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Speaker 1: Bro, if I had that what you had doing them stories, man,

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Speaker 1: I probably man, I don't even care if it yo

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Speaker 1: them entertaining these sort of true I know I should

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Speaker 1: be signing like last suit, how it up?

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Speaker 2: Yardist is Joe cracked at Dawn? It's your boy, Jada.

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Speaker 3: You know what it is that Joe and jadas show

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Speaker 3: every show legendary, every show iconic, and we haven't failed

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Speaker 3: you yet, and we will never fail you or never

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Speaker 3: let you. Band Ladies and gentlemen, please make some noise

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Speaker 3: today for our brother.

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Speaker 2: You know what I mean.

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Speaker 3: D m v's home e m V zone, heavy in

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Speaker 3: the sports, heavy in the sneakers.

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Speaker 4: He makes it.

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Speaker 3: He had features with some of the most incredible people

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Speaker 3: I'm asking.

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Speaker 4: Him about in a minute. You know what I mean.

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Speaker 3: He gets on his ship every now and then. You

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Speaker 3: might get a red, you might get what. You're always

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Speaker 3: gonna see him, You're always gonna hear him. He's always lived,

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Speaker 3: he's always relevant. Lazy gentlemen, makes some noise, Bob brother

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Speaker 3: wild laugh.

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Speaker 2: How do you like that?

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Speaker 4: I love that, no doubt.

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Speaker 2: You know. DNV is a very spiritual place for me.

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Speaker 2: You know what I'm saying. In my whole career.

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Speaker 4: You know church down there line, but B E.

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Speaker 1: T was in I got a crazy DZ lets I

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Speaker 1: started Howard University. How can I be downs and all

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Speaker 1: that shit over there. BT was based out of uh DMV,

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Speaker 1: so I would say him trained down there to do

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Speaker 1: all teams everything. The whole BT was in fucking DC,

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Speaker 1: So you had to go to d C. And we

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Speaker 1: was out there so much because they threw all events

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Speaker 1: out there that I learned so much about d m

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Speaker 1: V coaching.

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Speaker 2: Man, But what's uping lay man?

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Speaker 4: Man?

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Speaker 2: Were happy to have you here, brother, It's good to

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Speaker 2: be here.

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Speaker 1: You know, it's sur real because it's like you know,

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Speaker 1: probably here that's all time. A lot of grew up

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Speaker 1: listening to me, like now we like by the answer

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Speaker 1: questions by y'all, Like that's a.

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Speaker 4: Little step on the convoy.

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Speaker 1: He might have crazy yeah, but yeah, I mean it

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Speaker 1: kind of dropped some seeds about some things. He's going

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Speaker 1: to come as. That's more than the convo. But my

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Speaker 1: thing is, you know I woke up this morning. My

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Speaker 1: outfit wasn't so premeditated. Well, my young boy, you or

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Speaker 1: folk five hit me up and say, you know why

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Speaker 1: they coming? I said, I know he said, well, you

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Speaker 1: gotta throw something on your feet crazy, and I said,

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Speaker 1: you know why they I don't think he going to

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Speaker 1: I don't think we're doing that. But I went and

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Speaker 1: premeditated the outfit that brought out the TSH. It's about

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Speaker 1: twenty something years old. Just for the culture, you know

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Speaker 1: what I'm saying, Because we salute you so much as

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Speaker 1: a sneaky giant? What got you went to sneak is?

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Speaker 1: And are you still currently? Do you have the passion

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Speaker 1: for the sneaky game?

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Speaker 4: Uh?

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Speaker 1: I think just culture, like all of us, wherever you're from.

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Speaker 1: If he was black, he was on sneakers, like you

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Speaker 1: know what I'm saying. And we didn't really have money

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Speaker 1: until I was like maybe like in high school and

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Speaker 1: when I started working, I just started collecting and collecting,

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Speaker 1: and then you know, I go, like any other hobbies

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Speaker 1: collect and as far as now, I don't.

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Speaker 2: Really got a pass like like like I used to.

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Speaker 1: Like it's a little bit like stepped throwing, like the

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Speaker 1: whole ship burnt out from real like it's just everything. Nah,

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Speaker 1: but they make it some good designs, but it's not

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Speaker 1: so like I'm on the whole, like I get clearance

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Speaker 1: rack ship and just pop it off like these is

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Speaker 1: on Clarence. Like remember these jumps came out on something.

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Speaker 1: I'm on it like that, I wear it without. I

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Speaker 1: like that.

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Speaker 2: I like that.

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Speaker 1: I like like what I'm saying, and I still got joints.

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Speaker 1: Like but I like where the Reggie Miller is. Everybody

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Speaker 1: on dunks now like we was doing that, were doing that,

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Speaker 1: you know what I'm saying. So I'm on, I'm on

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Speaker 1: hoop shoes wherever. I want one more question before my

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Speaker 1: business partner takes off with the intelligent question. This is

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Speaker 1: the wise and telling the god wise intelligence.

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Speaker 2: O't be here hat and know the re Republic. But

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Speaker 2: check this shit out. Man sad Day yesterday and V's

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Speaker 2: on DiAngelo? Did you know him? What he mean to

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Speaker 2: you coming out of the d n V.

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Speaker 1: You know what I'm saying, No, that's more Southern Virginia,

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Speaker 1: but you know it didn't be none of the less.

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Speaker 1: But I just think what he meant to hip hop,

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Speaker 1: the Voodoo sound is like a lot of go go

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Speaker 1: bands was inspired by that album, you know what I'm saying,

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Speaker 1: Like a lot of people like you know what I'm saying.

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Speaker 1: He just represented a certain type of uh, black Man

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Speaker 1: like like, you know what I'm saying in that era,

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Speaker 1: like you feel me Like I came out with that

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Speaker 1: six pack losing weight. I lost two fat joes, Yo.

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Speaker 4: Said, yo, I.

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Speaker 1: Gotta get it shape. Listen that it was unreal right

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Speaker 1: that the motherfucker.

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Speaker 2: You fat Joe.

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Speaker 4: I mean he was left at the lot.

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Speaker 2: I got one left. It was three, fat Joe. I'm

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Speaker 2: telling y'all.

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Speaker 1: But DiAngelo man, shout out to cool and Dre, your

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Speaker 1: our brother Drey d that's his favorite.

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Speaker 2: He was fucked up yesterday. He was.

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Speaker 1: He was so sad. You know, everybody got their favorite.

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Speaker 1: Oh the Angela, Oh no, that's it. That's there's nobody

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Speaker 1: better the Angelo for Dre.

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Speaker 2: Yesterday I was talking to him and I seen him

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Speaker 2: fucked up in the face. I was like, yo, Dre,

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Speaker 2: I'm on the facetithing and he was like, yeah, you

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Speaker 2: know this it wasn't the same Dre. You know he

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Speaker 2: lost this hero. You know, D'Angelo meant the lot. You know,

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Speaker 2: Andrewstone one of the first rappers and turned into rest

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Speaker 2: of Pieces. You didn't know that she might be first, second,

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Speaker 2: second rapper, shot rockets first. She was a dead ass

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Speaker 2: second rapper in America and then she came back years

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Speaker 2: later with the rope some showings for sugar Hill and

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Speaker 2: all I'm telling you she was. She was at the

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Speaker 2: inception Kiss You Come with the super energetic questions. Were

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Speaker 2: just kicking it with Cross. You got a new project coming,

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Speaker 2: talking us about what's going on with.

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Speaker 1: That what's called everything is a lot? Yeah, Like I

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Speaker 1: ain't dropping four years like I had this. You know,

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Speaker 1: I changed management. Uh, my contract was up with NMG,

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Speaker 1: Like had to figure out a couple of things, and

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Speaker 1: you know, the industry, like about seventy percent of the

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Speaker 1: people got laid off in the.

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Speaker 2: Past four years. So just trying to figure everything out.

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Speaker 1: And it's really about everything that's been happening from my

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Speaker 1: last album to now, like with me, like in my

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Speaker 1: mind and my surroundings. I like that man toll you

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Speaker 1: got a tour with it.

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Speaker 3: Uh.

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Speaker 2: You know we told every album.

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Speaker 3: Yeah, you stay on the road when you drop so

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Speaker 3: any crazy features.

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Speaker 4: I adn't listen.

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Speaker 2: Well I listened to that.

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Speaker 4: I didn't want to listen to it in any race

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Speaker 4: on me because I was trying to get They.

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Speaker 2: Definitely got the you can't rewind That was one Jay

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Speaker 2: that was my note on the joint.

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Speaker 4: That was your note man, like you're doing the block.

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Speaker 2: Tina sent that ship to me. She said, he's on tomorrow.

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Speaker 2: How about this? I never did this for no other guests,

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Speaker 2: no other nothing. I think so. I think so too.

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Speaker 2: You think I'm lying. I was talking about something out.

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Speaker 2: Oh no no no, ain't no capping this.

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Speaker 1: I sat down. I'll tell you your whole album, the intros, bananas,

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Speaker 1: the first joint.

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Speaker 2: That's that.

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Speaker 1: If you really really wanted, oh you gotta do that ship.

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Speaker 2: Sick Sweaty wrote, yeah, and I know you wrote it.

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Speaker 2: That's what the motherfucker that. That's show who you play?

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Speaker 2: I said, damn got me twisted over. You real your

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Speaker 2: Keith sweat is a business man. I know over the first.

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Speaker 1: Thank you, thank you, thank you to the lawyers that

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Speaker 1: have the type of clarice. Three runners and to me,

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Speaker 1: that's runners right. Three Runners made that Jont run. But

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Speaker 1: the crazy thing is that it sounded so different when

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Speaker 1: you first send me that. Jont heard that. He said,

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Speaker 1: street running.

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Speaker 4: You can't throw that.

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Speaker 2: Don't do that. You're gonna play yourself. He might though

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Speaker 2: he might have. He might not. He might He might

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Speaker 2: be right back there because I know this, I know

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Speaker 2: that circle, that circle of calm.

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Speaker 4: I know.

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Speaker 2: No, he might got he might got that one. But

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Speaker 2: street Runner t s man, Yeah.

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Speaker 4: This is the same.

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Speaker 2: It's close enough.

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Speaker 1: It's close enough. I ain't gonna argue that he got

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Speaker 1: he got some more coming. Don't worry, m got that

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Speaker 1: running unless you get lest I started street Runner. I'm

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Speaker 1: giving you that tree running. I started Chris Robinson, I started,

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Speaker 1: Jesse Torrero. I started, you're saying you started people's name

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Speaker 1: easy cooling Drake.

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Speaker 2: To her premature cooler Drake, I started calling. I started Miami.

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Speaker 1: I started, I started, Yeah, I started La Man. I

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Speaker 1: started Hour See. But you know what about I always

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Speaker 1: figured a for a nice guy. He's actually he knows

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Speaker 1: how to throw shots. To see we started. He was like, yeah,

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Speaker 1: Miami rappers, and that's the ship Jada's famous for. In

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Speaker 1: the verses, ah these New York guys in Miami.

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Speaker 2: I said, damn no.

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Speaker 1: When I said Miami, I'm talking about you know the

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Speaker 1: little I got y'all, little y'all get money, y'all do

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Speaker 1: y'all do y'all Miami ship.

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Speaker 2: I know who you be, you know who you be

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Speaker 2: with in Miami. Man y'all. Listen, y'all like that talk

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Speaker 2: shit too. That intro was crazy. You made it album

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Speaker 2: like I would love to make an album. For some reason,

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Speaker 2: they stereo cast US rappers. It's just like, it ain't

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Speaker 2: no different than what you do. It ain't no different.

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Speaker 2: It's went in there. You fucked a lot with the

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Speaker 2: Afro beats. You it's you African or African America. I wouldn't.

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Speaker 2: I wouldn't.

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Speaker 1: I wouldn't even consider none of them beats afrobeats for real.

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Speaker 1: They kind of like I'm asking you a question, is

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Speaker 1: you again American? Or are you African?

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Speaker 3: Uh?

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Speaker 2: I'm afric We are Africans.

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Speaker 1: Yes, But I'm just saying the way you float on

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Speaker 1: them African beats, which almost like you from.

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Speaker 2: Nigeria, not from Washington. I'm telling you that you you

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Speaker 2: know what you did on that show.

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Speaker 1: My parents met at the University of DC and they

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Speaker 1: both came into America like like early eighties.

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Speaker 2: That's fired.

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Speaker 1: Oh, so that's how it happened because you sounded really authentic.

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Speaker 1: See I never did reggaetone because I'm like a New

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Speaker 1: York Puerto Rican and it would have said like Joe's

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Speaker 1: trying to do that ship and he don't sound right.

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Speaker 2: You did it right. So in the middle of your album,

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Speaker 2: I'm saying to myself, Yo, while at African, I'm the

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Speaker 2: one who always said everybody African, don't do that ship.

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Speaker 2: To me, I'm just telling you you sounded African on

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Speaker 2: this ship. My full name was this the fuck I

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Speaker 2: think everybody but you you don't notice. I didn't know.

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Speaker 2: I didn't.

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Speaker 1: He was too busy making street runners. Man, Yo, you crazy,

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Speaker 1: It was too busy. He made all these people. I'm

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Speaker 1: sure you don't know what the fus day on outside

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Speaker 1: of making people fat three. You don't know what's going on.

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Speaker 1: But yeah, I'm not Jerian. I was born and actually

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Speaker 1: that's what I'm talking about, and that came out on

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Speaker 1: this album and done, perfect, done, incredible.

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Speaker 2: You know what I'm saying. I love this album.

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Speaker 1: I felt like it was the time that you could

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Speaker 1: have been authentic with yourself. This what that album feels

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Speaker 1: like to me. You did what you love to do

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Speaker 1: and the ship fire.

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Speaker 2: Appreciate it.

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Speaker 4: You gotta get used to this guy.

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Speaker 2: Nah, oh no, he used to be I know what

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Speaker 2: it is. You know what I mean?

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Speaker 1: High praise and I appreciated that. Yeah, intro I didn't

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Speaker 1: get I didn't hit. They didn't get the context of

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Speaker 1: the album from the fucking loud too.

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Speaker 2: Yeah, it's afro beats.

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Speaker 1: Conundrum, conundrum, Conundrum, Conundrum is fire, broy don't want to play?

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Speaker 1: You don't want to play Conundrumna, Nah, this guy come

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Speaker 1: out the next day.

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Speaker 2: I got no with the next effident.

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Speaker 1: Yeah, we this ain't right now, so when we play it,

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Speaker 1: it's gonna come out the next day.

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Speaker 2: It might be too early due fourteen. Well, listen to

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Speaker 2: your man though.

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Speaker 1: You know, Fat Joe is known as one of the

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Speaker 1: greatest an rs in the whole fucking system.

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Speaker 2: You can listen to him.

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Speaker 1: You can listen to the light skined guy from the

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Speaker 1: bank who really run seeing me like the god Christopher

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Speaker 1: Williams over there, and that's a really owned the man

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Speaker 1: men O Brown Stole Lord over there. You can listen

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Speaker 1: to it. I'm telling you what's fire on the fucking album.

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Speaker 1: But it's okay, it's okay. Yeah, I'm in calling many.

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Speaker 1: They created each other for real, they created them in

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Speaker 1: and then they just started creating everybody else. Okay, we

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Speaker 1: could do Marior on the band. I just wanted to

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Speaker 1: make a self affirmation zone. Man, that's that's a flyship,

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Speaker 1: so good. Hello maryon maryon on the bands who the

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Speaker 1: flyers in the room cor inspired everybody. That's the spiring

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Speaker 1: right now you I want to my own horn. I'm

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Speaker 1: just clearing that you and I know you just a mirror.

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Speaker 1: But my faar is on the youth. The four them

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Speaker 1: level boys ain't nowhere there. You don't care, but just

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Speaker 1: to know it that that be playing You don't share.

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Speaker 1: It's a paranoid. Your probably took the toll. But the

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Speaker 1: President told maryor it ain't no Yo. You deserve everything

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Speaker 1: you do. They gonna Trycas you want to move? They

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Speaker 1: gonna try because it work right? Should it never stopped listening?

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Speaker 1: And oh Mary, don't you forget Remember Glenn Lowis, don't

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Speaker 1: feel like you're really him. But I'm gonna see to

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Speaker 1: it if you feel like you really him, because I'm

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Speaker 1: gonna need you because now we see what this really

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Speaker 1: is when you see your too twins, right, you deserve

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Speaker 1: everything you do. They gonna Trycas you want to move,

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Speaker 1: They gonna try because it work right?

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Speaker 2: Should it? Never stop listening to the yo? Okay?

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Speaker 1: Maryl Merroll on the left. The coach sent you home.

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Speaker 1: You don't know what's coming next? You thinking more state

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Speaker 1: could You've always been a dog, but the porter wasn't knowing.

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Speaker 1: They gonna send your ass home for you even get

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Speaker 1: to stretched Marrion, MARYL. Merrill. Look at all your transgressions.

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Speaker 1: Niggas think you crazy, cracking stinaky to a breast.

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Speaker 2: People think you're mad.

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Speaker 1: I ain't mad, reflecting us the flower bomb dropping.

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Speaker 2: No bike utes, been a few years. See what we're

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Speaker 2: gonna through.

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Speaker 1: Get so many peers that stopped calling you. Yeah, let's

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Speaker 1: make it clear on who you lawyer to take on

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Speaker 1: your tears. See what we're gonna do is memory. Look

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Speaker 1: at me, no murror, look at me. They tried by

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Speaker 1: your style. They walk out with crooked sea. Don't self sabotage.

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Speaker 1: No the ops wake.

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Speaker 2: If you ever needed talk, No, I always be in your.

305
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Speaker 1: Face saying you deserve everything you do. They gonna try

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Speaker 1: and get you one them move. They're gonna try it

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Speaker 1: because it work right, you know what I'm saying. Or

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Speaker 1: another style listening and.

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Speaker 2: Thank you, thank you, thank you, thank you.

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Speaker 3: Can I get a.

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Speaker 2: Knocking out, knock dock it up? Can slid it on

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Speaker 2: the afro beak No, he got real afro. Nah, that's

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Speaker 2: just that's that it's melodically. Yeah, it's like from a

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Speaker 2: trap cor Wes. They never sent me the features. You

315
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Speaker 2: have people on there, but I couldn't tell who it was.

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Speaker 2: Now you know, that's the new thing. You don't put

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Speaker 2: the fielture They after ba people obsorb me.

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Speaker 3: You know who?

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00:16:11,000 --> 00:16:14,440
Speaker 1: I always been upset it and our idol Hello cool

320
00:16:14,560 --> 00:16:19,720
Speaker 1: j because there's some leaching dairy super platinum songs he

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Speaker 1: had on that.

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Speaker 2: We never knew who's song and ship never like the

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Speaker 2: girl never got up. I don't know. He's saying, well,

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Speaker 2: you're doing well.

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Speaker 1: And when Tasha from Bone Dogs dougs rug God, God

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Speaker 1: bless him for saying her name at the end of

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Speaker 1: the Songsha Cleveland definitely in the house, Thanks Tasha because

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Speaker 1: Billy's in the house, wishes in the house and flesh

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Speaker 1: and then Tasha all Tasha doing that the girl.

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Speaker 2: They said, Yeah, who's saying? What more can I say?

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Speaker 2: Jeff Frozen the house always want another girl, asked Google.

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Speaker 2: I don't think nobody gave me an answer. Who sing on?

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Speaker 2: What What more can I say? What can I say?

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Speaker 4: Damn.

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00:17:06,320 --> 00:17:08,680
Speaker 2: I don't know. That sounds like a sample. You could

336
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Speaker 2: have said, you're crazy for this one. Whoever that was,

337
00:17:12,160 --> 00:17:13,160
Speaker 2: he probably showing.

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00:17:13,000 --> 00:17:15,520
Speaker 4: Out the light shot get the light shout out.

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00:17:15,840 --> 00:17:19,720
Speaker 1: Get something mane niggas might want to get.

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Speaker 3: What was then?

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Speaker 1: I say on the records that never like Tupac half

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Speaker 1: Man records. I don't know who was singing on that, yeah,

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Speaker 1: or who even produced.

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Speaker 2: He is. Guy's a nigga for a cigarette and let

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Speaker 2: him get on the record.

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Speaker 1: He like, I ain't gonna, ain't gonna you know the

347
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Speaker 1: song with y'all, I ain't gonna he lets it's the

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Speaker 1: only feature. But they got a million motherfuckering streams. Park

349
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Speaker 1: put anybody on. Yeah, but you know he left from

350
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Speaker 1: the heart.

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Speaker 2: Yeah, you do that. Now they'll sue you and say

352
00:17:49,359 --> 00:17:52,440
Speaker 2: they made up the hand song, or they'll just ship crazy.

353
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Speaker 2: It's just a little bit. It's a less unney.

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Speaker 1: You ain't even allow motherfuckers in the studio these days.

355
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Speaker 1: Motherfuckers be like, yo, you said that wrong. You do

356
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Speaker 1: it over ship you did. They were talking about how

357
00:18:03,119 --> 00:18:06,520
Speaker 1: they wrote the ship, how they did like it's incredible

358
00:18:06,640 --> 00:18:08,000
Speaker 1: out here, like you gotta watch you.

359
00:18:08,080 --> 00:18:12,080
Speaker 2: You got the studio. No, it's real talk. I know

360
00:18:12,200 --> 00:18:15,639
Speaker 2: of lawsuit. I know one guy in particular who is

361
00:18:15,840 --> 00:18:20,600
Speaker 2: hanging out with the Backstreet Boys. He's in the studio

362
00:18:20,640 --> 00:18:23,200
Speaker 2: in Orlando hanging out with the Backstreet Boys and say

363
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Speaker 2: they said, I'm gonna do it like this. He said, Yo,

364
00:18:25,880 --> 00:18:27,920
Speaker 2: you used to say we're gonna do it like this.

365
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Speaker 2: The man sued them like he did something in the studio.

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Speaker 2: So smart guy.

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Speaker 1: No, true, they're stealing anyway. He said, oh man, what

368
00:18:39,960 --> 00:18:42,600
Speaker 1: the Backstreet Boys can take that out now? They was,

369
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Speaker 1: you know what they're stealing?

370
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Speaker 2: Front man? Who you say, but boys? The men or

371
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Speaker 2: a new edition? Who would you say?

372
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Speaker 1: The Backstreet I'm not saying nothing because now I know

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Speaker 1: it's gonna be a headline and it's gonna be like

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Speaker 1: a whole bunch.

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Speaker 2: But we can talk out. Man, what's up with them giants? Man?

376
00:19:01,400 --> 00:19:03,560
Speaker 4: No the sega out of that?

377
00:19:05,080 --> 00:19:07,280
Speaker 2: Are you a chief saying I'm a chiefe? You made

378
00:19:07,480 --> 00:19:11,920
Speaker 2: the made man? No? See, I got him on the

379
00:19:12,000 --> 00:19:14,880
Speaker 2: box and rewinded I fight the time when you could

380
00:19:14,920 --> 00:19:17,639
Speaker 2: rewind the time. Travis Kelsey, my guy in my business

381
00:19:17,800 --> 00:19:21,280
Speaker 2: partner on the box yesterday yesterday's price.

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Speaker 1: It's not that wasn't Travis. That wasn't Travis Swift doing that.

383
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Speaker 1: Jont let me tell you something. My first time ever

384
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Speaker 1: bought the Way with a number one seller in CVS.

385
00:19:31,240 --> 00:19:33,360
Speaker 1: I was in l A and I went in there

386
00:19:34,000 --> 00:19:37,639
Speaker 1: CBS to give me some sugar free cook candies. They

387
00:19:37,680 --> 00:19:40,760
Speaker 1: got it there and I'm online and there's this white

388
00:19:40,840 --> 00:19:44,320
Speaker 1: dude there and he got a box of Rewinded and

389
00:19:44,440 --> 00:19:46,400
Speaker 1: he turns around and said, man, you you by.

390
00:19:46,480 --> 00:19:48,440
Speaker 2: He said, I'm a faithful customer. He don't know who

391
00:19:48,520 --> 00:19:50,480
Speaker 2: the l I am. And I'm like yeah.

392
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Speaker 1: He said, if this guy's where's it, I could wear

393
00:19:53,760 --> 00:19:57,440
Speaker 1: it too. And he showed me Travis Kelsey. I said, wow,

394
00:19:57,760 --> 00:20:00,359
Speaker 1: Travis man the Swifties this. He was like, yeah, I'm

395
00:20:00,359 --> 00:20:02,479
Speaker 1: about to go through my I was like, we had

396
00:20:02,520 --> 00:20:06,040
Speaker 1: a customer. First time I caught a customer online in

397
00:20:06,160 --> 00:20:07,120
Speaker 1: the story. It felt great.

398
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Speaker 2: Guys, I get it. Prognation, Rognation, where's the hard camp?

399
00:20:12,280 --> 00:20:14,800
Speaker 2: But yeah, hey, I get it. I get it. I

400
00:20:14,960 --> 00:20:18,119
Speaker 2: get it. I get it. You can't fucking David Letterman

401
00:20:18,160 --> 00:20:22,040
Speaker 2: over here. I get it. I get it. I get it. Jare,

402
00:20:22,080 --> 00:20:24,200
Speaker 2: I get it. I get the whole team Jaden's mind.

403
00:20:24,280 --> 00:20:28,040
Speaker 1: I get it the courts eye ship God, God, I

404
00:20:28,119 --> 00:20:29,800
Speaker 1: know I see If I see that, I see the

405
00:20:29,920 --> 00:20:30,600
Speaker 1: whole vision.

406
00:20:30,640 --> 00:20:31,280
Speaker 2: Now I get it.

407
00:20:31,680 --> 00:20:32,400
Speaker 4: Well, good.

408
00:20:33,840 --> 00:20:40,440
Speaker 2: Joe, he said, you niggas, niggas want to do streaming games.

409
00:20:40,480 --> 00:20:43,479
Speaker 2: Watch this. I'm gonna be the media master. Watch this, bro.

410
00:20:43,680 --> 00:20:46,480
Speaker 1: If I had that what you had doing them stories, man,

411
00:20:46,560 --> 00:20:50,080
Speaker 1: I probably man, I don't even give it yo them,

412
00:20:50,160 --> 00:20:53,280
Speaker 1: Jones entertaining, he's shortly true. I know I should be

413
00:20:53,320 --> 00:20:55,560
Speaker 1: signing like last suit. I got everyone looking at me

414
00:20:55,680 --> 00:20:56,359
Speaker 1: like I'm crazy.

415
00:20:56,440 --> 00:21:00,320
Speaker 2: I'm not. I've seen all one guy, he said, see

416
00:21:00,640 --> 00:21:01,040
Speaker 2: that quick?

417
00:21:01,480 --> 00:21:02,200
Speaker 4: Nah that quick?

418
00:21:02,720 --> 00:21:05,359
Speaker 2: I seen one guy on Instagram. We probably blowing them up.

419
00:21:05,440 --> 00:21:06,959
Speaker 2: Jada on like this, but he was like yo.

420
00:21:07,080 --> 00:21:09,800
Speaker 1: One time, I was on one hundred and thirty first

421
00:21:09,880 --> 00:21:12,960
Speaker 1: and Fat Joe's man on the the shout out the

422
00:21:13,000 --> 00:21:16,399
Speaker 1: bomb ba Opie Megatron. They own the rim shop and

423
00:21:16,560 --> 00:21:19,080
Speaker 1: Joe was just chilling in there. So I pull up

424
00:21:19,119 --> 00:21:20,720
Speaker 1: with my man's I want to play in music, and

425
00:21:20,800 --> 00:21:22,840
Speaker 1: we caught him off point. He looked like he was shut.

426
00:21:22,960 --> 00:21:25,960
Speaker 1: I said, listen, I gotta do it. I got go

427
00:21:26,040 --> 00:21:29,440
Speaker 1: in the comments. I said, you are very blessed you

428
00:21:29,560 --> 00:21:32,120
Speaker 1: didn't try me because it would be a messy situation

429
00:21:32,359 --> 00:21:35,320
Speaker 1: in there. Now, how about you come twenty twenty five

430
00:21:35,440 --> 00:21:37,320
Speaker 1: and try to play with me. See if it ain't

431
00:21:37,359 --> 00:21:40,280
Speaker 1: gonna get messy, I could guarantee you whatever. I don't

432
00:21:40,320 --> 00:21:44,040
Speaker 1: remember what he's talking about, but I promise you if

433
00:21:44,080 --> 00:21:46,040
Speaker 1: we was in Halem on one hundred and thirty first

434
00:21:46,080 --> 00:21:50,200
Speaker 1: at eighth Avenue, it was heavy in there, heavy fat

435
00:21:50,280 --> 00:21:52,359
Speaker 1: Joe ain't just gonna be sitting up in the middle

436
00:21:52,359 --> 00:21:52,879
Speaker 1: of hall of them.

437
00:21:53,520 --> 00:21:55,480
Speaker 2: It would have got real messy in I don't know.

438
00:21:55,520 --> 00:21:57,440
Speaker 2: I don't know how we got here, but I believe you. No,

439
00:21:57,840 --> 00:21:58,760
Speaker 2: you better believe it.

440
00:21:59,560 --> 00:22:01,520
Speaker 4: You gonna go all. He's gonna go a lot of

441
00:22:01,560 --> 00:22:03,480
Speaker 4: places before you leave New Yorkers.

442
00:22:03,480 --> 00:22:05,080
Speaker 2: New Yorkers look good with that like that and keep

443
00:22:05,119 --> 00:22:06,280
Speaker 2: you in gage. I believe it.

444
00:22:06,359 --> 00:22:06,479
Speaker 4: Though.

445
00:22:07,440 --> 00:22:09,800
Speaker 2: When we got that, I know Niggas knows New Yorkers know.

446
00:22:10,480 --> 00:22:11,639
Speaker 2: But let me tell you something.

447
00:22:12,320 --> 00:22:14,119
Speaker 4: How about we let him tell us something.

448
00:22:16,119 --> 00:22:18,200
Speaker 2: I want to ask you about the song you did

449
00:22:18,400 --> 00:22:19,600
Speaker 2: that you got Rihanna on.

450
00:22:20,680 --> 00:22:22,560
Speaker 3: That's what I was about to start, asking about some

451
00:22:22,640 --> 00:22:24,879
Speaker 3: of those features. No talking about that one first one

452
00:22:25,680 --> 00:22:28,359
Speaker 3: that wants a serious one he pulled though, he got

453
00:22:28,440 --> 00:22:32,439
Speaker 3: some incredible fucking features and you like your career.

454
00:22:34,160 --> 00:22:38,240
Speaker 2: You know you are charmed facts.

455
00:22:42,119 --> 00:22:46,920
Speaker 3: Don't tell him that. Don't don't tell him that tennis

456
00:22:46,960 --> 00:22:51,400
Speaker 3: studio with me. He's been in D Block studio next

457
00:22:51,480 --> 00:22:55,520
Speaker 3: to me. No emit, lady, kids, man, you're a great rapper.

458
00:22:55,640 --> 00:22:57,240
Speaker 3: Man we're talking about him.

459
00:22:58,240 --> 00:22:59,720
Speaker 2: I don't want to talk about Let me tell you

460
00:22:59,720 --> 00:23:03,800
Speaker 2: about the time I made Jada Kiss. I was somewhere

461
00:23:03,920 --> 00:23:09,200
Speaker 2: yonky the dark, cold nighty y all right, nah.

462
00:23:09,280 --> 00:23:12,159
Speaker 1: But the joon with Robb like she she just we

463
00:23:12,320 --> 00:23:14,720
Speaker 1: I met her like a long time ago, like before

464
00:23:14,760 --> 00:23:16,080
Speaker 1: I was even I was still I was still in

465
00:23:16,119 --> 00:23:16,760
Speaker 1: school for real.

466
00:23:17,240 --> 00:23:18,720
Speaker 2: It was right around the time I dropped out.

467
00:23:19,040 --> 00:23:21,480
Speaker 1: I was on tour with Mark and uh, like I

468
00:23:21,520 --> 00:23:24,200
Speaker 1: think backstage at Glastonbury, it wasn't too many like black

469
00:23:24,240 --> 00:23:27,160
Speaker 1: people like, so we just got cooled in and then

470
00:23:27,200 --> 00:23:29,960
Speaker 1: I started, like, you know, getting bigger and bigger. And

471
00:23:30,040 --> 00:23:32,159
Speaker 1: then I remember like getting back to me, this is

472
00:23:32,240 --> 00:23:35,000
Speaker 1: my third album now and I'm on rock Nation, so

473
00:23:35,520 --> 00:23:36,320
Speaker 1: you know Jay Brown.

474
00:23:36,359 --> 00:23:36,879
Speaker 2: The whole thing.

475
00:23:37,160 --> 00:23:38,280
Speaker 1: She was like I want to I want to get

476
00:23:38,280 --> 00:23:41,719
Speaker 1: on the song, and uh yeah, and then I mean

477
00:23:41,800 --> 00:23:43,680
Speaker 1: then I had to like I remember, like she kept

478
00:23:43,720 --> 00:23:46,119
Speaker 1: going to the club like like every other night, and

479
00:23:46,200 --> 00:23:49,080
Speaker 1: I was like one of these nights going to the

480
00:23:49,080 --> 00:23:51,320
Speaker 1: studio soon as and the day that she was ready,

481
00:23:51,520 --> 00:23:53,639
Speaker 1: I said, bro, everybody get the fuck out, like Yo,

482
00:23:53,880 --> 00:23:54,720
Speaker 1: what y'all want to eat?

483
00:23:54,760 --> 00:23:55,639
Speaker 2: That was like McDonald's.

484
00:23:55,640 --> 00:23:59,240
Speaker 1: I was like, oh cool, had some jay's started like

485
00:23:59,320 --> 00:24:01,080
Speaker 1: getting the vibe and there she just did it and

486
00:24:01,160 --> 00:24:03,920
Speaker 1: then uh, I think we ended up like I try

487
00:24:03,960 --> 00:24:05,600
Speaker 1: to get like a different beat because I really wanted

488
00:24:05,600 --> 00:24:07,959
Speaker 1: a real remix. Let me ask you a question, how

489
00:24:08,040 --> 00:24:10,879
Speaker 1: did you feel when she jumped into s u V.

490
00:24:11,040 --> 00:24:14,600
Speaker 1: I'm presuming she left and you had to be honest

491
00:24:14,760 --> 00:24:17,240
Speaker 1: vocals on your song, like.

492
00:24:17,320 --> 00:24:19,720
Speaker 2: What I hope? I hope this should get cleared.

493
00:24:20,720 --> 00:24:25,040
Speaker 4: That's a fact. It ain't. It ain't no, it ain't much.

494
00:24:26,440 --> 00:24:27,360
Speaker 4: It's not done yet.

495
00:24:27,440 --> 00:24:27,680
Speaker 2: Ship.

496
00:24:27,800 --> 00:24:30,320
Speaker 1: You got to know some artists right now that they

497
00:24:30,840 --> 00:24:33,080
Speaker 1: love to go to the Nigga sessions and hear they

498
00:24:33,160 --> 00:24:35,680
Speaker 1: new ship drop them to give them two verses and

499
00:24:35,840 --> 00:24:40,280
Speaker 1: then don't clear that Kanye did that to me. Now

500
00:24:40,359 --> 00:24:42,000
Speaker 1: I have to deal with that a lot of time

501
00:24:42,280 --> 00:24:45,359
Speaker 1: did that to me? I don't I don't even know

502
00:24:45,480 --> 00:24:47,960
Speaker 1: how it happened. But when I was out there writing

503
00:24:48,000 --> 00:24:50,399
Speaker 1: for him like, and this is Paris this a long time.

504
00:24:50,280 --> 00:24:52,280
Speaker 2: Ago, Kanye okay.

505
00:24:52,440 --> 00:24:55,399
Speaker 1: And then I remember like I wanted them on this

506
00:24:55,480 --> 00:24:58,280
Speaker 1: song and I had called girls on drugs and he

507
00:24:58,400 --> 00:25:01,200
Speaker 1: was like no, no, no, no, get no, no, this

508
00:25:01,320 --> 00:25:01,640
Speaker 1: is the one.

509
00:25:01,760 --> 00:25:04,480
Speaker 2: And they played me this song and with Todd Dollars,

510
00:25:04,560 --> 00:25:06,359
Speaker 2: I was on it, and he's like this, go go

511
00:25:06,480 --> 00:25:09,119
Speaker 2: ship right. I'm like, go go, don't sound nothing like that,

512
00:25:09,320 --> 00:25:11,480
Speaker 2: like but I you know, I get it. Throw me

513
00:25:11,600 --> 00:25:12,240
Speaker 2: Jane West.

514
00:25:12,600 --> 00:25:14,760
Speaker 1: So I did this song. I didn't really like the

515
00:25:14,840 --> 00:25:17,120
Speaker 1: song for real. I mean, it wasn't like it wasn't

516
00:25:17,160 --> 00:25:18,320
Speaker 1: fucking with nothing on my album.

517
00:25:18,359 --> 00:25:21,120
Speaker 2: But it's Kanye. So I let her ride and shit

518
00:25:21,240 --> 00:25:21,720
Speaker 2: like that. You know.

519
00:25:22,880 --> 00:25:24,240
Speaker 1: He's like, yeah, you should put on an album. I'm like,

520
00:25:24,280 --> 00:25:25,960
Speaker 1: fuck it having aale album. I can't hurt.

521
00:25:26,600 --> 00:25:27,440
Speaker 2: I don't like the song.

522
00:25:27,720 --> 00:25:31,320
Speaker 1: So when it came time to what's his name the

523
00:25:31,400 --> 00:25:33,919
Speaker 1: label Home My Now Death, damn, they wouldn't clear. They

524
00:25:33,960 --> 00:25:35,720
Speaker 1: said Kye wasn't clear, and I'm like, what the fuck

525
00:25:35,800 --> 00:25:37,280
Speaker 1: is that? And then he got mad at me. A

526
00:25:37,280 --> 00:25:39,560
Speaker 1: little bit later down the road, lay, I don't think

527
00:25:39,600 --> 00:25:41,760
Speaker 1: you appreciate I gave you, like the big one of

528
00:25:41,800 --> 00:25:42,679
Speaker 1: your biggest songs ever.

529
00:25:42,760 --> 00:25:46,199
Speaker 2: And I'm like, damn, I ain't even clear it, Like he.

530
00:25:46,440 --> 00:25:49,080
Speaker 1: Ain't even know he the loose ain't over till it's

531
00:25:49,080 --> 00:25:51,000
Speaker 1: over with these players is my favorite rapper. But he

532
00:25:52,400 --> 00:25:54,320
Speaker 1: said Joh definitely definitely an inspiration to.

533
00:25:54,359 --> 00:25:58,080
Speaker 2: My whole ship. Oh no, I West fire in the stage.

534
00:25:58,119 --> 00:26:00,720
Speaker 2: He want the Paris but wait, I'll tell you the

535
00:26:00,800 --> 00:26:04,320
Speaker 2: Kanyate stories, but get had it might be four numbers.

536
00:26:04,359 --> 00:26:06,240
Speaker 4: How the hell did you meet Jerry Seinfeld?

537
00:26:06,880 --> 00:26:07,040
Speaker 3: Uh?

538
00:26:07,520 --> 00:26:10,560
Speaker 1: I was just always outside they like I just was

539
00:26:10,640 --> 00:26:12,879
Speaker 1: a kind of different nigga, Like I had different interests,

540
00:26:13,000 --> 00:26:15,240
Speaker 1: like we all hang together whatever. But I used to

541
00:26:15,359 --> 00:26:18,200
Speaker 1: just like watch different ship And I remember like I

542
00:26:18,280 --> 00:26:21,120
Speaker 1: had an injury and I couldn't I couldn't do ship

543
00:26:21,280 --> 00:26:23,159
Speaker 1: like for a while, and I had them Joints on

544
00:26:23,200 --> 00:26:24,960
Speaker 1: the DVD and I was just watching them and I

545
00:26:25,040 --> 00:26:27,280
Speaker 1: was like, man, there's a lot of psychology and this ship.

546
00:26:27,920 --> 00:26:29,800
Speaker 1: And then I just made a mixtape around that when

547
00:26:29,800 --> 00:26:31,520
Speaker 1: I when I still living in my mother creb like,

548
00:26:32,000 --> 00:26:33,280
Speaker 1: and I was like, I don't know if they gonna

549
00:26:33,320 --> 00:26:34,840
Speaker 1: understand it, but I put it out and it just

550
00:26:35,000 --> 00:26:38,400
Speaker 1: kind of caught and I did part two right before

551
00:26:38,440 --> 00:26:40,520
Speaker 1: I signed in the store, and I think right before

552
00:26:40,520 --> 00:26:43,200
Speaker 1: I did part two, it got he caught winded a

553
00:26:43,359 --> 00:26:44,840
Speaker 1: mixtape and then he wanted he had to show in

554
00:26:44,880 --> 00:26:46,000
Speaker 1: Baltimore and he wanted to meet me.

555
00:26:48,119 --> 00:26:51,600
Speaker 4: Now, how the hell did the usher joint? That's one

556
00:26:51,640 --> 00:26:53,040
Speaker 4: of my favorite songs in the world.

557
00:26:53,080 --> 00:26:54,160
Speaker 2: By the way, shiit it? Man?

558
00:26:55,040 --> 00:26:56,359
Speaker 1: You know, I d say I'm one of the biggest

559
00:26:56,400 --> 00:26:58,600
Speaker 1: rappers that don't have a main producer, and I kind

560
00:26:58,600 --> 00:27:01,600
Speaker 1: of think, so all my all my hits from somebody else,

561
00:27:02,480 --> 00:27:04,560
Speaker 1: and I'm one day. Jake One was like, man, by

562
00:27:04,640 --> 00:27:07,520
Speaker 1: the way, I don't wanted that to an art, to

563
00:27:07,640 --> 00:27:09,760
Speaker 1: be able to work with different producers and make hit

564
00:27:09,800 --> 00:27:12,600
Speaker 1: records with different producers. A lot of guys just got

565
00:27:12,680 --> 00:27:15,720
Speaker 1: one guy who give him that sauce. It's actually hard

566
00:27:15,880 --> 00:27:18,320
Speaker 1: to leave somebody you just made a hit with to

567
00:27:18,440 --> 00:27:20,960
Speaker 1: fuck with another producer and get it hit from them.

568
00:27:21,080 --> 00:27:23,520
Speaker 1: Sorry for cutting you off. And then I wish I

569
00:27:23,600 --> 00:27:25,440
Speaker 1: could do that more. I'm like more of an introvert

570
00:27:25,520 --> 00:27:28,280
Speaker 1: that I become more because I know too much, so

571
00:27:28,400 --> 00:27:31,760
Speaker 1: I just don't be happily around nobody. But but like

572
00:27:31,880 --> 00:27:34,120
Speaker 1: Jake One was like, man, this is around the time

573
00:27:34,160 --> 00:27:36,359
Speaker 1: I was like like three years in the row, I

574
00:27:36,400 --> 00:27:39,280
Speaker 1: had like the number one most played on urban radio

575
00:27:39,400 --> 00:27:40,040
Speaker 1: song three years.

576
00:27:40,200 --> 00:27:42,600
Speaker 2: So Jake One made a joke. He's like, man, I

577
00:27:42,720 --> 00:27:44,080
Speaker 2: want to do one of those with you. I was like,

578
00:27:44,640 --> 00:27:45,520
Speaker 2: we'll send me beat like that.

579
00:27:45,880 --> 00:27:48,840
Speaker 1: Man, I just started finishing together and then me and

580
00:27:48,960 --> 00:27:53,159
Speaker 1: sam Do put that hook down, and then Niggas was like, yo,

581
00:27:53,200 --> 00:27:54,280
Speaker 1: I should have sound great on it.

582
00:27:54,920 --> 00:27:59,440
Speaker 2: Didn't overthink it. I sure did it and clear the

583
00:27:59,600 --> 00:28:02,840
Speaker 2: man never did shit for me. Man, your Ulsher, you

584
00:28:02,920 --> 00:28:07,640
Speaker 2: owe me about a hundred favors. What Usher?

585
00:28:07,720 --> 00:28:10,919
Speaker 1: I need to taste? Man, your Usher. I've been chasing

586
00:28:11,000 --> 00:28:13,920
Speaker 1: you for my whole man. Usher might think I'm whack.

587
00:28:14,040 --> 00:28:14,159
Speaker 2: Man.

588
00:28:14,160 --> 00:28:17,440
Speaker 1: I ain't gonna lie chase Usher plenty of time. He's

589
00:28:17,480 --> 00:28:20,720
Speaker 1: a I considered my friend on skates. Now, Man, you

590
00:28:20,760 --> 00:28:21,359
Speaker 1: can't catch up.

591
00:28:21,560 --> 00:28:24,600
Speaker 2: You can't catch it. Now you go to Usher's show. Bro,

592
00:28:25,280 --> 00:28:26,640
Speaker 2: I'm in Vegas. I had a show.

593
00:28:27,160 --> 00:28:32,639
Speaker 1: I think what's the club Ondres treys Man and I

594
00:28:32,960 --> 00:28:34,960
Speaker 1: fucked around and told the teen to give me some

595
00:28:35,119 --> 00:28:37,840
Speaker 1: tickets to Usher. I fucked around. I sat in them

596
00:28:37,960 --> 00:28:39,800
Speaker 1: seas for two minutes. Then it was the Fat Joe

597
00:28:39,880 --> 00:28:43,080
Speaker 1: Greatest Hits ten Records in the world. Usher happy performing

598
00:28:44,360 --> 00:28:48,800
Speaker 1: and fucking records, rep sweat and bullets, ripping the place down.

599
00:28:49,320 --> 00:28:51,920
Speaker 1: I mean that you get an Usher ticket. It's coming

600
00:28:52,000 --> 00:28:55,160
Speaker 1: with some whist Amajor your performing lives.

601
00:28:55,200 --> 00:28:58,920
Speaker 2: You heard them joints. I can't lie. He came to

602
00:28:59,080 --> 00:29:01,880
Speaker 2: my show after he came to Dres that hung out

603
00:29:01,920 --> 00:29:04,040
Speaker 2: with me, and that was against his contract. He couldn't

604
00:29:04,080 --> 00:29:06,800
Speaker 2: really but oh yeah, this is you ow sneakers. You

605
00:29:06,880 --> 00:29:11,160
Speaker 2: on me all type of ship. No, you sneakers, Usher

606
00:29:11,280 --> 00:29:14,200
Speaker 2: owes me sneakers. I should have me.

607
00:29:14,320 --> 00:29:20,320
Speaker 1: Professor standing up there, his his god daughter's sweet sixteen

608
00:29:20,520 --> 00:29:22,960
Speaker 1: fat your greatest hits, and he looked me.

609
00:29:23,000 --> 00:29:25,000
Speaker 2: In my eyes and say, yo, I got you with

610
00:29:25,120 --> 00:29:30,080
Speaker 2: the Jordan's. That motherfucker been skating for me, doing connecting

611
00:29:30,240 --> 00:29:33,160
Speaker 2: more than you. No, I know, I know Ushes.

612
00:29:33,280 --> 00:29:35,040
Speaker 4: You just want to appear that they made for us.

613
00:29:35,160 --> 00:29:39,200
Speaker 2: You know. Yeah, I want joints. I want I want this.

614
00:29:39,600 --> 00:29:41,280
Speaker 2: You want them to say confessions on his side. I

615
00:29:41,320 --> 00:29:44,440
Speaker 2: want this to say simple.

616
00:29:45,080 --> 00:29:49,440
Speaker 1: I want that ship to say simple. You see what

617
00:29:49,480 --> 00:29:53,240
Speaker 1: I'm saying, y'all got the camera. I want I want the.

618
00:29:53,320 --> 00:29:54,520
Speaker 2: Ushes to say something.

619
00:29:54,800 --> 00:29:57,400
Speaker 1: You need something exclusives us. Yes, I ain't even know

620
00:29:57,480 --> 00:29:59,320
Speaker 1: he had any Thank God, I ain't got no holes

621
00:29:59,360 --> 00:29:59,920
Speaker 1: on my side.

622
00:30:00,040 --> 00:30:01,880
Speaker 2: You know what I'm saying. Oh no, he got them.

623
00:30:02,080 --> 00:30:03,960
Speaker 4: They made him something making them.

624
00:30:04,040 --> 00:30:08,680
Speaker 2: Ship made one that's like that. I could call m

625
00:30:08,760 --> 00:30:12,239
Speaker 2: J myself. He got, he got, he got, he got

626
00:30:12,280 --> 00:30:14,360
Speaker 2: a solution they like for us.

627
00:30:14,520 --> 00:30:16,280
Speaker 4: You know, I can't see you what it is.

628
00:30:18,640 --> 00:30:18,960
Speaker 2: He got.

629
00:30:19,480 --> 00:30:22,080
Speaker 4: Know they be dazzled up.

630
00:30:22,640 --> 00:30:27,680
Speaker 2: They got justin timberlakes, them ships with all that shine

631
00:30:27,760 --> 00:30:30,760
Speaker 2: and all that brush your way. It's you don't care.

632
00:30:30,800 --> 00:30:32,120
Speaker 2: You just want to, Sam want to.

633
00:30:32,600 --> 00:30:33,080
Speaker 4: I want them.

634
00:30:34,800 --> 00:30:36,680
Speaker 2: I wanted for that clearance cell. You know.

635
00:30:40,080 --> 00:30:42,960
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658
00:31:43,280 --> 00:31:45,960
Speaker 4: Digital LLC and all other states.

659
00:31:46,080 --> 00:31:52,800
Speaker 3: Must be twenty one and over and physically present in Arizona, Colorado, Florida, Illinois, Indiana,

660
00:31:52,960 --> 00:31:56,520
Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play.

661
00:31:56,800 --> 00:31:58,360
Speaker 4: Terms and conditions applied.

662
00:31:58,560 --> 00:32:02,680
Speaker 3: Concerned about gambling in Florida called one eight a admitted

663
00:32:02,840 --> 00:32:06,200
Speaker 3: in Indiana if someone you know has a gambling problem

664
00:32:06,280 --> 00:32:08,880
Speaker 3: and once helped, called one eight hundred and nine with

665
00:32:09,120 --> 00:32:15,040
Speaker 3: it gambling problem called one eight hundred gambling. That's in Arizona, Colorado, Illinois,

666
00:32:15,240 --> 00:32:18,000
Speaker 3: New Jersey, Ohio, Tennessee, and Virginia.

667
00:32:21,280 --> 00:32:26,520
Speaker 4: Football season, you played football? Yeah, what was you aspired

668
00:32:26,560 --> 00:32:27,600
Speaker 4: to make it to the NFL.

669
00:32:27,960 --> 00:32:29,680
Speaker 1: Everybody thought they was going to the league when we

670
00:32:29,760 --> 00:32:35,000
Speaker 1: were little, like but uh she my first day of

671
00:32:35,240 --> 00:32:38,760
Speaker 1: camp in college because I was recruited as a wide

672
00:32:38,760 --> 00:32:41,160
Speaker 1: receiver because I was playing running back my whole life.

673
00:32:41,200 --> 00:32:44,040
Speaker 1: But I was too small to running back in college.

674
00:32:44,040 --> 00:32:46,240
Speaker 1: But then I've seen them Florida nigga running out the

675
00:32:46,320 --> 00:32:50,760
Speaker 1: first day, I said, A right, So I had to

676
00:32:50,800 --> 00:32:52,480
Speaker 1: work my way back up that jump because I was

677
00:32:52,560 --> 00:32:55,440
Speaker 1: not running like that. Yeah, and then I got kicked out.

678
00:32:56,760 --> 00:32:59,160
Speaker 1: Shout out my man Freezy out there in Miami.

679
00:33:00,160 --> 00:33:02,400
Speaker 4: They kicked him out of Robin Morris. I know, y'all

680
00:33:02,440 --> 00:33:03,320
Speaker 4: caught the vapors.

681
00:33:03,440 --> 00:33:06,320
Speaker 2: Then I'm not coach Joe wal He coached Joe WoT

682
00:33:06,320 --> 00:33:08,200
Speaker 2: he used to coach the Jets. That was my coach.

683
00:33:08,280 --> 00:33:11,600
Speaker 2: And then I transferred to Virginia State and was I was.

684
00:33:11,840 --> 00:33:13,360
Speaker 2: I was getting to it out there. You know the

685
00:33:13,480 --> 00:33:15,600
Speaker 2: thing about living in Miami, he shit be a one

686
00:33:15,680 --> 00:33:20,280
Speaker 2: hundred and twenty degrees and they got the fucking equipment

687
00:33:20,440 --> 00:33:23,440
Speaker 2: on a hundred and twenty. That's what I learned more

688
00:33:23,480 --> 00:33:24,520
Speaker 2: about football.

689
00:33:24,280 --> 00:33:26,680
Speaker 1: Spending two weeks in Carol City my freshman year of

690
00:33:26,680 --> 00:33:30,600
Speaker 1: college than I did the whole first season and Robert Moore.

691
00:33:30,680 --> 00:33:33,320
Speaker 2: I learned more about football and Kerol City. Yeah, I'm

692
00:33:33,360 --> 00:33:36,000
Speaker 2: the only guy that ever played but got thrown out

693
00:33:36,080 --> 00:33:36,480
Speaker 2: the park.

694
00:33:37,000 --> 00:33:40,600
Speaker 1: Rich Flair used to play and they penalized them for

695
00:33:40,680 --> 00:33:44,600
Speaker 1: fifteen yards and then they took away another fifteen yards.

696
00:33:44,640 --> 00:33:46,400
Speaker 2: You could bring Rich in here. If I'm lying, they

697
00:33:46,440 --> 00:33:49,200
Speaker 2: maybe get the fuck out the park the referee. I'm

698
00:33:49,240 --> 00:33:51,840
Speaker 2: like you, full locker. I was going bad out there,

699
00:33:53,080 --> 00:33:57,000
Speaker 2: dangerous fans. Shit man.

700
00:33:57,120 --> 00:33:59,560
Speaker 1: The women used to go, yeah, Joe, this one, they

701
00:33:59,640 --> 00:34:01,960
Speaker 1: start taking them yards. It was like, get the fuck out,

702
00:34:02,120 --> 00:34:04,920
Speaker 1: crack get. I was courting them the game. I kept

703
00:34:05,000 --> 00:34:08,080
Speaker 1: going crazy out there. But Florida are different. Thing with

704
00:34:08,160 --> 00:34:11,520
Speaker 1: the football, bro, who's your team in the NFL? NFL,

705
00:34:11,640 --> 00:34:13,040
Speaker 1: I told you I'm a bed Weton.

706
00:34:13,120 --> 00:34:17,880
Speaker 2: I'm Kansas City Chiefs. You been in Kansas City a

707
00:34:17,920 --> 00:34:22,240
Speaker 2: couple of years since. They've been winning, since Chiles, since Chinese,

708
00:34:22,560 --> 00:34:27,160
Speaker 2: since Chavis Chelsea did the joint. Hello, but in basketball snicks,

709
00:34:27,200 --> 00:34:28,239
Speaker 2: you know you ain't watching on that.

710
00:34:28,400 --> 00:34:30,400
Speaker 4: No, I can't do nothing.

711
00:34:30,480 --> 00:34:32,680
Speaker 1: I feel like if the Giants was like doing better,

712
00:34:32,760 --> 00:34:34,200
Speaker 1: like you you're gonna be You're gonna come in with.

713
00:34:34,239 --> 00:34:37,280
Speaker 2: Joshon Dot go there for no reason? Man, I remember

714
00:34:37,400 --> 00:34:40,160
Speaker 2: you from yoldn you Menia pops man.

715
00:34:40,440 --> 00:34:41,320
Speaker 4: Remember.

716
00:34:42,680 --> 00:34:42,799
Speaker 3: Jo?

717
00:34:43,600 --> 00:34:46,040
Speaker 1: What do you mean? I got what I've been around, yo,

718
00:34:46,160 --> 00:34:48,800
Speaker 1: I've been around too long to get sucked by the

719
00:34:48,920 --> 00:34:53,480
Speaker 1: giants and jets. I've been around too and Miami ain't happening.

720
00:34:54,080 --> 00:34:54,880
Speaker 1: Miami talks.

721
00:34:54,920 --> 00:34:56,560
Speaker 2: I looked to Miami twenty some years.

722
00:34:56,560 --> 00:34:59,239
Speaker 1: I watched them get the ass whip every week, that

723
00:34:59,360 --> 00:35:02,560
Speaker 1: ship on the twenty one to seventh.

724
00:35:02,280 --> 00:35:07,399
Speaker 2: Like one thing. I threw no y' least at the heat, y'all?

725
00:35:07,520 --> 00:35:09,319
Speaker 2: Do you know to go with no whack?

726
00:35:09,560 --> 00:35:10,319
Speaker 4: What about the heat?

727
00:35:10,480 --> 00:35:14,319
Speaker 1: I had the heat for I'm always been a Knick fan,

728
00:35:15,239 --> 00:35:16,879
Speaker 1: you know, in solidarity with the heat.

729
00:35:16,880 --> 00:35:18,640
Speaker 2: You know, I was in the studio. You've been in

730
00:35:18,719 --> 00:35:21,120
Speaker 2: the studio too many times with them cursing me out

731
00:35:21,239 --> 00:35:25,560
Speaker 2: every night for fucking years. The next sucked the heat

732
00:35:25,719 --> 00:35:29,280
Speaker 2: was winning checks. Do you know the type of verbal

733
00:35:29,520 --> 00:35:34,279
Speaker 2: abuse these guys were giving me hour to two? You

734
00:35:34,400 --> 00:35:37,160
Speaker 2: got a studio seven o'clock, you talk ship for two hours.

735
00:35:37,239 --> 00:35:38,680
Speaker 2: Guess what was the two hours?

736
00:35:39,480 --> 00:35:39,640
Speaker 1: Y'all?

737
00:35:39,760 --> 00:35:40,840
Speaker 2: Niggas is trash?

738
00:35:41,600 --> 00:35:42,600
Speaker 4: This this that yo?

739
00:35:42,800 --> 00:35:43,600
Speaker 2: I mean, this is great.

740
00:35:43,640 --> 00:35:45,600
Speaker 1: They're gonna played me on the two K bust my

741
00:35:45,680 --> 00:35:48,000
Speaker 1: ass with the heat on the nickname, like it's.

742
00:35:48,000 --> 00:35:49,720
Speaker 2: Just disrespect for many years.

743
00:35:50,000 --> 00:35:52,600
Speaker 1: But we go through that with the Redskins commanders, like

744
00:35:52,680 --> 00:35:54,520
Speaker 1: there's a lot of I'm in my old used to

745
00:35:54,560 --> 00:35:56,879
Speaker 1: be Jones all the time because he's a Cowboys fan.

746
00:35:56,920 --> 00:35:58,719
Speaker 2: We ain't had nothing to brag about in a long time,

747
00:35:58,920 --> 00:36:00,399
Speaker 2: so I get it, That's what I'm saying.

748
00:36:00,560 --> 00:36:04,359
Speaker 1: And your your Washington and your basketball team ain't nothing

749
00:36:04,400 --> 00:36:05,359
Speaker 1: to brag about either.

750
00:36:06,239 --> 00:36:09,279
Speaker 2: The motherfuckers. The last thing y'all have was John Wall aren't.

751
00:36:09,440 --> 00:36:12,719
Speaker 1: Yeah shots the GHN We're gonna be soon though, Yeah, yeah,

752
00:36:13,280 --> 00:36:14,080
Speaker 1: that's the process.

753
00:36:14,280 --> 00:36:17,520
Speaker 2: Yeah. They look they look poor as lengthy. They look

754
00:36:17,680 --> 00:36:20,480
Speaker 2: like you got you got more better that.

755
00:36:22,000 --> 00:36:22,839
Speaker 4: Whoa? Whoa?

756
00:36:23,920 --> 00:36:27,080
Speaker 2: What you call that when they get the fuck out

757
00:36:27,120 --> 00:36:27,399
Speaker 2: of here?

758
00:36:27,560 --> 00:36:27,719
Speaker 4: Man?

759
00:36:28,400 --> 00:36:31,280
Speaker 2: You know what the fuck I'm talking about them? Anime

760
00:36:31,400 --> 00:36:34,640
Speaker 2: is animeth Anime is something crazy?

761
00:36:35,560 --> 00:36:40,880
Speaker 1: Take that that was driving to be you as a

762
00:36:41,000 --> 00:36:46,400
Speaker 1: basketball fan. I'm feeling real good, right, you got I think.

763
00:36:46,280 --> 00:36:49,200
Speaker 4: We got in. Don't get to no, no, we win this.

764
00:36:49,520 --> 00:36:53,799
Speaker 1: I mean somebody I want you to pay off America

765
00:36:54,160 --> 00:36:56,920
Speaker 1: all over the world talking about y'all secret money though, Joe.

766
00:36:58,040 --> 00:36:59,960
Speaker 1: They're talking about secret money in the NBA. Always be

767
00:37:00,080 --> 00:37:02,360
Speaker 1: with these contracts and all of that. They say that,

768
00:37:02,600 --> 00:37:04,719
Speaker 1: they say that they coming for the NIXT That's what

769
00:37:04,840 --> 00:37:05,120
Speaker 1: I heard.

770
00:37:05,239 --> 00:37:07,320
Speaker 2: That's the room up. That's what they say. Nigga do

771
00:37:07,440 --> 00:37:10,600
Speaker 2: whatever they want. Man, it's our now.

772
00:37:10,680 --> 00:37:12,600
Speaker 1: Once we get our time, they want to come and

773
00:37:12,680 --> 00:37:15,160
Speaker 1: start fucking corruptions.

774
00:37:15,280 --> 00:37:17,399
Speaker 2: The Clippers started it, but y'all gonna finish your brother.

775
00:37:17,840 --> 00:37:21,000
Speaker 3: You see how they swept that Clippers ship under the Rupna.

776
00:37:21,120 --> 00:37:22,600
Speaker 4: They're gonna make the Knicks a big.

777
00:37:25,120 --> 00:37:26,800
Speaker 2: Nigga give what they do.

778
00:37:27,560 --> 00:37:31,880
Speaker 1: I'm telling you that our bench is stacked up. I

779
00:37:32,120 --> 00:37:34,320
Speaker 1: starting five is fenom.

780
00:37:34,719 --> 00:37:35,400
Speaker 4: You know where people.

781
00:37:35,640 --> 00:37:39,759
Speaker 2: I'm telling y'all people from Americans. That's how I'm telling

782
00:37:39,800 --> 00:37:43,400
Speaker 2: you that. You now listen what I'm saying He always

783
00:37:43,440 --> 00:37:46,279
Speaker 2: gets mad at me. Lose lousion. I get it. Your

784
00:37:46,680 --> 00:37:49,360
Speaker 2: I get it if you're passionate. But the Niggers, no,

785
00:37:49,600 --> 00:37:52,560
Speaker 2: you are. No, We're winning the chip this year. That's

786
00:37:52,600 --> 00:37:53,480
Speaker 2: what I'm trying to tell you.

787
00:37:53,560 --> 00:37:55,759
Speaker 4: You're gonna step out there and say that I know

788
00:37:56,000 --> 00:37:56,680
Speaker 4: so all right.

789
00:37:56,840 --> 00:37:59,480
Speaker 2: What I'm trying to tell you is basketball is my life. Guys.

790
00:37:59,800 --> 00:38:02,880
Speaker 2: We can tell basketball is my life.

791
00:38:03,520 --> 00:38:04,440
Speaker 4: He always says.

792
00:38:04,960 --> 00:38:08,640
Speaker 1: He always says, rook ain't NBA, Joe. But what I

793
00:38:08,760 --> 00:38:12,440
Speaker 1: can tell you is them six championships I won at

794
00:38:12,520 --> 00:38:16,920
Speaker 1: the Rucker. We were stacked from one to fifteen. The

795
00:38:17,080 --> 00:38:21,080
Speaker 1: Knicks have a bench and they got to start in five.

796
00:38:21,760 --> 00:38:24,239
Speaker 1: Nobody's gonna stop us this year. Y'all gonna see.

797
00:38:24,360 --> 00:38:27,279
Speaker 2: He had hot sauce and on them that the Knicks

798
00:38:27,360 --> 00:38:29,200
Speaker 2: gonna be good because you know how to coach it. No,

799
00:38:29,680 --> 00:38:30,560
Speaker 2: I'm not saying that.

800
00:38:31,280 --> 00:38:34,200
Speaker 1: What I am I know all them like, yeah, what

801
00:38:34,320 --> 00:38:38,720
Speaker 1: I'm saying to you, no, tell NBA was stacked. Okay,

802
00:38:38,920 --> 00:38:41,560
Speaker 1: I'm sorry, Audio. I root for the Nicks too, because

803
00:38:41,560 --> 00:38:43,080
Speaker 1: I got love. We don't have nothing to root for

804
00:38:43,120 --> 00:38:44,200
Speaker 1: it most of the time in basketball.

805
00:38:44,239 --> 00:38:45,680
Speaker 2: So I get it. I get it.

806
00:38:45,760 --> 00:38:48,239
Speaker 1: But he kind of might that might be too big

807
00:38:48,800 --> 00:38:53,560
Speaker 1: telling you to reach it's now enough. Boston fell apart,

808
00:38:54,440 --> 00:39:00,359
Speaker 1: every team Boston fell apart. They're gonna be I They're

809
00:39:00,440 --> 00:39:03,160
Speaker 1: not gonna be that. And when they had everybody we

810
00:39:03,280 --> 00:39:06,880
Speaker 1: beat them last year. Everybody said, look, this is the

811
00:39:07,000 --> 00:39:14,359
Speaker 1: Knicks walk in the park. Student of artists. Yes, you're

812
00:39:14,360 --> 00:39:14,840
Speaker 1: supposed to.

813
00:39:16,760 --> 00:39:17,000
Speaker 3: Know that.

814
00:39:17,320 --> 00:39:22,560
Speaker 1: You can't say that locking room health. We're good at health.

815
00:39:23,719 --> 00:39:26,359
Speaker 1: Nobody's beating us. I'm telling you we're gonna win this chip.

816
00:39:26,440 --> 00:39:29,239
Speaker 1: We're gonna suck around with okay, see, and we just

817
00:39:29,360 --> 00:39:29,880
Speaker 1: got it. You know.

818
00:39:30,480 --> 00:39:33,200
Speaker 2: We gotta rough them up a little, you know me?

819
00:39:35,640 --> 00:39:36,640
Speaker 2: I seen you with Tims.

820
00:39:36,680 --> 00:39:37,359
Speaker 4: What's up with them?

821
00:39:37,880 --> 00:39:40,320
Speaker 2: We might not want to know, man, but love, I

822
00:39:40,440 --> 00:39:40,840
Speaker 2: want to know.

823
00:39:41,760 --> 00:39:42,560
Speaker 4: People want to know.

824
00:39:43,200 --> 00:39:45,759
Speaker 2: I want to buy that ship, right, I want to

825
00:39:46,920 --> 00:39:51,239
Speaker 2: ship too. Now, you was in Louis, was in them?

826
00:39:51,440 --> 00:39:53,680
Speaker 2: You was in Louis and you ain't know. I was

827
00:39:53,719 --> 00:39:56,200
Speaker 2: across the street and Burden, so you was like, yo, Joe,

828
00:39:56,239 --> 00:39:57,640
Speaker 2: you Lois because I cast.

829
00:39:57,400 --> 00:39:58,400
Speaker 4: That's where Tims was at.

830
00:39:59,120 --> 00:40:02,839
Speaker 1: Was over there, very off the wait Tips, it is mad,

831
00:40:02,920 --> 00:40:05,920
Speaker 1: but I realized Tips walked away with thirty million.

832
00:40:06,000 --> 00:40:10,320
Speaker 2: They don't get dog one thing about Timsey's kind.

833
00:40:10,160 --> 00:40:11,320
Speaker 3: Of ship is this?

834
00:40:11,640 --> 00:40:12,200
Speaker 2: That's crazy?

835
00:40:12,360 --> 00:40:13,040
Speaker 4: I am.

836
00:40:13,880 --> 00:40:18,480
Speaker 2: I hate myself like that too. What did we gotta do?

837
00:40:18,600 --> 00:40:21,200
Speaker 1: I gotta go to Mongolia to get out of it

838
00:40:21,239 --> 00:40:24,600
Speaker 1: and make the fuck they're gonna give them the same thing, nobody.

839
00:40:26,200 --> 00:40:29,560
Speaker 1: I gotta go to Mongolia. I gotta get booked at

840
00:40:29,640 --> 00:40:31,319
Speaker 1: some shows where the niggas, it's like, yo.

841
00:40:31,400 --> 00:40:33,359
Speaker 4: Be careful, dude.

842
00:40:33,560 --> 00:40:36,279
Speaker 2: The gang members came in there with the guns and

843
00:40:37,160 --> 00:40:41,880
Speaker 2: to make a dollar. Motherfuckers make thirty million on the

844
00:40:42,080 --> 00:40:44,080
Speaker 2: walk out. Why you not mad like me?

845
00:40:44,360 --> 00:40:47,759
Speaker 4: Man ain't got nothing to do with that man, business man.

846
00:40:48,360 --> 00:40:51,120
Speaker 2: Well Tims said. I told him, come on the podcast.

847
00:40:51,239 --> 00:40:53,879
Speaker 2: You know I love set hell Noo and he said yes.

848
00:40:54,960 --> 00:40:57,520
Speaker 2: He said, I'm gonna get your number. I said, yo,

849
00:40:57,680 --> 00:41:02,040
Speaker 2: just just ex world while willing. He said, West Oh.

850
00:41:03,080 --> 00:41:04,960
Speaker 4: Won't be talking to him no time soon.

851
00:41:05,400 --> 00:41:08,799
Speaker 2: And they said so you should have knew that. Yea,

852
00:41:09,360 --> 00:41:12,759
Speaker 2: because I'm not got him with thirty million on the

853
00:41:12,880 --> 00:41:13,399
Speaker 2: walk out.

854
00:41:13,760 --> 00:41:17,239
Speaker 4: Yeah, you're going to coach man, Yeah, he wanted to.

855
00:41:17,440 --> 00:41:20,000
Speaker 2: He want to coach and make their play. Fifty West

856
00:41:20,080 --> 00:41:22,000
Speaker 2: lives across the street from me. I seen him. I said,

857
00:41:22,040 --> 00:41:26,239
Speaker 2: they walking exercise. I told him what Tim said. He said,

858
00:41:26,320 --> 00:41:27,000
Speaker 2: man's my guy.

859
00:41:27,080 --> 00:41:27,239
Speaker 4: Man.

860
00:41:27,320 --> 00:41:29,360
Speaker 2: He said that man, I know him thirty years. That

861
00:41:29,440 --> 00:41:32,360
Speaker 2: man should have sent me some chalking to Champagne. He

862
00:41:32,520 --> 00:41:38,480
Speaker 2: walked off with thirty as he watched the coach. He

863
00:41:38,600 --> 00:41:42,120
Speaker 2: just can't see past that. Please give me thirty ms.

864
00:41:43,239 --> 00:41:44,440
Speaker 2: So put the national.

865
00:41:45,719 --> 00:41:48,480
Speaker 4: You had to get out of here. It is over

866
00:41:48,600 --> 00:41:48,919
Speaker 4: you out.

867
00:41:49,520 --> 00:41:50,839
Speaker 2: I'm taking the thirty.

868
00:41:54,080 --> 00:41:58,560
Speaker 1: Coconut coconut, but the ones that you could peel their

869
00:41:58,640 --> 00:42:01,239
Speaker 1: inside with the spoon on the beach.

870
00:42:02,960 --> 00:42:05,880
Speaker 2: Piece of the Gods, one fair Rise.

871
00:42:07,200 --> 00:42:07,680
Speaker 4: Beloved.

872
00:42:08,280 --> 00:42:11,360
Speaker 2: I don't know what y'all waiting for, Like, yo, this

873
00:42:11,480 --> 00:42:13,560
Speaker 2: is what we're doing it for. You know what I'm saying, Like,

874
00:42:13,680 --> 00:42:16,920
Speaker 2: let me get out of here. Bertie Am.

875
00:42:17,880 --> 00:42:21,640
Speaker 3: How you feel about the state of the music industry

876
00:42:21,760 --> 00:42:23,960
Speaker 3: whatever is left of it right now?

877
00:42:24,400 --> 00:42:25,960
Speaker 4: Mant I.

878
00:42:26,280 --> 00:42:27,840
Speaker 2: My last time was like a four years ago.

879
00:42:28,280 --> 00:42:31,560
Speaker 1: And so much changed and changed dramatically for you, like

880
00:42:32,840 --> 00:42:37,919
Speaker 1: the styles, the sub genres, the But there's an artist

881
00:42:37,960 --> 00:42:39,080
Speaker 1: that came to win in that time.

882
00:42:39,760 --> 00:42:41,239
Speaker 2: That's a fact, literally came and went.

883
00:42:42,560 --> 00:42:44,920
Speaker 1: Like the industry plant stuff that some people think it's

884
00:42:44,960 --> 00:42:47,120
Speaker 1: really some people not like you know, fans, be more

885
00:42:47,120 --> 00:42:50,239
Speaker 1: aware this is it's it's the wild wild West right now.

886
00:42:50,640 --> 00:42:54,640
Speaker 3: I think I'm going Death Gym too. You think the

887
00:42:54,800 --> 00:42:58,920
Speaker 3: last time I went there it was crazy. It's a

888
00:42:59,040 --> 00:43:03,520
Speaker 3: bunch of young It's it's like this show on Netflix

889
00:43:04,040 --> 00:43:07,200
Speaker 3: with the levels that ship you like stay and I

890
00:43:07,320 --> 00:43:08,279
Speaker 3: went to the floor and.

891
00:43:08,320 --> 00:43:09,799
Speaker 4: There's a bunch of new youth.

892
00:43:10,200 --> 00:43:14,080
Speaker 3: What's the show squak No, It's almost it's like squat games,

893
00:43:14,160 --> 00:43:16,279
Speaker 3: mixed with the other ship that came out doing the.

894
00:43:17,200 --> 00:43:20,280
Speaker 2: Food on the ship man, with the levels, all the food,

895
00:43:20,560 --> 00:43:21,839
Speaker 2: it's like that got ship.

896
00:43:22,239 --> 00:43:24,879
Speaker 3: I went to this floor. I seen nobody I knew,

897
00:43:24,960 --> 00:43:26,800
Speaker 3: but it was like a bunch of young kids. You

898
00:43:26,840 --> 00:43:29,600
Speaker 3: know what I'm saying. They ain't control. Then they took

899
00:43:29,680 --> 00:43:32,080
Speaker 3: me all the way up to the towers. Then I

900
00:43:32,200 --> 00:43:34,320
Speaker 3: saw all of the people that I used to know,

901
00:43:35,200 --> 00:43:37,640
Speaker 3: all of my people that worked on my album. So

902
00:43:38,280 --> 00:43:42,520
Speaker 3: that freaked me out. That alone, it's a whole They

903
00:43:42,600 --> 00:43:45,640
Speaker 3: put the youth and so many people are like yes, man,

904
00:43:45,800 --> 00:43:48,200
Speaker 3: people I don't know. Then a few that I knew,

905
00:43:48,680 --> 00:43:50,000
Speaker 3: they put them in the chimney.

906
00:43:50,200 --> 00:43:50,800
Speaker 2: Well I never know.

907
00:43:52,239 --> 00:43:57,319
Speaker 4: Well it was that the chimneys they heard me kind

908
00:43:57,360 --> 00:44:01,759
Speaker 4: of supposed to be kind of hot. Put them up.

909
00:44:02,280 --> 00:44:05,719
Speaker 2: I'm like, yo, And I got to meet a whole news. Well,

910
00:44:05,760 --> 00:44:08,200
Speaker 2: you know, people got to work. And the problem is

911
00:44:09,040 --> 00:44:12,399
Speaker 2: that's a lot of people that been gatekeeping and they've

912
00:44:12,400 --> 00:44:14,640
Speaker 2: been getting they checks for years and years and years

913
00:44:14,760 --> 00:44:16,239
Speaker 2: getting exposed lazy.

914
00:44:16,600 --> 00:44:18,239
Speaker 1: And so they don't really want to put in that

915
00:44:18,440 --> 00:44:21,280
Speaker 1: work and that pain. You know, I got a friend,

916
00:44:21,400 --> 00:44:22,960
Speaker 1: he's my brother. I don't want to say his name,

917
00:44:23,040 --> 00:44:27,880
Speaker 1: but now I can't do that. But he be telling me, yo,

918
00:44:28,080 --> 00:44:30,840
Speaker 1: I gotta work. He be in the industry getting the

919
00:44:30,960 --> 00:44:32,080
Speaker 1: check for thirty years.

920
00:44:32,960 --> 00:44:33,719
Speaker 2: That's his man.

921
00:44:34,560 --> 00:44:38,239
Speaker 1: And he's like, Yo, they actually got me working. I said, well,

922
00:44:38,280 --> 00:44:41,280
Speaker 1: what the fuck you think this is? Like, you're getting

923
00:44:41,360 --> 00:44:41,880
Speaker 1: a checked.

924
00:44:42,080 --> 00:44:43,880
Speaker 2: You have to work. There's not a lot of passions

925
00:44:44,080 --> 00:44:45,920
Speaker 2: fucked up. They're not a lot of passions.

926
00:44:46,360 --> 00:44:49,200
Speaker 3: One thing I learned about this industry, where you find

927
00:44:49,400 --> 00:44:52,040
Speaker 3: people that rock with you and go off for you, you.

928
00:44:52,440 --> 00:44:55,480
Speaker 4: Should keep them reports and relationships.

929
00:44:54,719 --> 00:44:56,600
Speaker 3: Because it's not going to be a lot of them,

930
00:44:57,080 --> 00:45:01,600
Speaker 3: but that's passionate about their job and really want to

931
00:45:01,640 --> 00:45:01,960
Speaker 3: help you.

932
00:45:02,400 --> 00:45:03,919
Speaker 2: You know what I mean. You know I got both

933
00:45:04,239 --> 00:45:06,480
Speaker 2: I got I agree with both of you guys, right,

934
00:45:07,040 --> 00:45:10,279
Speaker 2: But you know it's a time for the youth to

935
00:45:10,440 --> 00:45:12,640
Speaker 2: show what they what they know in the industry and

936
00:45:12,719 --> 00:45:16,399
Speaker 2: all that, and we can't have Look what I'm gonna say.

937
00:45:17,520 --> 00:45:20,600
Speaker 2: I ain't gonna say it because you no, no, no,

938
00:45:20,719 --> 00:45:23,239
Speaker 2: Because I got too many friends, too many people.

939
00:45:23,040 --> 00:45:27,120
Speaker 1: That I love, too many people responsible for my career,

940
00:45:27,400 --> 00:45:30,800
Speaker 1: DJ's and all that. But when you got DJ's, unless

941
00:45:30,840 --> 00:45:35,320
Speaker 1: they DJing in the greatest Hits station, we got those

942
00:45:35,480 --> 00:45:39,360
Speaker 1: ninety four to seven the blot wbls. You can't be

943
00:45:40,040 --> 00:45:44,720
Speaker 1: all sixty trying to control the rap game. They gotta

944
00:45:44,760 --> 00:45:46,440
Speaker 1: be some young dudes. They got to get up in

945
00:45:46,520 --> 00:45:49,439
Speaker 1: there and start DJing. They gotta be some young kids

946
00:45:49,480 --> 00:45:52,200
Speaker 1: that you got to hire that that know what's going on.

947
00:45:52,400 --> 00:45:54,960
Speaker 1: I think that nobody got the patience. That's my experience

948
00:45:55,000 --> 00:45:57,080
Speaker 1: with a lot of the younger people trying to build

949
00:45:57,080 --> 00:45:58,239
Speaker 1: the staff for what we're doing too.

950
00:45:58,680 --> 00:46:01,080
Speaker 2: But like everybody don't realize you got to go from

951
00:46:01,080 --> 00:46:01,839
Speaker 2: here to day to day.

952
00:46:02,040 --> 00:46:03,880
Speaker 1: They think it's this for a couple of weeks and

953
00:46:03,880 --> 00:46:06,400
Speaker 1: then it's right there and like all we know is

954
00:46:06,480 --> 00:46:10,960
Speaker 1: like climbing up like that. But like instant gratification is

955
00:46:11,040 --> 00:46:14,759
Speaker 1: like you know what, what this conversation brings me to

956
00:46:15,360 --> 00:46:20,040
Speaker 1: is Kanye West be bugged out right, and he do

957
00:46:20,200 --> 00:46:21,080
Speaker 1: bugged out shit.

958
00:46:21,960 --> 00:46:25,920
Speaker 2: But I agree with him where the man is saying

959
00:46:26,320 --> 00:46:31,320
Speaker 2: he's selling every Adida sneaker. He a fucking billionaire, and

960
00:46:31,440 --> 00:46:33,839
Speaker 2: they put him to talk to somebody's son when he's

961
00:46:33,880 --> 00:46:37,080
Speaker 2: discussing his his sneakers and all that. As a kid

962
00:46:37,160 --> 00:46:38,839
Speaker 2: there making ninety thousand.

963
00:46:38,560 --> 00:46:41,040
Speaker 4: A year literally telling.

964
00:46:40,880 --> 00:46:42,800
Speaker 2: Him what to do like, Nah, we ain't doing it

965
00:46:43,040 --> 00:46:45,480
Speaker 2: like that. Yo, we're doing that. He's like, Yo, bro,

966
00:46:46,000 --> 00:46:48,040
Speaker 2: I'm keeping the lights on in Adidas.

967
00:46:48,600 --> 00:46:52,839
Speaker 4: The man still still protocol odocole.

968
00:46:53,520 --> 00:46:55,840
Speaker 2: You tell a billion dollar dude to walk up in

969
00:46:55,960 --> 00:46:58,759
Speaker 2: there and the niggas that gave him that deal, what

970
00:46:58,880 --> 00:46:59,719
Speaker 2: you think they got?

971
00:47:00,600 --> 00:47:05,040
Speaker 4: And hey, I don't mean this because he got that.

972
00:47:05,239 --> 00:47:08,040
Speaker 4: It's still somebody higher than him and somebody listen.

973
00:47:08,200 --> 00:47:10,279
Speaker 2: I agree with him. I agree with him.

974
00:47:10,280 --> 00:47:14,200
Speaker 1: I think there's certain people that if you know they

975
00:47:14,280 --> 00:47:16,000
Speaker 1: win all the time, they keep the lights on.

976
00:47:16,160 --> 00:47:17,040
Speaker 2: They know how to put it on.

977
00:47:17,239 --> 00:47:18,040
Speaker 4: The business man.

978
00:47:18,200 --> 00:47:19,479
Speaker 2: Don't have no young kids.

979
00:47:19,760 --> 00:47:21,600
Speaker 4: You don't get what you as for. You get what

980
00:47:21,719 --> 00:47:24,840
Speaker 4: you negotiate. You know that I got used the baffle

981
00:47:25,000 --> 00:47:25,960
Speaker 4: on that oh ship.

982
00:47:27,480 --> 00:47:30,239
Speaker 2: Who is the number one DJ in in Washington d C.

983
00:47:30,520 --> 00:47:34,600
Speaker 2: I I that was when when you used to be

984
00:47:34,680 --> 00:47:35,359
Speaker 2: coming all the time.

985
00:47:35,440 --> 00:47:39,719
Speaker 1: I remember I was flat flex was the nigga that

986
00:47:40,040 --> 00:47:42,719
Speaker 1: fron of the flesh DJ pleasant W B t C

987
00:47:43,560 --> 00:47:45,480
Speaker 1: at ninety point now and.

988
00:47:45,520 --> 00:47:47,800
Speaker 2: Then the light skin nigga, that's my man. What's the

989
00:47:47,880 --> 00:47:49,080
Speaker 2: light skined guy over there?

990
00:47:50,680 --> 00:47:52,200
Speaker 4: Quick Silver the man.

991
00:47:53,040 --> 00:47:55,360
Speaker 1: That's why that's when I first met you, when you

992
00:47:55,440 --> 00:47:58,960
Speaker 1: came to ninety point and I was still except half

993
00:47:59,040 --> 00:48:01,399
Speaker 1: fat Joe in the back of his pocket, and every

994
00:48:01,480 --> 00:48:03,280
Speaker 1: year I performed for his birthday party.

995
00:48:03,360 --> 00:48:07,279
Speaker 2: I swear to God. Baltimore d C. Now now you

996
00:48:07,400 --> 00:48:11,200
Speaker 2: had me every year. Come your Joe my birthday, Quick Silver,

997
00:48:11,320 --> 00:48:14,480
Speaker 2: the Man, Flex the man, what's my man? Who have

998
00:48:14,600 --> 00:48:15,520
Speaker 2: the show on BT?

999
00:48:17,040 --> 00:48:24,080
Speaker 3: Joe Claire, Joe Claire, that's all DM Yeah there, we.

1000
00:48:24,120 --> 00:48:28,120
Speaker 2: Gotta shout them out, Quick Silver, Flex, DJ.

1001
00:48:30,719 --> 00:48:32,120
Speaker 4: Listen, Stephen.

1002
00:48:33,280 --> 00:48:37,120
Speaker 2: That we all peace, man. It wouldn't be no fast

1003
00:48:37,239 --> 00:48:38,000
Speaker 2: Joe with our piece.

1004
00:48:38,920 --> 00:48:39,319
Speaker 4: He's sure.

1005
00:48:39,400 --> 00:48:41,640
Speaker 2: I love you, man, everything you ever did for me,

1006
00:48:42,280 --> 00:48:43,279
Speaker 2: Quick Silver.

1007
00:48:43,520 --> 00:48:46,360
Speaker 4: Quick Flex, Sean Flower, d.

1008
00:48:46,480 --> 00:48:54,880
Speaker 3: J Allenza, Analyze, Analyze, Joe Claire, Joe Claire, Simpson, Big Simpson.

1009
00:48:55,000 --> 00:49:01,040
Speaker 2: Hold up, Oh go go music? You when the butt error?

1010
00:49:01,840 --> 00:49:07,359
Speaker 2: What's doing the butt? Oh Sex say Sex? Say yo?

1011
00:49:08,760 --> 00:49:09,920
Speaker 2: That was this ship?

1012
00:49:11,280 --> 00:49:13,480
Speaker 4: What's my man? Let my music?

1013
00:49:13,719 --> 00:49:19,399
Speaker 2: Uh, don't do that. DJ Cool bro fucking like shit.

1014
00:49:20,000 --> 00:49:24,160
Speaker 3: DJ Cool, everybody, dude, listen, we all been booked to

1015
00:49:24,280 --> 00:49:27,680
Speaker 3: do halftimes at aviations. I just seen you ripped Dubai.

1016
00:49:28,080 --> 00:49:32,360
Speaker 3: Nobody ripped halftime like DJ Cool. He did something I

1017
00:49:32,520 --> 00:49:35,560
Speaker 3: never His ship wasn't off it down. They put his

1018
00:49:35,760 --> 00:49:39,320
Speaker 3: DJ on the court with him. He fucking tore the

1019
00:49:39,440 --> 00:49:42,080
Speaker 3: built his His ship was.

1020
00:49:42,120 --> 00:49:42,919
Speaker 4: Better than the game.

1021
00:49:43,080 --> 00:49:48,160
Speaker 2: Let me clean my throat. O ho messed baby? You

1022
00:49:48,280 --> 00:49:53,040
Speaker 2: know I don't lie? What what they clear my that

1023
00:49:53,120 --> 00:49:55,360
Speaker 2: they haven't got the words right? Do it?

1024
00:49:55,600 --> 00:49:56,000
Speaker 4: Song it?

1025
00:49:59,120 --> 00:50:02,000
Speaker 2: I don't even get lyrics right. Energy there there not

1026
00:50:02,239 --> 00:50:05,600
Speaker 2: energy there. We feel it though he's switching on.

1027
00:50:05,800 --> 00:50:07,560
Speaker 4: Don't mind Tea's not on. Lie.

1028
00:50:08,560 --> 00:50:11,480
Speaker 1: I don't even get my own ship right, Yo. Remy

1029
00:50:11,760 --> 00:50:16,960
Speaker 1: fucker podcast. Remy been disrespecting me forever. Like, Yo, bro,

1030
00:50:17,160 --> 00:50:20,319
Speaker 1: what the fuck wom you don't even get your words right?

1031
00:50:20,880 --> 00:50:22,759
Speaker 2: I said, you know I'm fried, Yo.

1032
00:50:22,880 --> 00:50:25,920
Speaker 4: Shut out the shout out to North Carolina A and T.

1033
00:50:26,200 --> 00:50:27,480
Speaker 4: I just did their homecoming.

1034
00:50:27,680 --> 00:50:30,640
Speaker 2: You caught up body at that ship I watched on Instagram.

1035
00:50:30,840 --> 00:50:32,080
Speaker 4: Let Findy rock with me.

1036
00:50:32,960 --> 00:50:37,160
Speaker 5: Never get it was the feelings white on the no

1037
00:50:37,760 --> 00:50:44,880
Speaker 5: pheling he's saying. His feelings was Yugoslavian. It was Solvanian.

1038
00:50:45,880 --> 00:50:48,880
Speaker 5: It was everything you set with it. I'm like, Findy,

1039
00:50:49,400 --> 00:50:53,959
Speaker 5: you're not even saying American. You're saying Jimmy Rish. Don't

1040
00:50:54,040 --> 00:50:59,319
Speaker 5: say nothing in the same he's feeling it in. I'm

1041
00:50:59,360 --> 00:51:01,880
Speaker 5: saying this, I'm about to mess up the whole. I

1042
00:51:02,120 --> 00:51:02,840
Speaker 5: start laughing.

1043
00:51:02,960 --> 00:51:06,880
Speaker 2: I'm like, yoke, shut up, listen. I'm in Miami. You

1044
00:51:06,960 --> 00:51:08,160
Speaker 2: have be rich for the film.

1045
00:51:08,239 --> 00:51:10,960
Speaker 1: I'm in Miami, and you know how that shit you

1046
00:51:11,360 --> 00:51:13,719
Speaker 1: definitely know you one of the kings and this shit

1047
00:51:14,200 --> 00:51:15,520
Speaker 1: I caught a miracle bag.

1048
00:51:15,640 --> 00:51:18,240
Speaker 2: They called me for cant kusid buster Morrows. They coming,

1049
00:51:18,600 --> 00:51:21,080
Speaker 2: thank you, man? Did I need that bag?

1050
00:51:21,360 --> 00:51:21,480
Speaker 5: Right?

1051
00:51:21,560 --> 00:51:23,799
Speaker 2: So they send the private playing. We went out there.

1052
00:51:24,960 --> 00:51:29,400
Speaker 2: Rich player was my hype man. Ooh, the worst performance

1053
00:51:29,560 --> 00:51:32,839
Speaker 2: ever seen in yo stint of football my name.

1054
00:51:33,600 --> 00:51:36,799
Speaker 1: Yo, he's still he's still be bragging about that ship

1055
00:51:36,920 --> 00:51:39,279
Speaker 1: fifteen years Remember the time I hyped you.

1056
00:51:39,360 --> 00:51:44,000
Speaker 2: I'm like, Yo, that shit was the worst shit. Yo,

1057
00:51:44,120 --> 00:51:48,279
Speaker 2: we just can't do that money Monday morning quarterback shit.

1058
00:51:48,400 --> 00:51:52,239
Speaker 2: You let your man hype your ship up. That shit

1059
00:51:52,320 --> 00:51:54,320
Speaker 2: be the worst friendy fucking he was.

1060
00:51:54,360 --> 00:51:58,240
Speaker 3: He should do one nothing like with it, Aggie pride

1061
00:51:58,400 --> 00:52:00,399
Speaker 3: this that when there's no word when they.

1062
00:52:00,440 --> 00:52:03,480
Speaker 4: Dropped the soul, he should have just stepped back. He

1063
00:52:04,480 --> 00:52:08,080
Speaker 4: had a flashback. He thought he was stabshed loot. I

1064
00:52:08,160 --> 00:52:10,160
Speaker 4: thought he was mad. People would want to.

1065
00:52:10,280 --> 00:52:14,080
Speaker 2: Get nobody right. Philly's my man, I had a but

1066
00:52:14,200 --> 00:52:17,200
Speaker 2: I am I man skilled in finished, so you never

1067
00:52:17,360 --> 00:52:21,040
Speaker 2: do it? Could your findy just stick to looking pretty? Baby,

1068
00:52:21,480 --> 00:52:23,640
Speaker 2: stay out the way. Let's go to the last song

1069
00:52:24,400 --> 00:52:27,520
Speaker 2: off the new LP. Everything is a lot, man, you

1070
00:52:27,640 --> 00:52:31,000
Speaker 2: gotta love this album. This album is really really great.

1071
00:52:32,080 --> 00:52:35,759
Speaker 2: We put in that work November fourteenth. Man, before you

1072
00:52:35,920 --> 00:52:38,520
Speaker 2: go buy some bullshit, purchase you.

1073
00:52:38,600 --> 00:52:39,640
Speaker 4: Some good music to do.

1074
00:52:39,960 --> 00:52:40,480
Speaker 2: You know what I mean?

1075
00:52:40,719 --> 00:52:41,200
Speaker 4: Stream it?

1076
00:52:41,719 --> 00:52:45,440
Speaker 3: Buy it. The streams is cool, but we need per

1077
00:52:45,680 --> 00:52:49,800
Speaker 3: We need sales, you know what I mean? We need sale,

1078
00:52:49,920 --> 00:52:52,160
Speaker 3: So I stream more albums. So what's the difference you

1079
00:52:52,280 --> 00:52:56,920
Speaker 3: can doing nothing? You know shit, you don't have a

1080
00:52:57,040 --> 00:52:57,840
Speaker 3: sound system.

1081
00:52:58,320 --> 00:53:00,440
Speaker 2: I don't know how to I go, and don't say

1082
00:53:00,520 --> 00:53:01,520
Speaker 2: that lazy gentlemen.

1083
00:53:02,040 --> 00:53:02,719
Speaker 4: He's delusion.

1084
00:53:03,239 --> 00:53:06,959
Speaker 3: He buys you artists, We buy your music, and let's

1085
00:53:07,040 --> 00:53:09,000
Speaker 3: recip it cake this toast.

1086
00:53:09,160 --> 00:53:12,239
Speaker 2: This fucking up some ma su spade. I'll see that.

1087
00:53:12,320 --> 00:53:16,040
Speaker 3: So said right there, Everything's a lot No Vembo fourteenth

1088
00:53:16,400 --> 00:53:19,280
Speaker 3: all platforms shout out to my brother's.

1089
00:53:18,960 --> 00:53:22,160
Speaker 4: Still fucking going crazy or you suckers.

1090
00:53:22,800 --> 00:53:24,600
Speaker 1: Let me ask you one question before we go to

1091
00:53:24,719 --> 00:53:28,200
Speaker 1: that song. I've seen you talking a lot about drinking

1092
00:53:28,360 --> 00:53:29,960
Speaker 1: and addiction and drinking.

1093
00:53:30,200 --> 00:53:31,640
Speaker 2: Did you go through the time.

1094
00:53:31,680 --> 00:53:33,480
Speaker 1: I think everybody in this industry, if you've been in

1095
00:53:33,520 --> 00:53:35,400
Speaker 1: this gen longer than like six years, you've been through

1096
00:53:35,440 --> 00:53:37,600
Speaker 1: some traumatic ship, like regardless of the way.

1097
00:53:37,760 --> 00:53:38,799
Speaker 2: No, I don't, I don't.

1098
00:53:39,280 --> 00:53:41,440
Speaker 1: I've got to see any of our peers that's been

1099
00:53:41,480 --> 00:53:44,719
Speaker 1: in it for longer than six it's like one or

1100
00:53:44,760 --> 00:53:47,400
Speaker 1: two traumatic things that kind of read why how your

1101
00:53:47,440 --> 00:53:50,840
Speaker 1: brain is? So I think we all have indulged advices

1102
00:53:50,920 --> 00:53:54,759
Speaker 1: at particular moments, like for whatever reason, to push through something,

1103
00:53:54,800 --> 00:53:59,080
Speaker 1: to numb something, or simply because like this ship wasn't

1104
00:53:59,160 --> 00:54:01,560
Speaker 1: made for all. We wasn't made to see all these

1105
00:54:01,600 --> 00:54:03,399
Speaker 1: opinions and all that. Like you know what I'm saying,

1106
00:54:03,400 --> 00:54:05,600
Speaker 1: it's just too much, it's too heavy. It's a lot,

1107
00:54:06,360 --> 00:54:08,000
Speaker 1: and then you have everything's a lot, and then you

1108
00:54:08,080 --> 00:54:09,759
Speaker 1: got to act like you perfect and all that.

1109
00:54:10,000 --> 00:54:12,160
Speaker 2: Yeah, this game you can game.

1110
00:54:12,280 --> 00:54:12,360
Speaker 4: Yo.

1111
00:54:12,520 --> 00:54:14,600
Speaker 2: Sometimes they try to kill me while the I'm not

1112
00:54:14,719 --> 00:54:16,160
Speaker 2: even lying, No, they do. They come.

1113
00:54:16,480 --> 00:54:19,440
Speaker 1: Sometimes I'd be like, I'd be like, but everybody all

1114
00:54:19,520 --> 00:54:22,000
Speaker 1: go in it, But everybody go go. But I'll be

1115
00:54:22,080 --> 00:54:26,480
Speaker 1: thinking it's the price we paid. Unfortunately, I don't know

1116
00:54:26,520 --> 00:54:29,320
Speaker 1: if it's just our community because we always got to

1117
00:54:29,400 --> 00:54:32,640
Speaker 1: refer back to the Jews and these guys whether they

1118
00:54:32,719 --> 00:54:33,280
Speaker 1: get along.

1119
00:54:34,200 --> 00:54:38,759
Speaker 4: We play this song no no, no, no, no.

1120
00:54:41,200 --> 00:54:45,359
Speaker 1: No, I'm trying to tell you now, ask a look,

1121
00:54:45,920 --> 00:54:48,520
Speaker 1: Everything's a Lot November fourteenth.

1122
00:54:49,239 --> 00:54:51,440
Speaker 2: This song is but I Gotta finish one up now

1123
00:54:52,160 --> 00:54:52,880
Speaker 2: and this this.

1124
00:54:52,960 --> 00:54:53,759
Speaker 4: Song is called up.

1125
00:54:53,840 --> 00:54:57,080
Speaker 2: This song is called belly Right, and it's just really

1126
00:54:57,120 --> 00:54:59,319
Speaker 2: about what we were just talking about, making it look

1127
00:54:59,400 --> 00:55:01,560
Speaker 2: like I was saying something bad. What it is, I

1128
00:55:01,680 --> 00:55:04,279
Speaker 2: just when I how much my Jewish friends don't get along.

1129
00:55:04,360 --> 00:55:07,440
Speaker 1: They work together, and they make money together, and they

1130
00:55:07,560 --> 00:55:11,000
Speaker 1: do business together. And for some reason, I feel like

1131
00:55:11,760 --> 00:55:15,120
Speaker 1: in this industry everybody trying to knock you.

1132
00:55:15,320 --> 00:55:20,200
Speaker 2: Down for doing good. I'm just saying that the new song,

1133
00:55:20,320 --> 00:55:23,879
Speaker 2: let's go, let's get to it like it's the truth though.

1134
00:55:23,960 --> 00:55:25,840
Speaker 2: That's all I was going and welcome back.

1135
00:55:28,280 --> 00:55:28,600
Speaker 4: My name.

1136
00:55:29,400 --> 00:55:31,200
Speaker 1: This song is called Bealley and it's just really about

1137
00:55:32,360 --> 00:55:36,879
Speaker 1: you know, balancing like both sides of my life from

1138
00:55:36,920 --> 00:55:39,920
Speaker 1: the reality of the situation I'm in, trauma I've been

1139
00:55:40,000 --> 00:55:43,440
Speaker 1: through and like survivors guilt like all of that.

1140
00:55:43,760 --> 00:55:44,880
Speaker 2: And one it's called.

1141
00:55:44,920 --> 00:55:52,879
Speaker 4: Everything's a Lot No. Fourteenth, Everything to reality.

1142
00:55:57,840 --> 00:56:00,440
Speaker 1: They say the strange thing the box running this, ain't wait,

1143
00:56:00,760 --> 00:56:03,560
Speaker 1: so I got make that bands come my cheesecake. Nigga's

1144
00:56:03,600 --> 00:56:06,239
Speaker 1: off size. It's my free play. A man turning from

1145
00:56:06,239 --> 00:56:08,960
Speaker 1: my barber. Get your free faith. So wait, tell me

1146
00:56:09,040 --> 00:56:10,920
Speaker 1: wherever you got though. I'm looking through the windows of

1147
00:56:11,000 --> 00:56:13,040
Speaker 1: your soul. Long back though I lost some good man

1148
00:56:13,080 --> 00:56:15,480
Speaker 1: because they couldn't see the back door were black, Marinard.

1149
00:56:15,600 --> 00:56:18,160
Speaker 1: Now keep it in the satchel page. All this hating

1150
00:56:18,239 --> 00:56:20,000
Speaker 1: on me is a natural for God gave me this,

1151
00:56:20,120 --> 00:56:22,560
Speaker 1: and theythyst can see the passion. And y'all niggas name

1152
00:56:22,600 --> 00:56:24,759
Speaker 1: how you're playing with the crash up? But everything a lot,

1153
00:56:24,800 --> 00:56:26,759
Speaker 1: so bring everything everything so.

1154
00:56:30,160 --> 00:56:35,759
Speaker 2: And the fella yadda change change you let that ship up.

1155
00:56:37,480 --> 00:56:42,240
Speaker 2: I n the fella got him, ain't.

1156
00:56:43,560 --> 00:56:47,560
Speaker 1: Ain't yeah, we celebrating my opposition. Ain't not the missing

1157
00:56:47,840 --> 00:56:49,279
Speaker 1: God's good but I off the question and.

1158
00:56:49,360 --> 00:56:51,239
Speaker 2: When he listened. The hate is bigger than me, the

1159
00:56:51,320 --> 00:56:53,040
Speaker 2: way it is bigger than me. They crashing out.

1160
00:56:53,080 --> 00:56:55,439
Speaker 1: I feel like I'm a talent Dago winning Chocolate City

1161
00:56:55,520 --> 00:56:56,480
Speaker 1: were supposed.

1162
00:56:56,120 --> 00:56:56,440
Speaker 2: To be good.

1163
00:56:56,560 --> 00:56:58,720
Speaker 1: Never thought I see ray one elevens on social media.

1164
00:56:58,840 --> 00:56:59,880
Speaker 2: They they can pick up.

1165
00:57:00,280 --> 00:57:02,239
Speaker 1: I don't know the details, Me and cats talking and

1166
00:57:02,320 --> 00:57:04,840
Speaker 1: Selk Temple, Beverly Hills, Southwest Southwest.

1167
00:57:04,840 --> 00:57:06,839
Speaker 2: Shout out to one O six every show I had

1168
00:57:06,840 --> 00:57:09,400
Speaker 2: a platinum, they was getting me. Let everybody show.

1169
00:57:09,200 --> 00:57:11,239
Speaker 1: You love when you're giving them ship when they say

1170
00:57:11,320 --> 00:57:13,640
Speaker 1: no and no longer pretend to be friends. That's right, man,

1171
00:57:13,760 --> 00:57:16,120
Speaker 1: don't sketch god drawing and shit. I lost some niggas

1172
00:57:16,160 --> 00:57:18,000
Speaker 1: the dippers. I lost some niggas to fence. I lost

1173
00:57:18,040 --> 00:57:19,919
Speaker 1: it all when I got it all, I'm gona target again.

1174
00:57:20,040 --> 00:57:22,280
Speaker 1: When anything you do offensive, you be hard at the fan.

1175
00:57:22,360 --> 00:57:27,560
Speaker 2: I'm going to the Feller Yoda and the feller Yodda

1176
00:57:29,040 --> 00:57:42,160
Speaker 2: Lord is shit and the Feller yodda big yo Man's on.

1177
00:57:42,320 --> 00:57:46,240
Speaker 1: Melrow chain on May Day, all rest patient brands on jpek.

1178
00:57:46,440 --> 00:57:48,400
Speaker 1: How can I express? And the ship that got me rich?

1179
00:57:48,520 --> 00:57:51,960
Speaker 1: That depression and the pressure is the motherfucker wine. Drinking

1180
00:57:52,040 --> 00:57:54,400
Speaker 1: a Malibu is a moth for you said about ten

1181
00:57:54,480 --> 00:57:58,160
Speaker 1: dollar pieces, but nah ba a dollar short a daylight.

1182
00:57:57,960 --> 00:57:59,360
Speaker 2: Niggas with broadways, I'm sorry.

1183
00:57:59,400 --> 00:58:02,800
Speaker 1: I'm not for play play small conversations of aka. They

1184
00:58:02,880 --> 00:58:05,680
Speaker 1: all said, we brothers that felt like I'm by dayla gut.

1185
00:58:06,080 --> 00:58:08,400
Speaker 1: I got the stripper from Mela. My cousins decided a wedding.

1186
00:58:08,480 --> 00:58:09,640
Speaker 1: I put her wrest in the kla.

1187
00:58:10,200 --> 00:58:10,400
Speaker 2: Yeah.

1188
00:58:10,880 --> 00:58:12,640
Speaker 1: Maybe a way to kill us or maybe need to

1189
00:58:12,720 --> 00:58:15,120
Speaker 1: appear to my parents. I'm on the same way. Look

1190
00:58:15,440 --> 00:58:17,440
Speaker 1: the ever blow in this talent. It's like a balance

1191
00:58:17,480 --> 00:58:19,280
Speaker 1: in that. But my parents gave me my stage name.

1192
00:58:19,360 --> 00:58:24,000
Speaker 1: Man's all melro Chain on may Days, Patience, friends on Jape.

1193
00:58:24,040 --> 00:58:24,800
Speaker 2: How can I express?

1194
00:58:24,960 --> 00:58:26,800
Speaker 1: And the ship that got me rich at depression and

1195
00:58:26,880 --> 00:58:30,200
Speaker 1: the pressure of the motherfucker Look, Man's all melros Chain

1196
00:58:30,320 --> 00:58:33,160
Speaker 1: on Layday, reds patient, everybody.

1197
00:58:32,880 --> 00:58:34,320
Speaker 2: Waiting, how can I express?

1198
00:58:34,360 --> 00:58:36,280
Speaker 1: And the ship that got me lit that depression, the

1199
00:58:36,360 --> 00:58:39,800
Speaker 1: pressure with the motherfuckers same thing and the.

1200
00:58:39,840 --> 00:58:48,120
Speaker 2: Flealler yodda and the flealler yodda Yeah, and flor yotda Big.

1201
00:58:53,880 --> 00:58:54,320
Speaker 2: I was not.

1202
00:58:56,560 --> 00:58:57,880
Speaker 4: Just ain't that that?

1203
00:58:58,080 --> 00:59:01,600
Speaker 2: Ain't this scracking? Kids? Give it up. Our guests, the

1204
00:59:01,680 --> 00:59:06,560
Speaker 2: one and only Quiley, thank you, got very much to

1205
00:59:06,680 --> 00:59:07,440
Speaker 2: the hospitality.

1206
00:59:07,680 --> 00:59:10,880
Speaker 3: Everything's a lot no vemmo fourteenth you hurt me.

1207
00:59:11,120 --> 00:59:11,640
Speaker 2: Let's get it