1
00:00:00,080 --> 00:00:01,760
Speaker 1: Peace of the plan. This charlamagnea god here.

2
00:00:01,920 --> 00:00:04,800
Speaker 2: Before we get into today's episode, we've got to celebrate

3
00:00:04,800 --> 00:00:08,239
Speaker 2: the Black Effect Podcast Network. It's turning five years old, man,

4
00:00:08,320 --> 00:00:11,799
Speaker 2: five years of powerful voices, unforgettable moments in the community

5
00:00:11,920 --> 00:00:12,680
Speaker 2: that keeps growing.

6
00:00:12,880 --> 00:00:14,920
Speaker 3: This is the power of the platform. Now let's get

7
00:00:14,920 --> 00:00:15,280
Speaker 3: into it.

8
00:00:31,200 --> 00:00:33,560
Speaker 1: He is drinks chess, mother fucking podcast man.

9
00:00:34,360 --> 00:00:37,199
Speaker 3: He's a legends eary Queen's rapper. He ain't segreate a

10
00:00:37,280 --> 00:00:41,000
Speaker 3: your boy in eights a Miami him pop pioneer as

11
00:00:41,120 --> 00:00:43,599
Speaker 3: d J e f N. Together they drink it up

12
00:00:43,600 --> 00:00:45,639
Speaker 3: with some of the biggest players, you know what I mean.

13
00:00:45,760 --> 00:00:50,040
Speaker 4: And the most professional unprofessional podcast and your number one

14
00:00:50,080 --> 00:00:51,280
Speaker 4: source for drunk.

15
00:00:51,320 --> 00:00:54,240
Speaker 3: Drinks chess for every day is New Year's Eve. Listen,

16
00:00:54,360 --> 00:01:03,200
Speaker 3: it's time for drink champions. Drink up, mother, would it

17
00:01:03,200 --> 00:01:05,400
Speaker 3: goold be hoping he should be Isshu boy in r

18
00:01:05,720 --> 00:01:06,120
Speaker 3: What up it is?

19
00:01:06,200 --> 00:01:07,040
Speaker 5: DJ e f N.

20
00:01:07,240 --> 00:01:10,000
Speaker 6: This militias you all, Yeah, you have astry.

21
00:01:14,920 --> 00:01:15,400
Speaker 3: Right now.

22
00:01:16,160 --> 00:01:20,119
Speaker 7: We've been trying to get this brother for years. Right now,

23
00:01:20,120 --> 00:01:21,120
Speaker 7: he's a talker to town.

24
00:01:21,560 --> 00:01:25,280
Speaker 1: If you're a DJ, if you're lover of hip hop,

25
00:01:25,880 --> 00:01:26,360
Speaker 1: if you're.

26
00:01:26,200 --> 00:01:32,160
Speaker 7: A lover of the actual play of it and not

27
00:01:32,240 --> 00:01:35,200
Speaker 7: a fan of the business. You're tuned into what's happening

28
00:01:35,280 --> 00:01:38,680
Speaker 7: right now. But let's give you this brother's desography. His

29
00:01:38,800 --> 00:01:44,399
Speaker 7: brother's a legend, he's an icon. He DJ for one

30
00:01:44,400 --> 00:01:48,240
Speaker 7: of the most legends, one of the most notorious people

31
00:01:48,320 --> 00:01:53,240
Speaker 7: in the world. I mean, this guy started out in

32
00:01:53,320 --> 00:01:56,520
Speaker 7: nineteen ninety eight on the radio, years been doing it

33
00:01:56,560 --> 00:02:00,280
Speaker 7: before that on the radio. And we see him pose

34
00:02:00,320 --> 00:02:03,040
Speaker 7: out his show with one of the most passionate moments

35
00:02:03,240 --> 00:02:04,640
Speaker 7: in hip hop I've ever seen.

36
00:02:05,520 --> 00:02:08,200
Speaker 1: The people came out to support them. People are supporting them.

37
00:02:08,240 --> 00:02:10,840
Speaker 7: We're gonna get to this, but these are legends of icon,

38
00:02:10,919 --> 00:02:13,640
Speaker 7: have been doing this for well over thirty years.

39
00:02:13,720 --> 00:02:15,280
Speaker 1: And we won't give him as flowers today.

40
00:02:15,320 --> 00:02:17,480
Speaker 7: That's what our show is about, and today he will

41
00:02:17,480 --> 00:02:19,040
Speaker 7: receive his flowers. In case you don't know what the

42
00:02:19,040 --> 00:02:22,079
Speaker 7: fuck we talk about, we talked about one.

43
00:02:27,400 --> 00:02:29,880
Speaker 1: Now, did y'all ever have beef? Because your names are similar.

44
00:02:32,320 --> 00:02:38,360
Speaker 3: I'm just talking with you. I do like that. I

45
00:02:38,400 --> 00:02:41,600
Speaker 3: haven't bvated my name a few times. E n F right, right,

46
00:02:41,680 --> 00:02:45,120
Speaker 3: So I was like, maybe no beef though, right.

47
00:02:45,160 --> 00:02:47,240
Speaker 1: Because what was your favorite what was your first hip

48
00:02:47,320 --> 00:02:49,160
Speaker 1: hip hop name? What was it.

49
00:02:51,880 --> 00:02:56,680
Speaker 3: You remember that? Come on, I know that.

50
00:02:58,600 --> 00:03:02,160
Speaker 7: So listen We've been interviewing people for nine years and

51
00:03:02,280 --> 00:03:06,960
Speaker 7: everyone has a whack hip hop and yes you can

52
00:03:07,000 --> 00:03:10,040
Speaker 7: still use e wat right now, Like it's like, yeah,

53
00:03:10,080 --> 00:03:11,200
Speaker 7: so what made you?

54
00:03:11,280 --> 00:03:12,280
Speaker 1: What made you go with DJ?

55
00:03:12,520 --> 00:03:16,399
Speaker 3: Enough? All right? So to be honest and Frank, I'm

56
00:03:16,400 --> 00:03:19,760
Speaker 3: from the Lower East Side of Manhattan and then in

57
00:03:19,800 --> 00:03:24,200
Speaker 3: nineteen seventy nine, I moved up an area called Flat Push, Brooklyn. Right,

58
00:03:24,280 --> 00:03:26,040
Speaker 3: but you was born in Harlem.

59
00:03:26,960 --> 00:03:31,520
Speaker 1: And you did your homewk yes, yes, yes for.

60
00:03:31,560 --> 00:03:34,720
Speaker 3: Me coming out the projects to the Lower east Side, right,

61
00:03:36,160 --> 00:03:40,840
Speaker 3: Lilian Wall projects, Jacob Bree, shots of them, I didn't

62
00:03:40,880 --> 00:03:43,440
Speaker 3: see that many West Indian people. So I grew up

63
00:03:43,440 --> 00:03:45,840
Speaker 3: a lot of West Indian people in my second half,

64
00:03:46,280 --> 00:03:48,360
Speaker 3: you know what I'm saying. Being in Brooklyn and there

65
00:03:48,440 --> 00:03:53,240
Speaker 3: was a famous uh this Jamaican dude name Ricky Barnett

66
00:03:53,760 --> 00:03:56,320
Speaker 3: and Miguel Parkers. Those are my best friends in elementary

67
00:03:56,320 --> 00:03:58,920
Speaker 3: school growing up and back in those days in the

68
00:03:59,640 --> 00:04:03,480
Speaker 3: in the early eighties, everything was enough respect, enough this,

69
00:04:04,000 --> 00:04:07,200
Speaker 3: enough that, right. So he was like, yo, your name

70
00:04:07,280 --> 00:04:09,800
Speaker 3: is E whatever he goes, bit, why don't we just

71
00:04:09,800 --> 00:04:13,800
Speaker 3: call you E Enough? Because you get enough respect every timewhere.

72
00:04:19,560 --> 00:04:21,760
Speaker 3: So at first I was like, I don't know. Then

73
00:04:21,800 --> 00:04:23,640
Speaker 3: somebody bought some marketing to me and said, you know

74
00:04:23,680 --> 00:04:27,280
Speaker 3: what you could if you make a restaurant. Let's say

75
00:04:27,279 --> 00:04:33,800
Speaker 3: you would open a Hamburger shop. You put enough burgers, yeah,

76
00:04:34,200 --> 00:04:38,440
Speaker 3: enough clothing, enough liquor, enough smoke enough it works. So

77
00:04:38,480 --> 00:04:40,200
Speaker 3: I was like, you know, I'll roe whatever it, fuck.

78
00:04:40,040 --> 00:04:45,280
Speaker 1: It, okay's now your first DJ gig was that?

79
00:04:45,360 --> 00:04:54,120
Speaker 3: Then the Grill Club Club the Grill nineteen ninety whatever

80
00:04:54,200 --> 00:05:01,960
Speaker 3: year hip hop Junkies came out. That was like, yeah, okay,

81
00:05:02,080 --> 00:05:07,560
Speaker 3: I got a funky that was the hottest record already.

82
00:05:08,160 --> 00:05:08,840
Speaker 3: I was ready DJ.

83
00:05:09,160 --> 00:05:10,880
Speaker 1: So was the tone at that time.

84
00:05:11,040 --> 00:05:13,560
Speaker 3: This is right and before the something okay cool, there

85
00:05:13,600 --> 00:05:16,760
Speaker 3: was no Sunday nice to not yet okay.

86
00:05:16,279 --> 00:05:19,120
Speaker 1: What's this Sunday nice and hip hop period not.

87
00:05:18,800 --> 00:05:21,000
Speaker 3: Not to my recollection. I'm a newbie. I just found

88
00:05:21,480 --> 00:05:22,240
Speaker 3: right because.

89
00:05:22,000 --> 00:05:26,279
Speaker 7: The first time I ever Sunday, I thought I thought

90
00:05:26,960 --> 00:05:30,839
Speaker 7: it was Latin quarters. Okay, I don't, I don't, I don't,

91
00:05:30,880 --> 00:05:31,760
Speaker 7: I don't, I don't remember.

92
00:05:32,040 --> 00:05:34,640
Speaker 3: Before my time, okay.

93
00:05:34,520 --> 00:05:37,040
Speaker 7: Cool, cool, cool, all right now. I used to make

94
00:05:37,080 --> 00:05:40,440
Speaker 7: pause tapes. Can you explain to people what poestapes is.

95
00:05:41,080 --> 00:05:43,960
Speaker 3: All right, So before I had enough money to have equipment, equipment,

96
00:05:44,600 --> 00:05:47,800
Speaker 3: we used to make these pause tapes. And back in

97
00:05:48,000 --> 00:05:54,960
Speaker 3: everybody's household, we all had what's called bs R bullshit recording,

98
00:05:55,760 --> 00:05:59,120
Speaker 3: you know, recording capability. So it'd be a double deck,

99
00:05:59,360 --> 00:06:03,760
Speaker 3: you know, because and you would play your source from

100
00:06:03,800 --> 00:06:07,240
Speaker 3: one cassette would be the recording for another, and you

101
00:06:07,240 --> 00:06:10,600
Speaker 3: would only record the portions that you want so our

102
00:06:10,600 --> 00:06:14,160
Speaker 3: press play, you press record here, and then you pause it.

103
00:06:14,800 --> 00:06:17,200
Speaker 3: But you had to be nice with it. So that's

104
00:06:17,240 --> 00:06:20,640
Speaker 3: what the DJ stuff kicks in, because you know I've

105
00:06:20,640 --> 00:06:25,320
Speaker 3: seen you know, to break that is in the firm biz.

106
00:06:27,360 --> 00:06:34,840
Speaker 1: No, no, okay, okay, I was thinking about action first.

107
00:06:35,120 --> 00:06:38,960
Speaker 3: But I'm talking with that joint right. It's by Malcolm McLaren.

108
00:06:39,520 --> 00:06:43,400
Speaker 3: That little piece is only like about ten seconds long,

109
00:06:43,520 --> 00:06:46,279
Speaker 3: right yo, my man, The original to that is even

110
00:06:46,320 --> 00:06:50,280
Speaker 3: less than that. We would take that little piece and

111
00:06:50,600 --> 00:06:54,360
Speaker 3: do a whole ninety minute mix of just that one

112
00:06:54,480 --> 00:06:57,880
Speaker 3: B and then we go through the street with it

113
00:06:58,400 --> 00:07:01,120
Speaker 3: and then play it outside and it'd be like all

114
00:07:01,200 --> 00:07:04,960
Speaker 3: day the same ship over and then the B boys

115
00:07:04,960 --> 00:07:07,480
Speaker 3: would come and start doing that thing and you know,

116
00:07:07,520 --> 00:07:10,480
Speaker 3: and dancing, you know, the gangs would be like yo crazy.

117
00:07:11,360 --> 00:07:14,160
Speaker 3: It was the cardboard yeah all that. Yeah, so I'm

118
00:07:14,200 --> 00:07:15,160
Speaker 3: a bounce around a little bit.

119
00:07:15,200 --> 00:07:16,080
Speaker 1: Yeah baby, do you thing?

120
00:07:16,200 --> 00:07:16,640
Speaker 3: Okay?

121
00:07:17,040 --> 00:07:19,120
Speaker 7: So this is something I always wanted to ask you.

122
00:07:19,480 --> 00:07:21,080
Speaker 7: How accurate was the Biggie movie?

123
00:07:21,160 --> 00:07:21,360
Speaker 3: Right?

124
00:07:22,240 --> 00:07:24,560
Speaker 7: But I believe that it was in San Francisco or

125
00:07:25,080 --> 00:07:27,120
Speaker 7: and it was still on some things at them because

126
00:07:27,120 --> 00:07:27,880
Speaker 7: of who shot you?

127
00:07:28,000 --> 00:07:30,880
Speaker 3: But I said not to play who shot you? Right? Yeah,

128
00:07:31,000 --> 00:07:33,280
Speaker 3: that wasn't okay. I'll tell you the truth. I can't

129
00:07:33,320 --> 00:07:38,320
Speaker 3: tell you. So this one of this cameras, no scene

130
00:07:38,360 --> 00:07:43,600
Speaker 3: portrayed in the movie was was saying it was uh

131
00:07:44,280 --> 00:07:46,760
Speaker 3: in the in the Bay area, okay, right, but it

132
00:07:46,840 --> 00:07:49,480
Speaker 3: wasn't okay. And then the reason why they probably put

133
00:07:49,520 --> 00:07:52,640
Speaker 3: it in the Bay because that's where Park was from. Okay. Now,

134
00:07:52,760 --> 00:07:55,200
Speaker 3: during this time, I remember, like it was yesterday, we

135
00:07:55,200 --> 00:07:58,720
Speaker 3: were in Atlanta, Georgia. We were going to a social

136
00:07:58,880 --> 00:08:03,680
Speaker 3: death anniversary party of some sort and we were gonna

137
00:08:03,680 --> 00:08:07,960
Speaker 3: meet up with Jamaine Deprie, the Brat and a few others.

138
00:08:08,000 --> 00:08:14,800
Speaker 3: And there was word that Tupac was around in Atlanta, right, Okay,

139
00:08:15,000 --> 00:08:18,200
Speaker 3: So now like we're on heightened security because these dudes

140
00:08:18,200 --> 00:08:21,640
Speaker 3: got beef and it's ugly. I'm in the car with

141
00:08:21,680 --> 00:08:25,280
Speaker 3: like little ceas BIG's in the front. I remember bodyguards

142
00:08:25,320 --> 00:08:27,400
Speaker 3: being on top of us and at one point were

143
00:08:27,440 --> 00:08:30,360
Speaker 3: driving in the a somewhere. We're driving around and then

144
00:08:30,400 --> 00:08:33,120
Speaker 3: the security was like get down, and I'm like, what's

145
00:08:33,160 --> 00:08:38,560
Speaker 3: going on and get down? Then he jumped on top

146
00:08:38,600 --> 00:08:40,800
Speaker 3: of my body and I'm like what. I thought it

147
00:08:40,880 --> 00:08:42,880
Speaker 3: was gonna start shooting at us or something, but I

148
00:08:42,880 --> 00:08:44,880
Speaker 3: guess they were just on high alert. Where the cars

149
00:08:44,920 --> 00:08:47,600
Speaker 3: we become a bid and they got like some information,

150
00:08:47,720 --> 00:08:50,280
Speaker 3: But that's that's not it was in the Bay. It

151
00:08:50,320 --> 00:08:53,520
Speaker 3: was Atlanta. So during the height of the beef right,

152
00:08:54,200 --> 00:08:58,200
Speaker 3: everybody from Brooklyn to Junior Mafia, everybody was waiting for

153
00:08:58,240 --> 00:09:01,840
Speaker 3: a response Big because you know, pock had didn't hit

154
00:09:01,880 --> 00:09:06,040
Speaker 3: him up, and and for me, I took it super personal.

155
00:09:06,080 --> 00:09:08,679
Speaker 3: You know why, because I produced to Get Money remix

156
00:09:08,720 --> 00:09:12,120
Speaker 3: for Big R and Pac took the same beat right

157
00:09:12,240 --> 00:09:15,520
Speaker 3: from the Get Money remix that I produced and hit

158
00:09:15,600 --> 00:09:18,040
Speaker 3: him up. And the crazy part, that's crazy. I didn't

159
00:09:18,040 --> 00:09:21,520
Speaker 3: think of it like CZ. I didn't realize it until

160
00:09:21,559 --> 00:09:24,600
Speaker 3: I did a podcast with Cypher Sounds of Rosi and

161
00:09:24,800 --> 00:09:28,040
Speaker 3: they broke it that and I was like, damn, you're right,

162
00:09:29,200 --> 00:09:31,959
Speaker 3: And then like twenty five years later, I was mad again.

163
00:09:34,200 --> 00:09:37,400
Speaker 3: But it was it was it was like bittersweet because, like,

164
00:09:37,760 --> 00:09:40,079
Speaker 3: you know, Park was such a legendary dude, and I'm

165
00:09:40,720 --> 00:09:42,440
Speaker 3: be on like thirsty to be on the phone with him,

166
00:09:42,440 --> 00:09:44,600
Speaker 3: to be like, yo, what's up pot Because he loved

167
00:09:44,640 --> 00:09:46,559
Speaker 3: New York. He loved the bodegas.

168
00:09:46,880 --> 00:09:48,840
Speaker 1: He loved them a little, you know, but let's let's

169
00:09:48,840 --> 00:09:49,640
Speaker 1: talk about that nice.

170
00:09:49,640 --> 00:09:52,959
Speaker 7: So well, yeah, so they were mad at Big on stage.

171
00:09:52,640 --> 00:09:55,480
Speaker 3: They would know nobody was ever mad at Big. Okay,

172
00:09:55,800 --> 00:09:59,800
Speaker 3: I think the the real important thing was this, So

173
00:10:00,120 --> 00:10:03,040
Speaker 3: I'm on the road with them now. I got the

174
00:10:03,080 --> 00:10:08,240
Speaker 3: torch passed from Clark Kent. Clark Kent, Clark Kent. Excuse me.

175
00:10:08,440 --> 00:10:11,040
Speaker 3: He taught me the show, so it was only right.

176
00:10:12,160 --> 00:10:13,880
Speaker 3: Just all I had to do is carry the legacy.

177
00:10:13,920 --> 00:10:17,280
Speaker 3: He was DJ before you. Yes, of course he was

178
00:10:17,320 --> 00:10:21,120
Speaker 3: doing uh A and R for like East West Atlantic.

179
00:10:21,520 --> 00:10:23,679
Speaker 3: He was signing an artist, but he was also doing

180
00:10:23,920 --> 00:10:26,400
Speaker 3: production and beats and you know he was doing the

181
00:10:26,400 --> 00:10:28,880
Speaker 3: Brooklyn finals on Jay and Biggs album. You know, he

182
00:10:29,000 --> 00:10:31,040
Speaker 3: was busy. So I think it got to a point

183
00:10:31,040 --> 00:10:32,920
Speaker 3: where he's like, you know what, I'm getting hot out

184
00:10:32,960 --> 00:10:34,680
Speaker 3: here and I love being on the road with Big,

185
00:10:34,720 --> 00:10:37,559
Speaker 3: but I gotta go right. So that's when you know,

186
00:10:37,600 --> 00:10:39,280
Speaker 3: I got the phone call from Puff like you want

187
00:10:39,280 --> 00:10:42,600
Speaker 3: to be bigs DJ, And I was like, I think

188
00:10:42,600 --> 00:10:45,080
Speaker 3: about it, And everybody laughs at me when I tell

189
00:10:45,160 --> 00:10:46,560
Speaker 3: him that responds.

190
00:10:46,600 --> 00:10:48,800
Speaker 1: Because Big wasn't who Big was at that time.

191
00:10:48,920 --> 00:10:53,280
Speaker 3: Big only had party in bullshit out maybe Unbelievable and Juicy.

192
00:10:53,480 --> 00:10:55,480
Speaker 4: Was he still Biggie Small before he changed the names

193
00:10:55,480 --> 00:10:56,079
Speaker 4: of Notorious.

194
00:10:56,200 --> 00:10:59,000
Speaker 3: No, he was still Biggie Smalls. He was notorious yet,

195
00:10:59,120 --> 00:11:07,840
Speaker 3: right right right. So we're in Atlanta and we stopped

196
00:11:07,880 --> 00:11:10,079
Speaker 3: doing the We stopped doing the song who Shot You?

197
00:11:11,240 --> 00:11:15,240
Speaker 3: Like my dad faced him hot? So we stopped performing

198
00:11:15,280 --> 00:11:17,640
Speaker 3: that song. And I think we stopped performing that song

199
00:11:17,679 --> 00:11:21,680
Speaker 3: because Big didn't want the narrative that people were thinking

200
00:11:21,720 --> 00:11:25,679
Speaker 3: the song was about, because it was out of respect

201
00:11:26,040 --> 00:11:30,080
Speaker 3: the kid. The kid got shot, you know a few times,

202
00:11:31,080 --> 00:11:33,600
Speaker 3: and then when he died, it was like the ultimately like, no,

203
00:11:33,640 --> 00:11:37,160
Speaker 3: we're not doing that. So we was in Atlanta that time.

204
00:11:37,200 --> 00:11:40,280
Speaker 3: I told you we was on heightened security alert. Whatever

205
00:11:41,080 --> 00:11:46,400
Speaker 3: we do the show and there's a break in the

206
00:11:46,440 --> 00:11:51,079
Speaker 3: show where he starts talking. I'm like, where's he going

207
00:11:51,120 --> 00:11:52,599
Speaker 3: with this? I never did this is not part of

208
00:11:52,640 --> 00:11:56,280
Speaker 3: the show. We never did this before. And he's explaining

209
00:11:56,360 --> 00:12:00,240
Speaker 3: himself about I guess what him a part, what was

210
00:12:00,280 --> 00:12:02,959
Speaker 3: going through? So I was like, he's gonna perform who

211
00:12:03,000 --> 00:12:06,800
Speaker 3: shot You? Wow? So then without him telling me nothing,

212
00:12:06,960 --> 00:12:09,840
Speaker 3: I got the record out and then I just had

213
00:12:09,840 --> 00:12:11,679
Speaker 3: a queue up and ready, and he looked at me

214
00:12:11,720 --> 00:12:14,360
Speaker 3: and it was like and I went who shot You?

215
00:12:14,400 --> 00:12:16,680
Speaker 3: And he performed out of nowhere. It was the first

216
00:12:16,679 --> 00:12:19,200
Speaker 3: time he got to perform that, you know, during the

217
00:12:19,240 --> 00:12:22,160
Speaker 3: beef R. So for us, it was like a magical moment,

218
00:12:22,240 --> 00:12:25,440
Speaker 3: even though it wasn't his true response, but it was

219
00:12:25,440 --> 00:12:27,600
Speaker 3: the next next thing because he wasn't gonna talk dirty

220
00:12:27,640 --> 00:12:28,520
Speaker 3: about Park right.

221
00:12:28,880 --> 00:12:31,680
Speaker 5: But to be clear, because it was before par got shot.

222
00:12:31,760 --> 00:12:34,080
Speaker 3: Yeah, it was a baby because we said, I wanted

223
00:12:34,080 --> 00:12:35,319
Speaker 3: people to think it happened right then.

224
00:12:36,960 --> 00:12:41,040
Speaker 7: Did you ever I know you said, I know I

225
00:12:41,120 --> 00:12:44,679
Speaker 7: read articles and seen interviews what you said that there

226
00:12:44,720 --> 00:12:50,120
Speaker 7: was brawls happening, like you know, running with big and.

227
00:12:48,720 --> 00:12:49,160
Speaker 3: Things like that.

228
00:12:49,200 --> 00:12:51,000
Speaker 7: I think one time they even left you and you

229
00:12:51,080 --> 00:12:52,160
Speaker 7: had to come outside of.

230
00:12:52,160 --> 00:12:54,520
Speaker 3: The ques that was in Virginia.

231
00:12:54,679 --> 00:12:58,200
Speaker 1: Yeah, okay, you had to like they.

232
00:12:58,200 --> 00:13:01,720
Speaker 3: All, you know, back in the days when we used

233
00:13:01,760 --> 00:13:06,600
Speaker 3: to carry the crates, right, but even before that, before

234
00:13:06,679 --> 00:13:09,360
Speaker 3: controllers and cdj's were around, we used to carry the turntable.

235
00:13:10,200 --> 00:13:14,520
Speaker 3: So I got two turntables, a mixer, all my crates,

236
00:13:15,559 --> 00:13:17,559
Speaker 3: and I'm by myself. I ain't got a roadie. He's

237
00:13:17,559 --> 00:13:21,400
Speaker 3: not paying for Roady. So it's like, you know, the

238
00:13:21,520 --> 00:13:23,880
Speaker 3: road manager shout to Hawk, my man Hawk. He would

239
00:13:23,880 --> 00:13:26,480
Speaker 3: help me sometime with the records and whatever. Whenever there

240
00:13:26,640 --> 00:13:29,200
Speaker 3: wasn't feeling, whenever they felt like there was a superstar,

241
00:13:29,240 --> 00:13:31,760
Speaker 3: they help me with the records. But we get into

242
00:13:31,800 --> 00:13:35,960
Speaker 3: some ship. It's going down. They fighting, Oh, they doing

243
00:13:36,000 --> 00:13:39,720
Speaker 3: whatever they're doing. But they forgot about me and they

244
00:13:39,760 --> 00:13:44,160
Speaker 3: would leave me. I'm like, yo, So now I'm slowly

245
00:13:44,720 --> 00:13:46,640
Speaker 3: trying to pack up all my ship before the ship

246
00:13:46,760 --> 00:13:49,679
Speaker 3: really hits the fan. I'm like closing up the cases.

247
00:13:49,840 --> 00:13:51,679
Speaker 3: I'm trying whatever I said. Yo. If I don't get

248
00:13:51,679 --> 00:13:53,200
Speaker 3: the fuck up out of here, they gonna come for

249
00:13:53,280 --> 00:13:55,599
Speaker 3: me next. And that's the type of that was. That

250
00:13:55,920 --> 00:13:58,000
Speaker 3: was the real ship. That's the way it was a

251
00:13:58,000 --> 00:14:00,080
Speaker 3: lot of shows bro A lot of.

252
00:14:00,080 --> 00:14:08,679
Speaker 8: Shows make some noise. But it was fun. Man, Now

253
00:14:08,760 --> 00:14:10,120
Speaker 8: we think about it was a lot of fun.

254
00:14:10,320 --> 00:14:14,400
Speaker 7: But like when you speak speak about crates like, I

255
00:14:14,400 --> 00:14:17,240
Speaker 7: don't think these kids like like, I'm sorry, this sounds

256
00:14:17,280 --> 00:14:20,240
Speaker 7: the old band, but you know, like that shit was hard.

257
00:14:20,280 --> 00:14:23,960
Speaker 7: Like I remember, like watching you guys go to a party,

258
00:14:24,080 --> 00:14:26,560
Speaker 7: used to have to have to have people help you.

259
00:14:26,520 --> 00:14:30,280
Speaker 3: With your crates. Five six dudes or whatever or actually,

260
00:14:30,560 --> 00:14:32,320
Speaker 3: I'm gonna keep it on hunted. I was flying, but

261
00:14:32,720 --> 00:14:34,520
Speaker 3: a few times I would do parties of town. But

262
00:14:34,840 --> 00:14:39,280
Speaker 3: I have six women carrying my trade in high heels,

263
00:14:39,680 --> 00:14:43,480
Speaker 3: right and then and then when I come to the party,

264
00:14:43,880 --> 00:14:48,240
Speaker 3: the promoters be on my dick. They'd be like, motherfucker.

265
00:14:50,360 --> 00:14:54,600
Speaker 3: We'll talk six feet women in dresses or skirts with

266
00:14:54,800 --> 00:14:59,880
Speaker 3: heels on carrying my crates. Now, these ain't milk crates.

267
00:15:00,120 --> 00:15:04,000
Speaker 3: These are professional like cases. Get a little bit easier

268
00:15:04,000 --> 00:15:07,160
Speaker 3: to carry, heaviest hell one hundred pounds easy.

269
00:15:08,040 --> 00:15:11,840
Speaker 7: So, as a DJ, do you like this era more

270
00:15:12,480 --> 00:15:14,280
Speaker 7: or do you miss the vinyl era?

271
00:15:15,400 --> 00:15:18,360
Speaker 3: I missed the vinyl era a little bit, okay, but

272
00:15:18,400 --> 00:15:20,480
Speaker 3: I do like the technology where it's had today. You

273
00:15:20,480 --> 00:15:25,160
Speaker 3: know why, because I remember being on the road and

274
00:15:25,240 --> 00:15:29,040
Speaker 3: Biggie would shake the fucking stage and the record would skip,

275
00:15:29,880 --> 00:15:32,520
Speaker 3: and I would get blamed for it, because at the

276
00:15:32,600 --> 00:15:35,520
Speaker 3: end of the day, he's the boss, he's the headliner.

277
00:15:35,840 --> 00:15:39,440
Speaker 3: It said they came to see him, not me, So

278
00:15:39,720 --> 00:15:42,200
Speaker 3: I had to take the blame for that. And then

279
00:15:42,240 --> 00:15:44,360
Speaker 3: Clarke Can't had to teach me how to do a

280
00:15:44,400 --> 00:15:48,400
Speaker 3: backup show that way I heard that or CD or whatever,

281
00:15:48,560 --> 00:15:52,040
Speaker 3: okay whatever, yeah it was it was that originally. And

282
00:15:52,080 --> 00:15:57,720
Speaker 3: then holy ship, I forgot his name. He's gonna be

283
00:15:57,760 --> 00:16:03,680
Speaker 3: mad at me now. Producer from Guy try Wiley, Teddy Riley.

284
00:16:04,120 --> 00:16:07,720
Speaker 3: Teddy Riley gives me my first c d J. He goes, enough,

285
00:16:07,720 --> 00:16:10,800
Speaker 3: this is the future. Like, what do you mean? He goes,

286
00:16:11,040 --> 00:16:12,840
Speaker 3: this is never going to skip on you ever. Again,

287
00:16:13,360 --> 00:16:15,840
Speaker 3: this is the fucking future right here. He gave me

288
00:16:15,840 --> 00:16:17,440
Speaker 3: a pair of c d j's and I was like,

289
00:16:17,880 --> 00:16:20,080
Speaker 3: but those skip two though, no, I know, but not

290
00:16:20,440 --> 00:16:23,480
Speaker 3: but not as bad, but not as bad as needles

291
00:16:23,640 --> 00:16:24,800
Speaker 3: as the needles on the record?

292
00:16:25,920 --> 00:16:28,920
Speaker 1: Now, what was it? Flip Star DJs, Flip Squad, Flip

293
00:16:28,920 --> 00:16:32,080
Speaker 1: Squad djsh Yeah, and I was you Cipher Sounds was

294
00:16:32,120 --> 00:16:34,560
Speaker 1: in the same Yeah, who else was in that crew?

295
00:16:34,720 --> 00:16:41,200
Speaker 3: Frankie Cutlers, Frankie Cutlers, Dup do Funk Flex Yeah flex uh,

296
00:16:41,840 --> 00:16:49,760
Speaker 3: Mark Ronson, Mike Ronson was in riz thank you. Oh

297
00:16:49,800 --> 00:16:57,480
Speaker 3: ship comes here? Trying to think who was here?

298
00:16:57,560 --> 00:16:57,720
Speaker 4: Bro?

299
00:16:58,120 --> 00:16:58,840
Speaker 1: Who else was in there?

300
00:16:59,040 --> 00:16:59,280
Speaker 4: It was?

301
00:16:59,600 --> 00:17:00,680
Speaker 3: So it was flip.

302
00:17:00,400 --> 00:17:03,840
Speaker 9: Squad, the Flip Squad, DJ, the flip Squad and this

303
00:17:03,880 --> 00:17:08,600
Speaker 9: is before buster have flip Squad or no, Yeah, flip mode,

304
00:17:08,680 --> 00:17:11,119
Speaker 9: flip Mode, slip modem bugging different things.

305
00:17:11,160 --> 00:17:13,960
Speaker 1: Yeah, flip flip Squad. Okay, okay, make some noise.

306
00:17:13,760 --> 00:17:22,080
Speaker 3: With DJ, so okay, be me a warning cup, bro.

307
00:17:24,800 --> 00:17:26,680
Speaker 1: Okay, So who else was okay? Who else was down

308
00:17:26,720 --> 00:17:27,080
Speaker 1: down on that?

309
00:17:27,800 --> 00:17:32,920
Speaker 3: Okay? Sight for sounds? This kid named bud kN Uh.

310
00:17:34,560 --> 00:17:37,159
Speaker 3: There's there's a couple more. I'm forgetting them. But the

311
00:17:38,000 --> 00:17:41,720
Speaker 3: big Cat, Big Cat, rest in peace, Big Cat. Oh

312
00:17:41,760 --> 00:17:48,320
Speaker 3: that's right? Uh damn you know what. Let me just

313
00:17:48,359 --> 00:17:50,280
Speaker 3: look at the artwork of the album we put out.

314
00:17:50,600 --> 00:17:53,760
Speaker 3: It's on there. Okay, so go for it, go for it.

315
00:17:55,880 --> 00:18:00,520
Speaker 7: One thing that was noticed very Kanye's first album, Yes

316
00:18:00,640 --> 00:18:03,800
Speaker 7: has the heavy hitter logo on there. Yes, sir, Now,

317
00:18:03,840 --> 00:18:08,399
Speaker 7: remember I mean knowing who Kanye is, but me not.

318
00:18:08,320 --> 00:18:09,240
Speaker 3: Knowing who Kanye is.

319
00:18:09,280 --> 00:18:12,119
Speaker 7: And I remember you shotting them out and then him

320
00:18:12,400 --> 00:18:15,320
Speaker 7: shotting y'all out, like like really like bigging up the

321
00:18:15,359 --> 00:18:16,080
Speaker 7: heavy hitters.

322
00:18:16,200 --> 00:18:19,240
Speaker 3: How the fuck did that even happen? All right? So

323
00:18:19,320 --> 00:18:23,320
Speaker 3: I ain't know it at the time, okay, but I

324
00:18:23,320 --> 00:18:27,080
Speaker 3: had a heavy hitter's record pool, okay. And the office

325
00:18:27,119 --> 00:18:31,800
Speaker 3: was on thirty eighth Street. It was Rene McLean's office,

326
00:18:31,920 --> 00:18:37,439
Speaker 3: the guy who created to make Sure Right right, But

327
00:18:37,640 --> 00:18:41,720
Speaker 3: Legacy Studios was down the block on thirty eighth between

328
00:18:41,760 --> 00:18:44,280
Speaker 3: tenth and eleventh or whatever it was. That's where he

329
00:18:44,359 --> 00:18:47,840
Speaker 3: recorded his first album. And what year was that. It

330
00:18:47,920 --> 00:18:53,480
Speaker 3: had to be ninety nine, ninety eight. So all this time,

331
00:18:53,840 --> 00:18:55,959
Speaker 3: I'm thinking, Yo, Kanye, this think is on my dick.

332
00:18:56,040 --> 00:18:58,960
Speaker 3: He got a sorry talk.

333
00:18:59,080 --> 00:18:59,919
Speaker 5: I mean, this is the way he was the.

334
00:19:04,480 --> 00:19:07,760
Speaker 3: Damn. I gotta wait, So you text the queen till

335
00:19:07,760 --> 00:19:08,280
Speaker 3: I fall back.

336
00:19:08,359 --> 00:19:10,040
Speaker 7: So you're telling me, so you're telling me you had

337
00:19:10,119 --> 00:19:11,600
Speaker 7: to heard of him.

338
00:19:11,640 --> 00:19:16,320
Speaker 3: So I heard of him as a producer as a producer, okay,

339
00:19:16,480 --> 00:19:20,160
Speaker 3: So this's no through wire, No yeah, not yet, not yet.

340
00:19:20,200 --> 00:19:22,960
Speaker 3: But I was talking it was on his way go

341
00:19:23,000 --> 00:19:28,200
Speaker 3: Ahead and one of my DJ's DJ absolutely put on

342
00:19:28,280 --> 00:19:30,960
Speaker 3: a mixtape on him like a first freestyle, because nobody else,

343
00:19:31,240 --> 00:19:32,960
Speaker 3: nobody else will put his freestyles out.

344
00:19:33,080 --> 00:19:36,040
Speaker 1: So absolutely was the first time people never might have

345
00:19:36,320 --> 00:19:36,760
Speaker 1: ha been.

346
00:19:36,600 --> 00:19:41,080
Speaker 7: The first time they heard Kanye whatever Okaya queen.

347
00:19:43,880 --> 00:19:48,160
Speaker 3: Now back in these days, we were at the damn

348
00:19:48,200 --> 00:19:50,920
Speaker 3: what was the what was the studios that that O

349
00:19:51,080 --> 00:19:55,120
Speaker 3: g one and Jason Baseline. He was at Baseline a lot.

350
00:19:56,080 --> 00:19:57,960
Speaker 3: So this is where I knew from Kanye as a

351
00:19:57,960 --> 00:20:02,880
Speaker 3: producer because just Blaze being in the room, Kanye being another,

352
00:20:02,960 --> 00:20:05,720
Speaker 3: or they'd be both in that pre production room, you know,

353
00:20:06,359 --> 00:20:09,800
Speaker 3: just banging out beats, banging out beats. I was tied

354
00:20:09,840 --> 00:20:11,639
Speaker 3: with Jaco all the time because Jaco put out a

355
00:20:11,680 --> 00:20:15,800
Speaker 3: mixtape and I will be there hanging and everybody in

356
00:20:15,800 --> 00:20:21,119
Speaker 3: the roster is arguing with Kanye because they want to

357
00:20:21,119 --> 00:20:24,399
Speaker 3: be from him. Okay, but like, yo, don't make a

358
00:20:24,440 --> 00:20:27,560
Speaker 3: beef for me, man, stop playing, you know with Jim

359
00:20:27,800 --> 00:20:32,399
Speaker 3: Cam Beanie Bleak. Everyone talked to him like that, and

360
00:20:32,480 --> 00:20:33,760
Speaker 3: it was like it to me, it was like the

361
00:20:34,400 --> 00:20:37,080
Speaker 3: like the mad scientists behind the drum machine. You know,

362
00:20:37,320 --> 00:20:41,639
Speaker 3: he had ideas, he always wanted a rap, but I

363
00:20:41,640 --> 00:20:44,600
Speaker 3: felt like nobody was giving him a shot. Maybe maybe

364
00:20:44,640 --> 00:20:47,600
Speaker 3: because he over delivered in his delivery or something, and

365
00:20:47,680 --> 00:20:49,600
Speaker 3: it was like, I don't know, it might have been

366
00:20:49,640 --> 00:20:52,600
Speaker 3: too much for me at the time. That's from what

367
00:20:52,720 --> 00:20:55,560
Speaker 3: I remember, Okay, And then.

368
00:20:56,840 --> 00:20:59,280
Speaker 1: How does it go from that to then he then

369
00:20:59,320 --> 00:21:04,240
Speaker 1: he then he produces the Blueprint and.

370
00:21:05,160 --> 00:21:10,520
Speaker 3: Now now no no, but now Damon Demon and Jay

371
00:21:10,520 --> 00:21:13,320
Speaker 3: and them, they signed him as a producer. But I'm

372
00:21:13,320 --> 00:21:16,280
Speaker 3: starting to notice like he's been signed for a while,

373
00:21:16,320 --> 00:21:18,840
Speaker 3: but there's students, there's still nothing on him. So I'm like,

374
00:21:18,880 --> 00:21:22,320
Speaker 3: what's the problem. So in my mind, and I can't

375
00:21:22,400 --> 00:21:25,360
Speaker 3: prove it, because that's my famous word right now, I can't.

376
00:21:26,800 --> 00:21:26,879
Speaker 10: That.

377
00:21:27,080 --> 00:21:29,720
Speaker 3: Uh, maybe did help him because you did just want

378
00:21:29,760 --> 00:21:32,359
Speaker 3: to Lockerman as a producer. I mean, he did produce

379
00:21:32,400 --> 00:21:35,639
Speaker 3: The Blueprint, one of the greatest hip hop albums right right.

380
00:21:37,119 --> 00:21:39,119
Speaker 3: So anyway, I'm at the office in a record pool

381
00:21:40,400 --> 00:21:42,800
Speaker 3: and I'm tighted with Common, I'm tighted with Tyler Quality,

382
00:21:44,520 --> 00:21:47,480
Speaker 3: and these dudes keep coming to the office. They were enough,

383
00:21:49,000 --> 00:21:51,040
Speaker 3: you know, and and they heavily coming by because we

384
00:21:51,119 --> 00:21:53,720
Speaker 3: got a little studio Peo production studio up there at

385
00:21:53,760 --> 00:21:55,800
Speaker 3: the office, and I would do a lot of mixtapes

386
00:21:55,880 --> 00:21:59,960
Speaker 3: me and cast one. So then yeah, he's bothering me

387
00:22:00,119 --> 00:22:02,160
Speaker 3: on something like you don't want to be a heavy hitter,

388
00:22:03,920 --> 00:22:09,360
Speaker 3: so he would now. Stupid me didn't realize where this

389
00:22:09,400 --> 00:22:12,920
Speaker 3: could go. It's too early, you know. I'm like, yo,

390
00:22:12,960 --> 00:22:13,760
Speaker 3: my man, you got it.

391
00:22:13,960 --> 00:22:16,280
Speaker 7: Like he's approached you as a heavy head, as a

392
00:22:16,280 --> 00:22:17,880
Speaker 7: producer or as.

393
00:22:17,760 --> 00:22:23,240
Speaker 3: An actual man. He's just want to I don't want

394
00:22:23,240 --> 00:22:25,040
Speaker 3: to be a heavy here that I'm like, yo, man,

395
00:22:25,040 --> 00:22:26,560
Speaker 3: I don't got no artists as a heavy head. We

396
00:22:26,600 --> 00:22:29,919
Speaker 3: have DJ Clarer, Okay, you can't even DJ. Yeah, but

397
00:22:29,920 --> 00:22:33,159
Speaker 3: I make these banking beats. And then that man. If

398
00:22:33,200 --> 00:22:35,240
Speaker 3: I knew what I'd do back then, I would have

399
00:22:35,320 --> 00:22:40,840
Speaker 3: signed them to a fifty million. I had no idea,

400
00:22:42,280 --> 00:22:46,840
Speaker 3: no idea, make some lawyers for that man. But it

401
00:22:46,960 --> 00:22:49,520
Speaker 3: ended up happening, right, He ended up well technically Yeah.

402
00:22:49,640 --> 00:22:54,280
Speaker 3: Then uh, me and my man A G put out

403
00:22:54,760 --> 00:22:58,560
Speaker 3: his Get Home or Welcome Home mixtape, and I remember

404
00:22:58,600 --> 00:23:00,280
Speaker 3: going to the stores with him on the road because

405
00:23:00,320 --> 00:23:01,480
Speaker 3: he wanted to know how we did the runs with

406
00:23:01,520 --> 00:23:04,919
Speaker 3: the mixtape. We went to the Africans and Canal, We

407
00:23:05,000 --> 00:23:06,800
Speaker 3: went to the Bronx, We went to all the all

408
00:23:06,840 --> 00:23:10,919
Speaker 3: the mixtapes and record shops that would sell mixtapes, and

409
00:23:10,960 --> 00:23:14,560
Speaker 3: I was trying to push Kanye's tape. Nobody wanted it,

410
00:23:15,400 --> 00:23:19,400
Speaker 3: damn nobody. But as I'm starting to play a ship

411
00:23:19,480 --> 00:23:21,600
Speaker 3: on the radio, I'm playing the good, the bad, the

412
00:23:21,680 --> 00:23:26,360
Speaker 3: ugly with consequence to him. I'm playing two words by him,

413
00:23:26,560 --> 00:23:29,760
Speaker 3: most definitely the Harlem Boys choir. I'm starting to play

414
00:23:29,800 --> 00:23:32,919
Speaker 3: some joints that ain't been really released yet. When I

415
00:23:33,000 --> 00:23:36,840
Speaker 3: dropped that Jesus Walks, you know, the mixtape went on fire. Yo,

416
00:23:36,880 --> 00:23:39,240
Speaker 3: I need more of those mixtapes. So you said you

417
00:23:39,359 --> 00:23:43,240
Speaker 3: want nothing, Now we want them. So I remember I

418
00:23:43,320 --> 00:23:46,120
Speaker 3: probably had like about a good fifteen checks for Kanye,

419
00:23:46,680 --> 00:23:50,040
Speaker 3: noting nothing big, but just you know, the first couple

420
00:23:50,080 --> 00:23:52,320
Speaker 3: of orders, people wanted the tapes, and he was like,

421
00:23:52,359 --> 00:23:55,280
Speaker 3: now I want the money. Just thank you for you know,

422
00:23:55,520 --> 00:23:58,200
Speaker 3: pushing me and taking care of me, what else whatever,

423
00:23:59,800 --> 00:24:02,320
Speaker 3: And out of nowhere he asked me for my logo.

424
00:24:04,119 --> 00:24:05,600
Speaker 3: And then I thought he was gonna put a mixtape

425
00:24:05,600 --> 00:24:09,200
Speaker 3: out of something, and he puts his ship on the album.

426
00:24:09,400 --> 00:24:13,360
Speaker 3: I didn't give him, yo, I ain't giving no permission.

427
00:24:13,840 --> 00:24:15,679
Speaker 3: I didn't say, yeah, you have to declaimen to put

428
00:24:15,720 --> 00:24:17,720
Speaker 3: this on. But after it was the biggest honor in

429
00:24:17,720 --> 00:24:20,880
Speaker 3: the world, like this dude is getting. Then on top

430
00:24:20,920 --> 00:24:29,200
Speaker 3: of that, he made and then on top of that,

431
00:24:29,720 --> 00:24:32,520
Speaker 3: to make it even better, him and GLC make a

432
00:24:32,560 --> 00:24:37,879
Speaker 3: record call heavy Hitters for Life Wow, the B side

433
00:24:37,880 --> 00:24:42,399
Speaker 3: of uh, Jesus walks if I'm not mistaken, and he

434
00:24:42,440 --> 00:24:47,720
Speaker 3: says heavy Hitters for Live Rockefeller or Live. Then he

435
00:24:47,760 --> 00:24:50,480
Speaker 3: starts breaking it down, you know, and it's kind of dope,

436
00:24:50,480 --> 00:24:55,000
Speaker 3: but signed very like this. This dude is nuts. He's crazy.

437
00:24:55,840 --> 00:24:58,160
Speaker 3: And after that he got Kim Kardashian and I never

438
00:24:58,160 --> 00:25:03,320
Speaker 3: saw him. We never went on to get I lost

439
00:25:03,359 --> 00:25:03,800
Speaker 3: my friend.

440
00:25:04,760 --> 00:25:09,240
Speaker 1: But so, uh yeah, yeah, thank you.

441
00:25:09,240 --> 00:25:10,640
Speaker 3: You gotta drink amelo, you need something?

442
00:25:11,200 --> 00:25:14,080
Speaker 1: Sure, come have a drink.

443
00:25:13,880 --> 00:25:19,960
Speaker 4: Sunlight Yeah yeah, yeah, little something, a little taste my cup.

444
00:25:23,080 --> 00:25:24,840
Speaker 3: Want you doing that? We got saki, you.

445
00:25:24,760 --> 00:25:31,040
Speaker 11: Want sack, tequila, tequila, poppy.

446
00:25:32,359 --> 00:25:36,880
Speaker 3: We can drink Branson Steef. We got Branson. Yeah, We'll

447
00:25:36,920 --> 00:25:42,560
Speaker 3: get your sunlight whatever, whatever I drink, whatever, What do

448
00:25:42,600 --> 00:25:42,720
Speaker 3: we have?

449
00:25:43,240 --> 00:25:46,560
Speaker 1: He said something like, and he says toquila when.

450
00:25:46,440 --> 00:25:50,119
Speaker 3: He's you don't drink what he's drinking the blue label.

451
00:25:50,200 --> 00:25:54,920
Speaker 3: I'm down, I'm down living some blue label. I'm not

452
00:25:54,960 --> 00:25:55,680
Speaker 3: drinking out about it.

453
00:25:55,760 --> 00:25:58,560
Speaker 5: Or you could drink some Volly vodka Pulls vodka.

454
00:25:59,040 --> 00:26:02,119
Speaker 4: I got plenty of that shot the bo yeah up

455
00:26:02,160 --> 00:26:08,040
Speaker 4: a bit, Yeah, yeah, that's fine, that's fine. Okay, I

456
00:26:08,119 --> 00:26:10,479
Speaker 4: was gonna go if you're looking, I want to go,

457
00:26:10,920 --> 00:26:12,720
Speaker 4: because we're skating them around things and we're not.

458
00:26:12,680 --> 00:26:13,800
Speaker 3: Really going back both for it.

459
00:26:13,840 --> 00:26:16,160
Speaker 4: Man, So let's go back to how you even get

460
00:26:16,160 --> 00:26:19,000
Speaker 4: that phone call from Puff to spin for Big, Like,

461
00:26:19,000 --> 00:26:20,080
Speaker 4: what's that relationship?

462
00:26:20,080 --> 00:26:20,640
Speaker 3: How does that get?

463
00:26:20,800 --> 00:26:26,720
Speaker 7: Because I heard somewhere that you actually played Biggs album.

464
00:26:27,920 --> 00:26:30,840
Speaker 1: On Kiss Up and Puff caught you flipping on you.

465
00:26:31,119 --> 00:26:35,600
Speaker 3: Hurged me the fuck out, so and Puff you know

466
00:26:35,680 --> 00:26:42,280
Speaker 3: this is true, so you're mad. So I'm gonna bring

467
00:26:42,320 --> 00:26:46,359
Speaker 3: it back to the essence. Right on fourth on thirteenth

468
00:26:46,400 --> 00:26:48,640
Speaker 3: Street and Park Avenue in the city was a club

469
00:26:48,680 --> 00:26:50,160
Speaker 3: called the Black Fussy Cat.

470
00:26:50,200 --> 00:26:53,080
Speaker 1: Okay, yeah, when I came out here, we had one

471
00:26:53,119 --> 00:26:53,520
Speaker 1: out here.

472
00:26:54,280 --> 00:26:58,520
Speaker 3: Right because later on it was called Swaye. So I

473
00:26:58,560 --> 00:27:01,440
Speaker 3: knew this. I knew the motors and the bounces of club.

474
00:27:02,359 --> 00:27:03,840
Speaker 3: Now Big was trying to get in the club with

475
00:27:03,960 --> 00:27:08,119
Speaker 3: MP and it wasn't letting them in the club. But

476
00:27:08,200 --> 00:27:10,520
Speaker 3: I was like, damn, you guys think it's just some

477
00:27:10,520 --> 00:27:14,600
Speaker 3: goons from Brooklyn, but they're actually recording artists, the cool people,

478
00:27:14,800 --> 00:27:16,440
Speaker 3: and I promise you they won't get into no trouble.

479
00:27:16,800 --> 00:27:18,960
Speaker 3: So I went to the to the promoters and to

480
00:27:19,040 --> 00:27:21,280
Speaker 3: the security guys, and I told them, you know, let's

481
00:27:21,359 --> 00:27:23,600
Speaker 3: let these guys and they're good people. And Big love

482
00:27:23,640 --> 00:27:27,040
Speaker 3: that I did that for him. So on the way

483
00:27:27,080 --> 00:27:31,080
Speaker 3: out we leaving, Big push me to the side, like, yo,

484
00:27:31,119 --> 00:27:34,760
Speaker 3: he this for you. This is my album. Nobody got

485
00:27:34,760 --> 00:27:37,760
Speaker 3: it yet and this was the real album. Yes, no,

486
00:27:38,680 --> 00:27:41,760
Speaker 3: it was, but it was on a rough It was

487
00:27:41,760 --> 00:27:42,600
Speaker 3: on a TDK.

488
00:27:42,880 --> 00:27:45,800
Speaker 1: Okay it was.

489
00:27:47,520 --> 00:27:49,919
Speaker 3: So he gets just me in a cassette and I'm like,

490
00:27:50,640 --> 00:27:53,160
Speaker 3: I ain't really paying no mind. You know, it might

491
00:27:53,160 --> 00:27:55,640
Speaker 3: have been on Tuesday or Wednesday, and then not not

492
00:27:55,640 --> 00:27:57,399
Speaker 3: not to Thursday. I realized, you know, I got this

493
00:27:57,480 --> 00:27:59,920
Speaker 3: guy's album. But to put it in content.

494
00:28:00,040 --> 00:28:02,280
Speaker 4: What records did he have out already partying bullshit?

495
00:28:02,440 --> 00:28:07,200
Speaker 3: Partying with a super Cat? Had the Mary Jay record? Yeah?

496
00:28:07,520 --> 00:28:11,760
Speaker 3: Only two or three? Yeah, So the buzz was on

497
00:28:11,840 --> 00:28:14,040
Speaker 3: him already even when he dropped this party and bullshit,

498
00:28:14,320 --> 00:28:16,560
Speaker 3: the buzz was already on him because he had a

499
00:28:16,560 --> 00:28:21,600
Speaker 3: special voice. So back in those days, you know as

500
00:28:21,640 --> 00:28:24,840
Speaker 3: DJ is a thirsty They played new Ship, right, So

501
00:28:24,880 --> 00:28:27,200
Speaker 3: I go to my guy, his name is Chris Paccardo,

502
00:28:27,359 --> 00:28:30,040
Speaker 3: shot to him and I think he helped me clean

503
00:28:30,119 --> 00:28:34,119
Speaker 3: up the majority of the album on the cassette and

504
00:28:34,160 --> 00:28:37,320
Speaker 3: he gives it back to me. Some records you put

505
00:28:37,320 --> 00:28:41,000
Speaker 3: in the system. That means like on the radio station.

506
00:28:41,120 --> 00:28:43,280
Speaker 3: We have a thing that's called the system, which is

507
00:28:43,320 --> 00:28:46,920
Speaker 3: like their computer, not not a cassette. I don't see

508
00:28:46,920 --> 00:28:51,240
Speaker 3: the in the computer. So at any moment, I could

509
00:28:51,240 --> 00:28:54,480
Speaker 3: just pick whatever record and it's like I could play

510
00:28:54,520 --> 00:28:56,800
Speaker 3: a bomb or something, and then we go right into

511
00:28:57,200 --> 00:29:00,640
Speaker 3: a record off the album. So we did this multiple

512
00:29:00,760 --> 00:29:06,080
Speaker 3: times throughout the night, and and and back. Then Supernatural

513
00:29:06,200 --> 00:29:06,520
Speaker 3: was my.

514
00:29:06,440 --> 00:29:16,400
Speaker 12: Host DJ, and I don't even know that yeah real

515
00:29:16,480 --> 00:29:20,520
Speaker 12: hip hop, right, it's the real yippire.

516
00:29:20,880 --> 00:29:22,920
Speaker 3: So I'm playing it, playing it, and it gets to

517
00:29:22,960 --> 00:29:28,480
Speaker 3: a point where like the hotline rings or the red

518
00:29:28,600 --> 00:29:31,120
Speaker 3: the red the red phone whatever that is like a

519
00:29:31,160 --> 00:29:34,600
Speaker 3: special line, special line whatever. The voss is usually called

520
00:29:34,600 --> 00:29:37,800
Speaker 3: hold you on this line. So I pick it up

521
00:29:40,560 --> 00:29:43,880
Speaker 3: Hope for Hope for Diddy, a hope of hope of Puff.

522
00:29:44,160 --> 00:29:49,680
Speaker 3: I don't think he was Diddy yet, so I was like,

523
00:29:50,000 --> 00:29:52,600
Speaker 3: what up. He's like, Yo, what the fuck are you doing.

524
00:29:54,480 --> 00:29:58,400
Speaker 3: I'm like, I'm in celebration mode. I'm happy my man

525
00:29:58,440 --> 00:30:00,800
Speaker 3: Big gave me the album I'm in MO. It was

526
00:30:00,800 --> 00:30:04,120
Speaker 3: about Brooklyn confidant. I'm on a radio, I'm shutting the

527
00:30:04,160 --> 00:30:06,800
Speaker 3: city fucking down. So I'm thinking he's calling on it

528
00:30:06,960 --> 00:30:09,520
Speaker 3: to say thank you. I see what you're doing. He's like,

529
00:30:09,520 --> 00:30:14,240
Speaker 3: what the fuck are you doing. I'm like, like Jackie glicaid,

530
00:30:14,240 --> 00:30:21,400
Speaker 3: I was like, I didn't know what to say. So,

531
00:30:22,880 --> 00:30:25,160
Speaker 3: when you think about it today, I didn't know what

532
00:30:25,200 --> 00:30:28,760
Speaker 3: it meant for an for a label to roll out

533
00:30:28,800 --> 00:30:32,040
Speaker 3: a single, roll out a project, what kind of money

534
00:30:32,120 --> 00:30:36,680
Speaker 3: was involved. It was poster boards, it was stickers, whether

535
00:30:36,680 --> 00:30:39,240
Speaker 3: it was a deal with a radio station, you know,

536
00:30:39,280 --> 00:30:42,240
Speaker 3: a touring situation. I didn't have no idea what any

537
00:30:42,240 --> 00:30:44,960
Speaker 3: of that was, so I might have screwed that up.

538
00:30:45,640 --> 00:30:48,840
Speaker 3: It's a big right, So he's cursing me out, I'll

539
00:30:48,920 --> 00:30:54,200
Speaker 3: kill you, motherfucker mob here like, uh, the music is

540
00:30:54,240 --> 00:30:58,160
Speaker 3: in the background, but he's he's clearly in my ear

541
00:30:58,640 --> 00:30:59,080
Speaker 3: killing me.

542
00:31:00,080 --> 00:31:05,040
Speaker 1: He's still playing the record. Give me the business.

543
00:31:05,880 --> 00:31:12,160
Speaker 3: And then I don't see him for like weeks months,

544
00:31:12,240 --> 00:31:15,640
Speaker 3: nothing and I'll bumping him the club nothing and then

545
00:31:15,680 --> 00:31:19,640
Speaker 3: I go to this uh ninety seven used to have

546
00:31:19,680 --> 00:31:23,600
Speaker 3: this thing called a Player's Ball, Okay, yeah, I remember

547
00:31:23,640 --> 00:31:27,040
Speaker 3: that it was, but the same thing as it was

548
00:31:27,760 --> 00:31:30,920
Speaker 3: very so it was there. It was their interpretation of

549
00:31:30,960 --> 00:31:33,840
Speaker 3: what they would maybe tell the listeners to play a ball.

550
00:31:34,680 --> 00:31:37,320
Speaker 3: Used to like host a couple of times, right, yeah,

551
00:31:37,360 --> 00:31:41,360
Speaker 3: so that was hosted by our station at the time.

552
00:31:41,400 --> 00:31:44,760
Speaker 3: It was it was ed lover Miss Jones.

553
00:31:46,160 --> 00:31:46,240
Speaker 1: Me.

554
00:31:47,520 --> 00:31:50,000
Speaker 3: And then I remember like Angie Martinez coming through school,

555
00:31:51,160 --> 00:31:56,160
Speaker 3: Coco Chanel, Jazzy Joyce, that was like the vibe. And

556
00:31:56,240 --> 00:31:58,680
Speaker 3: I see him in the hallway because that same weekend

557
00:31:59,280 --> 00:32:03,200
Speaker 3: that we're doing this Player's Ball is some sort of

558
00:32:03,320 --> 00:32:08,080
Speaker 3: signing or some sort of party, maybe a listening playback

559
00:32:08,160 --> 00:32:14,000
Speaker 3: or press release something from Mary J. Blige My Life's album.

560
00:32:14,160 --> 00:32:17,000
Speaker 3: So I'm like, oh shit. He goes pumps, so I'm like,

561
00:32:18,400 --> 00:32:20,200
Speaker 3: I haven't seen him since he cursed me the funk out.

562
00:32:22,880 --> 00:32:25,520
Speaker 3: So then he's like, yo, let me talk to you

563
00:32:25,560 --> 00:32:27,840
Speaker 3: some over here, like oh ship here comes to bullshit

564
00:32:29,800 --> 00:32:31,720
Speaker 3: and he flips it on me and he's like, yall

565
00:32:31,760 --> 00:32:32,840
Speaker 3: want you to go on the road with b I G.

566
00:32:33,000 --> 00:32:36,360
Speaker 3: What you think. Hm, I'm like the change of course.

567
00:32:37,880 --> 00:32:40,880
Speaker 3: You know, I thought he was mad, but she was

568
00:32:40,920 --> 00:32:44,040
Speaker 3: an He's like, yo, are you understand what I'm saying.

569
00:32:46,080 --> 00:32:51,400
Speaker 3: I'm like, huh, like I'm stuck on stupid now because

570
00:32:51,440 --> 00:32:53,640
Speaker 3: I don't. I wasn't ready. I wasn't ready for that.

571
00:32:54,640 --> 00:32:56,080
Speaker 3: He does, I want you to go on the road.

572
00:32:56,160 --> 00:33:05,440
Speaker 3: But we're big, So I was like, big, I just

573
00:33:05,480 --> 00:33:09,360
Speaker 3: got my radio, gig, got kissed. I'm feeling myself so like,

574
00:33:09,400 --> 00:33:12,920
Speaker 3: I don't know, let me think about it. He says, what,

575
00:33:13,280 --> 00:33:16,680
Speaker 3: she didn't even think about it. So I think you

576
00:33:16,800 --> 00:33:18,640
Speaker 3: might have say, like you a wild boy or some ship,

577
00:33:18,720 --> 00:33:21,400
Speaker 3: I don't know whatever. That sounds like him, But I

578
00:33:21,480 --> 00:33:24,600
Speaker 3: kept it moving. And you know, I guess him and

579
00:33:24,720 --> 00:33:29,120
Speaker 3: uh him and him and Jessica Rosevel Bloom are real tight.

580
00:33:31,720 --> 00:33:35,800
Speaker 3: And I guess, yeah, she ran the tunnel. She ran

581
00:33:35,840 --> 00:33:42,680
Speaker 3: them some squad DJs. Mhm mhmm. Yeah, So I guess

582
00:33:42,720 --> 00:33:45,200
Speaker 3: they got to talking and then she came back around

583
00:33:45,280 --> 00:33:46,760
Speaker 3: to me, was like, yo, I think you should do it.

584
00:33:46,800 --> 00:33:50,800
Speaker 3: Blah blah blah blah blah. I said, I tried it out,

585
00:33:51,160 --> 00:33:54,320
Speaker 3: tried it out, had a great time, changed my life. Yes,

586
00:33:54,920 --> 00:33:58,400
Speaker 3: that's the one gig that I did that people to

587
00:33:58,400 --> 00:34:00,960
Speaker 3: this day still ask the most question, what's about Well

588
00:34:01,080 --> 00:34:02,320
Speaker 3: big big did.

589
00:34:06,680 --> 00:34:10,680
Speaker 7: Now it was like a monumental thing that happened in

590
00:34:10,800 --> 00:34:14,080
Speaker 7: radio right before we get to what's happening right nowadays.

591
00:34:14,560 --> 00:34:16,720
Speaker 1: Was back in the days, well not back in the days.

592
00:34:16,719 --> 00:34:21,760
Speaker 7: But when Angie Martinez announced that when she was leaving

593
00:34:21,800 --> 00:34:26,640
Speaker 7: Hot seven, like that ship was like it was like

594
00:34:27,000 --> 00:34:29,759
Speaker 7: a blow to everyone because I mean me personally.

595
00:34:29,440 --> 00:34:30,719
Speaker 3: Broke my heart broke that day.

596
00:34:30,719 --> 00:34:33,680
Speaker 7: I was like, oh, so, so you didn't you didn't

597
00:34:33,719 --> 00:34:36,879
Speaker 7: know prior to this, like keep it real, No, I didn't, you.

598
00:34:36,800 --> 00:34:39,440
Speaker 3: Didn't she said, She said, she called my phone, but

599
00:34:40,239 --> 00:34:44,560
Speaker 3: my number's been a safe I love you. I don't know.

600
00:34:44,640 --> 00:34:47,160
Speaker 3: I don't remember getting a phone call. I don't think anybody.

601
00:34:47,480 --> 00:34:49,560
Speaker 3: And maybe she was smart because she was moving in

602
00:34:49,680 --> 00:34:53,400
Speaker 3: silence smart and she couldn't probably tell nobody, you know,

603
00:34:53,520 --> 00:34:55,840
Speaker 3: that's just part of the deal. So we had accepted.

604
00:34:56,040 --> 00:34:58,399
Speaker 3: So when she left, I was like, good fun man.

605
00:34:58,840 --> 00:35:01,960
Speaker 13: She did that with elegance, right, she did that execution

606
00:35:02,760 --> 00:35:05,320
Speaker 13: that building that day was like mouth drop.

607
00:35:05,320 --> 00:35:07,120
Speaker 3: You know why she did it right? She didn't cried

608
00:35:07,440 --> 00:35:07,759
Speaker 3: like me.

609
00:35:13,840 --> 00:35:17,359
Speaker 14: Shout age many but I didn't see anything you did

610
00:35:17,920 --> 00:35:23,840
Speaker 14: for thirty years anything. Yeah, rap, Yeah, the reports didn't

611
00:35:23,840 --> 00:35:24,799
Speaker 14: take thirty years to make.

612
00:35:25,160 --> 00:35:27,279
Speaker 7: The boy report is almost thirty years old because in

613
00:35:27,920 --> 00:35:30,319
Speaker 7: twenty seven, but it didn't take you thirty years to

614
00:35:30,360 --> 00:35:30,759
Speaker 7: make it.

615
00:35:32,160 --> 00:35:33,160
Speaker 3: Do you understand my point?

616
00:35:33,360 --> 00:35:36,759
Speaker 1: Yeah? But it's the same ship. I mean, I've got

617
00:35:36,800 --> 00:35:37,280
Speaker 1: to say.

618
00:35:38,400 --> 00:35:40,040
Speaker 3: I feel you, I feel you. We're gonna get it,

619
00:35:40,120 --> 00:35:40,640
Speaker 3: We're gonna get this.

620
00:35:41,520 --> 00:35:43,080
Speaker 7: But what we talked about was just so into that

621
00:35:43,120 --> 00:35:49,359
Speaker 7: what happened. Yes, so I remember, you know, and this

622
00:35:49,440 --> 00:35:51,880
Speaker 7: is this is not the same. But I remember like

623
00:35:51,960 --> 00:35:54,680
Speaker 7: me being in depth, Jam and Leo all knowing he leaving.

624
00:35:55,120 --> 00:35:58,400
Speaker 7: He would walk around different, right, like like I was

625
00:35:58,440 --> 00:36:01,400
Speaker 7: there like three days straight and I would look at

626
00:36:01,520 --> 00:36:04,440
Speaker 7: you could tell like he was hiding something, right because

627
00:36:04,480 --> 00:36:07,240
Speaker 7: he can't legally tell anybody I'm leaving.

628
00:36:07,680 --> 00:36:11,920
Speaker 1: You understand was that no one never knew that about it,

629
00:36:12,320 --> 00:36:14,120
Speaker 1: or like no one had no clue.

630
00:36:14,200 --> 00:36:16,959
Speaker 13: Okay, so I think everybody knew at the same time

631
00:36:17,000 --> 00:36:18,000
Speaker 13: that day.

632
00:36:18,680 --> 00:36:21,640
Speaker 7: Now, how did it happen that, you guys know, she

633
00:36:21,680 --> 00:36:22,920
Speaker 7: announced it on the station.

634
00:36:24,000 --> 00:36:28,320
Speaker 3: She made an announcement. I forgot she made an email

635
00:36:28,440 --> 00:36:31,040
Speaker 3: phone call. But yeah, it's like if I did find out.

636
00:36:31,040 --> 00:36:32,040
Speaker 3: It was literally the same day.

637
00:36:32,440 --> 00:36:35,200
Speaker 13: What I remember she made her like everybody pulled up

638
00:36:36,200 --> 00:36:39,400
Speaker 13: and she made that announcement and it was like balloons

639
00:36:39,440 --> 00:36:40,759
Speaker 13: and cakes and all types of.

640
00:36:41,160 --> 00:36:44,960
Speaker 3: Now letting the Mary J. Bloge came. Taraji p Henson came, right,

641
00:36:45,960 --> 00:36:49,640
Speaker 3: I'm p Henson like just who are you guys going

642
00:36:49,719 --> 00:36:55,080
Speaker 3: to be? Okay, there's gonna be better things for you.

643
00:36:55,120 --> 00:36:58,200
Speaker 13: And everybody pulled up and she didn't tell a war

644
00:36:58,320 --> 00:37:00,400
Speaker 13: what what she was doing. She's like, yah, just you know,

645
00:37:00,440 --> 00:37:03,480
Speaker 13: I'm done, done that. I'm leaving my last day. But

646
00:37:03,520 --> 00:37:07,600
Speaker 13: you know, everybody came to celebrate her. Everybody's crying. The

647
00:37:07,640 --> 00:37:11,280
Speaker 13: whole station pulled up, facts, the phone calls.

648
00:37:11,000 --> 00:37:12,120
Speaker 3: Every artist calling.

649
00:37:12,320 --> 00:37:16,560
Speaker 13: It was a celebration, you know, but the city was hurt, like,

650
00:37:17,160 --> 00:37:18,000
Speaker 13: oh my god.

651
00:37:17,840 --> 00:37:20,800
Speaker 3: How ninety seven is over? It's over?

652
00:37:21,280 --> 00:37:23,200
Speaker 13: Like you know that's the that was the queen, like

653
00:37:23,200 --> 00:37:25,520
Speaker 13: a voice in New York like, so yeah, it was.

654
00:37:25,560 --> 00:37:27,760
Speaker 3: It was. That was tough. That was tough.

655
00:37:28,560 --> 00:37:31,360
Speaker 1: Okay. Now you know if you used to work on

656
00:37:31,440 --> 00:37:32,600
Speaker 1: the Star in work Wow.

657
00:37:32,440 --> 00:37:35,200
Speaker 7: Show yes sir, and I believe you quick, yeah, And

658
00:37:35,239 --> 00:37:38,600
Speaker 7: that's how you got your own slot, right, Well, something

659
00:37:38,640 --> 00:37:38,879
Speaker 7: like that.

660
00:37:38,960 --> 00:37:41,359
Speaker 1: Something like that. I'm I'm so.

661
00:37:43,840 --> 00:37:46,320
Speaker 7: This is this is something you've probably never been asked before,

662
00:37:47,200 --> 00:37:51,160
Speaker 7: Like how did you feel when Envy left the station

663
00:37:51,360 --> 00:37:53,000
Speaker 7: and started the breakfast cloud.

664
00:37:53,480 --> 00:37:56,880
Speaker 3: I was like, great for him, Okay, I was okay,

665
00:37:57,719 --> 00:38:01,719
Speaker 3: I was happy for Well. People don't seem to understand, right,

666
00:38:02,560 --> 00:38:06,399
Speaker 3: just because Envy's at the other station doesn't mean he's

667
00:38:06,440 --> 00:38:09,800
Speaker 3: not my guy. That's my guy. I got sick in

668
00:38:09,880 --> 00:38:13,239
Speaker 3: twenty nineteen, had a stroke and I was fucked up.

669
00:38:14,560 --> 00:38:18,160
Speaker 3: And Envy was the one who calls this guy and says, yo,

670
00:38:18,560 --> 00:38:21,960
Speaker 3: we don't know what enough situation is. His monetary situation is.

671
00:38:22,160 --> 00:38:25,120
Speaker 3: He might be fucked up. You know, he's not doing gigs,

672
00:38:25,120 --> 00:38:28,560
Speaker 3: he's not outside. He might he might whatever. And then

673
00:38:28,600 --> 00:38:30,600
Speaker 3: I started getting this is like during the cash at

674
00:38:30,680 --> 00:38:35,600
Speaker 3: venmo Era, I started getting old this thing and I'm like,

675
00:38:35,600 --> 00:38:38,319
Speaker 3: what the fuck is this? I called this dude, like, yo,

676
00:38:38,320 --> 00:38:40,959
Speaker 3: why in by sending me money? That we spoke to Envy.

677
00:38:41,040 --> 00:38:43,600
Speaker 3: Envy brought it up and I was like, look, the

678
00:38:43,640 --> 00:38:48,600
Speaker 3: competition is calling to help and send love. I thought

679
00:38:48,640 --> 00:38:52,760
Speaker 3: I was the most incredible SHITNK. Not my best friend,

680
00:38:52,880 --> 00:38:54,719
Speaker 3: but not somebody I'll do up with.

681
00:38:58,800 --> 00:39:02,719
Speaker 13: But real talk, real talk like there was never when

682
00:39:02,719 --> 00:39:06,400
Speaker 13: he went over there, we was always cool. Nothing changed.

683
00:39:06,719 --> 00:39:08,359
Speaker 13: I used to I used to do the show like

684
00:39:08,560 --> 00:39:12,120
Speaker 13: on Sundays. I used to don't show envy and we

685
00:39:12,200 --> 00:39:13,440
Speaker 13: used to be on then I used to hop on

686
00:39:13,560 --> 00:39:15,759
Speaker 13: right after. So we were like always seeing each other

687
00:39:15,760 --> 00:39:18,919
Speaker 13: every weekend. When he went over there, they was to love.

688
00:39:19,080 --> 00:39:20,799
Speaker 1: No, but I'm gonna be honest. Let me just be honest.

689
00:39:20,840 --> 00:39:21,560
Speaker 3: I'm gonna be honest.

690
00:39:22,960 --> 00:39:25,400
Speaker 7: At one point, it was just Hot ninety seven, right, yeah,

691
00:39:25,680 --> 00:39:28,360
Speaker 7: so if you didn't get Hot ninety seven, your ass

692
00:39:28,440 --> 00:39:29,040
Speaker 7: was finished.

693
00:39:29,160 --> 00:39:29,440
Speaker 3: Right.

694
00:39:31,680 --> 00:39:36,080
Speaker 7: Power went on five came option kind of even the

695
00:39:36,160 --> 00:39:39,839
Speaker 7: playing field. The problem was when they first came, they

696
00:39:39,880 --> 00:39:41,719
Speaker 7: didn't have no players from Hot ninety seven.

697
00:39:42,360 --> 00:39:46,360
Speaker 3: No, So when Envy game, I felt like it. So

698
00:39:46,520 --> 00:39:50,359
Speaker 3: I think I think Clue was first. Yes, I don't

699
00:39:50,400 --> 00:39:52,120
Speaker 3: remember the old I think Clue went first.

700
00:39:52,200 --> 00:39:55,759
Speaker 1: Cool, No, No, it had to be the brother Stu first.

701
00:39:55,800 --> 00:39:57,640
Speaker 3: He might he might know this. I don't know. I

702
00:39:57,680 --> 00:40:00,000
Speaker 3: think we went first. Okay, I think Clue made them

703
00:40:00,120 --> 00:40:04,600
Speaker 3: move first. Okay, it was envy, Okay, what is the

704
00:40:04,600 --> 00:40:09,680
Speaker 3: probably love first? Well yeah, yeah, you're right right right.

705
00:40:09,880 --> 00:40:13,520
Speaker 1: That level was crazy, but at level was like, you know,

706
00:40:14,600 --> 00:40:15,280
Speaker 1: you know what I'm saying.

707
00:40:15,560 --> 00:40:17,920
Speaker 3: The person he was still the big voice of the

708
00:40:17,960 --> 00:40:18,560
Speaker 3: city man.

709
00:40:18,520 --> 00:40:22,120
Speaker 1: With envy clue left. It was like, okay. It was

710
00:40:22,280 --> 00:40:24,440
Speaker 1: because I remember, I don't know if you remember, I

711
00:40:24,480 --> 00:40:27,000
Speaker 1: know you got to remember this.

712
00:40:27,000 --> 00:40:33,920
Speaker 7: This is after the shootout and I was banned. He

713
00:40:34,000 --> 00:40:37,520
Speaker 7: was like, let me tell you something. This is the

714
00:40:37,520 --> 00:40:40,800
Speaker 7: crazy ship if you notice, and that in that time,

715
00:40:41,680 --> 00:40:43,680
Speaker 7: every other artist will go to the Power one O

716
00:40:43,840 --> 00:40:45,760
Speaker 7: five and say I flipped the switch.

717
00:40:46,160 --> 00:40:48,760
Speaker 3: I remember that. That was that was the campaign.

718
00:40:48,800 --> 00:40:51,879
Speaker 7: That was their campaign. I did you the fire, nor

719
00:40:51,920 --> 00:40:52,880
Speaker 7: we say I flipped the switch.

720
00:40:53,120 --> 00:40:55,160
Speaker 3: Never did that. I could never do that because.

721
00:41:00,239 --> 00:41:02,759
Speaker 6: Now to money in those days, now years later, maybe

722
00:41:02,800 --> 00:41:05,840
Speaker 6: I don't know what I'm saying, like yeah, because you

723
00:41:05,880 --> 00:41:12,720
Speaker 6: know why, like Russell Simmons had to go what's her name, Tracy, Yeah.

724
00:41:12,640 --> 00:41:14,920
Speaker 1: Russell Simmons had to go. I didn't take the shot.

725
00:41:17,600 --> 00:41:19,759
Speaker 7: And talk to them, and my record was number one,

726
00:41:20,040 --> 00:41:22,920
Speaker 7: grit me. It was grimy that was pulled and then

727
00:41:23,160 --> 00:41:25,000
Speaker 7: it was you like and as soon as I came.

728
00:41:24,880 --> 00:41:26,520
Speaker 1: Back, I got geral office.

729
00:41:26,560 --> 00:41:28,600
Speaker 3: I was like, here be back, and it was like.

730
00:41:28,760 --> 00:41:30,719
Speaker 1: It's a go. And then I think it was kind

731
00:41:30,800 --> 00:41:31,560
Speaker 1: to somebody was.

732
00:41:31,560 --> 00:41:37,239
Speaker 7: Like, it's a goal, grab me right back to number one,

733
00:41:35,560 --> 00:41:42,160
Speaker 7: and I was so, do y'all do y'all understand? So

734
00:41:43,600 --> 00:41:46,120
Speaker 7: how did how did y'all look at that that plan field?

735
00:41:46,120 --> 00:41:49,120
Speaker 7: Because at one point it was just y'all right, and

736
00:41:49,160 --> 00:41:52,040
Speaker 7: then we have this other station that come and.

737
00:41:51,960 --> 00:41:55,920
Speaker 1: Then we got Angie. Like once Angie went over there, it.

738
00:41:56,000 --> 00:41:58,719
Speaker 7: Was like all right, cool, like like everybody's like kind

739
00:41:58,760 --> 00:42:01,040
Speaker 7: of even. Like now it's like it's like the Mets

740
00:42:01,080 --> 00:42:02,080
Speaker 7: and the Yankees.

741
00:42:01,760 --> 00:42:04,040
Speaker 3: Now for real, like you know what it did though,

742
00:42:04,080 --> 00:42:07,160
Speaker 3: what you guys didn't understand? It watered the hip hop

743
00:42:07,200 --> 00:42:13,040
Speaker 3: came down. Okay, explain that because now we're playing politics, right,

744
00:42:13,400 --> 00:42:16,319
Speaker 3: and the politics is this. Now we're not gonna play

745
00:42:16,320 --> 00:42:19,520
Speaker 3: that RMB song. Why because they're playing it's power playing

746
00:42:19,560 --> 00:42:22,719
Speaker 3: it or whatever. We don't. We don't play R and B.

747
00:42:22,760 --> 00:42:24,839
Speaker 3: We're a hip hop station, you know what. Let them

748
00:42:24,880 --> 00:42:26,799
Speaker 3: play it first and then they'll take it to a

749
00:42:26,800 --> 00:42:28,719
Speaker 3: certain level that we just take it and run with it.

750
00:42:29,239 --> 00:42:33,600
Speaker 3: It became on loud and then it came you know what, enough,

751
00:42:34,160 --> 00:42:35,880
Speaker 3: we love what you're doing. But from now one, I

752
00:42:35,920 --> 00:42:39,520
Speaker 3: wants to play four of these songs our but that

753
00:42:39,640 --> 00:42:42,800
Speaker 3: was the very beginning of it. Let me play advocate.

754
00:42:42,840 --> 00:42:46,480
Speaker 7: I was like, damn, but that's how it used to

755
00:42:46,560 --> 00:42:49,600
Speaker 7: be for us and other like like if you're going

756
00:42:49,640 --> 00:42:54,000
Speaker 7: to Philly, yeah, say there's enough playing that. Yeah, they'll

757
00:42:54,040 --> 00:42:56,880
Speaker 7: say it's flex playing it. You know what I'm saying.

758
00:42:56,480 --> 00:43:02,960
Speaker 3: The market, Yeah, it was like you from those markets

759
00:43:03,239 --> 00:43:04,400
Speaker 3: slextly enough not playing it?

760
00:43:04,600 --> 00:43:08,640
Speaker 1: Yeah right, yes, yes, that's even like cosmical.

761
00:43:09,920 --> 00:43:11,560
Speaker 3: That's the only reason why they would bring that up.

762
00:43:11,800 --> 00:43:15,480
Speaker 13: Listen, when I started hot, I started midnights and it

763
00:43:15,600 --> 00:43:18,200
Speaker 13: was like, okay, you're on four o'clock, have a good time.

764
00:43:18,280 --> 00:43:21,880
Speaker 3: Played that. I had no rules. In fact, go in

765
00:43:23,719 --> 00:43:26,880
Speaker 3: whatever's hide in the street whatever. It was like the uncut.

766
00:43:26,880 --> 00:43:29,960
Speaker 13: Power came and then our hand started getting handcuffed little

767
00:43:29,960 --> 00:43:33,399
Speaker 13: by right, Oh, you got to stick to this, stick

768
00:43:33,440 --> 00:43:37,120
Speaker 13: to that and what he means like water diamonds. Now,

769
00:43:37,560 --> 00:43:40,600
Speaker 13: now start getting political. Now it's not hip hopping. No,

770
00:43:40,680 --> 00:43:42,600
Speaker 13: it's not coming from here. It's coming from here.

771
00:43:42,640 --> 00:43:46,440
Speaker 3: But you got rules right, right, right, absolutely so, And

772
00:43:46,880 --> 00:43:50,160
Speaker 3: that's when people don't understand. You know, it gets real.

773
00:43:50,040 --> 00:43:52,920
Speaker 13: Tough for radio, like and that war was a little

774
00:43:53,120 --> 00:43:56,240
Speaker 13: oh it got outside.

775
00:43:55,880 --> 00:43:57,640
Speaker 3: Looking at I was like what are y'all doing?

776
00:43:57,800 --> 00:44:03,520
Speaker 13: But I meant it got yeah, it got petty, super

777
00:44:03,719 --> 00:44:04,480
Speaker 13: he got petty.

778
00:44:04,600 --> 00:44:07,080
Speaker 3: And at first it was fun. It was, but you

779
00:44:07,120 --> 00:44:08,600
Speaker 3: can tell it wasn't fun anymore.

780
00:44:09,280 --> 00:44:11,320
Speaker 13: I'm going to keep it a buck. Kind of slipped.

781
00:44:11,320 --> 00:44:14,160
Speaker 13: It kind of separated the city, which was whack. And

782
00:44:14,160 --> 00:44:15,200
Speaker 13: I said, to this day.

783
00:44:15,239 --> 00:44:17,440
Speaker 3: Yeah, because you can't go to a power one of

784
00:44:17,520 --> 00:44:21,359
Speaker 3: five party. Why I can't DJ with envy? Why can't

785
00:44:21,360 --> 00:44:24,160
Speaker 3: you you with pro stout? Why can't what right?

786
00:44:24,960 --> 00:44:26,880
Speaker 1: And it was like, hold up and pro stouts are

787
00:44:26,880 --> 00:44:27,839
Speaker 1: heavy hit the right?

788
00:44:28,080 --> 00:44:28,480
Speaker 3: He was?

789
00:44:28,800 --> 00:44:48,560
Speaker 1: He was, I mean, especially at that time, shout the pro.

790
00:44:40,120 --> 00:44:43,040
Speaker 13: Politics and yo, I'm not here to shore on nobody.

791
00:44:43,360 --> 00:44:46,720
Speaker 3: I love you, bro, But he was. He was playing.

792
00:44:46,760 --> 00:44:50,000
Speaker 3: He was being the general. You can't funk with that side.

793
00:44:52,080 --> 00:44:58,080
Speaker 1: Ya was Crimson blood at one point, I remember, yeah.

794
00:44:58,160 --> 00:45:01,400
Speaker 13: And and it hurts the It hurt to say, and

795
00:45:01,440 --> 00:45:04,479
Speaker 13: I understood the what guy radio? But you know, once

796
00:45:04,520 --> 00:45:07,880
Speaker 13: we're out that building, mhm, we are here in the streets.

797
00:45:08,160 --> 00:45:10,360
Speaker 3: The way the world was, Bro, you pulled up in

798
00:45:10,400 --> 00:45:12,160
Speaker 3: the club, we got stickers, were putting our stickers in

799
00:45:12,239 --> 00:45:15,200
Speaker 3: the club. Then they would come and put their sticker

800
00:45:15,280 --> 00:45:20,640
Speaker 3: over our thinker like b streets. That's what it was.

801
00:45:21,360 --> 00:45:23,000
Speaker 13: Unfortunately, I got caught up in that a little bit

802
00:45:23,040 --> 00:45:24,000
Speaker 13: because I got brainwashed.

803
00:45:24,000 --> 00:45:25,160
Speaker 3: I can't front I got caught.

804
00:45:25,200 --> 00:45:28,040
Speaker 13: I was young on Radio No No, and I was like, oh, yeah,

805
00:45:28,280 --> 00:45:30,800
Speaker 13: all them guys and little by little started getting brainwashed.

806
00:45:30,440 --> 00:45:32,680
Speaker 3: You know, we all get brainwashed. And then I started

807
00:45:32,719 --> 00:45:33,120
Speaker 3: what happened.

808
00:45:33,160 --> 00:45:33,479
Speaker 1: What happened.

809
00:45:33,719 --> 00:45:36,960
Speaker 13: I started following ABRO's energy. Right, you can't fuck with

810
00:45:37,000 --> 00:45:40,120
Speaker 13: that side. But I'm still a rookie a radio I'm

811
00:45:42,080 --> 00:45:43,719
Speaker 13: I'm like, well, yeah, we can't fuck with that side.

812
00:45:43,920 --> 00:45:46,759
Speaker 13: I started phoning for it, and I regret that. I

813
00:45:46,840 --> 00:45:49,480
Speaker 13: regret that because that was nonsense. You know, you can't

814
00:45:50,200 --> 00:45:53,360
Speaker 13: the other day and I shade of nobody.

815
00:45:53,400 --> 00:45:53,560
Speaker 9: You know.

816
00:45:53,640 --> 00:45:56,160
Speaker 3: I think abral was a great PD. He was doing

817
00:45:56,239 --> 00:46:00,239
Speaker 3: his job. We wanted to win, that's it. But you

818
00:46:00,320 --> 00:46:02,200
Speaker 3: know why it was great, bro, And I'm gonna tell

819
00:46:02,200 --> 00:46:06,239
Speaker 3: you why because you protected us. Yes, he thought for us,

820
00:46:07,080 --> 00:46:09,640
Speaker 3: the DJ that's the difference, right, and I got it.

821
00:46:09,960 --> 00:46:12,799
Speaker 3: A lot of pds don't fight. They do their job

822
00:46:13,520 --> 00:46:17,480
Speaker 3: when she gets hairy, right you know.

823
00:46:17,800 --> 00:46:19,520
Speaker 13: So you know it was ugly, but at the same

824
00:46:19,560 --> 00:46:22,400
Speaker 13: time as competition. At the end of the day, I

825
00:46:22,600 --> 00:46:24,520
Speaker 13: could speak for myself and enough we got along with

826
00:46:24,640 --> 00:46:26,520
Speaker 13: everybody at the end of the day.

827
00:46:26,719 --> 00:46:28,000
Speaker 3: But you know what I'm saying.

828
00:46:28,160 --> 00:46:31,879
Speaker 7: I mean, at some point it's still competition. You still

829
00:46:31,920 --> 00:46:35,320
Speaker 7: want to have the better set. Of course, you go

830
00:46:35,480 --> 00:46:35,840
Speaker 7: in and.

831
00:46:37,400 --> 00:46:39,600
Speaker 13: And then then and then when when you put it

832
00:46:39,640 --> 00:46:42,000
Speaker 13: on a spot that you can't play with homeboy so

833
00:46:42,080 --> 00:46:44,239
Speaker 13: you gotta do, then you're competing. He's at that coup,

834
00:46:44,280 --> 00:46:46,680
Speaker 13: I'm gona here, and it becomes crazy competition.

835
00:46:47,160 --> 00:46:48,440
Speaker 4: I mean, y'all could compete, but at the end of

836
00:46:48,480 --> 00:46:50,439
Speaker 4: the day, you guys are home team as a city.

837
00:46:50,840 --> 00:46:52,200
Speaker 4: That's the way it really should write.

838
00:46:52,600 --> 00:46:55,520
Speaker 13: And that's where the toxic stops just started getting toxic.

839
00:46:55,800 --> 00:46:55,960
Speaker 1: You know.

840
00:46:56,680 --> 00:46:58,480
Speaker 13: But listen, after a couple of years, I was like,

841
00:46:58,560 --> 00:47:00,680
Speaker 13: this is is bullshit. I ain't doing this.

842
00:47:01,160 --> 00:47:02,880
Speaker 1: And then and then did you did you think Flex

843
00:47:03,200 --> 00:47:04,680
Speaker 1: had a a part in that as well?

844
00:47:04,800 --> 00:47:07,360
Speaker 3: Like because he's forget.

845
00:47:07,200 --> 00:47:10,480
Speaker 13: About he he was this and that's it. You know,

846
00:47:10,600 --> 00:47:12,560
Speaker 13: I saw a different I was like, yo, okay, this

847
00:47:12,680 --> 00:47:16,320
Speaker 13: is cool on the radio, no doubt we're winning. But

848
00:47:16,440 --> 00:47:20,760
Speaker 13: once we're out there, right, it ain't that serious.

849
00:47:20,840 --> 00:47:21,000
Speaker 3: Man.

850
00:47:21,080 --> 00:47:24,239
Speaker 13: It's like playing baseball, right, Yeah, the game is over

851
00:47:25,400 --> 00:47:27,560
Speaker 13: having drinks at the at the after party with the

852
00:47:28,600 --> 00:47:34,040
Speaker 13: fact that said mind warning, all right, you are ready.

853
00:47:37,640 --> 00:47:38,439
Speaker 3: Let me get a drink.

854
00:47:39,200 --> 00:47:44,040
Speaker 1: He said, let me a drink because off, because I

855
00:47:44,080 --> 00:47:47,880
Speaker 1: guess pretty much? Which right when we cover in Bride?

856
00:47:48,000 --> 00:47:48,359
Speaker 1: Which right?

857
00:47:49,600 --> 00:48:01,480
Speaker 3: Cool? Want to be surrounded brother? What's up one? I

858
00:48:01,600 --> 00:48:03,319
Speaker 3: want to ask this king.

859
00:48:05,040 --> 00:48:08,000
Speaker 7: I kept searching all your interviews and things you've done,

860
00:48:08,080 --> 00:48:09,400
Speaker 7: and you always said.

861
00:48:11,000 --> 00:48:12,000
Speaker 3: I started heavy.

862
00:48:11,840 --> 00:48:15,640
Speaker 1: Hitting this because I was never accepted in the big

863
00:48:15,719 --> 00:48:16,160
Speaker 1: dog pep.

864
00:48:16,360 --> 00:48:17,560
Speaker 3: That's one hundred percent of truth.

865
00:48:17,640 --> 00:48:19,120
Speaker 1: You always say it playing around.

866
00:48:23,480 --> 00:48:27,080
Speaker 3: So I was tight? Okay? So so you mean that?

867
00:48:27,360 --> 00:48:28,279
Speaker 3: Have you asked him?

868
00:48:28,280 --> 00:48:28,400
Speaker 4: Oh?

869
00:48:28,480 --> 00:48:31,160
Speaker 3: He yo, bro okay. I remember being at the radio

870
00:48:31,239 --> 00:48:35,040
Speaker 3: station and he was announcing like new DJs who was

871
00:48:35,080 --> 00:48:38,640
Speaker 3: part of his collective, and it was like the DJ Twins,

872
00:48:38,680 --> 00:48:40,799
Speaker 3: the guys used to be a red man. He started

873
00:48:40,880 --> 00:48:43,759
Speaker 3: naming all these like DJ Premier whoever it was back

874
00:48:43,840 --> 00:48:45,960
Speaker 3: at that and you at the station looking at him. Yeah,

875
00:48:47,200 --> 00:48:50,200
Speaker 3: in the hallway, I was like, my man, we ain't

876
00:48:50,239 --> 00:48:52,560
Speaker 3: gonna make me a big dup hit bull and then

877
00:48:52,640 --> 00:48:55,440
Speaker 3: hit me with the you know, my man, you know

878
00:48:55,560 --> 00:48:57,920
Speaker 3: the last crew, the last crew that I was a

879
00:48:58,000 --> 00:49:01,360
Speaker 3: part of, the flip Squad DJs that wasn't really mine,

880
00:49:01,920 --> 00:49:05,359
Speaker 3: that was Jessica's and this crew. I want this one

881
00:49:05,440 --> 00:49:08,719
Speaker 3: to be mine, and you know, I think for this one,

882
00:49:09,280 --> 00:49:12,439
Speaker 3: I'm gonna ask you to sit out. So he told

883
00:49:12,480 --> 00:49:15,160
Speaker 3: me honestly, he told me straight up, but he was like, like,

884
00:49:15,239 --> 00:49:18,560
Speaker 3: this ain't for me. So I was like it was

885
00:49:18,600 --> 00:49:21,520
Speaker 3: almost like a balloon got deflated. I was like.

886
00:49:23,000 --> 00:49:25,080
Speaker 4: That all sounds like saying you're so big this one

887
00:49:25,200 --> 00:49:28,239
Speaker 4: for me, you could do your own kind of like that.

888
00:49:29,440 --> 00:49:31,520
Speaker 3: I mean, that wasn't thing. But look, in a weird way,

889
00:49:33,080 --> 00:49:35,320
Speaker 3: me and me and Funk got a real love and

890
00:49:35,320 --> 00:49:38,600
Speaker 3: hate relationship, right because we just go back so long.

891
00:49:39,560 --> 00:49:41,920
Speaker 3: But he would tell me my ears. He was like, yeah,

892
00:49:41,960 --> 00:49:44,319
Speaker 3: when you was gonna kiss, you kicked my ass when

893
00:49:44,360 --> 00:49:46,520
Speaker 3: you played this record. And he was cutting up this

894
00:49:46,680 --> 00:49:49,720
Speaker 3: record like he would give me my flowers, but behind

895
00:49:49,760 --> 00:49:53,759
Speaker 3: closed doors, and I was like, damn, why he do that?

896
00:49:54,880 --> 00:49:58,279
Speaker 3: And a part of you know, the conversation, you know,

897
00:49:58,320 --> 00:50:01,880
Speaker 3: because this might be the last gonna talk about it. Yeah,

898
00:50:02,600 --> 00:50:05,000
Speaker 3: But at the end of the day, I always felt

899
00:50:05,080 --> 00:50:12,439
Speaker 3: like just because I'm moving a certain way and maybe

900
00:50:12,520 --> 00:50:15,120
Speaker 3: you don't know about certain things or it's not the

901
00:50:15,160 --> 00:50:19,239
Speaker 3: way you move doesn't mean I should be punished. You

902
00:50:19,360 --> 00:50:22,520
Speaker 3: understand my point? So that that's kind of like the

903
00:50:23,040 --> 00:50:26,960
Speaker 3: gist of this. So when I couldn't become a big

904
00:50:27,000 --> 00:50:31,120
Speaker 3: little pibow recipes. DJ Threat he's the one that put

905
00:50:31,200 --> 00:50:33,000
Speaker 3: up the idea. He was like, Yo, what we're gonna do,

906
00:50:33,200 --> 00:50:36,440
Speaker 3: man about your own fucking crew. So I was like

907
00:50:36,640 --> 00:50:38,520
Speaker 3: what And I didn't think about it.

908
00:50:38,640 --> 00:50:41,200
Speaker 13: I said, DJ Threat put a battery on this guy.

909
00:50:41,280 --> 00:50:47,040
Speaker 3: He did. He said literally, he was like masterflight. And

910
00:50:47,160 --> 00:50:49,480
Speaker 3: I was like, damn. While we going there, like it's

911
00:50:49,520 --> 00:50:52,759
Speaker 3: not Ain't that serious right? And he's like, NA, we're

912
00:50:52,760 --> 00:50:55,240
Speaker 3: gonna we're gonna call it the heavy Hitters because your handled.

913
00:50:55,520 --> 00:50:58,280
Speaker 3: My handle at the time was the heavy hitter. DJ

914
00:51:01,760 --> 00:51:05,480
Speaker 3: and he was an old chubby and and and we

915
00:51:05,840 --> 00:51:08,600
Speaker 3: used to have fat boy talking rating. I used to

916
00:51:08,640 --> 00:51:10,880
Speaker 3: do a chip called the Midnight Run. I was on

917
00:51:11,040 --> 00:51:13,719
Speaker 3: twelve to midnight till four in the morning, and the

918
00:51:13,840 --> 00:51:16,440
Speaker 3: fat boy talk was all we talked about was the

919
00:51:17,120 --> 00:51:20,200
Speaker 3: spots we get, the food, the best pizza, the best chicken,

920
00:51:20,239 --> 00:51:25,120
Speaker 3: parmesan heroes, the best burgers. Real fat boy. This is

921
00:51:25,160 --> 00:51:29,160
Speaker 3: before vegan life, before healthy anything. You know, I'm three

922
00:51:29,239 --> 00:51:32,839
Speaker 3: hundred pounds talking fat boy talk because because in New

923
00:51:32,920 --> 00:51:36,120
Speaker 3: York or any big city, even like Miami, you bring

924
00:51:36,280 --> 00:51:39,960
Speaker 3: food up, you put a debate. If I say it's

925
00:51:40,000 --> 00:51:42,960
Speaker 3: the best fried chicken in the world, somebody always got

926
00:51:43,000 --> 00:51:44,600
Speaker 3: something to say, No, I get the best chicken. This

927
00:51:45,840 --> 00:51:48,879
Speaker 3: to Miami again, New York Pizza Miami. Now, I don't

928
00:51:48,920 --> 00:51:54,360
Speaker 3: care what almost like the chicken sandwich beef that Popeyes

929
00:51:54,400 --> 00:51:58,800
Speaker 3: and Chick fil a and whatever, the McDonald's whatever sandwich

930
00:51:59,160 --> 00:52:01,440
Speaker 3: that was a real beef. The internet went crazy off

931
00:52:01,440 --> 00:52:03,480
Speaker 3: for that. So that's what it was.

932
00:52:03,600 --> 00:52:06,400
Speaker 4: So and then the heavy hit is behold up before

933
00:52:07,600 --> 00:52:11,399
Speaker 4: the DJ crews wise, was it Flip Squad then Big

934
00:52:11,480 --> 00:52:13,920
Speaker 4: Dog Pipples? What other DJ crews were around at that time,

935
00:52:14,320 --> 00:52:16,320
Speaker 4: especially for radio and radio?

936
00:52:16,719 --> 00:52:19,080
Speaker 3: I mean even period, because the only ones I knew

937
00:52:19,400 --> 00:52:22,359
Speaker 3: were the Pirate DJs in the Bay. They had a crew,

938
00:52:22,680 --> 00:52:25,440
Speaker 3: the Pirate dj I remember that, because then shortly after

939
00:52:25,440 --> 00:52:30,360
Speaker 3: you had the Technicians and the Technicians Union DJ's in

940
00:52:30,400 --> 00:52:34,239
Speaker 3: the city that came after that that way after, so.

941
00:52:34,280 --> 00:52:37,120
Speaker 5: It was just Big Dog Pipples. Really at that moment.

942
00:52:37,440 --> 00:52:40,520
Speaker 3: There was other DJ crews, but they went on radio,

943
00:52:40,840 --> 00:52:42,600
Speaker 3: right it was more like DJs.

944
00:52:42,239 --> 00:52:44,399
Speaker 4: Who battled No, no, no, I'm talking about radio because

945
00:52:44,400 --> 00:52:48,120
Speaker 4: that that at that moment, having been able to get

946
00:52:48,160 --> 00:52:51,359
Speaker 4: everybody together and unison on radio is a big deal.

947
00:52:51,960 --> 00:52:55,200
Speaker 4: That's a power move. So at that point, Big Dog

948
00:52:55,239 --> 00:52:58,000
Speaker 4: Pipples had that on lock and then you come in.

949
00:53:00,320 --> 00:53:02,600
Speaker 3: So he created that. Do you think that was that?

950
00:53:02,800 --> 00:53:05,400
Speaker 1: What started the competition right there? Is that you actually

951
00:53:05,600 --> 00:53:06,799
Speaker 1: went and started your own crew.

952
00:53:09,680 --> 00:53:12,560
Speaker 3: I mean, this is the one thing I'm gonna bring

953
00:53:12,680 --> 00:53:17,719
Speaker 3: up and rest in peace to mississ mssr C. Really

954
00:53:17,840 --> 00:53:21,560
Speaker 3: very very good friend of mine, and that's the peace.

955
00:53:22,200 --> 00:53:23,919
Speaker 3: He came to me one day at the radio station

956
00:53:24,840 --> 00:53:26,520
Speaker 3: and he's like, damn near the vice president of the

957
00:53:26,520 --> 00:53:33,120
Speaker 3: Big Dog pippolls right, and he says, yo, he you've

958
00:53:33,200 --> 00:53:37,080
Speaker 3: given all these DJs a shot. You're not afraid of

959
00:53:37,160 --> 00:53:41,799
Speaker 3: them taking your job? And I was like, no, see,

960
00:53:42,920 --> 00:53:46,640
Speaker 3: you know why where me and you come from, these

961
00:53:46,719 --> 00:53:49,719
Speaker 3: kids ain't got nothing. And for us to give him

962
00:53:49,719 --> 00:53:52,799
Speaker 3: an opportunity to shine a little bit, what's the hurting

963
00:53:52,880 --> 00:53:55,120
Speaker 3: that ain't? What's the hurting that bro?

964
00:53:55,640 --> 00:53:58,239
Speaker 1: So what you so what are you saying? Like Big

965
00:53:58,320 --> 00:53:59,839
Speaker 1: Dog pick bulls will only sign people.

966
00:54:00,360 --> 00:54:08,040
Speaker 3: No, I don't think they understood there the more of

967
00:54:08,080 --> 00:54:12,040
Speaker 3: a rale part of being a human being. And I

968
00:54:12,200 --> 00:54:14,799
Speaker 3: understand this competition. Understand people want to be number one

969
00:54:15,120 --> 00:54:16,480
Speaker 3: and the king of this and the king of that.

970
00:54:17,480 --> 00:54:21,359
Speaker 3: But you see somebody busting their butt week after week

971
00:54:21,520 --> 00:54:23,560
Speaker 3: at the club. He's doing his thing, he's making a

972
00:54:23,600 --> 00:54:26,600
Speaker 3: little bit of noise. You know, he's good. He's probably

973
00:54:26,640 --> 00:54:28,839
Speaker 3: even better than some DJs you know on your own station.

974
00:54:29,520 --> 00:54:31,080
Speaker 3: So he's like, you know what, come up here, man,

975
00:54:31,520 --> 00:54:34,200
Speaker 3: you co signed him. Go do a mixed show, Go

976
00:54:34,360 --> 00:54:37,400
Speaker 3: do a mix weekend, Go busting out on Saturday, Go

977
00:54:37,440 --> 00:54:40,640
Speaker 3: do your thing. You know what's the hurt in that?

978
00:54:42,120 --> 00:54:49,800
Speaker 3: How you hurting? So that's all this, that's well. And

979
00:54:49,920 --> 00:54:54,399
Speaker 3: then we became family. Bro, that's the biggest thing. Like, listen,

980
00:54:54,480 --> 00:54:58,560
Speaker 3: I'm the third guy he put down. Who's threat? It

981
00:54:58,719 --> 00:55:04,080
Speaker 3: was me and threat And then this fanatic I was

982
00:55:04,160 --> 00:55:08,320
Speaker 3: in midtown Manhattan, somewhere I found no where you probably

983
00:55:08,360 --> 00:55:10,040
Speaker 3: was going to a gig or coming from a gig,

984
00:55:11,200 --> 00:55:14,640
Speaker 3: and I was like, yo, threat, who we're gonna put down?

985
00:55:15,520 --> 00:55:17,160
Speaker 3: He said, I don't know. Let's let's figure it out.

986
00:55:18,080 --> 00:55:19,920
Speaker 3: And then DJ come on walks around the corner like

987
00:55:20,000 --> 00:55:25,799
Speaker 3: literally hit and I said, what about come alo? He goes, yeah,

988
00:55:25,920 --> 00:55:28,640
Speaker 3: I like coming though I like Comlo too. Yo, come on,

989
00:55:28,760 --> 00:55:30,000
Speaker 3: you want to be down with us? We start a

990
00:55:30,040 --> 00:55:30,399
Speaker 3: new DJ.

991
00:55:31,840 --> 00:55:31,960
Speaker 4: Yo.

992
00:55:33,520 --> 00:55:35,799
Speaker 3: How you been doing at the time just mixtapes? Back

993
00:55:35,880 --> 00:55:38,680
Speaker 3: there was just clubs and mixtapes. I was, yeah, that

994
00:55:38,800 --> 00:55:44,840
Speaker 3: was no story. He said yes, without even no hesitation. No,

995
00:55:45,160 --> 00:55:48,480
Speaker 3: nothing that was and mind you haven't this was nothing?

996
00:55:48,560 --> 00:55:52,160
Speaker 3: Then what an idea? And I said, what a crew? Yeah,

997
00:55:52,160 --> 00:55:53,880
Speaker 3: I'm down, let's go, let's go.

998
00:55:54,160 --> 00:55:57,160
Speaker 13: And I wasgging, mind you, I'm talking to DJ enough

999
00:55:58,080 --> 00:56:01,200
Speaker 13: for you, and this even doing this show called Midnight

1000
00:56:01,280 --> 00:56:03,319
Speaker 13: run Night said midnight late.

1001
00:56:03,800 --> 00:56:05,319
Speaker 3: I was just tuning it on the way to club,

1002
00:56:05,440 --> 00:56:08,200
Speaker 3: like killing it, that's all.

1003
00:56:08,239 --> 00:56:12,160
Speaker 13: You start bodying it. And then this guy says, you

1004
00:56:12,160 --> 00:56:15,240
Speaker 13: want to be down with me? And there's no questions,

1005
00:56:15,719 --> 00:56:18,000
Speaker 13: like did not even think about let's go? And it

1006
00:56:18,080 --> 00:56:21,319
Speaker 13: started right there and and and this.

1007
00:56:21,440 --> 00:56:23,480
Speaker 1: Is for lack of a better term. Were you local

1008
00:56:23,560 --> 00:56:24,040
Speaker 1: at the time?

1009
00:56:24,239 --> 00:56:30,600
Speaker 3: Super local? Okay, local? Super I was local around the

1010
00:56:30,640 --> 00:56:32,640
Speaker 3: way Blanc Boulevard.

1011
00:56:32,719 --> 00:56:34,880
Speaker 1: I know, I know you, but I know that, like

1012
00:56:35,280 --> 00:56:37,120
Speaker 1: you know, I didn't know if it was just a

1013
00:56:37,200 --> 00:56:38,279
Speaker 1: queen's thing, you know what I mean?

1014
00:56:39,320 --> 00:56:42,920
Speaker 3: He's from Brooklyn. It was from Long Island. Wow, no

1015
00:56:43,040 --> 00:56:47,440
Speaker 3: queens nothing. I was local at the Woodside store was

1016
00:56:47,480 --> 00:56:48,440
Speaker 3: the numbers.

1017
00:56:50,520 --> 00:56:53,279
Speaker 13: And then I was pushing tapes that maybe I was

1018
00:56:53,320 --> 00:56:55,360
Speaker 13: a little not local because of the mixtapes.

1019
00:56:55,560 --> 00:56:59,080
Speaker 3: Right was everywhere you work on the mixtapes for five Yeah?

1020
00:56:59,120 --> 00:57:02,600
Speaker 3: Yeah yeah, And I used to send this guy mixtape. Yeah.

1021
00:57:02,719 --> 00:57:06,120
Speaker 3: I had my store and and I was super local.

1022
00:57:06,200 --> 00:57:08,560
Speaker 13: And when he came up to me, what is it

1023
00:57:08,640 --> 00:57:11,000
Speaker 13: to think about, Let's go what's next?

1024
00:57:11,080 --> 00:57:13,840
Speaker 1: Because you wasn't local, you are already the show with Switzerland.

1025
00:57:14,120 --> 00:57:17,360
Speaker 3: I was already moving around. He was. He was living

1026
00:57:17,440 --> 00:57:20,080
Speaker 3: in France for a little while doing all this craziness.

1027
00:57:21,280 --> 00:57:25,120
Speaker 3: Was living there. I was doing gigs like that. You

1028
00:57:25,320 --> 00:57:27,320
Speaker 3: there for weeks, going back and forth back like you

1029
00:57:27,400 --> 00:57:29,120
Speaker 3: know enough. It was like my passport.

1030
00:57:32,440 --> 00:57:35,520
Speaker 4: But heavy hitters became a monster. Shout out to mister

1031
00:57:35,600 --> 00:57:36,640
Speaker 4: MAURICEI out here in Miami.

1032
00:57:37,320 --> 00:57:39,040
Speaker 3: So I mean, I think you.

1033
00:57:39,000 --> 00:57:42,000
Speaker 13: Should tell one of the things about putting heavy hitters down.

1034
00:57:42,800 --> 00:57:45,400
Speaker 3: So I was the rule for us. It was like

1035
00:57:45,680 --> 00:57:49,360
Speaker 3: you had to be a dope club DJ, a dope producer,

1036
00:57:50,480 --> 00:57:54,360
Speaker 3: or you had to be you had to be a

1037
00:57:54,440 --> 00:57:57,240
Speaker 3: mixtape dj. Like those were like the carters, you know,

1038
00:57:57,400 --> 00:58:00,200
Speaker 3: like simple things like and then you never got called up,

1039
00:58:00,200 --> 00:58:00,440
Speaker 3: I guess.

1040
00:58:03,160 --> 00:58:04,680
Speaker 13: But you also had to be hot in your city,

1041
00:58:05,520 --> 00:58:07,680
Speaker 13: oh your area, like you have to run your you

1042
00:58:07,800 --> 00:58:08,760
Speaker 13: had to be a heavy hit up.

1043
00:58:09,080 --> 00:58:11,400
Speaker 3: So for example, you mentioned Pro Style like he was

1044
00:58:11,480 --> 00:58:14,760
Speaker 3: hot in Orlandos that was incredible. He was the guy

1045
00:58:14,840 --> 00:58:17,280
Speaker 3: in all orland That's why we do our heavy to

1046
00:58:17,400 --> 00:58:20,479
Speaker 3: retreats to this day because it started from Pro Style

1047
00:58:21,360 --> 00:58:25,640
Speaker 3: because coming up in November, right, yeah, going to Puerto Rico. Warning.

1048
00:58:26,040 --> 00:58:29,800
Speaker 3: So how the heavy hit of retreat started was Pro

1049
00:58:29,960 --> 00:58:33,400
Speaker 3: Style invited us to a barbecue at his crib in Orlando.

1050
00:58:34,600 --> 00:58:36,160
Speaker 3: So he's like, all right, let's do it. Because we

1051
00:58:36,280 --> 00:58:39,080
Speaker 3: had we had like a family trip with the heavy

1052
00:58:39,080 --> 00:58:42,160
Speaker 3: it is. We went to Universal Studios. So he's like, yeah,

1053
00:58:42,160 --> 00:58:44,280
Speaker 3: we're gonna do now. Bro was like, fun, let's comes

1054
00:58:44,280 --> 00:58:48,040
Speaker 3: to the crib barbecue. Family. We had a barbecue. It's

1055
00:58:48,120 --> 00:58:50,080
Speaker 3: alligators in the lake. Were like, what the hell is

1056
00:58:50,080 --> 00:58:56,840
Speaker 3: going on? Like this is Regularida, New York. You know,

1057
00:58:57,000 --> 00:59:00,520
Speaker 3: next time that's not regular backyard exactly.

1058
00:59:01,200 --> 00:59:04,000
Speaker 13: So so little by Little became a family, you know

1059
00:59:04,040 --> 00:59:06,320
Speaker 13: what I'm saying. So you know, little by little fell,

1060
00:59:06,400 --> 00:59:08,680
Speaker 13: he fell in the leg. He became a heavy hit up.

1061
00:59:08,720 --> 00:59:10,840
Speaker 13: I mean we could see it for days. Fyrus in Chicago,

1062
00:59:11,880 --> 00:59:17,160
Speaker 13: mister Mauricio. Internet, it goes international. We got DJ lead

1063
00:59:17,240 --> 00:59:23,400
Speaker 13: and Japan, you know, and it. But it wasn't just

1064
00:59:23,480 --> 00:59:26,840
Speaker 13: about politics and it was it was a family straight up.

1065
00:59:27,080 --> 00:59:29,919
Speaker 13: When when there was times when people couldn't pay their rent,

1066
00:59:30,560 --> 00:59:33,240
Speaker 13: or there was a situation somebody got sick.

1067
00:59:33,480 --> 00:59:34,640
Speaker 3: Yo yo yo yo yo.

1068
00:59:34,960 --> 00:59:40,320
Speaker 13: Yo, chipping bills hold when they talk about it, you know,

1069
00:59:40,400 --> 00:59:42,920
Speaker 13: this is real family stuff. DJ is like DJ crews,

1070
00:59:43,680 --> 00:59:46,760
Speaker 13: they don't do that. This was different for us, so

1071
00:59:46,920 --> 00:59:50,360
Speaker 13: we were very enough. It was very okay, who putting

1072
00:59:50,400 --> 00:59:53,320
Speaker 13: out and why? And let's give him some time, you

1073
00:59:53,360 --> 00:59:54,840
Speaker 13: know what I'm saying. I'll give you an example. Like DJ,

1074
00:59:55,360 --> 00:59:59,520
Speaker 13: he's on a Mega like it took Mega said it

1075
00:59:59,600 --> 01:00:02,080
Speaker 13: took him about six to seven years to get down.

1076
01:00:02,360 --> 01:00:04,320
Speaker 13: And he was on our next every year, every year,

1077
01:00:04,360 --> 01:00:06,440
Speaker 13: every year. And then after a while he showed up

1078
01:00:06,440 --> 01:00:07,840
Speaker 13: to one of the heavy headed retreats. It wasn't a

1079
01:00:07,880 --> 01:00:10,920
Speaker 13: heavy he it pulled up. I said, yo, eat if

1080
01:00:11,080 --> 01:00:13,360
Speaker 13: one guy then earning his stripes is this man right here?

1081
01:00:13,480 --> 01:00:14,120
Speaker 3: He don't stop.

1082
01:00:14,840 --> 01:00:16,919
Speaker 13: And we put Kalita down. Now he's on prime time

1083
01:00:17,120 --> 01:00:20,160
Speaker 13: make it, but he earned the stripes. He called me

1084
01:00:20,240 --> 01:00:23,080
Speaker 13: one day, he said, Yo, these guys are calling me.

1085
01:00:23,160 --> 01:00:26,040
Speaker 13: They wanted me to get down with this crew. But

1086
01:00:26,160 --> 01:00:28,360
Speaker 13: I said, nah, because I'm still waiting to be a

1087
01:00:28,360 --> 01:00:28,840
Speaker 13: heavy hitterer.

1088
01:00:29,680 --> 01:00:31,520
Speaker 3: That's dope. How long on is that? You know what

1089
01:00:31,520 --> 01:00:32,840
Speaker 3: I'm saying? That made me feel good?

1090
01:00:35,520 --> 01:00:37,560
Speaker 5: And he still started as a record pool originally.

1091
01:00:38,640 --> 01:00:41,520
Speaker 3: Now we got the heavy this foundation, there's a five

1092
01:00:41,600 --> 01:00:44,080
Speaker 3: and one C three And what we do is we

1093
01:00:44,440 --> 01:00:47,720
Speaker 3: we have drives. So like we went to d R

1094
01:00:48,080 --> 01:00:53,080
Speaker 3: one time and we literally built a basketball court for

1095
01:00:53,160 --> 01:00:58,240
Speaker 3: a school that was literally underwater, you know, like it

1096
01:00:58,360 --> 01:01:01,320
Speaker 3: was a mess. The classrooms are mess. You know, it's

1097
01:01:01,400 --> 01:01:03,600
Speaker 3: poverty everywhere. Some kids ain't got it, bro, you'd be

1098
01:01:03,640 --> 01:01:04,320
Speaker 3: surprised with they don't.

1099
01:01:04,360 --> 01:01:04,520
Speaker 6: God.

1100
01:01:05,400 --> 01:01:08,200
Speaker 3: So we started to collect and then my wife put

1101
01:01:08,240 --> 01:01:11,320
Speaker 3: it together and she would have, like, I need two

1102
01:01:11,400 --> 01:01:18,560
Speaker 3: hundred of bags. And then we've got composite, uh, notebooks, crayons, folders, pens,

1103
01:01:18,600 --> 01:01:21,600
Speaker 3: the racists, glue sticks and you know, every little thing

1104
01:01:21,720 --> 01:01:24,320
Speaker 3: and even a little toy we're put in there. Right

1105
01:01:25,360 --> 01:01:27,440
Speaker 3: and then when you go there and you give him

1106
01:01:27,480 --> 01:01:30,280
Speaker 3: these bags to the kids. Also, a little kid, he

1107
01:01:30,360 --> 01:01:33,840
Speaker 3: probably was like six years old, he got a little reindeer,

1108
01:01:34,520 --> 01:01:38,800
Speaker 3: like a little fluffy reindeer. It probably costs a dollar fifty.

1109
01:01:40,360 --> 01:01:43,440
Speaker 3: This kid was like, oh my god, and in tears

1110
01:01:43,600 --> 01:01:47,200
Speaker 3: and kids that he got a reindeer. And I was like,

1111
01:01:47,320 --> 01:01:50,800
Speaker 3: this is crazy. I said, we got to do this, DR,

1112
01:01:53,040 --> 01:01:54,320
Speaker 3: So what else have you done?

1113
01:01:54,360 --> 01:01:56,200
Speaker 1: The retreats that a.

1114
01:01:56,240 --> 01:01:59,120
Speaker 3: Lot of them were in DR because I have a timeshare,

1115
01:02:00,120 --> 01:02:04,480
Speaker 3: are right, and at the time shared they would give

1116
01:02:04,560 --> 01:02:07,640
Speaker 3: us like good discounsel with the rooms and we if

1117
01:02:07,640 --> 01:02:09,320
Speaker 3: we book a certain amount of rooms, they'll throw a

1118
01:02:09,400 --> 01:02:10,840
Speaker 3: few rooms for free at us.

1119
01:02:10,960 --> 01:02:11,200
Speaker 13: Whatever.

1120
01:02:11,760 --> 01:02:14,040
Speaker 3: That's the way we did it. And then we started

1121
01:02:14,040 --> 01:02:19,160
Speaker 3: to venture out to different places. And now it's now

1122
01:02:19,240 --> 01:02:22,480
Speaker 3: it's like wherever we go, we're gonna look for places.

1123
01:02:22,560 --> 01:02:26,200
Speaker 3: Like my wife used to be an aba therapist for autism.

1124
01:02:27,320 --> 01:02:29,400
Speaker 3: When we went to we went to a school and

1125
01:02:30,360 --> 01:02:34,640
Speaker 3: and Dominican Republic, they don't even recognize autism as a whole.

1126
01:02:35,360 --> 01:02:40,440
Speaker 3: So my wife took all her legal teachings of being

1127
01:02:40,440 --> 01:02:43,120
Speaker 3: an aba therapist and what's good for them, and she

1128
01:02:43,280 --> 01:02:46,560
Speaker 3: translated everything in Spanish so they could read and learn.

1129
01:02:47,320 --> 01:02:50,440
Speaker 3: And you go to these schools that're fucked up. They

1130
01:02:50,520 --> 01:02:54,080
Speaker 3: have no floors, they're not even clean, they have no

1131
01:02:54,200 --> 01:02:57,360
Speaker 3: cushions for the kids to sit on or whatever. So

1132
01:02:57,560 --> 01:03:00,760
Speaker 3: I'm not saying we could make everything per figure, but

1133
01:03:00,880 --> 01:03:03,080
Speaker 3: we're gonna make it a little bit better. Make it

1134
01:03:03,080 --> 01:03:06,240
Speaker 3: a little bit better, bros. Because you know what, we

1135
01:03:06,360 --> 01:03:08,920
Speaker 3: go through these fancy resorts, we turn up, we have

1136
01:03:08,960 --> 01:03:11,280
Speaker 3: a good time. But I don't know if you guys know,

1137
01:03:11,480 --> 01:03:15,840
Speaker 3: resorts are usually built in fucked up neighborhoods and usually

1138
01:03:15,880 --> 01:03:19,040
Speaker 3: push out poor families and poor people. This place, they could,

1139
01:03:19,720 --> 01:03:24,360
Speaker 3: you know, build these monumental establishments so that we could

1140
01:03:24,720 --> 01:03:27,840
Speaker 3: get a spa massage for ninety minutes, or we could

1141
01:03:28,160 --> 01:03:29,960
Speaker 3: you know, you know what I'm saying. That's real talk.

1142
01:03:30,800 --> 01:03:32,960
Speaker 3: So that's why we do it, bro. Yeah, it's impoint.

1143
01:03:33,120 --> 01:03:35,120
Speaker 13: You know, we could sit as a as a crew

1144
01:03:35,160 --> 01:03:39,360
Speaker 13: of family. Were different. We're different and have made its different.

1145
01:03:40,680 --> 01:03:45,120
Speaker 1: Now before the other day, have you ever been called

1146
01:03:45,160 --> 01:03:45,800
Speaker 1: a snake before?

1147
01:03:46,720 --> 01:03:50,720
Speaker 3: What snake made in my life?

1148
01:03:51,000 --> 01:03:51,200
Speaker 4: Never?

1149
01:03:51,600 --> 01:03:51,800
Speaker 3: Never?

1150
01:03:51,960 --> 01:03:52,080
Speaker 4: Right?

1151
01:03:52,320 --> 01:03:53,240
Speaker 3: Never ever?

1152
01:03:53,600 --> 01:03:58,080
Speaker 7: So how did you feel? Because because your snake number one? Right, yes,

1153
01:03:58,280 --> 01:04:01,560
Speaker 7: and then and then Juice Cayn number two, I think, Okay,

1154
01:04:02,240 --> 01:04:05,919
Speaker 7: I'm asking for a friend. All right, so who's your friend?

1155
01:04:06,320 --> 01:04:06,840
Speaker 1: This guy.

1156
01:04:09,320 --> 01:04:09,600
Speaker 15: From the.

1157
01:04:13,680 --> 01:04:20,320
Speaker 3: How did you feel hearing that lies? Straight up lies?

1158
01:04:20,360 --> 01:04:20,760
Speaker 13: I was like, what?

1159
01:04:21,080 --> 01:04:21,240
Speaker 3: Who?

1160
01:04:21,440 --> 01:04:21,560
Speaker 2: How?

1161
01:04:21,800 --> 01:04:24,160
Speaker 13: How you figuring out? What are we talking about? You know,

1162
01:04:25,960 --> 01:04:29,880
Speaker 13: somebody made up a story and changed the narrative.

1163
01:04:31,800 --> 01:04:34,600
Speaker 3: To his liking. I don't know why.

1164
01:04:35,640 --> 01:04:38,680
Speaker 13: You know, somebody said that I took this man's job

1165
01:04:39,680 --> 01:04:43,880
Speaker 13: and I'm sneaked them right, and you know, you know

1166
01:04:44,040 --> 01:04:46,160
Speaker 13: enough could tell you how I got that job.

1167
01:04:46,280 --> 01:04:51,520
Speaker 3: Ain't going like that. I am, mhmm, what what Tony

1168
01:04:51,880 --> 01:04:52,400
Speaker 3: was the fifty?

1169
01:04:53,120 --> 01:04:57,120
Speaker 13: That's what I'm telling enough, But I'm loyalist, fuck.

1170
01:04:58,680 --> 01:04:59,280
Speaker 3: Hands down.

1171
01:04:59,600 --> 01:05:02,800
Speaker 7: Wasn't it a rumor of like red Alert put you

1172
01:05:02,960 --> 01:05:05,240
Speaker 7: on and then you had to fire Red Alert at

1173
01:05:05,280 --> 01:05:06,080
Speaker 7: some point or something like that.

1174
01:05:08,000 --> 01:05:10,360
Speaker 3: Let me clear this up because I heard read it

1175
01:05:10,440 --> 01:05:14,160
Speaker 3: on here and Red don't get mad because Red Red

1176
01:05:14,280 --> 01:05:18,760
Speaker 3: is stubborn. I love Red Okay. It will always be

1177
01:05:18,880 --> 01:05:28,640
Speaker 3: my boss Alert, And I'm glad I'm up here so

1178
01:05:28,680 --> 01:05:35,600
Speaker 3: I can tell my side of the story. Now, when

1179
01:05:35,680 --> 01:05:40,200
Speaker 3: the higher upside hote these seven at the time, they

1180
01:05:40,240 --> 01:05:44,360
Speaker 3: call him into the office and they're like, we want

1181
01:05:44,440 --> 01:05:47,160
Speaker 3: you to do the shift from now, one thing would

1182
01:05:47,160 --> 01:05:49,120
Speaker 3: be a good look for you, and I'm like, I

1183
01:05:49,160 --> 01:05:51,680
Speaker 3: can't do that. That's Red Shift. No, no, no, you

1184
01:05:51,800 --> 01:05:54,560
Speaker 3: know listening to me, I'm like, I'm not doing that.

1185
01:05:54,720 --> 01:05:56,920
Speaker 3: That's Red Ship. I'm not doing that to him. And

1186
01:05:57,000 --> 01:06:01,600
Speaker 3: then I got the evil face like, look, if you

1187
01:06:01,640 --> 01:06:04,600
Speaker 3: don't take it, I'm giving it to somebody else. You

1188
01:06:04,720 --> 01:06:06,440
Speaker 3: got to Saturday to tell me if you want it

1189
01:06:06,560 --> 01:06:11,720
Speaker 3: or not. So I'm like, damn, will wrestle. So then

1190
01:06:11,760 --> 01:06:13,760
Speaker 3: I talked to a few other people in the building

1191
01:06:15,720 --> 01:06:17,600
Speaker 3: and it was already under the impression that the we

1192
01:06:17,640 --> 01:06:21,000
Speaker 3: were trying to get rid of him. I went straight

1193
01:06:21,080 --> 01:06:23,600
Speaker 3: to the DJ booth and had to talk with him.

1194
01:06:26,400 --> 01:06:30,040
Speaker 3: You know what doctor Kitto is, Yeah, of course right,

1195
01:06:30,520 --> 01:06:33,360
Speaker 3: but they can't do it. That's almost like when you

1196
01:06:33,440 --> 01:06:35,920
Speaker 3: hit a kid from me, you know, burning still you

1197
01:06:36,000 --> 01:06:39,840
Speaker 3: realize that. So I went to go tell Red, and

1198
01:06:39,920 --> 01:06:42,439
Speaker 3: Red is the most peaceful DJ in the world. In fact,

1199
01:06:42,520 --> 01:06:44,600
Speaker 3: I get it fucked up. I never even heard him

1200
01:06:44,680 --> 01:06:47,720
Speaker 3: yell at anybody in the thirty forty plus. Here's I

1201
01:06:47,800 --> 01:06:51,560
Speaker 3: know him right. When I told him that I was

1202
01:06:51,720 --> 01:06:56,720
Speaker 3: just offered his job, it's almost he was like, get

1203
01:06:56,760 --> 01:07:02,280
Speaker 3: out of here, that's not true. I'm like Red I'm

1204
01:07:02,360 --> 01:07:05,160
Speaker 3: telling you, like he didn't want to hear me, and

1205
01:07:05,280 --> 01:07:07,680
Speaker 3: he was like, no, you know Chris Lddie's his manager

1206
01:07:07,720 --> 01:07:09,960
Speaker 3: at the time. Yeah, they were working something out for

1207
01:07:10,040 --> 01:07:14,280
Speaker 3: a new contract, whatever it was. So he dismissed me,

1208
01:07:15,480 --> 01:07:18,800
Speaker 3: and that was her but he's still my father. So

1209
01:07:18,960 --> 01:07:21,800
Speaker 3: I took it whatever and I left. Now this is

1210
01:07:21,840 --> 01:07:26,600
Speaker 3: the crazy part. I'm scheduled to go on vacation and

1211
01:07:26,680 --> 01:07:29,920
Speaker 3: I went to Puerto Rico so my six month year

1212
01:07:30,000 --> 01:07:32,560
Speaker 3: old son could meet his grandmother for the first time.

1213
01:07:33,360 --> 01:07:40,720
Speaker 3: So I go and I'm literally there. My son gets thick,

1214
01:07:41,680 --> 01:07:45,480
Speaker 3: he gets dehydrated, and one week turns into three weeks

1215
01:07:47,600 --> 01:07:53,640
Speaker 3: and it's like, it's crazy. So I miss the firing

1216
01:07:53,920 --> 01:07:56,880
Speaker 3: of Red Alert. I'm in Puerto Rico. I had no

1217
01:07:56,920 --> 01:07:59,120
Speaker 3: idea what's happening. I knew what was happening, but just

1218
01:07:59,160 --> 01:08:03,920
Speaker 3: didn't know when, right, So I guess that Monday I

1219
01:08:04,000 --> 01:08:06,520
Speaker 3: was supposed to come back and start to shift.

1220
01:08:06,360 --> 01:08:09,240
Speaker 13: Right, and you back then there's no Instagram, there's no

1221
01:08:10,400 --> 01:08:12,680
Speaker 13: there's no instant, no smartphones.

1222
01:08:12,760 --> 01:08:16,000
Speaker 3: It maybe it's star attack, maybe.

1223
01:08:16,120 --> 01:08:18,720
Speaker 1: Right, But that was the rumor though, right, that you

1224
01:08:18,800 --> 01:08:19,439
Speaker 1: took his job.

1225
01:08:20,600 --> 01:08:23,120
Speaker 3: So I had a salty taste in my mouth because

1226
01:08:23,120 --> 01:08:26,080
Speaker 3: it was like I would never take his job. But

1227
01:08:27,120 --> 01:08:29,880
Speaker 3: at the end of the day, it was like if

1228
01:08:29,920 --> 01:08:32,200
Speaker 3: I don't take it, somebody else will. They're gonna get

1229
01:08:32,280 --> 01:08:35,479
Speaker 3: rid of him any way. So at that point I

1230
01:08:35,640 --> 01:08:40,360
Speaker 3: was like, oh, Ship, what do I do? Then I

1231
01:08:40,439 --> 01:08:42,160
Speaker 3: get a phone call from the girl I'll come back

1232
01:08:42,160 --> 01:08:47,639
Speaker 3: and vacation and the job was officially slated for kick

1233
01:08:47,680 --> 01:08:55,720
Speaker 3: Capre mm hmm wow wow job wow wow wow kick

1234
01:08:55,800 --> 01:09:00,200
Speaker 3: Capree and then I don't know whatever, the conversations word

1235
01:09:00,240 --> 01:09:04,240
Speaker 3: didn't work out. Then there was supposed to be DJ

1236
01:09:04,439 --> 01:09:09,080
Speaker 3: Ace or then myself because me and Ace were DJs

1237
01:09:09,120 --> 01:09:13,679
Speaker 3: that were doing our thing on Kiss FM before ninety

1238
01:09:13,720 --> 01:09:17,200
Speaker 3: seven became a thing. We were part of this DJ

1239
01:09:17,560 --> 01:09:20,040
Speaker 3: clique called the Bomb Squad. It was only like three

1240
01:09:20,080 --> 01:09:22,800
Speaker 3: of us. It wasn't that, no little bomb squad. It

1241
01:09:22,920 --> 01:09:25,360
Speaker 3: was a thing because we used to play bombs on

1242
01:09:25,439 --> 01:09:29,759
Speaker 3: the radio and then flex toole our idea and boom.

1243
01:09:30,240 --> 01:09:32,639
Speaker 3: And then he became the biggest bomb drop off baby.

1244
01:09:38,720 --> 01:09:42,160
Speaker 3: So there's a guy named Chris mccardo, and Chris Mercado

1245
01:09:43,080 --> 01:09:49,040
Speaker 3: is the sound imaging person at the station who cuts commercials.

1246
01:09:49,680 --> 01:09:52,519
Speaker 3: He does he uploads the music into the system, another

1247
01:09:52,600 --> 01:09:55,799
Speaker 3: big computer. We talked about the sound effects, the imaging

1248
01:09:55,880 --> 01:10:00,640
Speaker 3: for the station that goes Bunny points of you know,

1249
01:10:00,680 --> 01:10:03,160
Speaker 3: all that weird stuff they hoisted. They put sound effects.

1250
01:10:03,400 --> 01:10:08,240
Speaker 3: He's that guy. He found that sonic boom drop that

1251
01:10:08,320 --> 01:10:11,200
Speaker 3: you hit for this day that flex still plays. He

1252
01:10:11,320 --> 01:10:15,160
Speaker 3: found that. But the bomb squad we had a we

1253
01:10:15,280 --> 01:10:22,280
Speaker 3: had a real cheesy drop. All she went like it

1254
01:10:22,640 --> 01:10:28,760
Speaker 3: was horrible. His was like like a sonic destruction. And

1255
01:10:28,840 --> 01:10:33,840
Speaker 3: they changed the game with that drop. But that's that's

1256
01:10:33,960 --> 01:10:35,920
Speaker 3: my stide of the story, and I'm sticking to it.

1257
01:10:38,080 --> 01:10:42,720
Speaker 1: So did you finish about being called a Well, you know.

1258
01:10:42,880 --> 01:10:43,720
Speaker 3: I think it's best.

1259
01:10:44,040 --> 01:10:46,639
Speaker 13: I think it's best enough tell you how I ended

1260
01:10:46,760 --> 01:10:49,479
Speaker 13: up doing five o'clock when he on four o'clock when

1261
01:10:49,479 --> 01:10:49,920
Speaker 13: he was doing.

1262
01:10:50,080 --> 01:10:54,479
Speaker 7: Because breakdown, because if anybody tuned into seven yesterday, right,

1263
01:10:55,400 --> 01:10:56,320
Speaker 7: this come out next week.

1264
01:10:56,400 --> 01:10:57,320
Speaker 3: So I apologize.

1265
01:10:57,360 --> 01:11:00,120
Speaker 1: But what they were saying is I got just.

1266
01:11:00,200 --> 01:11:03,920
Speaker 7: One saying everyone knows how the slots go right, And

1267
01:11:04,040 --> 01:11:06,840
Speaker 7: then we got you saying, well you posting the picture

1268
01:11:07,160 --> 01:11:10,360
Speaker 7: saying and then you know you're playing yesterday saying take

1269
01:11:10,400 --> 01:11:10,719
Speaker 7: the snake.

1270
01:11:10,760 --> 01:11:12,640
Speaker 1: You know he was going crazy, all right, So.

1271
01:11:13,320 --> 01:11:19,559
Speaker 3: Snake Robert's hold on you was really saying all that.

1272
01:11:21,960 --> 01:11:25,240
Speaker 1: What's going down? I got the city late, like I'm loud.

1273
01:11:25,160 --> 01:11:27,760
Speaker 3: To you, so you know, you know they call me

1274
01:11:27,800 --> 01:11:29,759
Speaker 3: the snake on the radio. I'm like, okay, I'm snaking

1275
01:11:29,800 --> 01:11:31,599
Speaker 3: number one. I'm gonna be the best number one snake,

1276
01:11:32,160 --> 01:11:35,240
Speaker 3: my hand number snake. You know, if you really want

1277
01:11:35,240 --> 01:11:38,479
Speaker 3: to break it down how I got that slot, I'll

1278
01:11:38,520 --> 01:11:40,880
Speaker 3: tell you. You know what I'm saying. The year was

1279
01:11:40,920 --> 01:11:45,800
Speaker 3: twenty fifteen. Go ahead. This dude was overseas hurt in

1280
01:11:45,880 --> 01:11:49,400
Speaker 3: the hospital. He broke his knee or something. I broke

1281
01:11:49,439 --> 01:11:51,519
Speaker 3: my knee. I was on tour. I did Italy.

1282
01:11:51,800 --> 01:11:54,760
Speaker 13: The next day, I did a country called Moldova and Modova.

1283
01:11:55,200 --> 01:11:58,040
Speaker 13: I broke money in a hotel, had an accident. This

1284
01:11:58,200 --> 01:12:00,240
Speaker 13: happened on the end the that's.

1285
01:12:00,160 --> 01:12:01,639
Speaker 3: WEEA could join. I think you were trying to sneak

1286
01:12:01,680 --> 01:12:05,120
Speaker 3: out the bathroom. I fell in the bathroom. That's what happened.

1287
01:12:05,680 --> 01:12:09,639
Speaker 13: I broke my knee. Literally in third world, the eastern

1288
01:12:09,720 --> 01:12:10,439
Speaker 13: European country.

1289
01:12:11,120 --> 01:12:11,679
Speaker 3: This happened.

1290
01:12:11,800 --> 01:12:13,519
Speaker 1: If I've been on low, I don't know what Modova is.

1291
01:12:15,080 --> 01:12:17,120
Speaker 3: Just so you know, okay, yes, why I fly back?

1292
01:12:17,720 --> 01:12:19,680
Speaker 3: I fly back fly back.

1293
01:12:19,800 --> 01:12:23,680
Speaker 13: The whole summer I was out of commission, off in

1294
01:12:23,840 --> 01:12:28,080
Speaker 13: bed at home, no radio, no gigs. Summer twenty fifteen,

1295
01:12:28,160 --> 01:12:32,479
Speaker 13: I'm bed knocked out. Enough is on the radio doing

1296
01:12:32,560 --> 01:12:33,280
Speaker 13: what he does best.

1297
01:12:33,439 --> 01:12:36,280
Speaker 3: I got a rumor and I heard in the streets

1298
01:12:37,320 --> 01:12:42,920
Speaker 3: that four on five off of Caamelo's fly okay, And

1299
01:12:43,040 --> 01:12:45,680
Speaker 3: I got tight. I was like, no, no, no, no, no, no,

1300
01:12:45,920 --> 01:12:49,479
Speaker 3: we're not having that. Okay, oh this is this is

1301
01:12:49,560 --> 01:12:52,360
Speaker 3: before m was on the radio. He said no, no,

1302
01:12:52,520 --> 01:12:54,519
Speaker 3: he was already on the radio rail okay, he didn't

1303
01:12:54,520 --> 01:13:00,439
Speaker 3: have he didn't have that time. Stock was doing the

1304
01:13:00,520 --> 01:13:03,080
Speaker 3: New I was doing on radio You do it too,

1305
01:13:03,240 --> 01:13:03,920
Speaker 3: doing the New two.

1306
01:13:04,280 --> 01:13:06,200
Speaker 13: I was doing the New tow for a while and

1307
01:13:06,320 --> 01:13:09,000
Speaker 13: we had left and we started that, and we started

1308
01:13:09,040 --> 01:13:11,320
Speaker 13: that and we left. I took over Now two and

1309
01:13:11,400 --> 01:13:13,000
Speaker 13: I was doing New too, and I was doing Friday's

1310
01:13:13,080 --> 01:13:14,080
Speaker 13: Nights heavy hit hour.

1311
01:13:14,439 --> 01:13:16,479
Speaker 1: That was that was your official first spot was New two.

1312
01:13:17,240 --> 01:13:19,840
Speaker 13: No, my first spot was midnight okay. And then I

1313
01:13:19,880 --> 01:13:21,639
Speaker 13: had that short Lights out okay, okay.

1314
01:13:23,680 --> 01:13:28,000
Speaker 3: And then when when it first started with I heard

1315
01:13:28,040 --> 01:13:30,160
Speaker 3: the rumor that they were trying to take him from us,

1316
01:13:31,439 --> 01:13:34,360
Speaker 3: and I had three or four hours on a Friday.

1317
01:13:35,200 --> 01:13:36,599
Speaker 3: So I said, now, man, I'm gonna give you extra

1318
01:13:36,680 --> 01:13:39,400
Speaker 3: hour on a Friday. You just just called the heavier hour.

1319
01:13:39,479 --> 01:13:41,880
Speaker 3: And you know you're a host of DJ. It's all

1320
01:13:42,000 --> 01:13:45,120
Speaker 3: yours to try to at least team. This is due

1321
01:13:45,160 --> 01:13:49,519
Speaker 3: from leaving because he's hot. He's being twenty fifteen but

1322
01:13:49,600 --> 01:13:53,840
Speaker 3: he's still hot, right, He's so hump he's so humble, bro,

1323
01:13:54,560 --> 01:13:56,960
Speaker 3: but he's fucking one of the hottest DJs in the city.

1324
01:13:56,960 --> 01:13:57,799
Speaker 3: He's on fires.

1325
01:14:02,920 --> 01:14:05,320
Speaker 13: So yeah, so he gave me that first loot. It

1326
01:14:05,479 --> 01:14:08,000
Speaker 13: used to be his on Fridays, he was on for

1327
01:14:08,120 --> 01:14:10,280
Speaker 13: three hours. He gave me that last hour right before

1328
01:14:10,360 --> 01:14:12,479
Speaker 13: mister See got on, and it was amazing. That was

1329
01:14:12,520 --> 01:14:14,640
Speaker 13: the happiest DJ in the city. You could give me

1330
01:14:14,720 --> 01:14:15,200
Speaker 13: nothing else.

1331
01:14:15,960 --> 01:14:21,559
Speaker 3: Happy. Everybody's listening, everybody. Everybody's goal.

1332
01:14:21,680 --> 01:14:24,479
Speaker 13: Everybody's goal is to be on primetime radio. Every DJ,

1333
01:14:25,479 --> 01:14:26,320
Speaker 13: everybody's everybody.

1334
01:14:27,000 --> 01:14:33,479
Speaker 3: I'm sorry this warning. Everybody's goal is to be on

1335
01:14:33,560 --> 01:14:34,240
Speaker 3: prime time radio.

1336
01:14:34,439 --> 01:14:36,680
Speaker 13: If somebody asked me one day, yo, you want to

1337
01:14:36,760 --> 01:14:38,720
Speaker 13: be on five o'clock, win enough so on I will

1338
01:14:38,760 --> 01:14:41,880
Speaker 13: always say fuck yeall one day one day.

1339
01:14:43,760 --> 01:14:47,519
Speaker 3: So you know how it all went down. Since this

1340
01:14:47,640 --> 01:14:52,200
Speaker 3: guy's not talking. It all went down is I'm in

1341
01:14:52,280 --> 01:14:53,679
Speaker 3: bed out.

1342
01:14:53,560 --> 01:14:57,680
Speaker 13: Of commission, trying to recover from his knee injury. Enough

1343
01:14:57,800 --> 01:15:02,000
Speaker 13: is doing radio with Nessa, and I don't know what

1344
01:15:02,160 --> 01:15:06,519
Speaker 13: happened between them, you know, whether he wasn't happy Ornessa

1345
01:15:06,640 --> 01:15:07,160
Speaker 13: wasn't happy.

1346
01:15:08,120 --> 01:15:11,560
Speaker 3: The marriage wasn't great, correct, it wasn't good. Bro. I

1347
01:15:11,640 --> 01:15:13,840
Speaker 3: welcomed her with open arms, and I felt like she

1348
01:15:14,040 --> 01:15:17,920
Speaker 3: was just scrutinizing. You know what I realized to this day,

1349
01:15:18,800 --> 01:15:23,880
Speaker 3: and I mean just recently. A lot of us, including y'all,

1350
01:15:24,800 --> 01:15:28,439
Speaker 3: we all come from the street, First Club Street. We

1351
01:15:28,520 --> 01:15:32,200
Speaker 3: grew up in the street. There's nobody who coached us

1352
01:15:32,320 --> 01:15:35,280
Speaker 3: on how to do this. Ain't nobody saying, yo, just

1353
01:15:35,320 --> 01:15:37,680
Speaker 3: how you're in a podcast. Nobody came you say you

1354
01:15:37,720 --> 01:15:40,840
Speaker 3: do this? How you DJ for none of us. So

1355
01:15:40,960 --> 01:15:43,439
Speaker 3: it's all try by era. We do what we can.

1356
01:15:44,080 --> 01:15:46,800
Speaker 3: We're trying to be human, video out figure it out right.

1357
01:15:48,960 --> 01:15:54,040
Speaker 3: The homegirl came from like like the radio geek squad,

1358
01:15:54,840 --> 01:15:58,000
Speaker 3: like she's yo. Her and her producer they like this.

1359
01:15:58,920 --> 01:16:02,040
Speaker 3: They're flowing this yo. They don't make no fucking mistakes.

1360
01:16:02,120 --> 01:16:06,120
Speaker 3: They great at what they do. Polished. They probably went

1361
01:16:06,160 --> 01:16:07,760
Speaker 3: to school. I don't even know. But anyway, they were

1362
01:16:07,880 --> 01:16:10,000
Speaker 3: very good. It's just they're just like it's just like

1363
01:16:10,080 --> 01:16:14,680
Speaker 3: a machine's almost it's almost too perfect to me. So

1364
01:16:15,520 --> 01:16:16,680
Speaker 3: after a while I was like, Yo, I don't know

1365
01:16:16,680 --> 01:16:17,400
Speaker 3: if I could deal with this.

1366
01:16:17,560 --> 01:16:17,640
Speaker 4: Bro.

1367
01:16:17,840 --> 01:16:20,560
Speaker 3: I got I'm a I'm a people person. I'm into this,

1368
01:16:21,120 --> 01:16:24,320
Speaker 3: I'm into feelings, emotions, I'm I mean, I gotta go

1369
01:16:24,479 --> 01:16:27,599
Speaker 3: somewhere where I feel comfortable. So I got up out

1370
01:16:27,640 --> 01:16:30,320
Speaker 3: of there, I say, I'm out. I got off of

1371
01:16:30,360 --> 01:16:34,040
Speaker 3: to do a shot in the middays with Megan. She

1372
01:16:34,200 --> 01:16:36,840
Speaker 3: was a new girl. She was working here in Miami

1373
01:16:36,920 --> 01:16:40,280
Speaker 3: for a little while. And at that time I get

1374
01:16:40,280 --> 01:16:42,080
Speaker 3: to I get the phone call, like, Yo, do you

1375
01:16:42,120 --> 01:16:44,840
Speaker 3: want to do this? I said, whoa? What howerre? I'm home?

1376
01:16:45,360 --> 01:16:47,479
Speaker 3: We're broken the still. I said, you, let's switch, bro,

1377
01:16:48,120 --> 01:16:50,320
Speaker 3: I said, first phone call, I didn't call him. I said,

1378
01:16:50,400 --> 01:16:53,360
Speaker 3: if you don't mind, can we switch, bro? Because I

1379
01:16:53,360 --> 01:16:56,040
Speaker 3: wouldn't mind. It's the same thing, BRO, You're on for

1380
01:16:56,240 --> 01:16:58,479
Speaker 3: us ninety minutes. I'm on for a hour. What's the

1381
01:16:59,120 --> 01:17:01,559
Speaker 3: what's another fat fifteen twenty minute? Who cares?

1382
01:17:01,800 --> 01:17:03,479
Speaker 13: But you know, to keep it a buck. The first

1383
01:17:03,520 --> 01:17:05,360
Speaker 13: phone called there was enough yo eat.

1384
01:17:06,120 --> 01:17:08,960
Speaker 3: I can't. I don't want this like this. Wait when

1385
01:17:09,080 --> 01:17:09,360
Speaker 3: this is?

1386
01:17:09,439 --> 01:17:10,559
Speaker 1: This is recently you're talking about.

1387
01:17:10,560 --> 01:17:13,599
Speaker 13: This is twenty fifteen when I supposedly took the snake

1388
01:17:13,640 --> 01:17:14,519
Speaker 13: over here, took the job.

1389
01:17:15,160 --> 01:17:17,880
Speaker 3: So you know, I said, I can't. He said, bro,

1390
01:17:18,960 --> 01:17:19,280
Speaker 3: take it.

1391
01:17:19,640 --> 01:17:21,840
Speaker 13: If you don't take it, somebody else's and I don't

1392
01:17:21,840 --> 01:17:24,360
Speaker 13: want nobody else to take it, but you you deserve it.

1393
01:17:25,439 --> 01:17:31,800
Speaker 3: Of course I gotta. I got. That's what I'm real Like,

1394
01:17:31,920 --> 01:17:32,800
Speaker 3: what else am I gonna do?

1395
01:17:32,920 --> 01:17:35,400
Speaker 13: This is my brother, you know. I he told me

1396
01:17:35,479 --> 01:17:38,599
Speaker 13: what it was and what they're he gonna be doing, Say,

1397
01:17:39,520 --> 01:17:41,880
Speaker 13: all right, cool? And then you know, then I talked

1398
01:17:41,880 --> 01:17:43,439
Speaker 13: to NASA and then whatever it is, what it is.

1399
01:17:43,479 --> 01:17:44,200
Speaker 3: And then I got on the.

1400
01:17:44,240 --> 01:17:47,120
Speaker 13: Shift, and here we are ten years later, you know,

1401
01:17:47,280 --> 01:17:49,040
Speaker 13: and all of a sudden, I'm a snake O.

1402
01:17:49,040 --> 01:17:51,840
Speaker 3: Good from back then? From that move.

1403
01:17:51,960 --> 01:17:54,880
Speaker 13: Well, that's what they say. Now, that's what somebody said

1404
01:17:55,400 --> 01:17:57,720
Speaker 13: that a couple of days ago. That's how it was

1405
01:17:58,560 --> 01:17:59,040
Speaker 13: that happened.

1406
01:17:59,200 --> 01:18:01,040
Speaker 5: So that's what they're they're recalling that.

1407
01:18:01,120 --> 01:18:06,160
Speaker 3: I sneaked him? Did I sneak my brother? Ten years ago?

1408
01:18:06,960 --> 01:18:07,080
Speaker 1: Now?

1409
01:18:07,240 --> 01:18:07,960
Speaker 3: I sneaked him?

1410
01:18:09,080 --> 01:18:11,120
Speaker 1: They were saying from recently. Yea, But you know.

1411
01:18:12,600 --> 01:18:15,680
Speaker 3: That's what this is. I'm confused because everybody's thinking that

1412
01:18:16,320 --> 01:18:18,840
Speaker 3: this is a two years ago.

1413
01:18:19,040 --> 01:18:21,920
Speaker 1: Was was Jeuki on? I don't think he was unht

1414
01:18:22,040 --> 01:18:22,280
Speaker 1: he was.

1415
01:18:23,600 --> 01:18:25,960
Speaker 3: He was doing boards and he was around. He was

1416
01:18:26,160 --> 01:18:28,799
Speaker 3: remember remember Juskie used to do the boards for Angie.

1417
01:18:29,160 --> 01:18:29,599
Speaker 3: That's right.

1418
01:18:29,800 --> 01:18:30,799
Speaker 1: Forgot what I'm saying.

1419
01:18:30,640 --> 01:18:32,599
Speaker 3: Before that you carry records for sounds?

1420
01:18:32,640 --> 01:18:35,519
Speaker 13: All right, He's been around. He's not a young new

1421
01:18:35,640 --> 01:18:37,680
Speaker 13: boy on the block. He's been in that station for

1422
01:18:37,720 --> 01:18:41,559
Speaker 13: a long time. Good dude, a guy that the young,

1423
01:18:41,880 --> 01:18:44,960
Speaker 13: the young boys embrace. The young world loves him because

1424
01:18:44,960 --> 01:18:46,000
Speaker 13: he supports that music.

1425
01:18:46,360 --> 01:18:47,120
Speaker 3: He's that guy.

1426
01:18:47,240 --> 01:18:49,639
Speaker 13: They look for him. They don't look for nobody else.

1427
01:18:49,640 --> 01:18:51,960
Speaker 3: They look for him. You know a lot of people

1428
01:18:52,040 --> 01:18:52,320
Speaker 3: hate that.

1429
01:18:53,240 --> 01:18:55,880
Speaker 1: So he act straight up put the band aid off.

1430
01:18:59,760 --> 01:19:01,000
Speaker 1: Do you think he got you fired?

1431
01:19:10,400 --> 01:19:19,120
Speaker 3: Yeah? I'm just thinking about it for a second, Okay.

1432
01:19:19,800 --> 01:19:21,600
Speaker 3: I mean, I know he says he loves me. He

1433
01:19:21,760 --> 01:19:25,120
Speaker 3: says TM is not going to get whatever or whatever.

1434
01:19:26,320 --> 01:19:29,920
Speaker 3: But how do you sure love like that? Not like that.

1435
01:19:31,680 --> 01:19:33,840
Speaker 13: It's deeper than rat man, it's deeper than that. But

1436
01:19:34,280 --> 01:19:35,840
Speaker 13: I don't you know, every want to talk.

1437
01:19:35,920 --> 01:19:39,479
Speaker 3: Yeah, we've been around for a long time together saying,

1438
01:19:39,640 --> 01:19:42,720
Speaker 3: just period, all of us doing what we do, and

1439
01:19:42,800 --> 01:19:47,519
Speaker 3: I know everybody goes their way at times, and I know, look,

1440
01:19:48,240 --> 01:19:50,240
Speaker 3: there's there's been some real talk that me and him

1441
01:19:50,280 --> 01:19:54,439
Speaker 3: had that I might have not liked, Like, you know, yo,

1442
01:19:54,680 --> 01:19:55,639
Speaker 3: you gotta die your bed.

1443
01:19:57,520 --> 01:19:58,519
Speaker 1: He told you that we want to.

1444
01:19:59,040 --> 01:20:04,680
Speaker 3: You gotta be wanted to. You gotta die your big

1445
01:20:04,880 --> 01:20:06,760
Speaker 3: You don't die. Your kids are gonna think you too

1446
01:20:06,840 --> 01:20:21,160
Speaker 3: old ship you would be. So it's those conversations just

1447
01:20:22,000 --> 01:20:25,200
Speaker 3: you know, I was doing the mix show, coordinating jobs

1448
01:20:25,200 --> 01:20:28,880
Speaker 3: at the station, doing the music meetings, and then I

1449
01:20:29,040 --> 01:20:32,200
Speaker 3: noticed that he would show up and support and then

1450
01:20:32,280 --> 01:20:34,160
Speaker 3: he would bitch about the music. And I'm like, yo,

1451
01:20:34,479 --> 01:20:38,439
Speaker 3: all the DJs voted on these songs. If you get

1452
01:20:38,479 --> 01:20:41,120
Speaker 3: the emails, you invited to all the meetings, like everybody

1453
01:20:41,200 --> 01:20:45,720
Speaker 3: else's be vocal, let's talk, let's build. But he never

1454
01:20:45,800 --> 01:20:47,360
Speaker 3: wanted to do it. And I don't know if it's

1455
01:20:47,400 --> 01:20:51,400
Speaker 3: because he didn't like me at the home, running the

1456
01:20:52,560 --> 01:20:56,519
Speaker 3: conference room or whatever it was. But I can't tell

1457
01:20:56,560 --> 01:20:59,680
Speaker 3: you where it just ultimately cracked for him where he

1458
01:20:59,840 --> 01:21:02,800
Speaker 3: was like because in his mind, he says, I gave up,

1459
01:21:04,360 --> 01:21:08,000
Speaker 3: you know, by letting him win, by letting chous Key win,

1460
01:21:08,160 --> 01:21:11,040
Speaker 3: staking number one, sting number two, by letting them win.

1461
01:21:11,600 --> 01:21:16,040
Speaker 3: But that was never my motto. Remember what I see asked,

1462
01:21:16,680 --> 01:21:20,240
Speaker 3: how could you let those guys do? Aren't you afraid

1463
01:21:20,280 --> 01:21:23,080
Speaker 3: of losing? I said no, because if they deserve it,

1464
01:21:23,840 --> 01:21:26,400
Speaker 3: then they should get it. That's just the way it is, bro,

1465
01:21:26,880 --> 01:21:30,400
Speaker 3: and he deserves it. Not my slide, but he deserves

1466
01:21:30,439 --> 01:21:31,000
Speaker 3: a big shot.

1467
01:21:32,240 --> 01:21:34,360
Speaker 5: Plus, you guys are a collective, so you're all winning.

1468
01:21:34,479 --> 01:21:37,560
Speaker 3: Yeah, we all win, we all hold each other. And

1469
01:21:37,560 --> 01:21:40,240
Speaker 3: that's how I always looked at it. That's the difference

1470
01:21:40,280 --> 01:21:45,080
Speaker 3: between me and him. That's it I saw it is.

1471
01:21:46,080 --> 01:21:49,640
Speaker 3: I'm not a gangster, I'm not a tough guy, but

1472
01:21:49,800 --> 01:21:53,720
Speaker 3: his talk ship game is imprepeccable. He's been doing it

1473
01:21:53,800 --> 01:21:55,639
Speaker 3: for years the same.

1474
01:21:55,600 --> 01:22:14,920
Speaker 7: Dude, it's breaking, you gotta take it's good. So now,

1475
01:22:14,960 --> 01:22:18,160
Speaker 7: because I just to be honest with you, I'm a

1476
01:22:18,240 --> 01:22:23,040
Speaker 7: New Yorker. We clear we get it from New Yorker,

1477
01:22:23,400 --> 01:22:27,240
Speaker 7: And to me, I've never thought I'll see this moment

1478
01:22:27,560 --> 01:22:31,800
Speaker 7: like period like because I felt like I always knew

1479
01:22:31,800 --> 01:22:33,439
Speaker 7: it's a little bit of turmoil, but I felt like

1480
01:22:33,640 --> 01:22:37,160
Speaker 7: everyone covered it up very well. For years, so I

1481
01:22:37,240 --> 01:22:39,720
Speaker 7: thought it was just never like you know, this would

1482
01:22:39,720 --> 01:22:40,559
Speaker 7: never like transport.

1483
01:22:40,640 --> 01:22:42,759
Speaker 13: You're trying to say, it's sad to see that happened

1484
01:22:42,800 --> 01:22:44,160
Speaker 13: the way it is going down, That's what I'm.

1485
01:22:44,040 --> 01:22:46,519
Speaker 1: Trying to say. Making sure it's say funk.

1486
01:22:46,360 --> 01:22:48,360
Speaker 13: Out of it too, because at this day and age,

1487
01:22:48,520 --> 01:22:49,360
Speaker 13: we've done so much.

1488
01:22:49,840 --> 01:22:50,519
Speaker 3: We're not young.

1489
01:22:51,280 --> 01:22:53,519
Speaker 13: This is where we are in our career. We've been

1490
01:22:53,880 --> 01:22:57,320
Speaker 13: you know, winning, We've been winning together collective. You know,

1491
01:22:57,400 --> 01:22:59,479
Speaker 13: whether you're there here, we're winning. And it comes to

1492
01:22:59,600 --> 01:23:01,920
Speaker 13: this ship, what are we doing out here?

1493
01:23:03,400 --> 01:23:03,600
Speaker 1: I do?

1494
01:23:05,320 --> 01:23:07,200
Speaker 3: What are we doing out here? You know what I'm saying.

1495
01:23:08,320 --> 01:23:08,600
Speaker 3: That's it?

1496
01:23:09,240 --> 01:23:09,400
Speaker 13: You know?

1497
01:23:09,640 --> 01:23:11,719
Speaker 3: And and and you feel about the love and support

1498
01:23:11,760 --> 01:23:13,439
Speaker 3: that New York was giving you. Make sure you're speaking

1499
01:23:13,479 --> 01:23:18,400
Speaker 3: in the buddy love and support coming from New York?

1500
01:23:19,040 --> 01:23:21,400
Speaker 3: Like do you feel like everybody has your back? Still?

1501
01:23:21,479 --> 01:23:25,280
Speaker 3: And my man, that's the most overwhelming part. I was

1502
01:23:25,320 --> 01:23:27,400
Speaker 3: gonna say that him. I'm in the crib chilling now

1503
01:23:27,520 --> 01:23:31,519
Speaker 3: since I got to let go. I just I can

1504
01:23:31,600 --> 01:23:35,439
Speaker 3: imagine fire you who I haven't spoken because I'm outside

1505
01:23:35,479 --> 01:23:38,120
Speaker 3: to thirty years everybody, I got your back.

1506
01:23:38,200 --> 01:23:42,960
Speaker 13: Of course, he's the difference. The streets love us organically.

1507
01:23:43,880 --> 01:23:47,120
Speaker 13: I can't speak about the other side. The streets fuck

1508
01:23:47,200 --> 01:23:48,080
Speaker 13: with USO.

1509
01:23:48,160 --> 01:23:49,559
Speaker 3: I'm gonna tell you a funny story. I just told

1510
01:23:49,640 --> 01:23:54,320
Speaker 3: him today because they were assuming he sneak number one.

1511
01:23:55,160 --> 01:23:56,760
Speaker 3: I have gooms getting ready to go see Hi at

1512
01:23:56,760 --> 01:24:01,439
Speaker 3: the next party. Not These are my friends I grew

1513
01:24:01,520 --> 01:24:04,000
Speaker 3: up with and they were just trying to, you know,

1514
01:24:04,240 --> 01:24:08,320
Speaker 3: hold me down. Of course we're gonna come see him.

1515
01:24:08,800 --> 01:24:12,960
Speaker 3: And I'm like, no, no, relaxed, that's my brother, right,

1516
01:24:13,400 --> 01:24:14,639
Speaker 3: So you gotta be careful what we say.

1517
01:24:14,760 --> 01:24:14,880
Speaker 10: Man.

1518
01:24:14,880 --> 01:24:16,920
Speaker 13: They say that when how who should? Is when you

1519
01:24:17,040 --> 01:24:17,719
Speaker 13: change the narrative?

1520
01:24:17,760 --> 01:24:20,200
Speaker 3: And what if they do? Yeah? Man, how people think

1521
01:24:20,479 --> 01:24:21,720
Speaker 3: and the streets look at oh Shire?

1522
01:24:21,840 --> 01:24:22,160
Speaker 4: What what?

1523
01:24:22,560 --> 01:24:22,680
Speaker 16: How?

1524
01:24:22,800 --> 01:24:27,160
Speaker 3: Quick? Because people because people don't understand the intricates in

1525
01:24:27,280 --> 01:24:28,280
Speaker 3: this out of business.

1526
01:24:28,880 --> 01:24:30,559
Speaker 13: The all they hear is what they hear, and they

1527
01:24:30,600 --> 01:24:32,800
Speaker 13: think it's really right. We live in the generation you

1528
01:24:32,840 --> 01:24:34,479
Speaker 13: see the clip and that you believe it right away.

1529
01:24:34,560 --> 01:24:36,960
Speaker 1: But let me ask you, because after you DJ didn't

1530
01:24:37,000 --> 01:24:37,760
Speaker 1: flex come right.

1531
01:24:37,680 --> 01:24:39,759
Speaker 3: On after you you started yesterday?

1532
01:24:39,920 --> 01:24:43,680
Speaker 1: Okay, because y'all y'all in the same building yesterday, Yeah,

1533
01:24:43,720 --> 01:24:44,320
Speaker 1: saw each other.

1534
01:24:45,240 --> 01:24:46,400
Speaker 4: No, So.

1535
01:24:48,000 --> 01:24:48,560
Speaker 3: What you know?

1536
01:24:50,800 --> 01:24:54,439
Speaker 13: Our radio station is going through an amazing, crazy transition.

1537
01:24:54,880 --> 01:24:58,000
Speaker 13: The studios are really shitty, and I go live from

1538
01:24:58,120 --> 01:25:02,360
Speaker 13: my studio okay, which is nice, clean sounds even better.

1539
01:25:02,439 --> 01:25:09,720
Speaker 3: I think you ain't clean sounds going through. For the

1540
01:25:09,760 --> 01:25:11,240
Speaker 3: past five years, I've been going live in.

1541
01:25:11,320 --> 01:25:15,280
Speaker 13: My studio and with Nessa, and we've been killing it

1542
01:25:15,640 --> 01:25:18,760
Speaker 13: for y'all doing remote. Yeah, she goes in, she does

1543
01:25:18,800 --> 01:25:19,320
Speaker 13: her thing. I do.

1544
01:25:19,520 --> 01:25:22,240
Speaker 3: I'll go live every day for the studio flawlessly.

1545
01:25:22,479 --> 01:25:25,839
Speaker 5: You would never know because invested in the studio.

1546
01:25:26,439 --> 01:25:29,040
Speaker 3: So he was saying, yeah, they have it. They haven't.

1547
01:25:29,080 --> 01:25:31,840
Speaker 13: They've been saying the past two years there's new studios coming.

1548
01:25:32,760 --> 01:25:35,240
Speaker 13: They haven't even they haven't even put a nail on

1549
01:25:35,280 --> 01:25:35,599
Speaker 13: the wall.

1550
01:25:36,360 --> 01:25:38,160
Speaker 1: Trying to get out of jobs.

1551
01:25:38,439 --> 01:25:40,800
Speaker 13: I think the whole country is eventually. I think that's

1552
01:25:40,840 --> 01:25:43,040
Speaker 13: where you know, you broke everybody.

1553
01:25:43,800 --> 01:25:47,639
Speaker 3: Fun company that brought us right before COVID. That means

1554
01:25:48,160 --> 01:25:50,600
Speaker 3: they don't care who made money. Say again, hold up,

1555
01:25:50,840 --> 01:25:51,639
Speaker 3: that means they don't.

1556
01:25:51,439 --> 01:25:52,360
Speaker 1: Care who made money.

1557
01:25:52,479 --> 01:25:55,240
Speaker 5: Bro the hedge fund does not care, but who made money?

1558
01:25:55,560 --> 01:25:59,599
Speaker 3: Like literally, the VC, you spend seven hundred mili whatever

1559
01:25:59,600 --> 01:26:01,479
Speaker 3: the hell of horse and you don't get no money

1560
01:26:01,520 --> 01:26:04,759
Speaker 3: back on return. We don't even have a sales department.

1561
01:26:05,800 --> 01:26:07,120
Speaker 1: And let's teot it. You don't have a PD.

1562
01:26:08,760 --> 01:26:13,240
Speaker 3: There's a there's a consultant. It's been it's been fourteen months.

1563
01:26:13,280 --> 01:26:14,160
Speaker 3: We haven't had a PD.

1564
01:26:15,000 --> 01:26:18,040
Speaker 13: We just got a consultant, like to consultant as the

1565
01:26:18,080 --> 01:26:22,560
Speaker 13: PD consultant. And mind you, he's a good guy. I

1566
01:26:22,680 --> 01:26:24,719
Speaker 13: like him, a great guy. I'm gonna keep it a buck.

1567
01:26:26,200 --> 01:26:29,640
Speaker 13: We're so professional that you can never tell to this

1568
01:26:29,840 --> 01:26:33,719
Speaker 13: day because we're still running the show like it's supposed

1569
01:26:33,720 --> 01:26:33,800
Speaker 13: to be.

1570
01:26:34,200 --> 01:26:36,400
Speaker 3: Nobody got taking away from anybody.

1571
01:26:36,920 --> 01:26:41,120
Speaker 13: Morning Show is doing the thing afternoon's news, and we're

1572
01:26:41,160 --> 01:26:41,640
Speaker 13: doing our thing.

1573
01:26:41,720 --> 01:26:43,160
Speaker 3: The numbers speak for itself.

1574
01:26:43,840 --> 01:26:47,120
Speaker 13: In fact, the guy at seven o'clock is doing his

1575
01:26:47,320 --> 01:26:49,160
Speaker 13: thing respectfully, and.

1576
01:26:49,280 --> 01:26:53,680
Speaker 3: We still at five o'clock. Now, oh you are five, No,

1577
01:26:53,720 --> 01:26:54,639
Speaker 3: I'm on four to five.

1578
01:26:55,080 --> 01:26:58,080
Speaker 13: Four other guys at five, okay, sneaking number ones at

1579
01:26:58,120 --> 01:27:01,640
Speaker 13: four all right to the snake is bro But but

1580
01:27:01,800 --> 01:27:05,000
Speaker 13: you know, respect we're so professional as a as a

1581
01:27:05,080 --> 01:27:07,560
Speaker 13: building that we're still holding the fourth down without a

1582
01:27:07,640 --> 01:27:10,519
Speaker 13: p D, without a proper still deployment. What I would

1583
01:27:10,520 --> 01:27:12,519
Speaker 13: ever and because you know why, because we work hard,

1584
01:27:12,560 --> 01:27:14,599
Speaker 13: and we love the brand, and we love the culture

1585
01:27:14,720 --> 01:27:16,800
Speaker 13: and we still want to break records. We still want

1586
01:27:16,840 --> 01:27:19,640
Speaker 13: to grab that new kind of like back in the

1587
01:27:19,760 --> 01:27:22,320
Speaker 13: days and blowing the funk up. We still we still

1588
01:27:22,400 --> 01:27:22,960
Speaker 13: love what we do.

1589
01:27:23,080 --> 01:27:25,599
Speaker 5: Do you guys feel that terrestrial radio still has the power?

1590
01:27:25,640 --> 01:27:25,800
Speaker 3: Though?

1591
01:27:27,240 --> 01:27:29,519
Speaker 1: I believe, I believe this week show proved it.

1592
01:27:30,840 --> 01:27:36,640
Speaker 3: I'm sorry y'all if I believe this week it's not

1593
01:27:36,800 --> 01:27:37,200
Speaker 3: the same.

1594
01:27:37,520 --> 01:27:40,519
Speaker 13: Of course since when super Dog was coming up, of course,

1595
01:27:40,600 --> 01:27:42,639
Speaker 13: not that was that was that was the only channel.

1596
01:27:43,479 --> 01:27:47,080
Speaker 3: Yeah, it's still a big thing. People don't understand that

1597
01:27:47,160 --> 01:27:50,040
Speaker 3: it is. It's a big thing. It's not especially you

1598
01:27:50,160 --> 01:27:50,840
Speaker 3: started to cut you off.

1599
01:27:50,880 --> 01:27:51,880
Speaker 1: But this week it proved it.

1600
01:27:52,040 --> 01:27:54,120
Speaker 3: Everyone was tuned in the hot and.

1601
01:27:54,200 --> 01:27:55,680
Speaker 1: Y'all speaking about hot like that.

1602
01:27:55,840 --> 01:27:57,320
Speaker 3: That's that's what was kind of dope.

1603
01:27:57,120 --> 01:28:00,400
Speaker 7: Like it actually showed the power of that should not

1604
01:28:00,479 --> 01:28:01,479
Speaker 7: be the reason why they're tuned.

1605
01:28:01,560 --> 01:28:07,519
Speaker 3: I mean, who cares get what he's saying? Reality, Like,

1606
01:28:07,560 --> 01:28:09,559
Speaker 3: come on, we can't go down that.

1607
01:28:11,240 --> 01:28:13,040
Speaker 7: If it was fake, if it was fake, we could

1608
01:28:13,040 --> 01:28:14,960
Speaker 7: say it's real, this is not this is not fake, this.

1609
01:28:15,040 --> 01:28:15,559
Speaker 3: Is all real.

1610
01:28:15,880 --> 01:28:17,559
Speaker 4: The reason why I say that is that why couldn't

1611
01:28:17,600 --> 01:28:19,559
Speaker 4: you guys, with the power that you guys have as

1612
01:28:19,600 --> 01:28:22,840
Speaker 4: a collective. Take this into your own hands, like either

1613
01:28:23,560 --> 01:28:25,600
Speaker 4: be able to somehow partner with someone that pulls the

1614
01:28:25,680 --> 01:28:30,120
Speaker 4: license to get your own terrestrial or go completely serious

1615
01:28:30,160 --> 01:28:30,920
Speaker 4: exam channel.

1616
01:28:31,240 --> 01:28:33,719
Speaker 13: I think I think it's that's a scary move. Radio,

1617
01:28:34,080 --> 01:28:35,680
Speaker 13: like you said, is not what it was so doing

1618
01:28:35,760 --> 01:28:38,160
Speaker 13: that movie Left end Radio is not what it was

1619
01:28:38,240 --> 01:28:40,439
Speaker 13: so so so we have so many other channels to

1620
01:28:40,479 --> 01:28:45,200
Speaker 13: be continued. That's what I'll believed it in the end.

1621
01:28:45,800 --> 01:28:50,120
Speaker 3: As hip hop, we need to own more. We need

1622
01:28:50,240 --> 01:28:53,040
Speaker 3: to what we built should be owned. But that's been

1623
01:28:53,080 --> 01:28:56,160
Speaker 3: the struggle since day one, right or remember.

1624
01:28:55,840 --> 01:28:58,800
Speaker 1: That we we do have his jobs too, Like you

1625
01:28:58,840 --> 01:28:59,280
Speaker 1: know what I'm saying.

1626
01:28:59,280 --> 01:29:02,160
Speaker 7: That's like me personally, Like like I always tell you

1627
01:29:02,400 --> 01:29:05,160
Speaker 7: I enjoyed working for Love and Hip Hop because it

1628
01:29:05,360 --> 01:29:07,360
Speaker 7: wasn't like I just could show up and I could

1629
01:29:07,439 --> 01:29:09,439
Speaker 7: just do what I gotta do and I can just leave,

1630
01:29:09,800 --> 01:29:11,640
Speaker 7: you know what I mean, Like as opposed to like

1631
01:29:11,720 --> 01:29:13,840
Speaker 7: when you control everything, you have to you have to

1632
01:29:13,920 --> 01:29:15,519
Speaker 7: be there before they come, and you have to be

1633
01:29:15,600 --> 01:29:17,320
Speaker 7: there after they bounce, you know what I'm saying.

1634
01:29:17,400 --> 01:29:19,040
Speaker 3: But you don't have to be the manager always.

1635
01:29:19,080 --> 01:29:20,200
Speaker 5: You can hire, you can be old.

1636
01:29:20,200 --> 01:29:23,840
Speaker 7: What I'm saying is sometimes I enjoy so like to

1637
01:29:23,920 --> 01:29:26,200
Speaker 7: answer your question, but I'll answer your question for y'all,

1638
01:29:26,560 --> 01:29:29,360
Speaker 7: Like sometimes it's cool to work for other people like

1639
01:29:29,439 --> 01:29:31,080
Speaker 7: that ship is cool because it's just like, yo, let

1640
01:29:31,120 --> 01:29:33,200
Speaker 7: me go go through my job and then that's it.

1641
01:29:33,240 --> 01:29:33,760
Speaker 1: You know what I'm saying.

1642
01:29:33,800 --> 01:29:36,920
Speaker 3: That's how it's just comfortable. Yeah, yeah, the important part,

1643
01:29:37,200 --> 01:29:38,479
Speaker 3: you know what, I'm gonna keep it a buck. And

1644
01:29:38,760 --> 01:29:41,760
Speaker 3: I never said this before. Okay, I should have been

1645
01:29:41,840 --> 01:29:44,840
Speaker 3: left hot on any seven. I stayed there way too long.

1646
01:29:45,720 --> 01:29:49,320
Speaker 3: I stayed there past my time. I was too I

1647
01:29:49,479 --> 01:29:53,360
Speaker 3: was yet Okay, I think the point I'm trying to

1648
01:29:53,400 --> 01:29:57,400
Speaker 3: get at is I got too comfortable because it was

1649
01:29:57,479 --> 01:30:00,479
Speaker 3: something I was good at. I enjoyed doing it, like

1650
01:30:00,560 --> 01:30:03,200
Speaker 3: you said, and I remember like when I first got

1651
01:30:03,240 --> 01:30:05,880
Speaker 3: my first gig, I would have did it for free, bro,

1652
01:30:06,200 --> 01:30:08,560
Speaker 3: that's how much I love hip hop. I would have

1653
01:30:08,640 --> 01:30:09,240
Speaker 3: did it for free.

1654
01:30:09,880 --> 01:30:11,639
Speaker 4: That's been hip hop's problem from the beginning, though. That's

1655
01:30:11,640 --> 01:30:14,879
Speaker 4: the problem because we don't treat it as a business.

1656
01:30:15,680 --> 01:30:18,400
Speaker 4: We treat it on some emotional ship, on our hearts

1657
01:30:18,439 --> 01:30:19,160
Speaker 4: and our slaves.

1658
01:30:20,040 --> 01:30:22,880
Speaker 13: And furthermore, it's like we, like you said, we need

1659
01:30:22,960 --> 01:30:25,200
Speaker 13: to own it and whoever, even if you work for somebody,

1660
01:30:25,439 --> 01:30:27,200
Speaker 13: those people you work for give a.

1661
01:30:27,280 --> 01:30:30,080
Speaker 4: Fuck, that's the problem, and care about the culture is

1662
01:30:30,080 --> 01:30:32,640
Speaker 4: going to give a fuck, right right, then they're not

1663
01:30:32,720 --> 01:30:35,560
Speaker 4: culturally invested in hip hop exactly the culture.

1664
01:30:36,800 --> 01:30:39,000
Speaker 13: And yeah and a Hedgephne running and it's not going

1665
01:30:39,080 --> 01:30:40,960
Speaker 13: to care. They just care about how we're gonna flip

1666
01:30:41,000 --> 01:30:42,040
Speaker 13: this and keep it fucking.

1667
01:30:41,880 --> 01:30:45,519
Speaker 3: Moving, right. That's all they're doing is I don't hate them.

1668
01:30:46,000 --> 01:30:49,439
Speaker 3: That's that's the goal either way, that's their goal. But

1669
01:30:49,720 --> 01:30:52,839
Speaker 3: guess what's going to happen this brand that you're pushing.

1670
01:30:58,360 --> 01:31:01,160
Speaker 7: But like I always make Joe of my friend's Sonny

1671
01:31:02,560 --> 01:31:04,600
Speaker 7: sometimes I tell him, I tell him like you're a

1672
01:31:04,720 --> 01:31:08,960
Speaker 7: company man, right, like he literally won't miss work, Like

1673
01:31:09,000 --> 01:31:11,800
Speaker 7: you know what I'm saying, like go work all the time?

1674
01:31:12,000 --> 01:31:15,080
Speaker 3: Good for him? Yeah, I make fun of it. I

1675
01:31:15,120 --> 01:31:17,000
Speaker 3: make fun of it. Right, And then I heard Hero

1676
01:31:18,880 --> 01:31:20,479
Speaker 3: won't miss work with this guy?

1677
01:31:20,680 --> 01:31:21,800
Speaker 7: I mean, you know what I'm saying, Like you know

1678
01:31:21,840 --> 01:31:27,880
Speaker 7: what I mean, Like man like you, it's a great thing.

1679
01:31:27,960 --> 01:31:31,360
Speaker 7: But job, I always I've always been a joke of it.

1680
01:31:32,000 --> 01:31:35,560
Speaker 7: Now when I heard about ebro ebral were saying, like

1681
01:31:35,760 --> 01:31:38,360
Speaker 7: someone that about flex it is like, yo, you know,

1682
01:31:38,439 --> 01:31:41,920
Speaker 7: Flex is going to do exactly what these venture capitalists

1683
01:31:41,920 --> 01:31:44,439
Speaker 7: people want them want him to do, like like he's

1684
01:31:44,479 --> 01:31:46,720
Speaker 7: going to promote them. He's a company, He's going to

1685
01:31:46,760 --> 01:31:48,519
Speaker 7: do that. So basically he's a company.

1686
01:31:48,560 --> 01:31:48,720
Speaker 14: Man.

1687
01:31:49,160 --> 01:31:51,920
Speaker 7: Is that something that I think you have to fall

1688
01:31:51,960 --> 01:31:54,559
Speaker 7: in align with and like follow those types of steps

1689
01:31:55,000 --> 01:31:55,439
Speaker 7: or is it?

1690
01:31:55,600 --> 01:31:57,040
Speaker 1: Is it something that you feel like, you know what

1691
01:31:57,080 --> 01:31:59,800
Speaker 1: I mean, you're going to maintain who you are.

1692
01:32:00,240 --> 01:32:02,960
Speaker 13: Listen, it's a business and we don't own it, right,

1693
01:32:03,280 --> 01:32:04,519
Speaker 13: And at the end of the day, you gotta win,

1694
01:32:05,160 --> 01:32:07,639
Speaker 13: and you gotta follow rules, and you know, if it's

1695
01:32:07,640 --> 01:32:10,040
Speaker 13: a right company, yeah, you gotta you know, but you

1696
01:32:10,200 --> 01:32:11,800
Speaker 13: at the same time, you gotta know how to be

1697
01:32:11,880 --> 01:32:13,800
Speaker 13: working man. You gotta be yourself at the same time

1698
01:32:13,880 --> 01:32:17,160
Speaker 13: you normally gotta be Nori. But if you work for somebody,

1699
01:32:17,160 --> 01:32:18,679
Speaker 13: you also got to play by their rules.

1700
01:32:18,760 --> 01:32:19,280
Speaker 3: And I get it.

1701
01:32:19,439 --> 01:32:22,679
Speaker 13: And as a DJ and a radio station hip hop,

1702
01:32:23,200 --> 01:32:25,320
Speaker 13: everybody thinks, oh, Camilla, why don't you play this enough?

1703
01:32:25,320 --> 01:32:28,920
Speaker 13: Why don't you play this a you can? This is

1704
01:32:29,000 --> 01:32:30,400
Speaker 13: a I work for somebody.

1705
01:32:30,840 --> 01:32:33,880
Speaker 3: They got rules and instructing.

1706
01:32:33,720 --> 01:32:36,439
Speaker 13: So right, it's programming, So you know, you have to

1707
01:32:36,520 --> 01:32:38,800
Speaker 13: be able to finagle that, and that's what we're great at.

1708
01:32:38,920 --> 01:32:39,880
Speaker 3: We're able to fenagle that.

1709
01:32:40,000 --> 01:32:42,719
Speaker 13: And then I could give them thirty percent of Kamiento

1710
01:32:42,760 --> 01:32:45,040
Speaker 13: who he really is, and take this risk and play

1711
01:32:45,120 --> 01:32:48,439
Speaker 13: this fucking on which they hate. When I do, you know,

1712
01:32:48,560 --> 01:32:50,519
Speaker 13: this is what the fuck is popping. I believe them,

1713
01:32:50,920 --> 01:32:53,160
Speaker 13: you know what I'm saying, enough, same thing? You know

1714
01:32:53,240 --> 01:32:56,360
Speaker 13: how many how many years did you enough push the

1715
01:32:56,479 --> 01:32:57,320
Speaker 13: envelope a little bit?

1716
01:32:58,720 --> 01:33:02,519
Speaker 3: Every year? Kanye West reached the envelope every year?

1717
01:33:03,200 --> 01:33:05,000
Speaker 13: You know, I mean, we could sit here for days.

1718
01:33:05,640 --> 01:33:10,600
Speaker 13: I don't know whom. I love thems Corney Brooklyn. I

1719
01:33:10,680 --> 01:33:11,400
Speaker 13: love his music.

1720
01:33:12,040 --> 01:33:12,400
Speaker 3: I can't.

1721
01:33:12,479 --> 01:33:14,759
Speaker 13: I wish I could. I wish I could play that record,

1722
01:33:15,240 --> 01:33:17,880
Speaker 13: you know. You know, so I have to Finigga forms.

1723
01:33:17,880 --> 01:33:22,519
Speaker 3: This countless acts we play over and over again that

1724
01:33:22,720 --> 01:33:25,960
Speaker 3: there's always something. I remember playing Hi my Name Is

1725
01:33:26,479 --> 01:33:29,680
Speaker 3: by Eminem and the PD came from all the way

1726
01:33:29,680 --> 01:33:31,920
Speaker 3: in the back, was like, how the fuck are you playing?

1727
01:33:32,840 --> 01:33:35,360
Speaker 3: Rock and roll? Is just hip hops? I mean, this

1728
01:33:35,479 --> 01:33:37,519
Speaker 3: kid's on fire. He's going to be the next one,

1729
01:33:37,600 --> 01:33:38,240
Speaker 3: I promise you.

1730
01:33:38,680 --> 01:33:40,880
Speaker 13: You know, one time that ship, one time I was

1731
01:33:41,080 --> 01:33:45,040
Speaker 13: I was feeling it for enough when this is morning show.

1732
01:33:45,880 --> 01:33:47,040
Speaker 3: I feeled them and I'm sorry.

1733
01:33:47,120 --> 01:33:50,000
Speaker 13: I'm sorry this you know this morning show, Morning show

1734
01:33:50,280 --> 01:33:54,800
Speaker 13: stonebunk Wold, right. He put me to fill in. I

1735
01:33:54,880 --> 01:33:58,120
Speaker 13: did a few times. One time I played React by

1736
01:33:58,240 --> 01:33:58,799
Speaker 13: Eric Sermon.

1737
01:34:01,840 --> 01:34:07,200
Speaker 3: That's a record the ice Cream King ice Cream. We

1738
01:34:07,280 --> 01:34:11,400
Speaker 3: used to call it tricksy, Yo, what are you doing? No? No,

1739
01:34:11,520 --> 01:34:11,680
Speaker 3: no no.

1740
01:34:12,240 --> 01:34:15,000
Speaker 13: If you don't play to them, cut your poo, go

1741
01:34:15,080 --> 01:34:17,360
Speaker 13: back to the program, like whoa you know this is

1742
01:34:17,600 --> 01:34:18,120
Speaker 13: this is the thing.

1743
01:34:18,040 --> 01:34:18,800
Speaker 3: That happened in radio.

1744
01:34:18,800 --> 01:34:21,439
Speaker 13: And I understand back then, I get it. I just

1745
01:34:21,680 --> 01:34:23,960
Speaker 13: mixtape kid on the radio, like you know, trying to

1746
01:34:24,000 --> 01:34:26,320
Speaker 13: play that fire. But this is part of the game.

1747
01:34:26,360 --> 01:34:27,439
Speaker 13: I understand now what it.

1748
01:34:27,520 --> 01:34:30,000
Speaker 3: Is Morning is. It's supposed to be a broader audience.

1749
01:34:30,680 --> 01:34:33,000
Speaker 3: They hit Morning is way more strict. Like Enough said,

1750
01:34:33,080 --> 01:34:34,160
Speaker 3: none of us would trained for this.

1751
01:34:35,360 --> 01:34:37,760
Speaker 13: You know, we let we learned by trial and error,

1752
01:34:38,520 --> 01:34:40,519
Speaker 13: and this is what makes us great now because now

1753
01:34:40,600 --> 01:34:44,080
Speaker 13: we know how to play both sides. You know, you know,

1754
01:34:44,240 --> 01:34:45,920
Speaker 13: of course I want to enough wants to be enough,

1755
01:34:45,920 --> 01:34:47,639
Speaker 13: one hundred percent. Comeing Al wants to be one hundred percent.

1756
01:34:47,680 --> 01:34:49,639
Speaker 13: But when you're on that radio, you can't be yourself

1757
01:34:49,640 --> 01:34:50,240
Speaker 13: one hundred percent.

1758
01:34:50,280 --> 01:34:50,840
Speaker 3: You got to play.

1759
01:34:51,280 --> 01:34:52,960
Speaker 13: You gotta behind ID seven hundred percent cool.

1760
01:34:53,160 --> 01:34:54,560
Speaker 3: That's a trick. You just got to know how to

1761
01:34:54,640 --> 01:34:56,720
Speaker 3: do it, man, And it sucks, but it is what

1762
01:34:56,840 --> 01:34:57,080
Speaker 3: it is.

1763
01:34:58,120 --> 01:35:02,240
Speaker 4: But there might be an opportunity, now there's always not forced, Yeah,

1764
01:35:02,680 --> 01:35:05,439
Speaker 4: to make an opportunity to be one hundred percent of safe?

1765
01:35:06,240 --> 01:35:06,360
Speaker 4: Was it?

1766
01:35:06,560 --> 01:35:07,960
Speaker 1: Was it hard working with Star on book?

1767
01:35:08,680 --> 01:35:13,160
Speaker 3: Yeah? Yeah, legend.

1768
01:35:13,760 --> 01:35:16,680
Speaker 13: Star didn't give up the fuck and that was the

1769
01:35:16,760 --> 01:35:20,200
Speaker 13: beauty and that was the beauty and that's why he

1770
01:35:20,240 --> 01:35:24,240
Speaker 13: went because he was himself one hundred percent. He wasn't playing.

1771
01:35:24,520 --> 01:35:29,320
Speaker 3: So how did you wind up on a star? Because

1772
01:35:29,360 --> 01:35:33,800
Speaker 3: I was doing mornings first with Ed Lover and and

1773
01:35:34,160 --> 01:35:36,719
Speaker 3: I forgot the girl's named Maya something, the white girl,

1774
01:35:37,560 --> 01:35:40,840
Speaker 3: and then later on it was fat Man School Jones

1775
01:35:40,960 --> 01:35:46,320
Speaker 3: is the piece and kerk Flir. So they kept me

1776
01:35:46,360 --> 01:35:47,559
Speaker 3: in the morning because I was good.

1777
01:35:48,640 --> 01:35:51,160
Speaker 1: And and so you had you heard a starbuck while

1778
01:35:51,200 --> 01:35:51,960
Speaker 1: at that time, Oh.

1779
01:35:51,920 --> 01:35:57,679
Speaker 3: No, Star, you used to work at Virgin Records, Virgin

1780
01:35:58,280 --> 01:36:00,679
Speaker 3: the Record, okay, And I used to be an intern

1781
01:36:00,720 --> 01:36:02,599
Speaker 3: for Virgin back in the days. Okay, So I knew

1782
01:36:02,680 --> 01:36:06,599
Speaker 3: him from from from back then, okay, But I knew

1783
01:36:06,640 --> 01:36:09,080
Speaker 3: his real name wasn't he didn't go by start Okay,

1784
01:36:09,720 --> 01:36:14,400
Speaker 3: that's it, and then the game seven and she got

1785
01:36:14,479 --> 01:36:18,080
Speaker 3: let he got lit. He was trying to control what

1786
01:36:18,160 --> 01:36:23,639
Speaker 3: I played okay, yeah, not the station okay, for himself

1787
01:36:24,160 --> 01:36:26,880
Speaker 3: in what ways? What was it like? I used to

1788
01:36:26,880 --> 01:36:29,040
Speaker 3: play this bro, and I'm like, but he was wild

1789
01:36:29,080 --> 01:36:31,720
Speaker 3: because sometime he would just ask for like Nirvana, yeah

1790
01:36:31,760 --> 01:36:32,280
Speaker 3: really yeah?

1791
01:36:32,720 --> 01:36:34,080
Speaker 5: So he was eclectic of this ship.

1792
01:36:35,120 --> 01:36:37,960
Speaker 3: There was another group, his favorite group, rock and roll

1793
01:36:38,040 --> 01:36:41,800
Speaker 3: group Ship not Cold Play, with some other ship like

1794
01:36:41,960 --> 01:36:45,240
Speaker 3: Presto Rush. He used to be like, do we not

1795
01:36:45,360 --> 01:36:47,960
Speaker 3: play the Rush ship? Yea, this straight rock and roll

1796
01:36:48,000 --> 01:36:54,519
Speaker 3: bro like you, I don't want to hear that book

1797
01:36:54,560 --> 01:36:58,240
Speaker 3: of jig music. I'd be like what, and that's how

1798
01:36:58,280 --> 01:37:01,400
Speaker 3: you talk to us? So I got frustrated. One day,

1799
01:37:01,920 --> 01:37:04,000
Speaker 3: I took my little book back for my stuff away

1800
01:37:04,080 --> 01:37:06,360
Speaker 3: and I left. I boogied my ass off the station.

1801
01:37:07,040 --> 01:37:11,439
Speaker 3: I said, fuck, did I quit? And then the boss

1802
01:37:11,560 --> 01:37:15,200
Speaker 3: came what is enough? He just quits? And like what?

1803
01:37:16,400 --> 01:37:18,200
Speaker 3: She ran down the block and she chased me for

1804
01:37:18,320 --> 01:37:21,479
Speaker 3: like a block and a half. That's when I knew

1805
01:37:21,520 --> 01:37:25,160
Speaker 3: I was important. For the first time. I was like,

1806
01:37:25,840 --> 01:37:28,400
Speaker 3: she didn't give a fuck. She was just left me right,

1807
01:37:28,640 --> 01:37:30,920
Speaker 3: but she chased me and she was like, no, you

1808
01:37:30,960 --> 01:37:34,040
Speaker 3: gotta come back. You one of my best DJs. So

1809
01:37:34,120 --> 01:37:36,559
Speaker 3: I was like, oh shit, that was the first time

1810
01:37:36,560 --> 01:37:38,400
Speaker 3: I knew I had a little bit of power, a

1811
01:37:38,439 --> 01:37:47,439
Speaker 3: little bit. Oh good. Yeah, I just texted, uh. She

1812
01:37:47,600 --> 01:37:49,120
Speaker 3: just texted me the other day and I just told her,

1813
01:37:49,479 --> 01:37:51,200
Speaker 3: thank you for everything you changed my life. You have

1814
01:37:51,320 --> 01:37:53,439
Speaker 3: no idea how much you changed my life.

1815
01:37:53,680 --> 01:37:56,960
Speaker 7: All right, So I'm bounce abound a little bit. So

1816
01:37:57,080 --> 01:37:59,800
Speaker 7: how did you get the call that like you're being

1817
01:38:00,160 --> 01:38:01,320
Speaker 7: go this time?

1818
01:38:02,400 --> 01:38:05,960
Speaker 3: Somebody called me and said, hey, can we meet And

1819
01:38:06,080 --> 01:38:07,680
Speaker 3: I was like, yeah, sure, I said, give meet me

1820
01:38:07,720 --> 01:38:09,519
Speaker 3: at the studio. He was like, no, I need to

1821
01:38:09,560 --> 01:38:12,960
Speaker 3: come by the offices. I said, alright, cool studio offices

1822
01:38:12,960 --> 01:38:15,519
Speaker 3: two different places down the block from each other, but

1823
01:38:15,640 --> 01:38:19,840
Speaker 3: to different places. So I said, I said, what time's cool?

1824
01:38:19,920 --> 01:38:21,760
Speaker 3: Around eleven? I said, now you know, let's do that

1825
01:38:21,880 --> 01:38:24,439
Speaker 3: one and I go for my shift. No, no, no,

1826
01:38:24,840 --> 01:38:30,479
Speaker 3: I'm lying, I said. I beat the bottom eleven, handing

1827
01:38:30,520 --> 01:38:34,800
Speaker 3: me a piece of paper and I said, yo, like

1828
01:38:34,880 --> 01:38:39,000
Speaker 3: a termination letter. Yeah, yo, thank you for your services.

1829
01:38:39,160 --> 01:38:41,040
Speaker 3: This is hard for me. Blah blah blah, blah blah.

1830
01:38:43,880 --> 01:38:45,800
Speaker 3: Were the person is saying that or the letter saying that.

1831
01:38:46,800 --> 01:38:48,560
Speaker 3: I mean, the person is saying anything like that, but

1832
01:38:48,560 --> 01:38:50,639
Speaker 3: I don't want to put that person on blast. Okay cool?

1833
01:38:52,080 --> 01:38:56,280
Speaker 3: And then I was worried that's it. And then he goes,

1834
01:38:56,560 --> 01:38:59,320
Speaker 3: that's it. You know, we're going to start something new,

1835
01:38:59,400 --> 01:39:02,160
Speaker 3: so on Tuesday day, you know, and you're just not

1836
01:39:02,280 --> 01:39:03,280
Speaker 3: gonna be part of the lineup.

1837
01:39:03,720 --> 01:39:03,920
Speaker 1: Wow.

1838
01:39:04,240 --> 01:39:10,160
Speaker 3: So I was like, all right, that's it. Peace. When's

1839
01:39:10,200 --> 01:39:13,439
Speaker 3: my last day tomorrow? All right? Cool? Damn that quick.

1840
01:39:14,000 --> 01:39:17,760
Speaker 3: So then I was gonna DJ from home like we

1841
01:39:17,920 --> 01:39:22,280
Speaker 3: have been remote, all right, But then this animal and

1842
01:39:22,360 --> 01:39:24,240
Speaker 3: one of my other DJs is like, now we're gonna

1843
01:39:24,280 --> 01:39:24,800
Speaker 3: celebrate you.

1844
01:39:24,920 --> 01:39:25,000
Speaker 13: Bro.

1845
01:39:26,200 --> 01:39:29,519
Speaker 3: I just you know, respectfully, you better seven years, you

1846
01:39:29,600 --> 01:39:32,519
Speaker 3: better come to work. We're gonna we're gonna film this.

1847
01:39:32,600 --> 01:39:35,160
Speaker 3: We're gonna show the world that you know, we're gonna

1848
01:39:35,160 --> 01:39:37,240
Speaker 3: salute you. So we.

1849
01:39:39,800 --> 01:39:42,040
Speaker 1: Got we got, we got the yallows the yallos.

1850
01:39:42,920 --> 01:39:45,479
Speaker 3: Okay, one of the get the one.

1851
01:39:46,000 --> 01:39:47,479
Speaker 1: Let's give him the one y'allo hold on, hold on

1852
01:39:47,880 --> 01:39:48,120
Speaker 1: like a.

1853
01:39:49,600 --> 01:39:53,200
Speaker 3: Yeah, you heard us say right now you need nervous.

1854
01:39:55,120 --> 01:39:58,920
Speaker 3: Jake said that we gotta salute the point.

1855
01:39:59,200 --> 01:40:01,880
Speaker 1: So look, we want to your flowers because I wish

1856
01:40:01,960 --> 01:40:07,800
Speaker 1: I was there in there, like.

1857
01:40:10,120 --> 01:40:14,000
Speaker 3: I love that, yes, but ah get no. So you

1858
01:40:14,120 --> 01:40:15,800
Speaker 3: know that's when I got on the horn. I got

1859
01:40:15,880 --> 01:40:16,920
Speaker 3: to work. I said, Yo.

1860
01:40:17,439 --> 01:40:20,600
Speaker 13: I called everybody, well not everybody, but at least you know,

1861
01:40:20,640 --> 01:40:23,080
Speaker 13: it was so last minute, you know, I just started

1862
01:40:23,160 --> 01:40:26,920
Speaker 13: fakking phone calls, every DJ, every you know, everybody, and said,

1863
01:40:26,960 --> 01:40:29,920
Speaker 13: listen tomorrowing on the last show, we're all pulling up,

1864
01:40:30,400 --> 01:40:32,479
Speaker 13: salute him and give him his flowers. He put his

1865
01:40:32,960 --> 01:40:37,240
Speaker 13: sweat into his place, you know, respectfully in his heart.

1866
01:40:37,320 --> 01:40:39,160
Speaker 13: He has had anety seven because this is what he

1867
01:40:39,280 --> 01:40:43,439
Speaker 13: did for twenty seven thirty years. So you know, fad Joe,

1868
01:40:44,960 --> 01:40:50,439
Speaker 13: fad Joe said what's address? He didn't hesitate, he didn't

1869
01:40:50,439 --> 01:40:53,080
Speaker 13: say what what's address? You know, And from there it

1870
01:40:53,080 --> 01:40:56,439
Speaker 13: was just ripple. You know, Calig pulled up, Jim Jones

1871
01:40:56,479 --> 01:40:58,639
Speaker 13: called me for It was just a celebration.

1872
01:40:58,720 --> 01:41:02,080
Speaker 3: It was beautiful. A guy was crying on the radio,

1873
01:41:02,120 --> 01:41:06,719
Speaker 3: which is a beautiful thing. Did you see a video? Yeah,

1874
01:41:07,160 --> 01:41:09,800
Speaker 3: did you see that? What I said? Because I started.

1875
01:41:11,200 --> 01:41:26,479
Speaker 10: Finished all right to the hard from TV. Baby that

1876
01:41:26,600 --> 01:41:27,840
Speaker 10: a way to sign on that aman.

1877
01:41:27,920 --> 01:41:30,200
Speaker 3: Kids used to have people in a friends, you don't disrespect, y'o.

1878
01:41:31,040 --> 01:41:34,040
Speaker 3: I remember doing there's a club in New York called uh,

1879
01:41:34,680 --> 01:41:38,320
Speaker 3: it was called Club Carbon that was now was that

1880
01:41:38,439 --> 01:41:41,160
Speaker 3: It's called Terminal five, but it was exiting. It was

1881
01:41:41,240 --> 01:41:44,439
Speaker 3: black and I remember, I remember in ninety eight there

1882
01:41:44,520 --> 01:41:47,680
Speaker 3: was a girl from DC named Steph Lover. Yeah, and

1883
01:41:47,760 --> 01:41:50,439
Speaker 3: Steph Lover used to work with me, Yes and if

1884
01:41:51,640 --> 01:41:54,280
Speaker 3: and I brought it to the club and I threw

1885
01:41:54,360 --> 01:41:57,679
Speaker 3: on Van from TV and it was the ultimate razor

1886
01:41:57,720 --> 01:41:58,280
Speaker 3: blade fight.

1887
01:42:00,320 --> 01:42:00,439
Speaker 1: Yo.

1888
01:42:00,520 --> 01:42:03,840
Speaker 3: When I tell you she came from DC and she

1889
01:42:04,000 --> 01:42:06,679
Speaker 3: was like you, I thought DC was the murder capital.

1890
01:42:06,720 --> 01:42:10,360
Speaker 3: But you'll be on some other ship, YO. Next we'll

1891
01:42:10,400 --> 01:42:24,639
Speaker 3: getting sliced goushous open. That's what Nori did to the streets.

1892
01:42:25,680 --> 01:42:31,040
Speaker 3: He had people going crazy. But so let's describe that year.

1893
01:42:32,280 --> 01:42:33,800
Speaker 3: This is the first year you get on radio.

1894
01:42:34,120 --> 01:42:34,240
Speaker 12: Right.

1895
01:42:36,240 --> 01:42:44,120
Speaker 3: For me, I have two legacies that I picked.

1896
01:42:44,200 --> 01:42:46,559
Speaker 1: What is it called the ten year decade?

1897
01:42:46,600 --> 01:42:46,960
Speaker 4: What is it.

1898
01:42:49,400 --> 01:42:49,960
Speaker 3: That I picked?

1899
01:42:50,040 --> 01:42:52,000
Speaker 7: Right, it's the one that I'm not in and the

1900
01:42:52,080 --> 01:42:54,240
Speaker 7: one that I'm in and the one that I'm in.

1901
01:42:55,040 --> 01:42:59,160
Speaker 7: It starts from ninety seven. It's like two thousand and seven.

1902
01:42:59,240 --> 01:42:59,799
Speaker 3: That decade.

1903
01:43:00,040 --> 01:43:03,640
Speaker 7: What nineteen ninety eight to me is one of the

1904
01:43:03,760 --> 01:43:07,240
Speaker 7: best years of music. So I need to hear you

1905
01:43:07,400 --> 01:43:13,639
Speaker 7: from a DJ perspective. This is so when did you start?

1906
01:43:14,200 --> 01:43:16,160
Speaker 7: What year did you start on that radio in nineteen

1907
01:43:16,200 --> 01:43:16,559
Speaker 7: ninety eight?

1908
01:43:17,280 --> 01:43:20,280
Speaker 3: What month? I mean, well, oh god, damn it.

1909
01:43:20,880 --> 01:43:23,160
Speaker 1: Everything is out, so everything DMX don't.

1910
01:43:23,040 --> 01:43:26,160
Speaker 3: Drop every day, drop everything, drop everything.

1911
01:43:26,320 --> 01:43:30,240
Speaker 7: So describe us that first day, and then how how

1912
01:43:30,280 --> 01:43:33,000
Speaker 7: do you choose your selection? Because everything is hot, and

1913
01:43:33,160 --> 01:43:36,920
Speaker 7: especially in New York, we don't find I'm sorry, I'm sorry.

1914
01:43:41,320 --> 01:43:44,040
Speaker 3: Yeah, I already radio. I al't been on radio, okay,

1915
01:43:44,200 --> 01:43:47,679
Speaker 3: just I remember one of my historic moments was playing

1916
01:43:47,760 --> 01:43:53,360
Speaker 3: why Storm the remix with Little Kim and Ted Lover

1917
01:43:53,680 --> 01:43:58,240
Speaker 3: is in the booth? Uh and you know you did?

1918
01:43:58,280 --> 01:43:59,880
Speaker 3: That's how it was. All of these is like that

1919
01:44:00,320 --> 01:44:02,320
Speaker 3: Hed boops on one section, that their stree is another.

1920
01:44:03,240 --> 01:44:06,840
Speaker 3: So I'm going hot, damn hole, here she goes again.

1921
01:44:07,160 --> 01:44:07,519
Speaker 3: Life is it?

1922
01:44:07,680 --> 01:44:07,800
Speaker 11: You know?

1923
01:44:08,040 --> 01:44:10,960
Speaker 3: And on one side is the dirty, on the other

1924
01:44:11,040 --> 01:44:13,760
Speaker 3: side is the clean. But because my headphones are a

1925
01:44:13,840 --> 01:44:18,439
Speaker 3: certain way, I'm only hearing the clean side. So ed

1926
01:44:18,520 --> 01:44:21,920
Speaker 3: lovers like, yo, what the are you doing? And I'm

1927
01:44:21,920 --> 01:44:27,280
Speaker 3: still bringing it back. I'm like, yeah, I'm nice, right, Yo,

1928
01:44:27,840 --> 01:44:30,840
Speaker 3: I'm a brand new DJ on this radio station and

1929
01:44:30,960 --> 01:44:33,600
Speaker 3: I'm going hot. Damn hole. Here she goes again, you know,

1930
01:44:34,240 --> 01:44:38,200
Speaker 3: bitch whatever that ship, I keep rewinding it back and forth,

1931
01:44:38,720 --> 01:44:41,439
Speaker 3: back and forth. It was a crazy year for me.

1932
01:44:43,560 --> 01:44:50,400
Speaker 3: Pun died, right, that's the piece. It's crazy because you

1933
01:44:50,479 --> 01:44:54,800
Speaker 3: know I learned this from msiss c Right. There's a

1934
01:44:54,880 --> 01:44:58,360
Speaker 3: thing we do, those tribute you know, mixes when somebody

1935
01:44:58,439 --> 01:45:02,240
Speaker 3: passes away. But the crazy part is that. But you

1936
01:45:02,280 --> 01:45:06,240
Speaker 3: guys don't understand, like, these are guys. We went to

1937
01:45:06,360 --> 01:45:08,600
Speaker 3: war with them in the clubs, we went on the

1938
01:45:08,720 --> 01:45:11,160
Speaker 3: road with them. We did a lot of things for them.

1939
01:45:11,320 --> 01:45:18,479
Speaker 3: But my uncle died. I didn't cry. But when Pun died, Yo,

1940
01:45:18,680 --> 01:45:21,720
Speaker 3: I was DJ in the booth and you thought I

1941
01:45:21,800 --> 01:45:23,920
Speaker 3: cried on that video when I was my last day. No,

1942
01:45:24,400 --> 01:45:28,400
Speaker 3: I broke down on my knees, like this is crazy

1943
01:45:29,320 --> 01:45:30,920
Speaker 3: because to me is one of the greatest rappers to

1944
01:45:30,920 --> 01:45:31,360
Speaker 3: ever do it.

1945
01:45:32,520 --> 01:45:34,400
Speaker 1: I like I said, greatest rappers ever do it, not

1946
01:45:34,520 --> 01:45:35,880
Speaker 1: greatest Puerto Rican rapper ever.

1947
01:45:36,520 --> 01:45:36,920
Speaker 4: I like that.

1948
01:45:43,320 --> 01:45:51,240
Speaker 3: Talking to love. I loved it. Warning and you know

1949
01:45:51,320 --> 01:45:53,040
Speaker 3: that was a big deal. Ninety eight was everything.

1950
01:45:53,400 --> 01:45:58,800
Speaker 1: Yeah, Yeah, I was as one of the best years

1951
01:45:58,840 --> 01:46:02,439
Speaker 1: of my life. Yo. Uh being able to like to

1952
01:46:02,640 --> 01:46:05,200
Speaker 1: like come out with upon DMX.

1953
01:46:05,240 --> 01:46:08,080
Speaker 3: Yeah Cameron, Uh.

1954
01:46:09,680 --> 01:46:14,960
Speaker 7: Corrupt capa Donna. That was a cannabis cannabis like that

1955
01:46:15,040 --> 01:46:16,240
Speaker 7: ship was like the best year.

1956
01:46:16,160 --> 01:46:18,320
Speaker 3: Of my life. Yeah. It was a great year for

1957
01:46:18,439 --> 01:46:21,280
Speaker 3: hip hop, man, you know. And so the chaka let

1958
01:46:21,320 --> 01:46:26,040
Speaker 3: me show the chaka. Yeah yeah, well what was you saying? No?

1959
01:46:26,200 --> 01:46:30,400
Speaker 3: And you know, at that time was the staple. There

1960
01:46:30,479 --> 01:46:32,960
Speaker 3: was the goal to hands down, I mean it d

1961
01:46:33,040 --> 01:46:33,760
Speaker 3: it led it.

1962
01:46:33,880 --> 01:46:36,479
Speaker 7: Let like you go in front of Hot ninety seven

1963
01:46:36,560 --> 01:46:39,920
Speaker 7: and see anybody, like anybody would be in front of

1964
01:46:39,960 --> 01:46:42,240
Speaker 7: Hot ninety seven because they knew that that was like

1965
01:46:42,320 --> 01:46:45,120
Speaker 7: the mecca, like and anywhere they moved to the people

1966
01:46:45,120 --> 01:46:45,600
Speaker 7: who caught on.

1967
01:46:45,760 --> 01:46:47,400
Speaker 3: It didn't matter like like like that.

1968
01:46:48,360 --> 01:46:50,080
Speaker 13: I wasn't on radio back then. I was just looking

1969
01:46:50,120 --> 01:46:52,040
Speaker 13: at like a fan always like all right.

1970
01:46:52,720 --> 01:46:55,200
Speaker 4: You know it was Hot ninety seven and the Source magazine.

1971
01:46:55,320 --> 01:46:57,479
Speaker 4: Those were the two things that led hip hop at

1972
01:46:57,520 --> 01:46:59,360
Speaker 4: one point. You know what I'm saying, Like that was

1973
01:46:59,439 --> 01:47:00,759
Speaker 4: what led Yeah.

1974
01:47:00,600 --> 01:47:02,760
Speaker 3: And what year you got on Hot seven? I got

1975
01:47:02,800 --> 01:47:05,200
Speaker 3: on one one oh one.

1976
01:47:05,280 --> 01:47:07,400
Speaker 13: I started with that little little show I say it

1977
01:47:07,880 --> 01:47:13,400
Speaker 13: put they created no, no, okay, this is called Saturdays.

1978
01:47:13,600 --> 01:47:16,040
Speaker 13: After the midnight run, they created a show which was

1979
01:47:16,680 --> 01:47:20,640
Speaker 13: rest in Peace, case Sleigh Envy, Green Lantern, We'll take

1980
01:47:20,680 --> 01:47:22,559
Speaker 13: it to the streets, take it to the streets myself

1981
01:47:22,600 --> 01:47:25,360
Speaker 13: in threat. I believe that was the five and were

1982
01:47:25,439 --> 01:47:27,719
Speaker 13: rote every Saturday. So I was really on once a month. Okay,

1983
01:47:27,960 --> 01:47:30,000
Speaker 13: the best time ever because I got four hours to

1984
01:47:30,040 --> 01:47:31,000
Speaker 13: do what with the funk?

1985
01:47:31,080 --> 01:47:35,880
Speaker 3: I wanted literally on vinyl? What I wanted. I was Camillo.

1986
01:47:36,960 --> 01:47:38,599
Speaker 3: I was in with Camelo.

1987
01:47:38,640 --> 01:47:41,000
Speaker 13: No, I was Camelot Hot back then. There was no

1988
01:47:41,080 --> 01:47:41,960
Speaker 13: competition back then.

1989
01:47:42,960 --> 01:47:46,200
Speaker 3: That's that's that's a big difference. It's a big difference. Again.

1990
01:47:47,240 --> 01:47:49,840
Speaker 3: Back then that was my boot camp and it was

1991
01:47:49,880 --> 01:47:51,560
Speaker 3: the best time ever. One like for me.

1992
01:47:51,840 --> 01:47:53,439
Speaker 13: I would beat my boys up, they would pick up

1993
01:47:53,479 --> 01:47:57,120
Speaker 13: the phones. It was a fucking amazing time. Man, wild times,

1994
01:47:57,640 --> 01:47:58,240
Speaker 13: wild times.

1995
01:47:58,439 --> 01:48:00,559
Speaker 3: Facts. Yeah.

1996
01:48:02,680 --> 01:48:08,479
Speaker 7: I just wanted to ask this to you, Camilla right now,

1997
01:48:10,880 --> 01:48:20,679
Speaker 7: New York City. Are you the hottest club DJ.

1998
01:48:23,520 --> 01:48:23,880
Speaker 3: Over here?

1999
01:48:24,080 --> 01:48:26,680
Speaker 13: Listen, listen, I'm gonna keep it a buck. You know,

2000
01:48:26,840 --> 01:48:30,599
Speaker 13: I've been doing this man long, and am I the hottest?

2001
01:48:30,960 --> 01:48:33,679
Speaker 13: I consider myself the hottest, absolutely, one thousand percent.

2002
01:48:37,479 --> 01:48:39,160
Speaker 3: Cam yeah.

2003
01:48:39,160 --> 01:48:40,720
Speaker 13: I mean, yeah, I could do it all day. You

2004
01:48:40,720 --> 01:48:42,559
Speaker 13: can go to the Grand DJ commdal this all day

2005
01:48:42,680 --> 01:48:46,040
Speaker 13: my rundown. I'm busy or I've been doing this fort tired. Man,

2006
01:48:46,040 --> 01:48:47,400
Speaker 13: I don't get tired. You know, I don't get tired.

2007
01:48:47,439 --> 01:48:49,720
Speaker 13: I love this ship, your wild bro yoh bro.

2008
01:48:50,080 --> 01:48:52,679
Speaker 3: I love this ship to Miami. I love to play

2009
01:48:52,720 --> 01:48:55,360
Speaker 3: at Booby Trapping. I loved you know, Miami's changed a lot.

2010
01:48:55,560 --> 01:48:57,120
Speaker 3: Miami has changed a lot, a lot.

2011
01:48:57,479 --> 01:49:00,560
Speaker 13: I used to love when Wood, when Wild Wind was

2012
01:49:02,000 --> 01:49:04,240
Speaker 13: like I said, like I said, man has changed a lot.

2013
01:49:04,479 --> 01:49:06,960
Speaker 13: Wind would for a time was on fire, but I

2014
01:49:06,960 --> 01:49:08,479
Speaker 13: could take it back. Man, when we used to do

2015
01:49:08,600 --> 01:49:12,800
Speaker 13: live in open garden and mansion and a bamboo.

2016
01:49:17,640 --> 01:49:17,840
Speaker 2: You know.

2017
01:49:18,320 --> 01:49:20,200
Speaker 13: So anyway, when I'm trying to say, I still love

2018
01:49:20,280 --> 01:49:22,960
Speaker 13: this ship, so I don't get tired, No, I still

2019
01:49:23,000 --> 01:49:25,160
Speaker 13: you know, I play every every almost every night of

2020
01:49:25,200 --> 01:49:28,600
Speaker 13: the week, you know, And that's you still love it

2021
01:49:28,680 --> 01:49:32,519
Speaker 13: that way. And and mind you, the music's changed, the

2022
01:49:32,600 --> 01:49:36,080
Speaker 13: culture has changed. But you know I love to play

2023
01:49:36,160 --> 01:49:37,040
Speaker 13: open format too.

2024
01:49:37,920 --> 01:49:40,120
Speaker 3: Is that what you is that what's made you keep

2025
01:49:40,200 --> 01:49:44,080
Speaker 3: the love open format? Yeah, I was just playing.

2026
01:49:44,840 --> 01:49:45,200
Speaker 1: I mean.

2027
01:49:46,720 --> 01:49:51,439
Speaker 3: I tap into the you could play different genres.

2028
01:49:51,520 --> 01:49:52,960
Speaker 1: Let me tell you, Let me tell you my bad

2029
01:49:53,080 --> 01:49:53,439
Speaker 1: Let me tell you.

2030
01:49:54,120 --> 01:49:58,040
Speaker 7: One day, I'm hanging out with Flaws and Frank White,

2031
01:49:59,520 --> 01:50:02,080
Speaker 7: and we followed you for three or four parties.

2032
01:50:02,120 --> 01:50:06,040
Speaker 1: You had three or four parties one night something we

2033
01:50:07,280 --> 01:50:08,560
Speaker 1: I got tired.

2034
01:50:15,920 --> 01:50:19,400
Speaker 3: When when what he's talking about? Things like that.

2035
01:50:19,479 --> 01:50:22,560
Speaker 13: It's an hour set, yeah, but for the most part nowadays,

2036
01:50:22,640 --> 01:50:25,080
Speaker 13: it's no more than two hours. You know, you're going

2037
01:50:25,160 --> 01:50:27,000
Speaker 13: there to body the club man.

2038
01:50:27,080 --> 01:50:28,920
Speaker 1: You go, you're being Elizabeth.

2039
01:50:29,360 --> 01:50:31,960
Speaker 7: You'll go like somewhere in there like nowhere like and

2040
01:50:32,040 --> 01:50:35,720
Speaker 7: then you'll go like Guttenberg and then like something like.

2041
01:50:35,960 --> 01:50:38,000
Speaker 3: We always end up up town because I'm telling oh

2042
01:50:38,200 --> 01:50:40,080
Speaker 3: my god, and you end up in like man And

2043
01:50:42,400 --> 01:50:44,439
Speaker 3: couldn't have happened three.

2044
01:50:44,280 --> 01:50:47,360
Speaker 13: In the morning, right, yeah, couldn't happen, of course not Yeah,

2045
01:50:47,400 --> 01:50:51,679
Speaker 13: And it's a blessing serado, yeah, because move right, yeah,

2046
01:50:51,720 --> 01:50:55,879
Speaker 13: you know, and listen, I've seen I started calendar flyers

2047
01:50:56,000 --> 01:50:58,680
Speaker 13: right like I want to, meaning I put a run

2048
01:50:58,760 --> 01:51:01,000
Speaker 13: down with the I'm doing a month. I started that

2049
01:51:01,080 --> 01:51:04,040
Speaker 13: in like twenty two thousand and nine eight, and all

2050
01:51:04,080 --> 01:51:06,960
Speaker 13: the DJ is doing now they follow that lead. You know,

2051
01:51:07,040 --> 01:51:09,280
Speaker 13: I don't want to say, I started it, you know,

2052
01:51:10,560 --> 01:51:12,960
Speaker 13: and I love to see every fucking DJ doing it

2053
01:51:12,960 --> 01:51:16,000
Speaker 13: because like the fun I started eating, like you know,

2054
01:51:16,160 --> 01:51:16,760
Speaker 13: they're all doing it.

2055
01:51:16,880 --> 01:51:21,240
Speaker 3: It's love. I don't. I don't share, you know, it's

2056
01:51:21,320 --> 01:51:23,880
Speaker 3: it's I love what I do. Man, I don't get tired.

2057
01:51:23,960 --> 01:51:25,280
Speaker 5: And it's clear, you know.

2058
01:51:25,360 --> 01:51:25,840
Speaker 3: And listen.

2059
01:51:26,760 --> 01:51:29,600
Speaker 13: I love radio too, I still love. On top of that,

2060
01:51:29,920 --> 01:51:32,320
Speaker 13: I'm on the radio every day, prime time. That's a blessing,

2061
01:51:32,920 --> 01:51:35,920
Speaker 13: you know. And this time that we're living in radio

2062
01:51:36,120 --> 01:51:39,400
Speaker 13: like to me, I love I going there, energize every day,

2063
01:51:39,880 --> 01:51:40,439
Speaker 13: want to work.

2064
01:51:41,000 --> 01:51:48,760
Speaker 3: You know what. I'm sorry, I got my flowers. Sorry, No,

2065
01:51:49,000 --> 01:51:54,040
Speaker 3: this is yours your flight. That's right, that's right, that's right.

2066
01:51:54,600 --> 01:51:56,920
Speaker 3: I'm the Tony YAlO too, you know what I'm saying.

2067
01:52:01,720 --> 01:52:03,759
Speaker 4: One thing we I don't think we highlighted though about

2068
01:52:03,880 --> 01:52:05,640
Speaker 4: enough is the production side of it.

2069
01:52:05,720 --> 01:52:07,559
Speaker 1: Oh that's right, because you did that's right. You got

2070
01:52:07,640 --> 01:52:08,320
Speaker 1: platinum records.

2071
01:52:08,320 --> 01:52:11,000
Speaker 4: But you say you did the remix to Get Money, right,

2072
01:52:11,520 --> 01:52:14,280
Speaker 4: which is an iconic remix. Talk about it, my brother

2073
01:52:14,400 --> 01:52:17,000
Speaker 4: jif man that and you did you produced on.

2074
01:52:17,280 --> 01:52:19,000
Speaker 3: Bigs you know, by somebody kills you.

2075
01:52:19,280 --> 01:52:22,880
Speaker 7: Yeah, And you know what you try to chop up

2076
01:52:22,920 --> 01:52:24,840
Speaker 7: to get money, and Big told you not to chop

2077
01:52:24,880 --> 01:52:25,120
Speaker 7: it up.

2078
01:52:25,280 --> 01:52:27,040
Speaker 3: You know what, leave it, leave it. You know what,

2079
01:52:27,400 --> 01:52:31,000
Speaker 3: when you travel on the road with an artist, especially

2080
01:52:31,080 --> 01:52:34,360
Speaker 3: like Big Big new as of DJ, not just for

2081
01:52:34,520 --> 01:52:36,479
Speaker 3: him on the road, but on the radio and the

2082
01:52:36,600 --> 01:52:40,240
Speaker 3: mixtapes and stuff. So whenever we got to meet, he

2083
01:52:40,400 --> 01:52:42,720
Speaker 3: was like a crackhead. He'd be like, what you got,

2084
01:52:43,240 --> 01:52:46,920
Speaker 3: what's new? What they got? And then like a student,

2085
01:52:47,439 --> 01:52:51,640
Speaker 3: he wants he wants to listen and break down what

2086
01:52:51,760 --> 01:52:55,080
Speaker 3: they're saying. Like that was his way of knowing if.

2087
01:52:55,000 --> 01:52:56,600
Speaker 5: He was still good or if he was hot on

2088
01:52:56,760 --> 01:52:57,479
Speaker 5: staying relevant.

2089
01:52:57,560 --> 01:53:00,600
Speaker 3: Yeah, that was just what you got. I remember I

2090
01:53:00,640 --> 01:53:03,280
Speaker 3: brought him to my crib in Brooklyn to do a

2091
01:53:03,360 --> 01:53:06,960
Speaker 3: mixtape freestyle for me. It was a kid named Freshco

2092
01:53:07,120 --> 01:53:10,600
Speaker 3: the Flower. Freshcot was signed to Tommy Boy Records and

2093
01:53:11,040 --> 01:53:17,080
Speaker 3: nineteen ninety Freshco fright and to put it in perspective,

2094
01:53:17,160 --> 01:53:18,599
Speaker 3: I know why you didn't hear because it was old.

2095
01:53:19,920 --> 01:53:22,679
Speaker 3: In nineteen ninety one, he won the New Music Seminar

2096
01:53:22,880 --> 01:53:27,080
Speaker 3: contest for the best Rapper that year. DJ Miss was

2097
01:53:27,120 --> 01:53:31,000
Speaker 3: the best DJ and they and together they made him

2098
01:53:31,000 --> 01:53:37,160
Speaker 3: a group. So I knew him because he used to

2099
01:53:37,280 --> 01:53:40,240
Speaker 3: live in Sunset Park, Brooklyn for a little while, and

2100
01:53:40,479 --> 01:53:42,400
Speaker 3: that wasn't too far from Flo Push, where I lived.

2101
01:53:43,520 --> 01:53:45,760
Speaker 3: And when I told Biggie I freshcol come into the crib,

2102
01:53:45,840 --> 01:53:51,280
Speaker 3: he was like where like almost like intimidated. And then

2103
01:53:53,120 --> 01:53:55,120
Speaker 3: when I did drops for a Fresh go on on

2104
01:53:55,240 --> 01:53:57,280
Speaker 3: the on the production, He's like, Yo, can I get

2105
01:53:57,320 --> 01:54:01,560
Speaker 3: some drops? Two yea. So it was just funny like

2106
01:54:01,640 --> 01:54:05,280
Speaker 3: this just to see that, you know, early Big and

2107
01:54:05,439 --> 01:54:09,160
Speaker 3: the way he just loved music and we'd ride in

2108
01:54:09,240 --> 01:54:12,560
Speaker 3: the car and he hit music. We listened to do

2109
01:54:12,960 --> 01:54:16,960
Speaker 3: mixtapes like to Get Money remix was off of Uh.

2110
01:54:17,120 --> 01:54:19,439
Speaker 3: The idea came from DJ do Wop. I said this

2111
01:54:19,760 --> 01:54:23,799
Speaker 3: before shut Up than you Do Wop headed a ninety

2112
01:54:23,840 --> 01:54:28,600
Speaker 3: five Live Part two mixtape and Somebody Somebody. If you

2113
01:54:28,680 --> 01:54:32,520
Speaker 3: go back on that mixtape, I forgot Somebody's wrapping on

2114
01:54:32,760 --> 01:54:37,680
Speaker 3: Dennis Edwards. Uh, don't look any further. And then Big

2115
01:54:37,840 --> 01:54:39,400
Speaker 3: was like, Yo, can you loop it up up for me?

2116
01:54:40,320 --> 01:54:42,640
Speaker 3: And then you know, back in those days as a producers,

2117
01:54:43,120 --> 01:54:45,360
Speaker 3: you didn't want to just loot or jack something you

2118
01:54:45,400 --> 01:54:47,240
Speaker 3: want to be He wanted to chop it up and

2119
01:54:47,320 --> 01:54:50,480
Speaker 3: make it special. He was like it was like, we're

2120
01:54:50,520 --> 01:54:54,240
Speaker 3: not chopping it up. I said, what happened? He said,

2121
01:54:55,400 --> 01:54:57,280
Speaker 3: They're gonna charge me the same money no matter what,

2122
01:54:57,440 --> 01:54:59,160
Speaker 3: whether you chop it like this or the fact. So

2123
01:54:59,280 --> 01:55:01,040
Speaker 3: that just take the who ship, all right.

2124
01:55:01,280 --> 01:55:05,120
Speaker 15: So I was like like confectionless, like showing up to

2125
01:55:06,320 --> 01:55:09,800
Speaker 15: like showing up to sound checks and like that, like

2126
01:55:10,000 --> 01:55:12,160
Speaker 15: every time you got to doe you go to or

2127
01:55:12,240 --> 01:55:13,680
Speaker 15: take it serious like that, or I.

2128
01:55:13,760 --> 01:55:16,120
Speaker 3: Mean I would do that. Yeah, he was, he was,

2129
01:55:16,240 --> 01:55:20,880
Speaker 3: he was already. He was already. He was already big.

2130
01:55:20,920 --> 01:55:27,600
Speaker 3: You know what I'm saying. Yeah, get quick time. We

2131
01:55:27,720 --> 01:55:28,360
Speaker 3: got quick time.

2132
01:55:29,040 --> 01:55:31,880
Speaker 1: Camello. We're gonna just have Camello and enough.

2133
01:55:31,880 --> 01:55:39,560
Speaker 3: Just Camelos is a drinker. Drink and but you yeah,

2134
01:55:41,760 --> 01:55:42,920
Speaker 3: and all right.

2135
01:55:43,120 --> 01:55:45,720
Speaker 4: So the rules, guys, so we're gonna give you this

2136
01:55:45,920 --> 01:55:49,600
Speaker 4: or that question you pick. If you don't pick, you

2137
01:55:49,680 --> 01:55:52,000
Speaker 4: take a shot. You know what, If you don't pick,

2138
01:55:52,040 --> 01:55:54,480
Speaker 4: we take a shot. If you say both we picked,

2139
01:55:54,600 --> 01:55:56,640
Speaker 4: we take a shot. But if you pick, we want

2140
01:55:56,680 --> 01:55:59,280
Speaker 4: a story. Okay, we want a story either way though,

2141
01:55:59,360 --> 01:56:04,680
Speaker 4: actually got you it. Really this is about stories. We're

2142
01:56:04,680 --> 01:56:07,360
Speaker 4: not trying to nobody, h this is just to bring

2143
01:56:07,480 --> 01:56:11,040
Speaker 4: up stories, you know, all right, Clark k Inner, Caseley,

2144
01:56:11,120 --> 01:56:15,520
Speaker 4: rest in peace to both. And this is any criteria.

2145
01:56:15,800 --> 01:56:19,040
Speaker 4: There's no crit this whatever the relationship that you had.

2146
01:56:19,960 --> 01:56:22,160
Speaker 4: And if you say both, it's all good. You just

2147
01:56:22,240 --> 01:56:24,800
Speaker 4: drink and we don't got to drink. You guys got

2148
01:56:25,000 --> 01:56:27,600
Speaker 4: mamajuana with men. Mamajana for you guys.

2149
01:56:28,400 --> 01:56:30,960
Speaker 3: You' might have to drink. You know why, I'm gonna

2150
01:56:30,960 --> 01:56:36,520
Speaker 3: tell you why. I don't know if you don't know,

2151
01:56:37,120 --> 01:56:40,960
Speaker 3: but case Slay at one time was homeless, really and

2152
01:56:41,120 --> 01:56:45,120
Speaker 3: case Lay used to clean cars with a squeegee. He

2153
01:56:45,280 --> 01:56:47,600
Speaker 3: was fucked up, like legit homeless and that yeah, he

2154
01:56:47,720 --> 01:56:50,400
Speaker 3: was fucked up the graffiti days, maybe a little bit

2155
01:56:50,440 --> 01:56:53,640
Speaker 3: after that, and he's a legendary graffitio. And now you

2156
01:56:53,720 --> 01:56:57,120
Speaker 3: know his skill set on the graffiti is stupid wild.

2157
01:56:57,160 --> 01:57:02,000
Speaker 3: So if he's Hall, I'm a big up Clark too.

2158
01:57:02,120 --> 01:57:06,520
Speaker 3: But I beg I'm hard because he fought for the

2159
01:57:06,600 --> 01:57:10,000
Speaker 3: streets and no matter how political a got, I had

2160
01:57:10,040 --> 01:57:13,720
Speaker 3: only seven and never changed his trajectory of where he

2161
01:57:13,840 --> 01:57:15,880
Speaker 3: was going with his show and what he believed in.

2162
01:57:16,240 --> 01:57:19,680
Speaker 3: So I salute him for that fact. But Clark Ken,

2163
01:57:20,200 --> 01:57:23,600
Speaker 3: he taught me that you just loving the music is

2164
01:57:23,640 --> 01:57:27,680
Speaker 3: almost everything. Yeah, we could love hip hop, but we

2165
01:57:27,720 --> 01:57:30,760
Speaker 3: could love rock and roll, we could love dance, love house,

2166
01:57:30,880 --> 01:57:35,120
Speaker 3: we could love Spanish music, you know, like we're lovers

2167
01:57:35,160 --> 01:57:37,880
Speaker 3: of music. And he taught me that and it made

2168
01:57:37,920 --> 01:57:39,880
Speaker 3: that safe for me. So that's why you both you're

2169
01:57:39,960 --> 01:57:44,720
Speaker 3: gonna drink. Let's go drink. Cheers, brother, cheers for the legends.

2170
01:57:45,920 --> 01:57:47,760
Speaker 3: That was a hall one already. Damn it's gonna be.

2171
01:57:50,720 --> 01:57:54,040
Speaker 5: Yeah, all right, biggie resting piece.

2172
01:57:54,680 --> 01:57:58,920
Speaker 7: Yeah, this is mister Lee and hazard is sound like

2173
01:57:59,160 --> 01:58:01,040
Speaker 7: the Colombian and the Dominican.

2174
01:58:02,800 --> 01:58:06,120
Speaker 1: Yeah, we call the second that's who. That's who it

2175
01:58:06,200 --> 01:58:08,120
Speaker 1: is that that's the.

2176
01:58:08,160 --> 01:58:13,360
Speaker 3: Colombia and the Dominican. Let me pour up in case. Uh,

2177
01:58:14,320 --> 01:58:16,800
Speaker 3: I'm along with but Big because that's my guy and

2178
01:58:16,840 --> 01:58:18,720
Speaker 3: I worked for him, and I'll be stoopid not to

2179
01:58:18,760 --> 01:58:25,880
Speaker 3: say his name. Okay, jay Z or Big Daddy came ship.

2180
01:58:29,880 --> 01:58:35,720
Speaker 3: I'm gonna say jay Z for me. Okay, oh yeah,

2181
01:58:35,720 --> 01:58:41,200
Speaker 3: I'm gonna say ho. Can't bro that going around the table.

2182
01:58:41,800 --> 01:58:42,440
Speaker 3: What you're doing?

2183
01:58:42,640 --> 01:58:46,840
Speaker 5: Man runs here? Kick Capri.

2184
01:58:49,800 --> 01:58:50,600
Speaker 3: Kick Capri for me.

2185
01:58:52,320 --> 01:58:55,040
Speaker 13: Yeah, I'm with the k Capri man, I mean shots

2186
01:58:55,080 --> 01:58:55,560
Speaker 13: the ca Capri.

2187
01:58:56,920 --> 01:59:02,360
Speaker 4: Now they're both legends he's an inspiration and shout out

2188
01:59:02,400 --> 01:59:04,800
Speaker 4: to ron g because of course Dell with it too.

2189
01:59:06,480 --> 01:59:10,680
Speaker 4: So you said, Cai Capri, all right, nazarell.

2190
01:59:11,440 --> 01:59:16,040
Speaker 3: He gonna asked me. You know, I personally got a

2191
01:59:16,120 --> 01:59:16,560
Speaker 3: drink to that.

2192
01:59:17,160 --> 01:59:23,880
Speaker 4: All right, relax, don't don't you're leading the witness. Fuck no,

2193
01:59:24,040 --> 01:59:32,840
Speaker 4: fuck just Naza nas yeah he dah any reason, baby,

2194
01:59:33,720 --> 01:59:34,600
Speaker 4: you don't have to give reason.

2195
01:59:34,680 --> 01:59:40,560
Speaker 3: He's a Liverpool master said that's it, all right, Red

2196
01:59:40,600 --> 01:59:43,240
Speaker 3: alert or marm bet alert.

2197
01:59:44,920 --> 01:59:51,560
Speaker 4: And you answered pretty fast, man, Caldar drama. Call Jesus

2198
01:59:51,680 --> 01:59:56,200
Speaker 4: your host. Analog or digital, both of y'all.

2199
01:59:59,040 --> 02:00:06,200
Speaker 3: That's tough one too, bo Analog. I was like, did

2200
02:00:06,240 --> 02:00:10,800
Speaker 3: you meant to put it? Who wrote an I'm gonna

2201
02:00:10,800 --> 02:00:12,360
Speaker 3: I'm gonna say digital digital?

2202
02:00:12,520 --> 02:00:18,560
Speaker 4: Okay, no, I know, but the way you or Amnesia

2203
02:00:18,680 --> 02:00:22,160
Speaker 4: or Mansion Amnesia. That was the name of the club.

2204
02:00:22,320 --> 02:00:27,760
Speaker 13: Yeah, yeah, that's what story used to be. Yes, yes,

2205
02:00:29,120 --> 02:00:33,680
Speaker 13: but that's enough the name because I did but I

2206
02:00:33,800 --> 02:00:34,520
Speaker 13: wasn't there for that.

2207
02:00:35,040 --> 02:00:36,000
Speaker 5: So which one of those two?

2208
02:00:37,840 --> 02:00:41,600
Speaker 3: I enjoyed the Opium Garden Spot? What was that, Anesia?

2209
02:00:42,640 --> 02:00:43,200
Speaker 3: I enjoyed?

2210
02:00:43,240 --> 02:00:46,360
Speaker 5: That was the Miami Spots, right, yeah, okay, okay?

2211
02:00:46,920 --> 02:00:49,360
Speaker 3: Which is the one that prints on No, that's glam.

2212
02:00:49,480 --> 02:00:52,560
Speaker 3: Slam became mansion. Yea mansion. That was a hot spot,

2213
02:00:52,880 --> 02:00:58,800
Speaker 3: that was place. Was that to change your cality? Used

2214
02:00:58,840 --> 02:01:02,560
Speaker 3: to open up for me in Miami? Yeah, club for sure,

2215
02:01:02,640 --> 02:01:05,720
Speaker 3: you want me want Joe wanted to kill me. I

2216
02:01:05,800 --> 02:01:06,680
Speaker 3: love his DJ talk.

2217
02:01:07,920 --> 02:01:10,600
Speaker 13: The first time I ever played in Miami ever ninety

2218
02:01:10,680 --> 02:01:15,240
Speaker 13: eight was at Liquid and cat It open up for me.

2219
02:01:15,360 --> 02:01:21,720
Speaker 3: I'll never forget that. And first time ever in ninety

2220
02:01:21,920 --> 02:01:24,000
Speaker 3: and we got shutouts. Who was the king of the

2221
02:01:24,160 --> 02:01:24,960
Speaker 3: clubs in Miami?

2222
02:01:27,960 --> 02:01:31,960
Speaker 13: DJ, I see you, that's crazy to me. And then

2223
02:01:31,960 --> 02:01:33,280
Speaker 13: I look I saw Cataly, I said, I look at

2224
02:01:33,360 --> 02:01:34,320
Speaker 13: him like damn.

2225
02:01:34,160 --> 02:01:37,920
Speaker 3: This is Yeah, it's beautiful the way it moves. What

2226
02:01:38,080 --> 02:01:39,840
Speaker 3: was the pirate radio station? I was here?

2227
02:01:40,120 --> 02:01:43,520
Speaker 4: Well, we had a couple we I had one. I

2228
02:01:43,640 --> 02:01:45,560
Speaker 4: was on ninety four point seven. Oh you think about

2229
02:01:45,560 --> 02:01:47,680
Speaker 4: Mix ninety six, which is where Cali came from.

2230
02:01:47,760 --> 02:01:49,200
Speaker 3: I don't know what's another one.

2231
02:01:50,000 --> 02:01:53,200
Speaker 4: It was a mixed, nice rad we had so many.

2232
02:01:54,400 --> 02:01:55,960
Speaker 4: It might have been Wow, it might have been that

2233
02:01:56,080 --> 02:01:58,800
Speaker 4: one g oud station. I don't I'm not too sure.

2234
02:01:58,680 --> 02:02:02,000
Speaker 3: That you're thinking. Or DJ raw station that was a

2235
02:02:02,120 --> 02:02:06,600
Speaker 3: bus yo all I know around that wasn't it. I mean,

2236
02:02:06,680 --> 02:02:11,120
Speaker 3: I remember being here in ninety ninety seven and this

2237
02:02:11,240 --> 02:02:14,000
Speaker 3: town was dead. There was number old people.

2238
02:02:14,320 --> 02:02:19,720
Speaker 5: Hey, come on, man, Yeah, you went to South Beach

2239
02:02:19,760 --> 02:02:20,080
Speaker 5: and it was.

2240
02:02:21,080 --> 02:02:24,800
Speaker 3: It was old people reekally and they were and they

2241
02:02:24,840 --> 02:02:27,120
Speaker 3: were catching some tans by the beach all day. They

2242
02:02:27,160 --> 02:02:27,839
Speaker 3: looked orange.

2243
02:02:30,040 --> 02:02:30,680
Speaker 1: This person.

2244
02:02:33,640 --> 02:02:36,440
Speaker 3: Ship. I remember my early big Uncle Luke stories too.

2245
02:02:36,520 --> 02:02:37,480
Speaker 3: Those are fire too.

2246
02:02:38,000 --> 02:02:39,400
Speaker 5: The bigging Uncle Luke ship.

2247
02:02:39,440 --> 02:02:39,880
Speaker 1: What happened?

2248
02:02:39,960 --> 02:02:44,440
Speaker 3: Talk about it? Well, you know, I want to. I

2249
02:02:44,440 --> 02:02:45,040
Speaker 3: don't know if you were.

2250
02:02:45,600 --> 02:02:47,760
Speaker 4: I went to the first show that big did hear

2251
02:02:47,760 --> 02:02:51,320
Speaker 4: in Miami lit a spot called My High Temple Mahi Temple.

2252
02:02:51,680 --> 02:02:52,000
Speaker 1: I don't know.

2253
02:02:52,000 --> 02:02:57,280
Speaker 3: I don't know if you were the DJ probably Oh man,

2254
02:02:57,800 --> 02:03:03,800
Speaker 3: that hurts, Bro. You're drinking. Oh all right, let's drinking here.

2255
02:03:05,080 --> 02:03:08,160
Speaker 3: I'm on to be Q with that one. Brooklyn Queen's

2256
02:03:08,360 --> 02:03:16,200
Speaker 3: enough day. I like that. That's who connects us, Bro

2257
02:03:16,320 --> 02:03:20,800
Speaker 3: Brooklyn and Queens to be Q's fact. Either that or

2258
02:03:20,840 --> 02:03:30,000
Speaker 3: the Jackie Robinson car West one or Rocky rock Him. Yeah,

2259
02:03:31,040 --> 02:03:33,240
Speaker 3: the Caress one is nasty too good. Rock him for me?

2260
02:03:33,600 --> 02:03:42,800
Speaker 17: Okay, shouts of both of them. Still man, he said

2261
02:03:42,840 --> 02:03:46,360
Speaker 17: he went to school with you in Kingsboro? Who who

2262
02:03:46,440 --> 02:03:48,880
Speaker 17: did the guy who owns we want?

2263
02:03:49,400 --> 02:03:49,720
Speaker 8: I was like.

2264
02:03:51,680 --> 02:03:55,560
Speaker 3: Video for you even posted we got oh got.

2265
02:03:56,960 --> 02:03:58,040
Speaker 5: Jeddy Riley or for.

2266
02:04:03,600 --> 02:04:11,560
Speaker 3: Teddy that's just for me, Teddy Teddy without Teddy's.

2267
02:04:11,320 --> 02:04:13,840
Speaker 1: For that's about to say, like you can't it's hard.

2268
02:04:13,960 --> 02:04:15,040
Speaker 5: That's the best way.

2269
02:04:15,360 --> 02:04:19,760
Speaker 1: Yeahs before in a good way, because there's no Teddy,

2270
02:04:19,760 --> 02:04:21,880
Speaker 1: there's no forar Real Dopper, Tony Touch.

2271
02:04:22,480 --> 02:04:27,720
Speaker 3: This is gonna be both yes brothers, brothers together for me,

2272
02:04:27,920 --> 02:04:31,800
Speaker 3: Tony Touch only because I got a better relationship with Touch. Okay,

2273
02:04:32,040 --> 02:04:36,120
Speaker 3: so both of them. I'm gonna have to go with Tony.

2274
02:04:37,480 --> 02:04:42,080
Speaker 13: But then those fifty not to fifty yes ninety five

2275
02:04:42,200 --> 02:04:47,440
Speaker 13: live Bro amazing, and then Tony later minute is fifty.

2276
02:04:47,640 --> 02:04:51,640
Speaker 4: MC crazy crazy if you know, you know crazy and

2277
02:04:51,760 --> 02:04:53,879
Speaker 4: they's Cruise name again.

2278
02:04:59,600 --> 02:05:10,200
Speaker 3: And it was unique you need unique? Yeah, had that voice.

2279
02:05:10,240 --> 02:05:10,720
Speaker 3: Yeah Yeah.

2280
02:05:12,160 --> 02:05:16,640
Speaker 4: That's when the mixtape game really ran hip hop. It

2281
02:05:16,800 --> 02:05:19,680
Speaker 4: was like the mixtape game was above radio at that time.

2282
02:05:19,760 --> 02:05:20,720
Speaker 3: In my opinion, the.

2283
02:05:20,760 --> 02:05:24,760
Speaker 13: Mixtape game got me to Germany in ninety nine because

2284
02:05:24,800 --> 02:05:27,160
Speaker 13: of a mixtape of promoter hired me Bro.

2285
02:05:27,320 --> 02:05:29,520
Speaker 3: What part of Germany duel? You know?

2286
02:05:29,960 --> 02:05:30,200
Speaker 15: For me?

2287
02:05:30,240 --> 02:05:34,440
Speaker 13: It was Munich, Heidelberg, Heidelberg and Munich nowhere if you

2288
02:05:34,560 --> 02:05:35,440
Speaker 13: unless you're going to to.

2289
02:05:35,560 --> 02:05:43,320
Speaker 3: Little Dog, I love it? How much you like it?

2290
02:05:43,640 --> 02:05:45,680
Speaker 3: The mixtape for the DJs was the website. So what

2291
02:05:45,920 --> 02:05:50,840
Speaker 3: internet was Internet? Straight out? Yeah, there you go, there

2292
02:05:50,840 --> 02:05:53,040
Speaker 3: you go Now, mixtape game has changed lives. I changed

2293
02:05:53,080 --> 02:05:57,680
Speaker 3: my life on all right, I'm sorry? Was crazy? What

2294
02:05:57,800 --> 02:06:00,520
Speaker 3: was the name of the crazy? Crazy? Crazy?

2295
02:06:00,680 --> 02:06:00,840
Speaker 4: Yeah?

2296
02:06:01,360 --> 02:06:09,360
Speaker 3: Crazy? It's the shots, Tupac or d m X GMx,

2297
02:06:10,880 --> 02:06:11,720
Speaker 3: how about you? Sorry?

2298
02:06:11,880 --> 02:06:14,440
Speaker 13: My answer if you would have asked you this question

2299
02:06:14,600 --> 02:06:18,080
Speaker 13: in two thousand would have been d m X. But

2300
02:06:18,200 --> 02:06:20,800
Speaker 13: after many years of me doing homework because I was

2301
02:06:21,040 --> 02:06:23,360
Speaker 13: when when when when? When it was New York and

2302
02:06:23,920 --> 02:06:26,440
Speaker 13: on the West Coast, I was so change over years. Yeah,

2303
02:06:26,480 --> 02:06:29,320
Speaker 13: because I started to really study Tupac and listen.

2304
02:06:29,600 --> 02:06:31,360
Speaker 3: Really and then I was like, whoa, it was a

2305
02:06:31,440 --> 02:06:31,960
Speaker 3: late bloomer.

2306
02:06:32,320 --> 02:06:36,640
Speaker 13: Yeah, made you want to study though, just as a

2307
02:06:36,760 --> 02:06:40,400
Speaker 13: little by little started hearing new Tupac songs and I

2308
02:06:40,520 --> 02:06:45,040
Speaker 13: was like, yo, this guy is like he's ill ill and.

2309
02:06:46,800 --> 02:06:51,280
Speaker 3: Yes, crazy because he did Yeah, you pay more work

2310
02:06:54,560 --> 02:06:58,440
Speaker 3: to this days was called a cult following.

2311
02:06:59,360 --> 02:07:02,840
Speaker 5: That's it, but also PU did that was smart?

2312
02:07:03,160 --> 02:07:10,400
Speaker 4: Is he he's such a catalog that it lastens beyond time.

2313
02:07:11,120 --> 02:07:12,200
Speaker 3: And that's what happened with us.

2314
02:07:12,240 --> 02:07:14,760
Speaker 13: For DJ that you started to do homework and I

2315
02:07:14,840 --> 02:07:18,800
Speaker 13: was like, damn, Tupac is ill. And back then I

2316
02:07:18,920 --> 02:07:22,520
Speaker 13: was just not I'm not seeing that. I was stubborn

2317
02:07:22,560 --> 02:07:26,680
Speaker 13: and young. I'm like queens. You know CNN.

2318
02:07:28,480 --> 02:07:31,840
Speaker 3: Channel ten, New York, New York. You know what I'm saying.

2319
02:07:32,040 --> 02:07:34,200
Speaker 3: People don't know what Channel ten is, right, it was

2320
02:07:34,360 --> 02:07:35,800
Speaker 3: the it was a channel.

2321
02:07:40,520 --> 02:07:46,839
Speaker 4: Coolgie rapper, slick rickhe oh they all tell stories.

2322
02:07:46,960 --> 02:07:51,920
Speaker 3: Yup. Story King's right there, slick Rick for me, Coolie

2323
02:07:52,000 --> 02:07:52,440
Speaker 3: rap for me.

2324
02:07:53,160 --> 02:07:53,800
Speaker 5: I didn't.

2325
02:07:58,160 --> 02:07:59,600
Speaker 3: You got drink? You got drink?

2326
02:08:00,120 --> 02:08:01,400
Speaker 5: You're taking a bloom from mister Lee.

2327
02:08:01,480 --> 02:08:06,080
Speaker 3: You know what that means? Right? Is it late? I'm

2328
02:08:06,080 --> 02:08:15,760
Speaker 3: doing it because Champs. I'll take a shot. I promised

2329
02:08:15,760 --> 02:08:18,560
Speaker 3: the white I wouldn't smoke. That's right now. Don't smoke. Please,

2330
02:08:18,560 --> 02:08:21,280
Speaker 3: don't smoke. I even smoking.

2331
02:08:21,280 --> 02:08:25,880
Speaker 5: By the way, Kanye, doctor dre.

2332
02:08:27,280 --> 02:08:36,760
Speaker 3: Mm hmm ship. I'm gonna go Kanye with that, Doctor Dre.

2333
02:08:41,280 --> 02:08:44,040
Speaker 3: You think this is generational because you're a little younger,

2334
02:08:44,520 --> 02:08:47,960
Speaker 3: was no listen like the dispar the way these questions

2335
02:08:47,960 --> 02:08:51,040
Speaker 3: are put they're both. They're all hard, they're all tough.

2336
02:08:51,200 --> 02:08:51,360
Speaker 8: Man.

2337
02:08:52,000 --> 02:08:54,760
Speaker 3: But I want to say, it's just so many songs

2338
02:08:54,800 --> 02:08:55,920
Speaker 3: with Kanye man, it's.

2339
02:08:55,840 --> 02:08:59,960
Speaker 13: Like and so many songs that true, true, but more current,

2340
02:09:00,160 --> 02:09:03,760
Speaker 13: like there's so much you need to explain.

2341
02:09:03,840 --> 02:09:04,080
Speaker 1: That's not.

2342
02:09:07,360 --> 02:09:11,560
Speaker 3: Lawyer, it's just the person ship.

2343
02:09:12,160 --> 02:09:12,320
Speaker 1: You know.

2344
02:09:12,640 --> 02:09:16,839
Speaker 13: Drake got the timeless, timeless, you could play anything.

2345
02:09:16,920 --> 02:09:18,960
Speaker 3: I mean, doctor Drake got the time, this times.

2346
02:09:19,080 --> 02:09:24,960
Speaker 16: That's what I said, Drake, Drake, that's what too. Matter

2347
02:09:25,000 --> 02:09:31,360
Speaker 16: of fact, you take a shot. I gotta go another,

2348
02:09:32,520 --> 02:09:33,000
Speaker 16: both of them.

2349
02:09:34,480 --> 02:09:42,440
Speaker 5: Reduction wise, all right, Illmatic ready to die, m h.

2350
02:09:46,240 --> 02:09:47,480
Speaker 1: I want to see how this goes.

2351
02:09:47,640 --> 02:09:56,080
Speaker 3: This is gonna be fantastic. And don't lawyer, you're a lawyer.

2352
02:09:58,320 --> 02:10:01,520
Speaker 3: He's gonna go Illmatic. I'm gonna go to die.

2353
02:10:02,040 --> 02:10:05,160
Speaker 5: And this is the way we roll all drink drinking.

2354
02:10:05,800 --> 02:10:12,960
Speaker 3: I'm gonna even take a show. Understands warning warning poways.

2355
02:10:14,480 --> 02:10:17,400
Speaker 13: You don't know what ill Matic gets. Anybody from Queens.

2356
02:10:18,160 --> 02:10:18,720
Speaker 3: Is the Bible.

2357
02:10:19,720 --> 02:10:23,920
Speaker 5: It's hip hop, man, I know, but you're talking us queens, queens, queens.

2358
02:10:24,800 --> 02:10:25,520
Speaker 3: It's just trust me.

2359
02:10:25,600 --> 02:10:37,160
Speaker 18: I know, queens queens. Queens looks like you broke and

2360
02:10:37,200 --> 02:10:40,000
Speaker 18: you're walking I'm from Queens.

2361
02:10:39,720 --> 02:10:49,400
Speaker 3: Bro you're walking. Don't say you guys didn't have love?

2362
02:10:49,440 --> 02:10:55,360
Speaker 3: Having is walking In the Spanish version, he had nothing.

2363
02:10:55,480 --> 02:11:05,680
Speaker 3: Next ys ago n W A republic enemy m yeah,

2364
02:11:08,560 --> 02:11:11,800
Speaker 3: the tough ones man. Damn, this is a enough question

2365
02:11:11,920 --> 02:11:12,200
Speaker 3: right here.

2366
02:11:12,320 --> 02:11:27,920
Speaker 19: Man, I'm going to say publican bad Okay, Sorry, you're

2367
02:11:27,960 --> 02:11:29,000
Speaker 19: asking me right here?

2368
02:11:29,120 --> 02:11:29,240
Speaker 3: Is it?

2369
02:11:29,320 --> 02:11:29,520
Speaker 13: I was?

2370
02:11:32,320 --> 02:11:34,920
Speaker 5: I don't know what's going on? All right, toots, he's

2371
02:11:34,960 --> 02:11:35,560
Speaker 5: a booby Trap.

2372
02:11:36,480 --> 02:11:42,360
Speaker 3: I'm asking you. Don't do that. I'm asking you. I

2373
02:11:42,440 --> 02:11:46,920
Speaker 3: don't know booby trap. Now I'm asking you. I dragged

2374
02:11:46,960 --> 02:11:51,160
Speaker 3: him to booby Trap. You guys, I'm booby Trap all day.

2375
02:11:51,200 --> 02:11:55,360
Speaker 3: You're crazy baby. Oh ship Hollywood Kale from Mob not

2376
02:11:55,440 --> 02:11:58,120
Speaker 3: the coach. He's calling right now. They're calling you from

2377
02:11:58,160 --> 02:11:58,720
Speaker 3: booby Trust.

2378
02:12:00,200 --> 02:12:00,360
Speaker 1: Yo.

2379
02:12:00,480 --> 02:12:05,400
Speaker 3: Let me call you right back. I'll call you right back. Sorry.

2380
02:12:07,520 --> 02:12:11,960
Speaker 1: All should have said booby Trap or Club eleven in

2381
02:12:12,120 --> 02:12:12,600
Speaker 1: the Bronx.

2382
02:12:12,960 --> 02:12:19,640
Speaker 3: No Club eleven. Yeah, yeah, the Club eleven. Know this,

2383
02:12:19,800 --> 02:12:26,120
Speaker 3: This is the Mega Mega Club eleven. I see much

2384
02:12:26,160 --> 02:12:29,480
Speaker 3: haven't been for me to me. Club eleven is a nightclub.

2385
02:12:30,280 --> 02:12:33,000
Speaker 3: It's just a nightclub. That's what all these nights are.

2386
02:12:33,120 --> 02:12:33,280
Speaker 4: Now.

2387
02:12:33,640 --> 02:12:35,400
Speaker 3: It's a nightclub with some strip polls around it.

2388
02:12:35,520 --> 02:12:43,600
Speaker 1: It's to me, loud shows.

2389
02:12:43,920 --> 02:12:44,680
Speaker 3: It's not the track.

2390
02:12:44,760 --> 02:12:50,080
Speaker 4: It's like, I don't get another sho questions the.

2391
02:12:50,120 --> 02:13:01,440
Speaker 3: Place color is? You know what I'm having show tell show.

2392
02:13:02,840 --> 02:13:03,440
Speaker 9: Show what you.

2393
02:13:08,800 --> 02:13:10,600
Speaker 1: Show what I'm telling you act to me like it

2394
02:13:10,680 --> 02:13:11,920
Speaker 1: was however it was.

2395
02:13:12,880 --> 02:13:15,960
Speaker 3: It was my show. I say. I went with him,

2396
02:13:16,040 --> 02:13:18,480
Speaker 3: but I was like, yo, I just yo. They played

2397
02:13:18,520 --> 02:13:21,560
Speaker 3: this record every time we work. Bro tell me now,

2398
02:13:22,360 --> 02:13:25,280
Speaker 3: they played all our records. They pay my mixtape record.

2399
02:13:25,320 --> 02:13:29,280
Speaker 3: I just make right now. Wow. The girls dancer ass

2400
02:13:29,400 --> 02:13:32,520
Speaker 3: I was amazing brow. It was the only good thing about.

2401
02:13:33,840 --> 02:13:34,080
Speaker 9: Ship.

2402
02:13:34,560 --> 02:13:37,640
Speaker 5: It's funny, said, go to the next We're dying slowly, okay.

2403
02:13:39,440 --> 02:13:41,320
Speaker 5: Joe and Jada or a million dollars with the game?

2404
02:13:42,280 --> 02:13:43,520
Speaker 3: Oh is that again?

2405
02:13:43,960 --> 02:13:46,760
Speaker 5: Joe and Jada a million dollars worth the game?

2406
02:13:47,720 --> 02:13:52,840
Speaker 3: I'm oh, man, I tell you know what. If I'm

2407
02:13:52,880 --> 02:13:55,280
Speaker 3: a question, I'm gonna say Joe and Jada. I love

2408
02:13:55,320 --> 02:13:57,760
Speaker 3: the way Joe just overdoes it. I love it, you

2409
02:13:57,960 --> 02:14:03,200
Speaker 3: like it? I love it. I know he's getting flagged.

2410
02:14:03,200 --> 02:14:06,400
Speaker 3: They funking with him. You don't woman embracing that. I

2411
02:14:06,960 --> 02:14:09,440
Speaker 3: love this smartest thing he's ever done. And I love

2412
02:14:09,520 --> 02:14:12,320
Speaker 3: how Jada goes who are they? And then he's like

2413
02:14:12,960 --> 02:14:16,160
Speaker 3: they like, you know, like he just asks him that

2414
02:14:16,920 --> 02:14:19,720
Speaker 3: red Man is the most underground artist, and I love

2415
02:14:19,760 --> 02:14:23,000
Speaker 3: how Jada responds, I love that ship. That's dope. Joe

2416
02:14:23,040 --> 02:14:26,840
Speaker 3: and Jada got his own smash. I don't go, Jada, Okay,

2417
02:14:28,960 --> 02:14:30,840
Speaker 3: do you make some noise for Johan Jadas.

2418
02:14:34,040 --> 02:14:39,400
Speaker 4: But makes the man's all the worth of everybody? Yeah,

2419
02:14:40,360 --> 02:14:44,480
Speaker 4: all right, Clips are E p m D. This is

2420
02:14:44,920 --> 02:14:51,080
Speaker 4: very generational, not really kind of the Clips.

2421
02:14:50,920 --> 02:14:54,280
Speaker 3: Clips or E p m D. He stands two different worlds. Man,

2422
02:14:54,480 --> 02:14:57,240
Speaker 3: it is, it is, but not really, it's kind of.

2423
02:14:58,240 --> 02:15:01,360
Speaker 3: I can see the comparison. I get they made this.

2424
02:15:01,520 --> 02:15:03,360
Speaker 3: I get it. I mean, I get it. It's just

2425
02:15:03,840 --> 02:15:06,640
Speaker 3: from I gotta go with E p M. I like it,

2426
02:15:07,080 --> 02:15:09,400
Speaker 3: even though Clips is from my r. I guess, I

2427
02:15:09,480 --> 02:15:10,880
Speaker 3: guess I'm gonna have to go with p D because

2428
02:15:10,880 --> 02:15:14,600
Speaker 3: they got some classics that you know, mm hmm it's

2429
02:15:14,720 --> 02:15:17,800
Speaker 3: my thing. But the Clips are making their own classes

2430
02:15:17,920 --> 02:15:20,680
Speaker 3: right now. But yeah, this guy puts the butt.

2431
02:15:25,360 --> 02:15:28,680
Speaker 4: See the comparison, like, actually, I never liked their their

2432
02:15:29,160 --> 02:15:30,480
Speaker 4: but I like this comparison.

2433
02:15:30,840 --> 02:15:33,120
Speaker 3: It is a good it's good. It's a good one.

2434
02:15:33,200 --> 02:15:38,560
Speaker 5: Yeah, definitely going all right, fat Joe Rick Cross.

2435
02:15:39,360 --> 02:15:50,640
Speaker 3: Oh ow ouch, y'all gonna drink. I like these dudes cheers, cheers.

2436
02:15:55,200 --> 02:15:57,480
Speaker 4: So you said both not neither right, just to that's

2437
02:15:57,480 --> 02:16:00,560
Speaker 4: why we drink. You can say we could drink on either.

2438
02:16:00,400 --> 02:16:00,920
Speaker 13: Of those.

2439
02:16:04,600 --> 02:16:05,800
Speaker 1: A Rockefeller.

2440
02:16:06,960 --> 02:16:18,200
Speaker 3: Ay yea yay le fuck that's a hard one. We

2441
02:16:18,480 --> 02:16:27,480
Speaker 3: got X dragon llow X. You know that versus with

2442
02:16:27,600 --> 02:16:28,400
Speaker 3: the locks.

2443
02:16:28,320 --> 02:16:31,320
Speaker 13: And dip set walk. A lot of motherfuckers up how

2444
02:16:31,400 --> 02:16:32,360
Speaker 13: much the locks had?

2445
02:16:33,320 --> 02:16:34,000
Speaker 1: No for sure?

2446
02:16:35,000 --> 02:16:42,000
Speaker 3: That shoot in that must have been classic. Yeah, you

2447
02:16:42,040 --> 02:16:45,959
Speaker 3: didn't know. You didn't be that crazy. You would think

2448
02:16:46,240 --> 02:16:46,760
Speaker 3: this said I.

2449
02:16:48,400 --> 02:16:48,440
Speaker 4: Was.

2450
02:16:48,680 --> 02:16:52,640
Speaker 3: Wanda was like, yo, you didn't feel that No, no, no, no, listen, okay,

2451
02:16:52,640 --> 02:16:53,840
Speaker 3: I don't ye don't you don't got.

2452
02:16:53,800 --> 02:16:56,000
Speaker 4: Grammy, but didn't feel that way in the building that

2453
02:16:56,080 --> 02:16:58,560
Speaker 4: it was a landslide in that way everybody in the.

2454
02:16:58,560 --> 02:17:01,400
Speaker 3: Building didn't didn't expect that that much. That's what I'm

2455
02:17:01,440 --> 02:17:03,840
Speaker 3: trying to get at. That's what I'm trying to get at.

2456
02:17:04,200 --> 02:17:08,720
Speaker 5: That's that day was going to bring more yes, everybody, Yes.

2457
02:17:09,160 --> 02:17:13,680
Speaker 13: And then that day way, that day you learned that way, honestly,

2458
02:17:13,959 --> 02:17:16,520
Speaker 13: that day you learned what the fuck the locks.

2459
02:17:16,600 --> 02:17:19,840
Speaker 3: Had you learned that they won't whoa whoa blocks.

2460
02:17:20,240 --> 02:17:23,199
Speaker 15: It looked like they actually were practiced for that joint

2461
02:17:23,280 --> 02:17:24,520
Speaker 15: with that DJ technicians.

2462
02:17:24,600 --> 02:17:32,080
Speaker 20: It was technician. Honestly, the DJ was DJ was instrumental.

2463
02:17:32,240 --> 02:17:35,240
Speaker 20: He was switching like he was shot. The technician technician

2464
02:17:35,400 --> 02:17:38,160
Speaker 20: brought it bro like. Not to take away from dipsd DJ.

2465
02:17:38,480 --> 02:17:42,160
Speaker 20: It's just no, no, like they really went. The DJ

2466
02:17:42,440 --> 02:17:43,080
Speaker 20: was instrumental.

2467
02:17:43,200 --> 02:17:45,160
Speaker 1: I think Dips that had three different DJs. I think

2468
02:17:45,280 --> 02:17:48,160
Speaker 1: Santana had the DJ. I think that would have been

2469
02:17:48,200 --> 02:17:50,200
Speaker 1: like that would have been difficults had one DJ.

2470
02:17:50,640 --> 02:17:52,440
Speaker 13: It looked like they really really But that day you

2471
02:17:52,520 --> 02:17:55,039
Speaker 13: learned the catalog, you you're like, oh ship, you folks,

2472
02:17:55,120 --> 02:17:56,640
Speaker 13: remember that you forgot that ship?

2473
02:17:56,720 --> 02:17:59,039
Speaker 3: You all Grammys? You want to talk Grammys. You want

2474
02:17:59,080 --> 02:18:00,240
Speaker 3: to talk songs to girl else.

2475
02:18:03,760 --> 02:18:06,720
Speaker 13: Anyway, back to rock Rockefeller and and and.

2476
02:18:08,400 --> 02:18:11,840
Speaker 3: Rough rough Riders. So whould you pick. I'm gonna see

2477
02:18:11,840 --> 02:18:12,360
Speaker 3: a Rockefeller.

2478
02:18:14,959 --> 02:18:19,520
Speaker 1: What we were talking about, rock Man, this is the

2479
02:18:19,600 --> 02:18:21,119
Speaker 1: last one that we get back to the end. He said,

2480
02:18:21,160 --> 02:18:25,400
Speaker 1: what Rockefeller took loyalty or respect?

2481
02:18:27,520 --> 02:18:48,280
Speaker 3: I've heard this before. I'm gonna go with loyalty. I'm

2482
02:18:48,280 --> 02:18:57,920
Speaker 3: gonna respect. Why because you can claim you loyal, but

2483
02:18:58,000 --> 02:19:00,959
Speaker 3: if you don't want to respect for me, and why

2484
02:19:01,080 --> 02:19:04,360
Speaker 3: not both? I want both, but I'm not drinking on

2485
02:19:04,440 --> 02:19:04,720
Speaker 3: the show.

2486
02:19:06,080 --> 02:19:08,000
Speaker 1: That's the only time I say we should drink is

2487
02:19:08,400 --> 02:19:10,000
Speaker 1: So why would you say both?

2488
02:19:10,120 --> 02:19:13,480
Speaker 4: I think both is always it should be the natural answer.

2489
02:19:13,600 --> 02:19:16,320
Speaker 4: But some people have a strong opinion on one or

2490
02:19:16,320 --> 02:19:16,600
Speaker 4: the other.

2491
02:19:18,600 --> 02:19:20,360
Speaker 3: I'll give you a perfect example, and I'm gonna keep

2492
02:19:20,360 --> 02:19:22,280
Speaker 3: it a buck on the show. I don't give the fuck.

2493
02:19:23,000 --> 02:19:25,959
Speaker 3: There's a couple of DJs in my crew who switched

2494
02:19:26,000 --> 02:19:31,400
Speaker 3: sides right, who left for whatever reason because maybe I

2495
02:19:31,600 --> 02:19:35,120
Speaker 3: helped them, maybe I didn't help them. So in my mind,

2496
02:19:36,080 --> 02:19:37,800
Speaker 3: I would think, you know, I want them to be loyal,

2497
02:19:39,600 --> 02:19:41,320
Speaker 3: and if they leave it, they're not respect to me.

2498
02:19:43,160 --> 02:19:47,000
Speaker 3: So do you think that's an example of both being wrong?

2499
02:19:48,080 --> 02:19:50,080
Speaker 3: I mean definitely, man, because at the end of the days,

2500
02:19:50,120 --> 02:19:52,400
Speaker 3: like they didn't respect them, they didn't respect me. They

2501
02:19:52,440 --> 02:19:56,800
Speaker 3: would have moved stupid and that was not loyal, right. Wow,

2502
02:19:58,080 --> 02:20:02,840
Speaker 3: I was deeper warning and that's why I could see

2503
02:20:02,879 --> 02:20:07,600
Speaker 3: the misconscrew's opinions about when Little Lars lost his job

2504
02:20:07,680 --> 02:20:10,280
Speaker 3: and I took it, or when come Alo took my job.

2505
02:20:10,360 --> 02:20:17,119
Speaker 3: Supposedly because it's it's it's perception. It's people's perceptions that's

2506
02:20:17,160 --> 02:20:21,080
Speaker 3: supposed to the truth. Yeah, right, Perception is never reality.

2507
02:20:21,240 --> 02:20:25,360
Speaker 7: No, Like perception is like now like like they're saying

2508
02:20:25,440 --> 02:20:28,520
Speaker 7: like that, they like kind of like like like when

2509
02:20:28,560 --> 02:20:30,200
Speaker 7: he when he, I guess that's what he was trying

2510
02:20:30,200 --> 02:20:32,760
Speaker 7: to say by saying snake won a snake too, was

2511
02:20:32,920 --> 02:20:34,600
Speaker 7: like like like, yo, bro, wasn't.

2512
02:20:34,480 --> 02:20:35,440
Speaker 20: Me Like.

2513
02:20:37,080 --> 02:20:42,240
Speaker 3: Right, that's that's his perception, snake won snake too. Do

2514
02:20:42,240 --> 02:20:44,280
Speaker 3: you think that was his honest perception of that though?

2515
02:20:45,760 --> 02:20:49,879
Speaker 13: I think the narrative straight up making it his story

2516
02:20:50,760 --> 02:20:52,240
Speaker 13: because that wasn't the fucking facts.

2517
02:20:54,120 --> 02:20:57,200
Speaker 3: That's it that was and then he changed it to

2518
02:20:57,320 --> 02:21:00,760
Speaker 3: his narrative. Prior to that's cool, I mean I don't know.

2519
02:21:01,560 --> 02:21:05,840
Speaker 13: Prior to that cool with everybody, man, I'm cool everybody,

2520
02:21:06,080 --> 02:21:07,280
Speaker 13: Like if you got to see each other.

2521
02:21:08,120 --> 02:21:08,680
Speaker 3: It's different.

2522
02:21:08,720 --> 02:21:12,600
Speaker 13: Now it's what it is. I ain't got time for this.

2523
02:21:13,320 --> 02:21:17,240
Speaker 13: I'm going I got two kids and a dog companies

2524
02:21:17,320 --> 02:21:19,280
Speaker 13: to run and to get to.

2525
02:21:20,680 --> 02:21:24,760
Speaker 3: Right facts I have so foutely.

2526
02:21:25,600 --> 02:21:28,600
Speaker 7: Well, I know our accessed earlier in a different way,

2527
02:21:30,240 --> 02:21:33,880
Speaker 7: but were you shocked, like because of your relationship prior

2528
02:21:33,959 --> 02:21:35,840
Speaker 7: to that that he would say something like that about

2529
02:21:35,879 --> 02:21:36,520
Speaker 7: you publicly.

2530
02:21:36,800 --> 02:21:38,959
Speaker 3: I wasn't shocked because at that point.

2531
02:21:39,680 --> 02:21:41,920
Speaker 7: And you're still on the station, it's like you're still

2532
02:21:41,959 --> 02:21:44,160
Speaker 7: there like at some point, And was it obviously it.

2533
02:21:44,240 --> 02:21:47,080
Speaker 13: Was you, I don't know, yeah, yeah, yeah, yeah, yah

2534
02:21:47,120 --> 02:21:49,080
Speaker 13: yeah yeah yeah, his hands down, you know?

2535
02:21:49,520 --> 02:21:51,160
Speaker 3: Was it we just ignorant that.

2536
02:21:53,160 --> 02:21:55,199
Speaker 7: He said the people in your room and the people

2537
02:21:55,240 --> 02:21:57,560
Speaker 7: in his room other than people that was working there

2538
02:21:57,959 --> 02:22:01,480
Speaker 7: were Camello and Juiceky, So it was obviously.

2539
02:22:01,200 --> 02:22:03,840
Speaker 3: It was do you knowbody to do the math? It's

2540
02:22:03,920 --> 02:22:06,440
Speaker 3: only let's say so. Yeah.

2541
02:22:07,280 --> 02:22:11,760
Speaker 13: And I wasn't shocked because looking at the history, the

2542
02:22:11,840 --> 02:22:14,440
Speaker 13: way this guy moves, he has beat with the whole

2543
02:22:14,480 --> 02:22:16,840
Speaker 13: world like, so I wasn't the following it's our turn

2544
02:22:18,200 --> 02:22:18,520
Speaker 13: the fuck?

2545
02:22:18,800 --> 02:22:22,120
Speaker 3: I don't know, you know what I'm saying. So I

2546
02:22:22,240 --> 02:22:22,720
Speaker 3: wasn't shot.

2547
02:22:24,760 --> 02:22:29,440
Speaker 4: Can we leave this whole world? So I want to

2548
02:22:29,480 --> 02:22:31,400
Speaker 4: leave this fucking bullshit?

2549
02:22:31,520 --> 02:22:31,560
Speaker 14: No?

2550
02:22:31,760 --> 02:22:35,360
Speaker 1: No, no, I just listen. This is as me and

2551
02:22:35,520 --> 02:22:36,400
Speaker 1: being a New Yorker.

2552
02:22:37,560 --> 02:22:40,000
Speaker 7: At some point that either one of y'all things that

2553
02:22:40,120 --> 02:22:42,240
Speaker 7: you could just pick up the phone and like talk,

2554
02:22:42,480 --> 02:22:44,119
Speaker 7: or do you think it's beyond that point?

2555
02:22:48,280 --> 02:22:54,440
Speaker 3: Like I said before, I'm not an asshole. I know,

2556
02:22:54,520 --> 02:22:58,760
Speaker 3: I know, I'm a better guy. Maybe we'll talk, but

2557
02:22:59,080 --> 02:23:02,000
Speaker 3: not right now. Mm hmm. But the dust settle. It's

2558
02:23:02,000 --> 02:23:08,360
Speaker 3: still dusty out here, right Okay, Now I'm gonna switch

2559
02:23:08,400 --> 02:23:08,640
Speaker 3: it up.

2560
02:23:08,680 --> 02:23:13,000
Speaker 7: But the man o the question if power went over,

2561
02:23:13,160 --> 02:23:19,200
Speaker 7: I've caught you right now, another question and say you

2562
02:23:19,360 --> 02:23:23,400
Speaker 7: know I got them after the news open for you, buddy.

2563
02:23:24,840 --> 02:23:32,440
Speaker 3: At the pilet. I don't know, man, Yo know, as

2564
02:23:32,480 --> 02:23:34,200
Speaker 3: long as my man is happy, I really don't know.

2565
02:23:34,240 --> 02:23:36,920
Speaker 3: It's all about It's all about that at this point,

2566
02:23:37,000 --> 02:23:39,760
Speaker 3: I've learned my lesson, and I don't know if I

2567
02:23:39,800 --> 02:23:43,360
Speaker 3: could give about so much time to another. It's just

2568
02:23:43,440 --> 02:23:47,440
Speaker 3: another station. So I think I'd rather give more time

2569
02:23:47,480 --> 02:23:50,200
Speaker 3: to the heavy hitters. I'd rather give more time to

2570
02:23:50,680 --> 02:23:54,440
Speaker 3: your man, and then the things that are gonna benefit

2571
02:23:54,560 --> 02:23:58,600
Speaker 3: me directly. I would love to see Andrew Martinez again,

2572
02:23:59,360 --> 02:24:00,960
Speaker 3: but I don't know if that's the best thing for me.

2573
02:24:02,640 --> 02:24:04,480
Speaker 3: We might be way past that time already.

2574
02:24:05,440 --> 02:24:07,200
Speaker 13: The thing is, the thing is the DJ to You

2575
02:24:07,280 --> 02:24:09,000
Speaker 13: also got to be happy with the fuck you're doing.

2576
02:24:09,680 --> 02:24:14,039
Speaker 13: You know, you gotta be happy playing the music you love. Listen,

2577
02:24:14,160 --> 02:24:16,000
Speaker 13: you asked me, yo, you don't get tired of this dude,

2578
02:24:16,080 --> 02:24:16,640
Speaker 13: night club ship.

2579
02:24:16,760 --> 02:24:19,240
Speaker 3: No, I don't. I love this ship. Let's go.

2580
02:24:19,440 --> 02:24:22,000
Speaker 13: What if somebody finds out, well, were in town and

2581
02:24:22,080 --> 02:24:24,760
Speaker 13: Miami and they call me, Yeah, let's go nobody rock.

2582
02:24:25,560 --> 02:24:27,960
Speaker 13: You got what you do as a DJ. You know,

2583
02:24:28,160 --> 02:24:30,560
Speaker 13: DJ plays the heart out the best when they playing

2584
02:24:30,600 --> 02:24:33,120
Speaker 13: their music. They fucking love right.

2585
02:24:33,800 --> 02:24:34,560
Speaker 5: That's that's the.

2586
02:24:34,640 --> 02:24:38,800
Speaker 3: Point though, that's that they love that, they love rights,

2587
02:24:40,040 --> 02:24:40,200
Speaker 3: you know.

2588
02:24:40,560 --> 02:24:43,800
Speaker 13: So if he says, yeah, I want to do this

2589
02:24:43,920 --> 02:24:45,920
Speaker 13: and do it with your heart, that's how you win.

2590
02:24:46,040 --> 02:24:48,360
Speaker 3: You got this far because we did it with our hearts.

2591
02:24:48,720 --> 02:24:50,840
Speaker 3: As facts. I like what you just said. I like

2592
02:24:50,959 --> 02:24:53,360
Speaker 3: that we did it with a heart. I'm running with it.

2593
02:24:53,640 --> 02:24:54,640
Speaker 3: A lot of a lot of ship.

2594
02:24:54,680 --> 02:24:54,840
Speaker 4: You know.

2595
02:24:54,920 --> 02:24:57,480
Speaker 3: This is business, Yeah, no doubt. You have to play

2596
02:24:57,520 --> 02:24:59,320
Speaker 3: the role. You have to play the fucking radio role.

2597
02:24:59,600 --> 02:25:05,840
Speaker 13: Cool, and you have to give them okay, fifty fifty

2598
02:25:06,320 --> 02:25:07,840
Speaker 13: enough seven.

2599
02:25:07,920 --> 02:25:10,600
Speaker 3: And that's why it works because you're you're still yourself.

2600
02:25:11,000 --> 02:25:11,560
Speaker 3: The minue you.

2601
02:25:11,560 --> 02:25:15,760
Speaker 13: Start being forced to be something you're not. That's that's

2602
02:25:15,800 --> 02:25:18,119
Speaker 13: the beginning of the end right there. No, you're losing,

2603
02:25:18,520 --> 02:25:21,760
Speaker 13: that's it, that's it. This is this is why we've

2604
02:25:21,760 --> 02:25:23,840
Speaker 13: been rocking so long. And we're still here.

2605
02:25:24,080 --> 02:25:28,360
Speaker 7: So I'm gonna ask you, Camilla, you're still there. You

2606
02:25:28,560 --> 02:25:35,960
Speaker 7: rock you Sorry, you're rocking. The bosses see you hearing

2607
02:25:36,080 --> 02:25:39,360
Speaker 7: you go to the clubs and then they say, man,

2608
02:25:40,800 --> 02:25:43,920
Speaker 7: do you want fun flex spot spot?

2609
02:25:44,400 --> 02:25:46,760
Speaker 3: Yeah? You taking let me the real snake.

2610
02:25:49,840 --> 02:25:51,840
Speaker 13: If the bosses call me and say do you want

2611
02:25:51,840 --> 02:25:54,000
Speaker 13: to funk flex spot, I ain't to say that.

2612
02:25:56,200 --> 02:25:57,600
Speaker 3: The question is. The question is.

2613
02:25:58,000 --> 02:26:01,760
Speaker 13: The question is if the bosses call me right and

2614
02:26:02,520 --> 02:26:08,920
Speaker 13: and say if I want homeboy spot? I mean homeboy

2615
02:26:08,959 --> 02:26:10,920
Speaker 13: spot at the Cramon is what I used to do anyway,

2616
02:26:11,560 --> 02:26:15,960
Speaker 13: m five o'clock, so, yeah, it's prime time. I've been

2617
02:26:16,040 --> 02:26:19,360
Speaker 13: doing prime time for the four to six for the

2618
02:26:19,440 --> 02:26:23,000
Speaker 13: past ten years. But but he got so now he

2619
02:26:23,040 --> 02:26:24,760
Speaker 13: got five to eleven, right eleven?

2620
02:26:26,120 --> 02:26:29,520
Speaker 1: He used to have seven to ten, right right, So

2621
02:26:30,240 --> 02:26:33,119
Speaker 1: no seven to midnight seven mins?

2622
02:26:33,240 --> 02:26:38,800
Speaker 3: Yeah, okay, correct, all right? So I mean listen, man,

2623
02:26:38,800 --> 02:26:40,480
Speaker 3: I don't know what's going on. I don't know.

2624
02:26:41,000 --> 02:26:43,480
Speaker 13: I'm still happy when Matt don't get it fucked up.

2625
02:26:43,959 --> 02:26:46,520
Speaker 13: I'm still about four o'clock. I'm a happy man. I'm

2626
02:26:46,600 --> 02:26:49,720
Speaker 13: happy working When us has worked out very well, I

2627
02:26:49,840 --> 02:26:54,240
Speaker 13: salute her. She's professional. Facts you know, and she she worked.

2628
02:26:54,000 --> 02:26:57,720
Speaker 1: Like I got telling people four to five every day, five.

2629
02:26:57,280 --> 02:26:59,560
Speaker 13: Every day commercial free, not one commercial home on for.

2630
02:26:59,800 --> 02:27:02,000
Speaker 1: Hour two three ninety seven ninety seven.

2631
02:27:02,200 --> 02:27:03,560
Speaker 3: That's it that you already know.

2632
02:27:03,640 --> 02:27:06,879
Speaker 13: You know the knowe salute the girl because she works

2633
02:27:06,879 --> 02:27:12,160
Speaker 13: hard and we were good combo. And I'm happy. I've

2634
02:27:12,200 --> 02:27:14,640
Speaker 13: been happy and I was never discruntled. To this day,

2635
02:27:14,640 --> 02:27:15,480
Speaker 13: I'm not to scruntled.

2636
02:27:17,879 --> 02:27:18,720
Speaker 3: Yeah, you are right, bro.

2637
02:27:24,879 --> 02:27:30,320
Speaker 7: If you could change anything in this process, what would

2638
02:27:30,320 --> 02:27:32,560
Speaker 7: you change? I know you said you would leave what process?

2639
02:27:32,800 --> 02:27:36,560
Speaker 7: Like the process of you know, yeah, yeah everything like

2640
02:27:37,000 --> 02:27:39,120
Speaker 7: you say one thing earlier, you say you should you

2641
02:27:39,120 --> 02:27:40,920
Speaker 7: feel like you should have left out any seven earlier.

2642
02:27:41,360 --> 02:27:44,040
Speaker 7: But name something else that if you if you could

2643
02:27:44,120 --> 02:27:47,440
Speaker 7: change like yourself, like like, what would you change?

2644
02:27:56,840 --> 02:28:02,680
Speaker 3: Sometimes and this is real talk and hurts, but sometimes

2645
02:28:04,000 --> 02:28:08,760
Speaker 3: you give so much that you spread yourself thin by

2646
02:28:08,840 --> 02:28:12,720
Speaker 3: giving so much. And sometimes when you give so much,

2647
02:28:13,360 --> 02:28:17,280
Speaker 3: you take away from yourself. So sometimes maybe I gave

2648
02:28:17,320 --> 02:28:22,480
Speaker 3: away too much, you know what I mean? No anybody,

2649
02:28:22,600 --> 02:28:25,800
Speaker 3: my friends, my family, my boys, my heavy it is whoever.

2650
02:28:26,720 --> 02:28:29,040
Speaker 3: Sometimes you give so much because you love and you

2651
02:28:29,160 --> 02:28:31,880
Speaker 3: want to see people win. But then sometimes because you

2652
02:28:32,040 --> 02:28:36,640
Speaker 3: do that you're giving away some of yourself, away from yourself,

2653
02:28:36,920 --> 02:28:40,440
Speaker 3: from yourself. And I think that's what Flex doesn't like

2654
02:28:41,000 --> 02:28:43,600
Speaker 3: about me. He felt that's where maybe he feels like

2655
02:28:45,000 --> 02:28:47,959
Speaker 3: I've given up because I'm giving to them so much,

2656
02:28:48,080 --> 02:28:51,080
Speaker 3: because I'm giving to this guy so much, so easily,

2657
02:28:51,200 --> 02:28:53,960
Speaker 3: like it's nothing where like they want to fight for

2658
02:28:54,080 --> 02:28:57,240
Speaker 3: their position. And what's that mentality? The king of the

2659
02:28:57,360 --> 02:28:59,160
Speaker 3: hill and you talk to come up to hill to

2660
02:28:59,200 --> 02:29:03,080
Speaker 3: get kicked me talk. They want that. So that's the

2661
02:29:03,120 --> 02:29:06,240
Speaker 3: only thing, maybe a little bit they got over gage.

2662
02:29:07,640 --> 02:29:08,840
Speaker 5: Nah, bro, you can't say that.

2663
02:29:09,000 --> 02:29:09,120
Speaker 1: Man.

2664
02:29:09,200 --> 02:29:11,320
Speaker 5: If you over gave it, that's a positive.

2665
02:29:11,360 --> 02:29:12,200
Speaker 3: Think it's a positive thing.

2666
02:29:12,280 --> 02:29:13,880
Speaker 5: That's that's that positive.

2667
02:29:14,240 --> 02:29:17,359
Speaker 3: Yeah, that's positive. Listen, not everybody.

2668
02:29:18,920 --> 02:29:20,840
Speaker 4: Look, let me say something. I know that he doesn't.

2669
02:29:21,120 --> 02:29:24,200
Speaker 4: He doesn't remember this. But you were the first DJ

2670
02:29:24,600 --> 02:29:27,080
Speaker 4: to well the only DJ in New York to ever

2671
02:29:27,160 --> 02:29:30,640
Speaker 4: play a record that I put out. It was called

2672
02:29:30,640 --> 02:29:33,400
Speaker 4: The Alliance Spanish Fly. Shout out to Ebony Underwood. That

2673
02:29:33,440 --> 02:29:36,640
Speaker 4: connected us. She connected this and you played one of

2674
02:29:36,680 --> 02:29:37,240
Speaker 4: our records.

2675
02:29:37,320 --> 02:29:37,440
Speaker 3: Man.

2676
02:29:40,080 --> 02:29:42,200
Speaker 5: And let me tell you that I believe that whatever

2677
02:29:42,280 --> 02:29:43,600
Speaker 5: you're doing, you do it from the heart.

2678
02:29:43,959 --> 02:29:47,600
Speaker 3: This is true. And and you're you're inspiring people when

2679
02:29:47,640 --> 02:29:48,080
Speaker 3: you do it.

2680
02:29:49,160 --> 02:29:51,720
Speaker 4: Maybe what you you play one record, it doesn't mean

2681
02:29:51,800 --> 02:29:54,840
Speaker 4: nothing in that one record played, but it means it

2682
02:29:55,160 --> 02:30:00,320
Speaker 4: reverberates right and in them feeling positive and like fire,

2683
02:30:00,440 --> 02:30:03,160
Speaker 4: like yo, holy shit, enough, play my record.

2684
02:30:03,200 --> 02:30:04,520
Speaker 3: Another thing that Enough.

2685
02:30:04,560 --> 02:30:08,160
Speaker 13: He said, He gave so much. I could sit here

2686
02:30:08,320 --> 02:30:15,040
Speaker 13: with a list Laura Styles, Bugs cast one pro Style.

2687
02:30:16,400 --> 02:30:18,760
Speaker 13: He all gave him a chance. You look at all

2688
02:30:18,840 --> 02:30:22,240
Speaker 13: of them. They're all on radio to this day because

2689
02:30:22,240 --> 02:30:25,120
Speaker 13: of this man, Camillo, because of this man.

2690
02:30:25,200 --> 02:30:28,840
Speaker 3: Yeah, I'm saying the other day.

2691
02:30:29,120 --> 02:30:34,320
Speaker 13: The other day, Calle System, beautiful ship, he said. Enough

2692
02:30:34,480 --> 02:30:39,080
Speaker 13: was the first one to play what's the record taking over?

2693
02:30:39,560 --> 02:30:43,240
Speaker 4: On hot He was the first let's highlight Calid big

2694
02:30:43,360 --> 02:30:46,600
Speaker 4: dog pitbull, right, just highlight that, just to make sure

2695
02:30:46,720 --> 02:30:47,959
Speaker 4: that it's understood right.

2696
02:30:48,120 --> 02:30:49,880
Speaker 13: And he was the first one to touch it and

2697
02:30:50,040 --> 02:30:52,320
Speaker 13: keep touching it and playing it. And then the beautiful

2698
02:30:52,360 --> 02:30:56,720
Speaker 13: thing that Cali said is unity. It's so important. He goes,

2699
02:30:56,800 --> 02:30:58,520
Speaker 13: all I want after all of this is us to

2700
02:30:58,600 --> 02:31:02,080
Speaker 13: be in my backyard arbicueing the guys that I.

2701
02:31:02,120 --> 02:31:02,600
Speaker 3: Came up with.

2702
02:31:02,800 --> 02:31:06,000
Speaker 13: You know, it's like motherfuckers, forget them, Like it's not

2703
02:31:06,560 --> 02:31:09,440
Speaker 13: there's nothing wrong with having unity, there's nothing wrong with

2704
02:31:09,480 --> 02:31:12,240
Speaker 13: holding each other down. This guy opened so many doors

2705
02:31:12,280 --> 02:31:14,880
Speaker 13: for so many people to this day. I mean, the

2706
02:31:14,920 --> 02:31:17,640
Speaker 13: list goes on. I got a long list, but it's.

2707
02:31:17,560 --> 02:31:22,440
Speaker 3: Like, enough, learn from BETTERRB, Bro, that's it enough.

2708
02:31:22,520 --> 02:31:24,080
Speaker 5: You know that there is a class act.

2709
02:31:24,120 --> 02:31:24,240
Speaker 4: Bro.

2710
02:31:24,320 --> 02:31:25,640
Speaker 3: Of course he's a class act.

2711
02:31:25,920 --> 02:31:26,080
Speaker 13: You know.

2712
02:31:26,760 --> 02:31:28,560
Speaker 3: Enough was the first one to see Phelly fell in

2713
02:31:28,760 --> 02:31:33,120
Speaker 3: l A. Yeah, Felly feels a fucking legend, man, legend,

2714
02:31:34,160 --> 02:31:37,680
Speaker 3: you know Parish in Chicago. You know, I saw, I

2715
02:31:37,800 --> 02:31:38,360
Speaker 3: learned from him.

2716
02:31:38,440 --> 02:31:40,800
Speaker 13: I saw who was who I put Mister Mario said, Yo,

2717
02:31:40,840 --> 02:31:42,160
Speaker 13: we gotta put mister Maritil down.

2718
02:31:42,200 --> 02:31:45,480
Speaker 3: Remember that the moon of Us legend, legend in Miami.

2719
02:31:45,800 --> 02:31:47,200
Speaker 3: You know what I'm saying. And I learned from him

2720
02:31:47,920 --> 02:31:48,840
Speaker 3: how she works.

2721
02:31:50,280 --> 02:31:52,600
Speaker 13: Entire I mean, yeah, exactly, we're putting that fast forward,

2722
02:31:52,600 --> 02:31:55,640
Speaker 13: putting Tis down the feez. You know what I'm saying. Listen,

2723
02:31:56,520 --> 02:31:59,920
Speaker 13: it all comes from that energy, and that energy reciprocates.

2724
02:32:00,520 --> 02:32:02,240
Speaker 13: So you know, a lot of motherfuckers wouldn't have a

2725
02:32:02,360 --> 02:32:06,520
Speaker 13: job if it wasn't for giving so much. And it's

2726
02:32:06,560 --> 02:32:07,240
Speaker 13: a beautiful thing.

2727
02:32:07,320 --> 02:32:07,480
Speaker 20: Man.

2728
02:32:08,959 --> 02:32:12,920
Speaker 3: Now, let's talk, Let's talk, Let's talk. Reggae throne, right,

2729
02:32:15,200 --> 02:32:16,080
Speaker 3: I saw your fault.

2730
02:32:18,879 --> 02:32:24,200
Speaker 1: You know, I would like to think so, but I

2731
02:32:24,240 --> 02:32:28,080
Speaker 1: remember it felt like it was like us against the world, right,

2732
02:32:28,720 --> 02:32:30,320
Speaker 1: Like I would go to Puerto Rico, I would hear

2733
02:32:30,360 --> 02:32:33,200
Speaker 1: these records. I would come back home, people would like

2734
02:32:33,320 --> 02:32:33,760
Speaker 1: laugh at me.

2735
02:32:33,840 --> 02:32:37,160
Speaker 7: I'm like, yo, play that the Spanish the Spanish reggae ship,

2736
02:32:37,160 --> 02:32:37,879
Speaker 7: because I didn't.

2737
02:32:37,680 --> 02:32:41,160
Speaker 3: Know what it was called. I don't know if that's

2738
02:32:41,160 --> 02:32:41,880
Speaker 3: what it really was.

2739
02:32:42,320 --> 02:32:45,240
Speaker 7: It was like, Yo, the Spanish reggae ship, being Room

2740
02:32:45,320 --> 02:32:48,439
Speaker 7: buys test smooth, play that ship.

2741
02:32:49,800 --> 02:32:50,240
Speaker 3: When I go.

2742
02:32:51,760 --> 02:32:55,240
Speaker 7: And I remember me actually like actually trying a record,

2743
02:32:55,680 --> 02:32:58,039
Speaker 7: like I was like Yo, I was telling other DJs

2744
02:32:59,320 --> 02:33:03,840
Speaker 7: and they just play the ship. And so I don't

2745
02:33:03,879 --> 02:33:06,320
Speaker 7: know if you remember, if you listen Tom Kando, I

2746
02:33:06,360 --> 02:33:07,400
Speaker 7: shot both of y'all out.

2747
02:33:09,200 --> 02:33:10,959
Speaker 3: I came to the video using the video.

2748
02:33:11,040 --> 02:33:13,760
Speaker 13: I keep shot the lex because you're doing their grandpaon

2749
02:33:13,840 --> 02:33:14,680
Speaker 13: so I said, Yo, they should.

2750
02:33:15,640 --> 02:33:20,040
Speaker 3: But but but but how did that feel like?

2751
02:33:20,160 --> 02:33:23,200
Speaker 7: Because like like right now, I'm going I'm going to

2752
02:33:23,240 --> 02:33:25,800
Speaker 7: port a weeko tomorrow, right, so obviously I have to

2753
02:33:26,120 --> 02:33:27,520
Speaker 7: stop a Bad Money concert.

2754
02:33:27,840 --> 02:33:33,080
Speaker 1: But it's my birthday on Saturday. Yeah, yeah, I mean

2755
02:33:34,280 --> 02:33:38,080
Speaker 1: you're so ha, you know what I'm trying to say.

2756
02:33:38,120 --> 02:33:40,000
Speaker 3: But you know what I'm meaning. I'm there already.

2757
02:33:40,160 --> 02:33:42,520
Speaker 7: So but what I'm saying is we think about it,

2758
02:33:42,640 --> 02:33:45,400
Speaker 7: like I don't want to say it. Start up saying

2759
02:33:45,440 --> 02:33:49,840
Speaker 7: in America because everyone knew, Like I remember when they

2760
02:33:49,920 --> 02:33:55,640
Speaker 7: gonna have that joint, everyone thought he was Dominican.

2761
02:33:56,879 --> 02:33:59,440
Speaker 1: Order Dominicans. So and I remember like.

2762
02:34:02,959 --> 02:34:05,800
Speaker 7: And me trying this record, and I tried it just

2763
02:34:05,920 --> 02:34:07,439
Speaker 7: for the Porto Ricae parade.

2764
02:34:08,879 --> 02:34:11,400
Speaker 1: And that ship went from spins, the spins and spins.

2765
02:34:11,720 --> 02:34:13,720
Speaker 1: But how did it feel like to see like a

2766
02:34:13,840 --> 02:34:18,400
Speaker 1: new genre of music, like it filter end.

2767
02:34:19,000 --> 02:34:23,000
Speaker 7: And at first the station was like no, and then

2768
02:34:23,080 --> 02:34:25,760
Speaker 7: they got behind a gando for the first time and

2769
02:34:25,879 --> 02:34:27,680
Speaker 7: that ship was like the number one, Like how.

2770
02:34:27,600 --> 02:34:29,720
Speaker 1: Did it feel? I mean not, I don't want to

2771
02:34:29,800 --> 02:34:31,760
Speaker 1: limit it to Kanda, but in general.

2772
02:34:31,600 --> 02:34:35,160
Speaker 7: I'm saying, in general, like them embracing They're like, now listen,

2773
02:34:35,320 --> 02:34:38,400
Speaker 7: listen to how it's like every fifth record is a fucking.

2774
02:34:39,600 --> 02:34:40,200
Speaker 3: Fucking uh.

2775
02:34:41,720 --> 02:34:41,879
Speaker 4: Yeah.

2776
02:34:42,879 --> 02:34:44,920
Speaker 3: All I know is this, and I didn't realize it's

2777
02:34:45,120 --> 02:34:50,920
Speaker 3: like good. I think there's that internal racism ship still

2778
02:34:50,959 --> 02:34:54,200
Speaker 3: going on around in the world where like the light

2779
02:34:54,280 --> 02:34:58,520
Speaker 3: skin blacks the dog skin blacks. That same racism, and

2780
02:34:58,600 --> 02:35:03,080
Speaker 3: that perception still lives within the Spanish culture. Uncle, fuck

2781
02:35:03,120 --> 02:35:07,000
Speaker 3: your Jamaican as a colonial. That that ship, that's what

2782
02:35:07,120 --> 02:35:12,520
Speaker 3: it is. When Bad Bunny's first few records started to

2783
02:35:12,560 --> 02:35:15,640
Speaker 3: get played on Hot ninety seven, we were playing them

2784
02:35:15,680 --> 02:35:20,000
Speaker 3: ships way more than our mega. Yeah, my man, it's

2785
02:35:20,040 --> 02:35:24,320
Speaker 3: a Spanish station, the biggest in the city, and you're

2786
02:35:24,400 --> 02:35:27,520
Speaker 3: not playing Bath Bunny. And then Hot ninety seven is

2787
02:35:27,560 --> 02:35:30,360
Speaker 3: with a hip hop station, is playing Bad Bunny more

2788
02:35:30,440 --> 02:35:34,800
Speaker 3: than y'all, Like, what does that mean? Yeah, yeah, that

2789
02:35:34,920 --> 02:35:37,560
Speaker 3: makes no sense to me. It's almost like.

2790
02:35:39,760 --> 02:35:41,560
Speaker 1: In the very beginning of let's take a shot for

2791
02:35:41,640 --> 02:35:43,480
Speaker 1: the radio for y'all.

2792
02:35:44,440 --> 02:35:50,360
Speaker 3: Yeah, when the black programmers didn't program hip hop, all right,

2793
02:35:50,959 --> 02:35:52,640
Speaker 3: you had a way. So the white boys came over

2794
02:35:53,160 --> 02:35:55,120
Speaker 3: on Hot ninety seven and gave it the green light.

2795
02:35:55,720 --> 02:35:57,720
Speaker 3: And then the black guys are mad calling us the

2796
02:35:57,800 --> 02:36:02,920
Speaker 3: plantation station. Wow, But the Plantation Station was the one

2797
02:36:02,959 --> 02:36:05,480
Speaker 3: that fucking made it legendary for the whole entire world.

2798
02:36:05,800 --> 02:36:06,000
Speaker 4: Wow.

2799
02:36:06,680 --> 02:36:11,920
Speaker 3: Wow, it's yo. Sometimes there's that internal racism ship. It's

2800
02:36:11,959 --> 02:36:13,640
Speaker 3: that little thing in your ear, like when your grandmother

2801
02:36:13,760 --> 02:36:17,080
Speaker 3: tells me, my grandmother says why are you playing this music?

2802
02:36:17,720 --> 02:36:20,280
Speaker 3: Why a you not playing Southside? Why you're not playing

2803
02:36:20,320 --> 02:36:26,600
Speaker 3: Mega Marane game? Like, yeah, but I grew up wanting

2804
02:36:26,640 --> 02:36:32,640
Speaker 3: to hear Boom Bab hip hop, electronic hip hop, Africa Bambarda,

2805
02:36:33,440 --> 02:36:36,840
Speaker 3: you know, the Zulu beats and all. That ship was

2806
02:36:38,160 --> 02:36:41,480
Speaker 3: game changing for me as an artist, I mean as

2807
02:36:41,480 --> 02:36:45,800
Speaker 3: a DJ. When you actually artist is correct, when you

2808
02:36:45,840 --> 02:36:48,040
Speaker 3: actually yeah, I know, I forget that. But when you

2809
02:36:48,160 --> 02:36:51,400
Speaker 3: ask me about Public Enemy and who's my favorite group,

2810
02:36:53,760 --> 02:36:57,560
Speaker 3: this is the appreciation level. And I explained this a

2811
02:36:57,640 --> 02:37:01,800
Speaker 3: few times. But I would be my house at two

2812
02:37:01,920 --> 02:37:05,680
Speaker 3: in the morning, sneaking out to the living room to

2813
02:37:05,800 --> 02:37:09,039
Speaker 3: put on some headphones that my dad had and put

2814
02:37:09,080 --> 02:37:11,320
Speaker 3: the radio on so I could hear Public Enemy on

2815
02:37:11,360 --> 02:37:14,280
Speaker 3: the radia. And when I heard them, they scared this

2816
02:37:14,320 --> 02:37:17,240
Speaker 3: ship out of me because I didn't understand what I

2817
02:37:18,120 --> 02:37:21,279
Speaker 3: didn't know before that, but I didn't understand what political

2818
02:37:21,440 --> 02:37:24,920
Speaker 3: rap was. So when they were talking that ship, I

2819
02:37:25,000 --> 02:37:28,360
Speaker 3: was like, Yo, this ship is crazy. And then Nwa

2820
02:37:28,560 --> 02:37:32,440
Speaker 3: was ill too. They're the same thing. I always on

2821
02:37:32,560 --> 02:37:39,320
Speaker 3: different spectrum they are. Yeah. When Nwa was fucking it

2822
02:37:39,520 --> 02:37:44,640
Speaker 3: was eighty nine eighty eight, Yo, bro, every fucking car

2823
02:37:44,800 --> 02:37:48,040
Speaker 3: in the hood was playing wa. It wasn't a West

2824
02:37:48,080 --> 02:37:50,320
Speaker 3: Coast East Coat thing. It was a fucking hot thing

2825
02:37:52,000 --> 02:37:52,680
Speaker 3: with that race.

2826
02:37:56,440 --> 02:37:59,280
Speaker 13: Me for the Okano like that era. It was a

2827
02:37:59,400 --> 02:38:03,640
Speaker 13: no brainer, like from New York. You know thones already popping,

2828
02:38:03,720 --> 02:38:08,840
Speaker 13: you jump on it big made from Queen Johns. It

2829
02:38:08,959 --> 02:38:11,520
Speaker 13: was a no brainer and it was just for me.

2830
02:38:11,640 --> 02:38:15,039
Speaker 3: It was just no question. You know. I got punished

2831
02:38:15,040 --> 02:38:18,440
Speaker 3: for that. Were you early on as a hip hop

2832
02:38:18,520 --> 02:38:19,440
Speaker 3: dred percent?

2833
02:38:21,160 --> 02:38:24,720
Speaker 13: What you mean? I got punished for that because it

2834
02:38:24,840 --> 02:38:26,400
Speaker 13: was not on the playlist. I used to push it

2835
02:38:26,480 --> 02:38:28,320
Speaker 13: a lot, and they're like, yo, why are you'll playing

2836
02:38:28,360 --> 02:38:28,879
Speaker 13: that so much?

2837
02:38:29,720 --> 02:38:32,440
Speaker 3: When is when's this? This is just a fat well.

2838
02:38:32,480 --> 02:38:33,800
Speaker 3: They used to make fun of him, used to call

2839
02:38:33,879 --> 02:38:36,200
Speaker 3: me mister pill because I used to play him so much.

2840
02:38:36,800 --> 02:38:40,880
Speaker 3: But Yo, this guy's on fucking fire. How can you not?

2841
02:38:42,360 --> 02:38:45,920
Speaker 3: You know yo, they used to do that fat This

2842
02:38:46,000 --> 02:38:47,879
Speaker 3: is gonna end? When is this over?

2843
02:38:49,840 --> 02:38:50,240
Speaker 1: That's why?

2844
02:38:50,320 --> 02:38:52,320
Speaker 7: That's why, Like, although I have nothing to do with

2845
02:38:52,400 --> 02:38:56,199
Speaker 7: the bad Buddy guys at all, Like I'm claiming.

2846
02:38:55,879 --> 02:38:59,280
Speaker 1: It like me, I claim it, Like yo, listen, did

2847
02:38:59,640 --> 02:39:01,480
Speaker 1: you claiming you sure?

2848
02:39:01,520 --> 02:39:02,560
Speaker 3: Claim Yeah?

2849
02:39:02,680 --> 02:39:02,880
Speaker 4: Yeah?

2850
02:39:02,920 --> 02:39:06,400
Speaker 3: Yeah, Like look all of it see yes on this side,

2851
02:39:06,480 --> 02:39:08,960
Speaker 3: on this on the American sign.

2852
02:39:19,240 --> 02:39:21,840
Speaker 13: Yeah, but if it wasn't for that, if it wasn't that,

2853
02:39:21,959 --> 02:39:24,040
Speaker 13: you don't know how ventually took off.

2854
02:39:24,040 --> 02:39:25,680
Speaker 1: But yeah, it would it took off anyway.

2855
02:39:25,720 --> 02:39:27,720
Speaker 3: But but you versated the scene thrown.

2856
02:39:27,760 --> 02:39:33,600
Speaker 7: Regond Ever added seven, it's me first time if performing

2857
02:39:33,640 --> 02:39:36,520
Speaker 7: the Source award is me, first time is added to MTV,

2858
02:39:36,680 --> 02:39:40,840
Speaker 7: Me first time, added to BT, this first time KTU.

2859
02:39:41,520 --> 02:39:45,360
Speaker 13: You know you go, but you know, something like that

2860
02:39:45,560 --> 02:39:47,920
Speaker 13: is new, it's going to be tested and hated. Hip

2861
02:39:47,959 --> 02:39:51,160
Speaker 13: hop got hated, right, I got hated, and I got

2862
02:39:51,200 --> 02:39:53,480
Speaker 13: hated because it was new to a lot of people. Yeah,

2863
02:39:53,520 --> 02:39:56,440
Speaker 13: they didn't understand, they didn't get it. Fast forward to

2864
02:39:56,520 --> 02:40:04,240
Speaker 13: twenty twenty five. This everybody, Yeah, that's got better. Let's

2865
02:40:04,320 --> 02:40:07,359
Speaker 13: be honest, let's it got better from evolved.

2866
02:40:08,000 --> 02:40:09,560
Speaker 3: Because I don't know what you got to use because

2867
02:40:09,560 --> 02:40:12,560
Speaker 3: the beat. I was like, wait wait, because the beat change,

2868
02:40:12,680 --> 02:40:17,000
Speaker 3: you got more progression change and changing the guy. It

2869
02:40:17,040 --> 02:40:18,119
Speaker 3: sounds like jugging hoping.

2870
02:40:19,840 --> 02:40:20,480
Speaker 18: I was not feeling.

2871
02:40:20,959 --> 02:40:23,880
Speaker 3: Originally a lot of people weren't because it's the same

2872
02:40:23,920 --> 02:40:27,760
Speaker 3: beat no no no for latinos, latinos and hip hop.

2873
02:40:27,840 --> 02:40:30,440
Speaker 5: I thought it was taking us back right.

2874
02:40:30,520 --> 02:40:34,600
Speaker 3: That's the way a lot better were. They needed it,

2875
02:40:34,680 --> 02:40:40,000
Speaker 3: needed evolution, man, need that's what happened. I hate bother.

2876
02:40:41,280 --> 02:40:41,320
Speaker 4: You.

2877
02:40:41,600 --> 02:40:44,560
Speaker 3: Well you you took off the bucket hand and the

2878
02:40:45,040 --> 02:40:49,600
Speaker 3: timings and the and the and the camouflage, and you

2879
02:40:49,720 --> 02:40:54,240
Speaker 3: got like a sun palm tree. You. Yeah, changed up

2880
02:40:54,600 --> 02:40:59,240
Speaker 3: the best time. Got sandals and shorts on. Now come.

2881
02:41:04,360 --> 02:41:06,560
Speaker 13: I'll never forget mister C coming up to me saying,

2882
02:41:06,640 --> 02:41:08,320
Speaker 13: you know, I need that song, man, that song I

2883
02:41:08,400 --> 02:41:11,280
Speaker 13: was playing one time the Copa cabana and and he

2884
02:41:11,440 --> 02:41:17,400
Speaker 13: came fifty seventh or thirty four thirty, and he came

2885
02:41:17,600 --> 02:41:19,000
Speaker 13: and he saw that reaction.

2886
02:41:18,840 --> 02:41:22,720
Speaker 3: Your boy boy boy. Yeah, he saw that fucking crowd.

2887
02:41:23,200 --> 02:41:25,000
Speaker 3: The next day on Friday, I need that freck that

2888
02:41:25,080 --> 02:41:28,440
Speaker 3: record you played. Oh you just saying it out and

2889
02:41:28,520 --> 02:41:30,920
Speaker 3: I was like, I gotcha, yo. And that's one thing

2890
02:41:30,959 --> 02:41:33,000
Speaker 3: mister C just said. Always used to Ben he was

2891
02:41:33,080 --> 02:41:34,960
Speaker 3: on it. I need this, I need that, I need that.

2892
02:41:35,360 --> 02:41:36,920
Speaker 3: Is this fucking is this notrec shit? I throw this

2893
02:41:37,000 --> 02:41:38,000
Speaker 3: away like he was on it.

2894
02:41:38,120 --> 02:41:39,880
Speaker 13: But you know, it's a beautiful thing about the DJ,

2895
02:41:40,120 --> 02:41:41,960
Speaker 13: like somebody that loves what they do.

2896
02:41:42,920 --> 02:41:44,440
Speaker 3: You know what I'm saying. That's why he was a legend.

2897
02:41:44,640 --> 02:41:48,880
Speaker 3: That mister c was a very very powerful and les

2898
02:41:49,080 --> 02:41:52,760
Speaker 3: DJ and unique. A lot of people were scared to

2899
02:41:52,800 --> 02:41:54,760
Speaker 3: play after him. I hate the play after him and

2900
02:41:54,840 --> 02:41:58,520
Speaker 3: be like, yeah, fuck, I gotta work hard now. But

2901
02:41:58,640 --> 02:42:00,960
Speaker 3: he was a tough motherfucker boy.

2902
02:42:01,360 --> 02:42:02,080
Speaker 1: Is it true?

2903
02:42:03,400 --> 02:42:07,880
Speaker 7: If you if you, if you like, if you're the headliner,

2904
02:42:07,920 --> 02:42:10,520
Speaker 7: you could tell the opener not to play a certain record.

2905
02:42:10,920 --> 02:42:13,480
Speaker 3: Yeah, you could, you could do that, but why it's

2906
02:42:13,560 --> 02:42:16,440
Speaker 3: etiquette because you want to save the headline. It needs

2907
02:42:16,480 --> 02:42:16,959
Speaker 3: to shine.

2908
02:42:18,160 --> 02:42:20,400
Speaker 13: You'll get pissed if the if the not only that,

2909
02:42:20,560 --> 02:42:22,680
Speaker 13: you also have to think about the party itself.

2910
02:42:23,000 --> 02:42:24,160
Speaker 3: When you're rocking a place.

2911
02:42:24,320 --> 02:42:26,600
Speaker 13: You want this ship to last for four hours and

2912
02:42:26,720 --> 02:42:28,640
Speaker 13: you don't want you want to build the ship up

2913
02:42:28,760 --> 02:42:31,720
Speaker 13: to be exciting, you know what I'm saying. So you're

2914
02:42:31,760 --> 02:42:35,360
Speaker 13: not playing a hot fucking record at midnight because it's

2915
02:42:35,400 --> 02:42:37,000
Speaker 13: supposed to turn up at two in the morning.

2916
02:42:37,600 --> 02:42:39,480
Speaker 3: You know what I'm saying. That that's that's just the

2917
02:42:39,560 --> 02:42:43,359
Speaker 3: old school nowadays, this ship is oh yeah, place.

2918
02:42:44,720 --> 02:42:44,840
Speaker 1: Right.

2919
02:42:44,959 --> 02:42:47,840
Speaker 13: But respectfully, if there's a headliner, you don't you let

2920
02:42:47,959 --> 02:42:50,240
Speaker 13: him do what he does best and you play the low.

2921
02:42:50,800 --> 02:42:53,000
Speaker 21: It's not of the flow and you have to. And

2922
02:42:53,080 --> 02:42:54,800
Speaker 21: then the other thing is is business too. You have

2923
02:42:54,879 --> 02:42:58,120
Speaker 21: to keep those motherfuckers there all night spending money. If

2924
02:42:58,160 --> 02:43:03,920
Speaker 21: you hit turn up too early, get to to DJ right,

2925
02:43:04,080 --> 02:43:06,360
Speaker 21: DJ etiquette. Man, Let's see.

2926
02:43:06,520 --> 02:43:09,840
Speaker 1: I remember you used to call yourself the International Club.

2927
02:43:11,920 --> 02:43:13,680
Speaker 3: Yo. I gave him that name. I don't know, I

2928
02:43:13,680 --> 02:43:17,720
Speaker 3: don't know I gave that name.

2929
02:43:21,440 --> 02:43:24,360
Speaker 7: No, but I'm gonna be honest. I've been to a

2930
02:43:24,440 --> 02:43:27,080
Speaker 7: lot of your parties and it is international.

2931
02:43:28,640 --> 02:43:30,120
Speaker 13: Like I said before, I like to play a little

2932
02:43:30,120 --> 02:43:32,560
Speaker 13: bit of everything, which is the beautiful party. Like when

2933
02:43:32,600 --> 02:43:34,880
Speaker 13: you get there's some nice that you just play. Have

2934
02:43:35,000 --> 02:43:37,240
Speaker 13: to play ratchet hip hower, but there's some other nice.

2935
02:43:37,280 --> 02:43:39,240
Speaker 13: Those best parties is when you could tap into a

2936
02:43:39,280 --> 02:43:43,840
Speaker 13: little bit of everything. Gave them a little reggae, fucking house,

2937
02:43:44,520 --> 02:43:46,640
Speaker 13: hip hop, old school ship then both.

2938
02:43:49,200 --> 02:43:50,080
Speaker 1: I just know girl.

2939
02:43:50,200 --> 02:43:54,400
Speaker 3: The house, No, no, no, When I say house, I'm

2940
02:43:54,440 --> 02:44:04,280
Speaker 3: talking about the thing called affle house right now, afro

2941
02:44:04,480 --> 02:44:08,600
Speaker 3: house crazy, yeah, affle House.

2942
02:44:09,360 --> 02:44:11,080
Speaker 1: I just played hooking the house music.

2943
02:44:11,160 --> 02:44:17,080
Speaker 3: Only take those braids out right now, put a little

2944
02:44:17,120 --> 02:44:18,720
Speaker 3: afro on, get your affrole house.

2945
02:44:22,400 --> 02:44:23,760
Speaker 1: I'm gonna take a shot to that. Hold on, this

2946
02:44:23,800 --> 02:44:25,959
Speaker 1: is empty, A shot of.

2947
02:44:25,959 --> 02:44:31,400
Speaker 3: That look like this ship is getting me nice. We

2948
02:44:31,480 --> 02:44:33,440
Speaker 3: gotta cut this interview off soon, yeah yeah.

2949
02:44:35,160 --> 02:44:42,800
Speaker 7: Yeah, yeah yeah yeah yeah enough man, listen, one main percent.

2950
02:44:44,280 --> 02:44:47,720
Speaker 7: You have everything to do with my career, which means

2951
02:44:47,760 --> 02:44:49,600
Speaker 7: you got everything to do with what we were built

2952
02:44:49,720 --> 02:44:52,160
Speaker 7: right here. You've been trying to get you here to

2953
02:44:52,200 --> 02:44:54,600
Speaker 7: give you your flowers a long time ago. I don't

2954
02:44:54,640 --> 02:44:56,720
Speaker 7: want you to feel like that. We like, you know,

2955
02:44:57,160 --> 02:44:59,720
Speaker 7: we tapped in and went so hard. It's because of

2956
02:45:00,080 --> 02:45:03,680
Speaker 7: what happened. You've been deserve your flowers. You've been deserved

2957
02:45:03,800 --> 02:45:05,560
Speaker 7: this love. You've been deserved.

2958
02:45:05,680 --> 02:45:07,320
Speaker 3: No, you've been trying to get me since twenty eighteen.

2959
02:45:07,400 --> 02:45:08,080
Speaker 3: That's what I remember.

2960
02:45:08,440 --> 02:45:08,840
Speaker 1: You've been.

2961
02:45:11,320 --> 02:45:13,680
Speaker 7: You know, you know, to hear these stories and here

2962
02:45:13,840 --> 02:45:16,440
Speaker 7: like you know, you put in you know, your people

2963
02:45:16,520 --> 02:45:19,160
Speaker 7: in front of you, it's inspiring. It's something that I

2964
02:45:19,320 --> 02:45:22,240
Speaker 7: do a lot, but it's something like this. It's more

2965
02:45:22,320 --> 02:45:24,800
Speaker 7: inspiring to hear it. You know, come from a DJ

2966
02:45:25,000 --> 02:45:27,640
Speaker 7: perspective like you know, even my DJ that's been my

2967
02:45:27,760 --> 02:45:30,840
Speaker 7: DJ for twenty years and he said, only two times

2968
02:45:30,840 --> 02:45:32,840
Speaker 7: I've been on Hot ninety seven is when the now

2969
02:45:32,920 --> 02:45:34,840
Speaker 7: thank you for that and when DJ enough.

2970
02:45:34,760 --> 02:45:36,400
Speaker 13: That's a prime I'm trying to put you off. But

2971
02:45:36,480 --> 02:45:37,959
Speaker 13: that's a prime example.

2972
02:45:39,160 --> 02:45:41,520
Speaker 3: Seven two times. And I don't know, remember because you

2973
02:45:41,680 --> 02:45:44,320
Speaker 3: do so much for everybody, your guys, you thank you

2974
02:45:44,440 --> 02:45:52,320
Speaker 3: have me hit it right here one. But that's a

2975
02:45:52,360 --> 02:45:55,160
Speaker 3: prime example that much. That's how it starts.

2976
02:45:55,680 --> 02:45:58,680
Speaker 1: Yeah, Because so I just want to say that you

2977
02:45:58,760 --> 02:46:00,879
Speaker 1: know what I'm saying right minding me of what I'm

2978
02:46:00,920 --> 02:46:03,760
Speaker 1: doing and what I'm doing on my side life. You

2979
02:46:03,800 --> 02:46:05,680
Speaker 1: know what I'm saying, And it's like, you know what,

2980
02:46:06,360 --> 02:46:07,240
Speaker 1: sometimes it's like that.

2981
02:46:07,440 --> 02:46:09,560
Speaker 7: Sometimes you got to put something before you, you know

2982
02:46:09,600 --> 02:46:11,280
Speaker 7: what I'm saying, in order for you to move forward.

2983
02:46:11,720 --> 02:46:14,720
Speaker 7: And you know, it was crazy because we're sitting around

2984
02:46:14,760 --> 02:46:17,440
Speaker 7: and I'm like, there's no better, guess man.

2985
02:46:17,720 --> 02:46:20,320
Speaker 3: We need we need, we need enough out here. You

2986
02:46:20,360 --> 02:46:20,880
Speaker 3: know what I'm saying.

2987
02:46:21,120 --> 02:46:24,360
Speaker 1: We need to give your flowers because one is long overdue.

2988
02:46:24,840 --> 02:46:26,840
Speaker 1: Two we want to know your side of the story.

2989
02:46:26,959 --> 02:46:29,800
Speaker 1: We didn't want to just base it on a side

2990
02:46:29,879 --> 02:46:31,720
Speaker 1: interview with you know, TMZ.

2991
02:46:31,920 --> 02:46:34,280
Speaker 7: And then you know you got this side and this side,

2992
02:46:34,520 --> 02:46:36,920
Speaker 7: and you know I basically messed with all sides.

2993
02:46:36,959 --> 02:46:40,360
Speaker 3: You know, I ain't mat at anybody, and I know

2994
02:46:40,520 --> 02:46:42,280
Speaker 3: that we don't want no beef or nothing. I know,

2995
02:46:42,400 --> 02:46:44,680
Speaker 3: this is no beef. We just want to continue the

2996
02:46:45,040 --> 02:46:48,920
Speaker 3: love the way we the way. This is a safe zone.

2997
02:46:48,920 --> 02:46:49,880
Speaker 3: I know this, So that's what.

2998
02:46:50,360 --> 02:46:53,360
Speaker 7: But but it's more about giving you your flowers more

2999
02:46:53,440 --> 02:46:55,680
Speaker 7: than it's about investigating your situation.

3000
02:46:56,000 --> 02:46:58,960
Speaker 1: That situation. You know, we get it. We understand that

3001
02:46:59,040 --> 02:47:00,840
Speaker 1: anybody could google it and see that.

3002
02:47:01,080 --> 02:47:02,160
Speaker 3: But that's not it.

3003
02:47:02,879 --> 02:47:07,959
Speaker 7: What is it is You've gave hip hop so much personally.

3004
02:47:08,000 --> 02:47:10,080
Speaker 7: You gave me so much, you gave Joe so much,

3005
02:47:10,120 --> 02:47:12,320
Speaker 7: you gave college so much. That's why it was easy

3006
02:47:12,800 --> 02:47:15,840
Speaker 7: for when they said, you know, in thirty seconds, you

3007
02:47:15,920 --> 02:47:18,400
Speaker 7: know we're gonna put together something for you enough and

3008
02:47:18,520 --> 02:47:20,720
Speaker 7: everyone came out to you. So I want to salute

3009
02:47:20,720 --> 02:47:23,360
Speaker 7: you face to face, man, the man you know, eye

3010
02:47:23,440 --> 02:47:25,880
Speaker 7: to eye, and let you know that what you've done

3011
02:47:26,280 --> 02:47:29,800
Speaker 7: for me personally, you know, I know I've been I

3012
02:47:29,959 --> 02:47:31,640
Speaker 7: know there's been times I've been yo.

3013
02:47:31,720 --> 02:47:34,440
Speaker 3: You know land Like yo, I just landed, man? Please?

3014
02:47:34,600 --> 02:47:35,640
Speaker 3: Like what do you do it?

3015
02:47:35,920 --> 02:47:35,960
Speaker 4: Like?

3016
02:47:36,200 --> 02:47:38,640
Speaker 3: We hit the you and you shut the fuck up?

3017
02:47:39,040 --> 02:47:41,280
Speaker 1: Go on and you'll play my records like all the time.

3018
02:47:41,680 --> 02:47:43,400
Speaker 7: And I know if I'm doing it, I know how

3019
02:47:43,959 --> 02:47:47,720
Speaker 7: much other people is is and how much you contributed

3020
02:47:47,760 --> 02:47:50,280
Speaker 7: to hip hop, Like even Flex. I heard Flex say

3021
02:47:50,560 --> 02:47:52,640
Speaker 7: man enough, it was like the first person I seen

3022
02:47:52,720 --> 02:47:54,120
Speaker 7: you two or three parties in.

3023
02:47:54,200 --> 02:47:59,000
Speaker 3: The same night. Eli. Yeah, yeah, you know what I'm saying.

3024
02:47:59,000 --> 02:48:01,040
Speaker 3: I'm just saying, like and now that's the tradition.

3025
02:48:01,280 --> 02:48:05,200
Speaker 7: So we us at drink Chat really wanted to give

3026
02:48:05,240 --> 02:48:08,440
Speaker 7: your flowers and tell you how much you mean, tell

3027
02:48:08,440 --> 02:48:08,680
Speaker 7: you how.

3028
02:48:15,200 --> 02:48:16,600
Speaker 3: And for what you did.

3029
02:48:17,520 --> 02:48:20,720
Speaker 1: We are excited to see your next endeavor to where

3030
02:48:20,720 --> 02:48:23,119
Speaker 1: you're going from here. We know it's over.

3031
02:48:23,240 --> 02:48:26,440
Speaker 7: We know this is the next step on the next

3032
02:48:26,520 --> 02:48:30,240
Speaker 7: level of greatness, and we can't we can't wait to

3033
02:48:30,280 --> 02:48:30,520
Speaker 7: see it.

3034
02:48:30,640 --> 02:48:33,240
Speaker 1: So we're gonna take a couple of pictures and uh,

3035
02:48:35,400 --> 02:48:38,320
Speaker 1: we got it, got it, Okay, hold on, hold on,

3036
02:48:38,360 --> 02:48:41,039
Speaker 1: hold on giving people flowers.

3037
02:48:54,000 --> 02:48:56,400
Speaker 3: Right now? Yeah, yeah, yeah, yeah. YouTube.

3038
02:48:57,120 --> 02:48:59,480
Speaker 7: And you know we're proud of YouTube, man, because as

3039
02:48:59,520 --> 02:49:03,199
Speaker 7: a queen's kid like like, man, you've got a sneaker store, telling.

3040
02:49:03,000 --> 02:49:06,160
Speaker 13: Them I got a sneaker store all the right, I

3041
02:49:06,200 --> 02:49:09,600
Speaker 13: almost touch a big loose shout to George. You know

3042
02:49:09,800 --> 02:49:15,840
Speaker 13: I also have a rest restaurants and queens one in Brooklyn,

3043
02:49:15,879 --> 02:49:21,880
Speaker 13: when Williamsburg one coming down the block in Winwood, opening

3044
02:49:21,959 --> 02:49:26,759
Speaker 13: up like now, heads up, yes, Rex.

3045
02:49:26,920 --> 02:49:27,680
Speaker 3: Shout to Anthony.

3046
02:49:27,760 --> 02:49:29,600
Speaker 13: And then I also have two other restaurants called Mojo

3047
02:49:30,080 --> 02:49:33,840
Speaker 13: and Foster, those Queens and Long Island and a and

3048
02:49:33,920 --> 02:49:36,480
Speaker 13: a piece of shot called Slice that I'm down with,

3049
02:49:37,000 --> 02:49:40,040
Speaker 13: ye you know. And everybody asked me, yo, how do

3050
02:49:40,080 --> 02:49:40,240
Speaker 13: you do?

3051
02:49:40,760 --> 02:49:43,840
Speaker 3: Listen, I don't cook. I don't cook. I'm not you know,

3052
02:49:43,959 --> 02:49:47,280
Speaker 3: I'm not. I'm part owner. You have last Yeah, I

3053
02:49:47,320 --> 02:49:49,680
Speaker 3: would never be able to run a place to do it.

3054
02:49:49,840 --> 02:49:52,080
Speaker 13: No, it's my owners that really got to get the

3055
02:49:52,160 --> 02:49:54,760
Speaker 13: flowers for that because they do the day to day

3056
02:49:54,840 --> 02:49:57,640
Speaker 13: and I'm just down with it. And I'm a partner,

3057
02:49:57,800 --> 02:50:02,560
Speaker 13: that's you know, and and and you know this, it's like,

3058
02:50:02,840 --> 02:50:06,080
Speaker 13: you know, I'm trying to trying to move out here

3059
02:50:06,120 --> 02:50:10,000
Speaker 13: and for my kids and that's it besides d Jane, which.

3060
02:50:09,879 --> 02:50:11,040
Speaker 5: Are the kids, bro, that's it?

3061
02:50:11,400 --> 02:50:13,480
Speaker 3: Which you know d Jane still in my hawk, like

3062
02:50:14,040 --> 02:50:17,000
Speaker 3: that's the number one priority. H Yo.

3063
02:50:17,240 --> 02:50:25,440
Speaker 11: This is crazy, Yo, well deserved, guys, brothers both deserve,

3064
02:50:25,959 --> 02:50:29,279
Speaker 11: bro Man, shout out to what the flowers.

3065
02:50:33,040 --> 02:50:37,360
Speaker 3: Who makes them? Shout out to them ladies and do

3066
02:50:37,480 --> 02:50:39,000
Speaker 3: it with the fly flowers.

3067
02:50:39,120 --> 02:50:42,959
Speaker 7: That's right, that's right. So before we get about here.

3068
02:50:43,080 --> 02:50:47,400
Speaker 7: You know, I'm gonna leave it to you. Is there

3069
02:50:47,480 --> 02:50:51,080
Speaker 7: anything you have to say to your fans, to the people,

3070
02:50:53,600 --> 02:50:54,320
Speaker 7: to anybody.

3071
02:50:55,240 --> 02:50:58,120
Speaker 3: I mean, honestly for an amazing run on the radio.

3072
02:50:59,760 --> 02:51:02,720
Speaker 3: But I know, I know you guys said blood work, blood,

3073
02:51:02,760 --> 02:51:05,760
Speaker 3: bloodshed and tears. But I have so much fun. It

3074
02:51:05,800 --> 02:51:07,560
Speaker 3: didn't even seem that. It didn't even seem like I

3075
02:51:07,640 --> 02:51:10,800
Speaker 3: was going to work. And I think the most important

3076
02:51:10,840 --> 02:51:14,720
Speaker 3: thing is I was ever to spread the love and

3077
02:51:15,120 --> 02:51:17,480
Speaker 3: give people like you a shot. If people like you

3078
02:51:17,600 --> 02:51:20,720
Speaker 3: a shot, if people like you are shot, give people

3079
02:51:20,800 --> 02:51:22,960
Speaker 3: like you are shat. That means a lot to me.

3080
02:51:23,879 --> 02:51:28,480
Speaker 3: And the fact that I can do it every continue, continue,

3081
02:51:28,680 --> 02:51:31,320
Speaker 3: That's that's the gist of it, you know. And now

3082
02:51:31,320 --> 02:51:34,080
Speaker 3: I want my son to carry the torch and it away,

3083
02:51:34,440 --> 02:51:35,520
Speaker 3: so I'm you know, I'm proud of it.

3084
02:51:36,080 --> 02:51:39,519
Speaker 1: Ain't your son manager Ice Spice, No, my son's.

3085
02:51:39,320 --> 02:51:43,000
Speaker 3: Producer for Ice Spice and a few other artists. He

3086
02:51:43,080 --> 02:51:46,960
Speaker 3: got the right us. Just did Chris Brown's latest single

3087
02:51:47,879 --> 02:51:50,279
Speaker 3: number which wouldn't want one number one already?

3088
02:51:50,400 --> 02:51:57,320
Speaker 22: Und Wow, my little guy on fire, He's on fire.

3089
02:51:58,320 --> 02:52:02,320
Speaker 22: You see how that works for making these plans.

3090
02:52:02,600 --> 02:52:03,360
Speaker 5: That's carma, bro.

3091
02:52:04,000 --> 02:52:06,080
Speaker 3: Great ship. That's it's supposed to happen.

3092
02:52:06,200 --> 02:52:10,680
Speaker 17: It's in the blood, in the blood, shut out, Big Spanish,

3093
02:52:11,160 --> 02:52:12,279
Speaker 17: Big Spanish.

3094
02:52:12,520 --> 02:52:14,240
Speaker 3: As shouts to fan Mas School because you gave me

3095
02:52:14,320 --> 02:52:17,600
Speaker 3: my name, Big Span, Big Spanish. Nice all r let's

3096
02:52:17,600 --> 02:52:18,200
Speaker 3: take COVID.

3097
02:52:23,520 --> 02:52:26,920
Speaker 4: Drink Champs is a Drink Champs LLC production hosts and

3098
02:52:27,080 --> 02:52:30,480
Speaker 4: executive producers n O r E and dj e FN.

3099
02:52:31,640 --> 02:52:32,720
Speaker 3: Listen to Drink Champs on.

3100
02:52:32,760 --> 02:52:37,720
Speaker 4: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

3101
02:52:38,840 --> 02:52:41,240
Speaker 4: Thanks for joining us for another episode of Drink Champs

3102
02:52:41,320 --> 02:52:43,920
Speaker 4: hosted by Yours truly, dj e f N and n

3103
02:52:43,920 --> 02:52:46,000
Speaker 4: O r E. Please make sure to follow us on

3104
02:52:46,080 --> 02:52:49,200
Speaker 4: all our socials that's at drink Champs across all platforms,

3105
02:52:49,720 --> 02:52:53,200
Speaker 4: at the Real norriey on, I g at Noriega on Twitter,

3106
02:52:53,640 --> 02:52:56,800
Speaker 4: mine is at Who's Crazy on I g at dj

3107
02:52:57,000 --> 02:52:59,480
Speaker 4: e f N on Twitter, and most importantly, stay up

3108
02:52:59,520 --> 02:53:02,720
Speaker 4: to date with the latest releases, news and merch by

3109
02:53:02,760 --> 02:53:04,480
Speaker 4: going to drink champs dot com.

3110
02:53:07,440 --> 02:53:07,760
Speaker 13: M HM