WEBVTT - Our Father, The Sniper [bonus]

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<v Speaker 1>A lot of times when you hear about our story,

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<v Speaker 1>you don't really get what we went through or how

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<v Speaker 1>we were impacted by it. A lot of things that

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<v Speaker 1>were shown on TV was the negative, right because the

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<v Speaker 1>negative is definitely what sells, you know. But me and

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<v Speaker 1>my sister and my brother, there were no complaints with

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<v Speaker 1>our childhood. We had the best time of our lives.

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<v Speaker 1>When we lived in Washington State with our parents. We

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<v Speaker 1>got everything that we wanted. We were never without um stability,

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<v Speaker 1>emotional stability. We we have friends, we have family night.

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<v Speaker 1>My my mom. She would record so much home videos.

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<v Speaker 1>Even if we don't even remember, we have videos where

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<v Speaker 1>it shows that we had a great bond with each

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<v Speaker 1>other and that we were loved, We were comforted. He

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<v Speaker 1>was like great dad, goofy. There were silly times, and

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<v Speaker 1>even in the silly times, there was still loving it

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<v Speaker 1>and hope you know everything, beautiful lady An. I'm Tony

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<v Speaker 1>Harris on this bonus episode of Monster d C Sniper

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<v Speaker 1>my conversation with Selena and Taliba, the daughters of John

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<v Speaker 1>and Mildria Mohammed. Selena and Taliba both live in Maryland

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<v Speaker 1>outside d C. I spoke with him over zoom I

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<v Speaker 1>want to take a half a step back, and I'm

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<v Speaker 1>going to have each of you introduce yourself, right, I

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<v Speaker 1>want you to tell me your name, and then just

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<v Speaker 1>describe yourself and your own words. I'm Taliva. I would

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<v Speaker 1>say that I'm bubbily, I'm goofy, but also enjoy being

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<v Speaker 1>very stubborn and also um lively. I am Selena, and

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<v Speaker 1>I am very direct. What you see is what you get.

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<v Speaker 1>I am the type of person that does not like

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<v Speaker 1>to judge the other person, and it's very open to

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<v Speaker 1>helping anybody that I can. Selena and Taliba, along with

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<v Speaker 1>their older brother, John Jr. Were born in the early

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<v Speaker 1>nineties while their father was still serving in the army.

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<v Speaker 1>Selena is the middle child. She's now eight, Taliba is six.

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<v Speaker 1>They spent most of their early childhood in Washington State.

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<v Speaker 1>So I've got two kids that I I love, you know,

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<v Speaker 1>to the ends of the earth. And you know I'm

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<v Speaker 1>not with their mom, who is an amazing woman. Right.

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<v Speaker 1>I want to understand from your perspective how you would

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<v Speaker 1>describe life in the Williams slash Mohammed household growing up. Oh,

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<v Speaker 1>it was a ball. We had the time of our

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<v Speaker 1>lives when we were young. I mean like sight seeing

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<v Speaker 1>the carnival Um. It was great. Yeah. We also with

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<v Speaker 1>our neighborhood friends too. Don't let us snow we're having

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<v Speaker 1>snow fights or having we're building snowman. It was he was.

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<v Speaker 1>He was everything that you could picture a father to

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<v Speaker 1>be with. What are dad was to us. He was

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<v Speaker 1>not some monster. He was not anything that the media portrays.

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<v Speaker 1>He couldn't feel the load that he had for his

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<v Speaker 1>children when you saw him. Even when he was disciplining us,

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<v Speaker 1>it wasn't it wasn't negative towards uh, like the next

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<v Speaker 1>week or so like. He would counter it with positivity

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<v Speaker 1>and fun and just a lesson to be learned. They

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<v Speaker 1>never suspected anything was wrong in March of two thousand,

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<v Speaker 1>when John picked them up from their elementary school, drove

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<v Speaker 1>them to the airport and flew them to Antigua. Selena

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<v Speaker 1>was ten and Taliba was eight. They still don't feel

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<v Speaker 1>comfortable speaking publicly about this period of their life, about

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<v Speaker 1>what happened in Antigua or their relationship with Lee Boyd Malvo,

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<v Speaker 1>But in August two thousand one, authorities found them living

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<v Speaker 1>with their father and a homeless shelter in Bellingham, Washington.

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<v Speaker 1>They were then reunited with their mother, Mildred, who brought

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<v Speaker 1>them to Maryland, where they once again started a new life.

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<v Speaker 1>Despite this instability in their childhood, Selena and Taliba say

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<v Speaker 1>that most of the memories they had of their father

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<v Speaker 1>were positive. Mildred had sheltered them from John's frightening behaviors,

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<v Speaker 1>and they were too young to realize how unusual their

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<v Speaker 1>situation was. But the turbulence wasn't over. A little over

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<v Speaker 1>a year later, when Taliba was ten and Selena was twelve,

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<v Speaker 1>the d C sniper attacks began in Maryland. I remember

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<v Speaker 1>a time where I was walking home from school and

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<v Speaker 1>I was looking for the white box jut and I

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<v Speaker 1>was looking around and I just remember just booking it.

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<v Speaker 1>I just remember just taking off ning straight to home

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<v Speaker 1>because that scared t acting was also in us too,

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<v Speaker 1>and their lives were flipped upside down again when their

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<v Speaker 1>father and Lee Boyd Melville were arrested and named the

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<v Speaker 1>DC Snipers. When we found out that our dad was

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<v Speaker 1>the one that was gonna be named the sniper, and

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<v Speaker 1>we cried from the time FBI knock on our door

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<v Speaker 1>and told us to the time that they showed it

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<v Speaker 1>on the news. We were moving that entire time, like hours.

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<v Speaker 1>We were We packed stuff, we got in a car,

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<v Speaker 1>we got driven to a hotel. We had to figure

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<v Speaker 1>everything out. Taliba and Selena were shocked by their father's arrest,

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<v Speaker 1>but before they could even process the situation, their family

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<v Speaker 1>was thrust into the spotlight. We had to get put

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<v Speaker 1>out of school. Media was starting to show up at

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<v Speaker 1>our middle school and we couldn't get in the building.

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<v Speaker 1>So and just and just for our our safety, um,

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<v Speaker 1>and that time, thankfully, our principal at the time completely

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<v Speaker 1>understood and my mom, Um, I'm not too sure the interaction,

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<v Speaker 1>but they were it was a mutual understanding, quick understanding

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<v Speaker 1>of just taking us out. Eventually, reporters stopped showing up

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<v Speaker 1>to their middle school and the girls returned and trying

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<v Speaker 1>to get back to some sense of normalcy. Life at

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<v Speaker 1>that age can be challenging at the best of times,

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<v Speaker 1>let alone with your father as public enemy number one.

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<v Speaker 1>With our interactions in school during the time, we've lost

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<v Speaker 1>a lot of friends. There was a lot of um

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<v Speaker 1>speculations that we were gonna do what he did, or

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<v Speaker 1>we're going to finish the job, to finish the job,

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<v Speaker 1>or or um or we're gonna be a duo at it,

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<v Speaker 1>or you know, just extremely negative feedback that that we

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<v Speaker 1>don't need to hear at the end of the day.

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<v Speaker 1>But they didn't care because, you know, children will be

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<v Speaker 1>children and we were just in that age group. So

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<v Speaker 1>their mother, Mildred, said, she struggled to find a therapist

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<v Speaker 1>they could afford who wasn't just trying to cash in

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<v Speaker 1>on the publicity and sell the children's story to the press.

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<v Speaker 1>So Mildred went to the library and picked up a

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<v Speaker 1>book on counseling. She started helping the children herself. Selena

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<v Speaker 1>and to Leiva credit their mother with helping to get

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<v Speaker 1>them through that rough patch. One of her main tools

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<v Speaker 1>in her life is optimism, and that's what really helped

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<v Speaker 1>us in our healing. The fact that there is always

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<v Speaker 1>and no matter what type of negativity that comes up,

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<v Speaker 1>there's always a positive aspect that you're not thinking about,

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<v Speaker 1>that you're not focusing your mind on, and the sooner

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<v Speaker 1>you do, the better off you'll be serious no way

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<v Speaker 1>around that. So she was pivotal for our personal growth,

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<v Speaker 1>our emotional stability, our spiritual development. My mom is amazing

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<v Speaker 1>a lot of that appreciation for our mom is for

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<v Speaker 1>her pushing us to make sure that we don't get

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<v Speaker 1>swallowed up by the media, by negative energy that people

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<v Speaker 1>tell us, by other things that happened throughout our life

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<v Speaker 1>that could potentially be that last thing that an average

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<v Speaker 1>person would need to go through to say, you know what,

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<v Speaker 1>I'm over this life, like I'm just not gonna do

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<v Speaker 1>it anymore. We didn't have that opportunity, and because we

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<v Speaker 1>didn't have that opportunity, we only see up. We don't

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<v Speaker 1>see down, we don't see the past. We see up,

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<v Speaker 1>like how far can we go? Regardless of our situation,

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<v Speaker 1>Because regardless of the things that me, my sister, and

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<v Speaker 1>my brother have been through, there are a lot of

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<v Speaker 1>people out here who have gone through something much worse

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<v Speaker 1>or much less, and it is their choice, and it

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<v Speaker 1>is our choice to decide whether we want to let

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<v Speaker 1>this specific situation dictate and outline the rest of our life,

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<v Speaker 1>or do we want to address the situation, conquer all

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<v Speaker 1>of the feelings that we have, and develop that and

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<v Speaker 1>restructure that into doing something positive for our life, And

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<v Speaker 1>we choose positivity always. Have you thought about the question

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<v Speaker 1>of why you two clearly strong, clearly well spoken women.

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<v Speaker 1>Have you given any thought to why you too, as sisters,

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<v Speaker 1>as individuals have been placed in this story. Hm Um.

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<v Speaker 1>We are God fearing women period, and there is nothing

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<v Speaker 1>that we cannot handle or anything that is too big

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<v Speaker 1>for our lives. If we were not supposed to be

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<v Speaker 1>in the place that we were put in, God would

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<v Speaker 1>have never put us there, And it is that simple.

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<v Speaker 1>He would have never given our family the opportunity to

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<v Speaker 1>show him that we can come out of is stronger

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<v Speaker 1>than the way that we went in. So it was

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<v Speaker 1>not by coincidence. It was already written. We just didn't

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<v Speaker 1>know it. It was already written. All of our lives

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<v Speaker 1>are already written the way that they're supposed to be.

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<v Speaker 1>There is no questioning God. We've never questioned him before

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<v Speaker 1>and we're not going to start now that there There

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<v Speaker 1>is no why us, Why did you put us in

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<v Speaker 1>this situation? Because you have to understand that it's beyond us.

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<v Speaker 1>It is it's always beyond us. God saw us fit

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<v Speaker 1>to go through what he wanted us to go through,

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<v Speaker 1>to be better people, right to be stronger vessels, to

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<v Speaker 1>be better vessels, So why not use us? What are

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<v Speaker 1>we here for in the first place? If it's not

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<v Speaker 1>to be used by God. All right, I get all

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<v Speaker 1>of that, but there is no denying that you went

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<v Speaker 1>through some difficult days. And it feels to me that

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<v Speaker 1>in the moments that you're able to really communicate with

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<v Speaker 1>God higher power. One of the ways we generally do

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<v Speaker 1>that is we go through a really difficult patch and

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<v Speaker 1>we say something along the lines of God, I really

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<v Speaker 1>need you now. And I wonder about a day, a

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<v Speaker 1>moment that you think about in this journey that represents

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<v Speaker 1>a really difficult day, when you maybe say to God,

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<v Speaker 1>thank you for getting me through that. I would say

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<v Speaker 1>that those definitely do pop up in our heads, and

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<v Speaker 1>it will be wrong for me to say that they don't.

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<v Speaker 1>The night of the execution that pops up in my

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<v Speaker 1>head periodically and thinking on my future self, how he

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<v Speaker 1>he won't be walking me down the aisle, and how

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<v Speaker 1>he wasn't going to be able to see my prom dress,

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<v Speaker 1>how he wasn't a part of the goodbye team when

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<v Speaker 1>I went away to college. Those times pop up for

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<v Speaker 1>me periodically, so I am I am going to have

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<v Speaker 1>negative days where I'm just like Nope, I don't want

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<v Speaker 1>to talk to nobody, and and those those definitely do exist. Example,

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<v Speaker 1>his birthday or my birthday. As Selena and Taliba grew up,

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<v Speaker 1>they struggled and still struggled to reconcile the happy memories

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<v Speaker 1>of their father from childhood with the horrific crimes he committed.

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<v Speaker 1>Unlike their mother, Mildred, who was an adult at the

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<v Speaker 1>time and who had seen the start of John's descent,

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<v Speaker 1>Selena and Taliba had been separated from their father during

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<v Speaker 1>the period of childhood when most of us still idealize

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<v Speaker 1>our parents. So when they learned their father was the

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<v Speaker 1>d C Sniper, they were completely blindsided. When you're coming

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<v Speaker 1>from a position of being a child, right, when you're

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<v Speaker 1>coming from a position of being nine years old, and

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<v Speaker 1>all you've known is my dad adds this type of

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<v Speaker 1>way because I'm a child, that when you see him

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<v Speaker 1>on TV, it's like, well, my that's that's I don't

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<v Speaker 1>know what they're talking about, because my dad was consistent,

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<v Speaker 1>consistent in system of right and was doing all of

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<v Speaker 1>the things that he was supposed to be doing. They

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<v Speaker 1>don't try to justify or excuse their father's crimes, but

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<v Speaker 1>they do chafe against what they consider inaccurate portrayals of

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<v Speaker 1>their father in the media. We don't resent our father.

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<v Speaker 1>The way that he was portrayed on the news is

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<v Speaker 1>not the man that we grew up with, and for

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<v Speaker 1>us to resent him would mean that we would dismiss

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<v Speaker 1>our childhood with him, and that's not something that we're

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<v Speaker 1>willing to do or something that we want to do.

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<v Speaker 1>You know, there is a there is a media representation

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<v Speaker 1>of your your family story, right what is the narrative

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<v Speaker 1>first of all? And then for you too, what's the

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<v Speaker 1>most egregious part of that narrative? So I believe that

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<v Speaker 1>the narrative right now is the fact that he was

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<v Speaker 1>a monster, the fact that he didn't have a loving life.

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<v Speaker 1>You later, he didn't have any motive. He was just

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<v Speaker 1>shooting people. He just went crazy. It has nothing to

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<v Speaker 1>do with anything like that. My dad was smart and

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<v Speaker 1>the actions that he took. He knew what the outcomes

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<v Speaker 1>were going to be. Now, that does not necessarily say

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<v Speaker 1>that he is a monster, because he's not. These characteristics

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<v Speaker 1>that people have labeled my father to be are from

0:14:25.640 --> 0:14:29.920
<v Speaker 1>the outside looking in and not actually knowing who my

0:14:30.000 --> 0:14:32.920
<v Speaker 1>dad was and actually knowing the type of person that

0:14:33.000 --> 0:14:37.400
<v Speaker 1>he was. Selena's words echo to sentiment we heard from

0:14:37.440 --> 0:14:41.360
<v Speaker 1>criminologist Anthony Meoli that as a society, we want to

0:14:41.400 --> 0:14:44.960
<v Speaker 1>call these killers monsters. We want to separate them from

0:14:44.960 --> 0:14:48.240
<v Speaker 1>the rest of humanity. Just labeled them it's purely evil,

0:14:49.040 --> 0:14:53.880
<v Speaker 1>but the truth is often more complicated. Selena and Taliba

0:14:53.960 --> 0:14:57.520
<v Speaker 1>say that although their father was capable of these attacks,

0:14:57.560 --> 0:15:01.880
<v Speaker 1>capable of terrorizing their mother, he was also capable of

0:15:01.960 --> 0:15:04.720
<v Speaker 1>being a loving father. We want to be able to

0:15:04.800 --> 0:15:08.320
<v Speaker 1>shift the narrative to where we can express that our

0:15:08.400 --> 0:15:12.320
<v Speaker 1>dad wasn't amazing, that him as a man individually is

0:15:12.360 --> 0:15:16.600
<v Speaker 1>different than who we experienced. You know how in a

0:15:17.200 --> 0:15:20.760
<v Speaker 1>when you're going through a hard relationship with somebody or

0:15:20.800 --> 0:15:24.800
<v Speaker 1>a significant other and it's a it's just a bad time,

0:15:25.080 --> 0:15:26.840
<v Speaker 1>and all that you could think about is the bad,

0:15:27.400 --> 0:15:29.280
<v Speaker 1>how they're hurting me, why did they yell in a

0:15:29.360 --> 0:15:32.280
<v Speaker 1>certain way, or they didn't have to hang up like that? Right?

0:15:32.720 --> 0:15:35.080
<v Speaker 1>And then when all that is done, when you have

0:15:35.280 --> 0:15:38.280
<v Speaker 1>broken up or when you've separated, all you can think

0:15:38.280 --> 0:15:44.080
<v Speaker 1>about is the good. And I feel that is where

0:15:44.120 --> 0:15:47.800
<v Speaker 1>our thought process is not necessarily saying that we think

0:15:47.840 --> 0:15:51.720
<v Speaker 1>about the bad, but they're still good balance that we

0:15:51.800 --> 0:15:55.480
<v Speaker 1>can counter that with, because of our childhood, because of

0:15:55.520 --> 0:15:58.720
<v Speaker 1>our own experiences that we've had with him, So it

0:15:58.760 --> 0:16:00.400
<v Speaker 1>will be wrong to say that we don't miss him,

0:16:00.400 --> 0:16:04.040
<v Speaker 1>because we miss him so much. But at the same time,

0:16:04.240 --> 0:16:08.920
<v Speaker 1>we accept why he isn't here, we accept where we

0:16:08.960 --> 0:16:12.520
<v Speaker 1>are in that time, and it's a blessing that we

0:16:12.720 --> 0:16:17.560
<v Speaker 1>are so close as a family. My mom also instilled

0:16:17.560 --> 0:16:20.600
<v Speaker 1>in us to not feel like we are obligated to

0:16:21.520 --> 0:16:24.480
<v Speaker 1>give an apology for his actions, because his actions are

0:16:24.560 --> 0:16:29.520
<v Speaker 1>his actions. Um at the same time, we never stop

0:16:29.560 --> 0:16:32.359
<v Speaker 1>praying for the victims and the survivors and the families.

0:16:32.920 --> 0:16:36.400
<v Speaker 1>We have full empathy for everything that that has taken

0:16:36.400 --> 0:16:40.080
<v Speaker 1>place in that time, and we're not insensitive as far

0:16:40.200 --> 0:16:43.720
<v Speaker 1>as what their journey is now even after. But at

0:16:43.720 --> 0:16:46.840
<v Speaker 1>the same time, taking ownership that would not be appropriate.

0:16:47.680 --> 0:16:51.120
<v Speaker 1>What we can say that we will continue to pray

0:16:51.440 --> 0:16:55.000
<v Speaker 1>for the victims of the survivors and that they have

0:16:55.080 --> 0:17:12.199
<v Speaker 1>a special place in our hearts. For sure, Selena and

0:17:12.280 --> 0:17:15.800
<v Speaker 1>Taliba feel that they have been portrayed inaccurately by the

0:17:15.840 --> 0:17:19.480
<v Speaker 1>media as well, with coverage forgetting how young they were

0:17:19.520 --> 0:17:23.360
<v Speaker 1>when all this happened, or treating them like irreparably damaged

0:17:23.400 --> 0:17:27.960
<v Speaker 1>goods about of reshaping our narrative is to redefine who

0:17:28.000 --> 0:17:33.400
<v Speaker 1>his children was. There were so many unrealistic mindsets about

0:17:33.920 --> 0:17:38.000
<v Speaker 1>how we were coping through it, and by taking a

0:17:38.040 --> 0:17:43.080
<v Speaker 1>step back and understanding the time that it happened, and

0:17:43.119 --> 0:17:46.920
<v Speaker 1>then matching the ages and the mentality mentality in that

0:17:47.359 --> 0:17:51.560
<v Speaker 1>era and then saying, oh, okay, well, they were under

0:17:51.720 --> 0:17:54.199
<v Speaker 1>ten years old, so I kind of don't really know

0:17:54.240 --> 0:17:57.880
<v Speaker 1>a lot of what happened. So it's important that that's spoken,

0:17:58.040 --> 0:18:01.320
<v Speaker 1>that that that we were youth and at the same time,

0:18:01.320 --> 0:18:04.399
<v Speaker 1>my mom didn't shield anything away from us because she

0:18:04.480 --> 0:18:07.480
<v Speaker 1>wanted us to live a life of truth. We want

0:18:07.480 --> 0:18:12.480
<v Speaker 1>to shift that we are empowered, that were loved, that

0:18:12.560 --> 0:18:17.359
<v Speaker 1>we are stable, that we are okay, and that not

0:18:17.520 --> 0:18:20.879
<v Speaker 1>only are we okay, but we work hard. We don't

0:18:21.040 --> 0:18:27.040
<v Speaker 1>use that situation as an excuse for progression. We choose

0:18:27.040 --> 0:18:31.479
<v Speaker 1>to to not to make this the crutch for us

0:18:31.520 --> 0:18:33.960
<v Speaker 1>to not be better women. We don't use it for

0:18:34.000 --> 0:18:38.359
<v Speaker 1>anything outside of explaining our life story. And also it

0:18:38.400 --> 0:18:42.719
<v Speaker 1>helps us to be inspired musically. Throughout the whole ordeal,

0:18:43.200 --> 0:18:47.760
<v Speaker 1>Selena and Taliba found solace in music, listening to it,

0:18:48.200 --> 0:18:52.120
<v Speaker 1>performing it, even writing their own songs. What's helped us

0:18:52.280 --> 0:18:55.600
<v Speaker 1>is talking it out, writing it out, singing it out,

0:18:56.160 --> 0:19:00.720
<v Speaker 1>looking up songs that lyrically tie into those struggles. Those

0:19:00.760 --> 0:19:06.520
<v Speaker 1>songs and those lyrics help for our outlet. Music really

0:19:06.560 --> 0:19:10.400
<v Speaker 1>has helped us. When no human can say words, chords

0:19:10.440 --> 0:19:13.560
<v Speaker 1>can really do it, or instrument can really do it,

0:19:14.119 --> 0:19:19.000
<v Speaker 1>or Kenny G can really do it. You know, you

0:19:19.080 --> 0:19:22.879
<v Speaker 1>don't have to be verbally, can be non vocal. But

0:19:23.000 --> 0:19:26.920
<v Speaker 1>we wanted to change the narrative for ourselves musically. So

0:19:27.000 --> 0:19:31.080
<v Speaker 1>now let me ask this question. Tell me why you

0:19:31.119 --> 0:19:34.439
<v Speaker 1>wrote scramble. Did you write this or did I write this?

0:19:34.600 --> 0:19:41.800
<v Speaker 1>I wrote scramble. Make mistakes. I'm ben't making two. It's

0:19:41.800 --> 0:19:46.200
<v Speaker 1>a part of the game. But who's ready to lose web?

0:19:46.280 --> 0:19:55.760
<v Speaker 1>We're we're moving what we're doing. We gotta get back

0:19:55.760 --> 0:20:00.360
<v Speaker 1>to the first stage. But thanks for reading on the

0:20:00.400 --> 0:20:08.480
<v Speaker 1>first page. Well we're going, Hi, we're moving what we're doing.

0:20:10.080 --> 0:20:14.520
<v Speaker 1>When you push me back, I can't ignore. I'll be

0:20:14.480 --> 0:20:20.119
<v Speaker 1>relationship is on the floor. Poo's will then to pick

0:20:20.200 --> 0:20:28.040
<v Speaker 1>it up. I'm tooling. Thanks for you, so I take

0:20:28.080 --> 0:20:32.640
<v Speaker 1>care of you. Nothing never turn miss me with that

0:20:32.760 --> 0:20:38.280
<v Speaker 1>bullshit about you called your side one ain't stupid. I'm

0:20:38.320 --> 0:20:45.240
<v Speaker 1>taking out my gun. Okay, So we have this thing

0:20:45.480 --> 0:20:49.040
<v Speaker 1>where Talibo will start us all and then like a

0:20:49.119 --> 0:20:51.399
<v Speaker 1>week later she'll call me and she'll say, can you

0:20:51.440 --> 0:20:55.160
<v Speaker 1>help me write the second birse? So I'm like, well,

0:20:55.160 --> 0:20:57.119
<v Speaker 1>what did you have in the first place? And so

0:20:57.240 --> 0:20:59.119
<v Speaker 1>she'll sing it and I'm like, all right, give me

0:20:59.200 --> 0:21:02.879
<v Speaker 1>like five minutes figure nothing out. Where my head was.

0:21:03.000 --> 0:21:05.959
<v Speaker 1>I was in a relationship and it was very confusing

0:21:06.400 --> 0:21:09.359
<v Speaker 1>as far as his intentions and where I wanted it

0:21:09.400 --> 0:21:12.919
<v Speaker 1>to go, and I just was fed up. So I

0:21:12.960 --> 0:21:15.560
<v Speaker 1>got those lyrics out. I journal. I wanted to be

0:21:15.640 --> 0:21:20.040
<v Speaker 1>able to confront those emotions head on. I also think

0:21:20.080 --> 0:21:23.040
<v Speaker 1>that the song gives the listener of the opportunity to

0:21:23.080 --> 0:21:25.960
<v Speaker 1>not be afraid to ask those questions where are we going?

0:21:26.080 --> 0:21:28.399
<v Speaker 1>What are we doing? Those There are questions that a

0:21:28.440 --> 0:21:30.359
<v Speaker 1>lot of people shy away from because they don't want

0:21:30.400 --> 0:21:34.000
<v Speaker 1>to hear the answer, And so Scramble was made for

0:21:34.160 --> 0:21:38.640
<v Speaker 1>the listener to put your pants on, evaluate your situation

0:21:39.200 --> 0:21:42.560
<v Speaker 1>and actually questions, because if you don't, then you're gonna

0:21:42.600 --> 0:21:44.680
<v Speaker 1>be step in our relationship where you're not happy. And

0:21:45.119 --> 0:21:49.200
<v Speaker 1>this life you only get to live at once, and

0:21:49.280 --> 0:21:52.560
<v Speaker 1>you don't want to waste five, ten, fifteen, years of

0:21:52.600 --> 0:21:56.400
<v Speaker 1>your life in a marriage, in a relationship is not healthy,

0:21:56.480 --> 0:22:00.399
<v Speaker 1>you know. So that's how Scramble came to the world.

0:22:01.480 --> 0:22:11.639
<v Speaker 1>What we do, We gotta get back to the first

0:22:10.359 --> 0:22:25.520
<v Speaker 1>but the first path. But Scramble has darker undertones as well,

0:22:26.400 --> 0:22:29.200
<v Speaker 1>like its reference to an affair and getting a gun.

0:22:29.640 --> 0:22:34.400
<v Speaker 1>So the verse escalated from the observation to me being

0:22:34.400 --> 0:22:37.960
<v Speaker 1>completely fed up. So now I'm violent like the air

0:22:38.160 --> 0:22:42.560
<v Speaker 1>level their level. But that's real because in real relationships,

0:22:42.600 --> 0:22:46.000
<v Speaker 1>in those defining moments, in those relationships, your mind can

0:22:46.040 --> 0:22:49.600
<v Speaker 1>get there, your mind can scramble in that way. It's

0:22:49.600 --> 0:22:52.960
<v Speaker 1>easy to imagine how their family story has influenced the

0:22:53.000 --> 0:22:57.000
<v Speaker 1>song's themes, with its lyrics about how love can scramble

0:22:57.080 --> 0:23:00.359
<v Speaker 1>our brain and even make us violent, and about the

0:23:00.359 --> 0:23:04.320
<v Speaker 1>fear of getting stuck in an unhappy and unhealthy relationship

0:23:04.480 --> 0:23:07.840
<v Speaker 1>for years. Tell me about when you had to decide

0:23:07.880 --> 0:23:11.800
<v Speaker 1>how much of your journey together you were willing to

0:23:11.840 --> 0:23:15.800
<v Speaker 1>share in your music. It's a very good question for

0:23:15.920 --> 0:23:18.160
<v Speaker 1>me and my sister. The things that we've been through

0:23:18.200 --> 0:23:20.520
<v Speaker 1>and the things that we've gone through have shaped the

0:23:20.560 --> 0:23:23.160
<v Speaker 1>way that we see the world. But we are still

0:23:23.240 --> 0:23:26.720
<v Speaker 1>picking and choosing what we want to put into our music.

0:23:27.160 --> 0:23:29.960
<v Speaker 1>It's a lot of emotions and a lot of time

0:23:30.680 --> 0:23:34.120
<v Speaker 1>and a lot of thinking that we put into our

0:23:34.119 --> 0:23:37.040
<v Speaker 1>songwriting when it comes to the things that we've been through.

0:23:37.640 --> 0:23:41.920
<v Speaker 1>When did this desire to play to sing? When did

0:23:42.160 --> 0:23:44.359
<v Speaker 1>music become a part of your life? It became a

0:23:44.400 --> 0:23:47.280
<v Speaker 1>part of our lives when we were little, um, when

0:23:47.440 --> 0:23:51.199
<v Speaker 1>like six seven, mom heard something in us and we

0:23:51.320 --> 0:23:53.800
<v Speaker 1>always found it to be a hobby. But she's like,

0:23:54.000 --> 0:23:57.840
<v Speaker 1>not a hobby. So she just plugged us in two

0:23:58.280 --> 0:24:01.680
<v Speaker 1>choirs and then the choir directors were like, they can

0:24:01.720 --> 0:24:05.520
<v Speaker 1>take this seriously. Then plugged us into perform at art schools.

0:24:05.560 --> 0:24:09.000
<v Speaker 1>That's where we both went, and then just transitioned from

0:24:09.040 --> 0:24:12.800
<v Speaker 1>there to gaining scholarships to take it to college, so

0:24:13.200 --> 0:24:18.640
<v Speaker 1>we have degrees and voice performance. You mentioned that your

0:24:18.720 --> 0:24:22.840
<v Speaker 1>mom at some point said it's not hobby, right, it's

0:24:22.840 --> 0:24:28.480
<v Speaker 1>a thing, It's not hobby. So I guess what does

0:24:28.600 --> 0:24:33.240
<v Speaker 1>that say about your mom? What kind of a person

0:24:33.840 --> 0:24:37.480
<v Speaker 1>is your mom? How do you destroy her? I wish

0:24:37.480 --> 0:24:40.320
<v Speaker 1>folks could see the video right now, and we're recording

0:24:40.320 --> 0:24:42.040
<v Speaker 1>as we're a podcast, but I wish they could see

0:24:42.040 --> 0:24:46.040
<v Speaker 1>your faces and how broad these smiles are. To the beast,

0:24:46.200 --> 0:24:53.640
<v Speaker 1>that beautiful stallion spirit. She's a beast. She she goes

0:24:53.680 --> 0:24:57.320
<v Speaker 1>above and beyond for her children, which brings tears to

0:24:57.480 --> 0:25:01.320
<v Speaker 1>my eyes. But we're just gonna We're gonna keep pushing

0:25:01.440 --> 0:25:07.439
<v Speaker 1>through my mom um. My mom is amazing and and

0:25:07.600 --> 0:25:10.240
<v Speaker 1>she is a role model to how I want to

0:25:10.280 --> 0:25:13.919
<v Speaker 1>be as a woman and a mother. She has turned

0:25:13.920 --> 0:25:19.000
<v Speaker 1>out so many opportunities. She's she's made extra time to

0:25:19.080 --> 0:25:22.600
<v Speaker 1>where that we are all individually okay, and then collectively.

0:25:23.240 --> 0:25:27.200
<v Speaker 1>She's a one. She's never stopped. She's just never stopped.

0:25:27.200 --> 0:25:29.919
<v Speaker 1>She never stopped. So it's it's a blessing. It's a

0:25:29.920 --> 0:25:33.480
<v Speaker 1>blessing every single day that we still have her and

0:25:33.600 --> 0:25:52.400
<v Speaker 1>that we can embrace her. Now in their late twenties,

0:25:53.080 --> 0:25:55.800
<v Speaker 1>Selena and Taliba have had some time to look back

0:25:56.000 --> 0:25:59.840
<v Speaker 1>and reflect on their experience. Although this is a part

0:25:59.880 --> 0:26:03.720
<v Speaker 1>of our story, this is not our story, and it's

0:26:03.760 --> 0:26:07.159
<v Speaker 1>important that there are other purposes, there are other stories

0:26:07.200 --> 0:26:09.600
<v Speaker 1>that we will be a part of. This was just

0:26:09.720 --> 0:26:13.359
<v Speaker 1>one that started off the endless of the stories that

0:26:13.400 --> 0:26:16.359
<v Speaker 1>are going to come in the future, So it's imperative

0:26:16.440 --> 0:26:20.399
<v Speaker 1>that we keep pushing forward and reflect of course too,

0:26:20.440 --> 0:26:23.240
<v Speaker 1>because there was so much going on while we were

0:26:23.240 --> 0:26:26.120
<v Speaker 1>still in school, while we were still trying to establish

0:26:26.680 --> 0:26:30.760
<v Speaker 1>friendships and maintain our grades at the same time, it

0:26:30.880 --> 0:26:33.960
<v Speaker 1>was a lot trusting in the unknown. It's really hard.

0:26:34.680 --> 0:26:37.639
<v Speaker 1>And UM, in that time, it was a lot of confusion.

0:26:37.720 --> 0:26:40.560
<v Speaker 1>It was a lot of tension and anxiety. But I

0:26:40.600 --> 0:26:44.439
<v Speaker 1>would tell my younger self to not be afraid of

0:26:44.600 --> 0:26:47.720
<v Speaker 1>where my life is going to go. This is not

0:26:47.800 --> 0:26:52.439
<v Speaker 1>the end, this is only the beginning. This is only

0:26:52.680 --> 0:26:57.200
<v Speaker 1>um what's going to make us stronger. And also UM,

0:26:57.320 --> 0:26:59.879
<v Speaker 1>I would tell my younger self to lean all my

0:27:00.000 --> 0:27:03.560
<v Speaker 1>sister a little more before college. We were we were

0:27:03.680 --> 0:27:07.560
<v Speaker 1>at differences, so I would say Selena her more. Like

0:27:07.640 --> 0:27:12.400
<v Speaker 1>many siblings, the two sisters fought as children, but discovered

0:27:12.400 --> 0:27:16.080
<v Speaker 1>a close bond later in life. In their case, when

0:27:16.080 --> 0:27:19.080
<v Speaker 1>they were both going to college in Cleveland. I was

0:27:19.160 --> 0:27:21.840
<v Speaker 1>fortunate enough to have my sister thirty minutes away from me,

0:27:22.560 --> 0:27:26.160
<v Speaker 1>and I was going through so much and just trying

0:27:26.160 --> 0:27:29.400
<v Speaker 1>to figure out what am I doing and how how

0:27:29.440 --> 0:27:33.720
<v Speaker 1>can I operate in the city alone. And I was

0:27:34.280 --> 0:27:39.880
<v Speaker 1>crying and being my dramatic self as I am. And

0:27:39.960 --> 0:27:43.440
<v Speaker 1>she's very compassionate, and that's one thing that I really

0:27:43.480 --> 0:27:47.840
<v Speaker 1>love about our sisterhood, specifically Selena is because I can

0:27:47.880 --> 0:27:50.480
<v Speaker 1>be so in my head, especially in that time where

0:27:50.560 --> 0:27:53.080
<v Speaker 1>I didn't know what I was doing, and she would

0:27:53.160 --> 0:27:55.600
<v Speaker 1>know when it's time to give me tough love, and

0:27:55.640 --> 0:27:58.560
<v Speaker 1>she would know when it's time for me to just vent,

0:27:58.640 --> 0:28:01.560
<v Speaker 1>and she doesn't have to say anything because I'm that dramatic,

0:28:02.200 --> 0:28:06.800
<v Speaker 1>and she just knows those different switches for when it's

0:28:06.840 --> 0:28:08.600
<v Speaker 1>time to be a sister, when it's time to be

0:28:08.600 --> 0:28:11.919
<v Speaker 1>a friend, when it's time to be a music partner,

0:28:12.280 --> 0:28:15.800
<v Speaker 1>when it's time to be my second mom, especially with

0:28:15.920 --> 0:28:18.440
<v Speaker 1>me being the youngest, so that that that also is

0:28:18.480 --> 0:28:29.520
<v Speaker 1>a very important element and sister YouTube your sisterhood. I

0:28:29.600 --> 0:28:35.920
<v Speaker 1>can't even imagine the levels at which you connect as

0:28:35.960 --> 0:28:42.120
<v Speaker 1>sisters who have shared an incomprehensible journey together. I really

0:28:42.160 --> 0:28:47.920
<v Speaker 1>appreciate you respecting our boundaries and really appreciating where we

0:28:47.960 --> 0:28:51.640
<v Speaker 1>are now and taking that time and giving us this

0:28:51.840 --> 0:28:55.320
<v Speaker 1>platform to to just have a conversation about it and

0:28:55.400 --> 0:29:00.480
<v Speaker 1>to give us the opportunity to just speak the way

0:29:00.520 --> 0:29:04.880
<v Speaker 1>that we want to with freedom, with freedom, and even

0:29:04.920 --> 0:29:07.959
<v Speaker 1>if we don't feel like talking about something that you

0:29:08.000 --> 0:29:10.920
<v Speaker 1>guys don't shun us, right that it's like, Okay, it's fine,

0:29:10.920 --> 0:29:14.160
<v Speaker 1>we do move on. That's something that a lot of

0:29:14.200 --> 0:29:18.120
<v Speaker 1>people that record shows don't have or don't give UM

0:29:18.520 --> 0:29:21.040
<v Speaker 1>because because they always have it they do. It's a

0:29:21.400 --> 0:29:24.440
<v Speaker 1>if they give it or not. And so we want

0:29:24.480 --> 0:29:26.240
<v Speaker 1>to take this time out to say thank you guys

0:29:26.320 --> 0:29:29.960
<v Speaker 1>for UM including us in this special and for giving

0:29:30.040 --> 0:29:36.920
<v Speaker 1>us this platform to speak. That's it for this bonus episode.

0:29:37.840 --> 0:29:40.920
<v Speaker 1>I wanted to text Mildred immediately after the interview to

0:29:41.040 --> 0:29:43.680
<v Speaker 1>tell her how much I enjoyed my conversation with her daughters,

0:29:44.480 --> 0:29:47.120
<v Speaker 1>but I gave myself a data process everything i'd heard.

0:29:47.920 --> 0:29:52.120
<v Speaker 1>Taliba and Selena are both sides of the Mildred Mohammed coin.

0:29:52.680 --> 0:29:57.000
<v Speaker 1>Taliba reflects Mildred's easy smile and sense of humor. Selena

0:29:57.080 --> 0:30:02.520
<v Speaker 1>reflects Mildred's toughness and sheer strang Together, these two women

0:30:02.560 --> 0:30:06.360
<v Speaker 1>have a lot to say about overcoming life's difficulties, and

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<v Speaker 1>through their music, they demonstrate the importance of finding a

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<v Speaker 1>way to express yourself and exactly the way you want

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<v Speaker 1>to do it. Judgment be damned. When I finally texted Mildred,

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<v Speaker 1>I wrote, Wow, your girls are amazing. She responded with yes,

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<v Speaker 1>they are Thank you. If you'd like to hear more

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<v Speaker 1>of Selena and Taliba's music, search for two music that's

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<v Speaker 1>t O and then music. The songs Scramble that we

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<v Speaker 1>played in this episode is from their two thousand eighteen

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<v Speaker 1>album To Who, Thanks for listening.