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Speaker 2: Lebron defends Bronnie after he's dropped from twenty twenty four

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Speaker 2: NBA Marck Draft. Brinny was removed from ESPN's twenty twenty

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Speaker 2: four mock draft and has been projected to be picked

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Speaker 2: from twenty twenty five. He tweeted and later deleted, can

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Speaker 2: y'all please just let the kid be a kid and

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Speaker 2: enjoy college basketball. The work and the results will ultimately

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Speaker 2: do the talking, no matter what he decides to do.

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Speaker 2: If y'all don't know, he doesn't care what a mock

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Speaker 2: draft says. He just works earned not give it FN

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Speaker 2: Central that's reported. And to all the other kids out

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Speaker 2: there striving to be great, just keep your head down,

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Speaker 2: blinders on, and keep grinding. These mock drafts doesn't matter

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Speaker 2: one bit. I promise you. Only the word matters. Let's

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Speaker 2: talk real basketball people. What's your take?

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Speaker 1: I mean, listen, I like what Lebron is saying, obviously

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Speaker 1: is at times it's not fair. A lot of us

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Speaker 1: Marvin Harrison myself, Jerry Rice, you have kids, Lebron, the

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Speaker 1: pressures that come behind with having to live up to

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Speaker 1: the expectations and doing what the fathers did.

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Speaker 3: Yes, all you have to do is work. That's it.

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Speaker 1: Forget the naysayers, forget all the people, forget all the

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Speaker 1: noise on the outside. Just continue to grind at your

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Speaker 1: own pace, and when it's your time to shine, you

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Speaker 1: will shine because if you put the work in, no

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Speaker 1: matter what, the results will show up. You don't need

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Speaker 1: to look I tell my son all the time. You

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Speaker 1: don't need to look like me. You don't need to

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Speaker 1: go out there and be like me. You need to

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Speaker 1: create your own identity and create your own lane and

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Speaker 1: the way you like to do, whether it be football,

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Speaker 1: whether even if you don't want to play football, whatever

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Speaker 1: it is you want to do in life. I support

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Speaker 1: you one hundred percent. But you got to do your best.

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Speaker 1: Stat again, with Lebron, Lebron Lebron's case. With Bronny, it's

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Speaker 1: even different. Everybody's watching, everybody expecting, well, your Lebron's son.

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Speaker 1: So you gotta gotta play to this standard. You gotta

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Speaker 1: have these kind of status.

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Speaker 3: You gotta do this.

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Speaker 1: You gotta do that, but again, don't rush them, allow

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Speaker 1: him and to enjoy, allow him to grow and groom

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Speaker 1: and enjoy the game of basketball.

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Speaker 3: I think, look, God wasn't gonna double bless you.

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Speaker 2: He was not gonna give you that talent and turn

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Speaker 2: around and give it to your son, right. I mean,

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Speaker 2: one or two things happen either to that. I mean, look,

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Speaker 2: we've seen a lot of players play to have a

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Speaker 2: father son, King Griffyth Senior, King Griffith Jr. Bobby Bonds,

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Speaker 2: Barry Bonds, Phelipe, Alu, Moise and Salu. I mean Blad

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Speaker 2: Guerrero and his son Blad Junior. So we've seen a

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Speaker 2: lot of that. We've seen Archie Manning. He had the lie.

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Speaker 2: But Archie, as good as he was, he wasn't paid.

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Speaker 2: And my son didn't walk that because he didn't walk

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Speaker 2: because every time your dad would have caught that man,

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Speaker 2: your dad made that play, he just got tied. Your

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Speaker 2: uncle man, you know how many woo and so he

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Speaker 2: just did like now that I don't. I don't, and

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Speaker 2: I'm cool with it. I never forced my kids in

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Speaker 2: any direction, whatever you choose, because I didn't want him

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Speaker 2: to get twenty five thirty and says I only did

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Speaker 2: this because of your No, you did that because of you.

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Speaker 2: That's what you wanted to do. But I think the

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Speaker 2: thing is, look, the comparison was gonna be there, but

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Speaker 2: Lebron has to be careful. Is that when Lebron, when

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Speaker 2: when junior LEBRONI plays well and then you say, well,

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Speaker 2: he's better than some players in the NBA because people

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Speaker 2: are gonna people gonna remember you said that, right, And

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Speaker 2: so that's what you have to be careful. And I

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Speaker 2: understand that's his son. What's he supposed to say. He's

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Speaker 2: supposed to believe that his son if it's good as

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Speaker 2: some current NBA players, But you have to be careful

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Speaker 2: of that because they're like, hold on, wait a minute,

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Speaker 2: a high school kid is as good as players in

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Speaker 2: the NBA. It's not Verry Lebron. You could have said

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Speaker 2: that about Lebron, that Lebron as a high school senior

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Speaker 2: was as good as some players in the NBA, and

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Speaker 2: you would have been absolutely right.

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Speaker 3: Right, Yeah, I don't believe you could.

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Speaker 2: Maybe, but if you look at Kobe's rookie year, could

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Speaker 2: you have said that in the high school?

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Speaker 3: Maybe?

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Speaker 2: But there is no there was a definitive, definitive that

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Speaker 2: Lebron James was better than some current NBA players when

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Speaker 2: he was a senior in high school. No question. He

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Speaker 2: was six ' nine, probably two hundred plounds. Could jump

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Speaker 2: out there, could jump out, could play all five positions.

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Speaker 3: He was a guard, but.

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Speaker 2: He could play the two, to three, to four, the five.

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Speaker 2: He could do it all. But because Broni doesn't possess

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Speaker 2: his dad's athleticism or size, it's different and so and

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Speaker 2: plus Lebron has to understand, bro he gonna get he

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Speaker 2: gonna get strayed because of you. Yeah, that's what you have.

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Speaker 2: You know.

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Speaker 1: The funny thing with Lebron, even though Lebron didn't say anything,

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Speaker 1: he going to catch the straight just in general, just

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Speaker 1: because of who your father is. In general, just because But.

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Speaker 3: I think Bronni knows that.

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Speaker 1: And Bronnie has the type of temperament, well he doesn't

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Speaker 1: really care.

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Speaker 3: He doesn't really care.

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Speaker 1: It's like Wals, like Waldorf with Dust's back.

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Speaker 3: You can't.

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Speaker 2: Unless there's only been a half full of I think

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Speaker 2: the holes uh uh brat. Bobbie Hall played hockey and

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Speaker 2: the Father and the Sons in the Hall of Fame.

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Speaker 3: But it doesn't happen.

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Speaker 2: Maybe there's maybe there's like a situation in baseball. Uh,

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Speaker 2: I don't know if it's Nah, it's Felipe. I know Felipe.

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Speaker 2: He had a brother named Maddie and it's on Moistes.

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Speaker 2: They all played. But I don't know what Felipe. I

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Speaker 2: don't think Mois is in the Hall of Fame. I

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Speaker 2: don't think Felipe is in the Hall of Fame or Maddie.

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Speaker 2: But it's a rarity that you look at Kareem, you

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Speaker 2: look at Magic, you look at Jordan's, you look at Jordan's.

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Speaker 3: Yeah, I mean, come on, bro, you actually.

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Speaker 2: Thank God gonna give you all of that and give

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Speaker 2: your sons that ability too.

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Speaker 1: Did his son hoop too?

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Speaker 3: I think I think he ended up. Uh, I think

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Speaker 3: he ended up playing at U U s F Wait,

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Speaker 3: hold on, it's cold.

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Speaker 1: Let me turn his head down. Man, is he trying

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Speaker 1: to She got me in a freezing hold on, babe, babe.

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Speaker 2: But he's he's in high school. Let him let him play.

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Speaker 2: He will develop. He's gonna be what he's gonna be, Right,

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Speaker 2: He's gonna be what he's gonna be. But let him

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Speaker 2: let him be that. Yeah, because I like I said,

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Speaker 2: it's tough. I don't envy either one because I don't

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Speaker 2: know what they expected. Lebron, I mean my son. I mean,

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Speaker 2: if I had a son that was playing boys and

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Speaker 2: wanted to go to the next level, Hell yeah, I'm

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Speaker 2: gona hYP him up. I give you example. My brother

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Speaker 2: said the same thing. My brother used to say. He

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Speaker 2: used to tell his college teammates, like, my brother is

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Speaker 2: good enough. My brother could start here in South Carolina.

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Speaker 2: He's ain't could. He would always say, oh yeah, hes

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Speaker 2: gonna play. I mean, it's gonna take him a while

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Speaker 2: because he's not advanced, because he didn't get the coaching.

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Speaker 3: But I got right, But give him a couple of years.

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Speaker 2: So I don't begrudge Lebron for hyping his from hyping

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Speaker 2: his son. Hell, my brother hype me. But obviously our

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Speaker 2: relationship is very similar. Even though he's not my dad,

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Speaker 2: he was. He was my role bob. So everything that

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Speaker 2: he did I wanted to do. But I but I

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Speaker 2: get it. But people people are looking at pounds.

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Speaker 3: I mean I don't. I don't get no.

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Speaker 2: I don't get a reason why you want to beat

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Speaker 2: a kid up because at the end of the day,

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Speaker 2: he's still a kid, regardless of who his dad is.

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Speaker 3: He's a nineteen year old kid. I think he's nineteen.

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Speaker 3: I think he's a nineteen year old kid.

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Speaker 1: So, you know, some of these people that some of

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Speaker 1: the people that want to beat him up, some of

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Speaker 1: the people that want to pounds are the ones that

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Speaker 1: really can't find and they're not happy with themselves.

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Speaker 3: For one, you're.

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Speaker 1: Not in a position to be able to do what

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Speaker 1: he's doing. Then you have you have personal gripes with

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Speaker 1: Lebron itself. And now you have another week because Lebron

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Speaker 1: is doing so well, it's really not you can say

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Speaker 1: about him. So what's the first thing you do? What's

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Speaker 1: the first anger you take?

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Speaker 3: The kids?

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Speaker 1: Take a shot at the kids?

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Speaker 2: Yeah, so, and I never I never understood that. Why

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Speaker 2: you know, it's hard for me o cho mm hmm

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Speaker 2: to like dislike someone that I didn't I've never met, right,

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Speaker 2: I mean, And it's a lot.

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Speaker 1: Of people, a lot of people like this. It's a

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Speaker 1: lot of people like I asked people all the time.

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Speaker 1: Just somebody just tweeted me that the other day. It

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Speaker 1: was a tweet talk about us. It was just it

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Speaker 1: was a nightcap, a night nightcap clip and somebody say,

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Speaker 1: you know what I like, but I don't like o Cho,

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Speaker 1: and I tweeted it back like, miss, you know what,

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Speaker 1: I don't even know you, but I love you, And

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Speaker 1: the fact that how could you not like me? Like

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Speaker 1: some people that even if you haven't met me, I'm

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Speaker 1: really likable, right like I sometimes I got sometimes I

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Speaker 1: might have a punishable face, but I'm a really likable individual.

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Speaker 1: If you met me before and I've greeted you with

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Speaker 1: that hug and fucking bringing in here acting like I've

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Speaker 1: known you for thirty years.

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Speaker 3: And I never met you a day in your life,

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Speaker 3: how could you not like me? I'm so cool?

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Speaker 2: And Lebron has to understand it's the same thing that

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Speaker 2: he was saying about Lonzo, that Lonzo was better than

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Speaker 2: Steph Curry.

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Speaker 3: And people like, bro, are you serious?

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Speaker 2: The man is an MVP, the man is a champion,

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Speaker 2: And you try to say your son that's in college

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Speaker 2: is better than him. He's better than Russ, He's better

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Speaker 2: than this. Come on, lebar, I understand hype your kid up,

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Speaker 2: but you're talking about first of all, there's only four

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Speaker 2: hundred players in the world that says I'm an NBA player.

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Speaker 3: Four hundred. There's eight billion people.

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Speaker 2: Four hundred could call themselves NBA players now current NBA players.

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Speaker 2: Now you might have been retired player, or you might

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Speaker 2: have played in the NBA and now you overseas. But

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Speaker 2: I'm saying current the only four her the men can

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Speaker 2: say that, right, So you saying your son that's in college,

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Speaker 2: it's better than one of the two. At the time,

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Speaker 2: Steph Curry was arguably the one or two best players

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Speaker 2: in all the world. But your son in college is better.

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Speaker 2: So people like, come on, Levarn, Now I understand that

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Speaker 2: you leave your son can play in the NBA, but

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Speaker 2: damn why you had to go to Steph. And so

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Speaker 2: that's the that's the approach that people took with Lebron.

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Speaker 2: They're like, Lebron, Okay, I get it, you love your

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Speaker 2: son and we're lad that you're in life. Come on, Bro,

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Speaker 2: in the NBA, he better the NBA players in high school.

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Speaker 1: Yes, how you got to feel about your kids sometimes

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Speaker 1: sometimes sometimes you got to put them up on that

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Speaker 1: pedicipal because that's how you feel, you know, and listen,

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Speaker 1: look how look how they turned They did turn out

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Speaker 1: pretty good.

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Speaker 3: Obviously he ain't better than Steph.

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Speaker 1: Yeah, not been in steph but the boys, but uh.

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Speaker 3: One, he's the one who's been dealing with the issue

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Speaker 3: though the last couple of years.

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Speaker 1: But mellow, mellow, hey, well, young bull, young boy, nice

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Speaker 1: with it, be nice with it.

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Speaker 3: So that's that's that.

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Speaker 2: Beyonceys Texas Hold Him had soared to the top of

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Speaker 2: the Billboard Hot one hundred this week. Prior Texas Hold

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Speaker 2: Him was the first single by black woman, as said

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Speaker 2: female earlier was the first by black woman to read

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Speaker 2: the number one on the Hot Country Song charts, and

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Speaker 2: achievements celebrated by notable country music artists and songwriters. Dolly

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Speaker 2: Parton praise Beyonce for topping the country charts, and black

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Speaker 2: country songwriter Alice Randall said that she could retire now

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Speaker 2: after seeing Beyonce's triumph. Beyonce is also the first woman

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Speaker 2: of color huh oh, she isn't the first woman of

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Speaker 2: color and country music of other artists like Mickey Gotten

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Speaker 2: and Britney Spencer have found success in recent years, while

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Speaker 2: Linda mart Martell blazed the trail as the first black

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Speaker 2: female solo artist to find success in the genre fifty

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Speaker 2: years ago. Many believe beyonce success could lead to more

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Speaker 2: attention on other Black country artists who paid, who paid

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Speaker 2: the way at this genre for years.

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Speaker 3: Yep, I knew.

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Speaker 1: I knew it was gonna happen. I knew it was

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Speaker 1: gonna happen.

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Speaker 3: I knew it. I knew it.

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Speaker 1: Beyonce is one of those artists that can lock in

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Speaker 1: and go into any genre of music and be successful

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Speaker 1: because she has.

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Speaker 3: Ranged, she has rained.

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Speaker 1: I told you, I've worked with like I told you,

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Speaker 1: I know, you don't believe. Some time when I was

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Speaker 1: a backup dancer with Beyonce, when I went on tour

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Speaker 1: with Beyonce, when I worked with Beyonce on Lemonade and

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Speaker 1: we film, and I was a choreographer for some of

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Speaker 1: the moves that she did. Some of the stuff you

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Speaker 1: saw on her tour on a Renaissance tour, some of

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Speaker 1: that was that's some of that that was my ship. Okay,

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Speaker 1: some of the stuff, some of the choreography was my ship. Really,

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Speaker 1: So I already know the type of work she put in,

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Speaker 1: and I understood what was coming once she came out

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Speaker 1: with this album, I knew it was gonna happen. And

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Speaker 1: you're seeing it right beforehand. This is greatness. You you

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Speaker 1: are witnessing true greatness once in the lifetime stuff.

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Speaker 2: It takes a special type of person to leave what

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Speaker 2: you're great at and to branch out and do something else.

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Speaker 3: It would be great great.

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Speaker 2: No, yeah, yeah, But like Michael Jordan says, Okay, I'm

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Speaker 2: gonna try baseball, he wasn't good at it, But for

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Speaker 2: him to say I'm gonna try it, do you know

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Speaker 2: how I like? For me, I like to stay in

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Speaker 2: my comfort zone. Like what I'm good at. I'm good

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Speaker 2: at talking. I could play sports. I was good at

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Speaker 2: my hand eye coordination was really good. I'm good at talking.

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Speaker 2: So no matter what the format, debate, conversation, uh, car, interview,

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Speaker 2: whatever you want to call it, I'm good at that.

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Speaker 3: But you try to get me into something like nah,

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Speaker 3: that me.

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Speaker 2: So for Beyonce, say to whatever R and B pop,

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Speaker 2: whatever classification you want to list your music. Ass for

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Speaker 2: her to branch out and do something totally different, man,

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Speaker 2: ain't very many willing to do that. Ain't many willing

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Speaker 2: to do that? So I commend her.

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Speaker 3: Right.

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Speaker 1: You know, they always say to stay your lane. They

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Speaker 1: always tell you to staying in your line.

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Speaker 3: They stay in your lane.

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Speaker 1: They always tell you to stick to what you're good at.

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Speaker 1: But that's the thing when it comes to Beyonce, in

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Speaker 1: anything that she touches, the terms the goal because she

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Speaker 1: has the ring, she has the skill set, she has

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Speaker 1: the artistic impression to do any and everything that most

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Speaker 1: artists can't do, which is why she's going to be

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Speaker 1: successful regardless to what angle she chooses to go to. Right,

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Speaker 1: And this is what you're saying. Now, I'm not supposed

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Speaker 1: to be saying this, but I'm not gonna say it anyway.

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Speaker 1: I say it anyway. My team, Beyonce's team. At some point,

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Speaker 1: we're gonna have a tour, you know. We we we're

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Speaker 1: taking a show on the road that so get your

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Speaker 1: cowboy boots, get your cowboy hats ready. And uh, I

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Speaker 1: got a call with jay Z tomorrow, so we're gonna

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Speaker 1: see how this thing play out.

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Speaker 3: I'm hoping.

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Speaker 1: I'm hoping I can get some work again with them

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Speaker 1: and and do some of the choreography.

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Speaker 3: Oh you ought to do that.

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Speaker 1: I mean I was there for the on the Renaissance tour,

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Speaker 1: so why not bring me?

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Speaker 3: I thought you was on Elimonade tour. I was on

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Speaker 3: all of them. Do great work? What you mean, that's

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Speaker 3: what I do, baby, But.

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Speaker 2: But oh Joe, there's like, uh, many believe beyonce success

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Speaker 2: could lead the more attention on other black artists. You know,

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Speaker 2: we were really the only community that are asked. Everybody

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Speaker 2: else has gotten the hand it has gotten a hand

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Speaker 2: from someone that wasn't in their community, but only us

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Speaker 2: we asked to come up. Okay, come up with something

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Speaker 2: that that that can help help us. How to talk

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Speaker 2: to you and how to treat you and how can

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Speaker 2: you know we how can you help your community? Huh right, damn.

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Speaker 2: So that's that's beyond. That's now. I'm happy for Beyonce,

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Speaker 2: and some people do take it upon themselves, like you

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Speaker 2: know what I mean, I'm gonna give back, But we're

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Speaker 2: really the only ones that's that tasked to do that.

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Speaker 1: Right, I Mean, it's unfortunate, and it's always been that way.

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Speaker 1: It's been that way for a long time. It's been

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Speaker 1: that way for a very very long time, and I.

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Speaker 3: Just I think we need to do y'all.

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Speaker 2: Still y'all feelings about that, about that, Taylor, about that

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Speaker 2: Taylor Swift and Beyonce, they that, Yeah, y'all'll be over,

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Speaker 2: y'all find something else to talk about. We go ahead,

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Speaker 2: O ye, what were you saying?

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Speaker 3: Now?

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Speaker 1: I just we need to enjoy, we need to bask

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Speaker 1: in the in the greatness that is Beyonce.

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Speaker 3: She's the phenomenal. Oh but oh Joe, who said she

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Speaker 3: wasn't talented? Nobody nobody did, nobody did.

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Speaker 1: But obviously, you know, when it comes to the public

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Speaker 1: and you say certain things compared to her in TN,

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Speaker 1: the swift people are gonna take what you say and

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Speaker 1: twist your words and that that that's unfortunate. And and

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Speaker 1: me being me being a high B, I've been a

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Speaker 1: high B for a minute.

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Speaker 3: You know.

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Speaker 1: I support her, I support all their music, and I'm

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Speaker 1: just excited for her, excited for her and and all

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Speaker 1: she's done.

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Speaker 3: So man, I still can't believe. I mean, not one

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Speaker 3: of the greatest of all time for sure.

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Speaker 2: Look a lot of a lot of first of all,

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Speaker 2: a lot of uh like Beyonce and a Readtha and

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Speaker 2: and and and whit and they started out singing church

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Speaker 2: in the church, and obviously you half range, you got

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Speaker 2: the boys. But for her, this is and I look,

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Speaker 2: there have been black people saying country and maybe the

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Speaker 2: roots uh in country and black have roots in country,

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Speaker 2: but it's not very many of them, because I don't

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Speaker 2: know how many blacks. I mean, I'm sure there's some,

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Speaker 2: but that's not a probably a heavy uh demographic black

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Speaker 2: demographic that tracks in country. I'm sure there's some. Darius

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Speaker 2: Rutger uh if you know, branched out and did what

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Speaker 2: he's singing, what he's singing, and then he did country.

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Speaker 2: Charlie Pride is the one that we all remember. My

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Speaker 2: grandfather loved Charlie Pride. But for her to be here

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Speaker 2: in her genre and say, you know what, she probably

386
00:19:16,800 --> 00:19:19,159
Speaker 2: laying in the band and said, hey, babe, like what

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Speaker 2: a b.

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Speaker 1: You know what?

389
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Speaker 2: You're like?

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Speaker 3: What? Baby? I think I'm gonna do a country album?

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Speaker 3: Mm hmm. You know what? Jay Z said, Baby's gonna

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Speaker 3: be number one. Every time.

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Speaker 1: Every time they said that, the chest said they can't

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Speaker 1: hear me. Check y'all gave me nine.

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Speaker 3: Yeah hear you.

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00:19:43,200 --> 00:19:46,399
Speaker 1: No, I'm saying. They were saying, ochill turn your mic up.

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Speaker 3: You do realize it's to be hide, not high. Be

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Speaker 3: huh is to be hide. That's what I said. I said,

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Speaker 3: be high, you said BEI I did. It's all good.

400
00:20:05,359 --> 00:20:07,720
Speaker 3: Hold on, hey, can you put the emoji up? They're

401
00:20:07,720 --> 00:20:14,080
Speaker 3: putting to be emoji. Everybody know what you're talking about? Hello, Hello, Hello,

402
00:20:14,359 --> 00:20:17,960
Speaker 3: Mike check Mike check one two, one two, Okay, okay,

403
00:20:17,960 --> 00:20:18,239
Speaker 3: we're good.

404
00:20:18,280 --> 00:20:21,720
Speaker 1: We're good. I saw I saw it multiple times, someone saying,

405
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Speaker 1: turn your mic up. I can't hear you.

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00:20:24,359 --> 00:20:26,680
Speaker 3: Yeah, they hear you. Oh they got me, they got me. Yeah,

407
00:20:26,760 --> 00:20:27,800
Speaker 3: we back we back there.

408
00:20:28,040 --> 00:20:28,200
Speaker 2: There.

409
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Speaker 3: You've been capping. There, you've been capping from the start. Uh,

410
00:20:31,440 --> 00:20:36,840
Speaker 3: what I ain't lie about? So War said, oh, cho

411
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Speaker 3: putting the camp in night camp.

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Speaker 1: Well, hold on, Abraham, Abraham, tell me something. I didn't

413
00:20:43,359 --> 00:20:46,120
Speaker 1: lie about nothing. Everything that I've said, everything I've said

414
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Speaker 1: is through experience. And you can google the ship what

415
00:20:48,280 --> 00:20:51,439
Speaker 1: y'all talking about. Look at Beyonce's album and look at

416
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Speaker 1: the goddamn credits. You'll see my name.

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Speaker 3: Y'all don't be knowing.

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Speaker 2: Man, you do realize that belly keeping in d f A.

419
00:20:58,680 --> 00:21:00,320
Speaker 2: And so you've been doing too much talk. Okay, so

420
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Speaker 2: I don't know if you're gonna be on a team.

421
00:21:01,960 --> 00:21:04,320
Speaker 3: Listen, the talking that I'm doing is nothing bad in

422
00:21:04,480 --> 00:21:07,880
Speaker 3: references period. You do know how NBA work, Well, that's

423
00:21:07,880 --> 00:21:08,760
Speaker 3: a non disclosure.

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Speaker 1: Listen, not not what I'm talking about. There's certain things

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Speaker 1: I can discuss or talk about, and I, yes you can.

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Speaker 1: I don't think how you're gonna tell me? And I

427
00:21:19,040 --> 00:21:19,760
Speaker 1: work with Beyonce.

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Speaker 3: How you gonna tell me? Yo?

429
00:21:21,760 --> 00:21:24,400
Speaker 2: Because because I know people that had n d a's

430
00:21:24,640 --> 00:21:27,359
Speaker 2: that's like her and y'all, they don't even talk about

431
00:21:27,480 --> 00:21:28,840
Speaker 2: they don't even talk about that they.

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Speaker 3: Work for them. They don't even mention that they work

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Speaker 3: We already we already know.

434
00:21:33,880 --> 00:21:35,800
Speaker 1: Listen, if you go, if you went to the show,

435
00:21:35,840 --> 00:21:37,760
Speaker 1: you would have saw me at the Renaissance tour and

436
00:21:37,840 --> 00:21:39,920
Speaker 1: warm ups and you saw me every listen.

437
00:21:39,920 --> 00:21:41,359
Speaker 3: You would have saw me in rehearsal. So how you

438
00:21:41,440 --> 00:21:41,920
Speaker 3: gonna tell me?

439
00:21:42,200 --> 00:21:44,439
Speaker 2: Because and guess what it's like, I saw you dancing

440
00:21:44,480 --> 00:21:45,879
Speaker 2: for Beyondy. They gonna say that wasn't me.

441
00:21:49,119 --> 00:21:49,520
Speaker 3: Mm hmm.

442
00:21:50,920 --> 00:21:53,840
Speaker 2: I'm just like I said, I know, But I'm just

443
00:21:53,920 --> 00:21:55,879
Speaker 2: telling you what people that I know, people that have

444
00:21:56,000 --> 00:21:57,000
Speaker 2: worked for people.

445
00:21:57,119 --> 00:21:57,680
Speaker 3: I don't know.

446
00:21:58,200 --> 00:22:00,480
Speaker 1: I don't I don't know what people you know, But

447
00:22:00,640 --> 00:22:03,280
Speaker 1: I'm not sure if they're as high up the food

448
00:22:03,359 --> 00:22:05,280
Speaker 1: chain as I am where I can say the things

449
00:22:05,320 --> 00:22:07,479
Speaker 1: that I'm saying. Maybe that's the Maybe that's the difference.

450
00:22:08,240 --> 00:22:10,880
Speaker 3: You can't say that. Maybe that's a difference beyond say, Lord,

451
00:22:11,040 --> 00:22:13,200
Speaker 3: beyond say lawyers don't tell you they work for Beyonce.

452
00:22:14,560 --> 00:22:17,040
Speaker 3: They're not supposed to exactly, and you're not supposed to.

453
00:22:17,160 --> 00:22:17,280
Speaker 2: All.

454
00:22:17,400 --> 00:22:19,760
Speaker 3: We all know who our lawyers are. I mean, we

455
00:22:19,800 --> 00:22:21,119
Speaker 3: don't have to say it. You just know.

456
00:22:22,720 --> 00:22:27,480
Speaker 2: Wendy are preparing to test the Uber style surge pricing model,

457
00:22:27,720 --> 00:22:31,320
Speaker 2: where pricing will fluctuate throughout the day based on demand

458
00:22:31,720 --> 00:22:34,480
Speaker 2: when the CEO said company will invest twenty million in

459
00:22:34,600 --> 00:22:37,520
Speaker 2: high tech menu boards that will be available to update

460
00:22:37,560 --> 00:22:40,160
Speaker 2: prices in real time, so you know, like with Uber,

461
00:22:40,600 --> 00:22:42,680
Speaker 2: like at times of the day that the prices go

462
00:22:42,880 --> 00:22:45,520
Speaker 2: up or down or if there's an event something going on.

463
00:22:46,240 --> 00:22:49,960
Speaker 2: So men, Wendy saying, we're gonna do our pricing like that,

464
00:22:50,359 --> 00:22:55,480
Speaker 2: so lunch time, dinner time, the price is gonna fluctuate.

465
00:22:55,800 --> 00:23:00,960
Speaker 2: Hell noah, that are whether that double that double junior,

466
00:23:01,080 --> 00:23:03,119
Speaker 2: that thing better be a dollar fift like like I

467
00:23:03,600 --> 00:23:04,160
Speaker 2: like it normally.

468
00:23:04,960 --> 00:23:05,639
Speaker 3: The Baconator.

469
00:23:06,480 --> 00:23:09,120
Speaker 1: I only know about the Baconator because my little brother,

470
00:23:09,200 --> 00:23:11,400
Speaker 1: My little brother got me, got me, got me hooked

471
00:23:11,480 --> 00:23:11,960
Speaker 1: hooked to it.

472
00:23:12,040 --> 00:23:12,480
Speaker 3: One time.

473
00:23:12,720 --> 00:23:14,159
Speaker 1: One time I went, I went with him to win

474
00:23:14,240 --> 00:23:17,120
Speaker 1: these obviously really not my thing. I did it one time,

475
00:23:17,359 --> 00:23:19,560
Speaker 1: but that junior is it son of the Baconator?

476
00:23:19,640 --> 00:23:20,240
Speaker 3: Is that what you call it?

477
00:23:21,480 --> 00:23:23,200
Speaker 1: I don't know what kind of sauce they put on

478
00:23:23,280 --> 00:23:25,800
Speaker 1: the Son of the Baconator hunk. But man, listen here,

479
00:23:26,600 --> 00:23:30,600
Speaker 1: they got some with that sandwich there. Yeah, I did

480
00:23:30,640 --> 00:23:31,120
Speaker 1: it one time.

481
00:23:31,520 --> 00:23:34,600
Speaker 3: I ain't. I ain't been back sitting real.

482
00:23:35,000 --> 00:23:36,880
Speaker 1: I can get credit what credit is due. The Son

483
00:23:36,920 --> 00:23:39,639
Speaker 1: of a Baconator was so goddamn good. I don't know

484
00:23:39,720 --> 00:23:41,440
Speaker 1: what kind of sauce they had on that burger. I

485
00:23:41,480 --> 00:23:44,600
Speaker 1: don't know what it was, but it was phenomenal. Now

486
00:23:44,600 --> 00:23:46,240
Speaker 1: I don't, I don't. I don't really like this idea

487
00:23:46,880 --> 00:23:47,360
Speaker 1: that they're doing.

488
00:23:48,280 --> 00:23:52,640
Speaker 3: Yeah, go up and down. I hang with that either.

489
00:23:52,840 --> 00:23:55,920
Speaker 1: Joe set such a prices like everybody else, doing such

490
00:23:55,960 --> 00:23:57,840
Speaker 1: a prices, like everybody else doing so I know how

491
00:23:57,920 --> 00:23:58,399
Speaker 1: much money I.

492
00:23:58,440 --> 00:23:59,840
Speaker 3: Need such a price.

493
00:24:00,040 --> 00:24:02,400
Speaker 1: I don't don't play, don't don't flip flop, don't don't play.

494
00:24:02,400 --> 00:24:05,400
Speaker 1: I don't want no surge. I understand supplying the man,

495
00:24:05,880 --> 00:24:07,840
Speaker 1: since you goddamn price and leave it where it's at.

496
00:24:08,040 --> 00:24:11,800
Speaker 3: I don't know what the price of a Baconator or

497
00:24:12,000 --> 00:24:13,359
Speaker 3: frosty or whatever. That is.

498
00:24:14,000 --> 00:24:17,600
Speaker 2: But I'm expecting if I go in there and I

499
00:24:17,840 --> 00:24:23,280
Speaker 2: order it and it's like Frosty Frize Drake, it's five

500
00:24:23,480 --> 00:24:24,840
Speaker 2: six dollars, seven dollars.

501
00:24:25,000 --> 00:24:25,440
Speaker 3: Ten dollars.

502
00:24:25,480 --> 00:24:28,080
Speaker 2: Let's just say ten dollars ten dollars, right man? All

503
00:24:28,119 --> 00:24:30,000
Speaker 2: those they be called between twelve and one of you

504
00:24:30,040 --> 00:24:31,200
Speaker 2: talking about fourteen dollars.

505
00:24:32,920 --> 00:24:34,359
Speaker 3: I was just in there yesterday.

506
00:24:36,359 --> 00:24:38,320
Speaker 1: I see stuff like that would turn people away. It

507
00:24:38,480 --> 00:24:41,479
Speaker 1: costs people not to go to your franchise anymore. One thing,

508
00:24:41,520 --> 00:24:43,480
Speaker 1: don't play with people. Food and don't play with people money.

509
00:24:43,560 --> 00:24:45,720
Speaker 1: Them two different things you can't play with. Now you

510
00:24:45,800 --> 00:24:48,080
Speaker 1: play with both of them. Were more strike you out

511
00:24:48,640 --> 00:24:50,119
Speaker 1: if people know people ain't what more?

512
00:24:50,160 --> 00:24:50,560
Speaker 3: Strike you out?

513
00:24:50,560 --> 00:24:52,560
Speaker 1: People ain't gonna sho up the winners. No more play

514
00:24:52,600 --> 00:24:53,119
Speaker 1: if you want to.

515
00:24:58,320 --> 00:24:58,880
Speaker 3: Check this out.

516
00:24:59,040 --> 00:25:01,880
Speaker 2: Nice time for one of my favorite statements. Oh Joe,

517
00:25:02,200 --> 00:25:05,520
Speaker 2: it's time for Nightcap after dark. Let's take a look,

518
00:25:06,119 --> 00:25:09,119
Speaker 2: hold on, hold on nightcap after dark. Hey, let me

519
00:25:09,160 --> 00:25:09,840
Speaker 2: get my shades.

520
00:25:16,320 --> 00:25:19,639
Speaker 3: Man. Somebody said, break a conboy winds its fifteen dollars?

521
00:25:20,720 --> 00:25:21,440
Speaker 3: What the hell?

522
00:25:22,240 --> 00:25:25,280
Speaker 1: What when they when they go to in Beverly Hills,

523
00:25:25,359 --> 00:25:27,280
Speaker 1: that boat that bo folk must be on the moon.

524
00:25:28,960 --> 00:25:30,439
Speaker 1: They for really they just planned they s.

525
00:25:30,680 --> 00:25:32,879
Speaker 3: You're looking it up right now? How much?

526
00:25:33,280 --> 00:25:37,280
Speaker 2: How much is a bacon nails? Yeah, that can't be real.

527
00:25:45,560 --> 00:25:52,480
Speaker 2: Eleven dollars? Oh oh the fifty do door dash Yeah,

528
00:25:52,520 --> 00:25:54,800
Speaker 2: but I'm figuring out. Like I said, I'm like, okay,

529
00:25:55,119 --> 00:25:57,159
Speaker 2: I'm just doing the pricing. Because when I was in

530
00:25:57,160 --> 00:25:58,960
Speaker 2: Atlanta went, I stopped through Chick fil A and I

531
00:25:59,040 --> 00:26:01,480
Speaker 2: was like, okay, so I was about to say five

532
00:26:01,480 --> 00:26:04,600
Speaker 2: dollars man, five dollars fed out probably about ten fifteen

533
00:26:04,680 --> 00:26:06,920
Speaker 2: years ago. Did you get a burger fries to drain

534
00:26:07,000 --> 00:26:09,000
Speaker 2: for five dollars? You ain't getting that no more? For

535
00:26:09,080 --> 00:26:11,440
Speaker 2: that shows how much I go in there and get

536
00:26:13,000 --> 00:26:15,040
Speaker 2: by food for fast food. Check this out on Joe.

537
00:26:15,480 --> 00:26:20,840
Speaker 2: A woman is planning to marry an AI hologram that's

538
00:26:20,960 --> 00:26:25,280
Speaker 2: trained using data from a previous romangic partner.

539
00:26:25,720 --> 00:26:28,959
Speaker 3: Oh no no, no, not partner part nerves.

540
00:26:29,200 --> 00:26:31,800
Speaker 2: So she got an AI hologram, but she's gonna marry

541
00:26:32,200 --> 00:26:35,720
Speaker 2: that took trained data from some of her previous partners.

542
00:26:35,960 --> 00:26:38,879
Speaker 3: So she wanted a perfect man and she created it.

543
00:26:39,520 --> 00:26:43,760
Speaker 3: So basically, she gone bill a bear. Yeah, she gonna bill.

544
00:26:43,640 --> 00:26:47,080
Speaker 1: A bear using AI using technology based on something where

545
00:26:47,160 --> 00:26:52,920
Speaker 1: she can't get no penetration, no physical touch, a hologram. Yeah,

546
00:26:53,240 --> 00:26:56,000
Speaker 1: this makes no sense, and you will still be left

547
00:26:56,280 --> 00:26:59,000
Speaker 1: empty and lonely, just like those that left you in

548
00:26:59,040 --> 00:26:59,480
Speaker 1: your past.

549
00:27:00,280 --> 00:27:02,760
Speaker 3: What are we doing? What? What are we doing?

550
00:27:03,560 --> 00:27:03,600
Speaker 2: Like?

551
00:27:03,840 --> 00:27:04,720
Speaker 3: What are we doing?

552
00:27:05,200 --> 00:27:07,880
Speaker 1: Continue to find the man you're looking for. We all

553
00:27:07,920 --> 00:27:10,040
Speaker 1: come with problems, we all coming back.

554
00:27:10,160 --> 00:27:13,760
Speaker 3: I got no problem on solutions. I come with solutions. Okay,

555
00:27:13,880 --> 00:27:15,120
Speaker 3: I understand what you're saying.

556
00:27:16,200 --> 00:27:18,520
Speaker 1: I understand what you're saying, but like, come on, man,

557
00:27:18,760 --> 00:27:22,040
Speaker 1: marrying hologram technology like that makes no sense.

558
00:27:22,400 --> 00:27:24,280
Speaker 3: That makes no sense. At some point, you can get

559
00:27:24,320 --> 00:27:24,840
Speaker 3: tired of him too.

560
00:27:25,480 --> 00:27:26,920
Speaker 1: You can get tired of the bill to be a

561
00:27:27,000 --> 00:27:29,280
Speaker 1: hologram of all the partners you've been with, and you're

562
00:27:29,280 --> 00:27:31,080
Speaker 1: gonna get sick of that too, and you're still not

563
00:27:31,119 --> 00:27:33,119
Speaker 1: gonna be happy. And then you're gonna look in the

564
00:27:33,160 --> 00:27:35,720
Speaker 1: mirror and you're gonna realize, well, maybe I'm the problem

565
00:27:36,520 --> 00:27:38,080
Speaker 1: because you are the common denominator.

566
00:27:38,640 --> 00:27:38,840
Speaker 3: Yeah.

567
00:27:39,080 --> 00:27:43,480
Speaker 1: Yeah, it's about self reflecting accountability.

568
00:27:44,960 --> 00:27:45,800
Speaker 3: I'm the problem.

569
00:27:49,640 --> 00:27:51,680
Speaker 1: Thank you, thank you for coming to my ted talk.

570
00:27:52,400 --> 00:27:56,239
Speaker 3: Man. I oh man, man, people, what do you think

571
00:27:56,280 --> 00:27:56,600
Speaker 3: about that?

572
00:27:57,119 --> 00:27:59,040
Speaker 2: And I think you out of damn mind. Man, you

573
00:27:59,119 --> 00:28:01,119
Speaker 2: know what I think about that? Man, I don't all

574
00:28:01,200 --> 00:28:04,720
Speaker 2: that foolish this. I mean, you're gonna marry you know

575
00:28:04,760 --> 00:28:06,879
Speaker 2: what it is, don't Joe. Everybody looking for protection for

576
00:28:07,280 --> 00:28:14,200
Speaker 2: excuse me, perfection. So she's gonna take traits from different partners. Okay,

577
00:28:14,520 --> 00:28:16,680
Speaker 2: maybe he had the perfect height, maybe he had the

578
00:28:16,800 --> 00:28:19,840
Speaker 2: right personality, maybe he had a great sense of humor,

579
00:28:20,160 --> 00:28:21,240
Speaker 2: maybe he was loving.

580
00:28:21,720 --> 00:28:25,159
Speaker 3: Come on, man, god day, it's still a hologram. I

581
00:28:25,320 --> 00:28:26,119
Speaker 3: know what I'm saying.

582
00:28:26,440 --> 00:28:29,720
Speaker 2: She wants the perfect because she said, I'm never gonna

583
00:28:29,760 --> 00:28:31,680
Speaker 2: find perfection in one man, and you're not.

584
00:28:31,840 --> 00:28:35,119
Speaker 3: And you're not gonna find protection for perfection in one woman.

585
00:28:35,280 --> 00:28:38,120
Speaker 3: You're not. No, you just hold to look.

586
00:28:39,240 --> 00:28:42,480
Speaker 2: The thing is, when you're looking for a maid, a wife,

587
00:28:43,280 --> 00:28:48,160
Speaker 2: other significant other, you're never gonna find someone with all

588
00:28:48,240 --> 00:28:52,200
Speaker 2: the qualities that you want. You hopefully you find someone

589
00:28:52,320 --> 00:28:55,160
Speaker 2: that has enough of the qualities that the ones that

590
00:28:55,280 --> 00:28:58,400
Speaker 2: they don't have you're willing to overlook those. So if

591
00:28:58,440 --> 00:29:00,600
Speaker 2: you if you got ten qualities that you're looking for

592
00:29:00,680 --> 00:29:02,920
Speaker 2: in a person, the likelihood of you find an all

593
00:29:03,040 --> 00:29:04,480
Speaker 2: ten are not very good.

594
00:29:05,160 --> 00:29:08,560
Speaker 3: If you can get you might get seven, you get

595
00:29:08,600 --> 00:29:10,840
Speaker 3: the seven I get seven now.

596
00:29:11,160 --> 00:29:14,480
Speaker 2: Hopefully the ones that they don't possess are the major

597
00:29:14,560 --> 00:29:15,560
Speaker 2: ones that you're looking for.

598
00:29:17,800 --> 00:29:19,520
Speaker 1: But you going down there toid you go about ten

599
00:29:19,600 --> 00:29:22,680
Speaker 1: or ten? You a damn lie, please, that's not even

600
00:29:22,720 --> 00:29:25,600
Speaker 1: really exactly. I think that that's one of that's one

601
00:29:25,640 --> 00:29:31,760
Speaker 1: of the issues for us growing up. We're fed, I

602
00:29:31,960 --> 00:29:34,120
Speaker 1: like to call them live we're fed the fairy tale

603
00:29:34,600 --> 00:29:39,640
Speaker 1: uh movie endings, always happy and thinking life is going

604
00:29:39,720 --> 00:29:43,200
Speaker 1: to be perfect in relationships and thinking the things that

605
00:29:43,320 --> 00:29:50,560
Speaker 1: we watch on TV sitcoms, that's not real life, that's

606
00:29:50,600 --> 00:29:51,760
Speaker 1: not reality at times?

607
00:29:51,840 --> 00:29:55,200
Speaker 3: Now, can you can you get those normally? Yeah?

608
00:29:55,320 --> 00:29:57,320
Speaker 1: In the beginning, it's always like that, in the beginning

609
00:29:57,400 --> 00:30:00,520
Speaker 1: of everything is beautiful, it's it's peach in cream.

610
00:30:00,600 --> 00:30:01,680
Speaker 3: Oh my god, I love him.

611
00:30:01,840 --> 00:30:04,239
Speaker 1: We're gonna be happily ever after. Do you know how

612
00:30:04,320 --> 00:30:05,080
Speaker 1: long forever is?

613
00:30:05,960 --> 00:30:08,479
Speaker 3: Let me take my glasses off. Do you know how

614
00:30:08,600 --> 00:30:13,520
Speaker 3: long forever is? You ever thought about that? Yeah? Well,

615
00:30:13,560 --> 00:30:15,040
Speaker 3: it takes a lot of discipline, man.

616
00:30:15,120 --> 00:30:17,160
Speaker 1: It takes a lot of work, man, And it's it's

617
00:30:17,200 --> 00:30:19,320
Speaker 1: a kind of work that many people don't want to

618
00:30:19,360 --> 00:30:22,000
Speaker 1: put in, especially these days, because when something don't work

619
00:30:22,040 --> 00:30:24,320
Speaker 1: out with one person you're with. Oh, you know, we

620
00:30:24,440 --> 00:30:27,040
Speaker 1: quickly on to the next and then the cycle continues

621
00:30:27,080 --> 00:30:33,480
Speaker 1: to repeat itself, over and over and over again. Yeah, expectations,

622
00:30:33,600 --> 00:30:37,880
Speaker 1: expectations will always steal your joy every time.

623
00:30:38,800 --> 00:30:42,240
Speaker 2: Yeah, every every time. But see when you where you you,

624
00:30:43,120 --> 00:30:46,040
Speaker 2: it's the where you get the comparisons. Will you start

625
00:30:46,120 --> 00:30:48,920
Speaker 2: comparison this one to that one or the one before

626
00:30:49,000 --> 00:30:51,880
Speaker 2: that one. Comparison is a thief for joy.

627
00:30:52,720 --> 00:30:56,840
Speaker 1: Every time, especially especially with social media. You know, looking

628
00:30:56,880 --> 00:31:00,800
Speaker 1: at you, looking at these pages. This nice and she

629
00:31:00,960 --> 00:31:02,960
Speaker 1: got these bags, and she got this house, and she

630
00:31:03,080 --> 00:31:05,160
Speaker 1: got this car, and he got he got this jury

631
00:31:05,280 --> 00:31:07,800
Speaker 1: and everybody, everybody, everybody look at it.

632
00:31:07,960 --> 00:31:12,120
Speaker 2: Everybody be about talent to my unk shallow, I am yeah,

633
00:31:12,720 --> 00:31:13,760
Speaker 2: I like the kiddy pool.

634
00:31:13,800 --> 00:31:16,440
Speaker 3: I'm shadow like that. Yeah, I like what I like.

635
00:31:17,160 --> 00:31:21,719
Speaker 1: Yeah, it's it's a Hey, listen, it's a it's it's

636
00:31:21,960 --> 00:31:23,760
Speaker 1: it's it's gonna be a rude awakening for a lot

637
00:31:23,840 --> 00:31:24,200
Speaker 1: of food.

638
00:31:24,280 --> 00:31:26,360
Speaker 3: Man, stack like all you could eat paying cakes in

639
00:31:26,440 --> 00:31:26,760
Speaker 3: our heart.

640
00:31:26,760 --> 00:31:27,160
Speaker 1: I want them.

641
00:31:27,200 --> 00:31:29,280
Speaker 3: Sta you know what I'm saying, O Joe, you don't

642
00:31:29,280 --> 00:31:35,720
Speaker 3: talk about how you Yeah, I know exactly something. I'm listen.

643
00:31:35,760 --> 00:31:36,800
Speaker 3: I'm with you when you're right now.

644
00:31:36,800 --> 00:31:38,320
Speaker 1: I gotta be careful what I say, because I got

645
00:31:38,520 --> 00:31:39,360
Speaker 1: is not too far from I.

646
00:31:39,640 --> 00:31:42,840
Speaker 3: Know, you know about you know what I'm saying. Yeah, baby,

647
00:31:44,440 --> 00:31:47,000
Speaker 3: Oh no, we're good. She sleep. You know what I'm saying.

648
00:31:48,480 --> 00:31:51,160
Speaker 3: Oh yeah, you know what I'm saying. Everybody will perfect.

649
00:31:51,160 --> 00:31:51,320
Speaker 2: You know.

650
00:31:51,440 --> 00:31:54,360
Speaker 3: I take a little dimpling, I take a little legs.

651
00:31:55,080 --> 00:31:55,880
Speaker 2: Yeah, yeah, I.

652
00:31:58,840 --> 00:32:05,280
Speaker 1: Stretch marks were listen the tiger stripes stripes you know what?

653
00:32:05,440 --> 00:32:11,200
Speaker 2: Yeah, you said, you said stretch marks. I ain't say

654
00:32:11,800 --> 00:32:13,080
Speaker 2: don't give it, no please now.

655
00:32:14,960 --> 00:32:15,240
Speaker 3: The ones.

656
00:32:16,480 --> 00:32:19,600
Speaker 1: It lets me know you're growing a little bit right

657
00:32:19,800 --> 00:32:22,040
Speaker 1: hold on, hold on, I'm gonna take you back.

658
00:32:22,120 --> 00:32:25,720
Speaker 3: Man, I make sure i'm talking. You like the food.

659
00:32:25,840 --> 00:32:27,120
Speaker 1: I like the food for you like the foop for

660
00:32:27,720 --> 00:32:29,240
Speaker 1: like the you like the fool.

661
00:32:29,560 --> 00:32:32,560
Speaker 3: Hold if I like the food, because like when you spoon, I.

662
00:32:32,680 --> 00:32:33,400
Speaker 1: Like to grab the food.

663
00:32:34,000 --> 00:32:35,240
Speaker 3: You don't like to grab the foop.

664
00:32:35,040 --> 00:32:38,080
Speaker 2: For man, Look if I press it down, as long

665
00:32:38,120 --> 00:32:39,880
Speaker 2: as you don't pop right back up, I'm good.

666
00:32:40,120 --> 00:32:43,440
Speaker 3: You know what I'm saying. There you go, I like

667
00:32:43,520 --> 00:32:47,440
Speaker 3: I like that name you all you all week? She

668
00:32:47,560 --> 00:32:53,120
Speaker 3: can't hear me. You always said, yeah, you ain't a lady.

669
00:32:54,360 --> 00:32:58,040
Speaker 2: The county boy, in all the county boy in twenty

670
00:32:58,280 --> 00:33:00,960
Speaker 2: I had a plenty You know that, do you not

671
00:33:02,280 --> 00:33:04,360
Speaker 2: that between me and you and the chat chat don't talk,

672
00:33:04,400 --> 00:33:06,480
Speaker 2: don't take it, no chat, don't you take it?

673
00:33:06,560 --> 00:33:12,840
Speaker 1: No pup yep us right there down, Oh boy, listen, man,

674
00:33:13,480 --> 00:33:18,360
Speaker 1: I got this from here, A love project of mine. Yeah,

675
00:33:19,080 --> 00:33:21,600
Speaker 1: helping a baby gain a little bit more weight. So

676
00:33:21,800 --> 00:33:25,600
Speaker 1: right now, I got it about one sixty. Yeah, I

677
00:33:25,680 --> 00:33:27,480
Speaker 1: got about the one sixty. I got it in the gym,

678
00:33:27,520 --> 00:33:31,000
Speaker 1: I got on the routine, got it all meal preps, everything.

679
00:33:31,520 --> 00:33:34,000
Speaker 1: I'm gonna get it about one eighty before April.

680
00:33:35,120 --> 00:33:37,040
Speaker 2: Yeah, man, I like what I'm saying right now, Oh Joe,

681
00:33:37,040 --> 00:33:39,480
Speaker 2: you know what I'm saying. Oh man, she got them

682
00:33:39,520 --> 00:33:42,320
Speaker 2: stretching mouths. Ain't bothered me. That ain't nothing I rubbed.

683
00:33:42,360 --> 00:33:44,840
Speaker 2: I'mould rub Coco butter on the come on baby, I

684
00:33:46,120 --> 00:33:47,320
Speaker 2: got Coco butter and everything.

685
00:33:48,360 --> 00:33:49,000
Speaker 3: I like all that.

686
00:33:50,240 --> 00:33:53,640
Speaker 1: I got all that for a boat joke, everything Coco Bottom.

687
00:33:53,840 --> 00:33:57,920
Speaker 1: Yeah for sure, ain't nothing wrong with that.

688
00:33:58,680 --> 00:33:58,840
Speaker 3: Yeah.

689
00:33:59,360 --> 00:34:03,040
Speaker 1: A lot a lot of fellas are looking for perfection with.

690
00:34:04,360 --> 00:34:06,040
Speaker 2: Hey, man, you know what I'm saying. I had one

691
00:34:06,120 --> 00:34:08,440
Speaker 2: old Joe look like a bag of oatmeal web oatmeal.

692
00:34:08,480 --> 00:34:13,080
Speaker 2: That was like that right there, like that. I like that.

693
00:34:13,520 --> 00:34:13,960
Speaker 2: I like that.

694
00:34:15,040 --> 00:34:15,960
Speaker 1: I ain't nothing.

695
00:34:17,280 --> 00:34:18,960
Speaker 3: Motherhood about ball, you crazy?

696
00:34:20,480 --> 00:34:23,399
Speaker 1: Yeah, yeah, ain't nothing wrong with want.

697
00:34:23,520 --> 00:34:33,840
Speaker 2: Bullet ball, bullet ball, but the bullets Instagram, Instagram in

698
00:34:33,920 --> 00:34:38,080
Speaker 2: the pool, y'all. Then all them filters, all them filters,

699
00:34:38,080 --> 00:34:41,240
Speaker 2: and y'all are thinking, oh, man, look at that, man, please.

700
00:34:41,800 --> 00:34:43,960
Speaker 1: A lot of a lot of women are ashamed of

701
00:34:44,040 --> 00:34:46,239
Speaker 1: the stretch marks. A lot of women are ashamed of

702
00:34:46,760 --> 00:34:49,000
Speaker 1: what happens after having a child. There are some of

703
00:34:49,120 --> 00:34:53,360
Speaker 1: us men out here that love, that love the stretch marks,

704
00:34:53,440 --> 00:34:57,920
Speaker 1: that love all the little nuances of motherhood. God is

705
00:34:57,960 --> 00:34:59,080
Speaker 1: blessed you with some of us.

706
00:34:59,239 --> 00:35:01,000
Speaker 3: Some of us don't. Yeah, yeah, I don't care know

707
00:35:01,040 --> 00:35:01,360
Speaker 3: about that.

708
00:35:01,719 --> 00:35:05,800
Speaker 2: I had to college Joe to put that spoon in

709
00:35:05,880 --> 00:35:07,520
Speaker 2: the winter, to hold it up. That have put the

710
00:35:07,560 --> 00:35:11,120
Speaker 2: spoon up the stomach to hold it up. Yeah yeah, boy,

711
00:35:11,840 --> 00:35:15,280
Speaker 2: damn you listen. But that was before schemes. That before

712
00:35:15,520 --> 00:35:17,000
Speaker 2: they had no panty or they put the paint the

713
00:35:17,040 --> 00:35:19,759
Speaker 2: whole way up there. Man, they took them playing the

714
00:35:19,800 --> 00:35:22,040
Speaker 2: whole down and everything. Man, I couldn't lost.

715
00:35:22,800 --> 00:35:27,520
Speaker 1: We're here now, listen it ain't nothing like Listen, I'm

716
00:35:27,560 --> 00:35:32,000
Speaker 1: talking about the past now. Yeah, it ain't nothing like

717
00:35:32,040 --> 00:35:32,560
Speaker 1: a B. B. W.

718
00:35:32,719 --> 00:35:39,200
Speaker 3: Wright. Bo boy, you know what, God forgive me. Yeah,

719
00:35:39,400 --> 00:35:42,160
Speaker 3: I don't like that no more. Now told you graduated,

720
00:35:42,200 --> 00:35:42,320
Speaker 3: you know.

721
00:35:42,480 --> 00:35:46,799
Speaker 1: But yeah, yeah, had kick him a white flag. Now,

722
00:35:46,960 --> 00:35:49,840
Speaker 1: I don't jersey Jersey hanging in the rafters.

723
00:35:50,360 --> 00:35:53,320
Speaker 3: Yeah, Joe, let me get me, let me waive a flag.

724
00:35:53,880 --> 00:35:57,520
Speaker 3: I don't want no problems. I don't want no problems,

725
00:36:00,960 --> 00:36:01,399
Speaker 3: your boy.

726
00:36:03,480 --> 00:36:07,080
Speaker 2: Yeah, man, yeah, man, Yeah, I ain't not wrong with that. Yeah,

727
00:36:07,239 --> 00:36:09,799
Speaker 2: they be looking at they be looking at perfection. But hey,

728
00:36:10,200 --> 00:36:11,839
Speaker 2: a little tiger strike, you know what I'm saying.

729
00:36:12,840 --> 00:36:16,200
Speaker 3: No, that is about what about to light this strike?

730
00:36:16,239 --> 00:36:19,879
Speaker 3: You look up at the strip and that lighted all

731
00:36:19,920 --> 00:36:20,440
Speaker 3: over the place.

732
00:36:20,719 --> 00:36:29,200
Speaker 1: Yeah, there's a certain appreciation that men don't have flat

733
00:36:29,280 --> 00:36:33,320
Speaker 1: because now all the technology and enhancements, the procedures that

734
00:36:33,520 --> 00:36:37,440
Speaker 1: so many are getting, like yeah, the the art of

735
00:36:38,000 --> 00:36:41,680
Speaker 1: the organic, authentic, strict smarts, and and and some of

736
00:36:41,760 --> 00:36:45,200
Speaker 1: the things that I am accustomed to loving, well, used

737
00:36:45,239 --> 00:36:47,680
Speaker 1: to be accustomed to love, because now it's a little different.

738
00:36:48,760 --> 00:36:49,360
Speaker 3: It's gone.

739
00:36:49,880 --> 00:36:57,600
Speaker 2: It's huh Jordan, because about bad Yeah, baby, crack it up.

740
00:36:57,680 --> 00:37:05,200
Speaker 1: Bad long, long time ago, long time ago. Yeah, man,

741
00:37:05,400 --> 00:37:07,839
Speaker 1: long time ago. I'm trying to I'm trying to keep

742
00:37:07,840 --> 00:37:09,359
Speaker 1: it cute now, trying to keep you cute. I don't

743
00:37:09,360 --> 00:37:10,360
Speaker 1: want no problems tomorrow.

744
00:37:10,560 --> 00:37:13,040
Speaker 3: Then check this out. O joe.

745
00:37:13,320 --> 00:37:17,840
Speaker 2: A kilt wearing shoplifter stuck antiques up his butt and

746
00:37:17,960 --> 00:37:20,960
Speaker 2: put them back on the shelves at an antique gallery

747
00:37:21,360 --> 00:37:21,880
Speaker 2: and spring.

748
00:37:22,280 --> 00:37:24,480
Speaker 3: I don't know where that is. It's Texas.

749
00:37:24,840 --> 00:37:28,239
Speaker 2: A man was filmed concealing items and a man who

750
00:37:28,280 --> 00:37:31,799
Speaker 2: described as police in his rectum before placing them back

751
00:37:31,840 --> 00:37:35,200
Speaker 2: on the shelves. Reportedly, the items involved an incident of

752
00:37:35,320 --> 00:37:40,200
Speaker 2: a makeup rush, an antique bottle opener, damn okay, a

753
00:37:40,280 --> 00:37:44,560
Speaker 2: piece from a restoration hardware store, hardware, and tobacco ten can.

754
00:37:46,080 --> 00:37:49,920
Speaker 2: Another store experienced similar incident with the same guy. The

755
00:37:50,000 --> 00:37:53,680
Speaker 2: effective merchandise was either thrown away or thoroughly clean following

756
00:37:53,680 --> 00:37:56,800
Speaker 2: an incident. Oh Joe, that's why I'm by done it.

757
00:37:57,040 --> 00:37:59,400
Speaker 2: I always reached to the back. I never get the

758
00:37:59,680 --> 00:38:02,600
Speaker 2: first ain't down. I go way to the back and

759
00:38:02,719 --> 00:38:03,239
Speaker 2: pull it out.

760
00:38:03,840 --> 00:38:07,160
Speaker 3: Help me understand what's the point. What what are we doing?

761
00:38:08,280 --> 00:38:08,799
Speaker 3: What are we doing?

762
00:38:08,840 --> 00:38:11,879
Speaker 1: What are we trying to accomplish by this. For one,

763
00:38:12,360 --> 00:38:14,400
Speaker 1: this is an antique store. So I would never be

764
00:38:14,480 --> 00:38:17,279
Speaker 1: an antique store anyway buying anything that is antique because

765
00:38:17,280 --> 00:38:20,000
Speaker 1: it sounds like it's expensive. If it's antique, that means

766
00:38:20,040 --> 00:38:22,600
Speaker 1: the price tag completely out of my range.

767
00:38:24,280 --> 00:38:26,880
Speaker 2: Sometimes they just have stuff that's not available anymore, that

768
00:38:26,960 --> 00:38:32,480
Speaker 2: doesn't make it anymore, and sometimes people just want yeah, antique.

769
00:38:32,880 --> 00:38:36,040
Speaker 2: We see people call them a state sales. When I

770
00:38:36,160 --> 00:38:38,480
Speaker 2: was growing up, we call them rummy sales because you

771
00:38:38,520 --> 00:38:40,239
Speaker 2: puss stuff out in the yard that people just come

772
00:38:40,360 --> 00:38:42,480
Speaker 2: rumming through it. So that's what we call we call

773
00:38:42,520 --> 00:38:45,319
Speaker 2: them rummy sales. Now they call them state sales where

774
00:38:45,320 --> 00:38:48,080
Speaker 2: people come still the same thing. It's something that they have, yeah, yeah,

775
00:38:48,200 --> 00:38:50,719
Speaker 2: laughing because they know exactly what they know exactly what

776
00:38:50,800 --> 00:38:51,399
Speaker 2: I'm talking about.

777
00:38:51,680 --> 00:38:53,040
Speaker 3: But yeah, that's what it was on Joe.

778
00:38:53,080 --> 00:38:56,560
Speaker 2: But now obviously people like people that have really really

779
00:38:56,719 --> 00:38:58,839
Speaker 2: high end value, you know, they'll put them up, they're

780
00:38:58,840 --> 00:39:00,640
Speaker 2: put them, take them to a concert. I am a shot,

781
00:39:01,560 --> 00:39:03,440
Speaker 2: you know, and they sell them on consignment where you know,

782
00:39:03,640 --> 00:39:05,799
Speaker 2: the store sells it. It's gonna get X and they're

783
00:39:05,800 --> 00:39:12,239
Speaker 2: gonna give you X. But man, people, man, people, I

784
00:39:12,280 --> 00:39:17,759
Speaker 2: ain't realize, Oh Joe you yes, you took work out

785
00:39:17,920 --> 00:39:22,040
Speaker 2: my mind, like no.

786
00:39:22,280 --> 00:39:24,320
Speaker 3: End goal, just out here just doing stuff.

787
00:39:24,560 --> 00:39:24,960
Speaker 2: Was it was it?

788
00:39:25,320 --> 00:39:28,719
Speaker 1: I guarantee you. I bet it was content purposes. I

789
00:39:28,800 --> 00:39:33,560
Speaker 1: bet it was for some content. I guarantee he doing

790
00:39:33,640 --> 00:39:35,720
Speaker 1: that craziness for some goddamn content.

791
00:39:36,000 --> 00:39:37,480
Speaker 2: I mean, why do you why do you stick a

792
00:39:37,520 --> 00:39:41,840
Speaker 2: bottle open up his bookie? You know I should have

793
00:39:41,920 --> 00:39:43,480
Speaker 2: got to bout. Sure you can buy a bottle open it.

794
00:39:43,560 --> 00:39:45,319
Speaker 2: I mean you can find one of those. I'm come on, bro,

795
00:39:46,040 --> 00:39:47,800
Speaker 2: I mean he trying to be like, that's incredible. He

796
00:39:47,840 --> 00:39:49,560
Speaker 2: can open a bottle cap with the booty.

797
00:39:50,800 --> 00:39:51,880
Speaker 3: Right, listen.

798
00:39:52,440 --> 00:39:55,480
Speaker 1: I guarantee whoever was doing this trying to create some content,

799
00:39:55,680 --> 00:39:58,600
Speaker 1: trying to go viral, trying to get some engagement. You

800
00:39:58,719 --> 00:40:00,640
Speaker 1: get paid for it for minus. And I didn't even

801
00:40:00,640 --> 00:40:02,560
Speaker 1: know you get paid for TikTok ain't. Nobody told me

802
00:40:02,600 --> 00:40:04,960
Speaker 1: about that for sure. So I guarantee you he was trying.

803
00:40:05,920 --> 00:40:07,279
Speaker 2: Why do you think they'd be doing this all the

804
00:40:07,480 --> 00:40:10,080
Speaker 2: Remember I told you all these Franks and there people

805
00:40:10,200 --> 00:40:12,040
Speaker 2: be playing and I'll tell you everybody, don't play like

806
00:40:12,080 --> 00:40:12,960
Speaker 2: you play like that?

807
00:40:13,120 --> 00:40:15,839
Speaker 3: Yeah, you throwing you are.

808
00:40:15,520 --> 00:40:17,120
Speaker 2: And you're throwing stuff over the top of it other

809
00:40:17,200 --> 00:40:19,600
Speaker 2: and you look it up. Man, y'all better stop playing

810
00:40:19,640 --> 00:40:22,120
Speaker 2: with people. You all at the gas station and a man,

811
00:40:22,239 --> 00:40:23,000
Speaker 2: stop playing.

812
00:40:23,280 --> 00:40:26,360
Speaker 1: But again, the much you know, what's funny is the

813
00:40:26,480 --> 00:40:29,920
Speaker 1: fact that people are creating stories that aren't organic, that

814
00:40:30,040 --> 00:40:33,200
Speaker 1: aren't true, just for engagement, just to get paid.

815
00:40:33,600 --> 00:40:35,799
Speaker 3: Yeah, that's why I don't know. Half the time.

816
00:40:35,840 --> 00:40:38,799
Speaker 1: I don't think nothing is ever real because it's all

817
00:40:38,920 --> 00:40:42,120
Speaker 1: made up. Everybody got a story, Everybody got some type

818
00:40:42,160 --> 00:40:44,400
Speaker 1: of something that's happening while I'm on this date. She

819
00:40:44,480 --> 00:40:46,279
Speaker 1: didn't want to pay half with me, or I went

820
00:40:46,360 --> 00:40:48,759
Speaker 1: out with eight girls, and everybody want to spit the bill.

821
00:40:49,520 --> 00:40:52,840
Speaker 1: Everything is fabricated. Everything is fabricated because they trying to

822
00:40:52,960 --> 00:40:54,080
Speaker 1: get a goddamn check.

823
00:40:55,040 --> 00:40:58,720
Speaker 2: I ain't, but I'm saying, okay, you want to fabricate stuff,

824
00:40:59,320 --> 00:41:02,560
Speaker 2: but don't bring people into your fabrication right now. If

825
00:41:02,600 --> 00:41:05,840
Speaker 2: you got your girlfriends and the guy like, oh, okay,

826
00:41:05,920 --> 00:41:08,000
Speaker 2: say you showed up with a girls and you're trying

827
00:41:08,040 --> 00:41:10,279
Speaker 2: to get me to pay, that's one thing. But you're

828
00:41:10,280 --> 00:41:13,040
Speaker 2: playing these pranks and you pour water on me and

829
00:41:13,200 --> 00:41:15,640
Speaker 2: you hell nah, you trying to steal my car.

830
00:41:15,719 --> 00:41:17,799
Speaker 3: I don't. I don't play like that, right right, right,

831
00:41:17,920 --> 00:41:21,960
Speaker 3: right right right? Yeah, no, no, don't don't play with it.

832
00:41:22,239 --> 00:41:24,920
Speaker 2: But I try to figure out what hold? No, you

833
00:41:25,000 --> 00:41:26,960
Speaker 2: got to throw all that away? But see, o Joe,

834
00:41:27,080 --> 00:41:29,279
Speaker 2: that's why I don't buy the first thing. Like they

835
00:41:29,360 --> 00:41:31,600
Speaker 2: got a line of stuff. I always reached to the back.

836
00:41:33,440 --> 00:41:35,480
Speaker 2: If it's the last one, I thought you were going

837
00:41:35,520 --> 00:41:36,880
Speaker 2: to start, say, nah, they would have but one.

838
00:41:36,920 --> 00:41:39,799
Speaker 3: Why did you get it? Hell nah? It was left

839
00:41:39,960 --> 00:41:41,480
Speaker 3: for it was left there for a reason.

840
00:41:42,280 --> 00:41:45,279
Speaker 2: The doll you when you're going on, when you're growing up,

841
00:41:45,320 --> 00:41:47,920
Speaker 2: you go try and close the last pair of jeans. Man,

842
00:41:47,960 --> 00:41:49,560
Speaker 2: you know how me to have some balls done been

843
00:41:49,600 --> 00:41:50,960
Speaker 2: to those jeans? I ain't feel to get them to

844
00:41:51,000 --> 00:42:01,239
Speaker 2: well hell tha, hell man, I don't know.

845
00:42:01,400 --> 00:42:04,920
Speaker 3: He no, Hey, that's a good one. That's a good one.

846
00:42:05,320 --> 00:42:08,200
Speaker 3: Hell no, I never thought about it like that. Man,

847
00:42:08,320 --> 00:42:09,799
Speaker 3: you know the last fair gens. Do you know how

848
00:42:09,840 --> 00:42:12,600
Speaker 3: many people that I've been in them jeans. That's the

849
00:42:12,640 --> 00:42:13,040
Speaker 3: same thing.

850
00:42:13,120 --> 00:42:14,360
Speaker 1: When you go to foot lock or you go to

851
00:42:14,400 --> 00:42:16,960
Speaker 1: any shoe store and you try and shoes, you know

852
00:42:17,160 --> 00:42:21,279
Speaker 1: how many people tried on your side? You know, you

853
00:42:21,680 --> 00:42:23,200
Speaker 1: get a little footy. You don't never get a little

854
00:42:23,200 --> 00:42:24,520
Speaker 1: footy sock when you go trying shoes.

855
00:42:24,560 --> 00:42:26,839
Speaker 3: Oh yeah, yeah, for sure. Yeah, okay, okay, okay, okay.

856
00:42:27,560 --> 00:42:30,319
Speaker 3: I have my own I have I have my own socks. Man,

857
00:42:30,400 --> 00:42:31,759
Speaker 3: You know how many damn feet them been in them

858
00:42:31,960 --> 00:42:32,719
Speaker 3: little footy socks.

859
00:42:33,000 --> 00:42:34,759
Speaker 1: Hey, this is another thing think about when we go

860
00:42:34,760 --> 00:42:36,799
Speaker 1: to hotels, you know, and if you done had had

861
00:42:36,840 --> 00:42:39,319
Speaker 1: them washhorts and had the towels, I.

862
00:42:39,360 --> 00:42:41,640
Speaker 2: Could hold on. I can't remember last time. I ain't

863
00:42:41,640 --> 00:42:44,120
Speaker 2: even tried on a pair of shoes. As a matter

864
00:42:44,120 --> 00:42:46,040
Speaker 2: of fact, I can't remember last time. I can't remember

865
00:42:46,120 --> 00:42:48,360
Speaker 2: last time I tried on something in the store.

866
00:42:50,080 --> 00:42:52,600
Speaker 3: Damn, you don't go. You don't go shopping, Shelley ordered.

867
00:42:53,080 --> 00:42:54,600
Speaker 3: They send it to the house. I like it, I

868
00:42:54,760 --> 00:42:57,759
Speaker 3: keep it. If not, I send it back. I ain't dry.

869
00:42:58,200 --> 00:43:00,839
Speaker 3: I can't remember the last time. I can't remember last time.

870
00:43:00,880 --> 00:43:03,120
Speaker 2: I think it's probably been It's probably been about seven

871
00:43:03,160 --> 00:43:04,759
Speaker 2: eight years I've been to the store traveling a pair

872
00:43:04,800 --> 00:43:05,200
Speaker 2: of shoes.

873
00:43:05,800 --> 00:43:08,320
Speaker 3: God, damn, going nowhere.

874
00:43:09,560 --> 00:43:11,560
Speaker 1: Ship Listen, I'm gonna I'm gonna hit H and M.

875
00:43:11,640 --> 00:43:14,640
Speaker 1: I'm gonna hit Zorum, I'm gonna hit Urban Outfitters. I'm

876
00:43:14,640 --> 00:43:15,839
Speaker 1: gonna hit express men.

877
00:43:17,000 --> 00:43:17,279
Speaker 3: I could.

878
00:43:17,320 --> 00:43:18,239
Speaker 1: I I gotta.

879
00:43:18,239 --> 00:43:19,120
Speaker 3: I gotta try stuff on.

880
00:43:19,320 --> 00:43:21,279
Speaker 1: If it don't, I can't. I can't have you send

881
00:43:21,360 --> 00:43:23,600
Speaker 1: me stuff without me trying it on, because if you

882
00:43:23,640 --> 00:43:25,200
Speaker 1: send it to me and it don't fit, now I

883
00:43:25,280 --> 00:43:27,720
Speaker 1: gotta send it back. I need to make sure everything

884
00:43:27,800 --> 00:43:29,799
Speaker 1: is in place so when it's time to.

885
00:43:29,800 --> 00:43:34,040
Speaker 2: Wear people uh uh uh that's I don't sit on

886
00:43:34,080 --> 00:43:36,040
Speaker 2: that comfort on the bed. I put that pull that

887
00:43:36,120 --> 00:43:36,600
Speaker 2: thing back.

888
00:43:36,719 --> 00:43:36,839
Speaker 3: Man.

889
00:43:36,880 --> 00:43:38,440
Speaker 2: People that did all kinds of things on top of

890
00:43:38,440 --> 00:43:41,200
Speaker 2: that comfort, they don't watch that comfort every day. They

891
00:43:41,400 --> 00:43:44,080
Speaker 2: wash them sheets every day, they wash them pillow cases

892
00:43:44,080 --> 00:43:49,640
Speaker 2: every day. That comfort housing. Hell no, I ain't sitting

893
00:43:49,640 --> 00:43:54,120
Speaker 2: on that comfort. Ain't when I was when I was

894
00:43:54,160 --> 00:43:56,279
Speaker 2: in college, you asked, you ask anybody you can. I

895
00:43:56,320 --> 00:43:57,560
Speaker 2: ain't let nobody sit on my bed.

896
00:43:58,040 --> 00:43:58,160
Speaker 3: Now.

897
00:43:58,239 --> 00:43:59,759
Speaker 2: You finna sit your ass on my bed. That's my

898
00:43:59,880 --> 00:44:01,640
Speaker 2: I'm the only way to go sit their ass on

899
00:44:01,760 --> 00:44:03,920
Speaker 2: my bed. You coming there, you sit on the chair,

900
00:44:04,080 --> 00:44:06,520
Speaker 2: you stand up. Ain't nobody fit on my hell no?

901
00:44:07,880 --> 00:44:12,719
Speaker 3: Oh shoot hell nah mm hmmm. Nah.

902
00:44:12,920 --> 00:44:15,239
Speaker 2: People talking about you ain't heard of the washing machine. Nope,

903
00:44:16,400 --> 00:44:18,799
Speaker 2: you can't watch when when twenty ass has done been

904
00:44:18,840 --> 00:44:22,799
Speaker 2: on a pair of jeans only mind, No, I ain't.

905
00:44:23,000 --> 00:44:25,040
Speaker 3: I don't get out like that. No, no, no, that

906
00:44:25,360 --> 00:44:25,880
Speaker 3: that ain't for me.

907
00:44:26,480 --> 00:44:29,560
Speaker 2: See now, Ash, Now this explains why we can't move

908
00:44:29,640 --> 00:44:32,560
Speaker 2: to Houston. I was thinking about going to Houston, Jordan.

909
00:44:32,920 --> 00:44:35,080
Speaker 2: Now they're putting stuff in direct them and putting it

910
00:44:35,120 --> 00:44:37,279
Speaker 2: back on the ship. Nah they might be doing that

911
00:44:37,440 --> 00:44:38,440
Speaker 2: was with soda.

912
00:44:39,160 --> 00:44:40,240
Speaker 3: You was in the mood of Houston.

913
00:44:40,880 --> 00:44:44,080
Speaker 2: Huh nah, they might He might be going up and

914
00:44:44,160 --> 00:44:45,960
Speaker 2: down the coach just putting stuff in his button put

915
00:44:46,040 --> 00:44:46,719
Speaker 2: it back on the ship.

916
00:44:49,800 --> 00:44:52,480
Speaker 3: You're in the mood of Houston. Yeah, I was thinking

917
00:44:52,480 --> 00:44:53,040
Speaker 3: about moving.

918
00:44:53,760 --> 00:44:56,160
Speaker 1: But ship, if you move to Houston, I'm coming to ship.

919
00:44:56,360 --> 00:44:58,840
Speaker 1: You come to Houston, ship boy, if you shit, if

920
00:44:58,880 --> 00:45:01,080
Speaker 1: you moving shit, I'm I'm coming to Houston too.

921
00:45:01,640 --> 00:45:02,560
Speaker 3: Uh nah.

922
00:45:03,640 --> 00:45:09,040
Speaker 1: Yeah, nowhere you get you, you ain't gonna be near me.

923
00:45:09,160 --> 00:45:10,920
Speaker 1: But if you moving there, I'm gonna move there too.

924
00:45:10,920 --> 00:45:12,839
Speaker 1: I ain't gonna move nowhere near you. I just want

925
00:45:12,880 --> 00:45:14,320
Speaker 1: to get me one of the big old houses.

926
00:45:14,400 --> 00:45:16,160
Speaker 3: They got them down there there on the cheap. I

927
00:45:16,200 --> 00:45:17,120
Speaker 3: want one to big because you.

928
00:45:17,120 --> 00:45:18,799
Speaker 1: Get a lot of bang for your buck, and all

929
00:45:18,840 --> 00:45:20,960
Speaker 1: I can about I want I want me some horses.

930
00:45:22,880 --> 00:45:24,120
Speaker 3: I want me some horses.

931
00:45:24,280 --> 00:45:24,560
Speaker 5: That's it.

932
00:45:24,800 --> 00:45:29,960
Speaker 3: No, ain't got no tattoos in Houston.

933
00:45:30,040 --> 00:45:33,400
Speaker 1: Boy, Yeah, baby, were moving to Houston.

934
00:45:33,680 --> 00:45:35,959
Speaker 3: We gotta go. Man, you already in a those tax state.

935
00:45:37,440 --> 00:45:37,600
Speaker 3: I know.

936
00:45:37,800 --> 00:45:39,640
Speaker 1: I know I'm gonna get a place out there too though.

937
00:45:41,239 --> 00:45:42,879
Speaker 3: Yeah. So then we can do the show. We can

938
00:45:42,920 --> 00:45:44,480
Speaker 3: do the show. Like I could come to your house

939
00:45:44,520 --> 00:45:47,279
Speaker 3: and we can do the show. Yeah. So we ain't

940
00:45:47,280 --> 00:45:47,480
Speaker 3: got it.

941
00:45:47,760 --> 00:45:49,360
Speaker 1: Like we could be right there and have a camera

942
00:45:49,680 --> 00:45:52,080
Speaker 1: and we'd be like sitting next to each other and we'd.

943
00:45:51,920 --> 00:45:55,520
Speaker 3: Be like, hey, right, what you know? Yeah, somebody in

944
00:45:55,680 --> 00:45:59,800
Speaker 3: Houston trouble. Yeah they Houston trouble. You damn your trouble?

945
00:46:00,239 --> 00:46:02,359
Speaker 1: High is Houston trouble. I've been in Miami all my life.

946
00:46:02,480 --> 00:46:04,120
Speaker 1: Ain't had no issues Miami.

947
00:46:04,160 --> 00:46:04,480
Speaker 3: Houston.

948
00:46:04,600 --> 00:46:06,640
Speaker 2: Don't want I don't want no problem with Joe. I

949
00:46:06,719 --> 00:46:08,640
Speaker 2: think I might just down here. I might have to say, Hey,

950
00:46:08,880 --> 00:46:12,640
Speaker 2: as a matter of fact, I'm moving to Kansas. I'm

951
00:46:12,680 --> 00:46:13,400
Speaker 2: moving to Kansas.

952
00:46:13,920 --> 00:46:21,799
Speaker 3: What that's that exactly? Talking about talking about what Andy.

953
00:46:21,880 --> 00:46:23,080
Speaker 3: They say it's cheap in Kansas.

954
00:46:25,280 --> 00:46:27,160
Speaker 2: They said we get thirty eggers in a ten thousand

955
00:46:27,200 --> 00:46:28,880
Speaker 2: qup fort home for forty two dollars.

956
00:46:38,800 --> 00:46:41,279
Speaker 3: Oh, hey, is not. And our last segment of the day.

957
00:46:41,400 --> 00:46:42,800
Speaker 2: Is Q and A.

958
00:46:44,360 --> 00:46:53,840
Speaker 3: Let's take a look cooking with KP.

959
00:46:54,280 --> 00:46:57,160
Speaker 2: Candy said, Oh, has anyone use your kangyak and a

960
00:46:57,200 --> 00:47:00,520
Speaker 2: cooking recipe? I'm going to order a bar and try

961
00:47:00,600 --> 00:47:03,239
Speaker 2: some recipe. You'll be surprised with what I come up with.

962
00:47:03,600 --> 00:47:11,080
Speaker 2: Chef Fred, I'm trying to think. I don't know if

963
00:47:11,120 --> 00:47:13,960
Speaker 2: it was in a cookie recipe or they did they

964
00:47:14,040 --> 00:47:16,319
Speaker 2: did I think they did drinks. I think they did

965
00:47:16,480 --> 00:47:21,400
Speaker 2: like uh drinks, So I'm not sure. But we we

966
00:47:21,600 --> 00:47:25,960
Speaker 2: paired it with a brothera. We we paired it with a.

967
00:47:28,360 --> 00:47:33,360
Speaker 3: What's the what's some pasta? What was that? What was

968
00:47:33,440 --> 00:47:37,319
Speaker 3: that pasta? That they had a brother that we ling? Greenie? Nah,

969
00:47:37,400 --> 00:47:41,080
Speaker 3: I don't think it was that. It was, uh the

970
00:47:41,160 --> 00:47:47,080
Speaker 3: ones about chicken jerk chicken pasta? Hey, raggaetoni. I think

971
00:47:47,120 --> 00:47:50,759
Speaker 3: that's what it might have been. What it was RAGGATONI Yeah,

972
00:47:50,880 --> 00:47:52,840
Speaker 3: I think that's what it was. But you know what,

973
00:47:53,760 --> 00:47:56,120
Speaker 3: Chef Fred, hook it up and let me know.

974
00:47:58,160 --> 00:48:01,839
Speaker 2: Nicole Ziggler said, Unco's son's twenty first birthday, please give

975
00:48:01,920 --> 00:48:05,760
Speaker 2: him a special twenty twenty first birthday shout out Cameron Ziegler.

976
00:48:06,160 --> 00:48:09,359
Speaker 2: He goes to South Carolina State University. Okay, we're both

977
00:48:09,480 --> 00:48:11,520
Speaker 2: huge fans. Much love Cameron.

978
00:48:12,360 --> 00:48:15,800
Speaker 3: Happy birthday, Cam, Happy birthday, Bro, Happy twenty first birthday,

979
00:48:16,160 --> 00:48:18,480
Speaker 3: Happy twenty first. Give it up, Live it up. You

980
00:48:18,560 --> 00:48:20,560
Speaker 3: are now an official adult.

981
00:48:21,160 --> 00:48:23,800
Speaker 1: You know how to do to night Cam. Let me know,

982
00:48:23,920 --> 00:48:25,800
Speaker 1: I got some down here. Don't speak no English for

983
00:48:25,880 --> 00:48:26,320
Speaker 1: your wife.

984
00:48:26,600 --> 00:48:27,280
Speaker 3: Do something.

985
00:48:31,760 --> 00:48:37,319
Speaker 2: To you, Brady Putt, Hey, Ojo, Are you guys gonna

986
00:48:37,360 --> 00:48:40,560
Speaker 2: sell merch with Nightcap logo? Because I want one. We

987
00:48:40,719 --> 00:48:43,440
Speaker 2: absolutely are. We're working on that. It's gonna be up.

988
00:48:43,719 --> 00:48:47,319
Speaker 2: We're probably we're probably about six weeks two months away

989
00:48:47,360 --> 00:48:48,840
Speaker 2: from that, but it's definitely coming.

990
00:48:49,760 --> 00:48:51,360
Speaker 3: Speaking of merch, you know what I need to do?

991
00:48:51,480 --> 00:48:52,600
Speaker 3: What it would be? Dope?

992
00:48:53,280 --> 00:48:55,880
Speaker 1: You can have you can have your merch, right, but

993
00:48:56,080 --> 00:48:58,400
Speaker 1: the merch, let's say we have two separate lines, right,

994
00:48:58,520 --> 00:49:03,040
Speaker 1: think about it. Always wear soccer jerseys, right, Yeah, you

995
00:49:03,120 --> 00:49:05,960
Speaker 1: can have shirts, polo shirts, t shirts. But I can

996
00:49:06,040 --> 00:49:09,920
Speaker 1: have Nightcap merch, but in the form of soccer jerseys. Okay,

997
00:49:10,480 --> 00:49:12,640
Speaker 1: since like every you know, tell.

998
00:49:12,480 --> 00:49:16,640
Speaker 3: Me you know who this is? Ronaldo?

999
00:49:18,200 --> 00:49:21,719
Speaker 1: Yeah, not just any Ronaldo. This is the greatest Brazilian

1000
00:49:21,800 --> 00:49:24,399
Speaker 1: forward of all time. Some people may argue and say Pele,

1001
00:49:24,840 --> 00:49:28,880
Speaker 1: but this is the original, the original Kappa Jersey Ronaldo

1002
00:49:29,200 --> 00:49:30,960
Speaker 1: when he played it Barcelona.

1003
00:49:32,120 --> 00:49:32,920
Speaker 3: But I feel like.

1004
00:49:32,960 --> 00:49:35,759
Speaker 2: It's still still Man led the team to the World

1005
00:49:35,800 --> 00:49:40,400
Speaker 2: Cup at seventeen till somebody do that. Holler at you boy? Anyway,

1006
00:49:40,640 --> 00:49:43,400
Speaker 2: it's up cake, Mama. When your dog pats gas, what

1007
00:49:43,480 --> 00:49:45,160
Speaker 2: do you do? Uh?

1008
00:49:47,360 --> 00:49:48,879
Speaker 3: No, you're gonna put the dog out?

1009
00:49:49,280 --> 00:49:54,120
Speaker 2: No, he doesn't know better. Oh hell he don't know better.

1010
00:49:54,600 --> 00:49:58,640
Speaker 2: He does, Okay, it doesn't. I don't think that's asking

1011
00:49:58,719 --> 00:50:01,239
Speaker 2: him much. Okay, Babe, can by? Can I have a

1012
00:50:01,280 --> 00:50:02,080
Speaker 2: burken Sure?

1013
00:50:02,440 --> 00:50:04,000
Speaker 3: Baby? Can we go on a trip to Bolt?

1014
00:50:04,200 --> 00:50:04,439
Speaker 2: Sure?

1015
00:50:04,760 --> 00:50:07,280
Speaker 3: First class? Sure? Five thousand of our resort?

1016
00:50:07,480 --> 00:50:07,719
Speaker 2: Sure?

1017
00:50:08,320 --> 00:50:09,799
Speaker 3: Babe? Can I have this car? Sure?

1018
00:50:10,120 --> 00:50:12,439
Speaker 2: And all I ask you to do is not pass

1019
00:50:12,480 --> 00:50:16,880
Speaker 2: gas in my present? I guarantee you I can find

1020
00:50:17,600 --> 00:50:20,800
Speaker 2: I can find fifty women that wouldn't pass gas in

1021
00:50:20,880 --> 00:50:23,320
Speaker 2: my present for the lifestyle that I can provide in

1022
00:50:23,400 --> 00:50:24,239
Speaker 2: the way I treat them.

1023
00:50:24,320 --> 00:50:26,440
Speaker 3: What you think? Can talk your shit? What?

1024
00:50:27,160 --> 00:50:27,359
Speaker 1: Huh?

1025
00:50:27,719 --> 00:50:30,840
Speaker 2: Just just like Okay, I tell you what, babe, you

1026
00:50:30,840 --> 00:50:32,839
Speaker 2: can pass gas in front of me, But three nights

1027
00:50:32,840 --> 00:50:34,000
Speaker 2: a week I'm gonna go out there and do my

1028
00:50:34,080 --> 00:50:34,520
Speaker 2: own thing.

1029
00:50:35,400 --> 00:50:39,520
Speaker 3: Who come on, guy, huh?

1030
00:50:40,120 --> 00:50:44,560
Speaker 2: People like, oh listen, eating chewing food is natural, but

1031
00:50:44,640 --> 00:50:49,040
Speaker 2: you don't want people with their mouth opens smack it

1032
00:50:49,080 --> 00:50:51,319
Speaker 2: in your face. I don't think it's I don't think

1033
00:50:51,360 --> 00:50:53,719
Speaker 2: it's a large ass. I really don't. Maybe it's just me,

1034
00:50:54,080 --> 00:50:58,160
Speaker 2: but I'm okay. And if it's just look here, y'all

1035
00:50:58,239 --> 00:51:03,600
Speaker 2: make it seem like I'm desperate, I'm fine. Let him

1036
00:51:03,640 --> 00:51:04,880
Speaker 2: know I'm fine.

1037
00:51:05,880 --> 00:51:06,080
Speaker 3: Yeah.

1038
00:51:07,880 --> 00:51:13,320
Speaker 2: So, I don't think it's a large ass. I'm not

1039
00:51:13,480 --> 00:51:15,440
Speaker 2: asking you. You make it seem like I'm asking you

1040
00:51:15,560 --> 00:51:18,040
Speaker 2: to change who you are. I'm just asking you to

1041
00:51:18,080 --> 00:51:20,520
Speaker 2: go to the bathroom, just not doing it in front

1042
00:51:20,560 --> 00:51:22,320
Speaker 2: of me. I don't think it's a large ass, but

1043
00:51:22,480 --> 00:51:24,680
Speaker 2: you know what it is. What it is, and I

1044
00:51:24,800 --> 00:51:26,080
Speaker 2: guess what I'm on.

1045
00:51:26,280 --> 00:51:31,520
Speaker 3: I'm on. I'll find somebody, guarantee you.

1046
00:51:33,160 --> 00:51:35,640
Speaker 1: I've been trying to find somebody now for two years.

1047
00:51:35,719 --> 00:51:35,959
Speaker 3: Shit.

1048
00:51:36,640 --> 00:51:39,719
Speaker 2: Uh, Carlos sil said, ask buy some part robson leaving

1049
00:51:40,160 --> 00:51:43,000
Speaker 2: up Hotel Roule as see.

1050
00:51:42,800 --> 00:51:44,800
Speaker 3: I got a real good job. I like my job.

1051
00:51:46,680 --> 00:51:48,919
Speaker 2: As as a matter of fact, I love my job.

1052
00:51:50,120 --> 00:51:52,759
Speaker 2: Darick Julie says what's up, y'all? I turned twenty five

1053
00:51:52,840 --> 00:51:55,840
Speaker 2: on Friday. My parents gifted me with Shae by Laportier.

1054
00:51:56,120 --> 00:51:59,120
Speaker 2: Thank you, bro, I've been wanting to try for a while.

1055
00:51:59,200 --> 00:52:02,320
Speaker 2: Hopefully it comes to week, Jared Jr. I appreciate that,

1056
00:52:02,840 --> 00:52:05,080
Speaker 2: Mom and Dad, I really appreciate that from you.

1057
00:52:05,680 --> 00:52:05,919
Speaker 3: Derek.

1058
00:52:06,160 --> 00:52:07,879
Speaker 2: Get back to us to let me know what you think.

1059
00:52:08,160 --> 00:52:10,680
Speaker 2: We got the best station bsop on the market.

1060
00:52:11,360 --> 00:52:14,239
Speaker 3: I believe in it. I stand. I stand on that.

1061
00:52:14,719 --> 00:52:17,560
Speaker 2: So I want to thank you for chatting, for tuning

1062
00:52:17,640 --> 00:52:19,319
Speaker 2: in watching us, and I want to thank your parents

1063
00:52:19,360 --> 00:52:21,160
Speaker 2: for gifting you a bottle of Shape by la Portier.

1064
00:52:21,440 --> 00:52:23,520
Speaker 2: So hopefully it does come this week, and let me

1065
00:52:23,600 --> 00:52:26,319
Speaker 2: know what you think. Jesse said, I just ordered the bottle.

1066
00:52:26,360 --> 00:52:29,600
Speaker 2: I'm not gonna I'm not gonna get it till my wedding.

1067
00:52:30,239 --> 00:52:34,520
Speaker 2: That ish better be hit, Jesse, without lot to you.

1068
00:52:36,200 --> 00:52:36,879
Speaker 2: It's gonna hit.

1069
00:52:38,719 --> 00:52:42,960
Speaker 3: It's gonna hit because it hit me. Man.

1070
00:52:43,040 --> 00:52:45,640
Speaker 2: Look here, man, I was. We went to these three

1071
00:52:45,719 --> 00:52:48,520
Speaker 2: or four places on Sunday. Man, I ate me too,

1072
00:52:48,560 --> 00:52:49,200
Speaker 2: basket of bread?

1073
00:52:49,280 --> 00:52:49,440
Speaker 1: Man?

1074
00:52:49,480 --> 00:52:53,160
Speaker 2: I bet I had a drug fat too quick? I said, Man,

1075
00:52:53,239 --> 00:52:58,399
Speaker 2: could I can I get some bread? George here? Boss,

1076
00:52:58,600 --> 00:53:01,600
Speaker 2: let you go. You need have tell him bring you

1077
00:53:01,680 --> 00:53:03,400
Speaker 2: a basket because I need all this to bloor up.

1078
00:53:03,400 --> 00:53:07,560
Speaker 2: This is alcohol. I was mixing drinks. Man, they had

1079
00:53:07,600 --> 00:53:11,799
Speaker 2: your boy feeding some type of way. Anonymous angel. If

1080
00:53:11,840 --> 00:53:14,000
Speaker 2: she won't let you go to Poundtown without taking a

1081
00:53:14,040 --> 00:53:17,080
Speaker 2: quick trip past ankle bill over Toe City.

1082
00:53:18,560 --> 00:53:23,360
Speaker 3: Hold on, tell about wait word that again, anonymous angel.

1083
00:53:24,000 --> 00:53:27,439
Speaker 2: If she won't let you go to Poundtown without taking

1084
00:53:27,480 --> 00:53:31,320
Speaker 2: a quick quick trip past ankle bill Over to Toe City,

1085
00:53:31,840 --> 00:53:34,880
Speaker 2: would you stay course or take a through tour to

1086
00:53:35,040 --> 00:53:37,400
Speaker 2: Handsle hand Job Sylvania.

1087
00:53:39,920 --> 00:53:40,480
Speaker 3: I like the way.

1088
00:53:40,560 --> 00:53:43,720
Speaker 1: I like the way they worded that like rated ready

1089
00:53:43,840 --> 00:53:45,799
Speaker 1: g ready, g But I understand.

1090
00:53:45,480 --> 00:53:48,879
Speaker 3: What now that song there? The song says I touched

1091
00:53:48,960 --> 00:53:52,160
Speaker 3: myself when no one's around me. That ain't me, That

1092
00:53:52,280 --> 00:53:52,600
Speaker 3: ain't me.

1093
00:53:56,160 --> 00:53:59,160
Speaker 1: Wait, So that means you would have to have someone

1094
00:53:59,239 --> 00:54:05,279
Speaker 1: else to partake in that activity? Is But I thought

1095
00:54:05,320 --> 00:54:06,120
Speaker 1: I thought you were single?

1096
00:54:06,239 --> 00:54:12,560
Speaker 3: Huh Hollo, that ain't dad? Oh so you so why

1097
00:54:12,640 --> 00:54:15,360
Speaker 3: you ain't telling me you have somebody? Oh Joe? Hello,

1098
00:54:16,160 --> 00:54:17,040
Speaker 3: what that got to do with it?

1099
00:54:17,120 --> 00:54:17,160
Speaker 2: So?

1100
00:54:17,480 --> 00:54:19,640
Speaker 3: Only only people that's in the relationship can have sex?

1101
00:54:19,680 --> 00:54:21,640
Speaker 1: So ain't nobody? So ain't no single people like they

1102
00:54:21,640 --> 00:54:24,279
Speaker 1: can have those six. Well, I thought you was like

1103
00:54:24,960 --> 00:54:27,800
Speaker 1: I thought you won. I thought you was waiting to

1104
00:54:27,840 --> 00:54:31,080
Speaker 1: find somebody first before you. So you just be giving

1105
00:54:31,080 --> 00:54:32,680
Speaker 1: your you be giving yourself away.

1106
00:54:33,760 --> 00:54:35,359
Speaker 3: I charged, but this I ain't giving it the way

1107
00:54:35,360 --> 00:54:40,000
Speaker 3: I charged. I was gonna say. I say, they gotta

1108
00:54:40,000 --> 00:54:42,320
Speaker 3: pay the play, I hope. So yeah, don't give it

1109
00:54:42,360 --> 00:54:42,839
Speaker 3: away free.

1110
00:54:44,360 --> 00:54:47,359
Speaker 2: You ain't nothing free but salvation, y'all. They know Joe

1111
00:54:47,440 --> 00:54:50,359
Speaker 2: love Stein, Creplo dollar. They charged for that, so ain't

1112
00:54:50,400 --> 00:54:55,319
Speaker 2: nothing free. Mh what you look at what you're doing?

1113
00:54:56,400 --> 00:54:58,120
Speaker 3: I don't know my mic man, Oh, there you go.

1114
00:54:59,160 --> 00:55:01,319
Speaker 3: It kept moving. Couldn't figure out why I kept moving.

1115
00:55:03,680 --> 00:55:07,560
Speaker 1: Hey, hey, huh look at my mic now look like

1116
00:55:07,640 --> 00:55:08,840
Speaker 1: that thing having them diamonds?

1117
00:55:14,200 --> 00:55:17,960
Speaker 2: Hey, Ryan said, take your what I need lists and

1118
00:55:18,080 --> 00:55:21,719
Speaker 2: throw them away. We're too busy with those lists. There's

1119
00:55:21,760 --> 00:55:26,120
Speaker 2: so much, there is so much we miss. Just wait

1120
00:55:26,239 --> 00:55:29,040
Speaker 2: to the right persons show and you and just let

1121
00:55:29,120 --> 00:55:34,879
Speaker 2: you live without bro. Ryan, I'm fifty five, right, that's

1122
00:55:34,960 --> 00:55:39,200
Speaker 2: not gonna happen. Okay, y'all cool with that, y'all. Woman

1123
00:55:39,320 --> 00:55:42,640
Speaker 2: passing gas, y'all having a contest. Who's gonna smell the worst?

1124
00:55:42,960 --> 00:55:49,120
Speaker 3: That's cool. That's not me I don't force my beliefs

1125
00:55:49,239 --> 00:55:49,960
Speaker 3: on no one.

1126
00:55:50,400 --> 00:55:54,040
Speaker 2: You already know what the expectations are when when you

1127
00:55:54,320 --> 00:55:57,439
Speaker 2: deal with me, I'm go ain't no, man, I wonder

1128
00:55:57,440 --> 00:55:58,000
Speaker 2: if he liked this.

1129
00:55:58,160 --> 00:56:00,320
Speaker 3: I want to be like that. I'm gonna tell you

1130
00:56:00,440 --> 00:56:01,680
Speaker 3: what I like it. I don't like.

1131
00:56:02,800 --> 00:56:07,399
Speaker 2: If that's okay, I understand, I'm gonna acquire taste. I'm

1132
00:56:07,480 --> 00:56:10,320
Speaker 2: not with everybody that's okay.

1133
00:56:11,360 --> 00:56:13,480
Speaker 3: I don't know. I don't know why so hard for

1134
00:56:13,560 --> 00:56:16,840
Speaker 3: people to understand. I really don't.

1135
00:56:17,320 --> 00:56:18,960
Speaker 2: I really don't know, Joe, I don't want I don't

1136
00:56:19,040 --> 00:56:22,239
Speaker 2: understand why so hard for people to understand that's not

1137
00:56:22,440 --> 00:56:25,759
Speaker 2: gonna happen. I'm never, I'm not. I don't want to

1138
00:56:25,800 --> 00:56:30,000
Speaker 2: say never, but I'm I don't believe that I'm gonna

1139
00:56:30,040 --> 00:56:32,719
Speaker 2: meet somebody that I'm gonna be okay with that now.

1140
00:56:32,800 --> 00:56:34,680
Speaker 2: That has to happen in fifty five years, and I've

1141
00:56:34,680 --> 00:56:36,560
Speaker 2: been in relationship for ten years. I've been in a

1142
00:56:36,600 --> 00:56:40,040
Speaker 2: relationship for eight years and seven years. That's not gonna happen.

1143
00:56:40,800 --> 00:56:43,320
Speaker 1: I like what you said, though, the fact that you

1144
00:56:43,480 --> 00:56:46,480
Speaker 1: just said I'm not gonna say never leads me to

1145
00:56:46,560 --> 00:56:49,359
Speaker 1: believe that there's a possibility even though it's a non

1146
00:56:49,480 --> 00:56:53,360
Speaker 1: negotiable for you. The fact that you said never that

1147
00:56:53,560 --> 00:56:55,800
Speaker 1: means as a special woman that can come along, that

1148
00:56:55,880 --> 00:56:57,680
Speaker 1: can sweep you off your feet and knock you off

1149
00:56:57,760 --> 00:57:00,840
Speaker 1: your socks, that you know what, she might be the

1150
00:57:00,960 --> 00:57:04,120
Speaker 1: one that could actually possibly be the one to use

1151
00:57:04,160 --> 00:57:06,399
Speaker 1: the bathroom in front of you and pass gases.

1152
00:57:06,520 --> 00:57:08,400
Speaker 2: Let me ask you a question, name, what are the

1153
00:57:08,480 --> 00:57:10,640
Speaker 2: two women you think I've loved the most of my life?

1154
00:57:13,000 --> 00:57:15,960
Speaker 3: The two women you love yours? My mom and my grandma?

1155
00:57:16,160 --> 00:57:18,080
Speaker 3: Your mom and grandma, I mean my sister and my

1156
00:57:18,160 --> 00:57:20,800
Speaker 3: grandma and my mom. But that ain't happening, o, Choe.

1157
00:57:21,240 --> 00:57:25,520
Speaker 2: Like I said, Like I said, there are certain things

1158
00:57:25,720 --> 00:57:29,040
Speaker 2: that I'm willing to negotiate, and I'm like, Okay, maybe

1159
00:57:29,080 --> 00:57:32,280
Speaker 2: I don't want to go out every every week, but

1160
00:57:32,400 --> 00:57:36,000
Speaker 2: if that's something that you know, Shannon, I really believe

1161
00:57:36,080 --> 00:57:38,760
Speaker 2: that in order for us to stay in a healthy relationship,

1162
00:57:39,000 --> 00:57:40,760
Speaker 2: we're gonna need to have date night at least once

1163
00:57:40,800 --> 00:57:44,240
Speaker 2: a week. Okay, I relent on that, Shandon. I'm gonna

1164
00:57:44,280 --> 00:57:47,920
Speaker 2: need us to go at least at least once a year.

1165
00:57:48,200 --> 00:57:50,000
Speaker 2: We're gonna have to take a vacation of at least

1166
00:57:50,040 --> 00:57:53,920
Speaker 2: seven days. You know what, Damn, I ain't a vacation guy.

1167
00:57:54,200 --> 00:57:55,040
Speaker 3: I relent on that.

1168
00:57:57,760 --> 00:58:01,000
Speaker 1: Shit seven days shit what whatever?

1169
00:58:01,120 --> 00:58:02,959
Speaker 2: Like I said, there are certain things that I'm willing

1170
00:58:02,960 --> 00:58:06,560
Speaker 2: to negotiate on, Joe, I ain't right right, I'm I'm

1171
00:58:06,720 --> 00:58:12,760
Speaker 2: I'm malletable, bendable, flexible on certain issues that ain't one

1172
00:58:12,800 --> 00:58:16,240
Speaker 2: of them. And oh shouting everybody do it. You can

1173
00:58:16,280 --> 00:58:18,080
Speaker 2: get your ass up and go to the bathroom.

1174
00:58:18,360 --> 00:58:18,840
Speaker 3: I don't know what.

1175
00:58:19,240 --> 00:58:21,600
Speaker 2: That ain't cool to me. Oh that shows how much

1176
00:58:21,600 --> 00:58:32,800
Speaker 2: a naw bro that show you nasty? Uh, Lady Ray said,

1177
00:58:33,040 --> 00:58:39,120
Speaker 2: but cap hold on, but cap park cap foot cap.

1178
00:58:40,960 --> 00:58:45,720
Speaker 2: Oh nah, these people they be going crazy. Like I said,

1179
00:58:45,720 --> 00:58:48,960
Speaker 2: it just it just lets me know. That's y'all. Y'all

1180
00:58:49,040 --> 00:58:53,040
Speaker 2: do y'all pain, y'all do y'all pain. Hey whatever, Look,

1181
00:58:53,280 --> 00:58:57,040
Speaker 2: oh Joe, what's normal? It only depends on who's in

1182
00:58:57,080 --> 00:58:59,959
Speaker 2: the relationship, because they're normal. Ain't my normal?

1183
00:59:00,360 --> 00:59:01,720
Speaker 3: My normal? Ain't there normal?

1184
00:59:02,360 --> 00:59:04,720
Speaker 1: Mm hmm that I'm not.

1185
00:59:04,800 --> 00:59:07,720
Speaker 3: I'm not normal. I just listen.

1186
00:59:07,960 --> 00:59:12,200
Speaker 1: I ain't got me and my people. We ain't got

1187
00:59:12,240 --> 00:59:14,920
Speaker 1: no boundaries, we ain't got no rules. I mean, just

1188
00:59:15,480 --> 00:59:19,920
Speaker 1: between us, everything goes and I'm trying Hey, listen, it's

1189
00:59:20,480 --> 00:59:23,320
Speaker 1: in here. But it's like Russell mane are you and me? Yeah,

1190
00:59:23,600 --> 00:59:26,920
Speaker 1: I'm coming off the top rope. Yeah, off the top

1191
00:59:26,960 --> 00:59:28,080
Speaker 1: of the cage. Yeah.

1192
00:59:28,920 --> 00:59:35,840
Speaker 3: Man, we got this hand zip tazz handcuffs up everything

1193
00:59:38,120 --> 00:59:39,040
Speaker 3: a swing set.

1194
00:59:39,200 --> 00:59:41,440
Speaker 2: You have the right your main slid. Anything that you

1195
00:59:41,520 --> 00:59:43,440
Speaker 2: say can and will be used against you. You have

1196
00:59:43,520 --> 00:59:45,320
Speaker 2: the right to an attorney if you came out of

1197
00:59:45,400 --> 00:59:47,160
Speaker 2: poor when one will be pointing to you.

1198
00:59:49,040 --> 00:59:50,960
Speaker 1: Yeah, okay, yeah, okay, we're on the same page.

1199
00:59:51,520 --> 00:59:55,960
Speaker 2: Yeah, come to the house. Hey, number of number the

1200
00:59:56,040 --> 01:00:00,400
Speaker 2: top coat. Yeah, anybody hit the flow by the time

1201
01:00:00,440 --> 01:00:01,439
Speaker 2: you reached the top of the stell.

1202
01:00:01,520 --> 01:00:03,080
Speaker 3: But ball, there we go.

1203
01:00:03,600 --> 01:00:07,000
Speaker 5: Now we're talking. Yeah, now we're talking. You know what

1204
01:00:07,000 --> 01:00:12,800
Speaker 5: I'm saying, Oh, Joe, Yeah, I'm not. I'm like you,

1205
01:00:12,920 --> 01:00:14,680
Speaker 5: a j I'm trying to figure out who dating all

1206
01:00:14,720 --> 01:00:15,680
Speaker 5: these gas ass women?

1207
01:00:15,760 --> 01:00:18,960
Speaker 3: The damnself? Who just I mean what woman? Just come

1208
01:00:19,000 --> 01:00:22,960
Speaker 3: around your just I just to let the rip. What

1209
01:00:23,080 --> 01:00:30,280
Speaker 3: the hell y'all leaving she in there? Ah? Man?

1210
01:00:32,600 --> 01:00:42,000
Speaker 2: Uh? Yeah, that's that. Yeah, that was that's her face said.

1211
01:00:42,840 --> 01:00:45,120
Speaker 2: My grandma called it breaking wind. There was no faster

1212
01:00:45,200 --> 01:00:46,760
Speaker 2: way to get sent into the tree and pickles with

1213
01:00:46,880 --> 01:00:51,040
Speaker 2: oh yeah, my girl didn't play that, and and the

1214
01:00:51,120 --> 01:00:52,920
Speaker 2: thing was, oh, Joe, I grew up in a house.

1215
01:00:52,720 --> 01:00:53,240
Speaker 3: Full of women.

1216
01:00:54,080 --> 01:00:59,360
Speaker 2: Yeah, so that was oh no, oh no, Mark said

1217
01:00:59,400 --> 01:01:01,600
Speaker 2: unkin oho, OK, can you shout out my foot my

1218
01:01:01,720 --> 01:01:03,960
Speaker 2: girlfriend of four years for a birthday? Her name is

1219
01:01:04,080 --> 01:01:07,800
Speaker 2: ray An, also one of your favorite amusement park rides?

1220
01:01:07,920 --> 01:01:10,680
Speaker 2: And why ray A and Mars wants to reach you

1221
01:01:10,760 --> 01:01:14,120
Speaker 2: a happy birthday. Y'all been together four years. Hopefully you

1222
01:01:14,200 --> 01:01:16,800
Speaker 2: get four more together. No, hopefully you get many more together.

1223
01:01:17,240 --> 01:01:19,560
Speaker 2: But hopefully these four years have been great for both

1224
01:01:19,600 --> 01:01:23,240
Speaker 2: of you. Guys and Mark, thank you for watching, watching

1225
01:01:23,760 --> 01:01:27,120
Speaker 2: and listening. And ray Ann, hopefully you have a great

1226
01:01:27,200 --> 01:01:30,200
Speaker 2: birthday and many many more to come. What's your favorite

1227
01:01:30,200 --> 01:01:31,360
Speaker 2: amusement park ride?

1228
01:01:31,680 --> 01:01:31,840
Speaker 3: Man?

1229
01:01:31,880 --> 01:01:32,120
Speaker 2: I had?

1230
01:01:32,320 --> 01:01:35,960
Speaker 1: Oh lord, I'm talking out Joe. Let me think, well,

1231
01:01:36,080 --> 01:01:38,080
Speaker 1: why are you thinking? I'm gonna tell you my favorite?

1232
01:01:38,480 --> 01:01:41,520
Speaker 1: The day count of Youth Fair that comes to Miami.

1233
01:01:41,600 --> 01:01:43,479
Speaker 1: It would be here in March. I think maybe Marsh

1234
01:01:43,520 --> 01:01:44,600
Speaker 1: or April, so it's coming up.

1235
01:01:45,120 --> 01:01:46,440
Speaker 3: I'm not sure. I haven't been.

1236
01:01:46,480 --> 01:01:48,520
Speaker 1: I go every year, but I haven't been on riding

1237
01:01:48,600 --> 01:01:51,600
Speaker 1: a long time. But my favorite ride growing up was

1238
01:01:51,680 --> 01:01:55,160
Speaker 1: that goddamn Double Loop. That goddamn double Loop. And if

1239
01:01:55,200 --> 01:01:57,920
Speaker 1: anybody's in the chat that's from Miami, you know exactly

1240
01:01:57,960 --> 01:01:58,680
Speaker 1: what I'm talking about.

1241
01:01:59,480 --> 01:02:06,320
Speaker 2: The Double one of my favorites, man O Joe. The

1242
01:02:06,440 --> 01:02:13,920
Speaker 2: last time I've been to an amusement park probably about

1243
01:02:14,360 --> 01:02:15,720
Speaker 2: it had to be when the kids was young.

1244
01:02:15,800 --> 01:02:18,960
Speaker 3: Huh, probably about twenty two years ago. Yeah, I figured that.

1245
01:02:19,080 --> 01:02:20,200
Speaker 3: I knew. I knew he was gonna say that.

1246
01:02:21,320 --> 01:02:24,760
Speaker 1: I've been a little bit more recent because obviously because

1247
01:02:24,760 --> 01:02:27,160
Speaker 1: of the kids ranges as far as age goes, so

1248
01:02:27,280 --> 01:02:30,840
Speaker 1: I've been consistently going all the time as far as

1249
01:02:30,920 --> 01:02:36,400
Speaker 1: you fair is concerned, Universal Studios, EPCOT.

1250
01:02:37,960 --> 01:02:39,320
Speaker 2: I mean I used to go to kids. I used

1251
01:02:39,360 --> 01:02:40,480
Speaker 2: to take the kids all the time. We go to

1252
01:02:40,560 --> 01:02:43,120
Speaker 2: Six Flag. We get there early in the morning when

1253
01:02:43,160 --> 01:02:45,920
Speaker 2: they first open up, and yeah, hey get on the

1254
01:02:46,000 --> 01:02:46,920
Speaker 2: ride to ride stop.

1255
01:02:47,080 --> 01:02:49,160
Speaker 3: Hey we stay on it.

1256
01:02:49,240 --> 01:02:51,480
Speaker 2: We just ride ride, were going to the Reefall, We

1257
01:02:51,560 --> 01:02:54,680
Speaker 2: going to the Batman all the ride. But you know,

1258
01:02:54,800 --> 01:02:56,160
Speaker 2: all of a sudden like that, we don't want to

1259
01:02:56,200 --> 01:02:57,840
Speaker 2: go to the amusement park and we don't go to

1260
01:02:57,920 --> 01:02:58,520
Speaker 2: the Six Flag.

1261
01:02:58,680 --> 01:03:03,120
Speaker 3: Yeah, yeah, out of that, I can't think about that.

1262
01:03:03,240 --> 01:03:10,120
Speaker 1: What was all the wait, Epcot, disney World, Disneyland, Kingdom.

1263
01:03:10,240 --> 01:03:12,720
Speaker 1: What I forgot came king Magic Kingdom. That's what I

1264
01:03:12,760 --> 01:03:17,080
Speaker 1: was trying to think of, Magic Kingdom, Magic Kingdom. I

1265
01:03:17,200 --> 01:03:19,080
Speaker 1: go there, man, we get that fast past with all

1266
01:03:19,160 --> 01:03:21,880
Speaker 1: them kids. Man, you know we be deep looking like

1267
01:03:21,960 --> 01:03:26,920
Speaker 1: a goddamn army army brigade, brigade or some ship walking

1268
01:03:26,960 --> 01:03:29,760
Speaker 1: through that going through the lanes. I missed those days

1269
01:03:30,680 --> 01:03:34,520
Speaker 1: now that everybody and goddamned college man, everybody going to school.

1270
01:03:34,720 --> 01:03:36,360
Speaker 2: My kid grown, I got it, I got you know,

1271
01:03:36,400 --> 01:03:38,200
Speaker 2: I got a grand now, the kids grown and the

1272
01:03:38,280 --> 01:03:40,480
Speaker 2: things that used to like, damn you remember we used

1273
01:03:40,480 --> 01:03:42,880
Speaker 2: to play with Monopoly, like now me and my daughter, uh,

1274
01:03:43,240 --> 01:03:44,080
Speaker 2: me and my daughter play.

1275
01:03:44,320 --> 01:03:47,240
Speaker 3: No, she'd be cheating, cale be cheating up. Yeah. The

1276
01:03:47,640 --> 01:03:50,520
Speaker 3: rules said you can't put two draw toos back to back.

1277
01:03:51,080 --> 01:03:53,280
Speaker 3: No you can't. You can't do that man. She put

1278
01:03:53,400 --> 01:03:56,880
Speaker 3: like six draw toos on me and no, wait a.

1279
01:03:56,880 --> 01:04:00,400
Speaker 1: Minute at one time, yes, not back not. I throw

1280
01:04:00,600 --> 01:04:03,240
Speaker 1: one draw to and then you go and then nothing. No, no, no, no,

1281
01:04:03,760 --> 01:04:06,240
Speaker 1: you just like draw to draw to draw to draw

1282
01:04:06,360 --> 01:04:10,080
Speaker 1: to draw four. Now you can't do that, man, That's

1283
01:04:10,080 --> 01:04:11,080
Speaker 1: what I tried to tell her.

1284
01:04:15,200 --> 01:04:17,520
Speaker 3: Camel to see you be cheating. You were cheating there, Yeah,

1285
01:04:17,600 --> 01:04:18,560
Speaker 3: she cheat, she got you.

1286
01:04:20,680 --> 01:04:33,440
Speaker 2: Uh uh fan fanticy fanic fanatic, fanatic unking on your

1287
01:04:33,520 --> 01:04:33,920
Speaker 2: huge fan.

1288
01:04:34,040 --> 01:04:35,040
Speaker 3: I just turned thirty.

1289
01:04:35,120 --> 01:04:36,760
Speaker 2: Can I get a shout out from some advice from

1290
01:04:36,840 --> 01:04:38,600
Speaker 2: leaving twenties going to your thirties?

1291
01:04:39,280 --> 01:04:39,400
Speaker 1: Uh?

1292
01:04:40,240 --> 01:04:42,880
Speaker 2: Hey, congrats brow on the birthday. Leaving the twenties going

1293
01:04:42,880 --> 01:04:45,400
Speaker 2: to thirties. You gotta figure it out, Nana. I mean, hey,

1294
01:04:46,520 --> 01:04:48,360
Speaker 2: you had your teenage years. You said, okay, you got

1295
01:04:48,400 --> 01:04:49,760
Speaker 2: your twenties, You got your twenties.

1296
01:04:49,840 --> 01:04:53,320
Speaker 1: Nineties, thirties a different ball game. Tighten up, because when

1297
01:04:53,320 --> 01:04:56,600
Speaker 1: I was yeah, I was thirty. Man, what was I

1298
01:04:56,720 --> 01:04:58,720
Speaker 1: doing when I was thirty? But that was a long

1299
01:04:58,800 --> 01:05:02,680
Speaker 1: time ago, brit boy. I'm fifty six now. I can't

1300
01:05:02,680 --> 01:05:04,640
Speaker 1: even remember my thirty That was twenty some years ago.

1301
01:05:04,720 --> 01:05:07,880
Speaker 2: I remember, I remember JR. Life yesterday. I remember thirty.

1302
01:05:08,080 --> 01:05:13,800
Speaker 2: I remember thirty one nineteen where they're gonna find where

1303
01:05:13,800 --> 01:05:17,080
Speaker 2: they're gonna find that they doing everything else they cone

1304
01:05:17,120 --> 01:05:19,200
Speaker 2: in and they doing all this. What a drug that

1305
01:05:19,240 --> 01:05:23,600
Speaker 2: could make me nineteen? I got five million? When they

1306
01:05:23,640 --> 01:05:25,560
Speaker 2: say I got five I got five million on it?

1307
01:05:26,680 --> 01:05:30,560
Speaker 1: What about where they freezing where they freezing people's bodies

1308
01:05:30,600 --> 01:05:31,919
Speaker 1: to bring it back later on in life.

1309
01:05:32,040 --> 01:05:34,040
Speaker 3: Nah, they ain't freezing nothing. I'm stay rried right here.

1310
01:05:35,800 --> 01:05:36,840
Speaker 3: You saw that, You see that?

1311
01:05:37,200 --> 01:05:42,400
Speaker 2: Yeah, I saw it, that cryo cry on. I didn't

1312
01:05:42,400 --> 01:05:44,800
Speaker 2: want to be nineteen. Okay, oh yo, I get five million,

1313
01:05:44,840 --> 01:05:46,160
Speaker 2: Let me be nineteen for six months.

1314
01:05:51,520 --> 01:05:53,040
Speaker 3: Well, I'm trying to figure out what it is you want,

1315
01:05:53,600 --> 01:05:57,760
Speaker 3: you know what y'all, especially nineteen, especially in this time,

1316
01:05:57,880 --> 01:06:00,640
Speaker 3: during these times, Oh Joe, nineteen, you know, six months

1317
01:06:00,680 --> 01:06:01,080
Speaker 3: too long?

1318
01:06:01,720 --> 01:06:04,960
Speaker 2: Thirty days, like Rondale saying, if you find you don't

1319
01:06:05,040 --> 01:06:07,040
Speaker 2: like my ways, you can send me back in thirty days,

1320
01:06:07,200 --> 01:06:07,680
Speaker 2: thyty days.

1321
01:06:07,720 --> 01:06:12,320
Speaker 3: That's all I need faday now.

1322
01:06:12,400 --> 01:06:13,440
Speaker 1: But you're gonna need more than that.

1323
01:06:15,360 --> 01:06:17,360
Speaker 2: There will be no Nightcap, there will be no club

1324
01:06:17,440 --> 01:06:22,320
Speaker 2: shap Shape, no appearances on ESPN for thirty days. And

1325
01:06:22,400 --> 01:06:24,040
Speaker 2: you're nineteen again, I'm nineteen.

1326
01:06:24,840 --> 01:06:29,040
Speaker 3: We have a good time. What I listen? I can't

1327
01:06:29,040 --> 01:06:29,880
Speaker 3: even I can't even remember.

1328
01:06:29,960 --> 01:06:47,320
Speaker 2: Nice earthquake every day in Cali, upbreak kings at Nightcap,

1329
01:06:47,480 --> 01:06:50,240
Speaker 2: orking on your live show in Los Angeles would be amazing.

1330
01:06:50,480 --> 01:06:51,120
Speaker 3: What y'all think?

1331
01:06:52,520 --> 01:07:00,720
Speaker 2: We're definitely trying to possibly, uh Uh, look at some

1332
01:07:00,960 --> 01:07:04,160
Speaker 2: some dates before the season start going the road. We're

1333
01:07:04,200 --> 01:07:06,280
Speaker 2: looking at like a four a four city tour.

1334
01:07:06,960 --> 01:07:07,040
Speaker 3: Uh.

1335
01:07:07,200 --> 01:07:10,400
Speaker 2: We haven't decided which city is yet. Uh, that's still

1336
01:07:10,480 --> 01:07:13,160
Speaker 2: we're still trying to work through that. We've been in

1337
01:07:13,240 --> 01:07:18,240
Speaker 2: contact with uh a couple of couple of people to

1338
01:07:18,360 --> 01:07:19,360
Speaker 2: help us navigate that.

1339
01:07:19,520 --> 01:07:23,640
Speaker 1: But uh, I could I could give you the cities

1340
01:07:23,720 --> 01:07:25,880
Speaker 1: real easy, right now, I give you three off off rip.

1341
01:07:25,960 --> 01:07:29,800
Speaker 1: That's gonna do. That would do numbers? What the venue

1342
01:07:29,920 --> 01:07:35,200
Speaker 1: is the only issue. Miami, everybody Mama coming out, Atlanta,

1343
01:07:36,000 --> 01:07:41,440
Speaker 1: everybody Nied Mama coming out, Houston, everybody Ni Mama coming out.

1344
01:07:43,280 --> 01:07:47,960
Speaker 1: And obviously l A l A is one. I mean

1345
01:07:48,000 --> 01:07:54,240
Speaker 1: those those those first three I just named. Uh, New York,

1346
01:07:54,960 --> 01:07:57,120
Speaker 1: we have a really big following in New York. Yeah,

1347
01:07:57,600 --> 01:08:00,520
Speaker 1: Feeling we have another big following, but Feel is close

1348
01:08:00,560 --> 01:08:03,280
Speaker 1: to New York. So I don't know how we do

1349
01:08:03,440 --> 01:08:09,120
Speaker 1: Philly and New York obviously, Atlanta, Houston, we have a

1350
01:08:09,160 --> 01:08:13,880
Speaker 1: big following in the Houston and Dallas, Los Angeles obviously Atlanta.

1351
01:08:18,240 --> 01:08:20,920
Speaker 3: Yeah, New York. New York is our big is our

1352
01:08:21,000 --> 01:08:25,880
Speaker 3: biggest is our biggest base. Hey where where is? But

1353
01:08:26,160 --> 01:08:27,640
Speaker 3: we're definitely trying to put the pull up.

1354
01:08:28,040 --> 01:08:31,920
Speaker 1: Uh huh, where's Carnie Hall at Carnegie Hall?

1355
01:08:35,439 --> 01:08:38,200
Speaker 3: You know where it is. I'm just New York. It

1356
01:08:38,320 --> 01:08:39,720
Speaker 3: is in New York, right, What do you mean like

1357
01:08:39,760 --> 01:08:41,040
Speaker 3: the location? Huh?

1358
01:08:41,360 --> 01:08:43,479
Speaker 1: No, I mean is Carnegie Hall still in New York?

1359
01:08:43,640 --> 01:08:44,960
Speaker 1: Has the name been changed in something?

1360
01:08:45,040 --> 01:08:46,240
Speaker 3: No, it's not. No, they're not. No.

1361
01:08:46,640 --> 01:08:48,600
Speaker 2: Andrew Carnegie put enough money up, that thing gonna be

1362
01:08:48,640 --> 01:08:52,840
Speaker 2: Carnegie Hall in two three more lifetimes, right.

1363
01:08:54,120 --> 01:08:56,719
Speaker 1: Yeah, I would love to do something in a place

1364
01:08:56,840 --> 01:09:00,120
Speaker 1: like that. Some over Frank Sinatra performed The Man that.

1365
01:09:00,160 --> 01:09:01,840
Speaker 3: That's coming up in there. So we got to pick

1366
01:09:01,840 --> 01:09:02,400
Speaker 3: a new venue.

1367
01:09:03,640 --> 01:09:05,320
Speaker 1: Uncle at Carnegie Hall.

1368
01:09:07,240 --> 01:09:08,000
Speaker 3: Can you imagine that?

1369
01:09:09,760 --> 01:09:14,640
Speaker 1: Actually, no, listen, I know, I know people. Now I

1370
01:09:14,640 --> 01:09:19,880
Speaker 1: can make that happen. Na O yo, Uncle listen, Uncle

1371
01:09:19,920 --> 01:09:21,240
Speaker 1: Nocho at Carnegie Hall.

1372
01:09:22,479 --> 01:09:23,000
Speaker 3: Think about that.

1373
01:09:23,960 --> 01:09:25,519
Speaker 1: You can see I can see that on the marque

1374
01:09:25,680 --> 01:09:29,960
Speaker 1: right now on our side. Uncle Ocho live at Carnegie Hall,

1375
01:09:30,320 --> 01:09:31,960
Speaker 1: Uncle Ojo at Town Hall.

1376
01:09:35,960 --> 01:09:36,639
Speaker 3: That's the hall.

1377
01:09:37,560 --> 01:09:39,680
Speaker 2: Hey, please make sure y'all hit that light button. Make

1378
01:09:39,720 --> 01:09:42,479
Speaker 2: sure you hit the subscribe button. Where we now at,

1379
01:09:44,320 --> 01:09:46,400
Speaker 2: I think we we hit one point one point one.

1380
01:09:48,520 --> 01:09:50,760
Speaker 3: We're moving back, We're moving We're moving on up like

1381
01:09:50,800 --> 01:09:53,559
Speaker 3: the Jeffersons now one point one oh three.

1382
01:09:53,840 --> 01:09:57,439
Speaker 2: Please make sure you subscribe to the Nightcap podcast feed. Please,

1383
01:09:57,560 --> 01:09:59,840
Speaker 2: that's again, Please make sure you subscribe to the Nightcap

1384
01:10:00,040 --> 01:10:02,680
Speaker 2: podcast feed. Thank you guys for selling out. Shay Ba

1385
01:10:02,760 --> 01:10:05,120
Speaker 2: La Portier. We're taking pre orders and they tell me

1386
01:10:05,200 --> 01:10:07,040
Speaker 2: one to two weeks you'll have your order.

1387
01:10:07,600 --> 01:10:09,040
Speaker 3: So thank you again for.

1388
01:10:09,120 --> 01:10:12,120
Speaker 2: Joining us for another episode of Nightcap. I'm your favorite.

1389
01:10:12,160 --> 01:10:15,360
Speaker 2: Oh Shannon Sharp, He's your favorite. Number eighty five rock

1390
01:10:15,400 --> 01:10:20,479
Speaker 2: runner extraordinaire, the greatest entertainer in NFL history. Bengals legend

1391
01:10:20,880 --> 01:10:26,000
Speaker 2: pro bowler, All Pro Chad Ocho, Senko Johnson. I'll see

1392
01:10:26,040 --> 01:10:29,040
Speaker 2: you again on Wednesday night. Ocho comes back on Thursday night.

1393
01:10:29,320 --> 01:10:31,160
Speaker 2: Thank you for joining us and have a great night.

1394
01:10:31,680 --> 01:10:32,320
Speaker 3: I love y'all.