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Speaker 1: So I'm thinking of cutting off all of it, all

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Speaker 1: of it, like not shaving, but going like short short,

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Speaker 1: like like short and spiky again, you mean.

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Speaker 2: Like writers short and spiky, because I love writers, Lori

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Speaker 2: Heaps short and spiky.

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Speaker 1: Yeah, like that kind of like but I but again,

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Speaker 1: I don't know if we want both Rider and I

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Speaker 1: look in the same. I mean, come on, well, you.

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Speaker 2: Guys look different enough that just having a similar haircut

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Speaker 2: isn't gonna.

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Speaker 3: Will gets recognized as me. Apparently all the time.

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Speaker 1: Well more than I get recognized as me. Danielle can

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Speaker 1: attest to that. Well, Danielle is like, you get recognized

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Speaker 1: a lot, and then we'll go together in airports and stuff,

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Speaker 1: and she's like, you don't ever it's weird, like you

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Speaker 1: don't ever get.

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Speaker 4: Recognized, just walks through the world just like that.

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Speaker 1: Yeah, but I'm thinking about It's just it's starting to

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Speaker 1: get a little annoying having the long hair again. And

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Speaker 1: it's just I do this occasion where then I'll just

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Speaker 1: and you know, I'm going to see Lori Heaps today, Yeah,

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Speaker 1: and part of me just wants to cut it short.

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Speaker 2: I think you, I mean, talk to her, She'll have

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Speaker 2: a recommendation for you. I think she'll have I always

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Speaker 2: trust lur and uh, I think the I mean, I know,

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Speaker 2: I thought Writer's hair before he got his hair cut

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Speaker 2: was fine. I was like, yeah, your hair's great. And

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Speaker 2: then he got it cut and I was like, Writer,

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Speaker 2: this cut is really good for you.

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Speaker 4: Like it.

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Speaker 2: So I feel like it's going to be the same

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Speaker 2: thing for you. I feel like you're going to go

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Speaker 2: in there and you're gonna be like, all right, I

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Speaker 2: want to do something. I want a big change, and

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Speaker 2: you're gonna walk out of there and we're all gonna

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Speaker 2: be like, Wow, this was big.

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Speaker 1: Yeah. I don't know, but I don't know if I'm

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Speaker 1: gonna like that or not. I don't know what is Susan.

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Speaker 1: I'm thinks Susan is much more a fan of short

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Speaker 1: hair than she has long hair. Susan does not like

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Speaker 1: short long hair in guys, okay, but she's like, I

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Speaker 1: love you, you're my husband, and I know you like

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Speaker 1: long hair, so do what you gotta do, And I'm

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Speaker 1: good with that. She's sportive, but I think if she

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Speaker 1: had a choice, she would have me in short surpriser, don't.

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Speaker 3: You guys have like a I mean we had an

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Speaker 3: unusually intense relationship with our hair. Okay, world, Like it

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Speaker 3: was such a thing, like and I do you guys

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Speaker 3: remember how I used to braid my hair?

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Speaker 1: Yeah? I did that once. Remember we did it together.

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Speaker 3: When we were every summer because my hair was so

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Speaker 3: long and I hated it and I hated getting recognized

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Speaker 3: everywhere I went, So I would braid it like in

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Speaker 3: little like Christopher Patrick. Yeah, yeah, And that was like

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Speaker 3: how I dealt with my having hair. And then I would,

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Speaker 3: you know, not wash it and like just have braided

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Speaker 3: hair all summer long, whenever we were not.

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Speaker 1: I have a picture somewhere rider that I will find

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Speaker 1: that is the two of us with our hair braided together.

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Speaker 1: We got it. Don't remember you getting your hair one time?

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Speaker 1: I got it done one time. That was enough for me.

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Speaker 1: Once the itching started, I was like, I'm out. It

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Speaker 1: was worse.

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Speaker 3: And then the last season they let us cut our hair. Remember,

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Speaker 3: like I got a hair fut. It was a big

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Speaker 3: deal that Michael let me cut my hair. Me too,

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Speaker 3: And then like I just had short hair like all

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Speaker 3: throughout my twenties because I just hated anything that reminded me.

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Speaker 1: Of boy hair.

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Speaker 2: I have so many times wanted just like a lob,

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Speaker 2: which is a long bob.

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Speaker 4: So you know I just told you about a lob.

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Speaker 2: Yeah, I don't want it like right under my chin,

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Speaker 2: which is kind of what a bob is.

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Speaker 4: I want to like go longer. Maybe you've never done her.

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Speaker 2: No, Lori Heaps has still cut my hair, and Lori

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Speaker 2: Heaps like won't let me. I went from letting Michael

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Speaker 2: Jacobs control my hair, Tondle over the.

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Speaker 4: Power to Lori Heaps.

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Speaker 1: And Heaps when it comes to like she obviously knows

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Speaker 1: something that you don't about.

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Speaker 2: Yeah, I think it's that I have a full face.

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Speaker 2: I think it's that I have a full face. And

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Speaker 2: so when you have short hair, a full face and

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Speaker 2: thick hair, she thinks it's just gonna go out and

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Speaker 2: that instead of what I see when I see law

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Speaker 2: they are sleek. I have too much hair for that sleekness.

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Speaker 2: And between having kind of a wide face and big hair,

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Speaker 2: I think she thinks it's not going to be good.

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Speaker 2: And then you know, of course, there have been a

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Speaker 2: million times where I've been like, let's do layers, which

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Speaker 2: to me, I've wanted like longer bangs, and she won't

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Speaker 2: do that on me, not a bang guy.

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Speaker 4: All right.

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Speaker 2: Well, recently she sent me an image of somebody and said,

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Speaker 2: I like these for you, and they were very long

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Speaker 2: layers and I was like, but I love it. I

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Speaker 2: love that. Yes, let's do that. So I'm seeing her tomorrow.

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Speaker 2: I have no idea. I'll probably just look like the

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Speaker 2: same version of me you guys have always known.

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Speaker 4: But maybe I'll convince her to give me a lob.

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Speaker 1: Let's see, we both we'll all come with short hair.

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Speaker 1: So there's one person in the world that can pull

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Speaker 1: off bangs, and that's Taylor Swift. Yeah, he's the only

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Speaker 1: one who can pull off bangs. But okay, on our set,

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Speaker 1: you remember with hair, I finally convinced Michael to let

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Speaker 1: me cut my hair, and they made me go get

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Speaker 1: a wig. Yeah, and so I had the long wig

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Speaker 1: because he wanted to do the reveal and it was

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Speaker 1: going to be this big thing. I walk out on stage,

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Speaker 1: you know, walk out in the scene, pluff my hair

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Speaker 1: and everyone's gonna go nuts. And I pulled off my

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Speaker 1: thad silence, nobody cares, cares, and so he just he

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Speaker 1: like then put in We talked about laugh guy he had.

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Speaker 1: They had this big reaction put in. So the scene

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Speaker 1: where Eric walks out and pulls off his wig and

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Speaker 1: everyone goes ooh that all that ooh was put in.

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Speaker 1: Nobody was dead silence, nobody cared. Normally I'd be like,

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Speaker 1: I'm just gonna cut my hair, But now I've got

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Speaker 1: to like ask people should I cut my hair? As

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Speaker 1: I'm not supposed to be right? Do you like short hair?

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Speaker 1: Should I cut it? Should I not? It's so horrifying.

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Speaker 4: We are stunted in so many nice I might cut off,

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Speaker 4: I might cut off.

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Speaker 1: All my hair.

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Speaker 4: Do it well? Do it? It can grow back. Welcome

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Speaker 4: to Pod meets Hair. I'm Danielle Fischel, I'm right or Strong,

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Speaker 4: and I'm will Fordell.

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Speaker 2: So today we are recapping season three, episode sixteen, Stormy Weather.

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Speaker 2: It originally aired February ninth, nineteen ninety six. The synopsis

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Speaker 2: Eric lands an internship at a TV station and decides

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Speaker 2: to quit school to pursue his dream job of becoming

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Speaker 2: a weather man. However, as Eric spends more time at

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Speaker 2: the station, he realizes the importance of a good education. Also,

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Speaker 2: Ben has finals.

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Speaker 1: That's what was happening.

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Speaker 4: Yeah, He's only in that one scene in the kitchen.

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Speaker 1: Yeah, he must.

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Speaker 4: It seems maybe midterms.

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Speaker 3: Yeah, it must be midterms because it would have been

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Speaker 3: January that we were.

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Speaker 2: It must have been midterms. I mean he's only in

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Speaker 2: one kitchen scene and they get him in and out, so.

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Speaker 3: Is that true? He's really only in one scene?

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Speaker 1: Yeah, yeah, very quick. Yeah, this is this is Eric's

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Speaker 1: time to shine.

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Speaker 3: That's such a good episode for you, So great, so great.

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Speaker 2: It was directed by Jeff McCracken, written by Jeff Manell.

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Speaker 2: Guest starring Lindsay Ridgeway as Morgan Matthews. Brandon Maggert is

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Speaker 2: back as Pat the news executive. Larissa o'lenik returns as

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Speaker 2: Dana Prewett, rosaland Allen as Susan. John O'Hurley cast as

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Speaker 2: Cass Yeah, best known as Jay Peterman on Seinfeld and

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Speaker 2: the eventual host of Family Feud for four years, and

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Speaker 2: Matt Kirkwood as the stage manager Matt what is back?

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Speaker 1: We just had two two Seinfeld characters on this episode, yeah,

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Speaker 1: which is very cool.

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Speaker 3: That whole bit with you like only being able to

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Speaker 3: approach from one side is the most Seinfeld joke we've

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Speaker 3: ever done.

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Speaker 1: Like, so great.

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Speaker 3: Isn't that you can talk to him, but only talk

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Speaker 3: to him from such like, this is the rule about

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Speaker 3: this person.

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Speaker 2: That's like the most Also the setup with we're all

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Speaker 2: the same year. He's just a regular person, but he's

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Speaker 2: got a weird thing about the right side.

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Speaker 4: So I'll approach him on the left side.

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Speaker 1: It's just and then the little smiley gives he walks

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Speaker 1: away knowing he's just messing with him. It was great, totally.

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Speaker 4: It's very very funny. I thought this was a really

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Speaker 4: great episode. Again. I loved the continuity.

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Speaker 2: I loved the continuity from the last episode into this episode.

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Speaker 4: I thought it was really great.

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Speaker 1: I have a few little problems with some of my

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Speaker 1: dramatic acting, but I'm getting over that and just giving

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Speaker 1: myself a little bit of a It got a little

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Speaker 1: high school acting through some parts of it, but I'm

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Speaker 1: okay with I'm okay with it. I'm getting better and

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Speaker 1: I'm okay with it. Yeah.

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Speaker 4: I thought you were I thought you were so great.

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Speaker 1: I thank you.

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Speaker 4: I really loved it.

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Speaker 2: To jump into our recap, we are in the Matthews.

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Speaker 2: Eric walks down the stairs fixing his tie.

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Speaker 4: He notices.

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Speaker 1: This was this was the week that they made me

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Speaker 1: cut that came down from the network. You have to

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Speaker 1: cut your hair, and so bum oh.

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Speaker 3: I know, you look so much better. And then but

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Speaker 3: I finally have a haircut. So it was like they

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Speaker 3: just gave us a little haircuts. They're like across the border.

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Speaker 1: No, this is when mccrack this is the week we've

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Speaker 1: talked about that. McCracken. He knew how bummed I was,

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Speaker 1: so he went home and cut his own hair with

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Speaker 1: his own scissors. He cut his hair to make me

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Speaker 1: feel better about me. Yeah, that's the kind of guy

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Speaker 1: he was. So this was that week. Yeah, yeah, so sweet.

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Speaker 2: So Eric notices his family, Hey, you guys are up early.

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Speaker 2: Allan says they didn't have any choice. Someone was running

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Speaker 2: the shower at four am singing Hi Ho, Hi Ho.

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Speaker 2: Then Eric finishes the song It's off to work. Go

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Speaker 2: oh so cute. Amy asks if they want Eric at

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Speaker 2: the TV station before school, and he says, yes, if

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Speaker 2: I get there early enough, I get to help Jimmy

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Speaker 2: jelly Bean lace up his floppy feet. We all know

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Speaker 2: how much kids love their floppy feet, right Morgan.

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Speaker 4: And Morgan responds with I.

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Speaker 3: Thought that we get a huge laugh from the audience,

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Speaker 3: But I was dying her just being.

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Speaker 4: I know that so funny. So Alan thought he was

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Speaker 4: interning for the news.

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Speaker 2: Eric explains, I am when Jimmy Jellybean takes off his nose,

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Speaker 2: he's Arnie Cohen with sports. Corey worries, I learned about

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Speaker 2: potty training from a sportscaster.

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Speaker 4: Oh, that's just wrong.

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Speaker 2: Alan reminds Eric, who's in a hurry to leave, that

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Speaker 2: he's giving Corey a ride to school. Eric says he

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Speaker 2: loves driving miss Corey to school, but he can't be

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Speaker 2: late today.

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Speaker 4: Alan says, if Eric was.

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Speaker 2: This devoted to school, he wouldn't need this internship to

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Speaker 2: pass journalism. Eric corrects him, I wasn't failing journalism because

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Speaker 2: of lack of devotion. I was failing because I was

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Speaker 2: lazy and didn't want to do the work. Morgan tells Corey,

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Speaker 2: I don't need a new toy chest. I can store

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Speaker 2: all my toys in his head. And again, this is

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Speaker 2: just where the every little thing, she says is a

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Speaker 2: little mean, and Eric says, this internship is the single

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Speaker 2: most important thing I've ever done in my entire life.

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Speaker 2: He looks at Corey and tells him he can just walk.

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Speaker 2: Corey says in this blizzard. Sure, I'll just trudge all

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Speaker 2: the way to school, freeze me my butt off, and

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Speaker 2: walk through life buttless. And Eric says, good deal and

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Speaker 2: winks at Corey as he leaves. Alan asks Amy he

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Speaker 2: used to listen to us, didn't he? And she says,

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Speaker 2: did you listen to your parents when you were eighteen?

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Speaker 2: And Alan says he's not eighteen yet. I can still

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Speaker 2: tell him what to do for two more days.

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Speaker 1: Important to set that up.

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Speaker 3: We set up and it's very like otherwise, kind of

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Speaker 3: nothing seen, but it's laying all the groundwork.

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Speaker 1: Yep.

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Speaker 2: Amy tells Corey if he can wait, she'll take him

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Speaker 2: to school, and Corey says, that's okay. I'm a big

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Speaker 2: boy now. I think I'm man enough to handle a

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Speaker 2: couple of snowflakes. He opens the door and the blizzard

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Speaker 2: bombards him. He goes back inside and tells his parents

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Speaker 2: it's the end of the world. Do you guys remember

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Speaker 2: how they did this in the backyard, Like I don't

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Speaker 2: remember you giant fans.

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Speaker 3: Giant fans would actually have bags of the snow, so

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Speaker 3: you would right in front of the shake the bag

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Speaker 3: right in front of a giant fan or just ye

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Speaker 3: went everywhere look good.

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Speaker 1: And again that's something that as young actors especially, you

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Speaker 1: don't think about, Ooh, that's fun to shoot, and you

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Speaker 1: don't think about all of it has to be cleaned up,

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Speaker 1: every little that star was blowing into where the camera's

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Speaker 1: on the camera at y So it's a big pain.

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Speaker 3: That's like a huge thing. Also, what people don't realize

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Speaker 3: is that the fans have to be silent, So like

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Speaker 3: that's a big part of like Hollywood technical stuff is

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Speaker 3: that you can't just have a regular giant fan to

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Speaker 3: blow win if you have actors talking or whatever, it's

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Speaker 3: got to be completely silent.

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Speaker 4: Yep.

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Speaker 2: Luckily, I think when he opened the door and the

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Speaker 2: blizzard's coming out of it, there's no dialogue. And then

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Speaker 2: when he closes the door to say, you know, it's

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Speaker 2: the end of the world. So then we're in Phoenie's classroom.

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Speaker 2: Phoenie is teaching the class. Two episodes in a row,

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Speaker 2: we get Phoenie in front of a class Love It,

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Speaker 2: and he's talking about Lincoln freeing the slaves for political

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Speaker 2: and moral reasons, demonstrating this war was not as civil

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Speaker 2: as it implies, he concludes, but far more civil than

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Speaker 2: I will be if I don't see your papers on

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Speaker 2: my desk by tomorrow. Eric tries sneaking into the class

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Speaker 2: just as everyone is leaving, pretending he was there the

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Speaker 2: whole time. Eric says, great class, mister Foene, two thumbs up. Phoenie,

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Speaker 2: always too steps ahead, stops him and says, Eric, this

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Speaker 2: internship was supposed to earn you credits, not keep you

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Speaker 2: from graduating. Eric lets him know he's here now, and

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Speaker 2: once he's in Phoenie's school, he gives no less than

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Speaker 2: one hundred percent. But then he gets a notification on

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Speaker 2: his huge pager pag I love it, love it, and

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00:12:17,120 --> 00:12:19,240
Speaker 2: he tells Phenie Yeah. Picking up the weekend anchors to

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Speaker 2: pay at the airport, he leans in and says, that's

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Speaker 2: real panda here from China.

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Speaker 4: It's all black with a little bit of white right here.

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Speaker 2: But you didn't hear that from me. Phoenie yells back

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Speaker 2: to Eric, do your paper, don't graduate, and then he

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Speaker 2: leans into whisper. But you didn't hear that from me.

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00:12:32,840 --> 00:12:35,760
Speaker 2: Really cute scene. And then we're in Turner's apartment. Sean

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Speaker 2: is laying on Dana's lap as they both read another

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Speaker 2: little storyline we have that's progressing here, and he tells her,

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Speaker 2: you know, having a girlfriend has been such a good

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Speaker 2: influence on me. Look at us just hanging out here studying.

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Speaker 2: Dana says, we sure are. Sean asks are you reading?

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Speaker 2: She says no, are you? He responds no. So they

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Speaker 2: throw their books down and start making out. What now

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Speaker 2: at this point, with the second week of Larissa being there,

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00:13:00,440 --> 00:13:03,160
Speaker 2: was the kissing now more comfortable and normal than it.

303
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Speaker 3: Was at first.

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Speaker 4: Yeah, now you're just used to it.

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Speaker 1: Now you just feel nothing. Now you're just dead inside. Yes, exactly,

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Speaker 1: just do this, do this thing.

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Speaker 2: Turner walks in and asks, I thought you said Dana

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Speaker 2: was coming over to do homework. Sean apologizes and says,

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Speaker 2: you're supposed to be at school. Dana's mom was about

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Speaker 2: to pick her up, and just be nice to have

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Speaker 2: a little privacy. Dana assures Turner they were doing homework.

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Speaker 2: She was the one who started kissing him first. She

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Speaker 2: grabs Sean Sean's face and squeezes it, saying I mean,

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Speaker 2: look at and Turner tells her, you know, it actually

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Speaker 2: looks better when you do that. Then the doorbell buzzes

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Speaker 2: and it's Dana's mom. Turner opens the door and they

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Speaker 2: both stare at each other.

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Speaker 4: It's a meet cute.

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Speaker 1: Yeah, first Seinfeld, she was a Seinfeld character, so she's

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Speaker 1: number one.

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Speaker 3: Yep.

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Speaker 2: She says she's here for Dana, and Turner gets flustered,

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Speaker 2: telling her to come inside. Sean calls her missus maguire

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Speaker 2: and Turner's confused, saying he thought Dana's last name was Pruett.

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Speaker 3: His mom says McGuire. Rachel's mom.

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Speaker 2: Maybe, oh, man just like folded a for the boy

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Speaker 2: mut Dana's mom says it was, but she's divorced from

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Speaker 2: Dana's dad. Turner says he's sorry and says and she says, now,

329
00:14:08,160 --> 00:14:11,720
Speaker 2: it's been a long time. They're flirting. Dana butts in

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Speaker 2: introducing mister Turner to her mom, and Dana's mom asks,

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Speaker 2: this is old man Turner. Turner laughs and says his

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Speaker 2: walker's in the shop. Dana's mom laughs a little.

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00:14:21,000 --> 00:14:22,640
Speaker 4: Too hard at that.

334
00:14:22,840 --> 00:14:26,120
Speaker 2: Yes, he says, call me John, and she responds, call

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Speaker 2: me Susan, and he tells her it is I just

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Speaker 2: may do that.

337
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Speaker 1: I just made that. Wow.

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00:14:32,920 --> 00:14:35,920
Speaker 2: Sean pushes the girls out the door. He has got

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Speaker 2: the ick. He asks John what kind of disgusting display

340
00:14:39,120 --> 00:14:42,080
Speaker 2: was that John says, I was just being friendly. Turner says,

341
00:14:42,120 --> 00:14:44,400
Speaker 2: you know, just for safety reasons. If you're ever over

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00:14:44,440 --> 00:14:45,760
Speaker 2: at their house and I need to get a hold

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00:14:45,760 --> 00:14:46,720
Speaker 2: of you, what's her number?

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Speaker 3: I love?

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00:14:47,240 --> 00:14:51,080
Speaker 2: Sean says this one eight hundred, take a cold shower.

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00:14:51,480 --> 00:14:56,960
Speaker 3: Sean and Turner going out each other together equals But yes,

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00:14:57,640 --> 00:14:58,400
Speaker 3: it's so fun.

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00:14:58,480 --> 00:14:59,920
Speaker 1: This is so good together.

349
00:15:00,080 --> 00:15:01,760
Speaker 3: I want more of this. I want it like a

350
00:15:01,800 --> 00:15:03,880
Speaker 3: whole show of justice. It's I love it.

351
00:15:04,080 --> 00:15:05,240
Speaker 4: Yeah, it's really cute.

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00:15:05,240 --> 00:15:07,600
Speaker 2: And at first I was thinking, is it only cute

353
00:15:07,640 --> 00:15:10,880
Speaker 2: and not creepy to me because he's not actually his dad?

354
00:15:10,960 --> 00:15:12,760
Speaker 2: But no, because I actually thought it was just as

355
00:15:12,800 --> 00:15:15,080
Speaker 2: cute for Dana and her mom for us. For it

356
00:15:15,120 --> 00:15:17,760
Speaker 2: to be the reverse that that, it's it's just great.

357
00:15:17,840 --> 00:15:21,560
Speaker 2: I love the idea of single parents dating at the

358
00:15:21,600 --> 00:15:25,160
Speaker 2: same time their teenagers are dating, and teenagers getting grossed

359
00:15:25,160 --> 00:15:27,000
Speaker 2: out by that situation and the same way parents are.

360
00:15:27,000 --> 00:15:27,480
Speaker 3: It's really but.

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00:15:27,560 --> 00:15:29,520
Speaker 1: Also like, no matter how old you get, there's still

362
00:15:29,560 --> 00:15:32,280
Speaker 1: that the meat cute and they get a little flirting

363
00:15:32,360 --> 00:15:33,680
Speaker 1: and all that stuff. It's the same kind of thing

364
00:15:33,760 --> 00:15:35,720
Speaker 1: you see Sean do, and it's all Yeah, it's great.

365
00:15:35,760 --> 00:15:36,200
Speaker 1: It's great.

366
00:15:36,400 --> 00:15:38,360
Speaker 2: So Turner questions why he can't ask her out, and

367
00:15:38,400 --> 00:15:40,800
Speaker 2: Sean says, it's because she's my girlfriend's mother, and frankly,

368
00:15:40,840 --> 00:15:43,680
Speaker 2: there's something sick about this whole situation. Turner tells him

369
00:15:43,680 --> 00:15:45,560
Speaker 2: to relax, he's not going to call her. Just then

370
00:15:45,600 --> 00:15:48,240
Speaker 2: the phone rings and Turner answers it, and Tony actually

371
00:15:48,280 --> 00:15:52,320
Speaker 2: pulls the antenna up and hits a button him straight.

372
00:15:53,520 --> 00:15:56,160
Speaker 1: I was sting, no, he does now.

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Speaker 3: Push the button. So I thought maybe it was just

374
00:15:59,320 --> 00:16:01,120
Speaker 3: like we just have to accept in the Boy meets

375
00:16:01,120 --> 00:16:03,840
Speaker 3: World universe and pulling antenna.

376
00:16:03,640 --> 00:16:05,800
Speaker 2: The balls up an antenna, and with the same hand

377
00:16:05,880 --> 00:16:08,080
Speaker 2: that he has on the phone, he uses his thumb

378
00:16:08,080 --> 00:16:12,520
Speaker 2: and hits a button yep, and looks to Sean and whispers,

379
00:16:12,680 --> 00:16:14,720
Speaker 2: it's Dana's mom from the car.

380
00:16:14,960 --> 00:16:16,400
Speaker 1: It's such a Tony she was.

381
00:16:16,760 --> 00:16:20,400
Speaker 2: She was car She was willing to spend fifty five

382
00:16:20,480 --> 00:16:23,560
Speaker 2: dollars to call him one phone for one minute.

383
00:16:23,840 --> 00:16:27,280
Speaker 1: Yes, oh god. Remember do you remember how great car

384
00:16:27,320 --> 00:16:27,840
Speaker 1: phones were?

385
00:16:27,920 --> 00:16:28,400
Speaker 4: I sure do.

386
00:16:28,680 --> 00:16:31,720
Speaker 3: Big they were like like a giant yeah, and they were,

387
00:16:31,960 --> 00:16:34,160
Speaker 3: oh my god, you have the pop out of it.

388
00:16:34,360 --> 00:16:37,000
Speaker 3: So ye, we had one because I was in lamism

389
00:16:37,120 --> 00:16:39,440
Speaker 3: and we were driving so much. My dad wanted my

390
00:16:39,440 --> 00:16:41,800
Speaker 3: mom to have a car phone. Yeah, but we could

391
00:16:41,840 --> 00:16:43,600
Speaker 3: only use it in emergencies because.

392
00:16:43,360 --> 00:16:46,600
Speaker 4: It was, like I was very expensive, just like two.

393
00:16:46,400 --> 00:16:48,600
Speaker 3: Dollars a minute to use. It was like a buck

394
00:16:48,680 --> 00:16:51,240
Speaker 3: ninety nine every minute, the crazy car phone.

395
00:16:51,360 --> 00:16:54,400
Speaker 2: Yeah, yep, just yeah, I totally remember it. That's where

396
00:16:54,400 --> 00:16:56,080
Speaker 2: I got the phone call that I got to Benga. Well,

397
00:16:56,120 --> 00:16:57,480
Speaker 2: I was on the phone with my dad telling him

398
00:16:57,480 --> 00:16:59,320
Speaker 2: why I was running late. My dad got the call

399
00:16:59,360 --> 00:17:03,000
Speaker 2: waiting I was on the it's exactly right.

400
00:17:03,280 --> 00:17:03,480
Speaker 1: Nice.

401
00:17:04,240 --> 00:17:05,440
Speaker 4: So then we're in the news station.

402
00:17:05,520 --> 00:17:08,439
Speaker 2: We see the weatherman, Cal Kilbride giving a live report

403
00:17:08,440 --> 00:17:10,680
Speaker 2: about a blizzard and mentioning he'll be on a Caribbean

404
00:17:10,720 --> 00:17:13,399
Speaker 2: vacation while that's going on. He signs out by saying

405
00:17:13,440 --> 00:17:16,480
Speaker 2: the sun doesn't always shine, but boy I sure do.

406
00:17:16,920 --> 00:17:21,120
Speaker 1: Shoot, he's got that same delivery of everything. It's always

407
00:17:21,160 --> 00:17:21,680
Speaker 1: so good.

408
00:17:22,359 --> 00:17:24,159
Speaker 2: Eric, watching on one of the TV's in the studio

409
00:17:24,200 --> 00:17:26,480
Speaker 2: and pushing the mail cart, says that man's a genius.

410
00:17:26,720 --> 00:17:28,720
Speaker 2: The station manager walks up to Eric, telling him he

411
00:17:28,760 --> 00:17:31,480
Speaker 2: needs that stock footage. Eric quickly responds on your desk.

412
00:17:31,560 --> 00:17:34,119
Speaker 2: The manager continues he also needs the overnight ratings, and

413
00:17:34,240 --> 00:17:36,520
Speaker 2: Eric finishes on your desk, he says he also needs

414
00:17:36,520 --> 00:17:39,240
Speaker 2: his dog, and Eric whispers being neutered as we speak,

415
00:17:39,480 --> 00:17:40,480
Speaker 2: and then the man is shocked.

416
00:17:40,480 --> 00:17:42,960
Speaker 4: He said, I just set a shampoo. Eric freaks out

417
00:17:42,960 --> 00:17:43,600
Speaker 4: and yells what.

418
00:17:44,119 --> 00:17:47,040
Speaker 2: The station manager laughs and says Joe and starts laughing

419
00:17:47,080 --> 00:17:48,480
Speaker 2: as he tells Eric to laugh.

420
00:17:49,119 --> 00:17:50,360
Speaker 4: Eric says, look, Pat, just.

421
00:17:50,320 --> 00:17:52,200
Speaker 2: Between you and me, do you ever get nervous hanging

422
00:17:52,240 --> 00:17:55,280
Speaker 2: around a big star like Cal Kilbride? Eric admits, ever

423
00:17:55,320 --> 00:17:57,679
Speaker 2: since he first saw Cal, all he's ever wanted to

424
00:17:57,720 --> 00:17:58,680
Speaker 2: be was a weatherman.

425
00:17:59,040 --> 00:18:00,800
Speaker 4: The power affecting millions of people.

426
00:18:00,800 --> 00:18:03,119
Speaker 2: What do they wear or do they wear sweaters, sunscreen, gloves,

427
00:18:03,119 --> 00:18:04,119
Speaker 2: snow tires, yes or no?

428
00:18:04,240 --> 00:18:04,840
Speaker 1: What do they do?

429
00:18:05,640 --> 00:18:09,399
Speaker 4: I love his passion and enthusiasm.

430
00:18:09,280 --> 00:18:10,200
Speaker 1: For the being a weather man.

431
00:18:10,400 --> 00:18:13,120
Speaker 3: It also just makes perfect sense for Eric's car. Yes, right,

432
00:18:13,119 --> 00:18:15,840
Speaker 3: like being a weather man because you have to be charismatic,

433
00:18:15,920 --> 00:18:20,399
Speaker 3: kind of funny, delivering probably boring information but in an

434
00:18:20,520 --> 00:18:22,240
Speaker 3: entertaining way. It's the perfect job.

435
00:18:22,080 --> 00:18:24,000
Speaker 1: For you're a local celebrity. Like that's as far as

436
00:18:24,000 --> 00:18:25,239
Speaker 1: you can think it through as it's like, oh, I'm

437
00:18:25,240 --> 00:18:27,480
Speaker 1: a celebrity in Philadelphia like that kind of thing. Sure

438
00:18:27,720 --> 00:18:28,040
Speaker 1: be great.

439
00:18:28,320 --> 00:18:30,080
Speaker 4: Pat tells Eric to say hi to Cal.

440
00:18:30,240 --> 00:18:32,119
Speaker 2: Eric's a part of the team, and Cal's a regular

441
00:18:32,160 --> 00:18:34,399
Speaker 2: guy just like everybody else. Just make sure you approach

442
00:18:34,440 --> 00:18:35,920
Speaker 2: him from his left He's got a little thing about

443
00:18:35,920 --> 00:18:38,560
Speaker 2: his other side. Eric runs up to Cal on his

444
00:18:38,640 --> 00:18:41,760
Speaker 2: left side and introduces himself. Cal says, thank you very much.

445
00:18:41,840 --> 00:18:44,159
Speaker 1: We did this for years too. That was like, hey man,

446
00:18:44,160 --> 00:18:47,720
Speaker 1: how you doing. Thank you very much? We do that all.

447
00:18:49,480 --> 00:18:50,240
Speaker 4: So funny.

448
00:18:51,920 --> 00:18:53,320
Speaker 2: Eric tells him, I just want to say one and

449
00:18:53,400 --> 00:18:54,880
Speaker 2: honor it is to be working here with a man

450
00:18:55,000 --> 00:18:57,119
Speaker 2: like you. Cal turns to sign something and Eric is

451
00:18:57,119 --> 00:18:59,119
Speaker 2: still trying to talk while staying on his left side.

452
00:18:59,160 --> 00:19:02,040
Speaker 2: He continues, if there's anything you need to have done.

453
00:19:01,920 --> 00:19:05,960
Speaker 3: Physical, you know, choreography with her tapping him on the

454
00:19:06,040 --> 00:19:08,600
Speaker 3: left shoulder, so he turns that way, and then you've

455
00:19:08,600 --> 00:19:09,960
Speaker 3: got to like jump.

456
00:19:09,760 --> 00:19:12,000
Speaker 1: Or rake around. Yeah, all this stuff was fun anytime,

457
00:19:12,160 --> 00:19:13,320
Speaker 1: very fun physical stuff.

458
00:19:13,760 --> 00:19:14,320
Speaker 4: He continues.

459
00:19:14,320 --> 00:19:16,600
Speaker 2: If there's anything you need to have done, call me anytime,

460
00:19:16,680 --> 00:19:19,120
Speaker 2: no matter how small or personal it may be. Cal

461
00:19:19,160 --> 00:19:21,200
Speaker 2: interrupts Eric and says, no, no, no, boy, I don't

462
00:19:21,200 --> 00:19:22,200
Speaker 2: believe in that pecking order.

463
00:19:22,200 --> 00:19:22,560
Speaker 3: Garbage.

464
00:19:22,600 --> 00:19:24,640
Speaker 4: Around here. Come on, we're all equals on this ship.

465
00:19:24,720 --> 00:19:25,040
Speaker 2: Huh.

466
00:19:25,160 --> 00:19:27,680
Speaker 4: Cal continues from me at the top all the way

467
00:19:27,720 --> 00:19:29,400
Speaker 4: down down to.

468
00:19:29,480 --> 00:19:32,320
Speaker 1: You at the bottom, a more equal than others.

469
00:19:33,920 --> 00:19:35,879
Speaker 4: U Oh, and by the way, could I get my

470
00:19:35,920 --> 00:19:36,520
Speaker 4: pants hemmed?

471
00:19:36,800 --> 00:19:38,960
Speaker 2: Eric says he'd be honored, So Cal takes off his

472
00:19:39,000 --> 00:19:40,880
Speaker 2: pants in the middle of the station to give to Eric.

473
00:19:41,160 --> 00:19:42,879
Speaker 2: He pats Eric on the chest and says, do a

474
00:19:42,880 --> 00:19:43,959
Speaker 2: good job on the pants.

475
00:19:44,240 --> 00:19:47,080
Speaker 4: Who knows? And he walks away without any pants on.

476
00:19:47,720 --> 00:19:50,040
Speaker 1: So after so this is the only scene he has

477
00:19:50,080 --> 00:19:52,679
Speaker 1: in the whole episode, right, he just does this one scene.

478
00:19:53,880 --> 00:19:58,879
Speaker 1: And late the next year we were Every year ABC

479
00:19:58,920 --> 00:20:01,160
Speaker 1: would always throw this you know party that would happen,

480
00:20:01,200 --> 00:20:04,000
Speaker 1: and it was before the new seasons would come out.

481
00:20:04,040 --> 00:20:05,760
Speaker 1: It would always be at some really cool place like

482
00:20:05,800 --> 00:20:08,159
Speaker 1: the Labrian tar pits or something like that. So the

483
00:20:08,160 --> 00:20:13,160
Speaker 1: next year Rider, you and I and Ben were wherever

484
00:20:13,240 --> 00:20:17,720
Speaker 1: we were, and we were at the snack like the

485
00:20:17,720 --> 00:20:22,560
Speaker 1: food table. We're in a mid conversation and we heard, well,

486
00:20:22,880 --> 00:20:27,600
Speaker 1: if it isn't the boys from Boys Meet World, and

487
00:20:27,680 --> 00:20:29,800
Speaker 1: we turn around and there he is. There's John o' hurley.

488
00:20:29,880 --> 00:20:31,840
Speaker 1: You can remember. No, it's good seeing y'all, and that's

489
00:20:31,840 --> 00:20:34,760
Speaker 1: how we talked, how's everybody doing? It was just so bad,

490
00:20:34,880 --> 00:20:37,320
Speaker 1: but we always did that. Later we were like, well,

491
00:20:37,359 --> 00:20:40,320
Speaker 1: if it isn't the boys from Boys Meet World.

492
00:20:54,480 --> 00:20:56,840
Speaker 2: Eric lays Cal's pants down carefully on his cart so

493
00:20:56,840 --> 00:20:59,320
Speaker 2: he doesn't mess them up. And this seems like it

494
00:20:59,359 --> 00:21:03,760
Speaker 2: could be an hr issue with Cal walking around not

495
00:21:03,840 --> 00:21:04,480
Speaker 2: in the nineties.

496
00:21:04,520 --> 00:21:06,560
Speaker 3: He's got those garter are those.

497
00:21:07,240 --> 00:21:09,840
Speaker 4: Garters garters suspenders?

498
00:21:09,920 --> 00:21:10,880
Speaker 1: But it's the only way that joke.

499
00:21:12,200 --> 00:21:14,560
Speaker 3: Of course this guy wears those things. Of course I

500
00:21:14,680 --> 00:21:15,160
Speaker 3: love it.

501
00:21:16,520 --> 00:21:18,719
Speaker 4: And then we are in the school hallway.

502
00:21:18,760 --> 00:21:21,080
Speaker 2: Mister Williams stops Eric, who's running through the hallway with

503
00:21:21,119 --> 00:21:23,560
Speaker 2: a mannequin head. Eli says, nice to see you finally

504
00:21:23,560 --> 00:21:25,600
Speaker 2: showing up around here. He points to the mannequin and

505
00:21:25,600 --> 00:21:28,320
Speaker 2: says looks like Johnny Higgins, the weekend anchor. Eric laughs

506
00:21:28,320 --> 00:21:30,520
Speaker 2: and says it's his hair. He didn't hear that from me, though.

507
00:21:30,720 --> 00:21:33,959
Speaker 2: Mister Williams reminds Eric this internship doesn't excuse him from

508
00:21:33,960 --> 00:21:36,040
Speaker 2: his class work. Eric says he'd love to stay in chat,

509
00:21:36,040 --> 00:21:38,200
Speaker 2: but if the hair doesn't go on, Johnny Higgins doesn't

510
00:21:38,200 --> 00:21:40,560
Speaker 2: go on. Eric runs away as mister Williams is still

511
00:21:40,560 --> 00:21:42,639
Speaker 2: trying to talk to him. Eric shouts back, thanks for

512
00:21:42,640 --> 00:21:45,080
Speaker 2: helping me get that internship, and we see that mister

513
00:21:45,119 --> 00:21:47,359
Speaker 2: Williams is not please again.

514
00:21:47,560 --> 00:21:49,800
Speaker 1: I worked with Alex more than anybody else on the show,

515
00:21:50,720 --> 00:21:54,000
Speaker 1: and I just didn't remember that at all, which is horrifying.

516
00:21:54,040 --> 00:21:55,920
Speaker 3: I don't think I've like really even had a scene

517
00:21:55,960 --> 00:21:56,199
Speaker 3: with him.

518
00:21:56,200 --> 00:21:58,159
Speaker 1: Maybe you had, you had one or two in the

519
00:21:58,200 --> 00:22:00,399
Speaker 1: apartment in the beginning with Jonathan, but and it was

520
00:22:00,720 --> 00:22:04,639
Speaker 1: I was always working with him. It's so strange that

521
00:22:04,680 --> 00:22:07,440
Speaker 1: I didn't remember that. That's because they still didn't know

522
00:22:07,440 --> 00:22:09,280
Speaker 1: how to use his character. This got a little better

523
00:22:09,280 --> 00:22:11,680
Speaker 1: where it was like they gave him a little something right, But.

524
00:22:12,200 --> 00:22:13,600
Speaker 3: It would have been nice to see him in front

525
00:22:13,600 --> 00:22:14,280
Speaker 3: of a classroom.

526
00:22:14,800 --> 00:22:19,600
Speaker 2: Yeah, well we did that on the Janitor Bun episode.

527
00:22:19,720 --> 00:22:23,360
Speaker 2: And then we get an establishing shot of a highway

528
00:22:23,520 --> 00:22:26,960
Speaker 2: during a big blizzard. Very exciting. We're back at the

529
00:22:26,960 --> 00:22:29,399
Speaker 2: news station. Eric is handing a cameraman his coffee just

530
00:22:29,440 --> 00:22:32,320
Speaker 2: as Eli surprisingly appears. He walks up to Eric talking

531
00:22:32,359 --> 00:22:34,560
Speaker 2: about how bad the blizzard is, and Eric says, yeah,

532
00:22:34,600 --> 00:22:36,760
Speaker 2: so blizzardly, you came to the wrong place. You ever

533
00:22:36,760 --> 00:22:40,240
Speaker 2: shot the school by about six miles. Eli responds, So did.

534
00:22:40,119 --> 00:22:43,960
Speaker 1: You now you notice that that was our cameraman. Yes, yeah,

535
00:22:44,480 --> 00:22:46,639
Speaker 1: he was our cameraman for seven years on Boy Me.

536
00:22:46,920 --> 00:22:47,800
Speaker 3: I totally didn't know that.

537
00:22:47,880 --> 00:22:53,399
Speaker 1: Yeah, it was his name. His name was I don't remember.

538
00:22:53,640 --> 00:22:56,720
Speaker 1: Here's what I remember about him. He was a heavy smoker,

539
00:22:56,840 --> 00:22:58,639
Speaker 1: so he and I would always smoke together, and he

540
00:22:58,720 --> 00:23:03,600
Speaker 1: had two different kinds ofigarettes with him always when we

541
00:23:03,680 --> 00:23:05,200
Speaker 1: had no it was even worse than that. When we

542
00:23:05,320 --> 00:23:09,880
Speaker 1: had a longer break, he would smoke a big, long

543
00:23:09,920 --> 00:23:12,280
Speaker 1: filtered cigarette, but when we only had a short break,

544
00:23:12,320 --> 00:23:14,879
Speaker 1: he smoked the Chesterfield non filters because he can have

545
00:23:14,960 --> 00:23:19,320
Speaker 1: to power it down during the break. So he was

546
00:23:19,359 --> 00:23:24,520
Speaker 1: a short name. It's like Joe right ed yes for

547
00:23:24,560 --> 00:23:25,879
Speaker 1: part of the time and no for part of the

548
00:23:25,880 --> 00:23:27,680
Speaker 1: other time. I think, but it has old school camera

549
00:23:27,720 --> 00:23:29,920
Speaker 1: guy like had been there forever and did all seven

550
00:23:30,000 --> 00:23:30,680
Speaker 1: years of our show.

551
00:23:31,000 --> 00:23:31,359
Speaker 3: Wow.

552
00:23:31,720 --> 00:23:35,600
Speaker 1: So yeah, very very sweet man. When you'll recognize.

553
00:23:35,200 --> 00:23:37,720
Speaker 2: Him the second you see, I think, because I did

554
00:23:37,840 --> 00:23:39,760
Speaker 2: very quickly go hey, that was our real cameraman. But

555
00:23:39,920 --> 00:23:41,520
Speaker 2: but then it had already moved on and I didn't

556
00:23:41,560 --> 00:23:43,320
Speaker 2: spend much time on it. And now that you've said

557
00:23:43,359 --> 00:23:45,600
Speaker 2: that I want to go back and see if seeing

558
00:23:45,640 --> 00:23:47,840
Speaker 2: like looking at his face actually brings back I had it.

559
00:23:47,880 --> 00:23:49,199
Speaker 1: I feel like I had it last night and I

560
00:23:49,200 --> 00:23:52,119
Speaker 1: can't remember. It's like Joe or John or just something

561
00:23:52,280 --> 00:23:56,119
Speaker 1: very old school, but it's yeah, he was a very

562
00:23:56,240 --> 00:23:59,560
Speaker 1: nice guy. And then Matt Kirkouod is in that same scene. Yeah,

563
00:23:59,600 --> 00:24:00,760
Speaker 1: that's what I was distracted by.

564
00:24:01,080 --> 00:24:02,280
Speaker 4: Yes, exactly.

565
00:24:02,359 --> 00:24:05,000
Speaker 3: He's left his job at the mall and now he's

566
00:24:05,040 --> 00:24:10,399
Speaker 3: working right, and Will's tie. You haven't dropped the turner

567
00:24:10,480 --> 00:24:12,680
Speaker 3: tie this whole episode.

568
00:24:12,960 --> 00:24:14,120
Speaker 1: She's got ties, But.

569
00:24:14,160 --> 00:24:16,240
Speaker 3: The next one in the kitchen, like and later in

570
00:24:16,280 --> 00:24:18,040
Speaker 3: this episode is the most distracting thing I've ever seen.

571
00:24:21,240 --> 00:24:23,600
Speaker 3: Take your eyes off of it. It was like I

572
00:24:23,600 --> 00:24:25,560
Speaker 3: felt like I was scaring at your crotch the whole time,

573
00:24:25,600 --> 00:24:29,080
Speaker 3: and you'd be like, whoa, that's right. Follow the arrow

574
00:24:29,680 --> 00:24:29,919
Speaker 3: well the.

575
00:24:29,920 --> 00:24:35,080
Speaker 2: As Eric tells Eli he had to come in with

576
00:24:35,119 --> 00:24:37,280
Speaker 2: the weather, they had a lot of no shows. Eli says,

577
00:24:37,320 --> 00:24:39,120
Speaker 2: I'm on your side, but you're not a strong enough

578
00:24:39,119 --> 00:24:40,840
Speaker 2: student to keep up your grades and spend all your

579
00:24:40,880 --> 00:24:43,240
Speaker 2: time here. Pat walks out of his office and is yelling,

580
00:24:43,240 --> 00:24:45,520
Speaker 2: where's rich Herrera. I'm on In two minutes, and I

581
00:24:45,520 --> 00:24:47,679
Speaker 2: don't have a backup weather man. He walks next to

582
00:24:47,720 --> 00:24:49,720
Speaker 2: Eli and tells him to shut up. He says, you're

583
00:24:49,720 --> 00:24:52,320
Speaker 2: gloating because you don't work for me anymore. Eli asks

584
00:24:52,560 --> 00:24:54,880
Speaker 2: Pat all the time we spent together, you think I'd

585
00:24:54,920 --> 00:24:59,520
Speaker 2: gloat so much continuity. We're tying it all back that

586
00:24:59,600 --> 00:25:02,840
Speaker 2: this is where Eli was. It just keeps going. Eric

587
00:25:02,880 --> 00:25:04,960
Speaker 2: says this isn't a problem. He says, just have Arnie

588
00:25:05,000 --> 00:25:07,320
Speaker 2: Cohen do it. After Sports, they show Arnie and he's

589
00:25:07,359 --> 00:25:10,080
Speaker 2: wearing clown pants and shoes, and Pat says that man's

590
00:25:10,119 --> 00:25:10,679
Speaker 2: half clown.

591
00:25:11,200 --> 00:25:15,800
Speaker 3: Eric so funny, the weirdest, weirdest live it.

592
00:25:17,400 --> 00:25:18,160
Speaker 1: It's amazing.

593
00:25:18,960 --> 00:25:21,560
Speaker 2: Eric watch toward the weather green screen and says, come on, Pat,

594
00:25:21,600 --> 00:25:23,480
Speaker 2: anybody can do this. You walk over here, you find

595
00:25:23,480 --> 00:25:25,359
Speaker 2: your mark, You pick up the clicker, watch the monitor,

596
00:25:25,400 --> 00:25:28,120
Speaker 2: point to the map, big smile, and now back to you, Connie.

597
00:25:28,320 --> 00:25:30,240
Speaker 2: Pat asks Eric where he learned how to do that,

598
00:25:30,280 --> 00:25:33,119
Speaker 2: and Eric says he's been studying cow. Eli lets Pat

599
00:25:33,160 --> 00:25:35,879
Speaker 2: know he only has thirty five seconds. Pat asks Eric.

600
00:25:35,760 --> 00:25:37,080
Speaker 4: Why don't you do it? You do a good job.

601
00:25:37,080 --> 00:25:37,840
Speaker 4: We both look good.

602
00:25:37,960 --> 00:25:41,040
Speaker 2: Don't screw you screw up, don't Pat and the crew

603
00:25:41,040 --> 00:25:43,160
Speaker 2: push a shocked Eric towards the green screen and Pat

604
00:25:43,160 --> 00:25:44,720
Speaker 2: tells him to get in there and have some fun,

605
00:25:44,880 --> 00:25:47,240
Speaker 2: and just like that, he gets the countdown and they're

606
00:25:47,280 --> 00:25:49,880
Speaker 2: on air. They introduced the anchors and then weather man

607
00:25:50,000 --> 00:25:52,280
Speaker 2: Eric and he says his name in the most adorable way,

608
00:25:52,400 --> 00:25:52,840
Speaker 2: that's me.

609
00:25:53,400 --> 00:25:56,040
Speaker 1: That's me. I remember just how fun it was to

610
00:25:56,080 --> 00:25:58,240
Speaker 1: be in front of that green screen and it was

611
00:25:58,280 --> 00:25:59,920
Speaker 1: really cool, so cute.

612
00:26:00,800 --> 00:26:03,119
Speaker 2: And then we're back in the Matthew's kitchen. Eric runs

613
00:26:03,119 --> 00:26:05,479
Speaker 2: in and he asks, did you see me? Amy gloats

614
00:26:05,520 --> 00:26:08,200
Speaker 2: you were so good and you were so handsome. Phoene

615
00:26:08,240 --> 00:26:11,280
Speaker 2: is there too, in applaud saying bravo Eric. Amy says,

616
00:26:11,280 --> 00:26:12,879
Speaker 2: when you were three years old and you told us

617
00:26:12,880 --> 00:26:14,600
Speaker 2: you wanted to be a weather man, we shouldn't have

618
00:26:14,680 --> 00:26:15,720
Speaker 2: taken you to that doctor.

619
00:26:15,920 --> 00:26:18,840
Speaker 3: That doctor now, but how could they have possibly caught him?

620
00:26:19,280 --> 00:26:20,360
Speaker 3: They had no warning.

621
00:26:21,240 --> 00:26:26,119
Speaker 2: Libably, they always watched the news. Yeah, I think it

622
00:26:26,200 --> 00:26:28,639
Speaker 2: used to be a nighttime news thing. It was a

623
00:26:28,680 --> 00:26:29,200
Speaker 2: thing to do.

624
00:26:29,359 --> 00:26:31,200
Speaker 1: Plus, there's a blizzard. They want to know what it's

625
00:26:31,240 --> 00:26:33,359
Speaker 1: going to be. It makes sense.

626
00:26:34,040 --> 00:26:36,040
Speaker 2: Eric says to Feenie, I can ask you this because

627
00:26:36,040 --> 00:26:37,399
Speaker 2: you don't love me as much as them? Did you

628
00:26:37,440 --> 00:26:38,960
Speaker 2: like me better on the five o'clock or the ten

629
00:26:38,960 --> 00:26:41,640
Speaker 2: o'clock edition? And Phoene says, I'm actually here to talk

630
00:26:41,680 --> 00:26:44,560
Speaker 2: about your history paper and the classes you've missed. Alan

631
00:26:44,640 --> 00:26:47,720
Speaker 2: chimes in. Mister Phoene says you're in serious danger of

632
00:26:47,720 --> 00:26:50,560
Speaker 2: not graduating, and Amy adds, but you're very lucky because

633
00:26:50,560 --> 00:26:52,600
Speaker 2: he's allowing you to do the makeup work. Eric says

634
00:26:52,640 --> 00:26:54,800
Speaker 2: that's great and asks Feoenie what he has to do.

635
00:26:54,960 --> 00:26:57,920
Speaker 2: Phoene says, a two thousand word essay on reconstructionism after

636
00:26:57,960 --> 00:27:00,280
Speaker 2: the Civil War. Eric tells him, fine, done. When do

637
00:27:00,320 --> 00:27:02,400
Speaker 2: you need it? Phoene says, on my desk by three

638
00:27:02,400 --> 00:27:05,560
Speaker 2: pm Friday. Eric responds, ooh, not in my five day forecast.

639
00:27:05,720 --> 00:27:08,960
Speaker 2: I'm on call all week. Alan says, well, put it

640
00:27:08,960 --> 00:27:11,600
Speaker 2: in your forecast, pal, you're doing that essay. Eric says,

641
00:27:11,640 --> 00:27:13,760
Speaker 2: I can't possibly do both, and you can't be asking

642
00:27:13,760 --> 00:27:14,920
Speaker 2: me to give up the station.

643
00:27:15,040 --> 00:27:17,880
Speaker 4: I mean, I've finally found something I'm good at, and here.

644
00:27:17,720 --> 00:27:21,320
Speaker 2: We are setting up this conflict so so perfect.

645
00:27:21,680 --> 00:27:23,760
Speaker 1: Rusty in this episode.

646
00:27:23,840 --> 00:27:29,480
Speaker 2: Oh, I'm so glad Rusty's back from Finals, the longest

647
00:27:29,480 --> 00:27:35,240
Speaker 2: final Alan tells him this isn't a discussion. Amy tells

648
00:27:35,359 --> 00:27:37,240
Speaker 2: Eric to think about this, and Eric tells her I

649
00:27:37,320 --> 00:27:39,399
Speaker 2: have and I'm going back to the station. I mean

650
00:27:39,400 --> 00:27:41,080
Speaker 2: that's where I belong. I don't belong in the back

651
00:27:41,119 --> 00:27:43,680
Speaker 2: of some classroom pretending to listen. No offense, mister phoene

652
00:27:44,040 --> 00:27:46,520
Speaker 2: and Alan sternly says Eric, that is your problem.

653
00:27:46,560 --> 00:27:47,280
Speaker 4: You don't listen.

654
00:27:47,720 --> 00:27:50,199
Speaker 2: Eric says, Dad, I'm going to be eighteen tomorrow actually

655
00:27:50,200 --> 00:27:52,080
Speaker 2: in like less than an hour. I think I can

656
00:27:52,119 --> 00:27:55,240
Speaker 2: make my own decisions. Phoene urges Eric to reconsider, and

657
00:27:55,240 --> 00:27:57,720
Speaker 2: he says there's nothing more to think about. Alan then

658
00:27:57,760 --> 00:28:00,359
Speaker 2: says Eric, are you or are you not going to

659
00:28:00,359 --> 00:28:03,600
Speaker 2: go to school tomorrow? And Eric says I'm not going

660
00:28:03,760 --> 00:28:06,000
Speaker 2: and he runs up the stairs, leaving Feenie, Amy and

661
00:28:06,040 --> 00:28:08,280
Speaker 2: Allan in the kitchen looking very disappointed.

662
00:28:08,960 --> 00:28:10,199
Speaker 4: Gat It's perfect.

663
00:28:10,320 --> 00:28:13,080
Speaker 3: I can totally see Eric's point of view. Yep, We've

664
00:28:13,240 --> 00:28:15,760
Speaker 3: we've seen him be good at this. We're so excited

665
00:28:15,840 --> 00:28:19,000
Speaker 3: for him that we're like totally on his side, and

666
00:28:19,119 --> 00:28:22,119
Speaker 3: yet we can also obviously understand the value of graduating

667
00:28:22,240 --> 00:28:22,720
Speaker 3: high school.

668
00:28:22,720 --> 00:28:27,400
Speaker 2: So yeah, absolutely perfect conflict, really well done. And then

669
00:28:27,440 --> 00:28:29,919
Speaker 2: we're back from the commercial. We're in the Matthews family kitchen.

670
00:28:29,960 --> 00:28:33,520
Speaker 2: Amy and Allen are drinking their coffee looking depressed. Morgan announces,

671
00:28:33,800 --> 00:28:36,119
Speaker 2: I can't believe I'm related to a dropout, and Alan

672
00:28:36,119 --> 00:28:38,760
Speaker 2: corrects or he's not a dropout yet. Cory says, no,

673
00:28:38,840 --> 00:28:41,440
Speaker 2: he's just taking That's right, Corey.

674
00:28:42,360 --> 00:28:45,360
Speaker 1: We probably shot the two kitchen scenes right and then

675
00:28:45,440 --> 00:28:48,600
Speaker 1: and then got out. And this is truly we talk

676
00:28:48,640 --> 00:28:51,560
Speaker 1: about phone acting. This is some of the worst serial

677
00:28:51,600 --> 00:28:53,320
Speaker 1: acting I've ever seen in my life with Ben.

678
00:28:53,600 --> 00:28:55,400
Speaker 4: But wait, I thought this is the only scene he's in.

679
00:28:55,400 --> 00:28:56,360
Speaker 4: Where's the second scene?

680
00:28:56,400 --> 00:28:58,160
Speaker 3: In the first scene, in the first opening scene.

681
00:28:58,720 --> 00:28:59,680
Speaker 4: In the opening scene, he.

682
00:28:59,680 --> 00:29:02,440
Speaker 1: Runs out in the blizzard, and then I got it,

683
00:29:02,480 --> 00:29:04,200
Speaker 1: and that one it was a freezing open.

684
00:29:06,200 --> 00:29:06,960
Speaker 4: We look at you.

685
00:29:08,440 --> 00:29:12,480
Speaker 1: But yes, his his cereal. Several times he literally puts

686
00:29:12,480 --> 00:29:15,520
Speaker 1: the spoon in, ends up with cereal on his on

687
00:29:15,600 --> 00:29:18,160
Speaker 1: his spoon. Doesn't obviously want to eat the cereal, so

688
00:29:18,360 --> 00:29:20,440
Speaker 1: dumps the cereal out to where there's then just a

689
00:29:20,480 --> 00:29:23,120
Speaker 1: little bit of milk, and then he puts it after

690
00:29:23,160 --> 00:29:26,280
Speaker 1: pushing stuff around. Yeah, that's great, Oh.

691
00:29:26,120 --> 00:29:26,680
Speaker 4: Morgan tells.

692
00:29:26,720 --> 00:29:28,600
Speaker 2: Everyone looks like I'm gonna be the first Matthews to

693
00:29:28,640 --> 00:29:31,800
Speaker 2: graduate from college, and Corey asks, what about me? Morgan laughs,

694
00:29:31,880 --> 00:29:34,719
Speaker 2: you're right, so, like I said, at least she's mean

695
00:29:34,760 --> 00:29:39,080
Speaker 2: to everyone opportunity mean she's yeah, she's not just mean

696
00:29:39,120 --> 00:29:41,200
Speaker 2: to like one person that would really make his question.

697
00:29:42,720 --> 00:29:44,640
Speaker 4: Eric arrives downstairs in his suit and he says good

698
00:29:44,680 --> 00:29:47,080
Speaker 4: morning to his parents. Yes the time.

699
00:29:47,720 --> 00:29:49,960
Speaker 1: And this is where I got it, I thought, personally,

700
00:29:49,960 --> 00:29:51,680
Speaker 1: and I'm gonna let it go. But I thought I

701
00:29:51,720 --> 00:29:54,800
Speaker 1: got a bit overacting. No. I thought it was great

702
00:29:55,040 --> 00:29:57,560
Speaker 1: talking to you, kind of like yah, it.

703
00:29:57,520 --> 00:29:58,760
Speaker 4: Was just no. I thought it was good.

704
00:29:58,840 --> 00:30:01,040
Speaker 2: You were you were ready to defend your position, and

705
00:30:01,080 --> 00:30:03,040
Speaker 2: you thought everyone was going to be coming at you,

706
00:30:03,120 --> 00:30:05,160
Speaker 2: and you were really like you had. I felt like

707
00:30:05,240 --> 00:30:07,040
Speaker 2: you had been thinking through the night how you were

708
00:30:07,040 --> 00:30:09,640
Speaker 2: going to stand strong and hold your resolve.

709
00:30:09,680 --> 00:30:11,320
Speaker 1: I think I played it just a little bit.

710
00:30:11,600 --> 00:30:13,200
Speaker 4: I don't think I disagree with you. I think it's

711
00:30:13,200 --> 00:30:13,680
Speaker 4: really great.

712
00:30:14,800 --> 00:30:17,160
Speaker 2: As Corey is about to say something, Eric interrupts core

713
00:30:17,280 --> 00:30:18,880
Speaker 2: I'm not really in the mood right now, all right,

714
00:30:18,920 --> 00:30:21,240
Speaker 2: and Corey says, okay, I was just going to wish

715
00:30:21,280 --> 00:30:23,480
Speaker 2: you a happy birthday, and as Corey gets ready to.

716
00:30:23,520 --> 00:30:28,600
Speaker 1: Leave, weird but it's also at least they're acknowledging that

717
00:30:28,640 --> 00:30:29,320
Speaker 1: it's a birthday.

718
00:30:29,720 --> 00:30:33,680
Speaker 3: Some people are that everybody acknowledges that it's a birthday,

719
00:30:34,800 --> 00:30:36,640
Speaker 3: But there have been so many birthdays that we just

720
00:30:36,720 --> 00:30:38,960
Speaker 3: ignored that it seems like Eric might not be even

721
00:30:39,040 --> 00:30:39,680
Speaker 3: upset the.

722
00:30:39,600 --> 00:30:41,440
Speaker 4: Birthdays and his family are weird.

723
00:30:41,640 --> 00:30:43,800
Speaker 1: What's up with our writers and producers who had a

724
00:30:43,840 --> 00:30:47,640
Speaker 1: bad birthday experience that then just soured them on every birthday?

725
00:30:47,840 --> 00:30:48,400
Speaker 4: I don't know.

726
00:30:49,280 --> 00:30:52,080
Speaker 2: But as Corey is ready to leave, Eric softens and says, hey,

727
00:30:52,600 --> 00:30:55,760
Speaker 2: take a hat. Another stormfront coming in, and Corey admits, Eric,

728
00:30:55,840 --> 00:30:58,480
Speaker 2: you're pretty good at that stuff, and then he's gone.

729
00:30:58,840 --> 00:31:01,520
Speaker 4: Amy breaks the silence. Hope you had a good night's rest.

730
00:31:01,760 --> 00:31:03,880
Speaker 2: Eric tells her he slept like a baby, and Alan says,

731
00:31:03,960 --> 00:31:08,520
Speaker 2: cause you are one I thought was funny Alan. Amy

732
00:31:08,600 --> 00:31:11,000
Speaker 2: nudges Alan and says, we agreed. We're going to cool down,

733
00:31:11,000 --> 00:31:13,320
Speaker 2: clear our hearts, and have a logical discussion in the morning.

734
00:31:13,600 --> 00:31:15,800
Speaker 2: Amy turns to Eric, Honey, I know that last night

735
00:31:15,880 --> 00:31:18,160
Speaker 2: was like a dream come true. Eric stops her. Look,

736
00:31:18,360 --> 00:31:19,760
Speaker 2: I know where this is going, and I know what

737
00:31:19,800 --> 00:31:22,320
Speaker 2: I'm doing. I'm going back to the station. Alan sighs

738
00:31:22,360 --> 00:31:25,320
Speaker 2: and announces, and I'm going to yell. Amy tells Alan

739
00:31:25,400 --> 00:31:27,560
Speaker 2: Alan it's not going to help, and Alan stops her

740
00:31:27,600 --> 00:31:29,600
Speaker 2: and says, no, I Am not going to remain quiet

741
00:31:29,600 --> 00:31:32,120
Speaker 2: while Mo's son, while my son makes the biggest mistake

742
00:31:32,160 --> 00:31:34,520
Speaker 2: of his life. Now you may be some big shot

743
00:31:34,520 --> 00:31:37,000
Speaker 2: weatherman down at the channel, whatever it is, but here

744
00:31:37,240 --> 00:31:40,000
Speaker 2: you are still my son living in my house. And

745
00:31:40,120 --> 00:31:43,560
Speaker 2: Eric says, yeah, well, I'm eighteen today, And Alan says, fine,

746
00:31:43,720 --> 00:31:45,680
Speaker 2: you want to play adult, then let's play. You want

747
00:31:45,680 --> 00:31:47,880
Speaker 2: to continue sleeping in that room upstairs, You pay rent,

748
00:31:47,920 --> 00:31:50,560
Speaker 2: car insurance, you pay that too, groceries. You're starting to

749
00:31:50,560 --> 00:31:54,080
Speaker 2: get the idea. And it's so good because they both

750
00:31:54,120 --> 00:31:54,400
Speaker 2: of you.

751
00:31:54,600 --> 00:31:56,720
Speaker 3: Are right, both have great arguments.

752
00:31:56,880 --> 00:32:00,400
Speaker 1: Yeah, but it's also it's such a thing that you

753
00:32:00,480 --> 00:32:04,360
Speaker 1: do when you're eighteen. You feel like, oh, I've passed

754
00:32:04,400 --> 00:32:06,480
Speaker 1: some invisible lines, so now all of a sudden, I'm

755
00:32:06,480 --> 00:32:08,320
Speaker 1: an adult and I can do whatever. And it's just

756
00:32:08,560 --> 00:32:11,800
Speaker 1: it's such an arbitrary line doesn't really mean what you

757
00:32:11,840 --> 00:32:14,480
Speaker 1: think it means. Some people at eighteen have been adults

758
00:32:14,480 --> 00:32:16,880
Speaker 1: for ten years. Some people at eighteen aren't going to

759
00:32:16,880 --> 00:32:19,800
Speaker 1: be an adult for another twenty so you just never know.

760
00:32:20,040 --> 00:32:22,160
Speaker 1: And Eric is what you but you have that I'm eighteen,

761
00:32:22,200 --> 00:32:23,880
Speaker 1: I could do whatever I want. I'm an adult now.

762
00:32:24,200 --> 00:32:27,600
Speaker 2: She's so so funny how when you first move out

763
00:32:27,640 --> 00:32:29,920
Speaker 2: on your own and you start really paying attention to

764
00:32:29,960 --> 00:32:32,520
Speaker 2: how much the little things cost. Like I remember when

765
00:32:32,560 --> 00:32:35,200
Speaker 2: my brother first moved out of my parents' house. My

766
00:32:35,320 --> 00:32:38,440
Speaker 2: mom always kept cetaphil that was like cedaphil or setaphil,

767
00:32:38,440 --> 00:32:40,000
Speaker 2: however you say. It was the face wash my mom

768
00:32:40,080 --> 00:32:42,719
Speaker 2: kept in the shower and he was like living on

769
00:32:42,720 --> 00:32:43,640
Speaker 2: his own, and he went to.

770
00:32:43,560 --> 00:32:45,320
Speaker 4: Go to the grocery store to buy it, and he

771
00:32:45,400 --> 00:32:46,240
Speaker 4: was like Calder.

772
00:32:46,280 --> 00:32:52,960
Speaker 2: He goes, have you been paying fifteen dolluff is fifteen dollars?

773
00:32:53,000 --> 00:32:54,880
Speaker 2: And she was like, what you know? And it's just

774
00:32:54,880 --> 00:32:57,440
Speaker 2: to him, it was just like, oh, I'm not using that.

775
00:32:57,480 --> 00:32:58,840
Speaker 2: Did you see that they have this one for a

776
00:32:58,880 --> 00:33:02,200
Speaker 2: dollar fifty over here? So you know, when Alan starts

777
00:33:02,200 --> 00:33:05,440
Speaker 2: pointing out, you have no idea how much goes into

778
00:33:06,120 --> 00:33:08,040
Speaker 2: truly being on your not just money either.

779
00:33:08,080 --> 00:33:10,240
Speaker 1: I remember when I first moved out, I moved into

780
00:33:10,280 --> 00:33:13,440
Speaker 1: the oak Wood with Spencer. It's I'm what sixteen seventeen,

781
00:33:13,960 --> 00:33:15,520
Speaker 1: and all of a sudden there's a big pile of

782
00:33:15,520 --> 00:33:18,080
Speaker 1: clothes and I'm walking by him, and it took me

783
00:33:18,160 --> 00:33:20,760
Speaker 1: a good five days to be like, oh, those don't

784
00:33:20,880 --> 00:33:23,920
Speaker 1: magically do themselves. I've got to go.

785
00:33:23,840 --> 00:33:27,080
Speaker 3: Clean all that stuff or food, right, Yeah, I had

786
00:33:27,080 --> 00:33:28,360
Speaker 3: to buy your own auter pops.

787
00:33:28,640 --> 00:33:34,240
Speaker 1: Yes, you could buy in bulk and your coke right,

788
00:33:34,280 --> 00:33:35,840
Speaker 1: and my coke and I had to get bump. But

789
00:33:35,880 --> 00:33:37,520
Speaker 1: it was like no, by the way, I mean Coca Cola,

790
00:33:37,600 --> 00:33:40,880
Speaker 1: Coca Coca, yes, no. But I was like, no, I

791
00:33:40,240 --> 00:33:42,960
Speaker 1: I have to make my bed, I have to clean

792
00:33:43,080 --> 00:33:45,600
Speaker 1: my sheets, I have to There is just all these

793
00:33:45,600 --> 00:33:48,160
Speaker 1: things that magically get done when you're a kid. It's

794
00:33:48,200 --> 00:33:50,400
Speaker 1: like being a child actor on a set. Everything's clean

795
00:33:50,480 --> 00:33:52,480
Speaker 1: the next morning when I come in. Well, yeah, it's

796
00:33:52,480 --> 00:33:55,320
Speaker 1: not like that in the real world. So yeah, nuts.

797
00:33:55,760 --> 00:33:57,960
Speaker 2: Eric says he gets that they don't realize how important

798
00:33:57,960 --> 00:33:59,760
Speaker 2: this job is to him. And you know something, if

799
00:33:59,760 --> 00:34:02,280
Speaker 2: pain rent is my birthday present, well then happy birthday

800
00:34:02,320 --> 00:34:04,280
Speaker 2: to me. You want your rent? Here, here's your rent.

801
00:34:04,440 --> 00:34:06,040
Speaker 2: He slams money down on the table, and then he

802
00:34:06,080 --> 00:34:09,000
Speaker 2: looks at the money and says, well, breakfast anyway, breakfast.

803
00:34:09,800 --> 00:34:12,400
Speaker 2: Amy stops him from leaving. She tells him happy birthday.

804
00:34:12,600 --> 00:34:15,120
Speaker 2: He looks back and says thanks Mom, but Alan still

805
00:34:15,120 --> 00:34:17,239
Speaker 2: won't look at him. Amy urges him, but Alan just

806
00:34:17,280 --> 00:34:20,320
Speaker 2: walks away. Eric walks outside and slams the door shut.

807
00:34:20,520 --> 00:34:23,799
Speaker 2: And Betsy is so good because you can. She's like

808
00:34:23,840 --> 00:34:26,600
Speaker 2: about to cry. Yeah, And it's such a tough like

809
00:34:26,680 --> 00:34:29,720
Speaker 2: she's playing it like such a torn mom between wanting

810
00:34:29,800 --> 00:34:32,239
Speaker 2: to love and protect her son and wish him a

811
00:34:32,239 --> 00:34:35,040
Speaker 2: happy birthday and also the parent who really thinks he's

812
00:34:35,080 --> 00:34:38,320
Speaker 2: making a big mistake. And then we're in Turner's apartment.

813
00:34:38,360 --> 00:34:40,680
Speaker 2: Sean is pacing as Dana sits on the couch. Sean

814
00:34:40,680 --> 00:34:41,920
Speaker 2: nervously asks where are they?

815
00:34:41,920 --> 00:34:44,040
Speaker 4: Where are they? What kind of date? Goes past nine pm?

816
00:34:44,680 --> 00:34:45,799
Speaker 3: Nine pm? Again?

817
00:34:46,040 --> 00:34:46,640
Speaker 1: I love it.

818
00:34:47,000 --> 00:34:49,640
Speaker 2: Dana says, your pacing's making me nervous, and Sean says, oh,

819
00:34:49,640 --> 00:34:52,359
Speaker 2: when you're nagging is helping me. And she says, see

820
00:34:52,360 --> 00:34:54,440
Speaker 2: what they're going out is doing to us? Dana asks,

821
00:34:54,640 --> 00:34:56,960
Speaker 2: Sean says, you're right, we shouldn't fight. We still have

822
00:34:57,000 --> 00:35:00,279
Speaker 2: our relationship, Dane ads, which is going quite well. She

823
00:35:00,360 --> 00:35:02,480
Speaker 2: pauses and says, wait, what if they really like each

824
00:35:02,520 --> 00:35:04,200
Speaker 2: other and get married? They look at each other and

825
00:35:04,200 --> 00:35:06,800
Speaker 2: Sean gets up quickly. I'm gonna call the restaurant. Sean

826
00:35:06,840 --> 00:35:08,960
Speaker 2: asks where they went, and Dana says, some Italian restaurant.

827
00:35:08,960 --> 00:35:11,120
Speaker 2: Sean flips through the Yellow Pages for Italian and looks

828
00:35:11,160 --> 00:35:12,160
Speaker 2: up at Dana, concerned.

829
00:35:12,560 --> 00:35:15,440
Speaker 4: There's more than one, more than one. Why couldn't they

830
00:35:15,480 --> 00:35:17,480
Speaker 4: have gone to Burgers because then it's only Chubby's.

831
00:35:17,640 --> 00:35:18,960
Speaker 1: Yeah, just go to Chevy's.

832
00:35:19,080 --> 00:35:22,000
Speaker 3: There's any other restaurant. Well, we've we've referred to a

833
00:35:22,040 --> 00:35:25,680
Speaker 3: couple fancy restaurants, right, Labujia, you remember it.

834
00:35:25,800 --> 00:35:28,240
Speaker 1: Labuja's where their seniors take their dates.

835
00:35:28,560 --> 00:35:29,040
Speaker 4: Uh huh.

836
00:35:29,080 --> 00:35:36,160
Speaker 1: And then there was that la because that's always like,

837
00:35:36,239 --> 00:35:39,280
Speaker 1: that's when they find that the matches and he's like, Labujia.

838
00:35:39,880 --> 00:35:41,759
Speaker 1: But was that the only one? No?

839
00:35:41,840 --> 00:35:43,480
Speaker 4: I thought there was another one, But maybe I'm wrong.

840
00:35:43,520 --> 00:35:44,359
Speaker 1: There's another one too.

841
00:35:44,880 --> 00:35:47,200
Speaker 2: Well. Turner and Susan then walk in, laughing, and Turner

842
00:35:47,200 --> 00:35:49,400
Speaker 2: asks if Sean and Dana stayed out of trouble. Sean

843
00:35:49,440 --> 00:35:51,840
Speaker 2: stomps over to Turner and says, we should be asking

844
00:35:51,840 --> 00:35:54,439
Speaker 2: you the same thing. He inspects Turner's face and chest.

845
00:35:54,560 --> 00:35:56,399
Speaker 2: Sean says he just checking to see if she left

846
00:35:56,400 --> 00:36:00,000
Speaker 2: any lipprints. Just getting a little going a little too far.

847
00:36:00,200 --> 00:36:00,719
Speaker 4: Maybe.

848
00:36:01,239 --> 00:36:04,120
Speaker 2: Dana questions Sean, who are you calling? She she happens

849
00:36:04,120 --> 00:36:06,560
Speaker 2: to be my mother, and Sean responds, well, she happens

850
00:36:06,560 --> 00:36:09,960
Speaker 2: to be seducing my buddy over here. Dana, now real mad,

851
00:36:10,000 --> 00:36:11,960
Speaker 2: tells her mom, I think we've been insulted enough.

852
00:36:12,080 --> 00:36:12,480
Speaker 4: Let's go.

853
00:36:12,960 --> 00:36:15,680
Speaker 2: Susan says, nobody's going anywhere. They have something to tell

854
00:36:15,719 --> 00:36:18,840
Speaker 2: Sean and Dana. Sean gasps and says, we're sisters.

855
00:36:21,800 --> 00:36:24,360
Speaker 3: Dumb show at least occasionally.

856
00:36:23,719 --> 00:36:26,880
Speaker 2: But it's great, it's so funny. Turner tells him, hold it,

857
00:36:26,920 --> 00:36:29,480
Speaker 2: hold it, Nobody is Nobody's sister. They all sit on

858
00:36:29,520 --> 00:36:30,719
Speaker 2: the couch and he.

859
00:36:30,800 --> 00:36:34,680
Speaker 1: Says, nobody's Nobody's sister, like all of a sudden, he's

860
00:36:34,680 --> 00:36:38,360
Speaker 1: from back right from New York, even though he's from Westport, Connecticut.

861
00:36:38,400 --> 00:36:42,360
Speaker 1: Nobody nobody, Nobody's sister.

862
00:36:45,480 --> 00:36:48,120
Speaker 2: They all sit on the couch and Susan tells the kids, look,

863
00:36:48,239 --> 00:36:50,920
Speaker 2: we had a great time tonight, and Turner adds, but

864
00:36:51,160 --> 00:36:53,480
Speaker 2: we decided it'd be too awkward for you guys, so

865
00:36:53,600 --> 00:36:56,759
Speaker 2: we won't see each other anymore. Dana is insulted and says,

866
00:36:56,760 --> 00:36:58,520
Speaker 2: what my mother isn't good enough for you, and she

867
00:36:58,600 --> 00:37:01,040
Speaker 2: storms away. Shawn's stands up and says to Susan, you

868
00:37:01,160 --> 00:37:04,120
Speaker 2: just never gave them a chance, and follows after Dana the.

869
00:37:04,320 --> 00:37:08,719
Speaker 1: Your read of her, the instant change you do when

870
00:37:08,760 --> 00:37:11,640
Speaker 1: you're like, you never gave her a chance, Dana. It

871
00:37:11,719 --> 00:37:13,040
Speaker 1: was so all the.

872
00:37:13,040 --> 00:37:14,640
Speaker 4: Perfect caring boyfriend.

873
00:37:15,600 --> 00:37:16,440
Speaker 1: So great.

874
00:37:16,719 --> 00:37:22,520
Speaker 2: Also, I love the perfect representation of just the volatility

875
00:37:22,520 --> 00:37:26,440
Speaker 2: of teenagers, so just they could be so passionate about

876
00:37:26,440 --> 00:37:27,120
Speaker 2: how wrong.

877
00:37:27,040 --> 00:37:29,800
Speaker 4: One thing is. The second switch, they just switch again.

878
00:37:29,920 --> 00:37:30,560
Speaker 4: It's so great.

879
00:37:30,600 --> 00:37:33,480
Speaker 3: It's a great story. Is it right? This is always

880
00:37:33,520 --> 00:37:35,000
Speaker 3: it is, It's just it.

881
00:37:36,360 --> 00:37:37,479
Speaker 4: Then we're back in the news station.

882
00:37:37,640 --> 00:37:40,080
Speaker 2: Eric is doing the weather saying, as blizzard Watch ninety

883
00:37:40,080 --> 00:37:43,239
Speaker 2: six continues, schools tomorrow are once again closed.

884
00:37:43,760 --> 00:37:47,040
Speaker 4: That takes me back, doesn't it. And then you say

885
00:37:47,040 --> 00:37:48,680
Speaker 4: it in the show, But it.

886
00:37:48,600 --> 00:37:49,120
Speaker 1: Does to me.

887
00:37:49,400 --> 00:37:50,560
Speaker 4: No, you don't.

888
00:37:51,760 --> 00:37:53,920
Speaker 1: Oh, when you are on the East Coast and you

889
00:37:53,960 --> 00:37:56,480
Speaker 1: are you're not watching TV, you are waiting in the morning,

890
00:37:56,600 --> 00:37:58,880
Speaker 1: you wake up and you're listening to the news and

891
00:37:58,920 --> 00:38:01,000
Speaker 1: they have to say all your things for snow days

892
00:38:01,040 --> 00:38:03,160
Speaker 1: and they always pause. They'd be like and the aphon

893
00:38:03,239 --> 00:38:07,680
Speaker 1: public schools are closed today, and it's like.

894
00:38:07,640 --> 00:38:09,439
Speaker 3: If your horses were sick, you couldn't take the horse

895
00:38:09,440 --> 00:38:10,320
Speaker 3: and buggy to school.

896
00:38:10,680 --> 00:38:14,880
Speaker 1: Exactly, you could we have to put the horse were

897
00:38:14,880 --> 00:38:19,279
Speaker 1: not almost here strikes exactly. You guys out here in

898
00:38:19,360 --> 00:38:24,080
Speaker 1: California doing your drugs and with your cults at you, yeah,

899
00:38:24,080 --> 00:38:26,600
Speaker 1: at your raves. Some of us just had to till

900
00:38:26,640 --> 00:38:29,680
Speaker 1: the farms and work for a living. My god, you

901
00:38:29,840 --> 00:38:30,839
Speaker 1: hippy bastards.

902
00:38:32,480 --> 00:38:37,279
Speaker 4: My gosh. Someone off screen hands him a note.

903
00:38:37,320 --> 00:38:39,560
Speaker 2: He continues, this just in we received a call from

904
00:38:39,600 --> 00:38:41,680
Speaker 2: Principal George Feeney, who said it's going to take more

905
00:38:41,719 --> 00:38:44,080
Speaker 2: than thirty two inches of snow to close down John

906
00:38:44,080 --> 00:38:47,600
Speaker 2: Adam's eigh And Eric, your report is still due. Happy

907
00:38:47,719 --> 00:38:52,000
Speaker 2: one hundredth birthday, mister Feenie. He smiles and crumples the paper.

908
00:38:52,080 --> 00:38:54,520
Speaker 2: Still on camera, Eric continues, let's take one last look

909
00:38:54,520 --> 00:38:56,280
Speaker 2: at the big map, shall we. Then the screen reads

910
00:38:56,320 --> 00:38:59,399
Speaker 2: Happy birthday, Eric, and the whole crew gathers around him,

911
00:38:59,560 --> 00:39:01,920
Speaker 2: wishing him a happy birthday, giving in balloons and a

912
00:39:01,960 --> 00:39:02,440
Speaker 2: giant cake.

913
00:39:02,920 --> 00:39:04,800
Speaker 3: And can we just say so far in this scene,

914
00:39:05,440 --> 00:39:09,640
Speaker 3: nobody else has spoken. Will you have carried You've gotten

915
00:39:09,800 --> 00:39:12,719
Speaker 3: like ten laughs, It's been like a minute and a

916
00:39:12,760 --> 00:39:17,120
Speaker 3: half and it's just you that's shining as just such

917
00:39:17,120 --> 00:39:20,560
Speaker 3: a good actor. Yeah, it's like and then it continues.

918
00:39:20,600 --> 00:39:23,000
Speaker 3: I mean everyone else is like they're around, but you are.

919
00:39:23,040 --> 00:39:25,800
Speaker 3: You are this entire scene. It's so good man.

920
00:39:25,719 --> 00:39:26,040
Speaker 1: It is.

921
00:39:26,239 --> 00:39:29,160
Speaker 3: I really wish they had kept I know, story wise,

922
00:39:29,239 --> 00:39:31,600
Speaker 3: you losing the job and everything is great for the story.

923
00:39:31,760 --> 00:39:34,080
Speaker 3: But this is a great sight for Eric, do you

924
00:39:34,120 --> 00:39:36,239
Speaker 3: know what I mean? The whole Like the fact that

925
00:39:36,400 --> 00:39:38,840
Speaker 3: Eric would like go into television and working in news

926
00:39:39,280 --> 00:39:40,120
Speaker 3: is a great thing.

927
00:39:40,400 --> 00:39:42,879
Speaker 1: It's obviously it actually could have kept it up where

928
00:39:42,920 --> 00:39:45,359
Speaker 1: it's like Eric just now studying to be a meteorologist.

929
00:39:45,960 --> 00:39:48,319
Speaker 1: You found what he wanted to do. Totally yep.

930
00:39:49,480 --> 00:39:52,600
Speaker 4: So cool. So Eric says, that's nice. Who told you?

931
00:39:52,680 --> 00:39:56,080
Speaker 2: And they all say in Unison, you you did. Eric

932
00:39:56,120 --> 00:39:58,879
Speaker 2: continues away, I'd just like to say thank you. These

933
00:39:58,960 --> 00:40:00,680
Speaker 2: last couple of days have been like a dream come

934
00:40:00,680 --> 00:40:02,759
Speaker 2: true to me. He looks at the camera and signs off,

935
00:40:03,080 --> 00:40:06,200
Speaker 2: I'll see you tomorrow Philadelphia. The camera's cut and Eric

936
00:40:06,239 --> 00:40:08,040
Speaker 2: reiterates it was such a nice thought for them to

937
00:40:08,080 --> 00:40:10,640
Speaker 2: do that for him on his birthday. Station manager Pat's

938
00:40:10,640 --> 00:40:12,840
Speaker 2: size and says, look, there's not a nice way to

939
00:40:12,840 --> 00:40:15,000
Speaker 2: tell you this, and I really appreciate you helping me out,

940
00:40:15,040 --> 00:40:17,440
Speaker 2: but I got a real weatherman coming down from Boston.

941
00:40:17,920 --> 00:40:21,879
Speaker 4: Pats gonna hurts you.

942
00:40:22,200 --> 00:40:24,799
Speaker 1: That's a knife in the gut, not a professional, not anything.

943
00:40:24,920 --> 00:40:26,600
Speaker 1: I got a real one coming in.

944
00:40:26,960 --> 00:40:30,000
Speaker 2: Pat continues to a totally shocked Eric. Come on, you're

945
00:40:30,000 --> 00:40:32,400
Speaker 2: a kid. You didn't expect me to just hand you

946
00:40:32,440 --> 00:40:35,080
Speaker 2: the job full time. Eric responds, No, no, I was

947
00:40:35,080 --> 00:40:37,000
Speaker 2: just having a lot of fun. Yeah, I guess it

948
00:40:37,040 --> 00:40:39,400
Speaker 2: was too good to be true. He continues, Hey, you know,

949
00:40:39,560 --> 00:40:41,360
Speaker 2: I love being an intern here, so I'll see tomorrow

950
00:40:41,520 --> 00:40:44,200
Speaker 2: right and early. Pat wonders, after being on the air,

951
00:40:44,239 --> 00:40:45,960
Speaker 2: you really think you can go back to being a gopher.

952
00:40:46,280 --> 00:40:48,040
Speaker 2: Eric says, I gotta do something. I mean, I'm not

953
00:40:48,080 --> 00:40:50,839
Speaker 2: in school anymore. Eric reveals he kind of dropped out,

954
00:40:51,040 --> 00:40:52,720
Speaker 2: you know, so he could give this one hundred percent.

955
00:40:53,040 --> 00:40:55,960
Speaker 4: Pat's surprised Eric. We've got a problem here.

956
00:40:56,200 --> 00:40:59,600
Speaker 2: This internship's only open to students, and Eric leads, no, no, Pat,

957
00:40:59,600 --> 00:41:00,480
Speaker 2: please don't do this to me.

958
00:41:00,520 --> 00:41:01,880
Speaker 4: I mean, you can't take this away from me. This

959
00:41:01,920 --> 00:41:03,719
Speaker 4: is all I have. I've got no place to go.

960
00:41:03,800 --> 00:41:05,120
Speaker 4: This whole thing, it's not fair.

961
00:41:05,600 --> 00:41:08,040
Speaker 2: Pat says, I'll tell you what after college, you give

962
00:41:08,080 --> 00:41:09,879
Speaker 2: me a call, I'll be happy to give you a job.

963
00:41:10,120 --> 00:41:13,120
Speaker 4: You're a good man. Your parents should be real proud.

964
00:41:13,080 --> 00:41:15,040
Speaker 3: Great And this scel is so good. He is so

965
00:41:15,320 --> 00:41:19,520
Speaker 3: great that acting to be able to deliver all of

966
00:41:19,560 --> 00:41:22,640
Speaker 3: these turns. There's like three turns in this conversation. Yeah,

967
00:41:22,719 --> 00:41:25,000
Speaker 3: and every single one of them, even though it's you know,

968
00:41:25,080 --> 00:41:30,200
Speaker 3: their big plot moments, is delivered with kindness and realism.

969
00:41:30,280 --> 00:41:33,480
Speaker 3: Like he's so relaxed, So he's not. It's just one

970
00:41:33,480 --> 00:41:35,239
Speaker 3: of those like this is like the hardest thing to

971
00:41:35,320 --> 00:41:38,000
Speaker 3: do as a guest. Starters come in, carry a scene, yep,

972
00:41:38,239 --> 00:41:41,879
Speaker 3: and just basically be there to set up your reactions.

973
00:41:42,200 --> 00:41:44,200
Speaker 3: And yet I believe that this is a real person

974
00:41:44,239 --> 00:41:46,479
Speaker 3: who really does this for a job great and feel

975
00:41:46,520 --> 00:41:48,520
Speaker 3: bad about it, but also can't do anything. It's like

976
00:41:48,600 --> 00:41:51,279
Speaker 3: yet all the layers are there and it's effortless. Think

977
00:41:51,960 --> 00:41:54,640
Speaker 3: one thing that nobody's talked about. How is nobody at

978
00:41:54,640 --> 00:42:01,479
Speaker 3: this point concerned about the well being of rich Herrera. Well,

979
00:42:01,520 --> 00:42:02,200
Speaker 3: I mean, think about it.

980
00:42:02,239 --> 00:42:04,160
Speaker 1: He couldn't make it in the first time, they think

981
00:42:04,200 --> 00:42:06,200
Speaker 1: because of the blizzard. But now Eric's been doing this

982
00:42:06,239 --> 00:42:09,719
Speaker 1: for several days. Where the hell is rich Herrera? And

983
00:42:09,760 --> 00:42:12,640
Speaker 1: why are there not people looking for him now? Is

984
00:42:12,680 --> 00:42:15,640
Speaker 1: what I'm curious about. So he had to bring in

985
00:42:15,680 --> 00:42:17,640
Speaker 1: somebody else. We have a I have a real weather

986
00:42:17,719 --> 00:42:20,239
Speaker 1: man coming in. Where, for the love of God is

987
00:42:20,320 --> 00:42:20,920
Speaker 1: rich Herrera?

988
00:42:21,520 --> 00:42:24,680
Speaker 4: I don't know. I think he's dead at this point.

989
00:42:24,840 --> 00:42:28,799
Speaker 1: Oh yeah, rich Rich. Oh we hardly knew ye.

990
00:42:30,320 --> 00:42:32,759
Speaker 4: Defeated. Eric walks back over to his cake. He tries

991
00:42:32,800 --> 00:42:33,840
Speaker 4: to cut himself a slice.

992
00:42:34,080 --> 00:42:35,719
Speaker 2: The cake is hard, he can't cut through it, so

993
00:42:35,760 --> 00:42:37,640
Speaker 2: he lifts it up and it says property of w

994
00:42:37,840 --> 00:42:38,320
Speaker 2: I x B.

995
00:42:38,520 --> 00:42:41,319
Speaker 4: Proper department, says Joe.

996
00:42:42,160 --> 00:42:44,439
Speaker 1: The funniest thing. So not to bring it back to Mash,

997
00:42:44,440 --> 00:42:48,760
Speaker 1: but I'm gonna there is a scene in Mash where

998
00:42:49,280 --> 00:42:51,759
Speaker 1: there's something similar where Radar has to make a cake.

999
00:42:51,760 --> 00:42:54,440
Speaker 1: It's a whole big story, but I watched it again

1000
00:42:54,960 --> 00:42:58,319
Speaker 1: like maybe six months ago, and he cuts he goes

1001
00:42:58,320 --> 00:42:59,920
Speaker 1: to cut into the cake. I'm like, oh, this is

1002
00:43:00,040 --> 00:43:01,640
Speaker 1: where it's fake, And it turns out to be the

1003
00:43:01,640 --> 00:43:03,480
Speaker 1: plastic and then he cuts into the cake. I'm like,

1004
00:43:03,520 --> 00:43:05,120
Speaker 1: what am I confusing that with?

1005
00:43:05,200 --> 00:43:09,120
Speaker 3: I thought you blended really your experience and boy meets

1006
00:43:09,080 --> 00:43:10,000
Speaker 3: whirled in with mash.

1007
00:43:10,000 --> 00:43:11,719
Speaker 1: I'm like, wait a minute, this is a fake cake.

1008
00:43:11,800 --> 00:43:14,120
Speaker 1: I remember this being a fake cake and it was

1009
00:43:14,160 --> 00:43:17,600
Speaker 1: from our show. It was like, oh man, it's Hilary perfect.

1010
00:43:17,960 --> 00:43:20,120
Speaker 1: It's a great writing beat, you know it is. It's

1011
00:43:20,160 --> 00:43:22,440
Speaker 1: something that like I teach all the time. It's like,

1012
00:43:23,040 --> 00:43:25,680
Speaker 1: if you can if you can make a story point

1013
00:43:26,080 --> 00:43:29,160
Speaker 1: a physical object, right, if you could make something like

1014
00:43:29,280 --> 00:43:31,279
Speaker 1: here's a story point. He's excited and then it turns

1015
00:43:31,280 --> 00:43:33,719
Speaker 1: out to be fake. You know, his his his whole

1016
00:43:33,760 --> 00:43:35,040
Speaker 1: birthday is just a sham.

1017
00:43:35,280 --> 00:43:37,760
Speaker 3: His whole thing. You know, like that that is great

1018
00:43:37,760 --> 00:43:41,359
Speaker 3: writing because it's objective. You're showing it, you're not telling it,

1019
00:43:41,480 --> 00:43:43,000
Speaker 3: but it tells the whole story.

1020
00:43:42,960 --> 00:43:43,160
Speaker 1: Yeah.

1021
00:43:43,200 --> 00:43:45,680
Speaker 2: The people who really love him are the people giving

1022
00:43:45,719 --> 00:43:48,200
Speaker 2: him the hard news he doesn't want that you need

1023
00:43:48,239 --> 00:43:50,840
Speaker 2: to be in school, and the people who he's wasted

1024
00:43:50,880 --> 00:43:56,240
Speaker 2: he's spending his time with are presenting false and fake perfect.

1025
00:43:56,320 --> 00:43:58,319
Speaker 3: It's story of delivery and one beat.

1026
00:43:58,480 --> 00:44:00,600
Speaker 4: Yep, it's it's excellent.

1027
00:44:12,719 --> 00:44:14,920
Speaker 2: So Alan walks into the station and Eric tells him,

1028
00:44:14,920 --> 00:44:16,480
Speaker 2: if you came here to fight some more, I just

1029
00:44:16,520 --> 00:44:18,840
Speaker 2: really don't have the strength. Alan cuts him off and

1030
00:44:18,840 --> 00:44:20,600
Speaker 2: tells him no, no, I just came to see how

1031
00:44:20,600 --> 00:44:23,120
Speaker 2: you're doing, see where you work. There's some awkward silence

1032
00:44:23,160 --> 00:44:25,759
Speaker 2: between them, so Alan continues, Wow, you know this place

1033
00:44:25,760 --> 00:44:28,239
Speaker 2: looks a lot bigger on TV, doesn't it? And we

1034
00:44:28,239 --> 00:44:29,560
Speaker 2: get another little meta joke.

1035
00:44:29,760 --> 00:44:32,360
Speaker 3: But also, did you guys get that every time somebody

1036
00:44:32,440 --> 00:44:33,280
Speaker 3: visited the set of Boys?

1037
00:44:33,320 --> 00:44:33,879
Speaker 4: That's what I'm saying.

1038
00:44:33,880 --> 00:44:36,520
Speaker 2: It's totally meta because that's all you hear when all

1039
00:44:36,560 --> 00:44:40,440
Speaker 2: you hear sets always look bigger on TV.

1040
00:44:40,880 --> 00:44:42,840
Speaker 4: And guess what, so do actors?

1041
00:44:43,120 --> 00:44:45,920
Speaker 1: Yes, exactly, we are all we are tall.

1042
00:44:45,920 --> 00:44:48,520
Speaker 2: So very short, and when you meet us in person,

1043
00:44:48,840 --> 00:44:51,920
Speaker 2: you will probably say, wow, you're so much shorter than

1044
00:44:51,920 --> 00:44:52,279
Speaker 2: I thought.

1045
00:44:52,600 --> 00:44:54,120
Speaker 4: We hear it all the time.

1046
00:44:54,400 --> 00:44:59,200
Speaker 2: Yes, and acting, Rusty's acting is just and it's just

1047
00:44:59,280 --> 00:45:02,879
Speaker 2: so good every time. Eric asks Alan what he's doing there,

1048
00:45:02,920 --> 00:45:05,239
Speaker 2: and Alan says, well, I came down here because well,

1049
00:45:05,400 --> 00:45:07,440
Speaker 2: I really blew it this morning, and I need to

1050
00:45:07,480 --> 00:45:10,120
Speaker 2: tell you something. And then Alan explains that after high

1051
00:45:10,160 --> 00:45:12,279
Speaker 2: school he never went to college. He went right into

1052
00:45:12,280 --> 00:45:14,920
Speaker 2: the navy, and Eric says he knew that. Alan tells him, well,

1053
00:45:14,960 --> 00:45:16,920
Speaker 2: what you didn't know is how angry my dad was.

1054
00:45:17,400 --> 00:45:20,360
Speaker 2: Eric asks, angry enough to not wish you a happy birthday,

1055
00:45:20,640 --> 00:45:23,840
Speaker 2: and Alan nods and tells Eric he deserves that. Alan

1056
00:45:23,880 --> 00:45:26,160
Speaker 2: continues talking about his father. He took out all his

1057
00:45:26,200 --> 00:45:28,680
Speaker 2: frustrations on me the way I did on you, and

1058
00:45:28,719 --> 00:45:31,239
Speaker 2: things were never the same between me and him after that. Look,

1059
00:45:31,440 --> 00:45:33,160
Speaker 2: I don't have to agree with what you did, but

1060
00:45:33,280 --> 00:45:35,440
Speaker 2: dropping out of school made life a lot harder for me,

1061
00:45:35,680 --> 00:45:37,480
Speaker 2: and that gives me no right to turn my back

1062
00:45:37,520 --> 00:45:42,239
Speaker 2: on you. You're my son always. Eric smiles, he knows that,

1063
00:45:42,640 --> 00:45:44,480
Speaker 2: Alan tells him, and I don't want to make the

1064
00:45:44,520 --> 00:45:47,279
Speaker 2: same mistake my father did. Eric agrees, neither do I.

1065
00:45:47,600 --> 00:45:50,239
Speaker 2: Alan sticks out his hand and says, happy birthday, son.

1066
00:45:50,719 --> 00:45:53,200
Speaker 2: Eric shakes his hand and hugs him and says happy

1067
00:45:53,200 --> 00:45:55,600
Speaker 2: birthday Dad. And Eric aasts and says, you know what

1068
00:45:55,640 --> 00:45:59,920
Speaker 2: I mean, and they have. That's beautiful, just beautiful.

1069
00:46:00,600 --> 00:46:05,520
Speaker 3: Yep, great, great, you know in mine we've said this

1070
00:46:05,600 --> 00:46:07,879
Speaker 3: a lot, but like great way in which boy Mean's

1071
00:46:07,880 --> 00:46:12,920
Speaker 3: world is a lesson, you know, a life lesson for kids,

1072
00:46:12,920 --> 00:46:15,480
Speaker 3: but also a life lesson for parents. Right, that you

1073
00:46:15,680 --> 00:46:18,480
Speaker 3: can be wrong and right at the same time, and

1074
00:46:18,520 --> 00:46:21,080
Speaker 3: that take responsibility for both of those things, and that

1075
00:46:21,120 --> 00:46:23,520
Speaker 3: the human relationships are a matter and that respecting one

1076
00:46:23,520 --> 00:46:26,160
Speaker 3: another even when you disagree, and even when you don't

1077
00:46:26,200 --> 00:46:28,320
Speaker 3: know what the right move to make as a parent,

1078
00:46:28,800 --> 00:46:31,640
Speaker 3: just admit that and and be you know, upfront with

1079
00:46:31,680 --> 00:46:34,759
Speaker 3: your kid, and hopefully you can maintain a relationship.

1080
00:46:35,000 --> 00:46:38,439
Speaker 2: I also like the blending of the a storyline from

1081
00:46:38,440 --> 00:46:42,640
Speaker 2: the previous episode where Turner tells Sean, don't just tell her,

1082
00:46:42,880 --> 00:46:45,920
Speaker 2: show her, and he shows her by doing a display

1083
00:46:45,920 --> 00:46:48,040
Speaker 2: with the picnic that he was listening to her. In

1084
00:46:48,120 --> 00:46:51,279
Speaker 2: this way, it's exactly the same thing. Alan didn't wait

1085
00:46:51,400 --> 00:46:53,440
Speaker 2: till Eric came home, and which would have been the

1086
00:46:53,480 --> 00:46:56,160
Speaker 2: easy way of saying like, hey, I'm wrong. He shows

1087
00:46:56,239 --> 00:46:59,680
Speaker 2: him by going to his work and saying, I want

1088
00:46:59,680 --> 00:47:01,319
Speaker 2: to see what you do here, and I have to

1089
00:47:01,360 --> 00:47:04,640
Speaker 2: tell you something. It's exactly like you said, a lesson

1090
00:47:04,640 --> 00:47:06,440
Speaker 2: for kids and also a lesson for.

1091
00:47:06,680 --> 00:47:08,640
Speaker 1: He also doesn't know what just happened to Eric, so

1092
00:47:08,680 --> 00:47:12,719
Speaker 1: as far as he knows, Eric is still gonna he's supporting,

1093
00:47:12,800 --> 00:47:14,920
Speaker 1: and he's supporting him doing this thing that he disagrees,

1094
00:47:14,920 --> 00:47:15,320
Speaker 1: and he's.

1095
00:47:15,239 --> 00:47:17,800
Speaker 3: Not saying you're right, you showed jump out of school.

1096
00:47:17,840 --> 00:47:20,440
Speaker 3: He's saying, you are going to do what you're going

1097
00:47:20,480 --> 00:47:22,720
Speaker 3: to do, and My job as a parent is to

1098
00:47:23,000 --> 00:47:25,880
Speaker 3: maintain a relationship with you and support you, give you

1099
00:47:25,960 --> 00:47:28,200
Speaker 3: my best advice, and then you're gonna have to live

1100
00:47:28,239 --> 00:47:29,719
Speaker 3: your own life. But I hope I get to be

1101
00:47:29,719 --> 00:47:31,280
Speaker 3: a part of it, which is beautiful.

1102
00:47:31,280 --> 00:47:32,920
Speaker 1: Well, that line, one of the most important lines that

1103
00:47:33,000 --> 00:47:35,640
Speaker 1: Rusty says, is and my relationship with my father was

1104
00:47:35,680 --> 00:47:37,799
Speaker 1: never the same after that. Yeah, so it's like, I'm

1105
00:47:37,800 --> 00:47:40,160
Speaker 1: not gonna let this happen because my dad and I

1106
00:47:40,160 --> 00:47:42,240
Speaker 1: still got along, but it was just it was different

1107
00:47:42,280 --> 00:47:44,120
Speaker 1: after this moment. That was awesome.

1108
00:47:44,160 --> 00:47:47,760
Speaker 2: It's great, so wonderful. And then we're in Phoenie's classroom.

1109
00:47:47,800 --> 00:47:50,520
Speaker 2: Eric walks in holding his essay. Phoene greets him, mister Matthews,

1110
00:47:50,520 --> 00:47:52,600
Speaker 2: you're pretty early for someone who's no longer a student,

1111
00:47:52,880 --> 00:47:54,760
Speaker 2: and Eric says, I thought about it all night actually

1112
00:47:54,760 --> 00:47:57,080
Speaker 2: while I was writing this, and he shows Phoenie's essay.

1113
00:47:57,239 --> 00:48:00,000
Speaker 2: Phoene says, your history paper, and Eric responds with, yeah,

1114
00:48:00,239 --> 00:48:03,279
Speaker 2: just how you wanted twenty thousand words on the Civil War?

1115
00:48:04,480 --> 00:48:07,640
Speaker 2: Phoene tells Eric, I said two thousand, and Eric responds

1116
00:48:07,680 --> 00:48:09,960
Speaker 2: with whoa And he rips off the first few pages

1117
00:48:09,960 --> 00:48:11,000
Speaker 2: and hands them to Foene.

1118
00:48:11,160 --> 00:48:11,759
Speaker 4: That should do it.

1119
00:48:11,880 --> 00:48:13,520
Speaker 1: That should do it, Phoenie.

1120
00:48:13,600 --> 00:48:21,280
Speaker 3: It is distracted by the giant carpet baggers scally wags. WHOA,

1121
00:48:21,360 --> 00:48:23,719
Speaker 3: I'm not sure what does scallow wags have to do

1122
00:48:23,840 --> 00:48:26,680
Speaker 3: with the I mean carpetbaggers. I know, but scalo wags?

1123
00:48:26,760 --> 00:48:30,960
Speaker 3: Is that a reference to a pirate thing? It's like

1124
00:48:31,000 --> 00:48:36,920
Speaker 3: a it's a word like rep scallion exactly. Yeah, but

1125
00:48:37,680 --> 00:48:39,800
Speaker 3: you know, yeah, we're not sure what the historical context

1126
00:48:39,880 --> 00:48:45,520
Speaker 3: with Civil War camp exactly when the pirates have I

1127
00:48:45,520 --> 00:48:48,240
Speaker 3: wanted to have words like just random words with exclamation

1128
00:48:48,360 --> 00:48:50,440
Speaker 3: points behind them all.

1129
00:48:50,360 --> 00:48:59,280
Speaker 2: The time, strofty britt, the counting crows concarnate so Phoene asks,

1130
00:48:59,320 --> 00:49:01,160
Speaker 2: you think it's that he walk in here, turn in

1131
00:49:01,200 --> 00:49:04,040
Speaker 2: your paper and all is forgotten. Eric pleads, mister Feenie, please,

1132
00:49:04,080 --> 00:49:05,719
Speaker 2: I just had my butt kicked out there in the

1133
00:49:05,719 --> 00:49:08,120
Speaker 2: real world. They fired me, and I need somebody to

1134
00:49:08,120 --> 00:49:10,839
Speaker 2: cut me some slack. Phoene questions, why would I cut

1135
00:49:10,840 --> 00:49:12,879
Speaker 2: you some slack? You got a job, you lost a job,

1136
00:49:12,960 --> 00:49:15,200
Speaker 2: so you go and find another one. Eric throws his

1137
00:49:15,239 --> 00:49:17,600
Speaker 2: hands up and asks, without a high school diploma, you know,

1138
00:49:17,640 --> 00:49:19,440
Speaker 2: mister Feenie, I don't know if you know this or not.

1139
00:49:19,600 --> 00:49:22,440
Speaker 2: It's really tough out there. Phoene says, well, perhaps you

1140
00:49:22,480 --> 00:49:25,759
Speaker 2: did learn something from that internship. He says, welcome back.

1141
00:49:26,040 --> 00:49:28,360
Speaker 2: Eric thanks him, and Phoene stops him. Don't hug me.

1142
00:49:30,239 --> 00:49:34,160
Speaker 3: Perfect always right on the line. Yeah, I mean this

1143
00:49:34,239 --> 00:49:36,080
Speaker 3: is the end scene, A boy be twirled like tell

1144
00:49:36,160 --> 00:49:39,240
Speaker 3: us who love us? I surely will not. Like, it's

1145
00:49:39,320 --> 00:49:42,560
Speaker 3: just the Feene boundary of like, I'm very heavily invested

1146
00:49:42,600 --> 00:49:45,480
Speaker 3: in your personal life, but I'm still in control and

1147
00:49:45,520 --> 00:49:46,800
Speaker 3: I'll get to set this boundary.

1148
00:49:47,120 --> 00:49:47,319
Speaker 1: Yeah.

1149
00:49:49,239 --> 00:49:52,399
Speaker 4: The bell rings and the students start flooding into the room.

1150
00:49:52,520 --> 00:49:54,000
Speaker 2: Eric goes to sit down in the back and then

1151
00:49:54,080 --> 00:49:56,080
Speaker 2: changes his mind, walking up to someone who's about to

1152
00:49:56,120 --> 00:49:58,000
Speaker 2: sit down in the front row, telling them poor kids.

1153
00:49:58,080 --> 00:50:03,320
Speaker 3: I know, aggressively, yo, bro, get back.

1154
00:50:05,120 --> 00:50:06,280
Speaker 1: Me. I was bigger.

1155
00:50:07,360 --> 00:50:09,840
Speaker 2: He sits right in front of Foenie and Phoene hands

1156
00:50:09,920 --> 00:50:11,600
Speaker 2: Eric the book he was going to use for class

1157
00:50:11,600 --> 00:50:13,120
Speaker 2: today because Eric doesn't have one.

1158
00:50:13,360 --> 00:50:14,399
Speaker 4: Phoenie announces to the.

1159
00:50:14,320 --> 00:50:16,800
Speaker 2: Class, I would like to shift gears slightly and discuss

1160
00:50:16,880 --> 00:50:20,040
Speaker 2: those traveling entrepreneurs. And we see Eric paying attention to

1161
00:50:20,080 --> 00:50:21,040
Speaker 2: Phoenie and this is.

1162
00:50:21,280 --> 00:50:26,840
Speaker 3: So amazing because there's no button there's no button. The

1163
00:50:26,920 --> 00:50:29,320
Speaker 3: point is Phoene's going to go right into a lecture

1164
00:50:29,440 --> 00:50:31,759
Speaker 3: and immediately the show is going to It's not going

1165
00:50:31,840 --> 00:50:34,239
Speaker 3: to be like I was waiting for him to say

1166
00:50:34,239 --> 00:50:36,560
Speaker 3: we're going to switch gears and to say something that

1167
00:50:36,640 --> 00:50:40,279
Speaker 3: relates to Eric's life lessoner, but no, school goes on,

1168
00:50:40,520 --> 00:50:43,279
Speaker 3: life goes on, and now it's Eric's job to come

1169
00:50:43,320 --> 00:50:47,160
Speaker 3: to meet Foena. Yes, ye, yeah, that is like and

1170
00:50:47,200 --> 00:50:49,960
Speaker 3: then just to leave it there. That's the show man.

1171
00:50:50,040 --> 00:50:52,520
Speaker 3: That is just unbelievable writing.

1172
00:50:52,880 --> 00:50:54,960
Speaker 1: So I thought I thought so too.

1173
00:50:55,239 --> 00:50:58,120
Speaker 2: Couldn't love it anymore. And then we're in Chubby's Sean

1174
00:50:58,200 --> 00:50:59,759
Speaker 2: and Daner are making out and he pulls the way

1175
00:50:59,760 --> 00:51:01,960
Speaker 2: to It's good to be like this again, isn't it.

1176
00:51:02,080 --> 00:51:04,480
Speaker 2: She smiles and says yeah, back at each other's lips

1177
00:51:04,480 --> 00:51:07,400
Speaker 2: instead of at each other's throats. Sean goes on, so,

1178
00:51:07,480 --> 00:51:09,800
Speaker 2: what if your mom wanted to date mister Turner probably

1179
00:51:09,800 --> 00:51:11,680
Speaker 2: never should have affected us. I think we kind of

1180
00:51:11,680 --> 00:51:14,440
Speaker 2: acted a little immature. Dana responds, two people should be

1181
00:51:14,520 --> 00:51:17,160
Speaker 2: free to date whoever they want. Sean agrees. He says

1182
00:51:17,200 --> 00:51:18,680
Speaker 2: we should just put this thing in the past and

1183
00:51:18,719 --> 00:51:21,399
Speaker 2: move on. Dana nods, and says, I know my mom does.

1184
00:51:21,680 --> 00:51:23,879
Speaker 2: Sean tells her, so does mister Turner. I mean he's

1185
00:51:23,880 --> 00:51:25,440
Speaker 2: supposed to me to date tonight at Chubby's.

1186
00:51:25,480 --> 00:51:27,040
Speaker 4: Isn't that great? Tana shocked.

1187
00:51:27,080 --> 00:51:29,400
Speaker 2: Staring into the distance, we see mister Turner on his

1188
00:51:29,480 --> 00:51:32,400
Speaker 2: date with another woman, and Dana says, oh my god, mister.

1189
00:51:32,200 --> 00:51:35,239
Speaker 4: Turner is hitting on my aunt. Sean responds, we're gonna

1190
00:51:35,280 --> 00:51:35,880
Speaker 4: be cousins.

1191
00:51:36,160 --> 00:51:37,520
Speaker 2: They look at each other and we cut to the

1192
00:51:37,520 --> 00:51:40,080
Speaker 2: front of Chubby's and we hear them screaming inside.

1193
00:51:42,760 --> 00:51:44,040
Speaker 3: I was waiting for it to go wider.

1194
00:51:44,200 --> 00:51:48,719
Speaker 1: Yeah, the Worry Universe. Yeah, she did correct, not aunt.

1195
00:51:48,760 --> 00:51:50,080
Speaker 4: I don't know. She may have said I am, and

1196
00:51:50,120 --> 00:51:51,880
Speaker 4: I just said aunt because I knew you were listening.

1197
00:51:52,120 --> 00:51:54,760
Speaker 3: Yeah, Larissa from the West Coast saying Aunt.

1198
00:51:54,920 --> 00:51:56,960
Speaker 4: No, No, I don't know. I'm just saying I don't know.

1199
00:51:57,080 --> 00:51:59,200
Speaker 4: I said aunt because I Will was gonna say. She

1200
00:51:59,280 --> 00:52:00,720
Speaker 4: probably did say quite wrong.

1201
00:52:01,080 --> 00:52:02,920
Speaker 2: I mean I didn't notice that she did something that

1202
00:52:02,960 --> 00:52:05,320
Speaker 2: she said it wrong, so she probably said I am. Yeah,

1203
00:52:05,360 --> 00:52:07,479
Speaker 2: and now I just decided to say it wrong for Will.

1204
00:52:07,600 --> 00:52:09,840
Speaker 2: But I think, yes, Will's right, it's got to be on.

1205
00:52:10,040 --> 00:52:10,759
Speaker 4: But we're wrong.

1206
00:52:11,000 --> 00:52:11,279
Speaker 3: Thank you.

1207
00:52:12,040 --> 00:52:14,000
Speaker 4: Anyway, another great episode. Really liked it.

1208
00:52:14,280 --> 00:52:16,200
Speaker 1: Yeah, me too. A couple of reason.

1209
00:52:18,120 --> 00:52:21,279
Speaker 3: Season three is picking took midway through season three and

1210
00:52:21,360 --> 00:52:22,120
Speaker 3: now we are just.

1211
00:52:22,440 --> 00:52:24,200
Speaker 4: Flying sailing right along.

1212
00:52:24,520 --> 00:52:27,600
Speaker 1: I hate to say this as kind of an overall note,

1213
00:52:27,920 --> 00:52:31,080
Speaker 1: and it's a wonderful thing for the ensemble, but the

1214
00:52:31,200 --> 00:52:34,640
Speaker 1: episodes are getting better when they're not solely focused on Corey.

1215
00:52:35,239 --> 00:52:37,640
Speaker 3: I think that's just because we're a little tired of

1216
00:52:37,680 --> 00:52:38,440
Speaker 3: the Cory topanga.

1217
00:52:39,400 --> 00:52:41,520
Speaker 1: I don't know, because no, but I also love the

1218
00:52:41,600 --> 00:52:44,239
Speaker 1: Cory that comes in and hits a blue fuzzy like

1219
00:52:44,320 --> 00:52:47,120
Speaker 1: hits jokes like that that are just so funny. He's

1220
00:52:47,160 --> 00:52:50,640
Speaker 1: that awkward kind of like, I don't know, it's Yeah,

1221
00:52:51,040 --> 00:52:53,319
Speaker 1: that's my favorite Corey by far, and we're seeing more

1222
00:52:53,400 --> 00:52:54,399
Speaker 1: of him, which I love.

1223
00:52:55,280 --> 00:52:56,359
Speaker 4: Agreed, yep.

1224
00:52:56,800 --> 00:52:59,920
Speaker 2: So our next episode will be season three episode seventeen,

1225
00:53:00,120 --> 00:53:03,720
Speaker 2: The Pink Flamingo Kid, which originally aired February sixteenth, nineteen

1226
00:53:03,800 --> 00:53:06,040
Speaker 2: ninety six. Thank you all for joining us for this

1227
00:53:06,080 --> 00:53:08,320
Speaker 2: episode of Podmeets World. You can follow us on Instagram

1228
00:53:08,360 --> 00:53:11,080
Speaker 2: pod Meets World Show. You can send us your emails

1229
00:53:11,120 --> 00:53:14,120
Speaker 2: podmeets Worldshow at gmail dot com, and we.

1230
00:53:14,080 --> 00:53:17,000
Speaker 1: Have merch Mister Strong do you have any idea how

1231
00:53:17,000 --> 00:53:17,920
Speaker 1: fast you were merching?

1232
00:53:20,640 --> 00:53:25,160
Speaker 4: No? No, I do not Well, send us out.

1233
00:53:25,600 --> 00:53:29,760
Speaker 1: We love you all, pod dismissed. Podmeets World is nheart

1234
00:53:29,760 --> 00:53:33,160
Speaker 1: podcast producer and hosted by Danielle Fischel, Wilfredell and Ryder

1235
00:53:33,200 --> 00:53:37,080
Speaker 1: Strong executive producers, Jensen Karp and Amy Sugarman, Executive in

1236
00:53:37,160 --> 00:53:41,880
Speaker 1: charge of production, Danielle Romo, producer and editor, Tara Sudbaksh producer,

1237
00:53:41,920 --> 00:53:45,160
Speaker 1: Maddy Moore, engineer and Boy Meets World super fan Easton Allen.

1238
00:53:45,360 --> 00:53:47,560
Speaker 1: Our theme song is by Kyle Morton of Typhoon and

1239
00:53:47,600 --> 00:53:50,040
Speaker 1: you can follow us on Instagram at Podmeets World Show

1240
00:53:50,280 --> 00:53:54,560
Speaker 1: or email us at Podmeets Worldshow at gmail dot com