --> 0:51:06.839
<v Speaker 1>you might be fired, but Minnesota and anyone in New York.

0:51:07.160 --> 0:51:09.600
<v Speaker 1>But I learned from my mistakes. I learned from Yo.

0:51:09.719 --> 0:51:12.280
<v Speaker 1>I dropped eleven projects that I feel like a fired,

0:51:12.360 --> 0:51:14.239
<v Speaker 1>but they didn't do anything, and so I had to

0:51:14.280 --> 0:51:16.520
<v Speaker 1>take a step back and understand why didn't they do anything.

0:51:16.600 --> 0:51:18.560
<v Speaker 1>It wasn't the wet which is the music. It was

0:51:18.640 --> 0:51:20.279
<v Speaker 1>the how it was how it was putting them out.

0:51:20.360 --> 0:51:22.880
<v Speaker 1>Because one of those songs on my eighth mixtape is Gold,

0:51:23.400 --> 0:51:26.400
<v Speaker 1>was being consumed. Yeah, how how I was delivering it?

0:51:26.800 --> 0:51:28.640
<v Speaker 1>Because you can't tell me that a song that is

0:51:28.680 --> 0:51:31.280
<v Speaker 1>now Gold, that was off my eighth of eleven mixtapes

0:51:31.800 --> 0:51:33.560
<v Speaker 1>wasn't fired. Then it was the same song. It was

0:51:33.640 --> 0:51:35.800
<v Speaker 1>just that it wasn't It didn't have the light on it.

0:51:35.880 --> 0:51:37.800
<v Speaker 1>So I had to go and figure out how to

0:51:37.840 --> 0:51:40.919
<v Speaker 1>garner attention. And I knew albums at that point after

0:51:41.000 --> 0:51:43.640
<v Speaker 1>eleven times that was not it, So I was like cool.

0:51:44.239 --> 0:51:47.480
<v Speaker 1>I noticed that whenever an artist dropped an album on SoundCloud,

0:51:48.480 --> 0:51:51.120
<v Speaker 1>the first song had the most place and they would

0:51:51.160 --> 0:51:53.839
<v Speaker 1>go down by that. The second song had less, third less,

0:51:54.400 --> 0:51:56.400
<v Speaker 1>and then one might stick out because it's a big feature.

0:51:56.719 --> 0:51:59.600
<v Speaker 1>But it was traditionally usually the first song I had

0:51:59.600 --> 0:52:02.880
<v Speaker 1>the most first song on the playlist whatever it is,

0:52:03.000 --> 0:52:05.480
<v Speaker 1>playlist album. Yeah, when the artists was dropping an album,

0:52:05.480 --> 0:52:07.359
<v Speaker 1>the first song had the most plays. So I learned.

0:52:07.400 --> 0:52:09.560
<v Speaker 1>I was like, okay, cool, that just means that everyone

0:52:09.680 --> 0:52:11.680
<v Speaker 1>is down to listen to one song. So I'll just

0:52:11.760 --> 0:52:14.920
<v Speaker 1>dropped one song over and over again until it blows up.

0:52:15.920 --> 0:52:18.200
<v Speaker 1>And so you were like, fuck putting out the whole

0:52:18.239 --> 0:52:21.319
<v Speaker 1>project just its first first. Oh yeah, they're all gonna

0:52:21.360 --> 0:52:24.120
<v Speaker 1>be first all first, I'm dropping the first song on

0:52:24.200 --> 0:52:27.040
<v Speaker 1>an album every week, so that's what it was. But

0:52:27.200 --> 0:52:29.840
<v Speaker 1>I knew that I was always an album artist, so

0:52:30.120 --> 0:52:33.120
<v Speaker 1>I knew to have an album on the side because

0:52:33.120 --> 0:52:36.239
<v Speaker 1>I didn't want to blow up. Oh yeah. So the

0:52:36.320 --> 0:52:39.120
<v Speaker 1>second I decided to do that, I had an album

0:52:39.200 --> 0:52:41.360
<v Speaker 1>on the side of fourteen songs, and I had twenty

0:52:41.400 --> 0:52:43.600
<v Speaker 1>five songs I was down to put out right, So

0:52:43.719 --> 0:52:46.640
<v Speaker 1>at that point I'm playing chess. I'm super prepared because

0:52:46.920 --> 0:52:49.520
<v Speaker 1>if one of these twenty five blows up, here's the album,

0:52:49.520 --> 0:52:51.000
<v Speaker 1>because I didn't want to miss the moment because I've

0:52:51.000 --> 0:52:53.160
<v Speaker 1>seen the artists who blow up and then scramble and

0:52:53.239 --> 0:52:55.239
<v Speaker 1>rush around and wait three years to put out. Now

0:52:55.360 --> 0:52:57.200
<v Speaker 1>they don't have ship, so I was like, let me

0:52:57.239 --> 0:53:01.600
<v Speaker 1>make sure I have an album. Is cash money is

0:53:01.719 --> 0:53:04.319
<v Speaker 1>universal calling, you know, like the only people who called

0:53:04.320 --> 0:53:06.200
<v Speaker 1>and shout out to them, and I always pick them up,

0:53:06.239 --> 0:53:07.800
<v Speaker 1>even if I don't sunk with the companies like that,

0:53:07.920 --> 0:53:10.239
<v Speaker 1>but I always pick them up because they did reach out.

0:53:10.600 --> 0:53:13.640
<v Speaker 1>It was it was Atlantic, It was Jeff Vaughn specifically

0:53:14.080 --> 0:53:16.200
<v Speaker 1>who I think it's at APG, and it was a

0:53:16.520 --> 0:53:19.239
<v Speaker 1>dame from from Volume and also Brian Johnson who was

0:53:19.280 --> 0:53:21.279
<v Speaker 1>at Atlantic. But that was it, you know what I mean.

0:53:21.360 --> 0:53:23.640
<v Speaker 1>And then you never sucked and we we kind of

0:53:23.680 --> 0:53:26.560
<v Speaker 1>brought u up outside with strange music and technolog in them.

0:53:26.960 --> 0:53:30.520
<v Speaker 1>So all you talk about I respected so much, But

0:53:30.600 --> 0:53:32.919
<v Speaker 1>it's like I always knew that I wanted to create

0:53:32.960 --> 0:53:34.160
<v Speaker 1>my own thing. I don't want to go be a

0:53:34.200 --> 0:53:36.200
<v Speaker 1>part of your thing. But you knew about their things. Yeah,

0:53:36.280 --> 0:53:40.360
<v Speaker 1>come on, we knew it was not your strategy. Reminds

0:53:40.400 --> 0:53:43.160
<v Speaker 1>me of him, Yeah, yeah, strategy obviously you do it

0:53:43.239 --> 0:53:46.799
<v Speaker 1>your way way. But we were talking about outside, right, Yeah,

0:53:46.880 --> 0:53:48.759
<v Speaker 1>not like we always knew about him, you know what

0:53:48.800 --> 0:53:51.960
<v Speaker 1>I'm saying, so um, but I like I learned that,

0:53:52.040 --> 0:53:53.680
<v Speaker 1>you know what, I need to take a step back

0:53:53.719 --> 0:53:56.960
<v Speaker 1>and really map this out and plot. Like I said, so,

0:53:57.000 --> 0:53:58.799
<v Speaker 1>I had the album on the side, and I had

0:54:00.040 --> 0:54:02.399
<v Speaker 1>songs in the vault before I put out my first

0:54:02.440 --> 0:54:04.879
<v Speaker 1>song on SoundCloud. Right, But what made you not want

0:54:04.920 --> 0:54:08.040
<v Speaker 1>to go to a unit like you said? Well, because

0:54:08.320 --> 0:54:12.520
<v Speaker 1>because I studied this ship. Bro. I watched every breakfast club,

0:54:12.560 --> 0:54:15.520
<v Speaker 1>I watched every everything, Like I wasn't just going into

0:54:15.560 --> 0:54:17.600
<v Speaker 1>this blind. That's why I don't feel bad for artists

0:54:17.600 --> 0:54:20.720
<v Speaker 1>who get taken advantage of nineteen. There's too much information,

0:54:22.120 --> 0:54:25.280
<v Speaker 1>so like you'll want to all play their victim mentality.

0:54:25.320 --> 0:54:28.120
<v Speaker 1>It's like, nah, bro, like you're just an idiot, And

0:54:28.200 --> 0:54:31.480
<v Speaker 1>I don't feel bad for idiots. I really don't. I'm not.

0:54:31.719 --> 0:54:34.080
<v Speaker 1>You know what if that's if that's one of my flaws.

0:54:34.239 --> 0:54:37.160
<v Speaker 1>I don't have compassion for stupid an so fucking it

0:54:39.200 --> 0:54:41.920
<v Speaker 1>slow ceriously. Yeah. So it's like you've got people like

0:54:42.000 --> 0:54:46.360
<v Speaker 1>de so apartment that here and had to deal with contracts.

0:54:46.400 --> 0:54:50.080
<v Speaker 1>But as a different time, different times, I'm talking about

0:54:50.080 --> 0:54:54.680
<v Speaker 1>these two year olds get taking back. It's insane. You

0:54:54.719 --> 0:54:57.680
<v Speaker 1>can google everything that everything you need to know you

0:54:57.760 --> 0:54:59.719
<v Speaker 1>can get you can get the information. But so I

0:54:59.840 --> 0:55:02.360
<v Speaker 1>was doing that, and like I said, it wasn't the

0:55:02.400 --> 0:55:06.520
<v Speaker 1>twenties song song. But when you're doing here's here's another

0:55:06.560 --> 0:55:10.560
<v Speaker 1>thing that people overlook. Those eleven projects were me, uh

0:55:10.960 --> 0:55:13.759
<v Speaker 1>practicing my jump shot to the point I always looking

0:55:13.760 --> 0:55:15.239
<v Speaker 1>at it like a video game, almost like I was

0:55:15.280 --> 0:55:17.279
<v Speaker 1>a sixty overall on that first project. That's what you

0:55:17.360 --> 0:55:18.759
<v Speaker 1>start out when you create a player in the video.

0:55:19.400 --> 0:55:21.880
<v Speaker 1>By the time I was even putting out songs on SoundCloud,

0:55:22.200 --> 0:55:24.439
<v Speaker 1>I had mastered the craft to certainly I was eighty

0:55:24.560 --> 0:55:27.640
<v Speaker 1>four you feel me like I was. I was formidable.

0:55:27.640 --> 0:55:30.600
<v Speaker 1>Any song at that point could have gone right, and

0:55:30.680 --> 0:55:32.800
<v Speaker 1>maybe it was a ninety I'm for once of you humble,

0:55:35.280 --> 0:55:39.239
<v Speaker 1>you know what I'm saying. But but so every song

0:55:39.320 --> 0:55:42.040
<v Speaker 1>at that point it was of quality to go. So

0:55:42.080 --> 0:55:46.359
<v Speaker 1>when you're putting out a song every week that has

0:55:46.440 --> 0:55:49.880
<v Speaker 1>the potential to be a big song, whatever, it's a

0:55:50.040 --> 0:55:52.080
<v Speaker 1>it's a great song, and everything is like, the mixing

0:55:52.200 --> 0:55:54.200
<v Speaker 1>is down, everything is down, the craft is mastered to

0:55:54.239 --> 0:55:56.120
<v Speaker 1>a certain level. When you're doing that every week for

0:55:56.160 --> 0:55:58.279
<v Speaker 1>two and a half years, it's not a matter of if,

0:55:58.360 --> 0:56:00.680
<v Speaker 1>it's a matter of when and I need. So I

0:56:00.840 --> 0:56:03.640
<v Speaker 1>was like, look, whenever y'all are ready to give me

0:56:03.800 --> 0:56:06.440
<v Speaker 1>what I know I deserve, I have the album ready,

0:56:06.640 --> 0:56:08.960
<v Speaker 1>which is why when it popped off, I had the

0:56:09.000 --> 0:56:11.120
<v Speaker 1>album ready. You're playing the numbers game at that point.

0:56:11.120 --> 0:56:15.000
<v Speaker 1>Oh yeah, but that's still some tough ship. Like, well,

0:56:15.120 --> 0:56:18.400
<v Speaker 1>the only tough part about it is the mental aspect,

0:56:18.440 --> 0:56:22.000
<v Speaker 1>because look at how much most most kid work, Yes,

0:56:22.440 --> 0:56:27.120
<v Speaker 1>but liked because we have friends who when I say

0:56:27.160 --> 0:56:31.320
<v Speaker 1>we need, me and Buddhist looked at each other, was like,

0:56:31.360 --> 0:56:33.759
<v Speaker 1>I'll be sure this is working. No, yeah, so we

0:56:33.880 --> 0:56:35.759
<v Speaker 1>have I don't think we ever felt that way to be.

0:56:36.200 --> 0:56:40.800
<v Speaker 1>We had it twice. Also on chapter X, Y Z

0:56:40.960 --> 0:56:43.799
<v Speaker 1>or whatever. You'll have already seen success in your own

0:56:43.840 --> 0:56:48.040
<v Speaker 1>individual lives, so you know that success. Like if y'all

0:56:48.040 --> 0:56:49.800
<v Speaker 1>have never been successful in your life and this was

0:56:49.880 --> 0:56:52.759
<v Speaker 1>your first venture in your own life, do it for fun.

0:56:52.960 --> 0:56:55.520
<v Speaker 1>We didn't do this right, but imagine imagine if this

0:56:55.880 --> 0:56:58.160
<v Speaker 1>was your first attempt at trying to succeed in life.

0:56:59.040 --> 0:57:01.759
<v Speaker 1>You know, you're absolutely there's way more doubt involved. But

0:57:02.280 --> 0:57:05.839
<v Speaker 1>now we won't just always. Uh, it's a belief thing, bro,

0:57:05.960 --> 0:57:10.960
<v Speaker 1>It's a it's a artists everything you've read, because I'm

0:57:11.000 --> 0:57:15.520
<v Speaker 1>telling you it's amazing an artist, because the thing about

0:57:15.560 --> 0:57:19.080
<v Speaker 1>it is right, We're starting out with you saying, we

0:57:19.200 --> 0:57:21.880
<v Speaker 1>posted a thing on tomb care and so we're so

0:57:22.360 --> 0:57:26.240
<v Speaker 1>so much skipping. Yeah, the grind with so much skipping.

0:57:26.480 --> 0:57:28.400
<v Speaker 1>And I don't want these artists to think that that's

0:57:28.520 --> 0:57:32.840
<v Speaker 1>just it. They you know, pay the to upload the record. Yeah,

0:57:33.280 --> 0:57:37.520
<v Speaker 1>and then and then they're gonna be in everyone. Especially

0:57:37.560 --> 0:57:41.240
<v Speaker 1>in today's day and age. Everything is instant gratification. You

0:57:41.360 --> 0:57:45.320
<v Speaker 1>post a picture, I instantly get a DM know what

0:57:45.360 --> 0:57:48.680
<v Speaker 1>I'm saying, Like, it's instant, Like you post something, I

0:57:48.840 --> 0:57:52.640
<v Speaker 1>instantly get a response. I do this. Everything's freshing. Everything

0:57:52.680 --> 0:57:55.120
<v Speaker 1>in life is so instant. You can order something instantly,

0:57:55.240 --> 0:57:57.360
<v Speaker 1>you can get it juice instantly, you can fucking bit

0:57:57.520 --> 0:58:07.320
<v Speaker 1>just like everything is instant. Okay, dude, back, but we're

0:58:07.360 --> 0:58:10.640
<v Speaker 1>not that bad. We haven't made that much point. You

0:58:10.720 --> 0:58:15.480
<v Speaker 1>gotta fish in the right time. How do you continue? Okay,

0:58:15.600 --> 0:58:22.240
<v Speaker 1>so not at all? Awkways out of my vocabulary. So

0:58:22.480 --> 0:58:25.880
<v Speaker 1>you get everything is instant. So artists, we dealt with them.

0:58:26.240 --> 0:58:28.000
<v Speaker 1>I was cool with them and I'm still cool with them.

0:58:28.040 --> 0:58:31.480
<v Speaker 1>But you put out one project, it doesn't do what

0:58:31.600 --> 0:58:33.440
<v Speaker 1>you what you think it's supposed to do, and you

0:58:33.520 --> 0:58:36.400
<v Speaker 1>give up the problem once again. I am about solution

0:58:36.480 --> 0:58:39.320
<v Speaker 1>and the root. The root of that is attachment to results,

0:58:40.400 --> 0:58:42.920
<v Speaker 1>detachment results, and that's a that's a chapter in Deepox

0:58:42.960 --> 0:58:46.480
<v Speaker 1>Show for seven Spiritual Law of Success. But detached from results. No,

0:58:46.520 --> 0:58:48.600
<v Speaker 1>because too many people put out a song and say,

0:58:49.320 --> 0:58:52.360
<v Speaker 1>without them realizing it, they say to themselves the energy.

0:58:52.840 --> 0:58:56.720
<v Speaker 1>If this doesn't do a million views, I'm off this ship, okay,

0:58:56.760 --> 0:59:00.280
<v Speaker 1>But let's speak to the people that that maybe has

0:59:00.520 --> 0:59:04.920
<v Speaker 1>kid children or something like that has children, like and

0:59:05.360 --> 0:59:07.960
<v Speaker 1>you know, you know, because because a lot of a

0:59:08.040 --> 0:59:10.040
<v Speaker 1>lot of it is your baby moms saying give it up.

0:59:10.960 --> 0:59:16.600
<v Speaker 1>Usually it's your family closest they're telling you. Man, Ronald

0:59:16.680 --> 0:59:19.960
<v Speaker 1>McDonald and them niggas is hiring, like yeah, but like

0:59:20.120 --> 0:59:23.000
<v Speaker 1>honestly and they honestly. I agree to say that artist

0:59:23.040 --> 0:59:26.240
<v Speaker 1>that throw those three couple of I think you need

0:59:26.280 --> 0:59:30.400
<v Speaker 1>to where you are in life. But I also agree,

0:59:30.520 --> 0:59:35.680
<v Speaker 1>I don't agree with the fact that people uh absolutely

0:59:35.840 --> 0:59:40.000
<v Speaker 1>dismissed and because some of these artists ain't good. No,

0:59:40.360 --> 0:59:42.280
<v Speaker 1>I'm gonna go back to work. But that's what I'm

0:59:42.280 --> 0:59:46.920
<v Speaker 1>saying like no, like, but I don't have money, But

0:59:47.000 --> 0:59:50.240
<v Speaker 1>I don't agree that people dismiss the reality of yeah,

0:59:50.360 --> 0:59:53.960
<v Speaker 1>go get the job in McDonald's like, don't like. But

0:59:54.360 --> 0:59:57.120
<v Speaker 1>society and everyone is saying that that's whack. Now you

0:59:57.160 --> 1:00:00.200
<v Speaker 1>know what's whack being broke. You know it's wack being

1:00:00.240 --> 1:00:01.680
<v Speaker 1>locked up for some ship you didn't have to do.

1:00:01.800 --> 1:00:06.840
<v Speaker 1>You feel me, like, my fuck's just like put McDonald's

1:00:06.880 --> 1:00:09.080
<v Speaker 1>as anything. That motherfucker like it is trying to make

1:00:09.120 --> 1:00:12.000
<v Speaker 1>it happen in a in a legal way so that

1:00:12.080 --> 1:00:14.200
<v Speaker 1>he can still fund his legal movement of music. So

1:00:14.560 --> 1:00:17.360
<v Speaker 1>I was saying about the buying McDonalds buy, I'm hiring

1:00:17.400 --> 1:00:19.360
<v Speaker 1>all paroles. I don't care if y'all still for me.

1:00:19.680 --> 1:00:24.360
<v Speaker 1>It's all right now McDonald work. But yeah, we're gonna

1:00:24.400 --> 1:00:27.120
<v Speaker 1>make it work now. But people, but people need to

1:00:27.320 --> 1:00:31.840
<v Speaker 1>stop the meaning that uh that avenue having a job,

1:00:32.080 --> 1:00:35.080
<v Speaker 1>having a job, having a job is don't we everybody

1:00:35.160 --> 1:00:37.800
<v Speaker 1>could be getting hard No, no, I know, but some

1:00:37.880 --> 1:00:41.040
<v Speaker 1>of these niggas got to stop. Yeah, but that's that's

1:00:42.920 --> 1:00:45.400
<v Speaker 1>that's even more of my point. Since everyone can't be

1:00:45.480 --> 1:00:48.200
<v Speaker 1>an artist, you are the last person the same McDonald's

1:00:48.240 --> 1:00:52.760
<v Speaker 1>is beneaty exactly, so like stop stop shipping on that

1:00:52.880 --> 1:00:59.200
<v Speaker 1>because sucks with me. Yeah, you know, but but let

1:00:59.280 --> 1:01:00.880
<v Speaker 1>me say something to move on to the next ship.

1:01:01.080 --> 1:01:04.080
<v Speaker 1>Let me say something. You know, it's crazy. I always

1:01:04.080 --> 1:01:06.880
<v Speaker 1>say if the fourteen year old me came up to

1:01:07.040 --> 1:01:09.480
<v Speaker 1>the met now, maybe not me right now because I'm

1:01:09.480 --> 1:01:10.960
<v Speaker 1>a little bit more of a minded but to me

1:01:11.040 --> 1:01:15.400
<v Speaker 1>a year ago, two years ago with each other and said, yo, ago,

1:01:15.480 --> 1:01:28.560
<v Speaker 1>you're time a year ago, three weeks ago, you're talking No.

1:01:28.800 --> 1:01:30.800
<v Speaker 1>But so if the fourteen year old came up to

1:01:30.880 --> 1:01:32.880
<v Speaker 1>me and was like, Yo, this is my beat, fourteen

1:01:32.920 --> 1:01:36.440
<v Speaker 1>would trash like that's not that's not like a Kanye

1:01:36.600 --> 1:01:38.920
<v Speaker 1>saying he's beats on Twitter. Fantasy would try no, like

1:01:39.480 --> 1:01:41.680
<v Speaker 1>my first beat even on garage man with three instruments

1:01:41.760 --> 1:01:44.080
<v Speaker 1>and like a sin thing playing with one finger trash.

1:01:44.480 --> 1:01:47.520
<v Speaker 1>So they probably will pop right now, Loki, it's it

1:01:52.800 --> 1:01:57.800
<v Speaker 1>after this, I'm playing the now. But like, if that

1:01:57.920 --> 1:02:00.520
<v Speaker 1>kid came up to me, I checked myself, like over

1:02:00.520 --> 1:02:02.720
<v Speaker 1>a year ago, I was like, man, to be honest,

1:02:03.480 --> 1:02:05.600
<v Speaker 1>I would be like, I don't see how it could

1:02:05.600 --> 1:02:08.080
<v Speaker 1>ever work with you. You are showing no signs of

1:02:08.680 --> 1:02:11.920
<v Speaker 1>any sort of potential like this just is trash. That's

1:02:11.960 --> 1:02:15.479
<v Speaker 1>what I was thinking my head. My younger self taught

1:02:15.560 --> 1:02:18.560
<v Speaker 1>my older self to never count anyone out, Like if

1:02:18.600 --> 1:02:22.200
<v Speaker 1>you're trash right now, I believe in you because I

1:02:22.440 --> 1:02:25.320
<v Speaker 1>know that trash can turn into but it's not that.

1:02:26.000 --> 1:02:28.200
<v Speaker 1>But it never is. But it's always on your head.

1:02:28.240 --> 1:02:31.240
<v Speaker 1>But you can't say your trash I believe, Yes you can,

1:02:31.480 --> 1:02:34.120
<v Speaker 1>Yes you can't. Fun man, you believe in a lot

1:02:34.160 --> 1:02:36.520
<v Speaker 1>of people. Yes you do. You know why? You know why?

1:02:36.720 --> 1:02:39.080
<v Speaker 1>Yes you do? Yes you do because if that makes

1:02:39.120 --> 1:02:43.240
<v Speaker 1>me the ship person from believing in you the light

1:02:43.360 --> 1:02:45.840
<v Speaker 1>to everybody, no matter being politics, a matter of not

1:02:46.120 --> 1:02:50.120
<v Speaker 1>ruling out the potential fear. What doesn't mean investing in everybody,

1:02:50.200 --> 1:02:52.520
<v Speaker 1>say investing money, But I will invest believe in energy

1:02:52.600 --> 1:02:57.720
<v Speaker 1>into but you know what I will, because who's to

1:02:57.920 --> 1:03:01.200
<v Speaker 1>say no, I agree that my energy and my belief

1:03:01.280 --> 1:03:03.280
<v Speaker 1>and your energy and your belief. Who's to say that

1:03:03.360 --> 1:03:06.360
<v Speaker 1>that might not trickle and come down? Is some ship

1:03:06.480 --> 1:03:08.800
<v Speaker 1>I don't want to be. I'll never be in. Nay

1:03:08.840 --> 1:03:12.480
<v Speaker 1>said no, I respect that. Sometimes you gotta say I

1:03:12.600 --> 1:03:17.360
<v Speaker 1>respect You're not good though, right? No, No, you say

1:03:18.280 --> 1:03:20.920
<v Speaker 1>that much to give away as I'm saying everyone, everyone

1:03:20.960 --> 1:03:23.120
<v Speaker 1>that records me, all my homies. I wasn't letting anyone

1:03:23.200 --> 1:03:24.720
<v Speaker 1>on the mic over my beaks because I said, you're

1:03:24.720 --> 1:03:30.040
<v Speaker 1>not fired, so real friends right there. But so when

1:03:30.080 --> 1:03:32.440
<v Speaker 1>you said sometimes you gotta say you're not good though. Yes,

1:03:32.560 --> 1:03:35.280
<v Speaker 1>but that's my cousin. I got to tell him my thing, don't. Yeah,

1:03:35.480 --> 1:03:38.320
<v Speaker 1>I'm saying, because I keep telling my phone not working,

1:03:38.400 --> 1:03:43.320
<v Speaker 1>I got to like talk about Let me tell you though.

1:03:43.640 --> 1:03:45.680
<v Speaker 1>If you tell one of your homies, yeah, but you're

1:03:45.720 --> 1:03:48.000
<v Speaker 1>not good though, that's fine. Just make sure that that

1:03:48.160 --> 1:03:49.960
<v Speaker 1>sentence doesn't have a period on the end of it.

1:03:50.800 --> 1:03:55.120
<v Speaker 1>I'll say you're not ended. You're not good though. No, no,

1:03:56.200 --> 1:03:59.480
<v Speaker 1>not that you're not good right now. Keep working on it.

1:04:00.200 --> 1:04:05.320
<v Speaker 1>You might be because I always trash you feel me.

1:04:05.680 --> 1:04:07.320
<v Speaker 1>So I can never look at someone and be like,

1:04:07.600 --> 1:04:10.080
<v Speaker 1>you're not good right now, and you won't be good

1:04:10.160 --> 1:04:12.840
<v Speaker 1>in ten years, Like what happened to good? That's not

1:04:13.040 --> 1:04:20.560
<v Speaker 1>good in ten years. Get a job in McDonald's. That's

1:04:20.600 --> 1:04:25.680
<v Speaker 1>a period on that. Honestly, Jen soaking up, write it down,

1:04:25.760 --> 1:04:28.240
<v Speaker 1>hanging on in there now it's true because um, the

1:04:28.320 --> 1:04:31.880
<v Speaker 1>thing about it is, I always want people to know

1:04:32.080 --> 1:04:34.120
<v Speaker 1>that you know, being an artist is not to end

1:04:34.200 --> 1:04:36.640
<v Speaker 1>all be all. People see that there's so many people

1:04:36.680 --> 1:04:39.680
<v Speaker 1>that make so much money behind the scenes. And I

1:04:39.880 --> 1:04:42.800
<v Speaker 1>had the same exact passion as the music, same as that,

1:04:43.320 --> 1:04:45.240
<v Speaker 1>and it's so much other things that people could do

1:04:45.320 --> 1:04:47.360
<v Speaker 1>besides being in front of the Canada. I think you

1:04:47.480 --> 1:04:50.200
<v Speaker 1>said that on an interview. You said you admired the

1:04:50.240 --> 1:04:52.960
<v Speaker 1>booking agents. Oh yeah, okay, I liked it that. I

1:04:54.400 --> 1:04:57.320
<v Speaker 1>was so confused when there was people in the media

1:04:57.320 --> 1:05:01.040
<v Speaker 1>and in the industry like why are you trying to

1:05:01.120 --> 1:05:04.880
<v Speaker 1>make those are the people like for people? And I'm like,

1:05:05.120 --> 1:05:09.400
<v Speaker 1>because you're trying to wrap up. No one's wrapping up.

1:05:09.680 --> 1:05:13.080
<v Speaker 1>What was we got two hours? Like this is it? Chris,

1:05:13.280 --> 1:05:15.880
<v Speaker 1>don't give me the the fucking guy like we had

1:05:15.920 --> 1:05:21.640
<v Speaker 1>the Grammys and ship, like we had that little yourself

1:05:22.040 --> 1:05:24.440
<v Speaker 1>you continue to talk, so what it is like when

1:05:25.320 --> 1:05:26.920
<v Speaker 1>if you're trying to get into any field, I just

1:05:26.960 --> 1:05:28.720
<v Speaker 1>feel like you got to educate yourself. And that guy

1:05:28.880 --> 1:05:31.040
<v Speaker 1>was saying, especially twenty nineteen where it's all out there

1:05:32.000 --> 1:05:34.680
<v Speaker 1>but a book and agent. Yeah, Like I did the research,

1:05:34.840 --> 1:05:37.080
<v Speaker 1>like I watched the interviews, I did this ship, so

1:05:37.880 --> 1:05:40.560
<v Speaker 1>I knew, like you see the artists, and you see

1:05:40.640 --> 1:05:42.360
<v Speaker 1>the change and you see the money and the ship,

1:05:42.600 --> 1:05:45.120
<v Speaker 1>but no one ever asked how did you get that? People?

1:05:45.440 --> 1:05:47.160
<v Speaker 1>Was it was it by touring? Well, how did you

1:05:47.240 --> 1:05:55.440
<v Speaker 1>get touring? That's the age? Yeah, Steve Strange, so you

1:05:55.640 --> 1:06:01.160
<v Speaker 1>your freestyle, which was fucking that's phenomenal. Same. I was like,

1:06:01.480 --> 1:06:03.520
<v Speaker 1>I thought I was gonna be way more nervous than

1:06:03.600 --> 1:06:06.040
<v Speaker 1>I was, but he was so cool that it made

1:06:06.080 --> 1:06:08.520
<v Speaker 1>me just be like, man, So you were nervous to

1:06:08.600 --> 1:06:13.480
<v Speaker 1>meet the booking agent eminem the first time? It was

1:06:13.640 --> 1:06:17.840
<v Speaker 1>it was boxing him in verse the five wasn't it

1:06:17.960 --> 1:06:21.960
<v Speaker 1>might have been, wasn't. Roy was just faring with It's

1:06:21.960 --> 1:06:23.640
<v Speaker 1>what I say, we're fighting each other. Someone got there

1:06:24.040 --> 1:06:30.560
<v Speaker 1>that should not. It's like I looked up to the

1:06:30.600 --> 1:06:33.360
<v Speaker 1>booking agents because I wanted to understand the mechanics of

1:06:33.400 --> 1:06:36.520
<v Speaker 1>how everything was moving. I didn't I didn't buy into oh,

1:06:36.640 --> 1:06:39.000
<v Speaker 1>you're just just rich because you tell me you're rich.

1:06:39.120 --> 1:06:41.840
<v Speaker 1>I wanted to know how and why, and so I

1:06:41.920 --> 1:06:43.960
<v Speaker 1>figured out how. And there was a lot of components

1:06:44.000 --> 1:06:47.320
<v Speaker 1>and it was like at the time two thousand nine,

1:06:47.360 --> 1:06:49.640
<v Speaker 1>it was really Peter Schwartz and Carroll Lewis as far

1:06:49.720 --> 1:06:53.200
<v Speaker 1>as in my head. Um, and that's just I just

1:06:53.760 --> 1:06:56.200
<v Speaker 1>at that's who I wanted. So when my manager was

1:06:56.240 --> 1:06:59.360
<v Speaker 1>first reaching out, found me on SoundCloud, give me up

1:06:59.440 --> 1:07:02.320
<v Speaker 1>via email. Know he's right there. You can tell you

1:07:02.400 --> 1:07:06.919
<v Speaker 1>guys right now, I said, Miles Milan right there. Maybe

1:07:06.960 --> 1:07:11.840
<v Speaker 1>it's Miles. I remember telling Milan over and over again.

1:07:12.800 --> 1:07:15.880
<v Speaker 1>I don't give a funk about anything else you're doing.

1:07:16.440 --> 1:07:18.560
<v Speaker 1>Get me a meeting with Carol Louis and then then

1:07:19.360 --> 1:07:23.720
<v Speaker 1>all like, I'll take it serious because I'm never down

1:07:23.800 --> 1:07:27.040
<v Speaker 1>and people need to understand you can't work with people

1:07:27.200 --> 1:07:31.040
<v Speaker 1>who who can't contribute something you can contribute to yourself.

1:07:31.760 --> 1:07:33.840
<v Speaker 1>So I was like, look, unless you can get because

1:07:33.840 --> 1:07:35.360
<v Speaker 1>I don't need to produce what I'm doing. I don't

1:07:35.360 --> 1:07:37.360
<v Speaker 1>need a lot of managers are like they're putting the

1:07:37.440 --> 1:07:40.800
<v Speaker 1>collapse together in this or I'm doing all that, so

1:07:40.960 --> 1:07:43.960
<v Speaker 1>I don't need that. I got a different prerequisite to

1:07:44.000 --> 1:07:45.600
<v Speaker 1>fuck with me, like, I need this. So if you

1:07:45.640 --> 1:07:47.560
<v Speaker 1>can provide me this and then I'll take it serious.

1:07:47.640 --> 1:07:50.160
<v Speaker 1>So but yeah, it's the mindset of being like, you

1:07:50.240 --> 1:07:53.120
<v Speaker 1>know what, it's the booking agent. Why the booking agent

1:07:53.200 --> 1:07:54.600
<v Speaker 1>is the one who put you on tours and the

1:07:54.640 --> 1:07:56.440
<v Speaker 1>one who at the time is very smart for you

1:07:56.520 --> 1:07:58.760
<v Speaker 1>to know that because a lot of people from my

1:07:58.880 --> 1:08:02.560
<v Speaker 1>era never made one royalties. You only made advance money,

1:08:02.600 --> 1:08:05.560
<v Speaker 1>and everything else was always on the road. Tom So

1:08:05.760 --> 1:08:09.560
<v Speaker 1>just when you you knowing that with some great advance.

1:08:09.840 --> 1:08:12.040
<v Speaker 1>So now you gotta switch the interview a little bit,

1:08:12.560 --> 1:08:14.400
<v Speaker 1>get some one of the more shot. Let's go, baby,

1:08:15.560 --> 1:08:18.400
<v Speaker 1>make it make it decent. Yes you do, Yes, you do,

1:08:19.120 --> 1:08:26.920
<v Speaker 1>because motherfucker, because there's much you have to Absolutely, it's

1:08:26.960 --> 1:08:31.080
<v Speaker 1>been married. It's just like Turkey did it on Thanksgiving,

1:08:31.520 --> 1:08:37.639
<v Speaker 1>Turkey dinner in here. That one, that one was rough.

1:08:37.960 --> 1:08:41.639
<v Speaker 1>I need some cheeseburger babies. Yeah, you know that smells

1:08:41.720 --> 1:08:48.519
<v Speaker 1>like the fourth seasons in Tokyo. Jes season. It does,

1:08:48.640 --> 1:08:52.920
<v Speaker 1>no loki, it's whatever, all whatever, y'all use the set,

1:08:53.040 --> 1:08:55.960
<v Speaker 1>y'all using the fourth season in Tokyo smells like the

1:08:56.000 --> 1:09:00.599
<v Speaker 1>way this is change has that sit in his house,

1:09:00.640 --> 1:09:02.639
<v Speaker 1>like when you can walk into pubs. It's a slight,

1:09:03.600 --> 1:09:11.679
<v Speaker 1>I'm telling you, but it doesn't smell. It's not saying

1:09:12.760 --> 1:09:15.479
<v Speaker 1>I know what he's saying. It's like, this feels smells

1:09:15.600 --> 1:09:20.400
<v Speaker 1>like four seasons Tokyo the day seasons. Right, I'm gonna

1:09:20.400 --> 1:09:22.880
<v Speaker 1>be honest, honestly know, every time I've been in Tokyo,

1:09:22.960 --> 1:09:25.120
<v Speaker 1>I've never been righted to the four seasons to make

1:09:25.200 --> 1:09:30.479
<v Speaker 1>some noise of influence, and you know what I want

1:09:30.479 --> 1:09:33.600
<v Speaker 1>to really also just like sidebar random ship luke this

1:09:33.840 --> 1:09:37.519
<v Speaker 1>make it go viral um. The reality is that I

1:09:37.800 --> 1:09:40.439
<v Speaker 1>absolutely have the most love for all these upcoming artists

1:09:40.439 --> 1:09:42.719
<v Speaker 1>in twenty years and one year olds, and I wish

1:09:43.160 --> 1:09:44.960
<v Speaker 1>that I can sit in room with all of them

1:09:45.080 --> 1:09:47.720
<v Speaker 1>and just give them genuine advice unsolicited. You don't have

1:09:47.800 --> 1:09:50.640
<v Speaker 1>to like it, take it whatever, But I think that

1:09:51.120 --> 1:09:54.840
<v Speaker 1>there's so much potential and so much ownership potential, and

1:09:54.920 --> 1:09:57.080
<v Speaker 1>it's just like y'all don't understand that you can make

1:09:57.680 --> 1:10:01.000
<v Speaker 1>ten million dollars in a year. Look a little NASA

1:10:01.520 --> 1:10:05.880
<v Speaker 1>still own your stuff with Columbia, Oh yeah, masters, oh yeah,

1:10:05.920 --> 1:10:10.680
<v Speaker 1>we just now we split the profits on it, so

1:10:10.720 --> 1:10:13.479
<v Speaker 1>it's a proper split. Yeah. So it's like, that's fine,

1:10:13.640 --> 1:10:19.240
<v Speaker 1>that's that's fair. That's that's fair. That's all my publishing,

1:10:19.400 --> 1:10:21.679
<v Speaker 1>so that's that's fair. And I sell my independent catalog,

1:10:22.120 --> 1:10:24.520
<v Speaker 1>so that's fair. But you look like a little nasax,

1:10:24.720 --> 1:10:29.120
<v Speaker 1>right song going crazy as well it should and the doors,

1:10:29.200 --> 1:10:31.760
<v Speaker 1>he's breaking down like it's amazing. I think I hate

1:10:31.840 --> 1:10:34.639
<v Speaker 1>his name, but I do, like you know, but like, yeah,

1:10:34.760 --> 1:10:36.360
<v Speaker 1>that's what I'm saying, like a lot of like, I

1:10:36.680 --> 1:10:40.040
<v Speaker 1>try my hardest to operate beneath the surface. I don't

1:10:40.040 --> 1:10:43.879
<v Speaker 1>want to get caught up a like so little Nasax,

1:10:44.040 --> 1:10:46.400
<v Speaker 1>you're like your name. I was almost the same way

1:10:46.800 --> 1:10:52.240
<v Speaker 1>that name. But that doesn't matter. It's like what he

1:10:52.560 --> 1:10:55.200
<v Speaker 1>what It's about the energy in the substance that it's

1:10:55.240 --> 1:10:58.120
<v Speaker 1>moving with his dad. Oh yeah, look how we shook

1:10:58.200 --> 1:11:01.519
<v Speaker 1>up country like funk with that. I felt with the

1:11:01.600 --> 1:11:03.720
<v Speaker 1>beneath the service it. But I look at a kid

1:11:03.800 --> 1:11:05.320
<v Speaker 1>like that and I'm like, yo, do you understand that?

1:11:05.760 --> 1:11:08.479
<v Speaker 1>Now he's with Columbia. So Columbia might have given him

1:11:08.640 --> 1:11:11.720
<v Speaker 1>I don't know, definitely millions for sure? Is it four?

1:11:11.800 --> 1:11:15.160
<v Speaker 1>Is the two? Is the three? I don't I don't

1:11:15.200 --> 1:11:19.000
<v Speaker 1>know the terms. But regardless, like you could have made

1:11:19.040 --> 1:11:20.519
<v Speaker 1>on too and cold with that same song, And this

1:11:20.640 --> 1:11:23.000
<v Speaker 1>is not one of those situations where I needed them

1:11:23.080 --> 1:11:25.360
<v Speaker 1>to to milk it and to make it go big.

1:11:26.120 --> 1:11:28.519
<v Speaker 1>He was milking it on Twitter and made it become

1:11:28.680 --> 1:11:34.519
<v Speaker 1>viral without Columbia, So oh yeah, he was oh yeah,

1:11:34.600 --> 1:11:39.840
<v Speaker 1>no he even he even he even no, no, no.

1:11:40.760 --> 1:11:44.320
<v Speaker 1>That was little nos EX utilizing social media and understanding

1:11:44.360 --> 1:11:47.120
<v Speaker 1>how social media works Twitter, Instagram, being a twenty year

1:11:47.120 --> 1:11:51.920
<v Speaker 1>old kid and manipulating that he lose Soldier Boy. Soldier

1:11:51.960 --> 1:11:54.000
<v Speaker 1>Boy was like that, that's what I'm saying exactly. That's

1:11:54.000 --> 1:11:55.640
<v Speaker 1>what you need to put respect on soldier boy. But

1:11:55.800 --> 1:12:00.640
<v Speaker 1>that's that's but so Little nos X It's like, bro, like,

1:12:00.800 --> 1:12:04.040
<v Speaker 1>you should have kept that one for yourself at least

1:12:04.120 --> 1:12:07.280
<v Speaker 1>for eight months. So that guess what, Because the way

1:12:07.320 --> 1:12:09.960
<v Speaker 1>tune core and everything works, it's a two month delay. Right.

1:12:10.320 --> 1:12:13.840
<v Speaker 1>So let's say Little NASA blows a song in January, right,

1:12:13.920 --> 1:12:16.960
<v Speaker 1>and it goes nuts, and now we'reing, what what what

1:12:17.680 --> 1:12:23.680
<v Speaker 1>month is? Maybe April whatever, so May, let's say by May,

1:12:23.880 --> 1:12:28.360
<v Speaker 1>labels are like, yo, we we gotta sign you. Little

1:12:28.400 --> 1:12:31.040
<v Speaker 1>ns as could then say he has some leverage because

1:12:31.080 --> 1:12:32.720
<v Speaker 1>he's like, listen, I know what I'm doing on my own,

1:12:33.479 --> 1:12:36.040
<v Speaker 1>so you have to put up X amount. Right, That's

1:12:36.080 --> 1:12:37.759
<v Speaker 1>how I did my deal. Like I had a tune

1:12:37.800 --> 1:12:41.680
<v Speaker 1>Core so and I was making hundreds of times. I

1:12:41.760 --> 1:12:43.760
<v Speaker 1>was making a hundred k right a month. Let's call

1:12:43.760 --> 1:12:47.600
<v Speaker 1>it roughly a month, So I'm not taking this is

1:12:48.040 --> 1:12:50.759
<v Speaker 1>this is like no Label, no like me my basement,

1:12:50.880 --> 1:12:55.800
<v Speaker 1>right and it pays out every Friday. So when Label

1:12:55.840 --> 1:12:58.320
<v Speaker 1>started talking to me like, I'm not taking your usual

1:12:58.439 --> 1:13:01.680
<v Speaker 1>six hundred k advance with some royalty rate deal, like

1:13:01.800 --> 1:13:03.920
<v Speaker 1>because I have belief in this and I know that

1:13:03.960 --> 1:13:08.640
<v Speaker 1>if I'm making a hundred camees July, by december's one

1:13:08.760 --> 1:13:13.479
<v Speaker 1>seventy and by December seventeen is to seventy and so

1:13:13.720 --> 1:13:16.960
<v Speaker 1>on and so forth. Right, So I look at these

1:13:17.000 --> 1:13:20.040
<v Speaker 1>people like little Nazacs and it's like, man, it's dope.

1:13:20.120 --> 1:13:23.960
<v Speaker 1>I'm so glad you're winning, but I'm very sad that

1:13:25.320 --> 1:13:31.080
<v Speaker 1>you're not winning. They're winning. Columbia too earlier because because

1:13:31.120 --> 1:13:34.920
<v Speaker 1>because the war, do you understand that he could have

1:13:35.040 --> 1:13:40.160
<v Speaker 1>signed as much, and also had you could, you know

1:13:40.240 --> 1:13:41.840
<v Speaker 1>what I would have done if I was in I

1:13:41.880 --> 1:13:44.160
<v Speaker 1>would have dropped the old town roll ship. It would

1:13:44.160 --> 1:13:47.519
<v Speaker 1>have gone nuts, which it did without Columbia. And I'm

1:13:47.560 --> 1:13:49.560
<v Speaker 1>with Columbia, but they know what's up. We all know

1:13:49.600 --> 1:13:52.040
<v Speaker 1>what's something. Let's just talk freely. It would have gone

1:13:52.120 --> 1:13:55.360
<v Speaker 1>nuts regardless, so it's going nuts. Then I would have dropped.

1:13:55.400 --> 1:13:56.600
<v Speaker 1>I would have been on my two core. Then I

1:13:56.640 --> 1:13:59.320
<v Speaker 1>would have droped more songs and because of the hype

1:13:59.320 --> 1:14:02.280
<v Speaker 1>of old Time, those songs are just gonna go regardless

1:14:02.360 --> 1:14:05.560
<v Speaker 1>because you're dropping within the moment, so they're gonna go.

1:14:05.840 --> 1:14:10.240
<v Speaker 1>And he's actually like he's melodically uh you know skill,

1:14:10.400 --> 1:14:14.000
<v Speaker 1>So then you do. I want to talk about that

1:14:14.240 --> 1:14:17.760
<v Speaker 1>because that's that's insane and hilarious. But so I would

1:14:17.800 --> 1:14:20.519
<v Speaker 1>have done that and then built up this leverage where

1:14:20.560 --> 1:14:23.600
<v Speaker 1>it was like, yeah, I got Old Town Road, but

1:14:23.640 --> 1:14:25.559
<v Speaker 1>I got these other songs, and I would have got

1:14:25.600 --> 1:14:28.040
<v Speaker 1>with Kara, right, I would have got with Carrol Louise,

1:14:28.240 --> 1:14:31.280
<v Speaker 1>and I would have put together a six city because

1:14:31.720 --> 1:14:33.719
<v Speaker 1>my first tour in America was a six city towards

1:14:33.720 --> 1:14:36.479
<v Speaker 1>type of ship, five dat venues, and it's like it

1:14:36.640 --> 1:14:38.760
<v Speaker 1>just sells the whole ship more. Do you know how

1:14:38.920 --> 1:14:42.479
<v Speaker 1>much more money? I don't know what he I really don't.

1:14:42.560 --> 1:14:44.120
<v Speaker 1>I don't know what he got from Colombia, But do

1:14:44.120 --> 1:14:46.280
<v Speaker 1>you know how much more he would have gotten if

1:14:46.400 --> 1:14:49.400
<v Speaker 1>not only did Old Town Road break these streaming records,

1:14:49.479 --> 1:14:53.639
<v Speaker 1>but then on top of that, you see sold out

1:14:53.760 --> 1:14:57.400
<v Speaker 1>footage from l a New York tech like you're gonna

1:14:57.479 --> 1:15:01.920
<v Speaker 1>you're gonna management. Let no, no, but the guy but

1:15:02.360 --> 1:15:04.639
<v Speaker 1>he didn't do that, let me and let me stop.

1:15:04.640 --> 1:15:09.840
<v Speaker 1>You're an ultimate artist manager. But okay, but I don't

1:15:09.880 --> 1:15:12.960
<v Speaker 1>want to ask sometimes I'm gonna say something that we

1:15:13.120 --> 1:15:18.080
<v Speaker 1>had in our era because I'm a kid that came

1:15:18.120 --> 1:15:20.840
<v Speaker 1>from Miami, from a from a suburb in Miami, had

1:15:20.880 --> 1:15:23.920
<v Speaker 1>no connection the industry. So the way that I got

1:15:24.040 --> 1:15:28.160
<v Speaker 1>connected to the industry was through conventions. Okay. One of

1:15:28.200 --> 1:15:30.880
<v Speaker 1>the conventions that came to Miami made it affordable to

1:15:30.960 --> 1:15:40.720
<v Speaker 1>me was how can I be down? Immediately? Well, I'm

1:15:40.800 --> 1:15:44.160
<v Speaker 1>listening to you right now. Yeah, you're preaching the truth

1:15:44.240 --> 1:15:48.320
<v Speaker 1>and everything. Actually, no, he doesn't actually know our error.

1:15:48.360 --> 1:15:49.960
<v Speaker 1>That's what That's why I saw. So what I'm what

1:15:50.080 --> 1:15:53.240
<v Speaker 1>I'm what I'm thinking to myself is like, because you're saying,

1:15:53.520 --> 1:15:55.120
<v Speaker 1>these people need to know this, and they need to

1:15:55.200 --> 1:15:59.559
<v Speaker 1>know this and know that you to creative for him. Yeah,

1:16:00.160 --> 1:16:03.559
<v Speaker 1>for younger cats to learn this and that. Because let

1:16:03.600 --> 1:16:05.800
<v Speaker 1>me tell you something. So I went to how can

1:16:05.880 --> 1:16:08.240
<v Speaker 1>I be down? As it's just hip hop fan a

1:16:08.760 --> 1:16:14.400
<v Speaker 1>kid that just got turntables. Yetive I'm going and luckily

1:16:14.439 --> 1:16:17.360
<v Speaker 1>it's in my city. Now, I will never go there. Right,

1:16:17.800 --> 1:16:20.439
<v Speaker 1>what I'm saying. So I go there and I go

1:16:20.560 --> 1:16:23.960
<v Speaker 1>to the first panel that I could be a part of,

1:16:24.640 --> 1:16:27.720
<v Speaker 1>and I'm ready tie me up. Yeah, and let me

1:16:27.760 --> 1:16:29.920
<v Speaker 1>tell you how. One of the illest things that happened

1:16:29.920 --> 1:16:34.120
<v Speaker 1>to be his panel behind me when the panelists said

1:16:34.120 --> 1:16:37.519
<v Speaker 1>anybody got questions, someone behind me raises their hand and

1:16:37.560 --> 1:16:42.160
<v Speaker 1>ask a question. And it was someone that I was

1:16:42.680 --> 1:16:47.320
<v Speaker 1>the biggest admirer of as a fan, Chuck D of

1:16:47.479 --> 1:16:52.400
<v Speaker 1>Public Enemy raise his hand, ask question? Is going on

1:16:53.080 --> 1:16:59.840
<v Speaker 1>the story what I said, I just say, if he

1:17:00.080 --> 1:17:04.400
<v Speaker 1>is asking a question and I'm fucked, Oh how I'm

1:17:04.439 --> 1:17:08.080
<v Speaker 1>following up that I'm not following. I'm just saying, if

1:17:08.200 --> 1:17:12.479
<v Speaker 1>he has questions still in the game. Oh yeah, yeah.

1:17:12.760 --> 1:17:15.120
<v Speaker 1>But see, you know why that's beautiful because at least

1:17:15.160 --> 1:17:19.560
<v Speaker 1>you recognize that that like that self awareness is what

1:17:19.720 --> 1:17:22.080
<v Speaker 1>makes people last to this level. But what I'm saying

1:17:22.200 --> 1:17:25.200
<v Speaker 1>is everything you're saying right now, You guys need to

1:17:25.280 --> 1:17:28.200
<v Speaker 1>do your own hop to night be down for generational purpose.

1:17:28.840 --> 1:17:30.200
<v Speaker 1>You know what you know? You know what I'm doing,

1:17:32.360 --> 1:17:35.160
<v Speaker 1>dumb har love it. You know what I'm doing. Though

1:17:36.320 --> 1:17:39.640
<v Speaker 1>I wrote a book. I heard about the book. I

1:17:39.680 --> 1:17:42.160
<v Speaker 1>got cat at looking at them because this is so

1:17:42.280 --> 1:17:45.000
<v Speaker 1>interesting without it, I wrote a book and you know,

1:17:45.840 --> 1:17:50.040
<v Speaker 1>the Alchemist and everything. So in deepok showber So HarperCollins

1:17:50.520 --> 1:17:53.479
<v Speaker 1>published the book. So how's it calling myself at one

1:17:53.520 --> 1:17:57.840
<v Speaker 1>point Doug Popper, right, I forgot am gonna find yourself

1:17:57.880 --> 1:18:05.639
<v Speaker 1>smoke Chop smoke popo. But the name of the book,

1:18:05.720 --> 1:18:10.120
<v Speaker 1>the name of the book of the book, not now.

1:18:11.040 --> 1:18:17.160
<v Speaker 1>But I've been alive very so the name of the book.

1:18:17.200 --> 1:18:22.599
<v Speaker 1>It's on your head. And that's and and I'm trying

1:18:22.600 --> 1:18:25.680
<v Speaker 1>to give. I'm telling you that, like some it was

1:18:25.720 --> 1:18:27.960
<v Speaker 1>always in me. It was definitely always in me. And

1:18:28.040 --> 1:18:32.360
<v Speaker 1>then when Nipsey passed, it just kind of like reminded

1:18:32.400 --> 1:18:35.920
<v Speaker 1>me of me almost. And it's about what you leave

1:18:35.960 --> 1:18:39.519
<v Speaker 1>behind and what you're just giving. And it's on your head.

1:18:39.640 --> 1:18:42.160
<v Speaker 1>It's just it's a two book. Like I don't want

1:18:42.240 --> 1:18:45.920
<v Speaker 1>it to be an autobiography. High wrote this melody. It's

1:18:45.960 --> 1:18:51.320
<v Speaker 1>not that it's yeah, it's in your head. It's what

1:18:51.439 --> 1:18:53.720
<v Speaker 1>we've been talking about. It's about it's the game, not

1:18:53.880 --> 1:18:56.599
<v Speaker 1>the point. It's about it self belief, and it's about

1:18:56.680 --> 1:18:59.880
<v Speaker 1>these things that anyone can apply to the life and succeed.

1:19:00.080 --> 1:19:02.000
<v Speaker 1>I'm not trying to give you a how to succeed

1:19:02.080 --> 1:19:05.600
<v Speaker 1>in music one oh one. That's like, it's just not

1:19:05.720 --> 1:19:08.400
<v Speaker 1>applicable to anyone Else's not try to do music, you

1:19:08.439 --> 1:19:11.000
<v Speaker 1>feel me? So I'm trying to. I'm just trying to

1:19:11.160 --> 1:19:13.000
<v Speaker 1>get as much as i can at this point, bro,

1:19:13.160 --> 1:19:16.439
<v Speaker 1>because I know that that's what it's about, and so whatever.

1:19:16.560 --> 1:19:20.800
<v Speaker 1>Like now, granted it is my how abrasive and is

1:19:20.840 --> 1:19:23.560
<v Speaker 1>the how he's polishing, for sure, but you know what

1:19:24.920 --> 1:19:27.880
<v Speaker 1>that listen, please do let me tell you, I'm not

1:19:27.880 --> 1:19:30.320
<v Speaker 1>gonna give you something. Think about it in the hip

1:19:30.360 --> 1:19:32.400
<v Speaker 1>hop but we were saying earlier, I'm saying listen in

1:19:32.479 --> 1:19:35.320
<v Speaker 1>a different way. Yeah, taught to me cocky. We are

1:19:35.400 --> 1:19:40.280
<v Speaker 1>taught to say that's no. That's why you know what's

1:19:40.320 --> 1:19:43.200
<v Speaker 1>funked up to me? Right? Is that that's how you

1:19:43.360 --> 1:19:47.839
<v Speaker 1>know the consumer has changed drastically. Hip hop is still cocky.

1:19:48.680 --> 1:19:50.479
<v Speaker 1>But the fact that there's now a problem with it,

1:19:51.120 --> 1:19:53.960
<v Speaker 1>let you know that hip hop didn't change the consumer change.

1:19:54.520 --> 1:19:59.920
<v Speaker 1>The consumer became more bitch made because why is me period?

1:20:00.240 --> 1:20:05.559
<v Speaker 1>Well by the NFL would let the Pistons in nineties six,

1:20:06.120 --> 1:20:09.120
<v Speaker 1>come on to bet the consumer is not hip hop? Right?

1:20:09.520 --> 1:20:12.080
<v Speaker 1>This is the real ship. Now this is the no.

1:20:12.280 --> 1:20:17.640
<v Speaker 1>You're getting Matthew from fucking uh he like Nebraska and

1:20:17.720 --> 1:20:21.439
<v Speaker 1>he's twelve years old, Thomas, and why do you all

1:20:21.479 --> 1:20:23.320
<v Speaker 1>have to say the end where we can't say it?

1:20:23.720 --> 1:20:27.760
<v Speaker 1>It's like, yeah, Rings and y'all are in academics comment

1:20:27.840 --> 1:20:31.639
<v Speaker 1>section and like and so what ends up happening though,

1:20:31.640 --> 1:20:35.360
<v Speaker 1>is that those types, that type of demographic runs the

1:20:35.560 --> 1:20:41.800
<v Speaker 1>Internet sensation, which then the grown ass people move off

1:20:41.880 --> 1:20:44.400
<v Speaker 1>of the Internet sensation, which is moved off of twelve

1:20:44.479 --> 1:20:46.680
<v Speaker 1>year old name Matthew Nebraska who say the end whre

1:20:46.680 --> 1:20:49.240
<v Speaker 1>when they get drunk, and it's like, so you got

1:20:49.439 --> 1:20:53.280
<v Speaker 1>forty year olds. Actually, when you trickle it down far

1:20:53.439 --> 1:20:58.480
<v Speaker 1>enough listening to Matthew Nebraska, it's reverse trickle down economics,

1:20:58.560 --> 1:21:01.960
<v Speaker 1>which sucks balls. So so because one of my favorite

1:21:02.520 --> 1:21:07.840
<v Speaker 1>Instagram posts is when you say it's still money in

1:21:08.000 --> 1:21:12.360
<v Speaker 1>music was one of my favorite, right, But then I

1:21:12.439 --> 1:21:14.160
<v Speaker 1>want you to break down that. I want you to

1:21:14.280 --> 1:21:18.120
<v Speaker 1>also say because then you're saying that there's still money

1:21:18.160 --> 1:21:22.400
<v Speaker 1>in music. If you yeah, then you saw the Staples Center, right,

1:21:22.560 --> 1:21:25.760
<v Speaker 1>So if you can both of those down. If you can't,

1:21:26.160 --> 1:21:29.479
<v Speaker 1>I want to be quiet. Absolutely so still owning. It

1:21:29.640 --> 1:21:32.200
<v Speaker 1>comes down to the tomb. Course it right, And it's

1:21:32.240 --> 1:21:36.200
<v Speaker 1>funny like my first rendition, in my first introduction that

1:21:36.320 --> 1:21:39.200
<v Speaker 1>like hate was every time I would drop a song,

1:21:39.240 --> 1:21:42.280
<v Speaker 1>I would say produced makes master Engineer, written by me,

1:21:42.640 --> 1:21:47.040
<v Speaker 1>because that's what it was. No, they believed it. They

1:21:47.080 --> 1:21:52.320
<v Speaker 1>got annoyed because they took it as bragging. Right, all

1:21:52.400 --> 1:21:57.360
<v Speaker 1>those those right, So I'm really I'm giving credit to

1:21:57.439 --> 1:22:00.680
<v Speaker 1>the roles right of what it takes to make us home.

1:22:00.840 --> 1:22:03.640
<v Speaker 1>So that's where the first hate started coming from. But

1:22:04.200 --> 1:22:09.200
<v Speaker 1>you know, then, was it immediate though? Hate? No, nothing

1:22:09.320 --> 1:22:12.600
<v Speaker 1>is immediate until you're in front of the massages, you

1:22:12.640 --> 1:22:15.719
<v Speaker 1>know what I'm saying, Like when when the only fans

1:22:15.960 --> 1:22:18.880
<v Speaker 1>like I would say like you're so popping, you don't

1:22:18.960 --> 1:22:22.519
<v Speaker 1>have hands, you don't have haters, Like, you're not popping

1:22:22.640 --> 1:22:25.799
<v Speaker 1>yet until you have hater And it's like I always

1:22:25.840 --> 1:22:27.400
<v Speaker 1>heard that. Ship. I was like that sounds like some

1:22:27.479 --> 1:22:30.439
<v Speaker 1>cliche is like nah, oh yeah, you're popping. You're so popping,

1:22:30.479 --> 1:22:32.000
<v Speaker 1>you don't even have hats What are you talking about?

1:22:32.120 --> 1:22:37.240
<v Speaker 1>Every comments be too positive, just like if all off,

1:22:39.760 --> 1:22:42.479
<v Speaker 1>if all of your d M s are positive. Ship

1:22:42.800 --> 1:22:45.000
<v Speaker 1>I was there too. I was like, man, I literally

1:22:45.000 --> 1:22:47.120
<v Speaker 1>have tweets and ship like, I don't think haters exists.

1:22:47.160 --> 1:22:50.320
<v Speaker 1>I think it's all bullshit because I wasn't popping enough yet.

1:22:50.360 --> 1:22:52.680
<v Speaker 1>Like if all of your comments on any need of

1:22:52.720 --> 1:22:55.840
<v Speaker 1>you dropped, it's just all positive. You're just literally not

1:22:56.000 --> 1:22:59.040
<v Speaker 1>popping yet. Is that simple? Because the only people who

1:22:59.160 --> 1:23:01.479
<v Speaker 1>know you are die hard fans. Because if you know

1:23:01.520 --> 1:23:04.560
<v Speaker 1>about any artists when they have ten thousand followers, you

1:23:04.640 --> 1:23:06.560
<v Speaker 1>are just simply a die hard fan. You don't have

1:23:07.120 --> 1:23:09.840
<v Speaker 1>They don't have enough energy that they've exuded themselves for

1:23:09.880 --> 1:23:12.519
<v Speaker 1>you to commit your negative energy to it. You feel

1:23:12.600 --> 1:23:15.880
<v Speaker 1>me so with um without was like, you know what,

1:23:16.920 --> 1:23:19.640
<v Speaker 1>fuck it it is? What it is? What were you

1:23:19.640 --> 1:23:24.040
<v Speaker 1>talking about? No? No, because I want let's go no please,

1:23:24.160 --> 1:23:25.600
<v Speaker 1>I want to touch on it. What was that? No?

1:23:25.800 --> 1:23:31.920
<v Speaker 1>What was the question? THO is a tune caution owning

1:23:31.960 --> 1:23:38.320
<v Speaker 1>this ship, owning see this movie, what we do won't

1:23:38.360 --> 1:23:42.160
<v Speaker 1>be blood again? We drink more? Talking about hold on?

1:23:42.720 --> 1:23:47.360
<v Speaker 1>So now the fans, So you're normal because you don't

1:23:47.400 --> 1:23:49.640
<v Speaker 1>why think you hold it down and think you're to

1:23:49.720 --> 1:23:52.200
<v Speaker 1>preacher And you gotta know that you have fun too,

1:23:52.479 --> 1:23:54.840
<v Speaker 1>and guess guess what? Having fun on the Saturday doesn't

1:23:54.840 --> 1:23:57.400
<v Speaker 1>mean you don't work on Monday through motherfucker's Sunday. That

1:23:57.520 --> 1:23:59.200
<v Speaker 1>doesn't even mean you don't work on Saturday when you

1:23:59.320 --> 1:24:04.200
<v Speaker 1>leave exactly. So now had the tune care ship. It

1:24:04.280 --> 1:24:09.559
<v Speaker 1>was such an amazing thing. I wanted to say, sell stables.

1:24:09.600 --> 1:24:11.919
<v Speaker 1>What was the other caveat of the It was stables

1:24:11.960 --> 1:24:17.360
<v Speaker 1>and then oh, yeah, that doesn't give me enough. But okay, no, no,

1:24:17.520 --> 1:24:19.320
<v Speaker 1>because you know why. This is what I'm trying to say.

1:24:19.520 --> 1:24:21.160
<v Speaker 1>This is the point I'm trying to say. Over there,

1:24:21.320 --> 1:24:24.599
<v Speaker 1>think about that, everybody, because you made me make sense again.

1:24:25.920 --> 1:24:28.160
<v Speaker 1>What I'm trying to say is the average person that

1:24:28.280 --> 1:24:33.200
<v Speaker 1>goes on to yes will probably ever never ever make

1:24:33.280 --> 1:24:36.880
<v Speaker 1>it to the never most like, so the thing is

1:24:38.439 --> 1:24:41.400
<v Speaker 1>hard on but you can't if I'm a kid, right,

1:24:41.600 --> 1:24:45.080
<v Speaker 1>which I was, If I listened to this interview bird's

1:24:45.080 --> 1:24:48.080
<v Speaker 1>eye view and I hear that, I can't internalize that. No, no,

1:24:48.240 --> 1:24:50.479
<v Speaker 1>but this is the thing. This is the difference between

1:24:50.479 --> 1:24:54.560
<v Speaker 1>the other one. The only way the one is that

1:24:54.680 --> 1:24:57.240
<v Speaker 1>if I think I'm the one, the reason why people

1:24:57.600 --> 1:25:00.280
<v Speaker 1>don't realize I didn't think I was the one, you're

1:25:00.360 --> 1:25:02.880
<v Speaker 1>the first one. Like I'm gonna be honest, He's not

1:25:03.000 --> 1:25:06.840
<v Speaker 1>the first one charge generation that I know that did

1:25:06.920 --> 1:25:11.400
<v Speaker 1>it from. Because when people say independent, they mean empire,

1:25:11.840 --> 1:25:15.639
<v Speaker 1>meaning they go to a person who bullshit. Okay, hold

1:25:15.760 --> 1:25:19.240
<v Speaker 1>let me tell you that. Great examples, but the great

1:25:19.280 --> 1:25:24.760
<v Speaker 1>example and not explaining to make it super clear, right,

1:25:24.960 --> 1:25:28.880
<v Speaker 1>when people say independent, they actually mean I'm not signed

1:25:28.920 --> 1:25:32.639
<v Speaker 1>to a major label, but I have empire. Okay, empire.

1:25:33.080 --> 1:25:35.000
<v Speaker 1>Hold on, you know what empire is? Empires. If you

1:25:35.000 --> 1:25:40.080
<v Speaker 1>get enough shame that they upstream you didn't, You're not independent, bro,

1:25:40.200 --> 1:25:42.720
<v Speaker 1>because Atlanta has the Atlantic has the hooks and you

1:25:42.800 --> 1:25:45.000
<v Speaker 1>and the phasing you. I was sitting in the basement

1:25:45.080 --> 1:25:48.360
<v Speaker 1>doing it. So what what this whole what my whole

1:25:48.400 --> 1:25:52.080
<v Speaker 1>ship is about? Bros? Honestly, yes, once I trashed at fourteen,

1:25:52.160 --> 1:25:56.640
<v Speaker 1>for sure, But did I have the belief that superseded

1:25:56.800 --> 1:26:00.200
<v Speaker 1>the skill love at the time to see myself because um,

1:26:00.760 --> 1:26:03.640
<v Speaker 1>this staple center thing. Yes, And that's the key is

1:26:03.720 --> 1:26:07.280
<v Speaker 1>that you have to you have to own every step

1:26:07.360 --> 1:26:09.360
<v Speaker 1>of the way. Yeah, you are trash right now, but

1:26:09.439 --> 1:26:11.320
<v Speaker 1>you have to own that you are that. But you

1:26:11.560 --> 1:26:15.200
<v Speaker 1>also are step tend that you may not even see.

1:26:15.320 --> 1:26:20.000
<v Speaker 1>Right now, let me pick him up a little bit more. No,

1:26:20.160 --> 1:26:24.840
<v Speaker 1>support that. He come on, let me lets me say this,

1:26:26.040 --> 1:26:31.160
<v Speaker 1>you no supporting act because I want to touch on

1:26:31.200 --> 1:26:34.719
<v Speaker 1>that too. And then you was greedy too. You don't

1:26:34.760 --> 1:26:43.320
<v Speaker 1>even bring it. You're like not at tie, you know

1:26:43.360 --> 1:26:46.800
<v Speaker 1>what I mean? She was like supporting that. He was

1:26:46.800 --> 1:26:53.200
<v Speaker 1>like and like, you know what's crazy is that I'm

1:26:53.840 --> 1:26:56.960
<v Speaker 1>I'm so the dust had settled. Like I said to year,

1:26:56.960 --> 1:26:59.000
<v Speaker 1>we can get it out even more, but the dust

1:26:59.080 --> 1:27:01.120
<v Speaker 1>had settled, and I'm so we're happy with where I'm

1:27:01.120 --> 1:27:04.800
<v Speaker 1>at because, Uh, I rubbed everyone the wrong way and

1:27:04.840 --> 1:27:06.720
<v Speaker 1>I still got there my way. How do you rub

1:27:06.840 --> 1:27:08.640
<v Speaker 1>everyone the wrong way and you still making fours? And

1:27:09.280 --> 1:27:12.320
<v Speaker 1>all that makes me want to say is that is

1:27:12.560 --> 1:27:17.080
<v Speaker 1>fucking idiotic And it doesn't matter so uh doing the stables, man,

1:27:17.160 --> 1:27:22.960
<v Speaker 1>It's just it's it's if y'all wanted me to be humble,

1:27:23.240 --> 1:27:26.280
<v Speaker 1>more humble and a little bit more quiet, you should

1:27:26.320 --> 1:27:29.320
<v Speaker 1>not have let me done that, you know what I'm saying.

1:27:29.400 --> 1:27:31.640
<v Speaker 1>And the thing we're not having openers just like bro

1:27:33.640 --> 1:27:36.120
<v Speaker 1>artists need to understand that they need to they need

1:27:36.160 --> 1:27:39.240
<v Speaker 1>to map out their audience, and too many artists are

1:27:39.360 --> 1:27:42.880
<v Speaker 1>down to uh, you know, I'll go on tour with

1:27:42.960 --> 1:27:46.080
<v Speaker 1>seven artists and we'll sell out five thousand people. It's like, yeah,

1:27:46.160 --> 1:27:48.960
<v Speaker 1>that all looks great and good and dandy and everything,

1:27:49.040 --> 1:27:52.479
<v Speaker 1>but how many tickets are you good for? How many

1:27:52.520 --> 1:27:55.320
<v Speaker 1>tickets are you good for? Y'all never know because you're

1:27:55.360 --> 1:27:59.840
<v Speaker 1>always a four piece thing. Like I always made it

1:27:59.880 --> 1:28:02.000
<v Speaker 1>a point to myself, like I said earlier, like I'm

1:28:02.000 --> 1:28:04.880
<v Speaker 1>trying to pull myself right. I want to do Staples

1:28:05.400 --> 1:28:08.000
<v Speaker 1>by myself so that I know if I do two

1:28:08.080 --> 1:28:11.280
<v Speaker 1>thousand tickets and that's what I'm good for it. But

1:28:11.360 --> 1:28:14.040
<v Speaker 1>if I do sell out Staples, when I sell out,

1:28:14.920 --> 1:28:16.960
<v Speaker 1>put it like this. Even when I sell out Staples

1:28:17.000 --> 1:28:20.280
<v Speaker 1>and it's me, snooth tie whoever the funk it is,

1:28:20.920 --> 1:28:25.960
<v Speaker 1>it wasn't because of them. And you need that and

1:28:26.080 --> 1:28:27.880
<v Speaker 1>you have to prove it to yourself. And that's my

1:28:28.000 --> 1:28:30.000
<v Speaker 1>whole thing is prove it to yourself, Like all this

1:28:30.040 --> 1:28:33.240
<v Speaker 1>ship what My My debut album is the first album

1:28:33.439 --> 1:28:40.200
<v Speaker 1>ever in hip hop history history to be a produced, mixed,

1:28:40.360 --> 1:28:44.160
<v Speaker 1>massive engineer, written performed by one person, no outside vocals.

1:28:44.520 --> 1:28:47.720
<v Speaker 1>And I've heard all the names, y'all fucking suggest it

1:28:47.800 --> 1:28:51.680
<v Speaker 1>does not take two seconds to just do research that

1:28:51.880 --> 1:28:54.920
<v Speaker 1>person they didn't produce it all. They didn't mix it all.

1:28:55.280 --> 1:28:58.920
<v Speaker 1>I'm talking about engineering, make the whole ship come on.

1:29:00.000 --> 1:29:05.000
<v Speaker 1>Has it sounds perious, but it's like it's like it's like,

1:29:05.280 --> 1:29:07.320
<v Speaker 1>only did I do my whole debut album like that,

1:29:07.880 --> 1:29:11.479
<v Speaker 1>but it went platinum and I had seven songs off

1:29:11.560 --> 1:29:15.280
<v Speaker 1>that album with the Black that has never been done before.

1:29:19.040 --> 1:29:21.720
<v Speaker 1>Not only now, I said, not only was I the

1:29:22.680 --> 1:29:26.280
<v Speaker 1>first and only person in in the history of this

1:29:26.439 --> 1:29:30.600
<v Speaker 1>ship to do every aspect of the music. That's the production,

1:29:30.920 --> 1:29:33.840
<v Speaker 1>the mixing, the mastering, the engineering, when you're in the

1:29:33.920 --> 1:29:38.759
<v Speaker 1>boothe thing's recording, you me, the writing, the sink everything.

1:29:39.080 --> 1:29:42.000
<v Speaker 1>I'm the only one to ever do it. And y'all

1:29:42.040 --> 1:29:45.559
<v Speaker 1>can bullshit just whatever, do the research because they look

1:29:45.640 --> 1:29:48.400
<v Speaker 1>and I love these people's music, the j Coles, the Traffs, Scott,

1:29:48.520 --> 1:29:50.880
<v Speaker 1>that's what they always say. Just it takes two seconds

1:29:50.920 --> 1:29:54.519
<v Speaker 1>to do Google. They didn't, They didn't do everything. Someone

1:29:54.560 --> 1:29:56.800
<v Speaker 1>else might have mixed this one or engineered this one

1:29:56.840 --> 1:30:02.760
<v Speaker 1>of that code tild But I'm just saying, like, listen,

1:30:04.479 --> 1:30:07.200
<v Speaker 1>not listening. I'm not saying that to diminish whatever they're doing.

1:30:07.280 --> 1:30:10.720
<v Speaker 1>I'm just saying, like, don't you have do you not

1:30:11.040 --> 1:30:15.240
<v Speaker 1>dare have the audacity to diminish what I'm doing because

1:30:15.320 --> 1:30:17.439
<v Speaker 1>you can't stomach the fact that it is simply more

1:30:17.520 --> 1:30:20.960
<v Speaker 1>than what these people are doing it. Yeah so, but

1:30:21.320 --> 1:30:24.599
<v Speaker 1>but don't don't diminish what the funk I'm doing because

1:30:24.600 --> 1:30:27.800
<v Speaker 1>the people who do mix and I'll leave my boy

1:30:28.040 --> 1:30:33.440
<v Speaker 1>five with Tie Todd at Scott like ali, um, yeah, liked,

1:30:33.920 --> 1:30:37.519
<v Speaker 1>that's something Like they all they all know what's something.

1:30:37.520 --> 1:30:39.320
<v Speaker 1>They know how much I appreciate it because I do it,

1:30:39.439 --> 1:30:42.600
<v Speaker 1>So I like more than these fucking bozo artists. I

1:30:42.720 --> 1:30:44.680
<v Speaker 1>know what goes into your craft, so I appreciate you

1:30:44.760 --> 1:30:47.280
<v Speaker 1>even more. Let me ask you, let me finish. Let

1:30:47.320 --> 1:30:54.080
<v Speaker 1>me finish a record that you didn't produce. Yea, I've

1:30:54.080 --> 1:30:59.920
<v Speaker 1>done it hundred percent. But it's like it's about selfish

1:31:00.080 --> 1:31:07.400
<v Speaker 1>right now. So after this, yeah, that's all good. So

1:31:08.360 --> 1:31:10.360
<v Speaker 1>so when I'm looking at ship like that, I'm like, yo,

1:31:10.840 --> 1:31:15.280
<v Speaker 1>this is the first of its kind. So it's just whatever,

1:31:15.520 --> 1:31:17.400
<v Speaker 1>Like if you don't want to respect it, then you

1:31:17.479 --> 1:31:18.880
<v Speaker 1>respect it. If you don't respect it and you don't

1:31:18.920 --> 1:31:20.560
<v Speaker 1>respect it. But the reality is that this is what

1:31:20.680 --> 1:31:23.479
<v Speaker 1>it is. This is not fuck bragging people thought when

1:31:23.479 --> 1:31:27.240
<v Speaker 1>I was when I was uh, Oh, here's the fucking

1:31:27.400 --> 1:31:30.280
<v Speaker 1>ridiculous thing. When I'm when I'm putting out a song,

1:31:30.320 --> 1:31:33.280
<v Speaker 1>I say produced makes the engineer written by me? Right,

1:31:33.439 --> 1:31:35.920
<v Speaker 1>it's a problem. Now let me put out a song.

1:31:36.240 --> 1:31:39.120
<v Speaker 1>Why have none of those roles? But I don't credit

1:31:39.160 --> 1:31:42.679
<v Speaker 1>to people who do. People will say you can't give

1:31:42.760 --> 1:31:46.559
<v Speaker 1>credit to the producer. Oh wait, hold on, pick a side.

1:31:46.880 --> 1:31:49.720
<v Speaker 1>You got a problem with you crediting producers or you

1:31:49.840 --> 1:31:52.599
<v Speaker 1>don't because I credited the producer on all my catalog

1:31:52.840 --> 1:31:54.559
<v Speaker 1>It just so happened to be me. So you really

1:31:54.600 --> 1:31:56.720
<v Speaker 1>tell me what you have a problem with. You got

1:31:58.200 --> 1:32:01.720
<v Speaker 1>you gotta problem with men? You feel me? What do

1:32:01.760 --> 1:32:05.200
<v Speaker 1>you have a problem with me crediting producers on me

1:32:05.360 --> 1:32:07.720
<v Speaker 1>being that ill you pick? I know what it is,

1:32:07.760 --> 1:32:09.519
<v Speaker 1>but I'll wait for you to own that ship. I

1:32:09.600 --> 1:32:11.880
<v Speaker 1>know what's up because let me put out a song

1:32:11.960 --> 1:32:14.400
<v Speaker 1>that was mixed by that guy, produced by this guy,

1:32:15.920 --> 1:32:20.240
<v Speaker 1>and people say you can't credit him. Oh no, I can,

1:32:20.880 --> 1:32:23.280
<v Speaker 1>and I have. But I thought y'all had a problem

1:32:23.360 --> 1:32:25.320
<v Speaker 1>with that. Oh no, never mind, you just had a

1:32:25.360 --> 1:32:27.360
<v Speaker 1>problem with the fact that I was a starting team

1:32:27.479 --> 1:32:30.120
<v Speaker 1>by myself. That's what you have a problem with, because

1:32:30.120 --> 1:32:33.200
<v Speaker 1>then because it's a mirror. It's a mirror that shows

1:32:33.280 --> 1:32:36.360
<v Speaker 1>you yourself what you are not doing. Because if I'm

1:32:36.400 --> 1:32:40.320
<v Speaker 1>doing five tasks, it puts the mirror on you and asks.

1:32:40.360 --> 1:32:44.120
<v Speaker 1>It makes you ask yourself. Man, I'm only making beest

1:32:45.439 --> 1:32:48.960
<v Speaker 1>now if you're an insecure person to be like, fuck you, Yeah,

1:32:49.000 --> 1:32:51.880
<v Speaker 1>you do five things? Fuck you? You know why? Because

1:32:51.920 --> 1:32:55.519
<v Speaker 1>you're like, it reminds you what you're not doing. I

1:32:55.640 --> 1:33:03.559
<v Speaker 1>remind you what you're not doing. Usually the drink chance

1:33:03.680 --> 1:33:06.599
<v Speaker 1>is the part of the story where I actually be asked, oh,

1:33:06.760 --> 1:33:10.880
<v Speaker 1>I'm not sure, asked, wait, what if we ask if

1:33:10.920 --> 1:33:17.640
<v Speaker 1>you eat? Oh? No, what are you gonna ask? No?

1:33:18.840 --> 1:33:23.280
<v Speaker 1>What we take? You know what I'm trying. You know

1:33:23.320 --> 1:33:26.200
<v Speaker 1>what I'm probing to. No girl could ever like no

1:33:26.600 --> 1:33:28.880
<v Speaker 1>girl if they ever said it's just a lot like

1:33:29.400 --> 1:33:32.160
<v Speaker 1>but no one went like no. But I will say this.

1:33:32.640 --> 1:33:35.759
<v Speaker 1>I will say this. I don't know what happens at forty,

1:33:39.560 --> 1:33:44.880
<v Speaker 1>but I'm twenty six. I'm just saying, like I heard, like,

1:33:44.960 --> 1:33:52.760
<v Speaker 1>it's a it's an older thing thing, so that you

1:33:52.880 --> 1:34:10.640
<v Speaker 1>obviously why anyone if you're a fan of russ at

1:34:10.680 --> 1:34:12.280
<v Speaker 1>this point, you've had every reason to not be a

1:34:12.320 --> 1:34:14.800
<v Speaker 1>fan of me, and the biggest and the only reason

1:34:14.880 --> 1:34:17.160
<v Speaker 1>that matters is peer pressure. Because you have watched every

1:34:17.240 --> 1:34:21.960
<v Speaker 1>peer of yours between fifteen and twenty one or twenties

1:34:22.000 --> 1:34:24.920
<v Speaker 1>say fuck Russ, and so you've had every reason to

1:34:24.960 --> 1:34:26.920
<v Speaker 1>be like you know, you know what ship. I don't

1:34:26.960 --> 1:34:28.280
<v Speaker 1>want to be the one kid of my friend I

1:34:28.400 --> 1:34:30.200
<v Speaker 1>got fans like that all the time. They hit me up, like, man,

1:34:30.200 --> 1:34:32.000
<v Speaker 1>all my friends don't suck people. I folk with you like.

1:34:32.360 --> 1:34:35.080
<v Speaker 1>I love those fans because that shows me that I'm

1:34:35.120 --> 1:34:37.120
<v Speaker 1>making a difference as far as like you're the strong

1:34:37.240 --> 1:34:39.599
<v Speaker 1>one of your friend group. You don't just get moved

1:34:39.680 --> 1:34:43.840
<v Speaker 1>by media bullshit or just peer pressure. You feel me. So, uh,

1:34:44.080 --> 1:34:46.120
<v Speaker 1>I have faith and I know what's up because my

1:34:46.280 --> 1:34:48.519
<v Speaker 1>fans are still here. You had every reason by now

1:34:51.520 --> 1:34:53.880
<v Speaker 1>I'm hand it right to you. Let's attack of dead on.

1:34:54.000 --> 1:34:56.600
<v Speaker 1>IM prom had it right to you. Let's tack ded on.

1:34:56.760 --> 1:34:59.800
<v Speaker 1>Do you think that because if you think, um, if

1:34:59.840 --> 1:35:02.760
<v Speaker 1>you were black, right, yeah, not to say like you

1:35:03.520 --> 1:35:06.120
<v Speaker 1>you want to be black, but if you were black,

1:35:06.160 --> 1:35:09.640
<v Speaker 1>do you think you you'll be Kanye West? Because at

1:35:09.680 --> 1:35:11.320
<v Speaker 1>the end of the day, well, I would say this,

1:35:12.240 --> 1:35:13.760
<v Speaker 1>I would say this, and this might get people mad.

1:35:13.800 --> 1:35:18.040
<v Speaker 1>Don't worry I won't get cancer right here. Uh, if

1:35:18.080 --> 1:35:20.160
<v Speaker 1>I was black, more black people would sucking me, but

1:35:20.240 --> 1:35:24.519
<v Speaker 1>less white people were. So the reality is like I'm

1:35:24.560 --> 1:35:29.760
<v Speaker 1>not black, I'm white, so naturally more white people sucking me, right,

1:35:30.320 --> 1:35:35.240
<v Speaker 1>just like if you're you know, it just is what

1:35:35.320 --> 1:35:39.600
<v Speaker 1>it is. People always say, like, you know, and we

1:35:39.680 --> 1:35:42.599
<v Speaker 1>can just address that right now. Uh, you know, being

1:35:42.640 --> 1:35:45.040
<v Speaker 1>white and hip hop and that whole thing. Being white

1:35:45.080 --> 1:35:47.880
<v Speaker 1>and hip hop makes it way easier to reach the masses,

1:35:48.360 --> 1:35:52.920
<v Speaker 1>makes it way harder to reach hip hop, you know

1:35:52.960 --> 1:35:54.439
<v Speaker 1>what I'm saying. So it just depends on what you

1:35:54.640 --> 1:35:56.760
<v Speaker 1>like if you were only now, if you were using

1:35:56.880 --> 1:35:58.960
<v Speaker 1>hip hop as a vessel to get to the masses,

1:35:59.200 --> 1:36:02.400
<v Speaker 1>then you don't care or that you're white, because you

1:36:02.439 --> 1:36:04.479
<v Speaker 1>aren't trying to reach hip up anyway. You were just

1:36:04.560 --> 1:36:08.240
<v Speaker 1>going for the pop lane. I was always am in

1:36:08.320 --> 1:36:11.439
<v Speaker 1>love with hip hop, So that definitely bothers me, just

1:36:11.560 --> 1:36:14.200
<v Speaker 1>because I understand it and I accept it, and I

1:36:14.320 --> 1:36:16.920
<v Speaker 1>know that by me being white, I'm reaching just the masses,

1:36:17.320 --> 1:36:18.880
<v Speaker 1>but I know that it makes it harder for me

1:36:18.920 --> 1:36:20.400
<v Speaker 1>to reach the people that I wanted to reach and

1:36:20.439 --> 1:36:23.280
<v Speaker 1>that I want to reach. Yeah, And so like I

1:36:23.360 --> 1:36:25.080
<v Speaker 1>understand that I accept that, but like I said, I

1:36:25.200 --> 1:36:27.479
<v Speaker 1>know that if I was black, I would reach more

1:36:27.520 --> 1:36:33.200
<v Speaker 1>black people unless white people thought goes because that was deep.

1:36:33.280 --> 1:36:37.000
<v Speaker 1>You know, listen, listen, I'm gonna be honest with you. Yeah,

1:36:38.360 --> 1:36:43.240
<v Speaker 1>that was probably the most illiest ship I've ever heard. No, no, no,

1:36:43.880 --> 1:36:47.080
<v Speaker 1>that's serious. I know. It was like, like, that's that's

1:36:47.280 --> 1:36:51.040
<v Speaker 1>that's real, because the thing about it is, sometimes that's

1:36:51.080 --> 1:36:53.920
<v Speaker 1>what I'm metting about lipsey ship. Yeah, sometimes you damn

1:36:53.960 --> 1:36:57.599
<v Speaker 1>if you do. Meaning if you go to the hood,

1:36:58.160 --> 1:37:01.240
<v Speaker 1>certain type of it means you gotta keep up. You're

1:37:01.280 --> 1:37:03.720
<v Speaker 1>in the hood. Yeah, people, but if you don't go

1:37:03.840 --> 1:37:06.200
<v Speaker 1>to the hoodood and that's also a certain type of

1:37:06.240 --> 1:37:09.640
<v Speaker 1>imagy that I keep up too. So sometimes you can't win. No,

1:37:09.800 --> 1:37:11.880
<v Speaker 1>you lose either way. You lose either way, and that

1:37:12.080 --> 1:37:15.320
<v Speaker 1>that's the crazy ship is. We just talked about your

1:37:15.479 --> 1:37:18.960
<v Speaker 1>luxurious life and everything that's good, but in that form,

1:37:19.640 --> 1:37:23.040
<v Speaker 1>sometimes you lose, lose. And that's why it's like, you know,

1:37:23.120 --> 1:37:25.920
<v Speaker 1>what I bank on is truth, and I bank on

1:37:26.000 --> 1:37:30.080
<v Speaker 1>the fact that I'm gonna die at some point. That's reality.

1:37:30.760 --> 1:37:33.519
<v Speaker 1>It's not everyone's gonna die. How did we get here? Well? No,

1:37:33.760 --> 1:37:42.240
<v Speaker 1>but now listen, listen, you are that's just beautiful. That's

1:37:42.280 --> 1:37:46.040
<v Speaker 1>just beautiful. You believe that that's what it is actually

1:37:46.080 --> 1:37:48.679
<v Speaker 1>gonna happen because you have left behind ship that extends

1:37:48.720 --> 1:37:52.600
<v Speaker 1>your body. I would say, like, I'm everyone, I'm omnipresent

1:37:52.720 --> 1:37:57.160
<v Speaker 1>because y'all listening to me in Australia without me being there.

1:37:57.840 --> 1:38:01.200
<v Speaker 1>But I am there because my music transcending my body.

1:38:01.280 --> 1:38:03.479
<v Speaker 1>So now my soul is just permeating throughout the world

1:38:03.960 --> 1:38:06.519
<v Speaker 1>and the ethos of it. So I know him a die.

1:38:06.560 --> 1:38:08.200
<v Speaker 1>So I'm just trying to leave behind the truth because

1:38:08.200 --> 1:38:10.880
<v Speaker 1>the truth will transcend all the hoop blond, the bullshit

1:38:11.000 --> 1:38:12.920
<v Speaker 1>that happens in between the six months that the interview

1:38:12.960 --> 1:38:15.920
<v Speaker 1>goes out, y'all will start yelling and y'all will have

1:38:16.040 --> 1:38:19.400
<v Speaker 1>your whole think piece about reasons why russ should beat

1:38:19.400 --> 1:38:23.720
<v Speaker 1>that all these like because you're or just like just insane.

1:38:25.240 --> 1:38:29.280
<v Speaker 1>Just ask if y'all got one people thinking I'm close

1:38:29.280 --> 1:38:33.040
<v Speaker 1>to Luminati. I'm started to think me too. I start

1:38:33.960 --> 1:38:37.920
<v Speaker 1>I just left that we're gonna have calendar, that's why

1:38:37.960 --> 1:38:43.200
<v Speaker 1>he's going on. I'm I'll start playing with people like

1:38:44.560 --> 1:38:48.360
<v Speaker 1>I think it's ridiculous. Yeah, So it's just like, it's

1:38:48.360 --> 1:38:52.439
<v Speaker 1>not ridiculous. I think it's whatever. Honestly, that's how y'all

1:38:52.479 --> 1:38:56.320
<v Speaker 1>know that I'm definitely not because I think it's ridiculous.

1:38:56.360 --> 1:38:58.320
<v Speaker 1>And I also like when mother fucker sent me d

1:38:58.479 --> 1:39:01.600
<v Speaker 1>M is like, yo, please just watch out for this.

1:39:01.800 --> 1:39:05.519
<v Speaker 1>He's like, Yo, okay, that one was not good. That

1:39:05.640 --> 1:39:09.640
<v Speaker 1>one was not good. Question. No, I'm like, bro, like,

1:39:10.360 --> 1:39:14.360
<v Speaker 1>you have got to stop, you know, wanting d NT

1:39:14.520 --> 1:39:18.120
<v Speaker 1>and watching Netflix and going down the round YouTube. If

1:39:18.160 --> 1:39:21.080
<v Speaker 1>a person say that you're yeah, I'll take it as

1:39:21.080 --> 1:39:23.799
<v Speaker 1>a complement. That just means that I am so winning

1:39:23.840 --> 1:39:26.200
<v Speaker 1>that you can't comprehend it that you have to talk

1:39:26.240 --> 1:39:30.519
<v Speaker 1>about and imaginary you're will positive than me. When I

1:39:30.600 --> 1:39:34.479
<v Speaker 1>think about that, I'm saying that you wanted to piss

1:39:34.479 --> 1:39:36.800
<v Speaker 1>on the fucking sneakers like I don't even want to.

1:39:36.960 --> 1:39:39.800
<v Speaker 1>I want to piss on the ankles like song still

1:39:39.880 --> 1:39:43.800
<v Speaker 1>like dry and it's an is up because I'm like, yo, like,

1:39:44.120 --> 1:39:46.800
<v Speaker 1>do you understand how hard I work? Like I'm the

1:39:46.920 --> 1:39:49.640
<v Speaker 1>first person here, the last person? Like what you do?

1:39:49.640 --> 1:39:55.519
<v Speaker 1>Want to take it with everything? See what I did?

1:39:56.120 --> 1:40:00.120
<v Speaker 1>You beat me here today? You just made it is

1:40:00.120 --> 1:40:05.160
<v Speaker 1>going to change the game. Okay, let's change. Here's the analogy.

1:40:06.439 --> 1:40:12.840
<v Speaker 1>The industry plant of today. It's synonymous with the Illuminati

1:40:12.920 --> 1:40:17.920
<v Speaker 1>of the old head. Absolutely absolutely as bullshit as it is.

1:40:19.040 --> 1:40:21.840
<v Speaker 1>Illuminati is actually more bullshit. Industry plan is based on something,

1:40:21.840 --> 1:40:25.400
<v Speaker 1>but it's it's that same. It's so successful that it

1:40:25.600 --> 1:40:28.280
<v Speaker 1>must have to do with something. Now before before you

1:40:28.320 --> 1:40:31.719
<v Speaker 1>say anything, this, this is my little saying. Just slow

1:40:31.720 --> 1:40:33.639
<v Speaker 1>it out there and it's done. Please do another around

1:40:33.680 --> 1:40:40.640
<v Speaker 1>the tiger bombs too. Tiger bone can say bombs or

1:40:40.680 --> 1:40:47.880
<v Speaker 1>some rum in your elbow, something, my manifesting something. So

1:40:48.000 --> 1:40:49.720
<v Speaker 1>what I this is what I say. This is what

1:40:49.840 --> 1:40:59.880
<v Speaker 1>I say. The conspiracy is the conspiracy. Wow, I like that, chick.

1:41:00.000 --> 1:41:06.519
<v Speaker 1>I think it's great. What's the mad great? Just gotta

1:41:06.560 --> 1:41:14.160
<v Speaker 1>say deep, I'm now you gotta get because now you

1:41:14.600 --> 1:41:20.759
<v Speaker 1>pisscard me to know we're gonna take Pistre already shots

1:41:20.800 --> 1:41:25.160
<v Speaker 1>he go birth hold on Now it's not told the Wow,

1:41:26.920 --> 1:41:30.120
<v Speaker 1>So my dog, I think he's here. Oh he's back there,

1:41:31.360 --> 1:41:36.759
<v Speaker 1>So show Park is still alive. And don't Donald's drop crazy.

1:41:41.120 --> 1:41:43.680
<v Speaker 1>They got a bit too. If you watching a roll

1:41:46.439 --> 1:41:48.320
<v Speaker 1>out of all the deliberation, that's what you left with

1:41:48.439 --> 1:41:55.600
<v Speaker 1>as a segway, yea, so always amazing. My dog is

1:41:55.600 --> 1:41:59.120
<v Speaker 1>always got two bucks, a live Bucks two bucks and

1:41:59.200 --> 1:42:04.640
<v Speaker 1>trained dat boy the Flyers. I didn't be one when

1:42:04.680 --> 1:42:07.439
<v Speaker 1>he was alive. So I would like to meet Hibody's dad.

1:42:07.640 --> 1:42:11.720
<v Speaker 1>I always I always tell my dog the conspiracy is

1:42:11.760 --> 1:42:14.400
<v Speaker 1>a conspiracy. I'm not mad at that because I'm kind

1:42:14.400 --> 1:42:17.559
<v Speaker 1>of into that. They will always feed you something else,

1:42:18.680 --> 1:42:22.080
<v Speaker 1>confused the ship out of you, absolutely, so you'd be like, nah,

1:42:22.479 --> 1:42:24.920
<v Speaker 1>this is it, and then y'all it distracted me from

1:42:24.920 --> 1:42:27.080
<v Speaker 1>the truth. That's a lie. You like the Cuban dr

1:42:27.120 --> 1:42:40.360
<v Speaker 1>C taking a pitch cut version, I'm going right after that. Yeah, yeah,

1:42:40.720 --> 1:42:47.960
<v Speaker 1>don't don't. We called my pa outside its Dominican doll

1:42:48.840 --> 1:42:58.560
<v Speaker 1>like like I can seg picking up paren cimvil that

1:42:59.040 --> 1:43:08.000
<v Speaker 1>that he's happening. Are we recording right now the bathroom

1:43:08.000 --> 1:43:10.320
<v Speaker 1>with a laser on the head. Somebody has a laser

1:43:10.439 --> 1:43:15.840
<v Speaker 1>and it's not happening. Let me know what we're recording,

1:43:15.880 --> 1:43:18.439
<v Speaker 1>because I honestly do want to just take a second

1:43:18.479 --> 1:43:21.200
<v Speaker 1>the big upcare and silver for sure. Yeah, you know

1:43:21.280 --> 1:43:26.800
<v Speaker 1>what the crazy thing is. Yes, we're ready, we'll be good,

1:43:30.000 --> 1:43:41.360
<v Speaker 1>rolling room, get it and we're back in this Hey,

1:43:41.400 --> 1:43:52.680
<v Speaker 1>guitar sponsors charmon, I mean this bottle least? How do

1:43:52.960 --> 1:43:57.280
<v Speaker 1>you shut off? Play? Hold on? But how did they

1:43:57.360 --> 1:44:04.920
<v Speaker 1>get this copyright? Because because there are best oh you know, hello,

1:44:08.520 --> 1:44:11.960
<v Speaker 1>that's something like that's something like your best but there

1:44:12.080 --> 1:44:20.559
<v Speaker 1>was shut up, Come on, friends, I don't know y'all,

1:44:22.040 --> 1:44:30.840
<v Speaker 1>y'all mutual friends don't know yet give me that ye yo,

1:44:31.000 --> 1:44:45.640
<v Speaker 1>shout out to h the best liqudrink. You're not, but

1:44:45.720 --> 1:44:54.639
<v Speaker 1>I do want to, Yeah, yeah, yes, perfect typing can

1:44:54.800 --> 1:44:59.920
<v Speaker 1>civil is an absolute superhero, not super woman, not super

1:45:00.040 --> 1:45:06.680
<v Speaker 1>man superhero. Wats how crazy this is? It was one

1:45:06.720 --> 1:45:08.640
<v Speaker 1>of those things like a booking agent Carroll Lewis that

1:45:08.680 --> 1:45:12.880
<v Speaker 1>I always I knew because I studied the behind the scenes.

1:45:12.880 --> 1:45:14.840
<v Speaker 1>I didn't like, yeah, you were rapping, you were making

1:45:14.840 --> 1:45:18.240
<v Speaker 1>the beats, but who is doing everything else? Right? So

1:45:18.360 --> 1:45:21.840
<v Speaker 1>I studied that. So Karen Sivil, like I, we knew

1:45:21.880 --> 1:45:26.880
<v Speaker 1>about her pretty early on. So my best friend who

1:45:26.920 --> 1:45:28.880
<v Speaker 1>I started diving with, which is d I E M

1:45:28.880 --> 1:45:30.400
<v Speaker 1>O N Dude Everyday Music, And I think it was

1:45:30.439 --> 1:45:33.000
<v Speaker 1>a company we started when we were seventeen, because honestly

1:45:33.080 --> 1:45:34.600
<v Speaker 1>started as the website we were tried to put them

1:45:34.640 --> 1:45:37.599
<v Speaker 1>songs on media fire. We wanted to just you get

1:45:37.640 --> 1:45:39.439
<v Speaker 1>it from our website, not media fire, right, So that's

1:45:39.439 --> 1:45:41.280
<v Speaker 1>how I started. Then it turned into a logo and

1:45:41.400 --> 1:45:44.960
<v Speaker 1>close in this right um, which is why we always

1:45:44.960 --> 1:45:48.240
<v Speaker 1>funk with Nipsey because it was like we saw we

1:45:48.320 --> 1:45:56.640
<v Speaker 1>saw the same ship Um solen Um Warren Californio. We

1:45:56.680 --> 1:46:00.439
<v Speaker 1>go to Nipsey shop. I'm eighteen, he's eighteen. Uh. We

1:46:00.560 --> 1:46:03.760
<v Speaker 1>buy clothes like that's a funny story, but the math. Yeah,

1:46:03.760 --> 1:46:05.840
<v Speaker 1>we go to the store that store. Bookis had on

1:46:05.920 --> 1:46:08.600
<v Speaker 1>a hoodie, all red hoodie with a big bee on it,

1:46:09.040 --> 1:46:12.519
<v Speaker 1>and I had on black air Force ones with red laces.

1:46:13.040 --> 1:46:15.599
<v Speaker 1>And we pull up and right before we get out

1:46:15.640 --> 1:46:18.320
<v Speaker 1>of the car and what're seventeen eighteen? We don't know,

1:46:18.560 --> 1:46:20.360
<v Speaker 1>Like we're just moving off the music and we're like yo.

1:46:21.000 --> 1:46:23.479
<v Speaker 1>I was like, man, you got a something called blue laces.

1:46:23.560 --> 1:46:26.120
<v Speaker 1>I was like, it's probably a great idea to go

1:46:26.240 --> 1:46:31.040
<v Speaker 1>in with red laces. So so so we go in there.

1:46:31.120 --> 1:46:33.280
<v Speaker 1>Booky stays off the hoodies. There's like a black teeth

1:46:33.479 --> 1:46:36.080
<v Speaker 1>and I take out the liss my air Force ones

1:46:36.320 --> 1:46:38.439
<v Speaker 1>and we go in. But it was such a cool

1:46:39.040 --> 1:46:41.679
<v Speaker 1>memory for me because like Black Sam was there and everything,

1:46:41.720 --> 1:46:43.600
<v Speaker 1>and it was just like it was dope, you know

1:46:43.640 --> 1:46:45.479
<v Speaker 1>what I mean? It was it was we saw a

1:46:45.640 --> 1:46:48.080
<v Speaker 1>lot of ourselves in that and it was such an

1:46:48.120 --> 1:46:52.880
<v Speaker 1>inspiration um the story itself, the Storytelf and just the

1:46:52.920 --> 1:46:56.160
<v Speaker 1>fact of branding yourself and making it bigger than you. Like.

1:46:56.360 --> 1:46:59.320
<v Speaker 1>So we had Diamond that that was what was the

1:46:59.400 --> 1:47:04.000
<v Speaker 1>original ship. Oh, Karen Civil. So that was so boosts.

1:47:04.080 --> 1:47:07.400
<v Speaker 1>Older brother Jinior is doing ship with tech, you know

1:47:07.439 --> 1:47:09.479
<v Speaker 1>what I mean. So we go out to l A

1:47:09.720 --> 1:47:14.880
<v Speaker 1>for a couple of months, like September to October, and

1:47:16.560 --> 1:47:22.120
<v Speaker 1>we're just going to the guys station and this is September.

1:47:22.360 --> 1:47:24.200
<v Speaker 1>We're going to the guys station. We see Karen Civil.

1:47:25.120 --> 1:47:30.639
<v Speaker 1>But to recognize that it's Karen Civil, Yeah, takes. That's

1:47:30.680 --> 1:47:33.200
<v Speaker 1>what the trick is because a lot of y'all don't

1:47:33.200 --> 1:47:35.000
<v Speaker 1>recognize when your blessing is right in front of you

1:47:35.400 --> 1:47:37.800
<v Speaker 1>because y'all don't do enough education. You mostly want the

1:47:37.840 --> 1:47:40.120
<v Speaker 1>person that's in front of the camera, the person. Most

1:47:40.160 --> 1:47:43.679
<v Speaker 1>of y'all think that until I see Drake in person,

1:47:44.439 --> 1:47:49.560
<v Speaker 1>I am not successful. You don't realize that. Yeah, So

1:47:50.120 --> 1:47:54.360
<v Speaker 1>we saw Karen Civil in at the gas station and

1:47:54.479 --> 1:47:57.599
<v Speaker 1>we were like we hopped out, got pictures, just set

1:47:57.640 --> 1:48:00.559
<v Speaker 1>what's up there? Whatever? And I remember I during her

1:48:00.600 --> 1:48:02.720
<v Speaker 1>on Twitter like yeah, I met the guess checking on

1:48:02.840 --> 1:48:05.680
<v Speaker 1>music like badgering, and I still like play around with

1:48:05.720 --> 1:48:08.080
<v Speaker 1>her on that like yo, were here from the gas station.

1:48:08.720 --> 1:48:11.120
<v Speaker 1>But she used to like hit me back every once

1:48:11.160 --> 1:48:12.680
<v Speaker 1>in a while, like I know we met at the

1:48:12.720 --> 1:48:16.120
<v Speaker 1>gay station like basically shut up, you know. But I

1:48:16.240 --> 1:48:20.280
<v Speaker 1>was persistent, and the second I got uh, you know,

1:48:20.840 --> 1:48:23.080
<v Speaker 1>I started living this life and and everything happened the

1:48:23.120 --> 1:48:25.439
<v Speaker 1>way it happened. I was like, you know what, you know,

1:48:25.600 --> 1:48:28.559
<v Speaker 1>Karen Civil because she's been an idol to me as

1:48:28.600 --> 1:48:31.240
<v Speaker 1>far as that world for so long. Now that I have,

1:48:32.280 --> 1:48:37.559
<v Speaker 1>you are already successful when I met her. Nothing I'm

1:48:37.600 --> 1:48:40.880
<v Speaker 1>saying four or five years past before I actually hired her.

1:48:41.600 --> 1:48:44.200
<v Speaker 1>How were you? What were you successful at that point

1:48:44.320 --> 1:48:46.720
<v Speaker 1>you hired? When I hired her, Yeah, I hired it

1:48:46.800 --> 1:48:50.920
<v Speaker 1>like last year. I'm saying you, Yeah, I know what

1:48:51.000 --> 1:48:55.160
<v Speaker 1>I'm saying. To recognize her when you have eight hundred followers,

1:48:55.479 --> 1:48:57.560
<v Speaker 1>let you know that my head was not only on

1:48:57.680 --> 1:49:00.360
<v Speaker 1>who was making the hits, it was who was doing

1:49:00.400 --> 1:49:04.720
<v Speaker 1>everything around. But that's what I'm saying that when you're successful,

1:49:05.080 --> 1:49:12.479
<v Speaker 1>it's also ingenious of yourself. Thank you just to recognize

1:49:12.520 --> 1:49:16.000
<v Speaker 1>that well, because I didn't. I didn't forget once it

1:49:16.120 --> 1:49:18.200
<v Speaker 1>got successful. She was always kind of in the back

1:49:18.240 --> 1:49:20.040
<v Speaker 1>of my head like a Carrol Lewis was where it's like,

1:49:21.160 --> 1:49:23.680
<v Speaker 1>I'm assemble a team, like a dream team, Like I

1:49:23.760 --> 1:49:26.400
<v Speaker 1>got the music unlock. I got it. Now whatever comes

1:49:26.479 --> 1:49:29.439
<v Speaker 1>from that, like now I'm working with boy one in stories,

1:49:29.479 --> 1:49:32.640
<v Speaker 1>like whatever naturally comes from that is cool. But I

1:49:32.800 --> 1:49:37.080
<v Speaker 1>got that unlock. If not now these other components, I

1:49:37.160 --> 1:49:38.960
<v Speaker 1>need someone who can just rebound. I need someone who

1:49:39.000 --> 1:49:42.559
<v Speaker 1>can just etcetera. So I always had a can Civil

1:49:42.600 --> 1:49:44.040
<v Speaker 1>and a Carrol Loose in the back of my mind.

1:49:44.160 --> 1:49:48.800
<v Speaker 1>But um cancer was just a superhero. She she right

1:49:48.920 --> 1:49:53.240
<v Speaker 1>with the mac Miller ship, insane, insane from what it

1:49:53.360 --> 1:49:55.559
<v Speaker 1>was said, I don't whatever, I don't want to say

1:49:55.560 --> 1:49:59.000
<v Speaker 1>the long thing. But she found the body, right, that's

1:49:59.000 --> 1:50:02.240
<v Speaker 1>what that That's what I said, but definitely don't quote

1:50:02.240 --> 1:50:04.240
<v Speaker 1>me on it. But regardless of that happened to that,

1:50:04.360 --> 1:50:06.519
<v Speaker 1>she was Hella close with him. So she loses him

1:50:06.680 --> 1:50:10.360
<v Speaker 1>within six months. You lose Nipsey another close friend and

1:50:10.560 --> 1:50:12.599
<v Speaker 1>for you to still put on. The event you put

1:50:12.680 --> 1:50:16.320
<v Speaker 1>on is you're a superhero. You feel me like you're

1:50:16.400 --> 1:50:20.479
<v Speaker 1>just a superhero. So there's nothing short of a praise

1:50:20.600 --> 1:50:23.360
<v Speaker 1>that she's you know what I mean, Like there's it's

1:50:23.400 --> 1:50:28.240
<v Speaker 1>just a superhero thing. Because to to take the pain

1:50:28.960 --> 1:50:32.559
<v Speaker 1>and to flip it in triumph and and recognize as

1:50:32.560 --> 1:50:34.840
<v Speaker 1>bigger than you is. It's so I remember when I

1:50:34.880 --> 1:50:37.360
<v Speaker 1>told her that, because I'm going to give the roses

1:50:37.360 --> 1:50:45.360
<v Speaker 1>while they're here. So that's a period your platinum debut albums,

1:50:45.520 --> 1:50:48.720
<v Speaker 1>seventh certified songs on the album, and merce hip hop

1:50:48.880 --> 1:50:54.200
<v Speaker 1>artists to ever go platinum on their debut album completely

1:50:54.320 --> 1:50:59.360
<v Speaker 1>self produced, written, mixed, and mastered entirely. Yes, And then

1:51:03.080 --> 1:51:05.920
<v Speaker 1>that's some fucking incredible ship. I'm gonna be honest. I

1:51:06.000 --> 1:51:08.840
<v Speaker 1>know you know you're crazy as the motherfucker because because

1:51:08.920 --> 1:51:14.759
<v Speaker 1>listen to right rhymes, you gotta be insane. To right rhymes,

1:51:14.760 --> 1:51:18.080
<v Speaker 1>you gotta be insane. And when I stood with Swiss Beat,

1:51:18.120 --> 1:51:20.080
<v Speaker 1>Swiss Beasts was the first producer that I went in

1:51:20.160 --> 1:51:23.280
<v Speaker 1>the studio with and I realized that in order for

1:51:23.320 --> 1:51:25.040
<v Speaker 1>you to make beats, you also got to be crazy

1:51:25.080 --> 1:51:29.160
<v Speaker 1>as well. Because because Swiss we played me some Ship

1:51:29.280 --> 1:51:31.599
<v Speaker 1>sometimes and I'll be in a student with him. I'm like, nah,

1:51:32.040 --> 1:51:34.360
<v Speaker 1>but this is my rhyme. And the Siss to be like, oh, Ship,

1:51:34.400 --> 1:51:36.760
<v Speaker 1>you got your rhyme already, bro, And I'm like yeah.

1:51:36.800 --> 1:51:40.800
<v Speaker 1>And with Primo that was normal what everyone else does.

1:51:40.960 --> 1:51:42.840
<v Speaker 1>But you know me and Swiss. You know, I think

1:51:42.880 --> 1:51:45.080
<v Speaker 1>I'm a year older than Swiss. I think I'm forty one.

1:51:45.120 --> 1:51:49.320
<v Speaker 1>I think Swiss is forty. So um, when we're in

1:51:50.439 --> 1:51:52.680
<v Speaker 1>and the Swiss will had to make the rhyme to me.

1:51:53.000 --> 1:51:55.639
<v Speaker 1>So Swiss kept going so was he was he doing

1:51:55.720 --> 1:51:58.320
<v Speaker 1>the d t or raps where you rapp into the D. No.

1:51:58.600 --> 1:52:00.439
<v Speaker 1>This is what I'm trying to say is working with

1:52:00.640 --> 1:52:02.880
<v Speaker 1>Swiss because I was I had the rhymes already roll,

1:52:04.040 --> 1:52:05.800
<v Speaker 1>so I kept doing it. So how we got from

1:52:05.840 --> 1:52:10.160
<v Speaker 1>Bad from TV was but the se So how he

1:52:10.240 --> 1:52:12.200
<v Speaker 1>got from you know, that's how we got Bad from TV?

1:52:12.360 --> 1:52:15.559
<v Speaker 1>But all five of us was. What happened was, Um,

1:52:16.160 --> 1:52:18.439
<v Speaker 1>I did a song called I'm Leaving on the Firm

1:52:18.560 --> 1:52:23.160
<v Speaker 1>album and it was actually Nature's session. It was Nature's

1:52:23.479 --> 1:52:26.439
<v Speaker 1>song everything. But I was the dude that I always

1:52:26.520 --> 1:52:28.560
<v Speaker 1>had rhymes in my ship. So when I walked in

1:52:28.680 --> 1:52:31.200
<v Speaker 1>the studio, Dr dre said you gotta rhyme and I

1:52:31.240 --> 1:52:34.640
<v Speaker 1>was like, yeah, I walked in Late Diverse. But the

1:52:34.760 --> 1:52:37.719
<v Speaker 1>whole time I'm like, yo, this is Nature's session. Any

1:52:37.840 --> 1:52:41.599
<v Speaker 1>other dudes would be like, he's a fucking thick faces.

1:52:42.479 --> 1:52:44.280
<v Speaker 1>This is my session. Why would you say you gotta

1:52:44.360 --> 1:52:47.040
<v Speaker 1>rhyme with Dr Dreke says do you have a rhyme?

1:52:47.680 --> 1:52:52.280
<v Speaker 1>Because it's Dr dre'diot. You know what I'm saying? You

1:52:52.360 --> 1:52:55.160
<v Speaker 1>know what? So I right, I ain't asked anybody if

1:52:55.160 --> 1:52:58.920
<v Speaker 1>he was cool. You know session? You like, yo, Yo,

1:52:59.439 --> 1:53:02.840
<v Speaker 1>you got you know JayR s and Jay look you

1:53:02.880 --> 1:53:06.760
<v Speaker 1>gotta rob Like usually dude was wanted to say it

1:53:06.880 --> 1:53:09.280
<v Speaker 1>was the cool I showed j but I was like, yo,

1:53:09.360 --> 1:53:11.120
<v Speaker 1>my dude, I'm cool. He asked me, I'm going in

1:53:11.439 --> 1:53:13.400
<v Speaker 1>boom I went, and I said, no, we know this,

1:53:14.280 --> 1:53:18.160
<v Speaker 1>we know that. No, you know why I can make

1:53:18.200 --> 1:53:20.920
<v Speaker 1>your rays and I swear I killed it in the

1:53:21.040 --> 1:53:23.439
<v Speaker 1>first tape. But I think Dr Dream was so much

1:53:23.560 --> 1:53:25.760
<v Speaker 1>like a perfectionist. He was like, just do it one

1:53:25.760 --> 1:53:29.400
<v Speaker 1>one time, and I was like, no problem, And I

1:53:29.479 --> 1:53:31.960
<v Speaker 1>did it one one time boom. So my thing was

1:53:32.560 --> 1:53:37.000
<v Speaker 1>to pay to pay nature back from our head because

1:53:37.200 --> 1:53:40.240
<v Speaker 1>I don't gonna lie. In my mind, I might have

1:53:40.280 --> 1:53:46.280
<v Speaker 1>said you here. So that's how Bad from TV got created.

1:53:46.280 --> 1:53:49.000
<v Speaker 1>It was because I had the whole rhymes with Swiss.

1:53:49.040 --> 1:53:50.320
<v Speaker 1>Getting back to what I was trying to tell you,

1:53:50.760 --> 1:53:55.240
<v Speaker 1>I had these rhymes with Swiss and we had the record,

1:53:55.360 --> 1:53:58.679
<v Speaker 1>but then we had to squeeze in nature. So nature

1:53:59.000 --> 1:54:01.200
<v Speaker 1>he didn't like anything at me and Swiss had laid

1:54:01.320 --> 1:54:05.560
<v Speaker 1>down prior to that, and then at this point I

1:54:05.760 --> 1:54:08.880
<v Speaker 1>almost giving up. I was like, damn, man, so you

1:54:08.920 --> 1:54:11.719
<v Speaker 1>said you squeezed in nature because of what happened before,

1:54:12.120 --> 1:54:18.519
<v Speaker 1>because he didn't hate on so I'm trying to squeeze

1:54:18.560 --> 1:54:20.600
<v Speaker 1>him in, but he don't like nothing that me and

1:54:20.680 --> 1:54:24.519
<v Speaker 1>Swiss trying. So I'm almost like, man, this is not

1:54:24.600 --> 1:54:28.320
<v Speaker 1>gonna work out. So at the very last end, this

1:54:28.479 --> 1:54:31.240
<v Speaker 1>has been crazy. That's why band from TV work was

1:54:31.360 --> 1:54:33.600
<v Speaker 1>part of Hit Me Again. It was like where you at?

1:54:34.160 --> 1:54:36.160
<v Speaker 1>And I was like in the studio, punch just hung up.

1:54:36.200 --> 1:54:38.600
<v Speaker 1>You never asked me where. I never asked me where

1:54:38.600 --> 1:54:40.640
<v Speaker 1>because he just had to connect on me. He always

1:54:40.720 --> 1:54:43.400
<v Speaker 1>knew all my friends around that he didn't care about,

1:54:44.880 --> 1:54:48.400
<v Speaker 1>you know, like I don't even know what fucking motherfucker.

1:54:48.920 --> 1:54:53.560
<v Speaker 1>So um, So what happens is Swiss switches the beat

1:54:53.680 --> 1:54:57.960
<v Speaker 1>and it's the band from TV. Be So I don't

1:54:59.200 --> 1:55:00.720
<v Speaker 1>I can't say I don't like to be I just

1:55:00.840 --> 1:55:03.760
<v Speaker 1>I didn't love to be the first, but nature went

1:55:03.960 --> 1:55:08.480
<v Speaker 1>right in. Just lady. So what happens is Pun walks

1:55:08.520 --> 1:55:12.760
<v Speaker 1>in the studio at that same time, and we're all

1:55:12.960 --> 1:55:15.840
<v Speaker 1>chilling whatever whatever. I go to the bathroom. I'm going

1:55:15.840 --> 1:55:17.640
<v Speaker 1>down stands and smoke a cigarette because I always I

1:55:17.760 --> 1:55:21.800
<v Speaker 1>smoke cigarettes at the time and I hated to smell

1:55:21.840 --> 1:55:26.720
<v Speaker 1>a cigarettes, which is which is weird. And I came

1:55:26.760 --> 1:55:29.160
<v Speaker 1>back and punted head just laid his verse, and I

1:55:29.280 --> 1:55:32.160
<v Speaker 1>was just like to the engineer, funck boy, what the

1:55:32.280 --> 1:55:35.440
<v Speaker 1>fox wants? The engineers looking at me like you wanted

1:55:35.480 --> 1:55:42.320
<v Speaker 1>me to tell him this is a different engine there.

1:55:42.800 --> 1:55:47.480
<v Speaker 1>But I'm looking at like but in my mind, pun

1:55:47.760 --> 1:55:51.680
<v Speaker 1>killed the verse. But I also have to have my respect.

1:55:51.760 --> 1:55:54.440
<v Speaker 1>This is MYRS, but this is my session, so I

1:55:54.560 --> 1:55:56.240
<v Speaker 1>gotta be a little cocky. I'm gonna be like, Yo,

1:55:56.320 --> 1:55:57.920
<v Speaker 1>why the fund you did that? But that's what the

1:55:57.960 --> 1:56:01.680
<v Speaker 1>fucking the way bad from TV happened, your rust man. Listen,

1:56:01.960 --> 1:56:10.400
<v Speaker 1>we got more salute the last one salute, But let

1:56:10.440 --> 1:56:12.080
<v Speaker 1>me just say that was a bad one as well,

1:56:13.840 --> 1:56:17.200
<v Speaker 1>not as bad as the previous. I don't think we're

1:56:17.280 --> 1:56:22.120
<v Speaker 1>venturing into Yeah, okay, let me just tell you I admire.

1:56:23.000 --> 1:56:25.320
<v Speaker 1>This is where I'm got to not let anything back.

1:56:25.360 --> 1:56:32.320
<v Speaker 1>But I really really admire zilious. It was zilious. I

1:56:32.440 --> 1:56:36.120
<v Speaker 1>really admire how so many artists, so many people who

1:56:36.200 --> 1:56:43.000
<v Speaker 1>was in your same position, we have not only gave up, oh,

1:56:43.760 --> 1:56:46.880
<v Speaker 1>they would have failed. They would have gave up miserably

1:56:47.440 --> 1:56:49.480
<v Speaker 1>because they would their whole life would have been ruined.

1:56:50.960 --> 1:56:53.200
<v Speaker 1>And I know I actually listened a certain way before.

1:56:53.920 --> 1:56:57.040
<v Speaker 1>But so you when you first start making money, when

1:56:57.160 --> 1:56:59.640
<v Speaker 1>is that point where you like, this is it for me?

1:56:59.840 --> 1:57:02.800
<v Speaker 1>I have to stay here because you know what it was?

1:57:05.160 --> 1:57:10.120
<v Speaker 1>Uh it? Once again, I think that it wasn't the

1:57:10.240 --> 1:57:12.640
<v Speaker 1>point and it was so it wasn't a money thing.

1:57:12.840 --> 1:57:15.880
<v Speaker 1>It wasn't a point. It was it was more of

1:57:18.000 --> 1:57:22.880
<v Speaker 1>uh in emotion, like because my parents were we got

1:57:22.960 --> 1:57:27.600
<v Speaker 1>to a place where well, my brother had a fiance,

1:57:27.920 --> 1:57:30.720
<v Speaker 1>my sister wasn't was going to school, was going to college,

1:57:31.480 --> 1:57:33.440
<v Speaker 1>and it was me, my mom and my dad in

1:57:33.480 --> 1:57:38.640
<v Speaker 1>the house and this is uh right, So this is

1:57:38.760 --> 1:57:40.760
<v Speaker 1>like I remember, we moved around a lot, and I

1:57:40.800 --> 1:57:43.680
<v Speaker 1>always look at for myself, my personal life and my moments.

1:57:44.200 --> 1:57:46.800
<v Speaker 1>I looked back at the houses I lived in throughout

1:57:46.840 --> 1:57:51.600
<v Speaker 1>Georgia as like these um bullet points for my musical career.

1:57:51.800 --> 1:57:57.520
<v Speaker 1>So I remember moving to that house. Uh. Um it

1:57:57.640 --> 1:57:59.920
<v Speaker 1>was a smaller it was a smaller house. We kept

1:58:00.480 --> 1:58:04.400
<v Speaker 1>uh downsizing, which like with my dad's pride and everything naturally,

1:58:04.480 --> 1:58:06.480
<v Speaker 1>because I remember having that conversation with him where he

1:58:06.560 --> 1:58:09.920
<v Speaker 1>was like, yo, I'm I'm not supposed to be going backwards.

1:58:10.240 --> 1:58:13.280
<v Speaker 1>I'll never forget that. So we started going backwards. So

1:58:13.360 --> 1:58:15.440
<v Speaker 1>we end up to this place. But I remember moving

1:58:15.480 --> 1:58:18.280
<v Speaker 1>there to the smaller to the smallest house we had,

1:58:18.360 --> 1:58:23.360
<v Speaker 1>and it was, um, it was like, man, uh, but

1:58:23.480 --> 1:58:25.000
<v Speaker 1>this is gonna be the house that I blew up in.

1:58:25.560 --> 1:58:29.160
<v Speaker 1>I remember saying that on the sidewalk and post the

1:58:29.200 --> 1:58:33.000
<v Speaker 1>house with my mom. I remember saying it, and I

1:58:33.240 --> 1:58:36.120
<v Speaker 1>was it was so I was now was when I

1:58:36.240 --> 1:58:38.240
<v Speaker 1>was twenty one. We I was twenty one because I

1:58:38.280 --> 1:58:42.760
<v Speaker 1>turned twenty two that year in September, So I was.

1:58:43.040 --> 1:58:45.680
<v Speaker 1>I know I was for short doing music, but there

1:58:45.800 --> 1:58:49.160
<v Speaker 1>was nothing in my present day life to co sign

1:58:49.280 --> 1:58:51.600
<v Speaker 1>my belief and people need to understand that you need

1:58:51.680 --> 1:58:55.560
<v Speaker 1>to operate off a delusion most of the time because

1:58:57.000 --> 1:59:01.720
<v Speaker 1>no delusion, but like you have to find, you have

1:59:01.920 --> 1:59:06.400
<v Speaker 1>to find the delusion. It's it's whatever you right, it's faith,

1:59:06.600 --> 1:59:09.040
<v Speaker 1>whatever you want to call it, it's it's faith in

1:59:09.160 --> 1:59:12.480
<v Speaker 1>the delusion. So I remember just being like, it's just

1:59:12.560 --> 1:59:14.760
<v Speaker 1>gonna work and that's it, and I don't want to

1:59:14.800 --> 1:59:16.440
<v Speaker 1>hear anything about it. She's just gonna work. And I

1:59:16.600 --> 1:59:21.120
<v Speaker 1>was it is, it's me. But it's also when I

1:59:21.280 --> 1:59:24.520
<v Speaker 1>was five and my brother was a year older than me,

1:59:24.600 --> 1:59:26.440
<v Speaker 1>and my dad was always our basketball coach at the

1:59:26.520 --> 1:59:30.080
<v Speaker 1>rack and the wine type of ship, and you know,

1:59:30.200 --> 1:59:32.200
<v Speaker 1>me always wanted to play with the older kids, and like,

1:59:32.400 --> 1:59:35.760
<v Speaker 1>I just always wanted it. I just always I always

1:59:35.760 --> 1:59:38.200
<v Speaker 1>wanted to prove to myself that I was really, really dope.

1:59:38.520 --> 1:59:41.320
<v Speaker 1>And doesn't maybe even stem off of an insecurity probably

1:59:41.840 --> 1:59:44.360
<v Speaker 1>you know what I'm saying. Probably probably, But if that

1:59:44.480 --> 1:59:49.560
<v Speaker 1>insecurity fuelled self love and fueled self exploration, then I'll

1:59:49.600 --> 1:59:53.040
<v Speaker 1>take it. Then I'll then I'll bite that's be bumped

1:59:53.360 --> 1:59:56.160
<v Speaker 1>if I find the fast length, you feel me? So, uh,

1:59:57.120 --> 1:59:59.160
<v Speaker 1>I wanted to prove to myself that I was as

1:59:59.200 --> 2:00:01.080
<v Speaker 1>great as I was. You feel me when I was

2:00:01.160 --> 2:00:04.080
<v Speaker 1>talking myself up in my room when I was eighteen

2:00:04.160 --> 2:00:06.680
<v Speaker 1>and one, like man, nothing has happened yet, no song

2:00:06.760 --> 2:00:09.160
<v Speaker 1>is blown up, but I'm sucking ill. Like I would

2:00:09.160 --> 2:00:10.880
<v Speaker 1>say to myself in my head, I would believe it.

2:00:11.000 --> 2:00:14.000
<v Speaker 1>It wasn't just saying. It was feeling how you feel

2:00:14.040 --> 2:00:18.000
<v Speaker 1>being the illness. And so when it happened, right, it wasn't.

2:00:18.320 --> 2:00:21.160
<v Speaker 1>It wasn't this oh my god surprise. It almost felt overdue,

2:00:21.720 --> 2:00:25.680
<v Speaker 1>which is why you end up chasing this imaginary thing

2:00:25.880 --> 2:00:29.760
<v Speaker 1>because if I always feel put it like this. I

2:00:29.920 --> 2:00:32.000
<v Speaker 1>have wanted Grammy in my head so many times that

2:00:32.080 --> 2:00:34.600
<v Speaker 1>when I went to Grammy, it won't feel as special

2:00:34.800 --> 2:00:38.200
<v Speaker 1>as if I wasn't expecting you know what I'm saying,

2:00:38.400 --> 2:00:41.400
<v Speaker 1>Because I've wanted like I went platinum on my debuts

2:00:41.520 --> 2:00:43.560
<v Speaker 1>so many times in my head before it happened that

2:00:43.600 --> 2:00:45.920
<v Speaker 1>when it did happen, I was just kind of like

2:00:46.360 --> 2:00:50.840
<v Speaker 1>our time, Motherfucker's are slow. Was kind of robbed myself

2:00:50.960 --> 2:00:54.280
<v Speaker 1>of how great the moment is. But the antithesis of

2:00:54.400 --> 2:00:57.160
<v Speaker 1>that is that it also allows me to stay hungry,

2:00:57.600 --> 2:01:01.440
<v Speaker 1>because if my quench of thirst if my thirsty plays

2:01:01.600 --> 2:01:03.800
<v Speaker 1>right there with the platinum debut, I always want to

2:01:03.880 --> 2:01:06.600
<v Speaker 1>platinum debut album. Now I gotta platinum debut album. If

2:01:06.680 --> 2:01:08.960
<v Speaker 1>that right there, quench my thirst And guess what, I

2:01:09.080 --> 2:01:11.600
<v Speaker 1>got rich and I stopped trying, and I'm this. I'm

2:01:11.600 --> 2:01:13.240
<v Speaker 1>sitting here in on ount of my business. But the

2:01:13.320 --> 2:01:16.680
<v Speaker 1>reality is that I was me before y'all realized I

2:01:16.800 --> 2:01:19.440
<v Speaker 1>was me. So by the time y'all recognized I was me,

2:01:19.800 --> 2:01:21.240
<v Speaker 1>I was off me. I was onto a new me.

2:01:21.680 --> 2:01:23.800
<v Speaker 1>So now y'all got to catch up to this different version.

2:01:24.000 --> 2:01:29.200
<v Speaker 1>What's my man? That do the plays? He was on

2:01:30.400 --> 2:01:37.560
<v Speaker 1>Kurbie Enthusiasmanda, I see legendary. Who's that? What's the name

2:01:39.440 --> 2:01:43.840
<v Speaker 1>the Hamilton's do? That does Hamilton's? I mean, if you

2:01:44.720 --> 2:01:47.920
<v Speaker 1>the thing about it this he was the first reporter,

2:01:51.680 --> 2:01:54.120
<v Speaker 1>Larry David, So he's the first guy to say, you

2:01:54.240 --> 2:01:58.520
<v Speaker 1>know what, I'm gonna do a play Hamilton's over, but

2:01:58.560 --> 2:02:00.600
<v Speaker 1>I'm gonna do it in the hip hop that's hard.

2:02:00.720 --> 2:02:03.280
<v Speaker 1>He was the first one that did it, so everyone

2:02:03.480 --> 2:02:07.120
<v Speaker 1>hated him right for the first five, six, seven years. Again,

2:02:07.200 --> 2:02:10.840
<v Speaker 1>let's get deep. It was out there so and that's

2:02:10.880 --> 2:02:13.120
<v Speaker 1>what that's what I'm saying that's what you're mommy of me,

2:02:13.240 --> 2:02:17.960
<v Speaker 1>because like I just feel like nothing this anybody, but

2:02:18.280 --> 2:02:21.720
<v Speaker 1>like you're kind of like you saw a vision that

2:02:21.760 --> 2:02:25.480
<v Speaker 1>a lot of people that don't see. And if you

2:02:25.600 --> 2:02:27.560
<v Speaker 1>was to say it like yo, smarter than everybody can

2:02:27.680 --> 2:02:31.240
<v Speaker 1>come off. But if I was just saying like, yeah,

2:02:31.360 --> 2:02:34.440
<v Speaker 1>you know what's fucked up is that? Wasn't this based

2:02:34.520 --> 2:02:36.880
<v Speaker 1>off of cockiness? Let me ask, Let me ask two

2:02:36.920 --> 2:02:41.160
<v Speaker 1>fold a question. Wasn't this based off of the culture

2:02:41.880 --> 2:02:44.920
<v Speaker 1>the culture? Wasn't it based off of I felt commedia,

2:02:44.920 --> 2:02:47.520
<v Speaker 1>I'm talking to my ship. Okay, So it's two folds.

2:02:47.600 --> 2:02:50.480
<v Speaker 1>So then the second fold is like, Okay, let's say

2:02:50.520 --> 2:02:53.520
<v Speaker 1>it's not based off of that. Right, Let's for conversations

2:02:53.600 --> 2:02:56.000
<v Speaker 1>like absolutely disagree with Let's say it's not based off

2:02:56.000 --> 2:02:59.520
<v Speaker 1>of that. Let's say, what are these artists now who

2:02:59.560 --> 2:03:03.600
<v Speaker 1>are twenty twenty one who they're cocky, but not about

2:03:03.680 --> 2:03:08.480
<v Speaker 1>hip hop, not about the craft. They're cocky about getting

2:03:08.520 --> 2:03:12.520
<v Speaker 1>high or buying gucci or buying So y'all are cocky

2:03:12.640 --> 2:03:17.680
<v Speaker 1>about being, uh, you don't work with gay people, but

2:03:17.800 --> 2:03:20.880
<v Speaker 1>y'all are cocky about wearing gay people's clothes who don't

2:03:20.920 --> 2:03:25.120
<v Speaker 1>sunk with you. So how does how does that make sense?

2:03:25.320 --> 2:03:28.640
<v Speaker 1>Because you gotta understand that I'm cocky about self sufficiency

2:03:29.000 --> 2:03:32.800
<v Speaker 1>only my master's producing, mixing everything. I'm cocky about selling

2:03:32.840 --> 2:03:35.200
<v Speaker 1>our Staples center with no openers and selling hard tickets

2:03:35.200 --> 2:03:39.920
<v Speaker 1>and owner my ship. Y'all are cocky about rocking gay

2:03:39.960 --> 2:03:42.280
<v Speaker 1>people's clothes, and you say you don't work with gay people.

2:03:42.440 --> 2:03:44.600
<v Speaker 1>Y'all are how do you not work with gay people?

2:03:45.000 --> 2:03:47.480
<v Speaker 1>Gay people are the endness. Y'all are wearing their clothes

2:03:48.240 --> 2:03:52.000
<v Speaker 1>I know about. How do y'all say that that's insane

2:03:52.080 --> 2:03:56.640
<v Speaker 1>when you actually think about the The mental facory of

2:03:56.720 --> 2:03:59.640
<v Speaker 1>that is that you have a culture of people who say,

2:03:59.720 --> 2:04:02.040
<v Speaker 1>I don't don't funk with gay people, but I just

2:04:02.240 --> 2:04:07.640
<v Speaker 1>wear all of their clothes. How fucking insane are you?

2:04:08.360 --> 2:04:11.000
<v Speaker 1>That's why I don't listen to anything those people are

2:04:11.080 --> 2:04:14.480
<v Speaker 1>talking about. They are so lost, they don't know they're lost.

2:04:15.400 --> 2:04:18.960
<v Speaker 1>They are. They are so caught in fuckory that they

2:04:19.040 --> 2:04:21.720
<v Speaker 1>think fuckers where they're from. It's I'm not I'm not

2:04:21.760 --> 2:04:23.880
<v Speaker 1>talking about any of those people. But I got something bigger.

2:04:24.080 --> 2:04:26.600
<v Speaker 1>I got something bigger. Bro let me respect from New

2:04:26.680 --> 2:04:32.520
<v Speaker 1>York City. Every year in the playoffs, maybe twelve fifteen

2:04:32.600 --> 2:04:41.680
<v Speaker 1>years Michael Jordan's came and destroyed us, and destroyed what

2:04:41.760 --> 2:04:44.640
<v Speaker 1>I'm trying to tell you. I hated Michael Jordan my

2:04:44.720 --> 2:04:48.480
<v Speaker 1>whole life, but I also loved Michael Jordan's and I

2:04:48.600 --> 2:04:53.000
<v Speaker 1>also loved his Kicks. So the thing is, I could

2:04:53.080 --> 2:04:55.840
<v Speaker 1>hate what you actually do, but if I really love

2:04:55.960 --> 2:04:58.560
<v Speaker 1>what you're doing, I'm not a hater. The thing is,

2:04:59.480 --> 2:05:03.000
<v Speaker 1>sometimes when I find out that Michael Jordan owns private

2:05:03.080 --> 2:05:06.480
<v Speaker 1>prisons and things like that, it hurts me. Yeah, but

2:05:06.680 --> 2:05:13.320
<v Speaker 1>when the New Sevens come out, really not that's real though,

2:05:13.720 --> 2:05:15.960
<v Speaker 1>that's real, that's real. I wanted me to do you

2:05:16.080 --> 2:05:19.760
<v Speaker 1>want me to lie? Not this stream? Chance is it not?

2:05:20.720 --> 2:05:27.240
<v Speaker 1>It's not to say, let's get ain't going to trust

2:05:29.040 --> 2:05:32.360
<v Speaker 1>agree with you? It's not. And it's not about about

2:05:32.520 --> 2:05:35.080
<v Speaker 1>you know it's about to come up. You know. Line

2:05:35.160 --> 2:05:38.840
<v Speaker 1>was about you know what my line was my life

2:05:39.000 --> 2:05:41.760
<v Speaker 1>was I'm from New York. It's not gonna get me kids,

2:05:41.760 --> 2:05:45.040
<v Speaker 1>but it's in my line, my people, I'm from New York.

2:05:45.880 --> 2:05:48.800
<v Speaker 1>This is my line. Listen, it's my line. I'm from

2:05:48.880 --> 2:05:52.560
<v Speaker 1>New York. Still I'll be hating the Knicks and Jordan's,

2:05:54.160 --> 2:05:58.800
<v Speaker 1>but still I'll be rocking his kids. That was give

2:05:59.000 --> 2:06:04.960
<v Speaker 1>up that I don't see because I'm real about I

2:06:05.200 --> 2:06:07.200
<v Speaker 1>not like you because you killed my knicks and you

2:06:07.360 --> 2:06:10.520
<v Speaker 1>killed it. But if you watch some look there right now,

2:06:10.560 --> 2:06:15.640
<v Speaker 1>I'm sing with your n's like those is all showing

2:06:15.720 --> 2:06:19.480
<v Speaker 1>the camera, showing the camera. Come everyone with the camera.

2:06:19.600 --> 2:06:22.320
<v Speaker 1>I ain't let me even see these. They literally their

2:06:22.400 --> 2:06:25.000
<v Speaker 1>nineteen hunting. I'm gonna stand on the table. No, no,

2:06:25.160 --> 2:06:26.960
<v Speaker 1>put your feet up. It's okay, it's okay, we've done

2:06:27.000 --> 2:06:30.880
<v Speaker 1>it before. Look it. Let it do. Come on, take

2:06:30.920 --> 2:06:34.400
<v Speaker 1>a picture. Do all type of ship because that I

2:06:34.400 --> 2:06:37.400
<v Speaker 1>ain't never seen those. I don't even know what those is.

2:06:38.040 --> 2:06:41.200
<v Speaker 1>On the low. Those is hard on. Let me not.

2:06:41.480 --> 2:06:43.880
<v Speaker 1>Let me know when y'all snap, they look expensive. He

2:06:43.960 --> 2:06:46.480
<v Speaker 1>was like, you were just like meeting with DJ Kalik.

2:06:46.560 --> 2:06:52.600
<v Speaker 1>I'm gonna throw it out there. Oh yeah, I gotta relax.

2:06:56.520 --> 2:06:59.280
<v Speaker 1>We're gonna say to you what were we saying? What?

2:07:01.720 --> 2:07:04.160
<v Speaker 1>Hold on? Can't I would say, you're about being cancels

2:07:04.360 --> 2:07:11.080
<v Speaker 1>figuring out how about hate? It talks about hate, talking

2:07:11.120 --> 2:07:14.680
<v Speaker 1>about that minute he was gonna come in some good

2:07:14.760 --> 2:07:17.840
<v Speaker 1>ship than go on your man, I reckon, I'm talking

2:07:17.840 --> 2:07:21.280
<v Speaker 1>about Jordan. Jordan's like guys sometimes like a funk with

2:07:21.320 --> 2:07:23.160
<v Speaker 1>something that I don't funk with, like you know, yeah,

2:07:23.240 --> 2:07:28.720
<v Speaker 1>let me find out. I just added, I'm about throwing

2:07:31.520 --> 2:07:35.160
<v Speaker 1>kicks said for New York still hates the kid, but

2:07:35.360 --> 2:07:38.600
<v Speaker 1>Jordan's still be backing his kicks sometimes it sounds like

2:07:38.720 --> 2:07:41.080
<v Speaker 1>a great rap song. Guy, y'all honestly don't want me

2:07:41.120 --> 2:07:45.720
<v Speaker 1>to because that's going to get cancer. That's gonna kiss

2:07:45.760 --> 2:07:47.280
<v Speaker 1>me off. So I need to remember that. That was

2:07:47.400 --> 2:07:51.400
<v Speaker 1>so hard. What was he was talking about where like

2:07:51.600 --> 2:07:59.440
<v Speaker 1>I was, he was saying something about wearing clothes. Yeah,

2:08:01.120 --> 2:08:03.800
<v Speaker 1>he said he would never say this, and then bomb

2:08:04.280 --> 2:08:10.800
<v Speaker 1>never happens again. I can just start talking up what

2:08:10.920 --> 2:08:13.800
<v Speaker 1>the reality is that? All right? We were talking about

2:08:13.840 --> 2:08:16.800
<v Speaker 1>the designers that people wear and used the flex for

2:08:16.880 --> 2:08:20.960
<v Speaker 1>their own uh self improvement with their flexing designers. You

2:08:21.040 --> 2:08:26.200
<v Speaker 1>don't like them, and and that's insane, that's insane. That's

2:08:26.240 --> 2:08:29.320
<v Speaker 1>what I went to a Pierre you Weet party time.

2:08:30.080 --> 2:08:35.560
<v Speaker 1>I'm sorry, but this is definitely no but you know what,

2:08:35.680 --> 2:08:39.720
<v Speaker 1>you know, you know it's crazy. Let me let me

2:08:39.760 --> 2:08:42.640
<v Speaker 1>segway this. Sorry, I'm segway into a bigger topic now.

2:08:43.200 --> 2:08:45.480
<v Speaker 1>Whatever we're about to talking about try about that last

2:08:45.560 --> 2:08:50.960
<v Speaker 1>twenty seconds, the realities. I've talked to artists who didn't

2:08:51.080 --> 2:08:56.200
<v Speaker 1>understand the power in merch and owning their merch and

2:08:56.320 --> 2:08:59.080
<v Speaker 1>I was like, yo, I was like, you don't understand.

2:09:00.600 --> 2:09:03.720
<v Speaker 1>You're on i G Stories every day. I just spent

2:09:03.800 --> 2:09:07.400
<v Speaker 1>thirty at Gucci. I just spent You're giving Gucci and

2:09:07.720 --> 2:09:10.120
<v Speaker 1>Louis And, like I said, a lot of people who

2:09:10.240 --> 2:09:14.080
<v Speaker 1>don't funk with you, right, who unless you have the

2:09:14.160 --> 2:09:17.040
<v Speaker 1>accolades and status you have. But that's I'll get in

2:09:17.120 --> 2:09:20.920
<v Speaker 1>that next. But you're out here giving them promotion. I

2:09:21.040 --> 2:09:24.280
<v Speaker 1>was like, you're selling Gucci and proud of for them

2:09:24.320 --> 2:09:26.480
<v Speaker 1>and they're not even paying you. You're actually paying them

2:09:26.600 --> 2:09:29.320
<v Speaker 1>thirty thousand to shop from the story. I was like, Yo,

2:09:29.640 --> 2:09:33.120
<v Speaker 1>the reason why merchant is beautiful is because you love clothes, right,

2:09:33.160 --> 2:09:36.560
<v Speaker 1>you love fashion, rock your own ship. So now all

2:09:36.600 --> 2:09:39.520
<v Speaker 1>the same I G stories. You're rocking your ship. You're

2:09:39.600 --> 2:09:42.640
<v Speaker 1>rocking Rocket Feller, You're rocking whatever the funk it is.

2:09:42.840 --> 2:09:45.680
<v Speaker 1>You're rocking your ship. And the same people who you

2:09:45.720 --> 2:09:48.600
<v Speaker 1>would have directed towards Gucci, you're not directing towards yourself

2:09:49.080 --> 2:09:54.320
<v Speaker 1>because you realize that people don't care about the brand.

2:09:54.360 --> 2:09:59.360
<v Speaker 1>They care about who's selling. It's been around. He's sold

2:09:59.400 --> 2:10:03.160
<v Speaker 1>charged clothes, church closing. That nigg is the less because

2:10:03.160 --> 2:10:07.800
<v Speaker 1>he answered he serves church close. Nigger. That was all.

2:10:08.160 --> 2:10:12.320
<v Speaker 1>But it's like respected, that was weird. Well well yeah,

2:10:12.360 --> 2:10:17.040
<v Speaker 1>but when the church collection in the church, is that

2:10:17.240 --> 2:10:22.440
<v Speaker 1>not weird? Standing the same selling? Yeah, that's superta. I'm

2:10:22.480 --> 2:10:28.600
<v Speaker 1>just thinking of some bulls. But church collection, which is

2:10:28.680 --> 2:10:33.080
<v Speaker 1>the lookers church collection. You don't sell your church collection.

2:10:33.160 --> 2:10:42.080
<v Speaker 1>Hold on, hold because you said merchant. Hold on, you said,

2:10:42.680 --> 2:10:45.640
<v Speaker 1>you said he you shouldn't be selling church clothes. You

2:10:45.680 --> 2:10:49.520
<v Speaker 1>shouldn't be No, don't sell the church game at all. Okay,

2:10:49.720 --> 2:10:54.920
<v Speaker 1>I hear you. So let's be there, let's go there,

2:10:55.160 --> 2:10:59.480
<v Speaker 1>let's go. I'm not selling church close. However, I believe

2:10:59.640 --> 2:11:03.640
<v Speaker 1>that people are only gonna be down for and accept

2:11:03.720 --> 2:11:06.320
<v Speaker 1>whatever you accept for yourself. So if you decide to

2:11:06.480 --> 2:11:09.800
<v Speaker 1>sell church close, guess what the consumer who is ienas

2:11:10.120 --> 2:11:13.880
<v Speaker 1>gonna do buying church close. So now the buys a

2:11:14.040 --> 2:11:17.880
<v Speaker 1>lot some of the some of the service, the devil.

2:11:19.080 --> 2:11:23.720
<v Speaker 1>It would it would sound crazy. That's like the reality

2:11:24.040 --> 2:11:29.480
<v Speaker 1>is that dumbasses. The consumer. The consumer reacts gat to

2:11:29.800 --> 2:11:33.160
<v Speaker 1>controlled like idiots that. Yeah, but so when it happens,

2:11:33.280 --> 2:11:36.160
<v Speaker 1>then you have to not hold the but you can't

2:11:36.200 --> 2:11:39.880
<v Speaker 1>controy your fans. Let me trying to get the most.

2:11:43.600 --> 2:11:46.880
<v Speaker 1>You know what, I look at you, you know you

2:11:46.960 --> 2:11:51.280
<v Speaker 1>know what. I know that because you don't want that sometimes,

2:11:51.720 --> 2:11:54.480
<v Speaker 1>because sometimes it's crazy. The thing about it is, sometimes

2:11:54.600 --> 2:11:59.040
<v Speaker 1>we don't want a product. It's just like you said,

2:11:59.160 --> 2:12:01.920
<v Speaker 1>you ate was the sixteen year old, the fourteen year

2:12:01.960 --> 2:12:07.000
<v Speaker 1>old that was. I didn't say that. I didn't let

2:12:07.040 --> 2:12:23.960
<v Speaker 1>me go on taking drugs. Let me finish ye you

2:12:24.040 --> 2:12:27.240
<v Speaker 1>want to care you said, you said, you said, I'm

2:12:27.280 --> 2:12:29.720
<v Speaker 1>sorry I said that old wrong. But you know what

2:12:29.760 --> 2:12:32.640
<v Speaker 1>I'm saying. Your shirt, huh, your shirt was for them

2:12:32.720 --> 2:12:39.880
<v Speaker 1>to prevct this. What I'm saying is that shirt was

2:12:40.080 --> 2:12:43.120
<v Speaker 1>for them to prevent that right, for them to the

2:12:43.200 --> 2:12:46.840
<v Speaker 1>fourteen year olds, for them to prevent the stipping lane.

2:12:47.280 --> 2:12:49.400
<v Speaker 1>You know all that I'm drinking lean, but you know,

2:12:49.640 --> 2:12:53.320
<v Speaker 1>you know who that audience hit. It was hitting everybody

2:12:53.360 --> 2:12:57.920
<v Speaker 1>who was on lean, everybody who was your peers, not

2:12:58.080 --> 2:13:00.320
<v Speaker 1>to people who you was trying to speak that was

2:13:00.440 --> 2:13:02.360
<v Speaker 1>younger than you, that's coming up. That's who was trying

2:13:02.360 --> 2:13:06.240
<v Speaker 1>to save their lives. But the message actually hit you know,

2:13:06.320 --> 2:13:09.840
<v Speaker 1>the little verbs and all these guys, everybody who wanted

2:13:09.880 --> 2:13:12.320
<v Speaker 1>to say, what the fun is? God thinks he's better

2:13:12.360 --> 2:13:15.440
<v Speaker 1>than us. Because so that's the point I was trying

2:13:15.480 --> 2:13:23.520
<v Speaker 1>to make. I hate all. No, no, no, I respect that.

2:13:23.640 --> 2:13:29.400
<v Speaker 1>I respect picture no. We went in man, you know,

2:13:29.520 --> 2:13:32.680
<v Speaker 1>let me just say something. What I got. I think

2:13:32.720 --> 2:13:35.680
<v Speaker 1>I got about one more question? Bro got anybody else

2:13:35.760 --> 2:13:39.920
<v Speaker 1>got got way more answers. Let's go and and And

2:13:40.040 --> 2:13:45.000
<v Speaker 1>that's the thing about you, um is so many people

2:13:45.160 --> 2:13:50.440
<v Speaker 1>think that's your stand offish m hm. You want to

2:13:50.520 --> 2:13:55.480
<v Speaker 1>know why. That's beautiful because I would rather be assumed

2:13:55.920 --> 2:13:58.080
<v Speaker 1>I don't funk with you than I do funk with you.

2:13:58.640 --> 2:14:02.160
<v Speaker 1>That's real one of your famous ships, because I don't.

2:14:02.320 --> 2:14:04.920
<v Speaker 1>I don't work with y'all. And if I do funk

2:14:04.960 --> 2:14:07.880
<v Speaker 1>with y'all, you will know. Like the crazy thing is,

2:14:07.920 --> 2:14:11.600
<v Speaker 1>like I love twenty nineteen right now because I'm working

2:14:11.640 --> 2:14:13.160
<v Speaker 1>with people, and like I was always down to work

2:14:13.240 --> 2:14:15.560
<v Speaker 1>with people, but I was just I was selective, Like

2:14:15.680 --> 2:14:18.440
<v Speaker 1>I said, I wasn't doing collaps for the points like

2:14:18.720 --> 2:14:21.280
<v Speaker 1>I have to like your music. I don't like him music.

2:14:21.320 --> 2:14:23.000
<v Speaker 1>I'm not making a song with you. Like I still

2:14:23.440 --> 2:14:26.080
<v Speaker 1>because I have that financial freedom that the independent Catalog

2:14:26.160 --> 2:14:28.360
<v Speaker 1>gives me. I'm not doing it off of the check.

2:14:28.720 --> 2:14:31.200
<v Speaker 1>So I'm doing it off of like do I actually

2:14:31.280 --> 2:14:33.200
<v Speaker 1>funk with you? If I don't actually work with you

2:14:33.520 --> 2:14:35.800
<v Speaker 1>and whatever you're saying, I'm not doing it. I don't care.

2:14:36.440 --> 2:14:40.840
<v Speaker 1>We're looking for your're sitting over here, but it's not good.

2:14:42.000 --> 2:14:46.240
<v Speaker 1>But that's what that's what it was about. So I'm

2:14:46.280 --> 2:14:50.520
<v Speaker 1>just I'm moving off of this, like I funk with you.

2:14:51.080 --> 2:14:53.640
<v Speaker 1>It's not a matter of anything else. Know, you're setting

2:14:53.720 --> 2:14:55.880
<v Speaker 1>up something so great because you know what it is.

2:14:55.960 --> 2:14:58.640
<v Speaker 1>That's my taste. You know, you know what my taste.

2:14:58.680 --> 2:15:00.840
<v Speaker 1>I just want to taste. Like when you look at

2:15:01.800 --> 2:15:05.840
<v Speaker 1>like you see those artists who hundred dollars for the

2:15:05.880 --> 2:15:11.560
<v Speaker 1>feature today, only it's like it's like, YO, find a

2:15:11.680 --> 2:15:16.280
<v Speaker 1>different hustle. You feel me because it's like you're out

2:15:16.360 --> 2:15:19.800
<v Speaker 1>here just you're diminishing your own value of your ideas

2:15:19.880 --> 2:15:23.280
<v Speaker 1>because you're wrapping and singing or whatever you're offering. It's

2:15:23.280 --> 2:15:25.880
<v Speaker 1>a it's such a creative and tangible thing that you're

2:15:25.920 --> 2:15:27.640
<v Speaker 1>offering that you don't even put a price on it.

2:15:27.720 --> 2:15:31.160
<v Speaker 1>In general, is trash. Let them alone a hundred dollars, Like,

2:15:31.880 --> 2:15:35.000
<v Speaker 1>now you're all you're doing is if you're letting the

2:15:35.080 --> 2:15:37.320
<v Speaker 1>consumer know that you're not wor ship but a hundred

2:15:37.320 --> 2:15:41.160
<v Speaker 1>dollars your own staffs Now, this is this is This

2:15:41.320 --> 2:15:44.040
<v Speaker 1>is a crazy thing that's happening in our community right now.

2:15:44.520 --> 2:15:46.960
<v Speaker 1>So many people are calling other people culture voters. Have

2:15:47.320 --> 2:15:49.960
<v Speaker 1>been called a culture vote because I'm like, let me

2:15:50.000 --> 2:15:51.560
<v Speaker 1>talk on that too, because the one needs to hear

2:15:51.600 --> 2:15:55.360
<v Speaker 1>this ship too, and white people are gonna get piste off.

2:15:55.360 --> 2:15:59.920
<v Speaker 1>But it is what it is. First of all, when

2:16:00.000 --> 2:16:03.200
<v Speaker 1>need to we need to address a certain thing. I'm

2:16:03.240 --> 2:16:07.120
<v Speaker 1>just waiting for my queer and I hit the mic,

2:16:07.280 --> 2:16:09.120
<v Speaker 1>so now we'll start. First of all, we need to

2:16:09.160 --> 2:16:12.160
<v Speaker 1>address a certain thing. Culture is an euphemism for black.

2:16:12.360 --> 2:16:13.960
<v Speaker 1>That's what we need to first get out of the way.

2:16:14.120 --> 2:16:17.240
<v Speaker 1>Because when you're in a room with the Columbia or

2:16:17.280 --> 2:16:20.040
<v Speaker 1>an r C A or public or whatever you label

2:16:20.120 --> 2:16:23.400
<v Speaker 1>yat um, it's really four. This is the other guy

2:16:23.440 --> 2:16:26.720
<v Speaker 1>for what's four houses. They own every other label which

2:16:26.760 --> 2:16:29.520
<v Speaker 1>is owned by that. You think you're signed to r

2:16:29.560 --> 2:16:32.760
<v Speaker 1>C A and not Columbia Yellow Boast, You're signed it

2:16:32.800 --> 2:16:37.440
<v Speaker 1>Sony exactly right. So boom. Alright, so I need rocket fello,

2:16:38.360 --> 2:16:44.720
<v Speaker 1>doesn't not your floor elevators and the cubicles instead of

2:16:44.800 --> 2:16:48.680
<v Speaker 1>the same way. That's why I know who do. But

2:16:51.160 --> 2:16:55.039
<v Speaker 1>the reality is that culture is euphemism for black because,

2:16:55.040 --> 2:16:58.400
<v Speaker 1>like I said, when you're in those offices and you no,

2:16:59.200 --> 2:17:01.160
<v Speaker 1>let me, let me just do the whole point. When

2:17:01.280 --> 2:17:03.680
<v Speaker 1>you're in those rooms where it's a long table. You

2:17:03.840 --> 2:17:09.000
<v Speaker 1>watch all the white people who play softballs on Sundays

2:17:09.680 --> 2:17:14.280
<v Speaker 1>use the words culture in the words urban as euphemisms

2:17:14.360 --> 2:17:16.400
<v Speaker 1>for black because they say this is gonna be great

2:17:16.440 --> 2:17:18.920
<v Speaker 1>for the urban audience, and this is gonna be great.

2:17:19.240 --> 2:17:22.240
<v Speaker 1>Is it inappropriate for them to say the black audience?

2:17:23.800 --> 2:17:27.279
<v Speaker 1>But I don't know, and I want you to continue

2:17:27.320 --> 2:17:29.680
<v Speaker 1>because your own point. Yeah, what I'm trying to say

2:17:29.800 --> 2:17:33.080
<v Speaker 1>is I think that it's been enterchangeable with Latinos too,

2:17:33.600 --> 2:17:35.680
<v Speaker 1>like when they wanted to be Latin. You know, it's

2:17:35.720 --> 2:17:40.720
<v Speaker 1>Latino when it's not sure. But hip hop, no, I agree,

2:17:40.879 --> 2:17:44.800
<v Speaker 1>it's when it's convenient, right, And so that's yeah. But

2:17:44.959 --> 2:17:49.959
<v Speaker 1>hip hop was started by black people as an intenthesis

2:17:50.080 --> 2:17:53.200
<v Speaker 1>to white dominance and white bullshit. You feel me, So

2:17:53.959 --> 2:17:56.280
<v Speaker 1>when you have a bunch of white people in a

2:17:56.520 --> 2:18:01.000
<v Speaker 1>in a boardroom situation telling you, uh, the culture and

2:18:01.320 --> 2:18:04.120
<v Speaker 1>urban youth and our urban radio. It's all euphemism from

2:18:04.160 --> 2:18:07.760
<v Speaker 1>black right. So what they're doing, I might be attacked,

2:18:07.840 --> 2:18:11.920
<v Speaker 1>but no what you're doing. I might be attacked, but

2:18:12.120 --> 2:18:14.960
<v Speaker 1>go for it. But either way, but what they're doing

2:18:15.280 --> 2:18:24.080
<v Speaker 1>is there. They're absolutely just manipulating that aspect. And it's

2:18:24.120 --> 2:18:28.440
<v Speaker 1>just it's it's not just that you feel me, you

2:18:28.520 --> 2:18:31.960
<v Speaker 1>got me sidehack. Let me just finish my ship. I

2:18:32.040 --> 2:18:34.039
<v Speaker 1>gotta go other than get what was I talking about?

2:18:34.320 --> 2:18:36.119
<v Speaker 1>I don't know. I know you've got mad not Jerry

2:18:36.160 --> 2:18:37.800
<v Speaker 1>and niggas bros. Now I don't want to, I don't

2:18:37.800 --> 2:18:41.280
<v Speaker 1>want talk about not. Let me just not. Let me

2:18:41.320 --> 2:18:43.880
<v Speaker 1>just don't I feel y'all. But let me just go

2:18:44.080 --> 2:18:47.959
<v Speaker 1>because otherwise I forget. No, we got a check when

2:18:47.959 --> 2:18:51.000
<v Speaker 1>we got not you in eject. But just like yeah,

2:18:51.000 --> 2:18:55.480
<v Speaker 1>I'm gonna lose my ship, little brother. Yeah, because because

2:18:55.480 --> 2:18:59.160
<v Speaker 1>it's in point. Because it's like yo, like you have

2:18:59.240 --> 2:19:02.360
<v Speaker 1>white people who say softball on Sundays dictating black culture

2:19:02.760 --> 2:19:05.600
<v Speaker 1>and they're signing artists off of what the white fourteen

2:19:05.680 --> 2:19:09.119
<v Speaker 1>year olds with meme accounts tell you is black culture.

2:19:09.680 --> 2:19:13.000
<v Speaker 1>And so that's a problem. That's a problem. That's the

2:19:13.160 --> 2:19:16.480
<v Speaker 1>root of it, because uh, face tattoos and all that

2:19:16.560 --> 2:19:21.640
<v Speaker 1>ship was was game related off the red You're not

2:19:21.720 --> 2:19:24.000
<v Speaker 1>getting face tattooess unless there was some ship behind it,

2:19:25.160 --> 2:19:27.440
<v Speaker 1>not getting face tattoos in the aesthetic. So y'all are

2:19:27.520 --> 2:19:31.280
<v Speaker 1>already emulating a lifestyle you're not about, but you are

2:19:31.400 --> 2:19:34.320
<v Speaker 1>trying to sell that to people. And since you're the

2:19:34.440 --> 2:19:37.760
<v Speaker 1>people you're selling it to, you're a fake selling it

2:19:37.959 --> 2:19:41.880
<v Speaker 1>to little white kids who are the ones running the

2:19:42.040 --> 2:19:47.680
<v Speaker 1>meme accounts in the digital real estate. That ends up

2:19:47.680 --> 2:19:49.920
<v Speaker 1>shooting back up the lot of towards the labels who

2:19:50.000 --> 2:19:54.119
<v Speaker 1>don't know anything. They end up signing people based off

2:19:54.160 --> 2:19:57.080
<v Speaker 1>of whoever these people who fall for this lifestyle, who

2:19:57.080 --> 2:20:00.400
<v Speaker 1>are falling for this it's just all the funk joke.

2:20:01.160 --> 2:20:03.560
<v Speaker 1>It's all a joke. It's all a joke because you

2:20:03.680 --> 2:20:07.800
<v Speaker 1>have the higher ups actually being dictated, tugged, and pulled

2:20:08.120 --> 2:20:10.600
<v Speaker 1>by thirteen year old white kids who have meme accounts.

2:20:11.360 --> 2:20:16.960
<v Speaker 1>But it doesn't make it harder him not you know why,

2:20:17.400 --> 2:20:21.920
<v Speaker 1>because I win every time because it's the truth. It

2:20:22.000 --> 2:20:25.520
<v Speaker 1>doesn't matter what you are talking about. What we do.

2:20:25.640 --> 2:20:27.880
<v Speaker 1>Pull up the list it's brutal. You know how many

2:20:28.040 --> 2:20:33.360
<v Speaker 1>artists have popped and only had a summer m hard?

2:20:33.480 --> 2:20:37.000
<v Speaker 1>Lets you want to go through Boggis, where's your list? Ship?

2:20:38.959 --> 2:20:45.200
<v Speaker 1>You buggers best friend? That's all boggers mono, what's going on?

2:20:46.280 --> 2:20:51.879
<v Speaker 1>You already sound like you stab people. Now what I'm

2:20:51.920 --> 2:20:56.320
<v Speaker 1>saying like, we gotta, we gotta really look at what's

2:20:56.320 --> 2:20:58.920
<v Speaker 1>going on with inside of the ship. With inside of

2:20:58.959 --> 2:21:03.199
<v Speaker 1>the ship. It's it's it's people who don't have any

2:21:03.280 --> 2:21:06.840
<v Speaker 1>fucking crew and they get to be the bank for

2:21:06.920 --> 2:21:11.000
<v Speaker 1>a little Nasax but they don't have any clue, and

2:21:11.280 --> 2:21:13.440
<v Speaker 1>it's just it's so pathetic, and it's so sad to

2:21:13.520 --> 2:21:16.560
<v Speaker 1>me because I really wish, like I could have told

2:21:16.600 --> 2:21:19.840
<v Speaker 1>a little Nasacs like, yo, you will make way more

2:21:19.920 --> 2:21:24.560
<v Speaker 1>than that by yourself, and let's say two million dollars deeper,

2:21:24.640 --> 2:21:28.120
<v Speaker 1>you making that money. Whatever you agree to Columbia with

2:21:28.280 --> 2:21:31.400
<v Speaker 1>you could have charged them double so you would have

2:21:31.440 --> 2:21:34.720
<v Speaker 1>gotten this two middle off a tune corps. Plus it's

2:21:34.760 --> 2:21:37.280
<v Speaker 1>still popping. But what if he did do that, if

2:21:37.320 --> 2:21:41.680
<v Speaker 1>we don't know that he didn't, I could almost agree

2:21:41.680 --> 2:21:46.480
<v Speaker 1>with you. I don't need to like without nobody's honest

2:21:46.560 --> 2:21:49.280
<v Speaker 1>with this usually I have like inside information with this

2:21:49.640 --> 2:21:53.440
<v Speaker 1>none at all. I don't have, like bro, sometimes you

2:21:53.480 --> 2:21:58.119
<v Speaker 1>know the inside information in your gun period, I don't.

2:21:58.120 --> 2:22:02.760
<v Speaker 1>I don't need to question my ship in time because

2:22:02.840 --> 2:22:05.800
<v Speaker 1>I'm not gonna lie, just be honest. Little remind me

2:22:05.920 --> 2:22:13.480
<v Speaker 1>of Little Wayne nas nas and an X reminds me

2:22:13.560 --> 2:22:16.600
<v Speaker 1>of d m X. And then I looked at those

2:22:16.640 --> 2:22:20.560
<v Speaker 1>three names and I was like, those jerseys to be retired,

2:22:21.280 --> 2:22:24.040
<v Speaker 1>like any no one should never like I hate a

2:22:25.560 --> 2:22:27.920
<v Speaker 1>DJ named Noriag. That's something to be honest. I hate

2:22:27.920 --> 2:22:32.800
<v Speaker 1>you like and then there's a there's a producer. It's

2:22:32.840 --> 2:22:35.280
<v Speaker 1>a producing name Noriega in Puerto Rico to I also

2:22:35.360 --> 2:22:38.000
<v Speaker 1>hate you. I just want to throw that out there.

2:22:38.000 --> 2:22:39.560
<v Speaker 1>I don't know when this episode is gonna come out,

2:22:40.360 --> 2:22:43.879
<v Speaker 1>but you know, one of five in New York City,

2:22:44.360 --> 2:22:47.040
<v Speaker 1>DJ nor what the fund is your problem? Like? Why?

2:22:47.520 --> 2:22:52.879
<v Speaker 1>Like my I fucking fo yeah for this. It's talking

2:22:52.879 --> 2:22:56.440
<v Speaker 1>about it like you're gonna be in Russell sim or Russell.

2:22:56.760 --> 2:22:59.720
<v Speaker 1>You didn't, you didn't you chose to eat eat our

2:23:00.000 --> 2:23:03.359
<v Speaker 1>of your name be Russ. So this is an extinctive

2:23:03.760 --> 2:23:07.080
<v Speaker 1>Like I didn't even want to be Noriega. So I've

2:23:07.200 --> 2:23:09.720
<v Speaker 1>written vin Nori and then you're gonna take my name.

2:23:10.040 --> 2:23:14.680
<v Speaker 1>I've never liked it you. He's gonna be honest. I

2:23:14.800 --> 2:23:16.640
<v Speaker 1>know I've seen you in Prower one on five. I

2:23:16.680 --> 2:23:18.840
<v Speaker 1>don't gonna be fake too. I've learned how to be

2:23:18.920 --> 2:23:21.680
<v Speaker 1>fake as well, because I was like up about this ship.

2:23:21.879 --> 2:23:27.360
<v Speaker 1>I hadn't learned. I hadn't. I had seven lawsuits. They say, right,

2:23:27.400 --> 2:23:30.360
<v Speaker 1>they say this will teach you to be a better criminal.

2:23:31.160 --> 2:23:34.840
<v Speaker 1>The music business teachers. You have to be paid. That's

2:23:34.879 --> 2:23:38.240
<v Speaker 1>why the longer you spend in it, the ones you

2:23:38.360 --> 2:23:42.480
<v Speaker 1>pop out of it. That's why I don't frolic any

2:23:43.480 --> 2:23:50.800
<v Speaker 1>I stay at my house. So wait, hold on, this

2:23:50.920 --> 2:23:55.760
<v Speaker 1>is can't be the end. Back down. I'm not gonna

2:23:56.480 --> 2:24:02.680
<v Speaker 1>let Okay, you're that's a human should be. Now we

2:24:03.560 --> 2:24:05.320
<v Speaker 1>come on, come on. What you want to talk about?

2:24:05.600 --> 2:24:08.040
<v Speaker 1>What I'm saying that I don't do this? What you

2:24:08.080 --> 2:24:10.240
<v Speaker 1>want to what you want? I want to get something

2:24:10.280 --> 2:24:15.840
<v Speaker 1>with your chat? Yeah, let me just tell you something.

2:24:15.959 --> 2:24:20.840
<v Speaker 1>Let me just be honest with you. Um, what you

2:24:21.040 --> 2:24:26.640
<v Speaker 1>have done is a blueprint. The reason why people not

2:24:26.800 --> 2:24:31.480
<v Speaker 1>watched everything, the reason why people it's because you're the first. Yeah,

2:24:32.200 --> 2:24:35.000
<v Speaker 1>and when you're the first you ever remember on Instagram

2:24:35.440 --> 2:24:40.120
<v Speaker 1>you're the first first, but if you ever look at

2:24:40.160 --> 2:24:44.920
<v Speaker 1>the comments that people say to them, it's horrible because

2:24:44.920 --> 2:24:50.600
<v Speaker 1>they say sucking motherfucker. But at first, being the first

2:24:50.720 --> 2:24:53.760
<v Speaker 1>was was a good ship. But this is what happened.

2:24:53.800 --> 2:24:56.280
<v Speaker 1>So this is the reason why, because I look at

2:24:58.080 --> 2:25:00.360
<v Speaker 1>I looked at everything, and I was like, like, yo,

2:25:00.600 --> 2:25:05.600
<v Speaker 1>you know what I think he doesn't understand because this

2:25:05.720 --> 2:25:09.480
<v Speaker 1>is what I feel. I feel like you accept being

2:25:09.560 --> 2:25:12.640
<v Speaker 1>hated to a certain extent, but you don't really want to.

2:25:12.920 --> 2:25:16.360
<v Speaker 1>But but the thing is, because you're so new at

2:25:16.400 --> 2:25:20.920
<v Speaker 1>what you're doing, is it comes with the territory. It's

2:25:21.040 --> 2:25:25.279
<v Speaker 1>fucked up, but it's gonna come. It's gonna be another

2:25:25.400 --> 2:25:28.440
<v Speaker 1>rest it comes. Go on, let me just hit me out.

2:25:28.600 --> 2:25:30.640
<v Speaker 1>It's gonna be another rest that comes. And then by

2:25:30.680 --> 2:25:33.440
<v Speaker 1>the third or fourth Russ, you're gonna be like, You're

2:25:33.440 --> 2:25:37.360
<v Speaker 1>gonna be like, oh, ship, I what I received, what

2:25:37.520 --> 2:25:40.880
<v Speaker 1>you received was so light compared to what they're going

2:25:42.000 --> 2:25:44.920
<v Speaker 1>because they might have more success than you, or even

2:25:45.040 --> 2:25:47.200
<v Speaker 1>just as much success to you, but they're gonna have

2:25:47.360 --> 2:25:51.200
<v Speaker 1>so much more hate because you were the first one.

2:25:51.720 --> 2:25:57.480
<v Speaker 1>It's like Jesus Anhing without Judas so you have like

2:25:58.120 --> 2:26:02.160
<v Speaker 1>Jesus story wouldn't even be ill without Judas. I don't know,

2:26:04.240 --> 2:26:12.600
<v Speaker 1>can Yeah. One of the greatest Nipsey verses ever is

2:26:12.680 --> 2:26:15.200
<v Speaker 1>on if you got the marathon, it was I don't

2:26:15.240 --> 2:26:16.960
<v Speaker 1>give a funk now. If you had to wait to

2:26:17.040 --> 2:26:19.160
<v Speaker 1>catch on them later, then the song was called Bigger

2:26:19.160 --> 2:26:22.600
<v Speaker 1>than Life. But uh, I don't want your help, Just

2:26:22.760 --> 2:26:24.640
<v Speaker 1>let me something through this. The world would not know

2:26:24.840 --> 2:26:27.640
<v Speaker 1>Jesus Christ if there was never Judius. And the knight

2:26:27.720 --> 2:26:30.320
<v Speaker 1>that's in my back could be the truth that introduce us.

2:26:30.959 --> 2:26:33.720
<v Speaker 1>The distance in between us is the proof of my conclusions.

2:26:35.879 --> 2:26:38.480
<v Speaker 1>But to say the world would not know Jesus Christ

2:26:38.560 --> 2:26:40.840
<v Speaker 1>if there was never Judas and the knight that's in

2:26:40.959 --> 2:26:44.560
<v Speaker 1>my back could be the truth that introduced us. That's

2:26:44.600 --> 2:26:49.760
<v Speaker 1>fucking like all that that that explains his whole death

2:26:49.920 --> 2:26:55.080
<v Speaker 1>is its ship. Who do you get killed by one

2:26:55.120 --> 2:26:58.960
<v Speaker 1>of his home? So the world would not know Jesus Christ,

2:26:59.280 --> 2:27:01.760
<v Speaker 1>Nipsey if they're was never Judas, and the knife that's

2:27:01.800 --> 2:27:03.920
<v Speaker 1>in my back meaning I gotta stopped by my own

2:27:04.000 --> 2:27:07.200
<v Speaker 1>people could be the truth that introduced us because once

2:27:07.320 --> 2:27:10.120
<v Speaker 1>he got stabbed in the back by Judas, the word

2:27:10.200 --> 2:27:15.000
<v Speaker 1>is now introduced Nipsey Hustle. I'm telling you he's become Jesus.

2:27:15.120 --> 2:27:16.640
<v Speaker 1>And now if you want to go deeper, Jesus that

2:27:16.800 --> 2:27:20.120
<v Speaker 1>a thirty three nity. I believe that too. I'm a

2:27:20.160 --> 2:27:24.240
<v Speaker 1>conspiracy theorist. I believe that all my body for a reason.

2:27:25.160 --> 2:27:27.680
<v Speaker 1>So that's the reason why me to you. To you,

2:27:30.200 --> 2:27:33.520
<v Speaker 1>I feel like as great as you are as an artist,

2:27:33.560 --> 2:27:35.440
<v Speaker 1>and you're going to continue to be great as an artist,

2:27:35.720 --> 2:27:41.040
<v Speaker 1>your actual gift is being a businessman. So you have

2:27:41.200 --> 2:27:43.600
<v Speaker 1>to open a business. Not to give you any business.

2:27:43.920 --> 2:27:45.920
<v Speaker 1>You've made a lot more money than me, trust me,

2:27:46.480 --> 2:27:50.000
<v Speaker 1>just just anybody. But the thing is, I'm doing people

2:27:50.080 --> 2:27:53.560
<v Speaker 1>to follow you. People will follow that that format. So

2:27:53.680 --> 2:27:56.760
<v Speaker 1>the thing is to make your artist, to make your

2:27:56.879 --> 2:28:01.000
<v Speaker 1>artists those next guys. So now to you be cup Rockefella.

2:28:01.879 --> 2:28:05.440
<v Speaker 1>But that's like, that's the the the crazy thing to

2:28:05.520 --> 2:28:07.920
<v Speaker 1>bounce that I'm dealing with is like number one, I

2:28:07.959 --> 2:28:09.640
<v Speaker 1>don't want to be too early trying to like do

2:28:09.760 --> 2:28:14.200
<v Speaker 1>that because you're ready. I want to like not that

2:28:14.280 --> 2:28:16.959
<v Speaker 1>you're already too early. You're already early. You're already I'm

2:28:16.959 --> 2:28:18.920
<v Speaker 1>just get already to new techno. I never was of

2:28:19.040 --> 2:28:22.480
<v Speaker 1>our generation that's fucking you're already. You're already. I just

2:28:22.560 --> 2:28:23.920
<v Speaker 1>don't want to, like I want to make sure that

2:28:24.520 --> 2:28:28.119
<v Speaker 1>I got like I got me covered, and I'm kind

2:28:28.160 --> 2:28:30.520
<v Speaker 1>of like they're like I'm talking like when I'm thirty six,

2:28:31.200 --> 2:28:34.160
<v Speaker 1>when I'm thirty for sure thirty five, But like I'm

2:28:34.200 --> 2:28:36.520
<v Speaker 1>not gonna do that to you as an artist, Like

2:28:36.560 --> 2:28:39.320
<v Speaker 1>I'm not about to split time. I didn't you feel

2:28:39.360 --> 2:28:41.320
<v Speaker 1>me Like, I'm not about to tell you you'll want

2:28:41.360 --> 2:28:43.240
<v Speaker 1>to sign you. Like There's been a lot of artists

2:28:43.280 --> 2:28:46.560
<v Speaker 1>that I fust with early on and I helped, but

2:28:47.040 --> 2:28:49.080
<v Speaker 1>I don't want anything from it. That's not why I

2:28:49.200 --> 2:28:50.840
<v Speaker 1>was doing it. It was for the game once getting

2:28:50.840 --> 2:28:53.440
<v Speaker 1>at the point. So when I'm thirty thirty five, yeah,

2:28:53.560 --> 2:28:56.879
<v Speaker 1>maybe I'll be like, you know what, yo, pull up?

2:28:56.959 --> 2:28:58.880
<v Speaker 1>I got like we'll make a whole album whatever it is.

2:28:58.959 --> 2:29:01.480
<v Speaker 1>But that just not That's not why I'm not right now.

2:29:01.680 --> 2:29:03.520
<v Speaker 1>But I'm with this because I know you wanted to

2:29:04.200 --> 2:29:06.560
<v Speaker 1>album for Ross. I know you wanted to do with

2:29:06.640 --> 2:29:11.120
<v Speaker 1>the albums fucking album which would be phenomenal. I kept

2:29:11.160 --> 2:29:13.320
<v Speaker 1>listening to your beat, and I kept listening to Wolf's

2:29:13.480 --> 2:29:17.560
<v Speaker 1>cadences and all that, but the thing is in hip hop.

2:29:18.040 --> 2:29:21.680
<v Speaker 1>We don't owe nobody nothing, but we owe somebody everything. Yeah,

2:29:22.000 --> 2:29:24.640
<v Speaker 1>we like you owe me nothing, I owe you nothing,

2:29:24.760 --> 2:29:28.400
<v Speaker 1>but we owe each other everything. Isn't that that's what

2:29:28.840 --> 2:29:31.600
<v Speaker 1>That's what fox me up. That's what. That's what fox

2:29:31.680 --> 2:29:34.720
<v Speaker 1>me up. Like I can't charge I can't charge none

2:29:34.760 --> 2:29:36.840
<v Speaker 1>of these old niggs that be asked me for verses

2:29:36.920 --> 2:29:44.920
<v Speaker 1>right now, like I've never charged. I just I've never

2:29:45.040 --> 2:29:48.920
<v Speaker 1>charged anyone. I never charged and I never would. You

2:29:49.000 --> 2:29:51.280
<v Speaker 1>know why, because but now to drink, chance to work

2:29:51.320 --> 2:29:53.200
<v Speaker 1>I got, I'm free. You know what it is for

2:29:53.360 --> 2:29:55.560
<v Speaker 1>anybody who would catch me. You know what it is?

2:29:56.760 --> 2:29:59.680
<v Speaker 1>That is that I've never charged anyone for a verse,

2:30:00.000 --> 2:30:03.960
<v Speaker 1>and I never would because my perspective is that if

2:30:04.000 --> 2:30:05.760
<v Speaker 1>I feel like I gotta charge you for a verse,

2:30:06.160 --> 2:30:09.520
<v Speaker 1>I shouldn't be doing the first mm you know. So

2:30:09.800 --> 2:30:12.640
<v Speaker 1>I only do verses for people that like I folk with.

2:30:12.760 --> 2:30:15.160
<v Speaker 1>I know I'm gonna sound along it like it represents

2:30:15.240 --> 2:30:18.560
<v Speaker 1>myself correctly sonically an artist wise like, and I'll do it.

2:30:18.600 --> 2:30:21.760
<v Speaker 1>I don't give it like, but that's the financial freedom

2:30:21.800 --> 2:30:23.720
<v Speaker 1>of having a tune core that pays out every week,

2:30:23.879 --> 2:30:26.840
<v Speaker 1>like I've been able to turn down good bags because

2:30:26.879 --> 2:30:30.080
<v Speaker 1>they were bad looks. But when you're broke a good bag,

2:30:30.200 --> 2:30:33.800
<v Speaker 1>is it good? Look? You feel me? That was hard

2:30:34.000 --> 2:30:42.960
<v Speaker 1>community for that, But that's beautiful. That's beautiful right things

2:30:43.080 --> 2:30:46.080
<v Speaker 1>right there, because Fat Joe told me that one time.

2:30:46.200 --> 2:30:50.840
<v Speaker 1>Fat Joe said, I'm looking at Fat Joe. He said,

2:30:51.320 --> 2:30:54.280
<v Speaker 1>damn Nori, And I said, what's up is that everybody

2:30:54.360 --> 2:30:57.080
<v Speaker 1>gave me so many free verses. I can't even charge

2:30:57.200 --> 2:31:02.680
<v Speaker 1>anybody ever. Yeah, And I was like, fun, why did

2:31:02.760 --> 2:31:05.200
<v Speaker 1>you tell me that? Because what you're doing like that,

2:31:05.360 --> 2:31:11.800
<v Speaker 1>you like, it's it's fucking That's what it's about, though,

2:31:12.480 --> 2:31:14.240
<v Speaker 1>It's about doing ships to the love of the game.

2:31:14.280 --> 2:31:16.640
<v Speaker 1>And I feel like I feel like when you when

2:31:16.680 --> 2:31:20.640
<v Speaker 1>you detached from expecting something like put like this because

2:31:20.640 --> 2:31:23.360
<v Speaker 1>you get like two the show. That's what I'm hearing

2:31:24.160 --> 2:31:28.200
<v Speaker 1>something like that, because he said his record and being

2:31:28.240 --> 2:31:34.200
<v Speaker 1>honest put it like this, right. If you if people

2:31:34.280 --> 2:31:36.560
<v Speaker 1>only pull up on you, if there's a check involved,

2:31:37.080 --> 2:31:38.600
<v Speaker 1>it just lets you know how they feel about you.

2:31:39.480 --> 2:31:45.600
<v Speaker 1>You are not you. You are a check so movement. Yeah,

2:31:45.680 --> 2:31:48.600
<v Speaker 1>you're like, you're no different data prostitute. You're just a

2:31:48.720 --> 2:31:53.119
<v Speaker 1>sonic prostitute. I'm using you for the beat, because when

2:31:53.160 --> 2:31:55.360
<v Speaker 1>you you pull up with a bitch, yo, what's the

2:31:55.400 --> 2:31:58.360
<v Speaker 1>pussy at that you pull up with with the producer

2:31:58.600 --> 2:32:01.640
<v Speaker 1>who you're only like because he is fift the ways

2:32:01.680 --> 2:32:05.640
<v Speaker 1>to be that same ship like pop it open, pause,

2:32:05.760 --> 2:32:07.480
<v Speaker 1>But that's what it is, you know what I mean.

2:32:07.600 --> 2:32:10.480
<v Speaker 1>So that's never going to be the realist chemistry. You're

2:32:10.480 --> 2:32:12.200
<v Speaker 1>never going to get the best type of music. So

2:32:12.840 --> 2:32:16.160
<v Speaker 1>I just feel like my career and everything is based

2:32:16.240 --> 2:32:18.680
<v Speaker 1>off of me playing for the love of the game,

2:32:19.280 --> 2:32:21.480
<v Speaker 1>me playing because I like to make music so much

2:32:21.520 --> 2:32:22.920
<v Speaker 1>to the fact that I think I can do it,

2:32:23.560 --> 2:32:26.520
<v Speaker 1>and so I do it. So you don't mean yeah,

2:32:26.600 --> 2:32:30.880
<v Speaker 1>but I did at first. At first, I did everybody

2:32:30.959 --> 2:32:32.680
<v Speaker 1>can't be a producer rap because a lot of these

2:32:32.760 --> 2:32:35.400
<v Speaker 1>niggas is trashed out here. But no, no, they are not.

2:32:35.640 --> 2:32:37.920
<v Speaker 1>Yeah they are, but you know what I actually could

2:32:37.959 --> 2:32:45.720
<v Speaker 1>be hold on But like hold one, you see, you

2:32:45.800 --> 2:32:49.480
<v Speaker 1>see what you see, what's sucked up, And I agree,

2:32:50.000 --> 2:32:54.800
<v Speaker 1>But at the same time I disagree, not because I disagree,

2:32:54.800 --> 2:32:57.560
<v Speaker 1>because the reality is that that you know, you're not

2:32:57.760 --> 2:33:00.160
<v Speaker 1>ill or you're not fired, you don't have talent. That's

2:33:00.200 --> 2:33:04.160
<v Speaker 1>too much of a locked into the present day. Definitive moment. Statement,

2:33:04.800 --> 2:33:06.879
<v Speaker 1>you think that tomorrow doesn't exist? What if I'm better

2:33:06.920 --> 2:33:08.800
<v Speaker 1>by tomorrow all of a sudden, You're a statement doesn't

2:33:08.840 --> 2:33:11.040
<v Speaker 1>make any sense because if someone told me that I

2:33:11.240 --> 2:33:14.040
<v Speaker 1>was shipped at making beats at fourteen, and I believe,

2:33:14.200 --> 2:33:19.440
<v Speaker 1>and I even I internalize their opinion to God, make

2:33:19.520 --> 2:33:24.760
<v Speaker 1>a noise, I'll because the world camera's left. You got

2:33:24.879 --> 2:33:26.760
<v Speaker 1>to get a picture and you can hang out with us.

2:33:27.760 --> 2:33:32.959
<v Speaker 1>I'm like getting into my show. If I can't keep talking,

2:33:33.080 --> 2:33:39.800
<v Speaker 1>I want to keep talking about seventeen pisces pictures we

2:33:39.840 --> 2:33:44.240
<v Speaker 1>can read. Yo. Man, let me tell you something. Your

2:33:44.280 --> 2:33:53.640
<v Speaker 1>spirit is so fucking oh man yea