1 00:00:01,680 --> 00:00:03,880 Speaker 1: Twelve Ghosts is a production of I Heeart three D 2 00:00:04,000 --> 00:00:07,680 Speaker 1: audio and Grimm and Mild from Aaron Banky Headphones Recommended. 3 00:00:07,960 --> 00:00:24,320 Speaker 1: Listener discretion advised. I learnt upon a coppice gate when 4 00:00:24,400 --> 00:00:29,480 Speaker 1: frost was specter gray and the winter's dragged may desolate 5 00:00:30,160 --> 00:00:35,880 Speaker 1: the weakening eye of day. The tangle bind stems scored 6 00:00:36,040 --> 00:00:41,040 Speaker 1: the sky like strings of broken lyres, and all mankind 7 00:00:41,200 --> 00:01:00,520 Speaker 1: that haunted. NI had sought the household fires. Mm hmm. 8 00:01:04,480 --> 00:01:07,280 Speaker 1: But the night is long and a bill, and there 9 00:01:07,360 --> 00:01:14,319 Speaker 1: is more than enough time. The truth will out. But 10 00:01:14,400 --> 00:01:17,679 Speaker 1: no matter at the moment, there will be time. There 11 00:01:17,720 --> 00:01:21,400 Speaker 1: are many hours yet in this long night. How is 12 00:01:21,440 --> 00:01:26,760 Speaker 1: the wine? It's good. I thought by my second cup 13 00:01:26,800 --> 00:01:30,600 Speaker 1: i'd feel groggy, But I think I'm more clear headed 14 00:01:30,640 --> 00:01:36,880 Speaker 1: than I've been in years. It's a special vintage. I 15 00:01:37,000 --> 00:01:51,919 Speaker 1: quite like it. H good, right on time. Cheer, my lad, 16 00:01:52,960 --> 00:02:03,720 Speaker 1: have we met? Absolutely not? Come in m ah. Of 17 00:02:03,960 --> 00:02:08,440 Speaker 1: course you chose to stand beneath the mizzletoe, a lovely 18 00:02:08,520 --> 00:02:12,200 Speaker 1: little plant. It is the tradition of kissing beneath it. 19 00:02:12,280 --> 00:02:16,200 Speaker 1: Hearkens all the way back to Saturnalia and has been 20 00:02:16,240 --> 00:02:22,200 Speaker 1: carried on ever since. But my lad, mistletoe is a 21 00:02:22,280 --> 00:02:28,079 Speaker 1: parasite and quite poisonous. What does that say about love? 22 00:02:30,040 --> 00:02:39,680 Speaker 1: Probably nothing? Sit John, meet Annabelle. Hello, hello, old friends. 23 00:02:39,800 --> 00:02:46,280 Speaker 1: Already is this cup for me? Yes? Lad, drink it. 24 00:02:54,720 --> 00:02:57,160 Speaker 1: Something tells me you haven't had a drink in quite 25 00:02:57,200 --> 00:03:04,000 Speaker 1: some time. It's been some time. We're telling stories here 26 00:03:04,080 --> 00:03:11,320 Speaker 1: jar to pass the time, to unburden ourselves. Oh, perhaps 27 00:03:11,720 --> 00:03:18,440 Speaker 1: you carry a burden? Draw? Perhaps tell us that everything 28 00:03:19,520 --> 00:03:27,880 Speaker 1: right from the start. The family estate sprawled across the 29 00:03:27,960 --> 00:03:32,640 Speaker 1: northern end of the harbor, grand and Austeer. If you 30 00:03:32,720 --> 00:03:35,640 Speaker 1: looked closely from the shore, you would see a small 31 00:03:35,800 --> 00:03:40,200 Speaker 1: pinprick of bright red on a third story balcony, a 32 00:03:40,360 --> 00:03:44,080 Speaker 1: figure in a billowing robe, standing and clutching her letter. 33 00:03:46,840 --> 00:03:51,480 Speaker 1: The envelope proclaimed my name and her precise penmanship. It 34 00:03:51,600 --> 00:03:57,440 Speaker 1: began with no salutation, Jaire Beaumont, she wrote, I will 35 00:03:57,520 --> 00:04:01,160 Speaker 1: be plain. I am not fulfilled by you, nor have 36 00:04:01,280 --> 00:04:04,720 Speaker 1: I ever been. I have made my wishes known, despite 37 00:04:04,760 --> 00:04:07,440 Speaker 1: what your family and my father have decided for me. 38 00:04:08,680 --> 00:04:12,640 Speaker 1: Your touch leaves me cold. I care not if my 39 00:04:12,760 --> 00:04:16,080 Speaker 1: children become senators. I don't care for children at all. 40 00:04:16,279 --> 00:04:19,520 Speaker 1: Did you know this even? Did you know of the 41 00:04:19,600 --> 00:04:21,839 Speaker 1: scar on my hip I've had since I was just 42 00:04:21,960 --> 00:04:25,520 Speaker 1: a girl. Did you in fact know anything of me? 43 00:04:27,520 --> 00:04:31,599 Speaker 1: It does not matter. I hope you find happiness, for 44 00:04:31,720 --> 00:04:37,120 Speaker 1: you are deeply, deeply unhappy. I will find my own 45 00:04:37,160 --> 00:04:41,680 Speaker 1: happiness elsewhere I am leaving. You will not find me, 46 00:04:42,880 --> 00:04:51,640 Speaker 1: not yours nor anyone's. Amara shock gave way to hurt, which, 47 00:04:51,640 --> 00:04:54,320 Speaker 1: in my heart leaves the door open to a bitter anger. 48 00:04:55,520 --> 00:04:58,120 Speaker 1: I have found anger to be a fantastic barrier against 49 00:04:58,120 --> 00:05:02,520 Speaker 1: the snares of introspection. How dare she? How dare she 50 00:05:02,640 --> 00:05:07,160 Speaker 1: leave me? A Beaumont? And the way she spoke as 51 00:05:07,240 --> 00:05:12,320 Speaker 1: though she pitied me, pitied me. I refused to leave 52 00:05:12,360 --> 00:05:17,359 Speaker 1: the house. Afterward. It felt safer. I didn't have to 53 00:05:17,400 --> 00:05:20,800 Speaker 1: meet society's eyes as a shunned bachelor. I didn't have 54 00:05:20,920 --> 00:05:23,520 Speaker 1: to face whatever Amara may have said to her parents, 55 00:05:23,839 --> 00:05:29,960 Speaker 1: to her ridiculous little friends. I hated her friends. I 56 00:05:29,960 --> 00:05:33,600 Speaker 1: didn't care much for her impoverished family either. How could 57 00:05:33,640 --> 00:05:38,560 Speaker 1: someone with no means, no real prospects reject me? This 58 00:05:38,720 --> 00:05:43,760 Speaker 1: was unprecedented. She'd come back, and when she did, I'd 59 00:05:43,760 --> 00:05:49,000 Speaker 1: make sure she knew her place. I spent most of 60 00:05:49,040 --> 00:05:52,719 Speaker 1: my time in those days in my grandfather's study. I 61 00:05:52,760 --> 00:05:55,520 Speaker 1: never cared for the man, But within this sprawling estate, 62 00:05:55,920 --> 00:05:58,479 Speaker 1: the stuffy side room is the one that felt most 63 00:05:58,560 --> 00:06:02,680 Speaker 1: like home. The large windows opposite the desk allowed only 64 00:06:02,720 --> 00:06:05,400 Speaker 1: a little son into the room, covered as they were 65 00:06:05,480 --> 00:06:08,880 Speaker 1: by tangled vines that rose up from the terrace. The 66 00:06:09,000 --> 00:06:12,440 Speaker 1: rightmost windows sported a splintering crack, not unlike the legs 67 00:06:12,520 --> 00:06:16,160 Speaker 1: of some erratic spider. I made a note to chastise 68 00:06:16,160 --> 00:06:20,200 Speaker 1: the ground keeper for their neglect. I sat at his 69 00:06:20,240 --> 00:06:25,359 Speaker 1: old mahogany desk and idly rummaged through each drawer. Perhaps 70 00:06:25,360 --> 00:06:28,159 Speaker 1: there was something I could use. I'm sure I could 71 00:06:28,200 --> 00:06:32,159 Speaker 1: find an unresolved debt of Amara's father, an outstanding loan 72 00:06:32,320 --> 00:06:35,960 Speaker 1: from the sole bank on the island, for example, Uncle 73 00:06:36,040 --> 00:06:39,600 Speaker 1: Jensen was on the executive board. After all, there had 74 00:06:39,600 --> 00:06:41,919 Speaker 1: to be something in there that would take her wretched 75 00:06:42,000 --> 00:06:44,919 Speaker 1: family down a peg to show her that she's not 76 00:06:45,040 --> 00:06:49,680 Speaker 1: better than me. No one is. There were tax forms, 77 00:06:49,839 --> 00:06:54,360 Speaker 1: bank notes, and myriad other items. Underneath a leather binder 78 00:06:54,440 --> 00:06:57,760 Speaker 1: filled with receipts from god knows where was a small 79 00:06:57,839 --> 00:07:02,760 Speaker 1: bounds journal with grandfather's name on the inside cover. Curiosity 80 00:07:02,839 --> 00:07:06,839 Speaker 1: took me, and I peered inside. Most of it bordered 81 00:07:06,880 --> 00:07:11,560 Speaker 1: on indecipherable, written in his terse shorthand and punctuated with 82 00:07:11,680 --> 00:07:15,480 Speaker 1: nonsensical abbreviations, no doubt a habit picked up from his 83 00:07:15,560 --> 00:07:19,800 Speaker 1: time in the military. It went back decades. He wrote 84 00:07:19,800 --> 00:07:23,840 Speaker 1: of the construction of the house, expenses incurred, and then 85 00:07:23,880 --> 00:07:28,080 Speaker 1: seemed to whine slowly into madness. Speaking of voices in 86 00:07:28,160 --> 00:07:32,000 Speaker 1: the hallway of presence, he was drawn to I only 87 00:07:32,040 --> 00:07:36,080 Speaker 1: needed to find business expenses, perhaps an error, and calculations 88 00:07:36,120 --> 00:07:39,000 Speaker 1: that I could use to my advantage against a Mars family. 89 00:07:39,920 --> 00:07:44,680 Speaker 1: This strange diary would give me no answers. The very 90 00:07:44,760 --> 00:07:47,320 Speaker 1: last word I read before throwing it back in the 91 00:07:47,400 --> 00:07:56,200 Speaker 1: drawer would come to haunt me off nail. I promptly 92 00:07:56,240 --> 00:08:01,840 Speaker 1: forgot about it. Over the following week, I degenerated in 93 00:08:01,920 --> 00:08:05,800 Speaker 1: my misery. I sent the servants away and remained for 94 00:08:05,960 --> 00:08:10,880 Speaker 1: days behind a locked door upstairs, scrounging crusts and crumbs 95 00:08:10,880 --> 00:08:15,000 Speaker 1: off plates for meals long discarded. I was becoming more 96 00:08:15,080 --> 00:08:18,720 Speaker 1: animal than man, my bitterness the only tether left to 97 00:08:18,800 --> 00:08:23,240 Speaker 1: my humanity. Finally, it was the hunger that drove me 98 00:08:23,320 --> 00:08:28,640 Speaker 1: out of my rooms and down the stairs. It was 99 00:08:28,720 --> 00:08:34,400 Speaker 1: then that I encountered him. As I moved down a 100 00:08:34,480 --> 00:08:38,679 Speaker 1: back hallway toward the kitchen, I caught something in my periphery. 101 00:08:39,280 --> 00:08:44,199 Speaker 1: The mirror antique, tarnished and filthy. The reflection that had 102 00:08:44,240 --> 00:08:48,440 Speaker 1: cast back at me was not my own. The sunken 103 00:08:48,480 --> 00:08:51,560 Speaker 1: man in the mirror had tan skin and the dim 104 00:08:51,600 --> 00:08:55,960 Speaker 1: eyes of a storm at sunset. His hair was closely cropped, 105 00:08:55,960 --> 00:08:59,640 Speaker 1: a fashion from a different time. His eyes burned with 106 00:08:59,679 --> 00:09:04,320 Speaker 1: anger that I recognized inherently in the moment. I was 107 00:09:04,360 --> 00:09:10,280 Speaker 1: not surprised nor frightened. I was intrigued. I was fascinated. 108 00:09:11,160 --> 00:09:14,400 Speaker 1: He looked back at me, not with pity nor malice. 109 00:09:14,440 --> 00:09:20,000 Speaker 1: He looked at me with longing in his stare. I 110 00:09:20,040 --> 00:09:24,160 Speaker 1: felt suddenly exposed, naked. Without thought. I drew my arms 111 00:09:24,200 --> 00:09:28,439 Speaker 1: about myself in some strange manner, trying to protect my modesty, 112 00:09:28,679 --> 00:09:32,719 Speaker 1: And yet I was encompassed by his stare. There was 113 00:09:32,760 --> 00:09:35,800 Speaker 1: a burning in my chest, like a thunderclap. After months 114 00:09:35,800 --> 00:09:40,680 Speaker 1: of absolute silence, something about this haggard, starving ghost was 115 00:09:40,760 --> 00:09:45,240 Speaker 1: stirring something in me, a shock of life, of heat. 116 00:09:47,600 --> 00:09:50,720 Speaker 1: The mirror shimmered as if in answer, and he moved, 117 00:09:51,760 --> 00:09:58,280 Speaker 1: his fingertips pressed against the glass and then impossibly pushed through, slowly, 118 00:09:58,640 --> 00:10:02,800 Speaker 1: softly toward me. His wrists slid out of the mirror, 119 00:10:03,120 --> 00:10:07,000 Speaker 1: and then his forearm, his right hand came to rest 120 00:10:07,040 --> 00:10:11,400 Speaker 1: against my right cheek, worn and thin, coated with mangy stubble. 121 00:10:12,600 --> 00:10:15,600 Speaker 1: Through my beard, I could feel the ice dagger touch 122 00:10:15,679 --> 00:10:20,440 Speaker 1: of his finger tips. He was cold, so cold, and 123 00:10:20,559 --> 00:10:25,080 Speaker 1: yet I didn't miss company. I didn't miss the talk 124 00:10:25,160 --> 00:10:31,720 Speaker 1: of tiny people. I missed touch, connection, the figure and 125 00:10:31,760 --> 00:10:39,960 Speaker 1: the reflection spoke find. His voice was a low hiss, 126 00:10:40,720 --> 00:10:44,360 Speaker 1: a slight outburst of air from a rusty pipe. It 127 00:10:44,600 --> 00:10:48,360 Speaker 1: rattled me to my core. I was drawn further in 128 00:10:49,640 --> 00:10:52,800 Speaker 1: His hand was just an idea, his outstretched arm a 129 00:10:52,840 --> 00:10:57,719 Speaker 1: mere suggestion of a thing. I moved toward him, and then, 130 00:10:58,200 --> 00:11:01,280 Speaker 1: as if by its own accord, his name dropped from 131 00:11:01,280 --> 00:11:08,560 Speaker 1: my lips, Neil, as if compelled by the devil himself. 132 00:11:08,720 --> 00:11:11,400 Speaker 1: I pressed my lips against the mirror, and he met 133 00:11:11,440 --> 00:11:14,800 Speaker 1: me there. As his lips touched mine, I felt my 134 00:11:14,880 --> 00:11:19,000 Speaker 1: blood chill thickening in my veins, goose bumps rose on 135 00:11:19,080 --> 00:11:21,880 Speaker 1: my neck, and my face lost what color it had 136 00:11:21,960 --> 00:11:30,240 Speaker 1: left in it. Che He whispered in that strange guttural voice, 137 00:11:31,400 --> 00:11:38,200 Speaker 1: and then like a flash, he was gone, and with 138 00:11:38,360 --> 00:11:42,040 Speaker 1: him the strange fire in my heart. It left a 139 00:11:42,080 --> 00:11:44,719 Speaker 1: hollow in my chest that I felt suddenly was in 140 00:11:44,760 --> 00:11:51,800 Speaker 1: desperate need of filling. Find me. He was here, he 141 00:11:51,920 --> 00:11:55,880 Speaker 1: needed me. From then on I would search the house 142 00:11:55,920 --> 00:11:58,520 Speaker 1: for a Neil, obsessively, as if it were a sort 143 00:11:58,559 --> 00:12:02,680 Speaker 1: of madness. He was fickle and eluded me, frequently, appearing 144 00:12:02,720 --> 00:12:05,400 Speaker 1: mostly when the evenings were dark, or when a storm 145 00:12:05,480 --> 00:12:09,040 Speaker 1: made its way over the expanse of the gulf. Those 146 00:12:09,200 --> 00:12:11,840 Speaker 1: nights I would find him in mirrors and the cellar 147 00:12:12,040 --> 00:12:15,400 Speaker 1: or attic, cold and alone, and I would come to 148 00:12:15,480 --> 00:12:20,520 Speaker 1: him there full of warmth, full of giving. I was 149 00:12:20,559 --> 00:12:25,760 Speaker 1: of use again, I was needed magnanimously. I gave of 150 00:12:25,840 --> 00:12:29,079 Speaker 1: my heat, and each time auth Neil glowed a little 151 00:12:29,120 --> 00:12:38,160 Speaker 1: more brightly, and still the insistent plea fine. And then 152 00:12:39,120 --> 00:12:43,920 Speaker 1: one morning it occurred to me he wasn't simply asking 153 00:12:44,000 --> 00:12:49,480 Speaker 1: for a visit. Somewhere in this house his mortal remains 154 00:12:49,600 --> 00:12:55,640 Speaker 1: resided find me. He was asking for my help. I 155 00:12:55,640 --> 00:12:58,959 Speaker 1: immediately felt foolish. Of course, he was asking for help, 156 00:12:59,280 --> 00:13:03,120 Speaker 1: the unquiet, dead haunt with a purpose. And what's more, 157 00:13:03,800 --> 00:13:07,720 Speaker 1: I knew exactly how to find him, and so, for 158 00:13:07,760 --> 00:13:10,720 Speaker 1: the first time in weeks, I made my way to 159 00:13:10,800 --> 00:13:16,720 Speaker 1: my grandfather's study. This time I read his strange diary 160 00:13:16,800 --> 00:13:20,880 Speaker 1: with purpose. In it, he wrote of the construction of 161 00:13:20,880 --> 00:13:24,760 Speaker 1: the house. I rifled through the facts and figures, coming 162 00:13:24,880 --> 00:13:31,480 Speaker 1: finally to where I'd seen the name first. There off Neil. 163 00:13:33,840 --> 00:13:37,600 Speaker 1: He'd been a builder on the house, Young and unknown 164 00:13:37,600 --> 00:13:40,720 Speaker 1: to many of the other workers. He was accused by 165 00:13:40,720 --> 00:13:47,000 Speaker 1: a fellow of and here I quote heinous crimes. Instead 166 00:13:47,000 --> 00:13:51,079 Speaker 1: of taking him to the local constabulary, the men sealed 167 00:13:51,160 --> 00:13:56,400 Speaker 1: him beneath the basement floor. Included in my grandfather's notes 168 00:13:56,480 --> 00:13:59,200 Speaker 1: was an incredibly helpful sketch of the layout of the house, 169 00:13:59,440 --> 00:14:03,199 Speaker 1: with x is marked all over and increasingly erratic notes 170 00:14:03,240 --> 00:14:06,880 Speaker 1: about tile patterns, floor braces, the color of the mud 171 00:14:06,920 --> 00:14:13,120 Speaker 1: below the house, and over and over off Nil. Over 172 00:14:13,160 --> 00:14:15,640 Speaker 1: the course of the coming days, I poured over the 173 00:14:15,679 --> 00:14:19,120 Speaker 1: same notes and began to retrace his steps throughout the house. 174 00:14:19,960 --> 00:14:23,040 Speaker 1: It was on the third day, rummaging through the old 175 00:14:23,120 --> 00:14:27,040 Speaker 1: wine cellar, that I felt a sudden, desperate pull toward 176 00:14:27,080 --> 00:14:30,720 Speaker 1: the far corner, as if excited fingers had reached into 177 00:14:30,800 --> 00:14:38,360 Speaker 1: my heart and gently tugged there. In the floor a 178 00:14:38,480 --> 00:14:44,960 Speaker 1: trap door with a trembling breath. I reached down, grabbed 179 00:14:45,000 --> 00:14:52,520 Speaker 1: the old brass ring, and pulled. I found him there 180 00:14:53,320 --> 00:14:56,000 Speaker 1: in a simple hole, not big enough to stretch out. 181 00:14:57,520 --> 00:15:01,400 Speaker 1: He was curled up, not much more than rags and bone, 182 00:15:01,920 --> 00:15:06,280 Speaker 1: a small shimmer coated with mildew. I climbed down into 183 00:15:06,360 --> 00:15:08,840 Speaker 1: the hole and reached out a hand to his corpse. 184 00:15:09,720 --> 00:15:14,960 Speaker 1: I shivered even as I touched him. Upon contact, I 185 00:15:15,040 --> 00:15:18,720 Speaker 1: became enveloped in a shimmering mist on the ground, my 186 00:15:18,800 --> 00:15:21,840 Speaker 1: clothes pulled aside, and my breath visible in the air. 187 00:15:22,840 --> 00:15:26,640 Speaker 1: The corpse seemed more visible in that fog, animating with 188 00:15:26,680 --> 00:15:30,120 Speaker 1: a creak of dry bones and turning toward me, the 189 00:15:30,200 --> 00:15:36,480 Speaker 1: face somehow plumping, growing fuller, alive, more vibrant than sunrise. 190 00:15:37,440 --> 00:15:40,360 Speaker 1: My breath caught in my throat as that strange desire 191 00:15:40,480 --> 00:15:45,440 Speaker 1: overtook me. How long had it been, I thought, since 192 00:15:45,440 --> 00:15:48,680 Speaker 1: I was last embraced, since I'd made love, since I 193 00:15:48,760 --> 00:15:52,320 Speaker 1: last saw the sun. I looked into his eyes and 194 00:15:52,400 --> 00:15:59,000 Speaker 1: recognized my own, hungry, insatiable. He pulled me down, wrapping 195 00:15:59,040 --> 00:16:02,640 Speaker 1: me in an icy and race. The air escaped my lungs, 196 00:16:02,800 --> 00:16:05,640 Speaker 1: and I felt a sharp pang inside my chest, as 197 00:16:05,680 --> 00:16:09,200 Speaker 1: if shards of crystals were forming in my lungs. I 198 00:16:09,320 --> 00:16:13,440 Speaker 1: thought to inhale, and off Neil clutched tighter, his finger 199 00:16:13,520 --> 00:16:17,280 Speaker 1: bones digging deep grooves in my back, his bare teeth 200 00:16:17,400 --> 00:16:20,920 Speaker 1: dragging across my throat. I could feel the heat and 201 00:16:21,040 --> 00:16:25,440 Speaker 1: me leaving, leeching out and being replaced with a terrible chill. 202 00:16:25,560 --> 00:16:29,560 Speaker 1: As off Neil's corpse grew ever more lifelike, taking on 203 00:16:29,840 --> 00:16:33,480 Speaker 1: flesh that grew ruddy with its quickening, and all the 204 00:16:33,520 --> 00:16:37,160 Speaker 1: while his eyes seemed to dominate and take and take 205 00:16:37,360 --> 00:16:40,240 Speaker 1: and take, with no regard of who or what stood 206 00:16:40,280 --> 00:16:44,200 Speaker 1: opposite him. I knew that looked well, and I was afraid. 207 00:16:46,440 --> 00:16:49,360 Speaker 1: I felt frozen shackles on each of my wrists as 208 00:16:49,400 --> 00:16:53,960 Speaker 1: they slammed into the ground. Above my head. Hathnil swelled larger, 209 00:16:54,200 --> 00:16:57,400 Speaker 1: now bigger than me, now encompassing me, and I felt 210 00:16:57,480 --> 00:17:01,040 Speaker 1: lost within him. As worn and mount nourished as I 211 00:17:01,080 --> 00:17:03,720 Speaker 1: had been at the beginning of our passion, I had 212 00:17:03,720 --> 00:17:07,919 Speaker 1: been larger than Aneil by far. Now he dwarfed me 213 00:17:08,000 --> 00:17:12,280 Speaker 1: there on the floor, absorbing every last bit of my strength. 214 00:17:14,040 --> 00:17:18,320 Speaker 1: And then my body no longer responded to my will. 215 00:17:19,960 --> 00:17:26,800 Speaker 1: It's stilled cold and dead on the floor. Aneil was gone, 216 00:17:28,320 --> 00:17:32,840 Speaker 1: and I stood tall over my mortal remains, dead on 217 00:17:32,920 --> 00:17:41,800 Speaker 1: the stone floor. His eyes had shined with love, hadn't they. 218 00:17:43,920 --> 00:17:51,240 Speaker 1: He'd wanted the same thing I did right, warmth, acceptance. 219 00:17:54,720 --> 00:18:02,359 Speaker 1: But I'd been fooled. Time was lost to me. Who 220 00:18:02,440 --> 00:18:05,640 Speaker 1: could tell how it passed? A moment could be a year, 221 00:18:05,760 --> 00:18:10,840 Speaker 1: a month, mere seconds, and all the while I searched 222 00:18:11,960 --> 00:18:16,840 Speaker 1: restless in that space behind the mirrors, in that inverted 223 00:18:16,920 --> 00:18:21,720 Speaker 1: house that was now my domain. The decrepit shambles of 224 00:18:21,760 --> 00:18:27,119 Speaker 1: the mansion I neglected was magnified and distorted. I saw 225 00:18:27,200 --> 00:18:32,800 Speaker 1: as autnil once saw a world of tatters, and the 226 00:18:32,920 --> 00:18:38,800 Speaker 1: hunger for warmth was all consuming. In this manner, decade 227 00:18:38,840 --> 00:18:46,240 Speaker 1: slipped away, winters and springs all muddied together. And then 228 00:18:47,640 --> 00:18:52,160 Speaker 1: one particularly frigid evening, the door to the house opened 229 00:18:53,680 --> 00:18:59,520 Speaker 1: and she arrived. Her hair was wavy and dark, her 230 00:18:59,560 --> 00:19:04,080 Speaker 1: complaint action of warm deep bronze. Despite the snow flakes 231 00:19:04,119 --> 00:19:07,640 Speaker 1: that hid in the curls of her hair, she had 232 00:19:07,640 --> 00:19:11,600 Speaker 1: an inner light. It flicked a trace of a distant 233 00:19:11,720 --> 00:19:16,120 Speaker 1: memory that I could not place. The beautiful stranger took 234 00:19:16,119 --> 00:19:18,639 Speaker 1: no care to remove her shoes, or even knock the 235 00:19:18,720 --> 00:19:23,400 Speaker 1: snow from them, And why would she? Who would she insult? 236 00:19:25,520 --> 00:19:28,439 Speaker 1: She passed through the halls of the manner, and I 237 00:19:28,520 --> 00:19:32,879 Speaker 1: felt suddenly that I had my vessel for escape. She 238 00:19:33,119 --> 00:19:37,600 Speaker 1: was flesh, she was blood and warmth, and I could 239 00:19:37,640 --> 00:19:44,440 Speaker 1: sense in her. She was low, disheveled and crooked, driven 240 00:19:44,480 --> 00:19:47,560 Speaker 1: from a warmer place out into the world. She viewed 241 00:19:47,600 --> 00:19:51,639 Speaker 1: this house as a new start. She needed hope. I 242 00:19:51,720 --> 00:19:56,720 Speaker 1: could smell it. I had hope. I had hope with 243 00:19:56,800 --> 00:20:00,000 Speaker 1: the sweet promise of nothing behind it. And I knew 244 00:20:00,160 --> 00:20:04,480 Speaker 1: that if I guided her gently offered up myself, she 245 00:20:04,600 --> 00:20:07,560 Speaker 1: may very well give me a trade as off Neil 246 00:20:07,640 --> 00:20:11,600 Speaker 1: had traded with me. I could keep her here, I 247 00:20:11,640 --> 00:20:14,920 Speaker 1: could make her stay. I could drain away every bit 248 00:20:15,040 --> 00:20:18,080 Speaker 1: of human emotion and replace it with the malice and 249 00:20:18,280 --> 00:20:23,040 Speaker 1: spite that I felt she would take my place. It 250 00:20:23,080 --> 00:20:27,320 Speaker 1: would be so easy. I could be free. And so 251 00:20:27,680 --> 00:20:31,280 Speaker 1: as she passed the mirror in the hallway, I made 252 00:20:31,320 --> 00:20:36,000 Speaker 1: myself known. When she first saw me in the mirror, 253 00:20:36,840 --> 00:20:41,040 Speaker 1: her eyes gleamed, first with that surprise that a too 254 00:20:41,080 --> 00:20:43,600 Speaker 1: sudden image had been thrown back at her, and then 255 00:20:43,800 --> 00:20:48,639 Speaker 1: with the sort of glee. Yes, those, I said, take 256 00:20:48,680 --> 00:20:53,439 Speaker 1: for me this heart. I reached out toward her, and 257 00:20:53,640 --> 00:20:56,399 Speaker 1: just as I had all those years ago, she leaned 258 00:20:56,400 --> 00:21:02,120 Speaker 1: into the mirror. My hand touched her face, so smooth, 259 00:21:03,119 --> 00:21:07,240 Speaker 1: so warm. I had been so cold for so very long. 260 00:21:08,960 --> 00:21:13,080 Speaker 1: But there was something more. I could feel her life force, 261 00:21:13,640 --> 00:21:17,240 Speaker 1: the steady strum of her heart, could feel the sense 262 00:21:17,320 --> 00:21:21,120 Speaker 1: memory of a mother's embrace, a sprint across the summer field, 263 00:21:21,359 --> 00:21:24,960 Speaker 1: the first flush of new love, and the horrible, gutting 264 00:21:25,040 --> 00:21:29,280 Speaker 1: emptiness of its loss. I understood the whole of her, 265 00:21:29,520 --> 00:21:34,080 Speaker 1: and I wanted it and its entirety. But what had 266 00:21:34,160 --> 00:21:42,000 Speaker 1: I to offer in return? Live I do not know 267 00:21:42,080 --> 00:21:45,600 Speaker 1: why I said it, or where the word came from 268 00:21:45,600 --> 00:21:49,520 Speaker 1: her eyes. Her beautiful brown eyes grew wide, and I 269 00:21:49,640 --> 00:21:53,920 Speaker 1: quickly withdrew my hand into the mirror. She did not flinch, 270 00:21:54,960 --> 00:22:00,720 Speaker 1: she did not run. I had decided, and those walls 271 00:22:01,359 --> 00:22:05,480 Speaker 1: and those reflections I would remain. I would refuse to 272 00:22:05,520 --> 00:22:09,639 Speaker 1: pass this herd on. Perhaps one day the laughter of 273 00:22:09,680 --> 00:22:13,359 Speaker 1: a family, rosy cheeked and in love would bless the 274 00:22:13,440 --> 00:22:17,840 Speaker 1: halls of that forgotten home once more, and perhaps I 275 00:22:17,880 --> 00:22:21,960 Speaker 1: could find some gladness, some joy in the lives that 276 00:22:22,040 --> 00:22:31,280 Speaker 1: I dare not siphon off. I watched her sleep that night, peacefully, hopefully. 277 00:22:32,600 --> 00:22:36,520 Speaker 1: I watched as the morning sun lit her face, bleary 278 00:22:36,560 --> 00:22:39,879 Speaker 1: eyed and alone. She got her bearings and stepped on 279 00:22:40,040 --> 00:22:44,159 Speaker 1: unsteady feet into the main foyer and looked around with 280 00:22:44,320 --> 00:22:49,040 Speaker 1: fresh eyes. She was home and had the whole of 281 00:22:49,080 --> 00:22:53,040 Speaker 1: her life ahead of her. I would stay beside her, 282 00:22:53,760 --> 00:22:58,560 Speaker 1: a silent watchman, as she hurtled forward. I would not 283 00:22:58,720 --> 00:23:06,160 Speaker 1: hurt her. I knew finally, at last, what it meant 284 00:23:06,200 --> 00:23:18,520 Speaker 1: to love. But they can't be true, I assure you, 285 00:23:18,640 --> 00:23:22,800 Speaker 1: my dear, No words spoken at this table is false. 286 00:23:23,680 --> 00:23:34,960 Speaker 1: But John, my lad, how do you feel? I feel warm? Good? 287 00:23:35,760 --> 00:23:41,320 Speaker 1: Would you like to retire for the evening? Yes? Yes, 288 00:23:41,400 --> 00:23:45,280 Speaker 1: I think I would like that. M hmm. This key 289 00:23:45,400 --> 00:23:51,440 Speaker 1: is quite ornate, pure silver, very unusual. It befits your station, 290 00:23:51,560 --> 00:23:58,760 Speaker 1: I think, hm. Take it. Thank you, it's nothing. Your 291 00:23:58,800 --> 00:24:01,840 Speaker 1: door is up. The stairs is third on the left. 292 00:24:03,240 --> 00:24:13,560 Speaker 1: Do rest well, my friend. I believe this is the 293 00:24:13,600 --> 00:24:21,760 Speaker 1: warmest place I've ever been. It couldn't be true. What's that, dear? 294 00:24:23,400 --> 00:24:35,040 Speaker 1: He couldn't have I couldn't have what, dear? Are we dead? Well? Yes, Annabelle, 295 00:24:36,160 --> 00:24:59,040 Speaker 1: I thought that was quite Obvious. Twelve Ghosts starring Malcolm 296 00:24:59,119 --> 00:25:04,399 Speaker 1: McDowell as the Innkeeper and Gina Rikiki as Annabelle. Episode three, 297 00:25:04,640 --> 00:25:08,399 Speaker 1: The Mirror written by Steven Williams with additional writing by 298 00:25:08,480 --> 00:25:13,120 Speaker 1: Nicholas Takowski. Editing by Chris Childs and Stephen Perez, featuring 299 00:25:13,240 --> 00:25:18,960 Speaker 1: Nicolas Takowski as Jare. Directed by Nicholas Takowski. Original score 300 00:25:19,000 --> 00:25:23,520 Speaker 1: and sound design by Chris Childs. Executive producers Aaron Mankey, 301 00:25:23,840 --> 00:25:29,760 Speaker 1: Matt Frederick, Alexander Williams and Nicholas Takowski. Supervising producer Josh Staine. 302 00:25:30,240 --> 00:25:35,080 Speaker 1: Producers Chris Child's and Stephen Perez. Casting by Sunday Bowling 303 00:25:35,200 --> 00:25:38,280 Speaker 1: c s A and Meg Mormon c s A. Production 304 00:25:38,320 --> 00:25:42,920 Speaker 1: coordinator Wayna Calderon. Recorded at Lantern Audio in Atlanta, Georgia, 305 00:25:43,280 --> 00:25:48,680 Speaker 1: engineered by Chris Gardner, Aeros Sound and Recording in Ojai, California, 306 00:25:48,800 --> 00:25:53,480 Speaker 1: engineered by Ken Eros. Twelve Ghosts was created by Nicolas Takowski. 307 00:25:53,640 --> 00:25:56,280 Speaker 1: That is a production of iHeart three D Audio and 308 00:25:56,359 --> 00:25:59,159 Speaker 1: Grim and Mild from Aaron Manky. Learn more about the 309 00:25:59,200 --> 00:26:02,000 Speaker 1: show at Grim and Mild dot com, and find more 310 00:26:02,040 --> 00:26:05,080 Speaker 1: podcasts from my Heart Radio by visiting the I Heart radio, app, 311 00:26:05,280 --> 00:26:08,399 Speaker 1: Apple podcasts, or wherever you listen to your favorite shows. 312 00:26:25,960 --> 00:26:26,000 Speaker 1: H