WEBVTT - The Mirror

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<v Speaker 1>Twelve Ghosts is a production of I Heeart three D

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<v Speaker 1>audio and Grimm and Mild from Aaron Banky Headphones Recommended.

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<v Speaker 1>Listener discretion advised. I learnt upon a coppice gate when

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<v Speaker 1>frost was specter gray and the winter's dragged may desolate

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<v Speaker 1>the weakening eye of day. The tangle bind stems scored

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<v Speaker 1>the sky like strings of broken lyres, and all mankind

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<v Speaker 1>that haunted. NI had sought the household fires. Mm hmm.

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<v Speaker 1>But the night is long and a bill, and there

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<v Speaker 1>is more than enough time. The truth will out. But

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<v Speaker 1>no matter at the moment, there will be time. There

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<v Speaker 1>are many hours yet in this long night. How is

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<v Speaker 1>the wine? It's good. I thought by my second cup

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<v Speaker 1>i'd feel groggy, But I think I'm more clear headed

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<v Speaker 1>than I've been in years. It's a special vintage. I

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<v Speaker 1>quite like it. H good, right on time. Cheer, my lad,

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<v Speaker 1>have we met? Absolutely not? Come in m ah. Of

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<v Speaker 1>course you chose to stand beneath the mizzletoe, a lovely

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<v Speaker 1>little plant. It is the tradition of kissing beneath it.

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<v Speaker 1>Hearkens all the way back to Saturnalia and has been

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<v Speaker 1>carried on ever since. But my lad, mistletoe is a

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<v Speaker 1>parasite and quite poisonous. What does that say about love?

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<v Speaker 1>Probably nothing? Sit John, meet Annabelle. Hello, hello, old friends.

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<v Speaker 1>Already is this cup for me? Yes? Lad, drink it.

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<v Speaker 1>Something tells me you haven't had a drink in quite

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<v Speaker 1>some time. It's been some time. We're telling stories here

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<v Speaker 1>jar to pass the time, to unburden ourselves. Oh, perhaps

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<v Speaker 1>you carry a burden? Draw? Perhaps tell us that everything

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<v Speaker 1>right from the start. The family estate sprawled across the

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<v Speaker 1>northern end of the harbor, grand and Austeer. If you

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<v Speaker 1>looked closely from the shore, you would see a small

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<v Speaker 1>pinprick of bright red on a third story balcony, a

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<v Speaker 1>figure in a billowing robe, standing and clutching her letter.

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<v Speaker 1>The envelope proclaimed my name and her precise penmanship. It

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<v Speaker 1>began with no salutation, Jaire Beaumont, she wrote, I will

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<v Speaker 1>be plain. I am not fulfilled by you, nor have

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<v Speaker 1>I ever been. I have made my wishes known, despite

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<v Speaker 1>what your family and my father have decided for me.

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<v Speaker 1>Your touch leaves me cold. I care not if my

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<v Speaker 1>children become senators. I don't care for children at all.

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<v Speaker 1>Did you know this even? Did you know of the

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<v Speaker 1>scar on my hip I've had since I was just

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<v Speaker 1>a girl. Did you in fact know anything of me?

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<v Speaker 1>It does not matter. I hope you find happiness, for

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<v Speaker 1>you are deeply, deeply unhappy. I will find my own

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<v Speaker 1>happiness elsewhere I am leaving. You will not find me,

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<v Speaker 1>not yours nor anyone's. Amara shock gave way to hurt, which,

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<v Speaker 1>in my heart leaves the door open to a bitter anger.

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<v Speaker 1>I have found anger to be a fantastic barrier against

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<v Speaker 1>the snares of introspection. How dare she? How dare she

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<v Speaker 1>leave me? A Beaumont? And the way she spoke as

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<v Speaker 1>though she pitied me, pitied me. I refused to leave

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<v Speaker 1>the house. Afterward. It felt safer. I didn't have to

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<v Speaker 1>meet society's eyes as a shunned bachelor. I didn't have

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<v Speaker 1>to face whatever Amara may have said to her parents,

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<v Speaker 1>to her ridiculous little friends. I hated her friends. I

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<v Speaker 1>didn't care much for her impoverished family either. How could

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<v Speaker 1>someone with no means, no real prospects reject me? This

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<v Speaker 1>was unprecedented. She'd come back, and when she did, I'd

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<v Speaker 1>make sure she knew her place. I spent most of

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<v Speaker 1>my time in those days in my grandfather's study. I

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<v Speaker 1>never cared for the man, But within this sprawling estate,

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<v Speaker 1>the stuffy side room is the one that felt most

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<v Speaker 1>like home. The large windows opposite the desk allowed only

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<v Speaker 1>a little son into the room, covered as they were

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<v Speaker 1>by tangled vines that rose up from the terrace. The

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<v Speaker 1>rightmost windows sported a splintering crack, not unlike the legs

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<v Speaker 1>of some erratic spider. I made a note to chastise

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<v Speaker 1>the ground keeper for their neglect. I sat at his

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<v Speaker 1>old mahogany desk and idly rummaged through each drawer. Perhaps

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<v Speaker 1>there was something I could use. I'm sure I could

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<v Speaker 1>find an unresolved debt of Amara's father, an outstanding loan

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<v Speaker 1>from the sole bank on the island, for example, Uncle

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<v Speaker 1>Jensen was on the executive board. After all, there had

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<v Speaker 1>to be something in there that would take her wretched

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<v Speaker 1>family down a peg to show her that she's not

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<v Speaker 1>better than me. No one is. There were tax forms,

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<v Speaker 1>bank notes, and myriad other items. Underneath a leather binder

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<v Speaker 1>filled with receipts from god knows where was a small

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<v Speaker 1>bounds journal with grandfather's name on the inside cover. Curiosity

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<v Speaker 1>took me, and I peered inside. Most of it bordered

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<v Speaker 1>on indecipherable, written in his terse shorthand and punctuated with

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<v Speaker 1>nonsensical abbreviations, no doubt a habit picked up from his

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<v Speaker 1>time in the military. It went back decades. He wrote

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<v Speaker 1>of the construction of the house, expenses incurred, and then

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<v Speaker 1>seemed to whine slowly into madness. Speaking of voices in

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<v Speaker 1>the hallway of presence, he was drawn to I only

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<v Speaker 1>needed to find business expenses, perhaps an error, and calculations

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<v Speaker 1>that I could use to my advantage against a Mars family.

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<v Speaker 1>This strange diary would give me no answers. The very

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<v Speaker 1>last word I read before throwing it back in the

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<v Speaker 1>drawer would come to haunt me off nail. I promptly

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<v Speaker 1>forgot about it. Over the following week, I degenerated in

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<v Speaker 1>my misery. I sent the servants away and remained for

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<v Speaker 1>days behind a locked door upstairs, scrounging crusts and crumbs

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<v Speaker 1>off plates for meals long discarded. I was becoming more

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<v Speaker 1>animal than man, my bitterness the only tether left to

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<v Speaker 1>my humanity. Finally, it was the hunger that drove me

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<v Speaker 1>out of my rooms and down the stairs. It was

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<v Speaker 1>then that I encountered him. As I moved down a

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<v Speaker 1>back hallway toward the kitchen, I caught something in my periphery.

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<v Speaker 1>The mirror antique, tarnished and filthy. The reflection that had

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<v Speaker 1>cast back at me was not my own. The sunken

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<v Speaker 1>man in the mirror had tan skin and the dim

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<v Speaker 1>eyes of a storm at sunset. His hair was closely cropped,

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<v Speaker 1>a fashion from a different time. His eyes burned with

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<v Speaker 1>anger that I recognized inherently in the moment. I was

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<v Speaker 1>not surprised nor frightened. I was intrigued. I was fascinated.

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<v Speaker 1>He looked back at me, not with pity nor malice.

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<v Speaker 1>He looked at me with longing in his stare. I

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<v Speaker 1>felt suddenly exposed, naked. Without thought. I drew my arms

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<v Speaker 1>about myself in some strange manner, trying to protect my modesty,

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<v Speaker 1>And yet I was encompassed by his stare. There was

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<v Speaker 1>a burning in my chest, like a thunderclap. After months

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<v Speaker 1>of absolute silence, something about this haggard, starving ghost was

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<v Speaker 1>stirring something in me, a shock of life, of heat.

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<v Speaker 1>The mirror shimmered as if in answer, and he moved,

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<v Speaker 1>his fingertips pressed against the glass and then impossibly pushed through, slowly,

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<v Speaker 1>softly toward me. His wrists slid out of the mirror,

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<v Speaker 1>and then his forearm, his right hand came to rest

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<v Speaker 1>against my right cheek, worn and thin, coated with mangy stubble.

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<v Speaker 1>Through my beard, I could feel the ice dagger touch

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<v Speaker 1>of his finger tips. He was cold, so cold, and

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<v Speaker 1>yet I didn't miss company. I didn't miss the talk

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<v Speaker 1>of tiny people. I missed touch, connection, the figure and

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<v Speaker 1>the reflection spoke find. His voice was a low hiss,

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<v Speaker 1>a slight outburst of air from a rusty pipe. It

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<v Speaker 1>rattled me to my core. I was drawn further in

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<v Speaker 1>His hand was just an idea, his outstretched arm a

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<v Speaker 1>mere suggestion of a thing. I moved toward him, and then,

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<v Speaker 1>as if by its own accord, his name dropped from

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<v Speaker 1>my lips, Neil, as if compelled by the devil himself.

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<v Speaker 1>I pressed my lips against the mirror, and he met

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<v Speaker 1>me there. As his lips touched mine, I felt my

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<v Speaker 1>blood chill thickening in my veins, goose bumps rose on

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<v Speaker 1>my neck, and my face lost what color it had

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<v Speaker 1>left in it. Che He whispered in that strange guttural voice,

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<v Speaker 1>and then like a flash, he was gone, and with

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<v Speaker 1>him the strange fire in my heart. It left a

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<v Speaker 1>hollow in my chest that I felt suddenly was in

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<v Speaker 1>desperate need of filling. Find me. He was here, he

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<v Speaker 1>needed me. From then on I would search the house

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<v Speaker 1>for a Neil, obsessively, as if it were a sort

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<v Speaker 1>of madness. He was fickle and eluded me, frequently, appearing

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<v Speaker 1>mostly when the evenings were dark, or when a storm

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<v Speaker 1>made its way over the expanse of the gulf. Those

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<v Speaker 1>nights I would find him in mirrors and the cellar

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<v Speaker 1>or attic, cold and alone, and I would come to

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<v Speaker 1>him there full of warmth, full of giving. I was

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<v Speaker 1>of use again, I was needed magnanimously. I gave of

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<v Speaker 1>my heat, and each time auth Neil glowed a little

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<v Speaker 1>more brightly, and still the insistent plea fine. And then

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<v Speaker 1>one morning it occurred to me he wasn't simply asking

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<v Speaker 1>for a visit. Somewhere in this house his mortal remains

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<v Speaker 1>resided find me. He was asking for my help. I

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<v Speaker 1>immediately felt foolish. Of course, he was asking for help,

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<v Speaker 1>the unquiet, dead haunt with a purpose. And what's more,

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<v Speaker 1>I knew exactly how to find him, and so, for

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<v Speaker 1>the first time in weeks, I made my way to

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<v Speaker 1>my grandfather's study. This time I read his strange diary

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<v Speaker 1>with purpose. In it, he wrote of the construction of

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<v Speaker 1>the house. I rifled through the facts and figures, coming

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<v Speaker 1>finally to where I'd seen the name first. There off Neil.

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<v Speaker 1>He'd been a builder on the house, Young and unknown

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<v Speaker 1>to many of the other workers. He was accused by

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<v Speaker 1>a fellow of and here I quote heinous crimes. Instead

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<v Speaker 1>of taking him to the local constabulary, the men sealed

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<v Speaker 1>him beneath the basement floor. Included in my grandfather's notes

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<v Speaker 1>was an incredibly helpful sketch of the layout of the house,

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<v Speaker 1>with x is marked all over and increasingly erratic notes

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<v Speaker 1>about tile patterns, floor braces, the color of the mud

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<v Speaker 1>below the house, and over and over off Nil. Over

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<v Speaker 1>the course of the coming days, I poured over the

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<v Speaker 1>same notes and began to retrace his steps throughout the house.

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<v Speaker 1>It was on the third day, rummaging through the old

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<v Speaker 1>wine cellar, that I felt a sudden, desperate pull toward

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<v Speaker 1>the far corner, as if excited fingers had reached into

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<v Speaker 1>my heart and gently tugged there. In the floor a

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<v Speaker 1>trap door with a trembling breath. I reached down, grabbed

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<v Speaker 1>the old brass ring, and pulled. I found him there

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<v Speaker 1>in a simple hole, not big enough to stretch out.

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<v Speaker 1>He was curled up, not much more than rags and bone,

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<v Speaker 1>a small shimmer coated with mildew. I climbed down into

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<v Speaker 1>the hole and reached out a hand to his corpse.

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<v Speaker 1>I shivered even as I touched him. Upon contact, I

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<v Speaker 1>became enveloped in a shimmering mist on the ground, my

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<v Speaker 1>clothes pulled aside, and my breath visible in the air.

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<v Speaker 1>The corpse seemed more visible in that fog, animating with

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<v Speaker 1>a creak of dry bones and turning toward me, the

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<v Speaker 1>face somehow plumping, growing fuller, alive, more vibrant than sunrise.

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<v Speaker 1>My breath caught in my throat as that strange desire

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<v Speaker 1>overtook me. How long had it been, I thought, since

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<v Speaker 1>I was last embraced, since I'd made love, since I

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<v Speaker 1>last saw the sun. I looked into his eyes and

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<v Speaker 1>recognized my own, hungry, insatiable. He pulled me down, wrapping

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<v Speaker 1>me in an icy and race. The air escaped my lungs,

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<v Speaker 1>and I felt a sharp pang inside my chest, as

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<v Speaker 1>if shards of crystals were forming in my lungs. I

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<v Speaker 1>thought to inhale, and off Neil clutched tighter, his finger

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<v Speaker 1>bones digging deep grooves in my back, his bare teeth

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<v Speaker 1>dragging across my throat. I could feel the heat and

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<v Speaker 1>me leaving, leeching out and being replaced with a terrible chill.

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<v Speaker 1>As off Neil's corpse grew ever more lifelike, taking on

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<v Speaker 1>flesh that grew ruddy with its quickening, and all the

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<v Speaker 1>while his eyes seemed to dominate and take and take

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<v Speaker 1>and take, with no regard of who or what stood

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<v Speaker 1>opposite him. I knew that looked well, and I was afraid.

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<v Speaker 1>I felt frozen shackles on each of my wrists as

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<v Speaker 1>they slammed into the ground. Above my head. Hathnil swelled larger,

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<v Speaker 1>now bigger than me, now encompassing me, and I felt

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<v Speaker 1>lost within him. As worn and mount nourished as I

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<v Speaker 1>had been at the beginning of our passion, I had

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<v Speaker 1>been larger than Aneil by far. Now he dwarfed me

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<v Speaker 1>there on the floor, absorbing every last bit of my strength.

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<v Speaker 1>And then my body no longer responded to my will.

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<v Speaker 1>It's stilled cold and dead on the floor. Aneil was gone,

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<v Speaker 1>and I stood tall over my mortal remains, dead on

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<v Speaker 1>the stone floor. His eyes had shined with love, hadn't they.

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<v Speaker 1>He'd wanted the same thing I did right, warmth, acceptance.

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<v Speaker 1>But I'd been fooled. Time was lost to me. Who

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<v Speaker 1>could tell how it passed? A moment could be a year,

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<v Speaker 1>a month, mere seconds, and all the while I searched

0:18:11.960 --> 0:18:16.840
<v Speaker 1>restless in that space behind the mirrors, in that inverted

0:18:16.920 --> 0:18:21.720
<v Speaker 1>house that was now my domain. The decrepit shambles of

0:18:21.760 --> 0:18:27.119
<v Speaker 1>the mansion I neglected was magnified and distorted. I saw

0:18:27.200 --> 0:18:32.800
<v Speaker 1>as autnil once saw a world of tatters, and the

0:18:32.920 --> 0:18:38.800
<v Speaker 1>hunger for warmth was all consuming. In this manner, decade

0:18:38.840 --> 0:18:46.240
<v Speaker 1>slipped away, winters and springs all muddied together. And then

0:18:47.640 --> 0:18:52.160
<v Speaker 1>one particularly frigid evening, the door to the house opened

0:18:53.680 --> 0:18:59.520
<v Speaker 1>and she arrived. Her hair was wavy and dark, her

0:18:59.560 --> 0:19:04.080
<v Speaker 1>complaint action of warm deep bronze. Despite the snow flakes

0:19:04.119 --> 0:19:07.640
<v Speaker 1>that hid in the curls of her hair, she had

0:19:07.640 --> 0:19:11.600
<v Speaker 1>an inner light. It flicked a trace of a distant

0:19:11.720 --> 0:19:16.120
<v Speaker 1>memory that I could not place. The beautiful stranger took

0:19:16.119 --> 0:19:18.639
<v Speaker 1>no care to remove her shoes, or even knock the

0:19:18.720 --> 0:19:23.400
<v Speaker 1>snow from them, And why would she? Who would she insult?

0:19:25.520 --> 0:19:28.439
<v Speaker 1>She passed through the halls of the manner, and I

0:19:28.520 --> 0:19:32.879
<v Speaker 1>felt suddenly that I had my vessel for escape. She

0:19:33.119 --> 0:19:37.600
<v Speaker 1>was flesh, she was blood and warmth, and I could

0:19:37.640 --> 0:19:44.440
<v Speaker 1>sense in her. She was low, disheveled and crooked, driven

0:19:44.480 --> 0:19:47.560
<v Speaker 1>from a warmer place out into the world. She viewed

0:19:47.600 --> 0:19:51.639
<v Speaker 1>this house as a new start. She needed hope. I

0:19:51.720 --> 0:19:56.720
<v Speaker 1>could smell it. I had hope. I had hope with

0:19:56.800 --> 0:20:00.000
<v Speaker 1>the sweet promise of nothing behind it. And I knew

0:20:00.160 --> 0:20:04.480
<v Speaker 1>that if I guided her gently offered up myself, she

0:20:04.600 --> 0:20:07.560
<v Speaker 1>may very well give me a trade as off Neil

0:20:07.640 --> 0:20:11.600
<v Speaker 1>had traded with me. I could keep her here, I

0:20:11.640 --> 0:20:14.920
<v Speaker 1>could make her stay. I could drain away every bit

0:20:15.040 --> 0:20:18.080
<v Speaker 1>of human emotion and replace it with the malice and

0:20:18.280 --> 0:20:23.040
<v Speaker 1>spite that I felt she would take my place. It

0:20:23.080 --> 0:20:27.320
<v Speaker 1>would be so easy. I could be free. And so

0:20:27.680 --> 0:20:31.280
<v Speaker 1>as she passed the mirror in the hallway, I made

0:20:31.320 --> 0:20:36.000
<v Speaker 1>myself known. When she first saw me in the mirror,

0:20:36.840 --> 0:20:41.040
<v Speaker 1>her eyes gleamed, first with that surprise that a too

0:20:41.080 --> 0:20:43.600
<v Speaker 1>sudden image had been thrown back at her, and then

0:20:43.800 --> 0:20:48.639
<v Speaker 1>with the sort of glee. Yes, those, I said, take

0:20:48.680 --> 0:20:53.439
<v Speaker 1>for me this heart. I reached out toward her, and

0:20:53.640 --> 0:20:56.399
<v Speaker 1>just as I had all those years ago, she leaned

0:20:56.400 --> 0:21:02.120
<v Speaker 1>into the mirror. My hand touched her face, so smooth,

0:21:03.119 --> 0:21:07.240
<v Speaker 1>so warm. I had been so cold for so very long.

0:21:08.960 --> 0:21:13.080
<v Speaker 1>But there was something more. I could feel her life force,

0:21:13.640 --> 0:21:17.240
<v Speaker 1>the steady strum of her heart, could feel the sense

0:21:17.320 --> 0:21:21.120
<v Speaker 1>memory of a mother's embrace, a sprint across the summer field,

0:21:21.359 --> 0:21:24.960
<v Speaker 1>the first flush of new love, and the horrible, gutting

0:21:25.040 --> 0:21:29.280
<v Speaker 1>emptiness of its loss. I understood the whole of her,

0:21:29.520 --> 0:21:34.080
<v Speaker 1>and I wanted it and its entirety. But what had

0:21:34.160 --> 0:21:42.000
<v Speaker 1>I to offer in return? Live I do not know

0:21:42.080 --> 0:21:45.600
<v Speaker 1>why I said it, or where the word came from

0:21:45.600 --> 0:21:49.520
<v Speaker 1>her eyes. Her beautiful brown eyes grew wide, and I

0:21:49.640 --> 0:21:53.920
<v Speaker 1>quickly withdrew my hand into the mirror. She did not flinch,

0:21:54.960 --> 0:22:00.720
<v Speaker 1>she did not run. I had decided, and those walls

0:22:01.359 --> 0:22:05.480
<v Speaker 1>and those reflections I would remain. I would refuse to

0:22:05.520 --> 0:22:09.639
<v Speaker 1>pass this herd on. Perhaps one day the laughter of

0:22:09.680 --> 0:22:13.359
<v Speaker 1>a family, rosy cheeked and in love would bless the

0:22:13.440 --> 0:22:17.840
<v Speaker 1>halls of that forgotten home once more, and perhaps I

0:22:17.880 --> 0:22:21.960
<v Speaker 1>could find some gladness, some joy in the lives that

0:22:22.040 --> 0:22:31.280
<v Speaker 1>I dare not siphon off. I watched her sleep that night, peacefully, hopefully.

0:22:32.600 --> 0:22:36.520
<v Speaker 1>I watched as the morning sun lit her face, bleary

0:22:36.560 --> 0:22:39.879
<v Speaker 1>eyed and alone. She got her bearings and stepped on

0:22:40.040 --> 0:22:44.159
<v Speaker 1>unsteady feet into the main foyer and looked around with

0:22:44.320 --> 0:22:49.040
<v Speaker 1>fresh eyes. She was home and had the whole of

0:22:49.080 --> 0:22:53.040
<v Speaker 1>her life ahead of her. I would stay beside her,

0:22:53.760 --> 0:22:58.560
<v Speaker 1>a silent watchman, as she hurtled forward. I would not

0:22:58.720 --> 0:23:06.160
<v Speaker 1>hurt her. I knew finally, at last, what it meant

0:23:06.200 --> 0:23:18.520
<v Speaker 1>to love. But they can't be true, I assure you,

0:23:18.640 --> 0:23:22.800
<v Speaker 1>my dear, No words spoken at this table is false.

0:23:23.680 --> 0:23:34.960
<v Speaker 1>But John, my lad, how do you feel? I feel warm? Good?

0:23:35.760 --> 0:23:41.320
<v Speaker 1>Would you like to retire for the evening? Yes? Yes,

0:23:41.400 --> 0:23:45.280
<v Speaker 1>I think I would like that. M hmm. This key

0:23:45.400 --> 0:23:51.440
<v Speaker 1>is quite ornate, pure silver, very unusual. It befits your station,

0:23:51.560 --> 0:23:58.760
<v Speaker 1>I think, hm. Take it. Thank you, it's nothing. Your

0:23:58.800 --> 0:24:01.840
<v Speaker 1>door is up. The stairs is third on the left.

0:24:03.240 --> 0:24:13.560
<v Speaker 1>Do rest well, my friend. I believe this is the

0:24:13.600 --> 0:24:21.760
<v Speaker 1>warmest place I've ever been. It couldn't be true. What's that, dear?

0:24:23.400 --> 0:24:35.040
<v Speaker 1>He couldn't have I couldn't have what, dear? Are we dead? Well? Yes, Annabelle,

0:24:36.160 --> 0:24:59.040
<v Speaker 1>I thought that was quite Obvious. Twelve Ghosts starring Malcolm

0:24:59.119 --> 0:25:04.399
<v Speaker 1>McDowell as the Innkeeper and Gina Rikiki as Annabelle. Episode three,

0:25:04.640 --> 0:25:08.399
<v Speaker 1>The Mirror written by Steven Williams with additional writing by

0:25:08.480 --> 0:25:13.120
<v Speaker 1>Nicholas Takowski. Editing by Chris Childs and Stephen Perez, featuring

0:25:13.240 --> 0:25:18.960
<v Speaker 1>Nicolas Takowski as Jare. Directed by Nicholas Takowski. Original score

0:25:19.000 --> 0:25:23.520
<v Speaker 1>and sound design by Chris Childs. Executive producers Aaron Mankey,

0:25:23.840 --> 0:25:29.760
<v Speaker 1>Matt Frederick, Alexander Williams and Nicholas Takowski. Supervising producer Josh Staine.

0:25:30.240 --> 0:25:35.080
<v Speaker 1>Producers Chris Child's and Stephen Perez. Casting by Sunday Bowling

0:25:35.200 --> 0:25:38.280
<v Speaker 1>c s A and Meg Mormon c s A. Production

0:25:38.320 --> 0:25:42.920
<v Speaker 1>coordinator Wayna Calderon. Recorded at Lantern Audio in Atlanta, Georgia,

0:25:43.280 --> 0:25:48.680
<v Speaker 1>engineered by Chris Gardner, Aeros Sound and Recording in Ojai, California,

0:25:48.800 --> 0:25:53.480
<v Speaker 1>engineered by Ken Eros. Twelve Ghosts was created by Nicolas Takowski.

0:25:53.640 --> 0:25:56.280
<v Speaker 1>That is a production of iHeart three D Audio and

0:25:56.359 --> 0:25:59.159
<v Speaker 1>Grim and Mild from Aaron Manky. Learn more about the

0:25:59.200 --> 0:26:02.000
<v Speaker 1>show at Grim and Mild dot com, and find more

0:26:02.040 --> 0:26:05.080
<v Speaker 1>podcasts from my Heart Radio by visiting the I Heart radio, app,

0:26:05.280 --> 0:26:08.399
<v Speaker 1>Apple podcasts, or wherever you listen to your favorite shows.

0:26:25.960 --> 0:26:26.000
<v Speaker 1>H