1 00:00:12,520 --> 00:00:17,520 Speaker 1: Let's discuss the space Odyssey, the female Space Odyssey, because 2 00:00:17,640 --> 00:00:20,319 Speaker 1: so many people are talking about it. I'm not sure 3 00:00:20,400 --> 00:00:24,480 Speaker 1: if it's as mainstream as I think it is, because 4 00:00:25,440 --> 00:00:29,120 Speaker 1: social media is on fuego about it, lit about it, 5 00:00:29,160 --> 00:00:32,640 Speaker 1: and to me that is mainstream. But the mainstream media 6 00:00:32,680 --> 00:00:34,760 Speaker 1: is just reporting the news like these women got off 7 00:00:34,760 --> 00:00:37,680 Speaker 1: this spaceship and this is what happened. And also like 8 00:00:37,840 --> 00:00:41,199 Speaker 1: that is a monumental thing, like going to space. You know, 9 00:00:41,280 --> 00:00:43,040 Speaker 1: I think it's a big deal to go to Australia, 10 00:00:43,360 --> 00:00:45,280 Speaker 1: So I'm going to say it's a big deal to 11 00:00:45,280 --> 00:00:47,000 Speaker 1: go to space. Someone someone asks you if you want 12 00:00:47,000 --> 00:00:48,920 Speaker 1: to go to space, you're considering it. Someone did mention 13 00:00:49,000 --> 00:00:50,640 Speaker 1: the trip to me, and it was something in my 14 00:00:50,720 --> 00:00:53,519 Speaker 1: mind as a concept I thought of, and it's certainly 15 00:00:53,560 --> 00:00:56,640 Speaker 1: something you're thinking about. But like I do remember being 16 00:00:56,680 --> 00:00:59,840 Speaker 1: like the why. You know, with everything I do, for 17 00:01:00,000 --> 00:01:04,520 Speaker 1: I'm an experience, from a travel from an appearance standpoint, 18 00:01:04,560 --> 00:01:08,119 Speaker 1: there's usually a why. And for me, for me personally 19 00:01:08,480 --> 00:01:11,039 Speaker 1: doing something like that, I don't have the why. I'm 20 00:01:11,080 --> 00:01:15,080 Speaker 1: a mother and my daughter really depends on me, and 21 00:01:15,920 --> 00:01:20,560 Speaker 1: I have a normal rational amount of fear. But overall 22 00:01:20,600 --> 00:01:22,319 Speaker 1: it's like what's the why that I'm going to do 23 00:01:22,360 --> 00:01:24,319 Speaker 1: something When I get on a plane and sitting coach 24 00:01:24,400 --> 00:01:26,760 Speaker 1: and go into Guatemala and it's like not safe, and 25 00:01:26,800 --> 00:01:30,480 Speaker 1: I'm a little scared. I'm not bringing my daughter because 26 00:01:30,480 --> 00:01:33,360 Speaker 1: it's not safe, and I'm going and there is a risk, 27 00:01:33,640 --> 00:01:35,840 Speaker 1: even though I'm a mother. But there's such a reward 28 00:01:35,880 --> 00:01:38,920 Speaker 1: in doing relief work and trying to help people, and 29 00:01:38,959 --> 00:01:41,600 Speaker 1: so that is where I weigh it for me. I 30 00:01:41,640 --> 00:01:44,480 Speaker 1: guess if I were taking a spaceship to save people's lives, 31 00:01:44,520 --> 00:01:48,840 Speaker 1: would I do it? Probably? But not? I don't know. 32 00:01:48,920 --> 00:01:51,080 Speaker 1: I mean, I got into some gnarly territory with the 33 00:01:51,080 --> 00:01:55,280 Speaker 1: pandemic and with the PPE, and I almost ruined my 34 00:01:55,400 --> 00:01:58,000 Speaker 1: career in the sense that, like, I was taking a 35 00:01:58,000 --> 00:02:00,160 Speaker 1: lot of risks. I was sending thirteen million dollars of 36 00:02:00,160 --> 00:02:03,160 Speaker 1: Haasmat suits to the government, and like it was scary 37 00:02:03,400 --> 00:02:05,920 Speaker 1: because we were dealing with counterfeit people and just like 38 00:02:06,000 --> 00:02:07,920 Speaker 1: I've dealt with some gnarly shit in my life. So 39 00:02:08,680 --> 00:02:12,040 Speaker 1: I don't know the why of going to space. Now 40 00:02:12,080 --> 00:02:15,360 Speaker 1: there's a battle going on online about was it really 41 00:02:15,400 --> 00:02:19,280 Speaker 1: like a woman kind step or was it just an 42 00:02:19,320 --> 00:02:22,799 Speaker 1: advertisement for space? Tourism, which is also like valid too, 43 00:02:22,840 --> 00:02:25,359 Speaker 1: like space tourism, maybe a thing one day we would 44 00:02:25,400 --> 00:02:27,080 Speaker 1: have never thought you could be on a plane to 45 00:02:27,120 --> 00:02:29,640 Speaker 1: begin with. Or you know, everything is about evolution, so 46 00:02:29,680 --> 00:02:32,639 Speaker 1: things that seem crazy now will one day make sense. 47 00:02:33,120 --> 00:02:35,560 Speaker 1: But whatever it is, this did not land from a 48 00:02:35,560 --> 00:02:40,320 Speaker 1: pr standpoint, and there are so many things about it, 49 00:02:40,480 --> 00:02:44,680 Speaker 1: comical and otherwise to get into. So number one, it's 50 00:02:44,720 --> 00:02:48,080 Speaker 1: a group of six women, strong, successful women that are 51 00:02:48,120 --> 00:02:53,240 Speaker 1: wealthy and famous and privileged, and they went on a trip. 52 00:02:53,240 --> 00:02:56,400 Speaker 1: Now they're entitled, not unlike going on a private jet 53 00:02:56,520 --> 00:02:58,519 Speaker 1: or a yacht to go to the south of France, like, 54 00:02:58,560 --> 00:03:01,200 Speaker 1: they can do what they want. They wanted to go, 55 00:03:01,240 --> 00:03:04,040 Speaker 1: they were each invited. It was an experience. You know, 56 00:03:04,320 --> 00:03:09,000 Speaker 1: people defended their own homes in Malibu with private firefighters. 57 00:03:09,040 --> 00:03:11,960 Speaker 1: It wasn't looked highly upon by other people because it 58 00:03:11,960 --> 00:03:15,160 Speaker 1: didn't seem that community. But nevertheless they protected their own 59 00:03:15,160 --> 00:03:17,960 Speaker 1: homes and that's presumably why they made money to protect 60 00:03:18,000 --> 00:03:20,200 Speaker 1: their own homes. So we can all sit in, you know, 61 00:03:20,240 --> 00:03:23,560 Speaker 1: on the outside, looking into something. But six women decided 62 00:03:24,000 --> 00:03:27,519 Speaker 1: collectively and individually to go to space, to have an experience, 63 00:03:28,000 --> 00:03:30,639 Speaker 1: to do something innovative. I don't think they did it 64 00:03:30,800 --> 00:03:33,399 Speaker 1: for the PR. I think they thought the PR would 65 00:03:33,440 --> 00:03:37,400 Speaker 1: be good because it sounds really like, you know, intense 66 00:03:37,480 --> 00:03:41,560 Speaker 1: and serious and like something groundbreaking, because it is they 67 00:03:41,560 --> 00:03:43,600 Speaker 1: went to space, and they decided to go to space, 68 00:03:43,640 --> 00:03:46,280 Speaker 1: so they went to space together. But here's where it 69 00:03:46,320 --> 00:03:48,839 Speaker 1: took a turn. It took a turn because I don't 70 00:03:48,840 --> 00:03:51,080 Speaker 1: know if this is true or fiction. Someone said Oscar 71 00:03:51,120 --> 00:03:53,839 Speaker 1: to lorent to design the outfits, and they had these 72 00:03:53,880 --> 00:03:55,880 Speaker 1: like tight outfits on, like I guess people were saying 73 00:03:55,880 --> 00:03:58,720 Speaker 1: as like lycra or spandex. So like I get the 74 00:03:58,800 --> 00:04:00,880 Speaker 1: idea of that. They were like where girl bosses and 75 00:04:00,920 --> 00:04:03,040 Speaker 1: we're wearing these outfits. But that didn't land. And I 76 00:04:03,080 --> 00:04:05,200 Speaker 1: get why that didn't land. It's like sort of focusing 77 00:04:05,200 --> 00:04:07,280 Speaker 1: on the wrong thing and almost like making a joke 78 00:04:07,320 --> 00:04:10,320 Speaker 1: out of it kind of. So there's that there were 79 00:04:10,320 --> 00:04:13,320 Speaker 1: no actual real astronauts, so it's like this is going 80 00:04:13,360 --> 00:04:14,920 Speaker 1: to be all this money spent and people going to 81 00:04:14,960 --> 00:04:17,360 Speaker 1: get to go to space, and so people who spent 82 00:04:17,440 --> 00:04:21,279 Speaker 1: their whole life studying or aspiring or dreaming to go 83 00:04:21,320 --> 00:04:25,880 Speaker 1: to space that actually are professionals in that field aren't going. 84 00:04:25,960 --> 00:04:29,719 Speaker 1: But like that's a touching story. A lot of archaeologists 85 00:04:29,839 --> 00:04:32,440 Speaker 1: or ourn't historians want to go to Egypt, and rich 86 00:04:32,480 --> 00:04:35,359 Speaker 1: people can go to Egypt, so like, okay, you know, 87 00:04:35,520 --> 00:04:37,839 Speaker 1: like everybody wants to turn it everything, but this is 88 00:04:37,880 --> 00:04:41,400 Speaker 1: not you know, this isn't a charity event they were doing. 89 00:04:41,440 --> 00:04:44,200 Speaker 1: They were going to space, but it was highly publicized 90 00:04:44,200 --> 00:04:45,920 Speaker 1: and they did marketing for it, so they are open 91 00:04:45,960 --> 00:04:48,640 Speaker 1: to the scrutiny that they're getting. Because the one thing 92 00:04:48,640 --> 00:04:51,400 Speaker 1: that I do understand and that I've talked about is 93 00:04:51,480 --> 00:04:56,440 Speaker 1: I don't like girl boss quote unquote mentality. I don't 94 00:04:56,520 --> 00:05:01,880 Speaker 1: like performative girl boss language act like we're bad bitches, 95 00:05:02,000 --> 00:05:04,000 Speaker 1: we're a girl But like, I understand that there are 96 00:05:04,040 --> 00:05:06,200 Speaker 1: people in the world, myself being one of them, that 97 00:05:06,360 --> 00:05:09,800 Speaker 1: are bad bitch girl bosses, like Martha Stewart's a bad 98 00:05:09,800 --> 00:05:11,760 Speaker 1: bitch girl boss, so is Oprah Winfrey, so is on 99 00:05:11,800 --> 00:05:14,480 Speaker 1: a win tour. But the people that really are aren't 100 00:05:14,480 --> 00:05:21,039 Speaker 1: putting forth the boss bitch mentality, the narrative, and so 101 00:05:21,160 --> 00:05:23,560 Speaker 1: these women there was an essence to this whole thing 102 00:05:23,600 --> 00:05:26,359 Speaker 1: that it's giving like forced girl boss, and it turned 103 00:05:26,720 --> 00:05:29,719 Speaker 1: people off and it also really alienated the base of 104 00:05:29,839 --> 00:05:34,520 Speaker 1: women and moms, because there was language which the women 105 00:05:35,160 --> 00:05:39,040 Speaker 1: spoke with, which provided like a faux spirituality aspect, like, 106 00:05:39,560 --> 00:05:42,120 Speaker 1: you know, we're connected and we're all together and it's 107 00:05:42,120 --> 00:05:44,160 Speaker 1: the world. And I understand where they were coming from 108 00:05:44,200 --> 00:05:47,279 Speaker 1: and saying that they're allowed to have a perspective. Just 109 00:05:47,360 --> 00:05:49,880 Speaker 1: because you're rich doesn't mean you don't have a perspective. 110 00:05:49,920 --> 00:05:51,920 Speaker 1: They were in a spaceship, they saw the earth, they 111 00:05:51,920 --> 00:05:54,760 Speaker 1: felt something, they felt connected. This can all be real. 112 00:05:55,279 --> 00:05:58,400 Speaker 1: It's all not the content, it's the delivery. It was 113 00:05:58,440 --> 00:06:01,280 Speaker 1: the packaging, the wrapping, the messaging. It did not land 114 00:06:01,440 --> 00:06:17,880 Speaker 1: no matter what. So the average American woman, who is 115 00:06:17,920 --> 00:06:20,440 Speaker 1: the base, the purchasers of products, the loudest voice in 116 00:06:20,480 --> 00:06:23,640 Speaker 1: the country, an important vote, a woman who really matters. 117 00:06:23,680 --> 00:06:27,080 Speaker 1: I know this more than anyone. I understand these people. Okay, 118 00:06:27,440 --> 00:06:31,320 Speaker 1: I love these people. I you know, have been broke 119 00:06:31,920 --> 00:06:36,119 Speaker 1: and been rich, and so I feel like I kind 120 00:06:36,120 --> 00:06:38,520 Speaker 1: of understand. I can't say that I'm not privileged. I 121 00:06:38,520 --> 00:06:41,599 Speaker 1: can't say that I you know, I am not closer 122 00:06:41,640 --> 00:06:44,479 Speaker 1: to the group that went on the spaceship than the 123 00:06:44,520 --> 00:06:47,480 Speaker 1: woman in America who intimately understands the price of eggs. 124 00:06:47,520 --> 00:06:50,560 Speaker 1: I'm not gonna costplay something I'm not just because I 125 00:06:50,600 --> 00:06:53,640 Speaker 1: go to Tjmax and Dollar Store. I'm not going to 126 00:06:53,760 --> 00:06:57,279 Speaker 1: costplay understanding the plight of a woman who is working 127 00:06:57,320 --> 00:07:00,520 Speaker 1: two jobs and trying to make ends meet. But I 128 00:07:00,839 --> 00:07:04,279 Speaker 1: understand the problem with this. I understand why that woman is, like, 129 00:07:04,320 --> 00:07:07,640 Speaker 1: why are you publicly acting like this mission makes you 130 00:07:07,720 --> 00:07:09,480 Speaker 1: connected to me and we're the same. You had to 131 00:07:09,520 --> 00:07:12,280 Speaker 1: go to Space to realize something that isn't even true 132 00:07:12,280 --> 00:07:13,840 Speaker 1: because we're not the same, because we're not dealing with 133 00:07:13,880 --> 00:07:16,360 Speaker 1: the same issues. Because you went to Space in an 134 00:07:16,400 --> 00:07:19,240 Speaker 1: oscar to lorent to outfit and you know, also the 135 00:07:19,280 --> 00:07:21,320 Speaker 1: women were kind of in glam and I feel like 136 00:07:21,360 --> 00:07:24,040 Speaker 1: that didn't totally land. It doesn't mean it's wrong. It 137 00:07:24,080 --> 00:07:27,240 Speaker 1: was their Space trip, not unlike them going to Morocco 138 00:07:27,600 --> 00:07:31,960 Speaker 1: or a housewives trip or the millions of bullshitarians on 139 00:07:32,000 --> 00:07:36,560 Speaker 1: TikTok that are criticizing this, that also watch content of 140 00:07:36,880 --> 00:07:39,920 Speaker 1: people that are billionaires at open air mes boxes like 141 00:07:40,200 --> 00:07:42,600 Speaker 1: you can't pick and choose, but they are picking and 142 00:07:42,640 --> 00:07:45,440 Speaker 1: choosing because this is the thing that they just didn't like. 143 00:07:46,120 --> 00:07:48,960 Speaker 1: Now you had Chris and Chloe on the tarmac, the 144 00:07:49,000 --> 00:07:52,280 Speaker 1: Space tarmac or whatever you call the launching pad and Oprah, 145 00:07:52,320 --> 00:07:55,840 Speaker 1: and it's just adding to the privilege that people just 146 00:07:55,880 --> 00:07:58,600 Speaker 1: don't want to see but they know exist. It just 147 00:07:58,800 --> 00:08:01,400 Speaker 1: is one of these things that was like spoon fed, 148 00:08:01,480 --> 00:08:04,320 Speaker 1: force fed to them and it's not landing. They didn't 149 00:08:04,400 --> 00:08:07,880 Speaker 1: like it, and I again understand why it's not landing. 150 00:08:09,000 --> 00:08:12,000 Speaker 1: And then you have celebrities on the ground. Amy Schumer 151 00:08:12,080 --> 00:08:16,960 Speaker 1: made fun of it. Em Rada, a gorgeous, wealthy supermodel 152 00:08:17,200 --> 00:08:20,720 Speaker 1: in a Mercedes Sprinter full disclosure of car that I 153 00:08:20,840 --> 00:08:24,600 Speaker 1: had guilty as charged in a Mercedes Sprinter, discussing the 154 00:08:24,680 --> 00:08:29,320 Speaker 1: privilege and waste of resources. Now it's twenty eight million dollars, 155 00:08:29,320 --> 00:08:31,600 Speaker 1: that's a lot of money, but that is wasted every 156 00:08:31,680 --> 00:08:36,320 Speaker 1: day by different rich people everywhere. Okay, people adore and 157 00:08:36,400 --> 00:08:39,120 Speaker 1: love Taylor Swift, but you know people have called her 158 00:08:39,120 --> 00:08:41,600 Speaker 1: out for her private jet usage, and Kylie's up on 159 00:08:41,600 --> 00:08:44,360 Speaker 1: that list, like and Leonardo DiCaprio is flying private but 160 00:08:44,400 --> 00:08:47,120 Speaker 1: then talking about the earth, like, you know, unless you're 161 00:08:47,120 --> 00:08:50,040 Speaker 1: gonna be Fred and Wilma Flintstone billionaires that are gonna 162 00:08:50,080 --> 00:08:51,920 Speaker 1: start the car at the bottom of your feet, you're 163 00:08:51,960 --> 00:08:55,600 Speaker 1: gonna contribute. I'm not the best recycler. I'm trying to 164 00:08:55,640 --> 00:08:59,520 Speaker 1: eliminate plastic. I just went through my entire attic to 165 00:08:59,600 --> 00:09:01,200 Speaker 1: get rid of a bunch of shit, and there's all 166 00:09:01,200 --> 00:09:03,959 Speaker 1: this wasted fucking Halloween costumes in Eastern It's like, get 167 00:09:04,000 --> 00:09:06,000 Speaker 1: rid of it, you can buy it again. Right then, 168 00:09:06,040 --> 00:09:09,360 Speaker 1: I'm gonna buy this crap again and contribute more to 169 00:09:09,400 --> 00:09:13,360 Speaker 1: the landfill, garbage, crap, fast fashion. So like, we all 170 00:09:13,440 --> 00:09:16,520 Speaker 1: do our part, and you can't decide to cherry pick 171 00:09:16,559 --> 00:09:19,200 Speaker 1: what's right and what's wrong. It's twenty eight million dollars. 172 00:09:19,280 --> 00:09:21,360 Speaker 1: That's a lot of money, but there are ten people 173 00:09:21,360 --> 00:09:22,720 Speaker 1: at the top of my head I can think of, 174 00:09:23,080 --> 00:09:27,959 Speaker 1: you know, flying private planes to Coachella that literally added 175 00:09:28,040 --> 00:09:30,360 Speaker 1: up to twenty eight million dollars or twenty five people. 176 00:09:30,679 --> 00:09:33,240 Speaker 1: And so people aren you know, spending ten thousand dollars 177 00:09:33,240 --> 00:09:36,280 Speaker 1: on tenths to listen to music and play like their 178 00:09:36,320 --> 00:09:40,240 Speaker 1: bohem and fly in on Gulf Streams, which you know 179 00:09:40,360 --> 00:09:43,080 Speaker 1: cost one hundred and fifty thousand dollars each flight, and 180 00:09:43,120 --> 00:09:46,920 Speaker 1: then the fuel. So I'm just saying Devil's advocate Emorda 181 00:09:46,960 --> 00:09:49,600 Speaker 1: is in a Mercedes Sprinter talking about privilege and waste 182 00:09:49,640 --> 00:09:53,040 Speaker 1: of resources, and I can't fucking wait for Saturday Night Live, 183 00:09:53,120 --> 00:09:55,440 Speaker 1: like I need to play Amorda in the car. It's 184 00:09:55,520 --> 00:09:58,040 Speaker 1: just and I like Amorta, and she made a point, 185 00:09:58,800 --> 00:10:01,640 Speaker 1: but it's just funny also when it's like, these people 186 00:10:01,640 --> 00:10:03,880 Speaker 1: don't live the life of the woman who you know 187 00:10:04,200 --> 00:10:06,320 Speaker 1: intimately understands the price of eggs and milk. So the 188 00:10:06,360 --> 00:10:08,719 Speaker 1: whole thing, as I said in a TikTok, it's a 189 00:10:08,840 --> 00:10:13,800 Speaker 1: circular reference of satire. The whole Space Odyssey is a 190 00:10:13,880 --> 00:10:17,160 Speaker 1: complete bag of bullshit from head to toe, and everyone 191 00:10:17,240 --> 00:10:20,040 Speaker 1: commenting on it, like you just have to say, people 192 00:10:20,040 --> 00:10:22,800 Speaker 1: did what the fuck they want and that's why they 193 00:10:22,800 --> 00:10:24,560 Speaker 1: went to space, and you wanted to go or you 194 00:10:24,600 --> 00:10:27,320 Speaker 1: didn't want to go, And it's being publicized because it 195 00:10:27,320 --> 00:10:30,120 Speaker 1: doesn't feel like something that happens every day. And now 196 00:10:30,160 --> 00:10:32,640 Speaker 1: people aren't having it. They just don't like the way 197 00:10:32,640 --> 00:10:39,520 Speaker 1: it's been fed to them. So sorry, you're welcome. I've 198 00:10:39,559 --> 00:10:43,360 Speaker 1: been thinking about the Space Odyssey and Oprah and Chris 199 00:10:43,480 --> 00:10:47,840 Speaker 1: Jenner and Chloe Kardashian being on this Space tarmac, and 200 00:10:47,920 --> 00:10:50,840 Speaker 1: it's reminding me of something that I've thought for a while, 201 00:10:50,920 --> 00:10:53,920 Speaker 1: which is that in many cases, the sum is greater 202 00:10:54,000 --> 00:10:57,320 Speaker 1: than its parts, meaning boats rise with the tide. So 203 00:10:57,480 --> 00:11:01,719 Speaker 1: like you get Kim Kardashian and Kanye together as celebrities, 204 00:11:01,720 --> 00:11:06,679 Speaker 1: but together they were stratospheric George Clooney and Amal, Victoria 205 00:11:06,760 --> 00:11:09,559 Speaker 1: Beckham and David Beckham, Like there are situations where two 206 00:11:09,600 --> 00:11:12,480 Speaker 1: people get together Jay Z and Beyonce and the combination 207 00:11:12,640 --> 00:11:16,959 Speaker 1: is explosive, And then there are examples of combinations that 208 00:11:17,920 --> 00:11:23,240 Speaker 1: trigger people. So when you get together a certain type 209 00:11:23,280 --> 00:11:27,400 Speaker 1: and level of privilege, it triggers people. So when you 210 00:11:27,440 --> 00:11:33,600 Speaker 1: get Megan Markle and Oprah and Ellen together in Montecito, 211 00:11:34,080 --> 00:11:38,560 Speaker 1: while they're all smart, successful, strong, beautiful women, it bothers 212 00:11:38,600 --> 00:11:41,320 Speaker 1: people because it's sort of like a rich person's club. 213 00:11:41,320 --> 00:11:44,360 Speaker 1: When you get Elon Musk and Mark Zuckerberg and Trump together, 214 00:11:44,480 --> 00:11:47,600 Speaker 1: it bothers people, like it turns people off about the 215 00:11:47,679 --> 00:11:51,760 Speaker 1: individuals where it's not a sum is greater than its parts. Okay, 216 00:11:52,040 --> 00:11:54,600 Speaker 1: you got Lauren Sanchez and Jeff Bezos together and that 217 00:11:54,760 --> 00:11:56,319 Speaker 1: was a sum is greater than its parts. Like he 218 00:11:56,360 --> 00:11:58,640 Speaker 1: seemed like a nerdy Amazon guy married to like a 219 00:11:58,720 --> 00:12:02,720 Speaker 1: normal intellectual a woman and she was not really known 220 00:12:02,760 --> 00:12:05,360 Speaker 1: at all, but the combination was like Bam and she's 221 00:12:05,440 --> 00:12:08,280 Speaker 1: lying helicopters, and it's like, okay, they're on the map. 222 00:12:08,640 --> 00:12:12,360 Speaker 1: But when you put Lauren Sanchez together with the Kardashians, 223 00:12:13,000 --> 00:12:16,120 Speaker 1: it reaches a point of diminishing return. Now it feels 224 00:12:16,120 --> 00:12:18,720 Speaker 1: like the Kardashians are hanging out with Lauren Sanchez because 225 00:12:18,880 --> 00:12:22,040 Speaker 1: she's marrying a billionaire. And now it seems like Lauren 226 00:12:22,080 --> 00:12:24,480 Speaker 1: Sanchez is hanging out with the Kardashians because it's like, 227 00:12:24,760 --> 00:12:27,079 Speaker 1: now we're all rich and famous together and we hang 228 00:12:27,080 --> 00:12:29,719 Speaker 1: out on the back of boats. So Lauren Sanchez and 229 00:12:29,800 --> 00:12:33,440 Speaker 1: Jeff Bezos elevates both of them, Lauren Sanchez and the 230 00:12:33,520 --> 00:12:36,480 Speaker 1: Kardashians takes it all down. And I know you agree 231 00:12:36,520 --> 00:12:39,000 Speaker 1: because I know it's true because I hear people like 232 00:12:39,280 --> 00:12:42,680 Speaker 1: ugh and it's like why, uh, you may like them individually, like, 233 00:12:42,720 --> 00:12:46,880 Speaker 1: you can't disrespect what the Kardashians have built as entrepreneurs, 234 00:12:46,880 --> 00:12:50,040 Speaker 1: as business people, as you know, influencers. You can like them, 235 00:12:50,080 --> 00:12:51,880 Speaker 1: you can hate them, but you can't knock it. Megan 236 00:12:51,960 --> 00:12:56,079 Speaker 1: Markle moves product has influence. Is a beautiful woman bagged 237 00:12:56,120 --> 00:12:57,960 Speaker 1: and landed a prince in her own right as a 238 00:12:57,960 --> 00:13:00,720 Speaker 1: successful actress, and he feels lucky to be with two 239 00:13:00,720 --> 00:13:05,160 Speaker 1: of them in ways elevated each other, like he was 240 00:13:05,200 --> 00:13:09,080 Speaker 1: sort of the other son. She was an unknown actress 241 00:13:09,160 --> 00:13:12,760 Speaker 1: by most people, and together they became relevant and they 242 00:13:12,840 --> 00:13:16,160 Speaker 1: became a unit. So it's just an interesting concept how 243 00:13:16,640 --> 00:13:19,720 Speaker 1: we are the company we keep and people judge it differently. 244 00:13:20,040 --> 00:13:22,120 Speaker 1: Sometimes you get with someone and it's like a power 245 00:13:22,200 --> 00:13:26,160 Speaker 1: couple or a power combat. Okay, Gigi Hadid and Taylor Swift, 246 00:13:26,840 --> 00:13:29,520 Speaker 1: that's like elevated. It used to be Blake Lively in 247 00:13:29,559 --> 00:13:32,400 Speaker 1: that group sort of, but and now Blake Lively is 248 00:13:32,400 --> 00:13:34,760 Speaker 1: a drag on the ticket. But like you get these 249 00:13:34,760 --> 00:13:37,360 Speaker 1: like young supermodels together, you're like, oh my god, we 250 00:13:37,440 --> 00:13:40,400 Speaker 1: caught Gig and Bella and this one out to dinner 251 00:13:40,440 --> 00:13:43,240 Speaker 1: like bam, we like it. But then you have other 252 00:13:43,280 --> 00:13:45,560 Speaker 1: ones added to the mixture, like, eh, drag on the ticket. 253 00:13:46,360 --> 00:13:48,960 Speaker 1: So I just find it to be an interesting concept, 254 00:13:49,040 --> 00:13:53,000 Speaker 1: Like people do judge us by who we associate with, 255 00:13:53,400 --> 00:13:56,640 Speaker 1: and sometimes we think it's good for us. I've thought 256 00:13:56,720 --> 00:13:59,120 Speaker 1: it was Wow, I can't believe I'm invited to this, 257 00:13:59,160 --> 00:14:01,000 Speaker 1: And then people around me and like, eh, I don't 258 00:14:01,000 --> 00:14:02,800 Speaker 1: know if I like that. Look for you. Now I 259 00:14:02,880 --> 00:14:05,439 Speaker 1: choose who I'm hanging out with. And sometimes I think 260 00:14:05,480 --> 00:14:08,360 Speaker 1: someone's more elevated than people around me think like they're like, ugh, 261 00:14:08,400 --> 00:14:10,120 Speaker 1: that is not the best look for you right now. 262 00:14:10,400 --> 00:14:12,880 Speaker 1: Even if it's someone who's well known that looks trashy 263 00:14:12,920 --> 00:14:14,480 Speaker 1: for you, I don't think that's the right look for 264 00:14:14,559 --> 00:14:17,720 Speaker 1: you, you know. Like, so, if you are trying to build 265 00:14:17,720 --> 00:14:19,920 Speaker 1: an image, this has nothing to do with who you're 266 00:14:19,960 --> 00:14:23,560 Speaker 1: actually good friends with. Okay, I don't count brand new 267 00:14:23,640 --> 00:14:26,720 Speaker 1: friends in the entertainment industry as friends like my friends 268 00:14:26,720 --> 00:14:28,920 Speaker 1: I've had since high school. Those are the people that 269 00:14:28,960 --> 00:14:30,800 Speaker 1: if there was a body in a dumpster or in 270 00:14:30,840 --> 00:14:32,880 Speaker 1: the trunk of my car, they wouldn't I wouldn't even 271 00:14:32,920 --> 00:14:35,400 Speaker 1: have to say, don't say anything, Okay, where's the shovel? 272 00:14:35,920 --> 00:14:39,360 Speaker 1: But like anybody new in the land of Hollywood, you know, 273 00:14:39,560 --> 00:14:45,560 Speaker 1: that's all fair game. And basically, people need to understand 274 00:14:45,600 --> 00:14:49,840 Speaker 1: that there is an association and a connotation to people 275 00:14:49,880 --> 00:15:09,680 Speaker 1: that we associate with the most, to the consort, to 276 00:15:10,440 --> 00:15:11,280 Speaker 1: the conser