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Speaker 1: Donald phase on testing one two three four Donald phase

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Speaker 1: on testing one two three four? Are you testing? Are

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Speaker 1: you testing as yours your microphone set. I've got some

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Speaker 1: new toys to play with over here, don I don't

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Speaker 1: give a shit about two toys right now, buddy, I'm

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Speaker 1: sick of your face. I'm sick of your face. Why oh,

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Speaker 1: because all I watch. Oh I don't watch it on purpose,

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Speaker 1: but my daughter keeps playing this damn cheaper body does.

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Speaker 1: Thank you too. That's my number one fan, my god

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Speaker 1: daughter right there. Oh my gosh. So you're having to

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Speaker 1: watch having to watch. I do watch it. I have

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Speaker 1: to watch it because she's watching it all the time,

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Speaker 1: like back to back to back to back to back.

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Speaker 1: That shit's on twenty four to seven. Dude, it's it's

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Speaker 1: it's it's ridiculous. And then having to do a rewatch

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Speaker 1: and then having to look at your face again, I

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Speaker 1: can't believe it. I'm so sicky of face, buddy. I

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Speaker 1: love you so much. I love you so much, so much,

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Speaker 1: and I love that wild there. Who is how old?

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Speaker 1: She's six six? So if you have a six year old, listen,

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Speaker 1: let them see Cheaper by the dozen. She's the target demo. Well,

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Speaker 1: everybody's really the target demo. You're so, I know, man,

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Speaker 1: thank you. Hold on one second, Hold on one second.

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Speaker 1: My wife wants to say something. Play the song, Casey,

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Speaker 1: come down here, tell me what to do. Hey, I

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Speaker 1: just have to tell you. So yesterday I was picking

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Speaker 1: Wilder up at art camp and she was refusing to

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Speaker 1: get in the car, and I was like, Wilder, we

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Speaker 1: gotta go. And and somebody said, well, what time is it?

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Speaker 1: She goes, It's wine time? And I think it's what

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Speaker 1: because first of all, I don't even drink wine. I

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Speaker 1: barely drink it all. Is that in the movie? Yes,

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Speaker 1: I guess yes, someone says it's wine time. Yeah. I

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Speaker 1: was like, oh my god, we've got to cut her off.

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Speaker 1: That's number one fan right there. She's got. She she

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Speaker 1: sits and repeats the dial she says the dialogue with

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Speaker 1: the I put the video. Casey posted this video that

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Speaker 1: was so adorable of what time was it in the morning. Oh,

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Speaker 1: it's like seven thirty in the morning, seven thirty in

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Speaker 1: the morning. She's got. The movie opens with a Beyonce

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Speaker 1: song and she's like dancing around the living room getting

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Speaker 1: getting her breakfast underneath her blanket all ready to watch it.

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Speaker 1: She's like, and he goes, you're gonna watch it again? Well,

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Speaker 1: because and they're on Spreme break, so we don't have

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Speaker 1: a lot going on, so they're watching a lot of TV.

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Speaker 1: I just love the Donald repeat. I just love that

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Speaker 1: Donald's being forced to watch me over and over and again.

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Speaker 1: Oh he laughs. He's not going to tell you that,

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Speaker 1: but I'm not gonna lappen. Yeah good, yeah, he laughs.

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Speaker 1: All right, thank you, love I love you too. That's

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Speaker 1: just funny, though, man, I'm not gonna lie it's funny.

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Speaker 1: Before you got on, Daniel was just like, because Daniel

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Speaker 1: and Joel came to the premiere and before you got on,

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Speaker 1: Daniel was like, I gotta tell you that movie is

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Speaker 1: really funny. It was really funny. That's it's funny man.

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Speaker 1: And uh you know, uh, the uh the Daniel sisters

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Speaker 1: are great in it. Man, it's good to see them

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Speaker 1: in something again. Man. There. Yeah, you know, I don't

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Speaker 1: know if you were a Sweet Valley Sweet Valley High,

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Speaker 1: but I knew that that was there. That was their jam.

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Speaker 1: Oh man. I had crushes on the both of them. Men. Uh,

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Speaker 1: they they were great in it. Uh. I got to

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Speaker 1: work with Brittany uh uh in Skyline Action, the whole cast,

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Speaker 1: all the amazing freaking gab, the kids, Uh, the the dad. Uh.

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Speaker 1: What's he? He nickname his tree? He goes by tree.

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Speaker 1: He's uh because he's probably as big as a tree.

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Speaker 1: He's a giant. But his acting is fucking amazing. He's

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Speaker 1: great to uh Uh Erica, She's amazing, like, oh, you know,

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Speaker 1: just like it's at it. It's familiar faces too, you know,

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Speaker 1: and everybody's in it. You know. It's just such an

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Speaker 1: amazing it's a it's an amazing family movie. I have

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Speaker 1: no idea of man, thank you. Yeah, I'm so happy

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Speaker 1: that people love. It's funny. I had a really funny

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Speaker 1: moment because I'm trying to help my parents buy a

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Speaker 1: house and I never get recognized by kids because I've

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Speaker 1: never done anything for kids, um and other than Chicken

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Speaker 1: Little obviously, which they're not gonna recognize you from that.

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Speaker 1: And this is my very first thing that's ever been

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Speaker 1: you know, most of my stuff, you know, obviously Scrubs

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Speaker 1: was risque and and and kids weren't watching that, and

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Speaker 1: all my movies are pretty much So I'm walking down

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Speaker 1: the street and this was like the next day and

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Speaker 1: I'm I'm holding my mind. I got my mom's arm

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Speaker 1: because she's walking with a cane these days. And this

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Speaker 1: woman comes out of nowhere with two little young boys,

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Speaker 1: probably seven, and she goes sauce king. It's the sauce

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Speaker 1: King because my character creates a sauce in the movie.

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Speaker 1: And the two little boys face is lit up, and

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Speaker 1: I was like, I had this beautiful moment that was like,

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Speaker 1: you know, I've been used to getting recognized since since

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Speaker 1: since I got famous with Scrubs, But this moment was

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Speaker 1: like seeing a kid's face light up seeing me. It

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Speaker 1: was something I don't know, it's something cool about it,

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Speaker 1: because it's amazing. Can I tell you something? And on

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Speaker 1: the selfish level, just as sauce king, as as a

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Speaker 1: as a it just it's it's longevity. Also with your career,

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Speaker 1: you're touching a new audience or audience that had no

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Speaker 1: idea who you were, right is now you know what

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Speaker 1: I mean? I child has any idea who I am? No,

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Speaker 1: Well they do now they do. Now they do now

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Speaker 1: they do. Now that's you know what I mean. And

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Speaker 1: they're gonna grow up with you now too. You know

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Speaker 1: what I'm saying, I hope we get this is It's

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Speaker 1: so amazing, dude. I'm so happy for you. Thank you brother,

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Speaker 1: thank you, and thanks for being so supportive and and

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Speaker 1: thank you. You missed. We weren't able to come to

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Speaker 1: the premiere and because you had to work. But it

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Speaker 1: was so fun watching, uh, your kids watch the premiere.

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Speaker 1: And every time there's a there was a music queue

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Speaker 1: because Kenyan got Disney to pay for them songs. There's

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Speaker 1: the soundtrack from He Got That. I don't know what

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Speaker 1: got Beyonce. I don't know what this soundtrack wants to cost,

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Speaker 1: but Kenya said, make it happen, and h every time

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Speaker 1: there was a song, your daughter hopped up out of

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Speaker 1: her seat and she was just dancing along. She was

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Speaker 1: having the best time, telling you it's her new favorite movie. Um,

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Speaker 1: I love it. I love it so that. Okay, there's

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Speaker 1: our There's Our Sheeper by the Doesn't Plug. Please check

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Speaker 1: it out if you haven't, it's on Disney Plus. Um

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Speaker 1: it came out last week and it's been It's been

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Speaker 1: a lot of fun hearing people and their families enjoy it.

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Speaker 1: There she is? What up? Queen? Joel and Joel are

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Speaker 1: you doing anything to propagate the rumors that the people

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Speaker 1: want me to play Ted Cord. Um, you are dialed

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Speaker 1: into this universe. Yes, listen. I posted it in my

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Speaker 1: stories like maybe two weeks ago, when I got a

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Speaker 1: bunch of messages being like when will Zach suit up?

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Speaker 1: I'm here for it. I will tell all of the

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Speaker 1: DC people anytime I see them. It's right there in

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Speaker 1: front of you, guys. We're ready and hold on now,

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Speaker 1: hold on, now, listen, here's the thing. Now, if you

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Speaker 1: get to play Ted Chord, do I get to still

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Speaker 1: play Blue Beetle? Because I'm a little worried. I'm a

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Speaker 1: little worried. Man freaking CW didn't pick up Legends or

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Speaker 1: Tomorrow yet, and I don't know, you know what I'm saying.

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Speaker 1: I'm starting to get a little worried. They picked up Flash,

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Speaker 1: they picked up Kung Fu, picked up the football shit,

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Speaker 1: they picked up all that other stuff. I didn't hear

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Speaker 1: Legend or Tomorrow. Does that mean that if you get

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Speaker 1: chosen as Ted Chord, I still get to play Blue Beetle?

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Speaker 1: We should call Greg Berlany live on the show and

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Speaker 1: surprise and ask him. By the way, we've got some

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Speaker 1: new sound effects Donald, because I have expanded my repertoire

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Speaker 1: a little bit. This is when I this is my

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Speaker 1: Donald phase on intro track. Wait, do it again? Do

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Speaker 1: it again? It's a I'm like a Seinfeld drum. No,

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Speaker 1: it's gonna scratch, bro, it's still Seinfeld dish. What is

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Speaker 1: it so black? Seinfeld? It's blind. It's blind. Now, when

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Speaker 1: you have a joke that doesn't work, that's what I hurt.

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Speaker 1: This is gonna hurt. You can't discriminate, though, you better

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Speaker 1: not discriminate that. Now. I can tell you. You You got

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Speaker 1: a new job, and you gotta job you're really excited about. Yeah,

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Speaker 1: but make that money, make that money. Um, we got this.

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Speaker 1: Who's gonna get this? That's fire, dude, that's fire. When

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Speaker 1: does that come in? I don't know. We're gonna we're

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Speaker 1: how about drop it right now? One more time? Hey

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Speaker 1: the show, y'all? Yeah, it's our new intro music after

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Speaker 1: the theme song goes after our theme song. But it's

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Speaker 1: the breakdown, like when James Brown breaking down and he

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Speaker 1: just and he just dafinis it. Oh, come on, man, Donald,

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Speaker 1: I I'm getting back in shape. I'm back on the wagon. Well,

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Speaker 1: if you gotta play ted Cord, you gotta get back

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Speaker 1: in shape. You can play. I gotta get in that suit,

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Speaker 1: and you gotta get in that. You can't if it happens,

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Speaker 1: you can't have Come on, you can't have a fopa

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Speaker 1: in a suit. Donald, Oh my god, I'm just telling you.

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Speaker 1: If we're gonna strap on, strap in, not strap on

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Speaker 1: both boy your foot, you're just sticking your foot deeper

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Speaker 1: and deeper. This episode of the show has so much

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Speaker 1: homo eroticism. Oh, it's got racist shit. Who wrote this stuff?

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Speaker 1: I don't know. Elliott is clearly a Republican. Clearly clearly

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Speaker 1: a Republican. We can talk about that. We're gonna get

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Speaker 1: into all that. All I know is one thing's for sure.

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Speaker 1: I'm documenting the Keith's body and claiming it is my own. Yeah,

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Speaker 1: you know what, How about we started like this seven

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Speaker 1: eight about show we made about a bunch of time nurses.

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Speaker 1: I laughed a bunch. Yeah, I was confused a little

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Speaker 1: bit too, my friend with money. Guys, we are in

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Speaker 1: six oh five, and um, I got a very interesting

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Speaker 1: proposition last night about this podcast. I'm so excited to

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Speaker 1: tell you guys about it, but I don't know if

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Speaker 1: I can. I don't think I can tell the fans

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Speaker 1: yet ready, Daniel exactly, or I'll tell you and then Daniel,

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Speaker 1: you'll assess how you bleep it out. Okay. I met

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Speaker 1: the CFO of and she said I love the podcast,

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Speaker 1: why don't you guys? And and fuck you. Yeah that happened.

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Speaker 1: And then this morning and I thought she like had

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Speaker 1: a buzz or whatever. And then this morning she texted

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Speaker 1: me about it. Oh she's for real. Then yeah, she's

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Speaker 1: our next day follow up, the next day early. This

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Speaker 1: has to happen. All right, fans, we can't tell you yet,

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Speaker 1: but put it this way. The podcast is on such

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Speaker 1: fuego that people are hitting us up from all over.

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Speaker 1: That's amazing. Exactly how you do all this business, that's incredible. Wow.

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Speaker 1: That's the thing about Hollywood is you can go to

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Speaker 1: you can you can. I got to hang out with Alpaccio.

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Speaker 1: Listen to what's happened last week. I went to a

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Speaker 1: I went to a Shabbat dinner where I hung out

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Speaker 1: with Alpaccino. Wow, Okay, I sat next to Alpuccino and

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Speaker 1: I was so nervous and he's so cool, and everyone

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Speaker 1: at the table obviously basically just like, come on, tell

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Speaker 1: us stories, and he was telling stories and apparently there's

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Speaker 1: like the secret club that if you're friends with Puccino

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Speaker 1: or you know someone where he screens old thirty five

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Speaker 1: millimeter prints at at either the New Beverly that's Tarantino's

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Speaker 1: theater right or wherever. And and then after does Q

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Speaker 1: and A's And it's not like charge. It's not like

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Speaker 1: charged or anything. It's just like you gotta know someone.

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Speaker 1: And then but guys, I'm like, I got my foot

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Speaker 1: in the door. The woman who organizes it, I met her,

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Speaker 1: I gave her my number. I go, I love al

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Speaker 1: so much, Please UM invite me, and she goes, yeah,

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Speaker 1: I'll make sure you're invited, and I'll try and get

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Speaker 1: you guys invited, but like like not necessarily like super

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Speaker 1: famous ones like he referenced he's done so many movies. Yeah,

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Speaker 1: like the referenced Scarecrow, which I've never seen, which I

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Speaker 1: guess is him and Hackman Wow. And then um and

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Speaker 1: Eli Roth was also at the table, and he's like,

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Speaker 1: he's like best buddies with Tarantino, and Eli Roth was like,

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Speaker 1: I think Tarantino might have a print of Scarecrow. I

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Speaker 1: could get it from him. And I would be like,

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Speaker 1: I was like, oh, that would be great, and I

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Speaker 1: was just like, I can't how dream dream? Then Eli

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Speaker 1: Roth and I started doing impressions of him from Glen

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Speaker 1: Garry Glen Roth, and then oh my god, they have

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Speaker 1: the craziest story he's got. Hold on. I just gotta

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Speaker 1: say one thing before you get to this craziest story.

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Speaker 1: This is just a a little interlude into my love for

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Speaker 1: Appucino as motivational talk in a movie ever, is any

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Speaker 1: given Sunday. Oh, he's in the locker room talking at

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Speaker 1: the end of the movie when they're about to go

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Speaker 1: into the playoff game. That shit is so powerful and

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Speaker 1: I'm gonna I'm gonna keep it one hundred. I don't

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Speaker 1: know how much Alpaccino knows about football, but whoever that

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Speaker 1: character was, he was playing. If you ever want to

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Speaker 1: get motivated, if you ever want to feel some type

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Speaker 1: of emotion and go out into the world charged and

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Speaker 1: ready to go, listen to that monologue in the locker

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Speaker 1: room at the end of the morning. Well, I love him.

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Speaker 1: I think he's I mean, such a fucking genius. And

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Speaker 1: it was just cool to sit next to him and

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Speaker 1: hear him tell stories and He was just so personal.

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Speaker 1: You know, you think a lot of old school legends

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Speaker 1: like that would be like, you know, let's just have

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Speaker 1: a glass hall and I don't want to talk about

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Speaker 1: my work that. He was the opposite. He was holding

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Speaker 1: court at the table. People are asking him questions. He's like, oh,

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Speaker 1: I got a funny story about that. Now let me

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Speaker 1: tell you something. And it was just amazing. It was

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Speaker 1: so cool. You said you had something else that was crazy.

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Speaker 1: The other story, that's hilarious. Okay, So make long story short.

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Speaker 1: Donald and I. We've told you about the loft we

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Speaker 1: stayed in when we were our first hiatus from Scrubs

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Speaker 1: in Manhattan and soho, and we put a ping pong

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Speaker 1: table in there, right, Yeah? Was there one in there?

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Speaker 1: Did we buy one? I don't know if we bought one,

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Speaker 1: but there was a ping pong table, and yes, and

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Speaker 1: we hung and we told you about the stories there,

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Speaker 1: and we had some really fun nights there. We were

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Speaker 1: just Donald's had been famous before, but it was my

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Speaker 1: first time being a known actor, and I was doing

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Speaker 1: Shakespeare in the Park, which was like a lifelong dream,

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Speaker 1: and I was cranking Michelle branch Um. Everything was perfect.

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Speaker 1: Turned me inside out, so I can see that was

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Speaker 1: the summer of every to me. I had my CD player,

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Speaker 1: remember I had my yellow CD player that yeah, you know,

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Speaker 1: you know, you know that I had that thing that

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Speaker 1: you clamped over and locked the sony. Yet I don't

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Speaker 1: have everywhere skipping. You know this, This this episode has

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Speaker 1: a lot of shit like that. Anyway, But yeah, go on,

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Speaker 1: so we gotta get in the episode. But let me

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Speaker 1: just tell you the story. So when we left Donald,

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Speaker 1: I don't even know if you know this, but when

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Speaker 1: we left this woman, we hadn't done anything in the place.

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Speaker 1: The place was it was not it was not set

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Speaker 1: up nice. It was an artist studio. It just happened

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Speaker 1: to have like a bathroom in two beds, and it

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Speaker 1: was it was. It was pretty rough, it was. But

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Speaker 1: we were just so happy to be in a giant loft,

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Speaker 1: pretending we were in the movie Big in soho um.

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Speaker 1: But it was not like a redone, right. It was

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Speaker 1: like a rough, raw space. And this woman who rented us,

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Speaker 1: had rented it to us, had the audacity to try

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Speaker 1: and keep our deposit. And she sent me this long

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Speaker 1: list of all the things that were wrong, um that

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Speaker 1: she needed to repaint. There was a missing missing cont

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Speaker 1: shell in the bathroom, that like that, like this, that

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Speaker 1: other thing, and it was so it was such bullshit

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Speaker 1: because we hadn't done anything to her fucking loft. Okay,

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Speaker 1: So for some reason, I took the time. I was

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Speaker 1: so mad, I took the time to write the sassiest,

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Speaker 1: funniest response to her claims. And it wasn't I wasn't

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Speaker 1: like being a dick. I was just being like a

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Speaker 1: wise ass. But I was being a funny wise ass.

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Speaker 1: And it was a It was a letter for one.

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Speaker 1: No one would ever see it, but this woman. It

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Speaker 1: wasn't like I was going to litigate it or anything.

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Speaker 1: It wasn't we probably she probably kept our fucking deposit

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Speaker 1: for all I know. But I but I took the

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Speaker 1: time to really sit there and write the the funny

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Speaker 1: as hell, you've got to be fucking kidding me letter, right.

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Speaker 1: I haven't thought about it since this was two thousand

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Speaker 1: and one, one two, whenever freaking scrubs for we had

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Speaker 1: one thousand two. Okay, So I'm coloring my movie, which

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Speaker 1: is when you go into um, what's um? When you

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Speaker 1: go into a studio and you sit with a colorist

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Speaker 1: and that you're cinematographer and you're adjusting all the color

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Speaker 1: and making it look as pretty as possible. Think of

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Speaker 1: it like a zillion dollar Instagram room. And and all

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Speaker 1: of a sudden, my DP says, Yannish Kaminski is here.

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Speaker 1: Would you like to meet him? Now? For those you

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Speaker 1: don't know, Jannish Kaimiski is one of the most famous

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Speaker 1: cinematographers of all time. He's shot nineteen of Spielberg's movies.

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Speaker 1: He's got two oscars. He shot Schindler's List, He's shot

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Speaker 1: the recent Western I mean basically the last nineteen Spielberg movies,

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Speaker 1: and many other movies. He's he's a living legend. And

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Speaker 1: I'm like, oh, and Mauro Fiori, who's my cinematographer from

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Speaker 1: my film that I made, used to be his gaffer.

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Speaker 1: Gaffer is right underneath the cinematographer. He's in charge of

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Speaker 1: all the lighting. So they're friends. So he says, Yannish

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Speaker 1: happens to be here. Do you want to meet him? So?

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Speaker 1: I say, oh, my god, you're kidding me. Yeah, Yannish

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Speaker 1: Kimiski is so. Jannish Kaimiski comes into the room. He's

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Speaker 1: a Polish guy, he's loud, he's funny. He's just clearly

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Speaker 1: pounded a cup of coffee because he's speaking a mile

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Speaker 1: a minute. And he goes, zach Zack, Zack, Zack. I

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Speaker 1: read that letter that you wrote that woman, and that

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Speaker 1: was the funniest fucking thing I ever read in my life.

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Speaker 1: And I go, what, how could you possibly have read?

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Speaker 1: He goes, because I rented that place right after you

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Speaker 1: and your friend, and the letter was somehow on the table,

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Speaker 1: And I gotta tell you, all these years later, I'm

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Speaker 1: still laughing about how fucking funny that letter was. Oh

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Speaker 1: my god, amazing, amazing. Yeah, man, isn't that is wild?

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Speaker 1: He was cracking up. He was quoting it. This is

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Speaker 1: twenty years ago. He's quoting it. Oh my god. He's like,

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Speaker 1: you made me laugh so hard. I can't do a

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Speaker 1: Polish accent, sorry, but he's like, you made me laugh

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Speaker 1: so hard. He goes, And I had to deal with

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Speaker 1: that lady for two years. I rented that place and

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Speaker 1: um and so yeah, but anyway, I just thought that's

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Speaker 1: that's the end of the story. But it was I'm like,

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Speaker 1: I'm like sitting there like mega fan geeked out, and

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Speaker 1: he's telling me that I'm hilarious for a letter I

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Speaker 1: wrote twenty years ago. Anyway, let's get into the show.

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Speaker 1: Hit it. We already did that. Oh, then don't hit it.

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Speaker 1: You know what you should instead of hitting that, hit this. Hey,

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Speaker 1: we also have this too. I know you know what,

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Speaker 1: I like you know what? That should be the first

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Speaker 1: one that you did when we come back from commercial break. Yeah,

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Speaker 1: a lot of responsibilities now, all right, listen to the show. Um,

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Speaker 1: there's swanky new suites right that rich folks, the rich

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Speaker 1: folks can afford um, which is a commentary and a

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Speaker 1: real thing. Um, we all know. Um they have that

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Speaker 1: here in uh, definitely in Los Angeles and New York

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Speaker 1: stater sign. I got it for sure, because we got

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Speaker 1: that when the kid, Yeah you guarded it, I believe

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Speaker 1: by one of your friends, and and I remember walking

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Speaker 1: in and it was nice. And I'm sure there's levels

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Speaker 1: above what you had even Yeah, absolutely we got the

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Speaker 1: lower level one. We got the we got was you know,

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Speaker 1: it's not common and you're not sharing it with someone else.

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Speaker 1: You got your own private one. They got the ones

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Speaker 1: that are like, you know, like this, like we're spoofing

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Speaker 1: in the show. And in fact, I did that for

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Speaker 1: my dad once, say, when he was ill. They had

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Speaker 1: him in like a four bedroom or something, and I

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Speaker 1: remember it's like take out my credit card, Like what

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Speaker 1: do I gotta pay? Because I'm blessed enough that I

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Speaker 1: can do that and uh and it was on offer.

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Speaker 1: So obviously you're gonna do anything you can for your

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Speaker 1: parents when they're sick. But yeah, so that's a real

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Speaker 1: thing that exists. Um, if you're listening in another country, Um,

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Speaker 1: that might not happen in your country, or maybe it does.

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Speaker 1: I don't know. You took the candy, Jad took the

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Speaker 1: candy from the that was they took them. I took

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Speaker 1: the mint off his chest. Yeah, that was funny. Post oppression,

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Speaker 1: I have to say. Uh. Um, I thought was handled.

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Speaker 1: You know, the theme one of the main themes of

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Speaker 1: this is Carla and turk Um and their new baby

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Speaker 1: and Carla suffering from postpartment depression, which I thought this

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Speaker 1: was a great public service announcement really for for for

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Speaker 1: so many women that must go through this. And I

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Speaker 1: know this aired in two thousand and six, but um,

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Speaker 1: the way that it was deal with, and the and

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Speaker 1: the and the beautiful mole speech that Jordan gives Carla

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Speaker 1: at the end. Was was just I don't know. I

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Speaker 1: was just proud of us for for putting a positive

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Speaker 1: message out in the world. Right. Not only that I

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Speaker 1: thought it was played well. I thought Judy did such

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Speaker 1: an amazing job. You know, we talked about how great

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Speaker 1: of an actress she is, but she's really flexing her

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Speaker 1: chops in this. You know, she's being funny and dramatic

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Speaker 1: at the at the same time, and that's really hard

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Speaker 1: to do. Um uh and and she's nailing it. And

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Speaker 1: then also Christa's speech at the end is is beautiful

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Speaker 1: and uh so needed and made me laugh so hard.

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Speaker 1: Also where you know when she turns around and she's like, dude,

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Speaker 1: shut the fuck up. Turt pretty much a line was

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Speaker 1: play don't in this play. I laughed at every one

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Speaker 1: of your reality If you speak again, I will eat you.

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Speaker 1: I laughed when she said I had this night. You know,

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Speaker 1: she says, I've had these feelings like I might throw

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Speaker 1: and then they cut to you or you're like like

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Speaker 1: the faces you are the faces God? Yeah, man, But

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Speaker 1: I just I just I was really, I was really

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Speaker 1: you know, it was my favorite storyline in the in

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Speaker 1: the show. Uh, this this time around. Elliott made me

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Speaker 1: really mad in this episode for some reason, and it

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Speaker 1: wasn't because I'm jealous of her getting off at five o'clock.

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Speaker 1: Like some of the ship. She was saying, like I

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Speaker 1: stopped right before and got to ghetto in a neighborhood,

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Speaker 1: you know what I mean. And you know, she said

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Speaker 1: like a lot of things where I was like, why, yeah,

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Speaker 1: this was that key And if this was that key

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00:24:04,000 --> 00:24:12,760
Speaker 1: in Peel Sketch, I would have been like, all right,

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Speaker 1: we'll get into that. So Elliott walks in. This clearly

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00:24:16,119 --> 00:24:20,119
Speaker 1: is a time in electronics where all these things are

419
00:24:20,119 --> 00:24:22,080
Speaker 1: coming out, because all of a sudden this episode, you've

420
00:24:22,119 --> 00:24:26,359
Speaker 1: got webcams, You've got taken pictures with phones, You've got

421
00:24:27,080 --> 00:24:32,680
Speaker 1: um video chatting, right, You've got texting is a lot.

422
00:24:32,720 --> 00:24:35,400
Speaker 1: It just felt like this episode also was a sort

423
00:24:35,400 --> 00:24:38,080
Speaker 1: of a trend. Must have been a transitional phase in

424
00:24:38,080 --> 00:24:40,840
Speaker 1: in at the time when everyone was sort of switching

425
00:24:40,880 --> 00:24:44,119
Speaker 1: over to all these gadgets. Um, well, I remember, I

426
00:24:44,119 --> 00:24:47,639
Speaker 1: remember the whole OMG LOL thing. I had no idea

427
00:24:47,720 --> 00:24:49,800
Speaker 1: what that was at the time, so it was still

428
00:24:49,920 --> 00:24:54,080
Speaker 1: very that was very very new to text and use

429
00:24:54,160 --> 00:24:58,920
Speaker 1: those as ways to describe how you were feeling. Now,

430
00:24:58,920 --> 00:25:01,080
Speaker 1: it's just like common like we use it in our

431
00:25:01,119 --> 00:25:03,840
Speaker 1: everyday language. But right, although sometimes a young person will

432
00:25:03,840 --> 00:25:05,679
Speaker 1: send you something and you're like, what I have to

433
00:25:05,800 --> 00:25:08,399
Speaker 1: I have to google? What what that that one means?

434
00:25:08,920 --> 00:25:11,919
Speaker 1: My kids walking around saying everything is sus I'm like,

435
00:25:12,000 --> 00:25:15,520
Speaker 1: what the heck? Because that's suspects, right, I know what

436
00:25:15,640 --> 00:25:18,919
Speaker 1: suspect means. Yeah, but everything is such far asy. You're

437
00:25:18,960 --> 00:25:22,119
Speaker 1: acting so suss right now. She's talking about the dog

438
00:25:22,200 --> 00:25:26,480
Speaker 1: and I'm like, what, how suspicious is this dog acting? Right?

439
00:25:28,000 --> 00:25:32,000
Speaker 1: What You're gonna learn lingo from the kids, but I

440
00:25:32,040 --> 00:25:34,080
Speaker 1: made cheaper by the dozens. Those kids were speaking like

441
00:25:34,119 --> 00:25:42,440
Speaker 1: a different language and like doing things like she meant

442
00:25:42,520 --> 00:25:49,520
Speaker 1: like you got spice in your veins or something? Do

443
00:25:49,560 --> 00:25:55,120
Speaker 1: you know that one? No, but that's very funny. Shit kids,

444
00:25:55,600 --> 00:25:57,000
Speaker 1: Yeah this is. But I don't know if this is

445
00:25:57,000 --> 00:25:58,520
Speaker 1: out of I'm sure it's out of style now because

446
00:25:58,520 --> 00:26:00,480
Speaker 1: it's been a year. But they were it would like

447
00:26:00,960 --> 00:26:05,080
Speaker 1: we go like I think it was at thing. It

448
00:26:05,160 --> 00:26:07,399
Speaker 1: was a basketball thing, was vice in your veins? But

449
00:26:07,480 --> 00:26:09,520
Speaker 1: then they paired it, which I think was a TikTok

450
00:26:09,600 --> 00:26:15,680
Speaker 1: thing with she which meant something else. I don't know,

451
00:26:16,400 --> 00:26:18,480
Speaker 1: but they used it for everything. It was like, you know,

452
00:26:18,640 --> 00:26:21,719
Speaker 1: the Smurf seems smurf for everything. Yeah, yeah, that's how

453
00:26:21,760 --> 00:26:27,640
Speaker 1: they use shesh. Yeah. Anyway, Elliot walks in when I'm

454
00:26:27,680 --> 00:26:29,520
Speaker 1: trying to show off to Kim that I've got a

455
00:26:29,600 --> 00:26:32,639
Speaker 1: nice body, but I'm using Keith's body. I'm using Keith

456
00:26:32,880 --> 00:26:34,960
Speaker 1: and I'm taking a picture of his abs and I go, no,

457
00:26:35,040 --> 00:26:38,840
Speaker 1: I've no, I've always had a ninny Oh yeah, that's funny.

458
00:26:39,000 --> 00:26:41,760
Speaker 1: Elliot walks in while I'm photographing Keith's ass and she goes,

459
00:26:41,760 --> 00:26:43,399
Speaker 1: this reminds me of the time I found you at

460
00:26:43,400 --> 00:26:47,320
Speaker 1: that bus stop bent And then you assume it's gonna

461
00:26:47,320 --> 00:26:50,160
Speaker 1: be nothing like that. What are you talking about? Yeah?

462
00:26:50,200 --> 00:26:52,440
Speaker 1: And then you assume it's gonna be like him hooking

463
00:26:52,520 --> 00:26:55,040
Speaker 1: up with a guy or something, and and it's actually

464
00:26:55,119 --> 00:26:58,040
Speaker 1: me again taking a picture of his ass, and I go,

465
00:26:58,040 --> 00:27:01,800
Speaker 1: I'm getting a little flare off the urinal right yeah,

466
00:27:01,840 --> 00:27:07,240
Speaker 1: And then you go, actually this is exactly Yeah, so

467
00:27:07,359 --> 00:27:11,440
Speaker 1: JD you know, not saying he's DTF, but he he's

468
00:27:11,440 --> 00:27:16,560
Speaker 1: definitely interested in Keith's body very much. So I was

469
00:27:16,600 --> 00:27:20,360
Speaker 1: going to ask you about that. I I think JD

470
00:27:20,440 --> 00:27:25,000
Speaker 1: does have some fantasies that I think he appreciates the

471
00:27:25,040 --> 00:27:28,840
Speaker 1: male form, let's just put it that way. Yes, but

472
00:27:29,000 --> 00:27:31,880
Speaker 1: fantasies that his form looked like that form as well. Yes,

473
00:27:32,040 --> 00:27:34,560
Speaker 1: I don't think he wants to touch Keith, but he

474
00:27:34,600 --> 00:27:38,240
Speaker 1: does maybe. I think I don't think it's wait, hold

475
00:27:38,240 --> 00:27:41,920
Speaker 1: on now, is it gay to touch another man? Um? Well,

476
00:27:41,920 --> 00:27:45,880
Speaker 1: that's all debatable. Um uh, you know, on the scale,

477
00:27:46,040 --> 00:27:49,399
Speaker 1: on the Kinsey scale of of of queerness. Is that

478
00:27:49,480 --> 00:27:52,320
Speaker 1: the right way to frame it? Joel? Yeah, it's it's

479
00:27:52,320 --> 00:27:55,120
Speaker 1: a spectrum. It's a spectrum, so you might you might

480
00:27:55,160 --> 00:27:57,200
Speaker 1: not want to put your peep in in a man,

481
00:27:57,200 --> 00:28:00,920
Speaker 1: but you might go ooh that was abs feel nice.

482
00:28:01,440 --> 00:28:04,800
Speaker 1: You could certainly appreciate a body form without wanting to

483
00:28:04,840 --> 00:28:08,080
Speaker 1: be intimate with it. Right there you go, Thank you

484
00:28:08,160 --> 00:28:10,480
Speaker 1: Joell for guiding me through. Ll turns it into like

485
00:28:10,720 --> 00:28:13,600
Speaker 1: all of a sudden, turns into vulcan, She turns straight

486
00:28:13,680 --> 00:28:18,000
Speaker 1: up into it gets all big, It gets all big

487
00:28:18,080 --> 00:28:25,720
Speaker 1: language to everything. Man, I love being a queer vulcan. Well,

488
00:28:25,760 --> 00:28:27,280
Speaker 1: I just want to I don't want to upset anyone,

489
00:28:27,320 --> 00:28:30,159
Speaker 1: so I want to say everything correctly. So I let Joel,

490
00:28:30,480 --> 00:28:37,480
Speaker 1: make sure we're using the correct syntax, right, Joel, Yeah, right,

491
00:28:37,520 --> 00:28:39,600
Speaker 1: So I think Joe. I don't think j D wants

492
00:28:39,640 --> 00:28:42,440
Speaker 1: to play hide the People with Keith, but I do

493
00:28:42,600 --> 00:28:46,520
Speaker 1: think that he it seems as a little into his body.

494
00:28:47,120 --> 00:28:52,080
Speaker 1: Oh absolutely, this ex's new partner. What's going on over there?

495
00:28:52,160 --> 00:28:55,240
Speaker 1: It's happening. But it's funny though when he watches, when

496
00:28:55,240 --> 00:28:59,160
Speaker 1: he's involved with their sex play, he never he never

497
00:28:59,200 --> 00:29:01,840
Speaker 1: participates her any he was invited to. He's always just

498
00:29:01,880 --> 00:29:04,040
Speaker 1: sort of, oh no, he's participates. He's jumped on the

499
00:29:04,120 --> 00:29:07,960
Speaker 1: bed before in that episode, he jumps on the Bed's right,

500
00:29:08,720 --> 00:29:10,680
Speaker 1: that's right. We don't know what they We don't know

501
00:29:10,680 --> 00:29:17,880
Speaker 1: what happened with them. Elliot must have shut that down. Yeah, absolutely,

502
00:29:18,000 --> 00:29:21,280
Speaker 1: we don't really know. Jordan needs a ram um. Yeah,

503
00:29:21,320 --> 00:29:24,240
Speaker 1: that was crazy. It was crazy. It was a fantasy

504
00:29:24,840 --> 00:29:28,680
Speaker 1: that was crazy. We thought it was crazy for a fantasy.

505
00:29:29,480 --> 00:29:34,040
Speaker 1: That was She threw the ram's head on the ground

506
00:29:34,240 --> 00:29:37,760
Speaker 1: and she said, he pulls it out and she says,

507
00:29:37,800 --> 00:29:41,360
Speaker 1: I'm not done yet. Yeah, that's the show that women

508
00:29:41,440 --> 00:29:45,720
Speaker 1: have when they're pregnant, have crazy food cravings. She ate

509
00:29:45,760 --> 00:29:53,280
Speaker 1: a live ram. Did Casey ever have food cravings like that.

510
00:29:54,080 --> 00:29:58,120
Speaker 1: I M no. She does like her steak medium rare,

511
00:29:58,440 --> 00:30:02,080
Speaker 1: but she does not eat live animals. So are you

512
00:30:02,120 --> 00:30:04,320
Speaker 1: gonna watch the Oscars in my house? By the way,

513
00:30:04,400 --> 00:30:06,600
Speaker 1: the Oscars will have already happened by the time this airs.

514
00:30:06,640 --> 00:30:08,360
Speaker 1: But I want to know if you're watching it with us.

515
00:30:08,680 --> 00:30:12,280
Speaker 1: The problem with your family is got basketball and shit,

516
00:30:12,480 --> 00:30:15,480
Speaker 1: and we do a babysitter. We're going to Palm Springs.

517
00:30:16,160 --> 00:30:18,360
Speaker 1: Rocco has a tournament for best. It sounds like you're

518
00:30:18,360 --> 00:30:20,440
Speaker 1: gonna watch the Oscars. I know, Joel, you're gonna be

519
00:30:20,440 --> 00:30:22,840
Speaker 1: watching the Oscars. Uh yeah, right now. I'm doing a

520
00:30:22,880 --> 00:30:25,360
Speaker 1: mad dash to watch all of the films I haven't

521
00:30:25,400 --> 00:30:31,040
Speaker 1: seen yet. Have you seen Denzel's performance that's on the

522
00:30:31,120 --> 00:30:34,080
Speaker 1: list for Friday Night? You know what? Every what is up?

523
00:30:34,120 --> 00:30:36,480
Speaker 1: Why is everybody scared to watch that? Shit? Man? You

524
00:30:36,480 --> 00:30:38,360
Speaker 1: know it's gonna be fire? You know what I mean?

525
00:30:38,520 --> 00:30:42,080
Speaker 1: I have an idea why it's his performance. I don't

526
00:30:42,240 --> 00:30:44,720
Speaker 1: end Frances mcdorman's performance. I don't think anyone downs will

527
00:30:44,760 --> 00:30:49,080
Speaker 1: be Holy shit. It's a very artistically done rendition in

528
00:30:49,160 --> 00:30:53,280
Speaker 1: that the way that it is filmed and shot is

529
00:30:53,520 --> 00:30:56,760
Speaker 1: um You know they're not like in a castle per se.

530
00:30:56,880 --> 00:31:02,640
Speaker 1: It's it's done with like light and mood, and it's

531
00:31:02,800 --> 00:31:07,280
Speaker 1: Joel Cohen being incredibly artistic, and it's probably brilliant. But

532
00:31:07,400 --> 00:31:14,640
Speaker 1: I think a traditional set and traditional Denzel and Francis

533
00:31:14,720 --> 00:31:18,680
Speaker 1: McDorman in a real believable environment might have been more

534
00:31:18,920 --> 00:31:21,840
Speaker 1: enticing to people. I'm making this up, Daniel, any thoughts

535
00:31:21,880 --> 00:31:25,160
Speaker 1: on on my theory, I haven't seen it. I'm also,

536
00:31:25,400 --> 00:31:27,360
Speaker 1: you know, a little bit lacking in the Oscar department,

537
00:31:27,440 --> 00:31:30,320
Speaker 1: so I would trust your analysis more. I trust your

538
00:31:30,320 --> 00:31:33,200
Speaker 1: analysis primarily. I don't know. Well, I haven't seen a

539
00:31:33,240 --> 00:31:35,200
Speaker 1: lot of these movies, you know what I mean this

540
00:31:35,360 --> 00:31:40,480
Speaker 1: time around? And you know I would Well, she was

541
00:31:40,600 --> 00:31:44,760
Speaker 1: a story, Yeah, Donald, I started it, I couldn't finish it. WHOA,

542
00:31:45,760 --> 00:31:51,160
Speaker 1: but why didn't you finish it? I thought it's dope,

543
00:31:51,160 --> 00:31:53,640
Speaker 1: and I think it's great performances and all of that stuff.

544
00:31:53,680 --> 00:32:02,400
Speaker 1: It's just boring. Whoa script? Though it's so good. I

545
00:32:02,480 --> 00:32:04,720
Speaker 1: thought I thought the reu White was really really well

546
00:32:04,760 --> 00:32:06,840
Speaker 1: done if there was so much talent, and I thought

547
00:32:06,840 --> 00:32:10,000
Speaker 1: it was beautifully shot by my new best friend Jannest Kaminsky.

548
00:32:10,120 --> 00:32:14,480
Speaker 1: Oh yeah, I didn't say. I didn't say it wasn't beautiful.

549
00:32:14,560 --> 00:32:16,920
Speaker 1: I didn't say it wasn't well directed. I didn't say

550
00:32:16,960 --> 00:32:21,200
Speaker 1: there were great performances. I just it wasn't my cup

551
00:32:21,200 --> 00:32:24,680
Speaker 1: of tea. I'm sorry. Yeah, it's okay, that's real talk. Hey,

552
00:32:24,800 --> 00:32:26,880
Speaker 1: let him have his opinion. As asked me if I

553
00:32:26,920 --> 00:32:30,440
Speaker 1: watched Spider Man, did you watch fu? Yeah? Man, I

554
00:32:30,440 --> 00:32:36,920
Speaker 1: should have spied dude, you know who shot Spider Man? Who?

555
00:32:37,520 --> 00:32:40,520
Speaker 1: Maro Fiori, the cinematographer who shot my film, A good person.

556
00:32:40,880 --> 00:32:44,800
Speaker 1: Oh look at that, Look at that? So I'm fancy.

557
00:32:45,440 --> 00:32:47,120
Speaker 1: All right, let's get back into the show. Oh, should

558
00:32:47,120 --> 00:32:48,520
Speaker 1: we take a break. We're gonna take a quick break,

559
00:32:48,560 --> 00:32:50,680
Speaker 1: and when we come back, we're gonna talk more about

560
00:32:50,760 --> 00:32:55,280
Speaker 1: this episode of Scrubs, the television show. Let's go out

561
00:32:55,320 --> 00:33:08,960
Speaker 1: with this and we're back. We are back, We are back.

562
00:33:11,560 --> 00:33:15,840
Speaker 1: All right, We're back. So trampoline floors? Hey, I like that,

563
00:33:15,960 --> 00:33:22,680
Speaker 1: I go. I like bouncing, but it is dangerous. Also

564
00:33:22,760 --> 00:33:26,360
Speaker 1: a Scrubs Wicki pointed out that why is jd drinking

565
00:33:26,440 --> 00:33:29,480
Speaker 1: beer in the fantasy when he doesn't like beer? Right,

566
00:33:30,160 --> 00:33:33,200
Speaker 1: it's Jad's fantasy. Well, they clearly wanted to do the

567
00:33:33,240 --> 00:33:35,800
Speaker 1: gag with the beer on the trampoline. But and that's

568
00:33:35,840 --> 00:33:38,480
Speaker 1: probably very tricky to do with apple teeny. But if

569
00:33:38,520 --> 00:33:44,760
Speaker 1: it's Jad's fantasy, he's not drinking beer. No, Todd can't

570
00:33:44,760 --> 00:33:47,360
Speaker 1: see the nipple. That shit made me laugh, man, That

571
00:33:47,440 --> 00:33:50,680
Speaker 1: was my last biggest the biggest laughing the whole show

572
00:33:50,880 --> 00:33:53,840
Speaker 1: once again, Rob mass show comes through. God, Rob, we

573
00:33:53,920 --> 00:33:56,320
Speaker 1: are sorry for ever doubting you on set and making

574
00:33:56,360 --> 00:34:00,480
Speaker 1: fun of you from running line. But every time he

575
00:34:00,480 --> 00:34:03,280
Speaker 1: says something, it's funny. That is the funniest. I can't

576
00:34:03,360 --> 00:34:06,120
Speaker 1: see the nipple. I can't see the nipple. Why is

577
00:34:06,200 --> 00:34:09,000
Speaker 1: Rob in the lactation because I don't know why the

578
00:34:09,040 --> 00:34:11,000
Speaker 1: Todd is there? Man? What is he doing in that?

579
00:34:11,760 --> 00:34:15,280
Speaker 1: And how did he hide behind these two ladies before

580
00:34:15,400 --> 00:34:17,560
Speaker 1: you know what I mean, he's hiding behind them and

581
00:34:17,600 --> 00:34:20,839
Speaker 1: they can't see him, and Turk and Carla can't see

582
00:34:20,920 --> 00:34:23,080
Speaker 1: him either, and he pops up out of nowhere. That

583
00:34:23,200 --> 00:34:26,840
Speaker 1: is the biggest laugh of the episode is Todd jumping

584
00:34:26,840 --> 00:34:29,880
Speaker 1: out in the lactation meaning saying, I can't see the nipple.

585
00:34:30,760 --> 00:34:32,759
Speaker 1: But why does this kid come over and point out

586
00:34:32,760 --> 00:34:35,360
Speaker 1: that you're African American? That's what I'm saying. What the

587
00:34:35,400 --> 00:34:38,080
Speaker 1: fuck was up with the show, yo, Like I'm sitting

588
00:34:38,120 --> 00:34:39,600
Speaker 1: here like wait, I don't know, I don't get it.

589
00:34:39,719 --> 00:34:42,720
Speaker 1: Where did that come from? That was just like random,

590
00:34:43,160 --> 00:34:46,920
Speaker 1: well it was a very weird. It makes me believe. Well,

591
00:34:46,920 --> 00:34:50,080
Speaker 1: they needed to set up the idea that Carla would

592
00:34:50,160 --> 00:34:53,080
Speaker 1: leave the baby with a child. That's how that's how

593
00:34:53,320 --> 00:34:56,400
Speaker 1: out of it she is with her postpartment depression. So

594
00:34:56,440 --> 00:34:58,799
Speaker 1: they had to introduce a child neighbor. But what his

595
00:34:58,920 --> 00:35:02,239
Speaker 1: line is is, since you're African, I wrote it down.

596
00:35:02,360 --> 00:35:05,399
Speaker 1: Since you're African American. I was wondering if I could

597
00:35:05,440 --> 00:35:10,480
Speaker 1: borrow some of your Marvin Gay CDs. And and you're not.

598
00:35:10,560 --> 00:35:12,799
Speaker 1: You're not taking it back. You're offended in any way

599
00:35:12,880 --> 00:35:15,600
Speaker 1: you reach right because I can't come on in, kid, Yeah,

600
00:35:15,760 --> 00:35:17,919
Speaker 1: come on in, kid. And by the way, here here

601
00:35:17,920 --> 00:35:20,440
Speaker 1: they are. I happen to have my Marvin Gay CDs

602
00:35:20,719 --> 00:35:23,400
Speaker 1: at the ready on account of being African American. I

603
00:35:23,400 --> 00:35:25,960
Speaker 1: always keep them close by. The fucked up shit is

604
00:35:25,960 --> 00:35:28,440
Speaker 1: that everybody should have Marvin Gay CDs back then, you

605
00:35:28,520 --> 00:35:30,239
Speaker 1: know what I'm saying, That's just what it is. Let's

606
00:35:30,239 --> 00:35:32,600
Speaker 1: just keep it one hundred. That's good music. Good music

607
00:35:32,680 --> 00:35:34,319
Speaker 1: is good music is good music. I know, but you

608
00:35:34,360 --> 00:35:37,080
Speaker 1: ripped them out like they were in your Marvin Gay CD. Holster.

609
00:35:37,719 --> 00:35:40,160
Speaker 1: You don't got him a fucking Marvin Gay catalog, My fucker.

610
00:35:42,280 --> 00:35:44,120
Speaker 1: I don't think I ever bought him Marvin Gay CD?

611
00:35:45,040 --> 00:35:48,600
Speaker 1: What but I have? You don't have? Let's get at home?

612
00:35:49,520 --> 00:35:52,200
Speaker 1: Oh no, I don't. You don't have. What's going on?

613
00:35:52,719 --> 00:35:55,080
Speaker 1: Do you? When you're getting busy with your lady? Do

614
00:35:55,200 --> 00:35:57,360
Speaker 1: you like go hold on? I don't even married a

615
00:35:57,360 --> 00:36:00,000
Speaker 1: long time. You go hold on? Sometimes? You go hold on? Girl?

616
00:36:00,200 --> 00:36:01,840
Speaker 1: Let me put on the right song. I'm gonna tell you.

617
00:36:01,960 --> 00:36:03,600
Speaker 1: You do that in the movies, but I don't think

618
00:36:03,760 --> 00:36:05,719
Speaker 1: I'm gonna tell you something right now. Yeah, keep it

619
00:36:05,760 --> 00:36:07,840
Speaker 1: one thousand like you did last week, because that was

620
00:36:07,960 --> 00:36:10,600
Speaker 1: very funny. If you had people on my Twitter write

621
00:36:10,600 --> 00:36:13,840
Speaker 1: me about how fucking hilarious it was about you slurping

622
00:36:13,880 --> 00:36:16,880
Speaker 1: all over your wife's face and my suggestion and I

623
00:36:16,920 --> 00:36:27,960
Speaker 1: suggested to put bread in your bedside. Sorry, go ahead,

624
00:36:30,320 --> 00:36:32,000
Speaker 1: I forgot what we were talking about. We're talking about

625
00:36:32,000 --> 00:36:34,040
Speaker 1: whether you put on music when you're gonna get busy

626
00:36:34,080 --> 00:36:37,160
Speaker 1: with you there. Yeah, that's right. Yeah, So look, if

627
00:36:37,200 --> 00:36:43,279
Speaker 1: you put the music on, sorry, you gotta put on you,

628
00:36:44,600 --> 00:36:49,960
Speaker 1: Let's get it all. I'm Marvin Gaye. Marvin gay got

629
00:36:50,080 --> 00:36:52,439
Speaker 1: some real good music to fuck too. I'm just keeping

630
00:36:52,480 --> 00:36:56,239
Speaker 1: one hundred one. What other ones besides Let's get it on?

631
00:36:56,400 --> 00:37:00,160
Speaker 1: That's the one I know. You could fucking pretty much

632
00:37:00,200 --> 00:37:03,399
Speaker 1: fun to anything. Really, it's got to beat to Land's

633
00:37:03,440 --> 00:37:06,120
Speaker 1: phase on here to say you can have sex to

634
00:37:06,239 --> 00:37:09,960
Speaker 1: any Marvin gay song? Well, yeah, man, think about it. Yeah,

635
00:37:10,600 --> 00:37:14,440
Speaker 1: what's going on? Oh no, no, what's going on? But

636
00:37:16,680 --> 00:37:19,680
Speaker 1: it's not like a civil rights anthem? Yes, absolutely, but

637
00:37:20,760 --> 00:37:23,040
Speaker 1: when you but but when you're hitting that, But when

638
00:37:23,080 --> 00:37:26,040
Speaker 1: you're hitting that, that beat is kicking. What's going on?

639
00:37:26,320 --> 00:37:32,759
Speaker 1: You know what? Sex without going on without fail? And

640
00:37:32,840 --> 00:37:34,200
Speaker 1: I have to time it out right. It's not a

641
00:37:34,280 --> 00:37:36,960
Speaker 1: long song. But when I'm I'm getting ready to finish,

642
00:37:37,000 --> 00:37:39,880
Speaker 1: I play this song. What you're trying to get into,

643
00:37:41,760 --> 00:37:51,520
Speaker 1: what you're trying to do? That helps me finished? What

644
00:37:51,640 --> 00:37:56,560
Speaker 1: about when do we but we reference our friend Chugsky died. Yeah,

645
00:37:56,560 --> 00:37:59,800
Speaker 1: I miss purse amount for our homies and we poe

646
00:37:59,880 --> 00:38:02,600
Speaker 1: with what's going on? What the hell is going on

647
00:38:02,760 --> 00:38:06,280
Speaker 1: in this episode? Who wrote this episode? Gabby Allen? Gabby

648
00:38:06,320 --> 00:38:10,560
Speaker 1: Allen wrote this episode. But we know the heck. As

649
00:38:10,600 --> 00:38:12,280
Speaker 1: we all know, there are many people in the writer's

650
00:38:12,360 --> 00:38:14,560
Speaker 1: room that contribute. That might not have been Gabby's joke.

651
00:38:15,400 --> 00:38:18,640
Speaker 1: She's just the one with a name on on hikay um.

652
00:38:18,840 --> 00:38:21,239
Speaker 1: But we did pour them out for our homies. Yeah,

653
00:38:21,480 --> 00:38:23,360
Speaker 1: we pour it out and then I do the with

654
00:38:23,480 --> 00:38:25,520
Speaker 1: a Turk's dance once I you know what I mean.

655
00:38:25,640 --> 00:38:27,360
Speaker 1: That was very funny by the way, I laughed at

656
00:38:27,400 --> 00:38:30,000
Speaker 1: you're with the Turks dance. That's one of my with

657
00:38:30,120 --> 00:38:33,560
Speaker 1: the Turks. I like that my kids with a phase on.

658
00:38:34,080 --> 00:38:39,600
Speaker 1: Everybody thinks Barbie is a sellout. I think I think

659
00:38:39,680 --> 00:38:42,719
Speaker 1: he's I think he's jealous. That's real talk. I know

660
00:38:42,840 --> 00:38:45,200
Speaker 1: he's in it to win it as a doctor. Well,

661
00:38:45,239 --> 00:38:47,800
Speaker 1: he has his moral compass is telling him and that

662
00:38:47,920 --> 00:38:50,200
Speaker 1: he's not going to be a private practist doctor. That's

663
00:38:50,280 --> 00:38:52,040
Speaker 1: not the kind of person he is. That's not who

664
00:38:52,080 --> 00:38:54,000
Speaker 1: he wants to be. He's not going to do that life.

665
00:38:54,520 --> 00:38:56,960
Speaker 1: But there don't want that money. There he is sneaking

666
00:38:57,080 --> 00:38:59,000
Speaker 1: in with a with a with a repelling with like

667
00:38:59,040 --> 00:39:02,480
Speaker 1: a batman what do you call that thing? Repelling clok

668
00:39:02,920 --> 00:39:07,680
Speaker 1: grappling grappling hook because the janitor has sealed over the

669
00:39:07,920 --> 00:39:11,200
Speaker 1: entrance to the luxury suite, I assume at night with

670
00:39:11,360 --> 00:39:15,120
Speaker 1: a wall. Yes, so Cox figures out the only way

671
00:39:15,200 --> 00:39:18,839
Speaker 1: back into the luxury suite is via grappling hook. Yes.

672
00:39:21,320 --> 00:39:23,400
Speaker 1: I laughed at her. I laughed at that. First. I

673
00:39:23,520 --> 00:39:25,520
Speaker 1: was like, that shit's never gonna hold onto the wall.

674
00:39:25,960 --> 00:39:29,360
Speaker 1: And then it obviously does, and he climbs up. But

675
00:39:29,520 --> 00:39:33,359
Speaker 1: Batman has a grappling hook that shoots out of a gun, right, yeah,

676
00:39:33,560 --> 00:39:35,759
Speaker 1: but he still has then he still has to call,

677
00:39:35,960 --> 00:39:37,520
Speaker 1: then he still has to come. No, he has a

678
00:39:37,640 --> 00:39:40,200
Speaker 1: zip line too, he has he has a zip line too?

679
00:39:40,480 --> 00:39:43,440
Speaker 1: Does he have at if? I think if I were

680
00:39:43,480 --> 00:39:45,960
Speaker 1: a super Ted Court has something some Ted Court has

681
00:39:46,040 --> 00:39:48,359
Speaker 1: something similar to that. He's kind of man, Yeah, he's

682
00:39:48,400 --> 00:39:50,960
Speaker 1: kind of like. Okay, if you're listening Greg Borlaney or

683
00:39:51,440 --> 00:39:54,400
Speaker 1: Warner Brothers. When I played Ted Court, I want a

684
00:39:54,440 --> 00:39:57,360
Speaker 1: grappling hook that shoots right the gun that shoots a

685
00:39:57,400 --> 00:39:59,879
Speaker 1: grappling hook, and then I hit a button and it's

686
00:40:00,000 --> 00:40:04,560
Speaker 1: starts pulling me up up the line. How dope is that?

687
00:40:05,480 --> 00:40:09,320
Speaker 1: So does Batman have that? Of course I want that.

688
00:40:11,600 --> 00:40:16,480
Speaker 1: Of course Batman has that. Batman, Oh, that's weird fantasy

689
00:40:16,520 --> 00:40:20,200
Speaker 1: about that about maybe it'll happen. We never know. Look, man, life,

690
00:40:20,400 --> 00:40:22,799
Speaker 1: life is so crazy. We're white boarded. I'm gonna put

691
00:40:22,840 --> 00:40:25,200
Speaker 1: it on the white board. I wanted to happen, but

692
00:40:25,360 --> 00:40:28,160
Speaker 1: I don't know if I don't know what to there's

693
00:40:28,200 --> 00:40:31,239
Speaker 1: this new merger, there's all of this stuff that's going on. Man.

694
00:40:31,320 --> 00:40:33,439
Speaker 1: I mentioned it to Greg, and I think he thought

695
00:40:33,480 --> 00:40:36,239
Speaker 1: I meant the film version, because he said I don't.

696
00:40:36,480 --> 00:40:39,439
Speaker 1: He said something like, um, I don't want to see

697
00:40:39,440 --> 00:40:41,439
Speaker 1: what he said. But but I don't think he thought

698
00:40:41,520 --> 00:40:47,919
Speaker 1: I meant this led leagues of legend versions tomorrow. Yeah,

699
00:40:48,440 --> 00:40:50,520
Speaker 1: it's just would be an arrow verse, that's what it

700
00:40:50,560 --> 00:40:52,719
Speaker 1: would be, you know what I mean. But then we're

701
00:40:52,760 --> 00:40:55,840
Speaker 1: gonna spin off and do an HBO Max show. That's me.

702
00:40:56,160 --> 00:40:58,440
Speaker 1: Put it on the white board. Put it on the whiteboard.

703
00:40:58,600 --> 00:41:02,040
Speaker 1: What's the show um um with um with Anthony Mackie

704
00:41:02,120 --> 00:41:08,160
Speaker 1: and Sebastian stand. Oh yeah, we're gonna we're gonna do that.

705
00:41:08,760 --> 00:41:12,680
Speaker 1: But our show, that would be dope. That would be

706
00:41:12,760 --> 00:41:15,640
Speaker 1: so fire, Oh my gosh. Yeah, we'd have to stay

707
00:41:15,640 --> 00:41:17,319
Speaker 1: in good shape to be in those tights. I can't

708
00:41:17,400 --> 00:41:21,800
Speaker 1: have your food out. Okay, listen, I think it should

709
00:41:21,800 --> 00:41:37,440
Speaker 1: be better, better, better better. Um. So, then Carla leaves

710
00:41:37,480 --> 00:41:40,399
Speaker 1: the baby with the with the with the Jewish little boy.

711
00:41:40,960 --> 00:41:43,880
Speaker 1: We assume he's Jewish because he says masl tough to

712
00:41:43,960 --> 00:41:46,400
Speaker 1: her on the baby because he sees that her nipples

713
00:41:46,440 --> 00:41:52,000
Speaker 1: are leaking through her shirt. Yes so, um Turk walks

714
00:41:52,040 --> 00:41:57,600
Speaker 1: in defined the baby with the Marvin Gay listening Jewish

715
00:41:57,880 --> 00:42:08,200
Speaker 1: kid who appreciates Carla's leaky nipples. Yes. Now, Churk runs

716
00:42:08,239 --> 00:42:12,239
Speaker 1: to the hospital with the babies and I say, hi,

717
00:42:12,680 --> 00:42:16,960
Speaker 1: whatever I call you, brown Baron, I go Hi, Mocha cub. Yes, well,

718
00:42:17,080 --> 00:42:21,040
Speaker 1: that's this is forever on my Instagram feed. Whenever I

719
00:42:21,120 --> 00:42:25,879
Speaker 1: post pictures of my kids, look Atsmocha cubs. Moca cubs,

720
00:42:26,760 --> 00:42:29,680
Speaker 1: Look at the Mocha cub, very beautiful children. Every time

721
00:42:29,719 --> 00:42:31,840
Speaker 1: I post them, they say, oh my goodness, his children

722
00:42:31,920 --> 00:42:35,400
Speaker 1: are so beautiful. Thank you to any And then they

723
00:42:35,480 --> 00:42:37,759
Speaker 1: say they look so much like Donald. So they're really

724
00:42:37,960 --> 00:42:40,680
Speaker 1: indirectly giving you a compliment, not only on your seed

725
00:42:40,920 --> 00:42:42,719
Speaker 1: but on your face because they're like, oh my god,

726
00:42:42,719 --> 00:42:45,239
Speaker 1: they're so beautiful. They look so much like Donald. Their

727
00:42:45,360 --> 00:42:47,920
Speaker 1: beauty comes from their mother. Man, it doesn't come from me.

728
00:42:48,239 --> 00:42:53,759
Speaker 1: I promise you that I agree anyway, Zaly love you.

729
00:42:54,360 --> 00:42:56,759
Speaker 1: Let's talk about Keith and a singlet again. Back to

730
00:42:56,840 --> 00:42:59,719
Speaker 1: the Homoway ronicism. Keith shows up in a singlet with

731
00:43:00,040 --> 00:43:01,800
Speaker 1: a very large package. By the way, I don't know

732
00:43:01,800 --> 00:43:05,960
Speaker 1: if Keith augmented, but he was representing. I think that

733
00:43:06,120 --> 00:43:09,279
Speaker 1: was I think that's the point I say, nice single,

734
00:43:09,360 --> 00:43:18,719
Speaker 1: it does it come in hetero? I bet you. So

735
00:43:18,840 --> 00:43:25,200
Speaker 1: many wrestlers were like, what I think wrestling the sport

736
00:43:25,360 --> 00:43:28,359
Speaker 1: is pretty homo erotic. I mean, I'm not I mean

737
00:43:29,600 --> 00:43:33,160
Speaker 1: it's fighting, It's it's combat. Yeah, so everything is homo

738
00:43:33,239 --> 00:43:35,799
Speaker 1: erotic when it comes to fighting. That's just what it is. Man.

739
00:43:40,560 --> 00:43:42,880
Speaker 1: When you're in high school, you are in this heightened

740
00:43:42,960 --> 00:43:47,240
Speaker 1: state of blaring testosterone in pub and I remember wrestling

741
00:43:47,320 --> 00:43:49,920
Speaker 1: with my friends. I'm not saying the sexual, but you're

742
00:43:49,960 --> 00:43:52,879
Speaker 1: like you're like letting it out, and you're like you're

743
00:43:52,920 --> 00:43:54,920
Speaker 1: like a young You're like an animal. It needs to

744
00:43:55,040 --> 00:43:56,920
Speaker 1: Like I look at my you know, it's like it's

745
00:43:56,960 --> 00:43:59,600
Speaker 1: like animals, like dogs, we need to wrestle and get

746
00:43:59,680 --> 00:44:04,080
Speaker 1: it out. And um so I just see that. I

747
00:44:04,120 --> 00:44:06,040
Speaker 1: don't know, I just think that I don't mind all

748
00:44:06,080 --> 00:44:07,960
Speaker 1: of that shit. I don't mind wrestling and stuff like

749
00:44:08,040 --> 00:44:10,360
Speaker 1: that and rolling around and stuff. It's when the sweat

750
00:44:10,480 --> 00:44:12,239
Speaker 1: drips on you that I got an interview with. That's

751
00:44:12,239 --> 00:44:15,480
Speaker 1: when I'm like, God, man, why you gotta sweat so much?

752
00:44:15,800 --> 00:44:18,560
Speaker 1: Like that's the one thing that I fucking fear about

753
00:44:19,400 --> 00:44:23,160
Speaker 1: MMA and grappling. That's just the worst. Man. You'll be

754
00:44:23,280 --> 00:44:26,160
Speaker 1: wrestling and you'll be sweating, and shit, I don't care.

755
00:44:26,200 --> 00:44:28,239
Speaker 1: I don't give a fuck if you're nuts on my

756
00:44:28,360 --> 00:44:30,360
Speaker 1: head while you're sucking trying to choke me out on

757
00:44:30,440 --> 00:44:32,759
Speaker 1: all of that shit. That's fine. I get it. We

758
00:44:32,880 --> 00:44:35,440
Speaker 1: are in combat. It is, you know, that's what it is.

759
00:44:35,840 --> 00:44:39,560
Speaker 1: But mofucker, why the sweat? You know what I mean?

760
00:44:39,640 --> 00:44:42,000
Speaker 1: And I'm a sweating guy too. That shit drifts in

761
00:44:42,080 --> 00:44:45,879
Speaker 1: your eyes, in your mouth, on your face. That shit

762
00:44:46,040 --> 00:44:48,480
Speaker 1: is not fun. It's like when you're playing basketball and

763
00:44:48,520 --> 00:44:50,560
Speaker 1: Pat Ewan's next year and you're like, God, throw this

764
00:44:50,719 --> 00:44:54,080
Speaker 1: motherfucker a towel or something. Are you not allowed to

765
00:44:54,160 --> 00:44:57,520
Speaker 1: have a towel on you when you when you play basketball? No, man,

766
00:44:57,600 --> 00:44:59,200
Speaker 1: you're not allowed to have a to No man, No

767
00:45:00,000 --> 00:45:01,400
Speaker 1: know what I'm saying. You could tuck a towel in

768
00:45:01,480 --> 00:45:03,279
Speaker 1: your shorts. That's no no no no no no no

769
00:45:03,440 --> 00:45:05,480
Speaker 1: no no no no no. Like the hype man always

770
00:45:05,520 --> 00:45:10,760
Speaker 1: has a code basketball player, right, the hype man always

771
00:45:10,800 --> 00:45:17,200
Speaker 1: has that hyde man always has a towel. That's the

772
00:45:17,280 --> 00:45:23,120
Speaker 1: title of my autobiography. I don't know why a basketball

773
00:45:23,120 --> 00:45:26,279
Speaker 1: player isn't allowed to tuck a little wash cloth or

774
00:45:26,400 --> 00:45:29,240
Speaker 1: not a wash cloth, but a little tallet in his pants.

775
00:45:29,840 --> 00:45:31,440
Speaker 1: When I got the jersey. You can wipe it off

776
00:45:31,480 --> 00:45:34,520
Speaker 1: with the jersey, or you can wear a headband, right, yeah,

777
00:45:34,560 --> 00:45:36,799
Speaker 1: but that don't really stop it either. Listen, So when

778
00:45:36,840 --> 00:45:40,280
Speaker 1: you were wrestling, though, that's what happens. Man. The wrestling

779
00:45:40,360 --> 00:45:41,960
Speaker 1: part is to find that. I don't know, I don't

780
00:45:41,960 --> 00:45:47,120
Speaker 1: think anybody cares about that. It's the sweat, Okay, Um,

781
00:45:47,960 --> 00:45:56,000
Speaker 1: very funny. Christ's entrance a La Jurassic Park, isn't child

782
00:45:56,560 --> 00:46:00,719
Speaker 1: They even did the cup of water that they even

783
00:46:00,760 --> 00:46:03,279
Speaker 1: did the couple of water thing where the like in

784
00:46:03,360 --> 00:46:07,000
Speaker 1: Jurassic Park when you see like the water. Yeah, and

785
00:46:07,080 --> 00:46:14,719
Speaker 1: then I'm scared and she looked scary. Um, I'll be

786
00:46:14,840 --> 00:46:18,000
Speaker 1: honest with you, she looked beautiful. Well I'm gonna keep her.

787
00:46:18,400 --> 00:46:20,480
Speaker 1: You can't help but look beautiful. But she did look

788
00:46:20,680 --> 00:46:24,719
Speaker 1: they did make her out to seem like a scary character. Yeah,

789
00:46:24,840 --> 00:46:28,520
Speaker 1: but it didn't work. I'm sorry, Chris, Chris, it's too beautiful,

790
00:46:28,840 --> 00:46:30,920
Speaker 1: you know what I'm saying. So, Chris, the whole thing,

791
00:46:31,080 --> 00:46:32,960
Speaker 1: that whole thing that's this is what I don't get.

792
00:46:33,040 --> 00:46:37,080
Speaker 1: The whole thing about being big and pregnant and everything

793
00:46:37,200 --> 00:46:39,960
Speaker 1: like that, and being full and that not and that

794
00:46:40,120 --> 00:46:44,240
Speaker 1: being scary is some bullshit, man. That's some straight up bullshit.

795
00:46:44,360 --> 00:46:46,920
Speaker 1: And beauty and everything, man, And the fact that the

796
00:46:47,000 --> 00:46:49,600
Speaker 1: fact that these motherfuckers act like they scared of that shit,

797
00:46:50,080 --> 00:46:54,000
Speaker 1: it's some bullshit as well. Man. That's just me personally.

798
00:46:54,239 --> 00:46:55,799
Speaker 1: I get it. In the show, they're trying to make

799
00:46:55,880 --> 00:46:59,319
Speaker 1: jokes about she's supposed to she ain't a ram dude. Um,

800
00:46:59,440 --> 00:47:02,400
Speaker 1: she's scared. I know that's that's yeah. I get that.

801
00:47:02,560 --> 00:47:05,160
Speaker 1: I get all of that Ram. I get all of

802
00:47:05,239 --> 00:47:09,320
Speaker 1: that stuff. Can I just love that Bill is clearly

803
00:47:09,440 --> 00:47:12,880
Speaker 1: still in his animal face because they're bringing rams to

804
00:47:13,000 --> 00:47:19,720
Speaker 1: set um so um. I thought the scene with Krista

805
00:47:20,080 --> 00:47:23,279
Speaker 1: and you and Judy was really beautiful. That that song

806
00:47:23,440 --> 00:47:25,280
Speaker 1: was so beautiful. I wrote it down. It's the Crane

807
00:47:25,360 --> 00:47:29,120
Speaker 1: Wife three by the DECEMBRS and it's such a pretty

808
00:47:29,200 --> 00:47:32,640
Speaker 1: song as Jordan is consoling Carla and telling her not

809
00:47:32,760 --> 00:47:35,040
Speaker 1: to be afraid to seek help for postpartum depression and

810
00:47:35,160 --> 00:47:37,800
Speaker 1: how common it is and not to feel like a failure,

811
00:47:37,880 --> 00:47:41,000
Speaker 1: and telling Turk to shut the fuck up every time

812
00:47:41,040 --> 00:47:43,840
Speaker 1: he tries to weigh in. And I just thought that

813
00:47:43,920 --> 00:47:45,720
Speaker 1: was really great, As I said it being an episode,

814
00:47:45,960 --> 00:47:49,400
Speaker 1: I like it when Scrubs has messages that really can

815
00:47:49,480 --> 00:47:51,399
Speaker 1: help people and resonate with people. And there's so many

816
00:47:51,440 --> 00:47:54,160
Speaker 1: women who suffered from postpartment depression, and I felt like

817
00:47:54,239 --> 00:47:56,880
Speaker 1: we were, in a sense doing a public service by

818
00:47:57,080 --> 00:48:00,080
Speaker 1: by normalizing it and explaining that you can get helpful it.

819
00:48:01,440 --> 00:48:03,880
Speaker 1: I was gonna have Casey come on a show. I

820
00:48:03,920 --> 00:48:06,840
Speaker 1: don't know if she experienced postpart and depression, but you know,

821
00:48:08,680 --> 00:48:10,920
Speaker 1: I you know, I'm I think you'd know it. I

822
00:48:11,000 --> 00:48:13,600
Speaker 1: think you would know well, you know there's something like

823
00:48:13,880 --> 00:48:17,640
Speaker 1: like we were talking about spectrums. Yeah, lets to it,

824
00:48:17,880 --> 00:48:22,400
Speaker 1: of course, um and uh, but I was gonna I

825
00:48:22,480 --> 00:48:24,680
Speaker 1: asked her if she wanted to talk about it. She

826
00:48:24,880 --> 00:48:28,200
Speaker 1: was like, yeah, now that's okay. Um, why would you

827
00:48:28,680 --> 00:48:32,000
Speaker 1: The episode ends um and and Carl has chosen to

828
00:48:32,480 --> 00:48:35,000
Speaker 1: um go on some manual presence which are clearly helping,

829
00:48:35,320 --> 00:48:38,719
Speaker 1: and she says, if you talk openly about this, I'm

830
00:48:38,760 --> 00:48:41,359
Speaker 1: gonna show everyone that time you tried to grow your

831
00:48:41,400 --> 00:48:44,279
Speaker 1: hair out. Now, what I don't understand is why is

832
00:48:44,320 --> 00:48:47,759
Speaker 1: that a framed picture that's that's that's on in the

833
00:48:47,840 --> 00:48:51,719
Speaker 1: living room? Why why that? And why would he take

834
00:48:51,760 --> 00:48:54,239
Speaker 1: a picture of it? Why would he be like at

835
00:48:54,360 --> 00:48:57,200
Speaker 1: some point Turk would be like, Yo, you know what,

836
00:48:57,920 --> 00:49:02,400
Speaker 1: this shit ain't working way before. Why is it in

837
00:49:02,440 --> 00:49:05,840
Speaker 1: the living room? I don't know, dude, I don't know.

838
00:49:06,000 --> 00:49:08,560
Speaker 1: It's just I don't I don't know. This is a

839
00:49:08,640 --> 00:49:13,000
Speaker 1: wacky season. Things are things are crazy. It's very funny.

840
00:49:13,360 --> 00:49:17,200
Speaker 1: There are very funny jokes in all of these shows. Uh,

841
00:49:17,480 --> 00:49:19,800
Speaker 1: but some of these things aren't tracking anymore. It's like

842
00:49:20,280 --> 00:49:23,600
Speaker 1: we're starting to you know, like like you said, the

843
00:49:23,680 --> 00:49:25,960
Speaker 1: whole beer instead of the apple teeny. I get the

844
00:49:26,080 --> 00:49:31,439
Speaker 1: joke is funny, but you know, all right six huh

845
00:49:31,880 --> 00:49:34,360
Speaker 1: And it ends with me really missing Elizabeth. Now we

846
00:49:34,440 --> 00:49:37,799
Speaker 1: all know what's coming with Elizabeth. I won't give any

847
00:49:37,880 --> 00:49:40,279
Speaker 1: spoilers if you're happy to be someone that doesn't know.

848
00:49:40,520 --> 00:49:44,399
Speaker 1: But um, it ends it ends on a melancholic note

849
00:49:44,480 --> 00:49:49,000
Speaker 1: of Jad really missing her and um well it also

850
00:49:49,160 --> 00:49:57,040
Speaker 1: ends with something that, uh, we don't talk about and enough, Actually,

851
00:49:57,600 --> 00:50:04,520
Speaker 1: Elliott's love for Jade is still very very strong, regardless

852
00:50:04,600 --> 00:50:09,360
Speaker 1: of you know, regardless of you know, what's going on

853
00:50:10,000 --> 00:50:12,359
Speaker 1: between the two of you know, she has a boyfriend now,

854
00:50:13,200 --> 00:50:16,840
Speaker 1: he has a baby mama on the way. But Elliott

855
00:50:17,160 --> 00:50:22,319
Speaker 1: truly still Elliott truly still loves j d. She did

856
00:50:22,440 --> 00:50:27,000
Speaker 1: the whole the webcamp thing so he can talk to

857
00:50:27,120 --> 00:50:29,400
Speaker 1: his girlfriend and everything like that. These are things that

858
00:50:29,560 --> 00:50:32,520
Speaker 1: someone who is a true friend. But do you think

859
00:50:32,560 --> 00:50:36,759
Speaker 1: that she realizes that it's more than just oh, I

860
00:50:37,239 --> 00:50:39,200
Speaker 1: love you so much, You're such a good friend. We've

861
00:50:39,239 --> 00:50:41,759
Speaker 1: been through a lot together. Or do you think she realizes, like,

862
00:50:42,239 --> 00:50:44,920
Speaker 1: I still, I'm gonna keep this to myself, but I

863
00:50:45,040 --> 00:50:47,920
Speaker 1: still have feelings for him. I don't know. I think

864
00:50:48,000 --> 00:50:50,680
Speaker 1: she's keeping it to herself. I think I think she

865
00:50:51,440 --> 00:50:54,520
Speaker 1: knows inside she still has feelings for him, and she's

866
00:50:54,600 --> 00:50:58,440
Speaker 1: doing this because, you know, I don't know how to

867
00:50:58,480 --> 00:51:00,680
Speaker 1: put it. She involves him in everything, man, she involves

868
00:51:00,760 --> 00:51:03,600
Speaker 1: him in her sex life, she involves him, they live together,

869
00:51:04,000 --> 00:51:05,839
Speaker 1: like all of these things, you know, she's given him

870
00:51:05,840 --> 00:51:08,200
Speaker 1: a place to stay. All of these things are things

871
00:51:08,280 --> 00:51:10,960
Speaker 1: that people when somebody loves you, that's what they do

872
00:51:11,160 --> 00:51:13,600
Speaker 1: for you, you know what I mean. But we know

873
00:51:13,680 --> 00:51:16,239
Speaker 1: they're gonna end up together, and that's what I'm saying.

874
00:51:16,320 --> 00:51:21,919
Speaker 1: So those feelings of love next level of like I'm

875
00:51:21,960 --> 00:51:24,879
Speaker 1: in love with you love are I think she has.

876
00:51:24,960 --> 00:51:27,640
Speaker 1: They're lying, they might be lying, dormant, and she's not

877
00:51:27,760 --> 00:51:31,480
Speaker 1: really like present to them, but they're there, right because

878
00:51:31,480 --> 00:51:34,040
Speaker 1: look at all the wonderful things she does for this guy. Yeah,

879
00:51:35,280 --> 00:51:37,440
Speaker 1: but also he's been such an asshole to her. I mean,

880
00:51:37,560 --> 00:51:40,040
Speaker 1: he's still an asshole to her. She got a fucking

881
00:51:40,120 --> 00:51:43,200
Speaker 1: fancy new job and he's fucking shitting on her for well,

882
00:51:43,320 --> 00:51:46,440
Speaker 1: he's he's trying to hold the same moral compass as

883
00:51:46,680 --> 00:51:49,680
Speaker 1: as doctor Cox. Um, because Cox is his hero. He's

884
00:51:50,080 --> 00:51:53,440
Speaker 1: he's not doing He's following the footsteps of Cox and saying, no,

885
00:51:53,560 --> 00:51:55,800
Speaker 1: I don't. I'm not gonna sell out right now and

886
00:51:55,960 --> 00:51:58,800
Speaker 1: go to private practice. I'm gonna I'm gonna work for

887
00:51:58,880 --> 00:52:08,719
Speaker 1: this hospital. I wish I could carry this slad sound

888
00:52:08,760 --> 00:52:15,799
Speaker 1: around in me all day. Um, that's our show, every buddy.

889
00:52:15,800 --> 00:52:17,759
Speaker 1: We don't have a color today because I'm sorry, I

890
00:52:17,880 --> 00:52:20,799
Speaker 1: have to race off to to work on my film. Um,

891
00:52:21,000 --> 00:52:23,279
Speaker 1: please forgive me. I know everybody loves The Caller, but

892
00:52:23,400 --> 00:52:26,560
Speaker 1: I am in the final stages of finishing a Good

893
00:52:26,640 --> 00:52:31,360
Speaker 1: Person starring the legendary Morgan Freeman and the legendary Florence

894
00:52:31,440 --> 00:52:35,400
Speaker 1: Pugh and the legendary Molly Shannon. Um and UM, I

895
00:52:35,520 --> 00:52:38,239
Speaker 1: have to go um to coloring where I'm gonna make

896
00:52:38,280 --> 00:52:41,000
Speaker 1: it look even prettier and maybe see honest Kaminski again.

897
00:52:41,680 --> 00:52:45,600
Speaker 1: But UM tell you, I will. But he doesn't care

898
00:52:45,640 --> 00:52:47,520
Speaker 1: about you because you didn't write the most funny letter

899
00:52:47,560 --> 00:52:54,479
Speaker 1: he's ever Um, but um the letter? Did you mention

900
00:52:54,560 --> 00:52:56,279
Speaker 1: me in the letter? I don't remember the letter I

901
00:52:56,320 --> 00:52:59,000
Speaker 1: wrote it twenty years ago, but this dude wrote if

902
00:52:59,040 --> 00:53:01,719
Speaker 1: he remember, if I ask him, be like listen, I

903
00:53:01,760 --> 00:53:03,960
Speaker 1: don't want to bring up my best friend. But did

904
00:53:04,000 --> 00:53:05,960
Speaker 1: I mention him in the letter? He wanted to know?

905
00:53:06,840 --> 00:53:09,080
Speaker 1: I will. I will ask him if I see him. Um,

906
00:53:09,320 --> 00:53:11,040
Speaker 1: And then that's when you bring up you know, and

907
00:53:11,160 --> 00:53:13,600
Speaker 1: he's a really good actor. So I don't know what

908
00:53:14,160 --> 00:53:16,520
Speaker 1: you know you got going on nowadays. I don't think,

909
00:53:16,960 --> 00:53:19,520
Speaker 1: but I don't think Yannish decides who Spielberg casts. I

910
00:53:19,560 --> 00:53:22,399
Speaker 1: think he just photographs it beautifully. But if he would

911
00:53:22,640 --> 00:53:26,719
Speaker 1: be like Spielberg checked this young brother out Spielberg, you

912
00:53:26,760 --> 00:53:31,000
Speaker 1: think coming from you think so in your mind. There's

913
00:53:31,000 --> 00:53:35,640
Speaker 1: a scenario where Yannish called Spielberg and is like, I

914
00:53:35,719 --> 00:53:38,600
Speaker 1: read a letter twenty years ago and there's some African

915
00:53:38,640 --> 00:53:41,320
Speaker 1: American who's mentioned in it. I think we should consider

916
00:53:41,480 --> 00:53:44,040
Speaker 1: for some of your films. That's well, that's what's in

917
00:53:44,080 --> 00:53:49,719
Speaker 1: your mind. Yes, okay, this Hollywood man, anything can happen.

918
00:53:50,000 --> 00:53:55,200
Speaker 1: And on that No, six seven eight, sure we made

919
00:54:00,080 --> 00:54:04,239
Speaker 1: up here. I said, here's the stories net all should know.

920
00:54:05,880 --> 00:54:09,320
Speaker 1: So gather around you here are gather around