WEBVTT - Episode 470 w/ DJ Enuff

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<v Speaker 1>Peace of the plan. This charlamagnea god here.

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<v Speaker 2>Before we get into today's episode, we've got to celebrate

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<v Speaker 2>the Black Effect Podcast Network. It's turning five years old, man,

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<v Speaker 2>five years of powerful voices, unforgettable moments in the community

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<v Speaker 2>that keeps growing.

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<v Speaker 3>This is the power of the platform. Now let's get

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<v Speaker 3>into it.

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<v Speaker 1>He is drinks chess, mother fucking podcast man.

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<v Speaker 3>He's a legends eary Queen's rapper. He ain't segreate a

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<v Speaker 3>your boy in eights a Miami him pop pioneer as

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<v Speaker 3>d J e f N. Together they drink it up

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<v Speaker 3>with some of the biggest players, you know what I mean.

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<v Speaker 4>And the most professional unprofessional podcast and your number one

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<v Speaker 4>source for drunk.

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<v Speaker 3>Drinks chess for every day is New Year's Eve. Listen,

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<v Speaker 3>it's time for drink champions. Drink up, mother, would it

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<v Speaker 3>goold be hoping he should be Isshu boy in r

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<v Speaker 3>What up it is?

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<v Speaker 5>DJ e f N.

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<v Speaker 6>This militias you all, Yeah, you have astry.

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<v Speaker 3>Right now.

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<v Speaker 7>We've been trying to get this brother for years. Right now,

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<v Speaker 7>he's a talker to town.

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<v Speaker 1>If you're a DJ, if you're lover of hip hop,

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<v Speaker 1>if you're.

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<v Speaker 7>A lover of the actual play of it and not

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<v Speaker 7>a fan of the business. You're tuned into what's happening

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<v Speaker 7>right now. But let's give you this brother's desography. His

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<v Speaker 7>brother's a legend, he's an icon. He DJ for one

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<v Speaker 7>of the most legends, one of the most notorious people

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<v Speaker 7>in the world. I mean, this guy started out in

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<v Speaker 7>nineteen ninety eight on the radio, years been doing it

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<v Speaker 7>before that on the radio. And we see him pose

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<v Speaker 7>out his show with one of the most passionate moments

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<v Speaker 7>in hip hop I've ever seen.

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<v Speaker 1>The people came out to support them. People are supporting them.

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<v Speaker 7>We're gonna get to this, but these are legends of icon,

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<v Speaker 7>have been doing this for well over thirty years.

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<v Speaker 1>And we won't give him as flowers today.

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<v Speaker 7>That's what our show is about, and today he will

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<v Speaker 7>receive his flowers. In case you don't know what the

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<v Speaker 7>fuck we talk about, we talked about one.

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<v Speaker 1>Now, did y'all ever have beef? Because your names are similar.

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<v Speaker 3>I'm just talking with you. I do like that. I

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<v Speaker 3>haven't bvated my name a few times. E n F right, right,

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<v Speaker 3>So I was like, maybe no beef though, right.

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<v Speaker 1>Because what was your favorite what was your first hip

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<v Speaker 1>hip hop name? What was it.

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<v Speaker 3>You remember that? Come on, I know that.

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<v Speaker 7>So listen We've been interviewing people for nine years and

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<v Speaker 7>everyone has a whack hip hop and yes you can

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<v Speaker 7>still use e wat right now, Like it's like, yeah,

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<v Speaker 7>so what made you?

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<v Speaker 1>What made you go with DJ?

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<v Speaker 3>Enough? All right? So to be honest and Frank, I'm

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<v Speaker 3>from the Lower East Side of Manhattan and then in

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<v Speaker 3>nineteen seventy nine, I moved up an area called Flat Push, Brooklyn. Right,

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<v Speaker 3>but you was born in Harlem.

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<v Speaker 1>And you did your homewk yes, yes, yes for.

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<v Speaker 3>Me coming out the projects to the Lower east Side, right,

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<v Speaker 3>Lilian Wall projects, Jacob Bree, shots of them, I didn't

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<v Speaker 3>see that many West Indian people. So I grew up

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<v Speaker 3>a lot of West Indian people in my second half,

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<v Speaker 3>you know what I'm saying. Being in Brooklyn and there

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<v Speaker 3>was a famous uh this Jamaican dude name Ricky Barnett

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<v Speaker 3>and Miguel Parkers. Those are my best friends in elementary

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<v Speaker 3>school growing up and back in those days in the

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<v Speaker 3>in the early eighties, everything was enough respect, enough this,

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<v Speaker 3>enough that, right. So he was like, yo, your name

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<v Speaker 3>is E whatever he goes, bit, why don't we just

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<v Speaker 3>call you E Enough? Because you get enough respect every timewhere.

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<v Speaker 3>So at first I was like, I don't know. Then

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<v Speaker 3>somebody bought some marketing to me and said, you know

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<v Speaker 3>what you could if you make a restaurant. Let's say

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<v Speaker 3>you would open a Hamburger shop. You put enough burgers, yeah,

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<v Speaker 3>enough clothing, enough liquor, enough smoke enough it works. So

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<v Speaker 3>I was like, you know, I'll roe whatever it, fuck.

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<v Speaker 1>It, okay's now your first DJ gig was that?

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<v Speaker 3>Then the Grill Club Club the Grill nineteen ninety whatever

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<v Speaker 3>year hip hop Junkies came out. That was like, yeah, okay,

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<v Speaker 3>I got a funky that was the hottest record already.

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<v Speaker 3>I was ready DJ.

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<v Speaker 1>So was the tone at that time.

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<v Speaker 3>This is right and before the something okay cool, there

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<v Speaker 3>was no Sunday nice to not yet okay.

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<v Speaker 1>What's this Sunday nice and hip hop period not.

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<v Speaker 3>Not to my recollection. I'm a newbie. I just found

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<v Speaker 3>right because.

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<v Speaker 7>The first time I ever Sunday, I thought I thought

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<v Speaker 7>it was Latin quarters. Okay, I don't, I don't, I don't,

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<v Speaker 7>I don't, I don't remember.

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<v Speaker 3>Before my time, okay.

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<v Speaker 7>Cool, cool, cool, all right now. I used to make

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<v Speaker 7>pause tapes. Can you explain to people what poestapes is.

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<v Speaker 3>All right, So before I had enough money to have equipment, equipment,

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<v Speaker 3>we used to make these pause tapes. And back in

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<v Speaker 3>everybody's household, we all had what's called bs R bullshit recording,

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<v Speaker 3>you know, recording capability. So it'd be a double deck,

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<v Speaker 3>you know, because and you would play your source from

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<v Speaker 3>one cassette would be the recording for another, and you

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<v Speaker 3>would only record the portions that you want so our

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<v Speaker 3>press play, you press record here, and then you pause it.

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<v Speaker 3>But you had to be nice with it. So that's

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<v Speaker 3>what the DJ stuff kicks in, because you know I've

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<v Speaker 3>seen you know, to break that is in the firm biz.

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<v Speaker 1>No, no, okay, okay, I was thinking about action first.

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<v Speaker 3>But I'm talking with that joint right. It's by Malcolm McLaren.

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<v Speaker 3>That little piece is only like about ten seconds long,

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<v Speaker 3>right yo, my man, The original to that is even

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<v Speaker 3>less than that. We would take that little piece and

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<v Speaker 3>do a whole ninety minute mix of just that one

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<v Speaker 3>B and then we go through the street with it

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<v Speaker 3>and then play it outside and it'd be like all

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<v Speaker 3>day the same ship over and then the B boys

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<v Speaker 3>would come and start doing that thing and you know,

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<v Speaker 3>and dancing, you know, the gangs would be like yo crazy.

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<v Speaker 3>It was the cardboard yeah all that. Yeah, so I'm

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<v Speaker 3>a bounce around a little bit.

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<v Speaker 1>Yeah baby, do you thing?

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<v Speaker 3>Okay?

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<v Speaker 7>So this is something I always wanted to ask you.

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<v Speaker 7>How accurate was the Biggie movie?

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<v Speaker 3>Right?

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<v Speaker 7>But I believe that it was in San Francisco or

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<v Speaker 7>and it was still on some things at them because

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<v Speaker 7>of who shot you?

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<v Speaker 3>But I said not to play who shot you? Right? Yeah,

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<v Speaker 3>that wasn't okay. I'll tell you the truth. I can't

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<v Speaker 3>tell you. So this one of this cameras, no scene

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<v Speaker 3>portrayed in the movie was was saying it was uh

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<v Speaker 3>in the in the Bay area, okay, right, but it

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<v Speaker 3>wasn't okay. And then the reason why they probably put

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<v Speaker 3>it in the Bay because that's where Park was from. Okay. Now,

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<v Speaker 3>during this time, I remember, like it was yesterday, we

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<v Speaker 3>were in Atlanta, Georgia. We were going to a social

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<v Speaker 3>death anniversary party of some sort and we were gonna

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<v Speaker 3>meet up with Jamaine Deprie, the Brat and a few others.

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<v Speaker 3>And there was word that Tupac was around in Atlanta, right, Okay,

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<v Speaker 3>So now like we're on heightened security because these dudes

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<v Speaker 3>got beef and it's ugly. I'm in the car with

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<v Speaker 3>like little ceas BIG's in the front. I remember bodyguards

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<v Speaker 3>being on top of us and at one point were

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<v Speaker 3>driving in the a somewhere. We're driving around and then

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<v Speaker 3>the security was like get down, and I'm like, what's

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<v Speaker 3>going on and get down? Then he jumped on top

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<v Speaker 3>of my body and I'm like what. I thought it

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<v Speaker 3>was gonna start shooting at us or something, but I

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<v Speaker 3>guess they were just on high alert. Where the cars

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<v Speaker 3>we become a bid and they got like some information,

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<v Speaker 3>But that's that's not it was in the Bay. It

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<v Speaker 3>was Atlanta. So during the height of the beef right,

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<v Speaker 3>everybody from Brooklyn to Junior Mafia, everybody was waiting for

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<v Speaker 3>a response Big because you know, pock had didn't hit

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<v Speaker 3>him up, and and for me, I took it super personal.

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<v Speaker 3>You know why, because I produced to Get Money remix

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<v Speaker 3>for Big R and Pac took the same beat right

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<v Speaker 3>from the Get Money remix that I produced and hit

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<v Speaker 3>him up. And the crazy part, that's crazy. I didn't

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<v Speaker 3>think of it like CZ. I didn't realize it until

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<v Speaker 3>I did a podcast with Cypher Sounds of Rosi and

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<v Speaker 3>they broke it that and I was like, damn, you're right,

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<v Speaker 3>And then like twenty five years later, I was mad again.

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<v Speaker 3>But it was it was it was like bittersweet because, like,

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<v Speaker 3>you know, Park was such a legendary dude, and I'm

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<v Speaker 3>be on like thirsty to be on the phone with him,

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<v Speaker 3>to be like, yo, what's up pot Because he loved

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<v Speaker 3>New York. He loved the bodegas.

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<v Speaker 1>He loved them a little, you know, but let's let's

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<v Speaker 1>talk about that nice.

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<v Speaker 7>So well, yeah, so they were mad at Big on stage.

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<v Speaker 3>They would know nobody was ever mad at Big. Okay,

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<v Speaker 3>I think the the real important thing was this, So

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<v Speaker 3>I'm on the road with them now. I got the

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<v Speaker 3>torch passed from Clark Kent. Clark Kent, Clark Kent. Excuse me.

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<v Speaker 3>He taught me the show, so it was only right.

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<v Speaker 3>Just all I had to do is carry the legacy.

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<v Speaker 3>He was DJ before you. Yes, of course he was

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<v Speaker 3>doing uh A and R for like East West Atlantic.

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<v Speaker 3>He was signing an artist, but he was also doing

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<v Speaker 3>production and beats and you know he was doing the

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<v Speaker 3>Brooklyn finals on Jay and Biggs album. You know, he

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<v Speaker 3>was busy. So I think it got to a point

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<v Speaker 3>where he's like, you know what, I'm getting hot out

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<v Speaker 3>here and I love being on the road with Big,

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<v Speaker 3>but I gotta go right. So that's when you know,

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<v Speaker 3>I got the phone call from Puff like you want

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<v Speaker 3>to be bigs DJ, And I was like, I think

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<v Speaker 3>about it, And everybody laughs at me when I tell

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<v Speaker 3>him that responds.

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<v Speaker 1>Because Big wasn't who Big was at that time.

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<v Speaker 3>Big only had party in bullshit out maybe Unbelievable and Juicy.

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<v Speaker 4>Was he still Biggie Small before he changed the names

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<v Speaker 4>of Notorious.

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<v Speaker 3>No, he was still Biggie Smalls. He was notorious yet,

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<v Speaker 3>right right right. So we're in Atlanta and we stopped

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<v Speaker 3>doing the We stopped doing the song who Shot You?

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<v Speaker 3>Like my dad faced him hot? So we stopped performing

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<v Speaker 3>that song. And I think we stopped performing that song

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<v Speaker 3>because Big didn't want the narrative that people were thinking

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<v Speaker 3>the song was about, because it was out of respect

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<v Speaker 3>the kid. The kid got shot, you know a few times,

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<v Speaker 3>and then when he died, it was like the ultimately like, no,

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<v Speaker 3>we're not doing that. So we was in Atlanta that time.

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<v Speaker 3>I told you we was on heightened security alert. Whatever

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<v Speaker 3>we do the show and there's a break in the

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<v Speaker 3>show where he starts talking. I'm like, where's he going

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<v Speaker 3>with this? I never did this is not part of

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<v Speaker 3>the show. We never did this before. And he's explaining

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<v Speaker 3>himself about I guess what him a part, what was

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<v Speaker 3>going through? So I was like, he's gonna perform who

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<v Speaker 3>shot You? Wow? So then without him telling me nothing,

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<v Speaker 3>I got the record out and then I just had

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<v Speaker 3>a queue up and ready, and he looked at me

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<v Speaker 3>and it was like and I went who shot You?

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<v Speaker 3>And he performed out of nowhere. It was the first

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<v Speaker 3>time he got to perform that, you know, during the

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<v Speaker 3>beef R. So for us, it was like a magical moment,

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<v Speaker 3>even though it wasn't his true response, but it was

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<v Speaker 3>the next next thing because he wasn't gonna talk dirty

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<v Speaker 3>about Park right.

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<v Speaker 5>But to be clear, because it was before par got shot.

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<v Speaker 3>Yeah, it was a baby because we said, I wanted

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<v Speaker 3>people to think it happened right then.

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<v Speaker 7>Did you ever I know you said, I know I

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<v Speaker 7>read articles and seen interviews what you said that there

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<v Speaker 7>was brawls happening, like you know, running with big and.

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<v Speaker 3>Things like that.

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<v Speaker 7>I think one time they even left you and you

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<v Speaker 7>had to come outside of.

0:12:52.160 --> 0:12:54.520
<v Speaker 3>The ques that was in Virginia.

0:12:54.679 --> 0:12:58.200
<v Speaker 1>Yeah, okay, you had to like they.

0:12:58.200 --> 0:13:01.720
<v Speaker 3>All, you know, back in the days when we used

0:13:01.760 --> 0:13:06.600
<v Speaker 3>to carry the crates, right, but even before that, before

0:13:06.679 --> 0:13:09.360
<v Speaker 3>controllers and cdj's were around, we used to carry the turntable.

0:13:10.200 --> 0:13:14.520
<v Speaker 3>So I got two turntables, a mixer, all my crates,

0:13:15.559 --> 0:13:17.559
<v Speaker 3>and I'm by myself. I ain't got a roadie. He's

0:13:17.559 --> 0:13:21.400
<v Speaker 3>not paying for Roady. So it's like, you know, the

0:13:21.520 --> 0:13:23.880
<v Speaker 3>road manager shout to Hawk, my man Hawk. He would

0:13:23.880 --> 0:13:26.480
<v Speaker 3>help me sometime with the records and whatever. Whenever there

0:13:26.640 --> 0:13:29.200
<v Speaker 3>wasn't feeling, whenever they felt like there was a superstar,

0:13:29.240 --> 0:13:31.760
<v Speaker 3>they help me with the records. But we get into

0:13:31.800 --> 0:13:35.960
<v Speaker 3>some ship. It's going down. They fighting, Oh, they doing

0:13:36.000 --> 0:13:39.720
<v Speaker 3>whatever they're doing. But they forgot about me and they

0:13:39.760 --> 0:13:44.160
<v Speaker 3>would leave me. I'm like, yo, So now I'm slowly

0:13:44.720 --> 0:13:46.640
<v Speaker 3>trying to pack up all my ship before the ship

0:13:46.760 --> 0:13:49.679
<v Speaker 3>really hits the fan. I'm like closing up the cases.

0:13:49.840 --> 0:13:51.679
<v Speaker 3>I'm trying whatever I said. Yo. If I don't get

0:13:51.679 --> 0:13:53.200
<v Speaker 3>the fuck up out of here, they gonna come for

0:13:53.280 --> 0:13:55.599
<v Speaker 3>me next. And that's the type of that was. That

0:13:55.920 --> 0:13:58.000
<v Speaker 3>was the real ship. That's the way it was a

0:13:58.000 --> 0:14:00.080
<v Speaker 3>lot of shows bro A lot of.

0:14:00.080 --> 0:14:08.679
<v Speaker 8>Shows make some noise. But it was fun. Man, Now

0:14:08.760 --> 0:14:10.120
<v Speaker 8>we think about it was a lot of fun.

0:14:10.320 --> 0:14:14.400
<v Speaker 7>But like when you speak speak about crates like, I

0:14:14.400 --> 0:14:17.240
<v Speaker 7>don't think these kids like like, I'm sorry, this sounds

0:14:17.280 --> 0:14:20.240
<v Speaker 7>the old band, but you know, like that shit was hard.

0:14:20.280 --> 0:14:23.960
<v Speaker 7>Like I remember, like watching you guys go to a party,

0:14:24.080 --> 0:14:26.560
<v Speaker 7>used to have to have to have people help you.

0:14:26.520 --> 0:14:30.280
<v Speaker 3>With your crates. Five six dudes or whatever or actually,

0:14:30.560 --> 0:14:32.320
<v Speaker 3>I'm gonna keep it on hunted. I was flying, but

0:14:32.720 --> 0:14:34.520
<v Speaker 3>a few times I would do parties of town. But

0:14:34.840 --> 0:14:39.280
<v Speaker 3>I have six women carrying my trade in high heels,

0:14:39.680 --> 0:14:43.480
<v Speaker 3>right and then and then when I come to the party,

0:14:43.880 --> 0:14:48.240
<v Speaker 3>the promoters be on my dick. They'd be like, motherfucker.

0:14:50.360 --> 0:14:54.600
<v Speaker 3>We'll talk six feet women in dresses or skirts with

0:14:54.800 --> 0:14:59.880
<v Speaker 3>heels on carrying my crates. Now, these ain't milk crates.

0:15:00.120 --> 0:15:04.000
<v Speaker 3>These are professional like cases. Get a little bit easier

0:15:04.000 --> 0:15:07.160
<v Speaker 3>to carry, heaviest hell one hundred pounds easy.

0:15:08.040 --> 0:15:11.840
<v Speaker 7>So, as a DJ, do you like this era more

0:15:12.480 --> 0:15:14.280
<v Speaker 7>or do you miss the vinyl era?

0:15:15.400 --> 0:15:18.360
<v Speaker 3>I missed the vinyl era a little bit, okay, but

0:15:18.400 --> 0:15:20.480
<v Speaker 3>I do like the technology where it's had today. You

0:15:20.480 --> 0:15:25.160
<v Speaker 3>know why, because I remember being on the road and

0:15:25.240 --> 0:15:29.040
<v Speaker 3>Biggie would shake the fucking stage and the record would skip,

0:15:29.880 --> 0:15:32.520
<v Speaker 3>and I would get blamed for it, because at the

0:15:32.600 --> 0:15:35.520
<v Speaker 3>end of the day, he's the boss, he's the headliner.

0:15:35.840 --> 0:15:39.440
<v Speaker 3>It said they came to see him, not me, So

0:15:39.720 --> 0:15:42.200
<v Speaker 3>I had to take the blame for that. And then

0:15:42.240 --> 0:15:44.360
<v Speaker 3>Clarke Can't had to teach me how to do a

0:15:44.400 --> 0:15:48.400
<v Speaker 3>backup show that way I heard that or CD or whatever,

0:15:48.560 --> 0:15:52.040
<v Speaker 3>okay whatever, yeah it was it was that originally. And

0:15:52.080 --> 0:15:57.720
<v Speaker 3>then holy ship, I forgot his name. He's gonna be

0:15:57.760 --> 0:16:03.680
<v Speaker 3>mad at me now. Producer from Guy try Wiley, Teddy Riley.

0:16:04.120 --> 0:16:07.720
<v Speaker 3>Teddy Riley gives me my first c d J. He goes, enough,

0:16:07.720 --> 0:16:10.800
<v Speaker 3>this is the future. Like, what do you mean? He goes,

0:16:11.040 --> 0:16:12.840
<v Speaker 3>this is never going to skip on you ever. Again,

0:16:13.360 --> 0:16:15.840
<v Speaker 3>this is the fucking future right here. He gave me

0:16:15.840 --> 0:16:17.440
<v Speaker 3>a pair of c d j's and I was like,

0:16:17.880 --> 0:16:20.080
<v Speaker 3>but those skip two though, no, I know, but not

0:16:20.440 --> 0:16:23.480
<v Speaker 3>but not as bad, but not as bad as needles

0:16:23.640 --> 0:16:24.800
<v Speaker 3>as the needles on the record?

0:16:25.920 --> 0:16:28.920
<v Speaker 1>Now, what was it? Flip Star DJs, Flip Squad, Flip

0:16:28.920 --> 0:16:32.080
<v Speaker 1>Squad djsh Yeah, and I was you Cipher Sounds was

0:16:32.120 --> 0:16:34.560
<v Speaker 1>in the same Yeah, who else was in that crew?

0:16:34.720 --> 0:16:41.200
<v Speaker 3>Frankie Cutlers, Frankie Cutlers, Dup do Funk Flex Yeah flex uh,

0:16:41.840 --> 0:16:49.760
<v Speaker 3>Mark Ronson, Mike Ronson was in riz thank you. Oh

0:16:49.800 --> 0:16:57.480
<v Speaker 3>ship comes here? Trying to think who was here?

0:16:57.560 --> 0:16:57.720
<v Speaker 4>Bro?

0:16:58.120 --> 0:16:58.840
<v Speaker 1>Who else was in there?

0:16:59.040 --> 0:16:59.280
<v Speaker 4>It was?

0:16:59.600 --> 0:17:00.680
<v Speaker 3>So it was flip.

0:17:00.400 --> 0:17:03.840
<v Speaker 9>Squad, the Flip Squad, DJ, the flip Squad and this

0:17:03.880 --> 0:17:08.600
<v Speaker 9>is before buster have flip Squad or no, Yeah, flip mode,

0:17:08.680 --> 0:17:11.119
<v Speaker 9>flip Mode, slip modem bugging different things.

0:17:11.160 --> 0:17:13.960
<v Speaker 1>Yeah, flip flip Squad. Okay, okay, make some noise.

0:17:13.760 --> 0:17:22.080
<v Speaker 3>With DJ, so okay, be me a warning cup, bro.

0:17:24.800 --> 0:17:26.680
<v Speaker 1>Okay, So who else was okay? Who else was down

0:17:26.720 --> 0:17:27.080
<v Speaker 1>down on that?

0:17:27.800 --> 0:17:32.920
<v Speaker 3>Okay? Sight for sounds? This kid named bud kN Uh.

0:17:34.560 --> 0:17:37.159
<v Speaker 3>There's there's a couple more. I'm forgetting them. But the

0:17:38.000 --> 0:17:41.720
<v Speaker 3>big Cat, Big Cat, rest in peace, Big Cat. Oh

0:17:41.760 --> 0:17:48.320
<v Speaker 3>that's right? Uh damn you know what. Let me just

0:17:48.359 --> 0:17:50.280
<v Speaker 3>look at the artwork of the album we put out.

0:17:50.600 --> 0:17:53.760
<v Speaker 3>It's on there. Okay, so go for it, go for it.

0:17:55.880 --> 0:18:00.520
<v Speaker 7>One thing that was noticed very Kanye's first album, Yes

0:18:00.640 --> 0:18:03.800
<v Speaker 7>has the heavy hitter logo on there. Yes, sir, Now,

0:18:03.840 --> 0:18:08.399
<v Speaker 7>remember I mean knowing who Kanye is, but me not.

0:18:08.320 --> 0:18:09.240
<v Speaker 3>Knowing who Kanye is.

0:18:09.280 --> 0:18:12.119
<v Speaker 7>And I remember you shotting them out and then him

0:18:12.400 --> 0:18:15.320
<v Speaker 7>shotting y'all out, like like really like bigging up the

0:18:15.359 --> 0:18:16.080
<v Speaker 7>heavy hitters.

0:18:16.200 --> 0:18:19.240
<v Speaker 3>How the fuck did that even happen? All right? So

0:18:19.320 --> 0:18:23.320
<v Speaker 3>I ain't know it at the time, okay, but I

0:18:23.320 --> 0:18:27.080
<v Speaker 3>had a heavy hitter's record pool, okay. And the office

0:18:27.119 --> 0:18:31.800
<v Speaker 3>was on thirty eighth Street. It was Rene McLean's office,

0:18:31.920 --> 0:18:37.439
<v Speaker 3>the guy who created to make Sure Right right, But

0:18:37.640 --> 0:18:41.720
<v Speaker 3>Legacy Studios was down the block on thirty eighth between

0:18:41.760 --> 0:18:44.280
<v Speaker 3>tenth and eleventh or whatever it was. That's where he

0:18:44.359 --> 0:18:47.840
<v Speaker 3>recorded his first album. And what year was that. It

0:18:47.920 --> 0:18:53.480
<v Speaker 3>had to be ninety nine, ninety eight. So all this time,

0:18:53.840 --> 0:18:55.959
<v Speaker 3>I'm thinking, Yo, Kanye, this think is on my dick.

0:18:56.040 --> 0:18:58.960
<v Speaker 3>He got a sorry talk.

0:18:59.080 --> 0:18:59.919
<v Speaker 5>I mean, this is the way he was the.

0:19:04.480 --> 0:19:07.760
<v Speaker 3>Damn. I gotta wait, So you text the queen till

0:19:07.760 --> 0:19:08.280
<v Speaker 3>I fall back.

0:19:08.359 --> 0:19:10.040
<v Speaker 7>So you're telling me, so you're telling me you had

0:19:10.119 --> 0:19:11.600
<v Speaker 7>to heard of him.

0:19:11.640 --> 0:19:16.320
<v Speaker 3>So I heard of him as a producer as a producer, okay,

0:19:16.480 --> 0:19:20.160
<v Speaker 3>So this's no through wire, No yeah, not yet, not yet.

0:19:20.200 --> 0:19:22.960
<v Speaker 3>But I was talking it was on his way go

0:19:23.000 --> 0:19:28.200
<v Speaker 3>Ahead and one of my DJ's DJ absolutely put on

0:19:28.280 --> 0:19:30.960
<v Speaker 3>a mixtape on him like a first freestyle, because nobody else,

0:19:31.240 --> 0:19:32.960
<v Speaker 3>nobody else will put his freestyles out.

0:19:33.080 --> 0:19:36.040
<v Speaker 1>So absolutely was the first time people never might have

0:19:36.320 --> 0:19:36.760
<v Speaker 1>ha been.

0:19:36.600 --> 0:19:41.080
<v Speaker 7>The first time they heard Kanye whatever Okaya queen.

0:19:43.880 --> 0:19:48.160
<v Speaker 3>Now back in these days, we were at the damn

0:19:48.200 --> 0:19:50.920
<v Speaker 3>what was the what was the studios that that O

0:19:51.080 --> 0:19:55.120
<v Speaker 3>g one and Jason Baseline. He was at Baseline a lot.

0:19:56.080 --> 0:19:57.960
<v Speaker 3>So this is where I knew from Kanye as a

0:19:57.960 --> 0:20:02.880
<v Speaker 3>producer because just Blaze being in the room, Kanye being another,

0:20:02.960 --> 0:20:05.720
<v Speaker 3>or they'd be both in that pre production room, you know,

0:20:06.359 --> 0:20:09.800
<v Speaker 3>just banging out beats, banging out beats. I was tied

0:20:09.840 --> 0:20:11.639
<v Speaker 3>with Jaco all the time because Jaco put out a

0:20:11.680 --> 0:20:15.800
<v Speaker 3>mixtape and I will be there hanging and everybody in

0:20:15.800 --> 0:20:21.119
<v Speaker 3>the roster is arguing with Kanye because they want to

0:20:21.119 --> 0:20:24.399
<v Speaker 3>be from him. Okay, but like, yo, don't make a

0:20:24.440 --> 0:20:27.560
<v Speaker 3>beef for me, man, stop playing, you know with Jim

0:20:27.800 --> 0:20:32.399
<v Speaker 3>Cam Beanie Bleak. Everyone talked to him like that, and

0:20:32.480 --> 0:20:33.760
<v Speaker 3>it was like it to me, it was like the

0:20:34.400 --> 0:20:37.080
<v Speaker 3>like the mad scientists behind the drum machine. You know,

0:20:37.320 --> 0:20:41.639
<v Speaker 3>he had ideas, he always wanted a rap, but I

0:20:41.640 --> 0:20:44.600
<v Speaker 3>felt like nobody was giving him a shot. Maybe maybe

0:20:44.640 --> 0:20:47.600
<v Speaker 3>because he over delivered in his delivery or something, and

0:20:47.680 --> 0:20:49.600
<v Speaker 3>it was like, I don't know, it might have been

0:20:49.640 --> 0:20:52.600
<v Speaker 3>too much for me at the time. That's from what

0:20:52.720 --> 0:20:55.560
<v Speaker 3>I remember, Okay, And then.

0:20:56.840 --> 0:20:59.280
<v Speaker 1>How does it go from that to then he then

0:20:59.320 --> 0:21:04.240
<v Speaker 1>he then he produces the Blueprint and.

0:21:05.160 --> 0:21:10.520
<v Speaker 3>Now now no no, but now Damon Demon and Jay

0:21:10.520 --> 0:21:13.320
<v Speaker 3>and them, they signed him as a producer. But I'm

0:21:13.320 --> 0:21:16.280
<v Speaker 3>starting to notice like he's been signed for a while,

0:21:16.320 --> 0:21:18.840
<v Speaker 3>but there's students, there's still nothing on him. So I'm like,

0:21:18.880 --> 0:21:22.320
<v Speaker 3>what's the problem. So in my mind, and I can't

0:21:22.400 --> 0:21:25.360
<v Speaker 3>prove it, because that's my famous word right now, I can't.

0:21:26.800 --> 0:21:26.879
<v Speaker 10>That.

0:21:27.080 --> 0:21:29.720
<v Speaker 3>Uh, maybe did help him because you did just want

0:21:29.760 --> 0:21:32.359
<v Speaker 3>to Lockerman as a producer. I mean, he did produce

0:21:32.400 --> 0:21:35.639
<v Speaker 3>The Blueprint, one of the greatest hip hop albums right right.

0:21:37.119 --> 0:21:39.119
<v Speaker 3>So anyway, I'm at the office in a record pool

0:21:40.400 --> 0:21:42.800
<v Speaker 3>and I'm tighted with Common, I'm tighted with Tyler Quality,

0:21:44.520 --> 0:21:47.480
<v Speaker 3>and these dudes keep coming to the office. They were enough,

0:21:49.000 --> 0:21:51.040
<v Speaker 3>you know, and and they heavily coming by because we

0:21:51.119 --> 0:21:53.720
<v Speaker 3>got a little studio Peo production studio up there at

0:21:53.760 --> 0:21:55.800
<v Speaker 3>the office, and I would do a lot of mixtapes

0:21:55.880 --> 0:21:59.960
<v Speaker 3>me and cast one. So then yeah, he's bothering me

0:22:00.119 --> 0:22:02.160
<v Speaker 3>on something like you don't want to be a heavy hitter,

0:22:03.920 --> 0:22:09.360
<v Speaker 3>so he would now. Stupid me didn't realize where this

0:22:09.400 --> 0:22:12.920
<v Speaker 3>could go. It's too early, you know. I'm like, yo,

0:22:12.960 --> 0:22:13.760
<v Speaker 3>my man, you got it.

0:22:13.960 --> 0:22:16.280
<v Speaker 7>Like he's approached you as a heavy head, as a

0:22:16.280 --> 0:22:17.880
<v Speaker 7>producer or as.

0:22:17.760 --> 0:22:23.240
<v Speaker 3>An actual man. He's just want to I don't want

0:22:23.240 --> 0:22:25.040
<v Speaker 3>to be a heavy here that I'm like, yo, man,

0:22:25.040 --> 0:22:26.560
<v Speaker 3>I don't got no artists as a heavy head. We

0:22:26.600 --> 0:22:29.919
<v Speaker 3>have DJ Clarer, Okay, you can't even DJ. Yeah, but

0:22:29.920 --> 0:22:33.159
<v Speaker 3>I make these banking beats. And then that man. If

0:22:33.200 --> 0:22:35.240
<v Speaker 3>I knew what I'd do back then, I would have

0:22:35.320 --> 0:22:40.840
<v Speaker 3>signed them to a fifty million. I had no idea,

0:22:42.280 --> 0:22:46.840
<v Speaker 3>no idea, make some lawyers for that man. But it

0:22:46.960 --> 0:22:49.520
<v Speaker 3>ended up happening, right, He ended up well technically Yeah.

0:22:49.640 --> 0:22:54.280
<v Speaker 3>Then uh, me and my man A G put out

0:22:54.760 --> 0:22:58.560
<v Speaker 3>his Get Home or Welcome Home mixtape, and I remember

0:22:58.600 --> 0:23:00.280
<v Speaker 3>going to the stores with him on the road because

0:23:00.320 --> 0:23:01.480
<v Speaker 3>he wanted to know how we did the runs with

0:23:01.520 --> 0:23:04.919
<v Speaker 3>the mixtape. We went to the Africans and Canal, We

0:23:05.000 --> 0:23:06.800
<v Speaker 3>went to the Bronx, We went to all the all

0:23:06.840 --> 0:23:10.919
<v Speaker 3>the mixtapes and record shops that would sell mixtapes, and

0:23:10.960 --> 0:23:14.560
<v Speaker 3>I was trying to push Kanye's tape. Nobody wanted it,

0:23:15.400 --> 0:23:19.400
<v Speaker 3>damn nobody. But as I'm starting to play a ship

0:23:19.480 --> 0:23:21.600
<v Speaker 3>on the radio, I'm playing the good, the bad, the

0:23:21.680 --> 0:23:26.360
<v Speaker 3>ugly with consequence to him. I'm playing two words by him,

0:23:26.560 --> 0:23:29.760
<v Speaker 3>most definitely the Harlem Boys choir. I'm starting to play

0:23:29.800 --> 0:23:32.919
<v Speaker 3>some joints that ain't been really released yet. When I

0:23:33.000 --> 0:23:36.840
<v Speaker 3>dropped that Jesus Walks, you know, the mixtape went on fire. Yo,

0:23:36.880 --> 0:23:39.240
<v Speaker 3>I need more of those mixtapes. So you said you

0:23:39.359 --> 0:23:43.240
<v Speaker 3>want nothing, Now we want them. So I remember I

0:23:43.320 --> 0:23:46.120
<v Speaker 3>probably had like about a good fifteen checks for Kanye,

0:23:46.680 --> 0:23:50.040
<v Speaker 3>noting nothing big, but just you know, the first couple

0:23:50.080 --> 0:23:52.320
<v Speaker 3>of orders, people wanted the tapes, and he was like,

0:23:52.359 --> 0:23:55.280
<v Speaker 3>now I want the money. Just thank you for you know,

0:23:55.520 --> 0:23:58.200
<v Speaker 3>pushing me and taking care of me, what else whatever,

0:23:59.800 --> 0:24:02.320
<v Speaker 3>And out of nowhere he asked me for my logo.

0:24:04.119 --> 0:24:05.600
<v Speaker 3>And then I thought he was gonna put a mixtape

0:24:05.600 --> 0:24:09.200
<v Speaker 3>out of something, and he puts his ship on the album.

0:24:09.400 --> 0:24:13.360
<v Speaker 3>I didn't give him, yo, I ain't giving no permission.

0:24:13.840 --> 0:24:15.679
<v Speaker 3>I didn't say, yeah, you have to declaimen to put

0:24:15.720 --> 0:24:17.720
<v Speaker 3>this on. But after it was the biggest honor in

0:24:17.720 --> 0:24:20.880
<v Speaker 3>the world, like this dude is getting. Then on top

0:24:20.920 --> 0:24:29.200
<v Speaker 3>of that, he made and then on top of that,

0:24:29.720 --> 0:24:32.520
<v Speaker 3>to make it even better, him and GLC make a

0:24:32.560 --> 0:24:37.879
<v Speaker 3>record call heavy Hitters for Life Wow, the B side

0:24:37.880 --> 0:24:42.399
<v Speaker 3>of uh, Jesus walks if I'm not mistaken, and he

0:24:42.440 --> 0:24:47.720
<v Speaker 3>says heavy Hitters for Live Rockefeller or Live. Then he

0:24:47.760 --> 0:24:50.480
<v Speaker 3>starts breaking it down, you know, and it's kind of dope,

0:24:50.480 --> 0:24:55.000
<v Speaker 3>but signed very like this. This dude is nuts. He's crazy.

0:24:55.840 --> 0:24:58.160
<v Speaker 3>And after that he got Kim Kardashian and I never

0:24:58.160 --> 0:25:03.320
<v Speaker 3>saw him. We never went on to get I lost

0:25:03.359 --> 0:25:03.800
<v Speaker 3>my friend.

0:25:04.760 --> 0:25:09.240
<v Speaker 1>But so, uh yeah, yeah, thank you.

0:25:09.240 --> 0:25:10.640
<v Speaker 3>You gotta drink amelo, you need something?

0:25:11.200 --> 0:25:14.080
<v Speaker 1>Sure, come have a drink.

0:25:13.880 --> 0:25:19.960
<v Speaker 4>Sunlight Yeah yeah, yeah, little something, a little taste my cup.

0:25:23.080 --> 0:25:24.840
<v Speaker 3>Want you doing that? We got saki, you.

0:25:24.760 --> 0:25:31.040
<v Speaker 11>Want sack, tequila, tequila, poppy.

0:25:32.359 --> 0:25:36.880
<v Speaker 3>We can drink Branson Steef. We got Branson. Yeah, We'll

0:25:36.920 --> 0:25:42.560
<v Speaker 3>get your sunlight whatever, whatever I drink, whatever, What do

0:25:42.600 --> 0:25:42.720
<v Speaker 3>we have?

0:25:43.240 --> 0:25:46.560
<v Speaker 1>He said something like, and he says toquila when.

0:25:46.440 --> 0:25:50.119
<v Speaker 3>He's you don't drink what he's drinking the blue label.

0:25:50.200 --> 0:25:54.920
<v Speaker 3>I'm down, I'm down living some blue label. I'm not

0:25:54.960 --> 0:25:55.680
<v Speaker 3>drinking out about it.

0:25:55.760 --> 0:25:58.560
<v Speaker 5>Or you could drink some Volly vodka Pulls vodka.

0:25:59.040 --> 0:26:02.119
<v Speaker 4>I got plenty of that shot the bo yeah up

0:26:02.160 --> 0:26:08.040
<v Speaker 4>a bit, Yeah, yeah, that's fine, that's fine. Okay, I

0:26:08.119 --> 0:26:10.479
<v Speaker 4>was gonna go if you're looking, I want to go,

0:26:10.920 --> 0:26:12.720
<v Speaker 4>because we're skating them around things and we're not.

0:26:12.680 --> 0:26:13.800
<v Speaker 3>Really going back both for it.

0:26:13.840 --> 0:26:16.160
<v Speaker 4>Man, So let's go back to how you even get

0:26:16.160 --> 0:26:19.000
<v Speaker 4>that phone call from Puff to spin for Big, Like,

0:26:19.000 --> 0:26:20.080
<v Speaker 4>what's that relationship?

0:26:20.080 --> 0:26:20.640
<v Speaker 3>How does that get?

0:26:20.800 --> 0:26:26.720
<v Speaker 7>Because I heard somewhere that you actually played Biggs album.

0:26:27.920 --> 0:26:30.840
<v Speaker 1>On Kiss Up and Puff caught you flipping on you.

0:26:31.119 --> 0:26:35.600
<v Speaker 3>Hurged me the fuck out, so and Puff you know

0:26:35.680 --> 0:26:42.280
<v Speaker 3>this is true, so you're mad. So I'm gonna bring

0:26:42.320 --> 0:26:46.359
<v Speaker 3>it back to the essence. Right on fourth on thirteenth

0:26:46.400 --> 0:26:48.640
<v Speaker 3>Street and Park Avenue in the city was a club

0:26:48.680 --> 0:26:50.160
<v Speaker 3>called the Black Fussy Cat.

0:26:50.200 --> 0:26:53.080
<v Speaker 1>Okay, yeah, when I came out here, we had one

0:26:53.119 --> 0:26:53.520
<v Speaker 1>out here.

0:26:54.280 --> 0:26:58.520
<v Speaker 3>Right because later on it was called Swaye. So I

0:26:58.560 --> 0:27:01.440
<v Speaker 3>knew this. I knew the motors and the bounces of club.

0:27:02.359 --> 0:27:03.840
<v Speaker 3>Now Big was trying to get in the club with

0:27:03.960 --> 0:27:08.119
<v Speaker 3>MP and it wasn't letting them in the club. But

0:27:08.200 --> 0:27:10.520
<v Speaker 3>I was like, damn, you guys think it's just some

0:27:10.520 --> 0:27:14.600
<v Speaker 3>goons from Brooklyn, but they're actually recording artists, the cool people,

0:27:14.800 --> 0:27:16.440
<v Speaker 3>and I promise you they won't get into no trouble.

0:27:16.800 --> 0:27:18.960
<v Speaker 3>So I went to the to the promoters and to

0:27:19.040 --> 0:27:21.280
<v Speaker 3>the security guys, and I told them, you know, let's

0:27:21.359 --> 0:27:23.600
<v Speaker 3>let these guys and they're good people. And Big love

0:27:23.640 --> 0:27:27.040
<v Speaker 3>that I did that for him. So on the way

0:27:27.080 --> 0:27:31.080
<v Speaker 3>out we leaving, Big push me to the side, like, yo,

0:27:31.119 --> 0:27:34.760
<v Speaker 3>he this for you. This is my album. Nobody got

0:27:34.760 --> 0:27:37.760
<v Speaker 3>it yet and this was the real album. Yes, no,

0:27:38.680 --> 0:27:41.760
<v Speaker 3>it was, but it was on a rough It was

0:27:41.760 --> 0:27:42.600
<v Speaker 3>on a TDK.

0:27:42.880 --> 0:27:45.800
<v Speaker 1>Okay it was.

0:27:47.520 --> 0:27:49.919
<v Speaker 3>So he gets just me in a cassette and I'm like,

0:27:50.640 --> 0:27:53.160
<v Speaker 3>I ain't really paying no mind. You know, it might

0:27:53.160 --> 0:27:55.640
<v Speaker 3>have been on Tuesday or Wednesday, and then not not

0:27:55.640 --> 0:27:57.399
<v Speaker 3>not to Thursday. I realized, you know, I got this

0:27:57.480 --> 0:27:59.920
<v Speaker 3>guy's album. But to put it in content.

0:28:00.040 --> 0:28:02.280
<v Speaker 4>What records did he have out already partying bullshit?

0:28:02.440 --> 0:28:07.200
<v Speaker 3>Partying with a super Cat? Had the Mary Jay record? Yeah?

0:28:07.520 --> 0:28:11.760
<v Speaker 3>Only two or three? Yeah, So the buzz was on

0:28:11.840 --> 0:28:14.040
<v Speaker 3>him already even when he dropped this party and bullshit,

0:28:14.320 --> 0:28:16.560
<v Speaker 3>the buzz was already on him because he had a

0:28:16.560 --> 0:28:21.600
<v Speaker 3>special voice. So back in those days, you know as

0:28:21.640 --> 0:28:24.840
<v Speaker 3>DJ is a thirsty They played new Ship, right, So

0:28:24.880 --> 0:28:27.200
<v Speaker 3>I go to my guy, his name is Chris Paccardo,

0:28:27.359 --> 0:28:30.040
<v Speaker 3>shot to him and I think he helped me clean

0:28:30.119 --> 0:28:34.119
<v Speaker 3>up the majority of the album on the cassette and

0:28:34.160 --> 0:28:37.320
<v Speaker 3>he gives it back to me. Some records you put

0:28:37.320 --> 0:28:41.000
<v Speaker 3>in the system. That means like on the radio station.

0:28:41.120 --> 0:28:43.280
<v Speaker 3>We have a thing that's called the system, which is

0:28:43.320 --> 0:28:46.920
<v Speaker 3>like their computer, not not a cassette. I don't see

0:28:46.920 --> 0:28:51.240
<v Speaker 3>the in the computer. So at any moment, I could

0:28:51.240 --> 0:28:54.480
<v Speaker 3>just pick whatever record and it's like I could play

0:28:54.520 --> 0:28:56.800
<v Speaker 3>a bomb or something, and then we go right into

0:28:57.200 --> 0:29:00.640
<v Speaker 3>a record off the album. So we did this multiple

0:29:00.760 --> 0:29:06.080
<v Speaker 3>times throughout the night, and and and back. Then Supernatural

0:29:06.200 --> 0:29:06.520
<v Speaker 3>was my.

0:29:06.440 --> 0:29:16.400
<v Speaker 12>Host DJ, and I don't even know that yeah real

0:29:16.480 --> 0:29:20.520
<v Speaker 12>hip hop, right, it's the real yippire.

0:29:20.880 --> 0:29:22.920
<v Speaker 3>So I'm playing it, playing it, and it gets to

0:29:22.960 --> 0:29:28.480
<v Speaker 3>a point where like the hotline rings or the red

0:29:28.600 --> 0:29:31.120
<v Speaker 3>the red the red phone whatever that is like a

0:29:31.160 --> 0:29:34.600
<v Speaker 3>special line, special line whatever. The voss is usually called

0:29:34.600 --> 0:29:37.800
<v Speaker 3>hold you on this line. So I pick it up

0:29:40.560 --> 0:29:43.880
<v Speaker 3>Hope for Hope for Diddy, a hope of hope of Puff.

0:29:44.160 --> 0:29:49.680
<v Speaker 3>I don't think he was Diddy yet, so I was like,

0:29:50.000 --> 0:29:52.600
<v Speaker 3>what up. He's like, Yo, what the fuck are you doing.

0:29:54.480 --> 0:29:58.400
<v Speaker 3>I'm like, I'm in celebration mode. I'm happy my man

0:29:58.440 --> 0:30:00.800
<v Speaker 3>Big gave me the album I'm in MO. It was

0:30:00.800 --> 0:30:04.120
<v Speaker 3>about Brooklyn confidant. I'm on a radio, I'm shutting the

0:30:04.160 --> 0:30:06.800
<v Speaker 3>city fucking down. So I'm thinking he's calling on it

0:30:06.960 --> 0:30:09.520
<v Speaker 3>to say thank you. I see what you're doing. He's like,

0:30:09.520 --> 0:30:14.240
<v Speaker 3>what the fuck are you doing. I'm like, like Jackie glicaid,

0:30:14.240 --> 0:30:21.400
<v Speaker 3>I was like, I didn't know what to say. So,

0:30:22.880 --> 0:30:25.160
<v Speaker 3>when you think about it today, I didn't know what

0:30:25.200 --> 0:30:28.760
<v Speaker 3>it meant for an for a label to roll out

0:30:28.800 --> 0:30:32.040
<v Speaker 3>a single, roll out a project, what kind of money

0:30:32.120 --> 0:30:36.680
<v Speaker 3>was involved. It was poster boards, it was stickers, whether

0:30:36.680 --> 0:30:39.240
<v Speaker 3>it was a deal with a radio station, you know,

0:30:39.280 --> 0:30:42.240
<v Speaker 3>a touring situation. I didn't have no idea what any

0:30:42.240 --> 0:30:44.960
<v Speaker 3>of that was, so I might have screwed that up.

0:30:45.640 --> 0:30:48.840
<v Speaker 3>It's a big right, So he's cursing me out, I'll

0:30:48.920 --> 0:30:54.200
<v Speaker 3>kill you, motherfucker mob here like, uh, the music is

0:30:54.240 --> 0:30:58.160
<v Speaker 3>in the background, but he's he's clearly in my ear

0:30:58.640 --> 0:30:59.080
<v Speaker 3>killing me.

0:31:00.080 --> 0:31:05.040
<v Speaker 1>He's still playing the record. Give me the business.

0:31:05.880 --> 0:31:12.160
<v Speaker 3>And then I don't see him for like weeks months,

0:31:12.240 --> 0:31:15.640
<v Speaker 3>nothing and I'll bumping him the club nothing and then

0:31:15.680 --> 0:31:19.640
<v Speaker 3>I go to this uh ninety seven used to have

0:31:19.680 --> 0:31:23.600
<v Speaker 3>this thing called a Player's Ball, Okay, yeah, I remember

0:31:23.640 --> 0:31:27.040
<v Speaker 3>that it was, but the same thing as it was

0:31:27.760 --> 0:31:30.920
<v Speaker 3>very so it was there. It was their interpretation of

0:31:30.960 --> 0:31:33.840
<v Speaker 3>what they would maybe tell the listeners to play a ball.

0:31:34.680 --> 0:31:37.320
<v Speaker 3>Used to like host a couple of times, right, yeah,

0:31:37.360 --> 0:31:41.360
<v Speaker 3>so that was hosted by our station at the time.

0:31:41.400 --> 0:31:44.760
<v Speaker 3>It was it was ed lover Miss Jones.

0:31:46.160 --> 0:31:46.240
<v Speaker 1>Me.

0:31:47.520 --> 0:31:50.000
<v Speaker 3>And then I remember like Angie Martinez coming through school,

0:31:51.160 --> 0:31:56.160
<v Speaker 3>Coco Chanel, Jazzy Joyce, that was like the vibe. And

0:31:56.240 --> 0:31:58.680
<v Speaker 3>I see him in the hallway because that same weekend

0:31:59.280 --> 0:32:03.200
<v Speaker 3>that we're doing this Player's Ball is some sort of

0:32:03.320 --> 0:32:08.080
<v Speaker 3>signing or some sort of party, maybe a listening playback

0:32:08.160 --> 0:32:14.000
<v Speaker 3>or press release something from Mary J. Blige My Life's album.

0:32:14.160 --> 0:32:17.000
<v Speaker 3>So I'm like, oh shit. He goes pumps, so I'm like,

0:32:18.400 --> 0:32:20.200
<v Speaker 3>I haven't seen him since he cursed me the funk out.

0:32:22.880 --> 0:32:25.520
<v Speaker 3>So then he's like, yo, let me talk to you

0:32:25.560 --> 0:32:27.840
<v Speaker 3>some over here, like oh ship here comes to bullshit

0:32:29.800 --> 0:32:31.720
<v Speaker 3>and he flips it on me and he's like, yall

0:32:31.760 --> 0:32:32.840
<v Speaker 3>want you to go on the road with b I G.

0:32:33.000 --> 0:32:36.360
<v Speaker 3>What you think. Hm, I'm like the change of course.

0:32:37.880 --> 0:32:40.880
<v Speaker 3>You know, I thought he was mad, but she was

0:32:40.920 --> 0:32:44.040
<v Speaker 3>an He's like, yo, are you understand what I'm saying.

0:32:46.080 --> 0:32:51.400
<v Speaker 3>I'm like, huh, like I'm stuck on stupid now because

0:32:51.440 --> 0:32:53.640
<v Speaker 3>I don't. I wasn't ready. I wasn't ready for that.

0:32:54.640 --> 0:32:56.080
<v Speaker 3>He does, I want you to go on the road.

0:32:56.160 --> 0:33:05.440
<v Speaker 3>But we're big, So I was like, big, I just

0:33:05.480 --> 0:33:09.360
<v Speaker 3>got my radio, gig, got kissed. I'm feeling myself so like,

0:33:09.400 --> 0:33:12.920
<v Speaker 3>I don't know, let me think about it. He says, what,

0:33:13.280 --> 0:33:16.680
<v Speaker 3>she didn't even think about it. So I think you

0:33:16.800 --> 0:33:18.640
<v Speaker 3>might have say, like you a wild boy or some ship,

0:33:18.720 --> 0:33:21.400
<v Speaker 3>I don't know whatever. That sounds like him, But I

0:33:21.480 --> 0:33:24.600
<v Speaker 3>kept it moving. And you know, I guess him and

0:33:24.720 --> 0:33:29.120
<v Speaker 3>uh him and him and Jessica Rosevel Bloom are real tight.

0:33:31.720 --> 0:33:35.800
<v Speaker 3>And I guess, yeah, she ran the tunnel. She ran

0:33:35.840 --> 0:33:42.680
<v Speaker 3>them some squad DJs. Mhm mhmm. Yeah, So I guess

0:33:42.720 --> 0:33:45.200
<v Speaker 3>they got to talking and then she came back around

0:33:45.280 --> 0:33:46.760
<v Speaker 3>to me, was like, yo, I think you should do it.

0:33:46.800 --> 0:33:50.800
<v Speaker 3>Blah blah blah blah blah. I said, I tried it out,

0:33:51.160 --> 0:33:54.320
<v Speaker 3>tried it out, had a great time, changed my life. Yes,

0:33:54.920 --> 0:33:58.400
<v Speaker 3>that's the one gig that I did that people to

0:33:58.400 --> 0:34:00.960
<v Speaker 3>this day still ask the most question, what's about Well

0:34:01.080 --> 0:34:02.320
<v Speaker 3>big big did.

0:34:06.680 --> 0:34:10.680
<v Speaker 7>Now it was like a monumental thing that happened in

0:34:10.800 --> 0:34:14.080
<v Speaker 7>radio right before we get to what's happening right nowadays.

0:34:14.560 --> 0:34:16.720
<v Speaker 1>Was back in the days, well not back in the days.

0:34:16.719 --> 0:34:21.760
<v Speaker 7>But when Angie Martinez announced that when she was leaving

0:34:21.800 --> 0:34:26.640
<v Speaker 7>Hot seven, like that ship was like it was like

0:34:27.000 --> 0:34:29.759
<v Speaker 7>a blow to everyone because I mean me personally.

0:34:29.440 --> 0:34:30.719
<v Speaker 3>Broke my heart broke that day.

0:34:30.719 --> 0:34:33.680
<v Speaker 7>I was like, oh, so, so you didn't you didn't

0:34:33.719 --> 0:34:36.879
<v Speaker 7>know prior to this, like keep it real, No, I didn't, you.

0:34:36.800 --> 0:34:39.440
<v Speaker 3>Didn't she said, She said, she called my phone, but

0:34:40.239 --> 0:34:44.560
<v Speaker 3>my number's been a safe I love you. I don't know.

0:34:44.640 --> 0:34:47.160
<v Speaker 3>I don't remember getting a phone call. I don't think anybody.

0:34:47.480 --> 0:34:49.560
<v Speaker 3>And maybe she was smart because she was moving in

0:34:49.680 --> 0:34:53.400
<v Speaker 3>silence smart and she couldn't probably tell nobody, you know,

0:34:53.520 --> 0:34:55.840
<v Speaker 3>that's just part of the deal. So we had accepted.

0:34:56.040 --> 0:34:58.399
<v Speaker 3>So when she left, I was like, good fun man.

0:34:58.840 --> 0:35:01.960
<v Speaker 13>She did that with elegance, right, she did that execution

0:35:02.760 --> 0:35:05.320
<v Speaker 13>that building that day was like mouth drop.

0:35:05.320 --> 0:35:07.120
<v Speaker 3>You know why she did it right? She didn't cried

0:35:07.440 --> 0:35:07.759
<v Speaker 3>like me.

0:35:13.840 --> 0:35:17.359
<v Speaker 14>Shout age many but I didn't see anything you did

0:35:17.920 --> 0:35:23.840
<v Speaker 14>for thirty years anything. Yeah, rap, Yeah, the reports didn't

0:35:23.840 --> 0:35:24.799
<v Speaker 14>take thirty years to make.

0:35:25.160 --> 0:35:27.279
<v Speaker 7>The boy report is almost thirty years old because in

0:35:27.920 --> 0:35:30.319
<v Speaker 7>twenty seven, but it didn't take you thirty years to

0:35:30.360 --> 0:35:30.759
<v Speaker 7>make it.

0:35:32.160 --> 0:35:33.160
<v Speaker 3>Do you understand my point?

0:35:33.360 --> 0:35:36.759
<v Speaker 1>Yeah? But it's the same ship. I mean, I've got

0:35:36.800 --> 0:35:37.280
<v Speaker 1>to say.

0:35:38.400 --> 0:35:40.040
<v Speaker 3>I feel you, I feel you. We're gonna get it,

0:35:40.120 --> 0:35:40.640
<v Speaker 3>We're gonna get this.

0:35:41.520 --> 0:35:43.080
<v Speaker 7>But what we talked about was just so into that

0:35:43.120 --> 0:35:49.359
<v Speaker 7>what happened. Yes, so I remember, you know, and this

0:35:49.440 --> 0:35:51.880
<v Speaker 7>is this is not the same. But I remember like

0:35:51.960 --> 0:35:54.680
<v Speaker 7>me being in depth, Jam and Leo all knowing he leaving.

0:35:55.120 --> 0:35:58.400
<v Speaker 7>He would walk around different, right, like like I was

0:35:58.440 --> 0:36:01.400
<v Speaker 7>there like three days straight and I would look at

0:36:01.520 --> 0:36:04.440
<v Speaker 7>you could tell like he was hiding something, right because

0:36:04.480 --> 0:36:07.240
<v Speaker 7>he can't legally tell anybody I'm leaving.

0:36:07.680 --> 0:36:11.920
<v Speaker 1>You understand was that no one never knew that about it,

0:36:12.320 --> 0:36:14.120
<v Speaker 1>or like no one had no clue.

0:36:14.200 --> 0:36:16.959
<v Speaker 13>Okay, so I think everybody knew at the same time

0:36:17.000 --> 0:36:18.000
<v Speaker 13>that day.

0:36:18.680 --> 0:36:21.640
<v Speaker 7>Now, how did it happen that, you guys know, she

0:36:21.680 --> 0:36:22.920
<v Speaker 7>announced it on the station.

0:36:24.000 --> 0:36:28.320
<v Speaker 3>She made an announcement. I forgot she made an email

0:36:28.440 --> 0:36:31.040
<v Speaker 3>phone call. But yeah, it's like if I did find out.

0:36:31.040 --> 0:36:32.040
<v Speaker 3>It was literally the same day.

0:36:32.440 --> 0:36:35.200
<v Speaker 13>What I remember she made her like everybody pulled up

0:36:36.200 --> 0:36:39.400
<v Speaker 13>and she made that announcement and it was like balloons

0:36:39.440 --> 0:36:40.759
<v Speaker 13>and cakes and all types of.

0:36:41.160 --> 0:36:44.960
<v Speaker 3>Now letting the Mary J. Bloge came. Taraji p Henson came, right,

0:36:45.960 --> 0:36:49.640
<v Speaker 3>I'm p Henson like just who are you guys going

0:36:49.719 --> 0:36:55.080
<v Speaker 3>to be? Okay, there's gonna be better things for you.

0:36:55.120 --> 0:36:58.200
<v Speaker 13>And everybody pulled up and she didn't tell a war

0:36:58.320 --> 0:37:00.400
<v Speaker 13>what what she was doing. She's like, yah, just you know,

0:37:00.440 --> 0:37:03.480
<v Speaker 13>I'm done, done that. I'm leaving my last day. But

0:37:03.520 --> 0:37:07.600
<v Speaker 13>you know, everybody came to celebrate her. Everybody's crying. The

0:37:07.640 --> 0:37:11.280
<v Speaker 13>whole station pulled up, facts, the phone calls.

0:37:11.000 --> 0:37:12.120
<v Speaker 3>Every artist calling.

0:37:12.320 --> 0:37:16.560
<v Speaker 13>It was a celebration, you know, but the city was hurt, like,

0:37:17.160 --> 0:37:18.000
<v Speaker 13>oh my god.

0:37:17.840 --> 0:37:20.800
<v Speaker 3>How ninety seven is over? It's over?

0:37:21.280 --> 0:37:23.200
<v Speaker 13>Like you know that's the that was the queen, like

0:37:23.200 --> 0:37:25.520
<v Speaker 13>a voice in New York like, so yeah, it was.

0:37:25.560 --> 0:37:27.760
<v Speaker 3>It was. That was tough. That was tough.

0:37:28.560 --> 0:37:31.360
<v Speaker 1>Okay. Now you know if you used to work on

0:37:31.440 --> 0:37:32.600
<v Speaker 1>the Star in work Wow.

0:37:32.440 --> 0:37:35.200
<v Speaker 7>Show yes sir, and I believe you quick, yeah, And

0:37:35.239 --> 0:37:38.600
<v Speaker 7>that's how you got your own slot, right, Well, something

0:37:38.640 --> 0:37:38.879
<v Speaker 7>like that.

0:37:38.960 --> 0:37:41.359
<v Speaker 1>Something like that. I'm I'm so.

0:37:43.840 --> 0:37:46.320
<v Speaker 7>This is this is something you've probably never been asked before,

0:37:47.200 --> 0:37:51.160
<v Speaker 7>Like how did you feel when Envy left the station

0:37:51.360 --> 0:37:53.000
<v Speaker 7>and started the breakfast cloud.

0:37:53.480 --> 0:37:56.880
<v Speaker 3>I was like, great for him, Okay, I was okay,

0:37:57.719 --> 0:38:01.719
<v Speaker 3>I was happy for Well. People don't seem to understand, right,

0:38:02.560 --> 0:38:06.399
<v Speaker 3>just because Envy's at the other station doesn't mean he's

0:38:06.440 --> 0:38:09.800
<v Speaker 3>not my guy. That's my guy. I got sick in

0:38:09.880 --> 0:38:13.239
<v Speaker 3>twenty nineteen, had a stroke and I was fucked up.

0:38:14.560 --> 0:38:18.160
<v Speaker 3>And Envy was the one who calls this guy and says, yo,

0:38:18.560 --> 0:38:21.960
<v Speaker 3>we don't know what enough situation is. His monetary situation is.

0:38:22.160 --> 0:38:25.120
<v Speaker 3>He might be fucked up. You know, he's not doing gigs,

0:38:25.120 --> 0:38:28.560
<v Speaker 3>he's not outside. He might he might whatever. And then

0:38:28.600 --> 0:38:30.600
<v Speaker 3>I started getting this is like during the cash at

0:38:30.680 --> 0:38:35.600
<v Speaker 3>venmo Era, I started getting old this thing and I'm like,

0:38:35.600 --> 0:38:38.319
<v Speaker 3>what the fuck is this? I called this dude, like, yo,

0:38:38.320 --> 0:38:40.959
<v Speaker 3>why in by sending me money? That we spoke to Envy.

0:38:41.040 --> 0:38:43.600
<v Speaker 3>Envy brought it up and I was like, look, the

0:38:43.640 --> 0:38:48.600
<v Speaker 3>competition is calling to help and send love. I thought

0:38:48.640 --> 0:38:52.760
<v Speaker 3>I was the most incredible SHITNK. Not my best friend,

0:38:52.880 --> 0:38:54.719
<v Speaker 3>but not somebody I'll do up with.

0:38:58.800 --> 0:39:02.719
<v Speaker 13>But real talk, real talk like there was never when

0:39:02.719 --> 0:39:06.400
<v Speaker 13>he went over there, we was always cool. Nothing changed.

0:39:06.719 --> 0:39:08.359
<v Speaker 13>I used to I used to do the show like

0:39:08.560 --> 0:39:12.120
<v Speaker 13>on Sundays. I used to don't show envy and we

0:39:12.200 --> 0:39:13.440
<v Speaker 13>used to be on then I used to hop on

0:39:13.560 --> 0:39:15.759
<v Speaker 13>right after. So we were like always seeing each other

0:39:15.760 --> 0:39:18.919
<v Speaker 13>every weekend. When he went over there, they was to love.

0:39:19.080 --> 0:39:20.799
<v Speaker 1>No, but I'm gonna be honest. Let me just be honest.

0:39:20.840 --> 0:39:21.560
<v Speaker 3>I'm gonna be honest.

0:39:22.960 --> 0:39:25.400
<v Speaker 7>At one point, it was just Hot ninety seven, right, yeah,

0:39:25.680 --> 0:39:28.360
<v Speaker 7>so if you didn't get Hot ninety seven, your ass

0:39:28.440 --> 0:39:29.040
<v Speaker 7>was finished.

0:39:29.160 --> 0:39:29.440
<v Speaker 3>Right.

0:39:31.680 --> 0:39:36.080
<v Speaker 7>Power went on five came option kind of even the

0:39:36.160 --> 0:39:39.839
<v Speaker 7>playing field. The problem was when they first came, they

0:39:39.880 --> 0:39:41.719
<v Speaker 7>didn't have no players from Hot ninety seven.

0:39:42.360 --> 0:39:46.360
<v Speaker 3>No, So when Envy game, I felt like it. So

0:39:46.520 --> 0:39:50.359
<v Speaker 3>I think I think Clue was first. Yes, I don't

0:39:50.400 --> 0:39:52.120
<v Speaker 3>remember the old I think Clue went first.

0:39:52.200 --> 0:39:55.759
<v Speaker 1>Cool, No, No, it had to be the brother Stu first.

0:39:55.800 --> 0:39:57.640
<v Speaker 3>He might he might know this. I don't know. I

0:39:57.680 --> 0:40:00.000
<v Speaker 3>think we went first. Okay, I think Clue made them

0:40:00.120 --> 0:40:04.600
<v Speaker 3>move first. Okay, it was envy, Okay, what is the

0:40:04.600 --> 0:40:09.680
<v Speaker 3>probably love first? Well yeah, yeah, you're right right right.

0:40:09.880 --> 0:40:13.520
<v Speaker 1>That level was crazy, but at level was like, you know,

0:40:14.600 --> 0:40:15.280
<v Speaker 1>you know what I'm saying.

0:40:15.560 --> 0:40:17.920
<v Speaker 3>The person he was still the big voice of the

0:40:17.960 --> 0:40:18.560
<v Speaker 3>city man.

0:40:18.520 --> 0:40:22.120
<v Speaker 1>With envy clue left. It was like, okay. It was

0:40:22.280 --> 0:40:24.440
<v Speaker 1>because I remember, I don't know if you remember, I

0:40:24.480 --> 0:40:27.000
<v Speaker 1>know you got to remember this.

0:40:27.000 --> 0:40:33.920
<v Speaker 7>This is after the shootout and I was banned. He

0:40:34.000 --> 0:40:37.520
<v Speaker 7>was like, let me tell you something. This is the

0:40:37.520 --> 0:40:40.800
<v Speaker 7>crazy ship if you notice, and that in that time,

0:40:41.680 --> 0:40:43.680
<v Speaker 7>every other artist will go to the Power one O

0:40:43.840 --> 0:40:45.760
<v Speaker 7>five and say I flipped the switch.

0:40:46.160 --> 0:40:48.760
<v Speaker 3>I remember that. That was that was the campaign.

0:40:48.800 --> 0:40:51.879
<v Speaker 7>That was their campaign. I did you the fire, nor

0:40:51.920 --> 0:40:52.880
<v Speaker 7>we say I flipped the switch.

0:40:53.120 --> 0:40:55.160
<v Speaker 3>Never did that. I could never do that because.

0:41:00.239 --> 0:41:02.759
<v Speaker 6>Now to money in those days, now years later, maybe

0:41:02.800 --> 0:41:05.840
<v Speaker 6>I don't know what I'm saying, like yeah, because you

0:41:05.880 --> 0:41:12.720
<v Speaker 6>know why, like Russell Simmons had to go what's her name, Tracy, Yeah.

0:41:12.640 --> 0:41:14.920
<v Speaker 1>Russell Simmons had to go. I didn't take the shot.

0:41:17.600 --> 0:41:19.759
<v Speaker 7>And talk to them, and my record was number one,

0:41:20.040 --> 0:41:22.920
<v Speaker 7>grit me. It was grimy that was pulled and then

0:41:23.160 --> 0:41:25.000
<v Speaker 7>it was you like and as soon as I came.

0:41:24.880 --> 0:41:26.520
<v Speaker 1>Back, I got geral office.

0:41:26.560 --> 0:41:28.600
<v Speaker 3>I was like, here be back, and it was like.

0:41:28.760 --> 0:41:30.719
<v Speaker 1>It's a go. And then I think it was kind

0:41:30.800 --> 0:41:31.560
<v Speaker 1>to somebody was.

0:41:31.560 --> 0:41:37.239
<v Speaker 7>Like, it's a goal, grab me right back to number one,

0:41:35.560 --> 0:41:42.160
<v Speaker 7>and I was so, do y'all do y'all understand? So

0:41:43.600 --> 0:41:46.120
<v Speaker 7>how did how did y'all look at that that plan field?

0:41:46.120 --> 0:41:49.120
<v Speaker 7>Because at one point it was just y'all right, and

0:41:49.160 --> 0:41:52.040
<v Speaker 7>then we have this other station that come and.

0:41:51.960 --> 0:41:55.920
<v Speaker 1>Then we got Angie. Like once Angie went over there, it.

0:41:56.000 --> 0:41:58.719
<v Speaker 7>Was like all right, cool, like like everybody's like kind

0:41:58.760 --> 0:42:01.040
<v Speaker 7>of even. Like now it's like it's like the Mets

0:42:01.080 --> 0:42:02.080
<v Speaker 7>and the Yankees.

0:42:01.760 --> 0:42:04.040
<v Speaker 3>Now for real, like you know what it did though,

0:42:04.080 --> 0:42:07.160
<v Speaker 3>what you guys didn't understand? It watered the hip hop

0:42:07.200 --> 0:42:13.040
<v Speaker 3>came down. Okay, explain that because now we're playing politics, right,

0:42:13.400 --> 0:42:16.319
<v Speaker 3>and the politics is this. Now we're not gonna play

0:42:16.320 --> 0:42:19.520
<v Speaker 3>that RMB song. Why because they're playing it's power playing

0:42:19.560 --> 0:42:22.719
<v Speaker 3>it or whatever. We don't. We don't play R and B.

0:42:22.760 --> 0:42:24.839
<v Speaker 3>We're a hip hop station, you know what. Let them

0:42:24.880 --> 0:42:26.799
<v Speaker 3>play it first and then they'll take it to a

0:42:26.800 --> 0:42:28.719
<v Speaker 3>certain level that we just take it and run with it.

0:42:29.239 --> 0:42:33.600
<v Speaker 3>It became on loud and then it came you know what, enough,

0:42:34.160 --> 0:42:35.880
<v Speaker 3>we love what you're doing. But from now one, I

0:42:35.920 --> 0:42:39.520
<v Speaker 3>wants to play four of these songs our but that

0:42:39.640 --> 0:42:42.800
<v Speaker 3>was the very beginning of it. Let me play advocate.

0:42:42.840 --> 0:42:46.480
<v Speaker 7>I was like, damn, but that's how it used to

0:42:46.560 --> 0:42:49.600
<v Speaker 7>be for us and other like like if you're going

0:42:49.640 --> 0:42:54.000
<v Speaker 7>to Philly, yeah, say there's enough playing that. Yeah, they'll

0:42:54.040 --> 0:42:56.880
<v Speaker 7>say it's flex playing it. You know what I'm saying.

0:42:56.480 --> 0:43:02.960
<v Speaker 3>The market, Yeah, it was like you from those markets

0:43:03.239 --> 0:43:04.400
<v Speaker 3>slextly enough not playing it?

0:43:04.600 --> 0:43:08.640
<v Speaker 1>Yeah right, yes, yes, that's even like cosmical.

0:43:09.920 --> 0:43:11.560
<v Speaker 3>That's the only reason why they would bring that up.

0:43:11.800 --> 0:43:15.480
<v Speaker 13>Listen, when I started hot, I started midnights and it

0:43:15.600 --> 0:43:18.200
<v Speaker 13>was like, okay, you're on four o'clock, have a good time.

0:43:18.280 --> 0:43:21.880
<v Speaker 3>Played that. I had no rules. In fact, go in

0:43:23.719 --> 0:43:26.880
<v Speaker 3>whatever's hide in the street whatever. It was like the uncut.

0:43:26.880 --> 0:43:29.960
<v Speaker 13>Power came and then our hand started getting handcuffed little

0:43:29.960 --> 0:43:33.399
<v Speaker 13>by right, Oh, you got to stick to this, stick

0:43:33.440 --> 0:43:37.120
<v Speaker 13>to that and what he means like water diamonds. Now,

0:43:37.560 --> 0:43:40.600
<v Speaker 13>now start getting political. Now it's not hip hopping. No,

0:43:40.680 --> 0:43:42.600
<v Speaker 13>it's not coming from here. It's coming from here.

0:43:42.640 --> 0:43:46.440
<v Speaker 3>But you got rules right, right, right, absolutely so, And

0:43:46.880 --> 0:43:50.160
<v Speaker 3>that's when people don't understand. You know, it gets real.

0:43:50.040 --> 0:43:52.920
<v Speaker 13>Tough for radio, like and that war was a little

0:43:53.120 --> 0:43:56.240
<v Speaker 13>oh it got outside.

0:43:55.880 --> 0:43:57.640
<v Speaker 3>Looking at I was like what are y'all doing?

0:43:57.800 --> 0:44:03.520
<v Speaker 13>But I meant it got yeah, it got petty, super

0:44:03.719 --> 0:44:04.480
<v Speaker 13>he got petty.

0:44:04.600 --> 0:44:07.080
<v Speaker 3>And at first it was fun. It was, but you

0:44:07.120 --> 0:44:08.600
<v Speaker 3>can tell it wasn't fun anymore.

0:44:09.280 --> 0:44:11.320
<v Speaker 13>I'm going to keep it a buck. Kind of slipped.

0:44:11.320 --> 0:44:14.160
<v Speaker 13>It kind of separated the city, which was whack. And

0:44:14.160 --> 0:44:15.200
<v Speaker 13>I said, to this day.

0:44:15.239 --> 0:44:17.440
<v Speaker 3>Yeah, because you can't go to a power one of

0:44:17.520 --> 0:44:21.359
<v Speaker 3>five party. Why I can't DJ with envy? Why can't

0:44:21.360 --> 0:44:24.160
<v Speaker 3>you you with pro stout? Why can't what right?

0:44:24.960 --> 0:44:26.880
<v Speaker 1>And it was like, hold up and pro stouts are

0:44:26.880 --> 0:44:27.839
<v Speaker 1>heavy hit the right?

0:44:28.080 --> 0:44:28.480
<v Speaker 3>He was?

0:44:28.800 --> 0:44:48.560
<v Speaker 1>He was, I mean, especially at that time, shout the pro.

0:44:40.120 --> 0:44:43.040
<v Speaker 13>Politics and yo, I'm not here to shore on nobody.

0:44:43.360 --> 0:44:46.720
<v Speaker 3>I love you, bro, But he was. He was playing.

0:44:46.760 --> 0:44:50.000
<v Speaker 3>He was being the general. You can't funk with that side.

0:44:52.080 --> 0:44:58.080
<v Speaker 1>Ya was Crimson blood at one point, I remember, yeah.

0:44:58.160 --> 0:45:01.400
<v Speaker 13>And and it hurts the It hurt to say, and

0:45:01.440 --> 0:45:04.479
<v Speaker 13>I understood the what guy radio? But you know, once

0:45:04.520 --> 0:45:07.880
<v Speaker 13>we're out that building, mhm, we are here in the streets.

0:45:08.160 --> 0:45:10.360
<v Speaker 3>The way the world was, Bro, you pulled up in

0:45:10.400 --> 0:45:12.160
<v Speaker 3>the club, we got stickers, were putting our stickers in

0:45:12.239 --> 0:45:15.200
<v Speaker 3>the club. Then they would come and put their sticker

0:45:15.280 --> 0:45:20.640
<v Speaker 3>over our thinker like b streets. That's what it was.

0:45:21.360 --> 0:45:23.000
<v Speaker 13>Unfortunately, I got caught up in that a little bit

0:45:23.040 --> 0:45:24.000
<v Speaker 13>because I got brainwashed.

0:45:24.000 --> 0:45:25.160
<v Speaker 3>I can't front I got caught.

0:45:25.200 --> 0:45:28.040
<v Speaker 13>I was young on Radio No No, and I was like, oh, yeah,

0:45:28.280 --> 0:45:30.800
<v Speaker 13>all them guys and little by little started getting brainwashed.

0:45:30.440 --> 0:45:32.680
<v Speaker 3>You know, we all get brainwashed. And then I started

0:45:32.719 --> 0:45:33.120
<v Speaker 3>what happened.

0:45:33.160 --> 0:45:33.479
<v Speaker 1>What happened.

0:45:33.719 --> 0:45:36.960
<v Speaker 13>I started following ABRO's energy. Right, you can't fuck with

0:45:37.000 --> 0:45:40.120
<v Speaker 13>that side. But I'm still a rookie a radio I'm

0:45:42.080 --> 0:45:43.719
<v Speaker 13>I'm like, well, yeah, we can't fuck with that side.

0:45:43.920 --> 0:45:46.759
<v Speaker 13>I started phoning for it, and I regret that. I

0:45:46.840 --> 0:45:49.480
<v Speaker 13>regret that because that was nonsense. You know, you can't

0:45:50.200 --> 0:45:53.360
<v Speaker 13>the other day and I shade of nobody.

0:45:53.400 --> 0:45:53.560
<v Speaker 9>You know.

0:45:53.640 --> 0:45:56.160
<v Speaker 3>I think abral was a great PD. He was doing

0:45:56.239 --> 0:46:00.239
<v Speaker 3>his job. We wanted to win, that's it. But you

0:46:00.320 --> 0:46:02.200
<v Speaker 3>know why it was great, bro, And I'm gonna tell

0:46:02.200 --> 0:46:06.239
<v Speaker 3>you why because you protected us. Yes, he thought for us,

0:46:07.080 --> 0:46:09.640
<v Speaker 3>the DJ that's the difference, right, and I got it.

0:46:09.960 --> 0:46:12.799
<v Speaker 3>A lot of pds don't fight. They do their job

0:46:13.520 --> 0:46:17.480
<v Speaker 3>when she gets hairy, right you know.

0:46:17.800 --> 0:46:19.520
<v Speaker 13>So you know it was ugly, but at the same

0:46:19.560 --> 0:46:22.400
<v Speaker 13>time as competition. At the end of the day, I

0:46:22.600 --> 0:46:24.520
<v Speaker 13>could speak for myself and enough we got along with

0:46:24.640 --> 0:46:26.520
<v Speaker 13>everybody at the end of the day.

0:46:26.719 --> 0:46:28.000
<v Speaker 3>But you know what I'm saying.

0:46:28.160 --> 0:46:31.879
<v Speaker 7>I mean, at some point it's still competition. You still

0:46:31.920 --> 0:46:35.320
<v Speaker 7>want to have the better set. Of course, you go

0:46:35.480 --> 0:46:35.840
<v Speaker 7>in and.

0:46:37.400 --> 0:46:39.600
<v Speaker 13>And then then and then when when you put it

0:46:39.640 --> 0:46:42.000
<v Speaker 13>on a spot that you can't play with homeboy so

0:46:42.080 --> 0:46:44.239
<v Speaker 13>you gotta do, then you're competing. He's at that coup,

0:46:44.280 --> 0:46:46.680
<v Speaker 13>I'm gona here, and it becomes crazy competition.

0:46:47.160 --> 0:46:48.440
<v Speaker 4>I mean, y'all could compete, but at the end of

0:46:48.480 --> 0:46:50.439
<v Speaker 4>the day, you guys are home team as a city.

0:46:50.840 --> 0:46:52.200
<v Speaker 4>That's the way it really should write.

0:46:52.600 --> 0:46:55.520
<v Speaker 13>And that's where the toxic stops just started getting toxic.

0:46:55.800 --> 0:46:55.960
<v Speaker 1>You know.

0:46:56.680 --> 0:46:58.480
<v Speaker 13>But listen, after a couple of years, I was like,

0:46:58.560 --> 0:47:00.680
<v Speaker 13>this is is bullshit. I ain't doing this.

0:47:01.160 --> 0:47:02.880
<v Speaker 1>And then and then did you did you think Flex

0:47:03.200 --> 0:47:04.680
<v Speaker 1>had a a part in that as well?

0:47:04.800 --> 0:47:07.360
<v Speaker 3>Like because he's forget.

0:47:07.200 --> 0:47:10.480
<v Speaker 13>About he he was this and that's it. You know,

0:47:10.600 --> 0:47:12.560
<v Speaker 13>I saw a different I was like, yo, okay, this

0:47:12.680 --> 0:47:16.320
<v Speaker 13>is cool on the radio, no doubt we're winning. But

0:47:16.440 --> 0:47:20.760
<v Speaker 13>once we're out there, right, it ain't that serious.

0:47:20.840 --> 0:47:21.000
<v Speaker 3>Man.

0:47:21.080 --> 0:47:24.239
<v Speaker 13>It's like playing baseball, right, Yeah, the game is over

0:47:25.400 --> 0:47:27.560
<v Speaker 13>having drinks at the at the after party with the

0:47:28.600 --> 0:47:34.040
<v Speaker 13>fact that said mind warning, all right, you are ready.

0:47:37.640 --> 0:47:38.439
<v Speaker 3>Let me get a drink.

0:47:39.200 --> 0:47:44.040
<v Speaker 1>He said, let me a drink because off, because I

0:47:44.080 --> 0:47:47.880
<v Speaker 1>guess pretty much? Which right when we cover in Bride?

0:47:48.000 --> 0:47:48.359
<v Speaker 1>Which right?

0:47:49.600 --> 0:48:01.480
<v Speaker 3>Cool? Want to be surrounded brother? What's up one? I

0:48:01.600 --> 0:48:03.319
<v Speaker 3>want to ask this king.

0:48:05.040 --> 0:48:08.000
<v Speaker 7>I kept searching all your interviews and things you've done,

0:48:08.080 --> 0:48:09.400
<v Speaker 7>and you always said.

0:48:11.000 --> 0:48:12.000
<v Speaker 3>I started heavy.

0:48:11.840 --> 0:48:15.640
<v Speaker 1>Hitting this because I was never accepted in the big

0:48:15.719 --> 0:48:16.160
<v Speaker 1>dog pep.

0:48:16.360 --> 0:48:17.560
<v Speaker 3>That's one hundred percent of truth.

0:48:17.640 --> 0:48:19.120
<v Speaker 1>You always say it playing around.

0:48:23.480 --> 0:48:27.080
<v Speaker 3>So I was tight? Okay? So so you mean that?

0:48:27.360 --> 0:48:28.279
<v Speaker 3>Have you asked him?

0:48:28.280 --> 0:48:28.400
<v Speaker 4>Oh?

0:48:28.480 --> 0:48:31.160
<v Speaker 3>He yo, bro okay. I remember being at the radio

0:48:31.239 --> 0:48:35.040
<v Speaker 3>station and he was announcing like new DJs who was

0:48:35.080 --> 0:48:38.640
<v Speaker 3>part of his collective, and it was like the DJ Twins,

0:48:38.680 --> 0:48:40.799
<v Speaker 3>the guys used to be a red man. He started

0:48:40.880 --> 0:48:43.759
<v Speaker 3>naming all these like DJ Premier whoever it was back

0:48:43.840 --> 0:48:45.960
<v Speaker 3>at that and you at the station looking at him. Yeah,

0:48:47.200 --> 0:48:50.200
<v Speaker 3>in the hallway, I was like, my man, we ain't

0:48:50.239 --> 0:48:52.560
<v Speaker 3>gonna make me a big dup hit bull and then

0:48:52.640 --> 0:48:55.440
<v Speaker 3>hit me with the you know, my man, you know

0:48:55.560 --> 0:48:57.920
<v Speaker 3>the last crew, the last crew that I was a

0:48:58.000 --> 0:49:01.360
<v Speaker 3>part of, the flip Squad DJs that wasn't really mine,

0:49:01.920 --> 0:49:05.359
<v Speaker 3>that was Jessica's and this crew. I want this one

0:49:05.440 --> 0:49:08.719
<v Speaker 3>to be mine, and you know, I think for this one,

0:49:09.280 --> 0:49:12.439
<v Speaker 3>I'm gonna ask you to sit out. So he told

0:49:12.480 --> 0:49:15.160
<v Speaker 3>me honestly, he told me straight up, but he was like, like,

0:49:15.239 --> 0:49:18.560
<v Speaker 3>this ain't for me. So I was like it was

0:49:18.600 --> 0:49:21.520
<v Speaker 3>almost like a balloon got deflated. I was like.

0:49:23.000 --> 0:49:25.080
<v Speaker 4>That all sounds like saying you're so big this one

0:49:25.200 --> 0:49:28.239
<v Speaker 4>for me, you could do your own kind of like that.

0:49:29.440 --> 0:49:31.520
<v Speaker 3>I mean, that wasn't thing. But look, in a weird way,

0:49:33.080 --> 0:49:35.320
<v Speaker 3>me and me and Funk got a real love and

0:49:35.320 --> 0:49:38.600
<v Speaker 3>hate relationship, right because we just go back so long.

0:49:39.560 --> 0:49:41.920
<v Speaker 3>But he would tell me my ears. He was like, yeah,

0:49:41.960 --> 0:49:44.319
<v Speaker 3>when you was gonna kiss, you kicked my ass when

0:49:44.360 --> 0:49:46.520
<v Speaker 3>you played this record. And he was cutting up this

0:49:46.680 --> 0:49:49.720
<v Speaker 3>record like he would give me my flowers, but behind

0:49:49.760 --> 0:49:53.759
<v Speaker 3>closed doors, and I was like, damn, why he do that?

0:49:54.880 --> 0:49:58.279
<v Speaker 3>And a part of you know, the conversation, you know,

0:49:58.320 --> 0:50:01.880
<v Speaker 3>because this might be the last gonna talk about it. Yeah,

0:50:02.600 --> 0:50:05.000
<v Speaker 3>But at the end of the day, I always felt

0:50:05.080 --> 0:50:12.439
<v Speaker 3>like just because I'm moving a certain way and maybe

0:50:12.520 --> 0:50:15.120
<v Speaker 3>you don't know about certain things or it's not the

0:50:15.160 --> 0:50:19.239
<v Speaker 3>way you move doesn't mean I should be punished. You

0:50:19.360 --> 0:50:22.520
<v Speaker 3>understand my point? So that that's kind of like the

0:50:23.040 --> 0:50:26.960
<v Speaker 3>gist of this. So when I couldn't become a big

0:50:27.000 --> 0:50:31.120
<v Speaker 3>little pibow recipes. DJ Threat he's the one that put

0:50:31.200 --> 0:50:33.000
<v Speaker 3>up the idea. He was like, Yo, what we're gonna do,

0:50:33.200 --> 0:50:36.440
<v Speaker 3>man about your own fucking crew. So I was like

0:50:36.640 --> 0:50:38.520
<v Speaker 3>what And I didn't think about it.

0:50:38.640 --> 0:50:41.200
<v Speaker 13>I said, DJ Threat put a battery on this guy.

0:50:41.280 --> 0:50:47.040
<v Speaker 3>He did. He said literally, he was like masterflight. And

0:50:47.160 --> 0:50:49.480
<v Speaker 3>I was like, damn. While we going there, like it's

0:50:49.520 --> 0:50:52.759
<v Speaker 3>not Ain't that serious right? And he's like, NA, we're

0:50:52.760 --> 0:50:55.240
<v Speaker 3>gonna we're gonna call it the heavy Hitters because your handled.

0:50:55.520 --> 0:50:58.280
<v Speaker 3>My handle at the time was the heavy hitter. DJ

0:51:01.760 --> 0:51:05.480
<v Speaker 3>and he was an old chubby and and and we

0:51:05.840 --> 0:51:08.600
<v Speaker 3>used to have fat boy talking rating. I used to

0:51:08.640 --> 0:51:10.880
<v Speaker 3>do a chip called the Midnight Run. I was on

0:51:11.040 --> 0:51:13.719
<v Speaker 3>twelve to midnight till four in the morning, and the

0:51:13.840 --> 0:51:16.440
<v Speaker 3>fat boy talk was all we talked about was the

0:51:17.120 --> 0:51:20.200
<v Speaker 3>spots we get, the food, the best pizza, the best chicken,

0:51:20.239 --> 0:51:25.120
<v Speaker 3>parmesan heroes, the best burgers. Real fat boy. This is

0:51:25.160 --> 0:51:29.160
<v Speaker 3>before vegan life, before healthy anything. You know, I'm three

0:51:29.239 --> 0:51:32.839
<v Speaker 3>hundred pounds talking fat boy talk because because in New

0:51:32.920 --> 0:51:36.120
<v Speaker 3>York or any big city, even like Miami, you bring

0:51:36.280 --> 0:51:39.960
<v Speaker 3>food up, you put a debate. If I say it's

0:51:40.000 --> 0:51:42.960
<v Speaker 3>the best fried chicken in the world, somebody always got

0:51:43.000 --> 0:51:44.600
<v Speaker 3>something to say, No, I get the best chicken. This

0:51:45.840 --> 0:51:48.879
<v Speaker 3>to Miami again, New York Pizza Miami. Now, I don't

0:51:48.920 --> 0:51:54.360
<v Speaker 3>care what almost like the chicken sandwich beef that Popeyes

0:51:54.400 --> 0:51:58.800
<v Speaker 3>and Chick fil a and whatever, the McDonald's whatever sandwich

0:51:59.160 --> 0:52:01.440
<v Speaker 3>that was a real beef. The internet went crazy off

0:52:01.440 --> 0:52:03.480
<v Speaker 3>for that. So that's what it was.

0:52:03.600 --> 0:52:06.400
<v Speaker 4>So and then the heavy hit is behold up before

0:52:07.600 --> 0:52:11.399
<v Speaker 4>the DJ crews wise, was it Flip Squad then Big

0:52:11.480 --> 0:52:13.920
<v Speaker 4>Dog Pipples? What other DJ crews were around at that time,

0:52:14.320 --> 0:52:16.320
<v Speaker 4>especially for radio and radio?

0:52:16.719 --> 0:52:19.080
<v Speaker 3>I mean even period, because the only ones I knew

0:52:19.400 --> 0:52:22.359
<v Speaker 3>were the Pirate DJs in the Bay. They had a crew,

0:52:22.680 --> 0:52:25.440
<v Speaker 3>the Pirate dj I remember that, because then shortly after

0:52:25.440 --> 0:52:30.360
<v Speaker 3>you had the Technicians and the Technicians Union DJ's in

0:52:30.400 --> 0:52:34.239
<v Speaker 3>the city that came after that that way after, so.

0:52:34.280 --> 0:52:37.120
<v Speaker 5>It was just Big Dog Pipples. Really at that moment.

0:52:37.440 --> 0:52:40.520
<v Speaker 3>There was other DJ crews, but they went on radio,

0:52:40.840 --> 0:52:42.600
<v Speaker 3>right it was more like DJs.

0:52:42.239 --> 0:52:44.399
<v Speaker 4>Who battled No, no, no, I'm talking about radio because

0:52:44.400 --> 0:52:48.120
<v Speaker 4>that that at that moment, having been able to get

0:52:48.160 --> 0:52:51.359
<v Speaker 4>everybody together and unison on radio is a big deal.

0:52:51.960 --> 0:52:55.200
<v Speaker 4>That's a power move. So at that point, Big Dog

0:52:55.239 --> 0:52:58.000
<v Speaker 4>Pipples had that on lock and then you come in.

0:53:00.320 --> 0:53:02.600
<v Speaker 3>So he created that. Do you think that was that?

0:53:02.800 --> 0:53:05.400
<v Speaker 1>What started the competition right there? Is that you actually

0:53:05.600 --> 0:53:06.799
<v Speaker 1>went and started your own crew.

0:53:09.680 --> 0:53:12.560
<v Speaker 3>I mean, this is the one thing I'm gonna bring

0:53:12.680 --> 0:53:17.719
<v Speaker 3>up and rest in peace to mississ mssr C. Really

0:53:17.840 --> 0:53:21.560
<v Speaker 3>very very good friend of mine, and that's the peace.

0:53:22.200 --> 0:53:23.919
<v Speaker 3>He came to me one day at the radio station

0:53:24.840 --> 0:53:26.520
<v Speaker 3>and he's like, damn near the vice president of the

0:53:26.520 --> 0:53:33.120
<v Speaker 3>Big Dog pippolls right, and he says, yo, he you've

0:53:33.200 --> 0:53:37.080
<v Speaker 3>given all these DJs a shot. You're not afraid of

0:53:37.160 --> 0:53:41.799
<v Speaker 3>them taking your job? And I was like, no, see,

0:53:42.920 --> 0:53:46.640
<v Speaker 3>you know why where me and you come from, these

0:53:46.719 --> 0:53:49.719
<v Speaker 3>kids ain't got nothing. And for us to give him

0:53:49.719 --> 0:53:52.799
<v Speaker 3>an opportunity to shine a little bit, what's the hurting

0:53:52.880 --> 0:53:55.120
<v Speaker 3>that ain't? What's the hurting that bro?

0:53:55.640 --> 0:53:58.239
<v Speaker 1>So what you so what are you saying? Like Big

0:53:58.320 --> 0:53:59.839
<v Speaker 1>Dog pick bulls will only sign people.

0:54:00.360 --> 0:54:08.040
<v Speaker 3>No, I don't think they understood there the more of

0:54:08.080 --> 0:54:12.040
<v Speaker 3>a rale part of being a human being. And I

0:54:12.200 --> 0:54:14.799
<v Speaker 3>understand this competition. Understand people want to be number one

0:54:15.120 --> 0:54:16.480
<v Speaker 3>and the king of this and the king of that.

0:54:17.480 --> 0:54:21.359
<v Speaker 3>But you see somebody busting their butt week after week

0:54:21.520 --> 0:54:23.560
<v Speaker 3>at the club. He's doing his thing, he's making a

0:54:23.600 --> 0:54:26.600
<v Speaker 3>little bit of noise. You know, he's good. He's probably

0:54:26.640 --> 0:54:28.839
<v Speaker 3>even better than some DJs you know on your own station.

0:54:29.520 --> 0:54:31.080
<v Speaker 3>So he's like, you know what, come up here, man,

0:54:31.520 --> 0:54:34.200
<v Speaker 3>you co signed him. Go do a mixed show, Go

0:54:34.360 --> 0:54:37.400
<v Speaker 3>do a mix weekend, Go busting out on Saturday, Go

0:54:37.440 --> 0:54:40.640
<v Speaker 3>do your thing. You know what's the hurt in that?

0:54:42.120 --> 0:54:49.800
<v Speaker 3>How you hurting? So that's all this, that's well. And

0:54:49.920 --> 0:54:54.399
<v Speaker 3>then we became family. Bro, that's the biggest thing. Like, listen,

0:54:54.480 --> 0:54:58.560
<v Speaker 3>I'm the third guy he put down. Who's threat? It

0:54:58.719 --> 0:55:04.080
<v Speaker 3>was me and threat And then this fanatic I was

0:55:04.160 --> 0:55:08.320
<v Speaker 3>in midtown Manhattan, somewhere I found no where you probably

0:55:08.360 --> 0:55:10.040
<v Speaker 3>was going to a gig or coming from a gig,

0:55:11.200 --> 0:55:14.640
<v Speaker 3>and I was like, yo, threat, who we're gonna put down?

0:55:15.520 --> 0:55:17.160
<v Speaker 3>He said, I don't know. Let's let's figure it out.

0:55:18.080 --> 0:55:19.920
<v Speaker 3>And then DJ come on walks around the corner like

0:55:20.000 --> 0:55:25.799
<v Speaker 3>literally hit and I said, what about come alo? He goes, yeah,

0:55:25.920 --> 0:55:28.640
<v Speaker 3>I like coming though I like Comlo too. Yo, come on,

0:55:28.760 --> 0:55:30.000
<v Speaker 3>you want to be down with us? We start a

0:55:30.040 --> 0:55:30.399
<v Speaker 3>new DJ.

0:55:31.840 --> 0:55:31.960
<v Speaker 4>Yo.

0:55:33.520 --> 0:55:35.799
<v Speaker 3>How you been doing at the time just mixtapes? Back

0:55:35.880 --> 0:55:38.680
<v Speaker 3>there was just clubs and mixtapes. I was, yeah, that

0:55:38.800 --> 0:55:44.840
<v Speaker 3>was no story. He said yes, without even no hesitation. No,

0:55:45.160 --> 0:55:48.480
<v Speaker 3>nothing that was and mind you haven't this was nothing?

0:55:48.560 --> 0:55:52.160
<v Speaker 3>Then what an idea? And I said, what a crew? Yeah,

0:55:52.160 --> 0:55:53.880
<v Speaker 3>I'm down, let's go, let's go.

0:55:54.160 --> 0:55:57.160
<v Speaker 13>And I wasgging, mind you, I'm talking to DJ enough

0:55:58.080 --> 0:56:01.200
<v Speaker 13>for you, and this even doing this show called Midnight

0:56:01.280 --> 0:56:03.319
<v Speaker 13>run Night said midnight late.

0:56:03.800 --> 0:56:05.319
<v Speaker 3>I was just tuning it on the way to club,

0:56:05.440 --> 0:56:08.200
<v Speaker 3>like killing it, that's all.

0:56:08.239 --> 0:56:12.160
<v Speaker 13>You start bodying it. And then this guy says, you

0:56:12.160 --> 0:56:15.240
<v Speaker 13>want to be down with me? And there's no questions,

0:56:15.719 --> 0:56:18.000
<v Speaker 13>like did not even think about let's go? And it

0:56:18.080 --> 0:56:21.319
<v Speaker 13>started right there and and and this.

0:56:21.440 --> 0:56:23.480
<v Speaker 1>Is for lack of a better term. Were you local

0:56:23.560 --> 0:56:24.040
<v Speaker 1>at the time?

0:56:24.239 --> 0:56:30.600
<v Speaker 3>Super local? Okay, local? Super I was local around the

0:56:30.640 --> 0:56:32.640
<v Speaker 3>way Blanc Boulevard.

0:56:32.719 --> 0:56:34.880
<v Speaker 1>I know, I know you, but I know that, like

0:56:35.280 --> 0:56:37.120
<v Speaker 1>you know, I didn't know if it was just a

0:56:37.200 --> 0:56:38.279
<v Speaker 1>queen's thing, you know what I mean?

0:56:39.320 --> 0:56:42.920
<v Speaker 3>He's from Brooklyn. It was from Long Island. Wow, no

0:56:43.040 --> 0:56:47.440
<v Speaker 3>queens nothing. I was local at the Woodside store was

0:56:47.480 --> 0:56:48.440
<v Speaker 3>the numbers.

0:56:50.520 --> 0:56:53.279
<v Speaker 13>And then I was pushing tapes that maybe I was

0:56:53.320 --> 0:56:55.360
<v Speaker 13>a little not local because of the mixtapes.

0:56:55.560 --> 0:56:59.080
<v Speaker 3>Right was everywhere you work on the mixtapes for five Yeah?

0:56:59.120 --> 0:57:02.600
<v Speaker 3>Yeah yeah, And I used to send this guy mixtape. Yeah.

0:57:02.719 --> 0:57:06.120
<v Speaker 3>I had my store and and I was super local.

0:57:06.200 --> 0:57:08.560
<v Speaker 13>And when he came up to me, what is it

0:57:08.640 --> 0:57:11.000
<v Speaker 13>to think about, Let's go what's next?

0:57:11.080 --> 0:57:13.840
<v Speaker 1>Because you wasn't local, you are already the show with Switzerland.

0:57:14.120 --> 0:57:17.360
<v Speaker 3>I was already moving around. He was. He was living

0:57:17.440 --> 0:57:20.080
<v Speaker 3>in France for a little while doing all this craziness.

0:57:21.280 --> 0:57:25.120
<v Speaker 3>Was living there. I was doing gigs like that. You

0:57:25.320 --> 0:57:27.320
<v Speaker 3>there for weeks, going back and forth back like you

0:57:27.400 --> 0:57:29.120
<v Speaker 3>know enough. It was like my passport.

0:57:32.440 --> 0:57:35.520
<v Speaker 4>But heavy hitters became a monster. Shout out to mister

0:57:35.600 --> 0:57:36.640
<v Speaker 4>MAURICEI out here in Miami.

0:57:37.320 --> 0:57:39.040
<v Speaker 3>So I mean, I think you.

0:57:39.000 --> 0:57:42.000
<v Speaker 13>Should tell one of the things about putting heavy hitters down.

0:57:42.800 --> 0:57:45.400
<v Speaker 3>So I was the rule for us. It was like

0:57:45.680 --> 0:57:49.360
<v Speaker 3>you had to be a dope club DJ, a dope producer,

0:57:50.480 --> 0:57:54.360
<v Speaker 3>or you had to be you had to be a

0:57:54.440 --> 0:57:57.240
<v Speaker 3>mixtape dj. Like those were like the carters, you know,

0:57:57.400 --> 0:58:00.200
<v Speaker 3>like simple things like and then you never got called up,

0:58:00.200 --> 0:58:00.440
<v Speaker 3>I guess.

0:58:03.160 --> 0:58:04.680
<v Speaker 13>But you also had to be hot in your city,

0:58:05.520 --> 0:58:07.680
<v Speaker 13>oh your area, like you have to run your you

0:58:07.800 --> 0:58:08.760
<v Speaker 13>had to be a heavy hit up.

0:58:09.080 --> 0:58:11.400
<v Speaker 3>So for example, you mentioned Pro Style like he was

0:58:11.480 --> 0:58:14.760
<v Speaker 3>hot in Orlandos that was incredible. He was the guy

0:58:14.840 --> 0:58:17.280
<v Speaker 3>in all orland That's why we do our heavy to

0:58:17.400 --> 0:58:20.479
<v Speaker 3>retreats to this day because it started from Pro Style

0:58:21.360 --> 0:58:25.640
<v Speaker 3>because coming up in November, right, yeah, going to Puerto Rico. Warning.

0:58:26.040 --> 0:58:29.800
<v Speaker 3>So how the heavy hit of retreat started was Pro

0:58:29.960 --> 0:58:33.400
<v Speaker 3>Style invited us to a barbecue at his crib in Orlando.

0:58:34.600 --> 0:58:36.160
<v Speaker 3>So he's like, all right, let's do it. Because we

0:58:36.280 --> 0:58:39.080
<v Speaker 3>had we had like a family trip with the heavy

0:58:39.080 --> 0:58:42.160
<v Speaker 3>it is. We went to Universal Studios. So he's like, yeah,

0:58:42.160 --> 0:58:44.280
<v Speaker 3>we're gonna do now. Bro was like, fun, let's comes

0:58:44.280 --> 0:58:48.040
<v Speaker 3>to the crib barbecue. Family. We had a barbecue. It's

0:58:48.120 --> 0:58:50.080
<v Speaker 3>alligators in the lake. Were like, what the hell is

0:58:50.080 --> 0:58:56.840
<v Speaker 3>going on? Like this is Regularida, New York. You know,

0:58:57.000 --> 0:59:00.520
<v Speaker 3>next time that's not regular backyard exactly.

0:59:01.200 --> 0:59:04.000
<v Speaker 13>So so little by Little became a family, you know

0:59:04.040 --> 0:59:06.320
<v Speaker 13>what I'm saying. So you know, little by little fell,

0:59:06.400 --> 0:59:08.680
<v Speaker 13>he fell in the leg. He became a heavy hit up.

0:59:08.720 --> 0:59:10.840
<v Speaker 13>I mean we could see it for days. Fyrus in Chicago,

0:59:11.880 --> 0:59:17.160
<v Speaker 13>mister Mauricio. Internet, it goes international. We got DJ lead

0:59:17.240 --> 0:59:23.400
<v Speaker 13>and Japan, you know, and it. But it wasn't just

0:59:23.480 --> 0:59:26.840
<v Speaker 13>about politics and it was it was a family straight up.

0:59:27.080 --> 0:59:29.919
<v Speaker 13>When when there was times when people couldn't pay their rent,

0:59:30.560 --> 0:59:33.240
<v Speaker 13>or there was a situation somebody got sick.

0:59:33.480 --> 0:59:34.640
<v Speaker 3>Yo yo yo yo yo.

0:59:34.960 --> 0:59:40.320
<v Speaker 13>Yo, chipping bills hold when they talk about it, you know,

0:59:40.400 --> 0:59:42.920
<v Speaker 13>this is real family stuff. DJ is like DJ crews,

0:59:43.680 --> 0:59:46.760
<v Speaker 13>they don't do that. This was different for us, so

0:59:46.920 --> 0:59:50.360
<v Speaker 13>we were very enough. It was very okay, who putting

0:59:50.400 --> 0:59:53.320
<v Speaker 13>out and why? And let's give him some time, you

0:59:53.360 --> 0:59:54.840
<v Speaker 13>know what I'm saying. I'll give you an example. Like DJ,

0:59:55.360 --> 0:59:59.520
<v Speaker 13>he's on a Mega like it took Mega said it

0:59:59.600 --> 1:00:02.080
<v Speaker 13>took him about six to seven years to get down.

1:00:02.360 --> 1:00:04.320
<v Speaker 13>And he was on our next every year, every year,

1:00:04.360 --> 1:00:06.440
<v Speaker 13>every year. And then after a while he showed up

1:00:06.440 --> 1:00:07.840
<v Speaker 13>to one of the heavy headed retreats. It wasn't a

1:00:07.880 --> 1:00:10.920
<v Speaker 13>heavy he it pulled up. I said, yo, eat if

1:00:11.080 --> 1:00:13.360
<v Speaker 13>one guy then earning his stripes is this man right here?

1:00:13.480 --> 1:00:14.120
<v Speaker 3>He don't stop.

1:00:14.840 --> 1:00:16.919
<v Speaker 13>And we put Kalita down. Now he's on prime time

1:00:17.120 --> 1:00:20.160
<v Speaker 13>make it, but he earned the stripes. He called me

1:00:20.240 --> 1:00:23.080
<v Speaker 13>one day, he said, Yo, these guys are calling me.

1:00:23.160 --> 1:00:26.040
<v Speaker 13>They wanted me to get down with this crew. But

1:00:26.160 --> 1:00:28.360
<v Speaker 13>I said, nah, because I'm still waiting to be a

1:00:28.360 --> 1:00:28.840
<v Speaker 13>heavy hitterer.

1:00:29.680 --> 1:00:31.520
<v Speaker 3>That's dope. How long on is that? You know what

1:00:31.520 --> 1:00:32.840
<v Speaker 3>I'm saying? That made me feel good?

1:00:35.520 --> 1:00:37.560
<v Speaker 5>And he still started as a record pool originally.

1:00:38.640 --> 1:00:41.520
<v Speaker 3>Now we got the heavy this foundation, there's a five

1:00:41.600 --> 1:00:44.080
<v Speaker 3>and one C three And what we do is we

1:00:44.440 --> 1:00:47.720
<v Speaker 3>we have drives. So like we went to d R

1:00:48.080 --> 1:00:53.080
<v Speaker 3>one time and we literally built a basketball court for

1:00:53.160 --> 1:00:58.240
<v Speaker 3>a school that was literally underwater, you know, like it

1:00:58.360 --> 1:01:01.320
<v Speaker 3>was a mess. The classrooms are mess. You know, it's

1:01:01.400 --> 1:01:03.600
<v Speaker 3>poverty everywhere. Some kids ain't got it, bro, you'd be

1:01:03.640 --> 1:01:04.320
<v Speaker 3>surprised with they don't.

1:01:04.360 --> 1:01:04.520
<v Speaker 6>God.

1:01:05.400 --> 1:01:08.200
<v Speaker 3>So we started to collect and then my wife put

1:01:08.240 --> 1:01:11.320
<v Speaker 3>it together and she would have, like, I need two

1:01:11.400 --> 1:01:18.560
<v Speaker 3>hundred of bags. And then we've got composite, uh, notebooks, crayons, folders, pens,

1:01:18.600 --> 1:01:21.600
<v Speaker 3>the racists, glue sticks and you know, every little thing

1:01:21.720 --> 1:01:24.320
<v Speaker 3>and even a little toy we're put in there. Right

1:01:25.360 --> 1:01:27.440
<v Speaker 3>and then when you go there and you give him

1:01:27.480 --> 1:01:30.280
<v Speaker 3>these bags to the kids. Also, a little kid, he

1:01:30.360 --> 1:01:33.840
<v Speaker 3>probably was like six years old, he got a little reindeer,

1:01:34.520 --> 1:01:38.800
<v Speaker 3>like a little fluffy reindeer. It probably costs a dollar fifty.

1:01:40.360 --> 1:01:43.440
<v Speaker 3>This kid was like, oh my god, and in tears

1:01:43.600 --> 1:01:47.200
<v Speaker 3>and kids that he got a reindeer. And I was like,

1:01:47.320 --> 1:01:50.800
<v Speaker 3>this is crazy. I said, we got to do this, DR,

1:01:53.040 --> 1:01:54.320
<v Speaker 3>So what else have you done?

1:01:54.360 --> 1:01:56.200
<v Speaker 1>The retreats that a.

1:01:56.240 --> 1:01:59.120
<v Speaker 3>Lot of them were in DR because I have a timeshare,

1:02:00.120 --> 1:02:04.480
<v Speaker 3>are right, and at the time shared they would give

1:02:04.560 --> 1:02:07.640
<v Speaker 3>us like good discounsel with the rooms and we if

1:02:07.640 --> 1:02:09.320
<v Speaker 3>we book a certain amount of rooms, they'll throw a

1:02:09.400 --> 1:02:10.840
<v Speaker 3>few rooms for free at us.

1:02:10.960 --> 1:02:11.200
<v Speaker 13>Whatever.

1:02:11.760 --> 1:02:14.040
<v Speaker 3>That's the way we did it. And then we started

1:02:14.040 --> 1:02:19.160
<v Speaker 3>to venture out to different places. And now it's now

1:02:19.240 --> 1:02:22.480
<v Speaker 3>it's like wherever we go, we're gonna look for places.

1:02:22.560 --> 1:02:26.200
<v Speaker 3>Like my wife used to be an aba therapist for autism.

1:02:27.320 --> 1:02:29.400
<v Speaker 3>When we went to we went to a school and

1:02:30.360 --> 1:02:34.640
<v Speaker 3>and Dominican Republic, they don't even recognize autism as a whole.

1:02:35.360 --> 1:02:40.440
<v Speaker 3>So my wife took all her legal teachings of being

1:02:40.440 --> 1:02:43.120
<v Speaker 3>an aba therapist and what's good for them, and she

1:02:43.280 --> 1:02:46.560
<v Speaker 3>translated everything in Spanish so they could read and learn.

1:02:47.320 --> 1:02:50.440
<v Speaker 3>And you go to these schools that're fucked up. They

1:02:50.520 --> 1:02:54.080
<v Speaker 3>have no floors, they're not even clean, they have no

1:02:54.200 --> 1:02:57.360
<v Speaker 3>cushions for the kids to sit on or whatever. So

1:02:57.560 --> 1:03:00.760
<v Speaker 3>I'm not saying we could make everything per figure, but

1:03:00.880 --> 1:03:03.080
<v Speaker 3>we're gonna make it a little bit better. Make it

1:03:03.080 --> 1:03:06.240
<v Speaker 3>a little bit better, bros. Because you know what, we

1:03:06.360 --> 1:03:08.920
<v Speaker 3>go through these fancy resorts, we turn up, we have

1:03:08.960 --> 1:03:11.280
<v Speaker 3>a good time. But I don't know if you guys know,

1:03:11.480 --> 1:03:15.840
<v Speaker 3>resorts are usually built in fucked up neighborhoods and usually

1:03:15.880 --> 1:03:19.040
<v Speaker 3>push out poor families and poor people. This place, they could,

1:03:19.720 --> 1:03:24.360
<v Speaker 3>you know, build these monumental establishments so that we could

1:03:24.720 --> 1:03:27.840
<v Speaker 3>get a spa massage for ninety minutes, or we could

1:03:28.160 --> 1:03:29.960
<v Speaker 3>you know, you know what I'm saying. That's real talk.

1:03:30.800 --> 1:03:32.960
<v Speaker 3>So that's why we do it, bro. Yeah, it's impoint.

1:03:33.120 --> 1:03:35.120
<v Speaker 13>You know, we could sit as a as a crew

1:03:35.160 --> 1:03:39.360
<v Speaker 13>of family. Were different. We're different and have made its different.

1:03:40.680 --> 1:03:45.120
<v Speaker 1>Now before the other day, have you ever been called

1:03:45.160 --> 1:03:45.800
<v Speaker 1>a snake before?

1:03:46.720 --> 1:03:50.720
<v Speaker 3>What snake made in my life?

1:03:51.000 --> 1:03:51.200
<v Speaker 4>Never?

1:03:51.600 --> 1:03:51.800
<v Speaker 3>Never?

1:03:51.960 --> 1:03:52.080
<v Speaker 4>Right?

1:03:52.320 --> 1:03:53.240
<v Speaker 3>Never ever?

1:03:53.600 --> 1:03:58.080
<v Speaker 7>So how did you feel? Because because your snake number one? Right, yes,

1:03:58.280 --> 1:04:01.560
<v Speaker 7>and then and then Juice Cayn number two, I think, Okay,

1:04:02.240 --> 1:04:05.919
<v Speaker 7>I'm asking for a friend. All right, so who's your friend?

1:04:06.320 --> 1:04:06.840
<v Speaker 1>This guy.

1:04:09.320 --> 1:04:09.600
<v Speaker 15>From the.

1:04:13.680 --> 1:04:20.320
<v Speaker 3>How did you feel hearing that lies? Straight up lies?

1:04:20.360 --> 1:04:20.760
<v Speaker 13>I was like, what?

1:04:21.080 --> 1:04:21.240
<v Speaker 3>Who?

1:04:21.440 --> 1:04:21.560
<v Speaker 2>How?

1:04:21.800 --> 1:04:24.160
<v Speaker 13>How you figuring out? What are we talking about? You know,

1:04:25.960 --> 1:04:29.880
<v Speaker 13>somebody made up a story and changed the narrative.

1:04:31.800 --> 1:04:34.600
<v Speaker 3>To his liking. I don't know why.

1:04:35.640 --> 1:04:38.680
<v Speaker 13>You know, somebody said that I took this man's job

1:04:39.680 --> 1:04:43.880
<v Speaker 13>and I'm sneaked them right, and you know, you know

1:04:44.040 --> 1:04:46.160
<v Speaker 13>enough could tell you how I got that job.

1:04:46.280 --> 1:04:51.520
<v Speaker 3>Ain't going like that. I am, mhmm, what what Tony

1:04:51.880 --> 1:04:52.400
<v Speaker 3>was the fifty?

1:04:53.120 --> 1:04:57.120
<v Speaker 13>That's what I'm telling enough, But I'm loyalist, fuck.

1:04:58.680 --> 1:04:59.280
<v Speaker 3>Hands down.

1:04:59.600 --> 1:05:02.800
<v Speaker 7>Wasn't it a rumor of like red Alert put you

1:05:02.960 --> 1:05:05.240
<v Speaker 7>on and then you had to fire Red Alert at

1:05:05.280 --> 1:05:06.080
<v Speaker 7>some point or something like that.

1:05:08.000 --> 1:05:10.360
<v Speaker 3>Let me clear this up because I heard read it

1:05:10.440 --> 1:05:14.160
<v Speaker 3>on here and Red don't get mad because Red Red

1:05:14.280 --> 1:05:18.760
<v Speaker 3>is stubborn. I love Red Okay. It will always be

1:05:18.880 --> 1:05:28.640
<v Speaker 3>my boss Alert, And I'm glad I'm up here so

1:05:28.680 --> 1:05:35.600
<v Speaker 3>I can tell my side of the story. Now, when

1:05:35.680 --> 1:05:40.200
<v Speaker 3>the higher upside hote these seven at the time, they

1:05:40.240 --> 1:05:44.360
<v Speaker 3>call him into the office and they're like, we want

1:05:44.440 --> 1:05:47.160
<v Speaker 3>you to do the shift from now, one thing would

1:05:47.160 --> 1:05:49.120
<v Speaker 3>be a good look for you, and I'm like, I

1:05:49.160 --> 1:05:51.680
<v Speaker 3>can't do that. That's Red Shift. No, no, no, you

1:05:51.800 --> 1:05:54.560
<v Speaker 3>know listening to me, I'm like, I'm not doing that.

1:05:54.720 --> 1:05:56.920
<v Speaker 3>That's Red Ship. I'm not doing that to him. And

1:05:57.000 --> 1:06:01.600
<v Speaker 3>then I got the evil face like, look, if you

1:06:01.640 --> 1:06:04.600
<v Speaker 3>don't take it, I'm giving it to somebody else. You

1:06:04.720 --> 1:06:06.440
<v Speaker 3>got to Saturday to tell me if you want it

1:06:06.560 --> 1:06:11.720
<v Speaker 3>or not. So I'm like, damn, will wrestle. So then

1:06:11.760 --> 1:06:13.760
<v Speaker 3>I talked to a few other people in the building

1:06:15.720 --> 1:06:17.600
<v Speaker 3>and it was already under the impression that the we

1:06:17.640 --> 1:06:21.000
<v Speaker 3>were trying to get rid of him. I went straight

1:06:21.080 --> 1:06:23.600
<v Speaker 3>to the DJ booth and had to talk with him.

1:06:26.400 --> 1:06:30.040
<v Speaker 3>You know what doctor Kitto is, Yeah, of course right,

1:06:30.520 --> 1:06:33.360
<v Speaker 3>but they can't do it. That's almost like when you

1:06:33.440 --> 1:06:35.920
<v Speaker 3>hit a kid from me, you know, burning still you

1:06:36.000 --> 1:06:39.840
<v Speaker 3>realize that. So I went to go tell Red, and

1:06:39.920 --> 1:06:42.439
<v Speaker 3>Red is the most peaceful DJ in the world. In fact,

1:06:42.520 --> 1:06:44.600
<v Speaker 3>I get it fucked up. I never even heard him

1:06:44.680 --> 1:06:47.720
<v Speaker 3>yell at anybody in the thirty forty plus. Here's I

1:06:47.800 --> 1:06:51.560
<v Speaker 3>know him right. When I told him that I was

1:06:51.720 --> 1:06:56.720
<v Speaker 3>just offered his job, it's almost he was like, get

1:06:56.760 --> 1:07:02.280
<v Speaker 3>out of here, that's not true. I'm like Red I'm

1:07:02.360 --> 1:07:05.160
<v Speaker 3>telling you, like he didn't want to hear me, and

1:07:05.280 --> 1:07:07.680
<v Speaker 3>he was like, no, you know Chris Lddie's his manager

1:07:07.720 --> 1:07:09.960
<v Speaker 3>at the time. Yeah, they were working something out for

1:07:10.040 --> 1:07:14.280
<v Speaker 3>a new contract, whatever it was. So he dismissed me,

1:07:15.480 --> 1:07:18.800
<v Speaker 3>and that was her but he's still my father. So

1:07:18.960 --> 1:07:21.800
<v Speaker 3>I took it whatever and I left. Now this is

1:07:21.840 --> 1:07:26.600
<v Speaker 3>the crazy part. I'm scheduled to go on vacation and

1:07:26.680 --> 1:07:29.920
<v Speaker 3>I went to Puerto Rico so my six month year

1:07:30.000 --> 1:07:32.560
<v Speaker 3>old son could meet his grandmother for the first time.

1:07:33.360 --> 1:07:40.720
<v Speaker 3>So I go and I'm literally there. My son gets thick,

1:07:41.680 --> 1:07:45.480
<v Speaker 3>he gets dehydrated, and one week turns into three weeks

1:07:47.600 --> 1:07:53.640
<v Speaker 3>and it's like, it's crazy. So I miss the firing

1:07:53.920 --> 1:07:56.880
<v Speaker 3>of Red Alert. I'm in Puerto Rico. I had no

1:07:56.920 --> 1:07:59.120
<v Speaker 3>idea what's happening. I knew what was happening, but just

1:07:59.160 --> 1:08:03.920
<v Speaker 3>didn't know when, right, So I guess that Monday I

1:08:04.000 --> 1:08:06.520
<v Speaker 3>was supposed to come back and start to shift.

1:08:06.360 --> 1:08:09.240
<v Speaker 13>Right, and you back then there's no Instagram, there's no

1:08:10.400 --> 1:08:12.680
<v Speaker 13>there's no instant, no smartphones.

1:08:12.760 --> 1:08:16.000
<v Speaker 3>It maybe it's star attack, maybe.

1:08:16.120 --> 1:08:18.720
<v Speaker 1>Right, But that was the rumor though, right, that you

1:08:18.800 --> 1:08:19.439
<v Speaker 1>took his job.

1:08:20.600 --> 1:08:23.120
<v Speaker 3>So I had a salty taste in my mouth because

1:08:23.120 --> 1:08:26.080
<v Speaker 3>it was like I would never take his job. But

1:08:27.120 --> 1:08:29.880
<v Speaker 3>at the end of the day, it was like if

1:08:29.920 --> 1:08:32.200
<v Speaker 3>I don't take it, somebody else will. They're gonna get

1:08:32.280 --> 1:08:35.479
<v Speaker 3>rid of him any way. So at that point I

1:08:35.640 --> 1:08:40.360
<v Speaker 3>was like, oh, Ship, what do I do? Then I

1:08:40.439 --> 1:08:42.160
<v Speaker 3>get a phone call from the girl I'll come back

1:08:42.160 --> 1:08:47.639
<v Speaker 3>and vacation and the job was officially slated for kick

1:08:47.680 --> 1:08:55.720
<v Speaker 3>Capre mm hmm wow wow job wow wow wow kick

1:08:55.800 --> 1:09:00.200
<v Speaker 3>Capree and then I don't know whatever, the conversations word

1:09:00.240 --> 1:09:04.240
<v Speaker 3>didn't work out. Then there was supposed to be DJ

1:09:04.439 --> 1:09:09.080
<v Speaker 3>Ace or then myself because me and Ace were DJs

1:09:09.120 --> 1:09:13.679
<v Speaker 3>that were doing our thing on Kiss FM before ninety

1:09:13.720 --> 1:09:17.200
<v Speaker 3>seven became a thing. We were part of this DJ

1:09:17.560 --> 1:09:20.040
<v Speaker 3>clique called the Bomb Squad. It was only like three

1:09:20.080 --> 1:09:22.800
<v Speaker 3>of us. It wasn't that, no little bomb squad. It

1:09:22.920 --> 1:09:25.360
<v Speaker 3>was a thing because we used to play bombs on

1:09:25.439 --> 1:09:29.759
<v Speaker 3>the radio and then flex toole our idea and boom.

1:09:30.240 --> 1:09:32.639
<v Speaker 3>And then he became the biggest bomb drop off baby.

1:09:38.720 --> 1:09:42.160
<v Speaker 3>So there's a guy named Chris mccardo, and Chris Mercado

1:09:43.080 --> 1:09:49.040
<v Speaker 3>is the sound imaging person at the station who cuts commercials.

1:09:49.680 --> 1:09:52.519
<v Speaker 3>He does he uploads the music into the system, another

1:09:52.600 --> 1:09:55.799
<v Speaker 3>big computer. We talked about the sound effects, the imaging

1:09:55.880 --> 1:10:00.640
<v Speaker 3>for the station that goes Bunny points of you know,

1:10:00.680 --> 1:10:03.160
<v Speaker 3>all that weird stuff they hoisted. They put sound effects.

1:10:03.400 --> 1:10:08.240
<v Speaker 3>He's that guy. He found that sonic boom drop that

1:10:08.320 --> 1:10:11.200
<v Speaker 3>you hit for this day that flex still plays. He

1:10:11.320 --> 1:10:15.160
<v Speaker 3>found that. But the bomb squad we had a we

1:10:15.280 --> 1:10:22.280
<v Speaker 3>had a real cheesy drop. All she went like it

1:10:22.640 --> 1:10:28.760
<v Speaker 3>was horrible. His was like like a sonic destruction. And

1:10:28.840 --> 1:10:33.840
<v Speaker 3>they changed the game with that drop. But that's that's

1:10:33.960 --> 1:10:35.920
<v Speaker 3>my stide of the story, and I'm sticking to it.

1:10:38.080 --> 1:10:42.720
<v Speaker 1>So did you finish about being called a Well, you know.

1:10:42.880 --> 1:10:43.720
<v Speaker 3>I think it's best.

1:10:44.040 --> 1:10:46.639
<v Speaker 13>I think it's best enough tell you how I ended

1:10:46.760 --> 1:10:49.479
<v Speaker 13>up doing five o'clock when he on four o'clock when

1:10:49.479 --> 1:10:49.920
<v Speaker 13>he was doing.

1:10:50.080 --> 1:10:54.479
<v Speaker 7>Because breakdown, because if anybody tuned into seven yesterday, right,

1:10:55.400 --> 1:10:56.320
<v Speaker 7>this come out next week.

1:10:56.400 --> 1:10:57.320
<v Speaker 3>So I apologize.

1:10:57.360 --> 1:11:00.120
<v Speaker 1>But what they were saying is I got just.

1:11:00.200 --> 1:11:03.920
<v Speaker 7>One saying everyone knows how the slots go right, And

1:11:04.040 --> 1:11:06.840
<v Speaker 7>then we got you saying, well you posting the picture

1:11:07.160 --> 1:11:10.360
<v Speaker 7>saying and then you know you're playing yesterday saying take

1:11:10.400 --> 1:11:10.719
<v Speaker 7>the snake.

1:11:10.760 --> 1:11:12.640
<v Speaker 1>You know he was going crazy, all right, So.

1:11:13.320 --> 1:11:19.559
<v Speaker 3>Snake Robert's hold on you was really saying all that.

1:11:21.960 --> 1:11:25.240
<v Speaker 1>What's going down? I got the city late, like I'm loud.

1:11:25.160 --> 1:11:27.760
<v Speaker 3>To you, so you know, you know they call me

1:11:27.800 --> 1:11:29.759
<v Speaker 3>the snake on the radio. I'm like, okay, I'm snaking

1:11:29.800 --> 1:11:31.599
<v Speaker 3>number one. I'm gonna be the best number one snake,

1:11:32.160 --> 1:11:35.240
<v Speaker 3>my hand number snake. You know, if you really want

1:11:35.240 --> 1:11:38.479
<v Speaker 3>to break it down how I got that slot, I'll

1:11:38.520 --> 1:11:40.880
<v Speaker 3>tell you. You know what I'm saying. The year was

1:11:40.920 --> 1:11:45.800
<v Speaker 3>twenty fifteen. Go ahead. This dude was overseas hurt in

1:11:45.880 --> 1:11:49.400
<v Speaker 3>the hospital. He broke his knee or something. I broke

1:11:49.439 --> 1:11:51.519
<v Speaker 3>my knee. I was on tour. I did Italy.

1:11:51.800 --> 1:11:54.760
<v Speaker 13>The next day, I did a country called Moldova and Modova.

1:11:55.200 --> 1:11:58.040
<v Speaker 13>I broke money in a hotel, had an accident. This

1:11:58.200 --> 1:12:00.240
<v Speaker 13>happened on the end the that's.

1:12:00.160 --> 1:12:01.639
<v Speaker 3>WEEA could join. I think you were trying to sneak

1:12:01.680 --> 1:12:05.120
<v Speaker 3>out the bathroom. I fell in the bathroom. That's what happened.

1:12:05.680 --> 1:12:09.639
<v Speaker 13>I broke my knee. Literally in third world, the eastern

1:12:09.720 --> 1:12:10.439
<v Speaker 13>European country.

1:12:11.120 --> 1:12:11.679
<v Speaker 3>This happened.

1:12:11.800 --> 1:12:13.519
<v Speaker 1>If I've been on low, I don't know what Modova is.

1:12:15.080 --> 1:12:17.120
<v Speaker 3>Just so you know, okay, yes, why I fly back?

1:12:17.720 --> 1:12:19.680
<v Speaker 3>I fly back fly back.

1:12:19.800 --> 1:12:23.680
<v Speaker 13>The whole summer I was out of commission, off in

1:12:23.840 --> 1:12:28.080
<v Speaker 13>bed at home, no radio, no gigs. Summer twenty fifteen,

1:12:28.160 --> 1:12:32.479
<v Speaker 13>I'm bed knocked out. Enough is on the radio doing

1:12:32.560 --> 1:12:33.280
<v Speaker 13>what he does best.

1:12:33.439 --> 1:12:36.280
<v Speaker 3>I got a rumor and I heard in the streets

1:12:37.320 --> 1:12:42.920
<v Speaker 3>that four on five off of Caamelo's fly okay, And

1:12:43.040 --> 1:12:45.680
<v Speaker 3>I got tight. I was like, no, no, no, no, no, no,

1:12:45.920 --> 1:12:49.479
<v Speaker 3>we're not having that. Okay, oh this is this is

1:12:49.560 --> 1:12:52.360
<v Speaker 3>before m was on the radio. He said no, no,

1:12:52.520 --> 1:12:54.519
<v Speaker 3>he was already on the radio rail okay, he didn't

1:12:54.520 --> 1:13:00.439
<v Speaker 3>have he didn't have that time. Stock was doing the

1:13:00.520 --> 1:13:03.080
<v Speaker 3>New I was doing on radio You do it too,

1:13:03.240 --> 1:13:03.920
<v Speaker 3>doing the New two.

1:13:04.280 --> 1:13:06.200
<v Speaker 13>I was doing the New tow for a while and

1:13:06.320 --> 1:13:09.000
<v Speaker 13>we had left and we started that, and we started

1:13:09.040 --> 1:13:11.320
<v Speaker 13>that and we left. I took over Now two and

1:13:11.400 --> 1:13:13.000
<v Speaker 13>I was doing New too, and I was doing Friday's

1:13:13.080 --> 1:13:14.080
<v Speaker 13>Nights heavy hit hour.

1:13:14.439 --> 1:13:16.479
<v Speaker 1>That was that was your official first spot was New two.

1:13:17.240 --> 1:13:19.840
<v Speaker 13>No, my first spot was midnight okay. And then I

1:13:19.880 --> 1:13:21.639
<v Speaker 13>had that short Lights out okay, okay.

1:13:23.680 --> 1:13:28.000
<v Speaker 3>And then when when it first started with I heard

1:13:28.040 --> 1:13:30.160
<v Speaker 3>the rumor that they were trying to take him from us,

1:13:31.439 --> 1:13:34.360
<v Speaker 3>and I had three or four hours on a Friday.

1:13:35.200 --> 1:13:36.599
<v Speaker 3>So I said, now, man, I'm gonna give you extra

1:13:36.680 --> 1:13:39.400
<v Speaker 3>hour on a Friday. You just just called the heavier hour.

1:13:39.479 --> 1:13:41.880
<v Speaker 3>And you know you're a host of DJ. It's all

1:13:42.000 --> 1:13:45.120
<v Speaker 3>yours to try to at least team. This is due

1:13:45.160 --> 1:13:49.519
<v Speaker 3>from leaving because he's hot. He's being twenty fifteen but

1:13:49.600 --> 1:13:53.840
<v Speaker 3>he's still hot, right, He's so hump he's so humble, bro,

1:13:54.560 --> 1:13:56.960
<v Speaker 3>but he's fucking one of the hottest DJs in the city.

1:13:56.960 --> 1:13:57.799
<v Speaker 3>He's on fires.

1:14:02.920 --> 1:14:05.320
<v Speaker 13>So yeah, so he gave me that first loot. It

1:14:05.479 --> 1:14:08.000
<v Speaker 13>used to be his on Fridays, he was on for

1:14:08.120 --> 1:14:10.280
<v Speaker 13>three hours. He gave me that last hour right before

1:14:10.360 --> 1:14:12.479
<v Speaker 13>mister See got on, and it was amazing. That was

1:14:12.520 --> 1:14:14.640
<v Speaker 13>the happiest DJ in the city. You could give me

1:14:14.720 --> 1:14:15.200
<v Speaker 13>nothing else.

1:14:15.960 --> 1:14:21.559
<v Speaker 3>Happy. Everybody's listening, everybody. Everybody's goal.

1:14:21.680 --> 1:14:24.479
<v Speaker 13>Everybody's goal is to be on primetime radio. Every DJ,

1:14:25.479 --> 1:14:26.320
<v Speaker 13>everybody's everybody.

1:14:27.000 --> 1:14:33.479
<v Speaker 3>I'm sorry this warning. Everybody's goal is to be on

1:14:33.560 --> 1:14:34.240
<v Speaker 3>prime time radio.

1:14:34.439 --> 1:14:36.680
<v Speaker 13>If somebody asked me one day, yo, you want to

1:14:36.760 --> 1:14:38.720
<v Speaker 13>be on five o'clock, win enough so on I will

1:14:38.760 --> 1:14:41.880
<v Speaker 13>always say fuck yeall one day one day.

1:14:43.760 --> 1:14:47.519
<v Speaker 3>So you know how it all went down. Since this

1:14:47.640 --> 1:14:52.200
<v Speaker 3>guy's not talking. It all went down is I'm in

1:14:52.280 --> 1:14:53.679
<v Speaker 3>bed out.

1:14:53.560 --> 1:14:57.680
<v Speaker 13>Of commission, trying to recover from his knee injury. Enough

1:14:57.800 --> 1:15:02.000
<v Speaker 13>is doing radio with Nessa, and I don't know what

1:15:02.160 --> 1:15:06.519
<v Speaker 13>happened between them, you know, whether he wasn't happy Ornessa

1:15:06.640 --> 1:15:07.160
<v Speaker 13>wasn't happy.

1:15:08.120 --> 1:15:11.560
<v Speaker 3>The marriage wasn't great, correct, it wasn't good. Bro. I

1:15:11.640 --> 1:15:13.840
<v Speaker 3>welcomed her with open arms, and I felt like she

1:15:14.040 --> 1:15:17.920
<v Speaker 3>was just scrutinizing. You know what I realized to this day,

1:15:18.800 --> 1:15:23.880
<v Speaker 3>and I mean just recently. A lot of us, including y'all,

1:15:24.800 --> 1:15:28.439
<v Speaker 3>we all come from the street, First Club Street. We

1:15:28.520 --> 1:15:32.200
<v Speaker 3>grew up in the street. There's nobody who coached us

1:15:32.320 --> 1:15:35.280
<v Speaker 3>on how to do this. Ain't nobody saying, yo, just

1:15:35.320 --> 1:15:37.680
<v Speaker 3>how you're in a podcast. Nobody came you say you

1:15:37.720 --> 1:15:40.840
<v Speaker 3>do this? How you DJ for none of us. So

1:15:40.960 --> 1:15:43.439
<v Speaker 3>it's all try by era. We do what we can.

1:15:44.080 --> 1:15:46.800
<v Speaker 3>We're trying to be human, video out figure it out right.

1:15:48.960 --> 1:15:54.040
<v Speaker 3>The homegirl came from like like the radio geek squad,

1:15:54.840 --> 1:15:58.000
<v Speaker 3>like she's yo. Her and her producer they like this.

1:15:58.920 --> 1:16:02.040
<v Speaker 3>They're flowing this yo. They don't make no fucking mistakes.

1:16:02.120 --> 1:16:06.120
<v Speaker 3>They great at what they do. Polished. They probably went

1:16:06.160 --> 1:16:07.760
<v Speaker 3>to school. I don't even know. But anyway, they were

1:16:07.880 --> 1:16:10.000
<v Speaker 3>very good. It's just they're just like it's just like

1:16:10.080 --> 1:16:14.680
<v Speaker 3>a machine's almost it's almost too perfect to me. So

1:16:15.520 --> 1:16:16.680
<v Speaker 3>after a while I was like, Yo, I don't know

1:16:16.680 --> 1:16:17.400
<v Speaker 3>if I could deal with this.

1:16:17.560 --> 1:16:17.640
<v Speaker 4>Bro.

1:16:17.840 --> 1:16:20.560
<v Speaker 3>I got I'm a I'm a people person. I'm into this,

1:16:21.120 --> 1:16:24.320
<v Speaker 3>I'm into feelings, emotions, I'm I mean, I gotta go

1:16:24.479 --> 1:16:27.599
<v Speaker 3>somewhere where I feel comfortable. So I got up out

1:16:27.640 --> 1:16:30.320
<v Speaker 3>of there, I say, I'm out. I got off of

1:16:30.360 --> 1:16:34.040
<v Speaker 3>to do a shot in the middays with Megan. She

1:16:34.200 --> 1:16:36.840
<v Speaker 3>was a new girl. She was working here in Miami

1:16:36.920 --> 1:16:40.280
<v Speaker 3>for a little while. And at that time I get

1:16:40.280 --> 1:16:42.080
<v Speaker 3>to I get the phone call, like, Yo, do you

1:16:42.120 --> 1:16:44.840
<v Speaker 3>want to do this? I said, whoa? What howerre? I'm home?

1:16:45.360 --> 1:16:47.479
<v Speaker 3>We're broken the still. I said, you, let's switch, bro,

1:16:48.120 --> 1:16:50.320
<v Speaker 3>I said, first phone call, I didn't call him. I said,

1:16:50.400 --> 1:16:53.360
<v Speaker 3>if you don't mind, can we switch, bro? Because I

1:16:53.360 --> 1:16:56.040
<v Speaker 3>wouldn't mind. It's the same thing, BRO, You're on for

1:16:56.240 --> 1:16:58.479
<v Speaker 3>us ninety minutes. I'm on for a hour. What's the

1:16:59.120 --> 1:17:01.559
<v Speaker 3>what's another fat fifteen twenty minute? Who cares?

1:17:01.800 --> 1:17:03.479
<v Speaker 13>But you know, to keep it a buck. The first

1:17:03.520 --> 1:17:05.360
<v Speaker 13>phone called there was enough yo eat.

1:17:06.120 --> 1:17:08.960
<v Speaker 3>I can't. I don't want this like this. Wait when

1:17:09.080 --> 1:17:09.360
<v Speaker 3>this is?

1:17:09.439 --> 1:17:10.559
<v Speaker 1>This is recently you're talking about.

1:17:10.560 --> 1:17:13.599
<v Speaker 13>This is twenty fifteen when I supposedly took the snake

1:17:13.640 --> 1:17:14.519
<v Speaker 13>over here, took the job.

1:17:15.160 --> 1:17:17.880
<v Speaker 3>So you know, I said, I can't. He said, bro,

1:17:18.960 --> 1:17:19.280
<v Speaker 3>take it.

1:17:19.640 --> 1:17:21.840
<v Speaker 13>If you don't take it, somebody else's and I don't

1:17:21.840 --> 1:17:24.360
<v Speaker 13>want nobody else to take it, but you you deserve it.

1:17:25.439 --> 1:17:31.800
<v Speaker 3>Of course I gotta. I got. That's what I'm real Like,

1:17:31.920 --> 1:17:32.800
<v Speaker 3>what else am I gonna do?

1:17:32.920 --> 1:17:35.400
<v Speaker 13>This is my brother, you know. I he told me

1:17:35.479 --> 1:17:38.599
<v Speaker 13>what it was and what they're he gonna be doing, Say,

1:17:39.520 --> 1:17:41.880
<v Speaker 13>all right, cool? And then you know, then I talked

1:17:41.880 --> 1:17:43.439
<v Speaker 13>to NASA and then whatever it is, what it is.

1:17:43.479 --> 1:17:44.200
<v Speaker 3>And then I got on the.

1:17:44.240 --> 1:17:47.120
<v Speaker 13>Shift, and here we are ten years later, you know,

1:17:47.280 --> 1:17:49.040
<v Speaker 13>and all of a sudden, I'm a snake O.

1:17:49.040 --> 1:17:51.840
<v Speaker 3>Good from back then? From that move.

1:17:51.960 --> 1:17:54.880
<v Speaker 13>Well, that's what they say. Now, that's what somebody said

1:17:55.400 --> 1:17:57.720
<v Speaker 13>that a couple of days ago. That's how it was

1:17:58.560 --> 1:17:59.040
<v Speaker 13>that happened.

1:17:59.200 --> 1:18:01.040
<v Speaker 5>So that's what they're they're recalling that.

1:18:01.120 --> 1:18:06.160
<v Speaker 3>I sneaked him? Did I sneak my brother? Ten years ago?

1:18:06.960 --> 1:18:07.080
<v Speaker 1>Now?

1:18:07.240 --> 1:18:07.960
<v Speaker 3>I sneaked him?

1:18:09.080 --> 1:18:11.120
<v Speaker 1>They were saying from recently. Yea, But you know.

1:18:12.600 --> 1:18:15.680
<v Speaker 3>That's what this is. I'm confused because everybody's thinking that

1:18:16.320 --> 1:18:18.840
<v Speaker 3>this is a two years ago.

1:18:19.040 --> 1:18:21.920
<v Speaker 1>Was was Jeuki on? I don't think he was unht

1:18:22.040 --> 1:18:22.280
<v Speaker 1>he was.

1:18:23.600 --> 1:18:25.960
<v Speaker 3>He was doing boards and he was around. He was

1:18:26.160 --> 1:18:28.799
<v Speaker 3>remember remember Juskie used to do the boards for Angie.

1:18:29.160 --> 1:18:29.599
<v Speaker 3>That's right.

1:18:29.800 --> 1:18:30.799
<v Speaker 1>Forgot what I'm saying.

1:18:30.640 --> 1:18:32.599
<v Speaker 3>Before that you carry records for sounds?

1:18:32.640 --> 1:18:35.519
<v Speaker 13>All right, He's been around. He's not a young new

1:18:35.640 --> 1:18:37.680
<v Speaker 13>boy on the block. He's been in that station for

1:18:37.720 --> 1:18:41.559
<v Speaker 13>a long time. Good dude, a guy that the young,

1:18:41.880 --> 1:18:44.960
<v Speaker 13>the young boys embrace. The young world loves him because

1:18:44.960 --> 1:18:46.000
<v Speaker 13>he supports that music.

1:18:46.360 --> 1:18:47.120
<v Speaker 3>He's that guy.

1:18:47.240 --> 1:18:49.639
<v Speaker 13>They look for him. They don't look for nobody else.

1:18:49.640 --> 1:18:51.960
<v Speaker 3>They look for him. You know a lot of people

1:18:52.040 --> 1:18:52.320
<v Speaker 3>hate that.

1:18:53.240 --> 1:18:55.880
<v Speaker 1>So he act straight up put the band aid off.

1:18:59.760 --> 1:19:01.000
<v Speaker 1>Do you think he got you fired?

1:19:10.400 --> 1:19:19.120
<v Speaker 3>Yeah? I'm just thinking about it for a second, Okay.

1:19:19.800 --> 1:19:21.600
<v Speaker 3>I mean, I know he says he loves me. He

1:19:21.760 --> 1:19:25.120
<v Speaker 3>says TM is not going to get whatever or whatever.

1:19:26.320 --> 1:19:29.920
<v Speaker 3>But how do you sure love like that? Not like that.

1:19:31.680 --> 1:19:33.840
<v Speaker 13>It's deeper than rat man, it's deeper than that. But

1:19:34.280 --> 1:19:35.840
<v Speaker 13>I don't you know, every want to talk.

1:19:35.920 --> 1:19:39.479
<v Speaker 3>Yeah, we've been around for a long time together saying,

1:19:39.640 --> 1:19:42.720
<v Speaker 3>just period, all of us doing what we do, and

1:19:42.800 --> 1:19:47.519
<v Speaker 3>I know everybody goes their way at times, and I know, look,

1:19:48.240 --> 1:19:50.240
<v Speaker 3>there's there's been some real talk that me and him

1:19:50.280 --> 1:19:54.439
<v Speaker 3>had that I might have not liked, Like, you know, yo,

1:19:54.680 --> 1:19:55.639
<v Speaker 3>you gotta die your bed.

1:19:57.520 --> 1:19:58.519
<v Speaker 1>He told you that we want to.

1:19:59.040 --> 1:20:04.680
<v Speaker 3>You gotta be wanted to. You gotta die your big

1:20:04.880 --> 1:20:06.760
<v Speaker 3>You don't die. Your kids are gonna think you too

1:20:06.840 --> 1:20:21.160
<v Speaker 3>old ship you would be. So it's those conversations just

1:20:22.000 --> 1:20:25.200
<v Speaker 3>you know, I was doing the mix show, coordinating jobs

1:20:25.200 --> 1:20:28.880
<v Speaker 3>at the station, doing the music meetings, and then I

1:20:29.040 --> 1:20:32.200
<v Speaker 3>noticed that he would show up and support and then

1:20:32.280 --> 1:20:34.160
<v Speaker 3>he would bitch about the music. And I'm like, yo,

1:20:34.479 --> 1:20:38.439
<v Speaker 3>all the DJs voted on these songs. If you get

1:20:38.479 --> 1:20:41.120
<v Speaker 3>the emails, you invited to all the meetings, like everybody

1:20:41.200 --> 1:20:45.720
<v Speaker 3>else's be vocal, let's talk, let's build. But he never

1:20:45.800 --> 1:20:47.360
<v Speaker 3>wanted to do it. And I don't know if it's

1:20:47.400 --> 1:20:51.400
<v Speaker 3>because he didn't like me at the home, running the

1:20:52.560 --> 1:20:56.519
<v Speaker 3>conference room or whatever it was. But I can't tell

1:20:56.560 --> 1:20:59.680
<v Speaker 3>you where it just ultimately cracked for him where he

1:20:59.840 --> 1:21:02.800
<v Speaker 3>was like because in his mind, he says, I gave up,

1:21:04.360 --> 1:21:08.000
<v Speaker 3>you know, by letting him win, by letting chous Key win,

1:21:08.160 --> 1:21:11.040
<v Speaker 3>staking number one, sting number two, by letting them win.

1:21:11.600 --> 1:21:16.040
<v Speaker 3>But that was never my motto. Remember what I see asked,

1:21:16.680 --> 1:21:20.240
<v Speaker 3>how could you let those guys do? Aren't you afraid

1:21:20.280 --> 1:21:23.080
<v Speaker 3>of losing? I said no, because if they deserve it,

1:21:23.840 --> 1:21:26.400
<v Speaker 3>then they should get it. That's just the way it is, bro,

1:21:26.880 --> 1:21:30.400
<v Speaker 3>and he deserves it. Not my slide, but he deserves

1:21:30.439 --> 1:21:31.000
<v Speaker 3>a big shot.

1:21:32.240 --> 1:21:34.360
<v Speaker 5>Plus, you guys are a collective, so you're all winning.

1:21:34.479 --> 1:21:37.560
<v Speaker 3>Yeah, we all win, we all hold each other. And

1:21:37.560 --> 1:21:40.240
<v Speaker 3>that's how I always looked at it. That's the difference

1:21:40.280 --> 1:21:45.080
<v Speaker 3>between me and him. That's it I saw it is.

1:21:46.080 --> 1:21:49.640
<v Speaker 3>I'm not a gangster, I'm not a tough guy, but

1:21:49.800 --> 1:21:53.720
<v Speaker 3>his talk ship game is imprepeccable. He's been doing it

1:21:53.800 --> 1:21:55.639
<v Speaker 3>for years the same.

1:21:55.600 --> 1:22:14.920
<v Speaker 7>Dude, it's breaking, you gotta take it's good. So now,

1:22:14.960 --> 1:22:18.160
<v Speaker 7>because I just to be honest with you, I'm a

1:22:18.240 --> 1:22:23.040
<v Speaker 7>New Yorker. We clear we get it from New Yorker,

1:22:23.400 --> 1:22:27.240
<v Speaker 7>And to me, I've never thought I'll see this moment

1:22:27.560 --> 1:22:31.800
<v Speaker 7>like period like because I felt like I always knew

1:22:31.800 --> 1:22:33.439
<v Speaker 7>it's a little bit of turmoil, but I felt like

1:22:33.640 --> 1:22:37.160
<v Speaker 7>everyone covered it up very well. For years, so I

1:22:37.240 --> 1:22:39.720
<v Speaker 7>thought it was just never like you know, this would

1:22:39.720 --> 1:22:40.559
<v Speaker 7>never like transport.

1:22:40.640 --> 1:22:42.759
<v Speaker 13>You're trying to say, it's sad to see that happened

1:22:42.800 --> 1:22:44.160
<v Speaker 13>the way it is going down, That's what I'm.

1:22:44.040 --> 1:22:46.519
<v Speaker 1>Trying to say. Making sure it's say funk.

1:22:46.360 --> 1:22:48.360
<v Speaker 13>Out of it too, because at this day and age,

1:22:48.520 --> 1:22:49.360
<v Speaker 13>we've done so much.

1:22:49.840 --> 1:22:50.519
<v Speaker 3>We're not young.

1:22:51.280 --> 1:22:53.519
<v Speaker 13>This is where we are in our career. We've been

1:22:53.880 --> 1:22:57.320
<v Speaker 13>you know, winning, We've been winning together collective. You know,

1:22:57.400 --> 1:22:59.479
<v Speaker 13>whether you're there here, we're winning. And it comes to

1:22:59.600 --> 1:23:01.920
<v Speaker 13>this ship, what are we doing out here?

1:23:03.400 --> 1:23:03.600
<v Speaker 1>I do?

1:23:05.320 --> 1:23:07.200
<v Speaker 3>What are we doing out here? You know what I'm saying.

1:23:08.320 --> 1:23:08.600
<v Speaker 3>That's it?

1:23:09.240 --> 1:23:09.400
<v Speaker 13>You know?

1:23:09.640 --> 1:23:11.719
<v Speaker 3>And and and you feel about the love and support

1:23:11.760 --> 1:23:13.439
<v Speaker 3>that New York was giving you. Make sure you're speaking

1:23:13.479 --> 1:23:18.400
<v Speaker 3>in the buddy love and support coming from New York?

1:23:19.040 --> 1:23:21.400
<v Speaker 3>Like do you feel like everybody has your back? Still?

1:23:21.479 --> 1:23:25.280
<v Speaker 3>And my man, that's the most overwhelming part. I was

1:23:25.320 --> 1:23:27.400
<v Speaker 3>gonna say that him. I'm in the crib chilling now

1:23:27.520 --> 1:23:31.519
<v Speaker 3>since I got to let go. I just I can

1:23:31.600 --> 1:23:35.439
<v Speaker 3>imagine fire you who I haven't spoken because I'm outside

1:23:35.479 --> 1:23:38.120
<v Speaker 3>to thirty years everybody, I got your back.

1:23:38.200 --> 1:23:42.960
<v Speaker 13>Of course, he's the difference. The streets love us organically.

1:23:43.880 --> 1:23:47.120
<v Speaker 13>I can't speak about the other side. The streets fuck

1:23:47.200 --> 1:23:48.080
<v Speaker 13>with USO.

1:23:48.160 --> 1:23:49.559
<v Speaker 3>I'm gonna tell you a funny story. I just told

1:23:49.640 --> 1:23:54.320
<v Speaker 3>him today because they were assuming he sneak number one.

1:23:55.160 --> 1:23:56.760
<v Speaker 3>I have gooms getting ready to go see Hi at

1:23:56.760 --> 1:24:01.439
<v Speaker 3>the next party. Not These are my friends I grew

1:24:01.520 --> 1:24:04.000
<v Speaker 3>up with and they were just trying to, you know,

1:24:04.240 --> 1:24:08.320
<v Speaker 3>hold me down. Of course we're gonna come see him.

1:24:08.800 --> 1:24:12.960
<v Speaker 3>And I'm like, no, no, relaxed, that's my brother, right,

1:24:13.400 --> 1:24:14.639
<v Speaker 3>So you gotta be careful what we say.

1:24:14.760 --> 1:24:14.880
<v Speaker 10>Man.

1:24:14.880 --> 1:24:16.920
<v Speaker 13>They say that when how who should? Is when you

1:24:17.040 --> 1:24:17.719
<v Speaker 13>change the narrative?

1:24:17.760 --> 1:24:20.200
<v Speaker 3>And what if they do? Yeah? Man, how people think

1:24:20.479 --> 1:24:21.720
<v Speaker 3>and the streets look at oh Shire?

1:24:21.840 --> 1:24:22.160
<v Speaker 4>What what?

1:24:22.560 --> 1:24:22.680
<v Speaker 16>How?

1:24:22.800 --> 1:24:27.160
<v Speaker 3>Quick? Because people because people don't understand the intricates in

1:24:27.280 --> 1:24:28.280
<v Speaker 3>this out of business.

1:24:28.880 --> 1:24:30.559
<v Speaker 13>The all they hear is what they hear, and they

1:24:30.600 --> 1:24:32.800
<v Speaker 13>think it's really right. We live in the generation you

1:24:32.840 --> 1:24:34.479
<v Speaker 13>see the clip and that you believe it right away.

1:24:34.560 --> 1:24:36.960
<v Speaker 1>But let me ask you, because after you DJ didn't

1:24:37.000 --> 1:24:37.760
<v Speaker 1>flex come right.

1:24:37.680 --> 1:24:39.759
<v Speaker 3>On after you you started yesterday?

1:24:39.920 --> 1:24:43.680
<v Speaker 1>Okay, because y'all y'all in the same building yesterday, Yeah,

1:24:43.720 --> 1:24:44.320
<v Speaker 1>saw each other.

1:24:45.240 --> 1:24:46.400
<v Speaker 4>No, So.

1:24:48.000 --> 1:24:48.560
<v Speaker 3>What you know?

1:24:50.800 --> 1:24:54.439
<v Speaker 13>Our radio station is going through an amazing, crazy transition.

1:24:54.880 --> 1:24:58.000
<v Speaker 13>The studios are really shitty, and I go live from

1:24:58.120 --> 1:25:02.360
<v Speaker 13>my studio okay, which is nice, clean sounds even better.

1:25:02.439 --> 1:25:09.720
<v Speaker 3>I think you ain't clean sounds going through. For the

1:25:09.760 --> 1:25:11.240
<v Speaker 3>past five years, I've been going live in.

1:25:11.320 --> 1:25:15.280
<v Speaker 13>My studio and with Nessa, and we've been killing it

1:25:15.640 --> 1:25:18.760
<v Speaker 13>for y'all doing remote. Yeah, she goes in, she does

1:25:18.800 --> 1:25:19.320
<v Speaker 13>her thing. I do.

1:25:19.520 --> 1:25:22.240
<v Speaker 3>I'll go live every day for the studio flawlessly.

1:25:22.479 --> 1:25:25.839
<v Speaker 5>You would never know because invested in the studio.

1:25:26.439 --> 1:25:29.040
<v Speaker 3>So he was saying, yeah, they have it. They haven't.

1:25:29.080 --> 1:25:31.840
<v Speaker 13>They've been saying the past two years there's new studios coming.

1:25:32.760 --> 1:25:35.240
<v Speaker 13>They haven't even they haven't even put a nail on

1:25:35.280 --> 1:25:35.599
<v Speaker 13>the wall.

1:25:36.360 --> 1:25:38.160
<v Speaker 1>Trying to get out of jobs.

1:25:38.439 --> 1:25:40.800
<v Speaker 13>I think the whole country is eventually. I think that's

1:25:40.840 --> 1:25:43.040
<v Speaker 13>where you know, you broke everybody.

1:25:43.800 --> 1:25:47.639
<v Speaker 3>Fun company that brought us right before COVID. That means

1:25:48.160 --> 1:25:50.600
<v Speaker 3>they don't care who made money. Say again, hold up,

1:25:50.840 --> 1:25:51.639
<v Speaker 3>that means they don't.

1:25:51.439 --> 1:25:52.360
<v Speaker 1>Care who made money.

1:25:52.479 --> 1:25:55.240
<v Speaker 5>Bro the hedge fund does not care, but who made money?

1:25:55.560 --> 1:25:59.599
<v Speaker 3>Like literally, the VC, you spend seven hundred mili whatever

1:25:59.600 --> 1:26:01.479
<v Speaker 3>the hell of horse and you don't get no money

1:26:01.520 --> 1:26:04.759
<v Speaker 3>back on return. We don't even have a sales department.

1:26:05.800 --> 1:26:07.120
<v Speaker 1>And let's teot it. You don't have a PD.

1:26:08.760 --> 1:26:13.240
<v Speaker 3>There's a there's a consultant. It's been it's been fourteen months.

1:26:13.280 --> 1:26:14.160
<v Speaker 3>We haven't had a PD.

1:26:15.000 --> 1:26:18.040
<v Speaker 13>We just got a consultant, like to consultant as the

1:26:18.080 --> 1:26:22.560
<v Speaker 13>PD consultant. And mind you, he's a good guy. I

1:26:22.680 --> 1:26:24.719
<v Speaker 13>like him, a great guy. I'm gonna keep it a buck.

1:26:26.200 --> 1:26:29.640
<v Speaker 13>We're so professional that you can never tell to this

1:26:29.840 --> 1:26:33.719
<v Speaker 13>day because we're still running the show like it's supposed

1:26:33.720 --> 1:26:33.800
<v Speaker 13>to be.

1:26:34.200 --> 1:26:36.400
<v Speaker 3>Nobody got taking away from anybody.

1:26:36.920 --> 1:26:41.120
<v Speaker 13>Morning Show is doing the thing afternoon's news, and we're

1:26:41.160 --> 1:26:41.640
<v Speaker 13>doing our thing.

1:26:41.720 --> 1:26:43.160
<v Speaker 3>The numbers speak for itself.

1:26:43.840 --> 1:26:47.120
<v Speaker 13>In fact, the guy at seven o'clock is doing his

1:26:47.320 --> 1:26:49.160
<v Speaker 13>thing respectfully, and.

1:26:49.280 --> 1:26:53.680
<v Speaker 3>We still at five o'clock. Now, oh you are five, No,

1:26:53.720 --> 1:26:54.639
<v Speaker 3>I'm on four to five.

1:26:55.080 --> 1:26:58.080
<v Speaker 13>Four other guys at five, okay, sneaking number ones at

1:26:58.120 --> 1:27:01.640
<v Speaker 13>four all right to the snake is bro But but

1:27:01.800 --> 1:27:05.000
<v Speaker 13>you know, respect we're so professional as a as a

1:27:05.080 --> 1:27:07.560
<v Speaker 13>building that we're still holding the fourth down without a

1:27:07.640 --> 1:27:10.519
<v Speaker 13>p D, without a proper still deployment. What I would

1:27:10.520 --> 1:27:12.519
<v Speaker 13>ever and because you know why, because we work hard,

1:27:12.560 --> 1:27:14.599
<v Speaker 13>and we love the brand, and we love the culture

1:27:14.720 --> 1:27:16.800
<v Speaker 13>and we still want to break records. We still want

1:27:16.840 --> 1:27:19.640
<v Speaker 13>to grab that new kind of like back in the

1:27:19.760 --> 1:27:22.320
<v Speaker 13>days and blowing the funk up. We still we still

1:27:22.400 --> 1:27:22.960
<v Speaker 13>love what we do.

1:27:23.080 --> 1:27:25.599
<v Speaker 5>Do you guys feel that terrestrial radio still has the power?

1:27:25.640 --> 1:27:25.800
<v Speaker 3>Though?

1:27:27.240 --> 1:27:29.519
<v Speaker 1>I believe, I believe this week show proved it.

1:27:30.840 --> 1:27:36.640
<v Speaker 3>I'm sorry y'all if I believe this week it's not

1:27:36.800 --> 1:27:37.200
<v Speaker 3>the same.

1:27:37.520 --> 1:27:40.519
<v Speaker 13>Of course since when super Dog was coming up, of course,

1:27:40.600 --> 1:27:42.639
<v Speaker 13>not that was that was that was the only channel.

1:27:43.479 --> 1:27:47.080
<v Speaker 3>Yeah, it's still a big thing. People don't understand that

1:27:47.160 --> 1:27:50.040
<v Speaker 3>it is. It's a big thing. It's not especially you

1:27:50.160 --> 1:27:50.840
<v Speaker 3>started to cut you off.

1:27:50.880 --> 1:27:51.880
<v Speaker 1>But this week it proved it.

1:27:52.040 --> 1:27:54.120
<v Speaker 3>Everyone was tuned in the hot and.

1:27:54.200 --> 1:27:55.680
<v Speaker 1>Y'all speaking about hot like that.

1:27:55.840 --> 1:27:57.320
<v Speaker 3>That's that's what was kind of dope.

1:27:57.120 --> 1:28:00.400
<v Speaker 7>Like it actually showed the power of that should not

1:28:00.479 --> 1:28:01.479
<v Speaker 7>be the reason why they're tuned.

1:28:01.560 --> 1:28:07.519
<v Speaker 3>I mean, who cares get what he's saying? Reality, Like,

1:28:07.560 --> 1:28:09.559
<v Speaker 3>come on, we can't go down that.

1:28:11.240 --> 1:28:13.040
<v Speaker 7>If it was fake, if it was fake, we could

1:28:13.040 --> 1:28:14.960
<v Speaker 7>say it's real, this is not this is not fake, this.

1:28:15.040 --> 1:28:15.559
<v Speaker 3>Is all real.

1:28:15.880 --> 1:28:17.559
<v Speaker 4>The reason why I say that is that why couldn't

1:28:17.600 --> 1:28:19.559
<v Speaker 4>you guys, with the power that you guys have as

1:28:19.600 --> 1:28:22.840
<v Speaker 4>a collective. Take this into your own hands, like either

1:28:23.560 --> 1:28:25.600
<v Speaker 4>be able to somehow partner with someone that pulls the

1:28:25.680 --> 1:28:30.120
<v Speaker 4>license to get your own terrestrial or go completely serious

1:28:30.160 --> 1:28:30.920
<v Speaker 4>exam channel.

1:28:31.240 --> 1:28:33.719
<v Speaker 13>I think I think it's that's a scary move. Radio,

1:28:34.080 --> 1:28:35.680
<v Speaker 13>like you said, is not what it was so doing

1:28:35.760 --> 1:28:38.160
<v Speaker 13>that movie Left end Radio is not what it was

1:28:38.240 --> 1:28:40.439
<v Speaker 13>so so so we have so many other channels to

1:28:40.479 --> 1:28:45.200
<v Speaker 13>be continued. That's what I'll believed it in the end.

1:28:45.800 --> 1:28:50.120
<v Speaker 3>As hip hop, we need to own more. We need

1:28:50.240 --> 1:28:53.040
<v Speaker 3>to what we built should be owned. But that's been

1:28:53.080 --> 1:28:56.160
<v Speaker 3>the struggle since day one, right or remember.

1:28:55.840 --> 1:28:58.800
<v Speaker 1>That we we do have his jobs too, Like you

1:28:58.840 --> 1:28:59.280
<v Speaker 1>know what I'm saying.

1:28:59.280 --> 1:29:02.160
<v Speaker 7>That's like me personally, Like like I always tell you

1:29:02.400 --> 1:29:05.160
<v Speaker 7>I enjoyed working for Love and Hip Hop because it

1:29:05.360 --> 1:29:07.360
<v Speaker 7>wasn't like I just could show up and I could

1:29:07.439 --> 1:29:09.439
<v Speaker 7>just do what I gotta do and I can just leave,

1:29:09.800 --> 1:29:11.640
<v Speaker 7>you know what I mean, Like as opposed to like

1:29:11.720 --> 1:29:13.840
<v Speaker 7>when you control everything, you have to you have to

1:29:13.920 --> 1:29:15.519
<v Speaker 7>be there before they come, and you have to be

1:29:15.600 --> 1:29:17.320
<v Speaker 7>there after they bounce, you know what I'm saying.

1:29:17.400 --> 1:29:19.040
<v Speaker 3>But you don't have to be the manager always.

1:29:19.080 --> 1:29:20.200
<v Speaker 5>You can hire, you can be old.

1:29:20.200 --> 1:29:23.840
<v Speaker 7>What I'm saying is sometimes I enjoy so like to

1:29:23.920 --> 1:29:26.200
<v Speaker 7>answer your question, but I'll answer your question for y'all,

1:29:26.560 --> 1:29:29.360
<v Speaker 7>Like sometimes it's cool to work for other people like

1:29:29.439 --> 1:29:31.080
<v Speaker 7>that ship is cool because it's just like, yo, let

1:29:31.120 --> 1:29:33.200
<v Speaker 7>me go go through my job and then that's it.

1:29:33.240 --> 1:29:33.760
<v Speaker 1>You know what I'm saying.

1:29:33.800 --> 1:29:36.920
<v Speaker 3>That's how it's just comfortable. Yeah, yeah, the important part,

1:29:37.200 --> 1:29:38.479
<v Speaker 3>you know what, I'm gonna keep it a buck. And

1:29:38.760 --> 1:29:41.760
<v Speaker 3>I never said this before. Okay, I should have been

1:29:41.840 --> 1:29:44.840
<v Speaker 3>left hot on any seven. I stayed there way too long.

1:29:45.720 --> 1:29:49.320
<v Speaker 3>I stayed there past my time. I was too I

1:29:49.479 --> 1:29:53.360
<v Speaker 3>was yet Okay, I think the point I'm trying to

1:29:53.400 --> 1:29:57.400
<v Speaker 3>get at is I got too comfortable because it was

1:29:57.479 --> 1:30:00.479
<v Speaker 3>something I was good at. I enjoyed doing it, like

1:30:00.560 --> 1:30:03.200
<v Speaker 3>you said, and I remember like when I first got

1:30:03.240 --> 1:30:05.880
<v Speaker 3>my first gig, I would have did it for free, bro,

1:30:06.200 --> 1:30:08.560
<v Speaker 3>that's how much I love hip hop. I would have

1:30:08.640 --> 1:30:09.240
<v Speaker 3>did it for free.

1:30:09.880 --> 1:30:11.639
<v Speaker 4>That's been hip hop's problem from the beginning, though. That's

1:30:11.640 --> 1:30:14.879
<v Speaker 4>the problem because we don't treat it as a business.

1:30:15.680 --> 1:30:18.400
<v Speaker 4>We treat it on some emotional ship, on our hearts

1:30:18.439 --> 1:30:19.160
<v Speaker 4>and our slaves.

1:30:20.040 --> 1:30:22.880
<v Speaker 13>And furthermore, it's like we, like you said, we need

1:30:22.960 --> 1:30:25.200
<v Speaker 13>to own it and whoever, even if you work for somebody,

1:30:25.439 --> 1:30:27.200
<v Speaker 13>those people you work for give a.

1:30:27.280 --> 1:30:30.080
<v Speaker 4>Fuck, that's the problem, and care about the culture is

1:30:30.080 --> 1:30:32.640
<v Speaker 4>going to give a fuck, right right, then they're not

1:30:32.720 --> 1:30:35.560
<v Speaker 4>culturally invested in hip hop exactly the culture.

1:30:36.800 --> 1:30:39.000
<v Speaker 13>And yeah and a Hedgephne running and it's not going

1:30:39.080 --> 1:30:40.960
<v Speaker 13>to care. They just care about how we're gonna flip

1:30:41.000 --> 1:30:42.040
<v Speaker 13>this and keep it fucking.

1:30:41.880 --> 1:30:45.519
<v Speaker 3>Moving, right. That's all they're doing is I don't hate them.

1:30:46.000 --> 1:30:49.439
<v Speaker 3>That's that's the goal either way, that's their goal. But

1:30:49.720 --> 1:30:52.839
<v Speaker 3>guess what's going to happen this brand that you're pushing.

1:30:58.360 --> 1:31:01.160
<v Speaker 7>But like I always make Joe of my friend's Sonny

1:31:02.560 --> 1:31:04.600
<v Speaker 7>sometimes I tell him, I tell him like you're a

1:31:04.720 --> 1:31:08.960
<v Speaker 7>company man, right, like he literally won't miss work, Like

1:31:09.000 --> 1:31:11.800
<v Speaker 7>you know what I'm saying, like go work all the time?

1:31:12.000 --> 1:31:15.080
<v Speaker 3>Good for him? Yeah, I make fun of it. I

1:31:15.120 --> 1:31:17.000
<v Speaker 3>make fun of it. Right, And then I heard Hero

1:31:18.880 --> 1:31:20.479
<v Speaker 3>won't miss work with this guy?

1:31:20.680 --> 1:31:21.800
<v Speaker 7>I mean, you know what I'm saying, Like you know

1:31:21.840 --> 1:31:27.880
<v Speaker 7>what I mean, Like man like you, it's a great thing.

1:31:27.960 --> 1:31:31.360
<v Speaker 7>But job, I always I've always been a joke of it.

1:31:32.000 --> 1:31:35.560
<v Speaker 7>Now when I heard about ebro ebral were saying, like

1:31:35.760 --> 1:31:38.360
<v Speaker 7>someone that about flex it is like, yo, you know,

1:31:38.439 --> 1:31:41.920
<v Speaker 7>Flex is going to do exactly what these venture capitalists

1:31:41.920 --> 1:31:44.439
<v Speaker 7>people want them want him to do, like like he's

1:31:44.479 --> 1:31:46.720
<v Speaker 7>going to promote them. He's a company, He's going to

1:31:46.760 --> 1:31:48.519
<v Speaker 7>do that. So basically he's a company.

1:31:48.560 --> 1:31:48.720
<v Speaker 14>Man.

1:31:49.160 --> 1:31:51.920
<v Speaker 7>Is that something that I think you have to fall

1:31:51.960 --> 1:31:54.559
<v Speaker 7>in align with and like follow those types of steps

1:31:55.000 --> 1:31:55.439
<v Speaker 7>or is it?

1:31:55.600 --> 1:31:57.040
<v Speaker 1>Is it something that you feel like, you know what

1:31:57.080 --> 1:31:59.800
<v Speaker 1>I mean, you're going to maintain who you are.

1:32:00.240 --> 1:32:02.960
<v Speaker 13>Listen, it's a business and we don't own it, right,

1:32:03.280 --> 1:32:04.519
<v Speaker 13>And at the end of the day, you gotta win,

1:32:05.160 --> 1:32:07.639
<v Speaker 13>and you gotta follow rules, and you know, if it's

1:32:07.640 --> 1:32:10.040
<v Speaker 13>a right company, yeah, you gotta you know, but you

1:32:10.200 --> 1:32:11.800
<v Speaker 13>at the same time, you gotta know how to be

1:32:11.880 --> 1:32:13.800
<v Speaker 13>working man. You gotta be yourself at the same time

1:32:13.880 --> 1:32:17.160
<v Speaker 13>you normally gotta be Nori. But if you work for somebody,

1:32:17.160 --> 1:32:18.679
<v Speaker 13>you also got to play by their rules.

1:32:18.760 --> 1:32:19.280
<v Speaker 3>And I get it.

1:32:19.439 --> 1:32:22.679
<v Speaker 13>And as a DJ and a radio station hip hop,

1:32:23.200 --> 1:32:25.320
<v Speaker 13>everybody thinks, oh, Camilla, why don't you play this enough?

1:32:25.320 --> 1:32:28.920
<v Speaker 13>Why don't you play this a you can? This is

1:32:29.000 --> 1:32:30.400
<v Speaker 13>a I work for somebody.

1:32:30.840 --> 1:32:33.880
<v Speaker 3>They got rules and instructing.

1:32:33.720 --> 1:32:36.439
<v Speaker 13>So right, it's programming, So you know, you have to

1:32:36.520 --> 1:32:38.800
<v Speaker 13>be able to finagle that, and that's what we're great at.

1:32:38.920 --> 1:32:39.880
<v Speaker 3>We're able to fenagle that.

1:32:40.000 --> 1:32:42.719
<v Speaker 13>And then I could give them thirty percent of Kamiento

1:32:42.760 --> 1:32:45.040
<v Speaker 13>who he really is, and take this risk and play

1:32:45.120 --> 1:32:48.439
<v Speaker 13>this fucking on which they hate. When I do, you know,

1:32:48.560 --> 1:32:50.519
<v Speaker 13>this is what the fuck is popping. I believe them,

1:32:50.920 --> 1:32:53.160
<v Speaker 13>you know what I'm saying, enough, same thing? You know

1:32:53.240 --> 1:32:56.360
<v Speaker 13>how many how many years did you enough push the

1:32:56.479 --> 1:32:57.320
<v Speaker 13>envelope a little bit?

1:32:58.720 --> 1:33:02.519
<v Speaker 3>Every year? Kanye West reached the envelope every year?

1:33:03.200 --> 1:33:05.000
<v Speaker 13>You know, I mean, we could sit here for days.

1:33:05.640 --> 1:33:10.600
<v Speaker 13>I don't know whom. I love thems Corney Brooklyn. I

1:33:10.680 --> 1:33:11.400
<v Speaker 13>love his music.

1:33:12.040 --> 1:33:12.400
<v Speaker 3>I can't.

1:33:12.479 --> 1:33:14.759
<v Speaker 13>I wish I could. I wish I could play that record,

1:33:15.240 --> 1:33:17.880
<v Speaker 13>you know. You know, so I have to Finigga forms.

1:33:17.880 --> 1:33:22.519
<v Speaker 3>This countless acts we play over and over again that

1:33:22.720 --> 1:33:25.960
<v Speaker 3>there's always something. I remember playing Hi my Name Is

1:33:26.479 --> 1:33:29.680
<v Speaker 3>by Eminem and the PD came from all the way

1:33:29.680 --> 1:33:31.920
<v Speaker 3>in the back, was like, how the fuck are you playing?

1:33:32.840 --> 1:33:35.360
<v Speaker 3>Rock and roll? Is just hip hops? I mean, this

1:33:35.479 --> 1:33:37.519
<v Speaker 3>kid's on fire. He's going to be the next one,

1:33:37.600 --> 1:33:38.240
<v Speaker 3>I promise you.

1:33:38.680 --> 1:33:40.880
<v Speaker 13>You know, one time that ship, one time I was

1:33:41.080 --> 1:33:45.040
<v Speaker 13>I was feeling it for enough when this is morning show.

1:33:45.880 --> 1:33:47.040
<v Speaker 3>I feeled them and I'm sorry.

1:33:47.120 --> 1:33:50.000
<v Speaker 13>I'm sorry this you know this morning show, Morning show

1:33:50.280 --> 1:33:54.800
<v Speaker 13>stonebunk Wold, right. He put me to fill in. I

1:33:54.880 --> 1:33:58.120
<v Speaker 13>did a few times. One time I played React by

1:33:58.240 --> 1:33:58.799
<v Speaker 13>Eric Sermon.

1:34:01.840 --> 1:34:07.200
<v Speaker 3>That's a record the ice Cream King ice Cream. We

1:34:07.280 --> 1:34:11.400
<v Speaker 3>used to call it tricksy, Yo, what are you doing? No? No,

1:34:11.520 --> 1:34:11.680
<v Speaker 3>no no.

1:34:12.240 --> 1:34:15.000
<v Speaker 13>If you don't play to them, cut your poo, go

1:34:15.080 --> 1:34:17.360
<v Speaker 13>back to the program, like whoa you know this is

1:34:17.600 --> 1:34:18.120
<v Speaker 13>this is the thing.

1:34:18.040 --> 1:34:18.800
<v Speaker 3>That happened in radio.

1:34:18.800 --> 1:34:21.439
<v Speaker 13>And I understand back then, I get it. I just

1:34:21.680 --> 1:34:23.960
<v Speaker 13>mixtape kid on the radio, like you know, trying to

1:34:24.000 --> 1:34:26.320
<v Speaker 13>play that fire. But this is part of the game.

1:34:26.360 --> 1:34:27.439
<v Speaker 13>I understand now what it.

1:34:27.520 --> 1:34:30.000
<v Speaker 3>Is Morning is. It's supposed to be a broader audience.

1:34:30.680 --> 1:34:33.000
<v Speaker 3>They hit Morning is way more strict. Like Enough said,

1:34:33.080 --> 1:34:34.160
<v Speaker 3>none of us would trained for this.

1:34:35.360 --> 1:34:37.760
<v Speaker 13>You know, we let we learned by trial and error,

1:34:38.520 --> 1:34:40.519
<v Speaker 13>and this is what makes us great now because now

1:34:40.600 --> 1:34:44.080
<v Speaker 13>we know how to play both sides. You know, you know,

1:34:44.240 --> 1:34:45.920
<v Speaker 13>of course I want to enough wants to be enough,

1:34:45.920 --> 1:34:47.639
<v Speaker 13>one hundred percent. Comeing Al wants to be one hundred percent.

1:34:47.680 --> 1:34:49.639
<v Speaker 13>But when you're on that radio, you can't be yourself

1:34:49.640 --> 1:34:50.240
<v Speaker 13>one hundred percent.

1:34:50.280 --> 1:34:50.840
<v Speaker 3>You got to play.

1:34:51.280 --> 1:34:52.960
<v Speaker 13>You gotta behind ID seven hundred percent cool.

1:34:53.160 --> 1:34:54.560
<v Speaker 3>That's a trick. You just got to know how to

1:34:54.640 --> 1:34:56.720
<v Speaker 3>do it, man, And it sucks, but it is what

1:34:56.840 --> 1:34:57.080
<v Speaker 3>it is.

1:34:58.120 --> 1:35:02.240
<v Speaker 4>But there might be an opportunity, now there's always not forced, Yeah,

1:35:02.680 --> 1:35:05.439
<v Speaker 4>to make an opportunity to be one hundred percent of safe?

1:35:06.240 --> 1:35:06.360
<v Speaker 4>Was it?

1:35:06.560 --> 1:35:07.960
<v Speaker 1>Was it hard working with Star on book?

1:35:08.680 --> 1:35:13.160
<v Speaker 3>Yeah? Yeah, legend.

1:35:13.760 --> 1:35:16.680
<v Speaker 13>Star didn't give up the fuck and that was the

1:35:16.760 --> 1:35:20.200
<v Speaker 13>beauty and that was the beauty and that's why he

1:35:20.240 --> 1:35:24.240
<v Speaker 13>went because he was himself one hundred percent. He wasn't playing.

1:35:24.520 --> 1:35:29.320
<v Speaker 3>So how did you wind up on a star? Because

1:35:29.360 --> 1:35:33.800
<v Speaker 3>I was doing mornings first with Ed Lover and and

1:35:34.160 --> 1:35:36.719
<v Speaker 3>I forgot the girl's named Maya something, the white girl,

1:35:37.560 --> 1:35:40.840
<v Speaker 3>and then later on it was fat Man School Jones

1:35:40.960 --> 1:35:46.320
<v Speaker 3>is the piece and kerk Flir. So they kept me

1:35:46.360 --> 1:35:47.559
<v Speaker 3>in the morning because I was good.

1:35:48.640 --> 1:35:51.160
<v Speaker 1>And and so you had you heard a starbuck while

1:35:51.200 --> 1:35:51.960
<v Speaker 1>at that time, Oh.

1:35:51.920 --> 1:35:57.679
<v Speaker 3>No, Star, you used to work at Virgin Records, Virgin

1:35:58.280 --> 1:36:00.679
<v Speaker 3>the Record, okay, And I used to be an intern

1:36:00.720 --> 1:36:02.599
<v Speaker 3>for Virgin back in the days. Okay, So I knew

1:36:02.680 --> 1:36:06.599
<v Speaker 3>him from from from back then, okay, But I knew

1:36:06.640 --> 1:36:09.080
<v Speaker 3>his real name wasn't he didn't go by start Okay,

1:36:09.720 --> 1:36:14.400
<v Speaker 3>that's it, and then the game seven and she got

1:36:14.479 --> 1:36:18.080
<v Speaker 3>let he got lit. He was trying to control what

1:36:18.160 --> 1:36:23.639
<v Speaker 3>I played okay, yeah, not the station okay, for himself

1:36:24.160 --> 1:36:26.880
<v Speaker 3>in what ways? What was it like? I used to

1:36:26.880 --> 1:36:29.040
<v Speaker 3>play this bro, and I'm like, but he was wild

1:36:29.080 --> 1:36:31.720
<v Speaker 3>because sometime he would just ask for like Nirvana, yeah

1:36:31.760 --> 1:36:32.280
<v Speaker 3>really yeah?

1:36:32.720 --> 1:36:34.080
<v Speaker 5>So he was eclectic of this ship.

1:36:35.120 --> 1:36:37.960
<v Speaker 3>There was another group, his favorite group, rock and roll

1:36:38.040 --> 1:36:41.800
<v Speaker 3>group Ship not Cold Play, with some other ship like

1:36:41.960 --> 1:36:45.240
<v Speaker 3>Presto Rush. He used to be like, do we not

1:36:45.360 --> 1:36:47.960
<v Speaker 3>play the Rush ship? Yea, this straight rock and roll

1:36:48.000 --> 1:36:54.519
<v Speaker 3>bro like you, I don't want to hear that book

1:36:54.560 --> 1:36:58.240
<v Speaker 3>of jig music. I'd be like what, and that's how

1:36:58.280 --> 1:37:01.400
<v Speaker 3>you talk to us? So I got frustrated. One day,

1:37:01.920 --> 1:37:04.000
<v Speaker 3>I took my little book back for my stuff away

1:37:04.080 --> 1:37:06.360
<v Speaker 3>and I left. I boogied my ass off the station.

1:37:07.040 --> 1:37:11.439
<v Speaker 3>I said, fuck, did I quit? And then the boss

1:37:11.560 --> 1:37:15.200
<v Speaker 3>came what is enough? He just quits? And like what?

1:37:16.400 --> 1:37:18.200
<v Speaker 3>She ran down the block and she chased me for

1:37:18.320 --> 1:37:21.479
<v Speaker 3>like a block and a half. That's when I knew

1:37:21.520 --> 1:37:25.160
<v Speaker 3>I was important. For the first time. I was like,

1:37:25.840 --> 1:37:28.400
<v Speaker 3>she didn't give a fuck. She was just left me right,

1:37:28.640 --> 1:37:30.920
<v Speaker 3>but she chased me and she was like, no, you

1:37:30.960 --> 1:37:34.040
<v Speaker 3>gotta come back. You one of my best DJs. So

1:37:34.120 --> 1:37:36.559
<v Speaker 3>I was like, oh shit, that was the first time

1:37:36.560 --> 1:37:38.400
<v Speaker 3>I knew I had a little bit of power, a

1:37:38.439 --> 1:37:47.439
<v Speaker 3>little bit. Oh good. Yeah, I just texted, uh. She

1:37:47.600 --> 1:37:49.120
<v Speaker 3>just texted me the other day and I just told her,

1:37:49.479 --> 1:37:51.200
<v Speaker 3>thank you for everything you changed my life. You have

1:37:51.320 --> 1:37:53.439
<v Speaker 3>no idea how much you changed my life.

1:37:53.680 --> 1:37:56.960
<v Speaker 7>All right, So I'm bounce abound a little bit. So

1:37:57.080 --> 1:37:59.800
<v Speaker 7>how did you get the call that like you're being

1:38:00.160 --> 1:38:01.320
<v Speaker 7>go this time?

1:38:02.400 --> 1:38:05.960
<v Speaker 3>Somebody called me and said, hey, can we meet And

1:38:06.080 --> 1:38:07.680
<v Speaker 3>I was like, yeah, sure, I said, give meet me

1:38:07.720 --> 1:38:09.519
<v Speaker 3>at the studio. He was like, no, I need to

1:38:09.560 --> 1:38:12.960
<v Speaker 3>come by the offices. I said, alright, cool studio offices

1:38:12.960 --> 1:38:15.519
<v Speaker 3>two different places down the block from each other, but

1:38:15.640 --> 1:38:19.840
<v Speaker 3>to different places. So I said, I said, what time's cool?

1:38:19.920 --> 1:38:21.760
<v Speaker 3>Around eleven? I said, now you know, let's do that

1:38:21.880 --> 1:38:24.439
<v Speaker 3>one and I go for my shift. No, no, no,

1:38:24.840 --> 1:38:30.479
<v Speaker 3>I'm lying, I said. I beat the bottom eleven, handing

1:38:30.520 --> 1:38:34.800
<v Speaker 3>me a piece of paper and I said, yo, like

1:38:34.880 --> 1:38:39.000
<v Speaker 3>a termination letter. Yeah, yo, thank you for your services.

1:38:39.160 --> 1:38:41.040
<v Speaker 3>This is hard for me. Blah blah blah, blah blah.

1:38:43.880 --> 1:38:45.800
<v Speaker 3>Were the person is saying that or the letter saying that.

1:38:46.800 --> 1:38:48.560
<v Speaker 3>I mean, the person is saying anything like that, but

1:38:48.560 --> 1:38:50.639
<v Speaker 3>I don't want to put that person on blast. Okay cool?

1:38:52.080 --> 1:38:56.280
<v Speaker 3>And then I was worried that's it. And then he goes,

1:38:56.560 --> 1:38:59.320
<v Speaker 3>that's it. You know, we're going to start something new,

1:38:59.400 --> 1:39:02.160
<v Speaker 3>so on Tuesday day, you know, and you're just not

1:39:02.280 --> 1:39:03.280
<v Speaker 3>gonna be part of the lineup.

1:39:03.720 --> 1:39:03.920
<v Speaker 1>Wow.

1:39:04.240 --> 1:39:10.160
<v Speaker 3>So I was like, all right, that's it. Peace. When's

1:39:10.200 --> 1:39:13.439
<v Speaker 3>my last day tomorrow? All right? Cool? Damn that quick.

1:39:14.000 --> 1:39:17.760
<v Speaker 3>So then I was gonna DJ from home like we

1:39:17.920 --> 1:39:22.280
<v Speaker 3>have been remote, all right, But then this animal and

1:39:22.360 --> 1:39:24.240
<v Speaker 3>one of my other DJs is like, now we're gonna

1:39:24.280 --> 1:39:24.800
<v Speaker 3>celebrate you.

1:39:24.920 --> 1:39:25.000
<v Speaker 13>Bro.

1:39:26.200 --> 1:39:29.519
<v Speaker 3>I just you know, respectfully, you better seven years, you

1:39:29.600 --> 1:39:32.519
<v Speaker 3>better come to work. We're gonna we're gonna film this.

1:39:32.600 --> 1:39:35.160
<v Speaker 3>We're gonna show the world that you know, we're gonna

1:39:35.160 --> 1:39:37.240
<v Speaker 3>salute you. So we.

1:39:39.800 --> 1:39:42.040
<v Speaker 1>Got we got, we got the yallows the yallos.

1:39:42.920 --> 1:39:45.479
<v Speaker 3>Okay, one of the get the one.

1:39:46.000 --> 1:39:47.479
<v Speaker 1>Let's give him the one y'allo hold on, hold on

1:39:47.880 --> 1:39:48.120
<v Speaker 1>like a.

1:39:49.600 --> 1:39:53.200
<v Speaker 3>Yeah, you heard us say right now you need nervous.

1:39:55.120 --> 1:39:58.920
<v Speaker 3>Jake said that we gotta salute the point.

1:39:59.200 --> 1:40:01.880
<v Speaker 1>So look, we want to your flowers because I wish

1:40:01.960 --> 1:40:07.800
<v Speaker 1>I was there in there, like.

1:40:10.120 --> 1:40:14.000
<v Speaker 3>I love that, yes, but ah get no. So you

1:40:14.120 --> 1:40:15.800
<v Speaker 3>know that's when I got on the horn. I got

1:40:15.880 --> 1:40:16.920
<v Speaker 3>to work. I said, Yo.

1:40:17.439 --> 1:40:20.600
<v Speaker 13>I called everybody, well not everybody, but at least you know,

1:40:20.640 --> 1:40:23.080
<v Speaker 13>it was so last minute, you know, I just started

1:40:23.160 --> 1:40:26.920
<v Speaker 13>fakking phone calls, every DJ, every you know, everybody, and said,

1:40:26.960 --> 1:40:29.920
<v Speaker 13>listen tomorrowing on the last show, we're all pulling up,

1:40:30.400 --> 1:40:32.479
<v Speaker 13>salute him and give him his flowers. He put his

1:40:32.960 --> 1:40:37.240
<v Speaker 13>sweat into his place, you know, respectfully in his heart.

1:40:37.320 --> 1:40:39.160
<v Speaker 13>He has had anety seven because this is what he

1:40:39.280 --> 1:40:43.439
<v Speaker 13>did for twenty seven thirty years. So you know, fad Joe,

1:40:44.960 --> 1:40:50.439
<v Speaker 13>fad Joe said what's address? He didn't hesitate, he didn't

1:40:50.439 --> 1:40:53.080
<v Speaker 13>say what what's address? You know, And from there it

1:40:53.080 --> 1:40:56.439
<v Speaker 13>was just ripple. You know, Calig pulled up, Jim Jones

1:40:56.479 --> 1:40:58.639
<v Speaker 13>called me for It was just a celebration.

1:40:58.720 --> 1:41:02.080
<v Speaker 3>It was beautiful. A guy was crying on the radio,

1:41:02.120 --> 1:41:06.719
<v Speaker 3>which is a beautiful thing. Did you see a video? Yeah,

1:41:07.160 --> 1:41:09.800
<v Speaker 3>did you see that? What I said? Because I started.

1:41:11.200 --> 1:41:26.479
<v Speaker 10>Finished all right to the hard from TV. Baby that

1:41:26.600 --> 1:41:27.840
<v Speaker 10>a way to sign on that aman.

1:41:27.920 --> 1:41:30.200
<v Speaker 3>Kids used to have people in a friends, you don't disrespect, y'o.

1:41:31.040 --> 1:41:34.040
<v Speaker 3>I remember doing there's a club in New York called uh,

1:41:34.680 --> 1:41:38.320
<v Speaker 3>it was called Club Carbon that was now was that

1:41:38.439 --> 1:41:41.160
<v Speaker 3>It's called Terminal five, but it was exiting. It was

1:41:41.240 --> 1:41:44.439
<v Speaker 3>black and I remember, I remember in ninety eight there

1:41:44.520 --> 1:41:47.680
<v Speaker 3>was a girl from DC named Steph Lover. Yeah, and

1:41:47.760 --> 1:41:50.439
<v Speaker 3>Steph Lover used to work with me, Yes and if

1:41:51.640 --> 1:41:54.280
<v Speaker 3>and I brought it to the club and I threw

1:41:54.360 --> 1:41:57.679
<v Speaker 3>on Van from TV and it was the ultimate razor

1:41:57.720 --> 1:41:58.280
<v Speaker 3>blade fight.

1:42:00.320 --> 1:42:00.439
<v Speaker 1>Yo.

1:42:00.520 --> 1:42:03.840
<v Speaker 3>When I tell you she came from DC and she

1:42:04.000 --> 1:42:06.679
<v Speaker 3>was like you, I thought DC was the murder capital.

1:42:06.720 --> 1:42:10.360
<v Speaker 3>But you'll be on some other ship, YO. Next we'll

1:42:10.400 --> 1:42:24.639
<v Speaker 3>getting sliced goushous open. That's what Nori did to the streets.

1:42:25.680 --> 1:42:31.040
<v Speaker 3>He had people going crazy. But so let's describe that year.

1:42:32.280 --> 1:42:33.800
<v Speaker 3>This is the first year you get on radio.

1:42:34.120 --> 1:42:34.240
<v Speaker 12>Right.

1:42:36.240 --> 1:42:44.120
<v Speaker 3>For me, I have two legacies that I picked.

1:42:44.200 --> 1:42:46.559
<v Speaker 1>What is it called the ten year decade?

1:42:46.600 --> 1:42:46.960
<v Speaker 4>What is it.

1:42:49.400 --> 1:42:49.960
<v Speaker 3>That I picked?

1:42:50.040 --> 1:42:52.000
<v Speaker 7>Right, it's the one that I'm not in and the

1:42:52.080 --> 1:42:54.240
<v Speaker 7>one that I'm in and the one that I'm in.

1:42:55.040 --> 1:42:59.160
<v Speaker 7>It starts from ninety seven. It's like two thousand and seven.

1:42:59.240 --> 1:42:59.799
<v Speaker 3>That decade.

1:43:00.040 --> 1:43:03.640
<v Speaker 7>What nineteen ninety eight to me is one of the

1:43:03.760 --> 1:43:07.240
<v Speaker 7>best years of music. So I need to hear you

1:43:07.400 --> 1:43:13.639
<v Speaker 7>from a DJ perspective. This is so when did you start?

1:43:14.200 --> 1:43:16.160
<v Speaker 7>What year did you start on that radio in nineteen

1:43:16.200 --> 1:43:16.559
<v Speaker 7>ninety eight?

1:43:17.280 --> 1:43:20.280
<v Speaker 3>What month? I mean, well, oh god, damn it.

1:43:20.880 --> 1:43:23.160
<v Speaker 1>Everything is out, so everything DMX don't.

1:43:23.040 --> 1:43:26.160
<v Speaker 3>Drop every day, drop everything, drop everything.

1:43:26.320 --> 1:43:30.240
<v Speaker 7>So describe us that first day, and then how how

1:43:30.280 --> 1:43:33.000
<v Speaker 7>do you choose your selection? Because everything is hot, and

1:43:33.160 --> 1:43:36.920
<v Speaker 7>especially in New York, we don't find I'm sorry, I'm sorry.

1:43:41.320 --> 1:43:44.040
<v Speaker 3>Yeah, I already radio. I al't been on radio, okay,

1:43:44.200 --> 1:43:47.679
<v Speaker 3>just I remember one of my historic moments was playing

1:43:47.760 --> 1:43:53.360
<v Speaker 3>why Storm the remix with Little Kim and Ted Lover

1:43:53.680 --> 1:43:58.240
<v Speaker 3>is in the booth? Uh and you know you did?

1:43:58.280 --> 1:43:59.880
<v Speaker 3>That's how it was. All of these is like that

1:44:00.320 --> 1:44:02.320
<v Speaker 3>Hed boops on one section, that their stree is another.

1:44:03.240 --> 1:44:06.840
<v Speaker 3>So I'm going hot, damn hole, here she goes again.

1:44:07.160 --> 1:44:07.519
<v Speaker 3>Life is it?

1:44:07.680 --> 1:44:07.800
<v Speaker 11>You know?

1:44:08.040 --> 1:44:10.960
<v Speaker 3>And on one side is the dirty, on the other

1:44:11.040 --> 1:44:13.760
<v Speaker 3>side is the clean. But because my headphones are a

1:44:13.840 --> 1:44:18.439
<v Speaker 3>certain way, I'm only hearing the clean side. So ed

1:44:18.520 --> 1:44:21.920
<v Speaker 3>lovers like, yo, what the are you doing? And I'm

1:44:21.920 --> 1:44:27.280
<v Speaker 3>still bringing it back. I'm like, yeah, I'm nice, right, Yo,

1:44:27.840 --> 1:44:30.840
<v Speaker 3>I'm a brand new DJ on this radio station and

1:44:30.960 --> 1:44:33.600
<v Speaker 3>I'm going hot. Damn hole. Here she goes again, you know,

1:44:34.240 --> 1:44:38.200
<v Speaker 3>bitch whatever that ship, I keep rewinding it back and forth,

1:44:38.720 --> 1:44:41.439
<v Speaker 3>back and forth. It was a crazy year for me.

1:44:43.560 --> 1:44:50.400
<v Speaker 3>Pun died, right, that's the piece. It's crazy because you

1:44:50.479 --> 1:44:54.800
<v Speaker 3>know I learned this from msiss c Right. There's a

1:44:54.880 --> 1:44:58.360
<v Speaker 3>thing we do, those tribute you know, mixes when somebody

1:44:58.439 --> 1:45:02.240
<v Speaker 3>passes away. But the crazy part is that. But you

1:45:02.280 --> 1:45:06.240
<v Speaker 3>guys don't understand, like, these are guys. We went to

1:45:06.360 --> 1:45:08.600
<v Speaker 3>war with them in the clubs, we went on the

1:45:08.720 --> 1:45:11.160
<v Speaker 3>road with them. We did a lot of things for them.

1:45:11.320 --> 1:45:18.479
<v Speaker 3>But my uncle died. I didn't cry. But when Pun died, Yo,

1:45:18.680 --> 1:45:21.720
<v Speaker 3>I was DJ in the booth and you thought I

1:45:21.800 --> 1:45:23.920
<v Speaker 3>cried on that video when I was my last day. No,

1:45:24.400 --> 1:45:28.400
<v Speaker 3>I broke down on my knees, like this is crazy

1:45:29.320 --> 1:45:30.920
<v Speaker 3>because to me is one of the greatest rappers to

1:45:30.920 --> 1:45:31.360
<v Speaker 3>ever do it.

1:45:32.520 --> 1:45:34.400
<v Speaker 1>I like I said, greatest rappers ever do it, not

1:45:34.520 --> 1:45:35.880
<v Speaker 1>greatest Puerto Rican rapper ever.

1:45:36.520 --> 1:45:36.920
<v Speaker 4>I like that.

1:45:43.320 --> 1:45:51.240
<v Speaker 3>Talking to love. I loved it. Warning and you know

1:45:51.320 --> 1:45:53.040
<v Speaker 3>that was a big deal. Ninety eight was everything.

1:45:53.400 --> 1:45:58.800
<v Speaker 1>Yeah, Yeah, I was as one of the best years

1:45:58.840 --> 1:46:02.439
<v Speaker 1>of my life. Yo. Uh being able to like to

1:46:02.640 --> 1:46:05.200
<v Speaker 1>like come out with upon DMX.

1:46:05.240 --> 1:46:08.080
<v Speaker 3>Yeah Cameron, Uh.

1:46:09.680 --> 1:46:14.960
<v Speaker 7>Corrupt capa Donna. That was a cannabis cannabis like that

1:46:15.040 --> 1:46:16.240
<v Speaker 7>ship was like the best year.

1:46:16.160 --> 1:46:18.320
<v Speaker 3>Of my life. Yeah. It was a great year for

1:46:18.439 --> 1:46:21.280
<v Speaker 3>hip hop, man, you know. And so the chaka let

1:46:21.320 --> 1:46:26.040
<v Speaker 3>me show the chaka. Yeah yeah, well what was you saying? No?

1:46:26.200 --> 1:46:30.400
<v Speaker 3>And you know, at that time was the staple. There

1:46:30.479 --> 1:46:32.960
<v Speaker 3>was the goal to hands down, I mean it d

1:46:33.040 --> 1:46:33.760
<v Speaker 3>it led it.

1:46:33.880 --> 1:46:36.479
<v Speaker 7>Let like you go in front of Hot ninety seven

1:46:36.560 --> 1:46:39.920
<v Speaker 7>and see anybody, like anybody would be in front of

1:46:39.960 --> 1:46:42.240
<v Speaker 7>Hot ninety seven because they knew that that was like

1:46:42.320 --> 1:46:45.120
<v Speaker 7>the mecca, like and anywhere they moved to the people

1:46:45.120 --> 1:46:45.600
<v Speaker 7>who caught on.

1:46:45.760 --> 1:46:47.400
<v Speaker 3>It didn't matter like like like that.

1:46:48.360 --> 1:46:50.080
<v Speaker 13>I wasn't on radio back then. I was just looking

1:46:50.120 --> 1:46:52.040
<v Speaker 13>at like a fan always like all right.

1:46:52.720 --> 1:46:55.200
<v Speaker 4>You know it was Hot ninety seven and the Source magazine.

1:46:55.320 --> 1:46:57.479
<v Speaker 4>Those were the two things that led hip hop at

1:46:57.520 --> 1:46:59.360
<v Speaker 4>one point. You know what I'm saying, Like that was

1:46:59.439 --> 1:47:00.759
<v Speaker 4>what led Yeah.

1:47:00.600 --> 1:47:02.760
<v Speaker 3>And what year you got on Hot seven? I got

1:47:02.800 --> 1:47:05.200
<v Speaker 3>on one one oh one.

1:47:05.280 --> 1:47:07.400
<v Speaker 13>I started with that little little show I say it

1:47:07.880 --> 1:47:13.400
<v Speaker 13>put they created no, no, okay, this is called Saturdays.

1:47:13.600 --> 1:47:16.040
<v Speaker 13>After the midnight run, they created a show which was

1:47:16.680 --> 1:47:20.640
<v Speaker 13>rest in Peace, case Sleigh Envy, Green Lantern, We'll take

1:47:20.680 --> 1:47:22.559
<v Speaker 13>it to the streets, take it to the streets myself

1:47:22.600 --> 1:47:25.360
<v Speaker 13>in threat. I believe that was the five and were

1:47:25.439 --> 1:47:27.719
<v Speaker 13>rote every Saturday. So I was really on once a month. Okay,

1:47:27.960 --> 1:47:30.000
<v Speaker 13>the best time ever because I got four hours to

1:47:30.040 --> 1:47:31.000
<v Speaker 13>do what with the funk?

1:47:31.080 --> 1:47:35.880
<v Speaker 3>I wanted literally on vinyl? What I wanted. I was Camillo.

1:47:36.960 --> 1:47:38.599
<v Speaker 3>I was in with Camelo.

1:47:38.640 --> 1:47:41.000
<v Speaker 13>No, I was Camelot Hot back then. There was no

1:47:41.080 --> 1:47:41.960
<v Speaker 13>competition back then.

1:47:42.960 --> 1:47:46.200
<v Speaker 3>That's that's that's a big difference. It's a big difference. Again.

1:47:47.240 --> 1:47:49.840
<v Speaker 3>Back then that was my boot camp and it was

1:47:49.880 --> 1:47:51.560
<v Speaker 3>the best time ever. One like for me.

1:47:51.840 --> 1:47:53.439
<v Speaker 13>I would beat my boys up, they would pick up

1:47:53.479 --> 1:47:57.120
<v Speaker 13>the phones. It was a fucking amazing time. Man, wild times,

1:47:57.640 --> 1:47:58.240
<v Speaker 13>wild times.

1:47:58.439 --> 1:48:00.559
<v Speaker 3>Facts. Yeah.

1:48:02.680 --> 1:48:08.479
<v Speaker 7>I just wanted to ask this to you, Camilla right now,

1:48:10.880 --> 1:48:20.679
<v Speaker 7>New York City. Are you the hottest club DJ.

1:48:23.520 --> 1:48:23.880
<v Speaker 3>Over here?

1:48:24.080 --> 1:48:26.680
<v Speaker 13>Listen, listen, I'm gonna keep it a buck. You know,

1:48:26.840 --> 1:48:30.599
<v Speaker 13>I've been doing this man long, and am I the hottest?

1:48:30.960 --> 1:48:33.679
<v Speaker 13>I consider myself the hottest, absolutely, one thousand percent.

1:48:37.479 --> 1:48:39.160
<v Speaker 3>Cam yeah.

1:48:39.160 --> 1:48:40.720
<v Speaker 13>I mean, yeah, I could do it all day. You

1:48:40.720 --> 1:48:42.559
<v Speaker 13>can go to the Grand DJ commdal this all day

1:48:42.680 --> 1:48:46.040
<v Speaker 13>my rundown. I'm busy or I've been doing this fort tired. Man,

1:48:46.040 --> 1:48:47.400
<v Speaker 13>I don't get tired. You know, I don't get tired.

1:48:47.439 --> 1:48:49.720
<v Speaker 13>I love this ship, your wild bro yoh bro.

1:48:50.080 --> 1:48:52.679
<v Speaker 3>I love this ship to Miami. I love to play

1:48:52.720 --> 1:48:55.360
<v Speaker 3>at Booby Trapping. I loved you know, Miami's changed a lot.

1:48:55.560 --> 1:48:57.120
<v Speaker 3>Miami has changed a lot, a lot.

1:48:57.479 --> 1:49:00.560
<v Speaker 13>I used to love when Wood, when Wild Wind was

1:49:02.000 --> 1:49:04.240
<v Speaker 13>like I said, like I said, man has changed a lot.

1:49:04.479 --> 1:49:06.960
<v Speaker 13>Wind would for a time was on fire, but I

1:49:06.960 --> 1:49:08.479
<v Speaker 13>could take it back. Man, when we used to do

1:49:08.600 --> 1:49:12.800
<v Speaker 13>live in open garden and mansion and a bamboo.

1:49:17.640 --> 1:49:17.840
<v Speaker 2>You know.

1:49:18.320 --> 1:49:20.200
<v Speaker 13>So anyway, when I'm trying to say, I still love

1:49:20.280 --> 1:49:22.960
<v Speaker 13>this ship, so I don't get tired, No, I still

1:49:23.000 --> 1:49:25.160
<v Speaker 13>you know, I play every every almost every night of

1:49:25.200 --> 1:49:28.600
<v Speaker 13>the week, you know, And that's you still love it

1:49:28.680 --> 1:49:32.519
<v Speaker 13>that way. And and mind you, the music's changed, the

1:49:32.600 --> 1:49:36.080
<v Speaker 13>culture has changed. But you know I love to play

1:49:36.160 --> 1:49:37.040
<v Speaker 13>open format too.

1:49:37.920 --> 1:49:40.120
<v Speaker 3>Is that what you is that what's made you keep

1:49:40.200 --> 1:49:44.080
<v Speaker 3>the love open format? Yeah, I was just playing.

1:49:44.840 --> 1:49:45.200
<v Speaker 1>I mean.

1:49:46.720 --> 1:49:51.439
<v Speaker 3>I tap into the you could play different genres.

1:49:51.520 --> 1:49:52.960
<v Speaker 1>Let me tell you, Let me tell you my bad

1:49:53.080 --> 1:49:53.439
<v Speaker 1>Let me tell you.

1:49:54.120 --> 1:49:58.040
<v Speaker 7>One day, I'm hanging out with Flaws and Frank White,

1:49:59.520 --> 1:50:02.080
<v Speaker 7>and we followed you for three or four parties.

1:50:02.120 --> 1:50:06.040
<v Speaker 1>You had three or four parties one night something we

1:50:07.280 --> 1:50:08.560
<v Speaker 1>I got tired.

1:50:15.920 --> 1:50:19.400
<v Speaker 3>When when what he's talking about? Things like that.

1:50:19.479 --> 1:50:22.560
<v Speaker 13>It's an hour set, yeah, but for the most part nowadays,

1:50:22.640 --> 1:50:25.080
<v Speaker 13>it's no more than two hours. You know, you're going

1:50:25.160 --> 1:50:27.000
<v Speaker 13>there to body the club man.

1:50:27.080 --> 1:50:28.920
<v Speaker 1>You go, you're being Elizabeth.

1:50:29.360 --> 1:50:31.960
<v Speaker 7>You'll go like somewhere in there like nowhere like and

1:50:32.040 --> 1:50:35.720
<v Speaker 7>then you'll go like Guttenberg and then like something like.

1:50:35.960 --> 1:50:38.000
<v Speaker 3>We always end up up town because I'm telling oh

1:50:38.200 --> 1:50:40.080
<v Speaker 3>my god, and you end up in like man And

1:50:42.400 --> 1:50:44.439
<v Speaker 3>couldn't have happened three.

1:50:44.280 --> 1:50:47.360
<v Speaker 13>In the morning, right, yeah, couldn't happen, of course not Yeah,

1:50:47.400 --> 1:50:51.679
<v Speaker 13>And it's a blessing serado, yeah, because move right, yeah,

1:50:51.720 --> 1:50:55.879
<v Speaker 13>you know, and listen, I've seen I started calendar flyers

1:50:56.000 --> 1:50:58.680
<v Speaker 13>right like I want to, meaning I put a run

1:50:58.760 --> 1:51:01.000
<v Speaker 13>down with the I'm doing a month. I started that

1:51:01.080 --> 1:51:04.040
<v Speaker 13>in like twenty two thousand and nine eight, and all

1:51:04.080 --> 1:51:06.960
<v Speaker 13>the DJ is doing now they follow that lead. You know,

1:51:07.040 --> 1:51:09.280
<v Speaker 13>I don't want to say, I started it, you know,

1:51:10.560 --> 1:51:12.960
<v Speaker 13>and I love to see every fucking DJ doing it

1:51:12.960 --> 1:51:16.000
<v Speaker 13>because like the fun I started eating, like you know,

1:51:16.160 --> 1:51:16.760
<v Speaker 13>they're all doing it.

1:51:16.880 --> 1:51:21.240
<v Speaker 3>It's love. I don't. I don't share, you know, it's

1:51:21.320 --> 1:51:23.880
<v Speaker 3>it's I love what I do. Man, I don't get tired.

1:51:23.960 --> 1:51:25.280
<v Speaker 5>And it's clear, you know.

1:51:25.360 --> 1:51:25.840
<v Speaker 3>And listen.

1:51:26.760 --> 1:51:29.600
<v Speaker 13>I love radio too, I still love. On top of that,

1:51:29.920 --> 1:51:32.320
<v Speaker 13>I'm on the radio every day, prime time. That's a blessing,

1:51:32.920 --> 1:51:35.920
<v Speaker 13>you know. And this time that we're living in radio

1:51:36.120 --> 1:51:39.400
<v Speaker 13>like to me, I love I going there, energize every day,

1:51:39.880 --> 1:51:40.439
<v Speaker 13>want to work.

1:51:41.000 --> 1:51:48.760
<v Speaker 3>You know what. I'm sorry, I got my flowers. Sorry, No,

1:51:49.000 --> 1:51:54.040
<v Speaker 3>this is yours your flight. That's right, that's right, that's right.

1:51:54.600 --> 1:51:56.920
<v Speaker 3>I'm the Tony YAlO too, you know what I'm saying.

1:52:01.720 --> 1:52:03.759
<v Speaker 4>One thing we I don't think we highlighted though about

1:52:03.880 --> 1:52:05.640
<v Speaker 4>enough is the production side of it.

1:52:05.720 --> 1:52:07.559
<v Speaker 1>Oh that's right, because you did that's right. You got

1:52:07.640 --> 1:52:08.320
<v Speaker 1>platinum records.

1:52:08.320 --> 1:52:11.000
<v Speaker 4>But you say you did the remix to Get Money, right,

1:52:11.520 --> 1:52:14.280
<v Speaker 4>which is an iconic remix. Talk about it, my brother

1:52:14.400 --> 1:52:17.000
<v Speaker 4>jif man that and you did you produced on.

1:52:17.280 --> 1:52:19.000
<v Speaker 3>Bigs you know, by somebody kills you.

1:52:19.280 --> 1:52:22.880
<v Speaker 7>Yeah, And you know what you try to chop up

1:52:22.920 --> 1:52:24.840
<v Speaker 7>to get money, and Big told you not to chop

1:52:24.880 --> 1:52:25.120
<v Speaker 7>it up.

1:52:25.280 --> 1:52:27.040
<v Speaker 3>You know what, leave it, leave it. You know what,

1:52:27.400 --> 1:52:31.000
<v Speaker 3>when you travel on the road with an artist, especially

1:52:31.080 --> 1:52:34.360
<v Speaker 3>like Big Big new as of DJ, not just for

1:52:34.520 --> 1:52:36.479
<v Speaker 3>him on the road, but on the radio and the

1:52:36.600 --> 1:52:40.240
<v Speaker 3>mixtapes and stuff. So whenever we got to meet, he

1:52:40.400 --> 1:52:42.720
<v Speaker 3>was like a crackhead. He'd be like, what you got,

1:52:43.240 --> 1:52:46.920
<v Speaker 3>what's new? What they got? And then like a student,

1:52:47.439 --> 1:52:51.640
<v Speaker 3>he wants he wants to listen and break down what

1:52:51.760 --> 1:52:55.080
<v Speaker 3>they're saying. Like that was his way of knowing if.

1:52:55.000 --> 1:52:56.600
<v Speaker 5>He was still good or if he was hot on

1:52:56.760 --> 1:52:57.479
<v Speaker 5>staying relevant.

1:52:57.560 --> 1:53:00.600
<v Speaker 3>Yeah, that was just what you got. I remember I

1:53:00.640 --> 1:53:03.280
<v Speaker 3>brought him to my crib in Brooklyn to do a

1:53:03.360 --> 1:53:06.960
<v Speaker 3>mixtape freestyle for me. It was a kid named Freshco

1:53:07.120 --> 1:53:10.600
<v Speaker 3>the Flower. Freshcot was signed to Tommy Boy Records and

1:53:11.040 --> 1:53:17.080
<v Speaker 3>nineteen ninety Freshco fright and to put it in perspective,

1:53:17.160 --> 1:53:18.599
<v Speaker 3>I know why you didn't hear because it was old.

1:53:19.920 --> 1:53:22.679
<v Speaker 3>In nineteen ninety one, he won the New Music Seminar

1:53:22.880 --> 1:53:27.080
<v Speaker 3>contest for the best Rapper that year. DJ Miss was

1:53:27.120 --> 1:53:31.000
<v Speaker 3>the best DJ and they and together they made him

1:53:31.000 --> 1:53:37.160
<v Speaker 3>a group. So I knew him because he used to

1:53:37.280 --> 1:53:40.240
<v Speaker 3>live in Sunset Park, Brooklyn for a little while, and

1:53:40.479 --> 1:53:42.400
<v Speaker 3>that wasn't too far from Flo Push, where I lived.

1:53:43.520 --> 1:53:45.760
<v Speaker 3>And when I told Biggie I freshcol come into the crib,

1:53:45.840 --> 1:53:51.280
<v Speaker 3>he was like where like almost like intimidated. And then

1:53:53.120 --> 1:53:55.120
<v Speaker 3>when I did drops for a Fresh go on on

1:53:55.240 --> 1:53:57.280
<v Speaker 3>the on the production, He's like, Yo, can I get

1:53:57.320 --> 1:54:01.560
<v Speaker 3>some drops? Two yea. So it was just funny like

1:54:01.640 --> 1:54:05.280
<v Speaker 3>this just to see that, you know, early Big and

1:54:05.439 --> 1:54:09.160
<v Speaker 3>the way he just loved music and we'd ride in

1:54:09.240 --> 1:54:12.560
<v Speaker 3>the car and he hit music. We listened to do

1:54:12.960 --> 1:54:16.960
<v Speaker 3>mixtapes like to Get Money remix was off of Uh.

1:54:17.120 --> 1:54:19.439
<v Speaker 3>The idea came from DJ do Wop. I said this

1:54:19.760 --> 1:54:23.799
<v Speaker 3>before shut Up than you Do Wop headed a ninety

1:54:23.840 --> 1:54:28.600
<v Speaker 3>five Live Part two mixtape and Somebody Somebody. If you

1:54:28.680 --> 1:54:32.520
<v Speaker 3>go back on that mixtape, I forgot Somebody's wrapping on

1:54:32.760 --> 1:54:37.680
<v Speaker 3>Dennis Edwards. Uh, don't look any further. And then Big

1:54:37.840 --> 1:54:39.400
<v Speaker 3>was like, Yo, can you loop it up up for me?

1:54:40.320 --> 1:54:42.640
<v Speaker 3>And then you know, back in those days as a producers,

1:54:43.120 --> 1:54:45.360
<v Speaker 3>you didn't want to just loot or jack something you

1:54:45.400 --> 1:54:47.240
<v Speaker 3>want to be He wanted to chop it up and

1:54:47.320 --> 1:54:50.480
<v Speaker 3>make it special. He was like it was like, we're

1:54:50.520 --> 1:54:54.240
<v Speaker 3>not chopping it up. I said, what happened? He said,

1:54:55.400 --> 1:54:57.280
<v Speaker 3>They're gonna charge me the same money no matter what,

1:54:57.440 --> 1:54:59.160
<v Speaker 3>whether you chop it like this or the fact. So

1:54:59.280 --> 1:55:01.040
<v Speaker 3>that just take the who ship, all right.

1:55:01.280 --> 1:55:05.120
<v Speaker 15>So I was like like confectionless, like showing up to

1:55:06.320 --> 1:55:09.800
<v Speaker 15>like showing up to sound checks and like that, like

1:55:10.000 --> 1:55:12.160
<v Speaker 15>every time you got to doe you go to or

1:55:12.240 --> 1:55:13.680
<v Speaker 15>take it serious like that, or I.

1:55:13.760 --> 1:55:16.120
<v Speaker 3>Mean I would do that. Yeah, he was, he was,

1:55:16.240 --> 1:55:20.880
<v Speaker 3>he was already. He was already. He was already big.

1:55:20.920 --> 1:55:27.600
<v Speaker 3>You know what I'm saying. Yeah, get quick time. We

1:55:27.720 --> 1:55:28.360
<v Speaker 3>got quick time.

1:55:29.040 --> 1:55:31.880
<v Speaker 1>Camello. We're gonna just have Camello and enough.

1:55:31.880 --> 1:55:39.560
<v Speaker 3>Just Camelos is a drinker. Drink and but you yeah,

1:55:41.760 --> 1:55:42.920
<v Speaker 3>and all right.

1:55:43.120 --> 1:55:45.720
<v Speaker 4>So the rules, guys, so we're gonna give you this

1:55:45.920 --> 1:55:49.600
<v Speaker 4>or that question you pick. If you don't pick, you

1:55:49.680 --> 1:55:52.000
<v Speaker 4>take a shot. You know what, If you don't pick,

1:55:52.040 --> 1:55:54.480
<v Speaker 4>we take a shot. If you say both we picked,

1:55:54.600 --> 1:55:56.640
<v Speaker 4>we take a shot. But if you pick, we want

1:55:56.680 --> 1:55:59.280
<v Speaker 4>a story. Okay, we want a story either way though,

1:55:59.360 --> 1:56:04.680
<v Speaker 4>actually got you it. Really this is about stories. We're

1:56:04.680 --> 1:56:07.360
<v Speaker 4>not trying to nobody, h this is just to bring

1:56:07.480 --> 1:56:11.040
<v Speaker 4>up stories, you know, all right, Clark k Inner, Caseley,

1:56:11.120 --> 1:56:15.520
<v Speaker 4>rest in peace to both. And this is any criteria.

1:56:15.800 --> 1:56:19.040
<v Speaker 4>There's no crit this whatever the relationship that you had.

1:56:19.960 --> 1:56:22.160
<v Speaker 4>And if you say both, it's all good. You just

1:56:22.240 --> 1:56:24.800
<v Speaker 4>drink and we don't got to drink. You guys got

1:56:25.000 --> 1:56:27.600
<v Speaker 4>mamajuana with men. Mamajana for you guys.

1:56:28.400 --> 1:56:30.960
<v Speaker 3>You' might have to drink. You know why, I'm gonna

1:56:30.960 --> 1:56:36.520
<v Speaker 3>tell you why. I don't know if you don't know,

1:56:37.120 --> 1:56:40.960
<v Speaker 3>but case Slay at one time was homeless, really and

1:56:41.120 --> 1:56:45.120
<v Speaker 3>case Lay used to clean cars with a squeegee. He

1:56:45.280 --> 1:56:47.600
<v Speaker 3>was fucked up, like legit homeless and that yeah, he

1:56:47.720 --> 1:56:50.400
<v Speaker 3>was fucked up the graffiti days, maybe a little bit

1:56:50.440 --> 1:56:53.640
<v Speaker 3>after that, and he's a legendary graffitio. And now you

1:56:53.720 --> 1:56:57.120
<v Speaker 3>know his skill set on the graffiti is stupid wild.

1:56:57.160 --> 1:57:02.000
<v Speaker 3>So if he's Hall, I'm a big up Clark too.

1:57:02.120 --> 1:57:06.520
<v Speaker 3>But I beg I'm hard because he fought for the

1:57:06.600 --> 1:57:10.000
<v Speaker 3>streets and no matter how political a got, I had

1:57:10.040 --> 1:57:13.720
<v Speaker 3>only seven and never changed his trajectory of where he

1:57:13.840 --> 1:57:15.880
<v Speaker 3>was going with his show and what he believed in.

1:57:16.240 --> 1:57:19.680
<v Speaker 3>So I salute him for that fact. But Clark Ken,

1:57:20.200 --> 1:57:23.600
<v Speaker 3>he taught me that you just loving the music is

1:57:23.640 --> 1:57:27.680
<v Speaker 3>almost everything. Yeah, we could love hip hop, but we

1:57:27.720 --> 1:57:30.760
<v Speaker 3>could love rock and roll, we could love dance, love house,

1:57:30.880 --> 1:57:35.120
<v Speaker 3>we could love Spanish music, you know, like we're lovers

1:57:35.160 --> 1:57:37.880
<v Speaker 3>of music. And he taught me that and it made

1:57:37.920 --> 1:57:39.880
<v Speaker 3>that safe for me. So that's why you both you're

1:57:39.960 --> 1:57:44.720
<v Speaker 3>gonna drink. Let's go drink. Cheers, brother, cheers for the legends.

1:57:45.920 --> 1:57:47.760
<v Speaker 3>That was a hall one already. Damn it's gonna be.

1:57:50.720 --> 1:57:54.040
<v Speaker 5>Yeah, all right, biggie resting piece.

1:57:54.680 --> 1:57:58.920
<v Speaker 7>Yeah, this is mister Lee and hazard is sound like

1:57:59.160 --> 1:58:01.040
<v Speaker 7>the Colombian and the Dominican.

1:58:02.800 --> 1:58:06.120
<v Speaker 1>Yeah, we call the second that's who. That's who it

1:58:06.200 --> 1:58:08.120
<v Speaker 1>is that that's the.

1:58:08.160 --> 1:58:13.360
<v Speaker 3>Colombia and the Dominican. Let me pour up in case. Uh,

1:58:14.320 --> 1:58:16.800
<v Speaker 3>I'm along with but Big because that's my guy and

1:58:16.840 --> 1:58:18.720
<v Speaker 3>I worked for him, and I'll be stoopid not to

1:58:18.760 --> 1:58:25.880
<v Speaker 3>say his name. Okay, jay Z or Big Daddy came ship.

1:58:29.880 --> 1:58:35.720
<v Speaker 3>I'm gonna say jay Z for me. Okay, oh yeah,

1:58:35.720 --> 1:58:41.200
<v Speaker 3>I'm gonna say ho. Can't bro that going around the table.

1:58:41.800 --> 1:58:42.440
<v Speaker 3>What you're doing?

1:58:42.640 --> 1:58:46.840
<v Speaker 5>Man runs here? Kick Capri.

1:58:49.800 --> 1:58:50.600
<v Speaker 3>Kick Capri for me.

1:58:52.320 --> 1:58:55.040
<v Speaker 13>Yeah, I'm with the k Capri man, I mean shots

1:58:55.080 --> 1:58:55.560
<v Speaker 13>the ca Capri.

1:58:56.920 --> 1:59:02.360
<v Speaker 4>Now they're both legends he's an inspiration and shout out

1:59:02.400 --> 1:59:04.800
<v Speaker 4>to ron g because of course Dell with it too.

1:59:06.480 --> 1:59:10.680
<v Speaker 4>So you said, Cai Capri, all right, nazarell.

1:59:11.440 --> 1:59:16.040
<v Speaker 3>He gonna asked me. You know, I personally got a

1:59:16.120 --> 1:59:16.560
<v Speaker 3>drink to that.

1:59:17.160 --> 1:59:23.880
<v Speaker 4>All right, relax, don't don't you're leading the witness. Fuck no,

1:59:24.040 --> 1:59:32.840
<v Speaker 4>fuck just Naza nas yeah he dah any reason, baby,

1:59:33.720 --> 1:59:34.600
<v Speaker 4>you don't have to give reason.

1:59:34.680 --> 1:59:40.560
<v Speaker 3>He's a Liverpool master said that's it, all right, Red

1:59:40.600 --> 1:59:43.240
<v Speaker 3>alert or marm bet alert.

1:59:44.920 --> 1:59:51.560
<v Speaker 4>And you answered pretty fast, man, Caldar drama. Call Jesus

1:59:51.680 --> 1:59:56.200
<v Speaker 4>your host. Analog or digital, both of y'all.

1:59:59.040 --> 2:00:06.200
<v Speaker 3>That's tough one too, bo Analog. I was like, did

2:00:06.240 --> 2:00:10.800
<v Speaker 3>you meant to put it? Who wrote an I'm gonna

2:00:10.800 --> 2:00:12.360
<v Speaker 3>I'm gonna say digital digital?

2:00:12.520 --> 2:00:18.560
<v Speaker 4>Okay, no, I know, but the way you or Amnesia

2:00:18.680 --> 2:00:22.160
<v Speaker 4>or Mansion Amnesia. That was the name of the club.

2:00:22.320 --> 2:00:27.760
<v Speaker 13>Yeah, yeah, that's what story used to be. Yes, yes,

2:00:29.120 --> 2:00:33.680
<v Speaker 13>but that's enough the name because I did but I

2:00:33.800 --> 2:00:34.520
<v Speaker 13>wasn't there for that.

2:00:35.040 --> 2:00:36.000
<v Speaker 5>So which one of those two?

2:00:37.840 --> 2:00:41.600
<v Speaker 3>I enjoyed the Opium Garden Spot? What was that, Anesia?

2:00:42.640 --> 2:00:43.200
<v Speaker 3>I enjoyed?

2:00:43.240 --> 2:00:46.360
<v Speaker 5>That was the Miami Spots, right, yeah, okay, okay?

2:00:46.920 --> 2:00:49.360
<v Speaker 3>Which is the one that prints on No, that's glam.

2:00:49.480 --> 2:00:52.560
<v Speaker 3>Slam became mansion. Yea mansion. That was a hot spot,

2:00:52.880 --> 2:00:58.800
<v Speaker 3>that was place. Was that to change your cality? Used

2:00:58.840 --> 2:01:02.560
<v Speaker 3>to open up for me in Miami? Yeah, club for sure,

2:01:02.640 --> 2:01:05.720
<v Speaker 3>you want me want Joe wanted to kill me. I

2:01:05.800 --> 2:01:06.680
<v Speaker 3>love his DJ talk.

2:01:07.920 --> 2:01:10.600
<v Speaker 13>The first time I ever played in Miami ever ninety

2:01:10.680 --> 2:01:15.240
<v Speaker 13>eight was at Liquid and cat It open up for me.

2:01:15.360 --> 2:01:21.720
<v Speaker 3>I'll never forget that. And first time ever in ninety

2:01:21.920 --> 2:01:24.000
<v Speaker 3>and we got shutouts. Who was the king of the

2:01:24.160 --> 2:01:24.960
<v Speaker 3>clubs in Miami?

2:01:27.960 --> 2:01:31.960
<v Speaker 13>DJ, I see you, that's crazy to me. And then

2:01:31.960 --> 2:01:33.280
<v Speaker 13>I look I saw Cataly, I said, I look at

2:01:33.360 --> 2:01:34.320
<v Speaker 13>him like damn.

2:01:34.160 --> 2:01:37.920
<v Speaker 3>This is Yeah, it's beautiful the way it moves. What

2:01:38.080 --> 2:01:39.840
<v Speaker 3>was the pirate radio station? I was here?

2:01:40.120 --> 2:01:43.520
<v Speaker 4>Well, we had a couple we I had one. I

2:01:43.640 --> 2:01:45.560
<v Speaker 4>was on ninety four point seven. Oh you think about

2:01:45.560 --> 2:01:47.680
<v Speaker 4>Mix ninety six, which is where Cali came from.

2:01:47.760 --> 2:01:49.200
<v Speaker 3>I don't know what's another one.

2:01:50.000 --> 2:01:53.200
<v Speaker 4>It was a mixed, nice rad we had so many.

2:01:54.400 --> 2:01:55.960
<v Speaker 4>It might have been Wow, it might have been that

2:01:56.080 --> 2:01:58.800
<v Speaker 4>one g oud station. I don't I'm not too sure.

2:01:58.680 --> 2:02:02.000
<v Speaker 3>That you're thinking. Or DJ raw station that was a

2:02:02.120 --> 2:02:06.600
<v Speaker 3>bus yo all I know around that wasn't it. I mean,

2:02:06.680 --> 2:02:11.120
<v Speaker 3>I remember being here in ninety ninety seven and this

2:02:11.240 --> 2:02:14.000
<v Speaker 3>town was dead. There was number old people.

2:02:14.320 --> 2:02:19.720
<v Speaker 5>Hey, come on, man, Yeah, you went to South Beach

2:02:19.760 --> 2:02:20.080
<v Speaker 5>and it was.

2:02:21.080 --> 2:02:24.800
<v Speaker 3>It was old people reekally and they were and they

2:02:24.840 --> 2:02:27.120
<v Speaker 3>were catching some tans by the beach all day. They

2:02:27.160 --> 2:02:27.839
<v Speaker 3>looked orange.

2:02:30.040 --> 2:02:30.680
<v Speaker 1>This person.

2:02:33.640 --> 2:02:36.440
<v Speaker 3>Ship. I remember my early big Uncle Luke stories too.

2:02:36.520 --> 2:02:37.480
<v Speaker 3>Those are fire too.

2:02:38.000 --> 2:02:39.400
<v Speaker 5>The bigging Uncle Luke ship.

2:02:39.440 --> 2:02:39.880
<v Speaker 1>What happened?

2:02:39.960 --> 2:02:44.440
<v Speaker 3>Talk about it? Well, you know, I want to. I

2:02:44.440 --> 2:02:45.040
<v Speaker 3>don't know if you were.

2:02:45.600 --> 2:02:47.760
<v Speaker 4>I went to the first show that big did hear

2:02:47.760 --> 2:02:51.320
<v Speaker 4>in Miami lit a spot called My High Temple Mahi Temple.

2:02:51.680 --> 2:02:52.000
<v Speaker 1>I don't know.

2:02:52.000 --> 2:02:57.280
<v Speaker 3>I don't know if you were the DJ probably Oh man,

2:02:57.800 --> 2:03:03.800
<v Speaker 3>that hurts, Bro. You're drinking. Oh all right, let's drinking here.

2:03:05.080 --> 2:03:08.160
<v Speaker 3>I'm on to be Q with that one. Brooklyn Queen's

2:03:08.360 --> 2:03:16.200
<v Speaker 3>enough day. I like that. That's who connects us, Bro

2:03:16.320 --> 2:03:20.800
<v Speaker 3>Brooklyn and Queens to be Q's fact. Either that or

2:03:20.840 --> 2:03:30.000
<v Speaker 3>the Jackie Robinson car West one or Rocky rock Him. Yeah,

2:03:31.040 --> 2:03:33.240
<v Speaker 3>the Caress one is nasty too good. Rock him for me?

2:03:33.600 --> 2:03:42.800
<v Speaker 17>Okay, shouts of both of them. Still man, he said

2:03:42.840 --> 2:03:46.360
<v Speaker 17>he went to school with you in Kingsboro? Who who

2:03:46.440 --> 2:03:48.880
<v Speaker 17>did the guy who owns we want?

2:03:49.400 --> 2:03:49.720
<v Speaker 8>I was like.

2:03:51.680 --> 2:03:55.560
<v Speaker 3>Video for you even posted we got oh got.

2:03:56.960 --> 2:03:58.040
<v Speaker 5>Jeddy Riley or for.

2:04:03.600 --> 2:04:11.560
<v Speaker 3>Teddy that's just for me, Teddy Teddy without Teddy's.

2:04:11.320 --> 2:04:13.840
<v Speaker 1>For that's about to say, like you can't it's hard.

2:04:13.960 --> 2:04:15.040
<v Speaker 5>That's the best way.

2:04:15.360 --> 2:04:19.760
<v Speaker 1>Yeahs before in a good way, because there's no Teddy,

2:04:19.760 --> 2:04:21.880
<v Speaker 1>there's no forar Real Dopper, Tony Touch.

2:04:22.480 --> 2:04:27.720
<v Speaker 3>This is gonna be both yes brothers, brothers together for me,

2:04:27.920 --> 2:04:31.800
<v Speaker 3>Tony Touch only because I got a better relationship with Touch. Okay,

2:04:32.040 --> 2:04:36.120
<v Speaker 3>so both of them. I'm gonna have to go with Tony.

2:04:37.480 --> 2:04:42.080
<v Speaker 13>But then those fifty not to fifty yes ninety five

2:04:42.200 --> 2:04:47.440
<v Speaker 13>live Bro amazing, and then Tony later minute is fifty.

2:04:47.640 --> 2:04:51.640
<v Speaker 4>MC crazy crazy if you know, you know crazy and

2:04:51.760 --> 2:04:53.879
<v Speaker 4>they's Cruise name again.

2:04:59.600 --> 2:05:10.200
<v Speaker 3>And it was unique you need unique? Yeah, had that voice.

2:05:10.240 --> 2:05:10.720
<v Speaker 3>Yeah Yeah.

2:05:12.160 --> 2:05:16.640
<v Speaker 4>That's when the mixtape game really ran hip hop. It

2:05:16.800 --> 2:05:19.680
<v Speaker 4>was like the mixtape game was above radio at that time.

2:05:19.760 --> 2:05:20.720
<v Speaker 3>In my opinion, the.

2:05:20.760 --> 2:05:24.760
<v Speaker 13>Mixtape game got me to Germany in ninety nine because

2:05:24.800 --> 2:05:27.160
<v Speaker 13>of a mixtape of promoter hired me Bro.

2:05:27.320 --> 2:05:29.520
<v Speaker 3>What part of Germany duel? You know?

2:05:29.960 --> 2:05:30.200
<v Speaker 15>For me?

2:05:30.240 --> 2:05:34.440
<v Speaker 13>It was Munich, Heidelberg, Heidelberg and Munich nowhere if you

2:05:34.560 --> 2:05:35.440
<v Speaker 13>unless you're going to to.

2:05:35.560 --> 2:05:43.320
<v Speaker 3>Little Dog, I love it? How much you like it?

2:05:43.640 --> 2:05:45.680
<v Speaker 3>The mixtape for the DJs was the website. So what

2:05:45.920 --> 2:05:50.840
<v Speaker 3>internet was Internet? Straight out? Yeah, there you go, there

2:05:50.840 --> 2:05:53.040
<v Speaker 3>you go Now, mixtape game has changed lives. I changed

2:05:53.080 --> 2:05:57.680
<v Speaker 3>my life on all right, I'm sorry? Was crazy? What

2:05:57.800 --> 2:06:00.520
<v Speaker 3>was the name of the crazy? Crazy? Crazy?

2:06:00.680 --> 2:06:00.840
<v Speaker 4>Yeah?

2:06:01.360 --> 2:06:09.360
<v Speaker 3>Crazy? It's the shots, Tupac or d m X GMx,

2:06:10.880 --> 2:06:11.720
<v Speaker 3>how about you? Sorry?

2:06:11.880 --> 2:06:14.440
<v Speaker 13>My answer if you would have asked you this question

2:06:14.600 --> 2:06:18.080
<v Speaker 13>in two thousand would have been d m X. But

2:06:18.200 --> 2:06:20.800
<v Speaker 13>after many years of me doing homework because I was

2:06:21.040 --> 2:06:23.360
<v Speaker 13>when when when when? When it was New York and

2:06:23.920 --> 2:06:26.440
<v Speaker 13>on the West Coast, I was so change over years. Yeah,

2:06:26.480 --> 2:06:29.320
<v Speaker 13>because I started to really study Tupac and listen.

2:06:29.600 --> 2:06:31.360
<v Speaker 3>Really and then I was like, whoa, it was a

2:06:31.440 --> 2:06:31.960
<v Speaker 3>late bloomer.

2:06:32.320 --> 2:06:36.640
<v Speaker 13>Yeah, made you want to study though, just as a

2:06:36.760 --> 2:06:40.400
<v Speaker 13>little by little started hearing new Tupac songs and I

2:06:40.520 --> 2:06:45.040
<v Speaker 13>was like, yo, this guy is like he's ill ill and.

2:06:46.800 --> 2:06:51.280
<v Speaker 3>Yes, crazy because he did Yeah, you pay more work

2:06:54.560 --> 2:06:58.440
<v Speaker 3>to this days was called a cult following.

2:06:59.360 --> 2:07:02.840
<v Speaker 5>That's it, but also PU did that was smart?

2:07:03.160 --> 2:07:10.400
<v Speaker 4>Is he he's such a catalog that it lastens beyond time.

2:07:11.120 --> 2:07:12.200
<v Speaker 3>And that's what happened with us.

2:07:12.240 --> 2:07:14.760
<v Speaker 13>For DJ that you started to do homework and I

2:07:14.840 --> 2:07:18.800
<v Speaker 13>was like, damn, Tupac is ill. And back then I

2:07:18.920 --> 2:07:22.520
<v Speaker 13>was just not I'm not seeing that. I was stubborn

2:07:22.560 --> 2:07:26.680
<v Speaker 13>and young. I'm like queens. You know CNN.

2:07:28.480 --> 2:07:31.840
<v Speaker 3>Channel ten, New York, New York. You know what I'm saying.

2:07:32.040 --> 2:07:34.200
<v Speaker 3>People don't know what Channel ten is, right, it was

2:07:34.360 --> 2:07:35.800
<v Speaker 3>the it was a channel.

2:07:40.520 --> 2:07:46.839
<v Speaker 4>Coolgie rapper, slick rickhe oh they all tell stories.

2:07:46.960 --> 2:07:51.920
<v Speaker 3>Yup. Story King's right there, slick Rick for me, Coolie

2:07:52.000 --> 2:07:52.440
<v Speaker 3>rap for me.

2:07:53.160 --> 2:07:53.800
<v Speaker 5>I didn't.

2:07:58.160 --> 2:07:59.600
<v Speaker 3>You got drink? You got drink?

2:08:00.120 --> 2:08:01.400
<v Speaker 5>You're taking a bloom from mister Lee.

2:08:01.480 --> 2:08:06.080
<v Speaker 3>You know what that means? Right? Is it late? I'm

2:08:06.080 --> 2:08:15.760
<v Speaker 3>doing it because Champs. I'll take a shot. I promised

2:08:15.760 --> 2:08:18.560
<v Speaker 3>the white I wouldn't smoke. That's right now. Don't smoke. Please,

2:08:18.560 --> 2:08:21.280
<v Speaker 3>don't smoke. I even smoking.

2:08:21.280 --> 2:08:25.880
<v Speaker 5>By the way, Kanye, doctor dre.

2:08:27.280 --> 2:08:36.760
<v Speaker 3>Mm hmm ship. I'm gonna go Kanye with that, Doctor Dre.

2:08:41.280 --> 2:08:44.040
<v Speaker 3>You think this is generational because you're a little younger,

2:08:44.520 --> 2:08:47.960
<v Speaker 3>was no listen like the dispar the way these questions

2:08:47.960 --> 2:08:51.040
<v Speaker 3>are put they're both. They're all hard, they're all tough.

2:08:51.200 --> 2:08:51.360
<v Speaker 8>Man.

2:08:52.000 --> 2:08:54.760
<v Speaker 3>But I want to say, it's just so many songs

2:08:54.800 --> 2:08:55.920
<v Speaker 3>with Kanye man, it's.

2:08:55.840 --> 2:08:59.960
<v Speaker 13>Like and so many songs that true, true, but more current,

2:09:00.160 --> 2:09:03.760
<v Speaker 13>like there's so much you need to explain.

2:09:03.840 --> 2:09:04.080
<v Speaker 1>That's not.

2:09:07.360 --> 2:09:11.560
<v Speaker 3>Lawyer, it's just the person ship.

2:09:12.160 --> 2:09:12.320
<v Speaker 1>You know.

2:09:12.640 --> 2:09:16.839
<v Speaker 13>Drake got the timeless, timeless, you could play anything.

2:09:16.920 --> 2:09:18.960
<v Speaker 3>I mean, doctor Drake got the time, this times.

2:09:19.080 --> 2:09:24.960
<v Speaker 16>That's what I said, Drake, Drake, that's what too. Matter

2:09:25.000 --> 2:09:31.360
<v Speaker 16>of fact, you take a shot. I gotta go another,

2:09:32.520 --> 2:09:33.000
<v Speaker 16>both of them.

2:09:34.480 --> 2:09:42.440
<v Speaker 5>Reduction wise, all right, Illmatic ready to die, m h.

2:09:46.240 --> 2:09:47.480
<v Speaker 1>I want to see how this goes.

2:09:47.640 --> 2:09:56.080
<v Speaker 3>This is gonna be fantastic. And don't lawyer, you're a lawyer.

2:09:58.320 --> 2:10:01.520
<v Speaker 3>He's gonna go Illmatic. I'm gonna go to die.

2:10:02.040 --> 2:10:05.160
<v Speaker 5>And this is the way we roll all drink drinking.

2:10:05.800 --> 2:10:12.960
<v Speaker 3>I'm gonna even take a show. Understands warning warning poways.

2:10:14.480 --> 2:10:17.400
<v Speaker 13>You don't know what ill Matic gets. Anybody from Queens.

2:10:18.160 --> 2:10:18.720
<v Speaker 3>Is the Bible.

2:10:19.720 --> 2:10:23.920
<v Speaker 5>It's hip hop, man, I know, but you're talking us queens, queens, queens.

2:10:24.800 --> 2:10:25.520
<v Speaker 3>It's just trust me.

2:10:25.600 --> 2:10:37.160
<v Speaker 18>I know, queens queens. Queens looks like you broke and

2:10:37.200 --> 2:10:40.000
<v Speaker 18>you're walking I'm from Queens.

2:10:39.720 --> 2:10:49.400
<v Speaker 3>Bro you're walking. Don't say you guys didn't have love?

2:10:49.440 --> 2:10:55.360
<v Speaker 3>Having is walking In the Spanish version, he had nothing.

2:10:55.480 --> 2:11:05.680
<v Speaker 3>Next ys ago n W A republic enemy m yeah,

2:11:08.560 --> 2:11:11.800
<v Speaker 3>the tough ones man. Damn, this is a enough question

2:11:11.920 --> 2:11:12.200
<v Speaker 3>right here.

2:11:12.320 --> 2:11:27.920
<v Speaker 19>Man, I'm going to say publican bad Okay, Sorry, you're

2:11:27.960 --> 2:11:29.000
<v Speaker 19>asking me right here?

2:11:29.120 --> 2:11:29.240
<v Speaker 3>Is it?

2:11:29.320 --> 2:11:29.520
<v Speaker 13>I was?

2:11:32.320 --> 2:11:34.920
<v Speaker 5>I don't know what's going on? All right, toots, he's

2:11:34.960 --> 2:11:35.560
<v Speaker 5>a booby Trap.

2:11:36.480 --> 2:11:42.360
<v Speaker 3>I'm asking you. Don't do that. I'm asking you. I

2:11:42.440 --> 2:11:46.920
<v Speaker 3>don't know booby trap. Now I'm asking you. I dragged

2:11:46.960 --> 2:11:51.160
<v Speaker 3>him to booby Trap. You guys, I'm booby Trap all day.

2:11:51.200 --> 2:11:55.360
<v Speaker 3>You're crazy baby. Oh ship Hollywood Kale from Mob not

2:11:55.440 --> 2:11:58.120
<v Speaker 3>the coach. He's calling right now. They're calling you from

2:11:58.160 --> 2:11:58.720
<v Speaker 3>booby Trust.

2:12:00.200 --> 2:12:00.360
<v Speaker 1>Yo.

2:12:00.480 --> 2:12:05.400
<v Speaker 3>Let me call you right back. I'll call you right back. Sorry.

2:12:07.520 --> 2:12:11.960
<v Speaker 1>All should have said booby Trap or Club eleven in

2:12:12.120 --> 2:12:12.600
<v Speaker 1>the Bronx.

2:12:12.960 --> 2:12:19.640
<v Speaker 3>No Club eleven. Yeah, yeah, the Club eleven. Know this,

2:12:19.800 --> 2:12:26.120
<v Speaker 3>This is the Mega Mega Club eleven. I see much

2:12:26.160 --> 2:12:29.480
<v Speaker 3>haven't been for me to me. Club eleven is a nightclub.

2:12:30.280 --> 2:12:33.000
<v Speaker 3>It's just a nightclub. That's what all these nights are.

2:12:33.120 --> 2:12:33.280
<v Speaker 4>Now.

2:12:33.640 --> 2:12:35.400
<v Speaker 3>It's a nightclub with some strip polls around it.

2:12:35.520 --> 2:12:43.600
<v Speaker 1>It's to me, loud shows.

2:12:43.920 --> 2:12:44.680
<v Speaker 3>It's not the track.

2:12:44.760 --> 2:12:50.080
<v Speaker 4>It's like, I don't get another sho questions the.

2:12:50.120 --> 2:13:01.440
<v Speaker 3>Place color is? You know what I'm having show tell show.

2:13:02.840 --> 2:13:03.440
<v Speaker 9>Show what you.

2:13:08.800 --> 2:13:10.600
<v Speaker 1>Show what I'm telling you act to me like it

2:13:10.680 --> 2:13:11.920
<v Speaker 1>was however it was.

2:13:12.880 --> 2:13:15.960
<v Speaker 3>It was my show. I say. I went with him,

2:13:16.040 --> 2:13:18.480
<v Speaker 3>but I was like, yo, I just yo. They played

2:13:18.520 --> 2:13:21.560
<v Speaker 3>this record every time we work. Bro tell me now,

2:13:22.360 --> 2:13:25.280
<v Speaker 3>they played all our records. They pay my mixtape record.

2:13:25.320 --> 2:13:29.280
<v Speaker 3>I just make right now. Wow. The girls dancer ass

2:13:29.400 --> 2:13:32.520
<v Speaker 3>I was amazing brow. It was the only good thing about.

2:13:33.840 --> 2:13:34.080
<v Speaker 9>Ship.

2:13:34.560 --> 2:13:37.640
<v Speaker 5>It's funny, said, go to the next We're dying slowly, okay.

2:13:39.440 --> 2:13:41.320
<v Speaker 5>Joe and Jada or a million dollars with the game?

2:13:42.280 --> 2:13:43.520
<v Speaker 3>Oh is that again?

2:13:43.960 --> 2:13:46.760
<v Speaker 5>Joe and Jada a million dollars worth the game?

2:13:47.720 --> 2:13:52.840
<v Speaker 3>I'm oh, man, I tell you know what. If I'm

2:13:52.880 --> 2:13:55.280
<v Speaker 3>a question, I'm gonna say Joe and Jada. I love

2:13:55.320 --> 2:13:57.760
<v Speaker 3>the way Joe just overdoes it. I love it, you

2:13:57.960 --> 2:14:03.200
<v Speaker 3>like it? I love it. I know he's getting flagged.

2:14:03.200 --> 2:14:06.400
<v Speaker 3>They funking with him. You don't woman embracing that. I

2:14:06.960 --> 2:14:09.440
<v Speaker 3>love this smartest thing he's ever done. And I love

2:14:09.520 --> 2:14:12.320
<v Speaker 3>how Jada goes who are they? And then he's like

2:14:12.960 --> 2:14:16.160
<v Speaker 3>they like, you know, like he just asks him that

2:14:16.920 --> 2:14:19.720
<v Speaker 3>red Man is the most underground artist, and I love

2:14:19.760 --> 2:14:23.000
<v Speaker 3>how Jada responds, I love that ship. That's dope. Joe

2:14:23.040 --> 2:14:26.840
<v Speaker 3>and Jada got his own smash. I don't go, Jada, Okay,

2:14:28.960 --> 2:14:30.840
<v Speaker 3>do you make some noise for Johan Jadas.

2:14:34.040 --> 2:14:39.400
<v Speaker 4>But makes the man's all the worth of everybody? Yeah,

2:14:40.360 --> 2:14:44.480
<v Speaker 4>all right, Clips are E p m D. This is

2:14:44.920 --> 2:14:51.080
<v Speaker 4>very generational, not really kind of the Clips.

2:14:50.920 --> 2:14:54.280
<v Speaker 3>Clips or E p m D. He stands two different worlds. Man,

2:14:54.480 --> 2:14:57.240
<v Speaker 3>it is, it is, but not really, it's kind of.

2:14:58.240 --> 2:15:01.360
<v Speaker 3>I can see the comparison. I get they made this.

2:15:01.520 --> 2:15:03.360
<v Speaker 3>I get it. I mean, I get it. It's just

2:15:03.840 --> 2:15:06.640
<v Speaker 3>from I gotta go with E p M. I like it,

2:15:07.080 --> 2:15:09.400
<v Speaker 3>even though Clips is from my r. I guess, I

2:15:09.480 --> 2:15:10.880
<v Speaker 3>guess I'm gonna have to go with p D because

2:15:10.880 --> 2:15:14.600
<v Speaker 3>they got some classics that you know, mm hmm it's

2:15:14.720 --> 2:15:17.800
<v Speaker 3>my thing. But the Clips are making their own classes

2:15:17.920 --> 2:15:20.680
<v Speaker 3>right now. But yeah, this guy puts the butt.

2:15:25.360 --> 2:15:28.680
<v Speaker 4>See the comparison, like, actually, I never liked their their

2:15:29.160 --> 2:15:30.480
<v Speaker 4>but I like this comparison.

2:15:30.840 --> 2:15:33.120
<v Speaker 3>It is a good it's good. It's a good one.

2:15:33.200 --> 2:15:38.560
<v Speaker 5>Yeah, definitely going all right, fat Joe Rick Cross.

2:15:39.360 --> 2:15:50.640
<v Speaker 3>Oh ow ouch, y'all gonna drink. I like these dudes cheers, cheers.

2:15:55.200 --> 2:15:57.480
<v Speaker 4>So you said both not neither right, just to that's

2:15:57.480 --> 2:16:00.560
<v Speaker 4>why we drink. You can say we could drink on either.

2:16:00.400 --> 2:16:00.920
<v Speaker 13>Of those.

2:16:04.600 --> 2:16:05.800
<v Speaker 1>A Rockefeller.

2:16:06.960 --> 2:16:18.200
<v Speaker 3>Ay yea yay le fuck that's a hard one. We

2:16:18.480 --> 2:16:27.480
<v Speaker 3>got X dragon llow X. You know that versus with

2:16:27.600 --> 2:16:28.400
<v Speaker 3>the locks.

2:16:28.320 --> 2:16:31.320
<v Speaker 13>And dip set walk. A lot of motherfuckers up how

2:16:31.400 --> 2:16:32.360
<v Speaker 13>much the locks had?

2:16:33.320 --> 2:16:34.000
<v Speaker 1>No for sure?

2:16:35.000 --> 2:16:42.000
<v Speaker 3>That shoot in that must have been classic. Yeah, you

2:16:42.040 --> 2:16:45.959
<v Speaker 3>didn't know. You didn't be that crazy. You would think

2:16:46.240 --> 2:16:46.760
<v Speaker 3>this said I.

2:16:48.400 --> 2:16:48.440
<v Speaker 4>Was.

2:16:48.680 --> 2:16:52.640
<v Speaker 3>Wanda was like, yo, you didn't feel that No, no, no, no, listen, okay,

2:16:52.640 --> 2:16:53.840
<v Speaker 3>I don't ye don't you don't got.

2:16:53.800 --> 2:16:56.000
<v Speaker 4>Grammy, but didn't feel that way in the building that

2:16:56.080 --> 2:16:58.560
<v Speaker 4>it was a landslide in that way everybody in the.

2:16:58.560 --> 2:17:01.400
<v Speaker 3>Building didn't didn't expect that that much. That's what I'm

2:17:01.440 --> 2:17:03.840
<v Speaker 3>trying to get at. That's what I'm trying to get at.

2:17:04.200 --> 2:17:08.720
<v Speaker 5>That's that day was going to bring more yes, everybody, Yes.

2:17:09.160 --> 2:17:13.680
<v Speaker 13>And then that day way, that day you learned that way, honestly,

2:17:13.959 --> 2:17:16.520
<v Speaker 13>that day you learned what the fuck the locks.

2:17:16.600 --> 2:17:19.840
<v Speaker 3>Had you learned that they won't whoa whoa blocks.

2:17:20.240 --> 2:17:23.199
<v Speaker 15>It looked like they actually were practiced for that joint

2:17:23.280 --> 2:17:24.520
<v Speaker 15>with that DJ technicians.

2:17:24.600 --> 2:17:32.080
<v Speaker 20>It was technician. Honestly, the DJ was DJ was instrumental.

2:17:32.240 --> 2:17:35.240
<v Speaker 20>He was switching like he was shot. The technician technician

2:17:35.400 --> 2:17:38.160
<v Speaker 20>brought it bro like. Not to take away from dipsd DJ.

2:17:38.480 --> 2:17:42.160
<v Speaker 20>It's just no, no, like they really went. The DJ

2:17:42.440 --> 2:17:43.080
<v Speaker 20>was instrumental.

2:17:43.200 --> 2:17:45.160
<v Speaker 1>I think Dips that had three different DJs. I think

2:17:45.280 --> 2:17:48.160
<v Speaker 1>Santana had the DJ. I think that would have been

2:17:48.200 --> 2:17:50.200
<v Speaker 1>like that would have been difficults had one DJ.

2:17:50.640 --> 2:17:52.440
<v Speaker 13>It looked like they really really But that day you

2:17:52.520 --> 2:17:55.039
<v Speaker 13>learned the catalog, you you're like, oh ship, you folks,

2:17:55.120 --> 2:17:56.640
<v Speaker 13>remember that you forgot that ship?

2:17:56.720 --> 2:17:59.039
<v Speaker 3>You all Grammys? You want to talk Grammys. You want

2:17:59.080 --> 2:18:00.240
<v Speaker 3>to talk songs to girl else.

2:18:03.760 --> 2:18:06.720
<v Speaker 13>Anyway, back to rock Rockefeller and and and.

2:18:08.400 --> 2:18:11.840
<v Speaker 3>Rough rough Riders. So whould you pick. I'm gonna see

2:18:11.840 --> 2:18:12.360
<v Speaker 3>a Rockefeller.

2:18:14.959 --> 2:18:19.520
<v Speaker 1>What we were talking about, rock Man, this is the

2:18:19.600 --> 2:18:21.119
<v Speaker 1>last one that we get back to the end. He said,

2:18:21.160 --> 2:18:25.400
<v Speaker 1>what Rockefeller took loyalty or respect?

2:18:27.520 --> 2:18:48.280
<v Speaker 3>I've heard this before. I'm gonna go with loyalty. I'm

2:18:48.280 --> 2:18:57.920
<v Speaker 3>gonna respect. Why because you can claim you loyal, but

2:18:58.000 --> 2:19:00.959
<v Speaker 3>if you don't want to respect for me, and why

2:19:01.080 --> 2:19:04.360
<v Speaker 3>not both? I want both, but I'm not drinking on

2:19:04.440 --> 2:19:04.720
<v Speaker 3>the show.

2:19:06.080 --> 2:19:08.000
<v Speaker 1>That's the only time I say we should drink is

2:19:08.400 --> 2:19:10.000
<v Speaker 1>So why would you say both?

2:19:10.120 --> 2:19:13.480
<v Speaker 4>I think both is always it should be the natural answer.

2:19:13.600 --> 2:19:16.320
<v Speaker 4>But some people have a strong opinion on one or

2:19:16.320 --> 2:19:16.600
<v Speaker 4>the other.

2:19:18.600 --> 2:19:20.360
<v Speaker 3>I'll give you a perfect example, and I'm gonna keep

2:19:20.360 --> 2:19:22.280
<v Speaker 3>it a buck on the show. I don't give the fuck.

2:19:23.000 --> 2:19:25.959
<v Speaker 3>There's a couple of DJs in my crew who switched

2:19:26.000 --> 2:19:31.400
<v Speaker 3>sides right, who left for whatever reason because maybe I

2:19:31.600 --> 2:19:35.120
<v Speaker 3>helped them, maybe I didn't help them. So in my mind,

2:19:36.080 --> 2:19:37.800
<v Speaker 3>I would think, you know, I want them to be loyal,

2:19:39.600 --> 2:19:41.320
<v Speaker 3>and if they leave it, they're not respect to me.

2:19:43.160 --> 2:19:47.000
<v Speaker 3>So do you think that's an example of both being wrong?

2:19:48.080 --> 2:19:50.080
<v Speaker 3>I mean definitely, man, because at the end of the days,

2:19:50.120 --> 2:19:52.400
<v Speaker 3>like they didn't respect them, they didn't respect me. They

2:19:52.440 --> 2:19:56.800
<v Speaker 3>would have moved stupid and that was not loyal, right. Wow,

2:19:58.080 --> 2:20:02.840
<v Speaker 3>I was deeper warning and that's why I could see

2:20:02.879 --> 2:20:07.600
<v Speaker 3>the misconscrew's opinions about when Little Lars lost his job

2:20:07.680 --> 2:20:10.280
<v Speaker 3>and I took it, or when come Alo took my job.

2:20:10.360 --> 2:20:17.119
<v Speaker 3>Supposedly because it's it's it's perception. It's people's perceptions that's

2:20:17.160 --> 2:20:21.080
<v Speaker 3>supposed to the truth. Yeah, right, Perception is never reality.

2:20:21.240 --> 2:20:25.360
<v Speaker 7>No, Like perception is like now like like they're saying

2:20:25.440 --> 2:20:28.520
<v Speaker 7>like that, they like kind of like like like when

2:20:28.560 --> 2:20:30.200
<v Speaker 7>he when he, I guess that's what he was trying

2:20:30.200 --> 2:20:32.760
<v Speaker 7>to say by saying snake won a snake too, was

2:20:32.920 --> 2:20:34.600
<v Speaker 7>like like like, yo, bro, wasn't.

2:20:34.480 --> 2:20:35.440
<v Speaker 20>Me Like.

2:20:37.080 --> 2:20:42.240
<v Speaker 3>Right, that's that's his perception, snake won snake too. Do

2:20:42.240 --> 2:20:44.280
<v Speaker 3>you think that was his honest perception of that though?

2:20:45.760 --> 2:20:49.879
<v Speaker 13>I think the narrative straight up making it his story

2:20:50.760 --> 2:20:52.240
<v Speaker 13>because that wasn't the fucking facts.

2:20:54.120 --> 2:20:57.200
<v Speaker 3>That's it that was and then he changed it to

2:20:57.320 --> 2:21:00.760
<v Speaker 3>his narrative. Prior to that's cool, I mean I don't know.

2:21:01.560 --> 2:21:05.840
<v Speaker 13>Prior to that cool with everybody, man, I'm cool everybody,

2:21:06.080 --> 2:21:07.280
<v Speaker 13>Like if you got to see each other.

2:21:08.120 --> 2:21:08.680
<v Speaker 3>It's different.

2:21:08.720 --> 2:21:12.600
<v Speaker 13>Now it's what it is. I ain't got time for this.

2:21:13.320 --> 2:21:17.240
<v Speaker 13>I'm going I got two kids and a dog companies

2:21:17.320 --> 2:21:19.280
<v Speaker 13>to run and to get to.

2:21:20.680 --> 2:21:24.760
<v Speaker 3>Right facts I have so foutely.

2:21:25.600 --> 2:21:28.600
<v Speaker 7>Well, I know our accessed earlier in a different way,

2:21:30.240 --> 2:21:33.880
<v Speaker 7>but were you shocked, like because of your relationship prior

2:21:33.959 --> 2:21:35.840
<v Speaker 7>to that that he would say something like that about

2:21:35.879 --> 2:21:36.520
<v Speaker 7>you publicly.

2:21:36.800 --> 2:21:38.959
<v Speaker 3>I wasn't shocked because at that point.

2:21:39.680 --> 2:21:41.920
<v Speaker 7>And you're still on the station, it's like you're still

2:21:41.959 --> 2:21:44.160
<v Speaker 7>there like at some point, And was it obviously it.

2:21:44.240 --> 2:21:47.080
<v Speaker 13>Was you, I don't know, yeah, yeah, yeah, yeah, yah

2:21:47.120 --> 2:21:49.080
<v Speaker 13>yeah yeah yeah, his hands down, you know?

2:21:49.520 --> 2:21:51.160
<v Speaker 3>Was it we just ignorant that.

2:21:53.160 --> 2:21:55.199
<v Speaker 7>He said the people in your room and the people

2:21:55.240 --> 2:21:57.560
<v Speaker 7>in his room other than people that was working there

2:21:57.959 --> 2:22:01.480
<v Speaker 7>were Camello and Juiceky, So it was obviously.

2:22:01.200 --> 2:22:03.840
<v Speaker 3>It was do you knowbody to do the math? It's

2:22:03.920 --> 2:22:06.440
<v Speaker 3>only let's say so. Yeah.

2:22:07.280 --> 2:22:11.760
<v Speaker 13>And I wasn't shocked because looking at the history, the

2:22:11.840 --> 2:22:14.440
<v Speaker 13>way this guy moves, he has beat with the whole

2:22:14.480 --> 2:22:16.840
<v Speaker 13>world like, so I wasn't the following it's our turn

2:22:18.200 --> 2:22:18.520
<v Speaker 13>the fuck?

2:22:18.800 --> 2:22:22.120
<v Speaker 3>I don't know, you know what I'm saying. So I

2:22:22.240 --> 2:22:22.720
<v Speaker 3>wasn't shot.

2:22:24.760 --> 2:22:29.440
<v Speaker 4>Can we leave this whole world? So I want to

2:22:29.480 --> 2:22:31.400
<v Speaker 4>leave this fucking bullshit?

2:22:31.520 --> 2:22:31.560
<v Speaker 14>No?

2:22:31.760 --> 2:22:35.360
<v Speaker 1>No, no, I just listen. This is as me and

2:22:35.520 --> 2:22:36.400
<v Speaker 1>being a New Yorker.

2:22:37.560 --> 2:22:40.000
<v Speaker 7>At some point that either one of y'all things that

2:22:40.120 --> 2:22:42.240
<v Speaker 7>you could just pick up the phone and like talk,

2:22:42.480 --> 2:22:44.119
<v Speaker 7>or do you think it's beyond that point?

2:22:48.280 --> 2:22:54.440
<v Speaker 3>Like I said before, I'm not an asshole. I know,

2:22:54.520 --> 2:22:58.760
<v Speaker 3>I know, I'm a better guy. Maybe we'll talk, but

2:22:59.080 --> 2:23:02.000
<v Speaker 3>not right now. Mm hmm. But the dust settle. It's

2:23:02.000 --> 2:23:08.360
<v Speaker 3>still dusty out here, right Okay, Now I'm gonna switch

2:23:08.400 --> 2:23:08.640
<v Speaker 3>it up.

2:23:08.680 --> 2:23:13.000
<v Speaker 7>But the man o the question if power went over,

2:23:13.160 --> 2:23:19.200
<v Speaker 7>I've caught you right now, another question and say you

2:23:19.360 --> 2:23:23.400
<v Speaker 7>know I got them after the news open for you, buddy.

2:23:24.840 --> 2:23:32.440
<v Speaker 3>At the pilet. I don't know, man, Yo know, as

2:23:32.480 --> 2:23:34.200
<v Speaker 3>long as my man is happy, I really don't know.

2:23:34.240 --> 2:23:36.920
<v Speaker 3>It's all about It's all about that at this point,

2:23:37.000 --> 2:23:39.760
<v Speaker 3>I've learned my lesson, and I don't know if I

2:23:39.800 --> 2:23:43.360
<v Speaker 3>could give about so much time to another. It's just

2:23:43.440 --> 2:23:47.440
<v Speaker 3>another station. So I think I'd rather give more time

2:23:47.480 --> 2:23:50.200
<v Speaker 3>to the heavy hitters. I'd rather give more time to

2:23:50.680 --> 2:23:54.440
<v Speaker 3>your man, and then the things that are gonna benefit

2:23:54.560 --> 2:23:58.600
<v Speaker 3>me directly. I would love to see Andrew Martinez again,

2:23:59.360 --> 2:24:00.960
<v Speaker 3>but I don't know if that's the best thing for me.

2:24:02.640 --> 2:24:04.480
<v Speaker 3>We might be way past that time already.

2:24:05.440 --> 2:24:07.200
<v Speaker 13>The thing is, the thing is the DJ to You

2:24:07.280 --> 2:24:09.000
<v Speaker 13>also got to be happy with the fuck you're doing.

2:24:09.680 --> 2:24:14.039
<v Speaker 13>You know, you gotta be happy playing the music you love. Listen,

2:24:14.160 --> 2:24:16.000
<v Speaker 13>you asked me, yo, you don't get tired of this dude,

2:24:16.080 --> 2:24:16.640
<v Speaker 13>night club ship.

2:24:16.760 --> 2:24:19.240
<v Speaker 3>No, I don't. I love this ship. Let's go.

2:24:19.440 --> 2:24:22.000
<v Speaker 13>What if somebody finds out, well, were in town and

2:24:22.080 --> 2:24:24.760
<v Speaker 13>Miami and they call me, Yeah, let's go nobody rock.

2:24:25.560 --> 2:24:27.960
<v Speaker 13>You got what you do as a DJ. You know,

2:24:28.160 --> 2:24:30.560
<v Speaker 13>DJ plays the heart out the best when they playing

2:24:30.600 --> 2:24:33.120
<v Speaker 13>their music. They fucking love right.

2:24:33.800 --> 2:24:34.560
<v Speaker 5>That's that's the.

2:24:34.640 --> 2:24:38.800
<v Speaker 3>Point though, that's that they love that, they love rights,

2:24:40.040 --> 2:24:40.200
<v Speaker 3>you know.

2:24:40.560 --> 2:24:43.800
<v Speaker 13>So if he says, yeah, I want to do this

2:24:43.920 --> 2:24:45.920
<v Speaker 13>and do it with your heart, that's how you win.

2:24:46.040 --> 2:24:48.360
<v Speaker 3>You got this far because we did it with our hearts.

2:24:48.720 --> 2:24:50.840
<v Speaker 3>As facts. I like what you just said. I like

2:24:50.959 --> 2:24:53.360
<v Speaker 3>that we did it with a heart. I'm running with it.

2:24:53.640 --> 2:24:54.640
<v Speaker 3>A lot of a lot of ship.

2:24:54.680 --> 2:24:54.840
<v Speaker 4>You know.

2:24:54.920 --> 2:24:57.480
<v Speaker 3>This is business, Yeah, no doubt. You have to play

2:24:57.520 --> 2:24:59.320
<v Speaker 3>the role. You have to play the fucking radio role.

2:24:59.600 --> 2:25:05.840
<v Speaker 13>Cool, and you have to give them okay, fifty fifty

2:25:06.320 --> 2:25:07.840
<v Speaker 13>enough seven.

2:25:07.920 --> 2:25:10.600
<v Speaker 3>And that's why it works because you're you're still yourself.

2:25:11.000 --> 2:25:11.560
<v Speaker 3>The minue you.

2:25:11.560 --> 2:25:15.760
<v Speaker 13>Start being forced to be something you're not. That's that's

2:25:15.800 --> 2:25:18.119
<v Speaker 13>the beginning of the end right there. No, you're losing,

2:25:18.520 --> 2:25:21.760
<v Speaker 13>that's it, that's it. This is this is why we've

2:25:21.760 --> 2:25:23.840
<v Speaker 13>been rocking so long. And we're still here.

2:25:24.080 --> 2:25:28.360
<v Speaker 7>So I'm gonna ask you, Camilla, you're still there. You

2:25:28.560 --> 2:25:35.960
<v Speaker 7>rock you Sorry, you're rocking. The bosses see you hearing

2:25:36.080 --> 2:25:39.360
<v Speaker 7>you go to the clubs and then they say, man,

2:25:40.800 --> 2:25:43.920
<v Speaker 7>do you want fun flex spot spot?

2:25:44.400 --> 2:25:46.760
<v Speaker 3>Yeah? You taking let me the real snake.

2:25:49.840 --> 2:25:51.840
<v Speaker 13>If the bosses call me and say do you want

2:25:51.840 --> 2:25:54.000
<v Speaker 13>to funk flex spot, I ain't to say that.

2:25:56.200 --> 2:25:57.600
<v Speaker 3>The question is. The question is.

2:25:58.000 --> 2:26:01.760
<v Speaker 13>The question is if the bosses call me right and

2:26:02.520 --> 2:26:08.920
<v Speaker 13>and say if I want homeboy spot? I mean homeboy

2:26:08.959 --> 2:26:10.920
<v Speaker 13>spot at the Cramon is what I used to do anyway,

2:26:11.560 --> 2:26:15.960
<v Speaker 13>m five o'clock, so, yeah, it's prime time. I've been

2:26:16.040 --> 2:26:19.360
<v Speaker 13>doing prime time for the four to six for the

2:26:19.440 --> 2:26:23.000
<v Speaker 13>past ten years. But but he got so now he

2:26:23.040 --> 2:26:24.760
<v Speaker 13>got five to eleven, right eleven?

2:26:26.120 --> 2:26:29.520
<v Speaker 1>He used to have seven to ten, right right, So

2:26:30.240 --> 2:26:33.119
<v Speaker 1>no seven to midnight seven mins?

2:26:33.240 --> 2:26:38.800
<v Speaker 3>Yeah, okay, correct, all right? So I mean listen, man,

2:26:38.800 --> 2:26:40.480
<v Speaker 3>I don't know what's going on. I don't know.

2:26:41.000 --> 2:26:43.480
<v Speaker 13>I'm still happy when Matt don't get it fucked up.

2:26:43.959 --> 2:26:46.520
<v Speaker 13>I'm still about four o'clock. I'm a happy man. I'm

2:26:46.600 --> 2:26:49.720
<v Speaker 13>happy working When us has worked out very well, I

2:26:49.840 --> 2:26:54.240
<v Speaker 13>salute her. She's professional. Facts you know, and she she worked.

2:26:54.000 --> 2:26:57.720
<v Speaker 1>Like I got telling people four to five every day, five.

2:26:57.280 --> 2:26:59.560
<v Speaker 13>Every day commercial free, not one commercial home on for.

2:26:59.800 --> 2:27:02.000
<v Speaker 1>Hour two three ninety seven ninety seven.

2:27:02.200 --> 2:27:03.560
<v Speaker 3>That's it that you already know.

2:27:03.640 --> 2:27:06.879
<v Speaker 13>You know the knowe salute the girl because she works

2:27:06.879 --> 2:27:12.160
<v Speaker 13>hard and we were good combo. And I'm happy. I've

2:27:12.200 --> 2:27:14.640
<v Speaker 13>been happy and I was never discruntled. To this day,

2:27:14.640 --> 2:27:15.480
<v Speaker 13>I'm not to scruntled.

2:27:17.879 --> 2:27:18.720
<v Speaker 3>Yeah, you are right, bro.

2:27:24.879 --> 2:27:30.320
<v Speaker 7>If you could change anything in this process, what would

2:27:30.320 --> 2:27:32.560
<v Speaker 7>you change? I know you said you would leave what process?

2:27:32.800 --> 2:27:36.560
<v Speaker 7>Like the process of you know, yeah, yeah everything like

2:27:37.000 --> 2:27:39.120
<v Speaker 7>you say one thing earlier, you say you should you

2:27:39.120 --> 2:27:40.920
<v Speaker 7>feel like you should have left out any seven earlier.

2:27:41.360 --> 2:27:44.040
<v Speaker 7>But name something else that if you if you could

2:27:44.120 --> 2:27:47.440
<v Speaker 7>change like yourself, like like, what would you change?

2:27:56.840 --> 2:28:02.680
<v Speaker 3>Sometimes and this is real talk and hurts, but sometimes

2:28:04.000 --> 2:28:08.760
<v Speaker 3>you give so much that you spread yourself thin by

2:28:08.840 --> 2:28:12.720
<v Speaker 3>giving so much. And sometimes when you give so much,

2:28:13.360 --> 2:28:17.280
<v Speaker 3>you take away from yourself. So sometimes maybe I gave

2:28:17.320 --> 2:28:22.480
<v Speaker 3>away too much, you know what I mean? No anybody,

2:28:22.600 --> 2:28:25.800
<v Speaker 3>my friends, my family, my boys, my heavy it is whoever.

2:28:26.720 --> 2:28:29.040
<v Speaker 3>Sometimes you give so much because you love and you

2:28:29.160 --> 2:28:31.880
<v Speaker 3>want to see people win. But then sometimes because you

2:28:32.040 --> 2:28:36.640
<v Speaker 3>do that you're giving away some of yourself, away from yourself,

2:28:36.920 --> 2:28:40.440
<v Speaker 3>from yourself. And I think that's what Flex doesn't like

2:28:41.000 --> 2:28:43.600
<v Speaker 3>about me. He felt that's where maybe he feels like

2:28:45.000 --> 2:28:47.959
<v Speaker 3>I've given up because I'm giving to them so much,

2:28:48.080 --> 2:28:51.080
<v Speaker 3>because I'm giving to this guy so much, so easily,

2:28:51.200 --> 2:28:53.960
<v Speaker 3>like it's nothing where like they want to fight for

2:28:54.080 --> 2:28:57.240
<v Speaker 3>their position. And what's that mentality? The king of the

2:28:57.360 --> 2:28:59.160
<v Speaker 3>hill and you talk to come up to hill to

2:28:59.200 --> 2:29:03.080
<v Speaker 3>get kicked me talk. They want that. So that's the

2:29:03.120 --> 2:29:06.240
<v Speaker 3>only thing, maybe a little bit they got over gage.

2:29:07.640 --> 2:29:08.840
<v Speaker 5>Nah, bro, you can't say that.

2:29:09.000 --> 2:29:09.120
<v Speaker 1>Man.

2:29:09.200 --> 2:29:11.320
<v Speaker 5>If you over gave it, that's a positive.

2:29:11.360 --> 2:29:12.200
<v Speaker 3>Think it's a positive thing.

2:29:12.280 --> 2:29:13.880
<v Speaker 5>That's that's that positive.

2:29:14.240 --> 2:29:17.359
<v Speaker 3>Yeah, that's positive. Listen, not everybody.

2:29:18.920 --> 2:29:20.840
<v Speaker 4>Look, let me say something. I know that he doesn't.

2:29:21.120 --> 2:29:24.200
<v Speaker 4>He doesn't remember this. But you were the first DJ

2:29:24.600 --> 2:29:27.080
<v Speaker 4>to well the only DJ in New York to ever

2:29:27.160 --> 2:29:30.640
<v Speaker 4>play a record that I put out. It was called

2:29:30.640 --> 2:29:33.400
<v Speaker 4>The Alliance Spanish Fly. Shout out to Ebony Underwood. That

2:29:33.440 --> 2:29:36.640
<v Speaker 4>connected us. She connected this and you played one of

2:29:36.680 --> 2:29:37.240
<v Speaker 4>our records.

2:29:37.320 --> 2:29:37.440
<v Speaker 3>Man.

2:29:40.080 --> 2:29:42.200
<v Speaker 5>And let me tell you that I believe that whatever

2:29:42.280 --> 2:29:43.600
<v Speaker 5>you're doing, you do it from the heart.

2:29:43.959 --> 2:29:47.600
<v Speaker 3>This is true. And and you're you're inspiring people when

2:29:47.640 --> 2:29:48.080
<v Speaker 3>you do it.

2:29:49.160 --> 2:29:51.720
<v Speaker 4>Maybe what you you play one record, it doesn't mean

2:29:51.800 --> 2:29:54.840
<v Speaker 4>nothing in that one record played, but it means it

2:29:55.160 --> 2:30:00.320
<v Speaker 4>reverberates right and in them feeling positive and like fire,

2:30:00.440 --> 2:30:03.160
<v Speaker 4>like yo, holy shit, enough, play my record.

2:30:03.200 --> 2:30:04.520
<v Speaker 3>Another thing that Enough.

2:30:04.560 --> 2:30:08.160
<v Speaker 13>He said, He gave so much. I could sit here

2:30:08.320 --> 2:30:15.040
<v Speaker 13>with a list Laura Styles, Bugs cast one pro Style.

2:30:16.400 --> 2:30:18.760
<v Speaker 13>He all gave him a chance. You look at all

2:30:18.840 --> 2:30:22.240
<v Speaker 13>of them. They're all on radio to this day because

2:30:22.240 --> 2:30:25.120
<v Speaker 13>of this man, Camillo, because of this man.

2:30:25.200 --> 2:30:28.840
<v Speaker 3>Yeah, I'm saying the other day.

2:30:29.120 --> 2:30:34.320
<v Speaker 13>The other day, Calle System, beautiful ship, he said. Enough

2:30:34.480 --> 2:30:39.080
<v Speaker 13>was the first one to play what's the record taking over?

2:30:39.560 --> 2:30:43.240
<v Speaker 4>On hot He was the first let's highlight Calid big

2:30:43.360 --> 2:30:46.600
<v Speaker 4>dog pitbull, right, just highlight that, just to make sure

2:30:46.720 --> 2:30:47.959
<v Speaker 4>that it's understood right.

2:30:48.120 --> 2:30:49.880
<v Speaker 13>And he was the first one to touch it and

2:30:50.040 --> 2:30:52.320
<v Speaker 13>keep touching it and playing it. And then the beautiful

2:30:52.360 --> 2:30:56.720
<v Speaker 13>thing that Cali said is unity. It's so important. He goes,

2:30:56.800 --> 2:30:58.520
<v Speaker 13>all I want after all of this is us to

2:30:58.600 --> 2:31:02.080
<v Speaker 13>be in my backyard arbicueing the guys that I.

2:31:02.120 --> 2:31:02.600
<v Speaker 3>Came up with.

2:31:02.800 --> 2:31:06.000
<v Speaker 13>You know, it's like motherfuckers, forget them, Like it's not

2:31:06.560 --> 2:31:09.440
<v Speaker 13>there's nothing wrong with having unity, there's nothing wrong with

2:31:09.480 --> 2:31:12.240
<v Speaker 13>holding each other down. This guy opened so many doors

2:31:12.280 --> 2:31:14.880
<v Speaker 13>for so many people to this day. I mean, the

2:31:14.920 --> 2:31:17.640
<v Speaker 13>list goes on. I got a long list, but it's.

2:31:17.560 --> 2:31:22.440
<v Speaker 3>Like, enough, learn from BETTERRB, Bro, that's it enough.

2:31:22.520 --> 2:31:24.080
<v Speaker 5>You know that there is a class act.

2:31:24.120 --> 2:31:24.240
<v Speaker 4>Bro.

2:31:24.320 --> 2:31:25.640
<v Speaker 3>Of course he's a class act.

2:31:25.920 --> 2:31:26.080
<v Speaker 13>You know.

2:31:26.760 --> 2:31:28.560
<v Speaker 3>Enough was the first one to see Phelly fell in

2:31:28.760 --> 2:31:33.120
<v Speaker 3>l A. Yeah, Felly feels a fucking legend, man, legend,

2:31:34.160 --> 2:31:37.680
<v Speaker 3>you know Parish in Chicago. You know, I saw, I

2:31:37.800 --> 2:31:38.360
<v Speaker 3>learned from him.

2:31:38.440 --> 2:31:40.800
<v Speaker 13>I saw who was who I put Mister Mario said, Yo,

2:31:40.840 --> 2:31:42.160
<v Speaker 13>we gotta put mister Maritil down.

2:31:42.200 --> 2:31:45.480
<v Speaker 3>Remember that the moon of Us legend, legend in Miami.

2:31:45.800 --> 2:31:47.200
<v Speaker 3>You know what I'm saying. And I learned from him

2:31:47.920 --> 2:31:48.840
<v Speaker 3>how she works.

2:31:50.280 --> 2:31:52.600
<v Speaker 13>Entire I mean, yeah, exactly, we're putting that fast forward,

2:31:52.600 --> 2:31:55.640
<v Speaker 13>putting Tis down the feez. You know what I'm saying. Listen,

2:31:56.520 --> 2:31:59.920
<v Speaker 13>it all comes from that energy, and that energy reciprocates.

2:32:00.520 --> 2:32:02.240
<v Speaker 13>So you know, a lot of motherfuckers wouldn't have a

2:32:02.360 --> 2:32:06.520
<v Speaker 13>job if it wasn't for giving so much. And it's

2:32:06.560 --> 2:32:07.240
<v Speaker 13>a beautiful thing.

2:32:07.320 --> 2:32:07.480
<v Speaker 20>Man.

2:32:08.959 --> 2:32:12.920
<v Speaker 3>Now, let's talk, Let's talk, Let's talk. Reggae throne, right,

2:32:15.200 --> 2:32:16.080
<v Speaker 3>I saw your fault.

2:32:18.879 --> 2:32:24.200
<v Speaker 1>You know, I would like to think so, but I

2:32:24.240 --> 2:32:28.080
<v Speaker 1>remember it felt like it was like us against the world, right,

2:32:28.720 --> 2:32:30.320
<v Speaker 1>Like I would go to Puerto Rico, I would hear

2:32:30.360 --> 2:32:33.200
<v Speaker 1>these records. I would come back home, people would like

2:32:33.320 --> 2:32:33.760
<v Speaker 1>laugh at me.

2:32:33.840 --> 2:32:37.160
<v Speaker 7>I'm like, yo, play that the Spanish the Spanish reggae ship,

2:32:37.160 --> 2:32:37.879
<v Speaker 7>because I didn't.

2:32:37.680 --> 2:32:41.160
<v Speaker 3>Know what it was called. I don't know if that's

2:32:41.160 --> 2:32:41.880
<v Speaker 3>what it really was.

2:32:42.320 --> 2:32:45.240
<v Speaker 7>It was like, Yo, the Spanish reggae ship, being Room

2:32:45.320 --> 2:32:48.439
<v Speaker 7>buys test smooth, play that ship.

2:32:49.800 --> 2:32:50.240
<v Speaker 3>When I go.

2:32:51.760 --> 2:32:55.240
<v Speaker 7>And I remember me actually like actually trying a record,

2:32:55.680 --> 2:32:58.039
<v Speaker 7>like I was like Yo, I was telling other DJs

2:32:59.320 --> 2:33:03.840
<v Speaker 7>and they just play the ship. And so I don't

2:33:03.879 --> 2:33:06.320
<v Speaker 7>know if you remember, if you listen Tom Kando, I

2:33:06.360 --> 2:33:07.400
<v Speaker 7>shot both of y'all out.

2:33:09.200 --> 2:33:10.959
<v Speaker 3>I came to the video using the video.

2:33:11.040 --> 2:33:13.760
<v Speaker 13>I keep shot the lex because you're doing their grandpaon

2:33:13.840 --> 2:33:14.680
<v Speaker 13>so I said, Yo, they should.

2:33:15.640 --> 2:33:20.040
<v Speaker 3>But but but but how did that feel like?

2:33:20.160 --> 2:33:23.200
<v Speaker 7>Because like like right now, I'm going I'm going to

2:33:23.240 --> 2:33:25.800
<v Speaker 7>port a weeko tomorrow, right, so obviously I have to

2:33:26.120 --> 2:33:27.520
<v Speaker 7>stop a Bad Money concert.

2:33:27.840 --> 2:33:33.080
<v Speaker 1>But it's my birthday on Saturday. Yeah, yeah, I mean

2:33:34.280 --> 2:33:38.080
<v Speaker 1>you're so ha, you know what I'm trying to say.

2:33:38.120 --> 2:33:40.000
<v Speaker 3>But you know what I'm meaning. I'm there already.

2:33:40.160 --> 2:33:42.520
<v Speaker 7>So but what I'm saying is we think about it,

2:33:42.640 --> 2:33:45.400
<v Speaker 7>like I don't want to say it. Start up saying

2:33:45.440 --> 2:33:49.840
<v Speaker 7>in America because everyone knew, Like I remember when they

2:33:49.920 --> 2:33:55.640
<v Speaker 7>gonna have that joint, everyone thought he was Dominican.

2:33:56.879 --> 2:33:59.440
<v Speaker 1>Order Dominicans. So and I remember like.

2:34:02.959 --> 2:34:05.800
<v Speaker 7>And me trying this record, and I tried it just

2:34:05.920 --> 2:34:07.439
<v Speaker 7>for the Porto Ricae parade.

2:34:08.879 --> 2:34:11.400
<v Speaker 1>And that ship went from spins, the spins and spins.

2:34:11.720 --> 2:34:13.720
<v Speaker 1>But how did it feel like to see like a

2:34:13.840 --> 2:34:18.400
<v Speaker 1>new genre of music, like it filter end.

2:34:19.000 --> 2:34:23.000
<v Speaker 7>And at first the station was like no, and then

2:34:23.080 --> 2:34:25.760
<v Speaker 7>they got behind a gando for the first time and

2:34:25.879 --> 2:34:27.680
<v Speaker 7>that ship was like the number one, Like how.

2:34:27.600 --> 2:34:29.720
<v Speaker 1>Did it feel? I mean not, I don't want to

2:34:29.800 --> 2:34:31.760
<v Speaker 1>limit it to Kanda, but in general.

2:34:31.600 --> 2:34:35.160
<v Speaker 7>I'm saying, in general, like them embracing They're like, now listen,

2:34:35.320 --> 2:34:38.400
<v Speaker 7>listen to how it's like every fifth record is a fucking.

2:34:39.600 --> 2:34:40.200
<v Speaker 3>Fucking uh.

2:34:41.720 --> 2:34:41.879
<v Speaker 4>Yeah.

2:34:42.879 --> 2:34:44.920
<v Speaker 3>All I know is this, and I didn't realize it's

2:34:45.120 --> 2:34:50.920
<v Speaker 3>like good. I think there's that internal racism ship still

2:34:50.959 --> 2:34:54.200
<v Speaker 3>going on around in the world where like the light

2:34:54.280 --> 2:34:58.520
<v Speaker 3>skin blacks the dog skin blacks. That same racism, and

2:34:58.600 --> 2:35:03.080
<v Speaker 3>that perception still lives within the Spanish culture. Uncle, fuck

2:35:03.120 --> 2:35:07.000
<v Speaker 3>your Jamaican as a colonial. That that ship, that's what

2:35:07.120 --> 2:35:12.520
<v Speaker 3>it is. When Bad Bunny's first few records started to

2:35:12.560 --> 2:35:15.640
<v Speaker 3>get played on Hot ninety seven, we were playing them

2:35:15.680 --> 2:35:20.000
<v Speaker 3>ships way more than our mega. Yeah, my man, it's

2:35:20.040 --> 2:35:24.320
<v Speaker 3>a Spanish station, the biggest in the city, and you're

2:35:24.400 --> 2:35:27.520
<v Speaker 3>not playing Bath Bunny. And then Hot ninety seven is

2:35:27.560 --> 2:35:30.360
<v Speaker 3>with a hip hop station, is playing Bad Bunny more

2:35:30.440 --> 2:35:34.800
<v Speaker 3>than y'all, Like, what does that mean? Yeah, yeah, that

2:35:34.920 --> 2:35:37.560
<v Speaker 3>makes no sense to me. It's almost like.

2:35:39.760 --> 2:35:41.560
<v Speaker 1>In the very beginning of let's take a shot for

2:35:41.640 --> 2:35:43.480
<v Speaker 1>the radio for y'all.

2:35:44.440 --> 2:35:50.360
<v Speaker 3>Yeah, when the black programmers didn't program hip hop, all right,

2:35:50.959 --> 2:35:52.640
<v Speaker 3>you had a way. So the white boys came over

2:35:53.160 --> 2:35:55.120
<v Speaker 3>on Hot ninety seven and gave it the green light.

2:35:55.720 --> 2:35:57.720
<v Speaker 3>And then the black guys are mad calling us the

2:35:57.800 --> 2:36:02.920
<v Speaker 3>plantation station. Wow, But the Plantation Station was the one

2:36:02.959 --> 2:36:05.480
<v Speaker 3>that fucking made it legendary for the whole entire world.

2:36:05.800 --> 2:36:06.000
<v Speaker 4>Wow.

2:36:06.680 --> 2:36:11.920
<v Speaker 3>Wow, it's yo. Sometimes there's that internal racism ship. It's

2:36:11.959 --> 2:36:13.640
<v Speaker 3>that little thing in your ear, like when your grandmother

2:36:13.760 --> 2:36:17.080
<v Speaker 3>tells me, my grandmother says why are you playing this music?

2:36:17.720 --> 2:36:20.280
<v Speaker 3>Why a you not playing Southside? Why you're not playing

2:36:20.320 --> 2:36:26.600
<v Speaker 3>Mega Marane game? Like, yeah, but I grew up wanting

2:36:26.640 --> 2:36:32.640
<v Speaker 3>to hear Boom Bab hip hop, electronic hip hop, Africa Bambarda,

2:36:33.440 --> 2:36:36.840
<v Speaker 3>you know, the Zulu beats and all. That ship was

2:36:38.160 --> 2:36:41.480
<v Speaker 3>game changing for me as an artist, I mean as

2:36:41.480 --> 2:36:45.800
<v Speaker 3>a DJ. When you actually artist is correct, when you

2:36:45.840 --> 2:36:48.040
<v Speaker 3>actually yeah, I know, I forget that. But when you

2:36:48.160 --> 2:36:51.400
<v Speaker 3>ask me about Public Enemy and who's my favorite group,

2:36:53.760 --> 2:36:57.560
<v Speaker 3>this is the appreciation level. And I explained this a

2:36:57.640 --> 2:37:01.800
<v Speaker 3>few times. But I would be my house at two

2:37:01.920 --> 2:37:05.680
<v Speaker 3>in the morning, sneaking out to the living room to

2:37:05.800 --> 2:37:09.039
<v Speaker 3>put on some headphones that my dad had and put

2:37:09.080 --> 2:37:11.320
<v Speaker 3>the radio on so I could hear Public Enemy on

2:37:11.360 --> 2:37:14.280
<v Speaker 3>the radia. And when I heard them, they scared this

2:37:14.320 --> 2:37:17.240
<v Speaker 3>ship out of me because I didn't understand what I

2:37:18.120 --> 2:37:21.279
<v Speaker 3>didn't know before that, but I didn't understand what political

2:37:21.440 --> 2:37:24.920
<v Speaker 3>rap was. So when they were talking that ship, I

2:37:25.000 --> 2:37:28.360
<v Speaker 3>was like, Yo, this ship is crazy. And then Nwa

2:37:28.560 --> 2:37:32.440
<v Speaker 3>was ill too. They're the same thing. I always on

2:37:32.560 --> 2:37:39.320
<v Speaker 3>different spectrum they are. Yeah. When Nwa was fucking it

2:37:39.520 --> 2:37:44.640
<v Speaker 3>was eighty nine eighty eight, Yo, bro, every fucking car

2:37:44.800 --> 2:37:48.040
<v Speaker 3>in the hood was playing wa. It wasn't a West

2:37:48.080 --> 2:37:50.320
<v Speaker 3>Coast East Coat thing. It was a fucking hot thing

2:37:52.000 --> 2:37:52.680
<v Speaker 3>with that race.

2:37:56.440 --> 2:37:59.280
<v Speaker 13>Me for the Okano like that era. It was a

2:37:59.400 --> 2:38:03.640
<v Speaker 13>no brainer, like from New York. You know thones already popping,

2:38:03.720 --> 2:38:08.840
<v Speaker 13>you jump on it big made from Queen Johns. It

2:38:08.959 --> 2:38:11.520
<v Speaker 13>was a no brainer and it was just for me.

2:38:11.640 --> 2:38:15.039
<v Speaker 3>It was just no question. You know. I got punished

2:38:15.040 --> 2:38:18.440
<v Speaker 3>for that. Were you early on as a hip hop

2:38:18.520 --> 2:38:19.440
<v Speaker 3>dred percent?

2:38:21.160 --> 2:38:24.720
<v Speaker 13>What you mean? I got punished for that because it

2:38:24.840 --> 2:38:26.400
<v Speaker 13>was not on the playlist. I used to push it

2:38:26.480 --> 2:38:28.320
<v Speaker 13>a lot, and they're like, yo, why are you'll playing

2:38:28.360 --> 2:38:28.879
<v Speaker 13>that so much?

2:38:29.720 --> 2:38:32.440
<v Speaker 3>When is when's this? This is just a fat well.

2:38:32.480 --> 2:38:33.800
<v Speaker 3>They used to make fun of him, used to call

2:38:33.879 --> 2:38:36.200
<v Speaker 3>me mister pill because I used to play him so much.

2:38:36.800 --> 2:38:40.880
<v Speaker 3>But Yo, this guy's on fucking fire. How can you not?

2:38:42.360 --> 2:38:45.920
<v Speaker 3>You know yo, they used to do that fat This

2:38:46.000 --> 2:38:47.879
<v Speaker 3>is gonna end? When is this over?

2:38:49.840 --> 2:38:50.240
<v Speaker 1>That's why?

2:38:50.320 --> 2:38:52.320
<v Speaker 7>That's why, Like, although I have nothing to do with

2:38:52.400 --> 2:38:56.199
<v Speaker 7>the bad Buddy guys at all, Like I'm claiming.

2:38:55.879 --> 2:38:59.280
<v Speaker 1>It like me, I claim it, Like yo, listen, did

2:38:59.640 --> 2:39:01.480
<v Speaker 1>you claiming you sure?

2:39:01.520 --> 2:39:02.560
<v Speaker 3>Claim Yeah?

2:39:02.680 --> 2:39:02.880
<v Speaker 4>Yeah?

2:39:02.920 --> 2:39:06.400
<v Speaker 3>Yeah, Like look all of it see yes on this side,

2:39:06.480 --> 2:39:08.960
<v Speaker 3>on this on the American sign.

2:39:19.240 --> 2:39:21.840
<v Speaker 13>Yeah, but if it wasn't for that, if it wasn't that,

2:39:21.959 --> 2:39:24.040
<v Speaker 13>you don't know how ventually took off.

2:39:24.040 --> 2:39:25.680
<v Speaker 1>But yeah, it would it took off anyway.

2:39:25.720 --> 2:39:27.720
<v Speaker 3>But but you versated the scene thrown.

2:39:27.760 --> 2:39:33.600
<v Speaker 7>Regond Ever added seven, it's me first time if performing

2:39:33.640 --> 2:39:36.520
<v Speaker 7>the Source award is me, first time is added to MTV,

2:39:36.680 --> 2:39:40.840
<v Speaker 7>Me first time, added to BT, this first time KTU.

2:39:41.520 --> 2:39:45.360
<v Speaker 13>You know you go, but you know, something like that

2:39:45.560 --> 2:39:47.920
<v Speaker 13>is new, it's going to be tested and hated. Hip

2:39:47.959 --> 2:39:51.160
<v Speaker 13>hop got hated, right, I got hated, and I got

2:39:51.200 --> 2:39:53.480
<v Speaker 13>hated because it was new to a lot of people. Yeah,

2:39:53.520 --> 2:39:56.440
<v Speaker 13>they didn't understand, they didn't get it. Fast forward to

2:39:56.520 --> 2:40:04.240
<v Speaker 13>twenty twenty five. This everybody, Yeah, that's got better. Let's

2:40:04.320 --> 2:40:07.359
<v Speaker 13>be honest, let's it got better from evolved.

2:40:08.000 --> 2:40:09.560
<v Speaker 3>Because I don't know what you got to use because

2:40:09.560 --> 2:40:12.560
<v Speaker 3>the beat. I was like, wait wait, because the beat change,

2:40:12.680 --> 2:40:17.000
<v Speaker 3>you got more progression change and changing the guy. It

2:40:17.040 --> 2:40:18.119
<v Speaker 3>sounds like jugging hoping.

2:40:19.840 --> 2:40:20.480
<v Speaker 18>I was not feeling.

2:40:20.959 --> 2:40:23.880
<v Speaker 3>Originally a lot of people weren't because it's the same

2:40:23.920 --> 2:40:27.760
<v Speaker 3>beat no no no for latinos, latinos and hip hop.

2:40:27.840 --> 2:40:30.440
<v Speaker 5>I thought it was taking us back right.

2:40:30.520 --> 2:40:34.600
<v Speaker 3>That's the way a lot better were. They needed it,

2:40:34.680 --> 2:40:40.000
<v Speaker 3>needed evolution, man, need that's what happened. I hate bother.

2:40:41.280 --> 2:40:41.320
<v Speaker 4>You.

2:40:41.600 --> 2:40:44.560
<v Speaker 3>Well you you took off the bucket hand and the

2:40:45.040 --> 2:40:49.600
<v Speaker 3>timings and the and the and the camouflage, and you

2:40:49.720 --> 2:40:54.240
<v Speaker 3>got like a sun palm tree. You. Yeah, changed up

2:40:54.600 --> 2:40:59.240
<v Speaker 3>the best time. Got sandals and shorts on. Now come.

2:41:04.360 --> 2:41:06.560
<v Speaker 13>I'll never forget mister C coming up to me saying,

2:41:06.640 --> 2:41:08.320
<v Speaker 13>you know, I need that song, man, that song I

2:41:08.400 --> 2:41:11.280
<v Speaker 13>was playing one time the Copa cabana and and he

2:41:11.440 --> 2:41:17.400
<v Speaker 13>came fifty seventh or thirty four thirty, and he came

2:41:17.600 --> 2:41:19.000
<v Speaker 13>and he saw that reaction.

2:41:18.840 --> 2:41:22.720
<v Speaker 3>Your boy boy boy. Yeah, he saw that fucking crowd.

2:41:23.200 --> 2:41:25.000
<v Speaker 3>The next day on Friday, I need that freck that

2:41:25.080 --> 2:41:28.440
<v Speaker 3>record you played. Oh you just saying it out and

2:41:28.520 --> 2:41:30.920
<v Speaker 3>I was like, I gotcha, yo. And that's one thing

2:41:30.959 --> 2:41:33.000
<v Speaker 3>mister C just said. Always used to Ben he was

2:41:33.080 --> 2:41:34.960
<v Speaker 3>on it. I need this, I need that, I need that.

2:41:35.360 --> 2:41:36.920
<v Speaker 3>Is this fucking is this notrec shit? I throw this

2:41:37.000 --> 2:41:38.000
<v Speaker 3>away like he was on it.

2:41:38.120 --> 2:41:39.880
<v Speaker 13>But you know, it's a beautiful thing about the DJ,

2:41:40.120 --> 2:41:41.960
<v Speaker 13>like somebody that loves what they do.

2:41:42.920 --> 2:41:44.440
<v Speaker 3>You know what I'm saying. That's why he was a legend.

2:41:44.640 --> 2:41:48.880
<v Speaker 3>That mister c was a very very powerful and les

2:41:49.080 --> 2:41:52.760
<v Speaker 3>DJ and unique. A lot of people were scared to

2:41:52.800 --> 2:41:54.760
<v Speaker 3>play after him. I hate the play after him and

2:41:54.840 --> 2:41:58.520
<v Speaker 3>be like, yeah, fuck, I gotta work hard now. But

2:41:58.640 --> 2:42:00.960
<v Speaker 3>he was a tough motherfucker boy.

2:42:01.360 --> 2:42:02.080
<v Speaker 1>Is it true?

2:42:03.400 --> 2:42:07.880
<v Speaker 7>If you if you, if you like, if you're the headliner,

2:42:07.920 --> 2:42:10.520
<v Speaker 7>you could tell the opener not to play a certain record.

2:42:10.920 --> 2:42:13.480
<v Speaker 3>Yeah, you could, you could do that, but why it's

2:42:13.560 --> 2:42:16.440
<v Speaker 3>etiquette because you want to save the headline. It needs

2:42:16.480 --> 2:42:16.959
<v Speaker 3>to shine.

2:42:18.160 --> 2:42:20.400
<v Speaker 13>You'll get pissed if the if the not only that,

2:42:20.560 --> 2:42:22.680
<v Speaker 13>you also have to think about the party itself.

2:42:23.000 --> 2:42:24.160
<v Speaker 3>When you're rocking a place.

2:42:24.320 --> 2:42:26.600
<v Speaker 13>You want this ship to last for four hours and

2:42:26.720 --> 2:42:28.640
<v Speaker 13>you don't want you want to build the ship up

2:42:28.760 --> 2:42:31.720
<v Speaker 13>to be exciting, you know what I'm saying. So you're

2:42:31.760 --> 2:42:35.360
<v Speaker 13>not playing a hot fucking record at midnight because it's

2:42:35.400 --> 2:42:37.000
<v Speaker 13>supposed to turn up at two in the morning.

2:42:37.600 --> 2:42:39.480
<v Speaker 3>You know what I'm saying. That that's that's just the

2:42:39.560 --> 2:42:43.359
<v Speaker 3>old school nowadays, this ship is oh yeah, place.

2:42:44.720 --> 2:42:44.840
<v Speaker 1>Right.

2:42:44.959 --> 2:42:47.840
<v Speaker 13>But respectfully, if there's a headliner, you don't you let

2:42:47.959 --> 2:42:50.240
<v Speaker 13>him do what he does best and you play the low.

2:42:50.800 --> 2:42:53.000
<v Speaker 21>It's not of the flow and you have to. And

2:42:53.080 --> 2:42:54.800
<v Speaker 21>then the other thing is is business too. You have

2:42:54.879 --> 2:42:58.120
<v Speaker 21>to keep those motherfuckers there all night spending money. If

2:42:58.160 --> 2:43:03.920
<v Speaker 21>you hit turn up too early, get to to DJ right,

2:43:04.080 --> 2:43:06.360
<v Speaker 21>DJ etiquette. Man, Let's see.

2:43:06.520 --> 2:43:09.840
<v Speaker 1>I remember you used to call yourself the International Club.

2:43:11.920 --> 2:43:13.680
<v Speaker 3>Yo. I gave him that name. I don't know, I

2:43:13.680 --> 2:43:17.720
<v Speaker 3>don't know I gave that name.

2:43:21.440 --> 2:43:24.360
<v Speaker 7>No, but I'm gonna be honest. I've been to a

2:43:24.440 --> 2:43:27.080
<v Speaker 7>lot of your parties and it is international.

2:43:28.640 --> 2:43:30.120
<v Speaker 13>Like I said before, I like to play a little

2:43:30.120 --> 2:43:32.560
<v Speaker 13>bit of everything, which is the beautiful party. Like when

2:43:32.600 --> 2:43:34.880
<v Speaker 13>you get there's some nice that you just play. Have

2:43:35.000 --> 2:43:37.240
<v Speaker 13>to play ratchet hip hower, but there's some other nice.

2:43:37.280 --> 2:43:39.240
<v Speaker 13>Those best parties is when you could tap into a

2:43:39.280 --> 2:43:43.840
<v Speaker 13>little bit of everything. Gave them a little reggae, fucking house,

2:43:44.520 --> 2:43:46.640
<v Speaker 13>hip hop, old school ship then both.

2:43:49.200 --> 2:43:50.080
<v Speaker 1>I just know girl.

2:43:50.200 --> 2:43:54.400
<v Speaker 3>The house, No, no, no, When I say house, I'm

2:43:54.440 --> 2:44:04.280
<v Speaker 3>talking about the thing called affle house right now, afro

2:44:04.480 --> 2:44:08.600
<v Speaker 3>house crazy, yeah, affle House.

2:44:09.360 --> 2:44:11.080
<v Speaker 1>I just played hooking the house music.

2:44:11.160 --> 2:44:17.080
<v Speaker 3>Only take those braids out right now, put a little

2:44:17.120 --> 2:44:18.720
<v Speaker 3>afro on, get your affrole house.

2:44:22.400 --> 2:44:23.760
<v Speaker 1>I'm gonna take a shot to that. Hold on, this

2:44:23.800 --> 2:44:25.959
<v Speaker 1>is empty, A shot of.

2:44:25.959 --> 2:44:31.400
<v Speaker 3>That look like this ship is getting me nice. We

2:44:31.480 --> 2:44:33.440
<v Speaker 3>gotta cut this interview off soon, yeah yeah.

2:44:35.160 --> 2:44:42.800
<v Speaker 7>Yeah, yeah yeah yeah yeah enough man, listen, one main percent.

2:44:44.280 --> 2:44:47.720
<v Speaker 7>You have everything to do with my career, which means

2:44:47.760 --> 2:44:49.600
<v Speaker 7>you got everything to do with what we were built

2:44:49.720 --> 2:44:52.160
<v Speaker 7>right here. You've been trying to get you here to

2:44:52.200 --> 2:44:54.600
<v Speaker 7>give you your flowers a long time ago. I don't

2:44:54.640 --> 2:44:56.720
<v Speaker 7>want you to feel like that. We like, you know,

2:44:57.160 --> 2:44:59.720
<v Speaker 7>we tapped in and went so hard. It's because of

2:45:00.080 --> 2:45:03.680
<v Speaker 7>what happened. You've been deserve your flowers. You've been deserved

2:45:03.800 --> 2:45:05.560
<v Speaker 7>this love. You've been deserved.

2:45:05.680 --> 2:45:07.320
<v Speaker 3>No, you've been trying to get me since twenty eighteen.

2:45:07.400 --> 2:45:08.080
<v Speaker 3>That's what I remember.

2:45:08.440 --> 2:45:08.840
<v Speaker 1>You've been.

2:45:11.320 --> 2:45:13.680
<v Speaker 7>You know, you know, to hear these stories and here

2:45:13.840 --> 2:45:16.440
<v Speaker 7>like you know, you put in you know, your people

2:45:16.520 --> 2:45:19.160
<v Speaker 7>in front of you, it's inspiring. It's something that I

2:45:19.320 --> 2:45:22.240
<v Speaker 7>do a lot, but it's something like this. It's more

2:45:22.320 --> 2:45:24.800
<v Speaker 7>inspiring to hear it. You know, come from a DJ

2:45:25.000 --> 2:45:27.640
<v Speaker 7>perspective like you know, even my DJ that's been my

2:45:27.760 --> 2:45:30.840
<v Speaker 7>DJ for twenty years and he said, only two times

2:45:30.840 --> 2:45:32.840
<v Speaker 7>I've been on Hot ninety seven is when the now

2:45:32.920 --> 2:45:34.840
<v Speaker 7>thank you for that and when DJ enough.

2:45:34.760 --> 2:45:36.400
<v Speaker 13>That's a prime I'm trying to put you off. But

2:45:36.480 --> 2:45:37.959
<v Speaker 13>that's a prime example.

2:45:39.160 --> 2:45:41.520
<v Speaker 3>Seven two times. And I don't know, remember because you

2:45:41.680 --> 2:45:44.320
<v Speaker 3>do so much for everybody, your guys, you thank you

2:45:44.440 --> 2:45:52.320
<v Speaker 3>have me hit it right here one. But that's a

2:45:52.360 --> 2:45:55.160
<v Speaker 3>prime example that much. That's how it starts.

2:45:55.680 --> 2:45:58.680
<v Speaker 1>Yeah, Because so I just want to say that you

2:45:58.760 --> 2:46:00.879
<v Speaker 1>know what I'm saying right minding me of what I'm

2:46:00.920 --> 2:46:03.760
<v Speaker 1>doing and what I'm doing on my side life. You

2:46:03.800 --> 2:46:05.680
<v Speaker 1>know what I'm saying, And it's like, you know what,

2:46:06.360 --> 2:46:07.240
<v Speaker 1>sometimes it's like that.

2:46:07.440 --> 2:46:09.560
<v Speaker 7>Sometimes you got to put something before you, you know

2:46:09.600 --> 2:46:11.280
<v Speaker 7>what I'm saying, in order for you to move forward.

2:46:11.720 --> 2:46:14.720
<v Speaker 7>And you know, it was crazy because we're sitting around

2:46:14.760 --> 2:46:17.440
<v Speaker 7>and I'm like, there's no better, guess man.

2:46:17.720 --> 2:46:20.320
<v Speaker 3>We need we need, we need enough out here. You

2:46:20.360 --> 2:46:20.880
<v Speaker 3>know what I'm saying.

2:46:21.120 --> 2:46:24.360
<v Speaker 1>We need to give your flowers because one is long overdue.

2:46:24.840 --> 2:46:26.840
<v Speaker 1>Two we want to know your side of the story.

2:46:26.959 --> 2:46:29.800
<v Speaker 1>We didn't want to just base it on a side

2:46:29.879 --> 2:46:31.720
<v Speaker 1>interview with you know, TMZ.

2:46:31.920 --> 2:46:34.280
<v Speaker 7>And then you know you got this side and this side,

2:46:34.520 --> 2:46:36.920
<v Speaker 7>and you know I basically messed with all sides.

2:46:36.959 --> 2:46:40.360
<v Speaker 3>You know, I ain't mat at anybody, and I know

2:46:40.520 --> 2:46:42.280
<v Speaker 3>that we don't want no beef or nothing. I know,

2:46:42.400 --> 2:46:44.680
<v Speaker 3>this is no beef. We just want to continue the

2:46:45.040 --> 2:46:48.920
<v Speaker 3>love the way we the way. This is a safe zone.

2:46:48.920 --> 2:46:49.880
<v Speaker 3>I know this, So that's what.

2:46:50.360 --> 2:46:53.360
<v Speaker 7>But but it's more about giving you your flowers more

2:46:53.440 --> 2:46:55.680
<v Speaker 7>than it's about investigating your situation.

2:46:56.000 --> 2:46:58.960
<v Speaker 1>That situation. You know, we get it. We understand that

2:46:59.040 --> 2:47:00.840
<v Speaker 1>anybody could google it and see that.

2:47:01.080 --> 2:47:02.160
<v Speaker 3>But that's not it.

2:47:02.879 --> 2:47:07.959
<v Speaker 7>What is it is You've gave hip hop so much personally.

2:47:08.000 --> 2:47:10.080
<v Speaker 7>You gave me so much, you gave Joe so much,

2:47:10.120 --> 2:47:12.320
<v Speaker 7>you gave college so much. That's why it was easy

2:47:12.800 --> 2:47:15.840
<v Speaker 7>for when they said, you know, in thirty seconds, you

2:47:15.920 --> 2:47:18.400
<v Speaker 7>know we're gonna put together something for you enough and

2:47:18.520 --> 2:47:20.720
<v Speaker 7>everyone came out to you. So I want to salute

2:47:20.720 --> 2:47:23.360
<v Speaker 7>you face to face, man, the man you know, eye

2:47:23.440 --> 2:47:25.880
<v Speaker 7>to eye, and let you know that what you've done

2:47:26.280 --> 2:47:29.800
<v Speaker 7>for me personally, you know, I know I've been I

2:47:29.959 --> 2:47:31.640
<v Speaker 7>know there's been times I've been yo.

2:47:31.720 --> 2:47:34.440
<v Speaker 3>You know land Like yo, I just landed, man? Please?

2:47:34.600 --> 2:47:35.640
<v Speaker 3>Like what do you do it?

2:47:35.920 --> 2:47:35.960
<v Speaker 4>Like?

2:47:36.200 --> 2:47:38.640
<v Speaker 3>We hit the you and you shut the fuck up?

2:47:39.040 --> 2:47:41.280
<v Speaker 1>Go on and you'll play my records like all the time.

2:47:41.680 --> 2:47:43.400
<v Speaker 7>And I know if I'm doing it, I know how

2:47:43.959 --> 2:47:47.720
<v Speaker 7>much other people is is and how much you contributed

2:47:47.760 --> 2:47:50.280
<v Speaker 7>to hip hop, Like even Flex. I heard Flex say

2:47:50.560 --> 2:47:52.640
<v Speaker 7>man enough, it was like the first person I seen

2:47:52.720 --> 2:47:54.120
<v Speaker 7>you two or three parties in.

2:47:54.200 --> 2:47:59.000
<v Speaker 3>The same night. Eli. Yeah, yeah, you know what I'm saying.

2:47:59.000 --> 2:48:01.040
<v Speaker 3>I'm just saying, like and now that's the tradition.

2:48:01.280 --> 2:48:05.200
<v Speaker 7>So we us at drink Chat really wanted to give

2:48:05.240 --> 2:48:08.440
<v Speaker 7>your flowers and tell you how much you mean, tell

2:48:08.440 --> 2:48:08.680
<v Speaker 7>you how.

2:48:15.200 --> 2:48:16.600
<v Speaker 3>And for what you did.

2:48:17.520 --> 2:48:20.720
<v Speaker 1>We are excited to see your next endeavor to where

2:48:20.720 --> 2:48:23.119
<v Speaker 1>you're going from here. We know it's over.

2:48:23.240 --> 2:48:26.440
<v Speaker 7>We know this is the next step on the next

2:48:26.520 --> 2:48:30.240
<v Speaker 7>level of greatness, and we can't we can't wait to

2:48:30.280 --> 2:48:30.520
<v Speaker 7>see it.

2:48:30.640 --> 2:48:33.240
<v Speaker 1>So we're gonna take a couple of pictures and uh,

2:48:35.400 --> 2:48:38.320
<v Speaker 1>we got it, got it, Okay, hold on, hold on,

2:48:38.360 --> 2:48:41.039
<v Speaker 1>hold on giving people flowers.

2:48:54.000 --> 2:48:56.400
<v Speaker 3>Right now? Yeah, yeah, yeah, yeah. YouTube.

2:48:57.120 --> 2:48:59.480
<v Speaker 7>And you know we're proud of YouTube, man, because as

2:48:59.520 --> 2:49:03.199
<v Speaker 7>a queen's kid like like, man, you've got a sneaker store, telling.

2:49:03.000 --> 2:49:06.160
<v Speaker 13>Them I got a sneaker store all the right, I

2:49:06.200 --> 2:49:09.600
<v Speaker 13>almost touch a big loose shout to George. You know

2:49:09.800 --> 2:49:15.840
<v Speaker 13>I also have a rest restaurants and queens one in Brooklyn,

2:49:15.879 --> 2:49:21.880
<v Speaker 13>when Williamsburg one coming down the block in Winwood, opening

2:49:21.959 --> 2:49:26.759
<v Speaker 13>up like now, heads up, yes, Rex.

2:49:26.920 --> 2:49:27.680
<v Speaker 3>Shout to Anthony.

2:49:27.760 --> 2:49:29.600
<v Speaker 13>And then I also have two other restaurants called Mojo

2:49:30.080 --> 2:49:33.840
<v Speaker 13>and Foster, those Queens and Long Island and a and

2:49:33.920 --> 2:49:36.480
<v Speaker 13>a piece of shot called Slice that I'm down with,

2:49:37.000 --> 2:49:40.040
<v Speaker 13>ye you know. And everybody asked me, yo, how do

2:49:40.080 --> 2:49:40.240
<v Speaker 13>you do?

2:49:40.760 --> 2:49:43.840
<v Speaker 3>Listen, I don't cook. I don't cook. I'm not you know,

2:49:43.959 --> 2:49:47.280
<v Speaker 3>I'm not. I'm part owner. You have last Yeah, I

2:49:47.320 --> 2:49:49.680
<v Speaker 3>would never be able to run a place to do it.

2:49:49.840 --> 2:49:52.080
<v Speaker 13>No, it's my owners that really got to get the

2:49:52.160 --> 2:49:54.760
<v Speaker 13>flowers for that because they do the day to day

2:49:54.840 --> 2:49:57.640
<v Speaker 13>and I'm just down with it. And I'm a partner,

2:49:57.800 --> 2:50:02.560
<v Speaker 13>that's you know, and and and you know this, it's like,

2:50:02.840 --> 2:50:06.080
<v Speaker 13>you know, I'm trying to trying to move out here

2:50:06.120 --> 2:50:10.000
<v Speaker 13>and for my kids and that's it besides d Jane, which.

2:50:09.879 --> 2:50:11.040
<v Speaker 5>Are the kids, bro, that's it?

2:50:11.400 --> 2:50:13.480
<v Speaker 3>Which you know d Jane still in my hawk, like

2:50:14.040 --> 2:50:17.000
<v Speaker 3>that's the number one priority. H Yo.

2:50:17.240 --> 2:50:25.440
<v Speaker 11>This is crazy, Yo, well deserved, guys, brothers both deserve,

2:50:25.959 --> 2:50:29.279
<v Speaker 11>bro Man, shout out to what the flowers.

2:50:33.040 --> 2:50:37.360
<v Speaker 3>Who makes them? Shout out to them ladies and do

2:50:37.480 --> 2:50:39.000
<v Speaker 3>it with the fly flowers.

2:50:39.120 --> 2:50:42.959
<v Speaker 7>That's right, that's right. So before we get about here.

2:50:43.080 --> 2:50:47.400
<v Speaker 7>You know, I'm gonna leave it to you. Is there

2:50:47.480 --> 2:50:51.080
<v Speaker 7>anything you have to say to your fans, to the people,

2:50:53.600 --> 2:50:54.320
<v Speaker 7>to anybody.

2:50:55.240 --> 2:50:58.120
<v Speaker 3>I mean, honestly for an amazing run on the radio.

2:50:59.760 --> 2:51:02.720
<v Speaker 3>But I know, I know you guys said blood work, blood,

2:51:02.760 --> 2:51:05.760
<v Speaker 3>bloodshed and tears. But I have so much fun. It

2:51:05.800 --> 2:51:07.560
<v Speaker 3>didn't even seem that. It didn't even seem like I

2:51:07.640 --> 2:51:10.800
<v Speaker 3>was going to work. And I think the most important

2:51:10.840 --> 2:51:14.720
<v Speaker 3>thing is I was ever to spread the love and

2:51:15.120 --> 2:51:17.480
<v Speaker 3>give people like you a shot. If people like you

2:51:17.600 --> 2:51:20.720
<v Speaker 3>a shot, if people like you are shot, give people

2:51:20.800 --> 2:51:22.960
<v Speaker 3>like you are shat. That means a lot to me.

2:51:23.879 --> 2:51:28.480
<v Speaker 3>And the fact that I can do it every continue, continue,

2:51:28.680 --> 2:51:31.320
<v Speaker 3>That's that's the gist of it, you know. And now

2:51:31.320 --> 2:51:34.080
<v Speaker 3>I want my son to carry the torch and it away,

2:51:34.440 --> 2:51:35.520
<v Speaker 3>so I'm you know, I'm proud of it.

2:51:36.080 --> 2:51:39.519
<v Speaker 1>Ain't your son manager Ice Spice, No, my son's.

2:51:39.320 --> 2:51:43.000
<v Speaker 3>Producer for Ice Spice and a few other artists. He

2:51:43.080 --> 2:51:46.960
<v Speaker 3>got the right us. Just did Chris Brown's latest single

2:51:47.879 --> 2:51:50.279
<v Speaker 3>number which wouldn't want one number one already?

2:51:50.400 --> 2:51:57.320
<v Speaker 22>Und Wow, my little guy on fire, He's on fire.

2:51:58.320 --> 2:52:02.320
<v Speaker 22>You see how that works for making these plans.

2:52:02.600 --> 2:52:03.360
<v Speaker 5>That's carma, bro.

2:52:04.000 --> 2:52:06.080
<v Speaker 3>Great ship. That's it's supposed to happen.

2:52:06.200 --> 2:52:10.680
<v Speaker 17>It's in the blood, in the blood, shut out, Big Spanish,

2:52:11.160 --> 2:52:12.279
<v Speaker 17>Big Spanish.

2:52:12.520 --> 2:52:14.240
<v Speaker 3>As shouts to fan Mas School because you gave me

2:52:14.320 --> 2:52:17.600
<v Speaker 3>my name, Big Span, Big Spanish. Nice all r let's

2:52:17.600 --> 2:52:18.200
<v Speaker 3>take COVID.

2:52:23.520 --> 2:52:26.920
<v Speaker 4>Drink Champs is a Drink Champs LLC production hosts and

2:52:27.080 --> 2:52:30.480
<v Speaker 4>executive producers n O r E and dj e FN.

2:52:31.640 --> 2:52:32.720
<v Speaker 3>Listen to Drink Champs on.

2:52:32.760 --> 2:52:37.720
<v Speaker 4>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

2:52:38.840 --> 2:52:41.240
<v Speaker 4>Thanks for joining us for another episode of Drink Champs

2:52:41.320 --> 2:52:43.920
<v Speaker 4>hosted by Yours truly, dj e f N and n

2:52:43.920 --> 2:52:46.000
<v Speaker 4>O r E. Please make sure to follow us on

2:52:46.080 --> 2:52:49.200
<v Speaker 4>all our socials that's at drink Champs across all platforms,

2:52:49.720 --> 2:52:53.200
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2:52:53.640 --> 2:52:56.800
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2:52:57.000 --> 2:52:59.480
<v Speaker 4>e f N on Twitter, and most importantly, stay up

2:52:59.520 --> 2:53:02.720
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2:53:02.760 --> 2:53:04.480
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2:53:07.440 --> 2:53:07.760
<v Speaker 13>M HM